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class="cb-mega-cat-link link features" href="/category/feature-articles/">more articles...</a> <a class="cb-mega-cat-link link festival" href="/category/festival-reports/">more articles...</a> <a class="cb-mega-cat-link link reviews" href="/category/book-reviews/">more articles...</a> <a class="cb-mega-cat-link link cteq" href="/category/cteq/">more articles...</a> <a class="cb-mega-cat-link link directors" href="/category/great-directors">more articles...</a> </div> </header> <div class="cb-cat-header wrap"> <h1 id="cb-cat-title"><span>Author <i class="fa fa-long-arrow-right"></i></span> Darragh O’Donoghue</h1> </div> <div id="cb-content" class="cb-author-page wrap clearfix"> <div class="cb-author-details clearfix"><div class="cb-mask"><a href="http://www.sensesofcinema.com/author/darragh-odonoghue/"></a></div><div class="cb-meta"><h3><a href="http://www.sensesofcinema.com/author/darragh-odonoghue/">Darragh O’Donoghue</a></h3><p class="cb-author-bio">Darragh O'Donoghue is an archivist at Tate and a contributing writer for <em>Cineaste.</em> He recently completed a PhD on the Stephen Dwoskin Archive at the University of Reading, and contributed to the 'Beyond Bollywood' event at Tate Modern in April 2022.</p></div></div> <div id="main" class="cb-main clearfix cb-module-block cb-blog-style-roll" role="main"> <article id="post-49468" class="cb-blog-style-a clearfix" role="article"> <div class="cb-mask" style="background-color:#e4406e;"> <a href="http://www.sensesofcinema.com/2024/cteq/jubilee/"><img width="480" height="240" src="http://www.sensesofcinema.com/wp-content/uploads/2024/11/Jubilee-lead-480x240.jpg" class="attachment-cb-480-240 size-cb-480-240 wp-post-image" alt="" loading="lazy" /></a> </div> <div class="cb-meta"> <h2 class="h4"><a href="http://www.sensesofcinema.com/2024/cteq/jubilee/"><i>Jubilee</i></a></h2> <div class="cb-byline cb-font-header"><div class="cb-author cb-byline-element"><i class="fa fa-user"></i> <a href="http://www.sensesofcinema.com/author/darragh-odonoghue/" title="Posts by Darragh O’Donoghue" class="author url fn" rel="author">Darragh O’Donoghue</a></div> <div class="cb-date cb-byline-element"><i class="fa fa-clock-o"></i> <time class="" datetime="2024-11-12">November 2024</time></div> <div class="cb-category cb-byline-element"><i class="fa fa-folder-o"></i> <a href="http://www.sensesofcinema.com/category/cteq/" title="View all posts in CTEQ Annotations on Film">CTEQ Annotations on Film</a></div></div> <div class="cb-excerpt">“God save the Queen…” In 1952, Princess Elizabeth became the Queen of Great Britain, Northern Ireland, the Dominions, etc. With the UK suffering from the physical and financial cost of World War II, rationing <span class="cb-excerpt-dots">...</span></div> </div> </article> <article id="post-48987" class="cb-blog-style-a clearfix" role="article"> <div class="cb-mask" style="background-color:#e4406e;"> <a href="http://www.sensesofcinema.com/2024/cteq/blind-beast/"><img width="480" height="240" src="http://www.sensesofcinema.com/wp-content/uploads/2024/09/Blind-Beast-lead-480x240.jpg" class="attachment-cb-480-240 size-cb-480-240 wp-post-image" alt="" loading="lazy" /></a> </div> <div class="cb-meta"> <h2 class="h4"><a href="http://www.sensesofcinema.com/2024/cteq/blind-beast/"><i>Blind Beast</i></a></h2> <div class="cb-byline cb-font-header"><div class="cb-author cb-byline-element"><i class="fa fa-user"></i> <a href="http://www.sensesofcinema.com/author/darragh-odonoghue/" title="Posts by Darragh O’Donoghue" class="author url fn" rel="author">Darragh O’Donoghue</a></div> <div class="cb-date cb-byline-element"><i class="fa fa-clock-o"></i> <time class="" datetime="2024-09-01">September 2024</time></div> <div class="cb-category cb-byline-element"><i class="fa fa-folder-o"></i> <a href="http://www.sensesofcinema.com/category/cteq/" title="View all posts in CTEQ Annotations on Film">CTEQ Annotations on Film</a></div></div> <div class="cb-excerpt">The traditional visual art of Japan – such as popular woodblock prints and handscrolls – was a shaping influence on the films of Yasuzō Masumura. He used its subject matter, disposition of space, and compositio<span class="cb-excerpt-dots">...</span></div> </div> </article> <article id="post-48514" class="cb-blog-style-a clearfix" role="article"> <div class="cb-mask" style="background-color:#e4406e;"> <a href="http://www.sensesofcinema.com/2024/cteq/une-sale-histoire/"><img width="480" height="240" src="http://www.sensesofcinema.com/wp-content/uploads/2024/07/Une-sale-histoire-lead-480x240.png" class="attachment-cb-480-240 size-cb-480-240 wp-post-image" alt="" loading="lazy" /></a> </div> <div class="cb-meta"> <h2 class="h4"><a href="http://www.sensesofcinema.com/2024/cteq/une-sale-histoire/"><i>Une sale histoire</i></a></h2> <div class="cb-byline cb-font-header"><div class="cb-author cb-byline-element"><i class="fa fa-user"></i> <a href="http://www.sensesofcinema.com/author/darragh-odonoghue/" title="Posts by Darragh O’Donoghue" class="author url fn" rel="author">Darragh O’Donoghue</a></div> <div class="cb-date cb-byline-element"><i class="fa fa-clock-o"></i> <time class="" datetime="2024-07-07">July 2024</time></div> <div class="cb-category cb-byline-element"><i class="fa fa-folder-o"></i> <a href="http://www.sensesofcinema.com/category/cteq/" title="View all posts in CTEQ Annotations on Film">CTEQ Annotations on Film</a></div></div> <div class="cb-excerpt">In Une sale histoire (Jean Eustache, 1977), a dirty story is told – twice. The work comprises two notionally identical short films in which a middle-aged man narrates a story of erotic obsession to a mixed audi<span class="cb-excerpt-dots">...</span></div> </div> </article> <article id="post-47829" class="cb-blog-style-a clearfix" role="article"> <div class="cb-mask" style="background-color:#e4406e;"> <a href="http://www.sensesofcinema.com/2024/cteq/the-night-of-the-shooting-stars/"><img width="480" height="240" src="http://www.sensesofcinema.com/wp-content/uploads/2024/02/The-Night-of-the-Shooting-Stars-lead-480x240.png" class="attachment-cb-480-240 size-cb-480-240 wp-post-image" alt="" loading="lazy" /></a> </div> <div class="cb-meta"> <h2 class="h4"><a href="http://www.sensesofcinema.com/2024/cteq/the-night-of-the-shooting-stars/"><i>The Night of the Shooting Stars</i></a></h2> <div class="cb-byline cb-font-header"><div class="cb-author cb-byline-element"><i class="fa fa-user"></i> <a href="http://www.sensesofcinema.com/author/darragh-odonoghue/" title="Posts by Darragh O’Donoghue" class="author url fn" rel="author">Darragh O’Donoghue</a></div> <div class="cb-date cb-byline-element"><i class="fa fa-clock-o"></i> <time class="" datetime="2024-02-22">February 2024</time></div> <div class="cb-category cb-byline-element"><i class="fa fa-folder-o"></i> <a href="http://www.sensesofcinema.com/category/cteq/" title="View all posts in CTEQ Annotations on Film">CTEQ Annotations on Film</a></div></div> <div class="cb-excerpt">The landscape is never simply a landscape for the Taviani Brothers. Whether fertile or barren, and in Sardinia or Sunset Boulevard, the landscape is more than a picturesque accretion of fields, trees, valleys, <span class="cb-excerpt-dots">...</span></div> </div> </article> <article id="post-47810" class="cb-blog-style-a clearfix" role="article"> <div class="cb-mask" style="background-color:#e4406e;"> <a href="http://www.sensesofcinema.com/2024/cteq/anna-2/"><img width="480" height="240" src="http://www.sensesofcinema.com/wp-content/uploads/2024/02/Anna-lead-480x240.png" class="attachment-cb-480-240 size-cb-480-240 wp-post-image" alt="" loading="lazy" /></a> </div> <div class="cb-meta"> <h2 class="h4"><a href="http://www.sensesofcinema.com/2024/cteq/anna-2/"><i>Anna</i></a></h2> <div class="cb-byline cb-font-header"><div class="cb-author cb-byline-element"><i class="fa fa-user"></i> <a href="http://www.sensesofcinema.com/author/darragh-odonoghue/" title="Posts by Darragh O’Donoghue" class="author url fn" rel="author">Darragh O’Donoghue</a></div> <div class="cb-date cb-byline-element"><i class="fa fa-clock-o"></i> <time class="" datetime="2024-02-03">February 2024</time></div> <div class="cb-category cb-byline-element"><i class="fa fa-folder-o"></i> <a href="http://www.sensesofcinema.com/category/cteq/" title="View all posts in CTEQ Annotations on Film">CTEQ Annotations on Film</a></div></div> <div class="cb-excerpt">Is Anna (Pierre Koralnik, 1967) desperately modish or a critique of desperate modishness? Like most social satires, it prefers to have its cake and eat it. Anna depicts a world that is superficial, conformist, <span class="cb-excerpt-dots">...</span></div> </div> </article> <article id="post-47347" class="cb-blog-style-a clearfix" role="article"> <div class="cb-mask" style="background-color:#e4406e;"> <a href="http://www.sensesofcinema.com/2023/cteq/twice-a-man-gregory-j-markopoulos-1963/"><img width="480" height="240" src="http://www.sensesofcinema.com/wp-content/uploads/2023/11/Twice-a-Man-lead-480x240.png" class="attachment-cb-480-240 size-cb-480-240 wp-post-image" alt="" loading="lazy" /></a> </div> <div class="cb-meta"> <h2 class="h4"><a href="http://www.sensesofcinema.com/2023/cteq/twice-a-man-gregory-j-markopoulos-1963/"><i>Twice a Man</i></a></h2> <div class="cb-byline cb-font-header"><div class="cb-author cb-byline-element"><i class="fa fa-user"></i> <a href="http://www.sensesofcinema.com/author/darragh-odonoghue/" title="Posts by Darragh O’Donoghue" class="author url fn" rel="author">Darragh O’Donoghue</a></div> <div class="cb-date cb-byline-element"><i class="fa fa-clock-o"></i> <time class="" datetime="2023-11-05">November 2023</time></div> <div class="cb-category cb-byline-element"><i class="fa fa-folder-o"></i> <a href="http://www.sensesofcinema.com/category/cteq/" title="View all posts in CTEQ Annotations on Film">CTEQ Annotations on Film</a></div></div> <div class="cb-excerpt">What are the right words to discuss this? - Stephen Dwoskin on Gregory Markopoulos Advance Guard artists are so far in advance of their audiences that they often have to explain what it is that they are doing<span class="cb-excerpt-dots">...</span></div> </div> </article> <article id="post-46989" class="cb-blog-style-a clearfix" role="article"> <div class="cb-mask" style="background-color:#e4406e;"> <a href="http://www.sensesofcinema.com/2023/cteq/the-sentimental-bloke-raymond-longford-1919/"><img width="480" height="240" src="http://www.sensesofcinema.com/wp-content/uploads/2023/09/The-Sentimental-Bloke-480x240.png" class="attachment-cb-480-240 size-cb-480-240 wp-post-image" alt="" loading="lazy" /></a> </div> <div class="cb-meta"> <h2 class="h4"><a href="http://www.sensesofcinema.com/2023/cteq/the-sentimental-bloke-raymond-longford-1919/"><i>The Sentimental Bloke</i></a></h2> <div class="cb-byline cb-font-header"><div class="cb-author cb-byline-element"><i class="fa fa-user"></i> <a href="http://www.sensesofcinema.com/author/darragh-odonoghue/" title="Posts by Darragh O’Donoghue" class="author url fn" rel="author">Darragh O’Donoghue</a></div> <div class="cb-date cb-byline-element"><i class="fa fa-clock-o"></i> <time class="" datetime="2023-09-14">September 2023</time></div> <div class="cb-category cb-byline-element"><i class="fa fa-folder-o"></i> <a href="http://www.sensesofcinema.com/category/cteq/" title="View all posts in CTEQ Annotations on Film">CTEQ Annotations on Film</a></div></div> <div class="cb-excerpt">Lottie Lyell had her work cut out when she agreed to appear as the love interest of The Sentimental Bloke (Raymond Longford, 1919). The film was, and has usually been admired, as a bloke-ish affair. Its reputat<span class="cb-excerpt-dots">...</span></div> </div> </article> <article id="post-45106" class="cb-blog-style-a clearfix" role="article"> <div class="cb-mask" style="background-color:#e4406e;"> <a href="http://www.sensesofcinema.com/2022/cteq/sitting-on-a-branch-enjoying-myself-sedim-na-konari-a-je-mi-dobre-juraj-jakubisko-1989/"><img width="480" height="240" src="http://www.sensesofcinema.com/wp-content/uploads/2022/10/Sitting-on-a-Branch-Enjoying-Myself-cteq-annotation-lead-480x240.png" class="attachment-cb-480-240 size-cb-480-240 wp-post-image" alt="" loading="lazy" /></a> </div> <div class="cb-meta"> <h2 class="h4"><a href="http://www.sensesofcinema.com/2022/cteq/sitting-on-a-branch-enjoying-myself-sedim-na-konari-a-je-mi-dobre-juraj-jakubisko-1989/"><i>Sitting on a Branch, Enjoying Myself</i> (<i>Sedím na konári a je mi dobre</i>, Juraj Jakubisko, 1989)</a></h2> <div class="cb-byline cb-font-header"><div class="cb-author cb-byline-element"><i class="fa fa-user"></i> <a href="http://www.sensesofcinema.com/author/darragh-odonoghue/" title="Posts by Darragh O’Donoghue" class="author url fn" rel="author">Darragh O’Donoghue</a></div> <div class="cb-date cb-byline-element"><i class="fa fa-clock-o"></i> <time class="" datetime="2022-10-02">October 2022</time></div> <div class="cb-category cb-byline-element"><i class="fa fa-folder-o"></i> <a href="http://www.sensesofcinema.com/category/cteq/" title="View all posts in CTEQ Annotations on Film">CTEQ Annotations on Film</a></div></div> <div class="cb-excerpt">In 1968, Juraj Jakubisko, a graduate of Prague’s legendary FAMU film academy and recent employee of the Laterna Magika theatre, presented his adaptation of Waiting for Godot (Čekají na Godota, 1965) at the Inte<span class="cb-excerpt-dots">...</span></div> </div> </article> <article id="post-45082" class="cb-blog-style-a clearfix" role="article"> <div class="cb-mask" style="background-color:#e4406e;"> <a href="http://www.sensesofcinema.com/2022/cteq/les-olympiades-paris-13th-district-jacques-audiard-2021/"><img width="480" height="240" src="http://www.sensesofcinema.com/wp-content/uploads/2022/09/Les-Olympiades-cteq-annotation-lead-480x240.png" class="attachment-cb-480-240 size-cb-480-240 wp-post-image" alt="" loading="lazy" /></a> </div> <div class="cb-meta"> <h2 class="h4"><a href="http://www.sensesofcinema.com/2022/cteq/les-olympiades-paris-13th-district-jacques-audiard-2021/"><i>Les Olympiades</i> (<i>Paris, 13th District</i>, Jacques Audiard, 2021)</a></h2> <div class="cb-byline cb-font-header"><div class="cb-author cb-byline-element"><i class="fa fa-user"></i> <a href="http://www.sensesofcinema.com/author/darragh-odonoghue/" title="Posts by Darragh O’Donoghue" class="author url fn" rel="author">Darragh O’Donoghue</a></div> <div class="cb-date cb-byline-element"><i class="fa fa-clock-o"></i> <time class="" datetime="2022-09-12">September 2022</time></div> <div class="cb-category cb-byline-element"><i class="fa fa-folder-o"></i> <a href="http://www.sensesofcinema.com/category/cteq/" title="View all posts in CTEQ Annotations on Film">CTEQ Annotations on Film</a></div></div> <div class="cb-excerpt">Jacques Audiard’s Les Olympiades (2021) is adapted from three stories by beloved Californian comics artist and illustrator Adrian Tomine. At every point the comics and their film adaptation intersect, Audiard <span class="cb-excerpt-dots">...</span></div> </div> </article> <article id="post-44545" class="cb-blog-style-a clearfix" role="article"> <div class="cb-mask" style="background-color:#eb9812;"> <a href="http://www.sensesofcinema.com/2022/bollywood/coincidence-and-catastrophe-the-unsettling-cinema-of-manmohan-desai/"><img width="480" height="240" src="http://www.sensesofcinema.com/wp-content/uploads/2022/05/lead-480x240.png" class="attachment-cb-480-240 size-cb-480-240 wp-post-image" alt="" loading="lazy" /></a> </div> <div class="cb-meta"> <h2 class="h4"><a href="http://www.sensesofcinema.com/2022/bollywood/coincidence-and-catastrophe-the-unsettling-cinema-of-manmohan-desai/">Coincidence and catastrophe: the unsettling cinema of Manmohan Desai</a></h2> <div class="cb-byline cb-font-header"><div class="cb-author cb-byline-element"><i class="fa fa-user"></i> <a href="http://www.sensesofcinema.com/author/darragh-odonoghue/" title="Posts by Darragh O’Donoghue" class="author url fn" rel="author">Darragh O’Donoghue</a></div> <div class="cb-date cb-byline-element"><i class="fa fa-clock-o"></i> <time class="" datetime="2022-05-27">May 2022</time></div> <div class="cb-category cb-byline-element"><i class="fa fa-folder-o"></i> <a href="http://www.sensesofcinema.com/category/bollywood/" title="View all posts in Bollywood">Bollywood</a></div></div> <div class="cb-excerpt">b. 26 February 1937, Bombay, British India d. 1 March 1994, Bombay, India ‘No event of any importance in India is complete without a goof-up’ - Ramachandra Guha Prologue It is one of the most famous moment<span class="cb-excerpt-dots">...</span></div> </div> </article> <article id="post-44576" class="cb-blog-style-a clearfix" role="article"> <div class="cb-mask" style="background-color:#689fce;"> <a href="http://www.sensesofcinema.com/2022/great-directors/desai-manmohan/"><img width="480" height="240" src="http://www.sensesofcinema.com/wp-content/uploads/2022/05/Lead-2-480x240.png" class="attachment-cb-480-240 size-cb-480-240 wp-post-image" alt="" loading="lazy" /></a> </div> <div class="cb-meta"> <h2 class="h4"><a href="http://www.sensesofcinema.com/2022/great-directors/desai-manmohan/">Desai, Manmohan</a></h2> <div class="cb-byline cb-font-header"><div class="cb-author cb-byline-element"><i class="fa fa-user"></i> <a href="http://www.sensesofcinema.com/author/darragh-odonoghue/" title="Posts by Darragh O’Donoghue" class="author url fn" rel="author">Darragh O’Donoghue</a></div> <div class="cb-date cb-byline-element"><i class="fa fa-clock-o"></i> <time class="" datetime="2022-05-27">May 2022</time></div> <div class="cb-category cb-byline-element"><i class="fa fa-folder-o"></i> <a href="http://www.sensesofcinema.com/category/great-directors/" title="View all posts in Great Directors">Great Directors</a></div></div> <div class="cb-excerpt">b. 26 February 1937, Bombay, British India d. 1 March 1994, Bombay, India ‘No event of any importance in India is complete without a goof-up’ - Ramachandra Guha Prologue It is one of the most famous mome<span class="cb-excerpt-dots">...</span></div> </div> </article> <article id="post-42319" class="cb-blog-style-a clearfix" role="article"> <div class="cb-mask" style="background-color:#e4406e;"> <a href="http://www.sensesofcinema.com/2021/cteq/worldly-desires-apichatpong-weerasethakul-2005/"><img width="480" height="240" src="http://www.sensesofcinema.com/wp-content/uploads/2021/06/Worldly-Desires--480x240.png" class="attachment-cb-480-240 size-cb-480-240 wp-post-image" alt="" loading="lazy" /></a> </div> <div class="cb-meta"> <h2 class="h4"><a href="http://www.sensesofcinema.com/2021/cteq/worldly-desires-apichatpong-weerasethakul-2005/"><em>Worldly Desires</em> (Apichatpong Weerasethakul, 2005)</a></h2> <div class="cb-byline cb-font-header"><div class="cb-author cb-byline-element"><i class="fa fa-user"></i> <a href="http://www.sensesofcinema.com/author/darragh-odonoghue/" title="Posts by Darragh O’Donoghue" class="author url fn" rel="author">Darragh O’Donoghue</a></div> <div class="cb-date cb-byline-element"><i class="fa fa-clock-o"></i> <time class="" datetime="2021-06-18">June 2021</time></div> <div class="cb-category cb-byline-element"><i class="fa fa-folder-o"></i> <a href="http://www.sensesofcinema.com/category/cteq/" title="View all posts in CTEQ Annotations on Film">CTEQ Annotations on Film</a></div></div> <div class="cb-excerpt">A jungle in Thailand at night, filmed in one long shot. There are the murmurs of nature. Lights flash onto a clearing - the spotlights of a film crew. A pop song begins; a woman in white shuffles centre stage f<span class="cb-excerpt-dots">...</span></div> </div> </article> <article id="post-40007" class="cb-blog-style-a clearfix" role="article"> <div class="cb-mask" style="background-color:#e4406e;"> <a href="http://www.sensesofcinema.com/2020/cteq/at-home-among-strangers-%d1%81%d0%b2%d0%be%d0%b9-%d1%81%d1%80%d0%b5%d0%b4%d0%b8-%d1%87%d1%83%d0%b6%d0%b8%d1%85-%d1%87%d1%83%d0%b6%d0%be%d0%b9-%d1%81%d1%80%d0%b5%d0%b4%d0%b8-%d1%81%d0%b2%d0%be%d0%b8/"><img width="480" height="240" src="http://www.sensesofcinema.com/wp-content/uploads/2020/10/2020-10-07-17_51_43-Photos-480x240.png" class="attachment-cb-480-240 size-cb-480-240 wp-post-image" alt="" loading="lazy" /></a> </div> <div class="cb-meta"> <h2 class="h4"><a href="http://www.sensesofcinema.com/2020/cteq/at-home-among-strangers-%d1%81%d0%b2%d0%be%d0%b9-%d1%81%d1%80%d0%b5%d0%b4%d0%b8-%d1%87%d1%83%d0%b6%d0%b8%d1%85-%d1%87%d1%83%d0%b6%d0%be%d0%b9-%d1%81%d1%80%d0%b5%d0%b4%d0%b8-%d1%81%d0%b2%d0%be%d0%b8/"><em>At Home Among Strangers (Свой среди чужих, чужой среди своих</em>, Nikita Mikhalkov, 1974)</a></h2> <div class="cb-byline cb-font-header"><div class="cb-author cb-byline-element"><i class="fa fa-user"></i> <a href="http://www.sensesofcinema.com/author/darragh-odonoghue/" title="Posts by Darragh O’Donoghue" class="author url fn" rel="author">Darragh O’Donoghue</a></div> <div class="cb-date cb-byline-element"><i class="fa fa-clock-o"></i> <time class="" datetime="2020-10-18">October 2020</time></div> <div class="cb-category cb-byline-element"><i class="fa fa-folder-o"></i> <a href="http://www.sensesofcinema.com/category/cteq/" title="View all posts in CTEQ Annotations on Film">CTEQ Annotations on Film</a></div></div> <div class="cb-excerpt">At first it looks like we’re in for a Soviet Butch Cassidy and the Sundance Kid. A group of Red Army soldiers and a young woman on a farm celebrate the end of the Civil War, clown around, laugh, dance, shout. T<span class="cb-excerpt-dots">...</span></div> </div> </article> <article id="post-40362" class="cb-blog-style-a clearfix" role="article"> <div class="cb-mask" style="background-color:#eb9812;"> <a href="http://www.sensesofcinema.com/2020/pop-music-in-film/60s-american-pop-in-dyn-amo-1972/"><img width="480" height="240" src="http://www.sensesofcinema.com/wp-content/uploads/2020/10/2020-10-13-12_49_27-Photos-480x240.png" class="attachment-cb-480-240 size-cb-480-240 wp-post-image" alt="" loading="lazy" /></a> </div> <div class="cb-meta"> <h2 class="h4"><a href="http://www.sensesofcinema.com/2020/pop-music-in-film/60s-american-pop-in-dyn-amo-1972/">‘60s American pop in <em>Dyn amo </em>(1972)</a></h2> <div class="cb-byline cb-font-header"><div class="cb-author cb-byline-element"><i class="fa fa-user"></i> <a href="http://www.sensesofcinema.com/author/darragh-odonoghue/" title="Posts by Darragh O’Donoghue" class="author url fn" rel="author">Darragh O’Donoghue</a></div> <div class="cb-date cb-byline-element"><i class="fa fa-clock-o"></i> <time class="" datetime="2020-10-18">October 2020</time></div> <div class="cb-category cb-byline-element"><i class="fa fa-folder-o"></i> <a href="http://www.sensesofcinema.com/category/pop-music-in-film/" title="View all posts in Pop Music in Film">Pop Music in Film</a></div></div> <div class="cb-excerpt">What happens when the use of pop music is neither celebratory nor liberating? When it is the soundtrack to emotional pain and social oppression, and may be said to contribute to, or even generate such pain and <span class="cb-excerpt-dots">...</span></div> </div> </article> <article id="post-39998" class="cb-blog-style-a clearfix" role="article"> <div class="cb-mask" style="background-color:#e4406e;"> <a href="http://www.sensesofcinema.com/2020/cteq/cairo-station-%d8%a8%d8%a7%d8%a8-%d8%a7%d9%84%d8%ad%d8%af%d9%8a%d8%af%e2%80%8e-1958/"><img width="480" height="240" src="http://www.sensesofcinema.com/wp-content/uploads/2020/10/2020-10-07-17_06_21-Photos-480x240.png" class="attachment-cb-480-240 size-cb-480-240 wp-post-image" alt="" loading="lazy" /></a> </div> <div class="cb-meta"> <h2 class="h4"><a href="http://www.sensesofcinema.com/2020/cteq/cairo-station-%d8%a8%d8%a7%d8%a8-%d8%a7%d9%84%d8%ad%d8%af%d9%8a%d8%af%e2%80%8e-1958/"><em>Cairo Station (باب الحديد‎</em>, 1958)</a></h2> <div class="cb-byline cb-font-header"><div class="cb-author cb-byline-element"><i class="fa fa-user"></i> <a href="http://www.sensesofcinema.com/author/darragh-odonoghue/" title="Posts by Darragh O’Donoghue" class="author url fn" rel="author">Darragh O’Donoghue</a></div> <div class="cb-date cb-byline-element"><i class="fa fa-clock-o"></i> <time class="" datetime="2020-10-18">October 2020</time></div> <div class="cb-category cb-byline-element"><i class="fa fa-folder-o"></i> <a href="http://www.sensesofcinema.com/category/cteq/" title="View all posts in CTEQ Annotations on Film">CTEQ Annotations on Film</a></div></div> <div class="cb-excerpt">Qinawi, the anti-hero of Youssef Chahine’s international breakthrough, is introduced into the main narrative by indirection. First, the ‘lame’ newspaper seller at Cairo Central Station is presented through the <span class="cb-excerpt-dots">...</span></div> </div> </article> <article id="post-39676" class="cb-blog-style-a clearfix" role="article"> <div class="cb-mask" style="background-color:#e4406e;"> <a href="http://www.sensesofcinema.com/2020/cteq/through-the-olive-trees-abbas-kiarostami-1994/"><img width="480" height="240" src="http://www.sensesofcinema.com/wp-content/uploads/2020/07/through-the-olive-trees-1-480x240.jpg" class="attachment-cb-480-240 size-cb-480-240 wp-post-image" alt="" loading="lazy" /></a> </div> <div class="cb-meta"> <h2 class="h4"><a href="http://www.sensesofcinema.com/2020/cteq/through-the-olive-trees-abbas-kiarostami-1994/"><em>Through the Olive Trees</em> (Abbas Kiarostami, 1994)</a></h2> <div class="cb-byline cb-font-header"><div class="cb-author cb-byline-element"><i class="fa fa-user"></i> <a href="http://www.sensesofcinema.com/author/darragh-odonoghue/" title="Posts by Darragh O’Donoghue" class="author url fn" rel="author">Darragh O’Donoghue</a></div> <div class="cb-date cb-byline-element"><i class="fa fa-clock-o"></i> <time class="" datetime="2020-07-26">July 2020</time></div> <div class="cb-category cb-byline-element"><i class="fa fa-folder-o"></i> <a href="http://www.sensesofcinema.com/category/cteq/" title="View all posts in CTEQ Annotations on Film">CTEQ Annotations on Film</a></div></div> <div class="cb-excerpt">From its first screening at the Cannes Film Festival in 1994, it was clear how deeply Through the Olive Trees was embedded in the past. It was the third and final part in what has come to be known as the Koker <span class="cb-excerpt-dots">...</span></div> </div> </article> <article id="post-37771" class="cb-blog-style-a clearfix" role="article"> <div class="cb-mask" style="background-color:#b217f3;"> <a href="http://www.sensesofcinema.com/2019/cinema-in-the-2010s/secret-superstars-revolt-by-stealth-in-modi-era-bollywood/"><img width="480" height="240" src="http://www.sensesofcinema.com/wp-content/uploads/2019/09/omshantiom-480x240.jpg" class="attachment-cb-480-240 size-cb-480-240 wp-post-image" alt="" loading="lazy" /></a> </div> <div class="cb-meta"> <h2 class="h4"><a href="http://www.sensesofcinema.com/2019/cinema-in-the-2010s/secret-superstars-revolt-by-stealth-in-modi-era-bollywood/">Secret Superstars : Revolt by Stealth in Modi-era Bollywood</a></h2> <div class="cb-byline cb-font-header"><div class="cb-author cb-byline-element"><i class="fa fa-user"></i> <a href="http://www.sensesofcinema.com/author/darragh-odonoghue/" title="Posts by Darragh O’Donoghue" class="author url fn" rel="author">Darragh O’Donoghue</a></div> <div class="cb-date cb-byline-element"><i class="fa fa-clock-o"></i> <time class="" datetime="2019-10-14">October 2019</time></div> <div class="cb-category cb-byline-element"><i class="fa fa-folder-o"></i> <a href="http://www.sensesofcinema.com/category/cinema-in-the-2010s/" title="View all posts in This is what defined cinema in the 2010s">This is what defined cinema in the 2010s</a></div></div> <div class="cb-excerpt">In 2014 India elected Narendra Modi Prime Minister with a landslide. A right-wing Hindu fundamentalist and former member of the elite, fascistic Rashtriya Swayamsevak Sangh paramilitary organisation, Modi has <span class="cb-excerpt-dots">...</span></div> </div> </article> <article id="post-38016" class="cb-blog-style-a clearfix" role="article"> <div class="cb-mask" style="background-color:#e4406e;"> <a href="http://www.sensesofcinema.com/2019/cteq/autoluminescent-rowland-s-howard-lynn-maree-milburn-richard-lowenstein-2011/"><img width="480" height="240" src="http://www.sensesofcinema.com/wp-content/uploads/2019/10/ODONOGHUE-Autoluminescent-480x240.jpg" class="attachment-cb-480-240 size-cb-480-240 wp-post-image" alt="" loading="lazy" /></a> </div> <div class="cb-meta"> <h2 class="h4"><a href="http://www.sensesofcinema.com/2019/cteq/autoluminescent-rowland-s-howard-lynn-maree-milburn-richard-lowenstein-2011/"><em>Autoluminescent: Rowland S. Howard</em> (Lynn-Maree Milburn & Richard Lowenstein, 2011)</a></h2> <div class="cb-byline cb-font-header"><div class="cb-author cb-byline-element"><i class="fa fa-user"></i> <a href="http://www.sensesofcinema.com/author/darragh-odonoghue/" title="Posts by Darragh O’Donoghue" class="author url fn" rel="author">Darragh O’Donoghue</a></div> <div class="cb-date cb-byline-element"><i class="fa fa-clock-o"></i> <time class="" datetime="2019-10-14">October 2019</time></div> <div class="cb-category cb-byline-element"><i class="fa fa-folder-o"></i> <a href="http://www.sensesofcinema.com/category/cteq/" title="View all posts in CTEQ Annotations on Film">CTEQ Annotations on Film</a></div></div> <div class="cb-excerpt">I was the magician’s apprentice … I was his psychotic sidekick, the boy wonder to murder’s masked man. This may read like a lurid Nick Cave fairytale, but it is in fact an extract from Etceteracide, an unpubli<span class="cb-excerpt-dots">...</span></div> </div> </article> <article id="post-37569" class="cb-blog-style-a clearfix" role="article"> <div class="cb-mask" style="background-color:#e4406e;"> <a href="http://www.sensesofcinema.com/2019/cteq/joseph-kilian-pavel-juracek-jan-schmidt-1963/"><img width="480" height="240" src="http://www.sensesofcinema.com/wp-content/uploads/2019/07/JosephKilian-480x240.jpg" class="attachment-cb-480-240 size-cb-480-240 wp-post-image" alt="" loading="lazy" /></a> </div> <div class="cb-meta"> <h2 class="h4"><a href="http://www.sensesofcinema.com/2019/cteq/joseph-kilian-pavel-juracek-jan-schmidt-1963/"><em>Joseph Kilián</em> (Pavel Juráček & Jan Schmidt, 1963)</a></h2> <div class="cb-byline cb-font-header"><div class="cb-author cb-byline-element"><i class="fa fa-user"></i> <a href="http://www.sensesofcinema.com/author/darragh-odonoghue/" title="Posts by Darragh O’Donoghue" class="author url fn" rel="author">Darragh O’Donoghue</a></div> <div class="cb-date cb-byline-element"><i class="fa fa-clock-o"></i> <time class="" datetime="2019-07-10">July 2019</time></div> <div class="cb-category cb-byline-element"><i class="fa fa-folder-o"></i> <a href="http://www.sensesofcinema.com/category/cteq/" title="View all posts in CTEQ Annotations on Film">CTEQ Annotations on Film</a></div></div> <div class="cb-excerpt">Much of the visual lexicon we associate with the term ‘Kafkaesque’ was established by Orson Welles’ adaptation of The Trial (1962) and Pavel Juráček and Jan Schmidt’s Postava k podpírání (Joseph Kilián, 1963), <span class="cb-excerpt-dots">...</span></div> </div> </article> <article id="post-37123" class="cb-blog-style-a clearfix" role="article"> <div class="cb-mask" style="background-color:#e4406e;"> <a href="http://www.sensesofcinema.com/2019/cteq/the-trouble-with-money-max-ophuls-1936/"><img width="480" height="240" src="http://www.sensesofcinema.com/wp-content/uploads/2019/03/ODONOGHUE-The-Trouble-with-Money-480x240.jpg" class="attachment-cb-480-240 size-cb-480-240 wp-post-image" alt="" loading="lazy" /></a> </div> <div class="cb-meta"> <h2 class="h4"><a href="http://www.sensesofcinema.com/2019/cteq/the-trouble-with-money-max-ophuls-1936/"><em>The Trouble with Money</em> (Max Ophuls, 1936)</a></h2> <div class="cb-byline cb-font-header"><div class="cb-author cb-byline-element"><i class="fa fa-user"></i> <a href="http://www.sensesofcinema.com/author/darragh-odonoghue/" title="Posts by Darragh O’Donoghue" class="author url fn" rel="author">Darragh O’Donoghue</a></div> <div class="cb-date cb-byline-element"><i class="fa fa-clock-o"></i> <time class="" datetime="2019-03-28">March 2019</time></div> <div class="cb-category cb-byline-element"><i class="fa fa-folder-o"></i> <a href="http://www.sensesofcinema.com/category/cteq/" title="View all posts in CTEQ Annotations on Film">CTEQ Annotations on Film</a></div></div> <div class="cb-excerpt">Max Ophuls has been called a humanist director, but if we define humanism as referring to the centrality of human activity to the universe, then he is the least humanist of directors. Characters in his films ma<span class="cb-excerpt-dots">...</span></div> </div> </article> <article id="post-35537" class="cb-blog-style-a clearfix" role="article"> <div class="cb-mask" style="background-color:#e4406e;"> <a href="http://www.sensesofcinema.com/2018/cteq/wr-mysteries-of-the-organism-dusan-makavejev-1971/"><img width="480" height="240" src="http://www.sensesofcinema.com/wp-content/uploads/2018/09/WRMysteriesoftheOrganism-480x240.png" class="attachment-cb-480-240 size-cb-480-240 wp-post-image" alt="" loading="lazy" /></a> </div> <div class="cb-meta"> <h2 class="h4"><a href="http://www.sensesofcinema.com/2018/cteq/wr-mysteries-of-the-organism-dusan-makavejev-1971/"><em>WR: Mysteries of the Organism</em> (Dušan Makavejev, 1971)</a></h2> <div class="cb-byline cb-font-header"><div class="cb-author cb-byline-element"><i class="fa fa-user"></i> <a href="http://www.sensesofcinema.com/author/darragh-odonoghue/" title="Posts by Darragh O’Donoghue" class="author url fn" rel="author">Darragh O’Donoghue</a></div> <div class="cb-date cb-byline-element"><i class="fa fa-clock-o"></i> <time class="" datetime="2018-10-01">October 2018</time></div> <div class="cb-category cb-byline-element"><i class="fa fa-folder-o"></i> <a href="http://www.sensesofcinema.com/category/cteq/" title="View all posts in CTEQ Annotations on Film">CTEQ Annotations on Film</a></div></div> <div class="cb-excerpt">Cold War-era WR: misterije organizma (WR: Mysteries of the Organism, Dušan Makavejev, 1971) sets West against East with two opening sequences. In the first, Tuli Kupferberg shambles into a New York street and p<span class="cb-excerpt-dots">...</span></div> </div> </article> <article id="post-34492" class="cb-blog-style-a clearfix" role="article"> <div class="cb-mask" style="background-color:#e4406e;"> <a href="http://www.sensesofcinema.com/2018/cteq/the-mercenary-sergio-corbucci-1968/"><img width="480" height="240" src="http://www.sensesofcinema.com/wp-content/uploads/2018/06/TheMercenary-480x240.jpg" class="attachment-cb-480-240 size-cb-480-240 wp-post-image" alt="The Mercenary" loading="lazy" /></a> </div> <div class="cb-meta"> <h2 class="h4"><a href="http://www.sensesofcinema.com/2018/cteq/the-mercenary-sergio-corbucci-1968/"><em>The Mercenary</em> (Sergio Corbucci, 1968)</a></h2> <div class="cb-byline cb-font-header"><div class="cb-author cb-byline-element"><i class="fa fa-user"></i> <a href="http://www.sensesofcinema.com/author/darragh-odonoghue/" title="Posts by Darragh O’Donoghue" class="author url fn" rel="author">Darragh O’Donoghue</a></div> <div class="cb-date cb-byline-element"><i class="fa fa-clock-o"></i> <time class="" datetime="2018-06-27">June 2018</time></div> <div class="cb-category cb-byline-element"><i class="fa fa-folder-o"></i> <a href="http://www.sensesofcinema.com/category/cteq/" title="View all posts in CTEQ Annotations on Film">CTEQ Annotations on Film</a></div></div> <div class="cb-excerpt">The Mercenary is the most loveable of all spaghetti westerns. ‘Loveable’ is probably not an appropriate adjective for a subgenre that isolated, decontextualised, re-contextualised and exaggerated select element<span class="cb-excerpt-dots">...</span></div> </div> </article> <article id="post-33887" class="cb-blog-style-a clearfix" role="article"> <div class="cb-mask" style="background-color:#e4406e;"> <a href="http://www.sensesofcinema.com/2018/cteq/shadows-1959/"><img width="480" height="240" src="http://www.sensesofcinema.com/wp-content/uploads/2018/02/shadows-480x240.jpg" class="attachment-cb-480-240 size-cb-480-240 wp-post-image" alt="shadows" loading="lazy" /></a> </div> <div class="cb-meta"> <h2 class="h4"><a href="http://www.sensesofcinema.com/2018/cteq/shadows-1959/"><em>Shadows</em></a></h2> <div class="cb-byline cb-font-header"><div class="cb-author cb-byline-element"><i class="fa fa-user"></i> <a href="http://www.sensesofcinema.com/author/darragh-odonoghue/" title="Posts by Darragh O’Donoghue" class="author url fn" rel="author">Darragh O’Donoghue</a></div> <div class="cb-date cb-byline-element"><i class="fa fa-clock-o"></i> <time class="" datetime="2018-03-21">March 2018</time></div> <div class="cb-category cb-byline-element"><i class="fa fa-folder-o"></i> <a href="http://www.sensesofcinema.com/category/cteq/" title="View all posts in CTEQ Annotations on Film">CTEQ Annotations on Film</a></div></div> <div class="cb-excerpt">Shadows (John Cassavetes, 1959) is full of shadows, but the murkiest shadow cast is that of race. Famously, its precursor was an improvisation session at the theatre workshop John Cassavetes ran in the mid-1950<span class="cb-excerpt-dots">...</span></div> </div> </article> <article id="post-33890" class="cb-blog-style-a clearfix" role="article"> <div class="cb-mask" style="background-color:#e4406e;"> <a href="http://www.sensesofcinema.com/2018/cteq/husbands-1970/"><img width="480" height="240" src="http://www.sensesofcinema.com/wp-content/uploads/2018/02/Husbands_Falk_Gazz-480x240.jpg" class="attachment-cb-480-240 size-cb-480-240 wp-post-image" alt="Husbands Cassavetes" loading="lazy" /></a> </div> <div class="cb-meta"> <h2 class="h4"><a href="http://www.sensesofcinema.com/2018/cteq/husbands-1970/"><em>Husbands</em></a></h2> <div class="cb-byline cb-font-header"><div class="cb-author cb-byline-element"><i class="fa fa-user"></i> <a href="http://www.sensesofcinema.com/author/darragh-odonoghue/" title="Posts by Darragh O’Donoghue" class="author url fn" rel="author">Darragh O’Donoghue</a></div> <div class="cb-date cb-byline-element"><i class="fa fa-clock-o"></i> <time class="" datetime="2018-03-21">March 2018</time></div> <div class="cb-category cb-byline-element"><i class="fa fa-folder-o"></i> <a href="http://www.sensesofcinema.com/category/cteq/" title="View all posts in CTEQ Annotations on Film">CTEQ Annotations on Film</a></div></div> <div class="cb-excerpt">It is tempting to see the title characters in Husbands (1970) as older versions of the trio in John Cassavetes’ breakthrough film, Shadows (1959) – aimless New Yorkers indulging in noisy horseplay, haplessly pi<span class="cb-excerpt-dots">...</span></div> </div> </article> <article id="post-34063" class="cb-blog-style-a clearfix" role="article"> <div class="cb-mask" style="background-color:#e4406e;"> <a href="http://www.sensesofcinema.com/2018/cteq/battle-o/"><img width="480" height="240" src="http://www.sensesofcinema.com/wp-content/uploads/2018/03/battle-of-algiers-480x240.jpg" class="attachment-cb-480-240 size-cb-480-240 wp-post-image" alt="battle of algiers" loading="lazy" /></a> </div> <div class="cb-meta"> <h2 class="h4"><a href="http://www.sensesofcinema.com/2018/cteq/battle-o/"><em>The Battle of Algiers</em> (Gillo Pontecorvo, 1966)</a></h2> <div class="cb-byline cb-font-header"><div class="cb-author cb-byline-element"><i class="fa fa-user"></i> <a href="http://www.sensesofcinema.com/author/darragh-odonoghue/" title="Posts by Darragh O’Donoghue" class="author url fn" rel="author">Darragh O’Donoghue</a></div> <div class="cb-date cb-byline-element"><i class="fa fa-clock-o"></i> <time class="" datetime="2018-03-21">March 2018</time></div> <div class="cb-category cb-byline-element"><i class="fa fa-folder-o"></i> <a href="http://www.sensesofcinema.com/category/cteq/" title="View all posts in CTEQ Annotations on Film">CTEQ Annotations on Film</a></div></div> <div class="cb-excerpt">Oliver Cromwell was the 17th century leader of the English Parliamentarians who overthrew and beheaded a monarch and instituted a short-lived republic; when he sat to Samuel Cooper for his portrait, he insisted<span class="cb-excerpt-dots">...</span></div> </div> </article> <article id="post-34087" class="cb-blog-style-a clearfix" role="article"> <div class="cb-mask" style="background-color:#e4406e;"> <a href="http://www.sensesofcinema.com/2018/cteq/miss-oyu/"><img width="480" height="240" src="http://www.sensesofcinema.com/wp-content/uploads/2018/03/Miss-Oyu-480x240.jpg" class="attachment-cb-480-240 size-cb-480-240 wp-post-image" alt="Miss Oyu" loading="lazy" /></a> </div> <div class="cb-meta"> <h2 class="h4"><a href="http://www.sensesofcinema.com/2018/cteq/miss-oyu/"><em>Miss Oyu</em> (Kenji Mizoguchi, 1951)</a></h2> <div class="cb-byline cb-font-header"><div class="cb-author cb-byline-element"><i class="fa fa-user"></i> <a href="http://www.sensesofcinema.com/author/darragh-odonoghue/" title="Posts by Darragh O’Donoghue" class="author url fn" rel="author">Darragh O’Donoghue</a></div> <div class="cb-date cb-byline-element"><i class="fa fa-clock-o"></i> <time class="" datetime="2018-03-21">March 2018</time></div> <div class="cb-category cb-byline-element"><i class="fa fa-folder-o"></i> <a href="http://www.sensesofcinema.com/category/cteq/" title="View all posts in CTEQ Annotations on Film">CTEQ Annotations on Film</a></div></div> <div class="cb-excerpt">Kenji Mizoguchi’s Miss Oyu suffocates in the aura of high art and good taste. Based on a novella by Japan’s most revered 20th century writer, it features opening credits over paintings of clouds; compositions f<span class="cb-excerpt-dots">...</span></div> </div> </article> <article id="post-33767" class="cb-blog-style-a clearfix" role="article"> <div class="cb-mask" style="background-color:#79CAFC;"> <a href="http://www.sensesofcinema.com/2018/alice-in-wonderland/rebellious-alice-claude-chabrols-alice-ou-la-derniere-fugue-1977-and-stephen-dwoskins-the-silent-cry-1977/"><img width="480" height="240" src="http://www.sensesofcinema.com/wp-content/uploads/2018/02/1977-Alice-or-the-Last-Escapade-480x240.jpg" class="attachment-cb-480-240 size-cb-480-240 wp-post-image" alt="Alice or the Last Escapade (1977)" loading="lazy" /></a> </div> <div class="cb-meta"> <h2 class="h4"><a href="http://www.sensesofcinema.com/2018/alice-in-wonderland/rebellious-alice-claude-chabrols-alice-ou-la-derniere-fugue-1977-and-stephen-dwoskins-the-silent-cry-1977/">Rebellious Alice: Claude Chabrol’s <em>Alice ou la Dernière Fugue</em> (1977) and Stephen Dwoskin’s <em>The Silent Cry</em> (1977)</a></h2> <div class="cb-byline cb-font-header"><div class="cb-author cb-byline-element"><i class="fa fa-user"></i> <a href="http://www.sensesofcinema.com/author/darragh-odonoghue/" title="Posts by Darragh O’Donoghue" class="author url fn" rel="author">Darragh O’Donoghue</a></div> <div class="cb-date cb-byline-element"><i class="fa fa-clock-o"></i> <time class="" datetime="2018-03-21">March 2018</time></div> <div class="cb-category cb-byline-element"><i class="fa fa-folder-o"></i> <a href="http://www.sensesofcinema.com/category/alice-in-wonderland/" title="View all posts in Alice in Wonderland">Alice in Wonderland</a></div></div> <div class="cb-excerpt">Lewis Carroll’s Alice revolts against the volatile world of Wonderland by literally bringing the whole house of cards down. Not only does she go on a dangerous journey, she also returns to tell the tale. If Ali<span class="cb-excerpt-dots">...</span></div> </div> </article> <article id="post-31512" class="cb-blog-style-a clearfix" role="article"> <div class="cb-mask" style="background-color:#e4406e;"> <a href="http://www.sensesofcinema.com/2017/cteq/the-thief-of-bagdad/"><img width="480" height="240" src="http://www.sensesofcinema.com/wp-content/uploads/2017/09/Cteq_walsh_thiefofbagdad--480x240.jpg" class="attachment-cb-480-240 size-cb-480-240 wp-post-image" alt="The Thief of Bagdad" loading="lazy" /></a> </div> <div class="cb-meta"> <h2 class="h4"><a href="http://www.sensesofcinema.com/2017/cteq/the-thief-of-bagdad/"><em>The Thief of Bagdad</em> (Raoul Walsh, 1924)</a></h2> <div class="cb-byline cb-font-header"><div class="cb-author cb-byline-element"><i class="fa fa-user"></i> <a href="http://www.sensesofcinema.com/author/darragh-odonoghue/" title="Posts by Darragh O’Donoghue" class="author url fn" rel="author">Darragh O’Donoghue</a></div> <div class="cb-date cb-byline-element"><i class="fa fa-clock-o"></i> <time class="" datetime="2017-09-20">September 2017</time></div> <div class="cb-category cb-byline-element"><i class="fa fa-folder-o"></i> <a href="http://www.sensesofcinema.com/category/cteq/" title="View all posts in CTEQ Annotations on Film">CTEQ Annotations on Film</a></div></div> <div class="cb-excerpt">Hardened fans of the action movie often deplore the inclusion of a love story. It disrupts the narrative, they protest, and is only driven by commercial imperatives (the action film too commercial?!). But the<span class="cb-excerpt-dots">...</span></div> </div> </article> <article id="post-29842" class="cb-blog-style-a clearfix" role="article"> <div class="cb-mask" style="background-color:#e4406e;"> <a href="http://www.sensesofcinema.com/2017/cteq/the-marquise-of-o/"><img width="480" height="240" src="http://www.sensesofcinema.com/wp-content/uploads/2017/03/Cteq_die-marquise-von-o-480x240.jpg" class="attachment-cb-480-240 size-cb-480-240 wp-post-image" alt="The Marquise of O" loading="lazy" /></a> </div> <div class="cb-meta"> <h2 class="h4"><a href="http://www.sensesofcinema.com/2017/cteq/the-marquise-of-o/"><em>Die Marquise von O… </em>(<em>La Marquise d’O…, The Marquise of O</em>, Éric Rohmer, 1976)</a></h2> <div class="cb-byline cb-font-header"><div class="cb-author cb-byline-element"><i class="fa fa-user"></i> <a href="http://www.sensesofcinema.com/author/darragh-odonoghue/" title="Posts by Darragh O’Donoghue" class="author url fn" rel="author">Darragh O’Donoghue</a></div> <div class="cb-date cb-byline-element"><i class="fa fa-clock-o"></i> <time class="" datetime="2017-03-17">March 2017</time></div> <div class="cb-category cb-byline-element"><i class="fa fa-folder-o"></i> <a href="http://www.sensesofcinema.com/category/cteq/" title="View all posts in CTEQ Annotations on Film">CTEQ Annotations on Film</a></div></div> <div class="cb-excerpt"> “-“ “The remarkable dash”, as Éric Rohmer called it. A simple grammatical break becomes the rupture in which an “unspeakable” and “unthinkable” crime is committed. The dash, which occurs barely three pages in<span class="cb-excerpt-dots">...</span></div> </div> </article> <article id="post-29696" class="cb-blog-style-a clearfix" role="article"> <div class="cb-mask" style="background-color:#e4406e;"> <a href="http://www.sensesofcinema.com/2017/cteq/story-of-women/"><img width="480" height="240" src="http://www.sensesofcinema.com/wp-content/uploads/2017/02/CTEQ_StoryOfWomen-480x240.jpg" class="attachment-cb-480-240 size-cb-480-240 wp-post-image" alt="Story of Women" loading="lazy" /></a> </div> <div class="cb-meta"> <h2 class="h4"><a href="http://www.sensesofcinema.com/2017/cteq/story-of-women/"><em>Story of Women</em> (<em>Une affaire de femmes</em>, 1988)</a></h2> <div class="cb-byline cb-font-header"><div class="cb-author cb-byline-element"><i class="fa fa-user"></i> <a href="http://www.sensesofcinema.com/author/darragh-odonoghue/" title="Posts by Darragh O’Donoghue" class="author url fn" rel="author">Darragh O’Donoghue</a></div> <div class="cb-date cb-byline-element"><i class="fa fa-clock-o"></i> <time class="" datetime="2017-02-15">February 2017</time></div> <div class="cb-category cb-byline-element"><i class="fa fa-folder-o"></i> <a href="http://www.sensesofcinema.com/category/cteq/" title="View all posts in CTEQ Annotations on Film">CTEQ Annotations on Film</a></div></div> <div class="cb-excerpt">In 1957, two young critics from Cahiers de cinéma published a study of Alfred Hitchcock, drawing attention to the artistic and moral complexity of a filmmaker previously classed as a mere entertainer. Among the<span class="cb-excerpt-dots">...</span></div> </div> </article> <article id="post-29563" class="cb-blog-style-a clearfix" role="article"> <div class="cb-mask" style="background-color:#e4406e;"> <a href="http://www.sensesofcinema.com/2017/cteq/big-deal-on-madonna-street/"><img width="480" height="240" src="http://www.sensesofcinema.com/wp-content/uploads/2017/01/Cteq_BigDealOnMadonnaStreet-480x240.jpg" class="attachment-cb-480-240 size-cb-480-240 wp-post-image" alt="Big Deal On Madonna Street" loading="lazy" /></a> </div> <div class="cb-meta"> <h2 class="h4"><a href="http://www.sensesofcinema.com/2017/cteq/big-deal-on-madonna-street/"><em>Big Deal on Madonna Street</em> (<em>I soliti ignoti</em>, Mario Monicelli, 1958)</a></h2> <div class="cb-byline cb-font-header"><div class="cb-author cb-byline-element"><i class="fa fa-user"></i> <a href="http://www.sensesofcinema.com/author/darragh-odonoghue/" title="Posts by Darragh O’Donoghue" class="author url fn" rel="author">Darragh O’Donoghue</a></div> <div class="cb-date cb-byline-element"><i class="fa fa-clock-o"></i> <time class="" datetime="2017-01-22">January 2017</time></div> <div class="cb-category cb-byline-element"><i class="fa fa-folder-o"></i> <a href="http://www.sensesofcinema.com/category/cteq/" title="View all posts in CTEQ Annotations on Film">CTEQ Annotations on Film</a></div></div> <div class="cb-excerpt">Big Deal on Madonna Street is such a great, catchy, and memorable title that you would hate to lose it. It was the third (at least) tried out by the film’s English-language distributors after Persons Unknown an<span class="cb-excerpt-dots">...</span></div> </div> </article> <article id="post-27700" class="cb-blog-style-a clearfix" role="article"> <div class="cb-mask" style="background-color:#e4406e;"> <a href="http://www.sensesofcinema.com/2016/cteq/flight-of-the-red-balloon/"><img width="480" height="240" src="http://www.sensesofcinema.com/wp-content/uploads/2016/08/Cteq_Hsiao-Hsien_RedBalloon-480x240.jpg" class="attachment-cb-480-240 size-cb-480-240 wp-post-image" alt="Flight of the Red Balloon" loading="lazy" /></a> </div> <div class="cb-meta"> <h2 class="h4"><a href="http://www.sensesofcinema.com/2016/cteq/flight-of-the-red-balloon/"><em>Flight of the Red Balloon</em> (<em>Le voyage du ballon rouge</em>, 2007)</a></h2> <div class="cb-byline cb-font-header"><div class="cb-author cb-byline-element"><i class="fa fa-user"></i> <a href="http://www.sensesofcinema.com/author/darragh-odonoghue/" title="Posts by Darragh O’Donoghue" class="author url fn" rel="author">Darragh O’Donoghue</a></div> <div class="cb-date cb-byline-element"><i class="fa fa-clock-o"></i> <time class="" datetime="2016-09-14">September 2016</time></div> <div class="cb-category cb-byline-element"><i class="fa fa-folder-o"></i> <a href="http://www.sensesofcinema.com/category/cteq/" title="View all posts in CTEQ Annotations on Film">CTEQ Annotations on Film</a></div></div> <div class="cb-excerpt">Flight of the Red Balloon was part of a planned series of films made in collaboration with the Musée d’Orsay in Paris to celebrate the museum’s 20th birthday. Although Jim Jarmusch and Raul Ruiz were initially <span class="cb-excerpt-dots">...</span></div> </div> </article> <article id="post-26236" class="cb-blog-style-a clearfix" role="article"> <div class="cb-mask" style="background-color:#e4406e;"> <a href="http://www.sensesofcinema.com/2016/cteq/woyzeck-werner-herzog-1979/"><img width="480" height="240" src="http://www.sensesofcinema.com/wp-content/uploads/2016/02/woyzeck-480x240.jpg" class="attachment-cb-480-240 size-cb-480-240 wp-post-image" alt="woyzeck" loading="lazy" /></a> </div> <div class="cb-meta"> <h2 class="h4"><a href="http://www.sensesofcinema.com/2016/cteq/woyzeck-werner-herzog-1979/"><em>Woyzeck</em> (Werner Herzog, 1979)</a></h2> <div class="cb-byline cb-font-header"><div class="cb-author cb-byline-element"><i class="fa fa-user"></i> <a href="http://www.sensesofcinema.com/author/darragh-odonoghue/" title="Posts by Darragh O’Donoghue" class="author url fn" rel="author">Darragh O’Donoghue</a></div> <div class="cb-date cb-byline-element"><i class="fa fa-clock-o"></i> <time class="" datetime="2016-03-18">March 2016</time></div> <div class="cb-category cb-byline-element"><i class="fa fa-folder-o"></i> <a href="http://www.sensesofcinema.com/category/cteq/" title="View all posts in CTEQ Annotations on Film">CTEQ Annotations on Film</a></div></div> <div class="cb-excerpt">Werner Herzog began Woyzeck within a week of shooting Nosferatu, phantom der nacht (Nosferatu the Vampyre, 1979) in Moravia with the same crew. It is tempting to read the pair as complementary masterpieces. One<span class="cb-excerpt-dots">...</span></div> </div> </article> <article id="post-24572" class="cb-blog-style-a clearfix" role="article"> <div class="cb-mask" style="background-color:#e4406e;"> <a href="http://www.sensesofcinema.com/2015/cteq/ghost-trip-just-ancient-loops/"><img width="480" height="240" src="http://www.sensesofcinema.com/wp-content/uploads/2015/09/Morrison_O-Donoghue-480x240.jpg" class="attachment-cb-480-240 size-cb-480-240 wp-post-image" alt="Ghost Trip & Just Ancient Loops film reviews" loading="lazy" /></a> </div> <div class="cb-meta"> <h2 class="h4"><a href="http://www.sensesofcinema.com/2015/cteq/ghost-trip-just-ancient-loops/">Bill Morrison: <em>Ghost Trip</em> and <em>Just Ancient Loops</em></a></h2> <div class="cb-byline cb-font-header"><div class="cb-author cb-byline-element"><i class="fa fa-user"></i> <a href="http://www.sensesofcinema.com/author/darragh-odonoghue/" title="Posts by Darragh O’Donoghue" class="author url fn" rel="author">Darragh O’Donoghue</a></div> <div class="cb-date cb-byline-element"><i class="fa fa-clock-o"></i> <time class="" datetime="2015-09-06">September 2015</time></div> <div class="cb-category cb-byline-element"><i class="fa fa-folder-o"></i> <a href="http://www.sensesofcinema.com/category/cteq/" title="View all posts in CTEQ Annotations on Film">CTEQ Annotations on Film</a></div></div> <div class="cb-excerpt">Bill Morrison deals with the physical – the feel and look of decaying nitrate film. Yet still, his admirers insist on finding the metaphysical in his work. In fairness, Morrison wryly steers viewers in that dir<span class="cb-excerpt-dots">...</span></div> </div> </article> <article id="post-23891" class="cb-blog-style-a clearfix" role="article"> <div class="cb-mask" style="background-color:#e4406e;"> <a href="http://www.sensesofcinema.com/2015/cteq/repast-mikio-naruse/"><img width="480" height="240" src="http://www.sensesofcinema.com/wp-content/uploads/2015/06/Repast_ODonoghue-e1433931222631-480x240.jpg" class="attachment-cb-480-240 size-cb-480-240 wp-post-image" alt="Repast film review" loading="lazy" /></a> </div> <div class="cb-meta"> <h2 class="h4"><a href="http://www.sensesofcinema.com/2015/cteq/repast-mikio-naruse/">Naruse’s Repast (Meshi, 1951)</a></h2> <div class="cb-byline cb-font-header"><div class="cb-author cb-byline-element"><i class="fa fa-user"></i> <a href="http://www.sensesofcinema.com/author/darragh-odonoghue/" title="Posts by Darragh O’Donoghue" class="author url fn" rel="author">Darragh O’Donoghue</a></div> <div class="cb-date cb-byline-element"><i class="fa fa-clock-o"></i> <time class="" datetime="2015-06-09">June 2015</time></div> <div class="cb-category cb-byline-element"><i class="fa fa-folder-o"></i> <a href="http://www.sensesofcinema.com/category/cteq/" title="View all posts in CTEQ Annotations on Film">CTEQ Annotations on Film</a></div></div> <div class="cb-excerpt">The problem with repasts is that, as nourishing and social as they can be, someone has to prepare them. And – even worse – to clear up after them. Michiyo Okamoto (Setsuko Hara) is the heroine of Naruse’s Rep<span class="cb-excerpt-dots">...</span></div> </div> </article> <article id="post-44547" class="cb-blog-style-a clearfix" role="article"> <div class="cb-mask" style="background-color:#eb9812;"> <a href="http://www.sensesofcinema.com/2015/bollywood/only-the-brave-hearted-will-take-the-bride-bollywood-and-western-cinephilia/"><img width="480" height="240" src="http://www.sensesofcinema.com/wp-content/uploads/2015/05/awaara-1200-1200-675-675-crop-000000-480x240.jpg" class="attachment-cb-480-240 size-cb-480-240 wp-post-image" alt="" loading="lazy" /></a> </div> <div class="cb-meta"> <h2 class="h4"><a href="http://www.sensesofcinema.com/2015/bollywood/only-the-brave-hearted-will-take-the-bride-bollywood-and-western-cinephilia/">Only the Brave-Hearted Will Take the Bride: Bollywood and Western Cinephilia</a></h2> <div class="cb-byline cb-font-header"><div class="cb-author cb-byline-element"><i class="fa fa-user"></i> <a href="http://www.sensesofcinema.com/author/darragh-odonoghue/" title="Posts by Darragh O’Donoghue" class="author url fn" rel="author">Darragh O’Donoghue</a></div> <div class="cb-date cb-byline-element"><i class="fa fa-clock-o"></i> <time class="" datetime="2015-05-27">May 2015</time></div> <div class="cb-category cb-byline-element"><i class="fa fa-folder-o"></i> <a href="http://www.sensesofcinema.com/category/bollywood/" title="View all posts in Bollywood">Bollywood</a></div></div> <div class="cb-excerpt">Bombay cinema was my first film passion – starting with the Hindi film records our Indian neighbour constantly played when I was a child in late-1970s Dublin. Long before I was initiated into the mysteries of M<span class="cb-excerpt-dots">...</span></div> </div> </article> </div>  </div>  <footer id="cb-footer" class=" wrap" role="contentinfo"> <div id="cb-widgets" class="cb-footer-a cb-footer-wrap wrap clearfix"> <div class="cb-one cb-column clearfix"> <div id="single-image-4" class="cb-footer-widget cb-single-image-widget clearfix"><img src="https://www.sensesofcinema.com/wp-content/uploads/2020/06/senses-footer-logo.png" alt=" " width="" height="" /></div><div id="text-12" class="cb-footer-widget widget_text"> <div class="textwidget"><p><span style="color: white;">Established in Melbourne (Australia) in 1999, <em>Senses of Cinema</em> is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.</span></p> <p><span style="color: white;"><em>Senses of Cinema</em> was founded on stolen lands. 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