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href="https://www.academia.edu/11733354/Lassiette_des_fictions_enqu%C3%AAtes_sur_lautor%C3%A9flexivit%C3%A9_romanesque"><img alt="Research paper thumbnail of L'assiette des fictions : enquêtes sur l'autoréflexivité romanesque" class="work-thumbnail" src="https://attachments.academia-assets.com/37166488/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/11733354/Lassiette_des_fictions_enqu%C3%AAtes_sur_lautor%C3%A9flexivit%C3%A9_romanesque">L'assiette des fictions : enquêtes sur l'autoréflexivité romanesque</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://kuleuven.academia.edu/JanHerman">Jan Herman</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/AdrienPaschoud">Adrien Paschoud</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/PaulPelckmans">Paul Pelckmans</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/frosset">françois rosset</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">L’un des champs les plus féconds de la recherche sur le roman d’Ancien-Régime ces dernières année...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">L’un des champs les plus féconds de la recherche sur le roman d’Ancien-Régime ces dernières années se déploie dans l’espace d’examen des diverses manifestations de l’autoréflexivité qui s’y présentent. Beaucoup de ces fictions, tout en construisant des univers artificiels entre expérience du réel, investigation des possibles et produits de l’imagination, renvoient au lecteur une interrogation pluridimensionnelle sur les constituants, le statut, la motivation, les valeurs poétiques et heuristiques de la fiction elle-même. Plusieurs travaux récents ont permis de mettre en lumière les procédures de mise en scène du discours fictionnel : l’examen des apparats péritextuels, l’étude de la parodie, du recyclage et des réemplois de formes constituées, ont mis au jour le fonctionnement, en particulier rhétorique, du régime métafictionnel mis en œuvre dans un si grand nombre de textes de cette époque. Sans doute, l’horizon des études possibles dans cette direction est-il encore très largement ouvert, mais c’est sur une autre dimension du même phénomène que sont concentrés les travaux réunis ici à la suite d’un double colloque organisé en 2007 aux Universités de Lausanne et de Leuven, celle de l’autoréflexivité romanesque. <br />La notion même d’autoréflexivité peut prêter à discussion ; plusieurs des textes réunis dans ce livre rendent d’ailleurs compte des interrogations ou des malaises qu’elle peut susciter. L’autoréflexivité est comprise ici comme cette propriété des fictions qui les pousse à refléter, dans le cours même des histoires qu’elles élaborent et racontent, les éléments qui la constituent comme fiction, indépendamment des intrigues qui s’y développent. Les questions que suscite l’autoréflexivité ainsi comprise relèvent alors moins de la rhétorique et de la discursivité que de la représentation. Aussi s’agit-il, dans les études réunies ici, d’examiner, dans le corps textuel des fictions, les unités de sens, plus ou moins élaborées, qui assurent le glissement du niveau narratif où se constitue et se développe avec vigueur la matière romanesque vers une plate-forme de lecture distanciée, indépendante du cours de la narration, où se dessine une représentation de ce corps textuel en tant qu’ancrage de la fiction.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="c15b65746f4a47377f0b63c229ee933c" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":37166488,"asset_id":11733354,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/37166488/download_file?st=MTczMjczNjMyNyw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="11733354"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="11733354"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 11733354; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=11733354]").text(description); $(".js-view-count[data-work-id=11733354]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 11733354; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='11733354']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 11733354, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "c15b65746f4a47377f0b63c229ee933c" } } $('.js-work-strip[data-work-id=11733354]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":11733354,"title":"L'assiette des fictions : enquêtes sur l'autoréflexivité romanesque","translated_title":"","metadata":{"abstract":"L’un des champs les plus féconds de la recherche sur le roman d’Ancien-Régime ces dernières années se déploie dans l’espace d’examen des diverses manifestations de l’autoréflexivité qui s’y présentent. 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class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/123662123/Noirceurs_de_la_R%C3%A9volution_La_m%C3%A9chancet%C3%A9_concert%C3%A9e_dans_deux_romans_de_l_%C3%A9migration"><img alt="Research paper thumbnail of Noirceurs de la Révolution - La méchanceté concertée dans deux romans de l’émigration" class="work-thumbnail" src="https://attachments.academia-assets.com/118041441/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/123662123/Noirceurs_de_la_R%C3%A9volution_La_m%C3%A9chancet%C3%A9_concert%C3%A9e_dans_deux_romans_de_l_%C3%A9migration">Noirceurs de la Révolution - La méchanceté concertée dans deux romans de l’émigration</a></div><div 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tradition des moralistes classiques Pierre BERTHIAUME: L&#39;epouvante et l&#39;enchantement Sjef HOUPPERMANS: Etrangetes Familieres dans Le Pour et Contre Paul PELCKMANS: La tentation du fantastique Richard FRANCIS: L&#39;&quot; Histoire de Donna Maria &quot;: Feuilleton ou roman manque? 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="111618204"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/111618204/Dupaty_et_lItalie_des_voyageurs_sensibles"><img alt="Research paper thumbnail of Dupaty et l'Italie des voyageurs sensibles" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/111618204/Dupaty_et_lItalie_des_voyageurs_sensibles">Dupaty et l'Italie des voyageurs sensibles</a></div><div class="wp-workCard_item"><span>French Studies</span><span>, 2013</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Remerciements Paul Pelckmans: &quot; D&#39;autres rapporteront... &quot; Laurence Mace: Dupaty et...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Remerciements Paul Pelckmans: &quot; D&#39;autres rapporteront... &quot; Laurence Mace: Dupaty et les reformes italiennes Sylviane Leoni: L&#39;errance sensible de Dupaty Giulia Savio: Dupaty et Genes: quelques reactions artistiques Mladen Kozul: Dupaty et la politique Jean-Daniel Candaux: Lalande et Dupaty en mains: Le Voyage en Italie du Genevois Jacques Le Fort Cecilie Champy: Un Grand Tour interrompu: le recit de voyage inedit du sculpteur Philippe-Laurent Roland Margherita Breccia Fratadocchi: Pour un tourisme durable ante litteram. L&#39;Itinerario italiano et ses conseils, descriptions, outils pour tous les voyageurs en Italie Catriona Seth: Le Tivoli des ames sensibles Valerio Cantafio Casamaggi: Les Antiquaires. Une petite comedie et le &quot; grand theatre &quot; d&#39;Italie chez le Marquis de Sade Stephanie Burette: Le voyage en Italie dans les Lettres de la Princesse de Gonzague Irini Apostolou: Dupaty et Creuze de Lesser a la recherche des beaux-arts Emmanuelle Tabet: Des Lettres sur l&#39;Italie de Dupaty au Voyage en Italie de Chateaubriand Jan Herman: Les Annees de Pelerinage de Mme de Krudener: Valerie et l&#39;Italie Sebastien Chauffour: L&#39;emoi de l&#39;artiste en voyage. Emotions et experiences sensibles d&#39;un architecte en Italie d&#39;apres les journaux de voyage de Jean-Jacques Huve Sophie Guermes: Poesie, nature, verite: Bonstetten sur les traces de Virgile Paul Pelckmans: Corinne, l&#39;Italie et la mort Giuseppina Tardanico: Les Lettres du Marquis de Foresta: un regard melancolique sur la Sicile Sabine Verhulst: L&#39;itineraire sensible d&#39;un Brugeois eclaire: le Grand Tour d&#39;Andre Jacopssen Jan Herman: L&#39;Italie des ames sensibles et les trois esprits de Dupaty: quelques elements de synthese Personalia</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="111618204"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="111618204"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 111618204; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=111618204]").text(description); $(".js-view-count[data-work-id=111618204]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 111618204; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='111618204']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 111618204, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=111618204]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":111618204,"title":"Dupaty et l'Italie des voyageurs sensibles","translated_title":"","metadata":{"abstract":"Remerciements Paul Pelckmans: \u0026quot; D\u0026#39;autres rapporteront... \u0026quot; Laurence Mace: Dupaty et les reformes italiennes Sylviane Leoni: L\u0026#39;errance sensible de Dupaty Giulia Savio: Dupaty et Genes: quelques reactions artistiques Mladen Kozul: Dupaty et la politique Jean-Daniel Candaux: Lalande et Dupaty en mains: Le Voyage en Italie du Genevois Jacques Le Fort Cecilie Champy: Un Grand Tour interrompu: le recit de voyage inedit du sculpteur Philippe-Laurent Roland Margherita Breccia Fratadocchi: Pour un tourisme durable ante litteram. 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Gee starts this conversation in fruitful and enlightening ways.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="86434856"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="86434856"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 86434856; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=86434856]").text(description); $(".js-view-count[data-work-id=86434856]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 86434856; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='86434856']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 86434856, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=86434856]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":86434856,"title":"\u003ci\u003eL'Assiette des fictions: Enquêtes sur l'autoréflexivité romanesque\u003c/i\u003e (review)","translated_title":"","metadata":{"abstract":"Thus, though the methodology of the second part of the book owes much to cultural criticism—showing a special debt to Joseph Roach, among others—the first part of the book draws more heavily on a broad historicism and fairly traditional close-reading practices. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="82147761"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/82147761/L%C3%A9preuve_du_lecteur_livres_et_lectures_dans_le_roman_dAncien_R%C3%A9gime_actes_du_VIIIe_colloque_de_la_Soci%C3%A9t%C3%A9_danalyse_de_la_topique_romanesque_Louvain_Anvers_19_21_mai_1994"><img alt="Research paper thumbnail of L'épreuve du lecteur : livres et lectures dans le roman d'Ancien Régime : actes du VIIIe colloque de la Société d'analyse de la topique romanesque, Louvain, Anvers, 19-21 mai 1994" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/82147761/L%C3%A9preuve_du_lecteur_livres_et_lectures_dans_le_roman_dAncien_R%C3%A9gime_actes_du_VIIIe_colloque_de_la_Soci%C3%A9t%C3%A9_danalyse_de_la_topique_romanesque_Louvain_Anvers_19_21_mai_1994">L'épreuve du lecteur : livres et lectures dans le roman d'Ancien Régime : actes du VIIIe colloque de la Société d'analyse de la topique romanesque, Louvain, Anvers, 19-21 mai 1994</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Le temps n&#39;est plus oA&#39; une histoire du roman de l&#39;Ancien Regime ne pouvait qu&#39;ab...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Le temps n&#39;est plus oA&#39; une histoire du roman de l&#39;Ancien Regime ne pouvait qu&#39;aboutir au realisme. A l&#39;heritage de Balzac, le roman du XXe siecle aura juxtapose les experimentations formelles, les visees metalitteraires et l&#39;abandon a l&#39;imaginaire; cela imposait de redecouvrir que le roman de l&#39;Ancien Regime n&#39;avait pas ete qu&#39;un miroir promene le long d&#39;une grandroute. Le present volume, qui rassemble une cinquantaine de communications presentees a un colloque qui prenait la mesure des lectures vecues par des personnages de roman, voudrait montrer que le miroir passait aussi par les boudoirs et les salons ou les lecteurs de l&#39;epoque s&#39;isolaient, seuls ou en petits groupes, pour consommer des textes. 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Beaucoup de ces fictions, tout en construisant des univers artificiels entre expérience du réel, investigation des possibles et produits de l’imagination, renvoient au lecteur une interrogation pluridimensionnelle sur les constituants, le statut, la motivation, les valeurs poétiques et heuristiques de la fiction elle-même. Plusieurs travaux récents ont permis de mettre en lumière les procédures de mise en scène du discours fictionnel : l’examen des apparats péritextuels, l’étude de la parodie, du recyclage et des réemplois de formes constituées, ont mis au jour le fonctionnement, en particulier rhétorique, du régime métafictionnel mis en œuvre dans un si grand nombre de textes de cette époque. Sans doute, l’horizon des études possibles dans cette direction est-il encore très largement ouvert, mais c’est sur une autre dimension du même phénomène que sont concentrés les travaux réunis ici à la suite d’un double colloque organisé en 2007 aux Universités de Lausanne et de Leuven, celle de l’autoréflexivité romanesque. <br />La notion même d’autoréflexivité peut prêter à discussion ; plusieurs des textes réunis dans ce livre rendent d’ailleurs compte des interrogations ou des malaises qu’elle peut susciter. L’autoréflexivité est comprise ici comme cette propriété des fictions qui les pousse à refléter, dans le cours même des histoires qu’elles élaborent et racontent, les éléments qui la constituent comme fiction, indépendamment des intrigues qui s’y développent. Les questions que suscite l’autoréflexivité ainsi comprise relèvent alors moins de la rhétorique et de la discursivité que de la représentation. Aussi s’agit-il, dans les études réunies ici, d’examiner, dans le corps textuel des fictions, les unités de sens, plus ou moins élaborées, qui assurent le glissement du niveau narratif où se constitue et se développe avec vigueur la matière romanesque vers une plate-forme de lecture distanciée, indépendante du cours de la narration, où se dessine une représentation de ce corps textuel en tant qu’ancrage de la fiction.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="c15b65746f4a47377f0b63c229ee933c" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":37166488,"asset_id":11733354,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/37166488/download_file?st=MTczMjczNjMyOCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="11733354"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="11733354"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 11733354; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=11733354]").text(description); $(".js-view-count[data-work-id=11733354]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 11733354; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='11733354']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 11733354, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "c15b65746f4a47377f0b63c229ee933c" } } $('.js-work-strip[data-work-id=11733354]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":11733354,"title":"L'assiette des fictions : enquêtes sur l'autoréflexivité romanesque","translated_title":"","metadata":{"abstract":"L’un des champs les plus féconds de la recherche sur le roman d’Ancien-Régime ces dernières années se déploie dans l’espace d’examen des diverses manifestations de l’autoréflexivité qui s’y présentent. 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tradition des moralistes classiques Pierre BERTHIAUME: L&#39;epouvante et l&#39;enchantement Sjef HOUPPERMANS: Etrangetes Familieres dans Le Pour et Contre Paul PELCKMANS: La tentation du fantastique Richard FRANCIS: L&#39;&quot; Histoire de Donna Maria &quot;: Feuilleton ou roman manque? Franck SALAUN: Prevost ventriloque a propos du recrit &quot; Effet heroique de vertu morale &quot; Mladen KOZUL: Le paradoxe du comedien de Prevost: sensibilite et jeu theatral dans le &quot; Trait curieux de morale dans la conduite d&#39;un comedien &quot; Paul PELCKMANS: &quot; Histoire interessante &quot; ou la tragedie ignoree Jan HERMAN: Le Monde Moral de Prevost: le recueil de contes comme atelier du roman Alexandre DUQUAIRE: Pour une definition rhetorique du recit: les histoires tragiques du Monde moral Marc LABUSSIERE: Une poetique de l&#39;horreur: Prevost et les mangeurs d&#39;enfants Resumes</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="116330020"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="116330020"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 116330020; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=116330020]").text(description); $(".js-view-count[data-work-id=116330020]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 116330020; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='116330020']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 116330020, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=116330020]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":116330020,"title":"Prévost et le récit bref","translated_title":"","metadata":{"abstract":"Avant-Propos Jean SGARD: Une genre singulier Shelly CHARLES: \u0026quot; Reformer l\u0026#39;ouvrage d\u0026#39;autrui \u0026quot;: recit et reecriture dans Le Pour et Contre Kris PEETERS: Une poetique de l\u0026#39;extraordinaire Daniel ACKE: L\u0026#39;abbe Prevost conteur et la tradition des moralistes classiques Pierre BERTHIAUME: L\u0026#39;epouvante et l\u0026#39;enchantement Sjef HOUPPERMANS: Etrangetes Familieres dans Le Pour et Contre Paul PELCKMANS: La tentation du fantastique Richard FRANCIS: L\u0026#39;\u0026quot; Histoire de Donna Maria \u0026quot;: Feuilleton ou roman manque? 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="111618204"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/111618204/Dupaty_et_lItalie_des_voyageurs_sensibles"><img alt="Research paper thumbnail of Dupaty et l'Italie des voyageurs sensibles" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/111618204/Dupaty_et_lItalie_des_voyageurs_sensibles">Dupaty et l'Italie des voyageurs sensibles</a></div><div class="wp-workCard_item"><span>French Studies</span><span>, 2013</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Remerciements Paul Pelckmans: &quot; D&#39;autres rapporteront... &quot; Laurence Mace: Dupaty et...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Remerciements Paul Pelckmans: &quot; D&#39;autres rapporteront... &quot; Laurence Mace: Dupaty et les reformes italiennes Sylviane Leoni: L&#39;errance sensible de Dupaty Giulia Savio: Dupaty et Genes: quelques reactions artistiques Mladen Kozul: Dupaty et la politique Jean-Daniel Candaux: Lalande et Dupaty en mains: Le Voyage en Italie du Genevois Jacques Le Fort Cecilie Champy: Un Grand Tour interrompu: le recit de voyage inedit du sculpteur Philippe-Laurent Roland Margherita Breccia Fratadocchi: Pour un tourisme durable ante litteram. L&#39;Itinerario italiano et ses conseils, descriptions, outils pour tous les voyageurs en Italie Catriona Seth: Le Tivoli des ames sensibles Valerio Cantafio Casamaggi: Les Antiquaires. Une petite comedie et le &quot; grand theatre &quot; d&#39;Italie chez le Marquis de Sade Stephanie Burette: Le voyage en Italie dans les Lettres de la Princesse de Gonzague Irini Apostolou: Dupaty et Creuze de Lesser a la recherche des beaux-arts Emmanuelle Tabet: Des Lettres sur l&#39;Italie de Dupaty au Voyage en Italie de Chateaubriand Jan Herman: Les Annees de Pelerinage de Mme de Krudener: Valerie et l&#39;Italie Sebastien Chauffour: L&#39;emoi de l&#39;artiste en voyage. Emotions et experiences sensibles d&#39;un architecte en Italie d&#39;apres les journaux de voyage de Jean-Jacques Huve Sophie Guermes: Poesie, nature, verite: Bonstetten sur les traces de Virgile Paul Pelckmans: Corinne, l&#39;Italie et la mort Giuseppina Tardanico: Les Lettres du Marquis de Foresta: un regard melancolique sur la Sicile Sabine Verhulst: L&#39;itineraire sensible d&#39;un Brugeois eclaire: le Grand Tour d&#39;Andre Jacopssen Jan Herman: L&#39;Italie des ames sensibles et les trois esprits de Dupaty: quelques elements de synthese Personalia</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="111618204"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="111618204"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 111618204; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=111618204]").text(description); $(".js-view-count[data-work-id=111618204]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 111618204; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='111618204']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 111618204, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=111618204]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":111618204,"title":"Dupaty et l'Italie des voyageurs sensibles","translated_title":"","metadata":{"abstract":"Remerciements Paul Pelckmans: \u0026quot; D\u0026#39;autres rapporteront... \u0026quot; Laurence Mace: Dupaty et les reformes italiennes Sylviane Leoni: L\u0026#39;errance sensible de Dupaty Giulia Savio: Dupaty et Genes: quelques reactions artistiques Mladen Kozul: Dupaty et la politique Jean-Daniel Candaux: Lalande et Dupaty en mains: Le Voyage en Italie du Genevois Jacques Le Fort Cecilie Champy: Un Grand Tour interrompu: le recit de voyage inedit du sculpteur Philippe-Laurent Roland Margherita Breccia Fratadocchi: Pour un tourisme durable ante litteram. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="86434856"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/86434856/_i_LAssiette_des_fictions_Enqu%C3%AAtes_sur_lautor%C3%A9flexivit%C3%A9_romanesque_i_review_"><img alt="Research paper thumbnail of <i>L'Assiette des fictions: Enquêtes sur l'autoréflexivité romanesque</i> (review)" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/86434856/_i_LAssiette_des_fictions_Enqu%C3%AAtes_sur_lautor%C3%A9flexivit%C3%A9_romanesque_i_review_"><i>L'Assiette des fictions: Enquêtes sur l'autoréflexivité romanesque</i> (review)</a></div><div class="wp-workCard_item"><span>Eighteenth-Century Fiction</span><span>, 2012</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Thus, though the methodology of the second part of the book owes much to cultural criticism—showi...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Thus, though the methodology of the second part of the book owes much to cultural criticism—showing a special debt to Joseph Roach, among others—the first part of the book draws more heavily on a broad historicism and fairly traditional close-reading practices. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="82147761"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/82147761/L%C3%A9preuve_du_lecteur_livres_et_lectures_dans_le_roman_dAncien_R%C3%A9gime_actes_du_VIIIe_colloque_de_la_Soci%C3%A9t%C3%A9_danalyse_de_la_topique_romanesque_Louvain_Anvers_19_21_mai_1994"><img alt="Research paper thumbnail of L'épreuve du lecteur : livres et lectures dans le roman d'Ancien Régime : actes du VIIIe colloque de la Société d'analyse de la topique romanesque, Louvain, Anvers, 19-21 mai 1994" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/82147761/L%C3%A9preuve_du_lecteur_livres_et_lectures_dans_le_roman_dAncien_R%C3%A9gime_actes_du_VIIIe_colloque_de_la_Soci%C3%A9t%C3%A9_danalyse_de_la_topique_romanesque_Louvain_Anvers_19_21_mai_1994">L'épreuve du lecteur : livres et lectures dans le roman d'Ancien Régime : actes du VIIIe colloque de la Société d'analyse de la topique romanesque, Louvain, Anvers, 19-21 mai 1994</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Le temps n&#39;est plus oA&#39; une histoire du roman de l&#39;Ancien Regime ne pouvait qu&#39;ab...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Le temps n&#39;est plus oA&#39; une histoire du roman de l&#39;Ancien Regime ne pouvait qu&#39;aboutir au realisme. A l&#39;heritage de Balzac, le roman du XXe siecle aura juxtapose les experimentations formelles, les visees metalitteraires et l&#39;abandon a l&#39;imaginaire; cela imposait de redecouvrir que le roman de l&#39;Ancien Regime n&#39;avait pas ete qu&#39;un miroir promene le long d&#39;une grandroute. Le present volume, qui rassemble une cinquantaine de communications presentees a un colloque qui prenait la mesure des lectures vecues par des personnages de roman, voudrait montrer que le miroir passait aussi par les boudoirs et les salons ou les lecteurs de l&#39;epoque s&#39;isolaient, seuls ou en petits groupes, pour consommer des textes. Passage assez frequent pour que sa recurrence le constitue en veritable topos de la fiction.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="82147761"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="82147761"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 82147761; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=82147761]").text(description); $(".js-view-count[data-work-id=82147761]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 82147761; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='82147761']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 82147761, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=82147761]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":82147761,"title":"L'épreuve du lecteur : livres et lectures dans le roman d'Ancien Régime : actes du VIIIe colloque de la Société d'analyse de la topique romanesque, Louvain, Anvers, 19-21 mai 1994","translated_title":"","metadata":{"abstract":"Le temps n\u0026#39;est plus oA\u0026#39; une histoire du roman de l\u0026#39;Ancien Regime ne pouvait qu\u0026#39;aboutir au realisme. 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La Fontaine chez les Pères du Désert" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/75820023/Par_o%C3%B9_saurais_je_mieux_finir_La_Fontaine_chez_les_P%C3%A8res_du_D%C3%A9sert">Par où saurais-je mieux finir? 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