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$(".js-view-count[data-work-id=8920738]").text(description); $(".js-view-count-work_8920738").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_8920738").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="8920738"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i></div><span class="InlineList-item-text u-textTruncate u-pl6x"><a class="InlineList-item-text" data-has-card-for-ri="16126" href="https://www.academia.edu/Documents/in/Ernest_Hemingway">Ernest Hemingway</a><script data-card-contents-for-ri="16126" type="text/json">{"id":16126,"name":"Ernest Hemingway","url":"https://www.academia.edu/Documents/in/Ernest_Hemingway?f_ri=16126","nofollow":false}</script></span></li><script>(function(){ if (false) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=8920738]'), work: {"id":8920738,"title":"EK 1-okuyucu yorumları","created_at":"2014-10-22T22:50:38.104-07:00","url":"https://www.academia.edu/8920738/EK_1_okuyucu_yorumlar%C4%B1?f_ri=16126","dom_id":"work_8920738","summary":null,"downloadable_attachments":[{"id":35245377,"asset_id":8920738,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":19683959,"first_name":"tekhne","last_name":"-arşiv-","domain_name":"independent","page_name":"tekhneblog","display_name":"tekhne -arşiv-","profile_url":"https://independent.academia.edu/tekhneblog?f_ri=16126","photo":"https://0.academia-photos.com/19683959/6713485/7583670/s65_tekhne.blog.jpg"}],"research_interests":[{"id":16126,"name":"Ernest Hemingway","url":"https://www.academia.edu/Documents/in/Ernest_Hemingway?f_ri=16126","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_35588874" data-work_id="35588874" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/35588874/_A_Constantly_Renewed_Obligation_to_Remake_the_Self_Ernest_Hemingway_A_Moveable_Feast_and_Autonarration">"A Constantly Renewed Obligation to Remake the Self": Ernest Hemingway, A Moveable Feast, and Autonarration</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/35588874" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="670c55749f8365dd87173885bd552494" rel="nofollow" data-download="{"attachment_id":55455049,"asset_id":35588874,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/55455049/download_file?st=MTczMzI4MzI2Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="53517801" href="https://macewan.academia.edu/JoshToth">Josh Toth</a><script data-card-contents-for-user="53517801" type="text/json">{"id":53517801,"first_name":"Josh","last_name":"Toth","domain_name":"macewan","page_name":"JoshToth","display_name":"Josh Toth","profile_url":"https://macewan.academia.edu/JoshToth?f_ri=16126","photo":"/images/s65_no_pic.png"}</script></span></span></li><li class="js-paper-rank-work_35588874 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="35588874"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 35588874, container: ".js-paper-rank-work_35588874", }); 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Mostramos cómo la novela distorsiona la verdad histórica en... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_28378888" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Examinamos críticamente en este artículo la novela de Michael Atkinson 'Hemingway: días de vino y muerte' (2010, trad. española 2011), ambientada en la guerra civil española. Mostramos cómo la novela distorsiona la verdad histórica en torno al asesinato de José Robles, así como la actitud de Hemingway frente a los crímenes políticos de los comunistas, con el fin de promover una visión mítica de Hemingway como un aventurero independiente, defensor constante de las causas justas.<br /><br />English abstract: This paper is a critical examination of Michael Atkinson's 2010 novel 'Hemingway Cutthroat', set in the Spanish Civil War. The novel is shown to distort the historical truth surrounding the murder of José Robles and Hemingway's attitude to the political crimes of Communists, in order to promote a mythical and popular construction of Hemingway as an independent adventurer always on the side of just causes.<br /><br />Note: Downloadable document is in Spanish.<br /><br />Number of Pages in PDF File: 8<br /><br />Keywords: Hemingway, Atkinson, American literature, Novel, Detective fiction, Spanish civil war, Ideology</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/28378888" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="9d6437d4dccea281e1e6cdfe34e5ec56" rel="nofollow" data-download="{"attachment_id":48712873,"asset_id":28378888,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/48712873/download_file?st=MTczMzI4MzI2Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="24445" href="https://unizar.academia.edu/Jos%C3%A9AngelGarc%C3%ADaLanda">José Angel García Landa</a><script data-card-contents-for-user="24445" type="text/json">{"id":24445,"first_name":"José Angel","last_name":"García Landa","domain_name":"unizar","page_name":"JoséAngelGarcíaLanda","display_name":"José Angel García Landa","profile_url":"https://unizar.academia.edu/Jos%C3%A9AngelGarc%C3%ADaLanda?f_ri=16126","photo":"https://0.academia-photos.com/24445/7950/7575/s65_jos_angel.garc_a_landa.jpg"}</script></span></span></li><li class="js-paper-rank-work_28378888 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="28378888"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 28378888, container: ".js-paper-rank-work_28378888", }); 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$(".js-view-count[data-work-id=28378888]").text(description); $(".js-view-count-work_28378888").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_28378888").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="28378888"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">3</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="16126" href="https://www.academia.edu/Documents/in/Ernest_Hemingway">Ernest Hemingway</a>, <script data-card-contents-for-ri="16126" type="text/json">{"id":16126,"name":"Ernest Hemingway","url":"https://www.academia.edu/Documents/in/Ernest_Hemingway?f_ri=16126","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="108055" href="https://www.academia.edu/Documents/in/GUERRA_CIVIL_ESPA%C3%91OLA">GUERRA CIVIL ESPAÑOLA</a>, <script data-card-contents-for-ri="108055" type="text/json">{"id":108055,"name":"GUERRA CIVIL ESPAÑOLA","url":"https://www.academia.edu/Documents/in/GUERRA_CIVIL_ESPA%C3%91OLA?f_ri=16126","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="291271" href="https://www.academia.edu/Documents/in/John_Dos_Passos">John Dos Passos</a><script data-card-contents-for-ri="291271" type="text/json">{"id":291271,"name":"John Dos Passos","url":"https://www.academia.edu/Documents/in/John_Dos_Passos?f_ri=16126","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=28378888]'), work: {"id":28378888,"title":"Hemingway, Días de Vino y Muerte: Blanqueando sepulcros","created_at":"2016-09-09T15:19:40.507-07:00","url":"https://www.academia.edu/28378888/Hemingway_D%C3%ADas_de_Vino_y_Muerte_Blanqueando_sepulcros?f_ri=16126","dom_id":"work_28378888","summary":"Examinamos críticamente en este artículo la novela de Michael Atkinson 'Hemingway: días de vino y muerte' (2010, trad. española 2011), ambientada en la guerra civil española. Mostramos cómo la novela distorsiona la verdad histórica en torno al asesinato de José Robles, así como la actitud de Hemingway frente a los crímenes políticos de los comunistas, con el fin de promover una visión mítica de Hemingway como un aventurero independiente, defensor constante de las causas justas.\n\nEnglish abstract: This paper is a critical examination of Michael Atkinson's 2010 novel 'Hemingway Cutthroat', set in the Spanish Civil War. The novel is shown to distort the historical truth surrounding the murder of José Robles and Hemingway's attitude to the political crimes of Communists, in order to promote a mythical and popular construction of Hemingway as an independent adventurer always on the side of just causes.\n\nNote: Downloadable document is in Spanish.\n\nNumber of Pages in PDF File: 8\n\nKeywords: Hemingway, Atkinson, American literature, Novel, Detective fiction, Spanish civil war, Ideology\n","downloadable_attachments":[{"id":48712873,"asset_id":28378888,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":24445,"first_name":"José Angel","last_name":"García Landa","domain_name":"unizar","page_name":"JoséAngelGarcíaLanda","display_name":"José Angel García Landa","profile_url":"https://unizar.academia.edu/Jos%C3%A9AngelGarc%C3%ADaLanda?f_ri=16126","photo":"https://0.academia-photos.com/24445/7950/7575/s65_jos_angel.garc_a_landa.jpg"}],"research_interests":[{"id":16126,"name":"Ernest Hemingway","url":"https://www.academia.edu/Documents/in/Ernest_Hemingway?f_ri=16126","nofollow":false},{"id":108055,"name":"GUERRA CIVIL ESPAÑOLA","url":"https://www.academia.edu/Documents/in/GUERRA_CIVIL_ESPA%C3%91OLA?f_ri=16126","nofollow":false},{"id":291271,"name":"John Dos Passos","url":"https://www.academia.edu/Documents/in/John_Dos_Passos?f_ri=16126","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_43252455" data-work_id="43252455" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/43252455/Ritirate_parallele_Hemingway_Comisso_e_la_rotta_di_Caporetto">Ritirate parallele: Hemingway, Comisso e la rotta di Caporetto</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Both Ernest Hemingway and Giovanni Comisso were involved in the First World War, but while Comisso was a career officer who witnessed the rout of Caporetto and the ensuing chaotic retreat of the Regio Esercito, Hemingway reconstructed the... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_43252455" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Both Ernest Hemingway and Giovanni Comisso were involved in the First World War, but while Comisso was a career officer who witnessed the rout of Caporetto and the ensuing chaotic retreat of the Regio Esercito, Hemingway reconstructed the events of October-November 1917 ex post facto, inasmuch as he only arrived in Italy in June 1918. However, a close comparative reading of Comisso's memoir Giorni di guerra and Hemingway's novel A Farewell to Arms proves that the American novelist had carefully researched his narrative, as many details are consistent with the Italian writer's first-hand report. Moreover, the comparative analysis highlights some only apparently marginal utterances of Hemingway's characters which should be interpreted as hidden prolepses, hinting at oncoming events (the looming Caporetto disaster and its consequences). Hence this comparative reading helps us to fathom how deep is the hidden part of the narrative iceberg in A Farewell to Arms, and bring to light new layers of meaning of this complex and sometimes beguiling narrative.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/43252455" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="dbce2aa362c4664b7d00586dd81eade5" rel="nofollow" data-download="{"attachment_id":63523480,"asset_id":43252455,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/63523480/download_file?st=MTczMzI4MzI2Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="130542" href="https://independent.academia.edu/UmbertoRossi">Umberto Rossi</a><script data-card-contents-for-user="130542" type="text/json">{"id":130542,"first_name":"Umberto","last_name":"Rossi","domain_name":"independent","page_name":"UmbertoRossi","display_name":"Umberto Rossi","profile_url":"https://independent.academia.edu/UmbertoRossi?f_ri=16126","photo":"https://0.academia-photos.com/130542/34783/31960/s65_umberto.rossi.jpeg"}</script></span></span></li><li class="js-paper-rank-work_43252455 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="43252455"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 43252455, container: ".js-paper-rank-work_43252455", }); });</script></li><li class="js-percentile-work_43252455 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 43252455; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_43252455"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_43252455 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="43252455"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 43252455; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=43252455]").text(description); $(".js-view-count-work_43252455").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_43252455").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="43252455"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">6</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="16126" href="https://www.academia.edu/Documents/in/Ernest_Hemingway">Ernest Hemingway</a>, <script data-card-contents-for-ri="16126" type="text/json">{"id":16126,"name":"Ernest Hemingway","url":"https://www.academia.edu/Documents/in/Ernest_Hemingway?f_ri=16126","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="25999" href="https://www.academia.edu/Documents/in/War_and_Literature">War and Literature</a>, <script data-card-contents-for-ri="25999" type="text/json">{"id":25999,"name":"War and Literature","url":"https://www.academia.edu/Documents/in/War_and_Literature?f_ri=16126","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="437853" href="https://www.academia.edu/Documents/in/First_World_War_Literature">First World War Literature</a>, <script data-card-contents-for-ri="437853" type="text/json">{"id":437853,"name":"First World War Literature","url":"https://www.academia.edu/Documents/in/First_World_War_Literature?f_ri=16126","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="873460" href="https://www.academia.edu/Documents/in/Giovanni_Comisso">Giovanni Comisso</a><script data-card-contents-for-ri="873460" type="text/json">{"id":873460,"name":"Giovanni Comisso","url":"https://www.academia.edu/Documents/in/Giovanni_Comisso?f_ri=16126","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=43252455]'), work: {"id":43252455,"title":"Ritirate parallele: Hemingway, Comisso e la rotta di Caporetto","created_at":"2020-06-03T23:53:04.176-07:00","url":"https://www.academia.edu/43252455/Ritirate_parallele_Hemingway_Comisso_e_la_rotta_di_Caporetto?f_ri=16126","dom_id":"work_43252455","summary":"Both Ernest Hemingway and Giovanni Comisso were involved in the First World War, but while Comisso was a career officer who witnessed the rout of Caporetto and the ensuing chaotic retreat of the Regio Esercito, Hemingway reconstructed the events of October-November 1917 ex post facto, inasmuch as he only arrived in Italy in June 1918. However, a close comparative reading of Comisso's memoir Giorni di guerra and Hemingway's novel A Farewell to Arms proves that the American novelist had carefully researched his narrative, as many details are consistent with the Italian writer's first-hand report. Moreover, the comparative analysis highlights some only apparently marginal utterances of Hemingway's characters which should be interpreted as hidden prolepses, hinting at oncoming events (the looming Caporetto disaster and its consequences). Hence this comparative reading helps us to fathom how deep is the hidden part of the narrative iceberg in A Farewell to Arms, and bring to light new layers of meaning of this complex and sometimes beguiling narrative.","downloadable_attachments":[{"id":63523480,"asset_id":43252455,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":130542,"first_name":"Umberto","last_name":"Rossi","domain_name":"independent","page_name":"UmbertoRossi","display_name":"Umberto Rossi","profile_url":"https://independent.academia.edu/UmbertoRossi?f_ri=16126","photo":"https://0.academia-photos.com/130542/34783/31960/s65_umberto.rossi.jpeg"}],"research_interests":[{"id":16126,"name":"Ernest Hemingway","url":"https://www.academia.edu/Documents/in/Ernest_Hemingway?f_ri=16126","nofollow":false},{"id":25999,"name":"War and Literature","url":"https://www.academia.edu/Documents/in/War_and_Literature?f_ri=16126","nofollow":false},{"id":437853,"name":"First World War Literature","url":"https://www.academia.edu/Documents/in/First_World_War_Literature?f_ri=16126","nofollow":false},{"id":873460,"name":"Giovanni Comisso","url":"https://www.academia.edu/Documents/in/Giovanni_Comisso?f_ri=16126","nofollow":false},{"id":987844,"name":"A Farewell to Arms","url":"https://www.academia.edu/Documents/in/A_Farewell_to_Arms?f_ri=16126"},{"id":1911686,"name":"Caporetto Battle","url":"https://www.academia.edu/Documents/in/Caporetto_Battle?f_ri=16126"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_5757807" data-work_id="5757807" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/5757807/To_Have_and_Have_Not_Towards_an_Adaptive_System">To Have and Have Not: Towards an Adaptive System</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/5757807" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="c5d3f3badb9244f20177ae30cb115410" rel="nofollow" data-download="{"attachment_id":32785560,"asset_id":5757807,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/32785560/download_file?st=MTczMzI4MzI2Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="5420650" href="https://pitt.academia.edu/KathleenMurray">Kathleen Murray</a><script data-card-contents-for-user="5420650" type="text/json">{"id":5420650,"first_name":"Kathleen","last_name":"Murray","domain_name":"pitt","page_name":"KathleenMurray","display_name":"Kathleen Murray","profile_url":"https://pitt.academia.edu/KathleenMurray?f_ri=16126","photo":"https://0.academia-photos.com/5420650/2382165/6578217/s65_kathleen.murray.jpg"}</script></span></span></li><li class="js-paper-rank-work_5757807 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="5757807"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 5757807, container: ".js-paper-rank-work_5757807", }); });</script></li><li class="js-percentile-work_5757807 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 5757807; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_5757807"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_5757807 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="5757807"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 5757807; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=5757807]").text(description); $(".js-view-count-work_5757807").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_5757807").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="5757807"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="8079" href="https://www.academia.edu/Documents/in/Film_Adaptation">Film Adaptation</a>, <script data-card-contents-for-ri="8079" type="text/json">{"id":8079,"name":"Film Adaptation","url":"https://www.academia.edu/Documents/in/Film_Adaptation?f_ri=16126","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16126" href="https://www.academia.edu/Documents/in/Ernest_Hemingway">Ernest Hemingway</a>, <script data-card-contents-for-ri="16126" type="text/json">{"id":16126,"name":"Ernest Hemingway","url":"https://www.academia.edu/Documents/in/Ernest_Hemingway?f_ri=16126","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="25108" href="https://www.academia.edu/Documents/in/Howard_Hawks">Howard Hawks</a>, <script data-card-contents-for-ri="25108" type="text/json">{"id":25108,"name":"Howard Hawks","url":"https://www.academia.edu/Documents/in/Howard_Hawks?f_ri=16126","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="104698" href="https://www.academia.edu/Documents/in/Humphrey_Bogart">Humphrey Bogart</a><script data-card-contents-for-ri="104698" type="text/json">{"id":104698,"name":"Humphrey Bogart","url":"https://www.academia.edu/Documents/in/Humphrey_Bogart?f_ri=16126","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=5757807]'), work: {"id":5757807,"title":"To Have and Have Not: Towards an Adaptive 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data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="24024367" href="https://ung.academia.edu/ZoranBo%C5%BEi%C4%8D">Zoran Božič</a><script data-card-contents-for-user="24024367" type="text/json">{"id":24024367,"first_name":"Zoran","last_name":"Božič","domain_name":"ung","page_name":"ZoranBožič","display_name":"Zoran Božič","profile_url":"https://ung.academia.edu/ZoranBo%C5%BEi%C4%8D?f_ri=16126","photo":"https://0.academia-photos.com/24024367/10928159/12195624/s65_zoran.bo_i_.jpg"}</script></span></span></li><li class="js-paper-rank-work_30316285 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" 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data-has-card-for-ri="10" href="https://www.academia.edu/Documents/in/American_Literature">American Literature</a>, <script data-card-contents-for-ri="10" type="text/json">{"id":10,"name":"American Literature","url":"https://www.academia.edu/Documents/in/American_Literature?f_ri=16126","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16126" href="https://www.academia.edu/Documents/in/Ernest_Hemingway">Ernest Hemingway</a>, <script data-card-contents-for-ri="16126" type="text/json">{"id":16126,"name":"Ernest Hemingway","url":"https://www.academia.edu/Documents/in/Ernest_Hemingway?f_ri=16126","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="171425" href="https://www.academia.edu/Documents/in/Close_Reading">Close Reading</a>, <script data-card-contents-for-ri="171425" type="text/json">{"id":171425,"name":"Close Reading","url":"https://www.academia.edu/Documents/in/Close_Reading?f_ri=16126","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="440594" href="https://www.academia.edu/Documents/in/the_Old_man_and_the_Sea">the Old man and the Sea</a><script data-card-contents-for-ri="440594" type="text/json">{"id":440594,"name":"the Old man and the Sea","url":"https://www.academia.edu/Documents/in/the_Old_man_and_the_Sea?f_ri=16126","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=30316285]'), work: {"id":30316285,"title":"Starec in morje (The Old Man and the Sea)","created_at":"2016-12-07T13:29:30.113-08:00","url":"https://www.academia.edu/30316285/Starec_in_morje_The_Old_Man_and_the_Sea_?f_ri=16126","dom_id":"work_30316285","summary":"Didactic presentation of the famous existentialist novella by Ernest 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u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Cambridge SP press release for Fall 2018 book release. Some sections can be read on Google books.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/37113282" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="19386c06fc2b483ce0e46201550678e3" rel="nofollow" data-download="{"attachment_id":57064797,"asset_id":37113282,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/57064797/download_file?st=MTczMzI4MzI2Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="5104248" href="https://uprm.academia.edu/GregorioStephens">Gregory Stephens</a><script data-card-contents-for-user="5104248" type="text/json">{"id":5104248,"first_name":"Gregory","last_name":"Stephens","domain_name":"uprm","page_name":"GregorioStephens","display_name":"Gregory Stephens","profile_url":"https://uprm.academia.edu/GregorioStephens?f_ri=16126","photo":"https://0.academia-photos.com/5104248/2233812/11895444/s65_gregorio.stephens.jpg"}</script></span></span></li><li class="js-paper-rank-work_37113282 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="37113282"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 37113282, container: ".js-paper-rank-work_37113282", }); 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Some sections can be read on Google books.","downloadable_attachments":[{"id":57064797,"asset_id":37113282,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":5104248,"first_name":"Gregory","last_name":"Stephens","domain_name":"uprm","page_name":"GregorioStephens","display_name":"Gregory Stephens","profile_url":"https://uprm.academia.edu/GregorioStephens?f_ri=16126","photo":"https://0.academia-photos.com/5104248/2233812/11895444/s65_gregorio.stephens.jpg"}],"research_interests":[{"id":2,"name":"Creative Nonfiction","url":"https://www.academia.edu/Documents/in/Creative_Nonfiction?f_ri=16126","nofollow":false},{"id":122,"name":"Comparative Religion","url":"https://www.academia.edu/Documents/in/Comparative_Religion?f_ri=16126","nofollow":false},{"id":188,"name":"Cultural Studies","url":"https://www.academia.edu/Documents/in/Cultural_Studies?f_ri=16126","nofollow":false},{"id":659,"name":"Comparative Literature","url":"https://www.academia.edu/Documents/in/Comparative_Literature?f_ri=16126","nofollow":false},{"id":1250,"name":"Latin American and Caribbean History","url":"https://www.academia.edu/Documents/in/Latin_American_and_Caribbean_History?f_ri=16126"},{"id":1625,"name":"Human-Animal Relations","url":"https://www.academia.edu/Documents/in/Human-Animal_Relations?f_ri=16126"},{"id":2418,"name":"Literature","url":"https://www.academia.edu/Documents/in/Literature?f_ri=16126"},{"id":2793,"name":"Transnationalism","url":"https://www.academia.edu/Documents/in/Transnationalism?f_ri=16126"},{"id":3233,"name":"Animal Studies","url":"https://www.academia.edu/Documents/in/Animal_Studies?f_ri=16126"},{"id":3773,"name":"Literary Criticism","url":"https://www.academia.edu/Documents/in/Literary_Criticism?f_ri=16126"},{"id":4195,"name":"Cultural Theory","url":"https://www.academia.edu/Documents/in/Cultural_Theory?f_ri=16126"},{"id":5272,"name":"Identity (Culture)","url":"https://www.academia.edu/Documents/in/Identity_Culture_?f_ri=16126"},{"id":6259,"name":"Caribbean Literature","url":"https://www.academia.edu/Documents/in/Caribbean_Literature?f_ri=16126"},{"id":7297,"name":"Autobiography","url":"https://www.academia.edu/Documents/in/Autobiography?f_ri=16126"},{"id":7888,"name":"Literary Theory","url":"https://www.academia.edu/Documents/in/Literary_Theory?f_ri=16126"},{"id":8032,"name":"Cross-Cultural Studies","url":"https://www.academia.edu/Documents/in/Cross-Cultural_Studies?f_ri=16126"},{"id":16126,"name":"Ernest Hemingway","url":"https://www.academia.edu/Documents/in/Ernest_Hemingway?f_ri=16126"},{"id":20985,"name":"Memoir and Autobiography","url":"https://www.academia.edu/Documents/in/Memoir_and_Autobiography?f_ri=16126"},{"id":30066,"name":"J. M. Coetzee","url":"https://www.academia.edu/Documents/in/J._M._Coetzee?f_ri=16126"},{"id":52408,"name":"Literary studies","url":"https://www.academia.edu/Documents/in/Literary_studies?f_ri=16126"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_43039480" data-work_id="43039480" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/43039480/Ernest_Hemingway_Askerin_D%C3%B6n%C3%BC%C5%9F%C3%BC">Ernest Hemingway- Askerin Dönüşü</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">1.Dünya Savaşı'na katılan bir gencin savaş sırasında ve sonrasında yaşadığı bunalımları anlatan kısa bir roman.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/43039480" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="b5ffa1db5c8d60afc03df7012feb5ea1" rel="nofollow" data-download="{"attachment_id":63299783,"asset_id":43039480,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/63299783/download_file?st=MTczMzI4MzI2Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="46675851" href="https://selcuk.academia.edu/MelikeArslan">Melike Arslan</a><script data-card-contents-for-user="46675851" type="text/json">{"id":46675851,"first_name":"Melike","last_name":"Arslan","domain_name":"selcuk","page_name":"MelikeArslan","display_name":"Melike Arslan","profile_url":"https://selcuk.academia.edu/MelikeArslan?f_ri=16126","photo":"https://0.academia-photos.com/46675851/12755591/142839755/s65_melike.arslan.jpg"}</script></span></span></li><li class="js-paper-rank-work_43039480 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="43039480"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 43039480, container: ".js-paper-rank-work_43039480", }); });</script></li><li class="js-percentile-work_43039480 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 43039480; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_43039480"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_43039480 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="43039480"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 43039480; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=43039480]").text(description); $(".js-view-count-work_43039480").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_43039480").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="43039480"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">6</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="16126" href="https://www.academia.edu/Documents/in/Ernest_Hemingway">Ernest Hemingway</a>, <script data-card-contents-for-ri="16126" type="text/json">{"id":16126,"name":"Ernest Hemingway","url":"https://www.academia.edu/Documents/in/Ernest_Hemingway?f_ri=16126","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="375361" href="https://www.academia.edu/Documents/in/Edebiyat">Edebiyat</a>, <script data-card-contents-for-ri="375361" type="text/json">{"id":375361,"name":"Edebiyat","url":"https://www.academia.edu/Documents/in/Edebiyat?f_ri=16126","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="613487" href="https://www.academia.edu/Documents/in/olumluluk">ölümlülük</a>, <script data-card-contents-for-ri="613487" type="text/json">{"id":613487,"name":"ölümlülük","url":"https://www.academia.edu/Documents/in/olumluluk?f_ri=16126","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1175298" href="https://www.academia.edu/Documents/in/Birinci_Dunya_Savasi">Birinci Dünya Savaşı</a><script data-card-contents-for-ri="1175298" type="text/json">{"id":1175298,"name":"Birinci Dünya Savaşı","url":"https://www.academia.edu/Documents/in/Birinci_Dunya_Savasi?f_ri=16126","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=43039480]'), work: {"id":43039480,"title":"Ernest Hemingway- Askerin Dönüşü","created_at":"2020-05-13T13:05:02.276-07:00","url":"https://www.academia.edu/43039480/Ernest_Hemingway_Askerin_D%C3%B6n%C3%BC%C5%9F%C3%BC?f_ri=16126","dom_id":"work_43039480","summary":"1.Dünya Savaşı'na katılan bir gencin savaş sırasında ve sonrasında yaşadığı bunalımları anlatan kısa bir roman. ","downloadable_attachments":[{"id":63299783,"asset_id":43039480,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":46675851,"first_name":"Melike","last_name":"Arslan","domain_name":"selcuk","page_name":"MelikeArslan","display_name":"Melike Arslan","profile_url":"https://selcuk.academia.edu/MelikeArslan?f_ri=16126","photo":"https://0.academia-photos.com/46675851/12755591/142839755/s65_melike.arslan.jpg"}],"research_interests":[{"id":16126,"name":"Ernest Hemingway","url":"https://www.academia.edu/Documents/in/Ernest_Hemingway?f_ri=16126","nofollow":false},{"id":375361,"name":"Edebiyat","url":"https://www.academia.edu/Documents/in/Edebiyat?f_ri=16126","nofollow":false},{"id":613487,"name":"ölümlülük","url":"https://www.academia.edu/Documents/in/olumluluk?f_ri=16126","nofollow":false},{"id":1175298,"name":"Birinci Dünya Savaşı","url":"https://www.academia.edu/Documents/in/Birinci_Dunya_Savasi?f_ri=16126","nofollow":false},{"id":1355728,"name":"Yabancılaşma","url":"https://www.academia.edu/Documents/in/Yabancilasma?f_ri=16126"},{"id":1751958,"name":"1. Dünya Savaşı","url":"https://www.academia.edu/Documents/in/1._D%C3%BCnya_Sava%C5%9F%C4%B1?f_ri=16126"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_13644050" data-work_id="13644050" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/13644050/A_Conversation_with_Ellis_Avery_author_of_The_Last_Nude">A Conversation with Ellis Avery, author of The Last Nude</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">A conversation about Ellis Avery's novel The Last Nude, including a discussion of Avery’s creation of a veritable who’s who of Twenties Paris: the painter Tamara de Lempicka and her lovers; Violette Morris (the butch French boxing... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_13644050" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">A conversation about Ellis Avery's novel The Last Nude, including a discussion of Avery’s creation of a veritable who’s who of Twenties Paris: the painter Tamara de Lempicka and her lovers; Violette Morris (the butch French boxing champion of 1923); cult hero Sylvia Beach (founder of the Shakespeare and Company bookstore and the first publisher of James Joyce’s Ulysses); and Ernest Hemingway, whom Avery reimagines as Anson Hall, a writer blocked in multiple ways.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/13644050" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="50029979ca28c5c5c54a9175d6ec38d9" rel="nofollow" data-download="{"attachment_id":38094930,"asset_id":13644050,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/38094930/download_file?st=MTczMzI4MzI2Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="69508" href="https://fordham.academia.edu/KeriWalsh">Keri Walsh</a><script data-card-contents-for-user="69508" type="text/json">{"id":69508,"first_name":"Keri","last_name":"Walsh","domain_name":"fordham","page_name":"KeriWalsh","display_name":"Keri Walsh","profile_url":"https://fordham.academia.edu/KeriWalsh?f_ri=16126","photo":"https://0.academia-photos.com/69508/84474/10888273/s65_keri.walsh.jpg"}</script></span></span></li><li class="js-paper-rank-work_13644050 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="13644050"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 13644050, container: ".js-paper-rank-work_13644050", }); });</script></li><li class="js-percentile-work_13644050 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 13644050; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_13644050"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_13644050 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="13644050"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 13644050; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=13644050]").text(description); $(".js-view-count-work_13644050").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_13644050").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="13644050"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">8</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="2574" href="https://www.academia.edu/Documents/in/James_Joyce">James Joyce</a>, <script data-card-contents-for-ri="2574" type="text/json">{"id":2574,"name":"James Joyce","url":"https://www.academia.edu/Documents/in/James_Joyce?f_ri=16126","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="4918" href="https://www.academia.edu/Documents/in/Gay_And_Lesbian_Studies">Gay And Lesbian Studies</a>, <script data-card-contents-for-ri="4918" type="text/json">{"id":4918,"name":"Gay And Lesbian Studies","url":"https://www.academia.edu/Documents/in/Gay_And_Lesbian_Studies?f_ri=16126","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="5081" href="https://www.academia.edu/Documents/in/Painting">Painting</a>, <script data-card-contents-for-ri="5081" type="text/json">{"id":5081,"name":"Painting","url":"https://www.academia.edu/Documents/in/Painting?f_ri=16126","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16126" href="https://www.academia.edu/Documents/in/Ernest_Hemingway">Ernest Hemingway</a><script data-card-contents-for-ri="16126" type="text/json">{"id":16126,"name":"Ernest Hemingway","url":"https://www.academia.edu/Documents/in/Ernest_Hemingway?f_ri=16126","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=13644050]'), work: {"id":13644050,"title":"A Conversation with Ellis Avery, author of The Last Nude","created_at":"2015-07-05T01:18:42.788-07:00","url":"https://www.academia.edu/13644050/A_Conversation_with_Ellis_Avery_author_of_The_Last_Nude?f_ri=16126","dom_id":"work_13644050","summary":"A conversation about Ellis Avery's novel The Last Nude, including a discussion of Avery’s creation of a veritable who’s who of Twenties Paris: the painter Tamara de Lempicka and her lovers; Violette Morris (the butch French boxing champion of 1923); cult hero Sylvia Beach (founder of the Shakespeare and Company bookstore and the first publisher of James Joyce’s Ulysses); and Ernest Hemingway, whom Avery reimagines as Anson Hall, a writer blocked in multiple ways.","downloadable_attachments":[{"id":38094930,"asset_id":13644050,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":69508,"first_name":"Keri","last_name":"Walsh","domain_name":"fordham","page_name":"KeriWalsh","display_name":"Keri Walsh","profile_url":"https://fordham.academia.edu/KeriWalsh?f_ri=16126","photo":"https://0.academia-photos.com/69508/84474/10888273/s65_keri.walsh.jpg"}],"research_interests":[{"id":2574,"name":"James Joyce","url":"https://www.academia.edu/Documents/in/James_Joyce?f_ri=16126","nofollow":false},{"id":4918,"name":"Gay And Lesbian Studies","url":"https://www.academia.edu/Documents/in/Gay_And_Lesbian_Studies?f_ri=16126","nofollow":false},{"id":5081,"name":"Painting","url":"https://www.academia.edu/Documents/in/Painting?f_ri=16126","nofollow":false},{"id":16126,"name":"Ernest Hemingway","url":"https://www.academia.edu/Documents/in/Ernest_Hemingway?f_ri=16126","nofollow":false},{"id":91839,"name":"Paris","url":"https://www.academia.edu/Documents/in/Paris?f_ri=16126"},{"id":200354,"name":"Literature in the 1920s and 1930s","url":"https://www.academia.edu/Documents/in/Literature_in_the_1920s_and_1930s?f_ri=16126"},{"id":577451,"name":"Tamara de Lempicka","url":"https://www.academia.edu/Documents/in/Tamara_de_Lempicka?f_ri=16126"},{"id":1656037,"name":"Sylvia Beach","url":"https://www.academia.edu/Documents/in/Sylvia_Beach?f_ri=16126"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_40116796" data-work_id="40116796" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/40116796/_The_Lost_Generation_as_Embodied_in_Hemingway_s_and_Fitzgerald_s_Female_Characters_An_Analysis_of_Hills_Like_White_Elephants_and_Bernice_Bobs_Her_Hair">“The Lost Generation” as Embodied in Hemingway’s and Fitzgerald’s Female Characters: An Analysis of Hills Like White Elephants and Bernice Bobs Her Hair</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">It can be said that a woman's personal narrative is a representative of how the political penetrates into the personal. As women are one of the marginalized sectors of the society, their stories are able to give access to the context of... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_40116796" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">It can be said that a woman's personal narrative is a representative of how the political penetrates into the personal. As women are one of the marginalized sectors of the society, their stories are able to give access to the context of reality that they are in. Ernest Hemingway's Hills Like White Elephants, and F. Scott Fitzgerald's Bernice Bobs Her Hair, published in 1927 and 1920 respectively, both were literature of the Post-World War I, a representative of the time of the "Lost Generation", as both writers too were foundations of the said movement. The underlying theme which I have noticed that both stories possess is that these are women's stories of development. Both stories have female main characters, Jigs and Bernice, which move the story. The two stories are implicitly the characterization of these women, reflecting their status in society, their alienation, and somehow their realizations of this status and choosing to break free from it. With Jigs, we can see with her use of the pronoun "we" to address what she shall drink, what she shall do, implies her attachment with her boyfriend, the American. She seemingly agrees to everything the American says and submits to it. Her dependence on her boyfriend has a rippling impact on a problem they have currently-an unwanted pregnancy and the plan to abort the pregnancy. While they are in the middle of deciding the abortion, we can see that Jigs does not really have a say in the matter, the man just makes her appear that she does. Jigs does not really have a voice as well as a choice when she is subordinated by the man. Jigs, seeing the hills that look like white elephants and the American not appreciating it, showed that they see</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/40116796" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="1d2a52544a04fef99de878c7a53bbd22" rel="nofollow" data-download="{"attachment_id":60329557,"asset_id":40116796,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/60329557/download_file?st=MTczMzI4MzI2Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="52197921" href="https://up-diliman.academia.edu/ShielaMayBaysa">Shiela Baysa</a><script data-card-contents-for-user="52197921" type="text/json">{"id":52197921,"first_name":"Shiela","last_name":"Baysa","domain_name":"up-diliman","page_name":"ShielaMayBaysa","display_name":"Shiela Baysa","profile_url":"https://up-diliman.academia.edu/ShielaMayBaysa?f_ri=16126","photo":"https://0.academia-photos.com/52197921/14069884/28573310/s65_shiela.baysa.jpg"}</script></span></span></li><li class="js-paper-rank-work_40116796 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="40116796"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 40116796, container: ".js-paper-rank-work_40116796", }); });</script></li><li class="js-percentile-work_40116796 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 40116796; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_40116796"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_40116796 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="40116796"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 40116796; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=40116796]").text(description); $(".js-view-count-work_40116796").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_40116796").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="40116796"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">2</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="16126" href="https://www.academia.edu/Documents/in/Ernest_Hemingway">Ernest Hemingway</a>, <script data-card-contents-for-ri="16126" type="text/json">{"id":16126,"name":"Ernest Hemingway","url":"https://www.academia.edu/Documents/in/Ernest_Hemingway?f_ri=16126","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="23801" href="https://www.academia.edu/Documents/in/The_Lost_Generation">The Lost Generation</a><script data-card-contents-for-ri="23801" type="text/json">{"id":23801,"name":"The Lost Generation","url":"https://www.academia.edu/Documents/in/The_Lost_Generation?f_ri=16126","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=40116796]'), work: {"id":40116796,"title":"“The Lost Generation” as Embodied in Hemingway’s and Fitzgerald’s Female Characters: An Analysis of Hills Like White Elephants and Bernice Bobs Her Hair","created_at":"2019-08-18T23:41:52.724-07:00","url":"https://www.academia.edu/40116796/_The_Lost_Generation_as_Embodied_in_Hemingway_s_and_Fitzgerald_s_Female_Characters_An_Analysis_of_Hills_Like_White_Elephants_and_Bernice_Bobs_Her_Hair?f_ri=16126","dom_id":"work_40116796","summary":"It can be said that a woman's personal narrative is a representative of how the political penetrates into the personal. As women are one of the marginalized sectors of the society, their stories are able to give access to the context of reality that they are in. Ernest Hemingway's Hills Like White Elephants, and F. Scott Fitzgerald's Bernice Bobs Her Hair, published in 1927 and 1920 respectively, both were literature of the Post-World War I, a representative of the time of the \"Lost Generation\", as both writers too were foundations of the said movement. The underlying theme which I have noticed that both stories possess is that these are women's stories of development. Both stories have female main characters, Jigs and Bernice, which move the story. The two stories are implicitly the characterization of these women, reflecting their status in society, their alienation, and somehow their realizations of this status and choosing to break free from it. With Jigs, we can see with her use of the pronoun \"we\" to address what she shall drink, what she shall do, implies her attachment with her boyfriend, the American. She seemingly agrees to everything the American says and submits to it. Her dependence on her boyfriend has a rippling impact on a problem they have currently-an unwanted pregnancy and the plan to abort the pregnancy. While they are in the middle of deciding the abortion, we can see that Jigs does not really have a say in the matter, the man just makes her appear that she does. Jigs does not really have a voice as well as a choice when she is subordinated by the man. Jigs, seeing the hills that look like white elephants and the American not appreciating it, showed that they see","downloadable_attachments":[{"id":60329557,"asset_id":40116796,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":52197921,"first_name":"Shiela","last_name":"Baysa","domain_name":"up-diliman","page_name":"ShielaMayBaysa","display_name":"Shiela Baysa","profile_url":"https://up-diliman.academia.edu/ShielaMayBaysa?f_ri=16126","photo":"https://0.academia-photos.com/52197921/14069884/28573310/s65_shiela.baysa.jpg"}],"research_interests":[{"id":16126,"name":"Ernest Hemingway","url":"https://www.academia.edu/Documents/in/Ernest_Hemingway?f_ri=16126","nofollow":false},{"id":23801,"name":"The Lost Generation","url":"https://www.academia.edu/Documents/in/The_Lost_Generation?f_ri=16126","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_43831415" data-work_id="43831415" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/43831415/American_Modern_Society_and_Young_Generation_with_Reference_to_A_Clean_Well_Lighted_Place_">American Modern Society and Young Generation with Reference to "A Clean, Well-Lighted Place"</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">In "A Clean, Well-Lighted Place", Earnest Hemingway (1899-1961) presents the story of a common day in a restaurant where two waiters are involved in a regular conversation. But under this usual day life a complex and harsh reality is... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_43831415" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">In "A Clean, Well-Lighted Place", Earnest Hemingway (1899-1961) presents the story of a common day in a restaurant where two waiters are involved in a regular conversation. But under this usual day life a complex and harsh reality is hidden. Like his other stories Hemingway shows his mastery on his iceberg theory. The main focus of this article is what the story truly is about. There are many different opinion about this story given by many critics. Most of the critics appreciate the fact that the story is about nothingness. Some also claim that it is about the loneliness of old people. According to some scholars the story is about the importance of women in men's life. The article argues that the story is about the American modern society and its effect on people, especially on younger generation which make them more materialistic and for that reason ability to understand others' feelings, especially their feelings for the old people has been lost.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/43831415" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="6471dcbd6dfcf8f4f0c33c5082c7bd95" rel="nofollow" data-download="{"attachment_id":64150727,"asset_id":43831415,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/64150727/download_file?st=MTczMzI4MzI2Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="111454550" href="https://jahangirian.academia.edu/HumyraAnjumMaliha">Humyra Anjum Maliha</a><script data-card-contents-for-user="111454550" type="text/json">{"id":111454550,"first_name":"Humyra Anjum","last_name":"Maliha","domain_name":"jahangirian","page_name":"HumyraAnjumMaliha","display_name":"Humyra Anjum Maliha","profile_url":"https://jahangirian.academia.edu/HumyraAnjumMaliha?f_ri=16126","photo":"https://0.academia-photos.com/111454550/29246827/125259140/s65_humyra_anjum.maliha.jpg"}</script></span></span></li><li class="js-paper-rank-work_43831415 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="43831415"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 43831415, container: ".js-paper-rank-work_43831415", }); });</script></li><li class="js-percentile-work_43831415 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 43831415; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_43831415"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_43831415 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="43831415"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 43831415; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=43831415]").text(description); $(".js-view-count-work_43831415").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_43831415").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="43831415"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">3</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="10" href="https://www.academia.edu/Documents/in/American_Literature">American Literature</a>, <script data-card-contents-for-ri="10" type="text/json">{"id":10,"name":"American Literature","url":"https://www.academia.edu/Documents/in/American_Literature?f_ri=16126","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2418" href="https://www.academia.edu/Documents/in/Literature">Literature</a>, <script data-card-contents-for-ri="2418" type="text/json">{"id":2418,"name":"Literature","url":"https://www.academia.edu/Documents/in/Literature?f_ri=16126","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16126" href="https://www.academia.edu/Documents/in/Ernest_Hemingway">Ernest Hemingway</a><script data-card-contents-for-ri="16126" type="text/json">{"id":16126,"name":"Ernest Hemingway","url":"https://www.academia.edu/Documents/in/Ernest_Hemingway?f_ri=16126","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=43831415]'), work: {"id":43831415,"title":"American Modern Society and Young Generation with Reference to \"A Clean, Well-Lighted Place\"","created_at":"2020-08-11T07:08:23.388-07:00","url":"https://www.academia.edu/43831415/American_Modern_Society_and_Young_Generation_with_Reference_to_A_Clean_Well_Lighted_Place_?f_ri=16126","dom_id":"work_43831415","summary":"In \"A Clean, Well-Lighted Place\", Earnest Hemingway (1899-1961) presents the story of a common day in a restaurant where two waiters are involved in a regular conversation. But under this usual day life a complex and harsh reality is hidden. Like his other stories Hemingway shows his mastery on his iceberg theory. The main focus of this article is what the story truly is about. There are many different opinion about this story given by many critics. Most of the critics appreciate the fact that the story is about nothingness. Some also claim that it is about the loneliness of old people. According to some scholars the story is about the importance of women in men's life. The article argues that the story is about the American modern society and its effect on people, especially on younger generation which make them more materialistic and for that reason ability to understand others' feelings, especially their feelings for the old people has been lost.","downloadable_attachments":[{"id":64150727,"asset_id":43831415,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":111454550,"first_name":"Humyra Anjum","last_name":"Maliha","domain_name":"jahangirian","page_name":"HumyraAnjumMaliha","display_name":"Humyra Anjum Maliha","profile_url":"https://jahangirian.academia.edu/HumyraAnjumMaliha?f_ri=16126","photo":"https://0.academia-photos.com/111454550/29246827/125259140/s65_humyra_anjum.maliha.jpg"}],"research_interests":[{"id":10,"name":"American Literature","url":"https://www.academia.edu/Documents/in/American_Literature?f_ri=16126","nofollow":false},{"id":2418,"name":"Literature","url":"https://www.academia.edu/Documents/in/Literature?f_ri=16126","nofollow":false},{"id":16126,"name":"Ernest Hemingway","url":"https://www.academia.edu/Documents/in/Ernest_Hemingway?f_ri=16126","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_44402940" data-work_id="44402940" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/44402940/Telling_Stories_Hemingways_Soldiers_Home_Recalling_Vietnam_for_Future_Generations">Telling Stories: Hemingway's Soldier's Home-Recalling Vietnam for Future Generations</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Embellished Stories- Hemingway and Vietnam concerns the speculation that Hemingway had PTSD as well as considerable insight about the reception of soldiers once they arrive home following service. The essay cites psychologists who work... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_44402940" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Embellished Stories- Hemingway and Vietnam concerns the speculation that Hemingway had PTSD as well as considerable insight about the reception of soldiers once they arrive home following service.  The essay cites psychologists who work with former military service members with PTSD and provides a reflection on the experiences of Hemingway's character Howard Krebs in "Soldier's Home."</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/44402940" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="4d3853cb21707fc39b173961d7cc9456" rel="nofollow" data-download="{"attachment_id":64811775,"asset_id":44402940,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/64811775/download_file?st=MTczMzI4MzI2Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="60245" href="https://felician.academia.edu/RobertMcParland">Robert McParland</a><script data-card-contents-for-user="60245" type="text/json">{"id":60245,"first_name":"Robert","last_name":"McParland","domain_name":"felician","page_name":"RobertMcParland","display_name":"Robert McParland","profile_url":"https://felician.academia.edu/RobertMcParland?f_ri=16126","photo":"https://0.academia-photos.com/60245/84137/64363959/s65_robert.mcparland.jpg"}</script></span></span></li><li class="js-paper-rank-work_44402940 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="44402940"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 44402940, container: ".js-paper-rank-work_44402940", }); 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$(".js-view-count[data-work-id=44142577]").text(description); $(".js-view-count-work_44142577").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_44142577").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="44142577"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">5</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="10" href="https://www.academia.edu/Documents/in/American_Literature">American Literature</a>, <script data-card-contents-for-ri="10" type="text/json">{"id":10,"name":"American Literature","url":"https://www.academia.edu/Documents/in/American_Literature?f_ri=16126","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16126" href="https://www.academia.edu/Documents/in/Ernest_Hemingway">Ernest Hemingway</a>, <script data-card-contents-for-ri="16126" type="text/json">{"id":16126,"name":"Ernest Hemingway","url":"https://www.academia.edu/Documents/in/Ernest_Hemingway?f_ri=16126","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="509851" href="https://www.academia.edu/Documents/in/Narrative_Techniques_in_Literature">Narrative Techniques in Literature</a>, <script data-card-contents-for-ri="509851" type="text/json">{"id":509851,"name":"Narrative Techniques in Literature","url":"https://www.academia.edu/Documents/in/Narrative_Techniques_in_Literature?f_ri=16126","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="786242" href="https://www.academia.edu/Documents/in/Hills_Like_White_Elephants">Hills Like White Elephants</a><script data-card-contents-for-ri="786242" type="text/json">{"id":786242,"name":"Hills Like White Elephants","url":"https://www.academia.edu/Documents/in/Hills_Like_White_Elephants?f_ri=16126","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=44142577]'), work: {"id":44142577,"title":"The use of omission in Hemingway's Hills Like White Elephants","created_at":"2020-09-22T14:29:18.703-07:00","url":"https://www.academia.edu/44142577/The_use_of_omission_in_Hemingways_Hills_Like_White_Elephants?f_ri=16126","dom_id":"work_44142577","summary":"In this essay, we will comment on how Hemingway’s particular narrative techniques are displayed in his short story Hills like White Elephants. ","downloadable_attachments":[{"id":64496388,"asset_id":44142577,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":101809946,"first_name":"Sofia","last_name":"Diez San Jose","domain_name":"uam","page_name":"SofiaDiezSanJose","display_name":"Sofia Diez San Jose","profile_url":"https://uam.academia.edu/SofiaDiezSanJose?f_ri=16126","photo":"/images/s65_no_pic.png"}],"research_interests":[{"id":10,"name":"American Literature","url":"https://www.academia.edu/Documents/in/American_Literature?f_ri=16126","nofollow":false},{"id":16126,"name":"Ernest Hemingway","url":"https://www.academia.edu/Documents/in/Ernest_Hemingway?f_ri=16126","nofollow":false},{"id":509851,"name":"Narrative Techniques in Literature","url":"https://www.academia.edu/Documents/in/Narrative_Techniques_in_Literature?f_ri=16126","nofollow":false},{"id":786242,"name":"Hills Like White Elephants","url":"https://www.academia.edu/Documents/in/Hills_Like_White_Elephants?f_ri=16126","nofollow":false},{"id":914168,"name":"Interpreting Omissions","url":"https://www.academia.edu/Documents/in/Interpreting_Omissions?f_ri=16126"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_44610198" data-work_id="44610198" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/44610198/Modernist_Interplay_Ernest_Hemingway_s_C%C3%A9zanne">Modernist Interplay: Ernest Hemingway’s Cézanne</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/44610198" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="86d5af9bcb09f70b151dcbd1130cdfbc" rel="nofollow" data-download="{"attachment_id":65074820,"asset_id":44610198,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/65074820/download_file?st=MTczMzI4MzI2Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="180280917" href="https://kingston.academia.edu/WLennon">William Lennon</a><script data-card-contents-for-user="180280917" type="text/json">{"id":180280917,"first_name":"William","last_name":"Lennon","domain_name":"kingston","page_name":"WLennon","display_name":"William Lennon","profile_url":"https://kingston.academia.edu/WLennon?f_ri=16126","photo":"https://0.academia-photos.com/180280917/50298665/38305903/s65_william.lennon.jpeg"}</script></span></span></li><li class="js-paper-rank-work_44610198 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="44610198"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 44610198, container: ".js-paper-rank-work_44610198", }); 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É um pequeno conto que reflete sobre a relação entre literatura e teoria por meio da reflexão de uma personagem. Traz, ainda, reflexões metaficcionais que tendem à uma junção... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_14880168" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Trata-se de uma contribuição literária às análises científicas. É um pequeno conto que reflete sobre a relação entre literatura e teoria por meio da reflexão de uma personagem. Traz, ainda, reflexões metaficcionais que tendem à uma junção das áreas sobre as quais pretende pensar (literatura e ciências).</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/14880168" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="d47e74f7e6c4c9070f2d1c97d7abc786" rel="nofollow" data-download="{"attachment_id":38457322,"asset_id":14880168,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/38457322/download_file?st=MTczMzI4MzI2Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="824084" href="https://ufmt.academia.edu/ClarkMangabeira">Clark Mangabeira</a><script data-card-contents-for-user="824084" type="text/json">{"id":824084,"first_name":"Clark","last_name":"Mangabeira","domain_name":"ufmt","page_name":"ClarkMangabeira","display_name":"Clark Mangabeira","profile_url":"https://ufmt.academia.edu/ClarkMangabeira?f_ri=16126","photo":"https://0.academia-photos.com/824084/6374797/11250706/s65_clark.mangabeira.jpg"}</script></span></span></li><li class="js-paper-rank-work_14880168 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="14880168"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 14880168, container: ".js-paper-rank-work_14880168", }); 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$(".js-view-count[data-work-id=14880168]").text(description); $(".js-view-count-work_14880168").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_14880168").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="14880168"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">6</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="2418" href="https://www.academia.edu/Documents/in/Literature">Literature</a>, <script data-card-contents-for-ri="2418" type="text/json">{"id":2418,"name":"Literature","url":"https://www.academia.edu/Documents/in/Literature?f_ri=16126","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="8487" href="https://www.academia.edu/Documents/in/Sigmund_Freud">Sigmund Freud</a>, <script data-card-contents-for-ri="8487" type="text/json">{"id":8487,"name":"Sigmund Freud","url":"https://www.academia.edu/Documents/in/Sigmund_Freud?f_ri=16126","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16126" href="https://www.academia.edu/Documents/in/Ernest_Hemingway">Ernest Hemingway</a>, <script data-card-contents-for-ri="16126" type="text/json">{"id":16126,"name":"Ernest Hemingway","url":"https://www.academia.edu/Documents/in/Ernest_Hemingway?f_ri=16126","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="35090" href="https://www.academia.edu/Documents/in/Literatura_brasileira">Literatura brasileira</a><script data-card-contents-for-ri="35090" type="text/json">{"id":35090,"name":"Literatura brasileira","url":"https://www.academia.edu/Documents/in/Literatura_brasileira?f_ri=16126","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=14880168]'), work: {"id":14880168,"title":"Freud Explica","created_at":"2015-08-12T09:50:40.250-07:00","url":"https://www.academia.edu/14880168/Freud_Explica?f_ri=16126","dom_id":"work_14880168","summary":"Trata-se de uma contribuição literária às análises científicas. É um pequeno conto que reflete sobre a relação entre literatura e teoria por meio da reflexão de uma personagem. Traz, ainda, reflexões metaficcionais que tendem à uma junção das áreas sobre as quais pretende pensar (literatura e ciências).\n","downloadable_attachments":[{"id":38457322,"asset_id":14880168,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":824084,"first_name":"Clark","last_name":"Mangabeira","domain_name":"ufmt","page_name":"ClarkMangabeira","display_name":"Clark Mangabeira","profile_url":"https://ufmt.academia.edu/ClarkMangabeira?f_ri=16126","photo":"https://0.academia-photos.com/824084/6374797/11250706/s65_clark.mangabeira.jpg"}],"research_interests":[{"id":2418,"name":"Literature","url":"https://www.academia.edu/Documents/in/Literature?f_ri=16126","nofollow":false},{"id":8487,"name":"Sigmund Freud","url":"https://www.academia.edu/Documents/in/Sigmund_Freud?f_ri=16126","nofollow":false},{"id":16126,"name":"Ernest Hemingway","url":"https://www.academia.edu/Documents/in/Ernest_Hemingway?f_ri=16126","nofollow":false},{"id":35090,"name":"Literatura brasileira","url":"https://www.academia.edu/Documents/in/Literatura_brasileira?f_ri=16126","nofollow":false},{"id":41401,"name":"Literatura Latinoamericana","url":"https://www.academia.edu/Documents/in/Literatura_Latinoamericana?f_ri=16126"},{"id":50363,"name":"Literatura","url":"https://www.academia.edu/Documents/in/Literatura?f_ri=16126"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_21370716" data-work_id="21370716" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/21370716/Liminality_and_Trauma_in_Big_Two_Hearted_River">Liminality and Trauma in Big Two Hearted River</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">A exploration of trauma theory as it applies to Hemingway's Nick Adams stories</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/21370716" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="3d39b60c595625d35381e65b242da241" rel="nofollow" data-download="{"attachment_id":41837963,"asset_id":21370716,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/41837963/download_file?st=MTczMzI4MzI2Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="123792" href="https://nottingham.academia.edu/PeterMessent">Peter Messent</a><script data-card-contents-for-user="123792" type="text/json">{"id":123792,"first_name":"Peter","last_name":"Messent","domain_name":"nottingham","page_name":"PeterMessent","display_name":"Peter Messent","profile_url":"https://nottingham.academia.edu/PeterMessent?f_ri=16126","photo":"https://0.academia-photos.com/123792/33085/12755014/s65_peter.messent.jpg"}</script></span></span></li><li class="js-paper-rank-work_21370716 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="21370716"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 21370716, container: ".js-paper-rank-work_21370716", }); 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$(".js-view-count[data-work-id=21370716]").text(description); $(".js-view-count-work_21370716").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_21370716").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="21370716"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="6106" href="https://www.academia.edu/Documents/in/Trauma_Studies">Trauma Studies</a>, <script data-card-contents-for-ri="6106" type="text/json">{"id":6106,"name":"Trauma Studies","url":"https://www.academia.edu/Documents/in/Trauma_Studies?f_ri=16126","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="9802" href="https://www.academia.edu/Documents/in/Liminality">Liminality</a>, <script data-card-contents-for-ri="9802" type="text/json">{"id":9802,"name":"Liminality","url":"https://www.academia.edu/Documents/in/Liminality?f_ri=16126","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16126" href="https://www.academia.edu/Documents/in/Ernest_Hemingway">Ernest Hemingway</a>, <script data-card-contents-for-ri="16126" type="text/json">{"id":16126,"name":"Ernest Hemingway","url":"https://www.academia.edu/Documents/in/Ernest_Hemingway?f_ri=16126","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="158573" href="https://www.academia.edu/Documents/in/Short_Stories">Short Stories</a><script data-card-contents-for-ri="158573" type="text/json">{"id":158573,"name":"Short Stories","url":"https://www.academia.edu/Documents/in/Short_Stories?f_ri=16126","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=21370716]'), work: {"id":21370716,"title":"Liminality and Trauma in Big Two Hearted River","created_at":"2016-02-01T00:39:27.809-08:00","url":"https://www.academia.edu/21370716/Liminality_and_Trauma_in_Big_Two_Hearted_River?f_ri=16126","dom_id":"work_21370716","summary":"A exploration of trauma theory as it applies to Hemingway's Nick Adams stories ","downloadable_attachments":[{"id":41837963,"asset_id":21370716,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":123792,"first_name":"Peter","last_name":"Messent","domain_name":"nottingham","page_name":"PeterMessent","display_name":"Peter Messent","profile_url":"https://nottingham.academia.edu/PeterMessent?f_ri=16126","photo":"https://0.academia-photos.com/123792/33085/12755014/s65_peter.messent.jpg"}],"research_interests":[{"id":6106,"name":"Trauma Studies","url":"https://www.academia.edu/Documents/in/Trauma_Studies?f_ri=16126","nofollow":false},{"id":9802,"name":"Liminality","url":"https://www.academia.edu/Documents/in/Liminality?f_ri=16126","nofollow":false},{"id":16126,"name":"Ernest Hemingway","url":"https://www.academia.edu/Documents/in/Ernest_Hemingway?f_ri=16126","nofollow":false},{"id":158573,"name":"Short Stories","url":"https://www.academia.edu/Documents/in/Short_Stories?f_ri=16126","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_12019219" data-work_id="12019219" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/12019219/An_Existential_Reading_of_Ernest_Hemingways_A_Clean_Well_Lighted_Place_">An Existential Reading of Ernest Hemingway's “A Clean Well-Lighted Place”</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Ernest Hemingway has been compared and affiliated, by different critics, as relating to various traditions of American and European writing. As for the American tradition of fiction writing, he is, by and large, affined to the line of... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_12019219" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Ernest Hemingway has been compared and affiliated, by different critics, as relating to various traditions of American and European writing. As for the American tradition of fiction writing, he is, by and large, affined to the line of Edgar Allen Poe; in that both writers strive for a unified aesthetic effect, and not with Hawthorne whose authorial voice seems to be felt in the delineation of his subject matter. In Hemingway’s case, however, this stylistic feature unfolds the existential overtones of his work and reveals to us the overarching philosophy of life which he wished to expound through a dozen of novels and three collections of short stories. He has also been compared to James Joyce. Although Joyce’s epiphanic moments are not precisely reflected in Hemingway’s writings, the clarity with which Hemingway describes events and the unity of temporal and permanent experience which he advocates through these descriptions are, in essence, equivalent to the aesthetics of Joyce’s epiphanies. <br />The short story “A Clean Well-Lighted Place” is one of the instances which manifests in one single piece the best of Hemingway’s practice of form and content. It is, as attested by most readers and critics, a typical Hemingwayesque story both in the structure of its prose as well as in the theme it represents. Hemingway’s spare and plain diction, his stripped down sentences, his understated observation, and above all his use of irony match the preeminent existential theme which has overshadowed the text. This paper tries to bring together an analysis of the characterization as well as the style of Hemingway in an existential reading of the short story “A Clean Well-Lighted Place”.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/12019219" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="55d10a83da777aeeb6dd058c788915f1" rel="nofollow" data-download="{"attachment_id":37354652,"asset_id":12019219,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/37354652/download_file?st=MTczMzI4MzI2Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="937223" href="https://shirazu.academia.edu/golbargkhorsand">Golbarg Khorsand</a><script data-card-contents-for-user="937223" type="text/json">{"id":937223,"first_name":"Golbarg","last_name":"Khorsand","domain_name":"shirazu","page_name":"golbargkhorsand","display_name":"Golbarg Khorsand","profile_url":"https://shirazu.academia.edu/golbargkhorsand?f_ri=16126","photo":"https://0.academia-photos.com/937223/8275718/9256875/s65_golbarg.khorsand.jpg"}</script></span></span></li><li class="js-paper-rank-work_12019219 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="12019219"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 12019219, container: ".js-paper-rank-work_12019219", }); 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$(".js-view-count[data-work-id=12019219]").text(description); $(".js-view-count-work_12019219").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_12019219").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="12019219"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">2</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="16126" href="https://www.academia.edu/Documents/in/Ernest_Hemingway">Ernest Hemingway</a>, <script data-card-contents-for-ri="16126" type="text/json">{"id":16126,"name":"Ernest Hemingway","url":"https://www.academia.edu/Documents/in/Ernest_Hemingway?f_ri=16126","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="67525" href="https://www.academia.edu/Documents/in/Existentialism">Existentialism</a><script data-card-contents-for-ri="67525" type="text/json">{"id":67525,"name":"Existentialism","url":"https://www.academia.edu/Documents/in/Existentialism?f_ri=16126","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=12019219]'), work: {"id":12019219,"title":"An Existential Reading of Ernest Hemingway's “A Clean Well-Lighted Place”","created_at":"2015-04-20T00:36:25.097-07:00","url":"https://www.academia.edu/12019219/An_Existential_Reading_of_Ernest_Hemingways_A_Clean_Well_Lighted_Place_?f_ri=16126","dom_id":"work_12019219","summary":"Ernest Hemingway has been compared and affiliated, by different critics, as relating to various traditions of American and European writing. As for the American tradition of fiction writing, he is, by and large, affined to the line of Edgar Allen Poe; in that both writers strive for a unified aesthetic effect, and not with Hawthorne whose authorial voice seems to be felt in the delineation of his subject matter. In Hemingway’s case, however, this stylistic feature unfolds the existential overtones of his work and reveals to us the overarching philosophy of life which he wished to expound through a dozen of novels and three collections of short stories. He has also been compared to James Joyce. Although Joyce’s epiphanic moments are not precisely reflected in Hemingway’s writings, the clarity with which Hemingway describes events and the unity of temporal and permanent experience which he advocates through these descriptions are, in essence, equivalent to the aesthetics of Joyce’s epiphanies. \r\nThe short story “A Clean Well-Lighted Place” is one of the instances which manifests in one single piece the best of Hemingway’s practice of form and content. It is, as attested by most readers and critics, a typical Hemingwayesque story both in the structure of its prose as well as in the theme it represents. Hemingway’s spare and plain diction, his stripped down sentences, his understated observation, and above all his use of irony match the preeminent existential theme which has overshadowed the text. This paper tries to bring together an analysis of the characterization as well as the style of Hemingway in an existential reading of the short story “A Clean Well-Lighted Place”.\r\n","downloadable_attachments":[{"id":37354652,"asset_id":12019219,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":937223,"first_name":"Golbarg","last_name":"Khorsand","domain_name":"shirazu","page_name":"golbargkhorsand","display_name":"Golbarg Khorsand","profile_url":"https://shirazu.academia.edu/golbargkhorsand?f_ri=16126","photo":"https://0.academia-photos.com/937223/8275718/9256875/s65_golbarg.khorsand.jpg"}],"research_interests":[{"id":16126,"name":"Ernest Hemingway","url":"https://www.academia.edu/Documents/in/Ernest_Hemingway?f_ri=16126","nofollow":false},{"id":67525,"name":"Existentialism","url":"https://www.academia.edu/Documents/in/Existentialism?f_ri=16126","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_27169662" data-work_id="27169662" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/27169662/The_Dissolution_of_Romance_in_Modernist_Literature">The Dissolution of Romance in Modernist Literature</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/27169662" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="24ab562d6b7dca5d9a514249f9212e96" rel="nofollow" data-download="{"attachment_id":47417717,"asset_id":27169662,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/47417717/download_file?st=MTczMzI4MzI2Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="28308702" href="https://snhu.academia.edu/MollyCimikoski">Molly Cimikoski</a><script data-card-contents-for-user="28308702" type="text/json">{"id":28308702,"first_name":"Molly","last_name":"Cimikoski","domain_name":"snhu","page_name":"MollyCimikoski","display_name":"Molly Cimikoski","profile_url":"https://snhu.academia.edu/MollyCimikoski?f_ri=16126","photo":"https://0.academia-photos.com/28308702/13570716/14736705/s65_molly.cimikoski.jpg"}</script></span></span></li><li class="js-paper-rank-work_27169662 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="27169662"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 27169662, container: ".js-paper-rank-work_27169662", }); 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$(".js-view-count[data-work-id=27169662]").text(description); $(".js-view-count-work_27169662").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_27169662").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="27169662"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">3</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="8444" href="https://www.academia.edu/Documents/in/Modernist_Literature_Literary_Modernism_">Modernist Literature (Literary Modernism)</a>, <script data-card-contents-for-ri="8444" type="text/json">{"id":8444,"name":"Modernist Literature (Literary Modernism)","url":"https://www.academia.edu/Documents/in/Modernist_Literature_Literary_Modernism_?f_ri=16126","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16126" href="https://www.academia.edu/Documents/in/Ernest_Hemingway">Ernest Hemingway</a>, <script data-card-contents-for-ri="16126" type="text/json">{"id":16126,"name":"Ernest Hemingway","url":"https://www.academia.edu/Documents/in/Ernest_Hemingway?f_ri=16126","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="117623" href="https://www.academia.edu/Documents/in/F._Scott_Fitzgerald">F. Scott Fitzgerald</a><script data-card-contents-for-ri="117623" type="text/json">{"id":117623,"name":"F. Scott Fitzgerald","url":"https://www.academia.edu/Documents/in/F._Scott_Fitzgerald?f_ri=16126","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=27169662]'), work: {"id":27169662,"title":"The Dissolution of Romance in Modernist Literature","created_at":"2016-07-21T20:03:33.785-07:00","url":"https://www.academia.edu/27169662/The_Dissolution_of_Romance_in_Modernist_Literature?f_ri=16126","dom_id":"work_27169662","summary":null,"downloadable_attachments":[{"id":47417717,"asset_id":27169662,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":28308702,"first_name":"Molly","last_name":"Cimikoski","domain_name":"snhu","page_name":"MollyCimikoski","display_name":"Molly Cimikoski","profile_url":"https://snhu.academia.edu/MollyCimikoski?f_ri=16126","photo":"https://0.academia-photos.com/28308702/13570716/14736705/s65_molly.cimikoski.jpg"}],"research_interests":[{"id":8444,"name":"Modernist Literature (Literary Modernism)","url":"https://www.academia.edu/Documents/in/Modernist_Literature_Literary_Modernism_?f_ri=16126","nofollow":false},{"id":16126,"name":"Ernest Hemingway","url":"https://www.academia.edu/Documents/in/Ernest_Hemingway?f_ri=16126","nofollow":false},{"id":117623,"name":"F. Scott Fitzgerald","url":"https://www.academia.edu/Documents/in/F._Scott_Fitzgerald?f_ri=16126","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_40074304" data-work_id="40074304" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/40074304/Watching_the_Documentary_Film_Three_Identical_Strangers_">Watching the Documentary Film "Three Identical Strangers"</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">"Three Identical Strangers" is a documentary film telling a "bizarre" story of American triplets. Wathching this film we may wonder: "Do we live in a “chancy, chancy, chancy world?" The Effect of Celestial Twins (ECT) rejects the idea of... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_40074304" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">"Three Identical Strangers" is a documentary film telling a "bizarre" story of American triplets. Wathching  this film we may wonder: "Do we live in a “chancy, chancy, chancy world?" The Effect of Celestial Twins (ECT) rejects the idea of such an improbable universe and proposes instead a hypothesis that a new temporal  factor (the Theta-factor) plays an important role in shaping our personalities and life-paths.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/40074304" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="7284911e8e201fcc07d1754ece598663" rel="nofollow" data-download="{"attachment_id":60278657,"asset_id":40074304,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/60278657/download_file?st=MTczMzI4MzI2Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="22713426" href="https://independent.academia.edu/LevinElizabetha">Elizabetha Levin</a><script data-card-contents-for-user="22713426" type="text/json">{"id":22713426,"first_name":"Elizabetha","last_name":"Levin","domain_name":"independent","page_name":"LevinElizabetha","display_name":"Elizabetha Levin","profile_url":"https://independent.academia.edu/LevinElizabetha?f_ri=16126","photo":"https://0.academia-photos.com/22713426/6179057/7001894/s65_elizabetha.levin.jpg"}</script></span></span></li><li class="js-paper-rank-work_40074304 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="40074304"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 40074304, container: ".js-paper-rank-work_40074304", }); 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Wathching this film we may wonder: \"Do we live in a “chancy, chancy, chancy world?\" The Effect of Celestial Twins (ECT) rejects the idea of such an improbable universe and proposes instead a hypothesis that a new temporal factor (the Theta-factor) plays an important role in shaping our personalities and life-paths.","downloadable_attachments":[{"id":60278657,"asset_id":40074304,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":22713426,"first_name":"Elizabetha","last_name":"Levin","domain_name":"independent","page_name":"LevinElizabetha","display_name":"Elizabetha Levin","profile_url":"https://independent.academia.edu/LevinElizabetha?f_ri=16126","photo":"https://0.academia-photos.com/22713426/6179057/7001894/s65_elizabetha.levin.jpg"}],"research_interests":[{"id":2362,"name":"Prenatal and Perinatal 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href="https://www.academia.edu/8920783/cat_in_the_rain_text_turkish_english">cat in the rain text turkish english</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">hemingway kısa hikaye metni</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/8920783" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="41957c2e865294ac6569b33a14531f6c" rel="nofollow" data-download="{"attachment_id":35245426,"asset_id":8920783,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" 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href="https://www.academia.edu/8467525/A_Rose_for_Emily_William_Faulkner_Hills_Like_White_Elephants_Ernest_Hemingway_Winter_Dreams_F_Scott_Fitzgerald">A Rose for Emily - William Faulkner, Hills Like White Elephants - Ernest Hemingway, Winter Dreams - F. Scott Fitzgerald</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/8467525" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="6d32cc5cf7471410c1be89a3045d7ff1" rel="nofollow" data-download="{"attachment_id":34852545,"asset_id":8467525,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/34852545/download_file?st=MTczMzI4MzI2Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="17238354" href="https://independent.academia.edu/RobertaTrevisanMarquesdeSouza">Roberta Trevisan Marques de Souza</a><script data-card-contents-for-user="17238354" type="text/json">{"id":17238354,"first_name":"Roberta","last_name":"Trevisan Marques de Souza","domain_name":"independent","page_name":"RobertaTrevisanMarquesdeSouza","display_name":"Roberta Trevisan Marques de Souza","profile_url":"https://independent.academia.edu/RobertaTrevisanMarquesdeSouza?f_ri=16126","photo":"https://0.academia-photos.com/17238354/127244368/116626575/s65_roberta.trevisan_marques_de_souza.jpg"}</script></span></span></li><li class="js-paper-rank-work_8467525 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="8467525"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 8467525, container: ".js-paper-rank-work_8467525", }); });</script></li><li class="js-percentile-work_8467525 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 8467525; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_8467525"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_8467525 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="8467525"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 8467525; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=8467525]").text(description); $(".js-view-count-work_8467525").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_8467525").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="8467525"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">5</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="16126" href="https://www.academia.edu/Documents/in/Ernest_Hemingway">Ernest Hemingway</a>, <script data-card-contents-for-ri="16126" type="text/json">{"id":16126,"name":"Ernest Hemingway","url":"https://www.academia.edu/Documents/in/Ernest_Hemingway?f_ri=16126","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="23086" href="https://www.academia.edu/Documents/in/William_Faulkner">William Faulkner</a>, <script data-card-contents-for-ri="23086" type="text/json">{"id":23086,"name":"William Faulkner","url":"https://www.academia.edu/Documents/in/William_Faulkner?f_ri=16126","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="117623" href="https://www.academia.edu/Documents/in/F._Scott_Fitzgerald">F. Scott Fitzgerald</a>, <script data-card-contents-for-ri="117623" type="text/json">{"id":117623,"name":"F. Scott Fitzgerald","url":"https://www.academia.edu/Documents/in/F._Scott_Fitzgerald?f_ri=16126","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="194293" href="https://www.academia.edu/Documents/in/A_Rose_for_Emily">A Rose for Emily</a><script data-card-contents-for-ri="194293" type="text/json">{"id":194293,"name":"A Rose for Emily","url":"https://www.academia.edu/Documents/in/A_Rose_for_Emily?f_ri=16126","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=8467525]'), work: {"id":8467525,"title":"A Rose for Emily - William Faulkner, Hills Like White Elephants - Ernest Hemingway, Winter Dreams - F. 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The alienation in this century was the direct result of World War I that caused an all-pervasive destruction material, spiritual and moral. His works... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_23180388" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Ernest Hemingway occupies a towering place among the twentieth century postwar writers. The alienation in this century was the direct result of World War I that caused an all-pervasive destruction material, spiritual and moral. His works are truly the</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/23180388" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="1711250a774037d38b22f9216620916e" rel="nofollow" data-download="{"attachment_id":43666159,"asset_id":23180388,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/43666159/download_file?st=MTczMzI4MzI2Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="7704150" href="https://independent.academia.edu/TubaMalik">Tuba Malik</a><script data-card-contents-for-user="7704150" type="text/json">{"id":7704150,"first_name":"Tuba","last_name":"Malik","domain_name":"independent","page_name":"TubaMalik","display_name":"Tuba Malik","profile_url":"https://independent.academia.edu/TubaMalik?f_ri=16126","photo":"https://0.academia-photos.com/7704150/12005416/13375362/s65_tuba.malik.jpg"}</script></span></span><span class="u-displayInlineBlock InlineList-item-text"> and <span class="u-textDecorationUnderline u-clickable InlineList-item-text js-work-more-authors-23180388">+1</span><div class="hidden js-additional-users-23180388"><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://independent.academia.edu/ShaheenAtif">Atif Shaheen</a></span></div></div></span><script>(function(){ var popoverSettings = { el: $('.js-work-more-authors-23180388'), placement: 'bottom', hide_delay: 200, html: true, content: function(){ return $('.js-additional-users-23180388').html(); 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The alienation in this century was the direct result of World War I that caused an all-pervasive destruction material, spiritual and moral. 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href="https://www.academia.edu/Documents/in/Psychoanalysis">Psychoanalysis</a>, <script data-card-contents-for-ri="244" type="text/json">{"id":244,"name":"Psychoanalysis","url":"https://www.academia.edu/Documents/in/Psychoanalysis?f_ri=16126","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16126" href="https://www.academia.edu/Documents/in/Ernest_Hemingway">Ernest Hemingway</a>, <script data-card-contents-for-ri="16126" type="text/json">{"id":16126,"name":"Ernest Hemingway","url":"https://www.academia.edu/Documents/in/Ernest_Hemingway?f_ri=16126","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16461" href="https://www.academia.edu/Documents/in/Psychoanalysis_And_Literature">Psychoanalysis And Literature</a><script data-card-contents-for-ri="16461" type="text/json">{"id":16461,"name":"Psychoanalysis And 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u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/7467343/The_Making_of_Hemingways_LIbrary">The Making of Hemingway's LIbrary</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/7467343" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="913c02cbf3926474c773390cb27619d4" rel="nofollow" data-download="{"attachment_id":34043498,"asset_id":7467343,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen 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Fraser","profile_url":"https://independent.academia.edu/WayneFraser?f_ri=16126","photo":"https://0.academia-photos.com/13302982/3734481/4374986/s65_wayne.fraser.jpg"}</script></span></span></li><li class="js-paper-rank-work_7467343 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="7467343"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 7467343, container: ".js-paper-rank-work_7467343", }); });</script></li><li class="js-percentile-work_7467343 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 7467343; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_7467343"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_7467343 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="7467343"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 7467343; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=7467343]").text(description); $(".js-view-count-work_7467343").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_7467343").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="7467343"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">2</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="16126" href="https://www.academia.edu/Documents/in/Ernest_Hemingway">Ernest Hemingway</a>, <script data-card-contents-for-ri="16126" type="text/json">{"id":16126,"name":"Ernest Hemingway","url":"https://www.academia.edu/Documents/in/Ernest_Hemingway?f_ri=16126","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1428441" href="https://www.academia.edu/Documents/in/The_Sun_Also_Rises">The Sun Also Rises</a><script data-card-contents-for-ri="1428441" type="text/json">{"id":1428441,"name":"The Sun Also 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Hemingway","url":"https://www.academia.edu/Documents/in/Ernest_Hemingway?f_ri=16126","nofollow":false},{"id":1428441,"name":"The Sun Also Rises","url":"https://www.academia.edu/Documents/in/The_Sun_Also_Rises?f_ri=16126","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_26600991" data-work_id="26600991" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/26600991/In_Uniform_Code_Catherine_Barkleys_Wartime_Nursing_Service_in_A_Farewell_to_Arms">In Uniform Code: Catherine Barkley's Wartime Nursing Service in A Farewell to Arms</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Readings of Catherine Barkley, the female protagonist of Ernest Hemingway’s A Farewell to Arms, have focused on her gender without fully considering her medical vocation. In contrast, this article foregrounds Catherine’s work as a... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_26600991" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Readings of Catherine Barkley, the female protagonist of Ernest Hemingway’s A Farewell to Arms, have focused on her gender without fully considering her medical vocation. In contrast, this article foregrounds Catherine’s work as a Voluntary Aid Detachment (VAD) nurse through a sociohistorical lens drawn from World War I nursing memoirs and medical history. Situating her behavioral antinomies within the discipline of wartime nursing demonstrates Catherine’s capability to repurpose her role as an instrument of war: through her affective labor, Catherine establishes human connections unsanctioned by military authority. This reframing of A Farewell to Arms as Catherine’s war story rather than as her love story also reveals a Hemingway sensitive to how the trauma of World War I rewrote identity for women as well as men.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/26600991" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="1e9ad237a89ed0693490c3b24690044e" rel="nofollow" data-download="{"attachment_id":46888327,"asset_id":26600991,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/46888327/download_file?st=MTczMzI4MzI2Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1290191" href="https://northwestern.academia.edu/MichelleNHuang">Michelle N Huang</a><script data-card-contents-for-user="1290191" type="text/json">{"id":1290191,"first_name":"Michelle","last_name":"Huang","domain_name":"northwestern","page_name":"MichelleNHuang","display_name":"Michelle N Huang","profile_url":"https://northwestern.academia.edu/MichelleNHuang?f_ri=16126","photo":"https://0.academia-photos.com/1290191/3266049/35926895/s65_michelle.huang.jpg"}</script></span></span></li><li class="js-paper-rank-work_26600991 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="26600991"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 26600991, container: ".js-paper-rank-work_26600991", }); 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$(".js-view-count[data-work-id=26600991]").text(description); $(".js-view-count-work_26600991").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_26600991").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="26600991"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="696" href="https://www.academia.edu/Documents/in/Gender_Studies">Gender Studies</a>, <script data-card-contents-for-ri="696" type="text/json">{"id":696,"name":"Gender Studies","url":"https://www.academia.edu/Documents/in/Gender_Studies?f_ri=16126","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16126" href="https://www.academia.edu/Documents/in/Ernest_Hemingway">Ernest Hemingway</a>, <script data-card-contents-for-ri="16126" type="text/json">{"id":16126,"name":"Ernest Hemingway","url":"https://www.academia.edu/Documents/in/Ernest_Hemingway?f_ri=16126","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="50856" href="https://www.academia.edu/Documents/in/World_War_II_history">World War II history</a>, <script data-card-contents-for-ri="50856" type="text/json">{"id":50856,"name":"World War II history","url":"https://www.academia.edu/Documents/in/World_War_II_history?f_ri=16126","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1377103" href="https://www.academia.edu/Documents/in/Nursing_In_First_and_Second_World_Wars">Nursing In First and Second World Wars</a><script data-card-contents-for-ri="1377103" type="text/json">{"id":1377103,"name":"Nursing In First and Second World Wars","url":"https://www.academia.edu/Documents/in/Nursing_In_First_and_Second_World_Wars?f_ri=16126","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=26600991]'), work: {"id":26600991,"title":"In Uniform Code: Catherine Barkley's Wartime Nursing Service in A Farewell to Arms","created_at":"2016-06-29T08:03:52.438-07:00","url":"https://www.academia.edu/26600991/In_Uniform_Code_Catherine_Barkleys_Wartime_Nursing_Service_in_A_Farewell_to_Arms?f_ri=16126","dom_id":"work_26600991","summary":"Readings of Catherine Barkley, the female protagonist of Ernest Hemingway’s A Farewell to Arms, have focused on her gender without fully considering her medical vocation. In contrast, this article foregrounds Catherine’s work as a Voluntary Aid Detachment (VAD) nurse through a sociohistorical lens drawn from World War I nursing memoirs and medical history. Situating her behavioral antinomies within the discipline of wartime nursing demonstrates Catherine’s capability to repurpose her role as an instrument of war: through her affective labor, Catherine establishes human connections unsanctioned by military authority. This reframing of A Farewell to Arms as Catherine’s war story rather than as her love story also reveals a Hemingway sensitive to how the trauma of World War I rewrote identity for women as well as men.","downloadable_attachments":[{"id":46888327,"asset_id":26600991,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1290191,"first_name":"Michelle","last_name":"Huang","domain_name":"northwestern","page_name":"MichelleNHuang","display_name":"Michelle N Huang","profile_url":"https://northwestern.academia.edu/MichelleNHuang?f_ri=16126","photo":"https://0.academia-photos.com/1290191/3266049/35926895/s65_michelle.huang.jpg"}],"research_interests":[{"id":696,"name":"Gender Studies","url":"https://www.academia.edu/Documents/in/Gender_Studies?f_ri=16126","nofollow":false},{"id":16126,"name":"Ernest Hemingway","url":"https://www.academia.edu/Documents/in/Ernest_Hemingway?f_ri=16126","nofollow":false},{"id":50856,"name":"World War II history","url":"https://www.academia.edu/Documents/in/World_War_II_history?f_ri=16126","nofollow":false},{"id":1377103,"name":"Nursing In First and Second World Wars","url":"https://www.academia.edu/Documents/in/Nursing_In_First_and_Second_World_Wars?f_ri=16126","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_16610476" data-work_id="16610476" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/16610476/Teaching_the_Avant_Garde_Hemingway_Early_Modernism_in_Paris">Teaching the Avant-Garde Hemingway: Early Modernism in Paris</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Teaching Hemingway and Modernism. Edited by Joe Fruscione.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/16610476" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="1767c4faba4903db6bbf494c3e1aca24" rel="nofollow" data-download="{"attachment_id":39079873,"asset_id":16610476,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/39079873/download_file?st=MTczMzI4MzI2Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="6820752" href="https://ecsu.academia.edu/AdamMcKee">Adam R McKee</a><script data-card-contents-for-user="6820752" type="text/json">{"id":6820752,"first_name":"Adam","last_name":"McKee","domain_name":"ecsu","page_name":"AdamMcKee","display_name":"Adam R McKee","profile_url":"https://ecsu.academia.edu/AdamMcKee?f_ri=16126","photo":"https://0.academia-photos.com/6820752/10388477/11592457/s65_adam.mckee.jpg"}</script></span></span></li><li class="js-paper-rank-work_16610476 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="16610476"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 16610476, container: ".js-paper-rank-work_16610476", }); 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В статье затрагиваются как формальные характеристики НПР (дейксис, употребление времен, дискурсивные маркеры... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_3835042" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Работа посвящена лингвистическим характеристикам и стилистическим функциям несобственно-прямой речи (НПР) в американской прессе. В статье затрагиваются как формальные характеристики НПР (дейксис, употребление времен, дискурсивные маркеры речи персонажей), позволяющие отличить ее от иных форм передачи чужой речи, так и стилистические функции. Цель исследования - выявление стилистического потенциала НПР и своеобразие ее употребления в нехудожественном (газетном) тексте. Материалом для исследования послужили репортажи Э. Хэмингуэя 1920-х гг.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/3835042" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="bf4019db96aa4ad6b7026d9adc813b27" rel="nofollow" data-download="{"attachment_id":32687367,"asset_id":3835042,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/32687367/download_file?st=MTczMzI4MzI2Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1226652" href="https://mgimo.academia.edu/OlgaBlinova">Olga Blinova</a><script data-card-contents-for-user="1226652" type="text/json">{"id":1226652,"first_name":"Olga","last_name":"Blinova","domain_name":"mgimo","page_name":"OlgaBlinova","display_name":"Olga Blinova","profile_url":"https://mgimo.academia.edu/OlgaBlinova?f_ri=16126","photo":"https://0.academia-photos.com/1226652/444348/71621116/s65_olga.blinova.jpg"}</script></span></span></li><li class="js-paper-rank-work_3835042 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="3835042"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 3835042, container: ".js-paper-rank-work_3835042", }); 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В статье затрагиваются как формальные характеристики НПР (дейксис, употребление времен, дискурсивные маркеры речи персонажей), позволяющие отличить ее от иных форм передачи чужой речи, так и стилистические функции. Цель исследования - выявление стилистического потенциала НПР и своеобразие ее употребления в нехудожественном (газетном) тексте. Материалом для исследования послужили репортажи Э. Хэмингуэя 1920-х гг.","downloadable_attachments":[{"id":32687367,"asset_id":3835042,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1226652,"first_name":"Olga","last_name":"Blinova","domain_name":"mgimo","page_name":"OlgaBlinova","display_name":"Olga Blinova","profile_url":"https://mgimo.academia.edu/OlgaBlinova?f_ri=16126","photo":"https://0.academia-photos.com/1226652/444348/71621116/s65_olga.blinova.jpg"}],"research_interests":[{"id":94,"name":"Discourse Analysis","url":"https://www.academia.edu/Documents/in/Discourse_Analysis?f_ri=16126","nofollow":false},{"id":3905,"name":"Stylistics","url":"https://www.academia.edu/Documents/in/Stylistics?f_ri=16126","nofollow":false},{"id":5690,"name":"Discourse Markers","url":"https://www.academia.edu/Documents/in/Discourse_Markers?f_ri=16126","nofollow":false},{"id":9389,"name":"Linguistic stylistics","url":"https://www.academia.edu/Documents/in/Linguistic_stylistics?f_ri=16126","nofollow":false},{"id":11876,"name":"Deixis","url":"https://www.academia.edu/Documents/in/Deixis?f_ri=16126"},{"id":16126,"name":"Ernest Hemingway","url":"https://www.academia.edu/Documents/in/Ernest_Hemingway?f_ri=16126"},{"id":48594,"name":"Free Indirect Discourse","url":"https://www.academia.edu/Documents/in/Free_Indirect_Discourse?f_ri=16126"},{"id":193399,"name":"Free Indirect Speech","url":"https://www.academia.edu/Documents/in/Free_Indirect_Speech?f_ri=16126"},{"id":655474,"name":"Language of Newspapers","url":"https://www.academia.edu/Documents/in/Language_of_Newspapers?f_ri=16126"},{"id":906535,"name":"American Press","url":"https://www.academia.edu/Documents/in/American_Press?f_ri=16126"},{"id":962703,"name":"Speech Representation","url":"https://www.academia.edu/Documents/in/Speech_Representation?f_ri=16126"},{"id":1517637,"name":"несобственно-прямая речь","url":"https://www.academia.edu/Documents/in/%D0%BD%D0%B5%D1%81%D0%BE%D0%B1%D1%81%D1%82%D0%B2%D0%B5%D0%BD%D0%BD%D0%BE-%D0%BF%D1%80%D1%8F%D0%BC%D0%B0%D1%8F_%D1%80%D0%B5%D1%87%D1%8C?f_ri=16126"},{"id":1517645,"name":"стилистика","url":"https://www.academia.edu/Documents/in/%D1%81%D1%82%D0%B8%D0%BB%D0%B8%D1%81%D1%82%D0%B8%D0%BA%D0%B0?f_ri=16126"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_7630944" data-work_id="7630944" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/7630944/Staking_Every_Thing_on_It_A_Stylistic_Analysis_of_Linguistic_Patterns_in_Hills_Like_White_Elephants_">Staking Every Thing on It: A Stylistic Analysis of Linguistic Patterns in "Hills Like White Elephants"</a></div></div><div class="u-pb4x 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href="https://www.academia.edu/Documents/in/Literary_Stylistics">Literary Stylistics</a>, <script data-card-contents-for-ri="3906" type="text/json">{"id":3906,"name":"Literary Stylistics","url":"https://www.academia.edu/Documents/in/Literary_Stylistics?f_ri=16126","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16126" href="https://www.academia.edu/Documents/in/Ernest_Hemingway">Ernest Hemingway</a>, <script data-card-contents-for-ri="16126" type="text/json">{"id":16126,"name":"Ernest Hemingway","url":"https://www.academia.edu/Documents/in/Ernest_Hemingway?f_ri=16126","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="70129" href="https://www.academia.edu/Documents/in/Short_story">Short story</a>, <script data-card-contents-for-ri="70129" type="text/json">{"id":70129,"name":"Short story","url":"https://www.academia.edu/Documents/in/Short_story?f_ri=16126","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="786242" href="https://www.academia.edu/Documents/in/Hills_Like_White_Elephants">Hills Like White Elephants</a><script data-card-contents-for-ri="786242" type="text/json">{"id":786242,"name":"Hills Like White Elephants","url":"https://www.academia.edu/Documents/in/Hills_Like_White_Elephants?f_ri=16126","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=7630944]'), work: {"id":7630944,"title":"Staking Every Thing on It: A Stylistic Analysis of Linguistic Patterns in \"Hills Like White 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story","url":"https://www.academia.edu/Documents/in/Short_story?f_ri=16126","nofollow":false},{"id":786242,"name":"Hills Like White Elephants","url":"https://www.academia.edu/Documents/in/Hills_Like_White_Elephants?f_ri=16126","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_10082617" data-work_id="10082617" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/10082617/Ernest_Hemingway_s_Marriage_Group_Short_Stories_Cognitive_Features_and_the_Reader_s_Mind_in_Veronika_Ruttkay_B%C3%A1lint_G%C3%A1rdos_eds_Proceedings_of_the_11th_Conference_of_the_Hungarian_Society_for_the_Study_of_English_LHarmattan_Budapest_2014_p_429_441">Ernest Hemingway’s “Marriage Group” Short Stories: Cognitive Features and the Reader’s Mind, in Veronika Ruttkay, Bálint Gárdos (eds.), Proceedings of the 11th Conference of the Hungarian Society for the Study of English, L'Harmattan, Budapest, 2014, p. 429-441.</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/10082617" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="3e9e27c31d665c251886f4819242ef1f" rel="nofollow" data-download="{"attachment_id":36206697,"asset_id":10082617,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm 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if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=10082617]'), work: {"id":10082617,"title":"Ernest Hemingway’s “Marriage Group” Short Stories: Cognitive Features and the Reader’s Mind, in Veronika Ruttkay, Bálint Gárdos (eds.), Proceedings of the 11th Conference of the Hungarian Society for the Study of English, L'Harmattan, Budapest, 2014, p. 429-441.","created_at":"2015-01-09T00:56:56.117-08:00","url":"https://www.academia.edu/10082617/Ernest_Hemingway_s_Marriage_Group_Short_Stories_Cognitive_Features_and_the_Reader_s_Mind_in_Veronika_Ruttkay_B%C3%A1lint_G%C3%A1rdos_eds_Proceedings_of_the_11th_Conference_of_the_Hungarian_Society_for_the_Study_of_English_LHarmattan_Budapest_2014_p_429_441?f_ri=16126","dom_id":"work_10082617","summary":null,"downloadable_attachments":[{"id":36206697,"asset_id":10082617,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":4826488,"first_name":"Gabriela","last_name":"Tucan","domain_name":"uvt-ro","page_name":"GabrielaTucan","display_name":"Gabriela Tucan","profile_url":"https://uvt-ro.academia.edu/GabrielaTucan?f_ri=16126","photo":"https://0.academia-photos.com/4826488/2061943/3144882/s65_gabriela.tucan.jpg"}],"research_interests":[{"id":16126,"name":"Ernest Hemingway","url":"https://www.academia.edu/Documents/in/Ernest_Hemingway?f_ri=16126","nofollow":false},{"id":42987,"name":"Cognitive Poetics","url":"https://www.academia.edu/Documents/in/Cognitive_Poetics?f_ri=16126","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_40377505" data-work_id="40377505" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/40377505/Ernest_Hemingway_Nie_som_straten%C3%BD_">Ernest Hemingway: Nie som stratený!</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">The paper written on Hemingway's anniversary accentuates the importance of his short story writing and Paris experience.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/40377505" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="d9d6bc48b63a13e9647f6e8756d68764" rel="nofollow" data-download="{"attachment_id":60626833,"asset_id":40377505,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/60626833/download_file?st=MTczMzI4MzI2Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" 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data-has-card-for-ri="8444" href="https://www.academia.edu/Documents/in/Modernist_Literature_Literary_Modernism_">Modernist Literature (Literary Modernism)</a>, <script data-card-contents-for-ri="8444" type="text/json">{"id":8444,"name":"Modernist Literature (Literary Modernism)","url":"https://www.academia.edu/Documents/in/Modernist_Literature_Literary_Modernism_?f_ri=16126","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16126" href="https://www.academia.edu/Documents/in/Ernest_Hemingway">Ernest Hemingway</a>, <script data-card-contents-for-ri="16126" type="text/json">{"id":16126,"name":"Ernest Hemingway","url":"https://www.academia.edu/Documents/in/Ernest_Hemingway?f_ri=16126","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="23577" href="https://www.academia.edu/Documents/in/Short_story_Literature_">Short story (Literature)</a>, <script data-card-contents-for-ri="23577" type="text/json">{"id":23577,"name":"Short story (Literature)","url":"https://www.academia.edu/Documents/in/Short_story_Literature_?f_ri=16126","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="44675" href="https://www.academia.edu/Documents/in/Fiction">Fiction</a><script data-card-contents-for-ri="44675" type="text/json">{"id":44675,"name":"Fiction","url":"https://www.academia.edu/Documents/in/Fiction?f_ri=16126","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=40377505]'), work: {"id":40377505,"title":"Ernest Hemingway: Nie som stratený!","created_at":"2019-09-17T14:43:32.097-07:00","url":"https://www.academia.edu/40377505/Ernest_Hemingway_Nie_som_straten%C3%BD_?f_ri=16126","dom_id":"work_40377505","summary":"The paper written on Hemingway's anniversary accentuates the importance of his short story writing and Paris experience. ","downloadable_attachments":[{"id":60626833,"asset_id":40377505,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1397378,"first_name":"Alena","last_name":"Smieskova","domain_name":"comeniusuniversity","page_name":"AlenaSmieskova","display_name":"Alena Smieskova","profile_url":"https://comeniusuniversity.academia.edu/AlenaSmieskova?f_ri=16126","photo":"https://0.academia-photos.com/1397378/506226/636408/s65_agnes.smieskova.jpg"}],"research_interests":[{"id":8444,"name":"Modernist Literature (Literary Modernism)","url":"https://www.academia.edu/Documents/in/Modernist_Literature_Literary_Modernism_?f_ri=16126","nofollow":false},{"id":16126,"name":"Ernest Hemingway","url":"https://www.academia.edu/Documents/in/Ernest_Hemingway?f_ri=16126","nofollow":false},{"id":23577,"name":"Short story (Literature)","url":"https://www.academia.edu/Documents/in/Short_story_Literature_?f_ri=16126","nofollow":false},{"id":44675,"name":"Fiction","url":"https://www.academia.edu/Documents/in/Fiction?f_ri=16126","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_39906016" data-work_id="39906016" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/39906016/A_prop%C3%B3sito_de_SYLVIA_BEACH_Shakespeare_and_Company_en_La_torre_del_Virrey_Revista_de_Libros_No_102_%C3%89poca_1_Serie_3_2009_2">A propósito de SYLVIA BEACH, "Shakespeare & Company", en La torre del Virrey. Revista de Libros, Nº 102, Época 1, Serie 3, 2009/2</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/39906016" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="58c928209d082cfebb7f3be682946cbb" rel="nofollow" data-download="{"attachment_id":60092746,"asset_id":39906016,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/60092746/download_file?st=MTczMzI4MzI2Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="29540780" href="https://independent.academia.edu/AntonioD%C3%ADez5">Antonio Fernández Díez</a><script data-card-contents-for-user="29540780" type="text/json">{"id":29540780,"first_name":"Antonio Fernández","last_name":"Díez","domain_name":"independent","page_name":"AntonioDíez5","display_name":"Antonio Fernández Díez","profile_url":"https://independent.academia.edu/AntonioD%C3%ADez5?f_ri=16126","photo":"https://0.academia-photos.com/29540780/10620539/15692657/s65_antonio.fern_ndez_d_ez.jpg"}</script></span></span></li><li class="js-paper-rank-work_39906016 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="39906016"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 39906016, container: ".js-paper-rank-work_39906016", }); 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$(".js-view-count[data-work-id=39906016]").text(description); $(".js-view-count-work_39906016").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_39906016").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="39906016"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">16</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="128" href="https://www.academia.edu/Documents/in/History">History</a>, <script data-card-contents-for-ri="128" type="text/json">{"id":128,"name":"History","url":"https://www.academia.edu/Documents/in/History?f_ri=16126","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2574" href="https://www.academia.edu/Documents/in/James_Joyce">James Joyce</a>, <script data-card-contents-for-ri="2574" type="text/json">{"id":2574,"name":"James Joyce","url":"https://www.academia.edu/Documents/in/James_Joyce?f_ri=16126","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="3146" href="https://www.academia.edu/Documents/in/Shakespeare">Shakespeare</a>, <script data-card-contents-for-ri="3146" type="text/json">{"id":3146,"name":"Shakespeare","url":"https://www.academia.edu/Documents/in/Shakespeare?f_ri=16126","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="7297" href="https://www.academia.edu/Documents/in/Autobiography">Autobiography</a><script data-card-contents-for-ri="7297" type="text/json">{"id":7297,"name":"Autobiography","url":"https://www.academia.edu/Documents/in/Autobiography?f_ri=16126","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=39906016]'), work: {"id":39906016,"title":"A propósito de SYLVIA BEACH, \"Shakespeare \u0026 Company\", en La torre del Virrey. 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On being questioned “what about”, the other waiter replied “nothing.” The young waiter revealed that there was absolutely no reason for the... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_12898828" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">One of the waiters considered “despair” to be the reason behind the old man’s attempted suicide. On being questioned “what about”, the other waiter replied “nothing.” The young waiter revealed that there was absolutely no reason for the old man to commit suicide as “he has plenty of money.” For the younger waiter, with a wife to support, money would solve all problems. For him to see an old, rich man to commit suicide in spite of having money is incomprehensible. The reason for the old man to commit suicide could have been because of the futility of existence. But what the younger waiter does not understand is the despair of confronting nothingness which the older waiter does. The younger waiter who had “youth, confidence and a job” along with a wife to keep him company would not have understood the desolation which led the old man to sit till late into the night in the cafe.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/12898828" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="f085ed4165f9637bde771a75575445e8" rel="nofollow" data-download="{"attachment_id":37872398,"asset_id":12898828,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/37872398/download_file?st=MTczMzI4MzI2Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="10600742" href="https://independent.academia.edu/MuskanJaiswal">Muskan Jaiswal</a><script data-card-contents-for-user="10600742" type="text/json">{"id":10600742,"first_name":"Muskan","last_name":"Jaiswal","domain_name":"independent","page_name":"MuskanJaiswal","display_name":"Muskan Jaiswal","profile_url":"https://independent.academia.edu/MuskanJaiswal?f_ri=16126","photo":"/images/s65_no_pic.png"}</script></span></span></li><li class="js-paper-rank-work_12898828 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="12898828"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 12898828, container: ".js-paper-rank-work_12898828", }); });</script></li><li class="js-percentile-work_12898828 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 12898828; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_12898828"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_12898828 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="12898828"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 12898828; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=12898828]").text(description); $(".js-view-count-work_12898828").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_12898828").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="12898828"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">7</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="10" href="https://www.academia.edu/Documents/in/American_Literature">American Literature</a>, <script data-card-contents-for-ri="10" type="text/json">{"id":10,"name":"American Literature","url":"https://www.academia.edu/Documents/in/American_Literature?f_ri=16126","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="6708" href="https://www.academia.edu/Documents/in/American_modernism">American modernism</a>, <script data-card-contents-for-ri="6708" type="text/json">{"id":6708,"name":"American modernism","url":"https://www.academia.edu/Documents/in/American_modernism?f_ri=16126","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="8444" href="https://www.academia.edu/Documents/in/Modernist_Literature_Literary_Modernism_">Modernist Literature (Literary Modernism)</a>, <script data-card-contents-for-ri="8444" type="text/json">{"id":8444,"name":"Modernist Literature (Literary Modernism)","url":"https://www.academia.edu/Documents/in/Modernist_Literature_Literary_Modernism_?f_ri=16126","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16126" href="https://www.academia.edu/Documents/in/Ernest_Hemingway">Ernest Hemingway</a><script data-card-contents-for-ri="16126" type="text/json">{"id":16126,"name":"Ernest Hemingway","url":"https://www.academia.edu/Documents/in/Ernest_Hemingway?f_ri=16126","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=12898828]'), work: {"id":12898828,"title":"Ernest Hemingway's A Clean Well Lighted Place","created_at":"2015-06-10T02:38:35.799-07:00","url":"https://www.academia.edu/12898828/Ernest_Hemingways_A_Clean_Well_Lighted_Place?f_ri=16126","dom_id":"work_12898828","summary":"One of the waiters considered “despair” to be the reason behind the old man’s attempted suicide. On being questioned “what about”, the other waiter replied “nothing.” The young waiter revealed that there was absolutely no reason for the old man to commit suicide as “he has plenty of money.” For the younger waiter, with a wife to support, money would solve all problems. For him to see an old, rich man to commit suicide in spite of having money is incomprehensible. The reason for the old man to commit suicide could have been because of the futility of existence. But what the younger waiter does not understand is the despair of confronting nothingness which the older waiter does. The younger waiter who had “youth, confidence and a job” along with a wife to keep him company would not have understood the desolation which led the old man to sit till late into the night in the cafe.","downloadable_attachments":[{"id":37872398,"asset_id":12898828,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":10600742,"first_name":"Muskan","last_name":"Jaiswal","domain_name":"independent","page_name":"MuskanJaiswal","display_name":"Muskan Jaiswal","profile_url":"https://independent.academia.edu/MuskanJaiswal?f_ri=16126","photo":"/images/s65_no_pic.png"}],"research_interests":[{"id":10,"name":"American Literature","url":"https://www.academia.edu/Documents/in/American_Literature?f_ri=16126","nofollow":false},{"id":6708,"name":"American modernism","url":"https://www.academia.edu/Documents/in/American_modernism?f_ri=16126","nofollow":false},{"id":8444,"name":"Modernist Literature (Literary Modernism)","url":"https://www.academia.edu/Documents/in/Modernist_Literature_Literary_Modernism_?f_ri=16126","nofollow":false},{"id":16126,"name":"Ernest Hemingway","url":"https://www.academia.edu/Documents/in/Ernest_Hemingway?f_ri=16126","nofollow":false},{"id":23577,"name":"Short story (Literature)","url":"https://www.academia.edu/Documents/in/Short_story_Literature_?f_ri=16126"},{"id":70129,"name":"Short story","url":"https://www.academia.edu/Documents/in/Short_story?f_ri=16126"},{"id":1655225,"name":"A Clean Well Lighted Place","url":"https://www.academia.edu/Documents/in/A_Clean_Well_Lighted_Place?f_ri=16126"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_34641608" data-work_id="34641608" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/34641608/Iceberg_Theory_Do_You_See_Anything">Iceberg Theory: Do You See Anything?</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Omission, as a writing style, was refined and popularised in English Literature by Hemingway in the early 20 th Century as an experimental way towards Modernism. Named the Iceberg Theory by its creator, the style became associated to him... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_34641608" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Omission, as a writing style, was refined and popularised in English Literature by Hemingway in the early 20 th Century as an experimental way towards Modernism. Named the Iceberg Theory by its creator, the style became associated to him but its concept is not something particularly new in Literature. Poets would have made use of a similar idea when applying words to denote and connote different things at the same time. While there is very little denotation to an omission, one can find a lot of connotations to it. The principle is essentially the same but its form is completely distinct. By omitting certain characteristics of a story the writer leaves the fully understanding of it on the shoulders of the reader. An efficient technique of creating a three dimensional prose where the reader not only is thrown in a different world as an observer but also has to keep the track of changes and fill the gaps left by the writer. In this essay I intend to discuss these omissions, and their implications, in details using fine examples in Hemingway's A Clear, Well-Lighted Place and in Anderson's The Strength of God.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/34641608" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="8fbb727bc431048cad306611e9717f05" rel="nofollow" data-download="{"attachment_id":54502742,"asset_id":34641608,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/54502742/download_file?st=MTczMzI4MzI2Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="24625470" href="https://ucc-ie.academia.edu/FabioTardin">Fabio Tardim</a><script data-card-contents-for-user="24625470" type="text/json">{"id":24625470,"first_name":"Fabio","last_name":"Tardim","domain_name":"ucc-ie","page_name":"FabioTardin","display_name":"Fabio Tardim","profile_url":"https://ucc-ie.academia.edu/FabioTardin?f_ri=16126","photo":"https://0.academia-photos.com/24625470/6658934/17817007/s65_fabio.tardim.jpg"}</script></span></span></li><li class="js-paper-rank-work_34641608 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="34641608"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 34641608, container: ".js-paper-rank-work_34641608", }); });</script></li><li class="js-percentile-work_34641608 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 34641608; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_34641608"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_34641608 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="34641608"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 34641608; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=34641608]").text(description); $(".js-view-count-work_34641608").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_34641608").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="34641608"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">3</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="885" href="https://www.academia.edu/Documents/in/English_Literature">English Literature</a>, <script data-card-contents-for-ri="885" type="text/json">{"id":885,"name":"English Literature","url":"https://www.academia.edu/Documents/in/English_Literature?f_ri=16126","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16126" href="https://www.academia.edu/Documents/in/Ernest_Hemingway">Ernest Hemingway</a>, <script data-card-contents-for-ri="16126" type="text/json">{"id":16126,"name":"Ernest Hemingway","url":"https://www.academia.edu/Documents/in/Ernest_Hemingway?f_ri=16126","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16767" href="https://www.academia.edu/Documents/in/Modernism">Modernism</a><script data-card-contents-for-ri="16767" type="text/json">{"id":16767,"name":"Modernism","url":"https://www.academia.edu/Documents/in/Modernism?f_ri=16126","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=34641608]'), work: {"id":34641608,"title":"Iceberg Theory: Do You See Anything?","created_at":"2017-09-21T23:45:32.248-07:00","url":"https://www.academia.edu/34641608/Iceberg_Theory_Do_You_See_Anything?f_ri=16126","dom_id":"work_34641608","summary":"Omission, as a writing style, was refined and popularised in English Literature by Hemingway in the early 20 th Century as an experimental way towards Modernism. Named the Iceberg Theory by its creator, the style became associated to him but its concept is not something particularly new in Literature. Poets would have made use of a similar idea when applying words to denote and connote different things at the same time. While there is very little denotation to an omission, one can find a lot of connotations to it. The principle is essentially the same but its form is completely distinct. By omitting certain characteristics of a story the writer leaves the fully understanding of it on the shoulders of the reader. An efficient technique of creating a three dimensional prose where the reader not only is thrown in a different world as an observer but also has to keep the track of changes and fill the gaps left by the writer. In this essay I intend to discuss these omissions, and their implications, in details using fine examples in Hemingway's A Clear, Well-Lighted Place and in Anderson's The Strength of God. ","downloadable_attachments":[{"id":54502742,"asset_id":34641608,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":24625470,"first_name":"Fabio","last_name":"Tardim","domain_name":"ucc-ie","page_name":"FabioTardin","display_name":"Fabio Tardim","profile_url":"https://ucc-ie.academia.edu/FabioTardin?f_ri=16126","photo":"https://0.academia-photos.com/24625470/6658934/17817007/s65_fabio.tardim.jpg"}],"research_interests":[{"id":885,"name":"English Literature","url":"https://www.academia.edu/Documents/in/English_Literature?f_ri=16126","nofollow":false},{"id":16126,"name":"Ernest Hemingway","url":"https://www.academia.edu/Documents/in/Ernest_Hemingway?f_ri=16126","nofollow":false},{"id":16767,"name":"Modernism","url":"https://www.academia.edu/Documents/in/Modernism?f_ri=16126","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_9520718" data-work_id="9520718" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/9520718/Deconstructing_Heroism_Amidst_the_Absurdity_of_War">Deconstructing Heroism Amidst the Absurdity of War</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/9520718" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="a3ec1c25eb801620a75087bc6c65076a" rel="nofollow" data-download="{"attachment_id":35745788,"asset_id":9520718,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/35745788/download_file?st=MTczMzI4MzI2Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="4009266" href="https://oxford.academia.edu/HanselRaphael">Hansel Raphael</a><script data-card-contents-for-user="4009266" type="text/json">{"id":4009266,"first_name":"Hansel","last_name":"Raphael","domain_name":"oxford","page_name":"HanselRaphael","display_name":"Hansel Raphael","profile_url":"https://oxford.academia.edu/HanselRaphael?f_ri=16126","photo":"https://0.academia-photos.com/4009266/1520533/3048455/s65_hansel.raphael.jpg"}</script></span></span></li><li class="js-paper-rank-work_9520718 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="9520718"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 9520718, container: ".js-paper-rank-work_9520718", }); 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This thesis probes the impacts of war on mankind as presented in Hemingway’s A Farewell to Arms</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/44649111" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="4b7d8f60ecafc70a262973cb9a1cb062" rel="nofollow" data-download="{"attachment_id":65119505,"asset_id":44649111,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/65119505/download_file?st=MTczMzI4MzI2Nyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="137783658" href="https://univ-lome.academia.edu/EspoirWoameno">Dr. Fo-Koku D . 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u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/17315121/The_Spacious_Foreground_Interpreting_Simplicity_and_Ecocritical_Ethics_in_The_Old_Man_and_the_Sea">The Spacious Foreground: Interpreting Simplicity and Ecocritical Ethics in The Old Man and the Sea</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/17315121" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="7f058891e5a9f99948a2871f2bfa9867" rel="nofollow" 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data-card-contents-for-ri="8444" type="text/json">{"id":8444,"name":"Modernist Literature (Literary Modernism)","url":"https://www.academia.edu/Documents/in/Modernist_Literature_Literary_Modernism_?f_ri=16126","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16126" href="https://www.academia.edu/Documents/in/Ernest_Hemingway">Ernest Hemingway</a>, <script data-card-contents-for-ri="16126" type="text/json">{"id":16126,"name":"Ernest Hemingway","url":"https://www.academia.edu/Documents/in/Ernest_Hemingway?f_ri=16126","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16201" href="https://www.academia.edu/Documents/in/Ecocriticism">Ecocriticism</a><script data-card-contents-for-ri="16201" type="text/json">{"id":16201,"name":"Ecocriticism","url":"https://www.academia.edu/Documents/in/Ecocriticism?f_ri=16126","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=17315121]'), work: {"id":17315121,"title":"The Spacious Foreground: Interpreting Simplicity and Ecocritical Ethics in The Old Man and the Sea","created_at":"2015-10-26T13:03:17.053-07:00","url":"https://www.academia.edu/17315121/The_Spacious_Foreground_Interpreting_Simplicity_and_Ecocritical_Ethics_in_The_Old_Man_and_the_Sea?f_ri=16126","dom_id":"work_17315121","summary":null,"downloadable_attachments":[{"id":39436919,"asset_id":17315121,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":36828495,"first_name":"Alexander","last_name":"Hollenberg","domain_name":"sheridan","page_name":"AlexanderHollenberg","display_name":"Alexander Hollenberg","profile_url":"https://sheridan.academia.edu/AlexanderHollenberg?f_ri=16126","photo":"https://0.academia-photos.com/36828495/10519739/11739023/s65_alexander.hollenberg.jpg"}],"research_interests":[{"id":10,"name":"American 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Ethics","url":"https://www.academia.edu/Documents/in/Narrative_Ethics?f_ri=16126"},{"id":481405,"name":"The Old Man and the Sea by Ernest Hemingway","url":"https://www.academia.edu/Documents/in/The_Old_Man_and_the_Sea_by_Ernest_Hemingway?f_ri=16126"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_33213209" data-work_id="33213209" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/33213209/Study_Questions_on_Hemingways_Hills_Like_White_Elephants_1927_">Study Questions on Hemingway's "Hills Like White Elephants " (1927)</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button 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u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1177593" href="https://wiu.academia.edu/RonaldWalker">Ronald Walker</a><script data-card-contents-for-user="1177593" type="text/json">{"id":1177593,"first_name":"Ronald","last_name":"Walker","domain_name":"wiu","page_name":"RonaldWalker","display_name":"Ronald Walker","profile_url":"https://wiu.academia.edu/RonaldWalker?f_ri=16126","photo":"https://0.academia-photos.com/1177593/418927/54301262/s65_ronald.walker.jpg"}</script></span></span></li><li class="js-paper-rank-work_33213209 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="33213209"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ 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data-card-contents-for-ri="8444" type="text/json">{"id":8444,"name":"Modernist Literature (Literary Modernism)","url":"https://www.academia.edu/Documents/in/Modernist_Literature_Literary_Modernism_?f_ri=16126","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16126" href="https://www.academia.edu/Documents/in/Ernest_Hemingway">Ernest Hemingway</a>, <script data-card-contents-for-ri="16126" type="text/json">{"id":16126,"name":"Ernest Hemingway","url":"https://www.academia.edu/Documents/in/Ernest_Hemingway?f_ri=16126","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2710656" href="https://www.academia.edu/Documents/in/The_Modern_American_Short_Story">The Modern American Short Story</a><script data-card-contents-for-ri="2710656" type="text/json">{"id":2710656,"name":"The Modern American Short Story","url":"https://www.academia.edu/Documents/in/The_Modern_American_Short_Story?f_ri=16126","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=33213209]'), work: {"id":33213209,"title":"Study Questions on Hemingway's \"Hills Like White Elephants \" (1927)","created_at":"2017-05-26T16:05:01.201-07:00","url":"https://www.academia.edu/33213209/Study_Questions_on_Hemingways_Hills_Like_White_Elephants_1927_?f_ri=16126","dom_id":"work_33213209","summary":null,"downloadable_attachments":[{"id":53291359,"asset_id":33213209,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1177593,"first_name":"Ronald","last_name":"Walker","domain_name":"wiu","page_name":"RonaldWalker","display_name":"Ronald Walker","profile_url":"https://wiu.academia.edu/RonaldWalker?f_ri=16126","photo":"https://0.academia-photos.com/1177593/418927/54301262/s65_ronald.walker.jpg"}],"research_interests":[{"id":8444,"name":"Modernist Literature (Literary Modernism)","url":"https://www.academia.edu/Documents/in/Modernist_Literature_Literary_Modernism_?f_ri=16126","nofollow":false},{"id":16126,"name":"Ernest Hemingway","url":"https://www.academia.edu/Documents/in/Ernest_Hemingway?f_ri=16126","nofollow":false},{"id":2710656,"name":"The Modern American Short Story","url":"https://www.academia.edu/Documents/in/The_Modern_American_Short_Story?f_ri=16126","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_42886433" data-work_id="42886433" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/42886433/The_Task_of_Translating_Toni_Morrison_s_BELOVED_into_Chinese">The Task of Translating Toni Morrison’s BELOVED into Chinese</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">In exploring the tough process of translating Toni Morrison’s Beloved into Chinese, the paper will be framed by Walter Benjamin’s notion of translation as expressed in his famous 1923 essay “The Task of the Translator” and Jacques... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_42886433" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">In exploring the tough process of translating Toni Morrison’s Beloved into Chinese, the paper will be framed by Walter Benjamin’s notion of translation as expressed in his famous 1923 essay “The Task of the Translator” and Jacques Derrida’s related exposition in “Des Tours de Babel.”  Since I am fully aware that translating this difficult novel is highly challenging, why, then, did I agree to undertake the task?  The paper begins by examining the psychic struggles I underwent and the rationale involved before I finally accepted the challenge.  Subtitled “To Be a Responsible Morrison Translator,” the second section investigates what I believe to be the prerequisites of a good translator of Morrison’s novels in general and of Beloved in particular.  In the third section, which constitutes the principal focus of my paper, I will explore the problems I encountered while rendering Morrison’s most well-known novel into Chinese and how I came to solve them.  Starting with the choice of a Chinese title, I proceed to analyze the novel’s narrative style and tone, its biblical allusions, its oral and aural quality, its poetic prose and songs, its dialogues, colloquialisms and word-play.  But the hardest linguistic nut for me to crack was translating the various interior monologues in Part Two, especially the chapter narrated through Beloved’s “Middle Passage” stream of consciousness.  While I conclude the main section with a reflection of the cultural differences and barriers, in the final section I will put forth a number of observations concerning the craft and art of translation while using translation metaphorically to propound the correlation of my “redemptive” act of translation with Morrison’s writing of Beloved.<br /><br />Keywords: Task, Translation, Toni Morrison, Beloved, Walter Benjamin, Jacques Derrida</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/42886433" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span 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class="u-tcGrayDark u-fw700" data-has-card-for-user="26481217" href="https://sinica.academia.edu/WenchingHo">Wen-ching Ho</a><script data-card-contents-for-user="26481217" type="text/json">{"id":26481217,"first_name":"Wen-ching","last_name":"Ho","domain_name":"sinica","page_name":"WenchingHo","display_name":"Wen-ching Ho","profile_url":"https://sinica.academia.edu/WenchingHo?f_ri=16126","photo":"/images/s65_no_pic.png"}</script></span></span></li><li class="js-paper-rank-work_42886433 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="42886433"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 42886433, container: ".js-paper-rank-work_42886433", }); });</script></li><li class="js-percentile-work_42886433 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span 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$(".js-view-count[data-work-id=42886433]").text(description); $(".js-view-count-work_42886433").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_42886433").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="42886433"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">12</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="696" href="https://www.academia.edu/Documents/in/Gender_Studies">Gender Studies</a>, <script data-card-contents-for-ri="696" type="text/json">{"id":696,"name":"Gender Studies","url":"https://www.academia.edu/Documents/in/Gender_Studies?f_ri=16126","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2860" href="https://www.academia.edu/Documents/in/Postcolonial_Studies">Postcolonial Studies</a>, <script data-card-contents-for-ri="2860" type="text/json">{"id":2860,"name":"Postcolonial Studies","url":"https://www.academia.edu/Documents/in/Postcolonial_Studies?f_ri=16126","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="5272" href="https://www.academia.edu/Documents/in/Identity_Culture_">Identity (Culture)</a>, <script data-card-contents-for-ri="5272" type="text/json">{"id":5272,"name":"Identity (Culture)","url":"https://www.academia.edu/Documents/in/Identity_Culture_?f_ri=16126","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="5453" href="https://www.academia.edu/Documents/in/Race_and_Ethnicity">Race and Ethnicity</a><script data-card-contents-for-ri="5453" type="text/json">{"id":5453,"name":"Race and Ethnicity","url":"https://www.academia.edu/Documents/in/Race_and_Ethnicity?f_ri=16126","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=42886433]'), work: {"id":42886433,"title":"The Task of Translating Toni Morrison’s BELOVED into Chinese","created_at":"2020-04-29T00:19:56.096-07:00","url":"https://www.academia.edu/42886433/The_Task_of_Translating_Toni_Morrison_s_BELOVED_into_Chinese?f_ri=16126","dom_id":"work_42886433","summary":"In exploring the tough process of translating Toni Morrison’s Beloved into Chinese, the paper will be framed by Walter Benjamin’s notion of translation as expressed in his famous 1923 essay “The Task of the Translator” and Jacques Derrida’s related exposition in “Des Tours de Babel.” Since I am fully aware that translating this difficult novel is highly challenging, why, then, did I agree to undertake the task? The paper begins by examining the psychic struggles I underwent and the rationale involved before I finally accepted the challenge. Subtitled “To Be a Responsible Morrison Translator,” the second section investigates what I believe to be the prerequisites of a good translator of Morrison’s novels in general and of Beloved in particular. In the third section, which constitutes the principal focus of my paper, I will explore the problems I encountered while rendering Morrison’s most well-known novel into Chinese and how I came to solve them. Starting with the choice of a Chinese title, I proceed to analyze the novel’s narrative style and tone, its biblical allusions, its oral and aural quality, its poetic prose and songs, its dialogues, colloquialisms and word-play. But the hardest linguistic nut for me to crack was translating the various interior monologues in Part Two, especially the chapter narrated through Beloved’s “Middle Passage” stream of consciousness. While I conclude the main section with a reflection of the cultural differences and barriers, in the final section I will put forth a number of observations concerning the craft and art of translation while using translation metaphorically to propound the correlation of my “redemptive” act of translation with Morrison’s writing of Beloved.\n\nKeywords: Task, Translation, Toni Morrison, Beloved, Walter Benjamin, Jacques Derrida","downloadable_attachments":[{"id":63129737,"asset_id":42886433,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":26481217,"first_name":"Wen-ching","last_name":"Ho","domain_name":"sinica","page_name":"WenchingHo","display_name":"Wen-ching Ho","profile_url":"https://sinica.academia.edu/WenchingHo?f_ri=16126","photo":"/images/s65_no_pic.png"}],"research_interests":[{"id":696,"name":"Gender Studies","url":"https://www.academia.edu/Documents/in/Gender_Studies?f_ri=16126","nofollow":false},{"id":2860,"name":"Postcolonial Studies","url":"https://www.academia.edu/Documents/in/Postcolonial_Studies?f_ri=16126","nofollow":false},{"id":5272,"name":"Identity (Culture)","url":"https://www.academia.edu/Documents/in/Identity_Culture_?f_ri=16126","nofollow":false},{"id":5453,"name":"Race and Ethnicity","url":"https://www.academia.edu/Documents/in/Race_and_Ethnicity?f_ri=16126","nofollow":false},{"id":6106,"name":"Trauma Studies","url":"https://www.academia.edu/Documents/in/Trauma_Studies?f_ri=16126"},{"id":6258,"name":"African American Literature","url":"https://www.academia.edu/Documents/in/African_American_Literature?f_ri=16126"},{"id":16126,"name":"Ernest Hemingway","url":"https://www.academia.edu/Documents/in/Ernest_Hemingway?f_ri=16126"},{"id":16201,"name":"Ecocriticism","url":"https://www.academia.edu/Documents/in/Ecocriticism?f_ri=16126"},{"id":23086,"name":"William Faulkner","url":"https://www.academia.edu/Documents/in/William_Faulkner?f_ri=16126"},{"id":30065,"name":"Toni Morrison","url":"https://www.academia.edu/Documents/in/Toni_Morrison?f_ri=16126"},{"id":32826,"name":"Chinese American Literature","url":"https://www.academia.edu/Documents/in/Chinese_American_Literature?f_ri=16126"},{"id":158146,"name":"Kate Chopin","url":"https://www.academia.edu/Documents/in/Kate_Chopin?f_ri=16126"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_20041935" data-work_id="20041935" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/20041935/Italy_in_Hemingways_Forty_Nine_Stories_With_Index">Italy in Hemingway's Forty-Nine Stories: With Index</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">A survey of Hemingway's Italian stories, this paper offers some new informations and reflections on their background and relationship. Hemingway's change of mood towards Italy in the 1920s is related to his rejection of Mussolini's... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_20041935" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">A survey of Hemingway's Italian stories, this paper offers some new informations and reflections on their background and relationship. Hemingway's change of mood towards Italy in the 1920s is related to his rejection of Mussolini's Fascism. The Index offers an overview of themes and narrative technques in the Forty-NIne Stories.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/20041935" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="fb9c36f2673db64bf16b8e4f660bd80f" rel="nofollow" data-download="{"attachment_id":40972554,"asset_id":20041935,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/40972554/download_file?st=MTczMzI4MzI2Nyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="9443141" href="https://unige-it.academia.edu/MassimoBacigalupo">Massimo Bacigalupo</a><script data-card-contents-for-user="9443141" type="text/json">{"id":9443141,"first_name":"Massimo","last_name":"Bacigalupo","domain_name":"unige-it","page_name":"MassimoBacigalupo","display_name":"Massimo Bacigalupo","profile_url":"https://unige-it.academia.edu/MassimoBacigalupo?f_ri=16126","photo":"/images/s65_no_pic.png"}</script></span></span></li><li class="js-paper-rank-work_20041935 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="20041935"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 20041935, container: ".js-paper-rank-work_20041935", }); 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$(".js-view-count[data-work-id=20041935]").text(description); $(".js-view-count-work_20041935").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_20041935").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="20041935"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">5</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="8475" href="https://www.academia.edu/Documents/in/Narrative_Methods">Narrative Methods</a>, <script data-card-contents-for-ri="8475" type="text/json">{"id":8475,"name":"Narrative Methods","url":"https://www.academia.edu/Documents/in/Narrative_Methods?f_ri=16126","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16126" href="https://www.academia.edu/Documents/in/Ernest_Hemingway">Ernest Hemingway</a>, <script data-card-contents-for-ri="16126" type="text/json">{"id":16126,"name":"Ernest Hemingway","url":"https://www.academia.edu/Documents/in/Ernest_Hemingway?f_ri=16126","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16767" href="https://www.academia.edu/Documents/in/Modernism">Modernism</a>, <script data-card-contents-for-ri="16767" type="text/json">{"id":16767,"name":"Modernism","url":"https://www.academia.edu/Documents/in/Modernism?f_ri=16126","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="23577" href="https://www.academia.edu/Documents/in/Short_story_Literature_">Short story (Literature)</a><script data-card-contents-for-ri="23577" type="text/json">{"id":23577,"name":"Short story (Literature)","url":"https://www.academia.edu/Documents/in/Short_story_Literature_?f_ri=16126","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=20041935]'), work: {"id":20041935,"title":"Italy in Hemingway's Forty-Nine Stories: With Index","created_at":"2016-01-05T10:45:46.347-08:00","url":"https://www.academia.edu/20041935/Italy_in_Hemingways_Forty_Nine_Stories_With_Index?f_ri=16126","dom_id":"work_20041935","summary":"A survey of Hemingway's Italian stories, this paper offers some new informations and reflections on their background and relationship. Hemingway's change of mood towards Italy in the 1920s is related to his rejection of Mussolini's Fascism. 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data-work-id="38552033"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 38552033; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=38552033]").text(description); $(".js-view-count-work_38552033").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_38552033").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="38552033"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">8</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="3051" href="https://www.academia.edu/Documents/in/Contemporary_Art">Contemporary Art</a>, <script data-card-contents-for-ri="3051" type="text/json">{"id":3051,"name":"Contemporary Art","url":"https://www.academia.edu/Documents/in/Contemporary_Art?f_ri=16126","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="3356" href="https://www.academia.edu/Documents/in/Propaganda">Propaganda</a>, <script data-card-contents-for-ri="3356" type="text/json">{"id":3356,"name":"Propaganda","url":"https://www.academia.edu/Documents/in/Propaganda?f_ri=16126","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="12739" href="https://www.academia.edu/Documents/in/Second_World_War">Second World War</a>, <script data-card-contents-for-ri="12739" type="text/json">{"id":12739,"name":"Second World War","url":"https://www.academia.edu/Documents/in/Second_World_War?f_ri=16126","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="13958" href="https://www.academia.edu/Documents/in/Media">Media</a><script data-card-contents-for-ri="13958" type="text/json">{"id":13958,"name":"Media","url":"https://www.academia.edu/Documents/in/Media?f_ri=16126","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=38552033]'), work: {"id":38552033,"title":"Arti e Propaganda, le armi culturali della guerra fredda.","created_at":"2019-03-14T10:43:19.503-07:00","url":"https://www.academia.edu/38552033/Arti_e_Propaganda_le_armi_culturali_della_guerra_fredda?f_ri=16126","dom_id":"work_38552033","summary":null,"downloadable_attachments":[{"id":58623556,"asset_id":38552033,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":102512441,"first_name":"Manfredi","last_name":"Rovella","domain_name":"iulm","page_name":"ManfrediRovella","display_name":"Manfredi Rovella","profile_url":"https://iulm.academia.edu/ManfrediRovella?f_ri=16126","photo":"https://0.academia-photos.com/102512441/23810958/22832266/s65_manfredi.rovella.jpg"}],"research_interests":[{"id":3051,"name":"Contemporary Art","url":"https://www.academia.edu/Documents/in/Contemporary_Art?f_ri=16126","nofollow":false},{"id":3356,"name":"Propaganda","url":"https://www.academia.edu/Documents/in/Propaganda?f_ri=16126","nofollow":false},{"id":12739,"name":"Second World War","url":"https://www.academia.edu/Documents/in/Second_World_War?f_ri=16126","nofollow":false},{"id":13958,"name":"Media","url":"https://www.academia.edu/Documents/in/Media?f_ri=16126","nofollow":false},{"id":16126,"name":"Ernest Hemingway","url":"https://www.academia.edu/Documents/in/Ernest_Hemingway?f_ri=16126"},{"id":31592,"name":"Jackson Pollock","url":"https://www.academia.edu/Documents/in/Jackson_Pollock?f_ri=16126"},{"id":42142,"name":"Noam Chomsky","url":"https://www.academia.edu/Documents/in/Noam_Chomsky?f_ri=16126"},{"id":1012884,"name":"Manipolazione","url":"https://www.academia.edu/Documents/in/Manipolazione?f_ri=16126"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_26172616" data-work_id="26172616" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/26172616/Entre_contr%C3%B4le_et_instrumentalisation_dErnest_Hemingway_par_le_FBI_1936_1961">Entre contrôle et instrumentalisation d'Ernest Hemingway par le FBI (1936-1961</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Entre contrôle et instrumentalisation de la figure d'Ernest Hemingway par le FBI</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/26172616" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="a4ccccdcc7ba13d7df8ba25ecfe082b7" rel="nofollow" data-download="{"attachment_id":46499081,"asset_id":26172616,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/46499081/download_file?st=MTczMzI4MzI2Nyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" 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data-has-card-for-ri="3725" href="https://www.academia.edu/Documents/in/Cuban_Studies">Cuban Studies</a>, <script data-card-contents-for-ri="3725" type="text/json">{"id":3725,"name":"Cuban Studies","url":"https://www.academia.edu/Documents/in/Cuban_Studies?f_ri=16126","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16126" href="https://www.academia.edu/Documents/in/Ernest_Hemingway">Ernest Hemingway</a>, <script data-card-contents-for-ri="16126" type="text/json">{"id":16126,"name":"Ernest Hemingway","url":"https://www.academia.edu/Documents/in/Ernest_Hemingway?f_ri=16126","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="41306" href="https://www.academia.edu/Documents/in/Fidel_Castro">Fidel Castro</a>, <script data-card-contents-for-ri="41306" type="text/json">{"id":41306,"name":"Fidel Castro","url":"https://www.academia.edu/Documents/in/Fidel_Castro?f_ri=16126","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="388083" href="https://www.academia.edu/Documents/in/Ava_Gardner">Ava Gardner</a><script data-card-contents-for-ri="388083" type="text/json">{"id":388083,"name":"Ava Gardner","url":"https://www.academia.edu/Documents/in/Ava_Gardner?f_ri=16126","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=26172616]'), work: {"id":26172616,"title":"Entre contrôle et instrumentalisation d'Ernest Hemingway par le FBI (1936-1961","created_at":"2016-06-15T00:11:27.192-07:00","url":"https://www.academia.edu/26172616/Entre_contr%C3%B4le_et_instrumentalisation_dErnest_Hemingway_par_le_FBI_1936_1961?f_ri=16126","dom_id":"work_26172616","summary":"Entre contrôle et instrumentalisation de la figure d'Ernest Hemingway par le FBI","downloadable_attachments":[{"id":46499081,"asset_id":26172616,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":35180105,"first_name":"Marion","last_name":"Petit","domain_name":"independent","page_name":"MarionPetidix","display_name":"Marion Petit","profile_url":"https://independent.academia.edu/MarionPetidix?f_ri=16126","photo":"https://0.academia-photos.com/35180105/10223620/11409240/s65_marion.petidix.jpg"}],"research_interests":[{"id":3725,"name":"Cuban Studies","url":"https://www.academia.edu/Documents/in/Cuban_Studies?f_ri=16126","nofollow":false},{"id":16126,"name":"Ernest Hemingway","url":"https://www.academia.edu/Documents/in/Ernest_Hemingway?f_ri=16126","nofollow":false},{"id":41306,"name":"Fidel Castro","url":"https://www.academia.edu/Documents/in/Fidel_Castro?f_ri=16126","nofollow":false},{"id":388083,"name":"Ava Gardner","url":"https://www.academia.edu/Documents/in/Ava_Gardner?f_ri=16126","nofollow":false},{"id":635655,"name":"Martha Gellhorn","url":"https://www.academia.edu/Documents/in/Martha_Gellhorn?f_ri=16126"},{"id":663056,"name":"Sinatra","url":"https://www.academia.edu/Documents/in/Sinatra?f_ri=16126"},{"id":706244,"name":"La Havane","url":"https://www.academia.edu/Documents/in/La_Havane?f_ri=16126"},{"id":1529570,"name":"Guerre civile espagnole","url":"https://www.academia.edu/Documents/in/Guerre_civile_espagnole?f_ri=16126"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_33896094" data-work_id="33896094" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/33896094/Pause_as_a_Linguistic_Element_in_Ernest_Hemingway_s_Old_Man_at_the_Bridge_The_Three_Day_Blow_and_The_Revolutionist">Pause as a Linguistic Element in Ernest Hemingway’s Old Man at the Bridge, The Three Day Blow and The Revolutionist</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This study explores the significance of silence in Ernest Hemingway's selected short stories. The study attempts to reveal the web of relationships between silence (as represented through linguistic elements) and certain themes and... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_33896094" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This study explores the significance of silence in Ernest Hemingway's selected short stories. The study attempts to reveal the web of relationships between silence (as represented through linguistic elements) and certain themes and examines the interactive arrangement pertaining to these issues. Using the terminology of discourse analysis, this study deals with the functions and implications of silence, which, manifesting itself as " pause " in discourse, has a value of signification. The impetus behind this study is therefore to investigate which linguistic elements produce the patterns of silence that indicate declaration of nothingness, psychological resistance and ideological stance. In the first part of the discussion section, the thesis argues that, first; silence is used as a thematic marker, implying nothingness. Second, psychological resistance is of the fictional characters is depicted through silence. Lastly, silence contributes to the representation of ideological stance.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/33896094" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="0b4ab7792775d6a29ec7df7557e73fab" rel="nofollow" data-download="{"attachment_id":53869107,"asset_id":33896094,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/53869107/download_file?st=MTczMzI4MzI2Nyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="28905841" href="https://eastanglia.academia.edu/HakanGultekin">Hakan Gultekin</a><script data-card-contents-for-user="28905841" type="text/json">{"id":28905841,"first_name":"Hakan","last_name":"Gultekin","domain_name":"eastanglia","page_name":"HakanGultekin","display_name":"Hakan Gultekin","profile_url":"https://eastanglia.academia.edu/HakanGultekin?f_ri=16126","photo":"https://0.academia-photos.com/28905841/8219237/17414424/s65_hakan.gultekin.jpg"}</script></span></span></li><li class="js-paper-rank-work_33896094 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="33896094"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 33896094, container: ".js-paper-rank-work_33896094", }); 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$(".js-view-count[data-work-id=33896094]").text(description); $(".js-view-count-work_33896094").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_33896094").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="33896094"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">3</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="10" href="https://www.academia.edu/Documents/in/American_Literature">American Literature</a>, <script data-card-contents-for-ri="10" type="text/json">{"id":10,"name":"American Literature","url":"https://www.academia.edu/Documents/in/American_Literature?f_ri=16126","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16126" href="https://www.academia.edu/Documents/in/Ernest_Hemingway">Ernest Hemingway</a>, <script data-card-contents-for-ri="16126" type="text/json">{"id":16126,"name":"Ernest Hemingway","url":"https://www.academia.edu/Documents/in/Ernest_Hemingway?f_ri=16126","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="23577" href="https://www.academia.edu/Documents/in/Short_story_Literature_">Short story (Literature)</a><script data-card-contents-for-ri="23577" type="text/json">{"id":23577,"name":"Short story (Literature)","url":"https://www.academia.edu/Documents/in/Short_story_Literature_?f_ri=16126","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=33896094]'), work: {"id":33896094,"title":"Pause as a Linguistic Element in Ernest Hemingway’s Old Man at the Bridge, The Three Day Blow and The Revolutionist","created_at":"2017-07-16T00:03:48.767-07:00","url":"https://www.academia.edu/33896094/Pause_as_a_Linguistic_Element_in_Ernest_Hemingway_s_Old_Man_at_the_Bridge_The_Three_Day_Blow_and_The_Revolutionist?f_ri=16126","dom_id":"work_33896094","summary":"This study explores the significance of silence in Ernest Hemingway's selected short stories. The study attempts to reveal the web of relationships between silence (as represented through linguistic elements) and certain themes and examines the interactive arrangement pertaining to these issues. Using the terminology of discourse analysis, this study deals with the functions and implications of silence, which, manifesting itself as \" pause \" in discourse, has a value of signification. The impetus behind this study is therefore to investigate which linguistic elements produce the patterns of silence that indicate declaration of nothingness, psychological resistance and ideological stance. In the first part of the discussion section, the thesis argues that, first; silence is used as a thematic marker, implying nothingness. Second, psychological resistance is of the fictional characters is depicted through silence. Lastly, silence contributes to the representation of ideological stance.","downloadable_attachments":[{"id":53869107,"asset_id":33896094,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":28905841,"first_name":"Hakan","last_name":"Gultekin","domain_name":"eastanglia","page_name":"HakanGultekin","display_name":"Hakan Gultekin","profile_url":"https://eastanglia.academia.edu/HakanGultekin?f_ri=16126","photo":"https://0.academia-photos.com/28905841/8219237/17414424/s65_hakan.gultekin.jpg"}],"research_interests":[{"id":10,"name":"American Literature","url":"https://www.academia.edu/Documents/in/American_Literature?f_ri=16126","nofollow":false},{"id":16126,"name":"Ernest Hemingway","url":"https://www.academia.edu/Documents/in/Ernest_Hemingway?f_ri=16126","nofollow":false},{"id":23577,"name":"Short story (Literature)","url":"https://www.academia.edu/Documents/in/Short_story_Literature_?f_ri=16126","nofollow":false}]}, }) } 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