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class="user-summary-container"><div class="social-profile-avatar-container"><img class="profile-avatar u-positionAbsolute" alt="Christoph Brunner" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/72430/20101/18654/s200_christoph.brunner.jpeg" /></div><div class="title-container"><h1 class="ds2-5-heading-sans-serif-sm">Christoph Brunner</h1><div class="affiliations-container fake-truncate js-profile-affiliations"><div><a class="u-tcGrayDarker" href="https://eur.academia.edu/">Erasmus University Rotterdam</a>, <a class="u-tcGrayDarker" href="https://eur.academia.edu/Departments/Erasmus_School_of_Philosophy_ESPhil_/Documents">Erasmus School of Philosophy (ESPhil)</a>, <span class="u-tcGrayDarker">Faculty Member</span></div><div><a class="u-tcGrayDarker" href="https://leuphana.academia.edu/">Leuphana University</a>, <a class="u-tcGrayDarker" href="https://leuphana.academia.edu/Departments/Cultural_Studies/Documents">Cultural Studies</a>, <span class="u-tcGrayDarker">Faculty Member</span></div><div><a class="u-tcGrayDarker" href="https://uqam.academia.edu/">Université du Québec à Montréal</a>, <a class="u-tcGrayDarker" href="https://uqam.academia.edu/Departments/%C3%89cole_Des_Arts_Visuels_Et_M%C3%A9diatiques/Documents">École Des Arts Visuels Et Médiatiques</a>, <span class="u-tcGrayDarker">Faculty Member</span></div></div></div></div><div class="sidebar-cta-container"><button class="ds2-5-button hidden profile-cta-button grow js-profile-follow-button" data-broccoli-component="user-info.follow-button" data-click-track="profile-user-info-follow-button" data-follow-user-fname="Christoph" data-follow-user-id="72430" data-follow-user-source="profile_button" data-has-google="false"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">add</span>Follow</button><button 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href="/ChristophBrunner/mentions"><div class="stat-container"><p class="label">Mentions</p><p class="data"></p></div></a></div><span><div class="stat-container"><p class="label"><span class="js-profile-total-view-text">Public Views</span></p><p class="data"><span class="js-profile-view-count"></span></p></div></span></div><div class="user-bio-container"><div class="profile-bio fake-truncate js-profile-about" style="margin: 0px;">Christoph Brunner’s research revolves around the intersections between media, affect, and aesthetic politics. He focuses on contemporary social movements and their use of aesthetic techniques and strategies. The question of translocal modes of networking and organization, the use of embodied and affective forms of knowledge, and relational conceptions of subjectivity define guiding lines of this research. At Erasmus School of Philosophy he is appointed for Philosophy of Media and Technology. From Aug. 2024 until July 2025 he is a visiting professor at the École des Arts Visuelles et Médiatique at UQAM (Montreal). At Leuphana he directed the ArchipelagoLab for Transversal Practices, where students and researchers experiment with different formats and forms of collaboration between art, theory and activism. The Lab hosts artists in residence, conducts the Activist Sense Workshop and Lecture Series, host self-organized student reading groups, screenings and performances. Brunner was the PI of two research projects “Participatory Critique as Transforming and Transversal With” as part of the DFG Research Group Media and Participation and the DFG Research Network “Other Knowledges in Artistic Research and Aesthetic Theory.”<br /><span class="u-fw700">Supervisors: </span>Erin Manning, Brian Massumi, and Sha Xin Wei<br /><div class="js-profile-less-about u-linkUnstyled u-tcGrayDarker u-textDecorationUnderline u-displayNone">less</div></div></div><div class="suggested-academics-container"><div class="suggested-academics--header"><p class="ds2-5-body-md-bold">Related Authors</p></div><ul class="suggested-user-card-list"><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a href="https://delftschoolofdesign.academia.edu/AndrejRadman"><img class="profile-avatar u-positionAbsolute" alt="Andrej Radman" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = 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data-section-name="Conferences-(organized)" data-toggle="tab" href="#conferencesorganized" role="tab" style="border: none;"><span>1</span> Conferences (organized)</a></li><li role="presentation"><a data-click-track="profile-works-tab" data-section-name="Papers" data-toggle="tab" href="#papers" role="tab" style="border: none;"><span>5</span> Papers</a></li><li role="presentation"><a data-click-track="profile-works-tab" data-section-name="Talks" data-toggle="tab" href="#talks" role="tab" style="border: none;"><span>1</span> Talks</a></li></ul></li></ul></div><div class="divider ds-divider-16" style="margin: 0px;"></div><div class="documents-container backbone-social-profile-documents" style="width: 100%;"><div class="u-taCenter"></div><div class="profile--tab_content_container js-tab-pane tab-pane active" id="all"><div class="profile--tab_heading_container js-section-heading" data-section="Books" id="Books"><h3 class="profile--tab_heading_container">Books by Christoph Brunner</h3></div><div class="js-work-strip profile--work_container" data-work-id="76258064"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/76258064/Texturing_Space_Towards_an_Exponential_Cartography_Introduction"><img alt="Research paper thumbnail of Texturing Space - Towards an Exponential Cartography. Introduction" class="work-thumbnail" src="https://attachments.academia-assets.com/83973538/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/76258064/Texturing_Space_Towards_an_Exponential_Cartography_Introduction">Texturing Space - Towards an Exponential Cartography. Introduction</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://eur.academia.edu/ChristophBrunner">Christoph Brunner</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/Am%C3%A9lieBrissonDarveau">Amélie Brisson-Darveau</a></span></div><div class="wp-workCard_item"><span>Texturing Space - Towards an Exponential Cartography</span><span>, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Texture is a minor concept in the fields of art, philosophy, and design. Many writings and artist...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Texture is a minor concept in the fields of art, philosophy, and design. Many writings and artistic/design works explore the texture of something, but in itself texture receives less attention. Texturing Space draws a cartography of texture and practices of texturing across different spaces and modes of thinking and making. Comprising approaches from art, urban and interaction design, cultural and media theory, philosophy, and sociology, the contributions to this volume provide nuanced understandings of texture and its potential value for creative experimentation. Building on practice-based experiences in Zurich and Hong Kong, the book explores translocal and transcultural modes of collaboration, pedagogical techniques, and manifold ways of engaging urban textures through the use of a mobile lab. Built around three planes—diagramming, relating, belonging—the gathered materials contribute to an exponential cartography of texture and texturing as key techniques and approaches for research-creation (artistic research).<br /><br />With contributions by Amelie Brisson-Darveau, Christoph Brunner, Nicole De Brabandere, Sher Doruff, Rosamund Ender, Marius Förster, Karmen Franinovic, Diego Gil, Roman Kirschner, Nuria Krämer, Yanki Lee, Mariana Marcassa, Patrick Müller, Erin Manning, Brian Massumi, Toni Pape, Peter Tränkle, Jana Vanecek</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="39273e0c43767683ccd10a11407b288c" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":83973538,"asset_id":76258064,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/83973538/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="76258064"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="76258064"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 76258064; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=76258064]").text(description); $(".js-view-count[data-work-id=76258064]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 76258064; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='76258064']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "39273e0c43767683ccd10a11407b288c" } } $('.js-work-strip[data-work-id=76258064]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":76258064,"title":"Texturing Space - Towards an Exponential Cartography. 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Eine kritische Situierung" class="work-thumbnail" src="https://attachments.academia-assets.com/62980061/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/42758810/Polyphone_%C3%84sthetik_Eine_kritische_Situierung">Polyphone Ästhetik. Eine kritische Situierung</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://akbild.academia.edu/RuthSonderegger">Ruth Sonderegger</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://eur.academia.edu/ChristophBrunner">Christoph Brunner</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="da946f698d4b82fc9186d90e99f9a7a5" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":62980061,"asset_id":42758810,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/62980061/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="42758810"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="42758810"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 42758810; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=42758810]").text(description); $(".js-view-count[data-work-id=42758810]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 42758810; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='42758810']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "da946f698d4b82fc9186d90e99f9a7a5" } } $('.js-work-strip[data-work-id=42758810]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":42758810,"title":"Polyphone Ästhetik. 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Eine kritische Situierung" class="work-thumbnail" src="https://attachments.academia-assets.com/63563377/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/41942935/Polyphone_%C3%84sthetik_Eine_kritische_Situierung">Polyphone Ästhetik. Eine kritische Situierung</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://dieangewandte.academia.edu/sofiabempeza">sofia bempeza</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://zhdk.academia.edu/InesKleesattel">Ines Kleesattel</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://eur.academia.edu/ChristophBrunner">Christoph Brunner</a></span></div><div class="wp-workCard_item"><span>Polyphone Ästhetik. Eine kritische Situierung</span><span>, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Eine polyphone Ästhetik erwächst aus der Dringlichkeit und der Freude, mit verschiedenen Stimmen ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Eine polyphone Ästhetik erwächst aus der Dringlichkeit und der Freude, mit verschiedenen Stimmen zu arbeiten und durch heterogene Positionen zu denken, ohne die Differenzen, die der Polyphonie immanent sind, zu neutralisieren. In diesem Sinne möchte das vorliegende Buch den selbstgerechten Autoritätsanspruch der westlichen Ästhetik unterwandern und produktiv verunsichern. Zugleich folgt es dem Begehren nach kollektiven Formen des sinnesbezogenen Denkens und Arbeitens. Seine Beiträge befassen sich mit so unterschiedlichen ästhetischen Dimensionen wie den (post-)kolonialen Implikationen der documenta 14 in Athen, dem Rassismus von Kants Ästhetik, kultureller Aneignung in der Popmusik, Dirty Aesthetics oder dekolonialer Affektivität, wobei auch ko-autor*innenschaftliche und kollektiv gegendisziplinäre Formen des Theoretisierens erprobt werden. Seine besondere Relevanz erweist der Band nicht zuletzt vor dem Hintergrund einer zunehmend gewaltvollen Aneignung ästhetischer Praktiken und Theorien durch die (Neue) Rechte, der es klar entgegenzutreten gilt. In diesem Sinne impliziert Polyphonie ein politisches Sprechen, das seine Stärke darin findet, sich in seiner Positionierung angreifbar zu machen sowie in seiner ästhetischen Offenheit unabgeschlossen zu bleiben. <br /> <br />Authors: Sofia Bempeza, Christoph Brunner, Katharina Hausladen, Ines Kleesattel, Ruth Sonderegger. Wien: transversal texts, Dezember 2019</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="e58c0af7dd628f75c275e81166451702" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":63563377,"asset_id":41942935,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/63563377/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="41942935"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="41942935"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 41942935; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=41942935]").text(description); $(".js-view-count[data-work-id=41942935]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 41942935; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='41942935']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "e58c0af7dd628f75c275e81166451702" } } $('.js-work-strip[data-work-id=41942935]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":41942935,"title":"Polyphone Ästhetik. 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In so unterschiedlichen Feldern wie finanziellen Derivaten und Kryptowährungen, digitalen Schnitten und Data Doubles, biometrischen Filmbildern und sozialen Medien werden Technologien zu Umwelt, Umhüllung, Umgebung.<br /><br />Mit dem Begriffsvorschlag „Technökologien“ und Beispielen aus der Medienarchäologie der 1990er und 2000er Jahre, vor allem aber anhand der Untersuchung konkreter aktueller Praxen versucht das vorliegende Buch, diesen Verschiebungen gerecht zu werden: In der Mitte der technökologischen Subjektivierung, die nicht selten die Form von Wut, Angst, Hass und Häme annimmt, ergeben sich auch neue Weisen der Affizierung, neue Äußerungsweisen, neue Verhältnissetzungen von Technopolitik und sozialer Bewegung.<br /><br />Mit Beiträgen von: Christoph Brunner, Marco Deseriis, Katrin M. Kämpf und Christina Rogers, Brigitta Kuster, Stamatia Portanova, Gerald Raunig, Álvaro Ruiz, Raúl Sánchez Cedillo</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="2b9c9f2b36a23d1c5e5cafaf268cf310" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":65675486,"asset_id":45109986,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/65675486/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="45109986"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="45109986"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 45109986; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="31045696"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/31045696/The_Go_To_How_To_Book_of_Anarchiving_Portrait_"><img alt="Research paper thumbnail of The Go-To How To Book of Anarchiving (Portrait)" class="work-thumbnail" src="https://attachments.academia-assets.com/51479092/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/31045696/The_Go_To_How_To_Book_of_Anarchiving_Portrait_">The Go-To How To Book of Anarchiving (Portrait)</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" rel="nofollow" href="https://independent.academia.edu/AMurphie">Andrew Murphie</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://eur.academia.edu/ChristophBrunner">Christoph Brunner</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://concordia.academia.edu/JMason">Joel E Mason</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://theplace.academia.edu/emilyjeffries">emily jeffries</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unl-pt.academia.edu/ErikBordeleau">Erik Bordeleau</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://uniarts.academia.edu/FranciscoTrento">Francisco Trento</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://concordia.academia.edu/Andr%C3%A9AriasFoglianodeSouzaCunha">André Arias Fogliano de Souza Cunha</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/LoneBertelsen">Lone Bertelsen</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://latrobe.academia.edu/AndrewGoodman">Andrew Goodman</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This book was produced in a Book Sprint at the Senselab, Concordia's Distributing the Insensible ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This book was produced in a Book Sprint at the Senselab, Concordia's Distributing the Insensible event in December 2016. It's an attempt to explain the anarchive in a useful and practical way, for a lot of different contexts outside the academy. NB: there are more authors in the book who aren't on this platform. There are links to landscape and Print-on-Demand versions here: <a href="http://senselab.ca/wp2/immediations/upcoming-distributing-the-insensible-dec-10-20-2016/the-go-to-how-to-guide-to-anarchiving/" rel="nofollow">http://senselab.ca/wp2/immediations/upcoming-distributing-the-insensible-dec-10-20-2016/the-go-to-how-to-guide-to-anarchiving/</a>. And all the other books are here: <a href="http://senselab.ca/wp2/immediations/upcoming-distributing-the-insensible-dec-10-20-2016/" rel="nofollow">http://senselab.ca/wp2/immediations/upcoming-distributing-the-insensible-dec-10-20-2016/</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="13613e38b4b38e21b88be8091458cb0a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":51479092,"asset_id":31045696,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/51479092/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="31045696"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="31045696"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 31045696; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="1472084"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/1472084/Practices_of_Experimentation_Research_and_Teaching_in_the_Arts_Today"><img alt="Research paper thumbnail of Practices of Experimentation: Research and Teaching in the Arts Today" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/1472084/Practices_of_Experimentation_Research_and_Teaching_in_the_Arts_Today">Practices of Experimentation: Research and Teaching in the Arts Today</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Practices of experimentation lie at the heart of creative research and teaching in higher educati...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Practices of experimentation lie at the heart of creative research and teaching in higher education in arts. The Department of Art & Media at Zurich University of the Arts offers a unique teaching and research environment as a laboratory of converging and diverging practices of experimentation. Practices of Experimentation investigates how the different fields of fine arts, photography, media arts and theory interlace with each other, inspire and differentiate one and another. <br />The book presents 18 positions in text and image by theorists and artists. They ask how practices of experimentation are able to unfold, take position and enquire current discourses on artistic creation, the relation between art schools and society, the specific production of knowledge in the arts and the particularities of inter- and trans-disciplinary teaching and research in the arts. <br />Contains essays by Essays by Ute Meta Bauer, Maria Eichhorn, Knowbotic Research, Jorg Huber, Marianne Mueller, Gerald Raunig, Nils Roller, Richard Wentworth, Christoph Brunner, Roberto Nigro, Felix Stalder, Elke Bippus, Heiner Goebbels and Giaco Schiesser.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="1472084"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="1472084"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 1472084; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=1472084]").text(description); $(".js-view-count[data-work-id=1472084]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 1472084; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='1472084']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=1472084]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":1472084,"title":"Practices of Experimentation: Research and Teaching in the Arts Today","internal_url":"https://www.academia.edu/1472084/Practices_of_Experimentation_Research_and_Teaching_in_the_Arts_Today","owner_id":72430,"coauthors_can_edit":true,"owner":{"id":72430,"first_name":"Christoph","middle_initials":null,"last_name":"Brunner","page_name":"ChristophBrunner","domain_name":"eur","created_at":"2009-10-18T14:28:27.505-07:00","display_name":"Christoph Brunner","url":"https://eur.academia.edu/ChristophBrunner"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="profile--tab_heading_container js-section-heading" data-section="Articles" id="Articles"><h3 class="profile--tab_heading_container">Articles by Christoph Brunner</h3></div><div class="js-work-strip profile--work_container" data-work-id="125720359"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/125720359/From_Energy_Humanities_to_Human_Energetics_The_Noetics_of_Approximate_Knowledge_in_the_work_of_Gilbert_Simondon"><img alt="Research paper thumbnail of From Energy Humanities to Human Energetics: The Noetics of Approximate Knowledge in the work of Gilbert Simondon" class="work-thumbnail" src="https://attachments.academia-assets.com/119712001/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/125720359/From_Energy_Humanities_to_Human_Energetics_The_Noetics_of_Approximate_Knowledge_in_the_work_of_Gilbert_Simondon">From Energy Humanities to Human Energetics: The Noetics of Approximate Knowledge in the work of Gilbert Simondon</a></div><div class="wp-workCard_item"><span>Noetics Without a Mind</span><span>, 2024</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">In this article we engage with the concepts of energy, human energetics, and potential energy as ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In this article we engage with the concepts of energy, human energetics, and potential energy as they occur in Gilbert Simondon’s 1960 lecture ‘Form, Information, and Potentials’. In this lecture Simondon proposes a reconsideration of the humanities towards what he terms a human Science. His proposition deploys the notion of ‘approximate knowledge’ – a knowledge that Simondon relates to the natural sciences and in particular physics’ consideration of potentiality. In our article we explore how Simondon’s conception of energy resonates with and differs from debates in the energy humanities, ending with preliminary ideas of further implications of a human energetics and the noetics of approximate knowledge.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="514de622b8a561e3d24e22d8d5d5efa6" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":119712001,"asset_id":125720359,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/119712001/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="125720359"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="125720359"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 125720359; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="122848472"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/122848472/Affect_Aesthetics_and_Activism_An_Interview_with_Dr_Christoph_Brunner"><img alt="Research paper thumbnail of Affect, Aesthetics, and Activism: An Interview with Dr. Christoph Brunner" class="work-thumbnail" src="https://attachments.academia-assets.com/117425202/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/122848472/Affect_Aesthetics_and_Activism_An_Interview_with_Dr_Christoph_Brunner">Affect, Aesthetics, and Activism: An Interview with Dr. Christoph Brunner</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://eur.academia.edu/ChristophBrunner">Christoph Brunner</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://eur.academia.edu/GeorginaAr%C3%A1nzazuDijkstra">Georgina Aránzazu Dijkstra</a></span></div><div class="wp-workCard_item"><span>Erasmus Student Journal of Philosophy</span><span>, 2024</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="d15fd9ce6451c15c2407c92a497dd34d" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":117425202,"asset_id":122848472,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/117425202/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="122848472"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="122848472"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 122848472; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="120636806"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/120636806/Human_Energetics_in_an_Era_of_Post_Humanism"><img alt="Research paper thumbnail of Human Energetics in an Era of Post-Humanism" class="work-thumbnail" src="https://attachments.academia-assets.com/115723132/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/120636806/Human_Energetics_in_an_Era_of_Post_Humanism">Human Energetics in an Era of Post-Humanism</a></div><div class="wp-workCard_item"><span>ISEA 2023 Proceedings</span><span>, 2024</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">French philosopher of technology Gilbert Simondon is undoubtedly one of the key figures when it c...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">French philosopher of technology Gilbert Simondon is undoubtedly one of the key figures when it comes to conceptualizing individuation across physical, mental and social strata. In this article, we develop a rather overlooked aspect of Simondon’s work, namely how his ontogenetic project also implies an idea of a “human science” based on a “human energetics,” which—maybe in spite of its name—is an inherently transhumanist project transducing across both disciplinary and experiential fields, with a particular emphasis on the role of technology. We present key concepts in Simondon’s work and relate them to lines of thinking on energies in the arts (Kahn) and post-colonialism (Wynter), exemplified through an analysis of Nigerian artist Otobong Nkanga’s video work “Remains of the Green Hill.” Our primary aim with the article is to continue a mobilization of Simondonian concepts and thinking for an experimental, transhumanist exploration in relation to its ethico-aesthetic and artistic potential.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="d1e29698cfab1cdf5f18eb47fbf799b1" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":115723132,"asset_id":120636806,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/115723132/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="120636806"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="120636806"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 120636806; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="108054803"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/108054803/The_Politics_of_Undoing_The_Movement_of_Activist_Sense"><img alt="Research paper thumbnail of The Politics of Undoing: The Movement of Activist Sense" class="work-thumbnail" src="https://attachments.academia-assets.com/106543183/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/108054803/The_Politics_of_Undoing_The_Movement_of_Activist_Sense">The Politics of Undoing: The Movement of Activist Sense</a></div><div class="wp-workCard_item"><span>Taking Sides Theories, Practices, and Cultures of Participation in Dissent</span><span>, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The Article deals with the interrelations between embodied materiality and mediated resistance in...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The Article deals with the interrelations between embodied materiality and mediated resistance in translocal social movements. It develops the term "activist sense" as an analytic tool for thinking translocal and transversal forms of protest with and through media technologies and their specific aesthetics. Engaging Hannah Arendt's notion of "spaces of appearance" and Judith Butler's expansion of Arendt's work in her own writing on assemblies and "bodies in alliance" the article adds a specific affective reading of mediated forms of social protest. By doing so it asks, how to relay resistance at a distance and how to circumvent an informational abstraction in light of a materialist conception of the media aesthetics of protest.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="665b4cf14671cb5a4e9e9c33c12a3b4e" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":106543183,"asset_id":108054803,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/106543183/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="108054803"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="108054803"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 108054803; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="92279945"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/92279945/Concatenated_Commons_and_Operational_Aesthetics"><img alt="Research paper thumbnail of Concatenated Commons and Operational Aesthetics" class="work-thumbnail" src="https://attachments.academia-assets.com/95330072/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/92279945/Concatenated_Commons_and_Operational_Aesthetics">Concatenated Commons and Operational Aesthetics</a></div><div class="wp-workCard_item"><span>OnCurating - documenta fiteen-Aspects of Commoning in Curatorial and Artistic Practices</span><span>, 2022</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This article deals with the specific potentials of what I call an operational aesthetics as part ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This article deals with the specific potentials of what I call an operational aesthetics as part and parcel of alternative online video platforms. These platforms, I will argue, engage in operative logics of programming and interface design as well as a merger of data and metadata with the aim to resist capitalist modes of value extraction tied to the digital image. I will particularly look at the platforms 0xDB and pad.ma as projects dedicated to collaborative practices of collecting, sharing and remodeling vast databases of moving images in relation to cinema (0xDB) and to activist film making and discourse around digital film archives (pad.ma). Key to both platforms is the operative logic of timelines that allow engagement with the object in an asynchronous, texturally annotated and heavily flow-based appearance. <br /> <br />A slightly different version of this text first appeared in Aesthetics of the Commons, ed. by Cornelia Sollfrank, Felix Stadler and Shusha Niederberger, Zurich/Berlin: diaphanes, 2021, p. 241-269.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="87f97c604be2e8c59acaaccc65f97d2f" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":95330072,"asset_id":92279945,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/95330072/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="92279945"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="92279945"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 92279945; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="76115217"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/76115217/Zwischen_Animismus_und_Animation_Krieg_und_Virtual_Reality_bei_Harun_Farocki"><img alt="Research paper thumbnail of Zwischen Animismus und Animation. Krieg und (Virtual) Reality bei Harun Farocki." class="work-thumbnail" src="https://attachments.academia-assets.com/83788167/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/76115217/Zwischen_Animismus_und_Animation_Krieg_und_Virtual_Reality_bei_Harun_Farocki">Zwischen Animismus und Animation. Krieg und (Virtual) Reality bei Harun Farocki.</a></div><div class="wp-workCard_item"><span>Affizierungs- und Teilhabeprozesse zwischen Organismen und Maschinen</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Animation und computergenerierte Animationstechnologien halten allgegenwärtig Einzug in die media...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Animation und computergenerierte Animationstechnologien halten allgegenwärtig Einzug in die medial-sinnlichen Umwelten unserer Gegenwart.<br />Dies gilt insbesondere für Animationstechnologien, die zu militärischen Simulationszwecken entwickelt und verwendet werden und sich in ihrer Ästhetik kaum von Computerspielen und Filmanimationen unterscheiden.<br />In Anlehnung an Harun Farockis vierteilige Videoinstallation Ernste Spiele<br />I-IV/Serious Games I-IV sollen die ästhetischen und politischen Dimensionen<br />der Animation in der modernen Kriegsführung untersucht werden. Entgegen<br />klassischerer Medientheorien der Simulation und Virtualität wird Animation als kulturelles Paradigma und in Verbindung mit einem generellen Animismus, sprich der Bewegtheit von Materie, in seiner ethisch-ästhetischen Relevanz befragt.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="25170235e6cfda739c27588113b3ffae" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":83788167,"asset_id":76115217,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/83788167/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="76115217"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="76115217"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 76115217; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=76115217]").text(description); $(".js-view-count[data-work-id=76115217]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 76115217; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='76115217']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "25170235e6cfda739c27588113b3ffae" } } $('.js-work-strip[data-work-id=76115217]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":76115217,"title":"Zwischen Animismus und Animation. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="43576347"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/43576347/_Making_Sense_Aesthetic_Counterpowers_in_Activist_Media_Practices"><img alt="Research paper thumbnail of ‘Making Sense’: Aesthetic Counterpowers in Activist Media Practices" class="work-thumbnail" src="https://attachments.academia-assets.com/63881836/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/43576347/_Making_Sense_Aesthetic_Counterpowers_in_Activist_Media_Practices">‘Making Sense’: Aesthetic Counterpowers in Activist Media Practices</a></div><div class="wp-workCard_item"><span>Conjunctions. Transdisciplinary Journal of Cultural Participation</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This article engages with the activities of the alternative international media centre FC/MC whic...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This article engages with the activities of the alternative international media centre FC/MC which was established and operated during the 2017 G20-Summit in Hamburg. Rather than following established narratives on alternative media or mobilising discourses on aesthetics of resistance in the arts, the specific operational logics of affective and preemptive politics of perception define the main scope of developing what is termed “activist sense” and the emergence of potential “aesthetic counterpowers” as part and parcel of an affective politics of perception. Drawing on the conception of affect in social media studies and on the notions of field and information in the works of gilbert Simondon, the FC/MC will be analysed as a building block in the overall infrastructure of affective resistance against dominant and platform-based narratives of violence and threat amplified by mainstream media. Through a field-based conception of affect and perception, the question of “making-sense” takes on a pervasive yet potentially more inclusive and activating dimension of future forms of media-infused modes of resistance.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="24e3cf864f8b57ba58ce44310aed5389" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":63881836,"asset_id":43576347,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/63881836/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="43576347"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="43576347"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 43576347; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="70017698"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/70017698/From_Critique_to_Problems_and_the_Politics_of_the_In_act_with_Bergson_Deleuze_and_James"><img alt="Research paper thumbnail of From Critique to Problems and the Politics of the In-act with Bergson, Deleuze and James" class="work-thumbnail" src="https://attachments.academia-assets.com/79904038/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/70017698/From_Critique_to_Problems_and_the_Politics_of_the_In_act_with_Bergson_Deleuze_and_James">From Critique to Problems and the Politics of the In-act with Bergson, Deleuze and James</a></div><div class="wp-workCard_item"><span>Thinking the Problematic</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Taking down our critique, our own positions, our fortifications, is self-defense alloyed with sel...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Taking down our critique, our own positions, our fortifications, is self-defense alloyed with self-preservation. That takedown comes in movement, as a shawl, the armor of flight. We run looking for a weapon and keep running looking to drop it. And we can drop it, because however armed, however hard, the enemy we face is also illusory.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="899cdf440ccce23ebc128dfa53f7aae7" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":79904038,"asset_id":70017698,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/79904038/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="70017698"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="70017698"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 70017698; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=70017698]").text(description); $(".js-view-count[data-work-id=70017698]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 70017698; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='70017698']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "899cdf440ccce23ebc128dfa53f7aae7" } } $('.js-work-strip[data-work-id=70017698]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":70017698,"title":"From Critique to Problems and the Politics of the In-act with Bergson, Deleuze and James","internal_url":"https://www.academia.edu/70017698/From_Critique_to_Problems_and_the_Politics_of_the_In_act_with_Bergson_Deleuze_and_James","owner_id":72430,"coauthors_can_edit":true,"owner":{"id":72430,"first_name":"Christoph","middle_initials":null,"last_name":"Brunner","page_name":"ChristophBrunner","domain_name":"eur","created_at":"2009-10-18T14:28:27.505-07:00","display_name":"Christoph Brunner","url":"https://eur.academia.edu/ChristophBrunner"},"attachments":[{"id":79904038,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/79904038/thumbnails/1.jpg","file_name":"pdf.pdf","download_url":"https://www.academia.edu/attachments/79904038/download_file","bulk_download_file_name":"From_Critique_to_Problems_and_the_Politi.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/79904038/pdf-libre.pdf?1643544402=\u0026response-content-disposition=attachment%3B+filename%3DFrom_Critique_to_Problems_and_the_Politi.pdf\u0026Expires=1739757710\u0026Signature=N6GHayjLsfqavMewBIF9Jjc~Wwt8qvliMcobktnZITAGFvUI8MB8b7QUPtz8iAWDuXNn1JWXDCBM9g4DcWTMlGVWkI5~rCh2pB8xgXlUgHuMOhaTG0t5gnrTXakNjtQMH6pgM50zwCPxsisu7F-nzHUPPSRxHBUHKyASnMDgGK3sJej2nAfLy9rTOoV0ajW4F8f06GvFgWMsPHphgmyn-VxlALDM6o3kJsiafecQNn~T8iQQ-9sxKI9oQqr-T518AYRL3TURFYsg5bHSqOlrE3hGKw4cA6iteG8s8-tQG14cnofaMut0~df1FFCR~hpfe5cgfR1FY4bJrb0epllhLQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="49260670"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/49260670/Aesthetics_of_the_Earth_Reframing_Relational_Aesthetics_Considering_Critical_Ecologies"><img alt="Research paper thumbnail of Aesthetics of the Earth. Reframing Relational Aesthetics Considering Critical Ecologies" class="work-thumbnail" src="https://attachments.academia-assets.com/67644470/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/49260670/Aesthetics_of_the_Earth_Reframing_Relational_Aesthetics_Considering_Critical_Ecologies">Aesthetics of the Earth. Reframing Relational Aesthetics Considering Critical Ecologies</a></div><div class="wp-workCard_item"><span>iii Proceedings of the European Society for Aesthetics, vol. 11, 2019 Proceedings of the European Society for Aesthetics</span><span>, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This paper explores the works of Martinican writer and philosopher Édouard Glissant, focusing on ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This paper explores the works of Martinican writer and philosopher Édouard Glissant, focusing on his conceptions of poetics of relation and poetics of the earth. In doing so, we will critically revisit the notion of Relational Aesthetics as introduced by French curator Nicolas Bourriaud in 1998, tweaking the concept towards a materialist, more-than-human and post-colonial outlook. In proposing an Earthly Relational Aesthetics we will use Glissant’s critiques of colonial capitalism and with a “materialism of encounter” capable of accounting for a poetics immanent to specific situated and earthly, that is, historically informed and materially active, modes of sensation. Drawing on Glissant’s postcolonial writings, we suggest to trouble Western philosophical discourses on aesthetics as continued processes of colonization.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="f38c1d0989ea42a1567ff08b4cf94a45" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":67644470,"asset_id":49260670,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/67644470/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="49260670"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="49260670"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 49260670; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=49260670]").text(description); $(".js-view-count[data-work-id=49260670]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 49260670; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='49260670']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "f38c1d0989ea42a1567ff08b4cf94a45" } } $('.js-work-strip[data-work-id=49260670]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":49260670,"title":"Aesthetics of the Earth. 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Why Sentience? </span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This paper explores the concept of fields of experience as a way to engage with the conditions of...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This paper explores the concept of fields of experience as a way to engage with the conditions of emergence of what we might call sentience. As a process of fielding, sensation and processes of sense-making are of an emergent and entangled quality in the overall ecology of experience. We specifically wish to emphasize the dynamics of the closely interrelated<br />conditions for sensing and sense-making – what we conceptualize as ‘shifting immedations’ - and its affective politics. Rather than transgression, ‘shifting’ foregrounds the sometimes almost imperceptible reorientations of fields of experience that are lived immediately as tendencies and vectors for change (feeling the non-sensuous). In particular, we wish to zoom in on specific practices and technologies that might modulate and reorient such experiential fields. We do so by analyzing two cases that emphasize the emergent relations between digital and interactive technologies and their fielding potential; BERMUDA is an interactive installation that attempts<br />to relay affective intensity into tendencies for collective action, whereas the interventions of etcetera emphasize time-sensitive modulations of experience. Exploring these cases, we ask how experiential fields and shifting immediations might allow us to think and act towards new forms of<br />engaging in a politics of sentience beyond the human subject.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="a1445bbf5956d5bec472d14d5f9b92f8" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":64918563,"asset_id":44486470,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/64918563/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="44486470"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="44486470"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44486470; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=44486470]").text(description); $(".js-view-count[data-work-id=44486470]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 44486470; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='44486470']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "a1445bbf5956d5bec472d14d5f9b92f8" } } $('.js-work-strip[data-work-id=44486470]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":44486470,"title":"Shifting Immediations: Fields of Experience across Media Art and Design","internal_url":"https://www.academia.edu/44486470/Shifting_Immediations_Fields_of_Experience_across_Media_Art_and_Design","owner_id":72430,"coauthors_can_edit":true,"owner":{"id":72430,"first_name":"Christoph","middle_initials":null,"last_name":"Brunner","page_name":"ChristophBrunner","domain_name":"eur","created_at":"2009-10-18T14:28:27.505-07:00","display_name":"Christoph Brunner","url":"https://eur.academia.edu/ChristophBrunner"},"attachments":[{"id":64918563,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/64918563/thumbnails/1.jpg","file_name":"brunner_fritsch_isea2020_shifting_immediation.pdf","download_url":"https://www.academia.edu/attachments/64918563/download_file","bulk_download_file_name":"Shifting_Immediations_Fields_of_Experien.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/64918563/brunner_fritsch_isea2020_shifting_immediation-libre.pdf?1605202028=\u0026response-content-disposition=attachment%3B+filename%3DShifting_Immediations_Fields_of_Experien.pdf\u0026Expires=1739757710\u0026Signature=d0dYGqRgq4gkhNaXdALHf0W3jSgQGYB66wz2RA7PGQlfmENTYEGuKSi8FNM9I4s2mPrD1rwKqhsY~4igKiBVcQMXoEpU81twEqn~n4AQ7wbw1S12RmB5MHUcnoAVtQUQesn8xdGdsnh6eWKqTcArcXFRekqSrKR-rlpmfVoIZq6sKiBK-PhkPKG3tbcIzo2ri8~me3jCSMjR1AWwV~fgbHkN4Iq2XFXgh6fxQn15wDnNw21FBC3J96cQ5O9dubnFxy1Cly-Jj4EVIObixIfob4~fvtH-B~AU3hesx2x3-3QnOFZHwQy5hLpwedAVZ18uSWNB6sadhBigkQmsbbSeTg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="36327271"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/36327271/Activist_Sense_Affective_Media_Practices_during_the_G20_Summit_in_Hamburg"><img alt="Research paper thumbnail of Activist Sense: Affective Media Practices during the G20 Summit in Hamburg" class="work-thumbnail" src="https://attachments.academia-assets.com/56234837/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/36327271/Activist_Sense_Affective_Media_Practices_during_the_G20_Summit_in_Hamburg">Activist Sense: Affective Media Practices during the G20 Summit in Hamburg</a></div><div class="wp-workCard_item"><span>transversal</span><span>, 2018</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This article deals with the affective media practices of the international alternative media cent...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This article deals with the affective media practices of the international alternative media center FC/MC during the G20 Summit in Hamburg. Activist sense defines a sensuous mode of activation immanent to contemporary media ecologies, hwere the composition of sense occurs beyond the discursive realm. The article develops the notion of activist sense and affective relaying to provide a conceptual approach towards the affective  politics of social movements translocal and techopolitical media practices.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="439b7e0a4a06684c53dba5aa98bf1c25" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":56234837,"asset_id":36327271,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/56234837/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="36327271"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="36327271"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 36327271; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="38021037"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/38021037/Anarchive_k%C3%BCnstlerischer_Forschung_Vom_Umgang_mit_Archiven_experimenteller_und_forschender_Kunst"><img alt="Research paper thumbnail of Anarchive künstlerischer Forschung. Vom Umgang mit Archiven experimenteller und forschender Kunst" class="work-thumbnail" src="https://attachments.academia-assets.com/61629588/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/38021037/Anarchive_k%C3%BCnstlerischer_Forschung_Vom_Umgang_mit_Archiven_experimenteller_und_forschender_Kunst">Anarchive künstlerischer Forschung. Vom Umgang mit Archiven experimenteller und forschender Kunst</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://eur.academia.edu/ChristophBrunner">Christoph Brunner</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://uzh.academia.edu/MichaelHiltbrunner">Michael Hiltbrunner</a></span></div><div class="wp-workCard_item"><span>Archivalische Zeitschrift 95 (2017), pp. 175–190</span><span>, 2017</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="f027160af240ff3f14f6297741bda5a7" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":61629588,"asset_id":38021037,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/61629588/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="38021037"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="38021037"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 38021037; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=38021037]").text(description); $(".js-view-count[data-work-id=38021037]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 38021037; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='38021037']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "f027160af240ff3f14f6297741bda5a7" } } $('.js-work-strip[data-work-id=38021037]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":38021037,"title":"Anarchive künstlerischer Forschung. Vom Umgang mit Archiven experimenteller und forschender Kunst","internal_url":"https://www.academia.edu/38021037/Anarchive_k%C3%BCnstlerischer_Forschung_Vom_Umgang_mit_Archiven_experimenteller_und_forschender_Kunst","owner_id":4938257,"coauthors_can_edit":true,"owner":{"id":4938257,"first_name":"Michael","middle_initials":null,"last_name":"Hiltbrunner","page_name":"MichaelHiltbrunner","domain_name":"uzh","created_at":"2013-07-23T22:34:37.428-07:00","display_name":"Michael Hiltbrunner","url":"https://uzh.academia.edu/MichaelHiltbrunner"},"attachments":[{"id":61629588,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/61629588/thumbnails/1.jpg","file_name":"_Archivalische_Zeitschrift__Anarchive_knstlerischer_Forschung._Vom_Umgang_mit_Archiven_experimenteller_und_forschender_Kunst.pdf","download_url":"https://www.academia.edu/attachments/61629588/download_file","bulk_download_file_name":"Anarchive_kunstlerischer_Forschung_Vom_U.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/61629588/_Archivalische_Zeitschrift__Anarchive_knstlerischer_Forschung._Vom_Umgang_mit_Archiven_experimenteller_und_forschender_Kunst-libre.pdf?1577621399=\u0026response-content-disposition=attachment%3B+filename%3DAnarchive_kunstlerischer_Forschung_Vom_U.pdf\u0026Expires=1739503426\u0026Signature=c3kC~xtFIAMZ~oNYjMI8PBybY5vUMpu4wqx7tWzKRGH5KeazmTuIzlIoYTFvhbbmFFSt0riuUUHO4V3hklolpx5THw5eqKb05yXDCWMyVAj~NQlExIw2kRZWDYfMT3MLpiD6DZ4MHHICFuou2SHI1Nbssta2gLMWx6pSNW6PWhbB-zvPaTAc-mSvdFCO-M20eL6klh9bqlT4-r9JU44rIlt-Ik2bLS2-pEn5hwWRv1Ixjy7jS88aEED79gpk56Brb0I7kIJfTQncV0FOMjl1K4V3qR7zwj9IYbrYuU7noTe0WfHDLaJsU3~5AFUcppAhTikkWMibAH989EZgGkz63Q__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="16696279"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/16696279/Affective_Politics_of_Sensation_Anonymity_and_Transtemporal_Activism_in_Argentina"><img alt="Research paper thumbnail of Affective Politics of Sensation: Anonymity and Transtemporal Activism in Argentina" class="work-thumbnail" src="https://attachments.academia-assets.com/39124606/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/16696279/Affective_Politics_of_Sensation_Anonymity_and_Transtemporal_Activism_in_Argentina">Affective Politics of Sensation: Anonymity and Transtemporal Activism in Argentina</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Th is article deals with the aesthetic mobilization of anonymity in Argentine activist practices....</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Th is article deals with the aesthetic mobilization of anonymity in Argentine activist practices. Focusing on the specific intervention of El Siluetazo, the public drawing and placarding of nameless  silhouettes during the military dictatorship from 1976 to 1983, anonymity will be explored as instigating an aff ective politics of sensation. Different from the human rights discourse on disappearance, which is concerned with politics of identifi cation<br />of the disappeared and the repressors, anonymity off ers forms of aff ective relaying beyond identity. Th e logic of identity will be discussed in relation to a “distribution of the sensible” that takes aesthetics of sense perception as the target of control (Rancière, 2004). Th rough investigating the silhouettes not as a universal signifi er of disappearance but as an aesthetic expression potentially moving across space and time, I will unfold a media ecological conception of activist practices and their capacities of activating transtemporal forms of resistance.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="faff16dd07830d9b4c3eb893f16716e5" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":39124606,"asset_id":16696279,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/39124606/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="16696279"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="16696279"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 16696279; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="191727" id="books"><div class="js-work-strip profile--work_container" data-work-id="76258064"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/76258064/Texturing_Space_Towards_an_Exponential_Cartography_Introduction"><img alt="Research paper thumbnail of Texturing Space - Towards an Exponential Cartography. Introduction" class="work-thumbnail" src="https://attachments.academia-assets.com/83973538/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/76258064/Texturing_Space_Towards_an_Exponential_Cartography_Introduction">Texturing Space - Towards an Exponential Cartography. Introduction</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://eur.academia.edu/ChristophBrunner">Christoph Brunner</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/Am%C3%A9lieBrissonDarveau">Amélie Brisson-Darveau</a></span></div><div class="wp-workCard_item"><span>Texturing Space - Towards an Exponential Cartography</span><span>, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Texture is a minor concept in the fields of art, philosophy, and design. Many writings and artist...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Texture is a minor concept in the fields of art, philosophy, and design. Many writings and artistic/design works explore the texture of something, but in itself texture receives less attention. Texturing Space draws a cartography of texture and practices of texturing across different spaces and modes of thinking and making. Comprising approaches from art, urban and interaction design, cultural and media theory, philosophy, and sociology, the contributions to this volume provide nuanced understandings of texture and its potential value for creative experimentation. Building on practice-based experiences in Zurich and Hong Kong, the book explores translocal and transcultural modes of collaboration, pedagogical techniques, and manifold ways of engaging urban textures through the use of a mobile lab. Built around three planes—diagramming, relating, belonging—the gathered materials contribute to an exponential cartography of texture and texturing as key techniques and approaches for research-creation (artistic research).<br /><br />With contributions by Amelie Brisson-Darveau, Christoph Brunner, Nicole De Brabandere, Sher Doruff, Rosamund Ender, Marius Förster, Karmen Franinovic, Diego Gil, Roman Kirschner, Nuria Krämer, Yanki Lee, Mariana Marcassa, Patrick Müller, Erin Manning, Brian Massumi, Toni Pape, Peter Tränkle, Jana Vanecek</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="39273e0c43767683ccd10a11407b288c" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":83973538,"asset_id":76258064,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/83973538/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="76258064"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="76258064"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 76258064; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=76258064]").text(description); $(".js-view-count[data-work-id=76258064]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 76258064; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='76258064']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "39273e0c43767683ccd10a11407b288c" } } $('.js-work-strip[data-work-id=76258064]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":76258064,"title":"Texturing Space - Towards an Exponential Cartography. 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Eine kritische Situierung</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://akbild.academia.edu/RuthSonderegger">Ruth Sonderegger</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://eur.academia.edu/ChristophBrunner">Christoph Brunner</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="da946f698d4b82fc9186d90e99f9a7a5" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":62980061,"asset_id":42758810,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/62980061/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="42758810"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="42758810"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 42758810; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=42758810]").text(description); $(".js-view-count[data-work-id=42758810]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 42758810; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='42758810']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "da946f698d4b82fc9186d90e99f9a7a5" } } $('.js-work-strip[data-work-id=42758810]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":42758810,"title":"Polyphone Ästhetik. 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Eine kritische Situierung" class="work-thumbnail" src="https://attachments.academia-assets.com/63563377/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/41942935/Polyphone_%C3%84sthetik_Eine_kritische_Situierung">Polyphone Ästhetik. Eine kritische Situierung</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://dieangewandte.academia.edu/sofiabempeza">sofia bempeza</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://zhdk.academia.edu/InesKleesattel">Ines Kleesattel</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://eur.academia.edu/ChristophBrunner">Christoph Brunner</a></span></div><div class="wp-workCard_item"><span>Polyphone Ästhetik. Eine kritische Situierung</span><span>, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Eine polyphone Ästhetik erwächst aus der Dringlichkeit und der Freude, mit verschiedenen Stimmen ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Eine polyphone Ästhetik erwächst aus der Dringlichkeit und der Freude, mit verschiedenen Stimmen zu arbeiten und durch heterogene Positionen zu denken, ohne die Differenzen, die der Polyphonie immanent sind, zu neutralisieren. In diesem Sinne möchte das vorliegende Buch den selbstgerechten Autoritätsanspruch der westlichen Ästhetik unterwandern und produktiv verunsichern. Zugleich folgt es dem Begehren nach kollektiven Formen des sinnesbezogenen Denkens und Arbeitens. Seine Beiträge befassen sich mit so unterschiedlichen ästhetischen Dimensionen wie den (post-)kolonialen Implikationen der documenta 14 in Athen, dem Rassismus von Kants Ästhetik, kultureller Aneignung in der Popmusik, Dirty Aesthetics oder dekolonialer Affektivität, wobei auch ko-autor*innenschaftliche und kollektiv gegendisziplinäre Formen des Theoretisierens erprobt werden. Seine besondere Relevanz erweist der Band nicht zuletzt vor dem Hintergrund einer zunehmend gewaltvollen Aneignung ästhetischer Praktiken und Theorien durch die (Neue) Rechte, der es klar entgegenzutreten gilt. In diesem Sinne impliziert Polyphonie ein politisches Sprechen, das seine Stärke darin findet, sich in seiner Positionierung angreifbar zu machen sowie in seiner ästhetischen Offenheit unabgeschlossen zu bleiben. <br /> <br />Authors: Sofia Bempeza, Christoph Brunner, Katharina Hausladen, Ines Kleesattel, Ruth Sonderegger. Wien: transversal texts, Dezember 2019</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="e58c0af7dd628f75c275e81166451702" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":63563377,"asset_id":41942935,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/63563377/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="41942935"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="41942935"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 41942935; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=41942935]").text(description); $(".js-view-count[data-work-id=41942935]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 41942935; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='41942935']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "e58c0af7dd628f75c275e81166451702" } } $('.js-work-strip[data-work-id=41942935]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":41942935,"title":"Polyphone Ästhetik. 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In so unterschiedlichen Feldern wie finanziellen Derivaten und Kryptowährungen, digitalen Schnitten und Data Doubles, biometrischen Filmbildern und sozialen Medien werden Technologien zu Umwelt, Umhüllung, Umgebung.<br /><br />Mit dem Begriffsvorschlag „Technökologien“ und Beispielen aus der Medienarchäologie der 1990er und 2000er Jahre, vor allem aber anhand der Untersuchung konkreter aktueller Praxen versucht das vorliegende Buch, diesen Verschiebungen gerecht zu werden: In der Mitte der technökologischen Subjektivierung, die nicht selten die Form von Wut, Angst, Hass und Häme annimmt, ergeben sich auch neue Weisen der Affizierung, neue Äußerungsweisen, neue Verhältnissetzungen von Technopolitik und sozialer Bewegung.<br /><br />Mit Beiträgen von: Christoph Brunner, Marco Deseriis, Katrin M. Kämpf und Christina Rogers, Brigitta Kuster, Stamatia Portanova, Gerald Raunig, Álvaro Ruiz, Raúl Sánchez Cedillo</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="2b9c9f2b36a23d1c5e5cafaf268cf310" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":65675486,"asset_id":45109986,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/65675486/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="45109986"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="45109986"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 45109986; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="31045696"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/31045696/The_Go_To_How_To_Book_of_Anarchiving_Portrait_"><img alt="Research paper thumbnail of The Go-To How To Book of Anarchiving (Portrait)" class="work-thumbnail" src="https://attachments.academia-assets.com/51479092/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/31045696/The_Go_To_How_To_Book_of_Anarchiving_Portrait_">The Go-To How To Book of Anarchiving (Portrait)</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" rel="nofollow" href="https://independent.academia.edu/AMurphie">Andrew Murphie</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://eur.academia.edu/ChristophBrunner">Christoph Brunner</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://concordia.academia.edu/JMason">Joel E Mason</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://theplace.academia.edu/emilyjeffries">emily jeffries</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unl-pt.academia.edu/ErikBordeleau">Erik Bordeleau</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://uniarts.academia.edu/FranciscoTrento">Francisco Trento</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://concordia.academia.edu/Andr%C3%A9AriasFoglianodeSouzaCunha">André Arias Fogliano de Souza Cunha</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/LoneBertelsen">Lone Bertelsen</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://latrobe.academia.edu/AndrewGoodman">Andrew Goodman</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This book was produced in a Book Sprint at the Senselab, Concordia's Distributing the Insensible ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This book was produced in a Book Sprint at the Senselab, Concordia's Distributing the Insensible event in December 2016. It's an attempt to explain the anarchive in a useful and practical way, for a lot of different contexts outside the academy. NB: there are more authors in the book who aren't on this platform. There are links to landscape and Print-on-Demand versions here: <a href="http://senselab.ca/wp2/immediations/upcoming-distributing-the-insensible-dec-10-20-2016/the-go-to-how-to-guide-to-anarchiving/" rel="nofollow">http://senselab.ca/wp2/immediations/upcoming-distributing-the-insensible-dec-10-20-2016/the-go-to-how-to-guide-to-anarchiving/</a>. And all the other books are here: <a href="http://senselab.ca/wp2/immediations/upcoming-distributing-the-insensible-dec-10-20-2016/" rel="nofollow">http://senselab.ca/wp2/immediations/upcoming-distributing-the-insensible-dec-10-20-2016/</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="13613e38b4b38e21b88be8091458cb0a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":51479092,"asset_id":31045696,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/51479092/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="31045696"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="31045696"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 31045696; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="1472084"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/1472084/Practices_of_Experimentation_Research_and_Teaching_in_the_Arts_Today"><img alt="Research paper thumbnail of Practices of Experimentation: Research and Teaching in the Arts Today" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/1472084/Practices_of_Experimentation_Research_and_Teaching_in_the_Arts_Today">Practices of Experimentation: Research and Teaching in the Arts Today</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Practices of experimentation lie at the heart of creative research and teaching in higher educati...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Practices of experimentation lie at the heart of creative research and teaching in higher education in arts. The Department of Art & Media at Zurich University of the Arts offers a unique teaching and research environment as a laboratory of converging and diverging practices of experimentation. Practices of Experimentation investigates how the different fields of fine arts, photography, media arts and theory interlace with each other, inspire and differentiate one and another. <br />The book presents 18 positions in text and image by theorists and artists. They ask how practices of experimentation are able to unfold, take position and enquire current discourses on artistic creation, the relation between art schools and society, the specific production of knowledge in the arts and the particularities of inter- and trans-disciplinary teaching and research in the arts. <br />Contains essays by Essays by Ute Meta Bauer, Maria Eichhorn, Knowbotic Research, Jorg Huber, Marianne Mueller, Gerald Raunig, Nils Roller, Richard Wentworth, Christoph Brunner, Roberto Nigro, Felix Stalder, Elke Bippus, Heiner Goebbels and Giaco Schiesser.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="1472084"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="1472084"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 1472084; 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dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=1472084]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":1472084,"title":"Practices of Experimentation: Research and Teaching in the Arts Today","internal_url":"https://www.academia.edu/1472084/Practices_of_Experimentation_Research_and_Teaching_in_the_Arts_Today","owner_id":72430,"coauthors_can_edit":true,"owner":{"id":72430,"first_name":"Christoph","middle_initials":null,"last_name":"Brunner","page_name":"ChristophBrunner","domain_name":"eur","created_at":"2009-10-18T14:28:27.505-07:00","display_name":"Christoph Brunner","url":"https://eur.academia.edu/ChristophBrunner"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="85134" id="articles"><div class="js-work-strip profile--work_container" data-work-id="125720359"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/125720359/From_Energy_Humanities_to_Human_Energetics_The_Noetics_of_Approximate_Knowledge_in_the_work_of_Gilbert_Simondon"><img alt="Research paper thumbnail of From Energy Humanities to Human Energetics: The Noetics of Approximate Knowledge in the work of Gilbert Simondon" class="work-thumbnail" src="https://attachments.academia-assets.com/119712001/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/125720359/From_Energy_Humanities_to_Human_Energetics_The_Noetics_of_Approximate_Knowledge_in_the_work_of_Gilbert_Simondon">From Energy Humanities to Human Energetics: The Noetics of Approximate Knowledge in the work of Gilbert Simondon</a></div><div class="wp-workCard_item"><span>Noetics Without a Mind</span><span>, 2024</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">In this article we engage with the concepts of energy, human energetics, and potential energy as ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In this article we engage with the concepts of energy, human energetics, and potential energy as they occur in Gilbert Simondon’s 1960 lecture ‘Form, Information, and Potentials’. In this lecture Simondon proposes a reconsideration of the humanities towards what he terms a human Science. His proposition deploys the notion of ‘approximate knowledge’ – a knowledge that Simondon relates to the natural sciences and in particular physics’ consideration of potentiality. In our article we explore how Simondon’s conception of energy resonates with and differs from debates in the energy humanities, ending with preliminary ideas of further implications of a human energetics and the noetics of approximate knowledge.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="514de622b8a561e3d24e22d8d5d5efa6" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":119712001,"asset_id":125720359,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/119712001/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="125720359"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="125720359"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 125720359; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="122848472"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/122848472/Affect_Aesthetics_and_Activism_An_Interview_with_Dr_Christoph_Brunner"><img alt="Research paper thumbnail of Affect, Aesthetics, and Activism: An Interview with Dr. Christoph Brunner" class="work-thumbnail" src="https://attachments.academia-assets.com/117425202/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/122848472/Affect_Aesthetics_and_Activism_An_Interview_with_Dr_Christoph_Brunner">Affect, Aesthetics, and Activism: An Interview with Dr. Christoph Brunner</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://eur.academia.edu/ChristophBrunner">Christoph Brunner</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://eur.academia.edu/GeorginaAr%C3%A1nzazuDijkstra">Georgina Aránzazu Dijkstra</a></span></div><div class="wp-workCard_item"><span>Erasmus Student Journal of Philosophy</span><span>, 2024</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="d15fd9ce6451c15c2407c92a497dd34d" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":117425202,"asset_id":122848472,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/117425202/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="122848472"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="122848472"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 122848472; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="120636806"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/120636806/Human_Energetics_in_an_Era_of_Post_Humanism"><img alt="Research paper thumbnail of Human Energetics in an Era of Post-Humanism" class="work-thumbnail" src="https://attachments.academia-assets.com/115723132/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/120636806/Human_Energetics_in_an_Era_of_Post_Humanism">Human Energetics in an Era of Post-Humanism</a></div><div class="wp-workCard_item"><span>ISEA 2023 Proceedings</span><span>, 2024</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">French philosopher of technology Gilbert Simondon is undoubtedly one of the key figures when it c...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">French philosopher of technology Gilbert Simondon is undoubtedly one of the key figures when it comes to conceptualizing individuation across physical, mental and social strata. In this article, we develop a rather overlooked aspect of Simondon’s work, namely how his ontogenetic project also implies an idea of a “human science” based on a “human energetics,” which—maybe in spite of its name—is an inherently transhumanist project transducing across both disciplinary and experiential fields, with a particular emphasis on the role of technology. We present key concepts in Simondon’s work and relate them to lines of thinking on energies in the arts (Kahn) and post-colonialism (Wynter), exemplified through an analysis of Nigerian artist Otobong Nkanga’s video work “Remains of the Green Hill.” Our primary aim with the article is to continue a mobilization of Simondonian concepts and thinking for an experimental, transhumanist exploration in relation to its ethico-aesthetic and artistic potential.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="d1e29698cfab1cdf5f18eb47fbf799b1" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":115723132,"asset_id":120636806,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/115723132/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="120636806"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="120636806"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 120636806; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="108054803"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/108054803/The_Politics_of_Undoing_The_Movement_of_Activist_Sense"><img alt="Research paper thumbnail of The Politics of Undoing: The Movement of Activist Sense" class="work-thumbnail" src="https://attachments.academia-assets.com/106543183/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/108054803/The_Politics_of_Undoing_The_Movement_of_Activist_Sense">The Politics of Undoing: The Movement of Activist Sense</a></div><div class="wp-workCard_item"><span>Taking Sides Theories, Practices, and Cultures of Participation in Dissent</span><span>, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The Article deals with the interrelations between embodied materiality and mediated resistance in...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The Article deals with the interrelations between embodied materiality and mediated resistance in translocal social movements. It develops the term "activist sense" as an analytic tool for thinking translocal and transversal forms of protest with and through media technologies and their specific aesthetics. Engaging Hannah Arendt's notion of "spaces of appearance" and Judith Butler's expansion of Arendt's work in her own writing on assemblies and "bodies in alliance" the article adds a specific affective reading of mediated forms of social protest. By doing so it asks, how to relay resistance at a distance and how to circumvent an informational abstraction in light of a materialist conception of the media aesthetics of protest.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="665b4cf14671cb5a4e9e9c33c12a3b4e" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":106543183,"asset_id":108054803,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/106543183/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="108054803"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="108054803"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 108054803; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="92279945"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/92279945/Concatenated_Commons_and_Operational_Aesthetics"><img alt="Research paper thumbnail of Concatenated Commons and Operational Aesthetics" class="work-thumbnail" src="https://attachments.academia-assets.com/95330072/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/92279945/Concatenated_Commons_and_Operational_Aesthetics">Concatenated Commons and Operational Aesthetics</a></div><div class="wp-workCard_item"><span>OnCurating - documenta fiteen-Aspects of Commoning in Curatorial and Artistic Practices</span><span>, 2022</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This article deals with the specific potentials of what I call an operational aesthetics as part ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This article deals with the specific potentials of what I call an operational aesthetics as part and parcel of alternative online video platforms. These platforms, I will argue, engage in operative logics of programming and interface design as well as a merger of data and metadata with the aim to resist capitalist modes of value extraction tied to the digital image. I will particularly look at the platforms 0xDB and pad.ma as projects dedicated to collaborative practices of collecting, sharing and remodeling vast databases of moving images in relation to cinema (0xDB) and to activist film making and discourse around digital film archives (pad.ma). Key to both platforms is the operative logic of timelines that allow engagement with the object in an asynchronous, texturally annotated and heavily flow-based appearance. <br /> <br />A slightly different version of this text first appeared in Aesthetics of the Commons, ed. by Cornelia Sollfrank, Felix Stadler and Shusha Niederberger, Zurich/Berlin: diaphanes, 2021, p. 241-269.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="87f97c604be2e8c59acaaccc65f97d2f" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":95330072,"asset_id":92279945,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/95330072/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="92279945"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="92279945"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 92279945; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="76115217"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/76115217/Zwischen_Animismus_und_Animation_Krieg_und_Virtual_Reality_bei_Harun_Farocki"><img alt="Research paper thumbnail of Zwischen Animismus und Animation. Krieg und (Virtual) Reality bei Harun Farocki." class="work-thumbnail" src="https://attachments.academia-assets.com/83788167/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/76115217/Zwischen_Animismus_und_Animation_Krieg_und_Virtual_Reality_bei_Harun_Farocki">Zwischen Animismus und Animation. Krieg und (Virtual) Reality bei Harun Farocki.</a></div><div class="wp-workCard_item"><span>Affizierungs- und Teilhabeprozesse zwischen Organismen und Maschinen</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Animation und computergenerierte Animationstechnologien halten allgegenwärtig Einzug in die media...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Animation und computergenerierte Animationstechnologien halten allgegenwärtig Einzug in die medial-sinnlichen Umwelten unserer Gegenwart.<br />Dies gilt insbesondere für Animationstechnologien, die zu militärischen Simulationszwecken entwickelt und verwendet werden und sich in ihrer Ästhetik kaum von Computerspielen und Filmanimationen unterscheiden.<br />In Anlehnung an Harun Farockis vierteilige Videoinstallation Ernste Spiele<br />I-IV/Serious Games I-IV sollen die ästhetischen und politischen Dimensionen<br />der Animation in der modernen Kriegsführung untersucht werden. Entgegen<br />klassischerer Medientheorien der Simulation und Virtualität wird Animation als kulturelles Paradigma und in Verbindung mit einem generellen Animismus, sprich der Bewegtheit von Materie, in seiner ethisch-ästhetischen Relevanz befragt.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="25170235e6cfda739c27588113b3ffae" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":83788167,"asset_id":76115217,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/83788167/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="76115217"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="76115217"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 76115217; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=76115217]").text(description); $(".js-view-count[data-work-id=76115217]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 76115217; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='76115217']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "25170235e6cfda739c27588113b3ffae" } } $('.js-work-strip[data-work-id=76115217]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":76115217,"title":"Zwischen Animismus und Animation. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="45109948"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/45109948/Concatenated_Commons_and_Operational_Aesthetics"><img alt="Research paper thumbnail of Concatenated Commons and Operational Aesthetics" class="work-thumbnail" src="https://attachments.academia-assets.com/65675444/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/45109948/Concatenated_Commons_and_Operational_Aesthetics">Concatenated Commons and Operational Aesthetics</a></div><div class="wp-workCard_item"><span>Aesthetics of the Commons</span><span>, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Exploring two alternative video platforms OxDB and Pad.ma thisarticle explores the potentials of ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Exploring two alternative video platforms OxDB and Pad.ma thisarticle explores the potentials of collaborative forms of platofrmization and their operational aesthetics deviating from the redundant formalizations of experience in mainstream social media.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="11aeb4246d9ace568590a3b715ac7b80" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":65675444,"asset_id":45109948,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/65675444/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="45109948"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="45109948"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 45109948; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="43576347"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/43576347/_Making_Sense_Aesthetic_Counterpowers_in_Activist_Media_Practices"><img alt="Research paper thumbnail of ‘Making Sense’: Aesthetic Counterpowers in Activist Media Practices" class="work-thumbnail" src="https://attachments.academia-assets.com/63881836/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/43576347/_Making_Sense_Aesthetic_Counterpowers_in_Activist_Media_Practices">‘Making Sense’: Aesthetic Counterpowers in Activist Media Practices</a></div><div class="wp-workCard_item"><span>Conjunctions. Transdisciplinary Journal of Cultural Participation</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This article engages with the activities of the alternative international media centre FC/MC whic...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This article engages with the activities of the alternative international media centre FC/MC which was established and operated during the 2017 G20-Summit in Hamburg. Rather than following established narratives on alternative media or mobilising discourses on aesthetics of resistance in the arts, the specific operational logics of affective and preemptive politics of perception define the main scope of developing what is termed “activist sense” and the emergence of potential “aesthetic counterpowers” as part and parcel of an affective politics of perception. Drawing on the conception of affect in social media studies and on the notions of field and information in the works of gilbert Simondon, the FC/MC will be analysed as a building block in the overall infrastructure of affective resistance against dominant and platform-based narratives of violence and threat amplified by mainstream media. Through a field-based conception of affect and perception, the question of “making-sense” takes on a pervasive yet potentially more inclusive and activating dimension of future forms of media-infused modes of resistance.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="24e3cf864f8b57ba58ce44310aed5389" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":63881836,"asset_id":43576347,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/63881836/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="43576347"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="43576347"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 43576347; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="70017698"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/70017698/From_Critique_to_Problems_and_the_Politics_of_the_In_act_with_Bergson_Deleuze_and_James"><img alt="Research paper thumbnail of From Critique to Problems and the Politics of the In-act with Bergson, Deleuze and James" class="work-thumbnail" src="https://attachments.academia-assets.com/79904038/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/70017698/From_Critique_to_Problems_and_the_Politics_of_the_In_act_with_Bergson_Deleuze_and_James">From Critique to Problems and the Politics of the In-act with Bergson, Deleuze and James</a></div><div class="wp-workCard_item"><span>Thinking the Problematic</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Taking down our critique, our own positions, our fortifications, is self-defense alloyed with sel...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Taking down our critique, our own positions, our fortifications, is self-defense alloyed with self-preservation. That takedown comes in movement, as a shawl, the armor of flight. We run looking for a weapon and keep running looking to drop it. And we can drop it, because however armed, however hard, the enemy we face is also illusory.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="899cdf440ccce23ebc128dfa53f7aae7" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":79904038,"asset_id":70017698,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/79904038/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="70017698"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="70017698"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 70017698; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=70017698]").text(description); $(".js-view-count[data-work-id=70017698]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 70017698; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='70017698']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "899cdf440ccce23ebc128dfa53f7aae7" } } $('.js-work-strip[data-work-id=70017698]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":70017698,"title":"From Critique to Problems and the Politics of the In-act with Bergson, Deleuze and James","internal_url":"https://www.academia.edu/70017698/From_Critique_to_Problems_and_the_Politics_of_the_In_act_with_Bergson_Deleuze_and_James","owner_id":72430,"coauthors_can_edit":true,"owner":{"id":72430,"first_name":"Christoph","middle_initials":null,"last_name":"Brunner","page_name":"ChristophBrunner","domain_name":"eur","created_at":"2009-10-18T14:28:27.505-07:00","display_name":"Christoph Brunner","url":"https://eur.academia.edu/ChristophBrunner"},"attachments":[{"id":79904038,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/79904038/thumbnails/1.jpg","file_name":"pdf.pdf","download_url":"https://www.academia.edu/attachments/79904038/download_file","bulk_download_file_name":"From_Critique_to_Problems_and_the_Politi.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/79904038/pdf-libre.pdf?1643544402=\u0026response-content-disposition=attachment%3B+filename%3DFrom_Critique_to_Problems_and_the_Politi.pdf\u0026Expires=1739757710\u0026Signature=N6GHayjLsfqavMewBIF9Jjc~Wwt8qvliMcobktnZITAGFvUI8MB8b7QUPtz8iAWDuXNn1JWXDCBM9g4DcWTMlGVWkI5~rCh2pB8xgXlUgHuMOhaTG0t5gnrTXakNjtQMH6pgM50zwCPxsisu7F-nzHUPPSRxHBUHKyASnMDgGK3sJej2nAfLy9rTOoV0ajW4F8f06GvFgWMsPHphgmyn-VxlALDM6o3kJsiafecQNn~T8iQQ-9sxKI9oQqr-T518AYRL3TURFYsg5bHSqOlrE3hGKw4cA6iteG8s8-tQG14cnofaMut0~df1FFCR~hpfe5cgfR1FY4bJrb0epllhLQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="49260670"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/49260670/Aesthetics_of_the_Earth_Reframing_Relational_Aesthetics_Considering_Critical_Ecologies"><img alt="Research paper thumbnail of Aesthetics of the Earth. Reframing Relational Aesthetics Considering Critical Ecologies" class="work-thumbnail" src="https://attachments.academia-assets.com/67644470/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/49260670/Aesthetics_of_the_Earth_Reframing_Relational_Aesthetics_Considering_Critical_Ecologies">Aesthetics of the Earth. Reframing Relational Aesthetics Considering Critical Ecologies</a></div><div class="wp-workCard_item"><span>iii Proceedings of the European Society for Aesthetics, vol. 11, 2019 Proceedings of the European Society for Aesthetics</span><span>, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This paper explores the works of Martinican writer and philosopher Édouard Glissant, focusing on ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This paper explores the works of Martinican writer and philosopher Édouard Glissant, focusing on his conceptions of poetics of relation and poetics of the earth. In doing so, we will critically revisit the notion of Relational Aesthetics as introduced by French curator Nicolas Bourriaud in 1998, tweaking the concept towards a materialist, more-than-human and post-colonial outlook. In proposing an Earthly Relational Aesthetics we will use Glissant’s critiques of colonial capitalism and with a “materialism of encounter” capable of accounting for a poetics immanent to specific situated and earthly, that is, historically informed and materially active, modes of sensation. Drawing on Glissant’s postcolonial writings, we suggest to trouble Western philosophical discourses on aesthetics as continued processes of colonization.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="f38c1d0989ea42a1567ff08b4cf94a45" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":67644470,"asset_id":49260670,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/67644470/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="49260670"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="49260670"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 49260670; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=49260670]").text(description); $(".js-view-count[data-work-id=49260670]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 49260670; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='49260670']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "f38c1d0989ea42a1567ff08b4cf94a45" } } $('.js-work-strip[data-work-id=49260670]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":49260670,"title":"Aesthetics of the Earth. 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Why Sentience? </span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This paper explores the concept of fields of experience as a way to engage with the conditions of...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This paper explores the concept of fields of experience as a way to engage with the conditions of emergence of what we might call sentience. As a process of fielding, sensation and processes of sense-making are of an emergent and entangled quality in the overall ecology of experience. We specifically wish to emphasize the dynamics of the closely interrelated<br />conditions for sensing and sense-making – what we conceptualize as ‘shifting immedations’ - and its affective politics. Rather than transgression, ‘shifting’ foregrounds the sometimes almost imperceptible reorientations of fields of experience that are lived immediately as tendencies and vectors for change (feeling the non-sensuous). In particular, we wish to zoom in on specific practices and technologies that might modulate and reorient such experiential fields. We do so by analyzing two cases that emphasize the emergent relations between digital and interactive technologies and their fielding potential; BERMUDA is an interactive installation that attempts<br />to relay affective intensity into tendencies for collective action, whereas the interventions of etcetera emphasize time-sensitive modulations of experience. Exploring these cases, we ask how experiential fields and shifting immediations might allow us to think and act towards new forms of<br />engaging in a politics of sentience beyond the human subject.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="a1445bbf5956d5bec472d14d5f9b92f8" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":64918563,"asset_id":44486470,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/64918563/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="44486470"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="44486470"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44486470; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=44486470]").text(description); $(".js-view-count[data-work-id=44486470]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 44486470; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='44486470']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="36327271"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/36327271/Activist_Sense_Affective_Media_Practices_during_the_G20_Summit_in_Hamburg"><img alt="Research paper thumbnail of Activist Sense: Affective Media Practices during the G20 Summit in Hamburg" class="work-thumbnail" src="https://attachments.academia-assets.com/56234837/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/36327271/Activist_Sense_Affective_Media_Practices_during_the_G20_Summit_in_Hamburg">Activist Sense: Affective Media Practices during the G20 Summit in Hamburg</a></div><div class="wp-workCard_item"><span>transversal</span><span>, 2018</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This article deals with the affective media practices of the international alternative media cent...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This article deals with the affective media practices of the international alternative media center FC/MC during the G20 Summit in Hamburg. Activist sense defines a sensuous mode of activation immanent to contemporary media ecologies, hwere the composition of sense occurs beyond the discursive realm. The article develops the notion of activist sense and affective relaying to provide a conceptual approach towards the affective  politics of social movements translocal and techopolitical media practices.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="439b7e0a4a06684c53dba5aa98bf1c25" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":56234837,"asset_id":36327271,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/56234837/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="36327271"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="36327271"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 36327271; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="38021037"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/38021037/Anarchive_k%C3%BCnstlerischer_Forschung_Vom_Umgang_mit_Archiven_experimenteller_und_forschender_Kunst"><img alt="Research paper thumbnail of Anarchive künstlerischer Forschung. Vom Umgang mit Archiven experimenteller und forschender Kunst" class="work-thumbnail" src="https://attachments.academia-assets.com/61629588/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/38021037/Anarchive_k%C3%BCnstlerischer_Forschung_Vom_Umgang_mit_Archiven_experimenteller_und_forschender_Kunst">Anarchive künstlerischer Forschung. Vom Umgang mit Archiven experimenteller und forschender Kunst</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://eur.academia.edu/ChristophBrunner">Christoph Brunner</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://uzh.academia.edu/MichaelHiltbrunner">Michael Hiltbrunner</a></span></div><div class="wp-workCard_item"><span>Archivalische Zeitschrift 95 (2017), pp. 175–190</span><span>, 2017</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="f027160af240ff3f14f6297741bda5a7" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":61629588,"asset_id":38021037,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/61629588/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="38021037"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="38021037"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 38021037; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=38021037]").text(description); $(".js-view-count[data-work-id=38021037]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 38021037; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='38021037']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "f027160af240ff3f14f6297741bda5a7" } } $('.js-work-strip[data-work-id=38021037]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":38021037,"title":"Anarchive künstlerischer Forschung. Vom Umgang mit Archiven experimenteller und forschender Kunst","internal_url":"https://www.academia.edu/38021037/Anarchive_k%C3%BCnstlerischer_Forschung_Vom_Umgang_mit_Archiven_experimenteller_und_forschender_Kunst","owner_id":4938257,"coauthors_can_edit":true,"owner":{"id":4938257,"first_name":"Michael","middle_initials":null,"last_name":"Hiltbrunner","page_name":"MichaelHiltbrunner","domain_name":"uzh","created_at":"2013-07-23T22:34:37.428-07:00","display_name":"Michael Hiltbrunner","url":"https://uzh.academia.edu/MichaelHiltbrunner"},"attachments":[{"id":61629588,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/61629588/thumbnails/1.jpg","file_name":"_Archivalische_Zeitschrift__Anarchive_knstlerischer_Forschung._Vom_Umgang_mit_Archiven_experimenteller_und_forschender_Kunst.pdf","download_url":"https://www.academia.edu/attachments/61629588/download_file","bulk_download_file_name":"Anarchive_kunstlerischer_Forschung_Vom_U.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/61629588/_Archivalische_Zeitschrift__Anarchive_knstlerischer_Forschung._Vom_Umgang_mit_Archiven_experimenteller_und_forschender_Kunst-libre.pdf?1577621399=\u0026response-content-disposition=attachment%3B+filename%3DAnarchive_kunstlerischer_Forschung_Vom_U.pdf\u0026Expires=1739503426\u0026Signature=c3kC~xtFIAMZ~oNYjMI8PBybY5vUMpu4wqx7tWzKRGH5KeazmTuIzlIoYTFvhbbmFFSt0riuUUHO4V3hklolpx5THw5eqKb05yXDCWMyVAj~NQlExIw2kRZWDYfMT3MLpiD6DZ4MHHICFuou2SHI1Nbssta2gLMWx6pSNW6PWhbB-zvPaTAc-mSvdFCO-M20eL6klh9bqlT4-r9JU44rIlt-Ik2bLS2-pEn5hwWRv1Ixjy7jS88aEED79gpk56Brb0I7kIJfTQncV0FOMjl1K4V3qR7zwj9IYbrYuU7noTe0WfHDLaJsU3~5AFUcppAhTikkWMibAH989EZgGkz63Q__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="16696279"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/16696279/Affective_Politics_of_Sensation_Anonymity_and_Transtemporal_Activism_in_Argentina"><img alt="Research paper thumbnail of Affective Politics of Sensation: Anonymity and Transtemporal Activism in Argentina" class="work-thumbnail" src="https://attachments.academia-assets.com/39124606/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/16696279/Affective_Politics_of_Sensation_Anonymity_and_Transtemporal_Activism_in_Argentina">Affective Politics of Sensation: Anonymity and Transtemporal Activism in Argentina</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Th is article deals with the aesthetic mobilization of anonymity in Argentine activist practices....</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Th is article deals with the aesthetic mobilization of anonymity in Argentine activist practices. Focusing on the specific intervention of El Siluetazo, the public drawing and placarding of nameless  silhouettes during the military dictatorship from 1976 to 1983, anonymity will be explored as instigating an aff ective politics of sensation. Different from the human rights discourse on disappearance, which is concerned with politics of identifi cation<br />of the disappeared and the repressors, anonymity off ers forms of aff ective relaying beyond identity. Th e logic of identity will be discussed in relation to a “distribution of the sensible” that takes aesthetics of sense perception as the target of control (Rancière, 2004). Th rough investigating the silhouettes not as a universal signifi er of disappearance but as an aesthetic expression potentially moving across space and time, I will unfold a media ecological conception of activist practices and their capacities of activating transtemporal forms of resistance.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="faff16dd07830d9b4c3eb893f16716e5" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":39124606,"asset_id":16696279,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/39124606/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="16696279"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="16696279"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 16696279; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="12951874"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/12951874/From_Community_to_the_Undercommons_Preindividual_Transindividual_Dividual_Condividual"><img alt="Research paper thumbnail of From Community to the Undercommons: Preindividual – Transindividual – Dividual – Condividual" class="work-thumbnail" src="https://attachments.academia-assets.com/37894680/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/12951874/From_Community_to_the_Undercommons_Preindividual_Transindividual_Dividual_Condividual">From Community to the Undercommons: Preindividual – Transindividual – Dividual – Condividual</a></div><div class="wp-workCard_item"><span>Open! Platform for Art, Culture and the Public Domain</span><span>, Jun 3, 2015</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">In reflecting on new sociabilities and communities, Christoph Brunner and Gerald Raunig ask how i...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In reflecting on new sociabilities and communities, Christoph Brunner and Gerald Raunig ask how individuals “enter into composition with one another in order to form a higher individual, ad infinitum,” and how a being “can take another being into its world, but while preserving or respecting the other’s own relations and world.” They respond with a detailed consideration of Stefano Harney and Fred Moten’s concept of the undercommons as a micro-political active power.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="5ddf594334192a68d4e725c157af42d9" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":37894680,"asset_id":12951874,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/37894680/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="12951874"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="12951874"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 12951874; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="9600603"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/9600603/Affective_Politics_of_Timing_On_Emergent_Collectivity_in_Ragnar_Kjartanssons_The_Visitors"><img alt="Research paper thumbnail of Affective Politics of Timing: On Emergent Collectivity in Ragnar Kjartansson's 'The Visitors'" class="work-thumbnail" src="https://attachments.academia-assets.com/35809133/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/9600603/Affective_Politics_of_Timing_On_Emergent_Collectivity_in_Ragnar_Kjartanssons_The_Visitors">Affective Politics of Timing: On Emergent Collectivity in Ragnar Kjartansson's 'The Visitors'</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This article investigates affect as activity of timing or making time through aesthetic means. Co...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This article investigates affect as activity of timing or making time through aesthetic means. Considering the collective as preindividual affective charge in experience provides an account of affect as political process. Affective politics, I argue, addresses processes of emergence as temporal phases in the process of aesthetic expression. Through exploring the dense media ecology of Kjartansson's video installation "The Visitors" techniques of affective timing become crucial in an aesthetic politics against a logic of pre-emption. Pre-emption as a field of investigating the very level of experiential emergence attempts to foreclose the range of potential expression. In opposition, affective politics of timing, invent techniques for suspending this foreclosure and thus opening up zones of experimentation.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="6e3dcd6ba0d720fdb1f6a12dbf218d14" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":35809133,"asset_id":9600603,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/35809133/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="9600603"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="9600603"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 9600603; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="1238699"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/1238699/Towards_a_New_Aesthetic_Paradigm_Ethico_aesthetics_and_the_Aesthetics_of_Existence_in_Foucault_and_Guattari"><img alt="Research paper thumbnail of Towards a New Aesthetic Paradigm Ethico-aesthetics and the Aesthetics of Existence in Foucault and Guattari" class="work-thumbnail" src="https://attachments.academia-assets.com/32663197/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/1238699/Towards_a_New_Aesthetic_Paradigm_Ethico_aesthetics_and_the_Aesthetics_of_Existence_in_Foucault_and_Guattari">Towards a New Aesthetic Paradigm Ethico-aesthetics and the Aesthetics of Existence in Foucault and Guattari</a></div><div class="wp-workCard_item"><span>RADAR - MUSAC's Journal of Art and Thought (Issue 1, 2012)</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Christoph Brunner, Roberto nigro, and Gerald Raunig begin their reflections aimed “Towards a New ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Christoph Brunner, Roberto nigro, and Gerald Raunig begin their reflections aimed “Towards a New Aesthetic Paradigm” by using the later books of Foucault and Guattari as a point of departure for their argument that the production of subjectivity turns into an existential territory in which social, ethical, and aesthetic transformations must be negotiated. The relationship, in Foucault and Guattari, between aesthetics and existence is not exclusively linked to art, nor does it imply art as an institutionalised practice. On the contrary, aesthetics itself conforms to a model of existence that makes very clear the transversal relationships between subjects and objects, and between the corporeal and incorporeal forces that, together, constitute the real. The function of the arts is one of “rupturing with strategies in the face of the Real forms and significations circulating trivially in the social field.” For the authors, what is important is not to place these modes of creative production within autonomous domain of art, but rather to consider them in terms of their potential for transformation, disruption, and reinvention of banal affects and percepts.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="b3dfdf6bf3c9cbd15a9ef35f010a0b98" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":32663197,"asset_id":1238699,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/32663197/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="1238699"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="1238699"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 1238699; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="11591566"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/11591566/Re_Territorialize_New_Dimensions_of_Present_Forms_of_Activism"><img alt="Research paper thumbnail of Re-Territorialize! New Dimensions of Present Forms of Activism" class="work-thumbnail" src="https://attachments.academia-assets.com/37073801/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/11591566/Re_Territorialize_New_Dimensions_of_Present_Forms_of_Activism">Re-Territorialize! New Dimensions of Present Forms of Activism</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://eur.academia.edu/ChristophBrunner">Christoph Brunner</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://leuphana.academia.edu/RobertoNigro">Roberto Nigro</a></span></div><div class="wp-workCard_item"><span>OPEN! 2012, No. 23 (Autonomy)</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Against the backdrop of Foucault's analysis of philosophical significance of the cynic, philosoph...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Against the backdrop of Foucault's analysis of philosophical significance of the cynic, philosophers Christoph Brunner, Roberto Nigro, and Gerald Raunig at the Zurich University of the Arts investigate present-day forms of activism such as the Occupy movement. By means of three themes - creating new forms of living, inventing new forms of organization, and re-appropriating time  - the show the pioneering potential of such activism.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="3dde957a4c10b036876888378de58126" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":37073801,"asset_id":11591566,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/37073801/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="11591566"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="11591566"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 11591566; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=11591566]").text(description); $(".js-view-count[data-work-id=11591566]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 11591566; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='11591566']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "3dde957a4c10b036876888378de58126" } } $('.js-work-strip[data-work-id=11591566]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":11591566,"title":"Re-Territorialize! 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="35666683"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/35666683/Introduction_For_an_Ethology_of_Exhaustion"><img alt="Research paper thumbnail of Introduction: For an Ethology of Exhaustion" class="work-thumbnail" src="https://attachments.academia-assets.com/55537261/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/35666683/Introduction_For_an_Ethology_of_Exhaustion">Introduction: For an Ethology of Exhaustion</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Introduction to the Inflexions issue #10 - Modes of Exhaustion. </span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="7aac19b23218b0571df5932da0d722ff" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":55537261,"asset_id":35666683,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/55537261/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="35666683"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="35666683"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 35666683; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="1167988"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/1167988/Interactive_Environments_as_Fields_of_Transduction"><img alt="Research paper thumbnail of Interactive Environments as Fields of Transduction" class="work-thumbnail" src="https://attachments.academia-assets.com/7201643/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/1167988/Interactive_Environments_as_Fields_of_Transduction">Interactive Environments as Fields of Transduction</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://eur.academia.edu/ChristophBrunner">Christoph Brunner</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://itu.academia.edu/JFritsch">Jonas Fritsch</a></span></div><div class="wp-workCard_item"><span>Fibreculture Journal</span><span>, 2011</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This article proposes a critical inquiry of interactive environments as fields of transduction. I...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This article proposes a critical inquiry of interactive environments as fields of transduction. It is argued that Gilbert Simondon’s concepts of individuation, transduction, in-formation, the preindividual, and the associated milieu enable a processual thinking of the analysis and design of interactive technologies as technogenetic emergence. These concepts offer a way forto interaction design a way to understand interactive environments through the dynamics between fields of transduction and fields of experience in relational and affective terms. The article analyses and shows howthe way in which two technological assemblages, Voz Alta and the Impossible Room, provide different experiential fields experimenting with the transductive power of digital and interactive media. We emphasizing the potential for creating new modes of experience. Our aim is to underline the necessary convergences between practices of design and thought; to enable affectively engaging fields of transduction.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="c99090fd63f0cd1ce42830d3aa3f19b4" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":7201643,"asset_id":1167988,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/7201643/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="1167988"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="1167988"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 1167988; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="222139" id="talkspapers"><div class="js-work-strip profile--work_container" data-work-id="23802970"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/23802970/Blood_Sweat_Tears_and_Balloons_Ephemeral_Architectures"><img alt="Research paper thumbnail of Blood, Sweat, Tears and Balloons-Ephemeral Architectures" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/23802970/Blood_Sweat_Tears_and_Balloons_Ephemeral_Architectures">Blood, Sweat, Tears and Balloons-Ephemeral Architectures</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://eur.academia.edu/ChristophBrunner">Christoph Brunner</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://itu.academia.edu/JFritsch">Jonas Fritsch</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="23802970"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="23802970"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 23802970; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=23802970]").text(description); $(".js-view-count[data-work-id=23802970]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 23802970; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='23802970']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=23802970]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":23802970,"title":"Blood, Sweat, Tears and Balloons-Ephemeral Architectures","internal_url":"https://www.academia.edu/23802970/Blood_Sweat_Tears_and_Balloons_Ephemeral_Architectures","owner_id":45987,"coauthors_can_edit":true,"owner":{"id":45987,"first_name":"Jonas","middle_initials":"","last_name":"Fritsch","page_name":"JFritsch","domain_name":"itu","created_at":"2009-06-01T22:52:41.189-07:00","display_name":"Jonas Fritsch","url":"https://itu.academia.edu/JFritsch"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="11591404"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/11591404/Affective_Timing_and_Non_Sensuous_Perception_in_Differential_Media"><img alt="Research paper thumbnail of Affective Timing and Non-Sensuous Perception in Differential Media" class="work-thumbnail" src="https://attachments.academia-assets.com/37073759/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/11591404/Affective_Timing_and_Non_Sensuous_Perception_in_Differential_Media">Affective Timing and Non-Sensuous Perception in Differential Media</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The relation between ethics and aesthetics defines a crucial problematic through which Félix Guat...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The relation between ethics and aesthetics defines a crucial problematic through which Félix Guattari develops his philosophy and analytic practice. Simondon exposes similar lines in his work with equally strong indications of its political relevance. He conceives of the aesthetic as immanent force in experience pertaining to its preindividual field as unexhausted resource for potential becoming. His overall theory of individuation could be also considered as continuous process of differentiation through such a field of potential. <br />Simondon defines the aesthetic as temporal relation between the preindividual as partially expressed present experience and its pull towards a future becoming, i.e. differentiation. The aesthetic is the interval through which experience passes as felt intensity in the immediacy of its occurrence. It is Alfred North Whitehead who links this temporal process of experience to perception, not as mere sense perception of given empirical data but through his notion of non-sensuous perception. Non-sensuous perception emphasizes the immediate past shaping the passing of the present and the present, as tendency of the future, shaping the potential function of the past. Through non-sensuous perception an interstice for aesthetic practices opens up allowing for an ‘immanent’ and ‘transcendent’ process of co-becoming between the temporal passing of the event and its metastable bodily expression. <br /> For similar reasons Guattari, thinking at the dawn of the digital media era, envisioned post-media practices as “laboratories of thought and experimentation for future forms of subjectivation.” He underlines that what comes to be termed post-media describes a general transformation away from media as mere technological entities. Guattari interlinks aesthetic and ethical concerns pointing out that a post-media society “will be invented, created within the perspective of a new aesthetic-political paradigm.“ For both, Guattari and Simondon technology defines an active and vital realm of potential not as a means but as enabling ecology. In their works both emphasize technology’s processual dimension, where aesthetics generates links between perception and its relation to time, ethics pertains to acts developing relations with other acts. How can we conceive of such acts not as a volitional and anthropomorphic activism but as a relaying of temporal entanglements between the immediacy of occasions of experience and their material constraints? Further investigating Simondon’s and Guattari’s take on ethics and aesthetics in a post-media era I will look at digital media technologies susceptible to (temporal) differentiation. Such “differential media” (Andrew Murphie) highlight the potential of digital processes of timing as discontinuous yet relational processes of timing. Looking at Icelandic artist Ragnar Kjartansson’s video installation The Visitor’s I will work through the affective and emotive temporalities of digital media art and its relation to non-sensuous perception. How can we conceive of such artworks as instigating collective individuation foregrounding the temporal affective tonality at the heart of their expression in experience?</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="80c82a1b9e9a1c72e56b0d2070c52f0c" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":37073759,"asset_id":11591404,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/37073759/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="11591404"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="11591404"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 11591404; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="1687317"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/1687317/Immediation_as_Transindividual_Collective_Practice"><img alt="Research paper thumbnail of Immediation as Transindividual Collective Practice" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/1687317/Immediation_as_Transindividual_Collective_Practice">Immediation as Transindividual Collective Practice</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">How do collectives constitute and endure themselves beyond social or interpersonal strata? In a t...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">How do collectives constitute and endure themselves beyond social or interpersonal strata? In a time of “social” media as potential motors of political change, the attention paid to what constitutes the “social” in social media is often considered as a mere connection between humans by means of technology. Marshall McLuhan’s statement “the medium is the message” aims at undermining the conception of media as bare means to human ends. The medium itself determines how a message is expressed and does not merely transmit its content. The medium becomes active and renders what is expressed. I assume that this assertion is difficult to sustain if one tries to consider the Internet as “a” medium. Instead of considering the Internet as medium I would like to address its technologies as enabling for practices of immediation. Immediation accounts for the embodied experience of any aesthetic expression and sensation and locates the event of immediated experience in everyday life. Through immediation the human and the nonhuman become part of a relational logic where the boundaries between subject and object blur and are negotiated to form transindividual collectives. These collectives are as much social as they are political or ethico-aesthetic. <br />In light of social media the medium is not the message. Rather processes of immediation entangle embodied experience with immediated collective forces. A collective is not the formation of a group composed of individuals, but an affective relational experience amongst different modes of existence: technologies as much as ideas, perceptions humans and other bodies. <br />One has to consider the constitution of a collective as the co-emergence of social formations with their environment. Collective means to become enmeshed in a relational logic where each situation is negotiated between its participants. To make these relational becomings palpable, I will use as an example the SenseLab’s (senselab.ca) last event “Society of Molecules” (see: inflexions.org, no. 3 –Tangents). By means of physical and (im)mediated exchange different local nodes (molecules) were able to stage a series of collective events across fifteen countries in 2009. The potential to physically experience local events and at the same time to participate in virtual relations between the different produces the constitution of transindividual collectivity.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="1687317"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="1687317"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 1687317; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=1687317]").text(description); $(".js-view-count[data-work-id=1687317]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 1687317; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='1687317']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=1687317]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":1687317,"title":"Immediation as Transindividual Collective Practice","internal_url":"https://www.academia.edu/1687317/Immediation_as_Transindividual_Collective_Practice","owner_id":72430,"coauthors_can_edit":true,"owner":{"id":72430,"first_name":"Christoph","middle_initials":null,"last_name":"Brunner","page_name":"ChristophBrunner","domain_name":"eur","created_at":"2009-10-18T14:28:27.505-07:00","display_name":"Christoph Brunner","url":"https://eur.academia.edu/ChristophBrunner"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="1680664"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/1680664/Life_at_the_Limit_of_its_Emergence_Simondon_and_the_Contemporary"><img alt="Research paper thumbnail of Life at the Limit of its Emergence – Simondon and the Contemporary" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/1680664/Life_at_the_Limit_of_its_Emergence_Simondon_and_the_Contemporary">Life at the Limit of its Emergence – Simondon and the Contemporary</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">In his “Fifteenths series of singularity” Gilles Deleuze writes that for Gilbert Simondon the liv...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In his “Fifteenths series of singularity” Gilles Deleuze writes that for Gilbert Simondon the living lives at the limit of itself. The limit in this case defines a border that is not necessarily transgressed once and for all but constantly expanded. Similar to Whitehead’s idea of an extensive continuum, the limit defines a process of creative becoming through indefinite expansion. The living in the instance of its contemporary existence lives at the limit bordering a very-next-experience with very-next-effects. Thus, the limit defines a metastable state for Simondon where internal past and external future meet. In its limit state, life becomes affectively sensible in its yielding of very-next-effects. <br /><br />I would like to expand the notion of the limit and the interstice through the work of Simondon to develop a theory of becoming that allows to account for the physical, vital, mental and collective nature of each becoming as transdcutively intertwined. For Simondon, each process of becoming happens collectively through material and immaterial registers of potential. Life happening at the interstice defines the zone of negotiation for things-in-the-making. To investigate this field of becoming raises ethical and aesthetic question that will be explored through the example of artistic interventions in contemporary Argentina and during the dictatorship from 1976-1983. Urban interventions of memorizing the disappeared and practices of reappropriation will help to discuss the aesthetico-political and ethical issues under negotiation when one considers such forms of life as always creating contemporary metastable configurations and at the same time as an active negotiation of the very-next-effect.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="1680664"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="1680664"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 1680664; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=1680664]").text(description); $(".js-view-count[data-work-id=1680664]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 1680664; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='1680664']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=1680664]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":1680664,"title":"Life at the Limit of its Emergence – Simondon and the Contemporary","internal_url":"https://www.academia.edu/1680664/Life_at_the_Limit_of_its_Emergence_Simondon_and_the_Contemporary","owner_id":72430,"coauthors_can_edit":true,"owner":{"id":72430,"first_name":"Christoph","middle_initials":null,"last_name":"Brunner","page_name":"ChristophBrunner","domain_name":"eur","created_at":"2009-10-18T14:28:27.505-07:00","display_name":"Christoph Brunner","url":"https://eur.academia.edu/ChristophBrunner"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="1668682"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/1668682/Balloons_Sweat_and_Technology_Urban_Interventions_through_Ephemeral_Architectures"><img alt="Research paper thumbnail of Balloons, Sweat and Technology: Urban Interventions through Ephemeral Architectures" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/1668682/Balloons_Sweat_and_Technology_Urban_Interventions_through_Ephemeral_Architectures">Balloons, Sweat and Technology: Urban Interventions through Ephemeral Architectures</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">As part of the internationally distributed micropolitical event Society of Molecules, Balloons, S...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">As part of the internationally distributed micropolitical event Society of Molecules, Balloons, Sweat and Technologies experimented with low-tech and analogue technological interventions into urban space. Helium-filled balloons with LEDs inside, LED-floaties, were used to create ephemeral architectures altering the feel and spatiality of the urban ambiance both in real-time as through long-exposure digital post-processing. The video and presentation show how the floaties can be conceptualized as technological assemblages with micropolitical implications providing a critical approach for performing and experiencing the cityscape.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="9dd46d088a552dd040b09b0a9f64c193" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":1054769,"asset_id":1668682,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/1054769/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="1668682"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="1668682"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 1668682; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=1668682]").text(description); $(".js-view-count[data-work-id=1668682]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 1668682; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='1668682']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "9dd46d088a552dd040b09b0a9f64c193" } } $('.js-work-strip[data-work-id=1668682]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":1668682,"title":"Balloons, Sweat and Technology: Urban Interventions through Ephemeral Architectures","internal_url":"https://www.academia.edu/1668682/Balloons_Sweat_and_Technology_Urban_Interventions_through_Ephemeral_Architectures","owner_id":72430,"coauthors_can_edit":true,"owner":{"id":72430,"first_name":"Christoph","middle_initials":null,"last_name":"Brunner","page_name":"ChristophBrunner","domain_name":"eur","created_at":"2009-10-18T14:28:27.505-07:00","display_name":"Christoph Brunner","url":"https://eur.academia.edu/ChristophBrunner"},"attachments":[{"id":1054769,"title":"Balloons, Sweat and Technology: Urban Interventions through Ephemeral Architectures","file_type":"","scribd_thumbnail_url":"https://a.academia-assets.com/images/blank-paper.jpg","file_name":"","download_url":"https://www.academia.edu/attachments/1054769/download_file","bulk_download_file_name":"Balloons_Sweat_and_Technology_Urban_Inte","bulk_download_url":"academia.edu"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="1659369"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/1659369/Expression_as_Micropolitical_Force_of_Change"><img alt="Research paper thumbnail of Expression as Micropolitical Force of Change" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/1659369/Expression_as_Micropolitical_Force_of_Change">Expression as Micropolitical Force of Change</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">For Deleuze and Guattari expression evokes a shock that is in excess of the human body’s containe...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">For Deleuze and Guattari expression evokes a shock that is in excess of the human body’s contained capacity of perception. It is the potential for change as an ethico-aesthetic and political enunciation. Expression as ethico-aesthetic concept yields the creative capacity of a becoming through an unfolding of its transductive and transversal forces of potential. Expression’s ethical implications lie in the question of “how one performatively contributes to the stretch of expression in the world” (Massumi 2002, xxii). It defines a particular mode of emergence, a becoming that is singular and yet in relation (collective). As a collective mode of becoming, expression reshapes the body as event producing a complicated field of potential that is constantly negotiated by molar captures and molecular series of singularities. The body in its state of shock becomes a negotiated territory for capture being executed (the molding of the expressive potential into a defined system) or it creatively acknowledges change (the acceptance of expression’s potential as novelty).<br /><br />In an attempt to contribute performatively to the “stretch of expression in the world,” and thus to open up bodies towards the excessive potential of expression, the Senselab (<a href="http://www.senselab.ca" rel="nofollow">www.senselab.ca</a>) launched a series of events, called Technologies of Lived Abstraction, of which the latest was entitled “Society of Molecules (SoM).” Echoing Whitehead’s concept of society as a relational collective, SoM is a transnational and transversal series of events creating ethico-aesthetic interventions in their immediate local environment. The process-based events yielding an activist micropolitics will function as domain of inquiry to trace expression’s affects on a global, yet transversal, territory.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="f0a3a4eac49e63e3e93332595181ee5e" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":433033,"asset_id":1659369,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/433033/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="1659369"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="1659369"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 1659369; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=1659369]").text(description); $(".js-view-count[data-work-id=1659369]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 1659369; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='1659369']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "f0a3a4eac49e63e3e93332595181ee5e" } } $('.js-work-strip[data-work-id=1659369]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":1659369,"title":"Expression as Micropolitical Force of Change","internal_url":"https://www.academia.edu/1659369/Expression_as_Micropolitical_Force_of_Change","owner_id":72430,"coauthors_can_edit":true,"owner":{"id":72430,"first_name":"Christoph","middle_initials":null,"last_name":"Brunner","page_name":"ChristophBrunner","domain_name":"eur","created_at":"2009-10-18T14:28:27.505-07:00","display_name":"Christoph Brunner","url":"https://eur.academia.edu/ChristophBrunner"},"attachments":[{"id":433033,"title":"Expression as Micropolitical Force of Change","file_type":"","scribd_thumbnail_url":"https://a.academia-assets.com/images/blank-paper.jpg","file_name":"","download_url":"https://www.academia.edu/attachments/433033/download_file","bulk_download_file_name":"Expression_as_Micropolitical_Force_of_Ch","bulk_download_url":"academia.edu"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="7800175" id="interviews"><div class="js-work-strip profile--work_container" data-work-id="36314523"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/36314523/Relay_Conversation_Reading_Room_17_Anarchival_Practices_part_1_"><img alt="Research paper thumbnail of Relay Conversation Reading Room #17 – Anarchival Practices (part 1)" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/36314523/Relay_Conversation_Reading_Room_17_Anarchival_Practices_part_1_">Relay Conversation Reading Room #17 – Anarchival Practices (part 1)</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://eur.academia.edu/ChristophBrunner">Christoph Brunner</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://mcgill.academia.edu/alannathain">alanna thain</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/JonathanReus">Jonathan Reus</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Conversation with Christoph Brunner, Alanna Thain, Nikki Forrest, Jonathan Reus, Flora Reznik and...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Conversation with Christoph Brunner, Alanna Thain, Nikki Forrest, Jonathan Reus, Flora Reznik and Sissel Marie Tonn.<br />The Reading Room #17 and #18 took place on the 2nd and 16th of June with guest readers Christoph Brunner and Alanna Thain, and was the continuation of our collaboration between The Reading Room and ‘ArchipelagoLab for Transversal Practices’ at Leuphana University.<br /><br />This cluster of the Reading Room zooms in on the concept of anarchival practices. Traditionally, archiving has been seen as a practice of documenting and conserving, often done by institutions and those in positions of power. But counter-movements and efforts to archive the daily practices left out of official archives, or artist archives, are gaining momentum and challenging the limits of traditional approaches. The concept of anarchiving especially attempts to reproach archival methods that often erase the processual, affective, and contextual aspects of lived experience. Anarchival methods are active and lived, they are ways to carry forward the foundations of further action, catalysts for the next event. In this cluster of Reading Rooms we ask how can anarchiving be developed as a creative approach for both artists, activists and academics to use? These questions were unraveled through texts and works in the diverse fields of dance, film, queer and feminist movements as specific memories of daily life.<br />Furthermore we had the opportunity to collaborate with Nikki Forrest, a Montreal-based video artist around the video screening ‘The Feeling of Falling – Queer Ecologies, Uncertain Spaces”, a one-hour experimental video program of works from the independent artist run centers Groupe Intervention Video and Videographe based in Montreal. The program explored intersections of movement practice, audiovisual media and environmental relations. The works are connected by a playful focus on Queer Ecologies, drawing out on alternative and marginal histories of media form and practice, including the critical importance of intersectional identities, sustainable support, DIY and micro-budget production and other material practices. This screening took place on the 2nd of June before the first Reading Room session in this cluster.<br /><br />In this Relay Conversation we will be discussing the reading of José Esteban Muñoz’ iconic essay ‘Ephemera as Evidence: Introductory Notes to Queer Acts’ and Alanna Thain’s piece ‘Anarchival Cinemas’ in the first session, and chapter 4 from André Lepecki’s book Singularities: Dance in the Age of Performance, in the second session.<br /><br />In José Esteban Muñoz’ text “Ephemera as Evidence” we learn that ephemera in queer acts (of performance, political acts and archiving) is a modality of ‘anti-rigor’ and ‘anti-evidence’. Muñoz lays out his arguments in describing a performative piece by Tony Just, in which he scrubbed, sanitized and documented a run-down public men’s room, a ‘tea room where public sex flourishes’: “The result is a photograph that indexes not only the haunted space and spectral bodies of those anonymous sex acts, and Just’s performance after them, but also his act of documentation”, Muñoz writes. To the author the ephemeral constitutes ‘traces, glimmers, residues and specks of things’ – all distinctly material but not necessarily solid evidence (in the dominant perception of the word). Since ‘visible evidence’ may leave the queer subject vulnerable for attack, queerness has not been able to exist as ‘visible evidence’, which has often been undermined in official academic structures. “Evidence’s limit becomes clearly visible when we attempt to describe and imagine contemporary identities that do not fit into a single pre-established archive of evidence”. Thus the ephemerality of queer performances reformulates our conceptions of materiality, as well as proposes a way to resist dominant systems of aesthetic and institutional classification.<br /><br />In her piece “Anarchival Cinemas” Alanna Thain discusses the emergence of digital technologies (such as portable devices and the digital video format), and their effects on the corporeal experience of cinema. She asks: “What happens when we re-imagine the event of cinema as no longer characterized by a spatially discrete and immersive place, but in terms of the relationality of bodies moving in spacetime?” Following a series of artistic examples that use different “immersive” digital technologies, she traces the potentials of cross-modal sensory perceptions made present in the in these works, as an effect of these technologies.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="36314523"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="36314523"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 36314523; 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dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=36314523]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":36314523,"title":"Relay Conversation Reading Room #17 – Anarchival Practices (part 1)","internal_url":"https://www.academia.edu/36314523/Relay_Conversation_Reading_Room_17_Anarchival_Practices_part_1_","owner_id":1271552,"coauthors_can_edit":true,"owner":{"id":1271552,"first_name":"alanna","middle_initials":null,"last_name":"thain","page_name":"alannathain","domain_name":"mcgill","created_at":"2012-03-05T11:26:02.689-08:00","display_name":"alanna thain","url":"https://mcgill.academia.edu/alannathain"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="36314538"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/36314538/Relay_Conversation_Reading_Room_18_Anarchival_Practices_part_2_"><img alt="Research paper thumbnail of Relay Conversation Reading Room #18 – Anarchival Practices (part 2)" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/36314538/Relay_Conversation_Reading_Room_18_Anarchival_Practices_part_2_">Relay Conversation Reading Room #18 – Anarchival Practices (part 2)</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://mcgill.academia.edu/alannathain">alanna thain</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/JonathanReus">Jonathan Reus</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://eur.academia.edu/ChristophBrunner">Christoph Brunner</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The Reading Room #17 and #18 took place on the 2nd and 16th of June with guest readers Christoph ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The Reading Room #17 and #18 took place on the 2nd and 16th of June with guest readers Christoph Brunner and Alanna Thain, and was the continuation of our collaboration between The Reading Room and ‘ArchipelagoLab for Transversal Practices’ at Leuphana University. In the first session of the cluster that revolves around Anarchival Practices we discussed the texts “Ephemera as evidence” by José Esteban Muñoz and “Anarchival Cinemas” by Alanna Thain (you can read part 1 of this Relay Conversation at <a href="http://instrumentinventors.org/research/relay-conversation-reading-room-17-anarchival-practices-part-1/" rel="nofollow">http://instrumentinventors.org/research/relay-conversation-reading-room-17-anarchival-practices-part-1/</a>). In the second session of the same cluster, we continued to discuss those texts in depth, as well as adding André Lepecki’s chapters “The body as archive. Will to reenact and the afterlives of dances” and “Choreographic angelology. The dancer as worker of history (or, remembering is a hard thing)” from his book Singularities: Dance in the Age of Performance. In these texts the author address the “always-ambivalent relation dance has had with history, with dance’s own passing away” focusing on reenactments of performance and choreography. Lepecki’s work invites us to deal with the a certain afterlife, or a strategy of survival in specific cases of recent reenactments in the field of dance. In these performances, the body becomes an lived archive and immerses the audience into what he calls, following Didi Huberman (who, in turn, draws on Walter Benjamin’s notion of time), a “complex temporality”. Lepecki relates this to Munoz’ queer temporality, as these acts function within “horizons of extemporal futurities” as local strategies of critical engagement: they are a “political-performative force”. Taking Foucault’s notion of dispositif, a choreography becomes a way of “distributing the visible and the invisible”. Overall, he claims the value of a utterly humble gesture: to use one’s body as an archive for as long as one survives, counting on an ecology of existence that involves the audience and potential iterations of the work, to carry on with the task of translating.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="36314538"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="36314538"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 36314538; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); 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} }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="2132627" id="conferencesorganized"><div class="js-work-strip profile--work_container" data-work-id="9301162"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/9301162/Symposium_Matter_Memory_and_the_More_than_Human_Relational_Aesthetics_and_Politics_in_the_Age_of_the_Anthropocene"><img alt="Research paper thumbnail of Symposium: Matter, Memory, and the More-than-Human: Relational Aesthetics and Politics in the Age of the Anthropocene" class="work-thumbnail" src="https://attachments.academia-assets.com/35562249/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/9301162/Symposium_Matter_Memory_and_the_More_than_Human_Relational_Aesthetics_and_Politics_in_the_Age_of_the_Anthropocene">Symposium: Matter, Memory, and the More-than-Human: Relational Aesthetics and Politics in the Age of the Anthropocene</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">In times of renewed debates on the status of the object and the real in the arts the question of ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In times of renewed debates on the status of the object and the real in the arts the question of a new radical empricism is at stake. How is experience not human but always more-than-human or ecological? <br /> <br />We ask: how such an ecological approach is political and what are its aesthetics? <br /> <br />Current enthusiasm about new forms of realism, like speculative realism, strikes the art field with immense force. What we perceive is a certain return of the "object," similar to architecture's return to the sketch-board, after three decades of conceptually driven discourse and its discomforting pitfalls. Finally, some might argue, we overcome the predominance of discourse and encounter "things" beyond language. What seems crucial, is the status of the real in these new aesthetic and philosophical debates. <br /> <br />With this symposium we want to extend the rather dialectic procedure with which this debate continues and investigate how the relations between matter, memory and the more-than-human enable a multi-shaded formation of the real, inclusive of the materialist sensibilities of Marxist, post-structuralist and radical empiricist philosophies of the last century. Making such an inquiry an aesthetic concern affords us to reconsider the status of the empirical in relation to the experiential. Rather than following phenomenological traditions the symposium puts particular attention to early pragmatist philosophies like William James, Alfred North Whitehead and Ralph Waldo Emerson, providing a different, radical empiricist, version of the real. <br /> <br />Finally the question would be, how such a take on realism in the age of the anthropocene affords us to re-assess what a more-than-human politics might look like and what forms of organization are in need for its realization. <br /> <br />Speakers: <br /> <br />Heather Davis (Penn State University) <br />"Ancient Archives of the Future: Strange Temporalities of Plastic" <br /> <br />Ridvan Askin (University of Basel) <br />'Every pumpkin in the field, goes through every point of pumpkin history': Emerson and the Memory of Matter' <br /> <br />Stamatia Portanova (University of Naples L'Orientale) <br />"The Genius and the Algorithm. Reflections on the Postdigital Aesthetics as Capitalist Neurosis" <br /> <br />Joel McKim (Birkbeck University of London) <br />Object, Matter, Energy: Towards a Philosophy of Infrastructure</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="5c81b7cb10fc20e5c627893483a9c54e" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":35562249,"asset_id":9301162,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/35562249/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="9301162"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="9301162"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 9301162; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="2770706" id="papers"><div class="js-work-strip profile--work_container" data-work-id="87349895"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/87349895/Anarchive_k%C3%BCnstlerischer_Forschung_Vom_Umgang_mit_Archiven_experimenteller_und_forschender_Kunst"><img alt="Research paper thumbnail of Anarchive künstlerischer Forschung. Vom Umgang mit Archiven experimenteller und forschender Kunst" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/87349895/Anarchive_k%C3%BCnstlerischer_Forschung_Vom_Umgang_mit_Archiven_experimenteller_und_forschender_Kunst">Anarchive künstlerischer Forschung. Vom Umgang mit Archiven experimenteller und forschender Kunst</a></div><div class="wp-workCard_item"><span>Archivalische Zeitschrift</span><span>, 2017</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Künstlerisches Arbeiten hat nach 1960 durch materielle wie ideelle Forschungen und Experimente ei...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Künstlerisches Arbeiten hat nach 1960 durch materielle wie ideelle Forschungen und Experimente eine neue Qualität erreicht, die sich auch in ihrer Archivierung niederschlagen muss, wenn das Potential dieser Kunst nicht verloren gehen soll. Es geht um Know-how und passende Verfahren zur Erhaltung und Zugänglichmachung von Archiven experimenteller und forschender Künstler, bei denen Recherchen, Studien, Vermittlung, Dokumentation der Arbeit, sprich, die künstlerischen Praktiken stärker im Fokus stehen als deren Werke. Solche Archive spiegeln in ihrer Anlage die experimentelle oder forschende Haltung ihrer Betreiber und widersetzen sich der gängigen Werkinventarisierung bei Künstlernachlässen. Obwohl die experimentellen Praktiken und Reflektionen nicht immer im Archiv münden, sondern Gedanken, Prozesse oder Gespräche bleiben, finden sich doch aussagereiche, dichte, komplexe und wertvolle Arbeitsund Projektarchive, die wir als Anarchive bezeichnen möchten. Der Begriff des Anarchivs verweist auf einen von Markus Friedrich aufgegriffenen „archival turn“, der sich sowohl in den Künsten als auch in den Kulturund Medienwissenschaften vollzogen hat und auch die Archivwissenschaften nicht unberührt lässt.1 Das Archiv wird dabei zur „kreativen Kulturtechnik“ und zum Instrument der Reflexion der Gegenwart, teilweise ohne Einbezug der konkreten Arbeitsabläufe von Archiven selbst. Es geht um ein Feld von archivarischen Praktiken, das sich zwischen Institutionen, forschenden Künstlern, Medien und Technologien sowie dem kulturwissenschaftlichen Archivdiskurs ausbreitet. Dieses heterogene Feld muss anhand seiner Praktiken, sprich wie darin vorgegangen wird, verstanden werden. Die Verfahren forschender Kunst sind hierfür besonders relevant, da sie ästhetische und epistemische Dimensionen des Archivs in ihrer Praxis reflektieren. Kunstpraxis, so unsere These, ist forschend, wenn sie archivarische Züge annimmt. Hierbei verwaltet und verfährt sie archivarisch in einer</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="87349895"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="87349895"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 87349895; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=87349895]").text(description); $(".js-view-count[data-work-id=87349895]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 87349895; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='87349895']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=87349895]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":87349895,"title":"Anarchive künstlerischer Forschung. Vom Umgang mit Archiven experimenteller und forschender Kunst","internal_url":"https://www.academia.edu/87349895/Anarchive_k%C3%BCnstlerischer_Forschung_Vom_Umgang_mit_Archiven_experimenteller_und_forschender_Kunst","owner_id":72430,"coauthors_can_edit":true,"owner":{"id":72430,"first_name":"Christoph","middle_initials":null,"last_name":"Brunner","page_name":"ChristophBrunner","domain_name":"eur","created_at":"2009-10-18T14:28:27.505-07:00","display_name":"Christoph Brunner","url":"https://eur.academia.edu/ChristophBrunner"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="79190431"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/79190431/Polyphone_%C3%84sthetik_Eine_kritische_Situierung"><img alt="Research paper thumbnail of Polyphone Ästhetik: Eine kritische Situierung" class="work-thumbnail" src="https://attachments.academia-assets.com/85989685/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/79190431/Polyphone_%C3%84sthetik_Eine_kritische_Situierung">Polyphone Ästhetik: Eine kritische Situierung</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Eine polyphone Ästhetik erwächst aus der Dringlichkeit und der Freude, mit verschiedenen Stimmen ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Eine polyphone Ästhetik erwächst aus der Dringlichkeit und der Freude, mit verschiedenen Stimmen zu arbeiten und durch heterogene Positionen zu denken, ohne die Differenzen, die der Polyphonie immanent sind, zu neutralisieren. In diesem Sinne möchte das vorliegende Buch den selbstgerechten Autoritätsanspruch der westlichen Ästhetik unterwandern und produktiv verunsichern. Zugleich folgt es dem Begehren nach kollektiven Formen des sinnesbezogenen Denkens und Arbeitens. Seine Beiträge befassen sich mit so unterschiedlichen ästhetischen Dimensionen wie den (post-)kolonialen Implikationen der documenta 14 in Athen, dem Rassismus von Kants Ästhetik, kultureller Aneignung in der Popmusik, Dirty Aesthetics oder dekolonialer Affektivität, wobei auch ko-autor*innenschaftliche und kollektiv gegendisziplinäre Formen des Theoretisierens erprobt werden. Seine besondere Relevanz erweist der Band nicht zuletzt vor dem Hintergrund einer zunehmend gewaltvollen Aneignung ästhetischer Praktiken und Th...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="76e90689a1ac00f99d5f09ad159de36d" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":85989685,"asset_id":79190431,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/85989685/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="79190431"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="79190431"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 79190431; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="61464939"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/61464939/A_Cultural_Approach_Toward_the_Notion_of_the_Instrument"><img alt="Research paper thumbnail of A Cultural Approach Toward the Notion of the Instrument" class="work-thumbnail" src="https://attachments.academia-assets.com/74487383/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/61464939/A_Cultural_Approach_Toward_the_Notion_of_the_Instrument">A Cultural Approach Toward the Notion of the Instrument</a></div><div class="wp-workCard_item"><span>ICMC Proceedings 2009, p. 347-350</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">In the field of computer music research the development of new input devices for musical performa...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In the field of computer music research the development of new input devices for musical performance and sound interaction plays an important role. This paper explores the cultural implications embedded in the use and concept of the notion of the instrument in such fields. Cultural implications in this particular context are the meaning structures that evolve from knowledge expressed through language and developed through practices. The main focus of this inquiry is based on the potential to detect the impact of new computer music research on its socio-cultural environment. Concepts such as assemblage and ecology will propose alternative ways to address the hybrid relational (interdisciplinary) networks that create such input devices. This approach proposes alternative models to conceptualize interaction as performative relations between humans and nonhumans, as outlined in the domain of Science and Technology Studies. Computer research interweaves the cultural dimensions with a social context and foregrounds the political implications signified by its practices and technologies.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="2a9500ea2dc4dc7e674ef5885e92568f" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":74487383,"asset_id":61464939,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/74487383/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="61464939"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="61464939"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 61464939; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="48946383"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/48946383/Special_Issue_Minor_architecture_poetic_and_speculative_architectures_in_public_space"><img alt="Research paper thumbnail of Special Issue: Minor architecture: poetic and speculative architectures in public space" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/48946383/Special_Issue_Minor_architecture_poetic_and_speculative_architectures_in_public_space">Special Issue: Minor architecture: poetic and speculative architectures in public space</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://asu.academia.edu/ShaXinWei">Xin Wei Sha</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://concordia.academia.edu/HarrySmoak">Harry Smoak</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://zhdk.academia.edu/KarmenFraninovic">Karmen Franinovic</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://eur.academia.edu/ChristophBrunner">Christoph Brunner</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://concordia.academia.edu/TimothySutton">Timothy Sutton</a></span></div><div class="wp-workCard_item"><span>AI & Society</span><span>, 2011</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This volume of essays concerns the implications for the built environment posed by emerging techn...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This volume of essays concerns the implications for the built environment posed by emerging technologies from computational media, mechatronics, sensors, ubiquitous and pervasive computing and sensate or active materials, combined with techniques from more conventional technologies of architecture and theater. While a lot of contemporary architecture is focused on capital intensive applications with special emphasis on security, utility, and work, we propose to take a different tack and speculate on alternative opportunities for poetry, poiesis, and, to deliberately recuperate a term from Weber, enchantment. Contemporary conceptual architecture often exudes relentlessly modernist or post-modernist forms conceived more for the screen than for habitation. We propose alternative modes of architecture in minor key that enact modes of dwelling and becoming rather than illustrate non-living, unlivable concepts. We do this by a combination of means: artist's descriptions of their own architectural experiments, historical context, conceptual argument, and socio-technical critique.<br /><br />We speculate on the potential for poetic architecture afforded by the emerging technologies of what we call "minor architecture," though of course, we will discuss what one could mean by "softness," "responsivity," and "soft architecture." As a beginning point, soft architecture refers to built environments that respond flexibly and pliantly in three scales of energy: the micro-scale of small moments of sensor data or textures of sound or light or air and other physical materials, the meso-scale of bodies in motion, and the macro-scale of social movements and urban plans.<br /><br />Specifically, the themes we explore include: liveness of space, peripheral awareness, tactile perception (e.g. manual chronostasis), sense of presence (e.g. in sleep paralysis), felt awareness of corporeal vulnerability, and distributed material agency.<br /><br />Contributors include Erik Conrad on soft architecture and computer science, Harry Smoak on critical issues raised by responsive environments as public experiment, Flower Lunn on the wild and the sublime in the city, Karmen Franinovic on playful augmentation of social space, Elena Frantova and Lisa Solomonova on felt presence in an animate space, Christoph Brunner on parkour / free- running, Jean-François Prost on adaptive actions as urban interventions, Hugh Crawford on the Mad Housers, Deleuze and the American pragmatists, Ron Broglio on dwelling and the phenomenology of habitation from the perspective of thinking matter, and Sha Xin Wei on minor or poetic architecture after Alexander, Arakawa & Gins.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="48946383"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="48946383"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 48946383; 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In Simondonian terms technology is more than prosthesis, more than a tool, and man is ...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="23802979"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="23802979"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 23802979; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=23802979]").text(description); 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Colonial Anesthesia is a term we borrow from the Brazilian indigenous artist Lian Gaia. In this context, anesthesia pertains to both, a set of strategies immanent to colonial violence covering up the atrocities of its continued acting and to the anesthetizing capture of the possibilities of decolonization. Caught between the colonial and the decolonial anesthetic, we ask about practices, techniques and gestures of solidarity with decolonial struggles of the South speaking from our institutional, artistic, and activist practices as well as geopolitical situatedness. We do so by acknowledging our own defeat while not giving up on a sensibility for shared urgency. Through explorations of collaborations with indigenous artists and activist, engagements with digital embodiments and data sovereignty, and ways of re-inventing a fugitive transversal vocabulary the workshop opens a space for sharing the untranslatable sensations and concerns that permeate an all too colonial present. We invite people to bring questions, invent possible futures, and fabricate counterpoisons against the numbing power of colonial anesthesia.<br /><br /> <br /><br />There will be food, drinks, and sofas.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="77687287"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="77687287"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 77687287; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); 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