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id="toc-Music-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Reception" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Reception"> <div class="vector-toc-text"> 6 Reception </div> </a> <button aria-controls="toc-Reception-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> Toggle Reception subsection </button> <ul id="toc-Reception-sublist" class="vector-toc-list"> <li id="toc-Box_office" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Box_office"> <div class="vector-toc-text"> 6.1 Box office </div> </a> <ul id="toc-Box_office-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Critical_response" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Critical_response"> <div class="vector-toc-text"> 6.2 Critical response </div> </a> <ul id="toc-Critical_response-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Additional_reactions" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Additional_reactions"> <div class="vector-toc-text"> 6.3 Additional reactions </div> </a> <ul id="toc-Additional_reactions-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Retrospective_lists" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Retrospective_lists"> <div class="vector-toc-text"> 6.4 Retrospective lists </div> </a> <ul id="toc-Retrospective_lists-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Accolades" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Accolades"> <div class="vector-toc-text"> 7 Accolades </div> </a> <ul id="toc-Accolades-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-References" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#References"> <div class="vector-toc-text"> 8 References </div> </a> <ul id="toc-References-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-External_links" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#External_links"> <div class="vector-toc-text"> 9 External links </div> </a> <ul id="toc-External_links-sublist" class="vector-toc-list"> </ul> </li> </ul> </div> </div> </nav> </div> </div> <div class="mw-content-container"> <main id="content" class="mw-body"> <header class="mw-body-header vector-page-titlebar"> <nav aria-label="Contents" class="vector-toc-landmark"> <div id="vector-page-titlebar-toc" class="vector-dropdown vector-page-titlebar-toc vector-button-flush-left" title="Table of Contents" > <input type="checkbox" id="vector-page-titlebar-toc-checkbox" role="button" aria-haspopup="true" data-event-name="ui.dropdown-vector-page-titlebar-toc" class="vector-dropdown-checkbox " aria-label="Toggle the 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Available in 31 languages" > <label id="p-lang-btn-label" for="p-lang-btn-checkbox" class="vector-dropdown-label cdx-button cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--weight-quiet cdx-button--action-progressive mw-portlet-lang-heading-31" aria-hidden="true" > 31 languages </label> <div class="vector-dropdown-content"> <div class="vector-menu-content"> <ul class="vector-menu-content-list"> <li class="interlanguage-link interwiki-ar mw-list-item"><a href="https://ar.wikipedia.org/wiki/%D8%AA%D8%A7%D8%B1" title="تار – Arabic" lang="ar" hreflang="ar" data-title="تار" data-language-autonym="العربية" data-language-local-name="Arabic" class="interlanguage-link-target">العربية</a></li><li class="interlanguage-link interwiki-bn mw-list-item"><a href="https://bn.wikipedia.org/wiki/%E0%A6%9F%E0%A6%BE%E0%A6%B0" title="টার – Bangla" lang="bn" hreflang="bn" data-title="টার" data-language-autonym="বাংলা" data-language-local-name="Bangla" class="interlanguage-link-target">বাংলা</a></li><li class="interlanguage-link interwiki-be mw-list-item"><a href="https://be.wikipedia.org/wiki/%D0%A2%D0%B0%D1%80_(%D1%84%D1%96%D0%BB%D1%8C%D0%BC)" title="Тар (фільм) – Belarusian" lang="be" hreflang="be" data-title="Тар (фільм)" data-language-autonym="Беларуская" data-language-local-name="Belarusian" class="interlanguage-link-target">Беларуская</a></li><li class="interlanguage-link interwiki-be-x-old mw-list-item"><a href="https://be-tarask.wikipedia.org/wiki/%D0%A2%D0%B0%D1%80_(%D1%84%D1%96%D0%BB%D1%8C%D0%BC)" title="Тар (фільм) – Belarusian (Taraškievica orthography)" lang="be-tarask" hreflang="be-tarask" data-title="Тар (фільм)" data-language-autonym="Беларуская (тарашкевіца)" data-language-local-name="Belarusian (Taraškievica orthography)" class="interlanguage-link-target">Беларуская (тарашкевіца)</a></li><li class="interlanguage-link interwiki-bg mw-list-item"><a href="https://bg.wikipedia.org/wiki/%D0%9B%D0%B8%D0%B4%D0%B8%D1%8F_%D0%A2%D0%B0%D1%80" title="Лидия Тар – Bulgarian" lang="bg" hreflang="bg" data-title="Лидия Тар" data-language-autonym="Български" data-language-local-name="Bulgarian" class="interlanguage-link-target">Български</a></li><li class="interlanguage-link interwiki-ca mw-list-item"><a href="https://ca.wikipedia.org/wiki/T%C3%A1r" title="Tár – Catalan" lang="ca" hreflang="ca" data-title="Tár" data-language-autonym="Català" data-language-local-name="Catalan" class="interlanguage-link-target">Català</a></li><li class="interlanguage-link interwiki-de mw-list-item"><a href="https://de.wikipedia.org/wiki/T%C3%A1r" title="Tár – German" lang="de" hreflang="de" data-title="Tár" data-language-autonym="Deutsch" data-language-local-name="German" class="interlanguage-link-target">Deutsch</a></li><li class="interlanguage-link interwiki-el mw-list-item"><a href="https://el.wikipedia.org/wiki/T%C3%A1r" title="Tár – Greek" lang="el" hreflang="el" data-title="Tár" data-language-autonym="Ελληνικά" data-language-local-name="Greek" class="interlanguage-link-target">Ελληνικά</a></li><li class="interlanguage-link interwiki-es mw-list-item"><a href="https://es.wikipedia.org/wiki/T%C3%A1r" title="Tár – Spanish" lang="es" hreflang="es" data-title="Tár" data-language-autonym="Español" data-language-local-name="Spanish" class="interlanguage-link-target">Español</a></li><li class="interlanguage-link interwiki-eu mw-list-item"><a href="https://eu.wikipedia.org/wiki/T%C3%A1r" title="Tár – Basque" lang="eu" hreflang="eu" data-title="Tár" data-language-autonym="Euskara" data-language-local-name="Basque" class="interlanguage-link-target">Euskara</a></li><li class="interlanguage-link interwiki-fa mw-list-item"><a href="https://fa.wikipedia.org/wiki/%D8%AA%D8%A7%D8%B1_(%D9%81%DB%8C%D9%84%D9%85)" title="تار (فیلم) – Persian" lang="fa" hreflang="fa" data-title="تار (فیلم)" data-language-autonym="فارسی" data-language-local-name="Persian" class="interlanguage-link-target">فارسی</a></li><li class="interlanguage-link interwiki-fr mw-list-item"><a href="https://fr.wikipedia.org/wiki/T%C3%A1r" title="Tár – French" lang="fr" hreflang="fr" data-title="Tár" data-language-autonym="Français" data-language-local-name="French" class="interlanguage-link-target">Français</a></li><li class="interlanguage-link interwiki-ko mw-list-item"><a href="https://ko.wikipedia.org/wiki/TAR_%ED%83%80%EB%A5%B4" title="TAR 타르 – Korean" lang="ko" hreflang="ko" data-title="TAR 타르" data-language-autonym="한국어" data-language-local-name="Korean" class="interlanguage-link-target">한국어</a></li><li class="interlanguage-link interwiki-id mw-list-item"><a href="https://id.wikipedia.org/wiki/T%C3%A1r" title="Tár – Indonesian" lang="id" hreflang="id" data-title="Tár" data-language-autonym="Bahasa Indonesia" data-language-local-name="Indonesian" class="interlanguage-link-target">Bahasa Indonesia</a></li><li class="interlanguage-link interwiki-it mw-list-item"><a href="https://it.wikipedia.org/wiki/T%C3%A1r" title="Tár – Italian" lang="it" hreflang="it" data-title="Tár" data-language-autonym="Italiano" data-language-local-name="Italian" class="interlanguage-link-target">Italiano</a></li><li class="interlanguage-link interwiki-he mw-list-item"><a href="https://he.wikipedia.org/wiki/%D7%98%D7%90%D7%A8_%D7%94%D7%9E%D7%A0%D7%A6%D7%97%D7%AA" title="טאר המנצחת – Hebrew" lang="he" hreflang="he" data-title="טאר המנצחת" data-language-autonym="עברית" data-language-local-name="Hebrew" class="interlanguage-link-target">עברית</a></li><li class="interlanguage-link interwiki-lv mw-list-item"><a href="https://lv.wikipedia.org/wiki/T%C3%A1r" title="Tár – Latvian" lang="lv" hreflang="lv" data-title="Tár" data-language-autonym="Latviešu" data-language-local-name="Latvian" class="interlanguage-link-target">Latviešu</a></li><li class="interlanguage-link interwiki-hu mw-list-item"><a href="https://hu.wikipedia.org/wiki/T%C3%A1r_(film)" title="Tár (film) – Hungarian" lang="hu" hreflang="hu" data-title="Tár (film)" data-language-autonym="Magyar" data-language-local-name="Hungarian" class="interlanguage-link-target">Magyar</a></li><li class="interlanguage-link interwiki-nl mw-list-item"><a href="https://nl.wikipedia.org/wiki/T%C3%A1r" title="Tár – Dutch" lang="nl" hreflang="nl" data-title="Tár" data-language-autonym="Nederlands" data-language-local-name="Dutch" class="interlanguage-link-target">Nederlands</a></li><li class="interlanguage-link interwiki-ja mw-list-item"><a href="https://ja.wikipedia.org/wiki/TAR/%E3%82%BF%E3%83%BC" title="TAR/ター – Japanese" lang="ja" hreflang="ja" data-title="TAR/ター" data-language-autonym="日本語" data-language-local-name="Japanese" class="interlanguage-link-target">日本語</a></li><li class="interlanguage-link interwiki-pl mw-list-item"><a href="https://pl.wikipedia.org/wiki/T%C3%A1r" title="Tár – Polish" lang="pl" hreflang="pl" data-title="Tár" data-language-autonym="Polski" data-language-local-name="Polish" class="interlanguage-link-target">Polski</a></li><li class="interlanguage-link interwiki-pt mw-list-item"><a href="https://pt.wikipedia.org/wiki/T%C3%A1r" title="Tár – Portuguese" lang="pt" hreflang="pt" data-title="Tár" data-language-autonym="Português" data-language-local-name="Portuguese" class="interlanguage-link-target">Português</a></li><li class="interlanguage-link interwiki-ru mw-list-item"><a href="https://ru.wikipedia.org/wiki/%D0%A2%D0%B0%D1%80_(%D1%84%D0%B8%D0%BB%D1%8C%D0%BC)" title="Тар (фильм) – Russian" lang="ru" hreflang="ru" data-title="Тар (фильм)" data-language-autonym="Русский" data-language-local-name="Russian" class="interlanguage-link-target">Русский</a></li><li class="interlanguage-link interwiki-simple mw-list-item"><a href="https://simple.wikipedia.org/wiki/T%C3%A1r" title="Tár – Simple English" lang="en-simple" hreflang="en-simple" data-title="Tár" data-language-autonym="Simple English" data-language-local-name="Simple English" class="interlanguage-link-target">Simple English</a></li><li class="interlanguage-link interwiki-sr mw-list-item"><a href="https://sr.wikipedia.org/wiki/%D0%A2%D0%B0%D1%80_(%D1%84%D0%B8%D0%BB%D0%BC)" title="Тар (филм) – Serbian" lang="sr" hreflang="sr" data-title="Тар (филм)" data-language-autonym="Српски / srpski" data-language-local-name="Serbian" class="interlanguage-link-target">Српски / srpski</a></li><li class="interlanguage-link interwiki-fi mw-list-item"><a href="https://fi.wikipedia.org/wiki/T%C3%A1r" title="Tár – Finnish" lang="fi" hreflang="fi" data-title="Tár" data-language-autonym="Suomi" data-language-local-name="Finnish" class="interlanguage-link-target">Suomi</a></li><li class="interlanguage-link interwiki-sv mw-list-item"><a href="https://sv.wikipedia.org/wiki/T%C3%A1r" title="Tár – Swedish" lang="sv" hreflang="sv" data-title="Tár" data-language-autonym="Svenska" data-language-local-name="Swedish" class="interlanguage-link-target">Svenska</a></li><li class="interlanguage-link interwiki-tr mw-list-item"><a href="https://tr.wikipedia.org/wiki/T%C3%A1r" title="Tár – Turkish" lang="tr" hreflang="tr" data-title="Tár" data-language-autonym="Türkçe" data-language-local-name="Turkish" class="interlanguage-link-target">Türkçe</a></li><li class="interlanguage-link interwiki-uk mw-list-item"><a href="https://uk.wikipedia.org/wiki/%D0%A2%D0%B0%D1%80_(%D1%84%D1%96%D0%BB%D1%8C%D0%BC)" title="Тар (фільм) – Ukrainian" lang="uk" hreflang="uk" data-title="Тар (фільм)" data-language-autonym="Українська" data-language-local-name="Ukrainian" class="interlanguage-link-target">Українська</a></li><li class="interlanguage-link interwiki-vi mw-list-item"><a href="https://vi.wikipedia.org/wiki/T%C3%A1r" title="Tár – Vietnamese" lang="vi" hreflang="vi" data-title="Tár" data-language-autonym="Tiếng Việt" data-language-local-name="Vietnamese" class="interlanguage-link-target">Tiếng Việt</a></li><li 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searchaux" style="display:none">2022 film by Todd Field</div> <style data-mw-deduplicate="TemplateStyles:r1236090951">.mw-parser-output .hatnote{font-style:italic}.mw-parser-output div.hatnote{padding-left:1.6em;margin-bottom:0.5em}.mw-parser-output .hatnote i{font-style:normal}.mw-parser-output .hatnote+link+.hatnote{margin-top:-0.5em}@media print{body.ns-0 .mw-parser-output .hatnote{display:none!important}}</style><div role="note" class="hatnote navigation-not-searchable">"Tar (film)" redirects here. For the 2012 film originally titled Tar, see <a href="/wiki/The_Color_of_Time" title="The Color of Time">The Color of Time</a>.</div> <style data-mw-deduplicate="TemplateStyles:r1257001546">.mw-parser-output .infobox-subbox{padding:0;border:none;margin:-3px;width:auto;min-width:100%;font-size:100%;clear:none;float:none;background-color:transparent}.mw-parser-output .infobox-3cols-child{margin:auto}.mw-parser-output .infobox .navbar{font-size:100%}@media screen{html.skin-theme-clientpref-night .mw-parser-output .infobox-full-data:not(.notheme)>div:not(.notheme)[style]{background:#1f1f23!important;color:#f8f9fa}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .infobox-full-data:not(.notheme) div:not(.notheme){background:#1f1f23!important;color:#f8f9fa}}@media(min-width:640px){body.skin--responsive .mw-parser-output .infobox-table{display:table!important}body.skin--responsive .mw-parser-output .infobox-table>caption{display:table-caption!important}body.skin--responsive .mw-parser-output .infobox-table>tbody{display:table-row-group}body.skin--responsive .mw-parser-output .infobox-table tr{display:table-row!important}body.skin--responsive .mw-parser-output .infobox-table th,body.skin--responsive .mw-parser-output .infobox-table td{padding-left:inherit;padding-right:inherit}}</style><table class="infobox vevent"><tbody><tr><th colspan="2" class="infobox-above summary" style="font-size: 125%; font-style: italic;">Tár</th></tr><tr><td colspan="2" class="infobox-image"><a href="/wiki/File:T%C3%A1r_poster.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/en/thumb/1/19/T%C3%A1r_poster.jpg/220px-T%C3%A1r_poster.jpg" decoding="async" width="220" height="326" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/1/19/T%C3%A1r_poster.jpg 1.5x" data-file-width="258" data-file-height="382" /></a><div class="infobox-caption">Theatrical release poster</div></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Directed by</th><td class="infobox-data"><a href="/wiki/Todd_Field" title="Todd Field">Todd Field</a></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Written by</th><td class="infobox-data">Todd Field</td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Produced by</th><td class="infobox-data"><style data-mw-deduplicate="TemplateStyles:r1126788409">.mw-parser-output .plainlist ol,.mw-parser-output .plainlist ul{line-height:inherit;list-style:none;margin:0;padding:0}.mw-parser-output .plainlist ol li,.mw-parser-output .plainlist ul li{margin-bottom:0}</style><div class="plainlist"> <ul><li>Todd Field</li> <li><a href="/wiki/Alexandra_Milchan" title="Alexandra Milchan">Alexandra Milchan</a></li> <li>Scott Lambert</li></ul> </div></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Starring</th><td class="infobox-data"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409"><div class="plainlist"> <ul><li><a href="/wiki/Cate_Blanchett" title="Cate Blanchett">Cate Blanchett</a></li> <li><a href="/wiki/No%C3%A9mie_Merlant" title="Noémie Merlant">Noémie Merlant</a></li> <li><a href="/wiki/Nina_Hoss" title="Nina Hoss">Nina Hoss</a></li> <li><a href="/wiki/Sophie_Kauer" title="Sophie Kauer">Sophie Kauer</a></li> <li><a href="/wiki/Julian_Glover" title="Julian Glover">Julian Glover</a></li> <li><a href="/wiki/Allan_Corduner" title="Allan Corduner">Allan Corduner</a></li> <li><a href="/wiki/Mark_Strong" title="Mark Strong">Mark Strong</a></li></ul> </div></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Cinematography</th><td class="infobox-data"><a href="/wiki/Florian_Hoffmeister" title="Florian Hoffmeister">Florian Hoffmeister</a><a href="#cite_note-1">[1]</a></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Edited by</th><td class="infobox-data"><a href="/wiki/Monika_Willi" title="Monika Willi">Monika Willi</a><a href="#cite_note-2">[2]</a></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Music by</th><td class="infobox-data"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409"><div class="plainlist"> <ul><li><a href="/wiki/Hildur_Gu%C3%B0nad%C3%B3ttir" title="Hildur Guðnadóttir">Hildur Guðnadóttir</a><a href="#cite_note-3">[3]</a></li></ul> </div></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;"><div style="display: inline-block; line-height: 1.2em; padding: .1em 0;">Production companies</div></th><td class="infobox-data"><div style="vertical-align: middle;"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409"><div class="plainlist"> <ul><li>Standard Film Company</li> <li>EMJAG Productions</li></ul> </div></div></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Distributed by</th><td class="infobox-data"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409"><div class="plainlist"> <ul><li><a href="/wiki/Focus_Features" title="Focus Features">Focus Features</a> (United States)</li> <li><a href="/wiki/Universal_Pictures" title="Universal Pictures">Universal Pictures</a> (international)</li></ul> </div></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;"><div style="display: inline-block; line-height: 1.2em; padding: .1em 0; white-space: normal;">Release dates</div></th><td class="infobox-data"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409"><div class="plainlist film-date"> <ul><li>September 1, 2022 (2022-09-01) (<a href="/wiki/79th_Venice_International_Film_Festival" title="79th Venice International Film Festival">Venice</a>)</li> <li>October 7, 2022 (2022-10-07) (United States)</li> <li>March 2, 2023 (2023-03-02) (Germany)</li></ul> </div></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;"><div style="display: inline-block; line-height: 1.2em; padding: .1em 0; white-space: normal;">Running time</div></th><td class="infobox-data">158 minutes</td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Countries</th><td class="infobox-data"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409"><div class="plainlist"> <ul><li>United States</li> <li>Germany</li></ul> </div></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Language</th><td class="infobox-data">English</td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Box office</th><td class="infobox-data">$29.2 million<a href="#cite_note-BOM-4">[4]</a><a href="#cite_note-NUM-5">[5]</a></td></tr></tbody></table> Tár is a 2022 <a href="/wiki/Psychological_drama" title="Psychological drama">psychological drama</a> film written and directed by <a href="/wiki/Todd_Field" title="Todd Field">Todd Field</a>. <a href="/wiki/Cate_Blanchett" title="Cate Blanchett">Cate Blanchett</a> stars as Lydia Tár, a world-renowned conductor, whose life unravels after being accused of misconduct. The supporting cast includes <a href="/wiki/Nina_Hoss" title="Nina Hoss">Nina Hoss</a>, <a href="/wiki/No%C3%A9mie_Merlant" title="Noémie Merlant">Noémie Merlant</a>, <a href="/wiki/Sophie_Kauer" title="Sophie Kauer">Sophie Kauer</a>, <a href="/wiki/Julian_Glover" title="Julian Glover">Julian Glover</a>, <a href="/wiki/Allan_Corduner" title="Allan Corduner">Allan Corduner</a>, and <a href="/wiki/Mark_Strong" title="Mark Strong">Mark Strong</a>. Tár premiered at the <a href="/wiki/79th_Venice_International_Film_Festival" title="79th Venice International Film Festival">79th Venice International Film Festival</a> in September 2022, where Blanchett won the <a href="/wiki/Volpi_Cup_for_Best_Actress" title="Volpi Cup for Best Actress">Volpi Cup for Best Actress</a>. Following a three-week <a href="/wiki/Limited_theatrical_release" title="Limited theatrical release">limited theatrical release</a>, it received a <a href="/wiki/Wide_release" title="Wide release">wide release</a> on October 28, 2022 through <a href="/wiki/Focus_Features" title="Focus Features">Focus Features</a>. Tár received critical acclaim, especially for Blanchett's performance and Field's screenplay and direction. At the <a href="/wiki/95th_Academy_Awards" title="95th Academy Awards">95th Academy Awards</a>, Tár was nominated for 6 awards, including <a href="/wiki/Academy_Award_for_Best_Picture" title="Academy Award for Best Picture">Best Picture</a>. Blanchett won Best Actress at the <a href="/wiki/76th_British_Academy_Film_Awards" title="76th British Academy Film Awards">BAFTAs</a>, <a href="/wiki/80th_Golden_Globe_Awards" title="80th Golden Globe Awards">Golden Globes</a>, and <a href="/wiki/28th_Critics%27_Choice_Awards" title="28th Critics' Choice Awards">Critics' Choice Awards</a>. <meta property="mw:PageProp/toc" /> <div class="mw-heading mw-heading2"><h2 id="Plot">Plot</h2>[<a href="/w/index.php?title=T%C3%A1r&action=edit&section=1" title="Edit section: Plot">edit</a>]</div> Lydia Tár is <a href="/wiki/Chief_conductor" class="mw-redirect" title="Chief conductor">chief conductor</a> of a Berlin orchestra. Lydia heavily relies on Francesca, her personal assistant and confidant. While being interviewed by <a href="/wiki/Adam_Gopnik" title="Adam Gopnik">Adam Gopnik</a> at <a href="/wiki/The_New_Yorker_Festival" title="The New Yorker Festival">The New Yorker Festival</a>, Lydia promotes her upcoming live recording of <a href="/wiki/Symphony_No._5_(Mahler)" title="Symphony No. 5 (Mahler)">Mahler's Fifth Symphony</a> and memoir Tár on Tár. She meets with Eliot Kaplan, an investment banker and amateur conductor who co-founded the Accordion Foundation with Lydia to support aspiring female conductors. They discuss technique, replacing Lydia's assistant conductor Sebastian, and filling a vacant cello position in Berlin. As a guest lecturer, Lydia holds a masterclass at <a href="/wiki/Juilliard_School" title="Juilliard School">Juilliard</a>. When a student expresses their reluctance to study <a href="/wiki/Johann_Sebastian_Bach" title="Johann Sebastian Bach">J. S. Bach</a>`s works due to his race and gender, she encourages the class to focus on the music, rather than the composer's identity. The debate escalates and Lydia and the student exchange insults. Later that night Lydia anonymously receives a first edition of <a href="/wiki/Vita_Sackville-West" title="Vita Sackville-West">Vita Sackville-West</a>'s novel <a href="/wiki/Vita_Sackville-West#Challenge" title="Vita Sackville-West">Challenge</a>. The title page has been embellished with a handdrawn <a href="/wiki/Ken%C3%A9" title="Kené">kené</a> pattern, a personal reminder of her trip to Perú. She tears up the page and then throws it away, along with the book. Lydia flies back to Berlin, where she lives with her wife Sharon (who is <a href="/wiki/Concertmaster" title="Concertmaster">concertmaster</a> of the orchestra) and their adopted daughter Petra. Before a <a href="/wiki/Blind_audition" title="Blind audition">blind audition</a> for the cello position, Lydia spots a young Russian candidate, Olga Metkina, in the bathroom. Lydia changes her scorecard to ensure Olga a spot in the orchestra and grants her a soloist position in the companion piece, <a href="/wiki/Cello_Concerto_(Elgar)" title="Cello Concerto (Elgar)">Elgar's Cello Concerto</a>. Lydia's attraction to Olga causes her relationships with Francesca and Sharon to grow strained. Krista Taylor is a promising young musician who has been <a href="/wiki/Blacklisting#Employment" title="Blacklisting">blacklisted</a> after getting on the bad side of her former mentor, Lydia. After sending desperate emails to Francesca, Krista kills herself, and Krista's parents plan to sue. Lydia instructs Francesca to delete the emails and retain a lawyer. Lydia informs Sebastian of his replacement. Incensed, he indicates the orchestra is aware of her favoritism and that it suggests inappropriate behavior. Due to Sebastian's accusations, Lydia decides to not promote Francesca to assistant conductor. Lydia is haunted by an increasing <a href="/wiki/Hyperacusis" title="Hyperacusis">sensitivity to sound</a>, vivid surreal nightmares, daytime hallucinations, chronic pain, and enigmatic patterned scribbles resembling those Krista once made. While jogging in the park, Lydia hears a screaming woman in the distance. While trying to complete a composition "For Petra", she is disturbed by the sound of a medical device next door, where her neighbor is caring for her dying mother. A manipulatively edited cellphone video of Lydia's Juilliard class goes viral and an article accusing her of sexual predation appears in the <a href="/wiki/New_York_Post" title="New York Post">New York Post</a>. Lydia urgently tries to reach Francesca who has resigned from her position and is now working with Krista's lawyers on their deposition. Furious, Lydia breaks into Francesca's home to find that it is completely empty and abandoned. Lydia takes the front page of the proofs to Tár on Tár, which Francesca renamed Rat on Rat. Lydia, accompanied by Olga, returns to New York City to attend the deposition in the lawsuit of Krista's parents and to promote her book; they are met by protestors. During the deposition, the plaintiffs ask Lydia about incriminating emails between Lydia and Krista which Francesca provided. In Berlin, Lydia is removed as conductor due to the controversy. Furious over the allegations and Lydia's lack of communication, Sharon bars her from seeing their daughter. Lydia retreats to her old studio and grows increasingly depressed and deranged. She sneaks into the live recording she was supposed to conduct and tackles her replacement, Eliot. Advised to lie low by her management agency, she returns to her modest childhood home on <a href="/wiki/Staten_Island" title="Staten Island">Staten Island</a>, where certificates of achievement bearing her birth name, Linda Tarr, hang on the wall. She tears up watching an old <a href="/wiki/VHS" title="VHS">VHS</a> of <a href="/wiki/Young_People%27s_Concerts" title="Young People's Concerts">Young People's Concerts</a> in which <a href="/wiki/Leonard_Bernstein" title="Leonard Bernstein">Leonard Bernstein</a> discusses the meaning of music. Her brother Tony arrives and admonishes her for forgetting her roots. Sometime in the future, Lydia finds work conducting in the Philippines. Seeking a massage, the hotel concierge sends her to a brothel fronting as a massage parlor; the young women sit in a semicircle with numbers on their robes. Number 5 looks directly at Lydia, and Lydia rushes outside to vomit. Later on, she conducts a live performance of the score for the video game series <a href="/wiki/Monster_Hunter" title="Monster Hunter">Monster Hunter</a> in front of an audience of <a href="/wiki/Cosplay" title="Cosplay">cosplayers</a>. <div class="mw-heading mw-heading2"><h2 id="Cast">Cast</h2>[<a href="/w/index.php?title=T%C3%A1r&action=edit&section=2" title="Edit section: Cast">edit</a>]</div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Nina_Hoss,_No%C3%A9mie_Merlant,_Todd_Field,_Sophie_Kauer_%26_Cate_Blanchett.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/a/a2/Nina_Hoss%2C_No%C3%A9mie_Merlant%2C_Todd_Field%2C_Sophie_Kauer_%26_Cate_Blanchett.jpg/220px-Nina_Hoss%2C_No%C3%A9mie_Merlant%2C_Todd_Field%2C_Sophie_Kauer_%26_Cate_Blanchett.jpg" decoding="async" width="220" height="182" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/a/a2/Nina_Hoss%2C_No%C3%A9mie_Merlant%2C_Todd_Field%2C_Sophie_Kauer_%26_Cate_Blanchett.jpg/330px-Nina_Hoss%2C_No%C3%A9mie_Merlant%2C_Todd_Field%2C_Sophie_Kauer_%26_Cate_Blanchett.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/a/a2/Nina_Hoss%2C_No%C3%A9mie_Merlant%2C_Todd_Field%2C_Sophie_Kauer_%26_Cate_Blanchett.jpg/440px-Nina_Hoss%2C_No%C3%A9mie_Merlant%2C_Todd_Field%2C_Sophie_Kauer_%26_Cate_Blanchett.jpg 2x" data-file-width="1311" data-file-height="1083" /></a><figcaption>Nina Hoss, Noémie Merlant, Todd Field, Sophie Kauer & Cate Blanchett at the 79th Venice Biennale</figcaption></figure> <ul><li><a href="/wiki/Cate_Blanchett" title="Cate Blanchett">Cate Blanchett</a> as Lydia Tár, a world-famous <a href="/wiki/Composer" title="Composer">composer</a>-<a href="/wiki/Conducting" title="Conducting">conductor</a><a href="#cite_note-6">[6]</a></li> <li><a href="/wiki/No%C3%A9mie_Merlant" title="Noémie Merlant">Noémie Merlant</a> as Francesca Lentini, Lydia's assistant<a href="#cite_note-7">[7]</a></li> <li><a href="/wiki/Nina_Hoss" title="Nina Hoss">Nina Hoss</a> as Sharon Goodnow, a <a href="/wiki/Concertmaster" title="Concertmaster">concertmaster</a> and Lydia's wife<a href="#cite_note-8">[8]</a></li> <li><a href="/wiki/Sophie_Kauer" title="Sophie Kauer">Sophie Kauer</a> as Olga Metkina, a young Russian cellist<a href="#cite_note-9">[9]</a></li> <li><a href="/wiki/Julian_Glover" title="Julian Glover">Julian Glover</a> as Andris Davis, Lydia's predecessor</li> <li><a href="/wiki/Allan_Corduner" title="Allan Corduner">Allan Corduner</a> as Sebastian Brix, Lydia's assistant conductor</li> <li><a href="/wiki/Mark_Strong" title="Mark Strong">Mark Strong</a> as Eliot Kaplan, an investment banker, amateur conductor, and manager of Lydia's fellowship program</li> <li><a href="/wiki/Adam_Gopnik" title="Adam Gopnik">Adam Gopnik</a> as himself, Lydia's interviewer at <a href="/wiki/The_New_Yorker_Festival" title="The New Yorker Festival">The New Yorker Festival</a><a href="#cite_note-10">[10]</a></li> <li>Sylvia Flote as Krista Taylor, a former member of Lydia's fellowship program</li> <li><a href="/wiki/Sydney_Lemmon" title="Sydney Lemmon">Sydney Lemmon</a> as Whitney Reese, a fan of Lydia</li> <li><a href="/wiki/Zethphan_Smith-Gneist" title="Zethphan Smith-Gneist">Zethphan Smith-Gneist</a> as Max, a <a href="/wiki/Juilliard_School" title="Juilliard School">Juilliard</a> student<a href="#cite_note-11">[11]</a></li> <li><a href="/wiki/Alec_Baldwin" title="Alec Baldwin">Alec Baldwin</a> (voice only) as himself, interviewing Lydia on his podcast <a href="/wiki/Here%27s_the_Thing" title="Here's the Thing">Here's the Thing</a></li> <li>Mila Bogojevic as Petra, Lydia and Sharon's daughter</li> <li>Lee Sellars as Tony Tarr, Lydia's brother</li></ul> <div class="mw-heading mw-heading2"><h2 id="Production">Production</h2>[<a href="/w/index.php?title=T%C3%A1r&action=edit&section=3" title="Edit section: Production">edit</a>]</div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Dresdner_Philharmonie.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/2/21/Dresdner_Philharmonie.jpg/220px-Dresdner_Philharmonie.jpg" decoding="async" width="220" height="92" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/2/21/Dresdner_Philharmonie.jpg/330px-Dresdner_Philharmonie.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/2/21/Dresdner_Philharmonie.jpg/440px-Dresdner_Philharmonie.jpg 2x" data-file-width="1666" data-file-height="696" /></a><figcaption>The <a href="/wiki/Dresden_Philharmonic" title="Dresden Philharmonic">Dresden Philharmonic</a> was used as a stand-in for the Berlin Philharmonic.</figcaption></figure> It was announced in April 2021 that Blanchett would star in and executive-produce the film, which would be written and directed by <a href="/wiki/Todd_Field" title="Todd Field">Todd Field</a>.<a href="#cite_note-12">[12]</a><a href="#cite_note-13">[13]</a> In a statement accompanying the teaser trailer in August 2022, Field said that he wrote the script for Blanchett, and that he would not have made the film if she had declined it.<a href="#cite_note-14">[14]</a> In September 2021, <a href="/wiki/Nina_Hoss" title="Nina Hoss">Nina Hoss</a> and <a href="/wiki/No%C3%A9mie_Merlant" title="Noémie Merlant">Noémie Merlant</a> joined the cast, and <a href="/wiki/Hildur_Gu%C3%B0nad%C3%B3ttir" title="Hildur Guðnadóttir">Hildur Guðnadóttir</a> became the film's composer.<a href="#cite_note-15">[15]</a> Filming began in August 2021 in <a href="/wiki/Berlin" title="Berlin">Berlin</a>.<a href="#cite_note-16">[16]</a> In an interview with <a href="/wiki/The_Guardian" title="The Guardian">The Guardian</a> in October, <a href="/wiki/Mark_Strong" title="Mark Strong">Mark Strong</a> revealed that he had finished filming scenes for the film.<a href="#cite_note-17">[17]</a> In November, it was reported that <a href="/wiki/Sophie_Kauer" title="Sophie Kauer">Sophie Kauer</a>, <a href="/wiki/Julian_Glover" title="Julian Glover">Julian Glover</a>, <a href="/wiki/Allan_Corduner" title="Allan Corduner">Allan Corduner</a> and Sylvia Flote had joined the cast.<a href="#cite_note-releasedate-18">[18]</a> (Kauer is a British-German classical cellist who studied at the <a href="/wiki/Royal_Academy_of_Music" title="Royal Academy of Music">Royal Academy of Music</a>.)<a href="#cite_note-19">[19]</a> All <a href="/wiki/Diegetic_music" title="Diegetic music">diegetic music</a> was recorded live on-set, including Blanchett's piano playing, Kauer's cello, and the <a href="/wiki/Dresden_Philharmonic" title="Dresden Philharmonic">Dresden Philharmonic</a>'s performances.<a href="#cite_note-20">[20]</a><a href="#cite_note-21">[21]</a> <div class="mw-heading mw-heading2"><h2 id="Release">Release</h2>[<a href="/w/index.php?title=T%C3%A1r&action=edit&section=4" title="Edit section: Release">edit</a>]</div> Tár had its world premiere at the <a href="/wiki/79th_Venice_International_Film_Festival" title="79th Venice International Film Festival">79th Venice International Film Festival</a> on September 1, 2022,<a href="#cite_note-22">[22]</a> and had its first North American screening at the <a href="/wiki/49th_Telluride_Film_Festival" title="49th Telluride Film Festival">49th Telluride Film Festival</a> on September 3, 2022.<a href="#cite_note-23">[23]</a> It had a limited theatrical release on October 7, 2022, then expanded to wide release on October 28.<a href="#cite_note-24">[24]</a><a href="#cite_note-releasedate-18">[18]</a> <div class="mw-heading mw-heading3"><h3 id="Home_media">Home media</h3>[<a href="/w/index.php?title=T%C3%A1r&action=edit&section=5" title="Edit section: Home media">edit</a>]</div> The film was released for <a href="/wiki/Video_on_demand" title="Video on demand">VOD</a> on November 15, 2022, followed by a <a href="/wiki/Blu-ray" title="Blu-ray">Blu-ray</a>, <a href="/wiki/DVD" title="DVD">DVD</a>, and <a href="/wiki/4K_resolution" title="4K resolution">4K UHD</a> release on December 20.<a href="#cite_note-25">[25]</a> By March 9, 2023, according to <a href="/wiki/Samba_TV" title="Samba TV">Samba TV</a>, the film had been streamed on <a href="/wiki/Peacock_(streaming_service)" title="Peacock (streaming service)">Peacock</a> in 458,000 households in the US since the Oscar nomination announcement on January 24. JustWatch also reported it to be, by February 21, the third most-streamed Best Picture nominee in Canada.<a href="#cite_note-26">[26]</a><a href="#cite_note-27">[27]</a> <div class="mw-heading mw-heading2"><h2 id="Music">Music</h2>[<a href="/w/index.php?title=T%C3%A1r&action=edit&section=6" title="Edit section: Music">edit</a>]</div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236090951"><div role="note" class="hatnote navigation-not-searchable">Main article: <a href="/wiki/T%C3%A1r_(Music_from_and_Inspired_by_the_Motion_Picture)" title="Tár (Music from and Inspired by the Motion Picture)">Tár (Music from and Inspired by the Motion Picture)</a></div> A <a href="/wiki/Concept_album" title="Concept album">concept album</a> was released on October 21, 2022, featuring Guðnadóttir's score with the <a href="/wiki/London_Contemporary_Orchestra" title="London Contemporary Orchestra">London Contemporary Orchestra</a> conducted by <a href="/wiki/Robert_Ames_(conductor)" title="Robert Ames (conductor)">Robert Ames</a>, and a rehearsal of Gustav Mahler's <a href="/wiki/Symphony_No._5_(Mahler)" title="Symphony No. 5 (Mahler)">Fifth Symphony</a> with Blanchett conducting the Dresden Philharmonic. Cellist Sophie Kauer plays Elgar's Cello Concerto on the album, backed by the <a href="/wiki/London_Symphony_Orchestra" title="London Symphony Orchestra">London Symphony Orchestra</a> conducted by Natalie Murray Beale.<a href="#cite_note-28">[28]</a> For the week ending November 5, 2022, the Tár concept album topped <a href="/wiki/Billboard_(magazine)" title="Billboard (magazine)">Billboard</a> magazine's <a href="/wiki/Traditional_Classical_Albums" class="mw-redirect" title="Traditional Classical Albums">Traditional Classical Albums</a> at number one.<a href="#cite_note-29">[29]</a> <a href="/wiki/John_Mauceri" title="John Mauceri">John Mauceri</a> served as consultant on Field's script, helping inform the tenor and accuracy of Lydia Tár's comments on classical music and musicians.<a href="#cite_note-30">[30]</a> <div class="mw-heading mw-heading2"><h2 id="Reception">Reception</h2>[<a href="/w/index.php?title=T%C3%A1r&action=edit&section=7" title="Edit section: Reception">edit</a>]</div> <div class="mw-heading mw-heading3"><h3 id="Box_office">Box office</h3>[<a href="/w/index.php?title=T%C3%A1r&action=edit&section=8" title="Edit section: Box office">edit</a>]</div> Tár grossed $6.8 million in the United States and Canada, and $22.4 million in other territories, for a worldwide total of $29.2 million.<a href="#cite_note-NUM-5">[5]</a><a href="#cite_note-BOM-4">[4]</a> In the United States and Canada, it made $158,620 from four theaters in its opening weekend. The $39,655 per-screen average was the second highest of 2022 for a limited release. In its second weekend the film made $330,030 from 36 theaters. In its third weekend it made $500,035 from 141 theaters, and there was speculation in the trades that Tár was an example that there was still a place for "adult-minded fare".<a href="#cite_note-31">[31]</a><a href="#cite_note-32">[32]</a><a href="#cite_note-33">[33]</a> However, once Tár expanded to 1,087 theaters in its fourth weekend, leaving the limited specialty house run for the multiplex, it made only $1.02 million, finishing 10th.<a href="#cite_note-opening-34">[34]</a> In its second week of wide release, it made $729,605 (marking a drop of 30%).<a href="#cite_note-35">[35]</a> Some commentators attributed the poor US domestic box office performance to the film's subject matter alienating a general audience.<a href="#cite_note-36">[36]</a> Others noted a larger trend in US art houses, 40% of which had permanently shuttered during the <a href="/wiki/Impact_of_the_COVID-19_pandemic_on_cinema" title="Impact of the COVID-19 pandemic on cinema">COVID-19 pandemic</a>, struggling to regain their core 40–70 year-old audience, an audience more prone to health concerns and still hesitant to return to the cinema.<a href="#cite_note-37">[37]</a><a href="#cite_note-38">[38]</a> <a href="/wiki/The_New_York_Times" title="The New York Times">The New York Times</a> reported that Tár "cost at least $35 million including marketing," and that it and similar <a href="/wiki/Highbrow" title="Highbrow">highbrow</a> films from established filmmakers such as <a href="/wiki/Paul_Thomas_Anderson" title="Paul Thomas Anderson">Paul Thomas Anderson</a>'s <a href="/wiki/Licorice_Pizza" title="Licorice Pizza">Licorice Pizza</a>, <a href="/wiki/Guillermo_del_Toro" title="Guillermo del Toro">Guillermo del Toro</a>'s <a href="/wiki/Nightmare_Alley_(2021_film)" title="Nightmare Alley (2021 film)">Nightmare Alley</a>, and <a href="/wiki/Steven_Spielberg" title="Steven Spielberg">Steven Spielberg</a>'s <a href="/wiki/The_Fabelmans" title="The Fabelmans">The Fabelmans</a> had "failed to find an audience big enough to justify their costs".<a href="#cite_note-39">[39]</a> 78% of the film's box office takings were overseas.<a href="#cite_note-40">[40]</a> <div class="mw-heading mw-heading3"><h3 id="Critical_response">Critical response</h3>[<a href="/w/index.php?title=T%C3%A1r&action=edit&section=9" title="Edit section: Critical response">edit</a>]</div> <style data-mw-deduplicate="TemplateStyles:r1273380762/mw-parser-output/.tmulti">.mw-parser-output .tmulti .multiimageinner{display:flex;flex-direction:column}.mw-parser-output .tmulti .trow{display:flex;flex-direction:row;clear:left;flex-wrap:wrap;width:100%;box-sizing:border-box}.mw-parser-output .tmulti .tsingle{margin:1px;float:left}.mw-parser-output .tmulti .theader{clear:both;font-weight:bold;text-align:center;align-self:center;background-color:transparent;width:100%}.mw-parser-output .tmulti .thumbcaption{background-color:transparent}.mw-parser-output .tmulti .text-align-left{text-align:left}.mw-parser-output .tmulti .text-align-right{text-align:right}.mw-parser-output .tmulti .text-align-center{text-align:center}@media all and (max-width:720px){.mw-parser-output .tmulti .thumbinner{width:100%!important;box-sizing:border-box;max-width:none!important;align-items:center}.mw-parser-output .tmulti .trow{justify-content:center}.mw-parser-output .tmulti .tsingle{float:none!important;max-width:100%!important;box-sizing:border-box;text-align:center}.mw-parser-output .tmulti .tsingle .thumbcaption{text-align:left}.mw-parser-output .tmulti .trow>.thumbcaption{text-align:center}}@media screen{html.skin-theme-clientpref-night .mw-parser-output .tmulti .multiimageinner span:not(.skin-invert-image):not(.skin-invert):not(.bg-transparent) img{background-color:white}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .tmulti .multiimageinner span:not(.skin-invert-image):not(.skin-invert):not(.bg-transparent) img{background-color:white}}</style><div class="thumb tmulti tright"><div class="thumbinner multiimageinner" style="width:192px;max-width:192px"><div class="trow"><div class="tsingle" style="width:190px;max-width:190px"><div class="thumbimage" style="height:250px;overflow:hidden"><a href="/wiki/File:Cate_Blanchett-63298_(cropped_2).jpg" class="mw-file-description"><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/2/2a/Cate_Blanchett-63298_%28cropped_2%29.jpg/188px-Cate_Blanchett-63298_%28cropped_2%29.jpg" decoding="async" width="188" height="251" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/2/2a/Cate_Blanchett-63298_%28cropped_2%29.jpg/282px-Cate_Blanchett-63298_%28cropped_2%29.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/2/2a/Cate_Blanchett-63298_%28cropped_2%29.jpg/376px-Cate_Blanchett-63298_%28cropped_2%29.jpg 2x" data-file-width="2261" data-file-height="3018" /></a></div></div></div><div class="trow" style="display:flex"><div class="thumbcaption"><a href="/wiki/Cate_Blanchett" title="Cate Blanchett">Cate Blanchett</a> garnered critical acclaim for her performance and earned an <a href="/wiki/Academy_Award" class="mw-redirect" title="Academy Award">Academy Award</a> nomination for <a href="/wiki/Academy_Award_for_Best_Actress" title="Academy Award for Best Actress">Best Actress</a>.</div></div></div></div> On <a href="/wiki/Rotten_Tomatoes" title="Rotten Tomatoes">Rotten Tomatoes</a>, 91% of 356 critics' reviews are positive, with an average rating of 8.3/10. The website's consensus reads, "Led by the soaring melody of Cate Blanchett's note-perfect performance, Tár riffs brilliantly on the discordant side of fame-fueled power."<a href="#cite_note-41">[41]</a> <a href="/wiki/Metacritic" title="Metacritic">Metacritic</a>, which uses a weighted average, assigned the film a score of 93 out of 100, based on 59 critics, indicating "universal acclaim".<a href="#cite_note-42">[42]</a> <a href="/wiki/Owen_Gleiberman" title="Owen Gleiberman">Owen Gleiberman</a> in his Venice Film Festival <a href="/wiki/Daily_Variety" class="mw-redirect" title="Daily Variety">Daily Variety</a> review wrote: <style data-mw-deduplicate="TemplateStyles:r1244412712">.mw-parser-output .templatequote{overflow:hidden;margin:1em 0;padding:0 32px}.mw-parser-output .templatequotecite{line-height:1.5em;text-align:left;margin-top:0}@media(min-width:500px){.mw-parser-output .templatequotecite{padding-left:1.6em}}</style><blockquote class="templatequote">Let me say right up front: It's the work of a master filmmaker ... Field's script is dazzling in its conversational flow, its insider dexterity, its perception of how power in the world actually works ... Tár is not a judgement so much as a statement you can make your own judgment about. The statement is: We're in a new world.<a href="#cite_note-43">[43]</a></blockquote> <a href="/wiki/A._O._Scott" title="A. O. Scott">A. O. Scott</a> of <a href="/wiki/The_New_York_Times" title="The New York Times">The New York Times</a> writing from the <a href="/wiki/Telluride_Film_Festival" title="Telluride Film Festival">Telluride Film Festival</a> and later from the <a href="/wiki/New_York_Film_Festival" title="New York Film Festival">New York Film Festival</a> stated:<link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1244412712"><blockquote class="templatequote">I'm not sure I've ever seen a movie quite like Tár. Field balances Apollonian restraint with Dionysian frenzy. Tár is meticulously controlled and also scarily wild. Field finds a new way of posing the perennial question about separating the artist from the art, a question that he suggests can only be answered by another question: are you crazy? We don't care about Tár because she's an artist. We care about her because she's art.<a href="#cite_note-44">[44]</a><a href="#cite_note-45">[45]</a></blockquote> <a href="/wiki/Justin_Chang" title="Justin Chang">Justin Chang</a> for the <a href="/wiki/Los_Angeles_Times" title="Los Angeles Times">Los Angeles Times</a> regarded the film as:<link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1244412712"><blockquote class="templatequote">"Both a superb character study and a highly persuasive piece of world building", stating that the director's "storytelling draws no artificial distinction between the big and the small, the important and the mundane; everything we see and hear matters.<a href="#cite_note-46">[46]</a> Tár is irreducible, and it is great."<a href="#cite_note-47">[47]</a></blockquote> Alissa Wilkinson, writing for <a href="/wiki/Vox_(magazine)" title="Vox (magazine)">Vox</a>, observed:<link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1244412712"><blockquote class="templatequote">"Not to be hyperbolic, but it might be perfect. Todd Field has tuned his themes so brilliantly. You can’t just half-watch Tár, it demands your full attention. That’s the mark of good art, but it’s a discipline so many contemporary films aren’t willing to demand from audiences. And if you’re honest with yourself, you don’t just watch Tár; it watches you, too.”<a href="#cite_note-48">[48]</a></blockquote> Reviewing the film for <a href="/wiki/The_Hollywood_Reporter" title="The Hollywood Reporter">The Hollywood Reporter</a>, David Rooney wrote: <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1244412712"><blockquote class="templatequote">Tár marks yet another career peak for Blanchett—many are likely to argue her greatest—and a fervent reason to hope it's not sixteen more years before Field gives us another feature. It's a work of genius.<a href="#cite_note-49">[49]</a></blockquote> <a href="/wiki/Anthony_Lane" title="Anthony Lane">Anthony Lane</a> of <a href="/wiki/The_New_Yorker" title="The New Yorker">The New Yorker</a> stated:<link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1244412712"><blockquote class="templatequote">To what extent she is a proven predator; how much she deserves to be preyed upon, in turn, by the gluttons of public indignation; and why, despite everything, she should enjoy our lingering sympathy in a way that a middle-aged man in her position would not: such issues will, no doubt, be aired and contested in due course. Field is wise enough to reserve judgment. It would be dead wrong, though, to consider Tár as a kind of op-ed made flesh.<a href="#cite_note-50">[50]</a></blockquote> Lane's colleague <a href="/wiki/Richard_Brody" title="Richard Brody">Richard Brody</a> disagreed and argued in his capsule review that Tár was:<link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1244412712"><blockquote class="templatequote"> "a regressive film that takes bitter aim at so-called <a href="/wiki/Cancel_culture" title="Cancel culture">cancel culture</a> and lampoons so-called <a href="/wiki/Identity_politics" title="Identity politics">identity politics</a>" and laments Field's "absence of style" in filming the music. He accuses the film of "conservative button-pushing" with a narrow aesthetic, failing to achieve dramatic unity.<a href="#cite_note-51">[51]</a></blockquote> <div class="mw-heading mw-heading3"><h3 id="Additional_reactions">Additional reactions</h3>[<a href="/w/index.php?title=T%C3%A1r&action=edit&section=10" title="Edit section: Additional reactions">edit</a>]</div> <a href="/wiki/Martin_Scorsese" title="Martin Scorsese">Martin Scorsese</a> presenting Field with the <a href="/wiki/2022_New_York_Film_Critics_Circle_Awards" title="2022 New York Film Critics Circle Awards">2022 New York Film Critics Circle Awards</a> Best Film of the Year, said, <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1244412712"><blockquote class="templatequote">For so long now, so many of us see films that pretty much let us know where they're going ... I mean, they take us by the hand and, even if it's disturbing at times, sort of comfort us along the way that it will be all okay by the end. Now this is insidious, as one can get lulled into this and ultimately get used to it, leading those of us who've experienced cinema in the past – as much more than that – to become despairing of the future of the art form, especially for younger generations. But that's on dark days. The clouds lifted when I experienced Todd's film, Tár. What you've done, Todd – is that the very fabric of the movie you created doesn't allow this. All the aspects of cinema and the film that you've used, attest to this ... conveyed through a masterful mise-en-scène, as controlled, precise, dangerous, precipitous angles and edges geometrically kind of chiseled into wonderful frame compositions. The limits of the frame itself, and the provocation of measured long takes all reflecting the brutal architecture of her soul – Tár's soul.<a href="#cite_note-52">[52]</a></blockquote> <a href="/wiki/Paul_Thomas_Anderson" title="Paul Thomas Anderson">Paul Thomas Anderson</a> presenting Field with the Director Medallion at the 75th annual DGA Awards said, <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1244412712"><blockquote class="templatequote">Every detail matters in this film. Nothing is not deliberate or full of intention. It's directed with such perfectly controlled mayhem and glee by Todd, it's really hard not to drool as another director. He made a film which for some years was considered a very dirty word, he made an art film. But it's art that's not fussy or pretentious. Just razor-sharp, pitch black, and hilarious. A very focused mirror held up to some of the worst of our human behaviors. It's also a blast.<a href="#cite_note-53">[53]</a></blockquote> In an interview with <a href="/wiki/The_Sunday_Times" title="The Sunday Times">The Sunday Times</a>, conductor <a href="/wiki/Marin_Alsop" title="Marin Alsop">Marin Alsop</a> shared her dislike of the film, calling it "anti-woman", saying "I was offended: I was offended as a woman, I was offended as a conductor, I was offended as a lesbian. To have an opportunity to portray a woman in that role and to make her an abuser – for me that was heartbreaking."<a href="#cite_note-54">[54]</a> In response, Blanchett told <a href="/wiki/BBC_Radio_4" title="BBC Radio 4">BBC Radio 4</a>, the film was a "meditation on power, and power is genderless", and that while her character shares similarities with Alsop, it is a complete work of fiction.<a href="#cite_note-55">[55]</a> Writing in <a href="/wiki/The_Guardian" title="The Guardian">The Guardian</a>, conductor Alice Farnham thanked Blanchett, Field, and the film for "taking up the baton for female conductors", and for normalising their image.<a href="#cite_note-56">[56]</a> Critic Emily Bootle also defended the film in the <a href="/wiki/I_(newspaper)" class="mw-redirect" title="I (newspaper)">i newspaper</a> writing: "This is a film about power [but] sometimes we have to tolerate grey areas."<a href="#cite_note-57">[57]</a> Film critics <a href="/wiki/Mark_Kermode" title="Mark Kermode">Mark Kermode</a> and <a href="/wiki/Simon_Mayo" title="Simon Mayo">Simon Mayo</a> also disagreed with the interpretation that Tár is "anti-woman."<a href="#cite_note-58">[58]</a> Writing for <a href="/wiki/Time_(magazine)" title="Time (magazine)">Time</a>, <a href="/wiki/Stephanie_Zacharek" title="Stephanie Zacharek">Stephanie Zacharek</a> went further: "Tár doesn't offer anything as comfortable as redemption, and it asks us to fall in love, at least a little, with a tyrant. ... Lydia Tár ... knows that the power of a question is greater than that of a slogan."<a href="#cite_note-59">[59]</a> Music professor <a href="/wiki/Ian_Pace" title="Ian Pace">Ian Pace</a> discussed the issue in <a href="/wiki/The_Conversation_(website)" title="The Conversation (website)">The Conversation</a>: "It would be rash to assume that such a figure could never act in a predatory and exploitative manner. This is not just an issue of identity, but power and the opportunities it provides for the reckless."<a href="#cite_note-60">[60]</a> Conductor Don Baton (a pen name) in <a href="/wiki/City_Journal" title="City Journal">City Journal</a> agreed.<a href="#cite_note-61">[61]</a> Film critic John McDonald for the <a href="/wiki/Australian_Financial_Review" title="Australian Financial Review">Australian Financial Review</a> wrote: "Had it been a male conductor, the story would have been a cliché. Had it been a celebration of female power, it would have been no less superficial ... Field has taken the 'Maestro myth' that portrays the conductor as a kind of hypermale and shown that the same issues may apply to a woman."<a href="#cite_note-62">[62]</a><a href="#cite_note-63">[63]</a> Several other conductors and musicians wrote in defense of the film.<a href="#cite_note-64">[64]</a> <a href="/wiki/Yo_Yo_Ma" class="mw-redirect" title="Yo Yo Ma">Yo Yo Ma</a> told <a href="/wiki/Indiewire" class="mw-redirect" title="Indiewire">indiewire</a> "Todd has created such a striking film. Cate Blanchett’s Lydia Tár demands that we wrestle with two of art’s most difficult questions: what gives art its power and what role does power play in art?"<a href="#cite_note-65">[65]</a> In her critique for <a href="/wiki/The_New_York_Review_of_Books" title="The New York Review of Books">The New York Review of Books</a> titled "The Instrumentalist", prize-winning novelist and professor <a href="/wiki/Zadie_Smith" title="Zadie Smith">Zadie Smith</a> commended Cate Blanchett's performance,<a href="#cite_note-66">[66]</a> and the classroom scene at the <a href="/wiki/Juilliard_School" title="Juilliard School">Juilliard School</a> was described by <a href="/wiki/A._O._Scott" title="A. O. Scott">A. O. Scott</a> as "a mini-course in the dos and don'ts of contemporary pedagogy."<a href="#cite_note-67">[67]</a><a href="#cite_note-68">[68]</a> Critic <a href="/wiki/Amanda_Hess" title="Amanda Hess">Amanda Hess</a> wrote in <a href="/wiki/The_New_York_Times" title="The New York Times">The New York Times</a>, "The online cancellation of an artistic giant can be a tedious subject, but in Tár, it acquires sneaky complications ... Tár offers up a work into which we can sublimate our own <a href="/wiki/Schadenfreude" title="Schadenfreude">Schadenfreude</a> and sympathy for abusers. Thanks to Blanchett's luminous performance and Field's puzzle-box storytelling, we are freed to obsess."<a href="#cite_note-69">[69]</a> Film critic Howie Movshovitz,<a href="#cite_note-70">[70]</a> critic and essayist Philippa Snow (<a href="/wiki/ArtReview" title="ArtReview">ArtReview</a>),<a href="#cite_note-71">[71]</a> Murielle Joudet (<a href="/wiki/Le_Monde" title="Le Monde">Le Monde</a>)<a href="#cite_note-72">[72]</a> and Guillaume Orignac (<a href="/wiki/Cahiers_du_Cin%C3%A9ma" title="Cahiers du Cinéma">Cahiers du Cinéma</a>) draw attention to the film's creative open-endedness, allowing audiences to draw their own conclusions about its significance and meaning.<a href="#cite_note-73">[73]</a> <a href="/wiki/The_New_York_Times" title="The New York Times">The New York Times</a> columnist <a href="/wiki/Michelle_Goldberg" title="Michelle Goldberg">Michelle Goldberg</a> argued that Tár is "a film about <a href="/wiki/Cancel_culture" title="Cancel culture">cancel culture</a>, making it the rare piece of art that looks squarely at this social phenomenon that has roiled so many of America's meaning-making institutions ... Tár demonstrates that all this flux and uncertainty is very fertile territory for art. Hopefully its success – many are predicting it will win a Best Picture Oscar – will encourage others to take on similarly thorny and unsettled issues. Hysteria about cancel culture can encourage artistic timidity by overstating the cost of probing taboos. In truth, there's a hunger out there for work that takes the strangeness of this time and turns it into something that transcends polemic."<a href="#cite_note-74">[74]</a> Similarly, Ara Osterweil in <a href="/wiki/Art_Forum" class="mw-redirect" title="Art Forum">Art Forum</a> wrote, "Todd Field's brilliant character study (...) suggest(s) that the ritual excommunications of cancel culture may be as exaggerated as the generic fantasies enacted by Tár’s gamer audience."<a href="#cite_note-75">[75]</a> Austrian musicologist and anthropologist Bernd Brabec alleged that part of Lydia Tár's biography read aloud by <a href="/wiki/Adam_Gopnik" title="Adam Gopnik">Adam Gopnik</a> mines his <a href="/wiki/Curriculum_vitae" title="Curriculum vitae">CV</a>.<a href="#cite_note-76">[76]</a><a href="#cite_note-77">[77]</a> In response, Brabec wrote an open letter<a href="#cite_note-78">[78]</a> to director Todd Field. In the letter, Brabec takes offence at the film mirroring particulars of his academic background and criticizes what he characterized as unfortunately minimal and shallow treatment of the <a href="/wiki/Shipibo-Konibo" class="mw-redirect" title="Shipibo-Konibo">Shipibo-Konibo</a> people in the plot of the film. However, Amanda M. Smith, associate professor of Latin American and Culture at the <a href="/wiki/University_of_California" title="University of California">University of California</a> wrote in ReVista, the <a href="/wiki/Harvard_Review" title="Harvard Review">Harvard Review</a> of Latin America, "Shipibo-Konibo cosmovision is not merely decorative in the film. It organizes the narrative's internal conflicts and reveals Tár as a tale of shamanic justice in a world where the <a href="/wiki/Global_North" class="mw-redirect" title="Global North">Global North</a> continues to take from the Global South."<a href="#cite_note-79">[79]</a> Because the film was released in the United Kingdom in January 2023, Tár was included in <a href="/wiki/Sight_and_Sound" title="Sight and Sound">Sight and Sound</a>'s Best Films of 2023,<a href="#cite_note-80">[80]</a> and sat atop the polls of <a href="/wiki/New_Statesman" title="New Statesman">New Statesman</a><a href="#cite_note-81">[81]</a> and <a href="/wiki/Time_Out_(magazine)" title="Time Out (magazine)">Time Out</a>, with Phil de Semlyen of Time Out writing "Blanchett's Oscar-nominated performance has rightly earned the lion's share of plaudits, but the superb acting is buoyed by Field's subtly off-kilter visual style, lending the 'ripped from the headlines' narrative a hint of <a href="/wiki/Kubrickian" class="mw-redirect" title="Kubrickian">Kubrickian</a> uncanniness."<a href="#cite_note-82">[82]</a> <a href="/wiki/The_Guardian" title="The Guardian">The Guardian</a> also chose Tár as best film of the year, with critic Wendy Ide writing, “Todd Field's creation of the magnificent, monstrous fictional conductor Lydia Tár, inhabited down to the last shred of cruelty and ambition by the remarkable Cate Blanchett, is exceptional: a savage, slippery account of rampant narcissism brought down to earth.”<a href="#cite_note-83">[83]</a> In April 2024 the historian <a href="/wiki/Simon_Heffer" title="Simon Heffer">Simon Heffer</a>, expressing his opinion in <a href="/wiki/The_Sunday_Telegraph" title="The Sunday Telegraph">The Sunday Telegraph</a>, wrote Tár is "the finest American film of the century."<a href="#cite_note-84">[84]</a> <div class="mw-heading mw-heading3"><h3 id="Retrospective_lists">Retrospective lists</h3>[<a href="/w/index.php?title=T%C3%A1r&action=edit&section=11" title="Edit section: Retrospective lists">edit</a>]</div> The March 2023 issue of <a href="/wiki/New_York_(magazine)" title="New York (magazine)">New York</a> magazine listed Tár alongside <a href="/wiki/Citizen_Kane" title="Citizen Kane">Citizen Kane</a>, <a href="/wiki/Sunset_Boulevard_(film)" title="Sunset Boulevard (film)">Sunset Boulevard</a>, <a href="/wiki/Dr._Strangelove" title="Dr. Strangelove">Dr. Strangelove</a>, <a href="/wiki/Butch_Cassidy_and_the_Sundance_Kid" title="Butch Cassidy and the Sundance Kid">Butch Cassidy and the Sundance Kid</a>, <a href="/wiki/The_Conversation" title="The Conversation">The Conversation</a>, <a href="/wiki/Nashville_(film)" title="Nashville (film)">Nashville</a>, <a href="/wiki/Taxi_Driver" title="Taxi Driver">Taxi Driver</a>, <a href="/wiki/The_Elephant_Man_(film)" title="The Elephant Man (film)">The Elephant Man</a>, <a href="/wiki/Pulp_Fiction" title="Pulp Fiction">Pulp Fiction</a>, <a href="/wiki/There_Will_Be_Blood" title="There Will Be Blood">There Will Be Blood</a>, <a href="/wiki/Roma_(2018_film)" title="Roma (2018 film)">Roma</a>, and <a href="/wiki/In_the_Bedroom" title="In the Bedroom">In the Bedroom</a>, also directed by Field, as "The Best Movies That Lost Best Picture at the Oscars".<a href="#cite_note-85">[85]</a> The March 2024 issue of <a href="/wiki/Indiewire" class="mw-redirect" title="Indiewire">indiewire</a> listed Tár, and <a href="/wiki/In_the_Bedroom" title="In the Bedroom">In the Bedroom</a>, also directed by Field, as "Best Picture Nominees that Deserved to win the Oscar", stating, "Todd Field's portrait of the talent and ego of a world-renowned conductor is some of the most riveting and ambitious filmmaking in recent memory. Tár feels like a movie people will be talking about and debating long after the ceremony where it lost fades from memory."<a href="#cite_note-86">[86]</a> <div class="mw-heading mw-heading2"><h2 id="Accolades">Accolades</h2>[<a href="/w/index.php?title=T%C3%A1r&action=edit&section=12" title="Edit section: Accolades">edit</a>]</div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236090951"><div role="note" class="hatnote navigation-not-searchable">Main article: <a href="/wiki/List_of_accolades_received_by_T%C3%A1r" title="List of accolades received by Tár">List of accolades received by Tár</a></div> Among other accolades, Tár received six <a href="/wiki/Academy_Award" class="mw-redirect" title="Academy Award">Academy Award</a> nominations, including <a href="/wiki/Academy_Award_for_Best_Director" title="Academy Award for Best Director">Best Director</a>, <a href="/wiki/Academy_Award_for_Best_Actress" title="Academy Award for Best Actress">Best Actress</a> for Blanchett, <a href="/wiki/Academy_Award_for_Best_Original_Screenplay" title="Academy Award for Best Original Screenplay">Best Original Screenplay</a>, <a href="/wiki/Academy_Award_for_Best_Cinematography" title="Academy Award for Best Cinematography">Best Cinematography</a>, and <a href="/wiki/Academy_Award_for_Best_Film_Editing" title="Academy Award for Best Film Editing">Best Film Editing</a>.<a href="#cite_note-87">[87]</a> <div class="mw-heading mw-heading2"><h2 id="References">References</h2>[<a href="/w/index.php?title=T%C3%A1r&action=edit&section=13" title="Edit section: References">edit</a>]</div> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist reflist-lower-alpha"> </div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239543626"><div class="reflist"> <div class="mw-references-wrap mw-references-columns"><ol class="references"> <li id="cite_note-1"><a href="#cite_ref-1">^</a> <style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><cite id="CITEREFHemphill2023" class="citation web cs1">Hemphill, Jim (February 8, 2023). <a rel="nofollow" class="external text" href="https://www.indiewire.com/2023/02/tar-cinematography-florian-hoffmeister-1234807120/">"Why TÁR Looks Different from Every Other Movie of 2022"</a>. <a href="/wiki/IndieWire" title="IndieWire">IndieWire</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20230110140109/https://www.indiewire.com/2023/02/tar-cinematography-florian-hoffmeister-1234807120/">Archived</a> from the original on January 10, 2023. Retrieved February 8, 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=IndieWire&rft.atitle=Why+T%C3%81R+Looks+Different+from+Every+Other+Movie+of+2022&rft.date=2023-02-08&rft.aulast=Hemphill&rft.aufirst=Jim&rft_id=https%3A%2F%2Fwww.indiewire.com%2F2023%2F02%2Ftar-cinematography-florian-hoffmeister-1234807120%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AT%C3%A1r" class="Z3988"> </li> <li id="cite_note-2"><a href="#cite_ref-2">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHemphill2023" class="citation web cs1">Hemphill, Jim (February 19, 2023). <a rel="nofollow" class="external text" href="https://www.indiewire.com/2023/02/monika-willi-todd-field-tar-editing-1234811155/">"Why Todd Field and Monika Willi Edited 'TÁR' in a 15th-Century Scottish Nunnery During Lockdown"</a>. <a href="/wiki/IndieWire" title="IndieWire">IndieWire</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20230110140109/https://www.indiewire.com/2023/02/monika-willi-todd-field-tar-editing-1234811155/">Archived</a> from the original on January 10, 2023. Retrieved February 22, 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=IndieWire&rft.atitle=Why+Todd+Field+and+Monika+Willi+Edited+%27T%C3%81R%27+in+a+15th-Century+Scottish+Nunnery+During+Lockdown&rft.date=2023-02-19&rft.aulast=Hemphill&rft.aufirst=Jim&rft_id=https%3A%2F%2Fwww.indiewire.com%2F2023%2F02%2Fmonika-willi-todd-field-tar-editing-1234811155%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AT%C3%A1r" class="Z3988"> </li> <li id="cite_note-3"><a href="#cite_ref-3">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSherburne2022" class="citation web cs1">Sherburne, Philip (November 14, 2022). <a rel="nofollow" class="external text" href="https://pitchfork.com/thepitch/how-composer-hildur-gudnadottirs-tar-soundtrack-unlocks-the-films-eerie-mysteries/">"How Composer Hildur Guðnadóttir's TÁR Soundtrack Unlocks the Film's Eerie Mysteries"</a>. <a href="/wiki/Pitchfork_(website)" title="Pitchfork (website)">Pitchfork</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20230110140109/https://pitchfork.com/thepitch/how-composer-hildur-gudnadottirs-tar-soundtrack-unlocks-the-films-eerie-mysteries/">Archived</a> from the original on January 10, 2023. Retrieved February 6, 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Pitchfork&rft.atitle=How+Composer+Hildur+Gu%C3%B0nad%C3%B3ttir%27s+T%C3%81R+Soundtrack+Unlocks+the+Film%27s+Eerie+Mysteries&rft.date=2022-11-14&rft.aulast=Sherburne&rft.aufirst=Philip&rft_id=https%3A%2F%2Fpitchfork.com%2Fthepitch%2Fhow-composer-hildur-gudnadottirs-tar-soundtrack-unlocks-the-films-eerie-mysteries%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AT%C3%A1r" class="Z3988"> </li> <li id="cite_note-BOM-4">^ <a href="#cite_ref-BOM_4-0">a</a> <a href="#cite_ref-BOM_4-1">b</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.boxofficemojo.com/title/tt14444726/">"Tár"</a>. <a href="/wiki/Box_Office_Mojo" title="Box Office Mojo">Box Office Mojo</a>. <a href="/wiki/IMDb" title="IMDb">IMDb</a>. 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Retrieved May 6, 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=The+Numbers&rft.atitle=T%C3%A1r&rft_id=https%3A%2F%2Fwww.the-numbers.com%2Fmovie%2FTar-%282022%29&rfr_id=info%3Asid%2Fen.wikipedia.org%3AT%C3%A1r" class="Z3988"> </li> <li id="cite_note-6"><a href="#cite_ref-6">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFEng2023" class="citation web cs1">Eng, Joyce (January 24, 2023). <a rel="nofollow" class="external text" href="https://www.goldderby.com/article/2023/cate-blanchett-tar-achievements-oscar-nominations-2023/">"Cate Blanchett joins elite group of 8-time Oscar nominees with Best Actress bid for TÁR"</a>. 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Retrieved January 24, 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Gold+Derby&rft.atitle=Cate+Blanchett+joins+elite+group+of+8-time+Oscar+nominees+with+Best+Actress+bid+for+T%C3%81R&rft.date=2023-01-24&rft.aulast=Eng&rft.aufirst=Joyce&rft_id=https%3A%2F%2Fwww.goldderby.com%2Farticle%2F2023%2Fcate-blanchett-tar-achievements-oscar-nominations-2023%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AT%C3%A1r" class="Z3988"> </li> <li id="cite_note-7"><a href="#cite_ref-7">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFVerhoeven2021" class="citation web cs1">Verhoeven, Beatrice (December 26, 2021). <a rel="nofollow" class="external text" href="https://www.hollywoodreporter.com/movies/movie-features/tar-noemie-merlant-interview-cate-blanchett-1235283751/">"Tár Breakout Noemie Merlant on What She Learned From Working With 'Fantastic' Cate Blanchett"</a>. 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Retrieved January 18, 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=The+Hollywood+Reporter&rft.atitle=T%C3%A1r+Breakout+Noemie+Merlant+on+What+She+Learned+From+Working+With+%27Fantastic%27+Cate+Blanchett&rft.date=2021-12-26&rft.aulast=Verhoeven&rft.aufirst=Beatrice&rft_id=https%3A%2F%2Fwww.hollywoodreporter.com%2Fmovies%2Fmovie-features%2Ftar-noemie-merlant-interview-cate-blanchett-1235283751%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AT%C3%A1r" class="Z3988"> </li> <li id="cite_note-8"><a href="#cite_ref-8">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRoxborough2022" class="citation web cs1">Roxborough, Scott (December 8, 2022). <a rel="nofollow" class="external text" href="https://www.hollywoodreporter.com/movies/movie-features/nina-hoss-interview-tar-character-psyche-1235272034/">"Tár Star Nina Hoss on Her Way into Her Character's Psyche: 'She Enjoys the Power and the Privilege'"</a>. The Hollywood Reporter. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20230118213456/https://www.hollywoodreporter.com/movies/movie-features/nina-hoss-interview-tar-character-psyche-1235272034/">Archived</a> from the original on January 18, 2023. Retrieved January 24, 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=The+Hollywood+Reporter&rft.atitle=T%C3%A1r+Star+Nina+Hoss+on+Her+Way+into+Her+Character%27s+Psyche%3A+%27She+Enjoys+the+Power+and+the+Privilege%27&rft.date=2022-12-08&rft.aulast=Roxborough&rft.aufirst=Scott&rft_id=https%3A%2F%2Fwww.hollywoodreporter.com%2Fmovies%2Fmovie-features%2Fnina-hoss-interview-tar-character-psyche-1235272034%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AT%C3%A1r" class="Z3988"> </li> <li id="cite_note-9"><a href="#cite_ref-9">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHorst2023" class="citation web cs1">Horst, Carole (January 10, 2023). <a rel="nofollow" class="external text" href="https://variety.com/2023/awards/spotlight/sophie-kauer-tar-1235483398/">"Musician/Actor Sophie Kauer Thought Tár Would Be a Great Way to Showcase the Emotion of Classical Music"</a>. <a href="/wiki/Variety_(magazine)" title="Variety (magazine)">Variety</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20230124135604/https://variety.com/2023/awards/spotlight/sophie-kauer-tar-1235483398/">Archived</a> from the original on January 24, 2023. Retrieved January 24, 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Variety&rft.atitle=Musician%2FActor+Sophie+Kauer+Thought+T%C3%A1r+Would+Be+a+Great+Way+to+Showcase+the+Emotion+of+Classical+Music&rft.date=2023-01-10&rft.aulast=Horst&rft.aufirst=Carole&rft_id=https%3A%2F%2Fvariety.com%2F2023%2Fawards%2Fspotlight%2Fsophie-kauer-tar-1235483398%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AT%C3%A1r" class="Z3988"> </li> <li id="cite_note-10"><a href="#cite_ref-10">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGopnik2023" class="citation magazine cs1"><a href="/wiki/Adam_Gopnik" title="Adam Gopnik">Gopnik, Adam</a> (February 14, 2023). <a rel="nofollow" class="external text" href="https://www.newyorker.com/culture/the-new-yorker-interview/cate-blanchett-plays-herself">"Cate Blanchett Plays Herself"</a>. <a href="/wiki/The_New_Yorker" title="The New Yorker">The New Yorker</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20230118213456/https://www.newyorker.com/culture/the-new-yorker-interview/cate-blanchett-plays-herself">Archived</a> from the original on January 18, 2023. Retrieved February 17, 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+New+Yorker&rft.atitle=Cate+Blanchett+Plays+Herself&rft.date=2023-02-14&rft.aulast=Gopnik&rft.aufirst=Adam&rft_id=https%3A%2F%2Fwww.newyorker.com%2Fculture%2Fthe-new-yorker-interview%2Fcate-blanchett-plays-herself&rfr_id=info%3Asid%2Fen.wikipedia.org%3AT%C3%A1r" class="Z3988"> </li> <li id="cite_note-11"><a href="#cite_ref-11">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFAbramovich2022" class="citation web cs1">Abramovich, Seth (October 24, 2022). <a rel="nofollow" class="external text" href="https://www.hollywoodreporter.com/movies/movie-features/zethphan-smith-gneist-cate-blanchett-tar-1235247499/">"Newcomer Zethphan Smith-Gneist Holds the Screen With Tár Star Cate Blanchett in Film's Most Talked-About Scene"</a>. The Hollywood Reporter. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20221204161123/https://www.hollywoodreporter.com/movies/movie-features/zethphan-smith-gneist-cate-blanchett-tar-1235247499/">Archived</a> from the original on December 4, 2022. Retrieved January 20, 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=The+Hollywood+Reporter&rft.atitle=Newcomer+Zethphan+Smith-Gneist+Holds+the+Screen+With+T%C3%A1r+Star+Cate+Blanchett+in+Film%27s+Most+Talked-About+Scene&rft.date=2022-10-24&rft.aulast=Abramovich&rft.aufirst=Seth&rft_id=https%3A%2F%2Fwww.hollywoodreporter.com%2Fmovies%2Fmovie-features%2Fzethphan-smith-gneist-cate-blanchett-tar-1235247499%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AT%C3%A1r" class="Z3988"> </li> <li id="cite_note-12"><a href="#cite_ref-12">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFFleming2021" class="citation web cs1">Fleming, Mike Jr. (April 12, 2021). <a rel="nofollow" class="external text" href="https://deadline.com/2021/04/cate-blanchett-todd-field-tar-movie-focus-features-this-fall-in-berlin-1234732687/">"Cate Blanchett, Todd Field Team on Tár for Focus Features"</a>. Deadline Hollywood. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20210412205809/https://deadline.com/2021/04/cate-blanchett-todd-field-tar-movie-focus-features-this-fall-in-berlin-1234732687/">Archived</a> from the original on April 12, 2021. Retrieved September 14, 2021.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Deadline+Hollywood&rft.atitle=Cate+Blanchett%2C+Todd+Field+Team+on+T%C3%A1r+for+Focus+Features&rft.date=2021-04-12&rft.aulast=Fleming&rft.aufirst=Mike+Jr.&rft_id=https%3A%2F%2Fdeadline.com%2F2021%2F04%2Fcate-blanchett-todd-field-tar-movie-focus-features-this-fall-in-berlin-1234732687%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AT%C3%A1r" class="Z3988"> </li> <li id="cite_note-13"><a href="#cite_ref-13">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLattanzio2021" class="citation web cs1">Lattanzio, Ryan (April 12, 2021). <a rel="nofollow" class="external text" href="https://www.indiewire.com/2021/04/todd-field-cate-blanchett-tar-1234629897/">"In the Bedroom, Little Children Director Todd Field Sets First Film in 15 Years, Starring Cate Blanchett"</a>. <a href="/wiki/IndieWire" title="IndieWire">IndieWire</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20210412223831/https://www.indiewire.com/2021/04/todd-field-cate-blanchett-tar-1234629897/">Archived</a> from the original on April 12, 2021. Retrieved September 14, 2021.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=IndieWire&rft.atitle=In+the+Bedroom%2C+Little+Children+Director+Todd+Field+Sets+First+Film+in+15+Years%2C+Starring+Cate+Blanchett&rft.date=2021-04-12&rft.aulast=Lattanzio&rft.aufirst=Ryan&rft_id=https%3A%2F%2Fwww.indiewire.com%2F2021%2F04%2Ftodd-field-cate-blanchett-tar-1234629897%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AT%C3%A1r" class="Z3988"> </li> <li id="cite_note-14"><a href="#cite_ref-14">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPearce2022" class="citation web cs1">Pearce, Leonard (August 25, 2022). <a rel="nofollow" class="external text" href="https://thefilmstage.com/cate-blanchett-is-a-musical-force-in-the-new-trailer-for-todd-fields-tar/">"Cate Blanchett is a Musical Force in the New Trailer for Todd Field's Tár"</a>. The Film Stage. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20221201045901/https://www.indiewire.com/2022/12/afi-top-10-films-tv-2022-1234790086/">Archived</a> from the original on December 1, 2022. Retrieved August 26, 2022.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=The+Film+Stage&rft.atitle=Cate+Blanchett+is+a+Musical+Force+in+the+New+Trailer+for+Todd+Field%27s+T%C3%A1r&rft.date=2022-08-25&rft.aulast=Pearce&rft.aufirst=Leonard&rft_id=https%3A%2F%2Fthefilmstage.com%2Fcate-blanchett-is-a-musical-force-in-the-new-trailer-for-todd-fields-tar%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AT%C3%A1r" class="Z3988"> </li> <li id="cite_note-15"><a href="#cite_ref-15">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRaup2021" class="citation web cs1">Raup, Jordan (September 8, 2021). <a rel="nofollow" class="external text" href="https://thefilmstage.com/nina-hoss-and-noemie-merlant-join-cate-blanchett-in-todd-fields-tar/">"Nina Hoss and Noémie Merlant Join Cate Blanchett in Todd Field's Tár"</a>. The Film Stage. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20221027131815/https://thefilmstage.com/nina-hoss-and-noemie-merlant-join-cate-blanchett-in-todd-fields-tar/">Archived</a> from the original on October 27, 2022. Retrieved September 14, 2021.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=The+Film+Stage&rft.atitle=Nina+Hoss+and+No%C3%A9mie+Merlant+Join+Cate+Blanchett+in+Todd+Field%27s+T%C3%A1r&rft.date=2021-09-08&rft.aulast=Raup&rft.aufirst=Jordan&rft_id=https%3A%2F%2Fthefilmstage.com%2Fnina-hoss-and-noemie-merlant-join-cate-blanchett-in-todd-fields-tar%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AT%C3%A1r" class="Z3988"> </li> <li id="cite_note-16"><a href="#cite_ref-16">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRuimy2021" class="citation web cs1">Ruimy, Jordan (August 28, 2021). <a rel="nofollow" class="external text" href="https://www.worldofreel.com/blog/2021/8/w6qzpqaest8yqie6mejzoq5ds1dupw">"Director Todd Field's Tár Starring Cate Blanchett Starts Production; Field's First Film in Over 15 Years"</a>. World of Reel. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20221123051628/https://www.worldofreel.com/blog/2021/8/w6qzpqaest8yqie6mejzoq5ds1dupw">Archived</a> from the original on November 23, 2022. Retrieved September 14, 2021.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=World+of+Reel&rft.atitle=Director+Todd+Field%27s+T%C3%A1r+Starring+Cate+Blanchett+Starts+Production%3B+Field%27s+First+Film+in+Over+15+Years&rft.date=2021-08-28&rft.aulast=Ruimy&rft.aufirst=Jordan&rft_id=https%3A%2F%2Fwww.worldofreel.com%2Fblog%2F2021%2F8%2Fw6qzpqaest8yqie6mejzoq5ds1dupw&rfr_id=info%3Asid%2Fen.wikipedia.org%3AT%C3%A1r" class="Z3988"> </li> <li id="cite_note-17"><a href="#cite_ref-17">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCocozza2021" class="citation web cs1">Cocozza, Paula (October 28, 2021). <a rel="nofollow" class="external text" href="https://www.theguardian.com/culture/2021/oct/28/mark-strong-acting-insecurity-life-without-father">"Mark Strong on acting, insecurity and life without a father: 'I got angry as I got older. It took years to fix"</a>. <a href="/wiki/The_Guardian" title="The Guardian">The Guardian</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20221122101025/https://www.theguardian.com/culture/2021/oct/28/mark-strong-acting-insecurity-life-without-father">Archived</a> from the original on November 22, 2022. Retrieved November 19, 2021.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=The+Guardian&rft.atitle=Mark+Strong+on+acting%2C+insecurity+and+life+without+a+father%3A+%27I+got+angry+as+I+got+older.+It+took+years+to+fix&rft.date=2021-10-28&rft.aulast=Cocozza&rft.aufirst=Paula&rft_id=https%3A%2F%2Fwww.theguardian.com%2Fculture%2F2021%2Foct%2F28%2Fmark-strong-acting-insecurity-life-without-father&rfr_id=info%3Asid%2Fen.wikipedia.org%3AT%C3%A1r" class="Z3988"> </li> <li id="cite_note-releasedate-18">^ <a href="#cite_ref-releasedate_18-0">a</a> <a href="#cite_ref-releasedate_18-1">b</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFD'Alessandro2021" class="citation web cs1">D'Alessandro, Anthony (November 24, 2021). <a rel="nofollow" class="external text" href="https://deadline.com/2021/11/cate-blanchett-movie-tar-release-date-cast-1234879916/">"Todd Field Cate Blanchett Movie Tár Sets 2022 Release & Adds Nina Hoss, Noémie Merlant, Mark Strong & More"</a>. <a href="/wiki/Deadline_Hollywood" title="Deadline Hollywood">Deadline Hollywood</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20220601111022/https://deadline.com/2021/11/cate-blanchett-movie-tar-release-date-cast-1234879916/">Archived</a> from the original on June 1, 2022. Retrieved November 24, 2021.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Deadline+Hollywood&rft.atitle=Todd+Field+Cate+Blanchett+Movie+T%C3%A1r+Sets+2022+Release+%26+Adds+Nina+Hoss%2C+No%C3%A9mie+Merlant%2C+Mark+Strong+%26+More&rft.date=2021-11-24&rft.aulast=D%27Alessandro&rft.aufirst=Anthony&rft_id=https%3A%2F%2Fdeadline.com%2F2021%2F11%2Fcate-blanchett-movie-tar-release-date-cast-1234879916%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AT%C3%A1r" class="Z3988"> </li> <li id="cite_note-19"><a href="#cite_ref-19">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.kulmag.live/en/Performers/148/sophie-kauer">"Sophie Kauer (cello) – Biography"</a>. 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Retrieved July 28, 2022.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Kulmag+Live&rft.atitle=Sophie+Kauer+%28cello%29+%E2%80%93+Biography&rft_id=https%3A%2F%2Fwww.kulmag.live%2Fen%2FPerformers%2F148%2Fsophie-kauer&rfr_id=info%3Asid%2Fen.wikipedia.org%3AT%C3%A1r" class="Z3988"> </li> <li id="cite_note-20"><a href="#cite_ref-20">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMulcahey2022" class="citation magazine cs1">Mulcahey, Matt (December 15, 2022). <a rel="nofollow" class="external text" href="https://filmmakermagazine.com/117839-sound-team-tar/#.Y66Dv-1Bzmg">"Within the Silences: The Sound Team Behind Tár"</a>. <a href="/wiki/Filmmaker_(magazine)" title="Filmmaker (magazine)">Filmmaker</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20221230064131/https://filmmakermagazine.com/117839-sound-team-tar/#.Y66Dv-1Bzmg">Archived</a> from the original on December 30, 2022. Retrieved December 30, 2022.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Filmmaker&rft.atitle=Within+the+Silences%3A+The+Sound+Team+Behind+T%C3%A1r&rft.date=2022-12-15&rft.aulast=Mulcahey&rft.aufirst=Matt&rft_id=https%3A%2F%2Ffilmmakermagazine.com%2F117839-sound-team-tar%2F%23.Y66Dv-1Bzmg&rfr_id=info%3Asid%2Fen.wikipedia.org%3AT%C3%A1r" class="Z3988"> </li> <li id="cite_note-21"><a href="#cite_ref-21">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWelch2022" class="citation web cs1">Welch, Alex (October 28, 2022). <a rel="nofollow" class="external text" href="https://www.digitaltrends.com/movies/tar-sophie-kauer-interview/">"Sophie Kauer on working with Cate Blanchett and mastering music in Tár"</a>. <a href="/wiki/Digital_Trends" title="Digital Trends">Digital Trends</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20221230064130/https://www.digitaltrends.com/movies/tar-sophie-kauer-interview/">Archived</a> from the original on December 30, 2022. Retrieved December 30, 2022.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Sophie+Kauer+on+working+with+Cate+Blanchett+and+mastering+music+in+T%C3%A1r&rft.pub=Digital+Trends&rft.date=2022-10-28&rft.aulast=Welch&rft.aufirst=Alex&rft_id=https%3A%2F%2Fwww.digitaltrends.com%2Fmovies%2Ftar-sophie-kauer-interview%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AT%C3%A1r" class="Z3988"> </li> <li id="cite_note-22"><a href="#cite_ref-22">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.labiennale.org/en/cinema/2022/venezia-79-competition/t%C3%A1r">"Biennale Cinema 2022 | Tár"</a>. <a href="/wiki/Venice_Biennale" title="Venice Biennale">La Biennale di Venezia</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20221130231735/https://www.labiennale.org/en/cinema/2022/venezia-79-competition/t%C3%A1r">Archived</a> from the original on November 30, 2022. Retrieved August 30, 2022.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Biennale+Cinema+2022+%7C+T%C3%A1r&rft.pub=La+Biennale+di+Venezia&rft_id=https%3A%2F%2Fwww.labiennale.org%2Fen%2Fcinema%2F2022%2Fvenezia-79-competition%2Ft%25C3%25A1r&rfr_id=info%3Asid%2Fen.wikipedia.org%3AT%C3%A1r" class="Z3988"> </li> <li id="cite_note-23"><a href="#cite_ref-23">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFFeinberg2022" class="citation web cs1">Feinberg, Scott (September 4, 2022). <a rel="nofollow" class="external text" href="https://www.msn.com/en-us/entertainment/news/telluride-awards-analysis-tar-star-cate-blanchett-looks-oscars-bound-for-one-of-her-most-impressive-turns/ar-AA11sHDf">"Telluride Awards Analysis: Tár Star Cate Blanchett Looks Oscars-Bound for One of Her Most Impressive Turns"</a>. The Hollywood Reporter. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20221118033102/https://www.msn.com/en-us/entertainment/news/telluride-awards-analysis-tar-star-cate-blanchett-looks-oscars-bound-for-one-of-her-most-impressive-turns/ar-AA11sHDf">Archived</a> from the original on November 18, 2022. Retrieved September 12, 2022.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=The+Hollywood+Reporter&rft.atitle=Telluride+Awards+Analysis%3A+T%C3%A1r+Star+Cate+Blanchett+Looks+Oscars-Bound+for+One+of+Her+Most+Impressive+Turns&rft.date=2022-09-04&rft.aulast=Feinberg&rft.aufirst=Scott&rft_id=https%3A%2F%2Fwww.msn.com%2Fen-us%2Fentertainment%2Fnews%2Ftelluride-awards-analysis-tar-star-cate-blanchett-looks-oscars-bound-for-one-of-her-most-impressive-turns%2Far-AA11sHDf&rfr_id=info%3Asid%2Fen.wikipedia.org%3AT%C3%A1r" class="Z3988"> </li> <li id="cite_note-24"><a href="#cite_ref-24">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFTÁR2022" class="citation web cs1">TÁR [@tarmovie] (September 21, 2022). <a rel="nofollow" class="external text" href="https://x.com/tarmovie/status/1572721073321562112">"Tickets are now on sale for Todd Field's Tár. In select theaters October 7, everywhere October 28"</a> (<a href="/wiki/Tweet_(social_media)" title="Tweet (social media)">Tweet</a>). Retrieved September 21, 2022 – via <a href="/wiki/Twitter" title="Twitter">Twitter</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Tickets+are+now+on+sale+for+Todd+Field%27s+T%C3%A1r.+In+select+theaters+October+7%2C+everywhere+October+28&rft.date=2022-09-21&rft.au=T%C3%81R&rft_id=https%3A%2F%2Fx.com%2Ftarmovie%2Fstatus%2F1572721073321562112&rfr_id=info%3Asid%2Fen.wikipedia.org%3AT%C3%A1r" class="Z3988"> </li> <li id="cite_note-25"><a href="#cite_ref-25">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.dvdsreleasedates.com/movies/10997/tar">"Tar DVD Release Date"</a>. www.dvdsreleasedates.com. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20221121215815/https://www.dvdsreleasedates.com/movies/10997/tar">Archived</a> from the original on November 21, 2022. Retrieved February 26, 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=www.dvdsreleasedates.com&rft.atitle=Tar+DVD+Release+Date&rft_id=https%3A%2F%2Fwww.dvdsreleasedates.com%2Fmovies%2F10997%2Ftar&rfr_id=info%3Asid%2Fen.wikipedia.org%3AT%C3%A1r" class="Z3988"> </li> <li id="cite_note-26"><a href="#cite_ref-26">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFD'Alessandro2023" class="citation web cs1">D'Alessandro, Anthony (March 9, 2023). <a rel="nofollow" class="external text" href="https://deadline.com/2023/03/oscars-box-office-streaming-top-gun-maverick-avatar-the-way-of-water-elvis-1235283443/">"Oscar Halo Effect: Top Gun: Maverick Most Viewed in Streaming Post-Noms, Elvis Most Watched Overall, Avatar 2 Biggest at Box Office"</a>. <a href="/wiki/Deadline_Hollywood" title="Deadline Hollywood">Deadline Hollywood</a>. Retrieved June 7, 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Deadline+Hollywood&rft.atitle=Oscar+Halo+Effect%3A+Top+Gun%3A+Maverick+Most+Viewed+in+Streaming+Post-Noms%2C+Elvis+Most+Watched+Overall%2C+Avatar+2+Biggest+at+Box+Office&rft.date=2023-03-09&rft.aulast=D%27Alessandro&rft.aufirst=Anthony&rft_id=https%3A%2F%2Fdeadline.com%2F2023%2F03%2Foscars-box-office-streaming-top-gun-maverick-avatar-the-way-of-water-elvis-1235283443%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AT%C3%A1r" class="Z3988"> </li> <li id="cite_note-27"><a href="#cite_ref-27">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://cultmtl.com/2023/02/triangle-of-sadness-and-the-fabelmans-top-streaming-charts-in-canada/">"Triangle of Sadness and The Fabelmans top streaming charts in Canada"</a>. Cult MTL. February 21, 2023. Retrieved June 7, 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Cult+MTL&rft.atitle=Triangle+of+Sadness+and+The+Fabelmans+top+streaming+charts+in+Canada&rft.date=2023-02-21&rft_id=https%3A%2F%2Fcultmtl.com%2F2023%2F02%2Ftriangle-of-sadness-and-the-fabelmans-top-streaming-charts-in-canada%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AT%C3%A1r" class="Z3988"> </li> <li id="cite_note-28"><a href="#cite_ref-28">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGonzales2022" class="citation news cs1">Gonzales, Kristian (September 11, 2022). <a rel="nofollow" class="external text" href="https://www.udiscovermusic.com/news/tar-concept-album-featuring-hildur-gudnadottir-and-cate-blanchett-will-arrive-in-october/">"Tár Concept Album, Featuring Hildur Guðnadóttir and Cate Blanchett, Will Arrive in October"</a>. <a href="/wiki/UDiscoverMusic" class="mw-redirect" title="UDiscoverMusic">uDiscoverMusic</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20221126221835/https://www.udiscovermusic.com/news/tar-concept-album-featuring-hildur-gudnadottir-and-cate-blanchett-will-arrive-in-october/">Archived</a> from the original on November 26, 2022. Retrieved September 12, 2022.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=uDiscoverMusic&rft.atitle=T%C3%A1r+Concept+Album%2C+Featuring+Hildur+Gu%C3%B0nad%C3%B3ttir+and+Cate+Blanchett%2C+Will+Arrive+in+October&rft.date=2022-09-11&rft.aulast=Gonzales&rft.aufirst=Kristian&rft_id=https%3A%2F%2Fwww.udiscovermusic.com%2Fnews%2Ftar-concept-album-featuring-hildur-gudnadottir-and-cate-blanchett-will-arrive-in-october%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AT%C3%A1r" class="Z3988"> </li> <li id="cite_note-29"><a href="#cite_ref-29">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation magazine cs1"><a rel="nofollow" class="external text" href="https://www.billboard.com/charts/traditional-classic-albums/">"Traditional Classical Albums"</a>. <a href="/wiki/Billboard_(magazine)" title="Billboard (magazine)">Billboard</a>. November 11, 2022. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20221105221715/https://www.billboard.com/charts/traditional-classic-albums/">Archived</a> from the original on November 5, 2022. Retrieved November 5, 2022.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Billboard&rft.atitle=Traditional+Classical+Albums&rft.date=2022-11-11&rft_id=https%3A%2F%2Fwww.billboard.com%2Fcharts%2Ftraditional-classic-albums%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AT%C3%A1r" class="Z3988"> </li> <li id="cite_note-30"><a href="#cite_ref-30">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMichael_Andor_Brodeur2022" class="citation news cs1">Michael Andor Brodeur (October 14, 2022). <a rel="nofollow" class="external text" href="https://www.washingtonpost.com/arts-entertainment/2022/10/14/cate-blanchett-tar-todd-field/">"Cate Blanchett on Tár role: 'Music is often the starting point for me'"</a>. <a href="/wiki/The_Washington_Post" title="The Washington Post">The Washington Post</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20221108024317/https://www.washingtonpost.com/arts-entertainment/2022/10/14/cate-blanchett-tar-todd-field/">Archived</a> from the original on November 8, 2022. Retrieved December 3, 2022.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Washington+Post&rft.atitle=Cate+Blanchett+on+T%C3%A1r+role%3A+%27Music+is+often+the+starting+point+for+me%27&rft.date=2022-10-14&rft.au=Michael+Andor+Brodeur&rft_id=https%3A%2F%2Fwww.washingtonpost.com%2Farts-entertainment%2F2022%2F10%2F14%2Fcate-blanchett-tar-todd-field%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AT%C3%A1r" class="Z3988"> </li> <li id="cite_note-31"><a href="#cite_ref-31">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGoldsmith2022" class="citation news cs1">Goldsmith, Jill (October 16, 2022). <a rel="nofollow" class="external text" href="https://deadline.com/2022/10/box-office-emmett-till-decision-to-leave-tar-triangle-of-sadness-specialty-film-1235146386/">"Till, Decision To Leave Open Strong As Tár, Triangle Of Sadness Persevere; A Comeback For Adult-Minded Fare? – Specialty Box Office"</a>. Deadline Hollywood. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20221027204248/https://deadline.com/2022/10/box-office-emmett-till-decision-to-leave-tar-triangle-of-sadness-specialty-film-1235146386/">Archived</a> from the original on October 27, 2022. Retrieved October 16, 2022.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Deadline+Hollywood&rft.atitle=Till%2C+Decision+To+Leave+Open+Strong+As+T%C3%A1r%2C+Triangle+Of+Sadness+Persevere%3B+A+Comeback+For+Adult-Minded+Fare%3F+%E2%80%93+Specialty+Box+Office&rft.date=2022-10-16&rft.aulast=Goldsmith&rft.aufirst=Jill&rft_id=https%3A%2F%2Fdeadline.com%2F2022%2F10%2Fbox-office-emmett-till-decision-to-leave-tar-triangle-of-sadness-specialty-film-1235146386%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AT%C3%A1r" class="Z3988"> </li> <li id="cite_note-32"><a href="#cite_ref-32">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.boxofficemojo.com/weekend/2022W41/">"Domestic 2022 Weekend 41"</a>. <a href="/wiki/Box_Office_Mojo" title="Box Office Mojo">Box Office Mojo</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20221027221749/https://www.boxofficemojo.com/weekend/2022W41/">Archived</a> from the original on October 27, 2022. Retrieved October 18, 2022.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Box+Office+Mojo&rft.atitle=Domestic+2022+Weekend+41&rft_id=https%3A%2F%2Fwww.boxofficemojo.com%2Fweekend%2F2022W41%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AT%C3%A1r" class="Z3988"> </li> <li id="cite_note-33"><a href="#cite_ref-33">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGoldsmith2022" class="citation news cs1">Goldsmith, Jill (October 23, 2022). <a rel="nofollow" class="external text" href="https://deadline.com/2022/10/the-banshees-of-inisherin-colin-farrell-specialty-film-box-office-searchlight-tar-till-triangle-of-sadness-aftersun-1235152844/">"The Banshees of Inisherin Crowns October Indie Revival – Specialty Box Office"</a>. Deadline Hollywood. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20221103211019/https://deadline.com/2022/10/the-banshees-of-inisherin-colin-farrell-specialty-film-box-office-searchlight-tar-till-triangle-of-sadness-aftersun-1235152844/">Archived</a> from the original on November 3, 2022. Retrieved October 23, 2022.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Deadline+Hollywood&rft.atitle=The+Banshees+of+Inisherin+Crowns+October+Indie+Revival+%E2%80%93+Specialty+Box+Office&rft.date=2022-10-23&rft.aulast=Goldsmith&rft.aufirst=Jill&rft_id=https%3A%2F%2Fdeadline.com%2F2022%2F10%2Fthe-banshees-of-inisherin-colin-farrell-specialty-film-box-office-searchlight-tar-till-triangle-of-sadness-aftersun-1235152844%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AT%C3%A1r" class="Z3988"> </li> <li id="cite_note-opening-34"><a href="#cite_ref-opening_34-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFD'Alessandro2022" class="citation news cs1">D'Alessandro, Anthony (October 30, 2022). <a rel="nofollow" class="external text" href="https://deadline.com/2022/10/black-adam-super-83m-first-week-eyes-27m-2nd-frame-prey-for-the-devil-previews-box-office-1235157235/">"Black Adam Flies to $111M+ During Sluggish Halloween Weekend – Sunday Box Office"</a>. Deadline Hollywood. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20221112045105/https://deadline.com/2022/10/black-adam-super-83m-first-week-eyes-27m-2nd-frame-prey-for-the-devil-previews-box-office-1235157235/">Archived</a> from the original on November 12, 2022. Retrieved October 30, 2022.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Deadline+Hollywood&rft.atitle=Black+Adam+Flies+to+%24111M%2B+During+Sluggish+Halloween+Weekend+%E2%80%93+Sunday+Box+Office&rft.date=2022-10-30&rft.aulast=D%27Alessandro&rft.aufirst=Anthony&rft_id=https%3A%2F%2Fdeadline.com%2F2022%2F10%2Fblack-adam-super-83m-first-week-eyes-27m-2nd-frame-prey-for-the-devil-previews-box-office-1235157235%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AT%C3%A1r" class="Z3988"> </li> <li id="cite_note-35"><a href="#cite_ref-35">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFD'Alessandro2022" class="citation news cs1">D'Alessandro, Anthony (November 6, 2022). <a rel="nofollow" class="external text" href="https://deadline.com/2022/11/box-office-one-piece-film-red-black-adam-dwayne-johnson-1235163473/">"Black Adam Gobbles Up Crunchyroll's One Piece Film Red at Box Office with Beefy $18M+ Third Weekend – Sunday AM Update"</a>. Deadline Hollywood. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20221124151045/https://deadline.com/2022/11/box-office-one-piece-film-red-black-adam-dwayne-johnson-1235163473/">Archived</a> from the original on November 24, 2022. Retrieved November 6, 2022.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Deadline+Hollywood&rft.atitle=Black+Adam+Gobbles+Up+Crunchyroll%27s+One+Piece+Film+Red+at+Box+Office+with+Beefy+%2418M%2B+Third+Weekend+%E2%80%93+Sunday+AM+Update&rft.date=2022-11-06&rft.aulast=D%27Alessandro&rft.aufirst=Anthony&rft_id=https%3A%2F%2Fdeadline.com%2F2022%2F11%2Fbox-office-one-piece-film-red-black-adam-dwayne-johnson-1235163473%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AT%C3%A1r" class="Z3988"> </li> <li id="cite_note-36"><a href="#cite_ref-36">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBrooks2023" class="citation news cs1">Brooks, Xan (January 16, 2023). <a rel="nofollow" class="external text" href="https://www.theguardian.com/film/2023/jan/16/monstrous-maestro-cate-blanchett-cancel-culture-tar">"Monstrous maestro: why is Cate Blanchett's cancel culture film Tár angering so many people?"</a>. <a href="/wiki/The_Guardian" title="The Guardian">The Guardian</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20230116060340/https://www.theguardian.com/film/2023/jan/16/monstrous-maestro-cate-blanchett-cancel-culture-tar">Archived</a> from the original on January 16, 2023. Retrieved January 16, 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Guardian&rft.atitle=Monstrous+maestro%3A+why+is+Cate+Blanchett%27s+cancel+culture+film+T%C3%A1r+angering+so+many+people%3F&rft.date=2023-01-16&rft.aulast=Brooks&rft.aufirst=Xan&rft_id=https%3A%2F%2Fwww.theguardian.com%2Ffilm%2F2023%2Fjan%2F16%2Fmonstrous-maestro-cate-blanchett-cancel-culture-tar&rfr_id=info%3Asid%2Fen.wikipedia.org%3AT%C3%A1r" class="Z3988"> </li> <li id="cite_note-37"><a href="#cite_ref-37">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFStrauss2022" class="citation web cs1">Strauss, Robert (April 23, 2022). <a rel="nofollow" class="external text" href="https://variety.com/2022/film/features/arthouse-cinema-pandemic-cinemacon-1235235835/">"Arthouses Fight to Survive Pandemic: 'Everyone Says It's Dead But It Never Is'"</a>. Variety. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20230130050610/https://variety.com/2022/film/features/arthouse-cinema-pandemic-cinemacon-1235235835/">Archived</a> from the original on January 30, 2023. Retrieved January 29, 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Variety&rft.atitle=Arthouses+Fight+to+Survive+Pandemic%3A+%27Everyone+Says+It%27s+Dead+But+It+Never+Is%27&rft.date=2022-04-23&rft.aulast=Strauss&rft.aufirst=Robert&rft_id=https%3A%2F%2Fvariety.com%2F2022%2Ffilm%2Ffeatures%2Farthouse-cinema-pandemic-cinemacon-1235235835%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AT%C3%A1r" class="Z3988"> </li> <li id="cite_note-38"><a href="#cite_ref-38">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLang2022" class="citation web cs1">Lang, Brent (November 20, 2022). <a rel="nofollow" class="external text" href="https://variety.com/2022/film/news/why-she-said-bombed-box-office-oscar-season-flops-fabelmans-1235438084/">"She Said Bombs: Why Aren't Awards Season Movies Resonating With Audiences?"</a>. <a href="/wiki/Variety_(magazine)" title="Variety (magazine)">Variety</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20230108023047/https://variety.com/2022/film/news/why-she-said-bombed-box-office-oscar-season-flops-fabelmans-1235438084/">Archived</a> from the original on January 8, 2023. Retrieved January 11, 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Variety&rft.atitle=She+Said+Bombs%3A+Why+Aren%27t+Awards+Season+Movies+Resonating+With+Audiences%3F&rft.date=2022-11-20&rft.aulast=Lang&rft.aufirst=Brent&rft_id=https%3A%2F%2Fvariety.com%2F2022%2Ffilm%2Fnews%2Fwhy-she-said-bombed-box-office-oscar-season-flops-fabelmans-1235438084%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AT%C3%A1r" class="Z3988"> </li> <li id="cite_note-39"><a href="#cite_ref-39">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBarnes2022" class="citation news cs1">Barnes, Brooks (December 9, 2022). <a rel="nofollow" class="external text" href="https://www.nytimes.com/2022/12/09/business/media/oscars-films-box-office.html">"Highbrow Films Aimed at Winning Oscars Are Losing Audiences"</a>. <a href="/wiki/The_New_York_Times" title="The New York Times">The New York Times</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20221209081136/https://www.nytimes.com/2022/12/09/business/media/oscars-films-box-office.html">Archived</a> from the original on December 9, 2022. Retrieved December 9, 2022.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+New+York+Times&rft.atitle=Highbrow+Films+Aimed+at+Winning+Oscars+Are+Losing+Audiences&rft.date=2022-12-09&rft.aulast=Barnes&rft.aufirst=Brooks&rft_id=https%3A%2F%2Fwww.nytimes.com%2F2022%2F12%2F09%2Fbusiness%2Fmedia%2Foscars-films-box-office.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AT%C3%A1r" class="Z3988"> </li> <li id="cite_note-40"><a href="#cite_ref-40">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.boxofficemojo.com/title/tt14444726/">"Tár (2022)"</a>. boxofficemojo.com. Retrieved May 12, 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=boxofficemojo.com&rft.atitle=T%C3%A1r+%282022%29&rft_id=https%3A%2F%2Fwww.boxofficemojo.com%2Ftitle%2Ftt14444726%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AT%C3%A1r" class="Z3988"> </li> <li id="cite_note-41"><a href="#cite_ref-41">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.rottentomatoes.com/m/tar_2022">"Tár"</a>. <a href="/wiki/Rotten_Tomatoes" title="Rotten Tomatoes">Rotten Tomatoes</a>. Retrieved September 15, 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Rotten+Tomatoes&rft.atitle=T%C3%A1r&rft_id=https%3A%2F%2Fwww.rottentomatoes.com%2Fm%2Ftar_2022&rfr_id=info%3Asid%2Fen.wikipedia.org%3AT%C3%A1r" class="Z3988"> </li> <li id="cite_note-42"><a href="#cite_ref-42">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.metacritic.com/movie/tar-2022">"Tár (2022) Reviews"</a>. <a href="/wiki/Metacritic" title="Metacritic">Metacritic</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20221120045418/https://www.metacritic.com/movie/tar-2022">Archived</a> from the original on November 20, 2022. Retrieved January 19, 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Metacritic&rft.atitle=T%C3%A1r+%282022%29+Reviews&rft_id=https%3A%2F%2Fwww.metacritic.com%2Fmovie%2Ftar-2022&rfr_id=info%3Asid%2Fen.wikipedia.org%3AT%C3%A1r" class="Z3988"> </li> <li id="cite_note-43"><a href="#cite_ref-43">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://variety.com/2022/film/reviews/tar-review-cate-blanchett-todd-field-1235356652/l">"Tár Review: Cate Blanchett Acts With Ferocious Force in Todd Field's Masterful Drama"</a>. <a href="/wiki/Daily_Variety" class="mw-redirect" title="Daily Variety">Daily Variety</a>. September 1, 2022. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20230130192705/https://variety.com/2022/film/reviews/tar-review-cate-blanchett-todd-field-1235356652/l">Archived</a> from the original on January 30, 2023. Retrieved January 22, 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Daily+Variety&rft.atitle=T%C3%A1r+Review%3A+Cate+Blanchett+Acts+With+Ferocious+Force+in+Todd+Field%27s+Masterful+Drama&rft.date=2022-09-01&rft_id=https%3A%2F%2Fvariety.com%2F2022%2Ffilm%2Freviews%2Ftar-review-cate-blanchett-todd-field-1235356652%2Fl&rfr_id=info%3Asid%2Fen.wikipedia.org%3AT%C3%A1r" class="Z3988"> </li> <li id="cite_note-44"><a href="#cite_ref-44">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.nytimes.com/2022/10/06/movies/tar-review.html">"Tár Review: A Maestro Faces the Music"</a>. <a href="/wiki/The_New_York_Times" title="The New York Times">The New York Times</a>. October 7, 2022. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20221017003137/https://www.nytimes.com/2022/10/06/movies/tar-review.html">Archived</a> from the original on October 17, 2022. Retrieved October 17, 2022.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=The+New+York+Times&rft.atitle=T%C3%A1r+Review%3A+A+Maestro+Faces+the+Music&rft.date=2022-10-07&rft_id=https%3A%2F%2Fwww.nytimes.com%2F2022%2F10%2F06%2Fmovies%2Ftar-review.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AT%C3%A1r" class="Z3988"> </li> <li id="cite_note-45"><a href="#cite_ref-45">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFScott2022" class="citation web cs1"><a href="/wiki/A._O._Scott" title="A. O. Scott">Scott, A. O.</a> (September 5, 2022). <a rel="nofollow" class="external text" href="https://www.nytimes.com/2022/09/05/movies/telluride-film-festival-women-talking.html">"'At the Telluride Film Festival, 'Women Talking' and Other Topics of Conversation"</a>. <a href="/wiki/The_New_York_Times" title="The New York Times">The New York Times</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20230130192711/https://www.nytimes.com/2022/09/05/movies/telluride-film-festival-women-talking.html">Archived</a> from the original on January 30, 2023. Retrieved January 22, 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=The+New+York+Times&rft.atitle=%27At+the+Telluride+Film+Festival%2C+%27Women+Talking%27+and+Other+Topics+of+Conversation&rft.date=2022-09-05&rft.aulast=Scott&rft.aufirst=A.+O.&rft_id=https%3A%2F%2Fwww.nytimes.com%2F2022%2F09%2F05%2Fmovies%2Ftelluride-film-festival-women-talking.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AT%C3%A1r" class="Z3988"> </li> <li id="cite_note-46"><a href="#cite_ref-46">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFChang2022" class="citation web cs1"><a href="/wiki/Justin_Chang" title="Justin Chang">Chang, Justin</a> (October 7, 2022). <a rel="nofollow" class="external text" href="https://www.latimes.com/entertainment-arts/movies/story/2022-10-06/tar-review-cate-blanchett-todd-field">"Review: Cate Blanchett is at the peak of her powers in Tár, a magnificent cinematic symphony"</a>. <a href="/wiki/Los_Angeles_Times" title="Los Angeles Times">Los Angeles Times</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20221017023000/https://www.latimes.com/entertainment-arts/movies/story/2022-10-06/tar-review-cate-blanchett-todd-field">Archived</a> from the original on October 17, 2022. Retrieved October 17, 2022.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Los+Angeles+Times&rft.atitle=Review%3A+Cate+Blanchett+is+at+the+peak+of+her+powers+in+T%C3%A1r%2C+a+magnificent+cinematic+symphony&rft.date=2022-10-07&rft.aulast=Chang&rft.aufirst=Justin&rft_id=https%3A%2F%2Fwww.latimes.com%2Fentertainment-arts%2Fmovies%2Fstory%2F2022-10-06%2Ftar-review-cate-blanchett-todd-field&rfr_id=info%3Asid%2Fen.wikipedia.org%3AT%C3%A1r" class="Z3988"> </li> <li id="cite_note-47"><a href="#cite_ref-47">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.latimes.com/entertainment-arts/movies/story/2023-01-24/all-the-best-picture-nominees-ranked-oscars-nominations-2023">"All the Best Picture Nominees Ranked Oscars 2023"</a>. <a href="/wiki/Los_Angeles_Times" title="Los Angeles Times">Los Angeles Times</a>. 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Retrieved May 6, 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Los+Angeles+Times&rft.atitle=All+the+Best+Picture+Nominees+Ranked+Oscars+2023&rft.date=2023-01-24&rft_id=https%3A%2F%2Fwww.latimes.com%2Fentertainment-arts%2Fmovies%2Fstory%2F2023-01-24%2Fall-the-best-picture-nominees-ranked-oscars-nominations-2023&rfr_id=info%3Asid%2Fen.wikipedia.org%3AT%C3%A1r" class="Z3988"> </li> <li id="cite_note-48"><a href="#cite_ref-48">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.vox.com/culture/23385471/tar-review-cate-blanchett-field-oscars-2023/">"'Tár demands — and deserves — your full attention"</a>. <a href="/wiki/Vox_(magazine)" title="Vox (magazine)">Vox</a>. October 7, 2022. 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Retrieved November 11, 2022.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=The+Hollywood+Reporter&rft.atitle=T%C3%A1r+Review%3A+Cate+Blanchett+Astounds+in+Todd+Field%27s+Blistering+Character+Study&rft.date=2022-09-01&rft.aulast=Rooney&rft.aufirst=David&rft_id=https%3A%2F%2Fwww.hollywoodreporter.com%2Fmovies%2Fmovie-reviews%2Ftar-cate-blanchett-todd-field-1235207357%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AT%C3%A1r" class="Z3988"> </li> <li id="cite_note-50"><a href="#cite_ref-50">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLane2022" class="citation magazine cs1"><a href="/wiki/Anthony_Lane" title="Anthony Lane">Lane, Anthony</a> (October 10, 2022). <a rel="nofollow" class="external text" href="https://www.newyorker.com/magazine/2022/10/10/cate-blanchett-is-imperious-and-incandescent-in-tar/">"Tár Review: Cate Blanchett Is Imperious and Incandescent in Tár"</a>. <a href="/wiki/The_New_Yorker" title="The New Yorker">The New Yorker</a>. 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Retrieved November 26, 2022.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+New+Yorker&rft.atitle=T%C3%A1r%2C+Reviewed%3A+Regressive+Ideas+to+Match+Regressive+Aesthetics&rft.date=2022-10-12&rft.aulast=Brody&rft.aufirst=Richard&rft_id=https%3A%2F%2Fwww.newyorker.com%2Fculture%2Fthe-front-row%2Ftar-reviewed-regressive-ideas-to-match-regressive-aesthetics&rfr_id=info%3Asid%2Fen.wikipedia.org%3AT%C3%A1r" class="Z3988"> </li> <li id="cite_note-52"><a href="#cite_ref-52">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSharf2023" class="citation web cs1">Sharf, Zach (January 5, 2023). <a rel="nofollow" class="external text" href="https://variety.com/2023/film/news/martin-scorsese-tar-ended-cinema-dark-days-1235479771/">"Martin Scorsese: The 'Clouds Lifted' on Cinema's 'Dark Days' After I Watched Tár"</a>. <a href="/wiki/Variety_(magazine)" title="Variety (magazine)">Variety</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20230116044055/https://variety.com/2023/film/news/martin-scorsese-tar-ended-cinema-dark-days-1235479771/">Archived</a> from the original on January 16, 2023. Retrieved January 15, 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Variety&rft.atitle=Martin+Scorsese%3A+The+%27Clouds+Lifted%27+on+Cinema%27s+%27Dark+Days%27+After+I+Watched+T%C3%A1r&rft.date=2023-01-05&rft.aulast=Sharf&rft.aufirst=Zach&rft_id=https%3A%2F%2Fvariety.com%2F2023%2Ffilm%2Fnews%2Fmartin-scorsese-tar-ended-cinema-dark-days-1235479771%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AT%C3%A1r" class="Z3988"> </li> <li id="cite_note-53"><a href="#cite_ref-53">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBergeson2023" class="citation web cs1">Bergeson, Samantha (March 1, 2023). <a rel="nofollow" class="external text" href="https://www.indiewire.com/video/paul-thomas-anderson-hard-not-to-drool-over-todd-field-tar-1234814906/">"Paul Thomas Anderson Applauds TÁR Director Todd Field for Making a True Art Film: It's 'Hard Not to Drool'"</a>. indiewire. Retrieved March 28, 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=indiewire&rft.atitle=Paul+Thomas+Anderson+Applauds+T%C3%81R+Director+Todd+Field+for+Making+a+True+Art+Film%3A+It%27s+%27Hard+Not+to+Drool%27&rft.date=2023-03-01&rft.aulast=Bergeson&rft.aufirst=Samantha&rft_id=https%3A%2F%2Fwww.indiewire.com%2Fvideo%2Fpaul-thomas-anderson-hard-not-to-drool-over-todd-field-tar-1234814906%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AT%C3%A1r" class="Z3988"> </li> <li id="cite_note-54"><a href="#cite_ref-54">^</a> <a rel="nofollow" class="external text" href="https://www.indiewire.com/2023/01/tar-conductor-marin-alsop-slams-film-anti-woman-1234797612/">Female Conductor Mentioned in TÁR Slams Film as 'Anti-Woman'</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20230115211100/https://www.indiewire.com/2023/01/tar-conductor-marin-alsop-slams-film-anti-woman-1234797612/">Archived</a> January 15, 2023, at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a>, <a href="/wiki/IndieWire" title="IndieWire">IndieWire</a> </li> <li id="cite_note-55"><a href="#cite_ref-55">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHaring2023" class="citation web cs1">Haring, Bruce (January 14, 2023). <a rel="nofollow" class="external text" href="https://deadline.com/2023/01/cate-blanchett-defends-tar-film-from-symphony-conductors-criticism-1235222196/">"Cate Blanchett Defends Tár From Symphony Conductor's Criticism"</a>. Deadline. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20230115015535/https://deadline.com/2023/01/cate-blanchett-defends-tar-film-from-symphony-conductors-criticism-1235222196/">Archived</a> from the original on January 15, 2023. Retrieved January 15, 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Deadline&rft.atitle=Cate+Blanchett+Defends+T%C3%A1r+From+Symphony+Conductor%27s+Criticism&rft.date=2023-01-14&rft.aulast=Haring&rft.aufirst=Bruce&rft_id=https%3A%2F%2Fdeadline.com%2F2023%2F01%2Fcate-blanchett-defends-tar-film-from-symphony-conductors-criticism-1235222196%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AT%C3%A1r" class="Z3988"> </li> <li id="cite_note-56"><a href="#cite_ref-56">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFFarnham2023" class="citation web cs1">Farnham, Alice (January 16, 2023). <a rel="nofollow" class="external text" href="https://www.theguardian.com/music/2023/jan/16/thank-you-cate-blanchett-for-taking-up-the-baton-for-female-conductors">"Thank you, Cate Blanchett, for taking up the baton for female conductors"</a>. The Guardian. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20230116130551/https://www.theguardian.com/music/2023/jan/16/thank-you-cate-blanchett-for-taking-up-the-baton-for-female-conductors">Archived</a> from the original on January 16, 2023. Retrieved January 16, 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=The+Guardian&rft.atitle=Thank+you%2C+Cate+Blanchett%2C+for+taking+up+the+baton+for+female+conductors&rft.date=2023-01-16&rft.aulast=Farnham&rft.aufirst=Alice&rft_id=https%3A%2F%2Fwww.theguardian.com%2Fmusic%2F2023%2Fjan%2F16%2Fthank-you-cate-blanchett-for-taking-up-the-baton-for-female-conductors&rfr_id=info%3Asid%2Fen.wikipedia.org%3AT%C3%A1r" class="Z3988"> </li> <li id="cite_note-57"><a href="#cite_ref-57">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBootle2023" class="citation web cs1">Bootle, Emily (January 16, 2023). <a rel="nofollow" class="external text" href="https://inews.co.uk/culture/film/tar-asks-a-lot-of-questions-about-power-does-it-have-any-answers-2087100">"Tár asks a lot of questions about power. Does it have any answers?"</a>. iNews. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20230116174459/https://inews.co.uk/culture/film/tar-asks-a-lot-of-questions-about-power-does-it-have-any-answers-2087100">Archived</a> from the original on January 16, 2023. Retrieved January 17, 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=iNews&rft.atitle=T%C3%A1r+asks+a+lot+of+questions+about+power.+Does+it+have+any+answers%3F&rft.date=2023-01-16&rft.aulast=Bootle&rft.aufirst=Emily&rft_id=https%3A%2F%2Finews.co.uk%2Fculture%2Ffilm%2Ftar-asks-a-lot-of-questions-about-power-does-it-have-any-answers-2087100&rfr_id=info%3Asid%2Fen.wikipedia.org%3AT%C3%A1r" class="Z3988"> </li> <li id="cite_note-58"><a href="#cite_ref-58">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFKermodeMayo2023" class="citation web cs1"><a href="/wiki/Mark_Kermode" title="Mark Kermode">Kermode, Mark</a>; <a href="/wiki/Simon_Mayo" title="Simon Mayo">Mayo, Simon</a> (January 13, 2023). <a rel="nofollow" class="external text" href="https://www.youtube.com/watch?v=ne9DNky1WyQ&ab_channel=KermodeandMayo%27sTake">"Mark Kermode reviews Tár"</a>. Kermode & Mayo's Take. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20230121143702/https://www.youtube.com/watch?v=ne9DNky1WyQ&ab_channel=KermodeandMayo%27sTake">Archived</a> from the original on January 21, 2023. Retrieved January 17, 2023 – via <a href="/wiki/YouTube" title="YouTube">YouTube</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Kermode+%26+Mayo%27s+Take&rft.atitle=Mark+Kermode+reviews+T%C3%A1r&rft.date=2023-01-13&rft.aulast=Kermode&rft.aufirst=Mark&rft.au=Mayo%2C+Simon&rft_id=https%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3Dne9DNky1WyQ%26ab_channel%3DKermodeandMayo%2527sTake&rfr_id=info%3Asid%2Fen.wikipedia.org%3AT%C3%A1r" class="Z3988"> </li> <li id="cite_note-59"><a href="#cite_ref-59">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFZacharek2022" class="citation magazine cs1"><a href="/wiki/Stephanie_Zacharek" title="Stephanie Zacharek">Zacharek, Stephanie</a> (September 2, 2022). <a rel="nofollow" class="external text" href="https://time.com/6210593/tar-review/">"Venice Review: In Tár, Cate Blanchett Gives a Dazzling Performance as an Orchestra Conductor on the Edge"</a>. <a href="/wiki/Time_(magazine)" title="Time (magazine)">Time</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20230116061652/https://time.com/6210593/tar-review/">Archived</a> from the original on January 16, 2023. Retrieved January 16, 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Time&rft.atitle=Venice+Review%3A+In+T%C3%A1r%2C+Cate+Blanchett+Gives+a+Dazzling+Performance+as+an+Orchestra+Conductor+on+the+Edge&rft.date=2022-09-02&rft.aulast=Zacharek&rft.aufirst=Stephanie&rft_id=https%3A%2F%2Ftime.com%2F6210593%2Ftar-review%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AT%C3%A1r" class="Z3988"> </li> <li id="cite_note-60"><a href="#cite_ref-60">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPace2023" class="citation web cs1"><a href="/wiki/Ian_Pace" title="Ian Pace">Pace, Ian</a> (January 13, 2023). <a rel="nofollow" class="external text" href="https://theconversation.com/tar-an-exploration-of-the-flawed-musicians-behind-decadent-music-197714">"Tár – an exploration of the flawed musicians behind decadent music"</a>. <a href="/wiki/The_Conversation_(website)" title="The Conversation (website)">The Conversation</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20230121030713/https://theconversation.com/tar-an-exploration-of-the-flawed-musicians-behind-decadent-music-197714">Archived</a> from the original on January 21, 2023. Retrieved January 21, 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=The+Conversation&rft.atitle=T%C3%A1r+%E2%80%93+an+exploration+of+the+flawed+musicians+behind+decadent+music&rft.date=2023-01-13&rft.aulast=Pace&rft.aufirst=Ian&rft_id=https%3A%2F%2Ftheconversation.com%2Ftar-an-exploration-of-the-flawed-musicians-behind-decadent-music-197714&rfr_id=info%3Asid%2Fen.wikipedia.org%3AT%C3%A1r" class="Z3988"> </li> <li id="cite_note-61"><a href="#cite_ref-61">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBaton2021" class="citation web cs1">Baton, Don (November 18, 2021). <a rel="nofollow" class="external text" href="https://www.city-journal.org/review-of-tar-starring-cate-blanchett">"All Too Human"</a>. <a href="/wiki/City_Journal" title="City Journal">City Journal</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20230120035957/https://www.city-journal.org/review-of-tar-starring-cate-blanchett">Archived</a> from the original on January 20, 2023. Retrieved January 19, 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=City+Journal&rft.atitle=All+Too+Human&rft.date=2021-11-18&rft.aulast=Baton&rft.aufirst=Don&rft_id=https%3A%2F%2Fwww.city-journal.org%2Freview-of-tar-starring-cate-blanchett&rfr_id=info%3Asid%2Fen.wikipedia.org%3AT%C3%A1r" class="Z3988"> </li> <li id="cite_note-62"><a href="#cite_ref-62">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMcDonald2023" class="citation web cs1">McDonald, John (January 28, 2023). <a rel="nofollow" class="external text" href="https://www.afr.com/life-and-luxury/arts-and-culture/one-of-these-movies-is-a-triumph-the-other-a-train-wreck-20230120-p5ce9s">"One of these movies is a triumph – the other a train wreck"</a>. <a href="/wiki/Australian_Financial_Review" title="Australian Financial Review">Australian Financial Review</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20230120035957/https://www.afr.com/life-and-luxury/arts-and-culture/one-of-these-movies-is-a-triumph-the-other-a-train-wreck-20230120-p5ce9s">Archived</a> from the original on January 20, 2023. Retrieved January 28, 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Australian+Financial+Review&rft.atitle=One+of+these+movies+is+a+triumph+%E2%80%93+the+other+a+train+wreck&rft.date=2023-01-28&rft.aulast=McDonald&rft.aufirst=John&rft_id=https%3A%2F%2Fwww.afr.com%2Flife-and-luxury%2Farts-and-culture%2Fone-of-these-movies-is-a-triumph-the-other-a-train-wreck-20230120-p5ce9s&rfr_id=info%3Asid%2Fen.wikipedia.org%3AT%C3%A1r" class="Z3988"> </li> <li id="cite_note-63"><a href="#cite_ref-63">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLebrecht1992" class="citation web cs1"><a href="/wiki/Norman_Lebrecht" title="Norman Lebrecht">Lebrecht, Norman</a> (April 1, 1992). <a rel="nofollow" class="external text" href="https://www.kirkusreviews.com/book-reviews/norman-lebrecht/the-maestro-myth/">"The Maestro Myth: Great Conductors In Pursuit Of Power"</a>. <a href="/wiki/Kirkus_Reviews" title="Kirkus Reviews">Kirkus Reviews</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20230120035957/https://www.kirkusreviews.com/book-reviews/norman-lebrecht/the-maestro-myth/">Archived</a> from the original on January 20, 2023. Retrieved January 28, 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Kirkus+Reviews&rft.atitle=The+Maestro+Myth%3A+Great+Conductors+In+Pursuit+Of+Power&rft.date=1992-04-01&rft.aulast=Lebrecht&rft.aufirst=Norman&rft_id=https%3A%2F%2Fwww.kirkusreviews.com%2Fbook-reviews%2Fnorman-lebrecht%2Fthe-maestro-myth%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AT%C3%A1r" class="Z3988"> </li> <li id="cite_note-64"><a href="#cite_ref-64">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSalazar2023" class="citation web cs1">Salazar, Francisco (January 25, 2023). <a rel="nofollow" class="external text" href="https://operawire.com/controversial-tar-receives-6-oscar-nominations/">"Controversial Tár Receives 6 Oscar Nominations"</a>. OperaWire. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20230120035957/https://operawire.com/controversial-tar-receives-6-oscar-nominations/">Archived</a> from the original on January 20, 2023. Retrieved January 25, 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=OperaWire&rft.atitle=Controversial+T%C3%A1r+Receives+6+Oscar+Nominations&rft.date=2023-01-25&rft.aulast=Salazar&rft.aufirst=Francisco&rft_id=https%3A%2F%2Foperawire.com%2Fcontroversial-tar-receives-6-oscar-nominations%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AT%C3%A1r" class="Z3988"> </li> <li id="cite_note-65"><a href="#cite_ref-65">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLattanzio2022" class="citation web cs1">Lattanzio, Ryan (October 20, 2022). <a rel="nofollow" class="external text" href="https://www.indiewire.com/features/general/tar-yo-yo-ma-praises-cate-blanchett-movie-1234774369/">"'TÁR' Has Yo-Yo Ma's Vote: A 'Provocative and Moving' Portrayal of Classical Music"</a>. indiewire. Retrieved January 9, 2025.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=indiewire&rft.atitle=%27T%C3%81R%27+Has+Yo-Yo+Ma%27s+Vote%3A+A+%27Provocative+and+Moving%27+Portrayal+of+Classical+Music&rft.date=2022-10-20&rft.aulast=Lattanzio&rft.aufirst=Ryan&rft_id=https%3A%2F%2Fwww.indiewire.com%2Ffeatures%2Fgeneral%2Ftar-yo-yo-ma-praises-cate-blanchett-movie-1234774369%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AT%C3%A1r" class="Z3988"> </li> <li id="cite_note-66"><a href="#cite_ref-66">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSmith2023" class="citation magazine cs1">Smith, Zadie (January 19, 2023). <a rel="nofollow" class="external text" href="https://www.nybooks.com/articles/2023/01/19/the-instrumentalist-tar-todd-field-zadie-smith/">"The Instrumentalist"</a>. <a href="/wiki/The_New_York_Review_of_Books" title="The New York Review of Books">The New York Review of Books</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20230114162218/https://www.nybooks.com/articles/2023/01/19/the-instrumentalist-tar-todd-field-zadie-smith/">Archived</a> from the original on January 14, 2023. Retrieved January 15, 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+New+York+Review+of+Books&rft.atitle=The+Instrumentalist&rft.date=2023-01-19&rft.aulast=Smith&rft.aufirst=Zadie&rft_id=https%3A%2F%2Fwww.nybooks.com%2Farticles%2F2023%2F01%2F19%2Fthe-instrumentalist-tar-todd-field-zadie-smith%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AT%C3%A1r" class="Z3988"> </li> <li id="cite_note-67"><a href="#cite_ref-67">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFScott2023" class="citation web cs1"><a href="/wiki/A._O._Scott" title="A. O. Scott">Scott, A. O.</a> (January 2, 2023). <a rel="nofollow" class="external text" href="https://www.nytimes.com/2023/01/02/movies/lydia-tar-juilliard-conducting-scene.html">"One Indelible Scene: The Master Class in Ambiguity in Tár"</a>. <a href="/wiki/The_New_York_Times" title="The New York Times">The New York Times</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20230116055306/https://www.nytimes.com/2023/01/02/movies/lydia-tar-juilliard-conducting-scene.html">Archived</a> from the original on January 16, 2023. Retrieved January 16, 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=The+New+York+Times&rft.atitle=One+Indelible+Scene%3A+The+Master+Class+in+Ambiguity+in+T%C3%A1r&rft.date=2023-01-02&rft.aulast=Scott&rft.aufirst=A.+O.&rft_id=https%3A%2F%2Fwww.nytimes.com%2F2023%2F01%2F02%2Fmovies%2Flydia-tar-juilliard-conducting-scene.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AT%C3%A1r" class="Z3988"> </li> <li id="cite_note-68"><a href="#cite_ref-68">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFNaidoo2023" class="citation web cs1">Naidoo, Neville (January 28, 2023). <a rel="nofollow" class="external text" href="https://movieweb.com/tar-movie-woke-cancel-culture/">"How Tár Gives a Nuanced Take on Wokeness and Cancel Culture"</a>. <a href="/wiki/MovieWeb" class="mw-redirect" title="MovieWeb">MovieWeb</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20230116055306/https://movieweb.com/tar-movie-woke-cancel-culture/">Archived</a> from the original on January 16, 2023. 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Ethnomusicology Forum. 22 (3): 343–361. <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<a rel="nofollow" class="external text" href="https://doi.org/10.1080%2F17411912.2013.844528">10.1080/17411912.2013.844528</a>. <a href="/wiki/JSTOR_(identifier)" class="mw-redirect" title="JSTOR (identifier)">JSTOR</a> <a rel="nofollow" class="external text" href="https://www.jstor.org/stable/43297404">43297404</a>. <a href="/wiki/S2CID_(identifier)" class="mw-redirect" title="S2CID (identifier)">S2CID</a> <a rel="nofollow" class="external text" href="https://api.semanticscholar.org/CorpusID:217505438">217505438</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Ethnomusicology+Forum&rft.atitle=Shipibo+Laughing+Songs+and+the+Transformative+Faculty%3A+Performing+or+Becoming+the+Other&rft.volume=22&rft.issue=3&rft.pages=%3Cspan+class%3D%22nowrap%22%3E343-%3C%2Fspan%3E361&rft.date=2013-12&rft_id=https%3A%2F%2Fapi.semanticscholar.org%2FCorpusID%3A217505438%23id-name%3DS2CID&rft_id=https%3A%2F%2Fwww.jstor.org%2Fstable%2F43297404%23id-name%3DJSTOR&rft_id=info%3Adoi%2F10.1080%2F17411912.2013.844528&rft.aulast=Brabec+de+Mori&rft.aufirst=Bernd&rfr_id=info%3Asid%2Fen.wikipedia.org%3AT%C3%A1r" class="Z3988"> Special Issue: The Human and Non-human in Lowland South American Indigenous Music </li> <li id="cite_note-77"><a href="#cite_ref-77">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBrabec_de_Mori2012" class="citation journal cs1">Brabec de Mori, Bernd (2012). <a rel="nofollow" class="external text" href="https://journals.iai.spk-berlin.de/index.php/indiana/article/view/2020/1658">"About magical singing, sonic perspectives, ambient multinatures, and the conscious experience"</a>. 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Retrieved November 26, 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Time+Out&rft.atitle=The+best+movies+of+2023+%28so+far%29&rft.date=2023-11-20&rft.aulast=de+Semlyen&rft.aufirst=Phil&rft_id=https%3A%2F%2Fwww.timeout.com%2Ffilm%2Fthe-best-movies-of-2023-so-far&rfr_id=info%3Asid%2Fen.wikipedia.org%3AT%C3%A1r" class="Z3988"> </li> <li id="cite_note-83"><a href="#cite_ref-83">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation magazine cs1"><a rel="nofollow" class="external text" href="https://www.theguardian.com/film/2023/dec/24/wendy-ide-10-best-films-of-2023">"Film: Wendy Ide's 10 best of 2023"</a>. The Guardian. December 24, 2023. Retrieved December 26, 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Guardian&rft.atitle=Film%3A+Wendy+Ide%27s+10+best+of+2023&rft.date=2023-12-24&rft_id=https%3A%2F%2Fwww.theguardian.com%2Ffilm%2F2023%2Fdec%2F24%2Fwendy-ide-10-best-films-of-2023&rfr_id=info%3Asid%2Fen.wikipedia.org%3AT%C3%A1r" class="Z3988"> </li> <li id="cite_note-84"><a href="#cite_ref-84">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation magazine cs1"><a rel="nofollow" class="external text" href="https://www.telegraph.co.uk/music/classical-music/todd-field-tar-cate-blanchett-classical-composers/">"opinion: This cancel culture takedown is the finest American film of the century"</a>. The Telegraph. April 21, 2024. Retrieved April 22, 2024.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Telegraph&rft.atitle=opinion%3A+This+cancel+culture+takedown+is+the+finest+American+film+of+the+century&rft.date=2024-04-21&rft_id=https%3A%2F%2Fwww.telegraph.co.uk%2Fmusic%2Fclassical-music%2Ftodd-field-tar-cate-blanchett-classical-composers%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AT%C3%A1r" class="Z3988"> </li> <li id="cite_note-85"><a href="#cite_ref-85">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation magazine cs1"><a rel="nofollow" class="external text" href="https://www.vulture.com/article/best-oscar-best-picture-losers.html">"The Best Movies That Lost Best Picture at the Oscars"</a>. <a href="/wiki/New_York_(magazine)" title="New York (magazine)">New York</a>. March 28, 2023. Retrieved March 28, 2020.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=New+York&rft.atitle=The+Best+Movies+That+Lost+Best+Picture+at+the+Oscars&rft.date=2023-03-28&rft_id=https%3A%2F%2Fwww.vulture.com%2Farticle%2Fbest-oscar-best-picture-losers.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AT%C3%A1r" class="Z3988"> </li> <li id="cite_note-86"><a href="#cite_ref-86">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.indiewire.com/gallery/best-picture-oscar-snubs/">"40 Best Picture Nominees that Deserved to Win the Oscar"</a>. March 2, 2024. Retrieved March 2, 2024.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=40+Best+Picture+Nominees+that+Deserved+to+Win+the+Oscar&rft.date=2024-03-02&rft_id=https%3A%2F%2Fwww.indiewire.com%2Fgallery%2Fbest-picture-oscar-snubs%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AT%C3%A1r" class="Z3988"> </li> <li id="cite_note-87"><a href="#cite_ref-87">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFNordyke2023" class="citation web cs1">Nordyke, Kimberly (March 12, 2023). <a rel="nofollow" class="external text" href="https://www.hollywoodreporter.com/movies/movie-news/2023-oscars-winners-list-1235349224/">"Oscars: Complete Winners List"</a>. <a href="/wiki/The_Hollywood_Reporter" title="The Hollywood Reporter">The Hollywood Reporter</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20230313042718/https://www.hollywoodreporter.com/movies/movie-news/2023-oscars-winners-list-1235349224/">Archived</a> from the original on March 13, 2023. Retrieved March 13, 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=The+Hollywood+Reporter&rft.atitle=Oscars%3A+Complete+Winners+List&rft.date=2023-03-12&rft.aulast=Nordyke&rft.aufirst=Kimberly&rft_id=https%3A%2F%2Fwww.hollywoodreporter.com%2Fmovies%2Fmovie-news%2F2023-oscars-winners-list-1235349224%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AT%C3%A1r" class="Z3988"> </li> </ol></div></div> <div class="mw-heading mw-heading2"><h2 id="External_links">External links</h2>[<a href="/w/index.php?title=T%C3%A1r&action=edit&section=14" title="Edit section: External links">edit</a>]</div> <style data-mw-deduplicate="TemplateStyles:r1235681985">.mw-parser-output .side-box{margin:4px 0;box-sizing:border-box;border:1px solid #aaa;font-size:88%;line-height:1.25em;background-color:var(--background-color-interactive-subtle,#f8f9fa);display:flow-root}.mw-parser-output .side-box-abovebelow,.mw-parser-output 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href="https://www.focusfeatures.com/tar/">Official website</a> <a href="https://www.wikidata.org/wiki/Q108649516#P856" title="Edit this at Wikidata"><img alt="Edit this at Wikidata" src="//upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/10px-OOjs_UI_icon_edit-ltr-progressive.svg.png" decoding="async" width="10" height="10" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/15px-OOjs_UI_icon_edit-ltr-progressive.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/20px-OOjs_UI_icon_edit-ltr-progressive.svg.png 2x" data-file-width="20" data-file-height="20" /></a></li> <li><a rel="nofollow" class="external text" href="https://www.imdb.com/title/tt14444726/">Tár</a> at <a href="/wiki/IMDb_(identifier)" class="mw-redirect" title="IMDb (identifier)">IMDb</a> <a href="https://www.wikidata.org/wiki/Q108649516#P345" title="Edit this at Wikidata"><img alt="Edit this at Wikidata" src="//upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/10px-OOjs_UI_icon_edit-ltr-progressive.svg.png" decoding="async" width="10" height="10" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/15px-OOjs_UI_icon_edit-ltr-progressive.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/20px-OOjs_UI_icon_edit-ltr-progressive.svg.png 2x" data-file-width="20" data-file-height="20" /></a></li> <li><a rel="nofollow" class="external text" href="https://www.rottentomatoes.com/m/tar_2022">Tár</a> at <a href="/wiki/Rotten_Tomatoes" title="Rotten Tomatoes">Rotten Tomatoes</a></li> <li><a rel="nofollow" class="external text" href="https://www.metacritic.com/movie/tar-2022">Tár</a> at <a href="/wiki/Metacritic" title="Metacritic">Metacritic</a></li> <li><a rel="nofollow" class="external text" href="https://variety.com/wp-content/uploads/2023/01/tar-screenplay.pdf">Official screenplay</a></li></ul> <div class="navbox-styles"><style data-mw-deduplicate="TemplateStyles:r1129693374">.mw-parser-output .hlist dl,.mw-parser-output .hlist ol,.mw-parser-output .hlist ul{margin:0;padding:0}.mw-parser-output .hlist dd,.mw-parser-output .hlist dt,.mw-parser-output .hlist li{margin:0;display:inline}.mw-parser-output .hlist.inline,.mw-parser-output .hlist.inline dl,.mw-parser-output .hlist.inline ol,.mw-parser-output .hlist.inline ul,.mw-parser-output .hlist dl dl,.mw-parser-output .hlist dl ol,.mw-parser-output .hlist dl ul,.mw-parser-output .hlist ol dl,.mw-parser-output .hlist ol ol,.mw-parser-output .hlist ol ul,.mw-parser-output .hlist ul dl,.mw-parser-output .hlist ul ol,.mw-parser-output .hlist ul ul{display:inline}.mw-parser-output .hlist .mw-empty-li{display:none}.mw-parser-output .hlist dt::after{content:": "}.mw-parser-output .hlist dd::after,.mw-parser-output .hlist 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class="navbox-title" colspan="2"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><style data-mw-deduplicate="TemplateStyles:r1239400231">.mw-parser-output .navbar{display:inline;font-size:88%;font-weight:normal}.mw-parser-output .navbar-collapse{float:left;text-align:left}.mw-parser-output .navbar-boxtext{word-spacing:0}.mw-parser-output .navbar ul{display:inline-block;white-space:nowrap;line-height:inherit}.mw-parser-output .navbar-brackets::before{margin-right:-0.125em;content:"[ "}.mw-parser-output .navbar-brackets::after{margin-left:-0.125em;content:" ]"}.mw-parser-output .navbar li{word-spacing:-0.125em}.mw-parser-output .navbar a>span,.mw-parser-output .navbar a>abbr{text-decoration:inherit}.mw-parser-output .navbar-mini abbr{font-variant:small-caps;border-bottom:none;text-decoration:none;cursor:inherit}.mw-parser-output .navbar-ct-full{font-size:114%;margin:0 7em}.mw-parser-output .navbar-ct-mini{font-size:114%;margin:0 4em}html.skin-theme-clientpref-night .mw-parser-output .navbar li a abbr{color:var(--color-base)!important}@media(prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .navbar li a abbr{color:var(--color-base)!important}}@media print{.mw-parser-output .navbar{display:none!important}}</style><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:Todd_Field" title="Template:Todd Field"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Todd_Field" title="Template talk:Todd Field"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Todd_Field" title="Special:EditPage/Template:Todd Field"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Films_directed_by_Todd_Field53" style="font-size:114%;margin:0 4em">Films directed by <a href="/wiki/Todd_Field" title="Todd Field">Todd Field</a></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%">Features</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/In_the_Bedroom" title="In the Bedroom">In the Bedroom</a> (2001)</li> <li><a href="/wiki/Little_Children_(film)" title="Little Children (film)">Little Children</a> (2006)</li> <li><a class="mw-selflink selflink">Tár</a> (2022)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Shorts</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/The_Dog_(1992_film)" title="The Dog (1992 film)">The Dog</a> (1992)</li> <li><a href="/wiki/Too_Romantic" title="Too Romantic">Too Romantic</a> (1992)</li> <li><a href="/wiki/When_I_Was_a_Boy_(film)" title="When I Was a Boy (film)">When I Was a Boy</a> (1993)</li> <li><a href="/wiki/The_Tree_(1993_film)" title="The Tree (1993 film)">The Tree</a> (1993)</li> <li><a href="/wiki/Delivering_(film)" title="Delivering (film)">Delivering</a> (1993)</li> <li><a href="/wiki/Nonnie_%26_Alex" title="Nonnie & Alex">Nonnie & Alex</a> (1995)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Related</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Todd_Field%27s_unrealized_projects" title="Todd Field's unrealized projects">Unrealized projects</a></li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div><div role="navigation" class="navbox" aria-labelledby="Awards_for_Tár125" style="padding:3px"><table class="nowraplinks mw-collapsible mw-collapsed navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2" style="background:#e8e8ff;"><div id="Awards_for_Tár125" style="font-size:114%;margin:0 4em"><a href="/wiki/List_of_accolades_received_by_T%C3%A1r" title="List of accolades received by Tár">Awards for Tár</a></div></th></tr><tr><td colspan="2" class="navbox-list navbox-odd" style="width:100%;padding:0;font-size:114%"><div style="padding:0px"> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div><div role="navigation" class="navbox" aria-labelledby="London_Film_Critics&#039;_Circle_Award_for_Film_of_the_Year58" style="padding:3px"><table class="nowraplinks hlist mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2" style="background: #90EE90"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239400231"><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:London_Film_Critics_Circle_Award_for_Film_of_the_Year" title="Template:London Film Critics Circle Award for Film of the Year"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:London_Film_Critics_Circle_Award_for_Film_of_the_Year" title="Template talk:London Film Critics Circle Award for Film of the Year"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:London_Film_Critics_Circle_Award_for_Film_of_the_Year" title="Special:EditPage/Template:London Film Critics Circle Award for Film of the Year"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="London_Film_Critics&#039;_Circle_Award_for_Film_of_the_Year58" style="font-size:114%;margin:0 4em"><a href="/wiki/London_Film_Critics%27_Circle_Award_for_Film_of_the_Year" title="London Film Critics' Circle Award for Film of the Year">London Film Critics' Circle Award for Film of the Year</a></div></th></tr><tr><td colspan="2" class="navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Apocalypse_Now" title="Apocalypse Now">Apocalypse Now</a> (1980)</li> <li><a href="/wiki/Chariots_of_Fire" title="Chariots of Fire">Chariots of Fire</a> (1981)</li> <li><a href="/wiki/Missing_(1982_film)" title="Missing (1982 film)">Missing</a> (1982)</li> <li><a href="/wiki/The_King_of_Comedy_(film)" title="The King of Comedy (film)">The King of Comedy</a> (1983)</li> <li><a href="/wiki/Paris,_Texas_(film)" title="Paris, Texas (film)">Paris, Texas</a> (1984)</li> <li><a href="/wiki/The_Purple_Rose_of_Cairo" title="The Purple Rose of Cairo">The Purple Rose of Cairo</a> (1985)</li> <li><a href="/wiki/A_Room_with_a_View_(1985_film)" title="A Room with a View (1985 film)">A Room with a View</a> (1986)</li> <li><a href="/wiki/Hope_and_Glory_(film)" title="Hope and Glory (film)">Hope and Glory</a> (1987)</li> <li><a href="/wiki/House_of_Games" title="House of Games">House of Games</a> (1988)</li> <li><a href="/wiki/Distant_Voices,_Still_Lives" title="Distant Voices, Still Lives">Distant Voices, Still Lives</a> (1989)</li> <li><a href="/wiki/Crimes_and_Misdemeanors" title="Crimes and Misdemeanors">Crimes and Misdemeanors</a> (1990)</li> <li><a href="/wiki/Thelma_%26_Louise" title="Thelma & Louise">Thelma & Louise</a> (1991)</li> <li><a href="/wiki/Unforgiven" title="Unforgiven">Unforgiven</a> (1992)</li> <li><a href="/wiki/The_Piano" title="The Piano">The Piano</a> (1993)</li> <li><a href="/wiki/Schindler%27s_List" title="Schindler's List">Schindler's List</a> (1994)</li> <li><a href="/wiki/Babe_(film)" title="Babe (film)">Babe</a> (1995)</li> <li><a href="/wiki/Fargo_(1996_film)" title="Fargo (1996 film)">Fargo</a> (1996)</li> <li><a href="/wiki/L.A._Confidential_(film)" title="L.A. Confidential (film)">L.A. Confidential</a> (1997)</li> <li><a href="/wiki/Saving_Private_Ryan" title="Saving Private Ryan">Saving Private Ryan</a> (1998)</li> <li><a href="/wiki/American_Beauty_(1999_film)" title="American Beauty (1999 film)">American Beauty</a> (1999)</li> <li><a href="/wiki/Being_John_Malkovich" title="Being John Malkovich">Being John Malkovich</a> (2000)</li> <li><a href="/wiki/Moulin_Rouge!" title="Moulin Rouge!">Moulin Rouge!</a> (2001)</li> <li><a href="/wiki/About_Schmidt" title="About Schmidt">About Schmidt</a> (2002)</li> <li><a href="/wiki/Master_and_Commander:_The_Far_Side_of_the_World" title="Master and Commander: The Far Side of the World">Master and Commander: The Far Side of the World</a> (2003)</li> <li><a href="/wiki/Sideways" title="Sideways">Sideways</a> (2004)</li> <li><a href="/wiki/Brokeback_Mountain" title="Brokeback Mountain">Brokeback Mountain</a> (2005)</li> <li><a href="/wiki/United_93_(film)" title="United 93 (film)">United 93</a> (2006)</li> <li><a href="/wiki/No_Country_for_Old_Men" title="No Country for Old Men">No Country for Old Men</a> (2007)</li> <li><a href="/wiki/The_Wrestler_(2008_film)" title="The Wrestler (2008 film)">The Wrestler</a> (2008)</li> <li><a href="/wiki/A_Prophet" title="A Prophet">A Prophet</a> (2009)</li> <li><a href="/wiki/The_Social_Network" title="The Social Network">The Social Network</a> (2010)</li> <li><a href="/wiki/The_Artist_(film)" title="The Artist (film)">The Artist</a> (2011)</li> <li><a href="/wiki/Amour_(2012_film)" title="Amour (2012 film)">Amour</a> (2012)</li> <li><a href="/wiki/12_Years_a_Slave_(film)" title="12 Years a Slave (film)">12 Years a Slave</a> (2013)</li> <li><a href="/wiki/Boyhood_(2014_film)" title="Boyhood (2014 film)">Boyhood</a> (2014)</li> <li><a href="/wiki/Mad_Max:_Fury_Road" title="Mad Max: Fury Road">Mad Max: Fury Road</a> (2015)</li> <li><a href="/wiki/La_La_Land" title="La La Land">La La Land</a> (2016)</li> <li><a href="/wiki/Three_Billboards_Outside_Ebbing,_Missouri" title="Three Billboards Outside Ebbing, Missouri">Three Billboards Outside Ebbing, Missouri</a> (2017)</li> <li><a href="/wiki/Roma_(2018_film)" title="Roma (2018 film)">Roma</a> (2018)</li> <li><a href="/wiki/Parasite_(2019_film)" title="Parasite (2019 film)">Parasite</a> (2019)</li> <li><a href="/wiki/Nomadland" title="Nomadland">Nomadland</a> (2020)</li> <li><a href="/wiki/The_Power_of_the_Dog_(film)" title="The Power of the Dog (film)">The Power of the Dog</a> (2021)</li> <li><a class="mw-selflink selflink">Tár</a> (2022)</li> <li><a href="/wiki/The_Zone_of_Interest_(film)" title="The Zone of Interest (film)">The Zone of Interest</a> (2023)</li> <li><a href="/wiki/The_Brutalist" title="The Brutalist">The Brutalist</a> (2024)</li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div><div role="navigation" class="navbox" aria-labelledby="Los_Angeles_Film_Critics_Association_Award_for_Best_Film85" style="padding:3px"><table class="nowraplinks hlist mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2" style="background:"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239400231"><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:Los_Angeles_Film_Critics_Association_Award_for_Best_Film" title="Template:Los Angeles Film Critics Association Award for Best Film"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Los_Angeles_Film_Critics_Association_Award_for_Best_Film" title="Template talk:Los Angeles Film Critics Association Award for Best Film"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Los_Angeles_Film_Critics_Association_Award_for_Best_Film" title="Special:EditPage/Template:Los Angeles Film Critics Association Award for Best Film"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Los_Angeles_Film_Critics_Association_Award_for_Best_Film85" style="font-size:114%;margin:0 4em"><a href="/wiki/Los_Angeles_Film_Critics_Association_Award_for_Best_Film" title="Los Angeles Film Critics Association Award for Best Film">Los Angeles Film Critics Association Award for Best Film</a></div></th></tr><tr><th scope="row" class="navbox-group" style="background:;width:1%">1975–2000</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Dog_Day_Afternoon" title="Dog Day Afternoon">Dog Day Afternoon</a> / <a href="/wiki/One_Flew_Over_the_Cuckoo%27s_Nest_(film)" title="One Flew Over the Cuckoo's Nest (film)">One Flew Over the Cuckoo's Nest</a> (1975)</li> <li><a href="/wiki/Network_(1976_film)" title="Network (1976 film)">Network</a> / <a href="/wiki/Rocky" title="Rocky">Rocky</a> (1976)</li> <li><a href="/wiki/Star_Wars_(film)" title="Star Wars (film)">Star Wars</a> (1977)</li> <li><a href="/wiki/Coming_Home_(1978_film)" title="Coming Home (1978 film)">Coming Home</a> (1978)</li> <li><a href="/wiki/Kramer_vs._Kramer" title="Kramer vs. Kramer">Kramer vs. Kramer</a> (1979)</li> <li><a href="/wiki/Raging_Bull" title="Raging Bull">Raging Bull</a> (1980)</li> <li><a href="/wiki/Atlantic_City_(1980_film)" title="Atlantic City (1980 film)">Atlantic City</a> (1981)</li> <li><a href="/wiki/E.T._the_Extra-Terrestrial" title="E.T. the Extra-Terrestrial">E.T. the Extra-Terrestrial</a> (1982)</li> <li><a href="/wiki/Terms_of_Endearment" title="Terms of Endearment">Terms of Endearment</a> (1983)</li> <li><a href="/wiki/Amadeus_(film)" title="Amadeus (film)">Amadeus</a> (1984)</li> <li><a href="/wiki/Brazil_(1985_film)" title="Brazil (1985 film)">Brazil</a> (1985)</li> <li><a href="/wiki/Hannah_and_Her_Sisters" title="Hannah and Her Sisters">Hannah and Her Sisters</a> (1986)</li> <li><a href="/wiki/Hope_and_Glory_(film)" title="Hope and Glory (film)">Hope and Glory</a> (1987)</li> <li><a href="/wiki/Little_Dorrit_(1987_film)" title="Little Dorrit (1987 film)">Little Dorrit</a> (1988)</li> <li><a href="/wiki/Do_the_Right_Thing" title="Do the Right Thing">Do the Right Thing</a> (1989)</li> <li><a href="/wiki/Goodfellas" title="Goodfellas">Goodfellas</a> (1990)</li> <li><a href="/wiki/Bugsy" title="Bugsy">Bugsy</a> (1991)</li> <li><a href="/wiki/Unforgiven" title="Unforgiven">Unforgiven</a> (1992)</li> <li><a href="/wiki/Schindler%27s_List" title="Schindler's List">Schindler's List</a> (1993)</li> <li><a href="/wiki/Pulp_Fiction" title="Pulp Fiction">Pulp Fiction</a> (1994)</li> <li><a href="/wiki/Leaving_Las_Vegas" title="Leaving Las Vegas">Leaving Las Vegas</a> (1995)</li> <li><a href="/wiki/Secrets_%26_Lies_(film)" title="Secrets & Lies (film)">Secrets & Lies</a> (1996)</li> <li><a href="/wiki/L.A._Confidential_(film)" title="L.A. Confidential (film)">L.A. Confidential</a> (1997)</li> <li><a href="/wiki/Saving_Private_Ryan" title="Saving Private Ryan">Saving Private Ryan</a> (1998)</li> <li><a href="/wiki/The_Insider_(film)" title="The Insider (film)">The Insider</a> (1999)</li> <li><a href="/wiki/Crouching_Tiger,_Hidden_Dragon" title="Crouching Tiger, Hidden Dragon">Crouching Tiger, Hidden Dragon</a> (2000)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background:;width:1%">2001–present</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/In_the_Bedroom" title="In the Bedroom">In the Bedroom</a> (2001)</li> <li><a href="/wiki/About_Schmidt" title="About Schmidt">About Schmidt</a> (2002)</li> <li><a href="/wiki/American_Splendor_(film)" title="American Splendor (film)">American Splendor</a> (2003)</li> <li><a href="/wiki/Sideways" title="Sideways">Sideways</a> (2004)</li> <li><a href="/wiki/Brokeback_Mountain" title="Brokeback Mountain">Brokeback Mountain</a> (2005)</li> <li><a href="/wiki/Letters_from_Iwo_Jima" title="Letters from Iwo Jima">Letters from Iwo Jima</a> (2006)</li> <li><a href="/wiki/There_Will_Be_Blood" title="There Will Be Blood">There Will Be Blood</a> (2007)</li> <li><a href="/wiki/WALL-E" title="WALL-E">WALL-E</a> (2008)</li> <li><a href="/wiki/The_Hurt_Locker" title="The Hurt Locker">The Hurt Locker</a> (2009)</li> <li><a href="/wiki/The_Social_Network" title="The Social Network">The Social Network</a> (2010)</li> <li><a href="/wiki/The_Descendants" title="The Descendants">The Descendants</a> (2011)</li> <li><a href="/wiki/Amour_(2012_film)" title="Amour (2012 film)">Amour</a> (2012)</li> <li><a href="/wiki/Gravity_(2013_film)" title="Gravity (2013 film)">Gravity</a> / <a href="/wiki/Her_(2013_film)" title="Her (2013 film)">Her</a> (2013)</li> <li><a href="/wiki/Boyhood_(2014_film)" title="Boyhood (2014 film)">Boyhood</a> (2014)</li> <li><a href="/wiki/Spotlight_(film)" title="Spotlight (film)">Spotlight</a> (2015)</li> <li><a href="/wiki/Moonlight_(2016_film)" title="Moonlight (2016 film)">Moonlight</a> (2016)</li> <li><a href="/wiki/Call_Me_by_Your_Name_(film)" title="Call Me by Your Name (film)">Call Me by Your Name</a> (2017)</li> <li><a href="/wiki/Roma_(2018_film)" title="Roma (2018 film)">Roma</a> (2018)</li> <li><a href="/wiki/Parasite_(2019_film)" title="Parasite (2019 film)">Parasite</a> (2019)</li> <li><a href="/wiki/Small_Axe_(anthology)" title="Small Axe (anthology)">Small Axe</a> (2020)</li> <li><a href="/wiki/Drive_My_Car_(film)" title="Drive My Car (film)">Drive My Car</a> (2021)</li> <li><a href="/wiki/Everything_Everywhere_All_at_Once" title="Everything Everywhere All at Once">Everything Everywhere All at Once</a> / <a class="mw-selflink selflink">Tár</a> (2022)</li> <li><a href="/wiki/The_Zone_of_Interest_(film)" title="The Zone of Interest (film)">The Zone of Interest</a> (2023)</li> <li><a href="/wiki/Anora" title="Anora">Anora</a> (2024)</li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div><div role="navigation" class="navbox" aria-labelledby="National_Society_of_Film_Critics_Award_for_Best_Film81" style="padding:3px"><table class="nowraplinks hlist mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2" style="background:"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239400231"><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:National_Society_of_Film_Critics_Award_for_Best_Film" title="Template:National Society of Film Critics Award for Best Film"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:National_Society_of_Film_Critics_Award_for_Best_Film" title="Template talk:National Society of Film Critics Award for Best Film"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:National_Society_of_Film_Critics_Award_for_Best_Film" title="Special:EditPage/Template:National Society of Film Critics Award for Best Film"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="National_Society_of_Film_Critics_Award_for_Best_Film81" style="font-size:114%;margin:0 4em"><a href="/wiki/National_Society_of_Film_Critics_Award_for_Best_Film" title="National Society of Film Critics Award for Best Film">National Society of Film Critics Award for Best Film</a></div></th></tr><tr><th scope="row" class="navbox-group" style="background:;width:1%">1966–2000</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Blowup" title="Blowup">Blowup</a> (1966)</li> <li><a href="/wiki/Persona_(1966_film)" title="Persona (1966 film)">Persona</a> (1967)</li> <li><a href="/wiki/Shame_(1968_film)" title="Shame (1968 film)">Shame</a> (1968)</li> <li><a href="/wiki/Z_(1969_film)" title="Z (1969 film)">Z</a> (1969)</li> <li><a href="/wiki/M*A*S*H_(film)" title="M*A*S*H (film)">M*A*S*H</a> (1970)</li> <li><a href="/wiki/Claire%27s_Knee" title="Claire's Knee">Claire's Knee</a> (1971)</li> <li><a href="/wiki/The_Discreet_Charm_of_the_Bourgeoisie" title="The Discreet Charm of the Bourgeoisie">The Discreet Charm of the Bourgeoisie</a> (1972)</li> <li><a href="/wiki/Day_for_Night_(film)" title="Day for Night (film)">Day for Night</a> (1973)</li> <li><a href="/wiki/Scenes_from_a_Marriage" title="Scenes from a Marriage">Scenes from a Marriage</a> (1974)</li> <li><a href="/wiki/Nashville_(film)" title="Nashville (film)">Nashville</a> (1975)</li> <li><a href="/wiki/All_the_President%27s_Men_(film)" title="All the President's Men (film)">All the President's Men</a> (1976)</li> <li><a href="/wiki/Annie_Hall" title="Annie Hall">Annie Hall</a> (1977)</li> <li><a href="/wiki/Get_Out_Your_Handkerchiefs" title="Get Out Your Handkerchiefs">Get Out Your Handkerchiefs</a> (1978)</li> <li><a href="/wiki/Breaking_Away" title="Breaking Away">Breaking Away</a> (1979)</li> <li><a href="/wiki/Melvin_and_Howard" title="Melvin and Howard">Melvin and Howard</a> (1980)</li> <li><a href="/wiki/Atlantic_City_(1980_film)" title="Atlantic City (1980 film)">Atlantic City</a> (1981)</li> <li><a href="/wiki/Tootsie" title="Tootsie">Tootsie</a> (1982)</li> <li><a href="/wiki/The_Night_of_the_Shooting_Stars" title="The Night of the Shooting Stars">The Night of the Shooting Stars</a> (1983)</li> <li><a href="/wiki/Stranger_Than_Paradise" title="Stranger Than Paradise">Stranger Than Paradise</a> (1984)</li> <li><a href="/wiki/Ran_(film)" title="Ran (film)">Ran</a> (1985)</li> <li><a href="/wiki/Blue_Velvet_(film)" title="Blue Velvet (film)">Blue Velvet</a> (1986)</li> <li><a href="/wiki/The_Dead_(1987_film)" title="The Dead (1987 film)">The Dead</a> (1987)</li> <li><a href="/wiki/The_Unbearable_Lightness_of_Being_(film)" title="The Unbearable Lightness of Being (film)">The Unbearable Lightness of Being</a> (1988)</li> <li><a href="/wiki/Drugstore_Cowboy" title="Drugstore Cowboy">Drugstore Cowboy</a> (1989)</li> <li><a href="/wiki/Goodfellas" title="Goodfellas">Goodfellas</a> (1990)</li> <li><a href="/wiki/Life_Is_Sweet_(film)" title="Life Is Sweet (film)">Life Is Sweet</a> (1991)</li> <li><a href="/wiki/Unforgiven" title="Unforgiven">Unforgiven</a> (1992)</li> <li><a href="/wiki/Schindler%27s_List" title="Schindler's List">Schindler's List</a> (1993)</li> <li><a href="/wiki/Pulp_Fiction" title="Pulp Fiction">Pulp Fiction</a> (1994)</li> <li><a href="/wiki/Babe_(film)" title="Babe (film)">Babe</a> (1995)</li> <li><a href="/wiki/Breaking_the_Waves" title="Breaking the Waves">Breaking the Waves</a> (1996)</li> <li><a href="/wiki/L.A._Confidential_(film)" title="L.A. Confidential (film)">L.A. Confidential</a> (1997)</li> <li><a href="/wiki/Out_of_Sight" title="Out of Sight">Out of Sight</a> (1998)</li> <li><a href="/wiki/Being_John_Malkovich" title="Being John Malkovich">Being John Malkovich</a> / <a href="/wiki/Topsy-Turvy" title="Topsy-Turvy">Topsy-Turvy</a> (1999)</li> <li><a href="/wiki/Yi_Yi" title="Yi Yi">Yi Yi</a> (2000)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background:;width:1%">2001–present</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Mulholland_Drive_(film)" title="Mulholland Drive (film)">Mulholland Drive</a> (2001)</li> <li><a href="/wiki/The_Pianist_(2002_film)" title="The Pianist (2002 film)">The Pianist</a> (2002)</li> <li><a href="/wiki/American_Splendor_(film)" title="American Splendor (film)">American Splendor</a> (2003)</li> <li><a href="/wiki/Million_Dollar_Baby" title="Million Dollar Baby">Million Dollar Baby</a> (2004)</li> <li><a href="/wiki/Capote_(film)" title="Capote (film)">Capote</a> (2005)</li> <li><a href="/wiki/Pan%27s_Labyrinth" title="Pan's Labyrinth">Pan's Labyrinth</a> (2006)</li> <li><a href="/wiki/There_Will_Be_Blood" title="There Will Be Blood">There Will Be Blood</a> (2007)</li> <li><a href="/wiki/Waltz_with_Bashir" title="Waltz with Bashir">Waltz with Bashir</a> (2008)</li> <li><a href="/wiki/The_Hurt_Locker" title="The Hurt Locker">The Hurt Locker</a> (2009)</li> <li><a href="/wiki/The_Social_Network" title="The Social Network">The Social Network</a> (2010)</li> <li><a href="/wiki/Melancholia_(2011_film)" title="Melancholia (2011 film)">Melancholia</a> (2011)</li> <li><a href="/wiki/Amour_(2012_film)" title="Amour (2012 film)">Amour</a> (2012)</li> <li><a href="/wiki/Inside_Llewyn_Davis" title="Inside Llewyn Davis">Inside Llewyn Davis</a> (2013)</li> <li><a href="/wiki/Goodbye_to_Language" title="Goodbye to Language">Goodbye to Language</a> (2014)</li> <li><a href="/wiki/Spotlight_(film)" title="Spotlight (film)">Spotlight</a> (2015)</li> <li><a href="/wiki/Moonlight_(2016_film)" title="Moonlight (2016 film)">Moonlight</a> (2016)</li> <li><a href="/wiki/Lady_Bird_(film)" title="Lady Bird (film)">Lady Bird</a> (2017)</li> <li><a href="/wiki/The_Rider_(film)" title="The Rider (film)">The Rider</a> (2018)</li> <li><a href="/wiki/Parasite_(2019_film)" title="Parasite (2019 film)">Parasite</a> (2019)</li> <li><a href="/wiki/Nomadland" title="Nomadland">Nomadland</a> (2020)</li> <li><a href="/wiki/Drive_My_Car_(film)" title="Drive My Car (film)">Drive My Car</a> (2021)</li> <li><a class="mw-selflink selflink">Tár</a> (2022)</li> <li><a href="/wiki/Past_Lives_(film)" title="Past Lives (film)">Past Lives</a> (2023)</li> <li><a href="/wiki/Nickel_Boys" title="Nickel Boys">Nickel Boys</a> (2024)</li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div><div role="navigation" class="navbox" aria-labelledby="New_York_Film_Critics_Circle_Award_for_Best_Film99" style="padding:3px"><table class="nowraplinks hlist mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2" style="background:"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239400231"><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:New_York_Film_Critics_Circle_Award_for_Best_Film" title="Template:New York Film Critics Circle Award for Best Film"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:New_York_Film_Critics_Circle_Award_for_Best_Film" title="Template talk:New York Film Critics Circle Award for Best Film"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:New_York_Film_Critics_Circle_Award_for_Best_Film" title="Special:EditPage/Template:New York Film Critics Circle Award for Best Film"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="New_York_Film_Critics_Circle_Award_for_Best_Film99" style="font-size:114%;margin:0 4em"><a href="/wiki/New_York_Film_Critics_Circle_Award_for_Best_Film" title="New York Film Critics Circle Award for Best Film">New York Film Critics Circle Award for Best Film</a></div></th></tr><tr><th scope="row" class="navbox-group" style="background:;width:1%">1935–1950</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/The_Informer_(1935_film)" title="The Informer (1935 film)">The Informer</a> (1935)</li> <li><a href="/wiki/Mr._Deeds_Goes_to_Town" title="Mr. Deeds Goes to Town">Mr. Deeds Goes to Town</a> (1936)</li> <li><a href="/wiki/The_Life_of_Emile_Zola" title="The Life of Emile Zola">The Life of Emile Zola</a> (1937)</li> <li><a href="/wiki/The_Citadel_(1938_film)" title="The Citadel (1938 film)">The Citadel</a> (1938)</li> <li><a href="/wiki/Wuthering_Heights_(1939_film)" title="Wuthering Heights (1939 film)">Wuthering Heights</a> (1939)</li> <li><a href="/wiki/The_Grapes_of_Wrath_(film)" title="The Grapes of Wrath (film)">The Grapes of Wrath</a> (1940)</li> <li><a href="/wiki/Citizen_Kane" title="Citizen Kane">Citizen Kane</a> (1941)</li> <li><a href="/wiki/In_Which_We_Serve" title="In Which We Serve">In Which We Serve</a> (1942)</li> <li><a href="/wiki/Watch_on_the_Rhine" title="Watch on the Rhine">Watch on the Rhine</a> (1943)</li> <li><a href="/wiki/Going_My_Way" title="Going My Way">Going My Way</a> (1944)</li> <li><a href="/wiki/The_Lost_Weekend" title="The Lost Weekend">The Lost Weekend</a> (1945)</li> <li><a href="/wiki/The_Best_Years_of_Our_Lives" title="The Best Years of Our Lives">The Best Years of Our Lives</a> (1946)</li> <li><a href="/wiki/Gentleman%27s_Agreement" title="Gentleman's Agreement">Gentleman's Agreement</a> (1947)</li> <li><a href="/wiki/The_Treasure_of_the_Sierra_Madre_(film)" title="The Treasure of the Sierra Madre (film)">The Treasure of the Sierra Madre</a> (1948)</li> <li><a href="/wiki/All_the_King%27s_Men_(1949_film)" title="All the King's Men (1949 film)">All the King's Men</a> (1949)</li> <li><a href="/wiki/All_About_Eve" title="All About Eve">All About Eve</a> (1950)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background:;width:1%">1951–1975</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/A_Streetcar_Named_Desire_(1951_film)" title="A Streetcar Named Desire (1951 film)">A Streetcar Named Desire</a> (1951)</li> <li><a href="/wiki/High_Noon" title="High Noon">High Noon</a> (1952)</li> <li><a href="/wiki/From_Here_to_Eternity" title="From Here to Eternity">From Here to Eternity</a> (1953)</li> <li><a href="/wiki/On_the_Waterfront" title="On the Waterfront">On the Waterfront</a> (1954)</li> <li><a href="/wiki/Marty_(film)" title="Marty (film)">Marty</a> (1955)</li> <li><a href="/wiki/Around_the_World_in_80_Days_(1956_film)" title="Around the World in 80 Days (1956 film)">Around the World in 80 Days</a> (1956)</li> <li><a href="/wiki/The_Bridge_on_the_River_Kwai" title="The Bridge on the River Kwai">The Bridge on the River Kwai</a> (1957)</li> <li><a href="/wiki/The_Defiant_Ones" title="The Defiant Ones">The Defiant Ones</a> (1958)</li> <li><a href="/wiki/Ben-Hur_(1959_film)" title="Ben-Hur (1959 film)">Ben-Hur</a> (1959)</li> <li><a href="/wiki/The_Apartment" title="The Apartment">The Apartment</a> / <a href="/wiki/Sons_and_Lovers_(film)" title="Sons and Lovers (film)">Sons and Lovers</a> (1960)</li> <li><a href="/wiki/West_Side_Story_(1961_film)" title="West Side Story (1961 film)">West Side Story</a> (1961)</li> <li>No Award (1962)</li> <li><a href="/wiki/Tom_Jones_(1963_film)" title="Tom Jones (1963 film)">Tom Jones</a> (1963)</li> <li><a href="/wiki/My_Fair_Lady_(film)" title="My Fair Lady (film)">My Fair Lady</a> (1964)</li> <li><a href="/wiki/Darling_(1965_film)" title="Darling (1965 film)">Darling</a> (1965)</li> <li><a href="/wiki/A_Man_for_All_Seasons_(1966_film)" title="A Man for All Seasons (1966 film)">A Man for All Seasons</a> (1966)</li> <li><a href="/wiki/In_the_Heat_of_the_Night_(film)" title="In the Heat of the Night (film)">In the Heat of the Night</a> (1967)</li> <li><a href="/wiki/The_Lion_in_Winter_(1968_film)" title="The Lion in Winter (1968 film)">The Lion in Winter</a> (1968)</li> <li><a href="/wiki/Z_(1969_film)" title="Z (1969 film)">Z</a> (1969)</li> <li><a href="/wiki/Five_Easy_Pieces" title="Five Easy Pieces">Five Easy Pieces</a> (1970)</li> <li><a href="/wiki/A_Clockwork_Orange_(film)" title="A Clockwork Orange (film)">A Clockwork Orange</a> (1971)</li> <li><a href="/wiki/Cries_and_Whispers" title="Cries and Whispers">Cries and Whispers</a> (1972)</li> <li><a href="/wiki/Day_for_Night_(film)" title="Day for Night (film)">Day for Night</a> (1973)</li> <li><a href="/wiki/Amarcord" title="Amarcord">Amarcord</a> (1974)</li> <li><a href="/wiki/Nashville_(film)" title="Nashville (film)">Nashville</a> (1975)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background:;width:1%">1976–2000</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/All_the_President%27s_Men_(film)" title="All the President's Men (film)">All the President's Men</a> (1976)</li> <li><a href="/wiki/Annie_Hall" title="Annie Hall">Annie Hall</a> (1977)</li> <li><a href="/wiki/The_Deer_Hunter" title="The Deer Hunter">The Deer Hunter</a> (1978)</li> <li><a href="/wiki/Kramer_vs._Kramer" title="Kramer vs. Kramer">Kramer vs. Kramer</a> (1979)</li> <li><a href="/wiki/Ordinary_People" title="Ordinary People">Ordinary People</a> (1980)</li> <li><a href="/wiki/Reds_(film)" title="Reds (film)">Reds</a> (1981)</li> <li><a href="/wiki/Gandhi_(film)" title="Gandhi (film)">Gandhi</a> (1982)</li> <li><a href="/wiki/Terms_of_Endearment" title="Terms of Endearment">Terms of Endearment</a> (1983)</li> <li><a href="/wiki/A_Passage_to_India_(film)" title="A Passage to India (film)">A Passage to India</a> (1984)</li> <li><a href="/wiki/Prizzi%27s_Honor" title="Prizzi's Honor">Prizzi's Honor</a> (1985)</li> <li><a href="/wiki/Hannah_and_Her_Sisters" title="Hannah and Her Sisters">Hannah and Her Sisters</a> (1986)</li> <li><a href="/wiki/Broadcast_News_(film)" title="Broadcast News (film)">Broadcast News</a> (1987)</li> <li><a href="/wiki/The_Accidental_Tourist_(film)" title="The Accidental Tourist (film)">The Accidental Tourist</a> (1988)</li> <li><a href="/wiki/My_Left_Foot" title="My Left Foot">My Left Foot</a> (1989)</li> <li><a href="/wiki/Goodfellas" title="Goodfellas">Goodfellas</a> (1990)</li> <li><a href="/wiki/The_Silence_of_the_Lambs_(film)" title="The Silence of the Lambs (film)">The Silence of the Lambs</a> (1991)</li> <li><a href="/wiki/The_Player_(1992_film)" title="The Player (1992 film)">The Player</a> (1992)</li> <li><a href="/wiki/Schindler%27s_List" title="Schindler's List">Schindler's List</a> (1993)</li> <li><a href="/wiki/Quiz_Show_(film)" title="Quiz Show (film)">Quiz Show</a> (1994)</li> <li><a href="/wiki/Leaving_Las_Vegas" title="Leaving Las Vegas">Leaving Las Vegas</a> (1995)</li> <li><a href="/wiki/Fargo_(1996_film)" title="Fargo (1996 film)">Fargo</a> (1996)</li> <li><a href="/wiki/L.A._Confidential_(film)" title="L.A. Confidential (film)">L.A. Confidential</a> (1997)</li> <li><a href="/wiki/Saving_Private_Ryan" title="Saving Private Ryan">Saving Private Ryan</a> (1998)</li> <li><a href="/wiki/Topsy-Turvy" title="Topsy-Turvy">Topsy-Turvy</a> (1999)</li> <li><a href="/wiki/Traffic_(2000_film)" title="Traffic (2000 film)">Traffic</a> (2000)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background:;width:1%">2001–present</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Mulholland_Drive_(film)" title="Mulholland Drive (film)">Mulholland Drive</a> (2001)</li> <li><a href="/wiki/Far_from_Heaven" title="Far from Heaven">Far from Heaven</a> (2002)</li> <li><a href="/wiki/The_Lord_of_the_Rings:_The_Return_of_the_King" title="The Lord of the Rings: The Return of the King">The Lord of the Rings: The Return of the King</a> (2003)</li> <li><a href="/wiki/Sideways" title="Sideways">Sideways</a> (2004)</li> <li><a href="/wiki/Brokeback_Mountain" title="Brokeback Mountain">Brokeback Mountain</a> (2005)</li> <li><a href="/wiki/United_93_(film)" title="United 93 (film)">United 93</a> (2006)</li> <li><a href="/wiki/No_Country_for_Old_Men" title="No Country for Old Men">No Country for Old Men</a> (2007)</li> <li><a href="/wiki/Milk_(2008_American_film)" title="Milk (2008 American film)">Milk</a> (2008)</li> <li><a href="/wiki/The_Hurt_Locker" title="The Hurt Locker">The Hurt Locker</a> (2009)</li> <li><a href="/wiki/The_Social_Network" title="The Social Network">The Social Network</a> (2010)</li> <li><a href="/wiki/The_Artist_(film)" title="The Artist (film)">The Artist</a> (2011)</li> <li><a href="/wiki/Zero_Dark_Thirty" title="Zero Dark Thirty">Zero Dark Thirty</a> (2012)</li> <li><a href="/wiki/American_Hustle" title="American Hustle">American Hustle</a> (2013)</li> <li><a href="/wiki/Boyhood_(2014_film)" title="Boyhood (2014 film)">Boyhood</a> (2014)</li> <li><a href="/wiki/Carol_(film)" title="Carol (film)">Carol</a> (2015)</li> <li><a href="/wiki/La_La_Land" title="La La Land">La La Land</a> (2016)</li> <li><a href="/wiki/Lady_Bird_(film)" title="Lady Bird (film)">Lady Bird</a> (2017)</li> <li><a href="/wiki/Roma_(2018_film)" title="Roma (2018 film)">Roma</a> (2018)</li> <li><a href="/wiki/The_Irishman" title="The Irishman">The Irishman</a> (2019)</li> <li><a href="/wiki/First_Cow" title="First Cow">First Cow</a> (2020)</li> <li><a href="/wiki/Drive_My_Car_(film)" title="Drive My Car (film)">Drive My Car</a> (2021)</li> <li><a class="mw-selflink selflink">Tár</a> (2022)</li> <li><a href="/wiki/Killers_of_the_Flower_Moon_(film)" title="Killers of the Flower Moon (film)">Killers of the Flower Moon</a> (2023)</li> <li><a href="/wiki/The_Brutalist" title="The Brutalist">The Brutalist</a> (2024)</li></ul> </div></td></tr></tbody></table></div></div></td></tr></tbody></table></div> <style data-mw-deduplicate="TemplateStyles:r1130092004">.mw-parser-output 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