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(PDF) CILDO MEIRELES: "TRABALHAR NA FRONTEIRA DAS COISAS" | Sonia Gonzalez - Academia.edu

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Analisaremos alguns de seus trabalhos, datados do final dos anos 1960 e dos anos 1970, que lidam de maneira mais próxima com a articulação do par objeto e linguagem." /> <title>(PDF) CILDO MEIRELES: &quot;TRABALHAR NA FRONTEIRA DAS COISAS&quot; | Sonia Gonzalez - Academia.edu</title> <link rel="canonical" href="https://www.academia.edu/42724270/CILDO_MEIRELES_TRABALHAR_NA_FRONTEIRA_DAS_COISAS_" /> <script async src="https://www.googletagmanager.com/gtag/js?id=G-5VKX33P2DS"></script> <script> window.dataLayer = window.dataLayer || []; function gtag(){dataLayer.push(arguments);} gtag('js', new Date()); gtag('config', 'G-5VKX33P2DS', { cookie_domain: 'academia.edu', send_page_view: false, }); gtag('event', 'page_view', { 'controller': "single_work", 'action': "show", 'controller_action': 'single_work#show', 'logged_in': 'false', 'edge': 'unknown', // Send nil if there is no A/B test bucket, in case some records get logged // with missing data - that way we can distinguish between the two cases. // ab_test_bucket should be of the form <ab_test_name>:<bucket> 'ab_test_bucket': null, }) </script> <script> var $controller_name = 'single_work'; var $action_name = "show"; var $rails_env = 'production'; var $app_rev = '49879c2402910372f4abc62630a427bbe033d190'; var $domain = 'academia.edu'; var $app_host = "academia.edu"; var $asset_host = "academia-assets.com"; var $start_time = new Date().getTime(); var $recaptcha_key = "6LdxlRMTAAAAADnu_zyLhLg0YF9uACwz78shpjJB"; var $recaptcha_invisible_key = "6Lf3KHUUAAAAACggoMpmGJdQDtiyrjVlvGJ6BbAj"; var $disableClientRecordHit = false; </script> <script> window.require = { config: function() { return function() {} } } </script> <script> window.Aedu = window.Aedu || {}; window.Aedu.hit_data = null; window.Aedu.serverRenderTime = new Date(1732488274000); window.Aedu.timeDifference = new Date().getTime() - 1732488274000; </script> <script type="application/ld+json">{"@context":"https://schema.org","@type":"ScholarlyArticle","abstract":"RESUMO: O estudo discute o transitar do artista Cildo Meireles pela arte conceitual. Analisaremos alguns de seus trabalhos, datados do final dos anos 1960 e dos anos 1970, que lidam de maneira mais próxima com a articulação do par objeto e linguagem. Nosso objetivo é questionar como o artista busca superar o \u0026amp;quot;excesso de retórica\u0026amp;quot; verbal de algumas práticas conceituais e como constrói os fluxos variáveis do pensamento que exploram a falibilidade do que parece determinado, provocam desvios e desconcertam o olhar e o raciocínio. Palavras-chave: Arte conceitual. Objeto e palavra. Arte e vida. ABSTRACT: The study discusses the transit of Cildo Meireles through conceptual art. We are going to analyse some of his works, dated from the end of the 60\u0026amp;#39;s and 70\u0026amp;#39;s, which deal with a closer way on the articulation of the pair object and word. We aim to question how the artist overcomes the verbal \u0026amp;quot; rethoric excess\u0026amp;quot; on some conceptual pratices and how he builds the variable trains of thought which explore the failability of what appears to be determined, provoking diversions and baffling the look and the reasoning. Key word: conceptual art, object and, art and life. Das possibilidades de \u0026amp;quot;trabalhar na fronteira das coisas\u0026amp;quot; O trabalho artístico de Cildo Meireles vem se construindo sobre um campo maleável, tanto na concepção de relações engendradas na materialização da obra quanto nos procedimentos de interferência que acionam a ação do espectador. Nosso estudo questiona o transitar conceitual do artista e propõe-se a discutir alguns de seus trabalhos que, no final dos anos 1960 e os anos 1970, exploram e trazem à luz o par objeto e linguagem. Sabe-se que o agenciamento da palavra e do objeto se apresenta como recurso vastamente explorado pela produção artística na pós-modernidade e, ainda, que se tem colocado como uma das problemáticas que aponta a quebra dos limites rígidos do que se convencionou designar como região própria da arte. Em trabalhos centrados na desmaterialização do objeto artístico, a palavra pode funcionar como própria matéria da arte e como única via de construção do sentido conceitual do trabalho, funcionando como enigma ou chave acionadora","author":[{"@context":"https://schema.org","@type":"Person","name":"Sonia Gonzalez"}],"contributor":[],"dateCreated":"2020-04-13","dateModified":"2020-04-13","datePublished":null,"headline":"CILDO MEIRELES: \"TRABALHAR NA FRONTEIRA DAS COISAS\"","inLanguage":"pt","keywords":[],"locationCreated":null,"publication":null,"publisher":{"@context":"https://schema.org","@type":"Organization","name":null},"image":null,"thumbnailUrl":null,"url":"https://www.academia.edu/42724270/CILDO_MEIRELES_TRABALHAR_NA_FRONTEIRA_DAS_COISAS_","sourceOrganization":[{"@context":"https://schema.org","@type":"EducationalOrganization","name":null}]}</script><link rel="stylesheet" media="all" 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"https://www.academia.edu/login?post_login_redirect_url=https%3A%2F%2Fwww.academia.edu%2F42724270%2FCILDO_MEIRELES_TRABALHAR_NA_FRONTEIRA_DAS_COISAS_%3Fauto%3Ddownload"; window.loswp.translateUrl = "https://www.academia.edu/login?post_login_redirect_url=https%3A%2F%2Fwww.academia.edu%2F42724270%2FCILDO_MEIRELES_TRABALHAR_NA_FRONTEIRA_DAS_COISAS_%3Fshow_translation%3Dtrue"; window.loswp.previewableAttachments = [{"id":62940068,"identifier":"Attachment_62940068","shouldShowBulkDownload":false}]; window.loswp.shouldDetectTimezone = true; window.loswp.shouldShowBulkDownload = true; window.loswp.showSignupCaptcha = false window.loswp.willEdgeCache = false; window.loswp.work = {"work":{"id":42724270,"created_at":"2020-04-13T08:24:25.709-07:00","from_world_paper_id":null,"updated_at":"2021-01-11T14:08:01.045-08:00","_data":{"abstract":"RESUMO: O estudo discute o transitar do artista Cildo Meireles pela arte conceitual. Analisaremos alguns de seus trabalhos, datados do final dos anos 1960 e dos anos 1970, que lidam de maneira mais próxima com a articulação do par objeto e linguagem. Nosso objetivo é questionar como o artista busca superar o \"excesso de retórica\" verbal de algumas práticas conceituais e como constrói os fluxos variáveis do pensamento que exploram a falibilidade do que parece determinado, provocam desvios e desconcertam o olhar e o raciocínio. Palavras-chave: Arte conceitual. Objeto e palavra. Arte e vida. ABSTRACT: The study discusses the transit of Cildo Meireles through conceptual art. We are going to analyse some of his works, dated from the end of the 60's and 70's, which deal with a closer way on the articulation of the pair object and word. We aim to question how the artist overcomes the verbal \" rethoric excess\" on some conceptual pratices and how he builds the variable trains of thought which explore the failability of what appears to be determined, provoking diversions and baffling the look and the reasoning. Key word: conceptual art, object and, art and life. Das possibilidades de \"trabalhar na fronteira das coisas\" O trabalho artístico de Cildo Meireles vem se construindo sobre um campo maleável, tanto na concepção de relações engendradas na materialização da obra quanto nos procedimentos de interferência que acionam a ação do espectador. Nosso estudo questiona o transitar conceitual do artista e propõe-se a discutir alguns de seus trabalhos que, no final dos anos 1960 e os anos 1970, exploram e trazem à luz o par objeto e linguagem. Sabe-se que o agenciamento da palavra e do objeto se apresenta como recurso vastamente explorado pela produção artística na pós-modernidade e, ainda, que se tem colocado como uma das problemáticas que aponta a quebra dos limites rígidos do que se convencionou designar como região própria da arte. Em trabalhos centrados na desmaterialização do objeto artístico, a palavra pode funcionar como própria matéria da arte e como única via de construção do sentido conceitual do trabalho, funcionando como enigma ou chave acionadora"},"document_type":"paper","pre_hit_view_count_baseline":null,"quality":"high","language":"pt","title":"CILDO MEIRELES: \"TRABALHAR NA FRONTEIRA DAS COISAS\"","broadcastable":true,"draft":null,"has_indexable_attachment":true,"indexable":true}}["work"]; window.loswp.workCoauthors = [3768159]; window.loswp.locale = "en"; window.loswp.countryCode = "SG"; window.loswp.cwvAbTestBucket = ""; window.loswp.designVariant = "ds_vanilla"; window.loswp.fullPageMobileSutdModalVariant = "control"; window.loswp.useOptimizedScribd4genScript = false; window.loswp.appleClientId = 'edu.academia.applesignon';</script><script defer="" src="https://accounts.google.com/gsi/client"></script><div class="ds-loswp-container"><div class="ds-work-card--grid-container"><div class="ds-work-card--container js-loswp-work-card"><div class="ds-work-card--cover"><div class="ds-work-cover--wrapper"><div class="ds-work-cover--container"><button class="ds-work-cover--clickable js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;swp-splash-paper-cover&quot;,&quot;attachmentId&quot;:62940068,&quot;attachmentType&quot;:&quot;pdf&quot;}"><img alt="First page of “CILDO MEIRELES: &quot;TRABALHAR NA FRONTEIRA DAS COISAS&quot;”" class="ds-work-cover--cover-thumbnail" src="https://0.academia-photos.com/attachment_thumbnails/62940068/mini_magick20200413-13995-16dsakm.png?1586792936" /><img alt="PDF Icon" class="ds-work-cover--file-icon" src="//a.academia-assets.com/assets/single_work_splash/adobe.icon-574afd46eb6b03a77a153a647fb47e30546f9215c0ee6a25df597a779717f9ef.svg" /><div class="ds-work-cover--hover-container"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span><p>Download Free PDF</p></div><div class="ds-work-cover--ribbon-container">Download Free PDF</div><div class="ds-work-cover--ribbon-triangle"></div></button></div></div></div><div class="ds-work-card--work-information"><h1 class="ds-work-card--work-title">CILDO MEIRELES: &quot;TRABALHAR NA FRONTEIRA DAS COISAS&quot;</h1><div class="ds-work-card--work-authors ds-work-card--detail"><a class="ds-work-card--author js-wsj-grid-card-author ds2-5-body-md ds2-5-body-link" data-author-id="3768159" href="https://independent.academia.edu/SoniaGonzalez2"><img alt="Profile image of Sonia Gonzalez" class="ds-work-card--author-avatar" src="https://0.academia-photos.com/3768159/1362499/1681156/s65_sonia.gonzalez.jpg" />Sonia Gonzalez</a></div><p class="ds-work-card--work-abstract ds-work-card--detail ds2-5-body-md">RESUMO: O estudo discute o transitar do artista Cildo Meireles pela arte conceitual. Analisaremos alguns de seus trabalhos, datados do final dos anos 1960 e dos anos 1970, que lidam de maneira mais próxima com a articulação do par objeto e linguagem. Nosso objetivo é questionar como o artista busca superar o &quot;excesso de retórica&quot; verbal de algumas práticas conceituais e como constrói os fluxos variáveis do pensamento que exploram a falibilidade do que parece determinado, provocam desvios e desconcertam o olhar e o raciocínio. Palavras-chave: Arte conceitual. Objeto e palavra. Arte e vida. ABSTRACT: The study discusses the transit of Cildo Meireles through conceptual art. We are going to analyse some of his works, dated from the end of the 60&#39;s and 70&#39;s, which deal with a closer way on the articulation of the pair object and word. We aim to question how the artist overcomes the verbal &quot; rethoric excess&quot; on some conceptual pratices and how he builds the variable trains of thought which explore the failability of what appears to be determined, provoking diversions and baffling the look and the reasoning. Key word: conceptual art, object and, art and life. Das possibilidades de &quot;trabalhar na fronteira das coisas&quot; O trabalho artístico de Cildo Meireles vem se construindo sobre um campo maleável, tanto na concepção de relações engendradas na materialização da obra quanto nos procedimentos de interferência que acionam a ação do espectador. Nosso estudo questiona o transitar conceitual do artista e propõe-se a discutir alguns de seus trabalhos que, no final dos anos 1960 e os anos 1970, exploram e trazem à luz o par objeto e linguagem. Sabe-se que o agenciamento da palavra e do objeto se apresenta como recurso vastamente explorado pela produção artística na pós-modernidade e, ainda, que se tem colocado como uma das problemáticas que aponta a quebra dos limites rígidos do que se convencionou designar como região própria da arte. Em trabalhos centrados na desmaterialização do objeto artístico, a palavra pode funcionar como própria matéria da arte e como única via de construção do sentido conceitual do trabalho, funcionando como enigma ou chave acionadora</p><div class="ds-work-card--button-container"><button class="ds2-5-button js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;continue-reading-button--work-card&quot;,&quot;attachmentId&quot;:62940068,&quot;attachmentType&quot;:&quot;pdf&quot;,&quot;workUrl&quot;:&quot;https://www.academia.edu/42724270/CILDO_MEIRELES_TRABALHAR_NA_FRONTEIRA_DAS_COISAS_&quot;}">See full PDF</button><button class="ds2-5-button ds2-5-button--secondary js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;download-pdf-button--work-card&quot;,&quot;attachmentId&quot;:62940068,&quot;attachmentType&quot;:&quot;pdf&quot;,&quot;workUrl&quot;:&quot;https://www.academia.edu/42724270/CILDO_MEIRELES_TRABALHAR_NA_FRONTEIRA_DAS_COISAS_&quot;}"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span>Download PDF</button></div></div></div></div><div data-auto_select="false" data-client_id="331998490334-rsn3chp12mbkiqhl6e7lu2q0mlbu0f1b" data-doc_id="62940068" data-landing_url="https://www.academia.edu/42724270/CILDO_MEIRELES_TRABALHAR_NA_FRONTEIRA_DAS_COISAS_" data-login_uri="https://www.academia.edu/registrations/google_one_tap" data-moment_callback="onGoogleOneTapEvent" id="g_id_onload"></div><div class="ds-top-related-works--grid-container"><div class="ds-related-content--container ds-top-related-works--container"><h2 class="ds-related-content--heading">Related papers</h2><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="0" data-entity-id="33894661" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/33894661/Entrevista_com_Cildo_Meireles">Entrevista com Cildo Meireles</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="66243672" href="https://ufes.academia.edu/EltonPinheiro">Elton Pinheiro</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;wsj-grid-card-download-pdf-modal&quot;,&quot;work_title&quot;:&quot;Entrevista com Cildo Meireles&quot;,&quot;attachmentId&quot;:53867999,&quot;attachmentType&quot;:&quot;pdf&quot;,&quot;work_url&quot;:&quot;https://www.academia.edu/33894661/Entrevista_com_Cildo_Meireles&quot;,&quot;alternativeTracking&quot;:true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/33894661/Entrevista_com_Cildo_Meireles"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="1" data-entity-id="97345009" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/97345009/BABEL_DE_CILDO_MEIRELES_O_MITO_MESOPOT%C3%82MICO_E_A_TORRE_DE_R%C3%81DIOS_1">BABEL DE CILDO MEIRELES: O MITO MESOPOTÂMICO E A TORRE DE RÁDIOS 1</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="9609637" href="https://unespar.academia.edu/MariaCristinaMendes">Maria Cristina Mendes</a></div><p class="ds-related-work--metadata ds2-5-body-xs">6° Encontro Regional Sul de História da Mídia, 2016</p><p class="ds-related-work--abstract ds2-5-body-sm">O artigo tem por objeto de investigação a obra Babel (Cildo Meireles, 2002) e tem por meta aprofundar a reflexão acerca das relações que podem ser estabelecidas com a homônima torre do mito judaico-cristão e a pintura de Pieter Brueguel. A contribuição de Erick Felinto é fundamental para a compreensão da transformação que o mito babélico sofre na tradição e na modernidade. As reflexões de Agnaldo Farias, Moacir dos Anjos e Diego Matos destacam o diálogo que Meireles instaura com outras áreas do conhecimento, como a história da comunicação, e investigam os processos de instauração de sentidos despertados pela fruição da obra de arte no contexto da produção sociocultural contemporânea. A transmissão radiofônica de diferentes estações, as pequenas luzes coloridas que piscam nos aparelhos de rádio, somam-se a um ambiente banhado de azul para, numa tradução criativa do texto bíblico, evidenciar a importância da mídia na problematização da vida contemporânea. A recriação do mito, em imagem e som, como proposição de arte, dá visibilidade a transformações socioculturais e potencializa a fruição estética.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;wsj-grid-card-download-pdf-modal&quot;,&quot;work_title&quot;:&quot;BABEL DE CILDO MEIRELES: O MITO MESOPOTÂMICO E A TORRE DE RÁDIOS 1&quot;,&quot;attachmentId&quot;:98991850,&quot;attachmentType&quot;:&quot;pdf&quot;,&quot;work_url&quot;:&quot;https://www.academia.edu/97345009/BABEL_DE_CILDO_MEIRELES_O_MITO_MESOPOT%C3%82MICO_E_A_TORRE_DE_R%C3%81DIOS_1&quot;,&quot;alternativeTracking&quot;:true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/97345009/BABEL_DE_CILDO_MEIRELES_O_MITO_MESOPOT%C3%82MICO_E_A_TORRE_DE_R%C3%81DIOS_1"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="2" data-entity-id="31934660" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/31934660/CEC%C3%8DLIA_MEIRELES_E_OS_S%C3%8DMBOLOS_DO_ABSOLUTO">CECÍLIA MEIRELES E OS SÍMBOLOS DO ABSOLUTO</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="3579139" href="https://uniandrade.academia.edu/CamilaMarchioro">Camila Marchioro</a></div><p class="ds-related-work--abstract ds2-5-body-sm">Singular writer, Cecília Meireles defied classifications and achieved a unique place in Brazilian literature. From her curiosity about the other and herself, a work of strong reflective content was born, dealing with the depths of the human condition and seeking to transcend death through the encounter with the eternal. The Perennial Philosophy serves as the basis for the analyses carried out in this dissertation. The intention was to demonstrate how the symbols chosen by the author shape a poetics of the eternal and ephemeral, of ego dissolution, of renunciation in the search for the Absolute, and of the balance between truth and illusion. Some of Cecília Meireles&#39; cultural, philosophical, and religious interests (such as Eastern philosophies) and the dialogue with Symbolism were revisited in this dissertation in order to assist in the analysis of her early works in &quot;Festa,&quot; &quot;Baladas para El-rei,&quot; &quot;Nunca Mais...,&quot; and &quot;Poema dos Poemas,&quot; as well as her early mature books: &quot;Viagem,&quot; &quot;Vaga Música,&quot; &quot;Mar Absoluto e Outros Poemas.&quot; The importance of the sea as a theme and symbol of the Absolute was analyzed, as well as the types of poetic voices that reaffirm this quest and other motifs that, through their repetition, also assume the status of symbols, such as hands, mirrors, portraits, and statues, directly connected to the concerns of the Perennial Philosophy. Therefore, the sea as a symbol of the Absolute and maritime themes are the strongest elements in this poetry produced between 1939 and 1945, and they persist throughout her body of work. Key-words: Cecília Meireles. Perennial Philosophy. Symbols of the Absolute.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;wsj-grid-card-download-pdf-modal&quot;,&quot;work_title&quot;:&quot;CECÍLIA MEIRELES E OS SÍMBOLOS DO ABSOLUTO&quot;,&quot;attachmentId&quot;:52213092,&quot;attachmentType&quot;:&quot;pdf&quot;,&quot;work_url&quot;:&quot;https://www.academia.edu/31934660/CEC%C3%8DLIA_MEIRELES_E_OS_S%C3%8DMBOLOS_DO_ABSOLUTO&quot;,&quot;alternativeTracking&quot;:true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/31934660/CEC%C3%8DLIA_MEIRELES_E_OS_S%C3%8DMBOLOS_DO_ABSOLUTO"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="3" data-entity-id="44653798" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/44653798/HUBERT_DUPRAT_E_CILDO_MEIRELES_A_FOR%C3%87A_DA_MAT%C3%89RIA_EM_UM_MUNDO_SEM_FRATURAS">HUBERT DUPRAT E CILDO MEIRELES: A FORÇA DA MATÉRIA EM UM MUNDO SEM FRATURAS</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="32000256" href="https://udesc.academia.edu/SandraMakowiecky">Sandra Makowiecky</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Anais do 18° Encontro Nacional da ANPAP, 2009</p><p class="ds-related-work--abstract ds2-5-body-sm">Este artigo busca estabelecer relações entre a poética de dois artistas contemporâneos, Hubert Duprat e Cildo Meireles, na utilização do ouro em suas obras. Num mundo sem fraturas, não é de se estranhar que alguns artistas tenham abdicado da visibilidade poderosa para buscar na interioridade da matéria dimensões vitais ainda não comprometidas pelo uso instrumental. Dimensões ocultas que, pela suspensão do sentido, podem figurar outros mundos, capazes ainda de pressionar o existente.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;wsj-grid-card-download-pdf-modal&quot;,&quot;work_title&quot;:&quot;HUBERT DUPRAT E CILDO MEIRELES: A FORÇA DA MATÉRIA EM UM MUNDO SEM FRATURAS&quot;,&quot;attachmentId&quot;:65125156,&quot;attachmentType&quot;:&quot;pdf&quot;,&quot;work_url&quot;:&quot;https://www.academia.edu/44653798/HUBERT_DUPRAT_E_CILDO_MEIRELES_A_FOR%C3%87A_DA_MAT%C3%89RIA_EM_UM_MUNDO_SEM_FRATURAS&quot;,&quot;alternativeTracking&quot;:true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/44653798/HUBERT_DUPRAT_E_CILDO_MEIRELES_A_FOR%C3%87A_DA_MAT%C3%89RIA_EM_UM_MUNDO_SEM_FRATURAS"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="4" data-entity-id="87642562" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/87642562/Praticamente_tudo_%C3%A9_um_ato_de_inser%C3%A7%C3%A3o_Entrevista_com_Cildo_Meireles">Praticamente tudo é um ato de inserção&quot;: Entrevista com Cildo Meireles</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="27909218" href="https://pucrj.academia.edu/OtavioLeonidio">Otavio Leonidio</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Viso: Cadernos de estética aplicada</p><p class="ds-related-work--abstract ds2-5-body-sm">Nesta entrevista inédita, realizada no ateliê do artista, no Rio de Janeiro, em 11 de abril de 2022, Cildo Meireles fala do começo da carreira em Brasília, durante o regime militar; da pressão que Neoconcretismo e Pop Art exerceram sobre sua geração; da reformulação que buscou fazer da noção de ready-made; da ideia de gueto, central em sua obra; da participação na célebre exposição Information, no Museu de Arte Moderna de Nova York, em 1970; do impasse vivido depois de fazer suas celebradas Inserções em Circuitos Ideológicos; e dos anos passados nos Estados Unidos, ao longo dos quais se manteve deliberadamente distante do mundo da arte, trabalhando, como diz aqui, “para pagar as contas e comer”.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;wsj-grid-card-download-pdf-modal&quot;,&quot;work_title&quot;:&quot;Praticamente tudo é um ato de inserção\&quot;: Entrevista com Cildo Meireles&quot;,&quot;attachmentId&quot;:91796015,&quot;attachmentType&quot;:&quot;pdf&quot;,&quot;work_url&quot;:&quot;https://www.academia.edu/87642562/Praticamente_tudo_%C3%A9_um_ato_de_inser%C3%A7%C3%A3o_Entrevista_com_Cildo_Meireles&quot;,&quot;alternativeTracking&quot;:true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/87642562/Praticamente_tudo_%C3%A9_um_ato_de_inser%C3%A7%C3%A3o_Entrevista_com_Cildo_Meireles"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="5" data-entity-id="84059445" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/84059445/_BALADAS_DE_OURO_PRETO_DE_CEC%C3%8DLIA_MEIRELES_E_SUA_VINCULA%C3%87%C3%83O_AO_PROJETO_SOCIAL_MODERNISTA">“BALADAS DE OURO PRETO”, DE CECÍLIA MEIRELES, E SUA VINCULAÇÃO AO PROJETO SOCIAL MODERNISTA</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="154313371" href="https://usp-br.academia.edu/MarcosViniciusSouzaSilva">Marcos Vinicius Souza Souza</a></div><p class="ds-related-work--metadata ds2-5-body-xs">BALADAS DE OURO PRETO, DE CECÍLIA MEIRELES, E SUA VINCULAÇÃO AO PROJETO SOCIAL MODERNISTA, 2022</p><p class="ds-related-work--abstract ds2-5-body-sm">O ensaio em questão objetiva realizar uma análise literária do poema Baladas de Ouro Preto, presente no livro Romanceiro da Inconfidência, publicado inicialmente por Cecília Meireles em 1953. O método de abordagem pelo qual optou-se por desenvolver essa análise é o comparatista, sobre o qual busca-se posicionar o poema de Cecília como um dos grandes representantes do projeto social modernista brasileiro, juntamente a diversas outras obras e autores do século XX.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;wsj-grid-card-download-pdf-modal&quot;,&quot;work_title&quot;:&quot;“BALADAS DE OURO PRETO”, DE CECÍLIA MEIRELES, E SUA VINCULAÇÃO AO PROJETO SOCIAL MODERNISTA&quot;,&quot;attachmentId&quot;:89209285,&quot;attachmentType&quot;:&quot;pdf&quot;,&quot;work_url&quot;:&quot;https://www.academia.edu/84059445/_BALADAS_DE_OURO_PRETO_DE_CEC%C3%8DLIA_MEIRELES_E_SUA_VINCULA%C3%87%C3%83O_AO_PROJETO_SOCIAL_MODERNISTA&quot;,&quot;alternativeTracking&quot;:true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/84059445/_BALADAS_DE_OURO_PRETO_DE_CEC%C3%8DLIA_MEIRELES_E_SUA_VINCULA%C3%87%C3%83O_AO_PROJETO_SOCIAL_MODERNISTA"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="6" data-entity-id="19574726" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/19574726/CEC%C3%8DLIA_MEIRELES_E_O_TEM%C3%81RIO_DA_ESCOLA_NOVA">CECÍLIA MEIRELES E O TEMÁRIO DA ESCOLA NOVA</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="31799559" href="https://usp-br.academia.edu/MarcusCunha">Marcus Cunha</a></div><p class="ds-related-work--abstract ds2-5-body-sm">RESUMO A poetisa Cecília Meireles foi signatária do Manifesto dos Pioneiros da Educação Nova, histórico documento de 1932 redigido por Fernando de Azevedo e assinado por vinte e seis intelectuais, no qual se encontram as principais formulações do movimento educacional renovador denominado Escola Nova. O presente trabalho analisa a literatura já produzida sobre Meireles e textos da autora publicados entre 1930 e 1933 na coluna &amp;quot;Comentário&amp;quot; da &amp;quot;Página de Educação&amp;quot;, seção dirigida por ela no jornal Diário de Notícias da cidade do Rio de Janeiro. O objetivo do trabalho é mostrar que a poetisa expressava ideias e posicionamentos da Escola Nova no início da década de 1930, dentre os quais figuram a relação entre família e escola e o uso das artes como recursos educativos. Tendo por base a teoria da análise retórica, e considerando a peculiaridade do veículo de comunicação utilizado por Meireles, o trabalho abre perspectivas para a investigação das estratégias argumenta...</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;wsj-grid-card-download-pdf-modal&quot;,&quot;work_title&quot;:&quot;CECÍLIA MEIRELES E O TEMÁRIO DA ESCOLA NOVA&quot;,&quot;attachmentId&quot;:42080948,&quot;attachmentType&quot;:&quot;pdf&quot;,&quot;work_url&quot;:&quot;https://www.academia.edu/19574726/CEC%C3%8DLIA_MEIRELES_E_O_TEM%C3%81RIO_DA_ESCOLA_NOVA&quot;,&quot;alternativeTracking&quot;:true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/19574726/CEC%C3%8DLIA_MEIRELES_E_O_TEM%C3%81RIO_DA_ESCOLA_NOVA"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="7" data-entity-id="40017096" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/40017096/Interven%C3%A7%C3%B5es_urbanas_na_obra_de_Cildo_Meireles">Intervenções urbanas na obra de Cildo Meireles</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="74474489" href="https://unb.academia.edu/FernandaWerneckC%C3%B4rtes">Fernanda Werneck Côrtes</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Anais do Seminário Internacional de Pesquisa em Arte e Cultura Visual, 2018</p><p class="ds-related-work--abstract ds2-5-body-sm">O presente artigo tem como tema a relação da obra de Cildo Meireles com o ambiente urbano. Partindo da obra Paulista / 97 (1997), trabalhamos com as noções de espaço público e transitoriedade para analisarmos a presença de elementos da urbanidade em alguns trabalhos do artista, seja em instalações apresentadas no ambiente convencional do museu ou galeria, seja em intervenções ou ações que se realizam em espaços abertos da cidade. O objetivo é refletir acerca da atuação do artista como interventor no meio urbano. Apesar de na trajetória artística de Cildo Meireles destacarem-se as suas instalações, frequentemente reapresentadas em suas mostras individuais, podemos observar também essa dimensão interventora, que não somente questiona as noções de espaço e tempo, mas as absorve, agindo no fluxo urbano. Desse modo, buscamos refletir sobre como algumas de suas obras interferem nos espaços abertos e circuitos externos aos museus e galerias, trabalhando as ideias de esfera pública e urbanidade. Com isso, abordamos ainda que brevemente as possibilidades de musealização, de produção de sentido e de construção de valor dessas obras. Palavras-chave: Cildo Meireles; arte contemporânea; intervenção urbana.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;wsj-grid-card-download-pdf-modal&quot;,&quot;work_title&quot;:&quot;Intervenções urbanas na obra de Cildo Meireles&quot;,&quot;attachmentId&quot;:60211587,&quot;attachmentType&quot;:&quot;pdf&quot;,&quot;work_url&quot;:&quot;https://www.academia.edu/40017096/Interven%C3%A7%C3%B5es_urbanas_na_obra_de_Cildo_Meireles&quot;,&quot;alternativeTracking&quot;:true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/40017096/Interven%C3%A7%C3%B5es_urbanas_na_obra_de_Cildo_Meireles"><span class="ds2-5-text-link__content">View PDF</span><span 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TRABALHO&quot;,&quot;attachmentId&quot;:67925853,&quot;attachmentType&quot;:&quot;pdf&quot;,&quot;work_url&quot;:&quot;https://www.academia.edu/49613164/Miolo_Direitos_fundamentais_DIREITO_DO_TRABALHO&quot;,&quot;alternativeTracking&quot;:true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/49613164/Miolo_Direitos_fundamentais_DIREITO_DO_TRABALHO"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="9" data-entity-id="25563432" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/25563432/Cildo_Meireles_Em_busca_de_tudo_o_que_n%C3%A3o_foi_perdido">Cildo Meireles: Em busca de tudo o que não foi perdido</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="49145404" href="https://independent.academia.edu/Jo%C3%A3oFernandes73">João Fernandes</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;wsj-grid-card-download-pdf-modal&quot;,&quot;work_title&quot;:&quot;Cildo Meireles: Em busca de tudo o que não foi perdido&quot;,&quot;attachmentId&quot;:45893794,&quot;attachmentType&quot;:&quot;doc&quot;,&quot;work_url&quot;:&quot;https://www.academia.edu/25563432/Cildo_Meireles_Em_busca_de_tudo_o_que_n%C3%A3o_foi_perdido&quot;,&quot;alternativeTracking&quot;:true}"><span class="material-symbols-outlined" style="font-size: 18px" 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