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(PDF) CECÍLIA MEIRELES E OS SÍMBOLOS DO ABSOLUTO | Camila Marchioro - Academia.edu
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From her curiosity about the other and herself, a work of strong reflective content was born, dealing with the depths of the human condition" /> <title>(PDF) CECÍLIA MEIRELES E OS SÍMBOLOS DO ABSOLUTO | Camila Marchioro - Academia.edu</title> <link rel="canonical" href="https://www.academia.edu/31934660/CEC%C3%8DLIA_MEIRELES_E_OS_S%C3%8DMBOLOS_DO_ABSOLUTO" /> <script async src="https://www.googletagmanager.com/gtag/js?id=G-5VKX33P2DS"></script> <script> window.dataLayer = window.dataLayer || []; function gtag(){dataLayer.push(arguments);} gtag('js', new Date()); gtag('config', 'G-5VKX33P2DS', { cookie_domain: 'academia.edu', send_page_view: false, }); gtag('event', 'page_view', { 'controller': "single_work", 'action': "show", 'controller_action': 'single_work#show', 'logged_in': 'false', 'edge': 'unknown', // Send nil if there is no A/B test bucket, in case some records get logged // with missing data - that way we can distinguish between the two cases. // ab_test_bucket should be of the form <ab_test_name>:<bucket> 'ab_test_bucket': null, }) </script> <script> var $controller_name = 'single_work'; var $action_name = "show"; var $rails_env = 'production'; var $app_rev = '49879c2402910372f4abc62630a427bbe033d190'; var $domain = 'academia.edu'; var $app_host = "academia.edu"; var $asset_host = "academia-assets.com"; var $start_time = new Date().getTime(); var $recaptcha_key = "6LdxlRMTAAAAADnu_zyLhLg0YF9uACwz78shpjJB"; var $recaptcha_invisible_key = "6Lf3KHUUAAAAACggoMpmGJdQDtiyrjVlvGJ6BbAj"; var $disableClientRecordHit = false; </script> <script> window.require = { config: function() { return function() {} } } </script> <script> window.Aedu = window.Aedu || {}; window.Aedu.hit_data = null; window.Aedu.serverRenderTime = new Date(1732495562000); window.Aedu.timeDifference = new Date().getTime() - 1732495562000; </script> <script type="application/ld+json">{"@context":"https://schema.org","@type":"ScholarlyArticle","abstract":"Singular writer, Cecília Meireles defied classifications and achieved a unique place in Brazilian literature. From her curiosity about the other and herself, a work of strong reflective content was born, dealing with the depths of the human condition and seeking to transcend death through the encounter with the eternal. The Perennial Philosophy serves as the basis for the analyses carried out in this dissertation. The intention was to demonstrate how the symbols chosen by the author shape a poetics of the eternal and ephemeral, of ego dissolution, of renunciation in the search for the Absolute, and of the balance between truth and illusion. Some of Cecília Meireles\u0026amp;#39; cultural, philosophical, and religious interests (such as Eastern philosophies) and the dialogue with Symbolism were revisited in this dissertation in order to assist in the analysis of her early works in \u0026amp;quot;Festa,\u0026amp;quot; \u0026amp;quot;Baladas para El-rei,\u0026amp;quot; \u0026amp;quot;Nunca Mais...,\u0026amp;quot; and \u0026amp;quot;Poema dos Poemas,\u0026amp;quot; as well as her early mature books: \u0026amp;quot;Viagem,\u0026amp;quot; \u0026amp;quot;Vaga Música,\u0026amp;quot; \u0026amp;quot;Mar Absoluto e Outros Poemas.\u0026amp;quot; The importance of the sea as a theme and symbol of the Absolute was analyzed, as well as the types of poetic voices that reaffirm this quest and other motifs that, through their repetition, also assume the status of symbols, such as hands, mirrors, portraits, and statues, directly connected to the concerns of the Perennial Philosophy. Therefore, the sea as a symbol of the Absolute and maritime themes are the strongest elements in this poetry produced between 1939 and 1945, and they persist throughout her body of work. Key-words: Cecília Meireles. Perennial Philosophy. Symbols of the Absolute.","author":[{"@context":"https://schema.org","@type":"Person","name":"Camila Marchioro"}],"contributor":[],"dateCreated":"2017-03-19","dateModified":"2024-03-20","datePublished":null,"headline":"CECÍLIA MEIRELES E OS SÍMBOLOS DO ABSOLUTO","inLanguage":"pt","keywords":["Hinduism","Perception","Symbolism","Brasilian (Literature)","Literature and Religion","Orientalism","Vedic Studies"],"locationCreated":null,"publication":null,"publisher":{"@context":"https://schema.org","@type":"Organization","name":null},"image":null,"thumbnailUrl":null,"url":"https://www.academia.edu/31934660/CEC%C3%8DLIA_MEIRELES_E_OS_S%C3%8DMBOLOS_DO_ABSOLUTO","sourceOrganization":[{"@context":"https://schema.org","@type":"EducationalOrganization","name":"uniandrade"}]}</script><link rel="stylesheet" media="all" href="//a.academia-assets.com/assets/single_work_page/loswp-352e32ba4e89304dc0b4fa5b3952eef2198174c54cdb79066bc62e91c68a1a91.css" /><link rel="stylesheet" media="all" 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From her curiosity about the other and herself, a work of strong reflective content was born, dealing with the depths of the human condition and seeking to transcend death through the encounter with the eternal. The Perennial Philosophy serves as the basis for the analyses carried out in this dissertation. The intention was to demonstrate how the symbols chosen by the author shape a poetics of the eternal and ephemeral, of ego dissolution, of renunciation in the search for the Absolute, and of the balance between truth and illusion. Some of Cecília Meireles' cultural, philosophical, and religious interests (such as Eastern philosophies) and the dialogue with Symbolism were revisited in this dissertation in order to assist in the analysis of her early works in \"Festa,\" \"Baladas para El-rei,\" \"Nunca Mais...,\" and \"Poema dos Poemas,\" as well as her early mature books: \"Viagem,\" \"Vaga Música,\" \"Mar Absoluto e Outros Poemas.\" The importance of the sea as a theme and symbol of the Absolute was analyzed, as well as the types of poetic voices that reaffirm this quest and other motifs that, through their repetition, also assume the status of symbols, such as hands, mirrors, portraits, and statues, directly connected to the concerns of the Perennial Philosophy. Therefore, the sea as a symbol of the Absolute and maritime themes are the strongest elements in this poetry produced between 1939 and 1945, and they persist throughout her body of work.\r\nKey-words: Cecília Meireles. Perennial Philosophy. Symbols of the Absolute.\r\n"},"document_type":"thesis_chapter","pre_hit_view_count_baseline":null,"quality":"high","language":"pt","title":"CECÍLIA MEIRELES E OS SÍMBOLOS DO ABSOLUTO","broadcastable":true,"draft":null,"has_indexable_attachment":true,"indexable":true}}["work"]; window.loswp.workCoauthors = [3579139]; window.loswp.locale = "en"; window.loswp.countryCode = "SG"; window.loswp.cwvAbTestBucket = ""; window.loswp.designVariant = "ds_vanilla"; window.loswp.fullPageMobileSutdModalVariant = "control"; window.loswp.useOptimizedScribd4genScript = false; window.loswp.appleClientId = 'edu.academia.applesignon';</script><script defer="" src="https://accounts.google.com/gsi/client"></script><div class="ds-loswp-container"><div class="ds-work-card--grid-container"><div class="ds-work-card--container js-loswp-work-card"><div class="ds-work-card--cover"><div class="ds-work-cover--wrapper"><div class="ds-work-cover--container"><button class="ds-work-cover--clickable js-swp-download-button" data-signup-modal="{"location":"swp-splash-paper-cover","attachmentId":52213092,"attachmentType":"pdf"}"><img alt="First page of “CECÍLIA MEIRELES E OS SÍMBOLOS DO ABSOLUTO”" class="ds-work-cover--cover-thumbnail" src="https://0.academia-photos.com/attachment_thumbnails/52213092/mini_magick20180819-26848-aimqnb.png?1534687626" /><img alt="PDF Icon" class="ds-work-cover--file-icon" src="//a.academia-assets.com/assets/single_work_splash/adobe.icon-574afd46eb6b03a77a153a647fb47e30546f9215c0ee6a25df597a779717f9ef.svg" /><div class="ds-work-cover--hover-container"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span><p>Download Free PDF</p></div><div class="ds-work-cover--ribbon-container">Download Free PDF</div><div class="ds-work-cover--ribbon-triangle"></div></button></div></div></div><div class="ds-work-card--work-information"><h1 class="ds-work-card--work-title">CECÍLIA MEIRELES E OS SÍMBOLOS DO ABSOLUTO</h1><div class="ds-work-card--work-authors ds-work-card--detail"><a class="ds-work-card--author js-wsj-grid-card-author ds2-5-body-md ds2-5-body-link" data-author-id="3579139" href="https://uniandrade.academia.edu/CamilaMarchioro"><img alt="Profile image of Camila Marchioro" class="ds-work-card--author-avatar" src="https://0.academia-photos.com/3579139/15997402/113175877/s65_camila.marchioro.jpg" />Camila Marchioro</a></div><p class="ds-work-card--work-abstract ds-work-card--detail ds2-5-body-md">Singular writer, Cecília Meireles defied classifications and achieved a unique place in Brazilian literature. From her curiosity about the other and herself, a work of strong reflective content was born, dealing with the depths of the human condition and seeking to transcend death through the encounter with the eternal. The Perennial Philosophy serves as the basis for the analyses carried out in this dissertation. The intention was to demonstrate how the symbols chosen by the author shape a poetics of the eternal and ephemeral, of ego dissolution, of renunciation in the search for the Absolute, and of the balance between truth and illusion. Some of Cecília Meireles' cultural, philosophical, and religious interests (such as Eastern philosophies) and the dialogue with Symbolism were revisited in this dissertation in order to assist in the analysis of her early works in "Festa," "Baladas para El-rei," "Nunca Mais...," and "Poema dos Poemas," as well as her early mature books: "Viagem," "Vaga Música," "Mar Absoluto e Outros Poemas." The importance of the sea as a theme and symbol of the Absolute was analyzed, as well as the types of poetic voices that reaffirm this quest and other motifs that, through their repetition, also assume the status of symbols, such as hands, mirrors, portraits, and statues, directly connected to the concerns of the Perennial Philosophy. Therefore, the sea as a symbol of the Absolute and maritime themes are the strongest elements in this poetry produced between 1939 and 1945, and they persist throughout her body of work. Key-words: Cecília Meireles. Perennial Philosophy. Symbols of the Absolute. </p><div class="ds-work-card--button-container"><button class="ds2-5-button js-swp-download-button" data-signup-modal="{"location":"continue-reading-button--work-card","attachmentId":52213092,"attachmentType":"pdf","workUrl":"https://www.academia.edu/31934660/CEC%C3%8DLIA_MEIRELES_E_OS_S%C3%8DMBOLOS_DO_ABSOLUTO"}">See full PDF</button><button class="ds2-5-button ds2-5-button--secondary js-swp-download-button" data-signup-modal="{"location":"download-pdf-button--work-card","attachmentId":52213092,"attachmentType":"pdf","workUrl":"https://www.academia.edu/31934660/CEC%C3%8DLIA_MEIRELES_E_OS_S%C3%8DMBOLOS_DO_ABSOLUTO"}"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span>Download PDF</button></div></div></div></div><div data-auto_select="false" data-client_id="331998490334-rsn3chp12mbkiqhl6e7lu2q0mlbu0f1b" data-doc_id="52213092" data-landing_url="https://www.academia.edu/31934660/CEC%C3%8DLIA_MEIRELES_E_OS_S%C3%8DMBOLOS_DO_ABSOLUTO" data-login_uri="https://www.academia.edu/registrations/google_one_tap" data-moment_callback="onGoogleOneTapEvent" id="g_id_onload"></div><div class="ds-top-related-works--grid-container"><div class="ds-related-content--container ds-top-related-works--container"><h2 class="ds-related-content--heading">Related papers</h2><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="0" data-entity-id="19574726" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/19574726/CEC%C3%8DLIA_MEIRELES_E_O_TEM%C3%81RIO_DA_ESCOLA_NOVA">CECÍLIA MEIRELES E O TEMÁRIO DA ESCOLA NOVA</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="31799559" href="https://usp-br.academia.edu/MarcusCunha">Marcus Cunha</a></div><p class="ds-related-work--abstract ds2-5-body-sm">RESUMO A poetisa Cecília Meireles foi signatária do Manifesto dos Pioneiros da Educação Nova, histórico documento de 1932 redigido por Fernando de Azevedo e assinado por vinte e seis intelectuais, no qual se encontram as principais formulações do movimento educacional renovador denominado Escola Nova. O presente trabalho analisa a literatura já produzida sobre Meireles e textos da autora publicados entre 1930 e 1933 na coluna &quot;Comentário&quot; da &quot;Página de Educação&quot;, seção dirigida por ela no jornal Diário de Notícias da cidade do Rio de Janeiro. O objetivo do trabalho é mostrar que a poetisa expressava ideias e posicionamentos da Escola Nova no início da década de 1930, dentre os quais figuram a relação entre família e escola e o uso das artes como recursos educativos. Tendo por base a teoria da análise retórica, e considerando a peculiaridade do veículo de comunicação utilizado por Meireles, o trabalho abre perspectivas para a investigação das estratégias argumenta...</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"CECÍLIA MEIRELES E O TEMÁRIO DA ESCOLA NOVA","attachmentId":42080948,"attachmentType":"pdf","work_url":"https://www.academia.edu/19574726/CEC%C3%8DLIA_MEIRELES_E_O_TEM%C3%81RIO_DA_ESCOLA_NOVA","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/19574726/CEC%C3%8DLIA_MEIRELES_E_O_TEM%C3%81RIO_DA_ESCOLA_NOVA"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="1" data-entity-id="44496237" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/44496237/MEM%C3%93RIA_E_IMAGIN%C3%81RIO_A_HERAN%C3%87A_A%C3%87ORIANA_NA_ESCRITA_DE_CEC%C3%8DLIA_MEIRELES">MEMÓRIA E IMAGINÁRIO: A HERANÇA AÇORIANA NA ESCRITA DE CECÍLIA MEIRELES</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="42153815" href="https://ufrj.academia.edu/AleaEstudosNeolatinosUFRJ">ALEA - Estudos Neolatinos</a></div><p class="ds-related-work--metadata ds2-5-body-xs">ALEA: Estudos Neolatinos - PPGLEN, UFRJ, 2016</p><p class="ds-related-work--abstract ds2-5-body-sm">Resumo Este trabalho procura examinar a obra de Cecília Meireles sob a perspectiva da pre-sença, na sua escrita, de uma herança cultural portuguesa, sobretudo açoriana, trans-mitida pela avó, imigrante da ilha de São Miguel. Aponta também, nessa herança, a presença de Índia na produção literária ceciliana, interesse também despertado pelas memórias da avó, que resultou na publicação de Poemas escritos na Índia. Por receber e transfigurar a memória açoriana através de seu imaginário, Cecília Meireles ocupa um lugar singular no conjunto de poetas brasileiros, podendo-se afirmar que ela ocupa um "entre-lugar" cultural, que se torna uma espécie de territorialidade simbólica. Abstract This paper aims to examine the work of Cecilia Meireles from the perspective of the presence, in her writings, of a Portuguese (mainly Azorean) cultural heritage that was passed on by ther grandmother , an immigrant from São Miguel. The paper likewise shows, within this heritage , the presence of India in Meireles' literary work, an interest that was also aroused by her grandmother's memories , resulting in the publication of Poems Written in India. In receiving and transforming Azorean memory through her own imaginary, Cecilia Meireles occupies a singular place among Brazilian poets. We can say that she occupies a cultural "inter-place", which becomes a sort of symbolic territoriality.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"MEMÓRIA E IMAGINÁRIO: A HERANÇA AÇORIANA NA ESCRITA DE CECÍLIA MEIRELES","attachmentId":64930664,"attachmentType":"pdf","work_url":"https://www.academia.edu/44496237/MEM%C3%93RIA_E_IMAGIN%C3%81RIO_A_HERAN%C3%87A_A%C3%87ORIANA_NA_ESCRITA_DE_CEC%C3%8DLIA_MEIRELES","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/44496237/MEM%C3%93RIA_E_IMAGIN%C3%81RIO_A_HERAN%C3%87A_A%C3%87ORIANA_NA_ESCRITA_DE_CEC%C3%8DLIA_MEIRELES"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="2" data-entity-id="34401000" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/34401000/NICOLELIS_ENCONTRA_HEGEL_INTERFACES_C%C3%89REBRO_COMPUTADOR_NO_CAMINHO_PARA_O_SABER_ABSOLUTO">NICOLELIS ENCONTRA HEGEL: INTERFACES CÉREBRO- COMPUTADOR NO CAMINHO PARA O SABER ABSOLUTO</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="1241334" href="https://unifesp.academia.edu/ThiagoLion">Thiago Lion</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Blucher Proceding. SOFIA - Unifesp</p><p class="ds-related-work--abstract ds2-5-body-sm">Science fiction writer Arthur C. Clarke in his famous " Clarke's Third Law " said that " any sufficiently advanced technology is indistinguishable from magic ". For introducing this article, I would like to paraphrase this " law " and declare that, for a given observer, " any sufficiently advanced theory is indistinguishable from mysticism ". This is the problem of any theory which is not empirically attestable like in " natural " sciences, or even in these before the theory becomes universally recognized. Something similar occurs with Hegel's theory, which, because of its complexity which is intended to encompass everything, is usually misunderstood and relegated to the background as an expression of some ill-considered idealism. In this article we will look at an unusual meeting between one of the greatest neuroscientists in the world today-the Brazilian Miguel Nicolelis-famous for being a pioneer and also one of the worlds most advanced researchers in the integration between brain and machine (Brain-Computer Interface, BCI) , and the German philosopher of the early nineteenth century, regarded by many not only as the most influential philosopher of modernity, but also the most difficult philosopher. The analysis aims to show some astonishing parallels between Hegel's conception and what is most advanced in neuroscientific thinking, throwing light on obscure, the complex and often highly criticized concepts of Hegelian thought from the most effective of neuroscientific thoughts, that one that effectively read the brain and turn that reading into orders for a machine. It is emphasized here that the existence of machines commanded by the brain is no longer just a fiction, but it has come true in several experiments worldwide and is rapidly developing towards a new kind of relationship between humans and things. It is intended to address, from the examples provided by Nicolelis's experiments, the Hegelian concepts of phenomenology, spirit, self, the opposition between consciousness and self-consciousness, as well as the notion of absolute knowledge, which posits itself as a kind of Encounter between science and religion. In this sense, the present article also aims to be a kind of introduction, which, through its relation to a current theme, may facilitate the apprehension of some central concepts of Hegelian thought. We will use in this comparison, by Nicolelis, his book Beyond Boundaries: The New Neuroscience of Connecting Brains with Machines-and How It Will Change Our Lives, and Hegel especially his Phenomenology of the Spirit.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"NICOLELIS ENCONTRA HEGEL: INTERFACES CÉREBRO- COMPUTADOR NO CAMINHO PARA O SABER ABSOLUTO","attachmentId":54282784,"attachmentType":"pdf","work_url":"https://www.academia.edu/34401000/NICOLELIS_ENCONTRA_HEGEL_INTERFACES_C%C3%89REBRO_COMPUTADOR_NO_CAMINHO_PARA_O_SABER_ABSOLUTO","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/34401000/NICOLELIS_ENCONTRA_HEGEL_INTERFACES_C%C3%89REBRO_COMPUTADOR_NO_CAMINHO_PARA_O_SABER_ABSOLUTO"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="3" data-entity-id="84059445" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/84059445/_BALADAS_DE_OURO_PRETO_DE_CEC%C3%8DLIA_MEIRELES_E_SUA_VINCULA%C3%87%C3%83O_AO_PROJETO_SOCIAL_MODERNISTA">“BALADAS DE OURO PRETO”, DE CECÍLIA MEIRELES, E SUA VINCULAÇÃO AO PROJETO SOCIAL MODERNISTA</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="154313371" href="https://usp-br.academia.edu/MarcosViniciusSouzaSilva">Marcos Vinicius Souza Souza</a></div><p class="ds-related-work--metadata ds2-5-body-xs">BALADAS DE OURO PRETO, DE CECÍLIA MEIRELES, E SUA VINCULAÇÃO AO PROJETO SOCIAL MODERNISTA, 2022</p><p class="ds-related-work--abstract ds2-5-body-sm">O ensaio em questão objetiva realizar uma análise literária do poema Baladas de Ouro Preto, presente no livro Romanceiro da Inconfidência, publicado inicialmente por Cecília Meireles em 1953. O método de abordagem pelo qual optou-se por desenvolver essa análise é o comparatista, sobre o qual busca-se posicionar o poema de Cecília como um dos grandes representantes do projeto social modernista brasileiro, juntamente a diversas outras obras e autores do século XX.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"“BALADAS DE OURO PRETO”, DE CECÍLIA MEIRELES, E SUA VINCULAÇÃO AO PROJETO SOCIAL MODERNISTA","attachmentId":89209285,"attachmentType":"pdf","work_url":"https://www.academia.edu/84059445/_BALADAS_DE_OURO_PRETO_DE_CEC%C3%8DLIA_MEIRELES_E_SUA_VINCULA%C3%87%C3%83O_AO_PROJETO_SOCIAL_MODERNISTA","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/84059445/_BALADAS_DE_OURO_PRETO_DE_CEC%C3%8DLIA_MEIRELES_E_SUA_VINCULA%C3%87%C3%83O_AO_PROJETO_SOCIAL_MODERNISTA"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="4" data-entity-id="31934657" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/31934657/CEC%C3%8DLIA_MEIRELES_E_A_PINTURA_DE_G%C3%8ANERO_SUAS_CR%C3%94NICAS_DE_VIAGEM_SOBRE_A_HOLANDA_1">CECÍLIA MEIRELES E A PINTURA DE GÊNERO: SUAS CRÔNICAS DE VIAGEM SOBRE A HOLANDA 1</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="3579139" href="https://uniandrade.academia.edu/CamilaMarchioro">Camila Marchioro</a></div><p class="ds-related-work--abstract ds2-5-body-sm">ABSTRACT: Cecília Meireles has a vast literary opus with more than two thousand poems and in a much higher number of other writings in prose. Despite this acknowledged fact, very few theorists have addressed this part of her works. This paper aims to explore this unknown territory of Meireles' prose relating her travel chronicles to visual arts, in its more or less explicit forms, as for it produces an effect of textual metapictoriality. Meireles' chronicles of 1953 in the Netherlands have been selected and discussed to show clear references to pictorial description and to genre painting. RESUMO: A obra de Cecília Meireles compreende cerca de 2.000 poemas e um número superior a esse de textos em prosa, apesar disso, raros teóricos detiveram-se a esta parte de sua obra. Este trabalho visa, portanto, explorar o vasto território de suas crônicas de viagem no sentido de evidenciar (tendo como base a teoria de Liliane Louvel) a referência às artes visuais sob formas mais ou menos explícitas, produzindo um efeito de metapicturalidade textual. Para isso, foram escolhidas as crônicas que dizem respeito à viagem da autora para a Holanda, em 1953, principalmente devido à maior presença de descrição pictural e às referências explícitas à pintura de gênero.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"CECÍLIA MEIRELES E A PINTURA DE GÊNERO: SUAS CRÔNICAS DE VIAGEM SOBRE A HOLANDA 1","attachmentId":52213047,"attachmentType":"pdf","work_url":"https://www.academia.edu/31934657/CEC%C3%8DLIA_MEIRELES_E_A_PINTURA_DE_G%C3%8ANERO_SUAS_CR%C3%94NICAS_DE_VIAGEM_SOBRE_A_HOLANDA_1","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/31934657/CEC%C3%8DLIA_MEIRELES_E_A_PINTURA_DE_G%C3%8ANERO_SUAS_CR%C3%94NICAS_DE_VIAGEM_SOBRE_A_HOLANDA_1"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="5" data-entity-id="11369919" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/11369919/Cec%C3%ADlia_Meireles">Cecília Meireles</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="27636681" href="https://independent.academia.edu/LysePanelli">Lyse Panelli</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Cecília Meireles","attachmentId":36937430,"attachmentType":"docx","work_url":"https://www.academia.edu/11369919/Cec%C3%ADlia_Meireles","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/11369919/Cec%C3%ADlia_Meireles"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="6" data-entity-id="37374158" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/37374158/POESIA_DO_INDIZ%C3%8DVEL_CAMILO_PESSANHA_E_CEC%C3%8DLIA_MEIRELES_EM_COMPARA%C3%87%C3%83O">POESIA DO INDIZÍVEL: CAMILO PESSANHA E CECÍLIA MEIRELES EM COMPARAÇÃO</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="3579139" href="https://uniandrade.academia.edu/CamilaMarchioro">Camila Marchioro</a></div><p class="ds-related-work--metadata ds2-5-body-xs">2018</p><p class="ds-related-work--abstract ds2-5-body-sm">The present dissertation aims to investigate the thematic content of the works of Camilo Pessanha and Cecília Meireles by comparing them. It discusses the similarities in their personalities and their connection to thematic and poetic forms originating from some Eastern traditions. A reexamination of the Portuguese tradition of the myth of the East is elaborated, observing how the poets in question relate to this theme. The central axis of the thesis is an attempt to elucidate how some of the verses and poems of Pessanha and Meireles give poetic form to the difficult endeavor of navigating the labyrinths of one's own mind. To accomplish this, phenomenology is employed, drawing upon concepts developed by Edmund Husserl and finding their counterparts in Indian thought. Texts from the Sanskrit tradition are then used as a foundation, such as the Yoga Sutras of Patañjali and various Buddhist Sutras, particularly from Chan (Zen) Buddhism. The books Clepsydra, by Camilo Pessanha, as conceived in its first publication in 1920, and Canções, 1956, by Cecília Meireles, are placed as central to the study. From the poems in these books, space is opened for further compositions by both authors, and the presence of the metaphors of the unspeakable in their verses is analyzed.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"POESIA DO INDIZÍVEL: CAMILO PESSANHA E CECÍLIA MEIRELES EM COMPARAÇÃO","attachmentId":57336258,"attachmentType":"pdf","work_url":"https://www.academia.edu/37374158/POESIA_DO_INDIZ%C3%8DVEL_CAMILO_PESSANHA_E_CEC%C3%8DLIA_MEIRELES_EM_COMPARA%C3%87%C3%83O","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/37374158/POESIA_DO_INDIZ%C3%8DVEL_CAMILO_PESSANHA_E_CEC%C3%8DLIA_MEIRELES_EM_COMPARA%C3%87%C3%83O"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="7" data-entity-id="97345009" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/97345009/BABEL_DE_CILDO_MEIRELES_O_MITO_MESOPOT%C3%82MICO_E_A_TORRE_DE_R%C3%81DIOS_1">BABEL DE CILDO MEIRELES: O MITO MESOPOTÂMICO E A TORRE DE RÁDIOS 1</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="9609637" href="https://unespar.academia.edu/MariaCristinaMendes">Maria Cristina Mendes</a></div><p class="ds-related-work--metadata ds2-5-body-xs">6° Encontro Regional Sul de História da Mídia, 2016</p><p class="ds-related-work--abstract ds2-5-body-sm">O artigo tem por objeto de investigação a obra Babel (Cildo Meireles, 2002) e tem por meta aprofundar a reflexão acerca das relações que podem ser estabelecidas com a homônima torre do mito judaico-cristão e a pintura de Pieter Brueguel. A contribuição de Erick Felinto é fundamental para a compreensão da transformação que o mito babélico sofre na tradição e na modernidade. As reflexões de Agnaldo Farias, Moacir dos Anjos e Diego Matos destacam o diálogo que Meireles instaura com outras áreas do conhecimento, como a história da comunicação, e investigam os processos de instauração de sentidos despertados pela fruição da obra de arte no contexto da produção sociocultural contemporânea. A transmissão radiofônica de diferentes estações, as pequenas luzes coloridas que piscam nos aparelhos de rádio, somam-se a um ambiente banhado de azul para, numa tradução criativa do texto bíblico, evidenciar a importância da mídia na problematização da vida contemporânea. A recriação do mito, em imagem e som, como proposição de arte, dá visibilidade a transformações socioculturais e potencializa a fruição estética.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"BABEL DE CILDO MEIRELES: O MITO MESOPOTÂMICO E A TORRE DE RÁDIOS 1","attachmentId":98991850,"attachmentType":"pdf","work_url":"https://www.academia.edu/97345009/BABEL_DE_CILDO_MEIRELES_O_MITO_MESOPOT%C3%82MICO_E_A_TORRE_DE_R%C3%81DIOS_1","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/97345009/BABEL_DE_CILDO_MEIRELES_O_MITO_MESOPOT%C3%82MICO_E_A_TORRE_DE_R%C3%81DIOS_1"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="8" data-entity-id="42724270" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/42724270/CILDO_MEIRELES_TRABALHAR_NA_FRONTEIRA_DAS_COISAS_">CILDO MEIRELES: "TRABALHAR NA FRONTEIRA DAS COISAS"</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="3768159" href="https://independent.academia.edu/SoniaGonzalez2">Sonia Gonzalez</a></div><p class="ds-related-work--abstract ds2-5-body-sm">RESUMO: O estudo discute o transitar do artista Cildo Meireles pela arte conceitual. Analisaremos alguns de seus trabalhos, datados do final dos anos 1960 e dos anos 1970, que lidam de maneira mais próxima com a articulação do par objeto e linguagem. Nosso objetivo é questionar como o artista busca superar o "excesso de retórica" verbal de algumas práticas conceituais e como constrói os fluxos variáveis do pensamento que exploram a falibilidade do que parece determinado, provocam desvios e desconcertam o olhar e o raciocínio. Palavras-chave: Arte conceitual. Objeto e palavra. Arte e vida. ABSTRACT: The study discusses the transit of Cildo Meireles through conceptual art. We are going to analyse some of his works, dated from the end of the 60's and 70's, which deal with a closer way on the articulation of the pair object and word. We aim to question how the artist overcomes the verbal " rethoric excess" on some conceptual pratices and how he builds the variable trains of thought which explore the failability of what appears to be determined, provoking diversions and baffling the look and the reasoning. Key word: conceptual art, object and, art and life. Das possibilidades de "trabalhar na fronteira das coisas" O trabalho artístico de Cildo Meireles vem se construindo sobre um campo maleável, tanto na concepção de relações engendradas na materialização da obra quanto nos procedimentos de interferência que acionam a ação do espectador. Nosso estudo questiona o transitar conceitual do artista e propõe-se a discutir alguns de seus trabalhos que, no final dos anos 1960 e os anos 1970, exploram e trazem à luz o par objeto e linguagem. Sabe-se que o agenciamento da palavra e do objeto se apresenta como recurso vastamente explorado pela produção artística na pós-modernidade e, ainda, que se tem colocado como uma das problemáticas que aponta a quebra dos limites rígidos do que se convencionou designar como região própria da arte. Em trabalhos centrados na desmaterialização do objeto artístico, a palavra pode funcionar como própria matéria da arte e como única via de construção do sentido conceitual do trabalho, funcionando como enigma ou chave acionadora</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"CILDO MEIRELES: \"TRABALHAR NA FRONTEIRA DAS COISAS\"","attachmentId":62940068,"attachmentType":"pdf","work_url":"https://www.academia.edu/42724270/CILDO_MEIRELES_TRABALHAR_NA_FRONTEIRA_DAS_COISAS_","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/42724270/CILDO_MEIRELES_TRABALHAR_NA_FRONTEIRA_DAS_COISAS_"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="9" data-entity-id="44834722" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/44834722/CEC%C3%8DLIA_MEIRELES_E_ISABEL_DO_PRADO_A_CONSTRU%C3%87%C3%83O_DE_O_ROMANCEIRO_DA_INCONFID%C3%8ANCIA_CEC%C3%8DLIA_MEIRELES_AND_ISABEL_DO_PRADO_THE_CONSTRUCTION_OF_ROMANCEIRO_DA_INCONFID%C3%8ANCIA">CECÍLIA MEIRELES E ISABEL DO PRADO: A CONSTRUÇÃO DE O ROMANCEIRO DA INCONFIDÊNCIA CECÍLIA MEIRELES AND ISABEL DO PRADO: THE CONSTRUCTION OF ROMANCEIRO DA INCONFIDÊNCIA</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="29770407" href="https://unam.academia.edu/ClaudiaDiasSampaio">Claudia Dias Sampaio</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Revista da Anpoll, 2015</p><p class="ds-related-work--abstract ds2-5-body-sm">RESUMO: O artigo apresenta a correspondência entre a poeta Cecília Meireles e a amiga e jornalista Isabel do Prado, entre os anos de 1940 e 1950. As cartas mostram anotações sobre a criação de o Romanceiro da Inconfidência e constituem um material valioso de reflexão: sobre a relação entre autobiografia e poesia na obra de Cecília; a escrita das cartas como lugar de construção de sua obra; e a importância das redes de amizades entre escritores para o fortalecimento cultural de uma sociedade. PALAVRAS-CHAVE: Cecília Meireles. Isabel do Prado. Poesia. ABSTRACT: The article presents the correspondence between the poet Cecilia Meireles and her friend and journalist Isabel Prado, between the years 1940 and 1950. The letters show notes about the creation of the Romanceiro da Inconfidência and are a valuable material for reflection: on the relationship between autobiography and poetry in the work of Cecilia; the writing of the letters as a place to build his work; and the importance of friendship networks among writers for the cultural strengthening of a society.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"CECÍLIA MEIRELES E ISABEL DO PRADO: A CONSTRUÇÃO DE O ROMANCEIRO DA INCONFIDÊNCIA CECÍLIA MEIRELES AND ISABEL DO PRADO: THE CONSTRUCTION OF ROMANCEIRO DA INCONFIDÊNCIA","attachmentId":65339481,"attachmentType":"pdf","work_url":"https://www.academia.edu/44834722/CEC%C3%8DLIA_MEIRELES_E_ISABEL_DO_PRADO_A_CONSTRU%C3%87%C3%83O_DE_O_ROMANCEIRO_DA_INCONFID%C3%8ANCIA_CEC%C3%8DLIA_MEIRELES_AND_ISABEL_DO_PRADO_THE_CONSTRUCTION_OF_ROMANCEIRO_DA_INCONFID%C3%8ANCIA","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/44834722/CEC%C3%8DLIA_MEIRELES_E_ISABEL_DO_PRADO_A_CONSTRU%C3%87%C3%83O_DE_O_ROMANCEIRO_DA_INCONFID%C3%8ANCIA_CEC%C3%8DLIA_MEIRELES_AND_ISABEL_DO_PRADO_THE_CONSTRUCTION_OF_ROMANCEIRO_DA_INCONFID%C3%8ANCIA"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div></div></div><div class="ds-sticky-ctas--wrapper js-loswp-sticky-ctas hidden"><div class="ds-sticky-ctas--grid-container"><div class="ds-sticky-ctas--container"><button class="ds2-5-button js-swp-download-button" data-signup-modal="{"location":"continue-reading-button--sticky-ctas","attachmentId":52213092,"attachmentType":"pdf","workUrl":null}">See full PDF</button><button class="ds2-5-button ds2-5-button--secondary js-swp-download-button" data-signup-modal="{"location":"download-pdf-button--sticky-ctas","attachmentId":52213092,"attachmentType":"pdf","workUrl":null}"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span>Download PDF</button></div></div></div><div class="ds-below-fold--grid-container"><div class="ds-work--container js-loswp-embedded-document"><div class="attachment_preview" data-attachment="Attachment_52213092" style="display: none"><div class="js-scribd-document-container"><div class="scribd--document-loading js-scribd-document-loader" style="display: block;"><img alt="Loading..." src="//a.academia-assets.com/images/loaders/paper-load.gif" /><p>Loading Preview</p></div></div><div style="text-align: center;"><div class="scribd--no-preview-alert js-preview-unavailable"><p>Sorry, preview is currently unavailable. 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