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class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/3354685/CATALAN_ROMANESQUE_PAINTING_REVISITED_THE_ALTAR_FRONTAL_WORKSHOPS">CATALAN ROMANESQUE PAINTING REVISITED: THE ALTAR-FRONTAL WORKSHOPS</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">© This digital offprint is provided for the convenience © © of the author of the attached article. © Though this work has been written by the recipient of this electronic file, © Though this work has been written by the recipient of this... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_3354685" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">© This digital offprint is provided for the convenience © © of the author of the attached article. © Though this work has been written by the recipient of 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Center for Medieval and © the Copyright is held by ACMRS (The Arizona Center for Medieval and © Renaissance Studies), as represented by The Arizona Board of Regents for © Renaissance Studies), as represented by The Arizona Board of Regents for © © Arizona State University. © This file may not be reproduced or output for any commercial purpose © This file may not be reproduced or output for any commercial purpose © © without first obtaining permission from ACMRS. © Prohibited commercial use includes, but is not limited to: © Prohibited commercial use includes, but is not limited to: © • Use in any other publication (in part or in whole) © • Use in any other publication (in part or in whole)","publication":"Spanish Medieval Art, Recent Studies, C. Hourihane (ed.), The Arizona Center for Medieval and Renaissance Studies \u0026 The Index of Christian Art, Tempe, Arizona-Princeton, New Jersey, 2007, pp. 119-151","publication_with_fallback":"Spanish Medieval Art, Recent Studies, C. 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Tuttavia, in molti casi di artisti anonimi, non documentati da testimonianze scritte, sono stati gli stessi storici dell'arte a inventare una loro complessa personalità. Il cosiddetto 'Maestro di Pedret' -nome con cui si conosce un pittore e/o la sua bottega attivi in Catalogna tra la fine dell'XI secolo e gli inizi del XII -ne è un buon esempio. La sua biografia artistica viene creata tra il 1930 e il 1941 dallo studioso americano Chandler R. Post 1 e sviluppata nel 1950 dallo storico dell'arte catalano Josep Gudiol i Ricart 2 , il quale nel 1944 aveva già battezzato un altro artista fino ad allora ignoto del romanico catalano, il Maestro di Cabestany 3 , che ben presto avrebbe raggiunto la celebrità.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/3354728" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="2a6679a5334eb0e8c3451597d9e7b299" rel="nofollow" data-download="{"attachment_id":31165102,"asset_id":3354728,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/31165102/download_file?st=MTc0MDE1MjExNSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="3436079" href="https://uab.academia.edu/ManuelCasti%C3%B1eiras">Manuel Castiñeiras</a><script data-card-contents-for-user="3436079" type="text/json">{"id":3436079,"first_name":"Manuel","last_name":"Castiñeiras","domain_name":"uab","page_name":"ManuelCastiñeiras","display_name":"Manuel Castiñeiras","profile_url":"https://uab.academia.edu/ManuelCasti%C3%B1eiras","photo":"https://0.academia-photos.com/3436079/1484308/33338077/s65_manuel.casti_eiras.png"}</script></span></span></li><li class="js-paper-rank-work_3354728 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="3354728"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 3354728, container: ".js-paper-rank-work_3354728", }); 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$(".js-view-count[data-work-id=3354728]").text(description); $(".js-view-count-work_3354728").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_3354728").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="3354728"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="85970" rel="nofollow" href="https://www.academia.edu/Documents/in/Romanesque_Wall_Painting">Romanesque Wall Painting</a>, <script data-card-contents-for-ri="85970" type="text/json">{"id":85970,"name":"Romanesque Wall Painting","url":"https://www.academia.edu/Documents/in/Romanesque_Wall_Painting","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="90199" rel="nofollow" href="https://www.academia.edu/Documents/in/Medieval_Iconography">Medieval Iconography</a>, <script data-card-contents-for-ri="90199" type="text/json">{"id":90199,"name":"Medieval Iconography","url":"https://www.academia.edu/Documents/in/Medieval_Iconography","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="122938" rel="nofollow" href="https://www.academia.edu/Documents/in/Medieval_Wall_Paintings">Medieval Wall Paintings</a>, <script data-card-contents-for-ri="122938" type="text/json">{"id":122938,"name":"Medieval Wall Paintings","url":"https://www.academia.edu/Documents/in/Medieval_Wall_Paintings","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="683422" rel="nofollow" href="https://www.academia.edu/Documents/in/Medieval_art_history_pictorial_techniques">Medieval art history, pictorial techniques</a><script data-card-contents-for-ri="683422" type="text/json">{"id":683422,"name":"Medieval art history, pictorial techniques","url":"https://www.academia.edu/Documents/in/Medieval_art_history_pictorial_techniques","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=3354728]'), work: {"id":3354728,"title":"IL \"MAESTRO DI PEDRET\" E LA PITTURA LOMBARDA: MITO O REALTÀ","created_at":"2013-04-22T00:24:26.395-07:00","owner_id":3436079,"url":"https://www.academia.edu/3354728/IL_MAESTRO_DI_PEDRET_E_LA_PITTURA_LOMBARDA_MITO_O_REALT%C3%80","slug":"IL_MAESTRO_DI_PEDRET_E_LA_PITTURA_LOMBARDA_MITO_O_REALTÀ","dom_id":"work_3354728","summary":"Le fonti medievali, sempre molto parche nel fornire concreti elementi biografici a proposito di singoli artisti, mostrano invece una certa generosità e immaginazione nel rappresentarne lo status sociale, culturale o religioso, facendoli diventare di volta in volta -nei racconti agiografici, negli exempla, nelle cronache -angeli, maghi, viaggiatori oppure santi. Tuttavia, in molti casi di artisti anonimi, non documentati da testimonianze scritte, sono stati gli stessi storici dell'arte a inventare una loro complessa personalità. Il cosiddetto 'Maestro di Pedret' -nome con cui si conosce un pittore e/o la sua bottega attivi in Catalogna tra la fine dell'XI secolo e gli inizi del XII -ne è un buon esempio. La sua biografia artistica viene creata tra il 1930 e il 1941 dallo studioso americano Chandler R. Post 1 e sviluppata nel 1950 dallo storico dell'arte catalano Josep Gudiol i Ricart 2 , il quale nel 1944 aveva già battezzato un altro artista fino ad allora ignoto del romanico catalano, il Maestro di Cabestany 3 , che ben presto avrebbe raggiunto la celebrità.","publication":"Arte Lombarda, 156, 2009, 2, pp. 48-66“","publication_with_fallback":"Arte Lombarda, 156, 2009, 2, pp. 48-66“","downloadable_attachments":[{"id":31165102,"asset_id":3354728,"asset_type":"Work","always_allow_download":false,"scribd_thumbnail_url":"https://attachments.academia-assets.com/31165102/thumbnails/1.jpg","download_url":"https://d1wqtxts1xzle7.cloudfront.net/31165102/Arte_lombarda_156_2009_2-libre.pdf?1392157222=\u0026response-content-disposition=attachment%3B+filename%3DIL_MAESTRO_DI_PEDRET_E_LA_PITTURA_LOMBAR.pdf\u0026Expires=1739846512\u0026Signature=b6XNZ30gZ01DAoj7jbpcXbP1SX-az6~ou8rCHE2vjKh1ZdWb8o0owrwU8o3N4SGi74KiTJYGAZ10U6DlASOzHCvD~nHVQtOI~5fUCT4Ikn9P923dRx4rTLiNolfa7ye-bubYWCsSHYLwEULWFM9vuFZFFlN-2O2RrJxUxqahr1XLEyzJ6n5t9Kts94ZWyZDvo2jcO6ZTn5HnjsK9SIzdLA1axtGBppfnM7297Ve-FCB0Fo4ZjTb~1SESAR1h2kOw5MXNcXt8kauFa2ZhR5PR6Q9DQS9NaQGHrpl73uwgtYt-T3r4i24HKMB~ZdnodIjO5liZ0yAHXaZ7ijzbX468Rg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA","download_file_url":"https://www.academia.edu/attachments/31165102/download_file?st=MTc0MDE1MjExNSw4LjIyMi4yMDguMTQ2&","full_thumbnail_url":"https://0.academia-photos.com/attachment_thumbnails/31165102/mini_magick20190426-8059-7aw82q.png?1556289179"}],"downloadable_attachments_with_full_thumbnails":[{"id":31165102,"asset_id":3354728,"asset_type":"Work","always_allow_download":false,"scribd_thumbnail_url":"https://attachments.academia-assets.com/31165102/thumbnails/1.jpg","download_url":"https://d1wqtxts1xzle7.cloudfront.net/31165102/Arte_lombarda_156_2009_2-libre.pdf?1392157222=\u0026response-content-disposition=attachment%3B+filename%3DIL_MAESTRO_DI_PEDRET_E_LA_PITTURA_LOMBAR.pdf\u0026Expires=1739846512\u0026Signature=b6XNZ30gZ01DAoj7jbpcXbP1SX-az6~ou8rCHE2vjKh1ZdWb8o0owrwU8o3N4SGi74KiTJYGAZ10U6DlASOzHCvD~nHVQtOI~5fUCT4Ikn9P923dRx4rTLiNolfa7ye-bubYWCsSHYLwEULWFM9vuFZFFlN-2O2RrJxUxqahr1XLEyzJ6n5t9Kts94ZWyZDvo2jcO6ZTn5HnjsK9SIzdLA1axtGBppfnM7297Ve-FCB0Fo4ZjTb~1SESAR1h2kOw5MXNcXt8kauFa2ZhR5PR6Q9DQS9NaQGHrpl73uwgtYt-T3r4i24HKMB~ZdnodIjO5liZ0yAHXaZ7ijzbX468Rg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA","download_file_url":"https://www.academia.edu/attachments/31165102/download_file?st=MTc0MDE1MjExNSw4LjIyMi4yMDguMTQ2&","full_thumbnail_url":"https://0.academia-photos.com/attachment_thumbnails/31165102/mini_magick20190426-8059-7aw82q.png?1556289179"}],"has_pdf":true,"has_fulltext":true,"page_count":19,"ordered_authors":[{"id":3436079,"first_name":"Manuel","last_name":"Castiñeiras","domain_name":"uab","page_name":"ManuelCastiñeiras","display_name":"Manuel Castiñeiras","profile_url":"https://uab.academia.edu/ManuelCasti%C3%B1eiras","photo":"https://0.academia-photos.com/3436079/1484308/33338077/s65_manuel.casti_eiras.png"}],"research_interests":[{"id":85970,"name":"Romanesque Wall Painting","url":"https://www.academia.edu/Documents/in/Romanesque_Wall_Painting","nofollow":true},{"id":90199,"name":"Medieval Iconography","url":"https://www.academia.edu/Documents/in/Medieval_Iconography","nofollow":true},{"id":122938,"name":"Medieval Wall Paintings","url":"https://www.academia.edu/Documents/in/Medieval_Wall_Paintings","nofollow":true},{"id":683422,"name":"Medieval art history, pictorial techniques","url":"https://www.academia.edu/Documents/in/Medieval_art_history_pictorial_techniques","nofollow":true}],"publication_year":null,"publication_year_with_fallback":null,"paper_rank":null,"all_time_views":757,"active_discussion":{}}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_3354744" data-work_id="3354744" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/3354744/CLERGUE_O_LAIC_ALGUNES_REFLEXIONS_SOBRE_LESTATUS_DE_LARTISTA_I_LA_Q%C3%9CESTI%C3%93_DE_LAUTORIA_A_LEUROPA_ROM%C3%80NICA">CLERGUE O LAIC? ALGUNES REFLEXIONS SOBRE L'ESTATUS DE L'ARTISTA I LA QÜESTIÓ DE L'AUTORIA A L'EUROPA ROMÀNICA</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Malgrat la gran quantitat de testimonis de pintura mural i sobre taula conservats a Catalunya, no es sap gairebé res sobre la identitat del seus autors, el seu origen, la seva condició social o la seva formació tècnica, l'organització del... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_3354744" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Malgrat la gran quantitat de testimonis de pintura mural i sobre taula conservats a Catalunya, no es sap gairebé res sobre la identitat del seus autors, el seu origen, la seva condició social o la seva formació tècnica, l'organització del seu treball o la seva relació amb els patrons o comitents de les seves obres. De fet, no han deixat pràcticament ni signatura ni informació que els concerneixi, per la qual cosa tot el que podem dir d'ells es basa en la comparació amb altres casos millor documentats de l'Europa romànica, sobretot a França i Itàlia.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/3354744" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="e637e77cd4932ebe1b89db259207ee66" rel="nofollow" data-download="{"attachment_id":31165112,"asset_id":3354744,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/31165112/download_file?st=MTc0MDE1MjExNSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="3436079" href="https://uab.academia.edu/ManuelCasti%C3%B1eiras">Manuel Castiñeiras</a><script data-card-contents-for-user="3436079" type="text/json">{"id":3436079,"first_name":"Manuel","last_name":"Castiñeiras","domain_name":"uab","page_name":"ManuelCastiñeiras","display_name":"Manuel Castiñeiras","profile_url":"https://uab.academia.edu/ManuelCasti%C3%B1eiras","photo":"https://0.academia-photos.com/3436079/1484308/33338077/s65_manuel.casti_eiras.png"}</script></span></span></li><li class="js-paper-rank-work_3354744 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="3354744"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 3354744, container: ".js-paper-rank-work_3354744", }); 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$(".js-view-count[data-work-id=3354744]").text(description); $(".js-view-count-work_3354744").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_3354744").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="3354744"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="17045" rel="nofollow" href="https://www.academia.edu/Documents/in/Romanesque_Art">Romanesque Art</a>, <script data-card-contents-for-ri="17045" type="text/json">{"id":17045,"name":"Romanesque Art","url":"https://www.academia.edu/Documents/in/Romanesque_Art","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="85970" rel="nofollow" href="https://www.academia.edu/Documents/in/Romanesque_Wall_Painting">Romanesque Wall Painting</a>, <script data-card-contents-for-ri="85970" type="text/json">{"id":85970,"name":"Romanesque Wall Painting","url":"https://www.academia.edu/Documents/in/Romanesque_Wall_Painting","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="212957" rel="nofollow" href="https://www.academia.edu/Documents/in/Medieval_panel_painting">Medieval panel painting</a>, <script data-card-contents-for-ri="212957" type="text/json">{"id":212957,"name":"Medieval panel painting","url":"https://www.academia.edu/Documents/in/Medieval_panel_painting","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="792330" rel="nofollow" href="https://www.academia.edu/Documents/in/Medieval_Artists">Medieval Artists</a><script data-card-contents-for-ri="792330" type="text/json">{"id":792330,"name":"Medieval Artists","url":"https://www.academia.edu/Documents/in/Medieval_Artists","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=3354744]'), work: {"id":3354744,"title":"CLERGUE O LAIC? ALGUNES REFLEXIONS SOBRE L'ESTATUS DE L'ARTISTA I LA QÜESTIÓ DE L'AUTORIA A L'EUROPA ROMÀNICA","created_at":"2013-04-22T00:27:14.332-07:00","owner_id":3436079,"url":"https://www.academia.edu/3354744/CLERGUE_O_LAIC_ALGUNES_REFLEXIONS_SOBRE_LESTATUS_DE_LARTISTA_I_LA_Q%C3%9CESTI%C3%93_DE_LAUTORIA_A_LEUROPA_ROM%C3%80NICA","slug":"CLERGUE_O_LAIC_ALGUNES_REFLEXIONS_SOBRE_LESTATUS_DE_LARTISTA_I_LA_QÜESTIÓ_DE_LAUTORIA_A_LEUROPA_ROMÀNICA","dom_id":"work_3354744","summary":"Malgrat la gran quantitat de testimonis de pintura mural i sobre taula conservats a Catalunya, no es sap gairebé res sobre la identitat del seus autors, el seu origen, la seva condició social o la seva formació tècnica, l'organització del seu treball o la seva relació amb els patrons o comitents de les seves obres. De fet, no han deixat pràcticament ni signatura ni informació que els concerneixi, per la qual cosa tot el que podem dir d'ells es basa en la comparació amb altres casos millor documentats de l'Europa romànica, sobretot a França i Itàlia.","publication":"Medievalia, 15, 2012, pp. 83-77 (Actas del I Simposio Científico del IEM, Reial Acadèmia de les Bones Lletres de Barcelona, 3 de julio de 2012)","publication_with_fallback":"Medievalia, 15, 2012, pp. 83-77 (Actas del I Simposio Científico del IEM, Reial Acadèmia de les Bones Lletres de Barcelona, 3 de julio de 2012)","downloadable_attachments":[{"id":31165112,"asset_id":3354744,"asset_type":"Work","always_allow_download":false,"scribd_thumbnail_url":"https://attachments.academia-assets.com/31165112/thumbnails/1.jpg","download_url":"https://d1wqtxts1xzle7.cloudfront.net/31165112/Castineiras-Medievalia__15__2012__pp._83-87_-libre.pdf?1392241217=\u0026response-content-disposition=attachment%3B+filename%3DCLERGUE_O_LAIC_ALGUNES_REFLEXIONS_SOBRE.pdf\u0026Expires=1740083383\u0026Signature=C8ag0MaNaQ9numOujZdCwK3XThw7HmELtF~OkQ3VyWoVC2XRKfbFIGAphgTwAS7aFN1g3MACdXEwhffyIKH6NsVvSw4mD7lcx~tzS9rNtjBxBR4mb~GYgs2NTF8w7HvQdllHbeZZfJQvk3jEE3vRRjN5RaTZUKtk7scpiJybHRdzRAejdsVsGP-y37gQh4MQHD2CYhYaZ~RJoJkFW7dBYozAtEnTk7OktWLcHQvaJisj6OCJC3A1am3Fg4L2HoWV3gOm0WmmzpzlelVIIwbJcsl8nzPcSi4bqogVyoandIh48~4EWAlHQBd~XAozZFP3tLBXs4x5JmHkJmv5adCXiQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA","download_file_url":"https://www.academia.edu/attachments/31165112/download_file?st=MTc0MDE1MjExNSw4LjIyMi4yMDguMTQ2&","full_thumbnail_url":"https://0.academia-photos.com/attachment_thumbnails/31165112/mini_magick20190426-12547-5zos6j.png?1556289222"}],"downloadable_attachments_with_full_thumbnails":[{"id":31165112,"asset_id":3354744,"asset_type":"Work","always_allow_download":false,"scribd_thumbnail_url":"https://attachments.academia-assets.com/31165112/thumbnails/1.jpg","download_url":"https://d1wqtxts1xzle7.cloudfront.net/31165112/Castineiras-Medievalia__15__2012__pp._83-87_-libre.pdf?1392241217=\u0026response-content-disposition=attachment%3B+filename%3DCLERGUE_O_LAIC_ALGUNES_REFLEXIONS_SOBRE.pdf\u0026Expires=1740083383\u0026Signature=C8ag0MaNaQ9numOujZdCwK3XThw7HmELtF~OkQ3VyWoVC2XRKfbFIGAphgTwAS7aFN1g3MACdXEwhffyIKH6NsVvSw4mD7lcx~tzS9rNtjBxBR4mb~GYgs2NTF8w7HvQdllHbeZZfJQvk3jEE3vRRjN5RaTZUKtk7scpiJybHRdzRAejdsVsGP-y37gQh4MQHD2CYhYaZ~RJoJkFW7dBYozAtEnTk7OktWLcHQvaJisj6OCJC3A1am3Fg4L2HoWV3gOm0WmmzpzlelVIIwbJcsl8nzPcSi4bqogVyoandIh48~4EWAlHQBd~XAozZFP3tLBXs4x5JmHkJmv5adCXiQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA","download_file_url":"https://www.academia.edu/attachments/31165112/download_file?st=MTc0MDE1MjExNSw4LjIyMi4yMDguMTQ2&","full_thumbnail_url":"https://0.academia-photos.com/attachment_thumbnails/31165112/mini_magick20190426-12547-5zos6j.png?1556289222"}],"has_pdf":true,"has_fulltext":true,"page_count":5,"ordered_authors":[{"id":3436079,"first_name":"Manuel","last_name":"Castiñeiras","domain_name":"uab","page_name":"ManuelCastiñeiras","display_name":"Manuel 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Por un lado, la verosimilitud de la fecha de su inscripción... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_3384918" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">La singularidad de San Vicentejo de Treviño en el panorama la arquitectura tardorrománica peninsular se explica a partir de una serie de claves hasta ahora poco exploradas. Por un lado, la verosimilitud de la fecha de su inscripción -1162-en relación con el dominio en Treviño de Sancho el Sabio de Navarra así como de un posible patronazgo laico por parte del entonces Conde de Álava, don Vela. Por otro, a pesar del carácter truncado del edificio, en él es todavía posible individualizar un proyecto acorde con la arquitectura de las Órdenes Militares y en deuda con un taller de origen languedociano-provenzal que habría trabajado en las canteras de Ajarte. 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