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class="origd">Technologies de l鈥檜biquit茅 dans les arts visuels (XIXe-XXIe si猫cle)</p> <p class="origd altertitle">Technologies of Ubiquity in Visual Arts (19th-21st centuries)</p> </div> <div class="mapuce2">* * *</div> <p id="pubdate"> Publi茅 le jeudi 18 janvier 2024 </p> <div id="texte"> <div id="resume"> <p class="intitule">R茅sum茅</p> <div class="tabMenu"><a href="#resume-1127783-fr" hreflang="fr" class="active">Fran莽ais</a> <a href="#resume-1127783-en" hreflang="en">English</a> </div> <div id="resume-1127783-fr" class="tabContent" lang="fr" xml:lang="fr"> <p style="text-align: left;">Sondant le rayonnement des technologies d’émission, de transmission et de réception dans les arts plastiques et la culture visuelle, ce séminaire propose de fédérer un ensemble de recherches récentes portant sur les rapports entre art et technologies de vision à distance, du XIX<sup>e</sup> siècle à nos jours. Dans la continuité du thème des Télé-Visions et de l’étude de l’impact des technologies d’ubiquité dans les arts visuels, l’association IMAGO-Cultures visuelles organise six séances de séminaire à partir de janvier 2024 avec des invités internationaux, comprenant à la fois des chercheurs et des artistes.</p> </div> <div id="resume-1127783-en" class="tabContent hidden" lang="en" xml:lang="en"> <p style="text-align: left;">Investigating the influence of technologies of emission, transmission and reception in the visual arts and culture, this seminar proposes to federate a set of recent research on the relationship between art and technologies of remote viewing, from the 19th century to the present. Expanding on the theme of Tele-Visions and the impact of technologies of ubiquity in the visual arts, the association IMAGO-Visual Cultures have curated six sessions featuring international guests, with both researchers and artists.</p> </div> </div> <div id="annonce"> <p class="intitule">Annonce</p> <div class="tabMenu"><a href="#annonce-1127783-fr" hreflang="fr" class="active">Fran莽ais</a> <a href="#annonce-1127783-en" hreflang="en">English</a> </div> <div id="annonce-1127783-fr" class="tabContent" lang="fr" xml:lang="fr"> <h1>Présentation</h1> <p style="text-align: left;">Sondant le rayonnement des technologies d’émission, de transmission et de réception dans les arts plastiques et la culture visuelle, ce séminaire propose de fédérer un ensemble de recherches récentes portant sur les rapports entre art et technologies de vision à distance, du XIXe siècle à nos jours. Dans la continuité du thème des Télé-Visions et de l’étude de l’impact des technologies d’ubiquité dans les arts visuels, l'association IMAGO-Cultures visuelles organise six séances de séminaire à partir de janvier 2024 avec des invités internationaux, comprenant à la fois des chercheurs et des artistes.</p> <h1>Participation</h1> <p style="text-align: left;">Cette année, notre séminaire adoptera un format hybride, combinant des sessions en ligne et sur place à l’Institut national d’histoire de l’art (INHA), à Paris. </p> <p style="text-align: left;"><a href="https://unive.zoom.us/j/84191445781?pwd=US9zY1poLzFua2gxdFd0MlVwQ0xaQT09">Lien zoom pour toutes les séances.</a></p> <p style="text-align: left;">Plus d'informations : <a href="https://imagocv.hypotheses.org/">https://imagocv.hypotheses.org/</a></p> <h1>Programme</h1> <h2>25 janvier</h2> <p style="text-align: left;">18-20h, En ligne</p> <ul> <li><strong>John Durno</strong> (University of Victoria), <em>Shapes Blown Apart: Telidon Art and the Struggle to Appropriate Canadian Videotex</em></li> <li><strong>Mikhel Proulx</strong> (Queen’s University), <em>Technonationalism and Telematic Art in Canada: Vera Frenkel’s String Games (1974)</em></li> <li><strong>Hank Bull</strong> (Western Front), <em>Conversation With…</em></li> </ul> <h2>9 février</h2> <p style="text-align: left;">18-20h, En ligne</p> <ul> <li><strong>Sylvie Pierre</strong> (Université de Lorraine), <em>Jean Christophe Averty : engagement et expérimentation à la télévision française</em></li> </ul> <h2>29 février</h2> <p style="text-align: left;">18-20h, En ligne</p> <ul> <li><strong>Philip Glahn</strong> (Temple University) and <strong>Cary Levine</strong> (University of North Carolina at Chapel Hill), (<em>In)Dividual Technologies: Televisual Embodiment in the Work of Mobile Image</em></li> </ul> <h2>18 mars</h2> <p style="text-align: left;">18-20h, En ligne, salle Walter Benjamin (Institut National d’Histoire de l’Art) et en ligne</p> <ul> <li><strong>Noé Magetti</strong> (Université de Lausanne), <em>La télé-vision comme machine narrative autour de 1900</em></li> </ul> <h2>19 avril</h2> <p style="text-align: left;">18-20h, salle Walter Benjamin (Institut National d’Histoire de l’Art) et en ligne</p> <ul> <li><strong>Marie Vicet</strong> (Université Paris Nanterre), <em>Interventions d’artistes sur le Minitel en France (1983-1989)</em></li> </ul> <h2>2 mai</h2> <p style="text-align: left;">18-20h, En ligne</p> <ul> <li><strong>Lori Emerson</strong> (University of Colorado Boulder), <em>The Material Lives of Phantasmic Networks</em></li> </ul> </div> <div id="annonce-1127783-en" class="tabContent hidden" lang="en" xml:lang="en"> <h1>Presentation</h1> <p style="text-align: left;">Investigating the influence of technologies of emission, transmission and reception in the visual arts and culture, this seminar proposes to federate a set of recent research on the relationship between art and technologies of remote viewing, from the 19th century to the present. Expanding on the theme of Tele-Visions and the impact of technologies of ubiquity in the visual arts, the association IMAGO-Visual Cultures have curated six sessions featuring international guests, with both researchers and artists.</p> <p style="text-align: left;">This year, our seminar will adopt a hybrid format, combing online and hybrid sessions at the Institut national d’histoire de l’art (INHA). </p> <h1>Attendance</h1> <p style="text-align: left;"><a href="https://unive.zoom.us/j/84191445781?pwd=US9zY1poLzFua2gxdFd0MlVwQ0xaQT09">Zoom link for every session.</a></p> <p style="text-align: left;">More info : <a href="https://imagocv.hypotheses.org/">https://imagocv.hypotheses.org/</a></p> <h1>Program</h1> <h2>January 25</h2> <p style="text-align: left;">6 pm to 8 pm (CET), Online</p> <ul> <li><strong>John Durno</strong> (University of Victoria), <em>Shapes Blown Apart: Telidon Art and the Struggle to Appropriate Canadian Videotex</em></li> <li><strong>Mikhel Proulx</strong> (Queen’s University), <em>Technonationalism and Telematic Art in Canada: Vera Frenkel’s String Games (1974)</em></li> <li><strong>Hank Bull</strong> (Western Front), <em>Conversation With…</em></li> </ul> <h2>February 9</h2> <p style="text-align: left;">6 pm to 8 pm (CET), Online</p> <ul> <li><strong>Sylvie Pierre</strong> (Université de Lorraine), <em>Jean Christophe Averty : engagement et expérimentation à la télévision française</em></li> </ul> <h2>February 29</h2> <p style="text-align: left;">6 pm to 8 pm (CET), Online</p> <ul> <li><strong>Philip Glahn</strong> (Temple University) and <strong>Cary Levine</strong> (University of North Carolina at Chapel Hill), (<em>In)Dividual Technologies: Televisual Embodiment in the Work of Mobile Image</em></li> </ul> <h2>March 18</h2> <p style="text-align: left;">6 pm to 8 pm, salle Walter Benjamin (Institut National d’Histoire de l’Art) and online</p> <ul> <li><strong>Noé Magetti</strong> (Université de Lausanne), <em>La télé-vision comme machine narrative autour de 1900</em></li> </ul> <h2>April 19</h2> <p style="text-align: left;">6 pm to 8 pm, salle Walter Benjamin (Institut National d’Histoire de l’Art) and online</p> <ul> <li><strong>Marie Vicet</strong> (Université Paris Nanterre), <em>Interventions d’artistes sur le Minitel en France (1983-1989)</em></li> </ul> <h2>May 2</h2> <p style="text-align: left;">6 pm to 8 pm (CET), Online</p> <ul> <li><strong>Lori Emerson</strong> (University of Colorado Boulder), <em>The Material Lives of Phantasmic Networks</em></li> </ul> </div> </div> <div id="categories" class="cat"> <p class="intitule">Cat茅gories</p> <ul> <li><a href="search?primary=fsubject&fsubject=228">Histoire</a> (Cat茅gorie principale)</li> <li><a href="search?primary=fsubject&fsubject=200">Soci茅t茅s</a> > <a href="search?primary=fsubject&fsubject=254">脡tudes des sciences</a> > <a href="search?primary=fsubject&fsubject=255">Histoire des sciences</a></li> <li><a href="search?primary=fsubject&fsubject=259">Esprit et Langage</a> > <a href="search?primary=fsubject&fsubject=276">Repr茅sentations</a> > <a href="search?primary=fsubject&fsubject=277">Histoire culturelle</a></li> <li><a href="search?primary=fsubject&fsubject=259">Esprit et Langage</a> > <a href="search?primary=fsubject&fsubject=276">Repr茅sentations</a> > <a href="search?primary=fsubject&fsubject=278">Histoire de l'art</a></li> <li><a href="search?primary=fsubject&fsubject=259">Esprit et Langage</a> > <a href="search?primary=fsubject&fsubject=276">Repr茅sentations</a> > <a href="search?primary=fsubject&fsubject=280">脡tudes visuelles</a></li> <li><a href="search?primary=fsubject&fsubject=200">Soci茅t茅s</a> > <a href="search?primary=fsubject&fsubject=218">G茅ographie</a> > <a href="search?primary=fsubject&fsubject=226">Espace, soci茅t茅 et territoire</a></li> </ul> </div> <div id="eventformats"> <h2 class="intitule">Format de l'茅v茅nement</h2> <p>脡v茅nement hybride sur site et en ligne</p><br></div> <div id="dates"> <p class="intitule">Dates</p> <ul> <li>jeudi 25 janvier 2024</li> <li>vendredi 09 f茅vrier 2024</li> <li>jeudi 29 f茅vrier 2024</li> <li>lundi 18 mars 2024</li> <li>lundi 29 avril 2024</li> <li>jeudi 02 mai 2024</li> </ul> </div> <div id="attachments"> <p class="intitule">Fichiers attach茅s</p> <ul> <li><a href="1127808?file=1" target="_blank">PROGRAM-2024 (1).png</a></li> </ul> </div> <div id="motscles"> <p class="intitule">Mots-cl茅s</p> <ul> <li>arch茅ologie, m茅dia, histoire de l'art, Histoire des techniques, t茅l茅vision</li> </ul> </div> <div id="contacts"> <p class="intitule">Contacts</p> <ul> <li>Association IMAGO<br/><em>courriel :</em> imago [dot] tele [dot] visions [at] gmail [dot] com<br/></li> </ul> </div> <div id="refurl"> <p class="intitule">URLS de r茅f茅rence</p> <ul> <li><a href="https://imagocv.hypotheses.org/">Carnet hypoth猫se de l'association IMAGO-Cultures visuelles</a></li> </ul> </div> <div id="source"> <p class="intitule">Source de l'information</p> <ul> <li>L茅a Dreyer<br/><em>courriel :</em> lea [dot] dreyer [dot] felix [at] gmail [dot] com</li> </ul> </div> <div id="license"> <p class="intitule">Licence</p> <p><a rel="license" href="https://creativecommons.org/publicdomain/zero/1.0/"><img alt="CC0-1.0" class="cc" src="images/cc0-88x31.png" /></a> Cette annonce est mise 脿 disposition selon les termes de la <a rel="license" href="https://creativecommons.org/publicdomain/zero/1.0/">Creative Commons CC0 1.0 Universel</a>.</p> </div> <div id="citation"> <p class="intitule">Pour citer cette annonce</p> <p>芦 T茅l茅-Visions (2024) 禄, <span class="category">S茅minaire</span>, <em>Calenda</em>, Publi茅 le jeudi 18 janvier 2024, <a class="url" href="https://doi.org/10.58079/vmam">https://doi.org/10.58079/vmam</a></p> </div> </div> </div> </div> <div id="news" class="column last"> <div id="imprimable"> <a id="impression" onclick="javascript:window.open('1127783?formatage=print', '', 'menubar=yes,toolbar=no,scrollbars=yes,width=800,height=600');return false;" 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