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overflow: hidden; text-overflow: ellipsis; -webkit-line-clamp: 3; -webkit-box-orient: vertical; }</style><div class="col-xs-12 clearfix"><div class="u-floatLeft"><h1 class="PageHeader-title u-m0x u-fs30">Roman Iconography</h1><div class="u-tcGrayDark">7,381 Followers</div><div class="u-tcGrayDark u-mt2x">Recent papers in <b>Roman Iconography</b></div></div></div></div></div></div><div class="TabbedNavigation"><div class="container"><div class="row"><div class="col-xs-12 clearfix"><ul class="nav u-m0x u-p0x list-inline u-displayFlex"><li class="active"><a href="https://www.academia.edu/Documents/in/Roman_Iconography">Top Papers</a></li><li><a href="https://www.academia.edu/Documents/in/Roman_Iconography/MostCited">Most Cited Papers</a></li><li><a href="https://www.academia.edu/Documents/in/Roman_Iconography/MostDownloaded">Most Downloaded Papers</a></li><li><a href="https://www.academia.edu/Documents/in/Roman_Iconography/MostRecent">Newest Papers</a></li><li><a class="" href="https://www.academia.edu/People/Roman_Iconography">People</a></li></ul></div><style type="text/css">ul.nav{flex-direction:row}@media(max-width: 567px){ul.nav{flex-direction:column}.TabbedNavigation li{max-width:100%}.TabbedNavigation li.active{background-color:var(--background-grey, #dddde2)}.TabbedNavigation li.active:before,.TabbedNavigation li.active:after{display:none}}</style></div></div></div><div class="container"><div class="row"><div class="col-xs-12"><div class="u-displayFlex"><div class="u-flexGrow1"><div class="works"><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_62340875" data-work_id="62340875" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/62340875/La_imagen_de_Juno_Lucina_en_las_monedas_de_las_princesas_de_la_dinast%C3%ADa_Severa_Juno_Lucina_in_the_Severan_princesses_coinage">La imagen de Juno Lucina en las monedas de las princesas de la dinastía Severa Juno Lucina in the Severan princesses coinage</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Se analiza en este trabajo la aparición de la figura de Juno Lucina en las acuñaciones monetales de dos princesas de la dinastía severa, Julia Domna y Julia Mamea. Se analiza para ello su iconografía, que aparecía ya en época de Faustina... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_62340875" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Se analiza en este trabajo la aparición de la figura de Juno Lucina en las acuñaciones monetales de dos princesas de la dinastía severa, Julia Domna y Julia Mamea. Se analiza para ello su iconografía, que aparecía ya en época de Faustina Minor y Lucilla, así como el contexto en el que son emitidas y su significado. Juno Lucina parece haber sido elegida en estas acuñaciones como una deidad que personifica la continuidad dinástica.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/62340875" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="2a106d910c79ad6d00b4973ead4b32d0" rel="nofollow" data-download="{"attachment_id":75139982,"asset_id":62340875,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/75139982/download_file?st=MTczMjQ3MjM3MCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="235615" href="https://uned.academia.edu/IreneMa%C3%B1asRomero">Irene Mañas Romero</a><script data-card-contents-for-user="235615" type="text/json">{"id":235615,"first_name":"Irene","last_name":"Mañas Romero","domain_name":"uned","page_name":"IreneMañasRomero","display_name":"Irene Mañas Romero","profile_url":"https://uned.academia.edu/IreneMa%C3%B1asRomero?f_ri=27745","photo":"https://0.academia-photos.com/235615/288396/4207384/s65_irene.ma_as_romero.jpg"}</script></span></span></li><li class="js-paper-rank-work_62340875 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="62340875"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 62340875, container: ".js-paper-rank-work_62340875", }); 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Se analiza para ello su iconografía, que aparecía ya en época de Faustina Minor y Lucilla, así como el contexto en el que son emitidas y su significado. 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Imprints of Empresses","created_at":"2016-03-31T03:20:40.572-07:00","url":"https://www.academia.edu/23859810/Otisci_cesarica_Imprints_of_Empresses?f_ri=27745","dom_id":"work_23859810","summary":null,"downloadable_attachments":[{"id":44253320,"asset_id":23859810,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":44903555,"first_name":"Zrinka","last_name":"Buljević","domain_name":"armus","page_name":"ZrinkaBuljevic","display_name":"Zrinka Buljević","profile_url":"https://armus.academia.edu/ZrinkaBuljevic?f_ri=27745","photo":"https://0.academia-photos.com/44903555/12127897/14702099/s65_zrinka.buljevi_.jpg"}],"research_interests":[{"id":27745,"name":"Roman Iconography","url":"https://www.academia.edu/Documents/in/Roman_Iconography?f_ri=27745","nofollow":false},{"id":119014,"name":"Roman Art","url":"https://www.academia.edu/Documents/in/Roman_Art?f_ri=27745","nofollow":false},{"id":634974,"name":"Roman Archaeology","url":"https://www.academia.edu/Documents/in/Roman_Archaeology?f_ri=27745","nofollow":false},{"id":973383,"name":"Roman Hairstyle","url":"https://www.academia.edu/Documents/in/Roman_Hairstyle?f_ri=27745","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_37870918 coauthored" data-work_id="37870918" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/37870918/T_Aelius_Evangelus_due_iscrizioni_una_compagna_una_figlia_naturale_una_moglie_e_un_lanificium_T_Aelius_Evangelus_two_inscriptions_a_partner_a_natural_daughter_a_wife_and_a_lanificium">T. Aelius Evangelus: due iscrizioni, una compagna, una figlia naturale, una moglie e un lanificium / T. Aelius Evangelus: two inscriptions, a partner, a natural daughter, a wife and a lanificium</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Two inscribed slabs, one in the Medelhavsmuseet in Stockholm and the other in the J. Paul Getty Museum in Malibu, make mention of a T. Aelius Evangelus, who set up his own sepulcher first for himself and his partner and, later, for... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_37870918" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Two inscribed slabs, one in the Medelhavsmuseet in Stockholm and the other in the J. Paul Getty Museum in Malibu, make mention of a T. Aelius Evangelus, who set up his own sepulcher first for himself and his partner and, later, for himself and his wife, granting the use, in the latter case, also to a natural daughter, born from the previous relationship, to a M. Ulpius Telesphorus, to the freemen and freedwomen and their descendants. Also on both slabs he is portrayed intent at work within his lanificium. Both reliefs, in fact, depict one of the phases of textile production: the preparation of the yarn. It is a very important document, up to now unique, where the whole organization of work in a lanificium, active in the last decades of the second century A.D., is well highlighted. It is thus possible to follow the various steps, from the raw material to the finished product, and to know the people employed in the processing and their tasks.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/37870918" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="5e2065a1340a403630c67de6884a9f1b" rel="nofollow" data-download="{"attachment_id":64702868,"asset_id":37870918,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/64702868/download_file?st=MTczMjQ3MjM3MCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1937362" href="https://denkmalpflege-bw.academia.edu/CarlaCorti">Carla Corti</a><script data-card-contents-for-user="1937362" type="text/json">{"id":1937362,"first_name":"Carla","last_name":"Corti","domain_name":"denkmalpflege-bw","page_name":"CarlaCorti","display_name":"Carla Corti","profile_url":"https://denkmalpflege-bw.academia.edu/CarlaCorti?f_ri=27745","photo":"https://0.academia-photos.com/1937362/1485130/1811022/s65_carla.corti.jpg"}</script></span></span><span class="u-displayInlineBlock InlineList-item-text"> and <span class="u-textDecorationUnderline u-clickable InlineList-item-text js-work-more-authors-37870918">+1</span><div class="hidden js-additional-users-37870918"><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://univr.academia.edu/AlfredoBuonopane">Alfredo Buonopane</a></span></div></div></span><script>(function(){ var popoverSettings = { el: $('.js-work-more-authors-37870918'), placement: 'bottom', hide_delay: 200, html: true, content: function(){ return $('.js-additional-users-37870918').html(); 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container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_37870918 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="37870918"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 37870918; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=37870918]").text(description); $(".js-view-count-work_37870918").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_37870918").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="37870918"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">9</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="829" href="https://www.academia.edu/Documents/in/Roman_History">Roman History</a>, <script data-card-contents-for-ri="829" type="text/json">{"id":829,"name":"Roman History","url":"https://www.academia.edu/Documents/in/Roman_History?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="8516" href="https://www.academia.edu/Documents/in/Funerary_Archaeology">Funerary Archaeology</a>, <script data-card-contents-for-ri="8516" type="text/json">{"id":8516,"name":"Funerary Archaeology","url":"https://www.academia.edu/Documents/in/Funerary_Archaeology?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="15588" href="https://www.academia.edu/Documents/in/Social_History">Social History</a>, <script data-card-contents-for-ri="15588" type="text/json">{"id":15588,"name":"Social History","url":"https://www.academia.edu/Documents/in/Social_History?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="15807" href="https://www.academia.edu/Documents/in/Latin_Epigraphy">Latin Epigraphy</a><script data-card-contents-for-ri="15807" type="text/json">{"id":15807,"name":"Latin Epigraphy","url":"https://www.academia.edu/Documents/in/Latin_Epigraphy?f_ri=27745","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=37870918]'), work: {"id":37870918,"title":"T. Aelius Evangelus: due iscrizioni, una compagna, una figlia naturale, una moglie e un lanificium / T. Aelius Evangelus: two inscriptions, a partner, a natural daughter, a wife and a lanificium","created_at":"2018-11-28T12:00:56.478-08:00","url":"https://www.academia.edu/37870918/T_Aelius_Evangelus_due_iscrizioni_una_compagna_una_figlia_naturale_una_moglie_e_un_lanificium_T_Aelius_Evangelus_two_inscriptions_a_partner_a_natural_daughter_a_wife_and_a_lanificium?f_ri=27745","dom_id":"work_37870918","summary":"Two inscribed slabs, one in the Medelhavsmuseet in Stockholm and the other in the J. Paul Getty Museum in Malibu, make mention of a T. Aelius Evangelus, who set up his own sepulcher first for himself and his partner and, later, for himself and his wife, granting the use, in the latter case, also to a natural daughter, born from the previous relationship, to a M. Ulpius Telesphorus, to the freemen and freedwomen and their descendants. Also on both slabs he is portrayed intent at work within his lanificium. Both reliefs, in fact, depict one of the phases of textile production: the preparation of the yarn. It is a very important document, up to now unique, where the whole organization of work in a lanificium, active in the last decades of the second century A.D., is well highlighted. It is thus possible to follow the various steps, from the raw material to the finished product, and to know the people employed in the processing and their tasks.","downloadable_attachments":[{"id":64702868,"asset_id":37870918,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1937362,"first_name":"Carla","last_name":"Corti","domain_name":"denkmalpflege-bw","page_name":"CarlaCorti","display_name":"Carla Corti","profile_url":"https://denkmalpflege-bw.academia.edu/CarlaCorti?f_ri=27745","photo":"https://0.academia-photos.com/1937362/1485130/1811022/s65_carla.corti.jpg"},{"id":141556,"first_name":"Alfredo","last_name":"Buonopane","domain_name":"univr","page_name":"AlfredoBuonopane","display_name":"Alfredo Buonopane","profile_url":"https://univr.academia.edu/AlfredoBuonopane?f_ri=27745","photo":"https://0.academia-photos.com/141556/412196/159013627/s65_alfredo.buonopane.jpg"}],"research_interests":[{"id":829,"name":"Roman History","url":"https://www.academia.edu/Documents/in/Roman_History?f_ri=27745","nofollow":false},{"id":8516,"name":"Funerary Archaeology","url":"https://www.academia.edu/Documents/in/Funerary_Archaeology?f_ri=27745","nofollow":false},{"id":15588,"name":"Social History","url":"https://www.academia.edu/Documents/in/Social_History?f_ri=27745","nofollow":false},{"id":15807,"name":"Latin Epigraphy","url":"https://www.academia.edu/Documents/in/Latin_Epigraphy?f_ri=27745","nofollow":false},{"id":21578,"name":"Roman Epigraphy","url":"https://www.academia.edu/Documents/in/Roman_Epigraphy?f_ri=27745"},{"id":23640,"name":"Roman Economy","url":"https://www.academia.edu/Documents/in/Roman_Economy?f_ri=27745"},{"id":27745,"name":"Roman Iconography","url":"https://www.academia.edu/Documents/in/Roman_Iconography?f_ri=27745"},{"id":31045,"name":"Roman Textile Production","url":"https://www.academia.edu/Documents/in/Roman_Textile_Production?f_ri=27745"},{"id":634974,"name":"Roman Archaeology","url":"https://www.academia.edu/Documents/in/Roman_Archaeology?f_ri=27745"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_43506952" data-work_id="43506952" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/43506952/Interamna_Praetuttianorum_Sculture_romane_e_contesto_urbano_Insulae_Diomedeae_13_Bari_2010_Edipuglia">Interamna Praetuttianorum. Sculture romane e contesto urbano. Insulae Diomedeae 13, Bari 2010, Edipuglia.</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/43506952" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="002361ab559efd5d9674b30e4d963dab" rel="nofollow" data-download="{"attachment_id":63817255,"asset_id":43506952,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/63817255/download_file?st=MTczMjQ3MjM3MCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="115654943" href="https://unifg.academia.edu/RiccardoDiCesare">Riccardo Di Cesare</a><script data-card-contents-for-user="115654943" type="text/json">{"id":115654943,"first_name":"Riccardo","last_name":"Di Cesare","domain_name":"unifg","page_name":"RiccardoDiCesare","display_name":"Riccardo Di Cesare","profile_url":"https://unifg.academia.edu/RiccardoDiCesare?f_ri=27745","photo":"https://0.academia-photos.com/115654943/28008149/35544789/s65_riccardo.di_cesare.jpeg"}</script></span></span></li><li class="js-paper-rank-work_43506952 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="43506952"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 43506952, container: ".js-paper-rank-work_43506952", }); 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$(".js-view-count[data-work-id=43506952]").text(description); $(".js-view-count-work_43506952").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_43506952").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="43506952"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">10</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="393" href="https://www.academia.edu/Documents/in/Classical_Archaeology">Classical Archaeology</a>, <script data-card-contents-for-ri="393" type="text/json">{"id":393,"name":"Classical Archaeology","url":"https://www.academia.edu/Documents/in/Classical_Archaeology?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="27745" href="https://www.academia.edu/Documents/in/Roman_Iconography">Roman Iconography</a>, <script data-card-contents-for-ri="27745" type="text/json">{"id":27745,"name":"Roman Iconography","url":"https://www.academia.edu/Documents/in/Roman_Iconography?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="33438" href="https://www.academia.edu/Documents/in/Ancient_Greek_and_Roman_Art">Ancient Greek and Roman Art</a>, <script data-card-contents-for-ri="33438" type="text/json">{"id":33438,"name":"Ancient Greek and Roman Art","url":"https://www.academia.edu/Documents/in/Ancient_Greek_and_Roman_Art?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="85515" href="https://www.academia.edu/Documents/in/Roman_Sculpture">Roman Sculpture</a><script data-card-contents-for-ri="85515" type="text/json">{"id":85515,"name":"Roman Sculpture","url":"https://www.academia.edu/Documents/in/Roman_Sculpture?f_ri=27745","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=43506952]'), work: {"id":43506952,"title":"Interamna Praetuttianorum. Sculture romane e contesto urbano. Insulae Diomedeae 13, Bari 2010, Edipuglia.","created_at":"2020-07-03T03:05:16.123-07:00","url":"https://www.academia.edu/43506952/Interamna_Praetuttianorum_Sculture_romane_e_contesto_urbano_Insulae_Diomedeae_13_Bari_2010_Edipuglia?f_ri=27745","dom_id":"work_43506952","summary":null,"downloadable_attachments":[{"id":63817255,"asset_id":43506952,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":115654943,"first_name":"Riccardo","last_name":"Di Cesare","domain_name":"unifg","page_name":"RiccardoDiCesare","display_name":"Riccardo Di Cesare","profile_url":"https://unifg.academia.edu/RiccardoDiCesare?f_ri=27745","photo":"https://0.academia-photos.com/115654943/28008149/35544789/s65_riccardo.di_cesare.jpeg"}],"research_interests":[{"id":393,"name":"Classical Archaeology","url":"https://www.academia.edu/Documents/in/Classical_Archaeology?f_ri=27745","nofollow":false},{"id":27745,"name":"Roman Iconography","url":"https://www.academia.edu/Documents/in/Roman_Iconography?f_ri=27745","nofollow":false},{"id":33438,"name":"Ancient Greek and Roman Art","url":"https://www.academia.edu/Documents/in/Ancient_Greek_and_Roman_Art?f_ri=27745","nofollow":false},{"id":85515,"name":"Roman Sculpture","url":"https://www.academia.edu/Documents/in/Roman_Sculpture?f_ri=27745","nofollow":false},{"id":98823,"name":"Roman Architecture and Urbanism","url":"https://www.academia.edu/Documents/in/Roman_Architecture_and_Urbanism?f_ri=27745"},{"id":168625,"name":"Teramo","url":"https://www.academia.edu/Documents/in/Teramo?f_ri=27745"},{"id":176479,"name":"Roman Imperial Portraits","url":"https://www.academia.edu/Documents/in/Roman_Imperial_Portraits?f_ri=27745"},{"id":515381,"name":"Roman Portraiture","url":"https://www.academia.edu/Documents/in/Roman_Portraiture?f_ri=27745"},{"id":1754065,"name":"Roman Funerary Monuments","url":"https://www.academia.edu/Documents/in/Roman_Funerary_Monuments?f_ri=27745"},{"id":1764372,"name":"Roman Theatres","url":"https://www.academia.edu/Documents/in/Roman_Theatres?f_ri=27745"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_1580139" data-work_id="1580139" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/1580139/Mosaicos_romanos_com_motivos_aqu%C3%A1ticos_em_Portugal">Mosaicos romanos com motivos aquáticos em Portugal</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">PORTUGUÊS: O presente texto decorre da nossa participação no Xº Colóquio Internacional da AIEMA, que teve lugar no Museu Monográfico de Conimbriga em 2005, e refere-se aos mosaicos romanos com motivos aquáticos encontrados no actual... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_1580139" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">PORTUGUÊS:<br />O presente texto decorre da nossa participação no Xº Colóquio Internacional da AIEMA, que teve lugar no Museu Monográfico de Conimbriga em 2005, e refere-se aos mosaicos romanos com motivos aquáticos encontrados no actual território português até então, datáveis de finais do século II d.C. até meados do século VI d.C.<br /><br />ENGLISH:<br />This text results from our participation in the Xth AIEMA International Colloquium, that took place at Conimbriga's Monographic Museum in 2005, and focuses on the roman mosaics found in the Portuguese territory until then, dating from late 2nd century A.D. to middle 6th century A.D.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/1580139" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="52ef8452f735be001ba844b5c4c33f7a" rel="nofollow" data-download="{"attachment_id":14495978,"asset_id":1580139,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/14495978/download_file?st=MTczMjQ3MjM3MCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" 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href="https://www.academia.edu/Documents/in/Iconography">Iconography</a>, <script data-card-contents-for-ri="869" type="text/json">{"id":869,"name":"Iconography","url":"https://www.academia.edu/Documents/in/Iconography?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="24612" href="https://www.academia.edu/Documents/in/Symbolism_Art_History_">Symbolism (Art History)</a>, <script data-card-contents-for-ri="24612" type="text/json">{"id":24612,"name":"Symbolism (Art History)","url":"https://www.academia.edu/Documents/in/Symbolism_Art_History_?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="27745" href="https://www.academia.edu/Documents/in/Roman_Iconography">Roman Iconography</a>, <script data-card-contents-for-ri="27745" type="text/json">{"id":27745,"name":"Roman Iconography","url":"https://www.academia.edu/Documents/in/Roman_Iconography?f_ri=27745","nofollow":false}</script><a 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datáveis de finais do século II d.C. até meados do século VI d.C.\n\nENGLISH:\nThis text results from our participation in the Xth AIEMA International Colloquium, that took place at Conimbriga's Monographic Museum in 2005, and focuses on the roman mosaics found in the Portuguese territory until then, dating from late 2nd century A.D. to middle 6th century A.D.","downloadable_attachments":[{"id":14495978,"asset_id":1580139,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":146822,"first_name":"Cátia","last_name":"Mourão","domain_name":"unl-pt","page_name":"CatiaMourao","display_name":"Cátia Mourão","profile_url":"https://unl-pt.academia.edu/CatiaMourao?f_ri=27745","photo":"https://0.academia-photos.com/146822/38812/125441031/s65_c_tia.mour_o.jpg"}],"research_interests":[{"id":869,"name":"Iconography","url":"https://www.academia.edu/Documents/in/Iconography?f_ri=27745","nofollow":false},{"id":24612,"name":"Symbolism (Art 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type="text/json">{"id":5326,"name":"Early Christianity","url":"https://www.academia.edu/Documents/in/Early_Christianity?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="13966" href="https://www.academia.edu/Documents/in/History_of_Art">History of Art</a>, <script data-card-contents-for-ri="13966" type="text/json">{"id":13966,"name":"History of Art","url":"https://www.academia.edu/Documents/in/History_of_Art?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="14639" href="https://www.academia.edu/Documents/in/Byzantine_Iconography">Byzantine Iconography</a><script data-card-contents-for-ri="14639" type="text/json">{"id":14639,"name":"Byzantine Iconography","url":"https://www.academia.edu/Documents/in/Byzantine_Iconography?f_ri=27745","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=21943149]'), work: 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itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="3586891" href="https://uni-marburg.academia.edu/RitaAmedick">Rita Amedick</a><script data-card-contents-for-user="3586891" type="text/json">{"id":3586891,"first_name":"Rita","last_name":"Amedick","domain_name":"uni-marburg","page_name":"RitaAmedick","display_name":"Rita Amedick","profile_url":"https://uni-marburg.academia.edu/RitaAmedick?f_ri=27745","photo":"https://0.academia-photos.com/3586891/42095653/33890769/s65_rita.amedick.jpg"}</script></span></span></li><li class="js-paper-rank-work_44412088 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="44412088"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 44412088, container: ".js-paper-rank-work_44412088", }); });</script></li><li class="js-percentile-work_44412088 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class="InlineList-item-text" data-has-card-for-ri="27745" href="https://www.academia.edu/Documents/in/Roman_Iconography">Roman Iconography</a>, <script data-card-contents-for-ri="27745" type="text/json">{"id":27745,"name":"Roman Iconography","url":"https://www.academia.edu/Documents/in/Roman_Iconography?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="33438" href="https://www.academia.edu/Documents/in/Ancient_Greek_and_Roman_Art">Ancient Greek and Roman Art</a>, <script data-card-contents-for-ri="33438" type="text/json">{"id":33438,"name":"Ancient Greek and Roman Art","url":"https://www.academia.edu/Documents/in/Ancient_Greek_and_Roman_Art?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="87650" href="https://www.academia.edu/Documents/in/Hellenistic_Sculpture">Hellenistic Sculpture</a><script data-card-contents-for-ri="87650" type="text/json">{"id":87650,"name":"Hellenistic 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Art","url":"https://www.academia.edu/Documents/in/Roman_Art?f_ri=27745"},{"id":432146,"name":"Bucolics","url":"https://www.academia.edu/Documents/in/Bucolics?f_ri=27745"},{"id":948697,"name":"Römische Sarkophage","url":"https://www.academia.edu/Documents/in/Romische_Sarkophage?f_ri=27745"},{"id":3903723,"name":"Bukolik","url":"https://www.academia.edu/Documents/in/Bukolik?f_ri=27745"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_1197758" data-work_id="1197758" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/1197758/BLASMUSIKER_UND_STANDARTENTR%C3%84GER_IM_R%C3%96MISCHEN_HEER_Untersuchungen_zur_Benennung_Funktion_und_Ikonographie">BLASMUSIKER UND STANDARTENTRÄGER IM RÖMISCHEN HEER Untersuchungen zur Benennung, Funktion und Ikonographie</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Acoustic and visual signaling is one of the vital elements for the functioning of an army. This volume presents the first approach of this subject for the Roman army since the works of A. von Domaszewski (from the end of the 19th... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_1197758" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Acoustic and visual signaling is one of the vital elements for the functioning of an army. This volume presents  the first approach of this subject for the Roman army since the works of A. von Domaszewski (from the end of the 19th century). The geographic (the provinces of the former Roman Empire, from Italy to Britannia and from Spain to Egypt) and the chronological frames (1st century BC to 4th century AD) as well as the holistic investigation of the ancient sources regarding the categories of underofficers in the Roman army called generically musicians and standard bearers are the main coordinates of the book.<br />The three constitutive parts are: studies on terminology, function and rank in the Roman army and the iconography of the two categories of soldiers, the catalogues of the investigated sources (inscriptions, representations, finds of musical instruments and standards) and the illustrative part.<br />The novelty is given both by the synthesis of the existing information on the Roman military musicians and standard bearers and by the study of their depictions and of the archaeological finds of musical instruments and<br />standards, many of them yet unpublished.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/1197758" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="a98c795964d2fc39d17371b36eabad8a" rel="nofollow" data-download="{"attachment_id":55142663,"asset_id":1197758,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/55142663/download_file?st=MTczMjQ3MjM3MCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="308082" href="https://independentresearcher.academia.edu/CristinaGeorgetaAlexandrescu">Cristina-Georgeta Alexandrescu</a><script data-card-contents-for-user="308082" type="text/json">{"id":308082,"first_name":"Cristina-Georgeta","last_name":"Alexandrescu","domain_name":"independentresearcher","page_name":"CristinaGeorgetaAlexandrescu","display_name":"Cristina-Georgeta Alexandrescu","profile_url":"https://independentresearcher.academia.edu/CristinaGeorgetaAlexandrescu?f_ri=27745","photo":"https://0.academia-photos.com/308082/3475378/4084001/s65_cristina-georgeta.alexandrescu.jpg"}</script></span></span></li><li class="js-paper-rank-work_1197758 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="1197758"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 1197758, container: ".js-paper-rank-work_1197758", }); 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Revisiting some questions of iconography</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/1850866" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="c97c9a2d6fc9d2b4cfb75d62e2ea9432" rel="nofollow" data-download="{"attachment_id":25961301,"asset_id":1850866,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/25961301/download_file?st=MTczMjQ3MjM3MCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="223829" href="https://nottingham.academia.edu/AndreasKropp">Andreas Kropp</a><script data-card-contents-for-user="223829" type="text/json">{"id":223829,"first_name":"Andreas","last_name":"Kropp","domain_name":"nottingham","page_name":"AndreasKropp","display_name":"Andreas Kropp","profile_url":"https://nottingham.academia.edu/AndreasKropp?f_ri=27745","photo":"https://0.academia-photos.com/223829/50278/4804050/s65_andreas.kropp.jpg"}</script></span></span></li><li class="js-paper-rank-work_1850866 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="1850866"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 1850866, container: ".js-paper-rank-work_1850866", }); 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$(".js-view-count[data-work-id=1850866]").text(description); $(".js-view-count-work_1850866").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_1850866").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="1850866"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">7</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="27745" href="https://www.academia.edu/Documents/in/Roman_Iconography">Roman Iconography</a>, <script data-card-contents-for-ri="27745" type="text/json">{"id":27745,"name":"Roman Iconography","url":"https://www.academia.edu/Documents/in/Roman_Iconography?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="48467" href="https://www.academia.edu/Documents/in/Roman_Near_East">Roman Near East</a>, <script data-card-contents-for-ri="48467" type="text/json">{"id":48467,"name":"Roman Near East","url":"https://www.academia.edu/Documents/in/Roman_Near_East?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="119014" href="https://www.academia.edu/Documents/in/Roman_Art">Roman Art</a>, <script data-card-contents-for-ri="119014" type="text/json">{"id":119014,"name":"Roman Art","url":"https://www.academia.edu/Documents/in/Roman_Art?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="198812" href="https://www.academia.edu/Documents/in/Heliopolis">Heliopolis</a><script data-card-contents-for-ri="198812" type="text/json">{"id":198812,"name":"Heliopolis","url":"https://www.academia.edu/Documents/in/Heliopolis?f_ri=27745","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=1850866]'), work: {"id":1850866,"title":"The gods of Heliopolis (Baalbek) at the National Museum of Beirut. Revisiting some questions of iconography","created_at":"2012-08-11T05:13:26.600-07:00","url":"https://www.academia.edu/1850866/The_gods_of_Heliopolis_Baalbek_at_the_National_Museum_of_Beirut_Revisiting_some_questions_of_iconography?f_ri=27745","dom_id":"work_1850866","summary":null,"downloadable_attachments":[{"id":25961301,"asset_id":1850866,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":223829,"first_name":"Andreas","last_name":"Kropp","domain_name":"nottingham","page_name":"AndreasKropp","display_name":"Andreas Kropp","profile_url":"https://nottingham.academia.edu/AndreasKropp?f_ri=27745","photo":"https://0.academia-photos.com/223829/50278/4804050/s65_andreas.kropp.jpg"}],"research_interests":[{"id":27745,"name":"Roman Iconography","url":"https://www.academia.edu/Documents/in/Roman_Iconography?f_ri=27745","nofollow":false},{"id":48467,"name":"Roman Near East","url":"https://www.academia.edu/Documents/in/Roman_Near_East?f_ri=27745","nofollow":false},{"id":119014,"name":"Roman Art","url":"https://www.academia.edu/Documents/in/Roman_Art?f_ri=27745","nofollow":false},{"id":198812,"name":"Heliopolis","url":"https://www.academia.edu/Documents/in/Heliopolis?f_ri=27745","nofollow":false},{"id":334898,"name":"Baalbek","url":"https://www.academia.edu/Documents/in/Baalbek?f_ri=27745"},{"id":563339,"name":"Jupiter Heliopolitanus","url":"https://www.academia.edu/Documents/in/Jupiter_Heliopolitanus?f_ri=27745"},{"id":634974,"name":"Roman Archaeology","url":"https://www.academia.edu/Documents/in/Roman_Archaeology?f_ri=27745"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_41496798" data-work_id="41496798" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/41496798/Roman_statues_at_the_Archaeological_Museum_of_Adana_in_Cilicia_southern_Turkey_Adana_Arkeoloji_M%C3%BCzesindeki_Roma_D%C3%B6nemi_Heykelleri_Katalo%C4%9Fu">Roman statues at the Archaeological Museum of Adana in Cilicia (southern Turkey) / Adana Arkeoloji Müzesi'ndeki Roma Dönemi Heykelleri Kataloğu</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Bu eserler Kültür ve Turizm Bakanlığı, Kültür Varlıkları ve Müzeler Genel Müdürlüğü'nün 27/04/2006 tarih ve B.16.0.KVM.200.11.02.02.14.01.222.11.(TA 014/G).65675 sayılı izni ile çalışılmıştır. Bahse konu malzeme üzerine başka izinler de... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_41496798" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Bu eserler Kültür ve Turizm Bakanlığı, Kültür Varlıkları ve Müzeler Genel Müdürlüğü'nün 27/04/2006 tarih ve B.16.0.KVM.200.11.02.02.14.01.222.11.(TA 014/G).65675 sayılı izni ile çalışılmıştır. Bahse konu malzeme üzerine başka izinler de alınmıştır. <br /><br />This is an unpublished master's thesis in Turkish language at the Dokuz Eylül University, submitted by Olcay Kılınç in 2012. It focuses on Roman statues at the Archaeological Museum of Adana in Cilicia (southern Turkey) which is one of the oldest museum of Turkey. <br />The Archaeological Museum of Adana was first established at the Police Department building just after the formation of the Turkish Republic in 1924. It initially started with the collection of the columns, column capitals and sarcophagi found in the vicinity of the building. Alyanakzade Halil Kamil Bey from Adana was appointed as the museum director and with his successful work, the accumulated material was moved in 1928 to the madrasah section of the no longer existing Cafer Pasha Mosque and then opened to the public. The museum was moved to the building presently occupied by the Ethnographic Museum at Kuruköprü (former Greek church) in 1950. In the 1950s the Regional Museum of Adana was the only museum of the region with material obtained either through purchases or court decisions from a large area reaching from Kahramanmaraş and Gaziantep to Anamur and Alanya, the museum moved to its next premises in January 1972. In 2017 a new building was opened and all the collection moved to this new and larger building. <br />The catalogue of Roman statues at the Archaeological Museum of Adana features 43 pieces of, mostly life-size, statues. As a result of our studies the earliest Roman statues in Adana are from the early first century A.D. and they continue until the end of the fourth century A.D. The majority of pieces belong to the third century A.D. The rich Roman portrait sculpture of Adana is a remarkable collection. Most of the statues are ideal sculptures. Almost half of the collection remains as unpublished.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/41496798" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="edf281fa5726eea6025e71450f15ee98" rel="nofollow" data-download="{"attachment_id":61667747,"asset_id":41496798,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/61667747/download_file?st=MTczMjQ3MjM3MCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="14109180" href="https://deu.academia.edu/ErgunLAFLI">Ergun LAFLI</a><script data-card-contents-for-user="14109180" type="text/json">{"id":14109180,"first_name":"Ergun","last_name":"LAFLI","domain_name":"deu","page_name":"ErgunLAFLI","display_name":"Ergun LAFLI","profile_url":"https://deu.academia.edu/ErgunLAFLI?f_ri=27745","photo":"https://0.academia-photos.com/14109180/3882283/16595674/s65_ergun.lafli.jpg"}</script></span></span></li><li class="js-paper-rank-work_41496798 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="41496798"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 41496798, container: ".js-paper-rank-work_41496798", }); 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$(".js-view-count[data-work-id=41496798]").text(description); $(".js-view-count-work_41496798").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_41496798").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="41496798"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">20</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="392" href="https://www.academia.edu/Documents/in/Archaeology">Archaeology</a>, <script data-card-contents-for-ri="392" type="text/json">{"id":392,"name":"Archaeology","url":"https://www.academia.edu/Documents/in/Archaeology?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="393" href="https://www.academia.edu/Documents/in/Classical_Archaeology">Classical Archaeology</a>, <script data-card-contents-for-ri="393" type="text/json">{"id":393,"name":"Classical Archaeology","url":"https://www.academia.edu/Documents/in/Classical_Archaeology?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="3790" href="https://www.academia.edu/Documents/in/Anatolian_Archaeology">Anatolian Archaeology</a>, <script data-card-contents-for-ri="3790" type="text/json">{"id":3790,"name":"Anatolian Archaeology","url":"https://www.academia.edu/Documents/in/Anatolian_Archaeology?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="8516" href="https://www.academia.edu/Documents/in/Funerary_Archaeology">Funerary Archaeology</a><script data-card-contents-for-ri="8516" type="text/json">{"id":8516,"name":"Funerary Archaeology","url":"https://www.academia.edu/Documents/in/Funerary_Archaeology?f_ri=27745","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=41496798]'), work: {"id":41496798,"title":"Roman statues at the Archaeological Museum of Adana in Cilicia (southern Turkey) / Adana Arkeoloji Müzesi'ndeki Roma Dönemi Heykelleri Kataloğu","created_at":"2020-01-03T00:28:21.129-08:00","url":"https://www.academia.edu/41496798/Roman_statues_at_the_Archaeological_Museum_of_Adana_in_Cilicia_southern_Turkey_Adana_Arkeoloji_M%C3%BCzesindeki_Roma_D%C3%B6nemi_Heykelleri_Katalo%C4%9Fu?f_ri=27745","dom_id":"work_41496798","summary":"Bu eserler Kültür ve Turizm Bakanlığı, Kültür Varlıkları ve Müzeler Genel Müdürlüğü'nün 27/04/2006 tarih ve B.16.0.KVM.200.11.02.02.14.01.222.11.(TA 014/G).65675 sayılı izni ile çalışılmıştır. Bahse konu malzeme üzerine başka izinler de alınmıştır. \n\nThis is an unpublished master's thesis in Turkish language at the Dokuz Eylül University, submitted by Olcay Kılınç in 2012. It focuses on Roman statues at the Archaeological Museum of Adana in Cilicia (southern Turkey) which is one of the oldest museum of Turkey. \nThe Archaeological Museum of Adana was first established at the Police Department building just after the formation of the Turkish Republic in 1924. It initially started with the collection of the columns, column capitals and sarcophagi found in the vicinity of the building. Alyanakzade Halil Kamil Bey from Adana was appointed as the museum director and with his successful work, the accumulated material was moved in 1928 to the madrasah section of the no longer existing Cafer Pasha Mosque and then opened to the public. The museum was moved to the building presently occupied by the Ethnographic Museum at Kuruköprü (former Greek church) in 1950. In the 1950s the Regional Museum of Adana was the only museum of the region with material obtained either through purchases or court decisions from a large area reaching from Kahramanmaraş and Gaziantep to Anamur and Alanya, the museum moved to its next premises in January 1972. In 2017 a new building was opened and all the collection moved to this new and larger building. \nThe catalogue of Roman statues at the Archaeological Museum of Adana features 43 pieces of, mostly life-size, statues. As a result of our studies the earliest Roman statues in Adana are from the early first century A.D. and they continue until the end of the fourth century A.D. The majority of pieces belong to the third century A.D. The rich Roman portrait sculpture of Adana is a remarkable collection. Most of the statues are ideal sculptures. Almost half of the collection remains as unpublished.","downloadable_attachments":[{"id":61667747,"asset_id":41496798,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":14109180,"first_name":"Ergun","last_name":"LAFLI","domain_name":"deu","page_name":"ErgunLAFLI","display_name":"Ergun LAFLI","profile_url":"https://deu.academia.edu/ErgunLAFLI?f_ri=27745","photo":"https://0.academia-photos.com/14109180/3882283/16595674/s65_ergun.lafli.jpg"}],"research_interests":[{"id":392,"name":"Archaeology","url":"https://www.academia.edu/Documents/in/Archaeology?f_ri=27745","nofollow":false},{"id":393,"name":"Classical Archaeology","url":"https://www.academia.edu/Documents/in/Classical_Archaeology?f_ri=27745","nofollow":false},{"id":3790,"name":"Anatolian Archaeology","url":"https://www.academia.edu/Documents/in/Anatolian_Archaeology?f_ri=27745","nofollow":false},{"id":8516,"name":"Funerary Archaeology","url":"https://www.academia.edu/Documents/in/Funerary_Archaeology?f_ri=27745","nofollow":false},{"id":21873,"name":"Cilicia","url":"https://www.academia.edu/Documents/in/Cilicia?f_ri=27745"},{"id":27745,"name":"Roman Iconography","url":"https://www.academia.edu/Documents/in/Roman_Iconography?f_ri=27745"},{"id":31746,"name":"Anatolian Archaeology (Archaeology)","url":"https://www.academia.edu/Documents/in/Anatolian_Archaeology_Archaeology_?f_ri=27745"},{"id":33438,"name":"Ancient Greek and Roman Art","url":"https://www.academia.edu/Documents/in/Ancient_Greek_and_Roman_Art?f_ri=27745"},{"id":48467,"name":"Roman Near East","url":"https://www.academia.edu/Documents/in/Roman_Near_East?f_ri=27745"},{"id":61091,"name":"Greek Sculpture","url":"https://www.academia.edu/Documents/in/Greek_Sculpture?f_ri=27745"},{"id":85515,"name":"Roman Sculpture","url":"https://www.academia.edu/Documents/in/Roman_Sculpture?f_ri=27745"},{"id":88760,"name":"Classics: Ancient History and Archaeology","url":"https://www.academia.edu/Documents/in/Classics_Ancient_History_and_Archaeology?f_ri=27745"},{"id":119014,"name":"Roman Art","url":"https://www.academia.edu/Documents/in/Roman_Art?f_ri=27745"},{"id":127837,"name":"Greek and Roman Portraiture","url":"https://www.academia.edu/Documents/in/Greek_and_Roman_Portraiture?f_ri=27745"},{"id":167664,"name":"Arqueología romana / Roman archeology","url":"https://www.academia.edu/Documents/in/Arqueologia_romana_Roman_archeology?f_ri=27745"},{"id":171633,"name":"Archeologia Romana","url":"https://www.academia.edu/Documents/in/Archeologia_Romana?f_ri=27745"},{"id":188078,"name":"Roman Funerary Art","url":"https://www.academia.edu/Documents/in/Roman_Funerary_Art?f_ri=27745"},{"id":469738,"name":"Greek and Roman Sculpture","url":"https://www.academia.edu/Documents/in/Greek_and_Roman_Sculpture?f_ri=27745"},{"id":515381,"name":"Roman Portraiture","url":"https://www.academia.edu/Documents/in/Roman_Portraiture?f_ri=27745"},{"id":634974,"name":"Roman Archaeology","url":"https://www.academia.edu/Documents/in/Roman_Archaeology?f_ri=27745"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_2435987" data-work_id="2435987" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/2435987/M_Parada_L%C3%B3pez_de_Corselas_En_torno_al_entablamento_arcuado_y_al_front%C3%B3n_sirio_en_la_arquitectura_construida_y_la_iconograf%C3%ADa_arquitect%C3%B3nica_romana_Around_the_Arcuated_Entablature_and_the_Syrian_Pediment_in_Roman_Architecture_OCNUS_20_2012_pp_181_212">M. Parada López de Corselas, "En torno al “entablamento arcuado” y al “frontón sirio” en la arquitectura construida y la iconografía arquitectónica romana" ("Around the "Arcuated Entablature" and the "Syrian Pediment" in Roman Architecture..."), OCNUS, 20, 2012, pp. 181-212.</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">"This work is conceived to provide a general approach to the study of the different structures of Roman architecture - and of its representations – that combine the arched system with the architrave and that are traditionally grouped... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_2435987" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">"This work is conceived to provide a general approach to the study of the different structures of Roman architecture - and of its representations – that combine the arched system with the architrave and that are traditionally grouped under terms like “arcuated trabeation” and “Syrian pediment” or other similar (“Syrian arch”, “arcuated lintel”, “arcuated architrave”, “arcuated gable”, “arcuated pediment”). This paper will address all-round issues of form and terminology, of origin and spread (with particular attention to the problem presented by the site of Sî῾ Syria), of use in constructions and iconography and of possible symbolic value. The study focuses on key concepts and basic bibliography as well as on some technical, functional and symbolic aspects able to broaden what has been outlined so far. <br />.-.-.-.-.-.-.-.-.- <br />Este trabajo se concibe como una aproximación general al estudio de distintas estructuras de la arquitectura romana –y sus representaciones– que combinan el sistema arcuado con el arquitrabado y que tradicionalmente se engloban bajo los términos “entablamento arcuado” y “frontón sirio” u otros semejantes como “arco sirio”, “dintel arcuado”, “gablete sirio”, “frontón arcuado” y sus variantes. Trataremos cuestiones de forma y terminología, orígenes y difusión –con especial atención al problema planteado por Sî῾–, uso constructivo e iconográfico y su posible simbolismo. Nos detendremos en las ideas clave y la bibliografía fundamental para su discusión; asimismo, señalaremos algunos aspectos técnicos, funcionales y simbólicos que amplían el panorama planteado hasta ahora.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/2435987" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="3adbcf0ab3e9c7b63b6fe3dfe7c328d3" rel="nofollow" data-download="{"attachment_id":30459296,"asset_id":2435987,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/30459296/download_file?st=MTczMjQ3MjM3MCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="334690" href="https://ucm.academia.edu/ManuelParadaL%C3%B3pezdeCorselas">Manuel Parada López de Corselas</a><script data-card-contents-for-user="334690" type="text/json">{"id":334690,"first_name":"Manuel","last_name":"Parada López de Corselas","domain_name":"ucm","page_name":"ManuelParadaLópezdeCorselas","display_name":"Manuel Parada López de Corselas","profile_url":"https://ucm.academia.edu/ManuelParadaL%C3%B3pezdeCorselas?f_ri=27745","photo":"https://0.academia-photos.com/334690/420208/4249558/s65_manuel.parada_l_pez_de_corselas.jpg"}</script></span></span></li><li class="js-paper-rank-work_2435987 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="2435987"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 2435987, container: ".js-paper-rank-work_2435987", }); 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$(".js-view-count[data-work-id=2435987]").text(description); $(".js-view-count-work_2435987").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_2435987").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="2435987"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">20</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="392" href="https://www.academia.edu/Documents/in/Archaeology">Archaeology</a>, <script data-card-contents-for-ri="392" type="text/json">{"id":392,"name":"Archaeology","url":"https://www.academia.edu/Documents/in/Archaeology?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="393" href="https://www.academia.edu/Documents/in/Classical_Archaeology">Classical Archaeology</a>, <script data-card-contents-for-ri="393" type="text/json">{"id":393,"name":"Classical Archaeology","url":"https://www.academia.edu/Documents/in/Classical_Archaeology?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="869" href="https://www.academia.edu/Documents/in/Iconography">Iconography</a>, <script data-card-contents-for-ri="869" type="text/json">{"id":869,"name":"Iconography","url":"https://www.academia.edu/Documents/in/Iconography?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="915" href="https://www.academia.edu/Documents/in/Art_History">Art History</a><script data-card-contents-for-ri="915" type="text/json">{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=27745","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=2435987]'), work: {"id":2435987,"title":"M. Parada López de Corselas, \"En torno al “entablamento arcuado” y al “frontón sirio” en la arquitectura construida y la iconografía arquitectónica romana\" (\"Around the \"Arcuated Entablature\" and the \"Syrian Pediment\" in Roman Architecture...\"), OCNUS, 20, 2012, pp. 181-212.","created_at":"2013-01-20T17:19:50.197-08:00","url":"https://www.academia.edu/2435987/M_Parada_L%C3%B3pez_de_Corselas_En_torno_al_entablamento_arcuado_y_al_front%C3%B3n_sirio_en_la_arquitectura_construida_y_la_iconograf%C3%ADa_arquitect%C3%B3nica_romana_Around_the_Arcuated_Entablature_and_the_Syrian_Pediment_in_Roman_Architecture_OCNUS_20_2012_pp_181_212?f_ri=27745","dom_id":"work_2435987","summary":"\"This work is conceived to provide a general approach to the study of the different structures of Roman architecture - and of its representations – that combine the arched system with the architrave and that are traditionally grouped under terms like “arcuated trabeation” and “Syrian pediment” or other similar (“Syrian arch”, “arcuated lintel”, “arcuated architrave”, “arcuated gable”, “arcuated pediment”). This paper will address all-round issues of form and terminology, of origin and spread (with particular attention to the problem presented by the site of Sî῾ Syria), of use in constructions and iconography and of possible symbolic value. The study focuses on key concepts and basic bibliography as well as on some technical, functional and symbolic aspects able to broaden what has been outlined so far.\r\n.-.-.-.-.-.-.-.-.- \r\nEste trabajo se concibe como una aproximación general al estudio de distintas estructuras de la arquitectura romana –y sus representaciones– que combinan el sistema arcuado con el arquitrabado y que tradicionalmente se engloban bajo los términos “entablamento arcuado” y “frontón sirio” u otros semejantes como “arco sirio”, “dintel arcuado”, “gablete sirio”, “frontón arcuado” y sus variantes. Trataremos cuestiones de forma y terminología, orígenes y difusión –con especial atención al problema planteado por Sî῾–, uso constructivo e iconográfico y su posible simbolismo. Nos detendremos en las ideas clave y la bibliografía fundamental para su discusión; asimismo, señalaremos algunos aspectos técnicos, funcionales y simbólicos que amplían el panorama planteado hasta ahora.\r\n","downloadable_attachments":[{"id":30459296,"asset_id":2435987,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":334690,"first_name":"Manuel","last_name":"Parada López de Corselas","domain_name":"ucm","page_name":"ManuelParadaLópezdeCorselas","display_name":"Manuel Parada López de Corselas","profile_url":"https://ucm.academia.edu/ManuelParadaL%C3%B3pezdeCorselas?f_ri=27745","photo":"https://0.academia-photos.com/334690/420208/4249558/s65_manuel.parada_l_pez_de_corselas.jpg"}],"research_interests":[{"id":392,"name":"Archaeology","url":"https://www.academia.edu/Documents/in/Archaeology?f_ri=27745","nofollow":false},{"id":393,"name":"Classical Archaeology","url":"https://www.academia.edu/Documents/in/Classical_Archaeology?f_ri=27745","nofollow":false},{"id":869,"name":"Iconography","url":"https://www.academia.edu/Documents/in/Iconography?f_ri=27745","nofollow":false},{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=27745","nofollow":false},{"id":1236,"name":"Art","url":"https://www.academia.edu/Documents/in/Art?f_ri=27745"},{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture?f_ri=27745"},{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=27745"},{"id":3612,"name":"Renaissance","url":"https://www.academia.edu/Documents/in/Renaissance?f_ri=27745"},{"id":6914,"name":"Syrian Studies","url":"https://www.academia.edu/Documents/in/Syrian_Studies?f_ri=27745"},{"id":8327,"name":"Pompeii (Archaeology)","url":"https://www.academia.edu/Documents/in/Pompeii_Archaeology_?f_ri=27745"},{"id":13966,"name":"History of Art","url":"https://www.academia.edu/Documents/in/History_of_Art?f_ri=27745"},{"id":25306,"name":"- Architecture history","url":"https://www.academia.edu/Documents/in/_Architecture_history?f_ri=27745"},{"id":27745,"name":"Roman Iconography","url":"https://www.academia.edu/Documents/in/Roman_Iconography?f_ri=27745"},{"id":29276,"name":"Hellenistic and Roman Asia Minor","url":"https://www.academia.edu/Documents/in/Hellenistic_and_Roman_Asia_Minor?f_ri=27745"},{"id":33438,"name":"Ancient Greek and Roman Art","url":"https://www.academia.edu/Documents/in/Ancient_Greek_and_Roman_Art?f_ri=27745"},{"id":99285,"name":"Roman Architecture","url":"https://www.academia.edu/Documents/in/Roman_Architecture?f_ri=27745"},{"id":119014,"name":"Roman Art","url":"https://www.academia.edu/Documents/in/Roman_Art?f_ri=27745"},{"id":580690,"name":"Serlio","url":"https://www.academia.edu/Documents/in/Serlio?f_ri=27745"},{"id":634974,"name":"Roman Archaeology","url":"https://www.academia.edu/Documents/in/Roman_Archaeology?f_ri=27745"},{"id":683573,"name":"Serliana","url":"https://www.academia.edu/Documents/in/Serliana?f_ri=27745"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_26975684" data-work_id="26975684" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/26975684/A_Sly_Civility_Colossians_and_Empire">A Sly Civility: Colossians and Empire</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">This article relates Colossian vocabulary, motifs and theological themes to the cultural situation of the cult of the emperor. The author's language and conceptualization of reconciliation as a cosmic and earthly peace (Col.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/26975684" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="c4c7844b8e1c5fd7c88fda5923432e63" rel="nofollow" data-download="{"attachment_id":47238224,"asset_id":26975684,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/47238224/download_file?st=MTczMjQ3MjM3MCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="15836294" href="https://vst.academia.edu/HMaier">Harry O . Maier</a><script data-card-contents-for-user="15836294" type="text/json">{"id":15836294,"first_name":"Harry","last_name":"Maier","domain_name":"vst","page_name":"HMaier","display_name":"Harry O . Maier","profile_url":"https://vst.academia.edu/HMaier?f_ri=27745","photo":"https://0.academia-photos.com/15836294/4278839/78986755/s65_harry.maier.jpg"}</script></span></span></li><li class="js-paper-rank-work_26975684 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="26975684"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 26975684, container: ".js-paper-rank-work_26975684", }); });</script></li><li class="js-percentile-work_26975684 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 26975684; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_26975684"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_26975684 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="26975684"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 26975684; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=26975684]").text(description); $(".js-view-count-work_26975684").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_26975684").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="26975684"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">23</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="863" href="https://www.academia.edu/Documents/in/Visual_Studies">Visual Studies</a>, <script data-card-contents-for-ri="863" type="text/json">{"id":863,"name":"Visual Studies","url":"https://www.academia.edu/Documents/in/Visual_Studies?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="925" href="https://www.academia.edu/Documents/in/Visual_Anthropology">Visual Anthropology</a>, <script data-card-contents-for-ri="925" type="text/json">{"id":925,"name":"Visual Anthropology","url":"https://www.academia.edu/Documents/in/Visual_Anthropology?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2262" href="https://www.academia.edu/Documents/in/New_Testament">New Testament</a>, <script data-card-contents-for-ri="2262" type="text/json">{"id":2262,"name":"New Testament","url":"https://www.academia.edu/Documents/in/New_Testament?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="3225" href="https://www.academia.edu/Documents/in/Visual_Culture">Visual Culture</a><script data-card-contents-for-ri="3225" type="text/json">{"id":3225,"name":"Visual Culture","url":"https://www.academia.edu/Documents/in/Visual_Culture?f_ri=27745","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=26975684]'), work: {"id":26975684,"title":"A Sly Civility: Colossians and Empire","created_at":"2016-07-14T01:36:37.400-07:00","url":"https://www.academia.edu/26975684/A_Sly_Civility_Colossians_and_Empire?f_ri=27745","dom_id":"work_26975684","summary":"This article relates Colossian vocabulary, motifs and theological themes to the cultural situation of the cult of the emperor. The author's language and conceptualization of reconciliation as a cosmic and earthly peace (Col.","downloadable_attachments":[{"id":47238224,"asset_id":26975684,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":15836294,"first_name":"Harry","last_name":"Maier","domain_name":"vst","page_name":"HMaier","display_name":"Harry O . Maier","profile_url":"https://vst.academia.edu/HMaier?f_ri=27745","photo":"https://0.academia-photos.com/15836294/4278839/78986755/s65_harry.maier.jpg"}],"research_interests":[{"id":863,"name":"Visual Studies","url":"https://www.academia.edu/Documents/in/Visual_Studies?f_ri=27745","nofollow":false},{"id":925,"name":"Visual Anthropology","url":"https://www.academia.edu/Documents/in/Visual_Anthropology?f_ri=27745","nofollow":false},{"id":2262,"name":"New Testament","url":"https://www.academia.edu/Documents/in/New_Testament?f_ri=27745","nofollow":false},{"id":3225,"name":"Visual Culture","url":"https://www.academia.edu/Documents/in/Visual_Culture?f_ri=27745","nofollow":false},{"id":5326,"name":"Early Christianity","url":"https://www.academia.edu/Documents/in/Early_Christianity?f_ri=27745"},{"id":10713,"name":"Christology","url":"https://www.academia.edu/Documents/in/Christology?f_ri=27745"},{"id":18159,"name":"New Testament and Christian Origins","url":"https://www.academia.edu/Documents/in/New_Testament_and_Christian_Origins?f_ri=27745"},{"id":18162,"name":"Apostle Paul and the Pauline Letters","url":"https://www.academia.edu/Documents/in/Apostle_Paul_and_the_Pauline_Letters?f_ri=27745"},{"id":27745,"name":"Roman Iconography","url":"https://www.academia.edu/Documents/in/Roman_Iconography?f_ri=27745"},{"id":30010,"name":"Empire","url":"https://www.academia.edu/Documents/in/Empire?f_ri=27745"},{"id":42198,"name":"Barbarians Perception","url":"https://www.academia.edu/Documents/in/Barbarians_Perception?f_ri=27745"},{"id":51932,"name":"New Testament Theology","url":"https://www.academia.edu/Documents/in/New_Testament_Theology?f_ri=27745"},{"id":74266,"name":"Colossians","url":"https://www.academia.edu/Documents/in/Colossians?f_ri=27745"},{"id":78499,"name":"Imperial Cult","url":"https://www.academia.edu/Documents/in/Imperial_Cult?f_ri=27745"},{"id":99202,"name":"Roman imperial cult","url":"https://www.academia.edu/Documents/in/Roman_imperial_cult?f_ri=27745"},{"id":110408,"name":"Scythians","url":"https://www.academia.edu/Documents/in/Scythians?f_ri=27745"},{"id":120640,"name":"New Testament Studies","url":"https://www.academia.edu/Documents/in/New_Testament_Studies?f_ri=27745"},{"id":138243,"name":"Christology of New Testament","url":"https://www.academia.edu/Documents/in/Christology_of_New_Testament?f_ri=27745"},{"id":145042,"name":"Pauline studies","url":"https://www.academia.edu/Documents/in/Pauline_studies?f_ri=27745"},{"id":169352,"name":"Pauline Epistles","url":"https://www.academia.edu/Documents/in/Pauline_Epistles?f_ri=27745"},{"id":663421,"name":"Roman Empire and Pauline Literature","url":"https://www.academia.edu/Documents/in/Roman_Empire_and_Pauline_Literature?f_ri=27745"},{"id":785912,"name":"Letter to the Colossians","url":"https://www.academia.edu/Documents/in/Letter_to_the_Colossians?f_ri=27745"},{"id":1012616,"name":"St. Paul and Politics/Philosophy","url":"https://www.academia.edu/Documents/in/St._Paul_and_Politics_Philosophy?f_ri=27745"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_41502536" data-work_id="41502536" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/41502536/Philonicus_Demetriusque_Craft_Specialization_in_the_Funerary_Relief_of_Two_Freedmen">Philonicus Demetriusque: Craft Specialization in the Funerary Relief of Two Freedmen</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">In many respects, the funerary relief of Philonicus and Demetrius (inventory number BM 1954,1214.1) is typical of the monuments erected by Roman freedmen in that it commemorates its subjects via their professional identities as craftsmen.... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_41502536" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">In many respects, the funerary relief of Philonicus and Demetrius (inventory number BM 1954,1214.1) is typical of the monuments erected by Roman freedmen in that it commemorates its subjects via their professional identities as craftsmen. Yet previous studies have thus far been unable to provide a cohesive interpretation of its iconography, thereby limiting the insights that this monument can offer. This article will address this by providing a systematic reinterpretation of the contents of this relief by comparing its imagery with that of archaeological finds and the reliefs of other craftsmen. Much of the confusion surrounding this relief stems from its use of familiar iconographic features in an unfamiliar way, with the layout of its imagery providing a complete narrative of their identity. This reinterpretation reveals Philonicus and Demetrius' shared identities as specialized blacksmiths who were employed by the Roman state as manufacturers of woodworking tools, providing several important insights into the professional lives of such craftsmen within the early empire.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/41502536" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="3f12c1d13b7a6f2f47ff0a960fa21b0c" rel="nofollow" data-download="{"attachment_id":64504344,"asset_id":41502536,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/64504344/download_file?st=MTczMjQ3MjM3MCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="169937" href="https://thorneloe.academia.edu/AllanDaoust">Allan Daoust</a><script data-card-contents-for-user="169937" type="text/json">{"id":169937,"first_name":"Allan","last_name":"Daoust","domain_name":"thorneloe","page_name":"AllanDaoust","display_name":"Allan Daoust","profile_url":"https://thorneloe.academia.edu/AllanDaoust?f_ri=27745","photo":"https://0.academia-photos.com/169937/42779/12580299/s65_allan.daoust.jpg"}</script></span></span></li><li class="js-paper-rank-work_41502536 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="41502536"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 41502536, container: ".js-paper-rank-work_41502536", }); 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Yet previous studies have thus far been unable to provide a cohesive interpretation of its iconography, thereby limiting the insights that this monument can offer. This article will address this by providing a systematic reinterpretation of the contents of this relief by comparing its imagery with that of archaeological finds and the reliefs of other craftsmen. Much of the confusion surrounding this relief stems from its use of familiar iconographic features in an unfamiliar way, with the layout of its imagery providing a complete narrative of their identity. This reinterpretation reveals Philonicus and Demetrius' shared identities as specialized blacksmiths who were employed by the Roman state as manufacturers of woodworking tools, providing several important insights into the professional lives of such craftsmen within the early empire.","downloadable_attachments":[{"id":64504344,"asset_id":41502536,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":169937,"first_name":"Allan","last_name":"Daoust","domain_name":"thorneloe","page_name":"AllanDaoust","display_name":"Allan Daoust","profile_url":"https://thorneloe.academia.edu/AllanDaoust?f_ri=27745","photo":"https://0.academia-photos.com/169937/42779/12580299/s65_allan.daoust.jpg"}],"research_interests":[{"id":27745,"name":"Roman Iconography","url":"https://www.academia.edu/Documents/in/Roman_Iconography?f_ri=27745","nofollow":false},{"id":80597,"name":"Roman craftsmen","url":"https://www.academia.edu/Documents/in/Roman_craftsmen?f_ri=27745","nofollow":false},{"id":181430,"name":"Roman urban crafts","url":"https://www.academia.edu/Documents/in/Roman_urban_crafts?f_ri=27745","nofollow":false},{"id":181781,"name":"Roman crafts","url":"https://www.academia.edu/Documents/in/Roman_crafts?f_ri=27745","nofollow":false},{"id":188078,"name":"Roman Funerary Art","url":"https://www.academia.edu/Documents/in/Roman_Funerary_Art?f_ri=27745"},{"id":296854,"name":"Roman Tools","url":"https://www.academia.edu/Documents/in/Roman_Tools?f_ri=27745"},{"id":634974,"name":"Roman Archaeology","url":"https://www.academia.edu/Documents/in/Roman_Archaeology?f_ri=27745"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_5506360" data-work_id="5506360" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/5506360/Des_Kaisers_neue_Kinder_Romanitas_und_Barbarentum_am_Trajansbogen_von_Benevent_RM_112_2005_2006">Des Kaisers neue Kinder. 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","created_at":"2011-11-02T05:12:43.231-07:00","url":"https://www.academia.edu/1059640/_Formation_et_interpr%C3%A9tation_d_un_sch%C3%A9ma_iconographique_Le_cas_des_images_figurant_Mars_et_Rh%C3%A9a_Silvia_dans_Atti_del_X_Congresso_internazionale_dellAIPMA_Napoli_17_21_settembre_2007_Naples_2010_p_241_253?f_ri=27745","dom_id":"work_1059640","summary":null,"downloadable_attachments":[{"id":6526615,"asset_id":1059640,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":903275,"first_name":"Alexandra","last_name":"Dardenay","domain_name":"univ-tlse2","page_name":"alexandradardenay","display_name":"Alexandra Dardenay","profile_url":"https://univ-tlse2.academia.edu/alexandradardenay?f_ri=27745","photo":"https://0.academia-photos.com/903275/333227/690086/s65_alexandra.dardenay.jpg"}],"research_interests":[{"id":27745,"name":"Roman Iconography","url":"https://www.academia.edu/Documents/in/Roman_Iconography?f_ri=27745","nofollow":false},{"id":32626,"name":"Graeco-Roman 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u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Preface - Introduction - The twelve labours of Hercules on Roman sarcophagi - Conclusion - Catalogue - Sarcophagi from Rome - Sarcophagi from Italy - Attic sarcophagi - Asiatic sarcophagi - Sarcophagi from the eastern provinces - Diagrams... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_30644121" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Preface - Introduction - The twelve labours of Hercules on Roman sarcophagi - Conclusion - Catalogue - Sarcophagi from Rome - Sarcophagi from Italy - Attic sarcophagi - Asiatic sarcophagi - Sarcophagi from the eastern provinces - Diagrams - Bibliography - List of figures - Concordance - Index of locations and provenances - Index of subjects.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a 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data-has-card-for-ri="393" href="https://www.academia.edu/Documents/in/Classical_Archaeology">Classical Archaeology</a>, <script data-card-contents-for-ri="393" type="text/json">{"id":393,"name":"Classical Archaeology","url":"https://www.academia.edu/Documents/in/Classical_Archaeology?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="788" href="https://www.academia.edu/Documents/in/Mythology">Mythology</a>, <script data-card-contents-for-ri="788" type="text/json">{"id":788,"name":"Mythology","url":"https://www.academia.edu/Documents/in/Mythology?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="816" href="https://www.academia.edu/Documents/in/Classics">Classics</a>, <script data-card-contents-for-ri="816" type="text/json">{"id":816,"name":"Classics","url":"https://www.academia.edu/Documents/in/Classics?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="869" href="https://www.academia.edu/Documents/in/Iconography">Iconography</a><script data-card-contents-for-ri="869" type="text/json">{"id":869,"name":"Iconography","url":"https://www.academia.edu/Documents/in/Iconography?f_ri=27745","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=30644121]'), work: {"id":30644121,"title":"The Twelve Labours of Hercules on Roman Sarcophagi","created_at":"2016-12-28T01:24:51.861-08:00","url":"https://www.academia.edu/30644121/The_Twelve_Labours_of_Hercules_on_Roman_Sarcophagi?f_ri=27745","dom_id":"work_30644121","summary":"Preface - Introduction - The twelve labours of Hercules on Roman sarcophagi - Conclusion - Catalogue - Sarcophagi from Rome - Sarcophagi from Italy - Attic sarcophagi - Asiatic sarcophagi - Sarcophagi from the eastern provinces - Diagrams - Bibliography - List of figures - Concordance - Index of locations and provenances - Index of subjects.\n","downloadable_attachments":[{"id":51087980,"asset_id":30644121,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":4316814,"first_name":"L'ERMA di BRETSCHNEIDER,","last_name":"Publisher","domain_name":"independent","page_name":"LERMAdiBRETSCHNEIDER","display_name":"L'ERMA di BRETSCHNEIDER, Publisher","profile_url":"https://independent.academia.edu/LERMAdiBRETSCHNEIDER?f_ri=27745","photo":"https://0.academia-photos.com/4316814/1728347/15923094/s65_l_erma_di_bretschneider.publishers.jpg"}],"research_interests":[{"id":393,"name":"Classical 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Mythology","url":"https://www.academia.edu/Documents/in/Greco-Roman_Mythology?f_ri=27745"},{"id":33438,"name":"Ancient Greek and Roman Art","url":"https://www.academia.edu/Documents/in/Ancient_Greek_and_Roman_Art?f_ri=27745"},{"id":36127,"name":"Ancient Arts And Iconography","url":"https://www.academia.edu/Documents/in/Ancient_Arts_And_Iconography?f_ri=27745"},{"id":70467,"name":"Hercules","url":"https://www.academia.edu/Documents/in/Hercules?f_ri=27745"},{"id":77581,"name":"Ancient Greek Mythology","url":"https://www.academia.edu/Documents/in/Ancient_Greek_Mythology?f_ri=27745"},{"id":88760,"name":"Classics: Ancient History and Archaeology","url":"https://www.academia.edu/Documents/in/Classics_Ancient_History_and_Archaeology?f_ri=27745"},{"id":91865,"name":"Iconography and Iconology","url":"https://www.academia.edu/Documents/in/Iconography_and_Iconology?f_ri=27745"},{"id":107797,"name":"Roman Sarcophagi","url":"https://www.academia.edu/Documents/in/Roman_Sarcophagi?f_ri=27745"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_24614726" data-work_id="24614726" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/24614726/Porticus_Metelli_Porticus_Octaviae_Storia_di_un_monumento_trionfale_nel_cuore_della_Roma_di_oggi_in_Forma_Urbis_n_10_Ottobre_2015_pp_40_50">Porticus Metelli-Porticus Octaviae. Storia di un monumento trionfale nel cuore della Roma di oggi, in Forma Urbis n. 10, Ottobre 2015, pp. 40-50.</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/24614726" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="09f331504bd3a0a0f6cf0a730948b03a" rel="nofollow" data-download="{"attachment_id":44944487,"asset_id":24614726,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/44944487/download_file?st=MTczMjQ3MjM3MCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="935513" href="https://uniroma1.academia.edu/FrancescoDeStefano">Francesco De Stefano</a><script data-card-contents-for-user="935513" type="text/json">{"id":935513,"first_name":"Francesco","last_name":"De Stefano","domain_name":"uniroma1","page_name":"FrancescoDeStefano","display_name":"Francesco De Stefano","profile_url":"https://uniroma1.academia.edu/FrancescoDeStefano?f_ri=27745","photo":"https://0.academia-photos.com/935513/2956535/16128335/s65_francesco.de_stefano.jpg"}</script></span></span></li><li class="js-paper-rank-work_24614726 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="24614726"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 24614726, container: ".js-paper-rank-work_24614726", }); 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$(".js-view-count[data-work-id=24614726]").text(description); $(".js-view-count-work_24614726").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_24614726").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="24614726"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">6</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="869" href="https://www.academia.edu/Documents/in/Iconography">Iconography</a>, <script data-card-contents-for-ri="869" type="text/json">{"id":869,"name":"Iconography","url":"https://www.academia.edu/Documents/in/Iconography?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2795" href="https://www.academia.edu/Documents/in/Landscape_Archaeology">Landscape Archaeology</a>, <script data-card-contents-for-ri="2795" type="text/json">{"id":2795,"name":"Landscape Archaeology","url":"https://www.academia.edu/Documents/in/Landscape_Archaeology?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="8743" href="https://www.academia.edu/Documents/in/Romanian_Studies">Romanian Studies</a>, <script data-card-contents-for-ri="8743" type="text/json">{"id":8743,"name":"Romanian Studies","url":"https://www.academia.edu/Documents/in/Romanian_Studies?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="18102" href="https://www.academia.edu/Documents/in/Landscape_Urbanism">Landscape Urbanism</a><script data-card-contents-for-ri="18102" type="text/json">{"id":18102,"name":"Landscape Urbanism","url":"https://www.academia.edu/Documents/in/Landscape_Urbanism?f_ri=27745","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=24614726]'), work: {"id":24614726,"title":"Porticus Metelli-Porticus Octaviae. 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This book illumines Roman subjects’ vital role in creating and critiquing these images, in keeping with the Augustan poets’ sustained exploration of audiences’ role in constructing verbal and visual meaning. From Vergil to Ovid, these poets publicly interpret, debate, and disrupt Rome’s evolving political iconography, reclaiming it as the common property of an imagined republic of readers. In showing how these poets used reading as a metaphor for the mutual constitution of Augustan authority and a means of exercising interpretive libertas under the principate, this book offers a holistic new vision of Roman imperial power and its representation that will stimulate scholars and students alike. (forthcoming with Cambridge University Press, spring 2018)</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/35852260" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="3c4d705e82e3d255818ae8d37344c9fc" rel="nofollow" data-download="{"attachment_id":55730616,"asset_id":35852260,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/55730616/download_file?st=MTczMjQ3MjM3MCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="12666712" href="https://johnshopkins.academia.edu/NandiniPandey">Nandini Pandey</a><script data-card-contents-for-user="12666712" type="text/json">{"id":12666712,"first_name":"Nandini","last_name":"Pandey","domain_name":"johnshopkins","page_name":"NandiniPandey","display_name":"Nandini Pandey","profile_url":"https://johnshopkins.academia.edu/NandiniPandey?f_ri=27745","photo":"https://0.academia-photos.com/12666712/3609881/38515676/s65_nandini.pandey.jpg"}</script></span></span></li><li class="js-paper-rank-work_35852260 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="35852260"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 35852260, container: ".js-paper-rank-work_35852260", }); 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$(".js-view-count[data-work-id=35852260]").text(description); $(".js-view-count-work_35852260").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_35852260").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="35852260"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">25</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="94" href="https://www.academia.edu/Documents/in/Discourse_Analysis">Discourse Analysis</a>, <script data-card-contents-for-ri="94" type="text/json">{"id":94,"name":"Discourse Analysis","url":"https://www.academia.edu/Documents/in/Discourse_Analysis?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="827" href="https://www.academia.edu/Documents/in/Latin_Literature">Latin Literature</a>, <script data-card-contents-for-ri="827" type="text/json">{"id":827,"name":"Latin Literature","url":"https://www.academia.edu/Documents/in/Latin_Literature?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="829" href="https://www.academia.edu/Documents/in/Roman_History">Roman History</a>, <script data-card-contents-for-ri="829" type="text/json">{"id":829,"name":"Roman History","url":"https://www.academia.edu/Documents/in/Roman_History?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="869" href="https://www.academia.edu/Documents/in/Iconography">Iconography</a><script data-card-contents-for-ri="869" type="text/json">{"id":869,"name":"Iconography","url":"https://www.academia.edu/Documents/in/Iconography?f_ri=27745","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=35852260]'), work: {"id":35852260,"title":"The Poetics of Power in Augustan Rome: Latin Poetic Responses to Early Imperial Iconography","created_at":"2018-02-06T06:49:51.748-08:00","url":"https://www.academia.edu/35852260/The_Poetics_of_Power_in_Augustan_Rome_Latin_Poetic_Responses_to_Early_Imperial_Iconography?f_ri=27745","dom_id":"work_35852260","summary":"Augustus’ success in implementing monarchical rule at Rome is often attributed to innovations in the symbolic language of power, from the star marking Julius Caesar’s deification to buildings like the Palatine complex and Forum Augustum to rituals like triumphs and funerals. This book illumines Roman subjects’ vital role in creating and critiquing these images, in keeping with the Augustan poets’ sustained exploration of audiences’ role in constructing verbal and visual meaning. From Vergil to Ovid, these poets publicly interpret, debate, and disrupt Rome’s evolving political iconography, reclaiming it as the common property of an imagined republic of readers. In showing how these poets used reading as a metaphor for the mutual constitution of Augustan authority and a means of exercising interpretive libertas under the principate, this book offers a holistic new vision of Roman imperial power and its representation that will stimulate scholars and students alike. (forthcoming with Cambridge University Press, spring 2018)","downloadable_attachments":[{"id":55730616,"asset_id":35852260,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":12666712,"first_name":"Nandini","last_name":"Pandey","domain_name":"johnshopkins","page_name":"NandiniPandey","display_name":"Nandini Pandey","profile_url":"https://johnshopkins.academia.edu/NandiniPandey?f_ri=27745","photo":"https://0.academia-photos.com/12666712/3609881/38515676/s65_nandini.pandey.jpg"}],"research_interests":[{"id":94,"name":"Discourse Analysis","url":"https://www.academia.edu/Documents/in/Discourse_Analysis?f_ri=27745","nofollow":false},{"id":827,"name":"Latin Literature","url":"https://www.academia.edu/Documents/in/Latin_Literature?f_ri=27745","nofollow":false},{"id":829,"name":"Roman History","url":"https://www.academia.edu/Documents/in/Roman_History?f_ri=27745","nofollow":false},{"id":869,"name":"Iconography","url":"https://www.academia.edu/Documents/in/Iconography?f_ri=27745","nofollow":false},{"id":3524,"name":"Historiography","url":"https://www.academia.edu/Documents/in/Historiography?f_ri=27745"},{"id":5709,"name":"Politics","url":"https://www.academia.edu/Documents/in/Politics?f_ri=27745"},{"id":14753,"name":"Vergil","url":"https://www.academia.edu/Documents/in/Vergil?f_ri=27745"},{"id":14754,"name":"Aeneid","url":"https://www.academia.edu/Documents/in/Aeneid?f_ri=27745"},{"id":14762,"name":"Propertius","url":"https://www.academia.edu/Documents/in/Propertius?f_ri=27745"},{"id":14766,"name":"Horace","url":"https://www.academia.edu/Documents/in/Horace?f_ri=27745"},{"id":18121,"name":"Imperial Rome","url":"https://www.academia.edu/Documents/in/Imperial_Rome?f_ri=27745"},{"id":21656,"name":"Roman political culture","url":"https://www.academia.edu/Documents/in/Roman_political_culture?f_ri=27745"},{"id":23864,"name":"Augustan Principate","url":"https://www.academia.edu/Documents/in/Augustan_Principate?f_ri=27745"},{"id":27745,"name":"Roman Iconography","url":"https://www.academia.edu/Documents/in/Roman_Iconography?f_ri=27745"},{"id":28364,"name":"Roman Elegy","url":"https://www.academia.edu/Documents/in/Roman_Elegy?f_ri=27745"},{"id":38044,"name":"Ovid (Classics)","url":"https://www.academia.edu/Documents/in/Ovid_Classics_?f_ri=27745"},{"id":48393,"name":"Augustus","url":"https://www.academia.edu/Documents/in/Augustus?f_ri=27745"},{"id":55139,"name":"Latin poetry","url":"https://www.academia.edu/Documents/in/Latin_poetry?f_ri=27745"},{"id":69792,"name":"Ancient Rome","url":"https://www.academia.edu/Documents/in/Ancient_Rome?f_ri=27745"},{"id":88366,"name":"Virgil","url":"https://www.academia.edu/Documents/in/Virgil?f_ri=27745"},{"id":107542,"name":"Roman Triumph","url":"https://www.academia.edu/Documents/in/Roman_Triumph?f_ri=27745"},{"id":119014,"name":"Roman Art","url":"https://www.academia.edu/Documents/in/Roman_Art?f_ri=27745"},{"id":140451,"name":"The Reception of Vergil","url":"https://www.academia.edu/Documents/in/The_Reception_of_Vergil?f_ri=27745"},{"id":227030,"name":"Ovid Metamorphoses","url":"https://www.academia.edu/Documents/in/Ovid_Metamorphoses?f_ri=27745"},{"id":233574,"name":"Early Imperial Rome","url":"https://www.academia.edu/Documents/in/Early_Imperial_Rome?f_ri=27745"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_1529145" data-work_id="1529145" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/1529145/Review_Cristina_Mazzoni_She_Wolf_The_Story_of_a_Roman_Icon_">Review: Cristina Mazzoni, "She-Wolf. The Story of a Roman Icon"</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Professor Cristina Mazzoni of the University of Vermont has written the first comprehensive study of the Roman she-wolf. This is a wide-ranging book in which this author illustrates various roles of the she-wolf by analyzing paintings,... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_1529145" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Professor Cristina Mazzoni of the University of Vermont has written the first comprehensive study of the Roman she-wolf. This is a wide-ranging book in which this author illustrates various roles of the she-wolf by analyzing paintings, statues, maps, poetry, fiction, and historical narrative from antiquity to contemporary times.<br />"She-Wolf. The Story of a Roman Icon" is a vividly written book, which skillfully combines diverse sources and standpoints into a coherent and readable study. The black-and-white photographs, some of which were taken by the author herself, support the text and illustrate the diversity of the visual representations of the she-wolf across the centuries.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/1529145" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="17d240d8b91ee19bd8aedb9b910724c2" rel="nofollow" data-download="{"attachment_id":12616700,"asset_id":1529145,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/12616700/download_file?st=MTczMjQ3MjM3MCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="739419" href="https://jyu.academia.edu/MikaRissanen">Mika Rissanen</a><script data-card-contents-for-user="739419" type="text/json">{"id":739419,"first_name":"Mika","last_name":"Rissanen","domain_name":"jyu","page_name":"MikaRissanen","display_name":"Mika Rissanen","profile_url":"https://jyu.academia.edu/MikaRissanen?f_ri=27745","photo":"https://0.academia-photos.com/739419/252270/54472945/s65_mika.rissanen.jpg"}</script></span></span></li><li class="js-paper-rank-work_1529145 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="1529145"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 1529145, container: ".js-paper-rank-work_1529145", }); 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$(".js-view-count[data-work-id=1529145]").text(description); $(".js-view-count-work_1529145").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_1529145").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="1529145"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">3</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="27745" href="https://www.academia.edu/Documents/in/Roman_Iconography">Roman Iconography</a>, <script data-card-contents-for-ri="27745" type="text/json">{"id":27745,"name":"Roman Iconography","url":"https://www.academia.edu/Documents/in/Roman_Iconography?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="119014" href="https://www.academia.edu/Documents/in/Roman_Art">Roman Art</a>, <script data-card-contents-for-ri="119014" type="text/json">{"id":119014,"name":"Roman Art","url":"https://www.academia.edu/Documents/in/Roman_Art?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="634974" href="https://www.academia.edu/Documents/in/Roman_Archaeology">Roman Archaeology</a><script data-card-contents-for-ri="634974" type="text/json">{"id":634974,"name":"Roman Archaeology","url":"https://www.academia.edu/Documents/in/Roman_Archaeology?f_ri=27745","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=1529145]'), work: {"id":1529145,"title":"Review: Cristina Mazzoni, \"She-Wolf. The Story of a Roman Icon\"","created_at":"2012-04-29T21:43:55.437-07:00","url":"https://www.academia.edu/1529145/Review_Cristina_Mazzoni_She_Wolf_The_Story_of_a_Roman_Icon_?f_ri=27745","dom_id":"work_1529145","summary":"Professor Cristina Mazzoni of the University of Vermont has written the first comprehensive study of the Roman she-wolf. This is a wide-ranging book in which this author illustrates various roles of the she-wolf by analyzing paintings, statues, maps, poetry, fiction, and historical narrative from antiquity to contemporary times.\n\"She-Wolf. The Story of a Roman Icon\" is a vividly written book, which skillfully combines diverse sources and standpoints into a coherent and readable study. The black-and-white photographs, some of which were taken by the author herself, support the text and illustrate the diversity of the visual representations of the she-wolf across the centuries.","downloadable_attachments":[{"id":12616700,"asset_id":1529145,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":739419,"first_name":"Mika","last_name":"Rissanen","domain_name":"jyu","page_name":"MikaRissanen","display_name":"Mika Rissanen","profile_url":"https://jyu.academia.edu/MikaRissanen?f_ri=27745","photo":"https://0.academia-photos.com/739419/252270/54472945/s65_mika.rissanen.jpg"}],"research_interests":[{"id":27745,"name":"Roman Iconography","url":"https://www.academia.edu/Documents/in/Roman_Iconography?f_ri=27745","nofollow":false},{"id":119014,"name":"Roman Art","url":"https://www.academia.edu/Documents/in/Roman_Art?f_ri=27745","nofollow":false},{"id":634974,"name":"Roman Archaeology","url":"https://www.academia.edu/Documents/in/Roman_Archaeology?f_ri=27745","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_1082630" data-work_id="1082630" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/1082630/Il_sarcofago_di_S_Agata">Il sarcofago di S. Agata</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/1082630" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="88e94a6bb2c1e5bca7ea0a1cbc22b327" rel="nofollow" data-download="{"attachment_id":6629770,"asset_id":1082630,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/6629770/download_file?st=MTczMjQ3MjM3MCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="811532" href="https://cnr-it.academia.edu/FrancescaBuscemi">Francesca Buscemi</a><script data-card-contents-for-user="811532" type="text/json">{"id":811532,"first_name":"Francesca","last_name":"Buscemi","domain_name":"cnr-it","page_name":"FrancescaBuscemi","display_name":"Francesca Buscemi","profile_url":"https://cnr-it.academia.edu/FrancescaBuscemi?f_ri=27745","photo":"https://0.academia-photos.com/811532/286356/338699/s65_francesca.buscemi.jpg"}</script></span></span></li><li class="js-paper-rank-work_1082630 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="1082630"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 1082630, container: ".js-paper-rank-work_1082630", }); });</script></li><li class="js-percentile-work_1082630 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 1082630; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_1082630"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_1082630 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="1082630"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 1082630; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=1082630]").text(description); $(".js-view-count-work_1082630").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_1082630").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="1082630"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">15</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="5326" href="https://www.academia.edu/Documents/in/Early_Christianity">Early Christianity</a>, <script data-card-contents-for-ri="5326" type="text/json">{"id":5326,"name":"Early Christianity","url":"https://www.academia.edu/Documents/in/Early_Christianity?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="7172" href="https://www.academia.edu/Documents/in/Early_Medieval_Archaeology">Early Medieval Archaeology</a>, <script data-card-contents-for-ri="7172" type="text/json">{"id":7172,"name":"Early Medieval Archaeology","url":"https://www.academia.edu/Documents/in/Early_Medieval_Archaeology?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="14639" href="https://www.academia.edu/Documents/in/Byzantine_Iconography">Byzantine Iconography</a>, <script data-card-contents-for-ri="14639" type="text/json">{"id":14639,"name":"Byzantine Iconography","url":"https://www.academia.edu/Documents/in/Byzantine_Iconography?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="14641" href="https://www.academia.edu/Documents/in/Byzantine_Archaeology">Byzantine Archaeology</a><script data-card-contents-for-ri="14641" type="text/json">{"id":14641,"name":"Byzantine Archaeology","url":"https://www.academia.edu/Documents/in/Byzantine_Archaeology?f_ri=27745","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=1082630]'), work: {"id":1082630,"title":"Il sarcofago di S. 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href="https://www.academia.edu/9607632/Sette_divinit%C3%A0_planetarie_esempio_di_corazza_da_parata_da_Castra_Tricornia_Mesia_Superiore_">Sette divinità planetarie: esempio di corazza da parata da Castra Tricornia (Mesia Superiore) </a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/9607632" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="97078773597e26b8824979a8fca6a18b" rel="nofollow" data-download="{"attachment_id":35814478,"asset_id":9607632,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/35814478/download_file?st=MTczMjQ3MjM3MSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="4489134" href="https://ai-rs.academia.edu/SanjaPilipovi%C4%87">Sanja Pilipović</a><script data-card-contents-for-user="4489134" type="text/json">{"id":4489134,"first_name":"Sanja","last_name":"Pilipović","domain_name":"ai-rs","page_name":"SanjaPilipović","display_name":"Sanja Pilipović","profile_url":"https://ai-rs.academia.edu/SanjaPilipovi%C4%87?f_ri=27745","photo":"https://0.academia-photos.com/4489134/1948571/2304516/s65_sanja.pilipovi_.jpg"}</script></span></span></li><li class="js-paper-rank-work_9607632 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="9607632"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 9607632, container: ".js-paper-rank-work_9607632", }); });</script></li><li class="js-percentile-work_9607632 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x 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});</script></span><script>$(function() { $(".js-view-count-work_9607632").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="9607632"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">11</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="5327" href="https://www.academia.edu/Documents/in/Roman_Religion">Roman Religion</a>, <script data-card-contents-for-ri="5327" type="text/json">{"id":5327,"name":"Roman Religion","url":"https://www.academia.edu/Documents/in/Roman_Religion?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="10088" href="https://www.academia.edu/Documents/in/History_of_Astronomy">History of Astronomy</a>, <script data-card-contents-for-ri="10088" type="text/json">{"id":10088,"name":"History of Astronomy","url":"https://www.academia.edu/Documents/in/History_of_Astronomy?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="18425" href="https://www.academia.edu/Documents/in/Roman_military_archaeology">Roman military archaeology</a>, <script data-card-contents-for-ri="18425" type="text/json">{"id":18425,"name":"Roman military archaeology","url":"https://www.academia.edu/Documents/in/Roman_military_archaeology?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="27745" href="https://www.academia.edu/Documents/in/Roman_Iconography">Roman Iconography</a><script data-card-contents-for-ri="27745" type="text/json">{"id":27745,"name":"Roman Iconography","url":"https://www.academia.edu/Documents/in/Roman_Iconography?f_ri=27745","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: 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Religion","url":"https://www.academia.edu/Documents/in/Roman_Religion?f_ri=27745","nofollow":false},{"id":10088,"name":"History of Astronomy","url":"https://www.academia.edu/Documents/in/History_of_Astronomy?f_ri=27745","nofollow":false},{"id":18425,"name":"Roman military archaeology","url":"https://www.academia.edu/Documents/in/Roman_military_archaeology?f_ri=27745","nofollow":false},{"id":27745,"name":"Roman Iconography","url":"https://www.academia.edu/Documents/in/Roman_Iconography?f_ri=27745","nofollow":false},{"id":41126,"name":"Ancient Astronomy","url":"https://www.academia.edu/Documents/in/Ancient_Astronomy?f_ri=27745"},{"id":68575,"name":"History, Science, Astronomy, Ancient Chronological Systems, Calendars","url":"https://www.academia.edu/Documents/in/History_Science_Astronomy_Ancient_Chronological_Systems_Calendars?f_ri=27745"},{"id":100350,"name":"Roman military equipment","url":"https://www.academia.edu/Documents/in/Roman_military_equipment?f_ri=27745"},{"id":108199,"name":"Roman Province Moesia Superior","url":"https://www.academia.edu/Documents/in/Roman_Province_Moesia_Superior?f_ri=27745"},{"id":111519,"name":"Roman Limes","url":"https://www.academia.edu/Documents/in/Roman_Limes?f_ri=27745"},{"id":126495,"name":"Ancient Astronomy and Calendars","url":"https://www.academia.edu/Documents/in/Ancient_Astronomy_and_Calendars?f_ri=27745"},{"id":976227,"name":"Roman Military Decorations","url":"https://www.academia.edu/Documents/in/Roman_Military_Decorations?f_ri=27745"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_1752827" data-work_id="1752827" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/1752827/The_Orpheus_Funerary_Mosaic_from_Jerusalem_in_the_Archaeological_Museum_at_Istanbul">The Orpheus Funerary Mosaic from Jerusalem in the Archaeological Museum at Istanbul</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The late Antique mosaic of Orpheus decorated a small room, approximately 18 m2 in area, connected with two even smaller ones, in 4 m2 and the other 2 m2 in area, belonging most likely to a small funerary chapel (or tomb) discovered in the... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_1752827" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The late Antique mosaic of Orpheus decorated a small room, approximately 18 m2 in area, connected with two even smaller ones, in 4 m2 and the other 2 m2 in area, belonging most likely to a small funerary chapel (or tomb) discovered in the ancient necropolis by the Damascene Gate in Jerusalem; it was discovered in 1901 by H. Vincent.<br />The author proposes a new interpretation of the iconographic program of the Orpheus myth used by wealthy Christians in a sepulchral context (see Olszewski M.T. «Orphée endeuillé de la mosaïque funéraire de Jérusalem», in Rey Mimoso-Ruiz, B. ed., Actes du colloque «Orphée entre Soleil et ombre», à l’Institut Catholique de Toulouse du 16 au 17 novembre 2007, Inter Lignes, numéros spécial – mars 2008, pp. 205-214, 226). He also proposes a new interpretation of the role Orpheus played in Roman funerary art, concentrating on the importance of the play on words and the visual and textual punning that was popular in ancient art and especially in funerary art. He rejects the popular interpretation of Orpheus as Christ in the Roman catacombs and proposes to interpret the image as that of Orpheus, bard of the departed souls, without any ahistorical connection with Christ. The program of the mosaic from Jerusalem is thus explained as a play on the words Orpheus-orphanos and Chiron (Chi-Rho) and Pan [Παν(τοκράτωρ)].The frequently used Christian funerary formula of resting in peace, Christ or the Lord corresponds<br />perfectly with the mood created around the mythical bard.<br />Orpheus’ universal role as singer and musician moving even the most stony of hearts, extolling the beloved departed, is absolutely justified in the context of a 6th-century Christian tomb. Orpheus is a popular and neutral figure, meaning that in effect it does not constitute a threat to Christian theology and can be tolerated by the educated Christians of Jerusalem.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/1752827" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="85d31ee1a8a9316ddf429c863c10e0a9" rel="nofollow" data-download="{"attachment_id":101673929,"asset_id":1752827,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/101673929/download_file?st=MTczMjQ3MjM3MSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="2037251" href="https://uw.academia.edu/MarekTitienOlszewski">Marek Titien Olszewski (Marek Tycjan Olszewski)</a><script data-card-contents-for-user="2037251" type="text/json">{"id":2037251,"first_name":"Marek Titien","last_name":"Olszewski (Marek Tycjan Olszewski)","domain_name":"uw","page_name":"MarekTitienOlszewski","display_name":"Marek Titien Olszewski (Marek Tycjan Olszewski)","profile_url":"https://uw.academia.edu/MarekTitienOlszewski?f_ri=27745","photo":"https://0.academia-photos.com/2037251/673950/1032526/s65_marek_titien.olszewski_marek_tycjan_olszewski_.jpg"}</script></span></span></li><li class="js-paper-rank-work_1752827 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="1752827"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 1752827, container: ".js-paper-rank-work_1752827", }); 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it was discovered in 1901 by H. Vincent.\nThe author proposes a new interpretation of the iconographic program of the Orpheus myth used by wealthy Christians in a sepulchral context (see Olszewski M.T. «Orphée endeuillé de la mosaïque funéraire de Jérusalem», in Rey Mimoso-Ruiz, B. ed., Actes du colloque «Orphée entre Soleil et ombre», à l’Institut Catholique de Toulouse du 16 au 17 novembre 2007, Inter Lignes, numéros spécial – mars 2008, pp. 205-214, 226). He also proposes a new interpretation of the role Orpheus played in Roman funerary art, concentrating on the importance of the play on words and the visual and textual punning that was popular in ancient art and especially in funerary art. He rejects the popular interpretation of Orpheus as Christ in the Roman catacombs and proposes to interpret the image as that of Orpheus, bard of the departed souls, without any ahistorical connection with Christ. The program of the mosaic from Jerusalem is thus explained as a play on the words Orpheus-orphanos and Chiron (Chi-Rho) and Pan [Παν(τοκράτωρ)].The frequently used Christian funerary formula of resting in peace, Christ or the Lord corresponds\nperfectly with the mood created around the mythical bard.\nOrpheus’ universal role as singer and musician moving even the most stony of hearts, extolling the beloved departed, is absolutely justified in the context of a 6th-century Christian tomb. 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What Lies between the Cornucopias on Hasmonaean Coins?</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/51132932" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="40857baab319ac8095c165ecc381cea0" rel="nofollow" data-download="{"attachment_id":105493355,"asset_id":51132932,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/105493355/download_file?st=MTczMjQ3MjM3MSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="3349059" href="https://ulondon.academia.edu/DavidJacobson">David M . Jacobson</a><script data-card-contents-for-user="3349059" type="text/json">{"id":3349059,"first_name":"David","last_name":"Jacobson","domain_name":"ulondon","page_name":"DavidJacobson","display_name":"David M . Jacobson","profile_url":"https://ulondon.academia.edu/DavidJacobson?f_ri=27745","photo":"https://0.academia-photos.com/3349059/26247996/24844113/s65_david.jacobson.jpg"}</script></span></span><span class="u-displayInlineBlock InlineList-item-text"> and <span class="u-textDecorationUnderline u-clickable InlineList-item-text js-work-more-authors-51132932">+1</span><div class="hidden js-additional-users-51132932"><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://numismatics.academia.edu/DavidHendin">David B . 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Hendin","profile_url":"https://numismatics.academia.edu/DavidHendin?f_ri=27745","photo":"https://0.academia-photos.com/276694/57091/52653/s65_david.hendin.jpg"}],"research_interests":[{"id":6528,"name":"Biblical Studies","url":"https://www.academia.edu/Documents/in/Biblical_Studies?f_ri=27745","nofollow":false},{"id":27745,"name":"Roman Iconography","url":"https://www.academia.edu/Documents/in/Roman_Iconography?f_ri=27745","nofollow":false},{"id":29391,"name":"Ancient Greek Numismatics","url":"https://www.academia.edu/Documents/in/Ancient_Greek_Numismatics?f_ri=27745","nofollow":false},{"id":44183,"name":"1 Maccabees","url":"https://www.academia.edu/Documents/in/1_Maccabees?f_ri=27745","nofollow":false},{"id":75613,"name":"Greek Iconography","url":"https://www.academia.edu/Documents/in/Greek_Iconography?f_ri=27745"},{"id":109848,"name":"Hellenistic history and numismatics","url":"https://www.academia.edu/Documents/in/Hellenistic_history_and_numismatics?f_ri=27745"},{"id":112852,"name":"Holy Land Studies","url":"https://www.academia.edu/Documents/in/Holy_Land_Studies?f_ri=27745"},{"id":208530,"name":"Tyche","url":"https://www.academia.edu/Documents/in/Tyche?f_ri=27745"},{"id":272107,"name":"History of the land of Israel","url":"https://www.academia.edu/Documents/in/History_of_the_land_of_Israel?f_ri=27745"},{"id":581808,"name":"John Hyrcanus","url":"https://www.academia.edu/Documents/in/John_Hyrcanus?f_ri=27745"},{"id":582458,"name":"Hasmoneans","url":"https://www.academia.edu/Documents/in/Hasmoneans?f_ri=27745"},{"id":863662,"name":"Maccabee Revolt","url":"https://www.academia.edu/Documents/in/Maccabee_Revolt?f_ri=27745"},{"id":1176670,"name":"Jewish History Ancient Numismatics","url":"https://www.academia.edu/Documents/in/Jewish_History_Ancient_Numismatics?f_ri=27745"},{"id":1795778,"name":"Intertestament period","url":"https://www.academia.edu/Documents/in/Intertestament_period?f_ri=27745"},{"id":3177907,"name":"Hasmonean coins","url":"https://www.academia.edu/Documents/in/Hasmonean_coins?f_ri=27745"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_1778441" data-work_id="1778441" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/1778441/Mosa%C3%AFques_de_pavement_de_la_Maison_de_Leukaktios_%C3%A0_Ptol%C3%A9ma%C3%AFs_en_Cyr%C3%A9na%C3%AFque_Libye_Essaie_d_identification_des_pi%C3%A8ces_The_Mosaic_Pavements_of_the_House_of_Leukaktios_at_Ptolemais_in_Cyrenaica_Libya_an_Attempt_to_Identify_the_Rooms">Mosaïques de pavement de la «Maison de Leukaktios» à Ptolémaïs en Cyrénaïque (Libye): Essaie d’identification des pièces / The Mosaic Pavements of the "House of Leukaktios" at Ptolemais in Cyrenaica (Libya): an Attempt to Identify the Rooms</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This paper deals with the House of Leukaktios, which has been discovered during Polish excavations at Ptolemais, Libya, in 2001 2007. The house has almost completely preserved mosaic pavements and the plan of Graeco-Roman type with an... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_1778441" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This paper deals with the House of Leukaktios, which has been discovered during Polish excavations at Ptolemais, Libya, in 2001 2007. The house has almost completely preserved mosaic pavements and the plan of Graeco-Roman type with an open central court (atrium), acting as the focal point around which the rooms were arranged. The name of one of the last owners, Leukaktios, is written twice on the mosaics in the atrium and in the triclinium. The author proposes the identification of several rooms. Room 1, a triclinium, has a mosaic with the characteristic U-shaped geometric frame around a central figural panel that depicts a personification of Victory or Nike. Room 14 is identified as an andron/triclinium with a similar U-shaped version lay out of the mosaic pavement. Room 9, which is situated in front of the andron/triclinium, could be interpreted as a gyneceum. The central panel which represents Dionysos and sleeping Ariadna has a parallel from the House of Dionysos in Cyrene, where the mosaic bears a rare Greek inscription dedicated to a woman. <br />Room 4 is identified as a reception hall. The mosaics are homogeneous in style and belong to the last phase of the building between AD 215 and 225.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/1778441" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="75ffe403f8655d42811c0ffab8ce2d89" rel="nofollow" data-download="{"attachment_id":105622864,"asset_id":1778441,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/105622864/download_file?st=MTczMjQ3MjM3MSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="2037251" href="https://uw.academia.edu/MarekTitienOlszewski">Marek Titien Olszewski (Marek Tycjan Olszewski)</a><script data-card-contents-for-user="2037251" type="text/json">{"id":2037251,"first_name":"Marek Titien","last_name":"Olszewski (Marek Tycjan Olszewski)","domain_name":"uw","page_name":"MarekTitienOlszewski","display_name":"Marek Titien Olszewski (Marek Tycjan Olszewski)","profile_url":"https://uw.academia.edu/MarekTitienOlszewski?f_ri=27745","photo":"https://0.academia-photos.com/2037251/673950/1032526/s65_marek_titien.olszewski_marek_tycjan_olszewski_.jpg"}</script></span></span></li><li class="js-paper-rank-work_1778441 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="1778441"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 1778441, container: ".js-paper-rank-work_1778441", }); 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The house has almost completely preserved mosaic pavements and the plan of Graeco-Roman type with an open central court (atrium), acting as the focal point around which the rooms were arranged. The name of one of the last owners, Leukaktios, is written twice on the mosaics in the atrium and in the triclinium. The author proposes the identification of several rooms. Room 1, a triclinium, has a mosaic with the characteristic U-shaped geometric frame around a central figural panel that depicts a personification of Victory or Nike. Room 14 is identified as an andron/triclinium with a similar U-shaped version lay out of the mosaic pavement. Room 9, which is situated in front of the andron/triclinium, could be interpreted as a gyneceum. The central panel which represents Dionysos and sleeping Ariadna has a parallel from the House of Dionysos in Cyrene, where the mosaic bears a rare Greek inscription dedicated to a woman.\r\nRoom 4 is identified as a reception hall. The mosaics are homogeneous in style and belong to the last phase of the building between AD 215 and 225.","downloadable_attachments":[{"id":105622864,"asset_id":1778441,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":2037251,"first_name":"Marek Titien","last_name":"Olszewski (Marek Tycjan Olszewski)","domain_name":"uw","page_name":"MarekTitienOlszewski","display_name":"Marek Titien Olszewski (Marek Tycjan Olszewski)","profile_url":"https://uw.academia.edu/MarekTitienOlszewski?f_ri=27745","photo":"https://0.academia-photos.com/2037251/673950/1032526/s65_marek_titien.olszewski_marek_tycjan_olszewski_.jpg"}],"research_interests":[{"id":137,"name":"Economic History","url":"https://www.academia.edu/Documents/in/Economic_History?f_ri=27745","nofollow":false},{"id":392,"name":"Archaeology","url":"https://www.academia.edu/Documents/in/Archaeology?f_ri=27745","nofollow":false},{"id":393,"name":"Classical 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Archaeology","url":"https://www.academia.edu/Documents/in/Lybian_History_and_Archaeology?f_ri=27745"},{"id":563974,"name":"Ariadna","url":"https://www.academia.edu/Documents/in/Ariadna?f_ri=27745"},{"id":633966,"name":"Greek and Roman Social History","url":"https://www.academia.edu/Documents/in/Greek_and_Roman_Social_History?f_ri=27745"},{"id":634974,"name":"Roman Archaeology","url":"https://www.academia.edu/Documents/in/Roman_Archaeology?f_ri=27745"},{"id":649345,"name":"Mitologia griega","url":"https://www.academia.edu/Documents/in/Mitologia_griega?f_ri=27745"},{"id":676901,"name":"Triclinium","url":"https://www.academia.edu/Documents/in/Triclinium?f_ri=27745"},{"id":1010220,"name":"Greek History of Art and Archeology","url":"https://www.academia.edu/Documents/in/Greek_History_of_Art_and_Archeology?f_ri=27745"},{"id":1036390,"name":"Greek and Roman Art","url":"https://www.academia.edu/Documents/in/Greek_and_Roman_Art?f_ri=27745"},{"id":1211962,"name":"Ptolemais In Cyrenaica","url":"https://www.academia.edu/Documents/in/Ptolemais_In_Cyrenaica?f_ri=27745"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_1850900" data-work_id="1850900" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/1850900/Jupiter_Venus_and_Mercury_of_Heliopolis_Baalbek_The_images_of_the_triad_and_its_alleged_syncretisms">Jupiter, Venus and Mercury of Heliopolis (Baalbek). The images of the “triad” and its alleged syncretisms</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/1850900" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="985ee94864c3d7b5ff6f1a6dc8ade6d7" rel="nofollow" data-download="{"attachment_id":25961785,"asset_id":1850900,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/25961785/download_file?st=MTczMjQ3MjM3MSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="223829" href="https://nottingham.academia.edu/AndreasKropp">Andreas Kropp</a><script data-card-contents-for-user="223829" type="text/json">{"id":223829,"first_name":"Andreas","last_name":"Kropp","domain_name":"nottingham","page_name":"AndreasKropp","display_name":"Andreas Kropp","profile_url":"https://nottingham.academia.edu/AndreasKropp?f_ri=27745","photo":"https://0.academia-photos.com/223829/50278/4804050/s65_andreas.kropp.jpg"}</script></span></span></li><li class="js-paper-rank-work_1850900 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="1850900"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 1850900, container: ".js-paper-rank-work_1850900", }); 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$(".js-view-count[data-work-id=1850900]").text(description); $(".js-view-count-work_1850900").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_1850900").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="1850900"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">8</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="6736" href="https://www.academia.edu/Documents/in/Lebanon">Lebanon</a>, <script data-card-contents-for-ri="6736" type="text/json">{"id":6736,"name":"Lebanon","url":"https://www.academia.edu/Documents/in/Lebanon?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="27745" href="https://www.academia.edu/Documents/in/Roman_Iconography">Roman Iconography</a>, <script data-card-contents-for-ri="27745" type="text/json">{"id":27745,"name":"Roman Iconography","url":"https://www.academia.edu/Documents/in/Roman_Iconography?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="48467" href="https://www.academia.edu/Documents/in/Roman_Near_East">Roman Near East</a>, <script data-card-contents-for-ri="48467" type="text/json">{"id":48467,"name":"Roman Near East","url":"https://www.academia.edu/Documents/in/Roman_Near_East?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="119014" href="https://www.academia.edu/Documents/in/Roman_Art">Roman Art</a><script data-card-contents-for-ri="119014" type="text/json">{"id":119014,"name":"Roman Art","url":"https://www.academia.edu/Documents/in/Roman_Art?f_ri=27745","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=1850900]'), work: {"id":1850900,"title":"Jupiter, Venus and Mercury of Heliopolis (Baalbek). 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itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/29694699/Il_Missorium_di_Teodosio_tra_iconografia_e_iconologia">Il Missorium di Teodosio: tra iconografia e iconologia</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/29694699" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="17b6e9c401601ceee5c2c08c9090eb4f" rel="nofollow" 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Antiquity","url":"https://www.academia.edu/Documents/in/Late_Antiquity?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="27745" href="https://www.academia.edu/Documents/in/Roman_Iconography">Roman Iconography</a>, <script data-card-contents-for-ri="27745" type="text/json">{"id":27745,"name":"Roman Iconography","url":"https://www.academia.edu/Documents/in/Roman_Iconography?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="31870" href="https://www.academia.edu/Documents/in/Iconology">Iconology</a><script data-card-contents-for-ri="31870" type="text/json">{"id":31870,"name":"Iconology","url":"https://www.academia.edu/Documents/in/Iconology?f_ri=27745","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=29694699]'), work: {"id":29694699,"title":"Il Missorium di Teodosio: tra iconografia e 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Iconography","url":"https://www.academia.edu/Documents/in/Roman_Iconography?f_ri=27745","nofollow":false},{"id":31870,"name":"Iconology","url":"https://www.academia.edu/Documents/in/Iconology?f_ri=27745","nofollow":false},{"id":91865,"name":"Iconography and Iconology","url":"https://www.academia.edu/Documents/in/Iconography_and_Iconology?f_ri=27745"},{"id":119014,"name":"Roman Art","url":"https://www.academia.edu/Documents/in/Roman_Art?f_ri=27745"},{"id":742307,"name":"Disco De Teodosio","url":"https://www.academia.edu/Documents/in/Disco_De_Teodosio?f_ri=27745"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_37691476" data-work_id="37691476" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/37691476/A_Comparative_Analysis_of_The_Annunciation_Botticelli_vs_Martini">A Comparative Analysis of ‘The Annunciation’: Botticelli vs. Martini</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">This document analyzes the differences in color, composition, perspective and use of light/shadow in Sandro Botticelli's and Simone Martini’s respective versions of the ‘Annunciation’.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/37691476" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a 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data-card-contents-for-user="20252119" type="text/json">{"id":20252119,"first_name":"Megan","last_name":"Sanchez","domain_name":"aur","page_name":"MeganEvmo","display_name":"Megan Sanchez","profile_url":"https://aur.academia.edu/MeganEvmo?f_ri=27745","photo":"https://0.academia-photos.com/20252119/18256759/33698454/s65_megan.sanchez.jpg"}</script></span></span></li><li class="js-paper-rank-work_37691476 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="37691476"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 37691476, container: ".js-paper-rank-work_37691476", }); });</script></li><li class="js-percentile-work_37691476 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x 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type="text/json">{"id":951,"name":"Humanities","url":"https://www.academia.edu/Documents/in/Humanities?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2987" href="https://www.academia.edu/Documents/in/Renaissance_Studies">Renaissance Studies</a>, <script data-card-contents-for-ri="2987" type="text/json">{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="5124" href="https://www.academia.edu/Documents/in/Renaissance_Art">Renaissance Art</a><script data-card-contents-for-ri="5124" type="text/json">{"id":5124,"name":"Renaissance Art","url":"https://www.academia.edu/Documents/in/Renaissance_Art?f_ri=27745","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=37691476]'), work: {"id":37691476,"title":"A Comparative 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Iconography","url":"https://www.academia.edu/Documents/in/Christian_Iconography?f_ri=27745"},{"id":27745,"name":"Roman Iconography","url":"https://www.academia.edu/Documents/in/Roman_Iconography?f_ri=27745"},{"id":125431,"name":"Byzantine art","url":"https://www.academia.edu/Documents/in/Byzantine_art?f_ri=27745"},{"id":150687,"name":"Sandro Botticelli","url":"https://www.academia.edu/Documents/in/Sandro_Botticelli?f_ri=27745"},{"id":185165,"name":"Byzantine and post-byzantine art; italian art; renaissance","url":"https://www.academia.edu/Documents/in/Byzantine_and_post-byzantine_art_italian_art_renaissance?f_ri=27745"},{"id":240394,"name":"Post-byzantine art history","url":"https://www.academia.edu/Documents/in/Post-byzantine_art_history?f_ri=27745"},{"id":240794,"name":"Post-byzantine art","url":"https://www.academia.edu/Documents/in/Post-byzantine_art?f_ri=27745"},{"id":247925,"name":"Byzantine and Post Byzantine Art","url":"https://www.academia.edu/Documents/in/Byzantine_and_Post_Byzantine_Art?f_ri=27745"},{"id":256667,"name":"Arts and Humanities","url":"https://www.academia.edu/Documents/in/Arts_and_Humanities?f_ri=27745"},{"id":257031,"name":"Art and Religion","url":"https://www.academia.edu/Documents/in/Art_and_Religion?f_ri=27745"},{"id":436176,"name":"Byzantine and post-byzantine icons and frescoes","url":"https://www.academia.edu/Documents/in/Byzantine_and_post-byzantine_icons_and_frescoes?f_ri=27745"},{"id":441173,"name":"Simone Martini","url":"https://www.academia.edu/Documents/in/Simone_Martini?f_ri=27745"},{"id":736943,"name":"Byzantine and Postbyzantine icon-painting","url":"https://www.academia.edu/Documents/in/Byzantine_and_Postbyzantine_icon-painting?f_ri=27745"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_1059638" data-work_id="1059638" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/1059638/_La_diffusion_des_mythes_fondateurs_de_Rome_dans_la_peinture_murale_et_la_mosa%C3%AFque_antique_dans_Circulaci%C3%B3n_de_temas_y_sistemas_decorativos_en_la_pintura_mural_antigua_Actas_del_IX_Congreso_internacional_de_l_AIPMA_C_Guiral_Pelegrin_dir_Saragosse_2007_p_41_48">« La diffusion des mythes fondateurs de Rome dans la peinture murale et la mosaïque antique », dans Circulación de temas y sistemas decorativos en la pintura mural antigua, Actas del IX Congreso internacional de l’AIPMA, (C. Guiral Pelegrin dir.), Saragosse, 2007, p. 41-48.</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/1059638" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="8359426a268dff7e879d6339a63fe536" rel="nofollow" data-download="{"attachment_id":6526593,"asset_id":1059638,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/6526593/download_file?st=MTczMjQ3MjM3MSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="903275" href="https://univ-tlse2.academia.edu/alexandradardenay">Alexandra Dardenay</a><script data-card-contents-for-user="903275" type="text/json">{"id":903275,"first_name":"Alexandra","last_name":"Dardenay","domain_name":"univ-tlse2","page_name":"alexandradardenay","display_name":"Alexandra Dardenay","profile_url":"https://univ-tlse2.academia.edu/alexandradardenay?f_ri=27745","photo":"https://0.academia-photos.com/903275/333227/690086/s65_alexandra.dardenay.jpg"}</script></span></span></li><li class="js-paper-rank-work_1059638 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="1059638"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 1059638, container: ".js-paper-rank-work_1059638", }); });</script></li><li class="js-percentile-work_1059638 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 1059638; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_1059638"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_1059638 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="1059638"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 1059638; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=1059638]").text(description); $(".js-view-count-work_1059638").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_1059638").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="1059638"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">5</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="27745" href="https://www.academia.edu/Documents/in/Roman_Iconography">Roman Iconography</a>, <script data-card-contents-for-ri="27745" type="text/json">{"id":27745,"name":"Roman Iconography","url":"https://www.academia.edu/Documents/in/Roman_Iconography?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="32626" href="https://www.academia.edu/Documents/in/Graeco-Roman_Mosaics_and_Wall_Paintings">Graeco-Roman Mosaics and Wall Paintings</a>, <script data-card-contents-for-ri="32626" type="text/json">{"id":32626,"name":"Graeco-Roman Mosaics and Wall Paintings","url":"https://www.academia.edu/Documents/in/Graeco-Roman_Mosaics_and_Wall_Paintings?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="38840" href="https://www.academia.edu/Documents/in/Roman_Painting">Roman Painting</a>, <script data-card-contents-for-ri="38840" type="text/json">{"id":38840,"name":"Roman Painting","url":"https://www.academia.edu/Documents/in/Roman_Painting?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="119014" href="https://www.academia.edu/Documents/in/Roman_Art">Roman Art</a><script data-card-contents-for-ri="119014" type="text/json">{"id":119014,"name":"Roman Art","url":"https://www.academia.edu/Documents/in/Roman_Art?f_ri=27745","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=1059638]'), work: {"id":1059638,"title":"« La diffusion des mythes fondateurs de Rome dans la peinture murale et la mosaïque antique », dans Circulación de temas y sistemas decorativos en la pintura mural antigua, Actas del IX Congreso internacional de l’AIPMA, (C. Guiral Pelegrin dir.), Saragosse, 2007, p. 41-48.","created_at":"2011-11-02T05:16:16.581-07:00","url":"https://www.academia.edu/1059638/_La_diffusion_des_mythes_fondateurs_de_Rome_dans_la_peinture_murale_et_la_mosa%C3%AFque_antique_dans_Circulaci%C3%B3n_de_temas_y_sistemas_decorativos_en_la_pintura_mural_antigua_Actas_del_IX_Congreso_internacional_de_l_AIPMA_C_Guiral_Pelegrin_dir_Saragosse_2007_p_41_48?f_ri=27745","dom_id":"work_1059638","summary":null,"downloadable_attachments":[{"id":6526593,"asset_id":1059638,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":903275,"first_name":"Alexandra","last_name":"Dardenay","domain_name":"univ-tlse2","page_name":"alexandradardenay","display_name":"Alexandra Dardenay","profile_url":"https://univ-tlse2.academia.edu/alexandradardenay?f_ri=27745","photo":"https://0.academia-photos.com/903275/333227/690086/s65_alexandra.dardenay.jpg"}],"research_interests":[{"id":27745,"name":"Roman Iconography","url":"https://www.academia.edu/Documents/in/Roman_Iconography?f_ri=27745","nofollow":false},{"id":32626,"name":"Graeco-Roman Mosaics and Wall Paintings","url":"https://www.academia.edu/Documents/in/Graeco-Roman_Mosaics_and_Wall_Paintings?f_ri=27745","nofollow":false},{"id":38840,"name":"Roman Painting","url":"https://www.academia.edu/Documents/in/Roman_Painting?f_ri=27745","nofollow":false},{"id":119014,"name":"Roman Art","url":"https://www.academia.edu/Documents/in/Roman_Art?f_ri=27745","nofollow":false},{"id":634974,"name":"Roman Archaeology","url":"https://www.academia.edu/Documents/in/Roman_Archaeology?f_ri=27745"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_9241525" data-work_id="9241525" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/9241525/The_iconographic_programme_of_the_Cyprus_mosaic_from_the_House_of_Aion_reinterpreted_as_an_anti_Christian_polemic">The iconographic programme of the Cyprus mosaic from the House of Aion reinterpreted as an anti-Christian polemic</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">More than 20 years after presenting his first interpretation of the mosaic from the House of Aion in a paper entitled “Uwagi na temat mozaiki z Domu Aiona w Nea Paphos (Cypr)” (Meander 9/10, 1987, p. 421-438, in Polish, and translated to... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_9241525" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">More than 20 years after presenting his first interpretation of the mosaic from the House of Aion in a paper entitled “Uwagi na temat mozaiki z Domu Aiona w Nea Paphos (Cypr)” (Meander 9/10, 1987, p. 421-438, in Polish, and translated to English: « The Immortality of the Human Soul and the Dionysiac Mysteries in the 4th Century Allegory [in Connection with the Interpretation of the Mosaic from the “House of Aion” at Paphos in Cyprus]»), where he proposed reading the five mythological panels (1. Leda and Zeus; 2. Dionysus on Mount Nysa; 3. The Dionysian thiasos; 4. Apollo and Marsyas; 5. The Apotheosis of Cassiopeia) as an allegory of the destiny of the human soul and body, starting with conception and ending with the liberation of the soul and its apotheosis, the author now enhances his initial interpretation with numerous reflections concerning the historical context of this work of art, created in the years 320-360. <br />If, according to the author, the mosaic is a “Hymn” in honour of the pagan gods, Man (his soul) and his place in the (pagan) universe, then at the same time it polemicises with the Christian faith and its God, Jesus Christ. <br />The author puts forward numerous new solutions relating to the mosaic’s iconography and iconology. Analysis of the mosaic also leads him to propose a solution to the as-yet unanswered question regarding the absence of images of the crucified Christ in Christian art of the 3rd and 4th centuries, up until 420/430, when the first images of Christ on the cross appear. <br />CONTENTS: <br />Introduction <br />1. Research to-date (recap) <br />2. Description of mosaic (recap) <br />2.1. Composition of five mythological scenes <br />2.2. Brief iconographic description of mythological panels <br />2.3. Outline of individual iconographic elements and their respective roles <br />2.4. The pagan gods’ air of majesty and dignity as an expression of piety <br />3. A few words about the pagan reaction <br />4. An apology of pious human life according to pagan principles and a polemic on the Christian model of Man and his theological idol, Jesus Christ <br />4.1. Divine intervention in the act of human conception (allusion to/polemic on the Annunciation to the Virgin Mary) <br />4.2. The Epiphany of Dionysus (an allusion to the Epiphany of Christ – Theou Pais) <br />4.3. The procession and dissemination of Dionysian order (allusion to/polemic on Christ’s entry into Jerusalem) <br />4.4. The error of Marsyas (polemic on/allusion to the error of Jesus the Messiah): arrest, sentencing for arrogance and lack of piety (asebeia) and condemnation to a martyr’s death <br />4.5. The anabasis (or anagoge psyches) of a ‘beautiful soul’ (allusion to/polemic on the Ascension of Christ) <br />5. A few words on the mosaic programme prior to final conclusions <br />Final conclusions</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/9241525" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="24a315fc651803fa98d4f197931278e1" rel="nofollow" data-download="{"attachment_id":35512247,"asset_id":9241525,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/35512247/download_file?st=MTczMjQ3MjM3MSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="2037251" href="https://uw.academia.edu/MarekTitienOlszewski">Marek Titien Olszewski (Marek Tycjan Olszewski)</a><script data-card-contents-for-user="2037251" type="text/json">{"id":2037251,"first_name":"Marek Titien","last_name":"Olszewski (Marek Tycjan Olszewski)","domain_name":"uw","page_name":"MarekTitienOlszewski","display_name":"Marek Titien Olszewski (Marek Tycjan Olszewski)","profile_url":"https://uw.academia.edu/MarekTitienOlszewski?f_ri=27745","photo":"https://0.academia-photos.com/2037251/673950/1032526/s65_marek_titien.olszewski_marek_tycjan_olszewski_.jpg"}</script></span></span></li><li class="js-paper-rank-work_9241525 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="9241525"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 9241525, container: ".js-paper-rank-work_9241525", }); 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Leda and Zeus; 2. Dionysus on Mount Nysa; 3. The Dionysian thiasos; 4. Apollo and Marsyas; 5. The Apotheosis of Cassiopeia) as an allegory of the destiny of the human soul and body, starting with conception and ending with the liberation of the soul and its apotheosis, the author now enhances his initial interpretation with numerous reflections concerning the historical context of this work of art, created in the years 320-360.\r\nIf, according to the author, the mosaic is a “Hymn” in honour of the pagan gods, Man (his soul) and his place in the (pagan) universe, then at the same time it polemicises with the Christian faith and its God, Jesus Christ. \r\nThe author puts forward numerous new solutions relating to the mosaic’s iconography and iconology. Analysis of the mosaic also leads him to propose a solution to the as-yet unanswered question regarding the absence of images of the crucified Christ in Christian art of the 3rd and 4th centuries, up until 420/430, when the first images of Christ on the cross appear.\r\nCONTENTS:\r\nIntroduction\r\n1. Research to-date (recap)\r\n2. Description of mosaic (recap)\r\n2.1. Composition of five mythological scenes\r\n2.2. Brief iconographic description of mythological panels\r\n2.3. Outline of individual iconographic elements and their respective roles\r\n2.4. The pagan gods’ air of majesty and dignity as an expression of piety\r\n3. A few words about the pagan reaction\r\n4. An apology of pious human life according to pagan principles and a polemic on the Christian model of Man and his theological idol, Jesus Christ\r\n4.1. Divine intervention in the act of human conception (allusion to/polemic on the Annunciation to the Virgin Mary)\r\n4.2. The Epiphany of Dionysus (an allusion to the Epiphany of Christ – Theou Pais)\r\n4.3. The procession and dissemination of Dionysian order (allusion to/polemic on Christ’s entry into Jerusalem)\r\n4.4. The error of Marsyas (polemic on/allusion to the error of Jesus the Messiah): arrest, sentencing for arrogance and lack of piety (asebeia) and condemnation to a martyr’s death\r\n4.5. The anabasis (or anagoge psyches) of a ‘beautiful soul’ (allusion to/polemic on the Ascension of Christ)\r\n5. A few words on the mosaic programme prior to final conclusions\r\nFinal conclusions","downloadable_attachments":[{"id":35512247,"asset_id":9241525,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":2037251,"first_name":"Marek Titien","last_name":"Olszewski (Marek Tycjan Olszewski)","domain_name":"uw","page_name":"MarekTitienOlszewski","display_name":"Marek Titien Olszewski (Marek Tycjan Olszewski)","profile_url":"https://uw.academia.edu/MarekTitienOlszewski?f_ri=27745","photo":"https://0.academia-photos.com/2037251/673950/1032526/s65_marek_titien.olszewski_marek_tycjan_olszewski_.jpg"}],"research_interests":[{"id":1,"name":"Creative 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Studien zu den Gladiatorenreliefs der späten Republik und der Kaiserzeit aus Italien, Studien zur antiken Stadt 15 (Wiesbaden 2015).</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Die Darstellung von Gladiatoren und ihren Kämpfen gehört zu den zentralen Themen der kaiserzeitlichen Bilderwelt. Durch die Untersuchung von Ikonographie und Erzählweise geht die vorliegende Studie erstmals umfassend der Entstehung und... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_1614943" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Die Darstellung von Gladiatoren und ihren Kämpfen gehört zu den zentralen Themen der kaiserzeitlichen Bilderwelt. Durch die Untersuchung von Ikonographie und Erzählweise geht die vorliegende Studie erstmals umfassend der Entstehung und Entwicklung der Gladiatorenbilder sowie ihren Funktionen und Botschaften in später Republik und Kaiserzeit nach. Im Zentrum der Arbeit steht dabei die sozialhistorische und kunstgeschichtliche Einordnung von Relieffriesen, die einst die Grabbauten munizipaler Würdenträger in Italien schmückten. Als konkrete Erinnerungsbilder verwiesen sie auf die Rolle der Grabinhaber als Veranstalter von munera gladiatoria. Die teilweise monumentale Wiedergabe von Gladiatorenspielen auf den Gräbern der editores muneris setzte ganz vereinzelt im späten 2. Jh. und der 1. Hälfte des 1. Jhs. v. Chr. in Mittelitalien ein und hatte ihren Höhepunkt in augusteischer Zeit. Bereits für die nachaugusteische Zeit zeichnet sich jedoch ein starker Rückgang der Gladiatorenreliefs ab. Die Bilder sind vor allem in den Regionen Mittel- und Süditaliens zu finden, in denen die Stiftung von Gladiatorenkämpfen durch städtische Magistrate noch ein Novum und damit eine außergewöhnliche Leistung war. Der Vergleich mit anderen liberalitas-Darstellungen erweist darüber hinaus die herausragende Bedeutung der Gladiatorenreliefs und der dahinter stehenden Veranstaltungen in diesem Zeitraum. Wohl gemeinsam mit nicht erhaltenen Tafelbildern, die bereits für das 2. Jh. v. Chr. literarisch belegt sind, stellen die Grabreliefs das erste bildliche Medium überhaupt dar, das in großem Umfang Gladiatorenkämpfe zeigt. In diesem Zusammenhang entwickelte sich eine eigene, nahezu ex novo entstandene Bildsprache, die vorbildhaft für die gesamte Kaiserzeit werden sollte und die in dieser Studie erstmals detailliert nachvollzogen wird. Die treibende Kraft hinter den sich rasch wandelnden Bildkonzepten sind dabei die Grabinhaber in ihrer Rolle als Spielgeber. Der Blick auf weitere Denkmälergattungen wie Reliefkeramik, Bildlampen, Graffiti, aber auch auf Wandmalerei und Mosaik vermag es ferner, gewandelte Darstellungsinteressen in unterschiedlichen Kontexten, Zeiten und Regionen aufzuzeigen. Neben der Analyse unterschiedlicher Erzählstrategien gilt das Augenmerk darüber hinaus Fragen wie dem Verhältnis von Bild und Realität, der Rolle von Gewalt oder dem Verhältnis von Gladiatur und Eros in den Bildern. Neues Licht auf das Gladiatorenwesen und ihre Ikonographie wirft dabei besonders die Untersuchung der einzelnen armaturae und ihrer Bewaffnung, die in ihrer Bedeutung zwischen Barbarenklischee, existierendem Feindbild, mythischem Heros sowie Kampfstil und besonderen Kampftechniken changieren.<br /><br />The depiction of gladiators and their combats is one of the key topics in the visual theatre of the Roman Imperial period. By examining its iconography and narrative, this study is the first to comprehensively analyse the origin and development of the visual appearance of gladiatorial scenes as well as their function and message in the Late Republic and during the Principate. Employing avenues of socio- and art-historical analysis, the study centres upon the analysis of reliefs that would have been part of funerary structures for municipal officials in Italy. In this function, most of the scenes depicted on these funerary monuments represented specific events in the lives of the individuals concerned and highlighted their role as providers of munera gladiatoria. Other archaeological artefacts such as Roman relief ware, oil lamps and graffiti corroborate the changes in the contemporary visual culture in different contexts, times and spaces as evidenced in the development of gladiatorial imagery.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/1614943" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="077148d414125598e3852dea8b420e21" rel="nofollow" data-download="{"attachment_id":40795719,"asset_id":1614943,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/40795719/download_file?st=MTczMjQ3MjM3MSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1581436" href="https://uni-mainz.academia.edu/ManuelFlecker">Manuel Flecker</a><script data-card-contents-for-user="1581436" type="text/json">{"id":1581436,"first_name":"Manuel","last_name":"Flecker","domain_name":"uni-mainz","page_name":"ManuelFlecker","display_name":"Manuel Flecker","profile_url":"https://uni-mainz.academia.edu/ManuelFlecker?f_ri=27745","photo":"https://0.academia-photos.com/1581436/554687/30856127/s65_manuel.flecker.jpg"}</script></span></span></li><li class="js-paper-rank-work_1614943 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="1614943"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 1614943, container: ".js-paper-rank-work_1614943", }); 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$(".js-view-count[data-work-id=1614943]").text(description); $(".js-view-count-work_1614943").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_1614943").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="1614943"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">16</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="393" href="https://www.academia.edu/Documents/in/Classical_Archaeology">Classical Archaeology</a>, <script data-card-contents-for-ri="393" type="text/json">{"id":393,"name":"Classical Archaeology","url":"https://www.academia.edu/Documents/in/Classical_Archaeology?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="816" href="https://www.academia.edu/Documents/in/Classics">Classics</a>, <script data-card-contents-for-ri="816" type="text/json">{"id":816,"name":"Classics","url":"https://www.academia.edu/Documents/in/Classics?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="20728" href="https://www.academia.edu/Documents/in/Roman_Pottery">Roman Pottery</a>, <script data-card-contents-for-ri="20728" type="text/json">{"id":20728,"name":"Roman Pottery","url":"https://www.academia.edu/Documents/in/Roman_Pottery?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="27745" href="https://www.academia.edu/Documents/in/Roman_Iconography">Roman Iconography</a><script data-card-contents-for-ri="27745" type="text/json">{"id":27745,"name":"Roman Iconography","url":"https://www.academia.edu/Documents/in/Roman_Iconography?f_ri=27745","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=1614943]'), work: {"id":1614943,"title":"Römische Gladiatorenbilder. Studien zu den Gladiatorenreliefs der späten Republik und der Kaiserzeit aus Italien, Studien zur antiken Stadt 15 (Wiesbaden 2015).","created_at":"2012-06-02T20:48:03.475-07:00","url":"https://www.academia.edu/1614943/R%C3%B6mische_Gladiatorenbilder_Studien_zu_den_Gladiatorenreliefs_der_sp%C3%A4ten_Republik_und_der_Kaiserzeit_aus_Italien_Studien_zur_antiken_Stadt_15_Wiesbaden_2015_?f_ri=27745","dom_id":"work_1614943","summary":"Die Darstellung von Gladiatoren und ihren Kämpfen gehört zu den zentralen Themen der kaiserzeitlichen Bilderwelt. Durch die Untersuchung von Ikonographie und Erzählweise geht die vorliegende Studie erstmals umfassend der Entstehung und Entwicklung der Gladiatorenbilder sowie ihren Funktionen und Botschaften in später Republik und Kaiserzeit nach. Im Zentrum der Arbeit steht dabei die sozialhistorische und kunstgeschichtliche Einordnung von Relieffriesen, die einst die Grabbauten munizipaler Würdenträger in Italien schmückten. Als konkrete Erinnerungsbilder verwiesen sie auf die Rolle der Grabinhaber als Veranstalter von munera gladiatoria. Die teilweise monumentale Wiedergabe von Gladiatorenspielen auf den Gräbern der editores muneris setzte ganz vereinzelt im späten 2. Jh. und der 1. Hälfte des 1. Jhs. v. Chr. in Mittelitalien ein und hatte ihren Höhepunkt in augusteischer Zeit. Bereits für die nachaugusteische Zeit zeichnet sich jedoch ein starker Rückgang der Gladiatorenreliefs ab. Die Bilder sind vor allem in den Regionen Mittel- und Süditaliens zu finden, in denen die Stiftung von Gladiatorenkämpfen durch städtische Magistrate noch ein Novum und damit eine außergewöhnliche Leistung war. Der Vergleich mit anderen liberalitas-Darstellungen erweist darüber hinaus die herausragende Bedeutung der Gladiatorenreliefs und der dahinter stehenden Veranstaltungen in diesem Zeitraum. Wohl gemeinsam mit nicht erhaltenen Tafelbildern, die bereits für das 2. Jh. v. Chr. literarisch belegt sind, stellen die Grabreliefs das erste bildliche Medium überhaupt dar, das in großem Umfang Gladiatorenkämpfe zeigt. In diesem Zusammenhang entwickelte sich eine eigene, nahezu ex novo entstandene Bildsprache, die vorbildhaft für die gesamte Kaiserzeit werden sollte und die in dieser Studie erstmals detailliert nachvollzogen wird. Die treibende Kraft hinter den sich rasch wandelnden Bildkonzepten sind dabei die Grabinhaber in ihrer Rolle als Spielgeber. Der Blick auf weitere Denkmälergattungen wie Reliefkeramik, Bildlampen, Graffiti, aber auch auf Wandmalerei und Mosaik vermag es ferner, gewandelte Darstellungsinteressen in unterschiedlichen Kontexten, Zeiten und Regionen aufzuzeigen. Neben der Analyse unterschiedlicher Erzählstrategien gilt das Augenmerk darüber hinaus Fragen wie dem Verhältnis von Bild und Realität, der Rolle von Gewalt oder dem Verhältnis von Gladiatur und Eros in den Bildern. Neues Licht auf das Gladiatorenwesen und ihre Ikonographie wirft dabei besonders die Untersuchung der einzelnen armaturae und ihrer Bewaffnung, die in ihrer Bedeutung zwischen Barbarenklischee, existierendem Feindbild, mythischem Heros sowie Kampfstil und besonderen Kampftechniken changieren.\n\nThe depiction of gladiators and their combats is one of the key topics in the visual theatre of the Roman Imperial period. By examining its iconography and narrative, this study is the first to comprehensively analyse the origin and development of the visual appearance of gladiatorial scenes as well as their function and message in the Late Republic and during the Principate. Employing avenues of socio- and art-historical analysis, the study centres upon the analysis of reliefs that would have been part of funerary structures for municipal officials in Italy. In this function, most of the scenes depicted on these funerary monuments represented specific events in the lives of the individuals concerned and highlighted their role as providers of munera gladiatoria. Other archaeological artefacts such as Roman relief ware, oil lamps and graffiti corroborate the changes in the contemporary visual culture in different contexts, times and spaces as evidenced in the development of gladiatorial imagery.","downloadable_attachments":[{"id":40795719,"asset_id":1614943,"asset_type":"Work","always_allow_download":false},{"id":56892037,"asset_id":1614943,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1581436,"first_name":"Manuel","last_name":"Flecker","domain_name":"uni-mainz","page_name":"ManuelFlecker","display_name":"Manuel Flecker","profile_url":"https://uni-mainz.academia.edu/ManuelFlecker?f_ri=27745","photo":"https://0.academia-photos.com/1581436/554687/30856127/s65_manuel.flecker.jpg"}],"research_interests":[{"id":393,"name":"Classical Archaeology","url":"https://www.academia.edu/Documents/in/Classical_Archaeology?f_ri=27745","nofollow":false},{"id":816,"name":"Classics","url":"https://www.academia.edu/Documents/in/Classics?f_ri=27745","nofollow":false},{"id":20728,"name":"Roman Pottery","url":"https://www.academia.edu/Documents/in/Roman_Pottery?f_ri=27745","nofollow":false},{"id":27745,"name":"Roman Iconography","url":"https://www.academia.edu/Documents/in/Roman_Iconography?f_ri=27745","nofollow":false},{"id":35543,"name":"Roman Amphitheater","url":"https://www.academia.edu/Documents/in/Roman_Amphitheater?f_ri=27745"},{"id":48230,"name":"Roman Provincial Archaeology","url":"https://www.academia.edu/Documents/in/Roman_Provincial_Archaeology?f_ri=27745"},{"id":85515,"name":"Roman Sculpture","url":"https://www.academia.edu/Documents/in/Roman_Sculpture?f_ri=27745"},{"id":86525,"name":"Roman Lamps","url":"https://www.academia.edu/Documents/in/Roman_Lamps?f_ri=27745"},{"id":95424,"name":"Greek and Roman Art and Architecture","url":"https://www.academia.edu/Documents/in/Greek_and_Roman_Art_and_Architecture?f_ri=27745"},{"id":118818,"name":"Gladiators","url":"https://www.academia.edu/Documents/in/Gladiators?f_ri=27745"},{"id":119014,"name":"Roman Art","url":"https://www.academia.edu/Documents/in/Roman_Art?f_ri=27745"},{"id":625377,"name":"Gladiators, Roman Iconography","url":"https://www.academia.edu/Documents/in/Gladiators_Roman_Iconography?f_ri=27745"},{"id":634974,"name":"Roman Archaeology","url":"https://www.academia.edu/Documents/in/Roman_Archaeology?f_ri=27745"},{"id":652026,"name":"Gladiators and the Arena Games","url":"https://www.academia.edu/Documents/in/Gladiators_and_the_Arena_Games?f_ri=27745"},{"id":861729,"name":"Munera Gladiatoria Y Ludi Circenses","url":"https://www.academia.edu/Documents/in/Munera_Gladiatoria_Y_Ludi_Circenses?f_ri=27745"},{"id":1765645,"name":"Roman relief sculpture","url":"https://www.academia.edu/Documents/in/Roman_relief_sculpture?f_ri=27745"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_15277613" data-work_id="15277613" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/15277613/The_Labors_of_Hercules_on_central_Italian_coins_and_tesserae_of_the_first_century_BC_full_text_">The Labors of Hercules on central Italian coins and tesserae of the first century BC (full text)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">For many years, I have been assembling a database of coins that can be provenanced to the River Liri, at Minturnae. In the process, I have found many coins and tesserae that are so far unpublished, or, if published, are wrongly... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_15277613" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">For many years, I have been assembling a database of coins that can be provenanced to the River Liri, at Minturnae. In the process, I have found many coins and tesserae that are so far unpublished, or, if published, are wrongly attributed. I have also searched for further specimens in public and private col-lections, most often among their unattributed coins. I here publish two separate groups of such pieces, which share the common theme of the Labors of Hercules. I illustrate all specimens that I know, of which I have casts or photos, and discuss the iconography of these images.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/15277613" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="49605efbc77479cd0be0d43dac0727a6" rel="nofollow" data-download="{"attachment_id":38612630,"asset_id":15277613,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/38612630/download_file?st=MTczMjQ3MjM3MSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="273387" href="https://warwick.academia.edu/CliveStannard">Clive Stannard</a><script data-card-contents-for-user="273387" type="text/json">{"id":273387,"first_name":"Clive","last_name":"Stannard","domain_name":"warwick","page_name":"CliveStannard","display_name":"Clive Stannard","profile_url":"https://warwick.academia.edu/CliveStannard?f_ri=27745","photo":"https://0.academia-photos.com/273387/56694/623681/s65_clive.stannard.jpg"}</script></span></span></li><li class="js-paper-rank-work_15277613 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="15277613"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 15277613, container: ".js-paper-rank-work_15277613", }); });</script></li><li class="js-percentile-work_15277613 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 15277613; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_15277613"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_15277613 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="15277613"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 15277613; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=15277613]").text(description); $(".js-view-count-work_15277613").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_15277613").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="15277613"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">6</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="869" href="https://www.academia.edu/Documents/in/Iconography">Iconography</a>, <script data-card-contents-for-ri="869" type="text/json">{"id":869,"name":"Iconography","url":"https://www.academia.edu/Documents/in/Iconography?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="27745" href="https://www.academia.edu/Documents/in/Roman_Iconography">Roman Iconography</a>, <script data-card-contents-for-ri="27745" type="text/json">{"id":27745,"name":"Roman Iconography","url":"https://www.academia.edu/Documents/in/Roman_Iconography?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="28371" href="https://www.academia.edu/Documents/in/Greco-Roman_Mythology">Greco-Roman Mythology</a>, <script data-card-contents-for-ri="28371" type="text/json">{"id":28371,"name":"Greco-Roman Mythology","url":"https://www.academia.edu/Documents/in/Greco-Roman_Mythology?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="28478" href="https://www.academia.edu/Documents/in/Roman_numismatics_and_archaeology">Roman numismatics and archaeology</a><script data-card-contents-for-ri="28478" type="text/json">{"id":28478,"name":"Roman numismatics and archaeology","url":"https://www.academia.edu/Documents/in/Roman_numismatics_and_archaeology?f_ri=27745","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=15277613]'), work: {"id":15277613,"title":"The Labors of Hercules on central Italian coins and tesserae of the first century BC (full text)","created_at":"2015-08-30T02:38:45.601-07:00","url":"https://www.academia.edu/15277613/The_Labors_of_Hercules_on_central_Italian_coins_and_tesserae_of_the_first_century_BC_full_text_?f_ri=27745","dom_id":"work_15277613","summary":"For many years, I have been assembling a database of coins that can be provenanced to the River Liri, at Minturnae. In the process, I have found many coins and tesserae that are so far unpublished, or, if published, are wrongly attributed. I have also searched for further specimens in public and private col-lections, most often among their unattributed coins. I here publish two separate groups of such pieces, which share the common theme of the Labors of Hercules. I illustrate all specimens that I know, of which I have casts or photos, and discuss the iconography of these images.","downloadable_attachments":[{"id":38612630,"asset_id":15277613,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":273387,"first_name":"Clive","last_name":"Stannard","domain_name":"warwick","page_name":"CliveStannard","display_name":"Clive Stannard","profile_url":"https://warwick.academia.edu/CliveStannard?f_ri=27745","photo":"https://0.academia-photos.com/273387/56694/623681/s65_clive.stannard.jpg"}],"research_interests":[{"id":869,"name":"Iconography","url":"https://www.academia.edu/Documents/in/Iconography?f_ri=27745","nofollow":false},{"id":27745,"name":"Roman Iconography","url":"https://www.academia.edu/Documents/in/Roman_Iconography?f_ri=27745","nofollow":false},{"id":28371,"name":"Greco-Roman Mythology","url":"https://www.academia.edu/Documents/in/Greco-Roman_Mythology?f_ri=27745","nofollow":false},{"id":28478,"name":"Roman numismatics and archaeology","url":"https://www.academia.edu/Documents/in/Roman_numismatics_and_archaeology?f_ri=27745","nofollow":false},{"id":48593,"name":"Roman Republican Numismatics","url":"https://www.academia.edu/Documents/in/Roman_Republican_Numismatics?f_ri=27745"},{"id":70467,"name":"Hercules","url":"https://www.academia.edu/Documents/in/Hercules?f_ri=27745"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_30388622" data-work_id="30388622" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/30388622/Sounds_of_Prehistory_and_Antiquity">Sounds of Prehistory and Antiquity</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The study of music from the earliest past draws upon iconography and archaeology, and any attempt to understand the earliest acoustic ecologies requires some level of approximation based on material artefacts. Participants are invited to... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_30388622" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The study of music from the earliest past draws upon iconography and archaeology, and any attempt to understand the earliest acoustic ecologies requires some level of approximation based on material artefacts. Participants are invited to offer embodied, experiential, phenomenological, creative, practice-based and practice-led research that explores the sonic contexts of prehistory and antiquity. These explorations may consider the examination of sound-producing objects and musical instruments, acoustics of performance spaces, or role of sound in rituals, ceremonies and everyday events. Research is welcomed that uses digital technologies in (re)constructions of ancient soundscapes, and explorations of sonic textures drawing upon iconographic, archaeological and literary sources. Also considered may be performances or other artistic content, whether focused on musical, sonic, performance or visual arts. They should provide information about the source material which has created the basis of the work, but subsequently freely engage with performative explorations.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/30388622" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="6d195dc5be742b2ed539ba1038ea0c1a" rel="nofollow" data-download="{"attachment_id":53239752,"asset_id":30388622,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/53239752/download_file?st=MTczMjQ3MjM3MSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="118115" href="https://gc-cuny.academia.edu/ZdravkoBlazekovic">Zdravko Blazekovic</a><script data-card-contents-for-user="118115" type="text/json">{"id":118115,"first_name":"Zdravko","last_name":"Blazekovic","domain_name":"gc-cuny","page_name":"ZdravkoBlazekovic","display_name":"Zdravko Blazekovic","profile_url":"https://gc-cuny.academia.edu/ZdravkoBlazekovic?f_ri=27745","photo":"https://0.academia-photos.com/118115/3242061/20134979/s65_zdravko.blazekovic.jpg"}</script></span></span></li><li class="js-paper-rank-work_30388622 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="30388622"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 30388622, container: ".js-paper-rank-work_30388622", }); 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$(".js-view-count[data-work-id=30388622]").text(description); $(".js-view-count-work_30388622").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_30388622").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="30388622"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">29</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="392" href="https://www.academia.edu/Documents/in/Archaeology">Archaeology</a>, <script data-card-contents-for-ri="392" type="text/json">{"id":392,"name":"Archaeology","url":"https://www.academia.edu/Documents/in/Archaeology?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="395" href="https://www.academia.edu/Documents/in/Experimental_Archaeology">Experimental Archaeology</a>, <script data-card-contents-for-ri="395" type="text/json">{"id":395,"name":"Experimental Archaeology","url":"https://www.academia.edu/Documents/in/Experimental_Archaeology?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="399" href="https://www.academia.edu/Documents/in/Prehistoric_Archaeology">Prehistoric Archaeology</a>, <script data-card-contents-for-ri="399" type="text/json">{"id":399,"name":"Prehistoric Archaeology","url":"https://www.academia.edu/Documents/in/Prehistoric_Archaeology?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="990" href="https://www.academia.edu/Documents/in/Late_Antique_and_Byzantine_History">Late Antique and Byzantine History</a><script data-card-contents-for-ri="990" type="text/json">{"id":990,"name":"Late Antique and Byzantine History","url":"https://www.academia.edu/Documents/in/Late_Antique_and_Byzantine_History?f_ri=27745","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=30388622]'), work: {"id":30388622,"title":"Sounds of Prehistory and Antiquity","created_at":"2016-12-11T16:30:06.991-08:00","url":"https://www.academia.edu/30388622/Sounds_of_Prehistory_and_Antiquity?f_ri=27745","dom_id":"work_30388622","summary":"The study of music from the earliest past draws upon iconography and archaeology, and any attempt to understand the earliest acoustic ecologies requires some level of approximation based on material artefacts. Participants are invited to offer embodied, experiential, phenomenological, creative, practice-based and practice-led research that explores the sonic contexts of prehistory and antiquity. These explorations may consider the examination of sound-producing objects and musical instruments, acoustics of performance spaces, or role of sound in rituals, ceremonies and everyday events. Research is welcomed that uses digital technologies in (re)constructions of ancient soundscapes, and explorations of sonic textures drawing upon iconographic, archaeological and literary sources. Also considered may be performances or other artistic content, whether focused on musical, sonic, performance or visual arts. They should provide information about the source material which has created the basis of the work, but subsequently freely engage with performative explorations.","downloadable_attachments":[{"id":53239752,"asset_id":30388622,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":118115,"first_name":"Zdravko","last_name":"Blazekovic","domain_name":"gc-cuny","page_name":"ZdravkoBlazekovic","display_name":"Zdravko Blazekovic","profile_url":"https://gc-cuny.academia.edu/ZdravkoBlazekovic?f_ri=27745","photo":"https://0.academia-photos.com/118115/3242061/20134979/s65_zdravko.blazekovic.jpg"}],"research_interests":[{"id":392,"name":"Archaeology","url":"https://www.academia.edu/Documents/in/Archaeology?f_ri=27745","nofollow":false},{"id":395,"name":"Experimental Archaeology","url":"https://www.academia.edu/Documents/in/Experimental_Archaeology?f_ri=27745","nofollow":false},{"id":399,"name":"Prehistoric Archaeology","url":"https://www.academia.edu/Documents/in/Prehistoric_Archaeology?f_ri=27745","nofollow":false},{"id":990,"name":"Late Antique and Byzantine History","url":"https://www.academia.edu/Documents/in/Late_Antique_and_Byzantine_History?f_ri=27745","nofollow":false},{"id":991,"name":"Late Antique and Byzantine Studies","url":"https://www.academia.edu/Documents/in/Late_Antique_and_Byzantine_Studies?f_ri=27745"},{"id":1169,"name":"Sound and Image","url":"https://www.academia.edu/Documents/in/Sound_and_Image?f_ri=27745"},{"id":5041,"name":"Late Antique Archaeology","url":"https://www.academia.edu/Documents/in/Late_Antique_Archaeology?f_ri=27745"},{"id":6634,"name":"Soundscape Studies","url":"https://www.academia.edu/Documents/in/Soundscape_Studies?f_ri=27745"},{"id":7172,"name":"Early Medieval Archaeology","url":"https://www.academia.edu/Documents/in/Early_Medieval_Archaeology?f_ri=27745"},{"id":7212,"name":"Sound studies","url":"https://www.academia.edu/Documents/in/Sound_studies?f_ri=27745"},{"id":11076,"name":"Late Antiquity","url":"https://www.academia.edu/Documents/in/Late_Antiquity?f_ri=27745"},{"id":11199,"name":"Neolithic Archaeology","url":"https://www.academia.edu/Documents/in/Neolithic_Archaeology?f_ri=27745"},{"id":22719,"name":"Room Acoustics","url":"https://www.academia.edu/Documents/in/Room_Acoustics?f_ri=27745"},{"id":24255,"name":"Late Antique Art and Archaeology","url":"https://www.academia.edu/Documents/in/Late_Antique_Art_and_Archaeology?f_ri=27745"},{"id":26875,"name":"Iconography (Music)","url":"https://www.academia.edu/Documents/in/Iconography_Music_?f_ri=27745"},{"id":27744,"name":"Ancient Greek Iconography","url":"https://www.academia.edu/Documents/in/Ancient_Greek_Iconography?f_ri=27745"},{"id":27745,"name":"Roman Iconography","url":"https://www.academia.edu/Documents/in/Roman_Iconography?f_ri=27745"},{"id":31793,"name":"Sound Art","url":"https://www.academia.edu/Documents/in/Sound_Art?f_ri=27745"},{"id":34817,"name":"Prehistory","url":"https://www.academia.edu/Documents/in/Prehistory?f_ri=27745"},{"id":51021,"name":"Music Archaeology","url":"https://www.academia.edu/Documents/in/Music_Archaeology?f_ri=27745"},{"id":66897,"name":"Mesoamerican iconography","url":"https://www.academia.edu/Documents/in/Mesoamerican_iconography?f_ri=27745"},{"id":90742,"name":"Musical Iconography","url":"https://www.academia.edu/Documents/in/Musical_Iconography?f_ri=27745"},{"id":91865,"name":"Iconography and Iconology","url":"https://www.academia.edu/Documents/in/Iconography_and_Iconology?f_ri=27745"},{"id":97694,"name":"Archaeology of Music","url":"https://www.academia.edu/Documents/in/Archaeology_of_Music?f_ri=27745"},{"id":101654,"name":"Iconografia","url":"https://www.academia.edu/Documents/in/Iconografia?f_ri=27745"},{"id":226538,"name":"Achaeology","url":"https://www.academia.edu/Documents/in/Achaeology?f_ri=27745"},{"id":634974,"name":"Roman Archaeology","url":"https://www.academia.edu/Documents/in/Roman_Archaeology?f_ri=27745"},{"id":742009,"name":"Music Archaeology (Espe)cially Silk and Spice Routes","url":"https://www.academia.edu/Documents/in/Music_Archaeology_Espe_cially_Silk_and_Spice_Routes?f_ri=27745"},{"id":951143,"name":"Archeology","url":"https://www.academia.edu/Documents/in/Archeology?f_ri=27745"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_31029010" data-work_id="31029010" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/31029010/Reich_und_Reichsgedanke_auf_den_M%C3%BCnzen_der_Antoninen_%C3%9Cberlegungen_zu_Hadrians_und_Pius_Provinzserien_in_K_Martin_B_Eckhardt_Hrsg_Eine_neue_Pr%C3%A4gung_Innovationspotentiale_von_M%C3%BCnzen_in_der_griechisch_r%C3%B6mischen_Antike_Philippika_102_Wiesbaden_2016_57_89">Reich und Reichsgedanke auf den Münzen der Antoninen. Überlegungen zu Hadrians und Pius’ Provinzserien, in K. Martin, B. Eckhardt (Hrsg.), Eine neue Prägung. Innovationspotentiale von Münzen in der griechisch-römischen Antike, Philippika 102, Wiesbaden 2016, 57-89</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/31029010" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="0c1fe944047e594949ff6f7445f75bef" rel="nofollow" data-download="{"attachment_id":51463019,"asset_id":31029010,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/51463019/download_file?st=MTczMjQ3MjM3MSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="714171" href="https://uni-m.academia.edu/ChristophMichels">Christoph Michels</a><script data-card-contents-for-user="714171" type="text/json">{"id":714171,"first_name":"Christoph","last_name":"Michels","domain_name":"uni-m","page_name":"ChristophMichels","display_name":"Christoph Michels","profile_url":"https://uni-m.academia.edu/ChristophMichels?f_ri=27745","photo":"https://0.academia-photos.com/714171/242560/286797/s65_christoph.michels.jpg"}</script></span></span></li><li class="js-paper-rank-work_31029010 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="31029010"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 31029010, container: ".js-paper-rank-work_31029010", }); 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$(".js-view-count[data-work-id=31029010]").text(description); $(".js-view-count-work_31029010").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_31029010").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="31029010"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">6</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="829" href="https://www.academia.edu/Documents/in/Roman_History">Roman History</a>, <script data-card-contents-for-ri="829" type="text/json">{"id":829,"name":"Roman History","url":"https://www.academia.edu/Documents/in/Roman_History?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="18121" href="https://www.academia.edu/Documents/in/Imperial_Rome">Imperial Rome</a>, <script data-card-contents-for-ri="18121" type="text/json">{"id":18121,"name":"Imperial Rome","url":"https://www.academia.edu/Documents/in/Imperial_Rome?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="27745" href="https://www.academia.edu/Documents/in/Roman_Iconography">Roman Iconography</a>, <script data-card-contents-for-ri="27745" type="text/json">{"id":27745,"name":"Roman Iconography","url":"https://www.academia.edu/Documents/in/Roman_Iconography?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="48865" href="https://www.academia.edu/Documents/in/Roman_provinces">Roman provinces</a><script data-card-contents-for-ri="48865" type="text/json">{"id":48865,"name":"Roman provinces","url":"https://www.academia.edu/Documents/in/Roman_provinces?f_ri=27745","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=31029010]'), work: {"id":31029010,"title":"Reich und Reichsgedanke auf den Münzen der Antoninen. Überlegungen zu Hadrians und Pius’ Provinzserien, in K. Martin, B. Eckhardt (Hrsg.), Eine neue Prägung. Innovationspotentiale von Münzen in der griechisch-römischen Antike, Philippika 102, Wiesbaden 2016, 57-89","created_at":"2017-01-22T02:44:39.711-08:00","url":"https://www.academia.edu/31029010/Reich_und_Reichsgedanke_auf_den_M%C3%BCnzen_der_Antoninen_%C3%9Cberlegungen_zu_Hadrians_und_Pius_Provinzserien_in_K_Martin_B_Eckhardt_Hrsg_Eine_neue_Pr%C3%A4gung_Innovationspotentiale_von_M%C3%BCnzen_in_der_griechisch_r%C3%B6mischen_Antike_Philippika_102_Wiesbaden_2016_57_89?f_ri=27745","dom_id":"work_31029010","summary":null,"downloadable_attachments":[{"id":51463019,"asset_id":31029010,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":714171,"first_name":"Christoph","last_name":"Michels","domain_name":"uni-m","page_name":"ChristophMichels","display_name":"Christoph Michels","profile_url":"https://uni-m.academia.edu/ChristophMichels?f_ri=27745","photo":"https://0.academia-photos.com/714171/242560/286797/s65_christoph.michels.jpg"}],"research_interests":[{"id":829,"name":"Roman History","url":"https://www.academia.edu/Documents/in/Roman_History?f_ri=27745","nofollow":false},{"id":18121,"name":"Imperial Rome","url":"https://www.academia.edu/Documents/in/Imperial_Rome?f_ri=27745","nofollow":false},{"id":27745,"name":"Roman Iconography","url":"https://www.academia.edu/Documents/in/Roman_Iconography?f_ri=27745","nofollow":false},{"id":48865,"name":"Roman provinces","url":"https://www.academia.edu/Documents/in/Roman_provinces?f_ri=27745","nofollow":false},{"id":54552,"name":"Hadrian","url":"https://www.academia.edu/Documents/in/Hadrian?f_ri=27745"},{"id":219655,"name":"Antoninus Pius","url":"https://www.academia.edu/Documents/in/Antoninus_Pius?f_ri=27745"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_17546185" data-work_id="17546185" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/17546185/Symbolic_Iconography_of_Etruscan_Sarcophagi_Women_Behind_the_Veil">Symbolic Iconography of Etruscan Sarcophagi; Women Behind the Veil</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">symbolism, iconography, and gestures, used on the sarcophagi of the Etruscan noblewomen, Seianti Harunina Tlesnasa and Larithia Seianti. Both of these figures, along with multiple other Etruscan women, are fully presented reclining on the... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_17546185" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">symbolism, iconography, and gestures, used on the sarcophagi of the Etruscan noblewomen, Seianti Harunina Tlesnasa and Larithia Seianti. Both of these figures, along with multiple other Etruscan women, are fully presented reclining on the lid of their sarcophagus pulling their veil out and from their face. The objective is to clarify if this gesture is an anakalypsis, or ‘unveiling gesture,’ and what that gesture may suggest or imply for the deceased. The research strategy was to examine certain communicative elements used on various female Etruscan sarcophagi; identify the origins, purpose, and functionality of the icons; comprehend their communicative value and connection between the deceased and the divine. The purpose of this research is to determine both the anakalypsis and the intended audience, and interpret the message being communicated.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/17546185" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="42af55662f3842917012c2b20f43011e" rel="nofollow" data-download="{"attachment_id":39590953,"asset_id":17546185,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/39590953/download_file?st=MTczMjQ3MjM3MSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="20518495" href="https://clarkstate.academia.edu/AmyKnapp">Amy Clark Knapp</a><script data-card-contents-for-user="20518495" type="text/json">{"id":20518495,"first_name":"Amy","last_name":"Clark Knapp","domain_name":"clarkstate","page_name":"AmyKnapp","display_name":"Amy Clark Knapp","profile_url":"https://clarkstate.academia.edu/AmyKnapp?f_ri=27745","photo":"https://0.academia-photos.com/20518495/5676679/6458058/s65_amy.knapp.jpg_oh_ef114b0f517de1d7ae1936a7791b6ea1_oe_54e60647___gda___1425303677_5ab76438809099a743e46e018de8aa6a"}</script></span></span></li><li class="js-paper-rank-work_17546185 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="17546185"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 17546185, container: ".js-paper-rank-work_17546185", }); 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$(".js-view-count[data-work-id=17546185]").text(description); $(".js-view-count-work_17546185").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_17546185").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="17546185"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">30</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="392" href="https://www.academia.edu/Documents/in/Archaeology">Archaeology</a>, <script data-card-contents-for-ri="392" type="text/json">{"id":392,"name":"Archaeology","url":"https://www.academia.edu/Documents/in/Archaeology?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="829" href="https://www.academia.edu/Documents/in/Roman_History">Roman History</a>, <script data-card-contents-for-ri="829" type="text/json">{"id":829,"name":"Roman History","url":"https://www.academia.edu/Documents/in/Roman_History?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="869" href="https://www.academia.edu/Documents/in/Iconography">Iconography</a>, <script data-card-contents-for-ri="869" type="text/json">{"id":869,"name":"Iconography","url":"https://www.academia.edu/Documents/in/Iconography?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="5327" href="https://www.academia.edu/Documents/in/Roman_Religion">Roman Religion</a><script data-card-contents-for-ri="5327" type="text/json">{"id":5327,"name":"Roman Religion","url":"https://www.academia.edu/Documents/in/Roman_Religion?f_ri=27745","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=17546185]'), work: {"id":17546185,"title":"Symbolic Iconography of Etruscan Sarcophagi; Women Behind the Veil","created_at":"2015-10-31T07:54:42.520-07:00","url":"https://www.academia.edu/17546185/Symbolic_Iconography_of_Etruscan_Sarcophagi_Women_Behind_the_Veil?f_ri=27745","dom_id":"work_17546185","summary":"symbolism, iconography, and gestures, used on the sarcophagi of the Etruscan noblewomen, Seianti Harunina Tlesnasa and Larithia Seianti. Both of these figures, along with multiple other Etruscan women, are fully presented reclining on the lid of their sarcophagus pulling their veil out and from their face. The objective is to clarify if this gesture is an anakalypsis, or ‘unveiling gesture,’ and what that gesture may suggest or imply for the deceased. The research strategy was to examine certain communicative elements used on various female Etruscan sarcophagi; identify the origins, purpose, and functionality of the icons; comprehend their communicative value and connection between the deceased and the divine. The purpose of this research is to determine both the anakalypsis and the intended audience, and interpret the message being communicated.","downloadable_attachments":[{"id":39590953,"asset_id":17546185,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":20518495,"first_name":"Amy","last_name":"Clark Knapp","domain_name":"clarkstate","page_name":"AmyKnapp","display_name":"Amy Clark Knapp","profile_url":"https://clarkstate.academia.edu/AmyKnapp?f_ri=27745","photo":"https://0.academia-photos.com/20518495/5676679/6458058/s65_amy.knapp.jpg_oh_ef114b0f517de1d7ae1936a7791b6ea1_oe_54e60647___gda___1425303677_5ab76438809099a743e46e018de8aa6a"}],"research_interests":[{"id":392,"name":"Archaeology","url":"https://www.academia.edu/Documents/in/Archaeology?f_ri=27745","nofollow":false},{"id":829,"name":"Roman History","url":"https://www.academia.edu/Documents/in/Roman_History?f_ri=27745","nofollow":false},{"id":869,"name":"Iconography","url":"https://www.academia.edu/Documents/in/Iconography?f_ri=27745","nofollow":false},{"id":5327,"name":"Roman Religion","url":"https://www.academia.edu/Documents/in/Roman_Religion?f_ri=27745","nofollow":false},{"id":5540,"name":"Literary Symbolism","url":"https://www.academia.edu/Documents/in/Literary_Symbolism?f_ri=27745"},{"id":7846,"name":"Symbolic Interaction","url":"https://www.academia.edu/Documents/in/Symbolic_Interaction?f_ri=27745"},{"id":7885,"name":"Italian Cultural Studies","url":"https://www.academia.edu/Documents/in/Italian_Cultural_Studies?f_ri=27745"},{"id":16818,"name":"Etruscan","url":"https://www.academia.edu/Documents/in/Etruscan?f_ri=27745"},{"id":17618,"name":"Greek Archaeology","url":"https://www.academia.edu/Documents/in/Greek_Archaeology?f_ri=27745"},{"id":18899,"name":"Symbolism (Religion)","url":"https://www.academia.edu/Documents/in/Symbolism_Religion_?f_ri=27745"},{"id":24612,"name":"Symbolism (Art History)","url":"https://www.academia.edu/Documents/in/Symbolism_Art_History_?f_ri=27745"},{"id":27744,"name":"Ancient Greek Iconography","url":"https://www.academia.edu/Documents/in/Ancient_Greek_Iconography?f_ri=27745"},{"id":27745,"name":"Roman Iconography","url":"https://www.academia.edu/Documents/in/Roman_Iconography?f_ri=27745"},{"id":31870,"name":"Iconology","url":"https://www.academia.edu/Documents/in/Iconology?f_ri=27745"},{"id":43304,"name":"Etruscan Funerary Art","url":"https://www.academia.edu/Documents/in/Etruscan_Funerary_Art?f_ri=27745"},{"id":52078,"name":"Etruscology","url":"https://www.academia.edu/Documents/in/Etruscology?f_ri=27745"},{"id":69792,"name":"Ancient Rome","url":"https://www.academia.edu/Documents/in/Ancient_Rome?f_ri=27745"},{"id":76721,"name":"Color symbolism","url":"https://www.academia.edu/Documents/in/Color_symbolism?f_ri=27745"},{"id":87029,"name":"Etruscan studies","url":"https://www.academia.edu/Documents/in/Etruscan_studies?f_ri=27745"},{"id":119014,"name":"Roman Art","url":"https://www.academia.edu/Documents/in/Roman_Art?f_ri=27745"},{"id":123693,"name":"Symbols","url":"https://www.academia.edu/Documents/in/Symbols?f_ri=27745"},{"id":186025,"name":"symposion Greek banquet","url":"https://www.academia.edu/Documents/in/symposion_Greek_banquet?f_ri=27745"},{"id":222284,"name":"Ancient Greece and Rome","url":"https://www.academia.edu/Documents/in/Ancient_Greece_and_Rome?f_ri=27745"},{"id":251944,"name":"Sarcophagus","url":"https://www.academia.edu/Documents/in/Sarcophagus?f_ri=27745"},{"id":327503,"name":"Etruscan banquet","url":"https://www.academia.edu/Documents/in/Etruscan_banquet?f_ri=27745"},{"id":402881,"name":"Banquet","url":"https://www.academia.edu/Documents/in/Banquet?f_ri=27745"},{"id":634974,"name":"Roman Archaeology","url":"https://www.academia.edu/Documents/in/Roman_Archaeology?f_ri=27745"},{"id":888622,"name":"Arts and Symbology","url":"https://www.academia.edu/Documents/in/Arts_and_Symbology?f_ri=27745"},{"id":2199329,"name":"Seianti Hanunia Tlesnasa","url":"https://www.academia.edu/Documents/in/Seianti_Hanunia_Tlesnasa?f_ri=27745"},{"id":2199330,"name":"Larithia Seianti","url":"https://www.academia.edu/Documents/in/Larithia_Seianti?f_ri=27745"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_43469050" data-work_id="43469050" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/43469050/Zweige_f%C3%BCr_Jahwe_Dionysos_und_Jesus_Fortleben_eines_kanaan%C3%A4ischen_Kultsymbols_in_der_hellenistisch_r%C3%B6mischen_Levante_in_M_Lau_K_M_Schmidt_Th_Schumacher_Hg_Sprachbilder_und_Bildsprache_FS_Max_K%C3%BCchler_G%C3%B6ttingen_2019_149_171">Zweige für Jahwe, Dionysos und Jesus. Fortleben eines kanaanäischen Kultsymbols in der hellenistisch-römischen Levante, in: M. Lau, K.M. Schmidt, Th. Schumacher (Hg.), Sprachbilder und Bildsprache. FS Max Küchler, Göttingen 2019, 149-171.</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This article addresses ligatures between Dionysos, Yahweh, Osiris and Christ based on the example of branch symbolism. Branches have been widely used in Levantine art since ancient times. They represent the renewal power of Mother Earth... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_43469050" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This article addresses ligatures between Dionysos, Yahweh, Osiris and Christ based on the example of branch symbolism. Branches have been widely used in Levantine art since ancient times. They represent the renewal power of Mother Earth and the blessing of vegetation (goddesses). In the art of the Hellenistic and Roman eras, they are often found on coins and in temple decorations, on the headgear of the high priest, in the paraphernalia of festivals and in grave decorations. Originally closely related to the cult of the goddess, the symbol is patriarchalized through the connection with rulership. Defined as «Lulav», the Jewish festival branch is dissociated from non-Jewish branches. Nevertheless, the Jewish cult was interpreted by the Greeks and Romans as a Dionysian cult. This is not surprising because the Dionysian cult ultimately has the same Canaanite roots as the Jewish cult. The equation of Yahweh and Dionysus was fought by the Jewish Orthodoxy and by Roman anti-Semites.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/43469050" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="57906fb8ce7ca7a19c2986dcb35ab378" rel="nofollow" data-download="{"attachment_id":63777082,"asset_id":43469050,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/63777082/download_file?st=MTczMjQ3MjM3MSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="18129114" href="https://unifr.academia.edu/ThomasStaubli">Thomas Staubli</a><script data-card-contents-for-user="18129114" type="text/json">{"id":18129114,"first_name":"Thomas","last_name":"Staubli","domain_name":"unifr","page_name":"ThomasStaubli","display_name":"Thomas Staubli","profile_url":"https://unifr.academia.edu/ThomasStaubli?f_ri=27745","photo":"https://0.academia-photos.com/18129114/5059357/28987001/s65_thomas.staubli.jpg"}</script></span></span></li><li class="js-paper-rank-work_43469050 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="43469050"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 43469050, container: ".js-paper-rank-work_43469050", }); });</script></li><li class="js-percentile-work_43469050 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 43469050; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_43469050"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_43469050 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="43469050"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 43469050; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=43469050]").text(description); $(".js-view-count-work_43469050").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_43469050").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="43469050"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">13</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="869" href="https://www.academia.edu/Documents/in/Iconography">Iconography</a>, <script data-card-contents-for-ri="869" type="text/json">{"id":869,"name":"Iconography","url":"https://www.academia.edu/Documents/in/Iconography?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2059" href="https://www.academia.edu/Documents/in/History_of_Religion">History of Religion</a>, <script data-card-contents-for-ri="2059" type="text/json">{"id":2059,"name":"History of Religion","url":"https://www.academia.edu/Documents/in/History_of_Religion?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="4173" href="https://www.academia.edu/Documents/in/Hebrew_Bible">Hebrew Bible</a>, <script data-card-contents-for-ri="4173" type="text/json">{"id":4173,"name":"Hebrew Bible","url":"https://www.academia.edu/Documents/in/Hebrew_Bible?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="26305" href="https://www.academia.edu/Documents/in/Bible">Bible</a><script data-card-contents-for-ri="26305" type="text/json">{"id":26305,"name":"Bible","url":"https://www.academia.edu/Documents/in/Bible?f_ri=27745","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=43469050]'), work: {"id":43469050,"title":"Zweige für Jahwe, Dionysos und Jesus. Fortleben eines kanaanäischen Kultsymbols in der hellenistisch-römischen Levante, in: M. Lau, K.M. Schmidt, Th. Schumacher (Hg.), Sprachbilder und Bildsprache. FS Max Küchler, Göttingen 2019, 149-171.","created_at":"2020-06-29T09:02:45.759-07:00","url":"https://www.academia.edu/43469050/Zweige_f%C3%BCr_Jahwe_Dionysos_und_Jesus_Fortleben_eines_kanaan%C3%A4ischen_Kultsymbols_in_der_hellenistisch_r%C3%B6mischen_Levante_in_M_Lau_K_M_Schmidt_Th_Schumacher_Hg_Sprachbilder_und_Bildsprache_FS_Max_K%C3%BCchler_G%C3%B6ttingen_2019_149_171?f_ri=27745","dom_id":"work_43469050","summary":"This article addresses ligatures between Dionysos, Yahweh, Osiris and Christ based on the example of branch symbolism. Branches have been widely used in Levantine art since ancient times. They represent the renewal power of Mother Earth and the blessing of vegetation (goddesses). In the art of the Hellenistic and Roman eras, they are often found on coins and in temple decorations, on the headgear of the high priest, in the paraphernalia of festivals and in grave decorations. Originally closely related to the cult of the goddess, the symbol is patriarchalized through the connection with rulership. Defined as «Lulav», the Jewish festival branch is dissociated from non-Jewish branches. Nevertheless, the Jewish cult was interpreted by the Greeks and Romans as a Dionysian cult. This is not surprising because the Dionysian cult ultimately has the same Canaanite roots as the Jewish cult. The equation of Yahweh and Dionysus was fought by the Jewish Orthodoxy and by Roman anti-Semites.","downloadable_attachments":[{"id":63777082,"asset_id":43469050,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":18129114,"first_name":"Thomas","last_name":"Staubli","domain_name":"unifr","page_name":"ThomasStaubli","display_name":"Thomas Staubli","profile_url":"https://unifr.academia.edu/ThomasStaubli?f_ri=27745","photo":"https://0.academia-photos.com/18129114/5059357/28987001/s65_thomas.staubli.jpg"}],"research_interests":[{"id":869,"name":"Iconography","url":"https://www.academia.edu/Documents/in/Iconography?f_ri=27745","nofollow":false},{"id":2059,"name":"History of Religion","url":"https://www.academia.edu/Documents/in/History_of_Religion?f_ri=27745","nofollow":false},{"id":4173,"name":"Hebrew Bible","url":"https://www.academia.edu/Documents/in/Hebrew_Bible?f_ri=27745","nofollow":false},{"id":26305,"name":"Bible","url":"https://www.academia.edu/Documents/in/Bible?f_ri=27745","nofollow":false},{"id":27744,"name":"Ancient Greek Iconography","url":"https://www.academia.edu/Documents/in/Ancient_Greek_Iconography?f_ri=27745"},{"id":27745,"name":"Roman Iconography","url":"https://www.academia.edu/Documents/in/Roman_Iconography?f_ri=27745"},{"id":32065,"name":"Hebrew Bible and Ancient Near East","url":"https://www.academia.edu/Documents/in/Hebrew_Bible_and_Ancient_Near_East?f_ri=27745"},{"id":39429,"name":"Hellenistic Judaism","url":"https://www.academia.edu/Documents/in/Hellenistic_Judaism?f_ri=27745"},{"id":75696,"name":"New testament exegesis","url":"https://www.academia.edu/Documents/in/New_testament_exegesis?f_ri=27745"},{"id":117575,"name":"Jesus Christ","url":"https://www.academia.edu/Documents/in/Jesus_Christ?f_ri=27745"},{"id":190307,"name":"Dionysos","url":"https://www.academia.edu/Documents/in/Dionysos?f_ri=27745"},{"id":205054,"name":"Sirach","url":"https://www.academia.edu/Documents/in/Sirach?f_ri=27745"},{"id":3659329,"name":"Jahweh","url":"https://www.academia.edu/Documents/in/Jahweh?f_ri=27745"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_35090441" data-work_id="35090441" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/35090441/Alte_Zeichen_an_neuen_Himmeln_Augusteische_Bildsprache_nach_Augustus">Alte Zeichen an neuen Himmeln. Augusteische Bildsprache nach Augustus</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The establishment of Augustus’ monarchy sees the development of a whole set of new means aimed at visualizing the princeps’s position, a position notoriously hard to frame in legal terms and the more so relying on what has been... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_35090441" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The establishment of Augustus’ monarchy sees the development of a whole set of new means aimed at visualizing the princeps’s position, a position notoriously hard to frame in legal terms and the more so relying on what has been felicitously dubbed ‘the power of images’. As the principate settles, evolves and adapts, what becomes of those quintessential signs of Augustus’ public persona? This study attempts to trace the post-Augustan uses three of them are put to over especially the first two centuries AD: the civic crown; Augustus’ ‘lucky’ sign, the Capricorn; and the shield of virtue dedicated by SPQR. While acting as powerful and established signifiers of specific qualities of the emperor, at the same time these images conceptualize him in a way increasingly at odds with new political realities. The differing ways in which varying agents in subsequent generations (particularly in the timeframe of 69-98 AD) reuse, overwrite and process these symbolic expressions in various visual media shed a light on strategies both of legitimization and of relating oneself to the emperor.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/35090441" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="7fa562df6ceff239ebbf2d2f9596541b" rel="nofollow" data-download="{"attachment_id":64076439,"asset_id":35090441,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/64076439/download_file?st=MTczMjQ3MjM3MSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1542710" href="https://uni-tuebingen.academia.edu/AlexanderHeinemann">Alexander Heinemann</a><script data-card-contents-for-user="1542710" type="text/json">{"id":1542710,"first_name":"Alexander","last_name":"Heinemann","domain_name":"uni-tuebingen","page_name":"AlexanderHeinemann","display_name":"Alexander Heinemann","profile_url":"https://uni-tuebingen.academia.edu/AlexanderHeinemann?f_ri=27745","photo":"https://0.academia-photos.com/1542710/546102/137670133/s65_alexander.heinemann.jpg"}</script></span></span></li><li class="js-paper-rank-work_35090441 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="35090441"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 35090441, container: ".js-paper-rank-work_35090441", }); });</script></li><li class="js-percentile-work_35090441 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 35090441; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_35090441"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_35090441 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="35090441"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 35090441; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=35090441]").text(description); $(".js-view-count-work_35090441").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_35090441").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="35090441"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">7</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="393" href="https://www.academia.edu/Documents/in/Classical_Archaeology">Classical Archaeology</a>, <script data-card-contents-for-ri="393" type="text/json">{"id":393,"name":"Classical Archaeology","url":"https://www.academia.edu/Documents/in/Classical_Archaeology?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="27745" href="https://www.academia.edu/Documents/in/Roman_Iconography">Roman Iconography</a>, <script data-card-contents-for-ri="27745" type="text/json">{"id":27745,"name":"Roman Iconography","url":"https://www.academia.edu/Documents/in/Roman_Iconography?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="48393" href="https://www.academia.edu/Documents/in/Augustus">Augustus</a>, <script data-card-contents-for-ri="48393" type="text/json">{"id":48393,"name":"Augustus","url":"https://www.academia.edu/Documents/in/Augustus?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="48817" href="https://www.academia.edu/Documents/in/Roman_Imperial_Ideology">Roman Imperial Ideology</a><script data-card-contents-for-ri="48817" type="text/json">{"id":48817,"name":"Roman Imperial Ideology","url":"https://www.academia.edu/Documents/in/Roman_Imperial_Ideology?f_ri=27745","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=35090441]'), work: {"id":35090441,"title":"Alte Zeichen an neuen Himmeln. Augusteische Bildsprache nach Augustus","created_at":"2017-11-08T09:13:23.412-08:00","url":"https://www.academia.edu/35090441/Alte_Zeichen_an_neuen_Himmeln_Augusteische_Bildsprache_nach_Augustus?f_ri=27745","dom_id":"work_35090441","summary":"The establishment of Augustus’ monarchy sees the development of a whole set of new means aimed at visualizing the princeps’s position, a position notoriously hard to frame in legal terms and the more so relying on what has been felicitously dubbed ‘the power of images’. As the principate settles, evolves and adapts, what becomes of those quintessential signs of Augustus’ public persona? This study attempts to trace the post-Augustan uses three of them are put to over especially the first two centuries AD: the civic crown; Augustus’ ‘lucky’ sign, the Capricorn; and the shield of virtue dedicated by SPQR. While acting as powerful and established signifiers of specific qualities of the emperor, at the same time these images conceptualize him in a way increasingly at odds with new political realities. The differing ways in which varying agents in subsequent generations (particularly in the timeframe of 69-98 AD) reuse, overwrite and process these symbolic expressions in various visual media shed a light on strategies both of legitimization and of relating oneself to the emperor.","downloadable_attachments":[{"id":64076439,"asset_id":35090441,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1542710,"first_name":"Alexander","last_name":"Heinemann","domain_name":"uni-tuebingen","page_name":"AlexanderHeinemann","display_name":"Alexander Heinemann","profile_url":"https://uni-tuebingen.academia.edu/AlexanderHeinemann?f_ri=27745","photo":"https://0.academia-photos.com/1542710/546102/137670133/s65_alexander.heinemann.jpg"}],"research_interests":[{"id":393,"name":"Classical Archaeology","url":"https://www.academia.edu/Documents/in/Classical_Archaeology?f_ri=27745","nofollow":false},{"id":27745,"name":"Roman Iconography","url":"https://www.academia.edu/Documents/in/Roman_Iconography?f_ri=27745","nofollow":false},{"id":48393,"name":"Augustus","url":"https://www.academia.edu/Documents/in/Augustus?f_ri=27745","nofollow":false},{"id":48817,"name":"Roman Imperial Ideology","url":"https://www.academia.edu/Documents/in/Roman_Imperial_Ideology?f_ri=27745","nofollow":false},{"id":60671,"name":"Iconography of ancient coins","url":"https://www.academia.edu/Documents/in/Iconography_of_ancient_coins?f_ri=27745"},{"id":99202,"name":"Roman imperial cult","url":"https://www.academia.edu/Documents/in/Roman_imperial_cult?f_ri=27745"},{"id":634974,"name":"Roman Archaeology","url":"https://www.academia.edu/Documents/in/Roman_Archaeology?f_ri=27745"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_60208588 coauthored" data-work_id="60208588" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/60208588/Some_images_of_scrolls_and_writing_instruments_on_Roman_funerary_monuments_in_Asia_Minor">Some images of scrolls and writing instruments on Roman funerary monuments in Asia Minor</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This is an online lecture at the conference, entitled as “Representations of writing materials on Roman funerary monuments. Text, image, message“ which was held on 28 October 2021 in Pécs, Hungary via Microsoft Teams. The version of my... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_60208588" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This is an online lecture at the conference, entitled as “Representations of writing materials on Roman funerary monuments. Text, image, message“ which was held on 28 October 2021 in Pécs, Hungary via Microsoft Teams. The version of my PPT at Academia is an abridged version. <br />My presentation has been focused on scrolls and writing instruments on Roman funerayr monuments from various parts of Asia Minor. I have classified them into three main types. <br />Lectures of this online symposium have also been placed in YouTube. <br />Websites: <a href="https://scrollinhand.hu/?p=1560&lang=en" rel="nofollow">https://scrollinhand.hu/?p=1560&lang=en</a><br /><a href="https://youtu.be/pVp1AgtIrKo" rel="nofollow">https://youtu.be/pVp1AgtIrKo</a></div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/60208588" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="e66ed2b39c9f63ff171a49b57489695c" rel="nofollow" data-download="{"attachment_id":73754422,"asset_id":60208588,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/73754422/download_file?st=MTczMjQ3MjM3MSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="14109180" href="https://deu.academia.edu/ErgunLAFLI">Ergun LAFLI</a><script data-card-contents-for-user="14109180" type="text/json">{"id":14109180,"first_name":"Ergun","last_name":"LAFLI","domain_name":"deu","page_name":"ErgunLAFLI","display_name":"Ergun LAFLI","profile_url":"https://deu.academia.edu/ErgunLAFLI?f_ri=27745","photo":"https://0.academia-photos.com/14109180/3882283/16595674/s65_ergun.lafli.jpg"}</script></span></span><span class="u-displayInlineBlock InlineList-item-text"> and <span class="u-textDecorationUnderline u-clickable InlineList-item-text js-work-more-authors-60208588">+1</span><div class="hidden js-additional-users-60208588"><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://pte.academia.edu/TiborGrull">Tibor Grull</a></span></div></div></span><script>(function(){ var popoverSettings = { el: $('.js-work-more-authors-60208588'), placement: 'bottom', hide_delay: 200, html: true, content: function(){ return $('.js-additional-users-60208588').html(); } } new HoverPopover(popoverSettings); })();</script></li><li class="js-paper-rank-work_60208588 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="60208588"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 60208588, container: ".js-paper-rank-work_60208588", }); });</script></li><li class="js-percentile-work_60208588 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 60208588; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_60208588"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_60208588 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="60208588"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 60208588; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=60208588]").text(description); $(".js-view-count-work_60208588").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_60208588").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="60208588"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">20</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="392" href="https://www.academia.edu/Documents/in/Archaeology">Archaeology</a>, <script data-card-contents-for-ri="392" type="text/json">{"id":392,"name":"Archaeology","url":"https://www.academia.edu/Documents/in/Archaeology?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="393" href="https://www.academia.edu/Documents/in/Classical_Archaeology">Classical Archaeology</a>, <script data-card-contents-for-ri="393" type="text/json">{"id":393,"name":"Classical Archaeology","url":"https://www.academia.edu/Documents/in/Classical_Archaeology?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="816" href="https://www.academia.edu/Documents/in/Classics">Classics</a>, <script data-card-contents-for-ri="816" type="text/json">{"id":816,"name":"Classics","url":"https://www.academia.edu/Documents/in/Classics?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="3790" href="https://www.academia.edu/Documents/in/Anatolian_Archaeology">Anatolian Archaeology</a><script data-card-contents-for-ri="3790" type="text/json">{"id":3790,"name":"Anatolian Archaeology","url":"https://www.academia.edu/Documents/in/Anatolian_Archaeology?f_ri=27745","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=60208588]'), work: {"id":60208588,"title":"Some images of scrolls and writing instruments on Roman funerary monuments in Asia Minor","created_at":"2021-10-28T07:28:38.925-07:00","url":"https://www.academia.edu/60208588/Some_images_of_scrolls_and_writing_instruments_on_Roman_funerary_monuments_in_Asia_Minor?f_ri=27745","dom_id":"work_60208588","summary":"This is an online lecture at the conference, entitled as “Representations of writing materials on Roman funerary monuments. Text, image, message“ which was held on 28 October 2021 in Pécs, Hungary via Microsoft Teams. The version of my PPT at Academia is an abridged version. \nMy presentation has been focused on scrolls and writing instruments on Roman funerayr monuments from various parts of Asia Minor. I have classified them into three main types. \nLectures of this online symposium have also been placed in YouTube. \nWebsites: https://scrollinhand.hu/?p=1560\u0026lang=en\nhttps://youtu.be/pVp1AgtIrKo","downloadable_attachments":[{"id":73754422,"asset_id":60208588,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":14109180,"first_name":"Ergun","last_name":"LAFLI","domain_name":"deu","page_name":"ErgunLAFLI","display_name":"Ergun LAFLI","profile_url":"https://deu.academia.edu/ErgunLAFLI?f_ri=27745","photo":"https://0.academia-photos.com/14109180/3882283/16595674/s65_ergun.lafli.jpg"},{"id":487554,"first_name":"Tibor","last_name":"Grull","domain_name":"pte","page_name":"TiborGrull","display_name":"Tibor Grull","profile_url":"https://pte.academia.edu/TiborGrull?f_ri=27745","photo":"https://0.academia-photos.com/487554/849541/31766584/s65_tibor.grull.jpg"}],"research_interests":[{"id":392,"name":"Archaeology","url":"https://www.academia.edu/Documents/in/Archaeology?f_ri=27745","nofollow":false},{"id":393,"name":"Classical Archaeology","url":"https://www.academia.edu/Documents/in/Classical_Archaeology?f_ri=27745","nofollow":false},{"id":816,"name":"Classics","url":"https://www.academia.edu/Documents/in/Classics?f_ri=27745","nofollow":false},{"id":3790,"name":"Anatolian Archaeology","url":"https://www.academia.edu/Documents/in/Anatolian_Archaeology?f_ri=27745","nofollow":false},{"id":8516,"name":"Funerary Archaeology","url":"https://www.academia.edu/Documents/in/Funerary_Archaeology?f_ri=27745"},{"id":17618,"name":"Greek Archaeology","url":"https://www.academia.edu/Documents/in/Greek_Archaeology?f_ri=27745"},{"id":21578,"name":"Roman Epigraphy","url":"https://www.academia.edu/Documents/in/Roman_Epigraphy?f_ri=27745"},{"id":25206,"name":"Books and Libraries in the Ancient World","url":"https://www.academia.edu/Documents/in/Books_and_Libraries_in_the_Ancient_World?f_ri=27745"},{"id":27744,"name":"Ancient Greek Iconography","url":"https://www.academia.edu/Documents/in/Ancient_Greek_Iconography?f_ri=27745"},{"id":27745,"name":"Roman Iconography","url":"https://www.academia.edu/Documents/in/Roman_Iconography?f_ri=27745"},{"id":29276,"name":"Hellenistic and Roman Asia Minor","url":"https://www.academia.edu/Documents/in/Hellenistic_and_Roman_Asia_Minor?f_ri=27745"},{"id":31746,"name":"Anatolian Archaeology (Archaeology)","url":"https://www.academia.edu/Documents/in/Anatolian_Archaeology_Archaeology_?f_ri=27745"},{"id":33438,"name":"Ancient Greek and Roman Art","url":"https://www.academia.edu/Documents/in/Ancient_Greek_and_Roman_Art?f_ri=27745"},{"id":36127,"name":"Ancient Arts And Iconography","url":"https://www.academia.edu/Documents/in/Ancient_Arts_And_Iconography?f_ri=27745"},{"id":58841,"name":"Greek and Roman Epigraphy","url":"https://www.academia.edu/Documents/in/Greek_and_Roman_Epigraphy?f_ri=27745"},{"id":69997,"name":"Classical Archaeology and Art","url":"https://www.academia.edu/Documents/in/Classical_Archaeology_and_Art?f_ri=27745"},{"id":88760,"name":"Classics: Ancient History and Archaeology","url":"https://www.academia.edu/Documents/in/Classics_Ancient_History_and_Archaeology?f_ri=27745"},{"id":167664,"name":"Arqueología romana / Roman archeology","url":"https://www.academia.edu/Documents/in/Arqueologia_romana_Roman_archeology?f_ri=27745"},{"id":188078,"name":"Roman Funerary Art","url":"https://www.academia.edu/Documents/in/Roman_Funerary_Art?f_ri=27745"},{"id":634974,"name":"Roman Archaeology","url":"https://www.academia.edu/Documents/in/Roman_Archaeology?f_ri=27745"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_3039640" data-work_id="3039640" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/3039640/El_culto_isiaco_en_el_Imperio_Romano_Cultos_diarios_y_rituales_inici%C3%A1ticos_Iconograf%C3%ADa_y_significado">El culto isiaco en el Imperio Romano. Cultos diarios y rituales iniciáticos: Iconografía y significado.</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/3039640" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="1fa794f261baf9b02255e7a12bf57bea" rel="nofollow" data-download="{"attachment_id":65998990,"asset_id":3039640,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/65998990/download_file?st=MTczMjQ3MjM3MSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="3499874" href="https://ucm.academia.edu/M%C2%AAAmparoArroyodelaFuente">Mª Amparo Arroyo de la Fuente</a><script data-card-contents-for-user="3499874" type="text/json">{"id":3499874,"first_name":"Mª Amparo","last_name":"Arroyo de la Fuente","domain_name":"ucm","page_name":"MªAmparoArroyodelaFuente","display_name":"Mª Amparo Arroyo de la Fuente","profile_url":"https://ucm.academia.edu/M%C2%AAAmparoArroyodelaFuente?f_ri=27745","photo":"https://0.academia-photos.com/3499874/1194377/40808939/s65_m_amparo.arroyo_de_la_fuente.jpg"}</script></span></span></li><li class="js-paper-rank-work_3039640 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="3039640"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 3039640, container: ".js-paper-rank-work_3039640", }); 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Cultos diarios y rituales iniciáticos: Iconografía y significado.","created_at":"2013-03-17T05:37:52.642-07:00","url":"https://www.academia.edu/3039640/El_culto_isiaco_en_el_Imperio_Romano_Cultos_diarios_y_rituales_inici%C3%A1ticos_Iconograf%C3%ADa_y_significado?f_ri=27745","dom_id":"work_3039640","summary":null,"downloadable_attachments":[{"id":65998990,"asset_id":3039640,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":3499874,"first_name":"Mª Amparo","last_name":"Arroyo de la Fuente","domain_name":"ucm","page_name":"MªAmparoArroyodelaFuente","display_name":"Mª Amparo Arroyo de la Fuente","profile_url":"https://ucm.academia.edu/M%C2%AAAmparoArroyodelaFuente?f_ri=27745","photo":"https://0.academia-photos.com/3499874/1194377/40808939/s65_m_amparo.arroyo_de_la_fuente.jpg"}],"research_interests":[{"id":27745,"name":"Roman Iconography","url":"https://www.academia.edu/Documents/in/Roman_Iconography?f_ri=27745","nofollow":false},{"id":167664,"name":"Arqueología romana / Roman archeology","url":"https://www.academia.edu/Documents/in/Arqueologia_romana_Roman_archeology?f_ri=27745","nofollow":false},{"id":287575,"name":"Isiac cults","url":"https://www.academia.edu/Documents/in/Isiac_cults?f_ri=27745","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_31661711" data-work_id="31661711" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/31661711/To_serve_the_Empire_Roman_eagle_as_a_divine_messenger_and_guardian_of_majesty_of_the_first_Roman_Emperor_Octavianus_Augustus_63_BC_14_AD_Politics_culture_belief">To serve the Empire: Roman eagle as a divine messenger and guardian of majesty of the first Roman Emperor, Octavianus Augustus (63 BC-14 AD). Politics – culture – belief</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The presented paper focuses on comprehending the symbolism, variety and scale of the eagle’s image implementation in art and broadly named culture of ancient Rome of the Augustan age (ca. 27 B.C.-14 A.D.). Both literary, numismatical, as... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_31661711" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The presented paper focuses on comprehending the symbolism, variety and scale of the eagle’s image implementation in art and broadly named culture of ancient Rome of the Augustan age (ca. 27 B.C.-14 A.D.). Both literary, numismatical, as well as gemmoglyptical evidence are examined, in our attempt to better understand the ideological notion of the fawn bird’s image in the ancient times.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/31661711" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="4805e2f97dc41fe594ef9323db414797" rel="nofollow" data-download="{"attachment_id":51984265,"asset_id":31661711,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/51984265/download_file?st=MTczMjQ3MjM3MSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="60829394" href="https://jagiellonian.academia.edu/HadrianKry%C5%9Bkiewicz">Hadrian Kryśkiewicz</a><script data-card-contents-for-user="60829394" type="text/json">{"id":60829394,"first_name":"Hadrian","last_name":"Kryśkiewicz","domain_name":"jagiellonian","page_name":"HadrianKryśkiewicz","display_name":"Hadrian Kryśkiewicz","profile_url":"https://jagiellonian.academia.edu/HadrianKry%C5%9Bkiewicz?f_ri=27745","photo":"https://0.academia-photos.com/60829394/16985777/17183755/s65_hadrian.kry_kiewicz.jpg"}</script></span></span></li><li class="js-paper-rank-work_31661711 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="31661711"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 31661711, container: ".js-paper-rank-work_31661711", }); 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History","url":"https://www.academia.edu/Documents/in/Roman_History?f_ri=27745","nofollow":false},{"id":869,"name":"Iconography","url":"https://www.academia.edu/Documents/in/Iconography?f_ri=27745","nofollow":false},{"id":5327,"name":"Roman Religion","url":"https://www.academia.edu/Documents/in/Roman_Religion?f_ri=27745","nofollow":false},{"id":5780,"name":"Ideology","url":"https://www.academia.edu/Documents/in/Ideology?f_ri=27745"},{"id":18121,"name":"Imperial Rome","url":"https://www.academia.edu/Documents/in/Imperial_Rome?f_ri=27745"},{"id":18899,"name":"Symbolism (Religion)","url":"https://www.academia.edu/Documents/in/Symbolism_Religion_?f_ri=27745"},{"id":19335,"name":"Ancient myth and religion","url":"https://www.academia.edu/Documents/in/Ancient_myth_and_religion?f_ri=27745"},{"id":24612,"name":"Symbolism (Art History)","url":"https://www.academia.edu/Documents/in/Symbolism_Art_History_?f_ri=27745"},{"id":27745,"name":"Roman 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(1918-2016) 1. (SZJGY - The Doyen of Classical Philology / Life and Work - A Reader vol. 1.) (HU)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Szilágyi János György-emlékkönyv 1./The life interview (and other sources) with the doyen of classical philology and archeology, etruscology and vase painting, the student of Kerényi, the member of the Stemma, the leading classical... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_37660148" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Szilágyi János György-emlékkönyv 1./The life interview (and other sources) with the doyen of classical philology and archeology, etruscology and vase painting, the student of Kerényi, the member of the Stemma, the leading classical scholar of ancient art history and museologist in the Museum of Fine Arts in Budapest, part one, with preface of Géza Komoróczy / A Szilágyi János György ókortudós, klasszika-archeológus emlékének szentelt összeállítás első kötete, Litván György és Molnár Adrienne életút-interjújának első részével, Örkény István, Sz.J.Gy. és Vajna János levélváltásával, Örkény Sz.J.Gy-ről írott novelláival, Ács Pál nekrológjával és Komoróczy Géza bevezető tanulmányával.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/37660148" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="622f6232f709478c1a2cf8c0418fa224" rel="nofollow" data-download="{"attachment_id":57647896,"asset_id":37660148,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/57647896/download_file?st=MTczMjQ3MjM3MSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="94114551" href="https://mta.academia.edu/CsillaMarkoja">Csilla Markója</a><script data-card-contents-for-user="94114551" type="text/json">{"id":94114551,"first_name":"Csilla","last_name":"Markója","domain_name":"mta","page_name":"CsillaMarkoja","display_name":"Csilla Markója","profile_url":"https://mta.academia.edu/CsillaMarkoja?f_ri=27745","photo":"https://0.academia-photos.com/94114551/20682687/157837067/s65_csilla.mark_ja.jpg"}</script></span></span></li><li class="js-paper-rank-work_37660148 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="37660148"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 37660148, container: ".js-paper-rank-work_37660148", }); 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Studies","url":"https://www.academia.edu/Documents/in/Classical_Studies?f_ri=27745"},{"id":1500803,"name":"Örkény István","url":"https://www.academia.edu/Documents/in/Orkeny_Istvan?f_ri=27745"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_44969673 coauthored" data-work_id="44969673" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/44969673/Representations_of_writing_tools_and_materials_on_Roman_funerary_monuments_An_attempt_at_a_typological_analysis_of_a_common_iconographic_motif">Representations of writing tools and materials on Roman funerary monuments An attempt at a typological analysis of a common iconographic motif</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li 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Art","url":"https://www.academia.edu/Documents/in/Roman_Funerary_Art?f_ri=27745","nofollow":false},{"id":514550,"name":"Ancient Greek and Roman literacy","url":"https://www.academia.edu/Documents/in/Ancient_Greek_and_Roman_literacy?f_ri=27745"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_10686335" data-work_id="10686335" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/10686335/THE_ICON_OF_THE_MOTHER_OF_GOD_OF_FATIMA">THE ICON OF THE MOTHER OF GOD OF FATIMA</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">MYSTERY OF THE LIGHT THAT IS GOD The icon of the Mother of God of Fátima that now I show you is a symbol that reinforces the predilection that Our Lady has for Russia.. The Virgin in Fátima was full of light, of a light, which, as... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_10686335" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">MYSTERY OF THE LIGHT THAT IS GOD <br />The icon of the Mother of God of Fátima that now I show you is a symbol that reinforces the predilection that Our Lady has for Russia.. The Virgin in Fátima was full of light, of a light, which, as Francisco said, " is God ". The full of grace is the full of God, and in Fátima it is the full of light: a Lady more brilliant than the Sun. It brings Fátima closer to the theology of the icon. The first icon that every iconographer must paint is that of the Transfiguration, in order that he learns that the Icon must bring the divine world over to men, the God's light to the earth, the God's radiance in the white garments of the orthodox transfigured Christ. It is the same thing that happens with the Virgin of Fátima.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/10686335" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="ed98fc99a42e1867014a2e0a2ad0fcae" rel="nofollow" data-download="{"attachment_id":36590315,"asset_id":10686335,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/36590315/download_file?st=MTczMjQ3MjM3MSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="23377702" href="https://independent.academia.edu/OtetsAleksandrBurgos">Otets Aleksandr Burgos</a><script data-card-contents-for-user="23377702" type="text/json">{"id":23377702,"first_name":"Otets Aleksandr","last_name":"Burgos","domain_name":"independent","page_name":"OtetsAleksandrBurgos","display_name":"Otets Aleksandr Burgos","profile_url":"https://independent.academia.edu/OtetsAleksandrBurgos?f_ri=27745","photo":"https://0.academia-photos.com/23377702/7154583/38713577/s65_otets_aleksandr.burgos.jpg"}</script></span></span></li><li class="js-paper-rank-work_10686335 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="10686335"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 10686335, container: ".js-paper-rank-work_10686335", }); 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$(".js-view-count[data-work-id=10686335]").text(description); $(".js-view-count-work_10686335").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_10686335").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="10686335"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">9</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="869" href="https://www.academia.edu/Documents/in/Iconography">Iconography</a>, <script data-card-contents-for-ri="869" type="text/json">{"id":869,"name":"Iconography","url":"https://www.academia.edu/Documents/in/Iconography?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="14639" href="https://www.academia.edu/Documents/in/Byzantine_Iconography">Byzantine Iconography</a>, <script data-card-contents-for-ri="14639" type="text/json">{"id":14639,"name":"Byzantine Iconography","url":"https://www.academia.edu/Documents/in/Byzantine_Iconography?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="27032" href="https://www.academia.edu/Documents/in/Christian_Iconography">Christian Iconography</a>, <script data-card-contents-for-ri="27032" type="text/json">{"id":27032,"name":"Christian Iconography","url":"https://www.academia.edu/Documents/in/Christian_Iconography?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="27745" href="https://www.academia.edu/Documents/in/Roman_Iconography">Roman Iconography</a><script data-card-contents-for-ri="27745" type="text/json">{"id":27745,"name":"Roman Iconography","url":"https://www.academia.edu/Documents/in/Roman_Iconography?f_ri=27745","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=10686335]'), work: {"id":10686335,"title":"THE ICON OF THE MOTHER OF GOD OF FATIMA","created_at":"2015-02-10T14:19:29.839-08:00","url":"https://www.academia.edu/10686335/THE_ICON_OF_THE_MOTHER_OF_GOD_OF_FATIMA?f_ri=27745","dom_id":"work_10686335","summary":"MYSTERY OF THE LIGHT THAT IS GOD \nThe icon of the Mother of God of Fátima that now I show you is a symbol that reinforces the predilection that Our Lady has for Russia.. The Virgin in Fátima was full of light, of a light, which, as Francisco said, \" is God \". The full of grace is the full of God, and in Fátima it is the full of light: a Lady more brilliant than the Sun. It brings Fátima closer to the theology of the icon. The first icon that every iconographer must paint is that of the Transfiguration, in order that he learns that the Icon must bring the divine world over to men, the God's light to the earth, the God's radiance in the white garments of the orthodox transfigured Christ. It is the same thing that happens with the Virgin of Fátima.","downloadable_attachments":[{"id":36590315,"asset_id":10686335,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":23377702,"first_name":"Otets Aleksandr","last_name":"Burgos","domain_name":"independent","page_name":"OtetsAleksandrBurgos","display_name":"Otets Aleksandr Burgos","profile_url":"https://independent.academia.edu/OtetsAleksandrBurgos?f_ri=27745","photo":"https://0.academia-photos.com/23377702/7154583/38713577/s65_otets_aleksandr.burgos.jpg"}],"research_interests":[{"id":869,"name":"Iconography","url":"https://www.academia.edu/Documents/in/Iconography?f_ri=27745","nofollow":false},{"id":14639,"name":"Byzantine Iconography","url":"https://www.academia.edu/Documents/in/Byzantine_Iconography?f_ri=27745","nofollow":false},{"id":27032,"name":"Christian Iconography","url":"https://www.academia.edu/Documents/in/Christian_Iconography?f_ri=27745","nofollow":false},{"id":27745,"name":"Roman Iconography","url":"https://www.academia.edu/Documents/in/Roman_Iconography?f_ri=27745","nofollow":false},{"id":101654,"name":"Iconografia","url":"https://www.academia.edu/Documents/in/Iconografia?f_ri=27745"},{"id":483369,"name":"Marian apparitions","url":"https://www.academia.edu/Documents/in/Marian_apparitions?f_ri=27745"},{"id":548508,"name":"Iconografia mariana","url":"https://www.academia.edu/Documents/in/Iconografia_mariana?f_ri=27745"},{"id":680481,"name":"Marian Iconography","url":"https://www.academia.edu/Documents/in/Marian_Iconography?f_ri=27745"},{"id":1222264,"name":"\"Marian Apparitions\" of Fatima, 1917","url":"https://www.academia.edu/Documents/in/_Marian_Apparitions_of_Fatima_1917?f_ri=27745"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_1757970" data-work_id="1757970" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/1757970/A_Dardenay_Images_des_fondateurs_DEn%C3%A9e_%C3%A0_Romulus_Coll_Scripta_Antiqua_43_Editions_Ausonius_Bordeaux_2012">A. Dardenay, Images des fondateurs. D'Enée à Romulus, Coll. Scripta Antiqua 43, Editions Ausonius, Bordeaux, 2012</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The corpus of images depicting the “founding heroes” of Rome is a rich object of study because of its highly political, cultural and literary signification. The typological approach implemented during the study provides a new analysis of... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_1757970" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The corpus of images depicting the “founding heroes” of Rome is a rich object of study because of its highly political, cultural and literary signification. The typological approach implemented during the study provides a new analysis of the formation and dissemination of figurative themes illustrating primordia Vrbis. It reveals, in fact, how the interplay of political designs and practices in the workshops contributes to the setting of a limited number of iconographic patterns. In other words, we perceive, according to the periods and the suopports, not only a predilection for certain images, but also some iconographic formulas. The book is organized into two main parts. The first offers a rational approach of images: through a progression allowing to understand their evolution, from the theme to the pattern, from the scene depicted to the simplified image, we shall consider, one after the other, all the iconographic themes. <br />Within each legend, figurative themes are analyzed in both chronological and typological order to better identify the different stages of their formation and evolution. Finally, we find in a second part the entire catalog of works, ordered according to a typological classification.<br /><br />Le corpus des images mettant en scène les “héros fondateurs” de Rome est un objet d’étude d’une immense richesse en raison de sa forte connotation politique, culturelle et littéraire. L’approche typologique mise en œuvre au cours de l’étude permet une analyse inédite de la formation et de la diffusion des thèmes figurés illustrant les primordia Vrbis. Celle-ci révèle, en effet, comment l’action conjuguée de desseins politiques et de pratiques en usage dans les ateliers contribue à la fixation d’un nombre restreint de schémas iconographiques. Autrement dit, on perçoit, selon les époques et les supports, une prédilection non seulement pour certaines images, mais également pour certaines formules iconographiques. L’ouvrage s’organise en deux parties principales. La première offre une approche rationnelle des images : par une progression permettant de comprendre leur évolution, du thème au motif, de la scène figurée à l’image simplifiée, on envisagera, les uns après les autres, tous les thèmes du corpus iconographique. Au sein de chaque légende, les thèmes figurés font l’objet d’une analyse à la fois chronologique et typologique, afin de cerner au mieux les différentes étapes de leur formation et de leur évolution. Enfin, on trouvera dans une seconde partie l’intégralité du catalogue des oeuvres, ordonné selon un classement typologique.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/1757970" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="e49a06566fe587839db647143b571fa8" rel="nofollow" data-download="{"attachment_id":66218728,"asset_id":1757970,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/66218728/download_file?st=MTczMjQ3MjM3MSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="903275" href="https://univ-tlse2.academia.edu/alexandradardenay">Alexandra Dardenay</a><script data-card-contents-for-user="903275" type="text/json">{"id":903275,"first_name":"Alexandra","last_name":"Dardenay","domain_name":"univ-tlse2","page_name":"alexandradardenay","display_name":"Alexandra Dardenay","profile_url":"https://univ-tlse2.academia.edu/alexandradardenay?f_ri=27745","photo":"https://0.academia-photos.com/903275/333227/690086/s65_alexandra.dardenay.jpg"}</script></span></span></li><li class="js-paper-rank-work_1757970 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="1757970"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 1757970, container: ".js-paper-rank-work_1757970", }); 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$(".js-view-count[data-work-id=1757970]").text(description); $(".js-view-count-work_1757970").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_1757970").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="1757970"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">6</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="816" href="https://www.academia.edu/Documents/in/Classics">Classics</a>, <script data-card-contents-for-ri="816" type="text/json">{"id":816,"name":"Classics","url":"https://www.academia.edu/Documents/in/Classics?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="829" href="https://www.academia.edu/Documents/in/Roman_History">Roman History</a>, <script data-card-contents-for-ri="829" type="text/json">{"id":829,"name":"Roman History","url":"https://www.academia.edu/Documents/in/Roman_History?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="27745" href="https://www.academia.edu/Documents/in/Roman_Iconography">Roman Iconography</a>, <script data-card-contents-for-ri="27745" type="text/json">{"id":27745,"name":"Roman Iconography","url":"https://www.academia.edu/Documents/in/Roman_Iconography?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="33438" href="https://www.academia.edu/Documents/in/Ancient_Greek_and_Roman_Art">Ancient Greek and Roman Art</a><script data-card-contents-for-ri="33438" type="text/json">{"id":33438,"name":"Ancient Greek and Roman Art","url":"https://www.academia.edu/Documents/in/Ancient_Greek_and_Roman_Art?f_ri=27745","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=1757970]'), work: {"id":1757970,"title":"A. Dardenay, Images des fondateurs. D'Enée à Romulus, Coll. Scripta Antiqua 43, Editions Ausonius, Bordeaux, 2012","created_at":"2012-07-02T02:20:05.778-07:00","url":"https://www.academia.edu/1757970/A_Dardenay_Images_des_fondateurs_DEn%C3%A9e_%C3%A0_Romulus_Coll_Scripta_Antiqua_43_Editions_Ausonius_Bordeaux_2012?f_ri=27745","dom_id":"work_1757970","summary":"The corpus of images depicting the “founding heroes” of Rome is a rich object of study because of its highly political, cultural and literary signification. The typological approach implemented during the study provides a new analysis of the formation and dissemination of figurative themes illustrating primordia Vrbis. It reveals, in fact, how the interplay of political designs and practices in the workshops contributes to the setting of a limited number of iconographic patterns. In other words, we perceive, according to the periods and the suopports, not only a predilection for certain images, but also some iconographic formulas. The book is organized into two main parts. The first offers a rational approach of images: through a progression allowing to understand their evolution, from the theme to the pattern, from the scene depicted to the simplified image, we shall consider, one after the other, all the iconographic themes. \nWithin each legend, figurative themes are analyzed in both chronological and typological order to better identify the different stages of their formation and evolution. Finally, we find in a second part the entire catalog of works, ordered according to a typological classification.\n\nLe corpus des images mettant en scène les “héros fondateurs” de Rome est un objet d’étude d’une immense richesse en raison de sa forte connotation politique, culturelle et littéraire. L’approche typologique mise en œuvre au cours de l’étude permet une analyse inédite de la formation et de la diffusion des thèmes figurés illustrant les primordia Vrbis. Celle-ci révèle, en effet, comment l’action conjuguée de desseins politiques et de pratiques en usage dans les ateliers contribue à la fixation d’un nombre restreint de schémas iconographiques. Autrement dit, on perçoit, selon les époques et les supports, une prédilection non seulement pour certaines images, mais également pour certaines formules iconographiques. L’ouvrage s’organise en deux parties principales. La première offre une approche rationnelle des images : par une progression permettant de comprendre leur évolution, du thème au motif, de la scène figurée à l’image simplifiée, on envisagera, les uns après les autres, tous les thèmes du corpus iconographique. Au sein de chaque légende, les thèmes figurés font l’objet d’une analyse à la fois chronologique et typologique, afin de cerner au mieux les différentes étapes de leur formation et de leur évolution. Enfin, on trouvera dans une seconde partie l’intégralité du catalogue des oeuvres, ordonné selon un classement typologique.\n\n","downloadable_attachments":[{"id":66218728,"asset_id":1757970,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":903275,"first_name":"Alexandra","last_name":"Dardenay","domain_name":"univ-tlse2","page_name":"alexandradardenay","display_name":"Alexandra Dardenay","profile_url":"https://univ-tlse2.academia.edu/alexandradardenay?f_ri=27745","photo":"https://0.academia-photos.com/903275/333227/690086/s65_alexandra.dardenay.jpg"}],"research_interests":[{"id":816,"name":"Classics","url":"https://www.academia.edu/Documents/in/Classics?f_ri=27745","nofollow":false},{"id":829,"name":"Roman History","url":"https://www.academia.edu/Documents/in/Roman_History?f_ri=27745","nofollow":false},{"id":27745,"name":"Roman Iconography","url":"https://www.academia.edu/Documents/in/Roman_Iconography?f_ri=27745","nofollow":false},{"id":33438,"name":"Ancient Greek and Roman Art","url":"https://www.academia.edu/Documents/in/Ancient_Greek_and_Roman_Art?f_ri=27745","nofollow":false},{"id":119014,"name":"Roman Art","url":"https://www.academia.edu/Documents/in/Roman_Art?f_ri=27745"},{"id":634974,"name":"Roman Archaeology","url":"https://www.academia.edu/Documents/in/Roman_Archaeology?f_ri=27745"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_43058571" data-work_id="43058571" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/43058571/Les_figures_de_rh%C3%A9torique_et_l_antith%C3%A8se_dans_la_narration_all%C3%A9gorique_de_la_mosa%C3%AFque_de_la_Maison_d_Ai%C3%B4n_%C3%A0_Paphos_Chypre_pp_221_250">Les figures de rhétorique et l’antithèse dans la narration allégorique de la mosaïque de la Maison d’Aiôn à Paphos (Chypre), pp. 221-250.</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The author observes that the mosaic of the House of Aion (Nea Paphos, Cyprus) employs rhetorical figures in its iconographic program, including analogy, personification, allegory, and, in the first line, antithesis. The rhetoric and its... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_43058571" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The author observes that the mosaic of the House of Aion (Nea Paphos, Cyprus) employs rhetorical figures in its iconographic program, including analogy, personification, allegory, and, in the first line, antithesis. The rhetoric and its figurative language is a constant element of speeches and writings from the fifth century BC until almost the fifth century AD. Yet, this method of reasoning, argumentation, and persuasion is also used in the narrative and polemical language of Roman iconography. The paper is a “case study” of the employment of rhetorical methods in a larger context of the Roman<br />visual art and especially of the Roman mosaics.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/43058571" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="da9d8f131657d5c0ff88b4f6acdbecae" rel="nofollow" data-download="{"attachment_id":101575052,"asset_id":43058571,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/101575052/download_file?st=MTczMjQ3MjM3MSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="2037251" href="https://uw.academia.edu/MarekTitienOlszewski">Marek Titien Olszewski (Marek Tycjan Olszewski)</a><script data-card-contents-for-user="2037251" type="text/json">{"id":2037251,"first_name":"Marek Titien","last_name":"Olszewski (Marek Tycjan Olszewski)","domain_name":"uw","page_name":"MarekTitienOlszewski","display_name":"Marek Titien Olszewski (Marek Tycjan Olszewski)","profile_url":"https://uw.academia.edu/MarekTitienOlszewski?f_ri=27745","photo":"https://0.academia-photos.com/2037251/673950/1032526/s65_marek_titien.olszewski_marek_tycjan_olszewski_.jpg"}</script></span></span></li><li class="js-paper-rank-work_43058571 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="43058571"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 43058571, container: ".js-paper-rank-work_43058571", }); 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The rhetoric and its figurative language is a constant element of speeches and writings from the fifth century BC until almost the fifth century AD. Yet, this method of reasoning, argumentation, and persuasion is also used in the narrative and polemical language of Roman iconography. 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itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/4939757/Pelly_Fotiadi_Ritual_Terracotta_Lamps_with_Representations_of_Sarapis_and_Isis_from_the_Sanctuary_of_the_Egyptian_Gods_at_Marathon_The_Variation_of_Isis_with_Three_Ears_of_Wheat_">Pelly Fotiadi, Ritual Terracotta Lamps with Representations of Sarapis and Isis from the Sanctuary of the Egyptian Gods at Marathon: The Variation of “Isis with Three Ears of Wheat”</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/4939757" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" 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data-has-card-for-ri="122" href="https://www.academia.edu/Documents/in/Comparative_Religion">Comparative Religion</a>, <script data-card-contents-for-ri="122" type="text/json">{"id":122,"name":"Comparative Religion","url":"https://www.academia.edu/Documents/in/Comparative_Religion?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="394" href="https://www.academia.edu/Documents/in/Egyptology">Egyptology</a>, <script data-card-contents-for-ri="394" type="text/json">{"id":394,"name":"Egyptology","url":"https://www.academia.edu/Documents/in/Egyptology?f_ri=27745","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2473" href="https://www.academia.edu/Documents/in/Material_Culture_Studies">Material Culture Studies</a><script data-card-contents-for-ri="2473" type="text/json">{"id":2473,"name":"Material Culture 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