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Kościelniak</h3></div><div class="js-work-strip profile--work_container" data-work-id="122868076"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/122868076/Polscy_akcjoni%C5%9Bci_Przyczynek_do_genealogii_i_teorii_polskiej_sztuki_krytycznej"><img alt="Research paper thumbnail of Polscy akcjoniści. Przyczynek do genealogii i teorii polskiej sztuki krytycznej" class="work-thumbnail" src="https://attachments.academia-assets.com/117439812/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/122868076/Polscy_akcjoni%C5%9Bci_Przyczynek_do_genealogii_i_teorii_polskiej_sztuki_krytycznej">Polscy akcjoniści. Przyczynek do genealogii i teorii polskiej sztuki krytycznej</a></div><div class="wp-workCard_item"><span>Teksty Drugie</span><span>, 2015</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="1d06fbd99427b31350a39a08a72229b0" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":117439812,"asset_id":122868076,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/117439812/download_file?st=MTczMjc4NDc2NSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="122868076"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="122868076"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 122868076; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=122868076]").text(description); $(".js-view-count[data-work-id=122868076]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 122868076; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='122868076']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 122868076, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "1d06fbd99427b31350a39a08a72229b0" } } $('.js-work-strip[data-work-id=122868076]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":122868076,"title":"Polscy akcjoniści. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="122868075"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/122868075/Out_of_solidarity_the_Church_as_an_emotional_structure_of_polish_society_in_the_1980"><img alt="Research paper thumbnail of Out of solidarity : the Church as an emotional structure of polish society in the 1980" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/122868075/Out_of_solidarity_the_Church_as_an_emotional_structure_of_polish_society_in_the_1980">Out of solidarity : the Church as an emotional structure of polish society in the 1980</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Marcin Kościelniak analizuje narodowo-katolicki charakter Solidarności i kulturypolskiej pierwsze...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Marcin Kościelniak analizuje narodowo-katolicki charakter Solidarności i kulturypolskiej pierwszej połowy lat osiemdziesiątych XX wieku, odwołując się do ówczesnego nauczania hierarchów Kościoła, z Janem Pawłem II na czele, świadectw z epoki oraz analiz socjologicznych. Zgodnie z przekonaniem, że polityczność jest domeną raczej &quot;ludzkich pragnień, fantazji i namiętności&quot; niż &quot;rozumu, umiarkowania i konsensusu&quot; (Mouffe), autora zajmuje logika afektywna kultury: nie tyle racjonalny, ile emocjonalny tryb utrwalania się &quot;narodowo-katolickiego stopu&quot;. Terenem doświadczalnym jest przede wszystkim tekst Marii Janion z 1981 roku Polityka i moralność, jako świadectwo frapującego zaniku charakterystycznego dla Janion zmysłu krytycznego, będącego zdaniem autora efektem oddziaływania narodowego afektu.Marcin Kościelniak analyzes the national-Catholic nature of Solidarity and Polish culture of the early 1980s, drawing from the contemporaneous teachings of the Church...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="122868075"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="122868075"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 122868075; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=122868075]").text(description); $(".js-view-count[data-work-id=122868075]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 122868075; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='122868075']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 122868075, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=122868075]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":122868075,"title":"Out of solidarity : the Church as an emotional structure of polish society in the 1980","translated_title":"","metadata":{"abstract":"Marcin Kościelniak analizuje narodowo-katolicki charakter Solidarności i kulturypolskiej pierwszej połowy lat osiemdziesiątych XX wieku, odwołując się do ówczesnego nauczania hierarchów Kościoła, z Janem Pawłem II na czele, świadectw z epoki oraz analiz socjologicznych. 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Terenem doświadczalnym jest przede wszystkim tekst Marii Janion z 1981 roku Polityka i moralność, jako świadectwo frapującego zaniku charakterystycznego dla Janion zmysłu krytycznego, będącego zdaniem autora efektem oddziaływania narodowego afektu.Marcin Kościelniak analyzes the national-Catholic nature of Solidarity and Polish culture of the early 1980s, drawing from the contemporaneous teachings of the Church...","internal_url":"https://www.academia.edu/122868075/Out_of_solidarity_the_Church_as_an_emotional_structure_of_polish_society_in_the_1980","translated_internal_url":"","created_at":"2024-08-14T03:43:23.481-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":22570526,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[],"slug":"Out_of_solidarity_the_Church_as_an_emotional_structure_of_polish_society_in_the_1980","translated_slug":"","page_count":null,"language":"pl","content_type":"Work","owner":{"id":22570526,"first_name":"Marcin","middle_initials":null,"last_name":"Kościelniak","page_name":"MarcinKościelniak","domain_name":"jagiellonian","created_at":"2014-11-30T02:40:00.576-08:00","display_name":"Marcin Kościelniak","url":"https://jagiellonian.academia.edu/MarcinKo%C5%9Bcielniak"},"attachments":[],"research_interests":[{"id":8487,"name":"Sigmund Freud","url":"https://www.academia.edu/Documents/in/Sigmund_Freud"},{"id":17330,"name":"Affect Theory","url":"https://www.academia.edu/Documents/in/Affect_Theory"},{"id":47830,"name":"Solidarity","url":"https://www.academia.edu/Documents/in/Solidarity"},{"id":48672,"name":"Chantal Mouffe","url":"https://www.academia.edu/Documents/in/Chantal_Mouffe"},{"id":103130,"name":"Catholic Church","url":"https://www.academia.edu/Documents/in/Catholic_Church"},{"id":733295,"name":"Solidarność","url":"https://www.academia.edu/Documents/in/Solidarno%C5%9B%C4%87"},{"id":1344273,"name":"Maria Janion","url":"https://www.academia.edu/Documents/in/Maria_Janion"},{"id":2201995,"name":"Kościół katolicki","url":"https://www.academia.edu/Documents/in/Ko%C5%9Bci%C3%B3%C5%82_katolicki"}],"urls":[{"id":44003679,"url":"https://ruj.uj.edu.pl/xmlui/handle/item/70423"}]}, dispatcherData: dispatcherData }); 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November in Teatr Powszechny, Warsaw). e author demonstrates the mechanisms of censorship in the Polish People's Republic based on correspondence, partly unknown before, between the Church, the government, and the theater, as well as juxtaposing media accounts about the play and the instructions and reports of state censorship. He posits that the identi cation of censorship with the institution of the Chief O ce for the Control of the Press, Publications, and Public Performances (i), established in narratives about People's Poland, is insu cient and erroneous. 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Idioci!»: Teatr postdramatyczny – ateizm – polityka" class="work-thumbnail" src="https://attachments.academia-assets.com/98299428/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/96388061/_%C5%BBadnej_metafizyki_Idioci_Teatr_postdramatyczny_ateizm_polityka">«Żadnej metafizyki. Idioci!»: Teatr postdramatyczny – ateizm – polityka</a></div><div class="wp-workCard_item"><span>Pamiętnik Teatralny</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Autor podejmuje lekturę teatru otwartego Tadeusza Różewicza, przede wszystkim Aktu przerywanego ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Autor podejmuje lekturę teatru otwartego Tadeusza Różewicza, przede wszystkim Aktu przerywanego i Kartoteki, wedle porządku określonego w podtytule: „teatr postdramatyczny – ateizm – polityka”. Wychodząc od propozycji Mateusza Borowskiego i Małgorzaty Sugiery, by na projekt teatralny zawarty w Akcie przerywanym spojrzeć z perspektywy teatru postdramatycznego, autor zwraca uwagę na tkwiące u źródeł koncepcji postdramatyczności Hansa-Thiesa Lehmanna, ściśle splecione z estetycznymi kryteria polityczne. To pozwala zadać pytanie o kryteria epistemologiczne i aksjologiczne, tkwiące u źródeł rozpadu formy dramatycznej w teatrze otwartym Różewicza. Autor, przywołując fragmenty twórczości poetyckiej Różewicza oraz sięgając po interpretacje Ryszarda Nycza czy Aleksandra Fiuta, proponuje tym politycznym źródłem uczynić ateizm Różewicza. Idąc tym tropem, w podstawowych dla koncepcji teatru postdramatycznego – a zarazem teatru otwartego Różewicza – kategoriach estetycznych („tu i teraz”, realn...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="6359695311ae3d3ca9817792024d7f4d" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":98299428,"asset_id":96388061,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/98299428/download_file?st=MTczMjc4NDc2Niw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="96388061"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="96388061"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 96388061; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=96388061]").text(description); $(".js-view-count[data-work-id=96388061]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 96388061; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='96388061']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 96388061, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "6359695311ae3d3ca9817792024d7f4d" } } $('.js-work-strip[data-work-id=96388061]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":96388061,"title":"«Żadnej metafizyki. 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Idąc tym tropem, w podstawowych dla koncepcji teatru postdramatycznego – a zarazem teatru otwartego Różewicza – kategoriach estetycznych („tu i teraz”, realn...","publisher":"Instytut Sztuki Polskiej Akademii Nauk","publication_name":"Pamiętnik Teatralny"},"translated_abstract":"Autor podejmuje lekturę teatru otwartego Tadeusza Różewicza, przede wszystkim Aktu przerywanego i Kartoteki, wedle porządku określonego w podtytule: „teatr postdramatyczny – ateizm – polityka”. Wychodząc od propozycji Mateusza Borowskiego i Małgorzaty Sugiery, by na projekt teatralny zawarty w Akcie przerywanym spojrzeć z perspektywy teatru postdramatycznego, autor zwraca uwagę na tkwiące u źródeł koncepcji postdramatyczności Hansa-Thiesa Lehmanna, ściśle splecione z estetycznymi kryteria polityczne. To pozwala zadać pytanie o kryteria epistemologiczne i aksjologiczne, tkwiące u źródeł rozpadu formy dramatycznej w teatrze otwartym Różewicza. 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Uciekinier z kultury. Cz. 2. Wyprawa" class="work-thumbnail" src="https://attachments.academia-assets.com/91968210/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/87864247/Jacek_Kryszkowski_Uciekinier_z_kultury_Cz_2_Wyprawa">Jacek Kryszkowski. Uciekinier z kultury. Cz. 2. Wyprawa</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Monograficzne ujecie dorobku Jacka Kryszkowskiego, artysty aktywnego w latach 80. XX wieku, związ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Monograficzne ujecie dorobku Jacka Kryszkowskiego, artysty aktywnego w latach 80. XX wieku, związanego z lodzkim środowiskiem Kultury Zrzuty. Na podstawie jego pism, wypowiedzi i akcji, autor (re)konstruuje projekt „ucieczki z kultury”, stanowiący jądro tworczości Kryszkowskiego. W pierwszej cześci artykulu ( Zrzuta ) autor przedstawia portret Kryszkowskiego, w drugiej ( Wyprawa ) skupia sie na slynnej akcji samozwanczego sprowadzenie prochow Witkacego z Jezior do Polski (1985), przedstawiając wyniki wlasnego „śledztwa” i czyniąc akcje kolem zamachowym prowadzonej przez Kryszkowskiego krytyki kultury.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="5490d356ed19763d3a4c67f1ab217b5a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":91968210,"asset_id":87864247,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/91968210/download_file?st=MTczMjc4NDc2Niw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="87864247"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="87864247"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 87864247; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=87864247]").text(description); $(".js-view-count[data-work-id=87864247]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 87864247; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='87864247']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 87864247, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "5490d356ed19763d3a4c67f1ab217b5a" } } $('.js-work-strip[data-work-id=87864247]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":87864247,"title":"Jacek Kryszkowski. 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W pierwszej cześci artykulu ( Zrzuta ) autor przedstawia portret Kryszkowskiego, w drugiej ( Wyprawa ) skupia sie na slynnej akcji samozwanczego sprowadzenie prochow Witkacego z Jezior do Polski (1985), przedstawiając wyniki wlasnego „śledztwa” i czyniąc akcje kolem zamachowym prowadzonej przez Kryszkowskiego krytyki kultury.","internal_url":"https://www.academia.edu/87864247/Jacek_Kryszkowski_Uciekinier_z_kultury_Cz_2_Wyprawa","translated_internal_url":"","created_at":"2022-10-04T04:47:06.377-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":22570526,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":91968210,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/91968210/thumbnails/1.jpg","file_name":"miejsce_2015_4_muzyczuk.pdf","download_url":"https://www.academia.edu/attachments/91968210/download_file?st=MTczMjc4NDc2Niw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Jacek_Kryszkowski_Uciekinier_z_kultury_C.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/91968210/miejsce_2015_4_muzyczuk-libre.pdf?1664892706=\u0026response-content-disposition=attachment%3B+filename%3DJacek_Kryszkowski_Uciekinier_z_kultury_C.pdf\u0026Expires=1732788366\u0026Signature=d2jT46oQgJwCN02ufZRDAJBzQ~imNKR1x9cFufhEYfQtvTPQHncaBAaVrbJNKziHnDlZKj13c~s0LYGYux5cj-GF~aOM27aunuXzey~YtE32IfKAVYimPEmPhGe9avKgHSPWyEbIhf2shjd80uuiiTDwl2VIjCGfcBdXJn5lb9I5-PcloueMhWZQphA0QYhGhHFMu52OkeRhHvtsn8vRczd7DIZTdtddEmAmCSvIqelIXZ6wDNTAM8zrF1Juiqrs8EWcuc4cIBbZZEePvoJYE7Spj6ZiEepQelRjUg6c0T0kulQTKWqYtBS-LG4X-g3EoX~aAJ4g3KM6IiMstC92lw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Jacek_Kryszkowski_Uciekinier_z_kultury_Cz_2_Wyprawa","translated_slug":"","page_count":25,"language":"pl","content_type":"Work","owner":{"id":22570526,"first_name":"Marcin","middle_initials":null,"last_name":"Kościelniak","page_name":"MarcinKościelniak","domain_name":"jagiellonian","created_at":"2014-11-30T02:40:00.576-08:00","display_name":"Marcin Kościelniak","url":"https://jagiellonian.academia.edu/MarcinKo%C5%9Bcielniak"},"attachments":[{"id":91968210,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/91968210/thumbnails/1.jpg","file_name":"miejsce_2015_4_muzyczuk.pdf","download_url":"https://www.academia.edu/attachments/91968210/download_file?st=MTczMjc4NDc2Niw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Jacek_Kryszkowski_Uciekinier_z_kultury_C.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/91968210/miejsce_2015_4_muzyczuk-libre.pdf?1664892706=\u0026response-content-disposition=attachment%3B+filename%3DJacek_Kryszkowski_Uciekinier_z_kultury_C.pdf\u0026Expires=1732788366\u0026Signature=d2jT46oQgJwCN02ufZRDAJBzQ~imNKR1x9cFufhEYfQtvTPQHncaBAaVrbJNKziHnDlZKj13c~s0LYGYux5cj-GF~aOM27aunuXzey~YtE32IfKAVYimPEmPhGe9avKgHSPWyEbIhf2shjd80uuiiTDwl2VIjCGfcBdXJn5lb9I5-PcloueMhWZQphA0QYhGhHFMu52OkeRhHvtsn8vRczd7DIZTdtddEmAmCSvIqelIXZ6wDNTAM8zrF1Juiqrs8EWcuc4cIBbZZEePvoJYE7Spj6ZiEepQelRjUg6c0T0kulQTKWqYtBS-LG4X-g3EoX~aAJ4g3KM6IiMstC92lw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History"},{"id":1236,"name":"Art","url":"https://www.academia.edu/Documents/in/Art"}],"urls":[]}, dispatcherData: dispatcherData }); 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Trzecia droga w kul turze polskiej lat 80. wydana w serii \"Nowa Biblioteka\" Instytutu Teatralnego im. Zbigniewa Raszewskiego w Warszawie. Szkice narodowej wspólnoty (a nie mniejszości czy jednostki). Elżbieta Malinowska pisała, że Solidarność jako ruch społeczny, mimo konserwatyzmu, \"stworzyła jednak niezbędny fundament formowania się tożsamości feministycznej\", bo \"upodmiotowiła społeczeństwo, uświadamiając jednostce prawo zarówno do określania się w kategoriach indywidualnych, jak i do budowania dowolnych tożsamości zbiorowych\" 86. Proponuję rozważyć przeciwną tezę: na gruncie \"uniwersalnych praw człowieka\", okopana na szańcach Kościoła i Narodu Solidarność stworzyła podstawę do wykluczenia kobiet i innych mniejszości jako podmiotów politycznych o własnych prawach, określając granice dopuszczalnych tożsamości zbiorowych i indywidualnych.","publication_name":"Teksty Drugie","grobid_abstract_attachment_id":68915386},"translated_abstract":null,"internal_url":"https://www.academia.edu/51053653/Krucjata_moralna_Solidarno%C5%9B%C4%87","translated_internal_url":"","created_at":"2021-08-28T03:11:18.029-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":22570526,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":68915386,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/68915386/thumbnails/1.jpg","file_name":"WA248_148277_P-I-2524_koscielniak-krucjata_o.pdf","download_url":"https://www.academia.edu/attachments/68915386/download_file?st=MTczMjc4NDc2Niw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Krucjata_moralna_Solidarnosc.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/68915386/WA248_148277_P-I-2524_koscielniak-krucjata_o-libre.pdf?1630147378=\u0026response-content-disposition=attachment%3B+filename%3DKrucjata_moralna_Solidarnosc.pdf\u0026Expires=1732788366\u0026Signature=VrZ2Q8cle9j4JHRfs41qT1OVTQ7MUHblgfnGAD5uyL2nU7pLefMBhHndp~dnIeL9ykaHdwm3uniWMIRhM93YvHHmtALgF5ydDiBEdOKZrOCEsQAxKm8gqswBVGrcEDD4vXJiL4Nr4i8NwFlC8ru-e2uNE7PFCy5sPHitKoIhQSYz43WrXmlVwaZh-AfzlzQYi7wDuKDuTwdI-MP--ZDFjFlUUHJ27yDjiRfuXlAMfJ-VRaxvOV~j0boXbte-dRVUAdcmIFkVgSFdgh24sAgOgX0TpEoizuPXw4V~S4O5dpvu5yRXa0q~ux3wQZ1-RXXOZ1SX9ozKxrhMNN1TcuAXbw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Krucjata_moralna_Solidarność","translated_slug":"","page_count":20,"language":"pl","content_type":"Work","owner":{"id":22570526,"first_name":"Marcin","middle_initials":null,"last_name":"Kościelniak","page_name":"MarcinKościelniak","domain_name":"jagiellonian","created_at":"2014-11-30T02:40:00.576-08:00","display_name":"Marcin Kościelniak","url":"https://jagiellonian.academia.edu/MarcinKo%C5%9Bcielniak"},"attachments":[{"id":68915386,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/68915386/thumbnails/1.jpg","file_name":"WA248_148277_P-I-2524_koscielniak-krucjata_o.pdf","download_url":"https://www.academia.edu/attachments/68915386/download_file?st=MTczMjc4NDc2Niw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Krucjata_moralna_Solidarnosc.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/68915386/WA248_148277_P-I-2524_koscielniak-krucjata_o-libre.pdf?1630147378=\u0026response-content-disposition=attachment%3B+filename%3DKrucjata_moralna_Solidarnosc.pdf\u0026Expires=1732788366\u0026Signature=VrZ2Q8cle9j4JHRfs41qT1OVTQ7MUHblgfnGAD5uyL2nU7pLefMBhHndp~dnIeL9ykaHdwm3uniWMIRhM93YvHHmtALgF5ydDiBEdOKZrOCEsQAxKm8gqswBVGrcEDD4vXJiL4Nr4i8NwFlC8ru-e2uNE7PFCy5sPHitKoIhQSYz43WrXmlVwaZh-AfzlzQYi7wDuKDuTwdI-MP--ZDFjFlUUHJ27yDjiRfuXlAMfJ-VRaxvOV~j0boXbte-dRVUAdcmIFkVgSFdgh24sAgOgX0TpEoizuPXw4V~S4O5dpvu5yRXa0q~ux3wQZ1-RXXOZ1SX9ozKxrhMNN1TcuAXbw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="51053647"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/51053647/Pochwa%C5%82a_profanacji_Trzecia_droga_w_kulturze_polskiej_lat_80"><img alt="Research paper thumbnail of Pochwała profanacji. 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Aneta Klassenberg" class="work-thumbnail" src="https://attachments.academia-assets.com/66213702/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/46056820/W_stron%C4%99_archiwum_k%C5%82%C4%85cza_Aneta_Klassenberg">W stronę archiwum-kłącza. Aneta Klassenberg</a></div><div class="wp-workCard_item"><span>Pamiętnik Teatralny</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Tekst jest poświęcony projektowi Katarzyny Kalwat Maria Klassenberg, przede wszystkim jego najważ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Tekst jest poświęcony projektowi Katarzyny Kalwat Maria Klassenberg, przede wszystkim jego najważniejszej dotychczas odsłonie, Ekstazy. Tytułowa bohaterka reprezentuje artystki lat siedemdziesiątych, które nie weszły do kanonu sztuki. Autor umieszcza projekt w horyzoncie twórczości reżyserki i innych pokrewnych prac z pola zwrotu historiograficznego. Problematyzacji podlega kształt kobiecej genealogii, którą Kalwat buduje za pomocą kontrfaktycznego archiwum. Podstawę metodologiczną stanowi koncepcja archiwum rozumianego (za Foucaultem i Derridą) jako praktyki dyskursywne. Skoro archiwum wytwarza i zarazem jest wytworem kultury patriarchalnej, autor zastanawia się, w jaki sposób i do jakiego stopnia archiwum kontrfaktyczne Kalwat łamie reguły wypowiadalności. Refleksję umożliwia i komplikuje włączenie do analizy Archiwum Marii Klassenberg 1970-1980, na które składają się filmy wideo i fotografie wyprodukowane na użytek projektu przez Anetę Grzeszykowską. Szansę wyjścia poza patriarchalną logikę archiwum autor dostrzega w procesualnym, rozłożonym pomiędzy kolejnymi odsłonami charakterze projektu, rozwijającego się od teatru do performansu.<br /><br />This text discusses Katarzyna Kalwat’s project Maria Klassenberg, focusing on its most important part to date, Ekstazy (Ecstasies). Klassenberg represents women artists of the 1970s who have not been admitted to the canon. The author of the essay situates the project in the context of Kalwat’s output and other relevant works of the historiographical turn. He problematizes the shape of the female genealogy built by Kalwat by means of a counterfactual archive. His methodological basis is the concept of the archive understood as discursive practices (following Foucault and Derrida). If the archive produces and, at the same time, is a product of patriarchal culture, the author considers how and to what extent Kalwat’s counterfactual archive breaks the rules of utterability. The reflection is enabled and complicated by taking into account the Maria Klassenberg Archive 1970-1980, which comprises videos and photographs produced for the project by Aneta Grzeszykowska. According to the author, the chance to go beyond the patriarchal logic of the archive lies in the processual character of the project, developing between subsequent parts, from theatre to performance.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="b49d898768f9e6b0bd612d9d632f2748" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":66213702,"asset_id":46056820,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/66213702/download_file?st=MTczMjc4NDc2Niw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="46056820"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="46056820"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 46056820; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=46056820]").text(description); $(".js-view-count[data-work-id=46056820]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 46056820; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='46056820']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 46056820, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "b49d898768f9e6b0bd612d9d632f2748" } } $('.js-work-strip[data-work-id=46056820]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":46056820,"title":"W stronę archiwum-kłącza. Aneta Klassenberg","translated_title":"","metadata":{"doi":"10.36744/pt.546","abstract":"Tekst jest poświęcony projektowi Katarzyny Kalwat Maria Klassenberg, przede wszystkim jego najważniejszej dotychczas odsłonie, Ekstazy. Tytułowa bohaterka reprezentuje artystki lat siedemdziesiątych, które nie weszły do kanonu sztuki. Autor umieszcza projekt w horyzoncie twórczości reżyserki i innych pokrewnych prac z pola zwrotu historiograficznego. Problematyzacji podlega kształt kobiecej genealogii, którą Kalwat buduje za pomocą kontrfaktycznego archiwum. Podstawę metodologiczną stanowi koncepcja archiwum rozumianego (za Foucaultem i Derridą) jako praktyki dyskursywne. Skoro archiwum wytwarza i zarazem jest wytworem kultury patriarchalnej, autor zastanawia się, w jaki sposób i do jakiego stopnia archiwum kontrfaktyczne Kalwat łamie reguły wypowiadalności. Refleksję umożliwia i komplikuje włączenie do analizy Archiwum Marii Klassenberg 1970-1980, na które składają się filmy wideo i fotografie wyprodukowane na użytek projektu przez Anetę Grzeszykowską. Szansę wyjścia poza patriarchalną logikę archiwum autor dostrzega w procesualnym, rozłożonym pomiędzy kolejnymi odsłonami charakterze projektu, rozwijającego się od teatru do performansu.\n\nThis text discusses Katarzyna Kalwat’s project Maria Klassenberg, focusing on its most important part to date, Ekstazy (Ecstasies). Klassenberg represents women artists of the 1970s who have not been admitted to the canon. The author of the essay situates the project in the context of Kalwat’s output and other relevant works of the historiographical turn. He problematizes the shape of the female genealogy built by Kalwat by means of a counterfactual archive. His methodological basis is the concept of the archive understood as discursive practices (following Foucault and Derrida). If the archive produces and, at the same time, is a product of patriarchal culture, the author considers how and to what extent Kalwat’s counterfactual archive breaks the rules of utterability. The reflection is enabled and complicated by taking into account the Maria Klassenberg Archive 1970-1980, which comprises videos and photographs produced for the project by Aneta Grzeszykowska. According to the author, the chance to go beyond the patriarchal logic of the archive lies in the processual character of the project, developing between subsequent parts, from theatre to performance.","publication_date":{"day":null,"month":null,"year":2020,"errors":{}},"publication_name":"Pamiętnik Teatralny"},"translated_abstract":"Tekst jest poświęcony projektowi Katarzyny Kalwat Maria Klassenberg, przede wszystkim jego najważniejszej dotychczas odsłonie, Ekstazy. Tytułowa bohaterka reprezentuje artystki lat siedemdziesiątych, które nie weszły do kanonu sztuki. Autor umieszcza projekt w horyzoncie twórczości reżyserki i innych pokrewnych prac z pola zwrotu historiograficznego. Problematyzacji podlega kształt kobiecej genealogii, którą Kalwat buduje za pomocą kontrfaktycznego archiwum. Podstawę metodologiczną stanowi koncepcja archiwum rozumianego (za Foucaultem i Derridą) jako praktyki dyskursywne. Skoro archiwum wytwarza i zarazem jest wytworem kultury patriarchalnej, autor zastanawia się, w jaki sposób i do jakiego stopnia archiwum kontrfaktyczne Kalwat łamie reguły wypowiadalności. Refleksję umożliwia i komplikuje włączenie do analizy Archiwum Marii Klassenberg 1970-1980, na które składają się filmy wideo i fotografie wyprodukowane na użytek projektu przez Anetę Grzeszykowską. Szansę wyjścia poza patriarchalną logikę archiwum autor dostrzega w procesualnym, rozłożonym pomiędzy kolejnymi odsłonami charakterze projektu, rozwijającego się od teatru do performansu.\n\nThis text discusses Katarzyna Kalwat’s project Maria Klassenberg, focusing on its most important part to date, Ekstazy (Ecstasies). Klassenberg represents women artists of the 1970s who have not been admitted to the canon. The author of the essay situates the project in the context of Kalwat’s output and other relevant works of the historiographical turn. He problematizes the shape of the female genealogy built by Kalwat by means of a counterfactual archive. His methodological basis is the concept of the archive understood as discursive practices (following Foucault and Derrida). If the archive produces and, at the same time, is a product of patriarchal culture, the author considers how and to what extent Kalwat’s counterfactual archive breaks the rules of utterability. The reflection is enabled and complicated by taking into account the Maria Klassenberg Archive 1970-1980, which comprises videos and photographs produced for the project by Aneta Grzeszykowska. According to the author, the chance to go beyond the patriarchal logic of the archive lies in the processual character of the project, developing between subsequent parts, from theatre to performance.","internal_url":"https://www.academia.edu/46056820/W_stron%C4%99_archiwum_k%C5%82%C4%85cza_Aneta_Klassenberg","translated_internal_url":"","created_at":"2021-04-08T12:21:24.232-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":22570526,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":66213702,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/66213702/thumbnails/1.jpg","file_name":"W_strone_archiwum_kłacza_PUBL_.pdf","download_url":"https://www.academia.edu/attachments/66213702/download_file?st=MTczMjc4NDc2Niw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"W_strone_archiwum_klacza_Aneta_Klassenbe.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/66213702/W_strone_archiwum_k%C5%82acza_PUBL_-libre.pdf?1617911458=\u0026response-content-disposition=attachment%3B+filename%3DW_strone_archiwum_klacza_Aneta_Klassenbe.pdf\u0026Expires=1732788366\u0026Signature=TMDlbNJ7~3vEZ3zpN2T2nM8rAkok5lWiWbMnbwKdltt4dEYoo08PRd3PV-bQdl3Zq6sbntdXC8sqpKnzk7ECvhU2e3Lxg8sW5f4rIML8frHwEq0DEX9RaIHMmBT5PrhcSrVG3OoDb-A8ouQILOSpueSIf7Nwfl55PvR95Q6W7W5sNAoWD1N7XBYApA7ajxV0SanW3qKxTedNbzoXIsPnJZJscQ4FGglg0zj2EXEXWvrj9lm532~7LwQJjkgTaFEkU7AQmkzp3txQALCCkJ8NxAuOyUbxwyHu6p~4W75c7NyOuWlxfQ8R47oO457ylylPV6DxtBFsUKXPDokIkw9zQg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"W_stronę_archiwum_kłącza_Aneta_Klassenberg","translated_slug":"","page_count":44,"language":"pl","content_type":"Work","owner":{"id":22570526,"first_name":"Marcin","middle_initials":null,"last_name":"Kościelniak","page_name":"MarcinKościelniak","domain_name":"jagiellonian","created_at":"2014-11-30T02:40:00.576-08:00","display_name":"Marcin Kościelniak","url":"https://jagiellonian.academia.edu/MarcinKo%C5%9Bcielniak"},"attachments":[{"id":66213702,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/66213702/thumbnails/1.jpg","file_name":"W_strone_archiwum_kłacza_PUBL_.pdf","download_url":"https://www.academia.edu/attachments/66213702/download_file?st=MTczMjc4NDc2Niw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"W_strone_archiwum_klacza_Aneta_Klassenbe.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/66213702/W_strone_archiwum_k%C5%82acza_PUBL_-libre.pdf?1617911458=\u0026response-content-disposition=attachment%3B+filename%3DW_strone_archiwum_klacza_Aneta_Klassenbe.pdf\u0026Expires=1732788366\u0026Signature=TMDlbNJ7~3vEZ3zpN2T2nM8rAkok5lWiWbMnbwKdltt4dEYoo08PRd3PV-bQdl3Zq6sbntdXC8sqpKnzk7ECvhU2e3Lxg8sW5f4rIML8frHwEq0DEX9RaIHMmBT5PrhcSrVG3OoDb-A8ouQILOSpueSIf7Nwfl55PvR95Q6W7W5sNAoWD1N7XBYApA7ajxV0SanW3qKxTedNbzoXIsPnJZJscQ4FGglg0zj2EXEXWvrj9lm532~7LwQJjkgTaFEkU7AQmkzp3txQALCCkJ8NxAuOyUbxwyHu6p~4W75c7NyOuWlxfQ8R47oO457ylylPV6DxtBFsUKXPDokIkw9zQg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":2337,"name":"Performance Studies","url":"https://www.academia.edu/Documents/in/Performance_Studies"},{"id":7513,"name":"Archives","url":"https://www.academia.edu/Documents/in/Archives"},{"id":10453,"name":"Feminism","url":"https://www.academia.edu/Documents/in/Feminism"},{"id":11927,"name":"Michel Foucault","url":"https://www.academia.edu/Documents/in/Michel_Foucault"},{"id":12040,"name":"Jacques Derrida","url":"https://www.academia.edu/Documents/in/Jacques_Derrida"},{"id":51642,"name":"Reenactment","url":"https://www.academia.edu/Documents/in/Reenactment"},{"id":58021,"name":"Neo-Avant-Garde","url":"https://www.academia.edu/Documents/in/Neo-Avant-Garde"},{"id":148357,"name":"Feminizm","url":"https://www.academia.edu/Documents/in/Feminizm"},{"id":1118434,"name":"Neoawangarda","url":"https://www.academia.edu/Documents/in/Neoawangarda"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="46055738"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/46055738/Transformacja_i_aborcja_Genealogia_kompromisu_aborcyjnego_"><img alt="Research paper thumbnail of Transformacja i aborcja. Genealogia "kompromisu aborcyjnego"" class="work-thumbnail" src="https://attachments.academia-assets.com/66213650/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/46055738/Transformacja_i_aborcja_Genealogia_kompromisu_aborcyjnego_">Transformacja i aborcja. Genealogia "kompromisu aborcyjnego"</a></div><div class="wp-workCard_item"><span>Widok. Teorie i praktyki kultury wizualnej</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Tekst jest kulturoznawczą analizą wydarzeń wokół "Projektu ustawy o prawnej ochronie dziecka pocz...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Tekst jest kulturoznawczą analizą wydarzeń wokół "Projektu ustawy o prawnej ochronie dziecka poczętego", wniesionego do laski marszałkowskiej 28 lutego 1989 roku. Projekt ten rozpoczął debatę o zakazie aborcji, której finałem był "kompromis aborcyjny" z 7 stycznia 1993 roku. Fakt, że debata ta rozpoczęła się jeszcze przed czerwcowymi wyborami 1989 roku, autor czyni kołem zamachowym przeciw-historii polskiej transformacji. Autor pyta o stosunek głównych sił politycznych do pierwszego projektu ustawy antyaborcyjnej, analizując dyskurs medialny (na czele z "Gazetą Wyborczą"), sięgając do analiz historycznych, materiałów SB, zapisów rozmów stolikowych Okrągłego Stołu. Jednocześnie sięga wstecz, do końca lat 70., pytając, jak wówczas dyskurs katolicki, wraz z postulowanym przez Kościół zakazem aborcji, włączany był do dyskursu opozycji demokratycznej i Partii. Swoją analizę autor formułuje jako projekt feministycznego i świeckiego archiwum polskiej transformacji i rozumie jako archiwum "podziemne", które weryfikuje i rozsadza od środka ustanowione w hegemonicznych narracjach historycznych archiwum "oficjalne" - a wraz z nim nasze rozumienie przeszłości i naszą teraźniejszość. Proponując, by zakaz aborcji widzieć jako centralne wydarzenie transformacji, kluczowe dla rozumienia negocjowanego wówczas polskiego uniwersum symbolicznego, autor na podstawie swoich analiz dowodzi, że wykluczenie kobiet i ich praw jest przedustawną i naczelną zasadą polskiej demokracji. Tekst jest pierwszą częścią większego projektu, który uwzględniać będzie narrację o tożsamości współczesnych ruchów feministycznych, obejmującą historię manifestacji z kwietnia i maja 1989 roku i analizę dyskursu protestów za utrzymaniem legalnej aborcji.<br /><br />The text is an analysis of the events related to the anti-abortion law introduced to the parliament on February 28, 1989. This project started a debate on the ban of abortion, which culminated in the "abortion compromise" of January 7, 1993. The fact that this debate began even before the June 1989 elections makes the author the starting point for the counter-history of Polish transformation. The author asks about the attitude of the main political forces to the first draft of the anti-abortion law. At the same time he goes back to the end of the 1970s, asking how the Catholic discourse, along with the ban of abortion postulated by the Church, was included in the discourse of the democratic opposition and the Party. By proposing to see the ban of abortion as the central event of the transformation, key to understanding the Polish symbolic universe under negotiation at the time, the author argues that the exclusion of women and their rights is the pre-legal and guiding principle of Polish democracy. The text is the first part of a larger project that will include a narrative about the identity of contemporary feminist movements, covering the history of the April and May 1989 manifestations and an analysis of the discourse of protests in favor of legal abortion.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="d866b993d301ef68054996762d981643" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":66213650,"asset_id":46055738,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/66213650/download_file?st=MTczMjc4NDc2Niw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="46055738"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="46055738"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 46055738; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=46055738]").text(description); $(".js-view-count[data-work-id=46055738]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 46055738; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='46055738']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 46055738, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "d866b993d301ef68054996762d981643" } } $('.js-work-strip[data-work-id=46055738]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":46055738,"title":"Transformacja i aborcja. Genealogia \"kompromisu aborcyjnego\"","translated_title":"","metadata":{"abstract":"Tekst jest kulturoznawczą analizą wydarzeń wokół \"Projektu ustawy o prawnej ochronie dziecka poczętego\", wniesionego do laski marszałkowskiej 28 lutego 1989 roku. Projekt ten rozpoczął debatę o zakazie aborcji, której finałem był \"kompromis aborcyjny\" z 7 stycznia 1993 roku. Fakt, że debata ta rozpoczęła się jeszcze przed czerwcowymi wyborami 1989 roku, autor czyni kołem zamachowym przeciw-historii polskiej transformacji. Autor pyta o stosunek głównych sił politycznych do pierwszego projektu ustawy antyaborcyjnej, analizując dyskurs medialny (na czele z \"Gazetą Wyborczą\"), sięgając do analiz historycznych, materiałów SB, zapisów rozmów stolikowych Okrągłego Stołu. Jednocześnie sięga wstecz, do końca lat 70., pytając, jak wówczas dyskurs katolicki, wraz z postulowanym przez Kościół zakazem aborcji, włączany był do dyskursu opozycji demokratycznej i Partii. Swoją analizę autor formułuje jako projekt feministycznego i świeckiego archiwum polskiej transformacji i rozumie jako archiwum \"podziemne\", które weryfikuje i rozsadza od środka ustanowione w hegemonicznych narracjach historycznych archiwum \"oficjalne\" - a wraz z nim nasze rozumienie przeszłości i naszą teraźniejszość. Proponując, by zakaz aborcji widzieć jako centralne wydarzenie transformacji, kluczowe dla rozumienia negocjowanego wówczas polskiego uniwersum symbolicznego, autor na podstawie swoich analiz dowodzi, że wykluczenie kobiet i ich praw jest przedustawną i naczelną zasadą polskiej demokracji. Tekst jest pierwszą częścią większego projektu, który uwzględniać będzie narrację o tożsamości współczesnych ruchów feministycznych, obejmującą historię manifestacji z kwietnia i maja 1989 roku i analizę dyskursu protestów za utrzymaniem legalnej aborcji.\n\nThe text is an analysis of the events related to the anti-abortion law introduced to the parliament on February 28, 1989. This project started a debate on the ban of abortion, which culminated in the \"abortion compromise\" of January 7, 1993. The fact that this debate began even before the June 1989 elections makes the author the starting point for the counter-history of Polish transformation. The author asks about the attitude of the main political forces to the first draft of the anti-abortion law. At the same time he goes back to the end of the 1970s, asking how the Catholic discourse, along with the ban of abortion postulated by the Church, was included in the discourse of the democratic opposition and the Party. By proposing to see the ban of abortion as the central event of the transformation, key to understanding the Polish symbolic universe under negotiation at the time, the author argues that the exclusion of women and their rights is the pre-legal and guiding principle of Polish democracy. The text is the first part of a larger project that will include a narrative about the identity of contemporary feminist movements, covering the history of the April and May 1989 manifestations and an analysis of the discourse of protests in favor of legal abortion.","publication_date":{"day":null,"month":null,"year":2020,"errors":{}},"publication_name":"Widok. Teorie i praktyki kultury wizualnej"},"translated_abstract":"Tekst jest kulturoznawczą analizą wydarzeń wokół \"Projektu ustawy o prawnej ochronie dziecka poczętego\", wniesionego do laski marszałkowskiej 28 lutego 1989 roku. Projekt ten rozpoczął debatę o zakazie aborcji, której finałem był \"kompromis aborcyjny\" z 7 stycznia 1993 roku. Fakt, że debata ta rozpoczęła się jeszcze przed czerwcowymi wyborami 1989 roku, autor czyni kołem zamachowym przeciw-historii polskiej transformacji. Autor pyta o stosunek głównych sił politycznych do pierwszego projektu ustawy antyaborcyjnej, analizując dyskurs medialny (na czele z \"Gazetą Wyborczą\"), sięgając do analiz historycznych, materiałów SB, zapisów rozmów stolikowych Okrągłego Stołu. Jednocześnie sięga wstecz, do końca lat 70., pytając, jak wówczas dyskurs katolicki, wraz z postulowanym przez Kościół zakazem aborcji, włączany był do dyskursu opozycji demokratycznej i Partii. Swoją analizę autor formułuje jako projekt feministycznego i świeckiego archiwum polskiej transformacji i rozumie jako archiwum \"podziemne\", które weryfikuje i rozsadza od środka ustanowione w hegemonicznych narracjach historycznych archiwum \"oficjalne\" - a wraz z nim nasze rozumienie przeszłości i naszą teraźniejszość. Proponując, by zakaz aborcji widzieć jako centralne wydarzenie transformacji, kluczowe dla rozumienia negocjowanego wówczas polskiego uniwersum symbolicznego, autor na podstawie swoich analiz dowodzi, że wykluczenie kobiet i ich praw jest przedustawną i naczelną zasadą polskiej demokracji. Tekst jest pierwszą częścią większego projektu, który uwzględniać będzie narrację o tożsamości współczesnych ruchów feministycznych, obejmującą historię manifestacji z kwietnia i maja 1989 roku i analizę dyskursu protestów za utrzymaniem legalnej aborcji.\n\nThe text is an analysis of the events related to the anti-abortion law introduced to the parliament on February 28, 1989. This project started a debate on the ban of abortion, which culminated in the \"abortion compromise\" of January 7, 1993. The fact that this debate began even before the June 1989 elections makes the author the starting point for the counter-history of Polish transformation. The author asks about the attitude of the main political forces to the first draft of the anti-abortion law. At the same time he goes back to the end of the 1970s, asking how the Catholic discourse, along with the ban of abortion postulated by the Church, was included in the discourse of the democratic opposition and the Party. By proposing to see the ban of abortion as the central event of the transformation, key to understanding the Polish symbolic universe under negotiation at the time, the author argues that the exclusion of women and their rights is the pre-legal and guiding principle of Polish democracy. 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Theories and Practices of Visual Culture</span><span>, 2018</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The article is a monographic presentation of work of Jacek Kryszkowski, the artist active in the ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The article is a monographic presentation of work of Jacek Kryszkowski, the artist active in the 80’s (in the 20th century), connected with Łódź’s Kultura Zrzuty (Pitch-in Culture) community. Basing on Kryszkowski’s writings, statements and actions, author (re)constructs “escape from culture” project that lies at the heart of Kryszkowski’s oeuvre. In the first part of the article (“Zrzuta”) author presents a portrait of Kryszkowski, in the second one (“Wyprawa”) he focuses on a famous action of self-appointed importing of Witkacy’s ashes from Jeziory to Poland (1985), showing the results of his own “investigation”, and presenting the action as the core of Kryszkowski’s cultural criticism.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="b04721292bc7bba80510e78e98a59c1c" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":61146844,"asset_id":40861270,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/61146844/download_file?st=MTczMjc4NDc2Nyw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="40861270"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="40861270"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 40861270; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=40861270]").text(description); $(".js-view-count[data-work-id=40861270]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 40861270; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='40861270']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 40861270, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "b04721292bc7bba80510e78e98a59c1c" } } $('.js-work-strip[data-work-id=40861270]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":40861270,"title":"Jacek Kryszkowski: Fugitive from Culture – Part 2: The Expedition","translated_title":"","metadata":{"abstract":"The article is a monographic presentation of work of Jacek Kryszkowski, the artist active in the 80’s (in the 20th century), connected with Łódź’s Kultura Zrzuty (Pitch-in Culture) community. Basing on Kryszkowski’s writings, statements and actions, author (re)constructs “escape from culture” project that lies at the heart of Kryszkowski’s oeuvre. In the first part of the article (“Zrzuta”) author presents a portrait of Kryszkowski, in the second one (“Wyprawa”) he focuses on a famous action of self-appointed importing of Witkacy’s ashes from Jeziory to Poland (1985), showing the results of his own “investigation”, and presenting the action as the core of Kryszkowski’s cultural criticism.","publication_date":{"day":null,"month":null,"year":2018,"errors":{}},"publication_name":"View. Theories and Practices of Visual Culture"},"translated_abstract":"The article is a monographic presentation of work of Jacek Kryszkowski, the artist active in the 80’s (in the 20th century), connected with Łódź’s Kultura Zrzuty (Pitch-in Culture) community. 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Part 1 – Zrzuta" class="work-thumbnail" src="https://attachments.academia-assets.com/61146421/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/40860885/Jacek_Kryszkowski_A_Fugitive_from_the_Culture_Part_1_Zrzuta">Jacek Kryszkowski: A Fugitive from the Culture. Part 1 – Zrzuta</a></div><div class="wp-workCard_item"><span>View. Theories and Practices of Visual Culture</span><span>, 2016</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The article is a monographic presentation of work of Jacek Kryszkowski, the artist active in the ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The article is a monographic presentation of work of Jacek Kryszkowski, the artist active in the 80’s (in the 20th century), connected with Łódź’s Kultura Zrzuty (Pitch-in Culture) community. Basing on Kryszkowski’s writings, statements and actions, author (re)constructs “escape from culture” project that lies at the heart of Kryszkowski’s oeuvre. In the first part of the article (“Zrzuta”) author presents a portrait of Kryszkowski, in the second one (“Wyprawa”) he focuses on a famous action of self-appointed importing of Witkacy’s ashes from Jeziory to Poland (1985), showing the results of his own “investigation”, and presenting the action as the core of Kryszkowski’s cultural criticism.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="add5a4b1d2965ab2f5897ee022d7456a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":61146421,"asset_id":40860885,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/61146421/download_file?st=MTczMjc4NDc2Nyw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="40860885"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="40860885"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 40860885; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=40860885]").text(description); $(".js-view-count[data-work-id=40860885]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 40860885; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='40860885']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 40860885, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "add5a4b1d2965ab2f5897ee022d7456a" } } $('.js-work-strip[data-work-id=40860885]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":40860885,"title":"Jacek Kryszkowski: A Fugitive from the Culture. 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data-click-track="profile-work-strip-title" href="https://www.academia.edu/40860771/Revolution_in_the_Cross_s_Shadow_Solidarity_as_Performance">Revolution in the Cross’s Shadow: Solidarity as Performance</a></div><div class="wp-workCard_item"><span>Polish Theatre Journal</span><span>, 2018</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The text is a fragment of a chapter from Marcin Kościelniak’s book "Egoiści. Trzecia droga w kult...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The text is a fragment of a chapter from Marcin Kościelniak’s book "Egoiści. Trzecia droga w kulturze polskiej lat 80" [Egoists. A Third Way in Polish Culture of the 1980s]. In the book, the author considers the first Solidarity movement in terms of its complex relationship with the Church and Catholicism, analysed at the level of signs and symbols it used, traditions it refered to, rhetoric it applied, as well as in the area of social practices and rituals it employed. Paying close attention to the extremely intense and almost universally accepted presence of the religious (and national-religious) discourse in Solidarity’s discourse, the author endeavours to problematize the widely accepted opinion of the first Solidarity as a universal, pluralistic, fully democratic movement. Viewing Solidarity as a cultural identity performance is at the same time an attempt at the genealogy of Polish modernity.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="ceae93a1ee543fd138130a6f603e6fd3" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":61146310,"asset_id":40860771,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/61146310/download_file?st=MTczMjc4NDc2Nyw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="40860771"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="40860771"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 40860771; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=40860771]").text(description); $(".js-view-count[data-work-id=40860771]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 40860771; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='40860771']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 40860771, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "ceae93a1ee543fd138130a6f603e6fd3" } } $('.js-work-strip[data-work-id=40860771]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":40860771,"title":"Revolution in the Cross’s Shadow: Solidarity as Performance","translated_title":"","metadata":{"abstract":"The text is a fragment of a chapter from Marcin Kościelniak’s book \"Egoiści. 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Viewing Solidarity as a cultural identity performance is at the same time an attempt at the genealogy of Polish modernity.","publication_date":{"day":null,"month":null,"year":2018,"errors":{}},"publication_name":"Polish Theatre Journal"},"translated_abstract":"The text is a fragment of a chapter from Marcin Kościelniak’s book \"Egoiści. Trzecia droga w kulturze polskiej lat 80\" [Egoists. A Third Way in Polish Culture of the 1980s]. In the book, the author considers the first Solidarity movement in terms of its complex relationship with the Church and Catholicism, analysed at the level of signs and symbols it used, traditions it refered to, rhetoric it applied, as well as in the area of social practices and rituals it employed. Paying close attention to the extremely intense and almost universally accepted presence of the religious (and national-religious) discourse in Solidarity’s discourse, the author endeavours to problematize the widely accepted opinion of the first Solidarity as a universal, pluralistic, fully democratic movement. Viewing Solidarity as a cultural identity performance is at the same time an attempt at the genealogy of Polish modernity.","internal_url":"https://www.academia.edu/40860771/Revolution_in_the_Cross_s_Shadow_Solidarity_as_Performance","translated_internal_url":"","created_at":"2019-11-06T10:43:21.749-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":22570526,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":61146310,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/61146310/thumbnails/1.jpg","file_name":"Revolution_in_the_Crosss_Shadow20191106-61559-1a0nxyz.pdf","download_url":"https://www.academia.edu/attachments/61146310/download_file?st=MTczMjc4NDc2Nyw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Revolution_in_the_Cross_s_Shadow_Solidar.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/61146310/Revolution_in_the_Crosss_Shadow20191106-61559-1a0nxyz-libre.pdf?1573068220=\u0026response-content-disposition=attachment%3B+filename%3DRevolution_in_the_Cross_s_Shadow_Solidar.pdf\u0026Expires=1732788367\u0026Signature=SPiAhKv6LYQCECgdiKMeVphJbypDrkTkuxPsfQlHy1m6D72KBn5LwqP7reENKqLmJa~-xMocPDrad71DP4JX77MMXLVdXjMfuGBS8TJ~oBjhOsRiG6KR5lKMfPSdZn9TrVBlJeI~hadhs2p0pi2iuCzLVB5b09CA3nYLvxFDNdOtLNU14~Yb9M5xIZBPMslJD9btVRPhqH0ktLnAYAYJOlN5oLuvLGKPE-lAqwhSzUfrzZimR0daUnObRlHcF0GV2~MyFFdXeGk2S2E1~8TzfyrMwZbh1WRUW-UVoW4WKuBo79S22mQQR5HcYzHCQm0ucNEPNj4YbFuZ-mfLp~IvrQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Revolution_in_the_Cross_s_Shadow_Solidarity_as_Performance","translated_slug":"","page_count":28,"language":"en","content_type":"Work","owner":{"id":22570526,"first_name":"Marcin","middle_initials":null,"last_name":"Kościelniak","page_name":"MarcinKościelniak","domain_name":"jagiellonian","created_at":"2014-11-30T02:40:00.576-08:00","display_name":"Marcin Kościelniak","url":"https://jagiellonian.academia.edu/MarcinKo%C5%9Bcielniak"},"attachments":[{"id":61146310,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/61146310/thumbnails/1.jpg","file_name":"Revolution_in_the_Crosss_Shadow20191106-61559-1a0nxyz.pdf","download_url":"https://www.academia.edu/attachments/61146310/download_file?st=MTczMjc4NDc2Nyw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Revolution_in_the_Cross_s_Shadow_Solidar.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/61146310/Revolution_in_the_Crosss_Shadow20191106-61559-1a0nxyz-libre.pdf?1573068220=\u0026response-content-disposition=attachment%3B+filename%3DRevolution_in_the_Cross_s_Shadow_Solidar.pdf\u0026Expires=1732788367\u0026Signature=SPiAhKv6LYQCECgdiKMeVphJbypDrkTkuxPsfQlHy1m6D72KBn5LwqP7reENKqLmJa~-xMocPDrad71DP4JX77MMXLVdXjMfuGBS8TJ~oBjhOsRiG6KR5lKMfPSdZn9TrVBlJeI~hadhs2p0pi2iuCzLVB5b09CA3nYLvxFDNdOtLNU14~Yb9M5xIZBPMslJD9btVRPhqH0ktLnAYAYJOlN5oLuvLGKPE-lAqwhSzUfrzZimR0daUnObRlHcF0GV2~MyFFdXeGk2S2E1~8TzfyrMwZbh1WRUW-UVoW4WKuBo79S22mQQR5HcYzHCQm0ucNEPNj4YbFuZ-mfLp~IvrQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":2337,"name":"Performance Studies","url":"https://www.academia.edu/Documents/in/Performance_Studies"},{"id":3059,"name":"Religion and Politics","url":"https://www.academia.edu/Documents/in/Religion_and_Politics"},{"id":3622,"name":"Polish History","url":"https://www.academia.edu/Documents/in/Polish_History"},{"id":5878,"name":"Nationalism","url":"https://www.academia.edu/Documents/in/Nationalism"},{"id":8356,"name":"Culture Studies","url":"https://www.academia.edu/Documents/in/Culture_Studies"},{"id":15689,"name":"Polish Studies","url":"https://www.academia.edu/Documents/in/Polish_Studies"},{"id":17123,"name":"Democracy","url":"https://www.academia.edu/Documents/in/Democracy"},{"id":41501,"name":"Catholicism","url":"https://www.academia.edu/Documents/in/Catholicism"},{"id":47830,"name":"Solidarity","url":"https://www.academia.edu/Documents/in/Solidarity"},{"id":48047,"name":"Trade unions","url":"https://www.academia.edu/Documents/in/Trade_unions"},{"id":116468,"name":"Church and State","url":"https://www.academia.edu/Documents/in/Church_and_State"},{"id":394084,"name":"Timothy Garton Ash","url":"https://www.academia.edu/Documents/in/Timothy_Garton_Ash"},{"id":443599,"name":"Comunism","url":"https://www.academia.edu/Documents/in/Comunism"},{"id":1001176,"name":"Left and Right Political Culture Model","url":"https://www.academia.edu/Documents/in/Left_and_Right_Political_Culture_Model"}],"urls":[]}, dispatcherData: dispatcherData }); 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Przyczynek do genealogii i teorii polskiej sztuki krytycznej" class="work-thumbnail" src="https://attachments.academia-assets.com/117439812/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/122868076/Polscy_akcjoni%C5%9Bci_Przyczynek_do_genealogii_i_teorii_polskiej_sztuki_krytycznej">Polscy akcjoniści. Przyczynek do genealogii i teorii polskiej sztuki krytycznej</a></div><div class="wp-workCard_item"><span>Teksty Drugie</span><span>, 2015</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="1d06fbd99427b31350a39a08a72229b0" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":117439812,"asset_id":122868076,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/117439812/download_file?st=MTczMjc4NDc2Nyw4LjIyMi4yMDguMTQ2&st=MTczMjc4NDc2NSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="122868076"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="122868076"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 122868076; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=122868076]").text(description); $(".js-view-count[data-work-id=122868076]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 122868076; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='122868076']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 122868076, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "1d06fbd99427b31350a39a08a72229b0" } } $('.js-work-strip[data-work-id=122868076]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":122868076,"title":"Polscy akcjoniści. Przyczynek do genealogii i teorii polskiej sztuki krytycznej","translated_title":"","metadata":{"publisher":"Institute of Literary Research of the Polish Academy of Sciences","grobid_abstract":"Od narodzin określają nas spojrzenia. Wpleceni w nie, patrzymy na innych, oni-na nas. W przestrzeni publicznej (\"na wolnym rynku przypadkowych spojrzeń\" mówi Peter Sloterdijk) muśnięcie wzrokiem, przelotne bycie widzianym nie nakładają się na siebie, nie zagrażają podmiotowej autonomii. Spojrzenia (wy)mijają się, czasem krzyżują. Ich przedłużonego spotkania nie tłumaczy znajomość czy jakikolwiek inny element poddający się interpretacji; choć pojawiają się ulotne komunikaty (na przykład uśmiech), momentalne zbliżenie stapia się z fundamentalną obcością. Intersubiektywne \"krótkie spięcie\" (lecz nie przejście od stanu \"obcości\" do \"znajomości\") trwa sekundę, po czym odwracamy głowę, by wrócić do uprzedniej roli. Bez tych barier-równie koniecznych, jak granice między światem żywych i umarłych-niemożliwe byłoby stworzenie świata społecznego. W jego ramach spełniamy zarówno nasze pragnienie bycia z innymi (zbliżenia), jak potrzebę odróżnienia się od nich 2. Czasami dystans znika. Spojrzenie przebija niewidzialną otoczkę (niewidzenia, bycia niewidzianym), wędruje ku nam, byśmy mogli się w nim dostrzec, tworząc \"wyjątkowy stan intersubiektywny\" (Sloterdijk). (Roz)poznajemy się w oczach innych, przeobrażonych w nasze zwierciadła. Poddani spojrzeniu, przestajemy władać sobą, łączymy twarze w \"intymnym univer-1 Wersja skrócona ukazała się w języku angielskim (tłum M. Mrozik): The gaze of Medusa, w: Vision and cognition, ed. T. Dobrzyńska, R. Kuncheva, Sofia 2011, s. 3-27. Pan Profesor Benedetto Bravo zechciał przeczytać tekst przed drukiem. Jego uściślenia i krytyczne uwagi były dla mnie bezcenne.","publication_date":{"day":null,"month":null,"year":2015,"errors":{}},"publication_name":"Teksty Drugie","grobid_abstract_attachment_id":117439812},"translated_abstract":null,"internal_url":"https://www.academia.edu/122868076/Polscy_akcjoni%C5%9Bci_Przyczynek_do_genealogii_i_teorii_polskiej_sztuki_krytycznej","translated_internal_url":"","created_at":"2024-08-14T03:43:23.778-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":22570526,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":117439812,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/117439812/thumbnails/1.jpg","file_name":"WA248_63402_P-I-2524_kordys_o.pdf","download_url":"https://www.academia.edu/attachments/117439812/download_file?st=MTczMjc4NDc2Nyw4LjIyMi4yMDguMTQ2&st=MTczMjc4NDc2NSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Polscy_akcjonisci_Przyczynek_do_genealog.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/117439812/WA248_63402_P-I-2524_kordys_o-libre.pdf?1723634789=\u0026response-content-disposition=attachment%3B+filename%3DPolscy_akcjonisci_Przyczynek_do_genealog.pdf\u0026Expires=1732788365\u0026Signature=ZgJphZzW~5z0dYDTxqpGqqqMVnLNOFPH5-xKQiRBnvWkYY1PvO9FWQrdSlW4kRejGyKQ486PCYyQClrOzPgoc1jHD5dlGt3hQXRkxyAdQyEQ3G7gQaVTr1Hgwmrm2s2HHZBB2NpHJKsEd2R4TF9xkJlO9fVJiyX5zu4ab2cGIeFVB5T7RYz5w2BDz657Dv5dSKFyipvK2rQ4hzmif1d7ZyWjnS9anrKW4hwNJwcL1uyd5GKfryxbOLiygUVKL9Ogq5Ur8398txnMXaY1AswrTCxBVgmeomk2zJh6Lj0CKiE5agPbTRF-g8Yen8Q4V~erpHR0dlQH3wjZQujgbZfGFQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Polscy_akcjoniści_Przyczynek_do_genealogii_i_teorii_polskiej_sztuki_krytycznej","translated_slug":"","page_count":27,"language":"pl","content_type":"Work","owner":{"id":22570526,"first_name":"Marcin","middle_initials":null,"last_name":"Kościelniak","page_name":"MarcinKościelniak","domain_name":"jagiellonian","created_at":"2014-11-30T02:40:00.576-08:00","display_name":"Marcin Kościelniak","url":"https://jagiellonian.academia.edu/MarcinKo%C5%9Bcielniak"},"attachments":[{"id":117439812,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/117439812/thumbnails/1.jpg","file_name":"WA248_63402_P-I-2524_kordys_o.pdf","download_url":"https://www.academia.edu/attachments/117439812/download_file?st=MTczMjc4NDc2Nyw4LjIyMi4yMDguMTQ2&st=MTczMjc4NDc2NSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Polscy_akcjonisci_Przyczynek_do_genealog.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/117439812/WA248_63402_P-I-2524_kordys_o-libre.pdf?1723634789=\u0026response-content-disposition=attachment%3B+filename%3DPolscy_akcjonisci_Przyczynek_do_genealog.pdf\u0026Expires=1732788365\u0026Signature=ZgJphZzW~5z0dYDTxqpGqqqMVnLNOFPH5-xKQiRBnvWkYY1PvO9FWQrdSlW4kRejGyKQ486PCYyQClrOzPgoc1jHD5dlGt3hQXRkxyAdQyEQ3G7gQaVTr1Hgwmrm2s2HHZBB2NpHJKsEd2R4TF9xkJlO9fVJiyX5zu4ab2cGIeFVB5T7RYz5w2BDz657Dv5dSKFyipvK2rQ4hzmif1d7ZyWjnS9anrKW4hwNJwcL1uyd5GKfryxbOLiygUVKL9Ogq5Ur8398txnMXaY1AswrTCxBVgmeomk2zJh6Lj0CKiE5agPbTRF-g8Yen8Q4V~erpHR0dlQH3wjZQujgbZfGFQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"},{"id":117439811,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/117439811/thumbnails/1.jpg","file_name":"WA248_63402_P-I-2524_kordys_o.pdf","download_url":"https://www.academia.edu/attachments/117439811/download_file","bulk_download_file_name":"Polscy_akcjonisci_Przyczynek_do_genealog.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/117439811/WA248_63402_P-I-2524_kordys_o-libre.pdf?1723634788=\u0026response-content-disposition=attachment%3B+filename%3DPolscy_akcjonisci_Przyczynek_do_genealog.pdf\u0026Expires=1732788365\u0026Signature=JgV-zamnQdIZqf40xGC8FzwVAL5qxnLQrE-e2y6TgK53LLwdyz-gjLy2CkT8y3wSBYSXba2rrzvQQzdwYtvXVlo079kQrOoofp0SzxTrt-I8N46vBL3nr1DbsKu60oQtG8TUHnHu3Z-hPhrqJwtQ4wbqeftFXkVeJnnDHSzcLtXRyF1Gz0v6az6Qf5W1QO0EK1axbq703SGKnPz~L6rVMGpxMLEtrr31YAYq4CdeNRHYRs~tkiiol8MTfdncIukARTvBvsI9W0hO9quVJunZzKipjPZgrquKzHdej6Zz~nmCQ7zs91v~sgIvBT3r25GEWJ7sCgnBnG-h8GBeuMBeVQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":1302,"name":"Theology","url":"https://www.academia.edu/Documents/in/Theology"}],"urls":[{"id":44003680,"url":"http://rcin.org.pl/Content/47161/WA248_63402_P-I-2524_kordys_o.pdf"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="122868075"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/122868075/Out_of_solidarity_the_Church_as_an_emotional_structure_of_polish_society_in_the_1980"><img alt="Research paper thumbnail of Out of solidarity : the Church as an emotional structure of polish society in the 1980" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/122868075/Out_of_solidarity_the_Church_as_an_emotional_structure_of_polish_society_in_the_1980">Out of solidarity : the Church as an emotional structure of polish society in the 1980</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Marcin Kościelniak analizuje narodowo-katolicki charakter Solidarności i kulturypolskiej pierwsze...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Marcin Kościelniak analizuje narodowo-katolicki charakter Solidarności i kulturypolskiej pierwszej połowy lat osiemdziesiątych XX wieku, odwołując się do ówczesnego nauczania hierarchów Kościoła, z Janem Pawłem II na czele, świadectw z epoki oraz analiz socjologicznych. Zgodnie z przekonaniem, że polityczność jest domeną raczej &quot;ludzkich pragnień, fantazji i namiętności&quot; niż &quot;rozumu, umiarkowania i konsensusu&quot; (Mouffe), autora zajmuje logika afektywna kultury: nie tyle racjonalny, ile emocjonalny tryb utrwalania się &quot;narodowo-katolickiego stopu&quot;. Terenem doświadczalnym jest przede wszystkim tekst Marii Janion z 1981 roku Polityka i moralność, jako świadectwo frapującego zaniku charakterystycznego dla Janion zmysłu krytycznego, będącego zdaniem autora efektem oddziaływania narodowego afektu.Marcin Kościelniak analyzes the national-Catholic nature of Solidarity and Polish culture of the early 1980s, drawing from the contemporaneous teachings of the Church...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="122868075"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="122868075"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 122868075; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=122868075]").text(description); $(".js-view-count[data-work-id=122868075]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 122868075; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='122868075']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 122868075, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=122868075]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":122868075,"title":"Out of solidarity : the Church as an emotional structure of polish society in the 1980","translated_title":"","metadata":{"abstract":"Marcin Kościelniak analizuje narodowo-katolicki charakter Solidarności i kulturypolskiej pierwszej połowy lat osiemdziesiątych XX wieku, odwołując się do ówczesnego nauczania hierarchów Kościoła, z Janem Pawłem II na czele, świadectw z epoki oraz analiz socjologicznych. 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Terenem doświadczalnym jest przede wszystkim tekst Marii Janion z 1981 roku Polityka i moralność, jako świadectwo frapującego zaniku charakterystycznego dla Janion zmysłu krytycznego, będącego zdaniem autora efektem oddziaływania narodowego afektu.Marcin Kościelniak analyzes the national-Catholic nature of Solidarity and Polish culture of the early 1980s, drawing from the contemporaneous teachings of the Church...","internal_url":"https://www.academia.edu/122868075/Out_of_solidarity_the_Church_as_an_emotional_structure_of_polish_society_in_the_1980","translated_internal_url":"","created_at":"2024-08-14T03:43:23.481-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":22570526,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[],"slug":"Out_of_solidarity_the_Church_as_an_emotional_structure_of_polish_society_in_the_1980","translated_slug":"","page_count":null,"language":"pl","content_type":"Work","owner":{"id":22570526,"first_name":"Marcin","middle_initials":null,"last_name":"Kościelniak","page_name":"MarcinKościelniak","domain_name":"jagiellonian","created_at":"2014-11-30T02:40:00.576-08:00","display_name":"Marcin Kościelniak","url":"https://jagiellonian.academia.edu/MarcinKo%C5%9Bcielniak"},"attachments":[],"research_interests":[{"id":8487,"name":"Sigmund Freud","url":"https://www.academia.edu/Documents/in/Sigmund_Freud"},{"id":17330,"name":"Affect Theory","url":"https://www.academia.edu/Documents/in/Affect_Theory"},{"id":47830,"name":"Solidarity","url":"https://www.academia.edu/Documents/in/Solidarity"},{"id":48672,"name":"Chantal Mouffe","url":"https://www.academia.edu/Documents/in/Chantal_Mouffe"},{"id":103130,"name":"Catholic Church","url":"https://www.academia.edu/Documents/in/Catholic_Church"},{"id":733295,"name":"Solidarność","url":"https://www.academia.edu/Documents/in/Solidarno%C5%9B%C4%87"},{"id":1344273,"name":"Maria Janion","url":"https://www.academia.edu/Documents/in/Maria_Janion"},{"id":2201995,"name":"Kościół katolicki","url":"https://www.academia.edu/Documents/in/Ko%C5%9Bci%C3%B3%C5%82_katolicki"}],"urls":[{"id":44003679,"url":"https://ruj.uj.edu.pl/xmlui/handle/item/70423"}]}, dispatcherData: dispatcherData }); 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November in Teatr Powszechny, Warsaw). e author demonstrates the mechanisms of censorship in the Polish People's Republic based on correspondence, partly unknown before, between the Church, the government, and the theater, as well as juxtaposing media accounts about the play and the instructions and reports of state censorship. He posits that the identi cation of censorship with the institution of the Chief O ce for the Control of the Press, Publications, and Public Performances (i), established in narratives about People's Poland, is insu cient and erroneous. Instead, he proposes an approach drawing on the concept of di use censorship, understood / as a practice resulting from the interconnections and interdependencies between the Church, the Party, and the theater, in which the o ce of state censorship was not the only agent. ese interconnections were particularly important in cases involving the protection of religious feelings.","publication_date":{"day":15,"month":12,"year":2023,"errors":{}},"publication_name":"Pamiętnik Teatralny","grobid_abstract_attachment_id":117439776},"translated_abstract":null,"internal_url":"https://www.academia.edu/122868013/Ko%C5%9Bci%C3%B3%C5%82_Partia_teatr_Cenzura_rozproszona_w_PRL","translated_internal_url":"","created_at":"2024-08-14T03:41:50.387-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":22570526,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":117439776,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/117439776/thumbnails/1.jpg","file_name":"1668.pdf","download_url":"https://www.academia.edu/attachments/117439776/download_file?st=MTczMjc4NDc2Nyw4LjIyMi4yMDguMTQ2&st=MTczMjc4NDc2NSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Kosciol_Partia_teatr_Cenzura_rozproszona.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/117439776/1668-libre.pdf?1723634779=\u0026response-content-disposition=attachment%3B+filename%3DKosciol_Partia_teatr_Cenzura_rozproszona.pdf\u0026Expires=1732788365\u0026Signature=O9a7wa8XzkaOviEBBHKcQ1C5I4YJDrfR5XduLwaBEoVXGPWnlIk~s~NbCg5GTiEOfh1pe-dGGXDOzasyc82ZRQMzUwtYBGFaV4Cb2YIAH7ZbMaTSTiPL2x-g2AMEMW~Yjc63W6pdN4IEp5Tc5c2SUY7KlvKK0C~ulGJuEZmuL8amubsKwQtfNzGNFlygAS7hDYQG2zBk-VW4Ugrt7hUULsBtiYU7IJeQS5v25NKvp34t7posUDCk97sNqKin3h-SzlgdprHnf4SctK22bRP4lZ1N4NYWzFHqjevNF~OOT85PZVjz2pYj84nbWD5Z9xXt7A7pD4FFb3kA-DyRmyshGA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Kościół_Partia_teatr_Cenzura_rozproszona_w_PRL","translated_slug":"","page_count":25,"language":"pl","content_type":"Work","owner":{"id":22570526,"first_name":"Marcin","middle_initials":null,"last_name":"Kościelniak","page_name":"MarcinKościelniak","domain_name":"jagiellonian","created_at":"2014-11-30T02:40:00.576-08:00","display_name":"Marcin Kościelniak","url":"https://jagiellonian.academia.edu/MarcinKo%C5%9Bcielniak"},"attachments":[{"id":117439776,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/117439776/thumbnails/1.jpg","file_name":"1668.pdf","download_url":"https://www.academia.edu/attachments/117439776/download_file?st=MTczMjc4NDc2Nyw4LjIyMi4yMDguMTQ2&st=MTczMjc4NDc2NSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Kosciol_Partia_teatr_Cenzura_rozproszona.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/117439776/1668-libre.pdf?1723634779=\u0026response-content-disposition=attachment%3B+filename%3DKosciol_Partia_teatr_Cenzura_rozproszona.pdf\u0026Expires=1732788365\u0026Signature=O9a7wa8XzkaOviEBBHKcQ1C5I4YJDrfR5XduLwaBEoVXGPWnlIk~s~NbCg5GTiEOfh1pe-dGGXDOzasyc82ZRQMzUwtYBGFaV4Cb2YIAH7ZbMaTSTiPL2x-g2AMEMW~Yjc63W6pdN4IEp5Tc5c2SUY7KlvKK0C~ulGJuEZmuL8amubsKwQtfNzGNFlygAS7hDYQG2zBk-VW4Ugrt7hUULsBtiYU7IJeQS5v25NKvp34t7posUDCk97sNqKin3h-SzlgdprHnf4SctK22bRP4lZ1N4NYWzFHqjevNF~OOT85PZVjz2pYj84nbWD5Z9xXt7A7pD4FFb3kA-DyRmyshGA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":498,"name":"Physics","url":"https://www.academia.edu/Documents/in/Physics"},{"id":803,"name":"Philosophy","url":"https://www.academia.edu/Documents/in/Philosophy"},{"id":1302,"name":"Theology","url":"https://www.academia.edu/Documents/in/Theology"}],"urls":[{"id":44003640,"url":"https://czasopisma.ispan.pl/index.php/pt/article/download/1518/1668"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="96388061"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/96388061/_%C5%BBadnej_metafizyki_Idioci_Teatr_postdramatyczny_ateizm_polityka"><img alt="Research paper thumbnail of «Żadnej metafizyki. Idioci!»: Teatr postdramatyczny – ateizm – polityka" class="work-thumbnail" src="https://attachments.academia-assets.com/98299428/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/96388061/_%C5%BBadnej_metafizyki_Idioci_Teatr_postdramatyczny_ateizm_polityka">«Żadnej metafizyki. Idioci!»: Teatr postdramatyczny – ateizm – polityka</a></div><div class="wp-workCard_item"><span>Pamiętnik Teatralny</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Autor podejmuje lekturę teatru otwartego Tadeusza Różewicza, przede wszystkim Aktu przerywanego ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Autor podejmuje lekturę teatru otwartego Tadeusza Różewicza, przede wszystkim Aktu przerywanego i Kartoteki, wedle porządku określonego w podtytule: „teatr postdramatyczny – ateizm – polityka”. Wychodząc od propozycji Mateusza Borowskiego i Małgorzaty Sugiery, by na projekt teatralny zawarty w Akcie przerywanym spojrzeć z perspektywy teatru postdramatycznego, autor zwraca uwagę na tkwiące u źródeł koncepcji postdramatyczności Hansa-Thiesa Lehmanna, ściśle splecione z estetycznymi kryteria polityczne. To pozwala zadać pytanie o kryteria epistemologiczne i aksjologiczne, tkwiące u źródeł rozpadu formy dramatycznej w teatrze otwartym Różewicza. Autor, przywołując fragmenty twórczości poetyckiej Różewicza oraz sięgając po interpretacje Ryszarda Nycza czy Aleksandra Fiuta, proponuje tym politycznym źródłem uczynić ateizm Różewicza. Idąc tym tropem, w podstawowych dla koncepcji teatru postdramatycznego – a zarazem teatru otwartego Różewicza – kategoriach estetycznych („tu i teraz”, realn...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="6359695311ae3d3ca9817792024d7f4d" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":98299428,"asset_id":96388061,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/98299428/download_file?st=MTczMjc4NDc2Nyw4LjIyMi4yMDguMTQ2&st=MTczMjc4NDc2Niw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="96388061"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="96388061"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 96388061; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=96388061]").text(description); $(".js-view-count[data-work-id=96388061]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 96388061; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='96388061']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 96388061, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "6359695311ae3d3ca9817792024d7f4d" } } $('.js-work-strip[data-work-id=96388061]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":96388061,"title":"«Żadnej metafizyki. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="87864250"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/87864250/Polish_actionists_a_contribution_to_the_genealogy_and_theory_of_Polish_critical_art"><img alt="Research paper thumbnail of Polish actionists : a contribution to the genealogy and theory of Polish critical art" class="work-thumbnail" src="https://attachments.academia-assets.com/91968212/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/87864250/Polish_actionists_a_contribution_to_the_genealogy_and_theory_of_Polish_critical_art">Polish actionists : a contribution to the genealogy and theory of Polish critical art</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Nawiązując do ożywionej publikacją książki Karola Sienkiewicza Zatańczą ci, co drżeli dyskusji o ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Nawiązując do ożywionej publikacją książki Karola Sienkiewicza Zatańczą ci, co drżeli dyskusji o genealogii polskiej sztuki krytycznej, autor artykułu proponuje umieścić w jej polu utwory dramatyczne Do piachu Tadeusza Różewicza i Koniec poświni Helmuta Kajzara, dostrzegając w nich strukturalne i polityczne podobieństwo do działań Akcjonistów Wiedeńskich, pionierów sztuki krytycznej. 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Uciekinier z kultury. Cz. 2. Wyprawa" class="work-thumbnail" src="https://attachments.academia-assets.com/91968210/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/87864247/Jacek_Kryszkowski_Uciekinier_z_kultury_Cz_2_Wyprawa">Jacek Kryszkowski. Uciekinier z kultury. Cz. 2. Wyprawa</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Monograficzne ujecie dorobku Jacka Kryszkowskiego, artysty aktywnego w latach 80. XX wieku, związ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Monograficzne ujecie dorobku Jacka Kryszkowskiego, artysty aktywnego w latach 80. XX wieku, związanego z lodzkim środowiskiem Kultury Zrzuty. Na podstawie jego pism, wypowiedzi i akcji, autor (re)konstruuje projekt „ucieczki z kultury”, stanowiący jądro tworczości Kryszkowskiego. W pierwszej cześci artykulu ( Zrzuta ) autor przedstawia portret Kryszkowskiego, w drugiej ( Wyprawa ) skupia sie na slynnej akcji samozwanczego sprowadzenie prochow Witkacego z Jezior do Polski (1985), przedstawiając wyniki wlasnego „śledztwa” i czyniąc akcje kolem zamachowym prowadzonej przez Kryszkowskiego krytyki kultury.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="5490d356ed19763d3a4c67f1ab217b5a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":91968210,"asset_id":87864247,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/91968210/download_file?st=MTczMjc4NDc2Nyw4LjIyMi4yMDguMTQ2&st=MTczMjc4NDc2Niw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="87864247"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="87864247"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 87864247; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=87864247]").text(description); $(".js-view-count[data-work-id=87864247]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 87864247; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='87864247']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 87864247, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "5490d356ed19763d3a4c67f1ab217b5a" } } $('.js-work-strip[data-work-id=87864247]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":87864247,"title":"Jacek Kryszkowski. 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Trzecia droga w kul turze polskiej lat 80. wydana w serii \"Nowa Biblioteka\" Instytutu Teatralnego im. Zbigniewa Raszewskiego w Warszawie. Szkice narodowej wspólnoty (a nie mniejszości czy jednostki). Elżbieta Malinowska pisała, że Solidarność jako ruch społeczny, mimo konserwatyzmu, \"stworzyła jednak niezbędny fundament formowania się tożsamości feministycznej\", bo \"upodmiotowiła społeczeństwo, uświadamiając jednostce prawo zarówno do określania się w kategoriach indywidualnych, jak i do budowania dowolnych tożsamości zbiorowych\" 86. 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Aneta Klassenberg" class="work-thumbnail" src="https://attachments.academia-assets.com/66213702/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/46056820/W_stron%C4%99_archiwum_k%C5%82%C4%85cza_Aneta_Klassenberg">W stronę archiwum-kłącza. Aneta Klassenberg</a></div><div class="wp-workCard_item"><span>Pamiętnik Teatralny</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Tekst jest poświęcony projektowi Katarzyny Kalwat Maria Klassenberg, przede wszystkim jego najważ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Tekst jest poświęcony projektowi Katarzyny Kalwat Maria Klassenberg, przede wszystkim jego najważniejszej dotychczas odsłonie, Ekstazy. Tytułowa bohaterka reprezentuje artystki lat siedemdziesiątych, które nie weszły do kanonu sztuki. Autor umieszcza projekt w horyzoncie twórczości reżyserki i innych pokrewnych prac z pola zwrotu historiograficznego. Problematyzacji podlega kształt kobiecej genealogii, którą Kalwat buduje za pomocą kontrfaktycznego archiwum. Podstawę metodologiczną stanowi koncepcja archiwum rozumianego (za Foucaultem i Derridą) jako praktyki dyskursywne. Skoro archiwum wytwarza i zarazem jest wytworem kultury patriarchalnej, autor zastanawia się, w jaki sposób i do jakiego stopnia archiwum kontrfaktyczne Kalwat łamie reguły wypowiadalności. Refleksję umożliwia i komplikuje włączenie do analizy Archiwum Marii Klassenberg 1970-1980, na które składają się filmy wideo i fotografie wyprodukowane na użytek projektu przez Anetę Grzeszykowską. Szansę wyjścia poza patriarchalną logikę archiwum autor dostrzega w procesualnym, rozłożonym pomiędzy kolejnymi odsłonami charakterze projektu, rozwijającego się od teatru do performansu.<br /><br />This text discusses Katarzyna Kalwat’s project Maria Klassenberg, focusing on its most important part to date, Ekstazy (Ecstasies). Klassenberg represents women artists of the 1970s who have not been admitted to the canon. The author of the essay situates the project in the context of Kalwat’s output and other relevant works of the historiographical turn. He problematizes the shape of the female genealogy built by Kalwat by means of a counterfactual archive. His methodological basis is the concept of the archive understood as discursive practices (following Foucault and Derrida). If the archive produces and, at the same time, is a product of patriarchal culture, the author considers how and to what extent Kalwat’s counterfactual archive breaks the rules of utterability. The reflection is enabled and complicated by taking into account the Maria Klassenberg Archive 1970-1980, which comprises videos and photographs produced for the project by Aneta Grzeszykowska. According to the author, the chance to go beyond the patriarchal logic of the archive lies in the processual character of the project, developing between subsequent parts, from theatre to performance.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="b49d898768f9e6b0bd612d9d632f2748" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":66213702,"asset_id":46056820,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/66213702/download_file?st=MTczMjc4NDc2Nyw4LjIyMi4yMDguMTQ2&st=MTczMjc4NDc2Niw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="46056820"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="46056820"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 46056820; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=46056820]").text(description); $(".js-view-count[data-work-id=46056820]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 46056820; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='46056820']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 46056820, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "b49d898768f9e6b0bd612d9d632f2748" } } $('.js-work-strip[data-work-id=46056820]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":46056820,"title":"W stronę archiwum-kłącza. Aneta Klassenberg","translated_title":"","metadata":{"doi":"10.36744/pt.546","abstract":"Tekst jest poświęcony projektowi Katarzyny Kalwat Maria Klassenberg, przede wszystkim jego najważniejszej dotychczas odsłonie, Ekstazy. Tytułowa bohaterka reprezentuje artystki lat siedemdziesiątych, które nie weszły do kanonu sztuki. Autor umieszcza projekt w horyzoncie twórczości reżyserki i innych pokrewnych prac z pola zwrotu historiograficznego. Problematyzacji podlega kształt kobiecej genealogii, którą Kalwat buduje za pomocą kontrfaktycznego archiwum. Podstawę metodologiczną stanowi koncepcja archiwum rozumianego (za Foucaultem i Derridą) jako praktyki dyskursywne. Skoro archiwum wytwarza i zarazem jest wytworem kultury patriarchalnej, autor zastanawia się, w jaki sposób i do jakiego stopnia archiwum kontrfaktyczne Kalwat łamie reguły wypowiadalności. Refleksję umożliwia i komplikuje włączenie do analizy Archiwum Marii Klassenberg 1970-1980, na które składają się filmy wideo i fotografie wyprodukowane na użytek projektu przez Anetę Grzeszykowską. Szansę wyjścia poza patriarchalną logikę archiwum autor dostrzega w procesualnym, rozłożonym pomiędzy kolejnymi odsłonami charakterze projektu, rozwijającego się od teatru do performansu.\n\nThis text discusses Katarzyna Kalwat’s project Maria Klassenberg, focusing on its most important part to date, Ekstazy (Ecstasies). Klassenberg represents women artists of the 1970s who have not been admitted to the canon. The author of the essay situates the project in the context of Kalwat’s output and other relevant works of the historiographical turn. He problematizes the shape of the female genealogy built by Kalwat by means of a counterfactual archive. His methodological basis is the concept of the archive understood as discursive practices (following Foucault and Derrida). If the archive produces and, at the same time, is a product of patriarchal culture, the author considers how and to what extent Kalwat’s counterfactual archive breaks the rules of utterability. The reflection is enabled and complicated by taking into account the Maria Klassenberg Archive 1970-1980, which comprises videos and photographs produced for the project by Aneta Grzeszykowska. According to the author, the chance to go beyond the patriarchal logic of the archive lies in the processual character of the project, developing between subsequent parts, from theatre to performance.","publication_date":{"day":null,"month":null,"year":2020,"errors":{}},"publication_name":"Pamiętnik Teatralny"},"translated_abstract":"Tekst jest poświęcony projektowi Katarzyny Kalwat Maria Klassenberg, przede wszystkim jego najważniejszej dotychczas odsłonie, Ekstazy. Tytułowa bohaterka reprezentuje artystki lat siedemdziesiątych, które nie weszły do kanonu sztuki. Autor umieszcza projekt w horyzoncie twórczości reżyserki i innych pokrewnych prac z pola zwrotu historiograficznego. Problematyzacji podlega kształt kobiecej genealogii, którą Kalwat buduje za pomocą kontrfaktycznego archiwum. Podstawę metodologiczną stanowi koncepcja archiwum rozumianego (za Foucaultem i Derridą) jako praktyki dyskursywne. Skoro archiwum wytwarza i zarazem jest wytworem kultury patriarchalnej, autor zastanawia się, w jaki sposób i do jakiego stopnia archiwum kontrfaktyczne Kalwat łamie reguły wypowiadalności. Refleksję umożliwia i komplikuje włączenie do analizy Archiwum Marii Klassenberg 1970-1980, na które składają się filmy wideo i fotografie wyprodukowane na użytek projektu przez Anetę Grzeszykowską. Szansę wyjścia poza patriarchalną logikę archiwum autor dostrzega w procesualnym, rozłożonym pomiędzy kolejnymi odsłonami charakterze projektu, rozwijającego się od teatru do performansu.\n\nThis text discusses Katarzyna Kalwat’s project Maria Klassenberg, focusing on its most important part to date, Ekstazy (Ecstasies). Klassenberg represents women artists of the 1970s who have not been admitted to the canon. The author of the essay situates the project in the context of Kalwat’s output and other relevant works of the historiographical turn. He problematizes the shape of the female genealogy built by Kalwat by means of a counterfactual archive. His methodological basis is the concept of the archive understood as discursive practices (following Foucault and Derrida). If the archive produces and, at the same time, is a product of patriarchal culture, the author considers how and to what extent Kalwat’s counterfactual archive breaks the rules of utterability. The reflection is enabled and complicated by taking into account the Maria Klassenberg Archive 1970-1980, which comprises videos and photographs produced for the project by Aneta Grzeszykowska. 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Genealogia "kompromisu aborcyjnego"" class="work-thumbnail" src="https://attachments.academia-assets.com/66213650/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/46055738/Transformacja_i_aborcja_Genealogia_kompromisu_aborcyjnego_">Transformacja i aborcja. Genealogia "kompromisu aborcyjnego"</a></div><div class="wp-workCard_item"><span>Widok. Teorie i praktyki kultury wizualnej</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Tekst jest kulturoznawczą analizą wydarzeń wokół "Projektu ustawy o prawnej ochronie dziecka pocz...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Tekst jest kulturoznawczą analizą wydarzeń wokół "Projektu ustawy o prawnej ochronie dziecka poczętego", wniesionego do laski marszałkowskiej 28 lutego 1989 roku. Projekt ten rozpoczął debatę o zakazie aborcji, której finałem był "kompromis aborcyjny" z 7 stycznia 1993 roku. Fakt, że debata ta rozpoczęła się jeszcze przed czerwcowymi wyborami 1989 roku, autor czyni kołem zamachowym przeciw-historii polskiej transformacji. Autor pyta o stosunek głównych sił politycznych do pierwszego projektu ustawy antyaborcyjnej, analizując dyskurs medialny (na czele z "Gazetą Wyborczą"), sięgając do analiz historycznych, materiałów SB, zapisów rozmów stolikowych Okrągłego Stołu. Jednocześnie sięga wstecz, do końca lat 70., pytając, jak wówczas dyskurs katolicki, wraz z postulowanym przez Kościół zakazem aborcji, włączany był do dyskursu opozycji demokratycznej i Partii. Swoją analizę autor formułuje jako projekt feministycznego i świeckiego archiwum polskiej transformacji i rozumie jako archiwum "podziemne", które weryfikuje i rozsadza od środka ustanowione w hegemonicznych narracjach historycznych archiwum "oficjalne" - a wraz z nim nasze rozumienie przeszłości i naszą teraźniejszość. Proponując, by zakaz aborcji widzieć jako centralne wydarzenie transformacji, kluczowe dla rozumienia negocjowanego wówczas polskiego uniwersum symbolicznego, autor na podstawie swoich analiz dowodzi, że wykluczenie kobiet i ich praw jest przedustawną i naczelną zasadą polskiej demokracji. Tekst jest pierwszą częścią większego projektu, który uwzględniać będzie narrację o tożsamości współczesnych ruchów feministycznych, obejmującą historię manifestacji z kwietnia i maja 1989 roku i analizę dyskursu protestów za utrzymaniem legalnej aborcji.<br /><br />The text is an analysis of the events related to the anti-abortion law introduced to the parliament on February 28, 1989. This project started a debate on the ban of abortion, which culminated in the "abortion compromise" of January 7, 1993. The fact that this debate began even before the June 1989 elections makes the author the starting point for the counter-history of Polish transformation. The author asks about the attitude of the main political forces to the first draft of the anti-abortion law. At the same time he goes back to the end of the 1970s, asking how the Catholic discourse, along with the ban of abortion postulated by the Church, was included in the discourse of the democratic opposition and the Party. By proposing to see the ban of abortion as the central event of the transformation, key to understanding the Polish symbolic universe under negotiation at the time, the author argues that the exclusion of women and their rights is the pre-legal and guiding principle of Polish democracy. The text is the first part of a larger project that will include a narrative about the identity of contemporary feminist movements, covering the history of the April and May 1989 manifestations and an analysis of the discourse of protests in favor of legal abortion.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="d866b993d301ef68054996762d981643" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":66213650,"asset_id":46055738,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/66213650/download_file?st=MTczMjc4NDc2Nyw4LjIyMi4yMDguMTQ2&st=MTczMjc4NDc2Niw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="46055738"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="46055738"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 46055738; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=46055738]").text(description); $(".js-view-count[data-work-id=46055738]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 46055738; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='46055738']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 46055738, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "d866b993d301ef68054996762d981643" } } $('.js-work-strip[data-work-id=46055738]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":46055738,"title":"Transformacja i aborcja. Genealogia \"kompromisu aborcyjnego\"","translated_title":"","metadata":{"abstract":"Tekst jest kulturoznawczą analizą wydarzeń wokół \"Projektu ustawy o prawnej ochronie dziecka poczętego\", wniesionego do laski marszałkowskiej 28 lutego 1989 roku. Projekt ten rozpoczął debatę o zakazie aborcji, której finałem był \"kompromis aborcyjny\" z 7 stycznia 1993 roku. Fakt, że debata ta rozpoczęła się jeszcze przed czerwcowymi wyborami 1989 roku, autor czyni kołem zamachowym przeciw-historii polskiej transformacji. Autor pyta o stosunek głównych sił politycznych do pierwszego projektu ustawy antyaborcyjnej, analizując dyskurs medialny (na czele z \"Gazetą Wyborczą\"), sięgając do analiz historycznych, materiałów SB, zapisów rozmów stolikowych Okrągłego Stołu. Jednocześnie sięga wstecz, do końca lat 70., pytając, jak wówczas dyskurs katolicki, wraz z postulowanym przez Kościół zakazem aborcji, włączany był do dyskursu opozycji demokratycznej i Partii. Swoją analizę autor formułuje jako projekt feministycznego i świeckiego archiwum polskiej transformacji i rozumie jako archiwum \"podziemne\", które weryfikuje i rozsadza od środka ustanowione w hegemonicznych narracjach historycznych archiwum \"oficjalne\" - a wraz z nim nasze rozumienie przeszłości i naszą teraźniejszość. Proponując, by zakaz aborcji widzieć jako centralne wydarzenie transformacji, kluczowe dla rozumienia negocjowanego wówczas polskiego uniwersum symbolicznego, autor na podstawie swoich analiz dowodzi, że wykluczenie kobiet i ich praw jest przedustawną i naczelną zasadą polskiej demokracji. Tekst jest pierwszą częścią większego projektu, który uwzględniać będzie narrację o tożsamości współczesnych ruchów feministycznych, obejmującą historię manifestacji z kwietnia i maja 1989 roku i analizę dyskursu protestów za utrzymaniem legalnej aborcji.\n\nThe text is an analysis of the events related to the anti-abortion law introduced to the parliament on February 28, 1989. This project started a debate on the ban of abortion, which culminated in the \"abortion compromise\" of January 7, 1993. The fact that this debate began even before the June 1989 elections makes the author the starting point for the counter-history of Polish transformation. The author asks about the attitude of the main political forces to the first draft of the anti-abortion law. At the same time he goes back to the end of the 1970s, asking how the Catholic discourse, along with the ban of abortion postulated by the Church, was included in the discourse of the democratic opposition and the Party. By proposing to see the ban of abortion as the central event of the transformation, key to understanding the Polish symbolic universe under negotiation at the time, the author argues that the exclusion of women and their rights is the pre-legal and guiding principle of Polish democracy. 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Proponując, by zakaz aborcji widzieć jako centralne wydarzenie transformacji, kluczowe dla rozumienia negocjowanego wówczas polskiego uniwersum symbolicznego, autor na podstawie swoich analiz dowodzi, że wykluczenie kobiet i ich praw jest przedustawną i naczelną zasadą polskiej demokracji. Tekst jest pierwszą częścią większego projektu, który uwzględniać będzie narrację o tożsamości współczesnych ruchów feministycznych, obejmującą historię manifestacji z kwietnia i maja 1989 roku i analizę dyskursu protestów za utrzymaniem legalnej aborcji.\n\nThe text is an analysis of the events related to the anti-abortion law introduced to the parliament on February 28, 1989. This project started a debate on the ban of abortion, which culminated in the \"abortion compromise\" of January 7, 1993. The fact that this debate began even before the June 1989 elections makes the author the starting point for the counter-history of Polish transformation. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="40861270"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/40861270/Jacek_Kryszkowski_Fugitive_from_Culture_Part_2_The_Expedition"><img alt="Research paper thumbnail of Jacek Kryszkowski: Fugitive from Culture – Part 2: The Expedition" class="work-thumbnail" src="https://attachments.academia-assets.com/61146844/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/40861270/Jacek_Kryszkowski_Fugitive_from_Culture_Part_2_The_Expedition">Jacek Kryszkowski: Fugitive from Culture – Part 2: The Expedition</a></div><div class="wp-workCard_item"><span>View. Theories and Practices of Visual Culture</span><span>, 2018</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The article is a monographic presentation of work of Jacek Kryszkowski, the artist active in the ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The article is a monographic presentation of work of Jacek Kryszkowski, the artist active in the 80’s (in the 20th century), connected with Łódź’s Kultura Zrzuty (Pitch-in Culture) community. Basing on Kryszkowski’s writings, statements and actions, author (re)constructs “escape from culture” project that lies at the heart of Kryszkowski’s oeuvre. In the first part of the article (“Zrzuta”) author presents a portrait of Kryszkowski, in the second one (“Wyprawa”) he focuses on a famous action of self-appointed importing of Witkacy’s ashes from Jeziory to Poland (1985), showing the results of his own “investigation”, and presenting the action as the core of Kryszkowski’s cultural criticism.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="b04721292bc7bba80510e78e98a59c1c" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":61146844,"asset_id":40861270,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/61146844/download_file?st=MTczMjc4NDc2Nyw4LjIyMi4yMDguMTQ2&st=MTczMjc4NDc2Nyw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="40861270"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="40861270"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 40861270; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=40861270]").text(description); $(".js-view-count[data-work-id=40861270]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 40861270; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='40861270']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 40861270, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "b04721292bc7bba80510e78e98a59c1c" } } $('.js-work-strip[data-work-id=40861270]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":40861270,"title":"Jacek Kryszkowski: Fugitive from Culture – Part 2: The Expedition","translated_title":"","metadata":{"abstract":"The article is a monographic presentation of work of Jacek Kryszkowski, the artist active in the 80’s (in the 20th century), connected with Łódź’s Kultura Zrzuty (Pitch-in Culture) community. 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Part 1 – Zrzuta" class="work-thumbnail" src="https://attachments.academia-assets.com/61146421/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/40860885/Jacek_Kryszkowski_A_Fugitive_from_the_Culture_Part_1_Zrzuta">Jacek Kryszkowski: A Fugitive from the Culture. Part 1 – Zrzuta</a></div><div class="wp-workCard_item"><span>View. Theories and Practices of Visual Culture</span><span>, 2016</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The article is a monographic presentation of work of Jacek Kryszkowski, the artist active in the ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The article is a monographic presentation of work of Jacek Kryszkowski, the artist active in the 80’s (in the 20th century), connected with Łódź’s Kultura Zrzuty (Pitch-in Culture) community. Basing on Kryszkowski’s writings, statements and actions, author (re)constructs “escape from culture” project that lies at the heart of Kryszkowski’s oeuvre. In the first part of the article (“Zrzuta”) author presents a portrait of Kryszkowski, in the second one (“Wyprawa”) he focuses on a famous action of self-appointed importing of Witkacy’s ashes from Jeziory to Poland (1985), showing the results of his own “investigation”, and presenting the action as the core of Kryszkowski’s cultural criticism.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="add5a4b1d2965ab2f5897ee022d7456a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":61146421,"asset_id":40860885,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/61146421/download_file?st=MTczMjc4NDc2Nyw4LjIyMi4yMDguMTQ2&st=MTczMjc4NDc2Nyw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="40860885"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="40860885"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 40860885; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=40860885]").text(description); $(".js-view-count[data-work-id=40860885]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 40860885; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='40860885']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 40860885, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "add5a4b1d2965ab2f5897ee022d7456a" } } $('.js-work-strip[data-work-id=40860885]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":40860885,"title":"Jacek Kryszkowski: A Fugitive from the Culture. 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data-click-track="profile-work-strip-title" href="https://www.academia.edu/40860771/Revolution_in_the_Cross_s_Shadow_Solidarity_as_Performance">Revolution in the Cross’s Shadow: Solidarity as Performance</a></div><div class="wp-workCard_item"><span>Polish Theatre Journal</span><span>, 2018</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The text is a fragment of a chapter from Marcin Kościelniak’s book "Egoiści. Trzecia droga w kult...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The text is a fragment of a chapter from Marcin Kościelniak’s book "Egoiści. Trzecia droga w kulturze polskiej lat 80" [Egoists. A Third Way in Polish Culture of the 1980s]. In the book, the author considers the first Solidarity movement in terms of its complex relationship with the Church and Catholicism, analysed at the level of signs and symbols it used, traditions it refered to, rhetoric it applied, as well as in the area of social practices and rituals it employed. Paying close attention to the extremely intense and almost universally accepted presence of the religious (and national-religious) discourse in Solidarity’s discourse, the author endeavours to problematize the widely accepted opinion of the first Solidarity as a universal, pluralistic, fully democratic movement. Viewing Solidarity as a cultural identity performance is at the same time an attempt at the genealogy of Polish modernity.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="ceae93a1ee543fd138130a6f603e6fd3" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":61146310,"asset_id":40860771,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/61146310/download_file?st=MTczMjc4NDc2Nyw4LjIyMi4yMDguMTQ2&st=MTczMjc4NDc2Nyw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="40860771"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="40860771"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 40860771; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=40860771]").text(description); $(".js-view-count[data-work-id=40860771]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 40860771; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='40860771']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 40860771, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "ceae93a1ee543fd138130a6f603e6fd3" } } $('.js-work-strip[data-work-id=40860771]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":40860771,"title":"Revolution in the Cross’s Shadow: Solidarity as Performance","translated_title":"","metadata":{"abstract":"The text is a fragment of a chapter from Marcin Kościelniak’s book \"Egoiści. 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