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Research focussed on the African visual archive of the XX century Italian artist Salvatore Fiume (1915-1997) and his connections with postcolonial Africa. Dissertation translated into italian and published by Astarte Edizioni, Pisa 2023: Nella Valle di Babile. Salvatore Fiume fra sicilitudine e Africa postcoloniale.\n\nResearch interests include XX century African postcolonial modern art movements; postwar Italy; Negritude in Italy; transnational artistic exchanges; decolonising art history.\n\nExhibition review editor (Europe) for African Arts journal (MIT Press) and advisory board member of H-AfrArts: Expressive Cultures of Africa and the African Diaspora, cosponsored by Humanities and Social Sciences OnLine and the Arts Council of the African Studies Association (ACASA).","image":"https://0.academia-photos.com/791301/269280/17746080/s200_helena.cantone.jpg","thumbnailUrl":"https://0.academia-photos.com/791301/269280/17746080/s65_helena.cantone.jpg","primaryImageOfPage":{"@type":"ImageObject","url":"https://0.academia-photos.com/791301/269280/17746080/s200_helena.cantone.jpg","width":200},"sameAs":["https://www.researchgate.net/profile/Helena-Cantone"],"relatedLink":"https://www.academia.edu/125463361/Critical_Interventions_For_an_Africanization_of_Thinking_and_Becomings"}</script><link rel="stylesheet" media="all" href="//a.academia-assets.com/assets/design_system/heading-95367dc03b794f6737f30123738a886cf53b7a65cdef98a922a98591d60063e3.css" /><link rel="stylesheet" media="all" href="//a.academia-assets.com/assets/design_system/button-8c9ae4b5c8a2531640c354d92a1f3579c8ff103277ef74913e34c8a76d4e6c00.css" /><link rel="stylesheet" media="all" href="//a.academia-assets.com/assets/design_system/body-170d1319f0e354621e81ca17054bb147da2856ec0702fe440a99af314a6338c5.css" /><link crossorigin="" href="https://fonts.gstatic.com/" rel="preconnect" /><link href="https://fonts.googleapis.com/css2?family=DM+Sans:ital,opsz,wght@0,9..40,100..1000;1,9..40,100..1000&family=Gupter:wght@400;500;700&family=IBM+Plex+Mono:wght@300;400&family=Material+Symbols+Outlined:opsz,wght,FILL,GRAD@20,400,0,0&display=swap" rel="stylesheet" /><link rel="stylesheet" media="all" href="//a.academia-assets.com/assets/design_system/common-2b6f90dbd75f5941bc38f4ad716615f3ac449e7398313bb3bc225fba451cd9fa.css" /> <meta name="author" content="helena cantone" /> <meta name="description" content="PhD in History of Art and Archaeology from SOAS University of London. 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if ($a.is_logged_in() && $viewedUser.is_current_user()) { $('body').addClass('profile-viewed-by-owner'); } $socialProfiles = [{"id":75134501,"link":"https://www.researchgate.net/profile/Helena-Cantone","name":"Other","link_domain":"www.researchgate.net","icon":"//www.google.com/s2/u/0/favicons?domain=www.researchgate.net"}]</script><div id="js-react-on-rails-context" style="display:none" data-rails-context="{"inMailer":false,"i18nLocale":"en","i18nDefaultLocale":"en","href":"https://soas-uk.academia.edu/HelenaCantone","location":"/HelenaCantone","scheme":"https","host":"soas-uk.academia.edu","port":null,"pathname":"/HelenaCantone","search":null,"httpAcceptLanguage":null,"serverSide":false}"></div> <div class="js-react-on-rails-component" style="display:none" data-component-name="ProfileCheckPaperUpdate" data-props="{}" data-trace="false" data-dom-id="ProfileCheckPaperUpdate-react-component-e6ce54c5-9f96-4f86-9794-456265635570"></div> <div id="ProfileCheckPaperUpdate-react-component-e6ce54c5-9f96-4f86-9794-456265635570"></div> <div class="DesignSystem"><div class="onsite-ping" id="onsite-ping"></div></div><div class="profile-user-info DesignSystem"><div class="social-profile-container"><div class="left-panel-container"><div class="user-info-component-wrapper"><div class="user-summary-cta-container"><div class="user-summary-container"><div class="social-profile-avatar-container"><img class="profile-avatar u-positionAbsolute" alt="Helena Cantone" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/791301/269280/17746080/s200_helena.cantone.jpg" /></div><div class="title-container"><h1 class="ds2-5-heading-sans-serif-sm">Helena Cantone</h1><div class="affiliations-container fake-truncate js-profile-affiliations"><div><a class="u-tcGrayDarker" href="https://soas-uk.academia.edu/">School of Oriental and African Studies, University of London</a>, <a class="u-tcGrayDarker" href="https://soas-uk.academia.edu/Departments/Faculty_of_arts/Documents">Faculty of arts</a>, <span class="u-tcGrayDarker">Faculty Member</span></div><div><a class="u-tcGrayDarker" href="https://goldsmiths.academia.edu/">Goldsmiths, University of London</a>, <a class="u-tcGrayDarker" href="https://goldsmiths.academia.edu/Departments/Educational_Studies/Documents">Educational Studies</a>, <span class="u-tcGrayDarker">Alumna</span></div></div></div></div><div class="sidebar-cta-container"><button class="ds2-5-button hidden profile-cta-button grow js-profile-follow-button" data-broccoli-component="user-info.follow-button" data-click-track="profile-user-info-follow-button" data-follow-user-fname="Helena" data-follow-user-id="791301" data-follow-user-source="profile_button" data-has-google="false"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">add</span>Follow</button><button class="ds2-5-button hidden profile-cta-button grow js-profile-unfollow-button" data-broccoli-component="user-info.unfollow-button" data-click-track="profile-user-info-unfollow-button" data-unfollow-user-id="791301"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">done</span>Following</button></div></div><div class="user-stats-container"><a><div class="stat-container js-profile-followers"><p class="label">Followers</p><p class="data">291</p></div></a><a><div class="stat-container js-profile-followees" data-broccoli-component="user-info.followees-count" data-click-track="profile-expand-user-info-following"><p class="label">Following</p><p class="data">106</p></div></a><div class="js-mentions-count-container" style="display: none;"><a href="/HelenaCantone/mentions"><div class="stat-container"><p class="label">Mentions</p><p class="data"></p></div></a></div><span><div class="stat-container"><p class="label"><span class="js-profile-total-view-text">Public Views</span></p><p class="data"><span class="js-profile-view-count"></span></p></div></span></div><div class="user-bio-container"><div class="profile-bio fake-truncate js-profile-about" style="margin: 0px;">PhD in History of Art and Archaeology from SOAS University of London. Research focussed on the African visual archive of the XX century Italian artist Salvatore Fiume (1915-1997) and his connections with postcolonial Africa. Dissertation translated into italian and published by Astarte Edizioni, Pisa 2023: Nella Valle di Babile. Salvatore Fiume fra sicilitudine e Africa postcoloniale.<br /><br />Research interests include XX century African postcolonial modern art movements; postwar Italy; Negritude in Italy; transnational artistic exchanges; decolonising art history.<br /><br />Exhibition review editor (Europe) for African Arts journal (MIT Press) and advisory board member of H-AfrArts: Expressive Cultures of Africa and the African Diaspora, cosponsored by Humanities and Social Sciences OnLine and the Arts Council of the African Studies Association (ACASA).<br /><span class="u-fw700">Supervisors: </span>Dr Tania Tribe<br /><div class="js-profile-less-about u-linkUnstyled u-tcGrayDarker u-textDecorationUnderline u-displayNone">less</div></div></div><div class="suggested-academics-container"><div class="suggested-academics--header"><p class="ds2-5-body-md-bold">Related Authors</p></div><ul class="suggested-user-card-list"><div class="suggested-user-card"><div class="suggested-user-card__avatar 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href="https://www.academia.edu/125463361/Critical_Interventions_For_an_Africanization_of_Thinking_and_Becomings"><img alt="Research paper thumbnail of Critical Interventions: For an Africanization of Thinking and Becomings" class="work-thumbnail" src="https://attachments.academia-assets.com/119501398/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/125463361/Critical_Interventions_For_an_Africanization_of_Thinking_and_Becomings">Critical Interventions: For an Africanization of Thinking and Becomings</a></div><div class="wp-workCard_item"><span>African Studies Quarterly</span><span>, 2024</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Achille Mbembe and Felwine Sarr (eds.), translated by Drew Burk. 2023. To Write the Africa World....</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Achille Mbembe and Felwine Sarr (eds.), translated by Drew Burk. 2023. To Write the Africa World. Cambridge & Hoboken: Polity Press. 324 pp. Achille Mbembe and Felwine Sarr (eds.), translated by Philip Gerard. 2023. The Politics of Time: Imagining African Becomings. Cambridge & Hoboken: Polity Press. 332 pp.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="695cfc05c893bd2a9ced2e2965239c84" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":119501398,"asset_id":125463361,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/119501398/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="125463361"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="125463361"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 125463361; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="83907524"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/83907524/Desta_Gebre_Kristos_1932_1981_"><img alt="Research paper thumbnail of Desta, Gebre Kristos (1932–1981)" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/83907524/Desta_Gebre_Kristos_1932_1981_">Desta, Gebre Kristos (1932–1981)</a></div><div class="wp-workCard_item"><span>Routledge Encyclopedia of Modernism</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Gebre Kristos Desta was one of the most influential artists to emerge from the Addis Ababa Fine A...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Gebre Kristos Desta was one of the most influential artists to emerge from the Addis Ababa Fine Arts School in Ethiopia in the 1960s. Best known for his pioneering abstract impressionist style paintings, his socially and politically charged content, and Pan-African perspectives, Desta was attacked by critics who accused him of being too Westernized and removed from his Ethiopian heritage and culture. While he exhibited abroad in the United States, USSR, India, and Czechoslovakia, Desta was mainly known in Ethiopia and West Germany during his short life, and only received international recognition after his death. Desta studied art at the Werkschule für Bildende Künste und Gestaltung in Cologne from 1957 to 1961. Following his graduation, Desta held a solo exhibition at the Gallery Kuppers, an event that launched his career as an artist. In Ethiopia, Desta flourished under the patronage of Haile Selassie I, receiving the honorary National Prize for Fine Arts in 1965, and awards for h...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="83907524"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="83907524"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 83907524; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=83907524]").text(description); $(".js-view-count[data-work-id=83907524]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 83907524; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='83907524']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=83907524]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":83907524,"title":"Desta, Gebre Kristos (1932–1981)","internal_url":"https://www.academia.edu/83907524/Desta_Gebre_Kristos_1932_1981_","owner_id":791301,"coauthors_can_edit":true,"owner":{"id":791301,"first_name":"Helena","middle_initials":null,"last_name":"Cantone","page_name":"HelenaCantone","domain_name":"soas-uk","created_at":"2011-09-26T22:04:59.458-07:00","display_name":"Helena Cantone","url":"https://soas-uk.academia.edu/HelenaCantone"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="83907523"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/83907523/Bruce_Onobrakpeya_1932_"><img alt="Research paper thumbnail of Bruce Onobrakpeya (1932--)" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/83907523/Bruce_Onobrakpeya_1932_">Bruce Onobrakpeya (1932--)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">&lt;jats:p&gt;Printmaker, sculptor, painter and inventor of new techniques, Bruce Onobrakpeya was...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">&lt;jats:p&gt;Printmaker, sculptor, painter and inventor of new techniques, Bruce Onobrakpeya was one of the major figures to emerge from the Zaria Arts Society in Nigeria in the 1950s.&lt;/jats:p&gt; &lt;jats:p&gt;An innovator and experimentalist in printmaking, Onobrakpeya developed many techniques including &quot;bronze lino relief,&quot; &quot;hydrochloric acid accident,&quot; and in 1967, a deep etching technique called &quot;plastograph&quot; that uses plates cast in plaster. In a continuous process of innovation, Bruce started making prints from these &quot;plastercasts,&quot; then coated the original plates with bronze in order to make the casts into pieces of art work themselves. In later years, Onobrakpeya recast these original plates into columns of resin to create sculptural installation-shrines, thereby not only reinventing the idea of printing itself, but reinterpreting African shrine traditions to give these ritual places new meanings. Together with his generation of modern artists rooted in the historical moment of African independence, Onobrakpeya helped to critically question Eurocentric assumptions by re-writing their own history.&lt;/jats:p&gt;</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="83907523"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="83907523"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 83907523; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=83907523]").text(description); $(".js-view-count[data-work-id=83907523]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 83907523; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='83907523']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=83907523]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":83907523,"title":"Bruce Onobrakpeya (1932--)","internal_url":"https://www.academia.edu/83907523/Bruce_Onobrakpeya_1932_","owner_id":791301,"coauthors_can_edit":true,"owner":{"id":791301,"first_name":"Helena","middle_initials":null,"last_name":"Cantone","page_name":"HelenaCantone","domain_name":"soas-uk","created_at":"2011-09-26T22:04:59.458-07:00","display_name":"Helena Cantone","url":"https://soas-uk.academia.edu/HelenaCantone"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="83907522"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/83907522/Boghossian_Alexander_Skunder_1937_2003_"><img alt="Research paper thumbnail of Boghossian, Alexander (Skunder) (1937–2003)" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/83907522/Boghossian_Alexander_Skunder_1937_2003_">Boghossian, Alexander (Skunder) (1937–2003)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">&lt;jats:p&gt;Alexander Boghossian, better known as Skunder, was one of the most prominent figure...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">&lt;jats:p&gt;Alexander Boghossian, better known as Skunder, was one of the most prominent figures of African modernism. Born in Addis Ababa in Ethiopia in 1937 to Ethiopian-Armenian parents, Boghossian won a government scholarship to study in Europe aged seventeen. He studied in London at St. Martin&#39;s School, the Slade, and the Central School between 1955 and 1957 and then moved to Paris in 1957 to 1966 where he continued his training at L&#39;École National Supérieure des Beaux Arts and L&#39;Académie de la Grande Chumière. Boghossian became part of the artistic and intellectual fabric of Paris during the late 1950s and 1960s, meeting influential figures in the Pan African and Négritude movements, including philosopher Sheikh Anta Diop, Léopold Senghor, and the Congolese poet Tchikaya U&#39;Tamsi. In particular Aimé Césaire&#39;s poetry greatly influenced and inspired Boghossian&#39;s vision. Artistically, Boghossian was associated with the Surrealist movement and artists including Wilfredo Lam, Paul Klee, André Breton, Max Ernst, Gerard Sokoto, and Georges Braque.&lt;/jats:p&gt;</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="83907522"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="83907522"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 83907522; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=83907522]").text(description); $(".js-view-count[data-work-id=83907522]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 83907522; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='83907522']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=83907522]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":83907522,"title":"Boghossian, Alexander (Skunder) (1937–2003)","internal_url":"https://www.academia.edu/83907522/Boghossian_Alexander_Skunder_1937_2003_","owner_id":791301,"coauthors_can_edit":true,"owner":{"id":791301,"first_name":"Helena","middle_initials":null,"last_name":"Cantone","page_name":"HelenaCantone","domain_name":"soas-uk","created_at":"2011-09-26T22:04:59.458-07:00","display_name":"Helena Cantone","url":"https://soas-uk.academia.edu/HelenaCantone"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="83907511"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/83907511/Kappata_Stephen_1936_2007_"><img alt="Research paper thumbnail of Kappata, Stephen (1936–2007)" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/83907511/Kappata_Stephen_1936_2007_">Kappata, Stephen (1936–2007)</a></div><div class="wp-workCard_item"><span>Routledge Encyclopedia of Modernism</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Stephen Chipango Kappata was born in Zambia in 1936 to Angolan migrant parents who had fled Angol...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Stephen Chipango Kappata was born in Zambia in 1936 to Angolan migrant parents who had fled Angola during the Portuguese wars of conquest during World War I. Kappata began painting in 1969–1970, following a meeting with an artist who sold paintings depicting Victoria Falls in the local tourist market. At first Kappata sold his paintings to a largely local market centered around the town of Mongu. Following a brief period abroad in Britain, where he received some training in film, photography, and illustration, Kappata returned to Zambia. It was there, in 1982, that he met Anna-Lise Clausen, the Danish woman who helped organize Kappata’s first solo exhibition at the Mpapa Gallery in 1986. Kappata went on to take part in numerous international shows, including the Third Havana Biennial in Cuba in 1989. Kappata’s work is a complex interplay between satire and education, his paintings generally addressing three main themes: Zambians traditions, customs, and culture; the historical exper...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="83907511"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="83907511"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 83907511; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=83907511]").text(description); $(".js-view-count[data-work-id=83907511]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 83907511; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='83907511']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=83907511]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":83907511,"title":"Kappata, Stephen (1936–2007)","internal_url":"https://www.academia.edu/83907511/Kappata_Stephen_1936_2007_","owner_id":791301,"coauthors_can_edit":true,"owner":{"id":791301,"first_name":"Helena","middle_initials":null,"last_name":"Cantone","page_name":"HelenaCantone","domain_name":"soas-uk","created_at":"2011-09-26T22:04:59.458-07:00","display_name":"Helena Cantone","url":"https://soas-uk.academia.edu/HelenaCantone"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="70876872"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/70876872/Tekle_Afewerk_1932_2012_"><img alt="Research paper thumbnail of Tekle, Afewerk (1932–2012)" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/70876872/Tekle_Afewerk_1932_2012_">Tekle, Afewerk (1932–2012)</a></div><div class="wp-workCard_item"><span>Routledge Encyclopedia of Modernism</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Afewerk Tekle was Ethiopia’s leading modern artist, famously known for introducing Western techni...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Afewerk Tekle was Ethiopia’s leading modern artist, famously known for introducing Western techniques of painting and sculpture to Ethiopia, and for his government commissions under Haile Selassie I and the infamous Derg regime of Mengistu. A prolific artist, Afewerk Tekle worked on Pan-African and Christian themes in particular, using diverse media from drawings, paintings, murals, mosaics, stained-glass windows, and sculpture, as well as designs for stamps, playing cards, posters, flags and national ceremonial dresses. His work was strongly influenced by Pan-African ideals and the optimism of the 1950s at the height of liberation movements sweeping across Africa. Afewerk Tekle first went to England to study engineering in 1947, and was later helped by British Suffragette Rita Pankhurst (1882–1960) with his artistic career and training at the Central School of Arts and Crafts and the Slade in London. Tekle returned to Addis Ababa in 1954, where he held his first solo show at the Mu...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="70876872"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="70876872"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 70876872; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=70876872]").text(description); 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="26671730"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/26671730/Italy_Africa_A_Contradictory_Inventory_of_Modernity"><img alt="Research paper thumbnail of Italy–Africa: A Contradictory Inventory of Modernity" class="work-thumbnail" src="https://attachments.academia-assets.com/46953000/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/26671730/Italy_Africa_A_Contradictory_Inventory_of_Modernity">Italy–Africa: A Contradictory Inventory of Modernity</a></div><div class="wp-workCard_item"><span>Critical Interventions: Journal Of African Art History And Visual Culture. </span><span>, 2016</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This article locates Italy’s cultural, intellectual, and artistic encounters with Africa and the ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This article locates Italy’s cultural, intellectual,<br />and artistic encounters with Africa and the<br />African diaspora through analysis of visual practices<br />and sites of decolonization that developed<br />between the 1950s and 1970s in order to highlight<br />some contradictions and parallels in Italian<br />and African expressions of modernity. 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dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=954584]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":954584,"title":"Sicily: a Sicilian theory of relativity.","internal_url":"https://www.academia.edu/954584/Sicily_a_Sicilian_theory_of_relativity","owner_id":791301,"coauthors_can_edit":true,"owner":{"id":791301,"first_name":"Helena","middle_initials":null,"last_name":"Cantone","page_name":"HelenaCantone","domain_name":"soas-uk","created_at":"2011-09-26T22:04:59.458-07:00","display_name":"Helena Cantone","url":"https://soas-uk.academia.edu/HelenaCantone"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="profile--tab_heading_container js-section-heading" data-section="Reviews" id="Reviews"><h3 class="profile--tab_heading_container">Reviews by Helena Cantone</h3></div><div class="js-work-strip profile--work_container" data-work-id="49496701"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/49496701/Picasso_s_Demoiselles_The_Untold_Origins_of_a_Modern_Masterpiece_by_Suzanne_Preston_Blier_Reviewed_by_Helena_Cantone"><img alt="Research paper thumbnail of Picasso’s Demoiselles: The Untold Origins of a Modern Masterpiece by Suzanne Preston Blier. Reviewed by Helena Cantone" class="work-thumbnail" src="https://attachments.academia-assets.com/67835880/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/49496701/Picasso_s_Demoiselles_The_Untold_Origins_of_a_Modern_Masterpiece_by_Suzanne_Preston_Blier_Reviewed_by_Helena_Cantone">Picasso’s Demoiselles: The Untold Origins of a Modern Masterpiece by Suzanne Preston Blier. Reviewed by Helena Cantone</a></div><div class="wp-workCard_item"><span>Durham, NC: Duke University Press, 􏰀􏰁􏰂􏰃􏰄 </span><span>, 2019</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="f28f7c07206999bd2be578fe4b380736" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":67835880,"asset_id":49496701,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/67835880/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="49496701"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="49496701"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 49496701; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=49496701]").text(description); $(".js-view-count[data-work-id=49496701]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 49496701; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='49496701']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "f28f7c07206999bd2be578fe4b380736" } } $('.js-work-strip[data-work-id=49496701]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":49496701,"title":"Picasso’s Demoiselles: The Untold Origins of a Modern Masterpiece by Suzanne Preston Blier. 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Okeke-Agulu presents the key characteristics of postcolonial modernism as an “international mid-twentieth century phenomenon” (p. 2). The author begins by identifying the correlation between visual art and nationalism in order to argue the necessity to analyze political ideology and modernism together in the context of all decolonizing nations. He describes the socio-political landscape of Nigeria as one linked to a wider process of decolonization which began soon after the end of World War II when artists, intellectuals, and writers across Africa and the African diaspora began to renegotiate and reimagine the relationship between colonizer-colonized influenced by the cultural and political movements of pan-Africanism, negritude, and nationalism.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="b651dca9308f7dab89224a562e359bc1" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":45579329,"asset_id":25276902,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/45579329/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="25276902"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="25276902"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 25276902; 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dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "b651dca9308f7dab89224a562e359bc1" } } $('.js-work-strip[data-work-id=25276902]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":25276902,"title":"Chika Okeke-Agulu's Postcolonial Modernism: Art and Decolonization in Twentieth-Century Nigeria (pp 125-127)","internal_url":"https://www.academia.edu/25276902/Chika_Okeke_Agulus_Postcolonial_Modernism_Art_and_Decolonization_in_Twentieth_Century_Nigeria_pp_125_127_","owner_id":791301,"coauthors_can_edit":true,"owner":{"id":791301,"first_name":"Helena","middle_initials":null,"last_name":"Cantone","page_name":"HelenaCantone","domain_name":"soas-uk","created_at":"2011-09-26T22:04:59.458-07:00","display_name":"Helena Cantone","url":"https://soas-uk.academia.edu/HelenaCantone"},"attachments":[{"id":45579329,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/45579329/thumbnails/1.jpg","file_name":"Book-Reviews-v1612a71.pdf","download_url":"https://www.academia.edu/attachments/45579329/download_file","bulk_download_file_name":"Chika_Okeke_Agulus_Postcolonial_Modernis.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/45579329/Book-Reviews-v1612a71-libre.pdf?1463082927=\u0026response-content-disposition=attachment%3B+filename%3DChika_Okeke_Agulus_Postcolonial_Modernis.pdf\u0026Expires=1740874575\u0026Signature=RZSHM6MNmWRD2SUwc-zYMbQs6pesQt4eCSRhsNLQDjN~3u70JzGG6XqdIH3Z7QoXEhqOEt4X4l1PheNlgdkRRC3oaoO8m6ylN6Rdu-aeklNb8e3Hz2p336-aRUKD8RBktotHWGbBP-KcOXl7t1kMGfxUEUoLjYsjObDdeuZBT8sQPA-zcS1AQYfZd3IGcxQJCYCpDui90ixu6~CoB8ZNENAzWxXtk6~MXcktV0rPZEUt2~pvqLFq0BZC-92ojlXnCbGXDUowCC6vptVag43JsgZEofNjQo1OKrVagnqvsXhBjWmxVUv7U27EYOzzRibZShXCzrTmkrkUpUKoSY~eSw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="26634606"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/26634606/The_Quest_for_Socialist_Utopia_the_Ethiopian_Student_Movement_c_1960_1974_by_Bahru_Zewde_Woodbridge_Suffolk_James_Currey_2014_vii_299_pp"><img alt="Research paper thumbnail of The Quest for Socialist Utopia: the Ethiopian Student Movement c. 1960–1974, by Bahru Zewde, Woodbridge, Suffolk, James Currey, 2014, vii + 299 pp." class="work-thumbnail" src="https://attachments.academia-assets.com/46918640/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/26634606/The_Quest_for_Socialist_Utopia_the_Ethiopian_Student_Movement_c_1960_1974_by_Bahru_Zewde_Woodbridge_Suffolk_James_Currey_2014_vii_299_pp">The Quest for Socialist Utopia: the Ethiopian Student Movement c. 1960–1974, by Bahru Zewde, Woodbridge, Suffolk, James Currey, 2014, vii + 299 pp.</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The Quest for Socialist Utopia looks at the Ethiopian student uprising of the 1960s and early 197...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The Quest for Socialist Utopia looks at the Ethiopian student uprising of the 1960s and early 1970s from both a national and global context using an interdisciplinary approach to present a complex analysis of Ethiopian politics, culture and society.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="e22e9e448ee504641acd6d9803a1d6c4" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":46918640,"asset_id":26634606,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/46918640/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="26634606"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="26634606"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 26634606; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="8629327"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/8629327/Souleymane_Bachir_Diagne_2011_African_Art_as_Philosophy_Senghor_Bergson_and_the_Idea_of_Negritude_Calcutta_Seagull_Books_vi_210pp"><img alt="Research paper thumbnail of Souleymane Bachir Diagne. 2011. African Art as Philosophy: Senghor, Bergson and the Idea of Negritude . Calcutta: Seagull Books. vi, 210pp." class="work-thumbnail" src="https://attachments.academia-assets.com/34991889/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/8629327/Souleymane_Bachir_Diagne_2011_African_Art_as_Philosophy_Senghor_Bergson_and_the_Idea_of_Negritude_Calcutta_Seagull_Books_vi_210pp">Souleymane Bachir Diagne. 2011. African Art as Philosophy: Senghor, Bergson and the Idea of Negritude . Calcutta: Seagull Books. vi, 210pp.</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Souleymane Bachir Diagne explores in detail Léopold Sédar Senghor’s philosophy of Negritude as a ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Souleymane Bachir Diagne explores<br />in detail Léopold Sédar Senghor’s philosophy of Negritude<br />as a product of Africa and its diaspora in an important historical period of transition marked by<br />the questioning of Western values and the breakdown of colonial rule. Negritude is presented in the wider context of resistance to colonialism and affirmation of difference influenced by Black American ideology and Marxism. But the author also presents Senghor’s personal philosophical exploration of what he calls Africanity, within universal questions of what it means to be human, drawing from diverse sources of inspiration from Jean Paul Sartre, Henri Bergson, Lucien Lévy-Brühl, Karl Marx, and Friendrich Engels, to Ferdinand Georg Frobenius, Pablo Picasso and Pierre Teilhard de Chardin among others.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="1afc9ba28af28af87355f9193150ee52" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":34991889,"asset_id":8629327,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/34991889/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="8629327"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="8629327"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 8629327; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=8629327]").text(description); $(".js-view-count[data-work-id=8629327]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 8629327; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='8629327']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "1afc9ba28af28af87355f9193150ee52" } } $('.js-work-strip[data-work-id=8629327]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":8629327,"title":"Souleymane Bachir Diagne. 2011. 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To Write the Africa World....</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Achille Mbembe and Felwine Sarr (eds.), translated by Drew Burk. 2023. To Write the Africa World. Cambridge & Hoboken: Polity Press. 324 pp. Achille Mbembe and Felwine Sarr (eds.), translated by Philip Gerard. 2023. The Politics of Time: Imagining African Becomings. Cambridge & Hoboken: Polity Press. 332 pp.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="695cfc05c893bd2a9ced2e2965239c84" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":119501398,"asset_id":125463361,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/119501398/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="125463361"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="125463361"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 125463361; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="83907524"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/83907524/Desta_Gebre_Kristos_1932_1981_"><img alt="Research paper thumbnail of Desta, Gebre Kristos (1932–1981)" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/83907524/Desta_Gebre_Kristos_1932_1981_">Desta, Gebre Kristos (1932–1981)</a></div><div class="wp-workCard_item"><span>Routledge Encyclopedia of Modernism</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Gebre Kristos Desta was one of the most influential artists to emerge from the Addis Ababa Fine A...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Gebre Kristos Desta was one of the most influential artists to emerge from the Addis Ababa Fine Arts School in Ethiopia in the 1960s. Best known for his pioneering abstract impressionist style paintings, his socially and politically charged content, and Pan-African perspectives, Desta was attacked by critics who accused him of being too Westernized and removed from his Ethiopian heritage and culture. While he exhibited abroad in the United States, USSR, India, and Czechoslovakia, Desta was mainly known in Ethiopia and West Germany during his short life, and only received international recognition after his death. Desta studied art at the Werkschule für Bildende Künste und Gestaltung in Cologne from 1957 to 1961. Following his graduation, Desta held a solo exhibition at the Gallery Kuppers, an event that launched his career as an artist. In Ethiopia, Desta flourished under the patronage of Haile Selassie I, receiving the honorary National Prize for Fine Arts in 1965, and awards for h...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="83907524"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="83907524"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 83907524; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=83907524]").text(description); $(".js-view-count[data-work-id=83907524]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 83907524; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='83907524']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=83907524]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":83907524,"title":"Desta, Gebre Kristos (1932–1981)","internal_url":"https://www.academia.edu/83907524/Desta_Gebre_Kristos_1932_1981_","owner_id":791301,"coauthors_can_edit":true,"owner":{"id":791301,"first_name":"Helena","middle_initials":null,"last_name":"Cantone","page_name":"HelenaCantone","domain_name":"soas-uk","created_at":"2011-09-26T22:04:59.458-07:00","display_name":"Helena Cantone","url":"https://soas-uk.academia.edu/HelenaCantone"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="83907523"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/83907523/Bruce_Onobrakpeya_1932_"><img alt="Research paper thumbnail of Bruce Onobrakpeya (1932--)" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/83907523/Bruce_Onobrakpeya_1932_">Bruce Onobrakpeya (1932--)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">&lt;jats:p&gt;Printmaker, sculptor, painter and inventor of new techniques, Bruce Onobrakpeya was...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">&lt;jats:p&gt;Printmaker, sculptor, painter and inventor of new techniques, Bruce Onobrakpeya was one of the major figures to emerge from the Zaria Arts Society in Nigeria in the 1950s.&lt;/jats:p&gt; &lt;jats:p&gt;An innovator and experimentalist in printmaking, Onobrakpeya developed many techniques including &quot;bronze lino relief,&quot; &quot;hydrochloric acid accident,&quot; and in 1967, a deep etching technique called &quot;plastograph&quot; that uses plates cast in plaster. In a continuous process of innovation, Bruce started making prints from these &quot;plastercasts,&quot; then coated the original plates with bronze in order to make the casts into pieces of art work themselves. In later years, Onobrakpeya recast these original plates into columns of resin to create sculptural installation-shrines, thereby not only reinventing the idea of printing itself, but reinterpreting African shrine traditions to give these ritual places new meanings. Together with his generation of modern artists rooted in the historical moment of African independence, Onobrakpeya helped to critically question Eurocentric assumptions by re-writing their own history.&lt;/jats:p&gt;</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="83907523"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="83907523"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 83907523; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=83907523]").text(description); $(".js-view-count[data-work-id=83907523]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 83907523; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='83907523']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=83907523]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":83907523,"title":"Bruce Onobrakpeya (1932--)","internal_url":"https://www.academia.edu/83907523/Bruce_Onobrakpeya_1932_","owner_id":791301,"coauthors_can_edit":true,"owner":{"id":791301,"first_name":"Helena","middle_initials":null,"last_name":"Cantone","page_name":"HelenaCantone","domain_name":"soas-uk","created_at":"2011-09-26T22:04:59.458-07:00","display_name":"Helena Cantone","url":"https://soas-uk.academia.edu/HelenaCantone"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="83907522"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/83907522/Boghossian_Alexander_Skunder_1937_2003_"><img alt="Research paper thumbnail of Boghossian, Alexander (Skunder) (1937–2003)" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/83907522/Boghossian_Alexander_Skunder_1937_2003_">Boghossian, Alexander (Skunder) (1937–2003)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">&lt;jats:p&gt;Alexander Boghossian, better known as Skunder, was one of the most prominent figure...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">&lt;jats:p&gt;Alexander Boghossian, better known as Skunder, was one of the most prominent figures of African modernism. Born in Addis Ababa in Ethiopia in 1937 to Ethiopian-Armenian parents, Boghossian won a government scholarship to study in Europe aged seventeen. He studied in London at St. Martin&#39;s School, the Slade, and the Central School between 1955 and 1957 and then moved to Paris in 1957 to 1966 where he continued his training at L&#39;École National Supérieure des Beaux Arts and L&#39;Académie de la Grande Chumière. Boghossian became part of the artistic and intellectual fabric of Paris during the late 1950s and 1960s, meeting influential figures in the Pan African and Négritude movements, including philosopher Sheikh Anta Diop, Léopold Senghor, and the Congolese poet Tchikaya U&#39;Tamsi. In particular Aimé Césaire&#39;s poetry greatly influenced and inspired Boghossian&#39;s vision. Artistically, Boghossian was associated with the Surrealist movement and artists including Wilfredo Lam, Paul Klee, André Breton, Max Ernst, Gerard Sokoto, and Georges Braque.&lt;/jats:p&gt;</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="83907522"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="83907522"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 83907522; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=83907522]").text(description); $(".js-view-count[data-work-id=83907522]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 83907522; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='83907522']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=83907522]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":83907522,"title":"Boghossian, Alexander (Skunder) (1937–2003)","internal_url":"https://www.academia.edu/83907522/Boghossian_Alexander_Skunder_1937_2003_","owner_id":791301,"coauthors_can_edit":true,"owner":{"id":791301,"first_name":"Helena","middle_initials":null,"last_name":"Cantone","page_name":"HelenaCantone","domain_name":"soas-uk","created_at":"2011-09-26T22:04:59.458-07:00","display_name":"Helena Cantone","url":"https://soas-uk.academia.edu/HelenaCantone"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="83907511"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/83907511/Kappata_Stephen_1936_2007_"><img alt="Research paper thumbnail of Kappata, Stephen (1936–2007)" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/83907511/Kappata_Stephen_1936_2007_">Kappata, Stephen (1936–2007)</a></div><div class="wp-workCard_item"><span>Routledge Encyclopedia of Modernism</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Stephen Chipango Kappata was born in Zambia in 1936 to Angolan migrant parents who had fled Angol...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Stephen Chipango Kappata was born in Zambia in 1936 to Angolan migrant parents who had fled Angola during the Portuguese wars of conquest during World War I. Kappata began painting in 1969–1970, following a meeting with an artist who sold paintings depicting Victoria Falls in the local tourist market. At first Kappata sold his paintings to a largely local market centered around the town of Mongu. Following a brief period abroad in Britain, where he received some training in film, photography, and illustration, Kappata returned to Zambia. It was there, in 1982, that he met Anna-Lise Clausen, the Danish woman who helped organize Kappata’s first solo exhibition at the Mpapa Gallery in 1986. Kappata went on to take part in numerous international shows, including the Third Havana Biennial in Cuba in 1989. Kappata’s work is a complex interplay between satire and education, his paintings generally addressing three main themes: Zambians traditions, customs, and culture; the historical exper...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="83907511"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="83907511"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 83907511; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=83907511]").text(description); $(".js-view-count[data-work-id=83907511]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 83907511; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='83907511']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=83907511]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":83907511,"title":"Kappata, Stephen (1936–2007)","internal_url":"https://www.academia.edu/83907511/Kappata_Stephen_1936_2007_","owner_id":791301,"coauthors_can_edit":true,"owner":{"id":791301,"first_name":"Helena","middle_initials":null,"last_name":"Cantone","page_name":"HelenaCantone","domain_name":"soas-uk","created_at":"2011-09-26T22:04:59.458-07:00","display_name":"Helena Cantone","url":"https://soas-uk.academia.edu/HelenaCantone"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="70876872"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/70876872/Tekle_Afewerk_1932_2012_"><img alt="Research paper thumbnail of Tekle, Afewerk (1932–2012)" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/70876872/Tekle_Afewerk_1932_2012_">Tekle, Afewerk (1932–2012)</a></div><div class="wp-workCard_item"><span>Routledge Encyclopedia of Modernism</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Afewerk Tekle was Ethiopia’s leading modern artist, famously known for introducing Western techni...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Afewerk Tekle was Ethiopia’s leading modern artist, famously known for introducing Western techniques of painting and sculpture to Ethiopia, and for his government commissions under Haile Selassie I and the infamous Derg regime of Mengistu. A prolific artist, Afewerk Tekle worked on Pan-African and Christian themes in particular, using diverse media from drawings, paintings, murals, mosaics, stained-glass windows, and sculpture, as well as designs for stamps, playing cards, posters, flags and national ceremonial dresses. His work was strongly influenced by Pan-African ideals and the optimism of the 1950s at the height of liberation movements sweeping across Africa. Afewerk Tekle first went to England to study engineering in 1947, and was later helped by British Suffragette Rita Pankhurst (1882–1960) with his artistic career and training at the Central School of Arts and Crafts and the Slade in London. Tekle returned to Addis Ababa in 1954, where he held his first solo show at the Mu...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="70876872"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="70876872"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 70876872; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=70876872]").text(description); 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="26671730"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/26671730/Italy_Africa_A_Contradictory_Inventory_of_Modernity"><img alt="Research paper thumbnail of Italy–Africa: A Contradictory Inventory of Modernity" class="work-thumbnail" src="https://attachments.academia-assets.com/46953000/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/26671730/Italy_Africa_A_Contradictory_Inventory_of_Modernity">Italy–Africa: A Contradictory Inventory of Modernity</a></div><div class="wp-workCard_item"><span>Critical Interventions: Journal Of African Art History And Visual Culture. </span><span>, 2016</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This article locates Italy’s cultural, intellectual, and artistic encounters with Africa and the ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This article locates Italy’s cultural, intellectual,<br />and artistic encounters with Africa and the<br />African diaspora through analysis of visual practices<br />and sites of decolonization that developed<br />between the 1950s and 1970s in order to highlight<br />some contradictions and parallels in Italian<br />and African expressions of modernity. 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Reviewed by Helena Cantone" class="work-thumbnail" src="https://attachments.academia-assets.com/67835880/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/49496701/Picasso_s_Demoiselles_The_Untold_Origins_of_a_Modern_Masterpiece_by_Suzanne_Preston_Blier_Reviewed_by_Helena_Cantone">Picasso’s Demoiselles: The Untold Origins of a Modern Masterpiece by Suzanne Preston Blier. Reviewed by Helena Cantone</a></div><div class="wp-workCard_item"><span>Durham, NC: Duke University Press, 􏰀􏰁􏰂􏰃􏰄 </span><span>, 2019</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="f28f7c07206999bd2be578fe4b380736" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":67835880,"asset_id":49496701,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/67835880/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="49496701"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="49496701"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 49496701; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=49496701]").text(description); $(".js-view-count[data-work-id=49496701]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 49496701; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='49496701']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "f28f7c07206999bd2be578fe4b380736" } } $('.js-work-strip[data-work-id=49496701]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":49496701,"title":"Picasso’s Demoiselles: The Untold Origins of a Modern Masterpiece by Suzanne Preston Blier. 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Okeke-Agulu presents the key characteristics of postcolonial modernism as an “international mid-twentieth century phenomenon” (p. 2). The author begins by identifying the correlation between visual art and nationalism in order to argue the necessity to analyze political ideology and modernism together in the context of all decolonizing nations. He describes the socio-political landscape of Nigeria as one linked to a wider process of decolonization which began soon after the end of World War II when artists, intellectuals, and writers across Africa and the African diaspora began to renegotiate and reimagine the relationship between colonizer-colonized influenced by the cultural and political movements of pan-Africanism, negritude, and nationalism.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="b651dca9308f7dab89224a562e359bc1" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":45579329,"asset_id":25276902,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/45579329/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="25276902"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="25276902"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 25276902; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="26634606"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/26634606/The_Quest_for_Socialist_Utopia_the_Ethiopian_Student_Movement_c_1960_1974_by_Bahru_Zewde_Woodbridge_Suffolk_James_Currey_2014_vii_299_pp"><img alt="Research paper thumbnail of The Quest for Socialist Utopia: the Ethiopian Student Movement c. 1960–1974, by Bahru Zewde, Woodbridge, Suffolk, James Currey, 2014, vii + 299 pp." class="work-thumbnail" src="https://attachments.academia-assets.com/46918640/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/26634606/The_Quest_for_Socialist_Utopia_the_Ethiopian_Student_Movement_c_1960_1974_by_Bahru_Zewde_Woodbridge_Suffolk_James_Currey_2014_vii_299_pp">The Quest for Socialist Utopia: the Ethiopian Student Movement c. 1960–1974, by Bahru Zewde, Woodbridge, Suffolk, James Currey, 2014, vii + 299 pp.</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The Quest for Socialist Utopia looks at the Ethiopian student uprising of the 1960s and early 197...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The Quest for Socialist Utopia looks at the Ethiopian student uprising of the 1960s and early 1970s from both a national and global context using an interdisciplinary approach to present a complex analysis of Ethiopian politics, culture and society.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="e22e9e448ee504641acd6d9803a1d6c4" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":46918640,"asset_id":26634606,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/46918640/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="26634606"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="26634606"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 26634606; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="8629327"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/8629327/Souleymane_Bachir_Diagne_2011_African_Art_as_Philosophy_Senghor_Bergson_and_the_Idea_of_Negritude_Calcutta_Seagull_Books_vi_210pp"><img alt="Research paper thumbnail of Souleymane Bachir Diagne. 2011. African Art as Philosophy: Senghor, Bergson and the Idea of Negritude . Calcutta: Seagull Books. vi, 210pp." class="work-thumbnail" src="https://attachments.academia-assets.com/34991889/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/8629327/Souleymane_Bachir_Diagne_2011_African_Art_as_Philosophy_Senghor_Bergson_and_the_Idea_of_Negritude_Calcutta_Seagull_Books_vi_210pp">Souleymane Bachir Diagne. 2011. African Art as Philosophy: Senghor, Bergson and the Idea of Negritude . Calcutta: Seagull Books. vi, 210pp.</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Souleymane Bachir Diagne explores in detail Léopold Sédar Senghor’s philosophy of Negritude as a ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Souleymane Bachir Diagne explores<br />in detail Léopold Sédar Senghor’s philosophy of Negritude<br />as a product of Africa and its diaspora in an important historical period of transition marked by<br />the questioning of Western values and the breakdown of colonial rule. Negritude is presented in the wider context of resistance to colonialism and affirmation of difference influenced by Black American ideology and Marxism. 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Salvatore Fiume fra sicilitudine e Africa postcoloniale" class="work-thumbnail" src="https://attachments.academia-assets.com/107041008/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/108733206/Nella_Valle_di_Babile_Salvatore_Fiume_fra_sicilitudine_e_Africa_postcoloniale">Nella Valle di Babile. Salvatore Fiume fra sicilitudine e Africa postcoloniale</a></div><div class="wp-workCard_item"><span>Nella Valle di Babile. Salvatore Fiume fra sicilitudine e Africa postcoloniale</span><span>, 2023</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Questo libro offre uno studio approfondito sul repertorio africano di Fiume, dalle pitture sulle ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Questo libro offre uno studio approfondito sul repertorio africano di Fiume, dalle pitture sulle rocce nella valle di Babile in Etiopia alla celebre Gioconda Nera, dai disegni all’architettura. Descrive i suoi viaggi in Africa, i suoi incontri con l’Africa postcoloniale e come i movimenti della Negritudine e il Panafricanismo insieme alla sua “sicilitudine” abbiano contributo a un’immagine dell’Africa più complessa rispetto all’idea prevalentemente colonialista dell’immaginario italiano.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="09d1ddd69ce4952d532074c37b96104c" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":107041008,"asset_id":108733206,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/107041008/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="108733206"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="108733206"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 108733206; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=108733206]").text(description); $(".js-view-count[data-work-id=108733206]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 108733206; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='108733206']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "09d1ddd69ce4952d532074c37b96104c" } } $('.js-work-strip[data-work-id=108733206]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":108733206,"title":"Nella Valle di Babile. 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