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(PDF) The Africa-Italy Connection

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window.loswp.willEdgeCache = false; window.loswp.work = {"work":{"id":26671622,"created_at":"2016-07-02T04:13:36.099-07:00","from_world_paper_id":null,"updated_at":"2021-01-16T15:59:12.759-08:00","_data":{"issue":"1","volume":"10","abstract":"A special issue for Critical Interventions Journal of African Art History and Visual Culture dedicated to the Africa-Italy connection: past, present and future.","page_numbers":"1-4","publication_date":"2016,,","publication_name":" Critical Interventions: Journal Of African Art History And Visual Culture. "},"document_type":"paper","pre_hit_view_count_baseline":null,"quality":"high","language":"en","title":"The Africa-Italy Connection","broadcastable":true,"draft":false,"has_indexable_attachment":true,"indexable":true,"seo_quality":null}}["work"]; window.loswp.workCoauthors = [791301]; window.loswp.locale = "en"; window.loswp.countryCode = "SG"; window.loswp.cwvAbTestBucket = ""; window.loswp.designVariant = "ds_vanilla"; window.loswp.fullPageMobileSutdModalVariant = "full_page_mobile_sutd_modal"; window.loswp.useOptimizedScribd4genScript = false; window.loginModal = {}; window.loginModal.appleClientId = 'edu.academia.applesignon'; window.userInChina = "false";</script><script defer="" src="https://accounts.google.com/gsi/client"></script><div class="ds-loswp-container"><div class="ds-work-card--grid-container"><div class="ds-work-card--container js-loswp-work-card"><div class="ds-work-card--cover"><div class="ds-work-cover--wrapper"><div class="ds-work-cover--container"><button class="ds-work-cover--clickable js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;swp-splash-paper-cover&quot;,&quot;attachmentId&quot;:46952921,&quot;attachmentType&quot;:&quot;pdf&quot;}"><img alt="First page of “The Africa-Italy Connection”" class="ds-work-cover--cover-thumbnail" src="https://0.academia-photos.com/attachment_thumbnails/46952921/mini_magick20190208-4401-5y3how.png?1549633688" /><img alt="PDF Icon" class="ds-work-cover--file-icon" src="//a.academia-assets.com/images/single_work_splash/adobe_icon.svg" /><div class="ds-work-cover--hover-container"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span><p>Download Free PDF</p></div><div class="ds-work-cover--ribbon-container">Download Free PDF</div><div class="ds-work-cover--ribbon-triangle"></div></button></div></div></div><div class="ds-work-card--work-information"><h1 class="ds-work-card--work-title">The Africa-Italy Connection</h1><div class="ds-work-card--work-authors ds-work-card--detail"><a class="ds-work-card--author js-wsj-grid-card-author ds2-5-body-md ds2-5-body-link" data-author-id="791301" href="https://soas-uk.academia.edu/HelenaCantone"><img alt="Profile image of Helena Cantone" class="ds-work-card--author-avatar" src="https://0.academia-photos.com/791301/269280/17746080/s65_helena.cantone.jpg" />Helena Cantone</a></div><div class="ds-work-card--detail"><p class="ds-work-card--detail ds2-5-body-sm">2016, Critical Interventions: Journal Of African Art History And Visual Culture. </p><div class="ds-work-card--work-metadata"><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">visibility</span><p class="ds2-5-body-sm" id="work-metadata-view-count">…</p></div><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">description</span><p class="ds2-5-body-sm">5 pages</p></div><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">link</span><p class="ds2-5-body-sm">1 file</p></div></div><script>(async () => { const workId = 26671622; 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It makes a critical analysis of Italian cultural history presented in the literature as a latecomer to both colonialism and postcolonialism and suggests instead a different narrative, one where despite (or because of) Italy’s problematic national history, the colonial and nationalist legacies and residues left by fascism were nevertheless active in developing new networks of decolonization.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;wsj-grid-card-download-pdf-modal&quot;,&quot;work_title&quot;:&quot;Italy–Africa: A Contradictory Inventory of Modernity&quot;,&quot;attachmentId&quot;:46953000,&quot;attachmentType&quot;:&quot;pdf&quot;,&quot;work_url&quot;:&quot;https://www.academia.edu/26671730/Italy_Africa_A_Contradictory_Inventory_of_Modernity&quot;,&quot;alternativeTracking&quot;:true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/26671730/Italy_Africa_A_Contradictory_Inventory_of_Modernity"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="1" data-entity-id="111705283" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/111705283/Il_pieno_e_il_vuoto_Visual_Representations_of_Africa_in_Italian_Accounts_of_Colonial_Experiences">Il pieno e il vuoto: Visual Representations of Africa in Italian Accounts of Colonial Experiences</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="38046593" href="https://sbsuny.academia.edu/LoredanaPolezzi">Loredana Polezzi</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Italian Studies, 2012</p><p class="ds-related-work--abstract ds2-5-body-sm">Abstract The article examines the role played by photographs and other kinds of illustrations in accounts written by Italian travellers to Africa from the beginning of Italy’s colonial experience till today. Using sample publications from Liberal Italy, the years of Fascism, and the post-colonial period, it analyses the way in which texts and images interact, constructing complex representations of people and places which cannot be reduced to any ‘realist’ and ‘factual’ interpretation. The insistence on particular images as well as the absence of others played a key role in producing representations which responded to the needs of propaganda, or occasionally managed to signal the author’s self-distancing from the goals and practices of Italy’s colonial politics.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;wsj-grid-card-download-pdf-modal&quot;,&quot;work_title&quot;:&quot;Il pieno e il vuoto: Visual Representations of Africa in Italian Accounts of Colonial Experiences&quot;,&quot;attachmentId&quot;:111887938,&quot;attachmentType&quot;:&quot;pdf&quot;,&quot;work_url&quot;:&quot;https://www.academia.edu/111705283/Il_pieno_e_il_vuoto_Visual_Representations_of_Africa_in_Italian_Accounts_of_Colonial_Experiences&quot;,&quot;alternativeTracking&quot;:true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/111705283/Il_pieno_e_il_vuoto_Visual_Representations_of_Africa_in_Italian_Accounts_of_Colonial_Experiences"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="2" data-entity-id="20077734" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/20077734/The_Horror_of_Adwa_and_the_Glory_of_Adua_Monuments_of_the_Young_Italian_Nation_State_in_the_Scramble_for_Africa_in_Marjet_Derks_Martijn_Eickhoff_Remco_Ensel_and_Floris_Meens_eds_Whats_Left_Behind_The_lieux_de_m%C3%A9moire_of_Europe_beyond_Europe_Nijmegen_Vantilt_2015_pp_40_48">&#39;The Horror of Adwa and the Glory of Adua. Monuments of the Young Italian Nation-State in the Scramble for Africa&#39;, in: Marjet Derks, Martijn Eickhoff, Remco Ensel and Floris Meens (eds.), What&#39;s Left Behind. The lieux de mémoire of Europe beyond Europe (Nijmegen: Vantilt 2015), pp. 40-48.</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="1471876" href="https://radboud.academia.edu/FlorisMeens">Floris Meens</a></div><p class="ds-related-work--abstract ds2-5-body-sm">The heydays of Orientalism in the middle of the nineteenth century concurred with the emergence of nationalism and the birth of several European nation-states such as Belgium, Germany and Italy. This severely altered the political meaning of colonialism. Outer-European possessions bore significance because several nation-states aspired to become one of Europe’s Great Powers. With Asia and South America already divided and dominated by traditional European forces such as the British, French and Spanish Empires, this fight for prestige led to the ‘Scramble for Africa’. In this paper I show how vital African possessions were for the young Italian Kingdom, especially since these would deflect attention from Italy’s internal struggles. The colonial war with the Abyssinian Empire, however, ended in Italian defeat twice. Analyzing Italy’s public remembrance of those losses, I uncover how several politicians tried to radically eliminate Africa from the national memory. Unsurprisingly, when Mussolini succeeded in subjugating the Abyssinians in the 1930s, the Italian defeats of the late nineteenth century were hardly mentioned. Even the fascists’ collapse and the Ethiopian independence, however, did not significantly change Italian remembrance of its colonial past. The monuments celebrating Italy’s twentieth century’s success in Africa have remained, while the African triumphs of the late nineteenth century are kept under wraps.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;wsj-grid-card-download-pdf-modal&quot;,&quot;work_title&quot;:&quot;&#39;The Horror of Adwa and the Glory of Adua. Monuments of the Young Italian Nation-State in the Scramble for Africa&#39;, in: Marjet Derks, Martijn Eickhoff, Remco Ensel and Floris Meens (eds.), What&#39;s Left Behind. The lieux de mémoire of Europe beyond Europe (Nijmegen: Vantilt 2015), pp. 40-48.&quot;,&quot;attachmentId&quot;:40993788,&quot;attachmentType&quot;:&quot;pdf&quot;,&quot;work_url&quot;:&quot;https://www.academia.edu/20077734/The_Horror_of_Adwa_and_the_Glory_of_Adua_Monuments_of_the_Young_Italian_Nation_State_in_the_Scramble_for_Africa_in_Marjet_Derks_Martijn_Eickhoff_Remco_Ensel_and_Floris_Meens_eds_Whats_Left_Behind_The_lieux_de_m%C3%A9moire_of_Europe_beyond_Europe_Nijmegen_Vantilt_2015_pp_40_48&quot;,&quot;alternativeTracking&quot;:true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/20077734/The_Horror_of_Adwa_and_the_Glory_of_Adua_Monuments_of_the_Young_Italian_Nation_State_in_the_Scramble_for_Africa_in_Marjet_Derks_Martijn_Eickhoff_Remco_Ensel_and_Floris_Meens_eds_Whats_Left_Behind_The_lieux_de_m%C3%A9moire_of_Europe_beyond_Europe_Nijmegen_Vantilt_2015_pp_40_48"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="3" data-entity-id="103803437" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/103803437/Transplanting_Italo_Africa_The_Monumento_ai_caduti_d_Africa_at_Siracusa_from_colonial_conception_to_Italian_construction">Transplanting Italo-Africa: The Monumento ai caduti d’Africa at Siracusa from colonial conception to Italian construction</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="53784005" href="https://uky.academia.edu/SophiaMaxineFarmer">Sophia Maxine Farmer</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Forum Italicum: A Journal of Italian Studies</p><p class="ds-related-work--abstract ds2-5-body-sm">Romano Romanelli designed the Monumento ai caduti d’Africa at Siracusa in 1938 to commemorate the Italian colonization of East Africa. The structure was originally intended for Addis Ababa, Ethiopia, but it was never constructed within the colonial capital. After the fall of the regime and the collapse of Italy&amp;#39;s colonial program, it was eventually installed in Siracusa, a Sicilian port city once considered a springboard for the fascist colonies, in 1968. The bronze statuary and marble relief panels combine to create an artistic program that continues to valorize colonialism and debates surrounding the monument remain unresolved. This paper considers the controversial history of the Monumento ai caduti d’Africa in relation to Italo-African colonial narratives and legacies. I propose the practice of artistic intervention as a potential solution that could neutralize or counter the fascist signification of this structure.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;wsj-grid-card-download-pdf-modal&quot;,&quot;work_title&quot;:&quot;Transplanting Italo-Africa: The Monumento ai caduti d’Africa at Siracusa from colonial conception to Italian construction&quot;,&quot;attachmentId&quot;:106701735,&quot;attachmentType&quot;:&quot;pdf&quot;,&quot;work_url&quot;:&quot;https://www.academia.edu/103803437/Transplanting_Italo_Africa_The_Monumento_ai_caduti_d_Africa_at_Siracusa_from_colonial_conception_to_Italian_construction&quot;,&quot;alternativeTracking&quot;:true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/103803437/Transplanting_Italo_Africa_The_Monumento_ai_caduti_d_Africa_at_Siracusa_from_colonial_conception_to_Italian_construction"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="4" data-entity-id="79325586" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/79325586/The_Horn_of_Africa_and_Italy_Colonial_Postcolonial_and_Transnational_Cultural_Encounters">The Horn of Africa and Italy: Colonial, Postcolonial and Transnational Cultural Encounters</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="15970582" href="https://sbsuny.academia.edu/PeterCarravetta">Peter Carravetta</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Quaderni d&#39;Italianistica, 2019</p><p class="ds-related-work--abstract ds2-5-body-sm">Recensioni / Book Reviews / Revues des Livres-252-(Quello che l&#39;acqua nasconde). Il libro si chiude con un&#39;intervista molto interessante a Perissinotto nella quale lo scrittore, sollecitato dalle domande di Castagnino, riflette sul processo creativo, sul senso del narrare e sul ruolo dello scrittore. Completata la lettura si può senz&#39;altro sostenere che &quot;Fatevi portatori di storie&quot;. Alessandro Perissinotto fra giallo e romanzo sociale è un libro che va a colmare un vuoto bibliografico, che consegna tanto allo studioso di professione quanto al comune lettore interessato a comprendere meglio la narrativa di Perissinotto uno strumento di ricerca prezioso, in cui trovare, ed è questa un&#39;ulteriore nota di merito, spunti per ricerche e indagini teorico-estetiche future.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;wsj-grid-card-download-pdf-modal&quot;,&quot;work_title&quot;:&quot;The Horn of Africa and Italy: Colonial, Postcolonial and Transnational Cultural Encounters&quot;,&quot;attachmentId&quot;:86078460,&quot;attachmentType&quot;:&quot;pdf&quot;,&quot;work_url&quot;:&quot;https://www.academia.edu/79325586/The_Horn_of_Africa_and_Italy_Colonial_Postcolonial_and_Transnational_Cultural_Encounters&quot;,&quot;alternativeTracking&quot;:true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/79325586/The_Horn_of_Africa_and_Italy_Colonial_Postcolonial_and_Transnational_Cultural_Encounters"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="5" data-entity-id="95115391" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/95115391/Review_of_Africa_Italia_Due_continenti_si_avvicinano_John_Foot">Review of Africa Italia: Due continenti si avvicinano: John Foot</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="5936" href="https://miamioh.academia.edu/SanteMatteo">Sante Matteo</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Annali d&#39;Italianistica, 2002</p><p class="ds-related-work--abstract ds2-5-body-sm">Review by John Foot of AFRICA ITALIA: DUE CONTINENTI SI AVVICINANO, Eds. Sante Matteo e Stefano Bellucci; Santarcangelo di Romagna, Fara, 1999, 247 pp, in Annali d&#39;italianistica 20, 2002, pp. 612-13.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;wsj-grid-card-download-pdf-modal&quot;,&quot;work_title&quot;:&quot;Review of Africa Italia: Due continenti si avvicinano: John Foot&quot;,&quot;attachmentId&quot;:97385809,&quot;attachmentType&quot;:&quot;pdf&quot;,&quot;work_url&quot;:&quot;https://www.academia.edu/95115391/Review_of_Africa_Italia_Due_continenti_si_avvicinano_John_Foot&quot;,&quot;alternativeTracking&quot;:true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/95115391/Review_of_Africa_Italia_Due_continenti_si_avvicinano_John_Foot"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="6" data-entity-id="5305969" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/5305969/Revealing_the_African_Presence_in_Renaissance_Europe">Revealing the African Presence in Renaissance Europe</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="69292" href="https://itatti.academia.edu/IngridAnnaGreenfield">Ingrid Anna Greenfield</a></div><p class="ds-related-work--metadata ds2-5-body-xs">CAA.Reviews, 2013</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;wsj-grid-card-download-pdf-modal&quot;,&quot;work_title&quot;:&quot;Revealing the African Presence in Renaissance Europe&quot;,&quot;attachmentId&quot;:32471838,&quot;attachmentType&quot;:&quot;pdf&quot;,&quot;work_url&quot;:&quot;https://www.academia.edu/5305969/Revealing_the_African_Presence_in_Renaissance_Europe&quot;,&quot;alternativeTracking&quot;:true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/5305969/Revealing_the_African_Presence_in_Renaissance_Europe"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="7" data-entity-id="112290837" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/112290837/Relations_Between_the_Italians_and_African">Relations Between the Italians and African</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="297310795" href="https://independent.academia.edu/NicholasNjeru6">Nicholas Njeru</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Kenyatta University , 2018</p><p class="ds-related-work--abstract ds2-5-body-sm">We confirm that the work reported in this thesis was carried out by the candidate under our supervision.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;wsj-grid-card-download-pdf-modal&quot;,&quot;work_title&quot;:&quot;Relations Between the Italians and African&quot;,&quot;attachmentId&quot;:109565602,&quot;attachmentType&quot;:&quot;pdf&quot;,&quot;work_url&quot;:&quot;https://www.academia.edu/112290837/Relations_Between_the_Italians_and_African&quot;,&quot;alternativeTracking&quot;:true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/112290837/Relations_Between_the_Italians_and_African"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="8" data-entity-id="38835844" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/38835844/Filial_Descent_The_African_Roots_of_Postcolonial_Literature_in_Italy">Filial Descent: The African Roots of Postcolonial Literature in Italy</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="8260448" href="https://luc.academia.edu/CristinaLombardiDiop">Cristina Lombardi-Diop</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Filial Descent: The African Roots of Postcolonial Literature in Italy , 2019</p><p class="ds-related-work--abstract ds2-5-body-sm">Abstract The chapter concentrates on two seminal postcolonial novels by authors of African descent: Cristina Ubax Ali Farah’s Madre piccola (2007) (Little Mother: A Novel) and Gabriella Ghermandi’s Regina di fiori e di perle (2007) (Queen of Flowers and Pearls). It argues that these works give expression to an African diasporic urban generation that is changing the literary legacy of the Horn of Africa. The co-presence of multiple genres, with orality appearing as a strong influence on their written narrative forms, places Madre piccola and Regina di fiori e di perle within the larger formation of a black African literary tradition. By looking at these two novels from an Africanist perspective, the essay takes into consideration their plurilingual interventions, the use of glossaries and language calques, alongside the presence of Somali and Amharic cultural references. While recognizing the African specificity of the novels’ sources, the author also highlights Ali Farah’s and Ghermandi’s authorial perspective as a ‘filial descent’ that addresses the complexity of a postcolonial generational shift in contemporary African literature. The language and cultural references Ali Farah and Ghermandi conjure and reinvent are the expression of a new generation of African Italian women’s artists who, through diaspora and double descent, have moved away from the territorial univocality of both European and African national traditions. By placing these works within an African literary tradition and showing their critical de-centering of such tradition, the essay reconfigures a possible space of cultural autonomy for African postcolonial writing away from the Italocentric space of discourse that has so far dominated its critical reception in Italy.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;wsj-grid-card-download-pdf-modal&quot;,&quot;work_title&quot;:&quot;Filial Descent: The African Roots of Postcolonial Literature in Italy&quot;,&quot;attachmentId&quot;:58930025,&quot;attachmentType&quot;:&quot;pdf&quot;,&quot;work_url&quot;:&quot;https://www.academia.edu/38835844/Filial_Descent_The_African_Roots_of_Postcolonial_Literature_in_Italy&quot;,&quot;alternativeTracking&quot;:true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/38835844/Filial_Descent_The_African_Roots_of_Postcolonial_Literature_in_Italy"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="9" data-entity-id="33682710" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/33682710/Staging_Colonialism_in_the_Other_Italy_Art_and_Ethnography_at_Palermos_National_Exhibition_1891_92_Mitteilungen_des_Kunsthistorischen_Institutes_in_Florenz_LIX_2017_Heft_1_Visualizing_Otherness_in_Modern_Italy_XIX_XX_Century_edited_by_Eva_Maria_Troelenberg_pp_87_108">Staging Colonialism in the &quot;Other&quot; Italy. Art and Ethnography at Palermo&#39;s National Exhibition (1891/92), Mitteilungen des Kunsthistorischen Institutes in Florenz, LIX (2017), Heft 1, Visualizing Otherness in Modern Italy (XIX-XX Century) edited by Eva-Maria Troelenberg, pp. 87-108</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="1228308" href="https://biblhertz.academia.edu/CarmenBelmonte">Carmen Belmonte</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;wsj-grid-card-download-pdf-modal&quot;,&quot;work_title&quot;:&quot;Staging Colonialism in the \&quot;Other\&quot; Italy. Art and Ethnography at Palermo&#39;s National Exhibition (1891/92), Mitteilungen des Kunsthistorischen Institutes in Florenz, LIX (2017), Heft 1, Visualizing Otherness in Modern Italy (XIX-XX Century) edited by Eva-Maria Troelenberg, pp. 87-108&quot;,&quot;attachmentId&quot;:53687193,&quot;attachmentType&quot;:&quot;pdf&quot;,&quot;work_url&quot;:&quot;https://www.academia.edu/33682710/Staging_Colonialism_in_the_Other_Italy_Art_and_Ethnography_at_Palermos_National_Exhibition_1891_92_Mitteilungen_des_Kunsthistorischen_Institutes_in_Florenz_LIX_2017_Heft_1_Visualizing_Otherness_in_Modern_Italy_XIX_XX_Century_edited_by_Eva_Maria_Troelenberg_pp_87_108&quot;,&quot;alternativeTracking&quot;:true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/33682710/Staging_Colonialism_in_the_Other_Italy_Art_and_Ethnography_at_Palermos_National_Exhibition_1891_92_Mitteilungen_des_Kunsthistorischen_Institutes_in_Florenz_LIX_2017_Heft_1_Visualizing_Otherness_in_Modern_Italy_XIX_XX_Century_edited_by_Eva_Maria_Troelenberg_pp_87_108"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div></div></div><div class="ds-sticky-ctas--wrapper js-loswp-sticky-ctas hidden"><div class="ds-sticky-ctas--grid-container"><div class="ds-sticky-ctas--container"><button class="ds2-5-button js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;continue-reading-button--sticky-ctas&quot;,&quot;attachmentId&quot;:46952921,&quot;attachmentType&quot;:&quot;pdf&quot;,&quot;workUrl&quot;:null}">See full PDF</button><button class="ds2-5-button ds2-5-button--secondary js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;download-pdf-button--sticky-ctas&quot;,&quot;attachmentId&quot;:46952921,&quot;attachmentType&quot;:&quot;pdf&quot;,&quot;workUrl&quot;:null}"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span>Download PDF</button></div></div></div><div class="ds-below-fold--grid-container"><div class="ds-work--container js-loswp-embedded-document"><div class="attachment_preview" data-attachment="Attachment_46952921" style="display: none"><div class="js-scribd-document-container"><div class="scribd--document-loading js-scribd-document-loader" style="display: block;"><img alt="Loading..." src="//a.academia-assets.com/images/loaders/paper-load.gif" /><p>Loading Preview</p></div></div><div style="text-align: center;"><div class="scribd--no-preview-alert js-preview-unavailable"><p>Sorry, preview is currently unavailable. 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Propaganda e cultura coloniale nell’Italia fascista, by Valeria Deplano, Milan and Florence, Mondadori-Le Monnier, 2015, vi+202 pp., €15.00, ISBN 9788800746045</a><div class="ds-related-work--metadata"><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="27149158" href="https://independent.academia.edu/patriziapalumbo">patrizia palumbo</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Modern Italy, 2017</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;wsj-grid-card-download-pdf-modal&quot;,&quot;work_title&quot;:&quot;L’Africa in casa. 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Eds. Jacqueline Andall and Derek Duncan. Oxford, Bern: Peter Lang, 2005. 217- 238</a><div class="ds-related-work--metadata"><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="8260448" href="https://luc.academia.edu/CristinaLombardiDiop">Cristina Lombardi-Diop</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;wsj-grid-card-download-pdf-modal&quot;,&quot;work_title&quot;:&quot;Selling/Storytelling: African Autobiographies in Italy.” Italian Colonialism: Legacy and Memory. Eds. Jacqueline Andall and Derek Duncan. 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