CINXE.COM

<!DOCTYPE html> <html lang="en" xmlns:fb="http://www.facebook.com/2008/fbml" class="wf-loading"> <head prefix="og: https://ogp.me/ns# fb: https://ogp.me/ns/fb# academia: https://ogp.me/ns/fb/academia#"> <meta charset="utf-8"> <meta name=viewport content="width=device-width, initial-scale=1"> <meta rel="search" type="application/opensearchdescription+xml" href="/open_search.xml" title="Academia.edu"> <title>Ida Caiazza | University of Oslo - Academia.edu</title>  <link href="//a.academia-assets.com/images/favicons/favicon-production.ico" rel="shortcut icon" type="image/vnd.microsoft.icon"> <link rel="apple-touch-icon" sizes="57x57" href="//a.academia-assets.com/images/favicons/apple-touch-icon-57x57.png"> <link rel="apple-touch-icon" sizes="60x60" href="//a.academia-assets.com/images/favicons/apple-touch-icon-60x60.png"> <link rel="apple-touch-icon" sizes="72x72" href="//a.academia-assets.com/images/favicons/apple-touch-icon-72x72.png"> <link rel="apple-touch-icon" sizes="76x76" href="//a.academia-assets.com/images/favicons/apple-touch-icon-76x76.png"> <link rel="apple-touch-icon" sizes="114x114" href="//a.academia-assets.com/images/favicons/apple-touch-icon-114x114.png"> <link rel="apple-touch-icon" sizes="120x120" href="//a.academia-assets.com/images/favicons/apple-touch-icon-120x120.png"> <link rel="apple-touch-icon" sizes="144x144" href="//a.academia-assets.com/images/favicons/apple-touch-icon-144x144.png"> <link rel="apple-touch-icon" sizes="152x152" href="//a.academia-assets.com/images/favicons/apple-touch-icon-152x152.png"> <link rel="apple-touch-icon" sizes="180x180" href="//a.academia-assets.com/images/favicons/apple-touch-icon-180x180.png"> <link rel="icon" type="image/png" href="//a.academia-assets.com/images/favicons/favicon-32x32.png" sizes="32x32"> <link rel="icon" type="image/png" href="//a.academia-assets.com/images/favicons/favicon-194x194.png" sizes="194x194"> <link rel="icon" type="image/png" href="//a.academia-assets.com/images/favicons/favicon-96x96.png" sizes="96x96"> <link rel="icon" type="image/png" href="//a.academia-assets.com/images/favicons/android-chrome-192x192.png" sizes="192x192"> <link rel="icon" type="image/png" href="//a.academia-assets.com/images/favicons/favicon-16x16.png" sizes="16x16"> <link rel="manifest" href="//a.academia-assets.com/images/favicons/manifest.json"> <meta name="msapplication-TileColor" content="#2b5797"> <meta name="msapplication-TileImage" content="//a.academia-assets.com/images/favicons/mstile-144x144.png"> <meta name="theme-color" content="#ffffff"> <script> window.performance && window.performance.measure && window.performance.measure("Time To First Byte", "requestStart", "responseStart"); </script> <script> (function() { if (!window.URLSearchParams || !window.history || !window.history.replaceState) { return; } var searchParams = new URLSearchParams(window.location.search); var paramsToDelete = [ 'fs', 'sm', 'swp', 'iid', 'nbs', 'rcc', // related content category 'rcpos', // related content carousel position 'rcpg', // related carousel page 'rchid', // related content hit id 'f_ri', // research interest id, for SEO tracking 'f_fri', // featured research interest, for SEO tracking (param key without value) 'f_rid', // from research interest directory for SEO tracking 'f_loswp', // from research interest pills on LOSWP sidebar for SEO tracking 'rhid', // referrring hit id ]; if (paramsToDelete.every((key) => searchParams.get(key) === null)) { return; } paramsToDelete.forEach((key) => { searchParams.delete(key); }); var cleanUrl = new URL(window.location.href); cleanUrl.search = searchParams.toString(); history.replaceState({}, document.title, cleanUrl); })(); </script> <script async src="https://www.googletagmanager.com/gtag/js?id=G-5VKX33P2DS"></script> <script> window.dataLayer = window.dataLayer || []; function gtag(){dataLayer.push(arguments);} gtag('js', new Date()); gtag('config', 'G-5VKX33P2DS', { cookie_domain: 'academia.edu', send_page_view: false, }); gtag('event', 'page_view', { 'controller': "profiles/works", 'action': "summary", 'controller_action': 'profiles/works#summary', 'logged_in': 'false', 'edge': 'unknown', // Send nil if there is no A/B test bucket, in case some records get logged // with missing data - that way we can distinguish between the two cases. // ab_test_bucket should be of the form <ab_test_name>:<bucket> 'ab_test_bucket': null, }) </script> <script type="text/javascript"> window.sendUserTiming = function(timingName) { if (!(window.performance && window.performance.measure)) return; var entries = window.performance.getEntriesByName(timingName, "measure"); if (entries.length !== 1) return; var timingValue = Math.round(entries[0].duration); gtag('event', 'timing_complete', { name: timingName, value: timingValue, event_category: 'User-centric', }); }; window.sendUserTiming("Time To First Byte"); </script> <meta name="csrf-param" content="authenticity_token" /> <meta name="csrf-token" content="bSkGU_TDx8xo8uktaSGZSVPsOqnTb1tMHyfwUDAQanzMTbaTuVD29qkd4CBeNIL7espnd7DvCw4ttYTlhK0jzg" /> <link rel="stylesheet" media="all" href="//a.academia-assets.com/assets/wow-3d36c19b4875b226bfed0fcba1dcea3f2fe61148383d97c0465c016b8c969290.css" /><link rel="stylesheet" media="all" href="//a.academia-assets.com/assets/social/home-79e78ce59bef0a338eb6540ec3d93b4a7952115b56c57f1760943128f4544d42.css" /><link rel="stylesheet" media="all" href="//a.academia-assets.com/assets/design_system/heading-95367dc03b794f6737f30123738a886cf53b7a65cdef98a922a98591d60063e3.css" /><link rel="stylesheet" media="all" href="//a.academia-assets.com/assets/design_system/button-bfbac2a470372e2f3a6661a65fa7ff0a0fbf7aa32534d9a831d683d2a6f9e01b.css" /><link rel="stylesheet" media="all" href="//a.academia-assets.com/assets/design_system/body-170d1319f0e354621e81ca17054bb147da2856ec0702fe440a99af314a6338c5.css" /><link crossorigin="" href="https://fonts.gstatic.com/" rel="preconnect" /><link href="https://fonts.googleapis.com/css2?family=DM+Sans:ital,opsz,wght@0,9..40,100..1000;1,9..40,100..1000&family=Gupter:wght@400;500;700&family=IBM+Plex+Mono:wght@300;400&family=Material+Symbols+Outlined:opsz,wght,FILL,GRAD@20,400,0,0&display=swap" rel="stylesheet" /><link rel="stylesheet" media="all" href="//a.academia-assets.com/assets/design_system/common-2b6f90dbd75f5941bc38f4ad716615f3ac449e7398313bb3bc225fba451cd9fa.css" /> <meta name="author" content="ida caiazza" /> <meta name="description" content="Ida Caiazza, University of Oslo: 93 Followers, 97 Following, 26 Research papers. Research interests: Italian Studies, Italian Literature, and Italian…" /> <meta name="google-site-verification" content="bKJMBZA7E43xhDOopFZkssMMkBRjvYERV-NaN4R6mrs" /> <script> var $controller_name = 'works'; var $action_name = "summary"; var $rails_env = 'production'; var $app_rev = 'b092bf3a3df71cf13feee7c143e83a57eb6b94fb'; var $domain = 'academia.edu'; var $app_host = "academia.edu"; var $asset_host = "academia-assets.com"; var $start_time = new Date().getTime(); var $recaptcha_key = "6LdxlRMTAAAAADnu_zyLhLg0YF9uACwz78shpjJB"; var $recaptcha_invisible_key = "6Lf3KHUUAAAAACggoMpmGJdQDtiyrjVlvGJ6BbAj"; var $disableClientRecordHit = false; </script> <script> window.Aedu = { hit_data: null }; window.Aedu.SiteStats = {"premium_universities_count":14016,"monthly_visitors":"99 million","monthly_visitor_count":99567017,"monthly_visitor_count_in_millions":99,"user_count":283019823,"paper_count":55203019,"paper_count_in_millions":55,"page_count":432000000,"page_count_in_millions":432,"pdf_count":16500000,"pdf_count_in_millions":16}; window.Aedu.serverRenderTime = new Date(1739829873000); window.Aedu.timeDifference = new Date().getTime() - 1739829873000; window.Aedu.isUsingCssV1 = false; window.Aedu.enableLocalization = true; window.Aedu.activateFullstory = false; window.Aedu.serviceAvailability = { status: {"attention_db":"on","bibliography_db":"on","contacts_db":"on","email_db":"on","indexability_db":"on","mentions_db":"on","news_db":"on","notifications_db":"on","offsite_mentions_db":"on","redshift":"on","redshift_exports_db":"on","related_works_db":"on","ring_db":"on","user_tests_db":"on"}, serviceEnabled: function(service) { return this.status[service] === "on"; }, readEnabled: function(service) { return this.serviceEnabled(service) || this.status[service] === "read_only"; }, }; window.Aedu.viewApmTrace = function() { // Check if x-apm-trace-id meta tag is set, and open the trace in APM // in a new window if it is. var apmTraceId = document.head.querySelector('meta[name="x-apm-trace-id"]'); if (apmTraceId) { var traceId = apmTraceId.content; // Use trace ID to construct URL, an example URL looks like: // https://app.datadoghq.com/apm/traces?query=trace_id%31298410148923562634 var apmUrl = 'https://app.datadoghq.com/apm/traces?query=trace_id%3A' + traceId; window.open(apmUrl, '_blank'); } }; </script>  <link href="https://fonts.googleapis.com/css?family=Roboto:100,100i,300,300i,400,400i,500,500i,700,700i,900,900i" rel="stylesheet"> <link rel="preload" href="//maxcdn.bootstrapcdn.com/font-awesome/4.3.0/css/font-awesome.min.css" as="style" onload="this.rel='stylesheet'"> <link rel="stylesheet" media="all" href="//a.academia-assets.com/assets/libraries-a9675dcb01ec4ef6aa807ba772c7a5a00c1820d3ff661c1038a20f80d06bb4e4.css" /> <link rel="stylesheet" media="all" href="//a.academia-assets.com/assets/academia-40698df34f913bd208bb70f09d2feb7c6286046250be17a4db35bba2c08b0e2f.css" /> <link rel="stylesheet" media="all" href="//a.academia-assets.com/assets/design_system_legacy-056a9113b9a0f5343d013b29ee1929d5a18be35fdcdceb616600b4db8bd20054.css" /> <script src="//a.academia-assets.com/assets/webpack_bundles/runtime-bundle-005434038af4252ca37c527588411a3d6a0eabb5f727fac83f8bbe7fd88d93bb.js"></script> <script src="//a.academia-assets.com/assets/webpack_bundles/webpack_libraries_and_infrequently_changed.wjs-bundle-a22f75d8519394c21253dae46c8c5d60ad36ea68c7d494347ec64229d8c1cf85.js"></script> <script src="//a.academia-assets.com/assets/webpack_bundles/core_webpack.wjs-bundle-5708a105dd66b4c7d0ef30b7c094b1048423f0042bd2a7b123f2d99ee3cf46d9.js"></script> <script src="//a.academia-assets.com/assets/webpack_bundles/sentry.wjs-bundle-5fe03fddca915c8ba0f7edbe64c194308e8ce5abaed7bffe1255ff37549c4808.js"></script> <script> jade = window.jade || {}; jade.helpers = window.$h; jade._ = window._; </script>  <script id="tag-manager-head-root">(function(w,d,s,l,i){w[l]=w[l]||[];w[l].push({'gtm.start': new Date().getTime(),event:'gtm.js'});var f=d.getElementsByTagName(s)[0], j=d.createElement(s),dl=l!='dataLayer'?'&l='+l:'';j.async=true;j.src= 'https://www.googletagmanager.com/gtm.js?id='+i+dl;f.parentNode.insertBefore(j,f); })(window,document,'script','dataLayer_old','GTM-5G9JF7Z');</script>  <script> window.gptadslots = []; window.googletag = window.googletag || {}; window.googletag.cmd = window.googletag.cmd || []; </script> <script type="text/javascript"> // TODO(jacob): This should be defined, may be rare load order problem. // Checking if null is just a quick fix, will default to en if unset. // Better fix is to run this immedietely after I18n is set. if (window.I18n != null) { I18n.defaultLocale = "en"; I18n.locale = "en"; I18n.fallbacks = true; } </script> <link rel="canonical" href="https://uio.academia.edu/IdaCaiazza" /> </head>   <body class='c-profiles/works a-summary logged_out'>  <div id="fb-root"></div><script>window.fbAsyncInit = function() { FB.init({ appId: "2369844204", version: "v8.0", status: true, cookie: true, xfbml: true }); // Additional initialization code. if (window.InitFacebook) { // facebook.ts already loaded, set it up. window.InitFacebook(); } else { // Set a flag for facebook.ts to find when it loads. window.academiaAuthReadyFacebook = true; } };</script><script>window.fbAsyncLoad = function() { // Protection against double calling of this function if (window.FB) { return; } (function(d, s, id){ var js, fjs = d.getElementsByTagName(s)[0]; if (d.getElementById(id)) {return;} js = d.createElement(s); js.id = id; js.src = "//connect.facebook.net/en_US/sdk.js"; fjs.parentNode.insertBefore(js, fjs); }(document, 'script', 'facebook-jssdk')); } if (!window.defer_facebook) { // Autoload if not deferred window.fbAsyncLoad(); } else { // Defer loading by 5 seconds setTimeout(function() { window.fbAsyncLoad(); }, 5000); }</script> <div id="google-root"></div><script>window.loadGoogle = function() { if (window.InitGoogle) { // google.ts already loaded, set it up. window.InitGoogle("331998490334-rsn3chp12mbkiqhl6e7lu2q0mlbu0f1b"); } else { // Set a flag for google.ts to use when it loads. window.GoogleClientID = "331998490334-rsn3chp12mbkiqhl6e7lu2q0mlbu0f1b"; } };</script><script>window.googleAsyncLoad = function() { // Protection against double calling of this function (function(d) { var js; var id = 'google-jssdk'; var ref = d.getElementsByTagName('script')[0]; if (d.getElementById(id)) { return; } js = d.createElement('script'); js.id = id; js.async = true; js.onload = loadGoogle; js.src = "https://accounts.google.com/gsi/client" ref.parentNode.insertBefore(js, ref); }(document)); } if (!window.defer_google) { // Autoload if not deferred window.googleAsyncLoad(); } else { // Defer loading by 5 seconds setTimeout(function() { window.googleAsyncLoad(); }, 5000); }</script> <div id="tag-manager-body-root">  <noscript><iframe src="https://www.googletagmanager.com/ns.html?id=GTM-5G9JF7Z" height="0" width="0" style="display:none;visibility:hidden"></iframe></noscript>   <script> window.addEventListener('load', function() { if (document.querySelector('input[name="commit"]')) { document.querySelector('input[name="commit"]').addEventListener('click', function() { gtag('event', 'click', { event_category: 'button', event_label: 'Log In' }) }) } }); </script> </div> <script>var _comscore = _comscore || []; _comscore.push({ c1: "2", c2: "26766707" }); (function() { var s = document.createElement("script"), el = document.getElementsByTagName("script")[0]; s.async = true; s.src = (document.location.protocol == "https:" ? "https://sb" : "http://b") + ".scorecardresearch.com/beacon.js"; el.parentNode.insertBefore(s, el); })();</script><img src="https://sb.scorecardresearch.com/p?c1=2&c2=26766707&cv=2.0&cj=1" style="position: absolute; visibility: hidden" /> <div id='react-modal'></div> <div class='DesignSystem'> <a class='u-showOnFocus' href='#site'> Skip to main content </a> </div> <div id="upgrade_ie_banner" style="display: none;"><p>Academia.edu no longer supports Internet Explorer.</p><p>To browse Academia.edu and the wider internet faster and more securely, please take a few seconds to <a href="https://www.academia.edu/upgrade-browser">upgrade your browser</a>.</p></div><script>// Show this banner for all versions of IE if (!!window.MSInputMethodContext || /(MSIE)/.test(navigator.userAgent)) { document.getElementById('upgrade_ie_banner').style.display = 'block'; }</script> <div class="DesignSystem bootstrap ShrinkableNav"><div class="navbar navbar-default main-header"><div class="container-wrapper" id="main-header-container"><div class="container"><div class="navbar-header"><div class="nav-left-wrapper u-mt0x"><div class="nav-logo"><a data-main-header-link-target="logo_home" href="https://www.academia.edu/"><img class="visible-xs-inline-block" style="height: 24px;" alt="Academia.edu" src="//a.academia-assets.com/images/academia-logo-redesign-2015-A.svg" width="24" height="24" /><img width="145.2" height="18" class="hidden-xs" style="height: 24px;" alt="Academia.edu" src="//a.academia-assets.com/images/academia-logo-redesign-2015.svg" /></a></div><div class="nav-search"><div class="SiteSearch-wrapper select2-no-default-pills"><form class="js-SiteSearch-form DesignSystem" action="https://www.academia.edu/search" accept-charset="UTF-8" method="get"><i class="SiteSearch-icon fa fa-search u-fw700 u-positionAbsolute u-tcGrayDark"></i><input class="js-SiteSearch-form-input SiteSearch-form-input form-control" data-main-header-click-target="search_input" name="q" placeholder="Search" type="text" value="" /></form></div></div></div><div class="nav-right-wrapper pull-right"><ul class="NavLinks js-main-nav list-unstyled"><li class="NavLinks-link"><a class="js-header-login-url Button Button--inverseGray Button--sm u-mb4x" id="nav_log_in" rel="nofollow" href="https://www.academia.edu/login">Log In</a></li><li class="NavLinks-link u-p0x"><a class="Button Button--inverseGray Button--sm u-mb4x" rel="nofollow" href="https://www.academia.edu/signup">Sign Up</a></li></ul><button class="hidden-lg hidden-md hidden-sm u-ml4x navbar-toggle collapsed" data-target=".js-mobile-header-links" data-toggle="collapse" type="button"><span class="icon-bar"></span><span class="icon-bar"></span><span class="icon-bar"></span></button></div></div><div class="collapse navbar-collapse js-mobile-header-links"><ul class="nav navbar-nav"><li class="u-borderColorGrayLight u-borderBottom1"><a rel="nofollow" href="https://www.academia.edu/login">Log In</a></li><li class="u-borderColorGrayLight u-borderBottom1"><a rel="nofollow" href="https://www.academia.edu/signup">Sign Up</a></li><li class="u-borderColorGrayLight u-borderBottom1 js-mobile-nav-expand-trigger"><a href="#">more&nbsp<span class="caret"></span></a></li><li><ul class="js-mobile-nav-expand-section nav navbar-nav u-m0x collapse"><li class="u-borderColorGrayLight u-borderBottom1"><a rel="false" href="https://www.academia.edu/about">About</a></li><li class="u-borderColorGrayLight u-borderBottom1"><a rel="nofollow" href="https://www.academia.edu/press">Press</a></li><li class="u-borderColorGrayLight u-borderBottom1"><a rel="false" href="https://www.academia.edu/documents">Papers</a></li><li class="u-borderColorGrayLight u-borderBottom1"><a rel="nofollow" href="https://www.academia.edu/terms">Terms</a></li><li class="u-borderColorGrayLight u-borderBottom1"><a rel="nofollow" href="https://www.academia.edu/privacy">Privacy</a></li><li class="u-borderColorGrayLight u-borderBottom1"><a rel="nofollow" href="https://www.academia.edu/copyright">Copyright</a></li><li class="u-borderColorGrayLight u-borderBottom1"><a rel="nofollow" href="https://www.academia.edu/hiring"><i class="fa fa-briefcase"></i> We're Hiring!</a></li><li class="u-borderColorGrayLight u-borderBottom1"><a rel="nofollow" href="https://support.academia.edu/hc/en-us"><i class="fa fa-question-circle"></i> Help Center</a></li><li class="js-mobile-nav-collapse-trigger u-borderColorGrayLight u-borderBottom1 dropup" style="display:none"><a href="#">less&nbsp<span class="caret"></span></a></li></ul></li></ul></div></div></div><script>(function(){ var $moreLink = $(".js-mobile-nav-expand-trigger"); var $lessLink = $(".js-mobile-nav-collapse-trigger"); var $section = $('.js-mobile-nav-expand-section'); $moreLink.click(function(ev){ ev.preventDefault(); $moreLink.hide(); $lessLink.show(); $section.collapse('show'); }); $lessLink.click(function(ev){ ev.preventDefault(); $moreLink.show(); $lessLink.hide(); $section.collapse('hide'); }); })() if ($a.is_logged_in() || false) { new Aedu.NavigationController({ el: '.js-main-nav', showHighlightedNotification: false }); } else { $(".js-header-login-url").attr("href", $a.loginUrlWithRedirect()); } Aedu.autocompleteSearch = new AutocompleteSearch({el: '.js-SiteSearch-form'});</script></div></div> <div id='site' class='fixed'> <div id="content" class="clearfix"> <script>document.addEventListener('DOMContentLoaded', function(){ var $dismissible = $(".dismissible_banner"); $dismissible.click(function(ev) { $dismissible.hide(); }); });</script> <script src="//a.academia-assets.com/assets/webpack_bundles/profile.wjs-bundle-c0b60aedadfb9d46b698730fbbcb2e70645c886b405d825adeba3a031c02455d.js" defer="defer"></script><script>$viewedUser = Aedu.User.set_viewed( {"id":4155454,"first_name":"Ida","middle_initials":null,"last_name":"Caiazza","page_name":"IdaCaiazza","domain_name":"uio","created_at":"2013-05-12T22:55:37.272-07:00","display_name":"Ida Caiazza","url":"https://uio.academia.edu/IdaCaiazza","photo":"https://0.academia-photos.com/4155454/43499791/34549719/s65_ida.caiazza.jpg","has_photo":true,"department":{"id":374402,"name":"IFIKK","url":"https://uio.academia.edu/Departments/IFIKK/Documents","university":{"id":707,"name":"University of Oslo","url":"https://uio.academia.edu/"}},"position":"Post-Doc","position_id":2,"is_analytics_public":false,"interests":[{"id":2221,"name":"Italian Studies","url":"https://www.academia.edu/Documents/in/Italian_Studies"},{"id":7887,"name":"Italian Literature","url":"https://www.academia.edu/Documents/in/Italian_Literature"},{"id":31877,"name":"Italian (Languages And Linguistics)","url":"https://www.academia.edu/Documents/in/Italian_Languages_And_Linguistics_"},{"id":21545,"name":"Italian Renaissance literature","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_literature"},{"id":43660,"name":"History of Italian Language","url":"https://www.academia.edu/Documents/in/History_of_Italian_Language"},{"id":574027,"name":"Greek Fictional Letters","url":"https://www.academia.edu/Documents/in/Greek_Fictional_Letters"},{"id":72479,"name":"Italian Fiction","url":"https://www.academia.edu/Documents/in/Italian_Fiction"},{"id":321408,"name":"Francesco Sansovino","url":"https://www.academia.edu/Documents/in/Francesco_Sansovino"},{"id":432309,"name":"Matteo Bandello","url":"https://www.academia.edu/Documents/in/Matteo_Bandello"},{"id":685013,"name":"Novellistica XVI Secolo","url":"https://www.academia.edu/Documents/in/Novellistica_XVI_Secolo"},{"id":796967,"name":"Editoria E Censura Nel Cinquecento Italiano","url":"https://www.academia.edu/Documents/in/Editoria_E_Censura_Nel_Cinquecento_Italiano"},{"id":960054,"name":"XVI Th Century's Italian Literature","url":"https://www.academia.edu/Documents/in/XVI_Th_Centurys_Italian_Literature"},{"id":110420,"name":"Rewriting","url":"https://www.academia.edu/Documents/in/Rewriting"},{"id":308808,"name":"Anton Francesco Doni","url":"https://www.academia.edu/Documents/in/Anton_Francesco_Doni"}]} ); if ($a.is_logged_in() && $viewedUser.is_current_user()) { $('body').addClass('profile-viewed-by-owner'); } $socialProfiles = []</script><div id="js-react-on-rails-context" style="display:none" data-rails-context="{"inMailer":false,"i18nLocale":"en","i18nDefaultLocale":"en","href":"https://uio.academia.edu/IdaCaiazza","location":"/IdaCaiazza","scheme":"https","host":"uio.academia.edu","port":null,"pathname":"/IdaCaiazza","search":null,"httpAcceptLanguage":null,"serverSide":false}"></div> <div class="js-react-on-rails-component" style="display:none" data-component-name="ProfileCheckPaperUpdate" data-props="{}" data-trace="false" data-dom-id="ProfileCheckPaperUpdate-react-component-a4b09abc-8b29-4e68-bb56-2dbdcb35928b"></div> <div id="ProfileCheckPaperUpdate-react-component-a4b09abc-8b29-4e68-bb56-2dbdcb35928b"></div> <div class="DesignSystem"><div class="onsite-ping" id="onsite-ping"></div></div><div class="profile-user-info DesignSystem"><div class="social-profile-container"><div class="left-panel-container"><div class="user-info-component-wrapper"><div class="user-summary-cta-container"><div class="user-summary-container"><div class="social-profile-avatar-container"><img class="profile-avatar u-positionAbsolute" alt="Ida Caiazza" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/4155454/43499791/34549719/s200_ida.caiazza.jpg" /></div><div class="title-container"><h1 class="ds2-5-heading-sans-serif-sm">Ida Caiazza</h1><div class="affiliations-container fake-truncate js-profile-affiliations"><div><a class="u-tcGrayDarker" href="https://uio.academia.edu/">University of Oslo</a>, <a class="u-tcGrayDarker" href="https://uio.academia.edu/Departments/IFIKK/Documents">IFIKK</a>, <span class="u-tcGrayDarker">Post-Doc</span></div><div><a class="u-tcGrayDarker" href="https://nyu.academia.edu/">New York University</a>, <a class="u-tcGrayDarker" href="https://nyu.academia.edu/Departments/Italian_Studies/Documents">Italian Studies</a>, <span class="u-tcGrayDarker">Post-Doc</span></div><div><a class="u-tcGrayDarker" href="https://unifi.academia.edu/">Università degli Studi di Firenze (University of Florence)</a>, <a class="u-tcGrayDarker" href="https://unifi.academia.edu/Departments/Dipartimento_di_Storia_Archeologia_Geografia_Arte_e_Spettacolo_SAGAS_/Documents">Dipartimento di Storia, Archeologia, Geografia, Arte e Spettacolo (SAGAS)</a>, <span class="u-tcGrayDarker">Post-Doc</span></div><div><a class="u-tcGrayDarker" href="https://unimarconi.academia.edu/">Università degli Studi Guglielmo Marconi</a>, <a class="u-tcGrayDarker" href="https://unimarconi.academia.edu/Departments/Facolta_di_Lettere/Documents">Facolta' di Lettere</a>, <span class="u-tcGrayDarker">Faculty Member</span></div></div></div></div><div class="sidebar-cta-container"><button class="ds2-5-button hidden profile-cta-button grow js-profile-follow-button" data-broccoli-component="user-info.follow-button" data-click-track="profile-user-info-follow-button" data-follow-user-fname="Ida" data-follow-user-id="4155454" data-follow-user-source="profile_button" data-has-google="false"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">add</span>Follow</button><button class="ds2-5-button hidden profile-cta-button grow js-profile-unfollow-button" data-broccoli-component="user-info.unfollow-button" data-click-track="profile-user-info-unfollow-button" data-unfollow-user-id="4155454"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">done</span>Following</button></div></div><div class="user-stats-container"><a><div class="stat-container js-profile-followers"><p class="label">Followers</p><p class="data">93</p></div></a><a><div class="stat-container js-profile-followees" data-broccoli-component="user-info.followees-count" data-click-track="profile-expand-user-info-following"><p class="label">Following</p><p class="data">97</p></div></a><a><div class="stat-container js-profile-coauthors" data-broccoli-component="user-info.coauthors-count" data-click-track="profile-expand-user-info-coauthors"><p class="label">Co-authors</p><p class="data">6</p></div></a><div class="js-mentions-count-container" style="display: none;"><a href="/IdaCaiazza/mentions"><div class="stat-container"><p class="label">Mentions</p><p class="data"></p></div></a></div><span><div class="stat-container"><p class="label"><span class="js-profile-total-view-text">Public Views</span></p><p class="data"><span class="js-profile-view-count"></span></p></div></span></div><div class="user-bio-container"><div class="profile-bio fake-truncate js-profile-about" style="margin: 0px;">...<br /><div class="js-profile-less-about u-linkUnstyled u-tcGrayDarker u-textDecorationUnderline u-displayNone">less</div></div></div><div class="suggested-academics-container"><div class="suggested-academics--header"><p class="ds2-5-body-md-bold">Related Authors</p></div><ul class="suggested-user-card-list"><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a href="https://virginia.academia.edu/MargaretMcColley"><img class="profile-avatar u-positionAbsolute" alt="Margaret E McColley" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/37002838/29051053/60132869/s200_margaret.mccolley.png" /></a></div><div class="suggested-user-card__user-info"><a class="suggested-user-card__user-info__header ds2-5-body-sm-bold ds2-5-body-link" href="https://virginia.academia.edu/MargaretMcColley">Margaret E McColley</a><p class="suggested-user-card__user-info__subheader ds2-5-body-xs">University of Virginia</p></div></div><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a href="https://unimc-it.academia.edu/MatteoMaselli"><img class="profile-avatar u-positionAbsolute" alt="Matteo Maselli" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/14063639/9096693/21657633/s200_matteo.maselli.jpg" /></a></div><div class="suggested-user-card__user-info"><a class="suggested-user-card__user-info__header ds2-5-body-sm-bold ds2-5-body-link" href="https://unimc-it.academia.edu/MatteoMaselli">Matteo Maselli</a><p class="suggested-user-card__user-info__subheader ds2-5-body-xs">Università Di Macerata</p></div></div><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a href="https://georgetown.academia.edu/DrLauraLazzariVosti"><img class="profile-avatar u-positionAbsolute" alt="Dr. Laura Lazzari Vosti" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/138570/36770/14967487/s200_dr._laura.lazzari_vosti.jpg" /></a></div><div class="suggested-user-card__user-info"><a class="suggested-user-card__user-info__header ds2-5-body-sm-bold ds2-5-body-link" href="https://georgetown.academia.edu/DrLauraLazzariVosti">Dr. Laura Lazzari Vosti</a><p class="suggested-user-card__user-info__subheader ds2-5-body-xs">Georgetown University</p></div></div><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a href="https://xn--universitt-siegen-yqb.academia.edu/LucaBURZELLI"><img class="profile-avatar u-positionAbsolute" alt="Luca BURZELLI" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/79405718/19372322/165348304/s200_luca.burzelli.jpg" /></a></div><div class="suggested-user-card__user-info"><a class="suggested-user-card__user-info__header ds2-5-body-sm-bold ds2-5-body-link" href="https://xn--universitt-siegen-yqb.academia.edu/LucaBURZELLI">Luca BURZELLI</a><p class="suggested-user-card__user-info__subheader ds2-5-body-xs">Universität Siegen</p></div></div><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a href="https://us.academia.edu/DColucci"><img class="profile-avatar u-positionAbsolute" alt="Dalila Colucci" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/9025386/3000718/16721497/s200_dalila.colucci.jpg" /></a></div><div class="suggested-user-card__user-info"><a class="suggested-user-card__user-info__header ds2-5-body-sm-bold ds2-5-body-link" href="https://us.academia.edu/DColucci">Dalila Colucci</a><p class="suggested-user-card__user-info__subheader ds2-5-body-xs">Universidad de Sevilla</p></div></div><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a href="https://umich.academia.edu/VincenzoSalvatore"><img class="profile-avatar u-positionAbsolute" alt="Vincenzo Salvatore" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/1160767/410608/503636/s200_vincenzo.salvatore.jpg" /></a></div><div class="suggested-user-card__user-info"><a class="suggested-user-card__user-info__header ds2-5-body-sm-bold ds2-5-body-link" href="https://umich.academia.edu/VincenzoSalvatore">Vincenzo Salvatore</a><p class="suggested-user-card__user-info__subheader ds2-5-body-xs">University of Michigan</p></div></div><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a href="https://unisa.academia.edu/MariangelaPalmieri"><img class="profile-avatar u-positionAbsolute" alt="Mariangela Palmieri" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/96947975/21150915/20613517/s200_mariangela.palmieri.jpg" /></a></div><div class="suggested-user-card__user-info"><a class="suggested-user-card__user-info__header ds2-5-body-sm-bold ds2-5-body-link" href="https://unisa.academia.edu/MariangelaPalmieri">Mariangela Palmieri</a><p class="suggested-user-card__user-info__subheader ds2-5-body-xs">Università degli Studi di Salerno</p></div></div><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a href="https://unich-it.academia.edu/Niccol%C3%B2Amelii"><img class="profile-avatar u-positionAbsolute" alt="Niccolò Amelii" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/48799694/13524538/72694857/s200_niccol_.amelii.jpg" /></a></div><div class="suggested-user-card__user-info"><a class="suggested-user-card__user-info__header ds2-5-body-sm-bold ds2-5-body-link" href="https://unich-it.academia.edu/Niccol%C3%B2Amelii">Niccolò Amelii</a><p class="suggested-user-card__user-info__subheader ds2-5-body-xs">Università degli Studi "G. d'Annunzio" Chieti Pescara</p></div></div><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a href="https://unimarconi.academia.edu/MaraMattoscio"><img class="profile-avatar u-positionAbsolute" alt="Mara Mattoscio" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/515441/180254/38439548/s200_mara.mattoscio.jpg" /></a></div><div class="suggested-user-card__user-info"><a class="suggested-user-card__user-info__header ds2-5-body-sm-bold ds2-5-body-link" href="https://unimarconi.academia.edu/MaraMattoscio">Mara Mattoscio</a><p class="suggested-user-card__user-info__subheader ds2-5-body-xs">Università degli Studi Guglielmo Marconi</p></div></div><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a href="https://fairfield.academia.edu/SaraDiaz"><img class="profile-avatar u-positionAbsolute" alt="Sara Diaz" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/2788539/1667272/3145289/s200_sara.diaz.jpg" /></a></div><div class="suggested-user-card__user-info"><a class="suggested-user-card__user-info__header ds2-5-body-sm-bold ds2-5-body-link" href="https://fairfield.academia.edu/SaraDiaz">Sara Diaz</a><p class="suggested-user-card__user-info__subheader ds2-5-body-xs">Fairfield University</p></div></div></ul></div><div class="ri-section"><div class="ri-section-header"><span>Interests</span><a class="ri-more-link js-profile-ri-list-card" data-click-track="profile-user-info-primary-research-interest" data-has-card-for-ri-list="4155454">View All (14)</a></div><div class="ri-tags-container"><a data-click-track="profile-user-info-expand-research-interests" data-has-card-for-ri-list="4155454" href="https://www.academia.edu/Documents/in/Italian_Studies"><div id="js-react-on-rails-context" style="display:none" data-rails-context="{"inMailer":false,"i18nLocale":"en","i18nDefaultLocale":"en","href":"https://uio.academia.edu/IdaCaiazza","location":"/IdaCaiazza","scheme":"https","host":"uio.academia.edu","port":null,"pathname":"/IdaCaiazza","search":null,"httpAcceptLanguage":null,"serverSide":false}"></div> <div class="js-react-on-rails-component" style="display:none" data-component-name="Pill" data-props="{"color":"gray","children":["Italian Studies"]}" data-trace="false" data-dom-id="Pill-react-component-73462cf0-9d99-420f-8a7f-16fa3119684a"></div> <div id="Pill-react-component-73462cf0-9d99-420f-8a7f-16fa3119684a"></div> </a><a data-click-track="profile-user-info-expand-research-interests" data-has-card-for-ri-list="4155454" href="https://www.academia.edu/Documents/in/Italian_Literature"><div class="js-react-on-rails-component" style="display:none" data-component-name="Pill" data-props="{"color":"gray","children":["Italian Literature"]}" data-trace="false" data-dom-id="Pill-react-component-02cc4f86-6cbb-4ef2-aca3-2983dcb06d3d"></div> <div id="Pill-react-component-02cc4f86-6cbb-4ef2-aca3-2983dcb06d3d"></div> </a><a data-click-track="profile-user-info-expand-research-interests" data-has-card-for-ri-list="4155454" href="https://www.academia.edu/Documents/in/Italian_Languages_And_Linguistics_"><div class="js-react-on-rails-component" style="display:none" data-component-name="Pill" data-props="{"color":"gray","children":["Italian (Languages And Linguistics)"]}" data-trace="false" data-dom-id="Pill-react-component-6ecfbf03-b879-4f28-adbf-184af63238d2"></div> <div id="Pill-react-component-6ecfbf03-b879-4f28-adbf-184af63238d2"></div> </a><a data-click-track="profile-user-info-expand-research-interests" data-has-card-for-ri-list="4155454" href="https://www.academia.edu/Documents/in/Italian_Renaissance_literature"><div class="js-react-on-rails-component" style="display:none" data-component-name="Pill" data-props="{"color":"gray","children":["Italian Renaissance literature"]}" data-trace="false" data-dom-id="Pill-react-component-4632c22d-354a-4169-9d17-2ed4b7bec196"></div> <div id="Pill-react-component-4632c22d-354a-4169-9d17-2ed4b7bec196"></div> </a><a data-click-track="profile-user-info-expand-research-interests" data-has-card-for-ri-list="4155454" href="https://www.academia.edu/Documents/in/History_of_Italian_Language"><div class="js-react-on-rails-component" style="display:none" data-component-name="Pill" data-props="{"color":"gray","children":["History of Italian Language"]}" data-trace="false" data-dom-id="Pill-react-component-d24e8107-2868-4e89-b14d-812d0c0f8015"></div> <div id="Pill-react-component-d24e8107-2868-4e89-b14d-812d0c0f8015"></div> </a></div></div></div></div><div class="right-panel-container"><div class="user-content-wrapper"><div class="uploads-container" id="social-redesign-work-container"><div class="upload-header"><h2 class="ds2-5-heading-sans-serif-xs">Uploads</h2></div><div class="nav-container backbone-profile-documents-nav hidden-xs"><ul class="nav-tablist" role="tablist"><li class="nav-chip active" role="presentation"><a data-section-name="" data-toggle="tab" href="#all" role="tab">all</a></li><li class="nav-chip" role="presentation"><a class="js-profile-docs-nav-section u-textTruncate" data-click-track="profile-works-tab" data-section-name="Papers" data-toggle="tab" href="#papers" role="tab" title="Papers"><span>16</span> <span class="ds2-5-body-sm-bold">Papers</span></a></li><li class="nav-chip" role="presentation"><a class="js-profile-docs-nav-section u-textTruncate" data-click-track="profile-works-tab" data-section-name="Book-Reviews" data-toggle="tab" href="#bookreviews" role="tab" title="Book Reviews"><span>2</span> <span class="ds2-5-body-sm-bold">Book Reviews</span></a></li><li class="nav-chip" role="presentation"><a class="js-profile-docs-nav-section u-textTruncate" data-click-track="profile-works-tab" data-section-name="Conference-Presentations" data-toggle="tab" href="#conferencepresentations" role="tab" title="Conference Presentations"><span>1</span> <span class="ds2-5-body-sm-bold">Conference Presentations</span></a></li><li class="nav-chip more-tab" role="presentation"><a class="js-profile-documents-more-tab link-unstyled u-textTruncate" data-toggle="dropdown" role="tab">More  <i class="fa fa-chevron-down"></i></a><ul class="js-profile-documents-more-dropdown dropdown-menu dropdown-menu-right profile-documents-more-dropdown" role="menu"><li role="presentation"><a data-click-track="profile-works-tab" data-section-name="Organization-of-Academic-Meetings" data-toggle="tab" href="#organizationofacademicmeetings" role="tab" style="border: none;"><span>5</span> Organization of Academic Meetings</a></li><li role="presentation"><a data-click-track="profile-works-tab" data-section-name="Talks" data-toggle="tab" href="#talks" role="tab" style="border: none;"><span>1</span> Talks</a></li><li role="presentation"><a data-click-track="profile-works-tab" data-section-name="Conferences" data-toggle="tab" href="#conferences" role="tab" style="border: none;"><span>1</span> Conferences</a></li></ul></li></ul></div><div class="divider ds-divider-16" style="margin: 0px;"></div><div class="documents-container backbone-social-profile-documents" style="width: 100%;"><div class="u-taCenter"></div><div class="profile--tab_content_container js-tab-pane tab-pane active" id="all"><div class="profile--tab_heading_container js-section-heading" data-section="Papers" id="Papers"><h3 class="profile--tab_heading_container">Papers by Ida Caiazza</h3></div><div class="js-work-strip profile--work_container" data-work-id="73051315"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/73051315/_Oh_come_bene_se_gli_conviene_il_nome_ch_egli_tiene_I_nomi_parlanti_del_Fedele_di_Alvise_Pasqualigo"><img alt="Research paper thumbnail of «Oh, come bene se gli conviene il nome [...] ch’egli tiene». I nomi parlanti del Fedele di Alvise Pasqualigo" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/73051315/_Oh_come_bene_se_gli_conviene_il_nome_ch_egli_tiene_I_nomi_parlanti_del_Fedele_di_Alvise_Pasqualigo">«Oh, come bene se gli conviene il nome [...] ch’egli tiene». I nomi parlanti del Fedele di Alvise Pasqualigo</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The article deals with the way the Venetian Count Alvise Pasqualigo (1536-1576) uses anthroponyms...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The article deals with the way the Venetian Count Alvise Pasqualigo (1536-1576) uses anthroponyms in his comedy Il Fedele (1576). This text was very successful in Italy between the end of the 16th and the beginning of the 17th century, and also reached England and France, as it was translated into French by Pierre de Larivay, into Latin by Abraham Fraunce, and into English by Anthony Munday (this remake was probably read by Shakespeare). As for the minor characters, the names chosen by the author usually show a semantic and sometimes etymological interaction with their personalities, which influences their behaviour and the development of their stories. In some cases, the link name/personality turns out to be antiphrastic at the end of the story; in others it is the intertextuality that leads to the correct interpretation of the anthroponym. As for the four main characters, their names interact with each other, and contribute strongly to the building of the allegorical interpretatio...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="73051315"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="73051315"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 73051315; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=73051315]").text(description); $(".js-view-count[data-work-id=73051315]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 73051315; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='73051315']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=73051315]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":73051315,"title":"«Oh, come bene se gli conviene il nome [...] ch’egli tiene». I nomi parlanti del Fedele di Alvise Pasqualigo","internal_url":"https://www.academia.edu/73051315/_Oh_come_bene_se_gli_conviene_il_nome_ch_egli_tiene_I_nomi_parlanti_del_Fedele_di_Alvise_Pasqualigo","owner_id":4155454,"coauthors_can_edit":true,"owner":{"id":4155454,"first_name":"Ida","middle_initials":null,"last_name":"Caiazza","page_name":"IdaCaiazza","domain_name":"uio","created_at":"2013-05-12T22:55:37.272-07:00","display_name":"Ida Caiazza","url":"https://uio.academia.edu/IdaCaiazza"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="73051314"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/73051314/Carlo_Martino_Lucarini_Per_lesegesi_di_Petr_Satyr_39_12"><img alt="Research paper thumbnail of Carlo Martino Lucarini, Per l'esegesi di Petr. Satyr. 39,12" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/73051314/Carlo_Martino_Lucarini_Per_lesegesi_di_Petr_Satyr_39_12">Carlo Martino Lucarini, Per l'esegesi di Petr. Satyr. 39,12</a></div><div class="wp-workCard_item"><span>Materiali E Discussioni Per L Analisi Dei Testi Classici</span><span>, 2006</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="73051314"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="73051314"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 73051314; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=73051314]").text(description); $(".js-view-count[data-work-id=73051314]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 73051314; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='73051314']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=73051314]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":73051314,"title":"Carlo Martino Lucarini, Per l'esegesi di Petr. Satyr. 39,12","internal_url":"https://www.academia.edu/73051314/Carlo_Martino_Lucarini_Per_lesegesi_di_Petr_Satyr_39_12","owner_id":4155454,"coauthors_can_edit":true,"owner":{"id":4155454,"first_name":"Ida","middle_initials":null,"last_name":"Caiazza","page_name":"IdaCaiazza","domain_name":"uio","created_at":"2013-05-12T22:55:37.272-07:00","display_name":"Ida Caiazza","url":"https://uio.academia.edu/IdaCaiazza"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="73051266"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/73051266/Alvise_Pasqualigo_e_il_suo_romanzo_epistolare_Le_Lettere_Amorose_dalla_relazione_alla_Corrispondenza"><img alt="Research paper thumbnail of Alvise Pasqualigo e il suo romanzo epistolare, "Le Lettere Amorose", dalla "relazione" alla "Corrispondenza" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/73051266/Alvise_Pasqualigo_e_il_suo_romanzo_epistolare_Le_Lettere_Amorose_dalla_relazione_alla_Corrispondenza">Alvise Pasqualigo e il suo romanzo epistolare, "Le Lettere Amorose", dalla "relazione" alla "Corrispondenza</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="73051266"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="73051266"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 73051266; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=73051266]").text(description); $(".js-view-count[data-work-id=73051266]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 73051266; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='73051266']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=73051266]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":73051266,"title":"Alvise Pasqualigo e il suo romanzo epistolare, \"Le Lettere Amorose\", dalla \"relazione\" alla \"Corrispondenza","internal_url":"https://www.academia.edu/73051266/Alvise_Pasqualigo_e_il_suo_romanzo_epistolare_Le_Lettere_Amorose_dalla_relazione_alla_Corrispondenza","owner_id":4155454,"coauthors_can_edit":true,"owner":{"id":4155454,"first_name":"Ida","middle_initials":null,"last_name":"Caiazza","page_name":"IdaCaiazza","domain_name":"uio","created_at":"2013-05-12T22:55:37.272-07:00","display_name":"Ida Caiazza","url":"https://uio.academia.edu/IdaCaiazza"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="68377649"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/68377649/Love_A_History_in_Five_Fantasies_written_by_Rosenwein_Barbara_H"><img alt="Research paper thumbnail of Love. A History in Five Fantasies, written by Rosenwein, Barbara H" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/68377649/Love_A_History_in_Five_Fantasies_written_by_Rosenwein_Barbara_H">Love. A History in Five Fantasies, written by Rosenwein, Barbara H</a></div><div class="wp-workCard_item"><span>Emotions: History, Culture, Society</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="68377649"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="68377649"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 68377649; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=68377649]").text(description); $(".js-view-count[data-work-id=68377649]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 68377649; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='68377649']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=68377649]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":68377649,"title":"Love. A History in Five Fantasies, written by Rosenwein, Barbara H","internal_url":"https://www.academia.edu/68377649/Love_A_History_in_Five_Fantasies_written_by_Rosenwein_Barbara_H","owner_id":4155454,"coauthors_can_edit":true,"owner":{"id":4155454,"first_name":"Ida","middle_initials":null,"last_name":"Caiazza","page_name":"IdaCaiazza","domain_name":"uio","created_at":"2013-05-12T22:55:37.272-07:00","display_name":"Ida Caiazza","url":"https://uio.academia.edu/IdaCaiazza"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="67851396"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/67851396/_Nuovo_modo_di_far_lamore_%C3%A8_questo_nostro_Poesia_amore_e_teologia_nelle_Lettere_di_Ansaldo_Ceb%C3%A0_a_Sara_Copio_Sullam_1623_"><img alt="Research paper thumbnail of "Nuovo modo [...] di far l'amore è questo nostro". Poesia, amore e teologia nelle "Lettere" di Ansaldo Cebà a Sara Copio Sullam (1623)" class="work-thumbnail" src="https://attachments.academia-assets.com/78538693/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/67851396/_Nuovo_modo_di_far_lamore_%C3%A8_questo_nostro_Poesia_amore_e_teologia_nelle_Lettere_di_Ansaldo_Ceb%C3%A0_a_Sara_Copio_Sullam_1623_">"Nuovo modo [...] di far l'amore è questo nostro". Poesia, amore e teologia nelle "Lettere" di Ansaldo Cebà a Sara Copio Sullam (1623)</a></div><div class="wp-workCard_item"><span>"Nuovo modo [...] di far l'amore è questo nostro". Poesia, amore e teologia nelle "Lettere" di Ansaldo Cebà a Sara Copio Sullam (1623)</span><span>, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated"> Finora, le Lettere di Ansaldo Cebà a Sara Copio Sullam sono state utilizzate soprattutto come fo...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Finora, le Lettere di Ansaldo Cebà a Sara Copio Sullam sono state utilizzate soprattutto come fonte di informazioni sulle personalità letterarie e religiose dei due autori; qui si tenta invece di considerarle come un prodotto letterario da confrontare con la tipologia del ‘libro di lettere amorose’ cinquecentesco e con la lunga tradizione delle opere che abbinano l’argomento amoroso e la struttura epistolare (come le Heroides, Abelardo ed Eloisa, la Historia de duobus amantibus). A fronte <br />di molti tratti tradizionali, da tale confronto emerge quale peculiarità dell’opera soprattutto una inedita commistione tra il codice espressivo platonico-petrarchesco, l’ideale della poesia eternatrice e la discussione teologica, a partire dalla quale Sara e Ansaldo esplorano possibili configurazioni delle loro personae letterarie atte a integrare il canovaccio della comunicazione epistolare tra amanti (ormai una maniera) e la più vivace spinta dei tempi nuovi verso la spiritualità. <br /><br />Thus far, the "Lettere di Ansaldo Cebà a Sara Copio Sullam" have been considered mainly as a source of information about the literary and religious personalities of the two authors. In this paper, I try to read them as a literary product, and to compare them to the typology of the love letter collection of the xvi century as well as to the long tradition of the literary works  based on the fusion of love, as a theme, and letter, as a structure (e.g. Ovid’s Heroides, Piccolomini’s Historia de duobus amantibus). Such a comparison highlights many traditional features, but also a conspicuous peculiarity: the Lettere integrate, for the frst time, the Petrarchan code, the ideal of the immortality through poetry, and the theological dissertation. Starting from this combination, the two correspondents explore various possible literary personae through which they try to merge the old tradition of love correspondence and the new and more vivid spiritual stream of the Catholic Reformation.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="eb95bba7a6f1c7ad8b5b40dbac9b70bb" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":78538693,"asset_id":67851396,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/78538693/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="67851396"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="67851396"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 67851396; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=67851396]").text(description); $(".js-view-count[data-work-id=67851396]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 67851396; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='67851396']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "eb95bba7a6f1c7ad8b5b40dbac9b70bb" } } $('.js-work-strip[data-work-id=67851396]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":67851396,"title":"\"Nuovo modo [...] di far l'amore è questo nostro\". Poesia, amore e teologia nelle \"Lettere\" di Ansaldo Cebà a Sara Copio Sullam (1623)","translated_title":"","metadata":{"doi":"10.19272/202101302004","abstract":" Finora, le Lettere di Ansaldo Cebà a Sara Copio Sullam sono state utilizzate soprattutto come fonte di informazioni sulle personalità letterarie e religiose dei due autori; qui si tenta invece di considerarle come un prodotto letterario da confrontare con la tipologia del ‘libro di lettere amorose’ cinquecentesco e con la lunga tradizione delle opere che abbinano l’argomento amoroso e la struttura epistolare (come le Heroides, Abelardo ed Eloisa, la Historia de duobus amantibus). A fronte \ndi molti tratti tradizionali, da tale confronto emerge quale peculiarità dell’opera soprattutto una inedita commistione tra il codice espressivo platonico-petrarchesco, l’ideale della poesia eternatrice e la discussione teologica, a partire dalla quale Sara e Ansaldo esplorano possibili configurazioni delle loro personae letterarie atte a integrare il canovaccio della comunicazione epistolare tra amanti (ormai una maniera) e la più vivace spinta dei tempi nuovi verso la spiritualità. \n\nThus far, the \"Lettere di Ansaldo Cebà a Sara Copio Sullam\" have been considered mainly as a source of information about the literary and religious personalities of the two authors. In this paper, I try to read them as a literary product, and to compare them to the typology of the love letter collection of the xvi century as well as to the long tradition of the literary works based on the fusion of love, as a theme, and letter, as a structure (e.g. Ovid’s Heroides, Piccolomini’s Historia de duobus amantibus). Such a comparison highlights many traditional features, but also a conspicuous peculiarity: the Lettere integrate, for the frst time, the Petrarchan code, the ideal of the immortality through poetry, and the theological dissertation. Starting from this combination, the two correspondents explore various possible literary personae through which they try to merge the old tradition of love correspondence and the new and more vivid spiritual stream of the Catholic Reformation.","publication_date":{"day":null,"month":null,"year":2021,"errors":{}},"publication_name":"\"Nuovo modo [...] di far l'amore è questo nostro\". Poesia, amore e teologia nelle \"Lettere\" di Ansaldo Cebà a Sara Copio Sullam (1623)"},"translated_abstract":" Finora, le Lettere di Ansaldo Cebà a Sara Copio Sullam sono state utilizzate soprattutto come fonte di informazioni sulle personalità letterarie e religiose dei due autori; qui si tenta invece di considerarle come un prodotto letterario da confrontare con la tipologia del ‘libro di lettere amorose’ cinquecentesco e con la lunga tradizione delle opere che abbinano l’argomento amoroso e la struttura epistolare (come le Heroides, Abelardo ed Eloisa, la Historia de duobus amantibus). A fronte \ndi molti tratti tradizionali, da tale confronto emerge quale peculiarità dell’opera soprattutto una inedita commistione tra il codice espressivo platonico-petrarchesco, l’ideale della poesia eternatrice e la discussione teologica, a partire dalla quale Sara e Ansaldo esplorano possibili configurazioni delle loro personae letterarie atte a integrare il canovaccio della comunicazione epistolare tra amanti (ormai una maniera) e la più vivace spinta dei tempi nuovi verso la spiritualità. \n\nThus far, the \"Lettere di Ansaldo Cebà a Sara Copio Sullam\" have been considered mainly as a source of information about the literary and religious personalities of the two authors. In this paper, I try to read them as a literary product, and to compare them to the typology of the love letter collection of the xvi century as well as to the long tradition of the literary works based on the fusion of love, as a theme, and letter, as a structure (e.g. Ovid’s Heroides, Piccolomini’s Historia de duobus amantibus). Such a comparison highlights many traditional features, but also a conspicuous peculiarity: the Lettere integrate, for the frst time, the Petrarchan code, the ideal of the immortality through poetry, and the theological dissertation. Starting from this combination, the two correspondents explore various possible literary personae through which they try to merge the old tradition of love correspondence and the new and more vivid spiritual stream of the Catholic Reformation.","internal_url":"https://www.academia.edu/67851396/_Nuovo_modo_di_far_lamore_%C3%A8_questo_nostro_Poesia_amore_e_teologia_nelle_Lettere_di_Ansaldo_Ceb%C3%A0_a_Sara_Copio_Sullam_1623_","translated_internal_url":"","created_at":"2022-01-12T01:46:17.474-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":4155454,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":78538693,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/78538693/thumbnails/1.jpg","file_name":"nuovo_modo_1_pagina.pdf","download_url":"https://www.academia.edu/attachments/78538693/download_file","bulk_download_file_name":"Nuovo_modo_di_far_lamore_e_questo_nostr.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/78538693/nuovo_modo_1_pagina-libre.pdf?1641981009=\u0026response-content-disposition=attachment%3B+filename%3DNuovo_modo_di_far_lamore_e_questo_nostr.pdf\u0026Expires=1738791432\u0026Signature=eWWubjwbsT9Wb9szkBiH62hhfY7mP6kAEDZFh~1RRNBfL-BZyqLqha65HxKaxLVcsrYBVdTQgxz3~zuSwOKPuzu4grNaBnEM0C-q4ZDuS~dM0-zOs6RxlyOaNcwZN-t68QUNk2a~mtwl8PgTxghFXXsxJrrQhW2ui-QhzisslsJMLk3jPGBYJYE3lN9DsOjy4dDZOPaPgyp74vXHgOv-3n67WgzgboECbY2rzSbx2wQTPO56Kz8uUpT1wT57a0c88tG~DFwXaYuWzZSFQJcD8JLMZk2y8VmdFqd6BTnpUBnhmFpzEOBEkDt3SbGTLPtADlGITvNM~POinO8KzWU8qg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"_Nuovo_modo_di_far_lamore_è_questo_nostro_Poesia_amore_e_teologia_nelle_Lettere_di_Ansaldo_Cebà_a_Sara_Copio_Sullam_1623_","translated_slug":"","page_count":1,"language":"it","content_type":"Work","summary":" Finora, le Lettere di Ansaldo Cebà a Sara Copio Sullam sono state utilizzate soprattutto come fonte di informazioni sulle personalità letterarie e religiose dei due autori; qui si tenta invece di considerarle come un prodotto letterario da confrontare con la tipologia del ‘libro di lettere amorose’ cinquecentesco e con la lunga tradizione delle opere che abbinano l’argomento amoroso e la struttura epistolare (come le Heroides, Abelardo ed Eloisa, la Historia de duobus amantibus). A fronte \ndi molti tratti tradizionali, da tale confronto emerge quale peculiarità dell’opera soprattutto una inedita commistione tra il codice espressivo platonico-petrarchesco, l’ideale della poesia eternatrice e la discussione teologica, a partire dalla quale Sara e Ansaldo esplorano possibili configurazioni delle loro personae letterarie atte a integrare il canovaccio della comunicazione epistolare tra amanti (ormai una maniera) e la più vivace spinta dei tempi nuovi verso la spiritualità. \n\nThus far, the \"Lettere di Ansaldo Cebà a Sara Copio Sullam\" have been considered mainly as a source of information about the literary and religious personalities of the two authors. In this paper, I try to read them as a literary product, and to compare them to the typology of the love letter collection of the xvi century as well as to the long tradition of the literary works based on the fusion of love, as a theme, and letter, as a structure (e.g. Ovid’s Heroides, Piccolomini’s Historia de duobus amantibus). Such a comparison highlights many traditional features, but also a conspicuous peculiarity: the Lettere integrate, for the frst time, the Petrarchan code, the ideal of the immortality through poetry, and the theological dissertation. Starting from this combination, the two correspondents explore various possible literary personae through which they try to merge the old tradition of love correspondence and the new and more vivid spiritual stream of the Catholic Reformation.","owner":{"id":4155454,"first_name":"Ida","middle_initials":null,"last_name":"Caiazza","page_name":"IdaCaiazza","domain_name":"uio","created_at":"2013-05-12T22:55:37.272-07:00","display_name":"Ida Caiazza","url":"https://uio.academia.edu/IdaCaiazza","email":"bDdBZWNWQks2eElpUFMwelg0Rko3NUs3azc5RFkwd1hPaEVEdEdJSFlwdTBJVlk2eGtpSWl5Z0JaS2RXb1BOVy0tMGg1cTc4dzR4QjRnUjVHSktpQjZUQT09--c5e07aec9853a6351983964d7ebfaf77177f3da3"},"attachments":[{"id":78538693,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/78538693/thumbnails/1.jpg","file_name":"nuovo_modo_1_pagina.pdf","download_url":"https://www.academia.edu/attachments/78538693/download_file","bulk_download_file_name":"Nuovo_modo_di_far_lamore_e_questo_nostr.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/78538693/nuovo_modo_1_pagina-libre.pdf?1641981009=\u0026response-content-disposition=attachment%3B+filename%3DNuovo_modo_di_far_lamore_e_questo_nostr.pdf\u0026Expires=1738791432\u0026Signature=eWWubjwbsT9Wb9szkBiH62hhfY7mP6kAEDZFh~1RRNBfL-BZyqLqha65HxKaxLVcsrYBVdTQgxz3~zuSwOKPuzu4grNaBnEM0C-q4ZDuS~dM0-zOs6RxlyOaNcwZN-t68QUNk2a~mtwl8PgTxghFXXsxJrrQhW2ui-QhzisslsJMLk3jPGBYJYE3lN9DsOjy4dDZOPaPgyp74vXHgOv-3n67WgzgboECbY2rzSbx2wQTPO56Kz8uUpT1wT57a0c88tG~DFwXaYuWzZSFQJcD8JLMZk2y8VmdFqd6BTnpUBnhmFpzEOBEkDt3SbGTLPtADlGITvNM~POinO8KzWU8qg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":7887,"name":"Italian Literature","url":"https://www.academia.edu/Documents/in/Italian_Literature"},{"id":16923,"name":"Early Modern Italy","url":"https://www.academia.edu/Documents/in/Early_Modern_Italy"},{"id":20972,"name":"Jewish Literature","url":"https://www.academia.edu/Documents/in/Jewish_Literature"},{"id":31293,"name":"Jewish Cultural Studies","url":"https://www.academia.edu/Documents/in/Jewish_Cultural_Studies"},{"id":31747,"name":"Early Modern Jewish History","url":"https://www.academia.edu/Documents/in/Early_Modern_Jewish_History"},{"id":60745,"name":"Jewish Women's History","url":"https://www.academia.edu/Documents/in/Jewish_Womens_History"},{"id":69388,"name":"Letteratura italiana moderna e contemporanea","url":"https://www.academia.edu/Documents/in/Letteratura_italiana_moderna_e_contemporanea"},{"id":98737,"name":"Italian Renaissance","url":"https://www.academia.edu/Documents/in/Italian_Renaissance"},{"id":162349,"name":"Rinascimento","url":"https://www.academia.edu/Documents/in/Rinascimento"},{"id":229030,"name":"Letteratura italiana","url":"https://www.academia.edu/Documents/in/Letteratura_italiana"},{"id":235366,"name":"Ebraismo","url":"https://www.academia.edu/Documents/in/Ebraismo"},{"id":1144722,"name":"Ebraismo E Letteratura","url":"https://www.academia.edu/Documents/in/Ebraismo_E_Letteratura"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="61690753"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/61690753/Apparizioni_di_Emilia_Dal_Decameron_alle_Lettere_affettuose_di_madonna_Emilia_fiorentina_1594_"><img alt="Research paper thumbnail of Apparizioni di Emilia. Dal Decameron alle Lettere affettuose di madonna Emilia fiorentina (1594)" class="work-thumbnail" src="https://attachments.academia-assets.com/74662798/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/61690753/Apparizioni_di_Emilia_Dal_Decameron_alle_Lettere_affettuose_di_madonna_Emilia_fiorentina_1594_">Apparizioni di Emilia. Dal Decameron alle Lettere affettuose di madonna Emilia fiorentina (1594)</a></div><div class="wp-workCard_item"><span>ArNovIt Archivio Novellistico Italiano </span><span>, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Apparizioni di Emilia. Dal Decameron alle Lettere affettuose di madonna Emilia fiorentina (1594) ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Apparizioni di Emilia. Dal Decameron alle Lettere affettuose di madonna Emilia fiorentina (1594) Incarnations of Emilia: from the Decameron to the Lettere affettuose di madonna Emilia fiorentina (1594) Abstracts L'intervento parte dalla ricostruzione dei profili di tre personaggi boccacciani identificati dall'antroponimo Emilia, individuando il filo rosso che li collega in una caratterizzazione morale basata sul rifiuto della lascivia e su un'idea di virtù muliebre severa e rigida, non estranea alla dimensione spirituale. Ripercorrendo le azioni e i discorsi della narratrice decameroniana denominata Emilia, si evidenziano soprattutto il sostrato dantesco e purgatoriale della sua caratterizzazione, e le sue idee sul ruolo sociale e sul comportamento femminile. A seguire, si ricostruisce l'educazione sentimentale della protagonista del Teseida, basata sul rifiuto della Venere lasciva e sull'interiorizzazione della responsabilità delle nefaste conseguenze dell'amore. Si analizza infine l'esemplarità di Terza Emilia, personaggio del De mulieribus claris, che si fonda sulla virtù della sopportazione e sulla capacità di mettere da parte sé stessa per non danneggiare la reputazione del marito. Tra Emilia fiorentina, "casta amante" post-tridentina e autrice di una raccolta di Lettere affettuose (ovvero "amorose" private della componente sensuale), e i personaggi boccacciani si coglie un rapporto intertestuale basato sulla caratterizzazione morale, a partire dal quale l'ignota nobildonna delinea un peculiare modello di amore "fervente e casto" in grado di inglobare e armonizzare micro-tessere intertestuali tratte da diversi autori, tra cui Petrarca, Ariosto, Lorenzo de' Medici, Firenzuola e un'altra misteriosa epistolografa d'amore, Celia Romana. Infine, si analizzano le ultime sezioni dell'epistolario, le quali, avvicinandosi all'episodio centrale della biografia di Terza Emilia, abbandonano le movenze riflessive e introspettive della prima parte per sconfinare nel terreno della novellistica e per terminare, in una conclusione elegiaca, nel dialogo con la Fiammetta e le Heroides.<br /><br />Incarnations of Emilia: from the Decameron to the Lettere affettuose di madonna Emilia fiorentina (1594)<br />The first part of this paper retraces the features of three characters from Boccaccio’s works named Emilia, who are connected to each other through a moral characterization based on the refusal of lasciviousness and on a strict and narrow idea of feminine virtue as modesty and spirituality. The first Emilia is one of the ten Decameron narrators: through the analysis of her behaviour and speeches, the connections with Dante’s Purgatory and her ideas about women’s social role are highlighted. Then, the focus moves to the sentimental education of Teseida’s protagonist, which is based on the rejection of the “lascivious Venus” and feelings of guilt about the lethal consequences of love. The last character is Terza Emilia, one of the virtuous women in the De mulieribus claris, who is presented as a paradigm of female virtue because of her tolerance of her husband’s (Scipio Africanus) intemperance, aimed at preserving his glorious reputation. The second part of the paper analyses the moral characterization of these three women as the intertextual basis for the personality and story of madonna Emilia fiorentina – a clearly literary name behind which hides the unknown author of the Lettere affettuose, love correspondence printed for the first time in 1594. This macro-intertextual correlation also holds together and grants harmony and meaning to the various micro-intertextual tiles of the Affettuose, taken from (to mention just a few sources) Petrarch, Ariosto, Lorenzo de’ Medici, Firenzuola, and another <br />mysterious love letter-writer, Celia Romana. Finally, the last sequences from Emilia fiorentina’s collection recount an episode that, apart from being shaped in a similar narrative fashion to the tradition of the novella, recalls the main episode in Terza Emilia’s life. The conclusion of the <br />Affettuose features a critical dialogue with Boccaccio’s Fiammetta – a sort of anti-Emilia from a moral point of view – and her Ovidian ancestors, the Heroides.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="618291c167b0f7c165cfde79e0295107" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":74662798,"asset_id":61690753,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/74662798/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="61690753"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="61690753"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 61690753; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=61690753]").text(description); $(".js-view-count[data-work-id=61690753]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 61690753; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='61690753']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "618291c167b0f7c165cfde79e0295107" } } $('.js-work-strip[data-work-id=61690753]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":61690753,"title":"Apparizioni di Emilia. Dal Decameron alle Lettere affettuose di madonna Emilia fiorentina (1594)","translated_title":"","metadata":{"abstract":"Apparizioni di Emilia. Dal Decameron alle Lettere affettuose di madonna Emilia fiorentina (1594) Incarnations of Emilia: from the Decameron to the Lettere affettuose di madonna Emilia fiorentina (1594) Abstracts L'intervento parte dalla ricostruzione dei profili di tre personaggi boccacciani identificati dall'antroponimo Emilia, individuando il filo rosso che li collega in una caratterizzazione morale basata sul rifiuto della lascivia e su un'idea di virtù muliebre severa e rigida, non estranea alla dimensione spirituale. Ripercorrendo le azioni e i discorsi della narratrice decameroniana denominata Emilia, si evidenziano soprattutto il sostrato dantesco e purgatoriale della sua caratterizzazione, e le sue idee sul ruolo sociale e sul comportamento femminile. A seguire, si ricostruisce l'educazione sentimentale della protagonista del Teseida, basata sul rifiuto della Venere lasciva e sull'interiorizzazione della responsabilità delle nefaste conseguenze dell'amore. Si analizza infine l'esemplarità di Terza Emilia, personaggio del De mulieribus claris, che si fonda sulla virtù della sopportazione e sulla capacità di mettere da parte sé stessa per non danneggiare la reputazione del marito. Tra Emilia fiorentina, \"casta amante\" post-tridentina e autrice di una raccolta di Lettere affettuose (ovvero \"amorose\" private della componente sensuale), e i personaggi boccacciani si coglie un rapporto intertestuale basato sulla caratterizzazione morale, a partire dal quale l'ignota nobildonna delinea un peculiare modello di amore \"fervente e casto\" in grado di inglobare e armonizzare micro-tessere intertestuali tratte da diversi autori, tra cui Petrarca, Ariosto, Lorenzo de' Medici, Firenzuola e un'altra misteriosa epistolografa d'amore, Celia Romana. Infine, si analizzano le ultime sezioni dell'epistolario, le quali, avvicinandosi all'episodio centrale della biografia di Terza Emilia, abbandonano le movenze riflessive e introspettive della prima parte per sconfinare nel terreno della novellistica e per terminare, in una conclusione elegiaca, nel dialogo con la Fiammetta e le Heroides.\n\nIncarnations of Emilia: from the Decameron to the Lettere affettuose di madonna Emilia fiorentina (1594)\nThe first part of this paper retraces the features of three characters from Boccaccio’s works named Emilia, who are connected to each other through a moral characterization based on the refusal of lasciviousness and on a strict and narrow idea of feminine virtue as modesty and spirit\u0002uality. The first Emilia is one of the ten Decameron narrators: through the analysis of her behav\u0002iour and speeches, the connections with Dante’s Purgatory and her ideas about women’s social role are highlighted. Then, the focus moves to the sentimental education of Teseida’s protago\u0002nist, which is based on the rejection of the “lascivious Venus” and feelings of guilt about the lethal consequences of love. The last character is Terza Emilia, one of the virtuous women in the De mulieribus claris, who is presented as a paradigm of female virtue because of her tolerance of her husband’s (Scipio Africanus) intemperance, aimed at preserving his glorious reputation. The second part of the paper analyses the moral characterization of these three women as the intertextual basis for the personality and story of madonna Emilia fiorentina – a clearly literary name behind which hides the unknown author of the Lettere affettuose, love correspondence printed for the first time in 1594. This macro-intertextual correlation also holds together and grants harmony and meaning to the various micro-intertextual tiles of the Affettuose, taken from (to mention just a few sources) Petrarch, Ariosto, Lorenzo de’ Medici, Firenzuola, and another \nmysterious love letter-writer, Celia Romana. Finally, the last sequences from Emilia fiorentina’s collection recount an episode that, apart from being shaped in a similar narrative fashion to the tradition of the novella, recalls the main episode in Terza Emilia’s life. The conclusion of the \nAffettuose features a critical dialogue with Boccaccio’s Fiammetta – a sort of anti-Emilia from a moral point of view – and her Ovidian ancestors, the Heroides.","publication_date":{"day":null,"month":null,"year":2021,"errors":{}},"publication_name":"ArNovIt Archivio Novellistico Italiano "},"translated_abstract":"Apparizioni di Emilia. Dal Decameron alle Lettere affettuose di madonna Emilia fiorentina (1594) Incarnations of Emilia: from the Decameron to the Lettere affettuose di madonna Emilia fiorentina (1594) Abstracts L'intervento parte dalla ricostruzione dei profili di tre personaggi boccacciani identificati dall'antroponimo Emilia, individuando il filo rosso che li collega in una caratterizzazione morale basata sul rifiuto della lascivia e su un'idea di virtù muliebre severa e rigida, non estranea alla dimensione spirituale. Ripercorrendo le azioni e i discorsi della narratrice decameroniana denominata Emilia, si evidenziano soprattutto il sostrato dantesco e purgatoriale della sua caratterizzazione, e le sue idee sul ruolo sociale e sul comportamento femminile. A seguire, si ricostruisce l'educazione sentimentale della protagonista del Teseida, basata sul rifiuto della Venere lasciva e sull'interiorizzazione della responsabilità delle nefaste conseguenze dell'amore. Si analizza infine l'esemplarità di Terza Emilia, personaggio del De mulieribus claris, che si fonda sulla virtù della sopportazione e sulla capacità di mettere da parte sé stessa per non danneggiare la reputazione del marito. Tra Emilia fiorentina, \"casta amante\" post-tridentina e autrice di una raccolta di Lettere affettuose (ovvero \"amorose\" private della componente sensuale), e i personaggi boccacciani si coglie un rapporto intertestuale basato sulla caratterizzazione morale, a partire dal quale l'ignota nobildonna delinea un peculiare modello di amore \"fervente e casto\" in grado di inglobare e armonizzare micro-tessere intertestuali tratte da diversi autori, tra cui Petrarca, Ariosto, Lorenzo de' Medici, Firenzuola e un'altra misteriosa epistolografa d'amore, Celia Romana. Infine, si analizzano le ultime sezioni dell'epistolario, le quali, avvicinandosi all'episodio centrale della biografia di Terza Emilia, abbandonano le movenze riflessive e introspettive della prima parte per sconfinare nel terreno della novellistica e per terminare, in una conclusione elegiaca, nel dialogo con la Fiammetta e le Heroides.\n\nIncarnations of Emilia: from the Decameron to the Lettere affettuose di madonna Emilia fiorentina (1594)\nThe first part of this paper retraces the features of three characters from Boccaccio’s works named Emilia, who are connected to each other through a moral characterization based on the refusal of lasciviousness and on a strict and narrow idea of feminine virtue as modesty and spirit\u0002uality. The first Emilia is one of the ten Decameron narrators: through the analysis of her behav\u0002iour and speeches, the connections with Dante’s Purgatory and her ideas about women’s social role are highlighted. Then, the focus moves to the sentimental education of Teseida’s protago\u0002nist, which is based on the rejection of the “lascivious Venus” and feelings of guilt about the lethal consequences of love. The last character is Terza Emilia, one of the virtuous women in the De mulieribus claris, who is presented as a paradigm of female virtue because of her tolerance of her husband’s (Scipio Africanus) intemperance, aimed at preserving his glorious reputation. The second part of the paper analyses the moral characterization of these three women as the intertextual basis for the personality and story of madonna Emilia fiorentina – a clearly literary name behind which hides the unknown author of the Lettere affettuose, love correspondence printed for the first time in 1594. This macro-intertextual correlation also holds together and grants harmony and meaning to the various micro-intertextual tiles of the Affettuose, taken from (to mention just a few sources) Petrarch, Ariosto, Lorenzo de’ Medici, Firenzuola, and another \nmysterious love letter-writer, Celia Romana. Finally, the last sequences from Emilia fiorentina’s collection recount an episode that, apart from being shaped in a similar narrative fashion to the tradition of the novella, recalls the main episode in Terza Emilia’s life. The conclusion of the \nAffettuose features a critical dialogue with Boccaccio’s Fiammetta – a sort of anti-Emilia from a moral point of view – and her Ovidian ancestors, the Heroides.","internal_url":"https://www.academia.edu/61690753/Apparizioni_di_Emilia_Dal_Decameron_alle_Lettere_affettuose_di_madonna_Emilia_fiorentina_1594_","translated_internal_url":"","created_at":"2021-11-15T00:33:26.573-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":4155454,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":74662798,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/74662798/thumbnails/1.jpg","file_name":"Caiazza_Arnovit21_promo.pdf","download_url":"https://www.academia.edu/attachments/74662798/download_file","bulk_download_file_name":"Apparizioni_di_Emilia_Dal_Decameron_alle.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/74662798/Caiazza_Arnovit21_promo-libre.pdf?1636965552=\u0026response-content-disposition=attachment%3B+filename%3DApparizioni_di_Emilia_Dal_Decameron_alle.pdf\u0026Expires=1738673633\u0026Signature=WUW9G9uONZRU5L0q92mL41wCoqVaCDFE8q7LlYbHcqThh863CXf1wGoAgYPRhVhfQKkQzQVYWxDdNJhOinABeZXTYVy2PC9UXd-NM9yao4Y6Z52~qvqs~HpYjJ9bFw-OxP7gQ3Da70MEvxaETgKd71H0Cd6uJMzyYf1tXuH-8t-0pltKccMSBMoaUF1dAuhUSZgR~impC9Xfu-Fff1ZbucyGFAyTw-qaPggyu-D1kOGryMBsm~viJmHhFkIDeSc2vwVcKkOAFHR-cZAfp~VBNvChKzulL94ZwLZHzg7TjQK3BFXQrRiARTZriIpCv4zifnuwnGMxi6HVLDfvBXqh0Q__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Apparizioni_di_Emilia_Dal_Decameron_alle_Lettere_affettuose_di_madonna_Emilia_fiorentina_1594_","translated_slug":"","page_count":1,"language":"it","content_type":"Work","summary":"Apparizioni di Emilia. Dal Decameron alle Lettere affettuose di madonna Emilia fiorentina (1594) Incarnations of Emilia: from the Decameron to the Lettere affettuose di madonna Emilia fiorentina (1594) Abstracts L'intervento parte dalla ricostruzione dei profili di tre personaggi boccacciani identificati dall'antroponimo Emilia, individuando il filo rosso che li collega in una caratterizzazione morale basata sul rifiuto della lascivia e su un'idea di virtù muliebre severa e rigida, non estranea alla dimensione spirituale. Ripercorrendo le azioni e i discorsi della narratrice decameroniana denominata Emilia, si evidenziano soprattutto il sostrato dantesco e purgatoriale della sua caratterizzazione, e le sue idee sul ruolo sociale e sul comportamento femminile. A seguire, si ricostruisce l'educazione sentimentale della protagonista del Teseida, basata sul rifiuto della Venere lasciva e sull'interiorizzazione della responsabilità delle nefaste conseguenze dell'amore. Si analizza infine l'esemplarità di Terza Emilia, personaggio del De mulieribus claris, che si fonda sulla virtù della sopportazione e sulla capacità di mettere da parte sé stessa per non danneggiare la reputazione del marito. Tra Emilia fiorentina, \"casta amante\" post-tridentina e autrice di una raccolta di Lettere affettuose (ovvero \"amorose\" private della componente sensuale), e i personaggi boccacciani si coglie un rapporto intertestuale basato sulla caratterizzazione morale, a partire dal quale l'ignota nobildonna delinea un peculiare modello di amore \"fervente e casto\" in grado di inglobare e armonizzare micro-tessere intertestuali tratte da diversi autori, tra cui Petrarca, Ariosto, Lorenzo de' Medici, Firenzuola e un'altra misteriosa epistolografa d'amore, Celia Romana. Infine, si analizzano le ultime sezioni dell'epistolario, le quali, avvicinandosi all'episodio centrale della biografia di Terza Emilia, abbandonano le movenze riflessive e introspettive della prima parte per sconfinare nel terreno della novellistica e per terminare, in una conclusione elegiaca, nel dialogo con la Fiammetta e le Heroides.\n\nIncarnations of Emilia: from the Decameron to the Lettere affettuose di madonna Emilia fiorentina (1594)\nThe first part of this paper retraces the features of three characters from Boccaccio’s works named Emilia, who are connected to each other through a moral characterization based on the refusal of lasciviousness and on a strict and narrow idea of feminine virtue as modesty and spirit\u0002uality. The first Emilia is one of the ten Decameron narrators: through the analysis of her behav\u0002iour and speeches, the connections with Dante’s Purgatory and her ideas about women’s social role are highlighted. Then, the focus moves to the sentimental education of Teseida’s protago\u0002nist, which is based on the rejection of the “lascivious Venus” and feelings of guilt about the lethal consequences of love. The last character is Terza Emilia, one of the virtuous women in the De mulieribus claris, who is presented as a paradigm of female virtue because of her tolerance of her husband’s (Scipio Africanus) intemperance, aimed at preserving his glorious reputation. The second part of the paper analyses the moral characterization of these three women as the intertextual basis for the personality and story of madonna Emilia fiorentina – a clearly literary name behind which hides the unknown author of the Lettere affettuose, love correspondence printed for the first time in 1594. This macro-intertextual correlation also holds together and grants harmony and meaning to the various micro-intertextual tiles of the Affettuose, taken from (to mention just a few sources) Petrarch, Ariosto, Lorenzo de’ Medici, Firenzuola, and another \nmysterious love letter-writer, Celia Romana. Finally, the last sequences from Emilia fiorentina’s collection recount an episode that, apart from being shaped in a similar narrative fashion to the tradition of the novella, recalls the main episode in Terza Emilia’s life. The conclusion of the \nAffettuose features a critical dialogue with Boccaccio’s Fiammetta – a sort of anti-Emilia from a moral point of view – and her Ovidian ancestors, the Heroides.","owner":{"id":4155454,"first_name":"Ida","middle_initials":null,"last_name":"Caiazza","page_name":"IdaCaiazza","domain_name":"uio","created_at":"2013-05-12T22:55:37.272-07:00","display_name":"Ida Caiazza","url":"https://uio.academia.edu/IdaCaiazza"},"attachments":[{"id":74662798,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/74662798/thumbnails/1.jpg","file_name":"Caiazza_Arnovit21_promo.pdf","download_url":"https://www.academia.edu/attachments/74662798/download_file","bulk_download_file_name":"Apparizioni_di_Emilia_Dal_Decameron_alle.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/74662798/Caiazza_Arnovit21_promo-libre.pdf?1636965552=\u0026response-content-disposition=attachment%3B+filename%3DApparizioni_di_Emilia_Dal_Decameron_alle.pdf\u0026Expires=1738673633\u0026Signature=WUW9G9uONZRU5L0q92mL41wCoqVaCDFE8q7LlYbHcqThh863CXf1wGoAgYPRhVhfQKkQzQVYWxDdNJhOinABeZXTYVy2PC9UXd-NM9yao4Y6Z52~qvqs~HpYjJ9bFw-OxP7gQ3Da70MEvxaETgKd71H0Cd6uJMzyYf1tXuH-8t-0pltKccMSBMoaUF1dAuhUSZgR~impC9Xfu-Fff1ZbucyGFAyTw-qaPggyu-D1kOGryMBsm~viJmHhFkIDeSc2vwVcKkOAFHR-cZAfp~VBNvChKzulL94ZwLZHzg7TjQK3BFXQrRiARTZriIpCv4zifnuwnGMxi6HVLDfvBXqh0Q__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":1053,"name":"History of Ideas","url":"https://www.academia.edu/Documents/in/History_of_Ideas"},{"id":7887,"name":"Italian Literature","url":"https://www.academia.edu/Documents/in/Italian_Literature"},{"id":10232,"name":"Intertextuality","url":"https://www.academia.edu/Documents/in/Intertextuality"},{"id":16923,"name":"Early Modern Italy","url":"https://www.academia.edu/Documents/in/Early_Modern_Italy"},{"id":35262,"name":"Marriage (History)","url":"https://www.academia.edu/Documents/in/Marriage_History_"},{"id":130262,"name":"The Novella","url":"https://www.academia.edu/Documents/in/The_Novella"},{"id":229030,"name":"Letteratura italiana","url":"https://www.academia.edu/Documents/in/Letteratura_italiana"},{"id":321409,"name":"Giovanni Boccaccio","url":"https://www.academia.edu/Documents/in/Giovanni_Boccaccio"},{"id":336554,"name":"Teseida","url":"https://www.academia.edu/Documents/in/Teseida"},{"id":408761,"name":"Boccaccio, Decameron","url":"https://www.academia.edu/Documents/in/Boccaccio_Decameron"},{"id":444101,"name":"Intertextuality and Allusion","url":"https://www.academia.edu/Documents/in/Intertextuality_and_Allusion"},{"id":642528,"name":"History of Emotions","url":"https://www.academia.edu/Documents/in/History_of_Emotions-1"},{"id":766529,"name":"Età Post-tridentina","url":"https://www.academia.edu/Documents/in/Eta_Post-tridentina"},{"id":940061,"name":"Teseida Boccaccio","url":"https://www.academia.edu/Documents/in/Teseida_Boccaccio"},{"id":1284916,"name":"De Mulieribus Claris","url":"https://www.academia.edu/Documents/in/De_Mulieribus_Claris"},{"id":1351104,"name":"Women In the Decameron","url":"https://www.academia.edu/Documents/in/Women_In_the_Decameron"},{"id":1375425,"name":"Post Tridentine Period","url":"https://www.academia.edu/Documents/in/Post_Tridentine_Period"},{"id":2802840,"name":"Lettere amorose","url":"https://www.academia.edu/Documents/in/Lettere_amorose"},{"id":3863718,"name":"Giovanni Boccaccio's De Mulieribus Claris","url":"https://www.academia.edu/Documents/in/Giovanni_Boccaccios_De_Mulieribus_Claris"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="44606782"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/44606782/_2020_A_Dissolute_Swedish_Woman_in_Sicily_The_Character_of_Ingrid_Sj%C3%B6str%C3%B6m_in_the_Montalbano_Series_by_Andrea_Camilleri"><img alt="Research paper thumbnail of (2020) A "Dissolute" Swedish Woman in Sicily. The Character of Ingrid Sjöström in the Montalbano Series by Andrea Camilleri" class="work-thumbnail" src="https://attachments.academia-assets.com/65070657/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/44606782/_2020_A_Dissolute_Swedish_Woman_in_Sicily_The_Character_of_Ingrid_Sj%C3%B6str%C3%B6m_in_the_Montalbano_Series_by_Andrea_Camilleri">(2020) A "Dissolute" Swedish Woman in Sicily. The Character of Ingrid Sjöström in the Montalbano Series by Andrea Camilleri</a></div><div class="wp-workCard_item"><span>Scandinavia through Sunglasses. Spaces of Cultural Exchange between Southern/Southeastern Europe and Nordic Countries, Elizaveta Khachaturyan and Álvaro Llosa Sanz (eds.)</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Detective Montalbano (the successful character invented by Andrea Camilleri) lives in a tradition...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Detective Montalbano (the successful character invented by Andrea Camilleri) lives in a traditional Sicilian town and has a Swedish female friend called Ingrid, who is a scandalous woman, as she retains her freedom and is the opposite of the ideal woman in the Sicilian imaginary. This article examines what the prejudices against Ingrid say about the way Northern femininity is seen in a realistic (although fictional) Sicilian environment. Moreover, it refers to the literary tradition of “criticism of costumes” (and to Sicilian writers as Lampedusa and Sciascia): just as in Montesquieu’s Lettres Persanes the two Persians’ perspective is used to stigmatize the absurdities of French society, in Camilleri’s novels the “Nordic” point of view rectifies the angle on the “dark side” of Sicily. It shows parts of Sicilian culture which are sometimes regrettably considered ineradicable, such as sexism and the mafia, in their abnormality and undesirability.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="98c78503b9a04fbf28a64d5d113543e1" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":65070657,"asset_id":44606782,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/65070657/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="44606782"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="44606782"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44606782; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=44606782]").text(description); $(".js-view-count[data-work-id=44606782]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 44606782; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='44606782']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "98c78503b9a04fbf28a64d5d113543e1" } } $('.js-work-strip[data-work-id=44606782]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":44606782,"title":"(2020) A \"Dissolute\" Swedish Woman in Sicily. The Character of Ingrid Sjöström in the Montalbano Series by Andrea Camilleri","internal_url":"https://www.academia.edu/44606782/_2020_A_Dissolute_Swedish_Woman_in_Sicily_The_Character_of_Ingrid_Sj%C3%B6str%C3%B6m_in_the_Montalbano_Series_by_Andrea_Camilleri","owner_id":4155454,"coauthors_can_edit":true,"owner":{"id":4155454,"first_name":"Ida","middle_initials":null,"last_name":"Caiazza","page_name":"IdaCaiazza","domain_name":"uio","created_at":"2013-05-12T22:55:37.272-07:00","display_name":"Ida Caiazza","url":"https://uio.academia.edu/IdaCaiazza"},"attachments":[{"id":65070657,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/65070657/thumbnails/1.jpg","file_name":"Estratto_Dissolute_Swedish_Woman_1.pdf","download_url":"https://www.academia.edu/attachments/65070657/download_file","bulk_download_file_name":"2020_A_Dissolute_Swedish_Woman_in_Sicil.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/65070657/Estratto_Dissolute_Swedish_Woman_1-libre.pdf?1606754404=\u0026response-content-disposition=attachment%3B+filename%3D2020_A_Dissolute_Swedish_Woman_in_Sicil.pdf\u0026Expires=1739833472\u0026Signature=S7jnQcJs1QVaSfHWEOShIm909XczANIAZbtbapBfPqeYDtXfCoJ1lNixB0UTbQFW7WhgWDlxjaQscoevXV1qK1jlAFdvLbERUiBUo09PTWOpRJIfIm26QCllFCTo2hotX3Ge4Bm0uZg~XeaFir~sMzwlSzTfhEx99u2vZ4k3GmKDko66tu35OxbORj0k1gzR6xkbDrKY10zDqviAx6OFjK7BSdPsmBFx~7yfIC6p6rJI1ZC4wp-GFEn9QoYauDCp73KJS-UD2nneBI-CE8e1OgVwdyn5RKFc7wTknvlSGluWr~IC-VBTiu56~z~u5d-Tw5u95M4QmD9InuUMbo1LRg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="44604020"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/44604020/_2019_Novelle_epistolari_nel_primo_Cinquecento_Il_Rifugio_di_amanti_di_Giovanni_Antonio_Tagliente_tra_Petrarca_Boccaccio_e_Boncompagno_da_Signa"><img alt="Research paper thumbnail of (2019) Novelle epistolari nel primo Cinquecento. Il Rifugio di amanti di Giovanni Antonio Tagliente tra Petrarca, Boccaccio e Boncompagno da Signa" class="work-thumbnail" src="https://attachments.academia-assets.com/65066878/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/44604020/_2019_Novelle_epistolari_nel_primo_Cinquecento_Il_Rifugio_di_amanti_di_Giovanni_Antonio_Tagliente_tra_Petrarca_Boccaccio_e_Boncompagno_da_Signa">(2019) Novelle epistolari nel primo Cinquecento. Il Rifugio di amanti di Giovanni Antonio Tagliente tra Petrarca, Boccaccio e Boncompagno da Signa</a></div><div class="wp-workCard_item"><span>ArNovIt - Archivio Novellistico Italiano. Dal Novellino a Basile, 4/2019</span><span>, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This paper analyses the two-fold specificity of Tagliente's Rifugio: a peculiar structure (derivi...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This paper analyses the two-fold specificity of Tagliente's Rifugio: a peculiar structure (deriving from the fusion of the epistle and the novella) and the simultaneous presence of three different models: Petrarch, Boccaccio, the Rota Veneris. The Rifugio was born in a period of literary freedom, granted by the lack of a narrow definition of both the epistle and the novella. Thus, it was possible for its author to widely experiment in contents, narrative structures, social and behavioural models.<br /><br />Il contributo analizza la specificità del Rifugio di Tagliente, data dalla peculiare configurazione strutturale (la forma-lettera fusa con la novella) e dall'intrecciarsi di tre linee imitative: Petrarca, Boccaccio, la Rota Veneris. Colloca l'opera entro il periodo in cui l'assenza di definizioni e regole e per la novella e per il genere epistolare ancora garantiva libertà di sperimentazione nei contenuti narrati, nelle forme della diegesi, nella concezione dei rapporti sociali e dei comportamenti.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="2756134642083e0de767c1f1685b7583" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":65066878,"asset_id":44604020,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/65066878/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="44604020"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="44604020"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44604020; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=44604020]").text(description); $(".js-view-count[data-work-id=44604020]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 44604020; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='44604020']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "2756134642083e0de767c1f1685b7583" } } $('.js-work-strip[data-work-id=44604020]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":44604020,"title":"(2019) Novelle epistolari nel primo Cinquecento. Il Rifugio di amanti di Giovanni Antonio Tagliente tra Petrarca, Boccaccio e Boncompagno da Signa","internal_url":"https://www.academia.edu/44604020/_2019_Novelle_epistolari_nel_primo_Cinquecento_Il_Rifugio_di_amanti_di_Giovanni_Antonio_Tagliente_tra_Petrarca_Boccaccio_e_Boncompagno_da_Signa","owner_id":4155454,"coauthors_can_edit":true,"owner":{"id":4155454,"first_name":"Ida","middle_initials":null,"last_name":"Caiazza","page_name":"IdaCaiazza","domain_name":"uio","created_at":"2013-05-12T22:55:37.272-07:00","display_name":"Ida Caiazza","url":"https://uio.academia.edu/IdaCaiazza"},"attachments":[{"id":65066878,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/65066878/thumbnails/1.jpg","file_name":"Novelle_in_lettere_Tagliente.pdf","download_url":"https://www.academia.edu/attachments/65066878/download_file","bulk_download_file_name":"2019_Novelle_epistolari_nel_primo_Cinqu.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/65066878/Novelle_in_lettere_Tagliente-libre.pdf?1606735914=\u0026response-content-disposition=attachment%3B+filename%3D2019_Novelle_epistolari_nel_primo_Cinqu.pdf\u0026Expires=1739833472\u0026Signature=hD9mJwyp9lIE~DBzsRmXs7F~DLyvZvQ8C679Avnsq~D85KKdVycqnZWlcPuWBNACdCCH7EiV40EoCoac4PvL~mXcBLqG0i53PguT~aWoKYD3QcskZ5T6nWN6Cem2Z~w~PyUmhlmgMCMKk4N73bjtTZPKdTbdTwK4uFUgs7Tecvd0s~LeR2I87nIpeFOFHXZV62RA-ZTRN6FkbxTXScqyj8zKDYYuyQdyUPYk5rEnVzZ41~Sb3hBO8iX~K0QpGSmZE3121dKfYejuXJ7BUAcdSlCN24SE~ud4ktyGELT9j1w7za7U9PSFoCdpznkIk2B65ezOgZ0O3gQqWg3m-ZiFhQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="44629171"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/44629171/_2019_Fino_a_qui_non_si_legge_cosa_che_bona_sia_se_non_quel_tanto_ch%C3%A8_uscito_dalle_mie_mani_Sansovino_e_le_lettere_amorose"><img alt="Research paper thumbnail of (2019) «Fino a qui non si legge cosa che bona sia, se non quel tanto ch'è uscito dalle mie mani». Sansovino e le lettere amorose" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/44629171/_2019_Fino_a_qui_non_si_legge_cosa_che_bona_sia_se_non_quel_tanto_ch%C3%A8_uscito_dalle_mie_mani_Sansovino_e_le_lettere_amorose">(2019) «Fino a qui non si legge cosa che bona sia, se non quel tanto ch'è uscito dalle mie mani». Sansovino e le lettere amorose</a></div><div class="wp-workCard_item"><span>Francesco Sansovino scrittore del mondo, Atti del convegno internazionale di studi, Pisa, 5-6-7 dicembre 2018, a cura di Luca D'Onghia e Daniele Musto, Edizioni di Archilet, 2019</span><span>, 2019</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="44629171"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="44629171"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44629171; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=44629171]").text(description); $(".js-view-count[data-work-id=44629171]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 44629171; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='44629171']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=44629171]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":44629171,"title":"(2019) «Fino a qui non si legge cosa che bona sia, se non quel tanto ch'è uscito dalle mie mani». Sansovino e le lettere amorose","internal_url":"https://www.academia.edu/44629171/_2019_Fino_a_qui_non_si_legge_cosa_che_bona_sia_se_non_quel_tanto_ch%C3%A8_uscito_dalle_mie_mani_Sansovino_e_le_lettere_amorose","owner_id":4155454,"coauthors_can_edit":true,"owner":{"id":4155454,"first_name":"Ida","middle_initials":null,"last_name":"Caiazza","page_name":"IdaCaiazza","domain_name":"uio","created_at":"2013-05-12T22:55:37.272-07:00","display_name":"Ida Caiazza","url":"https://uio.academia.edu/IdaCaiazza"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="44605849"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/44605849/_2018_LOrtis_o_la_corrispondenza_amorosa_negata_Archetipi_epistolari_amorosi_in_Foscolo"><img alt="Research paper thumbnail of (2018) L'Ortis o la corrispondenza amorosa negata. Archetipi epistolari-amorosi in Foscolo" class="work-thumbnail" src="https://attachments.academia-assets.com/65069516/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/44605849/_2018_LOrtis_o_la_corrispondenza_amorosa_negata_Archetipi_epistolari_amorosi_in_Foscolo">(2018) L'Ortis o la corrispondenza amorosa negata. Archetipi epistolari-amorosi in Foscolo</a></div><div class="wp-workCard_item"><span>Italienisch 79/2018</span><span>, 2018</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The paper conveys that, in Foscolo's "Ultime lettere di Jacopo Ortis", the traditional literary e...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The paper conveys that, in Foscolo's "Ultime lettere di Jacopo Ortis", the traditional literary elements of love correspondences appear to be laid out in patterns that foreshadow the tragic configuration of the novel, the two main patterns being called by the author "denial" and "diversion". The traditional literary elements of love correspondences are not censored at all in the novel, even though the outcome of the love story is not a positive one; instead, they are abundantly present in Ortis's letters, but only attempted and outlined, and subsequently denied or diverted, as the impossibility of the love for Teresa becomes clear to Jacopo. Thus, they work as the literary counterpart of the novel's love côté: they are evoked but then denied or diverted, just as the love for Teresa is desired but then sorrowfully given up. In conclusion, the epistolary form and tradition, far from being an inert frame, is shown as a fundamental element that significantly helps building the meaning and shaping the content of the novel.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="6a00ef610190f909aa1b9a196dc1a9ac" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":65069516,"asset_id":44605849,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/65069516/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="44605849"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="44605849"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44605849; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=44605849]").text(description); $(".js-view-count[data-work-id=44605849]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 44605849; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='44605849']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "6a00ef610190f909aa1b9a196dc1a9ac" } } $('.js-work-strip[data-work-id=44605849]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":44605849,"title":"(2018) L'Ortis o la corrispondenza amorosa negata. Archetipi epistolari-amorosi in Foscolo","internal_url":"https://www.academia.edu/44605849/_2018_LOrtis_o_la_corrispondenza_amorosa_negata_Archetipi_epistolari_amorosi_in_Foscolo","owner_id":4155454,"coauthors_can_edit":true,"owner":{"id":4155454,"first_name":"Ida","middle_initials":null,"last_name":"Caiazza","page_name":"IdaCaiazza","domain_name":"uio","created_at":"2013-05-12T22:55:37.272-07:00","display_name":"Ida Caiazza","url":"https://uio.academia.edu/IdaCaiazza"},"attachments":[{"id":65069516,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/65069516/thumbnails/1.jpg","file_name":"CAIAZZA_Foscolo.pdf","download_url":"https://www.academia.edu/attachments/65069516/download_file","bulk_download_file_name":"2018_LOrtis_o_la_corrispondenza_amorosa.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/65069516/CAIAZZA_Foscolo-libre.pdf?1606747091=\u0026response-content-disposition=attachment%3B+filename%3D2018_LOrtis_o_la_corrispondenza_amorosa.pdf\u0026Expires=1739833472\u0026Signature=JTvn7WuNc~ntC8SxUDYAYAkP6J1hC0DztJf4HOpl8bxWdiZzuPrh45~bcizxwh0I1zJovHeuqGeAkrhKw1iqJ-PJED1kVcjVDSQspEYN-LHZM~4KJ3iqjxSFaMxG-FrgQFzNxKpoRaMtCoUXCeD2gIYsJfUhqGTRlNgOsGE6j-xf~04f-OMYbgk9qTtY~KIy4o7u6Igjf8otzvmZqiccctN4lGDiXT8718Bov7JfsUj2jN7wwB8DpKGPaISOVU2WDZis9E0Onyup6khC5cqn1FR8XnX6aX8vAzc~WmuAa-ZmU0Hws8BC6PSxVUJ7BWScN-EuxSpmIG82upqHK6Co4w__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="44628363"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/44628363/_2018_Pettegolezzi_epistolari_cinquecenteschi_La_censura_al_servizio_del_marketing_editoriale_"><img alt="Research paper thumbnail of (2018) Pettegolezzi epistolari cinquecenteschi. La censura al servizio del "marketing editoriale"." class="work-thumbnail" src="https://attachments.academia-assets.com/65097899/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/44628363/_2018_Pettegolezzi_epistolari_cinquecenteschi_La_censura_al_servizio_del_marketing_editoriale_">(2018) Pettegolezzi epistolari cinquecenteschi. La censura al servizio del "marketing editoriale".</a></div><div class="wp-workCard_item"><span>Spazi bianchi. Le espressioni letterarie, linguistiche e visive dell'assenza, a cura di Alfonsina Buoninconto, Raffaele Cesaro, Gerardo Salvati, Rubbettino, Soveria Mannelli</span><span>, 2018</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Il contributo indaga aspetti di promozione editoriale di alcune raccolte di lettere amorose del C...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Il contributo indaga aspetti di promozione editoriale di alcune raccolte di lettere amorose del Cinquecento, e in particolare alcune delle strategie escogitate dai mediatori culturali e degli operatori editoriali per adeguare le pubblicazioni al mutare dei gusti e delle richieste del pubblico. Ci si sofferma sulle raccolte di Pietro Bembo e Alvise Pasqualigo e si accenna brevemente a due raccolte attribuite a donne celate dietro pseudonimi, Celia Romana ed Emilia Fiorentina.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="94a8317882ce99a4394bed656f69a404" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":65097899,"asset_id":44628363,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/65097899/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="44628363"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="44628363"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44628363; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=44628363]").text(description); $(".js-view-count[data-work-id=44628363]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 44628363; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='44628363']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "94a8317882ce99a4394bed656f69a404" } } $('.js-work-strip[data-work-id=44628363]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":44628363,"title":"(2018) Pettegolezzi epistolari cinquecenteschi. La censura al servizio del \"marketing editoriale\".","internal_url":"https://www.academia.edu/44628363/_2018_Pettegolezzi_epistolari_cinquecenteschi_La_censura_al_servizio_del_marketing_editoriale_","owner_id":4155454,"coauthors_can_edit":true,"owner":{"id":4155454,"first_name":"Ida","middle_initials":null,"last_name":"Caiazza","page_name":"IdaCaiazza","domain_name":"uio","created_at":"2013-05-12T22:55:37.272-07:00","display_name":"Ida Caiazza","url":"https://uio.academia.edu/IdaCaiazza"},"attachments":[{"id":65097899,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/65097899/thumbnails/1.jpg","file_name":"Pettegolezzi_epistolari.pdf","download_url":"https://www.academia.edu/attachments/65097899/download_file","bulk_download_file_name":"2018_Pettegolezzi_epistolari_cinquecent.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/65097899/Pettegolezzi_epistolari-libre.pdf?1607011804=\u0026response-content-disposition=attachment%3B+filename%3D2018_Pettegolezzi_epistolari_cinquecent.pdf\u0026Expires=1739833472\u0026Signature=ZyJl8V-FXACJWej2410ESI07mvTQBsVCBSOAtYQrjd08jSVSggP~3At2T~iVFCTPNrvNk0-1Dx00rrdyg7T2-dbz1fVQIUEuJGR0nNK27vN8JzlpPygKPmgcvncUT2ViF7B6zvF8qsvXrmJHYy95N2wtT2kvLJSbfwE0zWoW85vJQSX2xPlR5~zgFysv~UeCcjzrd0apBoLWLWFoizSVUp1PiLZWJeHF0Kh00lCPhrKNyJkxM~2-q2tQ7JZsoT7PrfCoQThmhJwPcljr2NpOkHQ89qWAfG5WqVvYbZnWRX8c8FaXy9Y-x3C~em9EOzFnLf3yn~yy9qlmdvYpqST~hA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="44628567"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/44628567/_2017_Metamorfosi_editoriali_di_epistolari_cinquecenteschi"><img alt="Research paper thumbnail of (2017) Metamorfosi editoriali di epistolari cinquecenteschi" class="work-thumbnail" src="https://attachments.academia-assets.com/65098147/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/44628567/_2017_Metamorfosi_editoriali_di_epistolari_cinquecenteschi">(2017) Metamorfosi editoriali di epistolari cinquecenteschi</a></div><div class="wp-workCard_item"><span>Edito, riedito, inedito. Saggi dall'XI Congresso degli Italianisti Scandinavi, Università del Dalarna - Falun, 9-11 giugno 2016, a cura di Vera Nigrisoli Wärnhielm, Alessandro Aresti, Gianluca Colella e Marco Gargiulo, Pisa University Press, 2017</span><span>, 2017</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">In the XVI century, the love letter collections were a successful product of the fledgling Italia...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In the XVI century, the love letter collections were a successful product of the fledgling Italian printing industry, which aimed to sell as many books as possible while investing as little as possible. Thus, collections needed to be printed very soon after they were written, and adapted to accommodate variations in readers’ taste over the years. Indeed, analysis shows that printing of some texts began even before their writing was completed; others were considerably modified from the editio princeps when subsequently re-printed.<br />After a brief summary of the cases of the Amorose by Parabosco and Sansovino (both fictional), the “metamorphosis” of the books by Bembo and Pasqualigo (both composed of real letters revised for publication) are analysed in depth.<br />Bembo’s letters to Lucrezia Borgia and Maria Savorgnan, originally a separate section of his manuscript Epistolario, were printed posthumously as Lettere amorose in the XVI century, and finally published in the XX century together with the letters by the female interlocutors (until then buried in the archives).<br />The Amorose by Pasqualigo and his lover Vittoria were published anonymously in 1563 and presented as the evidence of a scandal involving Venetian patricians. In 1567 they were increased in number and modified in such a way as to suggest they could be the fictional work of man of letters Alvise Pasqualigo. Finally, their plot became the basis of a comedy by the same author (1576), and of a short story by Adolfo Albertazzi (1895).</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="cd0941c7bf26ac81f2272a29f012babd" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":65098147,"asset_id":44628567,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/65098147/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="44628567"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="44628567"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44628567; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=44628567]").text(description); $(".js-view-count[data-work-id=44628567]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 44628567; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='44628567']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "cd0941c7bf26ac81f2272a29f012babd" } } $('.js-work-strip[data-work-id=44628567]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":44628567,"title":"(2017) Metamorfosi editoriali di epistolari cinquecenteschi","internal_url":"https://www.academia.edu/44628567/_2017_Metamorfosi_editoriali_di_epistolari_cinquecenteschi","owner_id":4155454,"coauthors_can_edit":true,"owner":{"id":4155454,"first_name":"Ida","middle_initials":null,"last_name":"Caiazza","page_name":"IdaCaiazza","domain_name":"uio","created_at":"2013-05-12T22:55:37.272-07:00","display_name":"Ida Caiazza","url":"https://uio.academia.edu/IdaCaiazza"},"attachments":[{"id":65098147,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/65098147/thumbnails/1.jpg","file_name":"ESTRATTO_METAMORFOSI_EDITORIALI_Edito_inedito_riedito.pdf","download_url":"https://www.academia.edu/attachments/65098147/download_file","bulk_download_file_name":"2017_Metamorfosi_editoriali_di_epistola.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/65098147/ESTRATTO_METAMORFOSI_EDITORIALI_Edito_inedito_riedito-libre.pdf?1607017699=\u0026response-content-disposition=attachment%3B+filename%3D2017_Metamorfosi_editoriali_di_epistola.pdf\u0026Expires=1739708446\u0026Signature=O7NDM7KbYwqHOOmDIDsGipQwJ5s8j0GRHqXvity0kFT3k95IvlOfWrsLWMEgyA54gHRDKFd9jlKznVzF38M0dLq3PxJ7KEqVu~Hc2IbuzGMDjIbrXbyCW~3AsT8JfFCLCC3fMgniJtVYkkw5Xs5foYxz8wfBMYar2SFAgR9cxIADeigftuwtcv5bsRfXR3twRo8uy9Ev1neGKN9SJY9H0DF69vJ7CC4peTQ~nEr4hIpZNXmnZPDXw8wLaUM4VmdabDPpn37vztXSlxtAjpbJQrO7QXDIH1I0c-O9d93JwpL7uKakI78g6kCRwghaygjK91jSraaK3bjxKZpP9F~q~w__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="44629022"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/44629022/_2014_Alvise_Pasqualigo_e_il_suo_romanzo_epistolare_le_Lettere_amorose_dalla_relazione_alla_corrispondenza"><img alt="Research paper thumbnail of (2014) Alvise Pasqualigo e il suo romanzo epistolare, le Lettere amorose, dalla relazione alla corrispondenza" class="work-thumbnail" src="https://attachments.academia-assets.com/65098653/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/44629022/_2014_Alvise_Pasqualigo_e_il_suo_romanzo_epistolare_le_Lettere_amorose_dalla_relazione_alla_corrispondenza">(2014) Alvise Pasqualigo e il suo romanzo epistolare, le Lettere amorose, dalla relazione alla corrispondenza</a></div><div class="wp-workCard_item"><span>Italianistica, 2014/1, pp. 77-106</span><span>, 2014</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This critical analysis is the first to deal with the works of the Venetian sixteenth-century poet...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This critical analysis is the first to deal with the works of the Venetian sixteenth-century poet, dramatist, epistles writer Alvise Pasqualigo as a whole, which until now have either been neglected or only considered individually, giving us the opportunity to use their comparison as a critical instrument. It particularly focuses on Pasqualigo’s Lettere amorose, which were anonymously printed in 1563, and on whose definition as ‘the first modern epistolary novel’ scholars have mostly debated. This critical point of view shifts from the identification of ‘genre’ to literary typology, as it is undeniably narrative in the second version. Thanks to this change of perspective, it is possible to go further in the research, by means of considering the text both as a literary expression and as a product of the printing industry, which even the publisher and the editor, as well as the Author himself, significantly contributed to in shape and form. Another interesting aspect which is here underlined for the first time is the coexistence of two different  versions of the Lettere amorose: the first one is presented as a ‘document’ of a scandalous affair involving well known people, whereas the second one takes advantage of the structures of the epistolary form to build the plot and explicitly repudiates the idea of the «vero parto» conveyed in 1563. The development from one to the other is recognized as a maneuver steered by the editor Francesco Sansovino (known for his professional interests in the epistolary form and in the love debate) and is followed in its being constructed by means of editorial ‘tactics and schemes’.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="ec79a698c5f44abd1d97fe8864c7b916" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":65098653,"asset_id":44629022,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/65098653/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="44629022"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="44629022"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44629022; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=44629022]").text(description); $(".js-view-count[data-work-id=44629022]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 44629022; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='44629022']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "ec79a698c5f44abd1d97fe8864c7b916" } } $('.js-work-strip[data-work-id=44629022]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":44629022,"title":"(2014) Alvise Pasqualigo e il suo romanzo epistolare, le Lettere amorose, dalla relazione alla corrispondenza","translated_title":"","metadata":{"doi":"10.1400/224695","issue":"43","volume":"1","abstract":"This critical analysis is the first to deal with the works of the Venetian sixteenth-century poet, dramatist, epistles writer Alvise Pasqualigo as a whole, which until now have either been neglected or only considered individually, giving us the opportunity to use their comparison as a critical instrument. It particularly focuses on Pasqualigo’s Lettere amorose, which were anonymously printed in 1563, and on whose definition as ‘the first modern epistolary novel’ scholars have mostly debated. This critical point of view shifts from the identification of ‘genre’ to literary typology, as it is undeniably narrative in the second version. Thanks to this change of perspective, it is possible to go further in the research, by means of considering the text both as a literary expression and as a product of the printing industry, which even the publisher and the editor, as well as the Author himself, significantly contributed to in shape and form. Another interesting aspect which is here underlined for the first time is the coexistence of two different versions of the Lettere amorose: the first one is presented as a ‘document’ of a scandalous affair involving well known people, whereas the second one takes advantage of the structures of the epistolary form to build the plot and explicitly repudiates the idea of the «vero parto» conveyed in 1563. The development from one to the other is recognized as a maneuver steered by the editor Francesco Sansovino (known for his professional interests in the epistolary form and in the love debate) and is followed in its being constructed by means of editorial ‘tactics and schemes’.","page_numbers":"77-106","publication_date":{"day":null,"month":null,"year":2014,"errors":{}},"publication_name":"Italianistica, 2014/1, pp. 77-106"},"translated_abstract":"This critical analysis is the first to deal with the works of the Venetian sixteenth-century poet, dramatist, epistles writer Alvise Pasqualigo as a whole, which until now have either been neglected or only considered individually, giving us the opportunity to use their comparison as a critical instrument. It particularly focuses on Pasqualigo’s Lettere amorose, which were anonymously printed in 1563, and on whose definition as ‘the first modern epistolary novel’ scholars have mostly debated. This critical point of view shifts from the identification of ‘genre’ to literary typology, as it is undeniably narrative in the second version. Thanks to this change of perspective, it is possible to go further in the research, by means of considering the text both as a literary expression and as a product of the printing industry, which even the publisher and the editor, as well as the Author himself, significantly contributed to in shape and form. Another interesting aspect which is here underlined for the first time is the coexistence of two different versions of the Lettere amorose: the first one is presented as a ‘document’ of a scandalous affair involving well known people, whereas the second one takes advantage of the structures of the epistolary form to build the plot and explicitly repudiates the idea of the «vero parto» conveyed in 1563. The development from one to the other is recognized as a maneuver steered by the editor Francesco Sansovino (known for his professional interests in the epistolary form and in the love debate) and is followed in its being constructed by means of editorial ‘tactics and schemes’.","internal_url":"https://www.academia.edu/44629022/_2014_Alvise_Pasqualigo_e_il_suo_romanzo_epistolare_le_Lettere_amorose_dalla_relazione_alla_corrispondenza","translated_internal_url":"","created_at":"2020-12-03T09:52:56.523-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":4155454,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[{"id":36017446,"work_id":44629022,"tagging_user_id":4155454,"tagged_user_id":1202702,"co_author_invite_id":null,"email":"m***o@ital.unipi.it","display_order":1,"name":"Marcello Ciccuto","title":"(2014) Alvise Pasqualigo e il suo romanzo epistolare, le Lettere amorose, dalla relazione alla corrispondenza"},{"id":36017447,"work_id":44629022,"tagging_user_id":4155454,"tagged_user_id":5859484,"co_author_invite_id":null,"email":"c***i@ital.unipi.it","affiliation":"Università di Pisa","display_order":2,"name":"Casadei Alberto","title":"(2014) Alvise Pasqualigo e il suo romanzo epistolare, le Lettere amorose, dalla relazione alla corrispondenza"},{"id":36017448,"work_id":44629022,"tagging_user_id":4155454,"tagged_user_id":12121033,"co_author_invite_id":null,"email":"f***i@unipi.it","affiliation":"Università di Pisa","display_order":3,"name":"Fabrizio Franceschini","title":"(2014) Alvise Pasqualigo e il suo romanzo epistolare, le Lettere amorose, dalla relazione alla corrispondenza"},{"id":36017450,"work_id":44629022,"tagging_user_id":4155454,"tagged_user_id":22476479,"co_author_invite_id":null,"email":"i***i@gmail.com","affiliation":"Università di Pisa","display_order":5,"name":"Irene Bertelloni","title":"(2014) Alvise Pasqualigo e il suo romanzo epistolare, le Lettere amorose, dalla relazione alla corrispondenza"},{"id":36017451,"work_id":44629022,"tagging_user_id":4155454,"tagged_user_id":15540603,"co_author_invite_id":null,"email":"o***0@yahoo.it","display_order":6,"name":"Giuseppe Sangirardi","title":"(2014) Alvise Pasqualigo e il suo romanzo epistolare, le Lettere amorose, dalla relazione alla corrispondenza"},{"id":36017452,"work_id":44629022,"tagging_user_id":4155454,"tagged_user_id":28965970,"co_author_invite_id":null,"email":"e***i@virgilio.it","display_order":7,"name":"emma giammattei","title":"(2014) Alvise Pasqualigo e il suo romanzo epistolare, le Lettere amorose, dalla relazione alla corrispondenza"},{"id":36017453,"work_id":44629022,"tagging_user_id":4155454,"tagged_user_id":null,"co_author_invite_id":6774622,"email":"l***e@sns.it","display_order":8,"name":"Lorenzo Marchese","title":"(2014) Alvise Pasqualigo e il suo romanzo epistolare, le Lettere amorose, dalla relazione alla corrispondenza"}],"downloadable_attachments":[{"id":65098653,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/65098653/thumbnails/1.jpg","file_name":"Italianistica_estratto_1_4_1_.pdf","download_url":"https://www.academia.edu/attachments/65098653/download_file","bulk_download_file_name":"2014_Alvise_Pasqualigo_e_il_suo_romanzo.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/65098653/Italianistica_estratto_1_4_1_-libre.pdf?1607021476=\u0026response-content-disposition=attachment%3B+filename%3D2014_Alvise_Pasqualigo_e_il_suo_romanzo.pdf\u0026Expires=1738791433\u0026Signature=Humn7qHzZnK0QicYyWz1xwHnN~fM5Wvw1GpgPLa~ceTSFlQ-xKzd3VLQ7I6P8NailiDJKGBRdQz3Xi3luTPe4zXOEqKTNYggdg8inYrIFH~rbs-7GpVcm1F1ShCubw2UDw5xxtFNpFO68aEon6RTv3GriWHOkO3~LqRh-~FWk5uwUy6nuwCKjxUxSmkjo~EbvZxrGQ9pcD0IeMISh3TXifVhpoXV7BSOMwajFh89BXAGyRxzRU2ir6dLN259Y7bdVDr054HfFUYFEPgiyZoS~N5VjgIHn2bHNgunUmg~gId5b-5usA83DS0uBSixHrnQJI~inL9Iyjz3BkhBqnOFnQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"_2014_Alvise_Pasqualigo_e_il_suo_romanzo_epistolare_le_Lettere_amorose_dalla_relazione_alla_corrispondenza","translated_slug":"","page_count":4,"language":"it","content_type":"Work","summary":"This critical analysis is the first to deal with the works of the Venetian sixteenth-century poet, dramatist, epistles writer Alvise Pasqualigo as a whole, which until now have either been neglected or only considered individually, giving us the opportunity to use their comparison as a critical instrument. It particularly focuses on Pasqualigo’s Lettere amorose, which were anonymously printed in 1563, and on whose definition as ‘the first modern epistolary novel’ scholars have mostly debated. This critical point of view shifts from the identification of ‘genre’ to literary typology, as it is undeniably narrative in the second version. Thanks to this change of perspective, it is possible to go further in the research, by means of considering the text both as a literary expression and as a product of the printing industry, which even the publisher and the editor, as well as the Author himself, significantly contributed to in shape and form. Another interesting aspect which is here underlined for the first time is the coexistence of two different versions of the Lettere amorose: the first one is presented as a ‘document’ of a scandalous affair involving well known people, whereas the second one takes advantage of the structures of the epistolary form to build the plot and explicitly repudiates the idea of the «vero parto» conveyed in 1563. The development from one to the other is recognized as a maneuver steered by the editor Francesco Sansovino (known for his professional interests in the epistolary form and in the love debate) and is followed in its being constructed by means of editorial ‘tactics and schemes’.","owner":{"id":4155454,"first_name":"Ida","middle_initials":null,"last_name":"Caiazza","page_name":"IdaCaiazza","domain_name":"uio","created_at":"2013-05-12T22:55:37.272-07:00","display_name":"Ida Caiazza","url":"https://uio.academia.edu/IdaCaiazza","email":"cE5iT1pwOWd1SGZvMzlHT1NPN3Bsbi9tdGdlV1lwN1lQc0dNaWkyOUJVUTd5SVJYYVBoNGFhYWRsTzlPc050cC0tYmtaamRXcVk5NDB1UjgwdytGU3o5dz09--00d2c38cfe9d7eb1812701ecd0c0a65f42f1dcbd"},"attachments":[{"id":65098653,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/65098653/thumbnails/1.jpg","file_name":"Italianistica_estratto_1_4_1_.pdf","download_url":"https://www.academia.edu/attachments/65098653/download_file","bulk_download_file_name":"2014_Alvise_Pasqualigo_e_il_suo_romanzo.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/65098653/Italianistica_estratto_1_4_1_-libre.pdf?1607021476=\u0026response-content-disposition=attachment%3B+filename%3D2014_Alvise_Pasqualigo_e_il_suo_romanzo.pdf\u0026Expires=1738791433\u0026Signature=Humn7qHzZnK0QicYyWz1xwHnN~fM5Wvw1GpgPLa~ceTSFlQ-xKzd3VLQ7I6P8NailiDJKGBRdQz3Xi3luTPe4zXOEqKTNYggdg8inYrIFH~rbs-7GpVcm1F1ShCubw2UDw5xxtFNpFO68aEon6RTv3GriWHOkO3~LqRh-~FWk5uwUy6nuwCKjxUxSmkjo~EbvZxrGQ9pcD0IeMISh3TXifVhpoXV7BSOMwajFh89BXAGyRxzRU2ir6dLN259Y7bdVDr054HfFUYFEPgiyZoS~N5VjgIHn2bHNgunUmg~gId5b-5usA83DS0uBSixHrnQJI~inL9Iyjz3BkhBqnOFnQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies"},{"id":16920,"name":"Italian philology","url":"https://www.academia.edu/Documents/in/Italian_philology"},{"id":21545,"name":"Italian Renaissance literature","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_literature"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="44629111"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/44629111/_2014_Oh_come_bene_se_gli_conviene_il_nome_chegli_tiene_I_nomi_parlanti_del_Fedele_di_Alvise_Pasqualigo"><img alt="Research paper thumbnail of (2014) «Oh come bene se gli conviene il nome [...] ch'egli tiene». I nomi parlanti del Fedele di Alvise Pasqualigo" class="work-thumbnail" src="https://attachments.academia-assets.com/65098759/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/44629111/_2014_Oh_come_bene_se_gli_conviene_il_nome_chegli_tiene_I_nomi_parlanti_del_Fedele_di_Alvise_Pasqualigo">(2014) «Oh come bene se gli conviene il nome [...] ch'egli tiene». I nomi parlanti del Fedele di Alvise Pasqualigo</a></div><div class="wp-workCard_item"><span>Il Nome nel testo </span><span>, 2014</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This article deals with the way the venetian count alvise pasqualigo (1536-1576) uses anthroponym...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This article deals with the way the venetian count alvise pasqualigo (1536-1576) uses anthroponyms in his comedy Il fedele (1576). this text was very successful in italy between the end of the 16th and the beginning of the 17th century, and also reached england and France, as it was translated into French by pierre de larivay, into latin by abraham Fraunce, and into english by anthony munday (this remake was probably read by shakespeare). as for the minor characters, the names chosen by the author usually show a semantic and sometimes etymological interaction with their personalities, which influences their behaviour and the development of their stories. in some cases, the link name/personality turns out to be antiphrastic at the end of the story; in others it is the intertextuality that leads to the correct interpretation of the anthroponym. as for the four main characters, their names interact with each other, and contribute strongly to the building of the allegorical interpretation of the whole comedy. this allegorical interpretation, which could not be understood without the semantic help of the anthroponyms, is built on two different levels: a superficial and conformist one which shows how the value of faith makes man successful in love and life; and a hidden and cynical one which reveals that the way to self-accomplishment is not real faith but its simulation (that is to say its negation).</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="7d6019b9e02e93ddce732a06f2c34d57" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":65098759,"asset_id":44629111,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/65098759/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="44629111"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="44629111"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44629111; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=44629111]").text(description); $(".js-view-count[data-work-id=44629111]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 44629111; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='44629111']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "7d6019b9e02e93ddce732a06f2c34d57" } } $('.js-work-strip[data-work-id=44629111]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":44629111,"title":"(2014) «Oh come bene se gli conviene il nome [...] ch'egli tiene». I nomi parlanti del Fedele di Alvise Pasqualigo","internal_url":"https://www.academia.edu/44629111/_2014_Oh_come_bene_se_gli_conviene_il_nome_chegli_tiene_I_nomi_parlanti_del_Fedele_di_Alvise_Pasqualigo","owner_id":4155454,"coauthors_can_edit":true,"owner":{"id":4155454,"first_name":"Ida","middle_initials":null,"last_name":"Caiazza","page_name":"IdaCaiazza","domain_name":"uio","created_at":"2013-05-12T22:55:37.272-07:00","display_name":"Ida Caiazza","url":"https://uio.academia.edu/IdaCaiazza"},"attachments":[{"id":65098759,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/65098759/thumbnails/1.jpg","file_name":"Il_Nome_nel_Testo_379_393_caiazza.pdf","download_url":"https://www.academia.edu/attachments/65098759/download_file","bulk_download_file_name":"2014_Oh_come_bene_se_gli_conviene_il_no.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/65098759/Il_Nome_nel_Testo_379_393_caiazza-libre.pdf?1607021464=\u0026response-content-disposition=attachment%3B+filename%3D2014_Oh_come_bene_se_gli_conviene_il_no.pdf\u0026Expires=1739833472\u0026Signature=OiM-Cf11GSpONYVGAouuV5-Rb9tyOn5pMurPYzSf~tkA4YM0XA9chT6ZL5NCzkYJMSrLLuKY3Ttskc0qkT879DdvGy7G6msd6nu1pkOuF1LJfq9KJ4ZagM5GHk0oEndazMWWaYdPKGjNYKeKar5Z2gJUfUydNw1m0dDerzcw4BKWlLVl-8mTUgkqskegESksR4~yl2ADgMOr6Z~GdlQfV0RckZFFmNxzzSBYtCrqdggX7zh30VfCiEbL99ZWjfwsbagLfFHHp332JgzeNzzkHqSlfL5QD08wu2nu1Ek2aW9AWWzBIwyyD0oKyePHhyyMXwDkq~Whrv36OhfTtym7eQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="44628145"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/44628145/_2014_Pasqualigo_Alvise_Dizionario_Biografico_degli_Italiani_vol_81_p_580_204"><img alt="Research paper thumbnail of (2014) Pasqualigo, Alvise - Dizionario Biografico degli Italiani - vol. 81, p. 580, 204" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/44628145/_2014_Pasqualigo_Alvise_Dizionario_Biografico_degli_Italiani_vol_81_p_580_204">(2014) Pasqualigo, Alvise - Dizionario Biografico degli Italiani - vol. 81, p. 580, 204</a></div><div class="wp-workCard_item"><span>https://www.treccani.it/enciclopedia/alvise-pasqualigo_(Dizionario-Biografico)/</span><span>, 2014</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Biografia di Alvise Pasqualigo </span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="06cb6721cfa98361a9b457df04eb624a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":65097722,"asset_id":44628145,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/65097722/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="44628145"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="44628145"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44628145; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=44628145]").text(description); $(".js-view-count[data-work-id=44628145]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 44628145; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='44628145']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "06cb6721cfa98361a9b457df04eb624a" } } $('.js-work-strip[data-work-id=44628145]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":44628145,"title":"(2014) Pasqualigo, Alvise - Dizionario Biografico degli Italiani - vol. 81, p. 580, 204","internal_url":"https://www.academia.edu/44628145/_2014_Pasqualigo_Alvise_Dizionario_Biografico_degli_Italiani_vol_81_p_580_204","owner_id":4155454,"coauthors_can_edit":true,"owner":{"id":4155454,"first_name":"Ida","middle_initials":null,"last_name":"Caiazza","page_name":"IdaCaiazza","domain_name":"uio","created_at":"2013-05-12T22:55:37.272-07:00","display_name":"Ida Caiazza","url":"https://uio.academia.edu/IdaCaiazza"},"attachments":[{"id":65097722,"title":"","file_type":"epub","scribd_thumbnail_url":"https://a.academia-assets.com/images/blank-paper.jpg","file_name":"1607009976212_21289.epub","download_url":"https://www.academia.edu/attachments/65097722/download_file","bulk_download_file_name":"2014_Pasqualigo_Alvise_Dizionario_Biogr.epub","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/65097722/1607009976212_21289.epub?1738406176=\u0026response-content-disposition=attachment%3B+filename%3D2014_Pasqualigo_Alvise_Dizionario_Biogr.epub\u0026Expires=1739769235\u0026Signature=e4tn2penriYGnWK5Aw6fKJr1ktgvmfnSSyLRXz6J9cTQGyJrIZ8GjWs7isgNNs9G5fiROERPeOa5Ry~I8pgog8CA5FAgvMcG2zOVCK3wyBhGu7mMeLdPErq5572zDwq1PXGYX1~ditdY90SMCV2xSQ0FHdoVXK-RX7k0kOvAxsoP0NyqIQNvvh98u8Y4us3FzfdnNd5ny1KY6o7TqNaTMxYjg4rMTiu282dp6O5ZG-FmhHA3RHLvgMij0RWw~hN6Bcc8wbzqDCdGaYGFpbNNlSJBnmc6TME9SWD8FtVTFmQJGjNUJ2TbZ8eYkBi5-v8JupAi6CCJ8gaWUih9~P1-PQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="44628470"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/44628470/Caiazza_Lucarini_2006_Per_lesegesi_di_Petr_Satyr_39_12"><img alt="Research paper thumbnail of Caiazza - Lucarini (2006) Per l'esegesi di Petr. Satyr. 39, 12" class="work-thumbnail" src="https://attachments.academia-assets.com/65098038/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/44628470/Caiazza_Lucarini_2006_Per_lesegesi_di_Petr_Satyr_39_12">Caiazza - Lucarini (2006) Per l'esegesi di Petr. Satyr. 39, 12</a></div><div class="wp-workCard_item"><span>Per l'esegesi di Petr. Satyr. 39, 12 "Materiali e discussioni per l'analisi dei testi classici", 57, 2006/2</span><span>, 2006</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Sul passaggio "aerumnosi, quibus prae mala sua cornua nascuntur"</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="1a0697c497efcf28435e04f3452d823f" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":65098038,"asset_id":44628470,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/65098038/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="44628470"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="44628470"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44628470; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=44628470]").text(description); $(".js-view-count[data-work-id=44628470]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 44628470; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='44628470']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "1a0697c497efcf28435e04f3452d823f" } } $('.js-work-strip[data-work-id=44628470]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":44628470,"title":"Caiazza - Lucarini (2006) Per l'esegesi di Petr. Satyr. 39, 12","internal_url":"https://www.academia.edu/44628470/Caiazza_Lucarini_2006_Per_lesegesi_di_Petr_Satyr_39_12","owner_id":4155454,"coauthors_can_edit":true,"owner":{"id":4155454,"first_name":"Ida","middle_initials":null,"last_name":"Caiazza","page_name":"IdaCaiazza","domain_name":"uio","created_at":"2013-05-12T22:55:37.272-07:00","display_name":"Ida Caiazza","url":"https://uio.academia.edu/IdaCaiazza"},"attachments":[{"id":65098038,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/65098038/thumbnails/1.jpg","file_name":"Materiali_e_discussioni.pdf","download_url":"https://www.academia.edu/attachments/65098038/download_file","bulk_download_file_name":"Caiazza_Lucarini_2006_Per_lesegesi_di_Pe.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/65098038/Materiali_e_discussioni-libre.pdf?1607017716=\u0026response-content-disposition=attachment%3B+filename%3DCaiazza_Lucarini_2006_Per_lesegesi_di_Pe.pdf\u0026Expires=1739769235\u0026Signature=fF-7I2T7kFDm6PIymgVRXNeWEb4CBZTiTAuiTg9r8ccCDZeypsBIpI0daj-TOU-~ArvI5VtJhjwjt12wL3lzPbalumZ-aYCO1ZCaSgiNlZRKF5fBSQjXeGCcfIrVCIKGyUxIeVC3e4OzNUYtZvObI2RivbqCwjDBUqjYWDn6RIxe45ZOpQJGqj3ZDfCEBvZkV-rvUxuRAWxCy4l0fkAQczuFVqKg6qxQi~HC~-wF~7u5aL9HX~sSzt5ZoR7PDEzJb4wn2jPmF2r5vITh--tHmEWOZIzcOFXTfYUSiaBz3r6OUeL1c-ywYy8CKvhWYShfIvB0scHuJTBgbXCxkPPuCQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="profile--tab_heading_container js-section-heading" data-section="Book Reviews" id="Book Reviews"><h3 class="profile--tab_heading_container">Book Reviews by Ida Caiazza</h3></div><div class="js-work-strip profile--work_container" data-work-id="86839674"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/86839674/Barbara_Rosenwein_Love_A_History_in_Five_Fantasies_Review"><img alt="Research paper thumbnail of Barbara Rosenwein, Love. A History in Five Fantasies - Review" class="work-thumbnail" src="https://attachments.academia-assets.com/91204309/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/86839674/Barbara_Rosenwein_Love_A_History_in_Five_Fantasies_Review">Barbara Rosenwein, Love. A History in Five Fantasies - Review</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="252aa67a961d6e37615b8e30400f1b36" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":91204309,"asset_id":86839674,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/91204309/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="86839674"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="86839674"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 86839674; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=86839674]").text(description); $(".js-view-count[data-work-id=86839674]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 86839674; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='86839674']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "252aa67a961d6e37615b8e30400f1b36" } } $('.js-work-strip[data-work-id=86839674]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":86839674,"title":"Barbara Rosenwein, Love. A History in Five Fantasies - Review","internal_url":"https://www.academia.edu/86839674/Barbara_Rosenwein_Love_A_History_in_Five_Fantasies_Review","owner_id":4155454,"coauthors_can_edit":true,"owner":{"id":4155454,"first_name":"Ida","middle_initials":null,"last_name":"Caiazza","page_name":"IdaCaiazza","domain_name":"uio","created_at":"2013-05-12T22:55:37.272-07:00","display_name":"Ida Caiazza","url":"https://uio.academia.edu/IdaCaiazza"},"attachments":[{"id":91204309,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/91204309/thumbnails/1.jpg","file_name":"Rosenwein_Love.pdf","download_url":"https://www.academia.edu/attachments/91204309/download_file","bulk_download_file_name":"Barbara_Rosenwein_Love_A_History_in_Five.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/91204309/Rosenwein_Love-libre.pdf?1663506599=\u0026response-content-disposition=attachment%3B+filename%3DBarbara_Rosenwein_Love_A_History_in_Five.pdf\u0026Expires=1739833472\u0026Signature=XsG6kOXOY30EhcvOftGJ1eCwuHVzigP4h5~dlHQaUJeHhFbOvW24ZVGL3XbeVVfAmDXjyVwdst7RsaCsH4kkDlqNc1v7CnQKX--1QEutU97qUFm1famag6ZcHTOpranf5Hf5fSLbCldpnZaDqFApRONNXnaHbt3zRfy2pe3ekXAJfFV59xa294VYhBwrn2~xuyUUz7K282QQAxgOqX-Ml~zfOw7IcFW2FdHwvuvP5G9yiiak36XzvWDZ4tapjlJ4vKRq-aBpSZXuvAt~1AbCa3UMaHzWC987OrrQ-j5dTfbo4uHfNHsyr8A7mp4f1HbRmgSRuDdbN7C~e3TQmfBaTw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"},{"id":91204132,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/91204132/thumbnails/1.jpg","file_name":"Rosenwein_Love.pdf","download_url":"https://www.academia.edu/attachments/91204132/download_file","bulk_download_file_name":"Barbara_Rosenwein_Love_A_History_in_Five.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/91204132/Rosenwein_Love-libre.pdf?1663506614=\u0026response-content-disposition=attachment%3B+filename%3DBarbara_Rosenwein_Love_A_History_in_Five.pdf\u0026Expires=1739833472\u0026Signature=VSNCu4oA0j9JZh87UHH2witexB-Wm8ATYzJlGgghHp8KdxGPL2wLNm18irzCKVTpiJAel5fIaayTwoKEDsT8Dir4P67Ks3B2Ie3L1Mq6IsUY93FMgKhzNtzv7FRety9x5VYbx~JdbY5XvFic3bYy-9QtxxO3Ph5W3U4SqJ~N~HNwoaHiXRgl0zzYpi0CMLK0dIghwwjOGoGFhjL1HFsz~cBkCxB6Vlt7v~oiXNOJqQNDNz9VKNNHT9cbiRoyVLhlIH36OLNeJ9JWGtSwXc2860NaUmctDpA~rQFBeg7Uxgg52Py6HTupGdMJ7SXIS8xxZ9Ap0HC7hI8wiWJdoYSXXw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="45089626"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/45089626/Review_Ricciardelli_Zorzi_Emotions_Passions_and_Power_in_Renaissance_Italy_Proceedings_of_the_International_Conference_Georgetown_University_at_Villa_Le_Balze_5_8_May_2012"><img alt="Research paper thumbnail of Review: Ricciardelli, Zorzi, Emotions, Passions, and Power in Renaissance Italy: Proceedings of the International Conference Georgetown University at Villa Le Balze, 5-8 May 2012" class="work-thumbnail" src="https://attachments.academia-assets.com/65650733/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/45089626/Review_Ricciardelli_Zorzi_Emotions_Passions_and_Power_in_Renaissance_Italy_Proceedings_of_the_International_Conference_Georgetown_University_at_Villa_Le_Balze_5_8_May_2012">Review: Ricciardelli, Zorzi, Emotions, Passions, and Power in Renaissance Italy: Proceedings of the International Conference Georgetown University at Villa Le Balze, 5-8 May 2012</a></div><div class="wp-workCard_item"><span>Emotions: History, Culture, Society</span><span>, 2020</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="18201722e2b28bc25bb3dd1fa8db495c" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":65650733,"asset_id":45089626,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/65650733/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="45089626"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="45089626"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 45089626; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=45089626]").text(description); $(".js-view-count[data-work-id=45089626]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 45089626; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='45089626']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "18201722e2b28bc25bb3dd1fa8db495c" } } $('.js-work-strip[data-work-id=45089626]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":45089626,"title":"Review: Ricciardelli, Zorzi, Emotions, Passions, and Power in Renaissance Italy: Proceedings of the International Conference Georgetown University at Villa Le Balze, 5-8 May 2012","internal_url":"https://www.academia.edu/45089626/Review_Ricciardelli_Zorzi_Emotions_Passions_and_Power_in_Renaissance_Italy_Proceedings_of_the_International_Conference_Georgetown_University_at_Villa_Le_Balze_5_8_May_2012","owner_id":4155454,"coauthors_can_edit":true,"owner":{"id":4155454,"first_name":"Ida","middle_initials":null,"last_name":"Caiazza","page_name":"IdaCaiazza","domain_name":"uio","created_at":"2013-05-12T22:55:37.272-07:00","display_name":"Ida Caiazza","url":"https://uio.academia.edu/IdaCaiazza"},"attachments":[{"id":65650733,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/65650733/thumbnails/1.jpg","file_name":"EMOTIONS_PASSIONS_POWER_REVIEW.pdf","download_url":"https://www.academia.edu/attachments/65650733/download_file","bulk_download_file_name":"Review_Ricciardelli_Zorzi_Emotions_Passi.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/65650733/EMOTIONS_PASSIONS_POWER_REVIEW-libre.pdf?1612944334=\u0026response-content-disposition=attachment%3B+filename%3DReview_Ricciardelli_Zorzi_Emotions_Passi.pdf\u0026Expires=1739769235\u0026Signature=XqQYWeylud9a-~GUwYUqijIp4wpfdkWf2dPqygClArIFaPiLtsqGpYCRhbftLl49gVZ3K4ckQMzkKQjtSbWM6wthjDWLJKixGtr5-VtIwbEmLca25Se~9kejFjjlprL5dnvmQCH4iu56OSyy-DpyfNivW-Xfu~8CAI3nFsZqwtvzr40uKmQF2jbZc6cHhdJ1Y~t1Kb7idwvO-cqCYibY8vzrsL1jPb0k6mXmlhWXEc31EiEFXPqAb788zWbgEeaoRElwJY1Td0q0A-K457x-xuwaYTcf3C9rvNj81gkuRk4Z2NtU3LxmlDo-uQ8CgmE4R3YJryB~fDL0pvGC4MI5Hw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="profile--tab_heading_container js-section-heading" data-section="Conference Presentations" id="Conference Presentations"><h3 class="profile--tab_heading_container">Conference Presentations by Ida Caiazza</h3></div><div class="js-work-strip profile--work_container" data-work-id="86406290"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/86406290/Giornata_di_Studi_Maria_Savorgnan_WEB"><img alt="Research paper thumbnail of Giornata di Studi Maria Savorgnan WEB" class="work-thumbnail" src="https://attachments.academia-assets.com/90867204/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/86406290/Giornata_di_Studi_Maria_Savorgnan_WEB">Giornata di Studi Maria Savorgnan WEB</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="b7f7f90852c16dea134c4c9e32494f48" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":90867204,"asset_id":86406290,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/90867204/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="86406290"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="86406290"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 86406290; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=86406290]").text(description); $(".js-view-count[data-work-id=86406290]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 86406290; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='86406290']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "b7f7f90852c16dea134c4c9e32494f48" } } $('.js-work-strip[data-work-id=86406290]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":86406290,"title":"Giornata di Studi Maria Savorgnan WEB","internal_url":"https://www.academia.edu/86406290/Giornata_di_Studi_Maria_Savorgnan_WEB","owner_id":4155454,"coauthors_can_edit":true,"owner":{"id":4155454,"first_name":"Ida","middle_initials":null,"last_name":"Caiazza","page_name":"IdaCaiazza","domain_name":"uio","created_at":"2013-05-12T22:55:37.272-07:00","display_name":"Ida Caiazza","url":"https://uio.academia.edu/IdaCaiazza"},"attachments":[{"id":90867204,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/90867204/thumbnails/1.jpg","file_name":"Giornata_di_Studi_Maria_Savorgnan_WEB.pdf","download_url":"https://www.academia.edu/attachments/90867204/download_file","bulk_download_file_name":"Giornata_di_Studi_Maria_Savorgnan_WEB.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/90867204/Giornata_di_Studi_Maria_Savorgnan_WEB-libre.pdf?1662821733=\u0026response-content-disposition=attachment%3B+filename%3DGiornata_di_Studi_Maria_Savorgnan_WEB.pdf\u0026Expires=1739769235\u0026Signature=KdecxOWINMjJdJ-oR5zPAOogtiTAuDlnfeSd~w0w6Iqcx6V9mhzJbYkDI2yuYm1s71VIJ8Gf5I8leNf36TjMi~wHQda-ok7tsa2XCx0bC8-oPZeaz7wfWtoNJiVd2zxpdTyUvCNTc4n60n1rtAaN8xnr0z3bL6W-pLoIiGle8TNg6NWyJAi0njLsWE4jr0pbOEVBEdlIvAvg~ccsmc~1uUAhpRVvoZbOT4VtJsTp-gsJie62Azg91dGpmMy2oStMNqgU5xT~T53hvms5WL4UiLpvr1AM6zcYisWnqiQsgcI51cjt70cq0~bJC3O~0xDfl~OOgefdaGez~FVuw-6PBQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="profile--tab_heading_container js-section-heading" data-section="Organization of Academic Meetings" id="Organization of Academic Meetings"><h3 class="profile--tab_heading_container">Organization of Academic Meetings by Ida Caiazza</h3></div><div class="js-work-strip profile--work_container" data-work-id="107358330"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/107358330/Eros_Thinking_Feeling_Writing_Love_from_Classical_Antiquity_to_Early_Modernity"><img alt="Research paper thumbnail of Eros. Thinking Feeling Writing Love from Classical Antiquity to Early Modernity" class="work-thumbnail" src="https://attachments.academia-assets.com/106046079/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/107358330/Eros_Thinking_Feeling_Writing_Love_from_Classical_Antiquity_to_Early_Modernity">Eros. Thinking Feeling Writing Love from Classical Antiquity to Early Modernity</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://uio.academia.edu/IdaCaiazza">Ida Caiazza</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://hunter-cuny.academia.edu/httpwwwhuntercunyeduromancelanguagespeoplecalabrittocurriculumvitae">Monica Calabritto</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">International Conference, October 12-13, 2023, New York University, Department of Italian Studies...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">International Conference, October 12-13, 2023, New York University, Department of Italian Studies, Casa Italiana Zerilli-Marimò</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="a9eaa4b039002ee5ba3b50d76198d87d" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":106046079,"asset_id":107358330,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/106046079/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="107358330"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="107358330"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 107358330; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=107358330]").text(description); $(".js-view-count[data-work-id=107358330]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 107358330; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='107358330']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "a9eaa4b039002ee5ba3b50d76198d87d" } } $('.js-work-strip[data-work-id=107358330]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":107358330,"title":"Eros. Thinking Feeling Writing Love from Classical Antiquity to Early Modernity","internal_url":"https://www.academia.edu/107358330/Eros_Thinking_Feeling_Writing_Love_from_Classical_Antiquity_to_Early_Modernity","owner_id":4155454,"coauthors_can_edit":true,"owner":{"id":4155454,"first_name":"Ida","middle_initials":null,"last_name":"Caiazza","page_name":"IdaCaiazza","domain_name":"uio","created_at":"2013-05-12T22:55:37.272-07:00","display_name":"Ida Caiazza","url":"https://uio.academia.edu/IdaCaiazza"},"attachments":[{"id":106046079,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/106046079/thumbnails/1.jpg","file_name":"eros_program_online_distribution.pdf","download_url":"https://www.academia.edu/attachments/106046079/download_file","bulk_download_file_name":"Eros_Thinking_Feeling_Writing_Love_from.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/106046079/eros_program_online_distribution-libre.pdf?1695934115=\u0026response-content-disposition=attachment%3B+filename%3DEros_Thinking_Feeling_Writing_Love_from.pdf\u0026Expires=1739820813\u0026Signature=KqNwx-gd3kjUOq5VztrCjW44RkHGQPyQhyOlpijJ-Y10vv8N4snoX2ZrfbPyU60X0dKCJK4t2o6v5Ao2zSStJzmFrc7tYlFCRtDwAv3nSPKkr8-QmN-YHsItqqIgqGVd-IKK9Sy3oVs~ldo5BdO~CdHxFaxboWRoAmYvuAGylrwXBItQvv6VWLxeBNoGPs9p6TbxcAR04fuw0LA8jRv7acKTM-PRJU5H6A3YGlaGUB1ImsyQFRIR40leAkMWaDQDdtup1Q1ojCFlDhhTIwXd~lbwGbgRRpARA~vbSkpJn6NdCXRO~pEkM-fWHMmljhStALPLLmWPfFauZbcwu2obug__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="10809686" id="papers"><div class="js-work-strip profile--work_container" data-work-id="73051315"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/73051315/_Oh_come_bene_se_gli_conviene_il_nome_ch_egli_tiene_I_nomi_parlanti_del_Fedele_di_Alvise_Pasqualigo"><img alt="Research paper thumbnail of «Oh, come bene se gli conviene il nome [...] ch’egli tiene». I nomi parlanti del Fedele di Alvise Pasqualigo" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/73051315/_Oh_come_bene_se_gli_conviene_il_nome_ch_egli_tiene_I_nomi_parlanti_del_Fedele_di_Alvise_Pasqualigo">«Oh, come bene se gli conviene il nome [...] ch’egli tiene». I nomi parlanti del Fedele di Alvise Pasqualigo</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The article deals with the way the Venetian Count Alvise Pasqualigo (1536-1576) uses anthroponyms...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The article deals with the way the Venetian Count Alvise Pasqualigo (1536-1576) uses anthroponyms in his comedy Il Fedele (1576). This text was very successful in Italy between the end of the 16th and the beginning of the 17th century, and also reached England and France, as it was translated into French by Pierre de Larivay, into Latin by Abraham Fraunce, and into English by Anthony Munday (this remake was probably read by Shakespeare). As for the minor characters, the names chosen by the author usually show a semantic and sometimes etymological interaction with their personalities, which influences their behaviour and the development of their stories. In some cases, the link name/personality turns out to be antiphrastic at the end of the story; in others it is the intertextuality that leads to the correct interpretation of the anthroponym. As for the four main characters, their names interact with each other, and contribute strongly to the building of the allegorical interpretatio...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="73051315"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="73051315"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 73051315; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=73051315]").text(description); $(".js-view-count[data-work-id=73051315]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 73051315; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='73051315']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=73051315]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":73051315,"title":"«Oh, come bene se gli conviene il nome [...] ch’egli tiene». I nomi parlanti del Fedele di Alvise Pasqualigo","internal_url":"https://www.academia.edu/73051315/_Oh_come_bene_se_gli_conviene_il_nome_ch_egli_tiene_I_nomi_parlanti_del_Fedele_di_Alvise_Pasqualigo","owner_id":4155454,"coauthors_can_edit":true,"owner":{"id":4155454,"first_name":"Ida","middle_initials":null,"last_name":"Caiazza","page_name":"IdaCaiazza","domain_name":"uio","created_at":"2013-05-12T22:55:37.272-07:00","display_name":"Ida Caiazza","url":"https://uio.academia.edu/IdaCaiazza"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="73051314"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/73051314/Carlo_Martino_Lucarini_Per_lesegesi_di_Petr_Satyr_39_12"><img alt="Research paper thumbnail of Carlo Martino Lucarini, Per l'esegesi di Petr. Satyr. 39,12" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/73051314/Carlo_Martino_Lucarini_Per_lesegesi_di_Petr_Satyr_39_12">Carlo Martino Lucarini, Per l'esegesi di Petr. Satyr. 39,12</a></div><div class="wp-workCard_item"><span>Materiali E Discussioni Per L Analisi Dei Testi Classici</span><span>, 2006</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="73051314"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="73051314"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 73051314; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=73051314]").text(description); $(".js-view-count[data-work-id=73051314]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 73051314; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='73051314']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=73051314]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":73051314,"title":"Carlo Martino Lucarini, Per l'esegesi di Petr. Satyr. 39,12","internal_url":"https://www.academia.edu/73051314/Carlo_Martino_Lucarini_Per_lesegesi_di_Petr_Satyr_39_12","owner_id":4155454,"coauthors_can_edit":true,"owner":{"id":4155454,"first_name":"Ida","middle_initials":null,"last_name":"Caiazza","page_name":"IdaCaiazza","domain_name":"uio","created_at":"2013-05-12T22:55:37.272-07:00","display_name":"Ida Caiazza","url":"https://uio.academia.edu/IdaCaiazza"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="73051266"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/73051266/Alvise_Pasqualigo_e_il_suo_romanzo_epistolare_Le_Lettere_Amorose_dalla_relazione_alla_Corrispondenza"><img alt="Research paper thumbnail of Alvise Pasqualigo e il suo romanzo epistolare, "Le Lettere Amorose", dalla "relazione" alla "Corrispondenza" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/73051266/Alvise_Pasqualigo_e_il_suo_romanzo_epistolare_Le_Lettere_Amorose_dalla_relazione_alla_Corrispondenza">Alvise Pasqualigo e il suo romanzo epistolare, "Le Lettere Amorose", dalla "relazione" alla "Corrispondenza</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="73051266"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="73051266"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 73051266; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=73051266]").text(description); $(".js-view-count[data-work-id=73051266]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 73051266; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='73051266']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=73051266]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":73051266,"title":"Alvise Pasqualigo e il suo romanzo epistolare, \"Le Lettere Amorose\", dalla \"relazione\" alla \"Corrispondenza","internal_url":"https://www.academia.edu/73051266/Alvise_Pasqualigo_e_il_suo_romanzo_epistolare_Le_Lettere_Amorose_dalla_relazione_alla_Corrispondenza","owner_id":4155454,"coauthors_can_edit":true,"owner":{"id":4155454,"first_name":"Ida","middle_initials":null,"last_name":"Caiazza","page_name":"IdaCaiazza","domain_name":"uio","created_at":"2013-05-12T22:55:37.272-07:00","display_name":"Ida Caiazza","url":"https://uio.academia.edu/IdaCaiazza"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="68377649"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/68377649/Love_A_History_in_Five_Fantasies_written_by_Rosenwein_Barbara_H"><img alt="Research paper thumbnail of Love. A History in Five Fantasies, written by Rosenwein, Barbara H" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/68377649/Love_A_History_in_Five_Fantasies_written_by_Rosenwein_Barbara_H">Love. A History in Five Fantasies, written by Rosenwein, Barbara H</a></div><div class="wp-workCard_item"><span>Emotions: History, Culture, Society</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="68377649"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="68377649"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 68377649; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=68377649]").text(description); $(".js-view-count[data-work-id=68377649]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 68377649; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='68377649']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=68377649]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":68377649,"title":"Love. A History in Five Fantasies, written by Rosenwein, Barbara H","internal_url":"https://www.academia.edu/68377649/Love_A_History_in_Five_Fantasies_written_by_Rosenwein_Barbara_H","owner_id":4155454,"coauthors_can_edit":true,"owner":{"id":4155454,"first_name":"Ida","middle_initials":null,"last_name":"Caiazza","page_name":"IdaCaiazza","domain_name":"uio","created_at":"2013-05-12T22:55:37.272-07:00","display_name":"Ida Caiazza","url":"https://uio.academia.edu/IdaCaiazza"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="67851396"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/67851396/_Nuovo_modo_di_far_lamore_%C3%A8_questo_nostro_Poesia_amore_e_teologia_nelle_Lettere_di_Ansaldo_Ceb%C3%A0_a_Sara_Copio_Sullam_1623_"><img alt="Research paper thumbnail of "Nuovo modo [...] di far l'amore è questo nostro". Poesia, amore e teologia nelle "Lettere" di Ansaldo Cebà a Sara Copio Sullam (1623)" class="work-thumbnail" src="https://attachments.academia-assets.com/78538693/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/67851396/_Nuovo_modo_di_far_lamore_%C3%A8_questo_nostro_Poesia_amore_e_teologia_nelle_Lettere_di_Ansaldo_Ceb%C3%A0_a_Sara_Copio_Sullam_1623_">"Nuovo modo [...] di far l'amore è questo nostro". Poesia, amore e teologia nelle "Lettere" di Ansaldo Cebà a Sara Copio Sullam (1623)</a></div><div class="wp-workCard_item"><span>"Nuovo modo [...] di far l'amore è questo nostro". Poesia, amore e teologia nelle "Lettere" di Ansaldo Cebà a Sara Copio Sullam (1623)</span><span>, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated"> Finora, le Lettere di Ansaldo Cebà a Sara Copio Sullam sono state utilizzate soprattutto come fo...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Finora, le Lettere di Ansaldo Cebà a Sara Copio Sullam sono state utilizzate soprattutto come fonte di informazioni sulle personalità letterarie e religiose dei due autori; qui si tenta invece di considerarle come un prodotto letterario da confrontare con la tipologia del ‘libro di lettere amorose’ cinquecentesco e con la lunga tradizione delle opere che abbinano l’argomento amoroso e la struttura epistolare (come le Heroides, Abelardo ed Eloisa, la Historia de duobus amantibus). A fronte <br />di molti tratti tradizionali, da tale confronto emerge quale peculiarità dell’opera soprattutto una inedita commistione tra il codice espressivo platonico-petrarchesco, l’ideale della poesia eternatrice e la discussione teologica, a partire dalla quale Sara e Ansaldo esplorano possibili configurazioni delle loro personae letterarie atte a integrare il canovaccio della comunicazione epistolare tra amanti (ormai una maniera) e la più vivace spinta dei tempi nuovi verso la spiritualità. <br /><br />Thus far, the "Lettere di Ansaldo Cebà a Sara Copio Sullam" have been considered mainly as a source of information about the literary and religious personalities of the two authors. In this paper, I try to read them as a literary product, and to compare them to the typology of the love letter collection of the xvi century as well as to the long tradition of the literary works  based on the fusion of love, as a theme, and letter, as a structure (e.g. Ovid’s Heroides, Piccolomini’s Historia de duobus amantibus). Such a comparison highlights many traditional features, but also a conspicuous peculiarity: the Lettere integrate, for the frst time, the Petrarchan code, the ideal of the immortality through poetry, and the theological dissertation. Starting from this combination, the two correspondents explore various possible literary personae through which they try to merge the old tradition of love correspondence and the new and more vivid spiritual stream of the Catholic Reformation.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="eb95bba7a6f1c7ad8b5b40dbac9b70bb" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":78538693,"asset_id":67851396,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/78538693/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="67851396"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="67851396"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 67851396; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=67851396]").text(description); $(".js-view-count[data-work-id=67851396]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 67851396; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='67851396']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "eb95bba7a6f1c7ad8b5b40dbac9b70bb" } } $('.js-work-strip[data-work-id=67851396]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":67851396,"title":"\"Nuovo modo [...] di far l'amore è questo nostro\". Poesia, amore e teologia nelle \"Lettere\" di Ansaldo Cebà a Sara Copio Sullam (1623)","translated_title":"","metadata":{"doi":"10.19272/202101302004","abstract":" Finora, le Lettere di Ansaldo Cebà a Sara Copio Sullam sono state utilizzate soprattutto come fonte di informazioni sulle personalità letterarie e religiose dei due autori; qui si tenta invece di considerarle come un prodotto letterario da confrontare con la tipologia del ‘libro di lettere amorose’ cinquecentesco e con la lunga tradizione delle opere che abbinano l’argomento amoroso e la struttura epistolare (come le Heroides, Abelardo ed Eloisa, la Historia de duobus amantibus). A fronte \ndi molti tratti tradizionali, da tale confronto emerge quale peculiarità dell’opera soprattutto una inedita commistione tra il codice espressivo platonico-petrarchesco, l’ideale della poesia eternatrice e la discussione teologica, a partire dalla quale Sara e Ansaldo esplorano possibili configurazioni delle loro personae letterarie atte a integrare il canovaccio della comunicazione epistolare tra amanti (ormai una maniera) e la più vivace spinta dei tempi nuovi verso la spiritualità. \n\nThus far, the \"Lettere di Ansaldo Cebà a Sara Copio Sullam\" have been considered mainly as a source of information about the literary and religious personalities of the two authors. In this paper, I try to read them as a literary product, and to compare them to the typology of the love letter collection of the xvi century as well as to the long tradition of the literary works based on the fusion of love, as a theme, and letter, as a structure (e.g. Ovid’s Heroides, Piccolomini’s Historia de duobus amantibus). Such a comparison highlights many traditional features, but also a conspicuous peculiarity: the Lettere integrate, for the frst time, the Petrarchan code, the ideal of the immortality through poetry, and the theological dissertation. Starting from this combination, the two correspondents explore various possible literary personae through which they try to merge the old tradition of love correspondence and the new and more vivid spiritual stream of the Catholic Reformation.","publication_date":{"day":null,"month":null,"year":2021,"errors":{}},"publication_name":"\"Nuovo modo [...] di far l'amore è questo nostro\". Poesia, amore e teologia nelle \"Lettere\" di Ansaldo Cebà a Sara Copio Sullam (1623)"},"translated_abstract":" Finora, le Lettere di Ansaldo Cebà a Sara Copio Sullam sono state utilizzate soprattutto come fonte di informazioni sulle personalità letterarie e religiose dei due autori; qui si tenta invece di considerarle come un prodotto letterario da confrontare con la tipologia del ‘libro di lettere amorose’ cinquecentesco e con la lunga tradizione delle opere che abbinano l’argomento amoroso e la struttura epistolare (come le Heroides, Abelardo ed Eloisa, la Historia de duobus amantibus). A fronte \ndi molti tratti tradizionali, da tale confronto emerge quale peculiarità dell’opera soprattutto una inedita commistione tra il codice espressivo platonico-petrarchesco, l’ideale della poesia eternatrice e la discussione teologica, a partire dalla quale Sara e Ansaldo esplorano possibili configurazioni delle loro personae letterarie atte a integrare il canovaccio della comunicazione epistolare tra amanti (ormai una maniera) e la più vivace spinta dei tempi nuovi verso la spiritualità. \n\nThus far, the \"Lettere di Ansaldo Cebà a Sara Copio Sullam\" have been considered mainly as a source of information about the literary and religious personalities of the two authors. In this paper, I try to read them as a literary product, and to compare them to the typology of the love letter collection of the xvi century as well as to the long tradition of the literary works based on the fusion of love, as a theme, and letter, as a structure (e.g. Ovid’s Heroides, Piccolomini’s Historia de duobus amantibus). Such a comparison highlights many traditional features, but also a conspicuous peculiarity: the Lettere integrate, for the frst time, the Petrarchan code, the ideal of the immortality through poetry, and the theological dissertation. Starting from this combination, the two correspondents explore various possible literary personae through which they try to merge the old tradition of love correspondence and the new and more vivid spiritual stream of the Catholic Reformation.","internal_url":"https://www.academia.edu/67851396/_Nuovo_modo_di_far_lamore_%C3%A8_questo_nostro_Poesia_amore_e_teologia_nelle_Lettere_di_Ansaldo_Ceb%C3%A0_a_Sara_Copio_Sullam_1623_","translated_internal_url":"","created_at":"2022-01-12T01:46:17.474-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":4155454,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":78538693,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/78538693/thumbnails/1.jpg","file_name":"nuovo_modo_1_pagina.pdf","download_url":"https://www.academia.edu/attachments/78538693/download_file","bulk_download_file_name":"Nuovo_modo_di_far_lamore_e_questo_nostr.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/78538693/nuovo_modo_1_pagina-libre.pdf?1641981009=\u0026response-content-disposition=attachment%3B+filename%3DNuovo_modo_di_far_lamore_e_questo_nostr.pdf\u0026Expires=1738791432\u0026Signature=eWWubjwbsT9Wb9szkBiH62hhfY7mP6kAEDZFh~1RRNBfL-BZyqLqha65HxKaxLVcsrYBVdTQgxz3~zuSwOKPuzu4grNaBnEM0C-q4ZDuS~dM0-zOs6RxlyOaNcwZN-t68QUNk2a~mtwl8PgTxghFXXsxJrrQhW2ui-QhzisslsJMLk3jPGBYJYE3lN9DsOjy4dDZOPaPgyp74vXHgOv-3n67WgzgboECbY2rzSbx2wQTPO56Kz8uUpT1wT57a0c88tG~DFwXaYuWzZSFQJcD8JLMZk2y8VmdFqd6BTnpUBnhmFpzEOBEkDt3SbGTLPtADlGITvNM~POinO8KzWU8qg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"_Nuovo_modo_di_far_lamore_è_questo_nostro_Poesia_amore_e_teologia_nelle_Lettere_di_Ansaldo_Cebà_a_Sara_Copio_Sullam_1623_","translated_slug":"","page_count":1,"language":"it","content_type":"Work","summary":" Finora, le Lettere di Ansaldo Cebà a Sara Copio Sullam sono state utilizzate soprattutto come fonte di informazioni sulle personalità letterarie e religiose dei due autori; qui si tenta invece di considerarle come un prodotto letterario da confrontare con la tipologia del ‘libro di lettere amorose’ cinquecentesco e con la lunga tradizione delle opere che abbinano l’argomento amoroso e la struttura epistolare (come le Heroides, Abelardo ed Eloisa, la Historia de duobus amantibus). A fronte \ndi molti tratti tradizionali, da tale confronto emerge quale peculiarità dell’opera soprattutto una inedita commistione tra il codice espressivo platonico-petrarchesco, l’ideale della poesia eternatrice e la discussione teologica, a partire dalla quale Sara e Ansaldo esplorano possibili configurazioni delle loro personae letterarie atte a integrare il canovaccio della comunicazione epistolare tra amanti (ormai una maniera) e la più vivace spinta dei tempi nuovi verso la spiritualità. \n\nThus far, the \"Lettere di Ansaldo Cebà a Sara Copio Sullam\" have been considered mainly as a source of information about the literary and religious personalities of the two authors. In this paper, I try to read them as a literary product, and to compare them to the typology of the love letter collection of the xvi century as well as to the long tradition of the literary works based on the fusion of love, as a theme, and letter, as a structure (e.g. Ovid’s Heroides, Piccolomini’s Historia de duobus amantibus). Such a comparison highlights many traditional features, but also a conspicuous peculiarity: the Lettere integrate, for the frst time, the Petrarchan code, the ideal of the immortality through poetry, and the theological dissertation. Starting from this combination, the two correspondents explore various possible literary personae through which they try to merge the old tradition of love correspondence and the new and more vivid spiritual stream of the Catholic Reformation.","owner":{"id":4155454,"first_name":"Ida","middle_initials":null,"last_name":"Caiazza","page_name":"IdaCaiazza","domain_name":"uio","created_at":"2013-05-12T22:55:37.272-07:00","display_name":"Ida Caiazza","url":"https://uio.academia.edu/IdaCaiazza","email":"bDdBZWNWQks2eElpUFMwelg0Rko3NUs3azc5RFkwd1hPaEVEdEdJSFlwdTBJVlk2eGtpSWl5Z0JaS2RXb1BOVy0tMGg1cTc4dzR4QjRnUjVHSktpQjZUQT09--c5e07aec9853a6351983964d7ebfaf77177f3da3"},"attachments":[{"id":78538693,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/78538693/thumbnails/1.jpg","file_name":"nuovo_modo_1_pagina.pdf","download_url":"https://www.academia.edu/attachments/78538693/download_file","bulk_download_file_name":"Nuovo_modo_di_far_lamore_e_questo_nostr.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/78538693/nuovo_modo_1_pagina-libre.pdf?1641981009=\u0026response-content-disposition=attachment%3B+filename%3DNuovo_modo_di_far_lamore_e_questo_nostr.pdf\u0026Expires=1738791432\u0026Signature=eWWubjwbsT9Wb9szkBiH62hhfY7mP6kAEDZFh~1RRNBfL-BZyqLqha65HxKaxLVcsrYBVdTQgxz3~zuSwOKPuzu4grNaBnEM0C-q4ZDuS~dM0-zOs6RxlyOaNcwZN-t68QUNk2a~mtwl8PgTxghFXXsxJrrQhW2ui-QhzisslsJMLk3jPGBYJYE3lN9DsOjy4dDZOPaPgyp74vXHgOv-3n67WgzgboECbY2rzSbx2wQTPO56Kz8uUpT1wT57a0c88tG~DFwXaYuWzZSFQJcD8JLMZk2y8VmdFqd6BTnpUBnhmFpzEOBEkDt3SbGTLPtADlGITvNM~POinO8KzWU8qg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":7887,"name":"Italian Literature","url":"https://www.academia.edu/Documents/in/Italian_Literature"},{"id":16923,"name":"Early Modern Italy","url":"https://www.academia.edu/Documents/in/Early_Modern_Italy"},{"id":20972,"name":"Jewish Literature","url":"https://www.academia.edu/Documents/in/Jewish_Literature"},{"id":31293,"name":"Jewish Cultural Studies","url":"https://www.academia.edu/Documents/in/Jewish_Cultural_Studies"},{"id":31747,"name":"Early Modern Jewish History","url":"https://www.academia.edu/Documents/in/Early_Modern_Jewish_History"},{"id":60745,"name":"Jewish Women's History","url":"https://www.academia.edu/Documents/in/Jewish_Womens_History"},{"id":69388,"name":"Letteratura italiana moderna e contemporanea","url":"https://www.academia.edu/Documents/in/Letteratura_italiana_moderna_e_contemporanea"},{"id":98737,"name":"Italian Renaissance","url":"https://www.academia.edu/Documents/in/Italian_Renaissance"},{"id":162349,"name":"Rinascimento","url":"https://www.academia.edu/Documents/in/Rinascimento"},{"id":229030,"name":"Letteratura italiana","url":"https://www.academia.edu/Documents/in/Letteratura_italiana"},{"id":235366,"name":"Ebraismo","url":"https://www.academia.edu/Documents/in/Ebraismo"},{"id":1144722,"name":"Ebraismo E Letteratura","url":"https://www.academia.edu/Documents/in/Ebraismo_E_Letteratura"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="61690753"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/61690753/Apparizioni_di_Emilia_Dal_Decameron_alle_Lettere_affettuose_di_madonna_Emilia_fiorentina_1594_"><img alt="Research paper thumbnail of Apparizioni di Emilia. Dal Decameron alle Lettere affettuose di madonna Emilia fiorentina (1594)" class="work-thumbnail" src="https://attachments.academia-assets.com/74662798/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/61690753/Apparizioni_di_Emilia_Dal_Decameron_alle_Lettere_affettuose_di_madonna_Emilia_fiorentina_1594_">Apparizioni di Emilia. Dal Decameron alle Lettere affettuose di madonna Emilia fiorentina (1594)</a></div><div class="wp-workCard_item"><span>ArNovIt Archivio Novellistico Italiano </span><span>, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Apparizioni di Emilia. Dal Decameron alle Lettere affettuose di madonna Emilia fiorentina (1594) ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Apparizioni di Emilia. Dal Decameron alle Lettere affettuose di madonna Emilia fiorentina (1594) Incarnations of Emilia: from the Decameron to the Lettere affettuose di madonna Emilia fiorentina (1594) Abstracts L'intervento parte dalla ricostruzione dei profili di tre personaggi boccacciani identificati dall'antroponimo Emilia, individuando il filo rosso che li collega in una caratterizzazione morale basata sul rifiuto della lascivia e su un'idea di virtù muliebre severa e rigida, non estranea alla dimensione spirituale. Ripercorrendo le azioni e i discorsi della narratrice decameroniana denominata Emilia, si evidenziano soprattutto il sostrato dantesco e purgatoriale della sua caratterizzazione, e le sue idee sul ruolo sociale e sul comportamento femminile. A seguire, si ricostruisce l'educazione sentimentale della protagonista del Teseida, basata sul rifiuto della Venere lasciva e sull'interiorizzazione della responsabilità delle nefaste conseguenze dell'amore. Si analizza infine l'esemplarità di Terza Emilia, personaggio del De mulieribus claris, che si fonda sulla virtù della sopportazione e sulla capacità di mettere da parte sé stessa per non danneggiare la reputazione del marito. Tra Emilia fiorentina, "casta amante" post-tridentina e autrice di una raccolta di Lettere affettuose (ovvero "amorose" private della componente sensuale), e i personaggi boccacciani si coglie un rapporto intertestuale basato sulla caratterizzazione morale, a partire dal quale l'ignota nobildonna delinea un peculiare modello di amore "fervente e casto" in grado di inglobare e armonizzare micro-tessere intertestuali tratte da diversi autori, tra cui Petrarca, Ariosto, Lorenzo de' Medici, Firenzuola e un'altra misteriosa epistolografa d'amore, Celia Romana. Infine, si analizzano le ultime sezioni dell'epistolario, le quali, avvicinandosi all'episodio centrale della biografia di Terza Emilia, abbandonano le movenze riflessive e introspettive della prima parte per sconfinare nel terreno della novellistica e per terminare, in una conclusione elegiaca, nel dialogo con la Fiammetta e le Heroides.<br /><br />Incarnations of Emilia: from the Decameron to the Lettere affettuose di madonna Emilia fiorentina (1594)<br />The first part of this paper retraces the features of three characters from Boccaccio’s works named Emilia, who are connected to each other through a moral characterization based on the refusal of lasciviousness and on a strict and narrow idea of feminine virtue as modesty and spirituality. The first Emilia is one of the ten Decameron narrators: through the analysis of her behaviour and speeches, the connections with Dante’s Purgatory and her ideas about women’s social role are highlighted. Then, the focus moves to the sentimental education of Teseida’s protagonist, which is based on the rejection of the “lascivious Venus” and feelings of guilt about the lethal consequences of love. The last character is Terza Emilia, one of the virtuous women in the De mulieribus claris, who is presented as a paradigm of female virtue because of her tolerance of her husband’s (Scipio Africanus) intemperance, aimed at preserving his glorious reputation. The second part of the paper analyses the moral characterization of these three women as the intertextual basis for the personality and story of madonna Emilia fiorentina – a clearly literary name behind which hides the unknown author of the Lettere affettuose, love correspondence printed for the first time in 1594. This macro-intertextual correlation also holds together and grants harmony and meaning to the various micro-intertextual tiles of the Affettuose, taken from (to mention just a few sources) Petrarch, Ariosto, Lorenzo de’ Medici, Firenzuola, and another <br />mysterious love letter-writer, Celia Romana. Finally, the last sequences from Emilia fiorentina’s collection recount an episode that, apart from being shaped in a similar narrative fashion to the tradition of the novella, recalls the main episode in Terza Emilia’s life. The conclusion of the <br />Affettuose features a critical dialogue with Boccaccio’s Fiammetta – a sort of anti-Emilia from a moral point of view – and her Ovidian ancestors, the Heroides.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="618291c167b0f7c165cfde79e0295107" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":74662798,"asset_id":61690753,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/74662798/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="61690753"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="61690753"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 61690753; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=61690753]").text(description); $(".js-view-count[data-work-id=61690753]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 61690753; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='61690753']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "618291c167b0f7c165cfde79e0295107" } } $('.js-work-strip[data-work-id=61690753]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":61690753,"title":"Apparizioni di Emilia. Dal Decameron alle Lettere affettuose di madonna Emilia fiorentina (1594)","translated_title":"","metadata":{"abstract":"Apparizioni di Emilia. Dal Decameron alle Lettere affettuose di madonna Emilia fiorentina (1594) Incarnations of Emilia: from the Decameron to the Lettere affettuose di madonna Emilia fiorentina (1594) Abstracts L'intervento parte dalla ricostruzione dei profili di tre personaggi boccacciani identificati dall'antroponimo Emilia, individuando il filo rosso che li collega in una caratterizzazione morale basata sul rifiuto della lascivia e su un'idea di virtù muliebre severa e rigida, non estranea alla dimensione spirituale. Ripercorrendo le azioni e i discorsi della narratrice decameroniana denominata Emilia, si evidenziano soprattutto il sostrato dantesco e purgatoriale della sua caratterizzazione, e le sue idee sul ruolo sociale e sul comportamento femminile. A seguire, si ricostruisce l'educazione sentimentale della protagonista del Teseida, basata sul rifiuto della Venere lasciva e sull'interiorizzazione della responsabilità delle nefaste conseguenze dell'amore. Si analizza infine l'esemplarità di Terza Emilia, personaggio del De mulieribus claris, che si fonda sulla virtù della sopportazione e sulla capacità di mettere da parte sé stessa per non danneggiare la reputazione del marito. Tra Emilia fiorentina, \"casta amante\" post-tridentina e autrice di una raccolta di Lettere affettuose (ovvero \"amorose\" private della componente sensuale), e i personaggi boccacciani si coglie un rapporto intertestuale basato sulla caratterizzazione morale, a partire dal quale l'ignota nobildonna delinea un peculiare modello di amore \"fervente e casto\" in grado di inglobare e armonizzare micro-tessere intertestuali tratte da diversi autori, tra cui Petrarca, Ariosto, Lorenzo de' Medici, Firenzuola e un'altra misteriosa epistolografa d'amore, Celia Romana. Infine, si analizzano le ultime sezioni dell'epistolario, le quali, avvicinandosi all'episodio centrale della biografia di Terza Emilia, abbandonano le movenze riflessive e introspettive della prima parte per sconfinare nel terreno della novellistica e per terminare, in una conclusione elegiaca, nel dialogo con la Fiammetta e le Heroides.\n\nIncarnations of Emilia: from the Decameron to the Lettere affettuose di madonna Emilia fiorentina (1594)\nThe first part of this paper retraces the features of three characters from Boccaccio’s works named Emilia, who are connected to each other through a moral characterization based on the refusal of lasciviousness and on a strict and narrow idea of feminine virtue as modesty and spirit\u0002uality. The first Emilia is one of the ten Decameron narrators: through the analysis of her behav\u0002iour and speeches, the connections with Dante’s Purgatory and her ideas about women’s social role are highlighted. Then, the focus moves to the sentimental education of Teseida’s protago\u0002nist, which is based on the rejection of the “lascivious Venus” and feelings of guilt about the lethal consequences of love. The last character is Terza Emilia, one of the virtuous women in the De mulieribus claris, who is presented as a paradigm of female virtue because of her tolerance of her husband’s (Scipio Africanus) intemperance, aimed at preserving his glorious reputation. The second part of the paper analyses the moral characterization of these three women as the intertextual basis for the personality and story of madonna Emilia fiorentina – a clearly literary name behind which hides the unknown author of the Lettere affettuose, love correspondence printed for the first time in 1594. This macro-intertextual correlation also holds together and grants harmony and meaning to the various micro-intertextual tiles of the Affettuose, taken from (to mention just a few sources) Petrarch, Ariosto, Lorenzo de’ Medici, Firenzuola, and another \nmysterious love letter-writer, Celia Romana. Finally, the last sequences from Emilia fiorentina’s collection recount an episode that, apart from being shaped in a similar narrative fashion to the tradition of the novella, recalls the main episode in Terza Emilia’s life. The conclusion of the \nAffettuose features a critical dialogue with Boccaccio’s Fiammetta – a sort of anti-Emilia from a moral point of view – and her Ovidian ancestors, the Heroides.","publication_date":{"day":null,"month":null,"year":2021,"errors":{}},"publication_name":"ArNovIt Archivio Novellistico Italiano "},"translated_abstract":"Apparizioni di Emilia. Dal Decameron alle Lettere affettuose di madonna Emilia fiorentina (1594) Incarnations of Emilia: from the Decameron to the Lettere affettuose di madonna Emilia fiorentina (1594) Abstracts L'intervento parte dalla ricostruzione dei profili di tre personaggi boccacciani identificati dall'antroponimo Emilia, individuando il filo rosso che li collega in una caratterizzazione morale basata sul rifiuto della lascivia e su un'idea di virtù muliebre severa e rigida, non estranea alla dimensione spirituale. Ripercorrendo le azioni e i discorsi della narratrice decameroniana denominata Emilia, si evidenziano soprattutto il sostrato dantesco e purgatoriale della sua caratterizzazione, e le sue idee sul ruolo sociale e sul comportamento femminile. A seguire, si ricostruisce l'educazione sentimentale della protagonista del Teseida, basata sul rifiuto della Venere lasciva e sull'interiorizzazione della responsabilità delle nefaste conseguenze dell'amore. Si analizza infine l'esemplarità di Terza Emilia, personaggio del De mulieribus claris, che si fonda sulla virtù della sopportazione e sulla capacità di mettere da parte sé stessa per non danneggiare la reputazione del marito. Tra Emilia fiorentina, \"casta amante\" post-tridentina e autrice di una raccolta di Lettere affettuose (ovvero \"amorose\" private della componente sensuale), e i personaggi boccacciani si coglie un rapporto intertestuale basato sulla caratterizzazione morale, a partire dal quale l'ignota nobildonna delinea un peculiare modello di amore \"fervente e casto\" in grado di inglobare e armonizzare micro-tessere intertestuali tratte da diversi autori, tra cui Petrarca, Ariosto, Lorenzo de' Medici, Firenzuola e un'altra misteriosa epistolografa d'amore, Celia Romana. Infine, si analizzano le ultime sezioni dell'epistolario, le quali, avvicinandosi all'episodio centrale della biografia di Terza Emilia, abbandonano le movenze riflessive e introspettive della prima parte per sconfinare nel terreno della novellistica e per terminare, in una conclusione elegiaca, nel dialogo con la Fiammetta e le Heroides.\n\nIncarnations of Emilia: from the Decameron to the Lettere affettuose di madonna Emilia fiorentina (1594)\nThe first part of this paper retraces the features of three characters from Boccaccio’s works named Emilia, who are connected to each other through a moral characterization based on the refusal of lasciviousness and on a strict and narrow idea of feminine virtue as modesty and spirit\u0002uality. The first Emilia is one of the ten Decameron narrators: through the analysis of her behav\u0002iour and speeches, the connections with Dante’s Purgatory and her ideas about women’s social role are highlighted. Then, the focus moves to the sentimental education of Teseida’s protago\u0002nist, which is based on the rejection of the “lascivious Venus” and feelings of guilt about the lethal consequences of love. The last character is Terza Emilia, one of the virtuous women in the De mulieribus claris, who is presented as a paradigm of female virtue because of her tolerance of her husband’s (Scipio Africanus) intemperance, aimed at preserving his glorious reputation. The second part of the paper analyses the moral characterization of these three women as the intertextual basis for the personality and story of madonna Emilia fiorentina – a clearly literary name behind which hides the unknown author of the Lettere affettuose, love correspondence printed for the first time in 1594. This macro-intertextual correlation also holds together and grants harmony and meaning to the various micro-intertextual tiles of the Affettuose, taken from (to mention just a few sources) Petrarch, Ariosto, Lorenzo de’ Medici, Firenzuola, and another \nmysterious love letter-writer, Celia Romana. Finally, the last sequences from Emilia fiorentina’s collection recount an episode that, apart from being shaped in a similar narrative fashion to the tradition of the novella, recalls the main episode in Terza Emilia’s life. The conclusion of the \nAffettuose features a critical dialogue with Boccaccio’s Fiammetta – a sort of anti-Emilia from a moral point of view – and her Ovidian ancestors, the Heroides.","internal_url":"https://www.academia.edu/61690753/Apparizioni_di_Emilia_Dal_Decameron_alle_Lettere_affettuose_di_madonna_Emilia_fiorentina_1594_","translated_internal_url":"","created_at":"2021-11-15T00:33:26.573-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":4155454,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":74662798,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/74662798/thumbnails/1.jpg","file_name":"Caiazza_Arnovit21_promo.pdf","download_url":"https://www.academia.edu/attachments/74662798/download_file","bulk_download_file_name":"Apparizioni_di_Emilia_Dal_Decameron_alle.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/74662798/Caiazza_Arnovit21_promo-libre.pdf?1636965552=\u0026response-content-disposition=attachment%3B+filename%3DApparizioni_di_Emilia_Dal_Decameron_alle.pdf\u0026Expires=1738673633\u0026Signature=WUW9G9uONZRU5L0q92mL41wCoqVaCDFE8q7LlYbHcqThh863CXf1wGoAgYPRhVhfQKkQzQVYWxDdNJhOinABeZXTYVy2PC9UXd-NM9yao4Y6Z52~qvqs~HpYjJ9bFw-OxP7gQ3Da70MEvxaETgKd71H0Cd6uJMzyYf1tXuH-8t-0pltKccMSBMoaUF1dAuhUSZgR~impC9Xfu-Fff1ZbucyGFAyTw-qaPggyu-D1kOGryMBsm~viJmHhFkIDeSc2vwVcKkOAFHR-cZAfp~VBNvChKzulL94ZwLZHzg7TjQK3BFXQrRiARTZriIpCv4zifnuwnGMxi6HVLDfvBXqh0Q__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Apparizioni_di_Emilia_Dal_Decameron_alle_Lettere_affettuose_di_madonna_Emilia_fiorentina_1594_","translated_slug":"","page_count":1,"language":"it","content_type":"Work","summary":"Apparizioni di Emilia. Dal Decameron alle Lettere affettuose di madonna Emilia fiorentina (1594) Incarnations of Emilia: from the Decameron to the Lettere affettuose di madonna Emilia fiorentina (1594) Abstracts L'intervento parte dalla ricostruzione dei profili di tre personaggi boccacciani identificati dall'antroponimo Emilia, individuando il filo rosso che li collega in una caratterizzazione morale basata sul rifiuto della lascivia e su un'idea di virtù muliebre severa e rigida, non estranea alla dimensione spirituale. Ripercorrendo le azioni e i discorsi della narratrice decameroniana denominata Emilia, si evidenziano soprattutto il sostrato dantesco e purgatoriale della sua caratterizzazione, e le sue idee sul ruolo sociale e sul comportamento femminile. A seguire, si ricostruisce l'educazione sentimentale della protagonista del Teseida, basata sul rifiuto della Venere lasciva e sull'interiorizzazione della responsabilità delle nefaste conseguenze dell'amore. Si analizza infine l'esemplarità di Terza Emilia, personaggio del De mulieribus claris, che si fonda sulla virtù della sopportazione e sulla capacità di mettere da parte sé stessa per non danneggiare la reputazione del marito. Tra Emilia fiorentina, \"casta amante\" post-tridentina e autrice di una raccolta di Lettere affettuose (ovvero \"amorose\" private della componente sensuale), e i personaggi boccacciani si coglie un rapporto intertestuale basato sulla caratterizzazione morale, a partire dal quale l'ignota nobildonna delinea un peculiare modello di amore \"fervente e casto\" in grado di inglobare e armonizzare micro-tessere intertestuali tratte da diversi autori, tra cui Petrarca, Ariosto, Lorenzo de' Medici, Firenzuola e un'altra misteriosa epistolografa d'amore, Celia Romana. Infine, si analizzano le ultime sezioni dell'epistolario, le quali, avvicinandosi all'episodio centrale della biografia di Terza Emilia, abbandonano le movenze riflessive e introspettive della prima parte per sconfinare nel terreno della novellistica e per terminare, in una conclusione elegiaca, nel dialogo con la Fiammetta e le Heroides.\n\nIncarnations of Emilia: from the Decameron to the Lettere affettuose di madonna Emilia fiorentina (1594)\nThe first part of this paper retraces the features of three characters from Boccaccio’s works named Emilia, who are connected to each other through a moral characterization based on the refusal of lasciviousness and on a strict and narrow idea of feminine virtue as modesty and spirit\u0002uality. The first Emilia is one of the ten Decameron narrators: through the analysis of her behav\u0002iour and speeches, the connections with Dante’s Purgatory and her ideas about women’s social role are highlighted. Then, the focus moves to the sentimental education of Teseida’s protago\u0002nist, which is based on the rejection of the “lascivious Venus” and feelings of guilt about the lethal consequences of love. The last character is Terza Emilia, one of the virtuous women in the De mulieribus claris, who is presented as a paradigm of female virtue because of her tolerance of her husband’s (Scipio Africanus) intemperance, aimed at preserving his glorious reputation. The second part of the paper analyses the moral characterization of these three women as the intertextual basis for the personality and story of madonna Emilia fiorentina – a clearly literary name behind which hides the unknown author of the Lettere affettuose, love correspondence printed for the first time in 1594. This macro-intertextual correlation also holds together and grants harmony and meaning to the various micro-intertextual tiles of the Affettuose, taken from (to mention just a few sources) Petrarch, Ariosto, Lorenzo de’ Medici, Firenzuola, and another \nmysterious love letter-writer, Celia Romana. Finally, the last sequences from Emilia fiorentina’s collection recount an episode that, apart from being shaped in a similar narrative fashion to the tradition of the novella, recalls the main episode in Terza Emilia’s life. The conclusion of the \nAffettuose features a critical dialogue with Boccaccio’s Fiammetta – a sort of anti-Emilia from a moral point of view – and her Ovidian ancestors, the Heroides.","owner":{"id":4155454,"first_name":"Ida","middle_initials":null,"last_name":"Caiazza","page_name":"IdaCaiazza","domain_name":"uio","created_at":"2013-05-12T22:55:37.272-07:00","display_name":"Ida Caiazza","url":"https://uio.academia.edu/IdaCaiazza"},"attachments":[{"id":74662798,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/74662798/thumbnails/1.jpg","file_name":"Caiazza_Arnovit21_promo.pdf","download_url":"https://www.academia.edu/attachments/74662798/download_file","bulk_download_file_name":"Apparizioni_di_Emilia_Dal_Decameron_alle.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/74662798/Caiazza_Arnovit21_promo-libre.pdf?1636965552=\u0026response-content-disposition=attachment%3B+filename%3DApparizioni_di_Emilia_Dal_Decameron_alle.pdf\u0026Expires=1738673633\u0026Signature=WUW9G9uONZRU5L0q92mL41wCoqVaCDFE8q7LlYbHcqThh863CXf1wGoAgYPRhVhfQKkQzQVYWxDdNJhOinABeZXTYVy2PC9UXd-NM9yao4Y6Z52~qvqs~HpYjJ9bFw-OxP7gQ3Da70MEvxaETgKd71H0Cd6uJMzyYf1tXuH-8t-0pltKccMSBMoaUF1dAuhUSZgR~impC9Xfu-Fff1ZbucyGFAyTw-qaPggyu-D1kOGryMBsm~viJmHhFkIDeSc2vwVcKkOAFHR-cZAfp~VBNvChKzulL94ZwLZHzg7TjQK3BFXQrRiARTZriIpCv4zifnuwnGMxi6HVLDfvBXqh0Q__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":1053,"name":"History of Ideas","url":"https://www.academia.edu/Documents/in/History_of_Ideas"},{"id":7887,"name":"Italian Literature","url":"https://www.academia.edu/Documents/in/Italian_Literature"},{"id":10232,"name":"Intertextuality","url":"https://www.academia.edu/Documents/in/Intertextuality"},{"id":16923,"name":"Early Modern Italy","url":"https://www.academia.edu/Documents/in/Early_Modern_Italy"},{"id":35262,"name":"Marriage (History)","url":"https://www.academia.edu/Documents/in/Marriage_History_"},{"id":130262,"name":"The Novella","url":"https://www.academia.edu/Documents/in/The_Novella"},{"id":229030,"name":"Letteratura italiana","url":"https://www.academia.edu/Documents/in/Letteratura_italiana"},{"id":321409,"name":"Giovanni Boccaccio","url":"https://www.academia.edu/Documents/in/Giovanni_Boccaccio"},{"id":336554,"name":"Teseida","url":"https://www.academia.edu/Documents/in/Teseida"},{"id":408761,"name":"Boccaccio, Decameron","url":"https://www.academia.edu/Documents/in/Boccaccio_Decameron"},{"id":444101,"name":"Intertextuality and Allusion","url":"https://www.academia.edu/Documents/in/Intertextuality_and_Allusion"},{"id":642528,"name":"History of Emotions","url":"https://www.academia.edu/Documents/in/History_of_Emotions-1"},{"id":766529,"name":"Età Post-tridentina","url":"https://www.academia.edu/Documents/in/Eta_Post-tridentina"},{"id":940061,"name":"Teseida Boccaccio","url":"https://www.academia.edu/Documents/in/Teseida_Boccaccio"},{"id":1284916,"name":"De Mulieribus Claris","url":"https://www.academia.edu/Documents/in/De_Mulieribus_Claris"},{"id":1351104,"name":"Women In the Decameron","url":"https://www.academia.edu/Documents/in/Women_In_the_Decameron"},{"id":1375425,"name":"Post Tridentine Period","url":"https://www.academia.edu/Documents/in/Post_Tridentine_Period"},{"id":2802840,"name":"Lettere amorose","url":"https://www.academia.edu/Documents/in/Lettere_amorose"},{"id":3863718,"name":"Giovanni Boccaccio's De Mulieribus Claris","url":"https://www.academia.edu/Documents/in/Giovanni_Boccaccios_De_Mulieribus_Claris"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="44606782"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/44606782/_2020_A_Dissolute_Swedish_Woman_in_Sicily_The_Character_of_Ingrid_Sj%C3%B6str%C3%B6m_in_the_Montalbano_Series_by_Andrea_Camilleri"><img alt="Research paper thumbnail of (2020) A "Dissolute" Swedish Woman in Sicily. The Character of Ingrid Sjöström in the Montalbano Series by Andrea Camilleri" class="work-thumbnail" src="https://attachments.academia-assets.com/65070657/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/44606782/_2020_A_Dissolute_Swedish_Woman_in_Sicily_The_Character_of_Ingrid_Sj%C3%B6str%C3%B6m_in_the_Montalbano_Series_by_Andrea_Camilleri">(2020) A "Dissolute" Swedish Woman in Sicily. The Character of Ingrid Sjöström in the Montalbano Series by Andrea Camilleri</a></div><div class="wp-workCard_item"><span>Scandinavia through Sunglasses. Spaces of Cultural Exchange between Southern/Southeastern Europe and Nordic Countries, Elizaveta Khachaturyan and Álvaro Llosa Sanz (eds.)</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Detective Montalbano (the successful character invented by Andrea Camilleri) lives in a tradition...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Detective Montalbano (the successful character invented by Andrea Camilleri) lives in a traditional Sicilian town and has a Swedish female friend called Ingrid, who is a scandalous woman, as she retains her freedom and is the opposite of the ideal woman in the Sicilian imaginary. This article examines what the prejudices against Ingrid say about the way Northern femininity is seen in a realistic (although fictional) Sicilian environment. Moreover, it refers to the literary tradition of “criticism of costumes” (and to Sicilian writers as Lampedusa and Sciascia): just as in Montesquieu’s Lettres Persanes the two Persians’ perspective is used to stigmatize the absurdities of French society, in Camilleri’s novels the “Nordic” point of view rectifies the angle on the “dark side” of Sicily. It shows parts of Sicilian culture which are sometimes regrettably considered ineradicable, such as sexism and the mafia, in their abnormality and undesirability.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="98c78503b9a04fbf28a64d5d113543e1" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":65070657,"asset_id":44606782,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/65070657/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="44606782"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="44606782"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44606782; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=44606782]").text(description); $(".js-view-count[data-work-id=44606782]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 44606782; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='44606782']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "98c78503b9a04fbf28a64d5d113543e1" } } $('.js-work-strip[data-work-id=44606782]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":44606782,"title":"(2020) A \"Dissolute\" Swedish Woman in Sicily. The Character of Ingrid Sjöström in the Montalbano Series by Andrea Camilleri","internal_url":"https://www.academia.edu/44606782/_2020_A_Dissolute_Swedish_Woman_in_Sicily_The_Character_of_Ingrid_Sj%C3%B6str%C3%B6m_in_the_Montalbano_Series_by_Andrea_Camilleri","owner_id":4155454,"coauthors_can_edit":true,"owner":{"id":4155454,"first_name":"Ida","middle_initials":null,"last_name":"Caiazza","page_name":"IdaCaiazza","domain_name":"uio","created_at":"2013-05-12T22:55:37.272-07:00","display_name":"Ida Caiazza","url":"https://uio.academia.edu/IdaCaiazza"},"attachments":[{"id":65070657,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/65070657/thumbnails/1.jpg","file_name":"Estratto_Dissolute_Swedish_Woman_1.pdf","download_url":"https://www.academia.edu/attachments/65070657/download_file","bulk_download_file_name":"2020_A_Dissolute_Swedish_Woman_in_Sicil.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/65070657/Estratto_Dissolute_Swedish_Woman_1-libre.pdf?1606754404=\u0026response-content-disposition=attachment%3B+filename%3D2020_A_Dissolute_Swedish_Woman_in_Sicil.pdf\u0026Expires=1739833472\u0026Signature=S7jnQcJs1QVaSfHWEOShIm909XczANIAZbtbapBfPqeYDtXfCoJ1lNixB0UTbQFW7WhgWDlxjaQscoevXV1qK1jlAFdvLbERUiBUo09PTWOpRJIfIm26QCllFCTo2hotX3Ge4Bm0uZg~XeaFir~sMzwlSzTfhEx99u2vZ4k3GmKDko66tu35OxbORj0k1gzR6xkbDrKY10zDqviAx6OFjK7BSdPsmBFx~7yfIC6p6rJI1ZC4wp-GFEn9QoYauDCp73KJS-UD2nneBI-CE8e1OgVwdyn5RKFc7wTknvlSGluWr~IC-VBTiu56~z~u5d-Tw5u95M4QmD9InuUMbo1LRg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="44604020"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/44604020/_2019_Novelle_epistolari_nel_primo_Cinquecento_Il_Rifugio_di_amanti_di_Giovanni_Antonio_Tagliente_tra_Petrarca_Boccaccio_e_Boncompagno_da_Signa"><img alt="Research paper thumbnail of (2019) Novelle epistolari nel primo Cinquecento. Il Rifugio di amanti di Giovanni Antonio Tagliente tra Petrarca, Boccaccio e Boncompagno da Signa" class="work-thumbnail" src="https://attachments.academia-assets.com/65066878/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/44604020/_2019_Novelle_epistolari_nel_primo_Cinquecento_Il_Rifugio_di_amanti_di_Giovanni_Antonio_Tagliente_tra_Petrarca_Boccaccio_e_Boncompagno_da_Signa">(2019) Novelle epistolari nel primo Cinquecento. Il Rifugio di amanti di Giovanni Antonio Tagliente tra Petrarca, Boccaccio e Boncompagno da Signa</a></div><div class="wp-workCard_item"><span>ArNovIt - Archivio Novellistico Italiano. Dal Novellino a Basile, 4/2019</span><span>, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This paper analyses the two-fold specificity of Tagliente's Rifugio: a peculiar structure (derivi...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This paper analyses the two-fold specificity of Tagliente's Rifugio: a peculiar structure (deriving from the fusion of the epistle and the novella) and the simultaneous presence of three different models: Petrarch, Boccaccio, the Rota Veneris. The Rifugio was born in a period of literary freedom, granted by the lack of a narrow definition of both the epistle and the novella. Thus, it was possible for its author to widely experiment in contents, narrative structures, social and behavioural models.<br /><br />Il contributo analizza la specificità del Rifugio di Tagliente, data dalla peculiare configurazione strutturale (la forma-lettera fusa con la novella) e dall'intrecciarsi di tre linee imitative: Petrarca, Boccaccio, la Rota Veneris. Colloca l'opera entro il periodo in cui l'assenza di definizioni e regole e per la novella e per il genere epistolare ancora garantiva libertà di sperimentazione nei contenuti narrati, nelle forme della diegesi, nella concezione dei rapporti sociali e dei comportamenti.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="2756134642083e0de767c1f1685b7583" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":65066878,"asset_id":44604020,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/65066878/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="44604020"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="44604020"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44604020; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=44604020]").text(description); $(".js-view-count[data-work-id=44604020]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 44604020; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='44604020']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "2756134642083e0de767c1f1685b7583" } } $('.js-work-strip[data-work-id=44604020]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":44604020,"title":"(2019) Novelle epistolari nel primo Cinquecento. Il Rifugio di amanti di Giovanni Antonio Tagliente tra Petrarca, Boccaccio e Boncompagno da Signa","internal_url":"https://www.academia.edu/44604020/_2019_Novelle_epistolari_nel_primo_Cinquecento_Il_Rifugio_di_amanti_di_Giovanni_Antonio_Tagliente_tra_Petrarca_Boccaccio_e_Boncompagno_da_Signa","owner_id":4155454,"coauthors_can_edit":true,"owner":{"id":4155454,"first_name":"Ida","middle_initials":null,"last_name":"Caiazza","page_name":"IdaCaiazza","domain_name":"uio","created_at":"2013-05-12T22:55:37.272-07:00","display_name":"Ida Caiazza","url":"https://uio.academia.edu/IdaCaiazza"},"attachments":[{"id":65066878,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/65066878/thumbnails/1.jpg","file_name":"Novelle_in_lettere_Tagliente.pdf","download_url":"https://www.academia.edu/attachments/65066878/download_file","bulk_download_file_name":"2019_Novelle_epistolari_nel_primo_Cinqu.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/65066878/Novelle_in_lettere_Tagliente-libre.pdf?1606735914=\u0026response-content-disposition=attachment%3B+filename%3D2019_Novelle_epistolari_nel_primo_Cinqu.pdf\u0026Expires=1739833472\u0026Signature=hD9mJwyp9lIE~DBzsRmXs7F~DLyvZvQ8C679Avnsq~D85KKdVycqnZWlcPuWBNACdCCH7EiV40EoCoac4PvL~mXcBLqG0i53PguT~aWoKYD3QcskZ5T6nWN6Cem2Z~w~PyUmhlmgMCMKk4N73bjtTZPKdTbdTwK4uFUgs7Tecvd0s~LeR2I87nIpeFOFHXZV62RA-ZTRN6FkbxTXScqyj8zKDYYuyQdyUPYk5rEnVzZ41~Sb3hBO8iX~K0QpGSmZE3121dKfYejuXJ7BUAcdSlCN24SE~ud4ktyGELT9j1w7za7U9PSFoCdpznkIk2B65ezOgZ0O3gQqWg3m-ZiFhQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="44629171"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/44629171/_2019_Fino_a_qui_non_si_legge_cosa_che_bona_sia_se_non_quel_tanto_ch%C3%A8_uscito_dalle_mie_mani_Sansovino_e_le_lettere_amorose"><img alt="Research paper thumbnail of (2019) «Fino a qui non si legge cosa che bona sia, se non quel tanto ch'è uscito dalle mie mani». Sansovino e le lettere amorose" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/44629171/_2019_Fino_a_qui_non_si_legge_cosa_che_bona_sia_se_non_quel_tanto_ch%C3%A8_uscito_dalle_mie_mani_Sansovino_e_le_lettere_amorose">(2019) «Fino a qui non si legge cosa che bona sia, se non quel tanto ch'è uscito dalle mie mani». Sansovino e le lettere amorose</a></div><div class="wp-workCard_item"><span>Francesco Sansovino scrittore del mondo, Atti del convegno internazionale di studi, Pisa, 5-6-7 dicembre 2018, a cura di Luca D'Onghia e Daniele Musto, Edizioni di Archilet, 2019</span><span>, 2019</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="44629171"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="44629171"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44629171; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=44629171]").text(description); $(".js-view-count[data-work-id=44629171]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 44629171; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='44629171']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=44629171]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":44629171,"title":"(2019) «Fino a qui non si legge cosa che bona sia, se non quel tanto ch'è uscito dalle mie mani». Sansovino e le lettere amorose","internal_url":"https://www.academia.edu/44629171/_2019_Fino_a_qui_non_si_legge_cosa_che_bona_sia_se_non_quel_tanto_ch%C3%A8_uscito_dalle_mie_mani_Sansovino_e_le_lettere_amorose","owner_id":4155454,"coauthors_can_edit":true,"owner":{"id":4155454,"first_name":"Ida","middle_initials":null,"last_name":"Caiazza","page_name":"IdaCaiazza","domain_name":"uio","created_at":"2013-05-12T22:55:37.272-07:00","display_name":"Ida Caiazza","url":"https://uio.academia.edu/IdaCaiazza"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="44605849"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/44605849/_2018_LOrtis_o_la_corrispondenza_amorosa_negata_Archetipi_epistolari_amorosi_in_Foscolo"><img alt="Research paper thumbnail of (2018) L'Ortis o la corrispondenza amorosa negata. Archetipi epistolari-amorosi in Foscolo" class="work-thumbnail" src="https://attachments.academia-assets.com/65069516/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/44605849/_2018_LOrtis_o_la_corrispondenza_amorosa_negata_Archetipi_epistolari_amorosi_in_Foscolo">(2018) L'Ortis o la corrispondenza amorosa negata. Archetipi epistolari-amorosi in Foscolo</a></div><div class="wp-workCard_item"><span>Italienisch 79/2018</span><span>, 2018</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The paper conveys that, in Foscolo's "Ultime lettere di Jacopo Ortis", the traditional literary e...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The paper conveys that, in Foscolo's "Ultime lettere di Jacopo Ortis", the traditional literary elements of love correspondences appear to be laid out in patterns that foreshadow the tragic configuration of the novel, the two main patterns being called by the author "denial" and "diversion". The traditional literary elements of love correspondences are not censored at all in the novel, even though the outcome of the love story is not a positive one; instead, they are abundantly present in Ortis's letters, but only attempted and outlined, and subsequently denied or diverted, as the impossibility of the love for Teresa becomes clear to Jacopo. Thus, they work as the literary counterpart of the novel's love côté: they are evoked but then denied or diverted, just as the love for Teresa is desired but then sorrowfully given up. In conclusion, the epistolary form and tradition, far from being an inert frame, is shown as a fundamental element that significantly helps building the meaning and shaping the content of the novel.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="6a00ef610190f909aa1b9a196dc1a9ac" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":65069516,"asset_id":44605849,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/65069516/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="44605849"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="44605849"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44605849; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=44605849]").text(description); $(".js-view-count[data-work-id=44605849]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 44605849; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='44605849']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "6a00ef610190f909aa1b9a196dc1a9ac" } } $('.js-work-strip[data-work-id=44605849]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":44605849,"title":"(2018) L'Ortis o la corrispondenza amorosa negata. Archetipi epistolari-amorosi in Foscolo","internal_url":"https://www.academia.edu/44605849/_2018_LOrtis_o_la_corrispondenza_amorosa_negata_Archetipi_epistolari_amorosi_in_Foscolo","owner_id":4155454,"coauthors_can_edit":true,"owner":{"id":4155454,"first_name":"Ida","middle_initials":null,"last_name":"Caiazza","page_name":"IdaCaiazza","domain_name":"uio","created_at":"2013-05-12T22:55:37.272-07:00","display_name":"Ida Caiazza","url":"https://uio.academia.edu/IdaCaiazza"},"attachments":[{"id":65069516,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/65069516/thumbnails/1.jpg","file_name":"CAIAZZA_Foscolo.pdf","download_url":"https://www.academia.edu/attachments/65069516/download_file","bulk_download_file_name":"2018_LOrtis_o_la_corrispondenza_amorosa.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/65069516/CAIAZZA_Foscolo-libre.pdf?1606747091=\u0026response-content-disposition=attachment%3B+filename%3D2018_LOrtis_o_la_corrispondenza_amorosa.pdf\u0026Expires=1739833472\u0026Signature=JTvn7WuNc~ntC8SxUDYAYAkP6J1hC0DztJf4HOpl8bxWdiZzuPrh45~bcizxwh0I1zJovHeuqGeAkrhKw1iqJ-PJED1kVcjVDSQspEYN-LHZM~4KJ3iqjxSFaMxG-FrgQFzNxKpoRaMtCoUXCeD2gIYsJfUhqGTRlNgOsGE6j-xf~04f-OMYbgk9qTtY~KIy4o7u6Igjf8otzvmZqiccctN4lGDiXT8718Bov7JfsUj2jN7wwB8DpKGPaISOVU2WDZis9E0Onyup6khC5cqn1FR8XnX6aX8vAzc~WmuAa-ZmU0Hws8BC6PSxVUJ7BWScN-EuxSpmIG82upqHK6Co4w__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="44628363"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/44628363/_2018_Pettegolezzi_epistolari_cinquecenteschi_La_censura_al_servizio_del_marketing_editoriale_"><img alt="Research paper thumbnail of (2018) Pettegolezzi epistolari cinquecenteschi. La censura al servizio del "marketing editoriale"." class="work-thumbnail" src="https://attachments.academia-assets.com/65097899/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/44628363/_2018_Pettegolezzi_epistolari_cinquecenteschi_La_censura_al_servizio_del_marketing_editoriale_">(2018) Pettegolezzi epistolari cinquecenteschi. La censura al servizio del "marketing editoriale".</a></div><div class="wp-workCard_item"><span>Spazi bianchi. Le espressioni letterarie, linguistiche e visive dell'assenza, a cura di Alfonsina Buoninconto, Raffaele Cesaro, Gerardo Salvati, Rubbettino, Soveria Mannelli</span><span>, 2018</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Il contributo indaga aspetti di promozione editoriale di alcune raccolte di lettere amorose del C...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Il contributo indaga aspetti di promozione editoriale di alcune raccolte di lettere amorose del Cinquecento, e in particolare alcune delle strategie escogitate dai mediatori culturali e degli operatori editoriali per adeguare le pubblicazioni al mutare dei gusti e delle richieste del pubblico. Ci si sofferma sulle raccolte di Pietro Bembo e Alvise Pasqualigo e si accenna brevemente a due raccolte attribuite a donne celate dietro pseudonimi, Celia Romana ed Emilia Fiorentina.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="94a8317882ce99a4394bed656f69a404" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":65097899,"asset_id":44628363,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/65097899/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="44628363"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="44628363"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44628363; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=44628363]").text(description); $(".js-view-count[data-work-id=44628363]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 44628363; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='44628363']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "94a8317882ce99a4394bed656f69a404" } } $('.js-work-strip[data-work-id=44628363]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":44628363,"title":"(2018) Pettegolezzi epistolari cinquecenteschi. La censura al servizio del \"marketing editoriale\".","internal_url":"https://www.academia.edu/44628363/_2018_Pettegolezzi_epistolari_cinquecenteschi_La_censura_al_servizio_del_marketing_editoriale_","owner_id":4155454,"coauthors_can_edit":true,"owner":{"id":4155454,"first_name":"Ida","middle_initials":null,"last_name":"Caiazza","page_name":"IdaCaiazza","domain_name":"uio","created_at":"2013-05-12T22:55:37.272-07:00","display_name":"Ida Caiazza","url":"https://uio.academia.edu/IdaCaiazza"},"attachments":[{"id":65097899,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/65097899/thumbnails/1.jpg","file_name":"Pettegolezzi_epistolari.pdf","download_url":"https://www.academia.edu/attachments/65097899/download_file","bulk_download_file_name":"2018_Pettegolezzi_epistolari_cinquecent.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/65097899/Pettegolezzi_epistolari-libre.pdf?1607011804=\u0026response-content-disposition=attachment%3B+filename%3D2018_Pettegolezzi_epistolari_cinquecent.pdf\u0026Expires=1739833472\u0026Signature=ZyJl8V-FXACJWej2410ESI07mvTQBsVCBSOAtYQrjd08jSVSggP~3At2T~iVFCTPNrvNk0-1Dx00rrdyg7T2-dbz1fVQIUEuJGR0nNK27vN8JzlpPygKPmgcvncUT2ViF7B6zvF8qsvXrmJHYy95N2wtT2kvLJSbfwE0zWoW85vJQSX2xPlR5~zgFysv~UeCcjzrd0apBoLWLWFoizSVUp1PiLZWJeHF0Kh00lCPhrKNyJkxM~2-q2tQ7JZsoT7PrfCoQThmhJwPcljr2NpOkHQ89qWAfG5WqVvYbZnWRX8c8FaXy9Y-x3C~em9EOzFnLf3yn~yy9qlmdvYpqST~hA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="44628567"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/44628567/_2017_Metamorfosi_editoriali_di_epistolari_cinquecenteschi"><img alt="Research paper thumbnail of (2017) Metamorfosi editoriali di epistolari cinquecenteschi" class="work-thumbnail" src="https://attachments.academia-assets.com/65098147/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/44628567/_2017_Metamorfosi_editoriali_di_epistolari_cinquecenteschi">(2017) Metamorfosi editoriali di epistolari cinquecenteschi</a></div><div class="wp-workCard_item"><span>Edito, riedito, inedito. Saggi dall'XI Congresso degli Italianisti Scandinavi, Università del Dalarna - Falun, 9-11 giugno 2016, a cura di Vera Nigrisoli Wärnhielm, Alessandro Aresti, Gianluca Colella e Marco Gargiulo, Pisa University Press, 2017</span><span>, 2017</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">In the XVI century, the love letter collections were a successful product of the fledgling Italia...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In the XVI century, the love letter collections were a successful product of the fledgling Italian printing industry, which aimed to sell as many books as possible while investing as little as possible. Thus, collections needed to be printed very soon after they were written, and adapted to accommodate variations in readers’ taste over the years. Indeed, analysis shows that printing of some texts began even before their writing was completed; others were considerably modified from the editio princeps when subsequently re-printed.<br />After a brief summary of the cases of the Amorose by Parabosco and Sansovino (both fictional), the “metamorphosis” of the books by Bembo and Pasqualigo (both composed of real letters revised for publication) are analysed in depth.<br />Bembo’s letters to Lucrezia Borgia and Maria Savorgnan, originally a separate section of his manuscript Epistolario, were printed posthumously as Lettere amorose in the XVI century, and finally published in the XX century together with the letters by the female interlocutors (until then buried in the archives).<br />The Amorose by Pasqualigo and his lover Vittoria were published anonymously in 1563 and presented as the evidence of a scandal involving Venetian patricians. In 1567 they were increased in number and modified in such a way as to suggest they could be the fictional work of man of letters Alvise Pasqualigo. Finally, their plot became the basis of a comedy by the same author (1576), and of a short story by Adolfo Albertazzi (1895).</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="cd0941c7bf26ac81f2272a29f012babd" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":65098147,"asset_id":44628567,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/65098147/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="44628567"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="44628567"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44628567; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=44628567]").text(description); $(".js-view-count[data-work-id=44628567]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 44628567; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='44628567']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "cd0941c7bf26ac81f2272a29f012babd" } } $('.js-work-strip[data-work-id=44628567]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":44628567,"title":"(2017) Metamorfosi editoriali di epistolari cinquecenteschi","internal_url":"https://www.academia.edu/44628567/_2017_Metamorfosi_editoriali_di_epistolari_cinquecenteschi","owner_id":4155454,"coauthors_can_edit":true,"owner":{"id":4155454,"first_name":"Ida","middle_initials":null,"last_name":"Caiazza","page_name":"IdaCaiazza","domain_name":"uio","created_at":"2013-05-12T22:55:37.272-07:00","display_name":"Ida Caiazza","url":"https://uio.academia.edu/IdaCaiazza"},"attachments":[{"id":65098147,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/65098147/thumbnails/1.jpg","file_name":"ESTRATTO_METAMORFOSI_EDITORIALI_Edito_inedito_riedito.pdf","download_url":"https://www.academia.edu/attachments/65098147/download_file","bulk_download_file_name":"2017_Metamorfosi_editoriali_di_epistola.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/65098147/ESTRATTO_METAMORFOSI_EDITORIALI_Edito_inedito_riedito-libre.pdf?1607017699=\u0026response-content-disposition=attachment%3B+filename%3D2017_Metamorfosi_editoriali_di_epistola.pdf\u0026Expires=1739708446\u0026Signature=O7NDM7KbYwqHOOmDIDsGipQwJ5s8j0GRHqXvity0kFT3k95IvlOfWrsLWMEgyA54gHRDKFd9jlKznVzF38M0dLq3PxJ7KEqVu~Hc2IbuzGMDjIbrXbyCW~3AsT8JfFCLCC3fMgniJtVYkkw5Xs5foYxz8wfBMYar2SFAgR9cxIADeigftuwtcv5bsRfXR3twRo8uy9Ev1neGKN9SJY9H0DF69vJ7CC4peTQ~nEr4hIpZNXmnZPDXw8wLaUM4VmdabDPpn37vztXSlxtAjpbJQrO7QXDIH1I0c-O9d93JwpL7uKakI78g6kCRwghaygjK91jSraaK3bjxKZpP9F~q~w__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="44629022"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/44629022/_2014_Alvise_Pasqualigo_e_il_suo_romanzo_epistolare_le_Lettere_amorose_dalla_relazione_alla_corrispondenza"><img alt="Research paper thumbnail of (2014) Alvise Pasqualigo e il suo romanzo epistolare, le Lettere amorose, dalla relazione alla corrispondenza" class="work-thumbnail" src="https://attachments.academia-assets.com/65098653/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/44629022/_2014_Alvise_Pasqualigo_e_il_suo_romanzo_epistolare_le_Lettere_amorose_dalla_relazione_alla_corrispondenza">(2014) Alvise Pasqualigo e il suo romanzo epistolare, le Lettere amorose, dalla relazione alla corrispondenza</a></div><div class="wp-workCard_item"><span>Italianistica, 2014/1, pp. 77-106</span><span>, 2014</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This critical analysis is the first to deal with the works of the Venetian sixteenth-century poet...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This critical analysis is the first to deal with the works of the Venetian sixteenth-century poet, dramatist, epistles writer Alvise Pasqualigo as a whole, which until now have either been neglected or only considered individually, giving us the opportunity to use their comparison as a critical instrument. It particularly focuses on Pasqualigo’s Lettere amorose, which were anonymously printed in 1563, and on whose definition as ‘the first modern epistolary novel’ scholars have mostly debated. This critical point of view shifts from the identification of ‘genre’ to literary typology, as it is undeniably narrative in the second version. Thanks to this change of perspective, it is possible to go further in the research, by means of considering the text both as a literary expression and as a product of the printing industry, which even the publisher and the editor, as well as the Author himself, significantly contributed to in shape and form. Another interesting aspect which is here underlined for the first time is the coexistence of two different  versions of the Lettere amorose: the first one is presented as a ‘document’ of a scandalous affair involving well known people, whereas the second one takes advantage of the structures of the epistolary form to build the plot and explicitly repudiates the idea of the «vero parto» conveyed in 1563. The development from one to the other is recognized as a maneuver steered by the editor Francesco Sansovino (known for his professional interests in the epistolary form and in the love debate) and is followed in its being constructed by means of editorial ‘tactics and schemes’.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="ec79a698c5f44abd1d97fe8864c7b916" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":65098653,"asset_id":44629022,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/65098653/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="44629022"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="44629022"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44629022; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=44629022]").text(description); $(".js-view-count[data-work-id=44629022]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 44629022; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='44629022']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "ec79a698c5f44abd1d97fe8864c7b916" } } $('.js-work-strip[data-work-id=44629022]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":44629022,"title":"(2014) Alvise Pasqualigo e il suo romanzo epistolare, le Lettere amorose, dalla relazione alla corrispondenza","translated_title":"","metadata":{"doi":"10.1400/224695","issue":"43","volume":"1","abstract":"This critical analysis is the first to deal with the works of the Venetian sixteenth-century poet, dramatist, epistles writer Alvise Pasqualigo as a whole, which until now have either been neglected or only considered individually, giving us the opportunity to use their comparison as a critical instrument. It particularly focuses on Pasqualigo’s Lettere amorose, which were anonymously printed in 1563, and on whose definition as ‘the first modern epistolary novel’ scholars have mostly debated. This critical point of view shifts from the identification of ‘genre’ to literary typology, as it is undeniably narrative in the second version. Thanks to this change of perspective, it is possible to go further in the research, by means of considering the text both as a literary expression and as a product of the printing industry, which even the publisher and the editor, as well as the Author himself, significantly contributed to in shape and form. Another interesting aspect which is here underlined for the first time is the coexistence of two different versions of the Lettere amorose: the first one is presented as a ‘document’ of a scandalous affair involving well known people, whereas the second one takes advantage of the structures of the epistolary form to build the plot and explicitly repudiates the idea of the «vero parto» conveyed in 1563. The development from one to the other is recognized as a maneuver steered by the editor Francesco Sansovino (known for his professional interests in the epistolary form and in the love debate) and is followed in its being constructed by means of editorial ‘tactics and schemes’.","page_numbers":"77-106","publication_date":{"day":null,"month":null,"year":2014,"errors":{}},"publication_name":"Italianistica, 2014/1, pp. 77-106"},"translated_abstract":"This critical analysis is the first to deal with the works of the Venetian sixteenth-century poet, dramatist, epistles writer Alvise Pasqualigo as a whole, which until now have either been neglected or only considered individually, giving us the opportunity to use their comparison as a critical instrument. It particularly focuses on Pasqualigo’s Lettere amorose, which were anonymously printed in 1563, and on whose definition as ‘the first modern epistolary novel’ scholars have mostly debated. This critical point of view shifts from the identification of ‘genre’ to literary typology, as it is undeniably narrative in the second version. Thanks to this change of perspective, it is possible to go further in the research, by means of considering the text both as a literary expression and as a product of the printing industry, which even the publisher and the editor, as well as the Author himself, significantly contributed to in shape and form. Another interesting aspect which is here underlined for the first time is the coexistence of two different versions of the Lettere amorose: the first one is presented as a ‘document’ of a scandalous affair involving well known people, whereas the second one takes advantage of the structures of the epistolary form to build the plot and explicitly repudiates the idea of the «vero parto» conveyed in 1563. The development from one to the other is recognized as a maneuver steered by the editor Francesco Sansovino (known for his professional interests in the epistolary form and in the love debate) and is followed in its being constructed by means of editorial ‘tactics and schemes’.","internal_url":"https://www.academia.edu/44629022/_2014_Alvise_Pasqualigo_e_il_suo_romanzo_epistolare_le_Lettere_amorose_dalla_relazione_alla_corrispondenza","translated_internal_url":"","created_at":"2020-12-03T09:52:56.523-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":4155454,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[{"id":36017446,"work_id":44629022,"tagging_user_id":4155454,"tagged_user_id":1202702,"co_author_invite_id":null,"email":"m***o@ital.unipi.it","display_order":1,"name":"Marcello Ciccuto","title":"(2014) Alvise Pasqualigo e il suo romanzo epistolare, le Lettere amorose, dalla relazione alla corrispondenza"},{"id":36017447,"work_id":44629022,"tagging_user_id":4155454,"tagged_user_id":5859484,"co_author_invite_id":null,"email":"c***i@ital.unipi.it","affiliation":"Università di Pisa","display_order":2,"name":"Casadei Alberto","title":"(2014) Alvise Pasqualigo e il suo romanzo epistolare, le Lettere amorose, dalla relazione alla corrispondenza"},{"id":36017448,"work_id":44629022,"tagging_user_id":4155454,"tagged_user_id":12121033,"co_author_invite_id":null,"email":"f***i@unipi.it","affiliation":"Università di Pisa","display_order":3,"name":"Fabrizio Franceschini","title":"(2014) Alvise Pasqualigo e il suo romanzo epistolare, le Lettere amorose, dalla relazione alla corrispondenza"},{"id":36017450,"work_id":44629022,"tagging_user_id":4155454,"tagged_user_id":22476479,"co_author_invite_id":null,"email":"i***i@gmail.com","affiliation":"Università di Pisa","display_order":5,"name":"Irene Bertelloni","title":"(2014) Alvise Pasqualigo e il suo romanzo epistolare, le Lettere amorose, dalla relazione alla corrispondenza"},{"id":36017451,"work_id":44629022,"tagging_user_id":4155454,"tagged_user_id":15540603,"co_author_invite_id":null,"email":"o***0@yahoo.it","display_order":6,"name":"Giuseppe Sangirardi","title":"(2014) Alvise Pasqualigo e il suo romanzo epistolare, le Lettere amorose, dalla relazione alla corrispondenza"},{"id":36017452,"work_id":44629022,"tagging_user_id":4155454,"tagged_user_id":28965970,"co_author_invite_id":null,"email":"e***i@virgilio.it","display_order":7,"name":"emma giammattei","title":"(2014) Alvise Pasqualigo e il suo romanzo epistolare, le Lettere amorose, dalla relazione alla corrispondenza"},{"id":36017453,"work_id":44629022,"tagging_user_id":4155454,"tagged_user_id":null,"co_author_invite_id":6774622,"email":"l***e@sns.it","display_order":8,"name":"Lorenzo Marchese","title":"(2014) Alvise Pasqualigo e il suo romanzo epistolare, le Lettere amorose, dalla relazione alla corrispondenza"}],"downloadable_attachments":[{"id":65098653,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/65098653/thumbnails/1.jpg","file_name":"Italianistica_estratto_1_4_1_.pdf","download_url":"https://www.academia.edu/attachments/65098653/download_file","bulk_download_file_name":"2014_Alvise_Pasqualigo_e_il_suo_romanzo.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/65098653/Italianistica_estratto_1_4_1_-libre.pdf?1607021476=\u0026response-content-disposition=attachment%3B+filename%3D2014_Alvise_Pasqualigo_e_il_suo_romanzo.pdf\u0026Expires=1738791433\u0026Signature=Humn7qHzZnK0QicYyWz1xwHnN~fM5Wvw1GpgPLa~ceTSFlQ-xKzd3VLQ7I6P8NailiDJKGBRdQz3Xi3luTPe4zXOEqKTNYggdg8inYrIFH~rbs-7GpVcm1F1ShCubw2UDw5xxtFNpFO68aEon6RTv3GriWHOkO3~LqRh-~FWk5uwUy6nuwCKjxUxSmkjo~EbvZxrGQ9pcD0IeMISh3TXifVhpoXV7BSOMwajFh89BXAGyRxzRU2ir6dLN259Y7bdVDr054HfFUYFEPgiyZoS~N5VjgIHn2bHNgunUmg~gId5b-5usA83DS0uBSixHrnQJI~inL9Iyjz3BkhBqnOFnQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"_2014_Alvise_Pasqualigo_e_il_suo_romanzo_epistolare_le_Lettere_amorose_dalla_relazione_alla_corrispondenza","translated_slug":"","page_count":4,"language":"it","content_type":"Work","summary":"This critical analysis is the first to deal with the works of the Venetian sixteenth-century poet, dramatist, epistles writer Alvise Pasqualigo as a whole, which until now have either been neglected or only considered individually, giving us the opportunity to use their comparison as a critical instrument. It particularly focuses on Pasqualigo’s Lettere amorose, which were anonymously printed in 1563, and on whose definition as ‘the first modern epistolary novel’ scholars have mostly debated. This critical point of view shifts from the identification of ‘genre’ to literary typology, as it is undeniably narrative in the second version. Thanks to this change of perspective, it is possible to go further in the research, by means of considering the text both as a literary expression and as a product of the printing industry, which even the publisher and the editor, as well as the Author himself, significantly contributed to in shape and form. Another interesting aspect which is here underlined for the first time is the coexistence of two different versions of the Lettere amorose: the first one is presented as a ‘document’ of a scandalous affair involving well known people, whereas the second one takes advantage of the structures of the epistolary form to build the plot and explicitly repudiates the idea of the «vero parto» conveyed in 1563. The development from one to the other is recognized as a maneuver steered by the editor Francesco Sansovino (known for his professional interests in the epistolary form and in the love debate) and is followed in its being constructed by means of editorial ‘tactics and schemes’.","owner":{"id":4155454,"first_name":"Ida","middle_initials":null,"last_name":"Caiazza","page_name":"IdaCaiazza","domain_name":"uio","created_at":"2013-05-12T22:55:37.272-07:00","display_name":"Ida Caiazza","url":"https://uio.academia.edu/IdaCaiazza","email":"cE5iT1pwOWd1SGZvMzlHT1NPN3Bsbi9tdGdlV1lwN1lQc0dNaWkyOUJVUTd5SVJYYVBoNGFhYWRsTzlPc050cC0tYmtaamRXcVk5NDB1UjgwdytGU3o5dz09--00d2c38cfe9d7eb1812701ecd0c0a65f42f1dcbd"},"attachments":[{"id":65098653,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/65098653/thumbnails/1.jpg","file_name":"Italianistica_estratto_1_4_1_.pdf","download_url":"https://www.academia.edu/attachments/65098653/download_file","bulk_download_file_name":"2014_Alvise_Pasqualigo_e_il_suo_romanzo.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/65098653/Italianistica_estratto_1_4_1_-libre.pdf?1607021476=\u0026response-content-disposition=attachment%3B+filename%3D2014_Alvise_Pasqualigo_e_il_suo_romanzo.pdf\u0026Expires=1738791433\u0026Signature=Humn7qHzZnK0QicYyWz1xwHnN~fM5Wvw1GpgPLa~ceTSFlQ-xKzd3VLQ7I6P8NailiDJKGBRdQz3Xi3luTPe4zXOEqKTNYggdg8inYrIFH~rbs-7GpVcm1F1ShCubw2UDw5xxtFNpFO68aEon6RTv3GriWHOkO3~LqRh-~FWk5uwUy6nuwCKjxUxSmkjo~EbvZxrGQ9pcD0IeMISh3TXifVhpoXV7BSOMwajFh89BXAGyRxzRU2ir6dLN259Y7bdVDr054HfFUYFEPgiyZoS~N5VjgIHn2bHNgunUmg~gId5b-5usA83DS0uBSixHrnQJI~inL9Iyjz3BkhBqnOFnQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies"},{"id":16920,"name":"Italian philology","url":"https://www.academia.edu/Documents/in/Italian_philology"},{"id":21545,"name":"Italian Renaissance literature","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_literature"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="44629111"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/44629111/_2014_Oh_come_bene_se_gli_conviene_il_nome_chegli_tiene_I_nomi_parlanti_del_Fedele_di_Alvise_Pasqualigo"><img alt="Research paper thumbnail of (2014) «Oh come bene se gli conviene il nome [...] ch'egli tiene». I nomi parlanti del Fedele di Alvise Pasqualigo" class="work-thumbnail" src="https://attachments.academia-assets.com/65098759/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/44629111/_2014_Oh_come_bene_se_gli_conviene_il_nome_chegli_tiene_I_nomi_parlanti_del_Fedele_di_Alvise_Pasqualigo">(2014) «Oh come bene se gli conviene il nome [...] ch'egli tiene». I nomi parlanti del Fedele di Alvise Pasqualigo</a></div><div class="wp-workCard_item"><span>Il Nome nel testo </span><span>, 2014</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This article deals with the way the venetian count alvise pasqualigo (1536-1576) uses anthroponym...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This article deals with the way the venetian count alvise pasqualigo (1536-1576) uses anthroponyms in his comedy Il fedele (1576). this text was very successful in italy between the end of the 16th and the beginning of the 17th century, and also reached england and France, as it was translated into French by pierre de larivay, into latin by abraham Fraunce, and into english by anthony munday (this remake was probably read by shakespeare). as for the minor characters, the names chosen by the author usually show a semantic and sometimes etymological interaction with their personalities, which influences their behaviour and the development of their stories. in some cases, the link name/personality turns out to be antiphrastic at the end of the story; in others it is the intertextuality that leads to the correct interpretation of the anthroponym. as for the four main characters, their names interact with each other, and contribute strongly to the building of the allegorical interpretation of the whole comedy. this allegorical interpretation, which could not be understood without the semantic help of the anthroponyms, is built on two different levels: a superficial and conformist one which shows how the value of faith makes man successful in love and life; and a hidden and cynical one which reveals that the way to self-accomplishment is not real faith but its simulation (that is to say its negation).</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="7d6019b9e02e93ddce732a06f2c34d57" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":65098759,"asset_id":44629111,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/65098759/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="44629111"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="44629111"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44629111; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=44629111]").text(description); $(".js-view-count[data-work-id=44629111]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 44629111; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='44629111']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "7d6019b9e02e93ddce732a06f2c34d57" } } $('.js-work-strip[data-work-id=44629111]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":44629111,"title":"(2014) «Oh come bene se gli conviene il nome [...] ch'egli tiene». I nomi parlanti del Fedele di Alvise Pasqualigo","internal_url":"https://www.academia.edu/44629111/_2014_Oh_come_bene_se_gli_conviene_il_nome_chegli_tiene_I_nomi_parlanti_del_Fedele_di_Alvise_Pasqualigo","owner_id":4155454,"coauthors_can_edit":true,"owner":{"id":4155454,"first_name":"Ida","middle_initials":null,"last_name":"Caiazza","page_name":"IdaCaiazza","domain_name":"uio","created_at":"2013-05-12T22:55:37.272-07:00","display_name":"Ida Caiazza","url":"https://uio.academia.edu/IdaCaiazza"},"attachments":[{"id":65098759,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/65098759/thumbnails/1.jpg","file_name":"Il_Nome_nel_Testo_379_393_caiazza.pdf","download_url":"https://www.academia.edu/attachments/65098759/download_file","bulk_download_file_name":"2014_Oh_come_bene_se_gli_conviene_il_no.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/65098759/Il_Nome_nel_Testo_379_393_caiazza-libre.pdf?1607021464=\u0026response-content-disposition=attachment%3B+filename%3D2014_Oh_come_bene_se_gli_conviene_il_no.pdf\u0026Expires=1739833472\u0026Signature=OiM-Cf11GSpONYVGAouuV5-Rb9tyOn5pMurPYzSf~tkA4YM0XA9chT6ZL5NCzkYJMSrLLuKY3Ttskc0qkT879DdvGy7G6msd6nu1pkOuF1LJfq9KJ4ZagM5GHk0oEndazMWWaYdPKGjNYKeKar5Z2gJUfUydNw1m0dDerzcw4BKWlLVl-8mTUgkqskegESksR4~yl2ADgMOr6Z~GdlQfV0RckZFFmNxzzSBYtCrqdggX7zh30VfCiEbL99ZWjfwsbagLfFHHp332JgzeNzzkHqSlfL5QD08wu2nu1Ek2aW9AWWzBIwyyD0oKyePHhyyMXwDkq~Whrv36OhfTtym7eQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="44628145"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/44628145/_2014_Pasqualigo_Alvise_Dizionario_Biografico_degli_Italiani_vol_81_p_580_204"><img alt="Research paper thumbnail of (2014) Pasqualigo, Alvise - Dizionario Biografico degli Italiani - vol. 81, p. 580, 204" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/44628145/_2014_Pasqualigo_Alvise_Dizionario_Biografico_degli_Italiani_vol_81_p_580_204">(2014) Pasqualigo, Alvise - Dizionario Biografico degli Italiani - vol. 81, p. 580, 204</a></div><div class="wp-workCard_item"><span>https://www.treccani.it/enciclopedia/alvise-pasqualigo_(Dizionario-Biografico)/</span><span>, 2014</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Biografia di Alvise Pasqualigo </span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="06cb6721cfa98361a9b457df04eb624a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":65097722,"asset_id":44628145,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/65097722/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="44628145"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="44628145"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44628145; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=44628145]").text(description); $(".js-view-count[data-work-id=44628145]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 44628145; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='44628145']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "06cb6721cfa98361a9b457df04eb624a" } } $('.js-work-strip[data-work-id=44628145]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":44628145,"title":"(2014) Pasqualigo, Alvise - Dizionario Biografico degli Italiani - vol. 81, p. 580, 204","internal_url":"https://www.academia.edu/44628145/_2014_Pasqualigo_Alvise_Dizionario_Biografico_degli_Italiani_vol_81_p_580_204","owner_id":4155454,"coauthors_can_edit":true,"owner":{"id":4155454,"first_name":"Ida","middle_initials":null,"last_name":"Caiazza","page_name":"IdaCaiazza","domain_name":"uio","created_at":"2013-05-12T22:55:37.272-07:00","display_name":"Ida Caiazza","url":"https://uio.academia.edu/IdaCaiazza"},"attachments":[{"id":65097722,"title":"","file_type":"epub","scribd_thumbnail_url":"https://a.academia-assets.com/images/blank-paper.jpg","file_name":"1607009976212_21289.epub","download_url":"https://www.academia.edu/attachments/65097722/download_file","bulk_download_file_name":"2014_Pasqualigo_Alvise_Dizionario_Biogr.epub","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/65097722/1607009976212_21289.epub?1738406176=\u0026response-content-disposition=attachment%3B+filename%3D2014_Pasqualigo_Alvise_Dizionario_Biogr.epub\u0026Expires=1739769235\u0026Signature=e4tn2penriYGnWK5Aw6fKJr1ktgvmfnSSyLRXz6J9cTQGyJrIZ8GjWs7isgNNs9G5fiROERPeOa5Ry~I8pgog8CA5FAgvMcG2zOVCK3wyBhGu7mMeLdPErq5572zDwq1PXGYX1~ditdY90SMCV2xSQ0FHdoVXK-RX7k0kOvAxsoP0NyqIQNvvh98u8Y4us3FzfdnNd5ny1KY6o7TqNaTMxYjg4rMTiu282dp6O5ZG-FmhHA3RHLvgMij0RWw~hN6Bcc8wbzqDCdGaYGFpbNNlSJBnmc6TME9SWD8FtVTFmQJGjNUJ2TbZ8eYkBi5-v8JupAi6CCJ8gaWUih9~P1-PQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="44628470"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/44628470/Caiazza_Lucarini_2006_Per_lesegesi_di_Petr_Satyr_39_12"><img alt="Research paper thumbnail of Caiazza - Lucarini (2006) Per l'esegesi di Petr. Satyr. 39, 12" class="work-thumbnail" src="https://attachments.academia-assets.com/65098038/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/44628470/Caiazza_Lucarini_2006_Per_lesegesi_di_Petr_Satyr_39_12">Caiazza - Lucarini (2006) Per l'esegesi di Petr. Satyr. 39, 12</a></div><div class="wp-workCard_item"><span>Per l'esegesi di Petr. Satyr. 39, 12 "Materiali e discussioni per l'analisi dei testi classici", 57, 2006/2</span><span>, 2006</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Sul passaggio "aerumnosi, quibus prae mala sua cornua nascuntur"</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="1a0697c497efcf28435e04f3452d823f" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":65098038,"asset_id":44628470,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/65098038/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="44628470"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="44628470"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44628470; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=44628470]").text(description); $(".js-view-count[data-work-id=44628470]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 44628470; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='44628470']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "1a0697c497efcf28435e04f3452d823f" } } $('.js-work-strip[data-work-id=44628470]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":44628470,"title":"Caiazza - Lucarini (2006) Per l'esegesi di Petr. Satyr. 39, 12","internal_url":"https://www.academia.edu/44628470/Caiazza_Lucarini_2006_Per_lesegesi_di_Petr_Satyr_39_12","owner_id":4155454,"coauthors_can_edit":true,"owner":{"id":4155454,"first_name":"Ida","middle_initials":null,"last_name":"Caiazza","page_name":"IdaCaiazza","domain_name":"uio","created_at":"2013-05-12T22:55:37.272-07:00","display_name":"Ida Caiazza","url":"https://uio.academia.edu/IdaCaiazza"},"attachments":[{"id":65098038,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/65098038/thumbnails/1.jpg","file_name":"Materiali_e_discussioni.pdf","download_url":"https://www.academia.edu/attachments/65098038/download_file","bulk_download_file_name":"Caiazza_Lucarini_2006_Per_lesegesi_di_Pe.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/65098038/Materiali_e_discussioni-libre.pdf?1607017716=\u0026response-content-disposition=attachment%3B+filename%3DCaiazza_Lucarini_2006_Per_lesegesi_di_Pe.pdf\u0026Expires=1739769235\u0026Signature=fF-7I2T7kFDm6PIymgVRXNeWEb4CBZTiTAuiTg9r8ccCDZeypsBIpI0daj-TOU-~ArvI5VtJhjwjt12wL3lzPbalumZ-aYCO1ZCaSgiNlZRKF5fBSQjXeGCcfIrVCIKGyUxIeVC3e4OzNUYtZvObI2RivbqCwjDBUqjYWDn6RIxe45ZOpQJGqj3ZDfCEBvZkV-rvUxuRAWxCy4l0fkAQczuFVqKg6qxQi~HC~-wF~7u5aL9HX~sSzt5ZoR7PDEzJb4wn2jPmF2r5vITh--tHmEWOZIzcOFXTfYUSiaBz3r6OUeL1c-ywYy8CKvhWYShfIvB0scHuJTBgbXCxkPPuCQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="10914775" id="bookreviews"><div class="js-work-strip profile--work_container" data-work-id="86839674"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/86839674/Barbara_Rosenwein_Love_A_History_in_Five_Fantasies_Review"><img alt="Research paper thumbnail of Barbara Rosenwein, Love. A History in Five Fantasies - Review" class="work-thumbnail" src="https://attachments.academia-assets.com/91204309/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/86839674/Barbara_Rosenwein_Love_A_History_in_Five_Fantasies_Review">Barbara Rosenwein, Love. A History in Five Fantasies - Review</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="252aa67a961d6e37615b8e30400f1b36" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":91204309,"asset_id":86839674,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/91204309/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="86839674"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="86839674"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 86839674; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=86839674]").text(description); $(".js-view-count[data-work-id=86839674]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 86839674; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='86839674']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "252aa67a961d6e37615b8e30400f1b36" } } $('.js-work-strip[data-work-id=86839674]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":86839674,"title":"Barbara Rosenwein, Love. A History in Five Fantasies - Review","internal_url":"https://www.academia.edu/86839674/Barbara_Rosenwein_Love_A_History_in_Five_Fantasies_Review","owner_id":4155454,"coauthors_can_edit":true,"owner":{"id":4155454,"first_name":"Ida","middle_initials":null,"last_name":"Caiazza","page_name":"IdaCaiazza","domain_name":"uio","created_at":"2013-05-12T22:55:37.272-07:00","display_name":"Ida Caiazza","url":"https://uio.academia.edu/IdaCaiazza"},"attachments":[{"id":91204309,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/91204309/thumbnails/1.jpg","file_name":"Rosenwein_Love.pdf","download_url":"https://www.academia.edu/attachments/91204309/download_file","bulk_download_file_name":"Barbara_Rosenwein_Love_A_History_in_Five.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/91204309/Rosenwein_Love-libre.pdf?1663506599=\u0026response-content-disposition=attachment%3B+filename%3DBarbara_Rosenwein_Love_A_History_in_Five.pdf\u0026Expires=1739833472\u0026Signature=XsG6kOXOY30EhcvOftGJ1eCwuHVzigP4h5~dlHQaUJeHhFbOvW24ZVGL3XbeVVfAmDXjyVwdst7RsaCsH4kkDlqNc1v7CnQKX--1QEutU97qUFm1famag6ZcHTOpranf5Hf5fSLbCldpnZaDqFApRONNXnaHbt3zRfy2pe3ekXAJfFV59xa294VYhBwrn2~xuyUUz7K282QQAxgOqX-Ml~zfOw7IcFW2FdHwvuvP5G9yiiak36XzvWDZ4tapjlJ4vKRq-aBpSZXuvAt~1AbCa3UMaHzWC987OrrQ-j5dTfbo4uHfNHsyr8A7mp4f1HbRmgSRuDdbN7C~e3TQmfBaTw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"},{"id":91204132,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/91204132/thumbnails/1.jpg","file_name":"Rosenwein_Love.pdf","download_url":"https://www.academia.edu/attachments/91204132/download_file","bulk_download_file_name":"Barbara_Rosenwein_Love_A_History_in_Five.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/91204132/Rosenwein_Love-libre.pdf?1663506614=\u0026response-content-disposition=attachment%3B+filename%3DBarbara_Rosenwein_Love_A_History_in_Five.pdf\u0026Expires=1739833472\u0026Signature=VSNCu4oA0j9JZh87UHH2witexB-Wm8ATYzJlGgghHp8KdxGPL2wLNm18irzCKVTpiJAel5fIaayTwoKEDsT8Dir4P67Ks3B2Ie3L1Mq6IsUY93FMgKhzNtzv7FRety9x5VYbx~JdbY5XvFic3bYy-9QtxxO3Ph5W3U4SqJ~N~HNwoaHiXRgl0zzYpi0CMLK0dIghwwjOGoGFhjL1HFsz~cBkCxB6Vlt7v~oiXNOJqQNDNz9VKNNHT9cbiRoyVLhlIH36OLNeJ9JWGtSwXc2860NaUmctDpA~rQFBeg7Uxgg52Py6HTupGdMJ7SXIS8xxZ9Ap0HC7hI8wiWJdoYSXXw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="45089626"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/45089626/Review_Ricciardelli_Zorzi_Emotions_Passions_and_Power_in_Renaissance_Italy_Proceedings_of_the_International_Conference_Georgetown_University_at_Villa_Le_Balze_5_8_May_2012"><img alt="Research paper thumbnail of Review: Ricciardelli, Zorzi, Emotions, Passions, and Power in Renaissance Italy: Proceedings of the International Conference Georgetown University at Villa Le Balze, 5-8 May 2012" class="work-thumbnail" src="https://attachments.academia-assets.com/65650733/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/45089626/Review_Ricciardelli_Zorzi_Emotions_Passions_and_Power_in_Renaissance_Italy_Proceedings_of_the_International_Conference_Georgetown_University_at_Villa_Le_Balze_5_8_May_2012">Review: Ricciardelli, Zorzi, Emotions, Passions, and Power in Renaissance Italy: Proceedings of the International Conference Georgetown University at Villa Le Balze, 5-8 May 2012</a></div><div class="wp-workCard_item"><span>Emotions: History, Culture, Society</span><span>, 2020</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="18201722e2b28bc25bb3dd1fa8db495c" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":65650733,"asset_id":45089626,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/65650733/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="45089626"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="45089626"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 45089626; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=45089626]").text(description); $(".js-view-count[data-work-id=45089626]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 45089626; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='45089626']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "18201722e2b28bc25bb3dd1fa8db495c" } } $('.js-work-strip[data-work-id=45089626]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":45089626,"title":"Review: Ricciardelli, Zorzi, Emotions, Passions, and Power in Renaissance Italy: Proceedings of the International Conference Georgetown University at Villa Le Balze, 5-8 May 2012","internal_url":"https://www.academia.edu/45089626/Review_Ricciardelli_Zorzi_Emotions_Passions_and_Power_in_Renaissance_Italy_Proceedings_of_the_International_Conference_Georgetown_University_at_Villa_Le_Balze_5_8_May_2012","owner_id":4155454,"coauthors_can_edit":true,"owner":{"id":4155454,"first_name":"Ida","middle_initials":null,"last_name":"Caiazza","page_name":"IdaCaiazza","domain_name":"uio","created_at":"2013-05-12T22:55:37.272-07:00","display_name":"Ida Caiazza","url":"https://uio.academia.edu/IdaCaiazza"},"attachments":[{"id":65650733,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/65650733/thumbnails/1.jpg","file_name":"EMOTIONS_PASSIONS_POWER_REVIEW.pdf","download_url":"https://www.academia.edu/attachments/65650733/download_file","bulk_download_file_name":"Review_Ricciardelli_Zorzi_Emotions_Passi.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/65650733/EMOTIONS_PASSIONS_POWER_REVIEW-libre.pdf?1612944334=\u0026response-content-disposition=attachment%3B+filename%3DReview_Ricciardelli_Zorzi_Emotions_Passi.pdf\u0026Expires=1739769235\u0026Signature=XqQYWeylud9a-~GUwYUqijIp4wpfdkWf2dPqygClArIFaPiLtsqGpYCRhbftLl49gVZ3K4ckQMzkKQjtSbWM6wthjDWLJKixGtr5-VtIwbEmLca25Se~9kejFjjlprL5dnvmQCH4iu56OSyy-DpyfNivW-Xfu~8CAI3nFsZqwtvzr40uKmQF2jbZc6cHhdJ1Y~t1Kb7idwvO-cqCYibY8vzrsL1jPb0k6mXmlhWXEc31EiEFXPqAb788zWbgEeaoRElwJY1Td0q0A-K457x-xuwaYTcf3C9rvNj81gkuRk4Z2NtU3LxmlDo-uQ8CgmE4R3YJryB~fDL0pvGC4MI5Hw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="13704887" id="conferencepresentations"><div class="js-work-strip profile--work_container" data-work-id="86406290"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/86406290/Giornata_di_Studi_Maria_Savorgnan_WEB"><img alt="Research paper thumbnail of Giornata di Studi Maria Savorgnan WEB" class="work-thumbnail" src="https://attachments.academia-assets.com/90867204/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/86406290/Giornata_di_Studi_Maria_Savorgnan_WEB">Giornata di Studi Maria Savorgnan WEB</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="b7f7f90852c16dea134c4c9e32494f48" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":90867204,"asset_id":86406290,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/90867204/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="86406290"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="86406290"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 86406290; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=86406290]").text(description); $(".js-view-count[data-work-id=86406290]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 86406290; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='86406290']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "b7f7f90852c16dea134c4c9e32494f48" } } $('.js-work-strip[data-work-id=86406290]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":86406290,"title":"Giornata di Studi Maria Savorgnan WEB","internal_url":"https://www.academia.edu/86406290/Giornata_di_Studi_Maria_Savorgnan_WEB","owner_id":4155454,"coauthors_can_edit":true,"owner":{"id":4155454,"first_name":"Ida","middle_initials":null,"last_name":"Caiazza","page_name":"IdaCaiazza","domain_name":"uio","created_at":"2013-05-12T22:55:37.272-07:00","display_name":"Ida Caiazza","url":"https://uio.academia.edu/IdaCaiazza"},"attachments":[{"id":90867204,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/90867204/thumbnails/1.jpg","file_name":"Giornata_di_Studi_Maria_Savorgnan_WEB.pdf","download_url":"https://www.academia.edu/attachments/90867204/download_file","bulk_download_file_name":"Giornata_di_Studi_Maria_Savorgnan_WEB.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/90867204/Giornata_di_Studi_Maria_Savorgnan_WEB-libre.pdf?1662821733=\u0026response-content-disposition=attachment%3B+filename%3DGiornata_di_Studi_Maria_Savorgnan_WEB.pdf\u0026Expires=1739769235\u0026Signature=KdecxOWINMjJdJ-oR5zPAOogtiTAuDlnfeSd~w0w6Iqcx6V9mhzJbYkDI2yuYm1s71VIJ8Gf5I8leNf36TjMi~wHQda-ok7tsa2XCx0bC8-oPZeaz7wfWtoNJiVd2zxpdTyUvCNTc4n60n1rtAaN8xnr0z3bL6W-pLoIiGle8TNg6NWyJAi0njLsWE4jr0pbOEVBEdlIvAvg~ccsmc~1uUAhpRVvoZbOT4VtJsTp-gsJie62Azg91dGpmMy2oStMNqgU5xT~T53hvms5WL4UiLpvr1AM6zcYisWnqiQsgcI51cjt70cq0~bJC3O~0xDfl~OOgefdaGez~FVuw-6PBQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="13888580" id="organizationofacademicmeetings"><div class="js-work-strip profile--work_container" data-work-id="107358330"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/107358330/Eros_Thinking_Feeling_Writing_Love_from_Classical_Antiquity_to_Early_Modernity"><img alt="Research paper thumbnail of Eros. Thinking Feeling Writing Love from Classical Antiquity to Early Modernity" class="work-thumbnail" src="https://attachments.academia-assets.com/106046079/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/107358330/Eros_Thinking_Feeling_Writing_Love_from_Classical_Antiquity_to_Early_Modernity">Eros. Thinking Feeling Writing Love from Classical Antiquity to Early Modernity</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://uio.academia.edu/IdaCaiazza">Ida Caiazza</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://hunter-cuny.academia.edu/httpwwwhuntercunyeduromancelanguagespeoplecalabrittocurriculumvitae">Monica Calabritto</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">International Conference, October 12-13, 2023, New York University, Department of Italian Studies...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">International Conference, October 12-13, 2023, New York University, Department of Italian Studies, Casa Italiana Zerilli-Marimò</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="a9eaa4b039002ee5ba3b50d76198d87d" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":106046079,"asset_id":107358330,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/106046079/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="107358330"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="107358330"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 107358330; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=107358330]").text(description); $(".js-view-count[data-work-id=107358330]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 107358330; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='107358330']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "a9eaa4b039002ee5ba3b50d76198d87d" } } $('.js-work-strip[data-work-id=107358330]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":107358330,"title":"Eros. Thinking Feeling Writing Love from Classical Antiquity to Early Modernity","internal_url":"https://www.academia.edu/107358330/Eros_Thinking_Feeling_Writing_Love_from_Classical_Antiquity_to_Early_Modernity","owner_id":4155454,"coauthors_can_edit":true,"owner":{"id":4155454,"first_name":"Ida","middle_initials":null,"last_name":"Caiazza","page_name":"IdaCaiazza","domain_name":"uio","created_at":"2013-05-12T22:55:37.272-07:00","display_name":"Ida Caiazza","url":"https://uio.academia.edu/IdaCaiazza"},"attachments":[{"id":106046079,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/106046079/thumbnails/1.jpg","file_name":"eros_program_online_distribution.pdf","download_url":"https://www.academia.edu/attachments/106046079/download_file","bulk_download_file_name":"Eros_Thinking_Feeling_Writing_Love_from.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/106046079/eros_program_online_distribution-libre.pdf?1695934115=\u0026response-content-disposition=attachment%3B+filename%3DEros_Thinking_Feeling_Writing_Love_from.pdf\u0026Expires=1739820813\u0026Signature=KqNwx-gd3kjUOq5VztrCjW44RkHGQPyQhyOlpijJ-Y10vv8N4snoX2ZrfbPyU60X0dKCJK4t2o6v5Ao2zSStJzmFrc7tYlFCRtDwAv3nSPKkr8-QmN-YHsItqqIgqGVd-IKK9Sy3oVs~ldo5BdO~CdHxFaxboWRoAmYvuAGylrwXBItQvv6VWLxeBNoGPs9p6TbxcAR04fuw0LA8jRv7acKTM-PRJU5H6A3YGlaGUB1ImsyQFRIR40leAkMWaDQDdtup1Q1ojCFlDhhTIwXd~lbwGbgRRpARA~vbSkpJn6NdCXRO~pEkM-fWHMmljhStALPLLmWPfFauZbcwu2obug__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="87264841"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/87264841/Writers_and_Lovers_Writers_as_Lovers_Literature_Passions_and_Gender_Matters_in_Renaissance_Italy_Double_lecture_by_Paola_Ugolini_and_Marco_Faini"><img alt="Research paper thumbnail of Writers and Lovers, Writers as Lovers. Literature, Passions, and Gender Matters in Renaissance Italy. Double lecture by Paola Ugolini and Marco Faini" class="work-thumbnail" src="https://attachments.academia-assets.com/91523109/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/87264841/Writers_and_Lovers_Writers_as_Lovers_Literature_Passions_and_Gender_Matters_in_Renaissance_Italy_Double_lecture_by_Paola_Ugolini_and_Marco_Faini">Writers and Lovers, Writers as Lovers. Literature, Passions, and Gender Matters in Renaissance Italy. Double lecture by Paola Ugolini and Marco Faini</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://uio.academia.edu/IdaCaiazza">Ida Caiazza</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://sunybuffalo.academia.edu/MarcoFaini">Marco Faini</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://buffalo.academia.edu/PaolaUgolini">Paola Ugolini</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="d809b3d15155db7942ea0c0f4d2481f0" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":91523109,"asset_id":87264841,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/91523109/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="87264841"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="87264841"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 87264841; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=87264841]").text(description); $(".js-view-count[data-work-id=87264841]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 87264841; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='87264841']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "d809b3d15155db7942ea0c0f4d2481f0" } } $('.js-work-strip[data-work-id=87264841]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":87264841,"title":"Writers and Lovers, Writers as Lovers. Literature, Passions, and Gender Matters in Renaissance Italy. Double lecture by Paola Ugolini and Marco Faini","internal_url":"https://www.academia.edu/87264841/Writers_and_Lovers_Writers_as_Lovers_Literature_Passions_and_Gender_Matters_in_Renaissance_Italy_Double_lecture_by_Paola_Ugolini_and_Marco_Faini","owner_id":4155454,"coauthors_can_edit":true,"owner":{"id":4155454,"first_name":"Ida","middle_initials":null,"last_name":"Caiazza","page_name":"IdaCaiazza","domain_name":"uio","created_at":"2013-05-12T22:55:37.272-07:00","display_name":"Ida Caiazza","url":"https://uio.academia.edu/IdaCaiazza","email":"MFc1VUFSdXU4QzhZTzd4YWYySkFGVStkS2MvZTFCems2Qnk2K3RrRk1vZXUxVjA4a3Q0dWtkL2VkUUNGQnQ3dS0tQ1kyNEFNSytlVTl3Mk5oaWhYUnEvUT09--81eed4cf04b98e7b4ba1b701709869984748592b"},"attachments":[{"id":91523109,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/91523109/thumbnails/1.jpg","file_name":"writers_and_lovers.pdf","download_url":"https://www.academia.edu/attachments/91523109/download_file","bulk_download_file_name":"Writers_and_Lovers_Writers_as_Lovers_Lit.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/91523109/writers_and_lovers-libre.pdf?1664120030=\u0026response-content-disposition=attachment%3B+filename%3DWriters_and_Lovers_Writers_as_Lovers_Lit.pdf\u0026Expires=1739799691\u0026Signature=Yg1O7rT4OXLEUL7Z5AgsBNZiwkwbEn-hpdebcXNGOVQ7Y0daV9LNNF4s-LQAanh63wBSaU1HY02OR0KMDqPktVj1OwelJf2pI2EgmOKHU8RDmXUhSSc0Z2B6SAgS~cn5jwKKtggP9IaUPgKwRjcZy25zpT7tLJijAOFQJW8M5NnYxkbq~yzjDR3L-x0CM4Bqb8TB31zsRudy35bHoFQKNNLLhygzbpEXF9lC4QduV8MKygfatOSUDLrTyikTKRV5tahMy8gTw8TsCuNdk6-fCxSd17e-I1yDdeOuubFJVk8jYqvB3C56H2F9S397MFNTd3Kyw79bD8Iic5jlrBp5BA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="86661202"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/86661202/_Know_that_every_day_and_every_night_I_cannot_think_of_anyone_but_you_Maria_Savorgnans_letters_to_Pietro_Bembo_A_lecture_by_Lina_Bolzoni_Respondent_Jane_Tylus"><img alt="Research paper thumbnail of "Know that every day and every night I cannot think of anyone but you" Maria Savorgnan's letters to Pietro Bembo A lecture by Lina Bolzoni. Respondent: Jane Tylus" class="work-thumbnail" src="https://attachments.academia-assets.com/91060859/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/86661202/_Know_that_every_day_and_every_night_I_cannot_think_of_anyone_but_you_Maria_Savorgnans_letters_to_Pietro_Bembo_A_lecture_by_Lina_Bolzoni_Respondent_Jane_Tylus">"Know that every day and every night I cannot think of anyone but you" Maria Savorgnan's letters to Pietro Bembo A lecture by Lina Bolzoni. Respondent: Jane Tylus</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="1627aed828f02fdf40dbedb0fdd3c51b" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":91060859,"asset_id":86661202,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/91060859/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="86661202"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="86661202"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 86661202; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=86661202]").text(description); $(".js-view-count[data-work-id=86661202]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 86661202; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='86661202']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "1627aed828f02fdf40dbedb0fdd3c51b" } } $('.js-work-strip[data-work-id=86661202]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":86661202,"title":"\"Know that every day and every night I cannot think of anyone but you\" Maria Savorgnan's letters to Pietro Bembo A lecture by Lina Bolzoni. Respondent: Jane Tylus","internal_url":"https://www.academia.edu/86661202/_Know_that_every_day_and_every_night_I_cannot_think_of_anyone_but_you_Maria_Savorgnans_letters_to_Pietro_Bembo_A_lecture_by_Lina_Bolzoni_Respondent_Jane_Tylus","owner_id":4155454,"coauthors_can_edit":true,"owner":{"id":4155454,"first_name":"Ida","middle_initials":null,"last_name":"Caiazza","page_name":"IdaCaiazza","domain_name":"uio","created_at":"2013-05-12T22:55:37.272-07:00","display_name":"Ida Caiazza","url":"https://uio.academia.edu/IdaCaiazza"},"attachments":[{"id":91060859,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/91060859/thumbnails/1.jpg","file_name":"9_settembre_lina_jane.pdf","download_url":"https://www.academia.edu/attachments/91060859/download_file","bulk_download_file_name":"Know_that_every_day_and_every_night_I_c.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/91060859/9_settembre_lina_jane-libre.pdf?1663195988=\u0026response-content-disposition=attachment%3B+filename%3DKnow_that_every_day_and_every_night_I_c.pdf\u0026Expires=1739769235\u0026Signature=A4DnZIPLr3C5wSCvnTkeoV1hLCCA5adYnzk3gZugeU2~kMwHXTspPLCdAQHlu35F3Jm3m-gAOtbOLykDWK6Kx9m1ed8tIAtlGxrnJgArRvI~GVzsvGkWAwIAJaY5xZWG0Pn72wv8r080Q7wJcHkPedl1fVuWvhfwO-633tuxyP5cohMe-vNoaNmS-WIW207c0S1P4dTaTKtzjyAHsJ8AmKP~lVRIGny-GVm7e193VJ-glMdkzJAbdEp0VvljsKClFx20z8aZCWvQIc8jsXY~H1u2avmzK8QHMPh9~QNjCFEtrUPqM8HSa504kSfj3~-OPip-GYmp4tOC0DGwNMrXJw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="86403808"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/86403808/3rd_Biennial_Conference_Society_for_the_History_of_Emotions"><img alt="Research paper thumbnail of 3rd Biennial Conference Society for the History of Emotions" class="work-thumbnail" src="https://attachments.academia-assets.com/90865307/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/86403808/3rd_Biennial_Conference_Society_for_the_History_of_Emotions">3rd Biennial Conference Society for the History of Emotions</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Searching for Perfect Retreat. Practices of Withdrawal and Emotional Conditioning in 12 th-Centur...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Searching for Perfect Retreat. Practices of Withdrawal and Emotional Conditioning in 12 th-Century Spiritual Texts</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="e3537aaf7a0a71493ffa51ea15540ce2" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":90865307,"asset_id":86403808,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/90865307/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="86403808"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="86403808"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 86403808; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=86403808]").text(description); $(".js-view-count[data-work-id=86403808]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 86403808; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='86403808']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "e3537aaf7a0a71493ffa51ea15540ce2" } } $('.js-work-strip[data-work-id=86403808]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":86403808,"title":"3rd Biennial Conference Society for the History of Emotions","internal_url":"https://www.academia.edu/86403808/3rd_Biennial_Conference_Society_for_the_History_of_Emotions","owner_id":4155454,"coauthors_can_edit":true,"owner":{"id":4155454,"first_name":"Ida","middle_initials":null,"last_name":"Caiazza","page_name":"IdaCaiazza","domain_name":"uio","created_at":"2013-05-12T22:55:37.272-07:00","display_name":"Ida Caiazza","url":"https://uio.academia.edu/IdaCaiazza"},"attachments":[{"id":90865307,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/90865307/thumbnails/1.jpg","file_name":"FLORENCE_PROGRAMME.pdf","download_url":"https://www.academia.edu/attachments/90865307/download_file","bulk_download_file_name":"3rd_Biennial_Conference_Society_for_the.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/90865307/FLORENCE_PROGRAMME-libre.pdf?1662827997=\u0026response-content-disposition=attachment%3B+filename%3D3rd_Biennial_Conference_Society_for_the.pdf\u0026Expires=1739769235\u0026Signature=Xm6wwOIaxgx~jiZuEqdaQftx-nVCK4MnX~m~pkK3~vJeQH8ssOv1~so1kusf8zwUzVuLmbrNFyhnqCmwzIQCtofb8GJcO~3iICgzTOzlSMYih8xlnRmFQWAUI-G56wR735l535~D5JwNNYOHt2Pt7l88O2S2VpAMchV9SVybDYwgeq8MC-uRzNUs2xDe7EehowojKdP4AIuOHzyHb5XAjWeiIHCkzdZG4Fdo0N1fE6tC50K~HAQuajqPCFnWFZiI9RkAPKOXMcSiPh9QQJ786IxITdJ2aulNQBZV32Xd9QiuDW1WYYMDFbroO3Le8fBguTEdVULH5ieyMNBoZpmp8Q__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="70039073"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/70039073/A_Web_of_Sentiments_Letter_Writing_and_Gender_in_the_Early_Modern_Mediterranean_University_of_Florence_Monday_7_February_2022"><img alt="Research paper thumbnail of A Web of Sentiments. Letter Writing and Gender in the Early Modern Mediterranean. University of Florence, Monday 7 February 2022." class="work-thumbnail" src="https://attachments.academia-assets.com/80110998/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/70039073/A_Web_of_Sentiments_Letter_Writing_and_Gender_in_the_Early_Modern_Mediterranean_University_of_Florence_Monday_7_February_2022">A Web of Sentiments. Letter Writing and Gender in the Early Modern Mediterranean. University of Florence, Monday 7 February 2022.</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://granada.academia.edu/JoseMariaPerezFernandez">José María Pérez Fernández</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://uio.academia.edu/IdaCaiazza">Ida Caiazza</a></span></div><div class="wp-workCard_item"><span>A Web of Sentiments. Letter Writing and Gender in the Early Modern Mediterranean</span><span>, 2022</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Paper is a fundamental material medium for communication and consequently the creation, regulatio...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Paper is a fundamental material medium for communication and consequently the creation, regulation, and administration of complex human communities of all sorts. Epistolography is one of its most versatile and productive uses. Beyond the routines involved in the management of economic, political, or religious institutions, the exchange of private letters informed a series of discursive patterns for sentimental engagements, from friendship and family ties to what has come to be known as romantic love. This sort of epistolary rhetoric, which circulated in printed popular products such as handbooks on letter writing and works of prose fiction, became a discursive mirror for emotional self-fashioning. It also contributed to the creation of public personae with published collections of originally private epistles that followed the models of classics and moderns like Cicero and Petrarch.<br />This seminar aims to explore this textual diversity with a particular emphasis on female authors. We seek to gather a series of case studies that can exemplify how female epistolography furnished discursive practices that facilitated not just the creation of private and public personae, but also textual spaces for shared sentiments, and consequently the creation of communities in which women sought to negotiate social and emotional spaces of their own. Our seminar aims to sample cases that can illustrate these genres and practices from different linguistic and cultural communities in the broad Mediterranean and European contexts, with a particular focus on the Early Modern period (ca. 15th-17th centuries).</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="4856d654117f07258503f81afb11ff31" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":80110998,"asset_id":70039073,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/80110998/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="70039073"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="70039073"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 70039073; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=70039073]").text(description); $(".js-view-count[data-work-id=70039073]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 70039073; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='70039073']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "4856d654117f07258503f81afb11ff31" } } $('.js-work-strip[data-work-id=70039073]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":70039073,"title":"A Web of Sentiments. Letter Writing and Gender in the Early Modern Mediterranean. University of Florence, Monday 7 February 2022.","internal_url":"https://www.academia.edu/70039073/A_Web_of_Sentiments_Letter_Writing_and_Gender_in_the_Early_Modern_Mediterranean_University_of_Florence_Monday_7_February_2022","owner_id":296996,"coauthors_can_edit":true,"owner":{"id":296996,"first_name":"José María","middle_initials":null,"last_name":"Pérez Fernández","page_name":"JoseMariaPerezFernandez","domain_name":"granada","created_at":"2010-12-16T18:49:01.812-08:00","display_name":"José María Pérez Fernández","url":"https://granada.academia.edu/JoseMariaPerezFernandez"},"attachments":[{"id":80110998,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/80110998/thumbnails/1.jpg","file_name":"A_Web_of_Sentiments_programme_Zoom.pdf","download_url":"https://www.academia.edu/attachments/80110998/download_file","bulk_download_file_name":"A_Web_of_Sentiments_Letter_Writing_and_G.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/80110998/A_Web_of_Sentiments_programme_Zoom-libre.pdf?1643878000=\u0026response-content-disposition=attachment%3B+filename%3DA_Web_of_Sentiments_Letter_Writing_and_G.pdf\u0026Expires=1739805057\u0026Signature=EumlIeO54onosizC0FM1juOE3TESPWEuGFxdE9nNt5qTsVBdbjZj3Iz1c3SdEZP2VrW6Q8wfVuLxq1Tv8PzL5RV7PqPSt2lVv5u36ZgJLSkAo5KDGWCi0GMpwnLXB-flmqDDeAQTX0BYmZz4~IIX7emUF4z~ID91KPOIRBIVnZV~qcXpTLhBhRfR187HJumcvGpKLAJK4uL9ktsxgi5c5cCyq0gRL~Qmp8lLn5BNzFHn-9EeXInYenwwn~ZnMvSiAClw3zsnPYZBNWsyfuoBpDJSDHbJV73sFBB38Ac0x0chLKIhovXuLkYuVtyzqrbXZa2WQTqVsBVqOFB~vON0-g__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="16234924" id="talks"><div class="js-work-strip profile--work_container" data-work-id="88034235"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/88034235/Workshop_Marie_Sklodowska_Curie_Actions"><img alt="Research paper thumbnail of Workshop: Marie Sklodowska-Curie Actions" class="work-thumbnail" src="https://attachments.academia-assets.com/92096774/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/88034235/Workshop_Marie_Sklodowska_Curie_Actions">Workshop: Marie Sklodowska-Curie Actions</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unive.academia.edu/ElisaCazzato">Elisa Cazzato</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://uio.academia.edu/IdaCaiazza">Ida Caiazza</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Fund your research and foster your career with the Marie Curie fellowships sponsored by the Europ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Fund your research and foster your career with the Marie Curie fellowships sponsored by the European Commission <br /> <br />The aim of these postdoctoral fellowships is to foster career development and excellence in research, and both European and U.S. scholars are eligible to apply for them. They are designed for researchers with a PhD in all disciplines who wish to carry out their research activities abroad, acquire new skills, and develop their careers. MSC-PFs help researchers gain experience in other countries, different disciplines, and nonacademic sectors. Interested researchers submit an application to the EU together with a host organization, which can be a university or a research institution based in an EU Member State. The MSC-PFs support the recruited researcher in the form of a living stipend, a travel allowance, and, if applicable, funds to support family members, long-term leave, and special needs. In addition, funding is provided for research, training, and networking activities, as well as management and indirect costs. <br /> <br />This workshop is addressed to potential fellows interested in applying for a period of research and training in Europe, supervisors who wish to sponsor a scholar from abroad at NYU, and administrative staff who want to receive additional information on the MSCA awards. Speakers will share their personal experiences and provide additional information about the program and how to apply.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="c4b2abee52efb10b7294d965e792b769" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":92096774,"asset_id":88034235,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/92096774/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="88034235"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="88034235"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 88034235; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=88034235]").text(description); $(".js-view-count[data-work-id=88034235]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 88034235; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='88034235']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "c4b2abee52efb10b7294d965e792b769" } } $('.js-work-strip[data-work-id=88034235]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":88034235,"title":"Workshop: Marie Sklodowska-Curie Actions","internal_url":"https://www.academia.edu/88034235/Workshop_Marie_Sklodowska_Curie_Actions","owner_id":4645296,"coauthors_can_edit":true,"owner":{"id":4645296,"first_name":"Elisa","middle_initials":null,"last_name":"Cazzato","page_name":"ElisaCazzato","domain_name":"unive","created_at":"2013-06-24T13:05:31.550-07:00","display_name":"Elisa Cazzato","url":"https://unive.academia.edu/ElisaCazzato"},"attachments":[{"id":92096774,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/92096774/thumbnails/1.jpg","file_name":"Flyer.pdf","download_url":"https://www.academia.edu/attachments/92096774/download_file","bulk_download_file_name":"Workshop_Marie_Sklodowska_Curie_Actions.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/92096774/Flyer-libre.pdf?1665122636=\u0026response-content-disposition=attachment%3B+filename%3DWorkshop_Marie_Sklodowska_Curie_Actions.pdf\u0026Expires=1739833473\u0026Signature=IEYe5lF5O5fYo-TrEFvKIvjDv2UZ1cp30vkYufyoGwZZIajzYL7QEfyQvw665B15LF0o7Zq2o2O64647gid0qhlPHNgEdp5dHSkKoVXytcrPnb7ZunJ3001I6NZz1yqcFOMtVAlyRQtXE3fJZNpTbvLbKok3DOkMt6-zgDrT6lC1YX2yPavOy2qGwUFsChz~O-DHAy5sHV5F~s6jfm17bgIjImlxBMUDytcUvcnJwmxCaGO8wfuIGH0ibGsZ72Dqm5Sl5X8VM00tj6OuK2xI7l7HO3T0VSesyBzN5-0zx4NoUGzC3gTdWrTdXGI282GfP5j-5fApHGmulS5IE6N6yA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="16887807" id="conferences"><div class="js-work-strip profile--work_container" data-work-id="94172930"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/94172930/Vicino_Orsini_poeta_committente_e_uomo_darmi"><img alt="Research paper thumbnail of Vicino Orsini: poeta, committente e uomo d'armi" class="work-thumbnail" src="https://attachments.academia-assets.com/96704331/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/94172930/Vicino_Orsini_poeta_committente_e_uomo_darmi">Vicino Orsini: poeta, committente e uomo d'armi</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/AndreaAlessi2">Andrea Alessi</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://uio.academia.edu/IdaCaiazza">Ida Caiazza</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Convegno di studi. Bomarzo, 28 gennaio 2023</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="b115a4587e30953c644fb99b48870ef6" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":96704331,"asset_id":94172930,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/96704331/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="94172930"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="94172930"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 94172930; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=94172930]").text(description); $(".js-view-count[data-work-id=94172930]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 94172930; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='94172930']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "b115a4587e30953c644fb99b48870ef6" } } $('.js-work-strip[data-work-id=94172930]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":94172930,"title":"Vicino Orsini: poeta, committente e uomo d'armi","internal_url":"https://www.academia.edu/94172930/Vicino_Orsini_poeta_committente_e_uomo_darmi","owner_id":33703838,"coauthors_can_edit":true,"owner":{"id":33703838,"first_name":"Andrea","middle_initials":null,"last_name":"Alessi","page_name":"AndreaAlessi2","domain_name":"independent","created_at":"2015-08-07T08:01:42.844-07:00","display_name":"Andrea Alessi","url":"https://independent.academia.edu/AndreaAlessi2"},"attachments":[{"id":96704331,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/96704331/thumbnails/1.jpg","file_name":"vicino_Orsini_locandina.pdf","download_url":"https://www.academia.edu/attachments/96704331/download_file","bulk_download_file_name":"Vicino_Orsini_poeta_committente_e_uomo_d.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/96704331/vicino_Orsini_locandina-libre.pdf?1672684095=\u0026response-content-disposition=attachment%3B+filename%3DVicino_Orsini_poeta_committente_e_uomo_d.pdf\u0026Expires=1739769235\u0026Signature=W5aTh85uGC7SGBB84SNg9dwVCzRXeWiqJXWCDIn3ypPxAk6Y8Ik22dBYw-gqB9wS2wLGn~ja0hyvQFVXWxcj9bcVbMnqKfQaoG3YIS~BtDdVsQInb15X7Swvo5jtHRevRATki~cqZJwjeUa-zwNsnQc7v2PoUUEWuaRYUIezeJXPGazCkF7P0UCV9FYtyLdhAD2HksytH1zTTQVt9AMRvez2tz3Bjaf-50lI8bwjAQJltLBOdVxn2K4kNo3Mf5tgzUCC1LysBZC305sHG20nYJXW3YMXcqiHhNcDYZW2msr-7pBXpzeD3qAdVr1wk-4N4prkJrgborcn3HOcqb6zAQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/google_contacts-0dfb882d836b94dbcb4a2d123d6933fc9533eda5be911641f20b4eb428429600.js"], function() { // from javascript_helper.rb $('.js-google-connect-button').click(function(e) { e.preventDefault(); GoogleContacts.authorize_and_show_contacts(); Aedu.Dismissibles.recordClickthrough("WowProfileImportContactsPrompt"); }); $('.js-update-biography-button').click(function(e) { e.preventDefault(); Aedu.Dismissibles.recordClickthrough("UpdateUserBiographyPrompt"); $.ajax({ url: $r.api_v0_profiles_update_about_path({ subdomain_param: 'api', about: "", }), type: 'PUT', success: function(response) { location.reload(); } }); }); $('.js-work-creator-button').click(function (e) { e.preventDefault(); window.location = $r.upload_funnel_document_path({ source: encodeURIComponent(""), }); }); $('.js-video-upload-button').click(function (e) { e.preventDefault(); window.location = $r.upload_funnel_video_path({ source: encodeURIComponent(""), }); }); $('.js-do-this-later-button').click(function() { $(this).closest('.js-profile-nag-panel').remove(); Aedu.Dismissibles.recordDismissal("WowProfileImportContactsPrompt"); }); $('.js-update-biography-do-this-later-button').click(function(){ $(this).closest('.js-profile-nag-panel').remove(); Aedu.Dismissibles.recordDismissal("UpdateUserBiographyPrompt"); }); $('.wow-profile-mentions-upsell--close').click(function(){ $('.wow-profile-mentions-upsell--panel').hide(); Aedu.Dismissibles.recordDismissal("WowProfileMentionsUpsell"); }); $('.wow-profile-mentions-upsell--button').click(function(){ Aedu.Dismissibles.recordClickthrough("WowProfileMentionsUpsell"); }); new WowProfile.SocialRedesignUserWorks({ initialWorksOffset: 20, allWorksOffset: 20, maxSections: 3 }) }); </script> </div></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile_edit-5ea339ee107c863779f560dd7275595239fed73f1a13d279d2b599a28c0ecd33.js","https://a.academia-assets.com/assets/add_coauthor-22174b608f9cb871d03443cafa7feac496fb50d7df2d66a53f5ee3c04ba67f53.js","https://a.academia-assets.com/assets/tab-dcac0130902f0cc2d8cb403714dd47454f11fc6fb0e99ae6a0827b06613abc20.js","https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js"], function() { // from javascript_helper.rb window.ae = window.ae || {}; window.ae.WowProfile = window.ae.WowProfile || {}; if(Aedu.User.current && Aedu.User.current.id === $viewedUser.id) { window.ae.WowProfile.current_user_edit = {}; new WowProfileEdit.EditUploadView({ el: '.js-edit-upload-button-wrapper', model: window.$current_user, }); new AddCoauthor.AddCoauthorsController(); } var userInfoView = new WowProfile.SocialRedesignUserInfo({ recaptcha_key: "6LdxlRMTAAAAADnu_zyLhLg0YF9uACwz78shpjJB" }); WowProfile.router = new WowProfile.Router({ userInfoView: userInfoView }); Backbone.history.start({ pushState: true, root: "/" + $viewedUser.page_name }); new WowProfile.UserWorksNav() }); </script> </div> <div class="bootstrap login"><div class="modal fade login-modal" id="login-modal"><div class="login-modal-dialog modal-dialog"><div class="modal-content"><div class="modal-header"><button class="close close" data-dismiss="modal" type="button"><span aria-hidden="true">×</span><span class="sr-only">Close</span></button><h4 class="modal-title text-center"><strong>Log In</strong></h4></div><div class="modal-body"><div class="row"><div class="col-xs-10 col-xs-offset-1"><button class="btn btn-fb btn-lg btn-block btn-v-center-content" id="login-facebook-oauth-button"><svg style="float: left; width: 19px; line-height: 1em; margin-right: .3em;" aria-hidden="true" focusable="false" data-prefix="fab" data-icon="facebook-square" class="svg-inline--fa fa-facebook-square fa-w-14" role="img" xmlns="http://www.w3.org/2000/svg" viewBox="0 0 448 512"><path fill="currentColor" d="M400 32H48A48 48 0 0 0 0 80v352a48 48 0 0 0 48 48h137.25V327.69h-63V256h63v-54.64c0-62.15 37-96.48 93.67-96.48 27.14 0 55.52 4.84 55.52 4.84v61h-31.27c-30.81 0-40.42 19.12-40.42 38.73V256h68.78l-11 71.69h-57.78V480H400a48 48 0 0 0 48-48V80a48 48 0 0 0-48-48z"></path></svg><small><strong>Log in</strong> with <strong>Facebook</strong></small></button><br /><button class="btn btn-google btn-lg btn-block btn-v-center-content" id="login-google-oauth-button"><svg style="float: left; width: 22px; line-height: 1em; margin-right: .3em;" aria-hidden="true" focusable="false" data-prefix="fab" data-icon="google-plus" class="svg-inline--fa fa-google-plus fa-w-16" role="img" xmlns="http://www.w3.org/2000/svg" viewBox="0 0 512 512"><path fill="currentColor" d="M256,8C119.1,8,8,119.1,8,256S119.1,504,256,504,504,392.9,504,256,392.9,8,256,8ZM185.3,380a124,124,0,0,1,0-248c31.3,0,60.1,11,83,32.3l-33.6,32.6c-13.2-12.9-31.3-19.1-49.4-19.1-42.9,0-77.2,35.5-77.2,78.1S142.3,334,185.3,334c32.6,0,64.9-19.1,70.1-53.3H185.3V238.1H302.2a109.2,109.2,0,0,1,1.9,20.7c0,70.8-47.5,121.2-118.8,121.2ZM415.5,273.8v35.5H380V273.8H344.5V238.3H380V202.8h35.5v35.5h35.2v35.5Z"></path></svg><small><strong>Log in</strong> with <strong>Google</strong></small></button><br /><style type="text/css">.sign-in-with-apple-button { width: 100%; height: 52px; border-radius: 3px; border: 1px solid black; cursor: pointer; } .sign-in-with-apple-button > div { margin: 0 auto; / This centers the Apple-rendered button horizontally }</style><script src="https://appleid.cdn-apple.com/appleauth/static/jsapi/appleid/1/en_US/appleid.auth.js" type="text/javascript"></script><div class="sign-in-with-apple-button" data-border="false" data-color="white" id="appleid-signin"><span   ="Sign Up with Apple" class="u-fs11"></span></div><script>AppleID.auth.init({ clientId: 'edu.academia.applesignon', scope: 'name email', redirectURI: 'https://www.academia.edu/sessions', state: "cd5a217625936c9d45d00c1c1be0aafa03bcd3f4d8b787fe23ae618a94291e16", });</script><script>// Hacky way of checking if on fast loswp if (window.loswp == null) { (function() { const Google = window?.Aedu?.Auth?.OauthButton?.Login?.Google; const Facebook = window?.Aedu?.Auth?.OauthButton?.Login?.Facebook; if (Google) { new Google({ el: '#login-google-oauth-button', rememberMeCheckboxId: 'remember_me', track: null }); } if (Facebook) { new Facebook({ el: '#login-facebook-oauth-button', rememberMeCheckboxId: 'remember_me', track: null }); } })(); }</script></div></div></div><div class="modal-body"><div class="row"><div class="col-xs-10 col-xs-offset-1"><div class="hr-heading login-hr-heading"><span class="hr-heading-text">or</span></div></div></div></div><div class="modal-body"><div class="row"><div class="col-xs-10 col-xs-offset-1"><form class="js-login-form" action="https://www.academia.edu/sessions" accept-charset="UTF-8" method="post"><input type="hidden" name="authenticity_token" value="Lp5WX2tn8Ngl6yBzeQPihWTPEQjanET0kbSzv1ep8s2P-uafJvTB4uQEKX5OFvk3TelM1rkcFLajJscK4xS7fw" autocomplete="off" /><div class="form-group"><label class="control-label" for="login-modal-email-input" style="font-size: 14px;">Email</label><input class="form-control" id="login-modal-email-input" name="login" type="email" /></div><div class="form-group"><label class="control-label" for="login-modal-password-input" style="font-size: 14px;">Password</label><input class="form-control" id="login-modal-password-input" name="password" type="password" /></div><input type="hidden" name="post_login_redirect_url" id="post_login_redirect_url" value="https://uio.academia.edu/IdaCaiazza" autocomplete="off" /><div class="checkbox"><label><input type="checkbox" name="remember_me" id="remember_me" value="1" checked="checked" /><small style="font-size: 12px; margin-top: 2px; display: inline-block;">Remember me on this computer</small></label></div><br><input type="submit" name="commit" value="Log In" class="btn btn-primary btn-block btn-lg js-login-submit" data-disable-with="Log In" /></br></form><script>typeof window?.Aedu?.recaptchaManagedForm === 'function' && window.Aedu.recaptchaManagedForm( document.querySelector('.js-login-form'), document.querySelector('.js-login-submit') );</script><small style="font-size: 12px;"><br />or <a data-target="#login-modal-reset-password-container" data-toggle="collapse" href="javascript:void(0)">reset password</a></small><div class="collapse" id="login-modal-reset-password-container"><br /><div class="well margin-0x"><form class="js-password-reset-form" action="https://www.academia.edu/reset_password" accept-charset="UTF-8" method="post"><input type="hidden" name="authenticity_token" value="gBhj8projZj9sbu9-1sFhZXMtsaUMtlIxVJD6e7kTeshfNMy13u8ojxesrDMTh43vOrrGPeyiQr3wDdcWlkEWQ" autocomplete="off" /><p>Enter the email address you signed up with and we'll email you a reset link.</p><div class="form-group"><input class="form-control" name="email" type="email" /></div><script src="https://recaptcha.net/recaptcha/api.js" async defer></script> <script> var invisibleRecaptchaSubmit = function () { var closestForm = function (ele) { var curEle = ele.parentNode; while (curEle.nodeName !== 'FORM' && curEle.nodeName !== 'BODY'){ curEle = curEle.parentNode; } return curEle.nodeName === 'FORM' ? curEle : null }; var eles = document.getElementsByClassName('g-recaptcha'); if (eles.length > 0) { var form = closestForm(eles[0]); if (form) { form.submit(); } } }; </script> <input type="submit" data-sitekey="6Lf3KHUUAAAAACggoMpmGJdQDtiyrjVlvGJ6BbAj" data-callback="invisibleRecaptchaSubmit" class="g-recaptcha btn btn-primary btn-block" value="Email me a link" value=""/> </form></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/collapse-45805421cf446ca5adf7aaa1935b08a3a8d1d9a6cc5d91a62a2a3a00b20b3e6a.js"], function() { // from javascript_helper.rb $("#login-modal-reset-password-container").on("shown.bs.collapse", function() { $(this).find("input[type=email]").focus(); }); }); </script> </div></div></div><div class="modal-footer"><div class="text-center"><small style="font-size: 12px;">Need an account? <a rel="nofollow" href="https://www.academia.edu/signup">Click here to sign up</a></small></div></div></div></div></div></div><script>// If we are on subdomain or non-bootstrapped page, redirect to login page instead of showing modal (function(){ if (typeof $ === 'undefined') return; var host = window.location.hostname; if ((host === $domain || host === "www."+$domain) && (typeof $().modal === 'function')) { $("#nav_log_in").click(function(e) { // Don't follow the link and open the modal e.preventDefault(); $("#login-modal").on('shown.bs.modal', function() { $(this).find("#login-modal-email-input").focus() }).modal('show'); }); } })()</script> <div class="bootstrap" id="footer"><div class="footer-content clearfix text-center padding-top-7x" style="width:100%;"><ul class="footer-links-secondary footer-links-wide list-inline margin-bottom-1x"><li><a href="https://www.academia.edu/about">About</a></li><li><a href="https://www.academia.edu/press">Press</a></li><li><a href="https://www.academia.edu/documents">Papers</a></li><li><a href="https://www.academia.edu/topics">Topics</a></li><li><a href="https://www.academia.edu/journals">Academia.edu Journals</a></li><li><a rel="nofollow" href="https://www.academia.edu/hiring"><svg style="width: 13px; height: 13px;" aria-hidden="true" focusable="false" data-prefix="fas" data-icon="briefcase" class="svg-inline--fa fa-briefcase fa-w-16" role="img" xmlns="http://www.w3.org/2000/svg" viewBox="0 0 512 512"><path fill="currentColor" d="M320 336c0 8.84-7.16 16-16 16h-96c-8.84 0-16-7.16-16-16v-48H0v144c0 25.6 22.4 48 48 48h416c25.6 0 48-22.4 48-48V288H320v48zm144-208h-80V80c0-25.6-22.4-48-48-48H176c-25.6 0-48 22.4-48 48v48H48c-25.6 0-48 22.4-48 48v80h512v-80c0-25.6-22.4-48-48-48zm-144 0H192V96h128v32z"></path></svg> <strong>We're Hiring!</strong></a></li><li><a rel="nofollow" href="https://support.academia.edu/hc/en-us"><svg style="width: 12px; height: 12px;" aria-hidden="true" focusable="false" data-prefix="fas" data-icon="question-circle" class="svg-inline--fa fa-question-circle fa-w-16" role="img" xmlns="http://www.w3.org/2000/svg" viewBox="0 0 512 512"><path fill="currentColor" d="M504 256c0 136.997-111.043 248-248 248S8 392.997 8 256C8 119.083 119.043 8 256 8s248 111.083 248 248zM262.655 90c-54.497 0-89.255 22.957-116.549 63.758-3.536 5.286-2.353 12.415 2.715 16.258l34.699 26.31c5.205 3.947 12.621 3.008 16.665-2.122 17.864-22.658 30.113-35.797 57.303-35.797 20.429 0 45.698 13.148 45.698 32.958 0 14.976-12.363 22.667-32.534 33.976C247.128 238.528 216 254.941 216 296v4c0 6.627 5.373 12 12 12h56c6.627 0 12-5.373 12-12v-1.333c0-28.462 83.186-29.647 83.186-106.667 0-58.002-60.165-102-116.531-102zM256 338c-25.365 0-46 20.635-46 46 0 25.364 20.635 46 46 46s46-20.636 46-46c0-25.365-20.635-46-46-46z"></path></svg> <strong>Help Center</strong></a></li></ul><ul class="footer-links-tertiary list-inline margin-bottom-1x"><li class="small">Find new research papers in:</li><li class="small"><a href="https://www.academia.edu/Documents/in/Physics">Physics</a></li><li class="small"><a href="https://www.academia.edu/Documents/in/Chemistry">Chemistry</a></li><li class="small"><a href="https://www.academia.edu/Documents/in/Biology">Biology</a></li><li class="small"><a href="https://www.academia.edu/Documents/in/Health_Sciences">Health Sciences</a></li><li class="small"><a href="https://www.academia.edu/Documents/in/Ecology">Ecology</a></li><li class="small"><a href="https://www.academia.edu/Documents/in/Earth_Sciences">Earth Sciences</a></li><li class="small"><a href="https://www.academia.edu/Documents/in/Cognitive_Science">Cognitive Science</a></li><li class="small"><a href="https://www.academia.edu/Documents/in/Mathematics">Mathematics</a></li><li class="small"><a href="https://www.academia.edu/Documents/in/Computer_Science">Computer Science</a></li></ul></div></div><div class="DesignSystem" id="credit" style="width:100%;"><ul class="u-pl0x footer-links-legal list-inline"><li><a rel="nofollow" href="https://www.academia.edu/terms">Terms</a></li><li><a rel="nofollow" href="https://www.academia.edu/privacy">Privacy</a></li><li><a rel="nofollow" href="https://www.academia.edu/copyright">Copyright</a></li><li>Academia ©2025</li></ul></div><script> //<![CDATA[ window.detect_gmtoffset = true; window.Academia && window.Academia.set_gmtoffset && Academia.set_gmtoffset('/gmtoffset'); //]]> </script> <div id='overlay_background'></div> <div id='bootstrap-modal-container' class='bootstrap'></div> <div id='ds-modal-container' class='bootstrap DesignSystem'></div> <div id='full-screen-modal'></div> </div> </body> </html>