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Yayoi Kusama - Wikipedia

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id="toc-Early_life:_1929–1949" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Early_life:_1929–1949"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.1</span> <span>Early life: 1929–1949</span> </div> </a> <ul id="toc-Early_life:_1929–1949-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Early_success_in_Japan:_1950–1956" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Early_success_in_Japan:_1950–1956"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.2</span> <span>Early success in Japan: 1950–1956</span> </div> </a> <ul id="toc-Early_success_in_Japan:_1950–1956-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-New_York_City:_1957–1972" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#New_York_City:_1957–1972"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.3</span> <span>New York City: 1957–1972</span> </div> </a> <ul id="toc-New_York_City:_1957–1972-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Return_to_Japan:_1973–1977" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Return_to_Japan:_1973–1977"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.4</span> <span>Return to Japan: 1973–1977</span> </div> </a> <ul id="toc-Return_to_Japan:_1973–1977-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Revival:_1980s–present" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Revival:_1980s–present"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.5</span> <span>Revival: 1980s–present</span> </div> </a> <ul id="toc-Revival:_1980s–present-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Meaning_and_origins_of_her_work" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Meaning_and_origins_of_her_work"> <div class="vector-toc-text"> <span class="vector-toc-numb">2</span> <span>Meaning and origins of her work</span> </div> </a> <ul id="toc-Meaning_and_origins_of_her_work-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Works_and_publications" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Works_and_publications"> <div class="vector-toc-text"> <span class="vector-toc-numb">3</span> <span>Works and publications</span> </div> </a> <button aria-controls="toc-Works_and_publications-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> <span class="vector-icon mw-ui-icon-wikimedia-expand"></span> <span>Toggle Works and publications subsection</span> </button> <ul id="toc-Works_and_publications-sublist" class="vector-toc-list"> <li id="toc-Performance" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Performance"> <div class="vector-toc-text"> <span class="vector-toc-numb">3.1</span> <span>Performance</span> </div> </a> <ul id="toc-Performance-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Film" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Film"> <div class="vector-toc-text"> <span class="vector-toc-numb">3.2</span> <span>Film</span> </div> </a> <ul id="toc-Film-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Fashion" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Fashion"> <div class="vector-toc-text"> <span class="vector-toc-numb">3.3</span> <span>Fashion</span> </div> </a> <ul id="toc-Fashion-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Writing" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Writing"> <div class="vector-toc-text"> <span class="vector-toc-numb">3.4</span> <span>Writing</span> </div> </a> <ul id="toc-Writing-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Commissions" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Commissions"> <div class="vector-toc-text"> <span class="vector-toc-numb">3.5</span> <span>Commissions</span> </div> </a> <ul id="toc-Commissions-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Select_exhibitions" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Select_exhibitions"> <div class="vector-toc-text"> <span class="vector-toc-numb">3.6</span> <span>Select exhibitions</span> </div> </a> <ul id="toc-Select_exhibitions-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Illustration_work" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Illustration_work"> <div class="vector-toc-text"> <span class="vector-toc-numb">3.7</span> <span>Illustration work</span> </div> </a> <ul id="toc-Illustration_work-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Chapters" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Chapters"> <div class="vector-toc-text"> <span class="vector-toc-numb">3.8</span> <span>Chapters</span> </div> </a> <ul id="toc-Chapters-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Autobiography,_writing" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Autobiography,_writing"> <div class="vector-toc-text"> <span class="vector-toc-numb">3.9</span> <span>Autobiography, writing</span> </div> </a> <ul id="toc-Autobiography,_writing-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Catalogue_raisonné,_etc." class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Catalogue_raisonné,_etc."> <div class="vector-toc-text"> <span class="vector-toc-numb">3.10</span> <span>Catalogue raisonné, etc.</span> </div> </a> <ul id="toc-Catalogue_raisonné,_etc.-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Exhibitions" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Exhibitions"> <div class="vector-toc-text"> <span class="vector-toc-numb">4</span> <span>Exhibitions</span> </div> </a> <button aria-controls="toc-Exhibitions-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> <span class="vector-icon mw-ui-icon-wikimedia-expand"></span> <span>Toggle Exhibitions subsection</span> </button> <ul id="toc-Exhibitions-sublist" class="vector-toc-list"> <li id="toc-Exhibition_list" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Exhibition_list"> <div class="vector-toc-text"> <span class="vector-toc-numb">4.1</span> <span>Exhibition list</span> </div> </a> <ul id="toc-Exhibition_list-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Permanent_Infinity_Room_installations" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Permanent_Infinity_Room_installations"> <div class="vector-toc-text"> <span class="vector-toc-numb">4.2</span> <span>Permanent <i>Infinity Room</i> installations</span> </div> </a> <ul id="toc-Permanent_Infinity_Room_installations-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Peer_review" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Peer_review"> <div class="vector-toc-text"> <span class="vector-toc-numb">5</span> <span>Peer review</span> </div> </a> <ul id="toc-Peer_review-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Collections" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Collections"> <div class="vector-toc-text"> <span class="vector-toc-numb">6</span> <span>Collections</span> </div> </a> <ul id="toc-Collections-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Recognition" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Recognition"> <div class="vector-toc-text"> <span class="vector-toc-numb">7</span> <span>Recognition</span> </div> </a> <ul id="toc-Recognition-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Art_market" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Art_market"> <div class="vector-toc-text"> <span class="vector-toc-numb">8</span> <span>Art market</span> </div> </a> <ul id="toc-Art_market-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-In_popular_culture" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#In_popular_culture"> <div class="vector-toc-text"> <span class="vector-toc-numb">9</span> <span>In popular culture</span> </div> </a> <ul id="toc-In_popular_culture-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-References" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#References"> <div class="vector-toc-text"> <span class="vector-toc-numb">10</span> <span>References</span> </div> </a> <ul id="toc-References-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-External_links" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#External_links"> <div class="vector-toc-text"> <span class="vector-toc-numb">11</span> <span>External links</span> </div> </a> <ul id="toc-External_links-sublist" class="vector-toc-list"> </ul> </li> </ul> </div> </div> </nav> </div> </div> <div class="mw-content-container"> <main id="content" class="mw-body"> <header class="mw-body-header vector-page-titlebar"> <nav aria-label="Contents" class="vector-toc-landmark"> <div id="vector-page-titlebar-toc" class="vector-dropdown vector-page-titlebar-toc vector-button-flush-left" title="Table of Contents" > <input type="checkbox" id="vector-page-titlebar-toc-checkbox" role="button" aria-haspopup="true" data-event-name="ui.dropdown-vector-page-titlebar-toc" class="vector-dropdown-checkbox " aria-label="Toggle the table of contents" > <label id="vector-page-titlebar-toc-label" for="vector-page-titlebar-toc-checkbox" class="vector-dropdown-label cdx-button cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--weight-quiet cdx-button--icon-only " aria-hidden="true" ><span class="vector-icon mw-ui-icon-listBullet mw-ui-icon-wikimedia-listBullet"></span> <span class="vector-dropdown-label-text">Toggle the table of contents</span> </label> <div class="vector-dropdown-content"> <div id="vector-page-titlebar-toc-unpinned-container" class="vector-unpinned-container"> </div> </div> </div> </nav> <h1 id="firstHeading" class="firstHeading mw-first-heading"><span class="mw-page-title-main">Yayoi Kusama</span></h1> <div id="p-lang-btn" class="vector-dropdown mw-portlet mw-portlet-lang" > <input type="checkbox" id="p-lang-btn-checkbox" role="button" aria-haspopup="true" data-event-name="ui.dropdown-p-lang-btn" class="vector-dropdown-checkbox mw-interlanguage-selector" aria-label="Go to an article in another language. Available in 45 languages" > <label id="p-lang-btn-label" for="p-lang-btn-checkbox" class="vector-dropdown-label cdx-button cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--weight-quiet cdx-button--action-progressive mw-portlet-lang-heading-45" aria-hidden="true" ><span class="vector-icon mw-ui-icon-language-progressive mw-ui-icon-wikimedia-language-progressive"></span> <span class="vector-dropdown-label-text">45 languages</span> </label> <div class="vector-dropdown-content"> <div class="vector-menu-content"> <ul class="vector-menu-content-list"> <li class="interlanguage-link interwiki-ar mw-list-item"><a href="https://ar.wikipedia.org/wiki/%D9%8A%D8%A7%D9%8A%D9%88%D9%8A_%D9%83%D9%88%D8%B3%D8%A7%D9%85%D8%A7" title="يايوي كوساما – Arabic" lang="ar" hreflang="ar" data-title="يايوي كوساما" data-language-autonym="العربية" data-language-local-name="Arabic" class="interlanguage-link-target"><span>العربية</span></a></li><li class="interlanguage-link interwiki-as mw-list-item"><a href="https://as.wikipedia.org/wiki/%E0%A6%AF%E0%A6%BC%E0%A6%BE%E0%A6%AF%E0%A6%BC%E0%A6%87_%E0%A6%95%E0%A7%81%E0%A6%9A%E0%A6%BE%E0%A6%AE%E0%A6%BE" title="য়ায়ই কুচামা – Assamese" lang="as" hreflang="as" data-title="য়ায়ই কুচামা" data-language-autonym="অসমীয়া" data-language-local-name="Assamese" class="interlanguage-link-target"><span>অসমীয়া</span></a></li><li class="interlanguage-link interwiki-az mw-list-item"><a href="https://az.wikipedia.org/wiki/Yayoi_Kusama" title="Yayoi Kusama – Azerbaijani" lang="az" hreflang="az" data-title="Yayoi Kusama" data-language-autonym="Azərbaycanca" data-language-local-name="Azerbaijani" class="interlanguage-link-target"><span>Azərbaycanca</span></a></li><li class="interlanguage-link interwiki-bcl mw-list-item"><a href="https://bcl.wikipedia.org/wiki/Yayoi_Kusama" title="Yayoi Kusama – Central Bikol" lang="bcl" hreflang="bcl" data-title="Yayoi Kusama" data-language-autonym="Bikol Central" data-language-local-name="Central Bikol" class="interlanguage-link-target"><span>Bikol Central</span></a></li><li class="interlanguage-link interwiki-ca mw-list-item"><a href="https://ca.wikipedia.org/wiki/Yayoi_Kusama" title="Yayoi Kusama – Catalan" lang="ca" hreflang="ca" data-title="Yayoi Kusama" data-language-autonym="Català" data-language-local-name="Catalan" class="interlanguage-link-target"><span>Català</span></a></li><li class="interlanguage-link interwiki-cs mw-list-item"><a href="https://cs.wikipedia.org/wiki/Jajoi_Kusamaov%C3%A1" title="Jajoi Kusamaová – Czech" lang="cs" hreflang="cs" data-title="Jajoi Kusamaová" data-language-autonym="Čeština" data-language-local-name="Czech" class="interlanguage-link-target"><span>Čeština</span></a></li><li class="interlanguage-link interwiki-cy mw-list-item"><a href="https://cy.wikipedia.org/wiki/Yayoi_Kusama" title="Yayoi Kusama – Welsh" lang="cy" hreflang="cy" data-title="Yayoi Kusama" data-language-autonym="Cymraeg" data-language-local-name="Welsh" class="interlanguage-link-target"><span>Cymraeg</span></a></li><li class="interlanguage-link interwiki-dag mw-list-item"><a href="https://dag.wikipedia.org/wiki/Yayoi_Kusam" title="Yayoi Kusam – Dagbani" lang="dag" hreflang="dag" data-title="Yayoi Kusam" data-language-autonym="Dagbanli" data-language-local-name="Dagbani" class="interlanguage-link-target"><span>Dagbanli</span></a></li><li class="interlanguage-link interwiki-da mw-list-item"><a href="https://da.wikipedia.org/wiki/Yayoi_Kusama" title="Yayoi Kusama – Danish" lang="da" hreflang="da" data-title="Yayoi Kusama" data-language-autonym="Dansk" data-language-local-name="Danish" class="interlanguage-link-target"><span>Dansk</span></a></li><li class="interlanguage-link interwiki-de mw-list-item"><a href="https://de.wikipedia.org/wiki/Yayoi_Kusama" title="Yayoi Kusama – German" lang="de" hreflang="de" data-title="Yayoi Kusama" data-language-autonym="Deutsch" data-language-local-name="German" class="interlanguage-link-target"><span>Deutsch</span></a></li><li class="interlanguage-link interwiki-et mw-list-item"><a href="https://et.wikipedia.org/wiki/Yayoi_Kusama" title="Yayoi Kusama – Estonian" lang="et" hreflang="et" data-title="Yayoi Kusama" data-language-autonym="Eesti" data-language-local-name="Estonian" class="interlanguage-link-target"><span>Eesti</span></a></li><li class="interlanguage-link interwiki-el mw-list-item"><a href="https://el.wikipedia.org/wiki/%CE%93%CE%B9%CE%B1%CE%B3%CE%B9%CF%8C%CE%B9_%CE%9A%CE%BF%CF%85%CF%83%CE%AC%CE%BC%CE%B1" title="Γιαγιόι Κουσάμα – Greek" lang="el" hreflang="el" data-title="Γιαγιόι Κουσάμα" data-language-autonym="Ελληνικά" data-language-local-name="Greek" class="interlanguage-link-target"><span>Ελληνικά</span></a></li><li class="interlanguage-link interwiki-es mw-list-item"><a href="https://es.wikipedia.org/wiki/Yayoi_Kusama" title="Yayoi Kusama – Spanish" lang="es" hreflang="es" data-title="Yayoi Kusama" data-language-autonym="Español" data-language-local-name="Spanish" class="interlanguage-link-target"><span>Español</span></a></li><li class="interlanguage-link interwiki-eo mw-list-item"><a href="https://eo.wikipedia.org/wiki/Yayoi_Kusama" title="Yayoi Kusama – Esperanto" lang="eo" hreflang="eo" data-title="Yayoi Kusama" data-language-autonym="Esperanto" data-language-local-name="Esperanto" class="interlanguage-link-target"><span>Esperanto</span></a></li><li class="interlanguage-link interwiki-eu mw-list-item"><a href="https://eu.wikipedia.org/wiki/Yayoi_Kusama" title="Yayoi Kusama – Basque" lang="eu" hreflang="eu" data-title="Yayoi Kusama" data-language-autonym="Euskara" data-language-local-name="Basque" class="interlanguage-link-target"><span>Euskara</span></a></li><li class="interlanguage-link interwiki-fa mw-list-item"><a href="https://fa.wikipedia.org/wiki/%DB%8C%D8%A7%DB%8C%D9%88%DB%8C%DB%8C_%DA%A9%D9%88%D8%B3%D8%A7%D9%85%D8%A7" title="یایویی کوساما – Persian" lang="fa" hreflang="fa" data-title="یایویی کوساما" data-language-autonym="فارسی" data-language-local-name="Persian" class="interlanguage-link-target"><span>فارسی</span></a></li><li class="interlanguage-link interwiki-fo mw-list-item"><a href="https://fo.wikipedia.org/wiki/Yayoi_Kusama" title="Yayoi Kusama – Faroese" lang="fo" hreflang="fo" data-title="Yayoi Kusama" data-language-autonym="Føroyskt" data-language-local-name="Faroese" class="interlanguage-link-target"><span>Føroyskt</span></a></li><li class="interlanguage-link interwiki-fr mw-list-item"><a href="https://fr.wikipedia.org/wiki/Yayoi_Kusama" title="Yayoi Kusama – French" lang="fr" hreflang="fr" data-title="Yayoi Kusama" data-language-autonym="Français" data-language-local-name="French" class="interlanguage-link-target"><span>Français</span></a></li><li class="interlanguage-link interwiki-gl mw-list-item"><a href="https://gl.wikipedia.org/wiki/Yayoi_Kusama" title="Yayoi Kusama – Galician" lang="gl" hreflang="gl" data-title="Yayoi Kusama" data-language-autonym="Galego" data-language-local-name="Galician" class="interlanguage-link-target"><span>Galego</span></a></li><li class="interlanguage-link interwiki-ko mw-list-item"><a href="https://ko.wikipedia.org/wiki/%EA%B5%AC%EC%82%AC%EB%A7%88_%EC%95%BC%EC%9A%94%EC%9D%B4" title="구사마 야요이 – Korean" lang="ko" hreflang="ko" data-title="구사마 야요이" data-language-autonym="한국어" data-language-local-name="Korean" class="interlanguage-link-target"><span>한국어</span></a></li><li class="interlanguage-link interwiki-id mw-list-item"><a href="https://id.wikipedia.org/wiki/Yayoi_Kusama" title="Yayoi Kusama – Indonesian" lang="id" hreflang="id" data-title="Yayoi Kusama" data-language-autonym="Bahasa Indonesia" data-language-local-name="Indonesian" class="interlanguage-link-target"><span>Bahasa Indonesia</span></a></li><li class="interlanguage-link interwiki-is mw-list-item"><a href="https://is.wikipedia.org/wiki/Yayoi_Kusama" title="Yayoi Kusama – Icelandic" lang="is" hreflang="is" data-title="Yayoi Kusama" data-language-autonym="Íslenska" data-language-local-name="Icelandic" class="interlanguage-link-target"><span>Íslenska</span></a></li><li class="interlanguage-link interwiki-it mw-list-item"><a href="https://it.wikipedia.org/wiki/Yayoi_Kusama" title="Yayoi Kusama – Italian" lang="it" hreflang="it" data-title="Yayoi Kusama" data-language-autonym="Italiano" data-language-local-name="Italian" class="interlanguage-link-target"><span>Italiano</span></a></li><li class="interlanguage-link interwiki-he mw-list-item"><a href="https://he.wikipedia.org/wiki/%D7%99%D7%90%D7%99%D7%95%D7%99_%D7%A7%D7%95%D7%A1%D7%9E%D7%94" title="יאיוי קוסמה – Hebrew" lang="he" hreflang="he" data-title="יאיוי קוסמה" data-language-autonym="עברית" data-language-local-name="Hebrew" class="interlanguage-link-target"><span>עברית</span></a></li><li class="interlanguage-link interwiki-ka mw-list-item"><a href="https://ka.wikipedia.org/wiki/%E1%83%98%E1%83%90%E1%83%98%E1%83%9D%E1%83%98_%E1%83%99%E1%83%A3%E1%83%A1%E1%83%90%E1%83%9B%E1%83%90" title="იაიოი კუსამა – Georgian" lang="ka" hreflang="ka" data-title="იაიოი კუსამა" data-language-autonym="ქართული" data-language-local-name="Georgian" class="interlanguage-link-target"><span>ქართული</span></a></li><li class="interlanguage-link interwiki-lt mw-list-item"><a href="https://lt.wikipedia.org/wiki/Yayoi_Kusama" title="Yayoi Kusama – Lithuanian" lang="lt" hreflang="lt" data-title="Yayoi Kusama" data-language-autonym="Lietuvių" data-language-local-name="Lithuanian" class="interlanguage-link-target"><span>Lietuvių</span></a></li><li class="interlanguage-link interwiki-hu mw-list-item"><a href="https://hu.wikipedia.org/wiki/Kuszama_Jajoi" title="Kuszama Jajoi – Hungarian" lang="hu" hreflang="hu" data-title="Kuszama Jajoi" data-language-autonym="Magyar" data-language-local-name="Hungarian" class="interlanguage-link-target"><span>Magyar</span></a></li><li class="interlanguage-link interwiki-mk mw-list-item"><a href="https://mk.wikipedia.org/wiki/%D0%88%D0%B0%D1%98%D0%BE%D0%B8_%D0%9A%D1%83%D1%81%D0%B0%D0%BC%D0%B0" title="Јајои Кусама – Macedonian" lang="mk" hreflang="mk" data-title="Јајои Кусама" data-language-autonym="Македонски" data-language-local-name="Macedonian" class="interlanguage-link-target"><span>Македонски</span></a></li><li class="interlanguage-link interwiki-arz mw-list-item"><a href="https://arz.wikipedia.org/wiki/%D9%8A%D8%A7%D9%8A%D9%88%D9%89_%D9%83%D9%88%D8%B3%D8%A7%D9%85%D8%A7" title="يايوى كوساما – Egyptian Arabic" lang="arz" hreflang="arz" data-title="يايوى كوساما" data-language-autonym="مصرى" data-language-local-name="Egyptian Arabic" class="interlanguage-link-target"><span>مصرى</span></a></li><li class="interlanguage-link interwiki-mn mw-list-item"><a href="https://mn.wikipedia.org/wiki/%D0%9A%D2%AF%D1%81%D0%B0%D0%BC%D0%B0_%D0%AF%D1%91%D0%B8" title="Күсама Яёи – Mongolian" lang="mn" hreflang="mn" data-title="Күсама Яёи" data-language-autonym="Монгол" data-language-local-name="Mongolian" class="interlanguage-link-target"><span>Монгол</span></a></li><li class="interlanguage-link interwiki-nl mw-list-item"><a href="https://nl.wikipedia.org/wiki/Yayoi_Kusama" title="Yayoi Kusama – Dutch" lang="nl" hreflang="nl" data-title="Yayoi Kusama" data-language-autonym="Nederlands" data-language-local-name="Dutch" class="interlanguage-link-target"><span>Nederlands</span></a></li><li class="interlanguage-link interwiki-ja mw-list-item"><a href="https://ja.wikipedia.org/wiki/%E8%8D%89%E9%96%93%E5%BD%8C%E7%94%9F" title="草間彌生 – Japanese" lang="ja" hreflang="ja" data-title="草間彌生" data-language-autonym="日本語" data-language-local-name="Japanese" class="interlanguage-link-target"><span>日本語</span></a></li><li class="interlanguage-link interwiki-nn mw-list-item"><a href="https://nn.wikipedia.org/wiki/Yayoi_Kusama" title="Yayoi Kusama – Norwegian Nynorsk" lang="nn" hreflang="nn" data-title="Yayoi Kusama" data-language-autonym="Norsk nynorsk" data-language-local-name="Norwegian Nynorsk" class="interlanguage-link-target"><span>Norsk nynorsk</span></a></li><li class="interlanguage-link interwiki-pl mw-list-item"><a href="https://pl.wikipedia.org/wiki/Yayoi_Kusama" title="Yayoi Kusama – Polish" lang="pl" hreflang="pl" data-title="Yayoi Kusama" data-language-autonym="Polski" data-language-local-name="Polish" class="interlanguage-link-target"><span>Polski</span></a></li><li class="interlanguage-link interwiki-pt mw-list-item"><a href="https://pt.wikipedia.org/wiki/Yayoi_Kusama" title="Yayoi Kusama – Portuguese" lang="pt" hreflang="pt" data-title="Yayoi Kusama" data-language-autonym="Português" data-language-local-name="Portuguese" class="interlanguage-link-target"><span>Português</span></a></li><li class="interlanguage-link interwiki-ru mw-list-item"><a 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class="interlanguage-link-target"><span>Slovenčina</span></a></li><li class="interlanguage-link interwiki-sh mw-list-item"><a href="https://sh.wikipedia.org/wiki/Yayoi_Kusama" title="Yayoi Kusama – Serbo-Croatian" lang="sh" hreflang="sh" data-title="Yayoi Kusama" data-language-autonym="Srpskohrvatski / српскохрватски" data-language-local-name="Serbo-Croatian" class="interlanguage-link-target"><span>Srpskohrvatski / српскохрватски</span></a></li><li class="interlanguage-link interwiki-fi mw-list-item"><a href="https://fi.wikipedia.org/wiki/Yayoi_Kusama" title="Yayoi Kusama – Finnish" lang="fi" hreflang="fi" data-title="Yayoi Kusama" data-language-autonym="Suomi" data-language-local-name="Finnish" class="interlanguage-link-target"><span>Suomi</span></a></li><li class="interlanguage-link interwiki-sv mw-list-item"><a href="https://sv.wikipedia.org/wiki/Yayoi_Kusama" title="Yayoi Kusama – Swedish" lang="sv" hreflang="sv" data-title="Yayoi Kusama" data-language-autonym="Svenska" 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data-event-name="pinnable-header.vector-appearance.unpin">hide</button> </div> </div> </div> </nav> </div> </div> <div id="bodyContent" class="vector-body" aria-labelledby="firstHeading" data-mw-ve-target-container> <div class="vector-body-before-content"> <div class="mw-indicators"> </div> <div id="siteSub" class="noprint">From Wikipedia, the free encyclopedia</div> </div> <div id="contentSub"><div id="mw-content-subtitle"></div></div> <div id="mw-content-text" class="mw-body-content"><div class="mw-content-ltr mw-parser-output" lang="en" dir="ltr"><div class="shortdescription nomobile noexcerpt noprint searchaux" style="display:none">Japanese artist and writer (born 1929)</div> <style data-mw-deduplicate="TemplateStyles:r1236090951">.mw-parser-output .hatnote{font-style:italic}.mw-parser-output div.hatnote{padding-left:1.6em;margin-bottom:0.5em}.mw-parser-output .hatnote i{font-style:normal}.mw-parser-output .hatnote+link+.hatnote{margin-top:-0.5em}@media print{body.ns-0 .mw-parser-output .hatnote{display:none!important}}</style><div role="note" class="hatnote navigation-not-searchable">"Kusama" redirects here. For the film director, see <a href="/wiki/Karyn_Kusama" title="Karyn Kusama">Karyn Kusama</a>.</div> <p class="mw-empty-elt"> </p> <style data-mw-deduplicate="TemplateStyles:r1257001546">.mw-parser-output .infobox-subbox{padding:0;border:none;margin:-3px;width:auto;min-width:100%;font-size:100%;clear:none;float:none;background-color:transparent}.mw-parser-output .infobox-3cols-child{margin:auto}.mw-parser-output .infobox .navbar{font-size:100%}@media screen{html.skin-theme-clientpref-night .mw-parser-output .infobox-full-data:not(.notheme)>div:not(.notheme)[style]{background:#1f1f23!important;color:#f8f9fa}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .infobox-full-data:not(.notheme) div:not(.notheme){background:#1f1f23!important;color:#f8f9fa}}@media(min-width:640px){body.skin--responsive .mw-parser-output .infobox-table{display:table!important}body.skin--responsive .mw-parser-output .infobox-table>caption{display:table-caption!important}body.skin--responsive .mw-parser-output .infobox-table>tbody{display:table-row-group}body.skin--responsive .mw-parser-output .infobox-table tr{display:table-row!important}body.skin--responsive .mw-parser-output .infobox-table th,body.skin--responsive .mw-parser-output .infobox-table td{padding-left:inherit;padding-right:inherit}}</style><table class="infobox biography vcard"><tbody><tr><th colspan="2" class="infobox-above" style="font-size:125%;"><div class="fn">Yayoi Kusama<br />草間 彌生</div></th></tr><tr><th scope="row" class="infobox-label">Born</th><td class="infobox-data"><div style="display:inline" class="nickname">Yayoi Kusama (草間 彌生)</div><br /><span style="display:none"> (<span class="bday">1929-03-22</span>) </span>22 March 1929<span class="noprint ForceAgeToShow"> (age&#160;95)</span><br /><div style="display:inline" class="birthplace"><a href="/wiki/Matsumoto,_Nagano" title="Matsumoto, Nagano">Matsumoto, Nagano</a>, <a href="/wiki/Empire_of_Japan" title="Empire of Japan">Empire of Japan</a></div></td></tr><tr><th scope="row" class="infobox-label">Nationality</th><td class="infobox-data category"><a href="/wiki/Japanese_people" title="Japanese people">Japanese</a></td></tr><tr><th scope="row" class="infobox-label">Known&#160;for</th><td class="infobox-data"><style data-mw-deduplicate="TemplateStyles:r1129693374">.mw-parser-output .hlist dl,.mw-parser-output .hlist ol,.mw-parser-output .hlist ul{margin:0;padding:0}.mw-parser-output .hlist dd,.mw-parser-output .hlist dt,.mw-parser-output .hlist li{margin:0;display:inline}.mw-parser-output .hlist.inline,.mw-parser-output .hlist.inline dl,.mw-parser-output .hlist.inline ol,.mw-parser-output .hlist.inline ul,.mw-parser-output .hlist dl dl,.mw-parser-output .hlist dl ol,.mw-parser-output .hlist dl ul,.mw-parser-output .hlist ol dl,.mw-parser-output .hlist ol ol,.mw-parser-output .hlist ol ul,.mw-parser-output .hlist ul dl,.mw-parser-output .hlist ul ol,.mw-parser-output .hlist ul ul{display:inline}.mw-parser-output .hlist .mw-empty-li{display:none}.mw-parser-output .hlist dt::after{content:": "}.mw-parser-output .hlist dd::after,.mw-parser-output .hlist li::after{content:" · ";font-weight:bold}.mw-parser-output .hlist dd:last-child::after,.mw-parser-output .hlist dt:last-child::after,.mw-parser-output .hlist li:last-child::after{content:none}.mw-parser-output .hlist dd dd:first-child::before,.mw-parser-output .hlist dd dt:first-child::before,.mw-parser-output .hlist dd li:first-child::before,.mw-parser-output .hlist dt dd:first-child::before,.mw-parser-output .hlist dt dt:first-child::before,.mw-parser-output .hlist dt li:first-child::before,.mw-parser-output .hlist li dd:first-child::before,.mw-parser-output .hlist li dt:first-child::before,.mw-parser-output .hlist li li:first-child::before{content:" (";font-weight:normal}.mw-parser-output .hlist dd dd:last-child::after,.mw-parser-output .hlist dd dt:last-child::after,.mw-parser-output .hlist dd li:last-child::after,.mw-parser-output .hlist dt dd:last-child::after,.mw-parser-output .hlist dt dt:last-child::after,.mw-parser-output .hlist dt li:last-child::after,.mw-parser-output .hlist li dd:last-child::after,.mw-parser-output .hlist li dt:last-child::after,.mw-parser-output .hlist li li:last-child::after{content:")";font-weight:normal}.mw-parser-output .hlist ol{counter-reset:listitem}.mw-parser-output .hlist ol>li{counter-increment:listitem}.mw-parser-output .hlist ol>li::before{content:" "counter(listitem)"\a0 "}.mw-parser-output .hlist dd ol>li:first-child::before,.mw-parser-output .hlist dt ol>li:first-child::before,.mw-parser-output .hlist li ol>li:first-child::before{content:" ("counter(listitem)"\a0 "}</style><div class="hlist"> <ul><li>Painting</li> <li>drawing</li> <li>sculpture</li> <li><a href="/wiki/Installation_art" title="Installation art">installation art</a></li> <li>performance art</li> <li>film</li> <li>fiction</li> <li>fashion</li> <li>writing</li></ul> </div></td></tr><tr><th scope="row" class="infobox-label">Movement</th><td class="infobox-data category"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><div class="hlist"> <ul><li><a href="/wiki/Pop_art" title="Pop art">Pop art</a></li> <li><a href="/wiki/Minimalism" title="Minimalism">minimalism</a></li> <li><a href="/wiki/Feminist_art" title="Feminist art">feminist art</a></li> <li><a href="/wiki/Environmental_art" title="Environmental art">environmental art</a></li></ul> </div></td></tr><tr><th scope="row" class="infobox-label">Awards</th><td class="infobox-data"><a href="/wiki/Praemium_Imperiale" title="Praemium Imperiale">Praemium Imperiale</a></td></tr><tr><th scope="row" class="infobox-label">Website</th><td class="infobox-data"><span class="url"><a rel="nofollow" class="external text" href="http://www.yayoi-kusama.jp">www<wbr />.yayoi-kusama<wbr />.jp</a></span></td></tr></tbody></table> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Yayoi_Kusama_wax_model_at_Louis_Vitton.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/3/3a/Yayoi_Kusama_wax_model_at_Louis_Vitton.jpg/220px-Yayoi_Kusama_wax_model_at_Louis_Vitton.jpg" decoding="async" width="220" height="293" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/3/3a/Yayoi_Kusama_wax_model_at_Louis_Vitton.jpg/330px-Yayoi_Kusama_wax_model_at_Louis_Vitton.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/3/3a/Yayoi_Kusama_wax_model_at_Louis_Vitton.jpg/440px-Yayoi_Kusama_wax_model_at_Louis_Vitton.jpg 2x" data-file-width="2448" data-file-height="3264" /></a><figcaption>Wax model (2012)</figcaption></figure> <p><b>Yayoi Kusama</b><span style="font-weight: normal"> (<span title="Japanese-language text"><span lang="ja">草間 彌生</span></span>, <span title="Hepburn transliteration"><i lang="ja-Latn">Kusama Yayoi</i></span>, born 22 March 1929)</span> is a Japanese <a href="/wiki/Contemporary_art" title="Contemporary art">contemporary artist</a> who works primarily in <a href="/wiki/Sculpture" title="Sculpture">sculpture</a> and <a href="/wiki/Installation_art" title="Installation art">installation</a>, and she is also active in <a href="/wiki/Painting" title="Painting">painting</a>, <a href="/wiki/Performance_art" title="Performance art">performance</a>, <a href="/wiki/Video_art" title="Video art">video art</a>, <a href="/wiki/Fashion_design" title="Fashion design">fashion</a>, <a href="/wiki/Poetry" title="Poetry">poetry</a>, fiction, and other arts. Her work is based in <a href="/wiki/Conceptual_art" title="Conceptual art">conceptual art</a> and shows some attributes of <a href="/wiki/Feminist_art" title="Feminist art">feminism</a>, <a href="/wiki/Minimalism" title="Minimalism">minimalism</a>, <a href="/wiki/Surrealism" title="Surrealism">surrealism</a>, <span title="French-language text"><i lang="fr"><a href="/wiki/Outsider_art" title="Outsider art">art brut</a></i></span>, <a href="/wiki/Pop_art" title="Pop art">pop art</a>, and <a href="/wiki/Abstract_expressionism" title="Abstract expressionism">abstract expressionism</a>, and is infused with autobiographical, <a href="/wiki/Psychological" class="mw-redirect" title="Psychological">psychological</a>, and <a href="/wiki/Sexual_intercourse" title="Sexual intercourse">sexual</a> content. She has been acknowledged as one of the most important living artists to come out of Japan,<sup id="cite_ref-:0_1-0" class="reference"><a href="#cite_note-:0-1"><span class="cite-bracket">&#91;</span>1<span class="cite-bracket">&#93;</span></a></sup> the world's top-selling female artist,<sup id="cite_ref-2" class="reference"><a href="#cite_note-2"><span class="cite-bracket">&#91;</span>2<span class="cite-bracket">&#93;</span></a></sup> and the world's most successful living artist.<sup id="cite_ref-:1_3-0" class="reference"><a href="#cite_note-:1-3"><span class="cite-bracket">&#91;</span>3<span class="cite-bracket">&#93;</span></a></sup> Her work influenced that of her contemporaries, including <a href="/wiki/Andy_Warhol" title="Andy Warhol">Andy Warhol</a> and <a href="/wiki/Claes_Oldenburg" title="Claes Oldenburg">Claes Oldenburg</a>. </p><p>Kusama was raised in <a href="/wiki/Matsumoto,_Nagano" title="Matsumoto, Nagano">Matsumoto</a>, and trained at the <a href="/wiki/Kyoto_City_University_of_Arts" title="Kyoto City University of Arts">Kyoto City University of Arts</a> for a year in a traditional Japanese painting style called <a href="/wiki/Nihonga" title="Nihonga">nihonga</a>.<sup id="cite_ref-4" class="reference"><a href="#cite_note-4"><span class="cite-bracket">&#91;</span>4<span class="cite-bracket">&#93;</span></a></sup> She was inspired by American <a href="/wiki/Abstract_impressionism" title="Abstract impressionism">Abstract impressionism</a>. She moved to <a href="/wiki/New_York_City" title="New York City">New York City</a> in 1958 and was a part of the New York <a href="/wiki/Avant-garde" title="Avant-garde">avant-garde</a> scene throughout the 1960s, especially in the <a href="/wiki/Pop_art" title="Pop art">pop-art</a> <a href="/wiki/Art_movement" title="Art movement">movement</a>.<sup id="cite_ref-5" class="reference"><a href="#cite_note-5"><span class="cite-bracket">&#91;</span>5<span class="cite-bracket">&#93;</span></a></sup> Embracing the rise of the <a href="/wiki/Hippie" title="Hippie">hippie</a> <a href="/wiki/Counterculture_of_the_1960s" title="Counterculture of the 1960s">counterculture of the late 1960s</a>, she came to public attention when she organized a series of <a href="/wiki/Happening" title="Happening">happenings</a> in which naked participants were painted with brightly coloured <a href="/wiki/Polka_dot" title="Polka dot">polka dots</a>.<sup id="cite_ref-6" class="reference"><a href="#cite_note-6"><span class="cite-bracket">&#91;</span>6<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-7" class="reference"><a href="#cite_note-7"><span class="cite-bracket">&#91;</span>7<span class="cite-bracket">&#93;</span></a></sup> She experienced a period in the 1970s during which her work was largely forgotten, but a revival of interest in the 1980s brought her art back into public view. Kusama has continued to create art in various museums around the world, from the 1950s through the 2020s.<sup id="cite_ref-8" class="reference"><a href="#cite_note-8"><span class="cite-bracket">&#91;</span>8<span class="cite-bracket">&#93;</span></a></sup> </p><p>Kusama has been open about her mental health and has resided since the 1970s in a mental health facility which she leaves daily to walk to her nearby studio to work. She says that art has become her way to express her mental problems.<sup id="cite_ref-Life_&amp;_quotes_9-0" class="reference"><a href="#cite_note-Life_&amp;_quotes-9"><span class="cite-bracket">&#91;</span>9<span class="cite-bracket">&#93;</span></a></sup> "I fight pain, anxiety, and fear every day, and the only method I have found that relieved my illness is to keep creating art", she told an interviewer in 2012. "I followed the thread of art and somehow discovered a path that would allow me to live."<sup id="cite_ref-NYSwanson_10-0" class="reference"><a href="#cite_note-NYSwanson-10"><span class="cite-bracket">&#91;</span>10<span class="cite-bracket">&#93;</span></a></sup> </p> <meta property="mw:PageProp/toc" /> <div class="mw-heading mw-heading2"><h2 id="Biography">Biography</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Yayoi_Kusama&amp;action=edit&amp;section=1" title="Edit section: Biography"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <div class="mw-heading mw-heading3"><h3 id="Early_life:_1929–1949"><span id="Early_life:_1929.E2.80.931949"></span>Early life: 1929–1949</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Yayoi_Kusama&amp;action=edit&amp;section=2" title="Edit section: Early life: 1929–1949"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Yayoi Kusama was born on 22 March 1929 in <a href="/wiki/Matsumoto,_Nagano" title="Matsumoto, Nagano">Matsumoto, Nagano</a>.<sup id="cite_ref-11" class="reference"><a href="#cite_note-11"><span class="cite-bracket">&#91;</span>11<span class="cite-bracket">&#93;</span></a></sup> Born into a family of merchants who owned a <a href="/wiki/Plant_nursery" title="Plant nursery">plant nursery</a> and <a href="/wiki/Seed" title="Seed">seed</a> farm,<sup id="cite_ref-Nayeri_12-0" class="reference"><a href="#cite_note-Nayeri-12"><span class="cite-bracket">&#91;</span>12<span class="cite-bracket">&#93;</span></a></sup> Kusama began drawing pictures of pumpkins in elementary school and created artwork she saw from hallucinations, works of which would later define her career.<sup id="cite_ref-Life_&amp;_quotes_9-1" class="reference"><a href="#cite_note-Life_&amp;_quotes-9"><span class="cite-bracket">&#91;</span>9<span class="cite-bracket">&#93;</span></a></sup> Her mother was not supportive of her creative endeavors; Kusama would rush to finish her art because her mother would take it away to discourage her.<sup id="cite_ref-auto_13-0" class="reference"><a href="#cite_note-auto-13"><span class="cite-bracket">&#91;</span>13<span class="cite-bracket">&#93;</span></a></sup> Her mother was physically <a href="/wiki/Abusive" class="mw-redirect" title="Abusive">abusive</a>,<sup id="cite_ref-Butler_14-0" class="reference"><a href="#cite_note-Butler-14"><span class="cite-bracket">&#91;</span>14<span class="cite-bracket">&#93;</span></a></sup> and Kusama remembers her father as "the type who would play around, who would womanize a lot".<sup id="cite_ref-Nayeri_12-1" class="reference"><a href="#cite_note-Nayeri-12"><span class="cite-bracket">&#91;</span>12<span class="cite-bracket">&#93;</span></a></sup> The artist says that her mother would often send her to spy on her father's <a href="/wiki/Extramarital_affair" class="mw-redirect" title="Extramarital affair">extramarital affairs</a>, which instilled within her a lifelong contempt for <a href="/wiki/Sexuality" class="mw-redirect" title="Sexuality">sexuality</a>, particularly the male's lower body and the <a href="/wiki/Phallus" title="Phallus">phallus</a>: "I don't like sex. I had an obsession with sex. When I was a child, my father had lovers and I experienced seeing him. My mother sent me to spy on him. I didn't want to have sex with anyone for years ... The sexual obsession and fear of sex sit side by side in me."<sup id="cite_ref-ft.com_15-0" class="reference"><a href="#cite_note-ft.com-15"><span class="cite-bracket">&#91;</span>15<span class="cite-bracket">&#93;</span></a></sup> Her traumatic childhood, including her fantastic visions, can be said to be the origin of her artistic style.<sup id="cite_ref-16" class="reference"><a href="#cite_note-16"><span class="cite-bracket">&#91;</span>16<span class="cite-bracket">&#93;</span></a></sup> </p><p>When Kusama was ten years old, she began to experience vivid <a href="/wiki/Hallucination" title="Hallucination">hallucinations</a> which she has described as "flashes of light, auras, or dense fields of dots".<sup id="cite_ref-frank1_17-0" class="reference"><a href="#cite_note-frank1-17"><span class="cite-bracket">&#91;</span>17<span class="cite-bracket">&#93;</span></a></sup> These hallucinations included flowers that spoke to Kusama, and patterns in fabric that she stared at coming to life, multiplying, and engulfing or expunging her,<sup id="cite_ref-nytimes1_18-0" class="reference"><a href="#cite_note-nytimes1-18"><span class="cite-bracket">&#91;</span>18<span class="cite-bracket">&#93;</span></a></sup> a process which she has carried into her artistic career and which she calls "self-obliteration".<sup id="cite_ref-19" class="reference"><a href="#cite_note-19"><span class="cite-bracket">&#91;</span>19<span class="cite-bracket">&#93;</span></a></sup> Kusama's art became her escape from her family and her own mind when she began to have hallucinations.<sup id="cite_ref-auto_13-1" class="reference"><a href="#cite_note-auto-13"><span class="cite-bracket">&#91;</span>13<span class="cite-bracket">&#93;</span></a></sup> She was reportedly fascinated by the smooth white stones covering the bed of the river near her family home, which she cites as another of the seminal influences behind her lasting fixation on dots.<sup id="cite_ref-Furman_20-0" class="reference"><a href="#cite_note-Furman-20"><span class="cite-bracket">&#91;</span>20<span class="cite-bracket">&#93;</span></a></sup> </p><p>When Kusama was 13, she was sent to work in a military factory where she was tasked with <a href="/wiki/Sewing" title="Sewing">sewing</a> and fabricating <a href="/wiki/Parachute" title="Parachute">parachutes</a> for the <a href="/wiki/Imperial_Japanese_Army" title="Imperial Japanese Army">Japanese army</a>, then embroiled in <a href="/wiki/World_War_II" title="World War II">World War II</a>.<sup id="cite_ref-:0_1-1" class="reference"><a href="#cite_note-:0-1"><span class="cite-bracket">&#91;</span>1<span class="cite-bracket">&#93;</span></a></sup> Discussing her time in the factory, she says that she spent her adolescence "in closed darkness" although she could always hear the <a href="/wiki/Air_raid_siren" class="mw-redirect" title="Air raid siren">air-raid alerts</a> going off and see American <a href="/wiki/Boeing_B-29_Superfortress" title="Boeing B-29 Superfortress">B-29s</a> flying overhead in broad daylight.<sup id="cite_ref-:0_1-2" class="reference"><a href="#cite_note-:0-1"><span class="cite-bracket">&#91;</span>1<span class="cite-bracket">&#93;</span></a></sup> Her childhood was greatly influenced by the events of the war, and she claims that it was during this period that she began to value notions of personal and creative freedom.<sup id="cite_ref-Furman_20-1" class="reference"><a href="#cite_note-Furman-20"><span class="cite-bracket">&#91;</span>20<span class="cite-bracket">&#93;</span></a></sup> She attended <a href="/w/index.php?title=Arigasaki_High_School&amp;action=edit&amp;redlink=1" class="new" title="Arigasaki High School (page does not exist)">Arigasaki High School</a>.<sup id="cite_ref-:1_3-1" class="reference"><a href="#cite_note-:1-3"><span class="cite-bracket">&#91;</span>3<span class="cite-bracket">&#93;</span></a></sup> </p><p>She went on to study <i><a href="/wiki/Nihonga" title="Nihonga">Nihonga</a></i> painting at the <a href="/wiki/Kyoto_City_University_of_Arts" title="Kyoto City University of Arts">Kyoto Municipal School of Arts and Crafts</a> in 1948.<sup id="cite_ref-QAG_21-0" class="reference"><a href="#cite_note-QAG-21"><span class="cite-bracket">&#91;</span>21<span class="cite-bracket">&#93;</span></a></sup> Frustrated with this distinctly Japanese style, she became interested in the European and American <a href="/wiki/Avant-garde" title="Avant-garde">avant-garde</a>, staging several <a href="/wiki/Solo_exhibition" title="Solo exhibition">solo exhibitions</a> of her paintings in Matsumoto and Tokyo in the 1950s.<sup id="cite_ref-22" class="reference"><a href="#cite_note-22"><span class="cite-bracket">&#91;</span>22<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Early_success_in_Japan:_1950–1956"><span id="Early_success_in_Japan:_1950.E2.80.931956"></span>Early success in Japan: 1950–1956</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Yayoi_Kusama&amp;action=edit&amp;section=3" title="Edit section: Early success in Japan: 1950–1956"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>By 1950, she was depicting abstract natural forms in water colour, <a href="/wiki/Gouache" title="Gouache">gouache</a>, and <a href="/wiki/Oil_paint" title="Oil paint">oil paint</a>, primarily on paper. She began covering surfaces—walls, floors, <a href="/wiki/Canvas" title="Canvas">canvases</a>, and later, household objects, and naked assistants—with the <a href="/wiki/Polka_dot" title="Polka dot">polka dots</a> that became a trademark of her work. </p><p>The vast fields of polka dots, or "infinity nets", as she called them, were taken directly from her hallucinations. The earliest recorded work in which she incorporated these dots was a drawing in 1939 at age 10, in which the image of a Japanese woman in a <a href="/wiki/Kimono" title="Kimono">kimono</a>, presumed to be the artist's mother, is covered and obliterated by spots.<sup id="cite_ref-victoria-miro1998_23-0" class="reference"><a href="#cite_note-victoria-miro1998-23"><span class="cite-bracket">&#91;</span>23<span class="cite-bracket">&#93;</span></a></sup> Her first series of large-scale, sometimes more than 30&#160;ft-long canvas paintings,<sup id="cite_ref-Pilling_24-0" class="reference"><a href="#cite_note-Pilling-24"><span class="cite-bracket">&#91;</span>24<span class="cite-bracket">&#93;</span></a></sup> <i>Infinity Nets</i>, were entirely covered in a sequence of nets and dots that alluded to hallucinatory visions. </p><p>On her 1954 painting <i>Flower (D.S.P.S)</i>, Kusama has said: </p> <style data-mw-deduplicate="TemplateStyles:r1244412712">.mw-parser-output .templatequote{overflow:hidden;margin:1em 0;padding:0 32px}.mw-parser-output .templatequotecite{line-height:1.5em;text-align:left;margin-top:0}@media(min-width:500px){.mw-parser-output .templatequotecite{padding-left:1.6em}}</style><blockquote class="templatequote"><p> One day I was looking at the red flower patterns of the tablecloth on a table, and when I looked up I saw the same pattern covering the ceiling, the windows, and the walls, and finally all over the room, my body and the universe. I felt as if I had begun to self-obliterate, to revolve in the infinity of endless time and the absoluteness of space, and be reduced to nothingness. As I realised it was actually happening and not just in my imagination, I was frightened. I knew I had to run away lest I should be deprived of my life by the spell of the red flowers. I ran desperately up the stairs. The steps below me began to fall apart and I fell down the stairs spraining my ankle.<sup id="cite_ref-25" class="reference"><a href="#cite_note-25"><span class="cite-bracket">&#91;</span>25<span class="cite-bracket">&#93;</span></a></sup></p></blockquote> <div class="mw-heading mw-heading3"><h3 id="New_York_City:_1957–1972"><span id="New_York_City:_1957.E2.80.931972"></span>New York City: 1957–1972</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Yayoi_Kusama&amp;action=edit&amp;section=4" title="Edit section: New York City: 1957–1972"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>After living in Tokyo and France, Kusama left Japan at the age of 27 for the United States. She has stated that she began to consider Japanese society "too small, too servile, too feudalistic, and too scornful of women".<sup id="cite_ref-frank1_17-1" class="reference"><a href="#cite_note-frank1-17"><span class="cite-bracket">&#91;</span>17<span class="cite-bracket">&#93;</span></a></sup> Before leaving Japan for the United States, she destroyed many of her early works.<sup id="cite_ref-26" class="reference"><a href="#cite_note-26"><span class="cite-bracket">&#91;</span>26<span class="cite-bracket">&#93;</span></a></sup> In 1957, she moved to <a href="/wiki/Seattle" title="Seattle">Seattle</a>, where she had an exhibition of paintings at the <a href="/wiki/Zoe_Dusanne" title="Zoe Dusanne">Zoe Dusanne</a> Gallery.<sup id="cite_ref-27" class="reference"><a href="#cite_note-27"><span class="cite-bracket">&#91;</span>27<span class="cite-bracket">&#93;</span></a></sup> She stayed there for a year<sup id="cite_ref-nytimes1_18-1" class="reference"><a href="#cite_note-nytimes1-18"><span class="cite-bracket">&#91;</span>18<span class="cite-bracket">&#93;</span></a></sup> before moving on to New York City, following correspondence with <a href="/wiki/Georgia_O%27Keeffe" title="Georgia O&#39;Keeffe">Georgia O'Keeffe</a> in which she professed an interest in joining the limelight of the city, and sought O'Keeffe's advice.<sup id="cite_ref-28" class="reference"><a href="#cite_note-28"><span class="cite-bracket">&#91;</span>28<span class="cite-bracket">&#93;</span></a></sup> During her time in the US, she quickly established her reputation as a leader in the avant-garde movement and received praise for her work from the anarchist art critic <a href="/wiki/Herbert_Read" title="Herbert Read">Herbert Read</a>.<sup id="cite_ref-29" class="reference"><a href="#cite_note-29"><span class="cite-bracket">&#91;</span>29<span class="cite-bracket">&#93;</span></a></sup> </p><p>In 1961, she moved her studio into the same building as <a href="/wiki/Donald_Judd" title="Donald Judd">Donald Judd</a> and sculptor <a href="/wiki/Eva_Hesse" title="Eva Hesse">Eva Hesse</a>; Hesse became a close friend.<sup id="cite_ref-30" class="reference"><a href="#cite_note-30"><span class="cite-bracket">&#91;</span>30<span class="cite-bracket">&#93;</span></a></sup> In the early 1960s, Kusama began to create so-called soft sculptures by covering items such as ladders, shoes and chairs with white phallic protrusions.<sup id="cite_ref-MOMABIO_31-0" class="reference"><a href="#cite_note-MOMABIO-31"><span class="cite-bracket">&#91;</span>31<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-:2_32-0" class="reference"><a href="#cite_note-:2-32"><span class="cite-bracket">&#91;</span>32<span class="cite-bracket">&#93;</span></a></sup> Despite the micromanaged intricacy of the drawings, she turned them out fast and in bulk, establishing a rhythm of productivity which she still maintains. She established other habits too, like having herself routinely photographed with new work<sup id="cite_ref-nytimes1_18-2" class="reference"><a href="#cite_note-nytimes1-18"><span class="cite-bracket">&#91;</span>18<span class="cite-bracket">&#93;</span></a></sup> and regularly appearing in public wearing her signature bob wigs and colorful, avant-garde fashions.<sup id="cite_ref-ft.com_15-1" class="reference"><a href="#cite_note-ft.com-15"><span class="cite-bracket">&#91;</span>15<span class="cite-bracket">&#93;</span></a></sup> </p><p>In June 1963, one of Kusama's soft sculpture pieces, a couch covered with phallus-like protrusions she had sewn, was exhibited at the Green Gallery. Included in the same exhibition was a <a href="/wiki/Papier-m%C3%A2ch%C3%A9" title="Papier-mâché">papier-mache</a> sculpture by <a href="/wiki/Claes_Oldenburg" title="Claes Oldenburg">Claes Oldenburg</a>, who had not worked in soft sculpture.<sup id="cite_ref-:1_3-2" class="reference"><a href="#cite_note-:1-3"><span class="cite-bracket">&#91;</span>3<span class="cite-bracket">&#93;</span></a></sup> Kusama's piece received the most attention from attendees and critics, and by September Oldenburg was exhibiting sewn soft sculpture, some pieces of which were very similar to Kusama's; Oldenburg's wife apologized to Kusama at the exhibit.<sup id="cite_ref-:1_3-3" class="reference"><a href="#cite_note-:1-3"><span class="cite-bracket">&#91;</span>3<span class="cite-bracket">&#93;</span></a></sup> According to <a href="/wiki/Fordham_University" title="Fordham University">Fordham</a> professor of art Midori Yamamura, Oldenburg likely was inspired by Kusama's work to use sewn pieces himself, pieces which made him an "international star".<sup id="cite_ref-:1_3-4" class="reference"><a href="#cite_note-:1-3"><span class="cite-bracket">&#91;</span>3<span class="cite-bracket">&#93;</span></a></sup> Kusama became depressed over the incident.<sup id="cite_ref-:1_3-5" class="reference"><a href="#cite_note-:1-3"><span class="cite-bracket">&#91;</span>3<span class="cite-bracket">&#93;</span></a></sup> A similar incident occurred soon after when Kusama exhibited a boat she had covered in soft sculpture, with photographs of the boat completely covering the walls of the exhibit space, which was very innovative. <a href="/wiki/Andy_Warhol" title="Andy Warhol">Andy Warhol</a> remarked on the exhibit, and not long after covered the walls of an exhibit space with photos of a cow, for which he drew significant attention.<sup id="cite_ref-:1_3-6" class="reference"><a href="#cite_note-:1-3"><span class="cite-bracket">&#91;</span>3<span class="cite-bracket">&#93;</span></a></sup> Kusama became very secretive about her studio work.<sup id="cite_ref-:1_3-7" class="reference"><a href="#cite_note-:1-3"><span class="cite-bracket">&#91;</span>3<span class="cite-bracket">&#93;</span></a></sup> Helaine Posner, of the <a href="/wiki/Neuberger_Museum_of_Art" title="Neuberger Museum of Art">Neuberger Museum of Art</a>, said it was likely some combination of racism and sexism that kept Kusama, who was creating work of equal importance to men who were using her ideas and taking the credit for them, from getting the same kinds of backing.<sup id="cite_ref-:1_3-8" class="reference"><a href="#cite_note-:1-3"><span class="cite-bracket">&#91;</span>3<span class="cite-bracket">&#93;</span></a></sup> </p> <style data-mw-deduplicate="TemplateStyles:r1224211176">.mw-parser-output .quotebox{background-color:#F9F9F9;border:1px solid #aaa;box-sizing:border-box;padding:10px;font-size:88%;max-width:100%}.mw-parser-output .quotebox.floatleft{margin:.5em 1.4em .8em 0}.mw-parser-output .quotebox.floatright{margin:.5em 0 .8em 1.4em}.mw-parser-output .quotebox.centered{overflow:hidden;position:relative;margin:.5em auto .8em auto}.mw-parser-output .quotebox.floatleft span,.mw-parser-output .quotebox.floatright span{font-style:inherit}.mw-parser-output .quotebox>blockquote{margin:0;padding:0;border-left:0;font-family:inherit;font-size:inherit}.mw-parser-output .quotebox-title{text-align:center;font-size:110%;font-weight:bold}.mw-parser-output .quotebox-quote>:first-child{margin-top:0}.mw-parser-output .quotebox-quote:last-child>:last-child{margin-bottom:0}.mw-parser-output .quotebox-quote.quoted:before{font-family:"Times New Roman",serif;font-weight:bold;font-size:large;color:gray;content:" “ ";vertical-align:-45%;line-height:0}.mw-parser-output .quotebox-quote.quoted:after{font-family:"Times New Roman",serif;font-weight:bold;font-size:large;color:gray;content:" ” ";line-height:0}.mw-parser-output .quotebox .left-aligned{text-align:left}.mw-parser-output .quotebox .right-aligned{text-align:right}.mw-parser-output .quotebox .center-aligned{text-align:center}.mw-parser-output .quotebox .quote-title,.mw-parser-output .quotebox .quotebox-quote{display:block}.mw-parser-output .quotebox cite{display:block;font-style:normal}@media screen and (max-width:640px){.mw-parser-output .quotebox{width:100%!important;margin:0 0 .8em!important;float:none!important}}</style><div class="quotebox pullquote floatright" style="width:30%; border-width: 0;"> <blockquote class="quotebox-quote left-aligned" style=""> <p>A polka-dot has the form of the sun, which is a symbol of the energy of the whole world and our living life, and also the form of the moon, which is calm. Round, soft, colorful, senseless and unknowing. Polka-dots become movement&#160;... Polka dots are a way to infinity. </p> </blockquote> <div style="padding-bottom: 0; padding-top: 0.5em"><cite class="right-aligned" style="">—Yayoi Kusama,&#32;in <i>Manhattan Suicide Addict</i>&#160;<sup id="cite_ref-33" class="reference"><a href="#cite_note-33"><span class="cite-bracket">&#91;</span>33<span class="cite-bracket">&#93;</span></a></sup></cite></div> </div> <p>Since 1963, Kusama has continued her series of <i>Mirror/Infinity</i> rooms. In these complex <a href="/wiki/Infinity_mirror" title="Infinity mirror">infinity mirror</a> installations, purpose-built rooms lined with mirrored glass contain scores of neon-colored balls, hanging at various heights above the viewer. Standing inside on a small platform, an observer sees light repeatedly reflected off the mirrored surfaces to create the illusion of a never-ending space.<sup id="cite_ref-34" class="reference"><a href="#cite_note-34"><span class="cite-bracket">&#91;</span>34<span class="cite-bracket">&#93;</span></a></sup> </p><p>During the following years, Kusama was enormously productive, and by 1966, she was experimenting with room-size, freestanding installations that incorporated mirrors, lights, and piped-in music. She counted Judd and <a href="/wiki/Joseph_Cornell" title="Joseph Cornell">Joseph Cornell</a> among her friends and supporters. However, she did not profit financially from her work. Around this time, Kusama was hospitalized regularly from overwork, and O'Keeffe persuaded her own dealer Edith Herbert to purchase several works to help Kusama stave off financial hardship.<sup id="cite_ref-QAG_21-1" class="reference"><a href="#cite_note-QAG-21"><span class="cite-bracket">&#91;</span>21<span class="cite-bracket">&#93;</span></a></sup> She was not able to make the money she believed she deserved, and her frustration became so extreme that she attempted suicide.<sup id="cite_ref-auto_13-2" class="reference"><a href="#cite_note-auto-13"><span class="cite-bracket">&#91;</span>13<span class="cite-bracket">&#93;</span></a></sup> </p><p>In the 1960s, Kusama organized outlandish <a href="/wiki/Happening" title="Happening">happenings</a> in conspicuous spots like <a href="/wiki/Central_Park" title="Central Park">Central Park</a> and the <a href="/wiki/Brooklyn_Bridge" title="Brooklyn Bridge">Brooklyn Bridge</a>, often involving <a href="/wiki/Glamour_photography" title="Glamour photography">nudity</a> and designed to protest the <a href="/wiki/Vietnam_War" title="Vietnam War">Vietnam War</a>. In one, she wrote an open letter to <a href="/wiki/Richard_Nixon" title="Richard Nixon">Richard Nixon</a> offering to have sex with him if he would stop the Vietnam war.<sup id="cite_ref-Pilling_24-1" class="reference"><a href="#cite_note-Pilling-24"><span class="cite-bracket">&#91;</span>24<span class="cite-bracket">&#93;</span></a></sup> Between 1967 and 1969, she concentrated on performances held with the maximum publicity, usually involving Kusama painting polka dots on her nude performers, as in the <i>Grand Orgy to Awaken the Dead at the MoMA</i> (1969), in which performers were instructed embrace each other while engaging the sculptures around them at the Sculpture Garden of the <a href="/wiki/Museum_of_Modern_Art" title="Museum of Modern Art">Museum of Modern Art</a>.<sup id="cite_ref-MOMABIO_31-1" class="reference"><a href="#cite_note-MOMABIO-31"><span class="cite-bracket">&#91;</span>31<span class="cite-bracket">&#93;</span></a></sup> During the unannounced event, eight performers under Kusama's direction removed their clothing, stepped nude into a fountain, and assumed poses mimicking the nearby sculptures by <a href="/wiki/Pablo_Picasso" title="Pablo Picasso">Picasso</a>, <a href="/wiki/Alberto_Giacometti" title="Alberto Giacometti">Giacometti</a>, and <a href="/wiki/Aristide_Maillol" title="Aristide Maillol">Maillol</a>.<sup id="cite_ref-35" class="reference"><a href="#cite_note-35"><span class="cite-bracket">&#91;</span>35<span class="cite-bracket">&#93;</span></a></sup> </p><p>In 1968, Kusama presided over the happening <i>Homosexual Wedding</i> at the Church of Self-obliteration at 33 Walker Street in New York and performed alongside <a href="/wiki/Fleetwood_Mac" title="Fleetwood Mac">Fleetwood Mac</a> and <a href="/wiki/Country_Joe_and_the_Fish" title="Country Joe and the Fish">Country Joe and the Fish</a> at the <a href="/wiki/Fillmore_East" title="Fillmore East">Fillmore East</a> in New York City.<sup id="cite_ref-QAG_21-2" class="reference"><a href="#cite_note-QAG-21"><span class="cite-bracket">&#91;</span>21<span class="cite-bracket">&#93;</span></a></sup> She opened naked painting studios and a gay social club called the <i>Kusama 'Omophile Kompany (kok)</i>.<sup id="cite_ref-NYSwanson_10-1" class="reference"><a href="#cite_note-NYSwanson-10"><span class="cite-bracket">&#91;</span>10<span class="cite-bracket">&#93;</span></a></sup> The nudity present in Kusama's art and art protests was severely shameful for her family; her high school removed her name from its list of alumni.<sup id="cite_ref-auto_13-3" class="reference"><a href="#cite_note-auto-13"><span class="cite-bracket">&#91;</span>13<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-:1_3-9" class="reference"><a href="#cite_note-:1-3"><span class="cite-bracket">&#91;</span>3<span class="cite-bracket">&#93;</span></a></sup> This made her feel alone, and she attempted suicide again.<sup id="cite_ref-auto_13-4" class="reference"><a href="#cite_note-auto-13"><span class="cite-bracket">&#91;</span>13<span class="cite-bracket">&#93;</span></a></sup> </p><p>In 1966, Kusama first participated in the <a href="/wiki/Venice_Biennale" title="Venice Biennale">Venice Biennale</a> for its 33rd edition. Her <i>Narcissus Garden</i> comprised hundreds of mirrored spheres outdoors in what she called a "kinetic carpet". As soon as the piece was installed on a lawn outside the Italian pavilion, Kusama, dressed in a golden kimono,<sup id="cite_ref-Pilling_24-2" class="reference"><a href="#cite_note-Pilling-24"><span class="cite-bracket">&#91;</span>24<span class="cite-bracket">&#93;</span></a></sup> began selling each individual sphere for 1,200 lire (US$2), until the Biennale organizers put an end to her enterprise. <i>Narcissus Garden</i> was as much about the promotion of the artist through the media as it was an opportunity to offer a critique of the mechanization and commodification of the art market.<sup id="cite_ref-36" class="reference"><a href="#cite_note-36"><span class="cite-bracket">&#91;</span>36<span class="cite-bracket">&#93;</span></a></sup> </p><p>During her time in New York, Kusama had a brief relationship with artist <a href="/wiki/Donald_Judd" title="Donald Judd">Donald Judd</a>.<sup id="cite_ref-TateCornell_37-0" class="reference"><a href="#cite_note-TateCornell-37"><span class="cite-bracket">&#91;</span>37<span class="cite-bracket">&#93;</span></a></sup> She then began a passionate, platonic relationship with the surrealist artist <a href="/wiki/Joseph_Cornell" title="Joseph Cornell">Joseph Cornell</a>. She was 26 years his junior – they called each other daily, sketched each other, and he would send personalized <a href="/wiki/Collage" title="Collage">collages</a> to her. Their lengthy association lasted until his death in 1972.<sup id="cite_ref-TateCornell_37-1" class="reference"><a href="#cite_note-TateCornell-37"><span class="cite-bracket">&#91;</span>37<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Return_to_Japan:_1973–1977"><span id="Return_to_Japan:_1973.E2.80.931977"></span>Return to Japan: 1973–1977</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Yayoi_Kusama&amp;action=edit&amp;section=5" title="Edit section: Return to Japan: 1973–1977"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1273380762/mw-parser-output/.tmulti">.mw-parser-output .tmulti .multiimageinner{display:flex;flex-direction:column}.mw-parser-output .tmulti .trow{display:flex;flex-direction:row;clear:left;flex-wrap:wrap;width:100%;box-sizing:border-box}.mw-parser-output .tmulti .tsingle{margin:1px;float:left}.mw-parser-output .tmulti .theader{clear:both;font-weight:bold;text-align:center;align-self:center;background-color:transparent;width:100%}.mw-parser-output .tmulti .thumbcaption{background-color:transparent}.mw-parser-output .tmulti .text-align-left{text-align:left}.mw-parser-output .tmulti .text-align-right{text-align:right}.mw-parser-output .tmulti .text-align-center{text-align:center}@media all and (max-width:720px){.mw-parser-output .tmulti .thumbinner{width:100%!important;box-sizing:border-box;max-width:none!important;align-items:center}.mw-parser-output .tmulti .trow{justify-content:center}.mw-parser-output .tmulti .tsingle{float:none!important;max-width:100%!important;box-sizing:border-box;text-align:center}.mw-parser-output .tmulti .tsingle .thumbcaption{text-align:left}.mw-parser-output .tmulti .trow>.thumbcaption{text-align:center}}@media screen{html.skin-theme-clientpref-night .mw-parser-output .tmulti .multiimageinner span:not(.skin-invert-image):not(.skin-invert):not(.bg-transparent) img{background-color:white}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .tmulti .multiimageinner span:not(.skin-invert-image):not(.skin-invert):not(.bg-transparent) img{background-color:white}}</style><div class="thumb tmulti tright"><div class="thumbinner multiimageinner" style="width:308px;max-width:308px"><div class="trow"><div class="tsingle" style="width:152px;max-width:152px"><div class="thumbimage"><span typeof="mw:File"><a href="/wiki/File:Orchard_Road_3,_Singapore_Biennale_2006,_Oct_06.JPG" class="mw-file-description"><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/a/a3/Orchard_Road_3%2C_Singapore_Biennale_2006%2C_Oct_06.JPG/150px-Orchard_Road_3%2C_Singapore_Biennale_2006%2C_Oct_06.JPG" decoding="async" width="150" height="200" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/a/a3/Orchard_Road_3%2C_Singapore_Biennale_2006%2C_Oct_06.JPG/225px-Orchard_Road_3%2C_Singapore_Biennale_2006%2C_Oct_06.JPG 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/a/a3/Orchard_Road_3%2C_Singapore_Biennale_2006%2C_Oct_06.JPG/300px-Orchard_Road_3%2C_Singapore_Biennale_2006%2C_Oct_06.JPG 2x" data-file-width="1200" data-file-height="1600" /></a></span></div></div><div class="tsingle" style="width:152px;max-width:152px"><div class="thumbimage"><span typeof="mw:File"><a href="/wiki/File:Yayoi_Kusama_-_Ascension_of_Polkadots_on_the_Trees.JPG" class="mw-file-description"><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/7/70/Yayoi_Kusama_-_Ascension_of_Polkadots_on_the_Trees.JPG/150px-Yayoi_Kusama_-_Ascension_of_Polkadots_on_the_Trees.JPG" decoding="async" width="150" height="200" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/7/70/Yayoi_Kusama_-_Ascension_of_Polkadots_on_the_Trees.JPG/225px-Yayoi_Kusama_-_Ascension_of_Polkadots_on_the_Trees.JPG 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/7/70/Yayoi_Kusama_-_Ascension_of_Polkadots_on_the_Trees.JPG/300px-Yayoi_Kusama_-_Ascension_of_Polkadots_on_the_Trees.JPG 2x" data-file-width="1200" data-file-height="1600" /></a></span></div></div></div><div class="trow" style="display:flex"><div class="thumbcaption">Yayoi Kusama's <i>Ascension of Polka Dots on the Trees</i> at the <a href="/wiki/Singapore_Biennale" title="Singapore Biennale">Singapore Biennale</a> 2006 on <a href="/wiki/Orchard_Road" title="Orchard Road">Orchard Road</a>, Singapore</div></div></div></div> <p>In 1973, Kusama returned to Japan. Her reception from the Japanese art world and press was unsympathetic; one art collector recalled considering her a "scandal queen".<sup id="cite_ref-:1_3-10" class="reference"><a href="#cite_note-:1-3"><span class="cite-bracket">&#91;</span>3<span class="cite-bracket">&#93;</span></a></sup> She was in ill health, but continued to work, writing shockingly visceral and surrealistic novels, short stories, and poetry. </p><p>She became so depressed she was unable to work and made another suicide attempt, then in 1977, found a doctor who was using art therapy to treat mental illness in a hospital setting.<sup id="cite_ref-:1_3-11" class="reference"><a href="#cite_note-:1-3"><span class="cite-bracket">&#91;</span>3<span class="cite-bracket">&#93;</span></a></sup> She checked herself in and eventually took up permanent residence in the hospital. She has been living at the hospital ever since, by choice.<sup id="cite_ref-Observer1_38-0" class="reference"><a href="#cite_note-Observer1-38"><span class="cite-bracket">&#91;</span>38<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-:2_32-1" class="reference"><a href="#cite_note-:2-32"><span class="cite-bracket">&#91;</span>32<span class="cite-bracket">&#93;</span></a></sup> Her studio, where she has continued to produce work since the mid-1970s, is a short distance from the hospital in Tokyo.<sup id="cite_ref-39" class="reference"><a href="#cite_note-39"><span class="cite-bracket">&#91;</span>39<span class="cite-bracket">&#93;</span></a></sup> Kusama is often quoted as saying: "If it were not for art, I would have killed myself a long time ago."<sup id="cite_ref-40" class="reference"><a href="#cite_note-40"><span class="cite-bracket">&#91;</span>40<span class="cite-bracket">&#93;</span></a></sup> </p><p>From this base, she has continued to produce artworks in a variety of media, as well as launching a literary career by publishing several novels, a poetry collection, and an autobiography.<sup id="cite_ref-Butler_14-1" class="reference"><a href="#cite_note-Butler-14"><span class="cite-bracket">&#91;</span>14<span class="cite-bracket">&#93;</span></a></sup> Her painting style shifted to high-colored acrylics on canvas, on an amped-up scale.<sup id="cite_ref-nytimes1_18-3" class="reference"><a href="#cite_note-nytimes1-18"><span class="cite-bracket">&#91;</span>18<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Revival:_1980s–present"><span id="Revival:_1980s.E2.80.93present"></span>Revival: 1980s–present</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Yayoi_Kusama&amp;action=edit&amp;section=6" title="Edit section: Revival: 1980s–present"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Kusama's move to Japan meant she had to build a new career from scratch.<sup id="cite_ref-:1_3-12" class="reference"><a href="#cite_note-:1-3"><span class="cite-bracket">&#91;</span>3<span class="cite-bracket">&#93;</span></a></sup> Her organically <a href="/wiki/Abstract_art" title="Abstract art">abstract</a> paintings of one or two colors (the <i>Infinity Nets</i> series), which she began upon arriving in New York, garnered comparisons to the work of <a href="/wiki/Jackson_Pollock" title="Jackson Pollock">Jackson Pollock</a>, <a href="/wiki/Mark_Rothko" title="Mark Rothko">Mark Rothko</a>, and <a href="/wiki/Barnett_Newman" title="Barnett Newman">Barnett Newman</a>. When she left New York she was practically forgotten as an artist until the late 1980s and 1990s, when a number of retrospectives revived international interest.<sup id="cite_ref-41" class="reference"><a href="#cite_note-41"><span class="cite-bracket">&#91;</span>41<span class="cite-bracket">&#93;</span></a></sup> <i>Yayoi Kusama: A Retrospective</i> was the first critical survey of Yayoi Kusama presented at the Center for International Contemporary Arts (CICA) in New York in 1989, and was organized by Alexandra Munroe.<sup id="cite_ref-42" class="reference"><a href="#cite_note-42"><span class="cite-bracket">&#91;</span>42<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-43" class="reference"><a href="#cite_note-43"><span class="cite-bracket">&#91;</span>43<span class="cite-bracket">&#93;</span></a></sup> </p><p>Following the success of the Japanese pavilion at the <a href="/wiki/Venice_Biennale" title="Venice Biennale">Venice Biennale</a> in 1993, a dazzling mirrored room filled with small pumpkin sculptures in which she resided in color-coordinated magician's attire, Kusama went on to produce a huge, yellow pumpkin sculpture covered with an optical pattern of black spots. The pumpkin came to represent for her a kind of alter-ego or self-portrait.<sup id="cite_ref-44" class="reference"><a href="#cite_note-44"><span class="cite-bracket">&#91;</span>44<span class="cite-bracket">&#93;</span></a></sup> The 2.5-meter-wide "Pumpkin," made of fiberglass-reinforced plastic, was installed in 1994 on a pier on <a href="/wiki/Naoshima,_Kagawa" title="Naoshima, Kagawa">Naoshima, Kagawa</a>, becoming iconic as the artist's profile grew in the following decades;<sup id="cite_ref-45" class="reference"><a href="#cite_note-45"><span class="cite-bracket">&#91;</span>45<span class="cite-bracket">&#93;</span></a></sup> it was reinstalled in 2022 after being destroyed by a typhoon a year earlier.<sup id="cite_ref-46" class="reference"><a href="#cite_note-46"><span class="cite-bracket">&#91;</span>46<span class="cite-bracket">&#93;</span></a></sup> Kusama's later installation <i>I'm Here, but Nothing (2000–2008)</i> is a simply furnished room consisting of table and chairs, place settings and bottles, armchairs and rugs, however its walls are tattooed with hundreds of fluorescent polka dots glowing in the <a href="/wiki/Ultraviolet" title="Ultraviolet">UV</a> light. The result is an endless infinite space where the self and everything in the room is obliterated.<sup id="cite_ref-47" class="reference"><a href="#cite_note-47"><span class="cite-bracket">&#91;</span>47<span class="cite-bracket">&#93;</span></a></sup> </p> <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Inhotim_yayoi_kusama_01.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Inhotim_yayoi_kusama_01.jpg/220px-Inhotim_yayoi_kusama_01.jpg" decoding="async" width="220" height="165" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Inhotim_yayoi_kusama_01.jpg/330px-Inhotim_yayoi_kusama_01.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Inhotim_yayoi_kusama_01.jpg/440px-Inhotim_yayoi_kusama_01.jpg 2x" data-file-width="1134" data-file-height="850" /></a><figcaption><i>Narcissus Garden</i> (2009), Instituto Inhotim, Brumadinho, Brazil</figcaption></figure> <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Kusama_Yayoi_The_Spirits_of_the_Pumpkins_Descended_into_the_Heavens.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/8/8f/Kusama_Yayoi_The_Spirits_of_the_Pumpkins_Descended_into_the_Heavens.jpg/220px-Kusama_Yayoi_The_Spirits_of_the_Pumpkins_Descended_into_the_Heavens.jpg" decoding="async" width="220" height="165" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/8/8f/Kusama_Yayoi_The_Spirits_of_the_Pumpkins_Descended_into_the_Heavens.jpg/330px-Kusama_Yayoi_The_Spirits_of_the_Pumpkins_Descended_into_the_Heavens.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/8/8f/Kusama_Yayoi_The_Spirits_of_the_Pumpkins_Descended_into_the_Heavens.jpg/440px-Kusama_Yayoi_The_Spirits_of_the_Pumpkins_Descended_into_the_Heavens.jpg 2x" data-file-width="4032" data-file-height="3024" /></a><figcaption><i>The Spirits of the Pumpkins Descended into the Heavens</i> (2017), <a href="/wiki/National_Gallery_of_Australia" title="National Gallery of Australia">National Gallery of Australia</a>, Canberra, Australia</figcaption></figure> <p>The multi-part floating work <i>Guidepost to the New Space</i>, a series of rounded "humps" in fire-engine red with white polka dots, was displayed in Pandanus Lake. Perhaps one of Kusama's most notorious works, various versions of <i>Narcissus Garden</i> have been presented worldwide venues including Le Consortium, Dijon, 2000; Kunstverein Braunschweig, 2003; as part of the <a href="/wiki/Whitney_Biennial" title="Whitney Biennial">Whitney Biennial</a> in Central Park, New York in 2004; and at the <a href="/wiki/Tuileries_Garden" title="Tuileries Garden">Jardin de Tuileries</a> in Paris, 2010.<sup id="cite_ref-48" class="reference"><a href="#cite_note-48"><span class="cite-bracket">&#91;</span>48<span class="cite-bracket">&#93;</span></a></sup> </p><p>Kusama continued to work as an artist in her ninth decade. She has harkened back to earlier work by returning to drawing and painting; her work remained innovative and multi-disciplinary, and a 2012 exhibition displayed multiple acrylic-on-canvas works. Also featured was an exploration of infinite space in her <i>Infinity Mirror</i> rooms. These typically involve a cube-shaped room lined in mirrors, with water on the floor and flickering lights; these features suggest a pattern of life and death.<sup id="cite_ref-49" class="reference"><a href="#cite_note-49"><span class="cite-bracket">&#91;</span>49<span class="cite-bracket">&#93;</span></a></sup> </p><p>In 2015–2016, the first retrospective exhibition in Scandinavia, curated by Marie Laurberg, travelled to four major museums in the region, opening at <a href="/wiki/Louisiana_Museum_of_Modern_Art" title="Louisiana Museum of Modern Art">Louisiana Museum of Modern Art</a> in Denmark and continuing to <a href="/wiki/Henie_Onstad_Kunstsenter" title="Henie Onstad Kunstsenter">Henie Onstad Kunstsenter</a> Museum, Norway; <a href="/wiki/Moderna_Museet" title="Moderna Museet">Moderna Museet</a> in Sweden, and <a href="/wiki/Helsinki_Art_Museum" title="Helsinki Art Museum">Helsinki Art Museum</a> in Finland. This major show contained more than 100 objects and large scale mirror room installations. It presented several early works that had not been shown to the public since they were first created, including a presentation of Kusama's experimental fashion design from the 1960s. </p><p>In 2017, a 50-year retrospective of her work opened at the <a href="/wiki/Hirshhorn_Museum" class="mw-redirect" title="Hirshhorn Museum">Hirshhorn Museum</a> in Washington, DC. The exhibit featured six <i>Infinity Mirror</i> rooms, and was scheduled to travel to five museums in the US and Canada.<sup id="cite_ref-wp.opening_50-0" class="reference"><a href="#cite_note-wp.opening-50"><span class="cite-bracket">&#91;</span>50<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-Broad_51-0" class="reference"><a href="#cite_note-Broad-51"><span class="cite-bracket">&#91;</span>51<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-52" class="reference"><a href="#cite_note-52"><span class="cite-bracket">&#91;</span>52<span class="cite-bracket">&#93;</span></a></sup> </p><p>On 25 February 2017, Kusama's <i>All the Eternal Love I Have for the Pumpkins</i> exhibit, one of the six components to her <i>Infinity Mirror</i> rooms at the Hirshhorn Museum, was temporarily closed for three days following damage to one of the exhibit's glowing pumpkin sculptures. The room, which measures 13 square feet (1.2&#160;m<sup>2</sup>) and was filled with over 60 pumpkin sculptures, was one of the museum's most popular attractions ever. Allison Peck, a spokeswoman for the Hirshhorn, said in an interview that the museum "has never had a show with that kind of visitor demand", with the room totalling more than 8,000 visitors between its opening and its temporary closure. While there were conflicting media reports about the cost of the damaged sculpture and how exactly it was broken, Allison Peck stated that "there is no intrinsic value to the individual piece. It is a manufactured component to a larger piece." The exhibit was reconfigured to make up for the missing sculpture, and a new one was to be produced for the exhibit by Kusama.<sup id="cite_ref-Hauser_53-0" class="reference"><a href="#cite_note-Hauser-53"><span class="cite-bracket">&#91;</span>53<span class="cite-bracket">&#93;</span></a></sup> The Infinity Mirrors exhibit became a sensation among art critics as well as on social media. Museum visitors shared 34,000 images of the exhibition to their Instagram accounts, and social media posts using the hashtag #InfiniteKusama garnered 330 million impressions, as reported by the Smithsonian the day after the exhibit's closing.<sup id="cite_ref-54" class="reference"><a href="#cite_note-54"><span class="cite-bracket">&#91;</span>54<span class="cite-bracket">&#93;</span></a></sup> The works provided the perfect setting for Instagram-able selfies which inadvertently added to the performative nature of the works.<sup id="cite_ref-55" class="reference"><a href="#cite_note-55"><span class="cite-bracket">&#91;</span>55<span class="cite-bracket">&#93;</span></a></sup> </p><p>Later in 2017, the <a href="/wiki/Yayoi_Kusama_Museum" title="Yayoi Kusama Museum">Yayoi Kusama Museum</a> opened in Tokyo, featuring her works.<sup id="cite_ref-56" class="reference"><a href="#cite_note-56"><span class="cite-bracket">&#91;</span>56<span class="cite-bracket">&#93;</span></a></sup> </p> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Nmacc-2023-0331-kusama.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/3/30/Nmacc-2023-0331-kusama.jpg/220px-Nmacc-2023-0331-kusama.jpg" decoding="async" width="220" height="124" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/3/30/Nmacc-2023-0331-kusama.jpg/330px-Nmacc-2023-0331-kusama.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/3/30/Nmacc-2023-0331-kusama.jpg/440px-Nmacc-2023-0331-kusama.jpg 2x" data-file-width="3840" data-file-height="2160" /></a><figcaption>Clouds (2019) at the <a href="/wiki/Nita_Mukesh_Ambani_Cultural_Centre" title="Nita Mukesh Ambani Cultural Centre">Nita Mukesh Ambani Cultural Centre</a> in <a href="/wiki/Mumbai" title="Mumbai">Mumbai</a>, <a href="/wiki/India" title="India">India</a></figcaption></figure> <p>On 9 November 2019, Kusama's Everyday I Pray For Love exhibit was shown at David Zwirner Gallery until 14 December 2019. The exhibition incorporated sculptures and paintings, and included the debut of her <i>Infinity Mirrored Room – Dancing Lights That Flew Up To The Universe</i>. The catalogue, published by David Zwirner books, contained texts and poems from the artist.<sup id="cite_ref-57" class="reference"><a href="#cite_note-57"><span class="cite-bracket">&#91;</span>57<span class="cite-bracket">&#93;</span></a></sup> </p><p>In January 2020, the Hirshhorn announced it would debut new Kusama acquisitions, including two Infinity Mirror Rooms, at a forthcoming exhibition called <i>One with Eternity: Yayoi Kusama in the Hirshhorn Collection</i>.<sup id="cite_ref-Hirshhorn_Acquires_Three_Major_Works_58-0" class="reference"><a href="#cite_note-Hirshhorn_Acquires_Three_Major_Works-58"><span class="cite-bracket">&#91;</span>58<span class="cite-bracket">&#93;</span></a></sup> The name of the exhibit is derived from an open letter Kusama wrote to then-President Richard Nixon in 1968, writing: "let’s forget ourselves, dearest Richard, and become one with the absolute, all together in the altogether."<sup id="cite_ref-59" class="reference"><a href="#cite_note-59"><span class="cite-bracket">&#91;</span>59<span class="cite-bracket">&#93;</span></a></sup> </p><p>In November 2021,<sup id="cite_ref-60" class="reference"><a href="#cite_note-60"><span class="cite-bracket">&#91;</span>60<span class="cite-bracket">&#93;</span></a></sup> a monumental exhibition offering an overview of Kusama's main creative periods over the past 70 years, with some 200 works and four Infinity Rooms (unique mirror installations) debuted in the <a href="/wiki/Tel_Aviv_Museum_of_Art" title="Tel Aviv Museum of Art">Tel Aviv Museum of Art</a>. The retrospective spans almost 3,000&#160;m<sup>2</sup> across the museum's two buildings, in six galleries and includes 2 new works: A Bouquet of Love I Saw in the Universe, 2021 and Light of the Universe Illuminating the Quest for Truth, 2021. </p><p>As of late December 2022, the Hong Kong's <a href="/wiki/M%2B" title="M+">M+</a> museum has a retrospective on Kusama's career entitled "Yayoi Kusama: 1945 to now". The exhibit, showing until May 2023, is the largest retrospective of her art in Asia, not including her home country.<sup id="cite_ref-61" class="reference"><a href="#cite_note-61"><span class="cite-bracket">&#91;</span>61<span class="cite-bracket">&#93;</span></a></sup> </p><p>The <a href="/wiki/P%C3%A9rez_Art_Museum_Miami" title="Pérez Art Museum Miami">Pérez Art Museum Miami</a> has the most recent showing of Kusama's work in South Florida. <i>Yayoi Kusama: LOVE IS CALLING</i> will be on view and accessible to the public through 2024.<sup id="cite_ref-62" class="reference"><a href="#cite_note-62"><span class="cite-bracket">&#91;</span>62<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-63" class="reference"><a href="#cite_note-63"><span class="cite-bracket">&#91;</span>63<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-64" class="reference"><a href="#cite_note-64"><span class="cite-bracket">&#91;</span>64<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Meaning_and_origins_of_her_work">Meaning and origins of her work</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Yayoi_Kusama&amp;action=edit&amp;section=7" title="Edit section: Meaning and origins of her work"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Curator Mika Yoshitake has stated that Kusama's works on display are meant to immerse the whole person into her accumulations, obsessions, and repetitions. These infinite, repetitive works were originally a way for Kusama to eliminate her intrusive thoughts.<sup id="cite_ref-65" class="reference"><a href="#cite_note-65"><span class="cite-bracket">&#91;</span>65<span class="cite-bracket">&#93;</span></a></sup> Claire Voon has described one of Kusama's mirror exhibits as being able to "transport you to quiet cosmos, to a lonely labyrinth of pulsing light, or to what could be the enveloping innards of a leviathan with the measles".<sup id="cite_ref-auto1_66-0" class="reference"><a href="#cite_note-auto1-66"><span class="cite-bracket">&#91;</span>66<span class="cite-bracket">&#93;</span></a></sup> </p><p>Creating these feelings amongst audiences was intentional. These experiences seem to be unique to her work because Kusama wanted others to sympathise with her in her troubled life.<sup id="cite_ref-auto1_66-1" class="reference"><a href="#cite_note-auto1-66"><span class="cite-bracket">&#91;</span>66<span class="cite-bracket">&#93;</span></a></sup> Bedatri D. Choudhury has described how Kusama feeling not in control throughout her life made her, either consciously or subconsciously, want to control how others perceive time and space when entering her exhibits. Art had become a coping mechanism for Kusama.<sup id="cite_ref-67" class="reference"><a href="#cite_note-67"><span class="cite-bracket">&#91;</span>67<span class="cite-bracket">&#93;</span></a></sup> </p><p>In 1962, Kusama created her work, <i>Accumulation of Stamps, 63</i>. The medium used are pasted labels and ink on paper with dimensions of 23 3/4 x 29" (60.3 x 73.6&#160;cm). The art was donated by Phillip Johnson to the Department of Drawings and Prints at the <a href="/wiki/Museum_of_Modern_Art" title="Museum of Modern Art">Museum of Modern Art</a>.<sup id="cite_ref-68" class="reference"><a href="#cite_note-68"><span class="cite-bracket">&#91;</span>68<span class="cite-bracket">&#93;</span></a></sup> Kusama experienced hallucinations of flowers, dots, and nets during her childhood.<sup id="cite_ref-:02_69-0" class="reference"><a href="#cite_note-:02-69"><span class="cite-bracket">&#91;</span>69<span class="cite-bracket">&#93;</span></a></sup> These visions engulfed her surroundings, covering everything from ceilings to windows and walls. She saw the same pattern expanding to encompass her body and the entire universe.<sup id="cite_ref-:02_69-1" class="reference"><a href="#cite_note-:02-69"><span class="cite-bracket">&#91;</span>69<span class="cite-bracket">&#93;</span></a></sup> Kusama's struggle with these hallucinations, which were linked to her mental illness, influenced her artistic style.<sup id="cite_ref-70" class="reference"><a href="#cite_note-70"><span class="cite-bracket">&#91;</span>70<span class="cite-bracket">&#93;</span></a></sup> To cope with her condition, Kusama adopted repeated forms in her art, using store-bought labels and stickers. She does not view her art as an end in itself but rather as a means to address her disability that originated in her childhood. The process of repetition, evident in her collages, reflects her artistic approach. Consequently, many of her artworks bear titles that include words like "accumulation" and "infinity".<sup id="cite_ref-71" class="reference"><a href="#cite_note-71"><span class="cite-bracket">&#91;</span>71<span class="cite-bracket">&#93;</span></a></sup> </p><p>Art critic for <i><a href="/wiki/The_Australian" title="The Australian">The Australian</a></i> newspaper, <a href="/wiki/Christopher_Allen_(critic)" title="Christopher Allen (critic)">Christopher Allen</a>, called Kusama "one of the world's most determinedly vacuous artists".<sup id="cite_ref-72" class="reference"><a href="#cite_note-72"><span class="cite-bracket">&#91;</span>72<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Works_and_publications">Works and publications</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Yayoi_Kusama&amp;action=edit&amp;section=8" title="Edit section: Works and publications"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <div class="mw-heading mw-heading3"><h3 id="Performance">Performance</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Yayoi_Kusama&amp;action=edit&amp;section=9" title="Edit section: Performance"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>In Kusama's <i>Walking Piece</i> (1966), a performance that was documented in a series of eighteen color slides, Kusama walked along the streets of New York City in a traditional Japanese <a href="/wiki/Kimono" title="Kimono">kimono</a> while holding a <a href="/wiki/Parasol" class="mw-redirect" title="Parasol">parasol</a>. The kimono suggested traditional roles for women in Japanese custom. The parasol, however, was made to look inauthentic, as it was actually a black umbrella, painted white on the exterior and decorated with fake flowers. Kusama walked down unoccupied streets in an unknown quest. She then turned and cried without reason, and eventually walked away and vanished from view. </p><p>This performance, through the association of the kimono, involved the stereotypes that Asian-American women continued to face. However, as an avant-garde artist living in New York, her situation altered the context of the dress, creating a cross-cultural amalgamation. Kusama was able to highlight the stereotype in which her white American audience categorized her, by showing the absurdity of culturally categorizing people in the world's largest melting pot.<sup id="cite_ref-73" class="reference"><a href="#cite_note-73"><span class="cite-bracket">&#91;</span>73<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Film">Film</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Yayoi_Kusama&amp;action=edit&amp;section=10" title="Edit section: Film"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>In 1968, Kusama and Jud Yalkut's collaborative work <i>Kusama's Self-Obliteration</i> won a prize at the Fourth International Experimental Film Competition in Belgium<sup id="cite_ref-FilmInt_74-0" class="reference"><a href="#cite_note-FilmInt-74"><span class="cite-bracket">&#91;</span>74<span class="cite-bracket">&#93;</span></a></sup> and the Second <a href="/wiki/Maryland_Film_Festival" title="Maryland Film Festival">Maryland Film Festival</a> and the second prize at the <a href="/wiki/Ann_Arbor_Film_Festival" title="Ann Arbor Film Festival">Ann Arbor Film Festival</a>. The 1967 experimental film, which Kusama produced and starred in, depicted Kusama painting polka dots on everything around her including bodies.<sup id="cite_ref-FilmInt_74-1" class="reference"><a href="#cite_note-FilmInt-74"><span class="cite-bracket">&#91;</span>74<span class="cite-bracket">&#93;</span></a></sup> </p><p>In 1991, Kusama starred in the film <i><a href="/wiki/Tokyo_Decadence" title="Tokyo Decadence">Tokyo Decadence</a></i>, written and directed by <a href="/wiki/Ry%C5%AB_Murakami" title="Ryū Murakami">Ryū Murakami</a>, and in 1993, she collaborated with British musician <a href="/wiki/Peter_Gabriel" title="Peter Gabriel">Peter Gabriel</a> on an installation in Yokohama.<sup id="cite_ref-QAG_21-3" class="reference"><a href="#cite_note-QAG-21"><span class="cite-bracket">&#91;</span>21<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-75" class="reference"><a href="#cite_note-75"><span class="cite-bracket">&#91;</span>75<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Fashion">Fashion</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Yayoi_Kusama&amp;action=edit&amp;section=11" title="Edit section: Fashion"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>In 1968, Kusama established Kusama Fashion Company Ltd, and began selling avant-garde fashion in the "Kusama Corner" at <a href="/wiki/Bloomingdale%27s" title="Bloomingdale&#39;s">Bloomingdale's</a>.<sup id="cite_ref-76" class="reference"><a href="#cite_note-76"><span class="cite-bracket">&#91;</span>76<span class="cite-bracket">&#93;</span></a></sup> In 2009, Kusama designed a handbag-shaped cell phone entitled <i>Handbag for Space Travel</i>, <i>My Doggie Ring-Ring</i>, a pink dotted phone in accompanying dog-shaped holder, and a red and white dotted phone inside a mirrored, dotted box dubbed <i>Dots Obsession, Full Happiness With Dots</i>, for Japanese mobile communication giant <a href="/wiki/KDDI_Corporation" class="mw-redirect" title="KDDI Corporation">KDDI Corporation</a>'s "iida" brand.<sup id="cite_ref-77" class="reference"><a href="#cite_note-77"><span class="cite-bracket">&#91;</span>77<span class="cite-bracket">&#93;</span></a></sup> Each phone was limited to 1,000 pieces. </p><p>In 2011, Kusama created artwork for six limited-edition lipglosses from <a href="/wiki/Lanc%C3%B4me" title="Lancôme">Lancôme</a>.<sup id="cite_ref-78" class="reference"><a href="#cite_note-78"><span class="cite-bracket">&#91;</span>78<span class="cite-bracket">&#93;</span></a></sup> That same year, she worked with <a href="/wiki/Marc_Jacobs" title="Marc Jacobs">Marc Jacobs</a> (who visited her studio in Japan in 2006) on a line of <a href="/wiki/Louis_Vuitton" title="Louis Vuitton">Louis Vuitton</a> products,<sup id="cite_ref-79" class="reference"><a href="#cite_note-79"><span class="cite-bracket">&#91;</span>79<span class="cite-bracket">&#93;</span></a></sup> including leather goods, ready-to-wear, accessories, shoes, watches, and jewelry.<sup id="cite_ref-80" class="reference"><a href="#cite_note-80"><span class="cite-bracket">&#91;</span>80<span class="cite-bracket">&#93;</span></a></sup> The products became available in 2012 at a SoHo <a href="/wiki/Pop-up_shop" class="mw-redirect" title="Pop-up shop">pop-up shop</a>, which was decorated with Kusama's trademark tentacle-like protrusions and polka-dots. Eventually, six other pop-up shops were opened around the world. When asked about her collaboration with Marc Jacobs, Kusama replied that "his sincere attitude toward art" is the same as her own.<sup id="cite_ref-81" class="reference"><a href="#cite_note-81"><span class="cite-bracket">&#91;</span>81<span class="cite-bracket">&#93;</span></a></sup> Louis Vuitton created a second set of products in 2023.<sup id="cite_ref-82" class="reference"><a href="#cite_note-82"><span class="cite-bracket">&#91;</span>82<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Writing">Writing</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Yayoi_Kusama&amp;action=edit&amp;section=12" title="Edit section: Writing"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>In 1977, Kusama published a book of poems and paintings entitled <i>7</i>. One year later, her first novel <i>Manhattan Suicide Addict</i> appeared. Between 1983 and 1990, she finished the novels <i>The Hustler's Grotto of Christopher Street</i> (1983), <i>The Burning of St Mark's Church</i> (1985), <i>Between Heaven and Earth</i> (1988), <i>Woodstock Phallus Cutter</i> (1988), <i>Aching Chandelier</i> (1989), <i>Double Suicide at Sakuragazuka</i> (1989), and <i>Angels in Cape Cod</i> (1990), alongside several issues of the magazine <i>S&amp;M Sniper</i> in collaboration with photographer <a href="/wiki/Nobuyoshi_Araki" title="Nobuyoshi Araki">Nobuyoshi Araki</a>.<sup id="cite_ref-QAG_21-4" class="reference"><a href="#cite_note-QAG-21"><span class="cite-bracket">&#91;</span>21<span class="cite-bracket">&#93;</span></a></sup> Her most recent writing endeavor includes her autobiography <i>Infinity Net</i><sup id="cite_ref-83" class="reference"><a href="#cite_note-83"><span class="cite-bracket">&#91;</span>83<span class="cite-bracket">&#93;</span></a></sup> published in 2003 that depicts her life from growing up in Japan, her departure to the United States, and her return to her home country, where she now resides. <i>Infinity Net</i> includes the artist's poetry and photographs of her exhibitions. </p><p>In October 2023, Kusama apologized for a number of racist comments against <a href="/wiki/Black_people" title="Black people">Black people</a> in her writing.<sup id="cite_ref-84" class="reference"><a href="#cite_note-84"><span class="cite-bracket">&#91;</span>84<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-85" class="reference"><a href="#cite_note-85"><span class="cite-bracket">&#91;</span>85<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-86" class="reference"><a href="#cite_note-86"><span class="cite-bracket">&#91;</span>86<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Commissions">Commissions</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Yayoi_Kusama&amp;action=edit&amp;section=13" title="Edit section: Commissions"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>To date, Kusama has completed several major outdoor sculptural commissions, mostly in the form of brightly hued monstrous plants and flowers, for public and private institutions including <i>Pumpkin</i> (1994) for the <a href="/wiki/Fukuoka_Art_Museum" title="Fukuoka Art Museum">Fukuoka Municipal Museum of Art</a>; <i>The Visionary Flowers</i> (2002) for the Matsumoto City Museum of Art; <i>Tsumari in Bloom</i> (2003) for <a href="/wiki/Matsudai_Station" title="Matsudai Station">Matsudai Station</a>, Niigata; <i>Tulipes de Shangri-La</i> (2003) for Euralille in Lille, France; <i>Red Pumpkin</i> (2006) for Naoshima Town, Kagawa;<sup id="cite_ref-87" class="reference"><a href="#cite_note-87"><span class="cite-bracket">&#91;</span>87<span class="cite-bracket">&#93;</span></a></sup> <i>Hello, Anyang with Love</i> (2007) for Pyeonghwa Park (now referred as <a href="/wiki/World_Cup_Park" title="World Cup Park">World Cup Park</a>), Anyang; and <i>The Hymn of Life: Tulips</i> (2007) for the <a href="/wiki/Beverly_Gardens_Park" title="Beverly Gardens Park">Beverly Gardens Park</a> in Los Angeles.<sup id="cite_ref-88" class="reference"><a href="#cite_note-88"><span class="cite-bracket">&#91;</span>88<span class="cite-bracket">&#93;</span></a></sup> In 1998, she realized a mural for the hallway of the <a href="/wiki/Gare_do_Oriente" title="Gare do Oriente">Gare do Oriente</a> subway station in Lisbon. Alongside these monumental works, she has produced smaller scale outdoor pieces including <i>Key-Chan</i> and <i>Ryu-Chan</i>, a pair of dotted dogs. All the outdoor works are cast in highly durable fiberglass-reinforced plastic, then painted in <a href="/wiki/Ethyl_carbamate" title="Ethyl carbamate">urethane</a> to glossy perfection.<sup id="cite_ref-89" class="reference"><a href="#cite_note-89"><span class="cite-bracket">&#91;</span>89<span class="cite-bracket">&#93;</span></a></sup> </p> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Yayoi_Kusama_Pumpkin.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/9/9c/Yayoi_Kusama_Pumpkin.jpg/220px-Yayoi_Kusama_Pumpkin.jpg" decoding="async" width="220" height="165" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/9/9c/Yayoi_Kusama_Pumpkin.jpg/330px-Yayoi_Kusama_Pumpkin.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/9/9c/Yayoi_Kusama_Pumpkin.jpg/440px-Yayoi_Kusama_Pumpkin.jpg 2x" data-file-width="4000" data-file-height="3000" /></a><figcaption>Yayoi Kusama "Pumpkin", <a href="/wiki/Hamilton_Princess_%26_Beach_Club" title="Hamilton Princess &amp; Beach Club">Hamilton Princess &amp; Beach Club</a>, <a href="/wiki/Hamilton,_Bermuda" title="Hamilton, Bermuda">Hamilton, Bermuda</a></figcaption></figure> <p>In 2010, Kusama designed a Town Sneaker styled bus, which she titled <i>Mizutama Ranbu (Wild Polka Dot Dance)</i> and whose route travels through her hometown of <a href="/wiki/Matsumoto,_Nagano" title="Matsumoto, Nagano">Matsumoto</a>.<sup id="cite_ref-QAG_21-5" class="reference"><a href="#cite_note-QAG-21"><span class="cite-bracket">&#91;</span>21<span class="cite-bracket">&#93;</span></a></sup> In 2011, she was commissioned to design the front cover of millions of pocket <a href="/wiki/London_Underground" title="London Underground">London Underground</a> maps; the result is entitled <i>Polka Dots Festival in London</i> (2011). Coinciding with an exhibition of the artist's work at the <a href="/wiki/Whitney_Museum_of_American_Art" class="mw-redirect" title="Whitney Museum of American Art">Whitney Museum of American Art</a> in 2012, a 120-foot (37&#160;m) reproduction of Kusama's painting <i>Yellow Trees</i> (1994) covered a condominium building under construction in <a href="/wiki/Meatpacking_District,_Manhattan" title="Meatpacking District, Manhattan">New York's Meatpacking District</a>.<sup id="cite_ref-90" class="reference"><a href="#cite_note-90"><span class="cite-bracket">&#91;</span>90<span class="cite-bracket">&#93;</span></a></sup> That same year, Kusama conceived her floor installation <i>Thousands of Eyes</i> as a commission for the new <a href="/wiki/Queen_Elizabeth_II_Courts_of_Law,_Brisbane" title="Queen Elizabeth II Courts of Law, Brisbane">Queen Elizabeth II Courts of Law, Brisbane</a>.<sup id="cite_ref-91" class="reference"><a href="#cite_note-91"><span class="cite-bracket">&#91;</span>91<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Select_exhibitions">Select exhibitions</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Yayoi_Kusama&amp;action=edit&amp;section=14" title="Edit section: Select exhibitions"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li>Rodenbeck, J. F. "Yayoi Kusama: Surface, Stitch, Skin". Zegher, M. Catherine de. <i>Inside the Visible: An Elliptical Traverse of 20th Century Art in, of, and from the Feminine</i>. Cambridge, Massachusetts: MIT Press, 1996. <style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-262-54081-0" title="Special:BookSources/978-0-262-54081-0">978-0-262-54081-0</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/OCLC_(identifier)" class="mw-redirect" title="OCLC (identifier)">OCLC</a>&#160;<a rel="nofollow" class="external text" href="https://www.worldcat.org/oclc/33863951">33863951</a></li> <li><a href="/wiki/Institute_of_Contemporary_Art,_Boston" title="Institute of Contemporary Art, Boston">Institute of Contemporary Art, Boston</a>, 30 January – 12 May 1996.</li> <li>Kusama, Yayoi, and Damien Hirst. <i>Yayoi Kusama Now</i>. New York: Robert Miller Gallery, 1998. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-944-68058-2" title="Special:BookSources/978-0-944-68058-2">978-0-944-68058-2</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/OCLC_(identifier)" class="mw-redirect" title="OCLC (identifier)">OCLC</a>&#160;<a rel="nofollow" class="external text" href="https://www.worldcat.org/oclc/42448762">42448762</a></li> <li>Robert Miller Gallery, New York, 11 June – 7 August 1998.</li> <li>Kusama, Yayoi, and Lynn Zelevansky. <i>Love Forever: Yayoi Kusama, 1958–1968</i>. Los Angeles: Los Angeles County Museum of Art, 1998. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-875-87181-3" title="Special:BookSources/978-0-875-87181-3">978-0-875-87181-3</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/OCLC_(identifier)" class="mw-redirect" title="OCLC (identifier)">OCLC</a>&#160;<a rel="nofollow" class="external text" href="https://www.worldcat.org/oclc/39030076">39030076</a></li> <li><a href="/wiki/Los_Angeles_County_Museum_of_Art" title="Los Angeles County Museum of Art">Los Angeles County Museum of Art</a>, 8 March – 8 June 1998; three other locations through 4 July 1999.</li> <li>Kusama, Yayoi. <i>Yayoi Kusama</i>. Vienna: <a href="/wiki/Kunsthalle_Wien" title="Kunsthalle Wien">Kunsthalle Wien</a>, 2002. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-3-852-47034-4" title="Special:BookSources/978-3-852-47034-4">978-3-852-47034-4</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/OCLC_(identifier)" class="mw-redirect" title="OCLC (identifier)">OCLC</a>&#160;<a rel="nofollow" class="external text" href="https://www.worldcat.org/oclc/602369060">602369060</a></li> <li>Kusama, Yayoi. <i>Yayoi Kusama</i>. Paris: Les Presses du Reel, 2002. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-714-83920-2" title="Special:BookSources/978-0-714-83920-2">978-0-714-83920-2</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/OCLC_(identifier)" class="mw-redirect" title="OCLC (identifier)">OCLC</a>&#160;<a rel="nofollow" class="external text" href="https://www.worldcat.org/oclc/50628150">50628150</a></li> <li>Seven European exhibitions in France, Germany, Denmark, etc.; 2001–2003.</li> <li>Kusama, Yayoi. <i>Kusamatorikkusu = Kusamatrix</i>. Tokyo: Kadokawa Shoten, 2004. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-4-048-53741-4" title="Special:BookSources/978-4-048-53741-4">978-4-048-53741-4</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/OCLC_(identifier)" class="mw-redirect" title="OCLC (identifier)">OCLC</a>&#160;<a rel="nofollow" class="external text" href="https://www.worldcat.org/oclc/169879689">169879689</a></li> <li><a href="/wiki/Mori_Art_Museum" title="Mori Art Museum">Mori Art Museum</a>, 7 February – 9 May 2004; Mori Geijutsu Bijutsukan, Sapporo, 5 June – 22 August 2004.</li> <li>Kusama, Yayoi, and Tōru Matsumoto. <i>Kusama Yayoi eien no genzai = Yayoi Kusama: eternity-modernity</i>. Tokyo: Bijutsu Shuppansha, 2005. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-4-568-10353-3" title="Special:BookSources/978-4-568-10353-3">978-4-568-10353-3</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/OCLC_(identifier)" class="mw-redirect" title="OCLC (identifier)">OCLC</a>&#160;<a rel="nofollow" class="external text" href="https://www.worldcat.org/oclc/63197423">63197423</a></li> <li>Tokyo Kokuritsu Kindai Bijutsukan, 26 October – 19 December 2004; Kyoto Kokuritsu Kindai Bijutsukan, 6 January – 13 February 2005; Hiroshima-shi Gendai Bijutsukan, 22 February – 17 April 2005; Kumamoto-shi Gendai Bijutsukan, 29 April – 3 July 2005; at Matsumoto-shi Bijutsukan, 30 July – 10 October 2005.</li> <li>Applin, Jo, and Yayoi Kusama. <i>Yayoi Kusama</i>. London: <a href="/wiki/Victoria_Miro_Gallery" title="Victoria Miro Gallery">Victoria Miro Gallery</a>, 10 October – 17 November 2007. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-955-45644-2" title="Special:BookSources/978-0-955-45644-2">978-0-955-45644-2</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/OCLC_(identifier)" class="mw-redirect" title="OCLC (identifier)">OCLC</a>&#160;<a rel="nofollow" class="external text" href="https://www.worldcat.org/oclc/501970783">501970783</a></li> <li>Kusama, Yayoi. <i>Yayoi Kusama</i>. <a href="/wiki/Gagosian_Gallery" title="Gagosian Gallery">Gagosian Gallery</a>, New York, 16 April – 27 June 2009; Gagosian Gallery, Beverly Hills, 30 May – 17 July 2009. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-1-932-59894-0" title="Special:BookSources/978-1-932-59894-0">978-1-932-59894-0</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/OCLC_(identifier)" class="mw-redirect" title="OCLC (identifier)">OCLC</a>&#160;<a rel="nofollow" class="external text" href="https://www.worldcat.org/oclc/320277816">320277816</a></li> <li>Morris, Frances, and Jo Applin. <i>Yayoi Kusama</i>. London: Tate Publishing, 2012. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-1-854-37939-9" title="Special:BookSources/978-1-854-37939-9">978-1-854-37939-9</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/OCLC_(identifier)" class="mw-redirect" title="OCLC (identifier)">OCLC</a>&#160;<a rel="nofollow" class="external text" href="https://www.worldcat.org/oclc/781163109">781163109</a></li> <li><a href="/wiki/Reina_Sofia_Museum_of_Modern_Art" class="mw-redirect" title="Reina Sofia Museum of Modern Art">Reina Sofia</a>, Madrid, 10 May – 12 September 2011; <a href="/wiki/Centre_Pompidou" title="Centre Pompidou">Centre Pompidou</a>, Paris, 10 October 2011 – 9 January 2012; <a href="/wiki/Whitney_Museum_of_American_Art" class="mw-redirect" title="Whitney Museum of American Art">Whitney Museum of American Art</a>, New York, 12 July – 30 September 2012; <a href="/wiki/Tate_Modern" title="Tate Modern">Tate Modern</a> (London), 9 February – 5 June 2012.</li> <li>Kusama, Yayoi, and Akira Tatehata. <i>Yayoi Kusama: I Who Have Arrived in Heaven</i>. New York: David Zwirner, 2014. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-989-98093-7" title="Special:BookSources/978-0-989-98093-7">978-0-989-98093-7</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/OCLC_(identifier)" class="mw-redirect" title="OCLC (identifier)">OCLC</a>&#160;<a rel="nofollow" class="external text" href="https://www.worldcat.org/oclc/879584489">879584489</a></li> <li><a href="/wiki/David_Zwirner_Gallery" title="David Zwirner Gallery">David Zwirner Gallery</a>, New York, 8 November – 21 December 2013.</li> <li>Laurberg, Marie: Yayoi Kusama – In Infinity, Denmark: Louisiana Museum of Modern Art, 2015, Heine Onstadt, Oslo, 2016, Moderna Museum, Stockholm, 2016, and Helsinki Art Museum, 2016</li> <li>David Zwirner Gallery, New York, 9 November – 14 December 2019.<sup id="cite_ref-York_92-0" class="reference"><a href="#cite_note-York-92"><span class="cite-bracket">&#91;</span>92<span class="cite-bracket">&#93;</span></a></sup></li> <li><a href="/wiki/P%C3%A9rez_Art_Museum_Miami" title="Pérez Art Museum Miami">Pérez Art Museum Miami</a>. <i>Yayoi Kusama: LOVE IS CALLING</i>, 9 March 2023 – 11 February 2024.<sup id="cite_ref-93" class="reference"><a href="#cite_note-93"><span class="cite-bracket">&#91;</span>93<span class="cite-bracket">&#93;</span></a></sup></li> <li><a href="/wiki/National_Gallery_of_Victoria" title="National Gallery of Victoria">National Gallery of Victoria</a>, Melbourne, Australia. <i>Yayoi Kusama</i>, 15 December 2024 – 21 April 2025<sup id="cite_ref-94" class="reference"><a href="#cite_note-94"><span class="cite-bracket">&#91;</span>94<span class="cite-bracket">&#93;</span></a></sup></li></ul> <div class="mw-heading mw-heading3"><h3 id="Illustration_work">Illustration work</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Yayoi_Kusama&amp;action=edit&amp;section=15" title="Edit section: Illustration work"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li>Carroll, Lewis and Yayoi Kusama. <i>Lewis Carroll's Alice's Adventures in Wonderland.</i> London: Penguin Classics, 2012. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-141-19730-2" title="Special:BookSources/978-0-141-19730-2">978-0-141-19730-2</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/OCLC_(identifier)" class="mw-redirect" title="OCLC (identifier)">OCLC</a>&#160;<a rel="nofollow" class="external text" href="https://www.worldcat.org/oclc/54167867">54167867</a></li></ul> <div class="mw-heading mw-heading3"><h3 id="Chapters">Chapters</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Yayoi_Kusama&amp;action=edit&amp;section=16" title="Edit section: Chapters"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li>Nakajima, Izumi. "Yayoi Kusama between abstraction and pathology". <a href="/wiki/Griselda_Pollock" title="Griselda Pollock">Pollock, Griselda</a>, ed. <i>Psychoanalysis and the Image: Transdisciplinary Perspectives</i>. Malden, Massachusetts: Blackwell Pub, 2006. pp.&#160;127–160. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-1-405-13460-6" title="Special:BookSources/978-1-405-13460-6">978-1-405-13460-6</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/OCLC_(identifier)" class="mw-redirect" title="OCLC (identifier)">OCLC</a>&#160;<a rel="nofollow" class="external text" href="https://www.worldcat.org/oclc/62755557">62755557</a></li> <li>Klaus Podoll, "Die Künstlerin Yayoi Kusama als pathographischer Fall". Schulz R, Bonanni G, Bormuth M, eds. <i>Wahrheit ist, was uns verbindet: Karl Jaspers' Kunst zu philosophieren</i>. Göttingen, Wallstein, 2009. p.&#160;119. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-3-835-30423-9" title="Special:BookSources/978-3-835-30423-9">978-3-835-30423-9</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/OCLC_(identifier)" class="mw-redirect" title="OCLC (identifier)">OCLC</a>&#160;<a rel="nofollow" class="external text" href="https://www.worldcat.org/oclc/429664716">429664716</a></li> <li>Cutler, Jody B. "Narcissus, Narcosis, Neurosis: The Visions of Yayoi Kusama". Wallace, Isabelle Loring, and Jennie Hirsh. <i>Contemporary Art and Classical Myth</i>. Farnham, Surrey: Ashgate, 2011. pp.&#160;87–109. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-754-66974-6" title="Special:BookSources/978-0-754-66974-6">978-0-754-66974-6</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/OCLC_(identifier)" class="mw-redirect" title="OCLC (identifier)">OCLC</a>&#160;<a rel="nofollow" class="external text" href="https://www.worldcat.org/oclc/640515432">640515432</a></li> <li>Gipson, Ferren. "Yayoi Kusama" in <i>Women's Work</i>, pp. 75-79, Frances Lincoln, 2022 <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/9-780711%2B264%2B656" title="Special:BookSources/9-780711+264+656">9-780711 264 656</a></li></ul> <div class="mw-heading mw-heading3"><h3 id="Autobiography,_writing"><span id="Autobiography.2C_writing"></span>Autobiography, writing</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Yayoi_Kusama&amp;action=edit&amp;section=17" title="Edit section: Autobiography, writing"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li>Kusama, Yayoi. <i>A Book of Poems and Paintings</i>. Tokyo: Japan Edition Art, 1977.</li> <li>Kusama, Yayoi. <i>Kusama Yayoi: Driving Image = Yayoi Kusama</i>. Tokyo: PARCO shuppan, 1986. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-4-891-94130-7" title="Special:BookSources/978-4-891-94130-7">978-4-891-94130-7</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/OCLC_(identifier)" class="mw-redirect" title="OCLC (identifier)">OCLC</a>&#160;<a rel="nofollow" class="external text" href="https://www.worldcat.org/oclc/54943729">54943729</a></li> <li>Kusama, Yayoi, Ralph F. McCarthy, Hisako Ifshin. <i>Violet Obsession: Poems</i>. Berkeley: Wandering Mind Books, 1998. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-965-33043-5" title="Special:BookSources/978-0-965-33043-5">978-0-965-33043-5</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/OCLC_(identifier)" class="mw-redirect" title="OCLC (identifier)">OCLC</a>&#160;<a rel="nofollow" class="external text" href="https://www.worldcat.org/oclc/82910478">82910478</a></li> <li>Kusama, Yayoi, Ralph F. McCarthy. <i>Hustlers Grotto: Three Novellas</i>. Berkeley, California: Wandering Mind Books, 1998. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-965-33042-8" title="Special:BookSources/978-0-965-33042-8">978-0-965-33042-8</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/OCLC_(identifier)" class="mw-redirect" title="OCLC (identifier)">OCLC</a>&#160;<a rel="nofollow" class="external text" href="https://www.worldcat.org/oclc/45665616">45665616</a></li> <li>Kusama, Yayoi. <i>Infinity Net: The Autobiography of Yayoi Kusama</i>. Chicago: University of Chicago Press, 2011. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-226-46498-5" title="Special:BookSources/978-0-226-46498-5">978-0-226-46498-5</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/OCLC_(identifier)" class="mw-redirect" title="OCLC (identifier)">OCLC</a>&#160;<a rel="nofollow" class="external text" href="https://www.worldcat.org/oclc/711050927">711050927</a></li> <li>Kusama, Yayoï, and Isabelle Charrier. <i>Manhattan Suicide Addict</i>. Dijon: Presses du Réel, 2005. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-2-840-66115-3" title="Special:BookSources/978-2-840-66115-3">978-2-840-66115-3</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/OCLC_(identifier)" class="mw-redirect" title="OCLC (identifier)">OCLC</a>&#160;<a rel="nofollow" class="external text" href="https://www.worldcat.org/oclc/420073474">420073474</a></li></ul> <div class="mw-heading mw-heading3"><h3 id="Catalogue_raisonné,_etc."><span id="Catalogue_raisonn.C3.A9.2C_etc."></span>Catalogue raisonné, etc.</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Yayoi_Kusama&amp;action=edit&amp;section=18" title="Edit section: Catalogue raisonné, etc."><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li>Kusama, Yayoi. <i>Yayoi Kusama: Print Works</i>. Tokyo: Abe Corp, 1992. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-4-872-42023-4" title="Special:BookSources/978-4-872-42023-4">978-4-872-42023-4</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/OCLC_(identifier)" class="mw-redirect" title="OCLC (identifier)">OCLC</a>&#160;<a rel="nofollow" class="external text" href="https://www.worldcat.org/oclc/45198668">45198668</a></li> <li>Hoptman, Laura, Akira Tatehata, and Udo Kultermann. <i>Yayoi Kusama</i>. London: Phaidon Press, 2003. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-714-83920-2" title="Special:BookSources/978-0-714-83920-2">978-0-714-83920-2</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/OCLC_(identifier)" class="mw-redirect" title="OCLC (identifier)">OCLC</a>&#160;<a rel="nofollow" class="external text" href="https://www.worldcat.org/oclc/749417124">749417124</a></li> <li>Kusama, Yayoi, and Hideki Yasuda. <i>Yayoi Kusama Furniture by Graf: Decorative Mode No. 3</i>. Tokyo: Seigensha Art Publishing, 2003. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-4-916-09470-4" title="Special:BookSources/978-4-916-09470-4">978-4-916-09470-4</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/OCLC_(identifier)" class="mw-redirect" title="OCLC (identifier)">OCLC</a>&#160;<a rel="nofollow" class="external text" href="https://www.worldcat.org/oclc/71424904">71424904</a></li> <li>Kusama, Yayoi. <i>Kusama Yayoi zen hangashū, 1979–2004 = All Prints of Kusama Yayoi, 1979–2004</i>. Tokyo: Abe Shuppan, 2006. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-4-872-42174-3" title="Special:BookSources/978-4-872-42174-3">978-4-872-42174-3</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/OCLC_(identifier)" class="mw-redirect" title="OCLC (identifier)">OCLC</a>&#160;<a rel="nofollow" class="external text" href="https://www.worldcat.org/oclc/173274568">173274568</a></li> <li>Kusama, Yayoi, Laura Hoptman, Akira Tatehata, Udo Kultermann, <a href="/wiki/Catherine_Taft" title="Catherine Taft">Catherine Taft</a>. <i>Yayoi Kusama</i>. London: Phaidon Press, 2017. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-714-87345-9" title="Special:BookSources/978-0-714-87345-9">978-0-714-87345-9</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/OCLC_(identifier)" class="mw-redirect" title="OCLC (identifier)">OCLC</a>&#160;<a rel="nofollow" class="external text" href="https://www.worldcat.org/oclc/749417124">749417124</a></li> <li>Yoshitake, Mika, Chiu, Melissa, Dumbadze, Alexander Blair, Jones, Alex, Sutton, Gloria, Tezuka, Miwako. <i>Yayoi Kusama&#160;: Infinity Mirrors</i>. Washington, DC. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-3-7913-5594-8" title="Special:BookSources/978-3-7913-5594-8">978-3-7913-5594-8</a>. <a href="/wiki/OCLC" title="OCLC">OCLC</a>&#160;<a rel="nofollow" class="external text" href="https://www.worldcat.org/search?q=954134388&amp;qt=owc_search">954134388</a></li></ul> <div class="mw-heading mw-heading2"><h2 id="Exhibitions">Exhibitions</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Yayoi_Kusama&amp;action=edit&amp;section=19" title="Edit section: Exhibitions"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>In 1959, Kusama had her first solo exhibition in New York at the Brata Gallery, an artist's co-op. She showed a series of white net paintings which were enthusiastically reviewed by <a href="/wiki/Donald_Judd" title="Donald Judd">Donald Judd</a> (both Judd and <a href="/wiki/Frank_Stella" title="Frank Stella">Frank Stella</a> then acquired paintings from the show).<sup id="cite_ref-victoria-miro1998_23-1" class="reference"><a href="#cite_note-victoria-miro1998-23"><span class="cite-bracket">&#91;</span>23<span class="cite-bracket">&#93;</span></a></sup> Kusama has since exhibited work with <a href="/wiki/Claes_Oldenburg" title="Claes Oldenburg">Claes Oldenburg</a>, <a href="/wiki/Andy_Warhol" title="Andy Warhol">Andy Warhol</a>, and <a href="/wiki/Jasper_Johns" title="Jasper Johns">Jasper Johns</a>, among others. Exhibiting alongside European artists including <a href="/wiki/Lucio_Fontana" title="Lucio Fontana">Lucio Fontana</a>, <a href="/wiki/Pol_Bury" title="Pol Bury">Pol Bury</a>, <a href="/wiki/Otto_Piene" title="Otto Piene">Otto Piene</a>, and <a href="/wiki/G%C3%BCnther_Uecker" title="Günther Uecker">Günther Uecker</a>, in 1962, she was the only female artist to take part in the widely acclaimed <i>Nul</i> (Zero) international group exhibition at the <a href="/wiki/Stedelijk_Museum_Amsterdam" title="Stedelijk Museum Amsterdam">Stedelijk Museum Amsterdam</a>.<sup id="cite_ref-95" class="reference"><a href="#cite_note-95"><span class="cite-bracket">&#91;</span>95<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Exhibition_list">Exhibition list</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Yayoi_Kusama&amp;action=edit&amp;section=20" title="Edit section: Exhibition list"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1273380762/mw-parser-output/.tmulti"> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Yayoi_Kusama_Obliteration_Room.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/8/8d/Yayoi_Kusama_Obliteration_Room.jpg/220px-Yayoi_Kusama_Obliteration_Room.jpg" decoding="async" width="220" height="147" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/8/8d/Yayoi_Kusama_Obliteration_Room.jpg/330px-Yayoi_Kusama_Obliteration_Room.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/8/8d/Yayoi_Kusama_Obliteration_Room.jpg/440px-Yayoi_Kusama_Obliteration_Room.jpg 2x" data-file-width="1024" data-file-height="683" /></a><figcaption>Yayoi Kusama's <i>Obliteration Room</i> (2015) was inspired by the earlier <i>Infinity Mirror Room.</i></figcaption></figure> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:PikiWiki_Israel_84662_yayoi_kusama_exhibition.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/1/12/PikiWiki_Israel_84662_yayoi_kusama_exhibition.jpg/220px-PikiWiki_Israel_84662_yayoi_kusama_exhibition.jpg" decoding="async" width="220" height="147" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/1/12/PikiWiki_Israel_84662_yayoi_kusama_exhibition.jpg/330px-PikiWiki_Israel_84662_yayoi_kusama_exhibition.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/1/12/PikiWiki_Israel_84662_yayoi_kusama_exhibition.jpg/440px-PikiWiki_Israel_84662_yayoi_kusama_exhibition.jpg 2x" data-file-width="1200" data-file-height="800" /></a><figcaption>PikiWiki Israel 84662 yayoi kusama exhibition</figcaption></figure> <ul><li>1976: <a href="/wiki/Kitakyushu_Municipal_Museum_of_Art" title="Kitakyushu Municipal Museum of Art">Kitakyushu Municipal Museum of Art</a></li> <li>1983: <i>Yayoi Kusama's Self-Obliteration (Performance)</i> at <a href="/wiki/Video_Gallery_SCAN" title="Video Gallery SCAN">Video Gallery SCAN</a>, Tokyo, Japan</li> <li>1993: Represented Japan at the <a href="/wiki/Venice_Biennale" title="Venice Biennale">Venice Biennale</a></li> <li>1998: "Love Forever: Yayoi Kusama,1958–1969", <a href="/wiki/LACMA" class="mw-redirect" title="LACMA">LACMA</a></li> <li>1998–99: "Love Forever: Yayoi Kusama,1958–1969" – exhibit traveled to <a href="/wiki/Museum_of_Modern_Art" title="Museum of Modern Art">Museum of Modern Art</a>, New York, <a href="/wiki/Walker_Art_Center" title="Walker Art Center">Walker Art Center</a>, Minneapolis and <a href="/wiki/Museum_of_Contemporary_Art,_Tokyo" class="mw-redirect" title="Museum of Contemporary Art, Tokyo">Museum of Contemporary Art</a>, Tokyo)</li> <li>2001–2003: Le Consortium – exhibit traveled to <a href="/wiki/Japanese_Culture_House_of_Paris" title="Japanese Culture House of Paris">Japanese Culture House of Paris</a> (French: Maison de la culture du Japon à Paris), Paris; Kunsthallen Brandts, Odense, Denmark; Les Abattoirs, Toulouse; <a href="/wiki/Kunsthalle_Wien" title="Kunsthalle Wien">Kunsthalle Wien</a>, Vienna; and <a href="/wiki/Artsonje_Center" class="mw-redirect" title="Artsonje Center">Artsonje Center</a>, Seoul</li> <li>2004: <i>KUSAMATRIX</i>, <a href="/wiki/Mori_Art_Museum" title="Mori Art Museum">Mori Art Museum</a>, Tokyo</li> <li>2004–2005: <i>KUSAMATRIX</i> traveled to Art Park Museum of Contemporary Art, <a href="/wiki/Sapporo" title="Sapporo">Sapporo</a> Art Park, Hokkaido); <i>Eternity – Modernity</i>, <a href="/wiki/National_Museum_of_Modern_Art,_Tokyo" title="National Museum of Modern Art, Tokyo">National Museum of Modern Art, Tokyo</a> (touring Japan)</li> <li>2007: FINA Festival 2007. Kusama created <i>Guidepost to the New Space</i>, an outdoor installation for <a href="/wiki/Birrarung_Marr" class="mw-redirect" title="Birrarung Marr">Birrarung Marr</a> beside the <a href="/wiki/Yarra_River" title="Yarra River">Yarra River</a> in Melbourne. In 2009, the <i>Guideposts</i> were re-installed at <a href="/wiki/Fairchild_Tropical_Botanic_Garden" title="Fairchild Tropical Botanic Garden">Fairchild Tropical Botanic Garden</a>, this time displayed as floating "humps" on a lake.<sup id="cite_ref-96" class="reference"><a href="#cite_note-96"><span class="cite-bracket">&#91;</span>96<span class="cite-bracket">&#93;</span></a></sup></li> <li>2009: <i>The Mirrored Years</i> traveled to <a href="/wiki/Museum_of_Contemporary_Art,_Sydney" class="mw-redirect" title="Museum of Contemporary Art, Sydney">Museum of Contemporary Art, Sydney</a>, and <a href="/wiki/City_Gallery_Wellington" title="City Gallery Wellington">City Gallery Wellington</a>, New Zealand</li> <li>2010: <a href="/wiki/Museum_Boijmans_Van_Beuningen" title="Museum Boijmans Van Beuningen">Museum Boijmans Van Beuningen</a> purchased the work <i>Infinity Mirror Room – Phalli's Field</i>. As of 13 September of that year the mirror room is permanently exhibited in the entrance area of the museum.</li> <li>July 2011: <a href="/wiki/Museo_Reina_Sof%C3%ADa" class="mw-redirect" title="Museo Reina Sofía">Museo Reina Sofía</a>, Madrid, Spain</li> <li>2012: <a href="/wiki/Tate_Modern" title="Tate Modern">Tate Modern</a>, London.<sup id="cite_ref-97" class="reference"><a href="#cite_note-97"><span class="cite-bracket">&#91;</span>97<span class="cite-bracket">&#93;</span></a></sup> Described as "akin to being suspended in a beautiful cosmos gazing at infinite worlds, or like a tiny dot of fluoresecent plankton in an ocean of glowing microscopic life",<sup id="cite_ref-98" class="reference"><a href="#cite_note-98"><span class="cite-bracket">&#91;</span>98<span class="cite-bracket">&#93;</span></a></sup> the exhibition features a retrospective spanning Kusama's entire career.</li> <li>30 June 2013 – 16 September 2013: <a href="/wiki/MALBA" title="MALBA">MALBA</a>, the Latinamerican Art Museum of Buenos Aires, Buenos Aires, Argentina</li> <li>22 May 2014 – 27 June 2014: Instituto <a href="/wiki/Tomie_Ohtake" title="Tomie Ohtake">Tomie Ohtake</a>, São Paulo, Brazil</li> <li>17 September 2015 – 24 January 2016: <i>In Infinity</i>, Louisiana Museum of Modern Art, Humlebæk, Denmark<sup id="cite_ref-99" class="reference"><a href="#cite_note-99"><span class="cite-bracket">&#91;</span>99<span class="cite-bracket">&#93;</span></a></sup></li> <li>12 June – 9 August 2015: <i>Yayoi Kusama: Infinity Theory</i>, The Garage Museum of Contemporary Art, Moscow, Russia. This was the artist's first solo exhibition in Russia.<sup id="cite_ref-100" class="reference"><a href="#cite_note-100"><span class="cite-bracket">&#91;</span>100<span class="cite-bracket">&#93;</span></a></sup></li> <li>19 February – 15 May 2016: <i>Yayoi Kusama – I uendeligheten</i>, <a href="/wiki/Henie-Onstad_Art_Centre" class="mw-redirect" title="Henie-Onstad Art Centre">Henie Onstad</a> Kunstsenter, Oslo, Norway</li> <li>20 September 2015 – September 2016: <i>Yayoi Kusama: Infinity Mirrored Room</i>, <a href="/wiki/The_Broad" title="The Broad">The Broad</a>, Los Angeles, California</li> <li>12 June – 18 September 2016: <i>Kusama: At the End of the Universe</i>, <a href="/wiki/Museum_of_Fine_Arts,_Houston" title="Museum of Fine Arts, Houston">Museum of Fine Arts, Houston</a>, Houston, Texas</li> <li>1 May 2016 – 30 November 2016: <i>Yayoi Kusama: Narcissus Garden</i>, <a href="/wiki/Glass_House" title="Glass House">The Glass House</a>, New Canaan, Connecticut.</li> <li>25 May 2016 – 30 July 2016: <i>Yayoi Kusama: sculptures, paintings &amp; mirror rooms</i>, <a href="/wiki/Victoria_Miro_Gallery" title="Victoria Miro Gallery">Victoria Miro Gallery</a>, London, United Kingdom.</li> <li>7 October 2016 – 22 January 2017: <i>Yayoi Kusama: In Infinity</i>, organised by the Louisiana Museum of Modern Art in cooperation with Henie Onstad Kunstsenter, Moderna Museet/ArkDes and Helsinki Art Museum HAM in Helsinki, Finland.<sup id="cite_ref-101" class="reference"><a href="#cite_note-101"><span class="cite-bracket">&#91;</span>101<span class="cite-bracket">&#93;</span></a></sup></li> <li>5 November 2016 – 17 April 2017: "Dot Obsessions – Tasmania", MONA: Museum of Old and New Art, Hobart, Australia.<sup id="cite_ref-102" class="reference"><a href="#cite_note-102"><span class="cite-bracket">&#91;</span>102<span class="cite-bracket">&#93;</span></a></sup></li> <li>23 February 2017 – 14 May 2017: <i>Yayoi Kusama: Infinity Mirrors</i>, a traveling museum show originating at the <a href="/wiki/Hirshhorn_Museum_and_Sculpture_Garden" title="Hirshhorn Museum and Sculpture Garden">Hirshhorn Museum and Sculpture Garden</a>, Washington, DC<sup id="cite_ref-103" class="reference"><a href="#cite_note-103"><span class="cite-bracket">&#91;</span>103<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-Broad_51-1" class="reference"><a href="#cite_note-Broad-51"><span class="cite-bracket">&#91;</span>51<span class="cite-bracket">&#93;</span></a></sup></li> <li>30 June 2017 – 10 September 2017: <i>Yayoi Kusama: Infinity Mirrors</i>, exhibition travels to <a href="/wiki/Seattle_Art_Museum" title="Seattle Art Museum">Seattle Art Museum</a></li> <li>9 June 2017 – 3 September 2017: <i>Yayoi Kusama: Life is the Heart of a Rainbow</i>, National Gallery Singapore.<sup id="cite_ref-104" class="reference"><a href="#cite_note-104"><span class="cite-bracket">&#91;</span>104<span class="cite-bracket">&#93;</span></a></sup></li> <li>October 2017 – January 2018: <i>Yayoi Kusama: Infinity Mirrors</i>, exhibition travels to <a href="/wiki/The_Broad" title="The Broad">The Broad</a>, Los Angeles, California</li> <li>October 2017 – February 2018: <i>Yayoi Kusama: All the Eternal Love I Have for the Pumpkins</i>, Dallas Museum of Art</li> <li>November 2017 – February 2018: <i>Yayoi Kusama: Life is the Heart of a Rainbow</i> and <i>Obliteration Room</i>, <a href="/wiki/Gallery_of_Modern_Art,_Brisbane" title="Gallery of Modern Art, Brisbane">Gallery of Modern Art, Brisbane</a>, Brisbane, Australia<sup id="cite_ref-105" class="reference"><a href="#cite_note-105"><span class="cite-bracket">&#91;</span>105<span class="cite-bracket">&#93;</span></a></sup></li> <li>December 2017 – April 2018: <i>Flower Obsession</i>, Triennial, <a href="/wiki/National_Gallery_of_Victoria" title="National Gallery of Victoria">NGV</a>, Melbourne, Australia</li> <li>March 2018 – February 2019 "Pumpkin Forever'(Forever Museum of ContemporaryArt), Gion-Kyoto, Japan</li> <li>March–May 2018: <i>Yayoi Kusama: Infinity Mirrors</i>, exhibition travels to <a href="/wiki/Art_Gallery_of_Ontario" title="Art Gallery of Ontario">Art Gallery of Ontario</a>, Toronto, Ontario, Canada</li> <li>May–September 2018: <i>Yayoi Kusama: Life is the Heart of a Rainbow</i>, Museum of Modern and Contemporary Art in Nusantara (Museum MACAN), Jakarta, Indonesia<sup id="cite_ref-106" class="reference"><a href="#cite_note-106"><span class="cite-bracket">&#91;</span>106<span class="cite-bracket">&#93;</span></a></sup></li> <li>July–September 2018: <i>Yayoi Kusama: Infinity Mirrors</i>, exhibition travels to <a href="/wiki/Cleveland_Museum_of_Art" title="Cleveland Museum of Art">Cleveland Museum of Art</a>, exhibition travels to Cleveland, Ohio</li> <li>July–November 2018: <i>Yayoi Kusama: Where The Lights In My Heart Go</i>, exhibition travels to <a href="/wiki/DeCordova_Museum_and_Sculpture_Park" class="mw-redirect" title="DeCordova Museum and Sculpture Park">deCordova Museum and Sculpture Park</a>, <a href="/wiki/Lincoln,_MA" class="mw-redirect" title="Lincoln, MA">Lincoln, MA</a></li> <li>26 July 2018 – Spring 2019: Yayoi Kusama: <i>With All My Love for the Tulips, I Pray Forever</i><sup id="cite_ref-107" class="reference"><a href="#cite_note-107"><span class="cite-bracket">&#91;</span>107<span class="cite-bracket">&#93;</span></a></sup> (2011)</li> <li>March–September 2019: <i>Yayoi Kusama</i>, <a href="/wiki/Museum_Voorlinden" title="Museum Voorlinden">Museum Voorlinden</a>, Wassenaar, The Netherlands</li> <li>9 November 2019 – 14 December 2019: Yayoi Kusama: Everyday I Pray For Love, David Zwirner Gallery, New York, NY<sup id="cite_ref-York_92-1" class="reference"><a href="#cite_note-York-92"><span class="cite-bracket">&#91;</span>92<span class="cite-bracket">&#93;</span></a></sup></li> <li>4 January – 18 March 2020: <i>Brilliance of the Souls</i>, Maraya, <a href="/wiki/AlUla" class="mw-redirect" title="AlUla">AlUla</a></li> <li>4 April – 19 September 2020: Yayoi Kusama: "One with Eternity: Yayoi Kusama in the Hirshhorn Collection," Washington, DC<sup id="cite_ref-Hirshhorn_Acquires_Three_Major_Works_58-1" class="reference"><a href="#cite_note-Hirshhorn_Acquires_Three_Major_Works-58"><span class="cite-bracket">&#91;</span>58<span class="cite-bracket">&#93;</span></a></sup></li> <li>31 July 2020 – 3 January 2021: <i>STARS: Six Contemporary Artists from Japan to the World</i>, Tokyo, Japan<sup id="cite_ref-108" class="reference"><a href="#cite_note-108"><span class="cite-bracket">&#91;</span>108<span class="cite-bracket">&#93;</span></a></sup></li> <li>10 April – 31 October 2021: <i>Kusama: Cosmic Nature</i>, <a href="/wiki/New_York_Botanical_Garden" title="New York Botanical Garden">New York Botanical Garden</a>, New York<sup id="cite_ref-109" class="reference"><a href="#cite_note-109"><span class="cite-bracket">&#91;</span>109<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-110" class="reference"><a href="#cite_note-110"><span class="cite-bracket">&#91;</span>110<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-111" class="reference"><a href="#cite_note-111"><span class="cite-bracket">&#91;</span>111<span class="cite-bracket">&#93;</span></a></sup></li> <li>18 May 2021 – 28 April 2024: <i>Yayoi Kusama: Infinity Mirror Rooms,</i> <a href="/wiki/Tate_Modern" title="Tate Modern">Tate Modern</a>, London <sup id="cite_ref-112" class="reference"><a href="#cite_note-112"><span class="cite-bracket">&#91;</span>112<span class="cite-bracket">&#93;</span></a></sup></li> <li>15 November 2021 – 23 April 2022: <i>Yayoi Kusama: A Retrospective</i>, <a href="/wiki/Tel_Aviv_Museum_of_Art" title="Tel Aviv Museum of Art">Tel Aviv Museum of Art</a>, Israel <sup id="cite_ref-113" class="reference"><a href="#cite_note-113"><span class="cite-bracket">&#91;</span>113<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-114" class="reference"><a href="#cite_note-114"><span class="cite-bracket">&#91;</span>114<span class="cite-bracket">&#93;</span></a></sup></li> <li>9 March 2023 – 11 February 2024: <i>Yayoi Kusama: LOVE IS CALLING</i>, <a href="/wiki/P%C3%A9rez_Art_Museum_Miami" title="Pérez Art Museum Miami">Pérez Art Museum Miami</a>, Florida<sup id="cite_ref-115" class="reference"><a href="#cite_note-115"><span class="cite-bracket">&#91;</span>115<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-116" class="reference"><a href="#cite_note-116"><span class="cite-bracket">&#91;</span>116<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-117" class="reference"><a href="#cite_note-117"><span class="cite-bracket">&#91;</span>117<span class="cite-bracket">&#93;</span></a></sup></li> <li>11 May – 21 July 2023: Yayoi Kusama: I Spend Each Day Embracing Flowers, David Zwirner Gallery, New York, NY<sup id="cite_ref-118" class="reference"><a href="#cite_note-118"><span class="cite-bracket">&#91;</span>118<span class="cite-bracket">&#93;</span></a></sup></li> <li>14 Sep 2023 – 5 May 2024: <i>YAYOI KUSAMA: Infinity Mirrored Room – Let’s Survive Together</i>, 2017, Memorial Art Gallery, Rochester, NY<sup id="cite_ref-:3_119-0" class="reference"><a href="#cite_note-:3-119"><span class="cite-bracket">&#91;</span>119<span class="cite-bracket">&#93;</span></a></sup></li></ul> <p><br /> </p> <div class="mw-heading mw-heading3"><h3 id="Permanent_Infinity_Room_installations">Permanent <i>Infinity Room</i> installations</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Yayoi_Kusama&amp;action=edit&amp;section=21" title="Edit section: Permanent Infinity Room installations"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><i>Infinity Dots Mirrored Room</i> (1996), <a href="/wiki/Mattress_Factory" title="Mattress Factory">Mattress Factory</a>, Pittsburgh, Pennsylvania</li> <li><i>Infinity Mirror Room fireflies on Water</i> (2000), <a href="/wiki/Mus%C3%A9e_des_Beaux-Arts_de_Nancy" class="mw-redirect" title="Musée des Beaux-Arts de Nancy">Musée des Beaux-Arts de Nancy</a>, Nancy, France</li> <li><i><a href="/wiki/You_Who_Are_Getting_Obliterated_in_the_Dancing_Swarm_of_Fireflies" title="You Who Are Getting Obliterated in the Dancing Swarm of Fireflies">You Who Are Getting Obliterated in the Dancing Swarm of Fireflies</a></i> (2005), <a href="/wiki/Phoenix_Art_Museum" title="Phoenix Art Museum">Phoenix Art Museum</a>, Phoenix, Arizona<sup id="cite_ref-120" class="reference"><a href="#cite_note-120"><span class="cite-bracket">&#91;</span>120<span class="cite-bracket">&#93;</span></a></sup></li> <li><i>Gleaming Lights of the Souls</i> (2008), <a href="/wiki/Louisiana_Museum_of_Modern_Art" title="Louisiana Museum of Modern Art">Louisiana Museum of Modern Art</a>, <a href="/wiki/Fredensborg_Municipality" title="Fredensborg Municipality">Humlebæk, Denmark</a><sup id="cite_ref-121" class="reference"><a href="#cite_note-121"><span class="cite-bracket">&#91;</span>121<span class="cite-bracket">&#93;</span></a></sup></li> <li><i>The Souls of Millions of Light Years Away</i> (2013), <a href="/wiki/The_Broad" title="The Broad">The Broad</a>, Los Angeles, California<sup id="cite_ref-Broad_51-2" class="reference"><a href="#cite_note-Broad-51"><span class="cite-bracket">&#91;</span>51<span class="cite-bracket">&#93;</span></a></sup></li> <li><i>Infinity Dots Mirrored Room</i> (2014), <a href="/w/index.php?title=Bonte_Museum&amp;action=edit&amp;redlink=1" class="new" title="Bonte Museum (page does not exist)">Bonte Museum</a><span class="noprint" style="font-size:85%; font-style: normal;">&#160;&#91;<a href="https://ko.wikipedia.org/wiki/%EB%B3%B8%ED%83%9C%EB%B0%95%EB%AC%BC%EA%B4%80" class="extiw" title="ko:본태박물관">ko</a>&#93;</span>, <a href="/wiki/Jeju_Island" title="Jeju Island">Jeju Island</a>, South Korea</li> <li><i>The Spirits of the Pumpkins Descended into the Heavens</i> (2015), <a href="/wiki/National_Gallery_of_Australia" title="National Gallery of Australia">National Gallery of Australia</a>, <a href="/wiki/Canberra" title="Canberra">Canberra</a><sup id="cite_ref-122" class="reference"><a href="#cite_note-122"><span class="cite-bracket">&#91;</span>122<span class="cite-bracket">&#93;</span></a></sup></li> <li><i>Hymn of Life</i> (2015), <a href="/wiki/Henie-Onstad_Art_Centre" class="mw-redirect" title="Henie-Onstad Art Centre">Henie Onstad</a> Kunstsenter, Oslo, Norway<sup id="cite_ref-123" class="reference"><a href="#cite_note-123"><span class="cite-bracket">&#91;</span>123<span class="cite-bracket">&#93;</span></a></sup></li> <li><i>Phalli's Field</i> (1965/2016), <a href="/wiki/Museum_Boijmans_Van_Beuningen" title="Museum Boijmans Van Beuningen">Museum Boijmans Van Beuningen</a>, Rotterdam, Netherlands</li> <li><i>Love is Calling</i> (2013/2019), <a href="/wiki/Institute_of_Contemporary_Art,_Boston" title="Institute of Contemporary Art, Boston">Institute of Contemporary Art, Boston</a>, Boston, Massachusetts<sup id="cite_ref-Selvin_124-0" class="reference"><a href="#cite_note-Selvin-124"><span class="cite-bracket">&#91;</span>124<span class="cite-bracket">&#93;</span></a></sup></li> <li><i>Light of Life </i>(2018), <a href="/wiki/North_Carolina_Museum_of_Art" title="North Carolina Museum of Art">North Carolina Museum of Art</a>, <a href="/wiki/Raleigh,_North_Carolina" title="Raleigh, North Carolina">Raleigh, North Carolina</a></li> <li><i>Brilliance of the Souls</i> (2019), Museum of Modern and Contemporary Art in Nusantara (Museum MACAN), Jakarta, Indonesia<sup id="cite_ref-125" class="reference"><a href="#cite_note-125"><span class="cite-bracket">&#91;</span>125<span class="cite-bracket">&#93;</span></a></sup></li> <li><i>Infinity Mirror Room – Let's Survive Forever</i> (2019), <a href="/wiki/Art_Gallery_of_Ontario" title="Art Gallery of Ontario">Art Gallery of Ontario</a>, Toronto, Ontario<sup id="cite_ref-126" class="reference"><a href="#cite_note-126"><span class="cite-bracket">&#91;</span>126<span class="cite-bracket">&#93;</span></a></sup></li> <li><i>Aftermath of Obliteration of Eternity</i> (2009), <a href="/wiki/Museum_of_Fine_Arts,_Houston" title="Museum of Fine Arts, Houston">Museum of Fine Arts, Houston</a>, Houston, Texas<sup id="cite_ref-127" class="reference"><a href="#cite_note-127"><span class="cite-bracket">&#91;</span>127<span class="cite-bracket">&#93;</span></a></sup></li></ul> <div class="mw-heading mw-heading2"><h2 id="Peer_review">Peer review</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Yayoi_Kusama&amp;action=edit&amp;section=22" title="Edit section: Peer review"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li>Applin, Jo. <i>Yayoi Kusama: Infinity Mirror Room – Phallis Field</i>. Afterall, 2012. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/9781846380914" title="Special:BookSources/9781846380914">9781846380914</a></li> <li>Hoptman, Laura J., et al. <i>Yayoi Kusama</i>. Phaidon Press Limited, 2000. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0714839202" title="Special:BookSources/978-0714839202">978-0714839202</a></li></ul> <div class="mw-heading mw-heading2"><h2 id="Collections">Collections</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Yayoi_Kusama&amp;action=edit&amp;section=23" title="Edit section: Collections"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Kusama's work is in the collections of museums throughout the world, including the <a href="/wiki/Museum_of_Modern_Art" title="Museum of Modern Art">Museum of Modern Art</a>, New York; <a href="/wiki/Los_Angeles_County_Museum_of_Art" title="Los Angeles County Museum of Art">Los Angeles County Museum of Art</a>, Los Angeles; <a href="/wiki/Walker_Art_Center" title="Walker Art Center">Walker Art Center</a>, Minneapolis; <a href="/wiki/Phoenix_Art_Museum" title="Phoenix Art Museum">Phoenix Art Museum</a>, Phoenix; <a href="/wiki/Tate_Modern" title="Tate Modern">Tate Modern</a>, London; <a href="/wiki/Stedelijk_Museum_Amsterdam" title="Stedelijk Museum Amsterdam">Stedelijk Museum Amsterdam</a>; <a href="/wiki/Centre_Pompidou" title="Centre Pompidou">Centre Pompidou</a>, Paris; Art Gallery of Ontario, Toronto; <a href="/wiki/Utah_Museum_of_Fine_Arts" title="Utah Museum of Fine Arts">Utah Museum of Fine Arts</a>, Salt Lake City, UT; and the <a href="/wiki/National_Museum_of_Modern_Art,_Tokyo" title="National Museum of Modern Art, Tokyo">National Museum of Modern Art</a>, Tokyo and in the City Museum of Art in her home town of Matsumoto entitled The Place for My Soul.<a rel="nofollow" class="external autonumber" href="https://visitmatsumoto.com/en/spot/matsumoto-museum-of-art/">[1]</a> </p> <div class="mw-heading mw-heading2"><h2 id="Recognition">Recognition</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Yayoi_Kusama&amp;action=edit&amp;section=24" title="Edit section: Recognition"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:YAYOI_KUSAMA_MUSEUM_%E8%8D%89%E9%96%93%E5%BD%8C%E7%94%9F%E7%BE%8E%E8%A1%93%E9%A4%A82018frontCIMG3591.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/0/0c/YAYOI_KUSAMA_MUSEUM_%E8%8D%89%E9%96%93%E5%BD%8C%E7%94%9F%E7%BE%8E%E8%A1%93%E9%A4%A82018frontCIMG3591.jpg/170px-YAYOI_KUSAMA_MUSEUM_%E8%8D%89%E9%96%93%E5%BD%8C%E7%94%9F%E7%BE%8E%E8%A1%93%E9%A4%A82018frontCIMG3591.jpg" decoding="async" width="170" height="227" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/0/0c/YAYOI_KUSAMA_MUSEUM_%E8%8D%89%E9%96%93%E5%BD%8C%E7%94%9F%E7%BE%8E%E8%A1%93%E9%A4%A82018frontCIMG3591.jpg/255px-YAYOI_KUSAMA_MUSEUM_%E8%8D%89%E9%96%93%E5%BD%8C%E7%94%9F%E7%BE%8E%E8%A1%93%E9%A4%A82018frontCIMG3591.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/0/0c/YAYOI_KUSAMA_MUSEUM_%E8%8D%89%E9%96%93%E5%BD%8C%E7%94%9F%E7%BE%8E%E8%A1%93%E9%A4%A82018frontCIMG3591.jpg/340px-YAYOI_KUSAMA_MUSEUM_%E8%8D%89%E9%96%93%E5%BD%8C%E7%94%9F%E7%BE%8E%E8%A1%93%E9%A4%A82018frontCIMG3591.jpg 2x" data-file-width="2736" data-file-height="3648" /></a><figcaption>Entrance to <a href="/wiki/Yayoi_Kusama_Museum" title="Yayoi Kusama Museum">Yayoi Kusama Museum</a> in Tokyo</figcaption></figure> <p>Kusama's image is included in the iconic 1972 poster <i><a href="/wiki/Some_Living_American_Women_Artists_(collage)" title="Some Living American Women Artists (collage)">Some Living American Women Artists</a></i> by <a href="/wiki/Mary_Beth_Edelson" title="Mary Beth Edelson">Mary Beth Edelson</a>.<sup id="cite_ref-SAAM_128-0" class="reference"><a href="#cite_note-SAAM-128"><span class="cite-bracket">&#91;</span>128<span class="cite-bracket">&#93;</span></a></sup> </p><p>In 2017, a fifty-year <a href="/wiki/Retrospective" title="Retrospective">retrospective</a> of Kusama's work opened at the <a href="/wiki/Hirshhorn_Museum_and_Sculpture_Garden" title="Hirshhorn Museum and Sculpture Garden">Hirshhorn Museum</a> in Washington, DC. That same year, the <a href="/wiki/Yayoi_Kusama_Museum" title="Yayoi Kusama Museum">Yayoi Kusama Museum</a> was inaugurated in Tokyo. Other major retrospectives of her work have been held at the <a href="/wiki/Museum_of_Modern_Art" title="Museum of Modern Art">Museum of Modern Art</a> (1998), the <a href="/wiki/Whitney_Museum" title="Whitney Museum">Whitney Museum</a> (2012), and the <a href="/wiki/Tate_Modern" title="Tate Modern">Tate Modern</a> (2012).<sup id="cite_ref-129" class="reference"><a href="#cite_note-129"><span class="cite-bracket">&#91;</span>129<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-130" class="reference"><a href="#cite_note-130"><span class="cite-bracket">&#91;</span>130<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-131" class="reference"><a href="#cite_note-131"><span class="cite-bracket">&#91;</span>131<span class="cite-bracket">&#93;</span></a></sup> In 2015, the website <a href="/wiki/Artsy_(website)" title="Artsy (website)">Artsy</a> named Kusama one of its top 10 living artists of the year.<sup id="cite_ref-132" class="reference"><a href="#cite_note-132"><span class="cite-bracket">&#91;</span>132<span class="cite-bracket">&#93;</span></a></sup> </p><p>Kusama has received many awards, including the <a href="/wiki/Asahi_Prize" title="Asahi Prize">Asahi Prize</a> (2001); <a href="/wiki/Ordre_des_Arts_et_des_Lettres" title="Ordre des Arts et des Lettres">Ordre des Arts et des Lettres</a> (2003); the National Lifetime Achievement Award from the <a href="/wiki/Order_of_the_Rising_Sun" title="Order of the Rising Sun">Order of the Rising Sun</a> (2006); and a <a href="/wiki/Women%27s_Caucus_for_Art_Lifetime_Achievement_Award" title="Women&#39;s Caucus for Art Lifetime Achievement Award">Lifetime Achievement Award from the Women's Caucus for Art</a>.<sup id="cite_ref-133" class="reference"><a href="#cite_note-133"><span class="cite-bracket">&#91;</span>133<span class="cite-bracket">&#93;</span></a></sup> In October 2006, Kusama became the first Japanese woman to receive the <a href="/wiki/Praemium_Imperiale" title="Praemium Imperiale">Praemium Imperiale</a>, one of Japan's highest honors for internationally recognized artists.<sup id="cite_ref-134" class="reference"><a href="#cite_note-134"><span class="cite-bracket">&#91;</span>134<span class="cite-bracket">&#93;</span></a></sup> She received the <a href="/wiki/Person_of_Cultural_Merit" title="Person of Cultural Merit">Person of Cultural Merit</a> (2009) and Ango awards (2014).<sup id="cite_ref-135" class="reference"><a href="#cite_note-135"><span class="cite-bracket">&#91;</span>135<span class="cite-bracket">&#93;</span></a></sup> In 2014, Kusama was ranked the most popular artist of the year after a record-breaking number of visitors flooded her Latin American tour, <i>Yayoi Kusama: Infinite Obsession</i>. Venues from <a href="/wiki/Buenos_Aires" title="Buenos Aires">Buenos Aires</a> to <a href="/wiki/Mexico_City" title="Mexico City">Mexico City</a> received more than 8,500 visitors each day.<sup id="cite_ref-136" class="reference"><a href="#cite_note-136"><span class="cite-bracket">&#91;</span>136<span class="cite-bracket">&#93;</span></a></sup> </p><p>Kusama gained media attention for partnering with the <a href="/wiki/Hirshhorn_Museum_and_Sculpture_Garden" title="Hirshhorn Museum and Sculpture Garden">Hirshhorn Museum and Sculpture Garden</a> to make her 2017 <i>Infinity Mirror</i> rooms accessible to visitors with <a href="/wiki/Disabilities" class="mw-redirect" title="Disabilities">disabilities</a> or mobility issues; in a new initiative among art museums, the venue mapped out the six individual rooms and provided disabled individuals visiting the exhibition access to a complete 360-degree <a href="/wiki/Virtual_reality_headset" title="Virtual reality headset">virtual reality headset</a> that allowed them to experience every aspect of the rooms,<sup id="cite_ref-137" class="reference"><a href="#cite_note-137"><span class="cite-bracket">&#91;</span>137<span class="cite-bracket">&#93;</span></a></sup> as if they were actually walking through them.<sup id="cite_ref-138" class="reference"><a href="#cite_note-138"><span class="cite-bracket">&#91;</span>138<span class="cite-bracket">&#93;</span></a></sup> </p><p>According to Hanna Schouwink of <a href="/wiki/David_Zwirner_Gallery" title="David Zwirner Gallery">David Zwirner Gallery</a> speaking in 2018, Kusama is "officially the world's most successful living artist".<sup id="cite_ref-:1_3-13" class="reference"><a href="#cite_note-:1-3"><span class="cite-bracket">&#91;</span>3<span class="cite-bracket">&#93;</span></a></sup> Kusama was recognized as one of the <a href="/wiki/Asia_Game_Changer_Awards" title="Asia Game Changer Awards">Asia Game Changer</a> awardees in 2023 by <a href="/wiki/Asia_Society" title="Asia Society">Asia Society</a> for her actions that strengthened the bounds between Asia and the world.<sup id="cite_ref-139" class="reference"><a href="#cite_note-139"><span class="cite-bracket">&#91;</span>139<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Art_market">Art market</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Yayoi_Kusama&amp;action=edit&amp;section=25" title="Edit section: Art market"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Kusama's work has performed strongly at auction: top prices for her work are for paintings from the late 1950s and early 1960s. As of 2012, her work has the highest turnover of any living woman artist.<sup id="cite_ref-140" class="reference"><a href="#cite_note-140"><span class="cite-bracket">&#91;</span>140<span class="cite-bracket">&#93;</span></a></sup> In November 2008, <a href="/wiki/Christie%27s" title="Christie&#39;s">Christie's</a> New York sold a 1959 white <i>Infinity Net</i> painting formerly owned by <a href="/wiki/Donald_Judd" title="Donald Judd">Donald Judd</a>,<sup id="cite_ref-QAG_21-6" class="reference"><a href="#cite_note-QAG-21"><span class="cite-bracket">&#91;</span>21<span class="cite-bracket">&#93;</span></a></sup> <i>No. 2</i>, for US$5.1&#160;million, then a record for a living female artist.<sup id="cite_ref-141" class="reference"><a href="#cite_note-141"><span class="cite-bracket">&#91;</span>141<span class="cite-bracket">&#93;</span></a></sup> In comparison, the highest price for a sculpture from her New York years is £72,500 (US$147,687), fetched by the 1965 wool, pasta, paint and hanger assemblage <i>Golden Macaroni Jacket</i> at <a href="/wiki/Sotheby%27s" title="Sotheby&#39;s">Sotheby's</a> London in October 2007. A 2006 acrylic on fiberglass-reinforced plastic pumpkin earned $264,000, the top price for one of her sculptures, also at Sotheby's in 2007.<sup id="cite_ref-142" class="reference"><a href="#cite_note-142"><span class="cite-bracket">&#91;</span>142<span class="cite-bracket">&#93;</span></a></sup> Her <i>Flame of Life – Dedicated to Tu-Fu (Du-Fu)</i> sold for US$960,000 at <a href="/wiki/Art_Basel" title="Art Basel">Art Basel</a>/Hong Kong in May 2013, the highest price paid at the show. Kusama became the most expensive living female artist at auction when <i>White No. 28</i> (1960) from her signature <i>Infinity Nets</i> series sold for $7.1&#160;million at a 2014 Christie's auction.<sup id="cite_ref-143" class="reference"><a href="#cite_note-143"><span class="cite-bracket">&#91;</span>143<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="In_popular_culture">In popular culture</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Yayoi_Kusama&amp;action=edit&amp;section=26" title="Edit section: In popular culture"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><a href="/wiki/Superchunk" title="Superchunk">Superchunk</a>, an American indie band, included a song called "Art Class (Song for Yayoi Kusama)" on its <i>Here's to Shutting Up</i> album.<sup id="cite_ref-144" class="reference"><a href="#cite_note-144"><span class="cite-bracket">&#91;</span>144<span class="cite-bracket">&#93;</span></a></sup></li> <li>In 1967, <a href="/wiki/Jud_Yalkut" title="Jud Yalkut">Jud Yalkut</a> made a film of Kusama titled <i>Kusama’s Self-Obliteration</i>.<sup id="cite_ref-BrooklynRail_145-0" class="reference"><a href="#cite_note-BrooklynRail-145"><span class="cite-bracket">&#91;</span>145<span class="cite-bracket">&#93;</span></a></sup></li> <li>In 2013, the British indie pop duo <a href="/wiki/The_Boy_Least_Likely_To" title="The Boy Least Likely To">The Boy Least Likely To</a> made song tribute to Kusama, writing a song specially about her.<sup id="cite_ref-146" class="reference"><a href="#cite_note-146"><span class="cite-bracket">&#91;</span>146<span class="cite-bracket">&#93;</span></a></sup> They wrote on their blog that they admire Kusama's work because she puts her fears into it, something that they themselves often do.<sup id="cite_ref-147" class="reference"><a href="#cite_note-147"><span class="cite-bracket">&#91;</span>147<span class="cite-bracket">&#93;</span></a></sup></li> <li><a href="/wiki/Magnolia_Pictures" title="Magnolia Pictures">Magnolia Pictures</a> released the biographical documentary by Heather Lenz, <i><a href="/wiki/Kusama:_Infinity" title="Kusama: Infinity">Kusama: Infinity</a></i>, in 2018<sup id="cite_ref-148" class="reference"><a href="#cite_note-148"><span class="cite-bracket">&#91;</span>148<span class="cite-bracket">&#93;</span></a></sup> and a DVD version in 2019.<sup id="cite_ref-149" class="reference"><a href="#cite_note-149"><span class="cite-bracket">&#91;</span>149<span class="cite-bracket">&#93;</span></a></sup></li> <li>Veuve Clicquot and Kusama created a limited-edition bottle and sculpture in September 2020.<sup id="cite_ref-150" class="reference"><a href="#cite_note-150"><span class="cite-bracket">&#91;</span>150<span class="cite-bracket">&#93;</span></a></sup></li> <li><a href="/wiki/Cyndi_Lauper" title="Cyndi Lauper">Cyndi Lauper's</a> 2024 <a href="/wiki/Girls_Just_Wanna_Have_Fun_Farewell_Tour" title="Girls Just Wanna Have Fun Farewell Tour">Farewell Tour</a> included graphics featuring white sculptures and walls covered in Kusama's signature red polka dots. Lauper and background performers also dressed in matching white clothes wtih large red polka dots. <sup id="cite_ref-151" class="reference"><a href="#cite_note-151"><span class="cite-bracket">&#91;</span>151<span class="cite-bracket">&#93;</span></a></sup></li></ul> <div style="clear:both;" class=""></div> <div class="mw-heading mw-heading2"><h2 id="References">References</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Yayoi_Kusama&amp;action=edit&amp;section=27" title="Edit section: References"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist"> <div class="mw-references-wrap mw-references-columns"><ol class="references"> <li id="cite_note-:0-1"><span class="mw-cite-backlink">^ <a href="#cite_ref-:0_1-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-:0_1-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-:0_1-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text">Yamamura, Midori (2015), <i>Yayoi Kusama: Inventing the Singular</i>. Cambridge, Massachusetts: MIT Press.</span> </li> <li id="cite_note-2"><span class="mw-cite-backlink"><b><a href="#cite_ref-2">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFTran2019" class="citation web cs1">Tran, John L. (7 November 2019). <a rel="nofollow" class="external text" href="https://www.japantimes.co.jp/culture/2019/11/07/films/yayoi-kusama-japanese-art-maverick/">"Yayoi Kusama: The underdog story of a Japanese art maverick"</a>. <i>The Japan Times</i><span class="reference-accessdate">. Retrieved <span class="nowrap">15 January</span> 2023</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=The+Japan+Times&amp;rft.atitle=Yayoi+Kusama%3A+The+underdog+story+of+a+Japanese+art+maverick&amp;rft.date=2019-11-07&amp;rft.aulast=Tran&amp;rft.aufirst=John+L.&amp;rft_id=https%3A%2F%2Fwww.japantimes.co.jp%2Fculture%2F2019%2F11%2F07%2Ffilms%2Fyayoi-kusama-japanese-art-maverick%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-:1-3"><span class="mw-cite-backlink">^ <a href="#cite_ref-:1_3-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-:1_3-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-:1_3-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-:1_3-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-:1_3-4"><sup><i><b>e</b></i></sup></a> <a href="#cite_ref-:1_3-5"><sup><i><b>f</b></i></sup></a> <a href="#cite_ref-:1_3-6"><sup><i><b>g</b></i></sup></a> <a href="#cite_ref-:1_3-7"><sup><i><b>h</b></i></sup></a> <a href="#cite_ref-:1_3-8"><sup><i><b>i</b></i></sup></a> <a href="#cite_ref-:1_3-9"><sup><i><b>j</b></i></sup></a> <a href="#cite_ref-:1_3-10"><sup><i><b>k</b></i></sup></a> <a href="#cite_ref-:1_3-11"><sup><i><b>l</b></i></sup></a> <a href="#cite_ref-:1_3-12"><sup><i><b>m</b></i></sup></a> <a href="#cite_ref-:1_3-13"><sup><i><b>n</b></i></sup></a></span> <span class="reference-text">Kusama: Infinity (2018). <a rel="nofollow" class="external text" href="http://www.kusamamovie.com/">kusamamovie.com</a></span> </li> <li id="cite_note-4"><span class="mw-cite-backlink"><b><a href="#cite_ref-4">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.guggenheim.org/artwork/artist/yayoi-kusama">"Yayoi Kusama"</a>. <i>guggenheim.org</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20180221161654/https://www.guggenheim.org/artwork/artist/yayoi-kusama">Archived</a> from the original on 21 February 2018<span class="reference-accessdate">. Retrieved <span class="nowrap">21 February</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=guggenheim.org&amp;rft.atitle=Yayoi+Kusama&amp;rft_id=https%3A%2F%2Fwww.guggenheim.org%2Fartwork%2Fartist%2Fyayoi-kusama&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-5"><span class="mw-cite-backlink"><b><a href="#cite_ref-5">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGriselda2006" class="citation book cs1">Griselda, Pollock (2006). <i>Psychoanalysis and the image: transdisciplinary perspectives</i>. 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The Anatomic Explosion, New York. 1968 | MoMA"</a>. <i>The Museum of Modern Art</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20180222043841/https://www.moma.org/collection/works/177001">Archived</a> from the original on 22 February 2018<span class="reference-accessdate">. Retrieved <span class="nowrap">21 February</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=The+Museum+of+Modern+Art&amp;rft.atitle=Yayoi+Kusama%2C+Harry+Shunk%2C+J%C3%A1nos+Kender.+The+Anatomic+Explosion%2C+New+York.+1968+%7C+MoMA&amp;rft_id=https%3A%2F%2Fwww.moma.org%2Fcollection%2Fworks%2F177001&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-7"><span class="mw-cite-backlink"><b><a href="#cite_ref-7">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.moma.org/collection/works/177017?artist_id=3315&amp;locale=en&amp;sov_referrer=artist">"Yayoi Kusama, Harry Shunk, János Kender. 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Retrieved <span class="nowrap">21 February</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=The+Museum+of+Modern+Art&amp;rft.atitle=Yayoi+Kusama%2C+Harry+Shunk%2C+J%C3%A1nos+Kender.+Mirror+Performance%2C+New+York.+1968+%7C+MoMA&amp;rft_id=https%3A%2F%2Fwww.moma.org%2Fcollection%2Fworks%2F177017%3Fartist_id%3D3315%26locale%3Den%26sov_referrer%3Dartist&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-8"><span class="mw-cite-backlink"><b><a href="#cite_ref-8">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFTaylor2018" class="citation news cs1"><a href="/wiki/Kate_Taylor_(Canadian_writer)" title="Kate Taylor (Canadian writer)">Taylor, Kate</a> (28 February 2018). <a rel="nofollow" class="external text" href="https://www.theglobeandmail.com/arts/art-and-architecture/how-yayoi-kusama-pushed-pop-art-into-the-newage/article38156757/">"How Yayoi Kusama's Infinity Mirrors pushed pop art into the new age"</a>. <i><a href="/wiki/The_Globe_and_Mail" title="The Globe and Mail">The Globe and Mail</a></i>. Toronto. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20220715080539/https://www.theglobeandmail.com/arts/art-and-architecture/how-yayoi-kusama-pushed-pop-art-into-the-newage/article38156757/">Archived</a> from the original on 15 July 2022<span class="reference-accessdate">. Retrieved <span class="nowrap">4 March</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=The+Globe+and+Mail&amp;rft.atitle=How+Yayoi+Kusama%27s+Infinity+Mirrors+pushed+pop+art+into+the+new+age&amp;rft.date=2018-02-28&amp;rft.aulast=Taylor&amp;rft.aufirst=Kate&amp;rft_id=https%3A%2F%2Fwww.theglobeandmail.com%2Farts%2Fart-and-architecture%2Fhow-yayoi-kusama-pushed-pop-art-into-the-newage%2Farticle38156757%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-Life_&amp;_quotes-9"><span class="mw-cite-backlink">^ <a href="#cite_ref-Life_&amp;_quotes_9-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Life_&amp;_quotes_9-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.theartstory.org/artist/kusama-yayoi/">"Yayoi Kusama Biography, Life &amp; Quotes"</a>. <i>The Art Story</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20200229203221/https://www.theartstory.org/artist/kusama-yayoi/">Archived</a> from the original on 29 February 2020<span class="reference-accessdate">. Retrieved <span class="nowrap">29 February</span> 2020</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=The+Art+Story&amp;rft.atitle=Yayoi+Kusama+Biography%2C+Life+%26+Quotes&amp;rft_id=https%3A%2F%2Fwww.theartstory.org%2Fartist%2Fkusama-yayoi%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-NYSwanson-10"><span class="mw-cite-backlink">^ <a href="#cite_ref-NYSwanson_10-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-NYSwanson_10-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation magazine cs1">Swanson, Carl (6 July 2012). <a rel="nofollow" class="external text" href="https://nymag.com/arts/art/features/yayoi-kusama-2012-7/">"The Art of the Flame-Out"</a>. <i><a href="/wiki/New_York_(magazine)" title="New York (magazine)">New York</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20220626160416/https://nymag.com/arts/art/features/yayoi-kusama-2012-7/">Archived</a> from the original on 26 June 2022<span class="reference-accessdate">. Retrieved <span class="nowrap">20 February</span> 2020</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=New+York&amp;rft.atitle=The+Art+of+the+Flame-Out&amp;rft.date=2012-07-06&amp;rft.aulast=Swanson&amp;rft.aufirst=Carl&amp;rft_id=https%3A%2F%2Fnymag.com%2Farts%2Fart%2Ffeatures%2Fyayoi-kusama-2012-7%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-11"><span class="mw-cite-backlink"><b><a href="#cite_ref-11">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.britannica.com/biography/Yayoi-Kusama">"Yayoi Kusama | Biography, Art, &amp; Facts"</a>. <i>Encyclopædia Britannica</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20220625013859/https://www.britannica.com/biography/Yayoi-Kusama">Archived</a> from the original on 25 June 2022<span class="reference-accessdate">. Retrieved <span class="nowrap">1 September</span> 2019</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Encyclop%C3%A6dia+Britannica&amp;rft.atitle=Yayoi+Kusama+%7C+Biography%2C+Art%2C+%26+Facts&amp;rft_id=https%3A%2F%2Fwww.britannica.com%2Fbiography%2FYayoi-Kusama&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-Nayeri-12"><span class="mw-cite-backlink">^ <a href="#cite_ref-Nayeri_12-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Nayeri_12-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">Farah Nayeri (14 February 2012), <a rel="nofollow" class="external text" href="https://web.archive.org/web/20120216045527/http://www.bloomberg.com/news/2012-02-14/man-hating-artist-kusama-covers-tate-modern-in-dots-interview.html">Man-Hating Artist Kusama Covers Tate Modern in Dots: Interview</a><sup><a href="/wiki/Template:Usurped/doc" title="Template:Usurped/doc">[usurped]</a></sup> <i><a href="/wiki/Bloomberg_L.P." title="Bloomberg L.P.">Bloomberg</a></i>.</span> </li> <li id="cite_note-auto-13"><span class="mw-cite-backlink">^ <a href="#cite_ref-auto_13-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-auto_13-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-auto_13-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-auto_13-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-auto_13-4"><sup><i><b>e</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPound" class="citation web cs1">Pound, Cath. <a rel="nofollow" class="external text" href="https://www.bbc.com/culture/story/20180925-yayoi-kusamas-extraordinary-survival-story">"Yayoi Kusama's extraordinary survival story"</a>. 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Retrieved <span class="nowrap">7 May</span> 2019</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Yayoi+Kusama%27s+extraordinary+survival+story&amp;rft.pub=BBC&amp;rft.aulast=Pound&amp;rft.aufirst=Cath&amp;rft_id=http%3A%2F%2Fwww.bbc.com%2Fculture%2Fstory%2F20180925-yayoi-kusamas-extraordinary-survival-story&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-Butler-14"><span class="mw-cite-backlink">^ <a href="#cite_ref-Butler_14-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Butler_14-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFButler2007" class="citation book cs1">Butler, Cornelia (2007). <i>WACK! Art and the Feminist Revolution</i>. 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Retrieved <span class="nowrap">11 March</span> 2017</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Financial+Times&amp;rft.atitle=The+world+according+to+Yayoi+Kusama&amp;rft.date=2012-01-20&amp;rft_id=https%3A%2F%2Fwww.ft.com%2Fcontent%2F52ab168a-4188-11e1-8c33-00144feab49a&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-16"><span class="mw-cite-backlink"><b><a href="#cite_ref-16">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDailey" class="citation web cs1">Dailey, Megan. <a rel="nofollow" class="external text" href="https://www.academia.edu/31981284">"Yayoi Kusama: Art As An Escape"</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20220715080531/https://www.academia.edu/31981284">Archived</a> from the original on 15 July 2022<span class="reference-accessdate">. Retrieved <span class="nowrap">8 May</span> 2019</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Yayoi+Kusama%3A+Art+As+An+Escape&amp;rft.aulast=Dailey&amp;rft.aufirst=Megan&amp;rft_id=https%3A%2F%2Fwww.academia.edu%2F31981284&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-frank1-17"><span class="mw-cite-backlink">^ <a href="#cite_ref-frank1_17-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-frank1_17-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFFrank2017" class="citation news cs1">Frank, Priscilla (9 February 2017). <a rel="nofollow" class="external text" href="https://www.huffingtonpost.com/entry/yayoi-kusama-retrospective_us_589c8b55e4b0c1284f2af521">"Japanese Artist Yayoi Kusama Is About To Make 2017 Infinitely Better"</a>. <i>HuffPost</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20170307172623/http://www.huffingtonpost.com/entry/yayoi-kusama-retrospective_us_589c8b55e4b0c1284f2af521">Archived</a> from the original on 7 March 2017<span class="reference-accessdate">. Retrieved <span class="nowrap">11 March</span> 2017</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=HuffPost&amp;rft.atitle=Japanese+Artist+Yayoi+Kusama+Is+About+To+Make+2017+Infinitely+Better&amp;rft.date=2017-02-09&amp;rft.aulast=Frank&amp;rft.aufirst=Priscilla&amp;rft_id=https%3A%2F%2Fwww.huffingtonpost.com%2Fentry%2Fyayoi-kusama-retrospective_us_589c8b55e4b0c1284f2af521&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-nytimes1-18"><span class="mw-cite-backlink">^ <a href="#cite_ref-nytimes1_18-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-nytimes1_18-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-nytimes1_18-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-nytimes1_18-3"><sup><i><b>d</b></i></sup></a></span> <span class="reference-text"><a href="/wiki/Holland_Cotter" title="Holland Cotter">Holland Cotter</a> (12 July 2012), <a rel="nofollow" class="external text" href="https://www.nytimes.com/2012/07/13/arts/design/yayoi-kusama-at-whitney-museum-of-american-art.html">"Vivid Hallucinations from a Fragile Life – Yayoi Kusama at Whitney Museum of American Art"</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20220715080533/https://www.nytimes.com/2012/07/13/arts/design/yayoi-kusama-at-whitney-museum-of-american-art.html">Archived</a> 15 July 2022 at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a> <i><a href="/wiki/The_New_York_Times" title="The New York Times">The New York Times</a></i>.</span> </li> <li id="cite_note-19"><span class="mw-cite-backlink"><b><a href="#cite_ref-19">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFIgnoramous2014" class="citation news cs1 cs1-prop-unfit">Ignoramous, Lamos (26 May 2014). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20170312143746/http://filmslie.com/watch-yayoi-kusama-self-obliteration-dissolve-identity/">"Yayoi Kusama Self-Obliteration Analysis | The Dissolve of Identity"</a>. Archived from the original on 12 March 2017<span class="reference-accessdate">. Retrieved <span class="nowrap">11 March</span> 2017</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.atitle=Yayoi+Kusama+Self-Obliteration+Analysis+%7C+The+Dissolve+of+Identity&amp;rft.date=2014-05-26&amp;rft.aulast=Ignoramous&amp;rft.aufirst=Lamos&amp;rft_id=http%3A%2F%2Ffilmslie.com%2Fwatch-yayoi-kusama-self-obliteration-dissolve-identity%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-Furman-20"><span class="mw-cite-backlink">^ <a href="#cite_ref-Furman_20-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Furman_20-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFFurman2017" class="citation news cs1">Furman, Anna (6 February 2017). <a rel="nofollow" class="external text" href="https://nymag.com/thecut/2017/02/yayoi-kusama-infinity-mirrors-ultimate-instagram-exhibit.html">"Yayoi Kusama Made the Ultimate Instagram Exhibit"</a>. <i>The Cut</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20170209230727/http://nymag.com/thecut/2017/02/yayoi-kusama-infinity-mirrors-ultimate-instagram-exhibit.html">Archived</a> from the original on 9 February 2017<span class="reference-accessdate">. Retrieved <span class="nowrap">11 March</span> 2017</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=The+Cut&amp;rft.atitle=Yayoi+Kusama+Made+the+Ultimate+Instagram+Exhibit&amp;rft.date=2017-02-06&amp;rft.aulast=Furman&amp;rft.aufirst=Anna&amp;rft_id=https%3A%2F%2Fnymag.com%2Fthecut%2F2017%2F02%2Fyayoi-kusama-infinity-mirrors-ultimate-instagram-exhibit.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-QAG-21"><span class="mw-cite-backlink">^ <a href="#cite_ref-QAG_21-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-QAG_21-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-QAG_21-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-QAG_21-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-QAG_21-4"><sup><i><b>e</b></i></sup></a> <a href="#cite_ref-QAG_21-5"><sup><i><b>f</b></i></sup></a> <a href="#cite_ref-QAG_21-6"><sup><i><b>g</b></i></sup></a></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://interactive.qag.qld.gov.au/looknowseeforever/timeline/">Yayoi Kusama Timeline</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20161120005532/http://interactive.qag.qld.gov.au/looknowseeforever/timeline/">Archived</a> 20 November 2016 at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a> Queensland Art Gallery, Brisbane.</span> </li> <li id="cite_note-22"><span class="mw-cite-backlink"><b><a href="#cite_ref-22">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1">Taylor, Rachel (6 March 2012). <a rel="nofollow" class="external text" href="http://www.tate.org.uk/context-comment/blogs/yayoi-kusamas-early-years">"Yayoi Kusama's early years"</a>. <i><a href="/wiki/Tate_Etc." title="Tate Etc.">Tate Etc.</a></i> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20180120065858/http://www.tate.org.uk/context-comment/blogs/yayoi-kusamas-early-years">Archived</a> from the original on 20 January 2018<span class="reference-accessdate">. Retrieved <span class="nowrap">19 January</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Tate+Etc.&amp;rft.atitle=Yayoi+Kusama%27s+early+years&amp;rft.date=2012-03-06&amp;rft.aulast=Taylor&amp;rft.aufirst=Rachel&amp;rft_id=http%3A%2F%2Fwww.tate.org.uk%2Fcontext-comment%2Fblogs%2Fyayoi-kusamas-early-years&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-victoria-miro1998-23"><span class="mw-cite-backlink">^ <a href="#cite_ref-victoria-miro1998_23-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-victoria-miro1998_23-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20120304131037/http://www.victoria-miro.com/exhibitions/_292/?a=31">Yayoi hi , 18 November 1998 – 8 January 1999</a><sup><a href="/wiki/Template:Usurped/doc" title="Template:Usurped/doc">[usurped]</a></sup> Victoria Miro Gallery, London.</span> </li> <li id="cite_note-Pilling-24"><span class="mw-cite-backlink">^ <a href="#cite_ref-Pilling_24-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Pilling_24-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-Pilling_24-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text">David Pilling (20 January 2012), <a rel="nofollow" class="external text" href="https://www.ft.com/cms/s/2/52ab168a-4188-11e1-8c33-00144feab49a.html">The world according to Yayoi Kusama</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20160802235725/http://www.ft.com/cms/s/2/52ab168a-4188-11e1-8c33-00144feab49a.html">Archived</a> 2 August 2016 at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a> <i><a href="/wiki/FT_Magazine" title="FT Magazine">Financial Times Weekend Magazine</a></i>.</span> </li> <li id="cite_note-25"><span class="mw-cite-backlink"><b><a href="#cite_ref-25">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBayly2012" class="citation cs2">Bayly, Zac (2012), <a rel="nofollow" class="external text" href="http://zacbayly.blogspot.ca/2012/10/in-conversation-with-yayoi-kusama.html">"Yayoi Kusama"</a>, <i>Zac-Attack</i> (interview), <a rel="nofollow" class="external text" href="https://web.archive.org/web/20130925101505/http://zacbayly.blogspot.ca/2012/10/in-conversation-with-yayoi-kusama.html">archived</a> from the original on 25 September 2013<span class="reference-accessdate">, retrieved <span class="nowrap">21 September</span> 2013</span></cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Zac-Attack&amp;rft.atitle=Yayoi+Kusama&amp;rft.date=2012&amp;rft.aulast=Bayly&amp;rft.aufirst=Zac&amp;rft_id=http%3A%2F%2Fzacbayly.blogspot.ca%2F2012%2F10%2Fin-conversation-with-yayoi-kusama.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-26"><span class="mw-cite-backlink"><b><a href="#cite_ref-26">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.britannica.com/biography/Yayoi-Kusama">"Yayoi Kusama | Biography, Art, &amp; Facts"</a>. <i>Encyclopedia Britannica</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20220625013859/https://www.britannica.com/biography/Yayoi-Kusama">Archived</a> from the original on 25 June 2022<span class="reference-accessdate">. Retrieved <span class="nowrap">2 October</span> 2020</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Encyclopedia+Britannica&amp;rft.atitle=Yayoi+Kusama+%7C+Biography%2C+Art%2C+%26+Facts&amp;rft_id=https%3A%2F%2Fwww.britannica.com%2Fbiography%2FYayoi-Kusama&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-27"><span class="mw-cite-backlink"><b><a href="#cite_ref-27">^</a></b></span> <span class="reference-text">Zoë Dusanne: An Art Dealer Who Made a Difference, p99, by Jo Ann Ridley; Fithian Press, 2011</span> </li> <li id="cite_note-28"><span class="mw-cite-backlink"><b><a href="#cite_ref-28">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLiu2009" class="citation cs2">Liu, Belin (26 February 2009), <a rel="nofollow" class="external text" href="https://web.archive.org/web/20110623090534/http://bitchmagazine.org/post/yayoi-kusama">"Yayoi Kusama"</a>, <i><a href="/wiki/Bitch_magazine" class="mw-redirect" title="Bitch magazine">Bitch magazine</a></i>, archived from <a rel="nofollow" class="external text" href="http://bitchmagazine.org/post/yayoi-kusama">the original</a> on 23 June 2011<span class="reference-accessdate">, retrieved <span class="nowrap">30 November</span> 2010</span></cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Bitch+magazine&amp;rft.atitle=Yayoi+Kusama&amp;rft.date=2009-02-26&amp;rft.aulast=Liu&amp;rft.aufirst=Belin&amp;rft_id=http%3A%2F%2Fbitchmagazine.org%2Fpost%2Fyayoi-kusama&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-29"><span class="mw-cite-backlink"><b><a href="#cite_ref-29">^</a></b></span> <span class="reference-text">Midori Yoshimoto, <i>Into Performance: Japanese Women Artists in New York</i> (New Brunswick: Rutgers University Press, 2005) p.68</span> </li> <li id="cite_note-30"><span class="mw-cite-backlink"><b><a href="#cite_ref-30">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.artsy.net/artist/yayoi-kusama">"Yayoi Kusama Art – 100+ Works, Bio, News | Artsy"</a>. <i>www.artsy.net</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20170612192328/https://www.artsy.net/artist/yayoi-kusama">Archived</a> from the original on 12 June 2017<span class="reference-accessdate">. Retrieved <span class="nowrap">17 July</span> 2016</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=www.artsy.net&amp;rft.atitle=Yayoi+Kusama+Art+%E2%80%93+100%2B+Works%2C+Bio%2C+News+%7C+Artsy&amp;rft_id=https%3A%2F%2Fwww.artsy.net%2Fartist%2Fyayoi-kusama&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-MOMABIO-31"><span class="mw-cite-backlink">^ <a href="#cite_ref-MOMABIO_31-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-MOMABIO_31-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.moma.org/collection/artist.php?artist_id=3315">Yayoi Kusama</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20150509184958/http://www.moma.org/collection/artist.php?artist_id=3315">Archived</a> 9 May 2015 at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a> MoMA Collection, New York.</span> </li> <li id="cite_note-:2-32"><span class="mw-cite-backlink">^ <a href="#cite_ref-:2_32-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-:2_32-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGipson2022" class="citation book cs1">Gipson, Ferren (2022). <i>Women's work: from feminine arts to feminist art</i>. London: Frances Lincoln. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-7112-6465-6" title="Special:BookSources/978-0-7112-6465-6"><bdi>978-0-7112-6465-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Women%27s+work%3A+from+feminine+arts+to+feminist+art&amp;rft.place=London&amp;rft.pub=Frances+Lincoln&amp;rft.date=2022&amp;rft.isbn=978-0-7112-6465-6&amp;rft.aulast=Gipson&amp;rft.aufirst=Ferren&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-33"><span class="mw-cite-backlink"><b><a href="#cite_ref-33">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFKusama1978" class="citation cs2">Kusama, Yayoi (1978), <i>Manhattan jisatsu misui joshuhan</i> &#91;<i>Manhattan Suicide Addict</i>&#93;, Tokyo: Kosakusha</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Manhattan+jisatsu+misui+joshuhan&amp;rft.place=Tokyo&amp;rft.pub=Kosakusha&amp;rft.date=1978&amp;rft.aulast=Kusama&amp;rft.aufirst=Yayoi&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span>, (extract) reproduced in <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHoptman" class="citation cs2">Hoptman, <i>Yayoi Kusama</i>, et al., p.&#160;124</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Yayoi+Kusama&amp;rft.pages=124&amp;rft.au=Hoptman&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-34"><span class="mw-cite-backlink"><b><a href="#cite_ref-34">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20050408184836/http://www.qag.qld.gov.au/collection/contemporary_asian_art/yayoi_kusama">Yayoi Kusama: <i>Soul under the moon</i> (2002)</a><sup><a href="/wiki/Template:Usurped/doc" title="Template:Usurped/doc">[usurped]</a></sup> Queensland Art Gallery, Queensland.</span> </li> <li id="cite_note-35"><span class="mw-cite-backlink"><b><a href="#cite_ref-35">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMidori2005" class="citation book cs1">Midori, Yoshimoto (2005). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=pbz_UzxQKwIC&amp;pg=PA75"><i>Into performance: Japanese women artists in New York</i></a>. Rutgers University Press. pp.&#160;<span class="nowrap">75–</span>76. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-8135-4105-1" title="Special:BookSources/978-0-8135-4105-1"><bdi>978-0-8135-4105-1</bdi></a>. <a href="/wiki/OCLC_(identifier)" class="mw-redirect" title="OCLC (identifier)">OCLC</a>&#160;<a rel="nofollow" class="external text" href="https://search.worldcat.org/oclc/133159483">133159483</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20170312203347/https://books.google.com/books?id=pbz_UzxQKwIC&amp;pg=PA75">Archived</a> from the original on 12 March 2017<span class="reference-accessdate">. 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Retrieved <span class="nowrap">23 May</span> 2019</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Tate+Etc.&amp;rft.atitle=Kusama%27s+relationship+with+Joseph+Cornell&amp;rft_id=https%3A%2F%2Fwww.tate.org.uk%2Fcontext-comment%2Fblogs%2Fkusamas-relationship-joseph-cornell&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-Observer1-38"><span class="mw-cite-backlink"><b><a href="#cite_ref-Observer1_38-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFChappo2015" class="citation web cs1">Chappo, Ashley (6 April 2015). <a rel="nofollow" class="external text" href="https://observer.com/2015/04/the-stunning-story-of-the-woman-who-is-the-worlds-most-popular-artist/">"The Stunning Story of the Woman Who Is the World's Most Popular Artist"</a>. <i>Observer</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20170516210308/http://observer.com/2015/04/the-stunning-story-of-the-woman-who-is-the-worlds-most-popular-artist/">Archived</a> from the original on 16 May 2017<span class="reference-accessdate">. Retrieved <span class="nowrap">6 March</span> 2017</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Observer&amp;rft.atitle=The+Stunning+Story+of+the+Woman+Who+Is+the+World%27s+Most+Popular+Artist&amp;rft.date=2015-04-06&amp;rft.aulast=Chappo&amp;rft.aufirst=Ashley&amp;rft_id=http%3A%2F%2Fobserver.com%2F2015%2F04%2Fthe-stunning-story-of-the-woman-who-is-the-worlds-most-popular-artist%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-39"><span class="mw-cite-backlink"><b><a href="#cite_ref-39">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMcDonald2005" class="citation news cs1">McDonald, John (12 February 2005). <a rel="nofollow" class="external text" href="https://www.smh.com.au/news/Arts/Points-of-no-return/2005/02/11/1108061857857.html">"Points of no return"</a>. <i><a href="/wiki/The_Sydney_Morning_Herald" title="The Sydney Morning Herald">The Sydney Morning Herald</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20090416010239/http://www.smh.com.au/news/Arts/Points-of-no-return/2005/02/11/1108061857857.html">Archived</a> from the original on 16 April 2009<span class="reference-accessdate">. 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Retrieved <span class="nowrap">28 April</span> 2020</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=The+New+York+Times&amp;rft.atitle=Art%3B+A+60%27s+Free+Spirit+Whose+Main+Subject+Was+Herself&amp;rft.date=1998-07-05&amp;rft.aulast=Gomez&amp;rft.aufirst=Edward+M.&amp;rft_id=https%3A%2F%2Fwww.nytimes.com%2F1998%2F07%2F05%2Farts%2Fart-a-60-s-free-spirit-whose-main-subject-was-herself.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-44"><span class="mw-cite-backlink"><b><a href="#cite_ref-44">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation cs2"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20111105024146/http://www.gagosian.com/exhibitions/2009-04-16_yayoi-kusama"><i>Yayoi Kusama</i></a>, New York/Los Angeles: <a href="/wiki/Gagosian_Gallery" title="Gagosian Gallery">Gagosian Gallery</a>, 16 April – 27 June 2009, archived from <a rel="nofollow" class="external text" href="http://www.gagosian.com/exhibitions/2009-04-16_yayoi-kusama/">the original</a> on 5 November 2011</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Yayoi+Kusama&amp;rft.place=New+York%2FLos+Angeles&amp;rft.pub=Gagosian+Gallery&amp;rft.date=2009-04-16%2F2009-06-27&amp;rft_id=http%3A%2F%2Fwww.gagosian.com%2Fexhibitions%2F2009-04-16_yayoi-kusama%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-45"><span class="mw-cite-backlink"><b><a href="#cite_ref-45">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMcCormick2022" class="citation web cs1">McCormick, A. D. (March 2022). <a rel="nofollow" class="external text" href="https://u-ryukyu.repo.nii.ac.jp/record/2017824/files/%5b041-060%5d.pdf">"Augmenting Small-Island Heritage through Site-Specific Art: A View from Naoshima"</a> <span class="cs1-format">(PDF)</span>. <i>Okinawan Journal of Island Studies</i>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Okinawan+Journal+of+Island+Studies&amp;rft.atitle=Augmenting+Small-Island+Heritage+through+Site-Specific+Art%3A+A+View+from+Naoshima&amp;rft.date=2022-03&amp;rft.aulast=McCormick&amp;rft.aufirst=A.+D.&amp;rft_id=https%3A%2F%2Fu-ryukyu.repo.nii.ac.jp%2Frecord%2F2017824%2Ffiles%2F%5B041-060%5D.pdf&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-46"><span class="mw-cite-backlink"><b><a href="#cite_ref-46">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://edition.cnn.com/travel/article/kusama-naoshima-yellow-pumpkin-returns-intl-hnk/index.html">Yayoi Kusama's yellow pumpkin sculpture is back on Naoshima Island, Japan, 17 October 2022</a> CNN.</span> </li> <li id="cite_note-47"><span class="mw-cite-backlink"><b><a href="#cite_ref-47">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation cs2"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20120119202404/http://www.victoria-miro.com/exhibitions/_390/?a=31"><i>Yayoi Kusama</i></a>, London: Victoria Miro Gallery, 7 February – 20 March 2008, archived from <a rel="nofollow" class="external text" href="http://www.victoria-miro.com/exhibitions/_390/?a=31">the original</a> on 19 January 2012</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Yayoi+Kusama&amp;rft.place=London&amp;rft.pub=Victoria+Miro+Gallery&amp;rft.date=2008-02-07%2F2008-03-20&amp;rft_id=http%3A%2F%2Fwww.victoria-miro.com%2Fexhibitions%2F_390%2F%3Fa%3D31&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-48"><span class="mw-cite-backlink"><b><a href="#cite_ref-48">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20120304132126/http://www.victoria-miro.com/exhibitions/_411/?a=31">Yayoi Kusama: Flowers That Bloom Tomorrow, 7 October – 13 November 2010</a><sup><a href="/wiki/Template:Usurped/doc" title="Template:Usurped/doc">[usurped]</a></sup> Victoria Miro Gallery, London.</span> </li> <li id="cite_note-49"><span class="mw-cite-backlink"><b><a href="#cite_ref-49">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation book cs1">Taylor, Rachel (2012). <i>Yayoi Kusama: Recent Work 2009–2012</i>. London: <a href="/wiki/Tate" title="Tate">Tate</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-1-85437-939-9" title="Special:BookSources/978-1-85437-939-9"><bdi>978-1-85437-939-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Yayoi+Kusama%3A+Recent+Work+2009%E2%80%932012&amp;rft.place=London&amp;rft.pub=Tate&amp;rft.date=2012&amp;rft.isbn=978-1-85437-939-9&amp;rft.aulast=Taylor&amp;rft.aufirst=Rachel&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-wp.opening-50"><span class="mw-cite-backlink"><b><a href="#cite_ref-wp.opening_50-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDingfelder2017" class="citation news cs1">Dingfelder, Sadie (21 February 2017). <a rel="nofollow" class="external text" href="https://www.washingtonpost.com/express/wp/2017/02/21/this-exhibit-is-going-to-blow-up-your-instagram-feed-and-rewrite-art-history/">"This exhibit is going to blow up your Instagram feed – and rewrite art history"</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20170223164719/https://www.washingtonpost.com/express/wp/2017/02/21/this-exhibit-is-going-to-blow-up-your-instagram-feed-and-rewrite-art-history/">Archived</a> from the original on 23 February 2017<span class="reference-accessdate">. Retrieved <span class="nowrap">23 February</span> 2017</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.atitle=This+exhibit+is+going+to+blow+up+your+Instagram+feed+%E2%80%93+and+rewrite+art+history&amp;rft.date=2017-02-21&amp;rft.aulast=Dingfelder&amp;rft.aufirst=Sadie&amp;rft_id=https%3A%2F%2Fwww.washingtonpost.com%2Fexpress%2Fwp%2F2017%2F02%2F21%2Fthis-exhibit-is-going-to-blow-up-your-instagram-feed-and-rewrite-art-history%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-Broad-51"><span class="mw-cite-backlink">^ <a href="#cite_ref-Broad_51-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Broad_51-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-Broad_51-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://thebroad.org/sites/default/files/pressroom/2016.08.16_the_broad_yayoi_kusama_exhibition_press_release_final.pdf">"The Broad to Host Yayoi Kusama: Infinity Mirrors Exhibition in Fall 2017"</a> <span class="cs1-format">(PDF)</span>. <i>The Broad: News</i>. 16 August 2016. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20170210081322/http://thebroad.org/sites/default/files/pressroom/2016.08.16_the_broad_yayoi_kusama_exhibition_press_release_final.pdf">Archived</a> <span class="cs1-format">(PDF)</span> from the original on 10 February 2017<span class="reference-accessdate">. Retrieved <span class="nowrap">17 April</span> 2017</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=The+Broad%3A+News&amp;rft.atitle=The+Broad+to+Host+Yayoi+Kusama%3A+Infinity+Mirrors+Exhibition+in+Fall+2017&amp;rft.date=2016-08-16&amp;rft_id=http%3A%2F%2Fthebroad.org%2Fsites%2Fdefault%2Ffiles%2Fpressroom%2F2016.08.16_the_broad_yayoi_kusama_exhibition_press_release_final.pdf&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-52"><span class="mw-cite-backlink"><b><a href="#cite_ref-52">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBoxer2017" class="citation web cs1">Boxer, Sarah (20 June 2017). <a rel="nofollow" class="external text" href="https://www.theatlantic.com/magazine/archive/2017/07/yayoi-kusamas-existential-circus/528669/">"An Artist for the Instagram Age"</a>. <i>The Atlantic</i><span class="reference-accessdate">. Retrieved <span class="nowrap">11 September</span> 2023</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=The+Atlantic&amp;rft.atitle=An+Artist+for+the+Instagram+Age&amp;rft.date=2017-06-20&amp;rft.aulast=Boxer&amp;rft.aufirst=Sarah&amp;rft_id=https%3A%2F%2Fwww.theatlantic.com%2Fmagazine%2Farchive%2F2017%2F07%2Fyayoi-kusamas-existential-circus%2F528669%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-Hauser-53"><span class="mw-cite-backlink"><b><a href="#cite_ref-Hauser_53-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHauser2017" class="citation news cs1">Hauser, Christine (28 February 2017). <a rel="nofollow" class="external text" href="https://www.nytimes.com/2017/02/28/arts/design/hirshhorn-museum-sculpture-damaged.html">"Kusama Infinity Room Reopens at Hirshhorn Exhibition After Sculpture Damage"</a>. <i><a href="/wiki/The_New_York_Times" title="The New York Times">The New York Times</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20220626122053/https://www.nytimes.com/2017/02/28/arts/design/hirshhorn-museum-sculpture-damaged.html">Archived</a> from the original on 26 June 2022<span class="reference-accessdate">. Retrieved <span class="nowrap">11 March</span> 2017</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=The+New+York+Times&amp;rft.atitle=Kusama+Infinity+Room+Reopens+at+Hirshhorn+Exhibition+After+Sculpture+Damage&amp;rft.date=2017-02-28&amp;rft.aulast=Hauser&amp;rft.aufirst=Christine&amp;rft_id=https%3A%2F%2Fwww.nytimes.com%2F2017%2F02%2F28%2Farts%2Fdesign%2Fhirshhorn-museum-sculpture-damaged.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-54"><span class="mw-cite-backlink"><b><a href="#cite_ref-54">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.si.edu/newsdesk/releases/hirshhorn-s-yayoi-kusama-infinity-mirrors-breaks-records">"Hirshhorn's 'Yayoi Kusama: Infinity Mirrors' Breaks Records"</a>. <i>Smithsonian Institution</i>. 15 May 2017. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20220715080539/https://www.si.edu/newsdesk/releases/hirshhorn-s-yayoi-kusama-infinity-mirrors-breaks-records">Archived</a> from the original on 15 July 2022<span class="reference-accessdate">. Retrieved <span class="nowrap">9 March</span> 2020</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Smithsonian+Institution&amp;rft.atitle=Hirshhorn%27s+%27Yayoi+Kusama%3A+Infinity+Mirrors%27+Breaks+Records&amp;rft.date=2017-05-15&amp;rft_id=https%3A%2F%2Fwww.si.edu%2Fnewsdesk%2Freleases%2Fhirshhorn-s-yayoi-kusama-infinity-mirrors-breaks-records&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-55"><span class="mw-cite-backlink"><b><a href="#cite_ref-55">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://hyperallergic.com/527640/a-night-with-yayoi-kusama-fans/">"A Night With Yayoi Kusama's Die-hard, Selfie-taking Fans"</a>. <i><a href="/wiki/Hyperallergic" title="Hyperallergic">Hyperallergic</a></i>. 12 November 2019. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20211205154136/https://hyperallergic.com/527640/a-night-with-yayoi-kusama-fans/">Archived</a> from the original on 5 December 2021<span class="reference-accessdate">. Retrieved <span class="nowrap">29 February</span> 2020</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Hyperallergic&amp;rft.atitle=A+Night+With+Yayoi+Kusama%27s+Die-hard%2C+Selfie-taking+Fans&amp;rft.date=2019-11-12&amp;rft_id=https%3A%2F%2Fhyperallergic.com%2F527640%2Fa-night-with-yayoi-kusama-fans%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-56"><span class="mw-cite-backlink"><b><a href="#cite_ref-56">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20171019004223/http://the-japan-news.com/news/article/0003984914">"Yayoi Kusama Museum opens, sells out"</a>. <i>The Japan News</i>. Archived from <a rel="nofollow" class="external text" href="http://the-japan-news.com/news/article/0003984914">the original</a> on 19 October 2017<span class="reference-accessdate">. Retrieved <span class="nowrap">18 October</span> 2017</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=The+Japan+News&amp;rft.atitle=Yayoi+Kusama+Museum+opens%2C+sells+out&amp;rft_id=http%3A%2F%2Fthe-japan-news.com%2Fnews%2Farticle%2F0003984914&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-57"><span class="mw-cite-backlink"><b><a href="#cite_ref-57">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.davidzwirner.com/exhibitions/yayoi-kusama-2019/press-release">"Every Day I Pray For Love press release"</a>. <i>David Zwirner</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20191218040259/https://www.davidzwirner.com/exhibitions/yayoi-kusama-2019/press-release">Archived</a> from the original on 18 December 2019<span class="reference-accessdate">. Retrieved <span class="nowrap">18 December</span> 2019</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=David+Zwirner&amp;rft.atitle=Every+Day+I+Pray+For+Love+press+release&amp;rft_id=http%3A%2F%2Fwww.davidzwirner.com%2Fexhibitions%2Fyayoi-kusama-2019%2Fpress-release&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-Hirshhorn_Acquires_Three_Major_Works-58"><span class="mw-cite-backlink">^ <a href="#cite_ref-Hirshhorn_Acquires_Three_Major_Works_58-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Hirshhorn_Acquires_Three_Major_Works_58-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.si.edu/newsdesk/releases/hirshhorn-acquires-three-major-works-yayoi-kusama-announces-2020-legacy-exhibition">"Hirshhorn Acquires Three Major Works by Yayoi Kusama, Announces 2020 Legacy Exhibition"</a>. <i>Smithsonian Institution</i>. 6 January 2020. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20220715080531/https://www.si.edu/newsdesk/releases/hirshhorn-acquires-three-major-works-yayoi-kusama-announces-2020-legacy-exhibition">Archived</a> from the original on 15 July 2022<span class="reference-accessdate">. Retrieved <span class="nowrap">9 March</span> 2020</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Smithsonian+Institution&amp;rft.atitle=Hirshhorn+Acquires+Three+Major+Works+by+Yayoi+Kusama%2C+Announces+2020+Legacy+Exhibition&amp;rft.date=2020-01-06&amp;rft_id=https%3A%2F%2Fwww.si.edu%2Fnewsdesk%2Freleases%2Fhirshhorn-acquires-three-major-works-yayoi-kusama-announces-2020-legacy-exhibition&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-59"><span class="mw-cite-backlink"><b><a href="#cite_ref-59">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDaher2020" class="citation web cs1">Daher, Nadine (14 January 2020). <a rel="nofollow" class="external text" href="https://www.smithsonianmag.com/smithsonian-institution/celebrating-eternal-legacy-artist-yayoi-kusama-180973954/">"Celebrating the Eternal Legacy of Artist Yayoi Kusama"</a>. <i>Smithsonian Magazine</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20220715080532/https://www.smithsonianmag.com/smithsonian-institution/celebrating-eternal-legacy-artist-yayoi-kusama-180973954/">Archived</a> from the original on 15 July 2022<span class="reference-accessdate">. Retrieved <span class="nowrap">9 March</span> 2020</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Smithsonian+Magazine&amp;rft.atitle=Celebrating+the+Eternal+Legacy+of+Artist+Yayoi+Kusama&amp;rft.date=2020-01-14&amp;rft.aulast=Daher&amp;rft.aufirst=Nadine&amp;rft_id=https%3A%2F%2Fwww.smithsonianmag.com%2Fsmithsonian-institution%2Fcelebrating-eternal-legacy-artist-yayoi-kusama-180973954%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-60"><span class="mw-cite-backlink"><b><a href="#cite_ref-60">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.tamuseum.org.il/en/exhibition/yayoi-kusama-a-retrospective/">"Yayoi Kusama: A Retrospective \ Tel Aviv Museum of Art"</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20220815234844/https://www.tamuseum.org.il/en/exhibition/yayoi-kusama-a-retrospective/">Archived</a> from the original on 15 August 2022<span class="reference-accessdate">. Retrieved <span class="nowrap">19 December</span> 2021</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Yayoi+Kusama%3A+A+Retrospective+%5C+Tel+Aviv+Museum+of+Art&amp;rft_id=https%3A%2F%2Fwww.tamuseum.org.il%2Fen%2Fexhibition%2Fyayoi-kusama-a-retrospective%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-61"><span class="mw-cite-backlink"><b><a href="#cite_ref-61">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFStout2022" class="citation web cs1">Stout, Stephy Chung and Kristie Lu (31 December 2022). <a rel="nofollow" class="external text" href="https://www.cnn.com/style/article/yayoi-kusama-hong-kong-m-plus-exhibition/index.html">"<span class="cs1-kern-left"></span>'Determined to have her story told': Retrospective casts new light on Yayoi Kusama's seven-decade career"</a>. <i>CNN</i><span class="reference-accessdate">. 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Retrieved <span class="nowrap">7 March</span> 2023</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=P%C3%A9rez+Art+Museum+Miami&amp;rft.atitle=Yayoi+Kusama%3A+LOVE+IS+CALLING+%E2%80%A2+P%C3%A9rez+Art+Museum+Miami&amp;rft_id=https%3A%2F%2Fwww.pamm.org%2Fen%2Fexhibition%2Fyayoi-kusama-love-is-calling%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-63"><span class="mw-cite-backlink"><b><a href="#cite_ref-63">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWood" class="citation web cs1">Wood, Falyn. <a rel="nofollow" class="external text" href="https://www.timeout.com/miami/things-to-do/yayoi-kusama-love-is-calling">"Yayoi Kusama: LOVE IS CALLING | Pérez Art Museum Miami | Things to do in Miami"</a>. <i>Time Out Miami</i><span class="reference-accessdate">. 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Retrieved <span class="nowrap">7 March</span> 2023</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Secret+Miami&amp;rft.atitle=One+Of+Yayoi+Kusama%27s+Infinity+Mirror+Rooms+Is+Arriving+At+PAMM+This+Week&amp;rft.date=2023-02-15&amp;rft.aulast=Marcof&amp;rft.aufirst=Bianca&amp;rft_id=https%3A%2F%2Fsecretmiami.com%2Fyayoi-kusama-love-is-calling-miami%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-65"><span class="mw-cite-backlink"><b><a href="#cite_ref-65">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFFifield2017" class="citation news cs1"><a href="/wiki/Anna_Fifield" title="Anna Fifield">Fifield, Anna</a> (15 February 2017). <a rel="nofollow" class="external text" href="https://www.washingtonpost.com/entertainment/museums/how-yayoi-kusama-the-infinity-mirrors-visionary-channels-mental-illness-into-art/2017/02/15/94b5b23e-ea24-11e6-b82f-687d6e6a3e7c_story.html">"How Yayoi Kusama, the 'Infinity Mirrors' visionary, channels mental illness into art"</a>. <i><a href="/wiki/The_Washington_Post" title="The Washington Post">The Washington Post</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20190507163504/https://www.washingtonpost.com/entertainment/museums/how-yayoi-kusama-the-infinity-mirrors-visionary-channels-mental-illness-into-art/2017/02/15/94b5b23e-ea24-11e6-b82f-687d6e6a3e7c_story.html">Archived</a> from the original on 7 May 2019<span class="reference-accessdate">. Retrieved <span class="nowrap">7 May</span> 2019</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=The+Washington+Post&amp;rft.atitle=How+Yayoi+Kusama%2C+the+%27Infinity+Mirrors%27+visionary%2C+channels+mental+illness+into+art&amp;rft.date=2017-02-15&amp;rft.aulast=Fifield&amp;rft.aufirst=Anna&amp;rft_id=https%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fhow-yayoi-kusama-the-infinity-mirrors-visionary-channels-mental-illness-into-art%2F2017%2F02%2F15%2F94b5b23e-ea24-11e6-b82f-687d6e6a3e7c_story.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-auto1-66"><span class="mw-cite-backlink">^ <a href="#cite_ref-auto1_66-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-auto1_66-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFVoon2017" class="citation web cs1">Voon, Claire (23 February 2017). <a rel="nofollow" class="external text" href="https://hyperallergic.com/359931/immersed-in-yayoi-kusamas-lonely-labyrinths-and-infinite-worlds/">"Immersed in Yayoi Kusama's Lonely Labyrinths and Infinite Worlds"</a>. <i><a href="/wiki/Hyperallergic" title="Hyperallergic">Hyperallergic</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20190507163504/https://hyperallergic.com/359931/immersed-in-yayoi-kusamas-lonely-labyrinths-and-infinite-worlds/">Archived</a> from the original on 7 May 2019<span class="reference-accessdate">. Retrieved <span class="nowrap">7 May</span> 2019</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Hyperallergic&amp;rft.atitle=Immersed+in+Yayoi+Kusama%27s+Lonely+Labyrinths+and+Infinite+Worlds&amp;rft.date=2017-02-23&amp;rft.aulast=Voon&amp;rft.aufirst=Claire&amp;rft_id=https%3A%2F%2Fhyperallergic.com%2F359931%2Fimmersed-in-yayoi-kusamas-lonely-labyrinths-and-infinite-worlds%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-67"><span class="mw-cite-backlink"><b><a href="#cite_ref-67">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFChoudhury2018" class="citation web cs1">Choudhury, Bedatri D. 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Retrieved <span class="nowrap">7 May</span> 2019</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Hyperallergic&amp;rft.atitle=To+Infinity+and+Beyond%2C+Yayoi+Kusama+Grapples+With+Conventions&amp;rft.date=2018-09-11&amp;rft.aulast=Choudhury&amp;rft.aufirst=Bedatri+D.&amp;rft_id=https%3A%2F%2Fhyperallergic.com%2F458734%2Fto-infinity-and-beyond-yayoi-kusama-grapples-with-conventions%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-68"><span class="mw-cite-backlink"><b><a href="#cite_ref-68">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.moma.org/collection/works/37248">"Yayoi Kusama. Accumulation of Stamps, 63. 1962"</a>. <a href="/wiki/Museum_of_Modern_Art" title="Museum of Modern Art">Museum of Modern Art</a><span class="reference-accessdate">. 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Retrieved <span class="nowrap">24 May</span> 2023</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Phillips.com&amp;rft.atitle=Cycles+of+Repetition%3A+Kusama+and+Hesse&amp;rft_id=https%3A%2F%2Fwww.phillips.com%2Farticle%2F42826690%2Fcycles-of-repetition-kusama-and-hesse&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-72"><span class="mw-cite-backlink"><b><a href="#cite_ref-72">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1"><span class="id-lock-subscription" title="Paid subscription required"><a rel="nofollow" class="external text" href="https://www.theaustralian.com.au/arts/review/pompeiis-gold-magrittes-lovers-are-highlights-of-this-summers-exhibitions/news-story/fc0f12c3903bbb1e9d5badd28b591919">"Pompeii's gold, Magritte's lovers are highlights of this summer's exhibitions (print: What's on show, here and abroad)"</a></span>. <i><a href="/wiki/The_Weekend_Australian" class="mw-redirect" title="The Weekend Australian">The Weekend Australian</a>, Review</i>. 14–15 December 2024. pp.&#160;<span class="nowrap">18–</span>19<span class="reference-accessdate">. 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Retrieved <span class="nowrap">3 March</span> 2021</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Film+International&amp;rft.atitle=Yayoi+Kusama%3A+The+Orgy+of+Self+Obliteration&amp;rft.date=2013-10-18&amp;rft.aulast=Foster&amp;rft.aufirst=Gwendolyn+Audrey&amp;rft_id=http%3A%2F%2Ffilmint.nu%2Fyayoi-kusama-the-orgy-of-self-obliteration%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-75"><span class="mw-cite-backlink"><b><a href="#cite_ref-75">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRidey2011" class="citation news cs1">Ridey, Roger (23 October 2011). <span class="id-lock-subscription" title="Paid subscription required"><a rel="nofollow" class="external text" href="https://www.independent.co.uk/life-style/all-about-eve-1276727.html">"All about Eve"</a></span>. <i><a href="/wiki/The_Independent" title="The Independent">The Independent</a></i>. <a rel="nofollow" class="external text" href="https://ghostarchive.org/archive/20220507/https://www.independent.co.uk/life-style/all-about-eve-1276727.html">Archived</a> from the original on 7 May 2022.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=The+Independent&amp;rft.atitle=All+about+Eve&amp;rft.date=2011-10-23&amp;rft.aulast=Ridey&amp;rft.aufirst=Roger&amp;rft_id=https%3A%2F%2Fwww.independent.co.uk%2Flife-style%2Fall-about-eve-1276727.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-76"><span class="mw-cite-backlink"><b><a href="#cite_ref-76">^</a></b></span> <span class="reference-text">Midori Matsui, <a rel="nofollow" class="external text" href="http://www.indexmagazine.com/interviews/yayoi_kusama.shtml">"Interview: Yayoi Kusama, 1998"</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20220512103923/http://www.indexmagazine.com/interviews/yayoi_kusama.shtml">Archived</a> 12 May 2022 at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a> <i><a href="/wiki/Index_Magazine" title="Index Magazine">index Magazine</a></i>.</span> </li> <li id="cite_note-77"><span class="mw-cite-backlink"><b><a href="#cite_ref-77">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20120620235340/http://www.au.kddi.com/iida/english/products/art-editions/yayoi-kusama/">Art Editions: Yayoi Kusama</a><sup><a href="/wiki/Template:Usurped/doc" title="Template:Usurped/doc">[usurped]</a></sup> KDDI Corporation.</span> </li> <li id="cite_note-78"><span class="mw-cite-backlink"><b><a href="#cite_ref-78">^</a></b></span> <span class="reference-text">Emili Vesilind (24 May 2011), <a rel="nofollow" class="external text" href="http://latimesblogs.latimes.com/alltherage/2011/05/lanc%C3%B4me-collabs-with-one-of-japans-marquee-artists-on-new-juicy-tubes.html">Lancôme collaborates with Japanese artist Yayoi Kusama on new Juicy Tubes</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20220620151933/https://latimesblogs.latimes.com/alltherage/2011/05/lanc%C3%B4me-collabs-with-one-of-japans-marquee-artists-on-new-juicy-tubes.html">Archived</a> 20 June 2022 at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a> <i><a href="/wiki/Los_Angeles_Times" title="Los Angeles Times">Los Angeles Times</a></i>.</span> </li> <li id="cite_note-79"><span class="mw-cite-backlink"><b><a href="#cite_ref-79">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1"><a rel="nofollow" class="external text" href="https://www.vogue.co.uk/gallery/louis-vuitton-unveils-yayoi-kusama-collection">"Vuitton And Kusama"</a>. <i>British Vogue</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20220715080533/https://www.vogue.co.uk/gallery/louis-vuitton-unveils-yayoi-kusama-collection">Archived</a> from the original on 15 July 2022<span class="reference-accessdate">. Retrieved <span class="nowrap">11 March</span> 2017</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=British+Vogue&amp;rft.atitle=Vuitton+And+Kusama&amp;rft_id=http%3A%2F%2Fwww.vogue.co.uk%2Fgallery%2Flouis-vuitton-unveils-yayoi-kusama-collection&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-80"><span class="mw-cite-backlink"><b><a href="#cite_ref-80">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBinlot2012" class="citation web cs1">Binlot, Ann (9 January 2012). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20131031164246/http://www.blouinartinfo.com/news/story/755503/marc-jacobs-recruits-yayoi-kusama-for-latest-louis-vuitton-collaboration">"Marc Jacobs Recruits Yayoi Kusama for Latest Louis Vuitton Collaboration"</a>. BLOUINARTINFO. Archived from <a rel="nofollow" class="external text" href="http://www.blouinartinfo.com/news/story/755503/marc-jacobs-recruits-yayoi-kusama-for-latest-louis-vuitton-collaboration">the original</a> on 31 October 2013.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Marc+Jacobs+Recruits+Yayoi+Kusama+for+Latest+Louis+Vuitton+Collaboration&amp;rft.pub=BLOUINARTINFO&amp;rft.date=2012-01-09&amp;rft.aulast=Binlot&amp;rft.aufirst=Ann&amp;rft_id=http%3A%2F%2Fwww.blouinartinfo.com%2Fnews%2Fstory%2F755503%2Fmarc-jacobs-recruits-yayoi-kusama-for-latest-louis-vuitton-collaboration&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-81"><span class="mw-cite-backlink"><b><a href="#cite_ref-81">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation magazine cs1">Swanson, Carl (9 July 2012). <a rel="nofollow" class="external text" href="https://nymag.com/thecut/2012/07/exclusive-yayoi-kusama-talks-louis-vuitton.html">"Exclusive: Yayoi Kusama Talks Louis Vuitton, Plus a First Look at the Collection"</a>. <i><a href="/wiki/The_Cut_(New_York)" title="The Cut (New York)">The Cut</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20170218131757/http://nymag.com/thecut/2012/07/exclusive-yayoi-kusama-talks-louis-vuitton.html">Archived</a> from the original on 18 February 2017<span class="reference-accessdate">. Retrieved <span class="nowrap">11 March</span> 2017</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=The+Cut&amp;rft.atitle=Exclusive%3A+Yayoi+Kusama+Talks+Louis+Vuitton%2C+Plus+a+First+Look+at+the+Collection&amp;rft.date=2012-07-09&amp;rft.aulast=Swanson&amp;rft.aufirst=Carl&amp;rft_id=https%3A%2F%2Fnymag.com%2Fthecut%2F2012%2F07%2Fexclusive-yayoi-kusama-talks-louis-vuitton.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-82"><span class="mw-cite-backlink"><b><a href="#cite_ref-82">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSocha2022" class="citation web cs1">Socha, Miles (19 December 2022). <a rel="nofollow" class="external text" href="https://wwd.com/fashion-news/designer-luxury/louis-vuitton-yayoi-kusama-collaboration-1235448193/">"Louis Vuitton Goes Big With Yayoi Kusama Collaboration"</a>. <i><a href="/wiki/Women%27s_Wear_Daily" title="Women&#39;s Wear Daily">Women's Wear Daily</a></i><span class="reference-accessdate">. Retrieved <span class="nowrap">15 January</span> 2023</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Women%27s+Wear+Daily&amp;rft.atitle=Louis+Vuitton+Goes+Big+With+Yayoi+Kusama+Collaboration&amp;rft.date=2022-12-19&amp;rft.aulast=Socha&amp;rft.aufirst=Miles&amp;rft_id=https%3A%2F%2Fwwd.com%2Ffashion-news%2Fdesigner-luxury%2Flouis-vuitton-yayoi-kusama-collaboration-1235448193%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-83"><span class="mw-cite-backlink"><b><a href="#cite_ref-83">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFKusama2003" class="citation book cs1">Kusama, Yayoi (2003). <i>Infinity Net</i>. Tate.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Infinity+Net&amp;rft.pub=Tate&amp;rft.date=2003&amp;rft.aulast=Kusama&amp;rft.aufirst=Yayoi&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-84"><span class="mw-cite-backlink"><b><a href="#cite_ref-84">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCascone2023" class="citation web cs1">Cascone, Sarah (16 October 2023). <a rel="nofollow" class="external text" href="https://news.artnet.com/art-world/yayoi-kusma-racism-sfmoma-2378803">"Yayoi Kusama Apologizes as Her Previous Racist Writings Surface, Clouding Her New San Francisco Museum Show"</a>. <i><a href="/wiki/Artnet" title="Artnet">Artnet</a></i><span class="reference-accessdate">. Retrieved <span class="nowrap">7 November</span> 2023</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Artnet&amp;rft.atitle=Yayoi+Kusama+Apologizes+as+Her+Previous+Racist+Writings+Surface%2C+Clouding+Her+New+San+Francisco+Museum+Show&amp;rft.date=2023-10-16&amp;rft.aulast=Cascone&amp;rft.aufirst=Sarah&amp;rft_id=https%3A%2F%2Fnews.artnet.com%2Fart-world%2Fyayoi-kusma-racism-sfmoma-2378803&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-85"><span class="mw-cite-backlink"><b><a href="#cite_ref-85">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFO&#39;Connor2023" class="citation web cs1">O'Connor, Lydia (18 October 2023). <a rel="nofollow" class="external text" href="https://www.huffpost.com/entry/yayoi-kusama-apology-racist-book_n_652f1d78e4b00565b621dc76">"Japanese Artist Yayoi Kusama Apologizes For Past Racist Comments"</a>. <i><a href="/wiki/HuffPost" title="HuffPost">HuffPost</a></i><span class="reference-accessdate">. Retrieved <span class="nowrap">7 November</span> 2023</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=HuffPost&amp;rft.atitle=Japanese+Artist+Yayoi+Kusama+Apologizes+For+Past+Racist+Comments&amp;rft.date=2023-10-18&amp;rft.aulast=O%27Connor&amp;rft.aufirst=Lydia&amp;rft_id=https%3A%2F%2Fwww.huffpost.com%2Fentry%2Fyayoi-kusama-apology-racist-book_n_652f1d78e4b00565b621dc76&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-86"><span class="mw-cite-backlink"><b><a href="#cite_ref-86">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPogrebin2023" class="citation news cs1"><a href="/wiki/Robin_Pogrebin" title="Robin Pogrebin">Pogrebin, Robin</a> (17 October 2023). <a rel="nofollow" class="external text" href="https://www.nytimes.com/2023/10/17/arts/design/kusama-apologizes-racist-san-francisco.html">"Yayoi Kusama Apologizes for Past Racist Remarks"</a>. <i><a href="/wiki/The_New_York_Times" title="The New York Times">The New York Times</a></i><span class="reference-accessdate">. Retrieved <span class="nowrap">7 November</span> 2023</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=The+New+York+Times&amp;rft.atitle=Yayoi+Kusama+Apologizes+for+Past+Racist+Remarks&amp;rft.date=2023-10-17&amp;rft.aulast=Pogrebin&amp;rft.aufirst=Robin&amp;rft_id=https%3A%2F%2Fwww.nytimes.com%2F2023%2F10%2F17%2Farts%2Fdesign%2Fkusama-apologizes-racist-san-francisco.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-87"><span class="mw-cite-backlink"><b><a href="#cite_ref-87">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://setouchi-artfest.jp/en/artworks-artists/artworks/naoshima/338.html">Red Pumpkin</a> <a href="/wiki/Setouchi_Triennale" title="Setouchi Triennale">Setouchi Triennale</a></span> </li> <li id="cite_note-88"><span class="mw-cite-backlink"><b><a href="#cite_ref-88">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://gagosian.com/exhibitions/2009/yayoi-kusama/">Yayoi Kusama, 16 April – 27 June 2009</a> <a href="/wiki/Gagosian_Gallery" title="Gagosian Gallery">Gagosian Gallery</a>, New York/Los Angeles.</span> </li> <li id="cite_note-89"><span class="mw-cite-backlink"><b><a href="#cite_ref-89">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20120304115307/http://www.victoria-miro.com/exhibitions/_398/?a=31">Yayoi Kusama: Outdoor Sculptures, 23 June – 25 July 2009</a><sup><a href="/wiki/Template:Usurped/doc" title="Template:Usurped/doc">[usurped]</a></sup> Victoria Miro Gallery, London.</span> </li> <li id="cite_note-90"><span class="mw-cite-backlink"><b><a href="#cite_ref-90">^</a></b></span> <span class="reference-text">Laura Kusisto (2 August 2012), <a rel="nofollow" class="external text" href="https://www.wsj.com/articles/SB10000872396390443687504577565621696659662">'Yellow Trees' Growing</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20220715080533/https://www.wsj.com/articles/SB10000872396390443687504577565621696659662">Archived</a> 15 July 2022 at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a> <i><a href="/wiki/The_Wall_Street_Journal" title="The Wall Street Journal">The Wall Street Journal</a></i>.</span> </li> <li id="cite_note-91"><span class="mw-cite-backlink"><b><a href="#cite_ref-91">^</a></b></span> <span class="reference-text">Des Houghton (8 June 2012), <a rel="nofollow" class="external text" href="http://www.couriermail.com.au/news/queensland/justice-minister-jarrod-bleijie-condemns-yayoi-kusama-artwork-at-new-supreme-court-and-district-court-building-in-brisbane/story-e6freoof-1226388072451">Justice Minister Jarrod Bleijie condemns Yayoi Kusama artwork at new Supreme Court and District Court building in Brisbane</a> <i><a href="/wiki/The_Courier-Mail" title="The Courier-Mail">The Courier-Mail</a></i>.</span> </li> <li id="cite_note-York-92"><span class="mw-cite-backlink">^ <a href="#cite_ref-York_92-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-York_92-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.davidzwirner.com/exhibitions/yayoi-kusama-2019">"Every Day I Pray for Love"</a>. <i><a href="/wiki/David_Zwirner_Gallery" title="David Zwirner Gallery">David Zwirner Gallery</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20191218044938/https://www.davidzwirner.com/exhibitions/yayoi-kusama-2019">Archived</a> from the original on 18 December 2019<span class="reference-accessdate">. Retrieved <span class="nowrap">18 December</span> 2019</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=David+Zwirner+Gallery&amp;rft.atitle=Every+Day+I+Pray+for+Love&amp;rft_id=http%3A%2F%2Fwww.davidzwirner.com%2Fexhibitions%2Fyayoi-kusama-2019&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-93"><span class="mw-cite-backlink"><b><a href="#cite_ref-93">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.pamm.org/en/press/perez-art-museum-miami-presents-yayoi-kusamas-love-is-calling/">"Pérez Art Museum Miami Presents Yayoi Kusama's LOVE IS CALLING • Pérez Art Museum Miami"</a>. <i>Pérez Art Museum Miami</i><span class="reference-accessdate">. Retrieved <span class="nowrap">3 March</span> 2023</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=P%C3%A9rez+Art+Museum+Miami&amp;rft.atitle=P%C3%A9rez+Art+Museum+Miami+Presents+Yayoi+Kusama%27s+LOVE+IS+CALLING+%E2%80%A2+P%C3%A9rez+Art+Museum+Miami&amp;rft_id=https%3A%2F%2Fwww.pamm.org%2Fen%2Fpress%2Fperez-art-museum-miami-presents-yayoi-kusamas-love-is-calling%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-94"><span class="mw-cite-backlink"><b><a href="#cite_ref-94">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://concreteplayground.com/melbourne/arts-entertainment/now-open-yayoi-kusama-ngv">"Now Open: Australia's Largest-Ever Yayoi Kusama Retrospective Exhibition Is Filled with Dots, Mirrors and Tentacles"</a> by Sarah Ward, 16 December 2024, concreteplayground.com</span> </li> <li id="cite_note-95"><span class="mw-cite-backlink"><b><a href="#cite_ref-95">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.boijmans.nl/en/10/press/pressitem/48">"Yayoi Kusama: Mirrored Years, 23 August – 19 October 2008"</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20120525201123/http://www.boijmans.nl/en/10/press/pressitem/48">Archived</a> 25 May 2012 at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a> <a href="/wiki/Museum_Boijmans_Van_Beuningen" title="Museum Boijmans Van Beuningen">Museum Boijmans Van Beuningen</a>, Rotterdam.</span> </li> <li id="cite_note-96"><span class="mw-cite-backlink"><b><a href="#cite_ref-96">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.fairchildgarden.org/events/festivalpicturelink/Yayoi-Kusama-/">"Yayoi Kusama at Fairchild", 5 December 2009 – 30 May 2010</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20131217120139/http://www.fairchildgarden.org/events/festivalpicturelink/Yayoi-Kusama-/">Archived</a> 17 December 2013 at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a> <a href="/wiki/Fairchild_Tropical_Botanic_Garden" title="Fairchild Tropical Botanic Garden">Fairchild Tropical Botanic Garden</a>.</span> </li> <li id="cite_note-97"><span class="mw-cite-backlink"><b><a href="#cite_ref-97">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.tate.org.uk/whats-on/tate-modern/exhibition/yayoi-kusama">"Yayoi Kusama"</a>. <i>What's On</i>. Tate Modern. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20120604153424/http://www.tate.org.uk/whats-on/tate-modern/exhibition/yayoi-kusama">Archived</a> from the original on 4 June 2012<span class="reference-accessdate">. Retrieved <span class="nowrap">3 June</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=What%27s+On&amp;rft.atitle=Yayoi+Kusama&amp;rft_id=http%3A%2F%2Fwww.tate.org.uk%2Fwhats-on%2Ftate-modern%2Fexhibition%2Fyayoi-kusama&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-98"><span class="mw-cite-backlink"><b><a href="#cite_ref-98">^</a></b></span> <span class="reference-text">Trebuchet Magazine <a rel="nofollow" class="external free" href="http://www.trebuchet-magazine.com/index.php/site/article/tate_modern_yayoi_kusama/">http://www.trebuchet-magazine.com/index.php/site/article/tate_modern_yayoi_kusama/</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20120318131558/http://www.trebuchet-magazine.com/index.php/site/article/tate_modern_yayoi_kusama">Archived</a> 18 March 2012 at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a></span> </li> <li id="cite_note-99"><span class="mw-cite-backlink"><b><a href="#cite_ref-99">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRogers2015" class="citation web cs1">Rogers, Sam (25 September 2015). <a rel="nofollow" class="external text" href="http://www.wallpaper.com/art/in-infinity-yayoi-kusamas-dots-take-over-the-louisiana-museum-of-modern-art">"In infinity: Yayoi Kusama's dots take over the Louisiana Museum of Modern Art"</a>. <i>Wallpaper</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20151222105449/http://www.wallpaper.com/art/in-infinity-yayoi-kusamas-dots-take-over-the-louisiana-museum-of-modern-art">Archived</a> from the original on 22 December 2015<span class="reference-accessdate">. Retrieved <span class="nowrap">16 December</span> 2015</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Wallpaper&amp;rft.atitle=In+infinity%3A+Yayoi+Kusama%27s+dots+take+over+the+Louisiana+Museum+of+Modern+Art&amp;rft.date=2015-09-25&amp;rft.aulast=Rogers&amp;rft.aufirst=Sam&amp;rft_id=http%3A%2F%2Fwww.wallpaper.com%2Fart%2Fin-infinity-yayoi-kusamas-dots-take-over-the-louisiana-museum-of-modern-art&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-100"><span class="mw-cite-backlink"><b><a href="#cite_ref-100">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://garageccc.com/en/event/718">"Yayoi Kusama: Infinity Theory &#91;exhibition website&#93;"</a>. <i>Garage Museum of Contemporary Art</i>. 2015. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20151222113347/http://garageccc.com/en/event/718">Archived</a> from the original on 22 December 2015<span class="reference-accessdate">. Retrieved <span class="nowrap">16 December</span> 2015</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Garage+Museum+of+Contemporary+Art&amp;rft.atitle=Yayoi+Kusama%3A+Infinity+Theory+%5Bexhibition+website%5D&amp;rft.date=2015&amp;rft_id=http%3A%2F%2Fgarageccc.com%2Fen%2Fevent%2F718&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-101"><span class="mw-cite-backlink"><b><a href="#cite_ref-101">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.hamhelsinki.fi/en/exhibition/yayoi-kusama-in-infinity/">"Yayoi Kusama: In Infinity"</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20170407054020/https://www.hamhelsinki.fi/en/exhibition/yayoi-kusama-in-infinity/">Archived</a> from the original on 7 April 2017<span class="reference-accessdate">. Retrieved <span class="nowrap">6 April</span> 2017</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Yayoi+Kusama%3A+In+Infinity&amp;rft_id=https%3A%2F%2Fwww.hamhelsinki.fi%2Fen%2Fexhibition%2Fyayoi-kusama-in-infinity%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-102"><span class="mw-cite-backlink"><b><a href="#cite_ref-102">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.victoria-miro.com/news/393">"Yayoi Kusama's new installation comes to MONA Tasmania"</a>. 22 October 2016. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20170803051446/https://www.victoria-miro.com/news/393">Archived</a> from the original on 3 August 2017<span class="reference-accessdate">. Retrieved <span class="nowrap">17 June</span> 2017</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Yayoi+Kusama%27s+new+installation+comes+to+MONA+Tasmania&amp;rft.date=2016-10-22&amp;rft_id=https%3A%2F%2Fwww.victoria-miro.com%2Fnews%2F393&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-103"><span class="mw-cite-backlink"><b><a href="#cite_ref-103">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFFinkel2016" class="citation news cs1"><a href="/wiki/Jori_Finkel" title="Jori Finkel">Finkel, Jori</a> (16 August 2016). <a rel="nofollow" class="external text" href="https://www.nytimes.com/2016/08/17/arts/design/yayoi-kusama-infinity-mirrors.html">"Yayoi Kusama to Be the Focus of a Touring Museum Show"</a>. <i><a href="/wiki/The_New_York_Times" title="The New York Times">The New York Times</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20161223150600/http://www.nytimes.com/2016/08/17/arts/design/yayoi-kusama-infinity-mirrors.html">Archived</a> from the original on 23 December 2016<span class="reference-accessdate">. Retrieved <span class="nowrap">11 March</span> 2017</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=The+New+York+Times&amp;rft.atitle=Yayoi+Kusama+to+Be+the+Focus+of+a+Touring+Museum+Show&amp;rft.date=2016-08-16&amp;rft.aulast=Finkel&amp;rft.aufirst=Jori&amp;rft_id=https%3A%2F%2Fwww.nytimes.com%2F2016%2F08%2F17%2Farts%2Fdesign%2Fyayoi-kusama-infinity-mirrors.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-104"><span class="mw-cite-backlink"><b><a href="#cite_ref-104">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.apollo-magazine.com/southeast-asian-art-travels-globe-art-highlights-2017/">"Yayoi Kusama heads to Singapore, while Southeast Asian art travels the globe"</a>. 2016. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20170120131503/https://www.apollo-magazine.com/southeast-asian-art-travels-globe-art-highlights-2017/">Archived</a> from the original on 20 January 2017<span class="reference-accessdate">. Retrieved <span class="nowrap">20 January</span> 2017</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Yayoi+Kusama+heads+to+Singapore%2C+while+Southeast+Asian+art+travels+the+globe&amp;rft.date=2016&amp;rft_id=https%3A%2F%2Fwww.apollo-magazine.com%2Fsoutheast-asian-art-travels-globe-art-highlights-2017%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-105"><span class="mw-cite-backlink"><b><a href="#cite_ref-105">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.qagoma.qld.gov.au/whats-on/exhibitions/past-exhibitions/yayoi-kusama">"Yayoi Kusama"</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20190129181510/https://www.qagoma.qld.gov.au/whats-on/exhibitions/past-exhibitions/yayoi-kusama">Archived</a> from the original on 29 January 2019<span class="reference-accessdate">. Retrieved <span class="nowrap">29 January</span> 2019</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Yayoi+Kusama&amp;rft_id=https%3A%2F%2Fwww.qagoma.qld.gov.au%2Fwhats-on%2Fexhibitions%2Fpast-exhibitions%2Fyayoi-kusama&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-106"><span class="mw-cite-backlink"><b><a href="#cite_ref-106">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1"><a rel="nofollow" class="external text" href="https://www.thejakartapost.com/life/2018/05/07/yayoi-kusamas-works-finally-arrive-in-jakarta.html">"Yayoi Kusama's works finally arrive in Jakarta"</a>. <i>The Jakarta Post</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20180509213205/http://www.thejakartapost.com/life/2018/05/07/yayoi-kusamas-works-finally-arrive-in-jakarta.html">Archived</a> from the original on 9 May 2018<span class="reference-accessdate">. Retrieved <span class="nowrap">9 May</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=The+Jakarta+Post&amp;rft.atitle=Yayoi+Kusama%27s+works+finally+arrive+in+Jakarta&amp;rft_id=http%3A%2F%2Fwww.thejakartapost.com%2Flife%2F2018%2F05%2F07%2Fyayoi-kusamas-works-finally-arrive-in-jakarta.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-107"><span class="mw-cite-backlink"><b><a href="#cite_ref-107">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFStuart2018" class="citation news cs1">Stuart, Gwynedd (25 July 2018). <a rel="nofollow" class="external text" href="https://www.lamag.com/culturefiles/yayoi-kusama-marciano-art-foundation/">"Another Yayoi Kusama Installation Has Arrived in L.A.—and You Can See It For Free"</a>. <i>Lamag – Culture, Food, Fashion, News &amp; Los Angeles</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20211105004749/https://www.lamag.com/culturefiles/yayoi-kusama-marciano-art-foundation/">Archived</a> from the original on 5 November 2021<span class="reference-accessdate">. Retrieved <span class="nowrap">5 November</span> 2021</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Lamag+%E2%80%93+Culture%2C+Food%2C+Fashion%2C+News+%26+Los+Angeles&amp;rft.atitle=Another+Yayoi+Kusama+Installation+Has+Arrived+in+L.A.%E2%80%94and+You+Can+See+It+For+Free&amp;rft.date=2018-07-25&amp;rft.aulast=Stuart&amp;rft.aufirst=Gwynedd&amp;rft_id=https%3A%2F%2Fwww.lamag.com%2Fculturefiles%2Fyayoi-kusama-marciano-art-foundation%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-108"><span class="mw-cite-backlink"><b><a href="#cite_ref-108">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.mori.art.museum/en/exhibitions/stars/">"STARS: Six Contemporary Artists from Japan to the World"</a>. <i>www.mori.art.museum</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20200818021730/https://www.mori.art.museum/en/exhibitions/stars/">Archived</a> from the original on 18 August 2020<span class="reference-accessdate">. Retrieved <span class="nowrap">18 August</span> 2020</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=www.mori.art.museum&amp;rft.atitle=STARS%3A+Six+Contemporary+Artists+from+Japan+to+the+World&amp;rft_id=https%3A%2F%2Fwww.mori.art.museum%2Fen%2Fexhibitions%2Fstars%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-109"><span class="mw-cite-backlink"><b><a href="#cite_ref-109">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHeinrich2021" class="citation news cs1">Heinrich, Will (9 April 2021). <a rel="nofollow" class="external text" href="https://www.nytimes.com/2021/04/09/arts/design/yayoi-kusama-botanical-garden-review.html">"Yayoi Kusama's 'Cosmic Nature' Dots a Bronx Garden"</a>. <i><a href="/wiki/The_New_York_Times" title="The New York Times">The New York Times</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20210430032235/https://www.nytimes.com/2021/04/09/arts/design/yayoi-kusama-botanical-garden-review.html">Archived</a> from the original on 30 April 2021<span class="reference-accessdate">. Retrieved <span class="nowrap">3 May</span> 2021</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=The+New+York+Times&amp;rft.atitle=Yayoi+Kusama%27s+%27Cosmic+Nature%27+Dots+a+Bronx+Garden&amp;rft.date=2021-04-09&amp;rft.aulast=Heinrich&amp;rft.aufirst=Will&amp;rft_id=https%3A%2F%2Fwww.nytimes.com%2F2021%2F04%2F09%2Farts%2Fdesign%2Fyayoi-kusama-botanical-garden-review.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-110"><span class="mw-cite-backlink"><b><a href="#cite_ref-110">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFYoshitake2021" class="citation book cs1">Yoshitake, Mika, ed. (2021). <i>Yayoi Kusama: Cosmic Nature</i>. New York: Rizzoli Electa. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0-8478-6839-1" title="Special:BookSources/978-0-8478-6839-1"><bdi>978-0-8478-6839-1</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Yayoi+Kusama%3A+Cosmic+Nature&amp;rft.place=New+York&amp;rft.pub=Rizzoli+Electa&amp;rft.date=2021&amp;rft.isbn=978-0-8478-6839-1&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-111"><span class="mw-cite-backlink"><b><a href="#cite_ref-111">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.bookforum.com/print/2803/reconsidering-the-phallic-art-of-louise-bourgeois-and-yayoi-kusama-24608">"Dial F for Father"</a>. <i>www.bookforum.com</i><span class="reference-accessdate">. Retrieved <span class="nowrap">11 September</span> 2023</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=www.bookforum.com&amp;rft.atitle=Dial+F+for+Father&amp;rft_id=https%3A%2F%2Fwww.bookforum.com%2Fprint%2F2803%2Freconsidering-the-phallic-art-of-louise-bourgeois-and-yayoi-kusama-24608&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-112"><span class="mw-cite-backlink"><b><a href="#cite_ref-112">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFTate" class="citation web cs1">Tate. <a rel="nofollow" class="external text" href="https://www.tate.org.uk/whats-on/tate-modern/yayoi-kusama-infinity-mirror-rooms">"Yayoi Kusama: Infinity Mirror Rooms | Tate Modern"</a>. <i>Tate</i><span class="reference-accessdate">. Retrieved <span class="nowrap">1 February</span> 2024</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Tate&amp;rft.atitle=Yayoi+Kusama%3A+Infinity+Mirror+Rooms+%7C+Tate+Modern&amp;rft.au=Tate&amp;rft_id=https%3A%2F%2Fwww.tate.org.uk%2Fwhats-on%2Ftate-modern%2Fyayoi-kusama-infinity-mirror-rooms&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-113"><span class="mw-cite-backlink"><b><a href="#cite_ref-113">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.tamuseum.org.il/en/exhibition/yayoi-kusama-a-retrospective">"Yayoi Kusama: A Retrospective \ Tel Aviv Museum of Art"</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20211219164551/https://www.tamuseum.org.il/en/exhibition/yayoi-kusama-a-retrospective/">Archived</a> from the original on 19 December 2021<span class="reference-accessdate">. Retrieved <span class="nowrap">19 December</span> 2021</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Yayoi+Kusama%3A+A+Retrospective+%5C+Tel+Aviv+Museum+of+Art&amp;rft_id=https%3A%2F%2Fwww.tamuseum.org.il%2Fen%2Fexhibition%2Fyayoi-kusama-a-retrospective&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-114"><span class="mw-cite-backlink"><b><a href="#cite_ref-114">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1"><a rel="nofollow" class="external text" href="https://www.haaretz.com/life/.premium.MAGAZINE-yayoi-kusama-s-obsessive-sexual-groundbreaking-work-takes-over-tel-aviv-museum-1.10367850">"This Tel Aviv Museum Show Just Opened. It's Already Sold Out"</a>. <i>Haaretz</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20211219164550/https://www.haaretz.com/life/.premium.MAGAZINE-yayoi-kusama-s-obsessive-sexual-groundbreaking-work-takes-over-tel-aviv-museum-1.10367850">Archived</a> from the original on 19 December 2021<span class="reference-accessdate">. Retrieved <span class="nowrap">19 December</span> 2021</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Haaretz&amp;rft.atitle=This+Tel+Aviv+Museum+Show+Just+Opened.+It%27s+Already+Sold+Out&amp;rft_id=https%3A%2F%2Fwww.haaretz.com%2Flife%2F.premium.MAGAZINE-yayoi-kusama-s-obsessive-sexual-groundbreaking-work-takes-over-tel-aviv-museum-1.10367850&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-115"><span class="mw-cite-backlink"><b><a href="#cite_ref-115">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFdesignboom2023" class="citation web cs1">designboom, matthew burgos | (20 February 2023). <a rel="nofollow" class="external text" href="https://www.designboom.com/art/yayoi-kusama-love-is-calling-exhibition-perez-art-museum-miami-02-20-2023/">"yayoi kusama's love is calling exhibition grows a mirrored forest of glowing tentacles in miami"</a>. <i>designboom | architecture &amp; design magazine</i><span class="reference-accessdate">. Retrieved <span class="nowrap">21 February</span> 2023</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=designboom+%7C+architecture+%26+design+magazine&amp;rft.atitle=yayoi+kusama%27s+love+is+calling+exhibition+grows+a+mirrored+forest+of+glowing+tentacles+in+miami&amp;rft.date=2023-02-20&amp;rft.aulast=designboom&amp;rft.aufirst=matthew+burgos+%7C&amp;rft_id=https%3A%2F%2Fwww.designboom.com%2Fart%2Fyayoi-kusama-love-is-calling-exhibition-perez-art-museum-miami-02-20-2023%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-116"><span class="mw-cite-backlink"><b><a href="#cite_ref-116">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMarkowitz" class="citation web cs1">Markowitz, Douglas. <a rel="nofollow" class="external text" href="https://www.miaminewtimes.com/arts/yayoi-kusama-infinity-mirror-room-miami-16360122">"A Yayoi Kusama Infinity Mirror Room Is Coming to PAMM"</a>. <i>Miami New Times</i><span class="reference-accessdate">. Retrieved <span class="nowrap">21 February</span> 2023</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Miami+New+Times&amp;rft.atitle=A+Yayoi+Kusama+Infinity+Mirror+Room+Is+Coming+to+PAMM&amp;rft.aulast=Markowitz&amp;rft.aufirst=Douglas&amp;rft_id=https%3A%2F%2Fwww.miaminewtimes.com%2Farts%2Fyayoi-kusama-infinity-mirror-room-miami-16360122&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-117"><span class="mw-cite-backlink"><b><a href="#cite_ref-117">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.pamm.org/en/exhibition/yayoi-kusama-love-is-calling/">"Yayoi Kusama: LOVE IS CALLING • Pérez Art Museum Miami"</a>. <i>Pérez Art Museum Miami</i><span class="reference-accessdate">. Retrieved <span class="nowrap">21 February</span> 2023</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=P%C3%A9rez+Art+Museum+Miami&amp;rft.atitle=Yayoi+Kusama%3A+LOVE+IS+CALLING+%E2%80%A2+P%C3%A9rez+Art+Museum+Miami&amp;rft_id=https%3A%2F%2Fwww.pamm.org%2Fen%2Fexhibition%2Fyayoi-kusama-love-is-calling%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-118"><span class="mw-cite-backlink"><b><a href="#cite_ref-118">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.davidzwirner.com/exhibitions/2023/yayoi-kusama-i-spend-each-day-embracing-flowers">"Yayoi Kusama Exhibition | I Spend Each Day Embracing Flowers | 11 May – 21 July 2023 | New York"</a>. <i>David Zwirner</i><span class="reference-accessdate">. Retrieved <span class="nowrap">22 July</span> 2023</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=David+Zwirner&amp;rft.atitle=Yayoi+Kusama+Exhibition+%7C+I+Spend+Each+Day+Embracing+Flowers+%7C+11+May+%E2%80%93+21+July+2023+%7C+New+York&amp;rft_id=https%3A%2F%2Fwww.davidzwirner.com%2Fexhibitions%2F2023%2Fyayoi-kusama-i-spend-each-day-embracing-flowers&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-:3-119"><span class="mw-cite-backlink"><b><a href="#cite_ref-:3_119-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://mag.rochester.edu/exhibitions/yayoi-kusama/">"Yayoi Kusama: INFINITY MIRRORED ROOM – LET'S SURVIVE FOREVER, 2017"</a>. <i>Memorial Art Gallery</i><span class="reference-accessdate">. Retrieved <span class="nowrap">17 December</span> 2023</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Memorial+Art+Gallery&amp;rft.atitle=Yayoi+Kusama%3A+INFINITY+MIRRORED+ROOM+%E2%80%93+LET%27S+SURVIVE+FOREVER%2C+2017&amp;rft_id=https%3A%2F%2Fmag.rochester.edu%2Fexhibitions%2Fyayoi-kusama%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-120"><span class="mw-cite-backlink"><b><a href="#cite_ref-120">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.phxart.org/index.php?r=pamsearch%2Fsearch&amp;q=yayoi">"Yayoi Kusama Infinity Mirror Room, Phoenix Art Museum, Firefly Room"</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20171023115848/http://www.phxart.org/index.php?r=pamsearch%2Fsearch&amp;q=yayoi">Archived</a> from the original on 23 October 2017<span class="reference-accessdate">. Retrieved <span class="nowrap">22 October</span> 2017</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Yayoi+Kusama+Infinity+Mirror+Room%2C+Phoenix+Art+Museum%2C+Firefly+Room&amp;rft_id=http%3A%2F%2Fwww.phxart.org%2Findex.php%3Fr%3Dpamsearch%252Fsearch%26q%3Dyayoi&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-121"><span class="mw-cite-backlink"><b><a href="#cite_ref-121">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20180819014430/https://en.louisiana.dk/kusama-installation">"Kusama Installation"</a>. <i>Louisiana Museum of Modern Art</i>. Archived from <a rel="nofollow" class="external text" href="https://en.louisiana.dk/kusama-installation">the original</a> on 19 August 2018<span class="reference-accessdate">. Retrieved <span class="nowrap">9 October</span> 2017</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Louisiana+Museum+of+Modern+Art&amp;rft.atitle=Kusama+Installation&amp;rft_id=https%3A%2F%2Fen.louisiana.dk%2Fkusama-installation&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-122"><span class="mw-cite-backlink"><b><a href="#cite_ref-122">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20210125233501/https://nga.gov.au/kusama/">"Yayoi Kusama: The Spirits of the Pumpkins Descended into the Heavens"</a>. <i>NGA</i>. Archived from <a rel="nofollow" class="external text" href="https://nga.gov.au/kusama/">the original</a> on 25 January 2021<span class="reference-accessdate">. Retrieved <span class="nowrap">6 May</span> 2019</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=NGA&amp;rft.atitle=Yayoi+Kusama%3A+The+Spirits+of+the+Pumpkins+Descended+into+the+Heavens&amp;rft_id=https%3A%2F%2Fnga.gov.au%2Fkusama%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-123"><span class="mw-cite-backlink"><b><a href="#cite_ref-123">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.hok.no/en/exhibitions/hymn-of-life">"Yayoi Kusama: Sculpture and installation"</a>. <i>Henie Onstad</i>. 23 August 2018<span class="reference-accessdate">. Retrieved <span class="nowrap">22 March</span> 2023</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Henie+Onstad&amp;rft.atitle=Yayoi+Kusama%3A+Sculpture+and+installation&amp;rft.date=2018-08-23&amp;rft_id=https%3A%2F%2Fwww.hok.no%2Fen%2Fexhibitions%2Fhymn-of-life&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-Selvin-124"><span class="mw-cite-backlink"><b><a href="#cite_ref-Selvin_124-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSelvin2019" class="citation web cs1">Selvin, Claire (15 January 2019). <a rel="nofollow" class="external text" href="http://www.artnews.com/2019/01/15/ica-boston-acquires-yayoi-kusama-infinity-mirror-room-work/">"ICA Boston Acquires Yayoi Kusama 'Infinity Mirror Room' Work"</a>. <i>ARTnews</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20190523203942/http://www.artnews.com/2019/01/15/ica-boston-acquires-yayoi-kusama-infinity-mirror-room-work/">Archived</a> from the original on 23 May 2019<span class="reference-accessdate">. Retrieved <span class="nowrap">23 May</span> 2019</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=ARTnews&amp;rft.atitle=ICA+Boston+Acquires+Yayoi+Kusama+%27Infinity+Mirror+Room%27+Work&amp;rft.date=2019-01-15&amp;rft.aulast=Selvin&amp;rft.aufirst=Claire&amp;rft_id=http%3A%2F%2Fwww.artnews.com%2F2019%2F01%2F15%2Fica-boston-acquires-yayoi-kusama-infinity-mirror-room-work%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-125"><span class="mw-cite-backlink"><b><a href="#cite_ref-125">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.thejakartapost.com/life/2019/03/16/yayoi-kusamas-infinity-room-to-return-permanently-to-museum-macan.html">"Yayoi Kusama's 'Infinity Room' to return permanently to Museum MACAN"</a>. <i>The Jakarta Post</i>. 16 March 2019. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20190830063223/https://www.thejakartapost.com/life/2019/03/16/yayoi-kusamas-infinity-room-to-return-permanently-to-museum-macan.html">Archived</a> from the original on 30 August 2019<span class="reference-accessdate">. Retrieved <span class="nowrap">30 August</span> 2019</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=The+Jakarta+Post&amp;rft.atitle=Yayoi+Kusama%27s+%27Infinity+Room%27+to+return+permanently+to+Museum+MACAN&amp;rft.date=2019-03-16&amp;rft_id=https%3A%2F%2Fwww.thejakartapost.com%2Flife%2F2019%2F03%2F16%2Fyayoi-kusamas-infinity-room-to-return-permanently-to-museum-macan.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-126"><span class="mw-cite-backlink"><b><a href="#cite_ref-126">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMudhar2019" class="citation news cs1">Mudhar, Raju (4 April 2019). <a rel="nofollow" class="external text" href="https://www.thestar.com/entertainment/2019/04/04/ready-for-your-selfie-agos-permanent-kusama-infinity-mirrored-room-now-open.html">"Ready for your selfie&#160;? AGO's permanent Kusama Infinity Mirrored Room now open"</a>. <i>The Toronto Star</i>. Torstar Corporation. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20201107234700/https://www.thestar.com/entertainment/2019/04/04/ready-for-your-selfie-agos-permanent-kusama-infinity-mirrored-room-now-open.html">Archived</a> from the original on 7 November 2020<span class="reference-accessdate">. Retrieved <span class="nowrap">9 May</span> 2020</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=The+Toronto+Star&amp;rft.atitle=Ready+for+your+selfie+%3F+AGO%27s+permanent+Kusama+Infinity+Mirrored+Room+now+open&amp;rft.date=2019-04-04&amp;rft.aulast=Mudhar&amp;rft.aufirst=Raju&amp;rft_id=https%3A%2F%2Fwww.thestar.com%2Fentertainment%2F2019%2F04%2F04%2Fready-for-your-selfie-agos-permanent-kusama-infinity-mirrored-room-now-open.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-127"><span class="mw-cite-backlink"><b><a href="#cite_ref-127">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external free" href="https://glasstire.com/2022/09/21/museum-of-fine-arts-houston-reopens-its-yayoi-kusama-infinity-room/">https://glasstire.com/2022/09/21/museum-of-fine-arts-houston-reopens-its-yayoi-kusama-infinity-room/</a></span> </li> <li id="cite_note-SAAM-128"><span class="mw-cite-backlink"><b><a href="#cite_ref-SAAM_128-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://americanart.si.edu/artwork/some-living-american-women-artistslast-supper-76377">"<i>Some Living American Women Artists</i>/<i>Last Supper</i>"</a>. <i>Smithsonian American Art Museum</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20220120013721/https://americanart.si.edu/artwork/some-living-american-women-artistslast-supper-76377">Archived</a> from the original on 20 January 2022<span class="reference-accessdate">. Retrieved <span class="nowrap">21 January</span> 2022</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Smithsonian+American+Art+Museum&amp;rft.atitle=Some+Living+American+Women+Artists%2FLast+Supper&amp;rft_id=https%3A%2F%2Famericanart.si.edu%2Fartwork%2Fsome-living-american-women-artistslast-supper-76377&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-129"><span class="mw-cite-backlink"><b><a href="#cite_ref-129">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.moma.org/interactives/exhibitions/1998/kusama/">Love Forever&#160;: Yayoi Kusama, 1958–1968, 9 July – 22 September 1998</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20111222085220/http://www.moma.org/interactives/exhibitions/1998/kusama/">Archived</a> 22 December 2011 at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a>, <a href="/wiki/The_Museum_of_Modern_Art" class="mw-redirect" title="The Museum of Modern Art">The Museum of Modern Art</a>, New York.</span> </li> <li id="cite_note-130"><span class="mw-cite-backlink"><b><a href="#cite_ref-130">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://whitney.org/Exhibitions/YayoiKusama">YAYOI KUSAMA, 12 July – Sept 30, 2012</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20140719132203/http://whitney.org/Exhibitions/YayoiKusama">Archived</a> 19 July 2014 at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a>, <a href="/wiki/Whitney_Museum_of_American_Art" class="mw-redirect" title="Whitney Museum of American Art">Whitney Museum of American Art</a>, New York.</span> </li> <li id="cite_note-131"><span class="mw-cite-backlink"><b><a href="#cite_ref-131">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.tate.org.uk/whats-on/tate-modern/exhibition/yayoi-kusama">Yayoi Kusama, 9 February – 5 June 2012</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20120604153424/http://www.tate.org.uk/whats-on/tate-modern/exhibition/yayoi-kusama">Archived</a> 4 June 2012 at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a>, <a href="/wiki/Tate_Modern" title="Tate Modern">Tate Modern</a>, London.</span> </li> <li id="cite_note-132"><span class="mw-cite-backlink"><b><a href="#cite_ref-132">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.artsy.net/article/artsy-editorial-the-top-living-artists">"The Top 10 Living Artists of 2015"</a>. <i>Artsy</i>. 16 December 2015. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20151222075008/https://www.artsy.net/article/artsy-editorial-the-top-living-artists">Archived</a> from the original on 22 December 2015<span class="reference-accessdate">. Retrieved <span class="nowrap">16 December</span> 2015</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Artsy&amp;rft.atitle=The+Top+10+Living+Artists+of+2015&amp;rft.date=2015-12-16&amp;rft_id=https%3A%2F%2Fwww.artsy.net%2Farticle%2Fartsy-editorial-the-top-living-artists&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-133"><span class="mw-cite-backlink"><b><a href="#cite_ref-133">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.nationalwca.org/awards/pasthonorees.php">"WCA Past Honorees"</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20131117020008/http://nationalwca.org/awards/pasthonorees.php">Archived</a> from the original on 17 November 2013<span class="reference-accessdate">. Retrieved <span class="nowrap">17 January</span> 2016</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=WCA+Past+Honorees&amp;rft_id=http%3A%2F%2Fwww.nationalwca.org%2Fawards%2Fpasthonorees.php&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-134"><span class="mw-cite-backlink"><b><a href="#cite_ref-134">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.blouinartinfo.com/news/story/22774/art-news-kusama-first-japanese-woman-to-win-coveted-art-award/">"Art News: Kusama First Japanese Woman to Win Coveted Art Award"</a>. BLOUINARTINFO. 23 January 2007. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20131031165629/http://www.blouinartinfo.com/news/story/22774/art-news-kusama-first-japanese-woman-to-win-coveted-art-award">Archived</a> from the original on 31 October 2013<span class="reference-accessdate">. Retrieved <span class="nowrap">23 April</span> 2008</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Art+News%3A+Kusama+First+Japanese+Woman+to+Win+Coveted+Art+Award&amp;rft.pub=BLOUINARTINFO&amp;rft.date=2007-01-23&amp;rft_id=http%3A%2F%2Fwww.blouinartinfo.com%2Fnews%2Fstory%2F22774%2Fart-news-kusama-first-japanese-woman-to-win-coveted-art-award%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-135"><span class="mw-cite-backlink"><b><a href="#cite_ref-135">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.city.niigata.lg.jp/info/bunka/ango/ango/">"安吾賞-第9回 受賞者"</a>. <i>Ango awards</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20150318130832/http://www.city.niigata.lg.jp/info/bunka/ango/ango/">Archived</a> from the original on 18 March 2015<span class="reference-accessdate">. Retrieved <span class="nowrap">8 March</span> 2015</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Ango+awards&amp;rft.atitle=%E5%AE%89%E5%90%BE%E8%B3%9E-%E7%AC%AC9%E5%9B%9E+%E5%8F%97%E8%B3%9E%E8%80%85&amp;rft_id=http%3A%2F%2Fwww.city.niigata.lg.jp%2Finfo%2Fbunka%2Fango%2Fango%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-136"><span class="mw-cite-backlink"><b><a href="#cite_ref-136">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPesEmily_Sharpe2015" class="citation web cs1">Pes, Javier; Emily Sharpe (2 April 2015). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20170312101243/http://theartnewspaper.com/news/museums/visitor-figures-2014-the-world-goes-dotty-over-yayoi-kusama/">"Visitor Figures 2014: The World Goes Dotty Over Yayoi Kusama"</a>. <i>The Art Newspaper</i>. Archived from <a rel="nofollow" class="external text" href="http://theartnewspaper.com/news/museums/visitor-figures-2014-the-world-goes-dotty-over-yayoi-kusama/">the original</a> on 12 March 2017.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=The+Art+Newspaper&amp;rft.atitle=Visitor+Figures+2014%3A+The+World+Goes+Dotty+Over+Yayoi+Kusama&amp;rft.date=2015-04-02&amp;rft.aulast=Pes&amp;rft.aufirst=Javier&amp;rft.au=Emily+Sharpe&amp;rft_id=http%3A%2F%2Ftheartnewspaper.com%2Fnews%2Fmuseums%2Fvisitor-figures-2014-the-world-goes-dotty-over-yayoi-kusama%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-137"><span class="mw-cite-backlink"><b><a href="#cite_ref-137">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLesser2017" class="citation news cs1">Lesser, Casey (17 February 2017). <a rel="nofollow" class="external text" href="https://www.artsy.net/article/artsy-editorial-yayoi-kusamas-infinity-rooms-made-accessible-people-disabilities-first-time">"Yayoi Kusama's Infinity Rooms Made Accessible to People with Disabilities for First Time"</a>. <i>Artsy</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20170312070950/https://www.artsy.net/article/artsy-editorial-yayoi-kusamas-infinity-rooms-made-accessible-people-disabilities-first-time">Archived</a> from the original on 12 March 2017<span class="reference-accessdate">. Retrieved <span class="nowrap">11 March</span> 2017</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Artsy&amp;rft.atitle=Yayoi+Kusama%27s+Infinity+Rooms+Made+Accessible+to+People+with+Disabilities+for+First+Time&amp;rft.date=2017-02-17&amp;rft.aulast=Lesser&amp;rft.aufirst=Casey&amp;rft_id=https%3A%2F%2Fwww.artsy.net%2Farticle%2Fartsy-editorial-yayoi-kusamas-infinity-rooms-made-accessible-people-disabilities-first-time&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-138"><span class="mw-cite-backlink"><b><a href="#cite_ref-138">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFOverly2017" class="citation news cs1">Overly, Steven (9 March 2017). <a rel="nofollow" class="external text" href="https://www.washingtonpost.com/news/innovations/wp/2017/03/09/people-in-wheelchairs-could-not-see-one-of-the-u-s-s-most-exciting-art-exhibits-so-the-museum-found-an-innovative-solution/">"People in wheelchairs couldn't see Yayoi Kusama's 'Infinity Mirrors'. The museum found an innovative fix"</a>. <i>The Washington Post</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20170310184058/https://www.washingtonpost.com/news/innovations/wp/2017/03/09/people-in-wheelchairs-could-not-see-one-of-the-u-s-s-most-exciting-art-exhibits-so-the-museum-found-an-innovative-solution/">Archived</a> from the original on 10 March 2017<span class="reference-accessdate">. Retrieved <span class="nowrap">11 March</span> 2017</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=The+Washington+Post&amp;rft.atitle=People+in+wheelchairs+couldn%27t+see+Yayoi+Kusama%27s+%27Infinity+Mirrors%27.+The+museum+found+an+innovative+fix&amp;rft.date=2017-03-09&amp;rft.aulast=Overly&amp;rft.aufirst=Steven&amp;rft_id=https%3A%2F%2Fwww.washingtonpost.com%2Fnews%2Finnovations%2Fwp%2F2017%2F03%2F09%2Fpeople-in-wheelchairs-could-not-see-one-of-the-u-s-s-most-exciting-art-exhibits-so-the-museum-found-an-innovative-solution%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-139"><span class="mw-cite-backlink"><b><a href="#cite_ref-139">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFStaff2023" class="citation news cs1">Staff, NYSD (1 November 2023). <a rel="nofollow" class="external text" href="https://www.newyorksocialdiary.com/asia-society-celebrates-10th-anniversary-of-asia-game-changers/">"Asia Society celebrates 10th Anniversary of Asia Game Changers | New York Social Diary"</a>. <i>New York Social Diary</i><span class="reference-accessdate">. Retrieved <span class="nowrap">11 June</span> 2024</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=New+York+Social+Diary&amp;rft.atitle=Asia+Society+celebrates+10th+Anniversary+of+Asia+Game+Changers+%7C+New+York+Social+Diary&amp;rft.date=2023-11-01&amp;rft.aulast=Staff&amp;rft.aufirst=NYSD&amp;rft_id=https%3A%2F%2Fwww.newyorksocialdiary.com%2Fasia-society-celebrates-10th-anniversary-of-asia-game-changers%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-140"><span class="mw-cite-backlink"><b><a href="#cite_ref-140">^</a></b></span> <span class="reference-text"><a href="/wiki/Sarah_Thornton" title="Sarah Thornton">Sarah Thornton</a> (20 May 2012), <a rel="nofollow" class="external text" href="https://www.economist.com/blogs/prospero/2012/05/post-war-artists-auction">The price of being female</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20170803173659/http://www.economist.com/blogs/prospero/2012/05/post-war-artists-auction">Archived</a> 3 August 2017 at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a> <i><a href="/wiki/The_Economist" title="The Economist">The Economist</a></i>.</span> </li> <li id="cite_note-141"><span class="mw-cite-backlink"><b><a href="#cite_ref-141">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.christies.com/features/2010-february-cross-cultural-journeys-418-1.aspx">Cross-Cultural Journeys: Yayoi Kusama and Kenzo Okada</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20120923051533/http://www.christies.com/features/2010-february-cross-cultural-journeys-418-1.aspx">Archived</a> 23 September 2012 at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a> <a href="/wiki/Christie%27s" title="Christie&#39;s">Christie's</a>.</span> </li> <li id="cite_note-142"><span class="mw-cite-backlink"><b><a href="#cite_ref-142">^</a></b></span> <span class="reference-text">Bridget Moriarity (5 March 2009), <a rel="nofollow" class="external text" href="https://web.archive.org/web/20090314153928/http://www.artinfo.com/news/story/30415/yayoi-kusama/">Artist Dossier: Yayoi Kusama</a><sup><a href="/wiki/Template:Usurped/doc" title="Template:Usurped/doc">[usurped]</a></sup> <i>Art+Auction</i>.</span> </li> <li id="cite_note-143"><span class="mw-cite-backlink"><b><a href="#cite_ref-143">^</a></b></span> <span class="reference-text">Kelly Crow (12 November 2014), <a rel="nofollow" class="external text" href="https://online.wsj.com/articles/christies-makes-auction-history-with-853-million-sale-of-contemporary-art-1415853549">"Christie’s Makes History with $853 Million Sale of Contemporary Art – Andy Warhol’s <i>Triple Elvis &#91;Ferus Type&#93;</i> Sells for $82 Million"</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20141116164039/http://online.wsj.com/articles/christies-makes-auction-history-with-853-million-sale-of-contemporary-art-1415853549">Archived</a> 16 November 2014 at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a> <i><a href="/wiki/The_Wall_Street_Journal" title="The Wall Street Journal">The Wall Street Journal</a></i>.</span> </li> <li id="cite_note-144"><span class="mw-cite-backlink"><b><a href="#cite_ref-144">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation cs2"><a rel="nofollow" class="external text" href="https://www.discogs.com/release/2410362-Superchunk-Art-Class-Song-For-Yayoi-Kusama"><i>Superchunk – Art Class (Song For Yayoi Kusama)</i></a>, <a rel="nofollow" class="external text" href="https://web.archive.org/web/20220314231210/https://www.discogs.com/release/2410362-Superchunk-Art-Class-Song-For-Yayoi-Kusama">archived</a> from the original on 14 March 2022<span class="reference-accessdate">, retrieved <span class="nowrap">14 March</span> 2022</span></cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Superchunk+%E2%80%93+Art+Class+%28Song+For+Yayoi+Kusama%29&amp;rft_id=https%3A%2F%2Fwww.discogs.com%2Frelease%2F2410362-Superchunk-Art-Class-Song-For-Yayoi-Kusama&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-BrooklynRail-145"><span class="mw-cite-backlink"><b><a href="#cite_ref-BrooklynRail_145-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFZinman2013" class="citation web cs1">Zinman, Gregory (September 2013). <a rel="nofollow" class="external text" href="http://www.brooklynrail.org/2013/09/film/dream-reeler-jud-yalkut-1938-2013">"Dream Reeler: Jud Yalkut (1938–2013)"</a>. <i><a href="/wiki/The_Brooklyn_Rail" title="The Brooklyn Rail">The Brooklyn Rail</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20210301195154/https://brooklynrail.org/2013/09/film/dream-reeler-jud-yalkut-1938-2013">Archived</a> from the original on 1 March 2021<span class="reference-accessdate">. Retrieved <span class="nowrap">3 March</span> 2021</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=The+Brooklyn+Rail&amp;rft.atitle=Dream+Reeler%3A+Jud+Yalkut+%281938%E2%80%932013%29&amp;rft.date=2013-09&amp;rft.aulast=Zinman&amp;rft.aufirst=Gregory&amp;rft_id=http%3A%2F%2Fwww.brooklynrail.org%2F2013%2F09%2Ffilm%2Fdream-reeler-jud-yalkut-1938-2013&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-146"><span class="mw-cite-backlink"><b><a href="#cite_ref-146">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://theboyleastlikelyto.bandcamp.com/track/a-world-of-polka-dots">"a world of polka dots, by the boy least likely to"</a>. <i>the boy least likely to</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20190523211815/https://theboyleastlikelyto.bandcamp.com/track/a-world-of-polka-dots">Archived</a> from the original on 23 May 2019<span class="reference-accessdate">. Retrieved <span class="nowrap">23 May</span> 2019</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=the+boy+least+likely+to&amp;rft.atitle=a+world+of+polka+dots%2C+by+the+boy+least+likely+to&amp;rft_id=https%3A%2F%2Ftheboyleastlikelyto.bandcamp.com%2Ftrack%2Fa-world-of-polka-dots&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-147"><span class="mw-cite-backlink"><b><a href="#cite_ref-147">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://theboyleastlikelyto.blogspirit.com/archive/2013/06/17/a-world-of-polka-dots.html"><i>blog spirit.com</i></a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20130823140735/http://theboyleastlikelyto.blogspirit.com/archive/2013/06/17/a-world-of-polka-dots.html">Archived</a> 23 August 2013 at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a></span> </li> <li id="cite_note-148"><span class="mw-cite-backlink"><b><a href="#cite_ref-148">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://www.imdb.com/title/tt1893269/"><i>Kusama: Infinity</i></a> at <a href="/wiki/IMDb_(identifier)" class="mw-redirect" title="IMDb (identifier)">IMDb</a></span> </li> <li id="cite_note-149"><span class="mw-cite-backlink"><b><a href="#cite_ref-149">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.blu-ray.com/dvd/Kusama-Infinity-DVD/170578/">"Kusama: Infinity DVD"</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20220715080531/https://www.blu-ray.com/dvd/Kusama-Infinity-DVD/170578/">Archived</a> from the original on 15 July 2022<span class="reference-accessdate">. Retrieved <span class="nowrap">23 May</span> 2019</span> &#8211; via blu-ray.com.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Kusama%3A+Infinity+DVD&amp;rft_id=https%3A%2F%2Fwww.blu-ray.com%2Fdvd%2FKusama-Infinity-DVD%2F170578%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-150"><span class="mw-cite-backlink"><b><a href="#cite_ref-150">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://hypebeast.com/2020/9/yayoi-kusama-veuve-clicquot-champagne-collaboration-info">"Yayoi Kusama's Famous Polka Dots Adorn Veuve Clicquot Champagne Collaboration"</a>. <i>HYPEBEAST</i>. 9 September 2020. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20201205130019/https://hypebeast.com/2020/9/yayoi-kusama-veuve-clicquot-champagne-collaboration-info">Archived</a> from the original on 5 December 2020<span class="reference-accessdate">. Retrieved <span class="nowrap">27 November</span> 2020</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=HYPEBEAST&amp;rft.atitle=Yayoi+Kusama%27s+Famous+Polka+Dots+Adorn+Veuve+Clicquot+Champagne+Collaboration&amp;rft.date=2020-09-09&amp;rft_id=https%3A%2F%2Fhypebeast.com%2F2020%2F9%2Fyayoi-kusama-veuve-clicquot-champagne-collaboration-info&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> <li id="cite_note-151"><span class="mw-cite-backlink"><b><a href="#cite_ref-151">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHo2024" class="citation web cs1">Ho, Karen K. (21 October 2024). <a rel="nofollow" class="external text" href="https://www.artnews.com/art-news/news/cyndi-lauper-farewell-tour-yayoi-kusama-daniel-wurtzel-refik-anadol-1234721743/">"Cyndi Lauper's Farewell Tour Features Yayoi Kusama, Daniel Wurtzel, Refik Anadol, and Other Artists"</a>. <i>ARTnews.com</i><span class="reference-accessdate">. Retrieved <span class="nowrap">23 December</span> 2024</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=ARTnews.com&amp;rft.atitle=Cyndi+Lauper%E2%80%99s+Farewell+Tour+Features+Yayoi+Kusama%2C+Daniel+Wurtzel%2C+Refik+Anadol%2C+and+Other+Artists&amp;rft.date=2024-10-21&amp;rft.aulast=Ho&amp;rft.aufirst=Karen+K.&amp;rft_id=https%3A%2F%2Fwww.artnews.com%2Fart-news%2Fnews%2Fcyndi-lauper-farewell-tour-yayoi-kusama-daniel-wurtzel-refik-anadol-1234721743%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></span> </li> </ol></div></div> <div class="mw-heading mw-heading2"><h2 id="External_links">External links</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Yayoi_Kusama&amp;action=edit&amp;section=28" title="Edit section: External links"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1235681985">.mw-parser-output .side-box{margin:4px 0;box-sizing:border-box;border:1px solid #aaa;font-size:88%;line-height:1.25em;background-color:var(--background-color-interactive-subtle,#f8f9fa);display:flow-root}.mw-parser-output .side-box-abovebelow,.mw-parser-output .side-box-text{padding:0.25em 0.9em}.mw-parser-output .side-box-image{padding:2px 0 2px 0.9em;text-align:center}.mw-parser-output .side-box-imageright{padding:2px 0.9em 2px 0;text-align:center}@media(min-width:500px){.mw-parser-output .side-box-flex{display:flex;align-items:center}.mw-parser-output .side-box-text{flex:1;min-width:0}}@media(min-width:720px){.mw-parser-output .side-box{width:238px}.mw-parser-output .side-box-right{clear:right;float:right;margin-left:1em}.mw-parser-output .side-box-left{margin-right:1em}}</style><style data-mw-deduplicate="TemplateStyles:r1237033735">@media print{body.ns-0 .mw-parser-output .sistersitebox{display:none!important}}@media screen{html.skin-theme-clientpref-night .mw-parser-output .sistersitebox img[src*="Wiktionary-logo-en-v2.svg"]{background-color:white}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .sistersitebox img[src*="Wiktionary-logo-en-v2.svg"]{background-color:white}}</style><div class="side-box side-box-right plainlinks sistersitebox"><style data-mw-deduplicate="TemplateStyles:r1126788409">.mw-parser-output .plainlist ol,.mw-parser-output .plainlist ul{line-height:inherit;list-style:none;margin:0;padding:0}.mw-parser-output .plainlist ol li,.mw-parser-output .plainlist ul li{margin-bottom:0}</style> <div class="side-box-flex"> <div class="side-box-image"><span class="noviewer" typeof="mw:File"><a href="/wiki/File:Commons-logo.svg" class="mw-file-description"><img alt="" src="//upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/30px-Commons-logo.svg.png" decoding="async" width="30" height="40" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/45px-Commons-logo.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/59px-Commons-logo.svg.png 2x" data-file-width="1024" data-file-height="1376" /></a></span></div> <div class="side-box-text plainlist"><a href="/wiki/Wikimedia_Commons" title="Wikimedia Commons">Wikimedia Commons</a> has media related to:<br /> <a href="https://commons.wikimedia.org/wiki/Yayoi_Kusama" class="extiw" title="commons:Yayoi Kusama"><span style="font-style:italic; font-weight:bold;">Yayoi Kusama</span></a> (<a href="https://commons.wikimedia.org/wiki/Category:Yayoi_Kusama" class="extiw" title="commons:Category:Yayoi Kusama">category</a>)</div></div> </div> <ul><li><span class="official-website"><span class="url"><a rel="nofollow" class="external text" href="http://www.yayoi-kusama.jp/">Official website</a></span></span></li> <li><a rel="nofollow" class="external text" href="https://yayoikusamamuseum.jp/en/exhibition/current/">Yayoi Kusama Museum (English)</a></li> <li><a rel="nofollow" class="external text" href="https://www.davidzwirner.com/artists/yayoi-kusama">Yayoi Kusama at David Zwirner</a></li> <li><a rel="nofollow" class="external text" href="https://www.moma.org/interactives/exhibitions/1998/kusama/index.html">Love Forever: Yayoi Kusama, 1958–1968</a>, <a href="/wiki/Museum_of_Modern_Art" title="Museum of Modern Art">Museum of Modern Art</a></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1"><a href="/wiki/Roberta_Smith" title="Roberta Smith">Smith, Roberta</a> (3 November 2017). <a rel="nofollow" class="external text" href="https://www.nytimes.com/2017/11/03/arts/design/yayoi-kusama-david-zwirner-festival-of-life-review.html">"Yayoi Kusama and the Amazing Polka dotted selfie made journey to greatness"</a>. <i><a href="/wiki/The_New_York_Times" title="The New York Times">The New York Times</a></i><span class="reference-accessdate">. Retrieved <span class="nowrap">4 April</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=The+New+York+Times&amp;rft.atitle=Yayoi+Kusama+and+the+Amazing+Polka+dotted+selfie+made+journey+to+greatness&amp;rft.date=2017-11-03&amp;rft.aulast=Smith&amp;rft.aufirst=Roberta&amp;rft_id=https%3A%2F%2Fwww.nytimes.com%2F2017%2F11%2F03%2Farts%2Fdesign%2Fyayoi-kusama-david-zwirner-festival-of-life-review.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AYayoi+Kusama" class="Z3988"></span></li> <li><a rel="nofollow" class="external text" href="https://www.youtube.com/watch?v=fZBC3nmvJb8&amp;t=385s">How to Paint Like Yayoi Kusama</a></li> <li><a rel="nofollow" class="external text" href="https://www.moma.org/artists/3315">Yayoi Kusama in the collection of The Museum of Modern Art</a></li> <li><a rel="nofollow" class="external text" href="https://www.youtube.com/watch?v=n8yLH4viZaM">Women Artists and Postwar Abstraction | HOW TO SEE the art movement with Corey D'Augustine, MoMA</a></li> <li><a href="/wiki/Phoenix_Art_Museum" title="Phoenix Art Museum">Phoenix Art Museum</a> <a rel="nofollow" class="external text" href="http://www.phxart.org/slideshow/index.html#/COL/72157606315913654/2677477643/">online</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20190128210415/http://www.phxart.org/slideshow/index.html#/COL/72157606315913654/2677477643/">Archived</a> 28 January 2019 at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a></li> <li><a rel="nofollow" class="external text" href="https://channel.louisiana.dk/video/yayoi-kusama-earth-polka-dot">Earth is a polka dot. An interview with Yayoi Kusama</a> Video by <a href="/wiki/Louisiana_Channel" title="Louisiana Channel">Louisiana Channel</a></li> <li><a rel="nofollow" class="external text" href="https://www.youtube.com/watch?v=L-kWnanXzGo"><span class="plainlinks">"Yayoi Kusama"</span></a> on <a href="/wiki/YouTube_video_(identifier)" class="mw-redirect" title="YouTube video (identifier)">YouTube</a>, BBC <i><a href="/wiki/Newsnight" title="Newsnight">Newsnight</a></i>, 26 September 2012</li> <li><a rel="nofollow" class="external text" href="https://www.youtube.com/watch?v=iT360Glhb9o">Why Yayoi Kusama matters now more than ever</a></li> <li><a rel="nofollow" class="external text" href="https://www.theatlantic.com/magazine/archive/2017/07/yayoi-kusamas-existential-circus/528669/">"An Artist for the Instagram Age"</a> by <a href="/wiki/Sarah_Boxer" title="Sarah Boxer">Sarah Boxer</a>, <i><a href="/wiki/The_Atlantic" title="The Atlantic">The Atlantic</a></i>, July/August 2017</li> <li><a rel="nofollow" class="external text" href="http://www.artnet.com/artists/yayoi-kusama/">Yayoi Kusama/artnet</a></li></ul> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><style data-mw-deduplicate="TemplateStyles:r1236075235">.mw-parser-output .navbox{box-sizing:border-box;border:1px solid #a2a9b1;width:100%;clear:both;font-size:88%;text-align:center;padding:1px;margin:1em auto 0}.mw-parser-output .navbox .navbox{margin-top:0}.mw-parser-output .navbox+.navbox,.mw-parser-output .navbox+.navbox-styles+.navbox{margin-top:-1px}.mw-parser-output .navbox-inner,.mw-parser-output .navbox-subgroup{width:100%}.mw-parser-output .navbox-group,.mw-parser-output .navbox-title,.mw-parser-output .navbox-abovebelow{padding:0.25em 1em;line-height:1.5em;text-align:center}.mw-parser-output .navbox-group{white-space:nowrap;text-align:right}.mw-parser-output .navbox,.mw-parser-output .navbox-subgroup{background-color:#fdfdfd}.mw-parser-output .navbox-list{line-height:1.5em;border-color:#fdfdfd}.mw-parser-output .navbox-list-with-group{text-align:left;border-left-width:2px;border-left-style:solid}.mw-parser-output tr+tr>.navbox-abovebelow,.mw-parser-output tr+tr>.navbox-group,.mw-parser-output tr+tr>.navbox-image,.mw-parser-output tr+tr>.navbox-list{border-top:2px solid #fdfdfd}.mw-parser-output .navbox-title{background-color:#ccf}.mw-parser-output .navbox-abovebelow,.mw-parser-output .navbox-group,.mw-parser-output .navbox-subgroup .navbox-title{background-color:#ddf}.mw-parser-output .navbox-subgroup .navbox-group,.mw-parser-output .navbox-subgroup .navbox-abovebelow{background-color:#e6e6ff}.mw-parser-output .navbox-even{background-color:#f7f7f7}.mw-parser-output .navbox-odd{background-color:transparent}.mw-parser-output .navbox .hlist td dl,.mw-parser-output .navbox .hlist td ol,.mw-parser-output .navbox .hlist td ul,.mw-parser-output .navbox td.hlist dl,.mw-parser-output .navbox td.hlist ol,.mw-parser-output .navbox td.hlist ul{padding:0.125em 0}.mw-parser-output .navbox .navbar{display:block;font-size:100%}.mw-parser-output .navbox-title .navbar{float:left;text-align:left;margin-right:0.5em}body.skin--responsive .mw-parser-output .navbox-image img{max-width:none!important}@media print{body.ns-0 .mw-parser-output .navbox{display:none!important}}</style></div><div role="navigation" class="navbox" aria-labelledby="Performance_art78" style="padding:3px"><table class="nowraplinks mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2" style="background:"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><style data-mw-deduplicate="TemplateStyles:r1239400231">.mw-parser-output .navbar{display:inline;font-size:88%;font-weight:normal}.mw-parser-output .navbar-collapse{float:left;text-align:left}.mw-parser-output .navbar-boxtext{word-spacing:0}.mw-parser-output .navbar ul{display:inline-block;white-space:nowrap;line-height:inherit}.mw-parser-output .navbar-brackets::before{margin-right:-0.125em;content:"[ "}.mw-parser-output .navbar-brackets::after{margin-left:-0.125em;content:" ]"}.mw-parser-output .navbar li{word-spacing:-0.125em}.mw-parser-output .navbar a>span,.mw-parser-output .navbar a>abbr{text-decoration:inherit}.mw-parser-output .navbar-mini abbr{font-variant:small-caps;border-bottom:none;text-decoration:none;cursor:inherit}.mw-parser-output .navbar-ct-full{font-size:114%;margin:0 7em}.mw-parser-output .navbar-ct-mini{font-size:114%;margin:0 4em}html.skin-theme-clientpref-night .mw-parser-output .navbar li a abbr{color:var(--color-base)!important}@media(prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .navbar li a abbr{color:var(--color-base)!important}}@media print{.mw-parser-output .navbar{display:none!important}}</style><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:Performance_art" title="Template:Performance art"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Performance_art" title="Template talk:Performance art"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Performance_art" title="Special:EditPage/Template:Performance art"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Performance_art78" style="font-size:114%;margin:0 4em"><a href="/wiki/Performance_art" title="Performance art">Performance art</a></div></th></tr><tr><th scope="row" class="navbox-group" style="background:;width:1%">Work</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/7000_Oaks" title="7000 Oaks">7000 Oaks</a></i> (1982)</li> <li><i><a href="/wiki/Amen_or_The_Pederasty" title="Amen or The Pederasty">Amen or The Pederasty</a></i> (2015)</li> <li><a href="/wiki/Bed-in" title="Bed-in">Bed-in</a> (1969)</li> <li><i><a href="/wiki/Breathing_in/breathing_out" title="Breathing in/breathing out">Breathing in/breathing out</a></i> (1977)</li> <li><i><a href="/wiki/Body_Pressure" title="Body Pressure">Body Pressure</a></i> (1974)</li> <li><i><a href="/wiki/Buried_(performance_art)" title="Buried (performance art)">Buried</a></i> (2015)</li> <li><i><a href="/wiki/Ceci_N%27est_Pas_Un_Viol" title="Ceci N&#39;est Pas Un Viol">Ceci N'est Pas Un Viol</a></i> (2015)</li> <li><i><a href="/wiki/Couple_in_The_Cage:_Two_Undiscovered_Amerindians_Visit_the_West" title="Couple in The Cage: Two Undiscovered Amerindians Visit the West">Couple in The Cage: Two Undiscovered Amerindians Visit the West</a></i> (1992–93)</li> <li><i><a href="/wiki/Cut_Piece_1964" title="Cut Piece 1964">Cut Piece</a></i> (1964)</li> <li><i><a href="/wiki/Eating_(performance_art)" title="Eating (performance art)">Eating</a></i> (2012)</li> <li><i><a href="/wiki/Empathy_and_Prostitution" title="Empathy and Prostitution">Empathy and Prostitution</a></i> (2013)</li> <li><i><a href="/wiki/Food_for_the_Spirit" title="Food for the Spirit">Food for the Spirit</a></i> (1971)</li> <li><i><a href="/wiki/How_to_Explain_Pictures_to_a_Dead_Hare" title="How to Explain Pictures to a Dead Hare">How to Explain Pictures to a Dead Hare</a></i> (1965)</li> <li><i><a href="/wiki/I%27m_too_sad_to_tell_you" title="I&#39;m too sad to tell you">I'm too sad to tell you</a></i> (1970–71)</li> <li><i><a href="/wiki/Luminosity_(performance_art)" title="Luminosity (performance art)">Luminosity</a></i> (1997)</li> <li><i><a href="/wiki/Mattress_Performance_(Carry_That_Weight)" title="Mattress Performance (Carry That Weight)">Mattress Performance (Carry That Weight)</a></i> (2014–2015)</li> <li><i><a href="/wiki/One_%26_Other" title="One &amp; Other">One &amp; Other</a></i> (2009)</li> <li><a href="/wiki/Rest_Energy_(performance_piece)" title="Rest Energy (performance piece)"><i>Rest Energy</i></a> (1980)</li> <li><i><a href="/wiki/Rhythm_10" class="mw-redirect" title="Rhythm 10">Rhythm 10</a></i> (1973)</li> <li><i><a href="/wiki/Rhythm_5" class="mw-redirect" title="Rhythm 5">Rhythm 5</a></i> (1974)</li> <li><i><a href="/wiki/Rhythm_2" class="mw-redirect" title="Rhythm 2">Rhythm 2</a></i> (1974)</li> <li><i><a href="/wiki/Rhythm_0" title="Rhythm 0">Rhythm 0</a></i> (1974)</li> <li><i><a href="/wiki/Seedbed_(performance_piece)" title="Seedbed (performance piece)">Seedbed</a></i> (1972)</li> <li><i><a href="/wiki/Seven_Easy_Pieces" title="Seven Easy Pieces">Seven Easy Pieces</a></i> (2005)</li> <li><i><a href="/wiki/Shot_Marilyns" title="Shot Marilyns">Shot Marilyns</a></i> (1964)</li> <li><i><a href="/wiki/The_Artist_Is_Present_(performance_art)" class="mw-redirect" title="The Artist Is Present (performance art)">The Artist Is Present</a></i> (2010)</li> <li><i><a href="/wiki/The_Death_of_The_Artist" title="The Death of The Artist">The Death of The Artist</a></i> (2018)</li> <li><i><a href="/wiki/The_Fathers" title="The Fathers">The Fathers</a></i> (2016)</li> <li><i><a href="/wiki/The_Shadow_(performance_art)" title="The Shadow (performance art)">The Shadow</a></i> (2014)</li> <li><i><a href="/wiki/The_Shame_(performance_art)" title="The Shame (performance art)">The Shame</a></i> (2018)</li> <li><i><a href="/wiki/Three_Weeks_in_May" title="Three Weeks in May">Three Weeks in May</a></i> (1977)</li> <li><i><a href="/wiki/Untitled_(Rape_Scene)" title="Untitled (Rape Scene)">Untitled (Rape Scene)</a></i> (1973)</li> <li><i><a href="/wiki/Untitled_(Senior_Thesis)" title="Untitled (Senior Thesis)">Untitled [Senior Thesis], 2008</a></i> (2008)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background:;width:1%"><a href="/wiki/List_of_performance_artists" title="List of performance artists">Artists</a></th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Marina_Abramovi%C4%87" title="Marina Abramović">Marina Abramović</a></li> <li><a href="/wiki/Vito_Acconci" title="Vito Acconci">Vito Acconci</a></li> <li><a href="/wiki/Bas_Jan_Ader" title="Bas Jan Ader">Bas Jan Ader</a></li> <li><a href="/wiki/Laurie_Anderson" title="Laurie Anderson">Laurie Anderson</a></li> <li><a href="/wiki/Ron_Athey" title="Ron Athey">Ron Athey</a></li> <li><a href="/wiki/Abel_Azcona" title="Abel Azcona">Abel Azcona</a></li> <li><a href="/wiki/Franko_B" title="Franko B">Franko B</a></li> <li><a href="/wiki/Matthew_Barney" title="Matthew Barney">Matthew Barney</a></li> <li><a href="/wiki/Rebecca_Belmore" title="Rebecca Belmore">Rebecca Belmore</a></li> <li><a href="/wiki/Joseph_Beuys" title="Joseph Beuys">Joseph Beuys</a></li> <li><a href="/wiki/David_Blaine" title="David Blaine">David Blaine</a></li> <li><a href="/wiki/Mark_Bloch_(artist)" title="Mark Bloch (artist)">Mark Bloch</a></li> <li><a href="/wiki/Stuart_Brisley" title="Stuart Brisley">Stuart Brisley</a></li> <li><a href="/wiki/G%C3%BCnter_Brus" title="Günter Brus">Günter Brus</a></li> <li><a href="/wiki/Nancy_Buchanan" title="Nancy Buchanan">Nancy Buchanan</a></li> <li><a href="/wiki/Chris_Burden" title="Chris Burden">Chris Burden</a></li> <li><a href="/wiki/James_Lee_Byars" title="James Lee Byars">James Lee Byars</a></li> <li><a href="/wiki/Sophie_Calle" title="Sophie Calle">Sophie Calle</a></li> <li><a href="/wiki/Papo_Colo" title="Papo Colo">Papo Colo</a></li> <li><a href="/wiki/Valie_Export" title="Valie Export">Valie Export</a></li> <li><a href="/wiki/Bob_Flanagan_(performance_artist)" title="Bob Flanagan (performance artist)">Bob Flanagan</a></li> <li><a href="/wiki/Terry_Fox_(artist)" title="Terry Fox (artist)">Terry Fox</a></li> <li><a href="/wiki/Coco_Fusco" title="Coco Fusco">Coco Fusco</a></li> <li><a href="/wiki/Guillermo_G%C3%B3mez-Pe%C3%B1a" title="Guillermo Gómez-Peña">Guillermo Gómez-Peña</a></li> <li><a href="/wiki/Cai_Guo-Qiang" title="Cai Guo-Qiang">Cai Guo-Qiang</a></li> <li><a href="/wiki/Ann_Hamilton_(artist)" title="Ann Hamilton (artist)">Ann Hamilton</a></li> <li><a href="/wiki/David_Hammons" title="David Hammons">David Hammons</a></li> <li><a href="/wiki/Jo_Hanson" title="Jo Hanson">Jo Hanson</a></li> <li><a href="/wiki/The_Harrison_Studio" title="The Harrison Studio">Newton Harrison</a></li> <li><a href="/wiki/Sharon_Hayes_(artist)" title="Sharon Hayes (artist)">Sharon Hayes</a></li> <li><a href="/wiki/Lynn_Hershman" class="mw-redirect" title="Lynn Hershman">Lynn Hershman</a></li> <li><a href="/wiki/Rebecca_Horn" title="Rebecca Horn">Rebecca Horn</a></li> <li><a href="/wiki/Tehching_Hsieh" title="Tehching Hsieh">Tehching Hsieh</a></li> <li><a href="/wiki/Zhang_Huan" title="Zhang Huan">Zhang Huan</a></li> <li><a href="/wiki/Natalie_Jeremijenko" title="Natalie Jeremijenko">Natalie Jeremijenko</a></li> <li><a href="/wiki/Joan_Jonas" title="Joan Jonas">Joan Jonas</a></li> <li><a href="/wiki/Allan_Kaprow" title="Allan Kaprow">Allan Kaprow</a></li> <li><a href="/wiki/Andy_Kaufman" title="Andy Kaufman">Andy Kaufman</a></li> <li><a href="/wiki/Ragnar_Kjartansson_(performance_artist)" title="Ragnar Kjartansson (performance artist)">Ragnar Kjartansson</a></li> <li><a href="/wiki/Yves_Klein" title="Yves Klein">Yves Klein</a></li> <li><a href="/wiki/Terence_Koh" title="Terence Koh">Terence Koh</a></li> <li><a href="/wiki/Paul_Kos" title="Paul Kos">Paul Kos</a></li> <li><a class="mw-selflink selflink">Yayoi Kusama</a></li> <li><a href="/wiki/Suzanne_Lacy" title="Suzanne Lacy">Suzanne Lacy</a></li> <li><a href="/wiki/Phoebe_Legere" title="Phoebe Legere">Phoebe Legere</a></li> <li><a href="/wiki/James_Luna" title="James Luna">James Luna</a></li> <li><a href="/wiki/Miki_Mal%C3%B6r" title="Miki Malör">Miki Malör</a></li> <li><a href="/wiki/Eric_Millikin" title="Eric Millikin">Eric Millikin</a></li> <li><a href="/wiki/Marta_Minuj%C3%ADn" title="Marta Minujín">Marta Minujín</a></li> <li><a href="/wiki/Kent_Monkman" title="Kent Monkman">Kent Monkman</a></li> <li><a href="/wiki/Linda_Montano" title="Linda Montano">Linda Montano</a></li> <li><a href="/wiki/Frank_Moore_(performance_artist)" title="Frank Moore (performance artist)">Frank Moore</a></li> <li><a href="/wiki/Charlotte_Moorman" title="Charlotte Moorman">Charlotte Moorman</a></li> <li><a href="/wiki/Bruce_Nauman" title="Bruce Nauman">Bruce Nauman</a></li> <li><a href="/wiki/Shirin_Neshat" title="Shirin Neshat">Shirin Neshat</a></li> <li><a href="/wiki/Pat_Oleszko" title="Pat Oleszko">Pat Oleszko</a></li> <li><a href="/wiki/Pauline_Oliveros" title="Pauline Oliveros">Pauline Oliveros</a></li> <li><a href="/wiki/Mihai_Olos" title="Mihai Olos">Mihai Olos</a></li> <li><a href="/wiki/Yoko_Ono" title="Yoko Ono">Yoko Ono</a></li> <li><a href="/wiki/Eiko_and_Koma" class="mw-redirect" title="Eiko and Koma">Eiko Otaki</a></li> <li><a href="/wiki/Nam_June_Paik" title="Nam June Paik">Nam June Paik</a></li> <li><a href="/wiki/Gina_Pane" title="Gina Pane">Gina Pane</a></li> <li><a href="/wiki/Mark_Pauline" title="Mark Pauline">Mark Pauline</a></li> <li><a href="/wiki/Petr_Pavlensky" title="Petr Pavlensky">Petr Pavlensky</a></li> <li><a href="/wiki/Dorothy_Podber" title="Dorothy Podber">Dorothy Podber</a></li> <li><a href="/wiki/Jim_Pomeroy_(artist)" title="Jim Pomeroy (artist)">Jim Pomeroy</a></li> <li><a href="/wiki/Duke_Riley_(artist)" title="Duke Riley (artist)">Duke Riley</a></li> <li><a href="/wiki/Rachel_Rosenthal" title="Rachel Rosenthal">Rachel Rosenthal</a></li> <li><a href="/wiki/Martha_Rosler" title="Martha Rosler">Martha Rosler</a></li> <li><a href="/wiki/Carolee_Schneemann" title="Carolee Schneemann">Carolee Schneemann</a></li> <li><a href="/wiki/Tino_Sehgal" title="Tino Sehgal">Tino Sehgal</a></li> <li><a href="/wiki/Aliza_Shvarts" title="Aliza Shvarts">Aliza Shvarts</a></li> <li><a href="/wiki/Barbara_T._Smith" title="Barbara T. Smith">Barbara T. Smith</a></li> <li><a href="/wiki/Michael_Smith_(performance_artist)" title="Michael Smith (performance artist)">Michael Smith</a></li> <li><a href="/wiki/Stelarc" title="Stelarc">Stelarc</a></li> <li><a href="/wiki/Melati_Suryodarmo" title="Melati Suryodarmo">Melati Suryodarmo</a></li> <li><a href="/wiki/Mierle_Laderman_Ukeles" title="Mierle Laderman Ukeles">Mierle Laderman Ukeles</a></li> <li><a href="/wiki/Ulay" title="Ulay">Ulay</a></li> <li><a href="/wiki/Wolf_Vostell" title="Wolf Vostell">Wolf Vostell</a></li> <li><a href="/wiki/Robert_Whitman" title="Robert Whitman">Robert Whitman</a></li> <li><a href="/wiki/Hannah_Wilke" title="Hannah Wilke">Hannah Wilke</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background:;width:1%">Groups</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Ant_Farm_(group)" title="Ant Farm (group)">Ant Farm</a></li> <li><a href="/wiki/Concept_21" title="Concept 21">Concept 21</a></li> <li><a href="/wiki/COUM_Transmissions" title="COUM Transmissions">COUM Transmissions</a></li> <li><a href="/wiki/Fallen_Fruit" title="Fallen Fruit">Fallen Fruit</a></li> <li><a href="/wiki/General_Idea" title="General Idea">General Idea</a></li> <li><a href="/wiki/LaBeouf,_R%C3%B6nkk%C3%B6_%26_Turner" title="LaBeouf, Rönkkö &amp; Turner">LaBeouf, Rönkkö &amp; Turner</a></li> <li><a href="/wiki/Los_Angeles_Urban_Rangers" title="Los Angeles Urban Rangers">Los Angeles Urban Rangers</a></li> <li><a href="/wiki/Mavo" title="Mavo">Mavo</a></li> <li><a href="/wiki/The_Yes_Men" title="The Yes Men">The Yes Men</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background:;width:1%">Media</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/Mondo_New_York" title="Mondo New York">Mondo New York</a></i> (1988 film)</li> <li><i><a href="/wiki/Kusama:_Infinity" title="Kusama: Infinity">Kusama: Infinity</a></i> (2018 film)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background:;width:1%">Other</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Body_art" title="Body art">Body art</a></li> <li><a href="/wiki/Endurance_art" title="Endurance art">Endurance art</a></li> <li><a href="/wiki/Feminist_art" title="Feminist art">Feminist art</a></li> <li><a href="/wiki/Fluxus" title="Fluxus">Fluxus</a></li> <li><a href="/wiki/Happening" title="Happening">Happening</a></li> <li><a href="/wiki/Hunger_artist" title="Hunger artist">Hunger artist</a></li> <li><a href="/wiki/Monochrom" title="Monochrom">monochrom</a></li> <li><a href="/wiki/Participatory_art" title="Participatory art">Participatory art</a></li> <li><a href="/wiki/Performance_art_in_China" title="Performance art in China">Performance art in China</a></li> <li><a href="/wiki/Survival_Research_Laboratories" title="Survival Research Laboratories">Survival Research Laboratories</a></li> <li><a href="/wiki/Viennese_Actionism" title="Viennese Actionism">Viennese Actionism</a></li> <li><a href="/wiki/Process_art" title="Process art">Process art</a></li></ul> </div></td></tr></tbody></table></div> <style data-mw-deduplicate="TemplateStyles:r1130092004">.mw-parser-output .portal-bar{font-size:88%;font-weight:bold;display:flex;justify-content:center;align-items:baseline}.mw-parser-output .portal-bar-bordered{padding:0 2em;background-color:#fdfdfd;border:1px solid #a2a9b1;clear:both;margin:1em auto 0}.mw-parser-output .portal-bar-related{font-size:100%;justify-content:flex-start}.mw-parser-output .portal-bar-unbordered{padding:0 1.7em;margin-left:0}.mw-parser-output .portal-bar-header{margin:0 1em 0 0.5em;flex:0 0 auto;min-height:24px}.mw-parser-output .portal-bar-content{display:flex;flex-flow:row wrap;flex:0 1 auto;padding:0.15em 0;column-gap:1em;align-items:baseline;margin:0;list-style:none}.mw-parser-output .portal-bar-content-related{margin:0;list-style:none}.mw-parser-output .portal-bar-item{display:inline-block;margin:0.15em 0.2em;min-height:24px;line-height:24px}@media screen and (max-width:768px){.mw-parser-output .portal-bar{font-size:88%;font-weight:bold;display:flex;flex-flow:column wrap;align-items:baseline}.mw-parser-output .portal-bar-header{text-align:center;flex:0;padding-left:0.5em;margin:0 auto}.mw-parser-output .portal-bar-related{font-size:100%;align-items:flex-start}.mw-parser-output .portal-bar-content{display:flex;flex-flow:row wrap;align-items:center;flex:0;column-gap:1em;border-top:1px solid #a2a9b1;margin:0 auto;list-style:none}.mw-parser-output .portal-bar-content-related{border-top:none;margin:0;list-style:none}}.mw-parser-output .navbox+link+.portal-bar,.mw-parser-output .navbox+style+.portal-bar,.mw-parser-output .navbox+link+.portal-bar-bordered,.mw-parser-output .navbox+style+.portal-bar-bordered,.mw-parser-output .sister-bar+link+.portal-bar,.mw-parser-output .sister-bar+style+.portal-bar,.mw-parser-output .portal-bar+.navbox-styles+.navbox,.mw-parser-output .portal-bar+.navbox-styles+.sister-bar{margin-top:-1px}</style><div class="portal-bar noprint metadata noviewer portal-bar-bordered" role="navigation" aria-label="Portals"><span class="portal-bar-header"><a href="/wiki/Wikipedia:Contents/Portals" title="Wikipedia:Contents/Portals">Portals</a>:</span><ul class="portal-bar-content"><li class="portal-bar-item"><span class="nowrap"><span class="mw-image-border" typeof="mw:File"><span><img alt="flag" src="//upload.wikimedia.org/wikipedia/en/thumb/9/9e/Flag_of_Japan.svg/21px-Flag_of_Japan.svg.png" decoding="async" width="21" height="14" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/9/9e/Flag_of_Japan.svg/32px-Flag_of_Japan.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/9/9e/Flag_of_Japan.svg/42px-Flag_of_Japan.svg.png 2x" data-file-width="900" data-file-height="600" /></span></span> </span><a href="/wiki/Portal:Japan" title="Portal:Japan">Japan</a></li><li class="portal-bar-item"><span class="nowrap"><span typeof="mw:File"><a href="/wiki/File:WPVA-khamsa.svg" class="mw-file-description"><img alt="icon" src="//upload.wikimedia.org/wikipedia/commons/thumb/c/cd/WPVA-khamsa.svg/15px-WPVA-khamsa.svg.png" decoding="async" width="15" height="19" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/cd/WPVA-khamsa.svg/22px-WPVA-khamsa.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/cd/WPVA-khamsa.svg/29px-WPVA-khamsa.svg.png 2x" data-file-width="124" data-file-height="160" /></a></span> </span><a href="/wiki/Portal:Visual_arts" title="Portal:Visual arts">Visual arts</a></li><li class="portal-bar-item"><span class="nowrap"><span typeof="mw:File"><span><img alt="" src="//upload.wikimedia.org/wikipedia/en/thumb/6/69/P_vip.svg/19px-P_vip.svg.png" decoding="async" width="19" height="19" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/6/69/P_vip.svg/28px-P_vip.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/6/69/P_vip.svg/37px-P_vip.svg.png 2x" data-file-width="1911" data-file-height="1944" /></span></span> </span><a href="/wiki/Portal:Biography" title="Portal:Biography">Biography</a></li></ul></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div><div role="navigation" class="navbox authority-control" aria-labelledby="Authority_control_databases_frameless&amp;#124;text-top&amp;#124;10px&amp;#124;alt=Edit_this_at_Wikidata&amp;#124;link=https&amp;#58;//www.wikidata.org/wiki/Q231121#identifiers&amp;#124;class=noprint&amp;#124;Edit_this_at_Wikidata3663" style="padding:3px"><table class="nowraplinks hlist mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><div id="Authority_control_databases_frameless&amp;#124;text-top&amp;#124;10px&amp;#124;alt=Edit_this_at_Wikidata&amp;#124;link=https&amp;#58;//www.wikidata.org/wiki/Q231121#identifiers&amp;#124;class=noprint&amp;#124;Edit_this_at_Wikidata3663" style="font-size:114%;margin:0 4em"><a href="/wiki/Help:Authority_control" title="Help:Authority control">Authority control databases</a> <span class="mw-valign-text-top noprint" typeof="mw:File/Frameless"><a href="https://www.wikidata.org/wiki/Q231121#identifiers" title="Edit this at Wikidata"><img alt="Edit this at Wikidata" src="//upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/10px-OOjs_UI_icon_edit-ltr-progressive.svg.png" decoding="async" width="10" height="10" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/15px-OOjs_UI_icon_edit-ltr-progressive.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/20px-OOjs_UI_icon_edit-ltr-progressive.svg.png 2x" data-file-width="20" data-file-height="20" /></a></span></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%">International</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://isni.org/isni/0000000118859487">ISNI</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://viaf.org/viaf/22415110">VIAF</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="http://id.worldcat.org/fast/281264/">FAST</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://id.oclc.org/worldcat/entity/E39PBJvtbvTDpCrKj4TKb9qPcP">WorldCat</a></span></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">National</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://d-nb.info/gnd/119299755">Germany</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://id.loc.gov/authorities/nr91003643">United States</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://catalogue.bnf.fr/ark:/12148/cb12046820j">France</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://data.bnf.fr/ark:/12148/cb12046820j">BnF data</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://id.ndl.go.jp/auth/ndlna/00140055">Japan</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://nla.gov.au/anbd.aut-an35292105">Australia</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://aleph.nkp.cz/F/?func=find-c&amp;local_base=aut&amp;ccl_term=ica=xx0143565&amp;CON_LNG=ENG">Czech Republic</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="http://catalogo.bne.es/uhtbin/authoritybrowse.cgi?action=display&amp;authority_id=XX1735280">Spain</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="http://data.bibliotheken.nl/id/thes/p217379923">Netherlands</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://authority.bibsys.no/authority/rest/authorities/html/99018915">Norway</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://kopkatalogs.lv/F?func=direct&amp;local_base=lnc10&amp;doc_number=000250610&amp;P_CON_LNG=ENG">Latvia</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://lod.nl.go.kr/resource/KAC201116576">Korea</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://libris.kb.se/jgvz37b21f4hw3p">Sweden</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://dbn.bn.org.pl/descriptor-details/9810609124605606">Poland</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://www.nli.org.il/en/authorities/987007372359905171">Israel</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://cantic.bnc.cat/registre/981058527860806706">Catalonia</a></span></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Academics</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://ci.nii.ac.jp/author/DA07713319?l=en">CiNii</a></span></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Artists</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://www.getty.edu/vow/ULANFullDisplay?find=&amp;role=&amp;nation=&amp;subjectid=500122518">ULAN</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://musicbrainz.org/artist/bf027516-3f7e-4ab7-9d93-a897eb1648ca">MusicBrainz</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://rkd.nl/en/explore/artists/122345">RKD Artists</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://www.ngv.vic.gov.au/explore/collection/artist/16779/">Victoria</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://www.moma.org/artists/3315">Museum of Modern Art</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://pic.nypl.org/constituents/14249">Photographers' Identities</a></span></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">People</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://trove.nla.gov.au/people/900227">Trove</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://www.deutsche-biographie.de/119299755.html?language=en">Deutsche Biographie</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://www.deutsche-digitale-bibliothek.de/person/gnd/119299755">DDB</a></span></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Other</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://www.idref.fr/059433736">IdRef</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://snaccooperative.org/ark:/99166/w6fp1wq9">SNAC</a></span><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://snaccooperative.org/ark:/99166/w6028vhm">2</a></span></li></ul></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://collections.tepapa.govt.nz/agent/61089">Te Papa (New Zealand)</a></span></li></ul></div></td></tr></tbody></table></div> <!-- NewPP limit report Parsed by mw‐api‐int.codfw.main‐5b65fffc7d‐mq8h7 Cached time: 20250215064325 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