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overflow: hidden; text-overflow: ellipsis; -webkit-line-clamp: 3; -webkit-box-orient: vertical; }</style><div class="col-xs-12 clearfix"><div class="u-floatLeft"><h1 class="PageHeader-title u-m0x u-fs30">Ceramics (Art History)</h1><div class="u-tcGrayDark">12,526 Followers</div><div class="u-tcGrayDark u-mt2x">Recent papers in <b>Ceramics (Art History)</b></div></div></div></div></div></div><div class="TabbedNavigation"><div class="container"><div class="row"><div class="col-xs-12 clearfix"><ul class="nav u-m0x u-p0x list-inline u-displayFlex"><li class="active"><a href="https://www.academia.edu/Documents/in/Ceramics_Art_History_">Top Papers</a></li><li><a href="https://www.academia.edu/Documents/in/Ceramics_Art_History_/MostCited">Most Cited Papers</a></li><li><a href="https://www.academia.edu/Documents/in/Ceramics_Art_History_/MostDownloaded">Most Downloaded Papers</a></li><li><a href="https://www.academia.edu/Documents/in/Ceramics_Art_History_/MostRecent">Newest Papers</a></li><li><a class="" href="https://www.academia.edu/People/Ceramics_Art_History_">People</a></li></ul></div><style type="text/css">ul.nav{flex-direction:row}@media(max-width: 567px){ul.nav{flex-direction:column}.TabbedNavigation li{max-width:100%}.TabbedNavigation li.active{background-color:var(--background-grey, #dddde2)}.TabbedNavigation li.active:before,.TabbedNavigation li.active:after{display:none}}</style></div></div></div><div class="container"><div class="row"><div class="col-xs-12"><div class="u-displayFlex"><div class="u-flexGrow1"><div class="works"><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_9525258" data-work_id="9525258" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/9525258/Ceramic_Culture_and_Innovation_1851_2000_Ceramics_Monthly_52_2_pp_61_64_Feb_2004">Ceramic Culture and Innovation, 1851-2000. Ceramics Monthly 52:2, pp. 61-64, Feb 2004.</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Travelling exhibition of pieces from six European Museums.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/9525258" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="5746b0690c83b442d83af06ebde2cf5e" rel="nofollow" data-download="{"attachment_id":35749534,"asset_id":9525258,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/35749534/download_file?st=MTczMjUwMjUyMSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="15083208" href="https://independent.academia.edu/MurrayEiland">Murray L Eiland</a><script data-card-contents-for-user="15083208" type="text/json">{"id":15083208,"first_name":"Murray","last_name":"Eiland","domain_name":"independent","page_name":"MurrayEiland","display_name":"Murray L Eiland","profile_url":"https://independent.academia.edu/MurrayEiland?f_ri=15244","photo":"https://0.academia-photos.com/15083208/4069948/17251060/s65_murray.eiland.jpg"}</script></span></span></li><li class="js-paper-rank-work_9525258 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="9525258"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 9525258, container: ".js-paper-rank-work_9525258", }); 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$(".js-view-count[data-work-id=9525258]").text(description); $(".js-view-count-work_9525258").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_9525258").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="9525258"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">3</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="15244" href="https://www.academia.edu/Documents/in/Ceramics_Art_History_">Ceramics (Art History)</a>, <script data-card-contents-for-ri="15244" type="text/json">{"id":15244,"name":"Ceramics (Art History)","url":"https://www.academia.edu/Documents/in/Ceramics_Art_History_?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="58128" href="https://www.academia.edu/Documents/in/Ceramics">Ceramics</a>, <script data-card-contents-for-ri="58128" type="text/json">{"id":58128,"name":"Ceramics","url":"https://www.academia.edu/Documents/in/Ceramics?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="257197" href="https://www.academia.edu/Documents/in/Architectural_Ceramics_And_Tiles_Of_19th_and_20th_C">Architectural Ceramics And Tiles Of 19th & 20th C</a><script data-card-contents-for-ri="257197" type="text/json">{"id":257197,"name":"Architectural Ceramics And Tiles Of 19th \u0026 20th C","url":"https://www.academia.edu/Documents/in/Architectural_Ceramics_And_Tiles_Of_19th_and_20th_C?f_ri=15244","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=9525258]'), work: {"id":9525258,"title":"Ceramic Culture and Innovation, 1851-2000. Ceramics Monthly 52:2, pp. 61-64, Feb 2004.","created_at":"2014-11-27T04:24:14.508-08:00","url":"https://www.academia.edu/9525258/Ceramic_Culture_and_Innovation_1851_2000_Ceramics_Monthly_52_2_pp_61_64_Feb_2004?f_ri=15244","dom_id":"work_9525258","summary":"Travelling exhibition of pieces from six European Museums.","downloadable_attachments":[{"id":35749534,"asset_id":9525258,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":15083208,"first_name":"Murray","last_name":"Eiland","domain_name":"independent","page_name":"MurrayEiland","display_name":"Murray L Eiland","profile_url":"https://independent.academia.edu/MurrayEiland?f_ri=15244","photo":"https://0.academia-photos.com/15083208/4069948/17251060/s65_murray.eiland.jpg"}],"research_interests":[{"id":15244,"name":"Ceramics (Art History)","url":"https://www.academia.edu/Documents/in/Ceramics_Art_History_?f_ri=15244","nofollow":false},{"id":58128,"name":"Ceramics","url":"https://www.academia.edu/Documents/in/Ceramics?f_ri=15244","nofollow":false},{"id":257197,"name":"Architectural Ceramics And Tiles Of 19th \u0026 20th C","url":"https://www.academia.edu/Documents/in/Architectural_Ceramics_And_Tiles_Of_19th_and_20th_C?f_ri=15244","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_70840088" data-work_id="70840088" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/70840088/The_Study_of_Marbled_Ware_in_the_Tang_and_Song_Dynasty_%E5%94%90%E5%AE%8B%E6%99%82%E6%9C%9F%E7%B5%9E%E8%83%8E%E5%99%A8%E7%A0%94%E7%A9%B6_%E5%9C%8B%E7%AB%8B%E8%87%BA%E7%81%A3%E5%B8%AB%E7%AF%84%E5%A4%A7%E5%AD%B8%E8%97%9D%E8%A1%93%E5%8F%B2%E7%A0%94%E7%A9%B6%E6%89%80%E7%A2%A9%E5%A3%AB%E8%AB%96%E6%96%87_2022_">The Study of Marbled Ware in the Tang and Song Dynasty 〈唐宋時期絞胎器研究〉，國立臺灣師範大學藝術史研究所碩士論文，2022。</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">(可直接下載 Preview is currently unavailable. You can download the paper by clicking the button below.) In the past, researchers who studied ceramics tended to focus on the imitation of marbled ware in the pattern, or to incorporate it into... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_70840088" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">(可直接下載 Preview is currently unavailable. You can download the paper by clicking the button below.) <br /> <br />In the past, researchers who studied ceramics tended to focus on the imitation of marbled ware in the pattern, or to incorporate it into the lead-glazed pottery system to be discussed. Research focused on marbled ware is relatively rare so far, and the value of historical data is still potential to be explored. In addition, in the newly unearthed archaeological information in recent years, marbled ware is widely found in tombs and ruins in East Asia. However, the use of this batch of materials and the export route have not been systematically studied. <br /> <br />In this research, we will first investigate the unearthed materials and related documents, then organize the marbled ware collections of museums in various countries to build a systematic research database. Furthermore, by comparing the styles of each type, this research will try to illustrate the relationship between the production time period and evolution of each type of marbled ware. <br /> <br />After sorting out the basic information of marbled ware in the Tang and Song dynasties, this article will also study the foreign trade status of marbled ware, the class of users and the group of sponsors, and its special significance in religion and political rights. By comprehensively analyzing the historical information revealed by marbled ware, this research will try to restore its context of use during the Tang and Song Dynasties.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/70840088" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="3324d8abd711455cd24993ab9c546a6b" rel="nofollow" data-download="{"attachment_id":95343738,"asset_id":70840088,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/95343738/download_file?st=MTczMjUwMjUyMSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="53870054" href="https://ntnu.academia.edu/LeiHaoTien%E9%9B%B7%E7%9A%93%E5%A4%A9">Lei Hao-Tien 雷皓天</a><script data-card-contents-for-user="53870054" type="text/json">{"id":53870054,"first_name":"Lei Hao-Tien","last_name":"雷皓天","domain_name":"ntnu","page_name":"LeiHaoTien雷皓天","display_name":"Lei Hao-Tien 雷皓天","profile_url":"https://ntnu.academia.edu/LeiHaoTien%E9%9B%B7%E7%9A%93%E5%A4%A9?f_ri=15244","photo":"https://0.academia-photos.com/53870054/22344577/38115350/s65_lei_hao-tien._.jpeg"}</script></span></span></li><li class="js-paper-rank-work_70840088 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="70840088"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 70840088, container: ".js-paper-rank-work_70840088", }); 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$(".js-view-count[data-work-id=70840088]").text(description); $(".js-view-count-work_70840088").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_70840088").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="70840088"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">15</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="113" href="https://www.academia.edu/Documents/in/Buddhism">Buddhism</a>, <script data-card-contents-for-ri="113" type="text/json">{"id":113,"name":"Buddhism","url":"https://www.academia.edu/Documents/in/Buddhism?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="6733" href="https://www.academia.edu/Documents/in/Buddhist_Art">Buddhist Art</a>, <script data-card-contents-for-ri="6733" type="text/json">{"id":6733,"name":"Buddhist Art","url":"https://www.academia.edu/Documents/in/Buddhist_Art?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="7242" href="https://www.academia.edu/Documents/in/Tang_Dynasty">Tang Dynasty</a>, <script data-card-contents-for-ri="7242" type="text/json">{"id":7242,"name":"Tang Dynasty","url":"https://www.academia.edu/Documents/in/Tang_Dynasty?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="12743" href="https://www.academia.edu/Documents/in/Song_Dynasty">Song Dynasty</a><script data-card-contents-for-ri="12743" type="text/json">{"id":12743,"name":"Song Dynasty","url":"https://www.academia.edu/Documents/in/Song_Dynasty?f_ri=15244","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=70840088]'), work: {"id":70840088,"title":"The Study of Marbled Ware in the Tang and Song Dynasty 〈唐宋時期絞胎器研究〉，國立臺灣師範大學藝術史研究所碩士論文，2022。","created_at":"2022-02-07T04:34:04.460-08:00","url":"https://www.academia.edu/70840088/The_Study_of_Marbled_Ware_in_the_Tang_and_Song_Dynasty_%E5%94%90%E5%AE%8B%E6%99%82%E6%9C%9F%E7%B5%9E%E8%83%8E%E5%99%A8%E7%A0%94%E7%A9%B6_%E5%9C%8B%E7%AB%8B%E8%87%BA%E7%81%A3%E5%B8%AB%E7%AF%84%E5%A4%A7%E5%AD%B8%E8%97%9D%E8%A1%93%E5%8F%B2%E7%A0%94%E7%A9%B6%E6%89%80%E7%A2%A9%E5%A3%AB%E8%AB%96%E6%96%87_2022_?f_ri=15244","dom_id":"work_70840088","summary":"(可直接下載 Preview is currently unavailable. You can download the paper by clicking the button below.)\r\n\r\nIn the past, researchers who studied ceramics tended to focus on the imitation of marbled ware in the pattern, or to incorporate it into the lead-glazed pottery system to be discussed. Research focused on marbled ware is relatively rare so far, and the value of historical data is still potential to be explored. In addition, in the newly unearthed archaeological information in recent years, marbled ware is widely found in tombs and ruins in East Asia. However, the use of this batch of materials and the export route have not been systematically studied.\r\n\r\nIn this research, we will first investigate the unearthed materials and related documents, then organize the marbled ware collections of museums in various countries to build a systematic research database. Furthermore, by comparing the styles of each type, this research will try to illustrate the relationship between the production time period and evolution of each type of marbled ware.\r\n\r\nAfter sorting out the basic information of marbled ware in the Tang and Song dynasties, this article will also study the foreign trade status of marbled ware, the class of users and the group of sponsors, and its special significance in religion and political rights. By comprehensively analyzing the historical information revealed by marbled ware, this research will try to restore its context of use during the Tang and Song Dynasties.\r\n","downloadable_attachments":[{"id":95343738,"asset_id":70840088,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":53870054,"first_name":"Lei Hao-Tien","last_name":"雷皓天","domain_name":"ntnu","page_name":"LeiHaoTien雷皓天","display_name":"Lei Hao-Tien 雷皓天","profile_url":"https://ntnu.academia.edu/LeiHaoTien%E9%9B%B7%E7%9A%93%E5%A4%A9?f_ri=15244","photo":"https://0.academia-photos.com/53870054/22344577/38115350/s65_lei_hao-tien._.jpeg"}],"research_interests":[{"id":113,"name":"Buddhism","url":"https://www.academia.edu/Documents/in/Buddhism?f_ri=15244","nofollow":false},{"id":6733,"name":"Buddhist Art","url":"https://www.academia.edu/Documents/in/Buddhist_Art?f_ri=15244","nofollow":false},{"id":7242,"name":"Tang Dynasty","url":"https://www.academia.edu/Documents/in/Tang_Dynasty?f_ri=15244","nofollow":false},{"id":12743,"name":"Song Dynasty","url":"https://www.academia.edu/Documents/in/Song_Dynasty?f_ri=15244","nofollow":false},{"id":15244,"name":"Ceramics (Art History)","url":"https://www.academia.edu/Documents/in/Ceramics_Art_History_?f_ri=15244"},{"id":29426,"name":"Cultural Exchange","url":"https://www.academia.edu/Documents/in/Cultural_Exchange?f_ri=15244"},{"id":33457,"name":"Material Culture","url":"https://www.academia.edu/Documents/in/Material_Culture?f_ri=15244"},{"id":38205,"name":"Chinese Buddhism (Buddhist Studies)","url":"https://www.academia.edu/Documents/in/Chinese_Buddhism_Buddhist_Studies_?f_ri=15244"},{"id":143887,"name":"Chinese and Southeast Asian Art History and Archaeology","url":"https://www.academia.edu/Documents/in/Chinese_and_Southeast_Asian_Art_History_and_Archaeology?f_ri=15244"},{"id":209188,"name":"Chinese art history","url":"https://www.academia.edu/Documents/in/Chinese_art_history?f_ri=15244"},{"id":356975,"name":"Chinese Ceramics","url":"https://www.academia.edu/Documents/in/Chinese_Ceramics?f_ri=15244"},{"id":502596,"name":"Celadon","url":"https://www.academia.edu/Documents/in/Celadon?f_ri=15244"},{"id":4085104,"name":"marbled ware","url":"https://www.academia.edu/Documents/in/marbled_ware?f_ri=15244"},{"id":4085105,"name":"Gongyi kiln","url":"https://www.academia.edu/Documents/in/Gongyi_kiln?f_ri=15244"},{"id":4085106,"name":"Dangyangyu kiln","url":"https://www.academia.edu/Documents/in/Dangyangyu_kiln?f_ri=15244"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_44064713" data-work_id="44064713" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/44064713/Ubuntu_Manifest_Decolonising_Research_and_Curatorial_Practice_In_Ceramics">Ubuntu Manifest: Decolonising Research & Curatorial Practice In Ceramics.</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This PhD thesis engenders new approaches to the understanding, appreciation, and experience of modern and contemporary ceramic art. It focusses on two recent outputs. The initial, Scorched Earth: 100 Years of Southern African Potteries... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_44064713" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This PhD thesis engenders new approaches to the understanding, appreciation, and experience of modern and contemporary ceramic art. It focusses on two recent outputs. The initial, Scorched Earth: 100 Years of Southern African Potteries (2016), a scholarly publication, and the latter, Post-colonialism? (2016/2017), a socially-engaged international exhibition, held at the Benyamini Contemporary Ceramics Centre in Tel Aviv, Israel. The moral philosophy ubuntu was proposed as a component of self-reflexive methodology for research and curatorial projects. The term cryrator was advanced as constituting an approach to curatorial praxis in conflict zones. These concepts make an original contribution to existing methodologies and research that historicise, de-westernise, and decolonise knowledge.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/44064713" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="c3a0129717bddbe13a9695453c87e694" rel="nofollow" data-download="{"attachment_id":64408060,"asset_id":44064713,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/64408060/download_file?st=MTczMjUwMjUyMSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="403991" href="https://sunderland.academia.edu/WendyGersPhD">Wendy A Gers (PhD)</a><script data-card-contents-for-user="403991" type="text/json">{"id":403991,"first_name":"Wendy","last_name":"Gers (PhD)","domain_name":"sunderland","page_name":"WendyGersPhD","display_name":"Wendy A Gers (PhD)","profile_url":"https://sunderland.academia.edu/WendyGersPhD?f_ri=15244","photo":"https://0.academia-photos.com/403991/126712/36311901/s65_wendy.gers.jpg"}</script></span></span></li><li class="js-paper-rank-work_44064713 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="44064713"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 44064713, container: ".js-paper-rank-work_44064713", }); });</script></li><li class="js-percentile-work_44064713 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 44064713; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_44064713"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_44064713 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="44064713"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44064713; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=44064713]").text(description); $(".js-view-count-work_44064713").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_44064713").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="44064713"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">18</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="915" href="https://www.academia.edu/Documents/in/Art_History">Art History</a>, <script data-card-contents-for-ri="915" type="text/json">{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1198" href="https://www.academia.edu/Documents/in/Peace_and_Conflict_Studies">Peace and Conflict Studies</a>, <script data-card-contents-for-ri="1198" type="text/json">{"id":1198,"name":"Peace and Conflict Studies","url":"https://www.academia.edu/Documents/in/Peace_and_Conflict_Studies?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="3051" href="https://www.academia.edu/Documents/in/Contemporary_Art">Contemporary Art</a>, <script data-card-contents-for-ri="3051" type="text/json">{"id":3051,"name":"Contemporary Art","url":"https://www.academia.edu/Documents/in/Contemporary_Art?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="5272" href="https://www.academia.edu/Documents/in/Identity_Culture_">Identity (Culture)</a><script data-card-contents-for-ri="5272" type="text/json">{"id":5272,"name":"Identity (Culture)","url":"https://www.academia.edu/Documents/in/Identity_Culture_?f_ri=15244","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=44064713]'), work: {"id":44064713,"title":"Ubuntu Manifest: Decolonising Research \u0026 Curatorial Practice In Ceramics.","created_at":"2020-09-11T01:48:02.612-07:00","url":"https://www.academia.edu/44064713/Ubuntu_Manifest_Decolonising_Research_and_Curatorial_Practice_In_Ceramics?f_ri=15244","dom_id":"work_44064713","summary":"This PhD thesis engenders new approaches to the understanding, appreciation, and experience of modern and contemporary ceramic art. It focusses on two recent outputs. The initial, Scorched Earth: 100 Years of Southern African Potteries (2016), a scholarly publication, and the latter, Post-colonialism? (2016/2017), a socially-engaged international exhibition, held at the Benyamini Contemporary Ceramics Centre in Tel Aviv, Israel. The moral philosophy ubuntu was proposed as a component of self-reflexive methodology for research and curatorial projects. The term cryrator was advanced as constituting an approach to curatorial praxis in conflict zones. These concepts make an original contribution to existing methodologies and research that historicise, de-westernise, and decolonise knowledge.","downloadable_attachments":[{"id":64408060,"asset_id":44064713,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":403991,"first_name":"Wendy","last_name":"Gers (PhD)","domain_name":"sunderland","page_name":"WendyGersPhD","display_name":"Wendy A Gers (PhD)","profile_url":"https://sunderland.academia.edu/WendyGersPhD?f_ri=15244","photo":"https://0.academia-photos.com/403991/126712/36311901/s65_wendy.gers.jpg"}],"research_interests":[{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=15244","nofollow":false},{"id":1198,"name":"Peace and Conflict Studies","url":"https://www.academia.edu/Documents/in/Peace_and_Conflict_Studies?f_ri=15244","nofollow":false},{"id":3051,"name":"Contemporary Art","url":"https://www.academia.edu/Documents/in/Contemporary_Art?f_ri=15244","nofollow":false},{"id":5272,"name":"Identity (Culture)","url":"https://www.academia.edu/Documents/in/Identity_Culture_?f_ri=15244","nofollow":false},{"id":5815,"name":"Identity politics","url":"https://www.academia.edu/Documents/in/Identity_politics?f_ri=15244"},{"id":6184,"name":"Israel/Palestine","url":"https://www.academia.edu/Documents/in/Israel_Palestine?f_ri=15244"},{"id":9405,"name":"Post-Colonialism","url":"https://www.academia.edu/Documents/in/Post-Colonialism?f_ri=15244"},{"id":15244,"name":"Ceramics (Art History)","url":"https://www.academia.edu/Documents/in/Ceramics_Art_History_?f_ri=15244"},{"id":15820,"name":"Modern and contemporary crafts (Art)","url":"https://www.academia.edu/Documents/in/Modern_and_contemporary_crafts_Art_?f_ri=15244"},{"id":18070,"name":"Ubuntu","url":"https://www.academia.edu/Documents/in/Ubuntu?f_ri=15244"},{"id":22832,"name":"Curatorial Practice (Art)","url":"https://www.academia.edu/Documents/in/Curatorial_Practice_Art_?f_ri=15244"},{"id":44886,"name":"Empathy","url":"https://www.academia.edu/Documents/in/Empathy?f_ri=15244"},{"id":44901,"name":"Pottery","url":"https://www.academia.edu/Documents/in/Pottery?f_ri=15244"},{"id":58128,"name":"Ceramics","url":"https://www.academia.edu/Documents/in/Ceramics?f_ri=15244"},{"id":61866,"name":"South Africa","url":"https://www.academia.edu/Documents/in/South_Africa?f_ri=15244"},{"id":81272,"name":"Curatorial Practice","url":"https://www.academia.edu/Documents/in/Curatorial_Practice?f_ri=15244"},{"id":169362,"name":"Curatorial Theory","url":"https://www.academia.edu/Documents/in/Curatorial_Theory?f_ri=15244"},{"id":632564,"name":"Socially Engaged Art","url":"https://www.academia.edu/Documents/in/Socially_Engaged_Art-1?f_ri=15244"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_37105212" data-work_id="37105212" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/37105212/Symbols_of_Identity_Korean_Ceramics_from_the_Collection_of_Chester_and_Wanda_Chang">Symbols of Identity Korean Ceramics from the Collection of Chester and Wanda Chang</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">[By Christopher Lotis and Michel D. Lee; Foreword by P.M. Taylor. This full book is uploaded here while the Smithsonian website, where it was published online, is being revised.] An important theme of this volume is the relationship... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_37105212" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">[By Christopher Lotis and Michel D. Lee; Foreword by P.M. Taylor. This full book is uploaded here while the Smithsonian website, where it was published online, is being revised.] <br /><br />An important theme of this volume is the relationship between ceramics and cultural identity, especially as it relates to a particular family’s collection, and also to the broader study of the personal and social aspects of collecting. The book thus forms a contribution not only to the study of Korea’s material heritage but also to Korean-American or Asian-American studies, and to the<br />history of collecting. It will surely be of interest to art as well as social historians, and to all those who appreciate the aesthetic quality of Korea’s ceramic art. <br /><br />The authors’ “behind-the-scenes” study of this private collection included the creation of an extensive research database about it, not only the ceramics included in this volume but also paintings, costumes, bronze works, and many other objects that could form the basis for subsequent studies. The collection includes some important twentieth-century ceramics that have not been included within this volume; these await study alongside other works by contemporary artists in this wide-ranging<br />collection. As the authors emphasize, the component of the Chang collection selected for publication here has been extensively tested using thermoluminescence testing. For this reason, these objects constitute an important “type collection” of tested pieces for this type of materials analysis, against which other ceramic works may be compared.<br /><br />This book should therefore serve as an important reference for work on its topic, as a unique and well-illustrated introduction to this private collection and its significance; and hopefully also as a stimulus for other studies within this and related private collections. <br /><br />[NOTE: 2 photos, available in the print edition (p. 12), have been extracted from this online book because the copyright holder disallows online publication of those photos.]</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/37105212" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="cdb86b2f22374648bab570ddd32f281f" rel="nofollow" data-download="{"attachment_id":57056647,"asset_id":37105212,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/57056647/download_file?st=MTczMjUwMjUyMSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="81878957" href="https://si.academia.edu/PaulMichaelTaylor">Paul Michael Taylor</a><script data-card-contents-for-user="81878957" type="text/json">{"id":81878957,"first_name":"Paul Michael","last_name":"Taylor","domain_name":"si","page_name":"PaulMichaelTaylor","display_name":"Paul Michael Taylor","profile_url":"https://si.academia.edu/PaulMichaelTaylor?f_ri=15244","photo":"https://0.academia-photos.com/81878957/19760627/19605816/s65_paul_michael.taylor.jpg"}</script></span></span></li><li class="js-paper-rank-work_37105212 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="37105212"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 37105212, container: ".js-paper-rank-work_37105212", }); });</script></li><li class="js-percentile-work_37105212 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 37105212; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_37105212"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_37105212 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="37105212"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 37105212; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=37105212]").text(description); $(".js-view-count-work_37105212").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_37105212").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="37105212"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">15</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="3764" href="https://www.academia.edu/Documents/in/Asian_American_Studies">Asian American Studies</a>, <script data-card-contents-for-ri="3764" type="text/json">{"id":3764,"name":"Asian American Studies","url":"https://www.academia.edu/Documents/in/Asian_American_Studies?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="3902" href="https://www.academia.edu/Documents/in/Korean_Studies">Korean Studies</a>, <script data-card-contents-for-ri="3902" type="text/json">{"id":3902,"name":"Korean Studies","url":"https://www.academia.edu/Documents/in/Korean_Studies?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="15244" href="https://www.academia.edu/Documents/in/Ceramics_Art_History_">Ceramics (Art History)</a>, <script data-card-contents-for-ri="15244" type="text/json">{"id":15244,"name":"Ceramics (Art History)","url":"https://www.academia.edu/Documents/in/Ceramics_Art_History_?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="15751" href="https://www.academia.edu/Documents/in/Korean_Modern_and_Contemprary_Art">Korean Modern & Contemprary Art</a><script data-card-contents-for-ri="15751" type="text/json">{"id":15751,"name":"Korean Modern \u0026 Contemprary Art","url":"https://www.academia.edu/Documents/in/Korean_Modern_and_Contemprary_Art?f_ri=15244","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=37105212]'), work: {"id":37105212,"title":"Symbols of Identity Korean Ceramics from the Collection of Chester and Wanda Chang","created_at":"2018-07-23T12:05:27.139-07:00","url":"https://www.academia.edu/37105212/Symbols_of_Identity_Korean_Ceramics_from_the_Collection_of_Chester_and_Wanda_Chang?f_ri=15244","dom_id":"work_37105212","summary":"[By Christopher Lotis and Michel D. Lee; Foreword by P.M. Taylor. This full book is uploaded here while the Smithsonian website, where it was published online, is being revised.] \n\nAn important theme of this volume is the relationship between ceramics and cultural identity, especially as it relates to a particular family’s collection, and also to the broader study of the personal and social aspects of collecting. The book thus forms a contribution not only to the study of Korea’s material heritage but also to Korean-American or Asian-American studies, and to the\nhistory of collecting. It will surely be of interest to art as well as social historians, and to all those who appreciate the aesthetic quality of Korea’s ceramic art. \n\nThe authors’ “behind-the-scenes” study of this private collection included the creation of an extensive research database about it, not only the ceramics included in this volume but also paintings, costumes, bronze works, and many other objects that could form the basis for subsequent studies. The collection includes some important twentieth-century ceramics that have not been included within this volume; these await study alongside other works by contemporary artists in this wide-ranging\ncollection. As the authors emphasize, the component of the Chang collection selected for publication here has been extensively tested using thermoluminescence testing. For this reason, these objects constitute an important “type collection” of tested pieces for this type of materials analysis, against which other ceramic works may be compared.\n\nThis book should therefore serve as an important reference for work on its topic, as a unique and well-illustrated introduction to this private collection and its significance; and hopefully also as a stimulus for other studies within this and related private collections. \n\n[NOTE: 2 photos, available in the print edition (p. 12), have been extracted from this online book because the copyright holder disallows online publication of those photos.]","downloadable_attachments":[{"id":57056647,"asset_id":37105212,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":81878957,"first_name":"Paul Michael","last_name":"Taylor","domain_name":"si","page_name":"PaulMichaelTaylor","display_name":"Paul Michael Taylor","profile_url":"https://si.academia.edu/PaulMichaelTaylor?f_ri=15244","photo":"https://0.academia-photos.com/81878957/19760627/19605816/s65_paul_michael.taylor.jpg"}],"research_interests":[{"id":3764,"name":"Asian American Studies","url":"https://www.academia.edu/Documents/in/Asian_American_Studies?f_ri=15244","nofollow":false},{"id":3902,"name":"Korean Studies","url":"https://www.academia.edu/Documents/in/Korean_Studies?f_ri=15244","nofollow":false},{"id":15244,"name":"Ceramics (Art History)","url":"https://www.academia.edu/Documents/in/Ceramics_Art_History_?f_ri=15244","nofollow":false},{"id":15751,"name":"Korean Modern \u0026 Contemprary Art","url":"https://www.academia.edu/Documents/in/Korean_Modern_and_Contemprary_Art?f_ri=15244","nofollow":false},{"id":22151,"name":"Collecting (Art)","url":"https://www.academia.edu/Documents/in/Collecting_Art_?f_ri=15244"},{"id":23333,"name":"Collecting and Collections","url":"https://www.academia.edu/Documents/in/Collecting_and_Collections?f_ri=15244"},{"id":36217,"name":"Korean Art","url":"https://www.academia.edu/Documents/in/Korean_Art?f_ri=15244"},{"id":47572,"name":"Korean American Studies","url":"https://www.academia.edu/Documents/in/Korean_American_Studies?f_ri=15244"},{"id":47749,"name":"Porcelain","url":"https://www.academia.edu/Documents/in/Porcelain?f_ri=15244"},{"id":52072,"name":"History of Collecting","url":"https://www.academia.edu/Documents/in/History_of_Collecting?f_ri=15244"},{"id":58128,"name":"Ceramics","url":"https://www.academia.edu/Documents/in/Ceramics?f_ri=15244"},{"id":65485,"name":"Korea","url":"https://www.academia.edu/Documents/in/Korea?f_ri=15244"},{"id":67674,"name":"Stoneware","url":"https://www.academia.edu/Documents/in/Stoneware?f_ri=15244"},{"id":206757,"name":"East Asian ceramics","url":"https://www.academia.edu/Documents/in/East_Asian_ceramics?f_ri=15244"},{"id":225751,"name":"Thermoluminescence","url":"https://www.academia.edu/Documents/in/Thermoluminescence?f_ri=15244"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_49522896" data-work_id="49522896" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/49522896/La_redecouverte_des_theieres_de_Yixing_in_Tea_for_Two_1999_Bruxelles">La redecouverte des theieres de Yixing in Tea for Two, 1999 Bruxelles</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The rediscovery of Yixing teapots, p. 208-223, 1999. This article has been published in Tea for Two, Tea rituals around the world. This is my first published research results on ancient Chinese Yixing teapots and their chronological... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_49522896" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The rediscovery of Yixing teapots, p. 208-223, 1999.<br />This article has been published in Tea for Two, Tea rituals around the world. This is my first published research results on ancient Chinese Yixing teapots and their chronological classification from the year 1500 untill 1999. Catalog published on the occasion of the exhibition organized by Diane Hennebert and held at the Galerie du Crédit Municipal in Brussels, from October 7, 1999 to January 30, 2000.<br /><br />La redécouverte des théières de Yixing p. 208-223, 1999<br />in Tea for Two, Les rituels du Thé dans le monde. Il s'agit de mes premiers résultats de recherche publiés sur les théières chinoises de Yixing  et leur classification chronologique de l'année 1500 à 1999.<br />Catalogue édité à l'occasion de l'exposition organisée par Diane Hennebert et qui s'est tenue à la Galerie du Crédit Municipal à Bruxelles, du 7 octobre 1999 au 30 janvier 2000.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/49522896" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="5bcd766b92a4d4ae7c54ed2046bca5b6" rel="nofollow" data-download="{"attachment_id":67856513,"asset_id":49522896,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/67856513/download_file?st=MTczMjUwMjUyMSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="190849665" href="https://independent.academia.edu/PatriceValfre">Patrice Valfre</a><script data-card-contents-for-user="190849665" type="text/json">{"id":190849665,"first_name":"Patrice","last_name":"Valfre","domain_name":"independent","page_name":"PatriceValfre","display_name":"Patrice Valfre","profile_url":"https://independent.academia.edu/PatriceValfre?f_ri=15244","photo":"https://0.academia-photos.com/190849665/56964859/45177424/s65_patrice.valfre.jpg"}</script></span></span></li><li class="js-paper-rank-work_49522896 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="49522896"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 49522896, container: ".js-paper-rank-work_49522896", }); 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This is my first published research results on ancient Chinese Yixing teapots and their chronological classification from the year 1500 untill 1999. Catalog published on the occasion of the exhibition organized by Diane Hennebert and held at the Galerie du Crédit Municipal in Brussels, from October 7, 1999 to January 30, 2000.\n\nLa redécouverte des théières de Yixing p. 208-223, 1999\nin Tea for Two, Les rituels du Thé dans le monde. Il s'agit de mes premiers résultats de recherche publiés sur les théières chinoises de Yixing et leur classification chronologique de l'année 1500 à 1999.\nCatalogue édité à l'occasion de l'exposition organisée par Diane Hennebert et qui s'est tenue à la Galerie du Crédit Municipal à Bruxelles, du 7 octobre 1999 au 30 janvier 2000. \n\n","downloadable_attachments":[{"id":67856513,"asset_id":49522896,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":190849665,"first_name":"Patrice","last_name":"Valfre","domain_name":"independent","page_name":"PatriceValfre","display_name":"Patrice Valfre","profile_url":"https://independent.academia.edu/PatriceValfre?f_ri=15244","photo":"https://0.academia-photos.com/190849665/56964859/45177424/s65_patrice.valfre.jpg"}],"research_interests":[{"id":128,"name":"History","url":"https://www.academia.edu/Documents/in/History?f_ri=15244","nofollow":false},{"id":2190,"name":"Chinese Studies","url":"https://www.academia.edu/Documents/in/Chinese_Studies?f_ri=15244","nofollow":false},{"id":2786,"name":"Ceramic Technology","url":"https://www.academia.edu/Documents/in/Ceramic_Technology?f_ri=15244","nofollow":false},{"id":3180,"name":"International Trade","url":"https://www.academia.edu/Documents/in/International_Trade?f_ri=15244","nofollow":false},{"id":15244,"name":"Ceramics (Art History)","url":"https://www.academia.edu/Documents/in/Ceramics_Art_History_?f_ri=15244"},{"id":16918,"name":"Dutch West India Company","url":"https://www.academia.edu/Documents/in/Dutch_West_India_Company?f_ri=15244"},{"id":24827,"name":"Ceramics (Archaeology)","url":"https://www.academia.edu/Documents/in/Ceramics_Archaeology_?f_ri=15244"},{"id":26850,"name":"Chinese history (History)","url":"https://www.academia.edu/Documents/in/Chinese_history_History_?f_ri=15244"},{"id":58559,"name":"East India Company","url":"https://www.academia.edu/Documents/in/East_India_Company?f_ri=15244"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_20197079" data-work_id="20197079" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/20197079/Sebastiaan_Ostkamp_Ave_Maria_bid_voor_ons_Een_voorraadpot_met_een_ingestempeld_randschrift_In_Poldervondsten">Sebastiaan Ostkamp, Ave Maria, bid voor ons. Een voorraadpot met een ingestempeld randschrift. In: Poldervondsten.</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/20197079" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="627c3a72312cf7a5c3186bffded975a1" rel="nofollow" data-download="{"attachment_id":41109522,"asset_id":20197079,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/41109522/download_file?st=MTczMjUwMjUyMSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="30650470" href="https://independent.academia.edu/SebastiaanOstkamp">Sebastiaan Ostkamp</a><script data-card-contents-for-user="30650470" type="text/json">{"id":30650470,"first_name":"Sebastiaan","last_name":"Ostkamp","domain_name":"independent","page_name":"SebastiaanOstkamp","display_name":"Sebastiaan Ostkamp","profile_url":"https://independent.academia.edu/SebastiaanOstkamp?f_ri=15244","photo":"https://0.academia-photos.com/30650470/8985346/10026145/s65_sebastiaan.ostkamp.jpg"}</script></span></span></li><li class="js-paper-rank-work_20197079 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="20197079"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 20197079, container: ".js-paper-rank-work_20197079", }); 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Een voorraadpot met een ingestempeld randschrift. 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Thinking and exhibiting matter in recent art</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Ever since ancient times, clay has played an important role in the history of the visual arts. Clay is the material that shaped the visual imagination of many civilisations, from the Chinese ceramics, Etruscan statues and Delft pottery to... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_33163479" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Ever since ancient times, clay has played an important role in the history of the visual arts. Clay is the material that shaped the visual imagination of many civilisations, from the Chinese ceramics, Etruscan statues and Delft pottery to the ceramic sculptures of Paul Gauguin and Pablo Picasso. With the advent of conceptual art in the 20th century, this material lost its original impact. Further, under the global digital turn since the 1990's, with a fast exchange of virtual images, the use of clay and other ceramics has seriously attenuated. Generally speaking, art history and artists have long subordinated the crafts to the fine arts, and handmade craftsmanship to an immaterial visual invention. Yet, a renewed interest in matter, craftsmanship, and the tactile has recently enjoyed a growing acclaim. Imagining and representing the world while touching concrete materials fosters challenging creative skills, like concentration, imagination and visual representation. In this context, a growing number of contemporary artists have returned to the exploitation of clay, porcelain and other ceramics. The planned symposium and exhibition to be held at PXL-MAD in Hasselt aim at discussing the common ground between ceramics and contemporary art, the fruitful relation between ceramicists and other visual artists, as well as the role and relevance of clay in art today. In a two-day international conference, we aim to provide a plethora of comprehensive art historical and conceptual answers to the following questions: what makes the contemporary use of clay so appealing and so different from previous periods? How can the fragile and tactile craftsmanship of clay increase current artistic forms? How can traditional materials and techniques affect the public's sensibility for visual arts?</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/33163479" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="ec4afbbe7741d8d6358d407d81354679" rel="nofollow" data-download="{"attachment_id":53250434,"asset_id":33163479,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/53250434/download_file?st=MTczMjUwMjUyMSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="17200712" href="https://ugent.academia.edu/MarjanSterckx">Marjan Sterckx</a><script data-card-contents-for-user="17200712" type="text/json">{"id":17200712,"first_name":"Marjan","last_name":"Sterckx","domain_name":"ugent","page_name":"MarjanSterckx","display_name":"Marjan Sterckx","profile_url":"https://ugent.academia.edu/MarjanSterckx?f_ri=15244","photo":"https://0.academia-photos.com/17200712/4750548/89794507/s65_marjan.sterckx.jpg"}</script></span></span></li><li class="js-paper-rank-work_33163479 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="33163479"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 33163479, container: ".js-paper-rank-work_33163479", }); 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Thinking and exhibiting matter in recent art","created_at":"2017-05-23T12:01:32.234-07:00","url":"https://www.academia.edu/33163479/CFP_Clay_matters_Thinking_and_exhibiting_matter_in_recent_art?f_ri=15244","dom_id":"work_33163479","summary":"Ever since ancient times, clay has played an important role in the history of the visual arts. Clay is the material that shaped the visual imagination of many civilisations, from the Chinese ceramics, Etruscan statues and Delft pottery to the ceramic sculptures of Paul Gauguin and Pablo Picasso. With the advent of conceptual art in the 20th century, this material lost its original impact. Further, under the global digital turn since the 1990's, with a fast exchange of virtual images, the use of clay and other ceramics has seriously attenuated. Generally speaking, art history and artists have long subordinated the crafts to the fine arts, and handmade craftsmanship to an immaterial visual invention. Yet, a renewed interest in matter, craftsmanship, and the tactile has recently enjoyed a growing acclaim. Imagining and representing the world while touching concrete materials fosters challenging creative skills, like concentration, imagination and visual representation. In this context, a growing number of contemporary artists have returned to the exploitation of clay, porcelain and other ceramics. The planned symposium and exhibition to be held at PXL-MAD in Hasselt aim at discussing the common ground between ceramics and contemporary art, the fruitful relation between ceramicists and other visual artists, as well as the role and relevance of clay in art today. In a two-day international conference, we aim to provide a plethora of comprehensive art historical and conceptual answers to the following questions: what makes the contemporary use of clay so appealing and so different from previous periods? How can the fragile and tactile craftsmanship of clay increase current artistic forms? How can traditional materials and techniques affect the public's sensibility for visual arts?","downloadable_attachments":[{"id":53250434,"asset_id":33163479,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":17200712,"first_name":"Marjan","last_name":"Sterckx","domain_name":"ugent","page_name":"MarjanSterckx","display_name":"Marjan Sterckx","profile_url":"https://ugent.academia.edu/MarjanSterckx?f_ri=15244","photo":"https://0.academia-photos.com/17200712/4750548/89794507/s65_marjan.sterckx.jpg"}],"research_interests":[{"id":3051,"name":"Contemporary Art","url":"https://www.academia.edu/Documents/in/Contemporary_Art?f_ri=15244","nofollow":false},{"id":15244,"name":"Ceramics (Art History)","url":"https://www.academia.edu/Documents/in/Ceramics_Art_History_?f_ri=15244","nofollow":false},{"id":152174,"name":"Clays","url":"https://www.academia.edu/Documents/in/Clays?f_ri=15244","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_1906991" data-work_id="1906991" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/1906991/Fabrication_and_Characterization_of_Boron_Doped_Yttria_Stabilized_Zirconia_Nanofibers">Fabrication and Characterization of Boron Doped Yttria- Stabilized Zirconia Nanofibers</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Boron doped and undoped Poly(vinyl) alcohol/Zirconium-yttrium acetate (PVA/Zr-Y) nanofibers were prepared by electrospinning using PVA as a precursor. The effect of boron doping was investigated in terms of solution properties,... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_1906991" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Boron doped and undoped Poly(vinyl) alcohol/Zirconium-yttrium acetate (PVA/Zr-Y) nanofibers were prepared by electrospinning using PVA as a precursor. The effect of boron doping was investigated in terms of solution properties, morphological changes and thermal properties. The effect of boron doping on calcined yttria stabilized zirconia (YSZ) fibers were evaluated by X-ray diffraction (XRD) and X-ray photoelectron spectroscopy analysis. XRD<br />analysis revealed varying amounts of monoclinic and tetragonal zirconia present in the undoped fibers calcined at 800oC. The average crystallite sizes of the undoped YSZ were increased from 9.28 to 22.79 nm with calcining temperature increasing from 250 to 800 °C. The crystallite size was enhanced with boron doping. The systematic evolution of morphological features in the spun and the processed fibers were employed by scanning electron microscopy.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/1906991" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="90b4cc1e5348a316cff90fe73776b008" rel="nofollow" data-download="{"attachment_id":28857554,"asset_id":1906991,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/28857554/download_file?st=MTczMjUwMjUyMSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="820891" href="https://gazi.academia.edu/ibrahimUSLU">Prof.Dr. İbrahim USLU</a><script data-card-contents-for-user="820891" type="text/json">{"id":820891,"first_name":"Prof.Dr. İbrahim","last_name":"USLU","domain_name":"gazi","page_name":"ibrahimUSLU","display_name":"Prof.Dr. İbrahim USLU","profile_url":"https://gazi.academia.edu/ibrahimUSLU?f_ri=15244","photo":"https://0.academia-photos.com/820891/285303/337453/s65__brahim.uslu.jpg"}</script></span></span></li><li class="js-paper-rank-work_1906991 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="1906991"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 1906991, container: ".js-paper-rank-work_1906991", }); 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The effect of boron doping was investigated in terms of solution properties, morphological changes and thermal properties. The effect of boron doping on calcined yttria stabilized zirconia (YSZ) fibers were evaluated by X-ray diffraction (XRD) and X-ray photoelectron spectroscopy analysis. XRD\nanalysis revealed varying amounts of monoclinic and tetragonal zirconia present in the undoped fibers calcined at 800oC. The average crystallite sizes of the undoped YSZ were increased from 9.28 to 22.79 nm with calcining temperature increasing from 250 to 800 °C. The crystallite size was enhanced with boron doping. 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Manufacturing Technology of Ancient Ceramics</a>, <script data-card-contents-for-ri="91966" type="text/json">{"id":91966,"name":"3) Petrography and Manufacturing Technology of Ancient Ceramics","url":"https://www.academia.edu/Documents/in/3_Petrography_and_Manufacturing_Technology_of_Ancient_Ceramics?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="101666" href="https://www.academia.edu/Documents/in/Jomon">Jomon</a><script data-card-contents-for-ri="101666" type="text/json">{"id":101666,"name":"Jomon","url":"https://www.academia.edu/Documents/in/Jomon?f_ri=15244","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=9525318]'), work: {"id":9525318,"title":"The Power of Dogu, Ceramics Monthly 57:10, pp. 24-25, December 2009. ","created_at":"2014-11-27T04:29:49.554-08:00","url":"https://www.academia.edu/9525318/The_Power_of_Dogu_Ceramics_Monthly_57_10_pp_24_25_December_2009?f_ri=15244","dom_id":"work_9525318","summary":"Exhibition review of Japanese Neolithic ceramics. ","downloadable_attachments":[{"id":35749600,"asset_id":9525318,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":15083208,"first_name":"Murray","last_name":"Eiland","domain_name":"independent","page_name":"MurrayEiland","display_name":"Murray L Eiland","profile_url":"https://independent.academia.edu/MurrayEiland?f_ri=15244","photo":"https://0.academia-photos.com/15083208/4069948/17251060/s65_murray.eiland.jpg"}],"research_interests":[{"id":15244,"name":"Ceramics (Art History)","url":"https://www.academia.edu/Documents/in/Ceramics_Art_History_?f_ri=15244","nofollow":false},{"id":91966,"name":"3) Petrography and Manufacturing Technology of Ancient Ceramics","url":"https://www.academia.edu/Documents/in/3_Petrography_and_Manufacturing_Technology_of_Ancient_Ceramics?f_ri=15244","nofollow":false},{"id":101666,"name":"Jomon","url":"https://www.academia.edu/Documents/in/Jomon?f_ri=15244","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_40460614" data-work_id="40460614" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/40460614/La_relaci%C3%B3n_del_elemento_tierra_con_las_caracter%C3%ADsticas_de_la_cer%C3%A1mica_precl%C3%A1sica_de_Chiapas_2011">La relación del elemento tierra con las características de la cerámica preclásica de Chiapas 2011</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Memorias del 4 congreso de investigación (UNACH)</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/40460614" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="43cd3fba8e797b0335d6f0c07bf89bff" rel="nofollow" data-download="{"attachment_id":60725612,"asset_id":40460614,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/60725612/download_file?st=MTczMjUwMjUyMSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="32992690" href="https://independent.academia.edu/AllaKolpakova">Alla Kolpakova</a><script data-card-contents-for-user="32992690" type="text/json">{"id":32992690,"first_name":"Alla","last_name":"Kolpakova","domain_name":"independent","page_name":"AllaKolpakova","display_name":"Alla Kolpakova","profile_url":"https://independent.academia.edu/AllaKolpakova?f_ri=15244","photo":"https://0.academia-photos.com/32992690/9831705/18869466/s65_alla.kolpakova.gif"}</script></span></span></li><li class="js-paper-rank-work_40460614 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="40460614"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 40460614, container: ".js-paper-rank-work_40460614", }); 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$(".js-view-count[data-work-id=40460614]").text(description); $(".js-view-count-work_40460614").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_40460614").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="40460614"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">5</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="8516" href="https://www.academia.edu/Documents/in/Funerary_Archaeology">Funerary Archaeology</a>, <script data-card-contents-for-ri="8516" type="text/json">{"id":8516,"name":"Funerary Archaeology","url":"https://www.academia.edu/Documents/in/Funerary_Archaeology?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="12538" href="https://www.academia.edu/Documents/in/Funeral_Practices">Funeral Practices</a>, <script data-card-contents-for-ri="12538" type="text/json">{"id":12538,"name":"Funeral Practices","url":"https://www.academia.edu/Documents/in/Funeral_Practices?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="15244" href="https://www.academia.edu/Documents/in/Ceramics_Art_History_">Ceramics (Art History)</a>, <script data-card-contents-for-ri="15244" type="text/json">{"id":15244,"name":"Ceramics (Art History)","url":"https://www.academia.edu/Documents/in/Ceramics_Art_History_?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="24827" href="https://www.academia.edu/Documents/in/Ceramics_Archaeology_">Ceramics (Archaeology)</a><script data-card-contents-for-ri="24827" type="text/json">{"id":24827,"name":"Ceramics (Archaeology)","url":"https://www.academia.edu/Documents/in/Ceramics_Archaeology_?f_ri=15244","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=40460614]'), work: {"id":40460614,"title":"La relación del elemento tierra con las características de la cerámica preclásica de Chiapas 2011","created_at":"2019-09-27T17:17:28.738-07:00","url":"https://www.academia.edu/40460614/La_relaci%C3%B3n_del_elemento_tierra_con_las_caracter%C3%ADsticas_de_la_cer%C3%A1mica_precl%C3%A1sica_de_Chiapas_2011?f_ri=15244","dom_id":"work_40460614","summary":"Memorias del 4 congreso de investigación (UNACH)","downloadable_attachments":[{"id":60725612,"asset_id":40460614,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":32992690,"first_name":"Alla","last_name":"Kolpakova","domain_name":"independent","page_name":"AllaKolpakova","display_name":"Alla Kolpakova","profile_url":"https://independent.academia.edu/AllaKolpakova?f_ri=15244","photo":"https://0.academia-photos.com/32992690/9831705/18869466/s65_alla.kolpakova.gif"}],"research_interests":[{"id":8516,"name":"Funerary Archaeology","url":"https://www.academia.edu/Documents/in/Funerary_Archaeology?f_ri=15244","nofollow":false},{"id":12538,"name":"Funeral Practices","url":"https://www.academia.edu/Documents/in/Funeral_Practices?f_ri=15244","nofollow":false},{"id":15244,"name":"Ceramics (Art History)","url":"https://www.academia.edu/Documents/in/Ceramics_Art_History_?f_ri=15244","nofollow":false},{"id":24827,"name":"Ceramics (Archaeology)","url":"https://www.academia.edu/Documents/in/Ceramics_Archaeology_?f_ri=15244","nofollow":false},{"id":392060,"name":"Manual Alfarero -simbolismos e ideogramas","url":"https://www.academia.edu/Documents/in/Manual_Alfarero_-simbolismos_e_ideogramas?f_ri=15244"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_43643948 coauthored" data-work_id="43643948" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/43643948/CONTACT_International_Symposium_of_Ceramics_Bechyn%C4%9B_1966_2018_KONTAKT_Mezin%C3%A1rodn%C3%AD_sympozium_keramiky_Bechyn%C4%9B_1966_2018">CONTACT: International Symposium of Ceramics Bechyně 1966–⁠2018 / KONTAKT: Mezinárodní sympozium keramiky Bechyně 1966–⁠2018</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">After the second world war, there was a growing interest in the material of clay among European artists. Pablo Picasso, Asger Jorn and many others appreciated the way in which they could easily and quickly form the material, brightness... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_43643948" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">After the second world war, there was a growing interest in the material of clay among European artists. Pablo Picasso, Asger Jorn and many others appreciated the way in which they could easily and quickly form the material, brightness and steadiness of glazes and inevitable role of a coincidence in the process. Besides, in the time of increasing production of artificial materials such as plastics, clay bore connotations of a tradition reaching to the prehistoric times and of “un-spoiled” folk culture. On the other hand, a growing number of students in studios of ceramics at schools of applied art shifted their focus from mugs and vases to sculpture. In 1959 a new format of artistic work was established by sculptor Karl Prantl in Sankt Margarethen, Austria: a symposium. A group of artists spend ca. 5 weeks in one place ─ far from artistic centres ─ and experiment with different approaches to one material, sharing their experience. This idea resonated a lot in the Central Europe, where symposia in different materials came to existence in the 1960s and artists from both sides of the Iron Curtain started to meet there and work together after a roughly 15 years long break. For clay, the first symposium was founded in Austria as well, in 1963, by ceramicist Kurt Ohnsorg in Gmunden, a small city with a ceramic factory.<br />The second “International Symposium of Ceramics” was founded three years later in the small spa city of Bechyně in Czechoslovakia ─ on the other side of the Iron Curtain. How did this idea transfer across this political barrier and why did it resonate in both systems, which offered very different conditions for artists, who were dealing with a different set of problems? What did the ideals of collectiveness, folk art and experiment mean in those different contexts? <br />Ohnsorg met his Czechoslovak colleagues supposedly at the International Exhibition of Ceramics in Prague in 1962. It was one of the first events in Czechoslovakia, where artists from the Western countries could present their work after the second world war. The exhibition was eagerly supported by the Czechoslovak authorities, who could demonstrate the cultural advancement of the country two years after they had officially announced, that Socialism had been successfully built in Czechoslovakia. They planned to support creation of business connections and export Czechoslovak ceramic products. But it was equally important for the ceramicists, who made their independent international contacts there and many of them focused on something else: they wanted to further explore possibilities of clay in context of fine art. <br />Political relaxation in Czechoslovakia during the 1960s enabled ceramicists and other young artists to get elected to a management of the Union of Czechoslovak artists in 1964 and they transformed this centralized institution into a progressive force, which got rebellious after the Soviet occupation in 1968 and so it had to be disbanded completely and founded again with a completely new set of members. Before that it gave the ceramists a chance to enforce their goals including the establishment of a symposium focused on collective work, experiment, exploration of both art and design and above all on crossing the borders between East and West using the network of peripheral cities, separated from the traditional art centres.<br /><br />Chapter "Ceramic Contacts: Foundation of the International Symposium of Ceramics Bechyně" explores different strategies used by Czechoslovak ceramicists to re-establish their international contacts during the 1960s, which culminated with the establishment of the Bechyně Symposium. <br /><br />Other chapters and interviews deal with topics such as creation of European network of art symposia (Marcel Fišer),  context of workf of Austrian ceramicist Kurt Ohnsorg and Czech sculptor Zbyněk Sekal (Marie Klimešová), complicated relationship between "fine art" and ceramics in the 1970s (Kristýna Péčová).<br /><br />The book includes interviews (by Veronika Rollová, Eva Pelechová and Kristýna Péčová) focused on historical context of symposia (with Gabi Dewalt, Jindra Viková, and Helena Samohelová) and with contemporary artists Yael Atzmony, Ellen Kleckner, Katie Sleyman, Giorgio di Palma, Sofie Norsteng and Adam Železný. <br /><br />Poems by Ondřej Buddeus. <br />Photography by Tomáš Brabec and Pavel Baňka.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/43643948" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="d0ff676f1cf96cc0a0081b3a976f7414" rel="nofollow" data-download="{"attachment_id":63944490,"asset_id":43643948,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/63944490/download_file?st=MTczMjUwMjUyMSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="6780775" href="https://umprum.academia.edu/VeronikaRollov%C3%A1">Veronika Rollová</a><script data-card-contents-for-user="6780775" type="text/json">{"id":6780775,"first_name":"Veronika","last_name":"Rollová","domain_name":"umprum","page_name":"VeronikaRollová","display_name":"Veronika Rollová","profile_url":"https://umprum.academia.edu/VeronikaRollov%C3%A1?f_ri=15244","photo":"https://0.academia-photos.com/6780775/22190244/29110084/s65_veronika.rollov_.jpg"}</script></span></span><span class="u-displayInlineBlock InlineList-item-text"> and <span class="u-textDecorationUnderline u-clickable InlineList-item-text js-work-more-authors-43643948">+1</span><div class="hidden js-additional-users-43643948"><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://umprum.academia.edu/Krist%C3%BDnaP%C3%A9%C4%8Dov%C3%A1">Kristýna Péčová</a></span></div></div></span><script>(function(){ var popoverSettings = { el: $('.js-work-more-authors-43643948'), placement: 'bottom', hide_delay: 200, html: true, content: function(){ return $('.js-additional-users-43643948').html(); 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container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_43643948 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="43643948"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 43643948; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=43643948]").text(description); $(".js-view-count-work_43643948").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_43643948").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="43643948"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">8</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="3051" href="https://www.academia.edu/Documents/in/Contemporary_Art">Contemporary Art</a>, <script data-card-contents-for-ri="3051" type="text/json">{"id":3051,"name":"Contemporary Art","url":"https://www.academia.edu/Documents/in/Contemporary_Art?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="4494" href="https://www.academia.edu/Documents/in/Ceramics_Ceramics_">Ceramics (Ceramics)</a>, <script data-card-contents-for-ri="4494" type="text/json">{"id":4494,"name":"Ceramics (Ceramics)","url":"https://www.academia.edu/Documents/in/Ceramics_Ceramics_?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="13379" href="https://www.academia.edu/Documents/in/Sculpture">Sculpture</a>, <script data-card-contents-for-ri="13379" type="text/json">{"id":13379,"name":"Sculpture","url":"https://www.academia.edu/Documents/in/Sculpture?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="15244" href="https://www.academia.edu/Documents/in/Ceramics_Art_History_">Ceramics (Art History)</a><script data-card-contents-for-ri="15244" type="text/json">{"id":15244,"name":"Ceramics (Art History)","url":"https://www.academia.edu/Documents/in/Ceramics_Art_History_?f_ri=15244","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=43643948]'), work: {"id":43643948,"title":"CONTACT: International Symposium of Ceramics Bechyně 1966–⁠2018 / KONTAKT: Mezinárodní sympozium keramiky Bechyně 1966–⁠2018","created_at":"2020-07-17T01:48:36.996-07:00","url":"https://www.academia.edu/43643948/CONTACT_International_Symposium_of_Ceramics_Bechyn%C4%9B_1966_2018_KONTAKT_Mezin%C3%A1rodn%C3%AD_sympozium_keramiky_Bechyn%C4%9B_1966_2018?f_ri=15244","dom_id":"work_43643948","summary":"After the second world war, there was a growing interest in the material of clay among European artists. Pablo Picasso, Asger Jorn and many others appreciated the way in which they could easily and quickly form the material, brightness and steadiness of glazes and inevitable role of a coincidence in the process. Besides, in the time of increasing production of artificial materials such as plastics, clay bore connotations of a tradition reaching to the prehistoric times and of “un-spoiled” folk culture. On the other hand, a growing number of students in studios of ceramics at schools of applied art shifted their focus from mugs and vases to sculpture. In 1959 a new format of artistic work was established by sculptor Karl Prantl in Sankt Margarethen, Austria: a symposium. A group of artists spend ca. 5 weeks in one place ─ far from artistic centres ─ and experiment with different approaches to one material, sharing their experience. This idea resonated a lot in the Central Europe, where symposia in different materials came to existence in the 1960s and artists from both sides of the Iron Curtain started to meet there and work together after a roughly 15 years long break. For clay, the first symposium was founded in Austria as well, in 1963, by ceramicist Kurt Ohnsorg in Gmunden, a small city with a ceramic factory.\nThe second “International Symposium of Ceramics” was founded three years later in the small spa city of Bechyně in Czechoslovakia ─ on the other side of the Iron Curtain. How did this idea transfer across this political barrier and why did it resonate in both systems, which offered very different conditions for artists, who were dealing with a different set of problems? What did the ideals of collectiveness, folk art and experiment mean in those different contexts? \nOhnsorg met his Czechoslovak colleagues supposedly at the International Exhibition of Ceramics in Prague in 1962. It was one of the first events in Czechoslovakia, where artists from the Western countries could present their work after the second world war. The exhibition was eagerly supported by the Czechoslovak authorities, who could demonstrate the cultural advancement of the country two years after they had officially announced, that Socialism had been successfully built in Czechoslovakia. They planned to support creation of business connections and export Czechoslovak ceramic products. But it was equally important for the ceramicists, who made their independent international contacts there and many of them focused on something else: they wanted to further explore possibilities of clay in context of fine art. \nPolitical relaxation in Czechoslovakia during the 1960s enabled ceramicists and other young artists to get elected to a management of the Union of Czechoslovak artists in 1964 and they transformed this centralized institution into a progressive force, which got rebellious after the Soviet occupation in 1968 and so it had to be disbanded completely and founded again with a completely new set of members. Before that it gave the ceramists a chance to enforce their goals including the establishment of a symposium focused on collective work, experiment, exploration of both art and design and above all on crossing the borders between East and West using the network of peripheral cities, separated from the traditional art centres.\n\nChapter \"Ceramic Contacts: Foundation of the International Symposium of Ceramics Bechyně\" explores different strategies used by Czechoslovak ceramicists to re-establish their international contacts during the 1960s, which culminated with the establishment of the Bechyně Symposium. \n\nOther chapters and interviews deal with topics such as creation of European network of art symposia (Marcel Fišer), context of workf of Austrian ceramicist Kurt Ohnsorg and Czech sculptor Zbyněk Sekal (Marie Klimešová), complicated relationship between \"fine art\" and ceramics in the 1970s (Kristýna Péčová).\n\nThe book includes interviews (by Veronika Rollová, Eva Pelechová and Kristýna Péčová) focused on historical context of symposia (with Gabi Dewalt, Jindra Viková, and Helena Samohelová) and with contemporary artists Yael Atzmony, Ellen Kleckner, Katie Sleyman, Giorgio di Palma, Sofie Norsteng and Adam Železný. \n\nPoems by Ondřej Buddeus. \nPhotography by Tomáš Brabec and Pavel Baňka.","downloadable_attachments":[{"id":63944490,"asset_id":43643948,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":6780775,"first_name":"Veronika","last_name":"Rollová","domain_name":"umprum","page_name":"VeronikaRollová","display_name":"Veronika Rollová","profile_url":"https://umprum.academia.edu/VeronikaRollov%C3%A1?f_ri=15244","photo":"https://0.academia-photos.com/6780775/22190244/29110084/s65_veronika.rollov_.jpg"},{"id":108727432,"first_name":"Kristýna","last_name":"Péčová","domain_name":"umprum","page_name":"KristýnaPéčová","display_name":"Kristýna Péčová","profile_url":"https://umprum.academia.edu/Krist%C3%BDnaP%C3%A9%C4%8Dov%C3%A1?f_ri=15244","photo":"/images/s65_no_pic.png"}],"research_interests":[{"id":3051,"name":"Contemporary Art","url":"https://www.academia.edu/Documents/in/Contemporary_Art?f_ri=15244","nofollow":false},{"id":4494,"name":"Ceramics (Ceramics)","url":"https://www.academia.edu/Documents/in/Ceramics_Ceramics_?f_ri=15244","nofollow":false},{"id":13379,"name":"Sculpture","url":"https://www.academia.edu/Documents/in/Sculpture?f_ri=15244","nofollow":false},{"id":15244,"name":"Ceramics (Art History)","url":"https://www.academia.edu/Documents/in/Ceramics_Art_History_?f_ri=15244","nofollow":false},{"id":18788,"name":"Applied Arts","url":"https://www.academia.edu/Documents/in/Applied_Arts?f_ri=15244"},{"id":128959,"name":"Symposium","url":"https://www.academia.edu/Documents/in/Symposium?f_ri=15244"},{"id":417030,"name":"1960s and 1970s Art","url":"https://www.academia.edu/Documents/in/1960s_and_1970s_Art?f_ri=15244"},{"id":1550997,"name":"Artistic Collaboration","url":"https://www.academia.edu/Documents/in/Artistic_Collaboration?f_ri=15244"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_35433632" data-work_id="35433632" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/35433632/POST_COLONIALISM_A_Reflection_by_Anthony_E_Stellaccio">POST-COLONIALISM? A Reflection, by Anthony E. Stellaccio.</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/35433632" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="1e97849ec6695d2328e1bc1720527c06" rel="nofollow" data-download="{"attachment_id":55294825,"asset_id":35433632,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/55294825/download_file?st=MTczMjUwMjUyMSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="403991" href="https://sunderland.academia.edu/WendyGersPhD">Wendy A Gers (PhD)</a><script data-card-contents-for-user="403991" type="text/json">{"id":403991,"first_name":"Wendy","last_name":"Gers (PhD)","domain_name":"sunderland","page_name":"WendyGersPhD","display_name":"Wendy A Gers (PhD)","profile_url":"https://sunderland.academia.edu/WendyGersPhD?f_ri=15244","photo":"https://0.academia-photos.com/403991/126712/36311901/s65_wendy.gers.jpg"}</script></span></span></li><li class="js-paper-rank-work_35433632 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="35433632"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 35433632, container: ".js-paper-rank-work_35433632", }); 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$(".js-view-count[data-work-id=35433632]").text(description); $(".js-view-count-work_35433632").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_35433632").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="35433632"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">13</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="2860" href="https://www.academia.edu/Documents/in/Postcolonial_Studies">Postcolonial Studies</a>, <script data-card-contents-for-ri="2860" type="text/json">{"id":2860,"name":"Postcolonial Studies","url":"https://www.academia.edu/Documents/in/Postcolonial_Studies?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="3051" href="https://www.academia.edu/Documents/in/Contemporary_Art">Contemporary Art</a>, <script data-card-contents-for-ri="3051" type="text/json">{"id":3051,"name":"Contemporary Art","url":"https://www.academia.edu/Documents/in/Contemporary_Art?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="15244" href="https://www.academia.edu/Documents/in/Ceramics_Art_History_">Ceramics (Art History)</a>, <script data-card-contents-for-ri="15244" type="text/json">{"id":15244,"name":"Ceramics (Art History)","url":"https://www.academia.edu/Documents/in/Ceramics_Art_History_?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="15820" href="https://www.academia.edu/Documents/in/Modern_and_contemporary_crafts_Art_">Modern and contemporary crafts (Art)</a><script data-card-contents-for-ri="15820" type="text/json">{"id":15820,"name":"Modern and contemporary crafts (Art)","url":"https://www.academia.edu/Documents/in/Modern_and_contemporary_crafts_Art_?f_ri=15244","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=35433632]'), work: {"id":35433632,"title":"POST-COLONIALISM? A Reflection, by Anthony E. Stellaccio.","created_at":"2017-12-14T19:36:27.202-08:00","url":"https://www.academia.edu/35433632/POST_COLONIALISM_A_Reflection_by_Anthony_E_Stellaccio?f_ri=15244","dom_id":"work_35433632","summary":null,"downloadable_attachments":[{"id":55294825,"asset_id":35433632,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":403991,"first_name":"Wendy","last_name":"Gers (PhD)","domain_name":"sunderland","page_name":"WendyGersPhD","display_name":"Wendy A Gers (PhD)","profile_url":"https://sunderland.academia.edu/WendyGersPhD?f_ri=15244","photo":"https://0.academia-photos.com/403991/126712/36311901/s65_wendy.gers.jpg"}],"research_interests":[{"id":2860,"name":"Postcolonial Studies","url":"https://www.academia.edu/Documents/in/Postcolonial_Studies?f_ri=15244","nofollow":false},{"id":3051,"name":"Contemporary Art","url":"https://www.academia.edu/Documents/in/Contemporary_Art?f_ri=15244","nofollow":false},{"id":15244,"name":"Ceramics (Art History)","url":"https://www.academia.edu/Documents/in/Ceramics_Art_History_?f_ri=15244","nofollow":false},{"id":15820,"name":"Modern and contemporary crafts (Art)","url":"https://www.academia.edu/Documents/in/Modern_and_contemporary_crafts_Art_?f_ri=15244","nofollow":false},{"id":34642,"name":"Israel","url":"https://www.academia.edu/Documents/in/Israel?f_ri=15244"},{"id":36393,"name":"Settler Colonial Studies","url":"https://www.academia.edu/Documents/in/Settler_Colonial_Studies?f_ri=15244"},{"id":125168,"name":"Palestinian-Israeli conflict","url":"https://www.academia.edu/Documents/in/Palestinian-Israeli_conflict?f_ri=15244"},{"id":175618,"name":"Tel Aviv","url":"https://www.academia.edu/Documents/in/Tel_Aviv?f_ri=15244"},{"id":222585,"name":"Israeli-Palestinian conflict","url":"https://www.academia.edu/Documents/in/Israeli-Palestinian_conflict?f_ri=15244"},{"id":461779,"name":"Contemporary design","url":"https://www.academia.edu/Documents/in/Contemporary_design?f_ri=15244"},{"id":632564,"name":"Socially Engaged Art","url":"https://www.academia.edu/Documents/in/Socially_Engaged_Art-1?f_ri=15244"},{"id":651985,"name":"Israelian Art","url":"https://www.academia.edu/Documents/in/Israelian_Art?f_ri=15244"},{"id":725485,"name":"Critical and Politically-engaged Arts Practice","url":"https://www.academia.edu/Documents/in/Critical_and_Politically-engaged_Arts_Practice?f_ri=15244"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_52040956" data-work_id="52040956" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/52040956/_Soil_So_Good_in_Craft_Whitechapel_Documents_in_Contemporary_Art_first_written_on_the_occasion_of_Neil_Brownswords_work_in_the_Korean_International_Ceramic_Biennale_2015">"Soil So Good" in "Craft" (Whitechapel Documents in Contemporary Art) first written on the occasion of Neil Brownsword's work in the Korean International Ceramic Biennale 2015</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">"Soil So Good: Neil Brownsword’s Reinventions": For the sake of alliteration as well as the productive confusion between an eighteenth-century metaphor and a contemporary euphemism, the neologism ‘brownfield’ is as good a contradiction as... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_52040956" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">"Soil So Good: Neil Brownsword’s Reinventions": For the sake of alliteration as well as the productive confusion between an eighteenth-century metaphor and a contemporary euphemism, the neologism<br />‘brownfield’ is as good a contradiction as any to<br />contextualize the work of Neil Brownsword: he envisions<br />clay to be ripe for cultural creation, whether it’s a<br />derelict zone contaminated by factory use or a shovelfull<br />dug freshly from a local bed. The wasted rubble of<br />factories in Stoke-on-Trent and the accessible veins of<br />silken red marl holes constitute both his childhood and<br />adult turf - he has not moved away and is not a visitor<br />bombing in and out. His backyard is a brownfield and<br />both dear as well as foreboding - and an unusual<br />mixture of unrepeatable glorious history and unreliable<br />futures.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/52040956" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="af86d86381c69a567c95de0a51d32447" rel="nofollow" data-download="{"attachment_id":69488172,"asset_id":52040956,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/69488172/download_file?st=MTczMjUwMjUyMSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="63647320" href="https://massart.academia.edu/EzraShales">Ezra Shales</a><script data-card-contents-for-user="63647320" type="text/json">{"id":63647320,"first_name":"Ezra","last_name":"Shales","domain_name":"massart","page_name":"EzraShales","display_name":"Ezra Shales","profile_url":"https://massart.academia.edu/EzraShales?f_ri=15244","photo":"https://0.academia-photos.com/63647320/16523121/52271923/s65_ezra.shales.jpg"}</script></span></span></li><li class="js-paper-rank-work_52040956 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="52040956"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 52040956, container: ".js-paper-rank-work_52040956", }); 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$(".js-view-count[data-work-id=52040956]").text(description); $(".js-view-count-work_52040956").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_52040956").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="52040956"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">8</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="15244" href="https://www.academia.edu/Documents/in/Ceramics_Art_History_">Ceramics (Art History)</a>, <script data-card-contents-for-ri="15244" type="text/json">{"id":15244,"name":"Ceramics (Art History)","url":"https://www.academia.edu/Documents/in/Ceramics_Art_History_?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="15820" href="https://www.academia.edu/Documents/in/Modern_and_contemporary_crafts_Art_">Modern and contemporary crafts (Art)</a>, <script data-card-contents-for-ri="15820" type="text/json">{"id":15820,"name":"Modern and contemporary crafts (Art)","url":"https://www.academia.edu/Documents/in/Modern_and_contemporary_crafts_Art_?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16903" href="https://www.academia.edu/Documents/in/Traditional_Crafts">Traditional Crafts</a>, <script data-card-contents-for-ri="16903" type="text/json">{"id":16903,"name":"Traditional Crafts","url":"https://www.academia.edu/Documents/in/Traditional_Crafts?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16905" href="https://www.academia.edu/Documents/in/Craft_Knowledge">Craft Knowledge</a><script data-card-contents-for-ri="16905" type="text/json">{"id":16905,"name":"Craft Knowledge","url":"https://www.academia.edu/Documents/in/Craft_Knowledge?f_ri=15244","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=52040956]'), work: {"id":52040956,"title":"\"Soil So Good\" in \"Craft\" (Whitechapel Documents in Contemporary Art) first written on the occasion of Neil Brownsword's work in the Korean International Ceramic Biennale 2015","created_at":"2021-09-12T15:45:15.579-07:00","url":"https://www.academia.edu/52040956/_Soil_So_Good_in_Craft_Whitechapel_Documents_in_Contemporary_Art_first_written_on_the_occasion_of_Neil_Brownswords_work_in_the_Korean_International_Ceramic_Biennale_2015?f_ri=15244","dom_id":"work_52040956","summary":"\"Soil So Good: Neil Brownsword’s Reinventions\": For the sake of alliteration as well as the productive confusion between an eighteenth-century metaphor and a contemporary euphemism, the neologism\n‘brownfield’ is as good a contradiction as any to\ncontextualize the work of Neil Brownsword: he envisions\nclay to be ripe for cultural creation, whether it’s a\nderelict zone contaminated by factory use or a shovelfull\ndug freshly from a local bed. The wasted rubble of\nfactories in Stoke-on-Trent and the accessible veins of\nsilken red marl holes constitute both his childhood and\nadult turf - he has not moved away and is not a visitor\nbombing in and out. His backyard is a brownfield and\nboth dear as well as foreboding - and an unusual\nmixture of unrepeatable glorious history and unreliable\nfutures.","downloadable_attachments":[{"id":69488172,"asset_id":52040956,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":63647320,"first_name":"Ezra","last_name":"Shales","domain_name":"massart","page_name":"EzraShales","display_name":"Ezra Shales","profile_url":"https://massart.academia.edu/EzraShales?f_ri=15244","photo":"https://0.academia-photos.com/63647320/16523121/52271923/s65_ezra.shales.jpg"}],"research_interests":[{"id":15244,"name":"Ceramics (Art History)","url":"https://www.academia.edu/Documents/in/Ceramics_Art_History_?f_ri=15244","nofollow":false},{"id":15820,"name":"Modern and contemporary crafts (Art)","url":"https://www.academia.edu/Documents/in/Modern_and_contemporary_crafts_Art_?f_ri=15244","nofollow":false},{"id":16903,"name":"Traditional Crafts","url":"https://www.academia.edu/Documents/in/Traditional_Crafts?f_ri=15244","nofollow":false},{"id":16905,"name":"Craft Knowledge","url":"https://www.academia.edu/Documents/in/Craft_Knowledge?f_ri=15244","nofollow":false},{"id":26558,"name":"Visual Arts","url":"https://www.academia.edu/Documents/in/Visual_Arts?f_ri=15244"},{"id":28903,"name":"Craft production (Archaeology)","url":"https://www.academia.edu/Documents/in/Craft_production_Archaeology_?f_ri=15244"},{"id":58128,"name":"Ceramics","url":"https://www.academia.edu/Documents/in/Ceramics?f_ri=15244"},{"id":256667,"name":"Arts and Humanities","url":"https://www.academia.edu/Documents/in/Arts_and_Humanities?f_ri=15244"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_27974676" data-work_id="27974676" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/27974676/The_China_Club_revisited_in_an_economic_context_an_idea_too_late_for_its_time">The China Club revisited in an economic context - an idea too late for its time</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This paper examines the attempts of the China Club, a group of china dealers formed by Miles Mason in 1785, to control the market for Chinese porcelain imported by the East India company as well as other activities which they objected to,... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_27974676" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This paper examines the attempts of the China Club, a group of china dealers formed by Miles Mason in 1785, to control the market for Chinese porcelain imported by the East India company as well as other activities which they objected to, including night sales.  Set against the growth in the economy and in china sales experienced in the final quarter of the 18th century this was an attempt always destined to fail.  Northern Ceramic Society Journal, Volume 22, 2005-6.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/27974676" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="fb620f7ae973a68b7d8b16646ef081a0" rel="nofollow" data-download="{"attachment_id":48277673,"asset_id":27974676,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/48277673/download_file?st=MTczMjUwMjUyMSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="51440863" href="https://independentresearcher.academia.edu/NicholasPanes">Nicholas Panes</a><script data-card-contents-for-user="51440863" 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}); });</script></span><script>$(function() { $(".js-view-count-work_27974676").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="27974676"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="137" href="https://www.academia.edu/Documents/in/Economic_History">Economic History</a>, <script data-card-contents-for-ri="137" type="text/json">{"id":137,"name":"Economic History","url":"https://www.academia.edu/Documents/in/Economic_History?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="14985" href="https://www.academia.edu/Documents/in/Decorative_Arts">Decorative Arts</a>, <script data-card-contents-for-ri="14985" type="text/json">{"id":14985,"name":"Decorative Arts","url":"https://www.academia.edu/Documents/in/Decorative_Arts?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="15244" href="https://www.academia.edu/Documents/in/Ceramics_Art_History_">Ceramics (Art History)</a>, <script data-card-contents-for-ri="15244" type="text/json">{"id":15244,"name":"Ceramics (Art History)","url":"https://www.academia.edu/Documents/in/Ceramics_Art_History_?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="323875" href="https://www.academia.edu/Documents/in/British_East_India_Company">British East India Company</a><script data-card-contents-for-ri="323875" type="text/json">{"id":323875,"name":"British East India Company","url":"https://www.academia.edu/Documents/in/British_East_India_Company?f_ri=15244","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=27974676]'), work: {"id":27974676,"title":"The China Club revisited in an economic context - an idea too late for its time","created_at":"2016-08-24T03:50:54.337-07:00","url":"https://www.academia.edu/27974676/The_China_Club_revisited_in_an_economic_context_an_idea_too_late_for_its_time?f_ri=15244","dom_id":"work_27974676","summary":"This paper examines the attempts of the China Club, a group of china dealers formed by Miles Mason in 1785, to control the market for Chinese porcelain imported by the East India company as well as other activities which they objected to, including night sales. Set against the growth in the economy and in china sales experienced in the final quarter of the 18th century this was an attempt always destined to fail. Northern Ceramic Society Journal, Volume 22, 2005-6.","downloadable_attachments":[{"id":48277673,"asset_id":27974676,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":51440863,"first_name":"Nicholas","last_name":"Panes","domain_name":"independentresearcher","page_name":"NicholasPanes","display_name":"Nicholas Panes","profile_url":"https://independentresearcher.academia.edu/NicholasPanes?f_ri=15244","photo":"https://0.academia-photos.com/51440863/153034548/142636919/s65_nicholas.panes.png"}],"research_interests":[{"id":137,"name":"Economic History","url":"https://www.academia.edu/Documents/in/Economic_History?f_ri=15244","nofollow":false},{"id":14985,"name":"Decorative Arts","url":"https://www.academia.edu/Documents/in/Decorative_Arts?f_ri=15244","nofollow":false},{"id":15244,"name":"Ceramics (Art History)","url":"https://www.academia.edu/Documents/in/Ceramics_Art_History_?f_ri=15244","nofollow":false},{"id":323875,"name":"British East India Company","url":"https://www.academia.edu/Documents/in/British_East_India_Company?f_ri=15244","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_34576723" data-work_id="34576723" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/34576723/_Alfred_Le_Chatelier_et_l_Atelier_de_Glatigny_">“Alfred Le Chatelier et l’Atelier de Glatigny”</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Alfred Le Chatelier et l’Atelier de Glatigny - Cet article parle d’Alfred Le Chatelier et de son intérêt pour la céramique, démontré en particulier par la création d’un atelier à Glatigny (Le Chesnay), près de Versailles, fondé en 1897... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_34576723" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Alfred Le Chatelier et l’Atelier de Glatigny - <br />Cet article parle d’Alfred Le Chatelier et de son intérêt pour la céramique, démontré en particulier par la création d’un atelier à Glatigny (Le Chesnay), près de Versailles, fondé en 1897 et fermé en 1902. L’atelier était spécialisé dans la recherche et la production de porcelaine et de grès artistiques de haute qualité à des prix accessibles, avec la collaboration d’un certain nombre de scientifiques importants, et d’artistes qui, malheureusement, ont dû choisir de rester anonymes. Pour certains d’entre eux il est proposé quelques noms possibles. <br /><br />Alfred Le Chatelier and the Atelier de Glatigny - <br />This paper discusses Alfred Le Chatelier and his interest in ceramics, shown particularly by the creation of an atelier at Glatigny (Le Chesnay), near Versailles, founded in 1897 and shut in 1902. The atelier specialised in the research and manufacture of high-quality artistic porcelain and stoneware at accessible prices, with the help of a number of leading scientists, as well as artists who, unfortunately, were chosen to remain anonymous. Some possible identifications are proposed.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/34576723" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="b188bb604f02ef7d40b9004d4875a5f9" rel="nofollow" data-download="{"attachment_id":61146315,"asset_id":34576723,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/61146315/download_file?st=MTczMjUwMjUyMSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="172388" href="https://unisalento.academia.edu/PaulArthur">Paul Arthur</a><script data-card-contents-for-user="172388" type="text/json">{"id":172388,"first_name":"Paul","last_name":"Arthur","domain_name":"unisalento","page_name":"PaulArthur","display_name":"Paul Arthur","profile_url":"https://unisalento.academia.edu/PaulArthur?f_ri=15244","photo":"https://0.academia-photos.com/172388/43207/39736/s65_paul.arthur.jpeg"}</script></span></span></li><li class="js-paper-rank-work_34576723 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="34576723"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 34576723, container: ".js-paper-rank-work_34576723", }); 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L’atelier était spécialisé dans la recherche et la production de porcelaine et de grès artistiques de haute qualité à des prix accessibles, avec la collaboration d’un certain nombre de scientifiques importants, et d’artistes qui, malheureusement, ont dû choisir de rester anonymes. Pour certains d’entre eux il est proposé quelques noms possibles. \n\nAlfred Le Chatelier and the Atelier de Glatigny - \nThis paper discusses Alfred Le Chatelier and his interest in ceramics, shown particularly by the creation of an atelier at Glatigny (Le Chesnay), near Versailles, founded in 1897 and shut in 1902. The atelier specialised in the research and manufacture of high-quality artistic porcelain and stoneware at accessible prices, with the help of a number of leading scientists, as well as artists who, unfortunately, were chosen to remain anonymous. Some possible identifications are proposed.\n","downloadable_attachments":[{"id":61146315,"asset_id":34576723,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":172388,"first_name":"Paul","last_name":"Arthur","domain_name":"unisalento","page_name":"PaulArthur","display_name":"Paul Arthur","profile_url":"https://unisalento.academia.edu/PaulArthur?f_ri=15244","photo":"https://0.academia-photos.com/172388/43207/39736/s65_paul.arthur.jpeg"}],"research_interests":[{"id":12181,"name":"French colonialism","url":"https://www.academia.edu/Documents/in/French_colonialism?f_ri=15244","nofollow":false},{"id":15244,"name":"Ceramics (Art History)","url":"https://www.academia.edu/Documents/in/Ceramics_Art_History_?f_ri=15244","nofollow":false},{"id":30726,"name":"Art Nouveau","url":"https://www.academia.edu/Documents/in/Art_Nouveau?f_ri=15244","nofollow":false},{"id":37654,"name":"Fin de siècle Paris","url":"https://www.academia.edu/Documents/in/Fin_de_siecle_Paris?f_ri=15244","nofollow":false},{"id":72177,"name":"Belle Epoque","url":"https://www.academia.edu/Documents/in/Belle_Epoque?f_ri=15244"},{"id":2510563,"name":"Alfred Le Chatelier","url":"https://www.academia.edu/Documents/in/Alfred_Le_Chatelier?f_ri=15244"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_72538088" data-work_id="72538088" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/72538088/_2022_Theatricality_and_Trans_Media_Motif_of_Early_Qing_Narrative_Porcelain">(2022) Theatricality and Trans-Media Motif of Early Qing Narrative Porcelain</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Edited by Sarah E. Fraser, Mio Wakita, and Lianming Wang, pp. 132–144. Heidelberg: arthistoricum.net. (Open Access)</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/72538088" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="15855644" href="https://khiflorenz.academia.edu/FengSchoeneweiss">Feng Schöneweiß 何峰</a><script data-card-contents-for-user="15855644" type="text/json">{"id":15855644,"first_name":"Feng","last_name":"Schöneweiß 何峰","domain_name":"khiflorenz","page_name":"FengSchoeneweiss","display_name":"Feng Schöneweiß 何峰","profile_url":"https://khiflorenz.academia.edu/FengSchoeneweiss?f_ri=15244","photo":"https://0.academia-photos.com/15855644/4283503/114952667/s65_feng.sch_newei_.jpeg"}</script></span></span></li><li class="js-paper-rank-work_72538088 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="72538088"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 72538088, container: ".js-paper-rank-work_72538088", }); 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Fraser, Mio Wakita, and Lianming Wang, pp. 132–144. Heidelberg: arthistoricum.net. (Open Access)","downloadable_attachments":[],"ordered_authors":[{"id":15855644,"first_name":"Feng","last_name":"Schöneweiß 何峰","domain_name":"khiflorenz","page_name":"FengSchoeneweiss","display_name":"Feng Schöneweiß 何峰","profile_url":"https://khiflorenz.academia.edu/FengSchoeneweiss?f_ri=15244","photo":"https://0.academia-photos.com/15855644/4283503/114952667/s65_feng.sch_newei_.jpeg"}],"research_interests":[{"id":8228,"name":"Chinese Art","url":"https://www.academia.edu/Documents/in/Chinese_Art?f_ri=15244","nofollow":false},{"id":15244,"name":"Ceramics (Art History)","url":"https://www.academia.edu/Documents/in/Ceramics_Art_History_?f_ri=15244","nofollow":false},{"id":17471,"name":"Qing Dynasty (Ch'ing Dynasty)","url":"https://www.academia.edu/Documents/in/Qing_Dynasty_Ching_Dynasty_?f_ri=15244","nofollow":false},{"id":47749,"name":"Porcelain","url":"https://www.academia.edu/Documents/in/Porcelain?f_ri=15244","nofollow":false},{"id":59536,"name":"Dresden","url":"https://www.academia.edu/Documents/in/Dresden?f_ri=15244"},{"id":209188,"name":"Chinese art history","url":"https://www.academia.edu/Documents/in/Chinese_art_history?f_ri=15244"},{"id":258248,"name":"Chinese Porcelain in Foreign Countries","url":"https://www.academia.edu/Documents/in/Chinese_Porcelain_in_Foreign_Countries?f_ri=15244"},{"id":557026,"name":"Chinese Porcelain","url":"https://www.academia.edu/Documents/in/Chinese_Porcelain?f_ri=15244"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_41095889 coauthored" data-work_id="41095889" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/41095889/Contemporary_Currents_in_Iranian_Ceramics">Contemporary Currents in Iranian Ceramics</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Joint lecture given at the 2017 NCECA Conference, Pittsburgh. Outlines a broad overview of what is happening in Iran today, including a few local and active centers of traditional pottery as well as new directions being explored by... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_41095889" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Joint lecture given at the 2017 NCECA Conference, Pittsburgh. Outlines a broad overview of what is happening in Iran today, including a few local and active centers of traditional pottery as well as new directions being explored by contemporary artists. <br /> <br />Watch here: <br /><a href="https://www.youtube.com/watch?v=4OSHeHbkARA&t=2644s" rel="nofollow">https://www.youtube.com/watch?v=4OSHeHbkARA&t=2644s</a></div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/41095889" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="e0728fc9c8aa609a05020ac95a8d0d6c" rel="nofollow" data-download="{"attachment_id":61355662,"asset_id":41095889,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/61355662/download_file?st=MTczMjUwMjUyMSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="54352749" href="https://wcu.academia.edu/JillianEchlin">Jillian Echlin</a><script data-card-contents-for-user="54352749" type="text/json">{"id":54352749,"first_name":"Jillian","last_name":"Echlin","domain_name":"wcu","page_name":"JillianEchlin","display_name":"Jillian Echlin","profile_url":"https://wcu.academia.edu/JillianEchlin?f_ri=15244","photo":"https://0.academia-photos.com/54352749/21439842/21076363/s65_jillian.echlin.jpg"}</script></span></span><span class="u-displayInlineBlock InlineList-item-text"> and <span class="u-textDecorationUnderline u-clickable InlineList-item-text js-work-more-authors-41095889">+1</span><div class="hidden js-additional-users-41095889"><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://independent.academia.edu/SethEchlin">Seth Echlin</a></span></div></div></span><script>(function(){ var popoverSettings = { el: $('.js-work-more-authors-41095889'), placement: 'bottom', hide_delay: 200, html: true, content: function(){ return $('.js-additional-users-41095889').html(); 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От редакции. Искусство керамики: сквозь века и границы // От ремесла к искусству. Керамика: технология, декор, стиль. Тез. докл. Межд. научно-практической конф. 22–25 мая 2018 г. Санкт-Петербург: СПГХПА им. А.Л. Штиглица, 2018. 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-Damietta Univ. -Egypt</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">ceramics is one of the first raw materials that people use in making their requirements in daily life due to the availability of its materials in the surrounding environment and it has been used in making fashion supplements accurately... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_57339475" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">ceramics is one of the first raw materials that people use in making their requirements in daily life due to the availability of its materials in the surrounding environment and it has been used in making fashion supplements accurately for easy assortment, and the ceramics industry has progressed greatly to extend and include many things in the artistic, industrial and architectural industries, it is a craft that enjoys originality And contemporary and ease of dealing with it in the formation process as it is one of the crafts that take time to extract a good product with high accuracy through many procedures, processes and tools, and since the advent of the computer, these tools are constantly developing and creating new patterns of new technologies that depend on the capabilities of the computer in Leading these tools, such as numerical control technologies, and in recent times, numerical control technologies have played a major role in various fields.<br />In this research, an attempt is made to take advantage of numerical control technology to produce ceramic fashion supplements in a way that saves time and effort to obtain a product with high accuracy to revive this kind of art, by using numerical control technology through a small size numerical control machine (mini CNC Router engraver 3Axis). Using the various ceramic bodies and their raw materials available in the surrounding environment, the ceramic production process can be carried out by means of numerical control machines by drilling directly on the clays or by engraving on plaster molds for use in the production process, as well as to benefit from the advantages of the computer in the design and modification processes.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/57339475" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="dc16a392c5b071e6dd8ff56311788ac0" rel="nofollow" data-download="{"attachment_id":72289494,"asset_id":57339475,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/72289494/download_file?st=MTczMjUwMjUyMSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="113281414" href="https://damietta.academia.edu/MennaSleem">Menna Sleem</a><script data-card-contents-for-user="113281414" type="text/json">{"id":113281414,"first_name":"Menna","last_name":"Sleem","domain_name":"damietta","page_name":"MennaSleem","display_name":"Menna Sleem","profile_url":"https://damietta.academia.edu/MennaSleem?f_ri=15244","photo":"/images/s65_no_pic.png"}</script></span></span></li><li class="js-paper-rank-work_57339475 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="57339475"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 57339475, container: ".js-paper-rank-work_57339475", }); 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Using the various ceramic bodies and their raw materials available in the surrounding environment, the ceramic production process can be carried out by means of numerical control machines by drilling directly on the clays or by engraving on plaster molds for use in the production process, as well as to benefit from the advantages of the computer in the design and modification processes.","downloadable_attachments":[{"id":72289494,"asset_id":57339475,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":113281414,"first_name":"Menna","last_name":"Sleem","domain_name":"damietta","page_name":"MennaSleem","display_name":"Menna Sleem","profile_url":"https://damietta.academia.edu/MennaSleem?f_ri=15244","photo":"/images/s65_no_pic.png"}],"research_interests":[{"id":57,"name":"Ceramic Engineering","url":"https://www.academia.edu/Documents/in/Ceramic_Engineering?f_ri=15244","nofollow":false},{"id":4495,"name":"Mechanical Properties of Ceramics","url":"https://www.academia.edu/Documents/in/Mechanical_Properties_of_Ceramics?f_ri=15244","nofollow":false},{"id":9901,"name":"High Temperature Ceramics","url":"https://www.academia.edu/Documents/in/High_Temperature_Ceramics?f_ri=15244","nofollow":false},{"id":15244,"name":"Ceramics (Art History)","url":"https://www.academia.edu/Documents/in/Ceramics_Art_History_?f_ri=15244","nofollow":false},{"id":24827,"name":"Ceramics (Archaeology)","url":"https://www.academia.edu/Documents/in/Ceramics_Archaeology_?f_ri=15244"},{"id":174961,"name":"Advanced Ceramics","url":"https://www.academia.edu/Documents/in/Advanced_Ceramics?f_ri=15244"},{"id":889571,"name":"Cutting Tool Technology (Ceramics Cutting Tool, Ceramics Machining)","url":"https://www.academia.edu/Documents/in/Cutting_Tool_Technology_Ceramics_Cutting_Tool_Ceramics_Machining_?f_ri=15244"},{"id":1725029,"name":"Water Jet Machining for Ceramics","url":"https://www.academia.edu/Documents/in/Water_Jet_Machining_for_Ceramics?f_ri=15244"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_29820865" data-work_id="29820865" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/29820865/Dickran_Kouymjian_Le_r%C3%B4le_des_potiers_arm%C3%A9niens_de_K%C3%BCtahya_dans_l_histoire_de_la_c%C3%A9ramique_ottomane_Des_serviteurs_fid%C3%A8les_Les_enfants_de_lArm%C3%A9nie_au_service_de_l%C3%89tat_turc_Maxime_Yevadian_%C3%A9d_Sources_dArm%C3%A9nie_Mont%C3%A9limar_2010_pp_64_85">Dickran Kouymjian, "Le rôle des potiers arméniens de Kütahya dans l’histoire de la céramique ottomane," Des serviteurs fidèles. Les enfants de l'Arménie au service de l'État turc, Maxime Yevadian, éd., Sources d'Arménie, Montélimar, 2010, pp. 64-85.</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This is a French version an overview of the history of Armenian Kütahya ceramics and its continuation after the genocide in Jerusalem. Kütahya was perhaps the most important center of Armenian ceramic production in post-Medieval times.... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_29820865" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This is a French version an overview of the history of Armenian Kütahya ceramics and its continuation after the genocide in Jerusalem.  Kütahya was perhaps the most important center of Armenian ceramic production in post-Medieval times.  Many of the thousands of surviving early eighteenth-century pieces, including a special order for some 10,000 tiles destined originally for the Holy Sepulcher in Jerusalem, now in the Armenian Monastery of St. James, are inscribed in Armenian.  In the early twentieth century, many of these objects, including two dated and signed examples of the early sixteen century in blue and white, the oldest dated ceramics executed within the Ottoman Empire, were thought to be the work of Turkish ceramists patronized by well to do Armenian patrons, despite the quite clear inscriptions by the Armenian craftsmen themselves.  The variety and popularity of this Kütahya ware has had renewed interest in both Turkey and abroad.  Les céramiques produites à Kütahya 1 , ville située à environ 200 kilomètres au sud-est de Constantinople/Istanbul, furent l'oeuvre presque exclusive de potiers arméniens, du XVI e au XX e siècle. La communauté arménienne y est présente dès le XIII e siècle et une église arménienne est attestée en 1391 2. Considérées longtemps comme une branche mineure des céramiques ottomanes, ce n'est qu'avec la publication de l'immense étude de John Carswell qu'elles furent définitivement incorporées à la longue histoire de l'art arménien 3 .</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/29820865" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="ebc2ef1b2953c7e15b1633317bc25fe3" rel="nofollow" data-download="{"attachment_id":50289354,"asset_id":29820865,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/50289354/download_file?st=MTczMjUwMjUyMSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="3542514" href="https://csufresno.academia.edu/DKouymjian">Dickran Kouymjian</a><script data-card-contents-for-user="3542514" type="text/json">{"id":3542514,"first_name":"Dickran","last_name":"Kouymjian","domain_name":"csufresno","page_name":"DKouymjian","display_name":"Dickran Kouymjian","profile_url":"https://csufresno.academia.edu/DKouymjian?f_ri=15244","photo":"https://0.academia-photos.com/3542514/1449310/1773150/s65_dickran.kouymjian.jpg"}</script></span></span></li><li class="js-paper-rank-work_29820865 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="29820865"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 29820865, container: ".js-paper-rank-work_29820865", }); 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Les enfants de l'Arménie au service de l'État turc, Maxime Yevadian, éd., Sources d'Arménie, Montélimar, 2010, pp. 64-85.","created_at":"2016-11-13T12:44:03.656-08:00","url":"https://www.academia.edu/29820865/Dickran_Kouymjian_Le_r%C3%B4le_des_potiers_arm%C3%A9niens_de_K%C3%BCtahya_dans_l_histoire_de_la_c%C3%A9ramique_ottomane_Des_serviteurs_fid%C3%A8les_Les_enfants_de_lArm%C3%A9nie_au_service_de_l%C3%89tat_turc_Maxime_Yevadian_%C3%A9d_Sources_dArm%C3%A9nie_Mont%C3%A9limar_2010_pp_64_85?f_ri=15244","dom_id":"work_29820865","summary":"This is a French version an overview of the history of Armenian Kütahya ceramics and its continuation after the genocide in Jerusalem. Kütahya was perhaps the most important center of Armenian ceramic production in post-Medieval times. Many of the thousands of surviving early eighteenth-century pieces, including a special order for some 10,000 tiles destined originally for the Holy Sepulcher in Jerusalem, now in the Armenian Monastery of St. James, are inscribed in Armenian. In the early twentieth century, many of these objects, including two dated and signed examples of the early sixteen century in blue and white, the oldest dated ceramics executed within the Ottoman Empire, were thought to be the work of Turkish ceramists patronized by well to do Armenian patrons, despite the quite clear inscriptions by the Armenian craftsmen themselves. The variety and popularity of this Kütahya ware has had renewed interest in both Turkey and abroad. Les céramiques produites à Kütahya 1 , ville située à environ 200 kilomètres au sud-est de Constantinople/Istanbul, furent l'oeuvre presque exclusive de potiers arméniens, du XVI e au XX e siècle. La communauté arménienne y est présente dès le XIII e siècle et une église arménienne est attestée en 1391 2. Considérées longtemps comme une branche mineure des céramiques ottomanes, ce n'est qu'avec la publication de l'immense étude de John Carswell qu'elles furent définitivement incorporées à la longue histoire de l'art arménien 3 .","downloadable_attachments":[{"id":50289354,"asset_id":29820865,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":3542514,"first_name":"Dickran","last_name":"Kouymjian","domain_name":"csufresno","page_name":"DKouymjian","display_name":"Dickran Kouymjian","profile_url":"https://csufresno.academia.edu/DKouymjian?f_ri=15244","photo":"https://0.academia-photos.com/3542514/1449310/1773150/s65_dickran.kouymjian.jpg"}],"research_interests":[{"id":1707,"name":"Armenian Studies","url":"https://www.academia.edu/Documents/in/Armenian_Studies?f_ri=15244","nofollow":false},{"id":11150,"name":"Islamic Studies","url":"https://www.academia.edu/Documents/in/Islamic_Studies?f_ri=15244","nofollow":false},{"id":14138,"name":"Armenian History","url":"https://www.academia.edu/Documents/in/Armenian_History?f_ri=15244","nofollow":false},{"id":14554,"name":"Armenian Culture","url":"https://www.academia.edu/Documents/in/Armenian_Culture?f_ri=15244","nofollow":false},{"id":14556,"name":"Armenian Apostolic Church","url":"https://www.academia.edu/Documents/in/Armenian_Apostolic_Church?f_ri=15244"},{"id":14661,"name":"Armenian Diaspora in the USA","url":"https://www.academia.edu/Documents/in/Armenian_Diaspora_in_the_USA?f_ri=15244"},{"id":14893,"name":"Church History","url":"https://www.academia.edu/Documents/in/Church_History?f_ri=15244"},{"id":15244,"name":"Ceramics (Art History)","url":"https://www.academia.edu/Documents/in/Ceramics_Art_History_?f_ri=15244"},{"id":20744,"name":"Modern Armenian History","url":"https://www.academia.edu/Documents/in/Modern_Armenian_History?f_ri=15244"},{"id":33670,"name":"Armenia","url":"https://www.academia.edu/Documents/in/Armenia?f_ri=15244"},{"id":58128,"name":"Ceramics","url":"https://www.academia.edu/Documents/in/Ceramics?f_ri=15244"},{"id":67323,"name":"İzlenim Yönetimi Davranışı","url":"https://www.academia.edu/Documents/in/Izlenim_Yonetimi_Davranisi?f_ri=15244"},{"id":115549,"name":"Islamic ceramics","url":"https://www.academia.edu/Documents/in/Islamic_ceramics?f_ri=15244"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_43077329" data-work_id="43077329" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/43077329/Negotiating_Chinese_Australian_Identity_Ah_Xians_Dr_John_Yu_2004_and_his_China_China_Series_1998_2004_">Negotiating ‘Chinese-Australian’ Identity: Ah Xian's Dr John Yu (2004) and his China China Series (1998–2004)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">In 2003, Australia's National Portrait Gallery (NPG) in Canberra commissioned a rising Australian contemporary artist, Ah Xian, to create a portrait of Dr John Yu, one of the country's most celebrated paediatricians. Both the artist and... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_43077329" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">In 2003, Australia's National Portrait Gallery (NPG) in Canberra commissioned a rising Australian contemporary artist, Ah Xian, to create a portrait of Dr John Yu, one of the country's most celebrated paediatricians. Both the artist and the subject have contributed greatly to Australian society and culture, yet it was to a certain extent their Chinese heritage that brought them together. The resulting portrait – Dr John Yu (2004, Figure 1) – communicates this ‘Chineseness’ in three interconnected aspects: above all, it is a deeply personal portrayal of a Chinese-Australian by a contemporary Chinese-Australian artist; at the same time, its medium, as well as the manner and location in which it was created, evoke an association with the history of Chinese porcelain; finally, Ah Xian's use of an iconic Chinese motif and the link that this creates with his other works suggests an added layer of cultural meaning. It is this third, cultural element that attains most significance, uniting with the personal and historical dimensions of meaning to communicate Ah Xian's and Yu's shared experiences as migrant citizens, shaped by their individual negotiations of ‘Chinese-Australian’ identity.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/43077329" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="34cd9199e21a3f6b6fc76cf3ac40634d" rel="nofollow" data-download="{"attachment_id":63415060,"asset_id":43077329,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/63415060/download_file?st=MTczMjUwMjUyMSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="108803539" href="https://anu-au.academia.edu/AlexBurchmore">Alex Burchmore</a><script data-card-contents-for-user="108803539" type="text/json">{"id":108803539,"first_name":"Alex","last_name":"Burchmore","domain_name":"anu-au","page_name":"AlexBurchmore","display_name":"Alex Burchmore","profile_url":"https://anu-au.academia.edu/AlexBurchmore?f_ri=15244","photo":"https://0.academia-photos.com/108803539/29935814/34938075/s65_alex.burchmore.jpg"}</script></span></span></li><li class="js-paper-rank-work_43077329 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="43077329"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 43077329, container: ".js-paper-rank-work_43077329", }); });</script></li><li class="js-percentile-work_43077329 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 43077329; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_43077329"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_43077329 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="43077329"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 43077329; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=43077329]").text(description); $(".js-view-count-work_43077329").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_43077329").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="43077329"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">5</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="3051" href="https://www.academia.edu/Documents/in/Contemporary_Art">Contemporary Art</a>, <script data-card-contents-for-ri="3051" type="text/json">{"id":3051,"name":"Contemporary Art","url":"https://www.academia.edu/Documents/in/Contemporary_Art?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="15244" href="https://www.academia.edu/Documents/in/Ceramics_Art_History_">Ceramics (Art History)</a>, <script data-card-contents-for-ri="15244" type="text/json">{"id":15244,"name":"Ceramics (Art History)","url":"https://www.academia.edu/Documents/in/Ceramics_Art_History_?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="47749" href="https://www.academia.edu/Documents/in/Porcelain">Porcelain</a>, <script data-card-contents-for-ri="47749" type="text/json">{"id":47749,"name":"Porcelain","url":"https://www.academia.edu/Documents/in/Porcelain?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="253574" href="https://www.academia.edu/Documents/in/Chinese-Australian_history">Chinese-Australian history</a><script data-card-contents-for-ri="253574" type="text/json">{"id":253574,"name":"Chinese-Australian history","url":"https://www.academia.edu/Documents/in/Chinese-Australian_history?f_ri=15244","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=43077329]'), work: {"id":43077329,"title":"Negotiating ‘Chinese-Australian’ Identity: Ah Xian's Dr John Yu (2004) and his China China Series (1998–2004)","created_at":"2020-05-16T16:07:14.591-07:00","url":"https://www.academia.edu/43077329/Negotiating_Chinese_Australian_Identity_Ah_Xians_Dr_John_Yu_2004_and_his_China_China_Series_1998_2004_?f_ri=15244","dom_id":"work_43077329","summary":"In 2003, Australia's National Portrait Gallery (NPG) in Canberra commissioned a rising Australian contemporary artist, Ah Xian, to create a portrait of Dr John Yu, one of the country's most celebrated paediatricians. Both the artist and the subject have contributed greatly to Australian society and culture, yet it was to a certain extent their Chinese heritage that brought them together. The resulting portrait – Dr John Yu (2004, Figure 1) – communicates this ‘Chineseness’ in three interconnected aspects: above all, it is a deeply personal portrayal of a Chinese-Australian by a contemporary Chinese-Australian artist; at the same time, its medium, as well as the manner and location in which it was created, evoke an association with the history of Chinese porcelain; finally, Ah Xian's use of an iconic Chinese motif and the link that this creates with his other works suggests an added layer of cultural meaning. It is this third, cultural element that attains most significance, uniting with the personal and historical dimensions of meaning to communicate Ah Xian's and Yu's shared experiences as migrant citizens, shaped by their individual negotiations of ‘Chinese-Australian’ identity.","downloadable_attachments":[{"id":63415060,"asset_id":43077329,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":108803539,"first_name":"Alex","last_name":"Burchmore","domain_name":"anu-au","page_name":"AlexBurchmore","display_name":"Alex Burchmore","profile_url":"https://anu-au.academia.edu/AlexBurchmore?f_ri=15244","photo":"https://0.academia-photos.com/108803539/29935814/34938075/s65_alex.burchmore.jpg"}],"research_interests":[{"id":3051,"name":"Contemporary Art","url":"https://www.academia.edu/Documents/in/Contemporary_Art?f_ri=15244","nofollow":false},{"id":15244,"name":"Ceramics (Art History)","url":"https://www.academia.edu/Documents/in/Ceramics_Art_History_?f_ri=15244","nofollow":false},{"id":47749,"name":"Porcelain","url":"https://www.academia.edu/Documents/in/Porcelain?f_ri=15244","nofollow":false},{"id":253574,"name":"Chinese-Australian history","url":"https://www.academia.edu/Documents/in/Chinese-Australian_history?f_ri=15244","nofollow":false},{"id":454641,"name":"Contemporary Australian Art","url":"https://www.academia.edu/Documents/in/Contemporary_Australian_Art?f_ri=15244"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_19848933" data-work_id="19848933" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/19848933/Smashing_Fragility_Deconstruction_and_Fragments_in_Contemporary_Ceramic_Art_Catalogue_scan">Smashing! Fragility, Deconstruction and Fragments in Contemporary [Ceramic] Art, Catalogue scan</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Text and exhibition catalogue</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/19848933" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="de32da7c5eedc2b972324752c3240d07" rel="nofollow" data-download="{"attachment_id":40878231,"asset_id":19848933,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/40878231/download_file?st=MTczMjUwMjUyMSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="82859" href="https://telaviv.academia.edu/AyeletZohar">Ayelet Zohar</a><script data-card-contents-for-user="82859" type="text/json">{"id":82859,"first_name":"Ayelet","last_name":"Zohar","domain_name":"telaviv","page_name":"AyeletZohar","display_name":"Ayelet Zohar","profile_url":"https://telaviv.academia.edu/AyeletZohar?f_ri=15244","photo":"https://0.academia-photos.com/82859/23059/60981148/s65_ayelet.zohar.jpeg"}</script></span></span></li><li class="js-paper-rank-work_19848933 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="19848933"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 19848933, container: ".js-paper-rank-work_19848933", }); });</script></li><li class="js-percentile-work_19848933 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 19848933; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_19848933"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_19848933 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="19848933"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 19848933; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=19848933]").text(description); $(".js-view-count-work_19848933").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_19848933").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="19848933"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">6</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="3051" href="https://www.academia.edu/Documents/in/Contemporary_Art">Contemporary Art</a>, <script data-card-contents-for-ri="3051" type="text/json">{"id":3051,"name":"Contemporary Art","url":"https://www.academia.edu/Documents/in/Contemporary_Art?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="15244" href="https://www.academia.edu/Documents/in/Ceramics_Art_History_">Ceramics (Art History)</a>, <script data-card-contents-for-ri="15244" type="text/json">{"id":15244,"name":"Ceramics (Art History)","url":"https://www.academia.edu/Documents/in/Ceramics_Art_History_?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="58128" href="https://www.academia.edu/Documents/in/Ceramics">Ceramics</a>, <script data-card-contents-for-ri="58128" type="text/json">{"id":58128,"name":"Ceramics","url":"https://www.academia.edu/Documents/in/Ceramics?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="97168" href="https://www.academia.edu/Documents/in/Contemporary_Art_Theory">Contemporary Art Theory</a><script data-card-contents-for-ri="97168" type="text/json">{"id":97168,"name":"Contemporary Art Theory","url":"https://www.academia.edu/Documents/in/Contemporary_Art_Theory?f_ri=15244","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=19848933]'), work: {"id":19848933,"title":"Smashing! Fragility, Deconstruction and Fragments in Contemporary [Ceramic] Art, Catalogue scan","created_at":"2015-12-27T04:07:17.304-08:00","url":"https://www.academia.edu/19848933/Smashing_Fragility_Deconstruction_and_Fragments_in_Contemporary_Ceramic_Art_Catalogue_scan?f_ri=15244","dom_id":"work_19848933","summary":"Text and exhibition catalogue","downloadable_attachments":[{"id":40878231,"asset_id":19848933,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":82859,"first_name":"Ayelet","last_name":"Zohar","domain_name":"telaviv","page_name":"AyeletZohar","display_name":"Ayelet Zohar","profile_url":"https://telaviv.academia.edu/AyeletZohar?f_ri=15244","photo":"https://0.academia-photos.com/82859/23059/60981148/s65_ayelet.zohar.jpeg"}],"research_interests":[{"id":3051,"name":"Contemporary Art","url":"https://www.academia.edu/Documents/in/Contemporary_Art?f_ri=15244","nofollow":false},{"id":15244,"name":"Ceramics (Art History)","url":"https://www.academia.edu/Documents/in/Ceramics_Art_History_?f_ri=15244","nofollow":false},{"id":58128,"name":"Ceramics","url":"https://www.academia.edu/Documents/in/Ceramics?f_ri=15244","nofollow":false},{"id":97168,"name":"Contemporary Art Theory","url":"https://www.academia.edu/Documents/in/Contemporary_Art_Theory?f_ri=15244","nofollow":false},{"id":137722,"name":"Contemporary Ceramics","url":"https://www.academia.edu/Documents/in/Contemporary_Ceramics?f_ri=15244"},{"id":1433804,"name":"Modern and Contemporary Ceramics","url":"https://www.academia.edu/Documents/in/Modern_and_Contemporary_Ceramics?f_ri=15244"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_39497349" data-work_id="39497349" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/39497349/Last_Women_Potters_in_Anatolia">Last Women Potters in Anatolia</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">It's indubitable, that earlier stages of the pottery productions had done by women. It was probably started by talented women as producing some pots own home needs as well as their neighbours. By the time, this domestic economy, were... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_39497349" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">It's indubitable, that earlier stages of the pottery productions had done by women. It was probably started by talented women as producing some pots own home needs as well as their neighbours. By the time, this domestic economy, were developed to the barter system by needed food. This way of life can be proved by living primitive pottery making in Anatolia. It has been found that the tools and produced forms which used by women's productions today almost have not changed since the Early Bronze Age. The tools and equipments in these productions are very simple and primitive. The Western Anatolia Ceramics Research Center in Dokuz Eylul University, have been conducting a research project titled: "Updating Living Primitive Pottery Centers in Anatolia", and since 2012, we have organized research tours for visiting pottery production centers. In these research tours, the tools and methods which are used in production are being researched and recorded as well as the history of production in the region; also people, culture and socioeconomic contribution to pottery producers in the region are being investigated. By comparing different production centers in Anatolia, we detected, women's production centers have many similarities and it has been observed that their population are nomadic people who had moved from central Asia to Anatolia. During all visit time, we determined that ongoing pottery production from the past to the present day by day has being decreased and have tended to disappear. Therefore, we predict by this project that documenting the last remaining traditional productions is urgent.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/39497349" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="a56432d0595196e87e35ab4d9e8ad0f8" rel="nofollow" data-download="{"attachment_id":59644884,"asset_id":39497349,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/59644884/download_file?st=MTczMjUwMjUyMSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="116477921" href="https://independent.academia.edu/Sevim%C3%87izer">Sevim Çizer</a><script data-card-contents-for-user="116477921" type="text/json">{"id":116477921,"first_name":"Sevim","last_name":"Çizer","domain_name":"independent","page_name":"SevimÇizer","display_name":"Sevim Çizer","profile_url":"https://independent.academia.edu/Sevim%C3%87izer?f_ri=15244","photo":"https://0.academia-photos.com/116477921/28304109/26491828/s65_sevim._izer.jpg"}</script></span></span></li><li class="js-paper-rank-work_39497349 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="39497349"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 39497349, container: ".js-paper-rank-work_39497349", }); 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It was probably started by talented women as producing some pots own home needs as well as their neighbours. By the time, this domestic economy, were developed to the barter system by needed food. This way of life can be proved by living primitive pottery making in Anatolia. It has been found that the tools and produced forms which used by women's productions today almost have not changed since the Early Bronze Age. The tools and equipments in these productions are very simple and primitive. The Western Anatolia Ceramics Research Center in Dokuz Eylul University, have been conducting a research project titled: \"Updating Living Primitive Pottery Centers in Anatolia\", and since 2012, we have organized research tours for visiting pottery production centers. In these research tours, the tools and methods which are used in production are being researched and recorded as well as the history of production in the region; also people, culture and socioeconomic contribution to pottery producers in the region are being investigated. By comparing different production centers in Anatolia, we detected, women's production centers have many similarities and it has been observed that their population are nomadic people who had moved from central Asia to Anatolia. During all visit time, we determined that ongoing pottery production from the past to the present day by day has being decreased and have tended to disappear. Therefore, we predict by this project that documenting the last remaining traditional productions is urgent.","downloadable_attachments":[{"id":59644884,"asset_id":39497349,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":116477921,"first_name":"Sevim","last_name":"Çizer","domain_name":"independent","page_name":"SevimÇizer","display_name":"Sevim Çizer","profile_url":"https://independent.academia.edu/Sevim%C3%87izer?f_ri=15244","photo":"https://0.academia-photos.com/116477921/28304109/26491828/s65_sevim._izer.jpg"}],"research_interests":[{"id":4494,"name":"Ceramics (Ceramics)","url":"https://www.academia.edu/Documents/in/Ceramics_Ceramics_?f_ri=15244","nofollow":false},{"id":15244,"name":"Ceramics (Art History)","url":"https://www.academia.edu/Documents/in/Ceramics_Art_History_?f_ri=15244","nofollow":false},{"id":24827,"name":"Ceramics (Archaeology)","url":"https://www.academia.edu/Documents/in/Ceramics_Archaeology_?f_ri=15244","nofollow":false}]}, }) } 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Lévy","profile_url":"https://univ-paris8.academia.edu/D%C3%A9borahL%C3%A9vy?f_ri=15244","photo":"https://0.academia-photos.com/53218523/14273272/17384158/s65_d_borah.l_vy.jpg"}],"research_interests":[{"id":1589,"name":"Photography","url":"https://www.academia.edu/Documents/in/Photography?f_ri=15244","nofollow":false},{"id":3657,"name":"Anthropology of the Body","url":"https://www.academia.edu/Documents/in/Anthropology_of_the_Body?f_ri=15244","nofollow":false},{"id":6100,"name":"Video Art","url":"https://www.academia.edu/Documents/in/Video_Art?f_ri=15244","nofollow":false},{"id":12693,"name":"Body Image","url":"https://www.academia.edu/Documents/in/Body_Image?f_ri=15244","nofollow":false},{"id":15244,"name":"Ceramics (Art History)","url":"https://www.academia.edu/Documents/in/Ceramics_Art_History_?f_ri=15244"},{"id":21488,"name":"Self Portraiture","url":"https://www.academia.edu/Documents/in/Self_Portraiture?f_ri=15244"},{"id":24827,"name":"Ceramics 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Celtic Art…2014","created_at":"2014-10-21T18:39:12.733-07:00","url":"https://www.academia.edu/8898436/Aurel_Rustoiu_EAST_MEETS_WEST_THE_STAMPED_POTTERY_FROM_THE_LA_T%C3%88NE_CEMETERY_AT_F%C3%82NT%C3%82NELE_DEALUL_POPII_TRANSYLVANIA_ROMANIA_Celtic_Art_2014?f_ri=15244","dom_id":"work_8898436","summary":null,"downloadable_attachments":[{"id":35227747,"asset_id":8898436,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1027056,"first_name":"Aurel","last_name":"Rustoiu","domain_name":"institutarheologie-istoriaarteicj","page_name":"AurelRustoiu","display_name":"Aurel Rustoiu","profile_url":"https://institutarheologie-istoriaarteicj.academia.edu/AurelRustoiu?f_ri=15244","photo":"https://0.academia-photos.com/1027056/10492848/11743146/s65_aurel.rustoiu.jpg"}],"research_interests":[{"id":8516,"name":"Funerary Archaeology","url":"https://www.academia.edu/Documents/in/Funerary_Archaeology?f_ri=15244","nofollow":false},{"id":15244,"name":"Ceramics (Art History)","url":"https://www.academia.edu/Documents/in/Ceramics_Art_History_?f_ri=15244","nofollow":false},{"id":16007,"name":"Ceramic Analysis (Archaeology)","url":"https://www.academia.edu/Documents/in/Ceramic_Analysis_Archaeology_?f_ri=15244","nofollow":false},{"id":17371,"name":"Celtic Archaeology","url":"https://www.academia.edu/Documents/in/Celtic_Archaeology?f_ri=15244","nofollow":false},{"id":26999,"name":"Late Iron Age (Archaeology)","url":"https://www.academia.edu/Documents/in/Late_Iron_Age_Archaeology_?f_ri=15244"},{"id":31087,"name":"Iron Age (Archaeology)","url":"https://www.academia.edu/Documents/in/Iron_Age_Archaeology_?f_ri=15244"},{"id":33326,"name":"Archaeology of Ritual","url":"https://www.academia.edu/Documents/in/Archaeology_of_Ritual?f_ri=15244"},{"id":40409,"name":"European Archaeology","url":"https://www.academia.edu/Documents/in/European_Archaeology?f_ri=15244"},{"id":42197,"name":"Iron Age","url":"https://www.academia.edu/Documents/in/Iron_Age?f_ri=15244"},{"id":45848,"name":"Celtic Art","url":"https://www.academia.edu/Documents/in/Celtic_Art?f_ri=15244"},{"id":57161,"name":"Funerary Practices","url":"https://www.academia.edu/Documents/in/Funerary_Practices?f_ri=15244"},{"id":58128,"name":"Ceramics","url":"https://www.academia.edu/Documents/in/Ceramics?f_ri=15244"},{"id":147003,"name":"La Tene culture","url":"https://www.academia.edu/Documents/in/La_Tene_culture?f_ri=15244"},{"id":296353,"name":"History of Transylvania","url":"https://www.academia.edu/Documents/in/History_of_Transylvania?f_ri=15244"},{"id":373163,"name":"Ritual Practices","url":"https://www.academia.edu/Documents/in/Ritual_Practices?f_ri=15244"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_37705093" data-work_id="37705093" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/37705093/No_Secret_Beyond_the_Door_the_Rampa_store_and_its_doorframe_a_collaboration_between_Querubim_Lapa_and_Concei%C3%A7%C3%A3o_Silva_1956">No Secret Beyond the Door: the Rampa store and its doorframe, a collaboration between Querubim Lapa and Conceição Silva, 1956</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">SUMMARY: In his film " Secret Beyond the Door " (1947), German director Fritz Lang introduced the symbolic concept of " felicitous room " developed by a character who is an architect exploring a thesis according to which the way a place... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_37705093" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">SUMMARY: In his film " Secret Beyond the Door " (1947), German director Fritz Lang introduced the symbolic concept of " felicitous room " developed by a character who is an architect exploring a thesis according to which the way a place is designed determines what happens in it. Appropriating the concept of " felicitous room " , this paper intends to problematize the earlier collective work of artist Querubim Lapa and architect Francisco da Conceição Silva, especially addressing the case of Rampa, a store in the centre of Lisbon, and the " felicitous " story of its doorframe, designed in 1956.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/37705093" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="c8242400026b287f1019434c2a4cac10" rel="nofollow" data-download="{"attachment_id":57696488,"asset_id":37705093,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/57696488/download_file?st=MTczMjUwMjUyMSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="2179079" href="https://fcsh-unl.academia.edu/RitaFerr%C3%A3o">Rita Gomes Ferrão</a><script data-card-contents-for-user="2179079" type="text/json">{"id":2179079,"first_name":"Rita","last_name":"Gomes Ferrão","domain_name":"fcsh-unl","page_name":"RitaFerrão","display_name":"Rita Gomes Ferrão","profile_url":"https://fcsh-unl.academia.edu/RitaFerr%C3%A3o?f_ri=15244","photo":"https://0.academia-photos.com/2179079/700800/16262721/s65_rita.gomes_ferr_o.jpg"}</script></span></span></li><li class="js-paper-rank-work_37705093 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="37705093"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 37705093, container: ".js-paper-rank-work_37705093", }); });</script></li><li class="js-percentile-work_37705093 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 37705093; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_37705093"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_37705093 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="37705093"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 37705093; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=37705093]").text(description); $(".js-view-count-work_37705093").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_37705093").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="37705093"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">19</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="4950" href="https://www.academia.edu/Documents/in/Modern_Art">Modern Art</a>, <script data-card-contents-for-ri="4950" type="text/json">{"id":4950,"name":"Modern Art","url":"https://www.academia.edu/Documents/in/Modern_Art?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="8574" href="https://www.academia.edu/Documents/in/Modernist_Furniture_Design">Modernist Furniture Design</a>, <script data-card-contents-for-ri="8574" type="text/json">{"id":8574,"name":"Modernist Furniture Design","url":"https://www.academia.edu/Documents/in/Modernist_Furniture_Design?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="10758" href="https://www.academia.edu/Documents/in/Modernity">Modernity</a>, <script data-card-contents-for-ri="10758" type="text/json">{"id":10758,"name":"Modernity","url":"https://www.academia.edu/Documents/in/Modernity?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="14546" href="https://www.academia.edu/Documents/in/Modernism_Art_History_">Modernism (Art History)</a><script data-card-contents-for-ri="14546" type="text/json">{"id":14546,"name":"Modernism (Art History)","url":"https://www.academia.edu/Documents/in/Modernism_Art_History_?f_ri=15244","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=37705093]'), work: {"id":37705093,"title":"No Secret Beyond the Door: the Rampa store and its doorframe, a collaboration between Querubim Lapa and Conceição Silva, 1956","created_at":"2018-11-05T05:50:08.221-08:00","url":"https://www.academia.edu/37705093/No_Secret_Beyond_the_Door_the_Rampa_store_and_its_doorframe_a_collaboration_between_Querubim_Lapa_and_Concei%C3%A7%C3%A3o_Silva_1956?f_ri=15244","dom_id":"work_37705093","summary":"SUMMARY: In his film \" Secret Beyond the Door \" (1947), German director Fritz Lang introduced the symbolic concept of \" felicitous room \" developed by a character who is an architect exploring a thesis according to which the way a place is designed determines what happens in it. Appropriating the concept of \" felicitous room \" , this paper intends to problematize the earlier collective work of artist Querubim Lapa and architect Francisco da Conceição Silva, especially addressing the case of Rampa, a store in the centre of Lisbon, and the \" felicitous \" story of its doorframe, designed in 1956.","downloadable_attachments":[{"id":57696488,"asset_id":37705093,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":2179079,"first_name":"Rita","last_name":"Gomes Ferrão","domain_name":"fcsh-unl","page_name":"RitaFerrão","display_name":"Rita Gomes Ferrão","profile_url":"https://fcsh-unl.academia.edu/RitaFerr%C3%A3o?f_ri=15244","photo":"https://0.academia-photos.com/2179079/700800/16262721/s65_rita.gomes_ferr_o.jpg"}],"research_interests":[{"id":4950,"name":"Modern Art","url":"https://www.academia.edu/Documents/in/Modern_Art?f_ri=15244","nofollow":false},{"id":8574,"name":"Modernist Furniture Design","url":"https://www.academia.edu/Documents/in/Modernist_Furniture_Design?f_ri=15244","nofollow":false},{"id":10758,"name":"Modernity","url":"https://www.academia.edu/Documents/in/Modernity?f_ri=15244","nofollow":false},{"id":14546,"name":"Modernism (Art History)","url":"https://www.academia.edu/Documents/in/Modernism_Art_History_?f_ri=15244","nofollow":false},{"id":14647,"name":"Modern Architecture","url":"https://www.academia.edu/Documents/in/Modern_Architecture?f_ri=15244"},{"id":15244,"name":"Ceramics (Art History)","url":"https://www.academia.edu/Documents/in/Ceramics_Art_History_?f_ri=15244"},{"id":15820,"name":"Modern and contemporary crafts (Art)","url":"https://www.academia.edu/Documents/in/Modern_and_contemporary_crafts_Art_?f_ri=15244"},{"id":48193,"name":"History and Theory of Modern Architecture","url":"https://www.academia.edu/Documents/in/History_and_Theory_of_Modern_Architecture?f_ri=15244"},{"id":50981,"name":"Interior Design History","url":"https://www.academia.edu/Documents/in/Interior_Design_History?f_ri=15244"},{"id":58128,"name":"Ceramics","url":"https://www.academia.edu/Documents/in/Ceramics?f_ri=15244"},{"id":245710,"name":"Retail Store Interior Design","url":"https://www.academia.edu/Documents/in/Retail_Store_Interior_Design?f_ri=15244"},{"id":257197,"name":"Architectural Ceramics And Tiles Of 19th \u0026 20th C","url":"https://www.academia.edu/Documents/in/Architectural_Ceramics_And_Tiles_Of_19th_and_20th_C?f_ri=15244"},{"id":403244,"name":"Modernist crafts","url":"https://www.academia.edu/Documents/in/Modernist_crafts?f_ri=15244"},{"id":665684,"name":"Arquitectura Moderna","url":"https://www.academia.edu/Documents/in/Arquitectura_Moderna?f_ri=15244"},{"id":790932,"name":"Studio Pottery","url":"https://www.academia.edu/Documents/in/Studio_Pottery?f_ri=15244"},{"id":1251576,"name":"Modern Design","url":"https://www.academia.edu/Documents/in/Modern_Design?f_ri=15244"},{"id":1333254,"name":"Azulejos Portugueses","url":"https://www.academia.edu/Documents/in/Azulejos_Portugueses?f_ri=15244"},{"id":1845468,"name":"Ceramica moderna","url":"https://www.academia.edu/Documents/in/Ceramica_moderna?f_ri=15244"},{"id":2641764,"name":"Portuguese modern ceramics","url":"https://www.academia.edu/Documents/in/Portuguese_modern_ceramics?f_ri=15244"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_33646670" data-work_id="33646670" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/33646670/Bodily_ceramics_clay_appendages_and_fossil_vessels_in_the_1850s">Bodily ceramics: clay appendages and fossil vessels in the 1850s</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The article about exhibits from India in Dickinsons’ Comprehensive Pictures of the Great Exhibition began with a curious reference: ‘Monsieur Brongniart, the ex-director of the porcelain manufactory at Sèvres, once remarked that pottery... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_33646670" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The article about exhibits from India in Dickinsons’ Comprehensive Pictures of the Great Exhibition began with a curious reference: ‘Monsieur Brongniart, the ex-director of the porcelain manufactory at Sèvres, once remarked that pottery affords the best record of the early ages of the human race, just as bones do of the earth.’ Mid-Victorian pots and bodies blurred the boundary between subject and object while referencing several different discussions. The beauty of Indian ceramics at the Great Exhibition was contrasted with the apparent inability of their creators to model the human figure. Archaeological remains of ceramic vessels were beginning to embody knowledge about the past in the same way as their organic counterparts. Design theorists from Friedrich Weinbrenner to Gottfried Semper were conceiving of vessels as bodies, with the handles, feet, mouths and necks acting as animating appendages, while Richard Owen occupied himself with the study of animal limbs. Antiquarian attitudes of an earlier period still echoed around museum halls and private collection rooms prizing bodies of artefacts as much as bodily remains.<br />The proposed paper will follow some of the entanglements between bodies and ceramics which coalesced in the 1850s. The rich material available on this subject within discussions of design presents a good opportunity to build on the scholarship of recent years in historical and literary studies and continue exploring the many ways in which the nineteenth century negotiated the subject-object dichotomy. Ceramics appear to have indeed interacted with people in a manner that exceeded commodity relations.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/33646670" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="18a8357c1d7bc2a4e1980011199f248a" rel="nofollow" data-download="{"attachment_id":53657393,"asset_id":33646670,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/53657393/download_file?st=MTczMjUwMjUyMSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="16710230" href="https://independent.academia.edu/ElenaChestnova">Elena Chestnova</a><script data-card-contents-for-user="16710230" type="text/json">{"id":16710230,"first_name":"Elena","last_name":"Chestnova","domain_name":"independent","page_name":"ElenaChestnova","display_name":"Elena Chestnova","profile_url":"https://independent.academia.edu/ElenaChestnova?f_ri=15244","photo":"https://0.academia-photos.com/16710230/4566332/5282280/s65_elena.chestnova.jpg"}</script></span></span></li><li class="js-paper-rank-work_33646670 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="33646670"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 33646670, container: ".js-paper-rank-work_33646670", }); 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$(".js-view-count[data-work-id=33646670]").text(description); $(".js-view-count-work_33646670").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_33646670").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="33646670"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">6</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="392" href="https://www.academia.edu/Documents/in/Archaeology">Archaeology</a>, <script data-card-contents-for-ri="392" type="text/json">{"id":392,"name":"Archaeology","url":"https://www.academia.edu/Documents/in/Archaeology?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="7216" href="https://www.academia.edu/Documents/in/The_Body">The Body</a>, <script data-card-contents-for-ri="7216" type="text/json">{"id":7216,"name":"The Body","url":"https://www.academia.edu/Documents/in/The_Body?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="15244" href="https://www.academia.edu/Documents/in/Ceramics_Art_History_">Ceramics (Art History)</a>, <script data-card-contents-for-ri="15244" type="text/json">{"id":15244,"name":"Ceramics (Art History)","url":"https://www.academia.edu/Documents/in/Ceramics_Art_History_?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="58128" href="https://www.academia.edu/Documents/in/Ceramics">Ceramics</a><script data-card-contents-for-ri="58128" type="text/json">{"id":58128,"name":"Ceramics","url":"https://www.academia.edu/Documents/in/Ceramics?f_ri=15244","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=33646670]'), work: {"id":33646670,"title":"Bodily ceramics: clay appendages and fossil vessels in the 1850s","created_at":"2017-06-25T12:05:41.835-07:00","url":"https://www.academia.edu/33646670/Bodily_ceramics_clay_appendages_and_fossil_vessels_in_the_1850s?f_ri=15244","dom_id":"work_33646670","summary":"The article about exhibits from India in Dickinsons’ Comprehensive Pictures of the Great Exhibition began with a curious reference: ‘Monsieur Brongniart, the ex-director of the porcelain manufactory at Sèvres, once remarked that pottery affords the best record of the early ages of the human race, just as bones do of the earth.’ Mid-Victorian pots and bodies blurred the boundary between subject and object while referencing several different discussions. The beauty of Indian ceramics at the Great Exhibition was contrasted with the apparent inability of their creators to model the human figure. Archaeological remains of ceramic vessels were beginning to embody knowledge about the past in the same way as their organic counterparts. Design theorists from Friedrich Weinbrenner to Gottfried Semper were conceiving of vessels as bodies, with the handles, feet, mouths and necks acting as animating appendages, while Richard Owen occupied himself with the study of animal limbs. Antiquarian attitudes of an earlier period still echoed around museum halls and private collection rooms prizing bodies of artefacts as much as bodily remains.\nThe proposed paper will follow some of the entanglements between bodies and ceramics which coalesced in the 1850s. The rich material available on this subject within discussions of design presents a good opportunity to build on the scholarship of recent years in historical and literary studies and continue exploring the many ways in which the nineteenth century negotiated the subject-object dichotomy. Ceramics appear to have indeed interacted with people in a manner that exceeded commodity relations.","downloadable_attachments":[{"id":53657393,"asset_id":33646670,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":16710230,"first_name":"Elena","last_name":"Chestnova","domain_name":"independent","page_name":"ElenaChestnova","display_name":"Elena Chestnova","profile_url":"https://independent.academia.edu/ElenaChestnova?f_ri=15244","photo":"https://0.academia-photos.com/16710230/4566332/5282280/s65_elena.chestnova.jpg"}],"research_interests":[{"id":392,"name":"Archaeology","url":"https://www.academia.edu/Documents/in/Archaeology?f_ri=15244","nofollow":false},{"id":7216,"name":"The Body","url":"https://www.academia.edu/Documents/in/The_Body?f_ri=15244","nofollow":false},{"id":15244,"name":"Ceramics (Art History)","url":"https://www.academia.edu/Documents/in/Ceramics_Art_History_?f_ri=15244","nofollow":false},{"id":58128,"name":"Ceramics","url":"https://www.academia.edu/Documents/in/Ceramics?f_ri=15244","nofollow":false},{"id":90326,"name":"Fossils","url":"https://www.academia.edu/Documents/in/Fossils?f_ri=15244"},{"id":750827,"name":"Gottfried Semper","url":"https://www.academia.edu/Documents/in/Gottfried_Semper?f_ri=15244"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_13223096 coauthored" data-work_id="13223096" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/13223096/Queensware_by_the_Crate_Ceramic_Products_as_Advertised_in_the_St_Louis_Marketplace_1810_1850">Queensware by the Crate: Ceramic Products as Advertised in the St. Louis Marketplace 1810-1850</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This paper focuses on ceramics advertised in St. Louis newspapers between 1809 and 1850. The bulk of references to ceramics in these advertisements referred to inexpensive refined British earthenwares, which were generically called... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_13223096" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This paper focuses on ceramics advertised in St. Louis newspapers between 1809 and 1850. The bulk of references to ceramics in these advertisements referred to inexpensive refined British earthenwares, which were generically called “Queenswares.” While that term was coined by Wedgwood to refer to his creamware product lines, the term was soon used to refer to most inexpensive British earthenwares, including post-1780 pearlware and post-1830 whiteware. Annotated ceramic product descriptions as found in random samples of the Lousisian Gazette (sampled at four month intervals) are presented. . Examined chronologically, these advertisements offer a glimpse into the changing terminologies, tastes, and fashions that were applied to ceramic products in Midwestern markets before the Civil War.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/13223096" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="8ecc024ee80770ea263cb592a317dbff" rel="nofollow" data-download="{"attachment_id":37985418,"asset_id":13223096,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/37985418/download_file?st=MTczMjUwMjUyMSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="31939771" href="https://illinois.academia.edu/RobertMazrim">Robert Mazrim</a><script data-card-contents-for-user="31939771" type="text/json">{"id":31939771,"first_name":"Robert","last_name":"Mazrim","domain_name":"illinois","page_name":"RobertMazrim","display_name":"Robert Mazrim","profile_url":"https://illinois.academia.edu/RobertMazrim?f_ri=15244","photo":"/images/s65_no_pic.png"}</script></span></span><span class="u-displayInlineBlock InlineList-item-text"> and <span class="u-textDecorationUnderline u-clickable InlineList-item-text js-work-more-authors-13223096">+1</span><div class="hidden js-additional-users-13223096"><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://illinois.academia.edu/JohnWalthall">John A Walthall</a></span></div></div></span><script>(function(){ var popoverSettings = { el: $('.js-work-more-authors-13223096'), placement: 'bottom', hide_delay: 200, html: true, content: function(){ return $('.js-additional-users-13223096').html(); } } new HoverPopover(popoverSettings); })();</script></li><li class="js-paper-rank-work_13223096 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="13223096"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 13223096, container: ".js-paper-rank-work_13223096", }); });</script></li><li class="js-percentile-work_13223096 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 13223096; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_13223096"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_13223096 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="13223096"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 13223096; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=13223096]").text(description); $(".js-view-count-work_13223096").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_13223096").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="13223096"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="958" href="https://www.academia.edu/Documents/in/Historical_Archaeology">Historical Archaeology</a>, <script data-card-contents-for-ri="958" type="text/json">{"id":958,"name":"Historical Archaeology","url":"https://www.academia.edu/Documents/in/Historical_Archaeology?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="15244" href="https://www.academia.edu/Documents/in/Ceramics_Art_History_">Ceramics (Art History)</a>, <script data-card-contents-for-ri="15244" type="text/json">{"id":15244,"name":"Ceramics (Art History)","url":"https://www.academia.edu/Documents/in/Ceramics_Art_History_?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="24827" href="https://www.academia.edu/Documents/in/Ceramics_Archaeology_">Ceramics (Archaeology)</a>, <script data-card-contents-for-ri="24827" type="text/json">{"id":24827,"name":"Ceramics (Archaeology)","url":"https://www.academia.edu/Documents/in/Ceramics_Archaeology_?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="65809" href="https://www.academia.edu/Documents/in/Staffordshire_ceramics">Staffordshire ceramics</a><script data-card-contents-for-ri="65809" type="text/json">{"id":65809,"name":"Staffordshire ceramics","url":"https://www.academia.edu/Documents/in/Staffordshire_ceramics?f_ri=15244","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=13223096]'), work: {"id":13223096,"title":"Queensware by the Crate: Ceramic Products as Advertised in the St. Louis Marketplace 1810-1850","created_at":"2015-06-23T13:15:21.798-07:00","url":"https://www.academia.edu/13223096/Queensware_by_the_Crate_Ceramic_Products_as_Advertised_in_the_St_Louis_Marketplace_1810_1850?f_ri=15244","dom_id":"work_13223096","summary":"This paper focuses on ceramics advertised in St. Louis newspapers between 1809 and 1850. The bulk of references to ceramics in these advertisements referred to inexpensive refined British earthenwares, which were generically called “Queenswares.” While that term was coined by Wedgwood to refer to his creamware product lines, the term was soon used to refer to most inexpensive British earthenwares, including post-1780 pearlware and post-1830 whiteware. Annotated ceramic product descriptions as found in random samples of the Lousisian Gazette (sampled at four month intervals) are presented. . Examined chronologically, these advertisements offer a glimpse into the changing terminologies, tastes, and fashions that were applied to ceramic products in Midwestern markets before the Civil War.","downloadable_attachments":[{"id":37985418,"asset_id":13223096,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":31939771,"first_name":"Robert","last_name":"Mazrim","domain_name":"illinois","page_name":"RobertMazrim","display_name":"Robert Mazrim","profile_url":"https://illinois.academia.edu/RobertMazrim?f_ri=15244","photo":"/images/s65_no_pic.png"},{"id":2218214,"first_name":"John","last_name":"Walthall","domain_name":"illinois","page_name":"JohnWalthall","display_name":"John A Walthall","profile_url":"https://illinois.academia.edu/JohnWalthall?f_ri=15244","photo":"https://0.academia-photos.com/2218214/709750/64695744/s65_john.walthall.jpg"}],"research_interests":[{"id":958,"name":"Historical Archaeology","url":"https://www.academia.edu/Documents/in/Historical_Archaeology?f_ri=15244","nofollow":false},{"id":15244,"name":"Ceramics (Art History)","url":"https://www.academia.edu/Documents/in/Ceramics_Art_History_?f_ri=15244","nofollow":false},{"id":24827,"name":"Ceramics (Archaeology)","url":"https://www.academia.edu/Documents/in/Ceramics_Archaeology_?f_ri=15244","nofollow":false},{"id":65809,"name":"Staffordshire ceramics","url":"https://www.academia.edu/Documents/in/Staffordshire_ceramics?f_ri=15244","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_371336" data-work_id="371336" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/371336/Keramische_gevelbekledingen_uit_de_19e_en_20e_eeuw_historische_en_technologische_evolutie_en_de_problemen_bij_restauratie">Keramische gevelbekledingen uit de 19e en 20e eeuw historische en technologische evolutie en de problemen bij restauratie</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/371336" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="094ad96c420901b0c407646332071508" rel="nofollow" data-download="{"attachment_id":1847613,"asset_id":371336,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/1847613/download_file?st=MTczMjUwMjUyMSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="205461" href="https://independent.academia.edu/MarioBaeck">Mario Baeck</a><script data-card-contents-for-user="205461" type="text/json">{"id":205461,"first_name":"Mario","last_name":"Baeck","domain_name":"independent","page_name":"MarioBaeck","display_name":"Mario Baeck","profile_url":"https://independent.academia.edu/MarioBaeck?f_ri=15244","photo":"https://0.academia-photos.com/205461/47983/17419783/s65_mario.baeck.jpg"}</script></span></span></li><li class="js-paper-rank-work_371336 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="371336"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 371336, container: ".js-paper-rank-work_371336", }); });</script></li><li class="js-percentile-work_371336 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 371336; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_371336"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_371336 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="371336"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 371336; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=371336]").text(description); $(".js-view-count-work_371336").attr('title', description).tooltip(); }); });</script></span><script>$(function() { 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class="clearfix u-pv7x u-mb0x js-work-card work_538053" data-work_id="538053" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/538053/Technopotters_and_Webs_of_Clay_Digital_Possibilities_for_Teaching_Ceramics">Technopotters and Webs of Clay: Digital Possibilities for Teaching Ceramics</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The digital possibilities for ceramics included here primarily address documenting ceramic education processes, building and engaging communities, and extending studio activities into the web space. In this context, “digital” is meant to... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_538053" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The digital possibilities for ceramics included here primarily address documenting ceramic education processes, building and engaging communities, and extending studio activities into the web space. In this context, “digital” is meant to refer to computer technologies: especially relating to web resources. These digital possibilities are explored as a challenge to the dichotomy of real and tactile clay versus removed and virtual Internet that sometimes arises when considering clay and computers. In this paper, I will argue that web and real-world communities in ceramics are characterized by similar qualities. Additionally, this research addresses the curricular issue of how web resources may supplement ceramic art history and extend student-centered learning. Finally, this paper will also explore the nature of the interplay between computer technology and clay.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/538053" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="eb8fef50a1130476944d9d0d8aecb2bf" rel="nofollow" data-download="{"attachment_id":5251625,"asset_id":538053,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/5251625/download_file?st=MTczMjUwMjUyMSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="407494" href="https://adelphi.academia.edu/CourtneyWeida">Courtney Weida</a><script data-card-contents-for-user="407494" type="text/json">{"id":407494,"first_name":"Courtney","last_name":"Weida","domain_name":"adelphi","page_name":"CourtneyWeida","display_name":"Courtney Weida","profile_url":"https://adelphi.academia.edu/CourtneyWeida?f_ri=15244","photo":"https://0.academia-photos.com/407494/99863/35228408/s65_courtney.weida.jpg"}</script></span></span></li><li class="js-paper-rank-work_538053 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="538053"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 538053, container: ".js-paper-rank-work_538053", }); 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In this context, “digital” is meant to refer to computer technologies: especially relating to web resources. These digital possibilities are explored as a challenge to the dichotomy of real and tactile clay versus removed and virtual Internet that sometimes arises when considering clay and computers. In this paper, I will argue that web and real-world communities in ceramics are characterized by similar qualities. Additionally, this research addresses the curricular issue of how web resources may supplement ceramic art history and extend student-centered learning. Finally, this paper will also explore the nature of the interplay between computer technology and clay.","downloadable_attachments":[{"id":5251625,"asset_id":538053,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":407494,"first_name":"Courtney","last_name":"Weida","domain_name":"adelphi","page_name":"CourtneyWeida","display_name":"Courtney Weida","profile_url":"https://adelphi.academia.edu/CourtneyWeida?f_ri=15244","photo":"https://0.academia-photos.com/407494/99863/35228408/s65_courtney.weida.jpg"}],"research_interests":[{"id":923,"name":"Technology","url":"https://www.academia.edu/Documents/in/Technology?f_ri=15244","nofollow":false},{"id":1197,"name":"Digital Humanities","url":"https://www.academia.edu/Documents/in/Digital_Humanities?f_ri=15244","nofollow":false},{"id":2213,"name":"Pottery (Archaeology)","url":"https://www.academia.edu/Documents/in/Pottery_Archaeology_?f_ri=15244","nofollow":false},{"id":2869,"name":"Digital Media","url":"https://www.academia.edu/Documents/in/Digital_Media?f_ri=15244","nofollow":false},{"id":4494,"name":"Ceramics (Ceramics)","url":"https://www.academia.edu/Documents/in/Ceramics_Ceramics_?f_ri=15244"},{"id":15244,"name":"Ceramics (Art History)","url":"https://www.academia.edu/Documents/in/Ceramics_Art_History_?f_ri=15244"},{"id":17760,"name":"Digital Arts","url":"https://www.academia.edu/Documents/in/Digital_Arts?f_ri=15244"},{"id":19390,"name":"Digital Ethnography","url":"https://www.academia.edu/Documents/in/Digital_Ethnography?f_ri=15244"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_38537890" data-work_id="38537890" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/38537890/%D0%A3%D0%BA%D1%80%D0%B0%D1%97%D0%BD%D1%81%D1%8C%D0%BA%D1%96_%D0%BA%D0%B0%D1%85%D0%BB%D1%96_%D0%A5%D0%86V_%D0%BF%D0%BE%D1%87%D0%B0%D1%82%D0%BA%D1%83_%D0%A5%D0%A5_%D1%81%D1%82%D0%BE%D0%BB%D1%96%D1%82%D1%8C_%D0%86%D1%81%D1%82%D0%BE%D1%80%D1%96%D1%8F_%D0%A2%D0%B8%D0%BF%D0%BE%D0%BB%D0%BE%D0%B3%D1%96%D1%8F_%D0%86%D0%BA%D0%BE%D0%BD%D0%BE%D0%B3%D1%80%D0%B0%D1%84%D1%96%D1%8F_%D0%90%D0%BD%D1%81%D0%B0%D0%BC%D0%B1%D0%BB%D0%B5%D0%B2%D1%96%D1%81%D1%82%D1%8C_The_Ukrainian_Stove_Tiles_of_XIV_to_Early_XX_cc_History_Typology_Iconography_Ensemble_Tunes_%D0%BD%D0%B0%D1%83%D0%BA_%D1%80%D0%B5%D0%B4_%D0%9C_%D0%A1%D1%82%D0%B0%D0%BD%D0%BA%D0%B5%D0%B2%D0%B8%D1%87_%D0%9B%D1%8C%D0%B2%D1%96%D0%B2_%D0%86%D0%9D_%D0%9D%D0%90%D0%9D_%D0%A3%D0%BA%D1%80%D0%B0%D1%97%D0%BD%D0%B8_2006_384_%D1%81_%D1%96%D0%BB_ISBN_966_302_4205_0">Українські кахлі ХІV – початку ХХ століть. Історія. Типологія. Іконографія. Ансамблевість / The Ukrainian Stove Tiles of XIV to Early XX cc. History. Typology. Iconography. Ensemble Tunes / наук. ред. М. Станкевич. — Львів : ІН НАН України, 2006. — 384 с., іл. / ISBN 966-302-4205-0.</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">У монографії досліджуються українські кахлі як самобутнє мистецьке явище в національній культурі в європейському контексті. Визначені спільні засади та етноспецифічні, локальні риси, витоки, висвітлюється історія українською кахлярства,... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_38537890" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">У монографії досліджуються українські кахлі як самобутнє мистецьке явище в національній культурі в європейському контексті. Визначені спільні засади та етноспецифічні, локальні риси, витоки, висвітлюється історія українською кахлярства, окреслено регіони, осередки тощо. Окрема увага приділяється народним кахлям XIX – початку XX ст. Розглядаються технічні засоби художнього формотворення кахель, запропоновано типологію пам’яток за тектонічною формою, пластикою, декором. Досліджується іконографія, художні особливості, стилістика творів кахлярства, а також ансамблевість кахляних печей у системі інтер’єру народного житла.<br /><br /><br />This monograph presents the research-work on Ukrainian stove-tiles being bright phenomenon of national culture and original component of European cultural context. The study defines main common principles, sources and specific ethnic features of Ukrainian stove-tile art as well as throws light upon its history, regional variety, centers etc. Especial attention is paid to folk stove-tiles of XIX and early XX cc. Under consideration are put some technical means applied in artistic form-creating of stove-tiles; typology of artifacts after tectonic form, plasticity and decor is proposed for use. The research also turns to iconography, artistic peculiarities and stylistic values of stove-tile creations, to ensemble qualities of tile stoves in the system of interiors at traditional folk homesteads.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/38537890" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="3d9325eaceae4b90e7ba0914e265b487" rel="nofollow" data-download="{"attachment_id":58608325,"asset_id":38537890,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/58608325/download_file?st=MTczMjUwMjUyMSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="103475286" href="https://ethnology-lviv.academia.edu/AhniyaKolupayeva">Ahniia Kolupaieva</a><script data-card-contents-for-user="103475286" type="text/json">{"id":103475286,"first_name":"Ahniia","last_name":"Kolupaieva","domain_name":"ethnology-lviv","page_name":"AhniyaKolupayeva","display_name":"Ahniia Kolupaieva","profile_url":"https://ethnology-lviv.academia.edu/AhniyaKolupayeva?f_ri=15244","photo":"https://0.academia-photos.com/103475286/23033665/22686786/s65_ahniya.kolupayeva.jpg"}</script></span></span></li><li class="js-paper-rank-work_38537890 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="38537890"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 38537890, container: ".js-paper-rank-work_38537890", }); 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$(".js-view-count[data-work-id=38537890]").text(description); $(".js-view-count-work_38537890").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_38537890").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="38537890"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">8</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="869" href="https://www.academia.edu/Documents/in/Iconography">Iconography</a>, <script data-card-contents-for-ri="869" type="text/json">{"id":869,"name":"Iconography","url":"https://www.academia.edu/Documents/in/Iconography?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="14985" href="https://www.academia.edu/Documents/in/Decorative_Arts">Decorative Arts</a>, <script data-card-contents-for-ri="14985" type="text/json">{"id":14985,"name":"Decorative Arts","url":"https://www.academia.edu/Documents/in/Decorative_Arts?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="15244" href="https://www.academia.edu/Documents/in/Ceramics_Art_History_">Ceramics (Art History)</a>, <script data-card-contents-for-ri="15244" type="text/json">{"id":15244,"name":"Ceramics (Art History)","url":"https://www.academia.edu/Documents/in/Ceramics_Art_History_?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="24827" href="https://www.academia.edu/Documents/in/Ceramics_Archaeology_">Ceramics (Archaeology)</a><script data-card-contents-for-ri="24827" type="text/json">{"id":24827,"name":"Ceramics (Archaeology)","url":"https://www.academia.edu/Documents/in/Ceramics_Archaeology_?f_ri=15244","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=38537890]'), work: {"id":38537890,"title":"Українські кахлі ХІV – початку ХХ століть. Історія. Типологія. Іконографія. Ансамблевість / The Ukrainian Stove Tiles of XIV to Early XX cc. History. Typology. Iconography. Ensemble Tunes / наук. ред. М. Станкевич. — Львів : ІН НАН України, 2006. — 384 с., іл. / ISBN 966-302-4205-0.","created_at":"2019-03-12T09:45:06.342-07:00","url":"https://www.academia.edu/38537890/%D0%A3%D0%BA%D1%80%D0%B0%D1%97%D0%BD%D1%81%D1%8C%D0%BA%D1%96_%D0%BA%D0%B0%D1%85%D0%BB%D1%96_%D0%A5%D0%86V_%D0%BF%D0%BE%D1%87%D0%B0%D1%82%D0%BA%D1%83_%D0%A5%D0%A5_%D1%81%D1%82%D0%BE%D0%BB%D1%96%D1%82%D1%8C_%D0%86%D1%81%D1%82%D0%BE%D1%80%D1%96%D1%8F_%D0%A2%D0%B8%D0%BF%D0%BE%D0%BB%D0%BE%D0%B3%D1%96%D1%8F_%D0%86%D0%BA%D0%BE%D0%BD%D0%BE%D0%B3%D1%80%D0%B0%D1%84%D1%96%D1%8F_%D0%90%D0%BD%D1%81%D0%B0%D0%BC%D0%B1%D0%BB%D0%B5%D0%B2%D1%96%D1%81%D1%82%D1%8C_The_Ukrainian_Stove_Tiles_of_XIV_to_Early_XX_cc_History_Typology_Iconography_Ensemble_Tunes_%D0%BD%D0%B0%D1%83%D0%BA_%D1%80%D0%B5%D0%B4_%D0%9C_%D0%A1%D1%82%D0%B0%D0%BD%D0%BA%D0%B5%D0%B2%D0%B8%D1%87_%D0%9B%D1%8C%D0%B2%D1%96%D0%B2_%D0%86%D0%9D_%D0%9D%D0%90%D0%9D_%D0%A3%D0%BA%D1%80%D0%B0%D1%97%D0%BD%D0%B8_2006_384_%D1%81_%D1%96%D0%BB_ISBN_966_302_4205_0?f_ri=15244","dom_id":"work_38537890","summary":"У монографії досліджуються українські кахлі як самобутнє мистецьке явище в національній культурі в європейському контексті. Визначені спільні засади та етноспецифічні, локальні риси, витоки, висвітлюється історія українською кахлярства, окреслено регіони, осередки тощо. Окрема увага приділяється народним кахлям XIX – початку XX ст. Розглядаються технічні засоби художнього формотворення кахель, запропоновано типологію пам’яток за тектонічною формою, пластикою, декором. Досліджується іконографія, художні особливості, стилістика творів кахлярства, а також ансамблевість кахляних печей у системі інтер’єру народного житла.\n\n\nThis monograph presents the research-work on Ukrainian stove-tiles being bright phenomenon of national culture and original component of European cultural context. The study defines main common principles, sources and specific ethnic features of Ukrainian stove-tile art as well as throws light upon its history, regional variety, centers etc. Especial attention is paid to folk stove-tiles of XIX and early XX cc. Under consideration are put some technical means applied in artistic form-creating of stove-tiles; typology of artifacts after tectonic form, plasticity and decor is proposed for use. The research also turns to iconography, artistic peculiarities and stylistic values of stove-tile creations, to ensemble qualities of tile stoves in the system of interiors at traditional folk homesteads.\n","downloadable_attachments":[{"id":58608325,"asset_id":38537890,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":103475286,"first_name":"Ahniia","last_name":"Kolupaieva","domain_name":"ethnology-lviv","page_name":"AhniyaKolupayeva","display_name":"Ahniia Kolupaieva","profile_url":"https://ethnology-lviv.academia.edu/AhniyaKolupayeva?f_ri=15244","photo":"https://0.academia-photos.com/103475286/23033665/22686786/s65_ahniya.kolupayeva.jpg"}],"research_interests":[{"id":869,"name":"Iconography","url":"https://www.academia.edu/Documents/in/Iconography?f_ri=15244","nofollow":false},{"id":14985,"name":"Decorative Arts","url":"https://www.academia.edu/Documents/in/Decorative_Arts?f_ri=15244","nofollow":false},{"id":15244,"name":"Ceramics (Art History)","url":"https://www.academia.edu/Documents/in/Ceramics_Art_History_?f_ri=15244","nofollow":false},{"id":24827,"name":"Ceramics (Archaeology)","url":"https://www.academia.edu/Documents/in/Ceramics_Archaeology_?f_ri=15244","nofollow":false},{"id":111357,"name":"Folk Art","url":"https://www.academia.edu/Documents/in/Folk_Art?f_ri=15244"},{"id":203588,"name":"Stove Tiles","url":"https://www.academia.edu/Documents/in/Stove_Tiles?f_ri=15244"},{"id":376438,"name":"Ukrainian art","url":"https://www.academia.edu/Documents/in/Ukrainian_art?f_ri=15244"},{"id":2846074,"name":"Ukrainian Ceramology","url":"https://www.academia.edu/Documents/in/Ukrainian_Ceramology?f_ri=15244"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_10352471" data-work_id="10352471" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/10352471/A_concise_guide_to_Caldas_ceramics">A concise guide to Caldas' ceramics</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">In the first half of the 19th century emerged in Caldas da Rainha an authored ceramics mostly done for decorative purposes. In this article are listed some of the masters craftsmen and manufacturers that produced and developed this type... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_10352471" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">In the first half of the 19th century emerged in Caldas da Rainha an authored ceramics mostly done for decorative purposes. In this article are listed some of the masters craftsmen and manufacturers that produced and developed this type of ceramics having as goal the construction of a small guide to help in the identification of their work.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/10352471" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="4153f61deb8cdb200d8716538dca26f6" rel="nofollow" data-download="{"attachment_id":54121799,"asset_id":10352471,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/54121799/download_file?st=MTczMjUwMjUyMSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="2842010" href="https://uab-pt.academia.edu/edgarvigario">Edgar Vigário</a><script data-card-contents-for-user="2842010" type="text/json">{"id":2842010,"first_name":"Edgar","last_name":"Vigário","domain_name":"uab-pt","page_name":"edgarvigario","display_name":"Edgar Vigário","profile_url":"https://uab-pt.academia.edu/edgarvigario?f_ri=15244","photo":"https://0.academia-photos.com/2842010/932687/135014568/s65_edgar.vig_rio.png"}</script></span></span></li><li class="js-paper-rank-work_10352471 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="10352471"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 10352471, container: ".js-paper-rank-work_10352471", }); 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$(".js-view-count[data-work-id=10352471]").text(description); $(".js-view-count-work_10352471").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_10352471").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="10352471"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">9</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="1236" href="https://www.academia.edu/Documents/in/Art">Art</a>, <script data-card-contents-for-ri="1236" type="text/json">{"id":1236,"name":"Art","url":"https://www.academia.edu/Documents/in/Art?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="13966" href="https://www.academia.edu/Documents/in/History_of_Art">History of Art</a>, <script data-card-contents-for-ri="13966" type="text/json">{"id":13966,"name":"History of Art","url":"https://www.academia.edu/Documents/in/History_of_Art?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="15244" href="https://www.academia.edu/Documents/in/Ceramics_Art_History_">Ceramics (Art History)</a>, <script data-card-contents-for-ri="15244" type="text/json">{"id":15244,"name":"Ceramics (Art History)","url":"https://www.academia.edu/Documents/in/Ceramics_Art_History_?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="50115" href="https://www.academia.edu/Documents/in/Faience">Faience</a><script data-card-contents-for-ri="50115" type="text/json">{"id":50115,"name":"Faience","url":"https://www.academia.edu/Documents/in/Faience?f_ri=15244","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=10352471]'), work: {"id":10352471,"title":"A concise guide to Caldas' ceramics","created_at":"2015-01-27T09:58:40.373-08:00","url":"https://www.academia.edu/10352471/A_concise_guide_to_Caldas_ceramics?f_ri=15244","dom_id":"work_10352471","summary":"In the first half of the 19th century emerged in Caldas da Rainha an authored ceramics mostly done for decorative purposes. In this article are listed some of the masters craftsmen and manufacturers that produced and developed this type of ceramics having as goal the construction of a small guide to help in the identification of their work.","downloadable_attachments":[{"id":54121799,"asset_id":10352471,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":2842010,"first_name":"Edgar","last_name":"Vigário","domain_name":"uab-pt","page_name":"edgarvigario","display_name":"Edgar Vigário","profile_url":"https://uab-pt.academia.edu/edgarvigario?f_ri=15244","photo":"https://0.academia-photos.com/2842010/932687/135014568/s65_edgar.vig_rio.png"}],"research_interests":[{"id":1236,"name":"Art","url":"https://www.academia.edu/Documents/in/Art?f_ri=15244","nofollow":false},{"id":13966,"name":"History of Art","url":"https://www.academia.edu/Documents/in/History_of_Art?f_ri=15244","nofollow":false},{"id":15244,"name":"Ceramics (Art History)","url":"https://www.academia.edu/Documents/in/Ceramics_Art_History_?f_ri=15244","nofollow":false},{"id":50115,"name":"Faience","url":"https://www.academia.edu/Documents/in/Faience?f_ri=15244","nofollow":false},{"id":58128,"name":"Ceramics","url":"https://www.academia.edu/Documents/in/Ceramics?f_ri=15244"},{"id":69092,"name":"Ceramica postmedievale","url":"https://www.academia.edu/Documents/in/Ceramica_postmedievale?f_ri=15244"},{"id":224760,"name":"Faiança Portuguesa","url":"https://www.academia.edu/Documents/in/Faianca_Portuguesa?f_ri=15244"},{"id":473286,"name":"Portuguese faience","url":"https://www.academia.edu/Documents/in/Portuguese_faience?f_ri=15244"},{"id":473767,"name":"portuguese ceramics, Postmedieval pottery","url":"https://www.academia.edu/Documents/in/portuguese_ceramics_Postmedieval_pottery?f_ri=15244"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_65170708" data-work_id="65170708" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/65170708/Vincenzo_Funghini_and_the_International_Collecting_of_Italian_Maiolica_in_the_Nineteenth_Century">Vincenzo Funghini and the International Collecting of Italian Maiolica in the Nineteenth Century</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Over the course of 40 years, Vincenzo Funghini (1828-1896) accumulated a wide range of maiolica objects that are now treasured in many private and public collections. Born in Castiglion Fiorentino, in Arezzo's district, Tuscany, Funghini... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_65170708" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Over the course of 40 years, Vincenzo Funghini (1828-1896) accumulated a wide range of maiolica objects that are now treasured in many private and public collections. Born in Castiglion Fiorentino, in Arezzo's district, Tuscany, Funghini was an engineer, architect and archaeologist that became one of the most important nineteenth-century collectors and antiquarians of Italian maiolica. During his lifetime, he published texts related to his collections including a booklet accompanying the national industrial exhibition in Milan of 1881, where he showcased 72 items from over 4000 examples of his prehistoric weapons. On the subject of Italian ceramics, he wrote about the Medici porcelain to provide a context for two treasured pieces from his collection. In response to publications by Federigo Argnani, Funghini published also on the maiolica production in Cafaggiolo, Mugello and Faenza, at that time thought to be the most significant ceramic centres in Italy of around 1500. To this list of writings, it is important to add the twenty-five diaries preserved in the State Archives in Arezzo. In large part unpublished, the volumes provide invaluable information for the analysis of the life of the collector. In this article I will briefly reconstruct Funghini's approach to his collection, as seen through the lens of his personal accounts. Subsequently, I will focus on his contacts with international collectors. These diaries inform our understanding of the appreciation for Italian Renaissance maiolica across Europe in the second half of the nineteenth century.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/65170708" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="1667b41ecfdd957787cc1c26ce99b016" rel="nofollow" data-download="{"attachment_id":76883396,"asset_id":65170708,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/76883396/download_file?st=MTczMjUwMjUyMSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="14749580" href="https://unibe-ch2.academia.edu/ZuzannaSarnecka">Zuzanna Sarnecka</a><script data-card-contents-for-user="14749580" type="text/json">{"id":14749580,"first_name":"Zuzanna","last_name":"Sarnecka","domain_name":"unibe-ch2","page_name":"ZuzannaSarnecka","display_name":"Zuzanna Sarnecka","profile_url":"https://unibe-ch2.academia.edu/ZuzannaSarnecka?f_ri=15244","photo":"https://0.academia-photos.com/14749580/5260797/149579906/s65_zuzanna.sarnecka.jpeg"}</script></span></span></li><li class="js-paper-rank-work_65170708 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="65170708"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 65170708, container: ".js-paper-rank-work_65170708", }); 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$(".js-view-count[data-work-id=65170708]").text(description); $(".js-view-count-work_65170708").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_65170708").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="65170708"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="15244" href="https://www.academia.edu/Documents/in/Ceramics_Art_History_">Ceramics (Art History)</a>, <script data-card-contents-for-ri="15244" type="text/json">{"id":15244,"name":"Ceramics (Art History)","url":"https://www.academia.edu/Documents/in/Ceramics_Art_History_?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16368" href="https://www.academia.edu/Documents/in/Italian_Renaissance_Art">Italian Renaissance Art</a>, <script data-card-contents-for-ri="16368" type="text/json">{"id":16368,"name":"Italian Renaissance Art","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_Art?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="52072" href="https://www.academia.edu/Documents/in/History_of_Collecting">History of Collecting</a>, <script data-card-contents-for-ri="52072" type="text/json">{"id":52072,"name":"History of Collecting","url":"https://www.academia.edu/Documents/in/History_of_Collecting?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="171779" href="https://www.academia.edu/Documents/in/Maiolica">Maiolica</a><script data-card-contents-for-ri="171779" type="text/json">{"id":171779,"name":"Maiolica","url":"https://www.academia.edu/Documents/in/Maiolica?f_ri=15244","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=65170708]'), work: {"id":65170708,"title":"Vincenzo Funghini and the International Collecting of Italian Maiolica in the Nineteenth Century","created_at":"2021-12-20T02:15:15.519-08:00","url":"https://www.academia.edu/65170708/Vincenzo_Funghini_and_the_International_Collecting_of_Italian_Maiolica_in_the_Nineteenth_Century?f_ri=15244","dom_id":"work_65170708","summary":"Over the course of 40 years, Vincenzo Funghini (1828-1896) accumulated a wide range of maiolica objects that are now treasured in many private and public collections. Born in Castiglion Fiorentino, in Arezzo's district, Tuscany, Funghini was an engineer, architect and archaeologist that became one of the most important nineteenth-century collectors and antiquarians of Italian maiolica. During his lifetime, he published texts related to his collections including a booklet accompanying the national industrial exhibition in Milan of 1881, where he showcased 72 items from over 4000 examples of his prehistoric weapons. On the subject of Italian ceramics, he wrote about the Medici porcelain to provide a context for two treasured pieces from his collection. In response to publications by Federigo Argnani, Funghini published also on the maiolica production in Cafaggiolo, Mugello and Faenza, at that time thought to be the most significant ceramic centres in Italy of around 1500. To this list of writings, it is important to add the twenty-five diaries preserved in the State Archives in Arezzo. In large part unpublished, the volumes provide invaluable information for the analysis of the life of the collector. In this article I will briefly reconstruct Funghini's approach to his collection, as seen through the lens of his personal accounts. Subsequently, I will focus on his contacts with international collectors. These diaries inform our understanding of the appreciation for Italian Renaissance maiolica across Europe in the second half of the nineteenth century.","downloadable_attachments":[{"id":76883396,"asset_id":65170708,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":14749580,"first_name":"Zuzanna","last_name":"Sarnecka","domain_name":"unibe-ch2","page_name":"ZuzannaSarnecka","display_name":"Zuzanna Sarnecka","profile_url":"https://unibe-ch2.academia.edu/ZuzannaSarnecka?f_ri=15244","photo":"https://0.academia-photos.com/14749580/5260797/149579906/s65_zuzanna.sarnecka.jpeg"}],"research_interests":[{"id":15244,"name":"Ceramics (Art History)","url":"https://www.academia.edu/Documents/in/Ceramics_Art_History_?f_ri=15244","nofollow":false},{"id":16368,"name":"Italian Renaissance Art","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_Art?f_ri=15244","nofollow":false},{"id":52072,"name":"History of Collecting","url":"https://www.academia.edu/Documents/in/History_of_Collecting?f_ri=15244","nofollow":false},{"id":171779,"name":"Maiolica","url":"https://www.academia.edu/Documents/in/Maiolica?f_ri=15244","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_3248608" data-work_id="3248608" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/3248608/Two_Ways_of_Looking_at_Ceramics">Two Ways of Looking at Ceramics</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Ceramics has only a marginal role in the history of art. In this talk I consider the major excuses that have been given (ceramics is a “minor” art, and so forth). I conclude that it is best not to continue to fight to have ceramic art... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_3248608" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Ceramics has only a marginal role in the history of art. In this talk I consider the major excuses that have been given (ceramics is a “minor” art, and so forth). I conclude that it is best not to continue to fight to have ceramic art accepted in art history. Instead it is truest to ceramics itself to let the talk go where it seems to want to. I think there are two “natural” directions: toward abstract philosophy, and toward an engagement with the non-verbal, nonconceptual qualities of color, feel,  and  temperature. <br /> <br />This was originally the keynote talk I gave at the 2002 NCECA Annual Conference. (That was probably the biggest audience I'll ever have: 4,500 people.) It was supposed to be published in their journal, but never was. <br /> <br />I am contemplating expanding this material into a short book; I would love to hear from NCECA members who have suggestions, or would like to see particular works or processes mentioned; and I’d also be happy to hear from publishers who might be interested. <br /> <br />The paper is unrevised (August 2009). Illustrations have been added (April 2013).</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/3248608" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="f23546ded9608b9b6fa4cdea32a32f63" rel="nofollow" data-download="{"attachment_id":31620613,"asset_id":3248608,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/31620613/download_file?st=MTczMjUwMjUyMSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="15483" href="https://saic.academia.edu/JElkins">James Elkins</a><script data-card-contents-for-user="15483" type="text/json">{"id":15483,"first_name":"James","last_name":"Elkins","domain_name":"saic","page_name":"JElkins","display_name":"James Elkins","profile_url":"https://saic.academia.edu/JElkins?f_ri=15244","photo":"https://0.academia-photos.com/15483/5205/5067/s65_james.elkins.jpg"}</script></span></span></li><li class="js-paper-rank-work_3248608 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="3248608"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 3248608, container: ".js-paper-rank-work_3248608", }); 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$(".js-view-count[data-work-id=3248608]").text(description); $(".js-view-count-work_3248608").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_3248608").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="3248608"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">17</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="988" href="https://www.academia.edu/Documents/in/Design">Design</a>, <script data-card-contents-for-ri="988" type="text/json">{"id":988,"name":"Design","url":"https://www.academia.edu/Documents/in/Design?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="3371" href="https://www.academia.edu/Documents/in/Public_Art">Public Art</a>, <script data-card-contents-for-ri="3371" type="text/json">{"id":3371,"name":"Public Art","url":"https://www.academia.edu/Documents/in/Public_Art?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="4494" href="https://www.academia.edu/Documents/in/Ceramics_Ceramics_">Ceramics (Ceramics)</a>, <script data-card-contents-for-ri="4494" type="text/json">{"id":4494,"name":"Ceramics (Ceramics)","url":"https://www.academia.edu/Documents/in/Ceramics_Ceramics_?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="5281" href="https://www.academia.edu/Documents/in/Design_Theory">Design Theory</a><script data-card-contents-for-ri="5281" type="text/json">{"id":5281,"name":"Design Theory","url":"https://www.academia.edu/Documents/in/Design_Theory?f_ri=15244","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=3248608]'), work: {"id":3248608,"title":"Two Ways of Looking at Ceramics","created_at":"2013-04-08T21:02:01.112-07:00","url":"https://www.academia.edu/3248608/Two_Ways_of_Looking_at_Ceramics?f_ri=15244","dom_id":"work_3248608","summary":"Ceramics has only a marginal role in the history of art. In this talk I consider the major excuses that have been given (ceramics is a “minor” art, and so forth). I conclude that it is best not to continue to fight to have ceramic art accepted in art history. Instead it is truest to ceramics itself to let the talk go where it seems to want to. I think there are two “natural” directions: toward abstract philosophy, and toward an engagement with the non-verbal, nonconceptual qualities of color, feel, and temperature.\r\n\r\nThis was originally the keynote talk I gave at the 2002 NCECA Annual Conference. (That was probably the biggest audience I'll ever have: 4,500 people.) It was supposed to be published in their journal, but never was.\r\n\r\nI am contemplating expanding this material into a short book; I would love to hear from NCECA members who have suggestions, or would like to see particular works or processes mentioned; and I’d also be happy to hear from publishers who might be interested. \r\n\r\nThe paper is unrevised (August 2009). Illustrations have been added (April 2013).","downloadable_attachments":[{"id":31620613,"asset_id":3248608,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":15483,"first_name":"James","last_name":"Elkins","domain_name":"saic","page_name":"JElkins","display_name":"James Elkins","profile_url":"https://saic.academia.edu/JElkins?f_ri=15244","photo":"https://0.academia-photos.com/15483/5205/5067/s65_james.elkins.jpg"}],"research_interests":[{"id":988,"name":"Design","url":"https://www.academia.edu/Documents/in/Design?f_ri=15244","nofollow":false},{"id":3371,"name":"Public Art","url":"https://www.academia.edu/Documents/in/Public_Art?f_ri=15244","nofollow":false},{"id":4494,"name":"Ceramics (Ceramics)","url":"https://www.academia.edu/Documents/in/Ceramics_Ceramics_?f_ri=15244","nofollow":false},{"id":5281,"name":"Design Theory","url":"https://www.academia.edu/Documents/in/Design_Theory?f_ri=15244","nofollow":false},{"id":15244,"name":"Ceramics (Art History)","url":"https://www.academia.edu/Documents/in/Ceramics_Art_History_?f_ri=15244"},{"id":16226,"name":"Materiality (Anthropology)","url":"https://www.academia.edu/Documents/in/Materiality_Anthropology_?f_ri=15244"},{"id":22453,"name":"Materiality of Art","url":"https://www.academia.edu/Documents/in/Materiality_of_Art?f_ri=15244"},{"id":24827,"name":"Ceramics (Archaeology)","url":"https://www.academia.edu/Documents/in/Ceramics_Archaeology_?f_ri=15244"},{"id":35250,"name":"Contemporary and Historical Ceramics","url":"https://www.academia.edu/Documents/in/Contemporary_and_Historical_Ceramics?f_ri=15244"},{"id":58128,"name":"Ceramics","url":"https://www.academia.edu/Documents/in/Ceramics?f_ri=15244"},{"id":73768,"name":"Relational aesthetics","url":"https://www.academia.edu/Documents/in/Relational_aesthetics?f_ri=15244"},{"id":86259,"name":"Pottery technology and function","url":"https://www.academia.edu/Documents/in/Pottery_technology_and_function?f_ri=15244"},{"id":93240,"name":"Community Art","url":"https://www.academia.edu/Documents/in/Community_Art?f_ri=15244"},{"id":193723,"name":"Craftivism","url":"https://www.academia.edu/Documents/in/Craftivism?f_ri=15244"},{"id":221772,"name":"Conceptual function","url":"https://www.academia.edu/Documents/in/Conceptual_function?f_ri=15244"},{"id":224475,"name":"Decorating pottery with glazes, engobes, and slips.","url":"https://www.academia.edu/Documents/in/Decorating_pottery_with_glazes_engobes_and_slips?f_ri=15244"},{"id":728109,"name":"Social Engagement","url":"https://www.academia.edu/Documents/in/Social_Engagement?f_ri=15244"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_38111827" data-work_id="38111827" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/38111827/Gio_Ponti_and_Richard_Ginori">Gio Ponti and Richard-Ginori</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/38111827" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="8da96214dad3754db9025a07ea1d7bfe" rel="nofollow" data-download="{"attachment_id":58140824,"asset_id":38111827,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/58140824/download_file?st=MTczMjUwMjUyMSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="37979850" href="https://independent.academia.edu/OlivaRucellai">Oliva Rucellai</a><script data-card-contents-for-user="37979850" type="text/json">{"id":37979850,"first_name":"Oliva","last_name":"Rucellai","domain_name":"independent","page_name":"OlivaRucellai","display_name":"Oliva Rucellai","profile_url":"https://independent.academia.edu/OlivaRucellai?f_ri=15244","photo":"https://0.academia-photos.com/37979850/21811411/21107745/s65_oliva.rucellai.jpg"}</script></span></span></li><li class="js-paper-rank-work_38111827 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="38111827"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 38111827, container: ".js-paper-rank-work_38111827", }); });</script></li><li class="js-percentile-work_38111827 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 38111827; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = 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style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="38111827"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">7</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="988" href="https://www.academia.edu/Documents/in/Design">Design</a>, <script data-card-contents-for-ri="988" type="text/json">{"id":988,"name":"Design","url":"https://www.academia.edu/Documents/in/Design?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="3952" href="https://www.academia.edu/Documents/in/Industrial_Design">Industrial Design</a>, <script data-card-contents-for-ri="3952" type="text/json">{"id":3952,"name":"Industrial Design","url":"https://www.academia.edu/Documents/in/Industrial_Design?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="15244" href="https://www.academia.edu/Documents/in/Ceramics_Art_History_">Ceramics (Art History)</a>, <script data-card-contents-for-ri="15244" type="text/json">{"id":15244,"name":"Ceramics (Art History)","url":"https://www.academia.edu/Documents/in/Ceramics_Art_History_?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="113473" href="https://www.academia.edu/Documents/in/Art_and_Design">Art and Design</a><script data-card-contents-for-ri="113473" type="text/json">{"id":113473,"name":"Art and Design","url":"https://www.academia.edu/Documents/in/Art_and_Design?f_ri=15244","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=38111827]'), work: {"id":38111827,"title":"Gio Ponti and Richard-Ginori","created_at":"2019-01-08T07:38:12.026-08:00","url":"https://www.academia.edu/38111827/Gio_Ponti_and_Richard_Ginori?f_ri=15244","dom_id":"work_38111827","summary":null,"downloadable_attachments":[{"id":58140824,"asset_id":38111827,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":37979850,"first_name":"Oliva","last_name":"Rucellai","domain_name":"independent","page_name":"OlivaRucellai","display_name":"Oliva Rucellai","profile_url":"https://independent.academia.edu/OlivaRucellai?f_ri=15244","photo":"https://0.academia-photos.com/37979850/21811411/21107745/s65_oliva.rucellai.jpg"}],"research_interests":[{"id":988,"name":"Design","url":"https://www.academia.edu/Documents/in/Design?f_ri=15244","nofollow":false},{"id":3952,"name":"Industrial Design","url":"https://www.academia.edu/Documents/in/Industrial_Design?f_ri=15244","nofollow":false},{"id":15244,"name":"Ceramics (Art History)","url":"https://www.academia.edu/Documents/in/Ceramics_Art_History_?f_ri=15244","nofollow":false},{"id":113473,"name":"Art and Design","url":"https://www.academia.edu/Documents/in/Art_and_Design?f_ri=15244","nofollow":false},{"id":148075,"name":"Art Deco","url":"https://www.academia.edu/Documents/in/Art_Deco?f_ri=15244"},{"id":1265005,"name":"Gio Ponti","url":"https://www.academia.edu/Documents/in/Gio_Ponti?f_ri=15244"},{"id":2452890,"name":"Richard Ginori","url":"https://www.academia.edu/Documents/in/Richard_Ginori?f_ri=15244"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_7584873" data-work_id="7584873" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/7584873/_Presence_and_Remembrance_The_Art_of_Toshiko_Takaezu_Princeton_University_Art_Museum_Record_68_2009_pp_47_59">"Presence and Remembrance: The Art of Toshiko Takaezu," Princeton University Art Museum Record 68 (2009), pp. 47–59.</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/7584873" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="9128987d914127ab5b34bb1c9889e863" rel="nofollow" data-download="{"attachment_id":34138560,"asset_id":7584873,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/34138560/download_file?st=MTczMjUwMjUyMSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="2458759" href="https://princeton.academia.edu/CaryLiu">Cary Liu</a><script data-card-contents-for-user="2458759" type="text/json">{"id":2458759,"first_name":"Cary","last_name":"Liu","domain_name":"princeton","page_name":"CaryLiu","display_name":"Cary Liu","profile_url":"https://princeton.academia.edu/CaryLiu?f_ri=15244","photo":"https://0.academia-photos.com/2458759/769742/956748/s65_cary.liu.jpg"}</script></span></span></li><li class="js-paper-rank-work_7584873 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="7584873"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 7584873, container: ".js-paper-rank-work_7584873", }); });</script></li><li class="js-percentile-work_7584873 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 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$(".js-view-count-work_7584873").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="7584873"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">11</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="915" href="https://www.academia.edu/Documents/in/Art_History">Art History</a>, <script data-card-contents-for-ri="915" type="text/json">{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="3051" href="https://www.academia.edu/Documents/in/Contemporary_Art">Contemporary Art</a>, <script data-card-contents-for-ri="3051" type="text/json">{"id":3051,"name":"Contemporary Art","url":"https://www.academia.edu/Documents/in/Contemporary_Art?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="13966" href="https://www.academia.edu/Documents/in/History_of_Art">History of Art</a>, <script data-card-contents-for-ri="13966" type="text/json">{"id":13966,"name":"History of Art","url":"https://www.academia.edu/Documents/in/History_of_Art?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="14082" href="https://www.academia.edu/Documents/in/American_art_Art_of_the_United_States">American art/ Art of the United States</a><script data-card-contents-for-ri="14082" type="text/json">{"id":14082,"name":"American art/ Art of the United States","url":"https://www.academia.edu/Documents/in/American_art_Art_of_the_United_States?f_ri=15244","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=7584873]'), work: {"id":7584873,"title":"\"Presence and Remembrance: The Art of Toshiko Takaezu,\" Princeton University Art Museum Record 68 (2009), pp. 47–59.","created_at":"2014-07-07T07:06:18.893-07:00","url":"https://www.academia.edu/7584873/_Presence_and_Remembrance_The_Art_of_Toshiko_Takaezu_Princeton_University_Art_Museum_Record_68_2009_pp_47_59?f_ri=15244","dom_id":"work_7584873","summary":null,"downloadable_attachments":[{"id":34138560,"asset_id":7584873,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":2458759,"first_name":"Cary","last_name":"Liu","domain_name":"princeton","page_name":"CaryLiu","display_name":"Cary Liu","profile_url":"https://princeton.academia.edu/CaryLiu?f_ri=15244","photo":"https://0.academia-photos.com/2458759/769742/956748/s65_cary.liu.jpg"}],"research_interests":[{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=15244","nofollow":false},{"id":3051,"name":"Contemporary Art","url":"https://www.academia.edu/Documents/in/Contemporary_Art?f_ri=15244","nofollow":false},{"id":13966,"name":"History of Art","url":"https://www.academia.edu/Documents/in/History_of_Art?f_ri=15244","nofollow":false},{"id":14082,"name":"American art/ Art of the United States","url":"https://www.academia.edu/Documents/in/American_art_Art_of_the_United_States?f_ri=15244","nofollow":false},{"id":15244,"name":"Ceramics (Art History)","url":"https://www.academia.edu/Documents/in/Ceramics_Art_History_?f_ri=15244"},{"id":21144,"name":"Women Artists","url":"https://www.academia.edu/Documents/in/Women_Artists?f_ri=15244"},{"id":44901,"name":"Pottery","url":"https://www.academia.edu/Documents/in/Pottery?f_ri=15244"},{"id":58128,"name":"Ceramics","url":"https://www.academia.edu/Documents/in/Ceramics?f_ri=15244"},{"id":980114,"name":"Memory and Rememberance","url":"https://www.academia.edu/Documents/in/Memory_and_Rememberance?f_ri=15244"},{"id":1169448,"name":"Princeton University Art Museum","url":"https://www.academia.edu/Documents/in/Princeton_University_Art_Museum?f_ri=15244"},{"id":1440049,"name":"Toshiko Takaezu","url":"https://www.academia.edu/Documents/in/Toshiko_Takaezu?f_ri=15244"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_41011773" data-work_id="41011773" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/41011773/Cer%C3%A2micas_de_Hein_Semke_Doa%C3%A7%C3%A3o_Teresa_Balt%C3%A9">Cerâmicas de Hein Semke - Doação Teresa Balté</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Em 2016, o Museu Nacional do Azulejo, em Lisboa, organizou uma mostra dedicada à cerâmica de Hein Semke (1899-1995), artista de origem alemã que se radicou em Portugal. A exposição “Hein Semke - Doação Teresa Balté”, pretendeu espelhar a... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_41011773" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Em 2016, o Museu Nacional do Azulejo, em Lisboa, organizou uma mostra dedicada à cerâmica de Hein Semke (1899-1995), artista de origem alemã que se radicou em Portugal.<br />A exposição “Hein Semke - Doação Teresa Balté”, pretendeu espelhar a importante doação de duas centenas de obras que traduzem de forma significativa a obra cerâmica do artista, evidenciando as diferentes temáticas e tipologias de objetos que escolheu explorar. O presente texto, que integrou o catálogo da exposição, visou contextualizar as obras expostas, estabelecendo relações com obras de outras colecções, inserindo-as no contexto alargado do percurso artístico de Hein Semke.<br /><br /><br />In 2016, the National Tile Museum in Lisbon organized a show dedicated to the ceramics of Hein Semke (1899-1995), a German-born artist based in Portugal.<br />The exhibition "Hein Semke - Donation Teresa Balté", intended to mirror the important donation of two hundred works that significantly translate the ceramic work of the artist, highlighting the different themes and typologies of objects he chose to explore. This text, which was part of the exhibition catalog, aimed to contextualize the exhibited works, establishing relationships with works from other collections, inserting them in the broad context of Hein Semke's artistic career.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/41011773" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="c7097dc2955a53241d4f36573a01b958" rel="nofollow" data-download="{"attachment_id":61291412,"asset_id":41011773,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/61291412/download_file?st=MTczMjUwMjUyMSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="44975490" href="https://flul.academia.edu/Patr%C3%ADciaN%C3%B3brega">Patrícia Nóbrega</a><script data-card-contents-for-user="44975490" type="text/json">{"id":44975490,"first_name":"Patrícia","last_name":"Nóbrega","domain_name":"flul","page_name":"PatríciaNóbrega","display_name":"Patrícia Nóbrega","profile_url":"https://flul.academia.edu/Patr%C3%ADciaN%C3%B3brega?f_ri=15244","photo":"https://0.academia-photos.com/44975490/51170451/39231054/s65_patr_cia.n_brega.png"}</script></span></span></li><li class="js-paper-rank-work_41011773 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="41011773"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 41011773, container: ".js-paper-rank-work_41011773", }); 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$(".js-view-count[data-work-id=41011773]").text(description); $(".js-view-count-work_41011773").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_41011773").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="41011773"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">3</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="15244" href="https://www.academia.edu/Documents/in/Ceramics_Art_History_">Ceramics (Art History)</a>, <script data-card-contents-for-ri="15244" type="text/json">{"id":15244,"name":"Ceramics (Art History)","url":"https://www.academia.edu/Documents/in/Ceramics_Art_History_?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="242452" href="https://www.academia.edu/Documents/in/Azulejo">Azulejo</a>, <script data-card-contents-for-ri="242452" type="text/json">{"id":242452,"name":"Azulejo","url":"https://www.academia.edu/Documents/in/Azulejo?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="662386" href="https://www.academia.edu/Documents/in/Hein_Semke">Hein Semke</a><script data-card-contents-for-ri="662386" type="text/json">{"id":662386,"name":"Hein Semke","url":"https://www.academia.edu/Documents/in/Hein_Semke?f_ri=15244","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=41011773]'), work: {"id":41011773,"title":"Cerâmicas de Hein Semke - Doação Teresa Balté","created_at":"2019-11-21T09:42:13.391-08:00","url":"https://www.academia.edu/41011773/Cer%C3%A2micas_de_Hein_Semke_Doa%C3%A7%C3%A3o_Teresa_Balt%C3%A9?f_ri=15244","dom_id":"work_41011773","summary":"Em 2016, o Museu Nacional do Azulejo, em Lisboa, organizou uma mostra dedicada à cerâmica de Hein Semke (1899-1995), artista de origem alemã que se radicou em Portugal.\nA exposição “Hein Semke - Doação Teresa Balté”, pretendeu espelhar a importante doação de duas centenas de obras que traduzem de forma significativa a obra cerâmica do artista, evidenciando as diferentes temáticas e tipologias de objetos que escolheu explorar. O presente texto, que integrou o catálogo da exposição, visou contextualizar as obras expostas, estabelecendo relações com obras de outras colecções, inserindo-as no contexto alargado do percurso artístico de Hein Semke.\n\n\nIn 2016, the National Tile Museum in Lisbon organized a show dedicated to the ceramics of Hein Semke (1899-1995), a German-born artist based in Portugal.\nThe exhibition \"Hein Semke - Donation Teresa Balté\", intended to mirror the important donation of two hundred works that significantly translate the ceramic work of the artist, highlighting the different themes and typologies of objects he chose to explore. This text, which was part of the exhibition catalog, aimed to contextualize the exhibited works, establishing relationships with works from other collections, inserting them in the broad context of Hein Semke's artistic career.\n","downloadable_attachments":[{"id":61291412,"asset_id":41011773,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":44975490,"first_name":"Patrícia","last_name":"Nóbrega","domain_name":"flul","page_name":"PatríciaNóbrega","display_name":"Patrícia Nóbrega","profile_url":"https://flul.academia.edu/Patr%C3%ADciaN%C3%B3brega?f_ri=15244","photo":"https://0.academia-photos.com/44975490/51170451/39231054/s65_patr_cia.n_brega.png"}],"research_interests":[{"id":15244,"name":"Ceramics (Art History)","url":"https://www.academia.edu/Documents/in/Ceramics_Art_History_?f_ri=15244","nofollow":false},{"id":242452,"name":"Azulejo","url":"https://www.academia.edu/Documents/in/Azulejo?f_ri=15244","nofollow":false},{"id":662386,"name":"Hein Semke","url":"https://www.academia.edu/Documents/in/Hein_Semke?f_ri=15244","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_15154921" data-work_id="15154921" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/15154921/Jun_Kanekos_Large_scale_Ceramics">Jun Kaneko's Large-scale Ceramics</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Jun Kaneko is a contemporary artist who pioneered techniques for building, firing, and glazing large-scale ceramic sculpture. In 2009 the University of Missouri's Museum of Art and Archaeology was gifted three monumental works by Kaneko:... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_15154921" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Jun Kaneko is a contemporary artist who pioneered techniques for building, firing, and glazing large-scale ceramic sculpture. In 2009 the University of Missouri's Museum of Art and Archaeology was gifted three monumental works by Kaneko: Egyptian King and Egyptian King, and 6' Dango. These three important accessions reflect the artist's interests in abstraction, color,  scale, experimentation, and open-endedness.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/15154921" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="1e05e350aade382db5e3b1d09d60a8c1" rel="nofollow" data-download="{"attachment_id":38559960,"asset_id":15154921,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/38559960/download_file?st=MTczMjUwMjUyMSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="27015820" href="https://pulitzerarts.academia.edu/HeatherAlexisSmith">Heather Alexis Smith</a><script data-card-contents-for-user="27015820" type="text/json">{"id":27015820,"first_name":"Heather Alexis","last_name":"Smith","domain_name":"pulitzerarts","page_name":"HeatherAlexisSmith","display_name":"Heather Alexis Smith","profile_url":"https://pulitzerarts.academia.edu/HeatherAlexisSmith?f_ri=15244","photo":"https://0.academia-photos.com/27015820/8264866/9474347/s65_heather.smith.jpg"}</script></span></span></li><li class="js-paper-rank-work_15154921 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="15154921"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 15154921, container: ".js-paper-rank-work_15154921", }); 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$(".js-view-count[data-work-id=15154921]").text(description); $(".js-view-count-work_15154921").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_15154921").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="15154921"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">10</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="3051" href="https://www.academia.edu/Documents/in/Contemporary_Art">Contemporary Art</a>, <script data-card-contents-for-ri="3051" type="text/json">{"id":3051,"name":"Contemporary Art","url":"https://www.academia.edu/Documents/in/Contemporary_Art?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="4404" href="https://www.academia.edu/Documents/in/Abstract_Art">Abstract Art</a>, <script data-card-contents-for-ri="4404" type="text/json">{"id":4404,"name":"Abstract Art","url":"https://www.academia.edu/Documents/in/Abstract_Art?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="15244" href="https://www.academia.edu/Documents/in/Ceramics_Art_History_">Ceramics (Art History)</a>, <script data-card-contents-for-ri="15244" type="text/json">{"id":15244,"name":"Ceramics (Art History)","url":"https://www.academia.edu/Documents/in/Ceramics_Art_History_?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="23771" href="https://www.academia.edu/Documents/in/Abstract_Sculpture">Abstract Sculpture</a><script data-card-contents-for-ri="23771" type="text/json">{"id":23771,"name":"Abstract Sculpture","url":"https://www.academia.edu/Documents/in/Abstract_Sculpture?f_ri=15244","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=15154921]'), work: {"id":15154921,"title":"Jun Kaneko's Large-scale Ceramics","created_at":"2015-08-24T14:14:23.837-07:00","url":"https://www.academia.edu/15154921/Jun_Kanekos_Large_scale_Ceramics?f_ri=15244","dom_id":"work_15154921","summary":"Jun Kaneko is a contemporary artist who pioneered techniques for building, firing, and glazing large-scale ceramic sculpture. In 2009 the University of Missouri's Museum of Art and Archaeology was gifted three monumental works by Kaneko: Egyptian King and Egyptian King, and 6' Dango. These three important accessions reflect the artist's interests in abstraction, color, scale, experimentation, and open-endedness. ","downloadable_attachments":[{"id":38559960,"asset_id":15154921,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":27015820,"first_name":"Heather Alexis","last_name":"Smith","domain_name":"pulitzerarts","page_name":"HeatherAlexisSmith","display_name":"Heather Alexis Smith","profile_url":"https://pulitzerarts.academia.edu/HeatherAlexisSmith?f_ri=15244","photo":"https://0.academia-photos.com/27015820/8264866/9474347/s65_heather.smith.jpg"}],"research_interests":[{"id":3051,"name":"Contemporary Art","url":"https://www.academia.edu/Documents/in/Contemporary_Art?f_ri=15244","nofollow":false},{"id":4404,"name":"Abstract Art","url":"https://www.academia.edu/Documents/in/Abstract_Art?f_ri=15244","nofollow":false},{"id":15244,"name":"Ceramics (Art History)","url":"https://www.academia.edu/Documents/in/Ceramics_Art_History_?f_ri=15244","nofollow":false},{"id":23771,"name":"Abstract Sculpture","url":"https://www.academia.edu/Documents/in/Abstract_Sculpture?f_ri=15244","nofollow":false},{"id":28954,"name":"Japanese contemporary art","url":"https://www.academia.edu/Documents/in/Japanese_contemporary_art?f_ri=15244"},{"id":35250,"name":"Contemporary and Historical Ceramics","url":"https://www.academia.edu/Documents/in/Contemporary_and_Historical_Ceramics?f_ri=15244"},{"id":137722,"name":"Contemporary Ceramics","url":"https://www.academia.edu/Documents/in/Contemporary_Ceramics?f_ri=15244"},{"id":1152858,"name":"Modern and Contemporary European and American Art History","url":"https://www.academia.edu/Documents/in/Modern_and_Contemporary_European_and_American_Art_History?f_ri=15244"},{"id":1214221,"name":"Monumental Sculpture","url":"https://www.academia.edu/Documents/in/Monumental_Sculpture?f_ri=15244"},{"id":2738345,"name":"Japanese contemporary sculpture","url":"https://www.academia.edu/Documents/in/Japanese_contemporary_sculpture?f_ri=15244"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_39307467" data-work_id="39307467" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/39307467/The_Colours_of_Empire_Mongol_Influence_on_Colour_in_Yuan_Dynasty_Porcelain">The Colours of Empire - Mongol Influence on Colour in Yuan Dynasty Porcelain</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">When one examines porcelain, it is often the imagery that is privileged, whereas color is relegated to the background as a decorative element used to enhance the design. This paper will attempt to counter this perception by arguing for... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_39307467" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">When one examines porcelain, it is often the imagery that is privileged, whereas color is relegated to the background as a decorative element used to enhance the design. This paper will attempt to counter this perception by arguing for the importance of color in Cizhou, Longquan celadon, and Jingdezhen blue and white wares produced in the Yuan dynasty under Mongol rule. It will examine these ware types in the socio cultural and economic context of the time period, paying special attention to the key colors in these three ware types. In this paper I will argue that color has the ability to retain meaning and connotations that have cultural significance. At the same time, unlike imagery and pictorial designs, it more readily absorbs and represents new concerns and tendencies, whether cultural or economic. For this reason, this paper will stress the importance of color, demonstrating that it is worthy of standing alone as a defining feature of a piece of porcelain rather than being relegated to the visual peripheries upon examination.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/39307467" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="642dd3c6bfc4fb5397be11b1c120849c" rel="nofollow" data-download="{"attachment_id":63834458,"asset_id":39307467,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/63834458/download_file?st=MTczMjUwMjUyMSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="42504683" href="https://uoregon.academia.edu/MargarytaGolovchenko">Margaryta Golovchenko</a><script data-card-contents-for-user="42504683" type="text/json">{"id":42504683,"first_name":"Margaryta","last_name":"Golovchenko","domain_name":"uoregon","page_name":"MargarytaGolovchenko","display_name":"Margaryta Golovchenko","profile_url":"https://uoregon.academia.edu/MargarytaGolovchenko?f_ri=15244","photo":"https://0.academia-photos.com/42504683/18014435/137153476/s65_margaryta.golovchenko.jpg"}</script></span></span></li><li class="js-paper-rank-work_39307467 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="39307467"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 39307467, container: ".js-paper-rank-work_39307467", }); 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$(".js-view-count[data-work-id=39307467]").text(description); $(".js-view-count-work_39307467").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_39307467").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="39307467"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="915" href="https://www.academia.edu/Documents/in/Art_History">Art History</a>, <script data-card-contents-for-ri="915" type="text/json">{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2473" href="https://www.academia.edu/Documents/in/Material_Culture_Studies">Material Culture Studies</a>, <script data-card-contents-for-ri="2473" type="text/json">{"id":2473,"name":"Material Culture Studies","url":"https://www.academia.edu/Documents/in/Material_Culture_Studies?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="8223" href="https://www.academia.edu/Documents/in/East_Asian_Studies">East Asian Studies</a>, <script data-card-contents-for-ri="8223" type="text/json">{"id":8223,"name":"East Asian Studies","url":"https://www.academia.edu/Documents/in/East_Asian_Studies?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="15244" href="https://www.academia.edu/Documents/in/Ceramics_Art_History_">Ceramics (Art History)</a><script data-card-contents-for-ri="15244" type="text/json">{"id":15244,"name":"Ceramics (Art History)","url":"https://www.academia.edu/Documents/in/Ceramics_Art_History_?f_ri=15244","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=39307467]'), work: {"id":39307467,"title":"The Colours of Empire - Mongol Influence on Colour in Yuan Dynasty Porcelain","created_at":"2019-05-29T16:01:21.034-07:00","url":"https://www.academia.edu/39307467/The_Colours_of_Empire_Mongol_Influence_on_Colour_in_Yuan_Dynasty_Porcelain?f_ri=15244","dom_id":"work_39307467","summary":"When one examines porcelain, it is often the imagery that is privileged, whereas color is relegated to the background as a decorative element used to enhance the design. This paper will attempt to counter this perception by arguing for the importance of color in Cizhou, Longquan celadon, and Jingdezhen blue and white wares produced in the Yuan dynasty under Mongol rule. It will examine these ware types in the socio cultural and economic context of the time period, paying special attention to the key colors in these three ware types. In this paper I will argue that color has the ability to retain meaning and connotations that have cultural significance. At the same time, unlike imagery and pictorial designs, it more readily absorbs and represents new concerns and tendencies, whether cultural or economic. For this reason, this paper will stress the importance of color, demonstrating that it is worthy of standing alone as a defining feature of a piece of porcelain rather than being relegated to the visual peripheries upon examination.","downloadable_attachments":[{"id":63834458,"asset_id":39307467,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":42504683,"first_name":"Margaryta","last_name":"Golovchenko","domain_name":"uoregon","page_name":"MargarytaGolovchenko","display_name":"Margaryta Golovchenko","profile_url":"https://uoregon.academia.edu/MargarytaGolovchenko?f_ri=15244","photo":"https://0.academia-photos.com/42504683/18014435/137153476/s65_margaryta.golovchenko.jpg"}],"research_interests":[{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=15244","nofollow":false},{"id":2473,"name":"Material Culture Studies","url":"https://www.academia.edu/Documents/in/Material_Culture_Studies?f_ri=15244","nofollow":false},{"id":8223,"name":"East Asian Studies","url":"https://www.academia.edu/Documents/in/East_Asian_Studies?f_ri=15244","nofollow":false},{"id":15244,"name":"Ceramics (Art History)","url":"https://www.academia.edu/Documents/in/Ceramics_Art_History_?f_ri=15244","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_43818662" data-work_id="43818662" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/43818662/%D0%9A%D0%B5%D1%80%D0%B0%D0%BC%D0%B8%D0%BA%D0%B0_%D0%A3%D0%B7%D0%B1%D0%B5%D0%BA%D0%B8%D1%81%D1%82%D0%B0%D0%BD%D0%B0_%D0%BE%D0%BF%D1%8B%D1%82_%D1%81%D0%B8%D1%81%D1%82%D0%B5%D0%BC%D0%B0%D1%82%D0%B8%D0%B7%D0%B0%D1%86%D0%B8%D0%B8">Керамика Узбекистана опыт систематизации</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Maqolada O'zbekiston davlat san'at muzeyining "O'zbekiston kulolchiligi" kollektsiyasini tartibga keltirish, zahira ishlarining o'ziga xoz jihatlari o'rganilgan. Avtor o'zining shaxsiy ish tajribasidan kelib chiqqan xolda, ayrim... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_43818662" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Maqolada O'zbekiston davlat san'at muzeyining "O'zbekiston kulolchiligi" kollektsiyasini tartibga keltirish, zahira ishlarining o'ziga xoz jihatlari o'rganilgan. Avtor o'zining shaxsiy ish tajribasidan kelib chiqqan xolda, ayrim tavsiyalarini beradi</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/43818662" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="673c39aa4ee888d8dc046fbe9c51cbb3" rel="nofollow" data-download="{"attachment_id":64136875,"asset_id":43818662,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/64136875/download_file?st=MTczMjUwMjUyMSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="61306857" href="https://independent.academia.edu/RavshanFatkhullaev">Ravshan Fatkhullaev</a><script data-card-contents-for-user="61306857" type="text/json">{"id":61306857,"first_name":"Ravshan","last_name":"Fatkhullaev","domain_name":"independent","page_name":"RavshanFatkhullaev","display_name":"Ravshan Fatkhullaev","profile_url":"https://independent.academia.edu/RavshanFatkhullaev?f_ri=15244","photo":"https://0.academia-photos.com/61306857/18744205/19629810/s65_ravshan.fatkhullaev.jpg"}</script></span></span></li><li class="js-paper-rank-work_43818662 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="43818662"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 43818662, container: ".js-paper-rank-work_43818662", }); 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$(".js-view-count[data-work-id=43818662]").text(description); $(".js-view-count-work_43818662").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_43818662").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="43818662"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">6</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="6032" href="https://www.academia.edu/Documents/in/Central_Asian_Studies">Central Asian Studies</a>, <script data-card-contents-for-ri="6032" type="text/json">{"id":6032,"name":"Central Asian Studies","url":"https://www.academia.edu/Documents/in/Central_Asian_Studies?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="15244" href="https://www.academia.edu/Documents/in/Ceramics_Art_History_">Ceramics (Art History)</a>, <script data-card-contents-for-ri="15244" type="text/json">{"id":15244,"name":"Ceramics (Art History)","url":"https://www.academia.edu/Documents/in/Ceramics_Art_History_?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="38194" href="https://www.academia.edu/Documents/in/Orientalism_Art_History_">Orientalism (Art History)</a>, <script data-card-contents-for-ri="38194" type="text/json">{"id":38194,"name":"Orientalism (Art History)","url":"https://www.academia.edu/Documents/in/Orientalism_Art_History_?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="49796" href="https://www.academia.edu/Documents/in/Uzbekistan">Uzbekistan</a><script data-card-contents-for-ri="49796" type="text/json">{"id":49796,"name":"Uzbekistan","url":"https://www.academia.edu/Documents/in/Uzbekistan?f_ri=15244","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=43818662]'), work: {"id":43818662,"title":"Керамика Узбекистана опыт систематизации","created_at":"2020-08-09T22:06:11.389-07:00","url":"https://www.academia.edu/43818662/%D0%9A%D0%B5%D1%80%D0%B0%D0%BC%D0%B8%D0%BA%D0%B0_%D0%A3%D0%B7%D0%B1%D0%B5%D0%BA%D0%B8%D1%81%D1%82%D0%B0%D0%BD%D0%B0_%D0%BE%D0%BF%D1%8B%D1%82_%D1%81%D0%B8%D1%81%D1%82%D0%B5%D0%BC%D0%B0%D1%82%D0%B8%D0%B7%D0%B0%D1%86%D0%B8%D0%B8?f_ri=15244","dom_id":"work_43818662","summary":"Maqolada O'zbekiston davlat san'at muzeyining \"O'zbekiston kulolchiligi\" kollektsiyasini tartibga keltirish, zahira ishlarining o'ziga xoz jihatlari o'rganilgan. Avtor o'zining shaxsiy ish tajribasidan kelib chiqqan xolda, ayrim tavsiyalarini beradi","downloadable_attachments":[{"id":64136875,"asset_id":43818662,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":61306857,"first_name":"Ravshan","last_name":"Fatkhullaev","domain_name":"independent","page_name":"RavshanFatkhullaev","display_name":"Ravshan Fatkhullaev","profile_url":"https://independent.academia.edu/RavshanFatkhullaev?f_ri=15244","photo":"https://0.academia-photos.com/61306857/18744205/19629810/s65_ravshan.fatkhullaev.jpg"}],"research_interests":[{"id":6032,"name":"Central Asian Studies","url":"https://www.academia.edu/Documents/in/Central_Asian_Studies?f_ri=15244","nofollow":false},{"id":15244,"name":"Ceramics (Art History)","url":"https://www.academia.edu/Documents/in/Ceramics_Art_History_?f_ri=15244","nofollow":false},{"id":38194,"name":"Orientalism (Art History)","url":"https://www.academia.edu/Documents/in/Orientalism_Art_History_?f_ri=15244","nofollow":false},{"id":49796,"name":"Uzbekistan","url":"https://www.academia.edu/Documents/in/Uzbekistan?f_ri=15244","nofollow":false},{"id":163709,"name":"Museum Collections","url":"https://www.academia.edu/Documents/in/Museum_Collections?f_ri=15244"},{"id":758398,"name":"Decorative and Applied Arts","url":"https://www.academia.edu/Documents/in/Decorative_and_Applied_Arts?f_ri=15244"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_43446495" data-work_id="43446495" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/43446495/Joel_Klenck_and_Epi_Suafoa_Tauai_Preliminary_Report_on_the_Archaeological_Site_of_Leone_Village_American_Samoa">Joel Klenck and Epi Suafoa-Tauai, Preliminary Report on the Archaeological Site of Leone Village, American Samoa</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The archaeological analysis of the Leone Village site was conducted to keep a road revetment project, for the Federal Highway Administration (“FHA”), in compliance with the National Historic Preservation Act of 1966 (“NHPA”), as amended.... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_43446495" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The archaeological analysis of the Leone Village site was conducted to keep a road revetment project, for the Federal Highway Administration (“FHA”), in compliance with the National Historic Preservation Act of 1966 (“NHPA”), as amended. The Act requires all federally funded projects to record and mitigate damage to historic sites, usually greater than fifty (50) years of age. The American Samoa Historic Preservation Office (“ASHPO”) requires that construction crews follow both the mandates of the NHPA, the American Samoa Coastal Management Act of 1990 (“ASCMA”), and adhere to the provisions of the American Samoa Project Notification and Review System (“PNRS”), which further protects historic sites.<br /><br />Although the FHA employed a proficient archaeologist, the late David Kennedy, to survey for prehistoric sites, Kennedy did not find the prehistoric site at Leone, a town on the southwest coast of Tutuila Island in American Samoa. During a subsequent PNRS survey, in May of 2012, ASHPO archaeologists identified the site. To fulfill the requirements of the NHPA, ASHPO archaeologists completed Phase I, II, and III mitigation activities at the locale. Assisting the ASHPO was an archaeology crew from the American Samoa Power Authority (“ASPA”) and volunteers primarily from Leone village. These methodologies comprised the clearance of vegetation, pedestrian surveys, the mitigation of shovel-test pits, and excavation of square-meter units.  <br /><br />Archaeologists retrieved an array of artifacts including Polynesian plainware ceramic sherds, adzes, adze pre-forms, debitage, fire-cracked rocks, scrapers, and blades. The use of ceramics at Leone and two other sites indicate ceramic utilization was more widespread than previously recorded in archaeological literature. This study serves to highlight the need for additional surveys in western Tutuila Island and along Polynesian shorelines.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/43446495" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="1024eb95997456041e2fe700bfefd3a3" rel="nofollow" data-download="{"attachment_id":63752865,"asset_id":43446495,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/63752865/download_file?st=MTczMjUwMjUyMSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="14773530" href="https://nus-ws.academia.edu/JoelKlenck">Joel Klenck</a><script data-card-contents-for-user="14773530" type="text/json">{"id":14773530,"first_name":"Joel","last_name":"Klenck","domain_name":"nus-ws","page_name":"JoelKlenck","display_name":"Joel Klenck","profile_url":"https://nus-ws.academia.edu/JoelKlenck?f_ri=15244","photo":"https://0.academia-photos.com/14773530/30457294/28222789/s65_joel.klenck.jpg"}</script></span></span></li><li class="js-paper-rank-work_43446495 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="43446495"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 43446495, container: ".js-paper-rank-work_43446495", }); 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The Act requires all federally funded projects to record and mitigate damage to historic sites, usually greater than fifty (50) years of age. The American Samoa Historic Preservation Office (“ASHPO”) requires that construction crews follow both the mandates of the NHPA, the American Samoa Coastal Management Act of 1990 (“ASCMA”), and adhere to the provisions of the American Samoa Project Notification and Review System (“PNRS”), which further protects historic sites.\n\nAlthough the FHA employed a proficient archaeologist, the late David Kennedy, to survey for prehistoric sites, Kennedy did not find the prehistoric site at Leone, a town on the southwest coast of Tutuila Island in American Samoa. During a subsequent PNRS survey, in May of 2012, ASHPO archaeologists identified the site. To fulfill the requirements of the NHPA, ASHPO archaeologists completed Phase I, II, and III mitigation activities at the locale. Assisting the ASHPO was an archaeology crew from the American Samoa Power Authority (“ASPA”) and volunteers primarily from Leone village. These methodologies comprised the clearance of vegetation, pedestrian surveys, the mitigation of shovel-test pits, and excavation of square-meter units. \n\nArchaeologists retrieved an array of artifacts including Polynesian plainware ceramic sherds, adzes, adze pre-forms, debitage, fire-cracked rocks, scrapers, and blades. The use of ceramics at Leone and two other sites indicate ceramic utilization was more widespread than previously recorded in archaeological literature. This study serves to highlight the need for additional surveys in western Tutuila Island and along Polynesian shorelines.\n","downloadable_attachments":[{"id":63752865,"asset_id":43446495,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":14773530,"first_name":"Joel","last_name":"Klenck","domain_name":"nus-ws","page_name":"JoelKlenck","display_name":"Joel Klenck","profile_url":"https://nus-ws.academia.edu/JoelKlenck?f_ri=15244","photo":"https://0.academia-photos.com/14773530/30457294/28222789/s65_joel.klenck.jpg"}],"research_interests":[{"id":128,"name":"History","url":"https://www.academia.edu/Documents/in/History?f_ri=15244","nofollow":false},{"id":392,"name":"Archaeology","url":"https://www.academia.edu/Documents/in/Archaeology?f_ri=15244","nofollow":false},{"id":399,"name":"Prehistoric Archaeology","url":"https://www.academia.edu/Documents/in/Prehistoric_Archaeology?f_ri=15244","nofollow":false},{"id":767,"name":"Anthropology","url":"https://www.academia.edu/Documents/in/Anthropology?f_ri=15244","nofollow":false},{"id":2213,"name":"Pottery (Archaeology)","url":"https://www.academia.edu/Documents/in/Pottery_Archaeology_?f_ri=15244"},{"id":2795,"name":"Landscape Archaeology","url":"https://www.academia.edu/Documents/in/Landscape_Archaeology?f_ri=15244"},{"id":3499,"name":"Social and Cultural Anthropology","url":"https://www.academia.edu/Documents/in/Social_and_Cultural_Anthropology?f_ri=15244"},{"id":15244,"name":"Ceramics (Art History)","url":"https://www.academia.edu/Documents/in/Ceramics_Art_History_?f_ri=15244"},{"id":16007,"name":"Ceramic Analysis (Archaeology)","url":"https://www.academia.edu/Documents/in/Ceramic_Analysis_Archaeology_?f_ri=15244"},{"id":19728,"name":"Lithic Technology","url":"https://www.academia.edu/Documents/in/Lithic_Technology?f_ri=15244"},{"id":24827,"name":"Ceramics (Archaeology)","url":"https://www.academia.edu/Documents/in/Ceramics_Archaeology_?f_ri=15244"},{"id":24828,"name":"Lithics","url":"https://www.academia.edu/Documents/in/Lithics?f_ri=15244"},{"id":30543,"name":"Pacific Archaeology","url":"https://www.academia.edu/Documents/in/Pacific_Archaeology?f_ri=15244"},{"id":30723,"name":"Maritime Trade Ceramics (Archaeology)","url":"https://www.academia.edu/Documents/in/Maritime_Trade_Ceramics_Archaeology_?f_ri=15244"},{"id":45405,"name":"Global Warming","url":"https://www.academia.edu/Documents/in/Global_Warming?f_ri=15244"},{"id":49435,"name":"Archaeological Site Formation Processes","url":"https://www.academia.edu/Documents/in/Archaeological_Site_Formation_Processes?f_ri=15244"},{"id":58128,"name":"Ceramics","url":"https://www.academia.edu/Documents/in/Ceramics?f_ri=15244"},{"id":161275,"name":"Pacific Islands Archaeology","url":"https://www.academia.edu/Documents/in/Pacific_Islands_Archaeology?f_ri=15244"},{"id":161968,"name":"Displacement","url":"https://www.academia.edu/Documents/in/Displacement?f_ri=15244"},{"id":964914,"name":"Global Warming/environment and Sustainable Livelihood Technologies","url":"https://www.academia.edu/Documents/in/Global_Warming_environment_and_Sustainable_Livelihood_Technologies?f_ri=15244"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_35871828" data-work_id="35871828" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/35871828/VOLOV%C3%81R_Maro%C5%A1_V%C3%BDchodoslovensk%C3%BD_amerik%C3%A1nsky_dom_in_D%C4%9Bjiny_staveb_2017_Plze%C5%88_2018_s_253_276">VOLOVÁR, Maroš: Východoslovenský amerikánsky dom, in: Dějiny staveb 2017, Plzeň 2018, s. 253–276.</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Traditional houses of American work reemigrants in Eastern Slovakia of interwar period. Typology, constructions, materials, structural members, master-builders.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/35871828" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="da898c3bd08434e7fb2d72e62ce92550" rel="nofollow" data-download="{"attachment_id":55751311,"asset_id":35871828,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/55751311/download_file?st=MTczMjUwMjUyMSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="31979900" href="https://independent.academia.edu/Maro%C5%A1Volov%C3%A1r">Maroš Volovár</a><script data-card-contents-for-user="31979900" type="text/json">{"id":31979900,"first_name":"Maroš","last_name":"Volovár","domain_name":"independent","page_name":"MarošVolovár","display_name":"Maroš Volovár","profile_url":"https://independent.academia.edu/Maro%C5%A1Volov%C3%A1r?f_ri=15244","photo":"/images/s65_no_pic.png"}</script></span></span></li><li class="js-paper-rank-work_35871828 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="35871828"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 35871828, container: ".js-paper-rank-work_35871828", }); 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$(".js-view-count[data-work-id=35871828]").text(description); $(".js-view-count-work_35871828").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_35871828").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="35871828"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">22</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="3619" href="https://www.academia.edu/Documents/in/Rural_History">Rural History</a>, <script data-card-contents-for-ri="3619" type="text/json">{"id":3619,"name":"Rural History","url":"https://www.academia.edu/Documents/in/Rural_History?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="10546" href="https://www.academia.edu/Documents/in/Sheet_Metal_Forming">Sheet Metal Forming</a>, <script data-card-contents-for-ri="10546" type="text/json">{"id":10546,"name":"Sheet Metal Forming","url":"https://www.academia.edu/Documents/in/Sheet_Metal_Forming?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="15244" href="https://www.academia.edu/Documents/in/Ceramics_Art_History_">Ceramics (Art History)</a>, <script data-card-contents-for-ri="15244" type="text/json">{"id":15244,"name":"Ceramics (Art History)","url":"https://www.academia.edu/Documents/in/Ceramics_Art_History_?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="18548" href="https://www.academia.edu/Documents/in/Interwar_Period_History">Interwar Period History</a><script data-card-contents-for-ri="18548" type="text/json">{"id":18548,"name":"Interwar Period History","url":"https://www.academia.edu/Documents/in/Interwar_Period_History?f_ri=15244","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=35871828]'), work: {"id":35871828,"title":"VOLOVÁR, Maroš: Východoslovenský amerikánsky dom, in: Dějiny staveb 2017, Plzeň 2018, s. 253–276.","created_at":"2018-02-08T10:01:08.134-08:00","url":"https://www.academia.edu/35871828/VOLOV%C3%81R_Maro%C5%A1_V%C3%BDchodoslovensk%C3%BD_amerik%C3%A1nsky_dom_in_D%C4%9Bjiny_staveb_2017_Plze%C5%88_2018_s_253_276?f_ri=15244","dom_id":"work_35871828","summary":"Traditional houses of American work reemigrants in Eastern Slovakia of interwar period. Typology, constructions, materials, structural members, master-builders.","downloadable_attachments":[{"id":55751311,"asset_id":35871828,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":31979900,"first_name":"Maroš","last_name":"Volovár","domain_name":"independent","page_name":"MarošVolovár","display_name":"Maroš Volovár","profile_url":"https://independent.academia.edu/Maro%C5%A1Volov%C3%A1r?f_ri=15244","photo":"/images/s65_no_pic.png"}],"research_interests":[{"id":3619,"name":"Rural History","url":"https://www.academia.edu/Documents/in/Rural_History?f_ri=15244","nofollow":false},{"id":10546,"name":"Sheet Metal Forming","url":"https://www.academia.edu/Documents/in/Sheet_Metal_Forming?f_ri=15244","nofollow":false},{"id":15244,"name":"Ceramics (Art History)","url":"https://www.academia.edu/Documents/in/Ceramics_Art_History_?f_ri=15244","nofollow":false},{"id":18548,"name":"Interwar Period History","url":"https://www.academia.edu/Documents/in/Interwar_Period_History?f_ri=15244","nofollow":false},{"id":30726,"name":"Art Nouveau","url":"https://www.academia.edu/Documents/in/Art_Nouveau?f_ri=15244"},{"id":60531,"name":"the Carpathian Basin","url":"https://www.academia.edu/Documents/in/the_Carpathian_Basin?f_ri=15244"},{"id":81937,"name":"Carpathian Basin","url":"https://www.academia.edu/Documents/in/Carpathian_Basin?f_ri=15244"},{"id":94650,"name":"Traditional Architecture","url":"https://www.academia.edu/Documents/in/Traditional_Architecture?f_ri=15244"},{"id":131210,"name":"Traditional rural buildings","url":"https://www.academia.edu/Documents/in/Traditional_rural_buildings?f_ri=15244"},{"id":148075,"name":"Art Deco","url":"https://www.academia.edu/Documents/in/Art_Deco?f_ri=15244"},{"id":173029,"name":"Carpathian-Pannonian region","url":"https://www.academia.edu/Documents/in/Carpathian-Pannonian_region?f_ri=15244"},{"id":229104,"name":"Interwar period, 1919 - 1939","url":"https://www.academia.edu/Documents/in/Interwar_period_1919_-_1939?f_ri=15244"},{"id":268248,"name":"Traditional house","url":"https://www.academia.edu/Documents/in/Traditional_house?f_ri=15244"},{"id":299201,"name":"Facade Design","url":"https://www.academia.edu/Documents/in/Facade_Design?f_ri=15244"},{"id":299202,"name":"Facade","url":"https://www.academia.edu/Documents/in/Facade?f_ri=15244"},{"id":314739,"name":"Slovakia","url":"https://www.academia.edu/Documents/in/Slovakia?f_ri=15244"},{"id":590245,"name":"Traditional Folk Architecture","url":"https://www.academia.edu/Documents/in/Traditional_Folk_Architecture?f_ri=15244"},{"id":819983,"name":"Reemigration","url":"https://www.academia.edu/Documents/in/Reemigration?f_ri=15244"},{"id":891206,"name":"Historical Facade","url":"https://www.academia.edu/Documents/in/Historical_Facade?f_ri=15244"},{"id":964539,"name":"Stucco","url":"https://www.academia.edu/Documents/in/Stucco?f_ri=15244"},{"id":1135353,"name":"Eastern Slovakia","url":"https://www.academia.edu/Documents/in/Eastern_Slovakia?f_ri=15244"},{"id":1263339,"name":"Východné Slovensko","url":"https://www.academia.edu/Documents/in/Vychodne_Slovensko?f_ri=15244"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_9273960" data-work_id="9273960" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/9273960/From_Anglo_Oriental_Studio_Pottery_to_Afro_Oriental_Studio_Pottery">From Anglo-Oriental Studio Pottery to Afro-Oriental Studio Pottery.</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Exhibition Opening Address “Anglo-Oriental Ceramics - Connecting Past to Present” at the Rust-en-Vrede Gallery and Clay Museum, Durbanville, South Africa, 11 November 2014. My intent is to track the Anglo-Oriental tradition’s... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_9273960" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Exhibition Opening Address <br />“Anglo-Oriental Ceramics - Connecting Past to Present” at the <br />Rust-en-Vrede Gallery and Clay Museum, Durbanville, South Africa, 11 November 2014. <br /> <br />My intent is to track the Anglo-Oriental tradition’s foothold in South African studio pottery. I will then present the argument that what the earlier studio potters subtracted and added to it, resulted in a South African style that reflected rather than embodied the Anglo-Oriental tradition. In the process, Anglo-Oriental was transformed into Afro-Oriental.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/9273960" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="51e0904c44d7987028d1694e17818ea3" rel="nofollow" data-download="{"attachment_id":35538294,"asset_id":9273960,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/35538294/download_file?st=MTczMjUwMjUyMSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1281565" href="https://unisouthafr.academia.edu/RonnieWatt">Ronnie Watt, PhD</a><script data-card-contents-for-user="1281565" type="text/json">{"id":1281565,"first_name":"Ronnie","last_name":"Watt, PhD","domain_name":"unisouthafr","page_name":"RonnieWatt","display_name":"Ronnie Watt, PhD","profile_url":"https://unisouthafr.academia.edu/RonnieWatt?f_ri=15244","photo":"https://0.academia-photos.com/1281565/2710685/103284677/s65_ronnie.watt_phd.jpg"}</script></span></span></li><li class="js-paper-rank-work_9273960 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="9273960"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 9273960, container: ".js-paper-rank-work_9273960", }); });</script></li><li class="js-percentile-work_9273960 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 9273960; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_9273960"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_9273960 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="9273960"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 9273960; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=9273960]").text(description); $(".js-view-count-work_9273960").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_9273960").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="9273960"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="915" href="https://www.academia.edu/Documents/in/Art_History">Art History</a>, <script data-card-contents-for-ri="915" type="text/json">{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="15244" href="https://www.academia.edu/Documents/in/Ceramics_Art_History_">Ceramics (Art History)</a>, <script data-card-contents-for-ri="15244" type="text/json">{"id":15244,"name":"Ceramics (Art History)","url":"https://www.academia.edu/Documents/in/Ceramics_Art_History_?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="44901" href="https://www.academia.edu/Documents/in/Pottery">Pottery</a>, <script data-card-contents-for-ri="44901" type="text/json">{"id":44901,"name":"Pottery","url":"https://www.academia.edu/Documents/in/Pottery?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="58128" href="https://www.academia.edu/Documents/in/Ceramics">Ceramics</a><script data-card-contents-for-ri="58128" type="text/json">{"id":58128,"name":"Ceramics","url":"https://www.academia.edu/Documents/in/Ceramics?f_ri=15244","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=9273960]'), work: {"id":9273960,"title":"From Anglo-Oriental Studio Pottery to Afro-Oriental Studio Pottery.","created_at":"2014-11-12T10:48:24.959-08:00","url":"https://www.academia.edu/9273960/From_Anglo_Oriental_Studio_Pottery_to_Afro_Oriental_Studio_Pottery?f_ri=15244","dom_id":"work_9273960","summary":"Exhibition Opening Address\r\n“Anglo-Oriental Ceramics - Connecting Past to Present” at the \r\nRust-en-Vrede Gallery and Clay Museum, Durbanville, South Africa, 11 November 2014.\r\n\r\nMy intent is to track the Anglo-Oriental tradition’s foothold in South African studio pottery. I will then present the argument that what the earlier studio potters subtracted and added to it, resulted in a South African style that reflected rather than embodied the Anglo-Oriental tradition. In the process, Anglo-Oriental was transformed into Afro-Oriental.\r\n","downloadable_attachments":[{"id":35538294,"asset_id":9273960,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1281565,"first_name":"Ronnie","last_name":"Watt, PhD","domain_name":"unisouthafr","page_name":"RonnieWatt","display_name":"Ronnie Watt, PhD","profile_url":"https://unisouthafr.academia.edu/RonnieWatt?f_ri=15244","photo":"https://0.academia-photos.com/1281565/2710685/103284677/s65_ronnie.watt_phd.jpg"}],"research_interests":[{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=15244","nofollow":false},{"id":15244,"name":"Ceramics (Art History)","url":"https://www.academia.edu/Documents/in/Ceramics_Art_History_?f_ri=15244","nofollow":false},{"id":44901,"name":"Pottery","url":"https://www.academia.edu/Documents/in/Pottery?f_ri=15244","nofollow":false},{"id":58128,"name":"Ceramics","url":"https://www.academia.edu/Documents/in/Ceramics?f_ri=15244","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_8406574" data-work_id="8406574" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/8406574/Monolithic_Refractory_Erosion_corrosion_Thermal_conductivity_shock_resistance_etc">Monolithic, Refractory Erosion corrosion, Thermal conductivity, shock resistance etc</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">A growing demand for refractory castables with advanced properties has given rise to a continuous technological evolution and highlighted the necessity for secondary raw materials reapplication even in refractory industry. For the... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_8406574" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">A growing demand for refractory castables with advanced properties has given rise to a continuous technological evolution and highlighted the necessity for secondary raw materials reapplication even in refractory industry. For the experiment, refractory shotcretes with the same matrix composition were prepared from 30 wt% of high aluminate cement, 40 wt% of bauxite aggregate and 30 wt% of chamotte filler. The request for obtaining a low-cement castable is fulfilled by application of mechanically activated coal ash as microfiller in one of the bauxite shotcretes. The fly ash was activated by means of vibratory disc mill and ultra-centrifugal mill, and results were compared. The shotcrete samples were dried at 110 °C during 24 h to create specimens for investigation of mechanical and thermal properties. The properties have been studied at temperatures ranging from room temperature to adopted maximal temperature 1400 °C. At maximal 1400 °C, the bauxite shotcretes were mainly composed of anorthite, corundum, mullite and cristobalite. Mechanisms of hydration and sintering were investigated by means of differential thermal analysis (DTA) at three different heating rates. DTA measurements showed different activation energies for ordinary bauxite shotcrete and shotcrete with microfiller. The evolution of the refractory shotcretes properties was investigated and correlated with microstructural changes induced by temperature and microfiller addition. The combination of advantages in investigated refractory shotcretes makes them suitable for use in severe conditions at high temperature applications especially in refractory industries.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/8406574" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="9a2c9f1763af84bdb76930324e05549e" rel="nofollow" data-download="{"attachment_id":34801391,"asset_id":8406574,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/34801391/download_file?st=MTczMjUwMjUyMSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="16867263" href="https://karachi.academia.edu/shahzaman">Shahzaman Mehar</a><script data-card-contents-for-user="16867263" type="text/json">{"id":16867263,"first_name":"Shahzaman","last_name":"Mehar","domain_name":"karachi","page_name":"shahzaman","display_name":"Shahzaman Mehar","profile_url":"https://karachi.academia.edu/shahzaman?f_ri=15244","photo":"https://0.academia-photos.com/16867263/4650799/39261639/s65_shahzaman.mehar.jpg"}</script></span></span></li><li class="js-paper-rank-work_8406574 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="8406574"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 8406574, container: ".js-paper-rank-work_8406574", }); 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$(".js-view-count[data-work-id=8406574]").text(description); $(".js-view-count-work_8406574").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_8406574").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="8406574"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">7</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="2786" href="https://www.academia.edu/Documents/in/Ceramic_Technology">Ceramic Technology</a>, <script data-card-contents-for-ri="2786" type="text/json">{"id":2786,"name":"Ceramic Technology","url":"https://www.academia.edu/Documents/in/Ceramic_Technology?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="4494" href="https://www.academia.edu/Documents/in/Ceramics_Ceramics_">Ceramics (Ceramics)</a>, <script data-card-contents-for-ri="4494" type="text/json">{"id":4494,"name":"Ceramics (Ceramics)","url":"https://www.academia.edu/Documents/in/Ceramics_Ceramics_?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="15244" href="https://www.academia.edu/Documents/in/Ceramics_Art_History_">Ceramics (Art History)</a>, <script data-card-contents-for-ri="15244" type="text/json">{"id":15244,"name":"Ceramics (Art History)","url":"https://www.academia.edu/Documents/in/Ceramics_Art_History_?f_ri=15244","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="25672" href="https://www.academia.edu/Documents/in/Refractory_materials_and_coatings_for_thermal_barrier_and_tribology_applications">Refractory materials and coatings for thermal barrier and tribology applications</a><script data-card-contents-for-ri="25672" type="text/json">{"id":25672,"name":"Refractory materials and coatings for thermal barrier and tribology applications","url":"https://www.academia.edu/Documents/in/Refractory_materials_and_coatings_for_thermal_barrier_and_tribology_applications?f_ri=15244","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=8406574]'), work: {"id":8406574,"title":"Monolithic, Refractory Erosion corrosion, Thermal conductivity, shock resistance etc","created_at":"2014-09-20T00:22:43.142-07:00","url":"https://www.academia.edu/8406574/Monolithic_Refractory_Erosion_corrosion_Thermal_conductivity_shock_resistance_etc?f_ri=15244","dom_id":"work_8406574","summary":"A growing demand for refractory castables with advanced properties has given rise to a continuous technological evolution and highlighted the necessity for secondary raw materials reapplication even in refractory industry. For the experiment, refractory shotcretes with the same matrix composition were prepared from 30 wt% of high aluminate cement, 40 wt% of bauxite aggregate and 30 wt% of chamotte filler. The request for obtaining a low-cement castable is fulfilled by application of mechanically activated coal ash as microfiller in one of the bauxite shotcretes. The fly ash was activated by means of vibratory disc mill and ultra-centrifugal mill, and results were compared. The shotcrete samples were dried at 110 °C during 24 h to create specimens for investigation of mechanical and thermal properties. The properties have been studied at temperatures ranging from room temperature to adopted maximal temperature 1400 °C. At maximal 1400 °C, the bauxite shotcretes were mainly composed of anorthite, corundum, mullite and cristobalite. Mechanisms of hydration and sintering were investigated by means of differential thermal analysis (DTA) at three different heating rates. DTA measurements showed different activation energies for ordinary bauxite shotcrete and shotcrete with microfiller. The evolution of the refractory shotcretes properties was investigated and correlated with microstructural changes induced by temperature and microfiller addition. The combination of advantages in investigated refractory shotcretes makes them suitable for use in severe conditions at high temperature applications especially in refractory industries.","downloadable_attachments":[{"id":34801391,"asset_id":8406574,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":16867263,"first_name":"Shahzaman","last_name":"Mehar","domain_name":"karachi","page_name":"shahzaman","display_name":"Shahzaman Mehar","profile_url":"https://karachi.academia.edu/shahzaman?f_ri=15244","photo":"https://0.academia-photos.com/16867263/4650799/39261639/s65_shahzaman.mehar.jpg"}],"research_interests":[{"id":2786,"name":"Ceramic Technology","url":"https://www.academia.edu/Documents/in/Ceramic_Technology?f_ri=15244","nofollow":false},{"id":4494,"name":"Ceramics (Ceramics)","url":"https://www.academia.edu/Documents/in/Ceramics_Ceramics_?f_ri=15244","nofollow":false},{"id":15244,"name":"Ceramics (Art History)","url":"https://www.academia.edu/Documents/in/Ceramics_Art_History_?f_ri=15244","nofollow":false},{"id":25672,"name":"Refractory materials and coatings for thermal barrier and tribology applications","url":"https://www.academia.edu/Documents/in/Refractory_materials_and_coatings_for_thermal_barrier_and_tribology_applications?f_ri=15244","nofollow":false},{"id":58128,"name":"Ceramics","url":"https://www.academia.edu/Documents/in/Ceramics?f_ri=15244"},{"id":519840,"name":"Refractories","url":"https://www.academia.edu/Documents/in/Refractories?f_ri=15244"},{"id":804502,"name":"Monolithic Refractory","url":"https://www.academia.edu/Documents/in/Monolithic_Refractory?f_ri=15244"}]}, }) } })();</script></ul></li></ul></div></div></div><div class="u-taCenter Pagination"><ul class="pagination"><li class="next_page"><a href="/Documents/in/Ceramics_Art_History_?after=50%2C8406574" rel="next">Next</a></li><li class="last next"><a href="/Documents/in/Ceramics_Art_History_?page=last">Last 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