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Hein Semke Research Papers - Academia.edu

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overflow: hidden; text-overflow: ellipsis; -webkit-line-clamp: 3; -webkit-box-orient: vertical; }</style><div class="col-xs-12 clearfix"><div class="u-floatLeft"><h1 class="PageHeader-title u-m0x u-fs30">Hein Semke</h1><div class="u-tcGrayDark">3&nbsp;Followers</div><div class="u-tcGrayDark u-mt2x">Recent papers in&nbsp;<b>Hein Semke</b></div></div></div></div></div></div><div class="TabbedNavigation"><div class="container"><div class="row"><div class="col-xs-12 clearfix"><ul class="nav u-m0x u-p0x list-inline u-displayFlex"><li class="active"><a href="https://www.academia.edu/Documents/in/Hein_Semke">Top Papers</a></li><li><a href="https://www.academia.edu/Documents/in/Hein_Semke/MostCited">Most Cited Papers</a></li><li><a href="https://www.academia.edu/Documents/in/Hein_Semke/MostDownloaded">Most Downloaded Papers</a></li><li><a href="https://www.academia.edu/Documents/in/Hein_Semke/MostRecent">Newest Papers</a></li><li><a class="" href="https://www.academia.edu/People/Hein_Semke">People</a></li></ul></div><style type="text/css">ul.nav{flex-direction:row}@media(max-width: 567px){ul.nav{flex-direction:column}.TabbedNavigation li{max-width:100%}.TabbedNavigation li.active{background-color:var(--background-grey, #dddde2)}.TabbedNavigation li.active:before,.TabbedNavigation li.active:after{display:none}}</style></div></div></div><div class="container"><div class="row"><div class="col-xs-12"><div class="u-displayFlex"><div class="u-flexGrow1"><div class="works"><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_41011773" data-work_id="41011773" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/41011773/Cer%C3%A2micas_de_Hein_Semke_Doa%C3%A7%C3%A3o_Teresa_Balt%C3%A9">Cerâmicas de Hein Semke - Doação Teresa Balté</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Em 2016, o Museu Nacional do Azulejo, em Lisboa, organizou uma mostra dedicada à cerâmica de Hein Semke (1899-1995), artista de origem alemã que se radicou em Portugal. A exposição “Hein Semke - Doação Teresa Balté”, pretendeu espelhar a... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_41011773" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Em 2016, o Museu Nacional do Azulejo, em Lisboa, organizou uma mostra dedicada à cerâmica de Hein Semke (1899-1995), artista de origem alemã que se radicou em Portugal.<br />A exposição “Hein Semke - Doação Teresa Balté”, pretendeu espelhar a importante doação de duas centenas de obras que traduzem de forma significativa a obra cerâmica do artista, evidenciando as diferentes temáticas e tipologias de objetos que escolheu explorar. O presente texto, que integrou o catálogo da exposição, visou contextualizar as obras expostas, estabelecendo relações com obras de outras colecções, inserindo-as no contexto alargado do percurso artístico de Hein Semke.<br /><br /><br />In 2016, the National Tile Museum in Lisbon organized a show dedicated to the ceramics of Hein Semke (1899-1995), a German-born artist based in Portugal.<br />The exhibition &quot;Hein Semke - Donation Teresa Balté&quot;, intended to mirror the important donation of two hundred works that significantly translate the ceramic work of the artist, highlighting the different themes and typologies of objects he chose to explore. This text, which was part of the exhibition catalog, aimed to contextualize the exhibited works, establishing relationships with works from other collections, inserting them in the broad context of Hein Semke&#39;s artistic career.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/41011773" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="117270aee4ce3017d7be0edb89955a25" rel="nofollow" data-download="{&quot;attachment_id&quot;:61291412,&quot;asset_id&quot;:41011773,&quot;asset_type&quot;:&quot;Work&quot;,&quot;always_allow_download&quot;:false,&quot;track&quot;:null,&quot;button_location&quot;:&quot;work_strip&quot;,&quot;source&quot;:null,&quot;hide_modal&quot;:null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/61291412/download_file?st=MTczMjUwODU4Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by&nbsp;<span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="44975490" href="https://flul.academia.edu/Patr%C3%ADciaN%C3%B3brega">Patrícia Nóbrega</a><script data-card-contents-for-user="44975490" type="text/json">{"id":44975490,"first_name":"Patrícia","last_name":"Nóbrega","domain_name":"flul","page_name":"PatríciaNóbrega","display_name":"Patrícia Nóbrega","profile_url":"https://flul.academia.edu/Patr%C3%ADciaN%C3%B3brega?f_ri=662386","photo":"https://0.academia-photos.com/44975490/51170451/39231054/s65_patr_cia.n_brega.png"}</script></span></span></li><li class="js-paper-rank-work_41011773 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="41011773"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 41011773, container: ".js-paper-rank-work_41011773", }); 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$(".js-view-count[data-work-id=41011773]").text(description); $(".js-view-count-work_41011773").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_41011773").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="41011773"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>&nbsp;&nbsp;<a class="InlineList-item-text u-positionRelative">3</a>&nbsp;&nbsp;</div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="15244" href="https://www.academia.edu/Documents/in/Ceramics_Art_History_">Ceramics (Art History)</a>,&nbsp;<script data-card-contents-for-ri="15244" type="text/json">{"id":15244,"name":"Ceramics (Art History)","url":"https://www.academia.edu/Documents/in/Ceramics_Art_History_?f_ri=662386","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="242452" href="https://www.academia.edu/Documents/in/Azulejo">Azulejo</a>,&nbsp;<script data-card-contents-for-ri="242452" type="text/json">{"id":242452,"name":"Azulejo","url":"https://www.academia.edu/Documents/in/Azulejo?f_ri=662386","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="662386" href="https://www.academia.edu/Documents/in/Hein_Semke">Hein Semke</a><script data-card-contents-for-ri="662386" type="text/json">{"id":662386,"name":"Hein Semke","url":"https://www.academia.edu/Documents/in/Hein_Semke?f_ri=662386","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=41011773]'), work: {"id":41011773,"title":"Cerâmicas de Hein Semke - Doação Teresa Balté","created_at":"2019-11-21T09:42:13.391-08:00","url":"https://www.academia.edu/41011773/Cer%C3%A2micas_de_Hein_Semke_Doa%C3%A7%C3%A3o_Teresa_Balt%C3%A9?f_ri=662386","dom_id":"work_41011773","summary":"Em 2016, o Museu Nacional do Azulejo, em Lisboa, organizou uma mostra dedicada à cerâmica de Hein Semke (1899-1995), artista de origem alemã que se radicou em Portugal.\nA exposição “Hein Semke - Doação Teresa Balté”, pretendeu espelhar a importante doação de duas centenas de obras que traduzem de forma significativa a obra cerâmica do artista, evidenciando as diferentes temáticas e tipologias de objetos que escolheu explorar. O presente texto, que integrou o catálogo da exposição, visou contextualizar as obras expostas, estabelecendo relações com obras de outras colecções, inserindo-as no contexto alargado do percurso artístico de Hein Semke.\n\n\nIn 2016, the National Tile Museum in Lisbon organized a show dedicated to the ceramics of Hein Semke (1899-1995), a German-born artist based in Portugal.\nThe exhibition \"Hein Semke - Donation Teresa Balté\", intended to mirror the important donation of two hundred works that significantly translate the ceramic work of the artist, highlighting the different themes and typologies of objects he chose to explore. This text, which was part of the exhibition catalog, aimed to contextualize the exhibited works, establishing relationships with works from other collections, inserting them in the broad context of Hein Semke's artistic career.\n","downloadable_attachments":[{"id":61291412,"asset_id":41011773,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":44975490,"first_name":"Patrícia","last_name":"Nóbrega","domain_name":"flul","page_name":"PatríciaNóbrega","display_name":"Patrícia Nóbrega","profile_url":"https://flul.academia.edu/Patr%C3%ADciaN%C3%B3brega?f_ri=662386","photo":"https://0.academia-photos.com/44975490/51170451/39231054/s65_patr_cia.n_brega.png"}],"research_interests":[{"id":15244,"name":"Ceramics (Art History)","url":"https://www.academia.edu/Documents/in/Ceramics_Art_History_?f_ri=662386","nofollow":false},{"id":242452,"name":"Azulejo","url":"https://www.academia.edu/Documents/in/Azulejo?f_ri=662386","nofollow":false},{"id":662386,"name":"Hein Semke","url":"https://www.academia.edu/Documents/in/Hein_Semke?f_ri=662386","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_2307684" data-work_id="2307684" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/2307684/Uma_liberdade_oferecida_%C3%A9_mais_perigosa_do_que_a_mais_dura_grilheta_Apocalipse_%C3%A0_Portuguesa_do_Hein_Semke_e_a_sua_s%C3%A1tira_da_sociedade_portuguesa_e_da_Revolu%C3%A7%C3%A3o_de_25_de_Abril_de_1974">Uma liberdade oferecida é mais perigosa do que a mais dura grilheta — Apocalipse à Portuguesa do Hein Semke e a sua sátira da sociedade portuguesa e da Revolução de 25 de Abril de 1974</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The aim is to present an article of extraordinary Artist Books of Hein Semke, entitled “Apocalypse of the Portuguese Way” or “Carnation Revolution”, where we can observe a high standard of artistic production along with a review of the... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_2307684" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The aim is to present an article of extraordinary Artist Books of Hein Semke, entitled “Apocalypse of the Portuguese Way” or “Carnation Revolution”, where we can observe a high standard of artistic production along with a review of the political situation that lived in the Portugal in the 70s. The artist shows us his expression not only in the illustration but also in written form.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/2307684" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="af1325bba7dc7dcbe76de25ee9450710" rel="nofollow" data-download="{&quot;attachment_id&quot;:30352405,&quot;asset_id&quot;:2307684,&quot;asset_type&quot;:&quot;Work&quot;,&quot;always_allow_download&quot;:false,&quot;track&quot;:null,&quot;button_location&quot;:&quot;work_strip&quot;,&quot;source&quot;:null,&quot;hide_modal&quot;:null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/30352405/download_file?st=MTczMjUwODU4Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by&nbsp;<span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="418914" href="https://lisboa.academia.edu/JoannaLatka">Joanna Latka</a><script data-card-contents-for-user="418914" type="text/json">{"id":418914,"first_name":"Joanna","last_name":"Latka","domain_name":"lisboa","page_name":"JoannaLatka","display_name":"Joanna Latka","profile_url":"https://lisboa.academia.edu/JoannaLatka?f_ri=662386","photo":"https://0.academia-photos.com/418914/108265/800892/s65_joanna.latka.jpg"}</script></span></span></li><li class="js-paper-rank-work_2307684 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="2307684"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 2307684, container: ".js-paper-rank-work_2307684", }); 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$(".js-view-count[data-work-id=2307684]").text(description); $(".js-view-count-work_2307684").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_2307684").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="2307684"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>&nbsp;&nbsp;<a class="InlineList-item-text u-positionRelative">7</a>&nbsp;&nbsp;</div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="19580" href="https://www.academia.edu/Documents/in/Artists_Books">Artists&#39; Books</a>,&nbsp;<script data-card-contents-for-ri="19580" type="text/json">{"id":19580,"name":"Artists' Books","url":"https://www.academia.edu/Documents/in/Artists_Books?f_ri=662386","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="105746" href="https://www.academia.edu/Documents/in/Printmaking_woodcut_">Printmaking (woodcut)</a>,&nbsp;<script data-card-contents-for-ri="105746" type="text/json">{"id":105746,"name":"Printmaking (woodcut)","url":"https://www.academia.edu/Documents/in/Printmaking_woodcut_?f_ri=662386","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="289451" href="https://www.academia.edu/Documents/in/Xilogravura">Xilogravura</a>,&nbsp;<script data-card-contents-for-ri="289451" type="text/json">{"id":289451,"name":"Xilogravura","url":"https://www.academia.edu/Documents/in/Xilogravura?f_ri=662386","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="496971" href="https://www.academia.edu/Documents/in/Woodcuts">Woodcuts</a><script data-card-contents-for-ri="496971" type="text/json">{"id":496971,"name":"Woodcuts","url":"https://www.academia.edu/Documents/in/Woodcuts?f_ri=662386","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=2307684]'), work: {"id":2307684,"title":"Uma liberdade oferecida é mais perigosa do que a mais dura grilheta — Apocalipse à Portuguesa do Hein Semke e a sua sátira da sociedade portuguesa e da Revolução de 25 de Abril de 1974","created_at":"2012-12-18T10:00:22.671-08:00","url":"https://www.academia.edu/2307684/Uma_liberdade_oferecida_%C3%A9_mais_perigosa_do_que_a_mais_dura_grilheta_Apocalipse_%C3%A0_Portuguesa_do_Hein_Semke_e_a_sua_s%C3%A1tira_da_sociedade_portuguesa_e_da_Revolu%C3%A7%C3%A3o_de_25_de_Abril_de_1974?f_ri=662386","dom_id":"work_2307684","summary":"The aim is to present an article of extraordinary Artist Books of Hein Semke, entitled “Apocalypse of the Portuguese Way” or “Carnation Revolution”, where we can observe a high standard of artistic production along with a review of the political situation that lived in the Portugal in the 70s. The artist shows us his expression not only in the illustration but also in written form.","downloadable_attachments":[{"id":30352405,"asset_id":2307684,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":418914,"first_name":"Joanna","last_name":"Latka","domain_name":"lisboa","page_name":"JoannaLatka","display_name":"Joanna Latka","profile_url":"https://lisboa.academia.edu/JoannaLatka?f_ri=662386","photo":"https://0.academia-photos.com/418914/108265/800892/s65_joanna.latka.jpg"}],"research_interests":[{"id":19580,"name":"Artists' Books","url":"https://www.academia.edu/Documents/in/Artists_Books?f_ri=662386","nofollow":false},{"id":105746,"name":"Printmaking (woodcut)","url":"https://www.academia.edu/Documents/in/Printmaking_woodcut_?f_ri=662386","nofollow":false},{"id":289451,"name":"Xilogravura","url":"https://www.academia.edu/Documents/in/Xilogravura?f_ri=662386","nofollow":false},{"id":496971,"name":"Woodcuts","url":"https://www.academia.edu/Documents/in/Woodcuts?f_ri=662386","nofollow":false},{"id":606820,"name":"Gravura","url":"https://www.academia.edu/Documents/in/Gravura?f_ri=662386"},{"id":662385,"name":"Livro De Artista","url":"https://www.academia.edu/Documents/in/Livro_De_Artista?f_ri=662386"},{"id":662386,"name":"Hein Semke","url":"https://www.academia.edu/Documents/in/Hein_Semke?f_ri=662386"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_11160117" data-work_id="11160117" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/11160117/Paix%C3%A3o_sabedoria_e_narrativa_m%C3%ADtica_na_xilogravura_do_Hein_Semke">Paixão, sabedoria e narrativa mítica na xilogravura do Hein Semke</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">O artigo tem como objectivo chamar a atenção para a obra gravada de Hein Semke, que com o seu “grito plástico, de cores e linhas, que é muitas vezes, e ao mesmo tempo, e necessariamente, um grito de angústia e de felicidade ”,leva-nos... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_11160117" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">O artigo tem como objectivo chamar a atenção para a obra gravada de Hein Semke, que com o seu “grito plástico, de cores e linhas, que é muitas vezes, e ao mesmo tempo, e necessariamente, um grito de angústia e de felicidade ”,leva-nos para uma “viagem satírica (…) pela memória pelos mundos das mitologias ”, exibindo assim o primitivismo expressivo das suas “convicções, paixões, sabedoria e perplexidades” . <br />Sem dúvida a robustez dos traços gravados da forte narrativa mítica, cheios de “golpes de goiva quase lineares ” merecem uma atenção maior, dado que a gravura contemporânea portuguesa é pouco estudada, aproveito esta oportunidade para apresentar uma obra extremamente importante que “entra pelos olhos abaixo e (…) que nos atraem ou nos deixam indiferentes” .</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/11160117" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" 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itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="418914" href="https://lisboa.academia.edu/JoannaLatka">Joanna Latka</a><script data-card-contents-for-user="418914" type="text/json">{"id":418914,"first_name":"Joanna","last_name":"Latka","domain_name":"lisboa","page_name":"JoannaLatka","display_name":"Joanna Latka","profile_url":"https://lisboa.academia.edu/JoannaLatka?f_ri=662386","photo":"https://0.academia-photos.com/418914/108265/800892/s65_joanna.latka.jpg"}</script></span></span></li><li class="js-paper-rank-work_11160117 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="11160117"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 11160117, container: ".js-paper-rank-work_11160117", }); });</script></li><li 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perplexidades” .\r\nSem dúvida a robustez dos traços gravados da forte narrativa mítica, cheios de “golpes de goiva quase lineares ” merecem uma atenção maior, dado que a gravura contemporânea portuguesa é pouco estudada, aproveito esta oportunidade para apresentar uma obra extremamente importante que “entra pelos olhos abaixo e (…) que nos atraem ou nos deixam indiferentes” .\r\n","downloadable_attachments":[{"id":36803707,"asset_id":11160117,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":418914,"first_name":"Joanna","last_name":"Latka","domain_name":"lisboa","page_name":"JoannaLatka","display_name":"Joanna Latka","profile_url":"https://lisboa.academia.edu/JoannaLatka?f_ri=662386","photo":"https://0.academia-photos.com/418914/108265/800892/s65_joanna.latka.jpg"}],"research_interests":[{"id":20568,"name":"Printmaking 2.0","url":"https://www.academia.edu/Documents/in/Printmaking_2.0?f_ri=662386","nofollow":false},{"id":48060,"name":"History of 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