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overflow: hidden; text-overflow: ellipsis; -webkit-line-clamp: 3; -webkit-box-orient: vertical; }</style><div class="col-xs-12 clearfix"><div class="u-floatLeft"><h1 class="PageHeader-title u-m0x u-fs30">Brasilian (Literature)</h1><div class="u-tcGrayDark">1,585 Followers</div><div class="u-tcGrayDark u-mt2x">Recent papers in <b>Brasilian (Literature)</b></div></div></div></div></div></div><div class="TabbedNavigation"><div class="container"><div class="row"><div class="col-xs-12 clearfix"><ul class="nav u-m0x u-p0x list-inline u-displayFlex"><li class="active"><a href="https://www.academia.edu/Documents/in/Brasilian_Literature_">Top Papers</a></li><li><a href="https://www.academia.edu/Documents/in/Brasilian_Literature_/MostCited">Most Cited Papers</a></li><li><a href="https://www.academia.edu/Documents/in/Brasilian_Literature_/MostDownloaded">Most Downloaded Papers</a></li><li><a href="https://www.academia.edu/Documents/in/Brasilian_Literature_/MostRecent">Newest Papers</a></li><li><a class="" href="https://www.academia.edu/People/Brasilian_Literature_">People</a></li></ul></div><style type="text/css">ul.nav{flex-direction:row}@media(max-width: 567px){ul.nav{flex-direction:column}.TabbedNavigation li{max-width:100%}.TabbedNavigation li.active{background-color:var(--background-grey, #dddde2)}.TabbedNavigation li.active:before,.TabbedNavigation li.active:after{display:none}}</style></div></div></div><div class="container"><div class="row"><div class="col-xs-12"><div class="u-displayFlex"><div class="u-flexGrow1"><div class="works"><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_77228084" data-work_id="77228084" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/77228084/Painful_narrative_A_metafictional_reading_of_The_Hour_of_the_Star_by_Clarice_Lispector">Painful narrative. A metafictional reading of The Hour of the Star, by Clarice Lispector</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">In The hour of the Star Lispector takes up a classic character from Brazilian literature: the northeasterner. In the words of Gonzalo Aguilar, the northeasterners are: “Los pobres, los campesinos, los iletrados: toda una legión de... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_77228084" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">In The hour of the Star Lispector takes up a classic character from Brazilian literature: the northeasterner. In the words of Gonzalo Aguilar, the northeasterners are: “Los pobres, los campesinos, los iletrados: toda una legión de personajes que encontró, en la novela social y realista, la compensación que la vida no les daba”1 [“The poor, the peasants, the illiterate: a whole legion of characters who found, in the social and realistic novel, the compensation that life did not give them”]. Unlike the social and realistic novel, pointed out by Aguilar, which redeemed the poor and marginalized (although this redemption only occurred in the fictional plane, in the hands of a literate bourgeoisie), quite the contrary, Lispector in The Hour of the Star gives us a crude and unsophisticated plot, without compassion. The latter places the author in another perspective with respect to the northeastern character in the literary tradition of her country, in other words, she takes up the tradition, but at the same time renews it. <br /> The Hour of the Star is about the life of a northeastern girl, Macabéa, who, driven by hunger and misery in which her family was living in the northeast of the country, moves to Rio de Janeiro in search of a better life. However, the promise of the big city is fading fast, there too she will experience hunger, injustice and mistreatment. We know the life of Macabéa through the voice of the narrator, he feels the need to tell the life of the poor girl. How does the narrator build this character? At all times he is trapped by the character, and he will only be able to free himself from her once he has written her story. The narrator experiences the act of writing as an unpleasant fact, that is why he will take many detours before beginning to tell the story. It is there, in these detours, where he begins to reason in metafictional comments, making us participate in the writing process. It is for all this that he seems wise to ask ourselves and give answers in this work to the following questions: <br />1. How does the narrator express the act of writing?  2. What role do the narrator's metafictional comments play in the plot? 3. What role does the reader play as an integral part of the story? <br /> <br />It should be clarified that we do not propose to carry out only a metafictional study of the novel, but to understand what effects these metafictional resources have on the narrative itself, especially with regard to the figure of the narrator and the act of writing, and, in this way, to be able to define in what way if he lives said act.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/77228084" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="18e1444d8981409f1ee8a963df658b81" rel="nofollow" data-download="{"attachment_id":84651081,"asset_id":77228084,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/84651081/download_file?st=MTczOTg0MTY5Nyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="4462864" href="https://uba.academia.edu/MarielaToresan">Mariela Toresan</a><script data-card-contents-for-user="4462864" type="text/json">{"id":4462864,"first_name":"Mariela","last_name":"Toresan","domain_name":"uba","page_name":"MarielaToresan","display_name":"Mariela Toresan","profile_url":"https://uba.academia.edu/MarielaToresan?f_ri=19243","photo":"https://0.academia-photos.com/4462864/1827163/146943528/s65_mariela.toresan.jpg"}</script></span></span></li><li class="js-paper-rank-work_77228084 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="77228084"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 77228084, container: ".js-paper-rank-work_77228084", }); 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$(".js-view-count[data-work-id=77228084]").text(description); $(".js-view-count-work_77228084").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_77228084").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="77228084"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">5</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="5513" rel="nofollow" href="https://www.academia.edu/Documents/in/Narratology">Narratology</a>, <script data-card-contents-for-ri="5513" type="text/json">{"id":5513,"name":"Narratology","url":"https://www.academia.edu/Documents/in/Narratology?f_ri=19243","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="19243" rel="nofollow" href="https://www.academia.edu/Documents/in/Brasilian_Literature_">Brasilian (Literature)</a>, <script data-card-contents-for-ri="19243" type="text/json">{"id":19243,"name":"Brasilian (Literature)","url":"https://www.academia.edu/Documents/in/Brasilian_Literature_?f_ri=19243","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="20154" rel="nofollow" href="https://www.academia.edu/Documents/in/Metafiction">Metafiction</a>, <script data-card-contents-for-ri="20154" type="text/json">{"id":20154,"name":"Metafiction","url":"https://www.academia.edu/Documents/in/Metafiction?f_ri=19243","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="40542" rel="nofollow" href="https://www.academia.edu/Documents/in/Clarice_Lispector">Clarice Lispector</a><script data-card-contents-for-ri="40542" type="text/json">{"id":40542,"name":"Clarice Lispector","url":"https://www.academia.edu/Documents/in/Clarice_Lispector?f_ri=19243","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=77228084]'), work: {"id":77228084,"title":"Painful narrative. A metafictional reading of The Hour of the Star, by Clarice Lispector","created_at":"2022-04-21T18:31:42.311-07:00","url":"https://www.academia.edu/77228084/Painful_narrative_A_metafictional_reading_of_The_Hour_of_the_Star_by_Clarice_Lispector?f_ri=19243","dom_id":"work_77228084","summary":"In The hour of the Star Lispector takes up a classic character from Brazilian literature: the northeasterner. In the words of Gonzalo Aguilar, the northeasterners are: “Los pobres, los campesinos, los iletrados: toda una legión de personajes que encontró, en la novela social y realista, la compensación que la vida no les daba”1 [“The poor, the peasants, the illiterate: a whole legion of characters who found, in the social and realistic novel, the compensation that life did not give them”]. Unlike the social and realistic novel, pointed out by Aguilar, which redeemed the poor and marginalized (although this redemption only occurred in the fictional plane, in the hands of a literate bourgeoisie), quite the contrary, Lispector in The Hour of the Star gives us a crude and unsophisticated plot, without compassion. The latter places the author in another perspective with respect to the northeastern character in the literary tradition of her country, in other words, she takes up the tradition, but at the same time renews it.\r\n\tThe Hour of the Star is about the life of a northeastern girl, Macabéa, who, driven by hunger and misery in which her family was living in the northeast of the country, moves to Rio de Janeiro in search of a better life. However, the promise of the big city is fading fast, there too she will experience hunger, injustice and mistreatment. We know the life of Macabéa through the voice of the narrator, he feels the need to tell the life of the poor girl. How does the narrator build this character? At all times he is trapped by the character, and he will only be able to free himself from her once he has written her story. The narrator experiences the act of writing as an unpleasant fact, that is why he will take many detours before beginning to tell the story. It is there, in these detours, where he begins to reason in metafictional comments, making us participate in the writing process. It is for all this that he seems wise to ask ourselves and give answers in this work to the following questions:\r\n1. How does the narrator express the act of writing? 2. What role do the narrator's metafictional comments play in the plot? 3. What role does the reader play as an integral part of the story?\r\n\r\nIt should be clarified that we do not propose to carry out only a metafictional study of the novel, but to understand what effects these metafictional resources have on the narrative itself, especially with regard to the figure of the narrator and the act of writing, and, in this way, to be able to define in what way if he lives said act.\r\n","downloadable_attachments":[{"id":84651081,"asset_id":77228084,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":4462864,"first_name":"Mariela","last_name":"Toresan","domain_name":"uba","page_name":"MarielaToresan","display_name":"Mariela Toresan","profile_url":"https://uba.academia.edu/MarielaToresan?f_ri=19243","photo":"https://0.academia-photos.com/4462864/1827163/146943528/s65_mariela.toresan.jpg"}],"research_interests":[{"id":5513,"name":"Narratology","url":"https://www.academia.edu/Documents/in/Narratology?f_ri=19243","nofollow":true},{"id":19243,"name":"Brasilian (Literature)","url":"https://www.academia.edu/Documents/in/Brasilian_Literature_?f_ri=19243","nofollow":true},{"id":20154,"name":"Metafiction","url":"https://www.academia.edu/Documents/in/Metafiction?f_ri=19243","nofollow":true},{"id":40542,"name":"Clarice Lispector","url":"https://www.academia.edu/Documents/in/Clarice_Lispector?f_ri=19243","nofollow":true},{"id":62548,"name":"Narrator","url":"https://www.academia.edu/Documents/in/Narrator?f_ri=19243"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_37707560" data-work_id="37707560" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/37707560/Ana_C_sete_poemas_pdf">Ana C - sete poemas.pdf</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Este estudo tem por finalidade apresentar uma minibiografia da poetisa Ana Cristina Cesar, expoente ímpar da Poesia Marginal Brasileira dos anos 1970, bem como uma análise crítica de sete poemas escolhidos de forma a conceber uma vereda... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_37707560" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Este estudo tem por finalidade apresentar uma minibiografia da poetisa Ana Cristina Cesar, expoente ímpar da Poesia Marginal Brasileira dos anos 1970, bem como uma análise crítica de sete poemas escolhidos de forma a conceber uma vereda alternativa para o entendimento de sua poética, baseada tanto em critérios intimistas quanto universais.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/37707560" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="154104f76abde3b5a4455ec6c854e268" rel="nofollow" data-download="{"attachment_id":57721285,"asset_id":37707560,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen 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data-has-card-for-ri="12761" rel="nofollow" href="https://www.academia.edu/Documents/in/Modern_Poetry">Modern Poetry</a>, <script data-card-contents-for-ri="12761" type="text/json">{"id":12761,"name":"Modern Poetry","url":"https://www.academia.edu/Documents/in/Modern_Poetry?f_ri=19243","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="19243" rel="nofollow" href="https://www.academia.edu/Documents/in/Brasilian_Literature_">Brasilian (Literature)</a><script data-card-contents-for-ri="19243" type="text/json">{"id":19243,"name":"Brasilian (Literature)","url":"https://www.academia.edu/Documents/in/Brasilian_Literature_?f_ri=19243","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=37707560]'), work: {"id":37707560,"title":"Ana C - sete poemas.pdf","created_at":"2018-11-05T14:30:38.256-08:00","url":"https://www.academia.edu/37707560/Ana_C_sete_poemas_pdf?f_ri=19243","dom_id":"work_37707560","summary":"Este estudo tem por finalidade apresentar uma minibiografia da poetisa Ana Cristina Cesar, expoente ímpar da Poesia Marginal Brasileira dos anos 1970, bem como uma análise crítica de sete poemas escolhidos de forma a conceber uma vereda alternativa para o entendimento de sua poética, baseada tanto em critérios intimistas quanto universais. ","downloadable_attachments":[{"id":57721285,"asset_id":37707560,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":80805034,"first_name":"Márcio","last_name":"Ketner Sguassábia","domain_name":"independent","page_name":"MKSguassábia","display_name":"Márcio Ketner Sguassábia","profile_url":"https://independent.academia.edu/MKSguass%C3%A1bia?f_ri=19243","photo":"https://0.academia-photos.com/80805034/19566291/20579651/s65_m_rcio.ketner_sguass_bia.jpg"}],"research_interests":[{"id":2418,"name":"Literature","url":"https://www.academia.edu/Documents/in/Literature?f_ri=19243","nofollow":true},{"id":3581,"name":"Poetry","url":"https://www.academia.edu/Documents/in/Poetry?f_ri=19243","nofollow":true},{"id":12761,"name":"Modern Poetry","url":"https://www.academia.edu/Documents/in/Modern_Poetry?f_ri=19243","nofollow":true},{"id":19243,"name":"Brasilian (Literature)","url":"https://www.academia.edu/Documents/in/Brasilian_Literature_?f_ri=19243","nofollow":true},{"id":159626,"name":"Poesia marginal","url":"https://www.academia.edu/Documents/in/Poesia_marginal?f_ri=19243"},{"id":1298323,"name":"Ana Cristina Cesar","url":"https://www.academia.edu/Documents/in/Ana_Cristina_Cesar?f_ri=19243"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_36682604" data-work_id="36682604" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/36682604/Azul_Corvo_de_Adriana_Lisboa">Azul Corvo de Adriana Lisboa</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Reseña en Revista Suroeste, 2016</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/36682604" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="cfff94fc9d450688e7b189a8a4acb85e" rel="nofollow" data-download="{"attachment_id":56619967,"asset_id":36682604,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/56619967/download_file?st=MTczOTg0MTY5Nyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="9869228" href="https://unex.academia.edu/Mar%C3%ADaJes%C3%BAsFern%C3%A1ndezGarc%C3%ADa">María Jesús Fernández García</a><script data-card-contents-for-user="9869228" type="text/json">{"id":9869228,"first_name":"María Jesús","last_name":"Fernández García","domain_name":"unex","page_name":"MaríaJesúsFernándezGarcía","display_name":"María Jesús Fernández García","profile_url":"https://unex.academia.edu/Mar%C3%ADaJes%C3%BAsFern%C3%A1ndezGarc%C3%ADa?f_ri=19243","photo":"https://0.academia-photos.com/9869228/5036617/16572265/s65_mar_a_jes_s.fern_ndez_garc_a.jpg"}</script></span></span></li><li class="js-paper-rank-work_36682604 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="36682604"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 36682604, container: ".js-paper-rank-work_36682604", }); 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$(".js-view-count[data-work-id=36682604]").text(description); $(".js-view-count-work_36682604").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_36682604").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="36682604"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">3</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="19243" rel="nofollow" href="https://www.academia.edu/Documents/in/Brasilian_Literature_">Brasilian (Literature)</a>, <script data-card-contents-for-ri="19243" type="text/json">{"id":19243,"name":"Brasilian (Literature)","url":"https://www.academia.edu/Documents/in/Brasilian_Literature_?f_ri=19243","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="19457" rel="nofollow" href="https://www.academia.edu/Documents/in/Portuguese_Literature">Portuguese Literature</a>, <script data-card-contents-for-ri="19457" type="text/json">{"id":19457,"name":"Portuguese Literature","url":"https://www.academia.edu/Documents/in/Portuguese_Literature?f_ri=19243","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="55883" rel="nofollow" href="https://www.academia.edu/Documents/in/Brazilian_Contemporary_Literature">Brazilian Contemporary Literature</a><script data-card-contents-for-ri="55883" type="text/json">{"id":55883,"name":"Brazilian Contemporary Literature","url":"https://www.academia.edu/Documents/in/Brazilian_Contemporary_Literature?f_ri=19243","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=36682604]'), work: {"id":36682604,"title":"Azul Corvo de Adriana Lisboa","created_at":"2018-05-21T10:25:19.465-07:00","url":"https://www.academia.edu/36682604/Azul_Corvo_de_Adriana_Lisboa?f_ri=19243","dom_id":"work_36682604","summary":"Reseña en Revista Suroeste, 2016","downloadable_attachments":[{"id":56619967,"asset_id":36682604,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":9869228,"first_name":"María Jesús","last_name":"Fernández García","domain_name":"unex","page_name":"MaríaJesúsFernándezGarcía","display_name":"María Jesús Fernández García","profile_url":"https://unex.academia.edu/Mar%C3%ADaJes%C3%BAsFern%C3%A1ndezGarc%C3%ADa?f_ri=19243","photo":"https://0.academia-photos.com/9869228/5036617/16572265/s65_mar_a_jes_s.fern_ndez_garc_a.jpg"}],"research_interests":[{"id":19243,"name":"Brasilian (Literature)","url":"https://www.academia.edu/Documents/in/Brasilian_Literature_?f_ri=19243","nofollow":true},{"id":19457,"name":"Portuguese Literature","url":"https://www.academia.edu/Documents/in/Portuguese_Literature?f_ri=19243","nofollow":true},{"id":55883,"name":"Brazilian Contemporary Literature","url":"https://www.academia.edu/Documents/in/Brazilian_Contemporary_Literature?f_ri=19243","nofollow":true}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_3440095" data-work_id="3440095" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/3440095/A_Guararavac%C3%A3_do_Guaicu%C3%AD_o_para%C3%ADso_no_inferno_do_sert%C3%A3o">A Guararavacã do Guaicuí: o paraíso no inferno do sertão</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Este artigo pretende analisar um breve episódio do romance Grande Sertão: Veredas de João Guimarães Rosa. Trata-se do episódio da estada no sítio da Guararavacã do Guaicuí, lugar aprazível e bonito, que se contrapõe aos demais lugares do... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_3440095" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Este artigo pretende analisar um breve episódio do romance Grande Sertão: Veredas de João Guimarães Rosa. Trata-se do episódio da estada no sítio da Guararavacã do Guaicuí, lugar aprazível e bonito, que se contrapõe aos demais lugares do Sertão rosiano, ásperos e inóspitos. A permanência do protagonista Riobaldo e dos outros jagunços neste lugar, que toma a conformação de um verdadeiro Paraíso Terrestre, ganha um valor espiritual e metafísico que remete para a tradição mítica da Idade de Ouro e literária do locus amoenus. <br /> <br />___________________________________________________ <br /> <br />This article analyzes a brief episode in the novel Grande sertão: veredas by João Guimarães Rosa. It is the episode of the stay in the site of the Guararavacã do Guaicuí, a beautiful and pleasant place, which is opposed to all the other harsh and inhospitable places in the novel. The permanence of the protagonist Riobaldo and his fellows in this place, which takes the conformation of a true Paradise on Earth, acquires a spiritual and metaphysical value, that goes back to the mythical tradition of the Golden Age and the literary one of the locus amoenus.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/3440095" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="f6157328a2b42e9974bc0c949a2c30e6" rel="nofollow" data-download="{"attachment_id":31209549,"asset_id":3440095,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/31209549/download_file?st=MTczOTg0MTY5Nyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="4013202" href="https://lisboa.academia.edu/GianmarcoCatacchio">Gianmarco Catacchio</a><script data-card-contents-for-user="4013202" type="text/json">{"id":4013202,"first_name":"Gianmarco","last_name":"Catacchio","domain_name":"lisboa","page_name":"GianmarcoCatacchio","display_name":"Gianmarco Catacchio","profile_url":"https://lisboa.academia.edu/GianmarcoCatacchio?f_ri=19243","photo":"https://0.academia-photos.com/4013202/1523194/1858918/s65_gianmarco.catacchio.jpg"}</script></span></span></li><li class="js-paper-rank-work_3440095 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="3440095"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 3440095, container: ".js-paper-rank-work_3440095", }); 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$(".js-view-count[data-work-id=3440095]").text(description); $(".js-view-count-work_3440095").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_3440095").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="3440095"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">11</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="2418" rel="nofollow" href="https://www.academia.edu/Documents/in/Literature">Literature</a>, <script data-card-contents-for-ri="2418" type="text/json">{"id":2418,"name":"Literature","url":"https://www.academia.edu/Documents/in/Literature?f_ri=19243","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="19243" rel="nofollow" href="https://www.academia.edu/Documents/in/Brasilian_Literature_">Brasilian (Literature)</a>, <script data-card-contents-for-ri="19243" type="text/json">{"id":19243,"name":"Brasilian (Literature)","url":"https://www.academia.edu/Documents/in/Brasilian_Literature_?f_ri=19243","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="35439" rel="nofollow" href="https://www.academia.edu/Documents/in/Jo%C3%A3o_Guimar%C3%A3es_Rosa">João Guimarães Rosa</a>, <script data-card-contents-for-ri="35439" type="text/json">{"id":35439,"name":"João Guimarães Rosa","url":"https://www.academia.edu/Documents/in/Jo%C3%A3o_Guimar%C3%A3es_Rosa?f_ri=19243","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="35572" rel="nofollow" href="https://www.academia.edu/Documents/in/Brazilian_Literature">Brazilian Literature</a><script data-card-contents-for-ri="35572" type="text/json">{"id":35572,"name":"Brazilian Literature","url":"https://www.academia.edu/Documents/in/Brazilian_Literature?f_ri=19243","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=3440095]'), work: {"id":3440095,"title":"A Guararavacã do Guaicuí: o paraíso no inferno do sertão","created_at":"2013-05-01T06:37:09.948-07:00","url":"https://www.academia.edu/3440095/A_Guararavac%C3%A3_do_Guaicu%C3%AD_o_para%C3%ADso_no_inferno_do_sert%C3%A3o?f_ri=19243","dom_id":"work_3440095","summary":"Este artigo pretende analisar um breve episódio do romance Grande Sertão: Veredas de João Guimarães Rosa. Trata-se do episódio da estada no sítio da Guararavacã do Guaicuí, lugar aprazível e bonito, que se contrapõe aos demais lugares do Sertão rosiano, ásperos e inóspitos. A permanência do protagonista Riobaldo e dos outros jagunços neste lugar, que toma a conformação de um verdadeiro Paraíso Terrestre, ganha um valor espiritual e metafísico que remete para a tradição mítica da Idade de Ouro e literária do locus amoenus.\r\n\r\n___________________________________________________\r\n\r\nThis article analyzes a brief episode in the novel Grande sertão: veredas by João Guimarães Rosa. It is the episode of the stay in the site of the Guararavacã do Guaicuí, a beautiful and pleasant place, which is opposed to all the other harsh and inhospitable places in the novel. The permanence of the protagonist Riobaldo and his fellows in this place, which takes the conformation of a true Paradise on Earth, acquires a spiritual and metaphysical value, that goes back to the mythical tradition of the Golden Age and the literary one of the locus amoenus.","downloadable_attachments":[{"id":31209549,"asset_id":3440095,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":4013202,"first_name":"Gianmarco","last_name":"Catacchio","domain_name":"lisboa","page_name":"GianmarcoCatacchio","display_name":"Gianmarco Catacchio","profile_url":"https://lisboa.academia.edu/GianmarcoCatacchio?f_ri=19243","photo":"https://0.academia-photos.com/4013202/1523194/1858918/s65_gianmarco.catacchio.jpg"}],"research_interests":[{"id":2418,"name":"Literature","url":"https://www.academia.edu/Documents/in/Literature?f_ri=19243","nofollow":true},{"id":19243,"name":"Brasilian (Literature)","url":"https://www.academia.edu/Documents/in/Brasilian_Literature_?f_ri=19243","nofollow":true},{"id":35439,"name":"João Guimarães Rosa","url":"https://www.academia.edu/Documents/in/Jo%C3%A3o_Guimar%C3%A3es_Rosa?f_ri=19243","nofollow":true},{"id":35572,"name":"Brazilian Literature","url":"https://www.academia.edu/Documents/in/Brazilian_Literature?f_ri=19243","nofollow":true},{"id":50363,"name":"Literatura","url":"https://www.academia.edu/Documents/in/Literatura?f_ri=19243"},{"id":63412,"name":"Theory of literature","url":"https://www.academia.edu/Documents/in/Theory_of_literature?f_ri=19243"},{"id":111935,"name":"Hell","url":"https://www.academia.edu/Documents/in/Hell?f_ri=19243"},{"id":170015,"name":"Golden Age","url":"https://www.academia.edu/Documents/in/Golden_Age?f_ri=19243"},{"id":320854,"name":"Heaven","url":"https://www.academia.edu/Documents/in/Heaven?f_ri=19243"},{"id":651174,"name":"Locus Amoenus","url":"https://www.academia.edu/Documents/in/Locus_Amoenus?f_ri=19243"},{"id":800863,"name":"Grande Sertão: Veredas","url":"https://www.academia.edu/Documents/in/Grande_Sertao_Veredas?f_ri=19243"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_39337626" data-work_id="39337626" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/39337626/Da_Peleja_de_Cego_Aderaldo_com_Z%C3%A9_Pretinho_do_Tucum_%C3%A0_Peleja_de_Aderaldo_Filho_do_Cego_com_Alexandre_o_Neto_de_Z%C3%A9_Pretinho">Da Peleja de Cego Aderaldo com Zé Pretinho do Tucum à Peleja de Aderaldo Filho do Cego com Alexandre o Neto de Zé Pretinho</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Neste artigo, analisamos uma das mais célebres pelejas brasileiras, a Peleja de Cego Aderaldo com Zé Pretinho do Tucum (1916), de Firmino Teixeira do Amaral, e estudamos também a Peleja de Aderaldo Filho do Cego, com Alexandre o Neto de... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_39337626" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Neste artigo, analisamos uma das mais célebres pelejas brasileiras, a Peleja de Cego Aderaldo com Zé Pretinho do Tucum (1916), de Firmino Teixeira do Amaral, e estudamos também a Peleja de Aderaldo Filho do Cego, com Alexandre o Neto de Zé Pretinho, de João A. de Barros. Com esta abordagem queremos mostrar que na peleja brasileira (e, em particular, na peleja de cordel) e no mundo que ela representa a lei do mais forte é muitas vezes subvertida. Contra os mais fortes levantam-se os mais fracos, as mulheres, os escravos e outros oprimidos como os cegos, que, pela destreza poética e pela força anímica e intelectual, conseguem aproximar-se daqueles que se consideram e dizem mais fortes, e à frente deles desmentem e desfazem tabus, preconceitos e fobias.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/39337626" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="9bbadc47f9adc6e404624381cb5606e7" rel="nofollow" data-download="{"attachment_id":59477840,"asset_id":39337626,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/59477840/download_file?st=MTczOTg0MTY5Nyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="39541805" href="https://uvigo.academia.edu/CarlosNogueira">Carlos Nogueira</a><script data-card-contents-for-user="39541805" type="text/json">{"id":39541805,"first_name":"Carlos","last_name":"Nogueira","domain_name":"uvigo","page_name":"CarlosNogueira","display_name":"Carlos Nogueira","profile_url":"https://uvigo.academia.edu/CarlosNogueira?f_ri=19243","photo":"https://0.academia-photos.com/39541805/24400278/30586290/s65_carlos.nogueira.jpg"}</script></span></span></li><li class="js-paper-rank-work_39337626 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="39337626"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 39337626, container: ".js-paper-rank-work_39337626", }); 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Com esta abordagem queremos mostrar que na peleja brasileira (e, em particular, na peleja de cordel) e no mundo que ela representa a lei do mais forte é muitas vezes subvertida. Contra os mais fortes levantam-se os mais fracos, as mulheres, os escravos e outros oprimidos como os cegos, que, pela destreza poética e pela força anímica e intelectual, conseguem aproximar-se daqueles que se consideram e dizem mais fortes, e à frente deles desmentem e desfazem tabus, preconceitos e fobias. 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Revista dObra[s]</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Dossiê temático Revista dObra[s] n. 28. Org. Adriana Tulio Baggio e Geanneti Tavares Salomon. BAGGIO, Adriana; SALOMON, Geanneti Tavares (Org.). A moda na literatura e a literatura na moda. Revista dObra[s], v. 13, n. 28, 2020.... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_42851776" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Dossiê temático Revista dObra[s] n. 28. Org. Adriana Tulio Baggio e Geanneti Tavares Salomon.<br /><br />BAGGIO, Adriana; SALOMON, Geanneti Tavares (Org.). A moda na literatura e a literatura na moda. Revista dObra[s], v. 13, n. 28, 2020. Disponível em: <a href="https://dobras.emnuvens.com.br/dobras/issue/view/28" rel="nofollow">https://dobras.emnuvens.com.br/dobras/issue/view/28</a></div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/42851776" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="f6b4fba82120d697bc39c9c20dec7f38" rel="nofollow" data-download="{"attachment_id":63088522,"asset_id":42851776,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/63088522/download_file?st=MTczOTg0MTY5Nyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="4420226" href="https://ufmg.academia.edu/geannetitavaressalomon">Geanneti Tavares Salomon</a><script data-card-contents-for-user="4420226" type="text/json">{"id":4420226,"first_name":"Geanneti","last_name":"Tavares Salomon","domain_name":"ufmg","page_name":"geannetitavaressalomon","display_name":"Geanneti Tavares Salomon","profile_url":"https://ufmg.academia.edu/geannetitavaressalomon?f_ri=19243","photo":"https://0.academia-photos.com/4420226/1798980/18840827/s65_geanneti.tavares_salomon.jpg"}</script></span></span><span class="u-displayInlineBlock InlineList-item-text"> and <span class="u-textDecorationUnderline u-clickable InlineList-item-text js-work-more-authors-42851776">+1</span><div class="hidden js-additional-users-42851776"><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://independent.academia.edu/AdrianaTulioBaggio">Adriana Tulio Baggio</a></span></div></div></span><script>(function(){ var popoverSettings = { el: $('.js-work-more-authors-42851776'), placement: 'bottom', hide_delay: 200, html: true, content: function(){ return $('.js-additional-users-42851776').html(); 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Revista dObra[s]","created_at":"2020-04-25T09:34:21.126-07:00","url":"https://www.academia.edu/42851776/Dossi%C3%AA_A_moda_na_literatura_e_literatura_na_moda_Revista_dObra_s_?f_ri=19243","dom_id":"work_42851776","summary":"Dossiê temático Revista dObra[s] n. 28. Org. Adriana Tulio Baggio e Geanneti Tavares Salomon.\n\nBAGGIO, Adriana; SALOMON, Geanneti Tavares (Org.). A moda na literatura e a literatura na moda. Revista dObra[s], v. 13, n. 28, 2020. Disponível em: https://dobras.emnuvens.com.br/dobras/issue/view/28","downloadable_attachments":[{"id":63088522,"asset_id":42851776,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":4420226,"first_name":"Geanneti","last_name":"Tavares Salomon","domain_name":"ufmg","page_name":"geannetitavaressalomon","display_name":"Geanneti Tavares Salomon","profile_url":"https://ufmg.academia.edu/geannetitavaressalomon?f_ri=19243","photo":"https://0.academia-photos.com/4420226/1798980/18840827/s65_geanneti.tavares_salomon.jpg"},{"id":262567,"first_name":"Adriana","last_name":"Tulio Baggio","domain_name":"independent","page_name":"AdrianaTulioBaggio","display_name":"Adriana Tulio Baggio","profile_url":"https://independent.academia.edu/AdrianaTulioBaggio?f_ri=19243","photo":"https://0.academia-photos.com/262567/2270811/43034232/s65_adriana.tulio_baggio.jpg"}],"research_interests":[{"id":1433,"name":"Fashion Theory","url":"https://www.academia.edu/Documents/in/Fashion_Theory?f_ri=19243","nofollow":true},{"id":2418,"name":"Literature","url":"https://www.academia.edu/Documents/in/Literature?f_ri=19243","nofollow":true},{"id":8357,"name":"Fashion History","url":"https://www.academia.edu/Documents/in/Fashion_History?f_ri=19243","nofollow":true},{"id":19243,"name":"Brasilian (Literature)","url":"https://www.academia.edu/Documents/in/Brasilian_Literature_?f_ri=19243","nofollow":true},{"id":49063,"name":"Moda","url":"https://www.academia.edu/Documents/in/Moda?f_ri=19243"},{"id":50363,"name":"Literatura","url":"https://www.academia.edu/Documents/in/Literatura?f_ri=19243"},{"id":50968,"name":"Fashion Studies","url":"https://www.academia.edu/Documents/in/Fashion_Studies?f_ri=19243"},{"id":136989,"name":"Fashion and Literature","url":"https://www.academia.edu/Documents/in/Fashion_and_Literature?f_ri=19243"},{"id":177724,"name":"History of clothing and fashion","url":"https://www.academia.edu/Documents/in/History_of_clothing_and_fashion?f_ri=19243"},{"id":214252,"name":"História da Moda","url":"https://www.academia.edu/Documents/in/Historia_da_Moda?f_ri=19243"},{"id":462703,"name":"História Contemporânea (Século XIX e XX)","url":"https://www.academia.edu/Documents/in/Historia_Contemporanea_Seculo_XIX_e_XX_?f_ri=19243"},{"id":638520,"name":"Fashion","url":"https://www.academia.edu/Documents/in/Fashion?f_ri=19243"},{"id":3267782,"name":"teoria da moda","url":"https://www.academia.edu/Documents/in/teoria_da_moda?f_ri=19243"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_39347702" data-work_id="39347702" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/39347702/A_literatura_de_cordel_de_Manoel_Monteiro">A literatura de cordel de Manoel Monteiro</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This study deals with the cordel literature written by Manoel Monteiro, which has been published repeatedly since 1952 and with increasing regularity during the past six years. Manoel Monteiro seeks to contribute to the aesthetic and... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_39347702" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This study deals with the cordel literature written by Manoel Monteiro, which has been published repeatedly since 1952 and with increasing regularity during the past six years. Manoel Monteiro seeks to contribute to the aesthetic and sociocultural education of sections of the Brazilian population that are less fortunate, both financially and culturally. Therefore, his poetry, consistently conscious of its status as an art and as a technique, is in large part a poetry of protest, of ideals, and of faith in human potential.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/39347702" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="705597a792a4148686da6dbd68b36c97" rel="nofollow" data-download="{"attachment_id":59488849,"asset_id":39347702,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/59488849/download_file?st=MTczOTg0MTY5Nyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="39541805" href="https://uvigo.academia.edu/CarlosNogueira">Carlos Nogueira</a><script data-card-contents-for-user="39541805" type="text/json">{"id":39541805,"first_name":"Carlos","last_name":"Nogueira","domain_name":"uvigo","page_name":"CarlosNogueira","display_name":"Carlos Nogueira","profile_url":"https://uvigo.academia.edu/CarlosNogueira?f_ri=19243","photo":"https://0.academia-photos.com/39541805/24400278/30586290/s65_carlos.nogueira.jpg"}</script></span></span></li><li class="js-paper-rank-work_39347702 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="39347702"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 39347702, container: ".js-paper-rank-work_39347702", }); 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Manoel Monteiro seeks to contribute to the aesthetic and sociocultural education of sections of the Brazilian population that are less fortunate, both financially and culturally. Therefore, his poetry, consistently conscious of its status as an art and as a technique, is in large part a poetry of protest, of ideals, and of faith in human potential.\n\n","downloadable_attachments":[{"id":59488849,"asset_id":39347702,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":39541805,"first_name":"Carlos","last_name":"Nogueira","domain_name":"uvigo","page_name":"CarlosNogueira","display_name":"Carlos Nogueira","profile_url":"https://uvigo.academia.edu/CarlosNogueira?f_ri=19243","photo":"https://0.academia-photos.com/39541805/24400278/30586290/s65_carlos.nogueira.jpg"}],"research_interests":[{"id":19243,"name":"Brasilian (Literature)","url":"https://www.academia.edu/Documents/in/Brasilian_Literature_?f_ri=19243","nofollow":true},{"id":20631,"name":"Popular Literature","url":"https://www.academia.edu/Documents/in/Popular_Literature?f_ri=19243","nofollow":true},{"id":62430,"name":"Oral literature","url":"https://www.academia.edu/Documents/in/Oral_literature?f_ri=19243","nofollow":true},{"id":213619,"name":"Literatura de cordel","url":"https://www.academia.edu/Documents/in/Literatura_de_cordel?f_ri=19243","nofollow":true}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_35372832" data-work_id="35372832" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/35372832/MULHERES_ESCRITAS_POR_MULHERES_PERSONAGENS_FEMININAS_NO_ROMANCE_BRASILEIRO_CONTEMPOR%C3%82NEO_2000_2014_">MULHERES ESCRITAS POR MULHERES: PERSONAGENS FEMININAS NO ROMANCE BRASILEIRO CONTEMPORÂNEO (2000 – 2014)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Esta tese confronta um corpus de romances brasileiros contemporâneos de autoria feminina com pesquisas críticas feministas, a fim de observar se as personagens femininas escritas por mulheres têm contribuído para um projeto de emancipação... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_35372832" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Esta tese confronta um corpus de romances brasileiros contemporâneos de autoria feminina com pesquisas críticas feministas, a fim de observar se as personagens femininas escritas por mulheres têm contribuído para um projeto de emancipação das mulheres, observando os termos propostos pelo movimento feminista brasileiro e levando em consideração o que se infere como uma perspectiva feminina do mundo social. Para isso, são analisadas onze personagens femininas de dez romances publicados de 2000 a 2014, escritos por autoras nascidas a partir dos anos 1970, década que é considerada o marco do feminismo no Brasil. A divisão da análise em dois eixos temáticos, o corpo e os espaços, que permeiam os romances e são discutidos pela crítica como fundamentais tanto para o projeto feminista quanto para a literatura de autoria feminina, possibilitou observar as personagens femininas como representação das mulheres contemporâneas numa sociedade ainda submetida à ordem patriarcal. A análise dialoga sobremaneira com pesquisadoras brasileiras, sendo que o confronto entre o discurso crítico produzido por elas e a produção ficcional que compõe o corpus da pesquisa encaminharam este trabalho para a conclusão de que a maior parte das personagens contempladas por este estudo ainda corresponde ao status quo definido pela autoria masculina, subvertendo apenas em parte o contexto hegemônico no que concerne a representações redutoras e até mesmo estereotipadas das mulheres na literatura.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/35372832" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="b6ed72fd67b6900829315385d7d6cd03" rel="nofollow" data-download="{"attachment_id":55233186,"asset_id":35372832,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/55233186/download_file?st=MTczOTg0MTY5Nyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="368630" href="https://pucrs.academia.edu/CamilaDoval">Camila C Doval</a><script data-card-contents-for-user="368630" type="text/json">{"id":368630,"first_name":"Camila","last_name":"Doval","domain_name":"pucrs","page_name":"CamilaDoval","display_name":"Camila C Doval","profile_url":"https://pucrs.academia.edu/CamilaDoval?f_ri=19243","photo":"https://0.academia-photos.com/368630/113312/133081/s65_camila.doval.jpg"}</script></span></span></li><li class="js-paper-rank-work_35372832 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="35372832"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 35372832, container: ".js-paper-rank-work_35372832", }); 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$(".js-view-count[data-work-id=35372832]").text(description); $(".js-view-count-work_35372832").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_35372832").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="35372832"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">7</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="1138" rel="nofollow" href="https://www.academia.edu/Documents/in/Womens_Studies">Women's Studies</a>, <script data-card-contents-for-ri="1138" type="text/json">{"id":1138,"name":"Women's Studies","url":"https://www.academia.edu/Documents/in/Womens_Studies?f_ri=19243","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="1192" rel="nofollow" href="https://www.academia.edu/Documents/in/Feminist_Theory">Feminist Theory</a>, <script data-card-contents-for-ri="1192" type="text/json">{"id":1192,"name":"Feminist Theory","url":"https://www.academia.edu/Documents/in/Feminist_Theory?f_ri=19243","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="6185" rel="nofollow" href="https://www.academia.edu/Documents/in/Womens_Literature">Women's Literature</a>, <script data-card-contents-for-ri="6185" type="text/json">{"id":6185,"name":"Women's Literature","url":"https://www.academia.edu/Documents/in/Womens_Literature?f_ri=19243","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="10453" rel="nofollow" href="https://www.academia.edu/Documents/in/Feminism">Feminism</a><script data-card-contents-for-ri="10453" type="text/json">{"id":10453,"name":"Feminism","url":"https://www.academia.edu/Documents/in/Feminism?f_ri=19243","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=35372832]'), work: {"id":35372832,"title":"MULHERES ESCRITAS POR MULHERES: PERSONAGENS FEMININAS NO ROMANCE BRASILEIRO CONTEMPORÂNEO (2000 – 2014)","created_at":"2017-12-07T17:13:22.759-08:00","url":"https://www.academia.edu/35372832/MULHERES_ESCRITAS_POR_MULHERES_PERSONAGENS_FEMININAS_NO_ROMANCE_BRASILEIRO_CONTEMPOR%C3%82NEO_2000_2014_?f_ri=19243","dom_id":"work_35372832","summary":"Esta tese confronta um corpus de romances brasileiros contemporâneos de autoria feminina com pesquisas críticas feministas, a fim de observar se as personagens femininas escritas por mulheres têm contribuído para um projeto de emancipação das mulheres, observando os termos propostos pelo movimento feminista brasileiro e levando em consideração o que se infere como uma perspectiva feminina do mundo social. Para isso, são analisadas onze personagens femininas de dez romances publicados de 2000 a 2014, escritos por autoras nascidas a partir dos anos 1970, década que é considerada o marco do feminismo no Brasil. A divisão da análise em dois eixos temáticos, o corpo e os espaços, que permeiam os romances e são discutidos pela crítica como fundamentais tanto para o projeto feminista quanto para a literatura de autoria feminina, possibilitou observar as personagens femininas como representação das mulheres contemporâneas numa sociedade ainda submetida à ordem patriarcal. A análise dialoga sobremaneira com pesquisadoras brasileiras, sendo que o confronto entre o discurso crítico produzido por elas e a produção ficcional que compõe o corpus da pesquisa encaminharam este trabalho para a conclusão de que a maior parte das personagens contempladas por este estudo ainda corresponde ao status quo definido pela autoria masculina, subvertendo apenas em parte o contexto hegemônico no que concerne a representações redutoras e até mesmo estereotipadas das mulheres na literatura.","downloadable_attachments":[{"id":55233186,"asset_id":35372832,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":368630,"first_name":"Camila","last_name":"Doval","domain_name":"pucrs","page_name":"CamilaDoval","display_name":"Camila C Doval","profile_url":"https://pucrs.academia.edu/CamilaDoval?f_ri=19243","photo":"https://0.academia-photos.com/368630/113312/133081/s65_camila.doval.jpg"}],"research_interests":[{"id":1138,"name":"Women's Studies","url":"https://www.academia.edu/Documents/in/Womens_Studies?f_ri=19243","nofollow":true},{"id":1192,"name":"Feminist Theory","url":"https://www.academia.edu/Documents/in/Feminist_Theory?f_ri=19243","nofollow":true},{"id":6185,"name":"Women's Literature","url":"https://www.academia.edu/Documents/in/Womens_Literature?f_ri=19243","nofollow":true},{"id":10453,"name":"Feminism","url":"https://www.academia.edu/Documents/in/Feminism?f_ri=19243","nofollow":true},{"id":15514,"name":"Contemporary Literature","url":"https://www.academia.edu/Documents/in/Contemporary_Literature?f_ri=19243"},{"id":19243,"name":"Brasilian (Literature)","url":"https://www.academia.edu/Documents/in/Brasilian_Literature_?f_ri=19243"},{"id":29108,"name":"Feminist Literary Theory and Gender Studies","url":"https://www.academia.edu/Documents/in/Feminist_Literary_Theory_and_Gender_Studies?f_ri=19243"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_31934660" data-work_id="31934660" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/31934660/CEC%C3%8DLIA_MEIRELES_E_OS_S%C3%8DMBOLOS_DO_ABSOLUTO">CECÍLIA MEIRELES E OS SÍMBOLOS DO ABSOLUTO</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Singular writer, Cecília Meireles defied classifications and achieved a unique place in Brazilian literature. From her curiosity about the other and herself, a work of strong reflective content was born, dealing with the depths of the... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_31934660" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Singular writer, Cecília Meireles defied classifications and achieved a unique place in Brazilian literature. From her curiosity about the other and herself, a work of strong reflective content was born, dealing with the depths of the human condition and seeking to transcend death through the encounter with the eternal. The Perennial Philosophy serves as the basis for the analyses carried out in this dissertation. The intention was to demonstrate how the symbols chosen by the author shape a poetics of the eternal and ephemeral, of ego dissolution, of renunciation in the search for the Absolute, and of the balance between truth and illusion. Some of Cecília Meireles' cultural, philosophical, and religious interests (such as Eastern philosophies) and the dialogue with Symbolism were revisited in this dissertation in order to assist in the analysis of her early works in "Festa," "Baladas para El-rei," "Nunca Mais...," and "Poema dos Poemas," as well as her early mature books: "Viagem," "Vaga Música," "Mar Absoluto e Outros Poemas." The importance of the sea as a theme and symbol of the Absolute was analyzed, as well as the types of poetic voices that reaffirm this quest and other motifs that, through their repetition, also assume the status of symbols, such as hands, mirrors, portraits, and statues, directly connected to the concerns of the Perennial Philosophy. Therefore, the sea as a symbol of the Absolute and maritime themes are the strongest elements in this poetry produced between 1939 and 1945, and they persist throughout her body of work. <br />Key-words: Cecília Meireles. Perennial Philosophy. Symbols of the Absolute.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/31934660" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="aa055a4e67756431a6618f5a5372b8e0" rel="nofollow" data-download="{"attachment_id":52213092,"asset_id":31934660,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/52213092/download_file?st=MTczOTg0MTY5Nyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="3579139" href="https://uniandrade.academia.edu/CamilaMarchioro">Camila Marchioro</a><script data-card-contents-for-user="3579139" type="text/json">{"id":3579139,"first_name":"Camila","last_name":"Marchioro","domain_name":"uniandrade","page_name":"CamilaMarchioro","display_name":"Camila Marchioro","profile_url":"https://uniandrade.academia.edu/CamilaMarchioro?f_ri=19243","photo":"https://0.academia-photos.com/3579139/15997402/113175877/s65_camila.marchioro.jpg"}</script></span></span></li><li class="js-paper-rank-work_31934660 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="31934660"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 31934660, container: ".js-paper-rank-work_31934660", }); 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$(".js-view-count[data-work-id=31934660]").text(description); $(".js-view-count-work_31934660").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_31934660").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="31934660"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">7</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="114" rel="nofollow" href="https://www.academia.edu/Documents/in/Hinduism">Hinduism</a>, <script data-card-contents-for-ri="114" type="text/json">{"id":114,"name":"Hinduism","url":"https://www.academia.edu/Documents/in/Hinduism?f_ri=19243","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="867" rel="nofollow" href="https://www.academia.edu/Documents/in/Perception">Perception</a>, <script data-card-contents-for-ri="867" type="text/json">{"id":867,"name":"Perception","url":"https://www.academia.edu/Documents/in/Perception?f_ri=19243","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="7370" rel="nofollow" href="https://www.academia.edu/Documents/in/Symbolism">Symbolism</a>, <script data-card-contents-for-ri="7370" type="text/json">{"id":7370,"name":"Symbolism","url":"https://www.academia.edu/Documents/in/Symbolism?f_ri=19243","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="19243" rel="nofollow" href="https://www.academia.edu/Documents/in/Brasilian_Literature_">Brasilian (Literature)</a><script data-card-contents-for-ri="19243" type="text/json">{"id":19243,"name":"Brasilian (Literature)","url":"https://www.academia.edu/Documents/in/Brasilian_Literature_?f_ri=19243","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=31934660]'), work: {"id":31934660,"title":"CECÍLIA MEIRELES E OS SÍMBOLOS DO ABSOLUTO","created_at":"2017-03-19T14:26:19.795-07:00","url":"https://www.academia.edu/31934660/CEC%C3%8DLIA_MEIRELES_E_OS_S%C3%8DMBOLOS_DO_ABSOLUTO?f_ri=19243","dom_id":"work_31934660","summary":"Singular writer, Cecília Meireles defied classifications and achieved a unique place in Brazilian literature. From her curiosity about the other and herself, a work of strong reflective content was born, dealing with the depths of the human condition and seeking to transcend death through the encounter with the eternal. The Perennial Philosophy serves as the basis for the analyses carried out in this dissertation. The intention was to demonstrate how the symbols chosen by the author shape a poetics of the eternal and ephemeral, of ego dissolution, of renunciation in the search for the Absolute, and of the balance between truth and illusion. Some of Cecília Meireles' cultural, philosophical, and religious interests (such as Eastern philosophies) and the dialogue with Symbolism were revisited in this dissertation in order to assist in the analysis of her early works in \"Festa,\" \"Baladas para El-rei,\" \"Nunca Mais...,\" and \"Poema dos Poemas,\" as well as her early mature books: \"Viagem,\" \"Vaga Música,\" \"Mar Absoluto e Outros Poemas.\" The importance of the sea as a theme and symbol of the Absolute was analyzed, as well as the types of poetic voices that reaffirm this quest and other motifs that, through their repetition, also assume the status of symbols, such as hands, mirrors, portraits, and statues, directly connected to the concerns of the Perennial Philosophy. Therefore, the sea as a symbol of the Absolute and maritime themes are the strongest elements in this poetry produced between 1939 and 1945, and they persist throughout her body of work.\r\nKey-words: Cecília Meireles. Perennial Philosophy. Symbols of the Absolute.\r\n","downloadable_attachments":[{"id":52213092,"asset_id":31934660,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":3579139,"first_name":"Camila","last_name":"Marchioro","domain_name":"uniandrade","page_name":"CamilaMarchioro","display_name":"Camila Marchioro","profile_url":"https://uniandrade.academia.edu/CamilaMarchioro?f_ri=19243","photo":"https://0.academia-photos.com/3579139/15997402/113175877/s65_camila.marchioro.jpg"}],"research_interests":[{"id":114,"name":"Hinduism","url":"https://www.academia.edu/Documents/in/Hinduism?f_ri=19243","nofollow":true},{"id":867,"name":"Perception","url":"https://www.academia.edu/Documents/in/Perception?f_ri=19243","nofollow":true},{"id":7370,"name":"Symbolism","url":"https://www.academia.edu/Documents/in/Symbolism?f_ri=19243","nofollow":true},{"id":19243,"name":"Brasilian (Literature)","url":"https://www.academia.edu/Documents/in/Brasilian_Literature_?f_ri=19243","nofollow":true},{"id":22968,"name":"Literature and Religion","url":"https://www.academia.edu/Documents/in/Literature_and_Religion?f_ri=19243"},{"id":51334,"name":"Orientalism","url":"https://www.academia.edu/Documents/in/Orientalism?f_ri=19243"},{"id":143664,"name":"Vedic Studies","url":"https://www.academia.edu/Documents/in/Vedic_Studies?f_ri=19243"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_33314913" data-work_id="33314913" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/33314913/%D0%9C%D0%B0%D1%80%D0%B8%D1%8F_%D0%9D%D0%B0%D0%B4%D1%8A%D1%8F%D1%80%D0%BD%D1%8B%D1%85_%D0%96%D0%BE%D1%80%D0%B6%D0%B8_%D0%90%D0%BC%D0%B0%D0%B4%D1%83_%D0%98%D1%81%D1%82%D0%BE%D1%80%D0%B8%D1%8F_%D0%BB%D0%B8%D1%82%D0%B5%D1%80%D0%B0%D1%82%D1%83%D1%80_%D0%9B%D0%B0%D1%82%D0%B8%D0%BD%D1%81%D0%BA%D0%BE%D0%B9_%D0%90%D0%BC%D0%B5%D1%80%D0%B8%D0%BA%D0%B8_%D0%B2_5_%D0%BA%D0%BD%D0%B8%D0%B3%D0%B0%D1%85_%D0%9A%D0%BD_5_%D0%9E%D1%87%D0%B5%D1%80%D0%BA%D0%B8_%D1%82%D0%B2%D0%BE%D1%80%D1%87%D0%B5%D1%81%D1%82%D0%B2%D0%B0_%D0%BF%D0%B8%D1%81%D0%B0%D1%82%D0%B5%D0%BB%D0%B5%D0%B9_%D0%A5%D0%A5_%D0%B2%D0%B5%D0%BA%D0%B0_%D0%BE%D1%82%D0%B2_%D1%80%D0%B5%D0%B4_%D0%92_%D0%91_%D0%97%D0%B5%D0%BC%D1%81%D0%BA%D0%BE%D0%B2_%D0%9C_%D0%98%D0%9C%D0%9B%D0%98_%D0%A0%D0%90%D0%9D_2005_%D0%A1_240_277">Мария Надъярных. Жоржи Амаду // История литератур Латинской Америки: в 5 книгах. Кн. 5. Очерки творчества писателей ХХ века / отв. ред. В.Б.Земсков. М.: ИМЛИ РАН, 2005. С. 240 - 277</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Аннотация: Очерк жизни и творчества Жоржи Амаду. Рассматривая динамику художественной системы Амаду, автор очерка анализирует специфику функционирования модели романа воспитания («романа становления», по М.М. Бахтину) в методе Амаду в... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_33314913" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Аннотация: Очерк жизни и творчества Жоржи Амаду. Рассматривая динамику художественной системы Амаду, автор очерка анализирует специфику функционирования модели романа воспитания («романа становления», по М.М. Бахтину) в методе Амаду в контексте фольклорных, ритуально-мифологических, социально-утопических ориентиров творчества писателя. Особое внимание уделяется проблеме теллуризма Амаду, соотношению маргинальности и карнавальности, художественной аксиологии этно-культурной идентичности. Ключевые слова: Жоржи Амаду, бразильская литература, роман воспитания, теллуризм, идентичность.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/33314913" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="4c32cc47d8eb0f356a009f925f6a289c" rel="nofollow" data-download="{"attachment_id":53377792,"asset_id":33314913,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/53377792/download_file?st=MTczOTg0MTY5Nyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="28999049" href="https://imli.academia.edu/MariaNadyarnykh">Maria Nadyarnykh</a><script data-card-contents-for-user="28999049" type="text/json">{"id":28999049,"first_name":"Maria","last_name":"Nadyarnykh","domain_name":"imli","page_name":"MariaNadyarnykh","display_name":"Maria Nadyarnykh","profile_url":"https://imli.academia.edu/MariaNadyarnykh?f_ri=19243","photo":"https://0.academia-photos.com/28999049/8254630/14489099/s65_maria.nadyarnykh.jpg"}</script></span></span></li><li class="js-paper-rank-work_33314913 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="33314913"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 33314913, container: ".js-paper-rank-work_33314913", }); });</script></li><li class="js-percentile-work_33314913 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 33314913; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_33314913"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_33314913 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="33314913"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 33314913; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=33314913]").text(description); $(".js-view-count-work_33314913").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_33314913").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="33314913"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">7</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="9650" rel="nofollow" href="https://www.academia.edu/Documents/in/Cultural_Identity">Cultural Identity</a>, <script data-card-contents-for-ri="9650" type="text/json">{"id":9650,"name":"Cultural Identity","url":"https://www.academia.edu/Documents/in/Cultural_Identity?f_ri=19243","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="14464" rel="nofollow" href="https://www.academia.edu/Documents/in/Marginalized_Identities">Marginalized Identities</a>, <script data-card-contents-for-ri="14464" type="text/json">{"id":14464,"name":"Marginalized Identities","url":"https://www.academia.edu/Documents/in/Marginalized_Identities?f_ri=19243","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="15342" rel="nofollow" href="https://www.academia.edu/Documents/in/Aesthetics_and_Politics">Aesthetics and Politics</a>, <script data-card-contents-for-ri="15342" type="text/json">{"id":15342,"name":"Aesthetics and Politics","url":"https://www.academia.edu/Documents/in/Aesthetics_and_Politics?f_ri=19243","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="19243" rel="nofollow" href="https://www.academia.edu/Documents/in/Brasilian_Literature_">Brasilian (Literature)</a><script data-card-contents-for-ri="19243" type="text/json">{"id":19243,"name":"Brasilian (Literature)","url":"https://www.academia.edu/Documents/in/Brasilian_Literature_?f_ri=19243","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=33314913]'), work: {"id":33314913,"title":"Мария Надъярных. Жоржи Амаду // История литератур Латинской Америки: в 5 книгах. Кн. 5. Очерки творчества писателей ХХ века / отв. ред. В.Б.Земсков. М.: ИМЛИ РАН, 2005. С. 240 - 277","created_at":"2017-06-03T08:46:08.142-07:00","url":"https://www.academia.edu/33314913/%D0%9C%D0%B0%D1%80%D0%B8%D1%8F_%D0%9D%D0%B0%D0%B4%D1%8A%D1%8F%D1%80%D0%BD%D1%8B%D1%85_%D0%96%D0%BE%D1%80%D0%B6%D0%B8_%D0%90%D0%BC%D0%B0%D0%B4%D1%83_%D0%98%D1%81%D1%82%D0%BE%D1%80%D0%B8%D1%8F_%D0%BB%D0%B8%D1%82%D0%B5%D1%80%D0%B0%D1%82%D1%83%D1%80_%D0%9B%D0%B0%D1%82%D0%B8%D0%BD%D1%81%D0%BA%D0%BE%D0%B9_%D0%90%D0%BC%D0%B5%D1%80%D0%B8%D0%BA%D0%B8_%D0%B2_5_%D0%BA%D0%BD%D0%B8%D0%B3%D0%B0%D1%85_%D0%9A%D0%BD_5_%D0%9E%D1%87%D0%B5%D1%80%D0%BA%D0%B8_%D1%82%D0%B2%D0%BE%D1%80%D1%87%D0%B5%D1%81%D1%82%D0%B2%D0%B0_%D0%BF%D0%B8%D1%81%D0%B0%D1%82%D0%B5%D0%BB%D0%B5%D0%B9_%D0%A5%D0%A5_%D0%B2%D0%B5%D0%BA%D0%B0_%D0%BE%D1%82%D0%B2_%D1%80%D0%B5%D0%B4_%D0%92_%D0%91_%D0%97%D0%B5%D0%BC%D1%81%D0%BA%D0%BE%D0%B2_%D0%9C_%D0%98%D0%9C%D0%9B%D0%98_%D0%A0%D0%90%D0%9D_2005_%D0%A1_240_277?f_ri=19243","dom_id":"work_33314913","summary":"Аннотация: Очерк жизни и творчества Жоржи Амаду. Рассматривая динамику художественной системы Амаду, автор очерка анализирует специфику функционирования модели романа воспитания («романа становления», по М.М. Бахтину) в методе Амаду в контексте фольклорных, ритуально-мифологических, социально-утопических ориентиров творчества писателя. Особое внимание уделяется проблеме теллуризма Амаду, соотношению маргинальности и карнавальности, художественной аксиологии этно-культурной идентичности. Ключевые слова: Жоржи Амаду, бразильская литература, роман воспитания, теллуризм, идентичность.","downloadable_attachments":[{"id":53377792,"asset_id":33314913,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":28999049,"first_name":"Maria","last_name":"Nadyarnykh","domain_name":"imli","page_name":"MariaNadyarnykh","display_name":"Maria Nadyarnykh","profile_url":"https://imli.academia.edu/MariaNadyarnykh?f_ri=19243","photo":"https://0.academia-photos.com/28999049/8254630/14489099/s65_maria.nadyarnykh.jpg"}],"research_interests":[{"id":9650,"name":"Cultural Identity","url":"https://www.academia.edu/Documents/in/Cultural_Identity?f_ri=19243","nofollow":true},{"id":14464,"name":"Marginalized Identities","url":"https://www.academia.edu/Documents/in/Marginalized_Identities?f_ri=19243","nofollow":true},{"id":15342,"name":"Aesthetics and Politics","url":"https://www.academia.edu/Documents/in/Aesthetics_and_Politics?f_ri=19243","nofollow":true},{"id":19243,"name":"Brasilian (Literature)","url":"https://www.academia.edu/Documents/in/Brasilian_Literature_?f_ri=19243","nofollow":true},{"id":26138,"name":"Utopianism","url":"https://www.academia.edu/Documents/in/Utopianism?f_ri=19243"},{"id":59462,"name":"Literary Genres","url":"https://www.academia.edu/Documents/in/Literary_Genres?f_ri=19243"},{"id":98505,"name":"Jorge Amado","url":"https://www.academia.edu/Documents/in/Jorge_Amado?f_ri=19243"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_2132261" data-work_id="2132261" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/2132261/The_Songs_for_Voice_and_Piano_by_Ronaldo_Miranda">The Songs for Voice and Piano by Ronaldo Miranda</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Ronaldo Miranda tem se tornado um expoente da música brasileira tanto no Brasil, quanto no exterior. O presente texto relata a pesquisa de doutorado já concluída sobre suas oito canções para voz e piano. Os objetivos principais foram: 1)... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_2132261" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Ronaldo Miranda tem se tornado um expoente da música brasileira tanto no Brasil, quanto no exterior. O presente texto relata a pesquisa de doutorado já concluída sobre suas oito canções para voz e piano. Os objetivos principais foram: 1) prover uma guia de performance tanto para cantor quanto para pianista nas oito canções acima referidas com sugestões que servem de base para decisões interpretativas com ênfase no papel dramáticos dos performeers e 2) promover a canção de câmara brasileira facilitando o acesso ao idioma português através da tradução dos poemas para o idioma inglês e transcrição dos mesmos para o do Alfabeto Fonético internacional (IPA). Facsimilesdo manuscrito do compositor também fizeram parte do texto final. Key-words: Canção de câmara brasileira, Ronaldo Miranda, diçcão lírica, performance guide to Brazilian artsong.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/2132261" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="294a2c2e45e2ee0fd7bfee6f6268cd14" rel="nofollow" data-download="{"attachment_id":30190330,"asset_id":2132261,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/30190330/download_file?st=MTczOTg0MTY5Nyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="2765148" href="https://unb.academia.edu/GiselePiresMota">Gisele Pires Mota</a><script data-card-contents-for-user="2765148" type="text/json">{"id":2765148,"first_name":"Gisele","last_name":"Pires Mota","domain_name":"unb","page_name":"GiselePiresMota","display_name":"Gisele Pires Mota","profile_url":"https://unb.academia.edu/GiselePiresMota?f_ri=19243","photo":"https://0.academia-photos.com/2765148/899515/1123943/s65_gisele.mota.jpg"}</script></span></span></li><li class="js-paper-rank-work_2132261 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="2132261"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 2132261, container: ".js-paper-rank-work_2132261", }); });</script></li><li class="js-percentile-work_2132261 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 2132261; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_2132261"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_2132261 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="2132261"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 2132261; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=2132261]").text(description); $(".js-view-count-work_2132261").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_2132261").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="2132261"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">5</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="10313" rel="nofollow" href="https://www.academia.edu/Documents/in/Performance_Studies_Music_">Performance Studies (Music)</a>, <script data-card-contents-for-ri="10313" type="text/json">{"id":10313,"name":"Performance Studies (Music)","url":"https://www.academia.edu/Documents/in/Performance_Studies_Music_?f_ri=19243","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="19243" rel="nofollow" href="https://www.academia.edu/Documents/in/Brasilian_Literature_">Brasilian (Literature)</a>, <script data-card-contents-for-ri="19243" type="text/json">{"id":19243,"name":"Brasilian (Literature)","url":"https://www.academia.edu/Documents/in/Brasilian_Literature_?f_ri=19243","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="32412" rel="nofollow" href="https://www.academia.edu/Documents/in/Art_Song">Art Song</a>, <script data-card-contents-for-ri="32412" type="text/json">{"id":32412,"name":"Art Song","url":"https://www.academia.edu/Documents/in/Art_Song?f_ri=19243","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="68276" rel="nofollow" href="https://www.academia.edu/Documents/in/Collaborative_Piano">Collaborative Piano</a><script data-card-contents-for-ri="68276" type="text/json">{"id":68276,"name":"Collaborative Piano","url":"https://www.academia.edu/Documents/in/Collaborative_Piano?f_ri=19243","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=2132261]'), work: {"id":2132261,"title":"The Songs for Voice and Piano by Ronaldo Miranda","created_at":"2012-11-14T07:20:35.894-08:00","url":"https://www.academia.edu/2132261/The_Songs_for_Voice_and_Piano_by_Ronaldo_Miranda?f_ri=19243","dom_id":"work_2132261","summary":"Ronaldo Miranda tem se tornado um expoente da música brasileira tanto no Brasil, quanto no exterior. O presente texto relata a pesquisa de doutorado já concluída sobre suas oito canções para voz e piano. Os objetivos principais foram: 1) prover uma guia de performance tanto para cantor quanto para pianista nas oito canções acima referidas com sugestões que servem de base para decisões interpretativas com ênfase no papel dramáticos dos performeers e 2) promover a canção de câmara brasileira facilitando o acesso ao idioma português através da tradução dos poemas para o idioma inglês e transcrição dos mesmos para o do Alfabeto Fonético internacional (IPA). Facsimilesdo manuscrito do compositor também fizeram parte do texto final. Key-words: Canção de câmara brasileira, Ronaldo Miranda, diçcão lírica, performance guide to Brazilian artsong.","downloadable_attachments":[{"id":30190330,"asset_id":2132261,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":2765148,"first_name":"Gisele","last_name":"Pires Mota","domain_name":"unb","page_name":"GiselePiresMota","display_name":"Gisele Pires Mota","profile_url":"https://unb.academia.edu/GiselePiresMota?f_ri=19243","photo":"https://0.academia-photos.com/2765148/899515/1123943/s65_gisele.mota.jpg"}],"research_interests":[{"id":10313,"name":"Performance Studies (Music)","url":"https://www.academia.edu/Documents/in/Performance_Studies_Music_?f_ri=19243","nofollow":true},{"id":19243,"name":"Brasilian (Literature)","url":"https://www.academia.edu/Documents/in/Brasilian_Literature_?f_ri=19243","nofollow":true},{"id":32412,"name":"Art Song","url":"https://www.academia.edu/Documents/in/Art_Song?f_ri=19243","nofollow":true},{"id":68276,"name":"Collaborative Piano","url":"https://www.academia.edu/Documents/in/Collaborative_Piano?f_ri=19243","nofollow":true},{"id":412928,"name":"Canção de Câmara","url":"https://www.academia.edu/Documents/in/Cancao_de_Camara?f_ri=19243"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_31934657" data-work_id="31934657" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/31934657/CEC%C3%8DLIA_MEIRELES_E_A_PINTURA_DE_G%C3%8ANERO_SUAS_CR%C3%94NICAS_DE_VIAGEM_SOBRE_A_HOLANDA_1">CECÍLIA MEIRELES E A PINTURA DE GÊNERO: SUAS CRÔNICAS DE VIAGEM SOBRE A HOLANDA 1</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">ABSTRACT: Cecília Meireles has a vast literary opus with more than two thousand poems and in a much higher number of other writings in prose. Despite this acknowledged fact, very few theorists have addressed this part of her works. This... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_31934657" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">ABSTRACT: Cecília Meireles has a vast literary opus with more than two thousand poems and in a much higher number of other writings in prose. Despite this acknowledged fact, very few theorists have addressed this part of her works. This paper aims to explore this unknown territory of Meireles' prose relating her travel chronicles to visual arts, in its more or less explicit forms, as for it produces an effect of textual metapictoriality. Meireles' chronicles of 1953 in the Netherlands have been selected and discussed to show clear references to pictorial description and to genre painting.<br /><br />RESUMO: A obra de Cecília Meireles compreende cerca de 2.000 poemas e um número superior a esse de textos em prosa, apesar disso, raros teóricos detiveram-se a esta parte de sua obra. Este trabalho visa, portanto, explorar o vasto território de suas crônicas de viagem no sentido de evidenciar (tendo como base a teoria de Liliane Louvel) a referência às artes visuais sob formas mais ou menos explícitas, produzindo um efeito de metapicturalidade textual. Para isso, foram escolhidas as crônicas que dizem respeito à viagem da autora para a Holanda, em 1953, principalmente devido à maior presença de descrição pictural e às referências explícitas à pintura de gênero.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/31934657" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="c9a7d23108c6060340c6e469b2856a2d" rel="nofollow" data-download="{"attachment_id":52213047,"asset_id":31934657,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/52213047/download_file?st=MTczOTg0MTY5Nyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="3579139" href="https://uniandrade.academia.edu/CamilaMarchioro">Camila Marchioro</a><script data-card-contents-for-user="3579139" type="text/json">{"id":3579139,"first_name":"Camila","last_name":"Marchioro","domain_name":"uniandrade","page_name":"CamilaMarchioro","display_name":"Camila Marchioro","profile_url":"https://uniandrade.academia.edu/CamilaMarchioro?f_ri=19243","photo":"https://0.academia-photos.com/3579139/15997402/113175877/s65_camila.marchioro.jpg"}</script></span></span></li><li class="js-paper-rank-work_31934657 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="31934657"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 31934657, container: ".js-paper-rank-work_31934657", }); 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Despite this acknowledged fact, very few theorists have addressed this part of her works. This paper aims to explore this unknown territory of Meireles' prose relating her travel chronicles to visual arts, in its more or less explicit forms, as for it produces an effect of textual metapictoriality. Meireles' chronicles of 1953 in the Netherlands have been selected and discussed to show clear references to pictorial description and to genre painting.\n\nRESUMO: A obra de Cecília Meireles compreende cerca de 2.000 poemas e um número superior a esse de textos em prosa, apesar disso, raros teóricos detiveram-se a esta parte de sua obra. Este trabalho visa, portanto, explorar o vasto território de suas crônicas de viagem no sentido de evidenciar (tendo como base a teoria de Liliane Louvel) a referência às artes visuais sob formas mais ou menos explícitas, produzindo um efeito de metapicturalidade textual. Para isso, foram escolhidas as crônicas que dizem respeito à viagem da autora para a Holanda, em 1953, principalmente devido à maior presença de descrição pictural e às referências explícitas à pintura de gênero. \n\n","downloadable_attachments":[{"id":52213047,"asset_id":31934657,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":3579139,"first_name":"Camila","last_name":"Marchioro","domain_name":"uniandrade","page_name":"CamilaMarchioro","display_name":"Camila Marchioro","profile_url":"https://uniandrade.academia.edu/CamilaMarchioro?f_ri=19243","photo":"https://0.academia-photos.com/3579139/15997402/113175877/s65_camila.marchioro.jpg"}],"research_interests":[{"id":3242,"name":"Intermediality","url":"https://www.academia.edu/Documents/in/Intermediality?f_ri=19243","nofollow":true},{"id":19243,"name":"Brasilian (Literature)","url":"https://www.academia.edu/Documents/in/Brasilian_Literature_?f_ri=19243","nofollow":true},{"id":72708,"name":"Biography and Life-Writing","url":"https://www.academia.edu/Documents/in/Biography_and_Life-Writing?f_ri=19243","nofollow":true},{"id":201479,"name":"Chronicles","url":"https://www.academia.edu/Documents/in/Chronicles?f_ri=19243","nofollow":true},{"id":231374,"name":"Literature and Painting","url":"https://www.academia.edu/Documents/in/Literature_and_Painting?f_ri=19243"},{"id":312577,"name":"Intermediality; Literature and photography; Literature and painting","url":"https://www.academia.edu/Documents/in/Intermediality_Literature_and_photography_Literature_and_painting?f_ri=19243"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_27952840" data-work_id="27952840" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/27952840/O_mercado_do_livro_brasileiro_em_Portugal_o_contributo_do_editor_Ernesto_Chardron">O mercado do livro brasileiro em Portugal: o contributo do editor Ernesto Chardron</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">…] a face do mundo estava começada a mudar: as antigas barreiras que a política e os preconceitos erguiam entre povo e povo quase desapareciam; as mútuas necessidades, e até o mesmo luxo, faziam quase indispensável precisão as permutações... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_27952840" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">…] a face do mundo estava começada a mudar: as antigas barreiras que a política e os preconceitos erguiam entre povo e povo quase desapareciam; as mútuas necessidades, e até o mesmo luxo, faziam quase indispensável precisão as permutações do comércio; e o comércio fraternizou as nações.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/27952840" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="880c835b65cdda3412d879043e511acf" rel="nofollow" data-download="{"attachment_id":48251407,"asset_id":27952840,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/48251407/download_file?st=MTczOTg0MTY5Nyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="9547843" href="https://unl-pt.academia.edu/Patr%C3%ADciaDeJesusPalma">Patrícia De Jesus Palma</a><script data-card-contents-for-user="9547843" type="text/json">{"id":9547843,"first_name":"Patrícia","last_name":"De Jesus Palma","domain_name":"unl-pt","page_name":"PatríciaDeJesusPalma","display_name":"Patrícia De Jesus Palma","profile_url":"https://unl-pt.academia.edu/Patr%C3%ADciaDeJesusPalma?f_ri=19243","photo":"https://0.academia-photos.com/9547843/3253927/16494068/s65_patr_cia.de_jesus_palma.jpg"}</script></span></span></li><li class="js-paper-rank-work_27952840 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="27952840"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 27952840, container: ".js-paper-rank-work_27952840", }); 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Tradición clásica en Orfeu da Conceição de Vinicius de Moraes</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">284-UN HÉROE, UNA RAZA, UN PAÍS, UNA MÚSICA (TRADICIÓN CLÁSICA EN ORFEU DA CONCEIÇÃO DE VINICIUS DE MORAES) RAMIRO GONZÁLEZ DELGADO Universidad de Oviedo 1 Introducción.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/4234609" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="20ff08b95efa1f2d9086b54a861ebc53" rel="nofollow" data-download="{"attachment_id":31718392,"asset_id":4234609,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/31718392/download_file?st=MTczOTg0MTY5Nyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="5076681" href="https://unex.academia.edu/RamiroGonz%C3%A1lezDelgado">Ramiro González Delgado</a><script data-card-contents-for-user="5076681" type="text/json">{"id":5076681,"first_name":"Ramiro","last_name":"González Delgado","domain_name":"unex","page_name":"RamiroGonzálezDelgado","display_name":"Ramiro González Delgado","profile_url":"https://unex.academia.edu/RamiroGonz%C3%A1lezDelgado?f_ri=19243","photo":"https://0.academia-photos.com/5076681/2218322/2597214/s65_ramiro.gonz_lez_delgado.jpg"}</script></span></span></li><li class="js-paper-rank-work_4234609 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="4234609"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 4234609, container: ".js-paper-rank-work_4234609", }); 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Tradición clásica en Orfeu da Conceição de Vinicius de Moraes","created_at":"2013-08-13T16:49:17.501-07:00","url":"https://www.academia.edu/4234609/Un_h%C3%A9roe_una_raza_un_pa%C3%ADs_una_m%C3%BAsica_Tradici%C3%B3n_cl%C3%A1sica_en_Orfeu_da_Concei%C3%A7%C3%A3o_de_Vinicius_de_Moraes?f_ri=19243","dom_id":"work_4234609","summary":"284-UN HÉROE, UNA RAZA, UN PAÍS, UNA MÚSICA (TRADICIÓN CLÁSICA EN ORFEU DA CONCEIÇÃO DE VINICIUS DE MORAES) RAMIRO GONZÁLEZ DELGADO Universidad de Oviedo 1 Introducción.","downloadable_attachments":[{"id":31718392,"asset_id":4234609,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":5076681,"first_name":"Ramiro","last_name":"González Delgado","domain_name":"unex","page_name":"RamiroGonzálezDelgado","display_name":"Ramiro González Delgado","profile_url":"https://unex.academia.edu/RamiroGonz%C3%A1lezDelgado?f_ri=19243","photo":"https://0.academia-photos.com/5076681/2218322/2597214/s65_ramiro.gonz_lez_delgado.jpg"}],"research_interests":[{"id":3291,"name":"History and Classical tradition studies","url":"https://www.academia.edu/Documents/in/History_and_Classical_tradition_studies?f_ri=19243","nofollow":true},{"id":19243,"name":"Brasilian (Literature)","url":"https://www.academia.edu/Documents/in/Brasilian_Literature_?f_ri=19243","nofollow":true},{"id":28362,"name":"Classical Mythology","url":"https://www.academia.edu/Documents/in/Classical_Mythology?f_ri=19243","nofollow":true},{"id":90325,"name":"Orpheus","url":"https://www.academia.edu/Documents/in/Orpheus?f_ri=19243","nofollow":true}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_31934659" data-work_id="31934659" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/31934659/RUBEM_BRAGA_E_JOEL_SILVEIRA_DOIS_CRONISTAS_NO_FRONT">RUBEM BRAGA E JOEL SILVEIRA: DOIS CRONISTAS NO FRONT</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Joel Silveira and Rubem Braga were war correspondents during the Second World War who published daily chronicles concerning this specific event. From the collection of Braga's writings came out the book Crônicas da guerra na Itália... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_31934659" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Joel Silveira and Rubem Braga were war correspondents during the Second World War who published daily chronicles concerning this specific event. From the collection of Braga's writings came out the book Crônicas da guerra na Itália (1964), and from Silveira's O inverno da Guerra (2005). The aim of this article is to lay out a comparison between the chronicles of both authors, relating the degrees of subjectivity and objectivity in their speech. Thus, as it will be suggested, it is possible to reflect upon the confluence of journalism and literature, newspaper and book, and upon the intersections between the factual and the fictional.<br />Keywords: war chronicles; Rubem Braga; Joel Silveira.<br /><br />Resumo: Joel Silveira e Rubem Braga, ambos os correspondentes de guerra, publicaram em crônicas as notícias deste momento histórico. Dos relatos de Rubem Braga surgiu o livro Crônicas da guerra na Itália (1964), e dos de Joel Silveira O inverno da Guerra (2005). A proposta deste artigo foi estabelecer uma comparação entre as crônicas de guerra desses autores em relação ao grau de subjetividade e objetividade de seu discurso, propondo, assim, uma reflexão a respeito das confluências entre jornalismo e literatura, jornal e livro e das interseções entre factual e ficcional.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/31934659" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="e8b284ae29d6bed643e7165afbceb624" rel="nofollow" data-download="{"attachment_id":52213059,"asset_id":31934659,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/52213059/download_file?st=MTczOTg0MTY5Nyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="3579139" href="https://uniandrade.academia.edu/CamilaMarchioro">Camila Marchioro</a><script data-card-contents-for-user="3579139" type="text/json">{"id":3579139,"first_name":"Camila","last_name":"Marchioro","domain_name":"uniandrade","page_name":"CamilaMarchioro","display_name":"Camila Marchioro","profile_url":"https://uniandrade.academia.edu/CamilaMarchioro?f_ri=19243","photo":"https://0.academia-photos.com/3579139/15997402/113175877/s65_camila.marchioro.jpg"}</script></span></span></li><li class="js-paper-rank-work_31934659 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="31934659"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 31934659, container: ".js-paper-rank-work_31934659", }); 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From the collection of Braga's writings came out the book Crônicas da guerra na Itália (1964), and from Silveira's O inverno da Guerra (2005). The aim of this article is to lay out a comparison between the chronicles of both authors, relating the degrees of subjectivity and objectivity in their speech. Thus, as it will be suggested, it is possible to reflect upon the confluence of journalism and literature, newspaper and book, and upon the intersections between the factual and the fictional.\nKeywords: war chronicles; Rubem Braga; Joel Silveira.\n\nResumo: Joel Silveira e Rubem Braga, ambos os correspondentes de guerra, publicaram em crônicas as notícias deste momento histórico. Dos relatos de Rubem Braga surgiu o livro Crônicas da guerra na Itália (1964), e dos de Joel Silveira O inverno da Guerra (2005). A proposta deste artigo foi estabelecer uma comparação entre as crônicas de guerra desses autores em relação ao grau de subjetividade e objetividade de seu discurso, propondo, assim, uma reflexão a respeito das confluências entre jornalismo e literatura, jornal e livro e das interseções entre factual e ficcional. \n","downloadable_attachments":[{"id":52213059,"asset_id":31934659,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":3579139,"first_name":"Camila","last_name":"Marchioro","domain_name":"uniandrade","page_name":"CamilaMarchioro","display_name":"Camila Marchioro","profile_url":"https://uniandrade.academia.edu/CamilaMarchioro?f_ri=19243","photo":"https://0.academia-photos.com/3579139/15997402/113175877/s65_camila.marchioro.jpg"}],"research_interests":[{"id":12739,"name":"Second World War","url":"https://www.academia.edu/Documents/in/Second_World_War?f_ri=19243","nofollow":true},{"id":19243,"name":"Brasilian (Literature)","url":"https://www.academia.edu/Documents/in/Brasilian_Literature_?f_ri=19243","nofollow":true},{"id":27814,"name":"History and literature","url":"https://www.academia.edu/Documents/in/History_and_literature?f_ri=19243","nofollow":true},{"id":203232,"name":"Journalism and Literature","url":"https://www.academia.edu/Documents/in/Journalism_and_Literature?f_ri=19243","nofollow":true},{"id":884563,"name":"Rubem Braga","url":"https://www.academia.edu/Documents/in/Rubem_Braga?f_ri=19243"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_4234432" data-work_id="4234432" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/4234432/El_mito_cl%C3%A1sico_en_el_cine_Orfeo_negro_de_M_Camus">El mito clásico en el cine: Orfeo negro de M. 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Na primeira parte, adentro nos temas aparentemente fúteis da vida humana, questionando comportamentos,... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_36550546" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">A obra é composta por 100 poemas escritos entre 2004 e<br />2008, divididos em duas partes, a saber: 1) Introspecções; 2)<br />Extrospecções. Na primeira parte, adentro nos temas aparentemente<br />fúteis da vida humana, questionando comportamentos, valores e<br />expressando as angústias, os medos, os vícios e outros elementos<br />comuns à cotidianidade. Já na segunda parte, expresso meu<br />incômodo com a situação sociopolítica, ambiental, econômica e<br />cultural/religiosa do povo brasileiro, buscando refletir o cotidiano<br />coletivo com criticidade.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/36550546" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="475976596367a30ba2ad3f169fa355e5" rel="nofollow" data-download="{"attachment_id":56475346,"asset_id":36550546,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/56475346/download_file?st=MTczOTg0MTY5Nyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="12780186" href="https://ufal.academia.edu/ValciMelo">Valci Melo</a><script data-card-contents-for-user="12780186" type="text/json">{"id":12780186,"first_name":"Valci","last_name":"Melo","domain_name":"ufal","page_name":"ValciMelo","display_name":"Valci Melo","profile_url":"https://ufal.academia.edu/ValciMelo?f_ri=19243","photo":"https://0.academia-photos.com/12780186/3669681/18825459/s65_valci.melo.jpg"}</script></span></span></li><li class="js-paper-rank-work_36550546 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="36550546"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 36550546, container: ".js-paper-rank-work_36550546", }); });</script></li><li class="js-percentile-work_36550546 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 36550546; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_36550546"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_36550546 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="36550546"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 36550546; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=36550546]").text(description); $(".js-view-count-work_36550546").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_36550546").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="36550546"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i></div><span class="InlineList-item-text u-textTruncate u-pl6x"><a class="InlineList-item-text" data-has-card-for-ri="19243" rel="nofollow" href="https://www.academia.edu/Documents/in/Brasilian_Literature_">Brasilian (Literature)</a><script data-card-contents-for-ri="19243" type="text/json">{"id":19243,"name":"Brasilian (Literature)","url":"https://www.academia.edu/Documents/in/Brasilian_Literature_?f_ri=19243","nofollow":true}</script></span></li><script>(function(){ if (false) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=36550546]'), work: {"id":36550546,"title":"Inquietações: uma reflexão poética da vida humana","created_at":"2018-05-02T09:06:51.854-07:00","url":"https://www.academia.edu/36550546/Inquieta%C3%A7%C3%B5es_uma_reflex%C3%A3o_po%C3%A9tica_da_vida_humana?f_ri=19243","dom_id":"work_36550546","summary":"A obra é composta por 100 poemas escritos entre 2004 e\n2008, divididos em duas partes, a saber: 1) Introspecções; 2)\nExtrospecções. 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Mérida Jiménez","profile_url":"https://lleida.academia.edu/RafaelMM%C3%A9ridaJim%C3%A9nez?f_ri=19243","photo":"https://0.academia-photos.com/1584345/8014351/85782847/s65_rafael.m._m_rida_jim_nez.jpg"}</script></span></span></li><li class="js-paper-rank-work_44503463 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="44503463"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 44503463, container: ".js-paper-rank-work_44503463", }); });</script></li><li class="js-percentile-work_44503463 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 44503463; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_44503463"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_44503463 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="44503463"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44503463; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=44503463]").text(description); $(".js-view-count-work_44503463").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_44503463").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="44503463"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">8</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="3827" rel="nofollow" href="https://www.academia.edu/Documents/in/Brazilian_Studies">Brazilian Studies</a>, <script data-card-contents-for-ri="3827" type="text/json">{"id":3827,"name":"Brazilian Studies","url":"https://www.academia.edu/Documents/in/Brazilian_Studies?f_ri=19243","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="19243" rel="nofollow" href="https://www.academia.edu/Documents/in/Brasilian_Literature_">Brasilian (Literature)</a>, <script data-card-contents-for-ri="19243" type="text/json">{"id":19243,"name":"Brasilian (Literature)","url":"https://www.academia.edu/Documents/in/Brasilian_Literature_?f_ri=19243","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="35090" rel="nofollow" href="https://www.academia.edu/Documents/in/Literatura_brasileira">Literatura brasileira</a>, <script data-card-contents-for-ri="35090" type="text/json">{"id":35090,"name":"Literatura brasileira","url":"https://www.academia.edu/Documents/in/Literatura_brasileira?f_ri=19243","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="35572" rel="nofollow" href="https://www.academia.edu/Documents/in/Brazilian_Literature">Brazilian Literature</a><script data-card-contents-for-ri="35572" type="text/json">{"id":35572,"name":"Brazilian Literature","url":"https://www.academia.edu/Documents/in/Brazilian_Literature?f_ri=19243","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=44503463]'), work: {"id":44503463,"title":"Palabras e imágenes para Olvido: Horácio Costa, Satori","created_at":"2020-11-15T02:59:26.254-08:00","url":"https://www.academia.edu/44503463/Palabras_e_im%C3%A1genes_para_Olvido_Hor%C3%A1cio_Costa_Satori?f_ri=19243","dom_id":"work_44503463","summary":"Abriu: Estudos de Textualidade do Brasil, Galicia e Portugal, 9 (2020), pp. 297-300. ","downloadable_attachments":[{"id":64940447,"asset_id":44503463,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1584345,"first_name":"Rafael","last_name":"M. Mérida Jiménez","domain_name":"lleida","page_name":"RafaelMMéridaJiménez","display_name":"Rafael M. Mérida Jiménez","profile_url":"https://lleida.academia.edu/RafaelMM%C3%A9ridaJim%C3%A9nez?f_ri=19243","photo":"https://0.academia-photos.com/1584345/8014351/85782847/s65_rafael.m._m_rida_jim_nez.jpg"}],"research_interests":[{"id":3827,"name":"Brazilian Studies","url":"https://www.academia.edu/Documents/in/Brazilian_Studies?f_ri=19243","nofollow":true},{"id":19243,"name":"Brasilian (Literature)","url":"https://www.academia.edu/Documents/in/Brasilian_Literature_?f_ri=19243","nofollow":true},{"id":35090,"name":"Literatura brasileira","url":"https://www.academia.edu/Documents/in/Literatura_brasileira?f_ri=19243","nofollow":true},{"id":35572,"name":"Brazilian Literature","url":"https://www.academia.edu/Documents/in/Brazilian_Literature?f_ri=19243","nofollow":true},{"id":40517,"name":"Barcelona","url":"https://www.academia.edu/Documents/in/Barcelona?f_ri=19243"},{"id":199130,"name":"Poesia Brasileira","url":"https://www.academia.edu/Documents/in/Poesia_Brasileira?f_ri=19243"},{"id":595005,"name":"Traducción Literaria","url":"https://www.academia.edu/Documents/in/Traduccion_Literaria?f_ri=19243"},{"id":1116296,"name":"Literatura Brasileña","url":"https://www.academia.edu/Documents/in/Literatura_Brasilena?f_ri=19243"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_45020997" data-work_id="45020997" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/45020997/O_que_te_assombra_antes_de_dormir_Contos">O que te assombra antes de dormir? Contos</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Livro de contos resultante do 2º Concurso Literário do PET Letras UNIFAL-MG.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/45020997" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="1b6d4f648a17edd560b662b978a78e5c" rel="nofollow" data-download="{"attachment_id":65569035,"asset_id":45020997,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/65569035/download_file?st=MTczOTg0MTY5Nyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="11544572" href="https://unifal-mg.academia.edu/KOliveira">Katia A S Oliveira</a><script data-card-contents-for-user="11544572" type="text/json">{"id":11544572,"first_name":"Katia","last_name":"Oliveira","domain_name":"unifal-mg","page_name":"KOliveira","display_name":"Katia A S Oliveira","profile_url":"https://unifal-mg.academia.edu/KOliveira?f_ri=19243","photo":"https://0.academia-photos.com/11544572/7815770/60202351/s65_katia.oliveira.jpg"}</script></span></span></li><li class="js-paper-rank-work_45020997 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="45020997"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 45020997, container: ".js-paper-rank-work_45020997", }); 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$(".js-view-count[data-work-id=45020997]").text(description); $(".js-view-count-work_45020997").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_45020997").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="45020997"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="19243" rel="nofollow" href="https://www.academia.edu/Documents/in/Brasilian_Literature_">Brasilian (Literature)</a>, <script data-card-contents-for-ri="19243" type="text/json">{"id":19243,"name":"Brasilian (Literature)","url":"https://www.academia.edu/Documents/in/Brasilian_Literature_?f_ri=19243","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="23577" rel="nofollow" href="https://www.academia.edu/Documents/in/Short_story_Literature_">Short story (Literature)</a>, <script data-card-contents-for-ri="23577" type="text/json">{"id":23577,"name":"Short story (Literature)","url":"https://www.academia.edu/Documents/in/Short_story_Literature_?f_ri=19243","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="35090" rel="nofollow" href="https://www.academia.edu/Documents/in/Literatura_brasileira">Literatura brasileira</a>, <script data-card-contents-for-ri="35090" type="text/json">{"id":35090,"name":"Literatura brasileira","url":"https://www.academia.edu/Documents/in/Literatura_brasileira?f_ri=19243","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="60153" rel="nofollow" href="https://www.academia.edu/Documents/in/Fantastic_Literature">Fantastic Literature</a><script data-card-contents-for-ri="60153" type="text/json">{"id":60153,"name":"Fantastic Literature","url":"https://www.academia.edu/Documents/in/Fantastic_Literature?f_ri=19243","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=45020997]'), work: {"id":45020997,"title":"O que te assombra antes de dormir? Contos","created_at":"2021-01-31T17:02:49.401-08:00","url":"https://www.academia.edu/45020997/O_que_te_assombra_antes_de_dormir_Contos?f_ri=19243","dom_id":"work_45020997","summary":"Livro de contos resultante do 2º Concurso Literário do PET Letras UNIFAL-MG.","downloadable_attachments":[{"id":65569035,"asset_id":45020997,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":11544572,"first_name":"Katia","last_name":"Oliveira","domain_name":"unifal-mg","page_name":"KOliveira","display_name":"Katia A S Oliveira","profile_url":"https://unifal-mg.academia.edu/KOliveira?f_ri=19243","photo":"https://0.academia-photos.com/11544572/7815770/60202351/s65_katia.oliveira.jpg"}],"research_interests":[{"id":19243,"name":"Brasilian (Literature)","url":"https://www.academia.edu/Documents/in/Brasilian_Literature_?f_ri=19243","nofollow":true},{"id":23577,"name":"Short story (Literature)","url":"https://www.academia.edu/Documents/in/Short_story_Literature_?f_ri=19243","nofollow":true},{"id":35090,"name":"Literatura brasileira","url":"https://www.academia.edu/Documents/in/Literatura_brasileira?f_ri=19243","nofollow":true},{"id":60153,"name":"Fantastic Literature","url":"https://www.academia.edu/Documents/in/Fantastic_Literature?f_ri=19243","nofollow":true}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_42096855" data-work_id="42096855" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/42096855/As_tradu%C3%A7%C3%B5es_francesas_do_conto_O_Enfermeiro_de_Machado_de_Assis">As traduções francesas do conto "O Enfermeiro" de Machado de Assis</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Resumo: O papel do tradutor, significativo na difusão da obra literária no país de recepção, interfere na leitura, por recriar o texto literário de origem. Na França, as traduções de Machado de Assis foram escritas e descobertas por um... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_42096855" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Resumo: O papel do tradutor, significativo na difusão da obra literária no país de recepção, interfere na leitura, por recriar o texto literário de origem. Na França, as traduções de Machado de Assis foram escritas e descobertas por um público francês em várias épocas. Proponho aqui um estudo comparativo das traduções de "O enfermeiro" (Alguns contos, 1896), traduzido por quatro tradutores franceses : Adrien Delpech em 1910, Philéas Lebesgue e Manoel Gahisto, em 1911 e Victor Orban, em 1914. A tradução de Adrien Delpech foi reeditada e corrigida em 1997. Gostaria de mostrar aqui como, a partir da posição tradutora, da ética e também da época, a obra conhece pontos de divergência que têm sentido na evolução da tradução literária na França. Palavras-chave: retradução, literalismo, posição tradutória, ética do tradutor, etnocentrismo.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/42096855" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="7e89c49f274ee7eb1fbd3e8bbb57922c" rel="nofollow" data-download="{"attachment_id":62227967,"asset_id":42096855,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/62227967/download_file?st=MTczOTg0MTY5OCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="30280178" href="https://ufma.academia.edu/EmilieAudigier">Emilie Audigier</a><script data-card-contents-for-user="30280178" type="text/json">{"id":30280178,"first_name":"Emilie","last_name":"Audigier","domain_name":"ufma","page_name":"EmilieAudigier","display_name":"Emilie Audigier","profile_url":"https://ufma.academia.edu/EmilieAudigier?f_ri=19243","photo":"https://0.academia-photos.com/30280178/8768205/9791802/s65_emilie.audigier.jpg"}</script></span></span></li><li class="js-paper-rank-work_42096855 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="42096855"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 42096855, container: ".js-paper-rank-work_42096855", }); 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$(".js-view-count[data-work-id=42096855]").text(description); $(".js-view-count-work_42096855").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_42096855").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="42096855"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">3</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="1186" rel="nofollow" href="https://www.academia.edu/Documents/in/Translation_Studies">Translation Studies</a>, <script data-card-contents-for-ri="1186" type="text/json">{"id":1186,"name":"Translation Studies","url":"https://www.academia.edu/Documents/in/Translation_Studies?f_ri=19243","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="19243" rel="nofollow" href="https://www.academia.edu/Documents/in/Brasilian_Literature_">Brasilian (Literature)</a>, <script data-card-contents-for-ri="19243" type="text/json">{"id":19243,"name":"Brasilian (Literature)","url":"https://www.academia.edu/Documents/in/Brasilian_Literature_?f_ri=19243","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="2058179" rel="nofollow" href="https://www.academia.edu/Documents/in/Ronaldo_Correia_de_Brito">Ronaldo Correia de Brito</a><script data-card-contents-for-ri="2058179" type="text/json">{"id":2058179,"name":"Ronaldo Correia de Brito","url":"https://www.academia.edu/Documents/in/Ronaldo_Correia_de_Brito?f_ri=19243","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=42096855]'), work: {"id":42096855,"title":"As traduções francesas do conto \"O Enfermeiro\" de Machado de Assis","created_at":"2020-02-28T10:56:13.257-08:00","url":"https://www.academia.edu/42096855/As_tradu%C3%A7%C3%B5es_francesas_do_conto_O_Enfermeiro_de_Machado_de_Assis?f_ri=19243","dom_id":"work_42096855","summary":"Resumo: O papel do tradutor, significativo na difusão da obra literária no país de recepção, interfere na leitura, por recriar o texto literário de origem. Na França, as traduções de Machado de Assis foram escritas e descobertas por um público francês em várias épocas. Proponho aqui um estudo comparativo das traduções de \"O enfermeiro\" (Alguns contos, 1896), traduzido por quatro tradutores franceses : Adrien Delpech em 1910, Philéas Lebesgue e Manoel Gahisto, em 1911 e Victor Orban, em 1914. A tradução de Adrien Delpech foi reeditada e corrigida em 1997. Gostaria de mostrar aqui como, a partir da posição tradutora, da ética e também da época, a obra conhece pontos de divergência que têm sentido na evolução da tradução literária na França. Palavras-chave: retradução, literalismo, posição tradutória, ética do tradutor, etnocentrismo.","downloadable_attachments":[{"id":62227967,"asset_id":42096855,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":30280178,"first_name":"Emilie","last_name":"Audigier","domain_name":"ufma","page_name":"EmilieAudigier","display_name":"Emilie Audigier","profile_url":"https://ufma.academia.edu/EmilieAudigier?f_ri=19243","photo":"https://0.academia-photos.com/30280178/8768205/9791802/s65_emilie.audigier.jpg"}],"research_interests":[{"id":1186,"name":"Translation Studies","url":"https://www.academia.edu/Documents/in/Translation_Studies?f_ri=19243","nofollow":true},{"id":19243,"name":"Brasilian (Literature)","url":"https://www.academia.edu/Documents/in/Brasilian_Literature_?f_ri=19243","nofollow":true},{"id":2058179,"name":"Ronaldo Correia de Brito","url":"https://www.academia.edu/Documents/in/Ronaldo_Correia_de_Brito?f_ri=19243","nofollow":true}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_36550903" data-work_id="36550903" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/36550903/Peda%C3%A7os_de_n%C3%B3s_mem%C3%B3rias_de_um_passado_presente">Pedaços de nós: memórias de um passado presente</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Pedaços de nós: memórias de um passado presente é uma coletânea de crônicas, contos e memórias sobre o desenrolar da vida cotidiana, dando ênfase às crenças, superstições, linguagens e, sobretudo, à forma como as pessoas comuns veem,... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_36550903" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Pedaços de nós: memórias de um passado presente é uma coletânea de crônicas, contos e memórias sobre o desenrolar da vida cotidiana, dando ênfase às crenças, superstições, linguagens e, sobretudo, à forma como as pessoas comuns veem, sentem, vivem e explicam o mundo que as cerca. A pesquisa que o subsidia começou em fevereiro de 2005 a partir do levantamento de vocábulos, expressões, pensamentos, adágios, costumes, entre outros elementos constitutivos da cultura popular sertaneja. Mesmo sendo um livro que abordará pedaços da vida cotidiana, buscamos desenvolvê-lo na perspectiva da<br />totalidade, tentando relacionar os acontecimentos aparentemente isolados, fragmentados, com o todo social do qual são constituintes.<br />Como de costume nas publicações do autor, mantivemos ao lado do título de cada texto o período no qual ele foi escrito, tendo em vista tratar-se de uma obra construída ao longo de mais de uma década cujo intervalo de tempo não pode ser ignorado na forma ou no conteúdo<br />das questões abordadas. Por fim, deixamos registrados os nossos<br />agradecimentos a todas as pessoas que contribuíram direta ou indiretamente com a presente obra. Em especial, agradecemos ao companheiro Lourenço Menezes que, gentilmente, permitiu que usássemos o desenho de sua autoria como ilustração na capa do livro em tela.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/36550903" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="bf31a6d4cb3aaf495689df2102dcc587" rel="nofollow" data-download="{"attachment_id":62847737,"asset_id":36550903,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/62847737/download_file?st=MTczOTg0MTY5OCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="12780186" href="https://ufal.academia.edu/ValciMelo">Valci Melo</a><script data-card-contents-for-user="12780186" type="text/json">{"id":12780186,"first_name":"Valci","last_name":"Melo","domain_name":"ufal","page_name":"ValciMelo","display_name":"Valci Melo","profile_url":"https://ufal.academia.edu/ValciMelo?f_ri=19243","photo":"https://0.academia-photos.com/12780186/3669681/18825459/s65_valci.melo.jpg"}</script></span></span></li><li class="js-paper-rank-work_36550903 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="36550903"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 36550903, container: ".js-paper-rank-work_36550903", }); });</script></li><li class="js-percentile-work_36550903 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 36550903; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_36550903"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_36550903 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="36550903"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 36550903; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=36550903]").text(description); $(".js-view-count-work_36550903").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_36550903").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="36550903"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i></div><span class="InlineList-item-text u-textTruncate u-pl6x"><a class="InlineList-item-text" data-has-card-for-ri="19243" rel="nofollow" href="https://www.academia.edu/Documents/in/Brasilian_Literature_">Brasilian (Literature)</a><script data-card-contents-for-ri="19243" type="text/json">{"id":19243,"name":"Brasilian (Literature)","url":"https://www.academia.edu/Documents/in/Brasilian_Literature_?f_ri=19243","nofollow":true}</script></span></li><script>(function(){ if (false) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=36550903]'), work: {"id":36550903,"title":"Pedaços de nós: memórias de um passado presente","created_at":"2018-05-02T10:11:15.236-07:00","url":"https://www.academia.edu/36550903/Peda%C3%A7os_de_n%C3%B3s_mem%C3%B3rias_de_um_passado_presente?f_ri=19243","dom_id":"work_36550903","summary":"Pedaços de nós: memórias de um passado presente é uma coletânea de crônicas, contos e memórias sobre o desenrolar da vida cotidiana, dando ênfase às crenças, superstições, linguagens e, sobretudo, à forma como as pessoas comuns veem, sentem, vivem e explicam o mundo que as cerca. A pesquisa que o subsidia começou em fevereiro de 2005 a partir do levantamento de vocábulos, expressões, pensamentos, adágios, costumes, entre outros elementos constitutivos da cultura popular sertaneja. Mesmo sendo um livro que abordará pedaços da vida cotidiana, buscamos desenvolvê-lo na perspectiva da\ntotalidade, tentando relacionar os acontecimentos aparentemente isolados, fragmentados, com o todo social do qual são constituintes.\nComo de costume nas publicações do autor, mantivemos ao lado do título de cada texto o período no qual ele foi escrito, tendo em vista tratar-se de uma obra construída ao longo de mais de uma década cujo intervalo de tempo não pode ser ignorado na forma ou no conteúdo\ndas questões abordadas. Por fim, deixamos registrados os nossos\nagradecimentos a todas as pessoas que contribuíram direta ou indiretamente com a presente obra. Em especial, agradecemos ao companheiro Lourenço Menezes que, gentilmente, permitiu que usássemos o desenho de sua autoria como ilustração na capa do livro em tela. ","downloadable_attachments":[{"id":62847737,"asset_id":36550903,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":12780186,"first_name":"Valci","last_name":"Melo","domain_name":"ufal","page_name":"ValciMelo","display_name":"Valci Melo","profile_url":"https://ufal.academia.edu/ValciMelo?f_ri=19243","photo":"https://0.academia-photos.com/12780186/3669681/18825459/s65_valci.melo.jpg"}],"research_interests":[{"id":19243,"name":"Brasilian (Literature)","url":"https://www.academia.edu/Documents/in/Brasilian_Literature_?f_ri=19243","nofollow":true}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_42851518" data-work_id="42851518" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/42851518/Moda_e_literatura_reflex%C3%B5es_sobre_o_estado_da_arte">Moda e literatura: reflexões sobre o estado da arte</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This article investigates the connections between Fashion and Literature in Brazil, aiming to think about its State of art, focusing on Fashion in Literature, that is, on fashion as a theme in the literary universe. The specific... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_42851518" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This article investigates the connections between Fashion and Literature in<br />Brazil, aiming to think about its State of art, focusing on Fashion in Literature, that is, on<br />fashion as a theme in the literary universe. The specific objectives proposed indicate the<br />pioneering research, the important events that brought notoriety and encouragement to<br />studies on the theme in Brazil, and the academic research published as Theses and Dissertations (Stricto Sensu) with this focus. From the observation and analysis of the collected<br />data, considerations highlighting how the theme Fashion in Literature has been worked in<br />academic research and its expansion in the last decade in Brazil were elaborated.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/42851518" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="c1fba98ac2acff009ed66b741da78484" rel="nofollow" data-download="{"attachment_id":63088203,"asset_id":42851518,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/63088203/download_file?st=MTczOTg0MTY5OCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="4420226" href="https://ufmg.academia.edu/geannetitavaressalomon">Geanneti Tavares Salomon</a><script data-card-contents-for-user="4420226" type="text/json">{"id":4420226,"first_name":"Geanneti","last_name":"Tavares Salomon","domain_name":"ufmg","page_name":"geannetitavaressalomon","display_name":"Geanneti Tavares Salomon","profile_url":"https://ufmg.academia.edu/geannetitavaressalomon?f_ri=19243","photo":"https://0.academia-photos.com/4420226/1798980/18840827/s65_geanneti.tavares_salomon.jpg"}</script></span></span></li><li class="js-paper-rank-work_42851518 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="42851518"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 42851518, container: ".js-paper-rank-work_42851518", }); });</script></li><li class="js-percentile-work_42851518 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 42851518; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_42851518"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_42851518 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="42851518"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 42851518; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=42851518]").text(description); $(".js-view-count-work_42851518").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_42851518").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="42851518"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">13</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="1433" rel="nofollow" href="https://www.academia.edu/Documents/in/Fashion_Theory">Fashion Theory</a>, <script data-card-contents-for-ri="1433" type="text/json">{"id":1433,"name":"Fashion Theory","url":"https://www.academia.edu/Documents/in/Fashion_Theory?f_ri=19243","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="2065" rel="nofollow" href="https://www.academia.edu/Documents/in/Research_Methodology">Research Methodology</a>, <script data-card-contents-for-ri="2065" type="text/json">{"id":2065,"name":"Research Methodology","url":"https://www.academia.edu/Documents/in/Research_Methodology?f_ri=19243","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="2418" rel="nofollow" href="https://www.academia.edu/Documents/in/Literature">Literature</a>, <script data-card-contents-for-ri="2418" type="text/json">{"id":2418,"name":"Literature","url":"https://www.academia.edu/Documents/in/Literature?f_ri=19243","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="2923" rel="nofollow" href="https://www.academia.edu/Documents/in/Methodology">Methodology</a><script data-card-contents-for-ri="2923" type="text/json">{"id":2923,"name":"Methodology","url":"https://www.academia.edu/Documents/in/Methodology?f_ri=19243","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=42851518]'), work: {"id":42851518,"title":"Moda e literatura: reflexões sobre o estado da arte","created_at":"2020-04-25T09:01:59.167-07:00","url":"https://www.academia.edu/42851518/Moda_e_literatura_reflex%C3%B5es_sobre_o_estado_da_arte?f_ri=19243","dom_id":"work_42851518","summary":"This article investigates the connections between Fashion and Literature in\nBrazil, aiming to think about its State of art, focusing on Fashion in Literature, that is, on\nfashion as a theme in the literary universe. The specific objectives proposed indicate the\npioneering research, the important events that brought notoriety and encouragement to\nstudies on the theme in Brazil, and the academic research published as Theses and Dissertations (Stricto Sensu) with this focus. From the observation and analysis of the collected\ndata, considerations highlighting how the theme Fashion in Literature has been worked in\nacademic research and its expansion in the last decade in Brazil were elaborated. \n","downloadable_attachments":[{"id":63088203,"asset_id":42851518,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":4420226,"first_name":"Geanneti","last_name":"Tavares Salomon","domain_name":"ufmg","page_name":"geannetitavaressalomon","display_name":"Geanneti Tavares Salomon","profile_url":"https://ufmg.academia.edu/geannetitavaressalomon?f_ri=19243","photo":"https://0.academia-photos.com/4420226/1798980/18840827/s65_geanneti.tavares_salomon.jpg"}],"research_interests":[{"id":1433,"name":"Fashion Theory","url":"https://www.academia.edu/Documents/in/Fashion_Theory?f_ri=19243","nofollow":true},{"id":2065,"name":"Research Methodology","url":"https://www.academia.edu/Documents/in/Research_Methodology?f_ri=19243","nofollow":true},{"id":2418,"name":"Literature","url":"https://www.academia.edu/Documents/in/Literature?f_ri=19243","nofollow":true},{"id":2923,"name":"Methodology","url":"https://www.academia.edu/Documents/in/Methodology?f_ri=19243","nofollow":true},{"id":8357,"name":"Fashion History","url":"https://www.academia.edu/Documents/in/Fashion_History?f_ri=19243"},{"id":19243,"name":"Brasilian (Literature)","url":"https://www.academia.edu/Documents/in/Brasilian_Literature_?f_ri=19243"},{"id":50044,"name":"Sociology of Fashion","url":"https://www.academia.edu/Documents/in/Sociology_of_Fashion?f_ri=19243"},{"id":50363,"name":"Literatura","url":"https://www.academia.edu/Documents/in/Literatura?f_ri=19243"},{"id":50968,"name":"Fashion Studies","url":"https://www.academia.edu/Documents/in/Fashion_Studies?f_ri=19243"},{"id":136989,"name":"Fashion and Literature","url":"https://www.academia.edu/Documents/in/Fashion_and_Literature?f_ri=19243"},{"id":177724,"name":"History of clothing and fashion","url":"https://www.academia.edu/Documents/in/History_of_clothing_and_fashion?f_ri=19243"},{"id":434687,"name":"State of the art","url":"https://www.academia.edu/Documents/in/State_of_the_art?f_ri=19243"},{"id":3267782,"name":"teoria da moda","url":"https://www.academia.edu/Documents/in/teoria_da_moda?f_ri=19243"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_43969279" data-work_id="43969279" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/43969279/A_REPRESENTA%C3%87%C3%83O_DA_JUVENTUDE_EM_LUZES_DE_EMERG%C3%8ANCIA_SE_ACENDER%C3%83O_AUTOMATICAMENTE_DE_LU%C3%8DSA_GEISLER_YOUTH_REPRESENTATION_IN_LUZES_DE_EMERG%C3%8ANCIA_SE_ACENDER%C3%83O_AUTOMATICAMENTE_BY_LU%C3%8DSA_GEISLER">A REPRESENTAÇÃO DA JUVENTUDE EM LUZES DE EMERGÊNCIA SE ACENDERÃO AUTOMATICAMENTE, DE LUÍSA GEISLER YOUTH REPRESENTATION IN LUZES DE EMERGÊNCIA SE ACENDERÃO AUTOMATICAMENTE BY LUÍSA GEISLER</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Resumo: O reconhecimento da multiplicidade dos sujeitos levanta a importância de se questionar as formas que a literatura encontra para representá-los. A juventude também é reconhecida por sua heterogeneidade, porém, é relevante se... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_43969279" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Resumo: O reconhecimento da multiplicidade dos sujeitos levanta a importância de se questionar as formas que a literatura encontra para representá-los. A juventude também é reconhecida por sua heterogeneidade, porém, é relevante se perguntar realmente temos acesso a ela. Quais jovens são representados hoje pela literatura brasileira? O presente artigo visa analisar a forma como a juventude é construída na/pela narrativa Luzes de emergência se acenderão automaticamente (2013) da escritora gaúcha, Luísa Geisler. A partir de tais perguntas a reflexão aqui proposta toma como base os princípios teóricos de pesquisadores como Regina Dalcastagne (2012), Rosely Sayão (2004) e Alberto Melluci (2000). Palavras-chave: Juventude; literatura brasileira; literatura contemporânea. Abstract: The recognition of the multiplicity of subjects raises the importance of questioning the forms that literature finds to represent them. Youth is well known by its heterogeneity, but it is relevant to ask if we really have access to it. Which young people are represented today in Brazilian literature? This article aims to analyze the way the youth is built in or by the narrative Luzes de emergência se acenderão automaticamente (2013) of the Gaucho writer, Luísa Geisler. From these questions the reflection proposed here is based on the theoretical assumptions of researchers such as: Regina Dalcastagne (2012), Rosely Sayão (2004) and Alberto Melluci (2000). A juventude tem-se constituído objeto de inúmeros estudos de diferentes perspectivas. São diversas as abordagens teóricas que vêm analisando as mudanças físicas, psicológicas e comportamentais que ocorrem nesse momento da vida. Na apresentação das descobertas e dúvidas que permeiam a ideia do que é ser jovem, a literatura acaba adquirindo um espaço de grande importância. No cenário brasileiro, isso</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/43969279" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="6d634e718b93b4bf0d1bd23bc2dadf32" rel="nofollow" data-download="{"attachment_id":64297563,"asset_id":43969279,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/64297563/download_file?st=MTczOTg0MTY5OCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="40144331" href="https://independent.academia.edu/ArianeNeto">Ariane Neto</a><script data-card-contents-for-user="40144331" type="text/json">{"id":40144331,"first_name":"Ariane","last_name":"Neto","domain_name":"independent","page_name":"ArianeNeto","display_name":"Ariane Neto","profile_url":"https://independent.academia.edu/ArianeNeto?f_ri=19243","photo":"https://0.academia-photos.com/40144331/13549536/17434851/s65_ariane.neto.jpg"}</script></span></span></li><li class="js-paper-rank-work_43969279 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="43969279"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 43969279, container: ".js-paper-rank-work_43969279", }); });</script></li><li class="js-percentile-work_43969279 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 43969279; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_43969279"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_43969279 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="43969279"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 43969279; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=43969279]").text(description); $(".js-view-count-work_43969279").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_43969279").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="43969279"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">3</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="2418" rel="nofollow" href="https://www.academia.edu/Documents/in/Literature">Literature</a>, <script data-card-contents-for-ri="2418" type="text/json">{"id":2418,"name":"Literature","url":"https://www.academia.edu/Documents/in/Literature?f_ri=19243","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="19243" rel="nofollow" href="https://www.academia.edu/Documents/in/Brasilian_Literature_">Brasilian (Literature)</a>, <script data-card-contents-for-ri="19243" type="text/json">{"id":19243,"name":"Brasilian (Literature)","url":"https://www.academia.edu/Documents/in/Brasilian_Literature_?f_ri=19243","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="55883" rel="nofollow" href="https://www.academia.edu/Documents/in/Brazilian_Contemporary_Literature">Brazilian Contemporary Literature</a><script data-card-contents-for-ri="55883" type="text/json">{"id":55883,"name":"Brazilian Contemporary Literature","url":"https://www.academia.edu/Documents/in/Brazilian_Contemporary_Literature?f_ri=19243","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=43969279]'), work: {"id":43969279,"title":"A REPRESENTAÇÃO DA JUVENTUDE EM LUZES DE EMERGÊNCIA SE ACENDERÃO AUTOMATICAMENTE, DE LUÍSA GEISLER YOUTH REPRESENTATION IN LUZES DE EMERGÊNCIA SE ACENDERÃO AUTOMATICAMENTE BY LUÍSA GEISLER","created_at":"2020-08-28T04:35:39.302-07:00","url":"https://www.academia.edu/43969279/A_REPRESENTA%C3%87%C3%83O_DA_JUVENTUDE_EM_LUZES_DE_EMERG%C3%8ANCIA_SE_ACENDER%C3%83O_AUTOMATICAMENTE_DE_LU%C3%8DSA_GEISLER_YOUTH_REPRESENTATION_IN_LUZES_DE_EMERG%C3%8ANCIA_SE_ACENDER%C3%83O_AUTOMATICAMENTE_BY_LU%C3%8DSA_GEISLER?f_ri=19243","dom_id":"work_43969279","summary":"Resumo: O reconhecimento da multiplicidade dos sujeitos levanta a importância de se questionar as formas que a literatura encontra para representá-los. A juventude também é reconhecida por sua heterogeneidade, porém, é relevante se perguntar realmente temos acesso a ela. Quais jovens são representados hoje pela literatura brasileira? O presente artigo visa analisar a forma como a juventude é construída na/pela narrativa Luzes de emergência se acenderão automaticamente (2013) da escritora gaúcha, Luísa Geisler. A partir de tais perguntas a reflexão aqui proposta toma como base os princípios teóricos de pesquisadores como Regina Dalcastagne (2012), Rosely Sayão (2004) e Alberto Melluci (2000). Palavras-chave: Juventude; literatura brasileira; literatura contemporânea. Abstract: The recognition of the multiplicity of subjects raises the importance of questioning the forms that literature finds to represent them. Youth is well known by its heterogeneity, but it is relevant to ask if we really have access to it. Which young people are represented today in Brazilian literature? This article aims to analyze the way the youth is built in or by the narrative Luzes de emergência se acenderão automaticamente (2013) of the Gaucho writer, Luísa Geisler. From these questions the reflection proposed here is based on the theoretical assumptions of researchers such as: Regina Dalcastagne (2012), Rosely Sayão (2004) and Alberto Melluci (2000). A juventude tem-se constituído objeto de inúmeros estudos de diferentes perspectivas. São diversas as abordagens teóricas que vêm analisando as mudanças físicas, psicológicas e comportamentais que ocorrem nesse momento da vida. Na apresentação das descobertas e dúvidas que permeiam a ideia do que é ser jovem, a literatura acaba adquirindo um espaço de grande importância. No cenário brasileiro, isso","downloadable_attachments":[{"id":64297563,"asset_id":43969279,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":40144331,"first_name":"Ariane","last_name":"Neto","domain_name":"independent","page_name":"ArianeNeto","display_name":"Ariane Neto","profile_url":"https://independent.academia.edu/ArianeNeto?f_ri=19243","photo":"https://0.academia-photos.com/40144331/13549536/17434851/s65_ariane.neto.jpg"}],"research_interests":[{"id":2418,"name":"Literature","url":"https://www.academia.edu/Documents/in/Literature?f_ri=19243","nofollow":true},{"id":19243,"name":"Brasilian (Literature)","url":"https://www.academia.edu/Documents/in/Brasilian_Literature_?f_ri=19243","nofollow":true},{"id":55883,"name":"Brazilian Contemporary Literature","url":"https://www.academia.edu/Documents/in/Brazilian_Contemporary_Literature?f_ri=19243","nofollow":true}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_15816982" data-work_id="15816982" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/15816982/BLOOD_AND_HAMBURGERS_NEW_REALISM_AND_THE_DETECTIVE_STORY_IN_THE_WORK_OF_CATTLE_AND_MEN_BY_ANA_PAULA_MAIA">BLOOD AND HAMBURGERS – NEW REALISM AND THE DETECTIVE STORY IN THE WORK OF CATTLE AND MEN, BY ANA PAULA MAIA</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">In contemporary Brazilian literature, there are countless marginalized narratives, and the work of the writer Ana Paula Maia from Rio de Janeiro stands out among them. Although female hands wrote these pages, the universe shown in the... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_15816982" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">In contemporary Brazilian literature, there are countless marginalized narratives, and the work of the writer Ana Paula Maia from Rio de Janeiro stands out among them. Although female hands wrote these pages, the universe shown in the book is masculine and brutal, presenting the <br />realistic naturalist path as a basis. Schollhammer pointed to the issue of the so-called new “new realistic” writers, noticeable bias in Maia’s novels. Moreover, classifying the novel typology adopted by the writer is also another point of discussions in this analysis. Being an heiress of Realism <br />Naturalism and considered a detective story novelist, Maia seems to inaugurate a new narrative variant. One of her characters stands out in these compositions, Edgar Wilson, the protagonist of the novel which serves as a guiding principle of this article, the plot of “Of Cattle and Men” (2013) is the starting point. First, the authors’ realistic naturalist path is briefly equated through cronotopos with other writers, subsequently through Todorov the characteristics of detective story or possible variants in this plot are analyzed, and finally a brief reflection is made on the plot of the work “Of Cattle and Men”, providing a small sample for the thematic approach and the realistic imprint prospects. <br />KEY-WORDS: New Realism; Ana Paula Maia; detective story.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/15816982" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="a54e368d45f0621455a10b5efd2a5c69" rel="nofollow" data-download="{"attachment_id":38803011,"asset_id":15816982,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/38803011/download_file?st=MTczOTg0MTY5OCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="3482258" href="https://independent.academia.edu/KarinaVicelli">Karina Vicelli</a><script data-card-contents-for-user="3482258" type="text/json">{"id":3482258,"first_name":"Karina","last_name":"Vicelli","domain_name":"independent","page_name":"KarinaVicelli","display_name":"Karina Vicelli","profile_url":"https://independent.academia.edu/KarinaVicelli?f_ri=19243","photo":"https://0.academia-photos.com/3482258/1183929/1483986/s65_karina.vicelli.jpg"}</script></span></span></li><li class="js-paper-rank-work_15816982 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="15816982"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 15816982, container: ".js-paper-rank-work_15816982", }); });</script></li><li class="js-percentile-work_15816982 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 15816982; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_15816982"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_15816982 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="15816982"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 15816982; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=15816982]").text(description); $(".js-view-count-work_15816982").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_15816982").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="15816982"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">3</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="14464" rel="nofollow" href="https://www.academia.edu/Documents/in/Marginalized_Identities">Marginalized Identities</a>, <script data-card-contents-for-ri="14464" type="text/json">{"id":14464,"name":"Marginalized Identities","url":"https://www.academia.edu/Documents/in/Marginalized_Identities?f_ri=19243","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="15514" rel="nofollow" href="https://www.academia.edu/Documents/in/Contemporary_Literature">Contemporary Literature</a>, <script data-card-contents-for-ri="15514" type="text/json">{"id":15514,"name":"Contemporary Literature","url":"https://www.academia.edu/Documents/in/Contemporary_Literature?f_ri=19243","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="19243" rel="nofollow" href="https://www.academia.edu/Documents/in/Brasilian_Literature_">Brasilian (Literature)</a><script data-card-contents-for-ri="19243" type="text/json">{"id":19243,"name":"Brasilian (Literature)","url":"https://www.academia.edu/Documents/in/Brasilian_Literature_?f_ri=19243","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=15816982]'), work: {"id":15816982,"title":"BLOOD AND HAMBURGERS – NEW REALISM AND THE DETECTIVE STORY IN THE WORK OF CATTLE AND MEN, BY ANA PAULA MAIA","created_at":"2015-09-17T11:53:06.268-07:00","url":"https://www.academia.edu/15816982/BLOOD_AND_HAMBURGERS_NEW_REALISM_AND_THE_DETECTIVE_STORY_IN_THE_WORK_OF_CATTLE_AND_MEN_BY_ANA_PAULA_MAIA?f_ri=19243","dom_id":"work_15816982","summary":" In contemporary Brazilian literature, there are countless marginalized narratives, and the work of the writer Ana Paula Maia from Rio de Janeiro stands out among them. Although female hands wrote these pages, the universe shown in the book is masculine and brutal, presenting the\r\nrealistic naturalist path as a basis. Schollhammer pointed to the issue of the so-called new “new realistic” writers, noticeable bias in Maia’s novels. Moreover, classifying the novel typology adopted by the writer is also another point of discussions in this analysis. Being an heiress of Realism\r\nNaturalism and considered a detective story novelist, Maia seems to inaugurate a new narrative variant. One of her characters stands out in these compositions, Edgar Wilson, the protagonist of the novel which serves as a guiding principle of this article, the plot of “Of Cattle and Men” (2013) is the starting point. First, the authors’ realistic naturalist path is briefly equated through cronotopos with other writers, subsequently through Todorov the characteristics of detective story or possible variants in this plot are analyzed, and finally a brief reflection is made on the plot of the work “Of Cattle and Men”, providing a small sample for the thematic approach and the realistic imprint prospects.\r\nKEY-WORDS: New Realism; Ana Paula Maia; detective story.","downloadable_attachments":[{"id":38803011,"asset_id":15816982,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":3482258,"first_name":"Karina","last_name":"Vicelli","domain_name":"independent","page_name":"KarinaVicelli","display_name":"Karina Vicelli","profile_url":"https://independent.academia.edu/KarinaVicelli?f_ri=19243","photo":"https://0.academia-photos.com/3482258/1183929/1483986/s65_karina.vicelli.jpg"}],"research_interests":[{"id":14464,"name":"Marginalized Identities","url":"https://www.academia.edu/Documents/in/Marginalized_Identities?f_ri=19243","nofollow":true},{"id":15514,"name":"Contemporary Literature","url":"https://www.academia.edu/Documents/in/Contemporary_Literature?f_ri=19243","nofollow":true},{"id":19243,"name":"Brasilian (Literature)","url":"https://www.academia.edu/Documents/in/Brasilian_Literature_?f_ri=19243","nofollow":true}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_1869650" data-work_id="1869650" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/1869650/La_Carta_pras_icamiabas_o_la_falta_de_car%C3%A1cter_de_un_h%C3%A9roe_imperial">La "Carta pras icamiabas": o la falta de carácter de un héroe imperial</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">In Mário de Andrade's second novel, Macunaíma (1928), one comes across a very unique and dissonant letter addressed to the Icamiabas, or Amazon women; the letter is, signed by the hero of the saga, the "hero without any character".... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_1869650" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">In Mário de Andrade's second novel, Macunaíma (1928), one comes across a very unique and dissonant letter addressed to the Icamiabas, or Amazon women; the letter is, signed by the hero of the saga, the "hero without any character". Transformed into the Emperor of the Virgin Jungle, Macunaíma addresses his subjects in a letter in which Andrade parodies the written discourse and postcolonial rhetoric of national lettered elites. That epistolary text might be constructively read as an example of the type of "writing" that "emerges between mimesis and mimicry", to say it with Homi Bhabha; a writing that defies the "the epic intention of the civilizing mission". In Andrade's novel-rhapsody, the letter constitutes, in addition, a moment of the hero's metamorphoses, the first of a linguistic nature, and an enthronization, that is to say, a moment previous to the carnivalesque desenthronization.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/1869650" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="8370b3bcde48ff099a022e6417fe772d" rel="nofollow" data-download="{"attachment_id":26318810,"asset_id":1869650,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/26318810/download_file?st=MTczOTg0MTY5OCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1591546" href="https://uniandes.academia.edu/JeronimoPizarro">Jerónimo Pizarro</a><script data-card-contents-for-user="1591546" type="text/json">{"id":1591546,"first_name":"Jerónimo","last_name":"Pizarro","domain_name":"uniandes","page_name":"JeronimoPizarro","display_name":"Jerónimo Pizarro","profile_url":"https://uniandes.academia.edu/JeronimoPizarro?f_ri=19243","photo":"https://0.academia-photos.com/1591546/557398/18719123/s65_jer_nimo.pizarro.png"}</script></span></span></li><li class="js-paper-rank-work_1869650 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="1869650"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 1869650, container: ".js-paper-rank-work_1869650", }); 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$(".js-view-count[data-work-id=1869650]").text(description); $(".js-view-count-work_1869650").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_1869650").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="1869650"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">12</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="19243" rel="nofollow" href="https://www.academia.edu/Documents/in/Brasilian_Literature_">Brasilian (Literature)</a>, <script data-card-contents-for-ri="19243" type="text/json">{"id":19243,"name":"Brasilian (Literature)","url":"https://www.academia.edu/Documents/in/Brasilian_Literature_?f_ri=19243","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="22229" rel="nofollow" href="https://www.academia.edu/Documents/in/Parody">Parody</a>, <script data-card-contents-for-ri="22229" type="text/json">{"id":22229,"name":"Parody","url":"https://www.academia.edu/Documents/in/Parody?f_ri=19243","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="30045" rel="nofollow" href="https://www.academia.edu/Documents/in/Homi_Bhabha_Cultural_Theory_">Homi Bhabha (Cultural Theory)</a>, <script data-card-contents-for-ri="30045" type="text/json">{"id":30045,"name":"Homi Bhabha (Cultural Theory)","url":"https://www.academia.edu/Documents/in/Homi_Bhabha_Cultural_Theory_?f_ri=19243","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="35090" rel="nofollow" href="https://www.academia.edu/Documents/in/Literatura_brasileira">Literatura brasileira</a><script data-card-contents-for-ri="35090" type="text/json">{"id":35090,"name":"Literatura brasileira","url":"https://www.academia.edu/Documents/in/Literatura_brasileira?f_ri=19243","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=1869650]'), work: {"id":1869650,"title":"La \"Carta pras icamiabas\": o la falta de carácter de un héroe imperial","created_at":"2012-08-19T01:09:57.145-07:00","url":"https://www.academia.edu/1869650/La_Carta_pras_icamiabas_o_la_falta_de_car%C3%A1cter_de_un_h%C3%A9roe_imperial?f_ri=19243","dom_id":"work_1869650","summary":"In Mário de Andrade's second novel, Macunaíma (1928), one comes across a very unique and dissonant letter addressed to the Icamiabas, or Amazon women; the letter is, signed by the hero of the saga, the \"hero without any character\". Transformed into the Emperor of the Virgin Jungle, Macunaíma addresses his subjects in a letter in which Andrade parodies the written discourse and postcolonial rhetoric of national lettered elites. That epistolary text might be constructively read as an example of the type of \"writing\" that \"emerges between mimesis and mimicry\", to say it with Homi Bhabha; a writing that defies the \"the epic intention of the civilizing mission\". In Andrade's novel-rhapsody, the letter constitutes, in addition, a moment of the hero's metamorphoses, the first of a linguistic nature, and an enthronization, that is to say, a moment previous to the carnivalesque desenthronization.","downloadable_attachments":[{"id":26318810,"asset_id":1869650,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1591546,"first_name":"Jerónimo","last_name":"Pizarro","domain_name":"uniandes","page_name":"JeronimoPizarro","display_name":"Jerónimo Pizarro","profile_url":"https://uniandes.academia.edu/JeronimoPizarro?f_ri=19243","photo":"https://0.academia-photos.com/1591546/557398/18719123/s65_jer_nimo.pizarro.png"}],"research_interests":[{"id":19243,"name":"Brasilian (Literature)","url":"https://www.academia.edu/Documents/in/Brasilian_Literature_?f_ri=19243","nofollow":true},{"id":22229,"name":"Parody","url":"https://www.academia.edu/Documents/in/Parody?f_ri=19243","nofollow":true},{"id":30045,"name":"Homi Bhabha (Cultural Theory)","url":"https://www.academia.edu/Documents/in/Homi_Bhabha_Cultural_Theory_?f_ri=19243","nofollow":true},{"id":35090,"name":"Literatura brasileira","url":"https://www.academia.edu/Documents/in/Literatura_brasileira?f_ri=19243","nofollow":true},{"id":93478,"name":"Modernismo","url":"https://www.academia.edu/Documents/in/Modernismo?f_ri=19243"},{"id":100936,"name":"Imitation","url":"https://www.academia.edu/Documents/in/Imitation?f_ri=19243"},{"id":111214,"name":"Mário de Andrade","url":"https://www.academia.edu/Documents/in/M%C3%A1rio_de_Andrade?f_ri=19243"},{"id":147386,"name":"modernismo no Brasil","url":"https://www.academia.edu/Documents/in/modernismo_no_Brasil?f_ri=19243"},{"id":278730,"name":"Parodia","url":"https://www.academia.edu/Documents/in/Parodia?f_ri=19243"},{"id":450551,"name":"Macunaíma","url":"https://www.academia.edu/Documents/in/Macunaima?f_ri=19243"},{"id":570328,"name":"Imitación","url":"https://www.academia.edu/Documents/in/Imitacion?f_ri=19243"},{"id":1116296,"name":"Literatura Brasileña","url":"https://www.academia.edu/Documents/in/Literatura_Brasilena?f_ri=19243"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_350186" data-work_id="350186" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/350186/Tropas_de_cine_La_construcci%C3%B3n_discursiva_de_la_competencia_entre_Brasil_y_Argentina_en_los_festivales_de_cine">Tropas de cine. La construcción discursiva de la competencia entre Brasil y Argentina en los festivales de cine.</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">En los últimos años, los festivales internacionales de cine han proliferado por el mundo y han acumulado funciones nuevas que los tornan centrales para la industria cinematográfica. Así se constituyó un circuito paralelo –aunque conectado... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_350186" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">En los últimos años, los festivales internacionales de cine han proliferado por el mundo y han acumulado funciones nuevas que los tornan centrales para la industria cinematográfica. Así se constituyó un circuito paralelo –aunque conectado e interdependiente con respecto al circuito comercial – para la distribución y exhibición de cine. El circuito de los festivales internacionales de cine tiene jerarquías internas; algunos pocos festivales grandes son los que realmente cuentan como plataformas de éxito para las películas que allí compiten. Los espacios que dedican los festivales centrales a los cines periféricos son importantes aunque limitados, y conforman por ello nichos que pueden fomentar la competencia entre cinematografías marginales. En este trabajo analizamos la construcción discursiva de una situación de competencia entre los cines de Brasil y Argentina por parte de la crítica de cine.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/350186" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="cf7648e24e54bd5aaa6f9385b10a11fc" rel="nofollow" data-download="{"attachment_id":1771205,"asset_id":350186,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/1771205/download_file?st=MTczOTg0MTY5OCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="267103" href="https://unsam.academia.edu/MarinaMoguillansky">Marina Moguillansky</a><script data-card-contents-for-user="267103" type="text/json">{"id":267103,"first_name":"Marina","last_name":"Moguillansky","domain_name":"unsam","page_name":"MarinaMoguillansky","display_name":"Marina Moguillansky","profile_url":"https://unsam.academia.edu/MarinaMoguillansky?f_ri=19243","photo":"https://0.academia-photos.com/267103/65653/36454039/s65_marina.moguillansky.jpg"}</script></span></span></li><li class="js-paper-rank-work_350186 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="350186"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 350186, container: ".js-paper-rank-work_350186", }); 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La construcción discursiva de la competencia entre Brasil y Argentina en los festivales de cine.","created_at":"2010-10-17T10:29:19.228-07:00","url":"https://www.academia.edu/350186/Tropas_de_cine_La_construcci%C3%B3n_discursiva_de_la_competencia_entre_Brasil_y_Argentina_en_los_festivales_de_cine?f_ri=19243","dom_id":"work_350186","summary":"En los últimos años, los festivales internacionales de cine han proliferado por el mundo y han acumulado funciones nuevas que los tornan centrales para la industria cinematográfica. Así se constituyó un circuito paralelo –aunque conectado e interdependiente con respecto al circuito comercial – para la distribución y exhibición de cine. El circuito de los festivales internacionales de cine tiene jerarquías internas; algunos pocos festivales grandes son los que realmente cuentan como plataformas de éxito para las películas que allí compiten. Los espacios que dedican los festivales centrales a los cines periféricos son importantes aunque limitados, y conforman por ello nichos que pueden fomentar la competencia entre cinematografías marginales. En este trabajo analizamos la construcción discursiva de una situación de competencia entre los cines de Brasil y Argentina por parte de la crítica de cine.","downloadable_attachments":[{"id":1771205,"asset_id":350186,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":267103,"first_name":"Marina","last_name":"Moguillansky","domain_name":"unsam","page_name":"MarinaMoguillansky","display_name":"Marina Moguillansky","profile_url":"https://unsam.academia.edu/MarinaMoguillansky?f_ri=19243","photo":"https://0.academia-photos.com/267103/65653/36454039/s65_marina.moguillansky.jpg"}],"research_interests":[{"id":19243,"name":"Brasilian (Literature)","url":"https://www.academia.edu/Documents/in/Brasilian_Literature_?f_ri=19243","nofollow":true},{"id":78906,"name":"Cine","url":"https://www.academia.edu/Documents/in/Cine?f_ri=19243","nofollow":true},{"id":105540,"name":"Festivales","url":"https://www.academia.edu/Documents/in/Festivales?f_ri=19243","nofollow":true}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_47709267" data-work_id="47709267" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/47709267/From_Urb_of_clay_to_the_hypodermic_city_Improper_cities_in_modern_Latin_America">From Urb of clay to the hypodermic city. Improper cities in modern Latin America</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/47709267" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="7e6c6ed0ddd7f6092b6e5e17b3794884" rel="nofollow" data-download="{"attachment_id":66662562,"asset_id":47709267,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/66662562/download_file?st=MTczOTg0MTY5OCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="70385865" href="https://independent.academia.edu/GrzegorczykMarzena">Marzena Grzegorczyk</a><script data-card-contents-for-user="70385865" type="text/json">{"id":70385865,"first_name":"Marzena","last_name":"Grzegorczyk","domain_name":"independent","page_name":"GrzegorczykMarzena","display_name":"Marzena Grzegorczyk","profile_url":"https://independent.academia.edu/GrzegorczykMarzena?f_ri=19243","photo":"https://0.academia-photos.com/70385865/19666444/19984936/s65_marzena.grzegorczyk.png"}</script></span></span></li><li class="js-paper-rank-work_47709267 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="47709267"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 47709267, container: ".js-paper-rank-work_47709267", }); 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No entanto, nos últimos anos, certas narrativas historicamente desoladas e silenciadas procedentes das periferias do Plano Piloto, começaram a ressoar, trazendo no imaginário sobre a cidade outras brasílias em plural que não são mais<br />pensadas como uma utopia, mas como uma heterotopia, uma subversão da ordem estabelecida que nos leva à criação de lugares ressignificados e alternativos. O espaço por excelência da criação e vociferação dessas histórias são os saraus das periferias. Este artigo analisa as imagens sobre Brasília que são construídas nesses espaços literários situados nas Regiões Administrativas, compondo, além da análise, um arquivo com material que não circula além desse circuito literário independente e autônomo.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/43221157" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="1061710719a7cf2b8e6108bc99088930" rel="nofollow" data-download="{"attachment_id":63490389,"asset_id":43221157,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/63490389/download_file?st=MTczOTg0MTY5OCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="9010947" href="https://uba.academia.edu/Luc%C3%ADaTennina">Lucía Tennina</a><script data-card-contents-for-user="9010947" type="text/json">{"id":9010947,"first_name":"Lucía","last_name":"Tennina","domain_name":"uba","page_name":"LucíaTennina","display_name":"Lucía Tennina","profile_url":"https://uba.academia.edu/Luc%C3%ADaTennina?f_ri=19243","photo":"https://0.academia-photos.com/9010947/44771432/35133845/s65_luc_a.tennina.jpg"}</script></span></span></li><li class="js-paper-rank-work_43221157 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="43221157"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 43221157, container: ".js-paper-rank-work_43221157", }); 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$(".js-view-count[data-work-id=43221157]").text(description); $(".js-view-count-work_43221157").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_43221157").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="43221157"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">6</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="188" rel="nofollow" href="https://www.academia.edu/Documents/in/Cultural_Studies">Cultural Studies</a>, <script data-card-contents-for-ri="188" type="text/json">{"id":188,"name":"Cultural Studies","url":"https://www.academia.edu/Documents/in/Cultural_Studies?f_ri=19243","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="7725" rel="nofollow" href="https://www.academia.edu/Documents/in/Urban_Studies">Urban Studies</a>, <script data-card-contents-for-ri="7725" type="text/json">{"id":7725,"name":"Urban Studies","url":"https://www.academia.edu/Documents/in/Urban_Studies?f_ri=19243","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="19243" rel="nofollow" href="https://www.academia.edu/Documents/in/Brasilian_Literature_">Brasilian (Literature)</a>, <script data-card-contents-for-ri="19243" type="text/json">{"id":19243,"name":"Brasilian (Literature)","url":"https://www.academia.edu/Documents/in/Brasilian_Literature_?f_ri=19243","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="35090" rel="nofollow" href="https://www.academia.edu/Documents/in/Literatura_brasileira">Literatura brasileira</a><script data-card-contents-for-ri="35090" type="text/json">{"id":35090,"name":"Literatura brasileira","url":"https://www.academia.edu/Documents/in/Literatura_brasileira?f_ri=19243","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=43221157]'), work: {"id":43221157,"title":"As Brasilias dos saraus das periferias imagens alem do cartao postal","created_at":"2020-06-01T05:06:41.078-07:00","url":"https://www.academia.edu/43221157/As_Brasilias_dos_saraus_das_periferias_imagens_alem_do_cartao_postal?f_ri=19243","dom_id":"work_43221157","summary":"Ainda hoje, as representações de Brasília que circulam como hegemônicas e os brasilienses que nelas aparecem, centram-se todas no projeto original, por mais que muitas delas ressignifiquem suas bases ligadas ao progresso e aos ideais capitalistas, contrapondo relatos que acentuam os afetos, os sentimentos, os corpos que convivem entre o asfalto e o concreto, aspectos à primeira vista incompatíveis com a lógica da cidade. No entanto, nos últimos anos, certas narrativas historicamente desoladas e silenciadas procedentes das periferias do Plano Piloto, começaram a ressoar, trazendo no imaginário sobre a cidade outras brasílias em plural que não são mais\npensadas como uma utopia, mas como uma heterotopia, uma subversão da ordem estabelecida que nos leva à criação de lugares ressignificados e alternativos. O espaço por excelência da criação e vociferação dessas histórias são os saraus das periferias. Este artigo analisa as imagens sobre Brasília que são construídas nesses espaços literários situados nas Regiões Administrativas, compondo, além da análise, um arquivo com material que não circula além desse circuito literário independente e autônomo.","downloadable_attachments":[{"id":63490389,"asset_id":43221157,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":9010947,"first_name":"Lucía","last_name":"Tennina","domain_name":"uba","page_name":"LucíaTennina","display_name":"Lucía Tennina","profile_url":"https://uba.academia.edu/Luc%C3%ADaTennina?f_ri=19243","photo":"https://0.academia-photos.com/9010947/44771432/35133845/s65_luc_a.tennina.jpg"}],"research_interests":[{"id":188,"name":"Cultural Studies","url":"https://www.academia.edu/Documents/in/Cultural_Studies?f_ri=19243","nofollow":true},{"id":7725,"name":"Urban Studies","url":"https://www.academia.edu/Documents/in/Urban_Studies?f_ri=19243","nofollow":true},{"id":19243,"name":"Brasilian (Literature)","url":"https://www.academia.edu/Documents/in/Brasilian_Literature_?f_ri=19243","nofollow":true},{"id":35090,"name":"Literatura brasileira","url":"https://www.academia.edu/Documents/in/Literatura_brasileira?f_ri=19243","nofollow":true},{"id":868017,"name":"Brasilia","url":"https://www.academia.edu/Documents/in/Brasilia?f_ri=19243"},{"id":3109597,"name":"saraus na periferia","url":"https://www.academia.edu/Documents/in/saraus_na_periferia?f_ri=19243"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_43096944" data-work_id="43096944" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/43096944/Canudos_Cidade_de_deus_Una_lectura_sincr%C3%A9tica_de_Los_sertones_de_Euclides_Da_Cunha">Canudos, "Cidade de deus": Una lectura sincrética de Los sertones de Euclides Da Cunha</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Un sondeo por el aspecto religioso de "Los sertones" nos conduce a tres estigmas que se vienen repitiendo desde la publicación definitiva del libro en 1902: 1) Euclides da Cunha desvaloriza y subestima la fe y las creencias de la ciudad... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_43096944" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Un sondeo por el aspecto religioso de "Los sertones" nos conduce a tres estigmas que se vienen repitiendo desde la publicación definitiva del libro en 1902: 1) Euclides da Cunha desvaloriza y subestima la fe y las creencias de la ciudad de Canudos, reduciéndolas a la típica descripción solipsista: Canudos es “la fase religiosa de un monoteísmo incomprendido, repleto de misticismo extravagante que es el fetichismo del indio y el africano”; en conclusión, un catolicismo “mestizo” y “mal comprendido”.  2) Euclides da Cunha, embebido por la teoría antropológica francesa, se seculariza por medio de un discurso positivista que reprueba y se burla de la cosmovisión de Antonio el Conselheiro. 3) En Canudos nunca hubo un conflicto de fe, por ende, una interpretación histórica correcta debe prescindir de la axiología religiosa y pasar a un análisis del plano político y sociológico. Pero estos tres postulados son falsos y han desencadenado varias conclusiones embusteras y desleales al texto de Los sertones, por ejemplo: 1) El libro se enmarca en un ejercicio aplicativo de las teorías de Hippolyte Taine en el contexto brasilero. 2) Con respecto a la forma del texto, prescindir del fondo religioso implicaría que los tres capítulos (La tierra, El hombre y La lucha) son tres cajones cerrados sin relaciones profundas entre sí. 3) Antonio Conselheiro fundamentó su ideología con fines políticos, disfrazándose con una máscara religiosa. 4) La ciencia, atravesando el conflicto de modernización del Brasil, aparece como la clave verdadera para la interpretación de la historia pasada y venidera. Por ende, debemos desmentir estos cuatro puntos. El texto de Da Cunha tiene, en realidad, una comprensión absorbente y compleja de la religiosidad sertaneja. Un virtuosismo espiritual sin mística. Sin mesianismo, ni redención alegórica del texto, trataré de aproximarme a Los sertones desde las referencias cruzadas que devuelven al texto su visión ternaria</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/43096944" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="01eb757baedd751fcf9c76533c08427e" rel="nofollow" data-download="{"attachment_id":63350906,"asset_id":43096944,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/63350906/download_file?st=MTczOTg0MTY5OCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="54410525" href="https://unal.academia.edu/JoseGabrielD%C3%A1vilaRomero">Jose Gabriel Dávila Romero</a><script data-card-contents-for-user="54410525" type="text/json">{"id":54410525,"first_name":"Jose Gabriel","last_name":"Dávila Romero","domain_name":"unal","page_name":"JoseGabrielDávilaRomero","display_name":"Jose Gabriel Dávila Romero","profile_url":"https://unal.academia.edu/JoseGabrielD%C3%A1vilaRomero?f_ri=19243","photo":"https://0.academia-photos.com/54410525/20572479/154763650/s65_jose_gabriel.d_vila_romero.jpeg"}</script></span></span></li><li class="js-paper-rank-work_43096944 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="43096944"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 43096944, container: ".js-paper-rank-work_43096944", }); });</script></li><li class="js-percentile-work_43096944 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 43096944; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_43096944"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_43096944 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="43096944"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 43096944; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=43096944]").text(description); $(".js-view-count-work_43096944").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_43096944").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="43096944"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">6</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="19243" rel="nofollow" href="https://www.academia.edu/Documents/in/Brasilian_Literature_">Brasilian (Literature)</a>, <script data-card-contents-for-ri="19243" type="text/json">{"id":19243,"name":"Brasilian (Literature)","url":"https://www.academia.edu/Documents/in/Brasilian_Literature_?f_ri=19243","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="41401" rel="nofollow" href="https://www.academia.edu/Documents/in/Literatura_Latinoamericana">Literatura Latinoamericana</a>, <script data-card-contents-for-ri="41401" type="text/json">{"id":41401,"name":"Literatura Latinoamericana","url":"https://www.academia.edu/Documents/in/Literatura_Latinoamericana?f_ri=19243","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="46860" rel="nofollow" href="https://www.academia.edu/Documents/in/American_Religious_History">American Religious History</a>, <script data-card-contents-for-ri="46860" type="text/json">{"id":46860,"name":"American Religious History","url":"https://www.academia.edu/Documents/in/American_Religious_History?f_ri=19243","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="95288" rel="nofollow" href="https://www.academia.edu/Documents/in/Euclides_da_Cunha">Euclides da Cunha</a><script data-card-contents-for-ri="95288" type="text/json">{"id":95288,"name":"Euclides da Cunha","url":"https://www.academia.edu/Documents/in/Euclides_da_Cunha?f_ri=19243","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=43096944]'), work: {"id":43096944,"title":"Canudos, \"Cidade de deus\": Una lectura sincrética de Los sertones de Euclides Da Cunha","created_at":"2020-05-18T09:49:40.912-07:00","url":"https://www.academia.edu/43096944/Canudos_Cidade_de_deus_Una_lectura_sincr%C3%A9tica_de_Los_sertones_de_Euclides_Da_Cunha?f_ri=19243","dom_id":"work_43096944","summary":"Un sondeo por el aspecto religioso de \"Los sertones\" nos conduce a tres estigmas que se vienen repitiendo desde la publicación definitiva del libro en 1902: 1) Euclides da Cunha desvaloriza y subestima la fe y las creencias de la ciudad de Canudos, reduciéndolas a la típica descripción solipsista: Canudos es “la fase religiosa de un monoteísmo incomprendido, repleto de misticismo extravagante que es el fetichismo del indio y el africano”; en conclusión, un catolicismo “mestizo” y “mal comprendido”. 2) Euclides da Cunha, embebido por la teoría antropológica francesa, se seculariza por medio de un discurso positivista que reprueba y se burla de la cosmovisión de Antonio el Conselheiro. 3) En Canudos nunca hubo un conflicto de fe, por ende, una interpretación histórica correcta debe prescindir de la axiología religiosa y pasar a un análisis del plano político y sociológico. Pero estos tres postulados son falsos y han desencadenado varias conclusiones embusteras y desleales al texto de Los sertones, por ejemplo: 1) El libro se enmarca en un ejercicio aplicativo de las teorías de Hippolyte Taine en el contexto brasilero. 2) Con respecto a la forma del texto, prescindir del fondo religioso implicaría que los tres capítulos (La tierra, El hombre y La lucha) son tres cajones cerrados sin relaciones profundas entre sí. 3) Antonio Conselheiro fundamentó su ideología con fines políticos, disfrazándose con una máscara religiosa. 4) La ciencia, atravesando el conflicto de modernización del Brasil, aparece como la clave verdadera para la interpretación de la historia pasada y venidera. Por ende, debemos desmentir estos cuatro puntos. El texto de Da Cunha tiene, en realidad, una comprensión absorbente y compleja de la religiosidad sertaneja. Un virtuosismo espiritual sin mística. Sin mesianismo, ni redención alegórica del texto, trataré de aproximarme a Los sertones desde las referencias cruzadas que devuelven al texto su visión ternaria","downloadable_attachments":[{"id":63350906,"asset_id":43096944,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":54410525,"first_name":"Jose Gabriel","last_name":"Dávila Romero","domain_name":"unal","page_name":"JoseGabrielDávilaRomero","display_name":"Jose Gabriel Dávila Romero","profile_url":"https://unal.academia.edu/JoseGabrielD%C3%A1vilaRomero?f_ri=19243","photo":"https://0.academia-photos.com/54410525/20572479/154763650/s65_jose_gabriel.d_vila_romero.jpeg"}],"research_interests":[{"id":19243,"name":"Brasilian (Literature)","url":"https://www.academia.edu/Documents/in/Brasilian_Literature_?f_ri=19243","nofollow":true},{"id":41401,"name":"Literatura Latinoamericana","url":"https://www.academia.edu/Documents/in/Literatura_Latinoamericana?f_ri=19243","nofollow":true},{"id":46860,"name":"American Religious History","url":"https://www.academia.edu/Documents/in/American_Religious_History?f_ri=19243","nofollow":true},{"id":95288,"name":"Euclides da Cunha","url":"https://www.academia.edu/Documents/in/Euclides_da_Cunha?f_ri=19243","nofollow":true},{"id":105677,"name":"Os Sertões","url":"https://www.academia.edu/Documents/in/Os_Sertoes?f_ri=19243"},{"id":334125,"name":"Euclides da Cunha Os sertoes","url":"https://www.academia.edu/Documents/in/Euclides_da_Cunha_Os_sertoes?f_ri=19243"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_7641742" data-work_id="7641742" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/7641742/New_Man_in_the_Tropics_The_Nietzschean_Roots_of_Gilberto_Freyre_s_Multiracial_Identity_Concept">New Man in the Tropics: The Nietzschean Roots of Gilberto Freyre’s Multiracial Identity Concept</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This article focuses on the Brazilian sociologist Gilberto Freyre (1900-1987). It is my goal to demonstrate how Freyre applied Nietzschean ideas to his interpretation of Brazilian society in an attempt to concretize the prophecy of the... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_7641742" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This article focuses on the Brazilian sociologist Gilberto Freyre (1900-1987). It is my goal to demonstrate how Freyre applied Nietzschean ideas to his interpretation of Brazilian society in an attempt to concretize the prophecy of the “new man” in the shape of the multiracial “mestiço.” By Nietzschean ideas I mean ideas indebted to Nietzsche directly or indirectly and reflected in the rhetorical, stylistic and argumentative strategies used by Freyre. It is not my intention to discuss whether Freyre interpreted Nietzsche’s ideas correctly; rather, I wish to highlight parallels to Nietzschean concepts and to indicate how the eclectic, even opportunistic, use of Nietzsche’s work allowed Freyre to move the discussion on Brazilian identity in a new direction. <br /> <br />Casa-grande & Senzala (1933), a obra secular de Gilberto Freyre, foi traditionalmente interpretado de um ponto de vista sociólogo e histórico. Esta interpretação deixou duas questões essenciais em aberto: 1) Como se pode explicar que Freyre interpretou a noção de miscegenação de uma forma (muito) mais positiva do que sociólogos anteriores e 2) Como se pode explicar as tendências elitistas e aristocráticas na sua obra? Este artigo explore estas duas perguntas analisando a influência em Freyre da filosofia de Friedrich Nietzsche através da interpretação de Henry L. Mencken. Argumenta que a influência de Mencken foi maior do que tradicionalmente tem sido admitido e que na obra de Mencken sobre Nietzsche se pode encontrar a mesma interpretação de miscigenação que Freyre mais tarde explorou em Casa-grande & Senzala. Argumenta também que Mencken profundamente influenciou Freyre com as suas ideias aristocráticas e elitistas."</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/7641742" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="d8f3f350a8f594c605f9285fc6881ee3" rel="nofollow" data-download="{"attachment_id":56259029,"asset_id":7641742,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/56259029/download_file?st=MTczOTg0MTY5OCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="13340045" href="https://berkeley.academia.edu/JeroenDewulf">Jeroen Dewulf</a><script data-card-contents-for-user="13340045" type="text/json">{"id":13340045,"first_name":"Jeroen","last_name":"Dewulf","domain_name":"berkeley","page_name":"JeroenDewulf","display_name":"Jeroen Dewulf","profile_url":"https://berkeley.academia.edu/JeroenDewulf?f_ri=19243","photo":"https://0.academia-photos.com/13340045/3740861/4382082/s65_jeroen.dewulf.jpg"}</script></span></span></li><li class="js-paper-rank-work_7641742 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="7641742"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 7641742, container: ".js-paper-rank-work_7641742", }); 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It is my goal to demonstrate how Freyre applied Nietzschean ideas to his interpretation of Brazilian society in an attempt to concretize the prophecy of the “new man” in the shape of the multiracial “mestiço.” By Nietzschean ideas I mean ideas indebted to Nietzsche directly or indirectly and reflected in the rhetorical, stylistic and argumentative strategies used by Freyre. It is not my intention to discuss whether Freyre interpreted Nietzsche’s ideas correctly; rather, I wish to highlight parallels to Nietzschean concepts and to indicate how the eclectic, even opportunistic, use of Nietzsche’s work allowed Freyre to move the discussion on Brazilian identity in a new direction. \r\n\r\nCasa-grande \u0026 Senzala (1933), a obra secular de Gilberto Freyre, foi traditionalmente interpretado de um ponto de vista sociólogo e histórico. Esta interpretação deixou duas questões essenciais em aberto: 1) Como se pode explicar que Freyre interpretou a noção de miscegenação de uma forma (muito) mais positiva do que sociólogos anteriores e 2) Como se pode explicar as tendências elitistas e aristocráticas na sua obra? Este artigo explore estas duas perguntas analisando a influência em Freyre da filosofia de Friedrich Nietzsche através da interpretação de Henry L. Mencken. Argumenta que a influência de Mencken foi maior do que tradicionalmente tem sido admitido e que na obra de Mencken sobre Nietzsche se pode encontrar a mesma interpretação de miscigenação que Freyre mais tarde explorou em Casa-grande \u0026 Senzala. Argumenta também que Mencken profundamente influenciou Freyre com as suas ideias aristocráticas e elitistas.\"","downloadable_attachments":[{"id":56259029,"asset_id":7641742,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":13340045,"first_name":"Jeroen","last_name":"Dewulf","domain_name":"berkeley","page_name":"JeroenDewulf","display_name":"Jeroen Dewulf","profile_url":"https://berkeley.academia.edu/JeroenDewulf?f_ri=19243","photo":"https://0.academia-photos.com/13340045/3740861/4382082/s65_jeroen.dewulf.jpg"}],"research_interests":[{"id":128,"name":"History","url":"https://www.academia.edu/Documents/in/History?f_ri=19243","nofollow":true},{"id":136,"name":"Cultural History","url":"https://www.academia.edu/Documents/in/Cultural_History?f_ri=19243","nofollow":true},{"id":184,"name":"Sociology","url":"https://www.academia.edu/Documents/in/Sociology?f_ri=19243","nofollow":true},{"id":188,"name":"Cultural 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data-work_id="43096833" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/43096833/Infinitud_finita_la_del_alma_consigo_misma_Paradigma_de_la_m%C3%ADstica_en_La_pasi%C3%B3n_seg%C3%BAn_G_H_de_Clarice_Lispector">Infinitud finita, la del alma consigo misma. Paradigma de la mística en La pasión según G. H. de Clarice Lispector</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Crear una lectura de La pasión de G. H. es correr el riesgo de no acceder a la realidad del texto. Pero así mismo, “toda comprensión intensa es finalmente la revelación de una profunda incomprensión” . Fracaso ineludible de cualquier... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_43096833" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Crear una lectura de La pasión de G. H. es correr el riesgo de no acceder a la realidad del texto. Pero así mismo, “toda comprensión intensa es finalmente la revelación de una profunda incomprensión” . Fracaso ineludible de cualquier hipótesis de lectura que no comprenda que “la oscuridad no es iluminable” , y que “la oscuridad es un modo de ser: la oscuridad es el mundo vital de la oscuridad, y nunca se toca el nudo vital de una cosa” . Así, frente a esa opacidad infranqueable por la teoría, tratare de formular una hipótesis de lectura que respete esa oscuridad inherente alumbrándola con más oscuridades adyacentes. Este es un trabajo que trata de articular la novela de Clarice Lispector con toda la tradición mística que engarza con la afinidad de las imágenes, los tropos y la litúrgica que aparecen en La pasión según G. 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$(".js-view-count[data-work-id=43096833]").text(description); $(".js-view-count-work_43096833").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_43096833").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="43096833"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">10</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="4263" rel="nofollow" href="https://www.academia.edu/Documents/in/Christian_Mysticism">Christian Mysticism</a>, <script data-card-contents-for-ri="4263" type="text/json">{"id":4263,"name":"Christian Mysticism","url":"https://www.academia.edu/Documents/in/Christian_Mysticism?f_ri=19243","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="19243" rel="nofollow" href="https://www.academia.edu/Documents/in/Brasilian_Literature_">Brasilian (Literature)</a>, <script data-card-contents-for-ri="19243" type="text/json">{"id":19243,"name":"Brasilian (Literature)","url":"https://www.academia.edu/Documents/in/Brasilian_Literature_?f_ri=19243","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="31664" rel="nofollow" href="https://www.academia.edu/Documents/in/Medieval_Mysticism">Medieval Mysticism</a>, <script data-card-contents-for-ri="31664" type="text/json">{"id":31664,"name":"Medieval Mysticism","url":"https://www.academia.edu/Documents/in/Medieval_Mysticism?f_ri=19243","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="40542" rel="nofollow" href="https://www.academia.edu/Documents/in/Clarice_Lispector">Clarice Lispector</a><script data-card-contents-for-ri="40542" type="text/json">{"id":40542,"name":"Clarice Lispector","url":"https://www.academia.edu/Documents/in/Clarice_Lispector?f_ri=19243","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=43096833]'), work: {"id":43096833,"title":"Infinitud finita, la del alma consigo misma. Paradigma de la mística en La pasión según G. H. de Clarice Lispector","created_at":"2020-05-18T09:30:20.381-07:00","url":"https://www.academia.edu/43096833/Infinitud_finita_la_del_alma_consigo_misma_Paradigma_de_la_m%C3%ADstica_en_La_pasi%C3%B3n_seg%C3%BAn_G_H_de_Clarice_Lispector?f_ri=19243","dom_id":"work_43096833","summary":"Crear una lectura de La pasión de G. H. es correr el riesgo de no acceder a la realidad del texto. Pero así mismo, “toda comprensión intensa es finalmente la revelación de una profunda incomprensión” . Fracaso ineludible de cualquier hipótesis de lectura que no comprenda que “la oscuridad no es iluminable” , y que “la oscuridad es un modo de ser: la oscuridad es el mundo vital de la oscuridad, y nunca se toca el nudo vital de una cosa” . Así, frente a esa opacidad infranqueable por la teoría, tratare de formular una hipótesis de lectura que respete esa oscuridad inherente alumbrándola con más oscuridades adyacentes. Este es un trabajo que trata de articular la novela de Clarice Lispector con toda la tradición mística que engarza con la afinidad de las imágenes, los tropos y la litúrgica que aparecen en La pasión según G. H. ","downloadable_attachments":[{"id":63350750,"asset_id":43096833,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":54410525,"first_name":"Jose Gabriel","last_name":"Dávila Romero","domain_name":"unal","page_name":"JoseGabrielDávilaRomero","display_name":"Jose Gabriel Dávila Romero","profile_url":"https://unal.academia.edu/JoseGabrielD%C3%A1vilaRomero?f_ri=19243","photo":"https://0.academia-photos.com/54410525/20572479/154763650/s65_jose_gabriel.d_vila_romero.jpeg"}],"research_interests":[{"id":4263,"name":"Christian Mysticism","url":"https://www.academia.edu/Documents/in/Christian_Mysticism?f_ri=19243","nofollow":true},{"id":19243,"name":"Brasilian (Literature)","url":"https://www.academia.edu/Documents/in/Brasilian_Literature_?f_ri=19243","nofollow":true},{"id":31664,"name":"Medieval Mysticism","url":"https://www.academia.edu/Documents/in/Medieval_Mysticism?f_ri=19243","nofollow":true},{"id":40542,"name":"Clarice Lispector","url":"https://www.academia.edu/Documents/in/Clarice_Lispector?f_ri=19243","nofollow":true},{"id":41401,"name":"Literatura Latinoamericana","url":"https://www.academia.edu/Documents/in/Literatura_Latinoamericana?f_ri=19243"},{"id":115179,"name":"Comparative Mystical Literature","url":"https://www.academia.edu/Documents/in/Comparative_Mystical_Literature?f_ri=19243"},{"id":175923,"name":"Escritura conventual femenina","url":"https://www.academia.edu/Documents/in/Escritura_conventual_femenina?f_ri=19243"},{"id":180247,"name":"Mystical experience","url":"https://www.academia.edu/Documents/in/Mystical_experience?f_ri=19243"},{"id":250388,"name":"Mística","url":"https://www.academia.edu/Documents/in/M%C3%ADstica?f_ri=19243"},{"id":548366,"name":"Literatura Brasileira Contemporânea","url":"https://www.academia.edu/Documents/in/Literatura_Brasileira_Contemporanea?f_ri=19243"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_2277778 coauthored" data-work_id="2277778" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/2277778/Antonio_Candido_Una_palabra_inestable_">Antonio Candido, "Una palabra inestable"</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">cuadernos de literatura nº31 • enero-junio 2012 issn 0122-8102 • págs. 213-222</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/2277778" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="ee7e53161a1f8ab1bfb47c081888532e" rel="nofollow" data-download="{"attachment_id":33413951,"asset_id":2277778,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/33413951/download_file?st=MTczOTg0MTY5OCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1745525" href="https://javeriana.academia.edu/CuadernosdeLiteratura">Cuadernos de Literatura</a><script data-card-contents-for-user="1745525" type="text/json">{"id":1745525,"first_name":"Cuadernos","last_name":"de Literatura","domain_name":"javeriana","page_name":"CuadernosdeLiteratura","display_name":"Cuadernos de Literatura","profile_url":"https://javeriana.academia.edu/CuadernosdeLiteratura?f_ri=19243","photo":"https://0.academia-photos.com/1745525/948410/11942775/s65_cuadernos.de_literatura.jpg"}</script></span></span><span class="u-displayInlineBlock InlineList-item-text"> and <span class="u-textDecorationUnderline u-clickable InlineList-item-text js-work-more-authors-2277778">+1</span><div class="hidden js-additional-users-2277778"><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://independent.academia.edu/MRussotto">M. Russotto</a></span></div></div></span><script>(function(){ var popoverSettings = { el: $('.js-work-more-authors-2277778'), placement: 'bottom', hide_delay: 200, html: true, content: function(){ return $('.js-additional-users-2277778').html(); } } new HoverPopover(popoverSettings); })();</script></li><li class="js-paper-rank-work_2277778 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="2277778"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 2277778, container: ".js-paper-rank-work_2277778", }); });</script></li><li class="js-percentile-work_2277778 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 2277778; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_2277778"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_2277778 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="2277778"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 2277778; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=2277778]").text(description); $(".js-view-count-work_2277778").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_2277778").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="2277778"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">33</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="128" rel="nofollow" href="https://www.academia.edu/Documents/in/History">History</a>, <script data-card-contents-for-ri="128" type="text/json">{"id":128,"name":"History","url":"https://www.academia.edu/Documents/in/History?f_ri=19243","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="184" rel="nofollow" href="https://www.academia.edu/Documents/in/Sociology">Sociology</a>, <script data-card-contents-for-ri="184" type="text/json">{"id":184,"name":"Sociology","url":"https://www.academia.edu/Documents/in/Sociology?f_ri=19243","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="188" rel="nofollow" href="https://www.academia.edu/Documents/in/Cultural_Studies">Cultural Studies</a>, <script data-card-contents-for-ri="188" type="text/json">{"id":188,"name":"Cultural Studies","url":"https://www.academia.edu/Documents/in/Cultural_Studies?f_ri=19243","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="388" rel="nofollow" href="https://www.academia.edu/Documents/in/Latin_American_Studies">Latin American Studies</a><script data-card-contents-for-ri="388" type="text/json">{"id":388,"name":"Latin American Studies","url":"https://www.academia.edu/Documents/in/Latin_American_Studies?f_ri=19243","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=2277778]'), work: {"id":2277778,"title":"Antonio Candido, \"Una palabra inestable\"","created_at":"2012-12-11T07:51:20.085-08:00","url":"https://www.academia.edu/2277778/Antonio_Candido_Una_palabra_inestable_?f_ri=19243","dom_id":"work_2277778","summary":"cuadernos de literatura nº31 • enero-junio 2012 issn 0122-8102 • págs. 213-222","downloadable_attachments":[{"id":33413951,"asset_id":2277778,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1745525,"first_name":"Cuadernos","last_name":"de Literatura","domain_name":"javeriana","page_name":"CuadernosdeLiteratura","display_name":"Cuadernos de Literatura","profile_url":"https://javeriana.academia.edu/CuadernosdeLiteratura?f_ri=19243","photo":"https://0.academia-photos.com/1745525/948410/11942775/s65_cuadernos.de_literatura.jpg"},{"id":55815396,"first_name":"M.","last_name":"Russotto","domain_name":"independent","page_name":"MRussotto","display_name":"M. Russotto","profile_url":"https://independent.academia.edu/MRussotto?f_ri=19243","photo":"/images/s65_no_pic.png"}],"research_interests":[{"id":128,"name":"History","url":"https://www.academia.edu/Documents/in/History?f_ri=19243","nofollow":true},{"id":184,"name":"Sociology","url":"https://www.academia.edu/Documents/in/Sociology?f_ri=19243","nofollow":true},{"id":188,"name":"Cultural Studies","url":"https://www.academia.edu/Documents/in/Cultural_Studies?f_ri=19243","nofollow":true},{"id":388,"name":"Latin American Studies","url":"https://www.academia.edu/Documents/in/Latin_American_Studies?f_ri=19243","nofollow":true},{"id":659,"name":"Comparative Literature","url":"https://www.academia.edu/Documents/in/Comparative_Literature?f_ri=19243"},{"id":767,"name":"Anthropology","url":"https://www.academia.edu/Documents/in/Anthropology?f_ri=19243"},{"id":803,"name":"Philosophy","url":"https://www.academia.edu/Documents/in/Philosophy?f_ri=19243"},{"id":951,"name":"Humanities","url":"https://www.academia.edu/Documents/in/Humanities?f_ri=19243"},{"id":1237,"name":"Social Sciences","url":"https://www.academia.edu/Documents/in/Social_Sciences?f_ri=19243"},{"id":2418,"name":"Literature","url":"https://www.academia.edu/Documents/in/Literature?f_ri=19243"},{"id":3773,"name":"Literary Criticism","url":"https://www.academia.edu/Documents/in/Literary_Criticism?f_ri=19243"},{"id":3827,"name":"Brazilian Studies","url":"https://www.academia.edu/Documents/in/Brazilian_Studies?f_ri=19243"},{"id":3986,"name":"Brazilian History","url":"https://www.academia.edu/Documents/in/Brazilian_History?f_ri=19243"},{"id":5878,"name":"Nationalism","url":"https://www.academia.edu/Documents/in/Nationalism?f_ri=19243"},{"id":7125,"name":"Culture","url":"https://www.academia.edu/Documents/in/Culture?f_ri=19243"},{"id":7888,"name":"Literary Theory","url":"https://www.academia.edu/Documents/in/Literary_Theory?f_ri=19243"},{"id":9821,"name":"Brazil","url":"https://www.academia.edu/Documents/in/Brazil?f_ri=19243"},{"id":10422,"name":"National Identity","url":"https://www.academia.edu/Documents/in/National_Identity?f_ri=19243"},{"id":12957,"name":"Latin American literature","url":"https://www.academia.edu/Documents/in/Latin_American_literature?f_ri=19243"},{"id":15262,"name":"Latin American History","url":"https://www.academia.edu/Documents/in/Latin_American_History?f_ri=19243"},{"id":19243,"name":"Brasilian (Literature)","url":"https://www.academia.edu/Documents/in/Brasilian_Literature_?f_ri=19243"},{"id":35090,"name":"Literatura brasileira","url":"https://www.academia.edu/Documents/in/Literatura_brasileira?f_ri=19243"},{"id":35572,"name":"Brazilian Literature","url":"https://www.academia.edu/Documents/in/Brazilian_Literature?f_ri=19243"},{"id":41401,"name":"Literatura Latinoamericana","url":"https://www.academia.edu/Documents/in/Literatura_Latinoamericana?f_ri=19243"},{"id":50363,"name":"Literatura","url":"https://www.academia.edu/Documents/in/Literatura?f_ri=19243"},{"id":55883,"name":"Brazilian Contemporary Literature","url":"https://www.academia.edu/Documents/in/Brazilian_Contemporary_Literature?f_ri=19243"},{"id":56989,"name":"Latin America","url":"https://www.academia.edu/Documents/in/Latin_America?f_ri=19243"},{"id":65318,"name":"Brasil","url":"https://www.academia.edu/Documents/in/Brasil?f_ri=19243"},{"id":101074,"name":"Nation-State","url":"https://www.academia.edu/Documents/in/Nation-State?f_ri=19243"},{"id":157969,"name":"Latinoamerica","url":"https://www.academia.edu/Documents/in/Latinoamerica?f_ri=19243"},{"id":227998,"name":"Nacionalismo","url":"https://www.academia.edu/Documents/in/Nacionalismo?f_ri=19243"},{"id":548366,"name":"Literatura Brasileira Contemporânea","url":"https://www.academia.edu/Documents/in/Literatura_Brasileira_Contemporanea?f_ri=19243"},{"id":552825,"name":"Nacionalni Identitet","url":"https://www.academia.edu/Documents/in/Nacionalni_Identitet?f_ri=19243"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_31934658" data-work_id="31934658" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/31934658/UMA_MULHER_EM_FESTA_M%C3%8DSTICA_E_SIMBOLISMO_EM_TR%C3%8AS_PUBLICA%C3%87%C3%95ES_POUCO_CONHECIDAS_DE_CEC%C3%8DLIA_MEIRELES_Camila_Marchioro">UMA MULHER EM FESTA: MÍSTICA E SIMBOLISMO EM TRÊS PUBLICAÇÕES POUCO CONHECIDAS DE CECÍLIA MEIRELES – Camila Marchioro</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This essay intends to discuss three contributions of Cecília Meireles to the Festa magazine which have not yet been reviewed by the critics. It is intended to show how these publications are inserted in an important text corpus which... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_31934658" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This essay intends to discuss three contributions of Cecília Meireles to the Festa magazine which have not yet been reviewed by the critics. It is intended to show how these publications are inserted in an important text corpus which covers a previous poetic phase, from 1927 to 1935, before the publication of Viagem (1939). These texts unveil a process of maturity on the part of the poet in relation to the aesthetic and thematic of her first published works. Thus, it is intended to demonstrate that in the selected texts, each in a distinct form, Cecília Meireles handled differently the mystical theme, which happens to be addressed more intensely in the future. One of the few women’s voices among the spiritualist group, the texts published by the poet lay a space for the representation of women in a context not much exploited by Brazilian literature: the spiritual ascension.<br /><br />RESUMO: O objetivo deste ensaio é discutir três contribuições de Cecília Meireles para a revista Festa ainda não analisadas pela crítica literária. Pretende-se mostrar como tais publicações consistem em um importante corpus de textos que compreendem uma fase (1927 a 1935) anterior à publicação de Viagem (1939), e revelam um amadurecimento da poetisa em relação à estética e temática de seus primeiros<br />poemas publicados. Com efeito, visa-se evidenciar que tais textos, ousados na forma, demostram que Cecília Meireles investiu em um tratamento diferente do tema da mística, que passa a ser abordado de modo mais intenso futuramente. Sendo uma das poucas vozes femininas do grupo espiritualista, os textos publicados pela poeta dão espaço para a representação da mulher num âmbito ainda não muito explorado pela literatura brasileira: a ascensão espiritual.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/31934658" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="3d5dfeb2c7f0641f216d997a5858d4d3" rel="nofollow" data-download="{"attachment_id":52213085,"asset_id":31934658,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/52213085/download_file?st=MTczOTg0MTY5OCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="3579139" href="https://uniandrade.academia.edu/CamilaMarchioro">Camila Marchioro</a><script data-card-contents-for-user="3579139" type="text/json">{"id":3579139,"first_name":"Camila","last_name":"Marchioro","domain_name":"uniandrade","page_name":"CamilaMarchioro","display_name":"Camila Marchioro","profile_url":"https://uniandrade.academia.edu/CamilaMarchioro?f_ri=19243","photo":"https://0.academia-photos.com/3579139/15997402/113175877/s65_camila.marchioro.jpg"}</script></span></span></li><li class="js-paper-rank-work_31934658 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="31934658"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 31934658, container: ".js-paper-rank-work_31934658", }); });</script></li><li class="js-percentile-work_31934658 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 31934658; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_31934658"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_31934658 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="31934658"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 31934658; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=31934658]").text(description); $(".js-view-count-work_31934658").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_31934658").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="31934658"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="7370" rel="nofollow" href="https://www.academia.edu/Documents/in/Symbolism">Symbolism</a>, <script data-card-contents-for-ri="7370" type="text/json">{"id":7370,"name":"Symbolism","url":"https://www.academia.edu/Documents/in/Symbolism?f_ri=19243","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="8444" rel="nofollow" href="https://www.academia.edu/Documents/in/Modernist_Literature_Literary_Modernism_">Modernist Literature (Literary Modernism)</a>, <script data-card-contents-for-ri="8444" type="text/json">{"id":8444,"name":"Modernist Literature (Literary Modernism)","url":"https://www.academia.edu/Documents/in/Modernist_Literature_Literary_Modernism_?f_ri=19243","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="19243" rel="nofollow" href="https://www.academia.edu/Documents/in/Brasilian_Literature_">Brasilian (Literature)</a>, <script data-card-contents-for-ri="19243" type="text/json">{"id":19243,"name":"Brasilian (Literature)","url":"https://www.academia.edu/Documents/in/Brasilian_Literature_?f_ri=19243","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="712594" rel="nofollow" href="https://www.academia.edu/Documents/in/Cecilia_Meireles">Cecília Meireles</a><script data-card-contents-for-ri="712594" type="text/json">{"id":712594,"name":"Cecília Meireles","url":"https://www.academia.edu/Documents/in/Cecilia_Meireles?f_ri=19243","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=31934658]'), work: {"id":31934658,"title":"UMA MULHER EM FESTA: MÍSTICA E SIMBOLISMO EM TRÊS PUBLICAÇÕES POUCO CONHECIDAS DE CECÍLIA MEIRELES – Camila Marchioro","created_at":"2017-03-19T14:26:19.665-07:00","url":"https://www.academia.edu/31934658/UMA_MULHER_EM_FESTA_M%C3%8DSTICA_E_SIMBOLISMO_EM_TR%C3%8AS_PUBLICA%C3%87%C3%95ES_POUCO_CONHECIDAS_DE_CEC%C3%8DLIA_MEIRELES_Camila_Marchioro?f_ri=19243","dom_id":"work_31934658","summary":"This essay intends to discuss three contributions of Cecília Meireles to the Festa magazine which have not yet been reviewed by the critics. It is intended to show how these publications are inserted in an important text corpus which covers a previous poetic phase, from 1927 to 1935, before the publication of Viagem (1939). These texts unveil a process of maturity on the part of the poet in relation to the aesthetic and thematic of her first published works. Thus, it is intended to demonstrate that in the selected texts, each in a distinct form, Cecília Meireles handled differently the mystical theme, which happens to be addressed more intensely in the future. One of the few women’s voices among the spiritualist group, the texts published by the poet lay a space for the representation of women in a context not much exploited by Brazilian literature: the spiritual ascension.\n\nRESUMO: O objetivo deste ensaio é discutir três contribuições de Cecília Meireles para a revista Festa ainda não analisadas pela crítica literária. Pretende-se mostrar como tais publicações consistem em um importante corpus de textos que compreendem uma fase (1927 a 1935) anterior à publicação de Viagem (1939), e revelam um amadurecimento da poetisa em relação à estética e temática de seus primeiros\npoemas publicados. Com efeito, visa-se evidenciar que tais textos, ousados na forma, demostram que Cecília Meireles investiu em um tratamento diferente do tema da mística, que passa a ser abordado de modo mais intenso futuramente. Sendo uma das poucas vozes femininas do grupo espiritualista, os textos publicados pela poeta dão espaço para a representação da mulher num âmbito ainda não muito explorado pela literatura brasileira: a ascensão espiritual.","downloadable_attachments":[{"id":52213085,"asset_id":31934658,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":3579139,"first_name":"Camila","last_name":"Marchioro","domain_name":"uniandrade","page_name":"CamilaMarchioro","display_name":"Camila Marchioro","profile_url":"https://uniandrade.academia.edu/CamilaMarchioro?f_ri=19243","photo":"https://0.academia-photos.com/3579139/15997402/113175877/s65_camila.marchioro.jpg"}],"research_interests":[{"id":7370,"name":"Symbolism","url":"https://www.academia.edu/Documents/in/Symbolism?f_ri=19243","nofollow":true},{"id":8444,"name":"Modernist Literature (Literary Modernism)","url":"https://www.academia.edu/Documents/in/Modernist_Literature_Literary_Modernism_?f_ri=19243","nofollow":true},{"id":19243,"name":"Brasilian (Literature)","url":"https://www.academia.edu/Documents/in/Brasilian_Literature_?f_ri=19243","nofollow":true},{"id":712594,"name":"Cecília Meireles","url":"https://www.academia.edu/Documents/in/Cecilia_Meireles?f_ri=19243","nofollow":true}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_10575975" data-work_id="10575975" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/10575975/Intimos_arquip%C3%A9lagos_La_afor%C3%ADstica_en_Cadernos_de_Jo%C3%A3o_de_An%C3%ADbal_Machado_y_la_po%C3%A9tica_de_la_archipelizaci%C3%B3n">Intimos arquipélagos: La aforística en Cadernos de João de Aníbal Machado y la poética de la archipelización</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Based on the aphoristic work Cadernos de João by Brasilian Writer Aníbal Machado, the present article reflects on the relation between aphorism and the poetics of archipelization whose features have been outlined by Gaston Bachelard, the... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_10575975" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Based on the aphoristic work Cadernos de João by Brasilian Writer Aníbal Machado, the present article reflects on the relation between aphorism and the poetics of archipelization whose features have been outlined by Gaston Bachelard, the French Surrealists, and most notably by the French Caribbean writer Edouard Glissant. We postulate that Cadernos de João anticipates an aphoristic postcolonial writing that tends toward the intuitive, the unexpected, and the fragmentary, thus reflecting the characteristics of a world in a condition of archipelization. <br /> <br />Centrado en la obra aforística Cadernos de João del escritor brasileño Aníbal Machado, el presente artículo reflexiona sobre la relación entre el aforismo y una poética del archipiélago cuyos rasgos han sido trazados por Gastón Bachelard, los surrealistas franceses y, sobre todo, por Edouard Glissant. Postulamos la tesis de que Cadernos de João puede considerarse como obra precursora de una escritura aforística postcolonial que tiende a lo intuitivo, lo imprevisto y lo fragmentario, reflejando así las caractérísticas de un mundo en estado de archipelización.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/10575975" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="8b54ebdb80c01fc9b37388e0bc9a519c" rel="nofollow" data-download="{"attachment_id":39449191,"asset_id":10575975,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/39449191/download_file?st=MTczOTg0MTY5OCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="9013876" href="https://ku-eichstaett.academia.edu/MiriamLayBrander">Miriam Lay Brander</a><script data-card-contents-for-user="9013876" type="text/json">{"id":9013876,"first_name":"Miriam","last_name":"Lay Brander","domain_name":"ku-eichstaett","page_name":"MiriamLayBrander","display_name":"Miriam Lay Brander","profile_url":"https://ku-eichstaett.academia.edu/MiriamLayBrander?f_ri=19243","photo":"https://0.academia-photos.com/9013876/7095326/13964080/s65_miriam.lay_brander.jpg"}</script></span></span></li><li class="js-paper-rank-work_10575975 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="10575975"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 10575975, container: ".js-paper-rank-work_10575975", }); 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$(".js-view-count[data-work-id=10575975]").text(description); $(".js-view-count-work_10575975").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_10575975").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="10575975"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">10</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="388" rel="nofollow" href="https://www.academia.edu/Documents/in/Latin_American_Studies">Latin American Studies</a>, <script data-card-contents-for-ri="388" type="text/json">{"id":388,"name":"Latin American Studies","url":"https://www.academia.edu/Documents/in/Latin_American_Studies?f_ri=19243","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="8414" rel="nofollow" href="https://www.academia.edu/Documents/in/Gaston_Bachelard">Gaston Bachelard</a>, <script data-card-contents-for-ri="8414" type="text/json">{"id":8414,"name":"Gaston Bachelard","url":"https://www.academia.edu/Documents/in/Gaston_Bachelard?f_ri=19243","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="12957" rel="nofollow" href="https://www.academia.edu/Documents/in/Latin_American_literature">Latin American literature</a>, <script data-card-contents-for-ri="12957" type="text/json">{"id":12957,"name":"Latin American literature","url":"https://www.academia.edu/Documents/in/Latin_American_literature?f_ri=19243","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="19243" rel="nofollow" href="https://www.academia.edu/Documents/in/Brasilian_Literature_">Brasilian (Literature)</a><script data-card-contents-for-ri="19243" type="text/json">{"id":19243,"name":"Brasilian (Literature)","url":"https://www.academia.edu/Documents/in/Brasilian_Literature_?f_ri=19243","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=10575975]'), work: {"id":10575975,"title":"Intimos arquipélagos: La aforística en Cadernos de João de Aníbal Machado y la poética de la archipelización","created_at":"2015-02-06T13:16:00.305-08:00","url":"https://www.academia.edu/10575975/Intimos_arquip%C3%A9lagos_La_afor%C3%ADstica_en_Cadernos_de_Jo%C3%A3o_de_An%C3%ADbal_Machado_y_la_po%C3%A9tica_de_la_archipelizaci%C3%B3n?f_ri=19243","dom_id":"work_10575975","summary":"Based on the aphoristic work Cadernos de João by Brasilian Writer Aníbal Machado, the present article reflects on the relation between aphorism and the poetics of archipelization whose features have been outlined by Gaston Bachelard, the French Surrealists, and most notably by the French Caribbean writer Edouard Glissant. We postulate that Cadernos de João anticipates an aphoristic postcolonial writing that tends toward the intuitive, the unexpected, and the fragmentary, thus reflecting the characteristics of a world in a condition of archipelization.\r\n\r\nCentrado en la obra aforística Cadernos de João del escritor brasileño Aníbal Machado, el presente artículo reflexiona sobre la relación entre el aforismo y una poética del archipiélago cuyos rasgos han sido trazados por Gastón Bachelard, los surrealistas franceses y, sobre todo, por Edouard Glissant. Postulamos la tesis de que Cadernos de João puede considerarse como obra precursora de una escritura aforística postcolonial que tiende a lo intuitivo, lo imprevisto y lo fragmentario, reflejando así las caractérísticas de un mundo en estado de archipelización.","downloadable_attachments":[{"id":39449191,"asset_id":10575975,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":9013876,"first_name":"Miriam","last_name":"Lay Brander","domain_name":"ku-eichstaett","page_name":"MiriamLayBrander","display_name":"Miriam Lay Brander","profile_url":"https://ku-eichstaett.academia.edu/MiriamLayBrander?f_ri=19243","photo":"https://0.academia-photos.com/9013876/7095326/13964080/s65_miriam.lay_brander.jpg"}],"research_interests":[{"id":388,"name":"Latin American Studies","url":"https://www.academia.edu/Documents/in/Latin_American_Studies?f_ri=19243","nofollow":true},{"id":8414,"name":"Gaston Bachelard","url":"https://www.academia.edu/Documents/in/Gaston_Bachelard?f_ri=19243","nofollow":true},{"id":12957,"name":"Latin American literature","url":"https://www.academia.edu/Documents/in/Latin_American_literature?f_ri=19243","nofollow":true},{"id":19243,"name":"Brasilian (Literature)","url":"https://www.academia.edu/Documents/in/Brasilian_Literature_?f_ri=19243","nofollow":true},{"id":35090,"name":"Literatura brasileira","url":"https://www.academia.edu/Documents/in/Literatura_brasileira?f_ri=19243"},{"id":69164,"name":"Edouard Glissant","url":"https://www.academia.edu/Documents/in/Edouard_Glissant?f_ri=19243"},{"id":75187,"name":"Fragments and Aphorisms","url":"https://www.academia.edu/Documents/in/Fragments_and_Aphorisms?f_ri=19243"},{"id":199130,"name":"Poesia Brasileira","url":"https://www.academia.edu/Documents/in/Poesia_Brasileira?f_ri=19243"},{"id":548366,"name":"Literatura Brasileira Contemporânea","url":"https://www.academia.edu/Documents/in/Literatura_Brasileira_Contemporanea?f_ri=19243"},{"id":1418898,"name":"Islands and Archipelagos","url":"https://www.academia.edu/Documents/in/Islands_and_Archipelagos?f_ri=19243"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_45468030 coauthored" data-work_id="45468030" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/45468030/Variations_des_traductions_fran%C3%A7aises_de_Linfirmier_de_Machado_de_Assis">Variations des traductions françaises de L'infirmier de Machado de Assis</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">L’écrivain brésilien Machado de Assis manie l’art de la construction des fables sociales‚ dominant l’ironie du ton. L’une de ses nouvelles‚ L’Infirmier‚ publiée pour la première fois dans le recueil Alguns Contos‚ en 1896‚ a donné lieu à... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_45468030" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">L’écrivain brésilien Machado de Assis manie l’art de la construction des fables sociales‚ dominant l’ironie du ton. L’une de ses nouvelles‚ L’Infirmier‚ publiée pour la première fois dans le recueil Alguns Contos‚ en 1896‚ a donné lieu à de nombreuses traductions françaises. Quatorze ans après sa publication au Brésil‚ cette nouvelle est introduite par Adrien Delpech dans le premier recueil de nouvelles françaises sur Machado. En 1911‚ parait la co-traduction de Philéas Lebesgue et Manoel Gahisto‚ publiée dans la revue Mille nouvelles nouvelles. En 1917‚ la même nouvelle est retraduite par Victor Orban dans un premier livre critique en français : Machado de Assis‚ son œuvre littéraire. Enfin‚ la dernière traduction que nous étudions ici date de 1997‚ s’agissant en fait de la première traduction d’Adrien Delpech revue et corrigée‚ publiée dans le recueil de nouvelles La Cartomancienne et autres histoires. Les traductions de toute l’œuvre de Machado de Assis en langue française s’étendent de 1910 à 2010‚ réalisées par une quinzaine de traducteurs (dont Adrien Delpech‚ Victor Orban‚ François Miomandre‚ Alain de Acevedo‚ Ronaldo de Carvalho‚ Maryvonne-Lapouge Petorelli‚ Florent Kolher‚ Philippe Billé‚ Michèle Giudicelli‚ Anne-Marie Quint et Jean Briant).</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/45468030" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="dbb5637beaef939ac2cb37152787893e" rel="nofollow" data-download="{"attachment_id":65971434,"asset_id":45468030,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/65971434/download_file?st=MTczOTg0MTY5OCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="30280178" href="https://ufma.academia.edu/EmilieAudigier">Emilie Audigier</a><script data-card-contents-for-user="30280178" type="text/json">{"id":30280178,"first_name":"Emilie","last_name":"Audigier","domain_name":"ufma","page_name":"EmilieAudigier","display_name":"Emilie Audigier","profile_url":"https://ufma.academia.edu/EmilieAudigier?f_ri=19243","photo":"https://0.academia-photos.com/30280178/8768205/9791802/s65_emilie.audigier.jpg"}</script></span></span><span class="u-displayInlineBlock InlineList-item-text"> and <span class="u-textDecorationUnderline u-clickable InlineList-item-text js-work-more-authors-45468030">+1</span><div class="hidden js-additional-users-45468030"><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://univ-amu.academia.edu/FrancescaManzari">Francesca Manzari</a></span></div></div></span><script>(function(){ var popoverSettings = { el: $('.js-work-more-authors-45468030'), placement: 'bottom', hide_delay: 200, html: true, content: function(){ return $('.js-additional-users-45468030').html(); } } new HoverPopover(popoverSettings); })();</script></li><li class="js-paper-rank-work_45468030 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="45468030"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 45468030, container: ".js-paper-rank-work_45468030", }); });</script></li><li class="js-percentile-work_45468030 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 45468030; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_45468030"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_45468030 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="45468030"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 45468030; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=45468030]").text(description); $(".js-view-count-work_45468030").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_45468030").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="45468030"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">12</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="1186" rel="nofollow" href="https://www.academia.edu/Documents/in/Translation_Studies">Translation Studies</a>, <script data-card-contents-for-ri="1186" type="text/json">{"id":1186,"name":"Translation Studies","url":"https://www.academia.edu/Documents/in/Translation_Studies?f_ri=19243","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="6868" rel="nofollow" href="https://www.academia.edu/Documents/in/Luso-Afro-Brazilian_Studies">Luso-Afro-Brazilian Studies</a>, <script data-card-contents-for-ri="6868" type="text/json">{"id":6868,"name":"Luso-Afro-Brazilian Studies","url":"https://www.academia.edu/Documents/in/Luso-Afro-Brazilian_Studies?f_ri=19243","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="8330" rel="nofollow" href="https://www.academia.edu/Documents/in/Walter_Benjamin">Walter Benjamin</a>, <script data-card-contents-for-ri="8330" type="text/json">{"id":8330,"name":"Walter Benjamin","url":"https://www.academia.edu/Documents/in/Walter_Benjamin?f_ri=19243","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="19243" rel="nofollow" href="https://www.academia.edu/Documents/in/Brasilian_Literature_">Brasilian (Literature)</a><script data-card-contents-for-ri="19243" type="text/json">{"id":19243,"name":"Brasilian (Literature)","url":"https://www.academia.edu/Documents/in/Brasilian_Literature_?f_ri=19243","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=45468030]'), work: {"id":45468030,"title":"Variations des traductions françaises de L'infirmier de Machado de Assis","created_at":"2021-03-11T03:39:25.655-08:00","url":"https://www.academia.edu/45468030/Variations_des_traductions_fran%C3%A7aises_de_Linfirmier_de_Machado_de_Assis?f_ri=19243","dom_id":"work_45468030","summary":"L’écrivain brésilien Machado de Assis manie l’art de la construction des fables sociales‚ dominant l’ironie du ton. L’une de ses nouvelles‚ L’Infirmier‚ publiée pour la première fois dans le recueil Alguns Contos‚ en 1896‚ a donné lieu à de nombreuses traductions françaises. Quatorze ans après sa publication au Brésil‚ cette nouvelle est introduite par Adrien Delpech dans le premier recueil de nouvelles françaises sur Machado. En 1911‚ parait la co-traduction de Philéas Lebesgue et Manoel Gahisto‚ publiée dans la revue Mille nouvelles nouvelles. En 1917‚ la même nouvelle est retraduite par Victor Orban dans un premier livre critique en français : Machado de Assis‚ son œuvre littéraire. Enfin‚ la dernière traduction que nous étudions ici date de 1997‚ s’agissant en fait de la première traduction d’Adrien Delpech revue et corrigée‚ publiée dans le recueil de nouvelles La Cartomancienne et autres histoires. Les traductions de toute l’œuvre de Machado de Assis en langue française s’étendent de 1910 à 2010‚ réalisées par une quinzaine de traducteurs (dont Adrien Delpech‚ Victor Orban‚ François Miomandre‚ Alain de Acevedo‚ Ronaldo de Carvalho‚ Maryvonne-Lapouge Petorelli‚ Florent Kolher‚ Philippe Billé‚ Michèle Giudicelli‚ Anne-Marie Quint et Jean Briant).","downloadable_attachments":[{"id":65971434,"asset_id":45468030,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":30280178,"first_name":"Emilie","last_name":"Audigier","domain_name":"ufma","page_name":"EmilieAudigier","display_name":"Emilie Audigier","profile_url":"https://ufma.academia.edu/EmilieAudigier?f_ri=19243","photo":"https://0.academia-photos.com/30280178/8768205/9791802/s65_emilie.audigier.jpg"},{"id":6020738,"first_name":"Francesca","last_name":"Manzari","domain_name":"univ-amu","page_name":"FrancescaManzari","display_name":"Francesca Manzari","profile_url":"https://univ-amu.academia.edu/FrancescaManzari?f_ri=19243","photo":"https://0.academia-photos.com/6020738/2540956/95279681/s65_francesca.manzari.jpeg"}],"research_interests":[{"id":1186,"name":"Translation Studies","url":"https://www.academia.edu/Documents/in/Translation_Studies?f_ri=19243","nofollow":true},{"id":6868,"name":"Luso-Afro-Brazilian Studies","url":"https://www.academia.edu/Documents/in/Luso-Afro-Brazilian_Studies?f_ri=19243","nofollow":true},{"id":8330,"name":"Walter Benjamin","url":"https://www.academia.edu/Documents/in/Walter_Benjamin?f_ri=19243","nofollow":true},{"id":19243,"name":"Brasilian (Literature)","url":"https://www.academia.edu/Documents/in/Brasilian_Literature_?f_ri=19243","nofollow":true},{"id":33989,"name":"Machado de Assis","url":"https://www.academia.edu/Documents/in/Machado_de_Assis?f_ri=19243"},{"id":50804,"name":"Literary translation","url":"https://www.academia.edu/Documents/in/Literary_translation?f_ri=19243"},{"id":53566,"name":"Antoine Berman","url":"https://www.academia.edu/Documents/in/Antoine_Berman?f_ri=19243"},{"id":366380,"name":"Histoire de la traduction","url":"https://www.academia.edu/Documents/in/Histoire_de_la_traduction?f_ri=19243"},{"id":734589,"name":"Pós-Colonialidade E Descolonialidade","url":"https://www.academia.edu/Documents/in/Pos-Colonialidade_E_Descolonialidade?f_ri=19243"},{"id":1290390,"name":"Retraduction","url":"https://www.academia.edu/Documents/in/Retraduction?f_ri=19243"},{"id":1362566,"name":"Contos brasileiros","url":"https://www.academia.edu/Documents/in/Contos_brasileiros?f_ri=19243"},{"id":2355423,"name":"Machado de Assis Studies","url":"https://www.academia.edu/Documents/in/Machado_de_Assis_Studies?f_ri=19243"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_42992594" data-work_id="42992594" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/42992594/A_FOR%C3%87A_DISCURSIVA_DO_SIL%C3%8ANCIO_EM_BA%C3%9A_DE_OSSOS_DE_PEDRO_NAVA">A FORÇA DISCURSIVA DO SILÊNCIO EM BAÚ DE OSSOS DE PEDRO NAVA</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">RESUMO: O presente trabalho objetiva colocar em diálogo a opacidade viabilizada pela materialidade do silêncio considerado como um tipo singular de discurso. Por meio de excertos do primeiro volume das memórias do escritor brasileiro... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_42992594" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">RESUMO: O presente trabalho objetiva colocar em diálogo a opacidade viabilizada pela materialidade do silêncio considerado como um tipo singular de discurso. Por meio de excertos do primeiro volume das memórias do escritor brasileiro Pedro Nava, intitulado Baú de ossos, publicado em 1972, pretendeu-se vislumbrar, ao longo do fio narrativo, a cristalização de não-ditos e a respectiva potencialização do processo de significação que esses hiatos no plano enunciativo ofertam ao leitor. Foram conclamados, neste artigo, alguns momentos em que Pedro Nava, em sua labuta com as memórias de sua infância, como também com o resgate da história dos seus antepassados no Ceará, Rio de Janeiro e Minas Gerais, subitamente interrompe a narração, optando por silenciar e, talvez, potencializar a significação através de não-ditos. Nesse mecanismo de enquadramento da memória, o incansável jogo de lembrar e esquecer cumpre variadas funções e Nava, com destreza ímpar, conduz o fio narrativo ora detalhando minuciosamente cada acontecimento, ora trancafiando situações e fatos em circunscrições de silêncios. Para delinear uma organização mínima aos fragmentos que foram escolhidos, o critério é que os mesmos contemplassem, simultaneamente ou não, a tríade de Michael Pollak: i) silêncio em conseqüência da angústia de não encontrar uma escuta; ii) silêncio para evitar punição por aquilo que se diz; e iii) silêncio para não se expor a mal-entendidos. Com auxílio da tipologia de discursos, de silêncios, de Pollak, verticalizou-se a leitura do Baú de ossos tentando resgatar alguns não-ditos cuja existência se deve muito menos em conseqüência da inexequibilidade em rememorar um dado específico, do que da habilidade com a qual o narrador, autodiegético, optou mantê-los indizíveis e, assim o fazendo, dilatou o potencial de significação residente nesses lugares de opacidade.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/42992594" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="978ad94110dce20744ba46b49e679dc0" rel="nofollow" data-download="{"attachment_id":63254140,"asset_id":42992594,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/63254140/download_file?st=MTczOTg0MTY5OCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="136740473" href="https://independent.academia.edu/WellingtonCarvalho38">Wellington Marçal de Carvalho</a><script data-card-contents-for-user="136740473" type="text/json">{"id":136740473,"first_name":"Wellington","last_name":"Marçal de Carvalho","domain_name":"independent","page_name":"WellingtonCarvalho38","display_name":"Wellington Marçal de Carvalho","profile_url":"https://independent.academia.edu/WellingtonCarvalho38?f_ri=19243","photo":"https://0.academia-photos.com/136740473/44047028/34803601/s65_wellington.carvalho.jpg"}</script></span></span></li><li class="js-paper-rank-work_42992594 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="42992594"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 42992594, container: ".js-paper-rank-work_42992594", }); 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$(".js-view-count[data-work-id=42992594]").text(description); $(".js-view-count-work_42992594").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_42992594").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="42992594"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">3</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="19243" rel="nofollow" href="https://www.academia.edu/Documents/in/Brasilian_Literature_">Brasilian (Literature)</a>, <script data-card-contents-for-ri="19243" type="text/json">{"id":19243,"name":"Brasilian (Literature)","url":"https://www.academia.edu/Documents/in/Brasilian_Literature_?f_ri=19243","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="222850" rel="nofollow" href="https://www.academia.edu/Documents/in/Mem%C3%B3ria">Memória</a>, <script data-card-contents-for-ri="222850" type="text/json">{"id":222850,"name":"Memória","url":"https://www.academia.edu/Documents/in/Mem%C3%B3ria?f_ri=19243","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="445262" rel="nofollow" href="https://www.academia.edu/Documents/in/Sil%C3%AAncio">Silêncio</a><script data-card-contents-for-ri="445262" type="text/json">{"id":445262,"name":"Silêncio","url":"https://www.academia.edu/Documents/in/Sil%C3%AAncio?f_ri=19243","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=42992594]'), work: {"id":42992594,"title":"A FORÇA DISCURSIVA DO SILÊNCIO EM BAÚ DE OSSOS DE PEDRO NAVA","created_at":"2020-05-09T14:33:47.176-07:00","url":"https://www.academia.edu/42992594/A_FOR%C3%87A_DISCURSIVA_DO_SIL%C3%8ANCIO_EM_BA%C3%9A_DE_OSSOS_DE_PEDRO_NAVA?f_ri=19243","dom_id":"work_42992594","summary":"RESUMO: O presente trabalho objetiva colocar em diálogo a opacidade viabilizada pela materialidade do silêncio considerado como um tipo singular de discurso. 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Para delinear uma organização mínima aos fragmentos que foram escolhidos, o critério é que os mesmos contemplassem, simultaneamente ou não, a tríade de Michael Pollak: i) silêncio em conseqüência da angústia de não encontrar uma escuta; ii) silêncio para evitar punição por aquilo que se diz; e iii) silêncio para não se expor a mal-entendidos. Com auxílio da tipologia de discursos, de silêncios, de Pollak, verticalizou-se a leitura do Baú de ossos tentando resgatar alguns não-ditos cuja existência se deve muito menos em conseqüência da inexequibilidade em rememorar um dado específico, do que da habilidade com a qual o narrador, autodiegético, optou mantê-los indizíveis e, assim o fazendo, dilatou o potencial de significação residente nesses lugares de opacidade.","downloadable_attachments":[{"id":63254140,"asset_id":42992594,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":136740473,"first_name":"Wellington","last_name":"Marçal de Carvalho","domain_name":"independent","page_name":"WellingtonCarvalho38","display_name":"Wellington Marçal de Carvalho","profile_url":"https://independent.academia.edu/WellingtonCarvalho38?f_ri=19243","photo":"https://0.academia-photos.com/136740473/44047028/34803601/s65_wellington.carvalho.jpg"}],"research_interests":[{"id":19243,"name":"Brasilian (Literature)","url":"https://www.academia.edu/Documents/in/Brasilian_Literature_?f_ri=19243","nofollow":true},{"id":222850,"name":"Memória","url":"https://www.academia.edu/Documents/in/Mem%C3%B3ria?f_ri=19243","nofollow":true},{"id":445262,"name":"Silêncio","url":"https://www.academia.edu/Documents/in/Sil%C3%AAncio?f_ri=19243","nofollow":true}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_41184403" data-work_id="41184403" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/41184403/Comunidad_y_afectos_en_la_literatura_marginal_brasile%C3%B1a">Comunidad y afectos en la literatura marginal brasileña</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">El acelerado proceso de modernización de las últimas décadas produjo en Brasil una transformación de la economía afectiva de todos los sujetos, particularmente en la de aquellos instalados al margen de la sociedad tradicional. El campo... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_41184403" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">El acelerado proceso de modernización de las últimas décadas produjo en Brasil una transformación de la economía afectiva de todos los sujetos, particularmente en la de aquellos instalados al margen de la sociedad tradicional. El campo literario brasileño respondió a este escenario con un nuevo tipo de escritura, la llamada "literatura marginal". En ella, un grupo significativo de nuevos sujetos se convierten en los protagonistas de las narraciones y sus condiciones de vida en el escenario de la acción; condiciones de vida precarias que movilizan las acciones marcadas por la violencia y la intensidad de los afectos. De este modo, tanto los vínculos subjetivos como los comunitarios se encuentran determinados por una interdependencia fatal de afectos y poder donde prevalece la percepción subjetiva, lo que no permite asumir una actitud política y ética que contribuya a una solución objetiva.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/41184403" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="49a54d1d82195859091fefd3114af028" rel="nofollow" data-download="{"attachment_id":61424362,"asset_id":41184403,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/61424362/download_file?st=MTczOTg0MTY5OCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="4558000" href="https://uchile.academia.edu/NataliaL%C3%B3pez">Natalia López</a><script data-card-contents-for-user="4558000" type="text/json">{"id":4558000,"first_name":"Natalia","last_name":"López","domain_name":"uchile","page_name":"NataliaLópez","display_name":"Natalia López","profile_url":"https://uchile.academia.edu/NataliaL%C3%B3pez?f_ri=19243","photo":"https://0.academia-photos.com/4558000/11291270/60551874/s65_natalia.l_pez.jpg"}</script></span></span></li><li class="js-paper-rank-work_41184403 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="41184403"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 41184403, container: ".js-paper-rank-work_41184403", }); 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$(".js-view-count[data-work-id=41184403]").text(description); $(".js-view-count-work_41184403").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_41184403").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="41184403"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">2</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="19243" rel="nofollow" href="https://www.academia.edu/Documents/in/Brasilian_Literature_">Brasilian (Literature)</a>, <script data-card-contents-for-ri="19243" type="text/json">{"id":19243,"name":"Brasilian (Literature)","url":"https://www.academia.edu/Documents/in/Brasilian_Literature_?f_ri=19243","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="27903" rel="nofollow" href="https://www.academia.edu/Documents/in/Affect_Cultural_Theory_">Affect (Cultural Theory)</a><script data-card-contents-for-ri="27903" type="text/json">{"id":27903,"name":"Affect (Cultural Theory)","url":"https://www.academia.edu/Documents/in/Affect_Cultural_Theory_?f_ri=19243","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=41184403]'), work: {"id":41184403,"title":"Comunidad y afectos en la literatura marginal brasileña","created_at":"2019-12-04T12:56:09.149-08:00","url":"https://www.academia.edu/41184403/Comunidad_y_afectos_en_la_literatura_marginal_brasile%C3%B1a?f_ri=19243","dom_id":"work_41184403","summary":"El acelerado proceso de modernización de las últimas décadas produjo en Brasil una transformación de la economía afectiva de todos los sujetos, particularmente en la de aquellos instalados al margen de la sociedad tradicional. El campo literario brasileño respondió a este escenario con un nuevo tipo de escritura, la llamada \"literatura marginal\". En ella, un grupo significativo de nuevos sujetos se convierten en los protagonistas de las narraciones y sus condiciones de vida en el escenario de la acción; condiciones de vida precarias que movilizan las acciones marcadas por la violencia y la intensidad de los afectos. De este modo, tanto los vínculos subjetivos como los comunitarios se encuentran determinados por una interdependencia fatal de afectos y poder donde prevalece la percepción subjetiva, lo que no permite asumir una actitud política y ética que contribuya a una solución objetiva. ","downloadable_attachments":[{"id":61424362,"asset_id":41184403,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":4558000,"first_name":"Natalia","last_name":"López","domain_name":"uchile","page_name":"NataliaLópez","display_name":"Natalia López","profile_url":"https://uchile.academia.edu/NataliaL%C3%B3pez?f_ri=19243","photo":"https://0.academia-photos.com/4558000/11291270/60551874/s65_natalia.l_pez.jpg"}],"research_interests":[{"id":19243,"name":"Brasilian (Literature)","url":"https://www.academia.edu/Documents/in/Brasilian_Literature_?f_ri=19243","nofollow":true},{"id":27903,"name":"Affect (Cultural Theory)","url":"https://www.academia.edu/Documents/in/Affect_Cultural_Theory_?f_ri=19243","nofollow":true}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_36037045" data-work_id="36037045" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/36037045/Por_uma_edi%C3%A7%C3%A3o_cr%C3%ADtica_e_um_estudo_do_poema_Nicteroy_de_Janu%C3%A1rio_da_Cunha_Barbosa">Por uma edição crítica e um estudo do poema Nicteroy, de Januário da Cunha Barbosa</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Este artigo pretende divulgar resultados parciais do projeto de apresentação de uma edição modernizada do texto do poema Nicteroy, de Januário da Cunha Barbosa, a partir da tradição impressa de circulação do poema. A partir disso,... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_36037045" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Este artigo pretende divulgar resultados parciais do projeto de apresentação de uma edição modernizada do texto do poema Nicteroy, de Januário da Cunha Barbosa, a partir da tradição impressa de circulação do poema. A partir disso, cotejarei os resultados com o testemunho manuscrito com intuito de estabelecimento desse texto em uma futura edição crítica. O poema, originalmente publicado em 1822, e pouco republicado, possui um manuscrito datado de 1820 que apresenta inúmeras variantes. Exporei brevemente dados sobre a obra e seu autor, contextualizando o poema e sua publicação, para, em seguida, apresentar um trecho selecionado do poema (de 476 versos), a partir do qual discutirei algumas questões textuais.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/36037045" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="3974bb604c19cfc33c02d87b50ee9f1a" rel="nofollow" data-download="{"attachment_id":55922743,"asset_id":36037045,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/55922743/download_file?st=MTczOTg0MTY5OCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="777669" href="https://uff.academia.edu/BeethovenAlvarez">Beethoven Alvarez</a><script data-card-contents-for-user="777669" type="text/json">{"id":777669,"first_name":"Beethoven","last_name":"Alvarez","domain_name":"uff","page_name":"BeethovenAlvarez","display_name":"Beethoven Alvarez","profile_url":"https://uff.academia.edu/BeethovenAlvarez?f_ri=19243","photo":"https://0.academia-photos.com/777669/262930/153426322/s65_beethoven.alvarez.jpeg"}</script></span></span></li><li class="js-paper-rank-work_36037045 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="36037045"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 36037045, container: ".js-paper-rank-work_36037045", }); });</script></li><li class="js-percentile-work_36037045 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 36037045; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_36037045"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_36037045 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="36037045"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 36037045; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=36037045]").text(description); $(".js-view-count-work_36037045").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_36037045").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="36037045"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">2</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="4178" rel="nofollow" href="https://www.academia.edu/Documents/in/Textual_Criticism">Textual Criticism</a>, <script data-card-contents-for-ri="4178" type="text/json">{"id":4178,"name":"Textual Criticism","url":"https://www.academia.edu/Documents/in/Textual_Criticism?f_ri=19243","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="19243" rel="nofollow" href="https://www.academia.edu/Documents/in/Brasilian_Literature_">Brasilian (Literature)</a><script data-card-contents-for-ri="19243" type="text/json">{"id":19243,"name":"Brasilian (Literature)","url":"https://www.academia.edu/Documents/in/Brasilian_Literature_?f_ri=19243","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=36037045]'), work: {"id":36037045,"title":"Por uma edição crítica e um estudo do poema Nicteroy, de Januário da Cunha Barbosa","created_at":"2018-02-27T18:59:33.452-08:00","url":"https://www.academia.edu/36037045/Por_uma_edi%C3%A7%C3%A3o_cr%C3%ADtica_e_um_estudo_do_poema_Nicteroy_de_Janu%C3%A1rio_da_Cunha_Barbosa?f_ri=19243","dom_id":"work_36037045","summary":"Este artigo pretende divulgar resultados parciais do projeto de apresentação de uma edição modernizada do texto do poema Nicteroy, de Januário da Cunha Barbosa, a partir da tradição impressa de circulação do poema. A partir disso, cotejarei os resultados com o testemunho manuscrito com intuito de estabelecimento desse texto em uma futura edição crítica. O poema, originalmente publicado em 1822, e pouco republicado, possui um manuscrito datado de 1820 que apresenta inúmeras variantes. Exporei brevemente dados sobre a obra e seu autor, contextualizando o poema e sua publicação, para, em seguida, apresentar um trecho selecionado do poema (de 476 versos), a partir do qual discutirei algumas questões textuais.","downloadable_attachments":[{"id":55922743,"asset_id":36037045,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":777669,"first_name":"Beethoven","last_name":"Alvarez","domain_name":"uff","page_name":"BeethovenAlvarez","display_name":"Beethoven Alvarez","profile_url":"https://uff.academia.edu/BeethovenAlvarez?f_ri=19243","photo":"https://0.academia-photos.com/777669/262930/153426322/s65_beethoven.alvarez.jpeg"}],"research_interests":[{"id":4178,"name":"Textual Criticism","url":"https://www.academia.edu/Documents/in/Textual_Criticism?f_ri=19243","nofollow":true},{"id":19243,"name":"Brasilian (Literature)","url":"https://www.academia.edu/Documents/in/Brasilian_Literature_?f_ri=19243","nofollow":true}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_15678301" data-work_id="15678301" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/15678301/RECEP%C3%87%C3%83O_INTERNACIONAL_DE_MACHADO_DE_ASSIS_UM_DEBATE_EM_TORNO_DA_DISJUNTIVA_LOCAL_VS_UNIVERSAL">RECEPÇÃO INTERNACIONAL DE MACHADO DE ASSIS: UM DEBATE EM TORNO DA DISJUNTIVA LOCAL VS. UNIVERSAL</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">RESUMO: Procuramos analisar a oposição entre os conceitos de local e universal, oposição que aparece em alguns textos críticos acerca da recepção internacional da obra de Machado de Assis que foram publicados ao longo da última década. Os... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_15678301" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">RESUMO: Procuramos analisar a oposição entre os conceitos de local e universal, oposição que aparece em alguns textos críticos acerca da recepção internacional da obra de Machado de Assis que foram publicados ao longo da última década. Os críticos e pesquisadores cujas ideias comentamos, e cujos artigos compuseram um debate sobre a inserção da obra machadiana no cenário internacional, são, nomeadamente, Michael Wood, Roberto Schwarz e Abel Barros Baptista. Nossa análise e comentário sobre o debate entre eles de- senvolvido conta ainda, como ponto de fuga, com nosso posicionamento de que o uso da disjuntiva local vs. universal comporta o risco de ocultar a realidade histórico-social em que o fenômeno literário está inserido. Faz-se necessário, portanto, buscar outras categorias que deem conta de for- ma mais equilibrada de toda a complexidade envolvida na produção e recepção literária, em geral, e na produção e recepção da obra machadiana, em particular. <br />PALAVRAS-CHAVE: local; universal; crítica; recepção; Machado de Assis <br /> <br />ABSTRACT: This paper analyzes the opposition between the concepts of regional and universal that can be found in some pieces of critical work, published during the last deca- de, about the international reception of Machado de Assis. The critics and researchers whose ideas we will examine and whose articles have composed a debate about the reception of Machado’s work in the international scenery are, namely, Michael Wood, Roberto Schwarz and Abel Barros Baptista. Our analysis and examination of the debate developed bet- ween them also bring, as a horizon, our position according to which the disjunction regional vs. universal carries the risk of hiding the social and historical reality in which the literary phenomenon is placed. Due to that we believe it is necessary do search other categories able to deal in a more appropriated way with all the complexity involved in literary production and reception, in general, and in the production and reception of Machado’s work, in particular. <br />KEYWORDS: regional; universal; criticism; reception; Machado de Assis</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/15678301" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="b6205315e616937f365a4a5d7ee62fee" rel="nofollow" data-download="{"attachment_id":38762464,"asset_id":15678301,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/38762464/download_file?st=MTczOTg0MTY5OCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="367418" href="https://ufpr.academia.edu/MariaIsabelBordini">Maria Isabel Bordini</a><script data-card-contents-for-user="367418" type="text/json">{"id":367418,"first_name":"Maria Isabel","last_name":"Bordini","domain_name":"ufpr","page_name":"MariaIsabelBordini","display_name":"Maria Isabel Bordini","profile_url":"https://ufpr.academia.edu/MariaIsabelBordini?f_ri=19243","photo":"https://0.academia-photos.com/367418/2639188/150024605/s65_maria_isabel.bordini.jpg"}</script></span></span></li><li class="js-paper-rank-work_15678301 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="15678301"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 15678301, container: ".js-paper-rank-work_15678301", }); });</script></li><li class="js-percentile-work_15678301 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 15678301; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_15678301"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_15678301 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="15678301"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 15678301; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=15678301]").text(description); $(".js-view-count-work_15678301").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_15678301").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="15678301"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="19243" rel="nofollow" href="https://www.academia.edu/Documents/in/Brasilian_Literature_">Brasilian (Literature)</a>, <script data-card-contents-for-ri="19243" type="text/json">{"id":19243,"name":"Brasilian (Literature)","url":"https://www.academia.edu/Documents/in/Brasilian_Literature_?f_ri=19243","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="33989" rel="nofollow" href="https://www.academia.edu/Documents/in/Machado_de_Assis">Machado de Assis</a>, <script data-card-contents-for-ri="33989" type="text/json">{"id":33989,"name":"Machado de Assis","url":"https://www.academia.edu/Documents/in/Machado_de_Assis?f_ri=19243","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="249740" rel="nofollow" href="https://www.academia.edu/Documents/in/Antonio_Candido">Antonio Candido</a>, <script data-card-contents-for-ri="249740" type="text/json">{"id":249740,"name":"Antonio Candido","url":"https://www.academia.edu/Documents/in/Antonio_Candido?f_ri=19243","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="249741" rel="nofollow" href="https://www.academia.edu/Documents/in/Roberto_Schwarz">Roberto Schwarz</a><script data-card-contents-for-ri="249741" type="text/json">{"id":249741,"name":"Roberto Schwarz","url":"https://www.academia.edu/Documents/in/Roberto_Schwarz?f_ri=19243","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=15678301]'), work: {"id":15678301,"title":"RECEPÇÃO INTERNACIONAL DE MACHADO DE ASSIS: UM DEBATE EM TORNO DA DISJUNTIVA LOCAL VS. UNIVERSAL","created_at":"2015-09-14T03:46:45.708-07:00","url":"https://www.academia.edu/15678301/RECEP%C3%87%C3%83O_INTERNACIONAL_DE_MACHADO_DE_ASSIS_UM_DEBATE_EM_TORNO_DA_DISJUNTIVA_LOCAL_VS_UNIVERSAL?f_ri=19243","dom_id":"work_15678301","summary":"RESUMO: Procuramos analisar a oposição entre os conceitos de local e universal, oposição que aparece em alguns textos críticos acerca da recepção internacional da obra de Machado de Assis que foram publicados ao longo da última década. Os críticos e pesquisadores cujas ideias comentamos, e cujos artigos compuseram um debate sobre a inserção da obra machadiana no cenário internacional, são, nomeadamente, Michael Wood, Roberto Schwarz e Abel Barros Baptista. Nossa análise e comentário sobre o debate entre eles de- senvolvido conta ainda, como ponto de fuga, com nosso posicionamento de que o uso da disjuntiva local vs. universal comporta o risco de ocultar a realidade histórico-social em que o fenômeno literário está inserido. Faz-se necessário, portanto, buscar outras categorias que deem conta de for- ma mais equilibrada de toda a complexidade envolvida na produção e recepção literária, em geral, e na produção e recepção da obra machadiana, em particular.\r\nPALAVRAS-CHAVE: local; universal; crítica; recepção; Machado de Assis\r\n\r\nABSTRACT: This paper analyzes the opposition between the concepts of regional and universal that can be found in some pieces of critical work, published during the last deca- de, about the international reception of Machado de Assis. The critics and researchers whose ideas we will examine and whose articles have composed a debate about the reception of Machado’s work in the international scenery are, namely, Michael Wood, Roberto Schwarz and Abel Barros Baptista. Our analysis and examination of the debate developed bet- ween them also bring, as a horizon, our position according to which the disjunction regional vs. universal carries the risk of hiding the social and historical reality in which the literary phenomenon is placed. Due to that we believe it is necessary do search other categories able to deal in a more appropriated way with all the complexity involved in literary production and reception, in general, and in the production and reception of Machado’s work, in particular.\r\nKEYWORDS: regional; universal; criticism; reception; Machado de Assis\r\n","downloadable_attachments":[{"id":38762464,"asset_id":15678301,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":367418,"first_name":"Maria Isabel","last_name":"Bordini","domain_name":"ufpr","page_name":"MariaIsabelBordini","display_name":"Maria Isabel Bordini","profile_url":"https://ufpr.academia.edu/MariaIsabelBordini?f_ri=19243","photo":"https://0.academia-photos.com/367418/2639188/150024605/s65_maria_isabel.bordini.jpg"}],"research_interests":[{"id":19243,"name":"Brasilian (Literature)","url":"https://www.academia.edu/Documents/in/Brasilian_Literature_?f_ri=19243","nofollow":true},{"id":33989,"name":"Machado de Assis","url":"https://www.academia.edu/Documents/in/Machado_de_Assis?f_ri=19243","nofollow":true},{"id":249740,"name":"Antonio Candido","url":"https://www.academia.edu/Documents/in/Antonio_Candido?f_ri=19243","nofollow":true},{"id":249741,"name":"Roberto Schwarz","url":"https://www.academia.edu/Documents/in/Roberto_Schwarz?f_ri=19243","nofollow":true}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_2194775" data-work_id="2194775" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/2194775/Weberson_Fernandes_Grizoste_A_dimens%C3%A3o_anti_%C3%A9pica_de_Virg%C3%ADlio_e_o_indianismo_de_Gon%C3%A7alves_Dias_Coimbra_Centro_de_Estudos_Cl%C3%A1ssicos_e_Human%C3%ADsticos_Universidade_de_Coimbra_2011_206_p">Weberson Fernandes Grizoste. A dimensão anti-épica de Virgílio e o indianismo de Gonçalves Dias. Coimbra, Centro de Estudos Clássicos e Humanísticos (Universidade de Coimbra), 2011, 206 p.</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/2194775" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="387b216106ea0ce317ae20ead74c590b" rel="nofollow" data-download="{"attachment_id":30246342,"asset_id":2194775,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/30246342/download_file?st=MTczOTg0MTY5OCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="2809835" href="https://conicet-ar.academia.edu/Mat%C3%ADasFernandezRobbio">Matías Fernandez Robbio</a><script data-card-contents-for-user="2809835" type="text/json">{"id":2809835,"first_name":"Matías","last_name":"Fernandez Robbio","domain_name":"conicet-ar","page_name":"MatíasFernandezRobbio","display_name":"Matías Fernandez Robbio","profile_url":"https://conicet-ar.academia.edu/Mat%C3%ADasFernandezRobbio?f_ri=19243","photo":"https://0.academia-photos.com/2809835/917733/49875505/s65_mat_as.fernandez_robbio.jpg"}</script></span></span></li><li class="js-paper-rank-work_2194775 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="2194775"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 2194775, container: ".js-paper-rank-work_2194775", }); 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A dimensão anti-épica de Virgílio e o indianismo de Gonçalves Dias. Coimbra, Centro de Estudos Clássicos e Humanísticos (Universidade de Coimbra), 2011, 206 p.","created_at":"2012-11-25T12:05:45.596-08:00","url":"https://www.academia.edu/2194775/Weberson_Fernandes_Grizoste_A_dimens%C3%A3o_anti_%C3%A9pica_de_Virg%C3%ADlio_e_o_indianismo_de_Gon%C3%A7alves_Dias_Coimbra_Centro_de_Estudos_Cl%C3%A1ssicos_e_Human%C3%ADsticos_Universidade_de_Coimbra_2011_206_p?f_ri=19243","dom_id":"work_2194775","summary":null,"downloadable_attachments":[{"id":30246342,"asset_id":2194775,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":2809835,"first_name":"Matías","last_name":"Fernandez Robbio","domain_name":"conicet-ar","page_name":"MatíasFernandezRobbio","display_name":"Matías Fernandez Robbio","profile_url":"https://conicet-ar.academia.edu/Mat%C3%ADasFernandezRobbio?f_ri=19243","photo":"https://0.academia-photos.com/2809835/917733/49875505/s65_mat_as.fernandez_robbio.jpg"}],"research_interests":[{"id":14048,"name":"Latin Epic","url":"https://www.academia.edu/Documents/in/Latin_Epic?f_ri=19243","nofollow":true},{"id":14753,"name":"Vergil","url":"https://www.academia.edu/Documents/in/Vergil?f_ri=19243","nofollow":true},{"id":19243,"name":"Brasilian (Literature)","url":"https://www.academia.edu/Documents/in/Brasilian_Literature_?f_ri=19243","nofollow":true},{"id":22599,"name":"Classical Reception Studies","url":"https://www.academia.edu/Documents/in/Classical_Reception_Studies?f_ri=19243","nofollow":true},{"id":140451,"name":"The Reception of Vergil","url":"https://www.academia.edu/Documents/in/The_Reception_of_Vergil?f_ri=19243"},{"id":648382,"name":"Gonçalves Dias","url":"https://www.academia.edu/Documents/in/Goncalves_Dias?f_ri=19243"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_6538221" data-work_id="6538221" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/6538221/_Posfacio_a_Stella_Manhattan_de_Silviano_Santiago_Daniel_Link_">"Posfacio" a Stella Manhattan de Silviano Santiago (Daniel Link)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">. Buenos Aires, Corregidor, 2004 Posfacio Por Daniel Link UBA Nacido en 1936 en Formiga (estado de Minas Gerais), sería un error considerar a Silviano Santiago un escritor "regional", aún cuando la idea de región tiene en Brasil un... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_6538221" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">. Buenos Aires, Corregidor, 2004 Posfacio Por Daniel Link UBA Nacido en 1936 en Formiga (estado de Minas Gerais), sería un error considerar a Silviano Santiago un escritor "regional", aún cuando la idea de región tiene en Brasil un significado muy diferente del que tiene en Argentina. Extremadamente cosmopolita por vocación, por formación y por destino, la obra de Silviano se deja leer como una de las experiencias más interesantes de la época de la cultura reticular (por oposición a la época de las culturas "territoriales"). No en vano, puesto a escribir sobre su propia vida, Silviano elige como epígrafe unos versos de Carlos Drummond de Andrade que dicen: "Una calle comienza en Itabira, que va a dar a cualquier punto del mundo. Por esa calle pasan chinos, indios, negros, mexicanos, turcos, uruguayos". Es el mundo entero lo que convoca la poesía del gran poeta mineiro y la poesía es para él una manera de atravesar el mundo y la modernidad. Lo mismo para Silviano. Silviano Santiago pertenece a una generación de intelectuales y artistas nacidos en la década del treinta y que comenzaron sus carreras profesionales en la década del cincuenta, cuando en la práctica ya era imposible sostener los antiguos paradigmas académicos y también estéticos (aún cuando esos paradigmas fueran los del imponente modernismo brasileño). Por eso, la generación de la que Silviano participa es decisiva en la transformación de la literatura, el arte y la cultura de Brasil. Silviano estudió Letras, como muchos otros compañeros de camino (chinos, indios, negros, mexicanos, etc.). Él mismo ha observado que, "por razones difíciles de precisar", no pocos de esos profesores, investigadores y administradores de la vida académica "no quedaron satisfechos con la ya gigantesca tarea para la que fueron solicitados y que atendieron diligentemente. Abandonaban periódicamente el lenguaje del rigor científico y el raciocinio lógico y frío del análisis textual para adentrarse en el campo de la creación literaria. Algunos de los más destacados poetas y prosistas en la literatura brasileña de hoy tienen formación universitaria en Letras, hecho también inédito entre nosotros, ya que para las generaciones anteriores fueron principalmente las Facultades de Derecho las que sirvieron de semillero para los futuros escritores". Perseguidos por fuerzas oscurantistas (es decisivo el papel del golpe de Estado en 1964 para todos ellos) o sencillamente movidos por cuestiones personales, muchos de esos coetáneos encontraron en la experiencia (académica o creativa) en el extranjero la fuerza necesaria para imprimir una nueva vitalidad en la cultura de su patria. Pero la inquietud que iba a llevarlos a un cuestionamiento total de las tradiciones heredadas venía ya de mucho antes. En el caso de Silviano, no es casual su definición del universitario como "el de alguien que osa, en determinados momentos, trascender los muros disciplinares de la institución con el deseo de lanzarse en proyectos creativos complementarios que muchas veces acaban por cuestionar los criterios rigurosos y las reglas de decoro del juicio propiamente académico". Ya en su más extrema juventud había participado del Centro de Estudios Cinematográficos de Minas Gerais y, con algunos compañeros, codirigió una revista de vanguardia, Complemento (de la que aparecieron 4 números y que editó además 3 libros). Joven literato, los primeros ejercicios de crítica realizados por Silviano tomaron, sin embargo, al cine como objeto: en los periódicos O Diário y Estado de Minas, en la Revista de Cinema, que llegó a tener circulación internacional, dato importante porque preanuncia su doble actuación futura: "llevé a la Universidad el deseo de no</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/6538221" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="eea4080dfe20df4b5477fe81dc45eb16" rel="nofollow" data-download="{"attachment_id":33305393,"asset_id":6538221,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/33305393/download_file?st=MTczOTg0MTY5OCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="6962011" href="https://untref-ar.academia.edu/DanielLink">Daniel Link</a><script data-card-contents-for-user="6962011" type="text/json">{"id":6962011,"first_name":"Daniel","last_name":"Link","domain_name":"untref-ar","page_name":"DanielLink","display_name":"Daniel Link","profile_url":"https://untref-ar.academia.edu/DanielLink?f_ri=19243","photo":"https://0.academia-photos.com/6962011/2683861/14826754/s65_daniel.link.jpg"}</script></span></span></li><li class="js-paper-rank-work_6538221 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="6538221"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 6538221, container: ".js-paper-rank-work_6538221", }); 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Buenos Aires, Corregidor, 2004 Posfacio Por Daniel Link UBA Nacido en 1936 en Formiga (estado de Minas Gerais), sería un error considerar a Silviano Santiago un escritor \"regional\", aún cuando la idea de región tiene en Brasil un significado muy diferente del que tiene en Argentina. Extremadamente cosmopolita por vocación, por formación y por destino, la obra de Silviano se deja leer como una de las experiencias más interesantes de la época de la cultura reticular (por oposición a la época de las culturas \"territoriales\"). No en vano, puesto a escribir sobre su propia vida, Silviano elige como epígrafe unos versos de Carlos Drummond de Andrade que dicen: \"Una calle comienza en Itabira, que va a dar a cualquier punto del mundo. Por esa calle pasan chinos, indios, negros, mexicanos, turcos, uruguayos\". Es el mundo entero lo que convoca la poesía del gran poeta mineiro y la poesía es para él una manera de atravesar el mundo y la modernidad. Lo mismo para Silviano. Silviano Santiago pertenece a una generación de intelectuales y artistas nacidos en la década del treinta y que comenzaron sus carreras profesionales en la década del cincuenta, cuando en la práctica ya era imposible sostener los antiguos paradigmas académicos y también estéticos (aún cuando esos paradigmas fueran los del imponente modernismo brasileño). Por eso, la generación de la que Silviano participa es decisiva en la transformación de la literatura, el arte y la cultura de Brasil. Silviano estudió Letras, como muchos otros compañeros de camino (chinos, indios, negros, mexicanos, etc.). Él mismo ha observado que, \"por razones difíciles de precisar\", no pocos de esos profesores, investigadores y administradores de la vida académica \"no quedaron satisfechos con la ya gigantesca tarea para la que fueron solicitados y que atendieron diligentemente. Abandonaban periódicamente el lenguaje del rigor científico y el raciocinio lógico y frío del análisis textual para adentrarse en el campo de la creación literaria. Algunos de los más destacados poetas y prosistas en la literatura brasileña de hoy tienen formación universitaria en Letras, hecho también inédito entre nosotros, ya que para las generaciones anteriores fueron principalmente las Facultades de Derecho las que sirvieron de semillero para los futuros escritores\". Perseguidos por fuerzas oscurantistas (es decisivo el papel del golpe de Estado en 1964 para todos ellos) o sencillamente movidos por cuestiones personales, muchos de esos coetáneos encontraron en la experiencia (académica o creativa) en el extranjero la fuerza necesaria para imprimir una nueva vitalidad en la cultura de su patria. Pero la inquietud que iba a llevarlos a un cuestionamiento total de las tradiciones heredadas venía ya de mucho antes. En el caso de Silviano, no es casual su definición del universitario como \"el de alguien que osa, en determinados momentos, trascender los muros disciplinares de la institución con el deseo de lanzarse en proyectos creativos complementarios que muchas veces acaban por cuestionar los criterios rigurosos y las reglas de decoro del juicio propiamente académico\". Ya en su más extrema juventud había participado del Centro de Estudios Cinematográficos de Minas Gerais y, con algunos compañeros, codirigió una revista de vanguardia, Complemento (de la que aparecieron 4 números y que editó además 3 libros). Joven literato, los primeros ejercicios de crítica realizados por Silviano tomaron, sin embargo, al cine como objeto: en los periódicos O Diário y Estado de Minas, en la Revista de Cinema, que llegó a tener circulación internacional, dato importante porque preanuncia su doble actuación futura: \"llevé a la Universidad el deseo de no","downloadable_attachments":[{"id":33305393,"asset_id":6538221,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":6962011,"first_name":"Daniel","last_name":"Link","domain_name":"untref-ar","page_name":"DanielLink","display_name":"Daniel Link","profile_url":"https://untref-ar.academia.edu/DanielLink?f_ri=19243","photo":"https://0.academia-photos.com/6962011/2683861/14826754/s65_daniel.link.jpg"}],"research_interests":[{"id":12957,"name":"Latin American literature","url":"https://www.academia.edu/Documents/in/Latin_American_literature?f_ri=19243","nofollow":true},{"id":19243,"name":"Brasilian (Literature)","url":"https://www.academia.edu/Documents/in/Brasilian_Literature_?f_ri=19243","nofollow":true},{"id":34611,"name":"Exile Literature","url":"https://www.academia.edu/Documents/in/Exile_Literature?f_ri=19243","nofollow":true},{"id":594981,"name":"Silviano Santiago","url":"https://www.academia.edu/Documents/in/Silviano_Santiago?f_ri=19243","nofollow":true}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_43406598" data-work_id="43406598" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/43406598/LA_MUJER_NEGRA_PERIF%C3%89RICA_EN_LA_LITERATURA_BRASILE%C3%91A_CONTEMPOR%C3%81NEA_Luc%C3%ADa_Tennina_Universidad_de_Buenos_Aires">LA MUJER NEGRA PERIFÉRICA EN LA LITERATURA BRASILEÑA CONTEMPORÁNEA Lucía Tennina Universidad de Buenos Aires</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">En este artículo analizaremos la problematización que tres escritoras contemporáneas auto-identificadas dentro del Movimiento de Literatura Marginal Periférica de la ciudad de San Pablo instalan sobre la cuestión de la identidad... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_43406598" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">En este artículo analizaremos la problematización que tres escritoras contemporáneas auto-identificadas dentro del Movimiento de Literatura Marginal Periférica de la ciudad de San Pablo instalan sobre la cuestión de la identidad periférica, por un lado, y sobre las representaciones forjadas socialmente sobre lo femenino en la periferia, por otro, a través de la revisión de ciertas figuraciones 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work: {"id":43406598,"title":"LA MUJER NEGRA PERIFÉRICA EN LA LITERATURA BRASILEÑA CONTEMPORÁNEA Lucía Tennina Universidad de Buenos Aires","created_at":"2020-06-22T07:20:37.721-07:00","url":"https://www.academia.edu/43406598/LA_MUJER_NEGRA_PERIF%C3%89RICA_EN_LA_LITERATURA_BRASILE%C3%91A_CONTEMPOR%C3%81NEA_Luc%C3%ADa_Tennina_Universidad_de_Buenos_Aires?f_ri=19243","dom_id":"work_43406598","summary":"En este artículo analizaremos la problematización que tres escritoras contemporáneas auto-identificadas dentro del Movimiento de Literatura Marginal Periférica de la ciudad de San Pablo instalan sobre la cuestión de la identidad periférica, por un lado, y sobre las representaciones forjadas socialmente sobre lo femenino en la periferia, por otro, a través de la revisión de ciertas figuraciones del ser femenino y de las figuraciones del yo de cada una de ellas. ","downloadable_attachments":[{"id":63705747,"asset_id":43406598,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":9010947,"first_name":"Lucía","last_name":"Tennina","domain_name":"uba","page_name":"LucíaTennina","display_name":"Lucía Tennina","profile_url":"https://uba.academia.edu/Luc%C3%ADaTennina?f_ri=19243","photo":"https://0.academia-photos.com/9010947/44771432/35133845/s65_luc_a.tennina.jpg"}],"research_interests":[{"id":19243,"name":"Brasilian (Literature)","url":"https://www.academia.edu/Documents/in/Brasilian_Literature_?f_ri=19243","nofollow":true},{"id":41401,"name":"Literatura Latinoamericana","url":"https://www.academia.edu/Documents/in/Literatura_Latinoamericana?f_ri=19243","nofollow":true},{"id":47240,"name":"Estudios de Género","url":"https://www.academia.edu/Documents/in/Estudios_de_G%C3%A9nero?f_ri=19243","nofollow":true},{"id":734879,"name":"Literatura Marginal","url":"https://www.academia.edu/Documents/in/Literatura_Marginal?f_ri=19243","nofollow":true},{"id":2561755,"name":"Sarau De Periferia","url":"https://www.academia.edu/Documents/in/Sarau_De_Periferia?f_ri=19243"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_18097150" data-work_id="18097150" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/18097150/Mito_teatro_cine_Orfeo_Negro">Mito, teatro, cine. Orfeo Negro</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Partir de una obra maestra de la literatura para realizar una adaptación cinematográfica resulta siempre muy arriesgado. Sin embargo, este principio se desvanece cuando se trata del director Luchino Visconti, quien con pericia absoluta... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_18097150" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Partir de una obra maestra de la literatura para realizar una adaptación cinematográfica resulta siempre muy arriesgado. Sin embargo, este principio se desvanece cuando se trata del director Luchino Visconti, quien con pericia absoluta llevó en 1963 a la gran pantalla El Gatopardo, sublime novela de Giuseppe Tomasi di Lampedusa, llegando a obtener diversos galardones entre los que destaca la Palma de Oro en la 16ª edición del Festival de Cannes. La trama, tanto de la película como del libro, se desarrolla en Sicilia y comienza en mayo de 1860, es decir en pleno Risorgimento italiano. El general Giuseppe Garibaldi desembarca con su "expedición de los mil" para emprender la conquista de la Isla Trinacria y de todo el Sur de la península itálica, en aquel entonces aún bajo dominio borbónico. Son estos los albores de la tanto anhelada unificación de Italia, que unos meses después se convertiría en realidad bajo la égida de la casa de Saboya. Este momento clave de la historia del "Bel paese" es narrado por Visconti a través de la mirada nostálgica del Príncipe Fabrizio Salina (interpretado por un impecable Burt Lancaster), hombre maduro y exponente de la aristocracia más reaccionaria, quien ve la llegada de las camisas rojas garibaldinas como el culmen del declive de su obsoleto estamento social. Sin embargo, como persona inteligente y gracias también al ejemplo de su exuberante sobrino Tancredi Falconeri, el Príncipe Salina entiende que la única forma de supervivencia para su familia y en general para la nobleza siciliana, todavía arraigada a los principios feudales, es transformarse radicalmente aceptando los inminentes cambios que conlleva la anexión de Sicilia al naciente estado italiano, ya que, como declara el pragmático Tancredi a su tío, "si queremos que todo siga como está, necesitamos que todo cambie". LETRACELULOIDE -Revista virtual de cine y literatura</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/18097150" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="430eb84c4e7856556b5761eb08f62497" rel="nofollow" data-download="{"attachment_id":39874388,"asset_id":18097150,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/39874388/download_file?st=MTczOTg0MTY5OCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="5076681" href="https://unex.academia.edu/RamiroGonz%C3%A1lezDelgado">Ramiro González Delgado</a><script data-card-contents-for-user="5076681" type="text/json">{"id":5076681,"first_name":"Ramiro","last_name":"González Delgado","domain_name":"unex","page_name":"RamiroGonzálezDelgado","display_name":"Ramiro González Delgado","profile_url":"https://unex.academia.edu/RamiroGonz%C3%A1lezDelgado?f_ri=19243","photo":"https://0.academia-photos.com/5076681/2218322/2597214/s65_ramiro.gonz_lez_delgado.jpg"}</script></span></span></li><li class="js-paper-rank-work_18097150 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="18097150"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 18097150, container: ".js-paper-rank-work_18097150", }); 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Orfeo Negro","created_at":"2015-11-10T11:24:14.238-08:00","url":"https://www.academia.edu/18097150/Mito_teatro_cine_Orfeo_Negro?f_ri=19243","dom_id":"work_18097150","summary":"Partir de una obra maestra de la literatura para realizar una adaptación cinematográfica resulta siempre muy arriesgado. Sin embargo, este principio se desvanece cuando se trata del director Luchino Visconti, quien con pericia absoluta llevó en 1963 a la gran pantalla El Gatopardo, sublime novela de Giuseppe Tomasi di Lampedusa, llegando a obtener diversos galardones entre los que destaca la Palma de Oro en la 16ª edición del Festival de Cannes. La trama, tanto de la película como del libro, se desarrolla en Sicilia y comienza en mayo de 1860, es decir en pleno Risorgimento italiano. El general Giuseppe Garibaldi desembarca con su \"expedición de los mil\" para emprender la conquista de la Isla Trinacria y de todo el Sur de la península itálica, en aquel entonces aún bajo dominio borbónico. Son estos los albores de la tanto anhelada unificación de Italia, que unos meses después se convertiría en realidad bajo la égida de la casa de Saboya. Este momento clave de la historia del \"Bel paese\" es narrado por Visconti a través de la mirada nostálgica del Príncipe Fabrizio Salina (interpretado por un impecable Burt Lancaster), hombre maduro y exponente de la aristocracia más reaccionaria, quien ve la llegada de las camisas rojas garibaldinas como el culmen del declive de su obsoleto estamento social. Sin embargo, como persona inteligente y gracias también al ejemplo de su exuberante sobrino Tancredi Falconeri, el Príncipe Salina entiende que la única forma de supervivencia para su familia y en general para la nobleza siciliana, todavía arraigada a los principios feudales, es transformarse radicalmente aceptando los inminentes cambios que conlleva la anexión de Sicilia al naciente estado italiano, ya que, como declara el pragmático Tancredi a su tío, \"si queremos que todo siga como está, necesitamos que todo cambie\". LETRACELULOIDE -Revista virtual de cine y literatura","downloadable_attachments":[{"id":39874388,"asset_id":18097150,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":5076681,"first_name":"Ramiro","last_name":"González Delgado","domain_name":"unex","page_name":"RamiroGonzálezDelgado","display_name":"Ramiro González Delgado","profile_url":"https://unex.academia.edu/RamiroGonz%C3%A1lezDelgado?f_ri=19243","photo":"https://0.academia-photos.com/5076681/2218322/2597214/s65_ramiro.gonz_lez_delgado.jpg"}],"research_interests":[{"id":947,"name":"Theatre Studies","url":"https://www.academia.edu/Documents/in/Theatre_Studies?f_ri=19243","nofollow":true},{"id":3145,"name":"Literature and cinema","url":"https://www.academia.edu/Documents/in/Literature_and_cinema?f_ri=19243","nofollow":true},{"id":3291,"name":"History and Classical tradition studies","url":"https://www.academia.edu/Documents/in/History_and_Classical_tradition_studies?f_ri=19243","nofollow":true},{"id":19243,"name":"Brasilian (Literature)","url":"https://www.academia.edu/Documents/in/Brasilian_Literature_?f_ri=19243","nofollow":true},{"id":22599,"name":"Classical Reception Studies","url":"https://www.academia.edu/Documents/in/Classical_Reception_Studies?f_ri=19243"},{"id":28362,"name":"Classical Mythology","url":"https://www.academia.edu/Documents/in/Classical_Mythology?f_ri=19243"},{"id":52745,"name":"Cinema Studies","url":"https://www.academia.edu/Documents/in/Cinema_Studies?f_ri=19243"},{"id":65159,"name":"Brasilian Culture","url":"https://www.academia.edu/Documents/in/Brasilian_Culture?f_ri=19243"},{"id":90325,"name":"Orpheus","url":"https://www.academia.edu/Documents/in/Orpheus?f_ri=19243"},{"id":100024,"name":"Classical Literature","url":"https://www.academia.edu/Documents/in/Classical_Literature?f_ri=19243"},{"id":112248,"name":"Classical Tradition","url":"https://www.academia.edu/Documents/in/Classical_Tradition?f_ri=19243"},{"id":567953,"name":"Orpheus and Eurydice","url":"https://www.academia.edu/Documents/in/Orpheus_and_Eurydice?f_ri=19243"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_10053859" data-work_id="10053859" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/10053859/Margens_escritas_literatura_espa%C3%A7o_e_o_Entorno_do_Distrito_Federal">Margens escritas: literatura, espaço e o Entorno do Distrito Federal</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Entre discursos hegemônicos sobre Brasília e o Distrito Federal, encontra-se a imagem de Brasília como lugar do moderno e civilizado, inscrita como ilha em espaços vazios de cultura, civilização ou progresso. Partindo dessa imagem,... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_10053859" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Entre discursos hegemônicos sobre Brasília e o Distrito Federal, encontra-se a imagem de Brasília como lugar do moderno e civilizado, inscrita como ilha em espaços vazios de cultura, civilização ou progresso. Partindo dessa imagem, pergunta-se:<br />o que diriam os que são classificados por tais discursos como situados no vazio? Em busca de outros discursos e de diálogos com perspectivas locais, privilegia-se um grupo em particular: escritores cujas produções literárias tematizam municípios e localidades existentes antes da construção de Brasília. Explorando tensões, tenta-se efetuar deslocamentos entre discursos e idiomas formulados localmente, narrados pela<br />perspectiva de localidades, e também discursos enunciados a partir da centralidade do Estado-Nação. As temáticas observadas nesses discursos referem-se principalmente<br />ao campo das relações entre os municípios e a capital federal, entre poder central e poderes locais, e a representação do espaço regional. Entre elas, o trabalho destaca a noção de sacrifício, e a ausência de reciprocidade entre a nação e o sertão.<br /><br />Palavras-chave: construção social do espaço; literatura local;<br />municípios; capital federal; poder local; poder central; Entorno<br />do Distrito Federal; Planalto Central; Noroeste de Minas.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/10053859" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="1ff5fc70e5c2f364ba41620f68879ee2" rel="nofollow" data-download="{"attachment_id":36182585,"asset_id":10053859,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/36182585/download_file?st=MTczOTg0MTY5OCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="9847210" href="https://minsalud.academia.edu/AndreaBorghiMJacinto">Andrea Borghi M Jacinto</a><script data-card-contents-for-user="9847210" type="text/json">{"id":9847210,"first_name":"Andrea Borghi","last_name":"Jacinto","domain_name":"minsalud","page_name":"AndreaBorghiMJacinto","display_name":"Andrea Borghi M Jacinto","profile_url":"https://minsalud.academia.edu/AndreaBorghiMJacinto?f_ri=19243","photo":"https://0.academia-photos.com/9847210/31719484/28991447/s65_andrea_borghi.jacinto.jpg"}</script></span></span></li><li class="js-paper-rank-work_10053859 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="10053859"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 10053859, container: ".js-paper-rank-work_10053859", }); 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$(".js-view-count[data-work-id=10053859]").text(description); $(".js-view-count-work_10053859").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_10053859").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="10053859"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">6</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="3116" rel="nofollow" href="https://www.academia.edu/Documents/in/Space_and_Place">Space and Place</a>, <script data-card-contents-for-ri="3116" type="text/json">{"id":3116,"name":"Space and Place","url":"https://www.academia.edu/Documents/in/Space_and_Place?f_ri=19243","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="5310" rel="nofollow" href="https://www.academia.edu/Documents/in/Language_Space_and_Place">Language, Space and Place</a>, <script data-card-contents-for-ri="5310" type="text/json">{"id":5310,"name":"Language, Space and Place","url":"https://www.academia.edu/Documents/in/Language_Space_and_Place?f_ri=19243","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="19243" rel="nofollow" href="https://www.academia.edu/Documents/in/Brasilian_Literature_">Brasilian (Literature)</a>, <script data-card-contents-for-ri="19243" type="text/json">{"id":19243,"name":"Brasilian (Literature)","url":"https://www.academia.edu/Documents/in/Brasilian_Literature_?f_ri=19243","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="50363" rel="nofollow" href="https://www.academia.edu/Documents/in/Literatura">Literatura</a><script data-card-contents-for-ri="50363" type="text/json">{"id":50363,"name":"Literatura","url":"https://www.academia.edu/Documents/in/Literatura?f_ri=19243","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=10053859]'), work: {"id":10053859,"title":"Margens escritas: literatura, espaço e o Entorno do Distrito Federal","created_at":"2015-01-07T07:32:34.279-08:00","url":"https://www.academia.edu/10053859/Margens_escritas_literatura_espa%C3%A7o_e_o_Entorno_do_Distrito_Federal?f_ri=19243","dom_id":"work_10053859","summary":"Entre discursos hegemônicos sobre Brasília e o Distrito Federal, encontra-se a imagem de Brasília como lugar do moderno e civilizado, inscrita como ilha em espaços vazios de cultura, civilização ou progresso. Partindo dessa imagem, pergunta-se:\no que diriam os que são classificados por tais discursos como situados no vazio? Em busca de outros discursos e de diálogos com perspectivas locais, privilegia-se um grupo em particular: escritores cujas produções literárias tematizam municípios e localidades existentes antes da construção de Brasília. Explorando tensões, tenta-se efetuar deslocamentos entre discursos e idiomas formulados localmente, narrados pela\nperspectiva de localidades, e também discursos enunciados a partir da centralidade do Estado-Nação. As temáticas observadas nesses discursos referem-se principalmente\nao campo das relações entre os municípios e a capital federal, entre poder central e poderes locais, e a representação do espaço regional. Entre elas, o trabalho destaca a noção de sacrifício, e a ausência de reciprocidade entre a nação e o sertão.\n\nPalavras-chave: construção social do espaço; literatura local;\nmunicípios; capital federal; poder local; poder central; Entorno\ndo Distrito Federal; Planalto Central; Noroeste de Minas.","downloadable_attachments":[{"id":36182585,"asset_id":10053859,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":9847210,"first_name":"Andrea Borghi","last_name":"Jacinto","domain_name":"minsalud","page_name":"AndreaBorghiMJacinto","display_name":"Andrea Borghi M Jacinto","profile_url":"https://minsalud.academia.edu/AndreaBorghiMJacinto?f_ri=19243","photo":"https://0.academia-photos.com/9847210/31719484/28991447/s65_andrea_borghi.jacinto.jpg"}],"research_interests":[{"id":3116,"name":"Space and Place","url":"https://www.academia.edu/Documents/in/Space_and_Place?f_ri=19243","nofollow":true},{"id":5310,"name":"Language, Space and 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href="https://www.academia.edu/4788256/VILA_MAIOR_Dion%C3%ADsio_2011_Le_manifeste_litt%C3%A9raire_">VILA MAIOR, Dionísio (2011) - "Le manifeste littéraire"</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/4788256" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="83fe565d3afe228919ecb7efecad6406" rel="nofollow" data-download="{"attachment_id":32091182,"asset_id":4788256,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button 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Aesthetics","url":"https://www.academia.edu/Documents/in/Continental_Philosophy_and_Aesthetics?f_ri=19243"},{"id":1222775,"name":"Modernism and Posmodernism in Post World War Two North America","url":"https://www.academia.edu/Documents/in/Modernism_and_Posmodernism_in_Post_World_War_Two_North_America?f_ri=19243"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_51440739" data-work_id="51440739" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/51440739/Sexualised_Violence_between_Silence_and_Enunciation_The_Madonna_of_Excelsior_and_Symphony_in_White">Sexualised Violence between Silence and Enunciation.The Madonna of Excelsior and Symphony in White</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This paper comparatively analyses Zakes Mda's novel "The Madonna of Excelsior" and Adriana Lisboa's "Symphony in White". The objective is to study the uses of silence and silencing of sexualised violence against women as represented in... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_51440739" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This paper comparatively analyses Zakes Mda's novel "The Madonna of Excelsior" and Adriana Lisboa's "Symphony in White". The objective is to study the uses of silence and silencing of sexualised violence against women as represented in these two novels.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/51440739" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="9d7110ab3ff38525ff8a1674906374e4" rel="nofollow" data-download="{"attachment_id":69165116,"asset_id":51440739,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/69165116/download_file?st=MTczOTg0MTY5OCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="70728769" href="https://soas.academia.edu/AnaNenadovic">Ana Nenadovic</a><script data-card-contents-for-user="70728769" type="text/json">{"id":70728769,"first_name":"Ana","last_name":"Nenadovic","domain_name":"soas","page_name":"AnaNenadovic","display_name":"Ana Nenadovic","profile_url":"https://soas.academia.edu/AnaNenadovic?f_ri=19243","photo":"https://0.academia-photos.com/70728769/63635058/51944233/s65_ana.nenadovic.jpg"}</script></span></span></li><li class="js-paper-rank-work_51440739 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="51440739"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 51440739, container: ".js-paper-rank-work_51440739", }); 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","downloadable_attachments":[{"id":69165116,"asset_id":51440739,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":70728769,"first_name":"Ana","last_name":"Nenadovic","domain_name":"soas","page_name":"AnaNenadovic","display_name":"Ana Nenadovic","profile_url":"https://soas.academia.edu/AnaNenadovic?f_ri=19243","photo":"https://0.academia-photos.com/70728769/63635058/51944233/s65_ana.nenadovic.jpg"}],"research_interests":[{"id":1192,"name":"Feminist Theory","url":"https://www.academia.edu/Documents/in/Feminist_Theory?f_ri=19243","nofollow":true},{"id":16485,"name":"South African Literature","url":"https://www.academia.edu/Documents/in/South_African_Literature?f_ri=19243","nofollow":true},{"id":19243,"name":"Brasilian (Literature)","url":"https://www.academia.edu/Documents/in/Brasilian_Literature_?f_ri=19243","nofollow":true},{"id":564263,"name":"Feminist Literary Criticsm","url":"https://www.academia.edu/Documents/in/Feminist_Literary_Criticsm?f_ri=19243","nofollow":true}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_42234300" data-work_id="42234300" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/42234300/Adapta%C3%A7%C3%A3o_e_Fic%C3%A7%C3%A3o_Seriada_a_atualiza%C3%A7%C3%A3o_dos_conte%C3%BAdos_sociais_em_Sinh%C3%A1_Mo%C3%A7a">Adaptação e Ficção Seriada: a atualização dos conteúdos sociais em Sinhá Moça</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Este trabalho tem como objetivo discutir sobre uma importante tendência da produção audiovisual na atualidade, a saber, a refeitura de obras em forma de remake ou de adaptação para a produção de “novos” produtos midiáticos. Nesse sentido,... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_42234300" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Este trabalho tem como objetivo discutir sobre uma importante tendência da produção audiovisual na atualidade, a saber, a refeitura de obras em forma de remake ou de adaptação para a produção de “novos” produtos midiáticos. Nesse sentido, analisa-se a adaptação do romance Sinhá Moça, de Maria Dezonne Pacheco Fernandes, para o audiovisual televisivo, da qual já foram feitas duas versões em forma de ficção seriada, tratando das implicações da transposição do livro para a televisão e dos ajustes relativos ao gênero e ao suporte. Também são introduzidas questões ligadas à construção e à representação dos personagens femininos das obras, aos valores sociais a eles atribuídos, e às mudanças de comportamento e visão de mundo referentes à atualização e à contextualização conteudística. Entre os fatores relevantes para o entendimento da adaptação, disserta-se sobre a exigência de fidelidade à obra-fonte e sobre a impossibilidade de obtê-la devido aos câmbios de linguagem e de público.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/42234300" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="b3dc3a8da8addb3d44009cffc1c677f2" rel="nofollow" data-download="{"attachment_id":62383752,"asset_id":42234300,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/62383752/download_file?st=MTczOTg0MTY5OCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="33648820" href="https://ufms.academia.edu/M%C3%A1rciaGomes">Márcia Gomes</a><script data-card-contents-for-user="33648820" type="text/json">{"id":33648820,"first_name":"Márcia","last_name":"Gomes","domain_name":"ufms","page_name":"MárciaGomes","display_name":"Márcia Gomes","profile_url":"https://ufms.academia.edu/M%C3%A1rciaGomes?f_ri=19243","photo":"https://0.academia-photos.com/33648820/125947532/115318162/s65_m_rcia.gomes.jpeg"}</script></span></span></li><li class="js-paper-rank-work_42234300 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="42234300"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 42234300, container: ".js-paper-rank-work_42234300", }); 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Nesse sentido, analisa-se a adaptação do romance Sinhá Moça, de Maria Dezonne Pacheco Fernandes, para o audiovisual televisivo, da qual já foram feitas duas versões em forma de ficção seriada, tratando das implicações da transposição do livro para a televisão e dos ajustes relativos ao gênero e ao suporte. Também são introduzidas questões ligadas à construção e à representação dos personagens femininos das obras, aos valores sociais a eles atribuídos, e às mudanças de comportamento e visão de mundo referentes à atualização e à contextualização conteudística. Entre os fatores relevantes para o entendimento da adaptação, disserta-se sobre a exigência de fidelidade à obra-fonte e sobre a impossibilidade de obtê-la devido aos câmbios de linguagem e de público.","downloadable_attachments":[{"id":62383752,"asset_id":42234300,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":33648820,"first_name":"Márcia","last_name":"Gomes","domain_name":"ufms","page_name":"MárciaGomes","display_name":"Márcia Gomes","profile_url":"https://ufms.academia.edu/M%C3%A1rciaGomes?f_ri=19243","photo":"https://0.academia-photos.com/33648820/125947532/115318162/s65_m_rcia.gomes.jpeg"}],"research_interests":[{"id":3646,"name":"Social Representations","url":"https://www.academia.edu/Documents/in/Social_Representations?f_ri=19243","nofollow":true},{"id":9344,"name":"Telenovela and Soap Opera","url":"https://www.academia.edu/Documents/in/Telenovela_and_Soap_Opera?f_ri=19243","nofollow":true},{"id":9391,"name":"Telenovelas","url":"https://www.academia.edu/Documents/in/Telenovelas?f_ri=19243","nofollow":true},{"id":19243,"name":"Brasilian (Literature)","url":"https://www.academia.edu/Documents/in/Brasilian_Literature_?f_ri=19243","nofollow":true},{"id":199720,"name":"Adaptation and Appropriation Theory","url":"https://www.academia.edu/Documents/in/Adaptation_and_Appropriation_Theory?f_ri=19243"},{"id":452001,"name":"Representação social","url":"https://www.academia.edu/Documents/in/Representacao_social?f_ri=19243"},{"id":565845,"name":"Adaptação","url":"https://www.academia.edu/Documents/in/Adaptacao?f_ri=19243"},{"id":649723,"name":"Ficção Seriada Televisiva","url":"https://www.academia.edu/Documents/in/Ficcao_Seriada_Televisiva?f_ri=19243"},{"id":852671,"name":"Estudos De Televisão","url":"https://www.academia.edu/Documents/in/Estudos_De_Televisao?f_ri=19243"},{"id":1192001,"name":"Television Remakes","url":"https://www.academia.edu/Documents/in/Television_Remakes?f_ri=19243"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_37143307" data-work_id="37143307" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/37143307/Massimo_Colella_La_fine_e_l_inizio_Per_un_analisi_dell_ultima_Lettera_a_nessuno_di_Antonio_Moresco_Seconda_parte_in_Xenia_Trimestrale_di_Letteratura_e_Cultura_Genova_III_1_2018_pp_21_29">Massimo Colella, La fine e l’inizio. Per un’analisi dell’ultima Lettera a nessuno di Antonio Moresco. Seconda parte, in «Xenia. Trimestrale di Letteratura e Cultura» (Genova), III, 1, 2018, pp. 21-29.</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/37143307" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="b29741ebd11be6ba1e3404d106e7dca9" rel="nofollow" data-download="{"attachment_id":58521550,"asset_id":37143307,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/58521550/download_file?st=MTczOTg0MTY5OCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="5015857" href="https://sns.academia.edu/MassimoColella">Massimo Colella</a><script data-card-contents-for-user="5015857" type="text/json">{"id":5015857,"first_name":"Massimo","last_name":"Colella","domain_name":"sns","page_name":"MassimoColella","display_name":"Massimo Colella","profile_url":"https://sns.academia.edu/MassimoColella?f_ri=19243","photo":"https://0.academia-photos.com/5015857/20153780/154907149/s65_massimo.colella.png"}</script></span></span></li><li class="js-paper-rank-work_37143307 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="37143307"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 37143307, container: ".js-paper-rank-work_37143307", }); 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