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Dynes & W. Percy, Encyclopedia of homosexuality (1990)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Entry about "Della Casa Giovanni" in : Wayne Dynes (ed.), Encyclopedia of homosexuality, Garland, New York 1990.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/12253259" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="0466f65ae21344dce958a080f0541794" rel="nofollow" data-download="{"attachment_id":37550173,"asset_id":12253259,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/37550173/download_file?st=MTczMjgwNjM5Myw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="2780309" href="https://independent.academia.edu/GiovanniDallOrto">Giovanni Dall'Orto</a><script data-card-contents-for-user="2780309" type="text/json">{"id":2780309,"first_name":"Giovanni","last_name":"Dall'Orto","domain_name":"independent","page_name":"GiovanniDallOrto","display_name":"Giovanni Dall'Orto","profile_url":"https://independent.academia.edu/GiovanniDallOrto?f_ri=21545","photo":"https://0.academia-photos.com/2780309/907477/34997010/s65_giovanni.dall_orto.jpg"}</script></span></span></li><li class="js-paper-rank-work_12253259 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="12253259"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 12253259, container: ".js-paper-rank-work_12253259", }); 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$(".js-view-count[data-work-id=12253259]").text(description); $(".js-view-count-work_12253259").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_12253259").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="12253259"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">3</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="21545" href="https://www.academia.edu/Documents/in/Italian_Renaissance_literature">Italian Renaissance literature</a>, <script data-card-contents-for-ri="21545" type="text/json">{"id":21545,"name":"Italian Renaissance literature","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_literature?f_ri=21545","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="290295" href="https://www.academia.edu/Documents/in/Giovanni_Della_Casa">Giovanni Della Casa</a>, <script data-card-contents-for-ri="290295" type="text/json">{"id":290295,"name":"Giovanni Della Casa","url":"https://www.academia.edu/Documents/in/Giovanni_Della_Casa?f_ri=21545","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1430853" href="https://www.academia.edu/Documents/in/Italian_literature_modern_poetry_gay_studies">Italian literature, modern poetry, gay studies</a><script data-card-contents-for-ri="1430853" type="text/json">{"id":1430853,"name":"Italian literature, modern poetry, gay studies","url":"https://www.academia.edu/Documents/in/Italian_literature_modern_poetry_gay_studies?f_ri=21545","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=12253259]'), work: {"id":12253259,"title":"Dall'Orto, Giovanni - Della Casa Giovanni - From W. 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Amore, famiglia, cultura, potere. Atti del XXIX Convegno Internazionale", a cura di L. Secchi Tarugi, F. Cesati, Firenze, 2019, pp. 121-128</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/44074890" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="3973a993ea0a0ee589efd0e8e84b3040" rel="nofollow" data-download="{"attachment_id":64419170,"asset_id":44074890,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/64419170/download_file?st=MTczMjgwNjM5Myw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="12575596" href="https://cnr-it.academia.edu/RobertaDiGiorgi">Roberta Di Giorgi</a><script data-card-contents-for-user="12575596" type="text/json">{"id":12575596,"first_name":"Roberta","last_name":"Di Giorgi","domain_name":"cnr-it","page_name":"RobertaDiGiorgi","display_name":"Roberta Di Giorgi","profile_url":"https://cnr-it.academia.edu/RobertaDiGiorgi?f_ri=21545","photo":"https://0.academia-photos.com/12575596/4057214/17466243/s65_roberta.di_giorgi.jpg"}</script></span></span></li><li class="js-paper-rank-work_44074890 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="44074890"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 44074890, container: ".js-paper-rank-work_44074890", }); 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$(".js-view-count[data-work-id=44074890]").text(description); $(".js-view-count-work_44074890").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_44074890").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="44074890"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">3</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="2987" href="https://www.academia.edu/Documents/in/Renaissance_Studies">Renaissance Studies</a>, <script data-card-contents-for-ri="2987" type="text/json">{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=21545","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="21545" href="https://www.academia.edu/Documents/in/Italian_Renaissance_literature">Italian Renaissance literature</a>, <script data-card-contents-for-ri="21545" type="text/json">{"id":21545,"name":"Italian Renaissance literature","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_literature?f_ri=21545","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="67907" href="https://www.academia.edu/Documents/in/Filologia_Italiana_Letteratura_Italiana_del_Rinascimento">Filologia Italiana Letteratura Italiana del Rinascimento</a><script data-card-contents-for-ri="67907" type="text/json">{"id":67907,"name":"Filologia Italiana Letteratura Italiana del Rinascimento","url":"https://www.academia.edu/Documents/in/Filologia_Italiana_Letteratura_Italiana_del_Rinascimento?f_ri=21545","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=44074890]'), work: {"id":44074890,"title":"\"Il Delphili somnium di Marco Antonio Ceresa (1488-1526) e la descrizione femminile\", in \"La donna nel Rinascimento. 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Cesati, Firenze, 2019, pp. 121-128","created_at":"2020-09-12T10:36:27.614-07:00","url":"https://www.academia.edu/44074890/_Il_Delphili_somnium_di_Marco_Antonio_Ceresa_1488_1526_e_la_descrizione_femminile_in_La_donna_nel_Rinascimento_Amore_famiglia_cultura_potere_Atti_del_XXIX_Convegno_Internazionale_a_cura_di_L_Secchi_Tarugi_F_Cesati_Firenze_2019_pp_121_128?f_ri=21545","dom_id":"work_44074890","summary":null,"downloadable_attachments":[{"id":64419170,"asset_id":44074890,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":12575596,"first_name":"Roberta","last_name":"Di Giorgi","domain_name":"cnr-it","page_name":"RobertaDiGiorgi","display_name":"Roberta Di Giorgi","profile_url":"https://cnr-it.academia.edu/RobertaDiGiorgi?f_ri=21545","photo":"https://0.academia-photos.com/12575596/4057214/17466243/s65_roberta.di_giorgi.jpg"}],"research_interests":[{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=21545","nofollow":false},{"id":21545,"name":"Italian Renaissance literature","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_literature?f_ri=21545","nofollow":false},{"id":67907,"name":"Filologia Italiana Letteratura Italiana del Rinascimento","url":"https://www.academia.edu/Documents/in/Filologia_Italiana_Letteratura_Italiana_del_Rinascimento?f_ri=21545","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_8765702" data-work_id="8765702" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/8765702/La_novella_in_lingua_furlana_negli_Avvertimenti_della_lingua_sopra_l_Decamerone_di_Lionardo_Salviati_1584_">La novella “in lingua furlana” negli Avvertimenti della lingua sopra ’l Decamerone di Lionardo Salviati (1584)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">ENGLISH - In 1584 Lionardo Salviati, promoter of the Accademia della Crusca, published the first volume of “Avvertimenti della lingua sopra ’l Decamerone”. Besides analyzing the features of Boccaccio’s language, the author argues the... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_8765702" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">ENGLISH - In 1584 Lionardo Salviati, promoter of the Accademia della Crusca, published the first volume of “Avvertimenti della lingua sopra ’l Decamerone”. Besides analyzing the features of Boccaccio’s language, the author argues the supremacy of contemporary Florentine over the other Italian dialects. In this book he compares the original text of the shortest tale of the Decameron with its versions in 12 other Italian vernaculars, including the Friulian. This is the first prose text edited in Friulian, but nevertheless it has not yet been studied in detail. This paper deals with the linguistic features of this novel translated “in lingua furlana” .    /    <br />ITALIANO - Nel 1584 Lionardo Salviati, promotore dell’Accademia della Crusca, pubblicò il primo volume degli Avvertimenti della lingua sopra ’l Decamerone. Oltre ad analizzare le caratteristiche linguistiche del Boccaccio, l’autore sostiene la preminenza del fiorentino contemporaneo rispetto alle altre parlate italiane. Nel libro fa un confronto tra il testo di una novella del Decameron e le versioni in altri 12 volgari italiani, tra i quali il friulano. Si tratta del primo testo friulano in prosa stampato, ma ciononostante non è stato finora oggetto di uno studio approfondito. In questo contributo sono analizzate le caratteristiche linguistiche di questa novella tradotta “in lingua furlana”.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/8765702" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="372b4fdb4b8badb1f611097bdf6f6a83" rel="nofollow" data-download="{"attachment_id":35119071,"asset_id":8765702,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/35119071/download_file?st=MTczMjgwNjM5Myw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="745182" href="https://ph-kaernten.academia.edu/FrancoFinco">Franco Finco</a><script data-card-contents-for-user="745182" type="text/json">{"id":745182,"first_name":"Franco","last_name":"Finco","domain_name":"ph-kaernten","page_name":"FrancoFinco","display_name":"Franco Finco","profile_url":"https://ph-kaernten.academia.edu/FrancoFinco?f_ri=21545","photo":"https://0.academia-photos.com/745182/557542/87694282/s65_franco.finco.jpg"}</script></span></span></li><li class="js-paper-rank-work_8765702 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="8765702"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 8765702, container: ".js-paper-rank-work_8765702", }); 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Besides analyzing the features of Boccaccio’s language, the author argues the supremacy of contemporary Florentine over the other Italian dialects. In this book he compares the original text of the shortest tale of the Decameron with its versions in 12 other Italian vernaculars, including the Friulian. This is the first prose text edited in Friulian, but nevertheless it has not yet been studied in detail. This paper deals with the linguistic features of this novel translated “in lingua furlana” . / \r\nITALIANO - Nel 1584 Lionardo Salviati, promotore dell’Accademia della Crusca, pubblicò il primo volume degli Avvertimenti della lingua sopra ’l Decamerone. Oltre ad analizzare le caratteristiche linguistiche del Boccaccio, l’autore sostiene la preminenza del fiorentino contemporaneo rispetto alle altre parlate italiane. Nel libro fa un confronto tra il testo di una novella del Decameron e le versioni in altri 12 volgari italiani, tra i quali il friulano. Si tratta del primo testo friulano in prosa stampato, ma ciononostante non è stato finora oggetto di uno studio approfondito. In questo contributo sono analizzate le caratteristiche linguistiche di questa novella tradotta “in lingua furlana”.","downloadable_attachments":[{"id":35119071,"asset_id":8765702,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":745182,"first_name":"Franco","last_name":"Finco","domain_name":"ph-kaernten","page_name":"FrancoFinco","display_name":"Franco Finco","profile_url":"https://ph-kaernten.academia.edu/FrancoFinco?f_ri=21545","photo":"https://0.academia-photos.com/745182/557542/87694282/s65_franco.finco.jpg"}],"research_interests":[{"id":2167,"name":"Dialectology","url":"https://www.academia.edu/Documents/in/Dialectology?f_ri=21545","nofollow":false},{"id":2221,"name":"Italian Studies","url":"https://www.academia.edu/Documents/in/Italian_Studies?f_ri=21545","nofollow":false},{"id":7885,"name":"Italian Cultural Studies","url":"https://www.academia.edu/Documents/in/Italian_Cultural_Studies?f_ri=21545","nofollow":false},{"id":7887,"name":"Italian Literature","url":"https://www.academia.edu/Documents/in/Italian_Literature?f_ri=21545","nofollow":false},{"id":21545,"name":"Italian Renaissance literature","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_literature?f_ri=21545"},{"id":24128,"name":"Boccaccio","url":"https://www.academia.edu/Documents/in/Boccaccio?f_ri=21545"},{"id":31877,"name":"Italian (Languages And Linguistics)","url":"https://www.academia.edu/Documents/in/Italian_Languages_And_Linguistics_?f_ri=21545"},{"id":40010,"name":"Italian dialects","url":"https://www.academia.edu/Documents/in/Italian_dialects?f_ri=21545"},{"id":43660,"name":"History of Italian Language","url":"https://www.academia.edu/Documents/in/History_of_Italian_Language?f_ri=21545"},{"id":94578,"name":"Italian Linguistics","url":"https://www.academia.edu/Documents/in/Italian_Linguistics?f_ri=21545"},{"id":121124,"name":"Decameron","url":"https://www.academia.edu/Documents/in/Decameron?f_ri=21545"},{"id":176441,"name":"Questione della lingua","url":"https://www.academia.edu/Documents/in/Questione_della_lingua?f_ri=21545"},{"id":178396,"name":"Storia Della Lingua Italiana","url":"https://www.academia.edu/Documents/in/Storia_Della_Lingua_Italiana?f_ri=21545"},{"id":384388,"name":"Lingua italiana","url":"https://www.academia.edu/Documents/in/Lingua_italiana?f_ri=21545"},{"id":390936,"name":"Lionardo Salviati","url":"https://www.academia.edu/Documents/in/Lionardo_Salviati?f_ri=21545"},{"id":424569,"name":"Friulian language","url":"https://www.academia.edu/Documents/in/Friulian_language?f_ri=21545"},{"id":526390,"name":"Dialetto Friulano","url":"https://www.academia.edu/Documents/in/Dialetto_Friulano?f_ri=21545"},{"id":2960605,"name":"Lingua Friulana","url":"https://www.academia.edu/Documents/in/Lingua_Friulana?f_ri=21545"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_38352309 coauthored" data-work_id="38352309" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/38352309/Lettura_dell_Orlando_furioso_Volume_II">Lettura dell'«Orlando furioso». Volume II</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">A cura di Annalisa Izzo e Franco Tomasi. Questo secondo volume della Lettura dell’«Orlando furioso», nel quale sono compresi i canti XXIII-XLVI – cui si aggiungono due interventi di carattere generale (sui «Cinque canti» e sulla... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_38352309" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">A cura di Annalisa Izzo e Franco Tomasi. <br />Questo secondo volume della Lettura dell’«Orlando furioso», nel quale sono compresi i canti XXIII-XLVI – cui si aggiungono due interventi di carattere generale (sui «Cinque canti» e sulla tradizione testuale del poema) –, porta a termine l’impresa di una lectura integrale del poema, un progetto avviato da tempo dalle Università di Losanna e di Padova. Se nel «Furioso» unità discorsiva e unità narrativa spesso non coincidono, in virtù dell’adozione della tecnica narrativa dell’«entrelacement»,<br />il singolo canto costituisce di per sé un momento discreto e circoscritto<br />del racconto con il quale ogni lettore deve misurarsi. E proprio a partire<br />da questa esperienza diversi critici, ciascuno con un proprio specifico sguardo, si sono confrontati con i canti della seconda sezione del poema. Il volume è inoltre corredato da indici dei nomi, dei personaggi letterari e dei luoghi del «Furioso», relativi ai due volumi che compongono l’opera, dei veri e propri ‘strumenti di navigazione’ pensati per aiutare il lettore e lo studioso.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/38352309" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="4a3c77eaf0b175b351e651616adc7868" rel="nofollow" data-download="{"attachment_id":58404869,"asset_id":38352309,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/58404869/download_file?st=MTczMjgwNjM5Myw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="9008486" href="https://independent.academia.edu/SISMELEdizionidelGalluzzo">SISMEL Edizioni del Galluzzo</a><script data-card-contents-for-user="9008486" type="text/json">{"id":9008486,"first_name":"SISMEL","last_name":"Edizioni del Galluzzo","domain_name":"independent","page_name":"SISMELEdizionidelGalluzzo","display_name":"SISMEL Edizioni del Galluzzo","profile_url":"https://independent.academia.edu/SISMELEdizionidelGalluzzo?f_ri=21545","photo":"https://0.academia-photos.com/9008486/2984125/7735111/s65_sismel.edizioni_del_galluzzo.jpg"}</script></span></span><span class="u-displayInlineBlock InlineList-item-text"> and <span class="u-textDecorationUnderline u-clickable InlineList-item-text js-work-more-authors-38352309">+6</span><div class="hidden js-additional-users-38352309"><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://unicatt.academia.edu/AndreaCanova">Andrea Canova</a></span></div><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://unibg.academia.edu/NicolaMorato">Nicola Morato</a></span></div><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://berkeley.academia.edu/AlbertRussellAscoli">Albert Russell Ascoli</a></span></div><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://unifi.academia.edu/LucaDeglInnocenti">Luca Degl'Innocenti</a></span></div><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://unistrapg.academia.edu/sabrinastroppa">sabrina stroppa</a></span></div><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://uni-erlangen.academia.edu/ChristianRivoletti">Christian Rivoletti</a></span></div></div></span><script>(function(){ var popoverSettings = { el: $('.js-work-more-authors-38352309'), placement: 'bottom', hide_delay: 200, html: true, content: function(){ return $('.js-additional-users-38352309').html(); 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E proprio a partire\nda questa esperienza diversi critici, ciascuno con un proprio specifico sguardo, si sono confrontati con i canti della seconda sezione del poema. 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href="https://www.academia.edu/3567822/Michelangelo_Buonarroti_Forme_del_sapere_tra_letteratura_e_arte_nel_Rinascimento_Firenze_Polistampa_2013_pp_240">Michelangelo Buonarroti. Forme del sapere tra letteratura e arte nel Rinascimento, Firenze, Polistampa, 2013, pp. 240</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/3567822" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="11c888d70c8272fd4201b648d1b10f4b" rel="nofollow" data-download="{"attachment_id":38189111,"asset_id":3567822,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/38189111/download_file?st=MTczMjgwNjM5Myw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1231947" href="https://unive.academia.edu/OscarSchiavone">Oscar Schiavone</a><script data-card-contents-for-user="1231947" type="text/json">{"id":1231947,"first_name":"Oscar","last_name":"Schiavone","domain_name":"unive","page_name":"OscarSchiavone","display_name":"Oscar Schiavone","profile_url":"https://unive.academia.edu/OscarSchiavone?f_ri=21545","photo":"https://0.academia-photos.com/1231947/9818139/32167923/s65_oscar.schiavone.jpg"}</script></span></span></li><li class="js-paper-rank-work_3567822 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="3567822"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 3567822, container: ".js-paper-rank-work_3567822", }); 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Direct links in painted, written or drawned works, but also indirect that scholars find as likely source of inspiration. Most of them refer to the Divine Comedy.... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_44336366" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Links with Dante Alighieri that can be found in Leonardo da Vinci's works. Direct links in painted, written or drawned works, but also indirect that scholars find as likely source of inspiration. Most of them refer to the Divine Comedy.<br />We can see that Dante was a source of inspiration for Leonardo from the beginning till the end of his life, from his very first known drawing till his last in France.<br />In this 700th year of Dante's death it is time to return him his laurels as source of major inspiration, or even main, for Leonardo.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/44336366" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="534c51b9a042a842be2db5a6664c6e20" rel="nofollow" data-download="{"attachment_id":97922950,"asset_id":44336366,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/97922950/download_file?st=MTczMjgwNjM5Myw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="70964711" href="https://independent.academia.edu/ArnaudDelorme">Arnaud Delorme</a><script data-card-contents-for-user="70964711" type="text/json">{"id":70964711,"first_name":"Arnaud","last_name":"Delorme","domain_name":"independent","page_name":"ArnaudDelorme","display_name":"Arnaud Delorme","profile_url":"https://independent.academia.edu/ArnaudDelorme?f_ri=21545","photo":"https://0.academia-photos.com/70964711/48639284/66189206/s65_arnaud.delorme.jpg"}</script></span></span></li><li class="js-paper-rank-work_44336366 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="44336366"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 44336366, container: ".js-paper-rank-work_44336366", }); 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$(".js-view-count[data-work-id=44336366]").text(description); $(".js-view-count-work_44336366").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_44336366").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="44336366"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">7</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="1758" href="https://www.academia.edu/Documents/in/Dante_Studies">Dante Studies</a>, <script data-card-contents-for-ri="1758" type="text/json">{"id":1758,"name":"Dante Studies","url":"https://www.academia.edu/Documents/in/Dante_Studies?f_ri=21545","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2987" href="https://www.academia.edu/Documents/in/Renaissance_Studies">Renaissance Studies</a>, <script data-card-contents-for-ri="2987" type="text/json">{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=21545","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16368" href="https://www.academia.edu/Documents/in/Italian_Renaissance_Art">Italian Renaissance Art</a>, <script data-card-contents-for-ri="16368" type="text/json">{"id":16368,"name":"Italian Renaissance Art","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_Art?f_ri=21545","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="21545" href="https://www.academia.edu/Documents/in/Italian_Renaissance_literature">Italian Renaissance literature</a><script data-card-contents-for-ri="21545" type="text/json">{"id":21545,"name":"Italian Renaissance literature","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_literature?f_ri=21545","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=44336366]'), work: {"id":44336366,"title":"Dante and Leonardo","created_at":"2020-10-20T10:51:36.119-07:00","url":"https://www.academia.edu/44336366/Dante_and_Leonardo?f_ri=21545","dom_id":"work_44336366","summary":"Links with Dante Alighieri that can be found in Leonardo da Vinci's works. Direct links in painted, written or drawned works, but also indirect that scholars find as likely source of inspiration. Most of them refer to the Divine Comedy.\nWe can see that Dante was a source of inspiration for Leonardo from the beginning till the end of his life, from his very first known drawing till his last in France.\nIn this 700th year of Dante's death it is time to return him his laurels as source of major inspiration, or even main, for Leonardo.","downloadable_attachments":[{"id":97922950,"asset_id":44336366,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":70964711,"first_name":"Arnaud","last_name":"Delorme","domain_name":"independent","page_name":"ArnaudDelorme","display_name":"Arnaud Delorme","profile_url":"https://independent.academia.edu/ArnaudDelorme?f_ri=21545","photo":"https://0.academia-photos.com/70964711/48639284/66189206/s65_arnaud.delorme.jpg"}],"research_interests":[{"id":1758,"name":"Dante Studies","url":"https://www.academia.edu/Documents/in/Dante_Studies?f_ri=21545","nofollow":false},{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=21545","nofollow":false},{"id":16368,"name":"Italian Renaissance Art","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_Art?f_ri=21545","nofollow":false},{"id":21545,"name":"Italian Renaissance literature","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_literature?f_ri=21545","nofollow":false},{"id":27834,"name":"Dante Alighieri","url":"https://www.academia.edu/Documents/in/Dante_Alighieri?f_ri=21545"},{"id":36294,"name":"Leonardo da Vinci","url":"https://www.academia.edu/Documents/in/Leonardo_da_Vinci?f_ri=21545"},{"id":560779,"name":"Commedia/Divine Comedy","url":"https://www.academia.edu/Documents/in/Commedia_Divine_Comedy?f_ri=21545"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_9829410" data-work_id="9829410" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/9829410/_La_nota_del_Stato_di_Firenze_Leonardo_e_Savonarola_politica_profezia_arte">"La nota del Stato di Firenze". Leonardo e Savonarola: politica, profezia, arte.</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The tale of a meeting between Leonardo and Savonarola in the summer of 1495, later reported by Vasari (1550 and 1568) but confirmed by a memorandum remained in Leonardo's possession (Codex Atlanticus, f. 628 r), which refers explicitly to... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_9829410" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The tale of a meeting between Leonardo and Savonarola in the summer of 1495, later reported by Vasari (1550 and 1568) but confirmed by a memorandum remained in Leonardo's possession (Codex Atlanticus, f. 628 r), which refers explicitly to a "mission" assigned to him (presumably by Ludovico Sforza) to go to Florence, in order to get (through a competent mediator, probably Bernardo Rucellai) a detailed report about the new political rules promoted by the friar, lends credibility to a hypothesis of comparison between their anthropological conceptions, especially as they emerge from their "transfigured" use of the prophetic semantics, despite their shared repudiation of astrological quackery. If, on the one <br />hand, Savonarola's preaching does not have any properly predictive character, in terms of intentional "divination", standing rather as a projection or representation of the contingency of the current days, in purely political terms, Leonardo's riddles, which he literally called "prophecies", on the other hand - and similarly - transform the genre of presages or predictions into entertainment tools for courtly audiences, that, however, in some cases, become a vehicle for a critical evaluation of the troubles of contemporary society. The likelihood that, on the occasion of his convocation in Florence in 1495, Leonardo was able to listen to Savonarola's sermons, so steeped in apocalyptic prophecy, may provide an <br />explanation to the appearance of writings called "prophecies", among his notes, just in the last five years of the century. Their underlying vision of man, clearly pessimistic, offers significant points of contact with the negative anthropology advocated by Savonarola's preaching, which also makes use of animal apology, especially in the conceptual and ideological interpretation of the "anti-human" conflictuality among men, that makes them "beasts" towards themselves, in a sort of anticipation of Hobbes' famous motto homo homini <br />lupus.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/9829410" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="2c67bd564c6293cd1c4543921b11fcb1" rel="nofollow" data-download="{"attachment_id":35996755,"asset_id":9829410,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/35996755/download_file?st=MTczMjgwNjM5Myw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="234890" href="https://chiesadimilano.academia.edu/MarcoVersiero">Marco Versiero</a><script data-card-contents-for-user="234890" type="text/json">{"id":234890,"first_name":"Marco","last_name":"Versiero","domain_name":"chiesadimilano","page_name":"MarcoVersiero","display_name":"Marco Versiero","profile_url":"https://chiesadimilano.academia.edu/MarcoVersiero?f_ri=21545","photo":"https://0.academia-photos.com/234890/51676/108782969/s65_marco.versiero.jpg"}</script></span></span></li><li class="js-paper-rank-work_9829410 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="9829410"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 9829410, container: ".js-paper-rank-work_9829410", }); 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Leonardo e Savonarola: politica, profezia, arte.","created_at":"2014-12-18T12:39:20.613-08:00","url":"https://www.academia.edu/9829410/_La_nota_del_Stato_di_Firenze_Leonardo_e_Savonarola_politica_profezia_arte?f_ri=21545","dom_id":"work_9829410","summary":"The tale of a meeting between Leonardo and Savonarola in the summer of 1495, later reported by Vasari (1550 and 1568) but confirmed by a memorandum remained in Leonardo's possession (Codex Atlanticus, f. 628 r), which refers explicitly to a \"mission\" assigned to him (presumably by Ludovico Sforza) to go to Florence, in order to get (through a competent mediator, probably Bernardo Rucellai) a detailed report about the new political rules promoted by the friar, lends credibility to a hypothesis of comparison between their anthropological conceptions, especially as they emerge from their \"transfigured\" use of the prophetic semantics, despite their shared repudiation of astrological quackery. If, on the one\r\nhand, Savonarola's preaching does not have any properly predictive character, in terms of intentional \"divination\", standing rather as a projection or representation of the contingency of the current days, in purely political terms, Leonardo's riddles, which he literally called \"prophecies\", on the other hand - and similarly - transform the genre of presages or predictions into entertainment tools for courtly audiences, that, however, in some cases, become a vehicle for a critical evaluation of the troubles of contemporary society. The likelihood that, on the occasion of his convocation in Florence in 1495, Leonardo was able to listen to Savonarola's sermons, so steeped in apocalyptic prophecy, may provide an\r\nexplanation to the appearance of writings called \"prophecies\", among his notes, just in the last five years of the century. Their underlying vision of man, clearly pessimistic, offers significant points of contact with the negative anthropology advocated by Savonarola's preaching, which also makes use of animal apology, especially in the conceptual and ideological interpretation of the \"anti-human\" conflictuality among men, that makes them \"beasts\" towards themselves, in a sort of anticipation of Hobbes' famous motto homo homini\r\nlupus.","downloadable_attachments":[{"id":35996755,"asset_id":9829410,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":234890,"first_name":"Marco","last_name":"Versiero","domain_name":"chiesadimilano","page_name":"MarcoVersiero","display_name":"Marco Versiero","profile_url":"https://chiesadimilano.academia.edu/MarcoVersiero?f_ri=21545","photo":"https://0.academia-photos.com/234890/51676/108782969/s65_marco.versiero.jpg"}],"research_interests":[{"id":813,"name":"Political 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La tradizione Italiana dell’arte equestre durante il Rinascimento e nei secoli successivi</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Alla metà del Cinquecento, Federico Grisone, gentiluomo napoletano dava per la prima volta alle stampe un libro sull’arte di ammaestrare il cavallo «per l’uso della guerra» e sui segreti per «emendarne i vitii». L’opera ebbe subito un... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_37275659" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Alla metà del Cinquecento, Federico Grisone, gentiluomo napoletano dava per la prima volta alle stampe un libro sull’arte di ammaestrare il cavallo «per l’uso della guerra» e sui segreti per «emendarne i vitii». L’opera ebbe subito un enorme successo e fu ben presto emulata dai libri di altri autori. Nasceva così un vero e proprio genere letterario, quello del trattato equestre, la cui tradizione, tra alterne vicende, è giunta viva e vitale sino ai nostri giorni. Non è un caso che quell’opera fosse stampata in Italia, visto che nel nostro paese tra XV e XVI secolo venne elaborata una nuova cultura di corte in cui l’equitazione aveva un ruolo fondamentale. All’epoca, i cavallerizzi italiani erano contesi dalle corti di tutta Europa e i rampolli dell’aristocrazia di tutto il continente valicavano le Alpi per perfezionarsi nell’arte di montare a cavallo presso celebri maestri. Seguendo il filo rosso della trattatistica equestre, questo libro ripercorre la storia dell’equitazione italiana ed europea, raccontandone le ricche implicazioni culturali, l’evoluzione delle tecniche e i numerosi intrecci con i grandi avvenimenti della storia europea. Una vicenda costellata di personaggi circondati da un’aura di leggendaria abilità, di dispute tra scuole contrapposte e di imprese memorabili. Una storia che dal Cinquecento si dipana sino agli inizi del XX secolo, quando di nuovo un italiano, Federico Caprilli, rivoluzionò l’equitazione mondiale, ideando la tecnica di salto degli ostacoli tutt’oggi in uso. <br /><a href="http://worksofchivalry.com/it/il-libro/" rel="nofollow">http://worksofchivalry.com/it/il-libro/</a></div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/37275659" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="1f4743ef17c03c34f5ef26294c3413b3" rel="nofollow" data-download="{"attachment_id":57230140,"asset_id":37275659,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/57230140/download_file?st=MTczMjgwNjM5Myw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="13262162" href="https://independent.academia.edu/GiovanniBattistaTomassini">Giovanni Battista Tomassini</a><script data-card-contents-for-user="13262162" type="text/json">{"id":13262162,"first_name":"Giovanni Battista","last_name":"Tomassini","domain_name":"independent","page_name":"GiovanniBattistaTomassini","display_name":"Giovanni Battista Tomassini","profile_url":"https://independent.academia.edu/GiovanniBattistaTomassini?f_ri=21545","photo":"https://0.academia-photos.com/13262162/5382344/10757854/s65_giovanni_battista.tomassini.jpg"}</script></span></span></li><li class="js-paper-rank-work_37275659 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="37275659"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 37275659, container: ".js-paper-rank-work_37275659", }); 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$(".js-view-count[data-work-id=37275659]").text(description); $(".js-view-count-work_37275659").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_37275659").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="37275659"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">20</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="2987" href="https://www.academia.edu/Documents/in/Renaissance_Studies">Renaissance Studies</a>, <script data-card-contents-for-ri="2987" type="text/json">{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=21545","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="3612" href="https://www.academia.edu/Documents/in/Renaissance">Renaissance</a>, <script data-card-contents-for-ri="3612" type="text/json">{"id":3612,"name":"Renaissance","url":"https://www.academia.edu/Documents/in/Renaissance?f_ri=21545","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="6732" href="https://www.academia.edu/Documents/in/Horse_culture">Horse culture</a>, <script data-card-contents-for-ri="6732" type="text/json">{"id":6732,"name":"Horse culture","url":"https://www.academia.edu/Documents/in/Horse_culture?f_ri=21545","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="17916" href="https://www.academia.edu/Documents/in/Renaissance_literature">Renaissance literature</a><script data-card-contents-for-ri="17916" type="text/json">{"id":17916,"name":"Renaissance literature","url":"https://www.academia.edu/Documents/in/Renaissance_literature?f_ri=21545","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=37275659]'), work: {"id":37275659,"title":"Le opere della cavalleria. La tradizione Italiana dell’arte equestre durante il Rinascimento e nei secoli successivi","created_at":"2018-08-22T10:10:17.434-07:00","url":"https://www.academia.edu/37275659/Le_opere_della_cavalleria_La_tradizione_Italiana_dell_arte_equestre_durante_il_Rinascimento_e_nei_secoli_successivi?f_ri=21545","dom_id":"work_37275659","summary":"Alla metà del Cinquecento, Federico Grisone, gentiluomo napoletano dava per la prima volta alle stampe un libro sull’arte di ammaestrare il cavallo «per l’uso della guerra» e sui segreti per «emendarne i vitii». L’opera ebbe subito un enorme successo e fu ben presto emulata dai libri di altri autori. Nasceva così un vero e proprio genere letterario, quello del trattato equestre, la cui tradizione, tra alterne vicende, è giunta viva e vitale sino ai nostri giorni. Non è un caso che quell’opera fosse stampata in Italia, visto che nel nostro paese tra XV e XVI secolo venne elaborata una nuova cultura di corte in cui l’equitazione aveva un ruolo fondamentale. All’epoca, i cavallerizzi italiani erano contesi dalle corti di tutta Europa e i rampolli dell’aristocrazia di tutto il continente valicavano le Alpi per perfezionarsi nell’arte di montare a cavallo presso celebri maestri. Seguendo il filo rosso della trattatistica equestre, questo libro ripercorre la storia dell’equitazione italiana ed europea, raccontandone le ricche implicazioni culturali, l’evoluzione delle tecniche e i numerosi intrecci con i grandi avvenimenti della storia europea. Una vicenda costellata di personaggi circondati da un’aura di leggendaria abilità, di dispute tra scuole contrapposte e di imprese memorabili. Una storia che dal Cinquecento si dipana sino agli inizi del XX secolo, quando di nuovo un italiano, Federico Caprilli, rivoluzionò l’equitazione mondiale, ideando la tecnica di salto degli ostacoli tutt’oggi in uso.\r\nhttp://worksofchivalry.com/it/il-libro/","downloadable_attachments":[{"id":57230140,"asset_id":37275659,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":13262162,"first_name":"Giovanni Battista","last_name":"Tomassini","domain_name":"independent","page_name":"GiovanniBattistaTomassini","display_name":"Giovanni Battista Tomassini","profile_url":"https://independent.academia.edu/GiovanniBattistaTomassini?f_ri=21545","photo":"https://0.academia-photos.com/13262162/5382344/10757854/s65_giovanni_battista.tomassini.jpg"}],"research_interests":[{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=21545","nofollow":false},{"id":3612,"name":"Renaissance","url":"https://www.academia.edu/Documents/in/Renaissance?f_ri=21545","nofollow":false},{"id":6732,"name":"Horse culture","url":"https://www.academia.edu/Documents/in/Horse_culture?f_ri=21545","nofollow":false},{"id":17916,"name":"Renaissance literature","url":"https://www.academia.edu/Documents/in/Renaissance_literature?f_ri=21545","nofollow":false},{"id":21545,"name":"Italian Renaissance literature","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_literature?f_ri=21545"},{"id":67907,"name":"Filologia Italiana Letteratura Italiana del Rinascimento","url":"https://www.academia.edu/Documents/in/Filologia_Italiana_Letteratura_Italiana_del_Rinascimento?f_ri=21545"},{"id":70463,"name":"Horse Riding","url":"https://www.academia.edu/Documents/in/Horse_Riding?f_ri=21545"},{"id":100309,"name":"Storia","url":"https://www.academia.edu/Documents/in/Storia?f_ri=21545"},{"id":162349,"name":"Rinascimento","url":"https://www.academia.edu/Documents/in/Rinascimento?f_ri=21545"},{"id":168196,"name":"Horses","url":"https://www.academia.edu/Documents/in/Horses?f_ri=21545"},{"id":229030,"name":"Letteratura italiana","url":"https://www.academia.edu/Documents/in/Letteratura_italiana?f_ri=21545"},{"id":254685,"name":"Horse","url":"https://www.academia.edu/Documents/in/Horse?f_ri=21545"},{"id":262728,"name":"Reinassance","url":"https://www.academia.edu/Documents/in/Reinassance?f_ri=21545"},{"id":284547,"name":"Horsemanship","url":"https://www.academia.edu/Documents/in/Horsemanship?f_ri=21545"},{"id":379110,"name":"Trattati","url":"https://www.academia.edu/Documents/in/Trattati?f_ri=21545"},{"id":387022,"name":"History of Horse Riding","url":"https://www.academia.edu/Documents/in/History_of_Horse_Riding?f_ri=21545"},{"id":526391,"name":"Trattatistica","url":"https://www.academia.edu/Documents/in/Trattatistica?f_ri=21545"},{"id":743171,"name":"The Culture of Horsemanship","url":"https://www.academia.edu/Documents/in/The_Culture_of_Horsemanship?f_ri=21545"},{"id":892613,"name":"Horse and Horsemanship","url":"https://www.academia.edu/Documents/in/Horse_and_Horsemanship?f_ri=21545"},{"id":1008186,"name":"Horseman","url":"https://www.academia.edu/Documents/in/Horseman?f_ri=21545"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_44342562" data-work_id="44342562" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/44342562/_Vedila_l%C3%A0_con_un_coltello_in_mano_Giraldi_Cinthio_e_Stendhal">«Vedila là con un coltello in mano». Giraldi Cinthio e Stendhal</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Scopo del presente articolo è mettere a fuoco un episodio finora sconosciuto della fortuna europea di Giraldi Cinthio, ossia la ricezione dei Discorsi intorno al comporre e degli Hecatommithi da parte di Stendhal. A tal fine l’articolo... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_44342562" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Scopo del presente articolo è mettere a fuoco un episodio finora sconosciuto della fortuna europea di Giraldi Cinthio, ossia la ricezione dei Discorsi intorno al comporre e degli Hecatommithi da parte di Stendhal. A tal fine l’articolo compie una ricognizione nella biblioteca del Grenoblese, sia in quella virtuale (i volumi consultati per la stesura dell’Histoire de la peinture en Italie), sia in quella reale (il Fondo Stendhaliano Bucci della Biblioteca Comunale Centrale Sormani di Milano). Nell’esemplare degli Hecatommithi (Venezia, Zoppini, 1580) del Fondo Stendhaliano Bucci (0611) è incollato un disegno che forse rappresenta una scena dell’Orbecche. Stendhal lettore di Giraldi riflette sui meccanismi dell’inventio, anche in rapporto ad altri novellieri italiani, come Matteo Bandello.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/44342562" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="043e9da746e12cceb202890933e3b227" rel="nofollow" data-download="{"attachment_id":64734082,"asset_id":44342562,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/64734082/download_file?st=MTczMjgwNjM5Myw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="28457722" href="https://unimi.academia.edu/DavideColombo">Davide Colombo</a><script data-card-contents-for-user="28457722" type="text/json">{"id":28457722,"first_name":"Davide","last_name":"Colombo","domain_name":"unimi","page_name":"DavideColombo","display_name":"Davide Colombo","profile_url":"https://unimi.academia.edu/DavideColombo?f_ri=21545","photo":"https://0.academia-photos.com/28457722/8574603/116048718/s65_davide.colombo.jpg"}</script></span></span></li><li class="js-paper-rank-work_44342562 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="44342562"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 44342562, container: ".js-paper-rank-work_44342562", }); 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$(".js-view-count[data-work-id=44342562]").text(description); $(".js-view-count-work_44342562").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_44342562").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="44342562"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">20</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="659" href="https://www.academia.edu/Documents/in/Comparative_Literature">Comparative Literature</a>, <script data-card-contents-for-ri="659" type="text/json">{"id":659,"name":"Comparative Literature","url":"https://www.academia.edu/Documents/in/Comparative_Literature?f_ri=21545","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1186" href="https://www.academia.edu/Documents/in/Translation_Studies">Translation Studies</a>, <script data-card-contents-for-ri="1186" type="text/json">{"id":1186,"name":"Translation Studies","url":"https://www.academia.edu/Documents/in/Translation_Studies?f_ri=21545","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2221" href="https://www.academia.edu/Documents/in/Italian_Studies">Italian Studies</a>, <script data-card-contents-for-ri="2221" type="text/json">{"id":2221,"name":"Italian Studies","url":"https://www.academia.edu/Documents/in/Italian_Studies?f_ri=21545","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2987" href="https://www.academia.edu/Documents/in/Renaissance_Studies">Renaissance Studies</a><script data-card-contents-for-ri="2987" type="text/json">{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=21545","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=44342562]'), work: {"id":44342562,"title":"«Vedila là con un coltello in mano». Giraldi Cinthio e Stendhal","created_at":"2020-10-21T07:23:27.256-07:00","url":"https://www.academia.edu/44342562/_Vedila_l%C3%A0_con_un_coltello_in_mano_Giraldi_Cinthio_e_Stendhal?f_ri=21545","dom_id":"work_44342562","summary":"Scopo del presente articolo è mettere a fuoco un episodio finora sconosciuto della fortuna europea di Giraldi Cinthio, ossia la ricezione dei Discorsi intorno al comporre e degli Hecatommithi da parte di Stendhal. A tal fine l’articolo compie una ricognizione nella biblioteca del Grenoblese, sia in quella virtuale (i volumi consultati per la stesura dell’Histoire de la peinture en Italie), sia in quella reale (il Fondo Stendhaliano Bucci della Biblioteca Comunale Centrale Sormani di Milano). Nell’esemplare degli Hecatommithi (Venezia, Zoppini, 1580) del Fondo Stendhaliano Bucci (0611) è incollato un disegno che forse rappresenta una scena dell’Orbecche. Stendhal lettore di Giraldi riflette sui meccanismi dell’inventio, anche in rapporto ad altri novellieri italiani, come Matteo Bandello.","downloadable_attachments":[{"id":64734082,"asset_id":44342562,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":28457722,"first_name":"Davide","last_name":"Colombo","domain_name":"unimi","page_name":"DavideColombo","display_name":"Davide Colombo","profile_url":"https://unimi.academia.edu/DavideColombo?f_ri=21545","photo":"https://0.academia-photos.com/28457722/8574603/116048718/s65_davide.colombo.jpg"}],"research_interests":[{"id":659,"name":"Comparative Literature","url":"https://www.academia.edu/Documents/in/Comparative_Literature?f_ri=21545","nofollow":false},{"id":1186,"name":"Translation Studies","url":"https://www.academia.edu/Documents/in/Translation_Studies?f_ri=21545","nofollow":false},{"id":2221,"name":"Italian Studies","url":"https://www.academia.edu/Documents/in/Italian_Studies?f_ri=21545","nofollow":false},{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=21545","nofollow":false},{"id":3146,"name":"Shakespeare","url":"https://www.academia.edu/Documents/in/Shakespeare?f_ri=21545"},{"id":7887,"name":"Italian Literature","url":"https://www.academia.edu/Documents/in/Italian_Literature?f_ri=21545"},{"id":16368,"name":"Italian Renaissance Art","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_Art?f_ri=21545"},{"id":21545,"name":"Italian Renaissance literature","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_literature?f_ri=21545"},{"id":25154,"name":"Stendhal","url":"https://www.academia.edu/Documents/in/Stendhal?f_ri=21545"},{"id":27834,"name":"Dante Alighieri","url":"https://www.academia.edu/Documents/in/Dante_Alighieri?f_ri=21545"},{"id":36294,"name":"Leonardo da Vinci","url":"https://www.academia.edu/Documents/in/Leonardo_da_Vinci?f_ri=21545"},{"id":67907,"name":"Filologia Italiana Letteratura Italiana del Rinascimento","url":"https://www.academia.edu/Documents/in/Filologia_Italiana_Letteratura_Italiana_del_Rinascimento?f_ri=21545"},{"id":130262,"name":"The Novella","url":"https://www.academia.edu/Documents/in/The_Novella?f_ri=21545"},{"id":162349,"name":"Rinascimento","url":"https://www.academia.edu/Documents/in/Rinascimento?f_ri=21545"},{"id":223022,"name":"Italiano","url":"https://www.academia.edu/Documents/in/Italiano?f_ri=21545"},{"id":321337,"name":"Giraldi Cinzio","url":"https://www.academia.edu/Documents/in/Giraldi_Cinzio?f_ri=21545"},{"id":432309,"name":"Matteo Bandello","url":"https://www.academia.edu/Documents/in/Matteo_Bandello?f_ri=21545"},{"id":670133,"name":"Letteratura Italiana Del Rinascimento","url":"https://www.academia.edu/Documents/in/Letteratura_Italiana_Del_Rinascimento?f_ri=21545"},{"id":911061,"name":"G.B. Giraldi Cinzio","url":"https://www.academia.edu/Documents/in/G.B._Giraldi_Cinzio?f_ri=21545"},{"id":3079457,"name":"Giraldi Cinthio","url":"https://www.academia.edu/Documents/in/Giraldi_Cinthio?f_ri=21545"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_36185099" data-work_id="36185099" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/36185099/Machiavelli_Mandragola_pdf">Machiavelli Mandragola.pdf</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/36185099" data-share-source="work_strip" 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itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="5670660" href="https://wwwuniroma1.academia.edu/GaetanoLettieri">Gaetano Lettieri</a><script data-card-contents-for-user="5670660" type="text/json">{"id":5670660,"first_name":"Gaetano","last_name":"Lettieri","domain_name":"wwwuniroma1","page_name":"GaetanoLettieri","display_name":"Gaetano Lettieri","profile_url":"https://wwwuniroma1.academia.edu/GaetanoLettieri?f_ri=21545","photo":"https://0.academia-photos.com/5670660/3534546/62383367/s65_gaetano.lettieri.jpg"}</script></span></span></li><li class="js-paper-rank-work_36185099 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="36185099"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 36185099, container: ".js-paper-rank-work_36185099", }); 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Lettieri","profile_url":"https://wwwuniroma1.academia.edu/GaetanoLettieri?f_ri=21545","photo":"https://0.academia-photos.com/5670660/3534546/62383367/s65_gaetano.lettieri.jpg"}],"research_interests":[{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=21545","nofollow":false},{"id":3027,"name":"Renaissance Humanism","url":"https://www.academia.edu/Documents/in/Renaissance_Humanism?f_ri=21545","nofollow":false},{"id":3612,"name":"Renaissance","url":"https://www.academia.edu/Documents/in/Renaissance?f_ri=21545","nofollow":false},{"id":16368,"name":"Italian Renaissance Art","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_Art?f_ri=21545","nofollow":false},{"id":17916,"name":"Renaissance literature","url":"https://www.academia.edu/Documents/in/Renaissance_literature?f_ri=21545"},{"id":21545,"name":"Italian Renaissance literature","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_literature?f_ri=21545"},{"id":24559,"name":"Machiavelli","url":"https://www.academia.edu/Documents/in/Machiavelli?f_ri=21545"},{"id":26305,"name":"Bible","url":"https://www.academia.edu/Documents/in/Bible?f_ri=21545"},{"id":36737,"name":"Niccolò Machiavelli","url":"https://www.academia.edu/Documents/in/Niccol%C3%B2_Machiavelli?f_ri=21545"},{"id":60999,"name":"Machiavellism","url":"https://www.academia.edu/Documents/in/Machiavellism?f_ri=21545"},{"id":162349,"name":"Rinascimento","url":"https://www.academia.edu/Documents/in/Rinascimento?f_ri=21545"},{"id":164211,"name":"Mandragola","url":"https://www.academia.edu/Documents/in/Mandragola?f_ri=21545"},{"id":445280,"name":"Hebrew Bible/Old Testament","url":"https://www.academia.edu/Documents/in/Hebrew_Bible_Old_Testament?f_ri=21545"},{"id":479339,"name":"Filosofia del 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He was born in Bologna, in 1552, and he started teaching very young in Florence and in Perugia and finally went back to Bologna, where he held the position of professor of... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_37269281" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Pietro Antonio Cataldi was an Italian Renaissance mathematician. He was born in Bologna, in 1552, and he started teaching very young in Florence and in Perugia and finally went back to Bologna, where he held the position of professor of mathematics and astronomy until his death, in 1626. Cataldi devoted his life to diffuse the mathematical culture, and for this reason, he chose to teach and write his works in Italian rather than in Latin, and he printed at his own expense and distributed for free to poor students his most didactical works. He wrote around 30 books on mathematics and some on other topics. He contributed to the theory of Euclidean perfect numbers, discovering the sixth and seventh of the perfect numbers and the sixth and seventh of the Mersenne prime numbers, and he offered a notable contribution to the development of infinite algorithms. His works, all published in Bologna between 1602 and 1626, represented an important advancement to the Renaissance mathematical thought and a perfect documentation of the mathematical knowledge of his time.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/37269281" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="f075dd88c84c17bb9434b2c0d7be3248" rel="nofollow" data-download="{"attachment_id":57727240,"asset_id":37269281,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/57727240/download_file?st=MTczMjgwNjM5Myw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="2780921" href="https://johnshopkins.academia.edu/LorenzoFilippoBacchini">Lorenzo Filippo Bacchini</a><script data-card-contents-for-user="2780921" type="text/json">{"id":2780921,"first_name":"Lorenzo Filippo","last_name":"Bacchini","domain_name":"johnshopkins","page_name":"LorenzoFilippoBacchini","display_name":"Lorenzo Filippo Bacchini","profile_url":"https://johnshopkins.academia.edu/LorenzoFilippoBacchini?f_ri=21545","photo":"https://0.academia-photos.com/2780921/1133664/13713089/s65_lorenzo_filippo.bacchini.jpg"}</script></span></span></li><li class="js-paper-rank-work_37269281 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="37269281"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 37269281, container: ".js-paper-rank-work_37269281", }); 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He was born in Bologna, in 1552, and he started teaching very young in Florence and in Perugia and finally went back to Bologna, where he held the position of professor of mathematics and astronomy until his death, in 1626. Cataldi devoted his life to diffuse the mathematical culture, and for this reason, he chose to teach and write his works in Italian rather than in Latin, and he printed at his own expense and distributed for free to poor students his most didactical works. He wrote around 30 books on mathematics and some on other topics. He contributed to the theory of Euclidean perfect numbers, discovering the sixth and seventh of the perfect numbers and the sixth and seventh of the Mersenne prime numbers, and he offered a notable contribution to the development of infinite algorithms. His works, all published in Bologna between 1602 and 1626, represented an important advancement to the Renaissance mathematical thought and a perfect documentation of the mathematical knowledge of his time.","downloadable_attachments":[{"id":57727240,"asset_id":37269281,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":2780921,"first_name":"Lorenzo Filippo","last_name":"Bacchini","domain_name":"johnshopkins","page_name":"LorenzoFilippoBacchini","display_name":"Lorenzo Filippo Bacchini","profile_url":"https://johnshopkins.academia.edu/LorenzoFilippoBacchini?f_ri=21545","photo":"https://0.academia-photos.com/2780921/1133664/13713089/s65_lorenzo_filippo.bacchini.jpg"}],"research_interests":[{"id":300,"name":"Mathematics","url":"https://www.academia.edu/Documents/in/Mathematics?f_ri=21545","nofollow":false},{"id":2987,"name":"Renaissance 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Criticism</a>, <script data-card-contents-for-ri="3773" type="text/json">{"id":3773,"name":"Literary Criticism","url":"https://www.academia.edu/Documents/in/Literary_Criticism?f_ri=21545","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="21545" href="https://www.academia.edu/Documents/in/Italian_Renaissance_literature">Italian Renaissance literature</a><script data-card-contents-for-ri="21545" type="text/json">{"id":21545,"name":"Italian Renaissance literature","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_literature?f_ri=21545","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=6092346]'), work: {"id":6092346,"title":"Un esempio di epistolografia satirica del Cinquecento: Giovan Guglielmo Bonincontro e il Sant’Uffizio in Sicilia","created_at":"2014-02-16T00:31:28.979-08:00","url":"https://www.academia.edu/6092346/Un_esempio_di_epistolografia_satirica_del_Cinquecento_Giovan_Guglielmo_Bonincontro_e_il_Sant_Uffizio_in_Sicilia?f_ri=21545","dom_id":"work_6092346","summary":null,"downloadable_attachments":[{"id":46670892,"asset_id":6092346,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":9191159,"first_name":"Agnese","last_name":"Amaduri","domain_name":"unict","page_name":"AgneseAmaduri","display_name":"Agnese Amaduri","profile_url":"https://unict.academia.edu/AgneseAmaduri?f_ri=21545","photo":"https://0.academia-photos.com/9191159/2963507/16843045/s65_agnese.amaduri.jpg"}],"research_interests":[{"id":3773,"name":"Literary Criticism","url":"https://www.academia.edu/Documents/in/Literary_Criticism?f_ri=21545","nofollow":false},{"id":21545,"name":"Italian Renaissance literature","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_literature?f_ri=21545","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_27164893" data-work_id="27164893" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/27164893/_Ritrarre_i_lineamenti_e_i_colori_dell_animo_Biografie_cinquecentesche_tra_paratesto_e_novellistica_Milano_FrancoAngeli_2012">«Ritrarre i lineamenti e i colori dell’animo». Biografie cinquecentesche tra paratesto e novellistica, Milano, FrancoAngeli, 2012</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Il volume che qui si offre ai lettori intende scrutare, nella pratica dei testi, i rattoppi ben o mal cuciti che ogni autore deve utilizzare nel momento in cui è costretto ad affrontare i luoghi problematici della scrittura di vite. Si... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_27164893" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Il volume che qui si offre ai lettori intende scrutare, nella pratica dei testi, i rattoppi ben o mal cuciti che ogni autore deve utilizzare nel momento in cui è costretto ad affrontare i luoghi problematici della scrittura di vite. Si pone, insomma, una particolare attenzione su quelle zone d'ombra della biografia, dove la sua tenuta granitica si sgretola nell'interferenza con altri generi letterari. A interessare sono gli spazi d'ibridismo narrativo che strutturano tale scrittura nella convinzione che essi debbano essere considerati come elementi costituitivi e, per questo, positivamente connaturati al genere. Gli usi paratestuali e le metamorfosi lungo i secoli, i legami con la storiografia, la novellistica e l'autobiografia mostrano la prolificità e le potenzialità di un genere, ormai consolidato all'altezza del secondo Cinquecento, il quale si pone l'obiettivo specifico di "ritrarre i lineamenti e i colori dell'animo". È questa la formula utilizzata dal trattatista Malaspina nel tentativo di indicare il senso profondo di qualunque scrittura di vite: azioni specifiche e caratteristiche fisiche, ma anche aneddoti, detti e motti arguti devono essere selezionati con l'unico scopo di delineare il "costume" del personaggio biografato.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/27164893" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="2156619" href="https://unina.academia.edu/VincenzoCaputo">Vincenzo Caputo</a><script data-card-contents-for-user="2156619" type="text/json">{"id":2156619,"first_name":"Vincenzo","last_name":"Caputo","domain_name":"unina","page_name":"VincenzoCaputo","display_name":"Vincenzo Caputo","profile_url":"https://unina.academia.edu/VincenzoCaputo?f_ri=21545","photo":"https://0.academia-photos.com/2156619/696892/45623103/s65_vincenzo.caputo.jpg"}</script></span></span></li><li class="js-paper-rank-work_27164893 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="27164893"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 27164893, container: ".js-paper-rank-work_27164893", }); });</script></li><li class="js-percentile-work_27164893 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 27164893; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_27164893"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_27164893 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="27164893"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 27164893; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=27164893]").text(description); $(".js-view-count-work_27164893").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_27164893").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="27164893"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">2</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="21545" href="https://www.academia.edu/Documents/in/Italian_Renaissance_literature">Italian Renaissance literature</a>, <script data-card-contents-for-ri="21545" type="text/json">{"id":21545,"name":"Italian Renaissance literature","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_literature?f_ri=21545","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="72708" href="https://www.academia.edu/Documents/in/Biography_and_Life-Writing">Biography and Life-Writing</a><script data-card-contents-for-ri="72708" type="text/json">{"id":72708,"name":"Biography and Life-Writing","url":"https://www.academia.edu/Documents/in/Biography_and_Life-Writing?f_ri=21545","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=27164893]'), work: {"id":27164893,"title":"«Ritrarre i lineamenti e i colori dell’animo». 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Gli usi paratestuali e le metamorfosi lungo i secoli, i legami con la storiografia, la novellistica e l'autobiografia mostrano la prolificità e le potenzialità di un genere, ormai consolidato all'altezza del secondo Cinquecento, il quale si pone l'obiettivo specifico di \"ritrarre i lineamenti e i colori dell'animo\". È questa la formula utilizzata dal trattatista Malaspina nel tentativo di indicare il senso profondo di qualunque scrittura di vite: azioni specifiche e caratteristiche fisiche, ma anche aneddoti, detti e motti arguti devono essere selezionati con l'unico scopo di delineare il \"costume\" del personaggio biografato.","downloadable_attachments":[],"ordered_authors":[{"id":2156619,"first_name":"Vincenzo","last_name":"Caputo","domain_name":"unina","page_name":"VincenzoCaputo","display_name":"Vincenzo Caputo","profile_url":"https://unina.academia.edu/VincenzoCaputo?f_ri=21545","photo":"https://0.academia-photos.com/2156619/696892/45623103/s65_vincenzo.caputo.jpg"}],"research_interests":[{"id":21545,"name":"Italian Renaissance literature","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_literature?f_ri=21545","nofollow":false},{"id":72708,"name":"Biography and Life-Writing","url":"https://www.academia.edu/Documents/in/Biography_and_Life-Writing?f_ri=21545","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_12359195" data-work_id="12359195" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/12359195/rec_a_Marco_Praloran_Le_lingue_del_racconto_Studi_su_Boiardo_e_Ariosto_Roma_Bulzoni_2009_pp_258">rec. a Marco Praloran, Le lingue del racconto. Studi su Boiardo e Ariosto, Roma, Bulzoni, 2009, pp. 258</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/12359195" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="6b86f2eaf6e20eac5bec8a254c50c5e0" rel="nofollow" data-download="{"attachment_id":37617026,"asset_id":12359195,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/37617026/download_file?st=MTczMjgwNjM5Myw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="2693553" href="https://uniroma1.academia.edu/MaikoFavaro">Maiko Favaro</a><script data-card-contents-for-user="2693553" type="text/json">{"id":2693553,"first_name":"Maiko","last_name":"Favaro","domain_name":"uniroma1","page_name":"MaikoFavaro","display_name":"Maiko Favaro","profile_url":"https://uniroma1.academia.edu/MaikoFavaro?f_ri=21545","photo":"https://0.academia-photos.com/2693553/863036/37280155/s65_maiko.favaro.jpg"}</script></span></span></li><li class="js-paper-rank-work_12359195 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="12359195"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 12359195, container: ".js-paper-rank-work_12359195", }); 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$(".js-view-count[data-work-id=12359195]").text(description); $(".js-view-count-work_12359195").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_12359195").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="12359195"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">9</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="21545" href="https://www.academia.edu/Documents/in/Italian_Renaissance_literature">Italian Renaissance literature</a>, <script data-card-contents-for-ri="21545" type="text/json">{"id":21545,"name":"Italian Renaissance literature","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_literature?f_ri=21545","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="48098" href="https://www.academia.edu/Documents/in/Boiardo">Boiardo</a>, <script data-card-contents-for-ri="48098" type="text/json">{"id":48098,"name":"Boiardo","url":"https://www.academia.edu/Documents/in/Boiardo?f_ri=21545","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="51992" href="https://www.academia.edu/Documents/in/Ludovico_Ariosto">Ludovico Ariosto</a>, <script data-card-contents-for-ri="51992" type="text/json">{"id":51992,"name":"Ludovico Ariosto","url":"https://www.academia.edu/Documents/in/Ludovico_Ariosto?f_ri=21545","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="92578" href="https://www.academia.edu/Documents/in/Chivalric_literature">Chivalric literature</a><script data-card-contents-for-ri="92578" type="text/json">{"id":92578,"name":"Chivalric literature","url":"https://www.academia.edu/Documents/in/Chivalric_literature?f_ri=21545","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=12359195]'), work: {"id":12359195,"title":"rec. a Marco Praloran, Le lingue del racconto. 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GARZONI, De eruditione principum. De principis officio, ed. critica a cura di A. 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MUÑIZ","domain_name":"ub","page_name":"MARIADELASNIEVESMUÑIZMUÑIZ","display_name":"MARIA DE LAS NIEVES MUÑIZ MUÑIZ","profile_url":"https://ub.academia.edu/MARIADELASNIEVESMU%C3%91IZMU%C3%91IZ?f_ri=21545","photo":"https://0.academia-photos.com/4864535/2102610/4086589/s65_maria_de_las_nieves.mu_iz_mu_iz.jpg"}],"research_interests":[{"id":1186,"name":"Translation Studies","url":"https://www.academia.edu/Documents/in/Translation_Studies?f_ri=21545","nofollow":false},{"id":5431,"name":"Seventeenth Century","url":"https://www.academia.edu/Documents/in/Seventeenth_Century?f_ri=21545","nofollow":false},{"id":6880,"name":"Spanish History","url":"https://www.academia.edu/Documents/in/Spanish_History?f_ri=21545","nofollow":false},{"id":21545,"name":"Italian Renaissance literature","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_literature?f_ri=21545","nofollow":false},{"id":37681,"name":"Portugal 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class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="228308" href="https://u-picardie.academia.edu/MichelPaoli">Michel Paoli</a><script data-card-contents-for-user="228308" type="text/json">{"id":228308,"first_name":"Michel","last_name":"Paoli","domain_name":"u-picardie","page_name":"MichelPaoli","display_name":"Michel Paoli","profile_url":"https://u-picardie.academia.edu/MichelPaoli?f_ri=21545","photo":"https://0.academia-photos.com/228308/850480/12732944/s65_michel.paoli.jpg"}</script></span></span></li><li class="js-paper-rank-work_2202296 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="2202296"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 2202296, container: ".js-paper-rank-work_2202296", }); 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Paoli","profile_url":"https://u-picardie.academia.edu/MichelPaoli?f_ri=21545","photo":"https://0.academia-photos.com/228308/850480/12732944/s65_michel.paoli.jpg"}],"research_interests":[{"id":1051,"name":"Secular Humanism","url":"https://www.academia.edu/Documents/in/Secular_Humanism?f_ri=21545","nofollow":false},{"id":2221,"name":"Italian Studies","url":"https://www.academia.edu/Documents/in/Italian_Studies?f_ri=21545","nofollow":false},{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=21545","nofollow":false},{"id":3027,"name":"Renaissance Humanism","url":"https://www.academia.edu/Documents/in/Renaissance_Humanism?f_ri=21545","nofollow":false},{"id":3612,"name":"Renaissance","url":"https://www.academia.edu/Documents/in/Renaissance?f_ri=21545"},{"id":4686,"name":"Renaissance Philosophy","url":"https://www.academia.edu/Documents/in/Renaissance_Philosophy?f_ri=21545"},{"id":5290,"name":"Philosophy of Art","url":"https://www.academia.edu/Documents/in/Philosophy_of_Art?f_ri=21545"},{"id":7774,"name":"Aesthetics Of Nature","url":"https://www.academia.edu/Documents/in/Aesthetics_Of_Nature?f_ri=21545"},{"id":7887,"name":"Italian Literature","url":"https://www.academia.edu/Documents/in/Italian_Literature?f_ri=21545"},{"id":7990,"name":"Italian Humanism","url":"https://www.academia.edu/Documents/in/Italian_Humanism?f_ri=21545"},{"id":16368,"name":"Italian Renaissance Art","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_Art?f_ri=21545"},{"id":17916,"name":"Renaissance literature","url":"https://www.academia.edu/Documents/in/Renaissance_literature?f_ri=21545"},{"id":21544,"name":"Medieval Italian Literature","url":"https://www.academia.edu/Documents/in/Medieval_Italian_Literature?f_ri=21545"},{"id":21545,"name":"Italian Renaissance literature","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_literature?f_ri=21545"},{"id":25613,"name":"Philosophy of Nature","url":"https://www.academia.edu/Documents/in/Philosophy_of_Nature?f_ri=21545"},{"id":33319,"name":"Nature","url":"https://www.academia.edu/Documents/in/Nature?f_ri=21545"},{"id":38432,"name":"Leon Battista Alberti","url":"https://www.academia.edu/Documents/in/Leon_Battista_Alberti?f_ri=21545"},{"id":270396,"name":"15th Century Florence","url":"https://www.academia.edu/Documents/in/15th_Century_Florence?f_ri=21545"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_12174541" data-work_id="12174541" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/12174541/A_Corresponding_Renaissance_Letters_Written_by_Italian_Women_1375_1650">A Corresponding Renaissance: Letters Written by Italian Women 1375-1650</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Women’s vibrant presence in the Italian Renaissance has long been overlooked, with attention focused mainly on the artistic and intellectual achievements of their male counterparts. During this period, however, Italian women excelled... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_12174541" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Women’s vibrant presence in the Italian Renaissance has long been overlooked, with attention focused mainly on the artistic and intellectual achievements of their male counterparts. During this period, however, Italian women excelled especially as writers, and nowhere was their writing more expressive than in letters. In A Corresponding Renaissance: Letters Written by Italian Women, 1375–1650 Lisa Kaborycha considers the lives and cultural contributions revealed by these women in their own words, through their correspondence. By turns highly personal, didactic, or devotional, these letters expose the daily realities of women’s lives, their feelings, ideas, and reactions to the complex world in which they lived, showing them not merely as bystanders, but as true cultural protagonists in the Italian Renaissance, <br /> <br />A Corresponding Renaissance is divided into eight thematic chapters, featuring fifty-five letters that are newly translated into English—many for the first time ever. Each of the letters is annotated and includes a brief biographical introduction and bibliographic references. The women come from all walks of life—saints, poets, courtesans and countesses—and from every geographic area of Italy; chronologically they span the entire Renaissance, with the majority representing the sixteenth century. Approximately one third of the selections are well-known letters, such as those of Catherine of Siena, Veronica Franco, and Isabella d’Este; the rest are lesser known, previously un-translated, or otherwise inaccessible.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/12174541" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="6d35bbcf9c8dae1d3e4f87b1a131155f" rel="nofollow" data-download="{"attachment_id":37474347,"asset_id":12174541,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/37474347/download_file?st=MTczMjgwNjM5Myw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="585952" href="https://berkeley.academia.edu/LisaKaborycha">Lisa Kaborycha</a><script data-card-contents-for-user="585952" type="text/json">{"id":585952,"first_name":"Lisa","last_name":"Kaborycha","domain_name":"berkeley","page_name":"LisaKaborycha","display_name":"Lisa Kaborycha","profile_url":"https://berkeley.academia.edu/LisaKaborycha?f_ri=21545","photo":"https://0.academia-photos.com/585952/223284/353920/s65_lisa.kaborycha.jpg"}</script></span></span></li><li class="js-paper-rank-work_12174541 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="12174541"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 12174541, container: ".js-paper-rank-work_12174541", }); 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$(".js-view-count[data-work-id=12174541]").text(description); $(".js-view-count-work_12174541").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_12174541").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="12174541"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">6</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="1726" href="https://www.academia.edu/Documents/in/Womens_History">Women's History</a>, <script data-card-contents-for-ri="1726" type="text/json">{"id":1726,"name":"Women's History","url":"https://www.academia.edu/Documents/in/Womens_History?f_ri=21545","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1727" href="https://www.academia.edu/Documents/in/Early_Modern_History">Early Modern History</a>, <script data-card-contents-for-ri="1727" type="text/json">{"id":1727,"name":"Early Modern History","url":"https://www.academia.edu/Documents/in/Early_Modern_History?f_ri=21545","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2221" href="https://www.academia.edu/Documents/in/Italian_Studies">Italian Studies</a>, <script data-card-contents-for-ri="2221" type="text/json">{"id":2221,"name":"Italian Studies","url":"https://www.academia.edu/Documents/in/Italian_Studies?f_ri=21545","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2987" href="https://www.academia.edu/Documents/in/Renaissance_Studies">Renaissance Studies</a><script data-card-contents-for-ri="2987" type="text/json">{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=21545","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=12174541]'), work: {"id":12174541,"title":"A Corresponding Renaissance: Letters Written by Italian Women 1375-1650","created_at":"2015-05-01T03:46:38.327-07:00","url":"https://www.academia.edu/12174541/A_Corresponding_Renaissance_Letters_Written_by_Italian_Women_1375_1650?f_ri=21545","dom_id":"work_12174541","summary":"Women’s vibrant presence in the Italian Renaissance has long been overlooked, with attention focused mainly on the artistic and intellectual achievements of their male counterparts. During this period, however, Italian women excelled especially as writers, and nowhere was their writing more expressive than in letters. In A Corresponding Renaissance: Letters Written by Italian Women, 1375–1650 Lisa Kaborycha considers the lives and cultural contributions revealed by these women in their own words, through their correspondence. By turns highly personal, didactic, or devotional, these letters expose the daily realities of women’s lives, their feelings, ideas, and reactions to the complex world in which they lived, showing them not merely as bystanders, but as true cultural protagonists in the Italian Renaissance,\r\n\r\nA Corresponding Renaissance is divided into eight thematic chapters, featuring fifty-five letters that are newly translated into English—many for the first time ever. Each of the letters is annotated and includes a brief biographical introduction and bibliographic references. The women come from all walks of life—saints, poets, courtesans and countesses—and from every geographic area of Italy; chronologically they span the entire Renaissance, with the majority representing the sixteenth century. Approximately one third of the selections are well-known letters, such as those of Catherine of Siena, Veronica Franco, and Isabella d’Este; the rest are lesser known, previously un-translated, or otherwise inaccessible.\r\n","downloadable_attachments":[{"id":37474347,"asset_id":12174541,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":585952,"first_name":"Lisa","last_name":"Kaborycha","domain_name":"berkeley","page_name":"LisaKaborycha","display_name":"Lisa Kaborycha","profile_url":"https://berkeley.academia.edu/LisaKaborycha?f_ri=21545","photo":"https://0.academia-photos.com/585952/223284/353920/s65_lisa.kaborycha.jpg"}],"research_interests":[{"id":1726,"name":"Women's History","url":"https://www.academia.edu/Documents/in/Womens_History?f_ri=21545","nofollow":false},{"id":1727,"name":"Early Modern History","url":"https://www.academia.edu/Documents/in/Early_Modern_History?f_ri=21545","nofollow":false},{"id":2221,"name":"Italian Studies","url":"https://www.academia.edu/Documents/in/Italian_Studies?f_ri=21545","nofollow":false},{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=21545","nofollow":false},{"id":21545,"name":"Italian Renaissance literature","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_literature?f_ri=21545"},{"id":553154,"name":"Renaissance Epistolarity","url":"https://www.academia.edu/Documents/in/Renaissance_Epistolarity?f_ri=21545"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_37582115" data-work_id="37582115" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/37582115/GIOVANNI_PONTANO_Asinus_Dialogo_dellingratitudine_a_cura_di_Francesco_TATEO">GIOVANNI PONTANO, Asinus, Dialogo dell'ingratitudine, a cura di Francesco TATEO</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/37582115" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="764f7cd1767d389c244af0259d4f05e0" rel="nofollow" data-download="{"attachment_id":57561701,"asset_id":37582115,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/57561701/download_file?st=MTczMjgwNjM5Myw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="36996176" href="https://independent.academia.edu/AssociazioneRomanelRinascimento">Associazione "Roma nel Rinascimento"</a><script data-card-contents-for-user="36996176" type="text/json">{"id":36996176,"first_name":"Associazione","last_name":"\"Roma nel Rinascimento\"","domain_name":"independent","page_name":"AssociazioneRomanelRinascimento","display_name":"Associazione \"Roma nel Rinascimento\"","profile_url":"https://independent.academia.edu/AssociazioneRomanelRinascimento?f_ri=21545","photo":"https://0.academia-photos.com/36996176/10538298/11761000/s65_associazione._roma_nel_rinascimento_.jpg"}</script></span></span></li><li class="js-paper-rank-work_37582115 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="37582115"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 37582115, container: ".js-paper-rank-work_37582115", }); 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$(".js-view-count[data-work-id=37582115]").text(description); $(".js-view-count-work_37582115").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_37582115").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="37582115"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="3027" href="https://www.academia.edu/Documents/in/Renaissance_Humanism">Renaissance Humanism</a>, <script data-card-contents-for-ri="3027" type="text/json">{"id":3027,"name":"Renaissance Humanism","url":"https://www.academia.edu/Documents/in/Renaissance_Humanism?f_ri=21545","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="17916" href="https://www.academia.edu/Documents/in/Renaissance_literature">Renaissance literature</a>, <script data-card-contents-for-ri="17916" type="text/json">{"id":17916,"name":"Renaissance literature","url":"https://www.academia.edu/Documents/in/Renaissance_literature?f_ri=21545","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="21545" href="https://www.academia.edu/Documents/in/Italian_Renaissance_literature">Italian Renaissance literature</a>, <script data-card-contents-for-ri="21545" type="text/json">{"id":21545,"name":"Italian Renaissance literature","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_literature?f_ri=21545","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="287825" href="https://www.academia.edu/Documents/in/Giovanni_Gioviano_Pontano">Giovanni Gioviano Pontano</a><script data-card-contents-for-ri="287825" type="text/json">{"id":287825,"name":"Giovanni Gioviano Pontano","url":"https://www.academia.edu/Documents/in/Giovanni_Gioviano_Pontano?f_ri=21545","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=37582115]'), work: {"id":37582115,"title":"GIOVANNI PONTANO, Asinus, Dialogo dell'ingratitudine, a cura di Francesco TATEO","created_at":"2018-10-14T05:32:09.962-07:00","url":"https://www.academia.edu/37582115/GIOVANNI_PONTANO_Asinus_Dialogo_dellingratitudine_a_cura_di_Francesco_TATEO?f_ri=21545","dom_id":"work_37582115","summary":null,"downloadable_attachments":[{"id":57561701,"asset_id":37582115,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":36996176,"first_name":"Associazione","last_name":"\"Roma nel Rinascimento\"","domain_name":"independent","page_name":"AssociazioneRomanelRinascimento","display_name":"Associazione \"Roma nel Rinascimento\"","profile_url":"https://independent.academia.edu/AssociazioneRomanelRinascimento?f_ri=21545","photo":"https://0.academia-photos.com/36996176/10538298/11761000/s65_associazione._roma_nel_rinascimento_.jpg"}],"research_interests":[{"id":3027,"name":"Renaissance Humanism","url":"https://www.academia.edu/Documents/in/Renaissance_Humanism?f_ri=21545","nofollow":false},{"id":17916,"name":"Renaissance literature","url":"https://www.academia.edu/Documents/in/Renaissance_literature?f_ri=21545","nofollow":false},{"id":21545,"name":"Italian Renaissance literature","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_literature?f_ri=21545","nofollow":false},{"id":287825,"name":"Giovanni Gioviano Pontano","url":"https://www.academia.edu/Documents/in/Giovanni_Gioviano_Pontano?f_ri=21545","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_25233003 coauthored" data-work_id="25233003" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/25233003/Lirica_in_Italia_1494_1530_Esperienze_ecdotiche_e_profili_storiografici_Universit%C3%A0_di_Friburgo_8_9_giugno_2016">'Lirica in Italia 1494-1530. Esperienze ecdotiche e profili storiografici'. Università di Friburgo, 8-9 giugno 2016</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Il 1494 e il 1530 fissano tradizionalmente gli estremi delle guerre d’Italia, dalla discesa di Carlo VIII di Francia all’incoronazione imperiale a Bologna di Carlo V Asburgo, con la definitiva perdita di autonomia delle corti della... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_25233003" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Il 1494 e il 1530 fissano tradizionalmente gli estremi delle guerre d’Italia, dalla discesa di Carlo VIII di Francia all’incoronazione imperiale a Bologna di Carlo V Asburgo, con la definitiva perdita di autonomia delle corti della Penisola. Anche in campo letterario le due date hanno un forte valore periodizzante. La prima registra la morte ravvicinata e precoce di figure come Boiardo, Poliziano, Pico; la seconda vede la prima uscita a stampa delle rime di Bembo e Sannazaro, segnando «la data di nascita del petrarchismo lirico italiano» (Dionisotti) e la definitiva affermazione della stampa sul manoscritto anche in questo settore. L’Italia attraversa una grave crisi culturale, politica e militare, sullo sfondo di cambiamenti epocali quali la scoperta dell’America (1492) e l’inizio della Riforma (1517). In tale periodo si assiste a una straordinaria concentrazione di capolavori letterari: basti ricordare la prima edizione ‘autorizzata’ dell’Arcadia di Sannazaro (1504), l’Orlando Furioso di Ariosto (1516), le Prose della volgar lingua di Bembo (1525), il Libro del Cortegiano di Castiglione (1528) e la stesura del Principe di Machiavelli (ca. 1513). Entro tale scenario inquieto e fecondo si verifica l’‘incubazione’ di quel petrarchismo rigoroso che, superando le modalità espressive della poesia cortigiana di fine Quattrocento, avrebbe impresso una nuova e decisiva direzione alla scrittura lirica italiana ed europea.<br />Il convegno mira a verificare come in un simile contesto siano state poste le basi per il successo della proposta bembiana, che si affermò progressivamente attraverso il coinvolgimento di intellettuali e poeti attivi nelle corti italiane di inizio secolo. Si intende così offrire una sintetica visione d’insieme che raccolga e fissi le acquisizioni prodotte nell’ultimo trentennio di studi, valorizzando caratteristiche e problematiche del peculiare tipo di trasmissione testuale che caratterizza quella produzione.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/25233003" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="66b4c66c7709b5f8142ced4b0252b33a" rel="nofollow" data-download="{"attachment_id":46066061,"asset_id":25233003,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/46066061/download_file?st=MTczMjgwNjM5Myw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="2573715" href="https://unilink.academia.edu/GiacomoVagni">Giacomo Vagni</a><script data-card-contents-for-user="2573715" type="text/json">{"id":2573715,"first_name":"Giacomo","last_name":"Vagni","domain_name":"unilink","page_name":"GiacomoVagni","display_name":"Giacomo Vagni","profile_url":"https://unilink.academia.edu/GiacomoVagni?f_ri=21545","photo":"https://0.academia-photos.com/2573715/806054/1002777/s65_giacomo.vagni.jpg"}</script></span></span><span class="u-displayInlineBlock InlineList-item-text"> and <span class="u-textDecorationUnderline u-clickable InlineList-item-text js-work-more-authors-25233003">+1</span><div class="hidden js-additional-users-25233003"><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://unifr.academia.edu/UbertoMotta">Uberto Motta</a></span></div></div></span><script>(function(){ var popoverSettings = { el: $('.js-work-more-authors-25233003'), placement: 'bottom', hide_delay: 200, html: true, content: function(){ return $('.js-additional-users-25233003').html(); 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container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_25233003 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="25233003"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 25233003; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=25233003]").text(description); $(".js-view-count-work_25233003").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_25233003").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="25233003"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="16920" href="https://www.academia.edu/Documents/in/Italian_philology">Italian philology</a>, <script data-card-contents-for-ri="16920" type="text/json">{"id":16920,"name":"Italian philology","url":"https://www.academia.edu/Documents/in/Italian_philology?f_ri=21545","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="17917" href="https://www.academia.edu/Documents/in/Lyric_poetry">Lyric poetry</a>, <script data-card-contents-for-ri="17917" type="text/json">{"id":17917,"name":"Lyric poetry","url":"https://www.academia.edu/Documents/in/Lyric_poetry?f_ri=21545","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="21545" href="https://www.academia.edu/Documents/in/Italian_Renaissance_literature">Italian Renaissance literature</a>, <script data-card-contents-for-ri="21545" type="text/json">{"id":21545,"name":"Italian Renaissance literature","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_literature?f_ri=21545","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="45863" href="https://www.academia.edu/Documents/in/Petrarchism">Petrarchism</a><script data-card-contents-for-ri="45863" type="text/json">{"id":45863,"name":"Petrarchism","url":"https://www.academia.edu/Documents/in/Petrarchism?f_ri=21545","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=25233003]'), work: {"id":25233003,"title":"'Lirica in Italia 1494-1530. Esperienze ecdotiche e profili storiografici'. Università di Friburgo, 8-9 giugno 2016","created_at":"2016-05-11T06:46:47.314-07:00","url":"https://www.academia.edu/25233003/Lirica_in_Italia_1494_1530_Esperienze_ecdotiche_e_profili_storiografici_Universit%C3%A0_di_Friburgo_8_9_giugno_2016?f_ri=21545","dom_id":"work_25233003","summary":"Il 1494 e il 1530 fissano tradizionalmente gli estremi delle guerre d’Italia, dalla discesa di Carlo VIII di Francia all’incoronazione imperiale a Bologna di Carlo V Asburgo, con la definitiva perdita di autonomia delle corti della Penisola. Anche in campo letterario le due date hanno un forte valore periodizzante. La prima registra la morte ravvicinata e precoce di figure come Boiardo, Poliziano, Pico; la seconda vede la prima uscita a stampa delle rime di Bembo e Sannazaro, segnando «la data di nascita del petrarchismo lirico italiano» (Dionisotti) e la definitiva affermazione della stampa sul manoscritto anche in questo settore. L’Italia attraversa una grave crisi culturale, politica e militare, sullo sfondo di cambiamenti epocali quali la scoperta dell’America (1492) e l’inizio della Riforma (1517). In tale periodo si assiste a una straordinaria concentrazione di capolavori letterari: basti ricordare la prima edizione ‘autorizzata’ dell’Arcadia di Sannazaro (1504), l’Orlando Furioso di Ariosto (1516), le Prose della volgar lingua di Bembo (1525), il Libro del Cortegiano di Castiglione (1528) e la stesura del Principe di Machiavelli (ca. 1513). Entro tale scenario inquieto e fecondo si verifica l’‘incubazione’ di quel petrarchismo rigoroso che, superando le modalità espressive della poesia cortigiana di fine Quattrocento, avrebbe impresso una nuova e decisiva direzione alla scrittura lirica italiana ed europea.\nIl convegno mira a verificare come in un simile contesto siano state poste le basi per il successo della proposta bembiana, che si affermò progressivamente attraverso il coinvolgimento di intellettuali e poeti attivi nelle corti italiane di inizio secolo. Si intende così offrire una sintetica visione d’insieme che raccolga e fissi le acquisizioni prodotte nell’ultimo trentennio di studi, valorizzando caratteristiche e problematiche del peculiare tipo di trasmissione testuale che caratterizza quella produzione.","downloadable_attachments":[{"id":46066061,"asset_id":25233003,"asset_type":"Work","always_allow_download":false},{"id":46066041,"asset_id":25233003,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":2573715,"first_name":"Giacomo","last_name":"Vagni","domain_name":"unilink","page_name":"GiacomoVagni","display_name":"Giacomo Vagni","profile_url":"https://unilink.academia.edu/GiacomoVagni?f_ri=21545","photo":"https://0.academia-photos.com/2573715/806054/1002777/s65_giacomo.vagni.jpg"},{"id":12696865,"first_name":"Uberto","last_name":"Motta","domain_name":"unifr","page_name":"UbertoMotta","display_name":"Uberto Motta","profile_url":"https://unifr.academia.edu/UbertoMotta?f_ri=21545","photo":"https://0.academia-photos.com/12696865/3633846/12105339/s65_uberto.motta.jpg"}],"research_interests":[{"id":16920,"name":"Italian philology","url":"https://www.academia.edu/Documents/in/Italian_philology?f_ri=21545","nofollow":false},{"id":17917,"name":"Lyric poetry","url":"https://www.academia.edu/Documents/in/Lyric_poetry?f_ri=21545","nofollow":false},{"id":21545,"name":"Italian Renaissance literature","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_literature?f_ri=21545","nofollow":false},{"id":45863,"name":"Petrarchism","url":"https://www.academia.edu/Documents/in/Petrarchism?f_ri=21545","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_313887" data-work_id="313887" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/313887/Medicina_e_filosofia_in_Marsilio_Ficino_Il_Consilio_contro_la_pestilentia_Roma_Edizioni_di_storia_e_letteratura_2007">Medicina e filosofia in Marsilio Ficino. Il Consilio contro la pestilentia. Roma: Edizioni di storia e letteratura, 2007</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Il volume è il risultato di una ricerca sull’atteggiamento di medici e filosofi di fronte alla peste, dalle prime reazioni nel ‘300 fino al maturo ‘400, con particolare attenzione all’umanesimo fiorentino e alla figura di Marsilio Ficino.... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_313887" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Il volume è il risultato di una ricerca sull’atteggiamento di medici e filosofi di fronte alla peste, dalle prime reazioni nel ‘300 fino al maturo ‘400, con particolare attenzione all’umanesimo fiorentino e alla figura di Marsilio Ficino. Si è voluto mostrare come l’avvento del morbo abbia profondamente inciso sulla produzione della letteratura filosofica, accelerando l’osmosi tra i saperi e le tendenze culturali, calamitando l’attenzione di molti sull’urgenza medica. La trattazione si concentra sulle opere di Marsilio Ficino, soprattutto sul Consilio contro la pestilentia, pubblicato per la prima volta a Firenze nel 1481 e da allora testo di riferimento per la tradizione posteriore. Attraverso l’analisi delle fonti e della fortuna di quest’opera si possono rileggere le questioni fondamentali che sono al centro della letteratura medico-filosofica contro la peste. In Appendice si presenta un’edizione accompagnata da alcune annotazioni critiche, con un Glossario essenziale di termini notevoli.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/313887" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="34833018b2f8bece1288682d50981719" rel="nofollow" data-download="{"attachment_id":34829874,"asset_id":313887,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/34829874/download_file?st=MTczMjgwNjM5Myw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="239787" href="https://ugent.academia.edu/TeodoroKatinis">Teodoro Katinis</a><script data-card-contents-for-user="239787" type="text/json">{"id":239787,"first_name":"Teodoro","last_name":"Katinis","domain_name":"ugent","page_name":"TeodoroKatinis","display_name":"Teodoro Katinis","profile_url":"https://ugent.academia.edu/TeodoroKatinis?f_ri=21545","photo":"https://0.academia-photos.com/239787/57848/562618/s65_teodoro.katinis.jpg"}</script></span></span></li><li class="js-paper-rank-work_313887 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="313887"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 313887, container: ".js-paper-rank-work_313887", }); 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$(".js-view-count[data-work-id=313887]").text(description); $(".js-view-count-work_313887").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_313887").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="313887"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">30</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="101" href="https://www.academia.edu/Documents/in/Languages">Languages</a>, <script data-card-contents-for-ri="101" type="text/json">{"id":101,"name":"Languages","url":"https://www.academia.edu/Documents/in/Languages?f_ri=21545","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="135" href="https://www.academia.edu/Documents/in/Intellectual_History">Intellectual History</a>, <script data-card-contents-for-ri="135" type="text/json">{"id":135,"name":"Intellectual History","url":"https://www.academia.edu/Documents/in/Intellectual_History?f_ri=21545","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="136" href="https://www.academia.edu/Documents/in/Cultural_History">Cultural History</a>, <script data-card-contents-for-ri="136" type="text/json">{"id":136,"name":"Cultural History","url":"https://www.academia.edu/Documents/in/Cultural_History?f_ri=21545","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="803" href="https://www.academia.edu/Documents/in/Philosophy">Philosophy</a><script data-card-contents-for-ri="803" type="text/json">{"id":803,"name":"Philosophy","url":"https://www.academia.edu/Documents/in/Philosophy?f_ri=21545","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=313887]'), work: {"id":313887,"title":"Medicina e filosofia in Marsilio Ficino. Il Consilio contro la pestilentia. Roma: Edizioni di storia e letteratura, 2007","created_at":"2010-08-31T14:05:11.406-07:00","url":"https://www.academia.edu/313887/Medicina_e_filosofia_in_Marsilio_Ficino_Il_Consilio_contro_la_pestilentia_Roma_Edizioni_di_storia_e_letteratura_2007?f_ri=21545","dom_id":"work_313887","summary":"Il volume è il risultato di una ricerca sull’atteggiamento di medici e filosofi di fronte alla peste, dalle prime reazioni nel ‘300 fino al maturo ‘400, con particolare attenzione all’umanesimo fiorentino e alla figura di Marsilio Ficino. Si è voluto mostrare come l’avvento del morbo abbia profondamente inciso sulla produzione della letteratura filosofica, accelerando l’osmosi tra i saperi e le tendenze culturali, calamitando l’attenzione di molti sull’urgenza medica. La trattazione si concentra sulle opere di Marsilio Ficino, soprattutto sul Consilio contro la pestilentia, pubblicato per la prima volta a Firenze nel 1481 e da allora testo di riferimento per la tradizione posteriore. Attraverso l’analisi delle fonti e della fortuna di quest’opera si possono rileggere le questioni fondamentali che sono al centro della letteratura medico-filosofica contro la peste. In Appendice si presenta un’edizione accompagnata da alcune annotazioni critiche, con un Glossario essenziale di termini notevoli.","downloadable_attachments":[{"id":34829874,"asset_id":313887,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":239787,"first_name":"Teodoro","last_name":"Katinis","domain_name":"ugent","page_name":"TeodoroKatinis","display_name":"Teodoro Katinis","profile_url":"https://ugent.academia.edu/TeodoroKatinis?f_ri=21545","photo":"https://0.academia-photos.com/239787/57848/562618/s65_teodoro.katinis.jpg"}],"research_interests":[{"id":101,"name":"Languages","url":"https://www.academia.edu/Documents/in/Languages?f_ri=21545","nofollow":false},{"id":135,"name":"Intellectual History","url":"https://www.academia.edu/Documents/in/Intellectual_History?f_ri=21545","nofollow":false},{"id":136,"name":"Cultural 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href="https://www.academia.edu/42248343/BIANCA_CAPPELLO_Dalla_damnatio_memoriae_alla_verit%C3%A0">BIANCA CAPPELLO: Dalla damnatio memoriae alla verità</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Una sera di ottobre di cinque secoli fa: il Granduca Francesco I de' Medici e la Granduchessa sua seconda moglie, la patrizia veneziana Bianca Cappello, muoiono in circostanze misteriose a poche ore di distanza uno dall'altra nella villa... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_42248343" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Una sera di ottobre di cinque secoli fa: il Granduca Francesco I de' Medici e la Granduchessa sua seconda moglie, la patrizia veneziana Bianca Cappello, muoiono in circostanze misteriose a poche ore di distanza uno dall'altra nella villa di Poggio a Caiano. Termina così, in modo cruento e improvviso, la vita di una donna bellissima, colta, intelligente e anticonformista, spo-sa riamata di due mariti, uno plebeo e l'altro un principe, ammirata e lodata da artisti, musicisti, poeti, regnanti e papi, sui quali spiccano Filippo II di Spagna, Sisto V e Torquato Tasso. All'indomani della sua morte e della dispersione e occultamento dei suoi resti, Ferdinando de' Medici, il cognato cardinale, sottopone la memoria e il ricordo di Bianca a una sistematica opera di cancellazione che ha pochi eguali nella nostra lunga e travagliata epopea nazionale. Questo libro vuole ristabilire la verità sulla vicenda umana e storica di una Stella del nostro Rinascimento, e ridare finalmente a Bianca Cappello de' Medici la sua vera identità e il suo vero volto. <br /> <br />Finally the true story and the true looks of one of the most glorious and most admired women of the Italian Renaissance and one of the most unjustly slandered and victimized, at the center of one of the most celebrated "cold cases" of Italian history.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/42248343" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="96acffbd935942d0faaf9615fe173a32" rel="nofollow" data-download="{"attachment_id":62399974,"asset_id":42248343,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/62399974/download_file?st=MTczMjgwNjM5Myw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="50467156" href="https://unitusdistu.academia.edu/PaolaIreneGalliMastrodonato">Paola Irene Galli Mastrodonato</a><script data-card-contents-for-user="50467156" type="text/json">{"id":50467156,"first_name":"Paola Irene","last_name":"Galli Mastrodonato","domain_name":"unitusdistu","page_name":"PaolaIreneGalliMastrodonato","display_name":"Paola Irene Galli Mastrodonato","profile_url":"https://unitusdistu.academia.edu/PaolaIreneGalliMastrodonato?f_ri=21545","photo":"https://0.academia-photos.com/50467156/13300295/30007875/s65_paola_irene.galli_mastrodonato.jpg"}</script></span></span></li><li class="js-paper-rank-work_42248343 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="42248343"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 42248343, container: ".js-paper-rank-work_42248343", }); 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Termina così, in modo cruento e improvviso, la vita di una donna bellissima, colta, intelligente e anticonformista, spo-sa riamata di due mariti, uno plebeo e l'altro un principe, ammirata e lodata da artisti, musicisti, poeti, regnanti e papi, sui quali spiccano Filippo II di Spagna, Sisto V e Torquato Tasso. All'indomani della sua morte e della dispersione e occultamento dei suoi resti, Ferdinando de' Medici, il cognato cardinale, sottopone la memoria e il ricordo di Bianca a una sistematica opera di cancellazione che ha pochi eguali nella nostra lunga e travagliata epopea nazionale. Questo libro vuole ristabilire la verità sulla vicenda umana e storica di una Stella del nostro Rinascimento, e ridare finalmente a Bianca Cappello de' Medici la sua vera identità e il suo vero volto.\r\n\r\nFinally the true story and the true looks of one of the most glorious and most admired women of the Italian Renaissance and one of the most unjustly slandered and victimized, at the center of one of the most celebrated \"cold cases\" of Italian history.","downloadable_attachments":[{"id":62399974,"asset_id":42248343,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":50467156,"first_name":"Paola Irene","last_name":"Galli Mastrodonato","domain_name":"unitusdistu","page_name":"PaolaIreneGalliMastrodonato","display_name":"Paola Irene Galli Mastrodonato","profile_url":"https://unitusdistu.academia.edu/PaolaIreneGalliMastrodonato?f_ri=21545","photo":"https://0.academia-photos.com/50467156/13300295/30007875/s65_paola_irene.galli_mastrodonato.jpg"}],"research_interests":[{"id":1367,"name":"Renaissance History","url":"https://www.academia.edu/Documents/in/Renaissance_History?f_ri=21545","nofollow":false},{"id":16368,"name":"Italian Renaissance Art","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_Art?f_ri=21545","nofollow":false},{"id":21545,"name":"Italian Renaissance literature","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_literature?f_ri=21545","nofollow":false},{"id":319251,"name":"Francesco I de' Medici","url":"https://www.academia.edu/Documents/in/Francesco_I_de_Medici?f_ri=21545","nofollow":false},{"id":322751,"name":"Ferdinando de' Medici","url":"https://www.academia.edu/Documents/in/Ferdinando_de_Medici?f_ri=21545"},{"id":324603,"name":"Women's biography","url":"https://www.academia.edu/Documents/in/Womens_biography?f_ri=21545"},{"id":329109,"name":"Italian Renaissance Music","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_Music?f_ri=21545"},{"id":595808,"name":"The Medici family","url":"https://www.academia.edu/Documents/in/The_Medici_family?f_ri=21545"},{"id":1255747,"name":"Michele Tosini","url":"https://www.academia.edu/Documents/in/Michele_Tosini?f_ri=21545"},{"id":1529580,"name":"Italian Renaissance Women Art Patrons","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_Women_Art_Patrons?f_ri=21545"},{"id":2266179,"name":"Bianca Cappello","url":"https://www.academia.edu/Documents/in/Bianca_Cappello?f_ri=21545"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_37931476" data-work_id="37931476" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/37931476/New_information_about_the_life_of_Cesare_Fiaschi_Nuove_notizie_sulla_vita_di_Cesare_Fiaschi">New information about the life of Cesare Fiaschi / Nuove notizie sulla vita di Cesare Fiaschi</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">New interesting and unknown details of Cesare Fiaschi’s biography emerge from the study of some ancient sources, which illu-minate, with a new light, one of the most in-teresting figures of the Renaissance eques-trian culture and disprove... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_37931476" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">New interesting and unknown details of Cesare Fiaschi’s biography emerge from the study of some ancient sources, which illu-minate, with a new light, one of the most in-teresting figures of the Renaissance eques-trian culture and disprove many legends and inaccuracies handed down to us about him.<br /><br />Nuovi dettagli interessanti e sinora scono-sciuti della biografia di Cesare Fiaschi emergono dallo studio di alcune fonti anti-che, che illuminano di una nuova luce una delle figure più interessanti della cultura equestre del Rinascimento e confutano mol-te leggende e inesattezze tramandate sul suo conto.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/37931476" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="9348786d7bcaff3730b345c20f2b6816" rel="nofollow" data-download="{"attachment_id":57944328,"asset_id":37931476,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/57944328/download_file?st=MTczMjgwNjM5Myw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="13262162" href="https://independent.academia.edu/GiovanniBattistaTomassini">Giovanni Battista Tomassini</a><script data-card-contents-for-user="13262162" type="text/json">{"id":13262162,"first_name":"Giovanni Battista","last_name":"Tomassini","domain_name":"independent","page_name":"GiovanniBattistaTomassini","display_name":"Giovanni Battista Tomassini","profile_url":"https://independent.academia.edu/GiovanniBattistaTomassini?f_ri=21545","photo":"https://0.academia-photos.com/13262162/5382344/10757854/s65_giovanni_battista.tomassini.jpg"}</script></span></span></li><li class="js-paper-rank-work_37931476 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="37931476"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 37931476, container: ".js-paper-rank-work_37931476", }); });</script></li><li class="js-percentile-work_37931476 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Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=21545","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="3027" href="https://www.academia.edu/Documents/in/Renaissance_Humanism">Renaissance Humanism</a>, <script data-card-contents-for-ri="3027" type="text/json">{"id":3027,"name":"Renaissance Humanism","url":"https://www.academia.edu/Documents/in/Renaissance_Humanism?f_ri=21545","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="6732" href="https://www.academia.edu/Documents/in/Horse_culture">Horse culture</a>, <script data-card-contents-for-ri="6732" type="text/json">{"id":6732,"name":"Horse culture","url":"https://www.academia.edu/Documents/in/Horse_culture?f_ri=21545","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="21545" href="https://www.academia.edu/Documents/in/Italian_Renaissance_literature">Italian Renaissance literature</a><script data-card-contents-for-ri="21545" type="text/json">{"id":21545,"name":"Italian Renaissance literature","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_literature?f_ri=21545","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=37931476]'), work: {"id":37931476,"title":"New information about the life of Cesare Fiaschi / Nuove notizie sulla vita di Cesare Fiaschi","created_at":"2018-12-07T04:52:42.475-08:00","url":"https://www.academia.edu/37931476/New_information_about_the_life_of_Cesare_Fiaschi_Nuove_notizie_sulla_vita_di_Cesare_Fiaschi?f_ri=21545","dom_id":"work_37931476","summary":"New interesting and unknown details of Cesare Fiaschi’s biography emerge from the study of some ancient sources, which illu-minate, with a new light, one of the most in-teresting figures of the Renaissance eques-trian culture and disprove many legends and inaccuracies handed down to us about him.\n\nNuovi dettagli interessanti e sinora scono-sciuti della biografia di Cesare Fiaschi emergono dallo studio di alcune fonti anti-che, che illuminano di una nuova luce una delle figure più interessanti della cultura equestre del Rinascimento e confutano mol-te leggende e inesattezze tramandate sul suo conto.","downloadable_attachments":[{"id":57944328,"asset_id":37931476,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":13262162,"first_name":"Giovanni Battista","last_name":"Tomassini","domain_name":"independent","page_name":"GiovanniBattistaTomassini","display_name":"Giovanni Battista Tomassini","profile_url":"https://independent.academia.edu/GiovanniBattistaTomassini?f_ri=21545","photo":"https://0.academia-photos.com/13262162/5382344/10757854/s65_giovanni_battista.tomassini.jpg"}],"research_interests":[{"id":2987,"name":"Renaissance 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Horsemanship","url":"https://www.academia.edu/Documents/in/The_Culture_of_Horsemanship?f_ri=21545"},{"id":892613,"name":"Horse and Horsemanship","url":"https://www.academia.edu/Documents/in/Horse_and_Horsemanship?f_ri=21545"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_24561034" data-work_id="24561034" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/24561034/review_of_Pietro_Aretino_Teatro_comico_Cortigiana_1525_e_1534_Il_Marescalco_a_cura_di_Luca_DOnghia_Introduzione_di_Maria_Cristina_Cabani_Milano_Fondazione_Pietro_Bembo_Ugo_Guanda_editore_2014_Biblioteca_di_scrittori_italiani_">review of Pietro Aretino, Teatro comico. Cortigiana (1525 e 1534). Il Marescalco, a cura di Luca D'Onghia. Introduzione di Maria Cristina Cabani, Milano, Fondazione Pietro Bembo - Ugo Guanda editore, 2014 (Biblioteca di scrittori italiani)</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/24561034" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="86715eab87f603083e9145dc91ac0fd0" rel="nofollow" data-download="{"attachment_id":44891080,"asset_id":24561034,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/44891080/download_file?st=MTczMjgwNjM5Myw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="242472" href="https://paris3.academia.edu/CarloAlbertoGirotto">Carlo Alberto Girotto</a><script data-card-contents-for-user="242472" type="text/json">{"id":242472,"first_name":"Carlo Alberto","last_name":"Girotto","domain_name":"paris3","page_name":"CarloAlbertoGirotto","display_name":"Carlo Alberto Girotto","profile_url":"https://paris3.academia.edu/CarloAlbertoGirotto?f_ri=21545","photo":"https://0.academia-photos.com/242472/92593/830364/s65_carlo_alberto.girotto.jpeg"}</script></span></span></li><li class="js-paper-rank-work_24561034 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="24561034"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 24561034, container: ".js-paper-rank-work_24561034", }); 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type="text/json">{"id":3027,"name":"Renaissance Humanism","url":"https://www.academia.edu/Documents/in/Renaissance_Humanism?f_ri=21545","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="5125" href="https://www.academia.edu/Documents/in/Renaissance_Literature_Renaissance_Studies_">Renaissance Literature (Renaissance Studies)</a>, <script data-card-contents-for-ri="5125" type="text/json">{"id":5125,"name":"Renaissance Literature (Renaissance Studies)","url":"https://www.academia.edu/Documents/in/Renaissance_Literature_Renaissance_Studies_?f_ri=21545","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="21545" href="https://www.academia.edu/Documents/in/Italian_Renaissance_literature">Italian Renaissance literature</a><script data-card-contents-for-ri="21545" type="text/json">{"id":21545,"name":"Italian Renaissance 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href="https://www.academia.edu/Documents/in/Italian_Renaissance_literature">Italian Renaissance literature</a>, <script data-card-contents-for-ri="21545" type="text/json">{"id":21545,"name":"Italian Renaissance literature","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_literature?f_ri=21545","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="229030" href="https://www.academia.edu/Documents/in/Letteratura_italiana">Letteratura italiana</a><script data-card-contents-for-ri="229030" type="text/json">{"id":229030,"name":"Letteratura italiana","url":"https://www.academia.edu/Documents/in/Letteratura_italiana?f_ri=21545","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=38842065]'), work: {"id":38842065,"title":"La \"Gelosia del Sole\" di Girolamo Britonio tra fedeltà e infrazione al modello petrarchesco","created_at":"2019-04-17T11:35:54.809-07:00","url":"https://www.academia.edu/38842065/La_Gelosia_del_Sole_di_Girolamo_Britonio_tra_fedelt%C3%A0_e_infrazione_al_modello_petrarchesco?f_ri=21545","dom_id":"work_38842065","summary":null,"downloadable_attachments":[{"id":58936347,"asset_id":38842065,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":26843035,"first_name":"Mikaël","last_name":"Romanato","domain_name":"unige","page_name":"MikaëlRomanato","display_name":"Mikaël Romanato","profile_url":"https://unige.academia.edu/Mika%C3%ABlRomanato?f_ri=21545","photo":"https://0.academia-photos.com/26843035/7497875/81270175/s65_mikael.romanato.jpeg"}],"research_interests":[{"id":2221,"name":"Italian Studies","url":"https://www.academia.edu/Documents/in/Italian_Studies?f_ri=21545","nofollow":false},{"id":7385,"name":"Petrarch","url":"https://www.academia.edu/Documents/in/Petrarch?f_ri=21545","nofollow":false},{"id":21545,"name":"Italian Renaissance literature","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_literature?f_ri=21545","nofollow":false},{"id":229030,"name":"Letteratura italiana","url":"https://www.academia.edu/Documents/in/Letteratura_italiana?f_ri=21545","nofollow":false},{"id":359833,"name":"Petrarca","url":"https://www.academia.edu/Documents/in/Petrarca?f_ri=21545"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_35935128" data-work_id="35935128" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/35935128/Giannozzo_Manetti_Dignit%C3%A0_ed_eccellenza_delluomo_a_cura_di_G_Marcellino_Introduzione_di_S_U_Baldassarri_">Giannozzo Manetti, Dignità ed eccellenza dell'uomo, a cura di G. Marcellino, Introduzione di S.U. Baldassarri,</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Il più rilevante e noto trattato rinascimentale sulle qualità morali, fisiche e divine dell'uomo fu redatto da uno fra i più poliedrici e dotti umanisti del Quattrocento. Il ''De dignitate et excellentia hominis'' è l'opera capitale di... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_35935128" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Il più rilevante e noto trattato rinascimentale sulle qualità morali, fisiche e divine dell'uomo fu redatto da uno fra i più poliedrici e dotti umanisti del Quattrocento. Il ''De dignitate et excellentia hominis'' è l'opera capitale di Giannozzo Manetti (Firenze, 1396 - Napoli, 1459), ricco mercante, politico, autore di numerosi scritti in latino, e traduttore di Aristotele dal greco e dei Salmi dall'ebraico. Fu per un ventennio ambasciatore della repubblica fiorentina, quindi segretario pontificio e, infine, cortigiano presso la corte dei re d'Aragona a Napoli. Proprio su committenza di Alfonso il Magnanimo, Manetti portò a compimento nel 1452 la sua summa enciclopedica di quanto scritto dagli autori classici e cristiani sul miracolo del corpo umano e dello spirito divino che vi alberga. L'opera rappresenta un imperituro monumento alla più perfetta tra le creature divine, posta al centro delle meravigliose bellezze dell'Universo e dotata di un corpo e di un'anima che sono riflesso del macrocosmo. L'esaltazione dei prodotti dell'ingegno umano e delle arti figurative, la contestazione della tradizionale posizione medievale che individuava nella morte l'unica via d'uscita dalle sofferenze terrene, la glorificazione delle virtù e delle prerogative dell'uomo, e soprattutto la riflessione sui privilegi e gli oneri della ''dignitas hominis'' fanno di questo scritto il manifesto del Rinascimento italiano. Il volume offre per la prima volta al lettore italiano una traduzione integrale dell'opera a cura di Giuseppe Marcellino, specialista della letteratura latina umanistica, preceduta da un saggio introduttivo di Stefano U. Baldassarri, Direttore dell'ISI Florence e studioso del Rinascimento di fama internazionale.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/35935128" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="3a43ba9285981714c5b6d7c8394758ff" rel="nofollow" data-download="{"attachment_id":55817144,"asset_id":35935128,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/55817144/download_file?st=MTczMjgwNjM5Myw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1596461" href="https://lmu-munich.academia.edu/GiuseppeMarcellino">Giuseppe Marcellino</a><script data-card-contents-for-user="1596461" type="text/json">{"id":1596461,"first_name":"Giuseppe","last_name":"Marcellino","domain_name":"lmu-munich","page_name":"GiuseppeMarcellino","display_name":"Giuseppe Marcellino","profile_url":"https://lmu-munich.academia.edu/GiuseppeMarcellino?f_ri=21545","photo":"https://0.academia-photos.com/1596461/558883/1241585/s65_giuseppe.marcellino.png"}</script></span></span></li><li class="js-paper-rank-work_35935128 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="35935128"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 35935128, container: ".js-paper-rank-work_35935128", }); 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$(".js-view-count[data-work-id=35935128]").text(description); $(".js-view-count-work_35935128").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_35935128").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="35935128"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">21</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="188" href="https://www.academia.edu/Documents/in/Cultural_Studies">Cultural Studies</a>, <script data-card-contents-for-ri="188" type="text/json">{"id":188,"name":"Cultural Studies","url":"https://www.academia.edu/Documents/in/Cultural_Studies?f_ri=21545","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="803" href="https://www.academia.edu/Documents/in/Philosophy">Philosophy</a>, <script data-card-contents-for-ri="803" type="text/json">{"id":803,"name":"Philosophy","url":"https://www.academia.edu/Documents/in/Philosophy?f_ri=21545","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="816" href="https://www.academia.edu/Documents/in/Classics">Classics</a>, <script data-card-contents-for-ri="816" type="text/json">{"id":816,"name":"Classics","url":"https://www.academia.edu/Documents/in/Classics?f_ri=21545","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="827" href="https://www.academia.edu/Documents/in/Latin_Literature">Latin Literature</a><script data-card-contents-for-ri="827" type="text/json">{"id":827,"name":"Latin Literature","url":"https://www.academia.edu/Documents/in/Latin_Literature?f_ri=21545","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=35935128]'), work: {"id":35935128,"title":"Giannozzo Manetti, Dignità ed eccellenza dell'uomo, a cura di G. Marcellino, Introduzione di S.U. Baldassarri,","created_at":"2018-02-16T01:04:12.475-08:00","url":"https://www.academia.edu/35935128/Giannozzo_Manetti_Dignit%C3%A0_ed_eccellenza_delluomo_a_cura_di_G_Marcellino_Introduzione_di_S_U_Baldassarri_?f_ri=21545","dom_id":"work_35935128","summary":"Il più rilevante e noto trattato rinascimentale sulle qualità morali, fisiche e divine dell'uomo fu redatto da uno fra i più poliedrici e dotti umanisti del Quattrocento. Il ''De dignitate et excellentia hominis'' è l'opera capitale di Giannozzo Manetti (Firenze, 1396 - Napoli, 1459), ricco mercante, politico, autore di numerosi scritti in latino, e traduttore di Aristotele dal greco e dei Salmi dall'ebraico. Fu per un ventennio ambasciatore della repubblica fiorentina, quindi segretario pontificio e, infine, cortigiano presso la corte dei re d'Aragona a Napoli. Proprio su committenza di Alfonso il Magnanimo, Manetti portò a compimento nel 1452 la sua summa enciclopedica di quanto scritto dagli autori classici e cristiani sul miracolo del corpo umano e dello spirito divino che vi alberga. L'opera rappresenta un imperituro monumento alla più perfetta tra le creature divine, posta al centro delle meravigliose bellezze dell'Universo e dotata di un corpo e di un'anima che sono riflesso del macrocosmo. L'esaltazione dei prodotti dell'ingegno umano e delle arti figurative, la contestazione della tradizionale posizione medievale che individuava nella morte l'unica via d'uscita dalle sofferenze terrene, la glorificazione delle virtù e delle prerogative dell'uomo, e soprattutto la riflessione sui privilegi e gli oneri della ''dignitas hominis'' fanno di questo scritto il manifesto del Rinascimento italiano. Il volume offre per la prima volta al lettore italiano una traduzione integrale dell'opera a cura di Giuseppe Marcellino, specialista della letteratura latina umanistica, preceduta da un saggio introduttivo di Stefano U. 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Through the analysis of Amadis de Gaula... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_24877967" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">In this article, I look at the presence in sixteenth-century chivalric fiction of a theme more commonly found in geographical or philosophical discourses: the contemplation of a map or a globe. Through the analysis of Amadis de Gaula (translation of book VIII, 1548), Ariosto’s Orlando furioso (1532) and a forgotten chivalric romance of the late sixteenth century, Gerileon d’Angleterre (1586), I show how such episodes can be read both as allegories for the act of reading, and as an attempt to reconcile romance with meditation.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/24877967" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="5061d287e225d085e97e26c010b83e1e" rel="nofollow" data-download="{"attachment_id":45199218,"asset_id":24877967,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/45199218/download_file?st=MTczMjgwNjM5Myw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="29968132" href="https://ucl.academia.edu/ThibautMaus">Thibaut Maus de Rolley</a><script data-card-contents-for-user="29968132" type="text/json">{"id":29968132,"first_name":"Thibaut","last_name":"Maus de Rolley","domain_name":"ucl","page_name":"ThibautMaus","display_name":"Thibaut Maus de Rolley","profile_url":"https://ucl.academia.edu/ThibautMaus?f_ri=21545","photo":"https://0.academia-photos.com/29968132/17905964/17921984/s65_thibaut.maus_de_rolley.png"}</script></span></span></li><li class="js-paper-rank-work_24877967 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="24877967"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 24877967, container: ".js-paper-rank-work_24877967", }); 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$(".js-view-count[data-work-id=24877967]").text(description); $(".js-view-count-work_24877967").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_24877967").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="24877967"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">10</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="660" href="https://www.academia.edu/Documents/in/French_Literature">French Literature</a>, <script data-card-contents-for-ri="660" type="text/json">{"id":660,"name":"French Literature","url":"https://www.academia.edu/Documents/in/French_Literature?f_ri=21545","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2987" href="https://www.academia.edu/Documents/in/Renaissance_Studies">Renaissance Studies</a>, <script data-card-contents-for-ri="2987" type="text/json">{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=21545","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="13237" href="https://www.academia.edu/Documents/in/History_of_Geographic_Thought">History of Geographic Thought</a>, <script data-card-contents-for-ri="13237" type="text/json">{"id":13237,"name":"History of Geographic Thought","url":"https://www.academia.edu/Documents/in/History_of_Geographic_Thought?f_ri=21545","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="17916" href="https://www.academia.edu/Documents/in/Renaissance_literature">Renaissance literature</a><script data-card-contents-for-ri="17916" type="text/json">{"id":17916,"name":"Renaissance literature","url":"https://www.academia.edu/Documents/in/Renaissance_literature?f_ri=21545","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=24877967]'), work: {"id":24877967,"title":"Le Globe et le chevalier : variations sur la méditation cosmographique dans la fiction chevaleresque de la Renaissance","created_at":"2016-04-29T06:45:22.134-07:00","url":"https://www.academia.edu/24877967/Le_Globe_et_le_chevalier_variations_sur_la_m%C3%A9ditation_cosmographique_dans_la_fiction_chevaleresque_de_la_Renaissance?f_ri=21545","dom_id":"work_24877967","summary":"In this article, I look at the presence in sixteenth-century chivalric fiction of a theme more commonly found in geographical or philosophical discourses: the contemplation of a map or a globe. Through the analysis of Amadis de Gaula (translation of book VIII, 1548), Ariosto’s Orlando furioso (1532) and a forgotten chivalric romance of the late sixteenth century, Gerileon d’Angleterre (1586), I show how such episodes can be read both as allegories for the act of reading, and as an attempt to reconcile romance with meditation.","downloadable_attachments":[{"id":45199218,"asset_id":24877967,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":29968132,"first_name":"Thibaut","last_name":"Maus de Rolley","domain_name":"ucl","page_name":"ThibautMaus","display_name":"Thibaut Maus de Rolley","profile_url":"https://ucl.academia.edu/ThibautMaus?f_ri=21545","photo":"https://0.academia-photos.com/29968132/17905964/17921984/s65_thibaut.maus_de_rolley.png"}],"research_interests":[{"id":660,"name":"French Literature","url":"https://www.academia.edu/Documents/in/French_Literature?f_ri=21545","nofollow":false},{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=21545","nofollow":false},{"id":13237,"name":"History of Geographic Thought","url":"https://www.academia.edu/Documents/in/History_of_Geographic_Thought?f_ri=21545","nofollow":false},{"id":17916,"name":"Renaissance literature","url":"https://www.academia.edu/Documents/in/Renaissance_literature?f_ri=21545","nofollow":false},{"id":21545,"name":"Italian Renaissance literature","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_literature?f_ri=21545"},{"id":21546,"name":"French Renaissance Literature","url":"https://www.academia.edu/Documents/in/French_Renaissance_Literature?f_ri=21545"},{"id":26105,"name":"16th Century French (Literature)","url":"https://www.academia.edu/Documents/in/16th_Century_French_Literature_?f_ri=21545"},{"id":29901,"name":"History of geography","url":"https://www.academia.edu/Documents/in/History_of_geography?f_ri=21545"},{"id":51992,"name":"Ludovico Ariosto","url":"https://www.academia.edu/Documents/in/Ludovico_Ariosto?f_ri=21545"},{"id":415477,"name":"Italian Renaissance Studies","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_Studies?f_ri=21545"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_1490036" data-work_id="1490036" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/1490036/_Transforming_Plato_Tommaso_Campanella_s_La_citt%C3%A0_del_sole_the_Republic_and_Socrates_as_Natural_Philosopher_">“Transforming Plato: Tommaso Campanella’s La città del sole, the Republic, and Socrates as Natural Philosopher” </a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Revisiting La città del sole in light of recent scholarship on Campanella’s naturalism and with recourse to key works of his philosophy, I examine how his utopia systematically re-writes Plato’s ideal city from the Republic by... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_1490036" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Revisiting La città del sole in light of recent scholarship on Campanella’s naturalism and with recourse to key works of his philosophy, I examine how his utopia systematically re-writes Plato’s ideal city from the Republic by simultaneously drawing on and naturalizing a set of key Platonic figures. This transformation serves as an implicit response to criticisms of the utopian project made by Aristotle and Machiavelli; it is also a means of taking distance from the hermetic impulse at work in much of Renaissance Neoplatonism. The City of the Sun can thus be seen as replicating Kallipolis’ rigid order and its connection to absolute truth but simultaneously grounding that order in an empirical naturalism that allows the ideal society to become open.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/1490036" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="ee64610f886abb4c26c5fd2d8f9782c9" rel="nofollow" data-download="{"attachment_id":32117795,"asset_id":1490036,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/32117795/download_file?st=MTczMjgwNjM5Myw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1279357" href="https://ucdavis.academia.edu/MichaelSubialka">Michael Subialka</a><script data-card-contents-for-user="1279357" type="text/json">{"id":1279357,"first_name":"Michael","last_name":"Subialka","domain_name":"ucdavis","page_name":"MichaelSubialka","display_name":"Michael Subialka","profile_url":"https://ucdavis.academia.edu/MichaelSubialka?f_ri=21545","photo":"https://0.academia-photos.com/1279357/474185/63935950/s65_michael.subialka.jpg"}</script></span></span></li><li class="js-paper-rank-work_1490036 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="1490036"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 1490036, container: ".js-paper-rank-work_1490036", }); 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$(".js-view-count[data-work-id=1490036]").text(description); $(".js-view-count-work_1490036").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_1490036").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="1490036"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">7</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="4498" href="https://www.academia.edu/Documents/in/Utopian_Studies">Utopian Studies</a>, <script data-card-contents-for-ri="4498" type="text/json">{"id":4498,"name":"Utopian Studies","url":"https://www.academia.edu/Documents/in/Utopian_Studies?f_ri=21545","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="5246" href="https://www.academia.edu/Documents/in/Renaissance_Platonism">Renaissance Platonism</a>, <script data-card-contents-for-ri="5246" type="text/json">{"id":5246,"name":"Renaissance Platonism","url":"https://www.academia.edu/Documents/in/Renaissance_Platonism?f_ri=21545","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="17459" href="https://www.academia.edu/Documents/in/Utopian_Literature">Utopian Literature</a>, <script data-card-contents-for-ri="17459" type="text/json">{"id":17459,"name":"Utopian Literature","url":"https://www.academia.edu/Documents/in/Utopian_Literature?f_ri=21545","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="19820" href="https://www.academia.edu/Documents/in/Literature_and_Philosophy-20">Literature and Philosophy</a><script data-card-contents-for-ri="19820" type="text/json">{"id":19820,"name":"Literature and Philosophy","url":"https://www.academia.edu/Documents/in/Literature_and_Philosophy-20?f_ri=21545","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=1490036]'), work: {"id":1490036,"title":"“Transforming Plato: Tommaso Campanella’s La città del sole, the Republic, and Socrates as Natural Philosopher” ","created_at":"2012-03-28T08:24:39.749-07:00","url":"https://www.academia.edu/1490036/_Transforming_Plato_Tommaso_Campanella_s_La_citt%C3%A0_del_sole_the_Republic_and_Socrates_as_Natural_Philosopher_?f_ri=21545","dom_id":"work_1490036","summary":"Revisiting La città del sole in light of recent scholarship on Campanella’s naturalism and with recourse to key works of his philosophy, I examine how his utopia systematically re-writes Plato’s ideal city from the Republic by simultaneously drawing on and naturalizing a set of key Platonic figures. This transformation serves as an implicit response to criticisms of the utopian project made by Aristotle and Machiavelli; it is also a means of taking distance from the hermetic impulse at work in much of Renaissance Neoplatonism. The City of the Sun can thus be seen as replicating Kallipolis’ rigid order and its connection to absolute truth but simultaneously grounding that order in an empirical naturalism that allows the ideal society to become open.","downloadable_attachments":[{"id":32117795,"asset_id":1490036,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1279357,"first_name":"Michael","last_name":"Subialka","domain_name":"ucdavis","page_name":"MichaelSubialka","display_name":"Michael Subialka","profile_url":"https://ucdavis.academia.edu/MichaelSubialka?f_ri=21545","photo":"https://0.academia-photos.com/1279357/474185/63935950/s65_michael.subialka.jpg"}],"research_interests":[{"id":4498,"name":"Utopian Studies","url":"https://www.academia.edu/Documents/in/Utopian_Studies?f_ri=21545","nofollow":false},{"id":5246,"name":"Renaissance Platonism","url":"https://www.academia.edu/Documents/in/Renaissance_Platonism?f_ri=21545","nofollow":false},{"id":17459,"name":"Utopian Literature","url":"https://www.academia.edu/Documents/in/Utopian_Literature?f_ri=21545","nofollow":false},{"id":19820,"name":"Literature and Philosophy","url":"https://www.academia.edu/Documents/in/Literature_and_Philosophy-20?f_ri=21545","nofollow":false},{"id":21545,"name":"Italian Renaissance literature","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_literature?f_ri=21545"},{"id":22226,"name":"Tommaso Campanella","url":"https://www.academia.edu/Documents/in/Tommaso_Campanella?f_ri=21545"},{"id":443115,"name":"Renaissance Neoplatonism","url":"https://www.academia.edu/Documents/in/Renaissance_Neoplatonism?f_ri=21545"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_27174865" data-work_id="27174865" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/27174865/Christopher_S_Celenza_The_Lost_Italian_Renaissance_Humanists_Historians_and_Latin_s_Legacy_Baltimore_and_London_The_Johns_Hopkins_University_Press_2004_in_Lettere_italiane_3_2007_453_458">Christopher S. Celenza, The Lost Italian Renaissance: Humanists, Historians, and Latin‟s Legacy (Baltimore and London: The Johns Hopkins University Press, 2004) in Lettere italiane 3 (2007): 453-458</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/27174865" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="a4e0fa640b5d205b5137d83d8fe52296" rel="nofollow" data-download="{"attachment_id":47424632,"asset_id":27174865,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/47424632/download_file?st=MTczMjgwNjM5Myw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="84735" href="https://tcd.academia.edu/IgorCandido">Igor Candido</a><script data-card-contents-for-user="84735" type="text/json">{"id":84735,"first_name":"Igor","last_name":"Candido","domain_name":"tcd","page_name":"IgorCandido","display_name":"Igor Candido","profile_url":"https://tcd.academia.edu/IgorCandido?f_ri=21545","photo":"https://0.academia-photos.com/84735/58009/12337040/s65_igor.candido.jpg"}</script></span></span></li><li class="js-paper-rank-work_27174865 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="27174865"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 27174865, container: ".js-paper-rank-work_27174865", }); 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Celenza, The Lost Italian Renaissance: Humanists, Historians, and Latin‟s Legacy (Baltimore and London: The Johns Hopkins University Press, 2004) in Lettere italiane 3 (2007): 453-458","created_at":"2016-07-22T02:23:23.435-07:00","url":"https://www.academia.edu/27174865/Christopher_S_Celenza_The_Lost_Italian_Renaissance_Humanists_Historians_and_Latin_s_Legacy_Baltimore_and_London_The_Johns_Hopkins_University_Press_2004_in_Lettere_italiane_3_2007_453_458?f_ri=21545","dom_id":"work_27174865","summary":null,"downloadable_attachments":[{"id":47424632,"asset_id":27174865,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":84735,"first_name":"Igor","last_name":"Candido","domain_name":"tcd","page_name":"IgorCandido","display_name":"Igor Candido","profile_url":"https://tcd.academia.edu/IgorCandido?f_ri=21545","photo":"https://0.academia-photos.com/84735/58009/12337040/s65_igor.candido.jpg"}],"research_interests":[{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=21545","nofollow":false},{"id":3027,"name":"Renaissance Humanism","url":"https://www.academia.edu/Documents/in/Renaissance_Humanism?f_ri=21545","nofollow":false},{"id":3612,"name":"Renaissance","url":"https://www.academia.edu/Documents/in/Renaissance?f_ri=21545","nofollow":false},{"id":4686,"name":"Renaissance Philosophy","url":"https://www.academia.edu/Documents/in/Renaissance_Philosophy?f_ri=21545","nofollow":false},{"id":7887,"name":"Italian Literature","url":"https://www.academia.edu/Documents/in/Italian_Literature?f_ri=21545"},{"id":9735,"name":"Intellectual History of the Renaissance","url":"https://www.academia.edu/Documents/in/Intellectual_History_of_the_Renaissance?f_ri=21545"},{"id":17916,"name":"Renaissance literature","url":"https://www.academia.edu/Documents/in/Renaissance_literature?f_ri=21545"},{"id":21545,"name":"Italian Renaissance literature","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_literature?f_ri=21545"},{"id":860486,"name":"Renaissance Humanism, Intellectual History, Italian Humanism","url":"https://www.academia.edu/Documents/in/Renaissance_Humanism_Intellectual_History_Italian_Humanism?f_ri=21545"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_1552253" data-work_id="1552253" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/1552253/Pico_della_Mirandola_Giovanni_Comentario_a_una_canci%C3%B3n_de_amor_de_Girolamo_Benivieni_Edici%C3%B3n_biling%C3%BCe_y_traducci%C3%B3n_de_Oriol_Mir%C3%B3_Mart%C3%AD_Barcelona_PPU_2006">Pico della Mirandola, Giovanni. "Comentario a una canción de amor de Girolamo Benivieni." Edición bilingüe y traducción de Oriol Miró Martí. Barcelona: PPU, 2006</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">El "Commento sopra una canzone d’amore" es una reflexión de carácter filosófico que el humanista Giovanni Pico della Mirandola, famoso por sus 900 tesis, desarrolla in extenso siguiendo el hilo de un poema de Girolamo Benivieni en que... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_1552253" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">El "Commento sopra una canzone d’amore" es una reflexión de carácter filosófico que el humanista Giovanni Pico della Mirandola, famoso por sus 900 tesis, desarrolla in extenso siguiendo el hilo de un poema de Girolamo Benivieni en que éste había condensado toda la filosofía de Platón. Una bellísima reflexión en torno a la filosofía antigua (uno de los muchos intentos de concordia que llevaría a cabo Pico) y uno de los textos fundacionales del Neoplatonismo, y que en buena parte no sólo supera en profundidad y elegancia estilística al "De Amore" de Marsilio Ficino, sino que en no pocos lugares lo corrige directamente. <br />La edición contiene la primera traducción al castellano del "Commento", y se completa con una consistente Introducción, en que se desvelan los pormenores que llevaron a la construcción de la obra.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/1552253" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="21f7adeecf5432228a60c4b7121959ab" rel="nofollow" data-download="{"attachment_id":32190209,"asset_id":1552253,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/32190209/download_file?st=MTczMjgwNjM5Myw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1725235" href="https://universidadinternacionaldelarioja.academia.edu/OriolMiro">Oriol Miró Martí</a><script data-card-contents-for-user="1725235" type="text/json">{"id":1725235,"first_name":"Oriol","last_name":"Miró Martí","domain_name":"universidadinternacionaldelarioja","page_name":"OriolMiro","display_name":"Oriol Miró Martí","profile_url":"https://universidadinternacionaldelarioja.academia.edu/OriolMiro?f_ri=21545","photo":"https://0.academia-photos.com/1725235/594575/39547733/s65_oriol.mir_mart_.jpg"}</script></span></span></li><li class="js-paper-rank-work_1552253 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="1552253"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 1552253, container: ".js-paper-rank-work_1552253", }); 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$(".js-view-count[data-work-id=1552253]").text(description); $(".js-view-count-work_1552253").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_1552253").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="1552253"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">22</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="2020" href="https://www.academia.edu/Documents/in/Neoplatonism_and_late_antique_philosophy">Neoplatonism and late antique philosophy</a>, <script data-card-contents-for-ri="2020" type="text/json">{"id":2020,"name":"Neoplatonism and late antique philosophy","url":"https://www.academia.edu/Documents/in/Neoplatonism_and_late_antique_philosophy?f_ri=21545","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="3581" href="https://www.academia.edu/Documents/in/Poetry">Poetry</a>, <script data-card-contents-for-ri="3581" type="text/json">{"id":3581,"name":"Poetry","url":"https://www.academia.edu/Documents/in/Poetry?f_ri=21545","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="6354" href="https://www.academia.edu/Documents/in/Count_Giovanni_Pico_della_Mirandola">Count Giovanni Pico della Mirandola</a>, <script data-card-contents-for-ri="6354" type="text/json">{"id":6354,"name":"Count Giovanni Pico della Mirandola","url":"https://www.academia.edu/Documents/in/Count_Giovanni_Pico_della_Mirandola?f_ri=21545","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="21545" href="https://www.academia.edu/Documents/in/Italian_Renaissance_literature">Italian Renaissance literature</a><script data-card-contents-for-ri="21545" type="text/json">{"id":21545,"name":"Italian Renaissance literature","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_literature?f_ri=21545","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=1552253]'), work: {"id":1552253,"title":"Pico della Mirandola, Giovanni. \"Comentario a una canción de amor de Girolamo Benivieni.\" Edición bilingüe y traducción de Oriol Miró Martí. Barcelona: PPU, 2006","created_at":"2012-05-11T10:17:02.267-07:00","url":"https://www.academia.edu/1552253/Pico_della_Mirandola_Giovanni_Comentario_a_una_canci%C3%B3n_de_amor_de_Girolamo_Benivieni_Edici%C3%B3n_biling%C3%BCe_y_traducci%C3%B3n_de_Oriol_Mir%C3%B3_Mart%C3%AD_Barcelona_PPU_2006?f_ri=21545","dom_id":"work_1552253","summary":"El \"Commento sopra una canzone d’amore\" es una reflexión de carácter filosófico que el humanista Giovanni Pico della Mirandola, famoso por sus 900 tesis, desarrolla in extenso siguiendo el hilo de un poema de Girolamo Benivieni en que éste había condensado toda la filosofía de Platón. Una bellísima reflexión en torno a la filosofía antigua (uno de los muchos intentos de concordia que llevaría a cabo Pico) y uno de los textos fundacionales del Neoplatonismo, y que en buena parte no sólo supera en profundidad y elegancia estilística al \"De Amore\" de Marsilio Ficino, sino que en no pocos lugares lo corrige directamente.\r\nLa edición contiene la primera traducción al castellano del \"Commento\", y se completa con una consistente Introducción, en que se desvelan los pormenores que llevaron a la construcción de la obra.","downloadable_attachments":[{"id":32190209,"asset_id":1552253,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1725235,"first_name":"Oriol","last_name":"Miró Martí","domain_name":"universidadinternacionaldelarioja","page_name":"OriolMiro","display_name":"Oriol Miró Martí","profile_url":"https://universidadinternacionaldelarioja.academia.edu/OriolMiro?f_ri=21545","photo":"https://0.academia-photos.com/1725235/594575/39547733/s65_oriol.mir_mart_.jpg"}],"research_interests":[{"id":2020,"name":"Neoplatonism and late antique philosophy","url":"https://www.academia.edu/Documents/in/Neoplatonism_and_late_antique_philosophy?f_ri=21545","nofollow":false},{"id":3581,"name":"Poetry","url":"https://www.academia.edu/Documents/in/Poetry?f_ri=21545","nofollow":false},{"id":6354,"name":"Count Giovanni Pico della Mirandola","url":"https://www.academia.edu/Documents/in/Count_Giovanni_Pico_della_Mirandola?f_ri=21545","nofollow":false},{"id":21545,"name":"Italian Renaissance literature","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_literature?f_ri=21545","nofollow":false},{"id":23483,"name":"Neoplatonism","url":"https://www.academia.edu/Documents/in/Neoplatonism?f_ri=21545"},{"id":30347,"name":"Translation","url":"https://www.academia.edu/Documents/in/Translation?f_ri=21545"},{"id":50363,"name":"Literatura","url":"https://www.academia.edu/Documents/in/Literatura?f_ri=21545"},{"id":67830,"name":"Traducción","url":"https://www.academia.edu/Documents/in/Traducci%C3%B3n?f_ri=21545"},{"id":67907,"name":"Filologia Italiana Letteratura Italiana del Rinascimento","url":"https://www.academia.edu/Documents/in/Filologia_Italiana_Letteratura_Italiana_del_Rinascimento?f_ri=21545"},{"id":82633,"name":"Pico Della Mirandola","url":"https://www.academia.edu/Documents/in/Pico_Della_Mirandola?f_ri=21545"},{"id":135396,"name":"Renacimiento","url":"https://www.academia.edu/Documents/in/Renacimiento?f_ri=21545"},{"id":156839,"name":"Spanish Literature of the Golden Age","url":"https://www.academia.edu/Documents/in/Spanish_Literature_of_the_Golden_Age?f_ri=21545"},{"id":262062,"name":"Amor","url":"https://www.academia.edu/Documents/in/Amor?f_ri=21545"},{"id":301079,"name":"Literatura Italiana","url":"https://www.academia.edu/Documents/in/Literatura_Italiana?f_ri=21545"},{"id":339847,"name":"Letteratura italiana dalle origini a tutto il sec. XVI","url":"https://www.academia.edu/Documents/in/Letteratura_italiana_dalle_origini_a_tutto_il_sec._XVI?f_ri=21545"},{"id":441772,"name":"Neoplatonismo","url":"https://www.academia.edu/Documents/in/Neoplatonismo?f_ri=21545"},{"id":531897,"name":"Giovanni Pico della Mirandola","url":"https://www.academia.edu/Documents/in/Giovanni_Pico_della_Mirandola?f_ri=21545"},{"id":540395,"name":"Comparative literature (spanish and italian)","url":"https://www.academia.edu/Documents/in/Comparative_literature_spanish_and_italian_?f_ri=21545"},{"id":630696,"name":"Humanismo y Renacimiento","url":"https://www.academia.edu/Documents/in/Humanismo_y_Renacimiento?f_ri=21545"},{"id":643390,"name":"Literatura Del Renacimiento","url":"https://www.academia.edu/Documents/in/Literatura_Del_Renacimiento?f_ri=21545"},{"id":1367729,"name":"Epoca del Renacimiento","url":"https://www.academia.edu/Documents/in/Epoca_del_Renacimiento?f_ri=21545"},{"id":1536331,"name":"Amor Platónico","url":"https://www.academia.edu/Documents/in/Amor_Platonico?f_ri=21545"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_2447700" data-work_id="2447700" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/2447700/Alberti_humaniste_architecte_la_couverture_le_Sommaire_et_la_Bibliographie_r%C3%A9cente_">Alberti, humaniste, architecte (la couverture, le Sommaire et la Bibliographie récente)</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/2447700" data-share-source="work_strip" 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itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="228308" href="https://u-picardie.academia.edu/MichelPaoli">Michel Paoli</a><script data-card-contents-for-user="228308" type="text/json">{"id":228308,"first_name":"Michel","last_name":"Paoli","domain_name":"u-picardie","page_name":"MichelPaoli","display_name":"Michel Paoli","profile_url":"https://u-picardie.academia.edu/MichelPaoli?f_ri=21545","photo":"https://0.academia-photos.com/228308/850480/12732944/s65_michel.paoli.jpg"}</script></span></span></li><li class="js-paper-rank-work_2447700 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="2447700"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 2447700, container: ".js-paper-rank-work_2447700", }); });</script></li><li 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class="InlineList-item-text" data-has-card-for-ri="1051" href="https://www.academia.edu/Documents/in/Secular_Humanism">Secular Humanism</a>, <script data-card-contents-for-ri="1051" type="text/json">{"id":1051,"name":"Secular Humanism","url":"https://www.academia.edu/Documents/in/Secular_Humanism?f_ri=21545","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1236" href="https://www.academia.edu/Documents/in/Art">Art</a>, <script data-card-contents-for-ri="1236" type="text/json">{"id":1236,"name":"Art","url":"https://www.academia.edu/Documents/in/Art?f_ri=21545","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1367" href="https://www.academia.edu/Documents/in/Renaissance_History">Renaissance History</a><script data-card-contents-for-ri="1367" type="text/json">{"id":1367,"name":"Renaissance 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Architecture","url":"https://www.academia.edu/Documents/in/Archaeology_of_Architecture?f_ri=21545"},{"id":17440,"name":"Humanism","url":"https://www.academia.edu/Documents/in/Humanism?f_ri=21545"},{"id":17916,"name":"Renaissance literature","url":"https://www.academia.edu/Documents/in/Renaissance_literature?f_ri=21545"},{"id":21484,"name":"Medieval And Humanistic Philology","url":"https://www.academia.edu/Documents/in/Medieval_And_Humanistic_Philology?f_ri=21545"},{"id":21545,"name":"Italian Renaissance literature","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_literature?f_ri=21545"},{"id":31877,"name":"Italian (Languages And Linguistics)","url":"https://www.academia.edu/Documents/in/Italian_Languages_And_Linguistics_?f_ri=21545"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_31769101" data-work_id="31769101" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/31769101/Una_nuova_edizione_del_De_honesta_voluptate_et_valitudine_di_Bartolomeo_Platina">Una nuova edizione del De honesta voluptate et valitudine di Bartolomeo Platina</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/31769101" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="a159a952e155fd323101a70847f67ac8" rel="nofollow" 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}); });</script></span><script>$(function() { $(".js-view-count-work_31769101").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="31769101"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">3</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="21545" href="https://www.academia.edu/Documents/in/Italian_Renaissance_literature">Italian Renaissance literature</a>, <script data-card-contents-for-ri="21545" type="text/json">{"id":21545,"name":"Italian Renaissance literature","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_literature?f_ri=21545","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="25286" href="https://www.academia.edu/Documents/in/Culinary_Culture">Culinary Culture</a>, <script data-card-contents-for-ri="25286" type="text/json">{"id":25286,"name":"Culinary Culture","url":"https://www.academia.edu/Documents/in/Culinary_Culture?f_ri=21545","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="909840" href="https://www.academia.edu/Documents/in/Bartolomeo_Platina">Bartolomeo Platina</a><script data-card-contents-for-ri="909840" type="text/json">{"id":909840,"name":"Bartolomeo Platina","url":"https://www.academia.edu/Documents/in/Bartolomeo_Platina?f_ri=21545","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=31769101]'), work: {"id":31769101,"title":"Una nuova edizione del De honesta voluptate et valitudine di Bartolomeo 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Culture","url":"https://www.academia.edu/Documents/in/Culinary_Culture?f_ri=21545","nofollow":false},{"id":909840,"name":"Bartolomeo Platina","url":"https://www.academia.edu/Documents/in/Bartolomeo_Platina?f_ri=21545","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_37275734" data-work_id="37275734" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/37275734/The_Italian_Tradition_of_Equestrian_Art_A_survey_of_the_treatises_on_chivalry_from_the_Renaissance_and_the_centuries_following">The Italian Tradition of Equestrian Art: A survey of the treatises on chivalry from the Renaissance and the centuries following</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">At the mid point of the sixteenth century, a Neapolitan gentleman, Federico Grisone, published, for the first time, a printed book about the art of training the horse “for the use of war” and on the secrets to “emend his defects”. The... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_37275734" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">At the mid point of the sixteenth century, a Neapolitan gentleman, Federico Grisone, published, for the first time, a printed book about the art of training the horse “for the use of war” and on the secrets to “emend his defects”. The work was a huge and immediate success and was soon emulated by other authors. The new literary genre of equestrian treatises was thus born and it’s tradition, with ups and downs, became alive and remains vital up to this day. It is no coincidence that this first work was printed in Italy because, between the fifteenth and sixteenth century, it was in that country that a new culture of the court, in which horse riding had a key role, was developed. During this time, Italian riders were sought out by the members of European courts and the scions of the European aristocracy ventured to Italy to perfect their skill in the art of riding with renowned masters. Following the thread of equestrian treatises, this book traces the history of Italian and European equitation, recounting the rich cultural implications, the evolution of the techniques, and the many connections with the great events of European history. It is a story full of characters surrounded by an aura of legendary skill, of disputes between opposing schools, and of memorable deeds. It is a story that goes from the sixteenth century until the early twentieth century, when again an Italian, Federico Caprilli, revolutionized the riding world, creating the jumping technique still in use today.<br /><a href="http://worksofchivalry.com/the-book-2/" rel="nofollow">http://worksofchivalry.com/the-book-2/</a></div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/37275734" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="69422d8d095ba4ce62b5b2dd3a34a3ce" rel="nofollow" data-download="{"attachment_id":57230213,"asset_id":37275734,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/57230213/download_file?st=MTczMjgwNjM5Myw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="13262162" href="https://independent.academia.edu/GiovanniBattistaTomassini">Giovanni Battista Tomassini</a><script data-card-contents-for-user="13262162" type="text/json">{"id":13262162,"first_name":"Giovanni Battista","last_name":"Tomassini","domain_name":"independent","page_name":"GiovanniBattistaTomassini","display_name":"Giovanni Battista Tomassini","profile_url":"https://independent.academia.edu/GiovanniBattistaTomassini?f_ri=21545","photo":"https://0.academia-photos.com/13262162/5382344/10757854/s65_giovanni_battista.tomassini.jpg"}</script></span></span></li><li class="js-paper-rank-work_37275734 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="37275734"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 37275734, container: ".js-paper-rank-work_37275734", }); 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$(".js-view-count[data-work-id=37275734]").text(description); $(".js-view-count-work_37275734").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_37275734").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="37275734"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">14</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="2987" href="https://www.academia.edu/Documents/in/Renaissance_Studies">Renaissance Studies</a>, <script data-card-contents-for-ri="2987" type="text/json">{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=21545","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="3612" href="https://www.academia.edu/Documents/in/Renaissance">Renaissance</a>, <script data-card-contents-for-ri="3612" type="text/json">{"id":3612,"name":"Renaissance","url":"https://www.academia.edu/Documents/in/Renaissance?f_ri=21545","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="6732" href="https://www.academia.edu/Documents/in/Horse_culture">Horse culture</a>, <script data-card-contents-for-ri="6732" type="text/json">{"id":6732,"name":"Horse culture","url":"https://www.academia.edu/Documents/in/Horse_culture?f_ri=21545","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="7237" href="https://www.academia.edu/Documents/in/Chivalry_Chivalry_">Chivalry (Chivalry)</a><script data-card-contents-for-ri="7237" type="text/json">{"id":7237,"name":"Chivalry (Chivalry)","url":"https://www.academia.edu/Documents/in/Chivalry_Chivalry_?f_ri=21545","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=37275734]'), work: {"id":37275734,"title":"The Italian Tradition of Equestrian Art: A survey of the treatises on chivalry from the Renaissance and the centuries following","created_at":"2018-08-22T10:29:26.641-07:00","url":"https://www.academia.edu/37275734/The_Italian_Tradition_of_Equestrian_Art_A_survey_of_the_treatises_on_chivalry_from_the_Renaissance_and_the_centuries_following?f_ri=21545","dom_id":"work_37275734","summary":"At the mid point of the sixteenth century, a Neapolitan gentleman, Federico Grisone, published, for the first time, a printed book about the art of training the horse “for the use of war” and on the secrets to “emend his defects”. The work was a huge and immediate success and was soon emulated by other authors. The new literary genre of equestrian treatises was thus born and it’s tradition, with ups and downs, became alive and remains vital up to this day. It is no coincidence that this first work was printed in Italy because, between the fifteenth and sixteenth century, it was in that country that a new culture of the court, in which horse riding had a key role, was developed. During this time, Italian riders were sought out by the members of European courts and the scions of the European aristocracy ventured to Italy to perfect their skill in the art of riding with renowned masters. Following the thread of equestrian treatises, this book traces the history of Italian and European equitation, recounting the rich cultural implications, the evolution of the techniques, and the many connections with the great events of European history. It is a story full of characters surrounded by an aura of legendary skill, of disputes between opposing schools, and of memorable deeds. It is a story that goes from the sixteenth century until the early twentieth century, when again an Italian, Federico Caprilli, revolutionized the riding world, creating the jumping technique still in use today.\nhttp://worksofchivalry.com/the-book-2/","downloadable_attachments":[{"id":57230213,"asset_id":37275734,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":13262162,"first_name":"Giovanni Battista","last_name":"Tomassini","domain_name":"independent","page_name":"GiovanniBattistaTomassini","display_name":"Giovanni Battista Tomassini","profile_url":"https://independent.academia.edu/GiovanniBattistaTomassini?f_ri=21545","photo":"https://0.academia-photos.com/13262162/5382344/10757854/s65_giovanni_battista.tomassini.jpg"}],"research_interests":[{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=21545","nofollow":false},{"id":3612,"name":"Renaissance","url":"https://www.academia.edu/Documents/in/Renaissance?f_ri=21545","nofollow":false},{"id":6732,"name":"Horse culture","url":"https://www.academia.edu/Documents/in/Horse_culture?f_ri=21545","nofollow":false},{"id":7237,"name":"Chivalry (Chivalry)","url":"https://www.academia.edu/Documents/in/Chivalry_Chivalry_?f_ri=21545","nofollow":false},{"id":17916,"name":"Renaissance literature","url":"https://www.academia.edu/Documents/in/Renaissance_literature?f_ri=21545"},{"id":21545,"name":"Italian Renaissance literature","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_literature?f_ri=21545"},{"id":70463,"name":"Horse Riding","url":"https://www.academia.edu/Documents/in/Horse_Riding?f_ri=21545"},{"id":92578,"name":"Chivalric literature","url":"https://www.academia.edu/Documents/in/Chivalric_literature?f_ri=21545"},{"id":168196,"name":"Horses","url":"https://www.academia.edu/Documents/in/Horses?f_ri=21545"},{"id":279623,"name":"Chivalric Arts","url":"https://www.academia.edu/Documents/in/Chivalric_Arts?f_ri=21545"},{"id":284547,"name":"Horsemanship","url":"https://www.academia.edu/Documents/in/Horsemanship?f_ri=21545"},{"id":387022,"name":"History of Horse Riding","url":"https://www.academia.edu/Documents/in/History_of_Horse_Riding?f_ri=21545"},{"id":743171,"name":"The Culture of Horsemanship","url":"https://www.academia.edu/Documents/in/The_Culture_of_Horsemanship?f_ri=21545"},{"id":892613,"name":"Horse and Horsemanship","url":"https://www.academia.edu/Documents/in/Horse_and_Horsemanship?f_ri=21545"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_7028762" data-work_id="7028762" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/7028762/_Donna_amando_pur_donna_essendo_Note_per_una_lettura_di_genere_dell_opera_e_della_figura_di_Maddalena_Campiglia">«Donna amando pur donna essendo». Note per una lettura di genere dell’opera e della figura di Maddalena Campiglia.</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/7028762" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="7970393" href="https://bham.academia.edu/AnnaLisaSomma">Anna Lisa Somma</a><script data-card-contents-for-user="7970393" type="text/json">{"id":7970393,"first_name":"Anna Lisa","last_name":"Somma","domain_name":"bham","page_name":"AnnaLisaSomma","display_name":"Anna Lisa Somma","profile_url":"https://bham.academia.edu/AnnaLisaSomma?f_ri=21545","photo":"https://0.academia-photos.com/7970393/2793558/29299596/s65_anna_lisa.somma.jpg"}</script></span></span></li><li class="js-paper-rank-work_7028762 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="7028762"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 7028762, container: ".js-paper-rank-work_7028762", }); });</script></li><li class="js-percentile-work_7028762 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 7028762; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_7028762"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_7028762 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="7028762"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 7028762; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=7028762]").text(description); $(".js-view-count-work_7028762").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_7028762").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="7028762"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">3</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="21545" href="https://www.academia.edu/Documents/in/Italian_Renaissance_literature">Italian Renaissance literature</a>, <script data-card-contents-for-ri="21545" type="text/json">{"id":21545,"name":"Italian Renaissance literature","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_literature?f_ri=21545","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="49663" href="https://www.academia.edu/Documents/in/Women_and_Gender_Studies">Women and Gender Studies</a>, <script data-card-contents-for-ri="49663" type="text/json">{"id":49663,"name":"Women and Gender Studies","url":"https://www.academia.edu/Documents/in/Women_and_Gender_Studies?f_ri=21545","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="102222" href="https://www.academia.edu/Documents/in/Early_Modern_Italian_Women_Writers">Early Modern Italian Women Writers</a><script data-card-contents-for-ri="102222" type="text/json">{"id":102222,"name":"Early Modern Italian Women Writers","url":"https://www.academia.edu/Documents/in/Early_Modern_Italian_Women_Writers?f_ri=21545","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=7028762]'), work: {"id":7028762,"title":"«Donna amando pur donna essendo». Note per una lettura di genere dell’opera e della figura di Maddalena Campiglia.","created_at":"2014-05-12T20:56:21.514-07:00","url":"https://www.academia.edu/7028762/_Donna_amando_pur_donna_essendo_Note_per_una_lettura_di_genere_dell_opera_e_della_figura_di_Maddalena_Campiglia?f_ri=21545","dom_id":"work_7028762","summary":null,"downloadable_attachments":[],"ordered_authors":[{"id":7970393,"first_name":"Anna Lisa","last_name":"Somma","domain_name":"bham","page_name":"AnnaLisaSomma","display_name":"Anna Lisa Somma","profile_url":"https://bham.academia.edu/AnnaLisaSomma?f_ri=21545","photo":"https://0.academia-photos.com/7970393/2793558/29299596/s65_anna_lisa.somma.jpg"}],"research_interests":[{"id":21545,"name":"Italian Renaissance literature","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_literature?f_ri=21545","nofollow":false},{"id":49663,"name":"Women and Gender Studies","url":"https://www.academia.edu/Documents/in/Women_and_Gender_Studies?f_ri=21545","nofollow":false},{"id":102222,"name":"Early Modern Italian Women Writers","url":"https://www.academia.edu/Documents/in/Early_Modern_Italian_Women_Writers?f_ri=21545","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_34841745" data-work_id="34841745" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/34841745/A_Modern_Gloss_of_Don_Quijote_1_31_32">A Modern Gloss of _Don Quijote_: 1.31-32</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Suddenly Don Quijote doubts his squire’s embassy. It would be miraculous for Sancho to have returned in just over three days because El Toboso is more than thirty leagues away, seventy-five miles or one hundred and twenty-five kilometers... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_34841745" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Suddenly Don Quijote doubts his squire’s embassy. It would be miraculous for Sancho to have returned in just over three days because El Toboso is more than thirty leagues away, seventy-five miles or one hundred and twenty-five kilometers from where Don Quijote was in the Sierra Morena.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/34841745" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="04e60e938efceb1f3cdc0aaa56e1f3ea" rel="nofollow" data-download="{"attachment_id":67452812,"asset_id":34841745,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/67452812/download_file?st=MTczMjgwNjM5Myw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="7490347" href="https://independentscholar.academia.edu/ERICCLIFFORDGRAF">ERIC-CLIFFORD GRAF</a><script data-card-contents-for-user="7490347" type="text/json">{"id":7490347,"first_name":"ERIC-CLIFFORD","last_name":"GRAF","domain_name":"independentscholar","page_name":"ERICCLIFFORDGRAF","display_name":"ERIC-CLIFFORD GRAF","profile_url":"https://independentscholar.academia.edu/ERICCLIFFORDGRAF?f_ri=21545","photo":"https://0.academia-photos.com/7490347/2729620/75567704/s65_eric_clifford.graf.jpg"}</script></span></span></li><li class="js-paper-rank-work_34841745 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="34841745"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 34841745, container: ".js-paper-rank-work_34841745", }); 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Illustrato da Grazia Nidasio, Milano, Mondadori, 2009". "Ozmo (Gionata Gesi), Portrait of PI, 2012". "Alessandro Cervellati, poster of the Orlando furioso, Bologna, Piazza Maggiore, July 15, 1969"</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">L. Bolzoni, C.A. Girotto (eds.). "Donne cavalieri incanti follia. Viaggio attraverso le immagini dell’Orlando furioso". Complesso San Michele degli Scalzi, Pisa, 2012- 13: 85-88 (no. 23), 145-148 (no. 44), 162-163 (no. 47). Lucca: Maria... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_30800218" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">L. Bolzoni, C.A. Girotto (eds.). "Donne cavalieri incanti follia. Viaggio attraverso le immagini dell’Orlando furioso". Complesso San Michele degli Scalzi, Pisa, 2012-<br />13: 85-88 (no. 23), 145-148 (no. 44), 162-163 (no. 47). Lucca: Maria Pacini Fazzi, 2013. Exhibition catalogue</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/30800218" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="1b0f3f0c2f7ae7f298acb7fcd10aa507" rel="nofollow" data-download="{"attachment_id":51234244,"asset_id":30800218,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/51234244/download_file?st=MTczMjgwNjM5Myw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1300800" href="https://unifi.academia.edu/FrancescoGuzzetti">Francesco Guzzetti</a><script data-card-contents-for-user="1300800" type="text/json">{"id":1300800,"first_name":"Francesco","last_name":"Guzzetti","domain_name":"unifi","page_name":"FrancescoGuzzetti","display_name":"Francesco Guzzetti","profile_url":"https://unifi.academia.edu/FrancescoGuzzetti?f_ri=21545","photo":"https://0.academia-photos.com/1300800/479942/17483082/s65_francesco.guzzetti.jpg"}</script></span></span></li><li class="js-paper-rank-work_30800218 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="30800218"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 30800218, container: ".js-paper-rank-work_30800218", }); 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Exhibition catalogue","downloadable_attachments":[{"id":51234244,"asset_id":30800218,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1300800,"first_name":"Francesco","last_name":"Guzzetti","domain_name":"unifi","page_name":"FrancescoGuzzetti","display_name":"Francesco Guzzetti","profile_url":"https://unifi.academia.edu/FrancescoGuzzetti?f_ri=21545","photo":"https://0.academia-photos.com/1300800/479942/17483082/s65_francesco.guzzetti.jpg"}],"research_interests":[{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=21545","nofollow":false},{"id":947,"name":"Theatre Studies","url":"https://www.academia.edu/Documents/in/Theatre_Studies?f_ri=21545","nofollow":false},{"id":3051,"name":"Contemporary Art","url":"https://www.academia.edu/Documents/in/Contemporary_Art?f_ri=21545","nofollow":false},{"id":4950,"name":"Modern 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class="InlineList-item-text" data-has-card-for-ri="17440" href="https://www.academia.edu/Documents/in/Humanism">Humanism</a>, <script data-card-contents-for-ri="17440" type="text/json">{"id":17440,"name":"Humanism","url":"https://www.academia.edu/Documents/in/Humanism?f_ri=21545","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="21545" href="https://www.academia.edu/Documents/in/Italian_Renaissance_literature">Italian Renaissance literature</a><script data-card-contents-for-ri="21545" type="text/json">{"id":21545,"name":"Italian Renaissance literature","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_literature?f_ri=21545","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=76548954]'), work: {"id":76548954,"title":"Flavio Santi, L'altro cielo di Lombardia, Milano, UNICOPLI, 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class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/42230628" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="93eb1783c65993ccaca7d2d6f617ae32" rel="nofollow" data-download="{"attachment_id":62380023,"asset_id":42230628,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/62380023/download_file?st=MTczMjgwNjM5Myw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" 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InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="42230628"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 42230628; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=42230628]").text(description); $(".js-view-count-work_42230628").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_42230628").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="42230628"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">11</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="2221" href="https://www.academia.edu/Documents/in/Italian_Studies">Italian Studies</a>, <script data-card-contents-for-ri="2221" type="text/json">{"id":2221,"name":"Italian Studies","url":"https://www.academia.edu/Documents/in/Italian_Studies?f_ri=21545","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="6183" href="https://www.academia.edu/Documents/in/Literature_and_Medicine">Literature and Medicine</a>, <script data-card-contents-for-ri="6183" type="text/json">{"id":6183,"name":"Literature and Medicine","url":"https://www.academia.edu/Documents/in/Literature_and_Medicine?f_ri=21545","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="7887" href="https://www.academia.edu/Documents/in/Italian_Literature">Italian Literature</a>, <script data-card-contents-for-ri="7887" type="text/json">{"id":7887,"name":"Italian Literature","url":"https://www.academia.edu/Documents/in/Italian_Literature?f_ri=21545","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="14868" href="https://www.academia.edu/Documents/in/Literature_And_Science">Literature And Science</a><script data-card-contents-for-ri="14868" type="text/json">{"id":14868,"name":"Literature And Science","url":"https://www.academia.edu/Documents/in/Literature_And_Science?f_ri=21545","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=42230628]'), work: {"id":42230628,"title":"Ariosto Filosofo 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Literature","url":"https://www.academia.edu/Documents/in/Italian_Literature?f_ri=21545","nofollow":false},{"id":14868,"name":"Literature And Science","url":"https://www.academia.edu/Documents/in/Literature_And_Science?f_ri=21545","nofollow":false},{"id":21545,"name":"Italian Renaissance literature","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_literature?f_ri=21545"},{"id":51992,"name":"Ludovico Ariosto","url":"https://www.academia.edu/Documents/in/Ludovico_Ariosto?f_ri=21545"},{"id":86019,"name":"Pietro Pomponazzi","url":"https://www.academia.edu/Documents/in/Pietro_Pomponazzi?f_ri=21545"},{"id":92791,"name":"Science and Medicine in Literature","url":"https://www.academia.edu/Documents/in/Science_and_Medicine_in_Literature?f_ri=21545"},{"id":98737,"name":"Italian Renaissance","url":"https://www.academia.edu/Documents/in/Italian_Renaissance?f_ri=21545"},{"id":712123,"name":"Dosso Dossi","url":"https://www.academia.edu/Documents/in/Dosso_Dossi?f_ri=21545"},{"id":1154392,"name":"Alberto III Pio da Carpi","url":"https://www.academia.edu/Documents/in/Alberto_III_Pio_da_Carpi?f_ri=21545"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_49326139" data-work_id="49326139" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/49326139/Commedia_dellArte_Scenarios_2022_">Commedia dell'Arte Scenarios (2022)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Commedia dell'Arte Scenarios gathers together a collection of scenarios from some of the most important Commedia dell'Arte manuscripts, many of which have never been published in English before. Each script is accompanied by an editorial... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_49326139" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Commedia dell'Arte Scenarios gathers together a collection of scenarios from some of the most important Commedia dell'Arte manuscripts, many of which have never been published in English before.<br /><br />Each script is accompanied by an editorial commentary that sets out its historical context and the backstory of its composition and dramaturgical strategies, as well as scene summaries, and character and properties lists. These supplementary materials not only create a comprehensive picture of each script’s performance methods but also offer a blueprint for readers looking to perform the scenarios as part of their own study or professional practice.<br /><br />This collection offers scholars, performers and students a wealth of original performance texts that brig to life one of the most foundational performance genres in world theatre.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/49326139" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="5f6608191f6eee3e6d8675ab8bf4a4b2" rel="nofollow" data-download="{"attachment_id":81941252,"asset_id":49326139,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/81941252/download_file?st=MTczMjgwNjM5Myw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="7761318" href="https://southwestern.academia.edu/SergioCostola">Sergio Costola</a><script data-card-contents-for-user="7761318" type="text/json">{"id":7761318,"first_name":"Sergio","last_name":"Costola","domain_name":"southwestern","page_name":"SergioCostola","display_name":"Sergio Costola","profile_url":"https://southwestern.academia.edu/SergioCostola?f_ri=21545","photo":"https://0.academia-photos.com/7761318/2765257/25847907/s65_sergio.costola.jpg"}</script></span></span></li><li class="js-paper-rank-work_49326139 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="49326139"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 49326139, container: ".js-paper-rank-work_49326139", }); 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$(".js-view-count[data-work-id=49326139]").text(description); $(".js-view-count-work_49326139").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_49326139").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="49326139"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">9</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="937" href="https://www.academia.edu/Documents/in/Improvisation">Improvisation</a>, <script data-card-contents-for-ri="937" type="text/json">{"id":937,"name":"Improvisation","url":"https://www.academia.edu/Documents/in/Improvisation?f_ri=21545","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="947" href="https://www.academia.edu/Documents/in/Theatre_Studies">Theatre Studies</a>, <script data-card-contents-for-ri="947" type="text/json">{"id":947,"name":"Theatre Studies","url":"https://www.academia.edu/Documents/in/Theatre_Studies?f_ri=21545","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2521" href="https://www.academia.edu/Documents/in/Dramatic_Literature">Dramatic Literature</a>, <script data-card-contents-for-ri="2521" type="text/json">{"id":2521,"name":"Dramatic Literature","url":"https://www.academia.edu/Documents/in/Dramatic_Literature?f_ri=21545","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="9290" href="https://www.academia.edu/Documents/in/16th_Century_Dramatic_Literature">16th Century Dramatic Literature</a><script data-card-contents-for-ri="9290" type="text/json">{"id":9290,"name":"16th Century Dramatic Literature","url":"https://www.academia.edu/Documents/in/16th_Century_Dramatic_Literature?f_ri=21545","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=49326139]'), work: {"id":49326139,"title":"Commedia dell'Arte Scenarios (2022)","created_at":"2021-06-21T08:56:00.252-07:00","url":"https://www.academia.edu/49326139/Commedia_dellArte_Scenarios_2022_?f_ri=21545","dom_id":"work_49326139","summary":"Commedia dell'Arte Scenarios gathers together a collection of scenarios from some of the most important Commedia dell'Arte manuscripts, many of which have never been published in English before.\n\nEach script is accompanied by an editorial commentary that sets out its historical context and the backstory of its composition and dramaturgical strategies, as well as scene summaries, and character and properties lists. These supplementary materials not only create a comprehensive picture of each script’s performance methods but also offer a blueprint for readers looking to perform the scenarios as part of their own study or professional practice.\n\nThis collection offers scholars, performers and students a wealth of original performance texts that brig to life one of the most foundational performance genres in world theatre.","downloadable_attachments":[{"id":81941252,"asset_id":49326139,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":7761318,"first_name":"Sergio","last_name":"Costola","domain_name":"southwestern","page_name":"SergioCostola","display_name":"Sergio Costola","profile_url":"https://southwestern.academia.edu/SergioCostola?f_ri=21545","photo":"https://0.academia-photos.com/7761318/2765257/25847907/s65_sergio.costola.jpg"}],"research_interests":[{"id":937,"name":"Improvisation","url":"https://www.academia.edu/Documents/in/Improvisation?f_ri=21545","nofollow":false},{"id":947,"name":"Theatre Studies","url":"https://www.academia.edu/Documents/in/Theatre_Studies?f_ri=21545","nofollow":false},{"id":2521,"name":"Dramatic Literature","url":"https://www.academia.edu/Documents/in/Dramatic_Literature?f_ri=21545","nofollow":false},{"id":9290,"name":"16th Century Dramatic Literature","url":"https://www.academia.edu/Documents/in/16th_Century_Dramatic_Literature?f_ri=21545","nofollow":false},{"id":19556,"name":"Commedia dell'arte","url":"https://www.academia.edu/Documents/in/Commedia_dellarte?f_ri=21545"},{"id":21545,"name":"Italian Renaissance literature","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_literature?f_ri=21545"},{"id":23825,"name":"17th Century Dramatic Literature","url":"https://www.academia.edu/Documents/in/17th_Century_Dramatic_Literature?f_ri=21545"},{"id":29102,"name":"Theatre","url":"https://www.academia.edu/Documents/in/Theatre?f_ri=21545"},{"id":216151,"name":"Italian Medieval and Renaissance Theatre and Spectacle","url":"https://www.academia.edu/Documents/in/Italian_Medieval_and_Renaissance_Theatre_and_Spectacle?f_ri=21545"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_41361312" data-work_id="41361312" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/41361312/_Il_brutto_ondio_son_bello_la_voix_po%C3%A9tique_de_deux_caprices_dArcimboldo">"Il brutto ond'io son bello" : la voix poétique de deux "caprices" d'Arcimboldo</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Nous étudions dans cet article la façon dont les deux têtes composées réalisées à Milan par Giuseppe Arcimboldo pour l’Empereur du Saint Empire Romain Germanique Rodolphe II, Flora (1589) et Vertunno (1590), articulent à la fois la... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_41361312" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Nous étudions dans cet article la façon dont les deux têtes composées réalisées à Milan par Giuseppe Arcimboldo pour l’Empereur du Saint Empire Romain Germanique Rodolphe II, Flora (1589) et Vertunno (1590), articulent à la fois la question de l’ut pictura poësis et celle de la laideur artistique. Nous nous concentrons d’une part sur les poésies composées par des lettrés milanais proches du peintre (Gregorio Comanini, Giovanni Filippo Gherardini, Gherardo Borgogni, les deux membres de l’Accademia della Val di Blenio Sigismondo Foliano et Bernardino Baldini, ainsi qu’un certain « G. A. da Milano » derrière lequel se cache très probablement Arcimboldo lui-même) et envoyées à l’empereur en même temps que les deux ‘caprices’ (elles furent en effet réunies en 1591 par Gherardini dans un recueil destiné à accompagner le Vertunno jusqu’à Prague) ; et d’autre part, sur la théorisation de la production arcimboldesque dans les traités artistiques, qui incluent certaines de ces compositions, de Giovanni Paolo Lomazzo (Trattato dell’arte della pittura…, 1584 ; Idea del tempio della pittura, 1590) et, surtout, de Gregorio Comanini (Il Figino overo del fine della pittura, 1591).</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/41361312" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="7c7014ae67bb1593904b3cb3b5f013f0" rel="nofollow" data-download="{"attachment_id":61559844,"asset_id":41361312,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/61559844/download_file?st=MTczMjgwNjM5Myw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="116586844" href="https://univ-lorraine.academia.edu/OlivierChiquet">Olivier Chiquet</a><script data-card-contents-for-user="116586844" type="text/json">{"id":116586844,"first_name":"Olivier","last_name":"Chiquet","domain_name":"univ-lorraine","page_name":"OlivierChiquet","display_name":"Olivier Chiquet","profile_url":"https://univ-lorraine.academia.edu/OlivierChiquet?f_ri=21545","photo":"https://0.academia-photos.com/116586844/28344303/26524325/s65_olivier.chiquet.jpg"}</script></span></span></li><li class="js-paper-rank-work_41361312 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="41361312"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 41361312, container: ".js-paper-rank-work_41361312", }); 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$(".js-view-count[data-work-id=41361312]").text(description); $(".js-view-count-work_41361312").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_41361312").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="41361312"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">3</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="2987" href="https://www.academia.edu/Documents/in/Renaissance_Studies">Renaissance Studies</a>, <script data-card-contents-for-ri="2987" type="text/json">{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=21545","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16368" href="https://www.academia.edu/Documents/in/Italian_Renaissance_Art">Italian Renaissance Art</a>, <script data-card-contents-for-ri="16368" type="text/json">{"id":16368,"name":"Italian Renaissance Art","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_Art?f_ri=21545","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="21545" href="https://www.academia.edu/Documents/in/Italian_Renaissance_literature">Italian Renaissance literature</a><script data-card-contents-for-ri="21545" type="text/json">{"id":21545,"name":"Italian Renaissance literature","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_literature?f_ri=21545","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=41361312]'), work: {"id":41361312,"title":"\"Il brutto ond'io son bello\" : la voix poétique de deux \"caprices\" d'Arcimboldo","created_at":"2019-12-19T04:49:52.275-08:00","url":"https://www.academia.edu/41361312/_Il_brutto_ondio_son_bello_la_voix_po%C3%A9tique_de_deux_caprices_dArcimboldo?f_ri=21545","dom_id":"work_41361312","summary":"Nous étudions dans cet article la façon dont les deux têtes composées réalisées à Milan par Giuseppe Arcimboldo pour l’Empereur du Saint Empire Romain Germanique Rodolphe II, Flora (1589) et Vertunno (1590), articulent à la fois la question de l’ut pictura poësis et celle de la laideur artistique. Nous nous concentrons d’une part sur les poésies composées par des lettrés milanais proches du peintre (Gregorio Comanini, Giovanni Filippo Gherardini, Gherardo Borgogni, les deux membres de l’Accademia della Val di Blenio Sigismondo Foliano et Bernardino Baldini, ainsi qu’un certain « G. A. da Milano » derrière lequel se cache très probablement Arcimboldo lui-même) et envoyées à l’empereur en même temps que les deux ‘caprices’ (elles furent en effet réunies en 1591 par Gherardini dans un recueil destiné à accompagner le Vertunno jusqu’à Prague) ; et d’autre part, sur la théorisation de la production arcimboldesque dans les traités artistiques, qui incluent certaines de ces compositions, de Giovanni Paolo Lomazzo (Trattato dell’arte della pittura…, 1584 ; Idea del tempio della pittura, 1590) et, surtout, de Gregorio Comanini (Il Figino overo del fine della pittura, 1591).","downloadable_attachments":[{"id":61559844,"asset_id":41361312,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":116586844,"first_name":"Olivier","last_name":"Chiquet","domain_name":"univ-lorraine","page_name":"OlivierChiquet","display_name":"Olivier Chiquet","profile_url":"https://univ-lorraine.academia.edu/OlivierChiquet?f_ri=21545","photo":"https://0.academia-photos.com/116586844/28344303/26524325/s65_olivier.chiquet.jpg"}],"research_interests":[{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=21545","nofollow":false},{"id":16368,"name":"Italian Renaissance Art","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_Art?f_ri=21545","nofollow":false},{"id":21545,"name":"Italian Renaissance literature","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_literature?f_ri=21545","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_28958720" data-work_id="28958720" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/28958720/Voices_and_Texts_in_Early_Modern_Italian_Society_ed_by_B_Richardson_M_Rospocher_S_DallAglio_Routledge_2016">Voices and Texts in Early Modern Italian Society, ed. by B. Richardson, M. Rospocher, S. Dall'Aglio, Routledge 2016</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This book studies the uses of orality in Italian society, across all classes, from the fifteenth to the seventeenth century, with an emphasis on the interrelationships between oral communication and the written word. The Introduction... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_28958720" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This book studies the uses of orality in Italian society, across all classes, from the fifteenth to the seventeenth century, with an emphasis on the interrelationships between oral communication and the written word. The Introduction provides an overview of the topic as a whole and links the chapters together. <br />Part I concerns public life in the states of northern, central, and southern Italy. The chapters examine a range of performances that used the spoken word or song: concerted shouts that expressed the feelings of the lower classes and were then recorded in writing; the proclamation of state policy by town criers; songs that gave news of executions; the exercise of power relations in society as recorded in trial records; and diplomatic orations and interactions. <br />Part II centres on private entertainments. It considers the practices of the performance of poetry sung in social gatherings and on stage with and without improvisation; the extent to which lyric poets anticipated the singing of their verse and collaborated with composers; performances of comedies given as dinner entertainments for the governing body of republican Florence; and a reading of a prose work in a house in Venice, subsequently made famous through a printed account. Part III concerns collective religious practices. Its chapters study sermons in their own right and in relation to written texts, the battle to control spaces for public performance by civic and religious authorities, and singing <br />texts in sacred spaces.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/28958720" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="c5bc6635ca5d4b30cd99bdd91aa9e2f2" rel="nofollow" data-download="{"attachment_id":49399395,"asset_id":28958720,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/49399395/download_file?st=MTczMjgwNjM5Myw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="302170" href="https://fbk.academia.edu/MassimoRospocher">Massimo Rospocher</a><script data-card-contents-for-user="302170" type="text/json">{"id":302170,"first_name":"Massimo","last_name":"Rospocher","domain_name":"fbk","page_name":"MassimoRospocher","display_name":"Massimo Rospocher","profile_url":"https://fbk.academia.edu/MassimoRospocher?f_ri=21545","photo":"https://0.academia-photos.com/302170/62097/4188269/s65_massimo.rospocher.jpg"}</script></span></span></li><li class="js-paper-rank-work_28958720 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="28958720"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 28958720, container: ".js-paper-rank-work_28958720", }); 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$(".js-view-count[data-work-id=28958720]").text(description); $(".js-view-count-work_28958720").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_28958720").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="28958720"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">19</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="136" href="https://www.academia.edu/Documents/in/Cultural_History">Cultural History</a>, <script data-card-contents-for-ri="136" type="text/json">{"id":136,"name":"Cultural History","url":"https://www.academia.edu/Documents/in/Cultural_History?f_ri=21545","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1727" href="https://www.academia.edu/Documents/in/Early_Modern_History">Early Modern History</a>, <script data-card-contents-for-ri="1727" type="text/json">{"id":1727,"name":"Early Modern History","url":"https://www.academia.edu/Documents/in/Early_Modern_History?f_ri=21545","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2059" href="https://www.academia.edu/Documents/in/History_of_Religion">History of Religion</a>, <script data-card-contents-for-ri="2059" type="text/json">{"id":2059,"name":"History of Religion","url":"https://www.academia.edu/Documents/in/History_of_Religion?f_ri=21545","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2117" href="https://www.academia.edu/Documents/in/Renaissance_Literature_Literature_">Renaissance Literature (Literature)</a><script data-card-contents-for-ri="2117" type="text/json">{"id":2117,"name":"Renaissance Literature (Literature)","url":"https://www.academia.edu/Documents/in/Renaissance_Literature_Literature_?f_ri=21545","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=28958720]'), work: {"id":28958720,"title":"Voices and Texts in Early Modern Italian Society, ed. by B. Richardson, M. Rospocher, S. Dall'Aglio, Routledge 2016","created_at":"2016-10-06T05:43:46.839-07:00","url":"https://www.academia.edu/28958720/Voices_and_Texts_in_Early_Modern_Italian_Society_ed_by_B_Richardson_M_Rospocher_S_DallAglio_Routledge_2016?f_ri=21545","dom_id":"work_28958720","summary":"This book studies the uses of orality in Italian society, across all classes, from the fifteenth to the seventeenth century, with an emphasis on the interrelationships between oral communication and the written word. The Introduction provides an overview of the topic as a whole and links the chapters together. \r\nPart I concerns public life in the states of northern, central, and southern Italy. The chapters examine a range of performances that used the spoken word or song: concerted shouts that expressed the feelings of the lower classes and were then recorded in writing; the proclamation of state policy by town criers; songs that gave news of executions; the exercise of power relations in society as recorded in trial records; and diplomatic orations and interactions. \r\nPart II centres on private entertainments. It considers the practices of the performance of poetry sung in social gatherings and on stage with and without improvisation; the extent to which lyric poets anticipated the singing of their verse and collaborated with composers; performances of comedies given as dinner entertainments for the governing body of republican Florence; and a reading of a prose work in a house in Venice, subsequently made famous through a printed account. Part III concerns collective religious practices. Its chapters study sermons in their own right and in relation to written texts, the battle to control spaces for public performance by civic and religious authorities, and singing\r\ntexts in sacred spaces.","downloadable_attachments":[{"id":49399395,"asset_id":28958720,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":302170,"first_name":"Massimo","last_name":"Rospocher","domain_name":"fbk","page_name":"MassimoRospocher","display_name":"Massimo Rospocher","profile_url":"https://fbk.academia.edu/MassimoRospocher?f_ri=21545","photo":"https://0.academia-photos.com/302170/62097/4188269/s65_massimo.rospocher.jpg"}],"research_interests":[{"id":136,"name":"Cultural History","url":"https://www.academia.edu/Documents/in/Cultural_History?f_ri=21545","nofollow":false},{"id":1727,"name":"Early Modern History","url":"https://www.academia.edu/Documents/in/Early_Modern_History?f_ri=21545","nofollow":false},{"id":2059,"name":"History of Religion","url":"https://www.academia.edu/Documents/in/History_of_Religion?f_ri=21545","nofollow":false},{"id":2117,"name":"Renaissance Literature (Literature)","url":"https://www.academia.edu/Documents/in/Renaissance_Literature_Literature_?f_ri=21545","nofollow":false},{"id":2221,"name":"Italian Studies","url":"https://www.academia.edu/Documents/in/Italian_Studies?f_ri=21545"},{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies?f_ri=21545"},{"id":3891,"name":"Orality-Literacy Studies","url":"https://www.academia.edu/Documents/in/Orality-Literacy_Studies?f_ri=21545"},{"id":7354,"name":"Early Modern Europe","url":"https://www.academia.edu/Documents/in/Early_Modern_Europe?f_ri=21545"},{"id":7540,"name":"Oral Traditions","url":"https://www.academia.edu/Documents/in/Oral_Traditions?f_ri=21545"},{"id":7887,"name":"Italian Literature","url":"https://www.academia.edu/Documents/in/Italian_Literature?f_ri=21545"},{"id":11791,"name":"Early Modern Literature","url":"https://www.academia.edu/Documents/in/Early_Modern_Literature?f_ri=21545"},{"id":16923,"name":"Early Modern Italy","url":"https://www.academia.edu/Documents/in/Early_Modern_Italy?f_ri=21545"},{"id":17173,"name":"Early Modern Italian Literature","url":"https://www.academia.edu/Documents/in/Early_Modern_Italian_Literature?f_ri=21545"},{"id":17916,"name":"Renaissance literature","url":"https://www.academia.edu/Documents/in/Renaissance_literature?f_ri=21545"},{"id":19585,"name":"Republic of Letters (Early Modern History)","url":"https://www.academia.edu/Documents/in/Republic_of_Letters_Early_Modern_History_?f_ri=21545"},{"id":21545,"name":"Italian Renaissance literature","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_literature?f_ri=21545"},{"id":25719,"name":"Religious History","url":"https://www.academia.edu/Documents/in/Religious_History?f_ri=21545"},{"id":62430,"name":"Oral literature","url":"https://www.academia.edu/Documents/in/Oral_literature?f_ri=21545"},{"id":145524,"name":"Renaissance Italy","url":"https://www.academia.edu/Documents/in/Renaissance_Italy?f_ri=21545"}]}, }) } })();</script></ul></li></ul></div></div></div><div class="u-taCenter Pagination"><ul class="pagination"><li class="next_page"><a href="/Documents/in/Italian_Renaissance_literature?after=50%2C28958720" rel="next">Next</a></li><li class="last next"><a href="/Documents/in/Italian_Renaissance_literature?page=last">Last »</a></li></ul></div></div><div class="hidden-xs hidden-sm"><div class="u-pl6x"><div style="width: 300px;"><div class="panel panel-flat u-mt7x"><div class="panel-heading u-p5x"><div class="u-tcGrayDark u-taCenter u-fw700 u-textUppercase">Related Topics</div></div><ul class="list-group"><li class="list-group-item media_v2 u-mt0x u-p3x"><div class="media-body"><div class="u-tcGrayDarker u-fw700"><a class="u-tcGrayDarker" 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