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Moze wraca pamięcią do niefońunnego aresztowania w Pradze w latach B0,, kiedy przyjechawszy na tajne seminarium, został oskarzony o przemyt narkotyków, N{ija dzicsięć... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_24864777" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Derridy czymś oczywistym, czuje się w jego słowach wyrńną konsternację. Moze wraca pamięcią do niefońunnego aresztowania w Pradze w latach B0,, kiedy przyjechawszy na tajne seminarium, został oskarzony o przemyt narkotyków, N{ija dzicsięć lat od śnierci Jacques'a Der,-"id\. l'ilozola. ktoll zlni"lli| -po-,jb ulrlarriarria [iluz.llii. iPj l,Z\lńnii ilno$icnic o nipj, DzicJący nas odjego śmierci czas pozlvala na pewierr dłstans do.jego nvśli i lra zastanolvienie się nadjcgo lccepcją rl Polsce. Silą rzecz1. mUSzą Się pojawić p_vtania: czr,li,ancuski lilo zofie §t cz!tanJ? Czl jegrl dziedzictrvo, obcj, rnqjącc kilkadzicsiąt książe](, żostało pl,z.}srvojorre przez polskich czl,ielników i polskie -t,odorr isl.a al.ar]erll ill,i"'.' C2, 11 1 l,.i2, in jrgn sposób iilozoficznego i Jiteracl<iego m.vślenia. zu,any dekollst|ukcją. sp|arvdził się i zlralazł lv naszł-m krąiu tlvór,czlch naśla dowcórv i orlgi naJ lryclr kont"vnuatorów|' Cz1, posluż]ł do zlozunricrria naszej lłspółcze sności? Podejrnując próbę odporvieclzi na tc pytania. chciałbl,m się skupić na dlr,óch krvestiach: z.jedrre.j stlon], na spec,rlice polskiqj recepcji nryś}i fl,ancuskiego filozofa^ a z dnt giejnajcgo .claCji z Polską. na stosurrku do Po]ski rv kontekście rlekonstrLrkcji i Zagładl, Czas Derridy 51 J ak p amiętam,v-. pielrr sze tekstl Delr.idl po pol-Jct rll.azah ,ię rl alacll7o. i8o._allapi"lrr*z" przeldadl nierrielu przethrnraczon1,,ch książek mtrsieliśm_l rv PoJscc poczei(ać do lat 90. Jeśli polórvrrarn1 liczbę przeldadórv.iego dzieł z 1icz bą drimaczeli książek N{ichela Foucaulta cz,y Paula Ricoeura. to rr]Taźnie \\.idać prefelencje czltclnikórl i rlldarł,cóu. Dzieła autola Slóul i r:€ cs,są iuż pla\łie rr całości pl,zełożclrre rra ,jęz.r,k polski. podobnie jcst z placami Ricoeu fa. rratomiast i<siąż](i Derridl,ciągle czekająrra lh lmaczr. |<lcjt zr poLolr i o,lib., . ię zaa n!ażorr a, § lo niPZ\,\l. " ludnn przndsięl\.zięcie. Órr, Lrak przckl1,1orr pl,al. dIllol,a P,smo i rółtic.l, jest z pe$nością s,,,,mp tomat],cz nJ i może ś §iad-, zrn o a1,1,1a]n.rm o5labinniu zcinlple.o\\anic nie §lko mvślą Derrid1,. ale i samądekorrstluk cją. \,1oże rrnaoczniać rórr,rrież ciągb pt_vtld i sc-</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/24864777" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="aade986e03d205b3ca55dcc69088cc28" rel="nofollow" data-download="{"attachment_id":45188400,"asset_id":24864777,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/45188400/download_file?st=MTc0MDE2MDU2Niw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="19565068" href="https://amu.academia.edu/MiroslawLoba">Miroslaw Loba</a><script data-card-contents-for-user="19565068" type="text/json">{"id":19565068,"first_name":"Miroslaw","last_name":"Loba","domain_name":"amu","page_name":"MiroslawLoba","display_name":"Miroslaw Loba","profile_url":"https://amu.academia.edu/MiroslawLoba","photo":"/images/s65_no_pic.png"}</script></span></span></li><li class="js-paper-rank-work_24864777 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="24864777"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 24864777, container: ".js-paper-rank-work_24864777", }); });</script></li><li class="js-percentile-work_24864777 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 24864777; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_24864777"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_24864777 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="24864777"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 24864777; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=24864777]").text(description); $(".js-view-count-work_24864777").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_24864777").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="24864777"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i></div><span class="InlineList-item-text u-textTruncate u-pl6x"><a class="InlineList-item-text" data-has-card-for-ri="12040" rel="nofollow" href="https://www.academia.edu/Documents/in/Jacques_Derrida">Jacques Derrida</a><script data-card-contents-for-ri="12040" type="text/json">{"id":12040,"name":"Jacques Derrida","url":"https://www.academia.edu/Documents/in/Jacques_Derrida","nofollow":true}</script></span></li><script>(function(){ if (false) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=24864777]'), work: {"id":24864777,"title":"Czas Derridy","created_at":"2016-04-28T23:20:07.357-07:00","owner_id":19565068,"url":"https://www.academia.edu/24864777/Czas_Derridy","slug":"Czas_Derridy","dom_id":"work_24864777","summary":"Derridy czymś oczywistym, czuje się w jego słowach wyrńną konsternację. 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u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The Shoah, the Sacrifice, and the Animal in Elisabeth de Fontenay’s Thought The article aims at presenting the views of a French philosopher Elisabeth de Fontanay on the issue of proximity between the Shoah and the inhuman, industrial... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_41671883" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The Shoah, the Sacrifice, and the Animal in Elisabeth de Fontenay’s Thought<br /><br />The article aims at presenting the views of a French philosopher Elisabeth de Fontanay on the issue of proximity between the Shoah and the inhuman, industrial treatment of animals.<br />The author not only explains the history of such a contextualisation of the problem, but also tackles the question of the meaning of a sacrifice, which is a term often used to define both the extermination of the Jews and the mass animal slaughter.<br /><br />Key words: Elisabeth de Fontenay, Shoah, sacrifice, animals, mass slaughter</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/41671883" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="ba10e2c11d77ebbe97bda403b49d2e2b" rel="nofollow" data-download="{"attachment_id":61827586,"asset_id":41671883,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" 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itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/64416506/Balzac_et_la_pens%C3%A9e_sur_la_vie_dans_La_Physiologie_du_mariage_et_dans_La_Femme_de_trente_ans">Balzac et la pensée sur la vie dans La Physiologie du mariage et dans La Femme de trente ans</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Balzac et la pensée sur la vie dans La Physiologie du mariage et dans La Femme de trente ans Les écrivains qui se sont occupés avec quelque profondeur, de l'analyse des idées, de celle du langage, ou des autres signes qui les... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_64416506" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Balzac et la pensée sur la vie dans La Physiologie du mariage et dans La Femme de trente ans Les écrivains qui se sont occupés avec quelque profondeur, de l'analyse des idées, de celle du langage, ou des autres signes qui les représentent, et des principes de la morale privée ou publique, ont presque tous senti cette nécessité de se diriger, dans leurs recherches, d'après la connaissance de la nature humaine physique. 1 La monumentale Comédie humaine d'Honoré de Balzac, considérée comme le portrait de la société française post-révolutionnaire et post-napoléonienne, n'est ni une unité ni une totalité. Les romans balzaciens se réapproprient différents langages et différents types de savoirs et de sciences, comme le romancier l'explique lui-même dans l'Avant-propos de sa somme romanesque. Si Balzac reste avant tout écrivain, pour expliquer les vies et les destins de ses personnages, il n'hésitera jamais à convoquer la physionomie, la médecine, l'économie et la sociologie, 2 les sciences reconnues, accréditées, et les savoirs qui aujourd'hui ne seraient jamais désignés comme scientifiques (le magnétisme). Lecteur ou simplement observateur de Cabanis et de Barthez, ami de Geoffroy Saint-Hilaire, l'auteur du Père Goriot regarde aussi vers l'histoire naturelle, vers les sciences du vivant qui émergent à la fin des Lumières et qui s'épanouiront au cours du XIX e siècle. En cette période de mutation épistémologique profonde, la notion de vie se trouve au coeur des débats philosophiques et scientifiques. Son approche traditionnelle et morale, toujours attestée par les dictionnaires, s'expose toutefois aux critiques de la science et à partir de ce moment-là sa signification sera soumise à un constant questionnement. Dans les oeuvres de Balzac, profondément enracinées dans la tradition moraliste et vitaliste, des traces de ces changements se laissent aussi observer. Rappelons que le vitalisme de la fin du XVIII e et du début du XIX e siècle reste une pensée à la fois scientifique et philosophique qui prépare l'irruption imminente des sciences du vivant et de la biologie. 3 Il est farouchement contraire Open Access.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/64416506" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="a15d773e46fa1f00a2d9885596397a79" rel="nofollow" data-download="{"attachment_id":76464868,"asset_id":64416506,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/76464868/download_file?st=MTc0MDE2MDU2Nyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="19565068" href="https://amu.academia.edu/MiroslawLoba">Miroslaw Loba</a><script data-card-contents-for-user="19565068" type="text/json">{"id":19565068,"first_name":"Miroslaw","last_name":"Loba","domain_name":"amu","page_name":"MiroslawLoba","display_name":"Miroslaw Loba","profile_url":"https://amu.academia.edu/MiroslawLoba","photo":"/images/s65_no_pic.png"}</script></span></span></li><li class="js-paper-rank-work_64416506 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="64416506"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 64416506, container: ".js-paper-rank-work_64416506", }); });</script></li><li class="js-percentile-work_64416506 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 64416506; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_64416506"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_64416506 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="64416506"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 64416506; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=64416506]").text(description); $(".js-view-count-work_64416506").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_64416506").removeClass('hidden') })</script></div></li></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_74845026" data-work_id="74845026" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/74845026/Poza_zasad%C4%85_narracyjno%C5%9Bci">Poza zasadą narracyjności</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Książka Wokół narracyjnego zwrotu 1 Mirosława Loby jest zbiorem dwunastu szkiców zorganizowanych w trzy części, odpowiednio: "Narracja, historia i formy", "Narracje i fantazmaty" oraz "Od narracji do literatury". Tytułowemu określeniu... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_74845026" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Książka Wokół narracyjnego zwrotu 1 Mirosława Loby jest zbiorem dwunastu szkiców zorganizowanych w trzy części, odpowiednio: "Narracja, historia i formy", "Narracje i fantazmaty" oraz "Od narracji do literatury". Tytułowemu określeniu "wokół" można nadać dwie wykładnie, dwie dynamiki: do-i odśrodkową. Zgodnie z tą pierwszą, zwrot narracyjny stanowi centrum, ku któremu grawitują poszczególne teksty, wnosząc zarazem swój wkład w jego istotę; zgodnie z drugą-teksty te są niejako produktem promieniowania owego zwrotu, wychodzą od niego ku innym kierunkom. Myślę, że omawianemu przypadkowi bliższa jest ta druga optyka-narracja stanowi dla Loby furtkę, punkt wyjścia przy rozważaniu takich zagadnień, jak: fikcja, historia, pamięć (pojawiające się w części pierwszej), gry (zarówno ludyczne, jak i komputerowe, a także gry literackie), fantazmaty, ideologia, psyche jednostki (kluczowe dla części drugiej), a nawet polityka czy marketing (przypadek rozdziału poświęconego storytellingowi). Przy czym autor stara się nigdy nie tracić kontaktu z podstawową kulturową domeną narracyjną, to jest literaturą. Niezwykle istotny jest też podtytuł książki-"Szkice krytyczne". Sugeruje on, co znajduje odzwierciedlenie w treści, że nie mamy tu do czynienia z kolejną rekapitulacją i reprodukcją obiegowych poglądów na temat narracji (tych samych, które stoją u podstaw surowo przez autora ocenionego intratnego wykorzystania dorobku teorii narracyjnych w marketingu i kam-________________</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/74845026" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="ae01df52daba0a706e6648870bc0fab8" rel="nofollow" data-download="{"attachment_id":82851696,"asset_id":74845026,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/82851696/download_file?st=MTc0MDE2MDU2Nyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="19565068" href="https://amu.academia.edu/MiroslawLoba">Miroslaw Loba</a><script data-card-contents-for-user="19565068" type="text/json">{"id":19565068,"first_name":"Miroslaw","last_name":"Loba","domain_name":"amu","page_name":"MiroslawLoba","display_name":"Miroslaw Loba","profile_url":"https://amu.academia.edu/MiroslawLoba","photo":"/images/s65_no_pic.png"}</script></span></span></li><li class="js-paper-rank-work_74845026 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="74845026"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 74845026, container: ".js-paper-rank-work_74845026", }); });</script></li><li class="js-percentile-work_74845026 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 74845026; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_74845026"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_74845026 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="74845026"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 74845026; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=74845026]").text(description); $(".js-view-count-work_74845026").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_74845026").removeClass('hidden') })</script></div></li></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_103620540" data-work_id="103620540" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/103620540/Dalla_condizione_terrestre_allambiente_planetario_nei_Canti_di_Giacomo_Leopardi_From_the_earthly_condition_to_the_planetary_environment_in_Giacomo_Leopardis_Canti">Dalla condizione terrestre all'ambiente planetario nei Canti di Giacomo Leopardi From the earthly condition to the planetary environment in Giacomo Leopardi's Canti</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This article examines the representation of the environment in the Canti by Giacomo Leopardi. The author seeks to show the Leopardian environment as a place where history, nature and the cosmos intersect. The immensity and simultaneity of... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_103620540" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This article examines the representation of the environment in the Canti by Giacomo Leopardi. The author seeks to show the Leopardian environment as a place where history, nature and the cosmos intersect. The immensity and simultaneity of these three elements determines the way the lyric subject inhabits the world. Leopardi's poetic focus is on his painful experience of the environment, which remains an indifferent and destructive agent. The poet deconstructs classical and romantic models of nature and culture by appealing to the aesthetics of the sublime, which unlike Kant is not the means of understanding but the way to experience the planetary character of existence.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/103620540" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="d9a346d22c2e2f9824e8ed369fabcf2d" rel="nofollow" data-download="{"attachment_id":103580473,"asset_id":103620540,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/103580473/download_file?st=MTc0MDE2MDU2Nyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="19565068" href="https://amu.academia.edu/MiroslawLoba">Miroslaw Loba</a><script data-card-contents-for-user="19565068" type="text/json">{"id":19565068,"first_name":"Miroslaw","last_name":"Loba","domain_name":"amu","page_name":"MiroslawLoba","display_name":"Miroslaw Loba","profile_url":"https://amu.academia.edu/MiroslawLoba","photo":"/images/s65_no_pic.png"}</script></span></span></li><li class="js-paper-rank-work_103620540 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="103620540"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 103620540, container: ".js-paper-rank-work_103620540", }); 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$(".js-view-count[data-work-id=103620540]").text(description); $(".js-view-count-work_103620540").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_103620540").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="103620540"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">3</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="128" rel="nofollow" href="https://www.academia.edu/Documents/in/History">History</a>, <script data-card-contents-for-ri="128" type="text/json">{"id":128,"name":"History","url":"https://www.academia.edu/Documents/in/History","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="17847" rel="nofollow" href="https://www.academia.edu/Documents/in/Giacomo_Leopardi">Giacomo Leopardi</a>, <script data-card-contents-for-ri="17847" type="text/json">{"id":17847,"name":"Giacomo Leopardi","url":"https://www.academia.edu/Documents/in/Giacomo_Leopardi","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="93741" rel="nofollow" href="https://www.academia.edu/Documents/in/Cosmos">Cosmos</a><script data-card-contents-for-ri="93741" type="text/json">{"id":93741,"name":"Cosmos","url":"https://www.academia.edu/Documents/in/Cosmos","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=103620540]'), work: {"id":103620540,"title":"Dalla condizione terrestre all'ambiente planetario nei Canti di Giacomo Leopardi From the earthly condition to the planetary environment in Giacomo Leopardi's Canti","created_at":"2023-06-20T08:27:16.532-07:00","owner_id":19565068,"url":"https://www.academia.edu/103620540/Dalla_condizione_terrestre_allambiente_planetario_nei_Canti_di_Giacomo_Leopardi_From_the_earthly_condition_to_the_planetary_environment_in_Giacomo_Leopardis_Canti","slug":"Dalla_condizione_terrestre_allambiente_planetario_nei_Canti_di_Giacomo_Leopardi_From_the_earthly_condition_to_the_planetary_environment_in_Giacomo_Leopardis_Canti","dom_id":"work_103620540","summary":"This article examines the representation of the environment in the Canti by Giacomo Leopardi. The author seeks to show the Leopardian environment as a place where history, nature and the cosmos intersect. The immensity and simultaneity of these three elements determines the way the lyric subject inhabits the world. Leopardi's poetic focus is on his painful experience of the environment, which remains an indifferent and destructive agent. 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The author seeks to show the Leopardian environment as a place where history, nature and the cosmos intersect. The immensity and simultaneity of... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_104907343" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This article examines the representation of the environment in the Canti by Giacomo Leopardi. The author seeks to show the Leopardian environment as a place where history, nature and the cosmos intersect. The immensity and simultaneity of these three elements determines the way the lyric subject inhabits the world. Leopardi's poetic focus is on his painful experience of the environment, which remains an indifferent and destructive agent. The poet deconstructs classical and romantic models of nature and culture by appealing to the aesthetics of the sublime, which unlike Kant is not the means of understanding but the way to experience the planetary character of existence.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/104907343" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="aa1ce4d59c6f44bd6f87756994c00a45" rel="nofollow" data-download="{"attachment_id":104509558,"asset_id":104907343,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/104509558/download_file?st=MTc0MDE2MDU2Nyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="19565068" href="https://amu.academia.edu/MiroslawLoba">Miroslaw Loba</a><script data-card-contents-for-user="19565068" type="text/json">{"id":19565068,"first_name":"Miroslaw","last_name":"Loba","domain_name":"amu","page_name":"MiroslawLoba","display_name":"Miroslaw Loba","profile_url":"https://amu.academia.edu/MiroslawLoba","photo":"/images/s65_no_pic.png"}</script></span></span></li><li class="js-paper-rank-work_104907343 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="104907343"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 104907343, container: ".js-paper-rank-work_104907343", }); 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le programme est financé par le Ministère de Science et de l'Enseignement Supérieur polonais. * * * Nous remercions tous les auteurs d'avoir accepté de contribuer à cette... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_111822660" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">* « Formy życia, formy literatury » (0237/NPRH4/H2b/83/2016) ; le programme est financé par le Ministère de Science et de l'Enseignement Supérieur polonais. * * * Nous remercions tous les auteurs d'avoir accepté de contribuer à cette publication et tenons à exprimer notre gratitude à Ewa Łukaszyk, pour sa lecture précieuse et bienveillante qui nous a aidés à préparer cet ouvrage.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/111822660" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="87327b3b41f37757e96c09ab40ae7a1e" rel="nofollow" data-download="{"attachment_id":109244023,"asset_id":111822660,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/109244023/download_file?st=MTc0MDE2MDU2Nyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="19565068" href="https://amu.academia.edu/MiroslawLoba">Miroslaw Loba</a><script data-card-contents-for-user="19565068" type="text/json">{"id":19565068,"first_name":"Miroslaw","last_name":"Loba","domain_name":"amu","page_name":"MiroslawLoba","display_name":"Miroslaw Loba","profile_url":"https://amu.academia.edu/MiroslawLoba","photo":"/images/s65_no_pic.png"}</script></span></span></li><li class="js-paper-rank-work_111822660 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="111822660"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 111822660, container: ".js-paper-rank-work_111822660", }); 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Między historią a mitem</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">A karol karp UniWerSytet Mikołaja kopernika W torUniU W pułapce historii? o relacji przeszłość/teraźniejszość/przyszłość w twórczości Carmine abatego Problemy z klasyfikacją D yskusje o "przynależności literackiej" Carmine abatego (1954)... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_111822661" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">A karol karp UniWerSytet Mikołaja kopernika W torUniU W pułapce historii? o relacji przeszłość/teraźniejszość/przyszłość w twórczości Carmine abatego Problemy z klasyfikacją D yskusje o "przynależności literackiej" Carmine abatego (1954) toczą się w środowisku badaczy współczesnej literatury włoskiej już od jakiegoś czasu. Martine Bovo romoeuf (2006: 243) w odniesieniu do biografii oraz twórczości pisarza określa go mianem "autora nietypowego". abate, członek społeczności włosko-albańskiej, przyszedł na świat w Carfizzi-niewielkiej miejscowości położonej w słonecznej kalabrii. Wziąwszy pod uwagę jedynie kryterium pochodzenia, można by go uznać za pisarza arbëresh. takie podejście nie wydaje się jednak trafne z co najmniej dwóch powodów. Pierwszy dotyczy narzędzia ekspresji literackiej. W przeciwieństwie do typowych autorów reprezentujących literaturę swoich korzeni (por. Berisha, 1999), takich jak np. znany dushko Vetmo (1914) czy Pino Cacozza (1957), abate tworzy w języku włoskim. drugi powód jest związany z poruszaną tematyką, oscylującą wokół ogólnie pojętej migracji. Jego utwory odzwierciedlają, w perspektywie diachronicznej, tułaczkę przodków ludu arbëresh, ale też ukazują problemy natury ekonomiczno-socjologicznej, z którymi przedstawiciele tego ludu są zmuszeni zmagać się obecnie. refleksja o zjawisku migracji oraz niewłoskie korzenie skłaniają do identyfikowania abatego z literaturą migracyjną, prądem, którego początek-zdaniem armanda gnisciego (2003), najbardziej znanego badacza tematyki-wyznaczają lata 90. XX w. należy również wziąć pod uwagę to, iż Pasquino Crupi (1997) w Historii literatury kalabryjskiej poświęca abatemu rozdział i zalicza go tym samym do grona pisarzy typowo włoskich.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/111822661" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="21338f21b2c1670faca2e5ec772f7ff0" rel="nofollow" data-download="{"attachment_id":109244027,"asset_id":111822661,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/109244027/download_file?st=MTc0MDE2MDU2Nyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="19565068" href="https://amu.academia.edu/MiroslawLoba">Miroslaw Loba</a><script data-card-contents-for-user="19565068" type="text/json">{"id":19565068,"first_name":"Miroslaw","last_name":"Loba","domain_name":"amu","page_name":"MiroslawLoba","display_name":"Miroslaw Loba","profile_url":"https://amu.academia.edu/MiroslawLoba","photo":"/images/s65_no_pic.png"}</script></span></span></li><li class="js-paper-rank-work_111822661 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="111822661"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 111822661, container: ".js-paper-rank-work_111822661", }); });</script></li><li class="js-percentile-work_111822661 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 111822661; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_111822661"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_111822661 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="111822661"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 111822661; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=111822661]").text(description); $(".js-view-count-work_111822661").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_111822661").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="111822661"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i></div><span class="InlineList-item-text u-textTruncate u-pl6x"><a class="InlineList-item-text" data-has-card-for-ri="133353" rel="nofollow" href="https://www.academia.edu/Documents/in/MIT">MIT</a><script data-card-contents-for-ri="133353" type="text/json">{"id":133353,"name":"MIT","url":"https://www.academia.edu/Documents/in/MIT","nofollow":true}</script></span></li><script>(function(){ if (false) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=111822661]'), work: {"id":111822661,"title":"„Literatury mniejsze” Europy romańskiej 2. Między historią a mitem","created_at":"2023-12-19T05:43:23.038-08:00","owner_id":19565068,"url":"https://www.academia.edu/111822661/_Literatury_mniejsze_Europy_roma%C5%84skiej_2_Mi%C4%99dzy_histori%C4%85_a_mitem","slug":"_Literatury_mniejsze_Europy_romańskiej_2_Między_historią_a_mitem","dom_id":"work_111822661","summary":"A karol karp UniWerSytet Mikołaja kopernika W torUniU W pułapce historii? o relacji przeszłość/teraźniejszość/przyszłość w twórczości Carmine abatego Problemy z klasyfikacją D yskusje o \"przynależności literackiej\" Carmine abatego (1954) toczą się w środowisku badaczy współczesnej literatury włoskiej już od jakiegoś czasu. Martine Bovo romoeuf (2006: 243) w odniesieniu do biografii oraz twórczości pisarza określa go mianem \"autora nietypowego\". abate, członek społeczności włosko-albańskiej, przyszedł na świat w Carfizzi-niewielkiej miejscowości położonej w słonecznej kalabrii. Wziąwszy pod uwagę jedynie kryterium pochodzenia, można by go uznać za pisarza arbëresh. takie podejście nie wydaje się jednak trafne z co najmniej dwóch powodów. Pierwszy dotyczy narzędzia ekspresji literackiej. W przeciwieństwie do typowych autorów reprezentujących literaturę swoich korzeni (por. Berisha, 1999), takich jak np. znany dushko Vetmo (1914) czy Pino Cacozza (1957), abate tworzy w języku włoskim. drugi powód jest związany z poruszaną tematyką, oscylującą wokół ogólnie pojętej migracji. Jego utwory odzwierciedlają, w perspektywie diachronicznej, tułaczkę przodków ludu arbëresh, ale też ukazują problemy natury ekonomiczno-socjologicznej, z którymi przedstawiciele tego ludu są zmuszeni zmagać się obecnie. refleksja o zjawisku migracji oraz niewłoskie korzenie skłaniają do identyfikowania abatego z literaturą migracyjną, prądem, którego początek-zdaniem armanda gnisciego (2003), najbardziej znanego badacza tematyki-wyznaczają lata 90. XX w. należy również wziąć pod uwagę to, iż Pasquino Crupi (1997) w Historii literatury kalabryjskiej poświęca abatemu rozdział i zalicza go tym samym do grona pisarzy typowo włoskich.","publication":"Wydawnictwo Naukowe UAM","publication_with_fallback":"Wydawnictwo Naukowe UAM","downloadable_attachments":[{"id":109244027,"asset_id":111822661,"asset_type":"Work","always_allow_download":false,"scribd_thumbnail_url":"https://attachments.academia-assets.com/109244027/thumbnails/1.jpg","download_url":"https://d1wqtxts1xzle7.cloudfront.net/109244027/154812968-libre.pdf?1702996205=\u0026response-content-disposition=attachment%3B+filename%3DLiteratury_mniejsze_Europy_romanskiej_2.pdf\u0026Expires=1740164167\u0026Signature=Y7LIqeuNlIlPX52VCG1ZUESz5sv5OUagQGULIYUIONbfw9k8Mo8yGNBjujXsWMaKFWJCK6akLPdvwgPOw7TsPriUI9cOq7BGcObNQLXoJ8da5yrx6HHBFMs3suaKbsMjZWSn82MS3PuKuz25wXrOL8Oazg7oDYbThCwqaaCyzPKONTDSU9~N5FlUAFB2kk974C~Zyl6VvYYFi98pn2-oGtlwZVjJjtzBZSSqa8I07wTsWeaWmL53h7ceMuvXxrVl1Ve842HgKb2Ne0Y9XZF-vN8RIEK8k2GcQf8WhYTNnfkPQOGGRV2y~9zme7-JB2iyhQ9ht29jdXQXRFU-h7Zc3w__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA","download_file_url":"https://www.academia.edu/attachments/109244027/download_file?st=MTc0MDE2MDU2Nyw4LjIyMi4yMDguMTQ2&","full_thumbnail_url":"https://0.academia-photos.com/attachment_thumbnails/109244027/mini_magick20231219-1-6j9uub.png?1702993656"}],"downloadable_attachments_with_full_thumbnails":[{"id":109244027,"asset_id":111822661,"asset_type":"Work","always_allow_download":false,"scribd_thumbnail_url":"https://attachments.academia-assets.com/109244027/thumbnails/1.jpg","download_url":"https://d1wqtxts1xzle7.cloudfront.net/109244027/154812968-libre.pdf?1702996205=\u0026response-content-disposition=attachment%3B+filename%3DLiteratury_mniejsze_Europy_romanskiej_2.pdf\u0026Expires=1740164167\u0026Signature=Y7LIqeuNlIlPX52VCG1ZUESz5sv5OUagQGULIYUIONbfw9k8Mo8yGNBjujXsWMaKFWJCK6akLPdvwgPOw7TsPriUI9cOq7BGcObNQLXoJ8da5yrx6HHBFMs3suaKbsMjZWSn82MS3PuKuz25wXrOL8Oazg7oDYbThCwqaaCyzPKONTDSU9~N5FlUAFB2kk974C~Zyl6VvYYFi98pn2-oGtlwZVjJjtzBZSSqa8I07wTsWeaWmL53h7ceMuvXxrVl1Ve842HgKb2Ne0Y9XZF-vN8RIEK8k2GcQf8WhYTNnfkPQOGGRV2y~9zme7-JB2iyhQ9ht29jdXQXRFU-h7Zc3w__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA","download_file_url":"https://www.academia.edu/attachments/109244027/download_file?st=MTc0MDE2MDU2Nyw4LjIyMi4yMDguMTQ2&","full_thumbnail_url":"https://0.academia-photos.com/attachment_thumbnails/109244027/mini_magick20231219-1-6j9uub.png?1702993656"}],"has_pdf":true,"has_fulltext":true,"page_count":261,"ordered_authors":[{"id":19565068,"first_name":"Miroslaw","last_name":"Loba","domain_name":"amu","page_name":"MiroslawLoba","display_name":"Miroslaw Loba","profile_url":"https://amu.academia.edu/MiroslawLoba","photo":"/images/s65_no_pic.png"}],"research_interests":[{"id":133353,"name":"MIT","url":"https://www.academia.edu/Documents/in/MIT","nofollow":true}],"publication_year":2016,"publication_year_with_fallback":2016,"paper_rank":null,"all_time_views":12,"active_discussion":{}}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_111822662" data-work_id="111822662" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/111822662/Zag%C5%82ada_ofiara_i_zwierz%C4%99ta_w_my%C5%9Bli_Elisabeth_de_Fontenay">Zagłada, ofiara i zwierzęta w myśli Elisabeth de Fontenay</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Skojarzenie przemysłowego uboju zwierząt z Holokaustem pojawia się w refleksji humanistycznej zaraz po doświadczeniu okropności drugiej wojny światowej. Theodor W. Adorno posłużył się takim zestawieniem w 1950 roku w Minima moralia…,... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_111822662" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Skojarzenie przemysłowego uboju zwierząt z Holokaustem pojawia się w refleksji humanistycznej zaraz po doświadczeniu okropności drugiej wojny światowej. Theodor W. Adorno posłużył się takim zestawieniem w 1950 roku w Minima moralia…, upatrując w drapieżności mieszczańskiego porządku źródło dziejowej katastrofy 1. Stwierdzenie to wpisuje się głęboko w powojenny klimat radykalnej krytyki tradycji humanistycznej. Humanizm został wówczas oskarżony o bliskie związki nie tylko z nieludzkim kapitalizmem i kolonializmem, ale i z faszyzmem, którego miałby być, według niektórych filozofów naszej epoki, szczególnym przedłużeniem 2. Zestawienie przez Adorna eksterminacji Żydów 1 "Wciąż spotykana formuła, że dzikusy, czarni, Japończycy przypominają zwierzęta, na przykład małpy, zawiera już klucz do pogromów. O możliwości pogromu przesądza chwila, gdy oko śmiertelnie zranionego zwierzęcia kieruje się na człowieka. Upór, z jakim człowiek odtrąca to spojrzenie-»przecież to tylko zwierzę«-powtarza się niepowstrzymanie w okrucieństwie wobec ludzi, kiedy to sprawcy wciąż na nowo muszą utwierdzać się w przekonaniu, że to »tylko zwierzę«, bo już gdy chodziło o zwierzę, nie byli tego całkiem pewni" (Th.W. Adorno: Minima moralia. Refleksje z poharatanego życia. Przeł. M. Łukasiewicz. Kraków 1999, s. 120). Warto wspomnieć tutaj szczególną karierę innego przekładu tego zdania. Charles Patterson dokonał trawestacji wypowiedzi Adorna i sprowadził ją do formuły: "Auschwitz zaczyna się wszędzie tam, gdzie ktoś patrzy na rzeźnię i myśli: to tylko zwierzęta" (Ch. Patterson: Wieczna Treblinka.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/111822662" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="6df7a299f27d98f440a0728cdda524b8" rel="nofollow" data-download="{"attachment_id":109243955,"asset_id":111822662,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/109243955/download_file?st=MTc0MDE2MDU2Nyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="19565068" href="https://amu.academia.edu/MiroslawLoba">Miroslaw Loba</a><script data-card-contents-for-user="19565068" type="text/json">{"id":19565068,"first_name":"Miroslaw","last_name":"Loba","domain_name":"amu","page_name":"MiroslawLoba","display_name":"Miroslaw Loba","profile_url":"https://amu.academia.edu/MiroslawLoba","photo":"/images/s65_no_pic.png"}</script></span></span></li><li class="js-paper-rank-work_111822662 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="111822662"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 111822662, container: ".js-paper-rank-work_111822662", }); 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$(".js-view-count[data-work-id=111822662]").text(description); $(".js-view-count-work_111822662").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_111822662").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="111822662"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">3</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="1236" rel="nofollow" href="https://www.academia.edu/Documents/in/Art">Art</a>, <script data-card-contents-for-ri="1236" type="text/json">{"id":1236,"name":"Art","url":"https://www.academia.edu/Documents/in/Art","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="40298" rel="nofollow" href="https://www.academia.edu/Documents/in/Sacrifice">Sacrifice</a>, <script data-card-contents-for-ri="40298" type="text/json">{"id":40298,"name":"Sacrifice","url":"https://www.academia.edu/Documents/in/Sacrifice","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="133525" rel="nofollow" href="https://www.academia.edu/Documents/in/The_Holocaust">The Holocaust</a><script data-card-contents-for-ri="133525" type="text/json">{"id":133525,"name":"The Holocaust","url":"https://www.academia.edu/Documents/in/The_Holocaust","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=111822662]'), work: {"id":111822662,"title":"Zagłada, ofiara i zwierzęta w myśli Elisabeth de Fontenay","created_at":"2023-12-19T05:43:23.169-08:00","owner_id":19565068,"url":"https://www.academia.edu/111822662/Zag%C5%82ada_ofiara_i_zwierz%C4%99ta_w_my%C5%9Bli_Elisabeth_de_Fontenay","slug":"Zagłada_ofiara_i_zwierzęta_w_myśli_Elisabeth_de_Fontenay","dom_id":"work_111822662","summary":"Skojarzenie przemysłowego uboju zwierząt z Holokaustem pojawia się w refleksji humanistycznej zaraz po doświadczeniu okropności drugiej wojny światowej. Theodor W. Adorno posłużył się takim zestawieniem w 1950 roku w Minima moralia…, upatrując w drapieżności mieszczańskiego porządku źródło dziejowej katastrofy 1. Stwierdzenie to wpisuje się głęboko w powojenny klimat radykalnej krytyki tradycji humanistycznej. Humanizm został wówczas oskarżony o bliskie związki nie tylko z nieludzkim kapitalizmem i kolonializmem, ale i z faszyzmem, którego miałby być, według niektórych filozofów naszej epoki, szczególnym przedłużeniem 2. Zestawienie przez Adorna eksterminacji Żydów 1 \"Wciąż spotykana formuła, że dzikusy, czarni, Japończycy przypominają zwierzęta, na przykład małpy, zawiera już klucz do pogromów. O możliwości pogromu przesądza chwila, gdy oko śmiertelnie zranionego zwierzęcia kieruje się na człowieka. Upór, z jakim człowiek odtrąca to spojrzenie-»przecież to tylko zwierzę«-powtarza się niepowstrzymanie w okrucieństwie wobec ludzi, kiedy to sprawcy wciąż na nowo muszą utwierdzać się w przekonaniu, że to »tylko zwierzę«, bo już gdy chodziło o zwierzę, nie byli tego całkiem pewni\" (Th.W. Adorno: Minima moralia. Refleksje z poharatanego życia. Przeł. M. Łukasiewicz. Kraków 1999, s. 120). Warto wspomnieć tutaj szczególną karierę innego przekładu tego zdania. Charles Patterson dokonał trawestacji wypowiedzi Adorna i sprowadził ją do formuły: \"Auschwitz zaczyna się wszędzie tam, gdzie ktoś patrzy na rzeźnię i myśli: to tylko zwierzęta\" (Ch. Patterson: Wieczna Treblinka.","publication":"Narracje o Zagładzie","publication_with_fallback":"Narracje o Zagładzie","downloadable_attachments":[{"id":109243955,"asset_id":111822662,"asset_type":"Work","always_allow_download":false,"scribd_thumbnail_url":"https://attachments.academia-assets.com/109243955/thumbnails/1.jpg","download_url":"https://d1wqtxts1xzle7.cloudfront.net/109243955/6832-Tekst_artykulu-9747-1-10-20180418-libre.pdf?1702994150=\u0026response-content-disposition=attachment%3B+filename%3DZaglada_ofiara_i_zwierzeta_w_mysli_Elisa.pdf\u0026Expires=1740164167\u0026Signature=XxWAM~zm3zv99GsSO6YlUUpqBP18gEnw-ONG2Wqg6hDSP8a0~faVeI5e7WbYrDKijVdv7vIc9Fp~j-4qCQfbTfgmHIHpjQlsiptB~O5bWK0wc01GijXDDyBruXYXXQpZSQ7QK7y-Pv2LevZuqhY9EznU2m83yBnkVhC2Woy-lD1VDmKbuYlj5ga7q2sYAz9CVHOJgOOe8jtwwLF4Ujti81w8UiMB9bY0cLvNQmv7Bqhpy2fZUoVnI0r2YudF4Kycl2tiX-kmampLogQ0V8sFKmz4ImDw-l0qqZ3ERzov3FIR9X8CujxXOQpCZBUkcBWnnAFsh66u2znCaHpOl-xWNg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA","download_file_url":"https://www.academia.edu/attachments/109243955/download_file?st=MTc0MDE2MDU2Nyw4LjIyMi4yMDguMTQ2&","full_thumbnail_url":"https://0.academia-photos.com/attachment_thumbnails/109243955/mini_magick20231219-1-zfiwfi.png?1702993439"}],"downloadable_attachments_with_full_thumbnails":[{"id":109243955,"asset_id":111822662,"asset_type":"Work","always_allow_download":false,"scribd_thumbnail_url":"https://attachments.academia-assets.com/109243955/thumbnails/1.jpg","download_url":"https://d1wqtxts1xzle7.cloudfront.net/109243955/6832-Tekst_artykulu-9747-1-10-20180418-libre.pdf?1702994150=\u0026response-content-disposition=attachment%3B+filename%3DZaglada_ofiara_i_zwierzeta_w_mysli_Elisa.pdf\u0026Expires=1740164167\u0026Signature=XxWAM~zm3zv99GsSO6YlUUpqBP18gEnw-ONG2Wqg6hDSP8a0~faVeI5e7WbYrDKijVdv7vIc9Fp~j-4qCQfbTfgmHIHpjQlsiptB~O5bWK0wc01GijXDDyBruXYXXQpZSQ7QK7y-Pv2LevZuqhY9EznU2m83yBnkVhC2Woy-lD1VDmKbuYlj5ga7q2sYAz9CVHOJgOOe8jtwwLF4Ujti81w8UiMB9bY0cLvNQmv7Bqhpy2fZUoVnI0r2YudF4Kycl2tiX-kmampLogQ0V8sFKmz4ImDw-l0qqZ3ERzov3FIR9X8CujxXOQpCZBUkcBWnnAFsh66u2znCaHpOl-xWNg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA","download_file_url":"https://www.academia.edu/attachments/109243955/download_file?st=MTc0MDE2MDU2Nyw4LjIyMi4yMDguMTQ2&","full_thumbnail_url":"https://0.academia-photos.com/attachment_thumbnails/109243955/mini_magick20231219-1-zfiwfi.png?1702993439"}],"has_pdf":true,"has_fulltext":true,"page_count":9,"ordered_authors":[{"id":19565068,"first_name":"Miroslaw","last_name":"Loba","domain_name":"amu","page_name":"MiroslawLoba","display_name":"Miroslaw Loba","profile_url":"https://amu.academia.edu/MiroslawLoba","photo":"/images/s65_no_pic.png"}],"research_interests":[{"id":1236,"name":"Art","url":"https://www.academia.edu/Documents/in/Art","nofollow":true},{"id":40298,"name":"Sacrifice","url":"https://www.academia.edu/Documents/in/Sacrifice","nofollow":true},{"id":133525,"name":"The Holocaust","url":"https://www.academia.edu/Documents/in/The_Holocaust","nofollow":true}],"publication_year":2017,"publication_year_with_fallback":2017,"paper_rank":null,"all_time_views":1,"active_discussion":{}}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_111822663" data-work_id="111822663" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/111822663/Wierzy%C4%87_wed%C5%82ug_Edyty_Stein">Wierzyć według Edyty Stein</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">W myśli dwudziestowiecznej, naznaczonej podejrzeniem wobec religii i wierzeń, charakteryzującej się krytyką i demistyfikacją wszelkich iluzji, problem wiary został pozornie zamknięty i uznany za przynależny do epoki przednowoczesnej.... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_111822663" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">W myśli dwudziestowiecznej, naznaczonej podejrzeniem wobec religii i wierzeń, charakteryzującej się krytyką i demistyfikacją wszelkich iluzji, problem wiary został pozornie zamknięty i uznany za przynależny do epoki przednowoczesnej. Mistrzowie podejrzeń-Marks, Nietzsche i Freud-definitywnie odczarowali świat, zamykając go w ekonomicznych oraz społecznych ramach i granicach. W latach sześćdziesiątych ubiegłego wieku Paul Ricoeur zastanawiał się, jaki rodzaj wiary zasługuje na przetrwanie po tych bezwzględnych krytykach? 1 Kwestia wiary nie cieszyła się ani specjalnym zainteresowaniem, ani zrozumieniem wśród większości pisarzy i artystów drugiej połowy XX wieku, nawet wśród tych, którzy rozczarowali się oświeceniową nowoczesnością. Rozważali ją jeszcze religioznawcy, filozofowie religii, a także ci, którzy ją jeszcze wyznawali i dla których była ona ważnym bądź budzącym wątpliwości doświadczeniem. Dlatego pewnym zaskoczeniem był "powrót religii" pod koniec dwudziestego wieku. Czy ów renesans postaw religijnych oznacza powrót wiary? Co dla filozofa, psychologa, socjologa oznacza dzisiaj "wierzyć"? Czym stała się wiara w naszych czasach? Czy jest tym samym, co dla Edyty Stein, niemieckiej Żydówki, która przeszła na katolicyzm? Pod koniec XX wieku, wraz z nasileniem się religijnych fundamentalizmów, ujawniło się wewnątrz nowoczesnej tradycji, czy może wśród tych,</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/111822663" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="b48b631d965c148bc268de219fbd0557" rel="nofollow" data-download="{"attachment_id":109243948,"asset_id":111822663,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/109243948/download_file?st=MTc0MDE2MDU2OCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="19565068" href="https://amu.academia.edu/MiroslawLoba">Miroslaw Loba</a><script data-card-contents-for-user="19565068" type="text/json">{"id":19565068,"first_name":"Miroslaw","last_name":"Loba","domain_name":"amu","page_name":"MiroslawLoba","display_name":"Miroslaw Loba","profile_url":"https://amu.academia.edu/MiroslawLoba","photo":"/images/s65_no_pic.png"}</script></span></span></li><li class="js-paper-rank-work_111822663 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="111822663"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 111822663, container: ".js-paper-rank-work_111822663", }); 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$(".js-view-count[data-work-id=111822663]").text(description); $(".js-view-count-work_111822663").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_111822663").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="111822663"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">5</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="244" rel="nofollow" href="https://www.academia.edu/Documents/in/Psychoanalysis">Psychoanalysis</a>, <script data-card-contents-for-ri="244" type="text/json">{"id":244,"name":"Psychoanalysis","url":"https://www.academia.edu/Documents/in/Psychoanalysis","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="803" rel="nofollow" href="https://www.academia.edu/Documents/in/Philosophy">Philosophy</a>, <script data-card-contents-for-ri="803" type="text/json">{"id":803,"name":"Philosophy","url":"https://www.academia.edu/Documents/in/Philosophy","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="14844" rel="nofollow" href="https://www.academia.edu/Documents/in/Faith">Faith</a>, <script data-card-contents-for-ri="14844" type="text/json">{"id":14844,"name":"Faith","url":"https://www.academia.edu/Documents/in/Faith","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="17018" rel="nofollow" href="https://www.academia.edu/Documents/in/Music_and_identity">Music and identity</a><script data-card-contents-for-ri="17018" type="text/json">{"id":17018,"name":"Music and identity","url":"https://www.academia.edu/Documents/in/Music_and_identity","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=111822663]'), work: {"id":111822663,"title":"Wierzyć według Edyty Stein","created_at":"2023-12-19T05:43:23.401-08:00","owner_id":19565068,"url":"https://www.academia.edu/111822663/Wierzy%C4%87_wed%C5%82ug_Edyty_Stein","slug":"Wierzyć_według_Edyty_Stein","dom_id":"work_111822663","summary":"W myśli dwudziestowiecznej, naznaczonej podejrzeniem wobec religii i wierzeń, charakteryzującej się krytyką i demistyfikacją wszelkich iluzji, problem wiary został pozornie zamknięty i uznany za przynależny do epoki przednowoczesnej. 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