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Film & Media Studies - University of California Press
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a-bg-dark"><h1 class="PrimaryHero_hero__heading__RDPsM t-4xl">Film & Media Studies</h1><div class="PrimaryHero_hero__image__MCaHi"><img alt="" loading="lazy" decoding="async" data-nimg="fill" class="object-cover" style="position:absolute;height:100%;width:100%;left:0;top:0;right:0;bottom:0;color:transparent;background-size:cover;background-position:50% 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t-underline t-underline--sm text-accent">Film & Media Studies</h2><nav class="space-y-rowSm" aria-label="Film & Media Studies Navigation"><ul><li><a class="t-label SidebarItemLink_sidebarLink__HK5q2" data-nav-level="1" href="/discipline/film-media-studies/animation"><span>Animation</span><svg width="16" height="16" viewBox="0 0 16 16" xmlns="http://www.w3.org/2000/svg" role="presentation" stroke="currentColor" stroke-width="0.25" class="-rotate-90"><path d="m14 7.347-.761-.683-4.737 5.253V1.999H7.499v9.921L2.76 6.68 2 7.364 8 14l6-6.653"></path></svg> </a></li><li><a class="t-label SidebarItemLink_sidebarLink__HK5q2" data-nav-level="1" href="/discipline/film-media-studies/avant-garde-film-video"><span>Avant-Garde Film & Video</span><svg width="16" height="16" viewBox="0 0 16 16" xmlns="http://www.w3.org/2000/svg" role="presentation" stroke="currentColor" stroke-width="0.25" class="-rotate-90"><path d="m14 7.347-.761-.683-4.737 5.253V1.999H7.499v9.921L2.76 6.68 2 7.364 8 14l6-6.653"></path></svg> </a></li><li><a class="t-label SidebarItemLink_sidebarLink__HK5q2" data-nav-level="1" href="/discipline/film-media-studies/cinema"><span>Cinema</span><svg width="16" height="16" viewBox="0 0 16 16" xmlns="http://www.w3.org/2000/svg" role="presentation" stroke="currentColor" stroke-width="0.25" class="-rotate-90"><path d="m14 7.347-.761-.683-4.737 5.253V1.999H7.499v9.921L2.76 6.68 2 7.364 8 14l6-6.653"></path></svg> </a></li><li><a class="t-label SidebarItemLink_sidebarLink__HK5q2" data-nav-level="1" href="/discipline/film-media-studies/dance"><span>Dance</span><svg width="16" height="16" viewBox="0 0 16 16" xmlns="http://www.w3.org/2000/svg" role="presentation" stroke="currentColor" stroke-width="0.25" class="-rotate-90"><path d="m14 7.347-.761-.683-4.737 5.253V1.999H7.499v9.921L2.76 6.68 2 7.364 8 14l6-6.653"></path></svg> </a></li><li><a class="t-label SidebarItemLink_sidebarLink__HK5q2" data-nav-level="1" href="/discipline/film-media-studies/documentary-film"><span>Documentary Film</span><svg width="16" height="16" viewBox="0 0 16 16" xmlns="http://www.w3.org/2000/svg" role="presentation" stroke="currentColor" stroke-width="0.25" class="-rotate-90"><path d="m14 7.347-.761-.683-4.737 5.253V1.999H7.499v9.921L2.76 6.68 2 7.364 8 14l6-6.653"></path></svg> </a></li><li><a class="t-label SidebarItemLink_sidebarLink__HK5q2" data-nav-level="1" href="/discipline/film-media-studies/digital-media"><span>Digital Media</span><svg width="16" height="16" viewBox="0 0 16 16" xmlns="http://www.w3.org/2000/svg" role="presentation" stroke="currentColor" stroke-width="0.25" class="-rotate-90"><path d="m14 7.347-.761-.683-4.737 5.253V1.999H7.499v9.921L2.76 6.68 2 7.364 8 14l6-6.653"></path></svg> </a></li><li><a class="t-label SidebarItemLink_sidebarLink__HK5q2" data-nav-level="1" href="/discipline/film-media-studies/radio"><span>Radio</span><svg width="16" height="16" viewBox="0 0 16 16" xmlns="http://www.w3.org/2000/svg" role="presentation" stroke="currentColor" stroke-width="0.25" class="-rotate-90"><path d="m14 7.347-.761-.683-4.737 5.253V1.999H7.499v9.921L2.76 6.68 2 7.364 8 14l6-6.653"></path></svg> </a></li><li><a class="t-label SidebarItemLink_sidebarLink__HK5q2" data-nav-level="1" href="/discipline/film-media-studies/television"><span>Television</span><svg width="16" height="16" viewBox="0 0 16 16" xmlns="http://www.w3.org/2000/svg" role="presentation" stroke="currentColor" stroke-width="0.25" class="-rotate-90"><path d="m14 7.347-.761-.683-4.737 5.253V1.999H7.499v9.921L2.76 6.68 2 7.364 8 14l6-6.653"></path></svg> </a></li><li><a class="t-label SidebarItemLink_sidebarLink__HK5q2" data-nav-level="1" href="/discipline/film-media-studies/theatre"><span>Theatre</span><svg width="16" height="16" viewBox="0 0 16 16" xmlns="http://www.w3.org/2000/svg" role="presentation" stroke="currentColor" stroke-width="0.25" class="-rotate-90"><path d="m14 7.347-.761-.683-4.737 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50%;background-repeat:no-repeat;background-image:url("data:image/svg+xml;base64,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")" sizes="(min-width: 500px) 500px, 100vw" srcSet="/_next/image?url=https%3A%2F%2Fcraft-assets-ucpress-production.s3.amazonaws.com%2F_600x400_fit_center-center_none%2FJeremy-Braddock-QA.png&w=640&q=90 640w, /_next/image?url=https%3A%2F%2Fcraft-assets-ucpress-production.s3.amazonaws.com%2F_600x400_fit_center-center_none%2FJeremy-Braddock-QA.png&w=750&q=90 750w, /_next/image?url=https%3A%2F%2Fcraft-assets-ucpress-production.s3.amazonaws.com%2F_600x400_fit_center-center_none%2FJeremy-Braddock-QA.png&w=828&q=90 828w, /_next/image?url=https%3A%2F%2Fcraft-assets-ucpress-production.s3.amazonaws.com%2F_600x400_fit_center-center_none%2FJeremy-Braddock-QA.png&w=1080&q=90 1080w, /_next/image?url=https%3A%2F%2Fcraft-assets-ucpress-production.s3.amazonaws.com%2F_600x400_fit_center-center_none%2FJeremy-Braddock-QA.png&w=1200&q=90 1200w, /_next/image?url=https%3A%2F%2Fcraft-assets-ucpress-production.s3.amazonaws.com%2F_600x400_fit_center-center_none%2FJeremy-Braddock-QA.png&w=1310&q=90 1310w, /_next/image?url=https%3A%2F%2Fcraft-assets-ucpress-production.s3.amazonaws.com%2F_600x400_fit_center-center_none%2FJeremy-Braddock-QA.png&w=1920&q=90 1920w" src="/_next/image?url=https%3A%2F%2Fcraft-assets-ucpress-production.s3.amazonaws.com%2F_600x400_fit_center-center_none%2FJeremy-Braddock-QA.png&w=1920&q=90"/></figure><div class="GridItemCard_text__GX0eO"><a class="GridItemCard_link__GbCZ7" href="/blog-posts/firesign-theatre-made-lowbrow-high-concept-media-critique"><div class="GridItemCard_heading__SVhvS"><h3 class="t-lg t-underline t-underline--lg t-underline--teal font-bold">Firesign Theatre made lowbrow, high-concept media critique</h3></div> </a><div class="t-rte line-clamp-4">Somewhere between the virtuosic parodies of Frank Zappa and the screwball wit of Monty Python, the Firesign Theatre reinvented the comedy album in the 1960s and ’70s. Jeremy Braddock explores their legacy.</div><span class="m-button-text t-label-caps-lt m-button-text--primary"><span>Read More</span><svg width="16" height="16" viewBox="0 0 16 16" xmlns="http://www.w3.org/2000/svg" role="presentation" stroke="currentColor" stroke-width="0.25" class="-rotate-90"><path d="m14 7.347-.761-.683-4.737 5.253V1.999H7.499v9.921L2.76 6.68 2 7.364 8 14l6-6.653"></path></svg></span></div></div><div class="Content_card__cTve3 GridItemCard_card__6il9R"><figure class="GridItemCard_figure__PPajl aspect-2/1"><img alt="" loading="lazy" decoding="async" data-nimg="fill" class="object-cover" style="position:absolute;height:100%;width:100%;left:0;top:0;right:0;bottom:0;color:transparent;background-size:cover;background-position:50% 50%;background-repeat:no-repeat;background-image:url("data:image/svg+xml;base64,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")" sizes="(min-width: 500px) 500px, 100vw" srcSet="/_next/image?url=https%3A%2F%2Fcraft-assets-ucpress-production.s3.amazonaws.com%2F_600x400_fit_center-center_none%2FKartemquin-Films-QA.png&w=640&q=90 640w, /_next/image?url=https%3A%2F%2Fcraft-assets-ucpress-production.s3.amazonaws.com%2F_600x400_fit_center-center_none%2FKartemquin-Films-QA.png&w=750&q=90 750w, /_next/image?url=https%3A%2F%2Fcraft-assets-ucpress-production.s3.amazonaws.com%2F_600x400_fit_center-center_none%2FKartemquin-Films-QA.png&w=828&q=90 828w, /_next/image?url=https%3A%2F%2Fcraft-assets-ucpress-production.s3.amazonaws.com%2F_600x400_fit_center-center_none%2FKartemquin-Films-QA.png&w=1080&q=90 1080w, /_next/image?url=https%3A%2F%2Fcraft-assets-ucpress-production.s3.amazonaws.com%2F_600x400_fit_center-center_none%2FKartemquin-Films-QA.png&w=1200&q=90 1200w, /_next/image?url=https%3A%2F%2Fcraft-assets-ucpress-production.s3.amazonaws.com%2F_600x400_fit_center-center_none%2FKartemquin-Films-QA.png&w=1310&q=90 1310w, /_next/image?url=https%3A%2F%2Fcraft-assets-ucpress-production.s3.amazonaws.com%2F_600x400_fit_center-center_none%2FKartemquin-Films-QA.png&w=1920&q=90 1920w" src="/_next/image?url=https%3A%2F%2Fcraft-assets-ucpress-production.s3.amazonaws.com%2F_600x400_fit_center-center_none%2FKartemquin-Films-QA.png&w=1920&q=90"/></figure><div class="GridItemCard_text__GX0eO"><a class="GridItemCard_link__GbCZ7" href="/blog-posts/six-decades-of-indie-documentary-storytelling-chronicled-in-kartemquin-films"><div class="GridItemCard_heading__SVhvS"><h3 class="t-lg t-underline t-underline--lg t-underline--teal font-bold">Six decades of indie documentary storytelling chronicled in "Kartemquin Films"</h3></div> </a><div class="t-rte line-clamp-4">For decades, our own Patricia Aufderheide—who founded this organization’s precursor, the Center for Social Media—has chronicled, studied, and impacted the global community of documentary storytellers who seek to speak truth to power and uphold democracy. In her new book, Kartemquin Films: Documentaries on the Frontlines of Democracy (University of California Press), she brings readers into the six-decade history and living story of the longest-running independent documentary production organization in the United States, Kartemquin Films.</div><span class="m-button-text t-label-caps-lt m-button-text--primary"><span>Read More</span><svg width="16" height="16" viewBox="0 0 16 16" xmlns="http://www.w3.org/2000/svg" role="presentation" stroke="currentColor" stroke-width="0.25" class="-rotate-90"><path d="m14 7.347-.761-.683-4.737 5.253V1.999H7.499v9.921L2.76 6.68 2 7.364 8 14l6-6.653"></path></svg></span></div></div><div class="Content_card__cTve3 GridItemCard_card__6il9R"><figure class="GridItemCard_figure__PPajl aspect-2/1"><img alt="" loading="lazy" decoding="async" data-nimg="fill" class="object-cover" style="position:absolute;height:100%;width:100%;left:0;top:0;right:0;bottom:0;color:transparent;background-size:cover;background-position:50% 50%;background-repeat:no-repeat;background-image:url("data:image/svg+xml;base64,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")" sizes="(min-width: 500px) 500px, 100vw" srcSet="/_next/image?url=https%3A%2F%2Fcontent.ucpress.edu%2Fblog%2Fwp-content%2Fuploads%2F2017%2F03%2Ffeministmedia.png&w=640&q=90 640w, /_next/image?url=https%3A%2F%2Fcontent.ucpress.edu%2Fblog%2Fwp-content%2Fuploads%2F2017%2F03%2Ffeministmedia.png&w=750&q=90 750w, /_next/image?url=https%3A%2F%2Fcontent.ucpress.edu%2Fblog%2Fwp-content%2Fuploads%2F2017%2F03%2Ffeministmedia.png&w=828&q=90 828w, /_next/image?url=https%3A%2F%2Fcontent.ucpress.edu%2Fblog%2Fwp-content%2Fuploads%2F2017%2F03%2Ffeministmedia.png&w=1080&q=90 1080w, /_next/image?url=https%3A%2F%2Fcontent.ucpress.edu%2Fblog%2Fwp-content%2Fuploads%2F2017%2F03%2Ffeministmedia.png&w=1200&q=90 1200w, /_next/image?url=https%3A%2F%2Fcontent.ucpress.edu%2Fblog%2Fwp-content%2Fuploads%2F2017%2F03%2Ffeministmedia.png&w=1310&q=90 1310w, /_next/image?url=https%3A%2F%2Fcontent.ucpress.edu%2Fblog%2Fwp-content%2Fuploads%2F2017%2F03%2Ffeministmedia.png&w=1920&q=90 1920w" src="/_next/image?url=https%3A%2F%2Fcontent.ucpress.edu%2Fblog%2Fwp-content%2Fuploads%2F2017%2F03%2Ffeministmedia.png&w=1920&q=90"/></figure><div class="GridItemCard_text__GX0eO"><a class="GridItemCard_link__GbCZ7" href="/blog-posts/65482-why-we-curate-feminist-film-archives-a-qa-with-feminist-media-histories-guest-editors-maggie-hennefeld-and-laura-horak"><div class="GridItemCard_heading__SVhvS"><h3 class="t-lg t-underline t-underline--lg t-underline--teal font-bold">Why We Curate Feminist Film Archives: A Q&A with Feminist Media Histories Guest Editors Maggie Hennefeld and Laura Horak</h3></div> </a><div class="t-rte line-clamp-4">“What do we, as feminists, need right now—from cinema, from archives, from our communities? How can filmmaking, film festivals, and social movements of the past inspire or befuddle us today? And what is at stake in selecting and presenting archival works by women to create new forms of community?”</div><span class="m-button-text t-label-caps-lt m-button-text--primary"><span>Read More</span><svg width="16" height="16" viewBox="0 0 16 16" xmlns="http://www.w3.org/2000/svg" role="presentation" stroke="currentColor" stroke-width="0.25" class="-rotate-90"><path d="m14 7.347-.761-.683-4.737 5.253V1.999H7.499v9.921L2.76 6.68 2 7.364 8 14l6-6.653"></path></svg></span></div></div></div></div></article><article class="Container_container__serlb Container_container--width-base__4oLTz Container_container--padding-block-lg__l597x a-bg-light"><div class="Container_inner__h1tQo space-y-rowMd"><header class="HeaderBar_wrapper__BKZWp"><h2 class="t-xl">Coming Soon</h2><a class="a-link m-button-text t-label-caps-lt m-button-text--primary HeaderBar_link__DIJYs" href="/book-lists/coming-soon?discipline=2139"><span>See All</span><svg width="16" height="16" viewBox="0 0 16 16" xmlns="http://www.w3.org/2000/svg" role="presentation" stroke="currentColor" stroke-width="0.25" class="-rotate-90"><path d="m14 7.347-.761-.683-4.737 5.253V1.999H7.499v9.921L2.76 6.68 2 7.364 8 14l6-6.653"></path></svg> </a></header><div class="grid items-stretch Grid_grid__hEysW Grid_grid--cols-4__tpTRa Grid_grid--col-gap-md__toxR7 Grid_grid--row-gap-lg__4TgsW"><div class="Content_card__cTve3 BookCard_bookCard__9nkd_"><figure class="CoverImage_figure__g9g40" style="--cover-image-width:140px;--cover-image-height:207px"><img alt="" loading="lazy" width="140" height="207" decoding="async" data-nimg="1" class="" style="color:transparent;width:auto;background-size:cover;background-position:50% 50%;background-repeat:no-repeat;background-image:url("data:image/svg+xml;base64,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")" sizes="207px" srcSet="/_next/image?url=https%3A%2F%2Fwebfiles.ucpress.edu%2Fcoverimage%2Fisbn13%2F9780520402768.jpg&w=128&q=90 128w, /_next/image?url=https%3A%2F%2Fwebfiles.ucpress.edu%2Fcoverimage%2Fisbn13%2F9780520402768.jpg&w=256&q=90 256w, /_next/image?url=https%3A%2F%2Fwebfiles.ucpress.edu%2Fcoverimage%2Fisbn13%2F9780520402768.jpg&w=384&q=90 384w, /_next/image?url=https%3A%2F%2Fwebfiles.ucpress.edu%2Fcoverimage%2Fisbn13%2F9780520402768.jpg&w=640&q=90 640w, /_next/image?url=https%3A%2F%2Fwebfiles.ucpress.edu%2Fcoverimage%2Fisbn13%2F9780520402768.jpg&w=750&q=90 750w, /_next/image?url=https%3A%2F%2Fwebfiles.ucpress.edu%2Fcoverimage%2Fisbn13%2F9780520402768.jpg&w=828&q=90 828w, /_next/image?url=https%3A%2F%2Fwebfiles.ucpress.edu%2Fcoverimage%2Fisbn13%2F9780520402768.jpg&w=1080&q=90 1080w, /_next/image?url=https%3A%2F%2Fwebfiles.ucpress.edu%2Fcoverimage%2Fisbn13%2F9780520402768.jpg&w=1200&q=90 1200w, /_next/image?url=https%3A%2F%2Fwebfiles.ucpress.edu%2Fcoverimage%2Fisbn13%2F9780520402768.jpg&w=1310&q=90 1310w, /_next/image?url=https%3A%2F%2Fwebfiles.ucpress.edu%2Fcoverimage%2Fisbn13%2F9780520402768.jpg&w=1920&q=90 1920w" src="/_next/image?url=https%3A%2F%2Fwebfiles.ucpress.edu%2Fcoverimage%2Fisbn13%2F9780520402768.jpg&w=1920&q=90"/></figure><div class="BookCard_bookCard__content__eToBO"><a class="a-link" href="/books/global-movie-magazine-networks/paper"><h3 class="t-label"><span>Global Movie Magazine Networks</span></h3> </a><div><span>by<!-- --> </span><span>Eric Hoyt<span> <!-- -->(<!-- -->Editor<!-- -->)<!-- -->, </span></span><span>Kelley Conway<span> <!-- -->(<!-- -->Editor<!-- -->)</span></span></div><div class="text-neutral-70">Jan 2025</div></div><div class="t-badge BookCard_bookCard__badge__aAgCu Badge_badge__1Fuh7">Open Access</div></div><div class="Content_card__cTve3 BookCard_bookCard__9nkd_"><figure class="CoverImage_figure__g9g40" style="--cover-image-width:140px;--cover-image-height:207px"><img alt="" loading="lazy" width="140" height="207" decoding="async" data-nimg="1" class="" style="color:transparent;width:auto;background-size:cover;background-position:50% 50%;background-repeat:no-repeat;background-image:url("data:image/svg+xml;base64,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")" sizes="207px" srcSet="/_next/image?url=https%3A%2F%2Fwebfiles.ucpress.edu%2Fcoverimage%2Fisbn13%2F9780520397187.jpg&w=128&q=90 128w, /_next/image?url=https%3A%2F%2Fwebfiles.ucpress.edu%2Fcoverimage%2Fisbn13%2F9780520397187.jpg&w=256&q=90 256w, /_next/image?url=https%3A%2F%2Fwebfiles.ucpress.edu%2Fcoverimage%2Fisbn13%2F9780520397187.jpg&w=384&q=90 384w, /_next/image?url=https%3A%2F%2Fwebfiles.ucpress.edu%2Fcoverimage%2Fisbn13%2F9780520397187.jpg&w=640&q=90 640w, /_next/image?url=https%3A%2F%2Fwebfiles.ucpress.edu%2Fcoverimage%2Fisbn13%2F9780520397187.jpg&w=750&q=90 750w, /_next/image?url=https%3A%2F%2Fwebfiles.ucpress.edu%2Fcoverimage%2Fisbn13%2F9780520397187.jpg&w=828&q=90 828w, /_next/image?url=https%3A%2F%2Fwebfiles.ucpress.edu%2Fcoverimage%2Fisbn13%2F9780520397187.jpg&w=1080&q=90 1080w, /_next/image?url=https%3A%2F%2Fwebfiles.ucpress.edu%2Fcoverimage%2Fisbn13%2F9780520397187.jpg&w=1200&q=90 1200w, /_next/image?url=https%3A%2F%2Fwebfiles.ucpress.edu%2Fcoverimage%2Fisbn13%2F9780520397187.jpg&w=1310&q=90 1310w, /_next/image?url=https%3A%2F%2Fwebfiles.ucpress.edu%2Fcoverimage%2Fisbn13%2F9780520397187.jpg&w=1920&q=90 1920w" src="/_next/image?url=https%3A%2F%2Fwebfiles.ucpress.edu%2Fcoverimage%2Fisbn13%2F9780520397187.jpg&w=1920&q=90"/></figure><div class="BookCard_bookCard__content__eToBO"><a class="a-link" href="/books/where-is-abbas-kiarostami/paper"><h3 class="t-label"><span>Where Is Abbas Kiarostami?</span><span>: <span>Toward a Postcolonial Film-Philosophy</span></span></h3> </a><div><span>by<!-- --> </span><span>Hamid Dabashi<span> <!-- -->(<!-- -->Author<!-- -->)</span></span></div><div class="text-neutral-70">Jan 2025</div></div></div><div class="Content_card__cTve3 BookCard_bookCard__9nkd_"><figure class="CoverImage_figure__g9g40" style="--cover-image-width:140px;--cover-image-height:207px"><img alt="" loading="lazy" width="140" height="207" decoding="async" data-nimg="1" class="" style="color:transparent;width:auto;background-size:cover;background-position:50% 50%;background-repeat:no-repeat;background-image:url("data:image/svg+xml;base64,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")" sizes="207px" srcSet="/_next/image?url=https%3A%2F%2Fwebfiles.ucpress.edu%2Fcoverimage%2Fisbn13%2F9780520410145.jpg&w=128&q=90 128w, /_next/image?url=https%3A%2F%2Fwebfiles.ucpress.edu%2Fcoverimage%2Fisbn13%2F9780520410145.jpg&w=256&q=90 256w, /_next/image?url=https%3A%2F%2Fwebfiles.ucpress.edu%2Fcoverimage%2Fisbn13%2F9780520410145.jpg&w=384&q=90 384w, /_next/image?url=https%3A%2F%2Fwebfiles.ucpress.edu%2Fcoverimage%2Fisbn13%2F9780520410145.jpg&w=640&q=90 640w, /_next/image?url=https%3A%2F%2Fwebfiles.ucpress.edu%2Fcoverimage%2Fisbn13%2F9780520410145.jpg&w=750&q=90 750w, /_next/image?url=https%3A%2F%2Fwebfiles.ucpress.edu%2Fcoverimage%2Fisbn13%2F9780520410145.jpg&w=828&q=90 828w, /_next/image?url=https%3A%2F%2Fwebfiles.ucpress.edu%2Fcoverimage%2Fisbn13%2F9780520410145.jpg&w=1080&q=90 1080w, /_next/image?url=https%3A%2F%2Fwebfiles.ucpress.edu%2Fcoverimage%2Fisbn13%2F9780520410145.jpg&w=1200&q=90 1200w, /_next/image?url=https%3A%2F%2Fwebfiles.ucpress.edu%2Fcoverimage%2Fisbn13%2F9780520410145.jpg&w=1310&q=90 1310w, /_next/image?url=https%3A%2F%2Fwebfiles.ucpress.edu%2Fcoverimage%2Fisbn13%2F9780520410145.jpg&w=1920&q=90 1920w" src="/_next/image?url=https%3A%2F%2Fwebfiles.ucpress.edu%2Fcoverimage%2Fisbn13%2F9780520410145.jpg&w=1920&q=90"/></figure><div class="BookCard_bookCard__content__eToBO"><a class="a-link" href="/books/bringers-of-order/paper"><h3 class="t-label"><span>Bringers of Order</span><span>: <span>Wearable Technologies and the Manufacturing of Everyday Life</span></span></h3> </a><div><span>by<!-- --> </span><span>James N. Gilmore<span> <!-- -->(<!-- -->Author<!-- -->)</span></span></div><div class="text-neutral-70">Feb 2025</div></div></div><div class="Content_card__cTve3 BookCard_bookCard__9nkd_"><figure class="CoverImage_figure__g9g40" style="--cover-image-width:140px;--cover-image-height:207px"><img alt="" loading="lazy" width="140" height="207" decoding="async" data-nimg="1" class="" style="color:transparent;width:auto;background-size:cover;background-position:50% 50%;background-repeat:no-repeat;background-image:url("data:image/svg+xml;base64,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")" sizes="207px" srcSet="/_next/image?url=https%3A%2F%2Fwebfiles.ucpress.edu%2Fcoverimage%2Fisbn13%2F9780520415676.jpg&w=128&q=90 128w, /_next/image?url=https%3A%2F%2Fwebfiles.ucpress.edu%2Fcoverimage%2Fisbn13%2F9780520415676.jpg&w=256&q=90 256w, /_next/image?url=https%3A%2F%2Fwebfiles.ucpress.edu%2Fcoverimage%2Fisbn13%2F9780520415676.jpg&w=384&q=90 384w, /_next/image?url=https%3A%2F%2Fwebfiles.ucpress.edu%2Fcoverimage%2Fisbn13%2F9780520415676.jpg&w=640&q=90 640w, /_next/image?url=https%3A%2F%2Fwebfiles.ucpress.edu%2Fcoverimage%2Fisbn13%2F9780520415676.jpg&w=750&q=90 750w, /_next/image?url=https%3A%2F%2Fwebfiles.ucpress.edu%2Fcoverimage%2Fisbn13%2F9780520415676.jpg&w=828&q=90 828w, /_next/image?url=https%3A%2F%2Fwebfiles.ucpress.edu%2Fcoverimage%2Fisbn13%2F9780520415676.jpg&w=1080&q=90 1080w, /_next/image?url=https%3A%2F%2Fwebfiles.ucpress.edu%2Fcoverimage%2Fisbn13%2F9780520415676.jpg&w=1200&q=90 1200w, /_next/image?url=https%3A%2F%2Fwebfiles.ucpress.edu%2Fcoverimage%2Fisbn13%2F9780520415676.jpg&w=1310&q=90 1310w, /_next/image?url=https%3A%2F%2Fwebfiles.ucpress.edu%2Fcoverimage%2Fisbn13%2F9780520415676.jpg&w=1920&q=90 1920w" src="/_next/image?url=https%3A%2F%2Fwebfiles.ucpress.edu%2Fcoverimage%2Fisbn13%2F9780520415676.jpg&w=1920&q=90"/></figure><div class="BookCard_bookCard__content__eToBO"><a class="a-link" href="/books/antifascism-and-the-avant-garde/paper"><h3 class="t-label"><span>Antifascism and the Avant-Garde</span><span>: <span>Radical Documentary in the 1960s</span></span></h3> </a><div><span>by<!-- --> </span><span>Julia Alekseyeva<span> <!-- -->(<!-- -->Author<!-- -->)</span></span></div><div class="text-neutral-70">Feb 2025</div></div></div></div></div></article><article class="Container_container__serlb Container_container--width-base__4oLTz Container_container--padding-block-lg__l597x a-bg-light"><div class="Container_inner__h1tQo space-y-rowMd"><header class="HeaderBar_wrapper__BKZWp"><h2 class="t-xl">Journals</h2></header><div class="grid items-stretch Grid_grid__hEysW Grid_grid--cols-4__tpTRa Grid_grid--col-gap-md__toxR7 Grid_grid--row-gap-lg__4TgsW"><div class="Content_card__cTve3 JournalCard_card__m4jyz"><figure class="CoverImage_figure__g9g40" style="--cover-image-width:140px;--cover-image-height:207px"><img alt="" loading="lazy" width="140" height="207" decoding="async" data-nimg="1" class="" style="color:transparent;width:auto;background-size:cover;background-position:50% 50%;background-repeat:no-repeat;background-image:url("data:image/svg+xml;base64,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")" src="https://online.ucpress.edu/afterimage/current-cover"/></figure><div class="JournalCard_card__content__oNdHM"><a href="https://online.ucpress.edu/afterimage" class="a-link"><h4 class="t-label"><span>Afterimage</span><span>: <span>The Journal of Media Arts and Cultural Criticism</span></span></h4></a></div></div><div class="Content_card__cTve3 JournalCard_card__m4jyz"><figure class="CoverImage_figure__g9g40" style="--cover-image-width:140px;--cover-image-height:207px"><img alt="" loading="lazy" width="140" height="207" decoding="async" data-nimg="1" class="" style="color:transparent;width:auto;background-size:cover;background-position:50% 50%;background-repeat:no-repeat;background-image:url("data:image/svg+xml;base64,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")" src="https://online.ucpress.edu/representations/current-cover"/></figure><div class="JournalCard_card__content__oNdHM"><a href="https://online.ucpress.edu/representations" class="a-link"><h4 class="t-label"><span>Representations</span></h4></a></div></div><div class="Content_card__cTve3 JournalCard_card__m4jyz"><figure class="CoverImage_figure__g9g40" style="--cover-image-width:140px;--cover-image-height:207px"><img alt="" loading="lazy" width="140" height="207" decoding="async" data-nimg="1" class="" style="color:transparent;width:auto;background-size:cover;background-position:50% 50%;background-repeat:no-repeat;background-image:url("data:image/svg+xml;base64,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")" src="https://online.ucpress.edu/fq/current-cover"/></figure><div class="JournalCard_card__content__oNdHM"><a href="https://online.ucpress.edu/fq" class="a-link"><h4 class="t-label"><span>Film Quarterly</span></h4></a></div></div><div class="Content_card__cTve3 JournalCard_card__m4jyz"><figure class="CoverImage_figure__g9g40" style="--cover-image-width:140px;--cover-image-height:207px"><img alt="" loading="lazy" width="140" height="207" decoding="async" data-nimg="1" class="" style="color:transparent;width:auto;background-size:cover;background-position:50% 50%;background-repeat:no-repeat;background-image:url("data:image/svg+xml;base64,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")" src="https://online.ucpress.edu/fmh/current-cover"/></figure><div class="JournalCard_card__content__oNdHM"><a href="https://online.ucpress.edu/fmh" class="a-link"><h4 class="t-label"><span>Feminist Media Histories</span><span>: <span>An International Journal</span></span></h4></a></div></div></div></div></article><article class="Container_container__serlb Container_container--width-base__4oLTz Container_container--padding-block-lg__l597x a-bg-light"><div class="Container_inner__h1tQo space-y-rowMd"><header class="HeaderBar_wrapper__BKZWp"><h2 class="t-xl">Open Access Titles</h2><a class="a-link m-button-text t-label-caps-lt m-button-text--primary HeaderBar_link__DIJYs" href="/book-lists/open-access?discipline=2139"><span>See All</span><svg width="16" height="16" viewBox="0 0 16 16" xmlns="http://www.w3.org/2000/svg" role="presentation" stroke="currentColor" stroke-width="0.25" class="-rotate-90"><path d="m14 7.347-.761-.683-4.737 5.253V1.999H7.499v9.921L2.76 6.68 2 7.364 8 14l6-6.653"></path></svg> </a></header><div class="grid items-stretch Grid_grid__hEysW Grid_grid--cols-4__tpTRa Grid_grid--col-gap-md__toxR7 Grid_grid--row-gap-lg__4TgsW"><div class="Content_card__cTve3 BookCard_bookCard__9nkd_"><figure 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1920w" src="/_next/image?url=https%3A%2F%2Fwebfiles.ucpress.edu%2Fcoverimage%2Fisbn13%2F9780520402768.jpg&w=1920&q=90"/></figure><div class="BookCard_bookCard__content__eToBO"><a class="a-link" href="/books/global-movie-magazine-networks/paper"><h3 class="t-label"><span>Global Movie Magazine Networks</span></h3> </a><div><span>by<!-- --> </span><span>Eric Hoyt<span> <!-- -->(<!-- -->Editor<!-- -->)<!-- -->, </span></span><span>Kelley Conway<span> <!-- -->(<!-- -->Editor<!-- -->)</span></span></div><div class="text-neutral-70">Jan 2025</div></div><div class="t-badge BookCard_bookCard__badge__aAgCu Badge_badge__1Fuh7">Open Access</div></div><div class="Content_card__cTve3 BookCard_bookCard__9nkd_"><figure class="CoverImage_figure__g9g40" style="--cover-image-width:140px;--cover-image-height:207px"><img alt="" loading="lazy" width="140" height="207" decoding="async" data-nimg="1" class="" style="color:transparent;width:auto;background-size:cover;background-position:50% 50%;background-repeat:no-repeat;background-image:url("data:image/svg+xml;base64,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")" sizes="207px" srcSet="/_next/image?url=https%3A%2F%2Fwebfiles.ucpress.edu%2Fcoverimage%2Fisbn13%2F9780520392472.jpg&w=128&q=90 128w, /_next/image?url=https%3A%2F%2Fwebfiles.ucpress.edu%2Fcoverimage%2Fisbn13%2F9780520392472.jpg&w=256&q=90 256w, 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src="/_next/image?url=https%3A%2F%2Fwebfiles.ucpress.edu%2Fcoverimage%2Fisbn13%2F9780520392472.jpg&w=1920&q=90"/></figure><div class="BookCard_bookCard__content__eToBO"><a class="a-link" href="/books/derivative-media/paper"><h3 class="t-label"><span>Derivative Media</span><span>: <span>How Wall Street Devours Culture</span></span></h3> </a><div><span>by<!-- --> </span><span>Andrew deWaard<span> <!-- -->(<!-- -->Author<!-- -->)</span></span></div><div class="text-neutral-70">Sep 2024</div></div><div class="t-badge BookCard_bookCard__badge__aAgCu Badge_badge__1Fuh7">Open Access</div></div><div class="Content_card__cTve3 BookCard_bookCard__9nkd_"><figure class="CoverImage_figure__g9g40" style="--cover-image-width:140px;--cover-image-height:207px"><img alt="" loading="lazy" width="140" height="207" decoding="async" data-nimg="1" class="" style="color:transparent;width:auto;background-size:cover;background-position:50% 50%;background-repeat:no-repeat;background-image:url("data:image/svg+xml;base64,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")" sizes="207px" srcSet="/_next/image?url=https%3A%2F%2Fwebfiles.ucpress.edu%2Fcoverimage%2Fisbn13%2F9780520400757.jpg&w=128&q=90 128w, /_next/image?url=https%3A%2F%2Fwebfiles.ucpress.edu%2Fcoverimage%2Fisbn13%2F9780520400757.jpg&w=256&q=90 256w, 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src="/_next/image?url=https%3A%2F%2Fwebfiles.ucpress.edu%2Fcoverimage%2Fisbn13%2F9780520400757.jpg&w=1920&q=90"/></figure><div class="BookCard_bookCard__content__eToBO"><a class="a-link" href="/books/romancing-yesenia/paper"><h3 class="t-label"><span>Romancing Yesenia</span><span>: <span>How a Mexican Melodrama Shaped Global Popular Culture</span></span></h3> </a><div><span>by<!-- --> </span><span>Masha Salazkina<span> <!-- -->(<!-- -->Author<!-- -->)</span></span></div><div class="text-neutral-70">Aug 2024</div></div><div class="t-badge BookCard_bookCard__badge__aAgCu Badge_badge__1Fuh7">Open Access</div></div><div class="Content_card__cTve3 BookCard_bookCard__9nkd_"><figure class="CoverImage_figure__g9g40" style="--cover-image-width:140px;--cover-image-height:207px"><img alt="" loading="lazy" width="140" height="207" decoding="async" data-nimg="1" class="" style="color:transparent;width:auto;background-size:cover;background-position:50% 50%;background-repeat:no-repeat;background-image:url("data:image/svg+xml;base64,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")" sizes="207px" srcSet="/_next/image?url=https%3A%2F%2Fwebfiles.ucpress.edu%2Fcoverimage%2Fisbn13%2F9780520397453.jpg&w=128&q=90 128w, /_next/image?url=https%3A%2F%2Fwebfiles.ucpress.edu%2Fcoverimage%2Fisbn13%2F9780520397453.jpg&w=256&q=90 256w, 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src="/_next/image?url=https%3A%2F%2Fwebfiles.ucpress.edu%2Fcoverimage%2Fisbn13%2F9780520397453.jpg&w=1920&q=90"/></figure><div class="BookCard_bookCard__content__eToBO"><a class="a-link" href="/books/rated-a/paper"><h3 class="t-label"><span>Rated A</span><span>: <span>Soft-Porn Cinema and Mediations of Desire in India</span></span></h3> </a><div><span>by<!-- --> </span><span>Darshana Sreedhar Mini<span> <!-- -->(<!-- -->Author<!-- -->)</span></span></div><div class="text-neutral-70">Aug 2024</div></div><div class="t-badge BookCard_bookCard__badge__aAgCu Badge_badge__1Fuh7">Open Access</div></div><div class="Content_card__cTve3 BookCard_bookCard__9nkd_"><figure class="CoverImage_figure__g9g40" style="--cover-image-width:140px;--cover-image-height:207px"><img alt="" loading="lazy" width="140" height="207" decoding="async" data-nimg="1" class="" style="color:transparent;width:auto;background-size:cover;background-position:50% 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src="/_next/image?url=https%3A%2F%2Fwebfiles.ucpress.edu%2Fcoverimage%2Fisbn13%2F9780520394377.jpg&w=1920&q=90"/></figure><div class="BookCard_bookCard__content__eToBO"><a class="a-link" href="/books/celluloid-democracy/paper"><h3 class="t-label"><span>Celluloid Democracy</span><span>: <span>Cinema and Politics in Cold War South Korea</span></span></h3> </a><div><span>by<!-- --> </span><span>Hieyoon Kim<span> <!-- -->(<!-- -->Author<!-- -->)</span></span></div><div class="text-neutral-70">Jul 2024</div></div><div class="t-badge BookCard_bookCard__badge__aAgCu Badge_badge__1Fuh7">Open Access</div></div><div class="Content_card__cTve3 BookCard_bookCard__9nkd_"><figure class="CoverImage_figure__g9g40" style="--cover-image-width:140px;--cover-image-height:207px"><img alt="" loading="lazy" width="140" height="207" decoding="async" data-nimg="1" class="" style="color:transparent;width:auto;background-size:cover;background-position:50% 50%;background-repeat:no-repeat;background-image:url("data:image/svg+xml;base64,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")" sizes="207px" srcSet="/_next/image?url=https%3A%2F%2Fwebfiles.ucpress.edu%2Fcoverimage%2Fisbn13%2F9780520383920.jpg&w=128&q=90 128w, /_next/image?url=https%3A%2F%2Fwebfiles.ucpress.edu%2Fcoverimage%2Fisbn13%2F9780520383920.jpg&w=256&q=90 256w, 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src="/_next/image?url=https%3A%2F%2Fwebfiles.ucpress.edu%2Fcoverimage%2Fisbn13%2F9780520383920.jpg&w=1920&q=90"/></figure><div class="BookCard_bookCard__content__eToBO"><a class="a-link" href="/books/how-hip-hop-became-hit-pop/paper"><h3 class="t-label"><span>How Hip Hop Became Hit Pop</span><span>: <span>Radio, Rap, and Race</span></span></h3> </a><div><span>by<!-- --> </span><span>Amy Coddington<span> <!-- -->(<!-- -->Author<!-- -->)</span></span></div><div class="text-neutral-70">Jul 2024</div></div><div class="t-badge BookCard_bookCard__badge__aAgCu Badge_badge__1Fuh7">Open Access</div></div><div class="Content_card__cTve3 BookCard_bookCard__9nkd_"><figure class="CoverImage_figure__g9g40" style="--cover-image-width:140px;--cover-image-height:207px"><img alt="" loading="lazy" width="140" height="207" decoding="async" data-nimg="1" class="" style="color:transparent;width:auto;background-size:cover;background-position:50% 50%;background-repeat:no-repeat;background-image:url("data:image/svg+xml;base64,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")" sizes="207px" srcSet="/_next/image?url=https%3A%2F%2Fwebfiles.ucpress.edu%2Fcoverimage%2Fisbn13%2F9780520395695.jpg&w=128&q=90 128w, /_next/image?url=https%3A%2F%2Fwebfiles.ucpress.edu%2Fcoverimage%2Fisbn13%2F9780520395695.jpg&w=256&q=90 256w, 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src="/_next/image?url=https%3A%2F%2Fwebfiles.ucpress.edu%2Fcoverimage%2Fisbn13%2F9780520395695.jpg&w=1920&q=90"/></figure><div class="BookCard_bookCard__content__eToBO"><a class="a-link" href="/books/political-moods/paper"><h3 class="t-label"><span>Political Moods</span><span>: <span>Film Melodrama and the Cold War in the Two Koreas</span></span></h3> </a><div><span>by<!-- --> </span><span>Travis Workman<span> <!-- -->(<!-- -->Author<!-- -->)</span></span></div><div class="text-neutral-70">Jul 2024</div></div><div class="t-badge BookCard_bookCard__badge__aAgCu Badge_badge__1Fuh7">Open Access</div></div></div></div></article></section></div></div><!--/$--><!--/$--></main><footer class="Container_container__serlb Container_container--width-base__4oLTz a-bg-neutral-10"><div class="Container_inner__h1tQo Footer_footer__iAl1H"><div><a class="inline-block" href="/"><svg width="197" height="54" viewBox="0 0 197 54" xmlns="http://www.w3.org/2000/svg" role="presentation" 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