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Zentralbücherei in der Großen Festung des Konzentrationslagers Theresienstadt als Arbeitsplatz für jüdische Häftlinge unter der Leitung des Philosophen Emil Utitz im Rahmen der Freizeitgestaltung für die Komponisten Viktor Ullmann und Zikmund Schul "" class="work-thumbnail" src="https://attachments.academia-assets.com/117597833/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/123077258/Herbert_Gantschacher_Die_Zentralb%C3%BCcherei_in_der_Gro%C3%9Fen_Festung_des_Konzentrationslagers_Theresienstadt_als_Arbeitsplatz_f%C3%BCr_j%C3%BCdische_H%C3%A4ftlinge_unter_der_Leitung_des_Philosophen_Emil_Utitz_im_Rahmen_der_Freizeitgestaltung_f%C3%BCr_die_Komponisten_Viktor_Ullmann_und_Zikmund_Schul_">Herbert Gantschacher "Die Zentralbücherei in der Großen Festung des Konzentrationslagers Theresienstadt als Arbeitsplatz für jüdische Häftlinge unter der Leitung des Philosophen Emil Utitz im Rahmen der Freizeitgestaltung für die Komponisten Viktor Ullmann und Zikmund Schul "</a></div><div class="wp-workCard_item"><span>ARBOS-Edition</span><span>, 2024</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Herbert Gantschacher "Die Zentralbücherei in der Großen Festung des Konzentrationslagers Theresie...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Herbert Gantschacher "Die Zentralbücherei in der Großen Festung des Konzentrationslagers Theresienstadt als Arbeitsplatz für jüdische Häftlinge unter der Leitung des Philosophen Emil Utitz im Rahmen der Freizeitgestaltung für die Komponisten Viktor Ullmann und Zikmund Schul zur Arbeit an ihren musikalischen Werken"<br />Zikmund Schuls musikalische Werke komponiert im Konzentrationslager Theresienstadt aufgeführt im Rahmen der Freizeitgestaltung in Viktor Ullmanns "Studio für Neue Musik".<br />Essay von Herbert Gantschacher verfasst für das Kärntner Vorlesungs- und Meisterklassenprojekt (The Carinthian Lectures And Master Class Project) in Beziehung zur Kultur der Erinnerung in  den verschiedenen Situationen des Krieges (von der Westfront zur Ostfront und dem Weihnachtsfrieden zur Front in den Karnischen und Julischen Alpen sowie dem Fluss Isonzo und dem Isonzotal) im Ersten Weltkrieg und die Wiedererfindung der "Freizeitgestaltung" unter den Bedingungen eines Konzentrationslagers wie Theresienstadt im Zweiten Weltkrieg dargestellt an den Beispielen der Musiker und Komponisten Viktor Ullmann, Hans Krása, Zikmund Schul und Pavel Haas.</span></div><div class="wp-workCard_item wp-workCard--actions"><span 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dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="122946551"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/122946551/Herbert_Gantschacher_Viktor_Ullmanns_Freizeitgestaltung_in_zwei_Weltkriegen_"><img alt="Research paper thumbnail of Herbert Gantschacher "Viktor Ullmanns Freizeitgestaltung in zwei Weltkriegen"" class="work-thumbnail" src="https://attachments.academia-assets.com/117499189/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/122946551/Herbert_Gantschacher_Viktor_Ullmanns_Freizeitgestaltung_in_zwei_Weltkriegen_">Herbert Gantschacher "Viktor Ullmanns Freizeitgestaltung in zwei Weltkriegen"</a></div><div class="wp-workCard_item"><span>ARBOS-Edition</span><span>, 2024</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Von Ullmanns Militärdienst und Freizeitgestaltung im Ersten Weltkrieg vom Dezember 1917 bis April...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Von Ullmanns Militärdienst und Freizeitgestaltung im Ersten Weltkrieg vom Dezember 1917 bis April 1918 auf Kote 89, dem militärischen Beobachtungsstandort Ullmanns am oberen Adriatischen Meer zwischen Schloss Duino und der Stadt Triest und Ullmanns Lektüre von Rainer Maria Rilkes Gedicht in Prosa 'Die Weise von Liebe und Tod des Cornets Christoph Rilke' zu Ullmanns Freizeitgestaltung im Zweiten Weltkrieg als jüdischer Häftling im Konzentrationslager Theresienstadt und den Kompositionen der Melodramen 'Die Weise von Liebe und Tod des Cornets Christoph Rilke' für großes Orchester und Klavier bis zur Komposition von Viktor Ullmanns 'Streichquartett Nr. 4' im Jahr 1944. <br />Musik und Literatur als authentisch artikulierte Lebensform dargestellt anhand Rainer Maria Rilkes Gedicht in Prosa "Die Weise von Liebe und Tod des Cornets Christoph Rilke" und dessen Vertonung durch Viktor Ullmann für Klavier und großes Orchesters in Beziehung zu Ullmanns Komposition von "Streichquartett Nr. 4" und von Ullmanns eigenen Kriegserfahrungen als Artilleriebeobachter und Musikoffizier vom Orchester der Freizeitgestaltung im Ersten Weltkrieg zur Anti-Kriegsoper "Der Kaiser von Atlantis oder Tod-Verweigerung" in Bezug zur Freizeitgestaltung an der Front des Ersten Weltkriegs und Freizeitgestaltung im Zweiten Weltkrieg im Konzentrationslager Theresienstadt anhand der künstlerischen Arbeit von siebenundzwanzig Jahren 1917-1944. <br />Essay von Herbert Gantschacher verfasst für das Kärntner Vorlesungs- und Meisterklassenprojekt an der JAMD - Jerusalem Academy of Music and Dance (The Carinthian Lectures And Master Class Project at the JAMD - Jerusalem Academy of Music and Dance) in Beziehung zur Kultur der Erinnerung in  den verschiedenen Situationen des Krieges (von der Westfront zur Ostfront und dem Weihnachtsfrieden zur Front in den Karnischen und Julischen Alpen sowie dem Fluss Isonzo und dem Isonzotal) im Ersten Weltkrieg und die Wiedererfindung der "Freizeitgestaltung" unter den Bedingungen eines Konzentrationslagers wie Theresienstadt im Zweiten Weltkrieg dargestellt an den Beispielen der Musiker und Komponisten Viktor Ullmann, Hans Krása, Zikmund Schul und Pavel Haas.</span></div><div class="wp-workCard_item 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Komposition von Viktor Ullmanns 'Streichquartett Nr. 4' im Jahr 1944.\r\nMusik und Literatur als authentisch artikulierte Lebensform dargestellt anhand Rainer Maria Rilkes Gedicht in Prosa \"Die Weise von Liebe und Tod des Cornets Christoph Rilke\" und dessen Vertonung durch Viktor Ullmann für Klavier und großes Orchesters in Beziehung zu Ullmanns Komposition von \"Streichquartett Nr. 4\" und von Ullmanns eigenen Kriegserfahrungen als Artilleriebeobachter und Musikoffizier vom Orchester der Freizeitgestaltung im Ersten Weltkrieg zur Anti-Kriegsoper \"Der Kaiser von Atlantis oder Tod-Verweigerung\" in Bezug zur Freizeitgestaltung an der Front des Ersten Weltkriegs und Freizeitgestaltung im Zweiten Weltkrieg im Konzentrationslager Theresienstadt anhand der künstlerischen Arbeit von siebenundzwanzig Jahren 1917-1944.\r\nEssay von Herbert Gantschacher verfasst für das Kärntner Vorlesungs- und Meisterklassenprojekt an der JAMD - Jerusalem Academy of Music and Dance (The Carinthian Lectures 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dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="122791854"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/122791854/Honoring_Holocaust_victim_and_Austrian_composer_and_musician_Viktor_Ullmann_plus_Hans_Kr%C3%A1sa_Pavel_Haas_and_Zikmund_Schul"><img alt="Research paper thumbnail of Honoring Holocaust victim and Austrian composer and musician Viktor Ullmann plus Hans Krása, Pavel, Haas, and Zikmund Schul" class="work-thumbnail" src="https://attachments.academia-assets.com/117381753/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/122791854/Honoring_Holocaust_victim_and_Austrian_composer_and_musician_Viktor_Ullmann_plus_Hans_Kr%C3%A1sa_Pavel_Haas_and_Zikmund_Schul">Honoring Holocaust victim and Austrian composer and musician Viktor Ullmann plus Hans Krása, Pavel, Haas, and Zikmund Schul</a></div><div class="wp-workCard_item"><span>Jerusalem Post</span><span>, 2024</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Essay written by Barry Davis about Herbert Gantschacher's activities with a new packed schedule o...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Essay written by Barry Davis about Herbert Gantschacher's activities with a new packed schedule of lectures and masterclasses at the JAMD - Jerusalem Academy of Music and Dance. During the courses of this week, April 7-9 2024, he will enlighten JAMD students, and staff about Ullmann, and other composers related to Ullmann's work at a couple of lectures he is due to give at the academy this time focussing on the music composed at Theresienstadt during the "Freizeitgestaltung" (Leisure Time Activities) written by Viktor Ullmann, Hans Krása (his children's opera "Brundibár" was performed more than 50 times in the "Freizeitgestaltung" at Theresienstadt), Pavel Haas (his composition "Study for Stringorchestra" was performed by the only permanent existing orchestra of the "Freizeitgestaltung" which existed under the umbrella of Ullmann's "Collegium Musicum" led by the later famous conductor Karel Ančerl as the conductor of the Radio Symphony Orchestra Prague, the artistic director of the Czech Philharmonic, and as the music director of the Toronto Symphony Orchestra after Ančerl left Czechoslovakia about the end of the Prague Spring and the occupation), and Ziknund Schul (a young gifted composer, who died at Theresienstadt, and at Schul's funeral Viktor Ullmann gave his speech at his coffin honouring Schul). Alexander Drčar, from the Mozarteum University in Salzburg, serves as a teacher of these masterclasses</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="35f2093da757fcbe615f0fdb7d573775" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":117381753,"asset_id":122791854,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/117381753/download_file?st=MTczMzI0MTIxOSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="122791854"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="122791854"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 122791854; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=122791854]").text(description); $(".js-view-count[data-work-id=122791854]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 122791854; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='122791854']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 122791854, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "35f2093da757fcbe615f0fdb7d573775" } } $('.js-work-strip[data-work-id=122791854]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":122791854,"title":"Honoring Holocaust victim and Austrian composer and musician Viktor Ullmann plus Hans Krása, Pavel, Haas, and Zikmund Schul","translated_title":"","metadata":{"abstract":"Essay written by Barry Davis about Herbert Gantschacher's activities with a new packed schedule of lectures and masterclasses at the JAMD - Jerusalem Academy of Music and Dance. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="122469438"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/122469438/Herbert_Gantschacher_STRINGS_Tracks_To_The_Music_Of_Viktor_Ullmann_Hans_Kr%C3%A1sa_Zikmund_Schul_And_Pavel_Haas_"><img alt="Research paper thumbnail of Herbert Gantschacher "STRINGS -Tracks To The Music Of Viktor Ullmann, Hans Krása, Zikmund Schul, And Pavel Haas"" class="work-thumbnail" src="https://attachments.academia-assets.com/117126676/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/122469438/Herbert_Gantschacher_STRINGS_Tracks_To_The_Music_Of_Viktor_Ullmann_Hans_Kr%C3%A1sa_Zikmund_Schul_And_Pavel_Haas_">Herbert Gantschacher "STRINGS -Tracks To The Music Of Viktor Ullmann, Hans Krása, Zikmund Schul, And Pavel Haas"</a></div><div class="wp-workCard_item"><span>ARBOS-Edition</span><span>, 2024</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The Carinthian Lectures And Master Class Project related to the Culture of Memorial related to mu...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The Carinthian Lectures And Master Class Project related to the Culture of Memorial related to music of the composers Viktor Ullmann, Hans Krása, Zikmund Schul, and Pavel Haas from The Great War, The First World War and the invention of "Freizeitgestaltung" (Leisure Time Activities) in the different theatres of wars and the reinvention of "Freizeitgestaltung" (Leisure Time Activities) under the conditions of a concentration camp like Theresienstadt (Terezin) in The Second World War, a project of ARBOS-Company for Music and Theatre coproduced with the JAMD-Jerusalem Academy of Music and Dance. The Carinthian Lectures and Master Class Project related to the Culture of Memorial on the theme of the "Freizeitgestaltung" (Leisure Time Activities) in the different theatres of wars (from the Western Front to the Eastern Front and the Christmas Peace to the Carnian and Julian Alps and the River Isonzo) in the First World War and the reinvention of the "Freizeitgestaltung" (Leisure Time Activities) under the conditions of a concentration camp like Theresienstadt (Terezin) in the Second World War presented on the examples of the musicians and composers Ullmann, Krása, Schul, Haas.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="4932119e996fd1d9d95f29e53ea3acfb" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":117126676,"asset_id":122469438,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/117126676/download_file?st=MTczMzI0MTIxOSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="122469438"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="122469438"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 122469438; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=122469438]").text(description); $(".js-view-count[data-work-id=122469438]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 122469438; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='122469438']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 122469438, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "4932119e996fd1d9d95f29e53ea3acfb" } } $('.js-work-strip[data-work-id=122469438]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":122469438,"title":"Herbert Gantschacher \"STRINGS -Tracks To The Music Of Viktor Ullmann, Hans Krása, Zikmund Schul, And Pavel Haas\"","translated_title":"","metadata":{"abstract":"The Carinthian Lectures And Master Class Project related to the Culture of Memorial related to music of the composers Viktor Ullmann, Hans Krása, Zikmund Schul, and Pavel Haas from The Great War, The First World War and the invention of \"Freizeitgestaltung\" (Leisure Time Activities) in the different theatres of wars and the reinvention of \"Freizeitgestaltung\" (Leisure Time Activities) under the conditions of a concentration camp like Theresienstadt (Terezin) in The Second World War, a project of ARBOS-Company for Music and Theatre coproduced with the JAMD-Jerusalem Academy of Music and Dance. 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Spuren zur Musik von Viktor Ullmann, Hans Krása, Zikmund Schul und Pavel Haas"" class="work-thumbnail" src="https://attachments.academia-assets.com/117126635/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/122469405/Herbert_Gantschacher_SAITEN_Spuren_zur_Musik_von_Viktor_Ullmann_Hans_Kr%C3%A1sa_Zikmund_Schul_und_Pavel_Haas_">Herbert Gantschacher "SAITEN - Spuren zur Musik von Viktor Ullmann, Hans Krása, Zikmund Schul und Pavel Haas"</a></div><div class="wp-workCard_item"><span>ARBOS-Edition</span><span>, 2024</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated"> Das Kärntner Vorlesungs- und Meisterklassenprojekt (The Carinthian Lectures And Master Class Pr...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Das Kärntner Vorlesungs- und Meisterklassenprojekt (The Carinthian Lectures And Master Class Project) in Beziehung zur Kultur der Erinnerung zur Musik der Komponisten Viktor Ullmann, Hans Krása, Zikmund Schul und Pavel Haas vom Großen Krieg, dem Ersten Weltkrieg und der "Freizeitgestaltung" in den verschiedenen Situationen des Krieges und die Wiedererfindung der "Freizeitgestaltung" unter den Bedingungen eines Konzentrationslagers wie Theresienstadt im Zweiten Weltkrieg, ein Projekt von ARBOS - 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Vom Geburts- zum Todesort, vom Zeugen der Apokalypse zum Opfer der Apokalypse, von Blaukreuz zu Zyklon B: Teschen - Flitsch - Theresienstadt - Mauthausen - Auschwitz-Birkenau"" class="work-thumbnail" src="https://attachments.academia-assets.com/116904594/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/122187947/Herbert_Gantschacher_Viktor_Ullmann_1898_1944_Vom_Geburts_zum_Todesort_vom_Zeugen_der_Apokalypse_zum_Opfer_der_Apokalypse_von_Blaukreuz_zu_Zyklon_B_Teschen_Flitsch_Theresienstadt_Mauthausen_Auschwitz_Birkenau_">Herbert Gantschacher "Viktor Ullmann (1898-1944) - Vom Geburts- zum Todesort, vom Zeugen der Apokalypse zum Opfer der Apokalypse, von Blaukreuz zu Zyklon B: Teschen - Flitsch - Theresienstadt - Mauthausen - Auschwitz-Birkenau"</a></div><div class="wp-workCard_item"><span>ARBOS-Edition + Mauthausen Komitee Österreich</span><span>, 2024</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Essay zum Jahrestag der Befreiung des Konzentrationslagers Mauthausen am 5. Mai 1944 verfasst am ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Essay zum Jahrestag der Befreiung des Konzentrationslagers Mauthausen am 5. 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Viktor Ullmann: Vom Geburts‐ zum Todesort."" class="work-thumbnail" src="https://attachments.academia-assets.com/116589919/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/121791593/_Teschen_Isonzo_K%C3%A4rnten_Auschwitz_Birkenau_Viktor_Ullmann_Vom_Geburts_zum_Todesort_">"Teschen‐Isonzo‐Kärnten‐Auschwitz‐Birkenau. Viktor Ullmann: Vom Geburts‐ zum Todesort."</a></div><div class="wp-workCard_item"><span>ARBOS-Edition</span><span>, 2024</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Ein Essay verfasst von Herbert Gantschacher, Kurator des Projektes, in Zusammenarbeit mit Studier...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Ein Essay verfasst von Herbert Gantschacher, Kurator des Projektes, in Zusammenarbeit mit Studierenden der MS 5 Klagenfurt‐Wölfnitz, Miriam Mörtl (handschriftliche Dokumentation des Projektes, Erinnerungstexte und Zeichnungen), Jonas Hofmeister (Erinnerungstexte und Fotos), Moritz Kothmiller‐Uhl (Erinnerungstexte), Fabio Mick (Erinnerungstexte und Fotos), Frederic Pirker (Erinnerungstexte und Zeichnungen), Tobias<br />Schlintl (Erinnerungstexte), Adrian Schöll (Erinnerungstexte) und Maximilian Tegrovsky (Erinnerungstexte) zum Projekt zur Gedenk‐ und Erinnerungskultur gegen Nationalsozialismus und Faschismus anhand der authentischen Gedenkorte in der Tschechischen Republik und Polen in Bezug zu Kärnten in der Republik Österreich, Český Těšín in der Tschechischen Republik, Cieszyn in der Republik Polen und zu den<br />Konzentrations‐ und Vernichtungslagern Auschwitz I, das Stammlager in der ehemaligen Artilleriekaserne der k.u.k. Wehrmacht, gelegen außerhalb der Stadt Oświęcim, und dem Vernichtungslager Auschwitz II, bekannt unter dem Namen Auschwitz‐Birkenau, gelegen außerhalb des Ortes <br />Brzezinka, einem früheren Truppenübungsplatz der k.u.k. 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href="https://www.academia.edu/114743635/Herbert_Gantschacher_A_Concert_Related_To_The_Musical_Biographies_Of_Arnold_Ros%C3%A9_Alma_Ros%C3%A9_And_Viktor_Ullmann_">Herbert Gantschacher "A Concert Related To The Musical Biographies Of Arnold Rosé, Alma Rosé, And Viktor Ullmann"</a></div><div class="wp-workCard_item"><span>JAMD - Lecture Series</span><span>, 2024</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">6 Lectures given by Herbert Gantschacher "Viktor Ullmann, Musician, Pianist, Military Bandmaster,...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">6 Lectures given by Herbert Gantschacher<br />"Viktor Ullmann, Musician, Pianist, Military Bandmaster, Conductor, Producer, Choir Director, Essayist, Publisher, Music Critics, Musicologist, Music Pedagogue, Poet, Composer, And Pacifist".<br />"Pay Attention To A Concert Related To The Musical  Biographies Of Arnold Rosé, Alma Rosé,  And Viktor Ullmann".<br />"The Origins Of Gustav Mahler's Polyphony, The Woerthersee, And The Kreuzbergl At Klagenfurt".<br />"The Artistic Work Of Alma And Arnold Rosé  And Their Biographies".<br />"Some Notes To The Biography Of Viktor Ullmann".<br />"Viktor Ullmann As Music Officer, Composer, And Pianist".</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="233d6df57380bc6d07a79a14767cbb57" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":111357135,"asset_id":114743635,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/111357135/download_file?st=MTczMzI0MTIxOSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa 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href="https://www.academia.edu/114728632/Barry_Davis_Brought_to_life_Holocaust_victims_music_to_be_honored_in_Jlem_program_">Barry Davis "Brought to life - Holocaust victim's music to be honored in J'lem program"</a></div><div class="wp-workCard_item"><span>Jerusalem Post - Printed Edition February 7th</span><span>, 2024</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Holocaust victim Viktor Ullmann honored - Bringing to fife the work of an Austrian musician.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="e14b37e13528643c8890d38ff2e2e076" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":111346517,"asset_id":114728632,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/111346517/download_file?st=MTczMzI0MTIyMCw4LjIyMi4yMDguMTQ2&s=profile"><span><i 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fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The relation of Viktor Ullmann to the music if Wolfgang Amadeus Mozart, and the relation of Viktor Ullmann, Alma and Arnold Rosé to Johann Sebastian Bach.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="52756e3f0b84de3840220b9cfa336c64" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":111337222,"asset_id":114715439,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/111337222/download_file?st=MTczMzI0MTIyMCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" 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href="https://www.academia.edu/114606122/Barry_Davis_Honoring_Holocaust_victim_and_Austrian_musician_Viktor_Ullmann_">Barry Davis "Honoring Holocaust victim and Austrian musician Viktor Ullmann"</a></div><div class="wp-workCard_item"><span>Jerusalem Post</span><span>, 2024</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Honoring Holocaust victim and Austrian musician Viktor Ullmann One can only hazard a guess at wha...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Honoring Holocaust victim and Austrian musician Viktor Ullmann<br />One can only hazard a guess at what Ullmann may have gone on to write and produce, had his life circumstances been kinder.</span></div><div class="wp-workCard_item 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Gantschacher "Der Archivar" Laudatio für Hubert Steiner</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">"Der Archivar" Laudatio von Herbert Gantschacher für Hubert Steiner anlässlich der Verleihung der...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">"Der Archivar" Laudatio von Herbert Gantschacher für Hubert Steiner<br />anlässlich der Verleihung der Goldenen Medaille der Landeshauptstadt<br />Klagenfurt am Wörthersee durch die Bürgermeisterin der Stadt Klagenfurt, Dr. Maria-Luise Mathiaschitz an Hofrat Dr. Hubert Steiner am 9.November 2017 in der Bibliothek der Alpen-Adria-Universität Klagenfurt, Universitätsstraße 65-67, 9020 Klagenfurt am Wörthersee</span></div><div class="wp-workCard_item 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class="wp-workCard_item"><span class="js-work-more-abstract-truncated">"Sehr geehrte Geehrte!" Laudatio für Hubert Steiner gehalten von Herbert Gantschacher im Wappensa...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">"Sehr geehrte Geehrte!" Laudatio für Hubert Steiner gehalten von Herbert Gantschacher im Wappensaal des Wiener Rathauses anlässlich der Auszeichnung mit der Ehrenmedaille der Bundeshauptstadt Wien in Silber an Hofrat Dr. Avshalom Hodik und der Auszeichnung mit dem Silbernen Ehrenzeichen für Verdienste um das Land Wien an Hofrat Dr. Hubert Steiner überreicht durch den amtsführenden Stadtrat für Kultur und Wissenschaft, Andreas Mailath-Pokorny am 29.Jänner 2010.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="b04810121a4f6bc1339c87a38bb9efc5" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":110143770,"asset_id":113091896,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/110143770/download_file?st=MTczMzI0MTIyMCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="113091896"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="113091896"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 113091896; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="113079442"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/113079442/_Die_Visuelle_Theater_Bibliothek_herausgegeben_von_Herbert_Gantschacher_f%C3%BCr_ARBOS_Gesellschaft_f%C3%BCr_Musik_und_Theater"><img alt="Research paper thumbnail of "Die Visuelle Theater Bibliothek" herausgegeben von Herbert Gantschacher für ARBOS -Gesellschaft für Musik und Theater" class="work-thumbnail" src="https://attachments.academia-assets.com/110135064/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/113079442/_Die_Visuelle_Theater_Bibliothek_herausgegeben_von_Herbert_Gantschacher_f%C3%BCr_ARBOS_Gesellschaft_f%C3%BCr_Musik_und_Theater">"Die Visuelle Theater Bibliothek" herausgegeben von Herbert Gantschacher für ARBOS -Gesellschaft für Musik und Theater</a></div><div class="wp-workCard_item"><span>EUROPÄISCHE UND INTERNATIONALE PARTNERSCHAFTEN ZUR ENTWICKLUNG VON FERTIGKEITEN ZUR SOZIALEN INKLUSION MITTELS KREATIVITÄT UND KUNST</span><span>, 2023</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Für das Projekt "Europäische und internationale Partnerschaften zur Entwicklung von Fertigkeiten ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Für das Projekt "Europäische und internationale Partnerschaften zur Entwicklung von Fertigkeiten zur sozialen Inklusion mittels Kreativität und Kunst" wurden drei Beispiele der Visuellen Theater Bibliothek speziell erarbeitet. Alle drei Bücher sind mit DVDs ausgestattet, auf denen in Österreichischer Gebärdensprache auch einem gehörlosen Publikum Zugang zu den Themen der Geschichte und der Literatur ermöglicht wird. Als bilinguales Projekt konzipiert in Gebärdensprache und gesprochener Sprache sowie Schriftsprache ermöglicht die Visuelle Theater Bibliothek auch einem blinden Publikum über das Hören den Zugang zu dieser Bibliothek aber auch generell dem Publikum, das auf diese Weise eine Bereicherung durch Menschen mit Behinderungen erfährt. Alle drei Bücher wurden exklusiv produziert von Herbert Gantschacher für ARBOS-Gesellschaft für Musik und Theater in Wien-Salzburg-Klagenfurt (Österreich) für das Projekt "Europäische und internationale Partnerschaften zur Entwicklung von Fertigkeiten zur sozialen Inklusion mittels Kreativität und Kunst"-AGREEMENT NUMBER: 2020-1-PL01-KA227-ADU-096360 (2)-Erasmus+ Programme, Key Action 2: Strategic Partnership Projects. Alle drei Bücher sind für das allgemeine Publikum erhältlich in der Österreichischen Nationalbibliothek in Wien, der Bibliothek des Österreichischen Staatsarchivs in Wien, der Bibliothek des Österreichischen Parlaments in Wien, den Landesbibliotheken und Universitätsbibliotheken in den neun österreichischen Bundesländern,</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="9d78982c1f667ba66939a9c909bf739c" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":110135064,"asset_id":113079442,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/110135064/download_file?st=MTczMzI0MTIyMCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="113079442"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="113079442"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 113079442; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=113079442]").text(description); $(".js-view-count[data-work-id=113079442]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 113079442; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='113079442']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 113079442, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "9d78982c1f667ba66939a9c909bf739c" } } $('.js-work-strip[data-work-id=113079442]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":113079442,"title":"\"Die Visuelle Theater Bibliothek\" herausgegeben von Herbert Gantschacher für ARBOS -Gesellschaft für Musik und Theater","translated_title":"","metadata":{"abstract":"Für das Projekt \"Europäische und internationale Partnerschaften zur Entwicklung von Fertigkeiten zur sozialen Inklusion mittels Kreativität und Kunst\" wurden drei Beispiele der Visuellen Theater Bibliothek speziell erarbeitet. 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von Herbert Gantschacher</a></div><div class="wp-workCard_item"><span>EUROPÄISCHE UND INTERNATIONALE PARTNERSCHAFTEN ZUR ENTWICKLUNG VON FERTIGKEITEN ZUR SOZIALEN INKLUSION MITTELS KREATIVITÄT UND KUNST</span><span>, 2023</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Britische Soldaten der 55. Division werden am 10.April 1918 bei einem Gasangriff des Deutschen He...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Britische Soldaten der 55. Division werden am 10.April 1918 bei einem Gasangriff des Deutschen Heeres taub, blind oder auch taubblind. 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Jahrhundert bis zum 21. Jahrhundert von Herbert Gantschacher.  Hier finden sich einige Anmerkungen über Modelle der Inklusion von der Zeit der Aufklärung bis in die heutige moderne Zeit.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="59846eb680afef0f48072247c79a8b29" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":110134549,"asset_id":113078652,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/110134549/download_file?st=MTczMzI0MTIyMSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="113078652"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="113078652"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 113078652; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=113078652]").text(description); $(".js-view-count[data-work-id=113078652]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 113078652; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='113078652']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 113078652, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "59846eb680afef0f48072247c79a8b29" } } $('.js-work-strip[data-work-id=113078652]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":113078652,"title":"Herbert.Gantschacher \"Das Modell der inklusiven Bildenden Künste, Bildung, Literatur, Musik, Darstellende Künste und inklusiver Journalismus\"","translated_title":"","metadata":{"abstract":"\"Das Modell der inklusiven Bildenden Künste, Bildung, Literatur, Musik, Darstellende Künste und inklusiver Journalismus\" Anmerkungen über Forschung, Lehre und Geschichte, Literatur, Bildende und Darstellende Künste vom 18. 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wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/113078497/_Die_5_Sinne_Ein_Forschungsprojekt_von_Herbert_Gantschacher_ein_Projekt_der_bildenden_Kunst_von_Burgis_Paier_und_ein_Projekt_der_darstellenden_K%C3%BCnste_des_geh%C3%B6rlosen_Schauspielers_Werner_M%C3%B6ssler">„Die 5 Sinne” Ein Forschungsprojekt von Herbert Gantschacher, ein Projekt der bildenden Kunst von Burgis Paier und ein Projekt der darstellenden Künste des gehörlosen Schauspielers Werner Mössler</a></div><div class="wp-workCard_item"><span>EUROPÄISCHE UND INTERNATIONALE PARTNERSCHAFTEN ZUR ENTWICKLUNG VON FERTIGKEITEN ZUR SOZIALEN INKLUSION MITTELS KREATIVITÄT UND KUNST</span><span>, 2023</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">5 außergewöhnliche Frauen in Beziehung zu den 5 Sinnen realisiert als einzigartige Werke der bild...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">5 außergewöhnliche Frauen in Beziehung zu den 5 Sinnen realisiert als einzigartige Werke der bildenden Kunst zum Begreifen, Erriechen und Erschmecken, 5 außergewöhnliche Porträts von außergewöhnlichen Frauen von links nach rechts: die einsinnige taubblinde Laura Bridgman (sie lebte ein erfülltes Leben mit dem Tastsinn), die zweisinnige Marie Heurtin (sie lebte ein erfülltes Leben mit dem Tast-und Geruchssinn), die dreisinnige Helen Keller (sie lebte ein erfülltes Leben mit dem Tast-, Geruchs-und Geschmacksinn), die US-amerikanische Dichterin Mary Ann Moore (sie war blind) und die US-amerikanische Gehörlosenlehrerin Sarah Harvey Porter (sie arbeitete an der Gallaudet-Universität, die einzige Universität weltweit, wo in Gebärdensprache unterrichtet wird).</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="bf388f23b3ae3a5b7f5b33ff92549e0c" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":110134423,"asset_id":113078497,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/110134423/download_file?st=MTczMzI0MTIyMSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="113078497"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span 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WowProfile.WorkStripView({ el: this, workJSON: {"id":113078497,"title":"„Die 5 Sinne” Ein Forschungsprojekt von Herbert Gantschacher, ein Projekt der bildenden Kunst von Burgis Paier und ein Projekt der darstellenden Künste des gehörlosen Schauspielers Werner Mössler","translated_title":"","metadata":{"abstract":"5 außergewöhnliche Frauen in Beziehung zu den 5 Sinnen realisiert als einzigartige Werke der bildenden Kunst zum Begreifen, Erriechen und Erschmecken, 5 außergewöhnliche Porträts von außergewöhnlichen Frauen von links nach rechts: die einsinnige taubblinde Laura Bridgman (sie lebte ein erfülltes Leben mit dem Tastsinn), die zweisinnige Marie Heurtin (sie lebte ein erfülltes Leben mit dem Tast-und Geruchssinn), die dreisinnige Helen Keller (sie lebte ein erfülltes Leben mit dem Tast-, Geruchs-und Geschmacksinn), die US-amerikanische Dichterin Mary Ann Moore (sie war blind) und die US-amerikanische Gehörlosenlehrerin Sarah Harvey Porter (sie arbeitete an der 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dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="110930968"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/110930968/_The_Visual_Theatre_Library_edited_by_Herbert_Gantschacher_for_ARBOS_Company_for_Music_and_Theatre"><img alt="Research paper thumbnail of "The Visual Theatre Library" edited by Herbert Gantschacher for ARBOS -Company for Music and Theatre" class="work-thumbnail" src="https://attachments.academia-assets.com/108595091/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/110930968/_The_Visual_Theatre_Library_edited_by_Herbert_Gantschacher_for_ARBOS_Company_for_Music_and_Theatre">"The Visual Theatre Library" edited by Herbert Gantschacher for ARBOS -Company for Music and Theatre</a></div><div class="wp-workCard_item"><span>"Selected activities, methods and exercises on development of skills and social inclusion through creativitiy and arts"</span><span>, 2023</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">For the project "European partnership for the development of skills and social inclusion through ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">For the project "European partnership for the development of skills and social inclusion through creativity and arts"' three examples of the Visual Theatre Library are worked out especially. All three books have included DVDs in Austrian Sign Language to give a special deaf audience access to the themes about history and literature. Produced bilingual in Sign Language and Spoken Language and Written Language the Visual Theatre Library gives also access to blind people and the common audience so that they can learn about the enrichment by people with disabilities.<br />Published at: "Selected activities, methods and exercises on development of skills and social inclusion through creativitiy and arts", E-Book of the Project "EUROPEAN PARTNERSHIP FOR THE DEVELOPMENT OF SKILLS AND SOCIAL INCLUSION THROUGH CREATIVITY AND ARTS 2020-1-PL01-KA227-ADU-096360, published in December 2023.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="19a8f54993952c8199974e2473dca7b9" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":108595091,"asset_id":110930968,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/108595091/download_file?st=MTczMzI0MTIyMSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="110930968"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="110930968"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 110930968; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=110930968]").text(description); $(".js-view-count[data-work-id=110930968]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 110930968; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='110930968']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 110930968, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "19a8f54993952c8199974e2473dca7b9" } } $('.js-work-strip[data-work-id=110930968]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":110930968,"title":"\"The Visual Theatre Library\" edited by Herbert Gantschacher for ARBOS -Company for Music and Theatre","translated_title":"","metadata":{"abstract":"For the project \"European partnership for the development of skills and social inclusion through creativity and arts\"' three examples of the Visual Theatre Library are worked out especially. 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Produced bilingual in Sign Language and Spoken Language and Written Language the Visual Theatre Library gives also access to blind people and the common audience so that they can learn about the enrichment by people with disabilities.\nPublished at: \"Selected activities, methods and exercises on development of skills and social inclusion through creativitiy and arts\", E-Book of the Project \"EUROPEAN PARTNERSHIP FOR THE DEVELOPMENT OF SKILLS AND SOCIAL INCLUSION THROUGH CREATIVITY AND ARTS 2020-1-PL01-KA227-ADU-096360, published in December 2023.","publication_date":{"day":null,"month":null,"year":2023,"errors":{}},"publication_name":"\"Selected activities, methods and exercises on development of skills and social inclusion through creativitiy and arts\""},"translated_abstract":"For the project \"European partnership for the development of skills and social inclusion through creativity and arts\"' three examples of the Visual Theatre Library are worked out especially. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="110930385"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/110930385/_To_Touch_To_Smell_To_Taste_Lecture_with_practice_by_Herbert_Gantschacher"><img alt="Research paper thumbnail of „To Touch – To Smell – To Taste“ Lecture with practice by Herbert Gantschacher" class="work-thumbnail" src="https://attachments.academia-assets.com/108594689/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/110930385/_To_Touch_To_Smell_To_Taste_Lecture_with_practice_by_Herbert_Gantschacher">„To Touch – To Smell – To Taste“ Lecture with practice by Herbert Gantschacher</a></div><div class="wp-workCard_item"><span>"Selected activities, methods and exercises on development of skills and social inclusion through creativitiy and arts",</span><span>, 2023</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This lecture with practice designed by Herbert Gantschacher gives five-sensed persons the expiere...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This lecture with practice designed by Herbert Gantschacher gives five-sensed persons the expierence how to get a personal experience by empathy for people with different access to senses. "O, feel not our limitations, but the use we make of them", wrote the deafblind author and activist for human rights Helen Keller (1880-1968) to the Viennese philosopher Wilhelm Jerusalem (1854-1923). Jerusalem was the first who found the literary talent of Helen Keller. This is the theme behind this lecture with practice, because it happens again and again to five-sense people that they see four-sensed, three-sensed, two-sensed or one-sensed persons as disabled. However, being one-, two-, tree-or four-sensed only means that cultural and communication techniques have to be acquired differently than five-sense people do. The goal of this lecture with practice is to experience a sensitization of the senses. "To Touch-To Smell-To Taste" is an open programme with lecture and practice accessible for all persons, conducted by professionals composed of researchers, project director, deaf actors, CoDA actors (CoDA means, Child of Deaf Adult), and hearing actors with knowledge of Sign language on University Level. The goal of this lecture is to raise awareness about the skills of four-sensed, three-sensed, two-sensed or one-sensed persons. These persons are ofted classified as disabled. This classification is not correct, it is a misclassification, because one-sensed, two-sensed, three-sensed and foursensed persons have a different experience, from which culture, arts and cultural education are enriched by these different experiences.<br />Published at: "Selected activities, methods and exercises on development of skills and social inclusion through creativitiy and arts", E-Book of the Project "EUROPEAN PARTNERSHIP FOR THE DEVELOPMENT OF SKILLS AND SOCIAL INCLUSION THROUGH CREATIVITY AND ARTS 2020-1-PL01-KA227-ADU-096360, published in December 2023.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="5a31dd60c7be2cb069ddf5d32197481a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":108594689,"asset_id":110930385,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/108594689/download_file?st=MTczMzI0MTIyMSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="110930385"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="110930385"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 110930385; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=110930385]").text(description); $(".js-view-count[data-work-id=110930385]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 110930385; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='110930385']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 110930385, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "5a31dd60c7be2cb069ddf5d32197481a" } } $('.js-work-strip[data-work-id=110930385]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":110930385,"title":"„To Touch – To Smell – To Taste“ Lecture with practice by Herbert Gantschacher","translated_title":"","metadata":{"abstract":"This lecture with practice designed by Herbert Gantschacher gives five-sensed persons the expierence how to get a personal experience by empathy for people with different access to senses. \"O, feel not our limitations, but the use we make of them\", wrote the deafblind author and activist for human rights Helen Keller (1880-1968) to the Viennese philosopher Wilhelm Jerusalem (1854-1923). 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dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="3945450" id="papers"><div class="js-work-strip profile--work_container" data-work-id="123077258"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/123077258/Herbert_Gantschacher_Die_Zentralb%C3%BCcherei_in_der_Gro%C3%9Fen_Festung_des_Konzentrationslagers_Theresienstadt_als_Arbeitsplatz_f%C3%BCr_j%C3%BCdische_H%C3%A4ftlinge_unter_der_Leitung_des_Philosophen_Emil_Utitz_im_Rahmen_der_Freizeitgestaltung_f%C3%BCr_die_Komponisten_Viktor_Ullmann_und_Zikmund_Schul_"><img alt="Research paper thumbnail of Herbert Gantschacher "Die Zentralbücherei in der Großen Festung des Konzentrationslagers Theresienstadt als Arbeitsplatz für jüdische Häftlinge unter der Leitung des Philosophen Emil Utitz im Rahmen der Freizeitgestaltung für die Komponisten Viktor Ullmann und Zikmund Schul "" class="work-thumbnail" src="https://attachments.academia-assets.com/117597833/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/123077258/Herbert_Gantschacher_Die_Zentralb%C3%BCcherei_in_der_Gro%C3%9Fen_Festung_des_Konzentrationslagers_Theresienstadt_als_Arbeitsplatz_f%C3%BCr_j%C3%BCdische_H%C3%A4ftlinge_unter_der_Leitung_des_Philosophen_Emil_Utitz_im_Rahmen_der_Freizeitgestaltung_f%C3%BCr_die_Komponisten_Viktor_Ullmann_und_Zikmund_Schul_">Herbert Gantschacher "Die Zentralbücherei in der Großen Festung des Konzentrationslagers Theresienstadt als Arbeitsplatz für jüdische Häftlinge unter der Leitung des Philosophen Emil Utitz im Rahmen der Freizeitgestaltung für die Komponisten Viktor Ullmann und Zikmund Schul "</a></div><div class="wp-workCard_item"><span>ARBOS-Edition</span><span>, 2024</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Herbert Gantschacher "Die Zentralbücherei in der Großen Festung des Konzentrationslagers Theresie...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Herbert Gantschacher "Die Zentralbücherei in der Großen Festung des Konzentrationslagers Theresienstadt als Arbeitsplatz für jüdische Häftlinge unter der Leitung des Philosophen Emil Utitz im Rahmen der Freizeitgestaltung für die Komponisten Viktor Ullmann und Zikmund Schul zur Arbeit an ihren musikalischen Werken"<br />Zikmund Schuls musikalische Werke komponiert im Konzentrationslager Theresienstadt aufgeführt im Rahmen der Freizeitgestaltung in Viktor Ullmanns "Studio für Neue Musik".<br />Essay von Herbert Gantschacher verfasst für das Kärntner Vorlesungs- und Meisterklassenprojekt (The Carinthian Lectures And Master Class Project) in Beziehung zur Kultur der Erinnerung in  den verschiedenen Situationen des Krieges (von der Westfront zur Ostfront und dem Weihnachtsfrieden zur Front in den Karnischen und Julischen Alpen sowie dem Fluss Isonzo und dem Isonzotal) im Ersten Weltkrieg und die Wiedererfindung der "Freizeitgestaltung" unter den Bedingungen eines Konzentrationslagers wie Theresienstadt im Zweiten Weltkrieg dargestellt an den Beispielen der Musiker und Komponisten Viktor Ullmann, Hans Krása, Zikmund Schul und Pavel Haas.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="cd0b898ef4aac1f32e48a1297544e9c7" class="wp-workCard--action" rel="nofollow" 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dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="122946551"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/122946551/Herbert_Gantschacher_Viktor_Ullmanns_Freizeitgestaltung_in_zwei_Weltkriegen_"><img alt="Research paper thumbnail of Herbert Gantschacher "Viktor Ullmanns Freizeitgestaltung in zwei Weltkriegen"" class="work-thumbnail" src="https://attachments.academia-assets.com/117499189/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/122946551/Herbert_Gantschacher_Viktor_Ullmanns_Freizeitgestaltung_in_zwei_Weltkriegen_">Herbert Gantschacher "Viktor Ullmanns Freizeitgestaltung in zwei Weltkriegen"</a></div><div class="wp-workCard_item"><span>ARBOS-Edition</span><span>, 2024</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Von Ullmanns Militärdienst und Freizeitgestaltung im Ersten Weltkrieg vom Dezember 1917 bis April...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Von Ullmanns Militärdienst und Freizeitgestaltung im Ersten Weltkrieg vom Dezember 1917 bis April 1918 auf Kote 89, dem militärischen Beobachtungsstandort Ullmanns am oberen Adriatischen Meer zwischen Schloss Duino und der Stadt Triest und Ullmanns Lektüre von Rainer Maria Rilkes Gedicht in Prosa 'Die Weise von Liebe und Tod des Cornets Christoph Rilke' zu Ullmanns Freizeitgestaltung im Zweiten Weltkrieg als jüdischer Häftling im Konzentrationslager Theresienstadt und den Kompositionen der Melodramen 'Die Weise von Liebe und Tod des Cornets Christoph Rilke' für großes Orchester und Klavier bis zur Komposition von Viktor Ullmanns 'Streichquartett Nr. 4' im Jahr 1944. <br />Musik und Literatur als authentisch artikulierte Lebensform dargestellt anhand Rainer Maria Rilkes Gedicht in Prosa "Die Weise von Liebe und Tod des Cornets Christoph Rilke" und dessen Vertonung durch Viktor Ullmann für Klavier und großes Orchesters in Beziehung zu Ullmanns Komposition von "Streichquartett Nr. 4" und von Ullmanns eigenen Kriegserfahrungen als Artilleriebeobachter und Musikoffizier vom Orchester der Freizeitgestaltung im Ersten Weltkrieg zur Anti-Kriegsoper "Der Kaiser von Atlantis oder Tod-Verweigerung" in Bezug zur Freizeitgestaltung an der Front des Ersten Weltkriegs und Freizeitgestaltung im Zweiten Weltkrieg im Konzentrationslager Theresienstadt anhand der künstlerischen Arbeit von siebenundzwanzig Jahren 1917-1944. <br />Essay von Herbert Gantschacher verfasst für das Kärntner Vorlesungs- und Meisterklassenprojekt an der JAMD - Jerusalem Academy of Music and Dance (The Carinthian Lectures And Master Class Project at the JAMD - Jerusalem Academy of Music and Dance) in Beziehung zur Kultur der Erinnerung in  den verschiedenen Situationen des Krieges (von der Westfront zur Ostfront und dem Weihnachtsfrieden zur Front in den Karnischen und Julischen Alpen sowie dem Fluss Isonzo und dem Isonzotal) im Ersten Weltkrieg und die Wiedererfindung der "Freizeitgestaltung" unter den Bedingungen eines Konzentrationslagers wie Theresienstadt im Zweiten Weltkrieg dargestellt an den Beispielen der Musiker und Komponisten Viktor Ullmann, Hans Krása, Zikmund Schul und Pavel Haas.</span></div><div class="wp-workCard_item 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{"id":122946551,"title":"Herbert Gantschacher \"Viktor Ullmanns Freizeitgestaltung in zwei Weltkriegen\"","translated_title":"","metadata":{"abstract":"Von Ullmanns Militärdienst und Freizeitgestaltung im Ersten Weltkrieg vom Dezember 1917 bis April 1918 auf Kote 89, dem militärischen Beobachtungsstandort Ullmanns am oberen Adriatischen Meer zwischen Schloss Duino und der Stadt Triest und Ullmanns Lektüre von Rainer Maria Rilkes Gedicht in Prosa 'Die Weise von Liebe und Tod des Cornets Christoph Rilke' zu Ullmanns Freizeitgestaltung im Zweiten Weltkrieg als jüdischer Häftling im Konzentrationslager Theresienstadt und den Kompositionen der Melodramen 'Die Weise von Liebe und Tod des Cornets Christoph Rilke' für großes Orchester und Klavier bis zur Komposition von Viktor Ullmanns 'Streichquartett Nr. 4' im Jahr 1944.\r\nMusik und Literatur als authentisch artikulierte Lebensform dargestellt anhand Rainer Maria Rilkes Gedicht in Prosa \"Die Weise von Liebe und Tod des Cornets Christoph Rilke\" und dessen Vertonung durch Viktor Ullmann für Klavier und großes Orchesters in Beziehung zu Ullmanns Komposition von \"Streichquartett Nr. 4\" und von Ullmanns eigenen Kriegserfahrungen als Artilleriebeobachter und Musikoffizier vom Orchester der Freizeitgestaltung im Ersten Weltkrieg zur Anti-Kriegsoper \"Der Kaiser von Atlantis oder Tod-Verweigerung\" in Bezug zur Freizeitgestaltung an der Front des Ersten Weltkriegs und Freizeitgestaltung im Zweiten Weltkrieg im Konzentrationslager Theresienstadt anhand der künstlerischen Arbeit von siebenundzwanzig Jahren 1917-1944.\r\nEssay von Herbert Gantschacher verfasst für das Kärntner Vorlesungs- und Meisterklassenprojekt an der JAMD - Jerusalem Academy of Music and Dance (The Carinthian Lectures And Master Class Project at the JAMD - Jerusalem Academy of Music and Dance) in Beziehung zur Kultur der Erinnerung in den verschiedenen Situationen des Krieges (von der Westfront zur Ostfront und dem Weihnachtsfrieden zur Front in den Karnischen und Julischen Alpen sowie dem Fluss Isonzo und dem Isonzotal) im Ersten Weltkrieg und die Wiedererfindung der \"Freizeitgestaltung\" unter den Bedingungen eines Konzentrationslagers wie Theresienstadt im Zweiten Weltkrieg dargestellt an den Beispielen der Musiker und Komponisten Viktor Ullmann, Hans Krása, Zikmund Schul und Pavel Haas.\r\n","publication_date":{"day":null,"month":null,"year":2024,"errors":{}},"publication_name":"ARBOS-Edition"},"translated_abstract":"Von Ullmanns Militärdienst und Freizeitgestaltung im Ersten Weltkrieg vom Dezember 1917 bis April 1918 auf Kote 89, dem militärischen Beobachtungsstandort Ullmanns am oberen Adriatischen Meer zwischen Schloss Duino und der Stadt Triest und Ullmanns Lektüre von Rainer Maria Rilkes Gedicht in Prosa 'Die Weise von Liebe und Tod des Cornets Christoph Rilke' zu Ullmanns Freizeitgestaltung im Zweiten Weltkrieg als jüdischer Häftling im Konzentrationslager Theresienstadt und den Kompositionen der Melodramen 'Die Weise von Liebe und Tod des Cornets Christoph Rilke' für großes Orchester und Klavier bis zur Komposition von Viktor Ullmanns 'Streichquartett Nr. 4' im Jahr 1944.\r\nMusik und Literatur als authentisch artikulierte Lebensform dargestellt anhand Rainer Maria Rilkes Gedicht in Prosa \"Die Weise von Liebe und Tod des Cornets Christoph Rilke\" und dessen Vertonung durch Viktor Ullmann für Klavier und großes Orchesters in Beziehung zu Ullmanns Komposition von \"Streichquartett Nr. 4\" und von Ullmanns eigenen Kriegserfahrungen als Artilleriebeobachter und Musikoffizier vom Orchester der Freizeitgestaltung im Ersten Weltkrieg zur Anti-Kriegsoper \"Der Kaiser von Atlantis oder Tod-Verweigerung\" in Bezug zur Freizeitgestaltung an der Front des Ersten Weltkriegs und Freizeitgestaltung im Zweiten Weltkrieg im Konzentrationslager Theresienstadt anhand der künstlerischen Arbeit von siebenundzwanzig Jahren 1917-1944.\r\nEssay von Herbert Gantschacher verfasst für das Kärntner Vorlesungs- und 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dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="122791854"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/122791854/Honoring_Holocaust_victim_and_Austrian_composer_and_musician_Viktor_Ullmann_plus_Hans_Kr%C3%A1sa_Pavel_Haas_and_Zikmund_Schul"><img alt="Research paper thumbnail of Honoring Holocaust victim and Austrian composer and musician Viktor Ullmann plus Hans Krása, Pavel, Haas, and Zikmund Schul" class="work-thumbnail" src="https://attachments.academia-assets.com/117381753/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/122791854/Honoring_Holocaust_victim_and_Austrian_composer_and_musician_Viktor_Ullmann_plus_Hans_Kr%C3%A1sa_Pavel_Haas_and_Zikmund_Schul">Honoring Holocaust victim and Austrian composer and musician Viktor Ullmann plus Hans Krása, Pavel, Haas, and Zikmund Schul</a></div><div class="wp-workCard_item"><span>Jerusalem Post</span><span>, 2024</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Essay written by Barry Davis about Herbert Gantschacher's activities with a new packed schedule o...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Essay written by Barry Davis about Herbert Gantschacher's activities with a new packed schedule of lectures and masterclasses at the JAMD - Jerusalem Academy of Music and Dance. During the courses of this week, April 7-9 2024, he will enlighten JAMD students, and staff about Ullmann, and other composers related to Ullmann's work at a couple of lectures he is due to give at the academy this time focussing on the music composed at Theresienstadt during the "Freizeitgestaltung" (Leisure Time Activities) written by Viktor Ullmann, Hans Krása (his children's opera "Brundibár" was performed more than 50 times in the "Freizeitgestaltung" at Theresienstadt), Pavel Haas (his composition "Study for Stringorchestra" was performed by the only permanent existing orchestra of the "Freizeitgestaltung" which existed under the umbrella of Ullmann's "Collegium Musicum" led by the later famous conductor Karel Ančerl as the conductor of the Radio Symphony Orchestra Prague, the artistic director of the Czech Philharmonic, and as the music director of the Toronto Symphony Orchestra after Ančerl left Czechoslovakia about the end of the Prague Spring and the occupation), and Ziknund Schul (a young gifted composer, who died at Theresienstadt, and at Schul's funeral Viktor Ullmann gave his speech at his coffin honouring Schul). Alexander Drčar, from the Mozarteum University in Salzburg, serves as a teacher of these masterclasses</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="35f2093da757fcbe615f0fdb7d573775" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":117381753,"asset_id":122791854,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/117381753/download_file?st=MTczMzI0MTIyMSw4LjIyMi4yMDguMTQ2&st=MTczMzI0MTIxOSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="122791854"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="122791854"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 122791854; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=122791854]").text(description); $(".js-view-count[data-work-id=122791854]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 122791854; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='122791854']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 122791854, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "35f2093da757fcbe615f0fdb7d573775" } } $('.js-work-strip[data-work-id=122791854]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":122791854,"title":"Honoring Holocaust victim and Austrian composer and musician Viktor Ullmann plus Hans Krása, Pavel, Haas, and Zikmund Schul","translated_title":"","metadata":{"abstract":"Essay written by Barry Davis about Herbert Gantschacher's activities with a new packed schedule of lectures and masterclasses at the JAMD - Jerusalem Academy of Music and Dance. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="122469438"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/122469438/Herbert_Gantschacher_STRINGS_Tracks_To_The_Music_Of_Viktor_Ullmann_Hans_Kr%C3%A1sa_Zikmund_Schul_And_Pavel_Haas_"><img alt="Research paper thumbnail of Herbert Gantschacher "STRINGS -Tracks To The Music Of Viktor Ullmann, Hans Krása, Zikmund Schul, And Pavel Haas"" class="work-thumbnail" src="https://attachments.academia-assets.com/117126676/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/122469438/Herbert_Gantschacher_STRINGS_Tracks_To_The_Music_Of_Viktor_Ullmann_Hans_Kr%C3%A1sa_Zikmund_Schul_And_Pavel_Haas_">Herbert Gantschacher "STRINGS -Tracks To The Music Of Viktor Ullmann, Hans Krása, Zikmund Schul, And Pavel Haas"</a></div><div class="wp-workCard_item"><span>ARBOS-Edition</span><span>, 2024</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The Carinthian Lectures And Master Class Project related to the Culture of Memorial related to mu...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The Carinthian Lectures And Master Class Project related to the Culture of Memorial related to music of the composers Viktor Ullmann, Hans Krása, Zikmund Schul, and Pavel Haas from The Great War, The First World War and the invention of "Freizeitgestaltung" (Leisure Time Activities) in the different theatres of wars and the reinvention of "Freizeitgestaltung" (Leisure Time Activities) under the conditions of a concentration camp like Theresienstadt (Terezin) in The Second World War, a project of ARBOS-Company for Music and Theatre coproduced with the JAMD-Jerusalem Academy of Music and Dance. The Carinthian Lectures and Master Class Project related to the Culture of Memorial on the theme of the "Freizeitgestaltung" (Leisure Time Activities) in the different theatres of wars (from the Western Front to the Eastern Front and the Christmas Peace to the Carnian and Julian Alps and the River Isonzo) in the First World War and the reinvention of the "Freizeitgestaltung" (Leisure Time Activities) under the conditions of a concentration camp like Theresienstadt (Terezin) in the Second World War presented on the examples of the musicians and composers Ullmann, Krása, Schul, Haas.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="4932119e996fd1d9d95f29e53ea3acfb" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":117126676,"asset_id":122469438,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/117126676/download_file?st=MTczMzI0MTIyMSw4LjIyMi4yMDguMTQ2&st=MTczMzI0MTIxOSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="122469438"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="122469438"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 122469438; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=122469438]").text(description); $(".js-view-count[data-work-id=122469438]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 122469438; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='122469438']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 122469438, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "4932119e996fd1d9d95f29e53ea3acfb" } } $('.js-work-strip[data-work-id=122469438]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":122469438,"title":"Herbert Gantschacher \"STRINGS -Tracks To The Music Of Viktor Ullmann, Hans Krása, Zikmund Schul, And Pavel Haas\"","translated_title":"","metadata":{"abstract":"The Carinthian Lectures And Master Class Project related to the Culture of Memorial related to music of the composers Viktor Ullmann, Hans Krása, Zikmund Schul, and Pavel Haas from The Great War, The First World War and the invention of \"Freizeitgestaltung\" (Leisure Time Activities) in the different theatres of wars and the reinvention of \"Freizeitgestaltung\" (Leisure Time Activities) under the conditions of a concentration camp like Theresienstadt (Terezin) in The Second World War, a project of ARBOS-Company for Music and Theatre coproduced with the JAMD-Jerusalem Academy of Music and Dance. 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Spuren zur Musik von Viktor Ullmann, Hans Krása, Zikmund Schul und Pavel Haas"" class="work-thumbnail" src="https://attachments.academia-assets.com/117126635/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/122469405/Herbert_Gantschacher_SAITEN_Spuren_zur_Musik_von_Viktor_Ullmann_Hans_Kr%C3%A1sa_Zikmund_Schul_und_Pavel_Haas_">Herbert Gantschacher "SAITEN - Spuren zur Musik von Viktor Ullmann, Hans Krása, Zikmund Schul und Pavel Haas"</a></div><div class="wp-workCard_item"><span>ARBOS-Edition</span><span>, 2024</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated"> Das Kärntner Vorlesungs- und Meisterklassenprojekt (The Carinthian Lectures And Master Class Pr...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Das Kärntner Vorlesungs- und Meisterklassenprojekt (The Carinthian Lectures And Master Class Project) in Beziehung zur Kultur der Erinnerung zur Musik der Komponisten Viktor Ullmann, Hans Krása, Zikmund Schul und Pavel Haas vom Großen Krieg, dem Ersten Weltkrieg und der "Freizeitgestaltung" in den verschiedenen Situationen des Krieges und die Wiedererfindung der "Freizeitgestaltung" unter den Bedingungen eines Konzentrationslagers wie Theresienstadt im Zweiten Weltkrieg, ein Projekt von ARBOS - Gesellschaft für Musik und Theater koproduziert zusammen mit der JAMD – Jerusalem Academy of Music and Dance.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="3979ab84df20560f0cd8495c40e09587" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":117126635,"asset_id":122469405,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/117126635/download_file?st=MTczMzI0MTIyMSw4LjIyMi4yMDguMTQ2&st=MTczMzI0MTIxOSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="122469405"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="122469405"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 122469405; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=122469405]").text(description); $(".js-view-count[data-work-id=122469405]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 122469405; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='122469405']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 122469405, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "3979ab84df20560f0cd8495c40e09587" } } $('.js-work-strip[data-work-id=122469405]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":122469405,"title":"Herbert Gantschacher \"SAITEN - 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Vom Geburts- zum Todesort, vom Zeugen der Apokalypse zum Opfer der Apokalypse, von Blaukreuz zu Zyklon B: Teschen - Flitsch - Theresienstadt - Mauthausen - Auschwitz-Birkenau"" class="work-thumbnail" src="https://attachments.academia-assets.com/116904594/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/122187947/Herbert_Gantschacher_Viktor_Ullmann_1898_1944_Vom_Geburts_zum_Todesort_vom_Zeugen_der_Apokalypse_zum_Opfer_der_Apokalypse_von_Blaukreuz_zu_Zyklon_B_Teschen_Flitsch_Theresienstadt_Mauthausen_Auschwitz_Birkenau_">Herbert Gantschacher "Viktor Ullmann (1898-1944) - Vom Geburts- zum Todesort, vom Zeugen der Apokalypse zum Opfer der Apokalypse, von Blaukreuz zu Zyklon B: Teschen - Flitsch - Theresienstadt - Mauthausen - Auschwitz-Birkenau"</a></div><div class="wp-workCard_item"><span>ARBOS-Edition + Mauthausen Komitee Österreich</span><span>, 2024</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Essay zum Jahrestag der Befreiung des Konzentrationslagers Mauthausen am 5. Mai 1944 verfasst am ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Essay zum Jahrestag der Befreiung des Konzentrationslagers Mauthausen am 5. Mai 1944 verfasst am 31.3.2024 auf Einladung des Mauthausen Komitees Österreich</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="9b195e7b93d3349afcb22db1beb735c8" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":116904594,"asset_id":122187947,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/116904594/download_file?st=MTczMzI0MTIyMSw4LjIyMi4yMDguMTQ2&st=MTczMzI0MTIxOSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="122187947"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="122187947"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 122187947; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=122187947]").text(description); $(".js-view-count[data-work-id=122187947]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 122187947; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='122187947']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 122187947, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "9b195e7b93d3349afcb22db1beb735c8" } } $('.js-work-strip[data-work-id=122187947]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":122187947,"title":"Herbert Gantschacher \"Viktor Ullmann (1898-1944) - Vom Geburts- zum Todesort, vom Zeugen der Apokalypse zum Opfer der Apokalypse, von Blaukreuz zu Zyklon B: Teschen - Flitsch - Theresienstadt - Mauthausen - Auschwitz-Birkenau\"","translated_title":"","metadata":{"abstract":"Essay zum Jahrestag der Befreiung des Konzentrationslagers Mauthausen am 5. 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Viktor Ullmann: Vom Geburts‐ zum Todesort."" class="work-thumbnail" src="https://attachments.academia-assets.com/116589919/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/121791593/_Teschen_Isonzo_K%C3%A4rnten_Auschwitz_Birkenau_Viktor_Ullmann_Vom_Geburts_zum_Todesort_">"Teschen‐Isonzo‐Kärnten‐Auschwitz‐Birkenau. Viktor Ullmann: Vom Geburts‐ zum Todesort."</a></div><div class="wp-workCard_item"><span>ARBOS-Edition</span><span>, 2024</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Ein Essay verfasst von Herbert Gantschacher, Kurator des Projektes, in Zusammenarbeit mit Studier...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Ein Essay verfasst von Herbert Gantschacher, Kurator des Projektes, in Zusammenarbeit mit Studierenden der MS 5 Klagenfurt‐Wölfnitz, Miriam Mörtl (handschriftliche Dokumentation des Projektes, Erinnerungstexte und Zeichnungen), Jonas Hofmeister (Erinnerungstexte und Fotos), Moritz Kothmiller‐Uhl (Erinnerungstexte), Fabio Mick (Erinnerungstexte und Fotos), Frederic Pirker (Erinnerungstexte und Zeichnungen), Tobias<br />Schlintl (Erinnerungstexte), Adrian Schöll (Erinnerungstexte) und Maximilian Tegrovsky (Erinnerungstexte) zum Projekt zur Gedenk‐ und Erinnerungskultur gegen Nationalsozialismus und Faschismus anhand der authentischen Gedenkorte in der Tschechischen Republik und Polen in Bezug zu Kärnten in der Republik Österreich, Český Těšín in der Tschechischen Republik, Cieszyn in der Republik Polen und zu den<br />Konzentrations‐ und Vernichtungslagern Auschwitz I, das Stammlager in der ehemaligen Artilleriekaserne der k.u.k. Wehrmacht, gelegen außerhalb der Stadt Oświęcim, und dem Vernichtungslager Auschwitz II, bekannt unter dem Namen Auschwitz‐Birkenau, gelegen außerhalb des Ortes <br />Brzezinka, einem früheren Truppenübungsplatz der k.u.k. 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href="https://www.academia.edu/114743635/Herbert_Gantschacher_A_Concert_Related_To_The_Musical_Biographies_Of_Arnold_Ros%C3%A9_Alma_Ros%C3%A9_And_Viktor_Ullmann_">Herbert Gantschacher "A Concert Related To The Musical Biographies Of Arnold Rosé, Alma Rosé, And Viktor Ullmann"</a></div><div class="wp-workCard_item"><span>JAMD - Lecture Series</span><span>, 2024</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">6 Lectures given by Herbert Gantschacher "Viktor Ullmann, Musician, Pianist, Military Bandmaster,...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">6 Lectures given by Herbert Gantschacher<br />"Viktor Ullmann, Musician, Pianist, Military Bandmaster, Conductor, Producer, Choir Director, Essayist, Publisher, Music Critics, Musicologist, Music Pedagogue, Poet, Composer, And Pacifist".<br />"Pay Attention To A Concert Related To The Musical  Biographies Of Arnold Rosé, Alma Rosé,  And Viktor Ullmann".<br />"The Origins Of Gustav Mahler's Polyphony, The Woerthersee, And The Kreuzbergl At Klagenfurt".<br />"The Artistic Work Of Alma And Arnold Rosé  And Their Biographies".<br />"Some Notes To The Biography Of Viktor Ullmann".<br />"Viktor Ullmann As Music Officer, Composer, And Pianist".</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="233d6df57380bc6d07a79a14767cbb57" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":111357135,"asset_id":114743635,"asset_type":"Work","button_location":"profile"}" 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Gantschacher "Der Archivar" Laudatio für Hubert Steiner</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">"Der Archivar" Laudatio von Herbert Gantschacher für Hubert Steiner anlässlich der Verleihung der...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">"Der Archivar" Laudatio von Herbert Gantschacher für Hubert Steiner<br />anlässlich der Verleihung der Goldenen Medaille der Landeshauptstadt<br />Klagenfurt am Wörthersee durch die Bürgermeisterin der Stadt Klagenfurt, Dr. Maria-Luise Mathiaschitz an Hofrat Dr. Hubert Steiner am 9.November 2017 in der Bibliothek der Alpen-Adria-Universität Klagenfurt, Universitätsstraße 65-67, 9020 Klagenfurt am Wörthersee</span></div><div class="wp-workCard_item 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class="wp-workCard_item"><span class="js-work-more-abstract-truncated">"Sehr geehrte Geehrte!" Laudatio für Hubert Steiner gehalten von Herbert Gantschacher im Wappensa...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">"Sehr geehrte Geehrte!" Laudatio für Hubert Steiner gehalten von Herbert Gantschacher im Wappensaal des Wiener Rathauses anlässlich der Auszeichnung mit der Ehrenmedaille der Bundeshauptstadt Wien in Silber an Hofrat Dr. Avshalom Hodik und der Auszeichnung mit dem Silbernen Ehrenzeichen für Verdienste um das Land Wien an Hofrat Dr. Hubert Steiner überreicht durch den amtsführenden Stadtrat für Kultur und Wissenschaft, Andreas Mailath-Pokorny am 29.Jänner 2010.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="b04810121a4f6bc1339c87a38bb9efc5" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":110143770,"asset_id":113091896,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/110143770/download_file?st=MTczMzI0MTIyMSw4LjIyMi4yMDguMTQ2&st=MTczMzI0MTIyMCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="113091896"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="113091896"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 113091896; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="113079442"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/113079442/_Die_Visuelle_Theater_Bibliothek_herausgegeben_von_Herbert_Gantschacher_f%C3%BCr_ARBOS_Gesellschaft_f%C3%BCr_Musik_und_Theater"><img alt="Research paper thumbnail of "Die Visuelle Theater Bibliothek" herausgegeben von Herbert Gantschacher für ARBOS -Gesellschaft für Musik und Theater" class="work-thumbnail" src="https://attachments.academia-assets.com/110135064/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/113079442/_Die_Visuelle_Theater_Bibliothek_herausgegeben_von_Herbert_Gantschacher_f%C3%BCr_ARBOS_Gesellschaft_f%C3%BCr_Musik_und_Theater">"Die Visuelle Theater Bibliothek" herausgegeben von Herbert Gantschacher für ARBOS -Gesellschaft für Musik und Theater</a></div><div class="wp-workCard_item"><span>EUROPÄISCHE UND INTERNATIONALE PARTNERSCHAFTEN ZUR ENTWICKLUNG VON FERTIGKEITEN ZUR SOZIALEN INKLUSION MITTELS KREATIVITÄT UND KUNST</span><span>, 2023</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Für das Projekt "Europäische und internationale Partnerschaften zur Entwicklung von Fertigkeiten ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Für das Projekt "Europäische und internationale Partnerschaften zur Entwicklung von Fertigkeiten zur sozialen Inklusion mittels Kreativität und Kunst" wurden drei Beispiele der Visuellen Theater Bibliothek speziell erarbeitet. Alle drei Bücher sind mit DVDs ausgestattet, auf denen in Österreichischer Gebärdensprache auch einem gehörlosen Publikum Zugang zu den Themen der Geschichte und der Literatur ermöglicht wird. Als bilinguales Projekt konzipiert in Gebärdensprache und gesprochener Sprache sowie Schriftsprache ermöglicht die Visuelle Theater Bibliothek auch einem blinden Publikum über das Hören den Zugang zu dieser Bibliothek aber auch generell dem Publikum, das auf diese Weise eine Bereicherung durch Menschen mit Behinderungen erfährt. Alle drei Bücher wurden exklusiv produziert von Herbert Gantschacher für ARBOS-Gesellschaft für Musik und Theater in Wien-Salzburg-Klagenfurt (Österreich) für das Projekt "Europäische und internationale Partnerschaften zur Entwicklung von Fertigkeiten zur sozialen Inklusion mittels Kreativität und Kunst"-AGREEMENT NUMBER: 2020-1-PL01-KA227-ADU-096360 (2)-Erasmus+ Programme, Key Action 2: Strategic Partnership Projects. Alle drei Bücher sind für das allgemeine Publikum erhältlich in der Österreichischen Nationalbibliothek in Wien, der Bibliothek des Österreichischen Staatsarchivs in Wien, der Bibliothek des Österreichischen Parlaments in Wien, den Landesbibliotheken und Universitätsbibliotheken in den neun österreichischen Bundesländern,</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="9d78982c1f667ba66939a9c909bf739c" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":110135064,"asset_id":113079442,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/110135064/download_file?st=MTczMzI0MTIyMSw4LjIyMi4yMDguMTQ2&st=MTczMzI0MTIyMCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="113079442"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="113079442"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 113079442; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=113079442]").text(description); $(".js-view-count[data-work-id=113079442]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 113079442; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='113079442']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 113079442, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "9d78982c1f667ba66939a9c909bf739c" } } $('.js-work-strip[data-work-id=113079442]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":113079442,"title":"\"Die Visuelle Theater Bibliothek\" herausgegeben von Herbert Gantschacher für ARBOS -Gesellschaft für Musik und Theater","translated_title":"","metadata":{"abstract":"Für das Projekt \"Europäische und internationale Partnerschaften zur Entwicklung von Fertigkeiten zur sozialen Inklusion mittels Kreativität und Kunst\" wurden drei Beispiele der Visuellen Theater Bibliothek speziell erarbeitet. Alle drei Bücher sind mit DVDs ausgestattet, auf denen in Österreichischer Gebärdensprache auch einem gehörlosen Publikum Zugang zu den Themen der Geschichte und der Literatur ermöglicht wird. Als bilinguales Projekt konzipiert in Gebärdensprache und gesprochener Sprache sowie Schriftsprache ermöglicht die Visuelle Theater Bibliothek auch einem blinden Publikum über das Hören den Zugang zu dieser Bibliothek aber auch generell dem Publikum, das auf diese Weise eine Bereicherung durch Menschen mit Behinderungen erfährt. Alle drei Bücher wurden exklusiv produziert von Herbert Gantschacher für ARBOS-Gesellschaft für Musik und Theater in Wien-Salzburg-Klagenfurt (Österreich) für das Projekt \"Europäische und internationale Partnerschaften zur Entwicklung von Fertigkeiten zur sozialen Inklusion mittels Kreativität und Kunst\"-AGREEMENT NUMBER: 2020-1-PL01-KA227-ADU-096360 (2)-Erasmus+ Programme, Key Action 2: Strategic Partnership Projects. Alle drei Bücher sind für das allgemeine Publikum erhältlich in der Österreichischen Nationalbibliothek in Wien, der Bibliothek des Österreichischen Staatsarchivs in Wien, der Bibliothek des Österreichischen Parlaments in Wien, den Landesbibliotheken und Universitätsbibliotheken in den neun österreichischen Bundesländern,","publication_date":{"day":null,"month":null,"year":2023,"errors":{}},"publication_name":"EUROPÄISCHE UND INTERNATIONALE PARTNERSCHAFTEN ZUR ENTWICKLUNG VON FERTIGKEITEN ZUR SOZIALEN INKLUSION MITTELS KREATIVITÄT UND KUNST"},"translated_abstract":"Für das Projekt \"Europäische und internationale Partnerschaften zur Entwicklung von Fertigkeiten zur sozialen Inklusion mittels Kreativität und Kunst\" wurden drei Beispiele der Visuellen Theater Bibliothek speziell erarbeitet. Alle drei Bücher sind mit DVDs ausgestattet, auf denen in Österreichischer Gebärdensprache auch einem gehörlosen Publikum Zugang zu den Themen der Geschichte und der Literatur ermöglicht wird. Als bilinguales Projekt konzipiert in Gebärdensprache und gesprochener Sprache sowie Schriftsprache ermöglicht die Visuelle Theater Bibliothek auch einem blinden Publikum über das Hören den Zugang zu dieser Bibliothek aber auch generell dem Publikum, das auf diese Weise eine Bereicherung durch Menschen mit Behinderungen erfährt. Alle drei Bücher wurden exklusiv produziert von Herbert Gantschacher für ARBOS-Gesellschaft für Musik und Theater in Wien-Salzburg-Klagenfurt (Österreich) für das Projekt \"Europäische und internationale Partnerschaften zur Entwicklung von Fertigkeiten zur sozialen Inklusion mittels Kreativität und Kunst\"-AGREEMENT NUMBER: 2020-1-PL01-KA227-ADU-096360 (2)-Erasmus+ Programme, Key Action 2: Strategic Partnership Projects. 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"Begreifen-Erriechen-Erschmecken" und "Gassed" zwei Vorlesungen mit Praktika von Herbert Gantschacher Diese beiden Vorlesungen mit Praktika wurden konzipiert von Herbert Gantschacher, um fünfsinnigen Personen die persönliche Erfahrung für den empathischen Umgang mit Personen mit unterschiedlichem Zugang zu den Sinnen begreifbar zu machen.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="458909d70d9fc229d958c0ab5e300f05" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":110134850,"asset_id":113079122,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/110134850/download_file?st=MTczMzI0MTIyMSw4LjIyMi4yMDguMTQ2&st=MTczMzI0MTIyMCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" 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von Herbert Gantschacher</a></div><div class="wp-workCard_item"><span>EUROPÄISCHE UND INTERNATIONALE PARTNERSCHAFTEN ZUR ENTWICKLUNG VON FERTIGKEITEN ZUR SOZIALEN INKLUSION MITTELS KREATIVITÄT UND KUNST</span><span>, 2023</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Britische Soldaten der 55. Division werden am 10.April 1918 bei einem Gasangriff des Deutschen He...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Britische Soldaten der 55. Division werden am 10.April 1918 bei einem Gasangriff des Deutschen Heeres taub, blind oder auch taubblind. Um von der Front geführt zu werden, bilden sie eine Marschkolonne und legen die Hände auf die Schultern des Vordermannes und warten auf den Abmarsch.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="f7bb7f9c568ea1d5dd088d44dabdddbd" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":110134797,"asset_id":113079002,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/110134797/download_file?st=MTczMzI0MTIyMSw4LjIyMi4yMDguMTQ2&st=MTczMzI0MTIyMSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="113079002"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="113079002"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 113079002; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=113079002]").text(description); $(".js-view-count[data-work-id=113079002]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 113079002; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='113079002']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 113079002, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "f7bb7f9c568ea1d5dd088d44dabdddbd" } } $('.js-work-strip[data-work-id=113079002]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":113079002,"title":"„Gassed“ Vorlesung mit Praktikum von Herbert Gantschacher","translated_title":"","metadata":{"abstract":"Britische Soldaten der 55. 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bild...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">5 außergewöhnliche Frauen in Beziehung zu den 5 Sinnen realisiert als einzigartige Werke der bildenden Kunst zum Begreifen, Erriechen und Erschmecken, 5 außergewöhnliche Porträts von außergewöhnlichen Frauen von links nach rechts: die einsinnige taubblinde Laura Bridgman (sie lebte ein erfülltes Leben mit dem Tastsinn), die zweisinnige Marie Heurtin (sie lebte ein erfülltes Leben mit dem Tast-und Geruchssinn), die dreisinnige Helen Keller (sie lebte ein erfülltes Leben mit dem Tast-, Geruchs-und Geschmacksinn), die US-amerikanische Dichterin Mary Ann Moore (sie war blind) und die US-amerikanische Gehörlosenlehrerin Sarah Harvey Porter (sie arbeitete an der Gallaudet-Universität, die einzige 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href="https://www.academia.edu/110930968/_The_Visual_Theatre_Library_edited_by_Herbert_Gantschacher_for_ARBOS_Company_for_Music_and_Theatre">"The Visual Theatre Library" edited by Herbert Gantschacher for ARBOS -Company for Music and Theatre</a></div><div class="wp-workCard_item"><span>"Selected activities, methods and exercises on development of skills and social inclusion through creativitiy and arts"</span><span>, 2023</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">For the project "European partnership for the development of skills and social inclusion through ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">For the project "European partnership for the development of skills and social inclusion through creativity and arts"' three examples of the Visual Theatre Library are worked out especially. All three books have included DVDs in Austrian Sign Language to give a special deaf audience access to the themes about history and literature. Produced bilingual in Sign Language and Spoken Language and Written Language the Visual Theatre Library gives also access to blind people and the common audience so that they can learn about the enrichment by people with disabilities.<br />Published at: "Selected activities, methods and exercises on development of skills and social inclusion through creativitiy and arts", E-Book of the Project "EUROPEAN PARTNERSHIP FOR THE DEVELOPMENT OF SKILLS AND SOCIAL INCLUSION THROUGH CREATIVITY AND ARTS 2020-1-PL01-KA227-ADU-096360, published in December 2023.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="19a8f54993952c8199974e2473dca7b9" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":108595091,"asset_id":110930968,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/108595091/download_file?st=MTczMzI0MTIyMSw4LjIyMi4yMDguMTQ2&st=MTczMzI0MTIyMSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="110930968"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="110930968"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 110930968; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=110930968]").text(description); $(".js-view-count[data-work-id=110930968]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 110930968; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='110930968']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 110930968, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "19a8f54993952c8199974e2473dca7b9" } } $('.js-work-strip[data-work-id=110930968]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":110930968,"title":"\"The Visual Theatre Library\" edited by Herbert Gantschacher for ARBOS -Company for Music and Theatre","translated_title":"","metadata":{"abstract":"For the project \"European partnership for the development of skills and social inclusion through creativity and arts\"' three examples of the Visual Theatre Library are worked out especially. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="110930385"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/110930385/_To_Touch_To_Smell_To_Taste_Lecture_with_practice_by_Herbert_Gantschacher"><img alt="Research paper thumbnail of „To Touch – To Smell – To Taste“ Lecture with practice by Herbert Gantschacher" class="work-thumbnail" src="https://attachments.academia-assets.com/108594689/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/110930385/_To_Touch_To_Smell_To_Taste_Lecture_with_practice_by_Herbert_Gantschacher">„To Touch – To Smell – To Taste“ Lecture with practice by Herbert Gantschacher</a></div><div class="wp-workCard_item"><span>"Selected activities, methods and exercises on development of skills and social inclusion through creativitiy and arts",</span><span>, 2023</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This lecture with practice designed by Herbert Gantschacher gives five-sensed persons the expiere...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This lecture with practice designed by Herbert Gantschacher gives five-sensed persons the expierence how to get a personal experience by empathy for people with different access to senses. "O, feel not our limitations, but the use we make of them", wrote the deafblind author and activist for human rights Helen Keller (1880-1968) to the Viennese philosopher Wilhelm Jerusalem (1854-1923). Jerusalem was the first who found the literary talent of Helen Keller. This is the theme behind this lecture with practice, because it happens again and again to five-sense people that they see four-sensed, three-sensed, two-sensed or one-sensed persons as disabled. However, being one-, two-, tree-or four-sensed only means that cultural and communication techniques have to be acquired differently than five-sense people do. The goal of this lecture with practice is to experience a sensitization of the senses. "To Touch-To Smell-To Taste" is an open programme with lecture and practice accessible for all persons, conducted by professionals composed of researchers, project director, deaf actors, CoDA actors (CoDA means, Child of Deaf Adult), and hearing actors with knowledge of Sign language on University Level. The goal of this lecture is to raise awareness about the skills of four-sensed, three-sensed, two-sensed or one-sensed persons. These persons are ofted classified as disabled. This classification is not correct, it is a misclassification, because one-sensed, two-sensed, three-sensed and foursensed persons have a different experience, from which culture, arts and cultural education are enriched by these different experiences.<br />Published at: "Selected activities, methods and exercises on development of skills and social inclusion through creativitiy and arts", E-Book of the Project "EUROPEAN PARTNERSHIP FOR THE DEVELOPMENT OF SKILLS AND SOCIAL INCLUSION THROUGH CREATIVITY AND ARTS 2020-1-PL01-KA227-ADU-096360, published in December 2023.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="5a31dd60c7be2cb069ddf5d32197481a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":108594689,"asset_id":110930385,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/108594689/download_file?st=MTczMzI0MTIyMSw4LjIyMi4yMDguMTQ2&st=MTczMzI0MTIyMSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="110930385"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="110930385"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 110930385; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=110930385]").text(description); $(".js-view-count[data-work-id=110930385]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 110930385; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='110930385']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 110930385, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "5a31dd60c7be2cb069ddf5d32197481a" } } $('.js-work-strip[data-work-id=110930385]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":110930385,"title":"„To Touch – To Smell – To Taste“ Lecture with practice by Herbert Gantschacher","translated_title":"","metadata":{"abstract":"This lecture with practice designed by Herbert Gantschacher gives five-sensed persons the expierence how to get a personal experience by empathy for people with different access to senses. \"O, feel not our limitations, but the use we make of them\", wrote the deafblind author and activist for human rights Helen Keller (1880-1968) to the Viennese philosopher Wilhelm Jerusalem (1854-1923). Jerusalem was the first who found the literary talent of Helen Keller. This is the theme behind this lecture with practice, because it happens again and again to five-sense people that they see four-sensed, three-sensed, two-sensed or one-sensed persons as disabled. However, being one-, two-, tree-or four-sensed only means that cultural and communication techniques have to be acquired differently than five-sense people do. The goal of this lecture with practice is to experience a sensitization of the senses. \"To Touch-To Smell-To Taste\" is an open programme with lecture and practice accessible for all persons, conducted by professionals composed of researchers, project director, deaf actors, CoDA actors (CoDA means, Child of Deaf Adult), and hearing actors with knowledge of Sign language on University Level. The goal of this lecture is to raise awareness about the skills of four-sensed, three-sensed, two-sensed or one-sensed persons. These persons are ofted classified as disabled. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="9431516" id="books"><div class="js-work-strip profile--work_container" data-work-id="110287173"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/110287173/_Forms_of_Life_D%C5%BEevad_Karahasan_and_Herbert_Gantschacher"><img alt="Research paper thumbnail of "Forms of Life" Dževad Karahasan and Herbert Gantschacher" class="work-thumbnail" src="https://attachments.academia-assets.com/108151115/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/110287173/_Forms_of_Life_D%C5%BEevad_Karahasan_and_Herbert_Gantschacher">"Forms of Life" Dževad Karahasan and Herbert Gantschacher</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/ArbosHerbertGantschacher">Arbos M U S I K Theater</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/D%C5%BEevadKarahasan">Dževad Karahasan</a></span></div><div class="wp-workCard_item"><span>"Forms of Life" Dževad Karahasan and Herbert Gantschacher</span><span>, 1999</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Articulated theory and practice of art as forms of life by Dževad Karahasan and Herbert Gantschac...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Articulated theory and practice of art as forms of life by Dževad Karahasan and Herbert Gantschacher <br /> <br />ISBN: 3-85266-04-6 edition selene, Vienna 1999</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="f0dfd28298dde9796347d8f1fe4ff57d" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":108151115,"asset_id":110287173,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/108151115/download_file?st=MTczMzI0MTIyMSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="110287173"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="110287173"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 110287173; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="110286369"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/110286369/_Forma%C5%BEivota_"><img alt="Research paper thumbnail of "Formaživota"" class="work-thumbnail" src="https://attachments.academia-assets.com/108150575/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/110286369/_Forma%C5%BEivota_">"Formaživota"</a></div><div class="wp-workCard_item"><span>"Formaživota" Dževad Karahasan i Herbert Gantschacher</span><span>, 1999</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">"Formaživota" ISBN: 3-85266-04-6 edition selene, Beč 1999 </span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="dad78b5334fac120d0082327e236ee5c" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":108150575,"asset_id":110286369,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/108150575/download_file?st=MTczMzI0MTIyMSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="110286369"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="110286369"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 110286369; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="106870000"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/106870000/_Ich_bin_Karel_Berman_ich_bin_der_Tod_ich_habe_%C3%BCberlebt_M_Streep_V_Ullmann_F_Eggarter_W_Jerusalem_M_Ullmann_K_Jerusalem_K_Berman_E_Hermannov%C3%A1_H_T_Mandl_P_Kling_M_Jerusalem_L_Birnbaum_M_Prawy_D_Karahasan_und_andere_von_Herbert_Gantschacher"><img alt="Research paper thumbnail of "Ich bin Karel Berman, ich bin der Tod, ich habe überlebt" (M.Streep, V.Ullmann, F.Eggarter, W.Jerusalem, M.Ullmann, K.Jerusalem, K.Berman, E.Hermannová, H.T.Mandl, P.Kling, M.Jerusalem, L.Birnbaum, M.Prawy, D.Karahasan und andere.) von Herbert Gantschacher" class="work-thumbnail" src="https://attachments.academia-assets.com/105823193/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/106870000/_Ich_bin_Karel_Berman_ich_bin_der_Tod_ich_habe_%C3%BCberlebt_M_Streep_V_Ullmann_F_Eggarter_W_Jerusalem_M_Ullmann_K_Jerusalem_K_Berman_E_Hermannov%C3%A1_H_T_Mandl_P_Kling_M_Jerusalem_L_Birnbaum_M_Prawy_D_Karahasan_und_andere_von_Herbert_Gantschacher">"Ich bin Karel Berman, ich bin der Tod, ich habe überlebt" (M.Streep, V.Ullmann, F.Eggarter, W.Jerusalem, M.Ullmann, K.Jerusalem, K.Berman, E.Hermannová, H.T.Mandl, P.Kling, M.Jerusalem, L.Birnbaum, M.Prawy, D.Karahasan und andere.) von Herbert Gantschacher</a></div><div class="wp-workCard_item"><span>Visuelle Theater Bibliothek Nr. 11</span><span>, 2023</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Zum ersten Mal wird die Originalfassung des Librettos von Viktor Ullmanns Anti-Kriegsoper "Der Ka...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Zum ersten Mal wird die Originalfassung des Librettos von Viktor Ullmanns Anti-Kriegsoper "Der Kaiser von Atlantis oder die Tod-Verweigerung" in der Originalfassung des Komponisten veröffentlicht mit Texten von Karel Berman, Paul Kling und Herbert Thomas Mandl, die alle drei am Prozess der Fertigstellung von Ullmanns Anti-Kriegsoper im Rahmen der Freizeitgestaltung im Konzentrationslager Theresienstadt beteiligt waren. Karel Berman probte die Partie des Todes in Theresienstadt. Bermans Rollenbuch des Todes von Ullmanns Anti-Kriegsoper "Der Kaiser von Atlantis oder die Tod-Verweigerung" war die wichtigste Quelle zur Rekonstruktion der Originalfassung, neben den Berichten des Konzertmeisters der Theresienstädter Proben, dem Geiger Paul Kling, und den Berichten von Herbert Thomas Mandl, der bei allen in Theresienstadt statt gefundenen Proben anwesend war. Weitere Texte stammen vom Dramaturgen dieser legendären Produktion, dem Dichter Dževad Karahasan, die bis heute am Spielplan von ARBOS - Gesellschaft für Musik und Theater steht, dem Regisseur, Kurator und Forscher Herbert Gantschacher sowie den drei Kulturpolitikern, die maßgeblichen Anteil am Zustandekommen dieses Forschungs- und Musikprojekts zu Viktor Ullmann Anteil haben, dem Kärntner Landeshauptmann Peter Kaiser, dem Präsidenten des Kärntner Landtags Reinhart Rohr und dem Vorsitzenden des Kulturausschusses des Kärntner Landtags, Herwig Seiser. <br />Musik und Libretto zur Anti-Kriegsoper stammen von Viktor Ullmann, die auf den eigenen Kriegserfahrungen im Ersten Weltkrieg fußt. Viktor Ullmann arbeitete ein Leben lang an diesem Werk von 1917 bis 1944, insgesamt 27 Jahre. Der Großvater von Herbert Gantschacher, Friedrich Eggarter, war mit Viktor Ullmann gemeinsam an der Isonzofront vor Beginn der zwölften und letzten Isonzoschlacht. Während Viktor Ullmann als Artilleriebeobachter am Berg verblieb, musste Friedrich Eggarter die vergasten Stellungen der italienischen Truppen mit Gasschutz ausgestattet durchkämmen auf der Suche nach Lebenden und Toten. Eggarter überlebte diesen Einsatz knapp.<br />Viktor Ullmann ist auch den beiden Regenten der Vielfachmonarchie des Erzhauses Habsburg persönlich begegnet. Während des Besuchs von Kaiser Franz-Joseph in Teschen (heute eine geteilte Stadt zwischen Polen und der Tschechischen Republik, Cieszyn und Český Těšín) vom 30. August 1906 bis 5. September 1906 begegnete Viktor Ullmanns Vater Maximilian Ullmann als Hauptmann der k.u.k. Wehrmacht dem Monarchen bei der Ankunft am Zentralbahnhof in Teschen, als das gesamte in Teschen anwesende Offizierskorps mit musikalischen Militärsignalen Kaiser Franz-Joseph empfing. Als Oberbefehlshaber der bewaffneten Wehrmacht wohnte der Monarch den so genannten Kaisermanövern bei. Viktor Ullmann selbst begegnete Kaiser Franz-Joseph beim Teschener Rathaus am 2. September 1906 um 4 Uhr nachmittags zum Klang des Spielwerks des Ratshaus, dessen musikalisches Motiv sich dann später in seiner Anti-Kriegsoper "Der Kaiser von Atlantis oder Die Tod-Verweigerung" als zentrales Thema in der Szene im Kaiserpalast und am Schlachtfeld  "Nr. VIII. Rezitativ und Arie. L'istesso Tempo" wiederfindet. Die erste Instrumentalbesetzung stammt aus dem Jahr 1917. Hier begegnete Viktor Ullmann nun als Artilleriebeobachter dem Oberbefehlshaber der k.u.k. Wehrmacht, Kaiser und König Karl aus dem Erzhaus Habsburg am Schlachtfeld, Vater Maximilian Ullmann war als Oberst mit seinem Regiment zum Schutz des Monarchen am Schlachtfeld der 12. Isonzoschlacht verantwortlich, und er wurde dafür 1918 in den Adelsstand erhoben. Themen aus der Oper finden sich schon im Opus 7 aus dem Jahr 1924 "Symphonische Phantasie", Solokantate für Tenor und Orchester und der Klaviersonate Nr. 7 aus dem Jahr 1944.<br />Im Sommer 1944 wurde die Oper erstmals im Konzentrationslager Theresienstadt im Rahmen der Freizeitgestaltung geprobt. Karel Berman probte die Partie des Todes, Paul Kling war als Violinist Konzertmeister des Kammerorchesters, an allen Proben nahm auch der Geiger Herbert Thomas Mandl teil als Sekretär der jüdischen Selbstverwaltung des Konzentrationslagers in Theresienstadt. An diesen Proben war Viktor Ullmann nicht beteiligt.<br />Danach dauerte es Jahrzehnte, bis Ullmanns Anti-Kriegsoper "Der Kaiser von Atlantis oder die Tod-Verweigerung" wieder gespielt wurde. Am 24. Sepember 1993 gab es in der Tschechischen Republik im Národný Pamätník im Bezirk Žižkov in Prag die Tschechische Erstaufführung durch ARBOS - Gesellschaft für Musik und Theater. Die Inszenierung wurde zur Operninszenierung des Jahres 1993 in der Tschechischen Republik gewählt. Am 23. Mai 1995 gab es die Erstaufführung in Theresienstadt produziert und präsentiert ebenfalls durch ARBOS - Gesellschaft für Musik und Theater, 51 Jahre nach dem Ende der Proben im Konzentrationslager Theresienstadt. Der Prozess der authentischen Rekonstruktion des Originals der Oper geschah in Autrag und Mitarbeit von Herbert Gantschacher durchgeführt ab Jänner 1993 in Zusammenarbeit mit den überlebenden Zeitzeugen Karel Berman, Paul Kling, Herbert Thomas Mandl und dem Musikwissenschaftler Ingo Schultz fertig gestellt im Juni 1993, mit letzten kleinen Korrekturen Anfang Mai 1995. <br />Von ARBOS - Gesellschaft für Musik und Theater gibt es insgesamt drei Einspielungen auf Tonträger der Originalfassung, Ausschnitte der Tschechischen Erstaufführung von Ullmanns Anti-Kriegsoper vom 24. September 1993 in der ARBOS-Edition, der Studioeinspielung, eine Koproduktion von ARBOS - Gesellschaft für Musik und Theater und Studio MATOUŠ Prag produziert von Jänner bis Mai 1995 in Klagenfurt und Prag, und den gesamten Live-Mitschnitt der Erstaufführung in Theresienstadt vom 23. Mai 1995 in der ARBOS-Edition sowie den dokumentarischen Musiktheaterfilm zu Ullmanns Anti-Kriegsoper produziert in Deutsch, Englisch, Tschechisch und Italienisch.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="1dfcfce4c8c22b1372c505fa5be6f3bc" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":105823193,"asset_id":106870000,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/105823193/download_file?st=MTczMzI0MTIyMSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="106870000"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="106870000"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 106870000; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=106870000]").text(description); $(".js-view-count[data-work-id=106870000]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 106870000; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='106870000']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 106870000, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "1dfcfce4c8c22b1372c505fa5be6f3bc" } } $('.js-work-strip[data-work-id=106870000]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":106870000,"title":"\"Ich bin Karel Berman, ich bin der Tod, ich habe überlebt\" (M.Streep, V.Ullmann, F.Eggarter, W.Jerusalem, M.Ullmann, K.Jerusalem, K.Berman, E.Hermannová, H.T.Mandl, P.Kling, M.Jerusalem, L.Birnbaum, M.Prawy, D.Karahasan und andere.) von Herbert Gantschacher","translated_title":"","metadata":{"abstract":"Zum ersten Mal wird die Originalfassung des Librettos von Viktor Ullmanns Anti-Kriegsoper \"Der Kaiser von Atlantis oder die Tod-Verweigerung\" in der Originalfassung des Komponisten veröffentlicht mit Texten von Karel Berman, Paul Kling und Herbert Thomas Mandl, die alle drei am Prozess der Fertigstellung von Ullmanns Anti-Kriegsoper im Rahmen der Freizeitgestaltung im Konzentrationslager Theresienstadt beteiligt waren. Karel Berman probte die Partie des Todes in Theresienstadt. Bermans Rollenbuch des Todes von Ullmanns Anti-Kriegsoper \"Der Kaiser von Atlantis oder die Tod-Verweigerung\" war die wichtigste Quelle zur Rekonstruktion der Originalfassung, neben den Berichten des Konzertmeisters der Theresienstädter Proben, dem Geiger Paul Kling, und den Berichten von Herbert Thomas Mandl, der bei allen in Theresienstadt statt gefundenen Proben anwesend war. Weitere Texte stammen vom Dramaturgen dieser legendären Produktion, dem Dichter Dževad Karahasan, die bis heute am Spielplan von ARBOS - Gesellschaft für Musik und Theater steht, dem Regisseur, Kurator und Forscher Herbert Gantschacher sowie den drei Kulturpolitikern, die maßgeblichen Anteil am Zustandekommen dieses Forschungs- und Musikprojekts zu Viktor Ullmann Anteil haben, dem Kärntner Landeshauptmann Peter Kaiser, dem Präsidenten des Kärntner Landtags Reinhart Rohr und dem Vorsitzenden des Kulturausschusses des Kärntner Landtags, Herwig Seiser. \nMusik und Libretto zur Anti-Kriegsoper stammen von Viktor Ullmann, die auf den eigenen Kriegserfahrungen im Ersten Weltkrieg fußt. Viktor Ullmann arbeitete ein Leben lang an diesem Werk von 1917 bis 1944, insgesamt 27 Jahre. Der Großvater von Herbert Gantschacher, Friedrich Eggarter, war mit Viktor Ullmann gemeinsam an der Isonzofront vor Beginn der zwölften und letzten Isonzoschlacht. Während Viktor Ullmann als Artilleriebeobachter am Berg verblieb, musste Friedrich Eggarter die vergasten Stellungen der italienischen Truppen mit Gasschutz ausgestattet durchkämmen auf der Suche nach Lebenden und Toten. Eggarter überlebte diesen Einsatz knapp.\nViktor Ullmann ist auch den beiden Regenten der Vielfachmonarchie des Erzhauses Habsburg persönlich begegnet. Während des Besuchs von Kaiser Franz-Joseph in Teschen (heute eine geteilte Stadt zwischen Polen und der Tschechischen Republik, Cieszyn und Český Těšín) vom 30. August 1906 bis 5. September 1906 begegnete Viktor Ullmanns Vater Maximilian Ullmann als Hauptmann der k.u.k. Wehrmacht dem Monarchen bei der Ankunft am Zentralbahnhof in Teschen, als das gesamte in Teschen anwesende Offizierskorps mit musikalischen Militärsignalen Kaiser Franz-Joseph empfing. Als Oberbefehlshaber der bewaffneten Wehrmacht wohnte der Monarch den so genannten Kaisermanövern bei. Viktor Ullmann selbst begegnete Kaiser Franz-Joseph beim Teschener Rathaus am 2. September 1906 um 4 Uhr nachmittags zum Klang des Spielwerks des Ratshaus, dessen musikalisches Motiv sich dann später in seiner Anti-Kriegsoper \"Der Kaiser von Atlantis oder Die Tod-Verweigerung\" als zentrales Thema in der Szene im Kaiserpalast und am Schlachtfeld \"Nr. VIII. Rezitativ und Arie. L'istesso Tempo\" wiederfindet. Die erste Instrumentalbesetzung stammt aus dem Jahr 1917. Hier begegnete Viktor Ullmann nun als Artilleriebeobachter dem Oberbefehlshaber der k.u.k. Wehrmacht, Kaiser und König Karl aus dem Erzhaus Habsburg am Schlachtfeld, Vater Maximilian Ullmann war als Oberst mit seinem Regiment zum Schutz des Monarchen am Schlachtfeld der 12. Isonzoschlacht verantwortlich, und er wurde dafür 1918 in den Adelsstand erhoben. Themen aus der Oper finden sich schon im Opus 7 aus dem Jahr 1924 \"Symphonische Phantasie\", Solokantate für Tenor und Orchester und der Klaviersonate Nr. 7 aus dem Jahr 1944.\nIm Sommer 1944 wurde die Oper erstmals im Konzentrationslager Theresienstadt im Rahmen der Freizeitgestaltung geprobt. Karel Berman probte die Partie des Todes, Paul Kling war als Violinist Konzertmeister des Kammerorchesters, an allen Proben nahm auch der Geiger Herbert Thomas Mandl teil als Sekretär der jüdischen Selbstverwaltung des Konzentrationslagers in Theresienstadt. An diesen Proben war Viktor Ullmann nicht beteiligt.\nDanach dauerte es Jahrzehnte, bis Ullmanns Anti-Kriegsoper \"Der Kaiser von Atlantis oder die Tod-Verweigerung\" wieder gespielt wurde. Am 24. Sepember 1993 gab es in der Tschechischen Republik im Národný Pamätník im Bezirk Žižkov in Prag die Tschechische Erstaufführung durch ARBOS - Gesellschaft für Musik und Theater. Die Inszenierung wurde zur Operninszenierung des Jahres 1993 in der Tschechischen Republik gewählt. Am 23. Mai 1995 gab es die Erstaufführung in Theresienstadt produziert und präsentiert ebenfalls durch ARBOS - Gesellschaft für Musik und Theater, 51 Jahre nach dem Ende der Proben im Konzentrationslager Theresienstadt. Der Prozess der authentischen Rekonstruktion des Originals der Oper geschah in Autrag und Mitarbeit von Herbert Gantschacher durchgeführt ab Jänner 1993 in Zusammenarbeit mit den überlebenden Zeitzeugen Karel Berman, Paul Kling, Herbert Thomas Mandl und dem Musikwissenschaftler Ingo Schultz fertig gestellt im Juni 1993, mit letzten kleinen Korrekturen Anfang Mai 1995. \nVon ARBOS - Gesellschaft für Musik und Theater gibt es insgesamt drei Einspielungen auf Tonträger der Originalfassung, Ausschnitte der Tschechischen Erstaufführung von Ullmanns Anti-Kriegsoper vom 24. September 1993 in der ARBOS-Edition, der Studioeinspielung, eine Koproduktion von ARBOS - Gesellschaft für Musik und Theater und Studio MATOUŠ Prag produziert von Jänner bis Mai 1995 in Klagenfurt und Prag, und den gesamten Live-Mitschnitt der Erstaufführung in Theresienstadt vom 23. Mai 1995 in der ARBOS-Edition sowie den dokumentarischen Musiktheaterfilm zu Ullmanns Anti-Kriegsoper produziert in Deutsch, Englisch, Tschechisch und Italienisch.","publication_date":{"day":null,"month":null,"year":2023,"errors":{}},"publication_name":"Visuelle Theater Bibliothek Nr. 11"},"translated_abstract":"Zum ersten Mal wird die Originalfassung des Librettos von Viktor Ullmanns Anti-Kriegsoper \"Der Kaiser von Atlantis oder die Tod-Verweigerung\" in der Originalfassung des Komponisten veröffentlicht mit Texten von Karel Berman, Paul Kling und Herbert Thomas Mandl, die alle drei am Prozess der Fertigstellung von Ullmanns Anti-Kriegsoper im Rahmen der Freizeitgestaltung im Konzentrationslager Theresienstadt beteiligt waren. Karel Berman probte die Partie des Todes in Theresienstadt. Bermans Rollenbuch des Todes von Ullmanns Anti-Kriegsoper \"Der Kaiser von Atlantis oder die Tod-Verweigerung\" war die wichtigste Quelle zur Rekonstruktion der Originalfassung, neben den Berichten des Konzertmeisters der Theresienstädter Proben, dem Geiger Paul Kling, und den Berichten von Herbert Thomas Mandl, der bei allen in Theresienstadt statt gefundenen Proben anwesend war. Weitere Texte stammen vom Dramaturgen dieser legendären Produktion, dem Dichter Dževad Karahasan, die bis heute am Spielplan von ARBOS - Gesellschaft für Musik und Theater steht, dem Regisseur, Kurator und Forscher Herbert Gantschacher sowie den drei Kulturpolitikern, die maßgeblichen Anteil am Zustandekommen dieses Forschungs- und Musikprojekts zu Viktor Ullmann Anteil haben, dem Kärntner Landeshauptmann Peter Kaiser, dem Präsidenten des Kärntner Landtags Reinhart Rohr und dem Vorsitzenden des Kulturausschusses des Kärntner Landtags, Herwig Seiser. \nMusik und Libretto zur Anti-Kriegsoper stammen von Viktor Ullmann, die auf den eigenen Kriegserfahrungen im Ersten Weltkrieg fußt. Viktor Ullmann arbeitete ein Leben lang an diesem Werk von 1917 bis 1944, insgesamt 27 Jahre. Der Großvater von Herbert Gantschacher, Friedrich Eggarter, war mit Viktor Ullmann gemeinsam an der Isonzofront vor Beginn der zwölften und letzten Isonzoschlacht. Während Viktor Ullmann als Artilleriebeobachter am Berg verblieb, musste Friedrich Eggarter die vergasten Stellungen der italienischen Truppen mit Gasschutz ausgestattet durchkämmen auf der Suche nach Lebenden und Toten. Eggarter überlebte diesen Einsatz knapp.\nViktor Ullmann ist auch den beiden Regenten der Vielfachmonarchie des Erzhauses Habsburg persönlich begegnet. Während des Besuchs von Kaiser Franz-Joseph in Teschen (heute eine geteilte Stadt zwischen Polen und der Tschechischen Republik, Cieszyn und Český Těšín) vom 30. August 1906 bis 5. September 1906 begegnete Viktor Ullmanns Vater Maximilian Ullmann als Hauptmann der k.u.k. Wehrmacht dem Monarchen bei der Ankunft am Zentralbahnhof in Teschen, als das gesamte in Teschen anwesende Offizierskorps mit musikalischen Militärsignalen Kaiser Franz-Joseph empfing. Als Oberbefehlshaber der bewaffneten Wehrmacht wohnte der Monarch den so genannten Kaisermanövern bei. Viktor Ullmann selbst begegnete Kaiser Franz-Joseph beim Teschener Rathaus am 2. September 1906 um 4 Uhr nachmittags zum Klang des Spielwerks des Ratshaus, dessen musikalisches Motiv sich dann später in seiner Anti-Kriegsoper \"Der Kaiser von Atlantis oder Die Tod-Verweigerung\" als zentrales Thema in der Szene im Kaiserpalast und am Schlachtfeld \"Nr. VIII. Rezitativ und Arie. L'istesso Tempo\" wiederfindet. Die erste Instrumentalbesetzung stammt aus dem Jahr 1917. Hier begegnete Viktor Ullmann nun als Artilleriebeobachter dem Oberbefehlshaber der k.u.k. Wehrmacht, Kaiser und König Karl aus dem Erzhaus Habsburg am Schlachtfeld, Vater Maximilian Ullmann war als Oberst mit seinem Regiment zum Schutz des Monarchen am Schlachtfeld der 12. Isonzoschlacht verantwortlich, und er wurde dafür 1918 in den Adelsstand erhoben. Themen aus der Oper finden sich schon im Opus 7 aus dem Jahr 1924 \"Symphonische Phantasie\", Solokantate für Tenor und Orchester und der Klaviersonate Nr. 7 aus dem Jahr 1944.\nIm Sommer 1944 wurde die Oper erstmals im Konzentrationslager Theresienstadt im Rahmen der Freizeitgestaltung geprobt. Karel Berman probte die Partie des Todes, Paul Kling war als Violinist Konzertmeister des Kammerorchesters, an allen Proben nahm auch der Geiger Herbert Thomas Mandl teil als Sekretär der jüdischen Selbstverwaltung des Konzentrationslagers in Theresienstadt. An diesen Proben war Viktor Ullmann nicht beteiligt.\nDanach dauerte es Jahrzehnte, bis Ullmanns Anti-Kriegsoper \"Der Kaiser von Atlantis oder die Tod-Verweigerung\" wieder gespielt wurde. Am 24. Sepember 1993 gab es in der Tschechischen Republik im Národný Pamätník im Bezirk Žižkov in Prag die Tschechische Erstaufführung durch ARBOS - Gesellschaft für Musik und Theater. Die Inszenierung wurde zur Operninszenierung des Jahres 1993 in der Tschechischen Republik gewählt. Am 23. Mai 1995 gab es die Erstaufführung in Theresienstadt produziert und präsentiert ebenfalls durch ARBOS - Gesellschaft für Musik und Theater, 51 Jahre nach dem Ende der Proben im Konzentrationslager Theresienstadt. Der Prozess der authentischen Rekonstruktion des Originals der Oper geschah in Autrag und Mitarbeit von Herbert Gantschacher durchgeführt ab Jänner 1993 in Zusammenarbeit mit den überlebenden Zeitzeugen Karel Berman, Paul Kling, Herbert Thomas Mandl und dem Musikwissenschaftler Ingo Schultz fertig gestellt im Juni 1993, mit letzten kleinen Korrekturen Anfang Mai 1995. \nVon ARBOS - Gesellschaft für Musik und Theater gibt es insgesamt drei Einspielungen auf Tonträger der Originalfassung, Ausschnitte der Tschechischen Erstaufführung von Ullmanns Anti-Kriegsoper vom 24. September 1993 in der ARBOS-Edition, der Studioeinspielung, eine Koproduktion von ARBOS - Gesellschaft für Musik und Theater und Studio MATOUŠ Prag produziert von Jänner bis Mai 1995 in Klagenfurt und Prag, und den gesamten Live-Mitschnitt der Erstaufführung in Theresienstadt vom 23. Mai 1995 in der ARBOS-Edition sowie den dokumentarischen Musiktheaterfilm zu Ullmanns Anti-Kriegsoper produziert in Deutsch, Englisch, Tschechisch und Italienisch.","internal_url":"https://www.academia.edu/106870000/_Ich_bin_Karel_Berman_ich_bin_der_Tod_ich_habe_%C3%BCberlebt_M_Streep_V_Ullmann_F_Eggarter_W_Jerusalem_M_Ullmann_K_Jerusalem_K_Berman_E_Hermannov%C3%A1_H_T_Mandl_P_Kling_M_Jerusalem_L_Birnbaum_M_Prawy_D_Karahasan_und_andere_von_Herbert_Gantschacher","translated_internal_url":"","created_at":"2023-09-19T11:52:57.192-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":7829031,"coauthors_can_edit":true,"document_type":"book","co_author_tags":[],"downloadable_attachments":[{"id":105823193,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/105823193/thumbnails/1.jpg","file_name":"VTB_11_ARBOS_EDITION_2023_ISBN_978_3_9519833_2_5_Deutsch.pdf","download_url":"https://www.academia.edu/attachments/105823193/download_file?st=MTczMzI0MTIyMSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Ich_bin_Karel_Berman_ich_bin_der_Tod_ic.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/105823193/VTB_11_ARBOS_EDITION_2023_ISBN_978_3_9519833_2_5_Deutsch-libre.pdf?1695152497=\u0026response-content-disposition=attachment%3B+filename%3DIch_bin_Karel_Berman_ich_bin_der_Tod_ic.pdf\u0026Expires=1733196997\u0026Signature=fbcFdF46Xbh6ETYTxHT9RLza2LUoZvA4J8NstAmTNZQnvGfV0mnOwBB-RL1oGIzsFbxlrA2cpEywZ2o8tDmMMn79Q~QDvVnC4bv-fA9IiGfA-dDf6zjwPXHQW9uOtsal7UkrCWvgcGMdm7ZC6SNP8kKYopQxdNtnD4IsiN65vSPV-DZcvjRw0E9fG-E6w2t~YEJrYhlIcUf1bh8AVWZRBxjoKukZ6ajfPQRhPqqluWN2Pz9XvlSMXImsz3XKfpYiEzGsOIdwQ3GFTY8eSGPZWTA52yufCq4tmrTqZBZx-eNR6wKDHsyL~8Ujr8bHDw00KB97dVdIifXPSKFVCgwTqw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"_Ich_bin_Karel_Berman_ich_bin_der_Tod_ich_habe_überlebt_M_Streep_V_Ullmann_F_Eggarter_W_Jerusalem_M_Ullmann_K_Jerusalem_K_Berman_E_Hermannová_H_T_Mandl_P_Kling_M_Jerusalem_L_Birnbaum_M_Prawy_D_Karahasan_und_andere_von_Herbert_Gantschacher","translated_slug":"","page_count":19,"language":"de","content_type":"Work","owner":{"id":7829031,"first_name":"Arbos","middle_initials":"M U S I K","last_name":"Theater","page_name":"ArbosHerbertGantschacher","domain_name":"independent","created_at":"2013-12-26T04:38:18.143-08:00","display_name":"Arbos M U S I K Theater","url":"https://independent.academia.edu/ArbosHerbertGantschacher"},"attachments":[{"id":105823193,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/105823193/thumbnails/1.jpg","file_name":"VTB_11_ARBOS_EDITION_2023_ISBN_978_3_9519833_2_5_Deutsch.pdf","download_url":"https://www.academia.edu/attachments/105823193/download_file?st=MTczMzI0MTIyMSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Ich_bin_Karel_Berman_ich_bin_der_Tod_ic.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/105823193/VTB_11_ARBOS_EDITION_2023_ISBN_978_3_9519833_2_5_Deutsch-libre.pdf?1695152497=\u0026response-content-disposition=attachment%3B+filename%3DIch_bin_Karel_Berman_ich_bin_der_Tod_ic.pdf\u0026Expires=1733196997\u0026Signature=fbcFdF46Xbh6ETYTxHT9RLza2LUoZvA4J8NstAmTNZQnvGfV0mnOwBB-RL1oGIzsFbxlrA2cpEywZ2o8tDmMMn79Q~QDvVnC4bv-fA9IiGfA-dDf6zjwPXHQW9uOtsal7UkrCWvgcGMdm7ZC6SNP8kKYopQxdNtnD4IsiN65vSPV-DZcvjRw0E9fG-E6w2t~YEJrYhlIcUf1bh8AVWZRBxjoKukZ6ajfPQRhPqqluWN2Pz9XvlSMXImsz3XKfpYiEzGsOIdwQ3GFTY8eSGPZWTA52yufCq4tmrTqZBZx-eNR6wKDHsyL~8Ujr8bHDw00KB97dVdIifXPSKFVCgwTqw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="106869555"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/106869555/_I_Am_Karel_Berman_I_Am_The_Death_I_Have_Survived_M_Streep_V_Ullmann_F_Eggarter_W_Jerusalem_M_Ullmann_K_Jerusalem_K_Berman_E_Hermannov%C3%A1_H_T_Mandl_P_Kling_M_Jerusalem_L_Birnbaum_M_Prawy_D_Karahasan_and_others_by_Herbert_Gantschacher"><img alt="Research paper thumbnail of "I Am Karel Berman, I Am The Death, I Have Survived" (M.Streep, V.Ullmann, F.Eggarter, W.Jerusalem, M.Ullmann, K.Jerusalem, K.Berman, E.Hermannová, H.T.Mandl, P.Kling, M.Jerusalem, L.Birnbaum, M.Prawy, D.Karahasan and others.) by Herbert Gantschacher" class="work-thumbnail" src="https://attachments.academia-assets.com/105822979/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/106869555/_I_Am_Karel_Berman_I_Am_The_Death_I_Have_Survived_M_Streep_V_Ullmann_F_Eggarter_W_Jerusalem_M_Ullmann_K_Jerusalem_K_Berman_E_Hermannov%C3%A1_H_T_Mandl_P_Kling_M_Jerusalem_L_Birnbaum_M_Prawy_D_Karahasan_and_others_by_Herbert_Gantschacher">"I Am Karel Berman, I Am The Death, I Have Survived" (M.Streep, V.Ullmann, F.Eggarter, W.Jerusalem, M.Ullmann, K.Jerusalem, K.Berman, E.Hermannová, H.T.Mandl, P.Kling, M.Jerusalem, L.Birnbaum, M.Prawy, D.Karahasan and others.) by Herbert Gantschacher</a></div><div class="wp-workCard_item"><span>Visual Theatre Library Volume 11</span><span>, 2023</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">For the very first time the original version of the libretto of Viktor Ullmann's Anti-War Opera "...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">For the very first time the original version of the libretto of Viktor Ullmann's Anti-War Opera "The Emperor of Atlantis or The Disobedience of Death" in the original version of the composer is published including texts written by Karel Berman, Paul Kling and Herbert Thomas Mandl. All three were involved in the proces of the finalization of Ullmann's Anti-War Opera as a part of the "Freizeitgestaltung" (Leisure Time Activities) at the Concentration Camp of Terezin. Karel Berman rehearsed the character of The Death at Terezin. Berman's rolebook of The Death of Ullmann's Anti-War Opera "The Emperor of Atlantis or The Disobedience of Death" was the most important source for the reconstruction of the original score. The concertmaster of the rehearsals at Terezin, the violinist Paul Kling explained the rehearsals of the orchestra, as Herbert Thomas Mandl explained the proces of all rehearsals, as Herbert Thomas Mandl was at all rehearsals of the Ullmann's Anti-War Opera in Terezin. Other texts are written by the dramaturg of this legendary production, the poet Dževad Karahasan, which is performed till today by ARBOS - Company for Music and Theatre, the director, curator and researcher Herbert Gantschacher and three politicians responsible for culture, who are playing an important role of this research and music project about Viktor Ullmann, the Governor of the State of Carinthia in the Republic of Austria, Peter Kaiser, the President of the Parliament of the State of Carinthia in the Republic of Austria, Reinhart Rohr, the Chairman of the Cultural Comittee of the Parliament of the State of Carinthia in the Republic of Austria, Herwig Seiser.<br />Music and libretto of the Anti-War Opera are written by Viktor Ullmann, the opera is based on Ullmann's personal war experience in the First World War. Viktor Ullmann worked his whole lifetime on his opera from 1917 to 1944, in all 27 years. Together with Viktor Ullmann the grandfather of Herbert Gantschacher, Friedrich Eggarter, served in the theatre of war before the start of the 12th and last battle in the valley of the river Isonzo. As Viktor Ullmann remained as an artillery observer in the mountains, Friedrich Eggarter got the order to go through the gassed trenches of Italian troops. Equipped with gasmasks Eggarter had to go through the gassed trenches in search for Living and Dead. Eggarter survived this special mission on the edge of his life.<br />Viktor Ullmann personally met both regents of multiple monarchy of the archhouse of Hapsburg. During the visit of emperor Franz-Joseph at Teschen (today a divided city between Poland and the Czech Republic, Cieszyn and Český Těšín) from 30th of August 1906 to 6th of September 1906. Viktor Ullmann's father Maximilian Ullmann served at this time as a captain of the k.u.k. Wehrmacht and got in touch with the emperor during the arrival ceremony at the central station of Teschen, there the emperor was welcomed with musical military signals. As commander-in-chief of the armed Wehrmacht, the monarch attended the so-called imperial manoeuvres. Viktor Ullmann himself saw the emperor Franz-Joseph at the City Hall of Teschen on 2nd of September 1906 at 4 o'clock in the afternoon, the sound of the bells of the mechanical tower clock of City Hall opened the ceremony. The musical motif of the mechanical tower clock of the City Hall of Teschen Viktor Ullmann used later in his anti-war opera "The Emperor of Atlantis or The Disobedience of Death" as the central theme for the scene at the emperor's palace and battlefield "Nr. VIII. Rezitativ und Arie. L'istesso Tempo". The first instrumentation of the chamber orchestra is from 1917. In this year Viktor Ullmann served as an artillery observer in the theatre of war in the valley of the river Isonzo and met the emperor and king Charles from the archhouse Hapsburg there as the commander-in-chief of the k.u.k. Wehrmacht at the battlefield. Here father Maximilian Ullmann served now as an officer of the k.u.k. Wehrmacht in the rank of a colonel general and saved with his brigade the monarch at the battlefield of the 12th battle at the Isonzo river. In 1918 Maximilian Ullmann received the patent of nobility for the service of the safety of the emperor on the battlefield. Musical themes of the opera Ullmann used in opus 7 from the year 1924 "Symphonic Fantasy", Solo Cantata for Tenor and Orchestra, and the Piano Sonata Nr. 7 from the year 1944. In Summer 1944 the opera was rehearsed for the very first time at the concentration camp of Terezin during the leisure time activities named as "Freizeitgestaltung" (leisure time activities). The singer Karel Berman rehearsed the character of the Death, Paul Kling was as a violinist the concertmaster of the chamber orchestra. And the violinist Herbert Thomas Mandl visited all rehearsals at Terezin as the secretary of the Jewish self-government of the concentration camp Terezin. Viktor Ullmann himself did not attend the rehearsals. <br />After that it took decades till Ullmann's Anti-War opera "The Emperor of Atlantis or The Disobedience of Death" was rehearsed and performed again. On 24th of September 1993 in the Czech Republic at the Národný pamätník in the district Žižkov in Prag the first performance was presented by ARBOS - Company for Music and Theatre. The production was chosen as the opera performance of the year 1993 in the Czech Republic. On 23rd of May 1995 the first performance at Terezin took place again produced and presented by ARBOS - Company for Music and Theatre, 51 years after the rehearsals in the concentration camp Terezin. The process of the authentical reconstruction of the original score of the opera started in January 1993 under commission and in cooperation with Herbert Gantschacher by the surviving eyewitnesses Karel Berman, Paul Kling, Herbert Thomas Mandl, and the musicologist Ingo Schultz was finished in June 1993, the last minor corrections happened in the beginning of May 1995.<br />ARBOS - Company for Music and Theatre produced three recordings of the original score, part of the Czech Premiere of Ullmann's Anti-War Opera from 24th of September 1993 in the ARBOS-Edition, the studio recording, coproduced by ARBOS - Company for Music and Theatre and Studio MATOUŠ Prague produced from January to Max 1995 at Klagenfurt and Prague, and the complete live recording of the First Performance ever at Terezin on 23rd of May 1995 published in the ARBOS-Edition, and the Documentary Music Theatre Film about Ullmann's Anti-War Opera produced in German, English, Czech and Italian.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="395f93b2fd3e506f85b5ee918f63a008" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":105822979,"asset_id":106869555,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/105822979/download_file?st=MTczMzI0MTIyMSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="106869555"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="106869555"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 106869555; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=106869555]").text(description); $(".js-view-count[data-work-id=106869555]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 106869555; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='106869555']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 106869555, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "395f93b2fd3e506f85b5ee918f63a008" } } $('.js-work-strip[data-work-id=106869555]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":106869555,"title":"\"I Am Karel Berman, I Am The Death, I Have Survived\" (M.Streep, V.Ullmann, F.Eggarter, W.Jerusalem, M.Ullmann, K.Jerusalem, K.Berman, E.Hermannová, H.T.Mandl, P.Kling, M.Jerusalem, L.Birnbaum, M.Prawy, D.Karahasan and others.) by Herbert Gantschacher","translated_title":"","metadata":{"abstract":"For the very first time the original version of the libretto of Viktor Ullmann's Anti-War Opera \"The Emperor of Atlantis or The Disobedience of Death\" in the original version of the composer is published including texts written by Karel Berman, Paul Kling and Herbert Thomas Mandl. All three were involved in the proces of the finalization of Ullmann's Anti-War Opera as a part of the \"Freizeitgestaltung\" (Leisure Time Activities) at the Concentration Camp of Terezin. Karel Berman rehearsed the character of The Death at Terezin. Berman's rolebook of The Death of Ullmann's Anti-War Opera \"The Emperor of Atlantis or The Disobedience of Death\" was the most important source for the reconstruction of the original score. The concertmaster of the rehearsals at Terezin, the violinist Paul Kling explained the rehearsals of the orchestra, as Herbert Thomas Mandl explained the proces of all rehearsals, as Herbert Thomas Mandl was at all rehearsals of the Ullmann's Anti-War Opera in Terezin. Other texts are written by the dramaturg of this legendary production, the poet Dževad Karahasan, which is performed till today by ARBOS - Company for Music and Theatre, the director, curator and researcher Herbert Gantschacher and three politicians responsible for culture, who are playing an important role of this research and music project about Viktor Ullmann, the Governor of the State of Carinthia in the Republic of Austria, Peter Kaiser, the President of the Parliament of the State of Carinthia in the Republic of Austria, Reinhart Rohr, the Chairman of the Cultural Comittee of the Parliament of the State of Carinthia in the Republic of Austria, Herwig Seiser.\nMusic and libretto of the Anti-War Opera are written by Viktor Ullmann, the opera is based on Ullmann's personal war experience in the First World War. Viktor Ullmann worked his whole lifetime on his opera from 1917 to 1944, in all 27 years. Together with Viktor Ullmann the grandfather of Herbert Gantschacher, Friedrich Eggarter, served in the theatre of war before the start of the 12th and last battle in the valley of the river Isonzo. As Viktor Ullmann remained as an artillery observer in the mountains, Friedrich Eggarter got the order to go through the gassed trenches of Italian troops. Equipped with gasmasks Eggarter had to go through the gassed trenches in search for Living and Dead. Eggarter survived this special mission on the edge of his life.\nViktor Ullmann personally met both regents of multiple monarchy of the archhouse of Hapsburg. During the visit of emperor Franz-Joseph at Teschen (today a divided city between Poland and the Czech Republic, Cieszyn and Český Těšín) from 30th of August 1906 to 6th of September 1906. Viktor Ullmann's father Maximilian Ullmann served at this time as a captain of the k.u.k. Wehrmacht and got in touch with the emperor during the arrival ceremony at the central station of Teschen, there the emperor was welcomed with musical military signals. As commander-in-chief of the armed Wehrmacht, the monarch attended the so-called imperial manoeuvres. Viktor Ullmann himself saw the emperor Franz-Joseph at the City Hall of Teschen on 2nd of September 1906 at 4 o'clock in the afternoon, the sound of the bells of the mechanical tower clock of City Hall opened the ceremony. The musical motif of the mechanical tower clock of the City Hall of Teschen Viktor Ullmann used later in his anti-war opera \"The Emperor of Atlantis or The Disobedience of Death\" as the central theme for the scene at the emperor's palace and battlefield \"Nr. VIII. Rezitativ und Arie. L'istesso Tempo\". The first instrumentation of the chamber orchestra is from 1917. In this year Viktor Ullmann served as an artillery observer in the theatre of war in the valley of the river Isonzo and met the emperor and king Charles from the archhouse Hapsburg there as the commander-in-chief of the k.u.k. Wehrmacht at the battlefield. Here father Maximilian Ullmann served now as an officer of the k.u.k. Wehrmacht in the rank of a colonel general and saved with his brigade the monarch at the battlefield of the 12th battle at the Isonzo river. In 1918 Maximilian Ullmann received the patent of nobility for the service of the safety of the emperor on the battlefield. Musical themes of the opera Ullmann used in opus 7 from the year 1924 \"Symphonic Fantasy\", Solo Cantata for Tenor and Orchestra, and the Piano Sonata Nr. 7 from the year 1944. In Summer 1944 the opera was rehearsed for the very first time at the concentration camp of Terezin during the leisure time activities named as \"Freizeitgestaltung\" (leisure time activities). The singer Karel Berman rehearsed the character of the Death, Paul Kling was as a violinist the concertmaster of the chamber orchestra. And the violinist Herbert Thomas Mandl visited all rehearsals at Terezin as the secretary of the Jewish self-government of the concentration camp Terezin. Viktor Ullmann himself did not attend the rehearsals. \nAfter that it took decades till Ullmann's Anti-War opera \"The Emperor of Atlantis or The Disobedience of Death\" was rehearsed and performed again. On 24th of September 1993 in the Czech Republic at the Národný pamätník in the district Žižkov in Prag the first performance was presented by ARBOS - Company for Music and Theatre. The production was chosen as the opera performance of the year 1993 in the Czech Republic. On 23rd of May 1995 the first performance at Terezin took place again produced and presented by ARBOS - Company for Music and Theatre, 51 years after the rehearsals in the concentration camp Terezin. The process of the authentical reconstruction of the original score of the opera started in January 1993 under commission and in cooperation with Herbert Gantschacher by the surviving eyewitnesses Karel Berman, Paul Kling, Herbert Thomas Mandl, and the musicologist Ingo Schultz was finished in June 1993, the last minor corrections happened in the beginning of May 1995.\nARBOS - Company for Music and Theatre produced three recordings of the original score, part of the Czech Premiere of Ullmann's Anti-War Opera from 24th of September 1993 in the ARBOS-Edition, the studio recording, coproduced by ARBOS - Company for Music and Theatre and Studio MATOUŠ Prague produced from January to Max 1995 at Klagenfurt and Prague, and the complete live recording of the First Performance ever at Terezin on 23rd of May 1995 published in the ARBOS-Edition, and the Documentary Music Theatre Film about Ullmann's Anti-War Opera produced in German, English, Czech and Italian.","publication_date":{"day":null,"month":null,"year":2023,"errors":{}},"publication_name":"Visual Theatre Library Volume 11"},"translated_abstract":"For the very first time the original version of the libretto of Viktor Ullmann's Anti-War Opera \"The Emperor of Atlantis or The Disobedience of Death\" in the original version of the composer is published including texts written by Karel Berman, Paul Kling and Herbert Thomas Mandl. All three were involved in the proces of the finalization of Ullmann's Anti-War Opera as a part of the \"Freizeitgestaltung\" (Leisure Time Activities) at the Concentration Camp of Terezin. Karel Berman rehearsed the character of The Death at Terezin. Berman's rolebook of The Death of Ullmann's Anti-War Opera \"The Emperor of Atlantis or The Disobedience of Death\" was the most important source for the reconstruction of the original score. The concertmaster of the rehearsals at Terezin, the violinist Paul Kling explained the rehearsals of the orchestra, as Herbert Thomas Mandl explained the proces of all rehearsals, as Herbert Thomas Mandl was at all rehearsals of the Ullmann's Anti-War Opera in Terezin. Other texts are written by the dramaturg of this legendary production, the poet Dževad Karahasan, which is performed till today by ARBOS - Company for Music and Theatre, the director, curator and researcher Herbert Gantschacher and three politicians responsible for culture, who are playing an important role of this research and music project about Viktor Ullmann, the Governor of the State of Carinthia in the Republic of Austria, Peter Kaiser, the President of the Parliament of the State of Carinthia in the Republic of Austria, Reinhart Rohr, the Chairman of the Cultural Comittee of the Parliament of the State of Carinthia in the Republic of Austria, Herwig Seiser.\nMusic and libretto of the Anti-War Opera are written by Viktor Ullmann, the opera is based on Ullmann's personal war experience in the First World War. Viktor Ullmann worked his whole lifetime on his opera from 1917 to 1944, in all 27 years. Together with Viktor Ullmann the grandfather of Herbert Gantschacher, Friedrich Eggarter, served in the theatre of war before the start of the 12th and last battle in the valley of the river Isonzo. As Viktor Ullmann remained as an artillery observer in the mountains, Friedrich Eggarter got the order to go through the gassed trenches of Italian troops. Equipped with gasmasks Eggarter had to go through the gassed trenches in search for Living and Dead. Eggarter survived this special mission on the edge of his life.\nViktor Ullmann personally met both regents of multiple monarchy of the archhouse of Hapsburg. During the visit of emperor Franz-Joseph at Teschen (today a divided city between Poland and the Czech Republic, Cieszyn and Český Těšín) from 30th of August 1906 to 6th of September 1906. Viktor Ullmann's father Maximilian Ullmann served at this time as a captain of the k.u.k. Wehrmacht and got in touch with the emperor during the arrival ceremony at the central station of Teschen, there the emperor was welcomed with musical military signals. As commander-in-chief of the armed Wehrmacht, the monarch attended the so-called imperial manoeuvres. Viktor Ullmann himself saw the emperor Franz-Joseph at the City Hall of Teschen on 2nd of September 1906 at 4 o'clock in the afternoon, the sound of the bells of the mechanical tower clock of City Hall opened the ceremony. The musical motif of the mechanical tower clock of the City Hall of Teschen Viktor Ullmann used later in his anti-war opera \"The Emperor of Atlantis or The Disobedience of Death\" as the central theme for the scene at the emperor's palace and battlefield \"Nr. VIII. Rezitativ und Arie. L'istesso Tempo\". The first instrumentation of the chamber orchestra is from 1917. In this year Viktor Ullmann served as an artillery observer in the theatre of war in the valley of the river Isonzo and met the emperor and king Charles from the archhouse Hapsburg there as the commander-in-chief of the k.u.k. Wehrmacht at the battlefield. Here father Maximilian Ullmann served now as an officer of the k.u.k. Wehrmacht in the rank of a colonel general and saved with his brigade the monarch at the battlefield of the 12th battle at the Isonzo river. In 1918 Maximilian Ullmann received the patent of nobility for the service of the safety of the emperor on the battlefield. Musical themes of the opera Ullmann used in opus 7 from the year 1924 \"Symphonic Fantasy\", Solo Cantata for Tenor and Orchestra, and the Piano Sonata Nr. 7 from the year 1944. In Summer 1944 the opera was rehearsed for the very first time at the concentration camp of Terezin during the leisure time activities named as \"Freizeitgestaltung\" (leisure time activities). The singer Karel Berman rehearsed the character of the Death, Paul Kling was as a violinist the concertmaster of the chamber orchestra. And the violinist Herbert Thomas Mandl visited all rehearsals at Terezin as the secretary of the Jewish self-government of the concentration camp Terezin. Viktor Ullmann himself did not attend the rehearsals. \nAfter that it took decades till Ullmann's Anti-War opera \"The Emperor of Atlantis or The Disobedience of Death\" was rehearsed and performed again. On 24th of September 1993 in the Czech Republic at the Národný pamätník in the district Žižkov in Prag the first performance was presented by ARBOS - Company for Music and Theatre. The production was chosen as the opera performance of the year 1993 in the Czech Republic. On 23rd of May 1995 the first performance at Terezin took place again produced and presented by ARBOS - Company for Music and Theatre, 51 years after the rehearsals in the concentration camp Terezin. The process of the authentical reconstruction of the original score of the opera started in January 1993 under commission and in cooperation with Herbert Gantschacher by the surviving eyewitnesses Karel Berman, Paul Kling, Herbert Thomas Mandl, and the musicologist Ingo Schultz was finished in June 1993, the last minor corrections happened in the beginning of May 1995.\nARBOS - Company for Music and Theatre produced three recordings of the original score, part of the Czech Premiere of Ullmann's Anti-War Opera from 24th of September 1993 in the ARBOS-Edition, the studio recording, coproduced by ARBOS - Company for Music and Theatre and Studio MATOUŠ Prague produced from January to Max 1995 at Klagenfurt and Prague, and the complete live recording of the First Performance ever at Terezin on 23rd of May 1995 published in the ARBOS-Edition, and the Documentary Music Theatre Film about Ullmann's Anti-War Opera produced in German, English, Czech and Italian.","internal_url":"https://www.academia.edu/106869555/_I_Am_Karel_Berman_I_Am_The_Death_I_Have_Survived_M_Streep_V_Ullmann_F_Eggarter_W_Jerusalem_M_Ullmann_K_Jerusalem_K_Berman_E_Hermannov%C3%A1_H_T_Mandl_P_Kling_M_Jerusalem_L_Birnbaum_M_Prawy_D_Karahasan_and_others_by_Herbert_Gantschacher","translated_internal_url":"","created_at":"2023-09-19T11:42:50.942-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":7829031,"coauthors_can_edit":true,"document_type":"book","co_author_tags":[],"downloadable_attachments":[{"id":105822979,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/105822979/thumbnails/1.jpg","file_name":"VTB_11_ARBOS_EDITION_2023_ISBN_978_3_9519833_2_5_English.pdf","download_url":"https://www.academia.edu/attachments/105822979/download_file?st=MTczMzI0MTIyMSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"I_Am_Karel_Berman_I_Am_The_Death_I_Have.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/105822979/VTB_11_ARBOS_EDITION_2023_ISBN_978_3_9519833_2_5_English-libre.pdf?1695152532=\u0026response-content-disposition=attachment%3B+filename%3DI_Am_Karel_Berman_I_Am_The_Death_I_Have.pdf\u0026Expires=1733196997\u0026Signature=T0DWkIlPt-Je5yaffp~U-gKSLd5jYcTh7xGh4mHiVwDJ6nWfB1PtMgZ8KU9A3nCm3CxMHQH94aaotUxEfOUDuj5KwCwGF53FBEAmgHAIwtm8Ys6czC4zWJpOicH4Xker77Tc~jk2biDuo~XSJrCDCPEiTi9sF9KZBmHPnsd4zThJniYaTKCein10mhGDCFGpTO1OOjB6BwH5NczvDIOJHla1~2wlTFJORrD1BzMD1snNymxnxFnKz9qGWCKsCbkkWbNLYVGoQXMHUiTzqSyMQY5Lz2TG-XdGu2aNx63dcu0jboOMxoEs9CMHEKRsU2htMDUA8ai~zOfgbxRjF9iDtA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"_I_Am_Karel_Berman_I_Am_The_Death_I_Have_Survived_M_Streep_V_Ullmann_F_Eggarter_W_Jerusalem_M_Ullmann_K_Jerusalem_K_Berman_E_Hermannová_H_T_Mandl_P_Kling_M_Jerusalem_L_Birnbaum_M_Prawy_D_Karahasan_and_others_by_Herbert_Gantschacher","translated_slug":"","page_count":19,"language":"en","content_type":"Work","owner":{"id":7829031,"first_name":"Arbos","middle_initials":"M U S I K","last_name":"Theater","page_name":"ArbosHerbertGantschacher","domain_name":"independent","created_at":"2013-12-26T04:38:18.143-08:00","display_name":"Arbos M U S I K Theater","url":"https://independent.academia.edu/ArbosHerbertGantschacher"},"attachments":[{"id":105822979,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/105822979/thumbnails/1.jpg","file_name":"VTB_11_ARBOS_EDITION_2023_ISBN_978_3_9519833_2_5_English.pdf","download_url":"https://www.academia.edu/attachments/105822979/download_file?st=MTczMzI0MTIyMSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"I_Am_Karel_Berman_I_Am_The_Death_I_Have.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/105822979/VTB_11_ARBOS_EDITION_2023_ISBN_978_3_9519833_2_5_English-libre.pdf?1695152532=\u0026response-content-disposition=attachment%3B+filename%3DI_Am_Karel_Berman_I_Am_The_Death_I_Have.pdf\u0026Expires=1733196997\u0026Signature=T0DWkIlPt-Je5yaffp~U-gKSLd5jYcTh7xGh4mHiVwDJ6nWfB1PtMgZ8KU9A3nCm3CxMHQH94aaotUxEfOUDuj5KwCwGF53FBEAmgHAIwtm8Ys6czC4zWJpOicH4Xker77Tc~jk2biDuo~XSJrCDCPEiTi9sF9KZBmHPnsd4zThJniYaTKCein10mhGDCFGpTO1OOjB6BwH5NczvDIOJHla1~2wlTFJORrD1BzMD1snNymxnxFnKz9qGWCKsCbkkWbNLYVGoQXMHUiTzqSyMQY5Lz2TG-XdGu2aNx63dcu0jboOMxoEs9CMHEKRsU2htMDUA8ai~zOfgbxRjF9iDtA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="104304001"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/104304001/Herbert_Gantschacher_Viktor_Ullmann_Witness_and_Victim_of_the_Apocalypse_Prefaces_to_the_Fourth_Third_and_Second_Editions_in_English_and_Hebrew"><img alt="Research paper thumbnail of Herbert Gantschacher "Viktor Ullmann - Witness and Victim of the Apocalypse" Prefaces to the Fourth, Third and Second Editions in English and Hebrew" class="work-thumbnail" src="https://attachments.academia-assets.com/104070258/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/104304001/Herbert_Gantschacher_Viktor_Ullmann_Witness_and_Victim_of_the_Apocalypse_Prefaces_to_the_Fourth_Third_and_Second_Editions_in_English_and_Hebrew">Herbert Gantschacher "Viktor Ullmann - Witness and Victim of the Apocalypse" Prefaces to the Fourth, Third and Second Editions in English and Hebrew</a></div><div class="wp-workCard_item"><span>Herbert Gantschacher "Viktor Ullmann - Witness and Victim of the Apocalypse / Zeuge und Opfer der Apokalyspe</span><span>, 2023</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Preface to the Fourth Edition Befor the twelfth battle in the theatre of war in the valley of the...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Preface to the Fourth Edition Befor the twelfth battle in the theatre of war in the valley of the river Isonzo my grandfather Friedrich Eggarter was together with Viktor Ullmann in the mountains of the valley Isonzo to prepare their military service and the start of the battle. Friedrich Eggarter told the story about his military service before und in the Great War to his sons, also the preparation and the start of the twelfth Isonzo battle with the poison gas attack near Bovec and his participation in the mission as part of the special forces of the storm troopers passing through the gassed positions of the Italian troops.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="46d316eb56a02e313f978e42b8d96616" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":104070258,"asset_id":104304001,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/104070258/download_file?st=MTczMzI0MTIyMSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="104304001"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="104304001"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 104304001; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=104304001]").text(description); $(".js-view-count[data-work-id=104304001]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 104304001; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='104304001']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 104304001, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "46d316eb56a02e313f978e42b8d96616" } } $('.js-work-strip[data-work-id=104304001]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":104304001,"title":"Herbert Gantschacher \"Viktor Ullmann - Witness and Victim of the Apocalypse\" Prefaces to the Fourth, Third and Second Editions in English and Hebrew","translated_title":"","metadata":{"abstract":"Preface to the Fourth Edition Befor the twelfth battle in the theatre of war in the valley of the river Isonzo my grandfather Friedrich Eggarter was together with Viktor Ullmann in the mountains of the valley Isonzo to prepare their military service and the start of the battle. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="104303815"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/104303815/Herbert_Gantschacher_Viktor_Ullmann_Zeuge_und_Opfer_der_Apokalypse_Vorw%C3%B6rter_zur_vierten_drittem_und_zweiten_Auflage_in_Deutsch_und_Hebr%C3%A4isch"><img alt="Research paper thumbnail of Herbert Gantschacher "Viktor Ullmann - Zeuge und Opfer der Apokalypse" Vorwörter zur vierten, drittem und zweiten Auflage in Deutsch und Hebräisch" class="work-thumbnail" src="https://attachments.academia-assets.com/104070101/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/104303815/Herbert_Gantschacher_Viktor_Ullmann_Zeuge_und_Opfer_der_Apokalypse_Vorw%C3%B6rter_zur_vierten_drittem_und_zweiten_Auflage_in_Deutsch_und_Hebr%C3%A4isch">Herbert Gantschacher "Viktor Ullmann - Zeuge und Opfer der Apokalypse" Vorwörter zur vierten, drittem und zweiten Auflage in Deutsch und Hebräisch</a></div><div class="wp-workCard_item"><span>Herbert Gantschacher "Viktor Ullmann - Zeuge und Opfer der Apokalypse / Viktor Ullmann - Witness and Victim of the Apocalypse</span><span>, 2023</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Vor der Zwölften Isonzoschlacht war mein Großvater Friedrich Eggarter gemeinsam mit Viktor Ullman...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Vor der Zwölften Isonzoschlacht war mein Großvater Friedrich Eggarter gemeinsam mit Viktor Ullmann in den Vorbereitungsräumen zur Schlacht in den Bergen des Isonzotals. Über seine Militärzeit und Kriegsdienstzeit im Großen Krieg berichtete Friedrich Eggarter seinen Söhnen, die Vorbereitung und den Beginn der zwölften Isonzoschlacht mit dem Giftgasangriff bei Bovec und seine Beteiligung im Einsatz als Teil der Spezialkräfte der Sturmtruppen, die die vergasten Stellungen der italienischen Truppen durchkämmten.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="02feecef2d58da4a797c8888277bdfd5" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":104070101,"asset_id":104303815,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/104070101/download_file?st=MTczMzI0MTIyMiw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="104303815"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="104303815"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 104303815; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=104303815]").text(description); $(".js-view-count[data-work-id=104303815]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 104303815; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='104303815']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 104303815, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "02feecef2d58da4a797c8888277bdfd5" } } $('.js-work-strip[data-work-id=104303815]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":104303815,"title":"Herbert Gantschacher \"Viktor Ullmann - Zeuge und Opfer der Apokalypse\" Vorwörter zur vierten, drittem und zweiten Auflage in Deutsch und Hebräisch","translated_title":"","metadata":{"abstract":"Vor der Zwölften Isonzoschlacht war mein Großvater Friedrich Eggarter gemeinsam mit Viktor Ullmann in den Vorbereitungsräumen zur Schlacht in den Bergen des Isonzotals. 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Published in the Carinthia Documentation Special Edition 04 in the year 2022.</span><span>, 2022</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Herbert Gantschachers Essay "Zeitenwenden" erschienen in "Blickwinkel Kärntner Zeitgeschehen 1989...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Herbert Gantschachers Essay "Zeitenwenden" erschienen in "Blickwinkel Kärntner Zeitgeschehen 1989-2022", Essay zum Thema von Menschen- und Bürgerrechten vor und 1989 und 2022 in Beziehung zu Kunst und Kultur unter Berücksichtigung des Dichters Wassili Axjonow, der Dichterin Jewgenija Ginsburg, des Sängers Karel Berman und des künstlerischen Werkes des Komponisten Viktor Ullmann.<br />"Turning Points" essay written by Herbert Gantschacher published in "Perspectives on Current Affairs in Carinthia 1989-2022", essay about the themes of human rights and citizen's rights before and after 1989 and 2022 in relation to arts and culture seen on the example of the poets Vasily Aksyonov, Yevgenia Ginzburg, the singer Karel Berman, and the artistic work of the composer Viktor Ullmann.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="f209f00b010b0f0de815d02a0be4c656" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":93696899,"asset_id":90016496,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/93696899/download_file?st=MTczMzI0MTIyMiw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="90016496"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="90016496"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 90016496; 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Carinthia 1918-2018"</span><span>, 2018</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">As a part of the Memorial year "Austria 1918-2018" the book "9 States. 9 Stories." was published....</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">As a part of the Memorial year "Austria 1918-2018" the book "9 States. 9 Stories." was published. 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Kärnten</span><span>, 2018</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Zum Gedenk- und Erinnerungsjahr "Österreich 1918-2018" erschien das Buch "9 Länder. 9 Geschichten...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Zum Gedenk- und Erinnerungsjahr "Österreich 1918-2018" erschien das Buch "9 Länder. 9 Geschichten.". 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Witness and Victim of The Apocalypse" Edition in Six Languages (Russian, German, English, Slovenian, Italian, Czech)" class="work-thumbnail" src="https://attachments.academia-assets.com/60317381/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/40106035/Herbert_Gantschacher_Viktor_Ullmann_Witness_and_Victim_of_The_Apocalypse_Edition_in_Six_Languages_Russian_German_English_Slovenian_Italian_Czech_">Herbert Gantschacher "Viktor Ullmann - Witness and Victim of The Apocalypse" Edition in Six Languages (Russian, German, English, Slovenian, Italian, Czech)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Herbert Gantschacher "ВИКТОР УЛЬМАН - СВИДЕТЕЛЬ И ЖЕРТВА АПОКАЛИПСИСА / VIKTOR ULLMANN - Witness ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Herbert Gantschacher "ВИКТОР УЛЬМАН - СВИДЕТЕЛЬ И ЖЕРТВА АПОКАЛИПСИСА / VIKTOR ULLMANN - Witness And Victim Of The Apocalypse - Zeuge und Opfer Apocalypse - Testimone e vittima dell'Apocalisse - Priča in žrtev apokalipse - Svědek a oběť apokalypsy"</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="e1e29ede793ee69aaea12ed0213b920b" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":60317381,"asset_id":40106035,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/60317381/download_file?st=MTczMzI0MTIyMiw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="40106035"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="40106035"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 40106035; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=40106035]").text(description); $(".js-view-count[data-work-id=40106035]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 40106035; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='40106035']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 40106035, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "e1e29ede793ee69aaea12ed0213b920b" } } $('.js-work-strip[data-work-id=40106035]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":40106035,"title":"Herbert Gantschacher \"Viktor Ullmann - 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Witness and Victim of The Apocalypse / Zeuge und Opfer der Apokalypse"" class="work-thumbnail" src="https://attachments.academia-assets.com/60317198/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/40105881/Herbert_Gantschacher_Viktor_Ullmann_Witness_and_Victim_of_The_Apocalypse_Zeuge_und_Opfer_der_Apokalypse_">Herbert Gantschacher "Viktor Ullmann - Witness and Victim of The Apocalypse / Zeuge und Opfer der Apokalypse"</a></div><div class="wp-workCard_item"><span>"Viktor Ullmann - Witness and Victim of The Apocalypse / Zeuge und Opfer der Apokalypse"</span><span>, 2015</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The Austrian composer Viktor Ullmann in the First World War as an artillery observer witness of t...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The Austrian composer Viktor Ullmann in the First World War as an artillery observer witness of the gas attack on the Isonzo front on 24 October 1917 in Bovec (Flitsch / Plezzo) and in the Second World War as a victim being murdered by gas on the 18th October 1944 in Auschwitz.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="a6195f37ffc591fb93b4da48849d743e" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":60317198,"asset_id":40105881,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/60317198/download_file?st=MTczMzI0MTIyMiw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="40105881"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="40105881"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 40105881; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=40105881]").text(description); $(".js-view-count[data-work-id=40105881]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 40105881; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='40105881']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 40105881, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "a6195f37ffc591fb93b4da48849d743e" } } $('.js-work-strip[data-work-id=40105881]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":40105881,"title":"Herbert Gantschacher \"Viktor Ullmann - 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HIDDEN HISTORY - Скрытая история - Taub - Blind - Taubblind - Kriegsinvalid 1914-1918"<br />Essaysammlung zu Themen der Geschichte des Ersten Weltkriegs aus der Sicht von Tauben, Blinden, Taubblinden sowie zur Kunst.<br />Collection of essays to the history of The Great War from the Point of vier of deaf, blind, deafblind and about art: <br />Viktor Ullmann, Hanns Eisler, Albin Egger-Lienz, August Stramm, Helen Keller, Dalton Trumbo, James Hetfield, Lars Ulrich, Wilhelm Jerusalem, John Singer Sargent, Paul Scheerbart, Francesco Cangiullo, Amalie Kreisberg, Sergej Eisenstein, Sergej Prokofiev, ´Paul Wittgenstein, Otakar Hollmann, Martin Pappenheim, Gavrilo Princip, Dževad Karahasan, Noam Chomsky, Neil Young, Deep Purple, Metallica und Crosby, Stills Nash & Young.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="2bad54a0326f89142cec74aa0a0457ac" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":59910851,"asset_id":39732913,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/59910851/download_file?st=MTczMzI0MTIyMiw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="39732913"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="39732913"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 39732913; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=39732913]").text(description); $(".js-view-count[data-work-id=39732913]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 39732913; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='39732913']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 39732913, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "2bad54a0326f89142cec74aa0a0457ac" } } $('.js-work-strip[data-work-id=39732913]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":39732913,"title":"Herbert Gantschacher \"VERBORGENE GESCHICHTE - 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HIDDEN HISTORY - Скрытая история - Taub - Blind - Taubblind - Kriegsinvalid 1914-1918\"\nEssaysammlung zu Themen der Geschichte des Ersten Weltkriegs aus der Sicht von Tauben, Blinden, Taubblinden sowie zur Kunst.\nCollection of essays to the history of The Great War from the Point of vier of deaf, blind, deafblind and about art: \nViktor Ullmann, Hanns Eisler, Albin Egger-Lienz, August Stramm, Helen Keller, Dalton Trumbo, James Hetfield, Lars Ulrich, Wilhelm Jerusalem, John Singer Sargent, Paul Scheerbart, Francesco Cangiullo, Amalie Kreisberg, Sergej Eisenstein, Sergej Prokofiev, ´Paul Wittgenstein, Otakar Hollmann, Martin Pappenheim, Gavrilo Princip, Dževad Karahasan, Noam Chomsky, Neil Young, Deep Purple, Metallica und Crosby, Stills Nash \u0026 Young.\n","internal_url":"https://www.academia.edu/39732913/Herbert_Gantschacher_VERBORGENE_GESCHICHTE_HIDDEN_HISTORY_%D0%A1%D0%BA%D1%80%D1%8B%D1%82%D0%B0%D1%8F_%D0%B8%D1%81%D1%82%D0%BE%D1%80%D0%B8%D1%8F_","translated_internal_url":"","created_at":"2019-07-02T00:07:12.448-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":7829031,"coauthors_can_edit":true,"document_type":"book","co_author_tags":[],"downloadable_attachments":[{"id":59910851,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/59910851/thumbnails/1.jpg","file_name":"HiddenHistory_-_Book.2014-2018_-_Summary-K20190702-86031-jzmg2j.pdf","download_url":"https://www.academia.edu/attachments/59910851/download_file?st=MTczMzI0MTIyMiw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Herbert_Gantschacher_VERBORGENE_GESCHICH.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/59910851/HiddenHistory_-_Book.2014-2018_-_Summary-K20190702-86031-jzmg2j-libre.pdf?1562051773=\u0026response-content-disposition=attachment%3B+filename%3DHerbert_Gantschacher_VERBORGENE_GESCHICH.pdf\u0026Expires=1733244822\u0026Signature=PaaDjS6Uofj~UWoF10VROaCNat3BgdKD3aUraN~~QxhK6t0450EwYgjmjmlHjw27SgEzlaDqeSblT9wb7BlCoe0VtNgpf9F3~TWVy40mPy6lmpVi6CbEIp-IrKjpMDeRFGc7qdhQPgSN5VTT6C4PEOCNfrJHsSCszlbMkR-lFIb1CrOGyqL4AMgnujV3r5tjAVAX7sH-m2SJ~XRNgiKWdDuA90sDkmA01qNyQJPWFvSyRUgx1-Lw2r28bTIgmiJ5Q8QnHjmIfGTEjSL~NmsTWMDVfyyhHWBjkCJLZSmoJF5LHCA65B09yiBx2Y4~Q1KYe9WeYxKpDCKwa4vC4DoBfA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Herbert_Gantschacher_VERBORGENE_GESCHICHTE_HIDDEN_HISTORY_Скрытая_история_","translated_slug":"","page_count":20,"language":"de","content_type":"Work","owner":{"id":7829031,"first_name":"Arbos","middle_initials":"M U S I K","last_name":"Theater","page_name":"ArbosHerbertGantschacher","domain_name":"independent","created_at":"2013-12-26T04:38:18.143-08:00","display_name":"Arbos M U S I K Theater","url":"https://independent.academia.edu/ArbosHerbertGantschacher"},"attachments":[{"id":59910851,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/59910851/thumbnails/1.jpg","file_name":"HiddenHistory_-_Book.2014-2018_-_Summary-K20190702-86031-jzmg2j.pdf","download_url":"https://www.academia.edu/attachments/59910851/download_file?st=MTczMzI0MTIyMiw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Herbert_Gantschacher_VERBORGENE_GESCHICH.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/59910851/HiddenHistory_-_Book.2014-2018_-_Summary-K20190702-86031-jzmg2j-libre.pdf?1562051773=\u0026response-content-disposition=attachment%3B+filename%3DHerbert_Gantschacher_VERBORGENE_GESCHICH.pdf\u0026Expires=1733244822\u0026Signature=PaaDjS6Uofj~UWoF10VROaCNat3BgdKD3aUraN~~QxhK6t0450EwYgjmjmlHjw27SgEzlaDqeSblT9wb7BlCoe0VtNgpf9F3~TWVy40mPy6lmpVi6CbEIp-IrKjpMDeRFGc7qdhQPgSN5VTT6C4PEOCNfrJHsSCszlbMkR-lFIb1CrOGyqL4AMgnujV3r5tjAVAX7sH-m2SJ~XRNgiKWdDuA90sDkmA01qNyQJPWFvSyRUgx1-Lw2r28bTIgmiJ5Q8QnHjmIfGTEjSL~NmsTWMDVfyyhHWBjkCJLZSmoJF5LHCA65B09yiBx2Y4~Q1KYe9WeYxKpDCKwa4vC4DoBfA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="39732810"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/39732810/Herbert_Gantschacher_Kriegsinvalid_War_Disabled_"><img alt="Research paper thumbnail of Herbert Gantschacher "Kriegsinvalid - War Disabled"" class="work-thumbnail" src="https://attachments.academia-assets.com/59910742/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/39732810/Herbert_Gantschacher_Kriegsinvalid_War_Disabled_">Herbert Gantschacher "Kriegsinvalid - War Disabled"</a></div><div class="wp-workCard_item"><span>Herbert Gantschacher "KRIEGSGEFANGEN - KRIEGSINVALID - PRISONER OF WAR - WAR-DISABLED - военнопленные - инвалиды войны" </span><span>, 2018</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Herbert Gantschacher "KRIEGSGEFANGEN - KRIEGSINVALID -PRISONER OF WAR - WAR-DISABLED - военнопле...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Herbert Gantschacher "KRIEGSGEFANGEN - KRIEGSINVALID -PRISONER OF WAR -  WAR-DISABLED - военнопленные - инвалиды войны" Besonders das Thema der Kriegsinvalidität zählt zu den großen Tabuthemen weltweit, in deutscher und englischer Sprache wird hier das Thema anhand neu gefundener Quellen behandelt.<br />Especially the theme of war-disability is a great taboo worldwide, in German and English language the theme of war and disability will described by using new sources found be new Research work in archives in Austria, Germany, Russia and Israel.  <br />New Essays written on the Basis of new original documents from the archives about Wladimir I. Lenin and his relation to Otto Bauer, Women's Soldiers, The First World War and Disability, Paul Wittgenstein, Karl Kassowitz, Ernst Kassowitz, Robert Báraný, Viktor Ullmann, Helen Keller and Wilhelm Jerusalem..<br />Neue Essays anhand neu gefundener Originaldokumenten in Archiv über die Beziehung von Wladimir I. Lenin und Otto Bauer, Frauen-Soldaten, Der Erste Welltkireg und Invaildität, Paul Wittgenstein, Karl Kassowitz, Ernst Kassowitz, Robert Báraný, Viktor Ullmann, Helen Keller und Wilhelm Jerusalem.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="b30cb0d673be8d8b83bc5c0dc5b8e3b1" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":59910742,"asset_id":39732810,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/59910742/download_file?st=MTczMzI0MTIyMyw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="39732810"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="39732810"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 39732810; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=39732810]").text(description); $(".js-view-count[data-work-id=39732810]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 39732810; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='39732810']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 39732810, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "b30cb0d673be8d8b83bc5c0dc5b8e3b1" } } $('.js-work-strip[data-work-id=39732810]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":39732810,"title":"Herbert Gantschacher \"Kriegsinvalid - War Disabled\"","translated_title":"","metadata":{"abstract":"Herbert Gantschacher \"KRIEGSGEFANGEN - KRIEGSINVALID -PRISONER OF WAR - WAR-DISABLED - военнопленные - инвалиды войны\" Besonders das Thema der Kriegsinvalidität zählt zu den großen Tabuthemen weltweit, in deutscher und englischer Sprache wird hier das Thema anhand neu gefundener Quellen behandelt.\nEspecially the theme of war-disability is a great taboo worldwide, in German and English language the theme of war and disability will described by using new sources found be new Research work in archives in Austria, Germany, Russia and Israel. \nNew Essays written on the Basis of new original documents from the archives about Wladimir I. Lenin and his relation to Otto Bauer, Women's Soldiers, The First World War and Disability, Paul Wittgenstein, Karl Kassowitz, Ernst Kassowitz, Robert Báraný, Viktor Ullmann, Helen Keller and Wilhelm Jerusalem..\nNeue Essays anhand neu gefundener Originaldokumenten in Archiv über die Beziehung von Wladimir I. 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Lenin and his relation to Otto Bauer, Women's Soldiers, The First World War and Disability, Paul Wittgenstein, Karl Kassowitz, Ernst Kassowitz, Robert Báraný, Viktor Ullmann, Helen Keller and Wilhelm Jerusalem..\nNeue Essays anhand neu gefundener Originaldokumenten in Archiv über die Beziehung von Wladimir I. 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on"</a></div><div class="wp-workCard_item"><span>Jerusalem Post</span><span>, 2018</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Essay by Barry Davis about the masterclasses on the music of Viktor Ullmann "School of Form" cura...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Essay by Barry Davis about the masterclasses on the music of Viktor Ullmann "School of Form" curated by Zvi Semel and Herbert Gantschacher</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="c9bb2d1498bb9c3158a71817f3240beb" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" 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class="js-work-more-abstract-untruncated hidden">Rezension von Elisabeth Steiner zur Ausstellung von Herbert Gantschacher „… erhalte ich vom Verein Wiener Philharmoniker einen Pensionszuschuss, dessen Höhe von<br />der Generalversammlung nach Massnahme der vorhandenen Mittel festgesetzt wird …“ WIE DIE GENERALVERSAMMLUNG DES VEREINS WIENER PHILHARMONIKER IHRE JÜDISCHEN MUSIKER ENTWERTETE DARGESTELLT ANHAND VON SCHICKSALEN DER IN DIE KONZENTRATIONSLAGER DEPORTIERTEN JÜDISCHEN PHILHARMONIKER MIT DOKUMENTEN ZUR VERMÖGENSVERWERTUNG UND FRAGEN ZUR RESTITUTION"</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="ad32bfafb07af8a5c097734fb5646836" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":65604292,"asset_id":45050657,"asset_type":"Work","button_location":"profile"}" 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