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data-has-card-for-ri="8153" href="https://www.academia.edu/Documents/in/Theory_of_the_Novel">Theory of the Novel</a>, <script data-card-contents-for-ri="8153" type="text/json">{"id":8153,"name":"Theory of the Novel","url":"https://www.academia.edu/Documents/in/Theory_of_the_Novel?f_ri=29113","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="23310" href="https://www.academia.edu/Documents/in/Novel">Novel</a>, <script data-card-contents-for-ri="23310" type="text/json">{"id":23310,"name":"Novel","url":"https://www.academia.edu/Documents/in/Novel?f_ri=29113","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="29113" href="https://www.academia.edu/Documents/in/Nineteenth-Century_Literature_and_Culture">Nineteenth-Century Literature and Culture</a><script data-card-contents-for-ri="29113" type="text/json">{"id":29113,"name":"Nineteenth-Century Literature and 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Balzac","url":"https://www.academia.edu/Documents/in/Honore_de_Balzac?f_ri=29113"},{"id":1402470,"name":"Dix-neuvième Siècle","url":"https://www.academia.edu/Documents/in/Dix-neuvieme_Siecle?f_ri=29113"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_1532343" data-work_id="1532343" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/1532343/From_Family_Roots_to_the_Routes_of_Empire_National_Tales_and_the_Domestication_of_the_Scottish_Highlands">From Family Roots to the Routes of Empire: National Tales and the Domestication of the Scottish Highlands</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a 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js-work-link" href="https://www.academia.edu/36159906/Visionary_Journeys_Travel_Writings_from_Early_Medieval_and_Nineteenth_Century_China_By_Xiaofei_TIAN">Visionary Journeys Travel Writings from Early Medieval and Nineteenth-Century China. By Xiaofei TIAN</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">CHAN Hon Man, BJAS, (2014)</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/36159906" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="7083b39b6464ab599a4b2040bf045665" rel="nofollow" data-download="{"attachment_id":56057083,"asset_id":36159906,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/56057083/download_file?st=MTczMjc4MjI3OSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="52068852" href="https://hkbu.academia.edu/JaoTsungIAcademyofSinologyHKBU">Jao Tsung-I Academy of Sinology HKBU</a><script data-card-contents-for-user="52068852" type="text/json">{"id":52068852,"first_name":"Jao Tsung-I Academy of Sinology","last_name":"HKBU","domain_name":"hkbu","page_name":"JaoTsungIAcademyofSinologyHKBU","display_name":"Jao Tsung-I Academy of Sinology HKBU","profile_url":"https://hkbu.academia.edu/JaoTsungIAcademyofSinologyHKBU?f_ri=29113","photo":"https://0.academia-photos.com/52068852/19252133/19189354/s65_jao.sinology.jpg"}</script></span></span></li><li class="js-paper-rank-work_36159906 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="36159906"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 36159906, container: ".js-paper-rank-work_36159906", }); 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By Xiaofei TIAN","created_at":"2018-03-14T01:13:47.227-07:00","url":"https://www.academia.edu/36159906/Visionary_Journeys_Travel_Writings_from_Early_Medieval_and_Nineteenth_Century_China_By_Xiaofei_TIAN?f_ri=29113","dom_id":"work_36159906","summary":"CHAN Hon Man, BJAS, (2014)","downloadable_attachments":[{"id":56057083,"asset_id":36159906,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":52068852,"first_name":"Jao Tsung-I Academy of Sinology","last_name":"HKBU","domain_name":"hkbu","page_name":"JaoTsungIAcademyofSinologyHKBU","display_name":"Jao Tsung-I Academy of Sinology HKBU","profile_url":"https://hkbu.academia.edu/JaoTsungIAcademyofSinologyHKBU?f_ri=29113","photo":"https://0.academia-photos.com/52068852/19252133/19189354/s65_jao.sinology.jpg"}],"research_interests":[{"id":2326,"name":"Nineteenth Century Studies","url":"https://www.academia.edu/Documents/in/Nineteenth_Century_Studies?f_ri=29113","nofollow":false},{"id":7629,"name":"Early Medieval History","url":"https://www.academia.edu/Documents/in/Early_Medieval_History?f_ri=29113","nofollow":false},{"id":22123,"name":"Classical Chinese literature","url":"https://www.academia.edu/Documents/in/Classical_Chinese_literature?f_ri=29113","nofollow":false},{"id":24768,"name":"Nineteenth Century","url":"https://www.academia.edu/Documents/in/Nineteenth_Century?f_ri=29113","nofollow":false},{"id":29113,"name":"Nineteenth-Century Literature and Culture","url":"https://www.academia.edu/Documents/in/Nineteenth-Century_Literature_and_Culture?f_ri=29113"},{"id":64926,"name":"Medieval China","url":"https://www.academia.edu/Documents/in/Medieval_China?f_ri=29113"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_39302632" data-work_id="39302632" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/39302632/Middle_Eastern_Dance_and_What_We_Call_It">Middle Eastern Dance and What We Call It</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This article traces the historical background of the term 'belly dance', the English-language name for a complex of solo, improvised dance styles of Middle Eastern and North African origin whose movements are based on articulations of the... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_39302632" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This article traces the historical background of the term 'belly dance', the English-language name for a complex of solo, improvised dance styles of Middle Eastern and North African origin whose movements are based on articulations of the torso. The expression danse du ventre -- literally, "dance of the belly" -- was initially popularised in France as an alternate title for Orientalist artist Jean-Léon Gérôme's 1863 painting of an Egyptian dancer and ultimately became the standard designation for solo, and especially women's, dances from the Middle East and North Africa. The translation "belly dance" was introduced into English in 1889 in international media coverage of the Rue du Caire exhibit at the Parisian Exposition Universelle. A close examination of the historical sources demonstrates that the evolution of this terminology was influenced by contemporary art, commercial considerations, and popular stereotypes about Eastern societies. The paper concludes with an examination of dancers' attitudes to the various English-language names for the dance in the present day.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/39302632" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="b0962ce81a99d3b71194379c61fca34f" rel="nofollow" data-download="{"attachment_id":59440253,"asset_id":39302632,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/59440253/download_file?st=MTczMjc4MjI3OSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="903668" href="https://yale.academia.edu/AinsleyHawthorn">Ainsley Hawthorn</a><script data-card-contents-for-user="903668" type="text/json">{"id":903668,"first_name":"Ainsley","last_name":"Hawthorn","domain_name":"yale","page_name":"AinsleyHawthorn","display_name":"Ainsley Hawthorn","profile_url":"https://yale.academia.edu/AinsleyHawthorn?f_ri=29113","photo":"https://0.academia-photos.com/903668/1759245/104108274/s65_ainsley.hawthorn.jpg"}</script></span></span></li><li class="js-paper-rank-work_39302632 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="39302632"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 39302632, container: ".js-paper-rank-work_39302632", }); 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The expression danse du ventre -- literally, \"dance of the belly\" -- was initially popularised in France as an alternate title for Orientalist artist Jean-Léon Gérôme's 1863 painting of an Egyptian dancer and ultimately became the standard designation for solo, and especially women's, dances from the Middle East and North Africa. The translation \"belly dance\" was introduced into English in 1889 in international media coverage of the Rue du Caire exhibit at the Parisian Exposition Universelle. A close examination of the historical sources demonstrates that the evolution of this terminology was influenced by contemporary art, commercial considerations, and popular stereotypes about Eastern societies. The paper concludes with an examination of dancers' attitudes to the various English-language names for the dance in the present day.","downloadable_attachments":[{"id":59440253,"asset_id":39302632,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":903668,"first_name":"Ainsley","last_name":"Hawthorn","domain_name":"yale","page_name":"AinsleyHawthorn","display_name":"Ainsley Hawthorn","profile_url":"https://yale.academia.edu/AinsleyHawthorn?f_ri=29113","photo":"https://0.academia-photos.com/903668/1759245/104108274/s65_ainsley.hawthorn.jpg"}],"research_interests":[{"id":930,"name":"Intercultural Communication","url":"https://www.academia.edu/Documents/in/Intercultural_Communication?f_ri=29113","nofollow":false},{"id":1200,"name":"Languages and 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Weingarden</a><script data-card-contents-for-user="254311" type="text/json">{"id":254311,"first_name":"Lauren S.","last_name":"Weingarden","domain_name":"fsu","page_name":"LaurenWeingarden","display_name":"Lauren S. 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Beginning from a. new interpretation of... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_64312555" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Using a broad, comparative approach, this study shows how the figure of the gift structures poetic discourse and does so from the age of Homer up through twenty-first century conceptual poetics. Beginning from a. new interpretation of Derrida's writings on the gift, Rosenthal argues that this ambivalent figure names at one and the same time poetry's most extreme aneconomic privilege and the point of its closest contact with the interested exchange of the market. In this way, the gift conducts material relays of patronage and theories of poetic origination in genius, inspiration and imagination. Poetics and the Gift capitalizes on this double function in order to read material historical accounts of poetry alongside philosophical and poetic ones.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/64312555" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="23b5451c14d587267c30646f913f58a8" rel="nofollow" data-download="{"attachment_id":80830085,"asset_id":64312555,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/80830085/download_file?st=MTczMjc4MjI3OSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="10107194" href="https://tamu.academia.edu/tamuacademiaedu">Adam R Rosenthal</a><script data-card-contents-for-user="10107194" type="text/json">{"id":10107194,"first_name":"Adam","last_name":"Rosenthal","domain_name":"tamu","page_name":"tamuacademiaedu","display_name":"Adam R Rosenthal","profile_url":"https://tamu.academia.edu/tamuacademiaedu?f_ri=29113","photo":"https://0.academia-photos.com/10107194/9038653/115186736/s65_adam.rosenthal.png"}</script></span></span></li><li class="js-paper-rank-work_64312555 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="64312555"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 64312555, container: ".js-paper-rank-work_64312555", }); 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$(".js-view-count[data-work-id=64312555]").text(description); $(".js-view-count-work_64312555").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_64312555").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="64312555"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">11</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="803" href="https://www.academia.edu/Documents/in/Philosophy">Philosophy</a>, <script data-card-contents-for-ri="803" type="text/json">{"id":803,"name":"Philosophy","url":"https://www.academia.edu/Documents/in/Philosophy?f_ri=29113","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2326" href="https://www.academia.edu/Documents/in/Nineteenth_Century_Studies">Nineteenth Century Studies</a>, <script data-card-contents-for-ri="2326" type="text/json">{"id":2326,"name":"Nineteenth Century Studies","url":"https://www.academia.edu/Documents/in/Nineteenth_Century_Studies?f_ri=29113","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="5960" href="https://www.academia.edu/Documents/in/Continental_Philosophy">Continental Philosophy</a>, <script data-card-contents-for-ri="5960" type="text/json">{"id":5960,"name":"Continental Philosophy","url":"https://www.academia.edu/Documents/in/Continental_Philosophy?f_ri=29113","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="7888" href="https://www.academia.edu/Documents/in/Literary_Theory">Literary Theory</a><script data-card-contents-for-ri="7888" type="text/json">{"id":7888,"name":"Literary Theory","url":"https://www.academia.edu/Documents/in/Literary_Theory?f_ri=29113","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=64312555]'), work: {"id":64312555,"title":"Poetics and the Gift, Preface, Rosenthal","created_at":"2021-12-15T07:52:25.633-08:00","url":"https://www.academia.edu/64312555/Poetics_and_the_Gift_Preface_Rosenthal?f_ri=29113","dom_id":"work_64312555","summary":"Using a broad, comparative approach, this study shows how the figure of the gift structures poetic discourse and does so from the age of Homer up through twenty-first century conceptual poetics. 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By providing... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_45326341" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The Colonial Public and the Parsi Stage is the first comprehensive study of the Parsi theatre, colonial South and Southeast Asia’s most influential cultural phenomenon and the precursor of the Indian cinema industry. By providing extensive, unpublished information on its first actors, audiences, production methods, and plays, this book traces how the theatre—which was one of the first in the Indian subcontinent to adopt European stagecraft—transformed into a pan-Asian entertainment industry in the second half of the nineteenth century. Nicholson sheds light on the motivations that led to the development of the popular, commercial theatre movement in Asia through three areas of investigation: the vernacular public sphere, the emergence of competing visions of nationhood, and the narratological function that women served within a continually shifting socio-political order. The book will be of interest to scholars across several disciplines, including cultural history, gender studies, Victorian studies, the sociology of religion, colonialism, and theatre.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/45326341" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="424225f9cc650194ffdf133b4b8025c0" rel="nofollow" data-download="{"attachment_id":65910221,"asset_id":45326341,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/65910221/download_file?st=MTczMjc4MjI3OSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="3331443" href="https://warwick.academia.edu/RashnaDariusNicholson">Rashna Darius Nicholson</a><script data-card-contents-for-user="3331443" type="text/json">{"id":3331443,"first_name":"Rashna Darius","last_name":"Nicholson","domain_name":"warwick","page_name":"RashnaDariusNicholson","display_name":"Rashna Darius Nicholson","profile_url":"https://warwick.academia.edu/RashnaDariusNicholson?f_ri=29113","photo":"https://0.academia-photos.com/3331443/9877480/11010952/s65_rashna_darius.nicholson.jpg"}</script></span></span></li><li class="js-paper-rank-work_45326341 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="45326341"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 45326341, container: ".js-paper-rank-work_45326341", }); 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$(".js-view-count[data-work-id=45326341]").text(description); $(".js-view-count-work_45326341").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_45326341").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="45326341"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">20</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="1031" href="https://www.academia.edu/Documents/in/Southeast_Asian_Studies">Southeast Asian Studies</a>, <script data-card-contents-for-ri="1031" type="text/json">{"id":1031,"name":"Southeast Asian Studies","url":"https://www.academia.edu/Documents/in/Southeast_Asian_Studies?f_ri=29113","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1192" href="https://www.academia.edu/Documents/in/Feminist_Theory">Feminist Theory</a>, <script data-card-contents-for-ri="1192" type="text/json">{"id":1192,"name":"Feminist Theory","url":"https://www.academia.edu/Documents/in/Feminist_Theory?f_ri=29113","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1305" href="https://www.academia.edu/Documents/in/Victorian_Studies">Victorian Studies</a>, <script data-card-contents-for-ri="1305" type="text/json">{"id":1305,"name":"Victorian Studies","url":"https://www.academia.edu/Documents/in/Victorian_Studies?f_ri=29113","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1332" href="https://www.academia.edu/Documents/in/Theatre_History">Theatre History</a><script data-card-contents-for-ri="1332" type="text/json">{"id":1332,"name":"Theatre History","url":"https://www.academia.edu/Documents/in/Theatre_History?f_ri=29113","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=45326341]'), work: {"id":45326341,"title":"The Colonial Public and the Parsi Stage: The Making of the Theatre of Empire (1853-1893)","created_at":"2021-03-03T01:08:37.591-08:00","url":"https://www.academia.edu/45326341/The_Colonial_Public_and_the_Parsi_Stage_The_Making_of_the_Theatre_of_Empire_1853_1893_?f_ri=29113","dom_id":"work_45326341","summary":"The Colonial Public and the Parsi Stage is the first comprehensive study of the Parsi theatre, colonial South and Southeast Asia’s most influential cultural phenomenon and the precursor of the Indian cinema industry. By providing extensive, unpublished information on its first actors, audiences, production methods, and plays, this book traces how the theatre—which was one of the first in the Indian subcontinent to adopt European stagecraft—transformed into a pan-Asian entertainment industry in the second half of the nineteenth century. Nicholson sheds light on the motivations that led to the development of the popular, commercial theatre movement in Asia through three areas of investigation: the vernacular public sphere, the emergence of competing visions of nationhood, and the narratological function that women served within a continually shifting socio-political order. The book will be of interest to scholars across several disciplines, including cultural history, gender studies, Victorian studies, the sociology of religion, colonialism, and theatre.","downloadable_attachments":[{"id":65910221,"asset_id":45326341,"asset_type":"Work","always_allow_download":false},{"id":65911715,"asset_id":45326341,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":3331443,"first_name":"Rashna Darius","last_name":"Nicholson","domain_name":"warwick","page_name":"RashnaDariusNicholson","display_name":"Rashna Darius Nicholson","profile_url":"https://warwick.academia.edu/RashnaDariusNicholson?f_ri=29113","photo":"https://0.academia-photos.com/3331443/9877480/11010952/s65_rashna_darius.nicholson.jpg"}],"research_interests":[{"id":1031,"name":"Southeast Asian Studies","url":"https://www.academia.edu/Documents/in/Southeast_Asian_Studies?f_ri=29113","nofollow":false},{"id":1192,"name":"Feminist Theory","url":"https://www.academia.edu/Documents/in/Feminist_Theory?f_ri=29113","nofollow":false},{"id":1305,"name":"Victorian Studies","url":"https://www.academia.edu/Documents/in/Victorian_Studies?f_ri=29113","nofollow":false},{"id":1332,"name":"Theatre History","url":"https://www.academia.edu/Documents/in/Theatre_History?f_ri=29113","nofollow":false},{"id":2326,"name":"Nineteenth Century Studies","url":"https://www.academia.edu/Documents/in/Nineteenth_Century_Studies?f_ri=29113"},{"id":2337,"name":"Performance Studies","url":"https://www.academia.edu/Documents/in/Performance_Studies?f_ri=29113"},{"id":3558,"name":"South Asian Studies","url":"https://www.academia.edu/Documents/in/South_Asian_Studies?f_ri=29113"},{"id":6222,"name":"Drama","url":"https://www.academia.edu/Documents/in/Drama?f_ri=29113"},{"id":6926,"name":"South Asian History","url":"https://www.academia.edu/Documents/in/South_Asian_History?f_ri=29113"},{"id":10739,"name":"Parsis","url":"https://www.academia.edu/Documents/in/Parsis?f_ri=29113"},{"id":13618,"name":"Victorian cultural studies","url":"https://www.academia.edu/Documents/in/Victorian_cultural_studies?f_ri=29113"},{"id":17365,"name":"South Asian Literature","url":"https://www.academia.edu/Documents/in/South_Asian_Literature?f_ri=29113"},{"id":26319,"name":"Zoroastrianism (History)","url":"https://www.academia.edu/Documents/in/Zoroastrianism_History_?f_ri=29113"},{"id":29102,"name":"Theatre","url":"https://www.academia.edu/Documents/in/Theatre?f_ri=29113"},{"id":29113,"name":"Nineteenth-Century Literature and Culture","url":"https://www.academia.edu/Documents/in/Nineteenth-Century_Literature_and_Culture?f_ri=29113"},{"id":43838,"name":"India","url":"https://www.academia.edu/Documents/in/India?f_ri=29113"},{"id":73401,"name":"INDIAN DRAMA \u0026 THEATRE","url":"https://www.academia.edu/Documents/in/INDIAN_DRAMA_and_THEATRE?f_ri=29113"},{"id":75814,"name":"Indian History","url":"https://www.academia.edu/Documents/in/Indian_History?f_ri=29113"},{"id":339507,"name":"Parsi Theatre","url":"https://www.academia.edu/Documents/in/Parsi_Theatre?f_ri=29113"},{"id":447193,"name":"Indian and South Asian Historiography","url":"https://www.academia.edu/Documents/in/Indian_and_South_Asian_Historiography?f_ri=29113"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_43369225" data-work_id="43369225" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/43369225/Al_Shaikh_Ma_%CA%BE_al_%CA%BFAynayn_Maghrebi_Saharan_Literary_Geographies_on_the_Eve_of_Colonization">Al-Shaikh Māʾ al-ʿAynayn: Maghrebi-Saharan Literary Geographies on the Eve of Colonization</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Although the 19th-century Sufi figure al-Shaikh Māʾ al-ʿAynain led a major resistance movement in the Northwestern Sahara and Morocco and was one of the most widely printed authors on the Fez lithographic press, very little information... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_43369225" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Although the 19th-century Sufi figure al-Shaikh Māʾ al-ʿAynain led a major resistance movement in the Northwestern Sahara and Morocco and was one of the most widely printed authors on the Fez lithographic press, very little information on his literary and scholarly output exists in Europhone sources. This is largely due to the marginalization of texts inconsistent with Middle East-centered narratives of reform and revival inspired by the encounter with Europe. As part of a larger effort to read Maghrebi literatures on their own terms rather than imposing European or Middle Eastern timelines and concepts, this paper reads Māʾ al-ʿAynain’s 1858 riḥla (travelogue) to Mecca for how he conceptualized his world and traveled within it, including local, regional, and transregional elements.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/43369225" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="787e848d5a769249457f3fb8544aea85" rel="nofollow" data-download="{"attachment_id":67376564,"asset_id":43369225,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/67376564/download_file?st=MTczMjc4MjI3OSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="55763232" href="https://soas.academia.edu/JulyBlalack">July Blalack</a><script data-card-contents-for-user="55763232" type="text/json">{"id":55763232,"first_name":"July","last_name":"Blalack","domain_name":"soas","page_name":"JulyBlalack","display_name":"July Blalack","profile_url":"https://soas.academia.edu/JulyBlalack?f_ri=29113","photo":"https://0.academia-photos.com/55763232/14710695/42123985/s65_july.blalack.jpg"}</script></span></span></li><li class="js-paper-rank-work_43369225 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="43369225"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 43369225, container: ".js-paper-rank-work_43369225", }); 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$(".js-view-count[data-work-id=43369225]").text(description); $(".js-view-count-work_43369225").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_43369225").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="43369225"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">15</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="1270" href="https://www.academia.edu/Documents/in/Arabic_Literature">Arabic Literature</a>, <script data-card-contents-for-ri="1270" type="text/json">{"id":1270,"name":"Arabic Literature","url":"https://www.academia.edu/Documents/in/Arabic_Literature?f_ri=29113","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2326" href="https://www.academia.edu/Documents/in/Nineteenth_Century_Studies">Nineteenth Century Studies</a>, <script data-card-contents-for-ri="2326" type="text/json">{"id":2326,"name":"Nineteenth Century Studies","url":"https://www.academia.edu/Documents/in/Nineteenth_Century_Studies?f_ri=29113","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2876" href="https://www.academia.edu/Documents/in/Moroccan_Studies">Moroccan Studies</a>, <script data-card-contents-for-ri="2876" type="text/json">{"id":2876,"name":"Moroccan Studies","url":"https://www.academia.edu/Documents/in/Moroccan_Studies?f_ri=29113","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="3324" href="https://www.academia.edu/Documents/in/Arabic">Arabic</a><script data-card-contents-for-ri="3324" type="text/json">{"id":3324,"name":"Arabic","url":"https://www.academia.edu/Documents/in/Arabic?f_ri=29113","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=43369225]'), work: {"id":43369225,"title":"Al-Shaikh Māʾ al-ʿAynayn: Maghrebi-Saharan Literary Geographies on the Eve of Colonization","created_at":"2020-06-17T13:42:54.532-07:00","url":"https://www.academia.edu/43369225/Al_Shaikh_Ma_%CA%BE_al_%CA%BFAynayn_Maghrebi_Saharan_Literary_Geographies_on_the_Eve_of_Colonization?f_ri=29113","dom_id":"work_43369225","summary":"Although the 19th-century Sufi figure al-Shaikh Māʾ al-ʿAynain led a major resistance movement in the Northwestern Sahara and Morocco and was one of the most widely printed authors on the Fez lithographic press, very little information on his literary and scholarly output exists in Europhone sources. This is largely due to the marginalization of texts inconsistent with Middle East-centered narratives of reform and revival inspired by the encounter with Europe. As part of a larger effort to read Maghrebi literatures on their own terms rather than imposing European or Middle Eastern timelines and concepts, this paper reads Māʾ al-ʿAynain’s 1858 riḥla (travelogue) to Mecca for how he conceptualized his world and traveled within it, including local, regional, and transregional elements. ","downloadable_attachments":[{"id":67376564,"asset_id":43369225,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":55763232,"first_name":"July","last_name":"Blalack","domain_name":"soas","page_name":"JulyBlalack","display_name":"July Blalack","profile_url":"https://soas.academia.edu/JulyBlalack?f_ri=29113","photo":"https://0.academia-photos.com/55763232/14710695/42123985/s65_july.blalack.jpg"}],"research_interests":[{"id":1270,"name":"Arabic Literature","url":"https://www.academia.edu/Documents/in/Arabic_Literature?f_ri=29113","nofollow":false},{"id":2326,"name":"Nineteenth Century Studies","url":"https://www.academia.edu/Documents/in/Nineteenth_Century_Studies?f_ri=29113","nofollow":false},{"id":2876,"name":"Moroccan Studies","url":"https://www.academia.edu/Documents/in/Moroccan_Studies?f_ri=29113","nofollow":false},{"id":3324,"name":"Arabic","url":"https://www.academia.edu/Documents/in/Arabic?f_ri=29113","nofollow":false},{"id":6556,"name":"Colonialism","url":"https://www.academia.edu/Documents/in/Colonialism?f_ri=29113"},{"id":11152,"name":"Sufism","url":"https://www.academia.edu/Documents/in/Sufism?f_ri=29113"},{"id":13684,"name":"Morocco","url":"https://www.academia.edu/Documents/in/Morocco?f_ri=29113"},{"id":13965,"name":"18th \u0026 19th Centuries","url":"https://www.academia.edu/Documents/in/18th_and_19th_Centuries?f_ri=29113"},{"id":19332,"name":"19th Century (History)","url":"https://www.academia.edu/Documents/in/19th_Century_History_?f_ri=29113"},{"id":29113,"name":"Nineteenth-Century Literature and Culture","url":"https://www.academia.edu/Documents/in/Nineteenth-Century_Literature_and_Culture?f_ri=29113"},{"id":51396,"name":"Mauritania","url":"https://www.academia.edu/Documents/in/Mauritania?f_ri=29113"},{"id":54716,"name":"Moroccan Literature","url":"https://www.academia.edu/Documents/in/Moroccan_Literature?f_ri=29113"},{"id":89290,"name":"Western Sahara","url":"https://www.academia.edu/Documents/in/Western_Sahara?f_ri=29113"},{"id":138642,"name":"Sahara","url":"https://www.academia.edu/Documents/in/Sahara?f_ri=29113"},{"id":735672,"name":"Arabic Language and Literature","url":"https://www.academia.edu/Documents/in/Arabic_Language_and_Literature?f_ri=29113"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_5957498" data-work_id="5957498" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 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u-pv7x u-mb0x js-work-card work_75947628" data-work_id="75947628" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/75947628/_The_light_that_never_was_on_sea_or_land_William_Wordsworth_in_America_and_Emily_Dickinson_s_Frostier_Style">“‘The light that never was on sea or land’: William Wordsworth in America and Emily Dickinson’s “Frostier” Style</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This paper proposes to investigate Emily Dickinson’s transatlantic literary connection with William Wordsworth. Her references to and appropriation of Wordsworth inform her critical understanding of the polarized reception of Wordsworth’s... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_75947628" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This paper proposes to investigate Emily Dickinson’s transatlantic literary connection with William Wordsworth. Her references to and appropriation of Wordsworth inform her critical understanding of the polarized reception of Wordsworth’s poetry and its potential impact on her own poetic experimentation. Dickinson’s role as a poetic heir of Wordsworth, particularly her relation to Romanticism, has been extensively explored. Critics such as Harold Bloom and Joanne Feit Diehl point out the antagonistic relationship between Dickinson and her male precursors. Robert Weisbuch and Inder Nath Kher, alternatively, see Dickinson’s quest poems as essentially Romantic. Scholars such as Margaret Homans consider Dickinson’s poems as deconstructing the binary structure embedded in the writings of her male precursors. More recently, critics such as Richard Gravil and Richard E. Brantley place Dickinson firmly in the literary tradition of Anglo-American Romanticism. This paper explores Dickinson’s engagement with Wordsworth further through her potential awareness of and response to Wordsworth’s mixed Anglo-American receptions. A number of Dickinson’s Wordsworthian allusions in her poems, such as daffodils, primroses, and the sunlight, borrow and appropriate images that Wordsworth’s poetry had made popular in the cultural consciousness. These poems of Dickinson conjure up the Wordsworthian imagery as objects of rare values or commodities, reflecting the polarized receptions of Wordsworth in the mid-nineteenth century. In particular, Wordsworth’s “joyful” message of nature, which Arnold and his contemporaries considered most valuable, played a role in Dickinson’s experimentation with her own poetic voices in the 1850s and 1860s. The paper examines how Dickinson might have been aware of Wordsworth’s poetic reputation, and how Wordsworth’s “joyful” nature poems are critically reviewed in the mid-nineteenth-century Anglo-American world. I then scrutinize a number of Dickinson’s poems about Wordsworthian nature in relation to Dickinson’s tentative adjustment of her poetic expression for a “frostier” style at the inception of her poetic career. The paper suggests that Dickinson’s subtle engagement with Wordsworth provides a glimpse of how she is concerned about the positioning of herself, a New England poet, in a mid-nineteenth-century Anglo-American literary tradition.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/75947628" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="10403980" href="https://nccu.academia.edu/HsuLihsin">Hsu Li-hsin</a><script data-card-contents-for-user="10403980" type="text/json">{"id":10403980,"first_name":"Hsu","last_name":"Li-hsin","domain_name":"nccu","page_name":"HsuLihsin","display_name":"Hsu Li-hsin","profile_url":"https://nccu.academia.edu/HsuLihsin?f_ri=29113","photo":"https://0.academia-photos.com/10403980/3374817/89207603/s65_hsu.li-hsin.jpeg"}</script></span></span></li><li class="js-paper-rank-work_75947628 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="75947628"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 75947628, container: ".js-paper-rank-work_75947628", }); 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$(".js-view-count[data-work-id=75947628]").text(description); $(".js-view-count-work_75947628").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_75947628").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="75947628"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">6</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="997" href="https://www.academia.edu/Documents/in/Reception_Studies">Reception Studies</a>, <script data-card-contents-for-ri="997" type="text/json">{"id":997,"name":"Reception Studies","url":"https://www.academia.edu/Documents/in/Reception_Studies?f_ri=29113","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="3124" href="https://www.academia.edu/Documents/in/Emily_Dickinson">Emily Dickinson</a>, <script data-card-contents-for-ri="3124" type="text/json">{"id":3124,"name":"Emily Dickinson","url":"https://www.academia.edu/Documents/in/Emily_Dickinson?f_ri=29113","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="11077" href="https://www.academia.edu/Documents/in/William_Wordsworth">William Wordsworth</a>, <script data-card-contents-for-ri="11077" type="text/json">{"id":11077,"name":"William Wordsworth","url":"https://www.academia.edu/Documents/in/William_Wordsworth?f_ri=29113","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="29113" href="https://www.academia.edu/Documents/in/Nineteenth-Century_Literature_and_Culture">Nineteenth-Century Literature and Culture</a><script data-card-contents-for-ri="29113" type="text/json">{"id":29113,"name":"Nineteenth-Century Literature and Culture","url":"https://www.academia.edu/Documents/in/Nineteenth-Century_Literature_and_Culture?f_ri=29113","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=75947628]'), work: {"id":75947628,"title":"“‘The light that never was on sea or land’: William Wordsworth in America and Emily Dickinson’s “Frostier” Style","created_at":"2022-04-09T16:30:36.193-07:00","url":"https://www.academia.edu/75947628/_The_light_that_never_was_on_sea_or_land_William_Wordsworth_in_America_and_Emily_Dickinson_s_Frostier_Style?f_ri=29113","dom_id":"work_75947628","summary":"This paper proposes to investigate Emily Dickinson’s transatlantic literary connection with William Wordsworth. Her references to and appropriation of Wordsworth inform her critical understanding of the polarized reception of Wordsworth’s poetry and its potential impact on her own poetic experimentation. Dickinson’s role as a poetic heir of Wordsworth, particularly her relation to Romanticism, has been extensively explored. Critics such as Harold Bloom and Joanne Feit Diehl point out the antagonistic relationship between Dickinson and her male precursors. Robert Weisbuch and Inder Nath Kher, alternatively, see Dickinson’s quest poems as essentially Romantic. Scholars such as Margaret Homans consider Dickinson’s poems as deconstructing the binary structure embedded in the writings of her male precursors. More recently, critics such as Richard Gravil and Richard E. Brantley place Dickinson firmly in the literary tradition of Anglo-American Romanticism. This paper explores Dickinson’s engagement with Wordsworth further through her potential awareness of and response to Wordsworth’s mixed Anglo-American receptions. A number of Dickinson’s Wordsworthian allusions in her poems, such as daffodils, primroses, and the sunlight, borrow and appropriate images that Wordsworth’s poetry had made popular in the cultural consciousness. These poems of Dickinson conjure up the Wordsworthian imagery as objects of rare values or commodities, reflecting the polarized receptions of Wordsworth in the mid-nineteenth century. In particular, Wordsworth’s “joyful” message of nature, which Arnold and his contemporaries considered most valuable, played a role in Dickinson’s experimentation with her own poetic voices in the 1850s and 1860s. The paper examines how Dickinson might have been aware of Wordsworth’s poetic reputation, and how Wordsworth’s “joyful” nature poems are critically reviewed in the mid-nineteenth-century Anglo-American world. I then scrutinize a number of Dickinson’s poems about Wordsworthian nature in relation to Dickinson’s tentative adjustment of her poetic expression for a “frostier” style at the inception of her poetic career. The paper suggests that Dickinson’s subtle engagement with Wordsworth provides a glimpse of how she is concerned about the positioning of herself, a New England poet, in a mid-nineteenth-century Anglo-American literary tradition.","downloadable_attachments":[],"ordered_authors":[{"id":10403980,"first_name":"Hsu","last_name":"Li-hsin","domain_name":"nccu","page_name":"HsuLihsin","display_name":"Hsu Li-hsin","profile_url":"https://nccu.academia.edu/HsuLihsin?f_ri=29113","photo":"https://0.academia-photos.com/10403980/3374817/89207603/s65_hsu.li-hsin.jpeg"}],"research_interests":[{"id":997,"name":"Reception Studies","url":"https://www.academia.edu/Documents/in/Reception_Studies?f_ri=29113","nofollow":false},{"id":3124,"name":"Emily Dickinson","url":"https://www.academia.edu/Documents/in/Emily_Dickinson?f_ri=29113","nofollow":false},{"id":11077,"name":"William Wordsworth","url":"https://www.academia.edu/Documents/in/William_Wordsworth?f_ri=29113","nofollow":false},{"id":29113,"name":"Nineteenth-Century Literature and Culture","url":"https://www.academia.edu/Documents/in/Nineteenth-Century_Literature_and_Culture?f_ri=29113","nofollow":false},{"id":52408,"name":"Literary studies","url":"https://www.academia.edu/Documents/in/Literary_studies?f_ri=29113"},{"id":2902361,"name":"Johns Hopkins University","url":"https://www.academia.edu/Documents/in/Johns_Hopkins_University?f_ri=29113"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_50980884" data-work_id="50980884" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/50980884/_Dead_wall_reveries_Przypadek_kopisty_z_Wall_Street">"Dead-wall reveries". Przypadek kopisty z Wall Street</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Artykuł przynosi reinterpretację Kopisty Bartleby. Historii z Wall Street-słynnej noweli Hermana Melville'a, której poświęcono niezliczoną ilość analiz. Autor przedstawia działanie "fabryki Bartleby'ego" i odnosi się polemicznie do tych... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_50980884" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Artykuł przynosi reinterpretację Kopisty Bartleby. Historii z Wall Street-słynnej noweli Hermana Melville'a, której poświęcono niezliczoną ilość analiz. Autor przedstawia działanie "fabryki Bartleby'ego" i odnosi się polemicznie do tych wszystkich lektur, które przypisują wywrotowy i wspólnototwórczy poten cjał idiosynkratycznej formule oporu powtarzanej przez bohatera. Kluczowa dla argumentacji pozostaje figura muru, rozumiana jako projektowany przez protago nistę obraz zewnętrznych konieczności-niepodlegających zmianie reguł świata społecznego. Suplementowanie marksistowskich ujęć (zwłaszcza propozycji Leo Marxa) pojęciami zaczerpniętymi z pism Jacques'a Rancière'a umożliwia wypra cowanie perspektywy, w której osłabieniu ulega deterministyczna wizja jednostki ulegającej socjoekonomicznemu przeznaczeniu. Bartleby okazuje się ofiarą włas nego fatalizmu, z kolei adwokatnarrator, na ogół przedstawiany jako uosobie nie systemu władzy, jawi się jako podmiot polityczny bezskutecznie projektujący wspólną płaszczyznę rozumienia i działania.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/50980884" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="99c2a7711799be940cf67609321bf022" rel="nofollow" data-download="{"attachment_id":68854008,"asset_id":50980884,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/68854008/download_file?st=MTczMjc4MjI3OSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="27751134" href="https://jagiellonian.academia.edu/JerzyFranczak">Jerzy Franczak</a><script data-card-contents-for-user="27751134" type="text/json">{"id":27751134,"first_name":"Jerzy","last_name":"Franczak","domain_name":"jagiellonian","page_name":"JerzyFranczak","display_name":"Jerzy Franczak","profile_url":"https://jagiellonian.academia.edu/JerzyFranczak?f_ri=29113","photo":"https://0.academia-photos.com/27751134/7884361/9734564/s65_jerzy.franczak.jpg"}</script></span></span></li><li class="js-paper-rank-work_50980884 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="50980884"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 50980884, container: ".js-paper-rank-work_50980884", }); });</script></li><li class="js-percentile-work_50980884 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 50980884; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_50980884"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_50980884 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="50980884"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 50980884; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=50980884]").text(description); $(".js-view-count-work_50980884").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_50980884").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="50980884"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">7</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="10" href="https://www.academia.edu/Documents/in/American_Literature">American Literature</a>, <script data-card-contents-for-ri="10" type="text/json">{"id":10,"name":"American Literature","url":"https://www.academia.edu/Documents/in/American_Literature?f_ri=29113","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="8760" href="https://www.academia.edu/Documents/in/Jacques_Ranci%C3%A8re">Jacques Rancière</a>, <script data-card-contents-for-ri="8760" type="text/json">{"id":8760,"name":"Jacques Rancière","url":"https://www.academia.edu/Documents/in/Jacques_Ranci%C3%A8re?f_ri=29113","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="15342" href="https://www.academia.edu/Documents/in/Aesthetics_and_Politics">Aesthetics and Politics</a>, <script data-card-contents-for-ri="15342" type="text/json">{"id":15342,"name":"Aesthetics and Politics","url":"https://www.academia.edu/Documents/in/Aesthetics_and_Politics?f_ri=29113","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="19424" href="https://www.academia.edu/Documents/in/Melville_Studies">Melville Studies</a><script data-card-contents-for-ri="19424" type="text/json">{"id":19424,"name":"Melville Studies","url":"https://www.academia.edu/Documents/in/Melville_Studies?f_ri=29113","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=50980884]'), work: {"id":50980884,"title":"\"Dead-wall reveries\". Przypadek kopisty z Wall Street","created_at":"2021-08-23T08:53:34.173-07:00","url":"https://www.academia.edu/50980884/_Dead_wall_reveries_Przypadek_kopisty_z_Wall_Street?f_ri=29113","dom_id":"work_50980884","summary":"Artykuł przynosi reinterpretację Kopisty Bartleby. Historii z Wall Street-słynnej noweli Hermana Melville'a, której poświęcono niezliczoną ilość analiz. Autor przedstawia działanie \"fabryki Bartleby'ego\" i odnosi się polemicznie do tych wszystkich lektur, które przypisują wywrotowy i wspólnototwórczy poten cjał idiosynkratycznej formule oporu powtarzanej przez bohatera. Kluczowa dla argumentacji pozostaje figura muru, rozumiana jako projektowany przez protago nistę obraz zewnętrznych konieczności-niepodlegających zmianie reguł świata społecznego. Suplementowanie marksistowskich ujęć (zwłaszcza propozycji Leo Marxa) pojęciami zaczerpniętymi z pism Jacques'a Rancière'a umożliwia wypra cowanie perspektywy, w której osłabieniu ulega deterministyczna wizja jednostki ulegającej socjoekonomicznemu przeznaczeniu. Bartleby okazuje się ofiarą włas nego fatalizmu, z kolei adwokatnarrator, na ogół przedstawiany jako uosobie nie systemu władzy, jawi się jako podmiot polityczny bezskutecznie projektujący wspólną płaszczyznę rozumienia i działania.","downloadable_attachments":[{"id":68854008,"asset_id":50980884,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":27751134,"first_name":"Jerzy","last_name":"Franczak","domain_name":"jagiellonian","page_name":"JerzyFranczak","display_name":"Jerzy Franczak","profile_url":"https://jagiellonian.academia.edu/JerzyFranczak?f_ri=29113","photo":"https://0.academia-photos.com/27751134/7884361/9734564/s65_jerzy.franczak.jpg"}],"research_interests":[{"id":10,"name":"American Literature","url":"https://www.academia.edu/Documents/in/American_Literature?f_ri=29113","nofollow":false},{"id":8760,"name":"Jacques Rancière","url":"https://www.academia.edu/Documents/in/Jacques_Ranci%C3%A8re?f_ri=29113","nofollow":false},{"id":15342,"name":"Aesthetics and Politics","url":"https://www.academia.edu/Documents/in/Aesthetics_and_Politics?f_ri=29113","nofollow":false},{"id":19424,"name":"Melville Studies","url":"https://www.academia.edu/Documents/in/Melville_Studies?f_ri=29113","nofollow":false},{"id":29113,"name":"Nineteenth-Century Literature and Culture","url":"https://www.academia.edu/Documents/in/Nineteenth-Century_Literature_and_Culture?f_ri=29113"},{"id":30095,"name":"Cultural power and resistance","url":"https://www.academia.edu/Documents/in/Cultural_power_and_resistance?f_ri=29113"},{"id":54329,"name":"Herman Melville","url":"https://www.academia.edu/Documents/in/Herman_Melville?f_ri=29113"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_29796170" data-work_id="29796170" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/29796170/A_CONSTRU%C3%87%C3%83O_DA_PERSONAGEM_E_A_CR%C3%8DTICA_SOCIAL_NA_VOZ_DE_AUR%C3%89LIA">A CONSTRUÇÃO DA PERSONAGEM E A CRÍTICA SOCIAL NA VOZ DE AURÉLIA</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">RESUMO: Consagrado autor da estética romântica no Brasil, José de Alencar é conhecido por criar os chamados " perfis de mulher ". O artigo destina-se a discutir como Alencar usa a personagem Aurélia Camargo, protagonista do romance urbano... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_29796170" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">RESUMO: Consagrado autor da estética romântica no Brasil, José de Alencar é conhecido por criar os chamados " perfis de mulher ". O artigo destina-se a discutir como Alencar usa a personagem Aurélia Camargo, protagonista do romance urbano Senhora, publicado em 1875, como mensageira de crítica social, alertando-nos quanto aos costumes burgueses da época em que o romance foi escrito, que mantinham a mulher presa aos ditames da sociedade de forma geral. Hoje, se percebe que Aurélia tem percepções diferenciadas das de seu tempo, com características não esperadas de uma mulher do século XIX, e que o autor a utiliza para que os leitores repensassem o modelo de família vigente na época.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/29796170" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="6fef9f44d7a5a7bdef7d1b66ae08f568" rel="nofollow" data-download="{"attachment_id":50252859,"asset_id":29796170,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/50252859/download_file?st=MTczMjc4MjI3OSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="30465095" href="https://euvoupassar.academia.edu/TacianaSoares">Taciana Soares</a><script data-card-contents-for-user="30465095" type="text/json">{"id":30465095,"first_name":"Taciana","last_name":"Soares","domain_name":"euvoupassar","page_name":"TacianaSoares","display_name":"Taciana Soares","profile_url":"https://euvoupassar.academia.edu/TacianaSoares?f_ri=29113","photo":"https://0.academia-photos.com/30465095/14857653/37048636/s65_taciana.soares.jpg"}</script></span></span></li><li class="js-paper-rank-work_29796170 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="29796170"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 29796170, container: ".js-paper-rank-work_29796170", }); 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$(".js-view-count[data-work-id=29796170]").text(description); $(".js-view-count-work_29796170").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_29796170").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="29796170"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="1258" href="https://www.academia.edu/Documents/in/Romanticism">Romanticism</a>, <script data-card-contents-for-ri="1258" type="text/json">{"id":1258,"name":"Romanticism","url":"https://www.academia.edu/Documents/in/Romanticism?f_ri=29113","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="29113" href="https://www.academia.edu/Documents/in/Nineteenth-Century_Literature_and_Culture">Nineteenth-Century Literature and Culture</a>, <script data-card-contents-for-ri="29113" type="text/json">{"id":29113,"name":"Nineteenth-Century Literature and Culture","url":"https://www.academia.edu/Documents/in/Nineteenth-Century_Literature_and_Culture?f_ri=29113","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="35572" href="https://www.academia.edu/Documents/in/Brazilian_Literature">Brazilian Literature</a>, <script data-card-contents-for-ri="35572" type="text/json">{"id":35572,"name":"Brazilian Literature","url":"https://www.academia.edu/Documents/in/Brazilian_Literature?f_ri=29113","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1204053" href="https://www.academia.edu/Documents/in/Jose_de_Alencar">José de Alencar</a><script data-card-contents-for-ri="1204053" type="text/json">{"id":1204053,"name":"José de Alencar","url":"https://www.academia.edu/Documents/in/Jose_de_Alencar?f_ri=29113","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=29796170]'), work: {"id":29796170,"title":"A CONSTRUÇÃO DA PERSONAGEM E A CRÍTICA SOCIAL NA VOZ DE AURÉLIA","created_at":"2016-11-11T07:46:05.369-08:00","url":"https://www.academia.edu/29796170/A_CONSTRU%C3%87%C3%83O_DA_PERSONAGEM_E_A_CR%C3%8DTICA_SOCIAL_NA_VOZ_DE_AUR%C3%89LIA?f_ri=29113","dom_id":"work_29796170","summary":"RESUMO: Consagrado autor da estética romântica no Brasil, José de Alencar é conhecido por criar os chamados \" perfis de mulher \". O artigo destina-se a discutir como Alencar usa a personagem Aurélia Camargo, protagonista do romance urbano Senhora, publicado em 1875, como mensageira de crítica social, alertando-nos quanto aos costumes burgueses da época em que o romance foi escrito, que mantinham a mulher presa aos ditames da sociedade de forma geral. Hoje, se percebe que Aurélia tem percepções diferenciadas das de seu tempo, com características não esperadas de uma mulher do século XIX, e que o autor a utiliza para que os leitores repensassem o modelo de família vigente na época.","downloadable_attachments":[{"id":50252859,"asset_id":29796170,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":30465095,"first_name":"Taciana","last_name":"Soares","domain_name":"euvoupassar","page_name":"TacianaSoares","display_name":"Taciana Soares","profile_url":"https://euvoupassar.academia.edu/TacianaSoares?f_ri=29113","photo":"https://0.academia-photos.com/30465095/14857653/37048636/s65_taciana.soares.jpg"}],"research_interests":[{"id":1258,"name":"Romanticism","url":"https://www.academia.edu/Documents/in/Romanticism?f_ri=29113","nofollow":false},{"id":29113,"name":"Nineteenth-Century Literature and 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u-mb0x js-work-card work_10302141" data-work_id="10302141" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/10302141/_Performing_the_Spirit_Theatre_the_Occult_and_the_Ceremony_of_Isis_Cahiers_victoriens_et_edouardiens_No_80_2014_">"Performing the Spirit: Theatre, the Occult, and the Ceremony of Isis." Cahiers victoriens et edouardiens. No. 80 (2014)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Looking at two distinctly different approaches to the occult and performance, this article demonstrates that a range of late-Victorians turned to theatrical performance as an avenue to mystical communication. The editors of Borderland: A... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_10302141" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Looking at two distinctly different approaches to the occult and performance, this article demonstrates that a range of late-Victorians turned to theatrical performance as an avenue to mystical communication. The editors of Borderland: A Psychical Quarterly, W. T. Stead and Ada Goodrich Freer, focused on performance in large part for strategic purposes intended to assist in the popularization of spiritualism and other psychical phenomena. Meanwhile, Moina and Samuel ‘MacGregor’ Mathers, central members of the Hermetic Order of the Golden Dawn, developed their Ceremony of Isis not only for marketing purposes, but also to engage performance as a mode of human transmigration and a powerfully allusive embodiment of key values of pagan occultism.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/10302141" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="aa7eb433c0b750bc1eaf01e225e9860f" rel="nofollow" data-download="{"attachment_id":36686678,"asset_id":10302141,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/36686678/download_file?st=MTczMjc4MjI3OSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="2251240" href="https://utulsa.academia.edu/DennisDenisoff">Dennis Denisoff</a><script data-card-contents-for-user="2251240" type="text/json">{"id":2251240,"first_name":"Dennis","last_name":"Denisoff","domain_name":"utulsa","page_name":"DennisDenisoff","display_name":"Dennis Denisoff","profile_url":"https://utulsa.academia.edu/DennisDenisoff?f_ri=29113","photo":"https://0.academia-photos.com/2251240/820427/1020036/s65_dennis.denisoff.jpg"}</script></span></span></li><li class="js-paper-rank-work_10302141 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="10302141"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 10302141, container: ".js-paper-rank-work_10302141", }); 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No. 80 (2014)","created_at":"2015-01-23T11:09:00.530-08:00","url":"https://www.academia.edu/10302141/_Performing_the_Spirit_Theatre_the_Occult_and_the_Ceremony_of_Isis_Cahiers_victoriens_et_edouardiens_No_80_2014_?f_ri=29113","dom_id":"work_10302141","summary":"Looking at two distinctly different approaches to the occult and performance, this article demonstrates that a range of late-Victorians turned to theatrical performance as an avenue to mystical communication. The editors of Borderland: A Psychical Quarterly, W. T. Stead and Ada Goodrich Freer, focused on performance in large part for strategic purposes intended to assist in the popularization of spiritualism and other psychical phenomena. 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29-39","created_at":"2016-09-04T16:06:06.396-07:00","url":"https://www.academia.edu/28250234/_I_capricci_della_seduzione_seduttori_e_sedotti_nei_Caprices_de_Marianne_di_Alfred_de_Musset_Agalma_n_12_settembre_2006_pp_29_39?f_ri=29113","dom_id":"work_28250234","summary":null,"downloadable_attachments":[{"id":65757795,"asset_id":28250234,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":8616420,"first_name":"Valentina","last_name":"Ponzetto","domain_name":"unil","page_name":"ValentinaPonzetto","display_name":"Valentina Ponzetto","profile_url":"https://unil.academia.edu/ValentinaPonzetto?f_ri=29113","photo":"https://0.academia-photos.com/8616420/2873262/15023048/s65_valentina.ponzetto.jpg"}],"research_interests":[{"id":660,"name":"French Literature","url":"https://www.academia.edu/Documents/in/French_Literature?f_ri=29113","nofollow":false},{"id":2326,"name":"Nineteenth Century 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Ed. Tom Ue. The Gissing Journal 54.4 (Supplement to Oct. 2020): 32-33. 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Ed. Tom Ue. The Gissing Journal 54.4 (Supplement to Oct. 2020): 32-33. 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Gissing","url":"https://www.academia.edu/Documents/in/G._Gissing?f_ri=29113"},{"id":1011453,"name":"Gissing","url":"https://www.academia.edu/Documents/in/Gissing?f_ri=29113"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_44906881" data-work_id="44906881" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/44906881/On_world_literatures_frontier_Jules_Verne_and_the_portable_printing_press">On world literature's frontier: Jules Verne and the portable printing press</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">(Free e-print available: <a href="https://www.tandfonline.com/eprint/MCHGJSZ75C4HF8HZYQ86/full?target=10.1080/08905495.2021.1867815" 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Studies","url":"https://www.academia.edu/Documents/in/Translation_Studies?f_ri=29113","nofollow":false},{"id":2811,"name":"History of the Book","url":"https://www.academia.edu/Documents/in/History_of_the_Book?f_ri=29113","nofollow":false},{"id":8307,"name":"Periodical Studies","url":"https://www.academia.edu/Documents/in/Periodical_Studies?f_ri=29113","nofollow":false},{"id":20628,"name":"Newspaper History","url":"https://www.academia.edu/Documents/in/Newspaper_History?f_ri=29113"},{"id":29113,"name":"Nineteenth-Century Literature and Culture","url":"https://www.academia.edu/Documents/in/Nineteenth-Century_Literature_and_Culture?f_ri=29113"},{"id":60744,"name":"History of the American West","url":"https://www.academia.edu/Documents/in/History_of_the_American_West?f_ri=29113"},{"id":64931,"name":"Nineteenth-Century French Literature","url":"https://www.academia.edu/Documents/in/Nineteenth-Century_French_Literature?f_ri=29113"},{"id":115793,"name":"Jules 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were articulated and explored in pre-1900 utopian literature. Taking examples from the works of key writers such as Thomas More, Robert Owen,... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_1875225" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This article looks in more depth at the different ways in which ideas about cashless societies were articulated and explored in pre-1900 utopian literature. Taking examples from the works of key writers such as Thomas More, Robert Owen, William Morris and Edward Bellamy, it discusses the different ways in which the problems associated with conventional notes-and-coins monetary systems were tackled as well as looking at the proposals for alternative payment systems to take their place. Ultimately, what it shows is that although the desire to dispense with cash and find a more efficient and less-exploitable payment system is certainly nothing new, the practical problems associated with actually implementing such a system remain hugely challenging.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/1875225" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="d181a54c11806a363b84d959b9652492" rel="nofollow" data-download="{"attachment_id":26437400,"asset_id":1875225,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/26437400/download_file?st=MTczMjc4MjI3OSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="240511" href="https://york.academia.edu/MatthewHollow">Matthew Hollow</a><script data-card-contents-for-user="240511" type="text/json">{"id":240511,"first_name":"Matthew","last_name":"Hollow","domain_name":"york","page_name":"MatthewHollow","display_name":"Matthew Hollow","profile_url":"https://york.academia.edu/MatthewHollow?f_ri=29113","photo":"https://0.academia-photos.com/240511/621823/18070012/s65_matthew.hollow.jpeg"}</script></span></span></li><li class="js-paper-rank-work_1875225 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="1875225"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 1875225, container: ".js-paper-rank-work_1875225", }); 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Taking examples from the works of key writers such as Thomas More, Robert Owen, William Morris and Edward Bellamy, it discusses the different ways in which the problems associated with conventional notes-and-coins monetary systems were tackled as well as looking at the proposals for alternative payment systems to take their place. 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itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/19781789/C_Colligan_M_Linley_eds_Media_Technology_and_Literature_in_the_Nineteenth_Century_Image_Sound_Touch_Surrey_Ashgate_2011">C. Colligan; M. Linley (eds.): Media, Technology, and Literature in the Nineteenth Century. Image, Sound, Touch. Surrey: Ashgate, 2011</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/19781789" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="a44a1718a871ee6ed2fa32864bad8697" rel="nofollow" data-download="{"attachment_id":40841622,"asset_id":19781789,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/40841622/download_file?st=MTczMjc4MjI3OSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1103569" href="https://uib-es.academia.edu/SonsolesHernandezBarbosa">Sonsoles Hernandez Barbosa</a><script data-card-contents-for-user="1103569" type="text/json">{"id":1103569,"first_name":"Sonsoles","last_name":"Hernandez Barbosa","domain_name":"uib-es","page_name":"SonsolesHernandezBarbosa","display_name":"Sonsoles Hernandez Barbosa","profile_url":"https://uib-es.academia.edu/SonsolesHernandezBarbosa?f_ri=29113","photo":"https://0.academia-photos.com/1103569/389637/473511/s65_sonsoles.hernandez_barbosa.jpg"}</script></span></span></li><li class="js-paper-rank-work_19781789 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="19781789"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 19781789, container: ".js-paper-rank-work_19781789", }); 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Colligan; M. Linley (eds.): Media, Technology, and Literature in the Nineteenth Century. Image, Sound, Touch. Surrey: Ashgate, 2011","created_at":"2015-12-22T03:27:32.962-08:00","url":"https://www.academia.edu/19781789/C_Colligan_M_Linley_eds_Media_Technology_and_Literature_in_the_Nineteenth_Century_Image_Sound_Touch_Surrey_Ashgate_2011?f_ri=29113","dom_id":"work_19781789","summary":null,"downloadable_attachments":[{"id":40841622,"asset_id":19781789,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1103569,"first_name":"Sonsoles","last_name":"Hernandez Barbosa","domain_name":"uib-es","page_name":"SonsolesHernandezBarbosa","display_name":"Sonsoles Hernandez Barbosa","profile_url":"https://uib-es.academia.edu/SonsolesHernandezBarbosa?f_ri=29113","photo":"https://0.academia-photos.com/1103569/389637/473511/s65_sonsoles.hernandez_barbosa.jpg"}],"research_interests":[{"id":5130,"name":"History of the Senses","url":"https://www.academia.edu/Documents/in/History_of_the_Senses?f_ri=29113","nofollow":false},{"id":8927,"name":"Art and Science","url":"https://www.academia.edu/Documents/in/Art_and_Science?f_ri=29113","nofollow":false},{"id":29113,"name":"Nineteenth-Century Literature and Culture","url":"https://www.academia.edu/Documents/in/Nineteenth-Century_Literature_and_Culture?f_ri=29113","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_67699056" data-work_id="67699056" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/67699056/Deformed_Beauty_Narrative_and_Musical_Form_in_Mendelssohns_Overture_to_the_Beautiful_Melusina_Op_32">Deformed Beauty? Narrative and Musical Form in Mendelssohn's "Overture to the Beautiful Melusina," Op. 32</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The last of Felix Mendelssohn’s series of popular and influential concert overtures, the Overture to the Tale of the Fair Melusina of 1835 remains the least familiar of these works. It is also the most unusual with regard to formal design... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_67699056" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The last of Felix Mendelssohn’s series of popular and influential concert overtures, the Overture to the Tale of the Fair Melusina of 1835 remains the least familiar of these works. It is also the most unusual with regard to formal design in its purposeful confounding of introduction and sonata-form elements alongside the dialogic relation of clearly gendered thematic materials. Such calculated ‘deformation’ of classic and early Romantic sonata form has been understood as a means of generating a kind of musical-narrative content, though the precise relation of formal experiment to such narrative content has remained elusive. This chapter reconsiders the problematic relation of experimental formal procedure to the narrative dimension and the role this may have played in the composer’s subsequent abandonment of the quasi-programmatic concert overture genre, despite his unparalleled artistic success in the field<br />Keywords: Felix Mendelssohn, Die schöne Melusine, sonata form, Sonata Theory, musical narrative, programme music, deformation</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/67699056" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="cdbf0f602616ebe08250b0dde9c1aea9" rel="nofollow" data-download="{"attachment_id":78427582,"asset_id":67699056,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/78427582/download_file?st=MTczMjc4MjI3OSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="10045125" href="https://stanford.academia.edu/TomGrey">Thomas Grey</a><script data-card-contents-for-user="10045125" type="text/json">{"id":10045125,"first_name":"Thomas","last_name":"Grey","domain_name":"stanford","page_name":"TomGrey","display_name":"Thomas Grey","profile_url":"https://stanford.academia.edu/TomGrey?f_ri=29113","photo":"https://0.academia-photos.com/10045125/3179846/3742904/s65_tom.grey.jpg"}</script></span></span></li><li class="js-paper-rank-work_67699056 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="67699056"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 67699056, container: ".js-paper-rank-work_67699056", }); 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Narrative and Musical Form in Mendelssohn's \"Overture to the Beautiful Melusina,\" Op. 32","created_at":"2022-01-09T13:08:31.896-08:00","url":"https://www.academia.edu/67699056/Deformed_Beauty_Narrative_and_Musical_Form_in_Mendelssohns_Overture_to_the_Beautiful_Melusina_Op_32?f_ri=29113","dom_id":"work_67699056","summary":"The last of Felix Mendelssohn’s series of popular and influential concert overtures, the Overture to the Tale of the Fair Melusina of 1835 remains the least familiar of these works. It is also the most unusual with regard to formal design in its purposeful confounding of introduction and sonata-form elements alongside the dialogic relation of clearly gendered thematic materials. Such calculated ‘deformation’ of classic and early Romantic sonata form has been understood as a means of generating a kind of musical-narrative content, though the precise relation of formal experiment to such narrative content has remained elusive. This chapter reconsiders the problematic relation of experimental formal procedure to the narrative dimension and the role this may have played in the composer’s subsequent abandonment of the quasi-programmatic concert overture genre, despite his unparalleled artistic success in the field\nKeywords: Felix Mendelssohn, Die schöne Melusine, sonata form, Sonata Theory, musical narrative, programme music, deformation\n\n","downloadable_attachments":[{"id":78427582,"asset_id":67699056,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":10045125,"first_name":"Thomas","last_name":"Grey","domain_name":"stanford","page_name":"TomGrey","display_name":"Thomas Grey","profile_url":"https://stanford.academia.edu/TomGrey?f_ri=29113","photo":"https://0.academia-photos.com/10045125/3179846/3742904/s65_tom.grey.jpg"}],"research_interests":[{"id":2326,"name":"Nineteenth Century Studies","url":"https://www.academia.edu/Documents/in/Nineteenth_Century_Studies?f_ri=29113","nofollow":false},{"id":6453,"name":"German Romanticism","url":"https://www.academia.edu/Documents/in/German_Romanticism?f_ri=29113","nofollow":false},{"id":9911,"name":"Nineteenth-Century Music","url":"https://www.academia.edu/Documents/in/Nineteenth-Century_Music?f_ri=29113","nofollow":false},{"id":10553,"name":"Narrative and Music","url":"https://www.academia.edu/Documents/in/Narrative_and_Music?f_ri=29113","nofollow":false},{"id":25136,"name":"Felix Mendelssohn-Bartholdy","url":"https://www.academia.edu/Documents/in/Felix_Mendelssohn-Bartholdy?f_ri=29113"},{"id":29113,"name":"Nineteenth-Century Literature and Culture","url":"https://www.academia.edu/Documents/in/Nineteenth-Century_Literature_and_Culture?f_ri=29113"},{"id":59389,"name":"Program Music","url":"https://www.academia.edu/Documents/in/Program_Music?f_ri=29113"},{"id":724128,"name":"Sonata Theory","url":"https://www.academia.edu/Documents/in/Sonata_Theory?f_ri=29113"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_64477382" data-work_id="64477382" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/64477382/Decadence_degeneration_and_the_end_studies_in_the_European_fin_de_si%C3%A8cle">Decadence, degeneration, and the end : studies in the European fin de siècle</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Introduction: The Empire at the End of Decadence Christopher Nissen and Marja Harmanmaa PART I: THE TWILIGHT WORLD: DECADENT VISIONS OF WORLD, SOCIETY, AND CULTURE 1. Thermal Degeneration: Thermodynamics and the Heat-Death of the Universe... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_64477382" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Introduction: The Empire at the End of Decadence Christopher Nissen and Marja Harmanmaa PART I: THE TWILIGHT WORLD: DECADENT VISIONS OF WORLD, SOCIETY, AND CULTURE 1. Thermal Degeneration: Thermodynamics and the Heat-Death of the Universe in Victorian Science, Philosophy, and Culture Mason Tattersall 2. A Regenerative Decadence or a Decadent Regeneration: Challenges to Darwinian Determinism by French, Spanish, and Latin American Writers in the Fin-de-Siecle Natalia Santamaria Laorden 3. Late Antiquity as an Expression of Decadence in the Poetry of Constantine P. Cavafy and Stefan George Anastasia Antonopoulou 4. Decadence and Regeneration: Oscar Wilde&#39;s Fairy Tales as a Tool for Social Change Magali Fleurot PART II: THE SEDUCTION OF SICKNESS 5. Decadent Tropologies of Sickness Pirjo Lyytikainen 6. Consuming and Consumed: Woman as Habituee in Eugene Grasset&#39;s Morphinomaniac Abigail Susik 7. Decadence, Melancholia, and the Making of Modernism in the Salome Fairy Tales of Strin...</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/64477382" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="e1714c25c331c2dd633a57ba2eac5568" rel="nofollow" data-download="{"attachment_id":76495917,"asset_id":64477382,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/76495917/download_file?st=MTczMjc4MjI3OSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="2443011" href="https://utu.academia.edu/MarjaHarmanmaa">Marja Härmänmaa</a><script data-card-contents-for-user="2443011" type="text/json">{"id":2443011,"first_name":"Marja","last_name":"Härmänmaa","domain_name":"utu","page_name":"MarjaHarmanmaa","display_name":"Marja Härmänmaa","profile_url":"https://utu.academia.edu/MarjaHarmanmaa?f_ri=29113","photo":"https://0.academia-photos.com/2443011/767238/107104078/s65_marja.h_rm_nmaa.jpg"}</script></span></span></li><li class="js-paper-rank-work_64477382 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="64477382"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 64477382, container: ".js-paper-rank-work_64477382", }); 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Thermal Degeneration: Thermodynamics and the Heat-Death of the Universe in Victorian Science, Philosophy, and Culture Mason Tattersall 2. A Regenerative Decadence or a Decadent Regeneration: Challenges to Darwinian Determinism by French, Spanish, and Latin American Writers in the Fin-de-Siecle Natalia Santamaria Laorden 3. Late Antiquity as an Expression of Decadence in the Poetry of Constantine P. Cavafy and Stefan George Anastasia Antonopoulou 4. Decadence and Regeneration: Oscar Wilde\u0026#39;s Fairy Tales as a Tool for Social Change Magali Fleurot PART II: THE SEDUCTION OF SICKNESS 5. Decadent Tropologies of Sickness Pirjo Lyytikainen 6. Consuming and Consumed: Woman as Habituee in Eugene Grasset\u0026#39;s Morphinomaniac Abigail Susik 7. Decadence, Melancholia, and the Making of Modernism in the Salome Fairy Tales of Strin...","downloadable_attachments":[{"id":76495917,"asset_id":64477382,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":2443011,"first_name":"Marja","last_name":"Härmänmaa","domain_name":"utu","page_name":"MarjaHarmanmaa","display_name":"Marja Härmänmaa","profile_url":"https://utu.academia.edu/MarjaHarmanmaa?f_ri=29113","photo":"https://0.academia-photos.com/2443011/767238/107104078/s65_marja.h_rm_nmaa.jpg"}],"research_interests":[{"id":29113,"name":"Nineteenth-Century Literature and Culture","url":"https://www.academia.edu/Documents/in/Nineteenth-Century_Literature_and_Culture?f_ri=29113","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_48908962" data-work_id="48908962" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/48908962/Majee_S_2021_A_Beleaguered_City_Oliphant_In_Scholl_L_eds_The_Palgrave_Encyclopedia_of_Victorian_Womens_Writing_Palgrave_Macmillan_Cham_https_doi_org_10_1007_978_3_030_02721_6_355_1">Majee S. (2021) A Beleaguered City (Oliphant). In: Scholl L. (eds) The Palgrave Encyclopedia of Victorian Women's Writing. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-02721-6_355-1</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">'A Beleaguered City: Being a Narrative of Certain Recent Events in the City of Semur, in the Department of the Haute Bourgogne: A Story of the Seen and the Unseen' (1880) is considered to be Margaret Oliphant’s first excursion into the... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_48908962" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">'A Beleaguered City: Being a Narrative of Certain Recent Events in the City of Semur, in the Department of the Haute Bourgogne: A Story of the Seen and the Unseen' (1880) is considered to be Margaret Oliphant’s first excursion into the field of supernatural tales. This ghost story builds up on successive narrative voices that variously narrate how a French city is invaded by spirits, not working evil but seeking to convert the people from their worldly materialism. Among sharply individualized responses, in general the prosperous and the men are horrified and outraged, while the poor and the women welcome the visitations. A shift toward human perception and dignity of life is suggested through the tale.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/48908962" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="155ce4c4e216559ec95ff97fe473d0bf" rel="nofollow" data-download="{"attachment_id":67313876,"asset_id":48908962,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/67313876/download_file?st=MTczMjc4MjI3OSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="148770" href="https://technoindiauniversity.academia.edu/ShantanuMajee">Shantanu Majee</a><script data-card-contents-for-user="148770" type="text/json">{"id":148770,"first_name":"Shantanu","last_name":"Majee","domain_name":"technoindiauniversity","page_name":"ShantanuMajee","display_name":"Shantanu Majee","profile_url":"https://technoindiauniversity.academia.edu/ShantanuMajee?f_ri=29113","photo":"https://0.academia-photos.com/148770/39307/36783742/s65_shantanu.majee.jpg"}</script></span></span></li><li class="js-paper-rank-work_48908962 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="48908962"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 48908962, container: ".js-paper-rank-work_48908962", }); 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Mediale Eigenlogik, Multimodalität und Metaisierung</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Die Zeitschriftenforschung hat sich zu einem produktiven und interdisziplinär verzweigten Arbeitsfeld entwickelt. Auffallend ist dabei jedoch die bislang geringe Beachtung der multimodalen Beschaffenheit des Mediums. Die Beiträger_innen... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_9303510" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Die Zeitschriftenforschung hat sich zu einem produktiven und interdisziplinär verzweigten Arbeitsfeld entwickelt. Auffallend ist dabei jedoch die bislang geringe Beachtung der multimodalen Beschaffenheit des Mediums. Die Beiträger_innen des interdisziplinären Bandes legen erstmals einen besonderen Fokus auf die Text-Bild-Strategien Illustrierter Zeitschriften und setzen diese zudem in Bezug zur gesteigerten Tendenz ästhetischer und kultureller Selbst- und Metareflexion um 1900. So leistet der Band eine stärkere Konturierung der medialen Eigenlogik Illustrierter Zeitschriften vor dem Hintergrund der für das Medium konstitutiven Verzahnung von Bild und Text.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/9303510" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="a17dd70f8d595d0529458303e16de8be" rel="nofollow" data-download="{"attachment_id":57160135,"asset_id":9303510,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/57160135/download_file?st=MTczMjc4MjI3OSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="8357390" href="https://hiof.academia.edu/NataliaIgl">Natalia Igl</a><script data-card-contents-for-user="8357390" type="text/json">{"id":8357390,"first_name":"Natalia","last_name":"Igl","domain_name":"hiof","page_name":"NataliaIgl","display_name":"Natalia Igl","profile_url":"https://hiof.academia.edu/NataliaIgl?f_ri=29113","photo":"https://0.academia-photos.com/8357390/2840500/104397824/s65_natalia.igl.jpeg"}</script></span></span></li><li class="js-paper-rank-work_9303510 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="9303510"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 9303510, container: ".js-paper-rank-work_9303510", }); 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data-card-contents-for-ri="16787" type="text/json">{"id":16787,"name":"Fin de Siecle Literature \u0026 Culture","url":"https://www.academia.edu/Documents/in/Fin_de_Siecle_Literature_and_Culture?f_ri=29113","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="29113" href="https://www.academia.edu/Documents/in/Nineteenth-Century_Literature_and_Culture">Nineteenth-Century Literature and Culture</a><script data-card-contents-for-ri="29113" type="text/json">{"id":29113,"name":"Nineteenth-Century Literature and Culture","url":"https://www.academia.edu/Documents/in/Nineteenth-Century_Literature_and_Culture?f_ri=29113","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=11012918]'), work: {"id":11012918,"title":"Latin America at the Fin de Siècle: Literature, Politics, and the Modern 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Fuller’s “A Wife Manufactured to Order”</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Journal of Gender Studies 30.3 (2021): 371-76. Print.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/44610049" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="1b2a169299bd46ee06db0a0a80129b91" rel="nofollow" data-download="{"attachment_id":65165999,"asset_id":44610049,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/65165999/download_file?st=MTczMjc4MjI3OSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="28917127" href="https://cbu-ca.academia.edu/TomUeFRHistS">Tom Ue, FRHistS</a><script data-card-contents-for-user="28917127" type="text/json">{"id":28917127,"first_name":"Tom","last_name":"Ue, FRHistS","domain_name":"cbu-ca","page_name":"TomUeFRHistS","display_name":"Tom Ue, FRHistS","profile_url":"https://cbu-ca.academia.edu/TomUeFRHistS?f_ri=29113","photo":"https://0.academia-photos.com/28917127/8899650/143134458/s65_tom.ue_frhists.jpg"}</script></span></span></li><li class="js-paper-rank-work_44610049 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="44610049"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 44610049, container: ".js-paper-rank-work_44610049", }); 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In 1845 it was said that... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_39953255" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This paper examines how the polka evolved from its Bohemian roots, and why it was able to briefly supersede both the waltz and the quadrille at the peak of society fashion in London in the mid-nineteenth century. In 1845 it was said that flesh and blood could not resist the polka! The extra-musical narrative that accompanied the polka is evident throughout nineteenth-century literature and print media, and this language would become archetypal of the way in which the polka was presented to a new audience. The central purpose of this paper is to explore the life of the polka between 1844 and 1855 to establish what the polka represented before migrating to Paraguay.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/39953255" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="de9892d294d6a7668c5cf40df0dff787" rel="nofollow" data-download="{"attachment_id":60141295,"asset_id":39953255,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/60141295/download_file?st=MTczMjc4MjI3OSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="58876244" href="https://bathspa.academia.edu/MattDicken">Matt Dicken</a><script data-card-contents-for-user="58876244" type="text/json">{"id":58876244,"first_name":"Matt","last_name":"Dicken","domain_name":"bathspa","page_name":"MattDicken","display_name":"Matt Dicken","profile_url":"https://bathspa.academia.edu/MattDicken?f_ri=29113","photo":"https://0.academia-photos.com/58876244/16048465/27863485/s65_matt.dicken.jpeg"}</script></span></span></li><li class="js-paper-rank-work_39953255 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="39953255"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 39953255, container: ".js-paper-rank-work_39953255", }); 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$(".js-view-count[data-work-id=39953255]").text(description); $(".js-view-count-work_39953255").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_39953255").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="39953255"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">5</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="687" href="https://www.academia.edu/Documents/in/Musicology">Musicology</a>, <script data-card-contents-for-ri="687" type="text/json">{"id":687,"name":"Musicology","url":"https://www.academia.edu/Documents/in/Musicology?f_ri=29113","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2326" href="https://www.academia.edu/Documents/in/Nineteenth_Century_Studies">Nineteenth Century Studies</a>, <script data-card-contents-for-ri="2326" type="text/json">{"id":2326,"name":"Nineteenth Century Studies","url":"https://www.academia.edu/Documents/in/Nineteenth_Century_Studies?f_ri=29113","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="7321" href="https://www.academia.edu/Documents/in/History_Of_London">History Of London</a>, <script data-card-contents-for-ri="7321" type="text/json">{"id":7321,"name":"History Of London","url":"https://www.academia.edu/Documents/in/History_Of_London?f_ri=29113","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="29113" href="https://www.academia.edu/Documents/in/Nineteenth-Century_Literature_and_Culture">Nineteenth-Century Literature and Culture</a><script data-card-contents-for-ri="29113" type="text/json">{"id":29113,"name":"Nineteenth-Century Literature and Culture","url":"https://www.academia.edu/Documents/in/Nineteenth-Century_Literature_and_Culture?f_ri=29113","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=39953255]'), work: {"id":39953255,"title":"The Polka 1844-1855: flesh and blood could not resist!","created_at":"2019-07-28T12:39:49.594-07:00","url":"https://www.academia.edu/39953255/The_Polka_1844_1855_flesh_and_blood_could_not_resist_?f_ri=29113","dom_id":"work_39953255","summary":"This paper examines how the polka evolved from its Bohemian roots, and why it was able to briefly supersede both the waltz and the quadrille at the peak of society fashion in London in the mid-nineteenth century. In 1845 it was said that flesh and blood could not resist the polka! The extra-musical narrative that accompanied the polka is evident throughout nineteenth-century literature and print media, and this language would become archetypal of the way in which the polka was presented to a new audience. The central purpose of this paper is to explore the life of the polka between 1844 and 1855 to establish what the polka represented before migrating to Paraguay.","downloadable_attachments":[{"id":60141295,"asset_id":39953255,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":58876244,"first_name":"Matt","last_name":"Dicken","domain_name":"bathspa","page_name":"MattDicken","display_name":"Matt Dicken","profile_url":"https://bathspa.academia.edu/MattDicken?f_ri=29113","photo":"https://0.academia-photos.com/58876244/16048465/27863485/s65_matt.dicken.jpeg"}],"research_interests":[{"id":687,"name":"Musicology","url":"https://www.academia.edu/Documents/in/Musicology?f_ri=29113","nofollow":false},{"id":2326,"name":"Nineteenth Century Studies","url":"https://www.academia.edu/Documents/in/Nineteenth_Century_Studies?f_ri=29113","nofollow":false},{"id":7321,"name":"History Of London","url":"https://www.academia.edu/Documents/in/History_Of_London?f_ri=29113","nofollow":false},{"id":29113,"name":"Nineteenth-Century Literature and Culture","url":"https://www.academia.edu/Documents/in/Nineteenth-Century_Literature_and_Culture?f_ri=29113","nofollow":false},{"id":1106707,"name":"Polka","url":"https://www.academia.edu/Documents/in/Polka?f_ri=29113"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_36755606" data-work_id="36755606" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/36755606/British_Romantic_Literature_and_the_Emerging_Modern_Greek_Nation">British Romantic Literature and the Emerging Modern Greek Nation</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">British Romantic Literature and the Emerging Modern Greek Nation makes an original contribution to the field of British Romantic Hellenism (and Romanticism more broadly) by emphasizing the diversity of Romantic-era writers’ attitudes... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_36755606" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">British Romantic Literature and the Emerging Modern Greek Nation makes an original contribution to the field of British Romantic Hellenism (and Romanticism more broadly) by emphasizing the diversity of Romantic-era writers’ attitudes towards, and portrayals of, Modern Greece. Whereas, traditionally, studies of British Romantic Hellenism have predominantly focused on Europe’s preoccupation with an idealized Ancient Greece, this study emphasizes the nuanced and complex nature of British Romantic writers’ engagements with Modern Greece. Specifically, the book emphasizes the ways that early nineteenth-century British literature about contemporary Greece helped to strengthen British-Greek intercultural relations and, ultimately, to situate Greece within a European sphere of influence.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/36755606" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="3fa79a66a0e1de40ebe0880642ae997d" rel="nofollow" data-download="{"attachment_id":56798359,"asset_id":36755606,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/56798359/download_file?st=MTczMjc4MjI3OSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="2838626" href="https://langara.academia.edu/AlexanderGrammatikos">Alexander Grammatikos</a><script data-card-contents-for-user="2838626" type="text/json">{"id":2838626,"first_name":"Alexander","last_name":"Grammatikos","domain_name":"langara","page_name":"AlexanderGrammatikos","display_name":"Alexander Grammatikos","profile_url":"https://langara.academia.edu/AlexanderGrammatikos?f_ri=29113","photo":"https://0.academia-photos.com/2838626/930898/1165653/s65_alexander.grammatikos.jpg"}</script></span></span></li><li class="js-paper-rank-work_36755606 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="36755606"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 36755606, container: ".js-paper-rank-work_36755606", }); });</script></li><li class="js-percentile-work_36755606 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 36755606; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_36755606"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_36755606 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="36755606"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 36755606; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=36755606]").text(description); $(".js-view-count-work_36755606").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_36755606").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="36755606"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">24</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="1258" href="https://www.academia.edu/Documents/in/Romanticism">Romanticism</a>, <script data-card-contents-for-ri="1258" type="text/json">{"id":1258,"name":"Romanticism","url":"https://www.academia.edu/Documents/in/Romanticism?f_ri=29113","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="8173" href="https://www.academia.edu/Documents/in/British_Romanticism">British Romanticism</a>, <script data-card-contents-for-ri="8173" type="text/json">{"id":8173,"name":"British Romanticism","url":"https://www.academia.edu/Documents/in/British_Romanticism?f_ri=29113","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="13009" href="https://www.academia.edu/Documents/in/Modern_Greece">Modern Greece</a>, <script data-card-contents-for-ri="13009" type="text/json">{"id":13009,"name":"Modern Greece","url":"https://www.academia.edu/Documents/in/Modern_Greece?f_ri=29113","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="21095" href="https://www.academia.edu/Documents/in/English_Romanticism">English Romanticism</a><script data-card-contents-for-ri="21095" type="text/json">{"id":21095,"name":"English Romanticism","url":"https://www.academia.edu/Documents/in/English_Romanticism?f_ri=29113","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=36755606]'), work: {"id":36755606,"title":"British Romantic Literature and the Emerging Modern Greek Nation","created_at":"2018-05-31T13:01:37.441-07:00","url":"https://www.academia.edu/36755606/British_Romantic_Literature_and_the_Emerging_Modern_Greek_Nation?f_ri=29113","dom_id":"work_36755606","summary":"British Romantic Literature and the Emerging Modern Greek Nation makes an original contribution to the field of British Romantic Hellenism (and Romanticism more broadly) by emphasizing the diversity of Romantic-era writers’ attitudes towards, and portrayals of, Modern Greece. Whereas, traditionally, studies of British Romantic Hellenism have predominantly focused on Europe’s preoccupation with an idealized Ancient Greece, this study emphasizes the nuanced and complex nature of British Romantic writers’ engagements with Modern Greece. Specifically, the book emphasizes the ways that early nineteenth-century British literature about contemporary Greece helped to strengthen British-Greek intercultural relations and, ultimately, to situate Greece within a European sphere of influence.","downloadable_attachments":[{"id":56798359,"asset_id":36755606,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":2838626,"first_name":"Alexander","last_name":"Grammatikos","domain_name":"langara","page_name":"AlexanderGrammatikos","display_name":"Alexander Grammatikos","profile_url":"https://langara.academia.edu/AlexanderGrammatikos?f_ri=29113","photo":"https://0.academia-photos.com/2838626/930898/1165653/s65_alexander.grammatikos.jpg"}],"research_interests":[{"id":1258,"name":"Romanticism","url":"https://www.academia.edu/Documents/in/Romanticism?f_ri=29113","nofollow":false},{"id":8173,"name":"British Romanticism","url":"https://www.academia.edu/Documents/in/British_Romanticism?f_ri=29113","nofollow":false},{"id":13009,"name":"Modern Greece","url":"https://www.academia.edu/Documents/in/Modern_Greece?f_ri=29113","nofollow":false},{"id":21095,"name":"English Romanticism","url":"https://www.academia.edu/Documents/in/English_Romanticism?f_ri=29113","nofollow":false},{"id":29113,"name":"Nineteenth-Century Literature and Culture","url":"https://www.academia.edu/Documents/in/Nineteenth-Century_Literature_and_Culture?f_ri=29113"},{"id":53460,"name":"Oriental Influence on Greek Civilization","url":"https://www.academia.edu/Documents/in/Oriental_Influence_on_Greek_Civilization?f_ri=29113"},{"id":56232,"name":"Lord Byron","url":"https://www.academia.edu/Documents/in/Lord_Byron?f_ri=29113"},{"id":74511,"name":"Mary Shelley","url":"https://www.academia.edu/Documents/in/Mary_Shelley?f_ri=29113"},{"id":76872,"name":"Philhellenism","url":"https://www.academia.edu/Documents/in/Philhellenism?f_ri=29113"},{"id":81997,"name":"Modern Greek Enlightenment","url":"https://www.academia.edu/Documents/in/Modern_Greek_Enlightenment?f_ri=29113"},{"id":83797,"name":"Percy Bysshe Shelley","url":"https://www.academia.edu/Documents/in/Percy_Bysshe_Shelley?f_ri=29113"},{"id":87939,"name":"Sydney Owenson","url":"https://www.academia.edu/Documents/in/Sydney_Owenson?f_ri=29113"},{"id":107296,"name":"Anglo-Greek relations","url":"https://www.academia.edu/Documents/in/Anglo-Greek_relations?f_ri=29113"},{"id":204737,"name":"Felicia Hemans","url":"https://www.academia.edu/Documents/in/Felicia_Hemans?f_ri=29113"},{"id":228978,"name":"Greek war of independence","url":"https://www.academia.edu/Documents/in/Greek_war_of_independence?f_ri=29113"},{"id":322175,"name":"Ottoman Greece","url":"https://www.academia.edu/Documents/in/Ottoman_Greece?f_ri=29113"},{"id":352681,"name":"John Cam Hobhouse (1786-1869)","url":"https://www.academia.edu/Documents/in/John_Cam_Hobhouse_1786-1869_?f_ri=29113"},{"id":392901,"name":"Lady Morgan","url":"https://www.academia.edu/Documents/in/Lady_Morgan?f_ri=29113"},{"id":506637,"name":"Romantic Hellenism \u0026 philhellenism","url":"https://www.academia.edu/Documents/in/Romantic_Hellenism_and_philhellenism?f_ri=29113"},{"id":636876,"name":"Greek Enlightenment","url":"https://www.academia.edu/Documents/in/Greek_Enlightenment?f_ri=29113"},{"id":707522,"name":"Greece Under Ottoman Rule","url":"https://www.academia.edu/Documents/in/Greece_Under_Ottoman_Rule?f_ri=29113"},{"id":1260420,"name":"Thomas Hope","url":"https://www.academia.edu/Documents/in/Thomas_Hope?f_ri=29113"},{"id":1314557,"name":"Hobhouse","url":"https://www.academia.edu/Documents/in/Hobhouse?f_ri=29113"},{"id":1318849,"name":"Childe Harold's Pilgrimage","url":"https://www.academia.edu/Documents/in/Childe_Harolds_Pilgrimage?f_ri=29113"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_21926711" data-work_id="21926711" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/21926711/Bodies_of_Knowledge_Professor_Francis_J_Cole_Anatomical_Science_and_Epistemology_Origin_of_Disciplines_CNCS_University_of_Durham_">Bodies of Knowledge: Professor Francis J. Cole, Anatomical Science and Epistemology (Origin of Disciplines, CNCS, University of Durham)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Through examining Cole’s own life and his fascination with the textual and corporeal narratives of anatomy, this paper looks to explore the merging of scientific knowledge, bibliographic expertise and narrative to perform... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_21926711" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Through examining Cole’s own life and his fascination with the textual and corporeal narratives of anatomy, this paper looks to explore the merging of scientific knowledge, bibliographic expertise and narrative to perform interdisciplinary ‘readings’, simultaneously challenging both the nineteenth-century emergence of subject discipline and the twentieth-century ‘two cultures’ divide.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/21926711" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="fd46418b2ba50f804e05a5be1914d477" rel="nofollow" data-download="{"attachment_id":43533775,"asset_id":21926711,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/43533775/download_file?st=MTczMjc4MjI3OSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="2084231" href="https://ucd.academia.edu/VerityBurke">Verity Burke</a><script data-card-contents-for-user="2084231" type="text/json">{"id":2084231,"first_name":"Verity","last_name":"Burke","domain_name":"ucd","page_name":"VerityBurke","display_name":"Verity Burke","profile_url":"https://ucd.academia.edu/VerityBurke?f_ri=29113","photo":"https://0.academia-photos.com/2084231/3822677/72726920/s65_verity.burke.jpg"}</script></span></span></li><li class="js-paper-rank-work_21926711 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="21926711"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 21926711, container: ".js-paper-rank-work_21926711", }); 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$(".js-view-count[data-work-id=21926711]").text(description); $(".js-view-count-work_21926711").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_21926711").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="21926711"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">25</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="128" href="https://www.academia.edu/Documents/in/History">History</a>, <script data-card-contents-for-ri="128" type="text/json">{"id":128,"name":"History","url":"https://www.academia.edu/Documents/in/History?f_ri=29113","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="136" href="https://www.academia.edu/Documents/in/Cultural_History">Cultural History</a>, <script data-card-contents-for-ri="136" type="text/json">{"id":136,"name":"Cultural History","url":"https://www.academia.edu/Documents/in/Cultural_History?f_ri=29113","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="143" href="https://www.academia.edu/Documents/in/Comparative_Anatomy">Comparative Anatomy</a>, <script data-card-contents-for-ri="143" type="text/json">{"id":143,"name":"Comparative Anatomy","url":"https://www.academia.edu/Documents/in/Comparative_Anatomy?f_ri=29113","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="815" href="https://www.academia.edu/Documents/in/Epistemology">Epistemology</a><script data-card-contents-for-ri="815" type="text/json">{"id":815,"name":"Epistemology","url":"https://www.academia.edu/Documents/in/Epistemology?f_ri=29113","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=21926711]'), work: {"id":21926711,"title":"Bodies of Knowledge: Professor Francis J. 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divide.","downloadable_attachments":[{"id":43533775,"asset_id":21926711,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":2084231,"first_name":"Verity","last_name":"Burke","domain_name":"ucd","page_name":"VerityBurke","display_name":"Verity Burke","profile_url":"https://ucd.academia.edu/VerityBurke?f_ri=29113","photo":"https://0.academia-photos.com/2084231/3822677/72726920/s65_verity.burke.jpg"}],"research_interests":[{"id":128,"name":"History","url":"https://www.academia.edu/Documents/in/History?f_ri=29113","nofollow":false},{"id":136,"name":"Cultural History","url":"https://www.academia.edu/Documents/in/Cultural_History?f_ri=29113","nofollow":false},{"id":143,"name":"Comparative Anatomy","url":"https://www.academia.edu/Documents/in/Comparative_Anatomy?f_ri=29113","nofollow":false},{"id":815,"name":"Epistemology","url":"https://www.academia.edu/Documents/in/Epistemology?f_ri=29113","nofollow":false},{"id":885,"name":"English 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itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/43376800/Juliet_of_the_Tropics_Review">Juliet of the Tropics Review</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Review of my translation of Alejandro Tapia y Rivera's masterpiece.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/43376800" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="bee92c4fecbcc51c48ceadeebdd04299" rel="nofollow" data-download="{"attachment_id":63670026,"asset_id":43376800,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/63670026/download_file?st=MTczMjc4MjI3OSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="6840923" href="https://ua-birmingham.academia.edu/JohnMaddox">John Maddox</a><script data-card-contents-for-user="6840923" type="text/json">{"id":6840923,"first_name":"John","last_name":"Maddox","domain_name":"ua-birmingham","page_name":"JohnMaddox","display_name":"John Maddox","profile_url":"https://ua-birmingham.academia.edu/JohnMaddox?f_ri=29113","photo":"https://0.academia-photos.com/6840923/2739052/19659113/s65_john.maddox.jpg"}</script></span></span></li><li class="js-paper-rank-work_43376800 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="43376800"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 43376800, container: ".js-paper-rank-work_43376800", }); });</script></li><li class="js-percentile-work_43376800 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x 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}); });</script></span><script>$(function() { $(".js-view-count-work_43376800").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="43376800"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="29113" href="https://www.academia.edu/Documents/in/Nineteenth-Century_Literature_and_Culture">Nineteenth-Century Literature and Culture</a>, <script data-card-contents-for-ri="29113" type="text/json">{"id":29113,"name":"Nineteenth-Century Literature and Culture","url":"https://www.academia.edu/Documents/in/Nineteenth-Century_Literature_and_Culture?f_ri=29113","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="30821" href="https://www.academia.edu/Documents/in/Latin_American_Colonial_Literature">Latin American Colonial Literature</a>, <script data-card-contents-for-ri="30821" type="text/json">{"id":30821,"name":"Latin American Colonial Literature","url":"https://www.academia.edu/Documents/in/Latin_American_Colonial_Literature?f_ri=29113","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="36048" href="https://www.academia.edu/Documents/in/Puerto_Rican_Literature">Puerto Rican Literature</a>, <script data-card-contents-for-ri="36048" type="text/json">{"id":36048,"name":"Puerto Rican Literature","url":"https://www.academia.edu/Documents/in/Puerto_Rican_Literature?f_ri=29113","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="86393" href="https://www.academia.edu/Documents/in/Abolitionism">Abolitionism</a><script data-card-contents-for-ri="86393" type="text/json">{"id":86393,"name":"Abolitionism","url":"https://www.academia.edu/Documents/in/Abolitionism?f_ri=29113","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=43376800]'), work: {"id":43376800,"title":"Juliet of the Tropics Review","created_at":"2020-06-18T08:41:04.485-07:00","url":"https://www.academia.edu/43376800/Juliet_of_the_Tropics_Review?f_ri=29113","dom_id":"work_43376800","summary":"Review of my translation of Alejandro Tapia y Rivera's masterpiece.","downloadable_attachments":[{"id":63670026,"asset_id":43376800,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":6840923,"first_name":"John","last_name":"Maddox","domain_name":"ua-birmingham","page_name":"JohnMaddox","display_name":"John 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itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/39040125/BIBLIOTHECA_GANDOLPHIANA_Catalogue_English_Novel_1700_1920_January_2017">BIBLIOTHECA GANDOLPHIANA - Catalogue English Novel 1700-1920 - January 2017</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This is the last catalogue of the Gandophiana collection and library. More then one hundred 18th and 19th Centuries novels have been added since then, all in the original language and, if not in first edition, just published few years... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_39040125" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This is the last catalogue of the Gandophiana collection and library. More then one hundred 18th and 19th Centuries novels have been added since then, all in the original language and, if not in first edition, just published few years after.<br />We'll publish soon other thematic catalogues, focusing also on the other shelves of our library: Italian, French and latin Literature from 16th to Early 20th Century.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/39040125" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="23867511ea6aba257620b7d729d5f162" rel="nofollow" data-download="{"attachment_id":59153267,"asset_id":39040125,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/59153267/download_file?st=MTczMjc4MjI3OSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="8522829" href="https://independent.academia.edu/LucaGandolfi">Luca Gandolfi</a><script data-card-contents-for-user="8522829" type="text/json">{"id":8522829,"first_name":"Luca","last_name":"Gandolfi","domain_name":"independent","page_name":"LucaGandolfi","display_name":"Luca Gandolfi","profile_url":"https://independent.academia.edu/LucaGandolfi?f_ri=29113","photo":"https://0.academia-photos.com/8522829/2868864/4216313/s65_luca.gandolfi.jpg"}</script></span></span></li><li class="js-paper-rank-work_39040125 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="39040125"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 39040125, container: ".js-paper-rank-work_39040125", }); });</script></li><li class="js-percentile-work_39040125 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 39040125; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_39040125"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_39040125 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="39040125"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 39040125; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=39040125]").text(description); $(".js-view-count-work_39040125").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_39040125").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="39040125"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">18</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="15" href="https://www.academia.edu/Documents/in/British_Literature">British Literature</a>, <script data-card-contents-for-ri="15" type="text/json">{"id":15,"name":"British Literature","url":"https://www.academia.edu/Documents/in/British_Literature?f_ri=29113","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="659" href="https://www.academia.edu/Documents/in/Comparative_Literature">Comparative Literature</a>, <script data-card-contents-for-ri="659" type="text/json">{"id":659,"name":"Comparative Literature","url":"https://www.academia.edu/Documents/in/Comparative_Literature?f_ri=29113","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="660" href="https://www.academia.edu/Documents/in/French_Literature">French Literature</a>, <script data-card-contents-for-ri="660" type="text/json">{"id":660,"name":"French Literature","url":"https://www.academia.edu/Documents/in/French_Literature?f_ri=29113","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="827" href="https://www.academia.edu/Documents/in/Latin_Literature">Latin Literature</a><script data-card-contents-for-ri="827" type="text/json">{"id":827,"name":"Latin Literature","url":"https://www.academia.edu/Documents/in/Latin_Literature?f_ri=29113","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=39040125]'), work: {"id":39040125,"title":"BIBLIOTHECA GANDOLPHIANA - Catalogue English Novel 1700-1920 - January 2017","created_at":"2019-05-07T01:02:15.717-07:00","url":"https://www.academia.edu/39040125/BIBLIOTHECA_GANDOLPHIANA_Catalogue_English_Novel_1700_1920_January_2017?f_ri=29113","dom_id":"work_39040125","summary":"This is the last catalogue of the Gandophiana collection and library. More then one hundred 18th and 19th Centuries novels have been added since then, all in the original language and, if not in first edition, just published few years after.\nWe'll publish soon other thematic catalogues, focusing also on the other shelves of our library: Italian, French and latin Literature from 16th to Early 20th Century. ","downloadable_attachments":[{"id":59153267,"asset_id":39040125,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":8522829,"first_name":"Luca","last_name":"Gandolfi","domain_name":"independent","page_name":"LucaGandolfi","display_name":"Luca Gandolfi","profile_url":"https://independent.academia.edu/LucaGandolfi?f_ri=29113","photo":"https://0.academia-photos.com/8522829/2868864/4216313/s65_luca.gandolfi.jpg"}],"research_interests":[{"id":15,"name":"British Literature","url":"https://www.academia.edu/Documents/in/British_Literature?f_ri=29113","nofollow":false},{"id":659,"name":"Comparative Literature","url":"https://www.academia.edu/Documents/in/Comparative_Literature?f_ri=29113","nofollow":false},{"id":660,"name":"French Literature","url":"https://www.academia.edu/Documents/in/French_Literature?f_ri=29113","nofollow":false},{"id":827,"name":"Latin Literature","url":"https://www.academia.edu/Documents/in/Latin_Literature?f_ri=29113","nofollow":false},{"id":885,"name":"English Literature","url":"https://www.academia.edu/Documents/in/English_Literature?f_ri=29113"},{"id":2396,"name":"Eighteenth-Century literature","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_literature?f_ri=29113"},{"id":11744,"name":"Restoration and Eighteenth-Century English Literature","url":"https://www.academia.edu/Documents/in/Restoration_and_Eighteenth-Century_English_Literature?f_ri=29113"},{"id":12889,"name":"English Novel","url":"https://www.academia.edu/Documents/in/English_Novel?f_ri=29113"},{"id":15098,"name":"Latin Language and Literature","url":"https://www.academia.edu/Documents/in/Latin_Language_and_Literature?f_ri=29113"},{"id":24253,"name":"19th Century British novel","url":"https://www.academia.edu/Documents/in/19th_Century_British_novel?f_ri=29113"},{"id":25848,"name":"Victorian novel","url":"https://www.academia.edu/Documents/in/Victorian_novel?f_ri=29113"},{"id":29113,"name":"Nineteenth-Century Literature and Culture","url":"https://www.academia.edu/Documents/in/Nineteenth-Century_Literature_and_Culture?f_ri=29113"},{"id":106154,"name":"Littérature Française","url":"https://www.academia.edu/Documents/in/Litt%C3%A9rature_Fran%C3%A7aise?f_ri=29113"},{"id":106803,"name":"Letteratura","url":"https://www.academia.edu/Documents/in/Letteratura?f_ri=29113"},{"id":158294,"name":"Littérature Comparée","url":"https://www.academia.edu/Documents/in/Litt%C3%A9rature_Compar%C3%A9e?f_ri=29113"},{"id":207345,"name":"Letterature comparate","url":"https://www.academia.edu/Documents/in/Letterature_comparate?f_ri=29113"},{"id":229030,"name":"Letteratura italiana","url":"https://www.academia.edu/Documents/in/Letteratura_italiana?f_ri=29113"},{"id":618326,"name":"Letteratura Inglese","url":"https://www.academia.edu/Documents/in/Letteratura_Inglese?f_ri=29113"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_2477011" data-work_id="2477011" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/2477011/Shaping_Belief_Culture_Politics_and_Religion_in_Nineteenth_Century_Writing_Liverpool_Liverpool_University_Press_2008_">Shaping Belief: Culture, Politics and Religion in Nineteenth-Century Writing (Liverpool: Liverpool University Press, 2008)</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/2477011" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="3228868" href="https://uea.academia.edu/VictoriaNMorgan">Victoria N. Morgan</a><script data-card-contents-for-user="3228868" type="text/json">{"id":3228868,"first_name":"Victoria N.","last_name":"Morgan","domain_name":"uea","page_name":"VictoriaNMorgan","display_name":"Victoria N. Morgan","profile_url":"https://uea.academia.edu/VictoriaNMorgan?f_ri=29113","photo":"https://0.academia-photos.com/3228868/1067042/8019359/s65_victoria_n..morgan.jpg"}</script></span></span></li><li class="js-paper-rank-work_2477011 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="2477011"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 2477011, container: ".js-paper-rank-work_2477011", }); });</script></li><li class="js-percentile-work_2477011 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 2477011; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_2477011"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_2477011 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="2477011"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 2477011; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=2477011]").text(description); $(".js-view-count-work_2477011").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_2477011").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="2477011"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">10</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="3124" href="https://www.academia.edu/Documents/in/Emily_Dickinson">Emily Dickinson</a>, <script data-card-contents-for-ri="3124" type="text/json">{"id":3124,"name":"Emily Dickinson","url":"https://www.academia.edu/Documents/in/Emily_Dickinson?f_ri=29113","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="15350" href="https://www.academia.edu/Documents/in/Nineteenth-Century_British_Literature">Nineteenth-Century British Literature</a>, <script data-card-contents-for-ri="15350" type="text/json">{"id":15350,"name":"Nineteenth-Century British Literature","url":"https://www.academia.edu/Documents/in/Nineteenth-Century_British_Literature?f_ri=29113","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="26801" href="https://www.academia.edu/Documents/in/Nineteenth_Century_Literature">Nineteenth Century Literature</a>, <script data-card-contents-for-ri="26801" type="text/json">{"id":26801,"name":"Nineteenth Century Literature","url":"https://www.academia.edu/Documents/in/Nineteenth_Century_Literature?f_ri=29113","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="29113" href="https://www.academia.edu/Documents/in/Nineteenth-Century_Literature_and_Culture">Nineteenth-Century Literature and Culture</a><script data-card-contents-for-ri="29113" type="text/json">{"id":29113,"name":"Nineteenth-Century Literature and Culture","url":"https://www.academia.edu/Documents/in/Nineteenth-Century_Literature_and_Culture?f_ri=29113","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=2477011]'), work: {"id":2477011,"title":"Shaping Belief: Culture, Politics and Religion in Nineteenth-Century Writing (Liverpool: Liverpool University Press, 2008)","created_at":"2013-01-28T04:47:06.510-08:00","url":"https://www.academia.edu/2477011/Shaping_Belief_Culture_Politics_and_Religion_in_Nineteenth_Century_Writing_Liverpool_Liverpool_University_Press_2008_?f_ri=29113","dom_id":"work_2477011","summary":null,"downloadable_attachments":[],"ordered_authors":[{"id":3228868,"first_name":"Victoria N.","last_name":"Morgan","domain_name":"uea","page_name":"VictoriaNMorgan","display_name":"Victoria N. Morgan","profile_url":"https://uea.academia.edu/VictoriaNMorgan?f_ri=29113","photo":"https://0.academia-photos.com/3228868/1067042/8019359/s65_victoria_n..morgan.jpg"}],"research_interests":[{"id":3124,"name":"Emily Dickinson","url":"https://www.academia.edu/Documents/in/Emily_Dickinson?f_ri=29113","nofollow":false},{"id":15350,"name":"Nineteenth-Century British Literature","url":"https://www.academia.edu/Documents/in/Nineteenth-Century_British_Literature?f_ri=29113","nofollow":false},{"id":26801,"name":"Nineteenth Century Literature","url":"https://www.academia.edu/Documents/in/Nineteenth_Century_Literature?f_ri=29113","nofollow":false},{"id":29113,"name":"Nineteenth-Century Literature and Culture","url":"https://www.academia.edu/Documents/in/Nineteenth-Century_Literature_and_Culture?f_ri=29113","nofollow":false},{"id":31085,"name":"Ralph Waldo Emerson","url":"https://www.academia.edu/Documents/in/Ralph_Waldo_Emerson?f_ri=29113"},{"id":35667,"name":"Thomas Carlyle","url":"https://www.academia.edu/Documents/in/Thomas_Carlyle?f_ri=29113"},{"id":106038,"name":"Matthew Arnold","url":"https://www.academia.edu/Documents/in/Matthew_Arnold?f_ri=29113"},{"id":123265,"name":"Nineteenth-Century American Literature and Culture","url":"https://www.academia.edu/Documents/in/Nineteenth-Century_American_Literature_and_Culture?f_ri=29113"},{"id":196149,"name":"Conversion Narratives","url":"https://www.academia.edu/Documents/in/Conversion_Narratives?f_ri=29113"},{"id":233619,"name":"Rowan Williams","url":"https://www.academia.edu/Documents/in/Rowan_Williams?f_ri=29113"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_40442981" data-work_id="40442981" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/40442981/Microbial_Perspectives_Mark_Twains_Imaginative_Experiment_in_Ethics">Microbial Perspectives: Mark Twain's Imaginative Experiment in Ethics</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">While New Materialism and Object Oriented Ontology have provided frameworks to consider human relationships to nonhuman beings and objects in the twenty-first century, scientists and authors explored similar ethical dilemmas brought about... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_40442981" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">While New Materialism and Object Oriented Ontology have provided frameworks to consider human relationships to nonhuman beings and objects in the twenty-first century, scientists and authors explored similar ethical dilemmas brought about by the newly identified presence of microorganisms in what had previously been imagined as a human world at the turn of the twentieth century. This essay considers Mark Twain's later fiction alongside contemporaneous American bacteriologist, Herbert W. Conn. Already invested in undermining human exceptionalism through scalar differences in his Mysterious Stranger manuscripts (1897-1908), Twain adapts Conn's bacteriology to experiment with microbial ethics in Three Thousand Years Among the Microbes (1905). While Conn uses microbes to assert scientific mastery and professional authority, Twain uses them to experiment with ethical structures on inhuman scales. This essay argues that the failures of Twain's imaginative experiment dramatize the practical challenges to radically inclusive ethical structures proposed by New Materialists and others.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/40442981" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="eb15c49387a9f8da49540bddacaf3dbb" rel="nofollow" data-download="{"attachment_id":60704006,"asset_id":40442981,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/60704006/download_file?st=MTczMjc4MjI3OSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="68675124" href="https://unc.academia.edu/KymWeed">Kym Weed</a><script data-card-contents-for-user="68675124" type="text/json">{"id":68675124,"first_name":"Kym","last_name":"Weed","domain_name":"unc","page_name":"KymWeed","display_name":"Kym Weed","profile_url":"https://unc.academia.edu/KymWeed?f_ri=29113","photo":"https://0.academia-photos.com/68675124/17821752/17840715/s65_kym.weed.jpg"}</script></span></span></li><li class="js-paper-rank-work_40442981 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="40442981"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 40442981, container: ".js-paper-rank-work_40442981", }); });</script></li><li class="js-percentile-work_40442981 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 40442981; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_40442981"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_40442981 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="40442981"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 40442981; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=40442981]").text(description); $(".js-view-count-work_40442981").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_40442981").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="40442981"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">3</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="14868" href="https://www.academia.edu/Documents/in/Literature_And_Science">Literature And Science</a>, <script data-card-contents-for-ri="14868" type="text/json">{"id":14868,"name":"Literature And Science","url":"https://www.academia.edu/Documents/in/Literature_And_Science?f_ri=29113","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="29113" href="https://www.academia.edu/Documents/in/Nineteenth-Century_Literature_and_Culture">Nineteenth-Century Literature and Culture</a>, <script data-card-contents-for-ri="29113" type="text/json">{"id":29113,"name":"Nineteenth-Century Literature and Culture","url":"https://www.academia.edu/Documents/in/Nineteenth-Century_Literature_and_Culture?f_ri=29113","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="509085" href="https://www.academia.edu/Documents/in/Health_Humanities">Health Humanities</a><script data-card-contents-for-ri="509085" type="text/json">{"id":509085,"name":"Health Humanities","url":"https://www.academia.edu/Documents/in/Health_Humanities?f_ri=29113","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=40442981]'), work: {"id":40442981,"title":"Microbial Perspectives: Mark Twain's Imaginative Experiment in Ethics","created_at":"2019-09-25T13:45:14.725-07:00","url":"https://www.academia.edu/40442981/Microbial_Perspectives_Mark_Twains_Imaginative_Experiment_in_Ethics?f_ri=29113","dom_id":"work_40442981","summary":"While New Materialism and Object Oriented Ontology have provided frameworks to consider human relationships to nonhuman beings and objects in the twenty-first century, scientists and authors explored similar ethical dilemmas brought about by the newly identified presence of microorganisms in what had previously been imagined as a human world at the turn of the twentieth century. This essay considers Mark Twain's later fiction alongside contemporaneous American bacteriologist, Herbert W. Conn. Already invested in undermining human exceptionalism through scalar differences in his Mysterious Stranger manuscripts (1897-1908), Twain adapts Conn's bacteriology to experiment with microbial ethics in Three Thousand Years Among the Microbes (1905). While Conn uses microbes to assert scientific mastery and professional authority, Twain uses them to experiment with ethical structures on inhuman scales. This essay argues that the failures of Twain's imaginative experiment dramatize the practical challenges to radically inclusive ethical structures proposed by New Materialists and others.","downloadable_attachments":[{"id":60704006,"asset_id":40442981,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":68675124,"first_name":"Kym","last_name":"Weed","domain_name":"unc","page_name":"KymWeed","display_name":"Kym Weed","profile_url":"https://unc.academia.edu/KymWeed?f_ri=29113","photo":"https://0.academia-photos.com/68675124/17821752/17840715/s65_kym.weed.jpg"}],"research_interests":[{"id":14868,"name":"Literature And Science","url":"https://www.academia.edu/Documents/in/Literature_And_Science?f_ri=29113","nofollow":false},{"id":29113,"name":"Nineteenth-Century Literature and Culture","url":"https://www.academia.edu/Documents/in/Nineteenth-Century_Literature_and_Culture?f_ri=29113","nofollow":false},{"id":509085,"name":"Health Humanities","url":"https://www.academia.edu/Documents/in/Health_Humanities?f_ri=29113","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_7038679" data-work_id="7038679" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/7038679/Het_gebod_of_het_genot_Multatuli_als_liefdadigheidsschrijver">Het gebod of het genot. Multatuli als liefdadigheidsschrijver</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/7038679" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="7ac1975218e44d8d10da40c89a9712a9" rel="nofollow" data-download="{"attachment_id":33693510,"asset_id":7038679,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/33693510/download_file?st=MTczMjc4MjI3OSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="8019629" href="https://uu.academia.edu/LaurensHam">Laurens Ham</a><script data-card-contents-for-user="8019629" type="text/json">{"id":8019629,"first_name":"Laurens","last_name":"Ham","domain_name":"uu","page_name":"LaurensHam","display_name":"Laurens Ham","profile_url":"https://uu.academia.edu/LaurensHam?f_ri=29113","photo":"https://0.academia-photos.com/8019629/3453233/73072101/s65_laurens.ham.jpg"}</script></span></span></li><li class="js-paper-rank-work_7038679 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="7038679"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 7038679, container: ".js-paper-rank-work_7038679", }); });</script></li><li class="js-percentile-work_7038679 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 7038679; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_7038679"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_7038679 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="7038679"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 7038679; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=7038679]").text(description); $(".js-view-count-work_7038679").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_7038679").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="7038679"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="2418" href="https://www.academia.edu/Documents/in/Literature">Literature</a>, <script data-card-contents-for-ri="2418" type="text/json">{"id":2418,"name":"Literature","url":"https://www.academia.edu/Documents/in/Literature?f_ri=29113","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="25988" href="https://www.academia.edu/Documents/in/Dutch_Literature">Dutch Literature</a>, <script data-card-contents-for-ri="25988" type="text/json">{"id":25988,"name":"Dutch Literature","url":"https://www.academia.edu/Documents/in/Dutch_Literature?f_ri=29113","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="29113" href="https://www.academia.edu/Documents/in/Nineteenth-Century_Literature_and_Culture">Nineteenth-Century Literature and Culture</a>, <script data-card-contents-for-ri="29113" type="text/json">{"id":29113,"name":"Nineteenth-Century Literature and Culture","url":"https://www.academia.edu/Documents/in/Nineteenth-Century_Literature_and_Culture?f_ri=29113","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="358149" href="https://www.academia.edu/Documents/in/Benevolence">Benevolence</a><script data-card-contents-for-ri="358149" type="text/json">{"id":358149,"name":"Benevolence","url":"https://www.academia.edu/Documents/in/Benevolence?f_ri=29113","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=7038679]'), work: {"id":7038679,"title":"Het gebod of het genot. Multatuli als liefdadigheidsschrijver","created_at":"2014-05-13T17:31:24.921-07:00","url":"https://www.academia.edu/7038679/Het_gebod_of_het_genot_Multatuli_als_liefdadigheidsschrijver?f_ri=29113","dom_id":"work_7038679","summary":null,"downloadable_attachments":[{"id":33693510,"asset_id":7038679,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":8019629,"first_name":"Laurens","last_name":"Ham","domain_name":"uu","page_name":"LaurensHam","display_name":"Laurens Ham","profile_url":"https://uu.academia.edu/LaurensHam?f_ri=29113","photo":"https://0.academia-photos.com/8019629/3453233/73072101/s65_laurens.ham.jpg"}],"research_interests":[{"id":2418,"name":"Literature","url":"https://www.academia.edu/Documents/in/Literature?f_ri=29113","nofollow":false},{"id":25988,"name":"Dutch Literature","url":"https://www.academia.edu/Documents/in/Dutch_Literature?f_ri=29113","nofollow":false},{"id":29113,"name":"Nineteenth-Century Literature and Culture","url":"https://www.academia.edu/Documents/in/Nineteenth-Century_Literature_and_Culture?f_ri=29113","nofollow":false},{"id":358149,"name":"Benevolence","url":"https://www.academia.edu/Documents/in/Benevolence?f_ri=29113","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_41501829" data-work_id="41501829" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/41501829/_I_was_again_passing_along_Leicester_Square_with_all_my_eyes_about_me_Mapping_Popular_Police_Memoir_Detective_Fiction">"I was again passing along Leicester Square ... with all my eyes about me": Mapping Popular "Police Memoir" Detective Fiction</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This article explores the use of the police officer in both periodical journalism and cheap, mass-produced "police memoir" fiction from the mid-nineteenth century. It highlights how police officers were inserted into writing that was... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_41501829" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This article explores the use of the police officer in both periodical journalism and cheap, mass-produced "police memoir" fiction from the mid-nineteenth century. It highlights how police officers were inserted into writing that was concerned with urban growth and urban criminality and argues that they helped journalists, authors and readers to map, experience, understand and criticise the growth of the metropolis. The police officer was originally seen to be a protective figure for journalists delving into spaces deemed criminal, and writing about crime for readers' interest. Across the early-to-mid nineteenth century, social exploration articles appeared frequently in periodicals. The authors were reliant on the police for access to a multitude of criminal spaces that emerged as the city grew. Thus, the police officer's rise was connected to the city, and the police themselves formed a part of the urban environment, with the power to observe, explore and influence it. The presence of the police officer in journalism led to developments in other kinds of writing, including fiction. The power of the police to reveal hidden or latent criminality in the urban space was actively used in a variety of ways to create new, cheap and popular forms of fiction.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/41501829" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="e8061c260fe3777de40e9daa0676a910" rel="nofollow" data-download="{"attachment_id":61672016,"asset_id":41501829,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/61672016/download_file?st=MTczMjc4MjI3OSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="25807042" href="https://liverpool.academia.edu/SamuelSaunders">Samuel Saunders</a><script data-card-contents-for-user="25807042" type="text/json">{"id":25807042,"first_name":"Samuel","last_name":"Saunders","domain_name":"liverpool","page_name":"SamuelSaunders","display_name":"Samuel Saunders","profile_url":"https://liverpool.academia.edu/SamuelSaunders?f_ri=29113","photo":"https://0.academia-photos.com/25807042/7120076/101739099/s65_samuel.saunders.png"}</script></span></span></li><li class="js-paper-rank-work_41501829 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="41501829"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 41501829, container: ".js-paper-rank-work_41501829", }); 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$(".js-view-count[data-work-id=41501829]").text(description); $(".js-view-count-work_41501829").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_41501829").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="41501829"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">13</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="1305" href="https://www.academia.edu/Documents/in/Victorian_Studies">Victorian Studies</a>, <script data-card-contents-for-ri="1305" type="text/json">{"id":1305,"name":"Victorian Studies","url":"https://www.academia.edu/Documents/in/Victorian_Studies?f_ri=29113","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2326" href="https://www.academia.edu/Documents/in/Nineteenth_Century_Studies">Nineteenth Century Studies</a>, <script data-card-contents-for-ri="2326" type="text/json">{"id":2326,"name":"Nineteenth Century Studies","url":"https://www.academia.edu/Documents/in/Nineteenth_Century_Studies?f_ri=29113","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2858" href="https://www.academia.edu/Documents/in/Popular_Culture">Popular Culture</a>, <script data-card-contents-for-ri="2858" type="text/json">{"id":2858,"name":"Popular Culture","url":"https://www.academia.edu/Documents/in/Popular_Culture?f_ri=29113","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="7299" href="https://www.academia.edu/Documents/in/Victorian_Literature">Victorian Literature</a><script data-card-contents-for-ri="7299" type="text/json">{"id":7299,"name":"Victorian Literature","url":"https://www.academia.edu/Documents/in/Victorian_Literature?f_ri=29113","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=41501829]'), work: {"id":41501829,"title":"\"I was again passing along Leicester Square ... with all my eyes about me\": Mapping Popular \"Police Memoir\" Detective Fiction","created_at":"2020-01-03T09:15:47.040-08:00","url":"https://www.academia.edu/41501829/_I_was_again_passing_along_Leicester_Square_with_all_my_eyes_about_me_Mapping_Popular_Police_Memoir_Detective_Fiction?f_ri=29113","dom_id":"work_41501829","summary":"This article explores the use of the police officer in both periodical journalism and cheap, mass-produced \"police memoir\" fiction from the mid-nineteenth century. It highlights how police officers were inserted into writing that was concerned with urban growth and urban criminality and argues that they helped journalists, authors and readers to map, experience, understand and criticise the growth of the metropolis. The police officer was originally seen to be a protective figure for journalists delving into spaces deemed criminal, and writing about crime for readers' interest. Across the early-to-mid nineteenth century, social exploration articles appeared frequently in periodicals. The authors were reliant on the police for access to a multitude of criminal spaces that emerged as the city grew. Thus, the police officer's rise was connected to the city, and the police themselves formed a part of the urban environment, with the power to observe, explore and influence it. The presence of the police officer in journalism led to developments in other kinds of writing, including fiction. The power of the police to reveal hidden or latent criminality in the urban space was actively used in a variety of ways to create new, cheap and popular forms of fiction.","downloadable_attachments":[{"id":61672016,"asset_id":41501829,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":25807042,"first_name":"Samuel","last_name":"Saunders","domain_name":"liverpool","page_name":"SamuelSaunders","display_name":"Samuel Saunders","profile_url":"https://liverpool.academia.edu/SamuelSaunders?f_ri=29113","photo":"https://0.academia-photos.com/25807042/7120076/101739099/s65_samuel.saunders.png"}],"research_interests":[{"id":1305,"name":"Victorian Studies","url":"https://www.academia.edu/Documents/in/Victorian_Studies?f_ri=29113","nofollow":false},{"id":2326,"name":"Nineteenth Century Studies","url":"https://www.academia.edu/Documents/in/Nineteenth_Century_Studies?f_ri=29113","nofollow":false},{"id":2858,"name":"Popular 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Culture","url":"https://www.academia.edu/Documents/in/Nineteenth-Century_Literature_and_Culture?f_ri=29113"},{"id":35295,"name":"Victorian Crime Fiction","url":"https://www.academia.edu/Documents/in/Victorian_Crime_Fiction?f_ri=29113"},{"id":67349,"name":"Crime and policing in Victorian England","url":"https://www.academia.edu/Documents/in/Crime_and_policing_in_Victorian_England?f_ri=29113"},{"id":708810,"name":"Detective fiction and crime writing","url":"https://www.academia.edu/Documents/in/Detective_fiction_and_crime_writing?f_ri=29113"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_37475513" data-work_id="37475513" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/37475513/_Le_Th%C3%A9%C3%A2tre_de_Nohant_d%C3%A9passement_des_limites_et_subversion_des_genres_Cahiers_George_Sand_n_40_2018_p_179_195">« Le Théâtre de Nohant : dépassement des limites et subversion des genres », Cahiers George Sand, n. 40, 2018, p. 179-195.</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/37475513" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="d54b5fb083bf44ff9f5ffeb04beb7fe1" rel="nofollow" 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type="text/json">{"id":696,"name":"Gender Studies","url":"https://www.academia.edu/Documents/in/Gender_Studies?f_ri=29113","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="29113" href="https://www.academia.edu/Documents/in/Nineteenth-Century_Literature_and_Culture">Nineteenth-Century Literature and Culture</a>, <script data-card-contents-for-ri="29113" type="text/json">{"id":29113,"name":"Nineteenth-Century Literature and Culture","url":"https://www.academia.edu/Documents/in/Nineteenth-Century_Literature_and_Culture?f_ri=29113","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="51284" href="https://www.academia.edu/Documents/in/George_Sand">George Sand</a><script data-card-contents-for-ri="51284" type="text/json">{"id":51284,"name":"George Sand","url":"https://www.academia.edu/Documents/in/George_Sand?f_ri=29113","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=37475513]'), work: {"id":37475513,"title":"« Le Théâtre de Nohant : dépassement des limites et subversion des genres », Cahiers George Sand, n. 40, 2018, p. 179-195.","created_at":"2018-09-25T03:22:14.869-07:00","url":"https://www.academia.edu/37475513/_Le_Th%C3%A9%C3%A2tre_de_Nohant_d%C3%A9passement_des_limites_et_subversion_des_genres_Cahiers_George_Sand_n_40_2018_p_179_195?f_ri=29113","dom_id":"work_37475513","summary":null,"downloadable_attachments":[{"id":62254399,"asset_id":37475513,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":8616420,"first_name":"Valentina","last_name":"Ponzetto","domain_name":"unil","page_name":"ValentinaPonzetto","display_name":"Valentina Ponzetto","profile_url":"https://unil.academia.edu/ValentinaPonzetto?f_ri=29113","photo":"https://0.academia-photos.com/8616420/2873262/15023048/s65_valentina.ponzetto.jpg"}],"research_interests":[{"id":660,"name":"French Literature","url":"https://www.academia.edu/Documents/in/French_Literature?f_ri=29113","nofollow":false},{"id":696,"name":"Gender Studies","url":"https://www.academia.edu/Documents/in/Gender_Studies?f_ri=29113","nofollow":false},{"id":29113,"name":"Nineteenth-Century Literature and Culture","url":"https://www.academia.edu/Documents/in/Nineteenth-Century_Literature_and_Culture?f_ri=29113","nofollow":false},{"id":51284,"name":"George Sand","url":"https://www.academia.edu/Documents/in/George_Sand?f_ri=29113","nofollow":false},{"id":104240,"name":"Genre Analysis","url":"https://www.academia.edu/Documents/in/Genre_Analysis?f_ri=29113"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_36449814" data-work_id="36449814" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/36449814/The_Survival_of_the_East_End_Ruins_Liminality_and_Identity_in_Arthur_Morrisons_Fiction">The Survival of the East End: Ruins, Liminality and Identity in Arthur Morrison's Fiction</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This article probes the extent to which social-class stratification, moral thresholds and liminal spaces and bodies played a role in the survival of the East End in the late-nineteenth century. Arthur Morrison's fiction, in this sense,... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_36449814" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This article probes the extent to which social-class stratification, moral thresholds and liminal spaces and bodies played a role in the survival of the East End in the late-nineteenth century. Arthur Morrison's fiction, in this sense, builds awareness of neglect and degeneration, and highlights the need for renewal and restoration in the East End. Morrison's style is distinctive for telling the story of East Enders from an insider's point of view and translating the " stranger's literature " into a more intimate and personal experience. Undertaking the city as a unified yet heterogeneous fabric, this study suggests that slums and ruinous spaces were a part of a greater whole and their potential for liminality was essential to the existence of the East End. The paper takes a thematic approach to the representation of the East End and focuses on ruins, holes, analogies of animals, indefinable objects and grotesque bodies in A Child of the Jago (1896)-with a greater focus-, Tales of Mean Streets (1894) and The Hole in the Wall (1903). In A Child of the Jago, the Jago is not only a place to dwell in but it also nourishes and hides criminals within its ruins and holes. It is an urban ruin that aggravates the efforts of the middle classes trying to reconstruct an ordered and transparent space. The deviation and grotesqueness of the Jago help maintain its existence and survival disregarding the social codes and practices of the other classes.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/36449814" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="2027017db3320a30e745bdb5180a2ff4" rel="nofollow" data-download="{"attachment_id":56364836,"asset_id":36449814,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/56364836/download_file?st=MTczMjc4MjI3OSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="13926337" href="https://kcl.academia.edu/zeynepharputlu">Zeynep Harputlu</a><script data-card-contents-for-user="13926337" type="text/json">{"id":13926337,"first_name":"Zeynep","last_name":"Harputlu","domain_name":"kcl","page_name":"zeynepharputlu","display_name":"Zeynep Harputlu","profile_url":"https://kcl.academia.edu/zeynepharputlu?f_ri=29113","photo":"/images/s65_no_pic.png"}</script></span></span></li><li class="js-paper-rank-work_36449814 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="36449814"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 36449814, container: ".js-paper-rank-work_36449814", }); 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$(".js-view-count[data-work-id=36449814]").text(description); $(".js-view-count-work_36449814").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_36449814").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="36449814"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">8</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="2326" href="https://www.academia.edu/Documents/in/Nineteenth_Century_Studies">Nineteenth Century Studies</a>, <script data-card-contents-for-ri="2326" type="text/json">{"id":2326,"name":"Nineteenth Century Studies","url":"https://www.academia.edu/Documents/in/Nineteenth_Century_Studies?f_ri=29113","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="7299" href="https://www.academia.edu/Documents/in/Victorian_Literature">Victorian Literature</a>, <script data-card-contents-for-ri="7299" type="text/json">{"id":7299,"name":"Victorian Literature","url":"https://www.academia.edu/Documents/in/Victorian_Literature?f_ri=29113","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="12174" href="https://www.academia.edu/Documents/in/Literataure_Of_East_End_Of_London">Literataure Of East End Of London</a>, <script data-card-contents-for-ri="12174" type="text/json">{"id":12174,"name":"Literataure Of East End Of London","url":"https://www.academia.edu/Documents/in/Literataure_Of_East_End_Of_London?f_ri=29113","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="29113" href="https://www.academia.edu/Documents/in/Nineteenth-Century_Literature_and_Culture">Nineteenth-Century Literature and Culture</a><script data-card-contents-for-ri="29113" type="text/json">{"id":29113,"name":"Nineteenth-Century Literature and Culture","url":"https://www.academia.edu/Documents/in/Nineteenth-Century_Literature_and_Culture?f_ri=29113","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=36449814]'), work: {"id":36449814,"title":"The Survival of the East End: Ruins, Liminality and Identity in Arthur Morrison's Fiction","created_at":"2018-04-20T02:41:39.855-07:00","url":"https://www.academia.edu/36449814/The_Survival_of_the_East_End_Ruins_Liminality_and_Identity_in_Arthur_Morrisons_Fiction?f_ri=29113","dom_id":"work_36449814","summary":"This article probes the extent to which social-class stratification, moral thresholds and liminal spaces and bodies played a role in the survival of the East End in the late-nineteenth century. Arthur Morrison's fiction, in this sense, builds awareness of neglect and degeneration, and highlights the need for renewal and restoration in the East End. Morrison's style is distinctive for telling the story of East Enders from an insider's point of view and translating the \" stranger's literature \" into a more intimate and personal experience. Undertaking the city as a unified yet heterogeneous fabric, this study suggests that slums and ruinous spaces were a part of a greater whole and their potential for liminality was essential to the existence of the East End. The paper takes a thematic approach to the representation of the East End and focuses on ruins, holes, analogies of animals, indefinable objects and grotesque bodies in A Child of the Jago (1896)-with a greater focus-, Tales of Mean Streets (1894) and The Hole in the Wall (1903). In A Child of the Jago, the Jago is not only a place to dwell in but it also nourishes and hides criminals within its ruins and holes. It is an urban ruin that aggravates the efforts of the middle classes trying to reconstruct an ordered and transparent space. The deviation and grotesqueness of the Jago help maintain its existence and survival disregarding the social codes and practices of the other classes.","downloadable_attachments":[{"id":56364836,"asset_id":36449814,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":13926337,"first_name":"Zeynep","last_name":"Harputlu","domain_name":"kcl","page_name":"zeynepharputlu","display_name":"Zeynep Harputlu","profile_url":"https://kcl.academia.edu/zeynepharputlu?f_ri=29113","photo":"/images/s65_no_pic.png"}],"research_interests":[{"id":2326,"name":"Nineteenth Century Studies","url":"https://www.academia.edu/Documents/in/Nineteenth_Century_Studies?f_ri=29113","nofollow":false},{"id":7299,"name":"Victorian Literature","url":"https://www.academia.edu/Documents/in/Victorian_Literature?f_ri=29113","nofollow":false},{"id":12174,"name":"Literataure Of East End Of London","url":"https://www.academia.edu/Documents/in/Literataure_Of_East_End_Of_London?f_ri=29113","nofollow":false},{"id":29113,"name":"Nineteenth-Century Literature and Culture","url":"https://www.academia.edu/Documents/in/Nineteenth-Century_Literature_and_Culture?f_ri=29113","nofollow":false},{"id":57140,"name":"Slums Studies","url":"https://www.academia.edu/Documents/in/Slums_Studies?f_ri=29113"},{"id":147134,"name":"East End of London","url":"https://www.academia.edu/Documents/in/East_End_of_London?f_ri=29113"},{"id":440353,"name":"Arthur Morrison","url":"https://www.academia.edu/Documents/in/Arthur_Morrison?f_ri=29113"},{"id":971989,"name":"Urban Slums","url":"https://www.academia.edu/Documents/in/Urban_Slums?f_ri=29113"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_36565152" data-work_id="36565152" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/36565152/John_Clares_Poems_of_the_Middle_Period_three_reviews_of_five_volumes">John Clare's Poems of the Middle Period: three reviews of five volumes</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">These three book reviews cover the five volumes of Clare's Poems of the Middle Period edited by Eric Robinson, David Powell and P.M.S. Dawson and published by Clarendon Press between 1996 and 2003 to conclude a nine-volume edition of... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_36565152" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">These three book reviews cover the five volumes of Clare's Poems of the Middle Period edited by Eric Robinson, David Powell and P.M.S. Dawson and published by Clarendon Press between 1996 and 2003 to conclude a nine-volume edition of Clare's collected poetry. The reviews contextualise the material and the project, examine issues relating to editing style, and discuss areas of interest in the poems. <br /> <br />They were first published in the BARS Bulletin and Review and in Romanticism,</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/36565152" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="74cd4316b182093fa7a1ac3ba265c721" rel="nofollow" data-download="{"attachment_id":56490933,"asset_id":36565152,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/56490933/download_file?st=MTczMjc4MjI3OSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="28457402" href="https://nottinghamtrent.academia.edu/JGoodridge">John Goodridge</a><script data-card-contents-for-user="28457402" type="text/json">{"id":28457402,"first_name":"John","last_name":"Goodridge","domain_name":"nottinghamtrent","page_name":"JGoodridge","display_name":"John Goodridge","profile_url":"https://nottinghamtrent.academia.edu/JGoodridge?f_ri=29113","photo":"https://0.academia-photos.com/28457402/8043039/11046138/s65_john.goodridge.jpg"}</script></span></span></li><li class="js-paper-rank-work_36565152 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="36565152"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 36565152, container: ".js-paper-rank-work_36565152", }); 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Dawson and published by Clarendon Press between 1996 and 2003 to conclude a nine-volume edition of Clare's collected poetry. The reviews contextualise the material and the project, examine issues relating to editing style, and discuss areas of interest in the poems. \r\n\r\nThey were first published in the BARS Bulletin and Review and in Romanticism,","downloadable_attachments":[{"id":56490933,"asset_id":36565152,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":28457402,"first_name":"John","last_name":"Goodridge","domain_name":"nottinghamtrent","page_name":"JGoodridge","display_name":"John Goodridge","profile_url":"https://nottinghamtrent.academia.edu/JGoodridge?f_ri=29113","photo":"https://0.academia-photos.com/28457402/8043039/11046138/s65_john.goodridge.jpg"}],"research_interests":[{"id":1258,"name":"Romanticism","url":"https://www.academia.edu/Documents/in/Romanticism?f_ri=29113","nofollow":false},{"id":3581,"name":"Poetry","url":"https://www.academia.edu/Documents/in/Poetry?f_ri=29113","nofollow":false},{"id":8173,"name":"British Romanticism","url":"https://www.academia.edu/Documents/in/British_Romanticism?f_ri=29113","nofollow":false},{"id":10322,"name":"Nineteenth Century British History and Culture","url":"https://www.academia.edu/Documents/in/Nineteenth_Century_British_History_and_Culture?f_ri=29113","nofollow":false},{"id":21095,"name":"English Romanticism","url":"https://www.academia.edu/Documents/in/English_Romanticism?f_ri=29113"},{"id":29113,"name":"Nineteenth-Century Literature and Culture","url":"https://www.academia.edu/Documents/in/Nineteenth-Century_Literature_and_Culture?f_ri=29113"},{"id":62083,"name":"Textual Criticism and Editing","url":"https://www.academia.edu/Documents/in/Textual_Criticism_and_Editing?f_ri=29113"},{"id":101679,"name":"John Clare","url":"https://www.academia.edu/Documents/in/John_Clare?f_ri=29113"},{"id":712399,"name":"Romantic English poetry","url":"https://www.academia.edu/Documents/in/Romantic_English_poetry?f_ri=29113"},{"id":1418069,"name":"Labouring-class Poetry","url":"https://www.academia.edu/Documents/in/Labouring-class_Poetry?f_ri=29113"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_38449582" data-work_id="38449582" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/38449582/A_Woman_s_Novel_Olive_Schreiner_Mona_Caird_and_H%C3%A9l%C3%A8ne_Cixous_s_%C3%89criture_F%C3%A9minine">A Woman’s Novel: Olive Schreiner, Mona Caird and Hélène Cixous’s Écriture Féminine</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">In the 1880s and 1890s, New Woman writers changed the face of British society and British fiction through their sexually open works, which critiqued old notions of marriage, and through their stylistic experimentation, which announced the... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_38449582" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">In the 1880s and 1890s, New Woman writers changed the face of British society and British fiction through their sexually open works, which critiqued old notions of marriage, and through their stylistic experimentation, which announced the modernist novel. New Woman scholarship has often studied their work in connection with that of French feminists of the late twentieth century, such as Julia Kristeva, Luce Irigaray, and Hélène Cixous. This article reconsiders the nature of this connection through a close examination of novels by two of the most popular New Woman authors, Mona Caird (1854–1932) and Olive Schreiner (1855–1920). I read Caird’s The Wing of Azrael (1889) and Schreiner’s The Story of an African Farm (1883) through the lens of Hélène Cixous’s theories of écriture féminine, or feminine writing, to question the accusation of biological determinism which is frequently directed at both groups of writers. By applying Cixous’s notions of feminine aesthetics, bisexuality, and alterity to Caird and Schreiner, my study provides the basis for a new understanding of their novels. More generally, it complements and qualifies the connection between the New Woman and so-called French feminism, thereby helping produce a more complex framework to study the fin de siècle.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/38449582" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="433de2636fe8ee62c7405767adcbce29" rel="nofollow" data-download="{"attachment_id":76713969,"asset_id":38449582,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/76713969/download_file?st=MTczMjc4MjI3OSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="88594" href="https://hivolda.academia.edu/MarinaCano">Marina Cano</a><script data-card-contents-for-user="88594" type="text/json">{"id":88594,"first_name":"Marina","last_name":"Cano","domain_name":"hivolda","page_name":"MarinaCano","display_name":"Marina Cano","profile_url":"https://hivolda.academia.edu/MarinaCano?f_ri=29113","photo":"https://0.academia-photos.com/88594/24653/75493543/s65_marina.cano.png"}</script></span></span></li><li class="js-paper-rank-work_38449582 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="38449582"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 38449582, container: ".js-paper-rank-work_38449582", }); 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New Woman scholarship has often studied their work in connection with that of French feminists of the late twentieth century, such as Julia Kristeva, Luce Irigaray, and Hélène Cixous. This article reconsiders the nature of this connection through a close examination of novels by two of the most popular New Woman authors, Mona Caird (1854–1932) and Olive Schreiner (1855–1920). I read Caird’s The Wing of Azrael (1889) and Schreiner’s The Story of an African Farm (1883) through the lens of Hélène Cixous’s theories of écriture féminine, or feminine writing, to question the accusation of biological determinism which is frequently directed at both groups of writers. By applying Cixous’s notions of feminine aesthetics, bisexuality, and alterity to Caird and Schreiner, my study provides the basis for a new understanding of their novels. More generally, it complements and qualifies the connection between the New Woman and so-called French feminism, thereby helping produce a more complex framework to study the fin de siècle.","downloadable_attachments":[{"id":76713969,"asset_id":38449582,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":88594,"first_name":"Marina","last_name":"Cano","domain_name":"hivolda","page_name":"MarinaCano","display_name":"Marina Cano","profile_url":"https://hivolda.academia.edu/MarinaCano?f_ri=29113","photo":"https://0.academia-photos.com/88594/24653/75493543/s65_marina.cano.png"}],"research_interests":[{"id":1138,"name":"Women's Studies","url":"https://www.academia.edu/Documents/in/Womens_Studies?f_ri=29113","nofollow":false},{"id":1192,"name":"Feminist Theory","url":"https://www.academia.edu/Documents/in/Feminist_Theory?f_ri=29113","nofollow":false},{"id":1305,"name":"Victorian Studies","url":"https://www.academia.edu/Documents/in/Victorian_Studies?f_ri=29113","nofollow":false},{"id":2326,"name":"Nineteenth Century Studies","url":"https://www.academia.edu/Documents/in/Nineteenth_Century_Studies?f_ri=29113","nofollow":false},{"id":7299,"name":"Victorian Literature","url":"https://www.academia.edu/Documents/in/Victorian_Literature?f_ri=29113"},{"id":12870,"name":"Helene Cixous","url":"https://www.academia.edu/Documents/in/Helene_Cixous?f_ri=29113"},{"id":13619,"name":"Victorian Women Writers","url":"https://www.academia.edu/Documents/in/Victorian_Women_Writers?f_ri=29113"},{"id":16787,"name":"Fin de Siecle Literature \u0026 Culture","url":"https://www.academia.edu/Documents/in/Fin_de_Siecle_Literature_and_Culture?f_ri=29113"},{"id":25848,"name":"Victorian novel","url":"https://www.academia.edu/Documents/in/Victorian_novel?f_ri=29113"},{"id":29108,"name":"Feminist Literary Theory and Gender Studies","url":"https://www.academia.edu/Documents/in/Feminist_Literary_Theory_and_Gender_Studies?f_ri=29113"},{"id":29113,"name":"Nineteenth-Century Literature and Culture","url":"https://www.academia.edu/Documents/in/Nineteenth-Century_Literature_and_Culture?f_ri=29113"},{"id":49663,"name":"Women and Gender Studies","url":"https://www.academia.edu/Documents/in/Women_and_Gender_Studies?f_ri=29113"},{"id":67309,"name":"Fin de Siècle","url":"https://www.academia.edu/Documents/in/Fin_de_Si%C3%A8cle?f_ri=29113"},{"id":82062,"name":"Écriture Féminine","url":"https://www.academia.edu/Documents/in/%C3%89criture_F%C3%A9minine?f_ri=29113"},{"id":100606,"name":"Olive Schreiner","url":"https://www.academia.edu/Documents/in/Olive_Schreiner?f_ri=29113"},{"id":453673,"name":"Feminis-Helene Cixous-The Laugh of the Medusa","url":"https://www.academia.edu/Documents/in/Feminis-Helene_Cixous-The_Laugh_of_the_Medusa?f_ri=29113"},{"id":985852,"name":"The New Woman","url":"https://www.academia.edu/Documents/in/The_New_Woman?f_ri=29113"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_30232136" data-work_id="30232136" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/30232136/Stefano_Paolucci_trad_e_cura_di_Ralph_W_Emerson_Il_carattere_e_la_vita_umana_Quattro_saggi_inediti_Piano_B_2016_">Stefano Paolucci (trad. e cura di), Ralph W. Emerson, "Il carattere e la vita umana. Quattro saggi inediti" (Piano B, 2016)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Prima versione italiana dei saggi: "Carattere", "Lo studioso", "Educazione", "La sovranità dell'etica". Con un saggio introduttivo del curatore dedicato a Leon Augusto Perussia, primo divulgatore italiano dei saggi di Emerson, seguito... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_30232136" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Prima versione italiana dei saggi: "Carattere", "Lo studioso", "Educazione", "La sovranità dell'etica". Con un saggio introduttivo del curatore dedicato a Leon Augusto Perussia, primo divulgatore italiano dei saggi di Emerson, seguito dalla prefazione di Perussia alla sua originaria raccolta "Il carattere e la vita umana" (1886).</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/30232136" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="a89040986d7385e9b4f8ef52f439f7e2" rel="nofollow" data-download="{"attachment_id":50693575,"asset_id":30232136,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/50693575/download_file?st=MTczMjc4MjI3OSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="28970589" href="https://independent.academia.edu/StefanoPaolucci">Stefano Paolucci</a><script data-card-contents-for-user="28970589" type="text/json">{"id":28970589,"first_name":"Stefano","last_name":"Paolucci","domain_name":"independent","page_name":"StefanoPaolucci","display_name":"Stefano Paolucci","profile_url":"https://independent.academia.edu/StefanoPaolucci?f_ri=29113","photo":"https://0.academia-photos.com/28970589/9613554/10708366/s65_stefano.paolucci.jpg"}</script></span></span></li><li class="js-paper-rank-work_30232136 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="30232136"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 30232136, container: ".js-paper-rank-work_30232136", }); 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