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(PDF) The infrared frequencies of DNA bases: science and art

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Would we recognize patterns pleasing to the ear ... consider them beautiful ... musical? Is our biology harmonically ordered in any way'? And if so, so what? There are many ways to explore such questions, and one direct way is to access the frequencies of deoxyribonucleic acid (DNA), the primary carrier of genetic information for all living organisms. In 1988 the author, a composer, posed these questions to Dr. David Deamer, a cell biologist (now at UC Santa Cruz). Dr. Deamer is internationally known for his research on the origins of life. Some years before he had createdvery interesting music cassettes (DNA Suite and DNA Music) based on the mapping of sequences of bases in the double helix of DNA. He was intrigued and offered to help. One significant constraint with this project required that, rather than \"mapping,\" or assigning arbitrary pitches to \"hear\" patterns, the actual vibrational frequencies were to be collected directly from the molecular realm. These frequencies would then be arranged as \"scales\" of tones and used as the basis for musical composition. Two years later, on April 22, 1990 (Earthday), the cassette version of \"Sequencia\" was recorded, and in 1994 the CD with additional music was produced. Sequenciu consists of three performances of original mus i c-\"E i k o s , \" \" S e q ue n c i a , \" a n d \"Pataphysical Thymine\"-performed on traditional instruments plus electronic keyboard, based entirely on a tuning system derived from certain frequencies that occur naturally in DNA.","publication_date":"1999,,","publication_name":"IEEE Engineering in Medicine and Biology Magazine","grobid_abstract_attachment_id":"115966429"},"document_type":"paper","pre_hit_view_count_baseline":null,"quality":"high","language":"en","title":"The infrared frequencies of DNA bases: science and art","broadcastable":true,"draft":null,"has_indexable_attachment":true,"indexable":true,"seo_quality":null}}["work"]; window.loswp.workCoauthors = [37974186]; window.loswp.locale = "en"; window.loswp.countryCode = "SG"; window.loswp.cwvAbTestBucket = ""; window.loswp.designVariant = "ds_vanilla"; window.loswp.fullPageMobileSutdModalVariant = "full_page_mobile_sutd_modal"; window.loswp.useOptimizedScribd4genScript = false; window.loginModal = {}; window.loginModal.appleClientId = 'edu.academia.applesignon'; window.userInChina = "false";</script><script defer="" src="https://accounts.google.com/gsi/client"></script><div class="ds-loswp-container"><div class="ds-work-card--grid-container"><div class="ds-work-card--container js-loswp-work-card"><div class="ds-work-card--cover"><div class="ds-work-cover--wrapper"><div class="ds-work-cover--container"><button class="ds-work-cover--clickable js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;swp-splash-paper-cover&quot;,&quot;attachmentId&quot;:115966429,&quot;attachmentType&quot;:&quot;pdf&quot;}"><img alt="First page of “The infrared frequencies of DNA bases: science and art”" class="ds-work-cover--cover-thumbnail" src="https://0.academia-photos.com/attachment_thumbnails/115966429/mini_magick20240802-1-lsrgby.png?1722561963" /><img alt="PDF Icon" class="ds-work-cover--file-icon" src="//a.academia-assets.com/images/single_work_splash/adobe_icon.svg" /><div class="ds-work-cover--hover-container"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span><p>Download Free PDF</p></div><div class="ds-work-cover--ribbon-container">Download Free PDF</div><div class="ds-work-cover--ribbon-triangle"></div></button></div></div></div><div class="ds-work-card--work-information"><h1 class="ds-work-card--work-title">The infrared frequencies of DNA bases: science and art</h1><div class="ds-work-card--work-authors ds-work-card--detail"><a class="ds-work-card--author js-wsj-grid-card-author ds2-5-body-md ds2-5-body-link" data-author-id="37974186" href="https://ucsc.academia.edu/DavidDeamer"><img alt="Profile image of David Deamer" class="ds-work-card--author-avatar" src="https://0.academia-photos.com/37974186/11532384/156203421/s65_david.deamer.jpg" />David Deamer</a></div><div class="ds-work-card--detail"><p class="ds-work-card--detail ds2-5-body-sm">1999, IEEE Engineering in Medicine and Biology Magazine</p><div class="ds-work-card--work-metadata"><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">visibility</span><p class="ds2-5-body-sm" id="work-metadata-view-count">…</p></div><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">description</span><p class="ds2-5-body-sm">6 pages</p></div><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">link</span><p class="ds2-5-body-sm">1 file</p></div></div><script>(async () => { const workId = 120980984; const worksViewsPath = "/v0/works/views?subdomain_param=api&amp;work_ids%5B%5D=120980984"; const getWorkViews = async (workId) => { const response = await fetch(worksViewsPath); if (!response.ok) { throw new Error('Failed to load work views'); } const data = await response.json(); return data.views[workId]; }; // Get the view count for the work - we send this immediately rather than waiting for // the DOM to load, so it can be available as soon as possible (but without holding up // the backend or other resource requests, because it's a bit expensive and not critical). const viewCount = await getWorkViews(workId); const updateViewCount = (viewCount) => { try { const viewCountNumber = parseInt(viewCount, 10); if (viewCountNumber === 0) { // Remove the whole views element if there are zero views. document.getElementById('work-metadata-view-count')?.parentNode?.remove(); return; } const commaizedViewCount = viewCountNumber.toLocaleString(); const viewCountBody = document.getElementById('work-metadata-view-count'); if (!viewCountBody) { throw new Error('Failed to find work views element'); } viewCountBody.textContent = `${commaizedViewCount} views`; } catch (error) { // Remove the whole views element if there was some issue parsing. document.getElementById('work-metadata-view-count')?.parentNode?.remove(); throw new Error(`Failed to parse view count: ${viewCount}`, error); } }; // If the DOM is still loading, wait for it to be ready before updating the view count. if (document.readyState === "loading") { document.addEventListener('DOMContentLoaded', () => { updateViewCount(viewCount); }); // Otherwise, just update it immediately. } else { updateViewCount(viewCount); } })();</script></div><p class="ds-work-card--work-abstract ds-work-card--detail ds2-5-body-md">Set1 deep enough, urd you see musically; the heart i f Nutwe being e\*el;v-n4ier.e music, $you can only r e a~h it.-Thoma\ Carlyle f we could hear the body, delve into its I rhythms and frequencies, what might it sound like&#39;? Would we recognize patterns pleasing to the ear ... consider them beautiful ... musical? Is our biology harmonically ordered in any way&#39;? And if so, so what? There are many ways to explore such questions, and one direct way is to access the frequencies of deoxyribonucleic acid (DNA), the primary carrier of genetic information for all living organisms. In 1988 the author, a composer, posed these questions to Dr. David Deamer, a cell biologist (now at UC Santa Cruz). Dr. Deamer is internationally known for his research on the origins of life. Some years before he had createdvery interesting music cassettes (DNA Suite and DNA Music) based on the mapping of sequences of bases in the double helix of DNA. He was intrigued and offered to help. One significant constraint with this project required that, rather than &quot;mapping,&quot; or assigning arbitrary pitches to &quot;hear&quot; patterns, the actual vibrational frequencies were to be collected directly from the molecular realm. These frequencies would then be arranged as &quot;scales&quot; of tones and used as the basis for musical composition. Two years later, on April 22, 1990 (Earthday), the cassette version of &quot;Sequencia&quot; was recorded, and in 1994 the CD with additional music was produced. Sequenciu consists of three performances of original mus i c-&quot;E i k o s , &quot; &quot; S e q ue n c i a , &quot; a n d &quot;Pataphysical Thymine&quot;-performed on traditional instruments plus electronic keyboard, based entirely on a tuning system derived from certain frequencies that occur naturally in DNA.</p><div class="ds-work-card--button-container"><div class="primary-buttons cite-share-variant"><button class="ds2-5-button js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;continue-reading-button--work-card&quot;,&quot;attachmentId&quot;:115966429,&quot;attachmentType&quot;:&quot;pdf&quot;,&quot;workUrl&quot;:&quot;https://www.academia.edu/120980984/The_infrared_frequencies_of_DNA_bases_science_and_art&quot;}"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">description</span>See full PDF</button><button class="ds2-5-button ds2-5-button--secondary js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;download-pdf-button--work-card&quot;,&quot;attachmentId&quot;:115966429,&quot;attachmentType&quot;:&quot;pdf&quot;,&quot;workUrl&quot;:&quot;https://www.academia.edu/120980984/The_infrared_frequencies_of_DNA_bases_science_and_art&quot;}"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span>Download PDF</button><div id="js-react-on-rails-context" style="display:none" data-rails-context="{&quot;inMailer&quot;:false,&quot;i18nLocale&quot;:&quot;en&quot;,&quot;i18nDefaultLocale&quot;:&quot;en&quot;,&quot;href&quot;:&quot;https://www.academia.edu/120980984/The_infrared_frequencies_of_DNA_bases_science_and_art&quot;,&quot;location&quot;:&quot;/120980984/The_infrared_frequencies_of_DNA_bases_science_and_art&quot;,&quot;scheme&quot;:&quot;https&quot;,&quot;host&quot;:&quot;www.academia.edu&quot;,&quot;port&quot;:null,&quot;pathname&quot;:&quot;/120980984/The_infrared_frequencies_of_DNA_bases_science_and_art&quot;,&quot;search&quot;:null,&quot;httpAcceptLanguage&quot;:null,&quot;serverSide&quot;:false}"></div> <div class="js-react-on-rails-component" style="display:none" data-component-name="CitationButton" data-props="{&quot;entity_id&quot;:120980984,&quot;citations&quot;:[{&quot;name&quot;:&quot;MLA&quot;,&quot;citation&quot;:&quot;Deamer, David. “The Infrared Frequencies of DNA Bases: Science and Art.” IEEE Engineering in Medicine and Biology Magazine, Institute of Electrical and Electronics Engineers (IEEE), 1999.&quot;},{&quot;name&quot;:&quot;APA&quot;,&quot;citation&quot;:&quot;Deamer, D. (1999). The infrared frequencies of DNA bases: science and art. IEEE Engineering in Medicine and Biology Magazine.&quot;},{&quot;name&quot;:&quot;Chicago&quot;,&quot;citation&quot;:&quot;Deamer, David. “The Infrared Frequencies of DNA Bases: Science and Art.” IEEE Engineering in Medicine and Biology Magazine, 1999.&quot;},{&quot;name&quot;:&quot;Vancouver&quot;,&quot;citation&quot;:&quot;Deamer D. The infrared frequencies of DNA bases: science and art. IEEE Engineering in Medicine and Biology Magazine. 1999; &quot;},{&quot;name&quot;:&quot;Harvard&quot;,&quot;citation&quot;:&quot;Deamer, D. (1999) “The infrared frequencies of DNA bases: science and art,” IEEE Engineering in Medicine and Biology Magazine. 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Five years ago, we envisioned a type of computer-generated music that would take cues for its musical parameters directly from the physiological ones present in DNA. The first paper, Musical Synthesis of DNA Sequences, was presented and published at the Sixth International Symposium on Electronic Art, 1995 in Montreal; and XI Colloquio di Informatica Musicale, 1995 in Bologna. This updates our recent work.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;wsj-grid-card-download-pdf-modal&quot;,&quot;work_title&quot;:&quot;A Physiological Approach to DNA Music&quot;,&quot;attachmentId&quot;:78365219,&quot;attachmentType&quot;:&quot;pdf&quot;,&quot;work_url&quot;:&quot;https://www.academia.edu/67610740/A_Physiological_Approach_to_DNA_Music&quot;,&quot;alternativeTracking&quot;:true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/67610740/A_Physiological_Approach_to_DNA_Music"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="1" data-entity-id="41575404" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/41575404/The_making_of_The_Genoma_Music">The making of The Genoma Music</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="5135481" href="https://independent.academia.edu/FernandoBaqueroMochales">Fernando Baquero</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Revista Iberoamericana de Micología, 2005</p><p class="ds-related-work--abstract ds2-5-body-sm">Both genetic and musical sequences are ordered structures composed of combinations of a small number of elements, of nucleotides and musical notes. In the case of the genome, the emergence of cellular functions makes the order meaningful; in the case of musical sequences, the consequence of order is the production of mysterious esthetical effects in the human mind. Can any musical significance be found in DNA sequence? In this work, we present the technique used to convert DNA sequences into musical sequences. The musical equivalent of the sequence of a number of genes, either of fungal origin, such as Candida albicans or Sacharomyces cerevisiae (SLT2), or belonging to the human genome (genes involved in Alzheimer syndrome, blindness, and deafness such as Connexine 26 gene) has been obtained. Non-coding sequences are also important in life and music. The non-coding alphoid sequence has also been translated into a musical sequence, in this case using Fibonacci´s golden number basic series as structural helper. The elementary musical sequence derived from DNA sequence has served as an imposing frame in which rhythms, sounds, and melodies have been harmonically inserted. The &quot;Genoma Music&quot; Project is essentially a creative metaphor of the basic unity between the human mind and the natural ordered structure of life.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;wsj-grid-card-download-pdf-modal&quot;,&quot;work_title&quot;:&quot;The making of The Genoma Music&quot;,&quot;attachmentId&quot;:61731737,&quot;attachmentType&quot;:&quot;pdf&quot;,&quot;work_url&quot;:&quot;https://www.academia.edu/41575404/The_making_of_The_Genoma_Music&quot;,&quot;alternativeTracking&quot;:true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/41575404/The_making_of_The_Genoma_Music"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="2" data-entity-id="38117054" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/38117054/Scalar_Frequency_The_Language_of_our_DNA_pdf">Scalar Frequency - The Language of our DNA.pdf</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="38800733" href="https://iquim.academia.edu/JereRiveraDugenio">Jere Rivera-Dugenio, Ph.D.</a></div><p class="ds-related-work--abstract ds2-5-body-sm">According to researchers Grazyna Fosar and Franz Bludorf, DNA is influenced by words and frequencies. According to their research, the key lies with the other 90% of the non-coding for protein DNA, often misrepresented as “junk DNA”, that serves as data storage and communication. The research of Russian biophysicist and molecular biologist Dr. Pjotr Garajajev suggests that living chromosomes function just like solitonic/holographic computers using endogenous DNA laser radiation. In simpler terms, words and sentences of our human language can recode our DNA. However, here are vital questions that are not addressed in ALL of the Russian research: 1) What is the actual language of the introns or potential DNA, 2) How does language turn on or off the DNA, and 3) How does this apply to consciousness and healing the bio-energetic body? This paper will answer the above questions and propose a more sophisticated and advanced perspective on how language affects the introns.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;wsj-grid-card-download-pdf-modal&quot;,&quot;work_title&quot;:&quot;Scalar Frequency - The Language of our DNA.pdf&quot;,&quot;attachmentId&quot;:58146822,&quot;attachmentType&quot;:&quot;pdf&quot;,&quot;work_url&quot;:&quot;https://www.academia.edu/38117054/Scalar_Frequency_The_Language_of_our_DNA_pdf&quot;,&quot;alternativeTracking&quot;:true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/38117054/Scalar_Frequency_The_Language_of_our_DNA_pdf"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="3" data-entity-id="116238890" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/116238890/Development_and_Validation_of_the_Biofrequency_Applied_Technique_MMT_Molecular_Music_Therapy_with_Consequent_Application_on_A_Cohort_of_Patients_with_A_Wide_Spectrum_of_Clinical_Pictures">Development and Validation of the Biofrequency Applied Technique MMT (Molecular Music Therapy), with Consequent Application on A Cohort of Patients with A Wide Spectrum of Clinical Pictures</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="35268167" href="https://ni-rs.academia.edu/DKrstic">Dejan Krstic</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Open Access Journal of Complementary &amp; Alternative Medicine, 2019</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;wsj-grid-card-download-pdf-modal&quot;,&quot;work_title&quot;:&quot;Development and Validation of the Biofrequency Applied Technique MMT (Molecular Music Therapy), with Consequent Application on A Cohort of Patients with A Wide Spectrum of Clinical Pictures&quot;,&quot;attachmentId&quot;:112424831,&quot;attachmentType&quot;:&quot;pdf&quot;,&quot;work_url&quot;:&quot;https://www.academia.edu/116238890/Development_and_Validation_of_the_Biofrequency_Applied_Technique_MMT_Molecular_Music_Therapy_with_Consequent_Application_on_A_Cohort_of_Patients_with_A_Wide_Spectrum_of_Clinical_Pictures&quot;,&quot;alternativeTracking&quot;:true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/116238890/Development_and_Validation_of_the_Biofrequency_Applied_Technique_MMT_Molecular_Music_Therapy_with_Consequent_Application_on_A_Cohort_of_Patients_with_A_Wide_Spectrum_of_Clinical_Pictures"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="4" data-entity-id="118644292" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/118644292/Artibiotics_An_Artificial_Biology_Musical_Experiment">Artibiotics: An Artificial Biology Musical Experiment</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="918370" href="https://plymouth.academia.edu/EduardoReckMiranda">Prof Eduardo R. Miranda</a></div><p class="ds-related-work--metadata ds2-5-body-xs">2018</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;wsj-grid-card-download-pdf-modal&quot;,&quot;work_title&quot;:&quot;Artibiotics: An Artificial Biology Musical Experiment&quot;,&quot;attachmentId&quot;:114221268,&quot;attachmentType&quot;:&quot;pdf&quot;,&quot;work_url&quot;:&quot;https://www.academia.edu/118644292/Artibiotics_An_Artificial_Biology_Musical_Experiment&quot;,&quot;alternativeTracking&quot;:true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/118644292/Artibiotics_An_Artificial_Biology_Musical_Experiment"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="5" data-entity-id="87363940" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/87363940/Genetic_Music_When_Genes_Code_for_Melodies_Instead_of_Proteins">Genetic Music: When Genes Code for Melodies Instead of Proteins</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="235844619" href="https://independent.academia.edu/BeatrizAlejosBermudez">Beatriz Alejos Bermudez</a></div><p class="ds-related-work--metadata ds2-5-body-xs">2020</p><p class="ds-related-work--abstract ds2-5-body-sm">In the present work we present a methodology for teaching the basis of the genetic code through music composition, with the aim to combine science and arts learning. The project was carried out by 155 students, the so-called MARGA Consortium, with ages comprised between 10 and 17 years from different public schools located in the Principality of Asturias, Spain. The different groups generated 8 different music works using a short genetic sequence obtained from the human notch1 gene, receptor of mutations leading to chronic lymphocytic leukemia.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;wsj-grid-card-download-pdf-modal&quot;,&quot;work_title&quot;:&quot;Genetic Music: When Genes Code for Melodies Instead of Proteins&quot;,&quot;attachmentId&quot;:91593435,&quot;attachmentType&quot;:&quot;pdf&quot;,&quot;work_url&quot;:&quot;https://www.academia.edu/87363940/Genetic_Music_When_Genes_Code_for_Melodies_Instead_of_Proteins&quot;,&quot;alternativeTracking&quot;:true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/87363940/Genetic_Music_When_Genes_Code_for_Melodies_Instead_of_Proteins"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="6" data-entity-id="12606805" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/12606805/Converting_DNA_to_Music_ComposAlign">Converting DNA to Music: ComposAlign</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="31551774" href="https://greifswald.academia.edu/MarcHellmuth">Marc Hellmuth</a></div><p class="ds-related-work--metadata ds2-5-body-xs">German Conference on Bioinformatics, 2009</p><p class="ds-related-work--abstract ds2-5-body-sm">Alignments are part of the most important data type in the field of comparative genomics. They can be abstracted to a character matrix derived from aligned sequences. A variety of biological questions forces the researcher to inspect these alignments. Our tool, called COMPOSALIGN, was developed to sonify large scale genomic data. The resulting musical composition is based on COMMON MUSIC and allows the mapping of genes to motifs and species to instruments. It enables the researcher to listen to the musical representation of the genome-wide alignment and contrasts a bioinformatician&#39;s sight-oriented work at the computer.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;wsj-grid-card-download-pdf-modal&quot;,&quot;work_title&quot;:&quot;Converting DNA to Music: ComposAlign&quot;,&quot;attachmentId&quot;:46054524,&quot;attachmentType&quot;:&quot;pdf&quot;,&quot;work_url&quot;:&quot;https://www.academia.edu/12606805/Converting_DNA_to_Music_ComposAlign&quot;,&quot;alternativeTracking&quot;:true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/12606805/Converting_DNA_to_Music_ComposAlign"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="7" data-entity-id="11659690" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/11659690/Artist_as_Scientist_The_Sonification_of_DNA">Artist as Scientist: The Sonification of DNA</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="7533999" href="https://utexas.academia.edu/KyleEvans">Kyle E Evans</a></div><p class="ds-related-work--abstract ds2-5-body-sm">Increased online accessibility to information in mathematics, genetics, acoustics and myriad other scientific fields has resulted in the blurring of lines between art and science. An example of this evolution can be seen in artists and composers creating music utilizing quantified DNA and protein information through the process of data sonification.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;wsj-grid-card-download-pdf-modal&quot;,&quot;work_title&quot;:&quot;Artist as Scientist: The Sonification of DNA&quot;,&quot;attachmentId&quot;:37115513,&quot;attachmentType&quot;:&quot;pdf&quot;,&quot;work_url&quot;:&quot;https://www.academia.edu/11659690/Artist_as_Scientist_The_Sonification_of_DNA&quot;,&quot;alternativeTracking&quot;:true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/11659690/Artist_as_Scientist_The_Sonification_of_DNA"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="8" data-entity-id="105274778" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/105274778/Genetic_Music_System_with_Synthetic_Biology">Genetic Music System with Synthetic Biology</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="918370" href="https://plymouth.academia.edu/EduardoReckMiranda">Prof Eduardo R. Miranda</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Artificial Life, 2020</p><p class="ds-related-work--abstract ds2-5-body-sm">This article introduces GeMS, a system for music composition informed by synthetic biology. GeMS generates music with simulations of genetic processes, such as transcription, translation, and protein folding, with which biological systems render chains of amino acids from DNA strands. The system comprises the following components: the Miranda machine, the rhythmator, and the pitch processor. The Miranda machine is an abstract Turing-machine-like processor, which manipulates a sequence of DNA symbols according to a set of programming instructions. This process generates a pool of new DNA strands, which are subsequently translated into rhythms. GeMS represents the musical equivalent of amino acids in terms of rhythms, referred to as rhythmic codons. This enables the rhythmator to convert DNA sequences into rhythmic sequences. The pitch processor generates pitches for such rhythmic sequences. It is inspired by the phenomenon of protein folding. The pitch processor considers orientation...</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;wsj-grid-card-download-pdf-modal&quot;,&quot;work_title&quot;:&quot;Genetic Music System with Synthetic Biology&quot;,&quot;attachmentId&quot;:104773702,&quot;attachmentType&quot;:&quot;pdf&quot;,&quot;work_url&quot;:&quot;https://www.academia.edu/105274778/Genetic_Music_System_with_Synthetic_Biology&quot;,&quot;alternativeTracking&quot;:true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/105274778/Genetic_Music_System_with_Synthetic_Biology"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="9" data-entity-id="80841678" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/80841678/Life_Music_The_Sonification_of_Proteins">Life Music: The Sonification of Proteins</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="45736446" href="https://independent.academia.edu/MaryAnneClark">Mary Anne Clark</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Leonardo, 1999</p><p class="ds-related-work--abstract ds2-5-body-sm">An artist and a biologist have collaborated on the sonification of protein data to produce the audio compact disc Life Music. Here they describe the process by which this collaboration merges scientific knowledge and artistic expression to produce soundscapes from the basic building blocks of life. The soundscapes may be encountered as aesthetic experiences, as scientific inquiries or as both. The authors describe the rationale both for the artistic use of science and for the scientific use of art from the separate viewpoints of artist and scientist.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;wsj-grid-card-download-pdf-modal&quot;,&quot;work_title&quot;:&quot;Life Music: The Sonification of Proteins&quot;,&quot;attachmentId&quot;:87088466,&quot;attachmentType&quot;:&quot;pdf&quot;,&quot;work_url&quot;:&quot;https://www.academia.edu/80841678/Life_Music_The_Sonification_of_Proteins&quot;,&quot;alternativeTracking&quot;:true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/80841678/Life_Music_The_Sonification_of_Proteins"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div></div></div><div class="ds-sticky-ctas--wrapper js-loswp-sticky-ctas hidden"><div class="ds-sticky-ctas--grid-container"><div class="ds-sticky-ctas--container"><button class="ds2-5-button js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;continue-reading-button--sticky-ctas&quot;,&quot;attachmentId&quot;:115966429,&quot;attachmentType&quot;:&quot;pdf&quot;,&quot;workUrl&quot;:null}">See full PDF</button><button class="ds2-5-button ds2-5-button--secondary js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;download-pdf-button--sticky-ctas&quot;,&quot;attachmentId&quot;:115966429,&quot;attachmentType&quot;:&quot;pdf&quot;,&quot;workUrl&quot;:null}"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span>Download PDF</button></div></div></div><div class="ds-below-fold--grid-container"><div class="ds-work--container js-loswp-embedded-document"><div class="attachment_preview" data-attachment="Attachment_115966429" style="display: none"><div class="js-scribd-document-container"><div class="scribd--document-loading js-scribd-document-loader" style="display: block;"><img alt="Loading..." src="//a.academia-assets.com/images/loaders/paper-load.gif" /><p>Loading Preview</p></div></div><div style="text-align: center;"><div class="scribd--no-preview-alert js-preview-unavailable"><p>Sorry, preview is currently unavailable. You can download the paper by clicking the button above.</p></div></div></div></div><div class="ds-sidebar--container js-work-sidebar"><div class="ds-related-content--container"><h2 class="ds-related-content--heading">Related papers</h2><div class="ds-related-work--container js-related-work-sidebar-card" data-collection-position="0" data-entity-id="29468813" data-sort-order="default"><a class="ds-related-work--title js-related-work-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/29468813/Biophysical_Music_Sound_and_Video_Anthology_Program_Notes">Biophysical Music Sound and Video Anthology: Program Notes</a><div class="ds-related-work--metadata"><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="274678" href="https://udk-berlin.academia.edu/MarcoDonnarumma">Marco Donnarumma</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{&quot;location&quot;:&quot;wsj-grid-card-download-pdf-modal&quot;,&quot;work_title&quot;:&quot;Biophysical Music Sound and Video Anthology: Program Notes&quot;,&quot;attachmentId&quot;:49910707,&quot;attachmentType&quot;:&quot;pdf&quot;,&quot;work_url&quot;:&quot;https://www.academia.edu/29468813/Biophysical_Music_Sound_and_Video_Anthology_Program_Notes&quot;,&quot;alternativeTracking&quot;:true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-related-work-grid-card-view-pdf" href="https://www.academia.edu/29468813/Biophysical_Music_Sound_and_Video_Anthology_Program_Notes"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container 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