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Se ha señalado en las imágenes de libre asociación psicológica de estos poemas inéditos que ven la luz con el consentimiento familiar una sutil filiación con el surrealismo, lo que debatiremos posteriormente. De otra parte, el propio título revela una continuidad e intencionalidad similar a Los cálices vacíos como canto o tributo a Eros en tanto divinidad o inspiración poética. Asimismo, el «rosario» evoca una escritura discontinua y fragmentaria del deseo surgida de la melancolía y el sufrimiento. Una de las reflexiones más arraigadas sobre el porqué de la escritura, como ya quedó apuntado, es la que contempla la carencia como el móvil principal que la impulsa y anima. Desde el siglo XVI esta falta adopta la forma de la Melancolía que se resuelve, en gran parte de los casos, a través de la figura del deseo, de Eros. En la lírica de Agustini se advierte de forma clara que es esa falta lo que la mueve a escribir y su salvación es el deseo, Eros. En efecto, gran parte de sus composiciones, especialmente las del final-Los cálices vacíos y El rosario de Eros-, se vertebran en torno a esa ausencia o vacío absoluto que se cierra, en muchos casos, con el encuentro, con la llegada del otro. Desde esta perspectiva, la vinculación del lenguaje místico 1-que trata de verbalizar una ausencia, de relatar una pérdida, de expresar lo inefable-y el lenguaje del deseo es evidente 2 , tal y como apunta Michel de Certeau 3 , dado que tanto la mística como la erótica nacen de la nostalgia y el impulso de borrar a Dios como objeto de amor exclusivo. Pero ya después del siglo XIII una lenta y progresiva desmitificación religiosa da paso a una también paulatina mitificación amorosa en la civilización occidental. El único cambio de escena es que el centro de la misma ya no es la divinidad, sino «el otro» y, en la literatura masculina, esto es, en la prácticamente única literatura existente-«Amor Cortés»-, la otredad está representada por la mujer. La palabra divina se sustituye así por el cuerpo amado que no es, de hecho, menos espiritual o simbólico en la práctica erótica que en la mística. Pero los procedimientos","author":[{"@context":"https://schema.org","@type":"Person","name":"MARÍA JOSÉ BRUÑA BRAGADO"}],"contributor":[],"dateCreated":"2020-09-01","dateModified":null,"datePublished":"2005-01-01","headline":"El rosario de Eros o la desfiguración del deseo en Delmira Agustini","inLanguage":"es","keywords":["Gender Studies","Poetics","Desire","Melancholy Studies","Delmira Agustini","Modernismo Hispanoamericano"],"locationCreated":null,"publication":"Peter Lang","publisher":{"@context":"https://schema.org","@type":"Organization","name":null},"image":null,"thumbnailUrl":null,"url":"https://www.academia.edu/43994012/El_rosario_de_Eros_o_la_desfiguraci%C3%B3n_del_deseo_en_Delmira_Agustini","sourceOrganization":[{"@context":"https://schema.org","@type":"EducationalOrganization","name":"usal"}]}</script><link rel="stylesheet" media="all" href="//a.academia-assets.com/assets/single_work_page/loswp-352e32ba4e89304dc0b4fa5b3952eef2198174c54cdb79066bc62e91c68a1a91.css" /><link 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"https://www.academia.edu/login?post_login_redirect_url=https%3A%2F%2Fwww.academia.edu%2F43994012%2FEl_rosario_de_Eros_o_la_desfiguraci%25C3%25B3n_del_deseo_en_Delmira_Agustini%3Fauto%3Ddownload"; window.loswp.translateUrl = "https://www.academia.edu/login?post_login_redirect_url=https%3A%2F%2Fwww.academia.edu%2F43994012%2FEl_rosario_de_Eros_o_la_desfiguraci%25C3%25B3n_del_deseo_en_Delmira_Agustini%3Fshow_translation%3Dtrue"; window.loswp.previewableAttachments = [{"id":64325757,"identifier":"Attachment_64325757","shouldShowBulkDownload":false}]; window.loswp.shouldDetectTimezone = true; window.loswp.shouldShowBulkDownload = true; window.loswp.showSignupCaptcha = false window.loswp.willEdgeCache = false; window.loswp.work = {"work":{"id":43994012,"created_at":"2020-09-01T04:04:40.504-07:00","from_world_paper_id":null,"updated_at":"2021-01-18T11:37:07.564-08:00","_data":{"abstract":"El rosario de Eros (1924) es ya un libro póstumo publicado diez años después de la muerte de Agustini para rendirle homenaje a la poeta. Se ha señalado en las imágenes de libre asociación psicológica de estos poemas inéditos que ven la luz con el consentimiento familiar una sutil filiación con el surrealismo, lo que debatiremos posteriormente. De otra parte, el propio título revela una continuidad e intencionalidad similar a Los cálices vacíos como canto o tributo a Eros en tanto divinidad o inspiración poética. Asimismo, el «rosario» evoca una escritura discontinua y fragmentaria del deseo surgida de la melancolía y el sufrimiento. Una de las reflexiones más arraigadas sobre el porqué de la escritura, como ya quedó apuntado, es la que contempla la carencia como el móvil principal que la impulsa y anima. Desde el siglo XVI esta falta adopta la forma de la Melancolía que se resuelve, en gran parte de los casos, a través de la figura del deseo, de Eros. En la lírica de Agustini se advierte de forma clara que es esa falta lo que la mueve a escribir y su salvación es el deseo, Eros. En efecto, gran parte de sus composiciones, especialmente las del final-Los cálices vacíos y El rosario de Eros-, se vertebran en torno a esa ausencia o vacío absoluto que se cierra, en muchos casos, con el encuentro, con la llegada del otro. Desde esta perspectiva, la vinculación del lenguaje místico 1-que trata de verbalizar una ausencia, de relatar una pérdida, de expresar lo inefable-y el lenguaje del deseo es evidente 2 , tal y como apunta Michel de Certeau 3 , dado que tanto la mística como la erótica nacen de la nostalgia y el impulso de borrar a Dios como objeto de amor exclusivo. Pero ya después del siglo XIII una lenta y progresiva desmitificación religiosa da paso a una también paulatina mitificación amorosa en la civilización occidental. El único cambio de escena es que el centro de la misma ya no es la divinidad, sino «el otro» y, en la literatura masculina, esto es, en la prácticamente única literatura existente-«Amor Cortés»-, la otredad está representada por la mujer. La palabra divina se sustituye así por el cuerpo amado que no es, de hecho, menos espiritual o simbólico en la práctica erótica que en la mística. Pero los procedimientos","page_numbers":"194-219","publication_date":"2005,,","publication_name":"Peter Lang"},"document_type":"thesis_chapter","pre_hit_view_count_baseline":null,"quality":"high","language":"es","title":"El rosario de Eros o la desfiguración del deseo en Delmira Agustini","broadcastable":true,"draft":false,"has_indexable_attachment":true,"indexable":true}}["work"]; window.loswp.workCoauthors = [103334262]; window.loswp.locale = "en"; window.loswp.countryCode = "SG"; window.loswp.cwvAbTestBucket = ""; window.loswp.designVariant = "ds_vanilla"; window.loswp.fullPageMobileSutdModalVariant = "full_page_mobile_sutd_modal"; window.loswp.useOptimizedScribd4genScript = false; window.loswp.appleClientId = 'edu.academia.applesignon';</script><script defer="" src="https://accounts.google.com/gsi/client"></script><div class="ds-loswp-container"><div class="ds-work-card--grid-container"><div class="ds-work-card--container js-loswp-work-card"><div class="ds-work-card--cover"><div class="ds-work-cover--wrapper"><div class="ds-work-cover--container"><button class="ds-work-cover--clickable js-swp-download-button" data-signup-modal="{"location":"swp-splash-paper-cover","attachmentId":64325757,"attachmentType":"pdf"}"><img alt="First page of “El rosario de Eros o la desfiguración del deseo en Delmira Agustini”" class="ds-work-cover--cover-thumbnail" src="https://0.academia-photos.com/attachment_thumbnails/64325757/mini_magick20200901-16392-15703vz.png?1598961382" /><img alt="PDF Icon" class="ds-work-cover--file-icon" src="//a.academia-assets.com/assets/single_work_splash/adobe.icon-574afd46eb6b03a77a153a647fb47e30546f9215c0ee6a25df597a779717f9ef.svg" /><div class="ds-work-cover--hover-container"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span><p>Download Free PDF</p></div><div class="ds-work-cover--ribbon-container">Download Free PDF</div><div class="ds-work-cover--ribbon-triangle"></div></button></div></div></div><div class="ds-work-card--work-information"><h1 class="ds-work-card--work-title">El rosario de Eros o la desfiguración del deseo en Delmira Agustini</h1><div class="ds-work-card--work-authors ds-work-card--detail"><a class="ds-work-card--author js-wsj-grid-card-author ds2-5-body-md ds2-5-body-link" data-author-id="103334262" href="https://usal.academia.edu/MAR%C3%8DAJOS%C3%89BRU%C3%91ABRAGADO"><img alt="Profile image of MARÍA JOSÉ BRUÑA BRAGADO" class="ds-work-card--author-avatar" src="https://0.academia-photos.com/103334262/28983565/27038039/s65_mar_a_jos_.bru_a_bragado.jpg" />MARÍA JOSÉ BRUÑA BRAGADO</a></div><p class="ds-work-card--detail ds2-5-body-sm">2005, Peter Lang</p><p class="ds-work-card--work-abstract ds-work-card--detail ds2-5-body-md">El rosario de Eros (1924) es ya un libro póstumo publicado diez años después de la muerte de Agustini para rendirle homenaje a la poeta. Se ha señalado en las imágenes de libre asociación psicológica de estos poemas inéditos que ven la luz con el consentimiento familiar una sutil filiación con el surrealismo, lo que debatiremos posteriormente. De otra parte, el propio título revela una continuidad e intencionalidad similar a Los cálices vacíos como canto o tributo a Eros en tanto divinidad o inspiración poética. Asimismo, el «rosario» evoca una escritura discontinua y fragmentaria del deseo surgida de la melancolía y el sufrimiento. Una de las reflexiones más arraigadas sobre el porqué de la escritura, como ya quedó apuntado, es la que contempla la carencia como el móvil principal que la impulsa y anima. Desde el siglo XVI esta falta adopta la forma de la Melancolía que se resuelve, en gran parte de los casos, a través de la figura del deseo, de Eros. En la lírica de Agustini se advierte de forma clara que es esa falta lo que la mueve a escribir y su salvación es el deseo, Eros. En efecto, gran parte de sus composiciones, especialmente las del final-Los cálices vacíos y El rosario de Eros-, se vertebran en torno a esa ausencia o vacío absoluto que se cierra, en muchos casos, con el encuentro, con la llegada del otro. Desde esta perspectiva, la vinculación del lenguaje místico 1-que trata de verbalizar una ausencia, de relatar una pérdida, de expresar lo inefable-y el lenguaje del deseo es evidente 2 , tal y como apunta Michel de Certeau 3 , dado que tanto la mística como la erótica nacen de la nostalgia y el impulso de borrar a Dios como objeto de amor exclusivo. Pero ya después del siglo XIII una lenta y progresiva desmitificación religiosa da paso a una también paulatina mitificación amorosa en la civilización occidental. El único cambio de escena es que el centro de la misma ya no es la divinidad, sino «el otro» y, en la literatura masculina, esto es, en la prácticamente única literatura existente-«Amor Cortés»-, la otredad está representada por la mujer. La palabra divina se sustituye así por el cuerpo amado que no es, de hecho, menos espiritual o simbólico en la práctica erótica que en la mística. Pero los procedimientos</p><div class="ds-work-card--button-container"><button class="ds2-5-button js-swp-download-button" data-signup-modal="{"location":"continue-reading-button--work-card","attachmentId":64325757,"attachmentType":"pdf","workUrl":"https://www.academia.edu/43994012/El_rosario_de_Eros_o_la_desfiguraci%C3%B3n_del_deseo_en_Delmira_Agustini"}">See full PDF</button><button class="ds2-5-button ds2-5-button--secondary js-swp-download-button" data-signup-modal="{"location":"download-pdf-button--work-card","attachmentId":64325757,"attachmentType":"pdf","workUrl":"https://www.academia.edu/43994012/El_rosario_de_Eros_o_la_desfiguraci%C3%B3n_del_deseo_en_Delmira_Agustini"}"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span>Download PDF</button></div></div></div></div><div data-auto_select="false" data-client_id="331998490334-rsn3chp12mbkiqhl6e7lu2q0mlbu0f1b" data-doc_id="64325757" data-landing_url="https://www.academia.edu/43994012/El_rosario_de_Eros_o_la_desfiguraci%C3%B3n_del_deseo_en_Delmira_Agustini" data-login_uri="https://www.academia.edu/registrations/google_one_tap" data-moment_callback="onGoogleOneTapEvent" id="g_id_onload"></div><div class="ds-top-related-works--grid-container"><div class="ds-related-content--container ds-top-related-works--container"><h2 class="ds-related-content--heading">Related papers</h2><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="0" data-entity-id="83506469" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/83506469/Mirta_FERN%C3%81NDEZ_DOS_SANTOS_El_profundo_espejo_del_deseo_Nuevas_perspectivas_cr%C3%ADticas_en_torno_a_la_po%C3%A9tica_de_Delmira_Agustini_I_Premio_de_Investigaci%C3%B3n_Filol%C3%B3gica_Prof_Jos%C3%A9_Romera_Castillo_Madrid_Editorial_Verbum_2020_353_pp_Mar%C3%ADa_J_Bru%C3%B1a_">Mirta FERNÁNDEZ DOS SANTOS.— El profundo espejo del deseo. 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class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/70692173/Reimaginando_la_imagen_La_ruptura_de_Delmira_Augustini"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="4" data-entity-id="43690030" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/43690030/Delmira_Agustini_canon_y_subversi%C3%B3n_Delmira_Agustini_canon_and_subversion">Delmira Agustini: canon y subversión Delmira Agustini: canon and subversion</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="2991528" href="https://flup.academia.edu/MirtaDosSantosFern%C3%A1ndez">Mirta Dos Santos Fernández</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Amoxcalli: revista de teoría y crítica de la literatura hispanoamericana, 2017</p><p class="ds-related-work--abstract ds2-5-body-sm">Resumen En la obra poética de Delmira Agustini se aprecia la desgarradora tensión entre el discurso patriarcal y la posición marginal de la mujer que escribe. Agustini experimentó en sí misma la dualidad entre las convenciones y los modelos literarios planteados desde una perspectiva tradicionalmente masculina y su propia subjetividad lírica, ya que las imágenes femeninas habían constituido siempre la materia estética (lo otro) y no el sujeto (yo) del texto poético. Para minimizar los estragos de la «ansiedad de la influencia», intensificados por la «ansiedad de autoridad», Agustini se esconde tras una serie de máscaras femeninas que van cambiando a lo largo de su trayectoria artística y vital. Amoxcalli, año 2, no. 4 (agosto-diciembre 2017), pp. 27-45</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Delmira Agustini: canon y subversión Delmira Agustini: canon and subversion","attachmentId":63993354,"attachmentType":"pdf","work_url":"https://www.academia.edu/43690030/Delmira_Agustini_canon_y_subversi%C3%B3n_Delmira_Agustini_canon_and_subversion","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/43690030/Delmira_Agustini_canon_y_subversi%C3%B3n_Delmira_Agustini_canon_and_subversion"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="5" data-entity-id="65245633" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/65245633/Las_relaciones_antit%C3%A9ticas_del_erotismo_en_dos_poemas_de_Delmira_Agustini">Las relaciones antitéticas del erotismo en dos poemas de Delmira Agustini</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="135325015" href="https://pucp.academia.edu/GloriaMar%C3%ADaPajueloMilla">Gloria María Pajuelo Milla</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Estudios de literatura hispanoamericana contemporánea, 2020</p><p class="ds-related-work--abstract ds2-5-body-sm">-Resumen: Nuestro trabajo analizará mediante la noción de los “campos figurativos” de la Retórica General Textual postulada por Stefano Arduini (2000) los poemas “Ofrendando el libro” y “Otra estirpe”, pertenecientes a Los cálices vacíos (1913) de Delmira Agustini. En el primero, el poemario se dedica a Eros, en tanto supremo inspirador de la creación poética, porque concilia conceptos opuestos (placer/dolor, infierno/paraíso, luz/sombra) a partir del dominio sensual de elementos de la naturaleza (flores delicadas y animales imponentes); en contraste, en el segundo, la locutora se reconoce como superior al dios (ciego) en cuanto al conocimiento erótico del acto amatorio entre ella y un sujeto deseado, cuyo objetivo último es engendrar seres pasionales. Las relaciones antitéticas en ambos textos demuestran que poesía, naturaleza y sensualidad conforman una armonía erótica que trasciende lo corpóreo. -Palabras clave: campo figurativo, retórica, Delmira Agustini, poesía, sensualidad.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Las relaciones antitéticas del erotismo en dos poemas de Delmira Agustini","attachmentId":76932156,"attachmentType":"pdf","work_url":"https://www.academia.edu/65245633/Las_relaciones_antit%C3%A9ticas_del_erotismo_en_dos_poemas_de_Delmira_Agustini","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/65245633/Las_relaciones_antit%C3%A9ticas_del_erotismo_en_dos_poemas_de_Delmira_Agustini"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="6" data-entity-id="43641300" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/43641300/Delmira_Agustini_narraciones_de_vida_y_de_muerte">Delmira Agustini: narraciones de vida y de muerte</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="55499953" href="https://uptc.academia.edu/RevistaLaPalabra">Revista La Palabra</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Dossier La dimensión Biográfica, 2020</p><p class="ds-related-work--abstract ds2-5-body-sm">Delmira Agustini (1886-1914) había publicado tres libros de poesía y ganado el reconocimiento de la crítica y el público cuando fue asesinada,el 6 de julio de 1914, por quien había sido su esposo. Este acontecimiento que ha tenido un lugar destacado en la crónica po-licial y en la historia literaria uruguaya, fue narrado por biografías y ficciones durante más de un siglo. Esta historiaha sido contada con algunas variantes que han reiterado un nudo de conflictos en torno a algunos protagonistas: Delmira, su madre, su novio-mari-do-amante-asesino, y ManueUgarte como el enamorado imposible. Sin embargo, la lectura de los manuscritos señala la relevancia de la figura de su padre: Santiago Agustini, casi una sombra en los relatos de la "tragedia".Este trabajo intenta plantear la importancia de esta relación para comprender la producción poética de Delmira y abrir, desde esa perspectiva, la trama de relaciones emocionales e intelec-tuales que alimentaron vida y poesía.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Delmira Agustini: narraciones de vida y de muerte","attachmentId":63941603,"attachmentType":"pdf","work_url":"https://www.academia.edu/43641300/Delmira_Agustini_narraciones_de_vida_y_de_muerte","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/43641300/Delmira_Agustini_narraciones_de_vida_y_de_muerte"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="7" data-entity-id="862626" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/862626/La_b%C3%BAsqueda_incansable_en_Los_c%C3%A1lices_vac%C3%ADos_de_Delmira_Agustini">La búsqueda incansable en Los cálices vacíos de Delmira Agustini</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="693180" href="https://florida.academia.edu/CarmenSalesDelgado">Carmen Sales-Delgado</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Ogigia, 2010</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"La búsqueda incansable en Los cálices vacíos de Delmira Agustini","attachmentId":30909805,"attachmentType":"pdf","work_url":"https://www.academia.edu/862626/La_b%C3%BAsqueda_incansable_en_Los_c%C3%A1lices_vac%C3%ADos_de_Delmira_Agustini","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/862626/La_b%C3%BAsqueda_incansable_en_Los_c%C3%A1lices_vac%C3%ADos_de_Delmira_Agustini"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="8" data-entity-id="115640488" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/115640488/La_purificacion_del_deseo_en_el_Purgatorio_dantesco">La purificacion del deseo en el Purgatorio dantesco</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="146753925" href="https://uic-es.academia.edu/PatriciaMessa">Patricia Messa Gaya</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Patricia Messa Gaya, 2024</p><p class="ds-related-work--abstract ds2-5-body-sm">Is desire present enough in the Divine Comedy to be taken into consideration? Is the purification of desire really the core of the dantesque Purgatory? With these two questions, we want to illuminate the theme of desire in the dantesque poem. The dissertation will be framed in the sense of desiderium provided by Thomas Aquinas in his Treatise on the passions (S. Th., I-II, q.22-48) and in the questions related to the powers of the soul (S. Th., I, q.78-80). With the thomist framework as a reference, we will study the purification of desire, especially the rational one, and we will understand it as the process of ordering and unveiling man’s ultimate desire: to contemplate God face to face. For this, we will highlight the role of virtue and the education of the gaze as two fundamental factor to complete the ascent up the mountain of purification and allow the soul to reach the summit of its desires in Paradise. In conclusion, we will point out that the purification of desire illuminates our nature and allows us toa chieve the real union between God and his creature.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"La purificacion del deseo en el Purgatorio dantesco","attachmentId":111991444,"attachmentType":"pdf","work_url":"https://www.academia.edu/115640488/La_purificacion_del_deseo_en_el_Purgatorio_dantesco","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/115640488/La_purificacion_del_deseo_en_el_Purgatorio_dantesco"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="9" data-entity-id="6214414" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/6214414/Monografia_de_Delmira_Agustini">Monografia de Delmira Agustini</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="9520518" href="https://independent.academia.edu/DianaHuerta">Diana Huerta</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Monografia de Delmira Agustini","attachmentId":33085725,"attachmentType":"docx","work_url":"https://www.academia.edu/6214414/Monografia_de_Delmira_Agustini","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/6214414/Monografia_de_Delmira_Agustini"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div></div></div><div class="ds-sticky-ctas--wrapper js-loswp-sticky-ctas hidden"><div class="ds-sticky-ctas--grid-container"><div class="ds-sticky-ctas--container"><button class="ds2-5-button js-swp-download-button" data-signup-modal="{"location":"continue-reading-button--sticky-ctas","attachmentId":64325757,"attachmentType":"pdf","workUrl":null}">See full PDF</button><button class="ds2-5-button ds2-5-button--secondary js-swp-download-button" data-signup-modal="{"location":"download-pdf-button--sticky-ctas","attachmentId":64325757,"attachmentType":"pdf","workUrl":null}"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span>Download PDF</button></div></div></div><div class="ds-below-fold--grid-container"><div class="ds-work--container js-loswp-embedded-document"><div class="attachment_preview" data-attachment="Attachment_64325757" style="display: none"><div class="js-scribd-document-container"><div class="scribd--document-loading js-scribd-document-loader" style="display: block;"><img alt="Loading..." src="//a.academia-assets.com/images/loaders/paper-load.gif" /><p>Loading Preview</p></div></div><div style="text-align: center;"><div class="scribd--no-preview-alert js-preview-unavailable"><p>Sorry, preview is currently unavailable. 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