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Nuria Aranda García</h3></div><div class="js-work-strip profile--work_container" data-work-id="125617600"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/125617600/Entre_legitimaci%C3%B3n_propaganda_y_formaci%C3%B3n_dos_espejos_de_pr%C3%ADncipes_en_el_reinado_de_Enrique_IV"><img alt="Research paper thumbnail of Entre legitimación, propaganda y formación: dos espejos de príncipes en el reinado de Enrique IV" class="work-thumbnail" src="https://attachments.academia-assets.com/119627377/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/125617600/Entre_legitimaci%C3%B3n_propaganda_y_formaci%C3%B3n_dos_espejos_de_pr%C3%ADncipes_en_el_reinado_de_Enrique_IV">Entre legitimación, propaganda y formación: dos espejos de príncipes en el reinado de Enrique IV</a></div><div class="wp-workCard_item"><span>Revista de Literatura Medieval</span><span>, 2024</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">El progresivo descenso en la producción de regimientos de príncipes desde el reinado de Juan II a...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">El progresivo descenso en la producción de regimientos de príncipes desde el reinado de Juan II al de Enrique IV se ve interrumpido por dos tratados seguidos en el tiempo: la Exhortación o información de buena y sana doctrina de Pedro de Chinchilla para el infante Alfonso y el Jardín de nobles doncellas de fray Martín Alonso de Córdoba para la futura Isabel I. El contexto de crisis política en el que surgen permite ver líneas  convergentes  dentro  de  la  propaganda  y  la  legitimación,  y  líneas  divergentes  en  la perspectiva formativa que ambos autores diseñan para sus destinatarios, entendidas siempre desde la vertiente literaria de estos textos.<br /><br />The progressive decline in the production of Mirrors for princes from the reign of Juan II to that of Enrique IV is accentuated by two contemporary treatises: Pedro de Chinchilla’s Exhortación o información de buena y sana doctrina addressed to prince Alfonso and fray Martín de Córdoba’s Jardín de nobles doncellas for the future Isabel I. The context of political crisis  in  which  they  arise  allows  us  to  see  convergent  lines  within  propaganda and legitimation and divergent lines in the formative perspective that both authors design for their adressees, always from a literary perspective.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="1163b3695d771120c0d622ac580bbcef" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":119627377,"asset_id":125617600,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/119627377/download_file?st=MTczMzM0MTY4OCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="125617600"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="125617600"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 125617600; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=125617600]").text(description); $(".js-view-count[data-work-id=125617600]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 125617600; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='125617600']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 125617600, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "1163b3695d771120c0d622ac580bbcef" } } $('.js-work-strip[data-work-id=125617600]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":125617600,"title":"Entre legitimación, propaganda y formación: dos espejos de príncipes en el reinado de Enrique IV","translated_title":"","metadata":{"doi":"10.37536/RLM.2024.36.1.104413","abstract":"El progresivo descenso en la producción de regimientos de príncipes desde el reinado de Juan II al de Enrique IV se ve interrumpido por dos tratados seguidos en el tiempo: la Exhortación o información de buena y sana doctrina de Pedro de Chinchilla para el infante Alfonso y el Jardín de nobles doncellas de fray Martín Alonso de Córdoba para la futura Isabel I. El contexto de crisis política en el que surgen permite ver líneas convergentes dentro de la propaganda y la legitimación, y líneas divergentes en la perspectiva formativa que ambos autores diseñan para sus destinatarios, entendidas siempre desde la vertiente literaria de estos textos.\n\nThe progressive decline in the production of Mirrors for princes from the reign of Juan II to that of Enrique IV is accentuated by two contemporary treatises: Pedro de Chinchilla’s Exhortación o información de buena y sana doctrina addressed to prince Alfonso and fray Martín de Córdoba’s Jardín de nobles doncellas for the future Isabel I. The context of political crisis in which they arise allows us to see convergent lines within propaganda and legitimation and divergent lines in the formative perspective that both authors design for their adressees, always from a literary perspective.","publication_date":{"day":null,"month":null,"year":2024,"errors":{}},"publication_name":"Revista de Literatura Medieval"},"translated_abstract":"El progresivo descenso en la producción de regimientos de príncipes desde el reinado de Juan II al de Enrique IV se ve interrumpido por dos tratados seguidos en el tiempo: la Exhortación o información de buena y sana doctrina de Pedro de Chinchilla para el infante Alfonso y el Jardín de nobles doncellas de fray Martín Alonso de Córdoba para la futura Isabel I. El contexto de crisis política en el que surgen permite ver líneas convergentes dentro de la propaganda y la legitimación, y líneas divergentes en la perspectiva formativa que ambos autores diseñan para sus destinatarios, entendidas siempre desde la vertiente literaria de estos textos.\n\nThe progressive decline in the production of Mirrors for princes from the reign of Juan II to that of Enrique IV is accentuated by two contemporary treatises: Pedro de Chinchilla’s Exhortación o información de buena y sana doctrina addressed to prince Alfonso and fray Martín de Córdoba’s Jardín de nobles doncellas for the future Isabel I. The context of political crisis in which they arise allows us to see convergent lines within propaganda and legitimation and divergent lines in the formative perspective that both authors design for their adressees, always from a literary perspective.","internal_url":"https://www.academia.edu/125617600/Entre_legitimaci%C3%B3n_propaganda_y_formaci%C3%B3n_dos_espejos_de_pr%C3%ADncipes_en_el_reinado_de_Enrique_IV","translated_internal_url":"","created_at":"2024-11-17T01:46:39.917-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":35687562,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":119627377,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/119627377/thumbnails/1.jpg","file_name":"104413_Texto_del_articulo_430183_1_10_20240723.pdf","download_url":"https://www.academia.edu/attachments/119627377/download_file?st=MTczMzM0MTY4OCw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Entre_legitimacion_propaganda_y_formacio.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/119627377/104413_Texto_del_articulo_430183_1_10_20240723-libre.pdf?1731837681=\u0026response-content-disposition=attachment%3B+filename%3DEntre_legitimacion_propaganda_y_formacio.pdf\u0026Expires=1733339269\u0026Signature=cmPjVbyhwlXIK26KZFSj99gplFATqju3f7J6GlHLCt7Qp752OCrFN3yw0F82WIPI-HpeXy~mkrGjjRX5uXVEtHf0tethZmIwMMEo-foTL-wqccJFIS7d7KhwybuFeyQPwR~plvF33P2-P5SzrFM20167byB~Fsx0BU9xqFBJErNGS0-pzB3qAVCpYTDO1DdLdD2G6-4Lvtj12GLbizqbI5aCaXeSVBNI2PXGDVU7hoBalBqjt1H0RmCrmjRL29-hUP259TjGerrc8OjT6GfjH~RcbS11m9cM9jaDdbTt6EG67yB-ihTIJPYTEJOzvCZlrFaFY-pGhcJCEJ6Gb3CJgA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Entre_legitimación_propaganda_y_formación_dos_espejos_de_príncipes_en_el_reinado_de_Enrique_IV","translated_slug":"","page_count":26,"language":"es","content_type":"Work","owner":{"id":35687562,"first_name":"Nuria","middle_initials":null,"last_name":"Aranda García","page_name":"NuriaArandaGarcía","domain_name":"unizar","created_at":"2015-10-05T08:05:39.790-07:00","display_name":"Nuria Aranda García","url":"https://unizar.academia.edu/NuriaArandaGarc%C3%ADa"},"attachments":[{"id":119627377,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/119627377/thumbnails/1.jpg","file_name":"104413_Texto_del_articulo_430183_1_10_20240723.pdf","download_url":"https://www.academia.edu/attachments/119627377/download_file?st=MTczMzM0MTY4OCw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Entre_legitimacion_propaganda_y_formacio.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/119627377/104413_Texto_del_articulo_430183_1_10_20240723-libre.pdf?1731837681=\u0026response-content-disposition=attachment%3B+filename%3DEntre_legitimacion_propaganda_y_formacio.pdf\u0026Expires=1733339269\u0026Signature=cmPjVbyhwlXIK26KZFSj99gplFATqju3f7J6GlHLCt7Qp752OCrFN3yw0F82WIPI-HpeXy~mkrGjjRX5uXVEtHf0tethZmIwMMEo-foTL-wqccJFIS7d7KhwybuFeyQPwR~plvF33P2-P5SzrFM20167byB~Fsx0BU9xqFBJErNGS0-pzB3qAVCpYTDO1DdLdD2G6-4Lvtj12GLbizqbI5aCaXeSVBNI2PXGDVU7hoBalBqjt1H0RmCrmjRL29-hUP259TjGerrc8OjT6GfjH~RcbS11m9cM9jaDdbTt6EG67yB-ihTIJPYTEJOzvCZlrFaFY-pGhcJCEJ6Gb3CJgA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":922,"name":"Education","url":"https://www.academia.edu/Documents/in/Education"},{"id":113250,"name":"Legitimation","url":"https://www.academia.edu/Documents/in/Legitimation"},{"id":921726,"name":"Specula Principum","url":"https://www.academia.edu/Documents/in/Specula_Principum"}],"urls":[{"id":45659398,"url":"https://recyt.fecyt.es/index.php/RLM"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="113286372"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/113286372/Edici%C3%B3n_dedicatorias_y_relaciones_clientelares_en_la_literatura_medieval_impresa_en_el_siglo_XVI_los_casos_de_Juan_Tom%C3%A1s_Favario_y_Alonso_de_Ulloa_1"><img alt="Research paper thumbnail of Edición, dedicatorias y relaciones clientelares en la literatura medieval impresa en el siglo XVI: los casos de Juan Tomás Favario y Alonso de Ulloa 1" class="work-thumbnail" src="https://attachments.academia-assets.com/110284773/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/113286372/Edici%C3%B3n_dedicatorias_y_relaciones_clientelares_en_la_literatura_medieval_impresa_en_el_siglo_XVI_los_casos_de_Juan_Tom%C3%A1s_Favario_y_Alonso_de_Ulloa_1">Edición, dedicatorias y relaciones clientelares en la literatura medieval impresa en el siglo XVI: los casos de Juan Tomás Favario y Alonso de Ulloa 1</a></div><div class="wp-workCard_item"><span>Studia Aurea 17</span><span>, 2023</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Durante la segunda mitad del siglo xv y la época incunable, las dedicatorias colocadas en los pró...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Durante la segunda mitad del siglo xv y la época incunable, las dedicatorias colocadas en los prólogos respondían a una codificación bien definida y basada en relaciones de mecenazgo y patronazgo entre el autor o traductor y el destinatario real del texto. La consolidación de la imprenta y la introducción en este sistema de los nuevos agentes de<br />producción y distribución del libro, especialmente los editores, alteró esta red de relaciones y sus motivaciones, contribuyendo a modificar estos paratextos en los textos medievales reeditados en el siglo xvi. Se pretende mostrar esto último a través de la labor de edición del mercader papelero Juan Tomás Favario y el intelectual Alonso de Ulloa.<br /><br />During the late 15th century and the incunabulum period, dedications placed in prologues responded to a well-defined codification based on patronage and sponsorship relationships between the author or translator and the text addressee. The consolidation of the printing press and the introduction of new agents of book production and distribution, specially editors, altered this network of relationships and their motivations, contributing to the modification of this paratextuality of the medieval texts that were reprinted in the 16th century. The aim is to show the latter assumption through the editing work of the paper merchant Juan Tomás Favario and the intellectual Alonso de Ulloa.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="c7ce5379f0af914a2eaa432666a68135" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":110284773,"asset_id":113286372,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/110284773/download_file?st=MTczMzM0MTY4OCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="113286372"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="113286372"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 113286372; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=113286372]").text(description); $(".js-view-count[data-work-id=113286372]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 113286372; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='113286372']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 113286372, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "c7ce5379f0af914a2eaa432666a68135" } } $('.js-work-strip[data-work-id=113286372]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":113286372,"title":"Edición, dedicatorias y relaciones clientelares en la literatura medieval impresa en el siglo XVI: los casos de Juan Tomás Favario y Alonso de Ulloa 1","translated_title":"","metadata":{"doi":"10.5565/rev/studiaaurea.515","abstract":"Durante la segunda mitad del siglo xv y la época incunable, las dedicatorias colocadas en los prólogos respondían a una codificación bien definida y basada en relaciones de mecenazgo y patronazgo entre el autor o traductor y el destinatario real del texto. La consolidación de la imprenta y la introducción en este sistema de los nuevos agentes de\nproducción y distribución del libro, especialmente los editores, alteró esta red de relaciones y sus motivaciones, contribuyendo a modificar estos paratextos en los textos medievales reeditados en el siglo xvi. Se pretende mostrar esto último a través de la labor de edición del mercader papelero Juan Tomás Favario y el intelectual Alonso de Ulloa.\n\nDuring the late 15th century and the incunabulum period, dedications placed in prologues responded to a well-defined codification based on patronage and sponsorship relationships between the author or translator and the text addressee. The consolidation of the printing press and the introduction of new agents of book production and distribution, specially editors, altered this network of relationships and their motivations, contributing to the modification of this paratextuality of the medieval texts that were reprinted in the 16th century. The aim is to show the latter assumption through the editing work of the paper merchant Juan Tomás Favario and the intellectual Alonso de Ulloa.","publication_date":{"day":null,"month":null,"year":2023,"errors":{}},"publication_name":"Studia Aurea 17"},"translated_abstract":"Durante la segunda mitad del siglo xv y la época incunable, las dedicatorias colocadas en los prólogos respondían a una codificación bien definida y basada en relaciones de mecenazgo y patronazgo entre el autor o traductor y el destinatario real del texto. La consolidación de la imprenta y la introducción en este sistema de los nuevos agentes de\nproducción y distribución del libro, especialmente los editores, alteró esta red de relaciones y sus motivaciones, contribuyendo a modificar estos paratextos en los textos medievales reeditados en el siglo xvi. Se pretende mostrar esto último a través de la labor de edición del mercader papelero Juan Tomás Favario y el intelectual Alonso de Ulloa.\n\nDuring the late 15th century and the incunabulum period, dedications placed in prologues responded to a well-defined codification based on patronage and sponsorship relationships between the author or translator and the text addressee. The consolidation of the printing press and the introduction of new agents of book production and distribution, specially editors, altered this network of relationships and their motivations, contributing to the modification of this paratextuality of the medieval texts that were reprinted in the 16th century. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="113124102"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/113124102/HTR_model_SpanishGothic_XV_XVI_extended_DATASET"><img alt="Research paper thumbnail of HTR model SpanishGothic_XV-XVI_extended DATASET" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/113124102/HTR_model_SpanishGothic_XV_XVI_extended_DATASET">HTR model SpanishGothic_XV-XVI_extended DATASET</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">&lt;pre&gt;The SpanishGothic_XV-XVI_extended DATASET is conceived to be uploaded inside Transkrib...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">&lt;pre&gt;The SpanishGothic_XV-XVI_extended DATASET is conceived to be uploaded inside Transkribus platform (READ Coop) to perform a training and create an HTR+ model for the automated recognition of Spanish printed documents in Gothic script published between XV-XVI Century. 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Creació, recepció i representació de la literatura medieval, San Millán de la Cogolla, Cilengua</span><span>, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">La Historia de los siete sabios de Roma, colección de cuentos perteneciente a la rama occidental ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">La Historia de los siete sabios de Roma, colección de cuentos perteneciente a la rama occidental del Sendebar, se imprime por primera vez en Zaragoza en las prensas de Juan Hurus entre 1488 y 1491. 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Las ediciones de esta obra planteadas por el barcelonés Rafael Figueró a finales del siglo XVII y principios del siglo XVIII muestran en su configuración material la intención de este tipógrafo de asociar la obra con una línea editorial concreta, y distinta de sus predecesores, pero ajustada a las líneas generales marcadas por los talleres impresores del mercado hispánico y catalán.","internal_url":"https://www.academia.edu/97266646/Una_obra_medieval_en_la_imprenta_barcelonesa_las_ediciones_de_los_Siete_sabios_de_Roma_de_Rafael_Figuer%C3%B3","translated_internal_url":"","created_at":"2023-02-21T00:52:27.866-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":35687562,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":98935173,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/98935173/thumbnails/1.jpg","file_name":"05ARANDA.pdf","download_url":"https://www.academia.edu/attachments/98935173/download_file?st=MTczMzM0MTY4OCw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Una_obra_medieval_en_la_imprenta_barcelo.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/98935173/05ARANDA-libre.pdf?1676977795=\u0026response-content-disposition=attachment%3B+filename%3DUna_obra_medieval_en_la_imprenta_barcelo.pdf\u0026Expires=1733339269\u0026Signature=HzwT0qi9o2GLt8315dMjy9JQylR1wunNQ8URAkg~QNLCobr75IZYR8W~7rFUVYd99I0W0pp5vussRedFobZbSBBRm1Z7Xja9lrKXwI0ZpuPqU6ki-DmNd0S7dSNzYX6bZSqdTiXeyQ-Vhnu9j0B8X6qy9j75TlJ3X8CWVA68ANuoHhzAz3AOqHuoW0DfJWUFha9SdyLADyA8Y8o5rntvwuVYFHrgZzQ2ysb8aAO1fX4BmLIpHhZNXA3e4UFZiin9x4Vp~qLFfvaSS92GMXavlFiKrkpTYdR1iD2LAFW088BvZLrGLiGQm9z4sCZUDvNn2EbZV11cnQnqv6cu51hEFQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Una_obra_medieval_en_la_imprenta_barcelonesa_las_ediciones_de_los_Siete_sabios_de_Roma_de_Rafael_Figueró","translated_slug":"","page_count":32,"language":"es","content_type":"Work","owner":{"id":35687562,"first_name":"Nuria","middle_initials":null,"last_name":"Aranda García","page_name":"NuriaArandaGarcía","domain_name":"unizar","created_at":"2015-10-05T08:05:39.790-07:00","display_name":"Nuria Aranda García","url":"https://unizar.academia.edu/NuriaArandaGarc%C3%ADa"},"attachments":[{"id":98935173,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/98935173/thumbnails/1.jpg","file_name":"05ARANDA.pdf","download_url":"https://www.academia.edu/attachments/98935173/download_file?st=MTczMzM0MTY4OCw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Una_obra_medieval_en_la_imprenta_barcelo.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/98935173/05ARANDA-libre.pdf?1676977795=\u0026response-content-disposition=attachment%3B+filename%3DUna_obra_medieval_en_la_imprenta_barcelo.pdf\u0026Expires=1733339269\u0026Signature=HzwT0qi9o2GLt8315dMjy9JQylR1wunNQ8URAkg~QNLCobr75IZYR8W~7rFUVYd99I0W0pp5vussRedFobZbSBBRm1Z7Xja9lrKXwI0ZpuPqU6ki-DmNd0S7dSNzYX6bZSqdTiXeyQ-Vhnu9j0B8X6qy9j75TlJ3X8CWVA68ANuoHhzAz3AOqHuoW0DfJWUFha9SdyLADyA8Y8o5rntvwuVYFHrgZzQ2ysb8aAO1fX4BmLIpHhZNXA3e4UFZiin9x4Vp~qLFfvaSS92GMXavlFiKrkpTYdR1iD2LAFW088BvZLrGLiGQm9z4sCZUDvNn2EbZV11cnQnqv6cu51hEFQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":17486,"name":"Printing History","url":"https://www.academia.edu/Documents/in/Printing_History"},{"id":752200,"name":"Readership","url":"https://www.academia.edu/Documents/in/Readership"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="97266579"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/97266579/Notas_sobre_la_difusi%C3%B3n_editorial_quinientista_de_la_Historia_del_rey_Canamor"><img alt="Research paper thumbnail of Notas sobre la difusión editorial quinientista de la Historia del rey Canamor" class="work-thumbnail" src="https://attachments.academia-assets.com/98935158/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/97266579/Notas_sobre_la_difusi%C3%B3n_editorial_quinientista_de_la_Historia_del_rey_Canamor">Notas sobre la difusión editorial quinientista de la Historia del rey Canamor</a></div><div class="wp-workCard_item"><span>Tirant. Butlletí informatiu i bibliogràfic de literatura de cavalleries, 25</span><span>, 2022</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Resumen La Historia del rey Canamor y del infante Turián, su hijo, y de las grandes aventuras que...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Resumen La Historia del rey Canamor y del infante Turián, su hijo, y de las grandes aventuras que ovieron se imprime por primera vez en Burgos en 1509. Obra peculiar en sus orígenes, debió de escribirse en la primera mitad del siglo xv, pero es en el siglo xvi cuando se convierte en obra de éxito editorial. El análisis de sus elementos paratextuales, especialmente titulaciones, íncipits y grabados de portada, demuestra las estrategias de los impresores por acercarla a una determinada línea de difusión y recepción, donde la influencia de los libros de caballerías se percibe como mayoritaria.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="5479e2b9f25ce410fa1e02c0f434add2" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":98935158,"asset_id":97266579,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/98935158/download_file?st=MTczMzM0MTY4OCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="97266579"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="97266579"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 97266579; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=97266579]").text(description); $(".js-view-count[data-work-id=97266579]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 97266579; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='97266579']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 97266579, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "5479e2b9f25ce410fa1e02c0f434add2" } } $('.js-work-strip[data-work-id=97266579]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":97266579,"title":"Notas sobre la difusión editorial quinientista de la Historia del rey Canamor","translated_title":"","metadata":{"doi":"10.7203/tirant.25.25656","abstract":"Resumen La Historia del rey Canamor y del infante Turián, su hijo, y de las grandes aventuras que ovieron se imprime por primera vez en Burgos en 1509. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="5467400" id="papers"><div class="js-work-strip profile--work_container" data-work-id="125617600"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/125617600/Entre_legitimaci%C3%B3n_propaganda_y_formaci%C3%B3n_dos_espejos_de_pr%C3%ADncipes_en_el_reinado_de_Enrique_IV"><img alt="Research paper thumbnail of Entre legitimación, propaganda y formación: dos espejos de príncipes en el reinado de Enrique IV" class="work-thumbnail" src="https://attachments.academia-assets.com/119627377/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/125617600/Entre_legitimaci%C3%B3n_propaganda_y_formaci%C3%B3n_dos_espejos_de_pr%C3%ADncipes_en_el_reinado_de_Enrique_IV">Entre legitimación, propaganda y formación: dos espejos de príncipes en el reinado de Enrique IV</a></div><div class="wp-workCard_item"><span>Revista de Literatura Medieval</span><span>, 2024</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">El progresivo descenso en la producción de regimientos de príncipes desde el reinado de Juan II a...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">El progresivo descenso en la producción de regimientos de príncipes desde el reinado de Juan II al de Enrique IV se ve interrumpido por dos tratados seguidos en el tiempo: la Exhortación o información de buena y sana doctrina de Pedro de Chinchilla para el infante Alfonso y el Jardín de nobles doncellas de fray Martín Alonso de Córdoba para la futura Isabel I. El contexto de crisis política en el que surgen permite ver líneas  convergentes  dentro  de  la  propaganda  y  la  legitimación,  y  líneas  divergentes  en  la perspectiva formativa que ambos autores diseñan para sus destinatarios, entendidas siempre desde la vertiente literaria de estos textos.<br /><br />The progressive decline in the production of Mirrors for princes from the reign of Juan II to that of Enrique IV is accentuated by two contemporary treatises: Pedro de Chinchilla’s Exhortación o información de buena y sana doctrina addressed to prince Alfonso and fray Martín de Córdoba’s Jardín de nobles doncellas for the future Isabel I. The context of political crisis  in  which  they  arise  allows  us  to  see  convergent  lines  within  propaganda and legitimation and divergent lines in the formative perspective that both authors design for their adressees, always from a literary perspective.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="1163b3695d771120c0d622ac580bbcef" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":119627377,"asset_id":125617600,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/119627377/download_file?st=MTczMzM0MTY4OCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="125617600"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="125617600"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 125617600; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=125617600]").text(description); $(".js-view-count[data-work-id=125617600]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 125617600; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='125617600']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 125617600, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "1163b3695d771120c0d622ac580bbcef" } } $('.js-work-strip[data-work-id=125617600]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":125617600,"title":"Entre legitimación, propaganda y formación: dos espejos de príncipes en el reinado de Enrique IV","translated_title":"","metadata":{"doi":"10.37536/RLM.2024.36.1.104413","abstract":"El progresivo descenso en la producción de regimientos de príncipes desde el reinado de Juan II al de Enrique IV se ve interrumpido por dos tratados seguidos en el tiempo: la Exhortación o información de buena y sana doctrina de Pedro de Chinchilla para el infante Alfonso y el Jardín de nobles doncellas de fray Martín Alonso de Córdoba para la futura Isabel I. El contexto de crisis política en el que surgen permite ver líneas convergentes dentro de la propaganda y la legitimación, y líneas divergentes en la perspectiva formativa que ambos autores diseñan para sus destinatarios, entendidas siempre desde la vertiente literaria de estos textos.\n\nThe progressive decline in the production of Mirrors for princes from the reign of Juan II to that of Enrique IV is accentuated by two contemporary treatises: Pedro de Chinchilla’s Exhortación o información de buena y sana doctrina addressed to prince Alfonso and fray Martín de Córdoba’s Jardín de nobles doncellas for the future Isabel I. The context of political crisis in which they arise allows us to see convergent lines within propaganda and legitimation and divergent lines in the formative perspective that both authors design for their adressees, always from a literary perspective.","publication_date":{"day":null,"month":null,"year":2024,"errors":{}},"publication_name":"Revista de Literatura Medieval"},"translated_abstract":"El progresivo descenso en la producción de regimientos de príncipes desde el reinado de Juan II al de Enrique IV se ve interrumpido por dos tratados seguidos en el tiempo: la Exhortación o información de buena y sana doctrina de Pedro de Chinchilla para el infante Alfonso y el Jardín de nobles doncellas de fray Martín Alonso de Córdoba para la futura Isabel I. El contexto de crisis política en el que surgen permite ver líneas convergentes dentro de la propaganda y la legitimación, y líneas divergentes en la perspectiva formativa que ambos autores diseñan para sus destinatarios, entendidas siempre desde la vertiente literaria de estos textos.\n\nThe progressive decline in the production of Mirrors for princes from the reign of Juan II to that of Enrique IV is accentuated by two contemporary treatises: Pedro de Chinchilla’s Exhortación o información de buena y sana doctrina addressed to prince Alfonso and fray Martín de Córdoba’s Jardín de nobles doncellas for the future Isabel I. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="113286372"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/113286372/Edici%C3%B3n_dedicatorias_y_relaciones_clientelares_en_la_literatura_medieval_impresa_en_el_siglo_XVI_los_casos_de_Juan_Tom%C3%A1s_Favario_y_Alonso_de_Ulloa_1"><img alt="Research paper thumbnail of Edición, dedicatorias y relaciones clientelares en la literatura medieval impresa en el siglo XVI: los casos de Juan Tomás Favario y Alonso de Ulloa 1" class="work-thumbnail" src="https://attachments.academia-assets.com/110284773/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/113286372/Edici%C3%B3n_dedicatorias_y_relaciones_clientelares_en_la_literatura_medieval_impresa_en_el_siglo_XVI_los_casos_de_Juan_Tom%C3%A1s_Favario_y_Alonso_de_Ulloa_1">Edición, dedicatorias y relaciones clientelares en la literatura medieval impresa en el siglo XVI: los casos de Juan Tomás Favario y Alonso de Ulloa 1</a></div><div class="wp-workCard_item"><span>Studia Aurea 17</span><span>, 2023</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Durante la segunda mitad del siglo xv y la época incunable, las dedicatorias colocadas en los pró...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Durante la segunda mitad del siglo xv y la época incunable, las dedicatorias colocadas en los prólogos respondían a una codificación bien definida y basada en relaciones de mecenazgo y patronazgo entre el autor o traductor y el destinatario real del texto. La consolidación de la imprenta y la introducción en este sistema de los nuevos agentes de<br />producción y distribución del libro, especialmente los editores, alteró esta red de relaciones y sus motivaciones, contribuyendo a modificar estos paratextos en los textos medievales reeditados en el siglo xvi. Se pretende mostrar esto último a través de la labor de edición del mercader papelero Juan Tomás Favario y el intelectual Alonso de Ulloa.<br /><br />During the late 15th century and the incunabulum period, dedications placed in prologues responded to a well-defined codification based on patronage and sponsorship relationships between the author or translator and the text addressee. The consolidation of the printing press and the introduction of new agents of book production and distribution, specially editors, altered this network of relationships and their motivations, contributing to the modification of this paratextuality of the medieval texts that were reprinted in the 16th century. The aim is to show the latter assumption through the editing work of the paper merchant Juan Tomás Favario and the intellectual Alonso de Ulloa.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="c7ce5379f0af914a2eaa432666a68135" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":110284773,"asset_id":113286372,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/110284773/download_file?st=MTczMzM0MTY4OCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="113286372"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="113286372"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 113286372; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=113286372]").text(description); $(".js-view-count[data-work-id=113286372]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 113286372; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='113286372']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 113286372, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "c7ce5379f0af914a2eaa432666a68135" } } $('.js-work-strip[data-work-id=113286372]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":113286372,"title":"Edición, dedicatorias y relaciones clientelares en la literatura medieval impresa en el siglo XVI: los casos de Juan Tomás Favario y Alonso de Ulloa 1","translated_title":"","metadata":{"doi":"10.5565/rev/studiaaurea.515","abstract":"Durante la segunda mitad del siglo xv y la época incunable, las dedicatorias colocadas en los prólogos respondían a una codificación bien definida y basada en relaciones de mecenazgo y patronazgo entre el autor o traductor y el destinatario real del texto. La consolidación de la imprenta y la introducción en este sistema de los nuevos agentes de\nproducción y distribución del libro, especialmente los editores, alteró esta red de relaciones y sus motivaciones, contribuyendo a modificar estos paratextos en los textos medievales reeditados en el siglo xvi. Se pretende mostrar esto último a través de la labor de edición del mercader papelero Juan Tomás Favario y el intelectual Alonso de Ulloa.\n\nDuring the late 15th century and the incunabulum period, dedications placed in prologues responded to a well-defined codification based on patronage and sponsorship relationships between the author or translator and the text addressee. The consolidation of the printing press and the introduction of new agents of book production and distribution, specially editors, altered this network of relationships and their motivations, contributing to the modification of this paratextuality of the medieval texts that were reprinted in the 16th century. 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Se pretende mostrar esto último a través de la labor de edición del mercader papelero Juan Tomás Favario y el intelectual Alonso de Ulloa.\n\nDuring the late 15th century and the incunabulum period, dedications placed in prologues responded to a well-defined codification based on patronage and sponsorship relationships between the author or translator and the text addressee. The consolidation of the printing press and the introduction of new agents of book production and distribution, specially editors, altered this network of relationships and their motivations, contributing to the modification of this paratextuality of the medieval texts that were reprinted in the 16th century. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="113124102"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/113124102/HTR_model_SpanishGothic_XV_XVI_extended_DATASET"><img alt="Research paper thumbnail of HTR model SpanishGothic_XV-XVI_extended DATASET" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/113124102/HTR_model_SpanishGothic_XV_XVI_extended_DATASET">HTR model SpanishGothic_XV-XVI_extended DATASET</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">&lt;pre&gt;The SpanishGothic_XV-XVI_extended DATASET is conceived to be uploaded inside Transkrib...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">&lt;pre&gt;The SpanishGothic_XV-XVI_extended DATASET is conceived to be uploaded inside Transkribus platform (READ Coop) to perform a training and create an HTR+ model for the automated recognition of Spanish printed documents in Gothic script published between XV-XVI Century. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="101802447"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/101802447/An%C3%B3nimo_Coplas_hechas_sobre_el_casamiento_de_la_hija_del_rey_de_Espa%C3%B1a"><img alt="Research paper thumbnail of Anónimo, Coplas hechas sobre el casamiento de la hija del rey de España" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/101802447/An%C3%B3nimo_Coplas_hechas_sobre_el_casamiento_de_la_hija_del_rey_de_Espa%C3%B1a">Anónimo, Coplas hechas sobre el casamiento de la hija del rey de España</a></div><div class="wp-workCard_item"><span>Comedic: Catálogo de obras medievales impresas en castellano hasta 1600, Zaragoza (España), ISSN 2530-1985 [en línea]</span><span>, 2023</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="101802447"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="101802447"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 101802447; 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Creació, recepció i representació de la literatura medieval, San Millán de la Cogolla, Cilengua</span><span>, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">La Historia de los siete sabios de Roma, colección de cuentos perteneciente a la rama occidental ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">La Historia de los siete sabios de Roma, colección de cuentos perteneciente a la rama occidental del Sendebar, se imprime por primera vez en Zaragoza en las prensas de Juan Hurus entre 1488 y 1491. 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Butlletí informatiu i bibliogràfic de literatura de cavalleries, 25</span><span>, 2022</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Resumen La Historia del rey Canamor y del infante Turián, su hijo, y de las grandes aventuras que...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Resumen La Historia del rey Canamor y del infante Turián, su hijo, y de las grandes aventuras que ovieron se imprime por primera vez en Burgos en 1509. Obra peculiar en sus orígenes, debió de escribirse en la primera mitad del siglo xv, pero es en el siglo xvi cuando se convierte en obra de éxito editorial. 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Edición de Nuria Aranda García" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/125617803/Libro_de_los_siete_sabios_de_Roma_Edici%C3%B3n_de_Nuria_Aranda_Garc%C3%ADa">Libro de los siete sabios de Roma. Edición de Nuria Aranda García</a></div><div class="wp-workCard_item"><span>Cilengua, Biblioteca de literatura sapiencial</span><span>, 2023</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">A finales del siglo XV sale del taller zaragozano de los Hurus la traducción castellana de la His...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">A finales del siglo XV sale del taller zaragozano de los Hurus la traducción castellana de la Historia de los siete sabios de Roma. La obra, perteneciente a la rama occidental del Sendebar, recoge en su interior un conjunto de cuentos que, bajo la estructura de narración enmarcada, adquirió en Europa múltiples finalidades en latín y en lenguas vernáculas dependiendo de su contexto de recepción.<br /><br />Conservada en veinticuatro ediciones impresas, la obra disfrutó de gran éxito entre el público lector hasta el siglo XIX, momento en que ve su contenido reescrito en pliegos de cordel. La presente edición ofrece por primera vez el texto crítico a partir del cotejo de todos los testimonios existentes, con un estudio introductorio que da cuenta y analiza el periplo de esta colección de cuentos en las prensas hispánicas. 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Edición de Nuria Aranda García","translated_title":"","metadata":{"abstract":"A finales del siglo XV sale del taller zaragozano de los Hurus la traducción castellana de la Historia de los siete sabios de Roma. La obra, perteneciente a la rama occidental del Sendebar, recoge en su interior un conjunto de cuentos que, bajo la estructura de narración enmarcada, adquirió en Europa múltiples finalidades en latín y en lenguas vernáculas dependiendo de su contexto de recepción.\n\nConservada en veinticuatro ediciones impresas, la obra disfrutó de gran éxito entre el público lector hasta el siglo XIX, momento en que ve su contenido reescrito en pliegos de cordel. La presente edición ofrece por primera vez el texto crítico a partir del cotejo de todos los testimonios existentes, con un estudio introductorio que da cuenta y analiza el periplo de esta colección de cuentos en las prensas hispánicas. 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La presente edición ofrece por primera vez el texto crítico a partir del cotejo de todos los testimonios existentes, con un estudio introductorio que da cuenta y analiza el periplo de esta colección de cuentos en las prensas hispánicas. Con las raíces hundidas en Oriente, los Siete sabios de Roma se erige como ejemplo representativo del papel que tuvo el mundo de la imprenta en la pervivencia de obras literarias medievales hasta época contemporánea.","internal_url":"https://www.academia.edu/125617803/Libro_de_los_siete_sabios_de_Roma_Edici%C3%B3n_de_Nuria_Aranda_Garc%C3%ADa","translated_internal_url":"","created_at":"2024-11-17T01:54:13.666-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":35687562,"coauthors_can_edit":true,"document_type":"book","co_author_tags":[],"downloadable_attachments":[],"slug":"Libro_de_los_siete_sabios_de_Roma_Edición_de_Nuria_Aranda_García","translated_slug":"","page_count":null,"language":"es","content_type":"Work","owner":{"id":35687562,"first_name":"Nuria","middle_initials":null,"last_name":"Aranda García","page_name":"NuriaArandaGarcía","domain_name":"unizar","created_at":"2015-10-05T08:05:39.790-07:00","display_name":"Nuria Aranda García","url":"https://unizar.academia.edu/NuriaArandaGarc%C3%ADa"},"attachments":[],"research_interests":[{"id":4265,"name":"Scholarly Editions","url":"https://www.academia.edu/Documents/in/Scholarly_Editions"},{"id":212861,"name":"Sendebar","url":"https://www.academia.edu/Documents/in/Sendebar"}],"urls":[{"id":45659531,"url":"https://www.cilengua.es/tienda/publicacion/libro-de-los-siete-sabios-de-roma"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="125617741"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/125617741/Fray_Mart%C3%ADn_de_C%C3%B3rdoba_Jard%C3%ADn_de_nobles_doncellas_Edici%C3%B3n_introducci%C3%B3n_y_notas_de_Nuria_Aranda_Garc%C3%ADa"><img alt="Research paper thumbnail of Fray Martín de Córdoba. Jardín de nobles doncellas. Edición, introducción y notas de Nuria Aranda García" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/125617741/Fray_Mart%C3%ADn_de_C%C3%B3rdoba_Jard%C3%ADn_de_nobles_doncellas_Edici%C3%B3n_introducci%C3%B3n_y_notas_de_Nuria_Aranda_Garc%C3%ADa">Fray Martín de Córdoba. Jardín de nobles doncellas. Edición, introducción y notas de Nuria Aranda García</a></div><div class="wp-workCard_item"><span>Iberoamericana Vervuert</span><span>, 2024</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">El Jardín de nobles doncellas, compuesto por el agustino fray Martín de Córdoba a mediados del si...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">El Jardín de nobles doncellas, compuesto por el agustino fray Martín de Córdoba a mediados del siglo XV, solo se ha conservado en dos testimonios impresos datados ya en el siglo XVI. Gestado dentro en el contexto de los conflictos sucesorios que asolaron a la Corona de Castilla durante el reinado de Enrique IV, y con la joven Isabel como dedicataria, presenta la novedad de ser el primer espejo de princesas escrito en castellano y dirigido a una futura reina propietaria.<br />A través de estas páginas, se recorre el contexto de composición de la obra, las fuentes y los principales temas abordados por el tratado, al mismo tiempo que se indaga sobre los posibles ámbitos de recepción del texto ya en letras de molde. Orientado hacia un público lector femenino, se analizan también sus posibles vínculos de relación con los tratados formativos femeninos de los siglos XV y XVI. Cierra el conjunto la edición crítica del tratado, que ofrece el texto revisado a partir de todos los testimonios conservados, con una cuidada anotación, y que busca un trabajo filológico y ecdótico lo más preciso posible.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="125617741"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="125617741"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 125617741; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=125617741]").text(description); $(".js-view-count[data-work-id=125617741]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 125617741; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='125617741']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 125617741, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=125617741]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":125617741,"title":"Fray Martín de Córdoba. 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Orientado hacia un público lector femenino, se analizan también sus posibles vínculos de relación con los tratados formativos femeninos de los siglos XV y XVI. Cierra el conjunto la edición crítica del tratado, que ofrece el texto revisado a partir de todos los testimonios conservados, con una cuidada anotación, y que busca un trabajo filológico y ecdótico lo más preciso posible.","publication_date":{"day":null,"month":null,"year":2024,"errors":{}},"publication_name":"Iberoamericana Vervuert"},"translated_abstract":"El Jardín de nobles doncellas, compuesto por el agustino fray Martín de Córdoba a mediados del siglo XV, solo se ha conservado en dos testimonios impresos datados ya en el siglo XVI. Gestado dentro en el contexto de los conflictos sucesorios que asolaron a la Corona de Castilla durante el reinado de Enrique IV, y con la joven Isabel como dedicataria, presenta la novedad de ser el primer espejo de princesas escrito en castellano y dirigido a una futura reina propietaria.\nA través de estas páginas, se recorre el contexto de composición de la obra, las fuentes y los principales temas abordados por el tratado, al mismo tiempo que se indaga sobre los posibles ámbitos de recepción del texto ya en letras de molde. Orientado hacia un público lector femenino, se analizan también sus posibles vínculos de relación con los tratados formativos femeninos de los siglos XV y XVI. 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Una historia editorial a través del tiempo." class="work-thumbnail" src="https://attachments.academia-assets.com/73143508/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/59006626/Los_Siete_sabios_de_Roma_en_Espa%C3%B1a_siglos_XV_XX_Una_historia_editorial_a_trav%C3%A9s_del_tiempo">Los Siete sabios de Roma en España (siglos XV-XX). Una historia editorial a través del tiempo.</a></div><div class="wp-workCard_item"><span>Zaragoza, Prensas de la Universidad de Zaragoza</span><span>, 2021</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="53a837b0c229dfb5c52bb8a4bdc1fb73" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":73143508,"asset_id":59006626,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/73143508/download_file?st=MTczMzM0MTY4OCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="59006626"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="59006626"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 59006626; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=59006626]").text(description); $(".js-view-count[data-work-id=59006626]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 59006626; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='59006626']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 59006626, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "53a837b0c229dfb5c52bb8a4bdc1fb73" } } $('.js-work-strip[data-work-id=59006626]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":59006626,"title":"Los Siete sabios de Roma en España (siglos XV-XX). 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="30020545"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/30020545/Literatura_medieval_hispa_nica_en_la_imprenta_pdf"><img alt="Research paper thumbnail of Literatura medieval hispánica en la imprenta.pdf" class="work-thumbnail" src="https://attachments.academia-assets.com/50476596/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/30020545/Literatura_medieval_hispa_nica_en_la_imprenta_pdf">Literatura medieval hispánica en la imprenta.pdf</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unizar.academia.edu/Mar%C3%ADaJes%C3%BAsLacarra">María Jesús Lacarra</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unizar.academia.edu/NuriaArandaGarc%C3%ADa">Nuria Aranda García</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unict.academia.edu/GaetanoLalomia">Gaetano Lalomia</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unizar.academia.edu/ManuelJos%C3%A9PedrazaGracia">Manuel-José Pedraza-Gracia</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/SanzJuli%C3%A1nMar%C3%ADa">Sanz Julián, María</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">La literatura medieval hispánica en la imprenta (1475-1600), edición de María Jesús Lacarra, con ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">La literatura medieval hispánica en la imprenta (1475-1600), edición de María Jesús Lacarra, con la colaboración de Nuria Aranda García. 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Libro de los engaños e los asayamientos de las mugeres, ed. de David Arbesú, Newark, Juan de la Cuesta Hispanic Monographs, 2019. 152 pp. ISBN: 978-1-58871-339-1 (HB); 978-1-58871-340-7 (PB).</a></div><div class="wp-workCard_item"><span>Revista de poética medieval</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Reseña de la edición del Libro de los engaños e los asayamientos de las mugeres realizada por Dav...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Reseña de la edición del Libro de los engaños e los asayamientos de las mugeres realizada por David Arbesú y publicada en la editorial Juan de la Cuesta.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="1e43161a186163e44f68ff3f458f1af6" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":64109982,"asset_id":43793894,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/64109982/download_file?st=MTczMzM0MTY4OCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="43793894"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="43793894"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 43793894; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=43793894]").text(description); $(".js-view-count[data-work-id=43793894]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 43793894; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='43793894']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 43793894, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "1e43161a186163e44f68ff3f458f1af6" } } $('.js-work-strip[data-work-id=43793894]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":43793894,"title":"Sendebar. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="11079902" id="artículosdejanus"><div class="js-work-strip profile--work_container" data-work-id="46857793"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/46857793/Nuria_Aranda_Garc%C3%ADa_La_Historia_de_la_linda_Magalona_y_Pierres_de_Provenza_una_edici%C3%B3n_burgalesa_desconocida_nuevo_testimonio_en_su_transmisi%C3%B3n_editorial_"><img alt="Research paper thumbnail of Nuria Aranda García, "La Historia de la linda Magalona y Pierres de Provenza: una edición burgalesa desconocida, nuevo testimonio en su transmisión editorial"" class="work-thumbnail" src="https://attachments.academia-assets.com/66265428/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/46857793/Nuria_Aranda_Garc%C3%ADa_La_Historia_de_la_linda_Magalona_y_Pierres_de_Provenza_una_edici%C3%B3n_burgalesa_desconocida_nuevo_testimonio_en_su_transmisi%C3%B3n_editorial_">Nuria Aranda García, "La Historia de la linda Magalona y Pierres de Provenza: una edición burgalesa desconocida, nuevo testimonio en su transmisión editorial"</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://coruna.academia.edu/JanusEstudiossobreelSiglodeOro">Janus. Estudios sobre el Siglo de Oro</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://unizar.academia.edu/NuriaArandaGarc%C3%ADa">Nuria Aranda García</a></span></div><div class="wp-workCard_item"><span>Janus. Estudios sobre el Siglo de Oro</span><span>, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">La Historia de la linda Magalona, como texto traducido al castellano en el siglo XV, alcanzó gran...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">La Historia de la linda Magalona, como texto traducido al castellano en el siglo XV, alcanzó gran éxito editorial en la imprenta española emulando a su homólogo francés. En su difusión en el siglo XVI, los impresores supieron aprovechar la oportunidad para satisfacer el horizonte de expectativas de los lectores mediante la introducción de cambios que afectaron a su configuración material y a la iconografía de portada. El hallazgo de una nueva edición, salida de las prensas de Felipe de Junta en 1564, permite definir la obra en el conjunto de la producción de este impresor y su transmisión editorial en este siglo.<br />__________________________________________________________________________<br />The Historia de la linda Magalona, as a text translated into Spanish in the 15th century, achieved great editorial success in Spanish printing, emulating its French counterpart. During its dissemination in the 16th century, the printers took advantage of the opportunity to satisfy the readers' expectations by introducing changes that affected its material configuration and the iconography of the title page. The discovery of a new edition from the presses of Felipe de Junta in 1564 makes it possible to define the work in the context of this printer's production as a whole and its publishing transmission in this century.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="e7c07a0742f4fd1547183ed5db299ce2" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":66265428,"asset_id":46857793,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/66265428/download_file?st=MTczMzM0MTY4OCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="46857793"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="46857793"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 46857793; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=46857793]").text(description); $(".js-view-count[data-work-id=46857793]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 46857793; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='46857793']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 46857793, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "e7c07a0742f4fd1547183ed5db299ce2" } } $('.js-work-strip[data-work-id=46857793]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":46857793,"title":"Nuria Aranda García, \"La Historia de la linda Magalona y Pierres de Provenza: una edición burgalesa desconocida, nuevo testimonio en su transmisión editorial\"","translated_title":"","metadata":{"doi":"10.51472/JESO20211017","issue":"10","abstract":"La Historia de la linda Magalona, como texto traducido al castellano en el siglo XV, alcanzó gran éxito editorial en la imprenta española emulando a su homólogo francés. 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Genève, 5-7 mai 2022, dir. Constance Carta, Thalia Brero, Luana Bermudez, Belinda Palacios" class="work-thumbnail" src="https://attachments.academia-assets.com/83939303/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/76149225/Congr%C3%A8s_La_longue_vie_des_imprim%C3%A9s_%C3%A9ph%C3%A9m%C3%A8res_Gen%C3%A8ve_5_7_mai_2022_dir_Constance_Carta_Thalia_Brero_Luana_Bermudez_Belinda_Palacios">Congrès "La longue vie des imprimés éphémères". Genève, 5-7 mai 2022, dir. Constance Carta, Thalia Brero, Luana Bermudez, Belinda Palacios</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unine.academia.edu/ThaliaBrero">Thalia Brero</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unige.academia.edu/ConstanceCarta">Constance Carta</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://univ-tours.academia.edu/PaulAlexisMellet">Paul-Alexis Mellet</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unine.academia.edu/AlexandreGoderniaux">Alexandre Goderniaux</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://us.academia.edu/ManuRufoOlivares">Manuel Rufo Olivares</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/SanzJuli%C3%A1nMar%C3%ADa">Sanz Julián, María</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unizar.academia.edu/NuriaArandaGarc%C3%ADa">Nuria Aranda García</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://uv.academia.edu/ClaraBonetPonce">Clara Bonet Ponce</a></span></div><div class="wp-workCard_item"><span>https://ephemeragva2022.sciencesconf.org/</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">La production d’imprimés éphémères et bon marché des siècles passés mérite d’être étudiée avec at...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">La production d’imprimés éphémères et bon marché des siècles passés mérite d’être étudiée avec attention non seulement à cause de l’ampleur de ses tirages, mais aussi pour la diversité de ses contenus et pour les informations précieuses qu'elle apporte dans de nombreux domaines, notamment la culture populaire, la circulation des idées et l’histoire du livre. Souvent désignée par son statut de transport et de vente, elle est apparue conjointement à l’invention de l’imprimerie et l’a accompagnée jusqu’à des époques très récentes. Si les textes et récits publiés sous la forme d’éphémères imprimés survivent encore à certains endroits du globe, ils font désormais partie d’un passé révolu en Europe : la disparition d’une activité éditoriale traditionnelle, allant de pair avec la perte des objets imprimés eux-mêmes, nous pousse à leur étude et nous oblige à la conservation d’une mémoire qui se perd. Ce congrès se propose de faire le point sur la recherche actuellement menée en Europe occidentale et d’aborder cette production sous un angle transnational avec un spectre chronologique large. <br />Cette rencontre se veut internationale et interdisciplinaire, à l’image de son objet d’étude, qui traverse résolument les époques, les frontières géographiques et les genres littéraires, éditoriaux et artistiques. Des chapbooks anglais aux fogli volanti italiens, des pliegos de cordel et autres plecs de canya i cordeta ibériques, à la Bibliothèque bleue française et au Volksbuch allemand, nous souhaitons favoriser les échanges et créer des liens entre chercheuses et chercheurs d’horizons divers, qu’elles ou ils soient médiévistes, modernistes, sociologues, historien-ne-s de l’art, folkloristes, historien-ne-s de la littérature, de l’imprimé ou de la musique, ou encore spécialistes des humanités numériques. <br /> <br />Les trois journées de ce congrès s’articuleront autour de trois axes de recherche <br /> <br />• La mise en récit de l’événement : informer, divertir, édifier <br /> <br />Dès les années 1480, de courtes brochures à faible coût sortent des presses des imprimeurs occidentaux ; parmi elles, une proportion non négligeable porte sur l’actualité. Ces occasionnels rapportent couronnements et tremblements de terre, victoires militaires et comètes ; plus tard, s’y ajouteront les faits divers. Au cours du XVIe et du XVIIe siècle, les nouvelles abordées se font de plus en plus variées, et elles commencent à être réunies en gazettes, d’abord hebdomadaires, puis quotidiennes. Comment l’actualité politique, militaire, religieuse est-elle rapportée dans les imprimés bon marché et la littérature de colportage ? Quelle est la place accordée aux phénomènes naturels, aux faits divers ? Ces nouvelles sont-elles rapportées pour elles-mêmes ou servent-elles de support pour convaincre ? Sont-elles commentées, voire analysées ? Quelle est la part d’invention dans ces récits et comment s’y articulent réalité et fiction? <br /> <br />• L’imprimé et ses frontières : circulation internationale et spécificités culturelles <br /> <br />Charlemagne, Fierabras, Edmond Dantès ou encore l’Atala de Châteaubriand ne sont que quelques exemples parmi tant d’autres des personnages, thèmes et motifs littéraires qui ont franchi les limites géographiques et linguistiques sous la forme d’imprimés éphémères et qui ont fini par présenter des caractéristiques différentes selon les époques et les lieux d’impression. Nombreux sont aussi les exemples d’événements historiques plus ou moins fidèlement relatés qui ont connu une fortune transnationale. Dans ce panel seront attendues des contributions qui mettent l’accent sur la circulation, la traduction et l’adaptation de motifs littéraires ou de thèmes historiques, en vue de répondre aux questionnements suivants : que dire de la mobilité des textes (genre, matérialité, lectures, etc.) ? Quels types d’information traversent les frontières ? Pouvons-nous parler de spécificités culturelles selon le pays, la région ou l’aire confessionnelle d’impression ? Que peut-on dire de la circulation des images qui illustrent ces imprimés ? En ce qui concerne les traductions, quelles sont les omissions, additions, modifications apportées au texte et comment les expliquer ? <br /> <br />• L’actualité de la recherche <br /> <br />Depuis les études pionnières d’il y a plus d’un demi-siècle autour des imprimés éphémères, les recherches individuelles et de groupe se sont multipliées. On a reconnu la valeur littéraire, documentaire et matérielle de cette production pensée pour n’être pas conservée, on lui a consacré des ouvrages, on a commencé à en numériser de grands ensembles. Cependant, la majorité de ces travaux résultent d’initiatives individuelles, locales, souvent brèves, créant une constellation de centres aux approches et aux contenus divers et variés, qui empêchent une vision d’ensemble et un dialogue global. Or, il est nécessaire d’embrasser une perspective plus large – tant pour ce qui concerne l’étude du phénomène, que l’analyse des textes qui le composent et des images qui l’accompagnent. Les communications s’insérant dans cet axe s’attacheront à faire le point sur la recherche, à décrire des travaux en cours, leur objet, leur méthodologie, les problèmes rencontrés, les solutions envisagées pour les résoudre. Chaque projet de recherche sera illustré par un poster au format A0 exposé pendant toute la durée du congrès ; une poster-session sera par ailleurs sera organisée.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="31fa0a719990dc9383daa73bbeb5cfa1" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":83939303,"asset_id":76149225,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/83939303/download_file?st=MTczMzM0MTY4OCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="76149225"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="76149225"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 76149225; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=76149225]").text(description); $(".js-view-count[data-work-id=76149225]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 76149225; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='76149225']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 76149225, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "31fa0a719990dc9383daa73bbeb5cfa1" } } $('.js-work-strip[data-work-id=76149225]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":76149225,"title":"Congrès \"La longue vie des imprimés éphémères\". 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Si les textes et récits publiés sous la forme d’éphémères imprimés survivent encore à certains endroits du globe, ils font désormais partie d’un passé révolu en Europe : la disparition d’une activité éditoriale traditionnelle, allant de pair avec la perte des objets imprimés eux-mêmes, nous pousse à leur étude et nous oblige à la conservation d’une mémoire qui se perd. Ce congrès se propose de faire le point sur la recherche actuellement menée en Europe occidentale et d’aborder cette production sous un angle transnational avec un spectre chronologique large.\r\nCette rencontre se veut internationale et interdisciplinaire, à l’image de son objet d’étude, qui traverse résolument les époques, les frontières géographiques et les genres littéraires, éditoriaux et artistiques. Des chapbooks anglais aux fogli volanti italiens, des pliegos de cordel et autres plecs de canya i cordeta ibériques, à la Bibliothèque bleue française et au Volksbuch allemand, nous souhaitons favoriser les échanges et créer des liens entre chercheuses et chercheurs d’horizons divers, qu’elles ou ils soient médiévistes, modernistes, sociologues, historien-ne-s de l’art, folkloristes, historien-ne-s de la littérature, de l’imprimé ou de la musique, ou encore spécialistes des humanités numériques.\r\n\r\nLes trois journées de ce congrès s’articuleront autour de trois axes de recherche\r\n\r\n•\tLa mise en récit de l’événement : informer, divertir, édifier\r\n\r\nDès les années 1480, de courtes brochures à faible coût sortent des presses des imprimeurs occidentaux ; parmi elles, une proportion non négligeable porte sur l’actualité. Ces occasionnels rapportent couronnements et tremblements de terre, victoires militaires et comètes ; plus tard, s’y ajouteront les faits divers. Au cours du XVIe et du XVIIe siècle, les nouvelles abordées se font de plus en plus variées, et elles commencent à être réunies en gazettes, d’abord hebdomadaires, puis quotidiennes. Comment l’actualité politique, militaire, religieuse est-elle rapportée dans les imprimés bon marché et la littérature de colportage ? Quelle est la place accordée aux phénomènes naturels, aux faits divers ? Ces nouvelles sont-elles rapportées pour elles-mêmes ou servent-elles de support pour convaincre ? Sont-elles commentées, voire analysées ? Quelle est la part d’invention dans ces récits et comment s’y articulent réalité et fiction?\r\n\r\n•\tL’imprimé et ses frontières : circulation internationale et spécificités culturelles\r\n\r\nCharlemagne, Fierabras, Edmond Dantès ou encore l’Atala de Châteaubriand ne sont que quelques exemples parmi tant d’autres des personnages, thèmes et motifs littéraires qui ont franchi les limites géographiques et linguistiques sous la forme d’imprimés éphémères et qui ont fini par présenter des caractéristiques différentes selon les époques et les lieux d’impression. Nombreux sont aussi les exemples d’événements historiques plus ou moins fidèlement relatés qui ont connu une fortune transnationale. Dans ce panel seront attendues des contributions qui mettent l’accent sur la circulation, la traduction et l’adaptation de motifs littéraires ou de thèmes historiques, en vue de répondre aux questionnements suivants : que dire de la mobilité des textes (genre, matérialité, lectures, etc.) ? Quels types d’information traversent les frontières ? Pouvons-nous parler de spécificités culturelles selon le pays, la région ou l’aire confessionnelle d’impression ? Que peut-on dire de la circulation des images qui illustrent ces imprimés ? En ce qui concerne les traductions, quelles sont les omissions, additions, modifications apportées au texte et comment les expliquer ?\r\n\r\n•\tL’actualité de la recherche\r\n\r\nDepuis les études pionnières d’il y a plus d’un demi-siècle autour des imprimés éphémères, les recherches individuelles et de groupe se sont multipliées. On a reconnu la valeur littéraire, documentaire et matérielle de cette production pensée pour n’être pas conservée, on lui a consacré des ouvrages, on a commencé à en numériser de grands ensembles. 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Chaque projet de recherche sera illustré par un poster au format A0 exposé pendant toute la durée du congrès ; une poster-session sera par ailleurs sera organisée.\r\n\r\n","publication_name":"https://ephemeragva2022.sciencesconf.org/"},"translated_abstract":"La production d’imprimés éphémères et bon marché des siècles passés mérite d’être étudiée avec attention non seulement à cause de l’ampleur de ses tirages, mais aussi pour la diversité de ses contenus et pour les informations précieuses qu'elle apporte dans de nombreux domaines, notamment la culture populaire, la circulation des idées et l’histoire du livre. Souvent désignée par son statut de transport et de vente, elle est apparue conjointement à l’invention de l’imprimerie et l’a accompagnée jusqu’à des époques très récentes. Si les textes et récits publiés sous la forme d’éphémères imprimés survivent encore à certains endroits du globe, ils font désormais partie d’un passé révolu en Europe : la disparition d’une activité éditoriale traditionnelle, allant de pair avec la perte des objets imprimés eux-mêmes, nous pousse à leur étude et nous oblige à la conservation d’une mémoire qui se perd. Ce congrès se propose de faire le point sur la recherche actuellement menée en Europe occidentale et d’aborder cette production sous un angle transnational avec un spectre chronologique large.\r\nCette rencontre se veut internationale et interdisciplinaire, à l’image de son objet d’étude, qui traverse résolument les époques, les frontières géographiques et les genres littéraires, éditoriaux et artistiques. Des chapbooks anglais aux fogli volanti italiens, des pliegos de cordel et autres plecs de canya i cordeta ibériques, à la Bibliothèque bleue française et au Volksbuch allemand, nous souhaitons favoriser les échanges et créer des liens entre chercheuses et chercheurs d’horizons divers, qu’elles ou ils soient médiévistes, modernistes, sociologues, historien-ne-s de l’art, folkloristes, historien-ne-s de la littérature, de l’imprimé ou de la musique, ou encore spécialistes des humanités numériques.\r\n\r\nLes trois journées de ce congrès s’articuleront autour de trois axes de recherche\r\n\r\n•\tLa mise en récit de l’événement : informer, divertir, édifier\r\n\r\nDès les années 1480, de courtes brochures à faible coût sortent des presses des imprimeurs occidentaux ; parmi elles, une proportion non négligeable porte sur l’actualité. Ces occasionnels rapportent couronnements et tremblements de terre, victoires militaires et comètes ; plus tard, s’y ajouteront les faits divers. Au cours du XVIe et du XVIIe siècle, les nouvelles abordées se font de plus en plus variées, et elles commencent à être réunies en gazettes, d’abord hebdomadaires, puis quotidiennes. Comment l’actualité politique, militaire, religieuse est-elle rapportée dans les imprimés bon marché et la littérature de colportage ? Quelle est la place accordée aux phénomènes naturels, aux faits divers ? Ces nouvelles sont-elles rapportées pour elles-mêmes ou servent-elles de support pour convaincre ? Sont-elles commentées, voire analysées ? Quelle est la part d’invention dans ces récits et comment s’y articulent réalité et fiction?\r\n\r\n•\tL’imprimé et ses frontières : circulation internationale et spécificités culturelles\r\n\r\nCharlemagne, Fierabras, Edmond Dantès ou encore l’Atala de Châteaubriand ne sont que quelques exemples parmi tant d’autres des personnages, thèmes et motifs littéraires qui ont franchi les limites géographiques et linguistiques sous la forme d’imprimés éphémères et qui ont fini par présenter des caractéristiques différentes selon les époques et les lieux d’impression. Nombreux sont aussi les exemples d’événements historiques plus ou moins fidèlement relatés qui ont connu une fortune transnationale. Dans ce panel seront attendues des contributions qui mettent l’accent sur la circulation, la traduction et l’adaptation de motifs littéraires ou de thèmes historiques, en vue de répondre aux questionnements suivants : que dire de la mobilité des textes (genre, matérialité, lectures, etc.) ? Quels types d’information traversent les frontières ? Pouvons-nous parler de spécificités culturelles selon le pays, la région ou l’aire confessionnelle d’impression ? Que peut-on dire de la circulation des images qui illustrent ces imprimés ? En ce qui concerne les traductions, quelles sont les omissions, additions, modifications apportées au texte et comment les expliquer ?\r\n\r\n•\tL’actualité de la recherche\r\n\r\nDepuis les études pionnières d’il y a plus d’un demi-siècle autour des imprimés éphémères, les recherches individuelles et de groupe se sont multipliées. On a reconnu la valeur littéraire, documentaire et matérielle de cette production pensée pour n’être pas conservée, on lui a consacré des ouvrages, on a commencé à en numériser de grands ensembles. Cependant, la majorité de ces travaux résultent d’initiatives individuelles, locales, souvent brèves, créant une constellation de centres aux approches et aux contenus divers et variés, qui empêchent une vision d’ensemble et un dialogue global. Or, il est nécessaire d’embrasser une perspective plus large – tant pour ce qui concerne l’étude du phénomène, que l’analyse des textes qui le composent et des images qui l’accompagnent. Les communications s’insérant dans cet axe s’attacheront à faire le point sur la recherche, à décrire des travaux en cours, leur objet, leur méthodologie, les problèmes rencontrés, les solutions envisagées pour les résoudre. Chaque projet de recherche sera illustré par un poster au format A0 exposé pendant toute la durée du congrès ; une poster-session sera par ailleurs sera organisée.\r\n\r\n","internal_url":"https://www.academia.edu/76149225/Congr%C3%A8s_La_longue_vie_des_imprim%C3%A9s_%C3%A9ph%C3%A9m%C3%A8res_Gen%C3%A8ve_5_7_mai_2022_dir_Constance_Carta_Thalia_Brero_Luana_Bermudez_Belinda_Palacios","translated_internal_url":"","created_at":"2022-04-11T12:25:27.907-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":43999497,"coauthors_can_edit":true,"document_type":"talk","co_author_tags":[{"id":38016861,"work_id":76149225,"tagging_user_id":43999497,"tagged_user_id":51214436,"co_author_invite_id":null,"email":"m***o@gmail.com","affiliation":"Université de Genève","display_order":1,"name":"Constance Carta","title":"Congrès \"La longue vie des imprimés éphémères\". Genève, 5-7 mai 2022, dir. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="48266041"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/48266041/Congreso_Internacional_Humanidades_digitales_y_Estudios_Literarios_Hisp%C3%A1nicos_De_los_impresos_de_la_Edad_Moderna_a_las_ediciones_acad%C3%A9micas_digitales"><img alt="Research paper thumbnail of Congreso Internacional Humanidades digitales y Estudios Literarios Hispánicos: De los impresos de la Edad Moderna a las ediciones académicas digitales" class="work-thumbnail" src="https://attachments.academia-assets.com/66961350/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/48266041/Congreso_Internacional_Humanidades_digitales_y_Estudios_Literarios_Hisp%C3%A1nicos_De_los_impresos_de_la_Edad_Moderna_a_las_ediciones_acad%C3%A9micas_digitales">Congreso Internacional Humanidades digitales y Estudios Literarios Hispánicos: De los impresos de la Edad Moderna a las ediciones académicas digitales</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/RedAracneNodus">Red Aracne Nodus</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://coruna.academia.edu/MM">Mónica Martín Molares</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unizar.academia.edu/AnaJimenez">Ana-Milagros Jiménez Ruiz</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://unizar.academia.edu/NuriaArandaGarc%C3%ADa">Nuria Aranda García</a></span></div><div class="wp-workCard_item"><span>22-23 de junio</span><span>, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Congreso Internacional Humanidades Digitales y estudios literarios hispánicos. De los impresos de...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Congreso Internacional Humanidades Digitales y estudios literarios hispánicos. De los impresos de la Edad Moderna a las ediciones académicas digitales que tendrá lugar los días 22-23 de junio de 2021. La iniciativa se inscribe en el marco de las actividades del Dipartimento di Lingue e Letterature Straniere de la Università di Verona (Progetto di Eccellenza 2018-2022) y del proyecto PRIN 2017 Mapping Chivalry, y cuenta con el apoyo de los siguientes grupos de investigación: Progetto Mambrino (Verona), BIDISO (A Coruña), COMEDIC (Zaragoza). El congreso, que se dará de forma virtual a través de la plataforma Zoom, tiene como objetivo la integración de herramientas y recursos digitales con los estudios humanísticos, favoreciendo colaboraciones y difusión de resultados en consonancia con el contexto más amplio de las Digital Humanities europeas."</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="92b158c3804a58471dc042b9e58cd2bb" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":66961350,"asset_id":48266041,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/66961350/download_file?st=MTczMzM0MTY4OCw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="48266041"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="48266041"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 48266041; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=48266041]").text(description); $(".js-view-count[data-work-id=48266041]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 48266041; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='48266041']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 48266041, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "92b158c3804a58471dc042b9e58cd2bb" } } $('.js-work-strip[data-work-id=48266041]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":48266041,"title":"Congreso Internacional Humanidades digitales y Estudios Literarios Hispánicos: De los impresos de la Edad Moderna a las ediciones académicas digitales","translated_title":"","metadata":{"abstract":"Congreso Internacional Humanidades Digitales y estudios literarios hispánicos. 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