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Jahrhundert - Forschungsstand und Perspektiven</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Ankündigung: Wissenschaftlicher Workshop im Dehmelhaus Hamburg, 16./17.9.2021.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/44148189" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="5c9ce49db9c85cdffe48c70e4b2ffff1" rel="nofollow" data-download="{"attachment_id":67503449,"asset_id":44148189,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/67503449/download_file?st=MTczMjc3OTQ1NCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="53471137" href="https://uni-kiel.academia.edu/JuliaIlgner">Julia Ilgner</a><script data-card-contents-for-user="53471137" type="text/json">{"id":53471137,"first_name":"Julia","last_name":"Ilgner","domain_name":"uni-kiel","page_name":"JuliaIlgner","display_name":"Julia Ilgner","profile_url":"https://uni-kiel.academia.edu/JuliaIlgner?f_ri=16787","photo":"https://0.academia-photos.com/53471137/17251906/18482122/s65_julia.ilgner.jpg"}</script></span></span></li><li class="js-paper-rank-work_44148189 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="44148189"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 44148189, container: ".js-paper-rank-work_44148189", }); 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class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_36359509" data-work_id="36359509" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/36359509/_Du_Lo%C3%AFe_Fuller_peint_la_critique_dart_de_Georges_Rodenbach_au_prisme_de_Lo%C3%AFe_Fuller">"Du Loïe Fuller peint" : la critique d'art de Georges Rodenbach au prisme de Loïe Fuller</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Georges Rodenbach regarderait la peinture de Jules Chéret et d’Albert Besnard au prisme de la danse de Loïe Fuller : telle est l’hypothèse de cet article. Les correspondances suggérées entre danse et peinture par un subtil travail... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_36359509" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Georges Rodenbach regarderait la peinture de Jules Chéret et d’Albert Besnard au prisme de la danse de Loïe Fuller : telle est l’hypothèse de cet article. Les correspondances suggérées entre danse et peinture par un subtil travail d’écriture permettent de dessiner les contours d’une esthétique moderne caractérisée par le travail sur la couleur, l’usage de l’électricité et un processus d’abstraction des formes qui rejoint la réflexion symboliste sur le rythme.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/36359509" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="4405305" href="https://faidherbe.academia.edu/CyrilBarde">Cyril Barde</a><script data-card-contents-for-user="4405305" type="text/json">{"id":4405305,"first_name":"Cyril","last_name":"Barde","domain_name":"faidherbe","page_name":"CyrilBarde","display_name":"Cyril Barde","profile_url":"https://faidherbe.academia.edu/CyrilBarde?f_ri=16787","photo":"https://0.academia-photos.com/4405305/2140559/126675559/s65_cyril.barde.jpg"}</script></span></span></li><li class="js-paper-rank-work_36359509 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="36359509"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 36359509, container: ".js-paper-rank-work_36359509", }); 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$(".js-view-count[data-work-id=36359509]").text(description); $(".js-view-count-work_36359509").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_36359509").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="36359509"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">7</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="1556" href="https://www.academia.edu/Documents/in/Dance_Studies">Dance Studies</a>, <script data-card-contents-for-ri="1556" type="text/json">{"id":1556,"name":"Dance Studies","url":"https://www.academia.edu/Documents/in/Dance_Studies?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="7370" href="https://www.academia.edu/Documents/in/Symbolism">Symbolism</a>, <script data-card-contents-for-ri="7370" type="text/json">{"id":7370,"name":"Symbolism","url":"https://www.academia.edu/Documents/in/Symbolism?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="15749" href="https://www.academia.edu/Documents/in/Art_Criticism">Art Criticism</a>, <script data-card-contents-for-ri="15749" type="text/json">{"id":15749,"name":"Art Criticism","url":"https://www.academia.edu/Documents/in/Art_Criticism?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16787" href="https://www.academia.edu/Documents/in/Fin_de_Siecle_Literature_and_Culture">Fin de Siecle Literature & Culture</a><script data-card-contents-for-ri="16787" type="text/json">{"id":16787,"name":"Fin de Siecle Literature \u0026 Culture","url":"https://www.academia.edu/Documents/in/Fin_de_Siecle_Literature_and_Culture?f_ri=16787","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=36359509]'), work: {"id":36359509,"title":"\"Du Loïe Fuller peint\" : la critique d'art de Georges Rodenbach au prisme de Loïe Fuller","created_at":"2018-04-08T09:22:20.524-07:00","url":"https://www.academia.edu/36359509/_Du_Lo%C3%AFe_Fuller_peint_la_critique_dart_de_Georges_Rodenbach_au_prisme_de_Lo%C3%AFe_Fuller?f_ri=16787","dom_id":"work_36359509","summary":"Georges Rodenbach regarderait la peinture de Jules Chéret et d’Albert Besnard au prisme de la danse de Loïe Fuller : telle est l’hypothèse de cet article. Les correspondances suggérées entre danse et peinture par un subtil travail d’écriture permettent de dessiner les contours d’une esthétique moderne caractérisée par le travail sur la couleur, l’usage de l’électricité et un processus d’abstraction des formes qui rejoint la réflexion symboliste sur le rythme.","downloadable_attachments":[],"ordered_authors":[{"id":4405305,"first_name":"Cyril","last_name":"Barde","domain_name":"faidherbe","page_name":"CyrilBarde","display_name":"Cyril Barde","profile_url":"https://faidherbe.academia.edu/CyrilBarde?f_ri=16787","photo":"https://0.academia-photos.com/4405305/2140559/126675559/s65_cyril.barde.jpg"}],"research_interests":[{"id":1556,"name":"Dance Studies","url":"https://www.academia.edu/Documents/in/Dance_Studies?f_ri=16787","nofollow":false},{"id":7370,"name":"Symbolism","url":"https://www.academia.edu/Documents/in/Symbolism?f_ri=16787","nofollow":false},{"id":15749,"name":"Art Criticism","url":"https://www.academia.edu/Documents/in/Art_Criticism?f_ri=16787","nofollow":false},{"id":16787,"name":"Fin de Siecle Literature \u0026 Culture","url":"https://www.academia.edu/Documents/in/Fin_de_Siecle_Literature_and_Culture?f_ri=16787","nofollow":false},{"id":37398,"name":"Decadence (Literature)","url":"https://www.academia.edu/Documents/in/Decadence_Literature_?f_ri=16787"},{"id":341664,"name":"Loie Fuller","url":"https://www.academia.edu/Documents/in/Loie_Fuller?f_ri=16787"},{"id":386215,"name":"Rodenbach","url":"https://www.academia.edu/Documents/in/Rodenbach?f_ri=16787"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_35179154" data-work_id="35179154" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/35179154/Review_An_Anthology_of_Spanish_American_Modernismo_ed_Kelly_Washbourne">Review: An Anthology of Spanish American Modernismo, ed. Kelly Washbourne</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">With the literary movement known as Modernismo, writers from the Americas claimed a space at the vanguard of artistic developments in the Hispanic world. By adopting elements of Symbolism and Parnassianism, they made a forceful... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_35179154" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">With the literary movement known as Modernismo, writers from the Americas claimed a space at the vanguard of artistic developments in the Hispanic world. By adopting elements of  Symbolism and Parnassianism, they made a forceful declaration of Spanish America's cultural independence vis-à-vis Spain; they reinvigorated the poetic lexicon and retooled Spanish prosody. This review looks at a new translated anthology of Modernismo, finding that while the translations sometimes play up themes and stylistic features appealing to twenty-first century readers, they by and large present a compelling and much-needed overview of the movement for English-speaking audiences. Some aspects of the anthology, such as its treatment of gender, come as a welcome corrective.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/35179154" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="e5650f11380dcf529509ee95f5fd0607" rel="nofollow" data-download="{"attachment_id":55039885,"asset_id":35179154,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/55039885/download_file?st=MTczMjc3OTQ1NCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="46634264" href="https://cpp.academia.edu/KentDickson">Kent L Dickson</a><script data-card-contents-for-user="46634264" type="text/json">{"id":46634264,"first_name":"Kent","last_name":"Dickson","domain_name":"cpp","page_name":"KentDickson","display_name":"Kent L Dickson","profile_url":"https://cpp.academia.edu/KentDickson?f_ri=16787","photo":"https://0.academia-photos.com/46634264/12953075/18301727/s65_kent.dickson.jpg"}</script></span></span></li><li class="js-paper-rank-work_35179154 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="35179154"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 35179154, container: ".js-paper-rank-work_35179154", }); 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$(".js-view-count[data-work-id=35179154]").text(description); $(".js-view-count-work_35179154").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_35179154").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="35179154"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">7</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="9792" href="https://www.academia.edu/Documents/in/Translation_of_Poetry">Translation of Poetry</a>, <script data-card-contents-for-ri="9792" type="text/json">{"id":9792,"name":"Translation of Poetry","url":"https://www.academia.edu/Documents/in/Translation_of_Poetry?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="12957" href="https://www.academia.edu/Documents/in/Latin_American_literature">Latin American literature</a>, <script data-card-contents-for-ri="12957" type="text/json">{"id":12957,"name":"Latin American literature","url":"https://www.academia.edu/Documents/in/Latin_American_literature?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16787" href="https://www.academia.edu/Documents/in/Fin_de_Siecle_Literature_and_Culture">Fin de Siecle Literature & Culture</a>, <script data-card-contents-for-ri="16787" type="text/json">{"id":16787,"name":"Fin de Siecle Literature \u0026 Culture","url":"https://www.academia.edu/Documents/in/Fin_de_Siecle_Literature_and_Culture?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="53530" href="https://www.academia.edu/Documents/in/Modernismo_Spanish_and_Latin_American_Modernism">Modernismo, Spanish and Latin American Modernism</a><script data-card-contents-for-ri="53530" type="text/json">{"id":53530,"name":"Modernismo, Spanish and Latin American Modernism","url":"https://www.academia.edu/Documents/in/Modernismo_Spanish_and_Latin_American_Modernism?f_ri=16787","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=35179154]'), work: {"id":35179154,"title":"Review: An Anthology of Spanish American Modernismo, ed. Kelly Washbourne","created_at":"2017-11-17T23:47:38.378-08:00","url":"https://www.academia.edu/35179154/Review_An_Anthology_of_Spanish_American_Modernismo_ed_Kelly_Washbourne?f_ri=16787","dom_id":"work_35179154","summary":"With the literary movement known as Modernismo, writers from the Americas claimed a space at the vanguard of artistic developments in the Hispanic world. By adopting elements of Symbolism and Parnassianism, they made a forceful declaration of Spanish America's cultural independence vis-à-vis Spain; they reinvigorated the poetic lexicon and retooled Spanish prosody. This review looks at a new translated anthology of Modernismo, finding that while the translations sometimes play up themes and stylistic features appealing to twenty-first century readers, they by and large present a compelling and much-needed overview of the movement for English-speaking audiences. Some aspects of the anthology, such as its treatment of gender, come as a welcome corrective.","downloadable_attachments":[{"id":55039885,"asset_id":35179154,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":46634264,"first_name":"Kent","last_name":"Dickson","domain_name":"cpp","page_name":"KentDickson","display_name":"Kent L Dickson","profile_url":"https://cpp.academia.edu/KentDickson?f_ri=16787","photo":"https://0.academia-photos.com/46634264/12953075/18301727/s65_kent.dickson.jpg"}],"research_interests":[{"id":9792,"name":"Translation of Poetry","url":"https://www.academia.edu/Documents/in/Translation_of_Poetry?f_ri=16787","nofollow":false},{"id":12957,"name":"Latin American literature","url":"https://www.academia.edu/Documents/in/Latin_American_literature?f_ri=16787","nofollow":false},{"id":16787,"name":"Fin de Siecle Literature \u0026 Culture","url":"https://www.academia.edu/Documents/in/Fin_de_Siecle_Literature_and_Culture?f_ri=16787","nofollow":false},{"id":53530,"name":"Modernismo, Spanish and Latin American Modernism","url":"https://www.academia.edu/Documents/in/Modernismo_Spanish_and_Latin_American_Modernism?f_ri=16787","nofollow":false},{"id":56989,"name":"Latin America","url":"https://www.academia.edu/Documents/in/Latin_America?f_ri=16787"},{"id":80958,"name":"Latin American Poetry","url":"https://www.academia.edu/Documents/in/Latin_American_Poetry?f_ri=16787"},{"id":779779,"name":"Modernismo Hispanoamericano","url":"https://www.academia.edu/Documents/in/Modernismo_Hispanoamericano?f_ri=16787"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_11124987" data-work_id="11124987" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/11124987/Degeneration_decadence_and_disease_in_the_Russian_fin_de_si%C3%A8cle_Neurasthenia_in_the_life_and_work_of_Leonid_Andreev">Degeneration, decadence and disease in the Russian fin de siècle. Neurasthenia in the life and work of Leonid Andreev</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Early in the twentieth century, Russia was experiencing a decadent period of cultural degeneration just as science was developing ways to identify medical conditions which supposedly reflected the health of the entire nation. Leonid... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_11124987" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Early in the twentieth century, Russia was experiencing a decadent period of cultural degeneration just as science was developing ways to identify medical conditions which supposedly reflected the health of the entire nation. Leonid Andreev, the leading literary figure of his time, stepped into the breach of this scientific discourse with literary works about degenerates. The spirited social debates on mental illness, morality and sexual deviance which resulted from these works became part of the ongoing battle over the definition and depiction of the irrational, complicated by Andreev’s own publicised bouts with neurasthenia. <br /> <br />This book examines the concept of pathology in Russia, the influence of European medical discourse, the development of Russian psychiatry, and the role that it had in popular culture, by investigating the life and works of Andreev. It engages the emergence of psychiatry and the role that art played in the development of this objective science.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/11124987" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="8814d1c333ee2de4f93ea43028d6a6a8" rel="nofollow" data-download="{"attachment_id":113566799,"asset_id":11124987,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/113566799/download_file?st=MTczMjc3OTQ1NCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="26859401" href="https://uvu.academia.edu/FrederickWhite">Frederick H White</a><script data-card-contents-for-user="26859401" type="text/json">{"id":26859401,"first_name":"Frederick","last_name":"White","domain_name":"uvu","page_name":"FrederickWhite","display_name":"Frederick H White","profile_url":"https://uvu.academia.edu/FrederickWhite?f_ri=16787","photo":"https://0.academia-photos.com/26859401/7529036/103679418/s65_frederick.white.jpg"}</script></span></span></li><li class="js-paper-rank-work_11124987 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="11124987"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 11124987, container: ".js-paper-rank-work_11124987", }); 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$(".js-view-count[data-work-id=11124987]").text(description); $(".js-view-count-work_11124987").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_11124987").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="11124987"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">20</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="389" href="https://www.academia.edu/Documents/in/Russian_Studies">Russian Studies</a>, <script data-card-contents-for-ri="389" type="text/json">{"id":389,"name":"Russian Studies","url":"https://www.academia.edu/Documents/in/Russian_Studies?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="667" href="https://www.academia.edu/Documents/in/Russian_Literature">Russian Literature</a>, <script data-card-contents-for-ri="667" type="text/json">{"id":667,"name":"Russian Literature","url":"https://www.academia.edu/Documents/in/Russian_Literature?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="6182" href="https://www.academia.edu/Documents/in/History_of_Psychiatry">History of Psychiatry</a>, <script data-card-contents-for-ri="6182" type="text/json">{"id":6182,"name":"History of Psychiatry","url":"https://www.academia.edu/Documents/in/History_of_Psychiatry?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="6557" href="https://www.academia.edu/Documents/in/Medical_Humanities">Medical Humanities</a><script data-card-contents-for-ri="6557" type="text/json">{"id":6557,"name":"Medical Humanities","url":"https://www.academia.edu/Documents/in/Medical_Humanities?f_ri=16787","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=11124987]'), work: {"id":11124987,"title":"Degeneration, decadence and disease in the Russian fin de siècle. Neurasthenia in the life and work of Leonid Andreev","created_at":"2015-02-26T15:48:51.444-08:00","url":"https://www.academia.edu/11124987/Degeneration_decadence_and_disease_in_the_Russian_fin_de_si%C3%A8cle_Neurasthenia_in_the_life_and_work_of_Leonid_Andreev?f_ri=16787","dom_id":"work_11124987","summary":"Early in the twentieth century, Russia was experiencing a decadent period of cultural degeneration just as science was developing ways to identify medical conditions which supposedly reflected the health of the entire nation. Leonid Andreev, the leading literary figure of his time, stepped into the breach of this scientific discourse with literary works about degenerates. The spirited social debates on mental illness, morality and sexual deviance which resulted from these works became part of the ongoing battle over the definition and depiction of the irrational, complicated by Andreev’s own publicised bouts with neurasthenia.\r\n\r\nThis book examines the concept of pathology in Russia, the influence of European medical discourse, the development of Russian psychiatry, and the role that it had in popular culture, by investigating the life and works of Andreev. It engages the emergence of psychiatry and the role that art played in the development of this objective science.","downloadable_attachments":[{"id":113566799,"asset_id":11124987,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":26859401,"first_name":"Frederick","last_name":"White","domain_name":"uvu","page_name":"FrederickWhite","display_name":"Frederick H White","profile_url":"https://uvu.academia.edu/FrederickWhite?f_ri=16787","photo":"https://0.academia-photos.com/26859401/7529036/103679418/s65_frederick.white.jpg"}],"research_interests":[{"id":389,"name":"Russian Studies","url":"https://www.academia.edu/Documents/in/Russian_Studies?f_ri=16787","nofollow":false},{"id":667,"name":"Russian Literature","url":"https://www.academia.edu/Documents/in/Russian_Literature?f_ri=16787","nofollow":false},{"id":6182,"name":"History of Psychiatry","url":"https://www.academia.edu/Documents/in/History_of_Psychiatry?f_ri=16787","nofollow":false},{"id":6557,"name":"Medical Humanities","url":"https://www.academia.edu/Documents/in/Medical_Humanities?f_ri=16787","nofollow":false},{"id":13229,"name":"History Of Madness And Psychiatry","url":"https://www.academia.edu/Documents/in/History_Of_Madness_And_Psychiatry?f_ri=16787"},{"id":14868,"name":"Literature And Science","url":"https://www.academia.edu/Documents/in/Literature_And_Science?f_ri=16787"},{"id":16787,"name":"Fin de Siecle Literature \u0026 Culture","url":"https://www.academia.edu/Documents/in/Fin_de_Siecle_Literature_and_Culture?f_ri=16787"},{"id":18759,"name":"The Russian Silver Age","url":"https://www.academia.edu/Documents/in/The_Russian_Silver_Age?f_ri=16787"},{"id":29834,"name":"Illness Narrative","url":"https://www.academia.edu/Documents/in/Illness_Narrative?f_ri=16787"},{"id":35141,"name":"Mental Illness","url":"https://www.academia.edu/Documents/in/Mental_Illness?f_ri=16787"},{"id":37398,"name":"Decadence (Literature)","url":"https://www.academia.edu/Documents/in/Decadence_Literature_?f_ri=16787"},{"id":40318,"name":"Leo Tolstoy","url":"https://www.academia.edu/Documents/in/Leo_Tolstoy?f_ri=16787"},{"id":78089,"name":"Decadence","url":"https://www.academia.edu/Documents/in/Decadence?f_ri=16787"},{"id":84149,"name":"Fin-de-Siècle Culture","url":"https://www.academia.edu/Documents/in/Fin-de-Siecle_Culture?f_ri=16787"},{"id":89069,"name":"Russian Modernism","url":"https://www.academia.edu/Documents/in/Russian_Modernism?f_ri=16787"},{"id":246524,"name":"Illness narratives","url":"https://www.academia.edu/Documents/in/Illness_narratives?f_ri=16787"},{"id":436755,"name":"Degeneration","url":"https://www.academia.edu/Documents/in/Degeneration?f_ri=16787"},{"id":765024,"name":"Leonid Andreev","url":"https://www.academia.edu/Documents/in/Leonid_Andreev?f_ri=16787"},{"id":1349182,"name":"History of Russian Psychology (XX C.)","url":"https://www.academia.edu/Documents/in/History_of_Russian_Psychology_XX_C._?f_ri=16787"},{"id":2715481,"name":"Леонид Андреев","url":"https://www.academia.edu/Documents/in/%D0%9B%D0%B5%D0%BE%D0%BD%D0%B8%D0%B4_%D0%90%D0%BD%D0%B4%D1%80%D0%B5%D0%B5%D0%B2?f_ri=16787"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_7846896" data-work_id="7846896" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/7846896/Victorian_Time_Technologies_Standardizations_Catastrophes">Victorian Time: Technologies, Standardizations, Catastrophes</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Victorian Time: Technologies, Standardizations, Catastrophes is a collection of essays that reflect on how the literature of the Victorian era engaged with new ways of thinking about time. These essays examine how Victorian fiction... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_7846896" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Victorian Time: Technologies, Standardizations, Catastrophes is a collection of essays that reflect on how the literature of the Victorian era engaged with new ways of thinking about time. These essays examine how Victorian fiction registers the psychological adjustment involved in keeping pace with industrial time as time-saving technologies aimed at making economic life more efficient, signalling the dawn of a new age of accelerated time. Examining canonical realist novels, popular literature and science fiction, these essays reveal an often ambivalent and complex response to the onset of 'industrial time' and the birth of a modern time-consciousness. Documenting the era's literary responses to the impact and rate of industrial progress and the potentialities of technology these essays trace the Victorians' radical shift in time perception from industrial novels at the onset of industrialization through to fin de siècle narratives of dystopia and apocalypse. <br /> <br /> <br />'Victorian Time provides a compelling, informative, and thorough study of Victorian literature in an age of rapid temporal change, and it is attentive to temporality across a range of topics that include media, science, technology, and colonialism. Ambitious in scope and precise in detail, this collection is a valuable contribution to scholarship on Victorian time in all of its multiplicity and complication.' - Barbara Barrow, Victorian Periodicals Review</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/7846896" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="7042e7e839229b8e042a8a2265876e56" rel="nofollow" data-download="{"attachment_id":63617454,"asset_id":7846896,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/63617454/download_file?st=MTczMjc3OTQ1NCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="13526224" href="https://lhu.academia.edu/TrishFerguson">Trish Ferguson</a><script data-card-contents-for-user="13526224" type="text/json">{"id":13526224,"first_name":"Trish","last_name":"Ferguson","domain_name":"lhu","page_name":"TrishFerguson","display_name":"Trish Ferguson","profile_url":"https://lhu.academia.edu/TrishFerguson?f_ri=16787","photo":"https://0.academia-photos.com/13526224/3783348/11391055/s65_trish.ferguson.jpg"}</script></span></span></li><li class="js-paper-rank-work_7846896 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="7846896"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 7846896, container: ".js-paper-rank-work_7846896", }); });</script></li><li class="js-percentile-work_7846896 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 7846896; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_7846896"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_7846896 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="7846896"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 7846896; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=7846896]").text(description); $(".js-view-count-work_7846896").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_7846896").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="7846896"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">8</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="14055" href="https://www.academia.edu/Documents/in/Science_Technology_and_Literature">Science, Technology and Literature</a>, <script data-card-contents-for-ri="14055" type="text/json">{"id":14055,"name":"Science, Technology and Literature","url":"https://www.academia.edu/Documents/in/Science_Technology_and_Literature?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16787" href="https://www.academia.edu/Documents/in/Fin_de_Siecle_Literature_and_Culture">Fin de Siecle Literature & Culture</a>, <script data-card-contents-for-ri="16787" type="text/json">{"id":16787,"name":"Fin de Siecle Literature \u0026 Culture","url":"https://www.academia.edu/Documents/in/Fin_de_Siecle_Literature_and_Culture?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="45650" href="https://www.academia.edu/Documents/in/Joseph_Conrad">Joseph Conrad</a>, <script data-card-contents-for-ri="45650" type="text/json">{"id":45650,"name":"Joseph Conrad","url":"https://www.academia.edu/Documents/in/Joseph_Conrad?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="55312" href="https://www.academia.edu/Documents/in/Industrialization">Industrialization</a><script data-card-contents-for-ri="55312" type="text/json">{"id":55312,"name":"Industrialization","url":"https://www.academia.edu/Documents/in/Industrialization?f_ri=16787","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=7846896]'), work: {"id":7846896,"title":"Victorian Time: Technologies, Standardizations, Catastrophes","created_at":"2014-08-01T23:35:08.772-07:00","url":"https://www.academia.edu/7846896/Victorian_Time_Technologies_Standardizations_Catastrophes?f_ri=16787","dom_id":"work_7846896","summary":"Victorian Time: Technologies, Standardizations, Catastrophes is a collection of essays that reflect on how the literature of the Victorian era engaged with new ways of thinking about time. These essays examine how Victorian fiction registers the psychological adjustment involved in keeping pace with industrial time as time-saving technologies aimed at making economic life more efficient, signalling the dawn of a new age of accelerated time. Examining canonical realist novels, popular literature and science fiction, these essays reveal an often ambivalent and complex response to the onset of 'industrial time' and the birth of a modern time-consciousness. Documenting the era's literary responses to the impact and rate of industrial progress and the potentialities of technology these essays trace the Victorians' radical shift in time perception from industrial novels at the onset of industrialization through to fin de siècle narratives of dystopia and apocalypse.\r\n\r\n\r\n'Victorian Time provides a compelling, informative, and thorough study of Victorian literature in an age of rapid temporal change, and it is attentive to temporality across a range of topics that include media, science, technology, and colonialism. Ambitious in scope and precise in detail, this collection is a valuable contribution to scholarship on Victorian time in all of its multiplicity and complication.' - Barbara Barrow, Victorian Periodicals Review","downloadable_attachments":[{"id":63617454,"asset_id":7846896,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":13526224,"first_name":"Trish","last_name":"Ferguson","domain_name":"lhu","page_name":"TrishFerguson","display_name":"Trish Ferguson","profile_url":"https://lhu.academia.edu/TrishFerguson?f_ri=16787","photo":"https://0.academia-photos.com/13526224/3783348/11391055/s65_trish.ferguson.jpg"}],"research_interests":[{"id":14055,"name":"Science, Technology and Literature","url":"https://www.academia.edu/Documents/in/Science_Technology_and_Literature?f_ri=16787","nofollow":false},{"id":16787,"name":"Fin de Siecle Literature \u0026 Culture","url":"https://www.academia.edu/Documents/in/Fin_de_Siecle_Literature_and_Culture?f_ri=16787","nofollow":false},{"id":45650,"name":"Joseph Conrad","url":"https://www.academia.edu/Documents/in/Joseph_Conrad?f_ri=16787","nofollow":false},{"id":55312,"name":"Industrialization","url":"https://www.academia.edu/Documents/in/Industrialization?f_ri=16787","nofollow":false},{"id":65561,"name":"Charles Dickens","url":"https://www.academia.edu/Documents/in/Charles_Dickens?f_ri=16787"},{"id":399612,"name":"H.G. Wells","url":"https://www.academia.edu/Documents/in/H.G._Wells?f_ri=16787"},{"id":427803,"name":"Apocalypse in Literature, Film and Art","url":"https://www.academia.edu/Documents/in/Apocalypse_in_Literature_Film_and_Art?f_ri=16787"},{"id":883841,"name":"H. Rider Haggard","url":"https://www.academia.edu/Documents/in/H._Rider_Haggard?f_ri=16787"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_5510649" data-work_id="5510649" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/5510649/Charles_Conder_Short_Biography">Charles Conder, Short Biography</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/5510649" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="bd58041b73583fb4b85ad12c484b9041" rel="nofollow" data-download="{"attachment_id":32614273,"asset_id":5510649,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/32614273/download_file?st=MTczMjc3OTQ1NCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="265860" href="https://open.academia.edu/SamuelShaw">Samuel Shaw</a><script data-card-contents-for-user="265860" type="text/json">{"id":265860,"first_name":"Samuel","last_name":"Shaw","domain_name":"open","page_name":"SamuelShaw","display_name":"Samuel Shaw","profile_url":"https://open.academia.edu/SamuelShaw?f_ri=16787","photo":"https://0.academia-photos.com/265860/63204/11857103/s65_samuel.shaw.jpg"}</script></span></span></li><li class="js-paper-rank-work_5510649 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="5510649"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 5510649, container: ".js-paper-rank-work_5510649", }); });</script></li><li class="js-percentile-work_5510649 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span 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$(".js-view-count[data-work-id=5510649]").text(description); $(".js-view-count-work_5510649").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_5510649").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="5510649"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="16787" href="https://www.academia.edu/Documents/in/Fin_de_Siecle_Literature_and_Culture">Fin de Siecle Literature & Culture</a>, <script data-card-contents-for-ri="16787" type="text/json">{"id":16787,"name":"Fin de Siecle Literature \u0026 Culture","url":"https://www.academia.edu/Documents/in/Fin_de_Siecle_Literature_and_Culture?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="40346" href="https://www.academia.edu/Documents/in/Australian_art">Australian art</a>, <script data-card-contents-for-ri="40346" type="text/json">{"id":40346,"name":"Australian art","url":"https://www.academia.edu/Documents/in/Australian_art?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="83287" href="https://www.academia.edu/Documents/in/British_Art_since_1830">British Art since 1830</a>, <script data-card-contents-for-ri="83287" type="text/json">{"id":83287,"name":"British Art since 1830","url":"https://www.academia.edu/Documents/in/British_Art_since_1830?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="84149" href="https://www.academia.edu/Documents/in/Fin-de-Siecle_Culture">Fin-de-Siècle Culture</a><script data-card-contents-for-ri="84149" type="text/json">{"id":84149,"name":"Fin-de-Siècle Culture","url":"https://www.academia.edu/Documents/in/Fin-de-Siecle_Culture?f_ri=16787","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=5510649]'), work: {"id":5510649,"title":"Charles Conder, Short Biography","created_at":"2013-12-23T04:34:07.077-08:00","url":"https://www.academia.edu/5510649/Charles_Conder_Short_Biography?f_ri=16787","dom_id":"work_5510649","summary":null,"downloadable_attachments":[{"id":32614273,"asset_id":5510649,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":265860,"first_name":"Samuel","last_name":"Shaw","domain_name":"open","page_name":"SamuelShaw","display_name":"Samuel Shaw","profile_url":"https://open.academia.edu/SamuelShaw?f_ri=16787","photo":"https://0.academia-photos.com/265860/63204/11857103/s65_samuel.shaw.jpg"}],"research_interests":[{"id":16787,"name":"Fin de Siecle Literature \u0026 Culture","url":"https://www.academia.edu/Documents/in/Fin_de_Siecle_Literature_and_Culture?f_ri=16787","nofollow":false},{"id":40346,"name":"Australian art","url":"https://www.academia.edu/Documents/in/Australian_art?f_ri=16787","nofollow":false},{"id":83287,"name":"British Art since 1830","url":"https://www.academia.edu/Documents/in/British_Art_since_1830?f_ri=16787","nofollow":false},{"id":84149,"name":"Fin-de-Siècle Culture","url":"https://www.academia.edu/Documents/in/Fin-de-Siecle_Culture?f_ri=16787","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_33311953" data-work_id="33311953" itemscope="itemscope" 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class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/9303510/Illustrierte_Zeitschriften_um_1900_Mediale_Eigenlogik_Multimodalit%C3%A4t_und_Metaisierung">Illustrierte Zeitschriften um 1900. Mediale Eigenlogik, Multimodalität und Metaisierung</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Die Zeitschriftenforschung hat sich zu einem produktiven und interdisziplinär verzweigten Arbeitsfeld entwickelt. Auffallend ist dabei jedoch die bislang geringe Beachtung der multimodalen Beschaffenheit des Mediums. Die Beiträger_innen... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_9303510" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Die Zeitschriftenforschung hat sich zu einem produktiven und interdisziplinär verzweigten Arbeitsfeld entwickelt. Auffallend ist dabei jedoch die bislang geringe Beachtung der multimodalen Beschaffenheit des Mediums. Die Beiträger_innen des interdisziplinären Bandes legen erstmals einen besonderen Fokus auf die Text-Bild-Strategien Illustrierter Zeitschriften und setzen diese zudem in Bezug zur gesteigerten Tendenz ästhetischer und kultureller Selbst- und Metareflexion um 1900. So leistet der Band eine stärkere Konturierung der medialen Eigenlogik Illustrierter Zeitschriften vor dem Hintergrund der für das Medium konstitutiven Verzahnung von Bild und Text.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/9303510" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="9f9396cbdad40bc42ac69bac734d3ff0" rel="nofollow" data-download="{"attachment_id":57160135,"asset_id":9303510,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/57160135/download_file?st=MTczMjc3OTQ1NCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="8357390" href="https://hiof.academia.edu/NataliaIgl">Natalia Igl</a><script data-card-contents-for-user="8357390" type="text/json">{"id":8357390,"first_name":"Natalia","last_name":"Igl","domain_name":"hiof","page_name":"NataliaIgl","display_name":"Natalia Igl","profile_url":"https://hiof.academia.edu/NataliaIgl?f_ri=16787","photo":"https://0.academia-photos.com/8357390/2840500/104397824/s65_natalia.igl.jpeg"}</script></span></span></li><li class="js-paper-rank-work_9303510 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="9303510"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 9303510, container: ".js-paper-rank-work_9303510", }); 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$(".js-view-count[data-work-id=9303510]").text(description); $(".js-view-count-work_9303510").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_9303510").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="9303510"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">15</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="98" href="https://www.academia.edu/Documents/in/Semiotics">Semiotics</a>, <script data-card-contents-for-ri="98" type="text/json">{"id":98,"name":"Semiotics","url":"https://www.academia.edu/Documents/in/Semiotics?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="3225" href="https://www.academia.edu/Documents/in/Visual_Culture">Visual Culture</a>, <script data-card-contents-for-ri="3225" type="text/json">{"id":3225,"name":"Visual Culture","url":"https://www.academia.edu/Documents/in/Visual_Culture?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="4399" href="https://www.academia.edu/Documents/in/Visual_Semiotics">Visual Semiotics</a>, <script data-card-contents-for-ri="4399" type="text/json">{"id":4399,"name":"Visual Semiotics","url":"https://www.academia.edu/Documents/in/Visual_Semiotics?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="8444" href="https://www.academia.edu/Documents/in/Modernist_Literature_Literary_Modernism_">Modernist Literature (Literary Modernism)</a><script data-card-contents-for-ri="8444" type="text/json">{"id":8444,"name":"Modernist Literature (Literary Modernism)","url":"https://www.academia.edu/Documents/in/Modernist_Literature_Literary_Modernism_?f_ri=16787","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=9303510]'), work: {"id":9303510,"title":"Illustrierte Zeitschriften um 1900. Mediale Eigenlogik, Multimodalität und Metaisierung","created_at":"2014-11-14T01:47:09.813-08:00","url":"https://www.academia.edu/9303510/Illustrierte_Zeitschriften_um_1900_Mediale_Eigenlogik_Multimodalit%C3%A4t_und_Metaisierung?f_ri=16787","dom_id":"work_9303510","summary":"Die Zeitschriftenforschung hat sich zu einem produktiven und interdisziplinär verzweigten Arbeitsfeld entwickelt. Auffallend ist dabei jedoch die bislang geringe Beachtung der multimodalen Beschaffenheit des Mediums. Die Beiträger_innen des interdisziplinären Bandes legen erstmals einen besonderen Fokus auf die Text-Bild-Strategien Illustrierter Zeitschriften und setzen diese zudem in Bezug zur gesteigerten Tendenz ästhetischer und kultureller Selbst- und Metareflexion um 1900. So leistet der Band eine stärkere Konturierung der medialen Eigenlogik Illustrierter Zeitschriften vor dem Hintergrund der für das Medium konstitutiven Verzahnung von Bild und Text.","downloadable_attachments":[{"id":57160135,"asset_id":9303510,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":8357390,"first_name":"Natalia","last_name":"Igl","domain_name":"hiof","page_name":"NataliaIgl","display_name":"Natalia Igl","profile_url":"https://hiof.academia.edu/NataliaIgl?f_ri=16787","photo":"https://0.academia-photos.com/8357390/2840500/104397824/s65_natalia.igl.jpeg"}],"research_interests":[{"id":98,"name":"Semiotics","url":"https://www.academia.edu/Documents/in/Semiotics?f_ri=16787","nofollow":false},{"id":3225,"name":"Visual Culture","url":"https://www.academia.edu/Documents/in/Visual_Culture?f_ri=16787","nofollow":false},{"id":4399,"name":"Visual Semiotics","url":"https://www.academia.edu/Documents/in/Visual_Semiotics?f_ri=16787","nofollow":false},{"id":8444,"name":"Modernist Literature (Literary Modernism)","url":"https://www.academia.edu/Documents/in/Modernist_Literature_Literary_Modernism_?f_ri=16787","nofollow":false},{"id":12643,"name":"Twentieth Century History and Culture","url":"https://www.academia.edu/Documents/in/Twentieth_Century_History_and_Culture?f_ri=16787"},{"id":13966,"name":"History of Art","url":"https://www.academia.edu/Documents/in/History_of_Art?f_ri=16787"},{"id":16787,"name":"Fin de Siecle Literature \u0026 Culture","url":"https://www.academia.edu/Documents/in/Fin_de_Siecle_Literature_and_Culture?f_ri=16787"},{"id":20422,"name":"Multimodal Discourse Analysis","url":"https://www.academia.edu/Documents/in/Multimodal_Discourse_Analysis?f_ri=16787"},{"id":21201,"name":"Multimodality","url":"https://www.academia.edu/Documents/in/Multimodality?f_ri=16787"},{"id":22112,"name":"Nineteenth Century European Periodicals","url":"https://www.academia.edu/Documents/in/Nineteenth_Century_European_Periodicals?f_ri=16787"},{"id":29113,"name":"Nineteenth-Century Literature and Culture","url":"https://www.academia.edu/Documents/in/Nineteenth-Century_Literature_and_Culture?f_ri=16787"},{"id":51885,"name":"Bildwissenschaft","url":"https://www.academia.edu/Documents/in/Bildwissenschaft?f_ri=16787"},{"id":121345,"name":"Multimodality, Social Semiotics","url":"https://www.academia.edu/Documents/in/Multimodality_Social_Semiotics?f_ri=16787"},{"id":662869,"name":"Illustrated magazines","url":"https://www.academia.edu/Documents/in/Illustrated_magazines?f_ri=16787"},{"id":1019505,"name":"Analyzing Multimodal Texts","url":"https://www.academia.edu/Documents/in/Analyzing_Multimodal_Texts?f_ri=16787"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_6471323" data-work_id="6471323" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/6471323/_Utop%C3%ADas_dos_umbrales_">"Utopías: dos umbrales"</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/6471323" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="c8aaef1ee641a4ae7e6dc0b009d5c026" rel="nofollow" data-download="{"attachment_id":33258429,"asset_id":6471323,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/33258429/download_file?st=MTczMjc3OTQ1NCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="6962011" href="https://untref-ar.academia.edu/DanielLink">Daniel Link</a><script data-card-contents-for-user="6962011" 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() { var workId = 6471323; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_6471323"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_6471323 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="6471323"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 6471323; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=6471323]").text(description); $(".js-view-count-work_6471323").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_6471323").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="6471323"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">3</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="12957" href="https://www.academia.edu/Documents/in/Latin_American_literature">Latin American literature</a>, <script data-card-contents-for-ri="12957" type="text/json">{"id":12957,"name":"Latin American literature","url":"https://www.academia.edu/Documents/in/Latin_American_literature?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16787" href="https://www.academia.edu/Documents/in/Fin_de_Siecle_Literature_and_Culture">Fin de Siecle Literature & Culture</a>, <script data-card-contents-for-ri="16787" type="text/json">{"id":16787,"name":"Fin de Siecle Literature \u0026 Culture","url":"https://www.academia.edu/Documents/in/Fin_de_Siecle_Literature_and_Culture?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="53531" href="https://www.academia.edu/Documents/in/Rub%C3%A9n_Dar%C3%ADo">Rubén Darío</a><script data-card-contents-for-ri="53531" type="text/json">{"id":53531,"name":"Rubén Darío","url":"https://www.academia.edu/Documents/in/Rub%C3%A9n_Dar%C3%ADo?f_ri=16787","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=6471323]'), work: {"id":6471323,"title":"\"Utopías: dos 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Darío","url":"https://www.academia.edu/Documents/in/Rub%C3%A9n_Dar%C3%ADo?f_ri=16787","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_17971085" data-work_id="17971085" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/17971085/Vergebliches_Sammeln_Walter_Benjamins_Analyse_eines_Unbehagens_im_fin_de_si%C3%A8cle_und_der_europ%C3%A4ischen_Moderne">Vergebliches Sammeln. Walter Benjamins Analyse eines Unbehagens im fin de siècle und der europäischen Moderne</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Walter Benjamin’s “Unpacking my Library – A Talk about Collecting” occasions reflections on the meaning of fin-de-siècle and contemporary collecting and memory. In late nineteenth-century bourgeois culture collecting lost its traditional... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_17971085" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Walter Benjamin’s “Unpacking my Library – A Talk about Collecting” occasions reflections on the meaning of fin-de-siècle and contemporary collecting and memory. In late nineteenth-century bourgeois culture collecting lost its traditional sense because desiring a totality could no longer serve as the basis of collecting. Solitary individuals had to face a universe of unstable signs in which the accumulated objects no longer possessed an original purpose or religious meaning. For Benjamin, collecting opens “above an abyss”. The absence of a purpose or order in the collected objects turns collecting into an irrational passion, a work of hermeneutics.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/17971085" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="dca047d86c665e4131bd755367eb920e" rel="nofollow" data-download="{"attachment_id":40759554,"asset_id":17971085,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/40759554/download_file?st=MTczMjc3OTQ1NCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="3780011" href="https://mwn.academia.edu/DominikFinkelde">Dominik Finkelde</a><script data-card-contents-for-user="3780011" type="text/json">{"id":3780011,"first_name":"Dominik","last_name":"Finkelde","domain_name":"mwn","page_name":"DominikFinkelde","display_name":"Dominik Finkelde","profile_url":"https://mwn.academia.edu/DominikFinkelde?f_ri=16787","photo":"https://0.academia-photos.com/3780011/6724861/112374556/s65_dominik.finkelde.jpg"}</script></span></span></li><li class="js-paper-rank-work_17971085 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="17971085"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 17971085, container: ".js-paper-rank-work_17971085", }); 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$(".js-view-count[data-work-id=17971085]").text(description); $(".js-view-count-work_17971085").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_17971085").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="17971085"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="659" href="https://www.academia.edu/Documents/in/Comparative_Literature">Comparative Literature</a>, <script data-card-contents-for-ri="659" type="text/json">{"id":659,"name":"Comparative Literature","url":"https://www.academia.edu/Documents/in/Comparative_Literature?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="7888" href="https://www.academia.edu/Documents/in/Literary_Theory">Literary Theory</a>, <script data-card-contents-for-ri="7888" type="text/json">{"id":7888,"name":"Literary Theory","url":"https://www.academia.edu/Documents/in/Literary_Theory?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="8330" href="https://www.academia.edu/Documents/in/Walter_Benjamin">Walter Benjamin</a>, <script data-card-contents-for-ri="8330" type="text/json">{"id":8330,"name":"Walter Benjamin","url":"https://www.academia.edu/Documents/in/Walter_Benjamin?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16787" href="https://www.academia.edu/Documents/in/Fin_de_Siecle_Literature_and_Culture">Fin de Siecle Literature & Culture</a><script data-card-contents-for-ri="16787" type="text/json">{"id":16787,"name":"Fin de Siecle Literature \u0026 Culture","url":"https://www.academia.edu/Documents/in/Fin_de_Siecle_Literature_and_Culture?f_ri=16787","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=17971085]'), work: {"id":17971085,"title":"Vergebliches Sammeln. 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href="https://www.academia.edu/Documents/in/Spanish_Literature">Spanish Literature</a>, <script data-card-contents-for-ri="668" type="text/json">{"id":668,"name":"Spanish Literature","url":"https://www.academia.edu/Documents/in/Spanish_Literature?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16787" href="https://www.academia.edu/Documents/in/Fin_de_Siecle_Literature_and_Culture">Fin de Siecle Literature & Culture</a>, <script data-card-contents-for-ri="16787" type="text/json">{"id":16787,"name":"Fin de Siecle Literature \u0026 Culture","url":"https://www.academia.edu/Documents/in/Fin_de_Siecle_Literature_and_Culture?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="286668" href="https://www.academia.edu/Documents/in/Emilia_Pardo_Baz%C3%A1n">Emilia Pardo Bazán</a><script data-card-contents-for-ri="286668" type="text/json">{"id":286668,"name":"Emilia Pardo 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href="https://www.academia.edu/2580412/Women_Poets_and_Urban_Aestheticism_Passengers_of_Modernity">Women Poets and Urban Aestheticism: Passengers of Modernity</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">... Résumé de Women poets and urban aestheticism: passengers of modernity : Students and scholars of Nineteenth-Century Literature and Culture, Poetics and Modernity, students and scholars of London. Sommaire de Women ...</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/2580412" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="8fc5b3e7d110cf605220f79107b24a28" rel="nofollow" data-download="{"attachment_id":74918083,"asset_id":2580412,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/74918083/download_file?st=MTczMjc3OTQ1NCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="3335653" href="https://birkbeck.academia.edu/AnaParejoVadillo">Ana Parejo Vadillo</a><script data-card-contents-for-user="3335653" type="text/json">{"id":3335653,"first_name":"Ana","last_name":"Parejo Vadillo","domain_name":"birkbeck","page_name":"AnaParejoVadillo","display_name":"Ana Parejo Vadillo","profile_url":"https://birkbeck.academia.edu/AnaParejoVadillo?f_ri=16787","photo":"https://0.academia-photos.com/3335653/44339394/34938293/s65_ana.parejo_vadillo.jpeg"}</script></span></span></li><li class="js-paper-rank-work_2580412 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="2580412"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 2580412, container: ".js-paper-rank-work_2580412", }); 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Résumé de Women poets and urban aestheticism: passengers of modernity : Students and scholars of Nineteenth-Century Literature and Culture, Poetics and Modernity, students and scholars of London. Sommaire de Women ...","downloadable_attachments":[{"id":74918083,"asset_id":2580412,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":3335653,"first_name":"Ana","last_name":"Parejo Vadillo","domain_name":"birkbeck","page_name":"AnaParejoVadillo","display_name":"Ana Parejo Vadillo","profile_url":"https://birkbeck.academia.edu/AnaParejoVadillo?f_ri=16787","photo":"https://0.academia-photos.com/3335653/44339394/34938293/s65_ana.parejo_vadillo.jpeg"}],"research_interests":[{"id":6922,"name":"Poetics","url":"https://www.academia.edu/Documents/in/Poetics?f_ri=16787","nofollow":false},{"id":16767,"name":"Modernism","url":"https://www.academia.edu/Documents/in/Modernism?f_ri=16787","nofollow":false},{"id":16787,"name":"Fin de Siecle Literature \u0026 Culture","url":"https://www.academia.edu/Documents/in/Fin_de_Siecle_Literature_and_Culture?f_ri=16787","nofollow":false},{"id":25618,"name":"Phenomenology of Space and Place","url":"https://www.academia.edu/Documents/in/Phenomenology_of_Space_and_Place?f_ri=16787","nofollow":false},{"id":27189,"name":"Amy Levy","url":"https://www.academia.edu/Documents/in/Amy_Levy?f_ri=16787"},{"id":29043,"name":"Urban mobility","url":"https://www.academia.edu/Documents/in/Urban_mobility?f_ri=16787"},{"id":61633,"name":"The City in Literature and Culture","url":"https://www.academia.edu/Documents/in/The_City_in_Literature_and_Culture?f_ri=16787"},{"id":1220979,"name":"Alice Meynell","url":"https://www.academia.edu/Documents/in/Alice_Meynell?f_ri=16787"},{"id":1295808,"name":"\"Michael Field\"","url":"https://www.academia.edu/Documents/in/_Michael_Field_?f_ri=16787"},{"id":1316593,"name":"Aestheticism and Decadence","url":"https://www.academia.edu/Documents/in/Aestheticism_and_Decadence?f_ri=16787"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_42784711" data-work_id="42784711" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/42784711/Weakening_borders_and_fearfully_desired_monstrous_beings_in_Bram_Stoker_s_Dracula">Weakening borders and fearfully desired: monstrous beings in Bram Stoker’s Dracula</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This essay seeks to read Bram Stoker’s Dracula through the lens of Jeffrey Jerome Cohen’s Monster Theses to explore Stoker’s construction of the monstrous. I argue that the characters in Dracula are monstrous because they weaken... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_42784711" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This essay seeks to read Bram Stoker’s Dracula through the lens of Jeffrey Jerome Cohen’s Monster Theses to explore Stoker’s construction of the monstrous. I argue that the characters in Dracula are monstrous because they weaken boundaries and cross borders, especially blurring the distinction between human and animal, acting as beings to be both desired and feared.<br /><br />This paper was awarded a Distinction.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/42784711" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="f6ba488445bd24916225aae6d372a388" rel="nofollow" data-download="{"attachment_id":63009587,"asset_id":42784711,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/63009587/download_file?st=MTczMjc3OTQ1NCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="2776894" href="https://lancaster.academia.edu/HannahOFlanagan">Hannah O'Flanagan</a><script data-card-contents-for-user="2776894" type="text/json">{"id":2776894,"first_name":"Hannah","last_name":"O'Flanagan","domain_name":"lancaster","page_name":"HannahOFlanagan","display_name":"Hannah O'Flanagan","profile_url":"https://lancaster.academia.edu/HannahOFlanagan?f_ri=16787","photo":"https://0.academia-photos.com/2776894/905442/77386335/s65_hannah.o_flanagan.png"}</script></span></span></li><li class="js-paper-rank-work_42784711 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="42784711"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 42784711, container: ".js-paper-rank-work_42784711", }); 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$(".js-view-count[data-work-id=42784711]").text(description); $(".js-view-count-work_42784711").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_42784711").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="42784711"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">11</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="7299" href="https://www.academia.edu/Documents/in/Victorian_Literature">Victorian Literature</a>, <script data-card-contents-for-ri="7299" type="text/json">{"id":7299,"name":"Victorian Literature","url":"https://www.academia.edu/Documents/in/Victorian_Literature?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="7521" href="https://www.academia.edu/Documents/in/Monster_Theory">Monster Theory</a>, <script data-card-contents-for-ri="7521" type="text/json">{"id":7521,"name":"Monster Theory","url":"https://www.academia.edu/Documents/in/Monster_Theory?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="8296" href="https://www.academia.edu/Documents/in/Gothic_Literature">Gothic Literature</a>, <script data-card-contents-for-ri="8296" type="text/json">{"id":8296,"name":"Gothic Literature","url":"https://www.academia.edu/Documents/in/Gothic_Literature?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="8354" href="https://www.academia.edu/Documents/in/Gothic_Studies">Gothic Studies</a><script data-card-contents-for-ri="8354" type="text/json">{"id":8354,"name":"Gothic Studies","url":"https://www.academia.edu/Documents/in/Gothic_Studies?f_ri=16787","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=42784711]'), work: {"id":42784711,"title":"Weakening borders and fearfully desired: monstrous beings in Bram Stoker’s Dracula","created_at":"2020-04-19T04:39:06.332-07:00","url":"https://www.academia.edu/42784711/Weakening_borders_and_fearfully_desired_monstrous_beings_in_Bram_Stoker_s_Dracula?f_ri=16787","dom_id":"work_42784711","summary":"This essay seeks to read Bram Stoker’s Dracula through the lens of Jeffrey Jerome Cohen’s Monster Theses to explore Stoker’s construction of the monstrous. I argue that the characters in Dracula are monstrous because they weaken boundaries and cross borders, especially blurring the distinction between human and animal, acting as beings to be both desired and feared.\n\nThis paper was awarded a Distinction.","downloadable_attachments":[{"id":63009587,"asset_id":42784711,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":2776894,"first_name":"Hannah","last_name":"O'Flanagan","domain_name":"lancaster","page_name":"HannahOFlanagan","display_name":"Hannah O'Flanagan","profile_url":"https://lancaster.academia.edu/HannahOFlanagan?f_ri=16787","photo":"https://0.academia-photos.com/2776894/905442/77386335/s65_hannah.o_flanagan.png"}],"research_interests":[{"id":7299,"name":"Victorian Literature","url":"https://www.academia.edu/Documents/in/Victorian_Literature?f_ri=16787","nofollow":false},{"id":7521,"name":"Monster Theory","url":"https://www.academia.edu/Documents/in/Monster_Theory?f_ri=16787","nofollow":false},{"id":8296,"name":"Gothic Literature","url":"https://www.academia.edu/Documents/in/Gothic_Literature?f_ri=16787","nofollow":false},{"id":8354,"name":"Gothic Studies","url":"https://www.academia.edu/Documents/in/Gothic_Studies?f_ri=16787","nofollow":false},{"id":16787,"name":"Fin de Siecle Literature \u0026 Culture","url":"https://www.academia.edu/Documents/in/Fin_de_Siecle_Literature_and_Culture?f_ri=16787"},{"id":27854,"name":"Darwin","url":"https://www.academia.edu/Documents/in/Darwin?f_ri=16787"},{"id":29002,"name":"Monsters and Monster Theory","url":"https://www.academia.edu/Documents/in/Monsters_and_Monster_Theory?f_ri=16787"},{"id":49539,"name":"Bram Stoker","url":"https://www.academia.edu/Documents/in/Bram_Stoker?f_ri=16787"},{"id":199646,"name":"Dracula","url":"https://www.academia.edu/Documents/in/Dracula?f_ri=16787"},{"id":1235050,"name":"Freud","url":"https://www.academia.edu/Documents/in/Freud?f_ri=16787"},{"id":2256844,"name":"Jeffrey Jerome Cohen","url":"https://www.academia.edu/Documents/in/Jeffrey_Jerome_Cohen?f_ri=16787"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_43427994" data-work_id="43427994" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/43427994/Nachwort_Rainer_Maria_Rilke_Mir_zur_Feier_">Nachwort [Rainer Maria Rilke, "Mir zur Feier"]</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Introduction to Rainer Maria Rilke's early cycle of poems, entitled "Mir zur Feier" (1899, 2nd edn 1909)</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/43427994" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="b6c042d2a4ce971d45a9552c6d554d04" rel="nofollow" data-download="{"attachment_id":63731082,"asset_id":43427994,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" 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So hat Frank Stückemann Ernest Dowson und Lionel Johnson 2 übersetzt und Hans... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_41830392" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Das Interesse an der englischen Lyrik des sogenannten Fin-de-Siècle 1 hat sich in Deutschland immerhin in einigen jüngeren Übersetzungen niederge-schlagen. So hat Frank Stückemann Ernest Dowson und Lionel Johnson 2 übersetzt und Hans Wipperfürth A. E. Housman. Und nun legt der renom-mierte Berliner Anglist Manfred Pfister, Spezialist u.a. für Oscar Wilde und das Fin-de-Siècle, 3 eine neue Übersetzung im Rahmen einer zweisprachi-1 Siehe allgemein Handbuch Fin de Siècle / hrsg. von Sabine Haupt und Stefan Bodo Würffel.-Stuttgart : Kröner, 2008.-XXII, 950 S. : Ill. ; 22 cm.-ISBN 978-3-520-83301-3 : EUR 49.00 [9888].-Rez.: IFB 08-1/2-300 <a href="http://swbplus.bsz-bw.de/bsz285758837rez.htm-Ferner" rel="nofollow">http://swbplus.bsz-bw.de/bsz285758837rez.htm-Ferner</a>: Fin de siècle / Monika Fludernik .</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/41830392" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="cd467970c78b783ea3d307c8a3e23a5f" rel="nofollow" data-download="{"attachment_id":61967917,"asset_id":41830392,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/61967917/download_file?st=MTczMjc3OTQ1NCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="9329191" href="https://independent.academia.edu/TillKinzel">Till Kinzel</a><script data-card-contents-for-user="9329191" type="text/json">{"id":9329191,"first_name":"Till","last_name":"Kinzel","domain_name":"independent","page_name":"TillKinzel","display_name":"Till Kinzel","profile_url":"https://independent.academia.edu/TillKinzel?f_ri=16787","photo":"https://0.academia-photos.com/9329191/31897132/29075789/s65_till.kinzel.jpg"}</script></span></span></li><li class="js-paper-rank-work_41830392 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="41830392"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 41830392, container: ".js-paper-rank-work_41830392", }); 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Und nun legt der renom-mierte Berliner Anglist Manfred Pfister, Spezialist u.a. für Oscar Wilde und das Fin-de-Siècle, 3 eine neue Übersetzung im Rahmen einer zweisprachi-1 Siehe allgemein Handbuch Fin de Siècle / hrsg. von Sabine Haupt und Stefan Bodo Würffel.-Stuttgart : Kröner, 2008.-XXII, 950 S. : Ill. ; 22 cm.-ISBN 978-3-520-83301-3 : EUR 49.00 [9888].-Rez.: IFB 08-1/2-300 http://swbplus.bsz-bw.de/bsz285758837rez.htm-Ferner: Fin de siècle / Monika Fludernik .","downloadable_attachments":[{"id":61967917,"asset_id":41830392,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":9329191,"first_name":"Till","last_name":"Kinzel","domain_name":"independent","page_name":"TillKinzel","display_name":"Till Kinzel","profile_url":"https://independent.academia.edu/TillKinzel?f_ri=16787","photo":"https://0.academia-photos.com/9329191/31897132/29075789/s65_till.kinzel.jpg"}],"research_interests":[{"id":7370,"name":"Symbolism","url":"https://www.academia.edu/Documents/in/Symbolism?f_ri=16787","nofollow":false},{"id":16787,"name":"Fin de Siecle Literature \u0026 Culture","url":"https://www.academia.edu/Documents/in/Fin_de_Siecle_Literature_and_Culture?f_ri=16787","nofollow":false},{"id":26379,"name":"Aestheticism","url":"https://www.academia.edu/Documents/in/Aestheticism?f_ri=16787","nofollow":false},{"id":37398,"name":"Decadence (Literature)","url":"https://www.academia.edu/Documents/in/Decadence_Literature_?f_ri=16787","nofollow":false},{"id":44717,"name":"Aubrey Beardsley","url":"https://www.academia.edu/Documents/in/Aubrey_Beardsley?f_ri=16787"},{"id":47991,"name":"English Poetry","url":"https://www.academia.edu/Documents/in/English_Poetry?f_ri=16787"},{"id":69398,"name":"William Sharp","url":"https://www.academia.edu/Documents/in/William_Sharp?f_ri=16787"},{"id":912342,"name":"Ernest Dowson","url":"https://www.academia.edu/Documents/in/Ernest_Dowson?f_ri=16787"},{"id":1241962,"name":"Arthur Symons","url":"https://www.academia.edu/Documents/in/Arthur_Symons?f_ri=16787"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_8542605" data-work_id="8542605" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/8542605/Dans_Venise_la_grise_Pierre_Loti">Dans Venise la grise, Pierre Loti</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/8542605" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="888700cd146c494c36ae561d531d1013" rel="nofollow" data-download="{"attachment_id":53394087,"asset_id":8542605,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/53394087/download_file?st=MTczMjc3OTQ1NCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="12800372" href="https://sorbonne-fr.academia.edu/SophieBasch">Sophie Basch</a><script data-card-contents-for-user="12800372" type="text/json">{"id":12800372,"first_name":"Sophie","last_name":"Basch","domain_name":"sorbonne-fr","page_name":"SophieBasch","display_name":"Sophie Basch","profile_url":"https://sorbonne-fr.academia.edu/SophieBasch?f_ri=16787","photo":"https://0.academia-photos.com/12800372/3637464/144196268/s65_sophie.basch.jpeg"}</script></span></span></li><li class="js-paper-rank-work_8542605 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="8542605"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 8542605, container: ".js-paper-rank-work_8542605", }); 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$(".js-view-count[data-work-id=8542605]").text(description); $(".js-view-count-work_8542605").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_8542605").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="8542605"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">9</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="660" href="https://www.academia.edu/Documents/in/French_Literature">French Literature</a>, <script data-card-contents-for-ri="660" type="text/json">{"id":660,"name":"French Literature","url":"https://www.academia.edu/Documents/in/French_Literature?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1082" href="https://www.academia.edu/Documents/in/Travel_Writing">Travel Writing</a>, <script data-card-contents-for-ri="1082" type="text/json">{"id":1082,"name":"Travel Writing","url":"https://www.academia.edu/Documents/in/Travel_Writing?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="7725" href="https://www.academia.edu/Documents/in/Urban_Studies">Urban Studies</a>, <script data-card-contents-for-ri="7725" type="text/json">{"id":7725,"name":"Urban Studies","url":"https://www.academia.edu/Documents/in/Urban_Studies?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16787" href="https://www.academia.edu/Documents/in/Fin_de_Siecle_Literature_and_Culture">Fin de Siecle Literature & Culture</a><script data-card-contents-for-ri="16787" type="text/json">{"id":16787,"name":"Fin de Siecle Literature \u0026 Culture","url":"https://www.academia.edu/Documents/in/Fin_de_Siecle_Literature_and_Culture?f_ri=16787","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=8542605]'), work: {"id":8542605,"title":"Dans Venise la grise, Pierre Loti","created_at":"2014-09-28T21:03:51.698-07:00","url":"https://www.academia.edu/8542605/Dans_Venise_la_grise_Pierre_Loti?f_ri=16787","dom_id":"work_8542605","summary":null,"downloadable_attachments":[{"id":53394087,"asset_id":8542605,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":12800372,"first_name":"Sophie","last_name":"Basch","domain_name":"sorbonne-fr","page_name":"SophieBasch","display_name":"Sophie Basch","profile_url":"https://sorbonne-fr.academia.edu/SophieBasch?f_ri=16787","photo":"https://0.academia-photos.com/12800372/3637464/144196268/s65_sophie.basch.jpeg"}],"research_interests":[{"id":660,"name":"French Literature","url":"https://www.academia.edu/Documents/in/French_Literature?f_ri=16787","nofollow":false},{"id":1082,"name":"Travel Writing","url":"https://www.academia.edu/Documents/in/Travel_Writing?f_ri=16787","nofollow":false},{"id":7725,"name":"Urban Studies","url":"https://www.academia.edu/Documents/in/Urban_Studies?f_ri=16787","nofollow":false},{"id":16787,"name":"Fin de Siecle Literature \u0026 Culture","url":"https://www.academia.edu/Documents/in/Fin_de_Siecle_Literature_and_Culture?f_ri=16787","nofollow":false},{"id":81667,"name":"Venice","url":"https://www.academia.edu/Documents/in/Venice?f_ri=16787"},{"id":123014,"name":"Venezia","url":"https://www.academia.edu/Documents/in/Venezia?f_ri=16787"},{"id":143984,"name":"History of Venice","url":"https://www.academia.edu/Documents/in/History_of_Venice?f_ri=16787"},{"id":446212,"name":"Oeuvre de Pierre Loti","url":"https://www.academia.edu/Documents/in/Oeuvre_de_Pierre_Loti?f_ri=16787"},{"id":1030254,"name":"Pierre Loti","url":"https://www.academia.edu/Documents/in/Pierre_Loti?f_ri=16787"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_30000879" data-work_id="30000879" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/30000879/Meeting_Without_Knowing_It_Kipling_and_Yeats_at_the_Fin_de_Si%C3%A8cle">Meeting Without Knowing It: Kipling and Yeats at the Fin de Siècle</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Meeting Without Knowing It compares Rudyard Kipling and W.B. Yeats in the formative phase of their careers, from their births in 1865 up to 1903. The argument consists of parallel readings wed to a biographic structure. Reading the two... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_30000879" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Meeting Without Knowing It compares Rudyard Kipling and W.B. Yeats in the formative phase of their careers, from their births in 1865 up to 1903. The argument consists of parallel readings wed to a biographic structure. Reading the two poets in parallel often yields remarkable discursive echoes. For example, both men were similarly preoccupied with the visual arts, with heroism, with folklore, balladry and the demotic voice. Both struck vatic postures, and made bids for public authority premised on an appeal to what they considered the "mythopoeic" impulse in fin de siecle culture. Meeting Without Knowing It dentifies these mutual echoes in their poetry and political rhetoric, before charting them against intersections in their lives. Kipling and Yeats were, for much of their careers, irreconcilable political enemies. However, a cross-reading of the two poets' bardic ambitions, heroic tropes, and interpretations of history reveals that, to achieve their opposed political ends, they frequently partook of a common discourse. Supplementing this analysis with biographical context, we can trace these shared concerns to their late nineteenth century artistic upbringing, and to the closely linked social circles that they inhabited in fin de siecle London. It is, in fact, their very mutuality during the 1890s which lent rancor to their ideological division after the Boer War. In turn, acrimony and denunciation only served to bind together all the more intimately, in an argumentative spiral of revolving discourses, two men who were often proximate but who actually met only in cartoons and satirical gossip.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/30000879" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="48fbb0b791232174c570870265c99457" rel="nofollow" data-download="{"attachment_id":50457849,"asset_id":30000879,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/50457849/download_file?st=MTczMjc3OTQ1NCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="3841488" href="https://roehampton.academia.edu/AlexanderBubb">Alexander Bubb</a><script data-card-contents-for-user="3841488" type="text/json">{"id":3841488,"first_name":"Alexander","last_name":"Bubb","domain_name":"roehampton","page_name":"AlexanderBubb","display_name":"Alexander Bubb","profile_url":"https://roehampton.academia.edu/AlexanderBubb?f_ri=16787","photo":"https://0.academia-photos.com/3841488/1406974/51619987/s65_alexander.bubb.jpg"}</script></span></span></li><li class="js-paper-rank-work_30000879 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="30000879"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 30000879, container: ".js-paper-rank-work_30000879", }); 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$(".js-view-count[data-work-id=30000879]").text(description); $(".js-view-count-work_30000879").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_30000879").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="30000879"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">9</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="1394" href="https://www.academia.edu/Documents/in/Irish_Literature">Irish Literature</a>, <script data-card-contents-for-ri="1394" type="text/json">{"id":1394,"name":"Irish Literature","url":"https://www.academia.edu/Documents/in/Irish_Literature?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2402" href="https://www.academia.edu/Documents/in/William_Butler_Yeats">William Butler Yeats</a>, <script data-card-contents-for-ri="2402" type="text/json">{"id":2402,"name":"William Butler Yeats","url":"https://www.academia.edu/Documents/in/William_Butler_Yeats?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="13353" href="https://www.academia.edu/Documents/in/Indian_English_Literature">Indian English Literature</a>, <script data-card-contents-for-ri="13353" type="text/json">{"id":13353,"name":"Indian English Literature","url":"https://www.academia.edu/Documents/in/Indian_English_Literature?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16787" href="https://www.academia.edu/Documents/in/Fin_de_Siecle_Literature_and_Culture">Fin de Siecle Literature & Culture</a><script data-card-contents-for-ri="16787" type="text/json">{"id":16787,"name":"Fin de Siecle Literature \u0026 Culture","url":"https://www.academia.edu/Documents/in/Fin_de_Siecle_Literature_and_Culture?f_ri=16787","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=30000879]'), work: {"id":30000879,"title":"Meeting Without Knowing It: Kipling and Yeats at the Fin de Siècle","created_at":"2016-11-21T07:07:58.770-08:00","url":"https://www.academia.edu/30000879/Meeting_Without_Knowing_It_Kipling_and_Yeats_at_the_Fin_de_Si%C3%A8cle?f_ri=16787","dom_id":"work_30000879","summary":"Meeting Without Knowing It compares Rudyard Kipling and W.B. Yeats in the formative phase of their careers, from their births in 1865 up to 1903. The argument consists of parallel readings wed to a biographic structure. Reading the two poets in parallel often yields remarkable discursive echoes. For example, both men were similarly preoccupied with the visual arts, with heroism, with folklore, balladry and the demotic voice. Both struck vatic postures, and made bids for public authority premised on an appeal to what they considered the \"mythopoeic\" impulse in fin de siecle culture. Meeting Without Knowing It dentifies these mutual echoes in their poetry and political rhetoric, before charting them against intersections in their lives. Kipling and Yeats were, for much of their careers, irreconcilable political enemies. However, a cross-reading of the two poets' bardic ambitions, heroic tropes, and interpretations of history reveals that, to achieve their opposed political ends, they frequently partook of a common discourse. Supplementing this analysis with biographical context, we can trace these shared concerns to their late nineteenth century artistic upbringing, and to the closely linked social circles that they inhabited in fin de siecle London. It is, in fact, their very mutuality during the 1890s which lent rancor to their ideological division after the Boer War. In turn, acrimony and denunciation only served to bind together all the more intimately, in an argumentative spiral of revolving discourses, two men who were often proximate but who actually met only in cartoons and satirical gossip.","downloadable_attachments":[{"id":50457849,"asset_id":30000879,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":3841488,"first_name":"Alexander","last_name":"Bubb","domain_name":"roehampton","page_name":"AlexanderBubb","display_name":"Alexander Bubb","profile_url":"https://roehampton.academia.edu/AlexanderBubb?f_ri=16787","photo":"https://0.academia-photos.com/3841488/1406974/51619987/s65_alexander.bubb.jpg"}],"research_interests":[{"id":1394,"name":"Irish Literature","url":"https://www.academia.edu/Documents/in/Irish_Literature?f_ri=16787","nofollow":false},{"id":2402,"name":"William Butler Yeats","url":"https://www.academia.edu/Documents/in/William_Butler_Yeats?f_ri=16787","nofollow":false},{"id":13353,"name":"Indian English Literature","url":"https://www.academia.edu/Documents/in/Indian_English_Literature?f_ri=16787","nofollow":false},{"id":16787,"name":"Fin de Siecle Literature \u0026 Culture","url":"https://www.academia.edu/Documents/in/Fin_de_Siecle_Literature_and_Culture?f_ri=16787","nofollow":false},{"id":17917,"name":"Lyric poetry","url":"https://www.academia.edu/Documents/in/Lyric_poetry?f_ri=16787"},{"id":29842,"name":"Ireland","url":"https://www.academia.edu/Documents/in/Ireland?f_ri=16787"},{"id":39559,"name":"Rudyard Kipling","url":"https://www.academia.edu/Documents/in/Rudyard_Kipling?f_ri=16787"},{"id":56908,"name":"Imperialism","url":"https://www.academia.edu/Documents/in/Imperialism?f_ri=16787"},{"id":543673,"name":"Literature of the 1890s","url":"https://www.academia.edu/Documents/in/Literature_of_the_1890s?f_ri=16787"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_7491110" data-work_id="7491110" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/7491110/Paris_Venise_1887_1932_La_Folie_v%C3%A9nitienne_dans_le_roman_fran%C3%A7ais_de_Paul_Bourget_%C3%A0_Maurice_Dekobra_Paris_Honor%C3%A9_Champion_Travaux_et_recherches_des_Universit%C3%A9s_rh%C3%A9nanes_2000_202_p">Paris–Venise, 1887-1932. La « Folie vénitienne » dans le roman français, de Paul Bourget à Maurice Dekobra, Paris, Honoré Champion, « Travaux et recherches des Universités rhénanes », 2000, 202 p.</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Les études concernant l'image de Venise dans la littérature européenne ne se comptent plus. Curieusement, la multiplication de ces essais ne s'est accompagnée d'aucun renouvellement du corpus : on continue d'invoquer le témoignage des... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_7491110" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Les études concernant l'image de Venise dans la littérature européenne ne se comptent plus. Curieusement, la multiplication de ces essais ne s'est accompagnée d'aucun renouvellement du corpus : on continue d'invoquer le témoignage des mêmes auteurs, du XVIe au XXe siècle ; on questionne les mêmes textes. La recherche s'est trouvée tributaire de cette stagnation. <br />Tandis qu'on passait les récits de voyage au crible, on a ignoré les romans, les nouvelles, situés à Venise. Or, entre le dernier quart du XIXe siècle et l'entre-deux-guerres, on assiste à une spectaculaire floraison des récits évoquant cette ville où l'on voyage moins qu'on n'y séjourne, périodiquement, rituellement. Romans anglais, allemands, italiens mais surtout français. C'est d'un véritable établissement de la fiction qu'il s'agit, révélateur de l'engouement des écrivains pour une cité où le snobisme, essentiellement parisien, s'épanouit chaque automne suivant des itinéraires thématiques et géographiques bien particuliers. Dans cette perspective, les pages vénitiennes de Proust apparaissent comme la chevelure d'une comète largement inexplorée. <br />Aucun ouvrage sur Venise n'avait pris en compte les textes dont il est question dans cette étude. Tantôt illustres, les auteurs de ces fictions vénitiennes sont pour la plupart ignorés, oubliés, voire méprisés. Seul l'examen de leurs textes permet cependant de mesurer l'importance d'un phénomène capital pour l'appréhension littéraire d'une ville trop souvent réduite à un cortège de préjugés immuables : la « folie vénitienne », engouement dont l'apparente futilité masque mal l'angoisse d'un monde qui refuse de croire à sa fin.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/7491110" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="7f33263dbba370a1ce0058ba7bd115ee" rel="nofollow" data-download="{"attachment_id":38822364,"asset_id":7491110,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/38822364/download_file?st=MTczMjc3OTQ1NCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="12800372" href="https://sorbonne-fr.academia.edu/SophieBasch">Sophie Basch</a><script data-card-contents-for-user="12800372" type="text/json">{"id":12800372,"first_name":"Sophie","last_name":"Basch","domain_name":"sorbonne-fr","page_name":"SophieBasch","display_name":"Sophie Basch","profile_url":"https://sorbonne-fr.academia.edu/SophieBasch?f_ri=16787","photo":"https://0.academia-photos.com/12800372/3637464/144196268/s65_sophie.basch.jpeg"}</script></span></span></li><li class="js-paper-rank-work_7491110 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="7491110"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 7491110, container: ".js-paper-rank-work_7491110", }); });</script></li><li class="js-percentile-work_7491110 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 7491110; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_7491110"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_7491110 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="7491110"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 7491110; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=7491110]").text(description); $(".js-view-count-work_7491110").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_7491110").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="7491110"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">26</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="659" href="https://www.academia.edu/Documents/in/Comparative_Literature">Comparative Literature</a>, <script data-card-contents-for-ri="659" type="text/json">{"id":659,"name":"Comparative Literature","url":"https://www.academia.edu/Documents/in/Comparative_Literature?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="660" href="https://www.academia.edu/Documents/in/French_Literature">French Literature</a>, <script data-card-contents-for-ri="660" type="text/json">{"id":660,"name":"French Literature","url":"https://www.academia.edu/Documents/in/French_Literature?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="885" href="https://www.academia.edu/Documents/in/English_Literature">English Literature</a>, <script data-card-contents-for-ri="885" type="text/json">{"id":885,"name":"English Literature","url":"https://www.academia.edu/Documents/in/English_Literature?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1082" href="https://www.academia.edu/Documents/in/Travel_Writing">Travel Writing</a><script data-card-contents-for-ri="1082" type="text/json">{"id":1082,"name":"Travel Writing","url":"https://www.academia.edu/Documents/in/Travel_Writing?f_ri=16787","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=7491110]'), work: {"id":7491110,"title":"Paris–Venise, 1887-1932. La « Folie vénitienne » dans le roman français, de Paul Bourget à Maurice Dekobra, Paris, Honoré Champion, « Travaux et recherches des Universités rhénanes », 2000, 202 p.","created_at":"2014-06-28T18:12:39.677-07:00","url":"https://www.academia.edu/7491110/Paris_Venise_1887_1932_La_Folie_v%C3%A9nitienne_dans_le_roman_fran%C3%A7ais_de_Paul_Bourget_%C3%A0_Maurice_Dekobra_Paris_Honor%C3%A9_Champion_Travaux_et_recherches_des_Universit%C3%A9s_rh%C3%A9nanes_2000_202_p?f_ri=16787","dom_id":"work_7491110","summary":"Les études concernant l'image de Venise dans la littérature européenne ne se comptent plus. Curieusement, la multiplication de ces essais ne s'est accompagnée d'aucun renouvellement du corpus : on continue d'invoquer le témoignage des mêmes auteurs, du XVIe au XXe siècle ; on questionne les mêmes textes. La recherche s'est trouvée tributaire de cette stagnation.\r\nTandis qu'on passait les récits de voyage au crible, on a ignoré les romans, les nouvelles, situés à Venise. Or, entre le dernier quart du XIXe siècle et l'entre-deux-guerres, on assiste à une spectaculaire floraison des récits évoquant cette ville où l'on voyage moins qu'on n'y séjourne, périodiquement, rituellement. Romans anglais, allemands, italiens mais surtout français. C'est d'un véritable établissement de la fiction qu'il s'agit, révélateur de l'engouement des écrivains pour une cité où le snobisme, essentiellement parisien, s'épanouit chaque automne suivant des itinéraires thématiques et géographiques bien particuliers. Dans cette perspective, les pages vénitiennes de Proust apparaissent comme la chevelure d'une comète largement inexplorée.\r\nAucun ouvrage sur Venise n'avait pris en compte les textes dont il est question dans cette étude. Tantôt illustres, les auteurs de ces fictions vénitiennes sont pour la plupart ignorés, oubliés, voire méprisés. Seul l'examen de leurs textes permet cependant de mesurer l'importance d'un phénomène capital pour l'appréhension littéraire d'une ville trop souvent réduite à un cortège de préjugés immuables : la « folie vénitienne », engouement dont l'apparente futilité masque mal l'angoisse d'un monde qui refuse de croire à sa fin.\r\n","downloadable_attachments":[{"id":38822364,"asset_id":7491110,"asset_type":"Work","always_allow_download":false},{"id":34600181,"asset_id":7491110,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":12800372,"first_name":"Sophie","last_name":"Basch","domain_name":"sorbonne-fr","page_name":"SophieBasch","display_name":"Sophie Basch","profile_url":"https://sorbonne-fr.academia.edu/SophieBasch?f_ri=16787","photo":"https://0.academia-photos.com/12800372/3637464/144196268/s65_sophie.basch.jpeg"}],"research_interests":[{"id":659,"name":"Comparative Literature","url":"https://www.academia.edu/Documents/in/Comparative_Literature?f_ri=16787","nofollow":false},{"id":660,"name":"French Literature","url":"https://www.academia.edu/Documents/in/French_Literature?f_ri=16787","nofollow":false},{"id":885,"name":"English Literature","url":"https://www.academia.edu/Documents/in/English_Literature?f_ri=16787","nofollow":false},{"id":1082,"name":"Travel Writing","url":"https://www.academia.edu/Documents/in/Travel_Writing?f_ri=16787","nofollow":false},{"id":7887,"name":"Italian Literature","url":"https://www.academia.edu/Documents/in/Italian_Literature?f_ri=16787"},{"id":16787,"name":"Fin de Siecle Literature \u0026 Culture","url":"https://www.academia.edu/Documents/in/Fin_de_Siecle_Literature_and_Culture?f_ri=16787"},{"id":21277,"name":"Travel Literature","url":"https://www.academia.edu/Documents/in/Travel_Literature?f_ri=16787"},{"id":35185,"name":"Gabriele D'Annunzio","url":"https://www.academia.edu/Documents/in/Gabriele_DAnnunzio?f_ri=16787"},{"id":37398,"name":"Decadence (Literature)","url":"https://www.academia.edu/Documents/in/Decadence_Literature_?f_ri=16787"},{"id":37654,"name":"Fin de siècle Paris","url":"https://www.academia.edu/Documents/in/Fin_de_siecle_Paris?f_ri=16787"},{"id":38118,"name":"John Ruskin","url":"https://www.academia.edu/Documents/in/John_Ruskin?f_ri=16787"},{"id":45634,"name":"Dandyism","url":"https://www.academia.edu/Documents/in/Dandyism?f_ri=16787"},{"id":67309,"name":"Fin de Siècle","url":"https://www.academia.edu/Documents/in/Fin_de_Si%C3%A8cle?f_ri=16787"},{"id":68816,"name":"Fin de siècle literature and culture","url":"https://www.academia.edu/Documents/in/Fin_de_si%C3%A8cle_literature_and_culture?f_ri=16787"},{"id":81667,"name":"Venice","url":"https://www.academia.edu/Documents/in/Venice?f_ri=16787"},{"id":84149,"name":"Fin-de-Siècle Culture","url":"https://www.academia.edu/Documents/in/Fin-de-Siecle_Culture?f_ri=16787"},{"id":123014,"name":"Venezia","url":"https://www.academia.edu/Documents/in/Venezia?f_ri=16787"},{"id":143984,"name":"History of Venice","url":"https://www.academia.edu/Documents/in/History_of_Venice?f_ri=16787"},{"id":370176,"name":"Contes et nouvelles fin-de-siècle","url":"https://www.academia.edu/Documents/in/Contes_et_nouvelles_fin-de-siecle?f_ri=16787"},{"id":405767,"name":"French Symbolism at the Fin-de-Siecle","url":"https://www.academia.edu/Documents/in/French_Symbolism_at_the_Fin-de-Siecle?f_ri=16787"},{"id":769893,"name":"Fin de siecle Decadence","url":"https://www.academia.edu/Documents/in/Fin_de_siecle_Decadence?f_ri=16787"},{"id":881448,"name":"Henri De Regnier","url":"https://www.academia.edu/Documents/in/Henri_De_Regnier?f_ri=16787"},{"id":973352,"name":"Literary Dandyism","url":"https://www.academia.edu/Documents/in/Literary_Dandyism?f_ri=16787"},{"id":1266317,"name":"Dandysm","url":"https://www.academia.edu/Documents/in/Dandysm?f_ri=16787"},{"id":1313536,"name":"Dandysme","url":"https://www.academia.edu/Documents/in/Dandysme?f_ri=16787"},{"id":1542436,"name":"Histoire de Venise","url":"https://www.academia.edu/Documents/in/Histoire_de_Venise?f_ri=16787"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_47878765" data-work_id="47878765" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/47878765/De_las_iconograf%C3%ADas_a_las_iconoginias_Interpretaciones_representaciones_e_im%C3%A1genes_de_mujer_en_Evelyn_De_Morgan_y_las_artistas_victorianas_y_finiseculares_Universidad_de_Sevilla_2019_">De las iconografías a las iconoginias. Interpretaciones, representaciones e imágenes de mujer en Evelyn De Morgan y las artistas victorianas y finiseculares (Universidad de Sevilla, 2019)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">(2019). Tesis doctoral. Universidad de Sevilla. Programa de doctorado en Estudios Filológicos de la Facultad de Filología. Línea de investigación “Mujer, escritura y comunicación”. Directoras: Dra. Mercedes Arriaga Flórez, Dra. María... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_47878765" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">(2019). Tesis doctoral. Universidad de Sevilla. <br />Programa de doctorado en Estudios Filológicos de la Facultad de Filología. Línea de investigación “Mujer, escritura y comunicación”. <br />Directoras: Dra. Mercedes Arriaga Flórez, Dra. María Rosal Nadales, Dra. Eva María Moreno Lago. <br />Tesis completa: 536 páginas. <br />Tesis reducida: 207 páginas. <br />La artista británica Evelyn Pickering De Morgan (1855-1919) suele ser ubicada por la historia y la crítica del arte en los distintos movimientos estéticos que tuvieron lugar en la segunda mitad del siglo XIX y los primeros años del XX -Prerrafaelismo, Esteticismo, Simbolismo-, pero nunca desde un enfoque estrictamente feminista, cuando la propia De Morgan fue una feminista confesa y manifiesta y a sabiendas de que, a la hora de abordar sus imágenes, emergen numerosos interrogantes e incongruencias si se pretende abordar sus pinturas desde la misma mirada de los artistas masculinos de la época. Y aunque la influencia de ciertos componentes de estas corrientes son obvias en sus obras, la crítica en general y las escasas estudiosas de De Morgan en particular no se han detenido lo suficiente en examinar hasta qué grado y con qué finalidad la artista tomó tales elementos y qué hizo con ellos. Aquí radica la razón de ser de esta tesis doctoral. la obra estética de Evelyn De Morgan, que es a la vez un proyecto ético (feminista, sororario, humanitario), plantea tantas preguntas que es preciso un cambio radical de paradigma, una mirada completamente otra que sea también una nueva manera de dar respuesta no solo a la producción de una artista concreta, sino a cualquier creadora que sea recuperada y estudiada desde la esfera feminista. Mi trabajo de investigación, como se expone en estas páginas, ha procurado la doble tarea de recuperación e intervención. Recuperamos a Evelyn De Morgan e intervenimos críticamente en su obra a través de un nuevo instrumento teórico y epistemológico, metodológico y didáctico: la iconoginia. Frente al establecido sistema dual del arte victoriano y finisecular que justificó y argumentó la supuesta superioridad masculina a través del discurso de las esferas separadas y de la (re)producción de modelos y antimodelos de identidad femenina, desde el angel in the house a la femme fatale, pasando por la damsel in distress y la fallen woman, De Morgan se mostró como creadora de personalísimas y poderosas imágenes de mujeres y para mujeres, de una iconografía propia, iconoginias de denuncia y crítica contra el dominio masculino y contra la cultura patriarcal, pero también iconoginias de empoderamiento femenino y de sororidad. En esta tesis, analizamos comparativamente las iconografías patriarcales con las iconoginias de Evelyn De Morgan, con el fin de demostrar que fue una artista que se trazó en la esfera del arte un fundamental proyecto feminista, con una nítida perspectiva de género, con conciencia de pertenecer a una genealogía y con voluntad de continuarla, a la vez que proponemos el concepto de iconoginia como nuevo instrumento hermenéutico dentro de la crítica feminista.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/47878765" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="baa3d3b75ee92cea96731effa544f0cd" rel="nofollow" data-download="{"attachment_id":66777740,"asset_id":47878765,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/66777740/download_file?st=MTczMjc3OTQ1NCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="20063909" href="https://us.academia.edu/CristinaHeGo">María Cristina Hernández González</a><script data-card-contents-for-user="20063909" type="text/json">{"id":20063909,"first_name":"María Cristina","last_name":"Hernández González","domain_name":"us","page_name":"CristinaHeGo","display_name":"María Cristina Hernández González","profile_url":"https://us.academia.edu/CristinaHeGo?f_ri=16787","photo":"https://0.academia-photos.com/20063909/9589311/42974220/s65_mar_a_cristina.hern_ndez_gonz_lez.jpeg"}</script></span></span></li><li class="js-paper-rank-work_47878765 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="47878765"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 47878765, container: ".js-paper-rank-work_47878765", }); 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$(".js-view-count[data-work-id=47878765]").text(description); $(".js-view-count-work_47878765").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_47878765").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="47878765"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">11</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="696" href="https://www.academia.edu/Documents/in/Gender_Studies">Gender Studies</a>, <script data-card-contents-for-ri="696" type="text/json">{"id":696,"name":"Gender Studies","url":"https://www.academia.edu/Documents/in/Gender_Studies?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1192" href="https://www.academia.edu/Documents/in/Feminist_Theory">Feminist Theory</a>, <script data-card-contents-for-ri="1192" type="text/json">{"id":1192,"name":"Feminist Theory","url":"https://www.academia.edu/Documents/in/Feminist_Theory?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1305" href="https://www.academia.edu/Documents/in/Victorian_Studies">Victorian Studies</a>, <script data-card-contents-for-ri="1305" type="text/json">{"id":1305,"name":"Victorian Studies","url":"https://www.academia.edu/Documents/in/Victorian_Studies?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="13618" href="https://www.academia.edu/Documents/in/Victorian_cultural_studies">Victorian cultural studies</a><script data-card-contents-for-ri="13618" type="text/json">{"id":13618,"name":"Victorian cultural studies","url":"https://www.academia.edu/Documents/in/Victorian_cultural_studies?f_ri=16787","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=47878765]'), work: {"id":47878765,"title":"De las iconografías a las iconoginias. Interpretaciones, representaciones e imágenes de mujer en Evelyn De Morgan y las artistas victorianas y finiseculares (Universidad de Sevilla, 2019)","created_at":"2021-05-02T10:38:53.813-07:00","url":"https://www.academia.edu/47878765/De_las_iconograf%C3%ADas_a_las_iconoginias_Interpretaciones_representaciones_e_im%C3%A1genes_de_mujer_en_Evelyn_De_Morgan_y_las_artistas_victorianas_y_finiseculares_Universidad_de_Sevilla_2019_?f_ri=16787","dom_id":"work_47878765","summary":"(2019). Tesis doctoral. Universidad de Sevilla. \r\nPrograma de doctorado en Estudios Filológicos de la Facultad de Filología. Línea de investigación “Mujer, escritura y comunicación”.\r\nDirectoras: Dra. Mercedes Arriaga Flórez, Dra. María Rosal Nadales, Dra. Eva María Moreno Lago. \r\nTesis completa: 536 páginas.\r\nTesis reducida: 207 páginas.\r\nLa artista británica Evelyn Pickering De Morgan (1855-1919) suele ser ubicada por la historia y la crítica del arte en los distintos movimientos estéticos que tuvieron lugar en la segunda mitad del siglo XIX y los primeros años del XX -Prerrafaelismo, Esteticismo, Simbolismo-, pero nunca desde un enfoque estrictamente feminista, cuando la propia De Morgan fue una feminista confesa y manifiesta y a sabiendas de que, a la hora de abordar sus imágenes, emergen numerosos interrogantes e incongruencias si se pretende abordar sus pinturas desde la misma mirada de los artistas masculinos de la época. Y aunque la influencia de ciertos componentes de estas corrientes son obvias en sus obras, la crítica en general y las escasas estudiosas de De Morgan en particular no se han detenido lo suficiente en examinar hasta qué grado y con qué finalidad la artista tomó tales elementos y qué hizo con ellos. Aquí radica la razón de ser de esta tesis doctoral. la obra estética de Evelyn De Morgan, que es a la vez un proyecto ético (feminista, sororario, humanitario), plantea tantas preguntas que es preciso un cambio radical de paradigma, una mirada completamente otra que sea también una nueva manera de dar respuesta no solo a la producción de una artista concreta, sino a cualquier creadora que sea recuperada y estudiada desde la esfera feminista. Mi trabajo de investigación, como se expone en estas páginas, ha procurado la doble tarea de recuperación e intervención. Recuperamos a Evelyn De Morgan e intervenimos críticamente en su obra a través de un nuevo instrumento teórico y epistemológico, metodológico y didáctico: la iconoginia. Frente al establecido sistema dual del arte victoriano y finisecular que justificó y argumentó la supuesta superioridad masculina a través del discurso de las esferas separadas y de la (re)producción de modelos y antimodelos de identidad femenina, desde el angel in the house a la femme fatale, pasando por la damsel in distress y la fallen woman, De Morgan se mostró como creadora de personalísimas y poderosas imágenes de mujeres y para mujeres, de una iconografía propia, iconoginias de denuncia y crítica contra el dominio masculino y contra la cultura patriarcal, pero también iconoginias de empoderamiento femenino y de sororidad. En esta tesis, analizamos comparativamente las iconografías patriarcales con las iconoginias de Evelyn De Morgan, con el fin de demostrar que fue una artista que se trazó en la esfera del arte un fundamental proyecto feminista, con una nítida perspectiva de género, con conciencia de pertenecer a una genealogía y con voluntad de continuarla, a la vez que proponemos el concepto de iconoginia como nuevo instrumento hermenéutico dentro de la crítica feminista.","downloadable_attachments":[{"id":66777740,"asset_id":47878765,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":20063909,"first_name":"María Cristina","last_name":"Hernández González","domain_name":"us","page_name":"CristinaHeGo","display_name":"María Cristina Hernández González","profile_url":"https://us.academia.edu/CristinaHeGo?f_ri=16787","photo":"https://0.academia-photos.com/20063909/9589311/42974220/s65_mar_a_cristina.hern_ndez_gonz_lez.jpeg"}],"research_interests":[{"id":696,"name":"Gender Studies","url":"https://www.academia.edu/Documents/in/Gender_Studies?f_ri=16787","nofollow":false},{"id":1192,"name":"Feminist Theory","url":"https://www.academia.edu/Documents/in/Feminist_Theory?f_ri=16787","nofollow":false},{"id":1305,"name":"Victorian Studies","url":"https://www.academia.edu/Documents/in/Victorian_Studies?f_ri=16787","nofollow":false},{"id":13618,"name":"Victorian cultural studies","url":"https://www.academia.edu/Documents/in/Victorian_cultural_studies?f_ri=16787","nofollow":false},{"id":16787,"name":"Fin de Siecle Literature \u0026 Culture","url":"https://www.academia.edu/Documents/in/Fin_de_Siecle_Literature_and_Culture?f_ri=16787"},{"id":21144,"name":"Women Artists","url":"https://www.academia.edu/Documents/in/Women_Artists?f_ri=16787"},{"id":27412,"name":"Pre-Raphaelite Painting","url":"https://www.academia.edu/Documents/in/Pre-Raphaelite_Painting?f_ri=16787"},{"id":53262,"name":"History of the Victorian Period in England","url":"https://www.academia.edu/Documents/in/History_of_the_Victorian_Period_in_England?f_ri=16787"},{"id":163716,"name":"Pre-Raphaelites","url":"https://www.academia.edu/Documents/in/Pre-Raphaelites?f_ri=16787"},{"id":1196339,"name":"Pre Raphaelite Poetry","url":"https://www.academia.edu/Documents/in/Pre_Raphaelite_Poetry?f_ri=16787"},{"id":2793857,"name":"Evelyn De Morgan","url":"https://www.academia.edu/Documents/in/Evelyn_De_Morgan?f_ri=16787"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_37982298" data-work_id="37982298" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/37982298/_Wir_wissen_verdammt_wenig_von_den_Eintagsfliegen_Grenz%C3%BCberschreitung_und_Wahrnehmungsver%C3%A4nderung">"Wir wissen verdammt wenig von den Eintagsfliegen". Grenzüberschreitung und Wahrnehmungsveränderung</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/37982298" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="32cfb16eff697982596475cec8618478" rel="nofollow" data-download="{"attachment_id":57999858,"asset_id":37982298,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/57999858/download_file?st=MTczMjc3OTQ1NCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="33257131" href="https://u-szeged.academia.edu/SzilviaRitz">Szilvia Ritz</a><script data-card-contents-for-user="33257131" type="text/json">{"id":33257131,"first_name":"Szilvia","last_name":"Ritz","domain_name":"u-szeged","page_name":"SzilviaRitz","display_name":"Szilvia Ritz","profile_url":"https://u-szeged.academia.edu/SzilviaRitz?f_ri=16787","photo":"https://0.academia-photos.com/33257131/21464039/20845418/s65_szilvia.ritz.jpg"}</script></span></span></li><li class="js-paper-rank-work_37982298 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="37982298"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 37982298, container: ".js-paper-rank-work_37982298", }); });</script></li><li class="js-percentile-work_37982298 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 37982298; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_37982298"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_37982298 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="37982298"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 37982298; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=37982298]").text(description); $(".js-view-count-work_37982298").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_37982298").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="37982298"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">5</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="662" href="https://www.academia.edu/Documents/in/German_Literature">German Literature</a>, <script data-card-contents-for-ri="662" type="text/json">{"id":662,"name":"German Literature","url":"https://www.academia.edu/Documents/in/German_Literature?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="8444" href="https://www.academia.edu/Documents/in/Modernist_Literature_Literary_Modernism_">Modernist Literature (Literary Modernism)</a>, <script data-card-contents-for-ri="8444" type="text/json">{"id":8444,"name":"Modernist Literature (Literary Modernism)","url":"https://www.academia.edu/Documents/in/Modernist_Literature_Literary_Modernism_?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16787" href="https://www.academia.edu/Documents/in/Fin_de_Siecle_Literature_and_Culture">Fin de Siecle Literature & Culture</a>, <script data-card-contents-for-ri="16787" type="text/json">{"id":16787,"name":"Fin de Siecle Literature \u0026 Culture","url":"https://www.academia.edu/Documents/in/Fin_de_Siecle_Literature_and_Culture?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="17230" href="https://www.academia.edu/Documents/in/Austrian_Literature">Austrian Literature</a><script data-card-contents-for-ri="17230" type="text/json">{"id":17230,"name":"Austrian Literature","url":"https://www.academia.edu/Documents/in/Austrian_Literature?f_ri=16787","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=37982298]'), work: {"id":37982298,"title":"\"Wir wissen verdammt wenig von den Eintagsfliegen\". Grenzüberschreitung und Wahrnehmungsveränderung","created_at":"2018-12-15T01:43:52.963-08:00","url":"https://www.academia.edu/37982298/_Wir_wissen_verdammt_wenig_von_den_Eintagsfliegen_Grenz%C3%BCberschreitung_und_Wahrnehmungsver%C3%A4nderung?f_ri=16787","dom_id":"work_37982298","summary":null,"downloadable_attachments":[{"id":57999858,"asset_id":37982298,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":33257131,"first_name":"Szilvia","last_name":"Ritz","domain_name":"u-szeged","page_name":"SzilviaRitz","display_name":"Szilvia Ritz","profile_url":"https://u-szeged.academia.edu/SzilviaRitz?f_ri=16787","photo":"https://0.academia-photos.com/33257131/21464039/20845418/s65_szilvia.ritz.jpg"}],"research_interests":[{"id":662,"name":"German Literature","url":"https://www.academia.edu/Documents/in/German_Literature?f_ri=16787","nofollow":false},{"id":8444,"name":"Modernist Literature (Literary Modernism)","url":"https://www.academia.edu/Documents/in/Modernist_Literature_Literary_Modernism_?f_ri=16787","nofollow":false},{"id":16787,"name":"Fin de Siecle Literature \u0026 Culture","url":"https://www.academia.edu/Documents/in/Fin_de_Siecle_Literature_and_Culture?f_ri=16787","nofollow":false},{"id":17230,"name":"Austrian Literature","url":"https://www.academia.edu/Documents/in/Austrian_Literature?f_ri=16787","nofollow":false},{"id":196997,"name":"Arthur Schnitzler","url":"https://www.academia.edu/Documents/in/Arthur_Schnitzler?f_ri=16787"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_38449582" data-work_id="38449582" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/38449582/A_Woman_s_Novel_Olive_Schreiner_Mona_Caird_and_H%C3%A9l%C3%A8ne_Cixous_s_%C3%89criture_F%C3%A9minine">A Woman’s Novel: Olive Schreiner, Mona Caird and Hélène Cixous’s Écriture Féminine</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">In the 1880s and 1890s, New Woman writers changed the face of British society and British fiction through their sexually open works, which critiqued old notions of marriage, and through their stylistic experimentation, which announced the... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_38449582" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">In the 1880s and 1890s, New Woman writers changed the face of British society and British fiction through their sexually open works, which critiqued old notions of marriage, and through their stylistic experimentation, which announced the modernist novel. New Woman scholarship has often studied their work in connection with that of French feminists of the late twentieth century, such as Julia Kristeva, Luce Irigaray, and Hélène Cixous. This article reconsiders the nature of this connection through a close examination of novels by two of the most popular New Woman authors, Mona Caird (1854–1932) and Olive Schreiner (1855–1920). I read Caird’s The Wing of Azrael (1889) and Schreiner’s The Story of an African Farm (1883) through the lens of Hélène Cixous’s theories of écriture féminine, or feminine writing, to question the accusation of biological determinism which is frequently directed at both groups of writers. By applying Cixous’s notions of feminine aesthetics, bisexuality, and alterity to Caird and Schreiner, my study provides the basis for a new understanding of their novels. More generally, it complements and qualifies the connection between the New Woman and so-called French feminism, thereby helping produce a more complex framework to study the fin de siècle.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/38449582" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="15837cdd78f709236e647a92cf6285f7" rel="nofollow" data-download="{"attachment_id":76713969,"asset_id":38449582,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/76713969/download_file?st=MTczMjc3OTQ1NCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="88594" href="https://hivolda.academia.edu/MarinaCano">Marina Cano</a><script data-card-contents-for-user="88594" type="text/json">{"id":88594,"first_name":"Marina","last_name":"Cano","domain_name":"hivolda","page_name":"MarinaCano","display_name":"Marina Cano","profile_url":"https://hivolda.academia.edu/MarinaCano?f_ri=16787","photo":"https://0.academia-photos.com/88594/24653/75493543/s65_marina.cano.png"}</script></span></span></li><li class="js-paper-rank-work_38449582 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="38449582"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 38449582, container: ".js-paper-rank-work_38449582", }); });</script></li><li class="js-percentile-work_38449582 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 38449582; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_38449582"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_38449582 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="38449582"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 38449582; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=38449582]").text(description); $(".js-view-count-work_38449582").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_38449582").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="38449582"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">17</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="1138" href="https://www.academia.edu/Documents/in/Womens_Studies">Women's Studies</a>, <script data-card-contents-for-ri="1138" type="text/json">{"id":1138,"name":"Women's Studies","url":"https://www.academia.edu/Documents/in/Womens_Studies?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1192" href="https://www.academia.edu/Documents/in/Feminist_Theory">Feminist Theory</a>, <script data-card-contents-for-ri="1192" type="text/json">{"id":1192,"name":"Feminist Theory","url":"https://www.academia.edu/Documents/in/Feminist_Theory?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1305" href="https://www.academia.edu/Documents/in/Victorian_Studies">Victorian Studies</a>, <script data-card-contents-for-ri="1305" type="text/json">{"id":1305,"name":"Victorian Studies","url":"https://www.academia.edu/Documents/in/Victorian_Studies?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2326" href="https://www.academia.edu/Documents/in/Nineteenth_Century_Studies">Nineteenth Century Studies</a><script data-card-contents-for-ri="2326" type="text/json">{"id":2326,"name":"Nineteenth Century Studies","url":"https://www.academia.edu/Documents/in/Nineteenth_Century_Studies?f_ri=16787","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=38449582]'), work: {"id":38449582,"title":"A Woman’s Novel: Olive Schreiner, Mona Caird and Hélène Cixous’s Écriture Féminine","created_at":"2019-02-27T08:22:54.652-08:00","url":"https://www.academia.edu/38449582/A_Woman_s_Novel_Olive_Schreiner_Mona_Caird_and_H%C3%A9l%C3%A8ne_Cixous_s_%C3%89criture_F%C3%A9minine?f_ri=16787","dom_id":"work_38449582","summary":"In the 1880s and 1890s, New Woman writers changed the face of British society and British fiction through their sexually open works, which critiqued old notions of marriage, and through their stylistic experimentation, which announced the modernist novel. New Woman scholarship has often studied their work in connection with that of French feminists of the late twentieth century, such as Julia Kristeva, Luce Irigaray, and Hélène Cixous. This article reconsiders the nature of this connection through a close examination of novels by two of the most popular New Woman authors, Mona Caird (1854–1932) and Olive Schreiner (1855–1920). I read Caird’s The Wing of Azrael (1889) and Schreiner’s The Story of an African Farm (1883) through the lens of Hélène Cixous’s theories of écriture féminine, or feminine writing, to question the accusation of biological determinism which is frequently directed at both groups of writers. By applying Cixous’s notions of feminine aesthetics, bisexuality, and alterity to Caird and Schreiner, my study provides the basis for a new understanding of their novels. More generally, it complements and qualifies the connection between the New Woman and so-called French feminism, thereby helping produce a more complex framework to study the fin de siècle.","downloadable_attachments":[{"id":76713969,"asset_id":38449582,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":88594,"first_name":"Marina","last_name":"Cano","domain_name":"hivolda","page_name":"MarinaCano","display_name":"Marina Cano","profile_url":"https://hivolda.academia.edu/MarinaCano?f_ri=16787","photo":"https://0.academia-photos.com/88594/24653/75493543/s65_marina.cano.png"}],"research_interests":[{"id":1138,"name":"Women's Studies","url":"https://www.academia.edu/Documents/in/Womens_Studies?f_ri=16787","nofollow":false},{"id":1192,"name":"Feminist Theory","url":"https://www.academia.edu/Documents/in/Feminist_Theory?f_ri=16787","nofollow":false},{"id":1305,"name":"Victorian Studies","url":"https://www.academia.edu/Documents/in/Victorian_Studies?f_ri=16787","nofollow":false},{"id":2326,"name":"Nineteenth Century Studies","url":"https://www.academia.edu/Documents/in/Nineteenth_Century_Studies?f_ri=16787","nofollow":false},{"id":7299,"name":"Victorian Literature","url":"https://www.academia.edu/Documents/in/Victorian_Literature?f_ri=16787"},{"id":12870,"name":"Helene Cixous","url":"https://www.academia.edu/Documents/in/Helene_Cixous?f_ri=16787"},{"id":13619,"name":"Victorian Women Writers","url":"https://www.academia.edu/Documents/in/Victorian_Women_Writers?f_ri=16787"},{"id":16787,"name":"Fin de Siecle Literature \u0026 Culture","url":"https://www.academia.edu/Documents/in/Fin_de_Siecle_Literature_and_Culture?f_ri=16787"},{"id":25848,"name":"Victorian novel","url":"https://www.academia.edu/Documents/in/Victorian_novel?f_ri=16787"},{"id":29108,"name":"Feminist Literary Theory and Gender Studies","url":"https://www.academia.edu/Documents/in/Feminist_Literary_Theory_and_Gender_Studies?f_ri=16787"},{"id":29113,"name":"Nineteenth-Century Literature and Culture","url":"https://www.academia.edu/Documents/in/Nineteenth-Century_Literature_and_Culture?f_ri=16787"},{"id":49663,"name":"Women and Gender Studies","url":"https://www.academia.edu/Documents/in/Women_and_Gender_Studies?f_ri=16787"},{"id":67309,"name":"Fin de Siècle","url":"https://www.academia.edu/Documents/in/Fin_de_Si%C3%A8cle?f_ri=16787"},{"id":82062,"name":"Écriture Féminine","url":"https://www.academia.edu/Documents/in/%C3%89criture_F%C3%A9minine?f_ri=16787"},{"id":100606,"name":"Olive Schreiner","url":"https://www.academia.edu/Documents/in/Olive_Schreiner?f_ri=16787"},{"id":453673,"name":"Feminis-Helene Cixous-The Laugh of the Medusa","url":"https://www.academia.edu/Documents/in/Feminis-Helene_Cixous-The_Laugh_of_the_Medusa?f_ri=16787"},{"id":985852,"name":"The New Woman","url":"https://www.academia.edu/Documents/in/The_New_Woman?f_ri=16787"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_45615670" data-work_id="45615670" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/45615670/_Powers_of_Their_Own_Which_Mere_Modernity_Cannot_Kill_The_Doppelg%C3%A4nger_and_Temporal_Modernist_Terror_in_Dracula">"Powers of Their Own Which Mere 'Modernity' Cannot Kill": The Doppelgänger and Temporal Modernist Terror in Dracula</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This article examines Bram Stoker's Dracula (1897) as an entry into the canon of doppelgänger fiction by complicating traditional readings of the central relationship between Count Dracula and Jonathan Harker. By revisiting the novel... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_45615670" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This article examines Bram Stoker's Dracula (1897) as an entry into the canon of doppelgänger fiction by complicating traditional readings of the central relationship between Count Dracula and Jonathan Harker. By revisiting the novel within the framework of a doppelgänger narrative, this article suggests that part of the real terror for Stoker's fin-de-siècle audience lies in the novel's timing. Located in the gap between the retreating Romantic and advancing high modern epochs, the novel dramatizes the apprehensions of a culture experiencing enormous technological and social upheaval. Specifically, it offers in its doubled pair a means to navigate those anxieties.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/45615670" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="f77c931dcc3d35900c2b55a15a295c08" rel="nofollow" data-download="{"attachment_id":66103866,"asset_id":45615670,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/66103866/download_file?st=MTczMjc3OTQ1NCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="39091760" href="https://utexas.academia.edu/WhitneyMay">Whitney S May</a><script data-card-contents-for-user="39091760" type="text/json">{"id":39091760,"first_name":"Whitney","last_name":"May","domain_name":"utexas","page_name":"WhitneyMay","display_name":"Whitney S May","profile_url":"https://utexas.academia.edu/WhitneyMay?f_ri=16787","photo":"https://0.academia-photos.com/39091760/12845698/34465939/s65_whitney.may.jpg"}</script></span></span></li><li class="js-paper-rank-work_45615670 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="45615670"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 45615670, container: ".js-paper-rank-work_45615670", }); });</script></li><li class="js-percentile-work_45615670 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 45615670; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_45615670"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_45615670 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="45615670"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 45615670; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=45615670]").text(description); $(".js-view-count-work_45615670").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_45615670").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="45615670"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">7</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="188" href="https://www.academia.edu/Documents/in/Cultural_Studies">Cultural Studies</a>, <script data-card-contents-for-ri="188" type="text/json">{"id":188,"name":"Cultural Studies","url":"https://www.academia.edu/Documents/in/Cultural_Studies?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="7299" href="https://www.academia.edu/Documents/in/Victorian_Literature">Victorian Literature</a>, <script data-card-contents-for-ri="7299" type="text/json">{"id":7299,"name":"Victorian Literature","url":"https://www.academia.edu/Documents/in/Victorian_Literature?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="8444" href="https://www.academia.edu/Documents/in/Modernist_Literature_Literary_Modernism_">Modernist Literature (Literary Modernism)</a>, <script data-card-contents-for-ri="8444" type="text/json">{"id":8444,"name":"Modernist Literature (Literary Modernism)","url":"https://www.academia.edu/Documents/in/Modernist_Literature_Literary_Modernism_?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16787" href="https://www.academia.edu/Documents/in/Fin_de_Siecle_Literature_and_Culture">Fin de Siecle Literature & Culture</a><script data-card-contents-for-ri="16787" type="text/json">{"id":16787,"name":"Fin de Siecle Literature \u0026 Culture","url":"https://www.academia.edu/Documents/in/Fin_de_Siecle_Literature_and_Culture?f_ri=16787","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=45615670]'), work: {"id":45615670,"title":"\"Powers of Their Own Which Mere 'Modernity' Cannot Kill\": The Doppelgänger and Temporal Modernist Terror in Dracula","created_at":"2021-03-25T18:03:22.914-07:00","url":"https://www.academia.edu/45615670/_Powers_of_Their_Own_Which_Mere_Modernity_Cannot_Kill_The_Doppelg%C3%A4nger_and_Temporal_Modernist_Terror_in_Dracula?f_ri=16787","dom_id":"work_45615670","summary":"This article examines Bram Stoker's Dracula (1897) as an entry into the canon of doppelgänger fiction by complicating traditional readings of the central relationship between Count Dracula and Jonathan Harker. By revisiting the novel within the framework of a doppelgänger narrative, this article suggests that part of the real terror for Stoker's fin-de-siècle audience lies in the novel's timing. Located in the gap between the retreating Romantic and advancing high modern epochs, the novel dramatizes the apprehensions of a culture experiencing enormous technological and social upheaval. Specifically, it offers in its doubled pair a means to navigate those anxieties.","downloadable_attachments":[{"id":66103866,"asset_id":45615670,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":39091760,"first_name":"Whitney","last_name":"May","domain_name":"utexas","page_name":"WhitneyMay","display_name":"Whitney S May","profile_url":"https://utexas.academia.edu/WhitneyMay?f_ri=16787","photo":"https://0.academia-photos.com/39091760/12845698/34465939/s65_whitney.may.jpg"}],"research_interests":[{"id":188,"name":"Cultural Studies","url":"https://www.academia.edu/Documents/in/Cultural_Studies?f_ri=16787","nofollow":false},{"id":7299,"name":"Victorian Literature","url":"https://www.academia.edu/Documents/in/Victorian_Literature?f_ri=16787","nofollow":false},{"id":8444,"name":"Modernist Literature (Literary Modernism)","url":"https://www.academia.edu/Documents/in/Modernist_Literature_Literary_Modernism_?f_ri=16787","nofollow":false},{"id":16787,"name":"Fin de Siecle Literature \u0026 Culture","url":"https://www.academia.edu/Documents/in/Fin_de_Siecle_Literature_and_Culture?f_ri=16787","nofollow":false},{"id":140601,"name":"Horror","url":"https://www.academia.edu/Documents/in/Horror?f_ri=16787"},{"id":163335,"name":"Doppelgänger","url":"https://www.academia.edu/Documents/in/Doppelg%C3%A4nger?f_ri=16787"},{"id":199646,"name":"Dracula","url":"https://www.academia.edu/Documents/in/Dracula?f_ri=16787"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_18993623" data-work_id="18993623" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/18993623/Translation_and_the_Global_Histories_of_Sexuality">Translation and the Global Histories of Sexuality</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This link [<a href="http://www.temple.edu/tempress/titles/2363_reg.html" rel="nofollow">http://www.temple.edu/tempress/titles/2363_reg.html</a>] leads to my Introduction to the edited collection Sexology and Translation: Cultural and Scientific Encounters Across the Modern World (Temple UP, 2015). The collection... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_18993623" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This link [<a href="http://www.temple.edu/tempress/titles/2363_reg.html" rel="nofollow">http://www.temple.edu/tempress/titles/2363_reg.html</a>] leads to my Introduction to the edited collection Sexology and Translation: Cultural and Scientific Encounters Across the Modern World (Temple UP, 2015). The collection discusses the emergence of modern sexual science in Europe, Asia, Peru and the Middle East. The introduction locates the book in relation to critical debates about sexology and translation. It argues that the research gathered here complicates the idea that modern sexuality is a 'Western' construct that was transmitted around the world.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/18993623" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="88f0fb77db62a9e25bf84f8fe17991c2" rel="nofollow" data-download="{"attachment_id":41053553,"asset_id":18993623,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/41053553/download_file?st=MTczMjc3OTQ1NCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1705899" href="https://birkbeck.academia.edu/HeikeBauer">Heike Bauer</a><script data-card-contents-for-user="1705899" type="text/json">{"id":1705899,"first_name":"Heike","last_name":"Bauer","domain_name":"birkbeck","page_name":"HeikeBauer","display_name":"Heike Bauer","profile_url":"https://birkbeck.academia.edu/HeikeBauer?f_ri=16787","photo":"https://0.academia-photos.com/1705899/589016/13676920/s65_heike.bauer.jpg"}</script></span></span></li><li class="js-paper-rank-work_18993623 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="18993623"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 18993623, container: ".js-paper-rank-work_18993623", }); 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href="https://www.academia.edu/1799653/Paolo_Mantegazza_The_Physiology_of_Love_and_Other_Writings_edited_with_introduction_and_notes_by_Nicoletta_Pireddu_transl_by_David_Jacobson_Lorenzo_Da_Ponte_Italian_Library_Toronto_University_of_Toronto_Press_2007_">Paolo Mantegazza, _The Physiology of Love and Other Writings_, edited, with introduction and notes, by Nicoletta Pireddu; transl. by David Jacobson ("Lorenzo Da Ponte Italian Library," Toronto: University of Toronto Press, 2007)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">_The Physiology of Love and Other Writings_ is the first English annotated collection of Mantegazza’s selected works. In my extensive introductory essay, Mantegazza’s hybrid contributions from fiction, travel-writing, and ethnography to... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_1799653" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">_The Physiology of Love and Other Writings_ is the first English annotated collection of Mantegazza’s selected works. In my extensive introductory essay, Mantegazza’s hybrid contributions from fiction, travel-writing, and ethnography to physiology, medicine, and politics are reevaluated as instances of a proto-cultural-studies approach attuned to the cross-fertilization of disciplines and the circulation of ideas in a period of European intellectual history that defied the notion of specialization. <br />Table of contents: <br />The Physiology of Love <br />And Selections from: <br />On The Hygienic and Medicinal Virtues of the Coca Plant and on Nervine Nourishment in General <br />One Day in Madeira <br />A Voyage to Lapland with my Friend Stephen Sommier <br />India <br />Epicurus: Essay in a Physiology of the Beautiful <br />The Neurosic Century <br />The Tartuffe Century <br />Head: Or, Sowing Ideas to Create New Deeds <br />Political Memoirs of a Foot Soldier in the Italian Parliament <br />The Year 3000: A Dream <br />The Psychology of Translation</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/1799653" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="095783a26f48b5f26d12f55502c891f2" rel="nofollow" data-download="{"attachment_id":30905815,"asset_id":1799653,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/30905815/download_file?st=MTczMjc3OTQ1NCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="2160367" href="https://georgetown.academia.edu/NicolettaPireddu">Nicoletta Pireddu</a><script data-card-contents-for-user="2160367" type="text/json">{"id":2160367,"first_name":"Nicoletta","last_name":"Pireddu","domain_name":"georgetown","page_name":"NicolettaPireddu","display_name":"Nicoletta Pireddu","profile_url":"https://georgetown.academia.edu/NicolettaPireddu?f_ri=16787","photo":"https://0.academia-photos.com/2160367/6994837/7886846/s65_nicoletta.pireddu.jpg"}</script></span></span></li><li class="js-paper-rank-work_1799653 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="1799653"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 1799653, container: ".js-paper-rank-work_1799653", }); 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transl. by David Jacobson (\"Lorenzo Da Ponte Italian Library,\" Toronto: University of Toronto Press, 2007)","created_at":"2012-07-20T13:40:49.682-07:00","url":"https://www.academia.edu/1799653/Paolo_Mantegazza_The_Physiology_of_Love_and_Other_Writings_edited_with_introduction_and_notes_by_Nicoletta_Pireddu_transl_by_David_Jacobson_Lorenzo_Da_Ponte_Italian_Library_Toronto_University_of_Toronto_Press_2007_?f_ri=16787","dom_id":"work_1799653","summary":"_The Physiology of Love and Other Writings_ is the first English annotated collection of Mantegazza’s selected works. 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2015</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Depuis longtemps introuvables, les Esquisses vénitiennes font pendant à la Vie vénitienne, régulièrement réimprimée, du quotidien d'un Français à Venise au début du XX ème siècle. Petits tableau, tantôt réalistes, tantôt fantastiques,... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_10031170" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Depuis longtemps introuvables, les Esquisses vénitiennes font pendant à la Vie vénitienne, régulièrement réimprimée, du quotidien d'un Français à Venise au début du XX ème siècle. Petits tableau, tantôt réalistes, tantôt fantastiques, sans autre prétention que celle de suspendre des instants ou des circonstances privilégiés par la mémoire, tantôt réalistes, tantôt fantastiques, les esquisses de cet écrivain issu du Symbolisme forment un chapelet d'impressions variées, vives et mélancoliques, reflet d'une époque où les irisations ne jouaient pas dans une flaque d'essence mais sur les flacs d'un vase de Gallé.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/10031170" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="37946906b84fcbb6a7f2ce410c573a5c" rel="nofollow" data-download="{"attachment_id":37198333,"asset_id":10031170,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/37198333/download_file?st=MTczMjc3OTQ1NCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="12800372" href="https://sorbonne-fr.academia.edu/SophieBasch">Sophie Basch</a><script data-card-contents-for-user="12800372" type="text/json">{"id":12800372,"first_name":"Sophie","last_name":"Basch","domain_name":"sorbonne-fr","page_name":"SophieBasch","display_name":"Sophie Basch","profile_url":"https://sorbonne-fr.academia.edu/SophieBasch?f_ri=16787","photo":"https://0.academia-photos.com/12800372/3637464/144196268/s65_sophie.basch.jpeg"}</script></span></span></li><li class="js-paper-rank-work_10031170 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="10031170"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 10031170, container: ".js-paper-rank-work_10031170", }); 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Mascagni (con "Sancta Susanna" di P. Hindemith). Fondazione Teatro Lirico di Cagliari – Stagione lirica e di balletto 2017-2018; regia, Gianfranco Cabiddu, Orchestra e coro del Teatro lirico di... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_36728766" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Saggio per "Cavalleria rusticana" di P. Mascagni (con "Sancta Susanna" di P. Hindemith). Fondazione Teatro Lirico di Cagliari – Stagione lirica e di balletto 2017-2018; regia, Gianfranco Cabiddu, Orchestra e coro del Teatro lirico di Cagliari, dir. Marco Angius, m° del coro, Donato Sivo. Pubblicazioni del Teatro Lirico di Cagliari, 2018, pp. 35-47. Cfr.<br /><a href="https://www.academia.edu/38739147/Lurlo_del_Novecento._Tosca_nel_dibattito_sul_verismo" rel="nofollow">https://www.academia.edu/38739147/Lurlo_del_Novecento._Tosca_nel_dibattito_sul_verismo</a></div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/36728766" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="e4072a60377cdc61e07a17123b017dc5" rel="nofollow" data-download="{"attachment_id":56670738,"asset_id":36728766,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/56670738/download_file?st=MTczMjc3OTQ1NCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="44314058" href="https://independent.academia.edu/CarloBianchi9">Carlo Bianchi</a><script data-card-contents-for-user="44314058" type="text/json">{"id":44314058,"first_name":"Carlo","last_name":"Bianchi","domain_name":"independent","page_name":"CarloBianchi9","display_name":"Carlo Bianchi","profile_url":"https://independent.academia.edu/CarloBianchi9?f_ri=16787","photo":"https://0.academia-photos.com/44314058/18184247/88968889/s65_carlo.bianchi.jpg"}</script></span></span></li><li class="js-paper-rank-work_36728766 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="36728766"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 36728766, container: ".js-paper-rank-work_36728766", }); });</script></li><li class="js-percentile-work_36728766 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 36728766; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_36728766"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_36728766 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="36728766"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 36728766; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=36728766]").text(description); $(".js-view-count-work_36728766").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_36728766").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="36728766"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">6</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="3773" href="https://www.academia.edu/Documents/in/Literary_Criticism">Literary Criticism</a>, <script data-card-contents-for-ri="3773" type="text/json">{"id":3773,"name":"Literary Criticism","url":"https://www.academia.edu/Documents/in/Literary_Criticism?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="7887" href="https://www.academia.edu/Documents/in/Italian_Literature">Italian Literature</a>, <script data-card-contents-for-ri="7887" type="text/json">{"id":7887,"name":"Italian Literature","url":"https://www.academia.edu/Documents/in/Italian_Literature?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16787" href="https://www.academia.edu/Documents/in/Fin_de_Siecle_Literature_and_Culture">Fin de Siecle Literature & Culture</a>, <script data-card-contents-for-ri="16787" type="text/json">{"id":16787,"name":"Fin de Siecle Literature \u0026 Culture","url":"https://www.academia.edu/Documents/in/Fin_de_Siecle_Literature_and_Culture?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="364812" href="https://www.academia.edu/Documents/in/Giovanni_Verga">Giovanni Verga</a><script data-card-contents-for-ri="364812" type="text/json">{"id":364812,"name":"Giovanni Verga","url":"https://www.academia.edu/Documents/in/Giovanni_Verga?f_ri=16787","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=36728766]'), work: {"id":36728766,"title":"Sul verismo di Cavalleria rusticana","created_at":"2018-05-28T00:53:17.665-07:00","url":"https://www.academia.edu/36728766/Sul_verismo_di_Cavalleria_rusticana?f_ri=16787","dom_id":"work_36728766","summary":"Saggio per \"Cavalleria rusticana\" di P. Mascagni (con \"Sancta Susanna\" di P. Hindemith). Fondazione Teatro Lirico di Cagliari – Stagione lirica e di balletto 2017-2018; regia, Gianfranco Cabiddu, Orchestra e coro del Teatro lirico di Cagliari, dir. Marco Angius, m° del coro, Donato Sivo. Pubblicazioni del Teatro Lirico di Cagliari, 2018, pp. 35-47. Cfr.\nhttps://www.academia.edu/38739147/Lurlo_del_Novecento._Tosca_nel_dibattito_sul_verismo\n","downloadable_attachments":[{"id":56670738,"asset_id":36728766,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":44314058,"first_name":"Carlo","last_name":"Bianchi","domain_name":"independent","page_name":"CarloBianchi9","display_name":"Carlo Bianchi","profile_url":"https://independent.academia.edu/CarloBianchi9?f_ri=16787","photo":"https://0.academia-photos.com/44314058/18184247/88968889/s65_carlo.bianchi.jpg"}],"research_interests":[{"id":3773,"name":"Literary Criticism","url":"https://www.academia.edu/Documents/in/Literary_Criticism?f_ri=16787","nofollow":false},{"id":7887,"name":"Italian Literature","url":"https://www.academia.edu/Documents/in/Italian_Literature?f_ri=16787","nofollow":false},{"id":16787,"name":"Fin de Siecle Literature \u0026 Culture","url":"https://www.academia.edu/Documents/in/Fin_de_Siecle_Literature_and_Culture?f_ri=16787","nofollow":false},{"id":364812,"name":"Giovanni Verga","url":"https://www.academia.edu/Documents/in/Giovanni_Verga?f_ri=16787","nofollow":false},{"id":993492,"name":"Melodrama \u0026 Culture","url":"https://www.academia.edu/Documents/in/Melodrama_and_Culture?f_ri=16787"},{"id":1936879,"name":"Italian melodrama","url":"https://www.academia.edu/Documents/in/Italian_melodrama?f_ri=16787"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_45339283" data-work_id="45339283" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/45339283/Jahrhundertwende">Jahrhundertwende</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Survey of the relation between literature and religion in the Fin de siècle (1890-1910). Its metaphysic of the arts ("Kunstmetaphysik"), its use of epiphanies and its mythopoetics are discussed with examples from the works of Stefan... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_45339283" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Survey of the relation between literature and religion in the Fin de siècle (1890-1910). Its metaphysic of the arts ("Kunstmetaphysik"), its use of epiphanies and its mythopoetics are discussed with examples from the works of Stefan George, Hugo von Hofmannsthal, and Rainer Maria Rilke.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/45339283" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="83120e47b0d61ff64f6eff4150db6e1d" rel="nofollow" data-download="{"attachment_id":65878137,"asset_id":45339283,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/65878137/download_file?st=MTczMjc3OTQ1NCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="107803155" href="https://uni-saarland.academia.edu/ManfredEngel">Manfred Engel</a><script data-card-contents-for-user="107803155" type="text/json">{"id":107803155,"first_name":"Manfred","last_name":"Engel","domain_name":"uni-saarland","page_name":"ManfredEngel","display_name":"Manfred Engel","profile_url":"https://uni-saarland.academia.edu/ManfredEngel?f_ri=16787","photo":"https://0.academia-photos.com/107803155/39288192/32566450/s65_manfred.engel.jpg"}</script></span></span></li><li class="js-paper-rank-work_45339283 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="45339283"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 45339283, container: ".js-paper-rank-work_45339283", }); });</script></li><li class="js-percentile-work_45339283 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 45339283; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_45339283"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_45339283 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="45339283"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 45339283; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=45339283]").text(description); $(".js-view-count-work_45339283").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_45339283").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="45339283"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">20</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="106" href="https://www.academia.edu/Documents/in/Religion">Religion</a>, <script data-card-contents-for-ri="106" type="text/json">{"id":106,"name":"Religion","url":"https://www.academia.edu/Documents/in/Religion?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="136" href="https://www.academia.edu/Documents/in/Cultural_History">Cultural History</a>, <script data-card-contents-for-ri="136" type="text/json">{"id":136,"name":"Cultural History","url":"https://www.academia.edu/Documents/in/Cultural_History?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="188" href="https://www.academia.edu/Documents/in/Cultural_Studies">Cultural Studies</a>, <script data-card-contents-for-ri="188" type="text/json">{"id":188,"name":"Cultural Studies","url":"https://www.academia.edu/Documents/in/Cultural_Studies?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2059" href="https://www.academia.edu/Documents/in/History_of_Religion">History of Religion</a><script data-card-contents-for-ri="2059" type="text/json">{"id":2059,"name":"History of Religion","url":"https://www.academia.edu/Documents/in/History_of_Religion?f_ri=16787","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=45339283]'), work: {"id":45339283,"title":"Jahrhundertwende","created_at":"2021-03-03T11:16:04.698-08:00","url":"https://www.academia.edu/45339283/Jahrhundertwende?f_ri=16787","dom_id":"work_45339283","summary":"Survey of the relation between literature and religion in the Fin de siècle (1890-1910). Its metaphysic of the arts (\"Kunstmetaphysik\"), its use of epiphanies and its mythopoetics are discussed with examples from the works of Stefan George, Hugo von Hofmannsthal, and Rainer Maria Rilke.","downloadable_attachments":[{"id":65878137,"asset_id":45339283,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":107803155,"first_name":"Manfred","last_name":"Engel","domain_name":"uni-saarland","page_name":"ManfredEngel","display_name":"Manfred Engel","profile_url":"https://uni-saarland.academia.edu/ManfredEngel?f_ri=16787","photo":"https://0.academia-photos.com/107803155/39288192/32566450/s65_manfred.engel.jpg"}],"research_interests":[{"id":106,"name":"Religion","url":"https://www.academia.edu/Documents/in/Religion?f_ri=16787","nofollow":false},{"id":136,"name":"Cultural History","url":"https://www.academia.edu/Documents/in/Cultural_History?f_ri=16787","nofollow":false},{"id":188,"name":"Cultural Studies","url":"https://www.academia.edu/Documents/in/Cultural_Studies?f_ri=16787","nofollow":false},{"id":2059,"name":"History of Religion","url":"https://www.academia.edu/Documents/in/History_of_Religion?f_ri=16787","nofollow":false},{"id":3773,"name":"Literary Criticism","url":"https://www.academia.edu/Documents/in/Literary_Criticism?f_ri=16787"},{"id":8444,"name":"Modernist Literature (Literary Modernism)","url":"https://www.academia.edu/Documents/in/Modernist_Literature_Literary_Modernism_?f_ri=16787"},{"id":13109,"name":"Literary Modernism","url":"https://www.academia.edu/Documents/in/Literary_Modernism?f_ri=16787"},{"id":16767,"name":"Modernism","url":"https://www.academia.edu/Documents/in/Modernism?f_ri=16787"},{"id":16787,"name":"Fin de Siecle Literature \u0026 Culture","url":"https://www.academia.edu/Documents/in/Fin_de_Siecle_Literature_and_Culture?f_ri=16787"},{"id":37655,"name":"Fin de siècle Vienna","url":"https://www.academia.edu/Documents/in/Fin_de_si%C3%A8cle_Vienna?f_ri=16787"},{"id":52408,"name":"Literary studies","url":"https://www.academia.edu/Documents/in/Literary_studies?f_ri=16787"},{"id":67309,"name":"Fin de Siècle","url":"https://www.academia.edu/Documents/in/Fin_de_Si%C3%A8cle?f_ri=16787"},{"id":112409,"name":"Hugo von Hofmannsthal","url":"https://www.academia.edu/Documents/in/Hugo_von_Hofmannsthal?f_ri=16787"},{"id":135078,"name":"Epiphany","url":"https://www.academia.edu/Documents/in/Epiphany?f_ri=16787"},{"id":139009,"name":"Rainer Maria Rilke","url":"https://www.academia.edu/Documents/in/Rainer_Maria_Rilke?f_ri=16787"},{"id":158854,"name":"secular epiphany, James Joyce, Romanticism","url":"https://www.academia.edu/Documents/in/secular_epiphany_James_Joyce_Romanticism?f_ri=16787"},{"id":182119,"name":"Neuere Deutsche Literatur","url":"https://www.academia.edu/Documents/in/Neuere_Deutsche_Literatur?f_ri=16787"},{"id":213330,"name":"Stefan George","url":"https://www.academia.edu/Documents/in/Stefan_George?f_ri=16787"},{"id":409793,"name":"Literaturwissenschaft","url":"https://www.academia.edu/Documents/in/Literaturwissenschaft?f_ri=16787"},{"id":1962487,"name":"Metaphysics of Art","url":"https://www.academia.edu/Documents/in/Metaphysics_of_Art?f_ri=16787"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_1497389" data-work_id="1497389" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/1497389/The_Forgotten_Writings_of_Bram_Stoker_Palgrave_Macmillan_2012_">The Forgotten Writings of Bram Stoker (Palgrave Macmillan, 2012)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">""Presented here, for the first time since their publication over a century ago, are twelve previously unknown published works of fiction, poetry, and journalistic writing by Bram Stoker (1847-1912), three works by Stoker never before... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_1497389" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">""Presented here, for the first time since their publication over a century ago, are twelve previously unknown published works of fiction, poetry, and journalistic writing by Bram Stoker (1847-1912), three works by Stoker never before reprinted, twelve obscure period writings about Stoker, and the exceptionally rare 1913 estate sale catalog of Stoker's personal library. <br /> <br /> <br />Through both the original works and extensive archival research presented, this vital collection sheds new light on an enigmatic writer and rejects the view that Dracula is Stoker's only legacy worth consideration. The Forgotten Writings of Bram Stoker underscores not only the intertexuality between Dracula and the other works, but supports the exciting prospect that Stoker's periodical writings account for a much greater force in his literary repertoire than previously accepted. <br /> <br />A must-read for Stoker fans and scholars, this collection offers an important window into fin-de-siècle Gothic literature.""</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/1497389" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="545ae7aa958dada6c51a20d47c96583b" rel="nofollow" data-download="{"attachment_id":60033284,"asset_id":1497389,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/60033284/download_file?st=MTczMjc3OTQ1NCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="38157" href="https://scad.academia.edu/JohnEdgarBrowning">John Edgar Browning</a><script data-card-contents-for-user="38157" type="text/json">{"id":38157,"first_name":"John Edgar","last_name":"Browning","domain_name":"scad","page_name":"JohnEdgarBrowning","display_name":"John Edgar Browning","profile_url":"https://scad.academia.edu/JohnEdgarBrowning?f_ri=16787","photo":"https://0.academia-photos.com/38157/12696/77845731/s65_john_edgar.browning.jpeg"}</script></span></span></li><li class="js-paper-rank-work_1497389 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="1497389"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 1497389, container: ".js-paper-rank-work_1497389", }); 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The Forgotten Writings of Bram Stoker underscores not only the intertexuality between Dracula and the other works, but supports the exciting prospect that Stoker's periodical writings account for a much greater force in his literary repertoire than previously accepted.\r\n\r\nA must-read for Stoker fans and scholars, this collection offers an important window into fin-de-siècle Gothic literature.\"\"","downloadable_attachments":[{"id":60033284,"asset_id":1497389,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":38157,"first_name":"John Edgar","last_name":"Browning","domain_name":"scad","page_name":"JohnEdgarBrowning","display_name":"John Edgar Browning","profile_url":"https://scad.academia.edu/JohnEdgarBrowning?f_ri=16787","photo":"https://0.academia-photos.com/38157/12696/77845731/s65_john_edgar.browning.jpeg"}],"research_interests":[{"id":1305,"name":"Victorian 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u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="81f73a1db5a46fa6f9ba56609a089fbd" rel="nofollow" data-download="{"attachment_id":38235148,"asset_id":1543964,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/38235148/download_file?st=MTczMjc3OTQ1NCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" 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href="https://www.academia.edu/Documents/in/German_Studies">German Studies</a>, <script data-card-contents-for-ri="384" type="text/json">{"id":384,"name":"German Studies","url":"https://www.academia.edu/Documents/in/German_Studies?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="696" href="https://www.academia.edu/Documents/in/Gender_Studies">Gender Studies</a>, <script data-card-contents-for-ri="696" type="text/json">{"id":696,"name":"Gender Studies","url":"https://www.academia.edu/Documents/in/Gender_Studies?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="699" href="https://www.academia.edu/Documents/in/Queer_Studies">Queer Studies</a><script data-card-contents-for-ri="699" type="text/json">{"id":699,"name":"Queer Studies","url":"https://www.academia.edu/Documents/in/Queer_Studies?f_ri=16787","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ 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Autor: María Dolores Cabrero Rodríguez-Jalón Universidad Complutense de Madrid Registrado en línea en ORCID:... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_41620352" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Los círculos literarios y artísticos: El fin de siècle en París y su legado en La tertulia del Café de Pombo. <br />Autor: María Dolores Cabrero Rodríguez-Jalón <br />Universidad Complutense de Madrid <br />Registrado en línea en ORCID: <a href="https://orcid.org/0000-0002-7630-0697" rel="nofollow">https://orcid.org/0000-0002-7630-0697</a></div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/41620352" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i 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Les peintresses en Belgique (1880-1914), Milan, Sylvana Editorial, 2016, p. 11-15.</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/32902399" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="8d7fe860bcdc2b151395cc55f3bbf8b8" rel="nofollow" data-download="{"attachment_id":53040755,"asset_id":32902399,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/53040755/download_file?st=MTczMjc3OTQ1NCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="12405878" href="https://ulb.academia.edu/DenisLaoureux">Denis Laoureux</a><script data-card-contents-for-user="12405878" type="text/json">{"id":12405878,"first_name":"Denis","last_name":"Laoureux","domain_name":"ulb","page_name":"DenisLaoureux","display_name":"Denis Laoureux","profile_url":"https://ulb.academia.edu/DenisLaoureux?f_ri=16787","photo":"https://0.academia-photos.com/12405878/16580495/19527541/s65_denis.laoureux.jpg"}</script></span></span></li><li class="js-paper-rank-work_32902399 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="32902399"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 32902399, container: ".js-paper-rank-work_32902399", }); 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$(".js-view-count[data-work-id=32902399]").text(description); $(".js-view-count-work_32902399").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_32902399").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="32902399"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">5</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="1138" href="https://www.academia.edu/Documents/in/Womens_Studies">Women's Studies</a>, <script data-card-contents-for-ri="1138" type="text/json">{"id":1138,"name":"Women's Studies","url":"https://www.academia.edu/Documents/in/Womens_Studies?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16787" href="https://www.academia.edu/Documents/in/Fin_de_Siecle_Literature_and_Culture">Fin de Siecle Literature & Culture</a>, <script data-card-contents-for-ri="16787" type="text/json">{"id":16787,"name":"Fin de Siecle Literature \u0026 Culture","url":"https://www.academia.edu/Documents/in/Fin_de_Siecle_Literature_and_Culture?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="21144" href="https://www.academia.edu/Documents/in/Women_Artists">Women Artists</a>, <script data-card-contents-for-ri="21144" type="text/json">{"id":21144,"name":"Women Artists","url":"https://www.academia.edu/Documents/in/Women_Artists?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1171001" href="https://www.academia.edu/Documents/in/Belgian_Art">Belgian Art</a><script data-card-contents-for-ri="1171001" type="text/json">{"id":1171001,"name":"Belgian Art","url":"https://www.academia.edu/Documents/in/Belgian_Art?f_ri=16787","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=32902399]'), work: {"id":32902399,"title":"Naître femme, devenir artiste, Denis Laoureux (dir.), Femmes artistes. 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Jahrhundert am Beispiel von Weltausstellung und Interieur</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/15414955" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="b851fc21d107232d6375aea8d7665f05" rel="nofollow" data-download="{"attachment_id":38673704,"asset_id":15414955,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/38673704/download_file?st=MTczMjc3OTQ1NCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="3780011" href="https://mwn.academia.edu/DominikFinkelde">Dominik Finkelde</a><script data-card-contents-for-user="3780011" type="text/json">{"id":3780011,"first_name":"Dominik","last_name":"Finkelde","domain_name":"mwn","page_name":"DominikFinkelde","display_name":"Dominik Finkelde","profile_url":"https://mwn.academia.edu/DominikFinkelde?f_ri=16787","photo":"https://0.academia-photos.com/3780011/6724861/112374556/s65_dominik.finkelde.jpg"}</script></span></span></li><li class="js-paper-rank-work_15414955 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="15414955"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 15414955, container: ".js-paper-rank-work_15414955", }); 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Jahrhundert am Beispiel von Weltausstellung und Interieur","downloadable_attachments":[{"id":38673704,"asset_id":15414955,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":3780011,"first_name":"Dominik","last_name":"Finkelde","domain_name":"mwn","page_name":"DominikFinkelde","display_name":"Dominik Finkelde","profile_url":"https://mwn.academia.edu/DominikFinkelde?f_ri=16787","photo":"https://0.academia-photos.com/3780011/6724861/112374556/s65_dominik.finkelde.jpg"}],"research_interests":[{"id":8,"name":"Critical Theory","url":"https://www.academia.edu/Documents/in/Critical_Theory?f_ri=16787","nofollow":false},{"id":8330,"name":"Walter Benjamin","url":"https://www.academia.edu/Documents/in/Walter_Benjamin?f_ri=16787","nofollow":false},{"id":8437,"name":"Martin Heidegger","url":"https://www.academia.edu/Documents/in/Martin_Heidegger?f_ri=16787","nofollow":false},{"id":16787,"name":"Fin de Siecle Literature \u0026 Culture","url":"https://www.academia.edu/Documents/in/Fin_de_Siecle_Literature_and_Culture?f_ri=16787","nofollow":false},{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=16787"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_13800248" data-work_id="13800248" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/13800248/Alphonse_Mucha_beauty_pursued_in_style">Alphonse Mucha - beauty pursued in style</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Exhibition review of 'Alphonse Mucha: In Quest of Beauty', at Russell-Cotes Art Gallery and Museum, Bournemouth, England<br />(1 April-27 September 2015)</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/13800248" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="55b3faef05b10b3bf6eaf2633ecbc01c" rel="nofollow" data-download="{"attachment_id":38130205,"asset_id":13800248,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/38130205/download_file?st=MTczMjc3OTQ1NCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1163204" href="https://kingston.academia.edu/RosalindOrmiston">Rosalind Ormiston</a><script data-card-contents-for-user="1163204" type="text/json">{"id":1163204,"first_name":"Rosalind","last_name":"Ormiston","domain_name":"kingston","page_name":"RosalindOrmiston","display_name":"Rosalind Ormiston","profile_url":"https://kingston.academia.edu/RosalindOrmiston?f_ri=16787","photo":"https://0.academia-photos.com/1163204/454892/137344146/s65_rosalind.ormiston.jpg"}</script></span></span></li><li class="js-paper-rank-work_13800248 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="13800248"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 13800248, container: ".js-paper-rank-work_13800248", }); 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$(".js-view-count[data-work-id=13800248]").text(description); $(".js-view-count-work_13800248").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_13800248").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="13800248"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">8</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="915" href="https://www.academia.edu/Documents/in/Art_History">Art History</a>, <script data-card-contents-for-ri="915" type="text/json">{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16787" href="https://www.academia.edu/Documents/in/Fin_de_Siecle_Literature_and_Culture">Fin de Siecle Literature & Culture</a>, <script data-card-contents-for-ri="16787" type="text/json">{"id":16787,"name":"Fin de Siecle Literature \u0026 Culture","url":"https://www.academia.edu/Documents/in/Fin_de_Siecle_Literature_and_Culture?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="30726" href="https://www.academia.edu/Documents/in/Art_Nouveau">Art Nouveau</a>, <script data-card-contents-for-ri="30726" type="text/json">{"id":30726,"name":"Art Nouveau","url":"https://www.academia.edu/Documents/in/Art_Nouveau?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="57997" href="https://www.academia.edu/Documents/in/Decorative_arts_19th_century">Decorative arts 19th century</a><script data-card-contents-for-ri="57997" type="text/json">{"id":57997,"name":"Decorative arts 19th century","url":"https://www.academia.edu/Documents/in/Decorative_arts_19th_century?f_ri=16787","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=13800248]'), work: {"id":13800248,"title":"Alphonse Mucha - beauty pursued in style","created_at":"2015-07-08T07:43:42.233-07:00","url":"https://www.academia.edu/13800248/Alphonse_Mucha_beauty_pursued_in_style?f_ri=16787","dom_id":"work_13800248","summary":"Exhibition review of 'Alphonse Mucha: In Quest of Beauty', at Russell-Cotes Art Gallery and Museum, Bournemouth, England\n(1 April-27 September 2015)","downloadable_attachments":[{"id":38130205,"asset_id":13800248,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1163204,"first_name":"Rosalind","last_name":"Ormiston","domain_name":"kingston","page_name":"RosalindOrmiston","display_name":"Rosalind Ormiston","profile_url":"https://kingston.academia.edu/RosalindOrmiston?f_ri=16787","photo":"https://0.academia-photos.com/1163204/454892/137344146/s65_rosalind.ormiston.jpg"}],"research_interests":[{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=16787","nofollow":false},{"id":16787,"name":"Fin de Siecle Literature \u0026 Culture","url":"https://www.academia.edu/Documents/in/Fin_de_Siecle_Literature_and_Culture?f_ri=16787","nofollow":false},{"id":30726,"name":"Art Nouveau","url":"https://www.academia.edu/Documents/in/Art_Nouveau?f_ri=16787","nofollow":false},{"id":57997,"name":"Decorative arts 19th century","url":"https://www.academia.edu/Documents/in/Decorative_arts_19th_century?f_ri=16787","nofollow":false},{"id":72177,"name":"Belle Epoque","url":"https://www.academia.edu/Documents/in/Belle_Epoque?f_ri=16787"},{"id":185881,"name":"19th-Century Art","url":"https://www.academia.edu/Documents/in/19th-Century_Art?f_ri=16787"},{"id":375433,"name":"Alphonse Mucha","url":"https://www.academia.edu/Documents/in/Alphonse_Mucha?f_ri=16787"},{"id":724792,"name":"Alfons Maria Mucha","url":"https://www.academia.edu/Documents/in/Alfons_Maria_Mucha?f_ri=16787"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_15677720" data-work_id="15677720" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/15677720/The_Feminist_Orientation_in_Edith_Nesbits_Gothic_Short_Fiction">The Feminist Orientation in Edith Nesbit's Gothic Short Fiction</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">For a long time critically neglected or disparaged, Edith Nesbit's Gothic fiction is beginning to receive the scholarly attention it deserves. This essay extends analysis beyond the much anthologized “Man-Size in Marble” (1893) to argue... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_15677720" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">For a long time critically neglected or disparaged, Edith Nesbit's Gothic fiction is beginning to receive the scholarly attention it deserves. This essay extends analysis beyond the much anthologized “Man-Size in Marble” (1893) to argue that a feminist orientation is in evidence more widely in her works of supernatural short fiction. A preoccupation with gender is discernible in several stories that offer distinct gender critiques, and in further tales through imagery of the dead female body and the female revenant, as well as through the recurrent character motifs of the female Cassandra and the male Frankenstein. The essay also argues that the anti-vivisectionism of several stories is an aspect of this feminist orientation. The article recognizes Nesbit as being a problematic figure for scholarly attempts to reclaim feminist authors, since she herself evinced ambivalence about the women's movement and the New Woman, but argues that the unleashing of Nesbit's most counter-hegemonic impulses in her Gothic writings points to the political significance of this generic form, making Nesbit a figure of substantial interest for scholars working on women's supernatural fiction.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/15677720" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="cb324c97b83d4e90a480ea9ebff3b5de" rel="nofollow" data-download="{"attachment_id":41549811,"asset_id":15677720,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/41549811/download_file?st=MTczMjc3OTQ1NCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="33231964" href="https://brighton.academia.edu/VictoriaMargree">Victoria Margree</a><script data-card-contents-for-user="33231964" type="text/json">{"id":33231964,"first_name":"Victoria","last_name":"Margree","domain_name":"brighton","page_name":"VictoriaMargree","display_name":"Victoria Margree","profile_url":"https://brighton.academia.edu/VictoriaMargree?f_ri=16787","photo":"https://0.academia-photos.com/33231964/10160634/11338086/s65_victoria.margree.jpg"}</script></span></span></li><li class="js-paper-rank-work_15677720 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="15677720"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 15677720, container: ".js-paper-rank-work_15677720", }); });</script></li><li class="js-percentile-work_15677720 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 15677720; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_15677720"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_15677720 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="15677720"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 15677720; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=15677720]").text(description); $(".js-view-count-work_15677720").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_15677720").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="15677720"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">8</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="2394" href="https://www.academia.edu/Documents/in/Womens_writing">Women's writing</a>, <script data-card-contents-for-ri="2394" type="text/json">{"id":2394,"name":"Women's writing","url":"https://www.academia.edu/Documents/in/Womens_writing?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="7299" href="https://www.academia.edu/Documents/in/Victorian_Literature">Victorian Literature</a>, <script data-card-contents-for-ri="7299" type="text/json">{"id":7299,"name":"Victorian Literature","url":"https://www.academia.edu/Documents/in/Victorian_Literature?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="8354" href="https://www.academia.edu/Documents/in/Gothic_Studies">Gothic Studies</a>, <script data-card-contents-for-ri="8354" type="text/json">{"id":8354,"name":"Gothic Studies","url":"https://www.academia.edu/Documents/in/Gothic_Studies?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="8671" href="https://www.academia.edu/Documents/in/Abjection">Abjection</a><script data-card-contents-for-ri="8671" type="text/json">{"id":8671,"name":"Abjection","url":"https://www.academia.edu/Documents/in/Abjection?f_ri=16787","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=15677720]'), work: {"id":15677720,"title":"The Feminist Orientation in Edith Nesbit's Gothic Short Fiction","created_at":"2015-09-14T03:21:40.059-07:00","url":"https://www.academia.edu/15677720/The_Feminist_Orientation_in_Edith_Nesbits_Gothic_Short_Fiction?f_ri=16787","dom_id":"work_15677720","summary":"For a long time critically neglected or disparaged, Edith Nesbit's Gothic fiction is beginning to receive the scholarly attention it deserves. This essay extends analysis beyond the much anthologized “Man-Size in Marble” (1893) to argue that a feminist orientation is in evidence more widely in her works of supernatural short fiction. A preoccupation with gender is discernible in several stories that offer distinct gender critiques, and in further tales through imagery of the dead female body and the female revenant, as well as through the recurrent character motifs of the female Cassandra and the male Frankenstein. The essay also argues that the anti-vivisectionism of several stories is an aspect of this feminist orientation. The article recognizes Nesbit as being a problematic figure for scholarly attempts to reclaim feminist authors, since she herself evinced ambivalence about the women's movement and the New Woman, but argues that the unleashing of Nesbit's most counter-hegemonic impulses in her Gothic writings points to the political significance of this generic form, making Nesbit a figure of substantial interest for scholars working on women's supernatural fiction.","downloadable_attachments":[{"id":41549811,"asset_id":15677720,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":33231964,"first_name":"Victoria","last_name":"Margree","domain_name":"brighton","page_name":"VictoriaMargree","display_name":"Victoria Margree","profile_url":"https://brighton.academia.edu/VictoriaMargree?f_ri=16787","photo":"https://0.academia-photos.com/33231964/10160634/11338086/s65_victoria.margree.jpg"}],"research_interests":[{"id":2394,"name":"Women's writing","url":"https://www.academia.edu/Documents/in/Womens_writing?f_ri=16787","nofollow":false},{"id":7299,"name":"Victorian Literature","url":"https://www.academia.edu/Documents/in/Victorian_Literature?f_ri=16787","nofollow":false},{"id":8354,"name":"Gothic Studies","url":"https://www.academia.edu/Documents/in/Gothic_Studies?f_ri=16787","nofollow":false},{"id":8671,"name":"Abjection","url":"https://www.academia.edu/Documents/in/Abjection?f_ri=16787","nofollow":false},{"id":10453,"name":"Feminism","url":"https://www.academia.edu/Documents/in/Feminism?f_ri=16787"},{"id":16787,"name":"Fin de Siecle Literature \u0026 Culture","url":"https://www.academia.edu/Documents/in/Fin_de_Siecle_Literature_and_Culture?f_ri=16787"},{"id":57824,"name":"Edith Nesbit","url":"https://www.academia.edu/Documents/in/Edith_Nesbit?f_ri=16787"},{"id":120545,"name":"Supernatural in Literature","url":"https://www.academia.edu/Documents/in/Supernatural_in_Literature?f_ri=16787"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_37188459" data-work_id="37188459" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/37188459/The_Late_Victorian_Little_Magazine">The Late-Victorian Little Magazine</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Fed up with the commercial and moral restrictions of the mainstream press, the diverse avant-garde groups of authors and artists of the Aesthetic Movement developed a new genre of periodicals in which to propagate their principles and... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_37188459" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Fed up with the commercial and moral restrictions of the mainstream press, the diverse avant-garde groups of authors and artists of the Aesthetic Movement developed a new genre of periodicals in which to propagate their principles and circulate their work. Such periodicals are known as ‘little magazines’ for their small-scale production and their circulation among limited audiences, and during the late Victorian period they were often conceptualized as integrated designs or total works of art in order to visually and materially represent the ideals of their producers. Little magazines like the Pre-Raphaelite Germ, the Arts & Crafts Hobby Horse and the Decadent Yellow Book launched the careers of innovative authors and artists and provided a site for debate between minor contributors and visiting grandees from Matthew Arnold to Oscar Wilde. This book offers detailed discussions of the background to thirteen major little magazines of the Victorian era, both situating these within the periodical press of their day and providing interpretations of representative items, in doing so, it outlines the earliest history of this enduring publication genre, and of the Aesthetic Movement that developed along with it. <br /> <br /> <br />Key Features: <br />---------------------- <br />* First monograph to focus on the origins and development of the little magazine genre during the Victorian period <br />* Each chapter provides a representative introduction to the respective little magazines <br />* Combines new insights with a critical overview of the state of the art on each discussed little magazine <br /> <br />Table of contents <br />---------------------------- <br />Introduction <br />1. The Germs of a Genre: The Germ and the Oxford and Cambridge Magazine <br />2. Mounting the (Century Guild) Hobby Horse <br />3. The Little Magazine as a Periodical Portfolio: the Dial, the Pagan Review and the Page <br />4. Selling the Yellow Nineties: the Yellow Book and the Savoy <br />5. Politicised Aestheticism outside London: the Quest and the Evergreen <br />6. Little Excursions Outside the Avant-Garde: the Pageant, the Parade and the Dome <br />(In)conclusions</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/37188459" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="051eee4abb69f0484454934281b2ef99" rel="nofollow" data-download="{"attachment_id":57172029,"asset_id":37188459,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/57172029/download_file?st=MTczMjc3OTQ1NCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="309656" href="https://anglia.academia.edu/KoenraadClaes">Koenraad Claes</a><script data-card-contents-for-user="309656" type="text/json">{"id":309656,"first_name":"Koenraad","last_name":"Claes","domain_name":"anglia","page_name":"KoenraadClaes","display_name":"Koenraad Claes","profile_url":"https://anglia.academia.edu/KoenraadClaes?f_ri=16787","photo":"https://0.academia-photos.com/309656/20200035/19929673/s65_koenraad.claes.jpg"}</script></span></span></li><li class="js-paper-rank-work_37188459 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="37188459"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 37188459, container: ".js-paper-rank-work_37188459", }); 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$(".js-view-count[data-work-id=37188459]").text(description); $(".js-view-count-work_37188459").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_37188459").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="37188459"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">29</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="2340" href="https://www.academia.edu/Documents/in/Book_History">Book History</a>, <script data-card-contents-for-ri="2340" type="text/json">{"id":2340,"name":"Book History","url":"https://www.academia.edu/Documents/in/Book_History?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2402" href="https://www.academia.edu/Documents/in/William_Butler_Yeats">William Butler Yeats</a>, <script data-card-contents-for-ri="2402" type="text/json">{"id":2402,"name":"William Butler Yeats","url":"https://www.academia.edu/Documents/in/William_Butler_Yeats?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="5080" href="https://www.academia.edu/Documents/in/Illustration">Illustration</a>, <script data-card-contents-for-ri="5080" type="text/json">{"id":5080,"name":"Illustration","url":"https://www.academia.edu/Documents/in/Illustration?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="7299" href="https://www.academia.edu/Documents/in/Victorian_Literature">Victorian Literature</a><script data-card-contents-for-ri="7299" type="text/json">{"id":7299,"name":"Victorian Literature","url":"https://www.academia.edu/Documents/in/Victorian_Literature?f_ri=16787","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=37188459]'), work: {"id":37188459,"title":"The Late-Victorian Little Magazine","created_at":"2018-08-06T05:06:15.614-07:00","url":"https://www.academia.edu/37188459/The_Late_Victorian_Little_Magazine?f_ri=16787","dom_id":"work_37188459","summary":"Fed up with the commercial and moral restrictions of the mainstream press, the diverse avant-garde groups of authors and artists of the Aesthetic Movement developed a new genre of periodicals in which to propagate their principles and circulate their work. Such periodicals are known as ‘little magazines’ for their small-scale production and their circulation among limited audiences, and during the late Victorian period they were often conceptualized as integrated designs or total works of art in order to visually and materially represent the ideals of their producers. Little magazines like the Pre-Raphaelite Germ, the Arts \u0026 Crafts Hobby Horse and the Decadent Yellow Book launched the careers of innovative authors and artists and provided a site for debate between minor contributors and visiting grandees from Matthew Arnold to Oscar Wilde. This book offers detailed discussions of the background to thirteen major little magazines of the Victorian era, both situating these within the periodical press of their day and providing interpretations of representative items, in doing so, it outlines the earliest history of this enduring publication genre, and of the Aesthetic Movement that developed along with it.\r\n\r\n\r\nKey Features:\r\n----------------------\r\n* First monograph to focus on the origins and development of the little magazine genre during the Victorian period\r\n* Each chapter provides a representative introduction to the respective little magazines\r\n* Combines new insights with a critical overview of the state of the art on each discussed little magazine\r\n\r\nTable of contents\r\n----------------------------\r\nIntroduction\r\n1. The Germs of a Genre: The Germ and the Oxford and Cambridge Magazine\r\n2. Mounting the (Century Guild) Hobby Horse\r\n3. The Little Magazine as a Periodical Portfolio: the Dial, the Pagan Review and the Page\r\n4. Selling the Yellow Nineties: the Yellow Book and the Savoy\r\n5. Politicised Aestheticism outside London: the Quest and the Evergreen\r\n6. Little Excursions Outside the Avant-Garde: the Pageant, the Parade and the Dome\r\n(In)conclusions","downloadable_attachments":[{"id":57172029,"asset_id":37188459,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":309656,"first_name":"Koenraad","last_name":"Claes","domain_name":"anglia","page_name":"KoenraadClaes","display_name":"Koenraad Claes","profile_url":"https://anglia.academia.edu/KoenraadClaes?f_ri=16787","photo":"https://0.academia-photos.com/309656/20200035/19929673/s65_koenraad.claes.jpg"}],"research_interests":[{"id":2340,"name":"Book History","url":"https://www.academia.edu/Documents/in/Book_History?f_ri=16787","nofollow":false},{"id":2402,"name":"William Butler Yeats","url":"https://www.academia.edu/Documents/in/William_Butler_Yeats?f_ri=16787","nofollow":false},{"id":5080,"name":"Illustration","url":"https://www.academia.edu/Documents/in/Illustration?f_ri=16787","nofollow":false},{"id":7299,"name":"Victorian Literature","url":"https://www.academia.edu/Documents/in/Victorian_Literature?f_ri=16787","nofollow":false},{"id":8048,"name":"Typography","url":"https://www.academia.edu/Documents/in/Typography?f_ri=16787"},{"id":8307,"name":"Periodical Studies","url":"https://www.academia.edu/Documents/in/Periodical_Studies?f_ri=16787"},{"id":16787,"name":"Fin de Siecle Literature \u0026 Culture","url":"https://www.academia.edu/Documents/in/Fin_de_Siecle_Literature_and_Culture?f_ri=16787"},{"id":20622,"name":"Avant-Garde","url":"https://www.academia.edu/Documents/in/Avant-Garde?f_ri=16787"},{"id":21514,"name":"Oscar Wilde","url":"https://www.academia.edu/Documents/in/Oscar_Wilde?f_ri=16787"},{"id":26379,"name":"Aestheticism","url":"https://www.academia.edu/Documents/in/Aestheticism?f_ri=16787"},{"id":34391,"name":"Little magazines","url":"https://www.academia.edu/Documents/in/Little_magazines?f_ri=16787"},{"id":34939,"name":"Rossetti, Dante Gabriel","url":"https://www.academia.edu/Documents/in/Rossetti_Dante_Gabriel?f_ri=16787"},{"id":37398,"name":"Decadence (Literature)","url":"https://www.academia.edu/Documents/in/Decadence_Literature_?f_ri=16787"},{"id":38090,"name":"Gerard Genette","url":"https://www.academia.edu/Documents/in/Gerard_Genette?f_ri=16787"},{"id":38118,"name":"John Ruskin","url":"https://www.academia.edu/Documents/in/John_Ruskin?f_ri=16787"},{"id":44717,"name":"Aubrey Beardsley","url":"https://www.academia.edu/Documents/in/Aubrey_Beardsley?f_ri=16787"},{"id":50736,"name":"Charles Ricketts","url":"https://www.academia.edu/Documents/in/Charles_Ricketts?f_ri=16787"},{"id":96014,"name":"William Morris","url":"https://www.academia.edu/Documents/in/William_Morris?f_ri=16787"},{"id":106038,"name":"Matthew Arnold","url":"https://www.academia.edu/Documents/in/Matthew_Arnold?f_ri=16787"},{"id":130432,"name":"Celtic Revival","url":"https://www.academia.edu/Documents/in/Celtic_Revival?f_ri=16787"},{"id":139983,"name":"Birmingham School","url":"https://www.academia.edu/Documents/in/Birmingham_School?f_ri=16787"},{"id":163716,"name":"Pre-Raphaelites","url":"https://www.academia.edu/Documents/in/Pre-Raphaelites?f_ri=16787"},{"id":259145,"name":"Arts and Crafts Movement","url":"https://www.academia.edu/Documents/in/Arts_and_Crafts_Movement-1?f_ri=16787"},{"id":332234,"name":"Gesamtkunstwerk","url":"https://www.academia.edu/Documents/in/Gesamtkunstwerk?f_ri=16787"},{"id":340811,"name":"Total Work of Art","url":"https://www.academia.edu/Documents/in/Total_Work_of_Art?f_ri=16787"},{"id":401802,"name":"Book Design","url":"https://www.academia.edu/Documents/in/Book_Design?f_ri=16787"},{"id":546028,"name":"Patrick Geddes","url":"https://www.academia.edu/Documents/in/Patrick_Geddes?f_ri=16787"},{"id":546197,"name":"History of Edinburgh","url":"https://www.academia.edu/Documents/in/History_of_Edinburgh?f_ri=16787"},{"id":1241962,"name":"Arthur Symons","url":"https://www.academia.edu/Documents/in/Arthur_Symons?f_ri=16787"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_32859005" data-work_id="32859005" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/32859005/Jean_Delville_dans_la_gen%C3%A8se_du_symbolisme_1887_1892_in_Jean_Delville_1867_1953_ma%C3%AEtre_de_lid%C3%A9al_Paris_Somogy_2014_p_40_61">Jean Delville dans la genèse du symbolisme (1887-1892), in Jean Delville (1867-1953), maître de l'idéal, Paris, Somogy, 2014, p. 40-61.</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item 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data-has-card-for-ri="16787" href="https://www.academia.edu/Documents/in/Fin_de_Siecle_Literature_and_Culture">Fin de Siecle Literature & Culture</a>, <script data-card-contents-for-ri="16787" type="text/json">{"id":16787,"name":"Fin de Siecle Literature \u0026 Culture","url":"https://www.academia.edu/Documents/in/Fin_de_Siecle_Literature_and_Culture?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="24612" href="https://www.academia.edu/Documents/in/Symbolism_Art_History_">Symbolism (Art History)</a>, <script data-card-contents-for-ri="24612" type="text/json">{"id":24612,"name":"Symbolism (Art History)","url":"https://www.academia.edu/Documents/in/Symbolism_Art_History_?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1171001" href="https://www.academia.edu/Documents/in/Belgian_Art">Belgian Art</a>, <script data-card-contents-for-ri="1171001" type="text/json">{"id":1171001,"name":"Belgian 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40-61.","created_at":"2017-05-05T02:48:14.688-07:00","url":"https://www.academia.edu/32859005/Jean_Delville_dans_la_gen%C3%A8se_du_symbolisme_1887_1892_in_Jean_Delville_1867_1953_ma%C3%AEtre_de_lid%C3%A9al_Paris_Somogy_2014_p_40_61?f_ri=16787","dom_id":"work_32859005","summary":null,"downloadable_attachments":[{"id":53005712,"asset_id":32859005,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":12405878,"first_name":"Denis","last_name":"Laoureux","domain_name":"ulb","page_name":"DenisLaoureux","display_name":"Denis Laoureux","profile_url":"https://ulb.academia.edu/DenisLaoureux?f_ri=16787","photo":"https://0.academia-photos.com/12405878/16580495/19527541/s65_denis.laoureux.jpg"}],"research_interests":[{"id":16787,"name":"Fin de Siecle Literature \u0026 Culture","url":"https://www.academia.edu/Documents/in/Fin_de_Siecle_Literature_and_Culture?f_ri=16787","nofollow":false},{"id":24612,"name":"Symbolism (Art History)","url":"https://www.academia.edu/Documents/in/Symbolism_Art_History_?f_ri=16787","nofollow":false},{"id":1171001,"name":"Belgian Art","url":"https://www.academia.edu/Documents/in/Belgian_Art?f_ri=16787","nofollow":false},{"id":1795133,"name":"Jean Delville","url":"https://www.academia.edu/Documents/in/Jean_Delville?f_ri=16787","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_2642614" data-work_id="2642614" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/2642614/Thomas_Penningtons_Fetich">Thomas Pennington's Fetich</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a 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Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=2642614]'), work: {"id":2642614,"title":"Thomas Pennington's Fetich","created_at":"2013-02-24T20:00:22.115-08:00","url":"https://www.academia.edu/2642614/Thomas_Penningtons_Fetich?f_ri=16787","dom_id":"work_2642614","summary":null,"downloadable_attachments":[{"id":30646940,"asset_id":2642614,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":3347912,"first_name":"Paul","last_name":"Dawson","domain_name":"unsw","page_name":"PaulDawson","display_name":"Paul Dawson","profile_url":"https://unsw.academia.edu/PaulDawson?f_ri=16787","photo":"https://0.academia-photos.com/3347912/1122643/1406805/s65_paul.dawson.jpg"}],"research_interests":[{"id":1,"name":"Creative Writing","url":"https://www.academia.edu/Documents/in/Creative_Writing?f_ri=16787","nofollow":false},{"id":16787,"name":"Fin de Siecle Literature \u0026 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u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Márai Sándor sikere a nemzetközi könyvpiacon az ezredforduló éveitől hatásos cáfolatát jelenti az író várakozásainak, hiszen az emigrációban is magyarul alkotó szerző nem hitt saját műveinek fordíthatóságában. A külföldi Márai-olvasás... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_43752384" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Márai Sándor sikere a nemzetközi könyvpiacon az ezredforduló éveitől hatásos cáfolatát jelenti az író várakozásainak, hiszen az emigrációban is magyarul alkotó szerző nem hitt saját műveinek fordíthatóságában. A külföldi Márai-olvasás középpontjában A gyertyák csonkig égnek című regény áll, melyet a hazai irodalmár szakma nem sorol a szerző legambiciózusabb művei közé. A siker kulcsát a Monarchia letűnt világa iránti nosztalgiahullám jelentheti. Hogyan lehetne eljutni az aktuális sikertől a Márai-életmű világirodalommal való dialógusáig? A választ a Márai-művek világ-, illetve regionális irodalmi kontextusainak feltárása adhatja meg. Ennek példájaként a tanulmány célja, hogy A gyertyák csonkig égnek nyelv-és identitásszemléletét, írásmódját az osztrák (illetve tágabban a közép-európai) modernséghez kapcsoló mélyebb összefüggésekre mutasson rá.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/43752384" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="0a7e72c6344b5df912fa1cab7d8585f5" rel="nofollow" data-download="{"attachment_id":67427914,"asset_id":43752384,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/67427914/download_file?st=MTczMjc3OTQ1NCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="33820628" href="https://pte.academia.edu/%C3%81kosN%C3%A9meth">Ákos Németh</a><script data-card-contents-for-user="33820628" type="text/json">{"id":33820628,"first_name":"Ákos","last_name":"Németh","domain_name":"pte","page_name":"ÁkosNémeth","display_name":"Ákos Németh","profile_url":"https://pte.academia.edu/%C3%81kosN%C3%A9meth?f_ri=16787","photo":"https://0.academia-photos.com/33820628/9954538/11100478/s65__kos.n_meth.jpg_oh_0985ff05513e7c57e612f5b230a20a5d_oe_5649a3a3___gda___1446993013_71a0f11868faad534a16eee7a3ff687e"}</script></span></span></li><li class="js-paper-rank-work_43752384 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="43752384"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 43752384, container: ".js-paper-rank-work_43752384", }); 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A külföldi Márai-olvasás középpontjában A gyertyák csonkig égnek című regény áll, melyet a hazai irodalmár szakma nem sorol a szerző legambiciózusabb művei közé. A siker kulcsát a Monarchia letűnt világa iránti nosztalgiahullám jelentheti. Hogyan lehetne eljutni az aktuális sikertől a Márai-életmű világirodalommal való dialógusáig? A választ a Márai-művek világ-, illetve regionális irodalmi kontextusainak feltárása adhatja meg. Ennek példájaként a tanulmány célja, hogy A gyertyák csonkig égnek nyelv-és identitásszemléletét, írásmódját az osztrák (illetve tágabban a közép-európai) modernséghez kapcsoló mélyebb összefüggésekre mutasson rá.","downloadable_attachments":[{"id":67427914,"asset_id":43752384,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":33820628,"first_name":"Ákos","last_name":"Németh","domain_name":"pte","page_name":"ÁkosNémeth","display_name":"Ákos Németh","profile_url":"https://pte.academia.edu/%C3%81kosN%C3%A9meth?f_ri=16787","photo":"https://0.academia-photos.com/33820628/9954538/11100478/s65__kos.n_meth.jpg_oh_0985ff05513e7c57e612f5b230a20a5d_oe_5649a3a3___gda___1446993013_71a0f11868faad534a16eee7a3ff687e"}],"research_interests":[{"id":8444,"name":"Modernist Literature (Literary Modernism)","url":"https://www.academia.edu/Documents/in/Modernist_Literature_Literary_Modernism_?f_ri=16787","nofollow":false},{"id":12873,"name":"Central European Literature","url":"https://www.academia.edu/Documents/in/Central_European_Literature?f_ri=16787","nofollow":false},{"id":13395,"name":"Hungarian Studies","url":"https://www.academia.edu/Documents/in/Hungarian_Studies?f_ri=16787","nofollow":false},{"id":16787,"name":"Fin de Siecle Literature \u0026 Culture","url":"https://www.academia.edu/Documents/in/Fin_de_Siecle_Literature_and_Culture?f_ri=16787","nofollow":false},{"id":20998,"name":"Central European Studies","url":"https://www.academia.edu/Documents/in/Central_European_Studies?f_ri=16787"},{"id":21129,"name":"Hungarian Literature","url":"https://www.academia.edu/Documents/in/Hungarian_Literature?f_ri=16787"},{"id":37655,"name":"Fin de siècle Vienna","url":"https://www.academia.edu/Documents/in/Fin_de_si%C3%A8cle_Vienna?f_ri=16787"},{"id":46635,"name":"Central and East European Studies","url":"https://www.academia.edu/Documents/in/Central_and_East_European_Studies?f_ri=16787"},{"id":173818,"name":"Austro-Hungarian History","url":"https://www.academia.edu/Documents/in/Austro-Hungarian_History?f_ri=16787"},{"id":907613,"name":"Magyar nyelv és irodalom","url":"https://www.academia.edu/Documents/in/Magyar_nyelv_es_irodalom?f_ri=16787"},{"id":1076464,"name":"Sándor Márai","url":"https://www.academia.edu/Documents/in/Sandor_Marai?f_ri=16787"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_38089770" data-work_id="38089770" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/38089770/Autoru_mekl%C4%93jumos_M%C4%81kslas_kriti%C4%B7i_Baltijas_un_P%C4%93terburgas_v%C4%81cu_pres%C4%93_19_20_gs_mij%C4%81_un_vi%C5%86u_dal%C4%ABba_latvie%C5%A1u_m%C4%81kslas_populariz%C4%93%C5%A1an%C4%81">Autoru meklējumos: Mākslas kritiķi Baltijas un Pēterburgas vācu presē 19.–20. gs. mijā un viņu dalība latviešu mākslas popularizēšanā</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">TITLE: Attribution of Authorship: Art Critics in the Baltic and St. Petersburg German Periodical Press at the Turn of the 20th Century and Their Contribution to the Promotion of Latvian Art. SUMMARY: A. M., A. R., A. S., -b-, B-l, -c-,... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_38089770" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">TITLE: Attribution of Authorship: Art Critics in the Baltic and St. Petersburg German Periodical Press at the Turn of the 20th Century and Their Contribution to the Promotion of Latvian Art. <br /> <br />SUMMARY: A. M., A. R., A. S., -b-, B-l, -c-, C. W., -d -h, E. B., E. K., -en-, -f-, F. Ke, F-k, F-s, G. H. E., G. H. K., G. v. R., H. S., L. G., -m, -n, N., N-n, -nn, O. G., O. G-g, O. S., O. v. S., -rg, R. v. E., R. v. H., S., S-g, S-y, -tz, -um-, V., y, -y, W. B. M., W. N-n, W. S. etc. – this is not some mysterious code but a selection of signatures found in late 19th and early 20th century publications about Latvian art in Baltic and St. Petersburg German periodicals. These abbreviations are used either on a regular basis, or episodically; some of them obviously or possibly refer to the same contributor but others can be deciphered in several different ways, depending on the context of their appearance. <br />Studying the periodical sources of the time, it becomes frustrating to be ignorant of the identity of writers who were active in the local German-speaking art criticism. Even if authorship was not disguised, the contributor’s full name sometimes reveals so little to 21st century people that it seems as mysterious as a combination of cryptic symbols. Latvian art historians, including the author of this article, limited their previous and sometimes erroneous guesswork on the subject to footnotes without giving free rein to serious bio-bibliographical interest. In many instances, reading the “ciphers”, as the abbreviated signatures were commonly called, was a tricky problem already for contemporaries, and the prominent Latvian bibliographer Jānis Misiņš in the 1920s had grounds to announce that “any statements about such experts on ciphers must be simply denied” as baseless. It was critically declared with regard to his colleague Augusts Ģinters’ work on the famous index of the Latvian periodical press, Latvian Science and Literature. The local German periodicals of the period in discussion so far have not been indexed in a similar way at all, making any research into this field difficult and intriguing at the same time. <br />Despite Misiņš’ general scepticism, efforts to identify the authorship of turn of the 20th century press articles is not a hopeless affair and can prove more or less successful even today, with a distance of hundred years and more, combining traditional investigation methods and sources with the advantages of modern information technologies. The reader is invited to follow the researcher on her way from the abbreviated signature marks to obvious or hidden clues for eventual attribution of their owners and further on to often extraordinary biographies. The venture results in bringing together a colourful society of personalities interested in art who were born between the late 1840s and mid 1880s and who represented partly incompatible aesthetic platforms and basically moved within the area between St. Petersburg and German cities, the most distant sites of activity being located in the USA. (Full summary see at the end of the file).</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/38089770" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="8dba4556d410072d272536fef04d8e09" rel="nofollow" data-download="{"attachment_id":58117109,"asset_id":38089770,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/58117109/download_file?st=MTczMjc3OTQ1NCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="4088817" href="https://lma.academia.edu/KristianaAbele">Kristiāna Ābele</a><script data-card-contents-for-user="4088817" type="text/json">{"id":4088817,"first_name":"Kristiāna","last_name":"Ābele","domain_name":"lma","page_name":"KristianaAbele","display_name":"Kristiāna Ābele","profile_url":"https://lma.academia.edu/KristianaAbele?f_ri=16787","photo":"https://0.academia-photos.com/4088817/2620788/58850446/s65_kristi_na._bele.jpg"}</script></span></span></li><li class="js-paper-rank-work_38089770 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="38089770"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 38089770, container: ".js-paper-rank-work_38089770", }); });</script></li><li class="js-percentile-work_38089770 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 38089770; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_38089770"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_38089770 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="38089770"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 38089770; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=38089770]").text(description); $(".js-view-count-work_38089770").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_38089770").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="38089770"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">7</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="382" href="https://www.academia.edu/Documents/in/Eastern_European_Studies">Eastern European Studies</a>, <script data-card-contents-for-ri="382" type="text/json">{"id":382,"name":"Eastern European Studies","url":"https://www.academia.edu/Documents/in/Eastern_European_Studies?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="915" href="https://www.academia.edu/Documents/in/Art_History">Art History</a>, <script data-card-contents-for-ri="915" type="text/json">{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="4500" href="https://www.academia.edu/Documents/in/Baltic_Studies">Baltic Studies</a>, <script data-card-contents-for-ri="4500" type="text/json">{"id":4500,"name":"Baltic Studies","url":"https://www.academia.edu/Documents/in/Baltic_Studies?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="15352" href="https://www.academia.edu/Documents/in/Historiography_in_Art_History_">Historiography (in Art History)</a><script data-card-contents-for-ri="15352" type="text/json">{"id":15352,"name":"Historiography (in Art History)","url":"https://www.academia.edu/Documents/in/Historiography_in_Art_History_?f_ri=16787","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=38089770]'), work: {"id":38089770,"title":"Autoru meklējumos: Mākslas kritiķi Baltijas un Pēterburgas vācu presē 19.–20. gs. mijā un viņu dalība latviešu mākslas popularizēšanā","created_at":"2019-01-04T16:13:27.094-08:00","url":"https://www.academia.edu/38089770/Autoru_mekl%C4%93jumos_M%C4%81kslas_kriti%C4%B7i_Baltijas_un_P%C4%93terburgas_v%C4%81cu_pres%C4%93_19_20_gs_mij%C4%81_un_vi%C5%86u_dal%C4%ABba_latvie%C5%A1u_m%C4%81kslas_populariz%C4%93%C5%A1an%C4%81?f_ri=16787","dom_id":"work_38089770","summary":"TITLE: Attribution of Authorship: Art Critics in the Baltic and St. Petersburg German Periodical Press at the Turn of the 20th Century and Their Contribution to the Promotion of Latvian Art.\r\n\r\nSUMMARY: A. M., A. R., A. S., -b-, B-l, -c-, C. W., -d -h, E. B., E. K., -en-, -f-, F. Ke, F-k, F-s, G. H. E., G. H. K., G. v. R., H. S., L. G., -m, -n, N., N-n, -nn, O. G., O. G-g, O. S., O. v. S., -rg, R. v. E., R. v. H., S., S-g, S-y, -tz, -um-, V., y, -y, W. B. M., W. N-n, W. S. etc. – this is not some mysterious code but a selection of signatures found in late 19th and early 20th century publications about Latvian art in Baltic and St. Petersburg German periodicals. These abbreviations are used either on a regular basis, or episodically; some of them obviously or possibly refer to the same contributor but others can be deciphered in several different ways, depending on the context of their appearance. \r\nStudying the periodical sources of the time, it becomes frustrating to be ignorant of the identity of writers who were active in the local German-speaking art criticism. Even if authorship was not disguised, the contributor’s full name sometimes reveals so little to 21st century people that it seems as mysterious as a combination of cryptic symbols. Latvian art historians, including the author of this article, limited their previous and sometimes erroneous guesswork on the subject to footnotes without giving free rein to serious bio-bibliographical interest. In many instances, reading the “ciphers”, as the abbreviated signatures were commonly called, was a tricky problem already for contemporaries, and the prominent Latvian bibliographer Jānis Misiņš in the 1920s had grounds to announce that “any statements about such experts on ciphers must be simply denied” as baseless. It was critically declared with regard to his colleague Augusts Ģinters’ work on the famous index of the Latvian periodical press, Latvian Science and Literature. The local German periodicals of the period in discussion so far have not been indexed in a similar way at all, making any research into this field difficult and intriguing at the same time.\r\nDespite Misiņš’ general scepticism, efforts to identify the authorship of turn of the 20th century press articles is not a hopeless affair and can prove more or less successful even today, with a distance of hundred years and more, combining traditional investigation methods and sources with the advantages of modern information technologies. The reader is invited to follow the researcher on her way from the abbreviated signature marks to obvious or hidden clues for eventual attribution of their owners and further on to often extraordinary biographies. The venture results in bringing together a colourful society of personalities interested in art who were born between the late 1840s and mid 1880s and who represented partly incompatible aesthetic platforms and basically moved within the area between St. Petersburg and German cities, the most distant sites of activity being located in the USA. (Full summary see at the end of the file).","downloadable_attachments":[{"id":58117109,"asset_id":38089770,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":4088817,"first_name":"Kristiāna","last_name":"Ābele","domain_name":"lma","page_name":"KristianaAbele","display_name":"Kristiāna Ābele","profile_url":"https://lma.academia.edu/KristianaAbele?f_ri=16787","photo":"https://0.academia-photos.com/4088817/2620788/58850446/s65_kristi_na._bele.jpg"}],"research_interests":[{"id":382,"name":"Eastern European Studies","url":"https://www.academia.edu/Documents/in/Eastern_European_Studies?f_ri=16787","nofollow":false},{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=16787","nofollow":false},{"id":4500,"name":"Baltic Studies","url":"https://www.academia.edu/Documents/in/Baltic_Studies?f_ri=16787","nofollow":false},{"id":15352,"name":"Historiography (in Art History)","url":"https://www.academia.edu/Documents/in/Historiography_in_Art_History_?f_ri=16787","nofollow":false},{"id":16787,"name":"Fin de Siecle Literature \u0026 Culture","url":"https://www.academia.edu/Documents/in/Fin_de_Siecle_Literature_and_Culture?f_ri=16787"},{"id":29426,"name":"Cultural Exchange","url":"https://www.academia.edu/Documents/in/Cultural_Exchange?f_ri=16787"},{"id":403707,"name":"Baltic Germans","url":"https://www.academia.edu/Documents/in/Baltic_Germans?f_ri=16787"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_14111187" data-work_id="14111187" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/14111187/Nabis_and_Dramatists_%C3%A0_l_%C5%92uvre_Reflections_on_the_Decorative_from_Maurice_Maeterlinck_to_Alfred_Jarry">Nabis and Dramatists à l’Œuvre: Reflections on the Decorative from Maurice Maeterlinck to Alfred Jarry</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Nabis and Dramatists à l’Œuvre: Reflections on the Decorative from Maurice Maeterlinck to Alfred Jarry’, in Neginsky Rosina (dir.), Symbolism, its origins and its consequences, Newcastle, Cambridge Scholars Publishing, 2010, p. 367-382.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/14111187" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="04f671ed605134932935ae1ac928dcb8" rel="nofollow" data-download="{"attachment_id":38207055,"asset_id":14111187,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/38207055/download_file?st=MTczMjc3OTQ1NCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="2501969" href="https://frs-fnrs.academia.edu/Cl%C3%A9mentDessy">Clément Dessy</a><script data-card-contents-for-user="2501969" type="text/json">{"id":2501969,"first_name":"Clément","last_name":"Dessy","domain_name":"frs-fnrs","page_name":"ClémentDessy","display_name":"Clément Dessy","profile_url":"https://frs-fnrs.academia.edu/Cl%C3%A9mentDessy?f_ri=16787","photo":"https://0.academia-photos.com/2501969/780663/10429228/s65_cl_ment.dessy.jpg"}</script></span></span></li><li class="js-paper-rank-work_14111187 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="14111187"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 14111187, container: ".js-paper-rank-work_14111187", }); });</script></li><li class="js-percentile-work_14111187 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 14111187; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_14111187"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_14111187 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="14111187"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 14111187; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=14111187]").text(description); $(".js-view-count-work_14111187").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_14111187").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="14111187"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">6</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="947" href="https://www.academia.edu/Documents/in/Theatre_Studies">Theatre Studies</a>, <script data-card-contents-for-ri="947" type="text/json">{"id":947,"name":"Theatre Studies","url":"https://www.academia.edu/Documents/in/Theatre_Studies?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="7370" href="https://www.academia.edu/Documents/in/Symbolism">Symbolism</a>, <script data-card-contents-for-ri="7370" type="text/json">{"id":7370,"name":"Symbolism","url":"https://www.academia.edu/Documents/in/Symbolism?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16787" href="https://www.academia.edu/Documents/in/Fin_de_Siecle_Literature_and_Culture">Fin de Siecle Literature & Culture</a>, <script data-card-contents-for-ri="16787" type="text/json">{"id":16787,"name":"Fin de Siecle Literature \u0026 Culture","url":"https://www.academia.edu/Documents/in/Fin_de_Siecle_Literature_and_Culture?f_ri=16787","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="37398" href="https://www.academia.edu/Documents/in/Decadence_Literature_">Decadence (Literature)</a><script data-card-contents-for-ri="37398" type="text/json">{"id":37398,"name":"Decadence (Literature)","url":"https://www.academia.edu/Documents/in/Decadence_Literature_?f_ri=16787","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=14111187]'), work: {"id":14111187,"title":"Nabis and Dramatists à l’Œuvre: Reflections on the Decorative from Maurice Maeterlinck to Alfred Jarry","created_at":"2015-07-16T05:55:46.532-07:00","url":"https://www.academia.edu/14111187/Nabis_and_Dramatists_%C3%A0_l_%C5%92uvre_Reflections_on_the_Decorative_from_Maurice_Maeterlinck_to_Alfred_Jarry?f_ri=16787","dom_id":"work_14111187","summary":"Nabis and Dramatists à l’Œuvre: Reflections on the Decorative from Maurice Maeterlinck to Alfred Jarry’, in Neginsky Rosina (dir.), Symbolism, its origins and its consequences, Newcastle, Cambridge Scholars Publishing, 2010, p. 367-382.","downloadable_attachments":[{"id":38207055,"asset_id":14111187,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":2501969,"first_name":"Clément","last_name":"Dessy","domain_name":"frs-fnrs","page_name":"ClémentDessy","display_name":"Clément Dessy","profile_url":"https://frs-fnrs.academia.edu/Cl%C3%A9mentDessy?f_ri=16787","photo":"https://0.academia-photos.com/2501969/780663/10429228/s65_cl_ment.dessy.jpg"}],"research_interests":[{"id":947,"name":"Theatre Studies","url":"https://www.academia.edu/Documents/in/Theatre_Studies?f_ri=16787","nofollow":false},{"id":7370,"name":"Symbolism","url":"https://www.academia.edu/Documents/in/Symbolism?f_ri=16787","nofollow":false},{"id":16787,"name":"Fin de Siecle Literature \u0026 Culture","url":"https://www.academia.edu/Documents/in/Fin_de_Siecle_Literature_and_Culture?f_ri=16787","nofollow":false},{"id":37398,"name":"Decadence (Literature)","url":"https://www.academia.edu/Documents/in/Decadence_Literature_?f_ri=16787","nofollow":false},{"id":68103,"name":"Belgian Literature","url":"https://www.academia.edu/Documents/in/Belgian_Literature?f_ri=16787"},{"id":386731,"name":"Nabis","url":"https://www.academia.edu/Documents/in/Nabis?f_ri=16787"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_1543941" data-work_id="1543941" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/1543941/English_Literary_Sexology_Translations_of_Inversion_1860_1930">English Literary Sexology: Translations of Inversion, 1860-1930</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This book examines how sexological ideas about desire and the body made their way from German science into British literary culture at the turn of the last century. It shows that fiction not only influenced the vocabulary of European... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_1543941" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This book examines how sexological ideas about desire and the body made their way from German science into British literary culture at the turn of the last century. It shows that fiction not only influenced the vocabulary of European sexology, but that it allowed lay women and men to shape modern ideas about sex, gender and the body.<br /><br />Main authors discussed include Karl Heinrich Ulrichs, Richard von Krafft-Ebing, Magnus Hirschfeld, Havelock Ellis, John Addington Symonds, Edward Carpenter, Olive Schreiner and Sarah Grand, Edith Ellis, and Radclyffe Hall.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/1543941" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="d830883071223eb0ba26557edf2fb198" rel="nofollow" data-download="{"attachment_id":36585132,"asset_id":1543941,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/36585132/download_file?st=MTczMjc3OTQ1NCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1705899" href="https://birkbeck.academia.edu/HeikeBauer">Heike Bauer</a><script data-card-contents-for-user="1705899" type="text/json">{"id":1705899,"first_name":"Heike","last_name":"Bauer","domain_name":"birkbeck","page_name":"HeikeBauer","display_name":"Heike Bauer","profile_url":"https://birkbeck.academia.edu/HeikeBauer?f_ri=16787","photo":"https://0.academia-photos.com/1705899/589016/13676920/s65_heike.bauer.jpg"}</script></span></span></li><li class="js-paper-rank-work_1543941 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="1543941"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 1543941, container: ".js-paper-rank-work_1543941", }); 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itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/38026160/Vittorio_Pica_lincontro_con_lopera_di_Henry_de_Groux_e_James_Ensor">Vittorio Pica: l'incontro con l'opera di Henry de Groux e James Ensor</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Vittorio Pica è oggetto di una rivisitazione storica relativamente recente. Nonostante gli studi pionieristici di Lamberti e Picone Petrusa, solo negli ultimi dieci anni, in effetti, è stata messa in atto un’operazione di ricostruzione... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_38026160" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Vittorio Pica è oggetto di una rivisitazione storica relativamente recente. Nonostante gli studi pionieristici di Lamberti e Picone Petrusa, solo negli ultimi dieci anni, in effetti, è stata messa in atto un’operazione di ricostruzione della sua figura di critico d’arte, attenta alla complessità e alla varietà dei suoi interessi e agli sviluppi nazionali ed internazionali della sua attività. Tuttavia, non sono stati fin qui indagati in maniera sistematica i riferimenti al Belgio, Paese che Pica visitò in più occasioni e con il quale intrattenne continui contatti per corrispondenza, sebbene sia stato già evidenziato come la produzione letteraria e artistica della piccola e vivace nazione costituisse un ambito di grande interesse per il critico italiano. Questo contributo propone una prima indagine del legame che Vittorio Pica ebbe con alcune coeve correnti artistiche belghe. Il critico si indirizzò in particolare verso artisti nei quali aveva intuito o presagito una nota di modernità, o solo di originalità. Curioso del grottesco, del macabro, del misterioso, interessato a una certa “opacità” delle arti visive, tipica di alcune opere simboliste, Pica trovò in Belgio molteplici diramazioni di ricerca verso le quali si dimostrò osservatore perspicace e disponibile, così come nelle strategie espositive e di sociabilités. <br />grazie ai numerosi articoli ma anche ai cataloghi di vendita della sua collezione sappiamo dell’interesse che Pica aveva coltivato nei loro confronti, e in particolare di artisti come Ensor e Henry de groux (1866-1930), sui quali ritengo valga la pena soffermarsi in questo studio, modellato quasi esclusivamente sugli scritti pubblicati dal critico napoletano e su altre fonti indirette.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/38026160" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="10bc7f418ce1deafdb62777b51096606" rel="nofollow" data-download="{"attachment_id":58047759,"asset_id":38026160,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/58047759/download_file?st=MTczMjc3OTQ1NCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="5893961" href="https://independent.academia.edu/LauraFanti">Laura Fanti</a><script data-card-contents-for-user="5893961" type="text/json">{"id":5893961,"first_name":"Laura","last_name":"Fanti","domain_name":"independent","page_name":"LauraFanti","display_name":"Laura Fanti","profile_url":"https://independent.academia.edu/LauraFanti?f_ri=16787","photo":"https://0.academia-photos.com/5893961/10892653/107999804/s65_laura.fanti.png"}</script></span></span></li><li class="js-paper-rank-work_38026160 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="38026160"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 38026160, container: ".js-paper-rank-work_38026160", }); 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Nonostante gli studi pionieristici di Lamberti e Picone Petrusa, solo negli ultimi dieci anni, in effetti, è stata messa in atto un’operazione di ricostruzione della sua figura di critico d’arte, attenta alla complessità e alla varietà dei suoi interessi e agli sviluppi nazionali ed internazionali della sua attività. Tuttavia, non sono stati fin qui indagati in maniera sistematica i riferimenti al Belgio, Paese che Pica visitò in più occasioni e con il quale intrattenne continui contatti per corrispondenza, sebbene sia stato già evidenziato come la produzione letteraria e artistica della piccola e vivace nazione costituisse un ambito di grande interesse per il critico italiano. Questo contributo propone una prima indagine del legame che Vittorio Pica ebbe con alcune coeve correnti artistiche belghe. Il critico si indirizzò in particolare verso artisti nei quali aveva intuito o presagito una nota di modernità, o solo di originalità. Curioso del grottesco, del macabro, del misterioso, interessato a una certa “opacità” delle arti visive, tipica di alcune opere simboliste, Pica trovò in Belgio molteplici diramazioni di ricerca verso le quali si dimostrò osservatore perspicace e disponibile, così come nelle strategie espositive e di sociabilités.\r\ngrazie ai numerosi articoli ma anche ai cataloghi di vendita della sua collezione sappiamo dell’interesse che Pica aveva coltivato nei loro confronti, e in particolare di artisti come Ensor e Henry de groux (1866-1930), sui quali ritengo valga la pena soffermarsi in questo studio, modellato quasi esclusivamente sugli scritti pubblicati dal critico napoletano e su altre fonti indirette.","downloadable_attachments":[{"id":58047759,"asset_id":38026160,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":5893961,"first_name":"Laura","last_name":"Fanti","domain_name":"independent","page_name":"LauraFanti","display_name":"Laura Fanti","profile_url":"https://independent.academia.edu/LauraFanti?f_ri=16787","photo":"https://0.academia-photos.com/5893961/10892653/107999804/s65_laura.fanti.png"}],"research_interests":[{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=16787","nofollow":false},{"id":2793,"name":"Transnationalism","url":"https://www.academia.edu/Documents/in/Transnationalism?f_ri=16787","nofollow":false},{"id":7286,"name":"Cultural Transfer Studies","url":"https://www.academia.edu/Documents/in/Cultural_Transfer_Studies?f_ri=16787","nofollow":false},{"id":7370,"name":"Symbolism","url":"https://www.academia.edu/Documents/in/Symbolism?f_ri=16787","nofollow":false},{"id":13966,"name":"History of Art","url":"https://www.academia.edu/Documents/in/History_of_Art?f_ri=16787"},{"id":15749,"name":"Art Criticism","url":"https://www.academia.edu/Documents/in/Art_Criticism?f_ri=16787"},{"id":15761,"name":"History of Collections","url":"https://www.academia.edu/Documents/in/History_of_Collections?f_ri=16787"},{"id":16787,"name":"Fin de Siecle Literature \u0026 Culture","url":"https://www.academia.edu/Documents/in/Fin_de_Siecle_Literature_and_Culture?f_ri=16787"},{"id":43349,"name":"Fine Arts","url":"https://www.academia.edu/Documents/in/Fine_Arts?f_ri=16787"},{"id":52072,"name":"History of Collecting","url":"https://www.academia.edu/Documents/in/History_of_Collecting?f_ri=16787"},{"id":78089,"name":"Decadence","url":"https://www.academia.edu/Documents/in/Decadence?f_ri=16787"},{"id":347203,"name":"Storia Della Critica D'Arte","url":"https://www.academia.edu/Documents/in/Storia_Della_Critica_DArte?f_ri=16787"},{"id":402364,"name":"Vittorio Pica","url":"https://www.academia.edu/Documents/in/Vittorio_Pica?f_ri=16787"},{"id":799763,"name":"Decadentismo","url":"https://www.academia.edu/Documents/in/Decadentismo?f_ri=16787"},{"id":1171001,"name":"Belgian Art","url":"https://www.academia.edu/Documents/in/Belgian_Art?f_ri=16787"},{"id":1683735,"name":"James Ensor","url":"https://www.academia.edu/Documents/in/James_Ensor?f_ri=16787"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_15677693" data-work_id="15677693" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/15677693/Both_in_Mens_Clothing_Gender_Sovereignty_and_Insecurity_in_Richard_Marshs_The_Beetle">Both in Men's Clothing': Gender, Sovereignty and Insecurity in Richard Marsh's The Beetle</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">In common with its contemporary Dracula, Marsh’s gothic novel The Beetle identifies a series of threats to the stability of late Victorian British identity. This paper focuses on the novel’s engagement with the problems of class and... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_15677693" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">In common with its contemporary Dracula, Marsh’s gothic novel The Beetle identifies a series of threats to the stability of late Victorian British identity. This paper focuses on the novel’s engagement with the problems of class and gender instability. It reads the narrative device in which the New Woman character is disguised as the out-of-work clerk, as equating two figures who were problematic for late Victorian culture: the proto-feminist and the unemployed male. This sub-textual identification of the two expresses a logic according to which the feminist is equivalent to the man emasculated by unemployment: both are inadequate versions of the masculinity to which they aspire. This equation, and its ideological meaning, is reinforced by the text’s problematising of these characters’ narrations in contrast to the more authoritative narratives of the male establishment figures. However, while the novel labours to establish a model of virile masculinity as its hope for the future sovereignty and security of Britain, what is perhaps most interesting is the text’s profound ambivalence about the central male character who is charged with embodying this. Like Dracula, The Beetle proposes a solution to fin de siécle anxiety; but unlike that more famous novel, it persistently undermines this solution, and emerges as a text whose irreducible mode is that of uncertainty and equivocation.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/15677693" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="f9fc9b5703f46efc3b03355f6597789f" rel="nofollow" data-download="{"attachment_id":38762707,"asset_id":15677693,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/38762707/download_file?st=MTczMjc3OTQ1NCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="33231964" href="https://brighton.academia.edu/VictoriaMargree">Victoria Margree</a><script data-card-contents-for-user="33231964" type="text/json">{"id":33231964,"first_name":"Victoria","last_name":"Margree","domain_name":"brighton","page_name":"VictoriaMargree","display_name":"Victoria Margree","profile_url":"https://brighton.academia.edu/VictoriaMargree?f_ri=16787","photo":"https://0.academia-photos.com/33231964/10160634/11338086/s65_victoria.margree.jpg"}</script></span></span></li><li class="js-paper-rank-work_15677693 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="15677693"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 15677693, container: ".js-paper-rank-work_15677693", }); 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This paper focuses on the novel’s engagement with the problems of class and gender instability. It reads the narrative device in which the New Woman character is disguised as the out-of-work clerk, as equating two figures who were problematic for late Victorian culture: the proto-feminist and the unemployed male. This sub-textual identification of the two expresses a logic according to which the feminist is equivalent to the man emasculated by unemployment: both are inadequate versions of the masculinity to which they aspire. This equation, and its ideological meaning, is reinforced by the text’s problematising of these characters’ narrations in contrast to the more authoritative narratives of the male establishment figures. However, while the novel labours to establish a model of virile masculinity as its hope for the future sovereignty and security of Britain, what is perhaps most interesting is the text’s profound ambivalence about the central male character who is charged with embodying this. Like Dracula, The Beetle proposes a solution to fin de siécle anxiety; but unlike that more famous novel, it persistently undermines this solution, and emerges as a text whose irreducible mode is that of uncertainty and equivocation. ","downloadable_attachments":[{"id":38762707,"asset_id":15677693,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":33231964,"first_name":"Victoria","last_name":"Margree","domain_name":"brighton","page_name":"VictoriaMargree","display_name":"Victoria Margree","profile_url":"https://brighton.academia.edu/VictoriaMargree?f_ri=16787","photo":"https://0.academia-photos.com/33231964/10160634/11338086/s65_victoria.margree.jpg"}],"research_interests":[{"id":1305,"name":"Victorian Studies","url":"https://www.academia.edu/Documents/in/Victorian_Studies?f_ri=16787","nofollow":false},{"id":7299,"name":"Victorian Literature","url":"https://www.academia.edu/Documents/in/Victorian_Literature?f_ri=16787","nofollow":false},{"id":8354,"name":"Gothic Studies","url":"https://www.academia.edu/Documents/in/Gothic_Studies?f_ri=16787","nofollow":false},{"id":13618,"name":"Victorian cultural studies","url":"https://www.academia.edu/Documents/in/Victorian_cultural_studies?f_ri=16787","nofollow":false},{"id":16787,"name":"Fin de Siecle Literature \u0026 Culture","url":"https://www.academia.edu/Documents/in/Fin_de_Siecle_Literature_and_Culture?f_ri=16787"},{"id":215439,"name":"New Woman Fiction","url":"https://www.academia.edu/Documents/in/New_Woman_Fiction?f_ri=16787"},{"id":469469,"name":"Marsh, Richard","url":"https://www.academia.edu/Documents/in/Marsh_Richard?f_ri=16787"}]}, }) } })();</script></ul></li></ul></div></div></div><div class="u-taCenter Pagination"><ul class="pagination"><li class="next_page"><a href="/Documents/in/Fin_de_Siecle_Literature_and_Culture?after=50%2C15677693" rel="next">Next</a></li><li class="last next"><a href="/Documents/in/Fin_de_Siecle_Literature_and_Culture?page=last">Last »</a></li></ul></div></div><div class="hidden-xs hidden-sm"><div class="u-pl6x"><div style="width: 300px;"><div class="panel panel-flat u-mt7x"><div class="panel-heading 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