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-webkit-line-clamp: 3; -webkit-box-orient: vertical; }</style><div class="col-xs-12 clearfix"><div class="u-floatLeft"><h1 class="PageHeader-title u-m0x u-fs30">Eighteenth-Century literature</h1><div class="u-tcGrayDark">16,711 Followers</div><div class="u-tcGrayDark u-mt2x">Recent papers in <b>Eighteenth-Century literature</b></div></div></div></div></div></div><div class="TabbedNavigation"><div class="container"><div class="row"><div class="col-xs-12 clearfix"><ul class="nav u-m0x u-p0x list-inline u-displayFlex"><li class="active"><a href="https://www.academia.edu/Documents/in/Eighteenth-Century_literature">Top Papers</a></li><li><a href="https://www.academia.edu/Documents/in/Eighteenth-Century_literature/MostCited">Most Cited Papers</a></li><li><a href="https://www.academia.edu/Documents/in/Eighteenth-Century_literature/MostDownloaded">Most Downloaded Papers</a></li><li><a href="https://www.academia.edu/Documents/in/Eighteenth-Century_literature/MostRecent">Newest 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href="https://www.academia.edu/12221608/_The_Public_Life_of_a_Woman_of_Wit_and_Quality_Lady_Mary_Wortley_Montagu_and_the_Vogue_for_Smallpox_Inoculation_Feminist_Studies_38_2_2012_330_62">“The Public Life of a Woman of Wit and Quality: Lady Mary Wortley Montagu and the Vogue for Smallpox Inoculation” Feminist Studies 38.2 (2012): 330-62.</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/12221608" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="f618d0936ec09e4fab834805ba97bbdb" rel="nofollow" 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type="text/json">{"id":10351358,"first_name":"Diana","last_name":"Barnes","domain_name":"une-au","page_name":"DianaBarnes","display_name":"Diana Barnes","profile_url":"https://une-au.academia.edu/DianaBarnes?f_ri=2396","photo":"https://0.academia-photos.com/10351358/7164112/11103170/s65_diana.barnes.jpg"}</script></span></span></li><li class="js-paper-rank-work_12221608 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="12221608"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 12221608, container: ".js-paper-rank-work_12221608", }); });</script></li><li class="js-percentile-work_12221608 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x 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}); });</script></span><script>$(function() { $(".js-view-count-work_12221608").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="12221608"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">8</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="2396" href="https://www.academia.edu/Documents/in/Eighteenth-Century_literature">Eighteenth-Century literature</a>, <script data-card-contents-for-ri="2396" type="text/json">{"id":2396,"name":"Eighteenth-Century literature","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_literature?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="11744" href="https://www.academia.edu/Documents/in/Restoration_and_Eighteenth-Century_English_Literature">Restoration and Eighteenth-Century English Literature</a>, <script data-card-contents-for-ri="11744" type="text/json">{"id":11744,"name":"Restoration and Eighteenth-Century English Literature","url":"https://www.academia.edu/Documents/in/Restoration_and_Eighteenth-Century_English_Literature?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="29108" href="https://www.academia.edu/Documents/in/Feminist_Literary_Theory_and_Gender_Studies">Feminist Literary Theory and Gender Studies</a>, <script data-card-contents-for-ri="29108" type="text/json">{"id":29108,"name":"Feminist Literary Theory and Gender Studies","url":"https://www.academia.edu/Documents/in/Feminist_Literary_Theory_and_Gender_Studies?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="39568" href="https://www.academia.edu/Documents/in/History_of_Smallpox_and_Vaccination">History of Smallpox and Vaccination</a><script data-card-contents-for-ri="39568" type="text/json">{"id":39568,"name":"History of Smallpox and Vaccination","url":"https://www.academia.edu/Documents/in/History_of_Smallpox_and_Vaccination?f_ri=2396","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=12221608]'), work: {"id":12221608,"title":"“The Public Life of a Woman of Wit and Quality: Lady Mary Wortley Montagu and the Vogue for Smallpox Inoculation” Feminist Studies 38.2 (2012): 330-62.","created_at":"2015-05-04T04:14:22.989-07:00","url":"https://www.academia.edu/12221608/_The_Public_Life_of_a_Woman_of_Wit_and_Quality_Lady_Mary_Wortley_Montagu_and_the_Vogue_for_Smallpox_Inoculation_Feminist_Studies_38_2_2012_330_62?f_ri=2396","dom_id":"work_12221608","summary":null,"downloadable_attachments":[{"id":37498525,"asset_id":12221608,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":10351358,"first_name":"Diana","last_name":"Barnes","domain_name":"une-au","page_name":"DianaBarnes","display_name":"Diana Barnes","profile_url":"https://une-au.academia.edu/DianaBarnes?f_ri=2396","photo":"https://0.academia-photos.com/10351358/7164112/11103170/s65_diana.barnes.jpg"}],"research_interests":[{"id":2396,"name":"Eighteenth-Century literature","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_literature?f_ri=2396","nofollow":false},{"id":11744,"name":"Restoration and Eighteenth-Century English Literature","url":"https://www.academia.edu/Documents/in/Restoration_and_Eighteenth-Century_English_Literature?f_ri=2396","nofollow":false},{"id":29108,"name":"Feminist Literary Theory and Gender Studies","url":"https://www.academia.edu/Documents/in/Feminist_Literary_Theory_and_Gender_Studies?f_ri=2396","nofollow":false},{"id":39568,"name":"History of Smallpox and Vaccination","url":"https://www.academia.edu/Documents/in/History_of_Smallpox_and_Vaccination?f_ri=2396","nofollow":false},{"id":84748,"name":"Lady Mary Wortley Montagu","url":"https://www.academia.edu/Documents/in/Lady_Mary_Wortley_Montagu?f_ri=2396"},{"id":338376,"name":"Smallpox vaccination","url":"https://www.academia.edu/Documents/in/Smallpox_vaccination?f_ri=2396"},{"id":992040,"name":"Mary Wortley Montagu","url":"https://www.academia.edu/Documents/in/Mary_Wortley_Montagu?f_ri=2396"},{"id":1537856,"name":"Feminist Literary History","url":"https://www.academia.edu/Documents/in/Feminist_Literary_History?f_ri=2396"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_35400466" data-work_id="35400466" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/35400466/_Le_mythe_des_hi%C3%A9roglyphes_au_XVIIIe_si%C3%A8cle_la_langue_et_la_crypte_LImaginaire_des_langues_et_des_styles_Mich%C3%A8le_Rosellini_et_Sabine_Lardon_dir_Cahiers_du_GADGES_2018_p_91_112">"Le mythe des hiéroglyphes au XVIIIe siècle: la langue et la crypte", L'Imaginaire des langues et des styles, Michèle Rosellini et Sabine Lardon (dir.), Cahiers du GADGES, 2018, p. 91-112.</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Si le siècle des Lumières est celui d’une codification et d’une comparaison des langues, d’une attention toute particulière portée à leur formation, leur mécanique et leur système, il est également celui de débats sur les écritures «... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_35400466" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Si le siècle des Lumières est celui d’une codification et d’une comparaison des langues, d’une attention toute particulière portée à leur formation, leur mécanique et leur système, il est également celui de débats sur les écritures « hiéroglyphiques ». Les penseurs s’intéressent aux écritures obscures, cachées ou chiffrées et qui nourrissent une étrange alliance, celle de la langue avec la crypte – au double sens d’écriture liée au rite et d’écriture cryptée. Poètes, grammairiens et philosophes cherchent à établir une « correspondance » ou à saisir l’« universelle analogie » qui existerait entre le langage et le monde, posant avec une acuité nouvelle la question de l’universalité de la pensée humaine confrontée à la diversité des langues. En examinant plusieurs théories des hiéroglyphes, les enjeux de cet imaginaire de l’écriture apparaissent : sont créées même des fictions de langue caractéristiques des Lumières.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/35400466" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="181bcd03333b983efd17e6ce939bdc5d" rel="nofollow" data-download="{"attachment_id":62142114,"asset_id":35400466,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/62142114/download_file?st=MTczMjc2MjQzOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="51563807" href="https://u-bordeaux3.academia.edu/httpclareubordeaux3frmembresenseignantschercheurs">Élise Pavy-Guilbert</a><script data-card-contents-for-user="51563807" type="text/json">{"id":51563807,"first_name":"Élise","last_name":"Pavy-Guilbert","domain_name":"u-bordeaux3","page_name":"httpclareubordeaux3frmembresenseignantschercheurs","display_name":"Élise Pavy-Guilbert","profile_url":"https://u-bordeaux3.academia.edu/httpclareubordeaux3frmembresenseignantschercheurs?f_ri=2396","photo":"https://0.academia-photos.com/51563807/14646609/16717717/s65_elise.pavy-guilbert.jpg"}</script></span></span></li><li class="js-paper-rank-work_35400466 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="35400466"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 35400466, container: ".js-paper-rank-work_35400466", }); 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$(".js-view-count[data-work-id=35400466]").text(description); $(".js-view-count-work_35400466").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_35400466").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="35400466"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">5</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="1200" href="https://www.academia.edu/Documents/in/Languages_and_Linguistics">Languages and Linguistics</a>, <script data-card-contents-for-ri="1200" type="text/json">{"id":1200,"name":"Languages and Linguistics","url":"https://www.academia.edu/Documents/in/Languages_and_Linguistics?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2396" href="https://www.academia.edu/Documents/in/Eighteenth-Century_literature">Eighteenth-Century literature</a>, <script data-card-contents-for-ri="2396" type="text/json">{"id":2396,"name":"Eighteenth-Century literature","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_literature?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2418" href="https://www.academia.edu/Documents/in/Literature">Literature</a>, <script data-card-contents-for-ri="2418" type="text/json">{"id":2418,"name":"Literature","url":"https://www.academia.edu/Documents/in/Literature?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="4498" href="https://www.academia.edu/Documents/in/Utopian_Studies">Utopian Studies</a><script data-card-contents-for-ri="4498" type="text/json">{"id":4498,"name":"Utopian Studies","url":"https://www.academia.edu/Documents/in/Utopian_Studies?f_ri=2396","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=35400466]'), work: {"id":35400466,"title":"\"Le mythe des hiéroglyphes au XVIIIe siècle: la langue et la crypte\", L'Imaginaire des langues et des styles, Michèle Rosellini et Sabine Lardon (dir.), Cahiers du GADGES, 2018, p. 91-112.","created_at":"2017-12-11T06:28:51.850-08:00","url":"https://www.academia.edu/35400466/_Le_mythe_des_hi%C3%A9roglyphes_au_XVIIIe_si%C3%A8cle_la_langue_et_la_crypte_LImaginaire_des_langues_et_des_styles_Mich%C3%A8le_Rosellini_et_Sabine_Lardon_dir_Cahiers_du_GADGES_2018_p_91_112?f_ri=2396","dom_id":"work_35400466","summary":"Si le siècle des Lumières est celui d’une codification et d’une comparaison des langues, d’une attention toute particulière portée à leur formation, leur mécanique et leur système, il est également celui de débats sur les écritures « hiéroglyphiques ». Les penseurs s’intéressent aux écritures obscures, cachées ou chiffrées et qui nourrissent une étrange alliance, celle de la langue avec la crypte – au double sens d’écriture liée au rite et d’écriture cryptée. Poètes, grammairiens et philosophes cherchent à établir une « correspondance » ou à saisir l’« universelle analogie » qui existerait entre le langage et le monde, posant avec une acuité nouvelle la question de l’universalité de la pensée humaine confrontée à la diversité des langues. En examinant plusieurs théories des hiéroglyphes, les enjeux de cet imaginaire de l’écriture apparaissent : sont créées même des fictions de langue caractéristiques des Lumières.","downloadable_attachments":[{"id":62142114,"asset_id":35400466,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":51563807,"first_name":"Élise","last_name":"Pavy-Guilbert","domain_name":"u-bordeaux3","page_name":"httpclareubordeaux3frmembresenseignantschercheurs","display_name":"Élise Pavy-Guilbert","profile_url":"https://u-bordeaux3.academia.edu/httpclareubordeaux3frmembresenseignantschercheurs?f_ri=2396","photo":"https://0.academia-photos.com/51563807/14646609/16717717/s65_elise.pavy-guilbert.jpg"}],"research_interests":[{"id":1200,"name":"Languages and Linguistics","url":"https://www.academia.edu/Documents/in/Languages_and_Linguistics?f_ri=2396","nofollow":false},{"id":2396,"name":"Eighteenth-Century literature","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_literature?f_ri=2396","nofollow":false},{"id":2418,"name":"Literature","url":"https://www.academia.edu/Documents/in/Literature?f_ri=2396","nofollow":false},{"id":4498,"name":"Utopian Studies","url":"https://www.academia.edu/Documents/in/Utopian_Studies?f_ri=2396","nofollow":false},{"id":10128,"name":"Eighteenth-Century French Studies","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_French_Studies?f_ri=2396"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_44004160" data-work_id="44004160" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/44004160/The_Economy_of_Virtue_in_Jane_Austens_Mansfield_Park">The Economy of Virtue in Jane Austen's Mansfield Park</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This paper aims to account for what I describe as the gentrification of the humanist tradition by strengthening the bond between the epistemic merger of virtue theory and the still emergent category of political economy in... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_44004160" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This paper aims to account for what I describe as the gentrification of the humanist tradition by strengthening the bond between the epistemic merger of virtue theory and the still emergent category of political economy in eighteenth-century discourses. I use Jane Austen's Mansfield Park (1814) to trace the shifting relation between character and currency to historical transformations in transatlantic slavery and the development of an innovative line of rhetoric capable of registering the historical novelty of ‘creditable’ yet ‘unreal’ value. I argue that the text articulates contemporary fears that the growth and diversification of character through the process of commodity production and exchange rendered virtue in a politically paradigmatic form archaic and remote. In other words, Austen's narrativized account of the advent of paper money and public credit dramatizes how these linguistic transformations resulted in a wider cultural unease about the socially determined indicators of value, character, and race, and meant that not merely the functioning, but the intelligibility of society depended upon the success of a program of reification. Yet I caution that the novel's conclusion signals that the success of this program remained anxiously unsettled at the close of the eighteenth century and that it instead acknowledges how the modern dialects of credit precariously subsumed grammars which had traditionally given shape to the material or otherwise ‘real’ foundations of civic personality and virtue.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/44004160" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="6d93e59c0608212429d6c676d6aca331" rel="nofollow" data-download="{"attachment_id":64352689,"asset_id":44004160,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/64352689/download_file?st=MTczMjc2MjQzOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="19185437" href="https://nyu.academia.edu/JohnMazzoni">John Mazzoni</a><script data-card-contents-for-user="19185437" type="text/json">{"id":19185437,"first_name":"John","last_name":"Mazzoni","domain_name":"nyu","page_name":"JohnMazzoni","display_name":"John Mazzoni","profile_url":"https://nyu.academia.edu/JohnMazzoni?f_ri=2396","photo":"https://0.academia-photos.com/19185437/5348182/20122077/s65_john.mazzoni.jpeg"}</script></span></span></li><li class="js-paper-rank-work_44004160 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="44004160"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 44004160, container: ".js-paper-rank-work_44004160", }); 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$(".js-view-count[data-work-id=44004160]").text(description); $(".js-view-count-work_44004160").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_44004160").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="44004160"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">14</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="15" href="https://www.academia.edu/Documents/in/British_Literature">British Literature</a>, <script data-card-contents-for-ri="15" type="text/json">{"id":15,"name":"British Literature","url":"https://www.academia.edu/Documents/in/British_Literature?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="135" href="https://www.academia.edu/Documents/in/Intellectual_History">Intellectual History</a>, <script data-card-contents-for-ri="135" type="text/json">{"id":135,"name":"Intellectual History","url":"https://www.academia.edu/Documents/in/Intellectual_History?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="803" href="https://www.academia.edu/Documents/in/Philosophy">Philosophy</a>, <script data-card-contents-for-ri="803" type="text/json">{"id":803,"name":"Philosophy","url":"https://www.academia.edu/Documents/in/Philosophy?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2396" href="https://www.academia.edu/Documents/in/Eighteenth-Century_literature">Eighteenth-Century literature</a><script data-card-contents-for-ri="2396" type="text/json">{"id":2396,"name":"Eighteenth-Century literature","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_literature?f_ri=2396","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=44004160]'), work: {"id":44004160,"title":"The Economy of Virtue in Jane Austen's Mansfield Park","created_at":"2020-09-02T09:51:30.233-07:00","url":"https://www.academia.edu/44004160/The_Economy_of_Virtue_in_Jane_Austens_Mansfield_Park?f_ri=2396","dom_id":"work_44004160","summary":"This paper aims to account for what I describe as the gentrification of the humanist tradition by strengthening the bond between the epistemic merger of virtue theory and the still emergent category of political economy in eighteenth-century discourses. I use Jane Austen's Mansfield Park (1814) to trace the shifting relation between character and currency to historical transformations in transatlantic slavery and the development of an innovative line of rhetoric capable of registering the historical novelty of ‘creditable’ yet ‘unreal’ value. I argue that the text articulates contemporary fears that the growth and diversification of character through the process of commodity production and exchange rendered virtue in a politically paradigmatic form archaic and remote. In other words, Austen's narrativized account of the advent of paper money and public credit dramatizes how these linguistic transformations resulted in a wider cultural unease about the socially determined indicators of value, character, and race, and meant that not merely the functioning, but the intelligibility of society depended upon the success of a program of reification. Yet I caution that the novel's conclusion signals that the success of this program remained anxiously unsettled at the close of the eighteenth century and that it instead acknowledges how the modern dialects of credit precariously subsumed grammars which had traditionally given shape to the material or otherwise ‘real’ foundations of civic personality and virtue.","downloadable_attachments":[{"id":64352689,"asset_id":44004160,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":19185437,"first_name":"John","last_name":"Mazzoni","domain_name":"nyu","page_name":"JohnMazzoni","display_name":"John Mazzoni","profile_url":"https://nyu.academia.edu/JohnMazzoni?f_ri=2396","photo":"https://0.academia-photos.com/19185437/5348182/20122077/s65_john.mazzoni.jpeg"}],"research_interests":[{"id":15,"name":"British Literature","url":"https://www.academia.edu/Documents/in/British_Literature?f_ri=2396","nofollow":false},{"id":135,"name":"Intellectual History","url":"https://www.academia.edu/Documents/in/Intellectual_History?f_ri=2396","nofollow":false},{"id":803,"name":"Philosophy","url":"https://www.academia.edu/Documents/in/Philosophy?f_ri=2396","nofollow":false},{"id":2396,"name":"Eighteenth-Century literature","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_literature?f_ri=2396","nofollow":false},{"id":5122,"name":"CIvic Humanism","url":"https://www.academia.edu/Documents/in/CIvic_Humanism?f_ri=2396"},{"id":5231,"name":"Eighteenth Century History","url":"https://www.academia.edu/Documents/in/Eighteenth_Century_History?f_ri=2396"},{"id":6283,"name":"History of Slavery","url":"https://www.academia.edu/Documents/in/History_of_Slavery?f_ri=2396"},{"id":7335,"name":"Jane Austen","url":"https://www.academia.edu/Documents/in/Jane_Austen?f_ri=2396"},{"id":9690,"name":"Intellectual History of Enlightenment","url":"https://www.academia.edu/Documents/in/Intellectual_History_of_Enlightenment?f_ri=2396"},{"id":56595,"name":"New Economic Criticism","url":"https://www.academia.edu/Documents/in/New_Economic_Criticism?f_ri=2396"},{"id":61215,"name":"Virtue theory","url":"https://www.academia.edu/Documents/in/Virtue_theory?f_ri=2396"},{"id":76276,"name":"Civic Virtue","url":"https://www.academia.edu/Documents/in/Civic_Virtue?f_ri=2396"},{"id":1574880,"name":"Machiavelli, Civic Humanism, Politics of Virtue","url":"https://www.academia.edu/Documents/in/Machiavelli_Civic_Humanism_Politics_of_Virtue?f_ri=2396"},{"id":1873482,"name":"Mansfield Park","url":"https://www.academia.edu/Documents/in/Mansfield_Park?f_ri=2396"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_593169" data-work_id="593169" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/593169/_Work_Poems_Assessing_the_Georgic_Mode_of_Eighteenth_Century_Working_Class_Poetry">"Work" Poems: Assessing the Georgic Mode of Eighteenth-Century Working-Class Poetry.</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Eighteenth-century Britain saw the emergence of a new poetic genre, the “work” poem which took various forms of labor as its subject and was often written by laborers themselves. Several of these working class poets found their lives... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_593169" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Eighteenth-century Britain saw the emergence of a new poetic genre, the “work” poem which took various forms of labor as its subject and was often written by laborers themselves. Several of these working class poets found their lives transformed due to the success of their verse (Stephen Duck most famously), but most faded into literary obscurity. However, a substantial body of “work” poems was produced by a diverse group of poets throughout the century, each manifesting divergent concerns and attitudes about the experience of work. This chapter assesses the formal connections uniting this poetic genre, particularly the frequent use of such literary devices as ironic distancing, litotes, and mock-georgic description. Instead of solely classifying “work” poems on the basis of their subject matter, this chapter demonstrates that such poetry (indeed the genre itself) lends itself to sophisticated literary techniques often associated with other poetic genres. In this fashion the full measure of eighteenth-century working class poetry can be evaluated more fairly, particularly by analyzing the formation of a new genre designed expressly by the poets themselves. The chapter ultimately seeks to demonstrate the connectedness, rather than the alienation, of working class poetry to the eighteenth-century British poetic tradition.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/593169" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="2da5fa93b773bd5c603f75d39adc6f23" rel="nofollow" data-download="{"attachment_id":31915171,"asset_id":593169,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/31915171/download_file?st=MTczMjc2MjQzOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="134846" href="https://youngstown.academia.edu/CoreyAndrews">Corey Andrews</a><script data-card-contents-for-user="134846" type="text/json">{"id":134846,"first_name":"Corey","last_name":"Andrews","domain_name":"youngstown","page_name":"CoreyAndrews","display_name":"Corey Andrews","profile_url":"https://youngstown.academia.edu/CoreyAndrews?f_ri=2396","photo":"https://0.academia-photos.com/134846/35802/50406060/s65_corey_e..andrews.jpg"}</script></span></span></li><li class="js-paper-rank-work_593169 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="593169"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 593169, container: ".js-paper-rank-work_593169", }); 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$(".js-view-count[data-work-id=593169]").text(description); $(".js-view-count-work_593169").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_593169").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="593169"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">70</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="8" href="https://www.academia.edu/Documents/in/Critical_Theory">Critical Theory</a>, <script data-card-contents-for-ri="8" type="text/json">{"id":8,"name":"Critical Theory","url":"https://www.academia.edu/Documents/in/Critical_Theory?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="15" href="https://www.academia.edu/Documents/in/British_Literature">British Literature</a>, <script data-card-contents-for-ri="15" type="text/json">{"id":15,"name":"British Literature","url":"https://www.academia.edu/Documents/in/British_Literature?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="18" href="https://www.academia.edu/Documents/in/Scottish_Literature">Scottish Literature</a>, <script data-card-contents-for-ri="18" type="text/json">{"id":18,"name":"Scottish Literature","url":"https://www.academia.edu/Documents/in/Scottish_Literature?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="885" href="https://www.academia.edu/Documents/in/English_Literature">English Literature</a><script data-card-contents-for-ri="885" type="text/json">{"id":885,"name":"English Literature","url":"https://www.academia.edu/Documents/in/English_Literature?f_ri=2396","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=593169]'), work: {"id":593169,"title":"\"Work\" Poems: Assessing the Georgic Mode of Eighteenth-Century Working-Class Poetry.","created_at":"2011-05-17T01:23:15.687-07:00","url":"https://www.academia.edu/593169/_Work_Poems_Assessing_the_Georgic_Mode_of_Eighteenth_Century_Working_Class_Poetry?f_ri=2396","dom_id":"work_593169","summary":"Eighteenth-century Britain saw the emergence of a new poetic genre, the “work” poem which took various forms of labor as its subject and was often written by laborers themselves. Several of these working class poets found their lives transformed due to the success of their verse (Stephen Duck most famously), but most faded into literary obscurity. However, a substantial body of “work” poems was produced by a diverse group of poets throughout the century, each manifesting divergent concerns and attitudes about the experience of work. This chapter assesses the formal connections uniting this poetic genre, particularly the frequent use of such literary devices as ironic distancing, litotes, and mock-georgic description. Instead of solely classifying “work” poems on the basis of their subject matter, this chapter demonstrates that such poetry (indeed the genre itself) lends itself to sophisticated literary techniques often associated with other poetic genres. In this fashion the full measure of eighteenth-century working class poetry can be evaluated more fairly, particularly by analyzing the formation of a new genre designed expressly by the poets themselves. The chapter ultimately seeks to demonstrate the connectedness, rather than the alienation, of working class poetry to the eighteenth-century British poetic tradition.","downloadable_attachments":[{"id":31915171,"asset_id":593169,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":134846,"first_name":"Corey","last_name":"Andrews","domain_name":"youngstown","page_name":"CoreyAndrews","display_name":"Corey Andrews","profile_url":"https://youngstown.academia.edu/CoreyAndrews?f_ri=2396","photo":"https://0.academia-photos.com/134846/35802/50406060/s65_corey_e..andrews.jpg"}],"research_interests":[{"id":8,"name":"Critical Theory","url":"https://www.academia.edu/Documents/in/Critical_Theory?f_ri=2396","nofollow":false},{"id":15,"name":"British Literature","url":"https://www.academia.edu/Documents/in/British_Literature?f_ri=2396","nofollow":false},{"id":18,"name":"Scottish Literature","url":"https://www.academia.edu/Documents/in/Scottish_Literature?f_ri=2396","nofollow":false},{"id":885,"name":"English Literature","url":"https://www.academia.edu/Documents/in/English_Literature?f_ri=2396","nofollow":false},{"id":938,"name":"Critical Discourse Studies","url":"https://www.academia.edu/Documents/in/Critical_Discourse_Studies?f_ri=2396"},{"id":997,"name":"Reception Studies","url":"https://www.academia.edu/Documents/in/Reception_Studies?f_ri=2396"},{"id":1235,"name":"Sociology of Work","url":"https://www.academia.edu/Documents/in/Sociology_of_Work?f_ri=2396"},{"id":2206,"name":"Genre studies","url":"https://www.academia.edu/Documents/in/Genre_studies?f_ri=2396"},{"id":2368,"name":"Reception Theory","url":"https://www.academia.edu/Documents/in/Reception_Theory?f_ri=2396"},{"id":2396,"name":"Eighteenth-Century literature","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_literature?f_ri=2396"},{"id":2418,"name":"Literature","url":"https://www.academia.edu/Documents/in/Literature?f_ri=2396"},{"id":2824,"name":"Working Classes","url":"https://www.academia.edu/Documents/in/Working_Classes?f_ri=2396"},{"id":3002,"name":"18th Century Scottish Literature","url":"https://www.academia.edu/Documents/in/18th_Century_Scottish_Literature?f_ri=2396"},{"id":3125,"name":"Genre","url":"https://www.academia.edu/Documents/in/Genre?f_ri=2396"},{"id":3581,"name":"Poetry","url":"https://www.academia.edu/Documents/in/Poetry?f_ri=2396"},{"id":3773,"name":"Literary Criticism","url":"https://www.academia.edu/Documents/in/Literary_Criticism?f_ri=2396"},{"id":5176,"name":"Labour history","url":"https://www.academia.edu/Documents/in/Labour_history?f_ri=2396"},{"id":5231,"name":"Eighteenth Century History","url":"https://www.academia.edu/Documents/in/Eighteenth_Century_History?f_ri=2396"},{"id":5305,"name":"Scottish Studies","url":"https://www.academia.edu/Documents/in/Scottish_Studies?f_ri=2396"},{"id":5583,"name":"Audience and Reception Studies","url":"https://www.academia.edu/Documents/in/Audience_and_Reception_Studies?f_ri=2396"},{"id":5634,"name":"Scottish History","url":"https://www.academia.edu/Documents/in/Scottish_History?f_ri=2396"},{"id":6223,"name":"English","url":"https://www.academia.edu/Documents/in/English?f_ri=2396"},{"id":6723,"name":"Formal Theory","url":"https://www.academia.edu/Documents/in/Formal_Theory?f_ri=2396"},{"id":6922,"name":"Poetics","url":"https://www.academia.edu/Documents/in/Poetics?f_ri=2396"},{"id":7193,"name":"Working Class Consciousness","url":"https://www.academia.edu/Documents/in/Working_Class_Consciousness?f_ri=2396"},{"id":7194,"name":"E. P. Thompson and 'The Making of the English Working Class'","url":"https://www.academia.edu/Documents/in/E._P._Thompson_and_The_Making_of_the_English_Working_Class?f_ri=2396"},{"id":7200,"name":"Working-Class Literature","url":"https://www.academia.edu/Documents/in/Working-Class_Literature?f_ri=2396"},{"id":7251,"name":"Working Class Agency","url":"https://www.academia.edu/Documents/in/Working_Class_Agency?f_ri=2396"},{"id":7283,"name":"Reception","url":"https://www.academia.edu/Documents/in/Reception?f_ri=2396"},{"id":7720,"name":"British Eighteenth-Century Literature and Culture","url":"https://www.academia.edu/Documents/in/British_Eighteenth-Century_Literature_and_Culture?f_ri=2396"},{"id":7721,"name":"Eighteenth-Century British History and Culture","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_British_History_and_Culture?f_ri=2396"},{"id":8083,"name":"Scottish Culture","url":"https://www.academia.edu/Documents/in/Scottish_Culture?f_ri=2396"},{"id":8166,"name":"Quality of Working Life","url":"https://www.academia.edu/Documents/in/Quality_of_Working_Life?f_ri=2396"},{"id":8576,"name":"Gender and Work","url":"https://www.academia.edu/Documents/in/Gender_and_Work?f_ri=2396"},{"id":9234,"name":"Robert Burns","url":"https://www.academia.edu/Documents/in/Robert_Burns?f_ri=2396"},{"id":10633,"name":"Critical Discourse Analysis","url":"https://www.academia.edu/Documents/in/Critical_Discourse_Analysis?f_ri=2396"},{"id":11149,"name":"Public Reception","url":"https://www.academia.edu/Documents/in/Public_Reception?f_ri=2396"},{"id":12925,"name":"Georgic Literature","url":"https://www.academia.edu/Documents/in/Georgic_Literature?f_ri=2396"},{"id":13134,"name":"Labour Studies","url":"https://www.academia.edu/Documents/in/Labour_Studies?f_ri=2396"},{"id":13965,"name":"18th \u0026 19th Centuries","url":"https://www.academia.edu/Documents/in/18th_and_19th_Centuries?f_ri=2396"},{"id":14231,"name":"18th Century British 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data-work_id="38695362" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/38695362/Fashion_Effeminacy_and_Homoerotic_Desire">Fashion, Effeminacy, and Homoerotic Desire</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/38695362" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="bcc6aa24cdccd4e2471f927c718f5afd" rel="nofollow" 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}); });</script></span><script>$(function() { $(".js-view-count-work_38695362").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="38695362"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">7</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="2396" href="https://www.academia.edu/Documents/in/Eighteenth-Century_literature">Eighteenth-Century literature</a>, <script data-card-contents-for-ri="2396" type="text/json">{"id":2396,"name":"Eighteenth-Century literature","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_literature?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="8357" href="https://www.academia.edu/Documents/in/Fashion_History">Fashion History</a>, <script data-card-contents-for-ri="8357" type="text/json">{"id":8357,"name":"Fashion History","url":"https://www.academia.edu/Documents/in/Fashion_History?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="35820" href="https://www.academia.edu/Documents/in/Constructions_of_masculinity">Constructions of masculinity</a>, <script data-card-contents-for-ri="35820" type="text/json">{"id":35820,"name":"Constructions of masculinity","url":"https://www.academia.edu/Documents/in/Constructions_of_masculinity?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="36906" href="https://www.academia.edu/Documents/in/Masculinity_and_Gender_Studies">Masculinity and Gender Studies</a><script data-card-contents-for-ri="36906" type="text/json">{"id":36906,"name":"Masculinity and Gender Studies","url":"https://www.academia.edu/Documents/in/Masculinity_and_Gender_Studies?f_ri=2396","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=38695362]'), work: {"id":38695362,"title":"Fashion, Effeminacy, and Homoerotic Desire","created_at":"2019-04-02T10:25:31.357-07:00","url":"https://www.academia.edu/38695362/Fashion_Effeminacy_and_Homoerotic_Desire?f_ri=2396","dom_id":"work_38695362","summary":null,"downloadable_attachments":[{"id":58777985,"asset_id":38695362,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1053587,"first_name":"Rebecca","last_name":"Haidt","domain_name":"osu","page_name":"RebeccaHaidt","display_name":"Rebecca Haidt","profile_url":"https://osu.academia.edu/RebeccaHaidt?f_ri=2396","photo":"https://0.academia-photos.com/1053587/601993/34518262/s65_rebecca.haidt.jpeg"}],"research_interests":[{"id":2396,"name":"Eighteenth-Century literature","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_literature?f_ri=2396","nofollow":false},{"id":8357,"name":"Fashion 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itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/20404373/Review_of_David_Bromwichs_The_Intellectual_Life_of_Edmund_Burke_in_Studies_in_Burke_and_his_Time">Review of David Bromwich's The Intellectual Life of Edmund Burke in Studies in Burke and his Time</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/20404373" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="38ea37b496daec36834b4ed7617d531e" rel="nofollow" data-download="{"attachment_id":41345618,"asset_id":20404373,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/41345618/download_file?st=MTczMjc2MjQzOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="524006" href="https://exeter.academia.edu/RossCarroll">Ross Carroll</a><script data-card-contents-for-user="524006" type="text/json">{"id":524006,"first_name":"Ross","last_name":"Carroll","domain_name":"exeter","page_name":"RossCarroll","display_name":"Ross Carroll","profile_url":"https://exeter.academia.edu/RossCarroll?f_ri=2396","photo":"https://0.academia-photos.com/524006/185032/5226623/s65_ross.carroll.jpg"}</script></span></span></li><li class="js-paper-rank-work_20404373 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="20404373"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 20404373, container: ".js-paper-rank-work_20404373", }); });</script></li><li class="js-percentile-work_20404373 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 20404373; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_20404373"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_20404373 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="20404373"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 20404373; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=20404373]").text(description); $(".js-view-count-work_20404373").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_20404373").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="20404373"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="2396" href="https://www.academia.edu/Documents/in/Eighteenth-Century_literature">Eighteenth-Century literature</a>, <script data-card-contents-for-ri="2396" type="text/json">{"id":2396,"name":"Eighteenth-Century literature","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_literature?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="5231" href="https://www.academia.edu/Documents/in/Eighteenth_Century_History">Eighteenth Century History</a>, <script data-card-contents-for-ri="5231" type="text/json">{"id":5231,"name":"Eighteenth Century History","url":"https://www.academia.edu/Documents/in/Eighteenth_Century_History?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="6572" href="https://www.academia.edu/Documents/in/Edmund_Burke">Edmund Burke</a>, <script data-card-contents-for-ri="6572" type="text/json">{"id":6572,"name":"Edmund Burke","url":"https://www.academia.edu/Documents/in/Edmund_Burke?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="12624" href="https://www.academia.edu/Documents/in/History_of_Political_Thought">History of Political Thought</a><script data-card-contents-for-ri="12624" type="text/json">{"id":12624,"name":"History of Political Thought","url":"https://www.academia.edu/Documents/in/History_of_Political_Thought?f_ri=2396","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=20404373]'), work: {"id":20404373,"title":"Review of David Bromwich's The Intellectual Life of Edmund Burke in Studies in Burke and his Time","created_at":"2016-01-20T03:08:52.880-08:00","url":"https://www.academia.edu/20404373/Review_of_David_Bromwichs_The_Intellectual_Life_of_Edmund_Burke_in_Studies_in_Burke_and_his_Time?f_ri=2396","dom_id":"work_20404373","summary":null,"downloadable_attachments":[{"id":41345618,"asset_id":20404373,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":524006,"first_name":"Ross","last_name":"Carroll","domain_name":"exeter","page_name":"RossCarroll","display_name":"Ross Carroll","profile_url":"https://exeter.academia.edu/RossCarroll?f_ri=2396","photo":"https://0.academia-photos.com/524006/185032/5226623/s65_ross.carroll.jpg"}],"research_interests":[{"id":2396,"name":"Eighteenth-Century literature","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_literature?f_ri=2396","nofollow":false},{"id":5231,"name":"Eighteenth Century History","url":"https://www.academia.edu/Documents/in/Eighteenth_Century_History?f_ri=2396","nofollow":false},{"id":6572,"name":"Edmund Burke","url":"https://www.academia.edu/Documents/in/Edmund_Burke?f_ri=2396","nofollow":false},{"id":12624,"name":"History of Political Thought","url":"https://www.academia.edu/Documents/in/History_of_Political_Thought?f_ri=2396","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_430391" data-work_id="430391" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/430391/Ae_Fond_Kiss">Ae Fond Kiss.</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">This short essay provides contextual background on Robert Burns's lyric, "Ae Fond Kiss," as well as critical analysis of the song.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/430391" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="3d51110ba76221baaeb9dbd26cebc616" rel="nofollow" data-download="{"attachment_id":32209655,"asset_id":430391,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm 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provides contextual background on Robert Burns's lyric, \"Ae Fond Kiss,\" as well as critical analysis of the song.","downloadable_attachments":[{"id":32209655,"asset_id":430391,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":134846,"first_name":"Corey","last_name":"Andrews","domain_name":"youngstown","page_name":"CoreyAndrews","display_name":"Corey Andrews","profile_url":"https://youngstown.academia.edu/CoreyAndrews?f_ri=2396","photo":"https://0.academia-photos.com/134846/35802/50406060/s65_corey_e..andrews.jpg"}],"research_interests":[{"id":18,"name":"Scottish Literature","url":"https://www.academia.edu/Documents/in/Scottish_Literature?f_ri=2396","nofollow":false},{"id":885,"name":"English Literature","url":"https://www.academia.edu/Documents/in/English_Literature?f_ri=2396","nofollow":false},{"id":2396,"name":"Eighteenth-Century 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I will discuss distortion here as a phenomenon occurring in printed materials, but I do not wish to exclude other... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_40670439" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Distortion is the moment at which the physical means of transmitting a text irrupt into a reader's experience of it. I will discuss distortion here as a phenomenon occurring in printed materials, but I do not wish to exclude other recognisable instances such as static in a radio signal, or white noise on a cathode-ray-tube television screen. To speak of distortion as an impairment, however, is to confirm the Platonic priority of another book-object. As textual scholars have shown, locating this authoritative ur-text can be, to say the least, difficult. Distortion is not a condition befalling individual textual artefacts (‘book-objects’) here and there: there is no non-distorted reading. In fact, a belief in non-distorted reading amounts to believing in pure, transparent mediation that leaves no trace of itself on the mediated. Leaving aside for the purposes of this essay the profound political implications of placing the labour of mediation under erasure, I will offer here a heuristic of distortion. Absent such a heuristic, ‘distorted’ book-objects and their texts will always be treated as degraded derivatives. The corollary of that treatment is to elevate an unknown, possibly non-existent ur-text to a position of unimpeachable authority, and to degrade both the experience of reading and of the embodied text and reader. We can solve the problem of distortion by placing the irreducible phenomenological singularity of the book-object at the centre of our experience of a text. This is existential reading: you are reading what you are reading and not anything else.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/40670439" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="d0ab0921c3d518801c865bfdedf14499" rel="nofollow" data-download="{"attachment_id":60953408,"asset_id":40670439,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/60953408/download_file?st=MTczMjc2MjQzOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="79236" href="https://rowan.academia.edu/ClaudeWillan">Claude Willan</a><script data-card-contents-for-user="79236" type="text/json">{"id":79236,"first_name":"Claude","last_name":"Willan","domain_name":"rowan","page_name":"ClaudeWillan","display_name":"Claude Willan","profile_url":"https://rowan.academia.edu/ClaudeWillan?f_ri=2396","photo":"https://0.academia-photos.com/79236/2550130/36834019/s65_claude.willan.jpg"}</script></span></span></li><li class="js-paper-rank-work_40670439 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="40670439"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 40670439, container: ".js-paper-rank-work_40670439", }); 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I will discuss distortion here as a phenomenon occurring in printed materials, but I do not wish to exclude other recognisable instances such as static in a radio signal, or white noise on a cathode-ray-tube television screen. To speak of distortion as an impairment, however, is to confirm the Platonic priority of another book-object. As textual scholars have shown, locating this authoritative ur-text can be, to say the least, difficult. Distortion is not a condition befalling individual textual artefacts (‘book-objects’) here and there: there is no non-distorted reading. In fact, a belief in non-distorted reading amounts to believing in pure, transparent mediation that leaves no trace of itself on the mediated. Leaving aside for the purposes of this essay the profound political implications of placing the labour of mediation under erasure, I will offer here a heuristic of distortion. Absent such a heuristic, ‘distorted’ book-objects and their texts will always be treated as degraded derivatives. The corollary of that treatment is to elevate an unknown, possibly non-existent ur-text to a position of unimpeachable authority, and to degrade both the experience of reading and of the embodied text and reader. We can solve the problem of distortion by placing the irreducible phenomenological singularity of the book-object at the centre of our experience of a text. This is existential reading: you are reading what you are reading and not anything else.","downloadable_attachments":[{"id":60953408,"asset_id":40670439,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":79236,"first_name":"Claude","last_name":"Willan","domain_name":"rowan","page_name":"ClaudeWillan","display_name":"Claude Willan","profile_url":"https://rowan.academia.edu/ClaudeWillan?f_ri=2396","photo":"https://0.academia-photos.com/79236/2550130/36834019/s65_claude.willan.jpg"}],"research_interests":[{"id":1197,"name":"Digital Humanities","url":"https://www.academia.edu/Documents/in/Digital_Humanities?f_ri=2396","nofollow":false},{"id":2396,"name":"Eighteenth-Century literature","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_literature?f_ri=2396","nofollow":false},{"id":2811,"name":"History of the Book","url":"https://www.academia.edu/Documents/in/History_of_the_Book?f_ri=2396","nofollow":false},{"id":5231,"name":"Eighteenth Century 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href="https://www.academia.edu/Documents/in/Translation_Studies">Translation Studies</a>, <script data-card-contents-for-ri="1186" type="text/json">{"id":1186,"name":"Translation Studies","url":"https://www.academia.edu/Documents/in/Translation_Studies?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2396" href="https://www.academia.edu/Documents/in/Eighteenth-Century_literature">Eighteenth-Century literature</a>, <script data-card-contents-for-ri="2396" type="text/json">{"id":2396,"name":"Eighteenth-Century literature","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_literature?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="7721" href="https://www.academia.edu/Documents/in/Eighteenth-Century_British_History_and_Culture">Eighteenth-Century British History and Culture</a>, <script data-card-contents-for-ri="7721" type="text/json">{"id":7721,"name":"Eighteenth-Century British History and 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Obsolescence (Review of Jack Lynch, ed., Oxford Handbook of British Poetry, 1660-1800)</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/42882945" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="350f5f20c14b65642ff640dc339fb16c" rel="nofollow" data-download="{"attachment_id":63125872,"asset_id":42882945,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" 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Culture","url":"https://www.academia.edu/Documents/in/British_Eighteenth-Century_Literature_and_Culture?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="7721" href="https://www.academia.edu/Documents/in/Eighteenth-Century_British_History_and_Culture">Eighteenth-Century British History and Culture</a>, <script data-card-contents-for-ri="7721" type="text/json">{"id":7721,"name":"Eighteenth-Century British History and Culture","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_British_History_and_Culture?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="11744" href="https://www.academia.edu/Documents/in/Restoration_and_Eighteenth-Century_English_Literature">Restoration and Eighteenth-Century English Literature</a><script data-card-contents-for-ri="11744" type="text/json">{"id":11744,"name":"Restoration and Eighteenth-Century English 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Edson","profile_url":"https://uwyo.academia.edu/MichaelEdson?f_ri=2396","photo":"https://0.academia-photos.com/2863068/1041009/33140727/s65_michael.edson.jpg"}],"research_interests":[{"id":2396,"name":"Eighteenth-Century literature","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_literature?f_ri=2396","nofollow":false},{"id":7720,"name":"British Eighteenth-Century Literature and Culture","url":"https://www.academia.edu/Documents/in/British_Eighteenth-Century_Literature_and_Culture?f_ri=2396","nofollow":false},{"id":7721,"name":"Eighteenth-Century British History and Culture","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_British_History_and_Culture?f_ri=2396","nofollow":false},{"id":11744,"name":"Restoration and Eighteenth-Century English Literature","url":"https://www.academia.edu/Documents/in/Restoration_and_Eighteenth-Century_English_Literature?f_ri=2396","nofollow":false},{"id":38631,"name":"Poetry and Poetics","url":"https://www.academia.edu/Documents/in/Poetry_and_Poetics?f_ri=2396"},{"id":72892,"name":"Eighteenth Century Print Culture","url":"https://www.academia.edu/Documents/in/Eighteenth_Century_Print_Culture?f_ri=2396"},{"id":700825,"name":"Eighteenth Century Poetry","url":"https://www.academia.edu/Documents/in/Eighteenth_Century_Poetry?f_ri=2396"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_37383604" data-work_id="37383604" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/37383604/Charlotte_Lennox_An_Independent_Mind_Toronto_University_Press_2018_">Charlotte Lennox: An Independent Mind (Toronto University Press, 2018)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Charlotte Lennox (c.1729-1804) was an eighteenth-century London author whose most celebrated novel, The Female Quixote (1752), is just one of eighteen works published over forty-three years. Her stories of independent women influenced... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_37383604" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Charlotte Lennox (c.1729-1804) was an eighteenth-century London author whose most celebrated novel, The Female Quixote (1752), is just one of eighteen works published over forty-three years. Her stories of independent women influenced Jane Austen, especially in her novels Northanger Abbey and Sense and Sensibility.<br /><br />This biography places Lennox in the context of intellectual and cultural history and focuses on her role as a central figure in the professionalization of authorship in England. Lennox, who lived in America as a young person, participated in the most important literary and social discussions of her time, including debates concerning female authorship, the elevation of Shakespeare to national poet, and the role of periodicals as didactic texts for an increasingly literate population. Lennox also contributed to making Greek drama available for English-language audiences and pioneered the serialization of novels in magazines. Carlile’s work is the first biographical treatment to consider a new cache of correspondence released in the 1970s and reveals how Lennox was part of an ambitious and progressive literary and social movement.<br /><a href="https://utorontopress.com/ca/charlotte-lennox-2" rel="nofollow">https://utorontopress.com/ca/charlotte-lennox-2</a></div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/37383604" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="8dc5219894a7f1ba6fa667209f9725c4" rel="nofollow" data-download="{"attachment_id":57346422,"asset_id":37383604,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/57346422/download_file?st=MTczMjc2MjQzOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="89507" href="https://csulb.academia.edu/SusanCarlile">Susan Carlile</a><script data-card-contents-for-user="89507" type="text/json">{"id":89507,"first_name":"Susan","last_name":"Carlile","domain_name":"csulb","page_name":"SusanCarlile","display_name":"Susan Carlile","profile_url":"https://csulb.academia.edu/SusanCarlile?f_ri=2396","photo":"https://0.academia-photos.com/89507/24904/20109924/s65_susan.carlile.jpeg"}</script></span></span></li><li class="js-paper-rank-work_37383604 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="37383604"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 37383604, container: ".js-paper-rank-work_37383604", }); 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$(".js-view-count[data-work-id=37383604]").text(description); $(".js-view-count-work_37383604").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_37383604").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="37383604"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">8</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="1138" href="https://www.academia.edu/Documents/in/Womens_Studies">Women's Studies</a>, <script data-card-contents-for-ri="1138" type="text/json">{"id":1138,"name":"Women's Studies","url":"https://www.academia.edu/Documents/in/Womens_Studies?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2396" href="https://www.academia.edu/Documents/in/Eighteenth-Century_literature">Eighteenth-Century literature</a>, <script data-card-contents-for-ri="2396" type="text/json">{"id":2396,"name":"Eighteenth-Century literature","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_literature?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="5231" href="https://www.academia.edu/Documents/in/Eighteenth_Century_History">Eighteenth Century History</a>, <script data-card-contents-for-ri="5231" type="text/json">{"id":5231,"name":"Eighteenth Century History","url":"https://www.academia.edu/Documents/in/Eighteenth_Century_History?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="7720" href="https://www.academia.edu/Documents/in/British_Eighteenth-Century_Literature_and_Culture">British Eighteenth-Century Literature and Culture</a><script data-card-contents-for-ri="7720" type="text/json">{"id":7720,"name":"British Eighteenth-Century Literature and Culture","url":"https://www.academia.edu/Documents/in/British_Eighteenth-Century_Literature_and_Culture?f_ri=2396","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=37383604]'), work: {"id":37383604,"title":"Charlotte Lennox: An Independent Mind (Toronto University Press, 2018)","created_at":"2018-09-11T16:01:49.966-07:00","url":"https://www.academia.edu/37383604/Charlotte_Lennox_An_Independent_Mind_Toronto_University_Press_2018_?f_ri=2396","dom_id":"work_37383604","summary":"Charlotte Lennox (c.1729-1804) was an eighteenth-century London author whose most celebrated novel, The Female Quixote (1752), is just one of eighteen works published over forty-three years. Her stories of independent women influenced Jane Austen, especially in her novels Northanger Abbey and Sense and Sensibility.\n\nThis biography places Lennox in the context of intellectual and cultural history and focuses on her role as a central figure in the professionalization of authorship in England. Lennox, who lived in America as a young person, participated in the most important literary and social discussions of her time, including debates concerning female authorship, the elevation of Shakespeare to national poet, and the role of periodicals as didactic texts for an increasingly literate population. Lennox also contributed to making Greek drama available for English-language audiences and pioneered the serialization of novels in magazines. Carlile’s work is the first biographical treatment to consider a new cache of correspondence released in the 1970s and reveals how Lennox was part of an ambitious and progressive literary and social movement.\nhttps://utorontopress.com/ca/charlotte-lennox-2","downloadable_attachments":[{"id":57346422,"asset_id":37383604,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":89507,"first_name":"Susan","last_name":"Carlile","domain_name":"csulb","page_name":"SusanCarlile","display_name":"Susan Carlile","profile_url":"https://csulb.academia.edu/SusanCarlile?f_ri=2396","photo":"https://0.academia-photos.com/89507/24904/20109924/s65_susan.carlile.jpeg"}],"research_interests":[{"id":1138,"name":"Women's Studies","url":"https://www.academia.edu/Documents/in/Womens_Studies?f_ri=2396","nofollow":false},{"id":2396,"name":"Eighteenth-Century literature","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_literature?f_ri=2396","nofollow":false},{"id":5231,"name":"Eighteenth Century History","url":"https://www.academia.edu/Documents/in/Eighteenth_Century_History?f_ri=2396","nofollow":false},{"id":7720,"name":"British Eighteenth-Century Literature and Culture","url":"https://www.academia.edu/Documents/in/British_Eighteenth-Century_Literature_and_Culture?f_ri=2396","nofollow":false},{"id":7721,"name":"Eighteenth-Century British History and Culture","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_British_History_and_Culture?f_ri=2396"},{"id":19064,"name":"Women Writers","url":"https://www.academia.edu/Documents/in/Women_Writers?f_ri=2396"},{"id":19409,"name":"British Women Writers","url":"https://www.academia.edu/Documents/in/British_Women_Writers?f_ri=2396"},{"id":1019273,"name":"Colonialism and Imperialism","url":"https://www.academia.edu/Documents/in/Colonialism_and_Imperialism?f_ri=2396"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_32007379" data-work_id="32007379" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/32007379/Un_paradoxal_telos_la_toile_des_r%C3%A9cits">Un paradoxal telos: la toile des récits</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">De la même façon que la peinture tente de rejoindre une temporalité au sein de la forme spatiale de l'image, la littérature déploie une spatialité au sein même du déroulement temporel de l'intrigue. C’est de cette ‘spatialité’ de la... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_32007379" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">De la même façon que la peinture tente de rejoindre une temporalité au sein de la forme spatiale de l'image, la littérature déploie une spatialité au sein même du déroulement temporel de l'intrigue. C’est de cette ‘spatialité’ de la littérature qui apparaît au cœur de sa temporalité qu’il s’agit dans cet article. Elle s’oppose radicalement à la conception plutôt répandue du temps littéraire selon un déroulement linéaire mais vise, au contraire, à montrer que le récit consiste en une certaine forme d’immobilité. La conception traditionnelle de la littérature comme une succession d’événements dans le temps repose sur l’assimilation (inconsciente ou non) du geste de l’écriture ou de la lecture qui est nécessairement linéaire, et de l’univers imaginaire qu’il représente – et qui ne l’est pas. À notre avis, cet imaginaire que met en œuvre le roman du XVIIIe siècle consiste moins en une successivité de faits dans un ordre temporel qu’il n’est spatial, itinérant, à la façon dont Cleveland voyage à la recherche d’une vérité qui n’est autre que celle sur lui-même, et se manifeste dans une errance qui est bien plus circulaire que dirigée vers une finalité pré-définie.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/32007379" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="9a114cd928ab769452f1f7dc07898064" rel="nofollow" data-download="{"attachment_id":52274555,"asset_id":32007379,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/52274555/download_file?st=MTczMjc2MjQzOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="28875354" href="https://univ-paris3.academia.edu/httpwwwunivparis3frmmekremernathalie113262kjsp">Nathalie Kremer</a><script data-card-contents-for-user="28875354" type="text/json">{"id":28875354,"first_name":"Nathalie","last_name":"Kremer","domain_name":"univ-paris3","page_name":"httpwwwunivparis3frmmekremernathalie113262kjsp","display_name":"Nathalie Kremer","profile_url":"https://univ-paris3.academia.edu/httpwwwunivparis3frmmekremernathalie113262kjsp?f_ri=2396","photo":"/images/s65_no_pic.png"}</script></span></span></li><li class="js-paper-rank-work_32007379 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="32007379"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 32007379, container: ".js-paper-rank-work_32007379", }); 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$(".js-view-count[data-work-id=32007379]").text(description); $(".js-view-count-work_32007379").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_32007379").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="32007379"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">3</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="660" href="https://www.academia.edu/Documents/in/French_Literature">French Literature</a>, <script data-card-contents-for-ri="660" type="text/json">{"id":660,"name":"French Literature","url":"https://www.academia.edu/Documents/in/French_Literature?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2396" href="https://www.academia.edu/Documents/in/Eighteenth-Century_literature">Eighteenth-Century literature</a>, <script data-card-contents-for-ri="2396" type="text/json">{"id":2396,"name":"Eighteenth-Century literature","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_literature?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="8153" href="https://www.academia.edu/Documents/in/Theory_of_the_Novel">Theory of the Novel</a><script data-card-contents-for-ri="8153" type="text/json">{"id":8153,"name":"Theory of the Novel","url":"https://www.academia.edu/Documents/in/Theory_of_the_Novel?f_ri=2396","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=32007379]'), work: {"id":32007379,"title":"Un paradoxal telos: la toile des récits","created_at":"2017-03-23T08:04:31.000-07:00","url":"https://www.academia.edu/32007379/Un_paradoxal_telos_la_toile_des_r%C3%A9cits?f_ri=2396","dom_id":"work_32007379","summary":"De la même façon que la peinture tente de rejoindre une temporalité au sein de la forme spatiale de l'image, la littérature déploie une spatialité au sein même du déroulement temporel de l'intrigue. C’est de cette ‘spatialité’ de la littérature qui apparaît au cœur de sa temporalité qu’il s’agit dans cet article. Elle s’oppose radicalement à la conception plutôt répandue du temps littéraire selon un déroulement linéaire mais vise, au contraire, à montrer que le récit consiste en une certaine forme d’immobilité. La conception traditionnelle de la littérature comme une succession d’événements dans le temps repose sur l’assimilation (inconsciente ou non) du geste de l’écriture ou de la lecture qui est nécessairement linéaire, et de l’univers imaginaire qu’il représente – et qui ne l’est pas. À notre avis, cet imaginaire que met en œuvre le roman du XVIIIe siècle consiste moins en une successivité de faits dans un ordre temporel qu’il n’est spatial, itinérant, à la façon dont Cleveland voyage à la recherche d’une vérité qui n’est autre que celle sur lui-même, et se manifeste dans une errance qui est bien plus circulaire que dirigée vers une finalité pré-définie. ","downloadable_attachments":[{"id":52274555,"asset_id":32007379,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":28875354,"first_name":"Nathalie","last_name":"Kremer","domain_name":"univ-paris3","page_name":"httpwwwunivparis3frmmekremernathalie113262kjsp","display_name":"Nathalie Kremer","profile_url":"https://univ-paris3.academia.edu/httpwwwunivparis3frmmekremernathalie113262kjsp?f_ri=2396","photo":"/images/s65_no_pic.png"}],"research_interests":[{"id":660,"name":"French Literature","url":"https://www.academia.edu/Documents/in/French_Literature?f_ri=2396","nofollow":false},{"id":2396,"name":"Eighteenth-Century literature","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_literature?f_ri=2396","nofollow":false},{"id":8153,"name":"Theory of the Novel","url":"https://www.academia.edu/Documents/in/Theory_of_the_Novel?f_ri=2396","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_35778367" data-work_id="35778367" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/35778367/Twice_Told_Tales_in_Eliza_Haywood_s_Leonora_Meadowson_2016_">Twice-Told Tales in Eliza Haywood’s Leonora Meadowson (2016)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This essay corrects my 2004 claim that The History Miss Leonora Meadowson (1788) in comprised of a "miscellaneous collection of manuscript material" written by Eliza Haywood. It is now clear that all four stories printed in Leonora... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_35778367" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This essay corrects my 2004 claim that The History Miss Leonora Meadowson (1788) in comprised of a "miscellaneous collection of manuscript material" written by Eliza Haywood. It is now clear that all four stories printed in Leonora Meadowson had been previously published, and two of them were reprinted from sources that post-date Haywood’s death. Although there are intriguing connections to Aaron Hill in the stories in this collection, Haywood did not write "The History of Melinda Fairfax," "The History of an Italian Gentleman and a Mahometan Slave" or "Cornaro and the Turk."</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/35778367" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="346ac196a56468b9a6dccd71986528ae" rel="nofollow" data-download="{"attachment_id":57982020,"asset_id":35778367,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/57982020/download_file?st=MTczMjc2MjQzOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="9036" href="https://monash.academia.edu/PatrickSpedding">Patrick Spedding</a><script data-card-contents-for-user="9036" type="text/json">{"id":9036,"first_name":"Patrick","last_name":"Spedding","domain_name":"monash","page_name":"PatrickSpedding","display_name":"Patrick Spedding","profile_url":"https://monash.academia.edu/PatrickSpedding?f_ri=2396","photo":"https://0.academia-photos.com/9036/3145/3117/s65_patrick.spedding.jpg"}</script></span></span></li><li class="js-paper-rank-work_35778367 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="35778367"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 35778367, container: ".js-paper-rank-work_35778367", }); 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It is now clear that all four stories printed in Leonora Meadowson had been previously published, and two of them were reprinted from sources that post-date Haywood’s death. Although there are intriguing connections to Aaron Hill in the stories in this collection, Haywood did not write \"The History of Melinda Fairfax,\" \"The History of an Italian Gentleman and a Mahometan Slave\" or \"Cornaro and the Turk.\"","downloadable_attachments":[{"id":57982020,"asset_id":35778367,"asset_type":"Work","always_allow_download":false},{"id":60889320,"asset_id":35778367,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":9036,"first_name":"Patrick","last_name":"Spedding","domain_name":"monash","page_name":"PatrickSpedding","display_name":"Patrick Spedding","profile_url":"https://monash.academia.edu/PatrickSpedding?f_ri=2396","photo":"https://0.academia-photos.com/9036/3145/3117/s65_patrick.spedding.jpg"}],"research_interests":[{"id":2396,"name":"Eighteenth-Century literature","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_literature?f_ri=2396","nofollow":false},{"id":8307,"name":"Periodical Studies","url":"https://www.academia.edu/Documents/in/Periodical_Studies?f_ri=2396","nofollow":false},{"id":44105,"name":"Eliza Haywood","url":"https://www.academia.edu/Documents/in/Eliza_Haywood?f_ri=2396","nofollow":false},{"id":52408,"name":"Literary studies","url":"https://www.academia.edu/Documents/in/Literary_studies?f_ri=2396","nofollow":false},{"id":72892,"name":"Eighteenth Century Print Culture","url":"https://www.academia.edu/Documents/in/Eighteenth_Century_Print_Culture?f_ri=2396"},{"id":1794914,"name":"Notes and Queries","url":"https://www.academia.edu/Documents/in/Notes_and_Queries?f_ri=2396"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_15057446" data-work_id="15057446" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/15057446/Review_of_Backstage_in_the_Novel_Frances_Burney_and_the_Theater_Arts_2012_Winner_of_the_Walker_Cowen_Memorial_Prize_">Review of "Backstage in the Novel: Frances Burney and the Theater Arts" (2012, Winner of the Walker Cowen Memorial Prize)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Review by Ros Ballaster, Journal for Eighteenth-Century Studies, 37: 544–545.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/15057446" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="64ccf77ba60150a0035cab66fa2b6347" rel="nofollow" data-download="{"attachment_id":38525763,"asset_id":15057446,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/38525763/download_file?st=MTczMjc2MjQzOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="28550060" href="https://unitusdistu.academia.edu/FrancescaSaggini">Francesca Saggini</a><script data-card-contents-for-user="28550060" type="text/json">{"id":28550060,"first_name":"Francesca","last_name":"Saggini","domain_name":"unitusdistu","page_name":"FrancescaSaggini","display_name":"Francesca Saggini","profile_url":"https://unitusdistu.academia.edu/FrancescaSaggini?f_ri=2396","photo":"https://0.academia-photos.com/28550060/8077574/9043958/s65_francesca.saggini.jpg"}</script></span></span></li><li class="js-paper-rank-work_15057446 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="15057446"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 15057446, container: ".js-paper-rank-work_15057446", }); });</script></li><li class="js-percentile-work_15057446 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: 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Studies</a>, <script data-card-contents-for-ri="2337" type="text/json">{"id":2337,"name":"Performance Studies","url":"https://www.academia.edu/Documents/in/Performance_Studies?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2396" href="https://www.academia.edu/Documents/in/Eighteenth-Century_literature">Eighteenth-Century literature</a>, <script data-card-contents-for-ri="2396" type="text/json">{"id":2396,"name":"Eighteenth-Century literature","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_literature?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2521" href="https://www.academia.edu/Documents/in/Dramatic_Literature">Dramatic Literature</a><script data-card-contents-for-ri="2521" type="text/json">{"id":2521,"name":"Dramatic Literature","url":"https://www.academia.edu/Documents/in/Dramatic_Literature?f_ri=2396","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=15057446]'), work: {"id":15057446,"title":"Review of \"Backstage in the Novel: Frances Burney and the Theater Arts\" (2012, Winner of the Walker Cowen Memorial Prize)","created_at":"2015-08-20T07:51:51.959-07:00","url":"https://www.academia.edu/15057446/Review_of_Backstage_in_the_Novel_Frances_Burney_and_the_Theater_Arts_2012_Winner_of_the_Walker_Cowen_Memorial_Prize_?f_ri=2396","dom_id":"work_15057446","summary":"Review by Ros Ballaster, Journal for Eighteenth-Century Studies, 37: 544–545.","downloadable_attachments":[{"id":38525763,"asset_id":15057446,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":28550060,"first_name":"Francesca","last_name":"Saggini","domain_name":"unitusdistu","page_name":"FrancescaSaggini","display_name":"Francesca Saggini","profile_url":"https://unitusdistu.academia.edu/FrancescaSaggini?f_ri=2396","photo":"https://0.academia-photos.com/28550060/8077574/9043958/s65_francesca.saggini.jpg"}],"research_interests":[{"id":947,"name":"Theatre Studies","url":"https://www.academia.edu/Documents/in/Theatre_Studies?f_ri=2396","nofollow":false},{"id":2337,"name":"Performance Studies","url":"https://www.academia.edu/Documents/in/Performance_Studies?f_ri=2396","nofollow":false},{"id":2396,"name":"Eighteenth-Century literature","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_literature?f_ri=2396","nofollow":false},{"id":2521,"name":"Dramatic Literature","url":"https://www.academia.edu/Documents/in/Dramatic_Literature?f_ri=2396","nofollow":false},{"id":5677,"name":"Adaptation","url":"https://www.academia.edu/Documents/in/Adaptation?f_ri=2396"},{"id":6222,"name":"Drama","url":"https://www.academia.edu/Documents/in/Drama?f_ri=2396"},{"id":6917,"name":"Spectacle","url":"https://www.academia.edu/Documents/in/Spectacle?f_ri=2396"},{"id":7721,"name":"Eighteenth-Century British History and Culture","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_British_History_and_Culture?f_ri=2396"},{"id":9043,"name":"Performance","url":"https://www.academia.edu/Documents/in/Performance?f_ri=2396"},{"id":10418,"name":"Reader Response","url":"https://www.academia.edu/Documents/in/Reader_Response?f_ri=2396"},{"id":23881,"name":"History of the Novel","url":"https://www.academia.edu/Documents/in/History_of_the_Novel?f_ri=2396"},{"id":29883,"name":"Authorship","url":"https://www.academia.edu/Documents/in/Authorship?f_ri=2396"},{"id":44115,"name":"Frances Burney","url":"https://www.academia.edu/Documents/in/Frances_Burney?f_ri=2396"},{"id":752200,"name":"Readership","url":"https://www.academia.edu/Documents/in/Readership?f_ri=2396"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_9367798" data-work_id="9367798" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/9367798/Women_Peasant_Poets_in_Eighteenth_Century_England_Scotland_and_Germany_Milkmaids_on_Parnassus">Women Peasant Poets in Eighteenth-Century England, Scotland and Germany: Milkmaids on Parnassus</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This is the first comparative study of a highly unlikely group of authors: eighteenth-century women peasants in England, Scotland, and Germany, women who, as a rule, received little or no formal education and lived by manual labor, many... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_9367798" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This is the first comparative study of a highly unlikely group of authors: eighteenth-century women peasants in England, Scotland, and Germany, women who, as a rule, received little or no formal education and lived by manual labor, many of them in dire poverty. Among them are the English washerwoman Mary Collier, the English domestic servants Elizabeth Hands and Molly Leapor, the German cowherd Anna Louisa Karsch, the Scottish diarywoman Janet Little, the Scottish domestic servant Christian Milne, and the English milkmaid Ann Cromartie Yearsley. Their literature is here linked with one of the major eighteenth-century aesthetic trends in all three countries, the Natural Genius craze, which culminated in highland primitivism in Scotland and England, and in the Sturm und Drang in Germany. Kord's analysis of the peasant women's works and the bourgeois response enables us to find new answers to questions that have centrally influenced our thinking about what makes art Art. Kord's book provides a fresh look at some of this fascinating literature, and at the roles and attitudes of the lower classes and of women in the Art world of the day. It also advances a revolutionary thesis: that the eighteenth-century bourgeoisie established itself as the dominant cultural class not primarily, as is commonly held, in opposition to aristocratic culture, but more importantly through its dissociation from and suppression of lower-class art forms.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/9367798" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="1a039f3ab1a5d8cc7267544f7672d867" rel="nofollow" data-download="{"attachment_id":54404434,"asset_id":9367798,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/54404434/download_file?st=MTczMjc2MjQzOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="18355514" href="https://ucl.academia.edu/SusanneKord">Susanne Kord</a><script data-card-contents-for-user="18355514" type="text/json">{"id":18355514,"first_name":"Susanne","last_name":"Kord","domain_name":"ucl","page_name":"SusanneKord","display_name":"Susanne Kord","profile_url":"https://ucl.academia.edu/SusanneKord?f_ri=2396","photo":"https://0.academia-photos.com/18355514/5129252/20771926/s65_susanne.kord.png"}</script></span></span></li><li class="js-paper-rank-work_9367798 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="9367798"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 9367798, container: ".js-paper-rank-work_9367798", }); 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Among them are the English washerwoman Mary Collier, the English domestic servants Elizabeth Hands and Molly Leapor, the German cowherd Anna Louisa Karsch, the Scottish diarywoman Janet Little, the Scottish domestic servant Christian Milne, and the English milkmaid Ann Cromartie Yearsley. Their literature is here linked with one of the major eighteenth-century aesthetic trends in all three countries, the Natural Genius craze, which culminated in highland primitivism in Scotland and England, and in the Sturm und Drang in Germany. Kord's analysis of the peasant women's works and the bourgeois response enables us to find new answers to questions that have centrally influenced our thinking about what makes art Art. Kord's book provides a fresh look at some of this fascinating literature, and at the roles and attitudes of the lower classes and of women in the Art world of the day. It also advances a revolutionary thesis: that the eighteenth-century bourgeoisie established itself as the dominant cultural class not primarily, as is commonly held, in opposition to aristocratic culture, but more importantly through its dissociation from and suppression of lower-class art forms. ","downloadable_attachments":[{"id":54404434,"asset_id":9367798,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":18355514,"first_name":"Susanne","last_name":"Kord","domain_name":"ucl","page_name":"SusanneKord","display_name":"Susanne Kord","profile_url":"https://ucl.academia.edu/SusanneKord?f_ri=2396","photo":"https://0.academia-photos.com/18355514/5129252/20771926/s65_susanne.kord.png"}],"research_interests":[{"id":18,"name":"Scottish Literature","url":"https://www.academia.edu/Documents/in/Scottish_Literature?f_ri=2396","nofollow":false},{"id":384,"name":"German Studies","url":"https://www.academia.edu/Documents/in/German_Studies?f_ri=2396","nofollow":false},{"id":662,"name":"German Literature","url":"https://www.academia.edu/Documents/in/German_Literature?f_ri=2396","nofollow":false},{"id":885,"name":"English Literature","url":"https://www.academia.edu/Documents/in/English_Literature?f_ri=2396","nofollow":false},{"id":2396,"name":"Eighteenth-Century literature","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_literature?f_ri=2396"},{"id":3536,"name":"Peasant Studies","url":"https://www.academia.edu/Documents/in/Peasant_Studies?f_ri=2396"},{"id":3581,"name":"Poetry","url":"https://www.academia.edu/Documents/in/Poetry?f_ri=2396"},{"id":5231,"name":"Eighteenth Century History","url":"https://www.academia.edu/Documents/in/Eighteenth_Century_History?f_ri=2396"},{"id":5634,"name":"Scottish History","url":"https://www.academia.edu/Documents/in/Scottish_History?f_ri=2396"},{"id":7721,"name":"Eighteenth-Century British History and Culture","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_British_History_and_Culture?f_ri=2396"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_9099706" data-work_id="9099706" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/9099706/Out_of_Desire_s_Excess_a_Lover_Rousseau_between_Narcissus_and_Pygmalion">Out of Desire’s Excess, a Lover: Rousseau between Narcissus and Pygmalion</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">One of the paradoxes of Robespierre’s Republic of Virtue is that the author from whom he so largely borrowed did not really consider himself virtuous. Virtue may mean purity of heart and motive in one’s daily actions, but as Jean-Jacques... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_9099706" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">One of the paradoxes of Robespierre’s Republic of Virtue is that the author from whom he so largely borrowed did not really consider himself virtuous. Virtue may mean purity of heart and motive in one’s daily actions, but as Jean-Jacques Rousseau very well knew, it also implied a constant rational struggle against intrinsic passions and appetites. It is for this reason that in several parts of the Dialogues, Rousseau portrays himself paradoxically as a virtuous man who lacks virtue: “But is there some virtue in that sweetness? None. There is only the inclination of a loving and tender nature […] This very reasonable choice isn’t made by either reason or will. It is the work of the pure instinct. It lacks the merit of virtue, doubtless, but neither does it have its instability. One who has surrendered only to the impulses of nature for sixty years is certainly never going to resist them” (RJJ 150). It is not difficult to see why Rousseau would characterize himself as such. If, as Saint-Preux warns Julie, “virtue is a state of war” (J 560), belief in this struggle would mean recognizing our inherent disposition to sin and refuting, as a result, one of Jean-Jacques’s principal tenets: man’s natural inclination for the good. As Rousseau notes in the first pages of the Dialogues, “virtue among us often requires fighting and conquering nature” (RJJ 10–11).</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/9099706" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="c5fef1cec33e8d94dd5ffd392367a638" rel="nofollow" data-download="{"attachment_id":43862340,"asset_id":9099706,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/43862340/download_file?st=MTczMjc2MjQzOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1483600" href="https://tulane.academia.edu/FaycalFalaky">Fayçal Falaky</a><script data-card-contents-for-user="1483600" type="text/json">{"id":1483600,"first_name":"Fayçal","last_name":"Falaky","domain_name":"tulane","page_name":"FaycalFalaky","display_name":"Fayçal Falaky","profile_url":"https://tulane.academia.edu/FaycalFalaky?f_ri=2396","photo":"https://0.academia-photos.com/1483600/529238/3191231/s65_fay_al.falaky.jpg"}</script></span></span></li><li class="js-paper-rank-work_9099706 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="9099706"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 9099706, container: ".js-paper-rank-work_9099706", }); 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$(".js-view-count[data-work-id=9099706]").text(description); $(".js-view-count-work_9099706").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_9099706").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="9099706"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">12</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="244" href="https://www.academia.edu/Documents/in/Psychoanalysis">Psychoanalysis</a>, <script data-card-contents-for-ri="244" type="text/json">{"id":244,"name":"Psychoanalysis","url":"https://www.academia.edu/Documents/in/Psychoanalysis?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="660" href="https://www.academia.edu/Documents/in/French_Literature">French Literature</a>, <script data-card-contents-for-ri="660" type="text/json">{"id":660,"name":"French Literature","url":"https://www.academia.edu/Documents/in/French_Literature?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2396" href="https://www.academia.edu/Documents/in/Eighteenth-Century_literature">Eighteenth-Century literature</a>, <script data-card-contents-for-ri="2396" type="text/json">{"id":2396,"name":"Eighteenth-Century literature","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_literature?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="8338" href="https://www.academia.edu/Documents/in/Jacques_Lacan">Jacques Lacan</a><script data-card-contents-for-ri="8338" type="text/json">{"id":8338,"name":"Jacques Lacan","url":"https://www.academia.edu/Documents/in/Jacques_Lacan?f_ri=2396","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=9099706]'), work: {"id":9099706,"title":"Out of Desire’s Excess, a Lover: Rousseau between Narcissus and Pygmalion","created_at":"2014-11-03T05:43:37.700-08:00","url":"https://www.academia.edu/9099706/Out_of_Desire_s_Excess_a_Lover_Rousseau_between_Narcissus_and_Pygmalion?f_ri=2396","dom_id":"work_9099706","summary":"One of the paradoxes of Robespierre’s Republic of Virtue is that the author from whom he so largely borrowed did not really consider himself virtuous. Virtue may mean purity of heart and motive in one’s daily actions, but as Jean-Jacques Rousseau very well knew, it also implied a constant rational struggle against intrinsic passions and appetites. It is for this reason that in several parts of the Dialogues, Rousseau portrays himself paradoxically as a virtuous man who lacks virtue: “But is there some virtue in that sweetness? None. There is only the inclination of a loving and tender nature […] This very reasonable choice isn’t made by either reason or will. It is the work of the pure instinct. It lacks the merit of virtue, doubtless, but neither does it have its instability. One who has surrendered only to the impulses of nature for sixty years is certainly never going to resist them” (RJJ 150). It is not difficult to see why Rousseau would characterize himself as such. If, as Saint-Preux warns Julie, “virtue is a state of war” (J 560), belief in this struggle would mean recognizing our inherent disposition to sin and refuting, as a result, one of Jean-Jacques’s principal tenets: man’s natural inclination for the good. As Rousseau notes in the first pages of the Dialogues, “virtue among us often requires fighting and conquering nature” (RJJ 10–11).","downloadable_attachments":[{"id":43862340,"asset_id":9099706,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1483600,"first_name":"Fayçal","last_name":"Falaky","domain_name":"tulane","page_name":"FaycalFalaky","display_name":"Fayçal Falaky","profile_url":"https://tulane.academia.edu/FaycalFalaky?f_ri=2396","photo":"https://0.academia-photos.com/1483600/529238/3191231/s65_fay_al.falaky.jpg"}],"research_interests":[{"id":244,"name":"Psychoanalysis","url":"https://www.academia.edu/Documents/in/Psychoanalysis?f_ri=2396","nofollow":false},{"id":660,"name":"French Literature","url":"https://www.academia.edu/Documents/in/French_Literature?f_ri=2396","nofollow":false},{"id":2396,"name":"Eighteenth-Century literature","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_literature?f_ri=2396","nofollow":false},{"id":8338,"name":"Jacques Lacan","url":"https://www.academia.edu/Documents/in/Jacques_Lacan?f_ri=2396","nofollow":false},{"id":9549,"name":"Lacanian theory","url":"https://www.academia.edu/Documents/in/Lacanian_theory?f_ri=2396"},{"id":10128,"name":"Eighteenth-Century French Studies","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_French_Studies?f_ri=2396"},{"id":11339,"name":"Masochism","url":"https://www.academia.edu/Documents/in/Masochism?f_ri=2396"},{"id":15100,"name":"Rousseau","url":"https://www.academia.edu/Documents/in/Rousseau?f_ri=2396"},{"id":16461,"name":"Psychoanalysis And Literature","url":"https://www.academia.edu/Documents/in/Psychoanalysis_And_Literature?f_ri=2396"},{"id":28769,"name":"Jean-Jacques Rousseau","url":"https://www.academia.edu/Documents/in/Jean-Jacques_Rousseau?f_ri=2396"},{"id":31860,"name":"Jean Jaques Rousseau","url":"https://www.academia.edu/Documents/in/Jean_Jaques_Rousseau?f_ri=2396"},{"id":335439,"name":"Aesthetics of excess","url":"https://www.academia.edu/Documents/in/Aesthetics_of_excess?f_ri=2396"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_44317369 coauthored" data-work_id="44317369" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/44317369/Historische_Praktiken_der_Lekt%C3%BCre_in_geschlechtertheoretischer_Perspektive_Zur_Einf%C3%BChrung">Historische Praktiken der Lektüre in geschlechtertheoretischer Perspektive. 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McGinley","profile_url":"https://uta-fi.academia.edu/KevinJMcGinley?f_ri=2396","photo":"https://0.academia-photos.com/68100/19100/17742/s65_kevin_j..mcginley.jpeg"}],"research_interests":[{"id":1332,"name":"Theatre History","url":"https://www.academia.edu/Documents/in/Theatre_History?f_ri=2396","nofollow":false},{"id":2396,"name":"Eighteenth-Century literature","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_literature?f_ri=2396","nofollow":false},{"id":7720,"name":"British Eighteenth-Century Literature and Culture","url":"https://www.academia.edu/Documents/in/British_Eighteenth-Century_Literature_and_Culture?f_ri=2396","nofollow":false},{"id":14231,"name":"18th Century British Literature","url":"https://www.academia.edu/Documents/in/18th_Century_British_Literature?f_ri=2396","nofollow":false},{"id":14700,"name":"Eighteenth-Century Drama","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_Drama?f_ri=2396"},{"id":23166,"name":"Eighteenth-Century literature and culture","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_literature_and_culture?f_ri=2396"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_28492767" data-work_id="28492767" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/28492767/Embodying_the_Invisible_Materiality_and_Subjectivity_in_Cavendish_Manley_and_Haywood">Embodying the Invisible: Materiality and Subjectivity in Cavendish, Manley, and Haywood</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/28492767" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="9353c9fcb991c8081f92ac7d440296d5" rel="nofollow" data-download="{"attachment_id":66037814,"asset_id":28492767,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/66037814/download_file?st=MTczMjc2MjQzOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="53428372" href="https://abington-psu.academia.edu/MatthewRigilano">Matthew Rigilano</a><script data-card-contents-for-user="53428372" type="text/json">{"id":53428372,"first_name":"Matthew","last_name":"Rigilano","domain_name":"abington-psu","page_name":"MatthewRigilano","display_name":"Matthew Rigilano","profile_url":"https://abington-psu.academia.edu/MatthewRigilano?f_ri=2396","photo":"https://0.academia-photos.com/53428372/14095300/15103079/s65_matthew.rigilano.jpg"}</script></span></span></li><li class="js-paper-rank-work_28492767 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="28492767"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 28492767, container: ".js-paper-rank-work_28492767", }); 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The secret history, recently defined by scholars such as Rebecca Bullard, Melinda Alliker Rabb, Ros... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_16877848" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Recent studies of eighteenth-century women writers have focused on the role of women as developers and proponents of the secret history. The secret history, recently defined by scholars such as Rebecca Bullard, Melinda Alliker Rabb, Ros Ballaster, Marta Kvande, and Rachel Carnell, among others, occupies space within several genres, including political satire and historiography. The genre’s secretive nature and reliance on gossip and anecdotal evidence creates a new space for women writers that allows them to enter political discourse and offer a distinctly gendered social commentary. As public became private and private became secret, secret historians sought to expose the private lives of individuals in power. In this paper, I examine the role of women writers and secret historians, particularly Delarivier Manley and Eliza Haywood, and what I read as their response to male counterparts as they established and developed a gendered response both to the political climate of the early to mid-eighteenth century and the divergence of male and female social roles within the domestic sphere. In examining the narratorial structure and narratological techniques of both male and female secret historians over a period stretching from 1674 to 1736, I trace the development of female gender roles and attitudes towards women within the genre of the secret history, revealing through these works a narration of male and female attitudes towards women in the public and private spheres.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/16877848" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="d853e5a7c68b8d00bff02922d660f9cc" rel="nofollow" data-download="{"attachment_id":41046979,"asset_id":16877848,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/41046979/download_file?st=MTczMjc2MjQzOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="17118253" href="https://osu1.academia.edu/EileenHoransky">Eileen A Horansky</a><script data-card-contents-for-user="17118253" type="text/json">{"id":17118253,"first_name":"Eileen","last_name":"Horansky","domain_name":"osu1","page_name":"EileenHoransky","display_name":"Eileen A Horansky","profile_url":"https://osu1.academia.edu/EileenHoransky?f_ri=2396","photo":"https://0.academia-photos.com/17118253/4720244/131876510/s65_eileen.horansky.jpg"}</script></span></span></li><li class="js-paper-rank-work_16877848 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="16877848"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 16877848, container: ".js-paper-rank-work_16877848", }); 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$(".js-view-count[data-work-id=16877848]").text(description); $(".js-view-count-work_16877848").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_16877848").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="16877848"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">5</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="2396" href="https://www.academia.edu/Documents/in/Eighteenth-Century_literature">Eighteenth-Century literature</a>, <script data-card-contents-for-ri="2396" type="text/json">{"id":2396,"name":"Eighteenth-Century literature","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_literature?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="4917" href="https://www.academia.edu/Documents/in/Gender_and_Sexuality">Gender and Sexuality</a>, <script data-card-contents-for-ri="4917" type="text/json">{"id":4917,"name":"Gender and Sexuality","url":"https://www.academia.edu/Documents/in/Gender_and_Sexuality?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="44105" href="https://www.academia.edu/Documents/in/Eliza_Haywood">Eliza Haywood</a>, <script data-card-contents-for-ri="44105" type="text/json">{"id":44105,"name":"Eliza Haywood","url":"https://www.academia.edu/Documents/in/Eliza_Haywood?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="103544" href="https://www.academia.edu/Documents/in/Political_Satire">Political Satire</a><script data-card-contents-for-ri="103544" type="text/json">{"id":103544,"name":"Political Satire","url":"https://www.academia.edu/Documents/in/Political_Satire?f_ri=2396","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=16877848]'), work: {"id":16877848,"title":"M.A. Thesis: SEXUALIZING THE BODY POLITIC: NARRATING THE FEMALE BODY AND THE GENDER DIVIDE IN SECRET HISTORY","created_at":"2015-10-16T07:48:47.178-07:00","url":"https://www.academia.edu/16877848/M_A_Thesis_SEXUALIZING_THE_BODY_POLITIC_NARRATING_THE_FEMALE_BODY_AND_THE_GENDER_DIVIDE_IN_SECRET_HISTORY?f_ri=2396","dom_id":"work_16877848","summary":"Recent studies of eighteenth-century women writers have focused on the role of women as developers and proponents of the secret history. The secret history, recently defined by scholars such as Rebecca Bullard, Melinda Alliker Rabb, Ros Ballaster, Marta Kvande, and Rachel Carnell, among others, occupies space within several genres, including political satire and historiography. The genre’s secretive nature and reliance on gossip and anecdotal evidence creates a new space for women writers that allows them to enter political discourse and offer a distinctly gendered social commentary. As public became private and private became secret, secret historians sought to expose the private lives of individuals in power. In this paper, I examine the role of women writers and secret historians, particularly Delarivier Manley and Eliza Haywood, and what I read as their response to male counterparts as they established and developed a gendered response both to the political climate of the early to mid-eighteenth century and the divergence of male and female social roles within the domestic sphere. In examining the narratorial structure and narratological techniques of both male and female secret historians over a period stretching from 1674 to 1736, I trace the development of female gender roles and attitudes towards women within the genre of the secret history, revealing through these works a narration of male and female attitudes towards women in the public and private spheres.","downloadable_attachments":[{"id":41046979,"asset_id":16877848,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":17118253,"first_name":"Eileen","last_name":"Horansky","domain_name":"osu1","page_name":"EileenHoransky","display_name":"Eileen A Horansky","profile_url":"https://osu1.academia.edu/EileenHoransky?f_ri=2396","photo":"https://0.academia-photos.com/17118253/4720244/131876510/s65_eileen.horansky.jpg"}],"research_interests":[{"id":2396,"name":"Eighteenth-Century literature","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_literature?f_ri=2396","nofollow":false},{"id":4917,"name":"Gender and Sexuality","url":"https://www.academia.edu/Documents/in/Gender_and_Sexuality?f_ri=2396","nofollow":false},{"id":44105,"name":"Eliza Haywood","url":"https://www.academia.edu/Documents/in/Eliza_Haywood?f_ri=2396","nofollow":false},{"id":103544,"name":"Political Satire","url":"https://www.academia.edu/Documents/in/Political_Satire?f_ri=2396","nofollow":false},{"id":161574,"name":"Delarivier Manley","url":"https://www.academia.edu/Documents/in/Delarivier_Manley?f_ri=2396"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_6175209" data-work_id="6175209" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/6175209/Persuasive_Ironies_Utopian_Readings_of_Swift_and_Krasicki">Persuasive Ironies: Utopian Readings of Swift and Krasicki</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/6175209" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="d79fbefe647d42a80c5d2222aaf9ef00" rel="nofollow" data-download="{"attachment_id":33059847,"asset_id":6175209,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/33059847/download_file?st=MTczMjc2MjQzOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1110255" href="https://ithaca.academia.edu/KatarzynaBartoszynska">Katarzyna Bartoszynska</a><script data-card-contents-for-user="1110255" type="text/json">{"id":1110255,"first_name":"Katarzyna","last_name":"Bartoszynska","domain_name":"ithaca","page_name":"KatarzynaBartoszynska","display_name":"Katarzyna Bartoszynska","profile_url":"https://ithaca.academia.edu/KatarzynaBartoszynska?f_ri=2396","photo":"https://0.academia-photos.com/1110255/386957/469624/s65_katarzyna.bartoszynska.jpg"}</script></span></span></li><li class="js-paper-rank-work_6175209 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="6175209"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 6175209, container: ".js-paper-rank-work_6175209", }); });</script></li><li class="js-percentile-work_6175209 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 6175209; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_6175209"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_6175209 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="6175209"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 6175209; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=6175209]").text(description); $(".js-view-count-work_6175209").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_6175209").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="6175209"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">8</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="659" href="https://www.academia.edu/Documents/in/Comparative_Literature">Comparative Literature</a>, <script data-card-contents-for-ri="659" type="text/json">{"id":659,"name":"Comparative Literature","url":"https://www.academia.edu/Documents/in/Comparative_Literature?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="885" href="https://www.academia.edu/Documents/in/English_Literature">English Literature</a>, <script data-card-contents-for-ri="885" type="text/json">{"id":885,"name":"English Literature","url":"https://www.academia.edu/Documents/in/English_Literature?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1082" href="https://www.academia.edu/Documents/in/Travel_Writing">Travel Writing</a>, <script data-card-contents-for-ri="1082" type="text/json">{"id":1082,"name":"Travel Writing","url":"https://www.academia.edu/Documents/in/Travel_Writing?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1394" href="https://www.academia.edu/Documents/in/Irish_Literature">Irish Literature</a><script data-card-contents-for-ri="1394" type="text/json">{"id":1394,"name":"Irish Literature","url":"https://www.academia.edu/Documents/in/Irish_Literature?f_ri=2396","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=6175209]'), work: {"id":6175209,"title":"Persuasive Ironies: Utopian Readings of Swift and Krasicki","created_at":"2014-02-22T22:35:58.072-08:00","url":"https://www.academia.edu/6175209/Persuasive_Ironies_Utopian_Readings_of_Swift_and_Krasicki?f_ri=2396","dom_id":"work_6175209","summary":null,"downloadable_attachments":[{"id":33059847,"asset_id":6175209,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1110255,"first_name":"Katarzyna","last_name":"Bartoszynska","domain_name":"ithaca","page_name":"KatarzynaBartoszynska","display_name":"Katarzyna Bartoszynska","profile_url":"https://ithaca.academia.edu/KatarzynaBartoszynska?f_ri=2396","photo":"https://0.academia-photos.com/1110255/386957/469624/s65_katarzyna.bartoszynska.jpg"}],"research_interests":[{"id":659,"name":"Comparative Literature","url":"https://www.academia.edu/Documents/in/Comparative_Literature?f_ri=2396","nofollow":false},{"id":885,"name":"English Literature","url":"https://www.academia.edu/Documents/in/English_Literature?f_ri=2396","nofollow":false},{"id":1082,"name":"Travel Writing","url":"https://www.academia.edu/Documents/in/Travel_Writing?f_ri=2396","nofollow":false},{"id":1394,"name":"Irish Literature","url":"https://www.academia.edu/Documents/in/Irish_Literature?f_ri=2396","nofollow":false},{"id":2396,"name":"Eighteenth-Century literature","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_literature?f_ri=2396"},{"id":4498,"name":"Utopian Studies","url":"https://www.academia.edu/Documents/in/Utopian_Studies?f_ri=2396"},{"id":12872,"name":"Polish Literature","url":"https://www.academia.edu/Documents/in/Polish_Literature?f_ri=2396"},{"id":34517,"name":"Satire \u0026 Irony","url":"https://www.academia.edu/Documents/in/Satire_and_Irony?f_ri=2396"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_39040125" data-work_id="39040125" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/39040125/BIBLIOTHECA_GANDOLPHIANA_Catalogue_English_Novel_1700_1920_January_2017">BIBLIOTHECA GANDOLPHIANA - Catalogue English Novel 1700-1920 - January 2017</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This is the last catalogue of the Gandophiana collection and library. More then one hundred 18th and 19th Centuries novels have been added since then, all in the original language and, if not in first edition, just published few years... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_39040125" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This is the last catalogue of the Gandophiana collection and library. More then one hundred 18th and 19th Centuries novels have been added since then, all in the original language and, if not in first edition, just published few years after.<br />We'll publish soon other thematic catalogues, focusing also on the other shelves of our library: Italian, French and latin Literature from 16th to Early 20th Century.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/39040125" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="f20c56ee13ace0e1359e4ced8134e51f" rel="nofollow" data-download="{"attachment_id":59153267,"asset_id":39040125,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/59153267/download_file?st=MTczMjc2MjQzOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="8522829" href="https://independent.academia.edu/LucaGandolfi">Luca Gandolfi</a><script data-card-contents-for-user="8522829" type="text/json">{"id":8522829,"first_name":"Luca","last_name":"Gandolfi","domain_name":"independent","page_name":"LucaGandolfi","display_name":"Luca Gandolfi","profile_url":"https://independent.academia.edu/LucaGandolfi?f_ri=2396","photo":"https://0.academia-photos.com/8522829/2868864/4216313/s65_luca.gandolfi.jpg"}</script></span></span></li><li class="js-paper-rank-work_39040125 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="39040125"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 39040125, container: ".js-paper-rank-work_39040125", }); });</script></li><li class="js-percentile-work_39040125 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 39040125; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_39040125"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_39040125 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="39040125"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 39040125; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=39040125]").text(description); $(".js-view-count-work_39040125").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_39040125").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="39040125"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">18</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="15" href="https://www.academia.edu/Documents/in/British_Literature">British Literature</a>, <script data-card-contents-for-ri="15" type="text/json">{"id":15,"name":"British Literature","url":"https://www.academia.edu/Documents/in/British_Literature?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="659" href="https://www.academia.edu/Documents/in/Comparative_Literature">Comparative Literature</a>, <script data-card-contents-for-ri="659" type="text/json">{"id":659,"name":"Comparative Literature","url":"https://www.academia.edu/Documents/in/Comparative_Literature?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="660" href="https://www.academia.edu/Documents/in/French_Literature">French Literature</a>, <script data-card-contents-for-ri="660" type="text/json">{"id":660,"name":"French Literature","url":"https://www.academia.edu/Documents/in/French_Literature?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="827" href="https://www.academia.edu/Documents/in/Latin_Literature">Latin Literature</a><script data-card-contents-for-ri="827" type="text/json">{"id":827,"name":"Latin Literature","url":"https://www.academia.edu/Documents/in/Latin_Literature?f_ri=2396","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=39040125]'), work: {"id":39040125,"title":"BIBLIOTHECA GANDOLPHIANA - Catalogue English Novel 1700-1920 - January 2017","created_at":"2019-05-07T01:02:15.717-07:00","url":"https://www.academia.edu/39040125/BIBLIOTHECA_GANDOLPHIANA_Catalogue_English_Novel_1700_1920_January_2017?f_ri=2396","dom_id":"work_39040125","summary":"This is the last catalogue of the Gandophiana collection and library. More then one hundred 18th and 19th Centuries novels have been added since then, all in the original language and, if not in first edition, just published few years after.\nWe'll publish soon other thematic catalogues, focusing also on the other shelves of our library: Italian, French and latin Literature from 16th to Early 20th Century. ","downloadable_attachments":[{"id":59153267,"asset_id":39040125,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":8522829,"first_name":"Luca","last_name":"Gandolfi","domain_name":"independent","page_name":"LucaGandolfi","display_name":"Luca Gandolfi","profile_url":"https://independent.academia.edu/LucaGandolfi?f_ri=2396","photo":"https://0.academia-photos.com/8522829/2868864/4216313/s65_luca.gandolfi.jpg"}],"research_interests":[{"id":15,"name":"British Literature","url":"https://www.academia.edu/Documents/in/British_Literature?f_ri=2396","nofollow":false},{"id":659,"name":"Comparative Literature","url":"https://www.academia.edu/Documents/in/Comparative_Literature?f_ri=2396","nofollow":false},{"id":660,"name":"French Literature","url":"https://www.academia.edu/Documents/in/French_Literature?f_ri=2396","nofollow":false},{"id":827,"name":"Latin Literature","url":"https://www.academia.edu/Documents/in/Latin_Literature?f_ri=2396","nofollow":false},{"id":885,"name":"English Literature","url":"https://www.academia.edu/Documents/in/English_Literature?f_ri=2396"},{"id":2396,"name":"Eighteenth-Century literature","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_literature?f_ri=2396"},{"id":11744,"name":"Restoration and Eighteenth-Century English Literature","url":"https://www.academia.edu/Documents/in/Restoration_and_Eighteenth-Century_English_Literature?f_ri=2396"},{"id":12889,"name":"English Novel","url":"https://www.academia.edu/Documents/in/English_Novel?f_ri=2396"},{"id":15098,"name":"Latin Language and Literature","url":"https://www.academia.edu/Documents/in/Latin_Language_and_Literature?f_ri=2396"},{"id":24253,"name":"19th Century British novel","url":"https://www.academia.edu/Documents/in/19th_Century_British_novel?f_ri=2396"},{"id":25848,"name":"Victorian novel","url":"https://www.academia.edu/Documents/in/Victorian_novel?f_ri=2396"},{"id":29113,"name":"Nineteenth-Century Literature and Culture","url":"https://www.academia.edu/Documents/in/Nineteenth-Century_Literature_and_Culture?f_ri=2396"},{"id":106154,"name":"Littérature Française","url":"https://www.academia.edu/Documents/in/Litt%C3%A9rature_Fran%C3%A7aise?f_ri=2396"},{"id":106803,"name":"Letteratura","url":"https://www.academia.edu/Documents/in/Letteratura?f_ri=2396"},{"id":158294,"name":"Littérature Comparée","url":"https://www.academia.edu/Documents/in/Litt%C3%A9rature_Compar%C3%A9e?f_ri=2396"},{"id":207345,"name":"Letterature comparate","url":"https://www.academia.edu/Documents/in/Letterature_comparate?f_ri=2396"},{"id":229030,"name":"Letteratura italiana","url":"https://www.academia.edu/Documents/in/Letteratura_italiana?f_ri=2396"},{"id":618326,"name":"Letteratura Inglese","url":"https://www.academia.edu/Documents/in/Letteratura_Inglese?f_ri=2396"}]}, }) } 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class="InlineList-item-text" data-has-card-for-ri="20486" href="https://www.academia.edu/Documents/in/Samuel_Johnson">Samuel Johnson</a>, <script data-card-contents-for-ri="20486" type="text/json">{"id":20486,"name":"Samuel Johnson","url":"https://www.academia.edu/Documents/in/Samuel_Johnson?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="85660" href="https://www.academia.edu/Documents/in/James_Boswell_1740-1795_">James Boswell (1740-1795)</a><script data-card-contents-for-ri="85660" type="text/json">{"id":85660,"name":"James Boswell (1740-1795)","url":"https://www.academia.edu/Documents/in/James_Boswell_1740-1795_?f_ri=2396","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=3228397]'), work: {"id":3228397,"title":"Boswell and 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class="u-tcGrayDark u-fw700" data-has-card-for-user="18640265" href="https://columbia.academia.edu/JennyDavidson">Jenny Davidson</a><script data-card-contents-for-user="18640265" type="text/json">{"id":18640265,"first_name":"Jenny","last_name":"Davidson","domain_name":"columbia","page_name":"JennyDavidson","display_name":"Jenny Davidson","profile_url":"https://columbia.academia.edu/JennyDavidson?f_ri=2396","photo":"https://0.academia-photos.com/18640265/5175495/5926691/s65_jenny.davidson.jpg_oh_a9886057249452e6af96f071b949fed9_oe_54b8cdf6___gda___1421804174_a1cb995da2a29df8aebf1508aa465d5f"}</script></span></span></li><li class="js-paper-rank-work_15273587 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="15273587"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 15273587, container: ".js-paper-rank-work_15273587", }); 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window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=15273587]").text(description); $(".js-view-count-work_15273587").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_15273587").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="15273587"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="2396" href="https://www.academia.edu/Documents/in/Eighteenth-Century_literature">Eighteenth-Century literature</a>, <script data-card-contents-for-ri="2396" type="text/json">{"id":2396,"name":"Eighteenth-Century literature","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_literature?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2587" href="https://www.academia.edu/Documents/in/The_Novel">The Novel</a>, <script data-card-contents-for-ri="2587" type="text/json">{"id":2587,"name":"The Novel","url":"https://www.academia.edu/Documents/in/The_Novel?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="44107" href="https://www.academia.edu/Documents/in/Henry_Fielding">Henry Fielding</a>, <script data-card-contents-for-ri="44107" type="text/json">{"id":44107,"name":"Henry Fielding","url":"https://www.academia.edu/Documents/in/Henry_Fielding?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="58037" href="https://www.academia.edu/Documents/in/Satire">Satire</a><script data-card-contents-for-ri="58037" 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Davidson","profile_url":"https://columbia.academia.edu/JennyDavidson?f_ri=2396","photo":"https://0.academia-photos.com/18640265/5175495/5926691/s65_jenny.davidson.jpg_oh_a9886057249452e6af96f071b949fed9_oe_54b8cdf6___gda___1421804174_a1cb995da2a29df8aebf1508aa465d5f"}],"research_interests":[{"id":2396,"name":"Eighteenth-Century literature","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_literature?f_ri=2396","nofollow":false},{"id":2587,"name":"The Novel","url":"https://www.academia.edu/Documents/in/The_Novel?f_ri=2396","nofollow":false},{"id":44107,"name":"Henry Fielding","url":"https://www.academia.edu/Documents/in/Henry_Fielding?f_ri=2396","nofollow":false},{"id":58037,"name":"Satire","url":"https://www.academia.edu/Documents/in/Satire?f_ri=2396","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_11824947" data-work_id="11824947" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/11824947/Pr%C3%A9liminaires_%C3%A0_la_th%C3%A9orie_esth%C3%A9tique_du_XVIIIe_si%C3%A8cle_Paris_Kim%C3%A9_2008_">Préliminaires à la théorie esthétique du XVIIIe siècle (Paris, Kimé, 2008)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Cet essai retrace les prémisses de la théorie de l’art telle qu’elle prend forme à la fin du XVIIe et au début du XVIIIe siècle. L’imitation, principe fondamental de l’art à l’époque classique, forme le point de départ de la réflexion.... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_11824947" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Cet essai retrace les prémisses de la théorie de l’art telle qu’elle prend forme à la fin du XVIIe et au début du XVIIIe siècle. L’imitation, principe fondamental de l’art à l’époque classique, forme le point de départ de la réflexion. Dans l’ouvrage principal de la théorie esthétique du XVIIIe siècle, <Les Beaux-arts réduits à un même principe> de l’abbé Batteux (1746), l’imitation est présentée comme une relation entre deux pôles, les beaux-arts d’une part, la nature d’autre part. Ces deux versants du processus imitatif forment les deux grands volets déterminant la structure de l’essai. En mettant en lumière, de part et d’autre de l’ouvrage ‘classique’ de l’abbé Batteux, l’apport fondamental de l’abbé Du Bos en 1719 et de Diderot pour la seconde moitié du siècle, l’essai examine la façon dont la mimésis classique se pense et se repense au XVIIIe siècle, montrant les grandes mutations qui s’y font jour.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/11824947" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="a67cd941debfb976e67a8017cd22580a" rel="nofollow" data-download="{"attachment_id":57111959,"asset_id":11824947,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/57111959/download_file?st=MTczMjc2MjQzOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="28875354" href="https://univ-paris3.academia.edu/httpwwwunivparis3frmmekremernathalie113262kjsp">Nathalie Kremer</a><script data-card-contents-for-user="28875354" type="text/json">{"id":28875354,"first_name":"Nathalie","last_name":"Kremer","domain_name":"univ-paris3","page_name":"httpwwwunivparis3frmmekremernathalie113262kjsp","display_name":"Nathalie Kremer","profile_url":"https://univ-paris3.academia.edu/httpwwwunivparis3frmmekremernathalie113262kjsp?f_ri=2396","photo":"/images/s65_no_pic.png"}</script></span></span></li><li class="js-paper-rank-work_11824947 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="11824947"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 11824947, container: ".js-paper-rank-work_11824947", }); 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$(".js-view-count[data-work-id=11824947]").text(description); $(".js-view-count-work_11824947").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_11824947").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="11824947"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">3</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="808" href="https://www.academia.edu/Documents/in/Aesthetics">Aesthetics</a>, <script data-card-contents-for-ri="808" type="text/json">{"id":808,"name":"Aesthetics","url":"https://www.academia.edu/Documents/in/Aesthetics?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="915" href="https://www.academia.edu/Documents/in/Art_History">Art History</a>, <script data-card-contents-for-ri="915" type="text/json">{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2396" href="https://www.academia.edu/Documents/in/Eighteenth-Century_literature">Eighteenth-Century literature</a><script data-card-contents-for-ri="2396" type="text/json">{"id":2396,"name":"Eighteenth-Century literature","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_literature?f_ri=2396","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=11824947]'), work: {"id":11824947,"title":"Préliminaires à la théorie esthétique du XVIIIe siècle (Paris, Kimé, 2008)","created_at":"2015-04-07T02:35:51.871-07:00","url":"https://www.academia.edu/11824947/Pr%C3%A9liminaires_%C3%A0_la_th%C3%A9orie_esth%C3%A9tique_du_XVIIIe_si%C3%A8cle_Paris_Kim%C3%A9_2008_?f_ri=2396","dom_id":"work_11824947","summary":"Cet essai retrace les prémisses de la théorie de l’art telle qu’elle prend forme à la fin du XVIIe et au début du XVIIIe siècle. L’imitation, principe fondamental de l’art à l’époque classique, forme le point de départ de la réflexion. Dans l’ouvrage principal de la théorie esthétique du XVIIIe siècle, \u003cLes Beaux-arts réduits à un même principe\u003e de l’abbé Batteux (1746), l’imitation est présentée comme une relation entre deux pôles, les beaux-arts d’une part, la nature d’autre part. Ces deux versants du processus imitatif forment les deux grands volets déterminant la structure de l’essai. En mettant en lumière, de part et d’autre de l’ouvrage ‘classique’ de l’abbé Batteux, l’apport fondamental de l’abbé Du Bos en 1719 et de Diderot pour la seconde moitié du siècle, l’essai examine la façon dont la mimésis classique se pense et se repense au XVIIIe siècle, montrant les grandes mutations qui s’y font jour.","downloadable_attachments":[{"id":57111959,"asset_id":11824947,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":28875354,"first_name":"Nathalie","last_name":"Kremer","domain_name":"univ-paris3","page_name":"httpwwwunivparis3frmmekremernathalie113262kjsp","display_name":"Nathalie Kremer","profile_url":"https://univ-paris3.academia.edu/httpwwwunivparis3frmmekremernathalie113262kjsp?f_ri=2396","photo":"/images/s65_no_pic.png"}],"research_interests":[{"id":808,"name":"Aesthetics","url":"https://www.academia.edu/Documents/in/Aesthetics?f_ri=2396","nofollow":false},{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=2396","nofollow":false},{"id":2396,"name":"Eighteenth-Century literature","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_literature?f_ri=2396","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_31518475" data-work_id="31518475" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/31518475/El_dominio_de_la_realidad_y_la_crisis_del_discurso_El_nacimiento_de_la_conciencia_europea">El dominio de la realidad y la crisis del discurso. El nacimiento de la conciencia europea</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">En el siglo XVIII se produjo una profunda transformación cultural, social y política que se cuenta entre las más trascendentales de la Historia de Europa. El sistema cortesano que, hasta ese momento, había regido el modelo social,... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_31518475" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">En el siglo XVIII se produjo una profunda transformación cultural, social y política que se cuenta entre las más trascendentales de la Historia de Europa. El sistema cortesano que, hasta ese momento, había regido el modelo social, político y cultural de los europeos entró en crisis. La figura del padre de familia asociada al gobernante y el principio aristotélico de equidad fueron puestos en entredicho, quedando desacreditados y, finalmente, remplazados por nuevos valores. En el paso del siglo XVII al XVIII afloró una nueva forma de ver y expresar la realidad en el arte y la literatura, naciendo una nueva cosmovisión a partir del valor concedido y reconocido a la ciencia y la forma de articular y dominar el territorio para actuar sobre él. Las transformaciones culturales afectaron a toda la organización político-social que conocemos como sistema cortesano; filósofos y políticos entendieron que el esquema aristotélico lejos de armonizar la sociedad a través de una escala de obediencias la sumía en una perenne postración debida a su articulación convencional. Era necesario acabar con esa civilización para que apareciese el auténtico individuo, cuyo modelo no era ya el cortesano (ocupado en medrar y aparentar), sino el ciudadano (comprometido con la comunidad), llamando a transformar la suma de individualidades en nación. El estudio del paso de uno a otro modelo dio lugar a una nueva realidad; analizar este proceso es el objetivo de los autores de esta obra.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/31518475" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="09062f87dde11571cf518f5f7353e1ea" rel="nofollow" data-download="{"attachment_id":51862397,"asset_id":31518475,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/51862397/download_file?st=MTczMjc2MjQzOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="22486704" href="https://independent.academia.edu/InstitutoUniversitarioLaCorteenEuropaIULCE">Instituto Universitario La Corte en Europa IULCE</a><script data-card-contents-for-user="22486704" type="text/json">{"id":22486704,"first_name":"Instituto Universitario La Corte en Europa","last_name":"IULCE","domain_name":"independent","page_name":"InstitutoUniversitarioLaCorteenEuropaIULCE","display_name":"Instituto Universitario La Corte en Europa IULCE","profile_url":"https://independent.academia.edu/InstitutoUniversitarioLaCorteenEuropaIULCE?f_ri=2396","photo":"https://0.academia-photos.com/22486704/6131739/6951224/s65_instituto_universitario_la_corte_en_europa.iulce.jpg"}</script></span></span></li><li class="js-paper-rank-work_31518475 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="31518475"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 31518475, container: ".js-paper-rank-work_31518475", }); 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$(".js-view-count[data-work-id=31518475]").text(description); $(".js-view-count-work_31518475").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_31518475").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="31518475"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">6</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="188" href="https://www.academia.edu/Documents/in/Cultural_Studies">Cultural Studies</a>, <script data-card-contents-for-ri="188" type="text/json">{"id":188,"name":"Cultural Studies","url":"https://www.academia.edu/Documents/in/Cultural_Studies?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1727" href="https://www.academia.edu/Documents/in/Early_Modern_History">Early Modern History</a>, <script data-card-contents-for-ri="1727" type="text/json">{"id":1727,"name":"Early Modern History","url":"https://www.academia.edu/Documents/in/Early_Modern_History?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2396" href="https://www.academia.edu/Documents/in/Eighteenth-Century_literature">Eighteenth-Century literature</a>, <script data-card-contents-for-ri="2396" type="text/json">{"id":2396,"name":"Eighteenth-Century literature","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_literature?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="5231" href="https://www.academia.edu/Documents/in/Eighteenth_Century_History">Eighteenth Century History</a><script data-card-contents-for-ri="5231" type="text/json">{"id":5231,"name":"Eighteenth Century History","url":"https://www.academia.edu/Documents/in/Eighteenth_Century_History?f_ri=2396","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=31518475]'), work: {"id":31518475,"title":"El dominio de la realidad y la crisis del discurso. El nacimiento de la conciencia europea","created_at":"2017-02-19T10:40:50.304-08:00","url":"https://www.academia.edu/31518475/El_dominio_de_la_realidad_y_la_crisis_del_discurso_El_nacimiento_de_la_conciencia_europea?f_ri=2396","dom_id":"work_31518475","summary":"En el siglo XVIII se produjo una profunda transformación cultural, social y política que se cuenta entre las más trascendentales de la Historia de Europa. El sistema cortesano que, hasta ese momento, había regido el modelo social, político y cultural de los europeos entró en crisis. La figura del padre de familia asociada al gobernante y el principio aristotélico de equidad fueron puestos en entredicho, quedando desacreditados y, finalmente, remplazados por nuevos valores. En el paso del siglo XVII al XVIII afloró una nueva forma de ver y expresar la realidad en el arte y la literatura, naciendo una nueva cosmovisión a partir del valor concedido y reconocido a la ciencia y la forma de articular y dominar el territorio para actuar sobre él. Las transformaciones culturales afectaron a toda la organización político-social que conocemos como sistema cortesano; filósofos y políticos entendieron que el esquema aristotélico lejos de armonizar la sociedad a través de una escala de obediencias la sumía en una perenne postración debida a su articulación convencional. Era necesario acabar con esa civilización para que apareciese el auténtico individuo, cuyo modelo no era ya el cortesano (ocupado en medrar y aparentar), sino el ciudadano (comprometido con la comunidad), llamando a transformar la suma de individualidades en nación. El estudio del paso de uno a otro modelo dio lugar a una nueva realidad; analizar este proceso es el objetivo de los autores de esta obra.","downloadable_attachments":[{"id":51862397,"asset_id":31518475,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":22486704,"first_name":"Instituto Universitario La Corte en Europa","last_name":"IULCE","domain_name":"independent","page_name":"InstitutoUniversitarioLaCorteenEuropaIULCE","display_name":"Instituto Universitario La Corte en Europa IULCE","profile_url":"https://independent.academia.edu/InstitutoUniversitarioLaCorteenEuropaIULCE?f_ri=2396","photo":"https://0.academia-photos.com/22486704/6131739/6951224/s65_instituto_universitario_la_corte_en_europa.iulce.jpg"}],"research_interests":[{"id":188,"name":"Cultural Studies","url":"https://www.academia.edu/Documents/in/Cultural_Studies?f_ri=2396","nofollow":false},{"id":1727,"name":"Early Modern History","url":"https://www.academia.edu/Documents/in/Early_Modern_History?f_ri=2396","nofollow":false},{"id":2396,"name":"Eighteenth-Century literature","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_literature?f_ri=2396","nofollow":false},{"id":5231,"name":"Eighteenth Century History","url":"https://www.academia.edu/Documents/in/Eighteenth_Century_History?f_ri=2396","nofollow":false},{"id":5431,"name":"Seventeenth Century","url":"https://www.academia.edu/Documents/in/Seventeenth_Century?f_ri=2396"},{"id":100378,"name":"Eighteenth Century Studies","url":"https://www.academia.edu/Documents/in/Eighteenth_Century_Studies?f_ri=2396"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_30804529" data-work_id="30804529" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/30804529/%C3%89loge_de_Roland_Mortier_Discours_de_r%C3%A9ception_%C3%A0_lAcad%C3%A9mie_royale_de_langue_et_litt%C3%A9rature_fran%C3%A7aises_de_Belgique">Éloge de Roland Mortier. Discours de réception à l'Académie royale de langue et littérature françaises de Belgique</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/30804529" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="6050ff17625924e02dd42f08b0af55ce" rel="nofollow" data-download="{"attachment_id":51236931,"asset_id":30804529,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/51236931/download_file?st=MTczMjc2MjQzOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="12800372" href="https://sorbonne-fr.academia.edu/SophieBasch">Sophie Basch</a><script data-card-contents-for-user="12800372" type="text/json">{"id":12800372,"first_name":"Sophie","last_name":"Basch","domain_name":"sorbonne-fr","page_name":"SophieBasch","display_name":"Sophie Basch","profile_url":"https://sorbonne-fr.academia.edu/SophieBasch?f_ri=2396","photo":"https://0.academia-photos.com/12800372/3637464/144196268/s65_sophie.basch.jpeg"}</script></span></span></li><li class="js-paper-rank-work_30804529 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="30804529"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 30804529, container: ".js-paper-rank-work_30804529", }); 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$(".js-view-count[data-work-id=30804529]").text(description); $(".js-view-count-work_30804529").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_30804529").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="30804529"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">18</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="660" href="https://www.academia.edu/Documents/in/French_Literature">French Literature</a>, <script data-card-contents-for-ri="660" type="text/json">{"id":660,"name":"French Literature","url":"https://www.academia.edu/Documents/in/French_Literature?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2396" href="https://www.academia.edu/Documents/in/Eighteenth-Century_literature">Eighteenth-Century literature</a>, <script data-card-contents-for-ri="2396" type="text/json">{"id":2396,"name":"Eighteenth-Century literature","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_literature?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="5231" href="https://www.academia.edu/Documents/in/Eighteenth_Century_History">Eighteenth Century History</a>, <script data-card-contents-for-ri="5231" type="text/json">{"id":5231,"name":"Eighteenth Century History","url":"https://www.academia.edu/Documents/in/Eighteenth_Century_History?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="6027" href="https://www.academia.edu/Documents/in/Enlightenment">Enlightenment</a><script data-card-contents-for-ri="6027" type="text/json">{"id":6027,"name":"Enlightenment","url":"https://www.academia.edu/Documents/in/Enlightenment?f_ri=2396","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=30804529]'), work: {"id":30804529,"title":"Éloge de Roland Mortier. Discours de réception à l'Académie royale de langue et littérature françaises de Belgique","created_at":"2017-01-07T10:02:50.452-08:00","url":"https://www.academia.edu/30804529/%C3%89loge_de_Roland_Mortier_Discours_de_r%C3%A9ception_%C3%A0_lAcad%C3%A9mie_royale_de_langue_et_litt%C3%A9rature_fran%C3%A7aises_de_Belgique?f_ri=2396","dom_id":"work_30804529","summary":null,"downloadable_attachments":[{"id":51236931,"asset_id":30804529,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":12800372,"first_name":"Sophie","last_name":"Basch","domain_name":"sorbonne-fr","page_name":"SophieBasch","display_name":"Sophie Basch","profile_url":"https://sorbonne-fr.academia.edu/SophieBasch?f_ri=2396","photo":"https://0.academia-photos.com/12800372/3637464/144196268/s65_sophie.basch.jpeg"}],"research_interests":[{"id":660,"name":"French Literature","url":"https://www.academia.edu/Documents/in/French_Literature?f_ri=2396","nofollow":false},{"id":2396,"name":"Eighteenth-Century literature","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_literature?f_ri=2396","nofollow":false},{"id":5231,"name":"Eighteenth Century History","url":"https://www.academia.edu/Documents/in/Eighteenth_Century_History?f_ri=2396","nofollow":false},{"id":6027,"name":"Enlightenment","url":"https://www.academia.edu/Documents/in/Enlightenment?f_ri=2396","nofollow":false},{"id":10128,"name":"Eighteenth-Century French Studies","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_French_Studies?f_ri=2396"},{"id":86722,"name":"Lumières françaises","url":"https://www.academia.edu/Documents/in/Lumieres_francaises?f_ri=2396"},{"id":107427,"name":"Aufklärung","url":"https://www.academia.edu/Documents/in/Aufkl%C3%A4rung?f_ri=2396"},{"id":111694,"name":"Art History Ruins","url":"https://www.academia.edu/Documents/in/Art_History_Ruins?f_ri=2396"},{"id":114939,"name":"DIDEROT","url":"https://www.academia.edu/Documents/in/DIDEROT?f_ri=2396"},{"id":275726,"name":"Littérature française du XVIIIe siècle","url":"https://www.academia.edu/Documents/in/Litterature_francaise_du_XVIIIe_siecle?f_ri=2396"},{"id":574460,"name":"Originality in art","url":"https://www.academia.edu/Documents/in/Originality_in_art?f_ri=2396"},{"id":665080,"name":"Université Libre De Bruxelles","url":"https://www.academia.edu/Documents/in/Universite_Libre_De_Bruxelles?f_ri=2396"},{"id":679657,"name":"Sorbonne","url":"https://www.academia.edu/Documents/in/Sorbonne?f_ri=2396"},{"id":734807,"name":"Illuminismo","url":"https://www.academia.edu/Documents/in/Illuminismo?f_ri=2396"},{"id":797999,"name":"Prince De Ligne","url":"https://www.academia.edu/Documents/in/Prince_De_Ligne?f_ri=2396"},{"id":1195719,"name":"Art History and Aesthetics of Ruins","url":"https://www.academia.edu/Documents/in/Art_History_and_Aesthetics_of_Ruins?f_ri=2396"},{"id":1466710,"name":"Université Paris IV-Sorbonne","url":"https://www.academia.edu/Documents/in/Universite_Paris_IV-Sorbonne?f_ri=2396"},{"id":2608678,"name":"Académie royale de Belgique","url":"https://www.academia.edu/Documents/in/Acad%C3%A9mie_royale_de_Belgique?f_ri=2396"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_11592286" data-work_id="11592286" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/11592286/_Glory_in_the_Triumph_The_Female_Libertine_1660_1730_">“Glory in the Triumph: The Female Libertine 1660-1730.” </a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm 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type="text/json">{"id":2396,"name":"Eighteenth-Century literature","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_literature?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="7721" href="https://www.academia.edu/Documents/in/Eighteenth-Century_British_History_and_Culture">Eighteenth-Century British History and Culture</a>, <script data-card-contents-for-ri="7721" type="text/json">{"id":7721,"name":"Eighteenth-Century British History and Culture","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_British_History_and_Culture?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="119033" href="https://www.academia.edu/Documents/in/eighteenth-century_British_women_writers">eighteenth-century British women writers</a><script data-card-contents-for-ri="119033" type="text/json">{"id":119033,"name":"eighteenth-century British women writers","url":"https://www.academia.edu/Documents/in/eighteenth-century_British_women_writers?f_ri=2396","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=11592286]'), work: {"id":11592286,"title":"“Glory in the Triumph: The Female Libertine 1660-1730.” ","created_at":"2015-03-22T16:07:06.807-07:00","url":"https://www.academia.edu/11592286/_Glory_in_the_Triumph_The_Female_Libertine_1660_1730_?f_ri=2396","dom_id":"work_11592286","summary":null,"downloadable_attachments":[{"id":37126192,"asset_id":11592286,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":22909617,"first_name":"Tiffany","last_name":"Potter","domain_name":"ubc","page_name":"TiffanyPotter","display_name":"Tiffany Potter","profile_url":"https://ubc.academia.edu/TiffanyPotter?f_ri=2396","photo":"https://0.academia-photos.com/22909617/7908098/8859960/s65_tiffany.potter.jpg"}],"research_interests":[{"id":2396,"name":"Eighteenth-Century literature","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_literature?f_ri=2396","nofollow":false},{"id":7721,"name":"Eighteenth-Century British History and Culture","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_British_History_and_Culture?f_ri=2396","nofollow":false},{"id":119033,"name":"eighteenth-century British women writers","url":"https://www.academia.edu/Documents/in/eighteenth-century_British_women_writers?f_ri=2396","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_42170847" data-work_id="42170847" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/42170847/Remaking_Romantic_Love_in_Maria_Edgeworths_Belinda_In_press_">Remaking Romantic Love in Maria Edgeworth's 'Belinda' (In press)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The emphasis on the unique self in the Romantic period resulted in representations of romantic love that understand the emotion as an aspect of psychological depth. In contrast, Maria Edgeworth’s 1801 novel, 'Belinda', represents love as... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_42170847" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The emphasis on the unique self in the Romantic period resulted in<br />representations of romantic love that understand the emotion as an aspect of psychological depth. In contrast, Maria Edgeworth’s 1801 novel, 'Belinda', represents love as function of visceral sensation and, at best, automatic (rather than reflective) psychological processes. To some degree, Edgeworth’s concept of love is influenced by the scientific culture she was implicated in, and in this sense she understands the emotion as a product of the external, observable world rather than of the interior mind. More surprisingly, perhaps, Edgeworth considers love as a function of high society, breaking down symptomatic associations of Edgeworth with domesticity. In 'Belinda', love is a product of both the logical scientific method and the questionable morality characteristic of<br />fashionable sociability. Standing partially outside of both the Romantic<br />emphasis on psychological depth and the empirical insistence on rationality, Edgeworth theorises a love which cannot be accommodated in the terms through which we have often understood the emotion from the Romantic era to the present day. In this way, love in Belinda questions the foundational concepts of subject/object and emotive/logical upon which many theories of love depend.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/42170847" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="a84b07fbf0b1fef2c02d2ef53bfb22cf" rel="nofollow" data-download="{"attachment_id":65131862,"asset_id":42170847,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/65131862/download_file?st=MTczMjc2MjQzOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="65367364" href="https://coventry.academia.edu/JosephMorrissey">Joseph Morrissey</a><script data-card-contents-for-user="65367364" type="text/json">{"id":65367364,"first_name":"Joseph","last_name":"Morrissey","domain_name":"coventry","page_name":"JosephMorrissey","display_name":"Joseph Morrissey","profile_url":"https://coventry.academia.edu/JosephMorrissey?f_ri=2396","photo":"https://0.academia-photos.com/65367364/18840420/18799159/s65_joseph.morrissey.jpg"}</script></span></span></li><li class="js-paper-rank-work_42170847 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="42170847"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 42170847, container: ".js-paper-rank-work_42170847", }); 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$(".js-view-count[data-work-id=42170847]").text(description); $(".js-view-count-work_42170847").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_42170847").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="42170847"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">6</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="1258" href="https://www.academia.edu/Documents/in/Romanticism">Romanticism</a>, <script data-card-contents-for-ri="1258" type="text/json">{"id":1258,"name":"Romanticism","url":"https://www.academia.edu/Documents/in/Romanticism?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2396" href="https://www.academia.edu/Documents/in/Eighteenth-Century_literature">Eighteenth-Century literature</a>, <script data-card-contents-for-ri="2396" type="text/json">{"id":2396,"name":"Eighteenth-Century literature","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_literature?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="18900" href="https://www.academia.edu/Documents/in/Philosophy_of_Love">Philosophy of Love</a>, <script data-card-contents-for-ri="18900" type="text/json">{"id":18900,"name":"Philosophy of Love","url":"https://www.academia.edu/Documents/in/Philosophy_of_Love?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="29113" href="https://www.academia.edu/Documents/in/Nineteenth-Century_Literature_and_Culture">Nineteenth-Century Literature and Culture</a><script data-card-contents-for-ri="29113" type="text/json">{"id":29113,"name":"Nineteenth-Century Literature and Culture","url":"https://www.academia.edu/Documents/in/Nineteenth-Century_Literature_and_Culture?f_ri=2396","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=42170847]'), work: {"id":42170847,"title":"Remaking Romantic Love in Maria Edgeworth's 'Belinda' (In press)","created_at":"2020-03-08T17:23:56.109-07:00","url":"https://www.academia.edu/42170847/Remaking_Romantic_Love_in_Maria_Edgeworths_Belinda_In_press_?f_ri=2396","dom_id":"work_42170847","summary":"The emphasis on the unique self in the Romantic period resulted in\nrepresentations of romantic love that understand the emotion as an aspect of psychological depth. In contrast, Maria Edgeworth’s 1801 novel, 'Belinda', represents love as function of visceral sensation and, at best, automatic (rather than reflective) psychological processes. To some degree, Edgeworth’s concept of love is influenced by the scientific culture she was implicated in, and in this sense she understands the emotion as a product of the external, observable world rather than of the interior mind. More surprisingly, perhaps, Edgeworth considers love as a function of high society, breaking down symptomatic associations of Edgeworth with domesticity. In 'Belinda', love is a product of both the logical scientific method and the questionable morality characteristic of\nfashionable sociability. Standing partially outside of both the Romantic\nemphasis on psychological depth and the empirical insistence on rationality, Edgeworth theorises a love which cannot be accommodated in the terms through which we have often understood the emotion from the Romantic era to the present day. In this way, love in Belinda questions the foundational concepts of subject/object and emotive/logical upon which many theories of love depend.\n","downloadable_attachments":[{"id":65131862,"asset_id":42170847,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":65367364,"first_name":"Joseph","last_name":"Morrissey","domain_name":"coventry","page_name":"JosephMorrissey","display_name":"Joseph Morrissey","profile_url":"https://coventry.academia.edu/JosephMorrissey?f_ri=2396","photo":"https://0.academia-photos.com/65367364/18840420/18799159/s65_joseph.morrissey.jpg"}],"research_interests":[{"id":1258,"name":"Romanticism","url":"https://www.academia.edu/Documents/in/Romanticism?f_ri=2396","nofollow":false},{"id":2396,"name":"Eighteenth-Century literature","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_literature?f_ri=2396","nofollow":false},{"id":18900,"name":"Philosophy of Love","url":"https://www.academia.edu/Documents/in/Philosophy_of_Love?f_ri=2396","nofollow":false},{"id":29113,"name":"Nineteenth-Century Literature and Culture","url":"https://www.academia.edu/Documents/in/Nineteenth-Century_Literature_and_Culture?f_ri=2396","nofollow":false},{"id":49663,"name":"Women and Gender Studies","url":"https://www.academia.edu/Documents/in/Women_and_Gender_Studies?f_ri=2396"},{"id":72102,"name":"Maria Edgeworth","url":"https://www.academia.edu/Documents/in/Maria_Edgeworth?f_ri=2396"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_18920152" data-work_id="18920152" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/18920152/_Collective_Commerce_and_the_Problem_of_Autobiography_in_Olaudah_Equiano_s_Narrative_The_Eighteenth_Century_Theory_and_Interpretation_54_4_">"Collective Commerce and the Problem of Autobiography in Olaudah Equiano’s Narrative" (The Eighteenth Century: Theory and Interpretation 54.4)</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/18920152" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="7078462e408b94f425eab5f88c9508d1" rel="nofollow" data-download="{"attachment_id":40338390,"asset_id":18920152,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/40338390/download_file?st=MTczMjc2MjQzOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="39047597" href="https://pfw.academia.edu/AndrewKopec">Andrew Kopec</a><script data-card-contents-for-user="39047597" type="text/json">{"id":39047597,"first_name":"Andrew","last_name":"Kopec","domain_name":"pfw","page_name":"AndrewKopec","display_name":"Andrew Kopec","profile_url":"https://pfw.academia.edu/AndrewKopec?f_ri=2396","photo":"https://0.academia-photos.com/39047597/10835597/12093204/s65_andrew.kopec.jpg"}</script></span></span></li><li class="js-paper-rank-work_18920152 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="18920152"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 18920152, container: ".js-paper-rank-work_18920152", }); });</script></li><li class="js-percentile-work_18920152 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function 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$(".js-view-count-work_18920152").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="18920152"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">3</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="2396" href="https://www.academia.edu/Documents/in/Eighteenth-Century_literature">Eighteenth-Century literature</a>, <script data-card-contents-for-ri="2396" type="text/json">{"id":2396,"name":"Eighteenth-Century literature","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_literature?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="6283" href="https://www.academia.edu/Documents/in/History_of_Slavery">History of Slavery</a>, <script data-card-contents-for-ri="6283" type="text/json">{"id":6283,"name":"History of Slavery","url":"https://www.academia.edu/Documents/in/History_of_Slavery?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="173202" href="https://www.academia.edu/Documents/in/Slave_Narratives">Slave Narratives</a><script data-card-contents-for-ri="173202" type="text/json">{"id":173202,"name":"Slave Narratives","url":"https://www.academia.edu/Documents/in/Slave_Narratives?f_ri=2396","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=18920152]'), work: {"id":18920152,"title":"\"Collective Commerce and the Problem of Autobiography in Olaudah Equiano’s Narrative\" (The Eighteenth Century: Theory and Interpretation 54.4)","created_at":"2015-11-24T05:50:16.889-08:00","url":"https://www.academia.edu/18920152/_Collective_Commerce_and_the_Problem_of_Autobiography_in_Olaudah_Equiano_s_Narrative_The_Eighteenth_Century_Theory_and_Interpretation_54_4_?f_ri=2396","dom_id":"work_18920152","summary":null,"downloadable_attachments":[{"id":40338390,"asset_id":18920152,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":39047597,"first_name":"Andrew","last_name":"Kopec","domain_name":"pfw","page_name":"AndrewKopec","display_name":"Andrew Kopec","profile_url":"https://pfw.academia.edu/AndrewKopec?f_ri=2396","photo":"https://0.academia-photos.com/39047597/10835597/12093204/s65_andrew.kopec.jpg"}],"research_interests":[{"id":2396,"name":"Eighteenth-Century literature","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_literature?f_ri=2396","nofollow":false},{"id":6283,"name":"History of Slavery","url":"https://www.academia.edu/Documents/in/History_of_Slavery?f_ri=2396","nofollow":false},{"id":173202,"name":"Slave Narratives","url":"https://www.academia.edu/Documents/in/Slave_Narratives?f_ri=2396","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_35384816" data-work_id="35384816" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/35384816/El_contexto_literario_de_Jane_Austen">El contexto literario de Jane Austen</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">En el presente artículo se realiza un breve recorrido por la literatura del siglo XVIII para mostrar las posibles influencias de estas obras en los trabajos de Jane Austen, y también las diferencias e innovaciones de las novelas de esta... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_35384816" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">En el presente artículo se realiza un breve recorrido por la literatura del siglo XVIII para mostrar las posibles influencias de estas obras en los trabajos de Jane Austen, y también las diferencias e innovaciones de las novelas de esta autora respecto a los escritos de su época.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/35384816" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="3b42a460311d89bdc16461c56f1d4896" rel="nofollow" data-download="{"attachment_id":55244782,"asset_id":35384816,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/55244782/download_file?st=MTczMjc2MjQzOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" 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class="InlineList-item-text" data-has-card-for-ri="2396" href="https://www.academia.edu/Documents/in/Eighteenth-Century_literature">Eighteenth-Century literature</a>, <script data-card-contents-for-ri="2396" type="text/json">{"id":2396,"name":"Eighteenth-Century literature","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_literature?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="7335" href="https://www.academia.edu/Documents/in/Jane_Austen">Jane Austen</a>, <script data-card-contents-for-ri="7335" type="text/json">{"id":7335,"name":"Jane Austen","url":"https://www.academia.edu/Documents/in/Jane_Austen?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="56281" href="https://www.academia.edu/Documents/in/English_language_and_literature">English language and literature</a><script data-card-contents-for-ri="56281" type="text/json">{"id":56281,"name":"English language and literature","url":"https://www.academia.edu/Documents/in/English_language_and_literature?f_ri=2396","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=35384816]'), work: {"id":35384816,"title":"El contexto literario de Jane Austen","created_at":"2017-12-09T04:15:20.443-08:00","url":"https://www.academia.edu/35384816/El_contexto_literario_de_Jane_Austen?f_ri=2396","dom_id":"work_35384816","summary":"En el presente artículo se realiza un breve recorrido por la literatura del siglo XVIII para mostrar las posibles influencias de estas obras en los trabajos de Jane Austen, y también las diferencias e innovaciones de las novelas de esta autora respecto a los escritos de su época.","downloadable_attachments":[{"id":55244782,"asset_id":35384816,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":46509486,"first_name":"Miguel Ángel","last_name":"Jordán","domain_name":"uv","page_name":"MiguelÁngelJordán","display_name":"Miguel Ángel Jordán","profile_url":"https://uv.academia.edu/Miguel%C3%81ngelJord%C3%A1n?f_ri=2396","photo":"https://0.academia-photos.com/46509486/12300653/17812971/s65_miguel_ngel.jord_n.jpg"}],"research_interests":[{"id":885,"name":"English Literature","url":"https://www.academia.edu/Documents/in/English_Literature?f_ri=2396","nofollow":false},{"id":2396,"name":"Eighteenth-Century literature","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_literature?f_ri=2396","nofollow":false},{"id":7335,"name":"Jane Austen","url":"https://www.academia.edu/Documents/in/Jane_Austen?f_ri=2396","nofollow":false},{"id":56281,"name":"English language and literature","url":"https://www.academia.edu/Documents/in/English_language_and_literature?f_ri=2396","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_3525166" data-work_id="3525166" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/3525166/The_Spectacle_of_Nature_in_Paul_et_Virginie_Natural_History_Opera_and_the_Novel">The Spectacle of Nature in Paul et Virginie: Natural History, Opera, and the Novel</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/3525166" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a 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data-card-contents-for-user="4161637" type="text/json">{"id":4161637,"first_name":"Tili Boon","last_name":"Cuillé","domain_name":"wustl","page_name":"TiliBoonCuillé","display_name":"Tili Boon Cuillé","profile_url":"https://wustl.academia.edu/TiliBoonCuill%C3%A9?f_ri=2396","photo":"https://0.academia-photos.com/4161637/1623801/1959111/s65_tili_boon.cuill_.jpg"}</script></span></span></li><li class="js-paper-rank-work_3525166 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="3525166"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 3525166, container: ".js-paper-rank-work_3525166", }); });</script></li><li class="js-percentile-work_3525166 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 3525166; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_3525166"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_3525166 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="3525166"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 3525166; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=3525166]").text(description); $(".js-view-count-work_3525166").attr('title', 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type="text/json">{"id":2396,"name":"Eighteenth-Century literature","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_literature?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="4039" href="https://www.academia.edu/Documents/in/Opera">Opera</a>, <script data-card-contents-for-ri="4039" type="text/json">{"id":4039,"name":"Opera","url":"https://www.academia.edu/Documents/in/Opera?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="9588" href="https://www.academia.edu/Documents/in/Natural_History">Natural History</a><script data-card-contents-for-ri="9588" type="text/json">{"id":9588,"name":"Natural History","url":"https://www.academia.edu/Documents/in/Natural_History?f_ri=2396","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=3525166]'), work: {"id":3525166,"title":"The Spectacle of Nature in Paul et Virginie: Natural History, Opera, and the Novel","created_at":"2013-05-13T08:11:35.266-07:00","url":"https://www.academia.edu/3525166/The_Spectacle_of_Nature_in_Paul_et_Virginie_Natural_History_Opera_and_the_Novel?f_ri=2396","dom_id":"work_3525166","summary":null,"downloadable_attachments":[{"id":31252475,"asset_id":3525166,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":4161637,"first_name":"Tili Boon","last_name":"Cuillé","domain_name":"wustl","page_name":"TiliBoonCuillé","display_name":"Tili Boon Cuillé","profile_url":"https://wustl.academia.edu/TiliBoonCuill%C3%A9?f_ri=2396","photo":"https://0.academia-photos.com/4161637/1623801/1959111/s65_tili_boon.cuill_.jpg"}],"research_interests":[{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=2396","nofollow":false},{"id":2396,"name":"Eighteenth-Century literature","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_literature?f_ri=2396","nofollow":false},{"id":4039,"name":"Opera","url":"https://www.academia.edu/Documents/in/Opera?f_ri=2396","nofollow":false},{"id":9588,"name":"Natural History","url":"https://www.academia.edu/Documents/in/Natural_History?f_ri=2396","nofollow":false},{"id":10128,"name":"Eighteenth-Century French Studies","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_French_Studies?f_ri=2396"},{"id":14067,"name":"Literature and Visual Arts","url":"https://www.academia.edu/Documents/in/Literature_and_Visual_Arts?f_ri=2396"},{"id":245087,"name":"Opera Studies","url":"https://www.academia.edu/Documents/in/Opera_Studies?f_ri=2396"},{"id":568323,"name":"Bernardin de Saint Pierre","url":"https://www.academia.edu/Documents/in/Bernardin_de_Saint_Pierre?f_ri=2396"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_36858477" data-work_id="36858477" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/36858477/Particularization_of_the_Individual_through_Experience_in_Daniel_Defoes_Robinson_Crusoe">Particularization of the Individual through Experience in Daniel Defoe's Robinson Crusoe</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">This short essay examines the idea of individualism emerged in the eighteenth century through Defoe's novel Robinson Crusoe by questioning the society's place besides the individual, the concept of homoeconomicus, and empiricist theory.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue 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class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="24435399" href="https://istanbul.academia.edu/Aysu%C5%9Een">Aysu Şen</a><script data-card-contents-for-user="24435399" type="text/json">{"id":24435399,"first_name":"Aysu","last_name":"Şen","domain_name":"istanbul","page_name":"AysuŞen","display_name":"Aysu Şen","profile_url":"https://istanbul.academia.edu/Aysu%C5%9Een?f_ri=2396","photo":"https://0.academia-photos.com/24435399/6591627/19735801/s65_aysu._en.jpg"}</script></span></span></li><li class="js-paper-rank-work_36858477 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="36858477"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 36858477, 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window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=36858477]").text(description); $(".js-view-count-work_36858477").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_36858477").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="36858477"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">8</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="913" href="https://www.academia.edu/Documents/in/Empiricism">Empiricism</a>, <script data-card-contents-for-ri="913" type="text/json">{"id":913,"name":"Empiricism","url":"https://www.academia.edu/Documents/in/Empiricism?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2396" href="https://www.academia.edu/Documents/in/Eighteenth-Century_literature">Eighteenth-Century literature</a>, <script data-card-contents-for-ri="2396" type="text/json">{"id":2396,"name":"Eighteenth-Century literature","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_literature?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="11744" href="https://www.academia.edu/Documents/in/Restoration_and_Eighteenth-Century_English_Literature">Restoration and Eighteenth-Century English Literature</a>, <script data-card-contents-for-ri="11744" type="text/json">{"id":11744,"name":"Restoration and Eighteenth-Century English Literature","url":"https://www.academia.edu/Documents/in/Restoration_and_Eighteenth-Century_English_Literature?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="23168" href="https://www.academia.edu/Documents/in/Daniel_Defoe">Daniel Defoe</a><script data-card-contents-for-ri="23168" type="text/json">{"id":23168,"name":"Daniel Defoe","url":"https://www.academia.edu/Documents/in/Daniel_Defoe?f_ri=2396","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=36858477]'), work: {"id":36858477,"title":"Particularization of the Individual through Experience in Daniel Defoe's Robinson Crusoe","created_at":"2018-06-17T13:42:23.927-07:00","url":"https://www.academia.edu/36858477/Particularization_of_the_Individual_through_Experience_in_Daniel_Defoes_Robinson_Crusoe?f_ri=2396","dom_id":"work_36858477","summary":"This short essay examines the idea of individualism emerged in the eighteenth century through Defoe's novel Robinson Crusoe by questioning the society's place besides the individual, the concept of homoeconomicus, and empiricist theory.","downloadable_attachments":[{"id":56812509,"asset_id":36858477,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":24435399,"first_name":"Aysu","last_name":"Şen","domain_name":"istanbul","page_name":"AysuŞen","display_name":"Aysu Şen","profile_url":"https://istanbul.academia.edu/Aysu%C5%9Een?f_ri=2396","photo":"https://0.academia-photos.com/24435399/6591627/19735801/s65_aysu._en.jpg"}],"research_interests":[{"id":913,"name":"Empiricism","url":"https://www.academia.edu/Documents/in/Empiricism?f_ri=2396","nofollow":false},{"id":2396,"name":"Eighteenth-Century literature","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_literature?f_ri=2396","nofollow":false},{"id":11744,"name":"Restoration and Eighteenth-Century English Literature","url":"https://www.academia.edu/Documents/in/Restoration_and_Eighteenth-Century_English_Literature?f_ri=2396","nofollow":false},{"id":23168,"name":"Daniel Defoe","url":"https://www.academia.edu/Documents/in/Daniel_Defoe?f_ri=2396","nofollow":false},{"id":23534,"name":"Individualism","url":"https://www.academia.edu/Documents/in/Individualism?f_ri=2396"},{"id":60193,"name":"Experience","url":"https://www.academia.edu/Documents/in/Experience?f_ri=2396"},{"id":64633,"name":"Society","url":"https://www.academia.edu/Documents/in/Society?f_ri=2396"},{"id":79630,"name":"Robinson Crusoe","url":"https://www.academia.edu/Documents/in/Robinson_Crusoe?f_ri=2396"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_37999374" data-work_id="37999374" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/37999374/Penser_la_couleur_en_litt%C3%A9rature_Explorations_romanesques_des_Lumi%C3%A8res_au_r%C3%A9alisme_Paris_Classiques_Garnier_2018">Penser la couleur en littérature. Explorations romanesques des Lumières au réalisme, Paris, Classiques Garnier, 2018.</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Si le XVIIIe siècle passe pour une oasis colorée, sa littérature reflète peu cette polychromie, contrairement à celle du XIXe siècle. Ce décalage entre imaginaire littéraire et culture matérielle est le point de départ de cet ouvrage qui... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_37999374" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Si le XVIIIe siècle passe pour une oasis colorée, sa littérature reflète peu cette polychromie, contrairement à celle du XIXe siècle. Ce décalage entre imaginaire littéraire et culture matérielle est le point de départ de cet ouvrage qui pose les premiers jalons pour l’étude des couleurs de la littérature.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/37999374" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="4684318446eb910d09de04f073b0e58c" rel="nofollow" data-download="{"attachment_id":58018817,"asset_id":37999374,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/58018817/download_file?st=MTczMjc2MjQzOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1229253" href="https://uni-trier.academia.edu/%C3%89lodieRipoll">Élodie Ripoll</a><script data-card-contents-for-user="1229253" type="text/json">{"id":1229253,"first_name":"Élodie","last_name":"Ripoll","domain_name":"uni-trier","page_name":"ÉlodieRipoll","display_name":"Élodie Ripoll","profile_url":"https://uni-trier.academia.edu/%C3%89lodieRipoll?f_ri=2396","photo":"https://0.academia-photos.com/1229253/2657519/32090927/s65__lodie.ripoll.jpg"}</script></span></span></li><li class="js-paper-rank-work_37999374 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="37999374"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 37999374, container: ".js-paper-rank-work_37999374", }); 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Alfieri, «Satire», a cura di Gabriella Fenocchio, Milano, Mimesis, 2017</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/39365893" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="524c7ce02cece1e6f221b23f6027e63b" rel="nofollow" data-download="{"attachment_id":59508643,"asset_id":39365893,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/59508643/download_file?st=MTczMjc2MjQzOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="39372954" href="https://unimore.academia.edu/MarcoCapriotti">Marco Capriotti</a><script data-card-contents-for-user="39372954" type="text/json">{"id":39372954,"first_name":"Marco","last_name":"Capriotti","domain_name":"unimore","page_name":"MarcoCapriotti","display_name":"Marco Capriotti","profile_url":"https://unimore.academia.edu/MarcoCapriotti?f_ri=2396","photo":"https://0.academia-photos.com/39372954/28109138/126872539/s65_marco.capriotti.jpeg"}</script></span></span></li><li class="js-paper-rank-work_39365893 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="39365893"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 39365893, container: ".js-paper-rank-work_39365893", }); 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Alfieri, «Satire», a cura di Gabriella Fenocchio, Milano, Mimesis, 2017","created_at":"2019-06-04T02:23:54.734-07:00","url":"https://www.academia.edu/39365893/Recensione_a_V_Alfieri_Satire_a_cura_di_Gabriella_Fenocchio_Milano_Mimesis_2017?f_ri=2396","dom_id":"work_39365893","summary":null,"downloadable_attachments":[{"id":59508643,"asset_id":39365893,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":39372954,"first_name":"Marco","last_name":"Capriotti","domain_name":"unimore","page_name":"MarcoCapriotti","display_name":"Marco Capriotti","profile_url":"https://unimore.academia.edu/MarcoCapriotti?f_ri=2396","photo":"https://0.academia-photos.com/39372954/28109138/126872539/s65_marco.capriotti.jpeg"}],"research_interests":[{"id":2396,"name":"Eighteenth-Century literature","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_literature?f_ri=2396","nofollow":false},{"id":58037,"name":"Satire","url":"https://www.academia.edu/Documents/in/Satire?f_ri=2396","nofollow":false},{"id":71199,"name":"Vittorio Alfieri","url":"https://www.academia.edu/Documents/in/Vittorio_Alfieri?f_ri=2396","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_35734517" data-work_id="35734517" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/35734517/The_Callous_Appetites_of_Debauched_Readers_Edmund_Curll_and_The_Potent_Ally_2018_">The Callous Appetites of Debauched Readers: Edmund Curll and The Potent Ally (2018)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">[Draft of article published Jan. 2018] The Potent Ally: Or, Succours from Merryland (1741), a small collection of erotic works containing three poems in praise on condoms, is it particularly useful to medical historians seeking... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_35734517" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">[Draft of article published Jan. 2018] <br /> <br />The Potent Ally: Or, Succours from Merryland (1741), a small collection of erotic works containing three poems in praise on condoms, is it particularly useful to medical historians seeking information on the early history of contraception and prophylaxis. Many of the earliest, and by far the most detailed, accounts of condoms appear in works of literature. Only a few medical writers discussed them openly, and some of those few did so only to explain why they do not work, should not be used, or why it would be wrong to discuss them in detail. As well as offering an analysis of the poems themselves, the present study establishes the date and context in which the poems were composed and how, and when and where they circulated. An edited transcript of a previously-unpublished 1706 poem in praise of condoms is included in an appendix. The study of content and context provides valuable information concerning the way in which condoms were first used, and reflects the sexual practices, beliefs and values in the early eighteenth century. A major finding of this study is that there is a consistent Anglo-Scottish connection among all of the earliest references to condoms, supporting the claim that the word itself may have been an Anglo-Scottish coinage.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/35734517" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="9fd4c291a16ebdad52786da89fcef4dd" rel="nofollow" data-download="{"attachment_id":55608833,"asset_id":35734517,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/55608833/download_file?st=MTczMjc2MjQzOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="9036" href="https://monash.academia.edu/PatrickSpedding">Patrick Spedding</a><script data-card-contents-for-user="9036" type="text/json">{"id":9036,"first_name":"Patrick","last_name":"Spedding","domain_name":"monash","page_name":"PatrickSpedding","display_name":"Patrick Spedding","profile_url":"https://monash.academia.edu/PatrickSpedding?f_ri=2396","photo":"https://0.academia-photos.com/9036/3145/3117/s65_patrick.spedding.jpg"}</script></span></span></li><li class="js-paper-rank-work_35734517 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="35734517"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 35734517, container: ".js-paper-rank-work_35734517", }); 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$(".js-view-count[data-work-id=35734517]").text(description); $(".js-view-count-work_35734517").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_35734517").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="35734517"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">6</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="2273" href="https://www.academia.edu/Documents/in/History_of_Medicine">History of Medicine</a>, <script data-card-contents-for-ri="2273" type="text/json">{"id":2273,"name":"History of Medicine","url":"https://www.academia.edu/Documents/in/History_of_Medicine?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2396" href="https://www.academia.edu/Documents/in/Eighteenth-Century_literature">Eighteenth-Century literature</a>, <script data-card-contents-for-ri="2396" type="text/json">{"id":2396,"name":"Eighteenth-Century literature","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_literature?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="3757" href="https://www.academia.edu/Documents/in/Contraception">Contraception</a>, <script data-card-contents-for-ri="3757" type="text/json">{"id":3757,"name":"Contraception","url":"https://www.academia.edu/Documents/in/Contraception?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="7721" href="https://www.academia.edu/Documents/in/Eighteenth-Century_British_History_and_Culture">Eighteenth-Century British History and Culture</a><script data-card-contents-for-ri="7721" type="text/json">{"id":7721,"name":"Eighteenth-Century British History and Culture","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_British_History_and_Culture?f_ri=2396","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=35734517]'), work: {"id":35734517,"title":"The Callous Appetites of Debauched Readers: Edmund Curll and The Potent Ally (2018)","created_at":"2018-01-22T18:11:42.654-08:00","url":"https://www.academia.edu/35734517/The_Callous_Appetites_of_Debauched_Readers_Edmund_Curll_and_The_Potent_Ally_2018_?f_ri=2396","dom_id":"work_35734517","summary":"[Draft of article published Jan. 2018]\r\n\r\nThe Potent Ally: Or, Succours from Merryland (1741), a small collection of erotic works containing three poems in praise on condoms, is it particularly useful to medical historians seeking information on the early history of contraception and prophylaxis. Many of the earliest, and by far the most detailed, accounts of condoms appear in works of literature. Only a few medical writers discussed them openly, and some of those few did so only to explain why they do not work, should not be used, or why it would be wrong to discuss them in detail. As well as offering an analysis of the poems themselves, the present study establishes the date and context in which the poems were composed and how, and when and where they circulated. An edited transcript of a previously-unpublished 1706 poem in praise of condoms is included in an appendix. The study of content and context provides valuable information concerning the way in which condoms were first used, and reflects the sexual practices, beliefs and values in the early eighteenth century. A major finding of this study is that there is a consistent Anglo-Scottish connection among all of the earliest references to condoms, supporting the claim that the word itself may have been an Anglo-Scottish coinage.","downloadable_attachments":[{"id":55608833,"asset_id":35734517,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":9036,"first_name":"Patrick","last_name":"Spedding","domain_name":"monash","page_name":"PatrickSpedding","display_name":"Patrick Spedding","profile_url":"https://monash.academia.edu/PatrickSpedding?f_ri=2396","photo":"https://0.academia-photos.com/9036/3145/3117/s65_patrick.spedding.jpg"}],"research_interests":[{"id":2273,"name":"History of Medicine","url":"https://www.academia.edu/Documents/in/History_of_Medicine?f_ri=2396","nofollow":false},{"id":2396,"name":"Eighteenth-Century literature","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_literature?f_ri=2396","nofollow":false},{"id":3757,"name":"Contraception","url":"https://www.academia.edu/Documents/in/Contraception?f_ri=2396","nofollow":false},{"id":7721,"name":"Eighteenth-Century British History and Culture","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_British_History_and_Culture?f_ri=2396","nofollow":false},{"id":11744,"name":"Restoration and Eighteenth-Century English Literature","url":"https://www.academia.edu/Documents/in/Restoration_and_Eighteenth-Century_English_Literature?f_ri=2396"},{"id":276513,"name":"Condom use","url":"https://www.academia.edu/Documents/in/Condom_use?f_ri=2396"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_24052221" data-work_id="24052221" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/24052221/_Th%C3%A9%C3%A2tre_et_charlatans_dans_l_Europe_moderne_Beya_Dhra%C3%AFef_%C3%89ric_N%C3%A9grel_et_Jennifer_Ruimi_dir_Paris_Presses_Sorbonne_Nouvelle_coll_Registres_Etudes_th%C3%A9%C3%A2trales_2018_386_p_dont_28_ill_couleurs_">_Théâtre et charlatans dans l’Europe moderne _, Beya Dhraïef, Éric Négrel et Jennifer Ruimi (dir.), Paris, Presses Sorbonne Nouvelle, coll. "Registres. Etudes théâtrales", 2018, 386 p. (dont 28 ill. couleurs)</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/24052221" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="0cc83b7b08eeda9c5ff60114d465e4db" rel="nofollow" data-download="{"attachment_id":61988560,"asset_id":24052221,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/61988560/download_file?st=MTczMjc2MjQzOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="4802502" href="https://paris3.academia.edu/EricNEGREL">Eric NEGREL</a><script data-card-contents-for-user="4802502" type="text/json">{"id":4802502,"first_name":"Eric","last_name":"NEGREL","domain_name":"paris3","page_name":"EricNEGREL","display_name":"Eric NEGREL","profile_url":"https://paris3.academia.edu/EricNEGREL?f_ri=2396","photo":"https://0.academia-photos.com/4802502/2049982/2433210/s65_eric.negrel.jpg"}</script></span></span></li><li class="js-paper-rank-work_24052221 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="24052221"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 24052221, container: ".js-paper-rank-work_24052221", }); });</script></li><li class="js-percentile-work_24052221 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 24052221; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_24052221"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_24052221 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="24052221"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 24052221; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=24052221]").text(description); $(".js-view-count-work_24052221").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_24052221").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="24052221"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">20</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="660" href="https://www.academia.edu/Documents/in/French_Literature">French Literature</a>, <script data-card-contents-for-ri="660" type="text/json">{"id":660,"name":"French Literature","url":"https://www.academia.edu/Documents/in/French_Literature?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="947" href="https://www.academia.edu/Documents/in/Theatre_Studies">Theatre Studies</a>, <script data-card-contents-for-ri="947" type="text/json">{"id":947,"name":"Theatre Studies","url":"https://www.academia.edu/Documents/in/Theatre_Studies?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1332" href="https://www.academia.edu/Documents/in/Theatre_History">Theatre History</a>, <script data-card-contents-for-ri="1332" type="text/json">{"id":1332,"name":"Theatre History","url":"https://www.academia.edu/Documents/in/Theatre_History?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2273" href="https://www.academia.edu/Documents/in/History_of_Medicine">History of Medicine</a><script data-card-contents-for-ri="2273" type="text/json">{"id":2273,"name":"History of Medicine","url":"https://www.academia.edu/Documents/in/History_of_Medicine?f_ri=2396","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=24052221]'), work: {"id":24052221,"title":"_Théâtre et charlatans dans l’Europe moderne _, Beya Dhraïef, Éric Négrel et Jennifer Ruimi (dir.), Paris, Presses Sorbonne Nouvelle, coll. \"Registres. Etudes théâtrales\", 2018, 386 p. (dont 28 ill. couleurs)","created_at":"2016-04-05T01:54:33.784-07:00","url":"https://www.academia.edu/24052221/_Th%C3%A9%C3%A2tre_et_charlatans_dans_l_Europe_moderne_Beya_Dhra%C3%AFef_%C3%89ric_N%C3%A9grel_et_Jennifer_Ruimi_dir_Paris_Presses_Sorbonne_Nouvelle_coll_Registres_Etudes_th%C3%A9%C3%A2trales_2018_386_p_dont_28_ill_couleurs_?f_ri=2396","dom_id":"work_24052221","summary":null,"downloadable_attachments":[{"id":61988560,"asset_id":24052221,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":4802502,"first_name":"Eric","last_name":"NEGREL","domain_name":"paris3","page_name":"EricNEGREL","display_name":"Eric NEGREL","profile_url":"https://paris3.academia.edu/EricNEGREL?f_ri=2396","photo":"https://0.academia-photos.com/4802502/2049982/2433210/s65_eric.negrel.jpg"}],"research_interests":[{"id":660,"name":"French Literature","url":"https://www.academia.edu/Documents/in/French_Literature?f_ri=2396","nofollow":false},{"id":947,"name":"Theatre Studies","url":"https://www.academia.edu/Documents/in/Theatre_Studies?f_ri=2396","nofollow":false},{"id":1332,"name":"Theatre History","url":"https://www.academia.edu/Documents/in/Theatre_History?f_ri=2396","nofollow":false},{"id":2273,"name":"History of Medicine","url":"https://www.academia.edu/Documents/in/History_of_Medicine?f_ri=2396","nofollow":false},{"id":2396,"name":"Eighteenth-Century literature","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_literature?f_ri=2396"},{"id":5431,"name":"Seventeenth Century","url":"https://www.academia.edu/Documents/in/Seventeenth_Century?f_ri=2396"},{"id":6222,"name":"Drama","url":"https://www.academia.edu/Documents/in/Drama?f_ri=2396"},{"id":7354,"name":"Early Modern Europe","url":"https://www.academia.edu/Documents/in/Early_Modern_Europe?f_ri=2396"},{"id":7887,"name":"Italian Literature","url":"https://www.academia.edu/Documents/in/Italian_Literature?f_ri=2396"},{"id":16557,"name":"18th Century French Literature","url":"https://www.academia.edu/Documents/in/18th_Century_French_Literature?f_ri=2396"},{"id":16923,"name":"Early Modern Italy","url":"https://www.academia.edu/Documents/in/Early_Modern_Italy?f_ri=2396"},{"id":19556,"name":"Commedia dell'arte","url":"https://www.academia.edu/Documents/in/Commedia_dellarte?f_ri=2396"},{"id":26327,"name":"Medicine","url":"https://www.academia.edu/Documents/in/Medicine?f_ri=2396"},{"id":91050,"name":"Social and Cultural History of Medicine","url":"https://www.academia.edu/Documents/in/Social_and_Cultural_History_of_Medicine?f_ri=2396"},{"id":96767,"name":"Seventeenth Century French Literature","url":"https://www.academia.edu/Documents/in/Seventeenth_Century_French_Literature?f_ri=2396"},{"id":205885,"name":"Drama, Performance, History of Theatre","url":"https://www.academia.edu/Documents/in/Drama_Performance_History_of_Theatre?f_ri=2396"},{"id":214009,"name":"Histoire de la médecine","url":"https://www.academia.edu/Documents/in/Histoire_de_la_medecine?f_ri=2396"},{"id":278097,"name":"Quack Medicine","url":"https://www.academia.edu/Documents/in/Quack_Medicine?f_ri=2396"},{"id":785694,"name":"Histoire De La Médecine (XVIIe-XVIIIe Siècles)","url":"https://www.academia.edu/Documents/in/Histoire_De_La_Medecine_XVIIe-XVIIIe_Siecles_?f_ri=2396"},{"id":923685,"name":"Quackery","url":"https://www.academia.edu/Documents/in/Quackery?f_ri=2396"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_12143930" data-work_id="12143930" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/12143930/Female_Sexual_Freedom_and_the_Intrusion_of_the_Domestic_Body_in_Eliza_Haywood_s_Fantomina_">Female Sexual Freedom and the Intrusion of the Domestic Body in Eliza Haywood’s "Fantomina"</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Eliza Haywood’s short novella Fantomina is concerned with the fluidity of sexual and social identity when it is removed from the influence of the domestic “home.” Through the removal of her socially-positioned “person,” the title... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_12143930" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Eliza Haywood’s short novella Fantomina is concerned with the fluidity of sexual and social identity when it is removed from the influence of the domestic “home.”  Through the removal of her socially-positioned “person,” the title character creates a sexual utopia for herself which evades the mundaneness of the monogamous, male-controlled marriage state.  Fantomina assumes a variety of social identities and, through these new “bodies,” escapes from the restrictions of her position and family.  While not a traditional utopia in the sense of a collective, Haywood’s Fantomina offers the possibility of an individual who can elude the domestic by rejecting a singular self. <br /> <br />This individual female utopia, however, is ultimately unstable, as Fantomina sustains her personal freedom until she is compromised by her prioritizing sexual relations. Alternate public personas can be continually invented, but it is impossible for a woman to deny her specific reproductive capability.  Betrayed by her own body, Fantomina’s sexual utopia fails when she is discovered to be pregnant and her mother forces her back into the typical realm of “home” (and then, interestingly, into the wholly non-sexual community of the cloister).  While Haywood’s text offers an interesting prospect of a self-centered, female sexual utopia, it also negates the social threat by bringing its utopia back under the domestic control of the reproductive, biological body.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/12143930" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="c4ae047144920090d89494100d428b68" rel="nofollow" data-download="{"attachment_id":37451392,"asset_id":12143930,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/37451392/download_file?st=MTczMjc2MjQ0MCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="5617940" href="https://independent.academia.edu/Zo%C3%ABEckman">Zoë Eckman</a><script data-card-contents-for-user="5617940" type="text/json">{"id":5617940,"first_name":"Zoë","last_name":"Eckman","domain_name":"independent","page_name":"ZoëEckman","display_name":"Zoë Eckman","profile_url":"https://independent.academia.edu/Zo%C3%ABEckman?f_ri=2396","photo":"https://0.academia-photos.com/5617940/2449861/2848051/s65_zo_.eckman.jpg"}</script></span></span></li><li class="js-paper-rank-work_12143930 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="12143930"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 12143930, container: ".js-paper-rank-work_12143930", }); });</script></li><li class="js-percentile-work_12143930 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 12143930; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_12143930"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_12143930 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="12143930"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 12143930; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=12143930]").text(description); $(".js-view-count-work_12143930").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_12143930").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="12143930"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">6</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="15" href="https://www.academia.edu/Documents/in/British_Literature">British Literature</a>, <script data-card-contents-for-ri="15" type="text/json">{"id":15,"name":"British Literature","url":"https://www.academia.edu/Documents/in/British_Literature?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2396" href="https://www.academia.edu/Documents/in/Eighteenth-Century_literature">Eighteenth-Century literature</a>, <script data-card-contents-for-ri="2396" type="text/json">{"id":2396,"name":"Eighteenth-Century literature","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_literature?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="7721" href="https://www.academia.edu/Documents/in/Eighteenth-Century_British_History_and_Culture">Eighteenth-Century British History and Culture</a>, <script data-card-contents-for-ri="7721" type="text/json">{"id":7721,"name":"Eighteenth-Century British History and Culture","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_British_History_and_Culture?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="14231" href="https://www.academia.edu/Documents/in/18th_Century_British_Literature">18th Century British Literature</a><script data-card-contents-for-ri="14231" type="text/json">{"id":14231,"name":"18th Century British Literature","url":"https://www.academia.edu/Documents/in/18th_Century_British_Literature?f_ri=2396","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=12143930]'), work: {"id":12143930,"title":"Female Sexual Freedom and the Intrusion of the Domestic Body in Eliza Haywood’s \"Fantomina\"","created_at":"2015-04-28T19:59:08.507-07:00","url":"https://www.academia.edu/12143930/Female_Sexual_Freedom_and_the_Intrusion_of_the_Domestic_Body_in_Eliza_Haywood_s_Fantomina_?f_ri=2396","dom_id":"work_12143930","summary":"Eliza Haywood’s short novella Fantomina is concerned with the fluidity of sexual and social identity when it is removed from the influence of the domestic “home.” Through the removal of her socially-positioned “person,” the title character creates a sexual utopia for herself which evades the mundaneness of the monogamous, male-controlled marriage state. Fantomina assumes a variety of social identities and, through these new “bodies,” escapes from the restrictions of her position and family. While not a traditional utopia in the sense of a collective, Haywood’s Fantomina offers the possibility of an individual who can elude the domestic by rejecting a singular self.\r\n\r\nThis individual female utopia, however, is ultimately unstable, as Fantomina sustains her personal freedom until she is compromised by her prioritizing sexual relations. Alternate public personas can be continually invented, but it is impossible for a woman to deny her specific reproductive capability. Betrayed by her own body, Fantomina’s sexual utopia fails when she is discovered to be pregnant and her mother forces her back into the typical realm of “home” (and then, interestingly, into the wholly non-sexual community of the cloister). While Haywood’s text offers an interesting prospect of a self-centered, female sexual utopia, it also negates the social threat by bringing its utopia back under the domestic control of the reproductive, biological body.","downloadable_attachments":[{"id":37451392,"asset_id":12143930,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":5617940,"first_name":"Zoë","last_name":"Eckman","domain_name":"independent","page_name":"ZoëEckman","display_name":"Zoë Eckman","profile_url":"https://independent.academia.edu/Zo%C3%ABEckman?f_ri=2396","photo":"https://0.academia-photos.com/5617940/2449861/2848051/s65_zo_.eckman.jpg"}],"research_interests":[{"id":15,"name":"British Literature","url":"https://www.academia.edu/Documents/in/British_Literature?f_ri=2396","nofollow":false},{"id":2396,"name":"Eighteenth-Century literature","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_literature?f_ri=2396","nofollow":false},{"id":7721,"name":"Eighteenth-Century British History and Culture","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_British_History_and_Culture?f_ri=2396","nofollow":false},{"id":14231,"name":"18th Century British Literature","url":"https://www.academia.edu/Documents/in/18th_Century_British_Literature?f_ri=2396","nofollow":false},{"id":44105,"name":"Eliza Haywood","url":"https://www.academia.edu/Documents/in/Eliza_Haywood?f_ri=2396"},{"id":119033,"name":"eighteenth-century British women writers","url":"https://www.academia.edu/Documents/in/eighteenth-century_British_women_writers?f_ri=2396"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_39323515" data-work_id="39323515" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/39323515/Giovan_Mario_Crescimbeni_La_bellezza_della_volgar_poesia_Con_le_postille_dell_autore_e_di_Anton_Maria_Salvini_edizione_a_cura_di_Enrico_Zucchi_Bologna_I_Libri_di_Emil_2019">Giovan Mario Crescimbeni, La bellezza della volgar poesia. Con le postille dell’autore e di Anton Maria Salvini, edizione a cura di Enrico Zucchi, Bologna, I Libri di Emil, 2019</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">La Bellezza della volgar poesia, pubblicata originariamente nel 1700 dal Custode dell’Arcadia, Giovan Mario Crescimbeni, è tra i documenti che meglio illustrano la poetica riformatrice promossa dall’accademia. Fondato sull’affermazione... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_39323515" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">La Bellezza della volgar poesia, pubblicata originariamente nel 1700 dal Custode dell’Arcadia, Giovan Mario Crescimbeni, è tra i documenti che meglio illustrano la poetica riformatrice promossa dall’accademia. Fondato sull’affermazione del primato della «volgar poesia» rispetto a quella classica, sul rilancio del platonismo rinascimentale e sulla condanna più formale che sostanziale della poesia barocca, questo trattato in forma di dialogo è una fonte straordinariamente preziosa per sondare la cultura e l’estetica letteraria della prima Arcadia. In questa sede ne viene proposta l’edizione commentata, a partire dall’esame di un esemplare della princeps conservato presso la Biblioteca Vaticana, contenente numerose postille – tutte inedite – non soltanto dell’autore, come precedentemente creduto, ma anche di Anton Maria Salvini. <br />Nel 1712, quando in Arcadia si era da poco consumata la scissione con Gian Vincenzo Gravina e i suoi allievi, Crescimbeni decise di ristampare la Bellezza, aggiungendo un dialogo sul gusto della poesia contemporanea, e integrando le postille di Salvini. La presente edizione, oltre a pubblicare per la prima volta queste postille, e a indagare il percorso evolutivo della scrittura crescimbeniana tra la prima e la seconda impressione del trattato, offre nuovi, importanti elementi per comprendere a fondo le dinamiche poetiche e politico-culturali di una stagione significativa della cultura italiana.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/39323515" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="1e87e46b70a81a41819e144bc44eea9e" rel="nofollow" data-download="{"attachment_id":59462553,"asset_id":39323515,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/59462553/download_file?st=MTczMjc2MjQ0MCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="6925222" href="https://unipd.academia.edu/EnricoZucchi">Enrico Zucchi</a><script data-card-contents-for-user="6925222" type="text/json">{"id":6925222,"first_name":"Enrico","last_name":"Zucchi","domain_name":"unipd","page_name":"EnricoZucchi","display_name":"Enrico Zucchi","profile_url":"https://unipd.academia.edu/EnricoZucchi?f_ri=2396","photo":"https://0.academia-photos.com/6925222/3917460/4580652/s65_enrico.zucchi.jpg"}</script></span></span></li><li class="js-paper-rank-work_39323515 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="39323515"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 39323515, container: ".js-paper-rank-work_39323515", }); 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$(".js-view-count[data-work-id=39323515]").text(description); $(".js-view-count-work_39323515").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_39323515").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="39323515"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">19</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="2221" href="https://www.academia.edu/Documents/in/Italian_Studies">Italian Studies</a>, <script data-card-contents-for-ri="2221" type="text/json">{"id":2221,"name":"Italian Studies","url":"https://www.academia.edu/Documents/in/Italian_Studies?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2396" href="https://www.academia.edu/Documents/in/Eighteenth-Century_literature">Eighteenth-Century literature</a>, <script data-card-contents-for-ri="2396" type="text/json">{"id":2396,"name":"Eighteenth-Century literature","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_literature?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="5431" href="https://www.academia.edu/Documents/in/Seventeenth_Century">Seventeenth Century</a>, <script data-card-contents-for-ri="5431" type="text/json">{"id":5431,"name":"Seventeenth Century","url":"https://www.academia.edu/Documents/in/Seventeenth_Century?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="6922" href="https://www.academia.edu/Documents/in/Poetics">Poetics</a><script data-card-contents-for-ri="6922" type="text/json">{"id":6922,"name":"Poetics","url":"https://www.academia.edu/Documents/in/Poetics?f_ri=2396","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=39323515]'), work: {"id":39323515,"title":"Giovan Mario Crescimbeni, La bellezza della volgar poesia. Con le postille dell’autore e di Anton Maria Salvini, edizione a cura di Enrico Zucchi, Bologna, I Libri di Emil, 2019","created_at":"2019-05-31T03:08:42.717-07:00","url":"https://www.academia.edu/39323515/Giovan_Mario_Crescimbeni_La_bellezza_della_volgar_poesia_Con_le_postille_dell_autore_e_di_Anton_Maria_Salvini_edizione_a_cura_di_Enrico_Zucchi_Bologna_I_Libri_di_Emil_2019?f_ri=2396","dom_id":"work_39323515","summary":"La Bellezza della volgar poesia, pubblicata originariamente nel 1700 dal Custode dell’Arcadia, Giovan Mario Crescimbeni, è tra i documenti che meglio illustrano la poetica riformatrice promossa dall’accademia. Fondato sull’affermazione del primato della «volgar poesia» rispetto a quella classica, sul rilancio del platonismo rinascimentale e sulla condanna più formale che sostanziale della poesia barocca, questo trattato in forma di dialogo è una fonte straordinariamente preziosa per sondare la cultura e l’estetica letteraria della prima Arcadia. In questa sede ne viene proposta l’edizione commentata, a partire dall’esame di un esemplare della princeps conservato presso la Biblioteca Vaticana, contenente numerose postille – tutte inedite – non soltanto dell’autore, come precedentemente creduto, ma anche di Anton Maria Salvini. \nNel 1712, quando in Arcadia si era da poco consumata la scissione con Gian Vincenzo Gravina e i suoi allievi, Crescimbeni decise di ristampare la Bellezza, aggiungendo un dialogo sul gusto della poesia contemporanea, e integrando le postille di Salvini. La presente edizione, oltre a pubblicare per la prima volta queste postille, e a indagare il percorso evolutivo della scrittura crescimbeniana tra la prima e la seconda impressione del trattato, offre nuovi, importanti elementi per comprendere a fondo le dinamiche poetiche e politico-culturali di una stagione significativa della cultura italiana.","downloadable_attachments":[{"id":59462553,"asset_id":39323515,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":6925222,"first_name":"Enrico","last_name":"Zucchi","domain_name":"unipd","page_name":"EnricoZucchi","display_name":"Enrico Zucchi","profile_url":"https://unipd.academia.edu/EnricoZucchi?f_ri=2396","photo":"https://0.academia-photos.com/6925222/3917460/4580652/s65_enrico.zucchi.jpg"}],"research_interests":[{"id":2221,"name":"Italian Studies","url":"https://www.academia.edu/Documents/in/Italian_Studies?f_ri=2396","nofollow":false},{"id":2396,"name":"Eighteenth-Century literature","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_literature?f_ri=2396","nofollow":false},{"id":5431,"name":"Seventeenth Century","url":"https://www.academia.edu/Documents/in/Seventeenth_Century?f_ri=2396","nofollow":false},{"id":6922,"name":"Poetics","url":"https://www.academia.edu/Documents/in/Poetics?f_ri=2396","nofollow":false},{"id":7072,"name":"XVIII century","url":"https://www.academia.edu/Documents/in/XVIII_century?f_ri=2396"},{"id":8121,"name":"Baroque Art and Literature","url":"https://www.academia.edu/Documents/in/Baroque_Art_and_Literature?f_ri=2396"},{"id":11791,"name":"Early Modern Literature","url":"https://www.academia.edu/Documents/in/Early_Modern_Literature?f_ri=2396"},{"id":54012,"name":"XVII century","url":"https://www.academia.edu/Documents/in/XVII_century?f_ri=2396"},{"id":66702,"name":"Seicento","url":"https://www.academia.edu/Documents/in/Seicento?f_ri=2396"},{"id":138730,"name":"Classicism","url":"https://www.academia.edu/Documents/in/Classicism?f_ri=2396"},{"id":323240,"name":"Biblioteca Apostolica Vaticana","url":"https://www.academia.edu/Documents/in/Biblioteca_Apostolica_Vaticana?f_ri=2396"},{"id":346496,"name":"Seventeenth Century Italian Literature","url":"https://www.academia.edu/Documents/in/Seventeenth_Century_Italian_Literature?f_ri=2396"},{"id":407695,"name":"Italian Academies","url":"https://www.academia.edu/Documents/in/Italian_Academies?f_ri=2396"},{"id":481560,"name":"Arcadia","url":"https://www.academia.edu/Documents/in/Arcadia?f_ri=2396"},{"id":580173,"name":"Settecento","url":"https://www.academia.edu/Documents/in/Settecento?f_ri=2396"},{"id":895619,"name":"Dix-Huitième Siècle","url":"https://www.academia.edu/Documents/in/Dix-Huitieme_Siecle?f_ri=2396"},{"id":1131056,"name":"Storia Della Critica Letteraria","url":"https://www.academia.edu/Documents/in/Storia_Della_Critica_Letteraria?f_ri=2396"},{"id":1732623,"name":"Giovanni Maria Crescimbeni","url":"https://www.academia.edu/Documents/in/Giovanni_Maria_Crescimbeni?f_ri=2396"},{"id":1934243,"name":"Gian Vincenzo Gravina","url":"https://www.academia.edu/Documents/in/Gian_Vincenzo_Gravina?f_ri=2396"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_16631016" data-work_id="16631016" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/16631016/Death_and_the_Woman_in_M_G_Lewiss_The_Monk">Death and the Woman in M. 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Lewis's The Monk</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/16631016" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="505c8d6d78c5a424c710c7e82daba67e" rel="nofollow" data-download="{"attachment_id":39090961,"asset_id":16631016,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/39090961/download_file?st=MTczMjc2MjQ0MCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="35980711" href="https://unilodz.academia.edu/Agnieszka%C5%81owczanin">Agnieszka Łowczanin</a><script data-card-contents-for-user="35980711" type="text/json">{"id":35980711,"first_name":"Agnieszka","last_name":"Łowczanin","domain_name":"unilodz","page_name":"AgnieszkaŁowczanin","display_name":"Agnieszka Łowczanin","profile_url":"https://unilodz.academia.edu/Agnieszka%C5%81owczanin?f_ri=2396","photo":"https://0.academia-photos.com/35980711/11171882/14847649/s65_agnieszka._owczanin.jpg"}</script></span></span></li><li class="js-paper-rank-work_16631016 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="16631016"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 16631016, container: ".js-paper-rank-work_16631016", }); 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class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/12032094/Development_of_the_British_Novel_through_Jane_Austen_Syllabus_">Development of the British Novel through Jane Austen (Syllabus)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Undergraduate syllabus</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/12032094" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="dcf46b3bee1d80183c34c228c4f5799c" rel="nofollow" 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u-pv7x u-mb0x js-work-card work_1098255" data-work_id="1098255" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/1098255/Disinterring_The_Grave_Religious_Authority_Poetic_Autonomy_and_Robert_Blairs_Fideist_Poetics">Disinterring The Grave: Religious Authority, Poetic Autonomy and Robert Blair's Fideist Poetics</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This paper revisits Robert Blair's The Grave (1743) - an incredibly popular example of 'graveyard poetry' in its day - to present the poem as a fractured expression of his Calvinist and fideist sympathies, and to read the inherent... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_1098255" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This paper revisits Robert Blair's The Grave (1743) - an incredibly popular example of 'graveyard poetry' in its day - to present the poem as a fractured expression of his Calvinist and fideist sympathies, and to read the inherent tensions that surface in the poet's attempt to translate religious authority into poetic autonomy.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/1098255" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="dd7397bd8f309095c93569ecd2df6b12" rel="nofollow" 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type="text/json">{"id":22253,"name":"Religion and Literature","url":"https://www.academia.edu/Documents/in/Religion_and_Literature?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="22968" href="https://www.academia.edu/Documents/in/Literature_and_Religion">Literature and Religion</a>, <script data-card-contents-for-ri="22968" type="text/json">{"id":22968,"name":"Literature and Religion","url":"https://www.academia.edu/Documents/in/Literature_and_Religion?f_ri=2396","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="190563" href="https://www.academia.edu/Documents/in/Eighteenth-Century_British_Poetry">Eighteenth-Century British Poetry</a><script data-card-contents-for-ri="190563" type="text/json">{"id":190563,"name":"Eighteenth-Century British Poetry","url":"https://www.academia.edu/Documents/in/Eighteenth-Century_British_Poetry?f_ri=2396","nofollow":false}</script></span></li><script>(function(){ if (true) { new 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