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[{"id":39465112,"identifier":"Attachment_39465112","shouldShowBulkDownload":false}]; window.loswp.shouldDetectTimezone = true; window.loswp.shouldShowBulkDownload = true; window.loswp.showSignupCaptcha = false window.loswp.willEdgeCache = false; window.loswp.work = {"work":{"id":17357051,"created_at":"2015-10-27T11:40:51.714-07:00","from_world_paper_id":null,"updated_at":"2024-11-16T20:22:45.864-08:00","_data":{"grobid_abstract":"In this paper we tackle Plato's Dialogues from a theatrical and philosophical point of view. We question in this manner the relationship between dialogue -as writing form-and representation -as notion meaning, in a literary work, \"to make present\". Starting from the contradiction between theory and use of mimesis in Plato, we analyze the different situations of enunciation of each dialogue, and the different roles played in within by Socrates, in particular as character and as narrator. We end up in a link between both terms that points out the common presence in dialogue and representation of intermediary elements, through which the reader reaches the work.","publication_date":"2012,,","publication_name":"(Re)presentation and Dialogue, Amsterdam/Philadelphia, John Benjamins Publishing co.","grobid_abstract_attachment_id":"39465112"},"document_type":"paper","pre_hit_view_count_baseline":null,"quality":"high","language":"en","title":"Socrates as character, Socrates as narrator. Dialogue and representation in Plato","broadcastable":true,"draft":null,"has_indexable_attachment":true,"indexable":true}}["work"]; window.loswp.workCoauthors = [37084117]; window.loswp.locale = "en"; window.loswp.countryCode = "SG"; window.loswp.cwvAbTestBucket = ""; window.loswp.designVariant = "ds_vanilla"; window.loswp.fullPageMobileSutdModalVariant = "control"; window.loswp.useOptimizedScribd4genScript = false; window.loswp.appleClientId = 'edu.academia.applesignon';</script><script defer="" src="https://accounts.google.com/gsi/client"></script><div class="ds-loswp-container"><div class="ds-work-card--grid-container"><div class="ds-work-card--container js-loswp-work-card"><div class="ds-work-card--cover"><div class="ds-work-cover--wrapper"><div class="ds-work-cover--container"><button class="ds-work-cover--clickable js-swp-download-button" data-signup-modal="{"location":"swp-splash-paper-cover","attachmentId":39465112,"attachmentType":"pdf"}"><img alt="First page of “Socrates as character, Socrates as narrator. Dialogue and representation in Plato”" class="ds-work-cover--cover-thumbnail" src="https://0.academia-photos.com/attachment_thumbnails/39465112/mini_magick20190222-3832-19u7bfv.png?1550896225" /><img alt="PDF Icon" class="ds-work-cover--file-icon" src="//a.academia-assets.com/assets/single_work_splash/adobe.icon-574afd46eb6b03a77a153a647fb47e30546f9215c0ee6a25df597a779717f9ef.svg" /><div class="ds-work-cover--hover-container"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span><p>Download Free PDF</p></div><div class="ds-work-cover--ribbon-container">Download Free PDF</div><div class="ds-work-cover--ribbon-triangle"></div></button></div></div></div><div class="ds-work-card--work-information"><h1 class="ds-work-card--work-title">Socrates as character, Socrates as narrator. Dialogue and representation in Plato</h1><div class="ds-work-card--work-authors ds-work-card--detail"><a class="ds-work-card--author js-wsj-grid-card-author ds2-5-body-md ds2-5-body-link" data-author-id="37084117" href="https://uib-es.academia.edu/Mar%C3%ADaJOrtegaM%C3%A1%C3%B1ez"><img alt="Profile image of María J. Ortega Máñez" class="ds-work-card--author-avatar" src="https://0.academia-photos.com/37084117/10548791/11772998/s65_mar_a.ortega_m_ez.jpg" />María J. Ortega Máñez</a></div><div class="ds-work-card--detail"><p class="ds-work-card--detail ds2-5-body-sm">2012, (Re)presentation and Dialogue, Amsterdam/Philadelphia, John Benjamins Publishing co.</p><div class="ds-work-card--work-metadata"><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">visibility</span><p class="ds2-5-body-sm" id="work-metadata-view-count">…</p></div><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">description</span><p class="ds2-5-body-sm">15 pages</p></div><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">link</span><p class="ds2-5-body-sm">1 file</p></div></div><script>(async () => { const workId = 17357051; const worksViewsPath = "/v0/works/views?subdomain_param=api&work_ids%5B%5D=17357051"; const getWorkViews = async (workId) => { const response = await fetch(worksViewsPath); if (!response.ok) { throw new Error('Failed to load work views'); } const data = await response.json(); return data.views[workId]; }; // Get the view count for the work - we send this immediately rather than waiting for // the DOM to load, so it can be available as soon as possible (but without holding up // the backend or other resource requests, because it's a bit expensive and not critical). const viewCount = await getWorkViews(workId); const updateViewCount = (viewCount) => { const viewCountNumber = Number(viewCount); if (!viewCountNumber) { throw new Error('Failed to parse view count'); } const commaizedViewCount = viewCountNumber.toLocaleString(); const viewCountBody = document.getElementById('work-metadata-view-count'); if (viewCountBody) { viewCountBody.textContent = `${commaizedViewCount} views`; } else { throw new Error('Failed to find work views element'); } }; // If the DOM is still loading, wait for it to be ready before updating the view count. if (document.readyState === "loading") { document.addEventListener('DOMContentLoaded', () => { updateViewCount(viewCount); }); // Otherwise, just update it immediately. } else { updateViewCount(viewCount); } })();</script></div><div class="ds-work-card--button-container"><button class="ds2-5-button js-swp-download-button" data-signup-modal="{"location":"continue-reading-button--work-card","attachmentId":39465112,"attachmentType":"pdf","workUrl":"https://www.academia.edu/17357051/Socrates_as_character_Socrates_as_narrator_Dialogue_and_representation_in_Plato"}">See full PDF</button><button class="ds2-5-button ds2-5-button--secondary js-swp-download-button" data-signup-modal="{"location":"download-pdf-button--work-card","attachmentId":39465112,"attachmentType":"pdf","workUrl":"https://www.academia.edu/17357051/Socrates_as_character_Socrates_as_narrator_Dialogue_and_representation_in_Plato"}"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span>Download PDF</button></div></div></div></div><div data-auto_select="false" data-client_id="331998490334-rsn3chp12mbkiqhl6e7lu2q0mlbu0f1b" data-doc_id="39465112" data-landing_url="https://www.academia.edu/17357051/Socrates_as_character_Socrates_as_narrator_Dialogue_and_representation_in_Plato" data-login_uri="https://www.academia.edu/registrations/google_one_tap" data-moment_callback="onGoogleOneTapEvent" id="g_id_onload"></div><div class="ds-top-related-works--grid-container"><div class="ds-related-content--container ds-top-related-works--container"><h2 class="ds-related-content--heading">Related papers</h2><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="0" data-entity-id="34939678" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/34939678/Three_Hypotheses_on_the_Performance_of_Platos_Dialogues">Three Hypotheses on the Performance of Plato's Dialogues</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="17087248" href="https://upatras.academia.edu/NikosCharalabopoulos">Nikos Charalabopoulos</a></div><p class="ds-related-work--abstract ds2-5-body-sm">This article examines some ideas on reading Plato by three scholars, dating from different decades of the 20th century and setting off from various theoretical starting points, who explored an alternative possibility by suggesting theories that incorporate the element of " dramatic " performance. According to Auguste Diès the written dialogue is a literary version of a dialectical duel actually held in the Academy between a distinguished visitor and a selected group of students. Through the so-called process of " transposition " , Plato transforms a real life event into an artful piece of literature recreating the original scene for educational purposes. Gilbert Ryle, on the other hand, held that the dialogues were primarily intended for dramatic recitation in public, with Plato himself delivering the words of Socrates. They were delivered orally to audiences, as a rule in the context of literary competitions, in which the other Socratics also took part. Finally, Holger Thesleff has once suggested that the (re)performance of the dialogues as an established activity in the Academy constitutes a necessary stage in the composition of new works and the revision of the old ones. In view of his conviction that Plato was the inventor of the dramatic philosophical dialogue he also seemed to have been the first one who explicitly, however cautiously, entertained the idea of theatrical presentation of Plato's dialogues—though he later changed his mind and fallen back to the theory of public reading.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Three Hypotheses on the Performance of Plato's Dialogues","attachmentId":54801741,"attachmentType":"pdf","work_url":"https://www.academia.edu/34939678/Three_Hypotheses_on_the_Performance_of_Platos_Dialogues","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/34939678/Three_Hypotheses_on_the_Performance_of_Platos_Dialogues"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="1" data-entity-id="28788121" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/28788121/The_Mask_of_Dialogue_On_the_Unity_of_Socrates_Characterization_in_Platos_Dialogues_in_D_Nails_and_H_Tarrant_eds_Second_Sailing_Alternative_Perspectives_on_Plato_Societas_Scientiarum_Fennica_2015_pp_125_148">The Mask of Dialogue: On the Unity of Socrates' Characterization in Plato's Dialogues, in D. Nails & H. Tarrant (eds.), Second Sailing: Alternative Perspectives on Plato. Societas Scientiarum Fennica 2015, pp. 125-148</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="8837413" href="https://unina.academia.edu/MarioRegali">Mario Regali</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"The Mask of Dialogue: On the Unity of Socrates' Characterization in Plato's Dialogues, in D. Nails \u0026 H. Tarrant (eds.), Second Sailing: Alternative Perspectives on Plato. Societas Scientiarum Fennica 2015, pp. 125-148","attachmentId":54999719,"attachmentType":"pdf","work_url":"https://www.academia.edu/28788121/The_Mask_of_Dialogue_On_the_Unity_of_Socrates_Characterization_in_Platos_Dialogues_in_D_Nails_and_H_Tarrant_eds_Second_Sailing_Alternative_Perspectives_on_Plato_Societas_Scientiarum_Fennica_2015_pp_125_148","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/28788121/The_Mask_of_Dialogue_On_the_Unity_of_Socrates_Characterization_in_Platos_Dialogues_in_D_Nails_and_H_Tarrant_eds_Second_Sailing_Alternative_Perspectives_on_Plato_Societas_Scientiarum_Fennica_2015_pp_125_148"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="2" data-entity-id="26003916" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/26003916/The_Play_of_Character_in_Platos_Dialogues_review_">The Play of Character in Plato's Dialogues (review)</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="842939" href="https://ucla.academia.edu/KathrynMorgan">Kathryn Morgan</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Classical World, 2005</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"The Play of Character in Plato's Dialogues (review)","attachmentId":54733312,"attachmentType":"pdf","work_url":"https://www.academia.edu/26003916/The_Play_of_Character_in_Platos_Dialogues_review_","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/26003916/The_Play_of_Character_in_Platos_Dialogues_review_"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="3" data-entity-id="81260381" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/81260381/In_and_Out_of_Character_Socratic_Mim%C4%93sis">In and Out of Character: Socratic Mimēsis</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="29918904" href="https://binghamton.academia.edu/MateoDuque">Mateo Duque</a></div><p class="ds-related-work--metadata ds2-5-body-xs">2020</p><p class="ds-related-work--abstract ds2-5-body-sm">In the "Republic," Plato has Socrates attack poetry’s use of mimēsis, often translated as ‘imitation’ or ‘representation.’ Various scholars (e.g. Blondell 2002; Frank 2018; Halliwell 2009; K. Morgan 2004) have noticed the tension between Socrates’ theory critical of mimēsis and Plato’s literary practice of speaking through various characters in his dialogues. However, none of these scholars have addressed that it is not only Plato the writer who uses mimēsis but also his own character, Socrates. At crucial moments in several dialogues, Socrates takes on a role and speaks as someone else. I call these moments “Socratic mimēsis.” While previous commentators have noticed some of these moments, they have either overstated their rarity or they have not studied them collectively. My dissertation is the first in-depth investigation of this phenomenon in the dialogues. Socrates’ dramatic imitation of others is way of teaching in a voice separate from his own, and it is also a way for Plato to speak to, and to educate, different kinds of audiences. Although “Socratic mimēsis” occurs throughout the Platonic corpus, I focus on three passages from three different dialogues, which are paradigm instances: [1] in the "Crito" Socrates plays the part of ‘the Laws’ (50a-54c); [2] in the "Theaetetus" he acts the part of ‘Protagoras’ (166a-168c); and [3] in the "Menexenus" he recites a funeral speech learned from ‘Aspasia’ (236d-249c). Instead of one-sidedly reading the dialogues as either only literary works of art or as only a series of philosophical arguments, this study gleans philosophic insights from the literary and dramatic details of the dialogues. In chapter one I argue that in the "Crito" Socrates tries to convince Crito of a universal and absolute ethics based on never committing injustice, but Crito is not able to understand. In order to make Crito more just—but not yet at the level of Socratic ethics—Socrates creates ‘the Laws’ to persuade Crito to expand his personal notion of justice. Socrates instills a political obedience in place of Crito’s existing lawlessness as a second-best recourse. Plato expects the astute listener or reader to see the contrast between Socrates’ earlier ethical principles, said in his own voice, with what he says in the voice of ‘the Laws.’ In chapter two I argue that in the part of the "Theaetetus" where Socrates defends Protagoras (often called ‘the Defense’), Socrates, by imitating ‘Protagoras,’ is actually criticizing Protagorean relativism. The Protagorean theory cannot account for mimēsis and Socrates’ mimetic act performatively contradicts the identity of appearance and reality, which the theory presupposes. Finally, in chapter three I argue that in the "Menexenus" the funeral oration that Socrates recounts for Menexenus that he heard from ‘Aspasia’ is actually a disguised criticism of political rhetoric and of Athenian imperialism. Although the speech is never interrogated within the dialogue, Plato provokes the listener or reader outside the dialogue to question its message and to see how it conflicts with many of Socrates’ positions in other dialogues. Beyond reconsidering the long-standing and persistent view that Plato was against poetry and mimetic performance, I re-examine the role that performance and role-playing can have in philosophy and pedagogy more generally. Actors, by taking on other personas, and audience members, in observing actors and their actions, are both involved in acts of imagination that can expand their horizon of thinking and feeling.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"In and Out of Character: Socratic Mimēsis","attachmentId":88807124,"attachmentType":"pdf","work_url":"https://www.academia.edu/81260381/In_and_Out_of_Character_Socratic_Mim%C4%93sis","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/81260381/In_and_Out_of_Character_Socratic_Mim%C4%93sis"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="4" data-entity-id="42758382" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/42758382/Review_of_M_Finkelberg_The_Gatekeeper_Narrative_Voice_in_Platos_Dialogues_Brill_2019_">Review of M. Finkelberg, The Gatekeeper: Narrative Voice in Plato's Dialogues (Brill, 2019)</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="4524204" href="https://limerick.academia.edu/PaulOMahoney">Paul O'Mahoney</a></div><p class="ds-related-work--metadata ds2-5-body-xs">POLIS 37.2, 2020</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Review of M. Finkelberg, The Gatekeeper: Narrative Voice in Plato's Dialogues (Brill, 2019)","attachmentId":63086797,"attachmentType":"pdf","work_url":"https://www.academia.edu/42758382/Review_of_M_Finkelberg_The_Gatekeeper_Narrative_Voice_in_Platos_Dialogues_Brill_2019_","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/42758382/Review_of_M_Finkelberg_The_Gatekeeper_Narrative_Voice_in_Platos_Dialogues_Brill_2019_"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="5" data-entity-id="116784754" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/116784754/The_Puzzles_of_Plato_A_re_evaluation_of_the_writing_of_the_Platonic_Dialogues_based_on_the_distinctive_genre_patterns_in_their_construction">The Puzzles of Plato: A re-evaluation of the writing of the Platonic Dialogues, based on the distinctive genre patterns in their construction</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="9542544" href="https://artcyprus.academia.edu/SamLloyd">Sam Lloyd</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Unpublished Paper, 2024</p><p class="ds-related-work--abstract ds2-5-body-sm">The Dialogues of Plato are notorious for their internal contradictions. Generally, these have been considered to be philosophical problems with philosophical solutions. This paper suggests that the contradictions in the Dialogues are not philosophical problems but result from the way they were written. The approach taken is to analyse the Dialogues as texts whose component parts have been arranged in distinctive ways, revealing evidence as to their manner of creation. The analysis reveals the Dialogues of Plato to be constructed from multiple genre fragments, many of them Socratic dialogues, but also speeches, stories, conversations, narration, and recitation. Fragments of one genre are frequently linked by those of another to create longer textual chains. It is proposed that this distinctive and unusual compositional strategy results from Plato adapting existing transcripts of Socratic conversations and speeches as the starting point for each Dialogue. Plato extended and elucidated these fragmentary transcripts by adding conversational links, passages of 'pseudo dialogue', myths, and explanatory narratives to create the lengthy and noble discourses he envisaged. This provides a simple explanation for the interpretive problems identified in the Dialogues that meets the principle of parsimony, removing the need for abstruse philosophical solutions. Understanding the Dialogues of Plato as the result of pragmatic writing processes makes them more real as historic and artistic documents, and more legible as philosophical ones.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"The Puzzles of Plato: A re-evaluation of the writing of the Platonic Dialogues, based on the distinctive genre patterns in their construction","attachmentId":112818520,"attachmentType":"pdf","work_url":"https://www.academia.edu/116784754/The_Puzzles_of_Plato_A_re_evaluation_of_the_writing_of_the_Platonic_Dialogues_based_on_the_distinctive_genre_patterns_in_their_construction","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/116784754/The_Puzzles_of_Plato_A_re_evaluation_of_the_writing_of_the_Platonic_Dialogues_based_on_the_distinctive_genre_patterns_in_their_construction"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="6" data-entity-id="38531294" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/38531294/Deciphering_the_Socratic_Narrative_in_Platos_Corpus_Review_of_Catherine_Zuckerts_Platos_Philosophers_The_Coherence_of_the_Dialogues">Deciphering the Socratic Narrative in Plato's Corpus: Review of Catherine Zuckert's Plato's Philosophers: The Coherence of the Dialogues</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="39189730" href="https://yale-nus.academia.edu/ChristinaTarnopolsky">Christina Tarnopolsky</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Perspectives on Politics, 2011</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Deciphering the Socratic Narrative in Plato's Corpus: Review of Catherine Zuckert's Plato's Philosophers: The Coherence of the Dialogues","attachmentId":58601072,"attachmentType":"pdf","work_url":"https://www.academia.edu/38531294/Deciphering_the_Socratic_Narrative_in_Platos_Corpus_Review_of_Catherine_Zuckerts_Platos_Philosophers_The_Coherence_of_the_Dialogues","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/38531294/Deciphering_the_Socratic_Narrative_in_Platos_Corpus_Review_of_Catherine_Zuckerts_Platos_Philosophers_The_Coherence_of_the_Dialogues"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="7" data-entity-id="12741094" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/12741094/A_Praise_of_The_Philosophical_Written_Speech_Ethics_and_Philosophical_Progression_in_Plato_s_Symposium">A Praise of The Philosophical Written Speech? 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Kaklamanou, M. Pavlou, A. Tsakmakis (eds.), Framing the Dialogues. How to Read Openings and Closures in Plato, Leiden-Boston 2021, «Archai» 32 (2022).</a><div class="ds-related-work--metadata"><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="40399025" href="https://unina.academia.edu/AnnaMotta">Anna Motta</a></div><p class="ds-related-work--metadata ds2-5-body-xs">2022</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"E. Kaklamanou, M. Pavlou, A. Tsakmakis (eds.), Framing the Dialogues. 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