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class="profile--tab_heading_container js-section-heading" data-section="Drafts" id="Drafts"><h3 class="profile--tab_heading_container">Drafts by Sonja Tanner</h3></div><div class="js-work-strip profile--work_container" data-work-id="101175962"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/101175962/Were_Platos_Dialogues_Performed"><img alt="Research paper thumbnail of Were Plato's Dialogues Performed" class="work-thumbnail" src="https://attachments.academia-assets.com/101788552/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/101175962/Were_Platos_Dialogues_Performed">Were Plato's Dialogues Performed</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This paper asks whether Plato’s dialogues were performed, defines narrow and expansive senses of ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This paper asks whether Plato’s dialogues were performed, defines narrow and expansive senses of this, offers evidence for each possibility, and shows how our reading of the dialogues might change if the answer is affirmative. I argue that we have ample evidence that the dialogues were performed at least in the narrow sense. I hope to show, if not a definitive answer to this question, at least its reasonableness, and through this, to prompt its being asked more regularly. Tacitly assuming that the dialogues were produced and received primarily as written texts to be read silently and individually has blinded us to seeing textual evidence that brings the dialogues into closer relation with theater and epic. Asking this question, instead, opens up compelling interpretive possibilities for Platonic dialogues.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="81e3dd5c1eb3d8d72f1b961f17832286" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":101788552,"asset_id":101175962,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/101788552/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="101175962"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="101175962"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 101175962; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="40926608"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/40926608/Airy_is_the_Head_that_Wears_the_Golden_Crown_Comical_Metatheatre_in_Plato_s_Ion"><img alt="Research paper thumbnail of Airy is the Head that Wears the Golden Crown: Comical Metatheatre in Plato’s Ion" class="work-thumbnail" src="https://attachments.academia-assets.com/61215419/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/40926608/Airy_is_the_Head_that_Wears_the_Golden_Crown_Comical_Metatheatre_in_Plato_s_Ion">Airy is the Head that Wears the Golden Crown: Comical Metatheatre in Plato’s Ion</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">If Plato’s Ion indeed constitutes “the first piece of literary criticism in Western literature,” ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">If Plato’s Ion indeed constitutes “the first piece of literary criticism in Western literature,” it is also the first piece of literary criticism that is grossly mischaracterized.  For while its humorous or comic dimensions have often been noted, just how deeply these structure the comic drama that is the Ion has been neglected. Plato’s use of comedy has philosophical significance, and the Ion is no exception. Examining the dialogue’s language, characterization, role-playing, intertextuality, and topoi, this paper suggests the Ion to be Mime-like, theatrical comedy.  Presenting a critique of the performance of poetry, the Ion performs a critique that applies to itself. While this might lead one to conclude the presence, historically denied Plato, of a concept of fiction, I will argue that what this most clearly suggests is metatheatricality, which incorporates the audience into the drama, and demands of us a self-reflective and philosophical turn.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="731319182de3f08b541a969e98dcefff" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":61215419,"asset_id":40926608,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/61215419/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="40926608"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="40926608"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 40926608; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="39702925"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/39702925/Hippias_Major_and_Metatheatricality"><img alt="Research paper thumbnail of Hippias Major and Metatheatricality" class="work-thumbnail" src="https://attachments.academia-assets.com/59874563/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/39702925/Hippias_Major_and_Metatheatricality">Hippias Major and Metatheatricality</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Plato’s Hippias Major employs comedy so robustly that its authenticity has been called into quest...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Plato’s Hippias Major employs comedy so robustly that its authenticity has been called into question, and it indeed exemplifies a strange sort of comedy. Using comedy to expose and explode pretensions as he does elsewhere, Socrates, in the Hippias Major, turns this laughter upon himself. Socrates dons a comical mask with which to do so and it is the ensuing, imaginary ridicule that Socrates turns upon himself that reveals the metatheatricality at play in the Hippias Major. It is through such metatheatre that Socrates exposes yet another pretension—that of the philosophical drama itself. And it is through such metatheatre that Socrates demonstrates a most peculiar philosophical method aimed at self-knowledge.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="ead623a5ea6474d8f0bab597dcb70d4f" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":59874563,"asset_id":39702925,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/59874563/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="39702925"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="39702925"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 39702925; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="profile--tab_heading_container js-section-heading" data-section="Papers" id="Papers"><h3 class="profile--tab_heading_container">Papers by Sonja Tanner</h3></div><div class="js-work-strip profile--work_container" data-work-id="62575680"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/62575680/Trading_Places_and_Parasites"><img alt="Research paper thumbnail of Trading Places and Parasites" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/62575680/Trading_Places_and_Parasites">Trading Places and Parasites</a></div><div class="wp-workCard_item"><span>Epoché: A Journal for the History of Philosophy</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The Protagoras exhibits several traits of metatheatrical comedy. Through the use of role-playing ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The Protagoras exhibits several traits of metatheatrical comedy. Through the use of role-playing and intertextual reference, I argue that the Protagoras exhibits metatheatrical comedy which Socrates uses to expose the pretension at the heart of philosophical dialogue itself. In this way, Socrates pulls back the curtain of philosophical dialogue to expose the theatricality of such dialogue and, in doing so, offers the audience a unique opportunity to laugh at ourselves.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="62575680"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="62575680"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 62575680; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); 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</script> <div class="js-work-strip profile--work_container" data-work-id="51613271"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/51613271/Comedy_as_Self_Forgetting"><img alt="Research paper thumbnail of Comedy as Self-Forgetting" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/51613271/Comedy_as_Self_Forgetting">Comedy as Self-Forgetting</a></div><div class="wp-workCard_item"><span>The Journal of Speculative Philosophy</span><span>, 2013</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="51613271"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="51613271"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 51613271; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=51613271]").text(description); $(".js-view-count[data-work-id=51613271]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 51613271; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='51613271']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=51613271]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":51613271,"title":"Comedy as Self-Forgetting","internal_url":"https://www.academia.edu/51613271/Comedy_as_Self_Forgetting","owner_id":22638254,"coauthors_can_edit":true,"owner":{"id":22638254,"first_name":"Sonja","middle_initials":null,"last_name":"Tanner","page_name":"SonjaTanner","domain_name":"sandywurtele","created_at":"2014-11-30T20:13:01.390-08:00","display_name":"Sonja Tanner","url":"https://sandywurtele.academia.edu/SonjaTanner"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="51613245"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/51613245/Elucidating_Elucidation"><img alt="Research paper thumbnail of Elucidating 'Elucidation" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/51613245/Elucidating_Elucidation">Elucidating 'Elucidation</a></div><div class="wp-workCard_item"><span>Women in Philosophy Journal</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="51613245"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="51613245"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 51613245; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=51613245]").text(description); $(".js-view-count[data-work-id=51613245]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 51613245; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='51613245']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=51613245]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":51613245,"title":"Elucidating 'Elucidation","internal_url":"https://www.academia.edu/51613245/Elucidating_Elucidation","owner_id":22638254,"coauthors_can_edit":true,"owner":{"id":22638254,"first_name":"Sonja","middle_initials":null,"last_name":"Tanner","page_name":"SonjaTanner","domain_name":"sandywurtele","created_at":"2014-11-30T20:13:01.390-08:00","display_name":"Sonja Tanner","url":"https://sandywurtele.academia.edu/SonjaTanner"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="9420372" id="drafts"><div class="js-work-strip profile--work_container" data-work-id="101175962"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/101175962/Were_Platos_Dialogues_Performed"><img alt="Research paper thumbnail of Were Plato's Dialogues Performed" class="work-thumbnail" src="https://attachments.academia-assets.com/101788552/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/101175962/Were_Platos_Dialogues_Performed">Were Plato's Dialogues Performed</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This paper asks whether Plato’s dialogues were performed, defines narrow and expansive senses of ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This paper asks whether Plato’s dialogues were performed, defines narrow and expansive senses of this, offers evidence for each possibility, and shows how our reading of the dialogues might change if the answer is affirmative. I argue that we have ample evidence that the dialogues were performed at least in the narrow sense. I hope to show, if not a definitive answer to this question, at least its reasonableness, and through this, to prompt its being asked more regularly. Tacitly assuming that the dialogues were produced and received primarily as written texts to be read silently and individually has blinded us to seeing textual evidence that brings the dialogues into closer relation with theater and epic. Asking this question, instead, opens up compelling interpretive possibilities for Platonic dialogues.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="81e3dd5c1eb3d8d72f1b961f17832286" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":101788552,"asset_id":101175962,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/101788552/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="101175962"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="101175962"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 101175962; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=101175962]").text(description); $(".js-view-count[data-work-id=101175962]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 101175962; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='101175962']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="40926608"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/40926608/Airy_is_the_Head_that_Wears_the_Golden_Crown_Comical_Metatheatre_in_Plato_s_Ion"><img alt="Research paper thumbnail of Airy is the Head that Wears the Golden Crown: Comical Metatheatre in Plato’s Ion" class="work-thumbnail" src="https://attachments.academia-assets.com/61215419/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/40926608/Airy_is_the_Head_that_Wears_the_Golden_Crown_Comical_Metatheatre_in_Plato_s_Ion">Airy is the Head that Wears the Golden Crown: Comical Metatheatre in Plato’s Ion</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">If Plato’s Ion indeed constitutes “the first piece of literary criticism in Western literature,” ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">If Plato’s Ion indeed constitutes “the first piece of literary criticism in Western literature,” it is also the first piece of literary criticism that is grossly mischaracterized.  For while its humorous or comic dimensions have often been noted, just how deeply these structure the comic drama that is the Ion has been neglected. Plato’s use of comedy has philosophical significance, and the Ion is no exception. Examining the dialogue’s language, characterization, role-playing, intertextuality, and topoi, this paper suggests the Ion to be Mime-like, theatrical comedy.  Presenting a critique of the performance of poetry, the Ion performs a critique that applies to itself. While this might lead one to conclude the presence, historically denied Plato, of a concept of fiction, I will argue that what this most clearly suggests is metatheatricality, which incorporates the audience into the drama, and demands of us a self-reflective and philosophical turn.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="731319182de3f08b541a969e98dcefff" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":61215419,"asset_id":40926608,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/61215419/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="40926608"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="40926608"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 40926608; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="39702925"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/39702925/Hippias_Major_and_Metatheatricality"><img alt="Research paper thumbnail of Hippias Major and Metatheatricality" class="work-thumbnail" src="https://attachments.academia-assets.com/59874563/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/39702925/Hippias_Major_and_Metatheatricality">Hippias Major and Metatheatricality</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Plato’s Hippias Major employs comedy so robustly that its authenticity has been called into quest...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Plato’s Hippias Major employs comedy so robustly that its authenticity has been called into question, and it indeed exemplifies a strange sort of comedy. Using comedy to expose and explode pretensions as he does elsewhere, Socrates, in the Hippias Major, turns this laughter upon himself. Socrates dons a comical mask with which to do so and it is the ensuing, imaginary ridicule that Socrates turns upon himself that reveals the metatheatricality at play in the Hippias Major. It is through such metatheatre that Socrates exposes yet another pretension—that of the philosophical drama itself. And it is through such metatheatre that Socrates demonstrates a most peculiar philosophical method aimed at self-knowledge.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="ead623a5ea6474d8f0bab597dcb70d4f" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":59874563,"asset_id":39702925,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/59874563/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="39702925"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="39702925"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 39702925; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="11682685" id="papers"><div class="js-work-strip profile--work_container" data-work-id="62575680"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/62575680/Trading_Places_and_Parasites"><img alt="Research paper thumbnail of Trading Places and Parasites" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/62575680/Trading_Places_and_Parasites">Trading Places and Parasites</a></div><div class="wp-workCard_item"><span>Epoché: A Journal for the History of Philosophy</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The Protagoras exhibits several traits of metatheatrical comedy. Through the use of role-playing ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The Protagoras exhibits several traits of metatheatrical comedy. Through the use of role-playing and intertextual reference, I argue that the Protagoras exhibits metatheatrical comedy which Socrates uses to expose the pretension at the heart of philosophical dialogue itself. In this way, Socrates pulls back the curtain of philosophical dialogue to expose the theatricality of such dialogue and, in doing so, offers the audience a unique opportunity to laugh at ourselves.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="62575680"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="62575680"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 62575680; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); 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