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data-props="{}" data-trace="false" data-dom-id="ProfileCheckPaperUpdate-react-component-1caf6c91-2877-4a63-9a19-206cd737440f"></div> <div id="ProfileCheckPaperUpdate-react-component-1caf6c91-2877-4a63-9a19-206cd737440f"></div> <div class="DesignSystem"><div class="onsite-ping" id="onsite-ping"></div></div><div class="profile-user-info DesignSystem"><div class="social-profile-container"><div class="left-panel-container"><div class="user-info-component-wrapper"><div class="user-summary-cta-container"><div class="user-summary-container"><div class="social-profile-avatar-container"><img class="profile-avatar u-positionAbsolute" alt="Marco Piana" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/2585893/812035/29572083/s200_marco.piana.jpg" /></div><div class="title-container"><h1 class="ds2-5-heading-sans-serif-sm">Marco Piana</h1><div class="affiliations-container fake-truncate js-profile-affiliations"><div><a class="u-tcGrayDarker" href="https://ucalgary.academia.edu/">University of Calgary</a>, <a class="u-tcGrayDarker" href="https://ucalgary.academia.edu/Departments/Classics_and_Religion/Documents">Classics and Religion</a>, <span class="u-tcGrayDarker">Post-Doc</span></div><div><a class="u-tcGrayDarker" href="https://mcgill.academia.edu/">McGill University</a>, <a class="u-tcGrayDarker" href="https://mcgill.academia.edu/Departments/Italian_Studies/Documents">Italian Studies</a>, <span class="u-tcGrayDarker">Lecturer</span></div><div><a class="u-tcGrayDarker" href="https://utoronto.academia.edu/">University of Toronto</a>, <a class="u-tcGrayDarker" href="https://utoronto.academia.edu/Departments/Italian_Studies_Renaissance_Studies/Documents">Italian Studies & Renaissance Studies</a>, <span class="u-tcGrayDarker">Post-Doc</span></div><div><a class="u-tcGrayDarker" href="https://smith.academia.edu/">Smith College</a>, <a class="u-tcGrayDarker" href="https://smith.academia.edu/Departments/Italian_Literature_and_Language/Documents">Italian Literature and Language</a>, <span class="u-tcGrayDarker">Faculty Member</span></div><div><a class="u-tcGrayDarker" href="https://utoronto.academia.edu/">University of Toronto</a>, <a class="u-tcGrayDarker" href="https://utoronto.academia.edu/Departments/Center_for_Reformation_and_Renaissance_Studies/Documents">Center for Reformation and Renaissance Studies</a>, <span class="u-tcGrayDarker">Research Fellow</span></div></div></div></div><div class="sidebar-cta-container"><button class="ds2-5-button hidden profile-cta-button grow js-profile-follow-button" data-broccoli-component="user-info.follow-button" data-click-track="profile-user-info-follow-button" data-follow-user-fname="Marco" data-follow-user-id="2585893" data-follow-user-source="profile_button" data-has-google="false"><span 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class="label">Co-authors</p><p class="data">18</p></div></a><div class="js-mentions-count-container" style="display: none;"><a href="/MarcoPiana/mentions"><div class="stat-container"><p class="label">Mentions</p><p class="data"></p></div></a></div><span><div class="stat-container"><p class="label"><span class="js-profile-total-view-text">Public Views</span></p><p class="data"><span class="js-profile-view-count"></span></p></div></span></div><div class="user-bio-container"><div class="profile-bio fake-truncate js-profile-about" style="margin: 0px;">Marco Piana is a Visiting Assistant Professor in Italian at Smith College and a Research Fellow of the Centre for Reformation and Renaissance Studies (CRRS) at the University of Toronto. His field of research focuses on the literary representation of Otherness, antiquity, and religious identity in Medieval and Early Modern Italy, with particular regard to Savonarola, Gianfrancesco Pico della Mirandola, and Renaissance Neoplatonism. He holds a PhD in Languages, Literatures, and Cultures – with a focus on Medieval and Renaissance Literature – from McGill University, Montreal. In addition, he is a former Postdoctoral Fellow at the University of Toronto, and the co-founder and director of Scuola Internazionale di Teatro Italiano "Giovanni Grasso," a professional school in Italian language and performance located in Montreal (QC), Canada.<br /><br />https://campsite.bio/marcopianaphd<br />http://querelle.ca/<br />http://earlymodernconversions.com/<br /><span class="u-fw700">Supervisors: </span>Konrad Eisenbichler and Matteo Soranzo<br /><div class="js-profile-less-about u-linkUnstyled u-tcGrayDarker u-textDecorationUnderline u-displayNone">less</div></div></div><div class="suggested-academics-container"><div class="suggested-academics--header"><p class="ds2-5-body-md-bold">Related Authors</p></div><ul class="suggested-user-card-list"><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a href="https://ub.academia.edu/SalvatoreMarino"><img class="profile-avatar u-positionAbsolute" alt="Salvatore Marino" 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active" id="all"><div class="profile--tab_heading_container js-section-heading" data-section="Edited Journal Issues" id="Edited Journal Issues"><h3 class="profile--tab_heading_container">Edited Journal Issues by Marco Piana</h3></div><div class="js-work-strip profile--work_container" data-work-id="42001218"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/42001218/Marco_Piana_ed_Gianfrancesco_Pico_della_Mirandola_1469_1533_Faith_Antiquity_and_the_Witch_Hunt_Renaissance_and_Reformation_Renaissance_et_R%C3%A9forme_42_4"><img alt="Research paper thumbnail of Marco Piana (ed.), Gianfrancesco Pico della Mirandola (1469–1533): Faith, Antiquity, and the Witch Hunt. Renaissance and Reformation / Renaissance et Réforme 42.4" class="work-thumbnail" src="https://attachments.academia-assets.com/62125740/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/42001218/Marco_Piana_ed_Gianfrancesco_Pico_della_Mirandola_1469_1533_Faith_Antiquity_and_the_Witch_Hunt_Renaissance_and_Reformation_Renaissance_et_R%C3%A9forme_42_4">Marco Piana (ed.), Gianfrancesco Pico della Mirandola (1469–1533): Faith, Antiquity, and the Witch Hunt. Renaissance and Reformation / Renaissance et Réforme 42.4</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://ucalgary.academia.edu/MarcoPiana">Marco Piana</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://telaviv.academia.edu/TamarHerzig">Tamar Herzig</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://nd.academia.edu/DenisRobichaud">Denis Robichaud</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unive.academia.edu/OvanesAkopyan">Ovanes Akopyan</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://unisa-it.academia.edu/LuciaPappalardo">Lucia Pappalardo</a></span></div><div class="wp-workCard_item"><span>Renaissance and Reformation / Renaissance et Réforme 42.4</span><span>, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">A special issue of Renaissance and Reformation / Renaissance et Réforme dedicated to the figure o...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">A special issue of Renaissance and Reformation / Renaissance et Réforme dedicated to the figure of Savonarolan humanist Gianfrancesco Pico della Mirandola.<br /><br />Full issue here: <a href="https://jps.library.utoronto.ca/index.php/renref/issue/view/2258" rel="nofollow">https://jps.library.utoronto.ca/index.php/renref/issue/view/2258</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="61ce4121f01e79c750c9dd21257eb036" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":62125740,"asset_id":42001218,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/62125740/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="42001218"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="42001218"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 42001218; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=42001218]").text(description); $(".js-view-count[data-work-id=42001218]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 42001218; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='42001218']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "61ce4121f01e79c750c9dd21257eb036" } } $('.js-work-strip[data-work-id=42001218]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":42001218,"title":"Marco Piana (ed.), Gianfrancesco Pico della Mirandola (1469–1533): Faith, Antiquity, and the Witch Hunt. 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Confraternitas, Volume 30, nos. 1–2" class="work-thumbnail" src="https://attachments.academia-assets.com/62273425/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/42136693/Marco_Piana_ed_Confraternity_Laudari_Confraternitas_Volume_30_nos_1_2">Marco Piana (ed.), Confraternity Laudari. Confraternitas, Volume 30, nos. 1–2</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://ucalgary.academia.edu/MarcoPiana">Marco Piana</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://unitn.academia.edu/FrancescoZimei">Francesco Zimei</a></span></div><div class="wp-workCard_item"><span>Confraternitas. Volume 30, nos. 1–2</span><span>, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">A special double issue of Confraternitas dedicated to the phenomenon of late medieval confraterna...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">A special double issue of Confraternitas dedicated to the phenomenon of late medieval confraternal laudari.<br />This special issue would not have been possible without the generous help and support of Professor Konrad Eisenbichler, who welcomed this collection into the journal.<br /><br />Full issue here: <a href="https://jps.library.utoronto.ca/index.php/confrat/issue/view/2259" rel="nofollow">https://jps.library.utoronto.ca/index.php/confrat/issue/view/2259</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="071b6eb6dc4153a0395780ee0d8c4051" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":62273425,"asset_id":42136693,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/62273425/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="42136693"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="42136693"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 42136693; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=42136693]").text(description); $(".js-view-count[data-work-id=42136693]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 42136693; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='42136693']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "071b6eb6dc4153a0395780ee0d8c4051" } } $('.js-work-strip[data-work-id=42136693]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":42136693,"title":"Marco Piana (ed.), Confraternity Laudari. 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(2021) Early Modern Hospitality" class="work-thumbnail" src="https://attachments.academia-assets.com/68890154/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/51018648/Goldstein_Piana_eds_2021_Early_Modern_Hospitality">Goldstein, Piana, eds. (2021) Early Modern Hospitality</a></div><div class="wp-workCard_item"><span>Centre for Renaissance and Reformation Studies</span><span>, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Regulating relationships among strangers was a primary concern of the early modern world. Both th...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Regulating relationships among strangers was a primary concern of the early modern world. Both the rediscovery of classical texts and new encounters between Europeans and Arabs, Asians, and Native Americans required a rethinking of the laws and customs of hospitality on both a local and a global scale. Theological conflicts and shifting national alignments in Europe itself also imperiled traditional conceptions of host and guest, forcing thinkers to envision their responsibilities to others in new ways. The thirteen articles in this collection offer case studies that examine the philosophies and dynamics of hospitality in early modern Italy, England, Central Europe, and the Ottoman Empire. In so doing, they explore practices, symbols, and philosophies of hospitality and obligation in the early modern world.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="20052bcfb5991ef0c1353b3d98696258" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":68890154,"asset_id":51018648,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/68890154/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="51018648"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="51018648"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 51018648; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=51018648]").text(description); $(".js-view-count[data-work-id=51018648]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 51018648; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='51018648']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "20052bcfb5991ef0c1353b3d98696258" } } $('.js-work-strip[data-work-id=51018648]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":51018648,"title":"Goldstein, Piana, eds. 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Re-Writing the Canon: Women Writing in XVI-XVII Century Italy (Seville: ArCiBel Editores, 2018)" class="work-thumbnail" src="https://attachments.academia-assets.com/57784244/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/37786977/Stefano_Santosuosso_ed_by_Genealog%C3%ACas_Re_Writing_the_Canon_Women_Writing_in_XVI_XVII_Century_Italy_Seville_ArCiBel_Editores_2018_">Stefano Santosuosso (ed. by), Genealogìas. Re-Writing the Canon: Women Writing in XVI-XVII Century Italy (Seville: ArCiBel Editores, 2018)</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://reading.academia.edu/STEFANOSANTOSUOSSO">STEFANO SANTOSUOSSO</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://itatti.academia.edu/VeronicaCopello">Veronica Copello</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://villanova.academia.edu/SarahFaggioli">Sarah Faggioli</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://liu-se.academia.edu/JohannaVernqvist">Johanna Vernqvist</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/LuciaMontuori">Lucia Montuori</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://ucalgary.academia.edu/MarcoPiana">Marco Piana</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://sns.academia.edu/SerenaPezzini">Serena Pezzini</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://unicatt.academia.edu/MariaTeresaGirardi">Maria Teresa Girardi</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Genealogìas. Re-Writing the Canon si propone di contribuire a quel filone di studi che mira a man...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Genealogìas. Re-Writing the Canon si propone di contribuire a quel filone di studi che mira a mantenere vivo il dibattito su un dato che ancora oggi desta sconcerto: le donne‒autrici, dopo il boom editoriale e culturale del Cinque‒Seicento, finiscono nel dimenticatoio. Gli erronei e superficiali giudizi della maggior parte degli studiosi, dal Settecento ai giorni nostri, hanno contribuito pesantemente al discredito delle donne letterate, insabbiando le innovazioni delle loro opere e il dialogo attivo con la tradizione. Il proposito dei contributori di questa antologia è proprio questo: riaprire il dibattito e, laddove sia possibile, correggere l’errore di prospettiva che induce a relegare indiscriminatamente le scrittrici al ruolo di subalterne, se non epigone, o passive ripetitrici ora di questo ora di quest’altro autore. L’obiettivo è quello di contribuire, da un lato, alla riscoperta del fitto dialogo fra le scrittrici stesse e, dall’altro, sulla scia dei contributi di Suor Prudence Allen, ad una migliore comprensione della man-woman complementarity, cioè del significativo contributo delle donne alla formazione della tradizione letteraria, erroneamente e per troppo a lungo considerata una faccenda esclusivamente maschile.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="9e59a564128cbc4fb87f224b51e6b4fe" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":57784244,"asset_id":37786977,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/57784244/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="37786977"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="37786977"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 37786977; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=37786977]").text(description); $(".js-view-count[data-work-id=37786977]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 37786977; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='37786977']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "9e59a564128cbc4fb87f224b51e6b4fe" } } $('.js-work-strip[data-work-id=37786977]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":37786977,"title":"Stefano Santosuosso (ed. by), Genealogìas. 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The text analyzes one of the most vivid examples of Savonarolan blood devotion, found in the friar’s commentary to Amos and Zacharias in Sermon 44 (1 April 1496). Savonarola’s vision of the blood of Christ as a symbol of conversion is here related to other examples of blood devotion in Italian lands, such as Fra Angelico’s frescoes in the convent of San Marco in Florence, the movement of the flagellants, and the Dominican theological and hagiographic tradition of the period.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="d6678af8c01343964d8e39c795ba1738" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":65965303,"asset_id":45458840,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/65965303/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="45458840"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="45458840"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 45458840; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=45458840]").text(description); $(".js-view-count[data-work-id=45458840]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 45458840; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='45458840']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="43704528"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/43704528/INTER_ANIMALIA_VENEREO_CUPIDINEOQUE_NEMORI_ASSUETA_IL_CORTILE_DEL_BELVEDERE_IN_DUE_LETTERE_DI_GIANFRANCESCO_PICO_DELLA_MIRANDOLA"><img alt="Research paper thumbnail of INTER ANIMALIA VENEREO CUPIDINEOQUE NEMORI ASSUETA : IL CORTILE DEL BELVEDERE IN DUE LETTERE DI GIANFRANCESCO PICO DELLA MIRANDOLA" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/43704528/INTER_ANIMALIA_VENEREO_CUPIDINEOQUE_NEMORI_ASSUETA_IL_CORTILE_DEL_BELVEDERE_IN_DUE_LETTERE_DI_GIANFRANCESCO_PICO_DELLA_MIRANDOLA">INTER ANIMALIA VENEREO CUPIDINEOQUE NEMORI ASSUETA : IL CORTILE DEL BELVEDERE IN DUE LETTERE DI GIANFRANCESCO PICO DELLA MIRANDOLA</a></div><div class="wp-workCard_item"><span>Studi Rinascimentali 18</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Inter Animalia Venereo Cupidineoque Nemori Assueta: The Cortile del Belvedere in Two Letters of G...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Inter Animalia Venereo Cupidineoque Nemori Assueta: The Cortile del Belvedere in Two Letters of Gianfrancesco Pico Della Mirandola.<br />This essay explores two letters written by Renaissance humanist Gianfrancesco Pico in 1512 and published in 1513 as an introduction to his poem De Venere et Cupidine expellendis. The letters are an essential testimony to the statue garden known as Cortile del Belvedere during the papacy of Julius II. They also interact with various relevant Renaissance discussions on the role of pre-Christian statuary in the aesthetics and morals of the time. Through the analysis of these two documents, the article will explore Gianfrancesco Pico’s reception of the statue garden. It will also highlight some less-known aspects of his criticism, namely the powers of pagan effigies, and their role in early modern Christianity. The article includes an updated transcription of the two letters’ editio princeps.<br />Keywords · Renaissance paganism, Cortile del Belvedere, Venus Felix, Iconoclasm, Witchcraft, Imagination.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="43704528"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="43704528"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 43704528; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=43704528]").text(description); $(".js-view-count[data-work-id=43704528]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 43704528; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='43704528']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); 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</script> <div class="js-work-strip profile--work_container" data-work-id="43274724"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/43274724/Gods_in_the_Garden_Visions_of_the_Pagan_Other_in_the_Rome_of_Julius_II"><img alt="Research paper thumbnail of Gods in the Garden: Visions of the Pagan Other in the Rome of Julius II" class="work-thumbnail" src="https://attachments.academia-assets.com/63646567/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/43274724/Gods_in_the_Garden_Visions_of_the_Pagan_Other_in_the_Rome_of_Julius_II">Gods in the Garden: Visions of the Pagan Other in the Rome of Julius II</a></div><div class="wp-workCard_item"><span>Journal of Religion in Europe</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Full article here: https://brill.com/view/journals/jre/12/3/article-p285_285.xml This essay expl...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Full article here: <a href="https://brill.com/view/journals/jre/12/3/article-p285_285.xml" rel="nofollow">https://brill.com/view/journals/jre/12/3/article-p285_285.xml</a><br /><br />This essay explores the reception of Pope Julius ii’s statuary deities in his Cortile del Belvedere through the poetic works of two humanists, papal courtier Evangelista Maddaleni de’ Capodiferro and Savonarolan humanist Gianfrancesco Pico della Mirandola. The construction of the Cortile animated a lively querelle on the state and mission of the Catholic Church, as it allowed the pagan idols of antiquity to re-enter the holy grounds of the Vatican. Through the analysis of two divergent poetic receptions of the Belvedere gods, this article will explore the Cortile del Belvedere and Julius ii’s Rome, as a space of spiritual dialogue and religious hybridism.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="2d343894b929fa59d74bd801d01d206b" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":63646567,"asset_id":43274724,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/63646567/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="43274724"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="43274724"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 43274724; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="43161248"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/43161248/Written_in_Blood_Blood_Devotion_in_Gianfrancesco_Pico_s_Staurostichon"><img alt="Research paper thumbnail of Written in Blood: Blood Devotion in Gianfrancesco Pico’s Staurostichon" class="work-thumbnail" src="https://attachments.academia-assets.com/63646545/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/43161248/Written_in_Blood_Blood_Devotion_in_Gianfrancesco_Pico_s_Staurostichon">Written in Blood: Blood Devotion in Gianfrancesco Pico’s Staurostichon</a></div><div class="wp-workCard_item"><span>Renaissance and Reformation / Renaissance et Réforme</span><span>, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Full article here: https://jps.library.utoronto.ca/index.php/renref/article/view/33709 This arti...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Full article here: <a href="https://jps.library.utoronto.ca/index.php/renref/article/view/33709" rel="nofollow">https://jps.library.utoronto.ca/index.php/renref/article/view/33709</a><br /><br />This article aims to provide an analysis of Gianfrancesco Pico della Mirandola’s hymn Staurostichon in view of other examples of Savonarolan blood devotion. Staurostichon describes a supernatural event that took place in Germany between 1501 and 1503 when unusual rainfalls started to mark people’s bodies and garments with shapes of red crosses and other symbols generally connected to Christ’s Passion. Often interpreted as a rain of divine blood, the Kreuzwunder gave free rein to the imagination of many historians, astrologers, and prophets of the time. Deeply ingrained with Savonarola’s devotion to Christ’s blood and wounds, Gianfrancesco Pico’s Staurostichon seeks to provide a biblical and prophetic explanation of the event: an explanation that is soaked in the gory events of the sacred Scriptures and the lives of the saints.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="80243f3871242340e129a0baf4919c16" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":63646545,"asset_id":43161248,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/63646545/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="43161248"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="43161248"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 43161248; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="42551412"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/42551412/The_Way_Philosophers_Pray_Hymns_as_Experiential_Knowledge_in_Early_Modern_Europe"><img alt="Research paper thumbnail of The Way Philosophers Pray: Hymns as Experiential Knowledge in Early Modern Europe" class="work-thumbnail" src="https://attachments.academia-assets.com/62741797/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/42551412/The_Way_Philosophers_Pray_Hymns_as_Experiential_Knowledge_in_Early_Modern_Europe">The Way Philosophers Pray: Hymns as Experiential Knowledge in Early Modern Europe</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://ucalgary.academia.edu/MarcoPiana">Marco Piana</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://mcgill.academia.edu/MatteoSoranz">Matteo Soranzo</a></span></div><div class="wp-workCard_item"><span>Mediterranea, 5</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Full journal issue here: https://www.uco.es/ucopress/ojs/index.php/mediterranea/index Beginning ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Full journal issue here: <a href="https://www.uco.es/ucopress/ojs/index.php/mediterranea/index" rel="nofollow">https://www.uco.es/ucopress/ojs/index.php/mediterranea/index</a><br /><br />Beginning with the work of Marsilio Ficino through the poems of Michele Marullo, Gianfrancesco Pico della Mirandola, Pierre Ronsard, Edmund Spenser and others, this essay discusses the revival and fortune of philosophical hymns in Quattrocento Italy and the diffusion of this genre in Early Modern Europe. In doing so, we will attempt at framing this phenomenon in the context of Early Modern religious pluralism and interpret it as an instance of experiential knowledge.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="b964ad5c00bc7a72766f00179c47a356" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":62741797,"asset_id":42551412,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/62741797/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="42551412"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="42551412"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 42551412; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="42130080"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/42130080/Fonte_de_Pietade_Blood_Devotion_and_Blood_Consumption_in_the_Laudari_Illuminati_and_Frondini"><img alt="Research paper thumbnail of Fonte de Pietade: Blood Devotion and Blood Consumption in the Laudari 'Illuminati' and 'Frondini'" class="work-thumbnail" src="https://attachments.academia-assets.com/62284070/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/42130080/Fonte_de_Pietade_Blood_Devotion_and_Blood_Consumption_in_the_Laudari_Illuminati_and_Frondini">Fonte de Pietade: Blood Devotion and Blood Consumption in the Laudari 'Illuminati' and 'Frondini'</a></div><div class="wp-workCard_item"><span>Confraternitas. Volume 30, n. 1–2, Spring/Fall 2019, pp. 27–43.</span><span>, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The following article analyses episodes of blood devotion in two fourteenth-century laudari writt...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The following article analyses episodes of blood devotion in two fourteenth-century laudari written by the members of the confraternity of the Disciplinati di Santo Stefano in Assisi, otherwise known as the 'Frondini' and 'Illuminati' laudari. Through the analysis of a selection of laude celebrating Good Friday and Corpus Domini, this article explores how the holy blood of Christ is adored, poured, and metaphorically "consumed" in the narratives adopted by the flagellant confraternity. In doing so, the article also highlights the relationship with other cultural trends active in medieval Italy, in particular hagiographical episodes of bloodshed and blood consumption, and the iconographical tradition of the crocifissi dolorosi.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="363833db4dfbc535e49fb6e1ec283253" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":62284070,"asset_id":42130080,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/62284070/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="42130080"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="42130080"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 42130080; 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Volume 30, n. 1–2</span><span>, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Full issue here: https://jps.library.utoronto.ca/index.php/confrat/issue/view/2259 </span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="3f98ce0353b54899f319320624e4ece6" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":62284054,"asset_id":42129855,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/62284054/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="42129855"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="42129855"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 42129855; 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Re-Writing the Canon: Women Writing in XVI-XVII Century Italy. (ed. Santosuosso, Stefano). Seville, Arcibel Editores.</span><span>, 2018</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The aim of this article is to analyze Lucrezia Marinella’s primary sources in chapter two and thr...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The aim of this article is to analyze Lucrezia Marinella’s primary sources in chapter two and three of her treatise La nobiltà et l’eccellenza delle Donne. The article provides a short introduction to the concept of Beauty and Good found in the authors quoted (or utilized) by Marinella, together with a close reading of the Neoplatonic citations used by the philosopher to corroborate her claim to women’s superiority in relationship with their beauty, and her take on Plato’s scala amoris.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="9a23d354551b9979a09bbb3a946276ce" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":62173101,"asset_id":36793866,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/62173101/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="36793866"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="36793866"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 36793866; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="8965003"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/8965003/Lutopia_corporea_Italo_Calvino_e_il_mondo_alla_rovescia"><img alt="Research paper thumbnail of L'utopia corporea. Italo Calvino e il mondo alla rovescia" class="work-thumbnail" src="https://attachments.academia-assets.com/62194449/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/8965003/Lutopia_corporea_Italo_Calvino_e_il_mondo_alla_rovescia">L'utopia corporea. Italo Calvino e il mondo alla rovescia</a></div><div class="wp-workCard_item"><span>Carte Italiane</span><span>, 2014</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">L'obbiettivo di questo articolo è delineare il percorso conoscitivo e artistico che ha portato It...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">L'obbiettivo di questo articolo è delineare il percorso conoscitivo e artistico che ha portato Italo Calvino a riconoscere nel filosofo del carnevale e del basso materiale corporeo Michail Bachtin una guida per l'interpretazione dell'alterità. Concetto latente in ogni opera dell'autore, l'alterità rappresenta il “lato oscuro” dell'immaginario calviniano e si pone spesso in contrasto con il razionalismo geometrizzante celebrato da critici e lettori. Nell'articolo, dunque, verranno analizzati tre momenti di interazione tra raziocinio e alterità sotto l'auspicio di Bachtin e del suo mondo alla rovescia: La giornata d'uno scrutatore, dove l'alter ego dell'autore visita “l'ultima città dell'imperfezione”, l'istituto per disabili Cottolengo; l'opera incompleta La decapitazione dei capi, in cui Calvino cerca di conciliare razionalismo e alterità attraverso una feroce dittatura carnevalesca; infine Palomar, opera che, alla disillusione e all'impossibilità di conoscere il mondo, aggiunge un'eco malinconica dell'utopia carnevalesca e delle sue promesse.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="6124a9a62ed1fb645021f46d17c32bea" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":62194449,"asset_id":8965003,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/62194449/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="8965003"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="8965003"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 8965003; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=8965003]").text(description); $(".js-view-count[data-work-id=8965003]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 8965003; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='8965003']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "6124a9a62ed1fb645021f46d17c32bea" } } $('.js-work-strip[data-work-id=8965003]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":8965003,"title":"L'utopia corporea. Italo Calvino e il mondo alla rovescia","internal_url":"https://www.academia.edu/8965003/Lutopia_corporea_Italo_Calvino_e_il_mondo_alla_rovescia","owner_id":2585893,"coauthors_can_edit":true,"owner":{"id":2585893,"first_name":"Marco","middle_initials":null,"last_name":"Piana","page_name":"MarcoPiana","domain_name":"ucalgary","created_at":"2012-10-01T01:37:45.149-07:00","display_name":"Marco Piana","url":"https://ucalgary.academia.edu/MarcoPiana"},"attachments":[{"id":62194449,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/62194449/thumbnails/1.jpg","file_name":"Piana_2014_LUtopia_corporea_Italo_Calvino_e_il_mondo_alla_rovescia.pdf","download_url":"https://www.academia.edu/attachments/62194449/download_file","bulk_download_file_name":"Lutopia_corporea_Italo_Calvino_e_il_mond.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/62194449/Piana_2014_LUtopia_corporea_Italo_Calvino_e_il_mondo_alla_rovescia-libre.pdf?1582648275=\u0026response-content-disposition=attachment%3B+filename%3DLutopia_corporea_Italo_Calvino_e_il_mond.pdf\u0026Expires=1740590451\u0026Signature=UrjyzAgVu84acNXJB70xN6ok68-q2r80xY1nDwx1yOruYAVqxbz1byfm1QA5k4V9LUEpvcZcpaXtuqkvBUbF8HGjryK8WBJ5lsjPJT4nsP69ZVrK4g~VrepvmR2aKAs7ltgFFIrElKQQ1rDxHWKdsEkD28ve4A-KxYjZ1LVb6EkIopPzLb8TOYVuGFQqDD6J7YMGvcC0c1nr8qQ4SFS4ZvFN~jcgJRLaHc1f9Zuv51b45H3ZyQqId9VZ1QSjTY6Ejp83ulThxgtlkI~drFFLft6QAdlh5NZ41Kymi~w3-8~WeO0wSnz8OFNZvx9AO9mVeQxRddiBQMjDc~ou1BJCfw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="profile--tab_heading_container js-section-heading" data-section="Book Essays" id="Book Essays"><h3 class="profile--tab_heading_container">Book Essays by Marco Piana</h3></div><div class="js-work-strip profile--work_container" data-work-id="72616845"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/72616845/The_Language_s_of_Southern_Italian_Confraternities"><img alt="Research paper thumbnail of The Language(s) of Southern Italian Confraternities" class="work-thumbnail" src="https://attachments.academia-assets.com/81475075/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/72616845/The_Language_s_of_Southern_Italian_Confraternities">The Language(s) of Southern Italian Confraternities</a></div><div class="wp-workCard_item"><span>Confraternities in Southern Italy: Art, Politics, and Religion (1100–1800)</span><span>, 2022</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The CRRS gratefully acknowledges the generous financial support it receives for its publishing ac...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The CRRS gratefully acknowledges the generous financial support it receives for its publishing activities from Victoria University in the University of Toronto. In the case of this volume, it also gratefully acknowledges the support it received from the Ashley-D'Alessandro Fund in European History and the History Department at Oklahoma State University.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="8b921c841b725f22a9501c222e329aba" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":81475075,"asset_id":72616845,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/81475075/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="72616845"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="72616845"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 72616845; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="49243991"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/49243991/Commedia_dell_Arte_as_a_Pedagogical_Tool_The_Case_of_Scuola_Giovanni_Grasso"><img alt="Research paper thumbnail of Commedia dell’Arte as a Pedagogical Tool: The Case of Scuola Giovanni Grasso" class="work-thumbnail" src="https://attachments.academia-assets.com/67628006/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/49243991/Commedia_dell_Arte_as_a_Pedagogical_Tool_The_Case_of_Scuola_Giovanni_Grasso">Commedia dell’Arte as a Pedagogical Tool: The Case of Scuola Giovanni Grasso</a></div><div class="wp-workCard_item"><span>Essays in Honour of Olga Zorzi Pugliese</span><span>, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">In this essay, I outline the pedagogical guidelines of Montreal's Opera and performance school Sc...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In this essay, I outline the pedagogical guidelines of Montreal's Opera and performance school Scuola Giovanni Grasso’s course curriculum, their relations to the traditional forms of voice, theatre, and language learning, and their innovations. I outline how the program weaves together a series of early modern teaching and stage techniques to create a holistic approach towards the teaching of Italian Opera performance. Special attention is given to the use of Commedia dell’Arte techniques for the teaching of Italian language, diction, movement, and character interpretation. I also analyze other aspects related to early modern educational and artistic techniques used in envisioning the school’s curriculum and mission, which is the Jesuits’ stage-centred pedagogy found in their Ratio atque Institutio Studiorum and the musical tradition of the intermedi. While underlining the school’s links with the early modern Italian tradition, the essay also shows how the school blends old techniques with cutting-edge teaching practices in the realm of voice, acting, and language learning.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="873bc75ae8c010d76e45ff3e16b812ba" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":67628006,"asset_id":49243991,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/67628006/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="49243991"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="49243991"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 49243991; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="profile--tab_heading_container js-section-heading" data-section="Encyclopedia Entries" id="Encyclopedia Entries"><h3 class="profile--tab_heading_container">Encyclopedia Entries by Marco Piana</h3></div><div class="js-work-strip profile--work_container" data-work-id="36439531"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/36439531/Gianfrancesco_Pico_Encyclopedia_of_Renaissance_Philosophy_Springer_"><img alt="Research paper thumbnail of Gianfrancesco Pico_Encyclopedia of Renaissance Philosophy (Springer)" class="work-thumbnail" src="https://attachments.academia-assets.com/56353735/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/36439531/Gianfrancesco_Pico_Encyclopedia_of_Renaissance_Philosophy_Springer_">Gianfrancesco Pico_Encyclopedia of Renaissance Philosophy (Springer)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Gianfrancesco II Pico della Mirandola, Duke of Mirandola and Count of Concordia, is a sixteenth-c...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Gianfrancesco II Pico della Mirandola, Duke of Mirandola and Count of Concordia, is a sixteenth-century philosopher, theologian, poet, and political figure, attributable to the Savonarolan movement of the Piagnoni. He is often referred to as one of the first Renaissance intellectuals to rediscover Sextus Empiricus and employ Pyrrhonian skepticism in their philosophical treatises. He is also known as the official biographer of friar Girolamo Savonarola, and as the biographer/ editor of his uncle, Giovanni II Pico della Mirandola. His philosophical and religious views, in continuous dialogue between humanist curiosity and Savonarolan devotion, characterize him as a fierce antagonist of the numerous attempts at finding concord between ancient and early modern forms of knowledge and belief pursued at the time.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="117497af8a2380fb6789d3c8fed7bb04" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":56353735,"asset_id":36439531,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/56353735/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="36439531"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="36439531"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 36439531; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="profile--tab_heading_container js-section-heading" data-section="Book Reviews" id="Book Reviews"><h3 class="profile--tab_heading_container">Book Reviews by Marco Piana</h3></div><div class="js-work-strip profile--work_container" data-work-id="43672728"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/43672728/Terruggia_Santucci_Scentoni_Sini_Il_laudario_Illuminati_e_la_costellazione_assisiate_con_un_saggio_di_Mara_Nerbano"><img alt="Research paper thumbnail of Terruggia, Santucci, Scentoni, Sini, Il laudario “Illuminati” e la costellazione assisiate, con un saggio di Mara Nerbano" class="work-thumbnail" src="https://attachments.academia-assets.com/63974621/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/43672728/Terruggia_Santucci_Scentoni_Sini_Il_laudario_Illuminati_e_la_costellazione_assisiate_con_un_saggio_di_Mara_Nerbano">Terruggia, Santucci, Scentoni, Sini, Il laudario “Illuminati” e la costellazione assisiate, con un saggio di Mara Nerbano</a></div><div class="wp-workCard_item"><span>43.1</span><span>, 2020</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="769a26a81d22e37ac83d5d92ea7f2cfb" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":63974621,"asset_id":43672728,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/63974621/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="43672728"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="43672728"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 43672728; 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Flagellant Confraternities and Italian Art, 1260–1610. Visual and Material Culture, 1300–1700" class="work-thumbnail" src="https://attachments.academia-assets.com/62284114/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/41932484/Chen_Andrew_H_Flagellant_Confraternities_and_Italian_Art_1260_1610_Visual_and_Material_Culture_1300_1700">Chen, Andrew H. Flagellant Confraternities and Italian Art, 1260–1610. Visual and Material Culture, 1300–1700</a></div><div class="wp-workCard_item"><span>Confraternitas 30.1-2</span><span>, 2019</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="f90d32dd3e5ce459ab30bd636cec721a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":62284114,"asset_id":41932484,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/62284114/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="41932484"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="41932484"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 41932484; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=41932484]").text(description); $(".js-view-count[data-work-id=41932484]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 41932484; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='41932484']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "f90d32dd3e5ce459ab30bd636cec721a" } } $('.js-work-strip[data-work-id=41932484]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":41932484,"title":"Chen, Andrew H. 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Domestic Devotions in Early Modern Italy." class="work-thumbnail" src="https://attachments.academia-assets.com/62056490/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/41932280/Corry_Maya_Marco_Faini_and_Alessia_Meneghin_eds_Domestic_Devotions_in_Early_Modern_Italy">Corry, Maya, Marco Faini, and Alessia Meneghin, eds. 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Lettere: Edizione critica. Ed. Francesco Borghesi." class="work-thumbnail" src="https://attachments.academia-assets.com/60813640/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/40538773/Pico_della_Mirandola_Giovanni_Lettere_Edizione_critica_Ed_Francesco_Borghesi">Pico della Mirandola, Giovanni. Lettere: Edizione critica. Ed. Francesco Borghesi.</a></div><div class="wp-workCard_item"><span>Renaissance and Reformation</span><span>, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">des analyses et l'apport de nouvelles générations de chercheurs apparaissent comme extrêmement bé...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">des analyses et l'apport de nouvelles générations de chercheurs apparaissent comme extrêmement bénéfiques pour faire fructifier l'héritage de Jean-Claude Margolin, qui fut l'auteur d'un article fondateur sur « Érasme et la France », et un pionnier des études érasmiennes auquel un article émouvant de Daniel Ménage rend hommage en conclusion. Cet ouvrage collectif, édité par Blandine Perona et Tristan Vigliano, sert donc de bilan critique pour mesurer le chemin parcouru dans les études érasmiennes. C'est ce dont témoigne par exemple le dialogue que certains articles nouent avec l'ouvrage de Silvana Seidel Menchi, Érasme hérétique, qui continue de nourrir le débat sur la question épineuse de la réception de l'« érasmisme ».</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="fa196260a915667020621ba7db972e05" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":60813640,"asset_id":40538773,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/60813640/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="40538773"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="40538773"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 40538773; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=40538773]").text(description); $(".js-view-count[data-work-id=40538773]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 40538773; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='40538773']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "fa196260a915667020621ba7db972e05" } } $('.js-work-strip[data-work-id=40538773]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":40538773,"title":"Pico della Mirandola, Giovanni. 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Renaissance and Reformation / Renaissance et Réforme 42.4" class="work-thumbnail" src="https://attachments.academia-assets.com/62125740/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/42001218/Marco_Piana_ed_Gianfrancesco_Pico_della_Mirandola_1469_1533_Faith_Antiquity_and_the_Witch_Hunt_Renaissance_and_Reformation_Renaissance_et_R%C3%A9forme_42_4">Marco Piana (ed.), Gianfrancesco Pico della Mirandola (1469–1533): Faith, Antiquity, and the Witch Hunt. Renaissance and Reformation / Renaissance et Réforme 42.4</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://ucalgary.academia.edu/MarcoPiana">Marco Piana</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://telaviv.academia.edu/TamarHerzig">Tamar Herzig</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://nd.academia.edu/DenisRobichaud">Denis Robichaud</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unive.academia.edu/OvanesAkopyan">Ovanes Akopyan</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://unisa-it.academia.edu/LuciaPappalardo">Lucia Pappalardo</a></span></div><div class="wp-workCard_item"><span>Renaissance and Reformation / Renaissance et Réforme 42.4</span><span>, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">A special issue of Renaissance and Reformation / Renaissance et Réforme dedicated to the figure o...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">A special issue of Renaissance and Reformation / Renaissance et Réforme dedicated to the figure of Savonarolan humanist Gianfrancesco Pico della Mirandola.<br /><br />Full issue here: <a href="https://jps.library.utoronto.ca/index.php/renref/issue/view/2258" rel="nofollow">https://jps.library.utoronto.ca/index.php/renref/issue/view/2258</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="61ce4121f01e79c750c9dd21257eb036" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":62125740,"asset_id":42001218,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/62125740/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="42001218"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="42001218"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 42001218; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=42001218]").text(description); $(".js-view-count[data-work-id=42001218]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 42001218; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='42001218']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "61ce4121f01e79c750c9dd21257eb036" } } $('.js-work-strip[data-work-id=42001218]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":42001218,"title":"Marco Piana (ed.), Gianfrancesco Pico della Mirandola (1469–1533): Faith, Antiquity, and the Witch Hunt. 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Confraternitas, Volume 30, nos. 1–2" class="work-thumbnail" src="https://attachments.academia-assets.com/62273425/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/42136693/Marco_Piana_ed_Confraternity_Laudari_Confraternitas_Volume_30_nos_1_2">Marco Piana (ed.), Confraternity Laudari. Confraternitas, Volume 30, nos. 1–2</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://ucalgary.academia.edu/MarcoPiana">Marco Piana</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://unitn.academia.edu/FrancescoZimei">Francesco Zimei</a></span></div><div class="wp-workCard_item"><span>Confraternitas. Volume 30, nos. 1–2</span><span>, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">A special double issue of Confraternitas dedicated to the phenomenon of late medieval confraterna...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">A special double issue of Confraternitas dedicated to the phenomenon of late medieval confraternal laudari.<br />This special issue would not have been possible without the generous help and support of Professor Konrad Eisenbichler, who welcomed this collection into the journal.<br /><br />Full issue here: <a href="https://jps.library.utoronto.ca/index.php/confrat/issue/view/2259" rel="nofollow">https://jps.library.utoronto.ca/index.php/confrat/issue/view/2259</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="071b6eb6dc4153a0395780ee0d8c4051" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":62273425,"asset_id":42136693,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/62273425/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="42136693"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="42136693"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 42136693; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=42136693]").text(description); $(".js-view-count[data-work-id=42136693]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 42136693; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='42136693']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "071b6eb6dc4153a0395780ee0d8c4051" } } $('.js-work-strip[data-work-id=42136693]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":42136693,"title":"Marco Piana (ed.), Confraternity Laudari. 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(2021) Early Modern Hospitality" class="work-thumbnail" src="https://attachments.academia-assets.com/68890154/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/51018648/Goldstein_Piana_eds_2021_Early_Modern_Hospitality">Goldstein, Piana, eds. (2021) Early Modern Hospitality</a></div><div class="wp-workCard_item"><span>Centre for Renaissance and Reformation Studies</span><span>, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Regulating relationships among strangers was a primary concern of the early modern world. Both th...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Regulating relationships among strangers was a primary concern of the early modern world. Both the rediscovery of classical texts and new encounters between Europeans and Arabs, Asians, and Native Americans required a rethinking of the laws and customs of hospitality on both a local and a global scale. Theological conflicts and shifting national alignments in Europe itself also imperiled traditional conceptions of host and guest, forcing thinkers to envision their responsibilities to others in new ways. The thirteen articles in this collection offer case studies that examine the philosophies and dynamics of hospitality in early modern Italy, England, Central Europe, and the Ottoman Empire. In so doing, they explore practices, symbols, and philosophies of hospitality and obligation in the early modern world.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="20052bcfb5991ef0c1353b3d98696258" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":68890154,"asset_id":51018648,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/68890154/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="51018648"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="51018648"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 51018648; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=51018648]").text(description); $(".js-view-count[data-work-id=51018648]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 51018648; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='51018648']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "20052bcfb5991ef0c1353b3d98696258" } } $('.js-work-strip[data-work-id=51018648]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":51018648,"title":"Goldstein, Piana, eds. 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Re-Writing the Canon: Women Writing in XVI-XVII Century Italy (Seville: ArCiBel Editores, 2018)" class="work-thumbnail" src="https://attachments.academia-assets.com/57784244/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/37786977/Stefano_Santosuosso_ed_by_Genealog%C3%ACas_Re_Writing_the_Canon_Women_Writing_in_XVI_XVII_Century_Italy_Seville_ArCiBel_Editores_2018_">Stefano Santosuosso (ed. by), Genealogìas. Re-Writing the Canon: Women Writing in XVI-XVII Century Italy (Seville: ArCiBel Editores, 2018)</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://reading.academia.edu/STEFANOSANTOSUOSSO">STEFANO SANTOSUOSSO</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://itatti.academia.edu/VeronicaCopello">Veronica Copello</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://villanova.academia.edu/SarahFaggioli">Sarah Faggioli</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://liu-se.academia.edu/JohannaVernqvist">Johanna Vernqvist</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/LuciaMontuori">Lucia Montuori</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://ucalgary.academia.edu/MarcoPiana">Marco Piana</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://sns.academia.edu/SerenaPezzini">Serena Pezzini</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://unicatt.academia.edu/MariaTeresaGirardi">Maria Teresa Girardi</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Genealogìas. Re-Writing the Canon si propone di contribuire a quel filone di studi che mira a man...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Genealogìas. Re-Writing the Canon si propone di contribuire a quel filone di studi che mira a mantenere vivo il dibattito su un dato che ancora oggi desta sconcerto: le donne‒autrici, dopo il boom editoriale e culturale del Cinque‒Seicento, finiscono nel dimenticatoio. Gli erronei e superficiali giudizi della maggior parte degli studiosi, dal Settecento ai giorni nostri, hanno contribuito pesantemente al discredito delle donne letterate, insabbiando le innovazioni delle loro opere e il dialogo attivo con la tradizione. Il proposito dei contributori di questa antologia è proprio questo: riaprire il dibattito e, laddove sia possibile, correggere l’errore di prospettiva che induce a relegare indiscriminatamente le scrittrici al ruolo di subalterne, se non epigone, o passive ripetitrici ora di questo ora di quest’altro autore. L’obiettivo è quello di contribuire, da un lato, alla riscoperta del fitto dialogo fra le scrittrici stesse e, dall’altro, sulla scia dei contributi di Suor Prudence Allen, ad una migliore comprensione della man-woman complementarity, cioè del significativo contributo delle donne alla formazione della tradizione letteraria, erroneamente e per troppo a lungo considerata una faccenda esclusivamente maschile.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="9e59a564128cbc4fb87f224b51e6b4fe" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":57784244,"asset_id":37786977,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/57784244/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="37786977"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="37786977"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 37786977; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=37786977]").text(description); $(".js-view-count[data-work-id=37786977]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 37786977; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='37786977']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "9e59a564128cbc4fb87f224b51e6b4fe" } } $('.js-work-strip[data-work-id=37786977]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":37786977,"title":"Stefano Santosuosso (ed. by), Genealogìas. 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The text analyzes one of the most vivid examples of Savonarolan blood devotion, found in the friar’s commentary to Amos and Zacharias in Sermon 44 (1 April 1496). Savonarola’s vision of the blood of Christ as a symbol of conversion is here related to other examples of blood devotion in Italian lands, such as Fra Angelico’s frescoes in the convent of San Marco in Florence, the movement of the flagellants, and the Dominican theological and hagiographic tradition of the period.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="d6678af8c01343964d8e39c795ba1738" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":65965303,"asset_id":45458840,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/65965303/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="45458840"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="45458840"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 45458840; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=45458840]").text(description); $(".js-view-count[data-work-id=45458840]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 45458840; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='45458840']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="43704528"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/43704528/INTER_ANIMALIA_VENEREO_CUPIDINEOQUE_NEMORI_ASSUETA_IL_CORTILE_DEL_BELVEDERE_IN_DUE_LETTERE_DI_GIANFRANCESCO_PICO_DELLA_MIRANDOLA"><img alt="Research paper thumbnail of INTER ANIMALIA VENEREO CUPIDINEOQUE NEMORI ASSUETA : IL CORTILE DEL BELVEDERE IN DUE LETTERE DI GIANFRANCESCO PICO DELLA MIRANDOLA" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/43704528/INTER_ANIMALIA_VENEREO_CUPIDINEOQUE_NEMORI_ASSUETA_IL_CORTILE_DEL_BELVEDERE_IN_DUE_LETTERE_DI_GIANFRANCESCO_PICO_DELLA_MIRANDOLA">INTER ANIMALIA VENEREO CUPIDINEOQUE NEMORI ASSUETA : IL CORTILE DEL BELVEDERE IN DUE LETTERE DI GIANFRANCESCO PICO DELLA MIRANDOLA</a></div><div class="wp-workCard_item"><span>Studi Rinascimentali 18</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Inter Animalia Venereo Cupidineoque Nemori Assueta: The Cortile del Belvedere in Two Letters of G...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Inter Animalia Venereo Cupidineoque Nemori Assueta: The Cortile del Belvedere in Two Letters of Gianfrancesco Pico Della Mirandola.<br />This essay explores two letters written by Renaissance humanist Gianfrancesco Pico in 1512 and published in 1513 as an introduction to his poem De Venere et Cupidine expellendis. The letters are an essential testimony to the statue garden known as Cortile del Belvedere during the papacy of Julius II. They also interact with various relevant Renaissance discussions on the role of pre-Christian statuary in the aesthetics and morals of the time. Through the analysis of these two documents, the article will explore Gianfrancesco Pico’s reception of the statue garden. It will also highlight some less-known aspects of his criticism, namely the powers of pagan effigies, and their role in early modern Christianity. The article includes an updated transcription of the two letters’ editio princeps.<br />Keywords · Renaissance paganism, Cortile del Belvedere, Venus Felix, Iconoclasm, Witchcraft, Imagination.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="43704528"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="43704528"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 43704528; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=43704528]").text(description); $(".js-view-count[data-work-id=43704528]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 43704528; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='43704528']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); 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</script> <div class="js-work-strip profile--work_container" data-work-id="43274724"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/43274724/Gods_in_the_Garden_Visions_of_the_Pagan_Other_in_the_Rome_of_Julius_II"><img alt="Research paper thumbnail of Gods in the Garden: Visions of the Pagan Other in the Rome of Julius II" class="work-thumbnail" src="https://attachments.academia-assets.com/63646567/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/43274724/Gods_in_the_Garden_Visions_of_the_Pagan_Other_in_the_Rome_of_Julius_II">Gods in the Garden: Visions of the Pagan Other in the Rome of Julius II</a></div><div class="wp-workCard_item"><span>Journal of Religion in Europe</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Full article here: https://brill.com/view/journals/jre/12/3/article-p285_285.xml This essay expl...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Full article here: <a href="https://brill.com/view/journals/jre/12/3/article-p285_285.xml" rel="nofollow">https://brill.com/view/journals/jre/12/3/article-p285_285.xml</a><br /><br />This essay explores the reception of Pope Julius ii’s statuary deities in his Cortile del Belvedere through the poetic works of two humanists, papal courtier Evangelista Maddaleni de’ Capodiferro and Savonarolan humanist Gianfrancesco Pico della Mirandola. The construction of the Cortile animated a lively querelle on the state and mission of the Catholic Church, as it allowed the pagan idols of antiquity to re-enter the holy grounds of the Vatican. Through the analysis of two divergent poetic receptions of the Belvedere gods, this article will explore the Cortile del Belvedere and Julius ii’s Rome, as a space of spiritual dialogue and religious hybridism.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="2d343894b929fa59d74bd801d01d206b" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":63646567,"asset_id":43274724,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/63646567/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="43274724"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="43274724"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 43274724; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="43161248"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/43161248/Written_in_Blood_Blood_Devotion_in_Gianfrancesco_Pico_s_Staurostichon"><img alt="Research paper thumbnail of Written in Blood: Blood Devotion in Gianfrancesco Pico’s Staurostichon" class="work-thumbnail" src="https://attachments.academia-assets.com/63646545/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/43161248/Written_in_Blood_Blood_Devotion_in_Gianfrancesco_Pico_s_Staurostichon">Written in Blood: Blood Devotion in Gianfrancesco Pico’s Staurostichon</a></div><div class="wp-workCard_item"><span>Renaissance and Reformation / Renaissance et Réforme</span><span>, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Full article here: https://jps.library.utoronto.ca/index.php/renref/article/view/33709 This arti...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Full article here: <a href="https://jps.library.utoronto.ca/index.php/renref/article/view/33709" rel="nofollow">https://jps.library.utoronto.ca/index.php/renref/article/view/33709</a><br /><br />This article aims to provide an analysis of Gianfrancesco Pico della Mirandola’s hymn Staurostichon in view of other examples of Savonarolan blood devotion. Staurostichon describes a supernatural event that took place in Germany between 1501 and 1503 when unusual rainfalls started to mark people’s bodies and garments with shapes of red crosses and other symbols generally connected to Christ’s Passion. Often interpreted as a rain of divine blood, the Kreuzwunder gave free rein to the imagination of many historians, astrologers, and prophets of the time. Deeply ingrained with Savonarola’s devotion to Christ’s blood and wounds, Gianfrancesco Pico’s Staurostichon seeks to provide a biblical and prophetic explanation of the event: an explanation that is soaked in the gory events of the sacred Scriptures and the lives of the saints.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="80243f3871242340e129a0baf4919c16" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":63646545,"asset_id":43161248,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/63646545/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="43161248"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="43161248"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 43161248; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="42551412"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/42551412/The_Way_Philosophers_Pray_Hymns_as_Experiential_Knowledge_in_Early_Modern_Europe"><img alt="Research paper thumbnail of The Way Philosophers Pray: Hymns as Experiential Knowledge in Early Modern Europe" class="work-thumbnail" src="https://attachments.academia-assets.com/62741797/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/42551412/The_Way_Philosophers_Pray_Hymns_as_Experiential_Knowledge_in_Early_Modern_Europe">The Way Philosophers Pray: Hymns as Experiential Knowledge in Early Modern Europe</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://ucalgary.academia.edu/MarcoPiana">Marco Piana</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://mcgill.academia.edu/MatteoSoranz">Matteo Soranzo</a></span></div><div class="wp-workCard_item"><span>Mediterranea, 5</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Full journal issue here: https://www.uco.es/ucopress/ojs/index.php/mediterranea/index Beginning ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Full journal issue here: <a href="https://www.uco.es/ucopress/ojs/index.php/mediterranea/index" rel="nofollow">https://www.uco.es/ucopress/ojs/index.php/mediterranea/index</a><br /><br />Beginning with the work of Marsilio Ficino through the poems of Michele Marullo, Gianfrancesco Pico della Mirandola, Pierre Ronsard, Edmund Spenser and others, this essay discusses the revival and fortune of philosophical hymns in Quattrocento Italy and the diffusion of this genre in Early Modern Europe. In doing so, we will attempt at framing this phenomenon in the context of Early Modern religious pluralism and interpret it as an instance of experiential knowledge.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="b964ad5c00bc7a72766f00179c47a356" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":62741797,"asset_id":42551412,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/62741797/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="42551412"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="42551412"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 42551412; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="42130080"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/42130080/Fonte_de_Pietade_Blood_Devotion_and_Blood_Consumption_in_the_Laudari_Illuminati_and_Frondini"><img alt="Research paper thumbnail of Fonte de Pietade: Blood Devotion and Blood Consumption in the Laudari 'Illuminati' and 'Frondini'" class="work-thumbnail" src="https://attachments.academia-assets.com/62284070/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/42130080/Fonte_de_Pietade_Blood_Devotion_and_Blood_Consumption_in_the_Laudari_Illuminati_and_Frondini">Fonte de Pietade: Blood Devotion and Blood Consumption in the Laudari 'Illuminati' and 'Frondini'</a></div><div class="wp-workCard_item"><span>Confraternitas. Volume 30, n. 1–2, Spring/Fall 2019, pp. 27–43.</span><span>, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The following article analyses episodes of blood devotion in two fourteenth-century laudari writt...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The following article analyses episodes of blood devotion in two fourteenth-century laudari written by the members of the confraternity of the Disciplinati di Santo Stefano in Assisi, otherwise known as the 'Frondini' and 'Illuminati' laudari. Through the analysis of a selection of laude celebrating Good Friday and Corpus Domini, this article explores how the holy blood of Christ is adored, poured, and metaphorically "consumed" in the narratives adopted by the flagellant confraternity. In doing so, the article also highlights the relationship with other cultural trends active in medieval Italy, in particular hagiographical episodes of bloodshed and blood consumption, and the iconographical tradition of the crocifissi dolorosi.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="363833db4dfbc535e49fb6e1ec283253" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":62284070,"asset_id":42130080,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/62284070/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="42130080"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="42130080"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 42130080; 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Volume 30, n. 1–2</span><span>, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Full issue here: https://jps.library.utoronto.ca/index.php/confrat/issue/view/2259 </span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="3f98ce0353b54899f319320624e4ece6" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":62284054,"asset_id":42129855,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/62284054/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="42129855"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="42129855"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 42129855; 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Re-Writing the Canon: Women Writing in XVI-XVII Century Italy. (ed. Santosuosso, Stefano). Seville, Arcibel Editores.</span><span>, 2018</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The aim of this article is to analyze Lucrezia Marinella’s primary sources in chapter two and thr...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The aim of this article is to analyze Lucrezia Marinella’s primary sources in chapter two and three of her treatise La nobiltà et l’eccellenza delle Donne. The article provides a short introduction to the concept of Beauty and Good found in the authors quoted (or utilized) by Marinella, together with a close reading of the Neoplatonic citations used by the philosopher to corroborate her claim to women’s superiority in relationship with their beauty, and her take on Plato’s scala amoris.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="9a23d354551b9979a09bbb3a946276ce" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":62173101,"asset_id":36793866,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/62173101/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="36793866"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="36793866"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 36793866; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="8965003"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/8965003/Lutopia_corporea_Italo_Calvino_e_il_mondo_alla_rovescia"><img alt="Research paper thumbnail of L'utopia corporea. Italo Calvino e il mondo alla rovescia" class="work-thumbnail" src="https://attachments.academia-assets.com/62194449/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/8965003/Lutopia_corporea_Italo_Calvino_e_il_mondo_alla_rovescia">L'utopia corporea. Italo Calvino e il mondo alla rovescia</a></div><div class="wp-workCard_item"><span>Carte Italiane</span><span>, 2014</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">L'obbiettivo di questo articolo è delineare il percorso conoscitivo e artistico che ha portato It...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">L'obbiettivo di questo articolo è delineare il percorso conoscitivo e artistico che ha portato Italo Calvino a riconoscere nel filosofo del carnevale e del basso materiale corporeo Michail Bachtin una guida per l'interpretazione dell'alterità. Concetto latente in ogni opera dell'autore, l'alterità rappresenta il “lato oscuro” dell'immaginario calviniano e si pone spesso in contrasto con il razionalismo geometrizzante celebrato da critici e lettori. Nell'articolo, dunque, verranno analizzati tre momenti di interazione tra raziocinio e alterità sotto l'auspicio di Bachtin e del suo mondo alla rovescia: La giornata d'uno scrutatore, dove l'alter ego dell'autore visita “l'ultima città dell'imperfezione”, l'istituto per disabili Cottolengo; l'opera incompleta La decapitazione dei capi, in cui Calvino cerca di conciliare razionalismo e alterità attraverso una feroce dittatura carnevalesca; infine Palomar, opera che, alla disillusione e all'impossibilità di conoscere il mondo, aggiunge un'eco malinconica dell'utopia carnevalesca e delle sue promesse.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="6124a9a62ed1fb645021f46d17c32bea" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":62194449,"asset_id":8965003,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/62194449/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="8965003"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="8965003"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 8965003; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=8965003]").text(description); $(".js-view-count[data-work-id=8965003]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 8965003; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='8965003']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "6124a9a62ed1fb645021f46d17c32bea" } } $('.js-work-strip[data-work-id=8965003]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":8965003,"title":"L'utopia corporea. 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In the case of this volume, it also gratefully acknowledges the support it received from the Ashley-D'Alessandro Fund in European History and the History Department at Oklahoma State University.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="8b921c841b725f22a9501c222e329aba" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":81475075,"asset_id":72616845,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/81475075/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="72616845"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="72616845"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 72616845; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="49243991"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/49243991/Commedia_dell_Arte_as_a_Pedagogical_Tool_The_Case_of_Scuola_Giovanni_Grasso"><img alt="Research paper thumbnail of Commedia dell’Arte as a Pedagogical Tool: The Case of Scuola Giovanni Grasso" class="work-thumbnail" src="https://attachments.academia-assets.com/67628006/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/49243991/Commedia_dell_Arte_as_a_Pedagogical_Tool_The_Case_of_Scuola_Giovanni_Grasso">Commedia dell’Arte as a Pedagogical Tool: The Case of Scuola Giovanni Grasso</a></div><div class="wp-workCard_item"><span>Essays in Honour of Olga Zorzi Pugliese</span><span>, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">In this essay, I outline the pedagogical guidelines of Montreal's Opera and performance school Sc...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In this essay, I outline the pedagogical guidelines of Montreal's Opera and performance school Scuola Giovanni Grasso’s course curriculum, their relations to the traditional forms of voice, theatre, and language learning, and their innovations. I outline how the program weaves together a series of early modern teaching and stage techniques to create a holistic approach towards the teaching of Italian Opera performance. Special attention is given to the use of Commedia dell’Arte techniques for the teaching of Italian language, diction, movement, and character interpretation. I also analyze other aspects related to early modern educational and artistic techniques used in envisioning the school’s curriculum and mission, which is the Jesuits’ stage-centred pedagogy found in their Ratio atque Institutio Studiorum and the musical tradition of the intermedi. 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He is often referred to as one of the first Renaissance intellectuals to rediscover Sextus Empiricus and employ Pyrrhonian skepticism in their philosophical treatises. He is also known as the official biographer of friar Girolamo Savonarola, and as the biographer/ editor of his uncle, Giovanni II Pico della Mirandola. 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Francesco Borghesi.</a></div><div class="wp-workCard_item"><span>Renaissance and Reformation</span><span>, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">des analyses et l'apport de nouvelles générations de chercheurs apparaissent comme extrêmement bé...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">des analyses et l'apport de nouvelles générations de chercheurs apparaissent comme extrêmement bénéfiques pour faire fructifier l'héritage de Jean-Claude Margolin, qui fut l'auteur d'un article fondateur sur « Érasme et la France », et un pionnier des études érasmiennes auquel un article émouvant de Daniel Ménage rend hommage en conclusion. Cet ouvrage collectif, édité par Blandine Perona et Tristan Vigliano, sert donc de bilan critique pour mesurer le chemin parcouru dans les études érasmiennes. 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Savoring Power, Consuming the Times: The Metaphors of Food in Medieval and Renaissance Italian Literature. Notre Dame: University of Notre Dame Press, 2013. XI + 428 pp. $42. ISBN: 9780268038397." class="work-thumbnail" src="https://attachments.academia-assets.com/49578624/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/29132846/Pina_Palma_Savoring_Power_Consuming_the_Times_The_Metaphors_of_Food_in_Medieval_and_Renaissance_Italian_Literature_Notre_Dame_University_of_Notre_Dame_Press_2013_XI_428_pp_42_ISBN_9780268038397">Pina Palma. Savoring Power, Consuming the Times: The Metaphors of Food in Medieval and Renaissance Italian Literature. Notre Dame: University of Notre Dame Press, 2013. XI + 428 pp. $42. ISBN: 9780268038397.</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="e8ab72fedb243437202ddd2363e94984" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":49578624,"asset_id":29132846,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/49578624/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="29132846"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="29132846"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 29132846; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=29132846]").text(description); $(".js-view-count[data-work-id=29132846]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 29132846; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='29132846']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "e8ab72fedb243437202ddd2363e94984" } } $('.js-work-strip[data-work-id=29132846]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":29132846,"title":"Pina Palma. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="6672051" id="conferences"><div class="js-work-strip profile--work_container" data-work-id="39406854"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/39406854/The_Body_and_The_divine_in_Early_Modernity"><img alt="Research paper thumbnail of The Body and The divine in Early Modernity" class="work-thumbnail" src="https://attachments.academia-assets.com/59551561/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/39406854/The_Body_and_The_divine_in_Early_Modernity">The Body and The divine in Early Modernity</a></div><div class="wp-workCard_item"><span>Renaissance Society of America</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">To apply: Please send a curriculum vitae (300-word max), title (15 word max) and a 150-word abstr...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">To apply: Please send a curriculum vitae (300-word max), title (15<br />word max) and a 150-word abstract to Marco Piana (marco.piana@<br />utoronto.ca). 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The essay is available on this platform (in the "papers" section) as well as online.<br />Link to online article: <a href="https://www.uco.es/ucopress/ojs/index.php/mediterranea/article/view/12087" rel="nofollow">https://www.uco.es/ucopress/ojs/index.php/mediterranea/article/view/12087</a><br />Link to online journal issue: <a href="https://www.uco.es/ucopress/ojs/index.php/mediterranea/index" rel="nofollow">https://www.uco.es/ucopress/ojs/index.php/mediterranea/index</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="ad4b5e010035d381cd8494386965721a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":33549179,"asset_id":6860004,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/33549179/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="6860004"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="6860004"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 6860004; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="8534288" id="conferencepresentations"><div class="js-work-strip profile--work_container" data-work-id="61879833"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/61879833/Consuming_the_Soul_Visions_of_Hell_between_Dante_and_John_Singer_Sargent"><img alt="Research paper thumbnail of Consuming the Soul: Visions of Hell between Dante and John Singer Sargent" class="work-thumbnail" src="https://attachments.academia-assets.com/75015913/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/61879833/Consuming_the_Soul_Visions_of_Hell_between_Dante_and_John_Singer_Sargent">Consuming the Soul: Visions of Hell between Dante and John Singer Sargent</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Smith College - Department of Italian Studies with the participation of SCMA presents: Consuming ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Smith College - Department of Italian Studies<br />with the participation of SCMA<br />presents:<br />Consuming the Soul: Visions of Hell between Dante and Sargent<br />Virtual Conference<br />Friday, December 3, 2021<br />2:30 PM EST<br /><br />Speakers:<br />Danielle Carrabino (SCMA)<br />Marco Piana (Smith College)<br /><br />Join us in a virtual exploration of Sargent's visual masterpiece, Hell, through Dante's Commedia. The talk, organised in honor of Smith College Emeritus Professor Alfonso Procaccini, will investigate Sargent's work and its interaction with the medieval and Dantesque themes of hell as ingestion and digestion. <br /><br />To book a spot, RSVP here:<br /><a href="https://smith.zoom.us/meeting/register/tJIof-isqzIuG9VCk4zVO4ekqYAcnpUYu4at" rel="nofollow">https://smith.zoom.us/meeting/register/tJIof-isqzIuG9VCk4zVO4ekqYAcnpUYu4at</a><br /><br />Or contact Marco Piana (<a href="mailto:mpiana@smith.edu" rel="nofollow">mpiana@smith.edu</a>)</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="a3429afbbb9ff44395f436394e762b69" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":75015913,"asset_id":61879833,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/75015913/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="61879833"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="61879833"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 61879833; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="38328247"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/38328247/Blood_Devotion_and_Flagellant_Practices_in_Fra_Angelicos_Frescoes"><img alt="Research paper thumbnail of Blood Devotion and Flagellant Practices in Fra Angelico's Frescoes" class="work-thumbnail" src="https://attachments.academia-assets.com/58379091/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/38328247/Blood_Devotion_and_Flagellant_Practices_in_Fra_Angelicos_Frescoes">Blood Devotion and Flagellant Practices in Fra Angelico's Frescoes</a></div><div class="wp-workCard_item"><span>Medium and Mediation</span><span>, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This talk will examine Fra Angelico's (1395 – 1455) cycle of frescoes found in the Priory of San ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This talk will examine Fra Angelico's (1395 – 1455) cycle of frescoes found in the Priory of San Marco in Florence in light of medieval blood devotion and flagellant practices in Italian lands. I will focus mainly on the theological and historical background that fostered the creation of such frescoes, and its legacy in late medieval/Renaissance Florence. Disputes on the Holy Blood and the spreading of medieval forms of blood devotion in Dominican narratives will be taken into consideration, as well as the influence of flagellant confraternities in public and private ceremonies in Central and Northern Italy. In addition, the paper will highlight the impact of Fra Angelico's iconography in the works of Dominican friar Girolamo Savonarola (1452 – 1498) and his most faithful followers.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="4642571d796fde53cae8db27e3fd9bc8" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":58379091,"asset_id":38328247,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/58379091/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="38328247"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="38328247"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 38328247; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="37369396"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/37369396/Savonarola_Blood_and_Prophecy"><img alt="Research paper thumbnail of Savonarola, Blood, and Prophecy" class="work-thumbnail" src="https://attachments.academia-assets.com/57331545/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/37369396/Savonarola_Blood_and_Prophecy">Savonarola, Blood, and Prophecy</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This talk will examine how the Dominican friar and Church Reformer Girolamo Savonarola (1452-98) ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This talk will examine how the Dominican friar and Church Reformer Girolamo Savonarola (1452-98) used blood as a religious and visionary symbol. Savonarola’s prophetic imagination is especially important for understanding just how deeply rooted the devotional symbol of blood was in early modern Italy. The talk will thus analyze one of the most vivid examples of Savonarolan blood devotion, found in the friar’s commentary to Amos and Zacharias, in Sermon 44 (1 April 1496). Savonarola’s vision of Christ’s blood as a symbol of conversion will be put in relation to the works of Fra Angelico, Saint Catherine of Siena, and the movement of the flagellants. It will also be used to explain the friar’s legacy and cases of blood devotion among his followers.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="1924547010153cb86bf504efb8215761" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":57331545,"asset_id":37369396,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/57331545/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="37369396"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="37369396"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 37369396; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="37234097"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/37234097/Linfluence_de_lEgypte_ancienne_sur_la_Renaissance_italienne"><img alt="Research paper thumbnail of L'influence de l'Egypte ancienne sur la Renaissance italienne" class="work-thumbnail" src="https://attachments.academia-assets.com/57185805/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/37234097/Linfluence_de_lEgypte_ancienne_sur_la_Renaissance_italienne">L'influence de l'Egypte ancienne sur la Renaissance italienne</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="bf405f661062f2390af3fa9ada5e87ba" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":57185805,"asset_id":37234097,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/57185805/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="37234097"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="37234097"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 37234097; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=37234097]").text(description); $(".js-view-count[data-work-id=37234097]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 37234097; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='37234097']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="11604751" id="serieseditoressaysandstudies"><div class="js-work-strip profile--work_container" data-work-id="51039751"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/51039751/ES_50_David_B_Goldstein_and_Marco_Piana_eds_Early_Modern_Hospitality_"><img alt="Research paper thumbnail of ES 50: David B.Goldstein and Marco Piana (eds), "Early Modern Hospitality"" class="work-thumbnail" src="https://attachments.academia-assets.com/68907102/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/51039751/ES_50_David_B_Goldstein_and_Marco_Piana_eds_Early_Modern_Hospitality_">ES 50: David B.Goldstein and Marco Piana (eds), "Early Modern Hospitality"</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://utoronto.academia.edu/KonradEisenbichler">Konrad Eisenbichler</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://ucalgary.academia.edu/MarcoPiana">Marco Piana</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Regulating relationships among strangers was a primary concern of the early modern world. Both th...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Regulating relationships among strangers was a primary concern of the early modern world. Both the rediscovery of classical texts and new encounters between Europeans and Arabs, Asians, and Native Americans required a rethinking of the laws and customs of hospitality on both a local and a global scale. Theological conflicts and shifting national alignments in Europe itself also imperiled traditional conceptions of host and guest, forcing thinkers to envision their responsibilities to others in new ways. The thirteen articles in this collection offer case studies that examine the philosophies and dynamics of hospitality in early modern Italy, England, Central Europe, and the Ottoman Empire. In so doing, they explore practices, symbols, and philosophies of hospitality and obligation in the early modern world.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="4f5e541409c2570e33ea298dbccab8fa" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":68907102,"asset_id":51039751,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/68907102/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="51039751"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="51039751"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 51039751; 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