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overflow: hidden; text-overflow: ellipsis; -webkit-line-clamp: 3; -webkit-box-orient: vertical; }</style><div class="col-xs-12 clearfix"><div class="u-floatLeft"><h1 class="PageHeader-title u-m0x u-fs30">Artists' Books</h1><div class="u-tcGrayDark">9,827 Followers</div><div class="u-tcGrayDark u-mt2x">Recent papers in <b>Artists' Books</b></div></div></div></div></div></div><div class="TabbedNavigation"><div class="container"><div class="row"><div class="col-xs-12 clearfix"><ul class="nav u-m0x u-p0x list-inline u-displayFlex"><li class="active"><a href="https://www.academia.edu/Documents/in/Artists_Books">Top Papers</a></li><li><a href="https://www.academia.edu/Documents/in/Artists_Books/MostCited">Most Cited Papers</a></li><li><a href="https://www.academia.edu/Documents/in/Artists_Books/MostDownloaded">Most Downloaded Papers</a></li><li><a href="https://www.academia.edu/Documents/in/Artists_Books/MostRecent">Newest Papers</a></li><li><a class="" href="https://www.academia.edu/People/Artists_Books">People</a></li></ul></div><style type="text/css">ul.nav{flex-direction:row}@media(max-width: 567px){ul.nav{flex-direction:column}.TabbedNavigation li{max-width:100%}.TabbedNavigation li.active{background-color:var(--background-grey, #dddde2)}.TabbedNavigation li.active:before,.TabbedNavigation li.active:after{display:none}}</style></div></div></div><div class="container"><div class="row"><div class="col-xs-12"><div class="u-displayFlex"><div class="u-flexGrow1"><div class="works"><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_37883000 coauthored" data-work_id="37883000" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/37883000/Libri_e_Album_di_Disegni_1550_1800_a_cura_di_Vita_Segreto">Libri e Album di Disegni 1550 - 1800 || a cura di Vita Segreto</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">In Italia, a partire dal primo Cinquecento, le fonti archivistiche e letterarie usano in modo univoco la parola 'libro' per significare sia i volumi disegnati da pittori, scultori, architetti, decoratori o argentieri, sia i volumi di... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_37883000" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">In Italia, a partire dal primo Cinquecento, le fonti archivistiche e letterarie usano in modo univoco la parola 'libro' per significare sia i volumi disegnati da pittori, scultori, architetti, decoratori o argentieri, sia i volumi di disegni di uno o più artisti, di una o più scuole, formati dai collezionisti, conoscitori e amatori. Gli uni e gli altri volumi costituiscono gli elementi di un unico grande insieme, l’insieme dei libri di disegni, all’interno del quale è possibile riconoscere almeno due distinti sottoinsiemi: quello dei libri disegnati e quello dei libri dei disegni. <br />Da una parte, il libro disegnato - con modelli, studi, schizzi - è, da Leonardo all’età contemporanea, il prodotto dell’intelligenza del singolo artista, del maestro e della sua cerchia, di un atelier, e dunque del metodo e dell’organizzazione individuale o collettiva del lavoro creativo. In quanto tale, è un insieme finito e complesso di disegni originali - diversi fra loro per materia stilistico-formale, contenuto e funzione -, che non può essere studiato, né tanto meno compreso nella sua interezza e complessità solo attraverso l’analisi dei suoi singoli elementi e dei caratteri codicologici, ma richiede di essere analizzato sotto ogni aspetto in relazione con oggetti analoghi e comparabili, i più vicini e i più pertinenti possibili. <br />Dall’altra parte, il libro dei disegni da collezione, divenuto nella tradizione nord-europea del Sei-Settecento l’album di disegni, è, da Giorgio Vasari a Giuseppe Bossi, una stratificazione di elementi grafici, eterogenei e disomogenei, operata da una o più intelligenze di amatori, collezionisti, conservatori o restauratori. I disegni di uno o più artisti, di uno o più ateliers, che lo compongono, hanno perduto nel nuovo assetto la loro originaria configurazione materiale, stilistico-formale, contenutistica e funzionale. Per questa loro specificità, i libri o album di disegni da collezione costituiscono straordinari campi e strumenti di indagine per la riscoperta, la conoscenza e la ricostituzione di libri disegnati preesistenti, dei quali spesso conservano fascicoli, pagine e vetera fragmenta. <br />Come Federico Zuccari nella foresta di Vallombrosa, gli autori dei ventitré saggi racchiusi in questo libro si sono posti con gli strumenti del disegno interno - capacità umana di disegnare fondati e verificabili scenari argomentativi -, e della parola proferita e scritta secondo i fondamenti del discorso logico, ai margini e all’interno dei due sottoinsiemi, illuminando alcuni exempla extraordinaria ora dell’uno ora dell’altro ora di entrambi e rendendo intellegibile la circolarità generativa che connette lo studio dei libri disegnati e quello dei libri dei disegni. <br />Vita Segreto</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/37883000" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="88e302055dcf6f6a7b2ad429f73b3257" rel="nofollow" data-download="{"attachment_id":57890181,"asset_id":37883000,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/57890181/download_file?st=MTczMjUxNjA0Nyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="47890220" href="https://accademiadibelleartidiroma.academia.edu/VitaSegreto">Vita Segreto</a><script data-card-contents-for-user="47890220" type="text/json">{"id":47890220,"first_name":"Vita","last_name":"Segreto","domain_name":"accademiadibelleartidiroma","page_name":"VitaSegreto","display_name":"Vita Segreto","profile_url":"https://accademiadibelleartidiroma.academia.edu/VitaSegreto?f_ri=19580","photo":"https://0.academia-photos.com/47890220/19635802/19515513/s65_vita.segreto.jpg"}</script></span></span><span class="u-displayInlineBlock InlineList-item-text"> and <span class="u-textDecorationUnderline u-clickable InlineList-item-text js-work-more-authors-37883000">+6</span><div class="hidden js-additional-users-37883000"><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://independent.academia.edu/ArnoldNesselrath">Arnold Nesselrath</a></span></div><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://unipi.academia.edu/cinziasicca">cinzia sicca</a></span></div><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://independent.academia.edu/StefaniaMason">Stefania Mason</a></span></div><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://independent.academia.edu/StefanMor%C3%A9t">Stefan Morét</a></span></div><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://beniculturali.academia.edu/marziafaietti">marzia faietti</a></span></div><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://cini.academia.edu/ANTONELLACHIODO">ANTONELLA CHIODO</a></span></div></div></span><script>(function(){ var popoverSettings = { el: $('.js-work-more-authors-37883000'), placement: 'bottom', hide_delay: 200, html: true, content: function(){ return $('.js-additional-users-37883000').html(); 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container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_37883000 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="37883000"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 37883000; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=37883000]").text(description); $(".js-view-count-work_37883000").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_37883000").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="37883000"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">17</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="136" href="https://www.academia.edu/Documents/in/Cultural_History">Cultural History</a>, <script data-card-contents-for-ri="136" type="text/json">{"id":136,"name":"Cultural History","url":"https://www.academia.edu/Documents/in/Cultural_History?f_ri=19580","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="12974" href="https://www.academia.edu/Documents/in/Drawing">Drawing</a>, <script data-card-contents-for-ri="12974" type="text/json">{"id":12974,"name":"Drawing","url":"https://www.academia.edu/Documents/in/Drawing?f_ri=19580","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="15761" href="https://www.academia.edu/Documents/in/History_of_Collections">History of Collections</a>, <script data-card-contents-for-ri="15761" type="text/json">{"id":15761,"name":"History of Collections","url":"https://www.academia.edu/Documents/in/History_of_Collections?f_ri=19580","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="19580" href="https://www.academia.edu/Documents/in/Artists_Books">Artists' Books</a><script data-card-contents-for-ri="19580" type="text/json">{"id":19580,"name":"Artists' Books","url":"https://www.academia.edu/Documents/in/Artists_Books?f_ri=19580","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=37883000]'), work: {"id":37883000,"title":"Libri e Album di Disegni 1550 - 1800 || a cura di Vita Segreto","created_at":"2018-11-30T02:49:49.898-08:00","url":"https://www.academia.edu/37883000/Libri_e_Album_di_Disegni_1550_1800_a_cura_di_Vita_Segreto?f_ri=19580","dom_id":"work_37883000","summary":"In Italia, a partire dal primo Cinquecento, le fonti archivistiche e letterarie usano in modo univoco la parola 'libro' per significare sia i volumi disegnati da pittori, scultori, architetti, decoratori o argentieri, sia i volumi di disegni di uno o più artisti, di una o più scuole, formati dai collezionisti, conoscitori e amatori. 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work_38216702" data-work_id="38216702" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/38216702/Ricci_s_Il_filo_d_Arianna1_pdf">Ricci_s_Il_filo_d_Arianna1.pdf</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Books and bibliophily in Franco Maria Ricci's Labyrinth</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/38216702" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="b90fea46292179c6cb531da53fd43a55" rel="nofollow" data-download="{"attachment_id":58256177,"asset_id":38216702,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/58256177/download_file?st=MTczMjUxNjA0Nyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="50610293" href="https://independent.academia.edu/SeminariodeEstudiosMediavalesyRenacentistas">Seminario de Estudios Medievales y Renacentistas</a><script data-card-contents-for-user="50610293" type="text/json">{"id":50610293,"first_name":"Seminario de Estudios","last_name":"Medievales y Renacentistas","domain_name":"independent","page_name":"SeminariodeEstudiosMediavalesyRenacentistas","display_name":"Seminario de Estudios Medievales y Renacentistas","profile_url":"https://independent.academia.edu/SeminariodeEstudiosMediavalesyRenacentistas?f_ri=19580","photo":"https://0.academia-photos.com/50610293/14971981/15720389/s65_seminario_de_estudios.medievales_y_renacentistas.jpg"}</script></span></span></li><li class="js-paper-rank-work_38216702 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="38216702"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new 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})();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_29476669" data-work_id="29476669" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/29476669/Kawakami_Sumio_Meiji_sh%C5%8Dnen_kaiko_%E6%98%8E%E6%B2%BB%E5%B0%91%E5%B9%B4%E6%87%90%E5%8F%A4_Reminiscences_of_a_Meiji_youth_1944_">Kawakami Sumio, Meiji shōnen kaiko 明治少年懐古 (Reminiscences of a Meiji youth, 1944)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Visual and cultural analysis of Meiji shōnen kaiko 明治少年懐古 (Reminiscences of a Meiji youth, 1944), an illustrated book that nostalgically recalls Japan's late nineteenth and early twentieth century period of modernization. The book is in... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_29476669" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Visual and cultural analysis of Meiji shōnen kaiko 明治少年懐古 (Reminiscences of a Meiji youth, 1944), an illustrated book that nostalgically recalls Japan's late nineteenth and early twentieth century period of modernization. The book is in the Pulverer Collection of Japanese illustrated books of the Freer Gallery of Art, Smithsonian Institution, Washington, DC and is featured on The World of the Japanese Illustrated Book website. My commentary, along with a complete set of readable images of the book, may be found here: <a href="http://pulverer.si.edu/node/440/title/1" rel="nofollow">http://pulverer.si.edu/node/440/title/1</a>.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/29476669" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="540ed8f7cb29d276ac651d3e42030345" rel="nofollow" data-download="{"attachment_id":50400196,"asset_id":29476669,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/50400196/download_file?st=MTczMjUxNjA0Nyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="47646" href="https://umcp.academia.edu/AliciaVolk">Alicia Volk</a><script data-card-contents-for-user="47646" type="text/json">{"id":47646,"first_name":"Alicia","last_name":"Volk","domain_name":"umcp","page_name":"AliciaVolk","display_name":"Alicia Volk","profile_url":"https://umcp.academia.edu/AliciaVolk?f_ri=19580","photo":"https://0.academia-photos.com/47646/14810/40569156/s65_alicia.volk.jpg"}</script></span></span></li><li class="js-paper-rank-work_29476669 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="29476669"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 29476669, container: ".js-paper-rank-work_29476669", }); 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Japanese Art History","url":"https://www.academia.edu/Documents/in/Modern_and_Contemporary_Japanese_Art_History?f_ri=19580"},{"id":941681,"name":"Japanese modernisation","url":"https://www.academia.edu/Documents/in/Japanese_modernisation?f_ri=19580"},{"id":1027527,"name":"Asia and Modernization • Asian/Japanese Society in a Global Context • Nationalism","url":"https://www.academia.edu/Documents/in/Asia_and_Modernization_Asian_Japanese_Society_in_a_Global_Context_Nationalism?f_ri=19580"},{"id":1223619,"name":"Artists’ Books","url":"https://www.academia.edu/Documents/in/Artists_Books-1?f_ri=19580"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_2441608" data-work_id="2441608" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" 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data-download="{"attachment_id":30550246,"asset_id":2441608,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/30550246/download_file?st=MTczMjUxNjA0Nyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="2861399" href="https://universitaditorino.academia.edu/KatiusciaDarici">Katiuscia Darici</a><script data-card-contents-for-user="2861399" type="text/json">{"id":2861399,"first_name":"Katiuscia","last_name":"Darici","domain_name":"universitaditorino","page_name":"KatiusciaDarici","display_name":"Katiuscia Darici","profile_url":"https://universitaditorino.academia.edu/KatiusciaDarici?f_ri=19580","photo":"https://0.academia-photos.com/2861399/2657493/29272708/s65_katiuscia.darici.jpeg"}</script></span></span></li><li class="js-paper-rank-work_2441608 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="2441608"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 2441608, container: ".js-paper-rank-work_2441608", }); });</script></li><li class="js-percentile-work_2441608 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x 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});</script></span><script>$(function() { $(".js-view-count-work_2441608").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="2441608"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">14</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="863" href="https://www.academia.edu/Documents/in/Visual_Studies">Visual Studies</a>, <script data-card-contents-for-ri="863" type="text/json">{"id":863,"name":"Visual Studies","url":"https://www.academia.edu/Documents/in/Visual_Studies?f_ri=19580","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="915" href="https://www.academia.edu/Documents/in/Art_History">Art History</a>, <script data-card-contents-for-ri="915" type="text/json">{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=19580","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1386" href="https://www.academia.edu/Documents/in/Art_Theory">Art Theory</a>, <script data-card-contents-for-ri="1386" type="text/json">{"id":1386,"name":"Art Theory","url":"https://www.academia.edu/Documents/in/Art_Theory?f_ri=19580","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2582" href="https://www.academia.edu/Documents/in/Interdisciplinarity">Interdisciplinarity</a><script data-card-contents-for-ri="2582" type="text/json">{"id":2582,"name":"Interdisciplinarity","url":"https://www.academia.edu/Documents/in/Interdisciplinarity?f_ri=19580","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=2441608]'), work: {"id":2441608,"title":"[2012] Che cos'è il libro d'artista: definizioni, cataloghi, modelli 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History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=19580","nofollow":false},{"id":1386,"name":"Art Theory","url":"https://www.academia.edu/Documents/in/Art_Theory?f_ri=19580","nofollow":false},{"id":2582,"name":"Interdisciplinarity","url":"https://www.academia.edu/Documents/in/Interdisciplinarity?f_ri=19580","nofollow":false},{"id":3051,"name":"Contemporary Art","url":"https://www.academia.edu/Documents/in/Contemporary_Art?f_ri=19580"},{"id":7024,"name":"Gender","url":"https://www.academia.edu/Documents/in/Gender?f_ri=19580"},{"id":7125,"name":"Culture","url":"https://www.academia.edu/Documents/in/Culture?f_ri=19580"},{"id":19580,"name":"Artists' Books","url":"https://www.academia.edu/Documents/in/Artists_Books?f_ri=19580"},{"id":20168,"name":"Artistic Research","url":"https://www.academia.edu/Documents/in/Artistic_Research?f_ri=19580"},{"id":32834,"name":"Art writing","url":"https://www.academia.edu/Documents/in/Art_writing?f_ri=19580"},{"id":95582,"name":"Curation","url":"https://www.academia.edu/Documents/in/Curation?f_ri=19580"},{"id":1223618,"name":"Writing in Visual Art","url":"https://www.academia.edu/Documents/in/Writing_in_Visual_Art?f_ri=19580"},{"id":1223619,"name":"Artists’ Books","url":"https://www.academia.edu/Documents/in/Artists_Books-1?f_ri=19580"},{"id":1223620,"name":"Art ‘beyond the gallery’","url":"https://www.academia.edu/Documents/in/Art_beyond_the_gallery_?f_ri=19580"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_31453842" data-work_id="31453842" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/31453842/Henry_Moore_book_illustrator_%D0%93%D0%B5%D0%BD%D1%80%D0%B8_%D0%9C%D1%83%D1%80_%D0%BA%D0%BD%D0%B8%D0%B6%D0%BD%D1%8B%D0%B9_%D0%B3%D1%80%D0%B0%D1%84%D0%B8%D0%BA">Henry Moore — book illustrator / Генри Мур — книжный график</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Котломанов А.О. Генри Мур — книжный график // Книга: исслед. и материалы. 2004. Сб. 82. С. 171—181.<br />Kotlomanov A.O. Henry Moore — book illustrator. Book: research and materials, 2004, issue 82, pp. 171—181 (In Russian).</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/31453842" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="eeb0493ae97bbc9c6c98ee8375aa0046" rel="nofollow" data-download="{"attachment_id":51811976,"asset_id":31453842,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/51811976/download_file?st=MTczMjUxNjA0Nyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="22338791" href="https://ghpa.academia.edu/AleksandrKotlomanov">Alexander O. Kotlomanov</a><script data-card-contents-for-user="22338791" type="text/json">{"id":22338791,"first_name":"Alexander O.","last_name":"Kotlomanov","domain_name":"ghpa","page_name":"AleksandrKotlomanov","display_name":"Alexander O. Kotlomanov","profile_url":"https://ghpa.academia.edu/AleksandrKotlomanov?f_ri=19580","photo":"https://0.academia-photos.com/22338791/15449506/16775781/s65_alexander_o..kotlomanov.jpg"}</script></span></span></li><li class="js-paper-rank-work_31453842 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="31453842"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 31453842, container: ".js-paper-rank-work_31453842", }); });</script></li><li class="js-percentile-work_31453842 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 31453842; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_31453842"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_31453842 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="31453842"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 31453842; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=31453842]").text(description); $(".js-view-count-work_31453842").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_31453842").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="31453842"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">32</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="871" href="https://www.academia.edu/Documents/in/Illustrations">Illustrations</a>, <script data-card-contents-for-ri="871" type="text/json">{"id":871,"name":"Illustrations","url":"https://www.academia.edu/Documents/in/Illustrations?f_ri=19580","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2340" href="https://www.academia.edu/Documents/in/Book_History">Book History</a>, <script data-card-contents-for-ri="2340" type="text/json">{"id":2340,"name":"Book History","url":"https://www.academia.edu/Documents/in/Book_History?f_ri=19580","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2811" href="https://www.academia.edu/Documents/in/History_of_the_Book">History of the Book</a>, <script data-card-contents-for-ri="2811" type="text/json">{"id":2811,"name":"History of the Book","url":"https://www.academia.edu/Documents/in/History_of_the_Book?f_ri=19580","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="4950" href="https://www.academia.edu/Documents/in/Modern_Art">Modern Art</a><script data-card-contents-for-ri="4950" type="text/json">{"id":4950,"name":"Modern Art","url":"https://www.academia.edu/Documents/in/Modern_Art?f_ri=19580","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=31453842]'), work: {"id":31453842,"title":"Henry Moore — book illustrator / Генри Мур — книжный график","created_at":"2017-02-15T14:36:41.800-08:00","url":"https://www.academia.edu/31453842/Henry_Moore_book_illustrator_%D0%93%D0%B5%D0%BD%D1%80%D0%B8_%D0%9C%D1%83%D1%80_%D0%BA%D0%BD%D0%B8%D0%B6%D0%BD%D1%8B%D0%B9_%D0%B3%D1%80%D0%B0%D1%84%D0%B8%D0%BA?f_ri=19580","dom_id":"work_31453842","summary":"Котломанов А.О. Генри Мур — книжный график // Книга: исслед. и материалы. 2004. Сб. 82. С. 171—181.\nKotlomanov A.O. Henry Moore — book illustrator. Book: research and materials, 2004, issue 82, pp. 171—181 (In Russian).","downloadable_attachments":[{"id":51811976,"asset_id":31453842,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":22338791,"first_name":"Alexander O.","last_name":"Kotlomanov","domain_name":"ghpa","page_name":"AleksandrKotlomanov","display_name":"Alexander O. Kotlomanov","profile_url":"https://ghpa.academia.edu/AleksandrKotlomanov?f_ri=19580","photo":"https://0.academia-photos.com/22338791/15449506/16775781/s65_alexander_o..kotlomanov.jpg"}],"research_interests":[{"id":871,"name":"Illustrations","url":"https://www.academia.edu/Documents/in/Illustrations?f_ri=19580","nofollow":false},{"id":2340,"name":"Book History","url":"https://www.academia.edu/Documents/in/Book_History?f_ri=19580","nofollow":false},{"id":2811,"name":"History of the Book","url":"https://www.academia.edu/Documents/in/History_of_the_Book?f_ri=19580","nofollow":false},{"id":4950,"name":"Modern Art","url":"https://www.academia.edu/Documents/in/Modern_Art?f_ri=19580","nofollow":false},{"id":5080,"name":"Illustration","url":"https://www.academia.edu/Documents/in/Illustration?f_ri=19580"},{"id":14546,"name":"Modernism (Art History)","url":"https://www.academia.edu/Documents/in/Modernism_Art_History_?f_ri=19580"},{"id":14986,"name":"Book Arts","url":"https://www.academia.edu/Documents/in/Book_Arts?f_ri=19580"},{"id":16572,"name":"British art","url":"https://www.academia.edu/Documents/in/British_art?f_ri=19580"},{"id":19580,"name":"Artists' Books","url":"https://www.academia.edu/Documents/in/Artists_Books?f_ri=19580"},{"id":19628,"name":"Book Art","url":"https://www.academia.edu/Documents/in/Book_Art?f_ri=19580"},{"id":20432,"name":"Book History (History)","url":"https://www.academia.edu/Documents/in/Book_History_History_?f_ri=19580"},{"id":21205,"name":"Modern \u0026 Contemporary ARt","url":"https://www.academia.edu/Documents/in/Modern_and_Contemporary_ARt?f_ri=19580"},{"id":21483,"name":"History of the Artists' Book","url":"https://www.academia.edu/Documents/in/History_of_the_Artists_Book?f_ri=19580"},{"id":27025,"name":"18th-20th century Modern/Comtemporary Art","url":"https://www.academia.edu/Documents/in/18th-20th_century_Modern_Comtemporary_Art?f_ri=19580"},{"id":37490,"name":"Modern and Contemporary Art","url":"https://www.academia.edu/Documents/in/Modern_and_Contemporary_Art-1?f_ri=19580"},{"id":52572,"name":"Books","url":"https://www.academia.edu/Documents/in/Books?f_ri=19580"},{"id":76132,"name":"Modern British Art","url":"https://www.academia.edu/Documents/in/Modern_British_Art?f_ri=19580"},{"id":85985,"name":"20th Century British Art","url":"https://www.academia.edu/Documents/in/20th_Century_British_Art?f_ri=19580"},{"id":90601,"name":"Book illustration and Printed Images","url":"https://www.academia.edu/Documents/in/Book_illustration_and_Printed_Images?f_ri=19580"},{"id":94698,"name":"Illustrated Books","url":"https://www.academia.edu/Documents/in/Illustrated_Books?f_ri=19580"},{"id":105747,"name":"British Modernism","url":"https://www.academia.edu/Documents/in/British_Modernism?f_ri=19580"},{"id":124421,"name":"Artist's Books","url":"https://www.academia.edu/Documents/in/Artists_Books-3?f_ri=19580"},{"id":134376,"name":"Henry Moore","url":"https://www.academia.edu/Documents/in/Henry_Moore?f_ri=19580"},{"id":147083,"name":"Book Illustration","url":"https://www.academia.edu/Documents/in/Book_Illustration?f_ri=19580"},{"id":213445,"name":"Graphic Art","url":"https://www.academia.edu/Documents/in/Graphic_Art?f_ri=19580"},{"id":437678,"name":"ART IN PICTURE BOOKS","url":"https://www.academia.edu/Documents/in/ART_IN_PICTURE_BOOKS?f_ri=19580"},{"id":460528,"name":"Graphic Arts","url":"https://www.academia.edu/Documents/in/Graphic_Arts?f_ri=19580"},{"id":462885,"name":"Graphic Arts and Design","url":"https://www.academia.edu/Documents/in/Graphic_Arts_and_Design?f_ri=19580"},{"id":764900,"name":"Livre D'artiste","url":"https://www.academia.edu/Documents/in/Livre_Dartiste?f_ri=19580"},{"id":1019478,"name":"Graphic Arts \u0026 Design","url":"https://www.academia.edu/Documents/in/Graphic_Arts_and_Design-1?f_ri=19580"},{"id":1223619,"name":"Artists’ Books","url":"https://www.academia.edu/Documents/in/Artists_Books-1?f_ri=19580"},{"id":1817504,"name":"History of Graphic Arts","url":"https://www.academia.edu/Documents/in/History_of_Graphic_Arts?f_ri=19580"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_45620936" data-work_id="45620936" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/45620936/When_Systems_Get_Personal_Puzzling_over_Sol_LeWitts_Photobooks">When Systems Get Personal: Puzzling over Sol LeWitt's Photobooks</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This essay addresses the systems explored in Sol LeWitt's photobooks as well as the (social) networks threaded through them. It treats all such publications by LeWitt--with the notable exception of Autobiography (1980), which has been... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_45620936" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This essay addresses the systems explored in Sol LeWitt's photobooks as well as the (social) networks threaded through them. It treats all such publications by LeWitt--with the notable exception of Autobiography (1980), which has been analyzed by other authors (DiBenedetto and Weinberg).</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/45620936" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="4f3c9e0b0662067b79099f0a66fb0591" rel="nofollow" data-download="{"attachment_id":66222651,"asset_id":45620936,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/66222651/download_file?st=MTczMjUxNjA0Nyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="13958583" href="https://um-boston.academia.edu/JohnTyson">John A Tyson</a><script data-card-contents-for-user="13958583" type="text/json">{"id":13958583,"first_name":"John","last_name":"Tyson","domain_name":"um-boston","page_name":"JohnTyson","display_name":"John A Tyson","profile_url":"https://um-boston.academia.edu/JohnTyson?f_ri=19580","photo":"https://0.academia-photos.com/13958583/4077368/11097118/s65_john.tyson.jpg"}</script></span></span></li><li class="js-paper-rank-work_45620936 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="45620936"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 45620936, container: ".js-paper-rank-work_45620936", }); 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$(".js-view-count[data-work-id=45620936]").text(description); $(".js-view-count-work_45620936").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_45620936").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="45620936"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">9</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="19580" href="https://www.academia.edu/Documents/in/Artists_Books">Artists' Books</a>, <script data-card-contents-for-ri="19580" type="text/json">{"id":19580,"name":"Artists' Books","url":"https://www.academia.edu/Documents/in/Artists_Books?f_ri=19580","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="20178" href="https://www.academia.edu/Documents/in/Conceptual_Art">Conceptual Art</a>, <script data-card-contents-for-ri="20178" type="text/json">{"id":20178,"name":"Conceptual Art","url":"https://www.academia.edu/Documents/in/Conceptual_Art?f_ri=19580","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="35511" href="https://www.academia.edu/Documents/in/Conceptual_and_post-conceptual_art">Conceptual and post-conceptual art</a>, <script data-card-contents-for-ri="35511" type="text/json">{"id":35511,"name":"Conceptual and post-conceptual art","url":"https://www.academia.edu/Documents/in/Conceptual_and_post-conceptual_art?f_ri=19580","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="41266" href="https://www.academia.edu/Documents/in/Photobook">Photobook</a><script data-card-contents-for-ri="41266" type="text/json">{"id":41266,"name":"Photobook","url":"https://www.academia.edu/Documents/in/Photobook?f_ri=19580","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=45620936]'), work: {"id":45620936,"title":"When Systems Get Personal: Puzzling over Sol LeWitt's Photobooks","created_at":"2021-03-26T12:45:17.216-07:00","url":"https://www.academia.edu/45620936/When_Systems_Get_Personal_Puzzling_over_Sol_LeWitts_Photobooks?f_ri=19580","dom_id":"work_45620936","summary":"This essay addresses the systems explored in Sol LeWitt's photobooks as well as the (social) networks threaded through them. It treats all such publications by LeWitt--with the notable exception of Autobiography (1980), which has been analyzed by other authors (DiBenedetto and Weinberg). ","downloadable_attachments":[{"id":66222651,"asset_id":45620936,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":13958583,"first_name":"John","last_name":"Tyson","domain_name":"um-boston","page_name":"JohnTyson","display_name":"John A Tyson","profile_url":"https://um-boston.academia.edu/JohnTyson?f_ri=19580","photo":"https://0.academia-photos.com/13958583/4077368/11097118/s65_john.tyson.jpg"}],"research_interests":[{"id":19580,"name":"Artists' Books","url":"https://www.academia.edu/Documents/in/Artists_Books?f_ri=19580","nofollow":false},{"id":20178,"name":"Conceptual Art","url":"https://www.academia.edu/Documents/in/Conceptual_Art?f_ri=19580","nofollow":false},{"id":35511,"name":"Conceptual and post-conceptual art","url":"https://www.academia.edu/Documents/in/Conceptual_and_post-conceptual_art?f_ri=19580","nofollow":false},{"id":41266,"name":"Photobook","url":"https://www.academia.edu/Documents/in/Photobook?f_ri=19580","nofollow":false},{"id":112774,"name":"Sol Lewitt","url":"https://www.academia.edu/Documents/in/Sol_Lewitt?f_ri=19580"},{"id":124421,"name":"Artist's Books","url":"https://www.academia.edu/Documents/in/Artists_Books-3?f_ri=19580"},{"id":146752,"name":"Conceptual Photography","url":"https://www.academia.edu/Documents/in/Conceptual_Photography?f_ri=19580"},{"id":638969,"name":"History and Theory of Photography","url":"https://www.academia.edu/Documents/in/History_and_Theory_of_Photography?f_ri=19580"},{"id":1223619,"name":"Artists’ Books","url":"https://www.academia.edu/Documents/in/Artists_Books-1?f_ri=19580"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_37684603" data-work_id="37684603" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/37684603/Publishing_in_the_Realm_of_Plant_Fibers_and_Electrons">Publishing in the Realm of Plant Fibers and Electrons</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This is an idiosyncratic guide to self-publishing. We think that self-publishers should craft their own hybrid publishing and distribution solutions. This booklet, we hope, is an aide for those curious about the process and who may want... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_37684603" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This is an idiosyncratic guide to self-publishing. We think that self-publishers should craft their own hybrid publishing and distribution solutions. This booklet, we hope, is an aide for those curious about the process and who may want to start doing their own publishing. <br /><br />Temporary Services has been actively thinking about, making, talking about, selling, and giving away publications for over 16 years. We have written or said things in interviews and lectures about our publishing, but we have never sat down to craft a long-form essay about our efforts and where they fit in the larger world of artist books, artist publishing and book making. This booklet is an attempt to articulate our ideas about publishing, particularly in light of the current post-digital environment. It was published to be given away during the life of our temporary print shop called Publishing Clearing House.<br /><br />Here is a description of that initiative:<br /><br />Strangely, in our 16 years of working together, we had never done a project that was just focused on making publications. When people find out that we run Half Letter Press, they often ask us where our press is located—we have to tell them that we actually work with other printers to make everything. While we probably won’t be making offset printed and perfect bound books in our own facility any time soon, we have purchased our own Risograph duplicator (a.k.a RISO) and a booklet stapling and folding machine—both of which were used to make parts of this booklet.<br /><br />Publishing Clearing House is an initiative that will be a temporary, fully functioning print shop. Temporary Services—with Kione Kochi, Kristian Johansson, and Leah Mackin—will work with invited collaborators to produce new booklets and printed works during the run of the show, sharing and launching publications. <br /><br />In banking and finance, clearing denotes all activities from the time a commitment is made for a transaction until it is settled. In Publishing Clearing House, clearing denotes all activities from the time a commitment to an author is made, until the publication is designed, printed, stapled, folded and distributed. Making a clearing is also about creating a space for meeting and making processes visible, open and transparent.<br /><br />For this effort, we have invited a diverse range of individuals, groups, and organizations with an emphasis on Chicago, the Midwest, and artists, activists and authors not always included in the 0conversations of the dominant culture. This includes juveniles and the incarcerated, as well as those who represent or articulate narratives counter to dominant cultural norms. Visitors will be able to meet members of Temporary Services and some collaborating authors on many days of the exhibition, and watch the mechanics of the print shop as works are developed and produced. We will make the entire process of making a book, which is always socially engaged in some manner, more visible than it usually is.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/37684603" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="ed0638496eddc66b9f9737c1ad1c181d" rel="nofollow" data-download="{"attachment_id":57674922,"asset_id":37684603,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/57674922/download_file?st=MTczMjUxNjA0Nyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="2584065" href="https://halfletterpress.academia.edu/BrettBloom">Brett A Bloom</a><script data-card-contents-for-user="2584065" type="text/json">{"id":2584065,"first_name":"Brett","last_name":"Bloom","domain_name":"halfletterpress","page_name":"BrettBloom","display_name":"Brett A Bloom","profile_url":"https://halfletterpress.academia.edu/BrettBloom?f_ri=19580","photo":"https://0.academia-photos.com/2584065/1911002/133234581/s65_brett.bloom.jpg"}</script></span></span></li><li class="js-paper-rank-work_37684603 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="37684603"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 37684603, container: ".js-paper-rank-work_37684603", }); });</script></li><li class="js-percentile-work_37684603 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 37684603; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_37684603"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_37684603 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="37684603"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 37684603; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=37684603]").text(description); $(".js-view-count-work_37684603").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_37684603").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="37684603"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">11</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="1139" href="https://www.academia.edu/Documents/in/Publishing">Publishing</a>, <script data-card-contents-for-ri="1139" type="text/json">{"id":1139,"name":"Publishing","url":"https://www.academia.edu/Documents/in/Publishing?f_ri=19580","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2120" href="https://www.academia.edu/Documents/in/Electronic_publishing">Electronic publishing</a>, <script data-card-contents-for-ri="2120" type="text/json">{"id":2120,"name":"Electronic publishing","url":"https://www.academia.edu/Documents/in/Electronic_publishing?f_ri=19580","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="3051" href="https://www.academia.edu/Documents/in/Contemporary_Art">Contemporary Art</a>, <script data-card-contents-for-ri="3051" type="text/json">{"id":3051,"name":"Contemporary Art","url":"https://www.academia.edu/Documents/in/Contemporary_Art?f_ri=19580","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="19580" href="https://www.academia.edu/Documents/in/Artists_Books">Artists' Books</a><script data-card-contents-for-ri="19580" type="text/json">{"id":19580,"name":"Artists' Books","url":"https://www.academia.edu/Documents/in/Artists_Books?f_ri=19580","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=37684603]'), work: {"id":37684603,"title":"Publishing in the Realm of Plant Fibers and Electrons","created_at":"2018-11-01T02:57:52.608-07:00","url":"https://www.academia.edu/37684603/Publishing_in_the_Realm_of_Plant_Fibers_and_Electrons?f_ri=19580","dom_id":"work_37684603","summary":"This is an idiosyncratic guide to self-publishing. We think that self-publishers should craft their own hybrid publishing and distribution solutions. This booklet, we hope, is an aide for those curious about the process and who may want to start doing their own publishing. \n\nTemporary Services has been actively thinking about, making, talking about, selling, and giving away publications for over 16 years. We have written or said things in interviews and lectures about our publishing, but we have never sat down to craft a long-form essay about our efforts and where they fit in the larger world of artist books, artist publishing and book making. This booklet is an attempt to articulate our ideas about publishing, particularly in light of the current post-digital environment. It was published to be given away during the life of our temporary print shop called Publishing Clearing House.\n\nHere is a description of that initiative:\n\nStrangely, in our 16 years of working together, we had never done a project that was just focused on making publications. When people find out that we run Half Letter Press, they often ask us where our press is located—we have to tell them that we actually work with other printers to make everything. While we probably won’t be making offset printed and perfect bound books in our own facility any time soon, we have purchased our own Risograph duplicator (a.k.a RISO) and a booklet stapling and folding machine—both of which were used to make parts of this booklet.\n\nPublishing Clearing House is an initiative that will be a temporary, fully functioning print shop. Temporary Services—with Kione Kochi, Kristian Johansson, and Leah Mackin—will work with invited collaborators to produce new booklets and printed works during the run of the show, sharing and launching publications. \n\nIn banking and finance, clearing denotes all activities from the time a commitment is made for a transaction until it is settled. In Publishing Clearing House, clearing denotes all activities from the time a commitment to an author is made, until the publication is designed, printed, stapled, folded and distributed. Making a clearing is also about creating a space for meeting and making processes visible, open and transparent.\n\nFor this effort, we have invited a diverse range of individuals, groups, and organizations with an emphasis on Chicago, the Midwest, and artists, activists and authors not always included in the 0conversations of the dominant culture. This includes juveniles and the incarcerated, as well as those who represent or articulate narratives counter to dominant cultural norms. Visitors will be able to meet members of Temporary Services and some collaborating authors on many days of the exhibition, and watch the mechanics of the print shop as works are developed and produced. We will make the entire process of making a book, which is always socially engaged in some manner, more visible than it usually is.","downloadable_attachments":[{"id":57674922,"asset_id":37684603,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":2584065,"first_name":"Brett","last_name":"Bloom","domain_name":"halfletterpress","page_name":"BrettBloom","display_name":"Brett A Bloom","profile_url":"https://halfletterpress.academia.edu/BrettBloom?f_ri=19580","photo":"https://0.academia-photos.com/2584065/1911002/133234581/s65_brett.bloom.jpg"}],"research_interests":[{"id":1139,"name":"Publishing","url":"https://www.academia.edu/Documents/in/Publishing?f_ri=19580","nofollow":false},{"id":2120,"name":"Electronic publishing","url":"https://www.academia.edu/Documents/in/Electronic_publishing?f_ri=19580","nofollow":false},{"id":3051,"name":"Contemporary 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class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="46fa6613a0abe46c6eef8cc2a0337778" rel="nofollow" data-download="{"attachment_id":64698527,"asset_id":2303703,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/64698527/download_file?st=MTczMjUxNjA0Nyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="125581" href="https://njcu.academia.edu/EllenGarvey">Ellen Gruber Garvey</a><script data-card-contents-for-user="125581" type="text/json">{"id":125581,"first_name":"Ellen Gruber","last_name":"Garvey","domain_name":"njcu","page_name":"EllenGarvey","display_name":"Ellen Gruber Garvey","profile_url":"https://njcu.academia.edu/EllenGarvey?f_ri=19580","photo":"https://0.academia-photos.com/125581/1014299/1268154/s65_ellen_gruber.garvey.jpg"}</script></span></span></li><li class="js-paper-rank-work_2303703 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="2303703"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 2303703, container: ".js-paper-rank-work_2303703", }); });</script></li><li class="js-percentile-work_2303703 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window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=2303703]").text(description); $(".js-view-count-work_2303703").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_2303703").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="2303703"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">11</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="876" href="https://www.academia.edu/Documents/in/Print_Culture">Print Culture</a>, <script data-card-contents-for-ri="876" type="text/json">{"id":876,"name":"Print Culture","url":"https://www.academia.edu/Documents/in/Print_Culture?f_ri=19580","nofollow":false}</script><a 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artista de Miguel Rio Branco.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/38360369" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="3734a4df2db3493004ff5475eb74f18d" rel="nofollow" data-download="{"attachment_id":58413755,"asset_id":38360369,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/58413755/download_file?st=MTczMjUxNjA0Nyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa 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u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="1236" href="https://www.academia.edu/Documents/in/Art">Art</a>, <script data-card-contents-for-ri="1236" type="text/json">{"id":1236,"name":"Art","url":"https://www.academia.edu/Documents/in/Art?f_ri=19580","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1589" href="https://www.academia.edu/Documents/in/Photography">Photography</a>, <script data-card-contents-for-ri="1589" type="text/json">{"id":1589,"name":"Photography","url":"https://www.academia.edu/Documents/in/Photography?f_ri=19580","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="3051" href="https://www.academia.edu/Documents/in/Contemporary_Art">Contemporary Art</a>, <script data-card-contents-for-ri="3051" type="text/json">{"id":3051,"name":"Contemporary Art","url":"https://www.academia.edu/Documents/in/Contemporary_Art?f_ri=19580","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="19580" href="https://www.academia.edu/Documents/in/Artists_Books">Artists' Books</a><script data-card-contents-for-ri="19580" type="text/json">{"id":19580,"name":"Artists' Books","url":"https://www.academia.edu/Documents/in/Artists_Books?f_ri=19580","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=38360369]'), work: {"id":38360369,"title":"a teoria da cor em miguel rio branco.pdf","created_at":"2019-02-15T08:41:19.800-08:00","url":"https://www.academia.edu/38360369/a_teoria_da_cor_em_miguel_rio_branco_pdf?f_ri=19580","dom_id":"work_38360369","summary":"Análise da cor em um livro de artista de Miguel Rio Branco.","downloadable_attachments":[{"id":58413755,"asset_id":38360369,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":18287,"first_name":"Daniela","last_name":"Bracchi","domain_name":"ufpe","page_name":"DanielaBracchi","display_name":"Daniela 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u-mb0x js-work-card work_1770332" data-work_id="1770332" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/1770332/Cole%C3%A7%C3%A3o_especial_livros_de_artista_na_biblioteca">Coleção especial: livros de artista na biblioteca</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/1770332" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="c32e36b41995c4c2368b52fd319ef43f" rel="nofollow" data-download="{"attachment_id":22902423,"asset_id":1770332,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/22902423/download_file?st=MTczMjUxNjA0Nyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1784474" href="https://ufmg.academia.edu/AmirCador">Amir Cadôr</a><script data-card-contents-for-user="1784474" 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Edição de 100. Numerado e assinado. Andante, 2011. R$ 150,00 Após uma expedição a bibliotecas na cidade de Santos (SP), em busca... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_42652087" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">O Livro dos Seres Imaginários<br />Impressão tipográfica, papel Canson Edition 250g<br />17 folhas, 21,5 x 28 cm cada.<br />Edição de 100. Numerado e assinado.<br />Andante, 2011. R$ 150,00<br /><br />Após uma expedição a bibliotecas na cidade de Santos (SP), em busca de maravilhas descritas pelo cônsul britânico sir Richard Burton que ali viveu, foram encontradas quinze criaturas desconhecidas nas páginas de uma enciclopédia, em um artigo sobre máscaras. 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The livre d'artiste in twentieth-century France","created_at":"2014-10-16T00:14:02.341-07:00","url":"https://www.academia.edu/8807994/Etat_present_The_livre_dartiste_in_twentieth_century_France?f_ri=19580","dom_id":"work_8807994","summary":null,"downloadable_attachments":[{"id":35154366,"asset_id":8807994,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":13829510,"first_name":"elza","last_name":"adamowicz","domain_name":"qmul","page_name":"elzaadamowicz","display_name":"elza adamowicz","profile_url":"https://qmul.academia.edu/elzaadamowicz?f_ri=19580","photo":"https://0.academia-photos.com/13829510/5501794/6269792/s65_elza.adamowicz.jpg"}],"research_interests":[{"id":19580,"name":"Artists' Books","url":"https://www.academia.edu/Documents/in/Artists_Books?f_ri=19580","nofollow":false},{"id":20080,"name":"Text And Image","url":"https://www.academia.edu/Documents/in/Text_And_Image?f_ri=19580","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_69427511" data-work_id="69427511" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/69427511/A_Fiction_of_Our_Time_Chinas_Photobook_in_Absentia">A Fiction of Our Time? China's Photobook in Absentia</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">This volume presents contributions from a broad range of authors who address the social and political dimensions of art and art writing in the contemporary context, and the ways in which new writing and publishing practices promote... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_69427511" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This volume presents contributions from a broad range of authors who address the social and political dimensions of art and art writing in the contemporary context, and the ways in which new writing and publishing practices promote critical engagement among readerships as never before.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/69427511" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="2d759d6cc8688d44cb833efc6de037b6" rel="nofollow" data-download="{"attachment_id":79530423,"asset_id":69427511,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/79530423/download_file?st=MTczMjUxNjA0Nyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="7475095" href="https://arts-london.academia.edu/DrRachelMarsden">Dr. Rachel Marsden</a><script data-card-contents-for-user="7475095" type="text/json">{"id":7475095,"first_name":"Dr. Rachel","last_name":"Marsden","domain_name":"arts-london","page_name":"DrRachelMarsden","display_name":"Dr. Rachel Marsden","profile_url":"https://arts-london.academia.edu/DrRachelMarsden?f_ri=19580","photo":"https://0.academia-photos.com/7475095/2778556/99127045/s65_dr._rachel.marsden.jpg"}</script></span></span></li><li class="js-paper-rank-work_69427511 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="69427511"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 69427511, container: ".js-paper-rank-work_69427511", }); 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Edición depurada en un tiraje limitado de trescientas copias, esta ópera prima de Bartolomé es la reunión eficaz de imagen, ensayo, relato y prosa poética... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_44186691" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Balam Bartolomé ha escrito Batalla de ciervos a manera de una fuga renacentista. Edición depurada en un tiraje limitado de trescientas copias, esta ópera prima de Bartolomé es la reunión eficaz de imagen, ensayo, relato y prosa poética alrededor de los universos del arte y el artista moderno y contemporáneo. Pero no es este libro un compendio de quinientas hojas sino una bitácora de tránsitos y mudanzas entre días y siglos por el azar y sus accidentes, por la creación y sus encuentros inesperados.<br />Es precisamente un viaje al Museo de Orsay, en París, el centro y título de este diario de batallas. Su autor pretendía conocer el pequeño y amenazante cuadro de Gustave Courbet (1819-1877) El origen del mundo (1866), pero en su lugar halló una pintura monumental y sombría: "El celo en primavera. Combate de ciervos", pintada cinco años antes, en 1861. La descripción que hace Bartolomé de este encuentro es rotunda: ‘(la obra) encarna la contradicción que conlleva el enfrentamiento con aquello otro que también es uno’. Un combate en espejo, siniestro y simétrico consigo mismo.<br /><br />–Christian Barragán</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/44186691" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="5043c7e84e12cf355be4f6610653e4c9" rel="nofollow" data-download="{"attachment_id":64547782,"asset_id":44186691,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/64547782/download_file?st=MTczMjUxNjA0Nyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="18635223" href="https://independent.academia.edu/BalamBartolome">Balam Bartolomé</a><script data-card-contents-for-user="18635223" type="text/json">{"id":18635223,"first_name":"Balam","last_name":"Bartolomé","domain_name":"independent","page_name":"BalamBartolome","display_name":"Balam Bartolomé","profile_url":"https://independent.academia.edu/BalamBartolome?f_ri=19580","photo":"https://0.academia-photos.com/18635223/47878179/36532836/s65_b.bartolome.jpg"}</script></span></span></li><li class="js-paper-rank-work_44186691 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="44186691"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 44186691, container: ".js-paper-rank-work_44186691", }); 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Edición depurada en un tiraje limitado de trescientas copias, esta ópera prima de Bartolomé es la reunión eficaz de imagen, ensayo, relato y prosa poética alrededor de los universos del arte y el artista moderno y contemporáneo. Pero no es este libro un compendio de quinientas hojas sino una bitácora de tránsitos y mudanzas entre días y siglos por el azar y sus accidentes, por la creación y sus encuentros inesperados.\nEs precisamente un viaje al Museo de Orsay, en París, el centro y título de este diario de batallas. Su autor pretendía conocer el pequeño y amenazante cuadro de Gustave Courbet (1819-1877) El origen del mundo (1866), pero en su lugar halló una pintura monumental y sombría: \"El celo en primavera. Combate de ciervos\", pintada cinco años antes, en 1861. La descripción que hace Bartolomé de este encuentro es rotunda: ‘(la obra) encarna la contradicción que conlleva el enfrentamiento con aquello otro que también es uno’. Un combate en espejo, siniestro y simétrico consigo mismo.\n\n–Christian Barragán","downloadable_attachments":[{"id":64547782,"asset_id":44186691,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":18635223,"first_name":"Balam","last_name":"Bartolomé","domain_name":"independent","page_name":"BalamBartolome","display_name":"Balam Bartolomé","profile_url":"https://independent.academia.edu/BalamBartolome?f_ri=19580","photo":"https://0.academia-photos.com/18635223/47878179/36532836/s65_b.bartolome.jpg"}],"research_interests":[{"id":3051,"name":"Contemporary Art","url":"https://www.academia.edu/Documents/in/Contemporary_Art?f_ri=19580","nofollow":false},{"id":19580,"name":"Artists' Books","url":"https://www.academia.edu/Documents/in/Artists_Books?f_ri=19580","nofollow":false},{"id":314766,"name":"Arte Contemporáneo Latinoamericano","url":"https://www.academia.edu/Documents/in/Arte_Contemporaneo_Latinoamericano?f_ri=19580","nofollow":false},{"id":765924,"name":"Arte Contemporáneo Mexicano","url":"https://www.academia.edu/Documents/in/Arte_Contemporaneo_Mexicano?f_ri=19580","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_12392360" data-work_id="12392360" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/12392360/Photobooks_everyone_a_publisher">Photobooks: everyone a publisher</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Digital technology, indie DIY and print-on-demand photobooks have transformed contemporary photography book publishing, however the creative and innovative influence that graphic designers have brought to the artists’ book is now... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_12392360" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Digital technology, indie DIY and print-on-demand photobooks have transformed contemporary photography book publishing, however the creative and innovative influence that graphic designers have brought to the artists’ book is now extending into the photobook artform.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/12392360" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a 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}); });</script></span><script>$(function() { $(".js-view-count-work_12392360").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="12392360"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">12</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="19580" href="https://www.academia.edu/Documents/in/Artists_Books">Artists' Books</a>, <script data-card-contents-for-ri="19580" type="text/json">{"id":19580,"name":"Artists' Books","url":"https://www.academia.edu/Documents/in/Artists_Books?f_ri=19580","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="41266" href="https://www.academia.edu/Documents/in/Photobook">Photobook</a>, <script data-card-contents-for-ri="41266" type="text/json">{"id":41266,"name":"Photobook","url":"https://www.academia.edu/Documents/in/Photobook?f_ri=19580","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="202778" href="https://www.academia.edu/Documents/in/The_Photobook_and_digital_selfpublishing_based_on_the_hybrid_artists_book">The Photobook and digital selfpublishing based on the hybrid artists' book</a>, <script data-card-contents-for-ri="202778" type="text/json">{"id":202778,"name":"The Photobook and digital selfpublishing based on the hybrid artists' book","url":"https://www.academia.edu/Documents/in/The_Photobook_and_digital_selfpublishing_based_on_the_hybrid_artists_book?f_ri=19580","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="259815" href="https://www.academia.edu/Documents/in/Contemporary_Art_Art_History_Art_Theory_Writing_in_Visual_Art_Art_writing_Artistic_Research_Artistsa">Contemporary Art Art History Art Theory Writing in Visual Art Art writing Artistic Research Artists’ Books Curation Art ‘beyond the gallery’ Culture Gender Interdisciplinarity Visual Studies</a><script data-card-contents-for-ri="259815" type="text/json">{"id":259815,"name":"Contemporary Art Art History Art Theory Writing in Visual Art Art writing Artistic Research Artists’ Books Curation Art ‘beyond the gallery’ Culture Gender Interdisciplinarity Visual Studies","url":"https://www.academia.edu/Documents/in/Contemporary_Art_Art_History_Art_Theory_Writing_in_Visual_Art_Art_writing_Artistic_Research_Artistsa?f_ri=19580","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=12392360]'), work: {"id":12392360,"title":"Photobooks: everyone a publisher","created_at":"2015-05-15T01:29:09.921-07:00","url":"https://www.academia.edu/12392360/Photobooks_everyone_a_publisher?f_ri=19580","dom_id":"work_12392360","summary":"Digital technology, indie DIY and print-on-demand photobooks 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Books","url":"https://www.academia.edu/Documents/in/Artists_Books-1?f_ri=19580"},{"id":1230427,"name":"Photobook Publishing","url":"https://www.academia.edu/Documents/in/Photobook_Publishing?f_ri=19580"},{"id":1230428,"name":"Australian Photobook Publishing","url":"https://www.academia.edu/Documents/in/Australian_Photobook_Publishing?f_ri=19580"},{"id":1230429,"name":"Photobook History","url":"https://www.academia.edu/Documents/in/Photobook_History?f_ri=19580"},{"id":1230438,"name":"Designing and Making Photobooks","url":"https://www.academia.edu/Documents/in/Designing_and_Making_Photobooks?f_ri=19580"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_2423800" data-work_id="2423800" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/2423800/O_livro_de_artista_como_espa%C3%A7o_expositivo_quando_a_exposi%C3%A7%C3%A3o_continua_no_cat%C3%A1logo">O livro de artista como espaço expositivo: quando a exposição continua no catálogo</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">O artigo trata do catálogo como espaço expositivo, como obra autônoma e não mera documentação. Em 2008, os artistas Ana Luiza Dias Batista, Laura Huzak e João Loureiro elaboraram uma publicação que atua como catálogo, mas não é um... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_2423800" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">O artigo trata do catálogo como espaço expositivo, como obra autônoma e não mera documentação. Em 2008, os artistas Ana Luiza Dias Batista, Laura Huzak e João Loureiro elaboraram uma publicação que atua como catálogo, mas não é um registro das obras expostas, e sim um desdobramento da exposição no espaço impresso.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/2423800" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="73ba078f9043593118f57fc64931e65c" rel="nofollow" data-download="{"attachment_id":38719752,"asset_id":2423800,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/38719752/download_file?st=MTczMjUxNjA0Nyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1784474" href="https://ufmg.academia.edu/AmirCador">Amir Cadôr</a><script data-card-contents-for-user="1784474" type="text/json">{"id":1784474,"first_name":"Amir","last_name":"Cadôr","domain_name":"ufmg","page_name":"AmirCador","display_name":"Amir Cadôr","profile_url":"https://ufmg.academia.edu/AmirCador?f_ri=19580","photo":"https://0.academia-photos.com/1784474/610673/20145117/s65_amir.cad_r.jpg"}</script></span></span></li><li class="js-paper-rank-work_2423800 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="2423800"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 2423800, container: ".js-paper-rank-work_2423800", }); 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$(".js-view-count[data-work-id=2423800]").text(description); $(".js-view-count-work_2423800").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_2423800").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="2423800"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">6</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="19580" href="https://www.academia.edu/Documents/in/Artists_Books">Artists' Books</a>, <script data-card-contents-for-ri="19580" type="text/json">{"id":19580,"name":"Artists' Books","url":"https://www.academia.edu/Documents/in/Artists_Books?f_ri=19580","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="19628" href="https://www.academia.edu/Documents/in/Book_Art">Book Art</a>, <script data-card-contents-for-ri="19628" type="text/json">{"id":19628,"name":"Book Art","url":"https://www.academia.edu/Documents/in/Book_Art?f_ri=19580","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="337738" href="https://www.academia.edu/Documents/in/Exhibition_Catalogue">Exhibition Catalogue</a>, <script data-card-contents-for-ri="337738" type="text/json">{"id":337738,"name":"Exhibition Catalogue","url":"https://www.academia.edu/Documents/in/Exhibition_Catalogue?f_ri=19580","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="534977" href="https://www.academia.edu/Documents/in/Artists_Publications">Artists Publications</a><script data-card-contents-for-ri="534977" type="text/json">{"id":534977,"name":"Artists Publications","url":"https://www.academia.edu/Documents/in/Artists_Publications?f_ri=19580","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=2423800]'), work: {"id":2423800,"title":"O livro de artista como espaço expositivo: quando a exposição continua no catálogo","created_at":"2013-01-17T22:32:11.980-08:00","url":"https://www.academia.edu/2423800/O_livro_de_artista_como_espa%C3%A7o_expositivo_quando_a_exposi%C3%A7%C3%A3o_continua_no_cat%C3%A1logo?f_ri=19580","dom_id":"work_2423800","summary":"O artigo trata do catálogo como espaço expositivo, como obra autônoma e não mera documentação. Em 2008, os artistas Ana Luiza Dias Batista, Laura Huzak e João Loureiro elaboraram uma publicação que atua como catálogo, mas não é um registro das obras expostas, e sim um desdobramento da exposição no espaço impresso.","downloadable_attachments":[{"id":38719752,"asset_id":2423800,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1784474,"first_name":"Amir","last_name":"Cadôr","domain_name":"ufmg","page_name":"AmirCador","display_name":"Amir Cadôr","profile_url":"https://ufmg.academia.edu/AmirCador?f_ri=19580","photo":"https://0.academia-photos.com/1784474/610673/20145117/s65_amir.cad_r.jpg"}],"research_interests":[{"id":19580,"name":"Artists' Books","url":"https://www.academia.edu/Documents/in/Artists_Books?f_ri=19580","nofollow":false},{"id":19628,"name":"Book Art","url":"https://www.academia.edu/Documents/in/Book_Art?f_ri=19580","nofollow":false},{"id":337738,"name":"Exhibition 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Artists' Books: A Queer Critical Analysis of Artists' Books (Unedited Version)</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/636164" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="449c44f34411f507d6fb45c0e5795a34" rel="nofollow" data-download="{"attachment_id":3472990,"asset_id":636164,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" 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href="https://www.academia.edu/Documents/in/Artists_Books">Artists' Books</a>, <script data-card-contents-for-ri="19580" type="text/json">{"id":19580,"name":"Artists' Books","url":"https://www.academia.edu/Documents/in/Artists_Books?f_ri=19580","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="409061" href="https://www.academia.edu/Documents/in/Family_Photography">Family Photography</a><script data-card-contents-for-ri="409061" type="text/json">{"id":409061,"name":"Family Photography","url":"https://www.academia.edu/Documents/in/Family_Photography?f_ri=19580","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=11144517]'), work: {"id":11144517,"title":"Artists’ Interventions in the Family 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Button--sm js-bookmark-button" data-academia-share="Work/4306372" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="82d2fe144386c7e92377e34805cf6ef3" rel="nofollow" data-download="{"attachment_id":31766573,"asset_id":4306372,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/31766573/download_file?st=MTczMjUxNjA0Nyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="4289087" href="https://independent.academia.edu/FernandaGrigolin">Fernanda Grigolin</a><script data-card-contents-for-user="4289087" type="text/json">{"id":4289087,"first_name":"Fernanda","last_name":"Grigolin","domain_name":"independent","page_name":"FernandaGrigolin","display_name":"Fernanda Grigolin","profile_url":"https://independent.academia.edu/FernandaGrigolin?f_ri=19580","photo":"https://0.academia-photos.com/4289087/1709550/28934008/s65_fernanda.grigolin.jpeg"}</script></span></span></li><li class="js-paper-rank-work_4306372 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="4306372"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 4306372, container: ".js-paper-rank-work_4306372", }); });</script></li><li class="js-percentile-work_4306372 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 4306372; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_4306372"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_4306372 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="4306372"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 4306372; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=4306372]").text(description); $(".js-view-count-work_4306372").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_4306372").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="4306372"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i></div><span class="InlineList-item-text u-textTruncate u-pl6x"><a class="InlineList-item-text" data-has-card-for-ri="19580" href="https://www.academia.edu/Documents/in/Artists_Books">Artists' Books</a><script data-card-contents-for-ri="19580" type="text/json">{"id":19580,"name":"Artists' Books","url":"https://www.academia.edu/Documents/in/Artists_Books?f_ri=19580","nofollow":false}</script></span></li><script>(function(){ if (false) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=4306372]'), work: {"id":4306372,"title":"Experiências de artista: aproximações entre a fotografia e o livro","created_at":"2013-08-22T22:09:18.443-07:00","url":"https://www.academia.edu/4306372/Experi%C3%AAncias_de_artista_aproxima%C3%A7%C3%B5es_entre_a_fotografia_e_o_livro?f_ri=19580","dom_id":"work_4306372","summary":null,"downloadable_attachments":[{"id":31766573,"asset_id":4306372,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":4289087,"first_name":"Fernanda","last_name":"Grigolin","domain_name":"independent","page_name":"FernandaGrigolin","display_name":"Fernanda Grigolin","profile_url":"https://independent.academia.edu/FernandaGrigolin?f_ri=19580","photo":"https://0.academia-photos.com/4289087/1709550/28934008/s65_fernanda.grigolin.jpeg"}],"research_interests":[{"id":19580,"name":"Artists' Books","url":"https://www.academia.edu/Documents/in/Artists_Books?f_ri=19580","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_30580276" data-work_id="30580276" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/30580276/Unhinged_Book_Art_on_the_Cutting_Edge">Unhinged: Book Art on the Cutting Edge</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Unhinged:Book Art on the Cutting Edge surveys recent directions in book art through the work of 60 prominent artists from Australia, Canada, Great Britain, and across the United States. It explores the limitless potential of the book as... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_30580276" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Unhinged:Book Art on the Cutting Edge surveys recent directions in book art through the work of 60 prominent artists from Australia, Canada, Great Britain, and across the United States. It explores the limitless potential of the book as an independent medium, including both intimately scaled pieces and large installations. Book artists present lyrical odes to beauty as well as messages about identity, social justice issues, and environmental concerns. After perusing this publication, viewers will never "read" a book in the same way again.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/30580276" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="240a65ac1ddfb0cf395f7b70767eff39" rel="nofollow" data-download="{"attachment_id":51022540,"asset_id":30580276,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/51022540/download_file?st=MTczMjUxNjA0Nyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="5592" href="https://unc.academia.edu/BarbaraMatilsky">Barbara Matilsky</a><script data-card-contents-for-user="5592" type="text/json">{"id":5592,"first_name":"Barbara","last_name":"Matilsky","domain_name":"unc","page_name":"BarbaraMatilsky","display_name":"Barbara Matilsky","profile_url":"https://unc.academia.edu/BarbaraMatilsky?f_ri=19580","photo":"https://0.academia-photos.com/5592/2155/2188/s65_barbara.matilsky.jpg"}</script></span></span></li><li class="js-paper-rank-work_30580276 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="30580276"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 30580276, container: ".js-paper-rank-work_30580276", }); });</script></li><li class="js-percentile-work_30580276 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 30580276; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_30580276"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_30580276 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="30580276"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 30580276; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=30580276]").text(description); $(".js-view-count-work_30580276").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_30580276").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="30580276"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="14986" href="https://www.academia.edu/Documents/in/Book_Arts">Book Arts</a>, <script data-card-contents-for-ri="14986" type="text/json">{"id":14986,"name":"Book Arts","url":"https://www.academia.edu/Documents/in/Book_Arts?f_ri=19580","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="19580" href="https://www.academia.edu/Documents/in/Artists_Books">Artists' Books</a>, <script data-card-contents-for-ri="19580" type="text/json">{"id":19580,"name":"Artists' Books","url":"https://www.academia.edu/Documents/in/Artists_Books?f_ri=19580","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="19628" href="https://www.academia.edu/Documents/in/Book_Art">Book Art</a>, <script data-card-contents-for-ri="19628" type="text/json">{"id":19628,"name":"Book Art","url":"https://www.academia.edu/Documents/in/Book_Art?f_ri=19580","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1223619" href="https://www.academia.edu/Documents/in/Artists_Books-1">Artists’ Books</a><script data-card-contents-for-ri="1223619" type="text/json">{"id":1223619,"name":"Artists’ Books","url":"https://www.academia.edu/Documents/in/Artists_Books-1?f_ri=19580","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=30580276]'), work: {"id":30580276,"title":"Unhinged: Book Art on the Cutting Edge","created_at":"2016-12-22T16:21:54.902-08:00","url":"https://www.academia.edu/30580276/Unhinged_Book_Art_on_the_Cutting_Edge?f_ri=19580","dom_id":"work_30580276","summary":"Unhinged:Book Art on the Cutting Edge surveys recent directions in book art through the work of 60 prominent artists from Australia, Canada, Great Britain, and across the United States. It explores the limitless potential of the book as an independent medium, including both intimately scaled pieces and large installations. Book artists present lyrical odes to beauty as well as messages about identity, social justice issues, and environmental concerns. 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Nor is this some kind of art manifesto. We are not saying this is how art should be, or could be, but how it is, if you let go of the prison of aesthetics, and follow an infinitely... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_10704926" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">What follows here is not a definition of art by decree. Nor is this some kind of art manifesto. We are not saying this is how art should be, or could be, but how it is, if you let go of the prison of aesthetics, and follow an infinitely more interesting conceptual trail. This is about uncovering and identifying an approach to art which avoids the triviality of sensory-based aesthetic theory and moves instead towards exploring the experiential worlds that art presents us with. And this approach is not about diminishing the sensory enjoyment of artworks, but about placing them in a much richer context, where they can work a far greater magic.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/10704926" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="0023f650bb1071c9f43177da128b6fa4" rel="nofollow" data-download="{"attachment_id":36598255,"asset_id":10704926,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/36598255/download_file?st=MTczMjUxNjA0Nyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="4682840" href="https://ulondon.academia.edu/JakobZaaiman">Jakob Zaaiman</a><script data-card-contents-for-user="4682840" type="text/json">{"id":4682840,"first_name":"Jakob","last_name":"Zaaiman","domain_name":"ulondon","page_name":"JakobZaaiman","display_name":"Jakob Zaaiman","profile_url":"https://ulondon.academia.edu/JakobZaaiman?f_ri=19580","photo":"https://0.academia-photos.com/4682840/1971502/6965795/s65_jakob.zaaiman.jpg"}</script></span></span></li><li class="js-paper-rank-work_10704926 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="10704926"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 10704926, container: ".js-paper-rank-work_10704926", }); 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Nor is this some kind of art manifesto. We are not saying this is how art should be, or could be, but how it is, if you let go of the prison of aesthetics, and follow an infinitely more interesting conceptual trail. This is about uncovering and identifying an approach to art which avoids the triviality of sensory-based aesthetic theory and moves instead towards exploring the experiential worlds that art presents us with. And this approach is not about diminishing the sensory enjoyment of artworks, but about placing them in a much richer context, where they can work a far greater magic. 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href="https://www.academia.edu/8140114/PDF_version_of_eBook_Living_My_Life_As_an_Artist_an_Autobiography_True_Stories_of_Art_Love_Family_and_the_Creative_Process_Told_in_Poetic_Form">PDF version of eBook: Living My Life As an Artist, an Autobiography: True Stories of Art, Love, Family & the Creative Process Told in Poetic Form</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Lifelong stories and poetry about finding an art form, romance, struggles, friendships, failure, success, discovery, inspiration, courage, adventure, peak experiences and personal growth, from the age of 6 to 66. The stories cover high... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_8140114" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Lifelong stories and poetry about finding an art form, romance, struggles, friendships, failure, success, discovery, inspiration, courage, adventure, peak experiences and personal growth, from the age of 6 to 66. The stories cover high school, learning, college, divorce, travel, hitchhiking, writing, photography, painting, music, theater, film, book authoring and marriage. Quotes from Robert Frost, Albert Einstein, William Faulkner, Jack Kerouac, Vincent van Gogh, Robert Graves, Baudelaire, Dostoevsky, Wilfred Owen, Thoreau, Jackson Pollock, Pablo Neruda, e.e. cummings, Louis Armstrong, Charlie Parker and Claude Monet. Doble, author of 6 books by major publishers, e.g. Random House, commented, "I believe this is one of the first times an artist has told a complete story from childhood to old age about his artistic and emotional development."</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/8140114" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="e93fe030b0faee739a540d19faa2c44d" rel="nofollow" data-download="{"attachment_id":34581277,"asset_id":8140114,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/34581277/download_file?st=MTczMjUxNjA0Nyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="4134558" href="https://unc.academia.edu/RickDoble">Rick Doble</a><script data-card-contents-for-user="4134558" type="text/json">{"id":4134558,"first_name":"Rick","last_name":"Doble","domain_name":"unc","page_name":"RickDoble","display_name":"Rick Doble","profile_url":"https://unc.academia.edu/RickDoble?f_ri=19580","photo":"https://0.academia-photos.com/4134558/1605082/1939252/s65_rick.doble.jpg"}</script></span></span></li><li class="js-paper-rank-work_8140114 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="8140114"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 8140114, container: ".js-paper-rank-work_8140114", }); 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Artists’ Books</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">In the late 1950s, artists' books came into existence as an independent historical movement. Book artists arose in response to the ever-increasing commodification of art and presented challenging, diverse, and multidisciplinary works... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_8981401" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">In the late 1950s, artists' books came into existence as an independent historical movement. Book artists arose in response to the ever-increasing commodification of art and presented challenging, diverse, and multidisciplinary works which communicated intimately with a spectator. Artists' books offered a wide variety of visual, textual, and textural information in alternative literary formats. This study proposes that artist's books practice shares a community of concept and purpose with that of contemporary internet art. Web based digital art can fruitfully be considered as exploring similar structures and themes as the traditional medium of artists' books. As internet art advances further away from its roots in 1980s hypertext and hypertext's accompanying literary theory, few new media theories have emerged that would allow us to 'read' internet art and evaluate its textual aesthetics. Artists' books, however, have been examining the porous borders between reader and artist, text and image, and presentation and participation for over fifty years, building art theories that are fully translatable across media. One particularly compelling aspect of artist's book theory is the way that it examines the specific character of a books' physicality, the effect its structure has on textual meaning. I suggest that internet art actively continues in this tradition of interrogating the material interface of presentation. Like internet art, artists' books are interactive artworks which experiment with nonlinear narrative, elaborate linking mechanisms, and complex interplays between narrative and visual structure. Our understanding of internet art, therefore, can be deepened through comparison with artist's books while, in turn, internet artwork provides new ways to reflect on older artist book practices. The first section of this thesis outlines parallels in the history and development of the two mediums as well as engaging issues of exhibition, dissemination, commodification, and classification that are particular to both art forms. The text goes on to examine the literary theories of N. Katherine Hayles, an advocate of textual materiality, and the intersections between her concepts and those of critical theorist Jacques Derrida, gaming theorist Espen Aarseth, and artist's book theorist Johanna Drucker. In a final section, I apply Hayles' theory of Media Specific Analysis to a number of internet art and artists' book pairings, finding apt comparisons within the specific play of content and materiality. <br /><br />Thesis (M.A. in Modern Art History, Theory and Criticism) -- School of the Art Institute of Chicago, 2008.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/8981401" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="71f7e336426e006c858f84c861c90f4f" rel="nofollow" data-download="{"attachment_id":35295510,"asset_id":8981401,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/35295510/download_file?st=MTczMjUxNjA0Nyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="17283660" href="https://saic.academia.edu/LindsayBosch">Lindsay Bosch</a><script data-card-contents-for-user="17283660" type="text/json">{"id":17283660,"first_name":"Lindsay","last_name":"Bosch","domain_name":"saic","page_name":"LindsayBosch","display_name":"Lindsay Bosch","profile_url":"https://saic.academia.edu/LindsayBosch?f_ri=19580","photo":"https://0.academia-photos.com/17283660/5799880/6590879/s65_lindsay.bosch.png"}</script></span></span></li><li class="js-paper-rank-work_8981401 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="8981401"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 8981401, container: ".js-paper-rank-work_8981401", }); 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Book artists arose in response to the ever-increasing commodification of art and presented challenging, diverse, and multidisciplinary works which communicated intimately with a spectator. Artists' books offered a wide variety of visual, textual, and textural information in alternative literary formats. This study proposes that artist's books practice shares a community of concept and purpose with that of contemporary internet art. Web based digital art can fruitfully be considered as exploring similar structures and themes as the traditional medium of artists' books. As internet art advances further away from its roots in 1980s hypertext and hypertext's accompanying literary theory, few new media theories have emerged that would allow us to 'read' internet art and evaluate its textual aesthetics. Artists' books, however, have been examining the porous borders between reader and artist, text and image, and presentation and participation for over fifty years, building art theories that are fully translatable across media. One particularly compelling aspect of artist's book theory is the way that it examines the specific character of a books' physicality, the effect its structure has on textual meaning. I suggest that internet art actively continues in this tradition of interrogating the material interface of presentation. Like internet art, artists' books are interactive artworks which experiment with nonlinear narrative, elaborate linking mechanisms, and complex interplays between narrative and visual structure. Our understanding of internet art, therefore, can be deepened through comparison with artist's books while, in turn, internet artwork provides new ways to reflect on older artist book practices. The first section of this thesis outlines parallels in the history and development of the two mediums as well as engaging issues of exhibition, dissemination, commodification, and classification that are particular to both art forms. The text goes on to examine the literary theories of N. Katherine Hayles, an advocate of textual materiality, and the intersections between her concepts and those of critical theorist Jacques Derrida, gaming theorist Espen Aarseth, and artist's book theorist Johanna Drucker. In a final section, I apply Hayles' theory of Media Specific Analysis to a number of internet art and artists' book pairings, finding apt comparisons within the specific play of content and materiality. \n\nThesis (M.A. in Modern Art History, Theory and Criticism) -- School of the Art Institute of Chicago, 2008.","downloadable_attachments":[{"id":35295510,"asset_id":8981401,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":17283660,"first_name":"Lindsay","last_name":"Bosch","domain_name":"saic","page_name":"LindsayBosch","display_name":"Lindsay Bosch","profile_url":"https://saic.academia.edu/LindsayBosch?f_ri=19580","photo":"https://0.academia-photos.com/17283660/5799880/6590879/s65_lindsay.bosch.png"}],"research_interests":[{"id":659,"name":"Comparative Literature","url":"https://www.academia.edu/Documents/in/Comparative_Literature?f_ri=19580","nofollow":false},{"id":6865,"name":"Digital Culture","url":"https://www.academia.edu/Documents/in/Digital_Culture?f_ri=19580","nofollow":false},{"id":10165,"name":"Interactive and Digital Media","url":"https://www.academia.edu/Documents/in/Interactive_and_Digital_Media?f_ri=19580","nofollow":false},{"id":15893,"name":"Hypertext theory","url":"https://www.academia.edu/Documents/in/Hypertext_theory?f_ri=19580","nofollow":false},{"id":19580,"name":"Artists' Books","url":"https://www.academia.edu/Documents/in/Artists_Books?f_ri=19580"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_8807946" data-work_id="8807946" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/8807946/The_Surrealist_Artists_Book_Beyond_the_Page">The Surrealist Artist's Book. 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It is presented as a 'facsimile' of the original.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/11522988" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="10409473fa74fa567b9aca5817749b2f" rel="nofollow" data-download="{"attachment_id":37031542,"asset_id":11522988,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/37031542/download_file?st=MTczMjUxNjA0Nyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="11132814" href="https://independent.academia.edu/IanThompson6">Ian Thompson</a><script data-card-contents-for-user="11132814" type="text/json">{"id":11132814,"first_name":"Ian","last_name":"Thompson","domain_name":"independent","page_name":"IanThompson6","display_name":"Ian Thompson","profile_url":"https://independent.academia.edu/IanThompson6?f_ri=19580","photo":"https://0.academia-photos.com/11132814/3286772/9236447/s65_ian.thompson.jpg"}</script></span></span></li><li class="js-paper-rank-work_11522988 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="11522988"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 11522988, container: ".js-paper-rank-work_11522988", }); 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Los organizo por fecha y lugar donde despierto, evitando en todo momento la autocensura. Esta... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_42904100" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Desde 1996  me dedico a transcribir la memoria de mis sueños en una serie de diarios que articulan mi práctica artística como un modo de vida. Los organizo por fecha y lugar donde despierto, evitando en todo momento la autocensura.<br /> <br />Esta publicación reúne mis sueños de 2008 a 2010 y anexa la lista de los nombres de los personajes soñados: personas que forman parte de mi vida, gente que conozco directa o indirectamente, o personajes imaginarios.<br />Hay alrededor de 2 mil relatos que describen exclusivamente el vestigio de mi subconsciente. <br /> –<br />Depuis 1996, je me dédie à la transcription de la mémoire de mes rêves, en une série de journaux qui s'articulent dans ma pratique artistique comme un mode de vie. Fuyant à chaque instant l’autocensure, je les organise par date et lieu, où je m’éveille. <br />Cette publication réunit mes rêves de 2008 à 2010 et annexe la liste des noms des personnages rêvés: de gens qui font partie de ma vie, que je connais directe ou indirectement, ou qui peuvent être aussi imaginaires. <br />Il y a enviros 2 milliers de récits qui à leurs tour en espagnol, français et anglais, décrivent exclusivement le vestige de mon inconscient.<br /> – <br />Since 1996 I have dedicated myself to transcribing recollections of my dreams in a series of diaries that articulate my artistic practice as a way of life. I organize them by date and place where I wake up, avoiding self-censorship at all times.<br /> <br />This publication reunites my dreams from 2008 to 2010. It includes a list of the names of the dreamed characters: people who are part of my life, people I know directly or indirectly, and imagined characters.<br /><br />There are about 2 thousand stories in turn described in Spanish, in French and in English are exclusively the vestiges of my subconscious. <br />                       N.R.<br />               nathalieregard.net</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/42904100" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="9dce7d13eea1d6c79e4d2d6099839c78" rel="nofollow" data-download="{"attachment_id":63152649,"asset_id":42904100,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/63152649/download_file?st=MTczMjUxNjA0Nyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="24036659" href="https://wbiao.academia.edu/NathalieRegard">Nathalie Regard</a><script data-card-contents-for-user="24036659" type="text/json">{"id":24036659,"first_name":"Nathalie","last_name":"Regard","domain_name":"wbiao","page_name":"NathalieRegard","display_name":"Nathalie Regard","profile_url":"https://wbiao.academia.edu/NathalieRegard?f_ri=19580","photo":"https://0.academia-photos.com/24036659/6486824/7335960/s65_nathalie.regard.jpg"}</script></span></span></li><li class="js-paper-rank-work_42904100 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="42904100"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 42904100, container: ".js-paper-rank-work_42904100", }); 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Fuyant à chaque instant l’autocensure, je les organise par date et lieu, où je m’éveille. \nCette publication réunit mes rêves de 2008 à 2010 et annexe la liste des noms des personnages rêvés: de gens qui font partie de ma vie, que je connais directe ou indirectement, ou qui peuvent être aussi imaginaires. \nIl y a enviros 2 milliers de récits qui à leurs tour en espagnol, français et anglais, décrivent exclusivement le vestige de mon inconscient.\n\t\t\t\t\t– \nSince 1996 I have dedicated myself to transcribing recollections of my dreams in a series of diaries that articulate my artistic practice as a way of life. I organize them by date and place where I wake up, avoiding self-censorship at all times.\n \nThis publication reunites my dreams from 2008 to 2010. 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href="https://www.academia.edu/Documents/in/The_Photobook_and_digital_selfpublishing_based_on_the_hybrid_artists_book">The Photobook and digital selfpublishing based on the hybrid artists' book</a>, <script data-card-contents-for-ri="202778" type="text/json">{"id":202778,"name":"The Photobook and digital selfpublishing based on the hybrid artists' book","url":"https://www.academia.edu/Documents/in/The_Photobook_and_digital_selfpublishing_based_on_the_hybrid_artists_book?f_ri=19580","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="962640" href="https://www.academia.edu/Documents/in/Fine_Press_Printing">Fine Press Printing</a>, <script data-card-contents-for-ri="962640" type="text/json">{"id":962640,"name":"Fine Press Printing","url":"https://www.academia.edu/Documents/in/Fine_Press_Printing?f_ri=19580","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="962645" 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href="https://www.academia.edu/29474558/Nihon_no_hana_%E6%97%A5%E6%9C%AC%E3%81%AE%E8%8A%B1_Flowers_of_Japan_1946_">Nihon no hana 日本の花 (Flowers of Japan; 1946)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Visual and cultural analysis of Nihon no hana 日本の花(1946), a book pairing pictures and poetry by diverse artists and poets on the theme of flowers. The book is part of the Pulverer Collection of Japanese illustrated books of the Freer... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_29474558" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Visual and cultural analysis of Nihon no hana 日本の花(1946), a book pairing pictures and poetry by diverse artists and poets on the theme of flowers. The book is part of the Pulverer Collection of Japanese illustrated books of the Freer Gallery of Art, Smithsonian Institution, Washington, DC and is featured on The World of the Japanese Illustrated Book website. My commentary, along with a complete set of readable images of the book, may be found here: <a href="http://pulverer.si.edu/node/462/title/1" rel="nofollow">http://pulverer.si.edu/node/462/title/1</a>.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/29474558" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="664b40e3e7ddf61ac88bceb200c3034c" rel="nofollow" data-download="{"attachment_id":50400230,"asset_id":29474558,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/50400230/download_file?st=MTczMjUxNjA0Nyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="47646" href="https://umcp.academia.edu/AliciaVolk">Alicia Volk</a><script data-card-contents-for-user="47646" type="text/json">{"id":47646,"first_name":"Alicia","last_name":"Volk","domain_name":"umcp","page_name":"AliciaVolk","display_name":"Alicia Volk","profile_url":"https://umcp.academia.edu/AliciaVolk?f_ri=19580","photo":"https://0.academia-photos.com/47646/14810/40569156/s65_alicia.volk.jpg"}</script></span></span></li><li class="js-paper-rank-work_29474558 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="29474558"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 29474558, container: ".js-paper-rank-work_29474558", }); 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href="https://www.academia.edu/9064756/_%CE%A4%CE%B1%CE%BE%CE%AF%CE%B4%CE%B9_%CF%83%CF%84%CE%BF%CE%BD_%CF%87%CF%8E%CF%81%CE%BF_%CE%BA%CE%B1%CE%B9_%CF%83%CF%84%CE%BF%CE%BD_%CF%87%CF%81%CF%8C%CE%BD%CE%BF_%CE%93%CE%BD%CF%89%CF%81%CE%B9%CE%BC%CE%AF%CE%B1_%CE%BC%CE%B5_%CF%84%CE%BF%CF%85%CF%82_%CE%B1%CF%81%CF%87%CE%B1%CE%AF%CE%BF%CF%85%CF%82_%CE%BA%CE%B1%CE%BB%CE%BB%CE%B9%CF%84%CE%AD%CF%87%CE%BD%CE%B5%CF%82_%CF%84%CE%B7%CF%82_%CE%92%CE%AD%CF%81%CE%BF%CE%B9%CE%B1%CF%82_Travel_in_space_and_time_Acquaintance_with_the_ancient_artists_of_Veria_">«Ταξίδι στον χώρο και στον χρόνο: Γνωριμία με τους αρχαίους καλλιτέχνες της Βέροιας» / "Travel in space and time: Acquaintance with the ancient artists of Veria".</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Eκπαιδευτικό πρόγραμμα για σχολεία της Πρωτοβάθμιας και Δευτεροβάθμιας Εκπαίδευσης, που πραγματοποιήθηκε στο πλαίσιο του εορτασμού των Ευρωπαϊκών Ημερών Πολιτιστικής Κληρονομιάς, με θέμα «Τα Πρόσωπα του Χρόνου». Μέσα από το πρόγραμμα οι... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_9064756" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Eκπαιδευτικό πρόγραμμα για σχολεία της Πρωτοβάθμιας και Δευτεροβάθμιας Εκπαίδευσης, που πραγματοποιήθηκε στο πλαίσιο του εορτασμού των Ευρωπαϊκών Ημερών Πολιτιστικής Κληρονομιάς, με θέμα «Τα Πρόσωπα του Χρόνου». Μέσα από το πρόγραμμα οι μαθητές είχαν τη δυνατότητα να ταξιδέψουν στον χρόνο και να γνωρίσουν τους αρχαίους καλλιτέχνες της Βέροιας (αρχιτέκτονες, γλύπτες, ρήτορες, ποιητές, μουσικούς, φωνασκούς και ηθοποιούς) και να συμμετάσχουν σε σχετικές εκπαιδευτικές δραστηριότητες. <br /> <br />Σύλληψη-Σχεδιασμός: Δρ. Νικόλαος Β. Παππάς, Αρχαιολόγος <br />Υλοποίηση: Νικόλαος. Β. Παππάς, Αρχαιολόγος, Τερψιχόρη Ξανθοπούλου, Εικαστικός <br />_______________________________________________________________________________________ <br /> <br />Educational program for schools of Primary and Secondary Education, held in the context of the celebration of the European Days of Cultural Heritage, with the theme "The Faces of Time". Through the program, students had the opportunity to travel back in time and meet the ancient artists of Veria (architects, sculptors, orators, poets, musicians, vocalists and actors) and to participate in related educational activities. <br /> <br />Conception-Design: Dr. Nikolaos V. Pappas, Archaeologist <br />Implementation: Nikolaos. V. Pappas, Archaeologist, Terpsichore Xanthopoulou, Visual Artist</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/9064756" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="0101527628303b8b30e4a6cd8c940d31" rel="nofollow" data-download="{"attachment_id":82870263,"asset_id":9064756,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/82870263/download_file?st=MTczMjUxNjA0Nyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="4587773" href="https://auth.academia.edu/NikolaosPappas">Νικόλαος B. Παππάς / Nikolaos V. Pappas</a><script data-card-contents-for-user="4587773" type="text/json">{"id":4587773,"first_name":"Νικόλαος B. Παππάς","last_name":"/ Nikolaos V. Pappas","domain_name":"auth","page_name":"NikolaosPappas","display_name":"Νικόλαος B. Παππάς / Nikolaos V. Pappas","profile_url":"https://auth.academia.edu/NikolaosPappas?f_ri=19580","photo":"https://0.academia-photos.com/4587773/5687227/6469620/s65_nikolaos.pappas.jpg"}</script></span></span></li><li class="js-paper-rank-work_9064756 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="9064756"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 9064756, container: ".js-paper-rank-work_9064756", }); });</script></li><li class="js-percentile-work_9064756 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 9064756; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_9064756"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_9064756 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="9064756"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 9064756; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=9064756]").text(description); $(".js-view-count-work_9064756").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_9064756").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="9064756"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">5</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="19580" href="https://www.academia.edu/Documents/in/Artists_Books">Artists' Books</a>, <script data-card-contents-for-ri="19580" type="text/json">{"id":19580,"name":"Artists' Books","url":"https://www.academia.edu/Documents/in/Artists_Books?f_ri=19580","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="21144" href="https://www.academia.edu/Documents/in/Women_Artists">Women Artists</a>, <script data-card-contents-for-ri="21144" type="text/json">{"id":21144,"name":"Women Artists","url":"https://www.academia.edu/Documents/in/Women_Artists?f_ri=19580","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="22098" href="https://www.academia.edu/Documents/in/Artists_Writings">Artists' Writings</a>, <script data-card-contents-for-ri="22098" type="text/json">{"id":22098,"name":"Artists' Writings","url":"https://www.academia.edu/Documents/in/Artists_Writings?f_ri=19580","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="36568" href="https://www.academia.edu/Documents/in/Female_Artists">Female Artists</a><script data-card-contents-for-ri="36568" type="text/json">{"id":36568,"name":"Female Artists","url":"https://www.academia.edu/Documents/in/Female_Artists?f_ri=19580","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=9064756]'), work: {"id":9064756,"title":"«Ταξίδι στον χώρο και στον χρόνο: Γνωριμία με τους αρχαίους καλλιτέχνες της Βέροιας» / \"Travel in space and time: Acquaintance with the ancient artists of Veria\".","created_at":"2014-11-01T08:30:05.368-07:00","url":"https://www.academia.edu/9064756/_%CE%A4%CE%B1%CE%BE%CE%AF%CE%B4%CE%B9_%CF%83%CF%84%CE%BF%CE%BD_%CF%87%CF%8E%CF%81%CE%BF_%CE%BA%CE%B1%CE%B9_%CF%83%CF%84%CE%BF%CE%BD_%CF%87%CF%81%CF%8C%CE%BD%CE%BF_%CE%93%CE%BD%CF%89%CF%81%CE%B9%CE%BC%CE%AF%CE%B1_%CE%BC%CE%B5_%CF%84%CE%BF%CF%85%CF%82_%CE%B1%CF%81%CF%87%CE%B1%CE%AF%CE%BF%CF%85%CF%82_%CE%BA%CE%B1%CE%BB%CE%BB%CE%B9%CF%84%CE%AD%CF%87%CE%BD%CE%B5%CF%82_%CF%84%CE%B7%CF%82_%CE%92%CE%AD%CF%81%CE%BF%CE%B9%CE%B1%CF%82_Travel_in_space_and_time_Acquaintance_with_the_ancient_artists_of_Veria_?f_ri=19580","dom_id":"work_9064756","summary":"Eκπαιδευτικό πρόγραμμα για σχολεία της Πρωτοβάθμιας και Δευτεροβάθμιας Εκπαίδευσης, που πραγματοποιήθηκε στο πλαίσιο του εορτασμού των Ευρωπαϊκών Ημερών Πολιτιστικής Κληρονομιάς, με θέμα «Τα Πρόσωπα του Χρόνου». Μέσα από το πρόγραμμα οι μαθητές είχαν τη δυνατότητα να ταξιδέψουν στον χρόνο και να γνωρίσουν τους αρχαίους καλλιτέχνες της Βέροιας (αρχιτέκτονες, γλύπτες, ρήτορες, ποιητές, μουσικούς, φωνασκούς και ηθοποιούς) και να συμμετάσχουν σε σχετικές εκπαιδευτικές δραστηριότητες. \r\n\r\nΣύλληψη-Σχεδιασμός: Δρ. Νικόλαος Β. Παππάς, Αρχαιολόγος\r\nΥλοποίηση: Νικόλαος. Β. Παππάς, Αρχαιολόγος, Τερψιχόρη Ξανθοπούλου, Εικαστικός\r\n_______________________________________________________________________________________\r\n\r\nEducational program for schools of Primary and Secondary Education, held in the context of the celebration of the European Days of Cultural Heritage, with the theme \"The Faces of Time\". Through the program, students had the opportunity to travel back in time and meet the ancient artists of Veria (architects, sculptors, orators, poets, musicians, vocalists and actors) and to participate in related educational activities.\r\n\r\nConception-Design: Dr. Nikolaos V. 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Descreve... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_41887399" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">RESUMO <br />  <br />O presente estudo estabelece uma evolução detalhada dos suportes de informação, assim como a historiografia do objeto livro, seus materiais e métodos de confecção através das diferentes culturas até a atualidade. Descreve brevemente a respeito das técnicas de encadernação ao longo da história, enfatiza a importância da arte moderna, contemporânea e conceitual para a instauração do livro como objeto de arte. Discute sobre o tratamento atribuído as coleções especiais de livros de artista na ciência da informação e por fim, propõe uma discussão a respeito da ampliação, superação e equivalência de valores e funções do suporte da informação em contraposição ao conteúdo que carrega. <br /> <br />Palavras-chave: História do livro. Encadernação. Arte Contemporânea. Livro <br />de Artista. Coleções Especiais. Informação Artística. <br /><br /><br /><br />ABSTRACT <br /> <br /> <br />This study establishes a detailed evolution of information support, as well as the historiography of the book, its materials and methods of manufacture through different cultures to the present. Briefly describes about the binding techniques throughout history, emphasizes the importance of modern, contemporary and conceptual art, for establishment of the book as an art object. Discusses the treatment assigned  to special collections of artist books in information science and finally, proposes a discussion about the magnification, overcoming and equivalency values and functions of the information support in opposition to the content it carries. <br /> <br />Keywords: History of the book. Binding. Contemporary Art. Artist’s Book. <br />Special Collections.  Artistic Information. <br /> <br /><a href="https://app.publicacoes.even3.com.br/tcc/de-suporte-de-informacao-a-objeto-de-arte-o-livro-e-suas-perspectivas-123154#!#nav-resumo" rel="nofollow">https://app.publicacoes.even3.com.br/tcc/de-suporte-de-informacao-a-objeto-de-arte-o-livro-e-suas-perspectivas-123154#!#nav-resumo</a><br /><br /><a href="https://doi.org/10.29327/4112315" rel="nofollow">https://doi.org/10.29327/4112315</a></div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/41887399" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="be23cea6f99811c4461163630bc10327" rel="nofollow" data-download="{"attachment_id":62015795,"asset_id":41887399,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/62015795/download_file?st=MTczMjUxNjA0Nyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="4116926" href="https://independent.academia.edu/La%C3%ADsSilva">Laís E de Souza Silva</a><script data-card-contents-for-user="4116926" type="text/json">{"id":4116926,"first_name":"Laís","last_name":"de Souza Silva","domain_name":"independent","page_name":"LaísSilva","display_name":"Laís E de Souza Silva","profile_url":"https://independent.academia.edu/La%C3%ADsSilva?f_ri=19580","photo":"https://0.academia-photos.com/4116926/35604518/30817370/s65_la_s.silva.jpg"}</script></span></span></li><li class="js-paper-rank-work_41887399 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="41887399"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 41887399, container: ".js-paper-rank-work_41887399", }); });</script></li><li class="js-percentile-work_41887399 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 41887399; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_41887399"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_41887399 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="41887399"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 41887399; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=41887399]").text(description); $(".js-view-count-work_41887399").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_41887399").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="41887399"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">20</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="2811" href="https://www.academia.edu/Documents/in/History_of_the_Book">History of the Book</a>, <script data-card-contents-for-ri="2811" type="text/json">{"id":2811,"name":"History of the Book","url":"https://www.academia.edu/Documents/in/History_of_the_Book?f_ri=19580","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="3051" href="https://www.academia.edu/Documents/in/Contemporary_Art">Contemporary Art</a>, <script data-card-contents-for-ri="3051" type="text/json">{"id":3051,"name":"Contemporary Art","url":"https://www.academia.edu/Documents/in/Contemporary_Art?f_ri=19580","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="19580" href="https://www.academia.edu/Documents/in/Artists_Books">Artists' Books</a>, <script data-card-contents-for-ri="19580" type="text/json">{"id":19580,"name":"Artists' Books","url":"https://www.academia.edu/Documents/in/Artists_Books?f_ri=19580","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="21483" href="https://www.academia.edu/Documents/in/History_of_the_Artists_Book">History of the Artists' Book</a><script data-card-contents-for-ri="21483" type="text/json">{"id":21483,"name":"History of the Artists' Book","url":"https://www.academia.edu/Documents/in/History_of_the_Artists_Book?f_ri=19580","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=41887399]'), work: {"id":41887399,"title":"De suporte de informação a objeto de arte: o livro e suas perspectivas.","created_at":"2020-02-06T16:14:29.866-08:00","url":"https://www.academia.edu/41887399/De_suporte_de_informa%C3%A7%C3%A3o_a_objeto_de_arte_o_livro_e_suas_perspectivas?f_ri=19580","dom_id":"work_41887399","summary":"RESUMO \n \nO presente estudo estabelece uma evolução detalhada dos suportes de informação, assim como a historiografia do objeto livro, seus materiais e métodos de confecção através das diferentes culturas até a atualidade. Descreve brevemente a respeito das técnicas de encadernação ao longo da história, enfatiza a importância da arte moderna, contemporânea e conceitual para a instauração do livro como objeto de arte. Discute sobre o tratamento atribuído as coleções especiais de livros de artista na ciência da informação e por fim, propõe uma discussão a respeito da ampliação, superação e equivalência de valores e funções do suporte da informação em contraposição ao conteúdo que carrega. \n \nPalavras-chave: História do livro. Encadernação. Arte Contemporânea. Livro \nde Artista. Coleções Especiais. Informação Artística. \n\n\n\nABSTRACT \n \n \nThis study establishes a detailed evolution of information support, as well as the historiography of the book, its materials and methods of manufacture through different cultures to the present. Briefly describes about the binding techniques throughout history, emphasizes the importance of modern, contemporary and conceptual art, for establishment of the book as an art object. Discusses the treatment assigned to special collections of artist books in information science and finally, proposes a discussion about the magnification, overcoming and equivalency values and functions of the information support in opposition to the content it carries. \n \nKeywords: History of the book. Binding. Contemporary Art. Artist’s Book. \nSpecial Collections. Artistic Information. \n \nhttps://app.publicacoes.even3.com.br/tcc/de-suporte-de-informacao-a-objeto-de-arte-o-livro-e-suas-perspectivas-123154#!#nav-resumo\n\nhttps://doi.org/10.29327/4112315\n","downloadable_attachments":[{"id":62015795,"asset_id":41887399,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":4116926,"first_name":"Laís","last_name":"de Souza Silva","domain_name":"independent","page_name":"LaísSilva","display_name":"Laís E de Souza Silva","profile_url":"https://independent.academia.edu/La%C3%ADsSilva?f_ri=19580","photo":"https://0.academia-photos.com/4116926/35604518/30817370/s65_la_s.silva.jpg"}],"research_interests":[{"id":2811,"name":"History of the Book","url":"https://www.academia.edu/Documents/in/History_of_the_Book?f_ri=19580","nofollow":false},{"id":3051,"name":"Contemporary Art","url":"https://www.academia.edu/Documents/in/Contemporary_Art?f_ri=19580","nofollow":false},{"id":19580,"name":"Artists' Books","url":"https://www.academia.edu/Documents/in/Artists_Books?f_ri=19580","nofollow":false},{"id":21483,"name":"History of the Artists' Book","url":"https://www.academia.edu/Documents/in/History_of_the_Artists_Book?f_ri=19580","nofollow":false},{"id":23378,"name":"Special Collections","url":"https://www.academia.edu/Documents/in/Special_Collections?f_ri=19580"},{"id":66609,"name":"Arte Contemporanea","url":"https://www.academia.edu/Documents/in/Arte_Contemporanea?f_ri=19580"},{"id":73787,"name":"CIÊNCIA DA INFORMAÇÃO","url":"https://www.academia.edu/Documents/in/CI%C3%8ANCIA_DA_INFORMA%C3%87%C3%83O?f_ri=19580"},{"id":186072,"name":"Biblioteconomia","url":"https://www.academia.edu/Documents/in/Biblioteconomia?f_ri=19580"},{"id":229489,"name":"História do Livro","url":"https://www.academia.edu/Documents/in/Historia_do_Livro?f_ri=19580"},{"id":233504,"name":"Print Culture, Book History and the History of Reading","url":"https://www.academia.edu/Documents/in/Print_Culture_Book_History_and_the_History_of_Reading?f_ri=19580"},{"id":278020,"name":"Encadernação","url":"https://www.academia.edu/Documents/in/Encaderna%C3%A7%C3%A3o?f_ri=19580"},{"id":300082,"name":"Educação, Tecnologias Da Informação, Educação Artística","url":"https://www.academia.edu/Documents/in/Educacao_Tecnologias_Da_Informacao_Educacao_Artistica?f_ri=19580"},{"id":313346,"name":"Artes Visuais","url":"https://www.academia.edu/Documents/in/Artes_Visuais?f_ri=19580"},{"id":334518,"name":"Special Collections Management","url":"https://www.academia.edu/Documents/in/Special_Collections_Management?f_ri=19580"},{"id":594625,"name":"Book Binding","url":"https://www.academia.edu/Documents/in/Book_Binding?f_ri=19580"},{"id":662385,"name":"Livro De Artista","url":"https://www.academia.edu/Documents/in/Livro_De_Artista?f_ri=19580"},{"id":1223619,"name":"Artists’ Books","url":"https://www.academia.edu/Documents/in/Artists_Books-1?f_ri=19580"},{"id":1283036,"name":"Encadernação Artesanal","url":"https://www.academia.edu/Documents/in/Encadernacao_Artesanal?f_ri=19580"},{"id":2040893,"name":"Coleções especiais","url":"https://www.academia.edu/Documents/in/Cole%C3%A7%C3%B5es_especiais?f_ri=19580"},{"id":3445526,"name":"Informação artística ","url":"https://www.academia.edu/Documents/in/Informa%C3%A7%C3%A3o_art%C3%ADstica?f_ri=19580"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_11353090" data-work_id="11353090" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/11353090/Intermidialidade_no_Fotolivro_Brasileiro">Intermidialidade no Fotolivro Brasileiro</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">O trabalho concentra-se na investigação de fenômenos de intermidialidade em fotolivros contemporâneos brasileiros. O estudo contempla a descrição e análise dos aspectos formais e semântico-pragmáticos das obras Sí por cuba (2005), de... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_11353090" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">O trabalho concentra-se na investigação de fenômenos de intermidialidade em fotolivros contemporâneos brasileiros. O estudo contempla a descrição e análise dos aspectos formais e semântico-pragmáticos das obras Sí por cuba (2005), de Tatiana Altberg, Silent Book (2012) de Miguel Rio Branco e Nossos dias<br />parecem noite (2014), editado por Cícely Salamunes.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/11353090" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="79ad4aab2db0607f00be5f7044804f95" rel="nofollow" data-download="{"attachment_id":36924127,"asset_id":11353090,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/36924127/download_file?st=MTczMjUxNjA0Nyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="3597184" href="https://ufs.academia.edu/AnaVitorio">Ana Vitorio</a><script data-card-contents-for-user="3597184" type="text/json">{"id":3597184,"first_name":"Ana","last_name":"Vitorio","domain_name":"ufs","page_name":"AnaVitorio","display_name":"Ana Vitorio","profile_url":"https://ufs.academia.edu/AnaVitorio?f_ri=19580","photo":"https://0.academia-photos.com/3597184/1253712/35396832/s65_ana.vitorio.jpeg"}</script></span></span></li><li class="js-paper-rank-work_11353090 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="11353090"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 11353090, container: ".js-paper-rank-work_11353090", }); });</script></li><li class="js-percentile-work_11353090 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 11353090; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_11353090"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_11353090 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="11353090"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 11353090; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=11353090]").text(description); $(".js-view-count-work_11353090").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_11353090").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="11353090"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">5</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="1589" href="https://www.academia.edu/Documents/in/Photography">Photography</a>, <script data-card-contents-for-ri="1589" type="text/json">{"id":1589,"name":"Photography","url":"https://www.academia.edu/Documents/in/Photography?f_ri=19580","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="3242" href="https://www.academia.edu/Documents/in/Intermediality">Intermediality</a>, <script data-card-contents-for-ri="3242" type="text/json">{"id":3242,"name":"Intermediality","url":"https://www.academia.edu/Documents/in/Intermediality?f_ri=19580","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="19580" href="https://www.academia.edu/Documents/in/Artists_Books">Artists' Books</a>, <script data-card-contents-for-ri="19580" type="text/json">{"id":19580,"name":"Artists' Books","url":"https://www.academia.edu/Documents/in/Artists_Books?f_ri=19580","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="41266" href="https://www.academia.edu/Documents/in/Photobook">Photobook</a><script data-card-contents-for-ri="41266" type="text/json">{"id":41266,"name":"Photobook","url":"https://www.academia.edu/Documents/in/Photobook?f_ri=19580","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=11353090]'), work: {"id":11353090,"title":"Intermidialidade no Fotolivro Brasileiro","created_at":"2015-03-10T07:36:15.926-07:00","url":"https://www.academia.edu/11353090/Intermidialidade_no_Fotolivro_Brasileiro?f_ri=19580","dom_id":"work_11353090","summary":"O trabalho concentra-se na investigação de fenômenos de intermidialidade em fotolivros contemporâneos brasileiros. O estudo contempla a descrição e análise dos aspectos formais e semântico-pragmáticos das obras Sí por cuba (2005), de Tatiana Altberg, Silent Book (2012) de Miguel Rio Branco e Nossos dias\nparecem noite (2014), editado por Cícely Salamunes.","downloadable_attachments":[{"id":36924127,"asset_id":11353090,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":3597184,"first_name":"Ana","last_name":"Vitorio","domain_name":"ufs","page_name":"AnaVitorio","display_name":"Ana Vitorio","profile_url":"https://ufs.academia.edu/AnaVitorio?f_ri=19580","photo":"https://0.academia-photos.com/3597184/1253712/35396832/s65_ana.vitorio.jpeg"}],"research_interests":[{"id":1589,"name":"Photography","url":"https://www.academia.edu/Documents/in/Photography?f_ri=19580","nofollow":false},{"id":3242,"name":"Intermediality","url":"https://www.academia.edu/Documents/in/Intermediality?f_ri=19580","nofollow":false},{"id":19580,"name":"Artists' Books","url":"https://www.academia.edu/Documents/in/Artists_Books?f_ri=19580","nofollow":false},{"id":41266,"name":"Photobook","url":"https://www.academia.edu/Documents/in/Photobook?f_ri=19580","nofollow":false},{"id":80341,"name":"Interart studies","url":"https://www.academia.edu/Documents/in/Interart_studies?f_ri=19580"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_36051949" data-work_id="36051949" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/36051949/_La_concucia_nana_di_Federico_Zuccari_critica_d_arte_in_versi_all_ombra_del_Giudizio_Universale_per_la_cupola_di_Santa_Maria_del_Fiore_Mitteilungen_des_Kunsthistorischen_Institutes_in_Florenz_59_3_2017_362_87">“La ‘concucia nana’ di Federico Zuccari: critica d’arte in versi all’ombra del Giudizio Universale per la cupola di Santa Maria del Fiore”, Mitteilungen des Kunsthistorischen Institutes in Florenz, 59.3 (2017): 362–87</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The Florentine audience’s proclivity towards a merciless criticism of local artworks was a well-established commonplace in the art-historical discourse of sixteenth-century Florence. Besides, the contested reception of major artistic... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_36051949" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The Florentine audience’s proclivity towards a merciless criticism of local artworks was a well-established commonplace in the art-historical discourse of sixteenth-century Florence. Besides, the contested reception of major artistic enterprises in that scene resonates with the topos of a city possessing, as Don Vincenzio Borghini put it, “a good eye” and “a malevolent tongue”. A case in point is the public’s response to the ambitious Last Judgement in Brunelleschi’s cupola of Santa Maria del Fiore. Begun by Giorgio Vasari in 1572 and completed seven years later by Federico Zuccari, the pictorial cycle notoriously attracted scathing attacks from contemporary spectators, and exposed the Marchigian painter to a critical massacre that would deeply affect his career and reputation. To date, however, no known source preserved the voice of the most vitriolic detractors of Zuccari’s main Florentine commission. By examining a newly discovered poem on the Last Judgement, the article sets out to illuminate key aspects of the work’s early reception, while also investigating how the visual analysis skills of a contemporary Florentine beholder could translate into a comic and perceptive art criticism in verse.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/36051949" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="1ff32392b34f759d843f5997672081f7" rel="nofollow" data-download="{"attachment_id":55937654,"asset_id":36051949,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/55937654/download_file?st=MTczMjUxNjA0Nyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="2143324" href="https://zikg.academia.edu/DilettaGamberini">Diletta Gamberini</a><script data-card-contents-for-user="2143324" type="text/json">{"id":2143324,"first_name":"Diletta","last_name":"Gamberini","domain_name":"zikg","page_name":"DilettaGamberini","display_name":"Diletta Gamberini","profile_url":"https://zikg.academia.edu/DilettaGamberini?f_ri=19580","photo":"https://0.academia-photos.com/2143324/694046/161544950/s65_diletta.gamberini.jpg"}</script></span></span></li><li class="js-paper-rank-work_36051949 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="36051949"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 36051949, container: ".js-paper-rank-work_36051949", }); 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By examining a newly discovered poem on the Last Judgement, the article sets out to illuminate key aspects of the work’s early reception, while also investigating how the visual analysis skills of a contemporary Florentine beholder could translate into a comic and perceptive art criticism in verse.","downloadable_attachments":[{"id":55937654,"asset_id":36051949,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":2143324,"first_name":"Diletta","last_name":"Gamberini","domain_name":"zikg","page_name":"DilettaGamberini","display_name":"Diletta Gamberini","profile_url":"https://zikg.academia.edu/DilettaGamberini?f_ri=19580","photo":"https://0.academia-photos.com/2143324/694046/161544950/s65_diletta.gamberini.jpg"}],"research_interests":[{"id":1386,"name":"Art Theory","url":"https://www.academia.edu/Documents/in/Art_Theory?f_ri=19580","nofollow":false},{"id":7220,"name":"The Grotesque Body","url":"https://www.academia.edu/Documents/in/The_Grotesque_Body?f_ri=19580","nofollow":false},{"id":7887,"name":"Italian Literature","url":"https://www.academia.edu/Documents/in/Italian_Literature?f_ri=19580","nofollow":false},{"id":11446,"name":"History of Florence","url":"https://www.academia.edu/Documents/in/History_of_Florence?f_ri=19580","nofollow":false},{"id":15749,"name":"Art Criticism","url":"https://www.academia.edu/Documents/in/Art_Criticism?f_ri=19580"},{"id":16368,"name":"Italian Renaissance Art","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_Art?f_ri=19580"},{"id":16840,"name":"Anatomical illustration","url":"https://www.academia.edu/Documents/in/Anatomical_illustration?f_ri=19580"},{"id":19580,"name":"Artists' Books","url":"https://www.academia.edu/Documents/in/Artists_Books?f_ri=19580"},{"id":23426,"name":"Prints (Art History)","url":"https://www.academia.edu/Documents/in/Prints_Art_History_?f_ri=19580"},{"id":25565,"name":"Literature and humor/ History of literary comic","url":"https://www.academia.edu/Documents/in/Literature_and_humor_History_of_literary_comic?f_ri=19580"},{"id":34517,"name":"Satire \u0026 Irony","url":"https://www.academia.edu/Documents/in/Satire_and_Irony?f_ri=19580"},{"id":54589,"name":"Anatomy","url":"https://www.academia.edu/Documents/in/Anatomy?f_ri=19580"},{"id":64148,"name":"Fresco","url":"https://www.academia.edu/Documents/in/Fresco?f_ri=19580"},{"id":99343,"name":"Italian Poetry","url":"https://www.academia.edu/Documents/in/Italian_Poetry?f_ri=19580"},{"id":146352,"name":"Giorgio Vasari","url":"https://www.academia.edu/Documents/in/Giorgio_Vasari?f_ri=19580"},{"id":312953,"name":"Renaissance Florence","url":"https://www.academia.edu/Documents/in/Renaissance_Florence?f_ri=19580"},{"id":314030,"name":"Vincenzio Borghini","url":"https://www.academia.edu/Documents/in/Vincenzio_Borghini?f_ri=19580"},{"id":322728,"name":"Cosimo I de' Medici","url":"https://www.academia.edu/Documents/in/Cosimo_I_de_Medici?f_ri=19580"},{"id":349506,"name":"Language of Art Criticism","url":"https://www.academia.edu/Documents/in/Language_of_Art_Criticism?f_ri=19580"},{"id":352534,"name":"Santa Maria del Fiore","url":"https://www.academia.edu/Documents/in/Santa_Maria_del_Fiore?f_ri=19580"},{"id":641638,"name":"Federico Zuccari","url":"https://www.academia.edu/Documents/in/Federico_Zuccari?f_ri=19580"},{"id":1423080,"name":"Anton Francesco Grazzini","url":"https://www.academia.edu/Documents/in/Anton_Francesco_Grazzini?f_ri=19580"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_1837376" data-work_id="1837376" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/1837376/Poetic_License_Late_Oneonta_poet_Irwin_Gooen_s_home_is_a_sculptural_book_of_his_life">Poetic License: Late Oneonta poet Irwin Gooen’s home is a sculptural book of his life.</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Newspaper article about Irwin Gooen, photographer, writer, artist, who lived in Oneonta, New York, for much of his life. Includes photos.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/1837376" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="b23c16a9af9c0388f830bf1a876fc62d" rel="nofollow" data-download="{"attachment_id":25663149,"asset_id":1837376,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/25663149/download_file?st=MTczMjUxNjA0Nyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="459763" href="https://independentscholar.academia.edu/MichaelDickel">Michael Dickel</a><script data-card-contents-for-user="459763" type="text/json">{"id":459763,"first_name":"Michael","last_name":"Dickel","domain_name":"independentscholar","page_name":"MichaelDickel","display_name":"Michael Dickel","profile_url":"https://independentscholar.academia.edu/MichaelDickel?f_ri=19580","photo":"https://0.academia-photos.com/459763/703705/873986/s65_michael.dickel.jpg"}</script></span></span></li><li class="js-paper-rank-work_1837376 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="1837376"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 1837376, container: ".js-paper-rank-work_1837376", }); 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The 2009 Southern Cross University Acquisitive Artists Book Award.</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/1397845" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="43f1b72c2d6f64be06ed5f0722b1da85" rel="nofollow" data-download="{"attachment_id":9092406,"asset_id":1397845,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/9092406/download_file?st=MTczMjUxNjA0Nyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="670948" href="https://psc.academia.edu/DougSpowart">Doug Spowart</a><script data-card-contents-for-user="670948" type="text/json">{"id":670948,"first_name":"Doug","last_name":"Spowart","domain_name":"psc","page_name":"DougSpowart","display_name":"Doug Spowart","profile_url":"https://psc.academia.edu/DougSpowart?f_ri=19580","photo":"https://0.academia-photos.com/670948/436867/14859471/s65_doug.spowart.jpg"}</script></span></span><span class="u-displayInlineBlock InlineList-item-text"> and <span class="u-textDecorationUnderline u-clickable InlineList-item-text js-work-more-authors-1397845">+1</span><div class="hidden js-additional-users-1397845"><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://independentresearcher.academia.edu/VictoriaCooper">Victoria P Cooper</a></span></div></div></span><script>(function(){ var popoverSettings = { el: $('.js-work-more-authors-1397845'), placement: 'bottom', hide_delay: 200, html: true, content: function(){ return $('.js-additional-users-1397845').html(); 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Ed Hutchins Turns, Twists and Topples Tradition</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/310386" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="54881b7906860cff9e48f50489318352" rel="nofollow" data-download="{"attachment_id":1942060,"asset_id":310386,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/1942060/download_file?st=MTczMjUxNjA0Nyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="239293" href="https://artindependentscholar.academia.edu/MiriamSchaer">Miriam Schaer</a><script data-card-contents-for-user="239293" type="text/json">{"id":239293,"first_name":"Miriam","last_name":"Schaer","domain_name":"artindependentscholar","page_name":"MiriamSchaer","display_name":"Miriam Schaer","profile_url":"https://artindependentscholar.academia.edu/MiriamSchaer?f_ri=19580","photo":"https://0.academia-photos.com/239293/52277/3128655/s65_miriam.schaer.jpg"}</script></span></span></li><li class="js-paper-rank-work_310386 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="310386"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 310386, container: ".js-paper-rank-work_310386", }); 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$(".js-view-count[data-work-id=310386]").text(description); $(".js-view-count-work_310386").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_310386").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="310386"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="19580" href="https://www.academia.edu/Documents/in/Artists_Books">Artists' Books</a>, <script data-card-contents-for-ri="19580" type="text/json">{"id":19580,"name":"Artists' Books","url":"https://www.academia.edu/Documents/in/Artists_Books?f_ri=19580","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="19628" href="https://www.academia.edu/Documents/in/Book_Art">Book Art</a>, <script data-card-contents-for-ri="19628" type="text/json">{"id":19628,"name":"Book Art","url":"https://www.academia.edu/Documents/in/Book_Art?f_ri=19580","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="158806" href="https://www.academia.edu/Documents/in/Miriam_Schaer">Miriam Schaer</a>, <script data-card-contents-for-ri="158806" type="text/json">{"id":158806,"name":"Miriam Schaer","url":"https://www.academia.edu/Documents/in/Miriam_Schaer?f_ri=19580","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="215205" href="https://www.academia.edu/Documents/in/Ed_Hutchins_non_traditional_structures_catalog_review">Ed Hutchins, non traditional structures, catalog review</a><script data-card-contents-for-ri="215205" type="text/json">{"id":215205,"name":"Ed Hutchins, non traditional structures, catalog review","url":"https://www.academia.edu/Documents/in/Ed_Hutchins_non_traditional_structures_catalog_review?f_ri=19580","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=310386]'), work: {"id":310386,"title":"Book Dynamics! Ed Hutchins Turns, Twists and Topples Tradition","created_at":"2010-08-27T13:38:16.227-07:00","url":"https://www.academia.edu/310386/Book_Dynamics_Ed_Hutchins_Turns_Twists_and_Topples_Tradition?f_ri=19580","dom_id":"work_310386","summary":null,"downloadable_attachments":[{"id":1942060,"asset_id":310386,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":239293,"first_name":"Miriam","last_name":"Schaer","domain_name":"artindependentscholar","page_name":"MiriamSchaer","display_name":"Miriam Schaer","profile_url":"https://artindependentscholar.academia.edu/MiriamSchaer?f_ri=19580","photo":"https://0.academia-photos.com/239293/52277/3128655/s65_miriam.schaer.jpg"}],"research_interests":[{"id":19580,"name":"Artists' Books","url":"https://www.academia.edu/Documents/in/Artists_Books?f_ri=19580","nofollow":false},{"id":19628,"name":"Book Art","url":"https://www.academia.edu/Documents/in/Book_Art?f_ri=19580","nofollow":false},{"id":158806,"name":"Miriam Schaer","url":"https://www.academia.edu/Documents/in/Miriam_Schaer?f_ri=19580","nofollow":false},{"id":215205,"name":"Ed Hutchins, non traditional structures, catalog review","url":"https://www.academia.edu/Documents/in/Ed_Hutchins_non_traditional_structures_catalog_review?f_ri=19580","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_64468925" data-work_id="64468925" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/64468925/Mail_Art_Makes_the_World_a_Town_On_line_Catalogue_for_the_first_Mail_Art_exhibition_in_South_Africa">Mail Art Makes the World a Town. On-line Catalogue for the first Mail Art exhibition in South Africa</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">This is the catalogue for the one and only (so far) exhibition of Mail Art held in South Africa in October 2012. I had to compress ALOT so I apologise if the quality is not great. Email me and I will send you another link.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/64468925" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="2dc377f63ff0625f8bcd32b6ebb8297c" rel="nofollow" data-download="{"attachment_id":76491284,"asset_id":64468925,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/76491284/download_file?st=MTczMjUxNjA0Nyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="60027557" href="https://independent.academia.edu/cherylpenn">cheryl penn</a><script data-card-contents-for-user="60027557" type="text/json">{"id":60027557,"first_name":"cheryl","last_name":"penn","domain_name":"independent","page_name":"cherylpenn","display_name":"cheryl penn","profile_url":"https://independent.academia.edu/cherylpenn?f_ri=19580","photo":"https://0.academia-photos.com/60027557/15650176/16216881/s65_cheryl.penn.jpg"}</script></span></span></li><li class="js-paper-rank-work_64468925 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="64468925"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 64468925, container: ".js-paper-rank-work_64468925", }); });</script></li><li class="js-percentile-work_64468925 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 64468925; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_64468925"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_64468925 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="64468925"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 64468925; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=64468925]").text(description); $(".js-view-count-work_64468925").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_64468925").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="64468925"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">3</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="19580" href="https://www.academia.edu/Documents/in/Artists_Books">Artists' Books</a>, <script data-card-contents-for-ri="19580" type="text/json">{"id":19580,"name":"Artists' Books","url":"https://www.academia.edu/Documents/in/Artists_Books?f_ri=19580","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="22150" href="https://www.academia.edu/Documents/in/Mail_Art">Mail Art</a>, <script data-card-contents-for-ri="22150" type="text/json">{"id":22150,"name":"Mail Art","url":"https://www.academia.edu/Documents/in/Mail_Art?f_ri=19580","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="154252" href="https://www.academia.edu/Documents/in/Collocations">Collocations</a><script data-card-contents-for-ri="154252" type="text/json">{"id":154252,"name":"Collocations","url":"https://www.academia.edu/Documents/in/Collocations?f_ri=19580","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=64468925]'), work: {"id":64468925,"title":"Mail Art Makes the World a Town. 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Email me and I will send you another link.","downloadable_attachments":[{"id":76491284,"asset_id":64468925,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":60027557,"first_name":"cheryl","last_name":"penn","domain_name":"independent","page_name":"cherylpenn","display_name":"cheryl penn","profile_url":"https://independent.academia.edu/cherylpenn?f_ri=19580","photo":"https://0.academia-photos.com/60027557/15650176/16216881/s65_cheryl.penn.jpg"}],"research_interests":[{"id":19580,"name":"Artists' Books","url":"https://www.academia.edu/Documents/in/Artists_Books?f_ri=19580","nofollow":false},{"id":22150,"name":"Mail Art","url":"https://www.academia.edu/Documents/in/Mail_Art?f_ri=19580","nofollow":false},{"id":154252,"name":"Collocations","url":"https://www.academia.edu/Documents/in/Collocations?f_ri=19580","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_3647644" data-work_id="3647644" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/3647644/Identit%C3%A0_linguistica_del_Vasari_artefice_II_La_scrittura_vasariana_nell_introduzzione_alle_Vite_de_pi%C3%B9_eccellenti_architetti_pittori_et_scultori_italiani_1550_">Identità linguistica del Vasari «artefice» II. La scrittura vasariana nell'«introduzzione» alle «Vite de’ più eccellenti architetti, pittori, et scultori italiani» (1550)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Giorgio Vasari racchiude entro la cornice dell’«introduzzione» alle «Vite» una solida e documentata trattazione tecnica, in cui l’attività dei rappresentanti delle tre arti viene descritta in una prosa caratterizzata dall’andamento... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_3647644" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Giorgio Vasari racchiude entro la cornice dell’«introduzzione» alle «Vite» una solida e documentata trattazione tecnica, in cui l’attività dei rappresentanti delle tre arti viene descritta in una prosa caratterizzata dall’andamento ordinato e conciso, nonché dal lessico specialistico e univoco, ripartito fra le denominazioni di materiali, strumenti e singoli procedimenti adottati per «lavorare» e «condurre a perfezzione» un’opera d’arte. L’autore della storia degli artefici munisce così il lettore di strumenti per recepire e giudicare la complessità e la difficoltà del lavoro condotto nelle officine e nei cantieri, determinando i «verba» e le «res» su cui poggerà l’impianto dell’opera di storico e di «pratico»: dalla pittura alla scultura al «lavoro di quadro» degli architetti.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/3647644" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="daef784fa94e3a4f5600331034f6f089" rel="nofollow" data-download="{"attachment_id":40956231,"asset_id":3647644,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/40956231/download_file?st=MTczMjUxNjA0Nyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1009045" href="https://unimol.academia.edu/SiekieraAnna">Anna Siekiera</a><script data-card-contents-for-user="1009045" type="text/json">{"id":1009045,"first_name":"Anna","last_name":"Siekiera","domain_name":"unimol","page_name":"SiekieraAnna","display_name":"Anna Siekiera","profile_url":"https://unimol.academia.edu/SiekieraAnna?f_ri=19580","photo":"https://0.academia-photos.com/1009045/472073/32186416/s65_anna.siekiera.png"}</script></span></span></li><li class="js-paper-rank-work_3647644 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="3647644"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 3647644, container: ".js-paper-rank-work_3647644", }); 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Dell'Arte","url":"https://www.academia.edu/Documents/in/Lessico_DellArte?f_ri=19580"},{"id":2660763,"name":"Storia dell'arte e storia della lingua","url":"https://www.academia.edu/Documents/in/Storia_dellarte_e_storia_della_lingua?f_ri=19580"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_4130505" data-work_id="4130505" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/4130505/Metamorphosis_in_391_A_Cryptographic_Collaboration_by_Francis_Picabia_Man_Ray_and_Erik_Satie">Metamorphosis in 391: A Cryptographic Collaboration by Francis Picabia, Man Ray, and Erik Satie</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Francis Picabia, Man Ray, and Erik Satie each contributed to a page of Picabia’s Dadaist magazine 391, of 1924. Picabia contributed a drawing, Satie a polemical writing, and Man Ray a seemingly abstract poem. Metamorphosis and... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_4130505" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Francis Picabia, Man Ray, and Erik Satie each contributed to a page of Picabia’s Dadaist magazine 391, of 1924. Picabia contributed a drawing, Satie a polemical writing, and Man Ray a seemingly abstract poem. Metamorphosis and interpretative simultaneity are both subjects and devices of this three-part collaborative effort. The page involves multiple levels of deliberate codification involving interrelated references to the Arensberg Circle, Satie’s ballet Mercure, Renaissance art of Raphael and Albrecht Dürer, the Morse code, as well as Dadaist and Futurist poetics. The mutative quality of possible interpretations suggests that the page is meant to be understood through multiple, even divergent and simultaneous readings. The resulting interpretative flux recalls Picabia’s own multi-layered approach to painting, which may serve as a model for understanding the operations of this 391 page.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/4130505" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="3091686769c907e5c6cf234450171d0a" rel="nofollow" data-download="{"attachment_id":31643837,"asset_id":4130505,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/31643837/download_file?st=MTczMjUxNjA0Nyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="4984868" href="https://uleth.academia.edu/KennethRAllan">Kenneth R. 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Picabia contributed a drawing, Satie a polemical writing, and Man Ray a seemingly abstract poem. Metamorphosis and interpretative simultaneity are both subjects and devices of this three-part collaborative effort. The page involves multiple levels of deliberate codification involving interrelated references to the Arensberg Circle, Satie’s ballet Mercure, Renaissance art of Raphael and Albrecht Dürer, the Morse code, as well as Dadaist and Futurist poetics. The mutative quality of possible interpretations suggests that the page is meant to be understood through multiple, even divergent and simultaneous readings. 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1945","url":"https://www.academia.edu/Documents/in/French_Music_1870_-_1945?f_ri=19580"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_3634552" data-work_id="3634552" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/3634552/on_Lefevre_jean_Claude_">on "Lefevre jean Claude"</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/3634552" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" 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$(".js-view-count-work_6076022").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="6076022"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">10</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="947" href="https://www.academia.edu/Documents/in/Theatre_Studies">Theatre Studies</a>, <script data-card-contents-for-ri="947" type="text/json">{"id":947,"name":"Theatre Studies","url":"https://www.academia.edu/Documents/in/Theatre_Studies?f_ri=19580","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2739" href="https://www.academia.edu/Documents/in/Play">Play</a>, <script data-card-contents-for-ri="2739" type="text/json">{"id":2739,"name":"Play","url":"https://www.academia.edu/Documents/in/Play?f_ri=19580","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="6222" href="https://www.academia.edu/Documents/in/Drama">Drama</a>, <script data-card-contents-for-ri="6222" type="text/json">{"id":6222,"name":"Drama","url":"https://www.academia.edu/Documents/in/Drama?f_ri=19580","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="19580" href="https://www.academia.edu/Documents/in/Artists_Books">Artists' Books</a><script data-card-contents-for-ri="19580" type="text/json">{"id":19580,"name":"Artists' Books","url":"https://www.academia.edu/Documents/in/Artists_Books?f_ri=19580","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=6076022]'), work: {"id":6076022,"title":"סיפורי מוניות (Cab 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The book is in the... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_29477642" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Visual and cultural analysis of Maekawa Senpan's Shitōchō  偲糖帖 (Remembered Sweets, 1945), a woodblock-printed compendium of sweets that was conceived of and executed during a period of severe wartime food shortage. The book is in the Pulverer Collection of Japanese illustrated books of the Freer Gallery of Art, Smithsonian Institution, Washington, DC and is featured on The World of the Japanese Illustrated Book website. My commentary, along with a complete set of readable images of the book,  may be found here: <a href="http://pulverer.si.edu/node/455/title/1" rel="nofollow">http://pulverer.si.edu/node/455/title/1</a>.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/29477642" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="9097660cc6d8014a1f9892ebbb567185" rel="nofollow" data-download="{"attachment_id":50400186,"asset_id":29477642,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/50400186/download_file?st=MTczMjUxNjA0Nyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="47646" href="https://umcp.academia.edu/AliciaVolk">Alicia Volk</a><script data-card-contents-for-user="47646" type="text/json">{"id":47646,"first_name":"Alicia","last_name":"Volk","domain_name":"umcp","page_name":"AliciaVolk","display_name":"Alicia Volk","profile_url":"https://umcp.academia.edu/AliciaVolk?f_ri=19580","photo":"https://0.academia-photos.com/47646/14810/40569156/s65_alicia.volk.jpg"}</script></span></span></li><li class="js-paper-rank-work_29477642 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="29477642"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 29477642, container: ".js-paper-rank-work_29477642", }); 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$(".js-view-count[data-work-id=29477642]").text(description); $(".js-view-count-work_29477642").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_29477642").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="29477642"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">78</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="380" href="https://www.academia.edu/Documents/in/Asian_Studies">Asian Studies</a>, <script data-card-contents-for-ri="380" type="text/json">{"id":380,"name":"Asian Studies","url":"https://www.academia.edu/Documents/in/Asian_Studies?f_ri=19580","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="387" href="https://www.academia.edu/Documents/in/Japanese_Studies">Japanese Studies</a>, <script data-card-contents-for-ri="387" type="text/json">{"id":387,"name":"Japanese Studies","url":"https://www.academia.edu/Documents/in/Japanese_Studies?f_ri=19580","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="863" href="https://www.academia.edu/Documents/in/Visual_Studies">Visual Studies</a>, <script data-card-contents-for-ri="863" type="text/json">{"id":863,"name":"Visual Studies","url":"https://www.academia.edu/Documents/in/Visual_Studies?f_ri=19580","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="874" href="https://www.academia.edu/Documents/in/Prints">Prints</a><script data-card-contents-for-ri="874" type="text/json">{"id":874,"name":"Prints","url":"https://www.academia.edu/Documents/in/Prints?f_ri=19580","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=29477642]'), work: {"id":29477642,"title":"Maekawa Senpan, Shitōchō 偲糖帖 (Remembered Sweets, 1945)","created_at":"2016-10-27T12:02:18.008-07:00","url":"https://www.academia.edu/29477642/Maekawa_Senpan_Shit%C5%8Dch%C5%8D_%E5%81%B2%E7%B3%96%E5%B8%96_Remembered_Sweets_1945_?f_ri=19580","dom_id":"work_29477642","summary":"Visual and cultural analysis of Maekawa Senpan's Shitōchō 偲糖帖 (Remembered Sweets, 1945), a woodblock-printed compendium of sweets that was conceived of and executed during a period of severe wartime food shortage. The book is in the Pulverer Collection of Japanese illustrated books of the Freer Gallery of Art, Smithsonian Institution, Washington, DC and is featured on The World of the Japanese Illustrated Book website. 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L’omonima pubblicazione raccoglie le registrazioni degli interventi al convegno e le relative discussioni.  “Progetto Oreste 0 (zero)”, sul retro del volume, è un diario a voci multiple della residenza a Paliano dello stesso anno. <br /> <br />Giancarlo Norese, curatore dell’edizione originale – ormai introvabile – pubblicata nel 1998 dalle Edizioni Charta nella collana “I libri di Zerynthia”, ha realizzato nel 2021 questo libro d’artista che consiste nella riproduzione dichiaratamente imperfetta dell’ultima copia del volume in suo possesso. — — — Testi di Cesare Pietroiusti, Federico Pagliarini, Federico Tanzi-Mira, Stefano Arienti, Eugenio Giliberti, Fabrizio Basso, Marco Vaglieri, Giancarlo Norese, Luca Vitone, Emilio Fantin, Sabrina Mezzaqui, Anteo Radovan, Zerometriquadri, Salvatore Falci, Roberto Cascone, Laura Ruggeri, Luca Bertolo, Stalker, Mauro Maffezzoni, Eugenio Mastrorocco, Eva Marisaldi, Bruna Esposito, Brigata Es, Francesco Arena, Gianluca Cosci, Pino Boresta, Marco Cordero, Giovanni Bai, Cesare Viel, Liliana Moro, Grazia Toderi, Boris Bakal, Manuela Cirino, Pietro Fortuna e Arianna Vennarucci, Luca Scarabelli, Andrea Sperni, Alessandra Spranzi, Alessandra Tesi.  Interventi di Alessandra Borgogelli, Gianni Caravaggio, Pier Luigi Sacco, Lisa Parola, Antonella Mazzoni, Paola Ferraris, Renato Barilli, Anna Valeria Borsari, Ernesto Jannini, Emanuela De Cecco, Guglielmo Aschieri, Carolyn Christov Bakargiev, Zefferina Castoldi, Mario Gorni, Mauro Marino, Luisa Protti, Claudio Angione, Arianna Giorgi, Paolo De Cesare. — — — Italiano, Brossura, 260 pagine, b/n, ISBN 979-8747739024 – disponibile su <a href="https://amzn.eu/d/g61HPVK" rel="nofollow">https://amzn.eu/d/g61HPVK</a></div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/43177058" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="a0aa4d63b290f85b7f9a581c0eb5c951" rel="nofollow" data-download="{"attachment_id":67296300,"asset_id":43177058,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/67296300/download_file?st=MTczMjUxNjA0Nyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="3969161" href="https://milano.academia.edu/giancarlonorese">Giancarlo Norese</a><script data-card-contents-for-user="3969161" type="text/json">{"id":3969161,"first_name":"Giancarlo","last_name":"Norese","domain_name":"milano","page_name":"giancarlonorese","display_name":"Giancarlo Norese","profile_url":"https://milano.academia.edu/giancarlonorese?f_ri=19580","photo":"https://0.academia-photos.com/3969161/1493267/8775287/s65_giancarlo.norese.jpg"}</script></span></span></li><li class="js-paper-rank-work_43177058 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="43177058"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 43177058, container: ".js-paper-rank-work_43177058", }); 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