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The human body from a biotechnological perspective in art contexts: active space of experimentation in constant transformation
<!DOCTYPE html> <html > <head> <meta charset="utf-8"> <meta rel="search" type="application/opensearchdescription+xml" href="/open_search.xml" title="Academia.edu"> <meta content="width=device-width, initial-scale=1" name="viewport"> <meta name="google-site-verification" content="bKJMBZA7E43xhDOopFZkssMMkBRjvYERV-NaN4R6mrs"> <meta name="csrf-param" content="authenticity_token" /> <meta name="csrf-token" content="FZS_3dSCSx_BCL6ctkYVLfvnvCQ2B0yoYpGT1K5_-lf0x42ytNCwIQ_Cc3n83GQfn-6QSU80lIVVIEx919EmXw" /> <meta name="citation_title" content="The human body from a biotechnological perspective in art contexts: active space of experimentation in constant transformation" /> <meta name="citation_publication_date" content="2023/01/01" /> <meta name="citation_journal_title" content="Artnodes" /> <meta name="citation_author" content="Rafael Ortiz Martinez de Carnero" /> <meta name="twitter:card" content="summary" /> <meta name="twitter:url" content="https://www.academia.edu/109204013/The_human_body_from_a_biotechnological_perspective_in_art_contexts_active_space_of_experimentation_in_constant_transformation" /> <meta name="twitter:title" content="The human body from a biotechnological perspective in art contexts: active space of experimentation in constant transformation" /> <meta name="twitter:description" content="Over the last three decades, the rise of new conceptualizations around the human body in connection with technology and machines has led to the development of new art practices in parallel with technological advances in the fields of biology," /> <meta name="twitter:image" content="http://a.academia-assets.com/images/twitter-card.jpeg" /> <meta property="fb:app_id" content="2369844204" /> <meta property="og:type" content="article" /> <meta property="og:url" content="https://www.academia.edu/109204013/The_human_body_from_a_biotechnological_perspective_in_art_contexts_active_space_of_experimentation_in_constant_transformation" /> <meta property="og:title" content="The human body from a biotechnological perspective in art contexts: active space of experimentation in constant transformation" /> <meta property="og:image" content="http://a.academia-assets.com/images/open-graph-icons/fb-paper.gif" /> <meta property="og:description" content="Over the last three decades, the rise of new conceptualizations around the human body in connection with technology and machines has led to the development of new art practices in parallel with technological advances in the fields of biology," /> <meta property="article:author" content="https://aguapedia.academia.edu/RafaelOrtizMartinezdeCarnero" /> <meta name="description" content="Over the last three decades, the rise of new conceptualizations around the human body in connection with technology and machines has led to the development of new art practices in parallel with technological advances in the fields of biology," /> <title>The human body from a biotechnological perspective in art contexts: active space of experimentation in constant transformation</title> <link rel="canonical" href="https://www.academia.edu/109204013/The_human_body_from_a_biotechnological_perspective_in_art_contexts_active_space_of_experimentation_in_constant_transformation" /> <script async src="https://www.googletagmanager.com/gtag/js?id=G-5VKX33P2DS"></script> <script> window.dataLayer = window.dataLayer || []; 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This paper examines the human body in art contexts where biotechnology plays a relevant role in the generation of new conceptualizations around the human body topic. Thus, re-contextualized in social and cultural spheres and technical terms, the body will become redesigned, revamped, or augmented through the use of technological advances ranging from plastic surgery to robotic prosthetics. The human body is our vehicle of direct interaction with the environment. Its modification, alteration or expansion implies a redefinition of the existing limits between our corporality and the environment itself. Not only in the physical sense, but metaphysical and social. Hence, the introduced artists and strategies blur these limits and establish new relations through the body as a physical and social entity. In the search of new boundaries far beyond socio-cultural and natural limitations, they will reach new social, perceptual and conceptual statuses, far beyond aesthetic practices, focusing on the generation of political and social debates.","author":[{"@context":"https://schema.org","@type":"Person","name":"Rafael Ortiz Martinez de Carnero","url":"https://aguapedia.academia.edu/RafaelOrtizMartinezdeCarnero","sameAs":[]}],"contributor":[],"dateCreated":"2023-11-15","dateModified":"2025-02-03","datePublished":"2023-01-01","headline":"The human body from a biotechnological perspective in art contexts: active space of experimentation in constant transformation","identifier":{"@type":"PropertyValue","propertyID":"DOI","value":"10.7238/artnodes.v0i32.410379"},"image":"https://attachments.academia-assets.com/107456581/thumbnails/1.jpg","inLanguage":"en","keywords":[],"publication":"Artnodes","publisher":{"@context":"https://schema.org","@type":"Organization","name":"Fundacio per la Universitat 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window.loswp.shouldShowBulkDownload = true; window.loswp.showSignupCaptcha = false window.loswp.willEdgeCache = false; window.loswp.work = {"work":{"id":109204013,"created_at":"2023-11-15T08:08:26.609-08:00","from_world_paper_id":243277942,"updated_at":"2025-02-03T16:20:04.508-08:00","_data":{"doi":"10.7238/artnodes.v0i32.410379","issue":"32","abstract":"Over the last three decades, the rise of new conceptualizations around the human body in connection with technology and machines has led to the development of new art practices in parallel with technological advances in the fields of biology, medicine and computing.\r\n\r\nThis paper examines the human body in art contexts where biotechnology plays a relevant role in the generation of new conceptualizations around the human body topic. Thus, re-contextualized in social and cultural spheres and technical terms, the body will become redesigned, revamped, or augmented through the use of technological advances ranging from plastic surgery to robotic prosthetics.\r\n\r\nThe human body is our vehicle of direct interaction with the environment. Its modification, alteration or expansion implies a redefinition of the existing limits between our corporality and the environment itself. Not only in the physical sense, but metaphysical and social. Hence, the introduced artists and strategies blur these limits and establish new relations through the body as a physical and social entity. In the search of new boundaries far beyond socio-cultural and natural limitations, they will reach new social, perceptual and conceptual statuses, far beyond aesthetic practices, focusing on the generation of political and social debates.","publisher":"Fundacio per la Universitat Oberta de Catalunya","ai_title_tag":"Biotechnology and the Human Body in Art","page_numbers":"1 - 8","publication_date":"2023,,","publication_name":"Artnodes"},"document_type":"paper","pre_hit_view_count_baseline":null,"quality":"high","language":"en","title":"The human body from a biotechnological perspective in art contexts: active space of experimentation in constant transformation","broadcastable":true,"draft":null,"has_indexable_attachment":true,"indexable":true,"seo_quality":null}}["work"]; window.loswp.workCoauthors = [175220865]; window.loswp.locale = "en"; window.loswp.countryCode = "SG"; window.loswp.cwvAbTestBucket = ""; window.loswp.designVariant = "ds_vanilla"; window.loswp.fullPageMobileSutdModalVariant = "control"; window.loswp.useOptimizedScribd4genScript = false; window.loginModal = {}; window.loginModal.appleClientId = 'edu.academia.applesignon'; window.userInChina = "false";</script><script defer="" src="https://accounts.google.com/gsi/client"></script><div class="ds-loswp-container"><div class="ds-work-card--grid-container"><div class="ds-work-card--container js-loswp-work-card"><div class="ds-work-card--cover"><div class="ds-work-cover--wrapper"><div class="ds-work-cover--container"><button class="ds-work-cover--clickable js-swp-download-button" data-signup-modal="{"location":"swp-splash-paper-cover","attachmentId":107456581,"attachmentType":"pdf"}"><img alt="First page of “The human body from a biotechnological perspective in art contexts: active space of experimentation in constant transformation”" class="ds-work-cover--cover-thumbnail" src="https://0.academia-photos.com/attachment_thumbnails/107456581/mini_magick20231117-1-69lip2.png?1700220497" /><img alt="PDF Icon" class="ds-work-cover--file-icon" src="//a.academia-assets.com/images/single_work_splash/adobe_icon.svg" /><div class="ds-work-cover--hover-container"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span><p>Download Free PDF</p></div><div class="ds-work-cover--ribbon-container">Download Free PDF</div><div class="ds-work-cover--ribbon-triangle"></div></button></div></div></div><div class="ds-work-card--work-information"><h1 class="ds-work-card--work-title">The human body from a biotechnological perspective in art contexts: active space of experimentation in constant transformation</h1><div class="ds-work-card--work-authors ds-work-card--detail"><a class="ds-work-card--author js-wsj-grid-card-author ds2-5-body-md ds2-5-body-link" data-author-id="175220865" href="https://aguapedia.academia.edu/RafaelOrtizMartinezdeCarnero"><img alt="Profile image of Rafael Ortiz Martinez de Carnero" class="ds-work-card--author-avatar" src="//a.academia-assets.com/images/s65_no_pic.png" />Rafael Ortiz Martinez de Carnero</a></div><div class="ds-work-card--detail"><p class="ds-work-card--detail ds2-5-body-sm">2023, Artnodes</p><a class="js-loswp-work-card-doi-link ds2-5-body-sm ds2-5-body-link" href="https://doi.org/10.7238/artnodes.v0i32.410379" rel="nofollow">https://doi.org/10.7238/artnodes.v0i32.410379</a><div class="ds-work-card--work-metadata"><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">visibility</span><p class="ds2-5-body-sm" id="work-metadata-view-count">…</p></div><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">description</span><p class="ds2-5-body-sm">8 pages</p></div><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">link</span><p class="ds2-5-body-sm">1 file</p></div></div><script>(async () => { const workId = 109204013; const worksViewsPath = "/v0/works/views?subdomain_param=api&work_ids%5B%5D=109204013"; const getWorkViews = async (workId) => { const response = await fetch(worksViewsPath); if (!response.ok) { throw new Error('Failed to load work views'); } const data = await response.json(); return data.views[workId]; }; // Get the view count for the work - we send this immediately rather than waiting for // the DOM to load, so it can be available as soon as possible (but without holding up // the backend or other resource requests, because it's a bit expensive and not critical). const viewCount = await getWorkViews(workId); const updateViewCount = (viewCount) => { try { const viewCountNumber = parseInt(viewCount, 10); if (viewCountNumber === 0) { // Remove the whole views element if there are zero views. document.getElementById('work-metadata-view-count')?.parentNode?.remove(); return; } const commaizedViewCount = viewCountNumber.toLocaleString(); const viewCountBody = document.getElementById('work-metadata-view-count'); if (!viewCountBody) { throw new Error('Failed to find work views element'); } viewCountBody.textContent = `${commaizedViewCount} views`; } catch (error) { // Remove the whole views element if there was some issue parsing. document.getElementById('work-metadata-view-count')?.parentNode?.remove(); throw new Error(`Failed to parse view count: ${viewCount}`, error); } }; // If the DOM is still loading, wait for it to be ready before updating the view count. if (document.readyState === "loading") { document.addEventListener('DOMContentLoaded', () => { updateViewCount(viewCount); }); // Otherwise, just update it immediately. } else { updateViewCount(viewCount); } })();</script></div><p class="ds-work-card--work-abstract ds-work-card--detail ds2-5-body-md">Over the last three decades, the rise of new conceptualizations around the human body in connection with technology and machines has led to the development of new art practices in parallel with technological advances in the fields of biology, medicine and computing. This paper examines the human body in art contexts where biotechnology plays a relevant role in the generation of new conceptualizations around the human body topic. Thus, re-contextualized in social and cultural spheres and technical terms, the body will become redesigned, revamped, or augmented through the use of technological advances ranging from plastic surgery to robotic prosthetics. The human body is our vehicle of direct interaction with the environment. Its modification, alteration or expansion implies a redefinition of the existing limits between our corporality and the environment itself. Not only in the physical sense, but metaphysical and social. Hence, the introduced artists and strategies blur these limits and establish new relations through the body as a physical and social entity. In the search of new boundaries far beyond socio-cultural and natural limitations, they will reach new social, perceptual and conceptual statuses, far beyond aesthetic practices, focusing on the generation of political and social debates.</p><div class="ds-work-card--button-container"><div class="primary-buttons "><button class="ds2-5-button js-swp-download-button" data-signup-modal="{"location":"continue-reading-button--work-card","attachmentId":107456581,"attachmentType":"pdf","workUrl":"https://www.academia.edu/109204013/The_human_body_from_a_biotechnological_perspective_in_art_contexts_active_space_of_experimentation_in_constant_transformation"}"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">description</span>See full PDF</button><button class="ds2-5-button ds2-5-button--secondary js-swp-download-button" data-signup-modal="{"location":"download-pdf-button--work-card","attachmentId":107456581,"attachmentType":"pdf","workUrl":"https://www.academia.edu/109204013/The_human_body_from_a_biotechnological_perspective_in_art_contexts_active_space_of_experimentation_in_constant_transformation"}"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span>Download PDF</button></div></div><div class="ds-signup-banner-trigger-container"><div class="ds-signup-banner-trigger ds-signup-banner-trigger-premium-marketing"></div></div><div class="ds-signup-banner ds-signup-banner-premium-marketing"><div id="ds-signup-banner-close-button"><button class="ds2-5-button ds2-5-button--secondary ds2-5-button--inverse"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">close</span></button></div><div class="premium-banner-content" data-impression-entity-id="109204013" data-impression-entity-type="2" data-impression-source="premium-banner-desktop"><div class="left"><img src="//a.academia-assets.com/images/academia-logo-capital-white.svg" /><span>Get access to the world's latest research</span></div><div class="right"><div class="card free"><div class="header">Free</div><div class="feature-list"><div class="feature"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">check</span><span>Download one paper at a time</span></div><div class="feature"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">check</span><span>Save papers to bookmarks</span></div><div class="feature"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">check</span><span>Basic search</span></div></div><button class="ds2-5-button ds2-5-button--secondary ds2-5-button--small ds2-5-button--inverse ds2-5-button--full-width js-swp-download-button" data-signup-modal="{"location":"premium-banner-desktop-free"}">Sign up for free</button></div><div class="card premium"><div class="pill">Recommended</div><div class="header premium">Premium</div><div class="feature-list"><div class="feature"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">check</span><span>Get highly curated PDF packages</span></div><div class="feature"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">check</span><span>Track your impact with Mentions</span></div><div class="feature"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">check</span><span>Access advanced search filters</span></div><div class="feature"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">check</span><span>Support Academia’s mission</span></div><div class="feature"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">check</span><span>Create your personal website</span></div></div><button class="ds2-5-button ds2-5-button--small ds2-5-button--inverse ds2-5-button--full-width js-swp-download-button" data-signup-modal="{"location":"premium-banner-desktop-upgrade","submitText":"Try Premium for $1"}">Try Premium for $1</button></div></div></div></div><script>(() => { // Set up signup banner show/hide behavior: // 1. 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De-Subjectification in Body Art and Bioart’, in Gunnarsson, Martin & Svenaeus, Fredrik (eds.), The Body as Gift, Resource and Commodity. Exchanging Organs, Tissues and Cells in the 21st Century, 2012. ISBN: 978-91-86069-00-0, pp. 169-203 + color plates.</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="25068119" href="https://lu.academia.edu/MaxLiljefors">Max Liljefors</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"‘Bodies Against Meaning. De-Subjectification in Body Art and Bioart’, in Gunnarsson, Martin \u0026 Svenaeus, Fredrik (eds.), The Body as Gift, Resource and Commodity. Exchanging Organs, Tissues and Cells in the 21st Century, 2012. ISBN: 978-91-86069-00-0, pp. 169-203 + color plates.","attachmentId":36516358,"attachmentType":"pdf","work_url":"https://www.academia.edu/10513412/_Bodies_Against_Meaning_De_Subjectification_in_Body_Art_and_Bioart_in_Gunnarsson_Martin_and_Svenaeus_Fredrik_eds_The_Body_as_Gift_Resource_and_Commodity_Exchanging_Organs_Tissues_and_Cells_in_the_21st_Century_2012_ISBN_978_91_86069_00_0_pp_169_203_color_plates","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/10513412/_Bodies_Against_Meaning_De_Subjectification_in_Body_Art_and_Bioart_in_Gunnarsson_Martin_and_Svenaeus_Fredrik_eds_The_Body_as_Gift_Resource_and_Commodity_Exchanging_Organs_Tissues_and_Cells_in_the_21st_Century_2012_ISBN_978_91_86069_00_0_pp_169_203_color_plates"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="1" data-entity-id="121928543" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/121928543/Posthuman_body_A_post_dualistic_entity_in_bio_technological_art">Posthuman body: A post-dualistic entity in bio(technological)-art</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="4323525" href="https://halic.academia.edu/MkYurttas">Mustafa Kemal Yurttaş</a></div><p class="ds-related-work--abstract ds2-5-body-sm">The body has always been the subject of discussions whether in ancient, modern or posthuman times. In these discussions, it has been instrumentalized, domesticized, and even cursed or glorified, mostly through the dualisms such as mind/body, soul/body and self/other. Posthuman thought criticizes this dualistic comprehension for the body and proposes a post-dualistic understanding. This post-dualism blurs the distinctions starting from the ones between the human and machine, human and animal for a posthuman body. This study approaches the posthuman body as a post-dualistic entity as well. Through a qualitative research method, the academic literature was reviewed concerning the prominent debates on these issues and discussed the findings with the practical works of art. Primarily, Donna Haraway's arguments on the body with the notion of cyborg and Katherine N. Hayles' concept of posthuman were examined for building a basis of the research. At the intersection of these concepts, Deleuze & Guattari's notion of becoming and becoming-machine notion were explored. Becoming-machine not only relates to Body without Organs (BwO), but also emerges as a developed concept for posthuman in Rosi Braidotti's texts too. Braidotti interprets this Deleuzian concept in a critical posthuman perspective and proposes a new notion as Organs without Bodies. This concept connects to BwO with its criticism on organism and also benefits from Foucault's arguments for biopower and biopolitics. So, Braidotti discusses Foucault's arguments on modernity to develop a criticism on biotechnological capitalism. Therefore, this research aims to discuss these interrelated critical subjects through biotechnological manifestations in contemporary art. In this scope, the purpose of this study is to interpret critical issues on the body from an interdisciplinary point of view and contribute to the academic literature with an alternative discussion mentioning the post-dualistic possibilities of the posthuman body. ÖZ Beden gerek antik çağda, gerek modern, gerekse de insan sonrası zamanlarda her zaman tartışmaların konusu olmuştur. Bu tartışmalarda beden çoğunlukla zihin/beden, ruh/beden ve ben/öteki düalizmleri üzerinden araçsallaştırılmış evcilleştirilmiş hatta lanetlenmiş ya da yüceltilmiştir. İnsan sonrası düşünce, bedene yönelik bu düalist anlayışı eleştirir ve post-düalist bir anlayış önerir.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Posthuman body: A post-dualistic entity in bio(technological)-art","attachmentId":116695322,"attachmentType":"pdf","work_url":"https://www.academia.edu/121928543/Posthuman_body_A_post_dualistic_entity_in_bio_technological_art","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/121928543/Posthuman_body_A_post_dualistic_entity_in_bio_technological_art"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="2" data-entity-id="2553608" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/2553608/Posthuman_Visions_Creating_the_Technologized_Body">Posthuman Visions: Creating the Technologized Body</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="2760" href="https://independent.academia.edu/BrettLunceford">Brett Lunceford</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Explorations in Media Ecology, 2012</p><p class="ds-related-work--abstract ds2-5-body-sm">As medical technology continues to progress, we are able to correct deficiencies in the body through means such as cochlear implants and prosthetic limbs. This has led some scholars to argue that we are creating technologized, cyborg bodies. However, these technologies have also enabled us to correct perceived cultural flaws in the body. This article explores the nature of the body through the lens of posthumanism, examining ways that individuals attempt to reshape their bodies through cosmetic surgery and other forms of body modification. Specifically, this article examines the practice of hymen restoration, Genesis Breyer P-Orridge’s artistic endeavours in cosmetic surgery and Stelarc’s cybernetic experimentations. These cases yield three potential visions of the body: the body must be restored; bodies must be unified; and the body must evolve. Such visions have consequences; the ways in which the body is rhetorically constructed influence how people choose to alter their own bodies. By considering the body itself as medium and as an interface with other technologies, we can better theorize what it truly means to be human.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Posthuman Visions: Creating the Technologized Body","attachmentId":30566883,"attachmentType":"pdf","work_url":"https://www.academia.edu/2553608/Posthuman_Visions_Creating_the_Technologized_Body","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/2553608/Posthuman_Visions_Creating_the_Technologized_Body"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="3" data-entity-id="35557402" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/35557402/Biopower_imagined_Biotechnological_art_and_life_engineering">Biopower imagined: Biotechnological art and life engineering</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="33483144" href="https://muni.academia.edu/EvaSlesingerova">Eva Slesingerova</a></div><p class="ds-related-work--metadata ds2-5-body-xs">2017</p><p class="ds-related-work--abstract ds2-5-body-sm">We are witnessing profound changes in our societies via biosciences, biotechnologization, and digitalization. The influence and application of specific engineering rationality and cybernetic perspectives to the complex systems of living structures and to the language of biology are integral parts of our cultural environment. The biotechnological reproduction of life, bodies and cells, as well as AI-equipped machines, has become normal and sometimes even technically routine in contemporary societies. The biotechnologization of society and the engineering of life have also significantly influenced contemporary art fields, practices and projects. The crucial analytical scope for this article is a specific biotechnological art field – bio art. Bio art includes the works of artists who are intrigued by working with living or semi-living tissues and biotechnologies. Using specific artworks, mainly by Louis Bec, Heather Dewey-Hagborg, and Biononymous, the text investigates current forms of power over life – biopower – that imagine, classify, and govern our societies today, even on molecular and genetic levels. The text analyzes artistic reflections of the processes by which people are governed mainly as the derivatives of the body, biological and genetic data sets. In this context, the article explores artworks inspired by specific biopolitical engineering rationality and surveillance practices enabling naming, fabricating and dealing with life which is synthesized, ethnicized and monitored.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Biopower imagined: Biotechnological art and life engineering","attachmentId":55423300,"attachmentType":"pdf","work_url":"https://www.academia.edu/35557402/Biopower_imagined_Biotechnological_art_and_life_engineering","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/35557402/Biopower_imagined_Biotechnological_art_and_life_engineering"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="4" data-entity-id="10233579" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/10233579/ART_AND_THE_RE_DESIGN_OF_HUMAN_BODY">ART AND THE RE-DESIGN OF HUMAN BODY</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="4492507" href="https://independent.academia.edu/AnnaHatziyiannaki">Anna Hatziyiannaki</a></div><p class="ds-related-work--abstract ds2-5-body-sm">There is an evolution gap in modern human that is, between his biological body and contemporary technology. Hence, the biological body has to be redesigned to respond to high technology and the prospect of its space habitation. The artificial evolutionary step after Modern Homo Sapiens, is Transhuman, a transitory being with more powerful physical, intellectual and psychological abilities, having as a visionary target, the Posthuman. The bio-ethics issues arising from the prospect of Transhuman, touch on both the sphere of society, and also, the evolutionary stage of his consciousness. Quantum Mechanics research into biophotonics leads us into the logical assumption that all biological systems on our planet are interactively interconnected, not only through the generally accepted food chain of biosystems, but also biologically, through a biophotonics’ network. In an ideal, Planetary Civil Society, a possible counterweight to financial globalization may be a transcultural planetary network of minds, which will be connected in a non-hierarchical, and accessible by everybody, interactive network that combines the silicon technology with Biophotonics. If the aim is the maturing of consciousness of contemporary Human, then Roy Ascott’s vision for Telenoia is of defining importance for the holistic redesign of life. This is where society, science and intercultural technologies meet in the spirit of a new Art, where the “post” prefix is not required to determine itself.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"ART AND THE RE-DESIGN OF HUMAN BODY","attachmentId":36326041,"attachmentType":"pdf","work_url":"https://www.academia.edu/10233579/ART_AND_THE_RE_DESIGN_OF_HUMAN_BODY","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/10233579/ART_AND_THE_RE_DESIGN_OF_HUMAN_BODY"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="5" data-entity-id="127344525" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/127344525/TRANSHUMANISM_AND_THE_IMPLICATIONS_OF_INTELLECTUAL_AND_TECHNOLOGY_IN_THE_BODY_ART">TRANSHUMANISM AND THE IMPLICATIONS OF INTELLECTUAL AND TECHNOLOGY IN THE BODY ART</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="2655704" href="https://almustansiriya.academia.edu/NADAYOUSIF">Dr.NADA A A I E D YOUSIF</a></div><p class="ds-related-work--metadata ds2-5-body-xs">uropean Journal of Humanities and Educational Advancements (EJHEA), 2022</p><p class="ds-related-work--abstract ds2-5-body-sm">The body has entered a new stage in the digital world to reveal an age associated with intellectual and technical transformations according to the controversies and debates that led to the birth of the post human age trans humanism, which promises to increase the capabilities of the body as physical as well as open the way to intellectual transformations that hit the dogmatic limits of the self and the sacred body To review the features of the digital age in order to communicate the cosmic and bring about vibrations in the aesthetic awareness and move to the era of circulation to devise mechanisms and concepts that reflect the society and belong to it all the variables. As a result of the study of the mutual effects between art and science to research in the transitions of methods of body art, this study was entitled "Trans humanism and the implications of intellectual and technology in the body art ". This paper contains concept of post-human, and discusses technological implications of the body art and undergone transformations resulting from those stylistic implications. The third chapter deals with analyzing the samples. Finally Under the last title "results and discussion", the findings of the study are summarized.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"TRANSHUMANISM AND THE IMPLICATIONS OF INTELLECTUAL AND TECHNOLOGY IN THE BODY ART","attachmentId":121089846,"attachmentType":"pdf","work_url":"https://www.academia.edu/127344525/TRANSHUMANISM_AND_THE_IMPLICATIONS_OF_INTELLECTUAL_AND_TECHNOLOGY_IN_THE_BODY_ART","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/127344525/TRANSHUMANISM_AND_THE_IMPLICATIONS_OF_INTELLECTUAL_AND_TECHNOLOGY_IN_THE_BODY_ART"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="6" data-entity-id="79675519" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/79675519/Delimitations_of_the_Body_The_Profound_Play_of_the_Body_Plastic">Delimitations of the Body: The Profound Play of the Body Plastic</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="1537901" href="https://ucl.academia.edu/TimothyCarroll">Timothy Carroll</a></div><p class="ds-related-work--metadata ds2-5-body-xs">The New Bioethics, 2016</p><p class="ds-related-work--abstract ds2-5-body-sm">Techniques and technologies of and on the body are always social. Thinking through these practices can tell us something of the concerns and complexities of the people who practice them. This collection addresses the body as a technical apparatus of aesthetic performance and ethical commitments. Each of the papers work through intrusions in and extensions out of the body in order to understand the sociocultural genesis of the body as its boundaries are negotiated, contested, and blurred. Ethnographic accounts exploring intrusions into the body such as artful body modifications, medical interventions, and cyborgian movements of enhancement are taken alongside extensions out of the body into institutional, architectural, and ecological environments. In so doing, this short collection of papers seeks to understand how people partner themselves with techniques and technologies of and on the body to form new subjectivities in their aesthetic engagement with internal and external realities. It furthermore helps to fill a need within interdisciplinary discussions of the body to think through the human body as a site of technical engagement enmeshed within complex negotiations of value and meta-values. In this way it defines these delimitations of the body as complex bioethical issues. This special issue is the result of two symposia: one held at University College London in July 2015; the other, in Denver, Colorado as part of the programme of the American Anthropological Association Annual Meeting in December 2015. As such, this collection is the product of a collaborative effort on the part of the authors and associated colleagues (most notably David Jeevendrampillai, with whom we organized the original July symposium). Together we have sought to understand how people ally themselves with technology, render the body a sited technology, use bodily techniques, and extend themselves within medical, urban, and religious environments to form new subjectivities. This collection pulls together research exploring a range of engagements with the body such as: artful body modifications, medical interventions, cyborgian movements of enhancement, and interactions with the 'deceased' body, as well as the potentiality of objects and artefacts within the wider material ecology external to the body to act as a sort of 'living prosthetic', oftentimes linked to material-discursive claims of ownership and control. The papers presented in this collection are ethnographically diverse, but they each bring to the conversation a key aspect needed to understand our overarching</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Delimitations of the Body: The Profound Play of the Body Plastic","attachmentId":86308846,"attachmentType":"pdf","work_url":"https://www.academia.edu/79675519/Delimitations_of_the_Body_The_Profound_Play_of_the_Body_Plastic","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/79675519/Delimitations_of_the_Body_The_Profound_Play_of_the_Body_Plastic"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="7" data-entity-id="30106722" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/30106722/Towards_the_Post_Human_Body_On_New_Poetry_and_New_Reality">Towards the Post-Human Body. On New Poetry and New Reality</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="50697696" href="https://ignatianum1.academia.edu/Bogus%C5%82awaBodziochBry%C5%82a">Bogusława Bodzioch-Bryła</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Towards the Post-Human Body. On New Poetry and New Reality","attachmentId":50571237,"attachmentType":"pdf","work_url":"https://www.academia.edu/30106722/Towards_the_Post_Human_Body_On_New_Poetry_and_New_Reality","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/30106722/Towards_the_Post_Human_Body_On_New_Poetry_and_New_Reality"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="8" data-entity-id="4159597" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/4159597/Rethinking_the_body_and_its_boundaries">Rethinking the body and its boundaries</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="5024023" href="https://ulaval.academia.edu/PierreOlivierM%C3%A9thot">Pierre-Olivier Méthot</a><span>, </span><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="33287747" href="https://armstrong.academia.edu/LeighERich">Leigh E Rich</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Journal of Bioethical Inquiry, 2012</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Rethinking the body and its boundaries","attachmentId":31666234,"attachmentType":"pdf","work_url":"https://www.academia.edu/4159597/Rethinking_the_body_and_its_boundaries","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/4159597/Rethinking_the_body_and_its_boundaries"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="9" data-entity-id="38130049" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/38130049/Design_and_biotechnology_an_exploration_of_the_possibilities_of_objectifying_living_organisms">Design and biotechnology:an exploration of the possibilities of objectifying living organisms</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="30643" href="https://uwa.academia.edu/OronCatts">Oron Catts</a></div><p class="ds-related-work--metadata ds2-5-body-xs">The Journal of the School of Design Issue number 4 , 1996</p><p class="ds-related-work--abstract ds2-5-body-sm">In this paper I will look at current artistic trends, as well as recent developments in biotechnology that in the future may transform living organisms into objects. The concept of technological progress as a part of a linear perception of history that may exceed its limits is analysed, and the need for re-evaluating the concept of progress is emphasised. The role of biotechnology in technological progress, as well as the potential of biotechnology to change our perception of progress by applying natural processes in most basic terms, is highlighted. The relationship between art and technology is examined and shows that in some cases art explores technological advances before they occur. The work and the views of body artists Stelarc and Orlan are discussed, as well as those of some other artists. Bioethics is introduced as a scholarly way to examine biotechnological development, and it's revealed that not much has been done in respect to issues that are not directly connected to humans. This area seems to be where design can come in and explore the prospects of living objects and their manipulation. The need for a closer relationship between design and biotechnology, in order to produce a better future, concludes this paper.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Design and biotechnology:an exploration of the possibilities of objectifying living organisms","attachmentId":58160408,"attachmentType":"pdf","work_url":"https://www.academia.edu/38130049/Design_and_biotechnology_an_exploration_of_the_possibilities_of_objectifying_living_organisms","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/38130049/Design_and_biotechnology_an_exploration_of_the_possibilities_of_objectifying_living_organisms"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div></div></div><div class="ds-sticky-ctas--wrapper js-loswp-sticky-ctas hidden"><div class="ds-sticky-ctas--grid-container"><div class="ds-sticky-ctas--container"><button class="ds2-5-button js-swp-download-button" data-signup-modal="{"location":"continue-reading-button--sticky-ctas","attachmentId":107456581,"attachmentType":"pdf","workUrl":null}">See full PDF</button><button class="ds2-5-button ds2-5-button--secondary js-swp-download-button" data-signup-modal="{"location":"download-pdf-button--sticky-ctas","attachmentId":107456581,"attachmentType":"pdf","workUrl":null}"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span>Download PDF</button></div></div></div><div class="ds-below-fold--grid-container"><div class="ds-work--container js-loswp-embedded-document"><div class="attachment_preview" data-attachment="Attachment_107456581" style="display: none"><div class="js-scribd-document-container"><div class="scribd--document-loading js-scribd-document-loader" style="display: block;"><img alt="Loading..." src="//a.academia-assets.com/images/loaders/paper-load.gif" /><p>Loading Preview</p></div></div><div style="text-align: center;"><div class="scribd--no-preview-alert js-preview-unavailable"><p>Sorry, preview is currently unavailable. You can download the paper by clicking the button above.</p></div></div></div></div><div class="ds-sidebar--container js-work-sidebar"><div class="ds-related-content--container"><h2 class="ds-related-content--heading">Related papers</h2><div class="ds-related-work--container js-related-work-sidebar-card" data-collection-position="0" data-entity-id="1509698" data-sort-order="default"><a class="ds-related-work--title js-related-work-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/1509698/Krpi%C4%8D_T_2009_Joint_Reviews_of_Alan_Petersens_The_Body_in_Question_A_SocioCultural_Approach_and_Chris_Shillings_The_Body_in_Culture_Technology_and_Society_Sociology_43_1_186_188">Krpič, T. 2009. Joint Reviews of Alan Petersen's 'The Body in Question: A SocioCultural Approach' and Chris Shilling's 'The Body in Culture,Technology and Society'. Sociology 43 (1): 186-188.</a><div class="ds-related-work--metadata"><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="1517754" href="https://uni-lj.academia.edu/Toma%C5%BEKrpi%C4%8D">Tomaž Krpič</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Sociology-the Journal of The British Sociological Association, 2009</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Krpič, T. 2009. Joint Reviews of Alan Petersen's 'The Body in Question: A SocioCultural Approach' and Chris Shilling's 'The Body in Culture,Technology and Society'. 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