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Filmes de Syberberg, Radu Jude, Andrei Ujică e Harmony Korine num Doclisboa dedicado a Augusto M. Seabra e assente em todos os Riscos – Apordoc – Associação pelo Documentário
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Seabra e assente em todos os Riscos</span> </div> </div><!-- #header --> <div id="main"> <div id="content"> <div class="hfeed"> <div id="post-1207" class="hentry post publish post-1 odd author-apordoc category-uncategorized"> <div class="post-content"> <img src="https://www.apordoc.org/wp-content/uploads/2024/10/TWST_01_04-636x310.jpg" alt="Filmes de Syberberg, Radu Jude, Andrei Ujică e Harmony Korine num Doclisboa dedicado a Augusto M. Seabra e assente em todos os Riscos" class="single-thumbnail featured" /> <h1 class="post-title entry-title">Filmes de Syberberg, Radu Jude, Andrei Ujică e Harmony Korine num Doclisboa dedicado a Augusto M. Seabra e assente em todos os Riscos</h1> <div class="byline"><a href="https://www.apordoc.org/?p=1207">Outubro 1, 2024</a> · by <a href="https://www.apordoc.org/?author=2" title="Artigos de Apordoc" rel="author">Apordoc</a> · in <a href="https://www.apordoc.org/?cat=1" rel="category">Uncategorized</a> </div> <div class="entry-content"> <p>Já é conhecida a programação do Doclisboa 2024, que decorre entre 17 e 27 de Outubro nas salas habituais do festival: Culturgest, Cinema São Jorge, Cinemateca Portuguesa, Cinema Ideal e agora também na Casa do Comum do Bairro Alto. Ao todo, a 22ª edição mostra <strong>183 filmes</strong> de <strong>55 países</strong>, entre eles <strong>28 estreias mundiais, 19 estreias internacionais</strong> e <strong>30 filmes portugueses</strong>, que juntos compõem um retrato da contemporaneidade, do humano e daquilo que o rodeia, apaixona e atormenta. Mais de <strong>160 convidados</strong> visitarão Lisboa em Outubro.<br><br>A <strong>Competição Internacional</strong> deste ano conta com 12 filmes do mesmo número de países e inclui cinco estreias mundiais, seis estreias internacionais, uma estreia europeia e uma primeira obra. Na <strong>Competição Portuguesa</strong> há dez obras a concurso: quatro estreias mundiais, uma estreia europeia, cinco estreias portuguesas e três primeiras obras (ver lista de filmes abaixo).</p> <figure class="wp-block-image size-full"><a href="https://www.apordoc.org/wp-content/uploads/2024/10/aggro-dr1ft-1.jpg"><img fetchpriority="high" decoding="async" width="970" height="783" src="https://www.apordoc.org/wp-content/uploads/2024/10/aggro-dr1ft-1.jpg" alt="" class="wp-image-1212" srcset="https://www.apordoc.org/wp-content/uploads/2024/10/aggro-dr1ft-1.jpg 970w, https://www.apordoc.org/wp-content/uploads/2024/10/aggro-dr1ft-1-300x242.jpg 300w, https://www.apordoc.org/wp-content/uploads/2024/10/aggro-dr1ft-1-768x620.jpg 768w" sizes="(max-width: 970px) 100vw, 970px" /></a></figure> <p><em><strong>Aggro Dr1ft</strong> <strong>de Harmony Korine</strong></em></p> <p>A secção <strong>Riscos</strong> volta a apresentar os últimos filmes de grandes inventores de cinema como Andrei Ujică, Hans-Jürgen Syberberg, Radu Jude e Harmony Korine. O realizador convidado deste ano é o francês <strong>Pierre Creton</strong> (<strong><em>Go, Toto!, 7 Walks with Mark Brown</em></strong>), numa programação que deambula entre a relação com o mundo natural que convocam os filmes deste cineasta-agricultor de grande sensibilidade, ele próprio retratado noutro filme desta secção, <em><strong>I Am Pierre Creton, Normand and Filmmaker,</strong></em> de <strong>Dominique Auvray</strong>; e os mundos virtuais e distópicos dos trabalhos de <strong>Phil Solomon</strong> (<em><strong>Still Raining, Still Dreaming, Rehearsals from Retirement</strong></em>) que transforma as paisagens do jogo Grand Theft Auto ou de <strong>Korine</strong> e <em><strong>Aggro Dr1ft</strong></em>, peça de grande inventiva formal que é também um conto de violência e redenção à maneira de uma sala de jogos multiplayer.</p> <p>Os Riscos levam-nos à fixação de <strong>Andrei Ujică</strong> pela viagem dos Beatles a Nova Iorque em 1965 e a perplexidade perante a paisagem social americana, passada e presente, em <em><strong>TWST — Things We Said Today</strong></em>; e pela inventiva habitual do cinema <strong>Radu Jude</strong>, desta feita em <em><strong>Eight Postcards From Utopia</strong></em>, filme-montagem que colige material de anúncios publicitários pós-socialistas na Roménia. O Doclisboa apresenta também em estreia internacional o novo filme de um nome incontornável do cinema europeu: <strong>Hans-Jürgen Syberberg </strong>regressa três décadas depois do seu último trabalho com <em><strong>Demmin Cantos</strong></em>, filme sobre Demmin, cidade do nordeste da Alemanha onde o realizador nasceu e que foi palco de um dos maiores suicídios em massa no pós-Segunda Guerra Mundial. Do octogenário Syberberg, autor entre muitos outros de <em>Hitler: A Film from Germany</em> (1977) e que marcará presença no Doclisboa, o festival mostra ainda <em><strong>Ludwig. Requiem for a Virgin King</strong></em> (1972), integrado na retrospectiva <strong>Back to the Future</strong>, com curadoria de <strong>Jean-Pierre Rehm</strong>.</p> <figure class="wp-block-image size-large is-resized"><a href="https://www.apordoc.org/wp-content/uploads/2024/10/DemGes27sept2kreuzigungSW.jpg"><img decoding="async" width="1024" height="759" src="https://www.apordoc.org/wp-content/uploads/2024/10/DemGes27sept2kreuzigungSW-1024x759.jpg" alt="" class="wp-image-1208" style="width:840px;height:auto" srcset="https://www.apordoc.org/wp-content/uploads/2024/10/DemGes27sept2kreuzigungSW-1024x759.jpg 1024w, https://www.apordoc.org/wp-content/uploads/2024/10/DemGes27sept2kreuzigungSW-300x222.jpg 300w, https://www.apordoc.org/wp-content/uploads/2024/10/DemGes27sept2kreuzigungSW-768x570.jpg 768w, https://www.apordoc.org/wp-content/uploads/2024/10/DemGes27sept2kreuzigungSW.jpg 1242w" sizes="(max-width: 1024px) 100vw, 1024px" /></a><figcaption class="wp-element-caption"><strong><em>Demmin Cantos de Hans-Jürgen Syberberg </em></strong></figcaption></figure> <p>No ano do desaparecimento de alguém fundamental para a história do Doclisboa e em particular da secção Riscos, <strong>Augusto M. Seabra</strong>, o festival dedica-lhe esta edição e exibe um dos primeiros filmes por si programados para os Riscos: <em><strong>Compilations, 12 instants d’amour non partagé</strong></em>, de <strong>Frank Beauvais</strong>, obra onde convivem pequenos gestos de amor e música. A sessão, nomeada Exórdio, está agendada para <strong>20 de Outubro</strong>, às <strong>15h30</strong>, na <strong>Culturgest</strong>, e terá <strong>entrada gratuita</strong> mediante levantamento de bilhete no próprio dia. Um realizador cuja filmografia apresentada no Doclisboa está intimamente ligada a Augusto M. Seabra é <strong>Daniel Hui</strong>, que mais uma vez regressa ao festival para apresentar o seu novo trabalho: <em><strong>Small Hours of the Night</strong></em>, filme interior e obscuro sobre a Singapura dos anos 1960 e os seus fantasmas políticos. O filme de Hui tem contornos beckettianos, em linha directa com outro da programação: <em><strong>If I Fall, Don’t Pick Me Up</strong></em>, de <strong>Declan Clarke</strong>, que explora a correspondência de década e meia entre Samuel Beckett e o encenador Walter. D Asmus.<br><br>Da secção Da Terra à Lua, foram destacadas duas cópias restauradas: <em><strong>Um é Pouco, Dois é Bom</strong></em> (1970), filme de <strong>Odion Lopes</strong>, pioneiro do cinema negro; e <em><strong>El Castillo de la Pureza</strong></em>, do mexicano <strong>Arturo Ripstein</strong>, além de <em><strong>Lázaro at Night</strong></em>, de <strong>Nicolás Pereda</strong>, onde o cineasta contemporâneo explora novas formas narrativas.<br><br>A secção competitiva <strong>Verdes Anos</strong> ocupa um lugar especial na programação do Doclisboa, revelando novos talentos. O <strong>Nebulae</strong>, espaço de indústria do festival, apresenta Espanha como país convidado e o projecto educativo abcDoc aposta mais uma vez na força do documentário como ferramenta pedagógica.</p> <figure class="wp-block-image size-large"><a href="https://www.apordoc.org/wp-content/uploads/2024/10/Small-Hours-of-the-Night-still-2.jpg"><img decoding="async" width="1024" height="721" src="https://www.apordoc.org/wp-content/uploads/2024/10/Small-Hours-of-the-Night-still-2-1024x721.jpg" alt="" class="wp-image-1211" srcset="https://www.apordoc.org/wp-content/uploads/2024/10/Small-Hours-of-the-Night-still-2-1024x721.jpg 1024w, https://www.apordoc.org/wp-content/uploads/2024/10/Small-Hours-of-the-Night-still-2-300x211.jpg 300w, https://www.apordoc.org/wp-content/uploads/2024/10/Small-Hours-of-the-Night-still-2-768x540.jpg 768w, https://www.apordoc.org/wp-content/uploads/2024/10/Small-Hours-of-the-Night-still-2-1536x1081.jpg 1536w, https://www.apordoc.org/wp-content/uploads/2024/10/Small-Hours-of-the-Night-still-2.jpg 2048w" sizes="(max-width: 1024px) 100vw, 1024px" /></a><figcaption class="wp-element-caption"><strong><em>Small Hours of the Night de Daniel Hui</em></strong></figcaption></figure> <p>A conferência de imprensa do Doclisboa 2024 decorreu esta manhã na Culturgest e contou com a presença de <strong>Paula Astorga</strong> (Directora do Doclisboa), <strong>Mark Deputter</strong> (Presidente do Conselho Directivo – Culturgest), <strong>Laurentina Pereira</strong> (Directora Municipal da Cultura – CML), e <strong>Rui Machado </strong>(Director da Cinemateca Portuguesa – Museu do Cinema), e dos programadores do Doclisboa <strong>Justin Jaeckle</strong> (Programador Associado e secção Riscos) e<strong> Luca D’Introno </strong>(Programador secções Heart Beat e Verdes Anos). Participou ainda na sessão <strong>Luciana Fina</strong>, realizadora de <em><strong>Sempre</strong></em>, filme de abertura da edição deste ano.<br><br>Todos os detalhes da programação, júris, secções competitivas e prémios estão já disponíveis em <a href="http://doclisboa.org/" target="_blank" rel="noreferrer noopener">doclisboa.org</a>. <br><br>As bilheteiras físicas da Culturgest, Cinema São Jorge, Cinemateca Portuguesa e Cinema Ideal, e as bilheteiras online Blueticket e Ticketline, abrem a 3 de Outubro.</p> </div><!-- .entry-content --> <div class="entry-meta"></div> </div><!-- .post-content --> </div><!-- .hentry --> </div><!-- .hfeed --> <div class="loop-nav"> <div class="previous">← <a href="https://www.apordoc.org/?p=1201" rel="prev">O coração das artes e dos artistas revela-se na secção Heart Beat do Doclisboa 2024</a></div> <div class="next"><a href="https://www.apordoc.org/?p=1220" rel="next">Doc’s Kingdom anuncia nova direcção</a> →</div> </div><!-- .loop-nav --> </div><!-- #content --> </div><!-- #main --> <div id="footer"> <div class="footer-content"> <p class="copyright">Copyright © 2025 <a href="https://www.apordoc.org/" rel="home">Apordoc – Associação pelo Documentário</a></p> <p class="credit">Powered by <a href="http://wordpress.org">WordPress</a> and <a href="http://alienwp.com">Origin</a></p> </div> </div><!-- #footer --> </div><!-- .wrap --> </div><!-- #container --> <script type="text/javascript" src="https://www.apordoc.org/wp-content/themes/origin/js/fancybox/jquery.fancybox-1.3.4.pack.js?ver=1.0" id="origin_fancybox-js"></script> <script type="text/javascript" src="https://www.apordoc.org/wp-content/themes/origin/js/fitvids/jquery.fitvids.js?ver=1.0" id="origin_fitvids-js"></script> <script type="text/javascript" src="https://www.apordoc.org/wp-content/themes/origin/js/footer-scripts.js?ver=1.0" id="origin_footer-scripts-js"></script> <script type="text/javascript" src="https://www.apordoc.org/wp-content/themes/origin/js/navigation.js?ver=20130228" id="origin_navigation-js"></script> <script type="text/javascript" src="https://www.apordoc.org/wp-content/themes/origin/library/js/drop-downs.min.js?ver=20130805" id="drop-downs-js"></script> </body> </html>