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class="right-panel-container"><div class="user-content-wrapper"><div class="uploads-container" id="social-redesign-work-container"><div class="upload-header"><h2 class="ds2-5-heading-sans-serif-xs">Uploads</h2></div><div class="nav-container backbone-profile-documents-nav hidden-xs"><ul class="nav-tablist" role="tablist"><li class="nav-chip active" role="presentation"><a data-section-name="" data-toggle="tab" href="#all" role="tab">all</a></li><li class="nav-chip" role="presentation"><a class="js-profile-docs-nav-section u-textTruncate" data-click-track="profile-works-tab" data-section-name="Papers" data-toggle="tab" href="#papers" role="tab" title="Papers"><span>28</span> <span class="ds2-5-body-sm-bold">Papers</span></a></li><li class="nav-chip" role="presentation"><a class="js-profile-docs-nav-section u-textTruncate" data-click-track="profile-works-tab" data-section-name="Books" data-toggle="tab" href="#books" role="tab" title="Books"><span>1</span> <span class="ds2-5-body-sm-bold">Books</span></a></li><li class="nav-chip" role="presentation"><a class="js-profile-docs-nav-section u-textTruncate" data-click-track="profile-works-tab" data-section-name="Selected-publications" data-toggle="tab" href="#selectedpublications" role="tab" title="Selected publications"><span>1</span> <span class="ds2-5-body-sm-bold">Selected publications</span></a></li></ul></div><div class="divider ds-divider-16" style="margin: 0px;"></div><div class="documents-container backbone-social-profile-documents" style="width: 100%;"><div class="u-taCenter"></div><div class="profile--tab_content_container js-tab-pane tab-pane active" id="all"><div class="profile--tab_heading_container js-section-heading" data-section="Papers" id="Papers"><h3 class="profile--tab_heading_container">Papers by Stijn Joye</h3></div><div class="js-work-strip profile--work_container" data-work-id="35741783"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/35741783/Ongenaert_D_and_Joye_S_2016_Helden_van_hier_Een_kritisch_ge%C3%AFnspireerde_kwalitatieve_inhoudsanalyse_naar_de_Vlaamse_krantenberichtgeving_over_westerse_en_niet_westerse_hulpagentschappen_tijdens_tyfoon_Haiyan_2013_Tijdschrift_voor_Communicatiewetenschap_44_3_272_287"><img alt="Research paper thumbnail of Ongenaert, D. & Joye, S. (2016). Helden van hier? Een kritisch geïnspireerde kwalitatieve inhoudsanalyse naar de Vlaamse krantenberichtgeving over westerse en niet-westerse hulpagentschappen tijdens tyfoon Haiyan (2013). Tijdschrift voor Communicatiewetenschap, 44(3), 272–287." class="work-thumbnail" src="https://attachments.academia-assets.com/55616378/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/35741783/Ongenaert_D_and_Joye_S_2016_Helden_van_hier_Een_kritisch_ge%C3%AFnspireerde_kwalitatieve_inhoudsanalyse_naar_de_Vlaamse_krantenberichtgeving_over_westerse_en_niet_westerse_hulpagentschappen_tijdens_tyfoon_Haiyan_2013_Tijdschrift_voor_Communicatiewetenschap_44_3_272_287">Ongenaert, D. & Joye, S. (2016). Helden van hier? Een kritisch geïnspireerde kwalitatieve inhoudsanalyse naar de Vlaamse krantenberichtgeving over westerse en niet-westerse hulpagentschappen tijdens tyfoon Haiyan (2013). Tijdschrift voor Communicatiewetenschap, 44(3), 272–287.</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://eur.academia.edu/DavidOngenaert">David Ongenaert</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://ugent.academia.edu/StijnJoye">Stijn Joye</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Deze studie onderzoekt de beeldvorming binnen Vlaamse kranten van westerse en niet-westerse hulpo...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Deze studie onderzoekt de beeldvorming binnen Vlaamse kranten van westerse en niet-westerse hulporganisaties die steun verleenden aan de Filipijnen nadat het werd getroffen door tyfoon Haiyan (2013). Een kritisch geïnspireerde kwalitatieve inhoudsanalyse leert dat westerse hulporganisaties, en in het bijzonder Belgische instanties, meer en positievere media-aandacht verkrijgen dan niet-westerse hulporganisaties. Dit duidt op een onderliggende praktijk en discours van ‘Othering’.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="6781ccf799a5a3225fef0790f79d7295" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":55616378,"asset_id":35741783,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/55616378/download_file?st=MTczMjc0OTEwNSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="35741783"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="35741783"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 35741783; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=35741783]").text(description); $(".js-view-count[data-work-id=35741783]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 35741783; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='35741783']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 35741783, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "6781ccf799a5a3225fef0790f79d7295" } } $('.js-work-strip[data-work-id=35741783]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":35741783,"title":"Ongenaert, D. \u0026 Joye, S. 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A multi‐method study of the public communication strategies of international refugee organisations" class="work-thumbnail" src="https://attachments.academia-assets.com/103194813/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/36229482/Selling_displaced_people_A_multi_method_study_of_the_public_communication_strategies_of_international_refugee_organisations">Selling displaced people? A multi‐method study of the public communication strategies of international refugee organisations</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://eur.academia.edu/DavidOngenaert">David Ongenaert</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://ugent.academia.edu/StijnJoye">Stijn Joye</a></span></div><div class="wp-workCard_item"><span>Disasters</span><span>, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The world has seen a major increase in forced displacement since 2011. As a growing number of sta...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The world has seen a major increase in forced displacement since 2011. As a growing number of states implement restrictive refugee policies, public communication has become essential for refugee organisations. This study analysed, therefore, three international refugee organisations’ discursive strategies towards the recent Syrian crisis, as well as their production and the social context. A critical discourse analysis of international press releases (N=122) and six semi-structured interviews with press and regional officers revealed that the observed actors largely dehumanise displaced people and subordinate them to the ‘Western self’ and state interests; displaced people hardly ever acquire their own voice. The study found that the medium characteristics of press releases and the importance of media attention result in a depersonalising humanitarian discourse. In addition, there were indications of a post-humanitarian discourse that reproduced the humanitarian sector’s ‘marketisation’. Finally, the examined organisations use the political realist cross-issue persuasion strategy, displaying displaced people as resettlement objects.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="97acdcf662d7807ccc47aba258da3e4c" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":103194813,"asset_id":36229482,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/103194813/download_file?st=MTczMjc0OTEwNSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="36229482"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="36229482"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 36229482; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=36229482]").text(description); $(".js-view-count[data-work-id=36229482]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 36229482; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='36229482']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 36229482, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "97acdcf662d7807ccc47aba258da3e4c" } } $('.js-work-strip[data-work-id=36229482]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":36229482,"title":"Selling displaced people? 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The study found that the medium characteristics of press releases and the importance of media attention result in a depersonalising humanitarian discourse. In addition, there were indications of a post-humanitarian discourse that reproduced the humanitarian sector’s ‘marketisation’. Finally, the examined organisations use the political realist cross-issue persuasion strategy, displaying displaced people as resettlement objects.","page_numbers":"478−508","publication_date":{"day":null,"month":null,"year":2019,"errors":{}},"publication_name":"Disasters"},"translated_abstract":"The world has seen a major increase in forced displacement since 2011. As a growing number of states implement restrictive refugee policies, public communication has become essential for refugee organisations. This study analysed, therefore, three international refugee organisations’ discursive strategies towards the recent Syrian crisis, as well as their production and the social context. A critical discourse analysis of international press releases (N=122) and six semi-structured interviews with press and regional officers revealed that the observed actors largely dehumanise displaced people and subordinate them to the ‘Western self’ and state interests; displaced people hardly ever acquire their own voice. The study found that the medium characteristics of press releases and the importance of media attention result in a depersonalising humanitarian discourse. In addition, there were indications of a post-humanitarian discourse that reproduced the humanitarian sector’s ‘marketisation’. 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Political Communication","url":"https://www.academia.edu/Documents/in/Public_Communication._Political_Communication"},{"id":967237,"name":"Press Releases","url":"https://www.academia.edu/Documents/in/Press_Releases"},{"id":2875261,"name":"refugee organizations","url":"https://www.academia.edu/Documents/in/refugee_organizations"}],"urls":[{"id":8462465,"url":"https://biblio.ugent.be/publication/8548118"},{"id":8763175,"url":"https://onlinelibrary.wiley.com/doi/full/10.1111/disa.12353"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="37946374"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/37946374/Same_same_same_but_different_a_comparative_film_analysis_of_the_Belgian_Dutch_and_American_Loft"><img alt="Research paper thumbnail of Same same same, but different: a comparative film analysis of the Belgian, Dutch and American Loft" class="work-thumbnail" src="https://attachments.academia-assets.com/57980740/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/37946374/Same_same_same_but_different_a_comparative_film_analysis_of_the_Belgian_Dutch_and_American_Loft">Same same same, but different: a comparative film analysis of the Belgian, Dutch and American Loft</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://ugent.academia.edu/EduardCuelenaere">Eduard Cuelenaere</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://antwerp.academia.edu/GertjanWillems">Gertjan Willems</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://ugent.academia.edu/StijnJoye">Stijn Joye</a></span></div><div class="wp-workCard_item"><span>Tijdschrift voor Communicatiewetenschap</span><span>, 2018</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Against the theoretical background of the concept ‘karaoke-Americanism’, this article compares th...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Against the theoretical background of the concept ‘karaoke-Americanism’, this article compares the Belgian, Dutch and American version of the film Loft. Several (dis)similarities in the representation of sexuality, female characters, and ethnicity, as well as some formal changes, are observed. By combining these results with self-conducted, in-depth and press interviews with the filmmakers of these films, it is ascertained that, although the three versions share a similar use of specific Hollywood conventions, the changes in representation were motivated by perceived cultural differences. Building on known cultural stereotypes and clichés, filmmakers reinforce specific cultural (and national) identities, with the aim of enhancing the recognizability for their local audiences. In conclusion, the Dutch and Belgian filmmakers, in an attempt of localizing the universal, realized a hyperreal version of their own or another culture.<br /><br />Focussend op de Belgische, Nederlandse en Amerikaanse filmversies van Loft bestudeert dit artikel de relaties tussen interculturele mediapraktijken en de (re)producties van culturele identiteiten. Een vergelijkende tekstuele en contextuele filmanalyse van representaties van vrouwelijke personages, seksualiteit en etniciteit illustreert dat de verschillende versies van eenzelfde filmverhaal gerelateerd zijn aan hun specifieke socio-culturele contexten en aan het concept van karaoke-Amerikanisme.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="277a2af6afa9855c56c01c1e4d9950be" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":57980740,"asset_id":37946374,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/57980740/download_file?st=MTczMjc0OTEwNSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="37946374"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="37946374"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 37946374; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=37946374]").text(description); $(".js-view-count[data-work-id=37946374]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 37946374; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='37946374']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 37946374, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "277a2af6afa9855c56c01c1e4d9950be" } } $('.js-work-strip[data-work-id=37946374]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":37946374,"title":"Same same same, but different: a comparative film analysis of the Belgian, Dutch and American Loft","translated_title":"","metadata":{"issue":"4","volume":"46","abstract":"Against the theoretical background of the concept ‘karaoke-Americanism’, this article compares the Belgian, Dutch and American version of the film Loft. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="38394049"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/38394049/Remaking_identities_and_stereotypes_How_film_remakes_transform_and_reinforce_nationality_disability_and_gender"><img alt="Research paper thumbnail of Remaking identities and stereotypes: How film remakes transform and reinforce nationality, disability, and gender" class="work-thumbnail" src="https://attachments.academia-assets.com/58450854/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/38394049/Remaking_identities_and_stereotypes_How_film_remakes_transform_and_reinforce_nationality_disability_and_gender">Remaking identities and stereotypes: How film remakes transform and reinforce nationality, disability, and gender</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://ugent.academia.edu/EduardCuelenaere">Eduard Cuelenaere</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://antwerp.academia.edu/GertjanWillems">Gertjan Willems</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://ugent.academia.edu/StijnJoye">Stijn Joye</a></span></div><div class="wp-workCard_item"><span>European Journal of Cultural Studies</span><span>, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">When films are being remade, they undergo several transformations, including changes related to (...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">When films are being remade, they undergo several transformations, including changes related to (the representation of) national, disability, and gender identities. By drawing on the case of the Flemish film Hasta La Vista and its Dutch remake Adios Amigos, this article critically investigates the (dis)similarities on these levels through the prism of the film remake. Both films are popular road trip movies dealing with the adventure of three friends with disabilities who overcome boundaries in multiple ways not only by figuratively (and almost literally) escaping their parents and their disabilities but also through traveling, exploring sexuality, and eventually by dying. Although the films deal with almost exactly the same themes, their interpretation and contextualization differ considerably. Our findings show that as a consequence of the localizing processes embedded in film remakes, subtexts which were ‘originally’ ingrained in the source text were ignored or even withheld in the newer version. As the involved filmmakers built on particular stereotypical visions and myths about these specific cultures and national identities, often with the purpose of recreating a socio-cultural context, such narrowed perceptions were occasionally subverted but also reconsolidated. Finally, we argue that, through the remake process, some ableist and patronizing representations of, respectively, disability and gender identities were subverted, while others were kept or even reinforced. Our results show that such transformations point toward specific socio-culturally defined disability and gender identities but also toward a shared and almost universally shaped disability and gender culture.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="c495ff664c5dfb8d628d91086b71ccb6" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":58450854,"asset_id":38394049,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/58450854/download_file?st=MTczMjc0OTEwNSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="38394049"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="38394049"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 38394049; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=38394049]").text(description); $(".js-view-count[data-work-id=38394049]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 38394049; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='38394049']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 38394049, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "c495ff664c5dfb8d628d91086b71ccb6" } } $('.js-work-strip[data-work-id=38394049]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":38394049,"title":"Remaking identities and stereotypes: How film remakes transform and reinforce nationality, disability, and gender","translated_title":"","metadata":{"doi":"10.1177/1367549418821850","abstract":"When films are being remade, they undergo several transformations, including changes related to (the representation of) national, disability, and gender identities. By drawing on the case of the Flemish film Hasta La Vista and its Dutch remake Adios Amigos, this article critically investigates the (dis)similarities on these levels through the prism of the film remake. Both films are popular road trip movies dealing with the adventure of three friends with disabilities who overcome boundaries in multiple ways not only by figuratively (and almost literally) escaping their parents and their disabilities but also through traveling, exploring sexuality, and eventually by dying. Although the films deal with almost exactly the same themes, their interpretation and contextualization differ considerably. Our findings show that as a consequence of the localizing processes embedded in film remakes, subtexts which were ‘originally’ ingrained in the source text were ignored or even withheld in the newer version. As the involved filmmakers built on particular stereotypical visions and myths about these specific cultures and national identities, often with the purpose of recreating a socio-cultural context, such narrowed perceptions were occasionally subverted but also reconsolidated. Finally, we argue that, through the remake process, some ableist and patronizing representations of, respectively, disability and gender identities were subverted, while others were kept or even reinforced. Our results show that such transformations point toward specific socio-culturally defined disability and gender identities but also toward a shared and almost universally shaped disability and gender culture.","publication_date":{"day":null,"month":null,"year":2019,"errors":{}},"publication_name":"European Journal of Cultural Studies"},"translated_abstract":"When films are being remade, they undergo several transformations, including changes related to (the representation of) national, disability, and gender identities. By drawing on the case of the Flemish film Hasta La Vista and its Dutch remake Adios Amigos, this article critically investigates the (dis)similarities on these levels through the prism of the film remake. Both films are popular road trip movies dealing with the adventure of three friends with disabilities who overcome boundaries in multiple ways not only by figuratively (and almost literally) escaping their parents and their disabilities but also through traveling, exploring sexuality, and eventually by dying. Although the films deal with almost exactly the same themes, their interpretation and contextualization differ considerably. Our findings show that as a consequence of the localizing processes embedded in film remakes, subtexts which were ‘originally’ ingrained in the source text were ignored or even withheld in the newer version. As the involved filmmakers built on particular stereotypical visions and myths about these specific cultures and national identities, often with the purpose of recreating a socio-cultural context, such narrowed perceptions were occasionally subverted but also reconsolidated. Finally, we argue that, through the remake process, some ableist and patronizing representations of, respectively, disability and gender identities were subverted, while others were kept or even reinforced. Our results show that such transformations point toward specific socio-culturally defined disability and gender identities but also toward a shared and almost universally shaped disability and gender culture.","internal_url":"https://www.academia.edu/38394049/Remaking_identities_and_stereotypes_How_film_remakes_transform_and_reinforce_nationality_disability_and_gender","translated_internal_url":"","created_at":"2019-02-20T00:24:31.689-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":27351476,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[{"id":32281948,"work_id":38394049,"tagging_user_id":27351476,"tagged_user_id":299132,"co_author_invite_id":null,"email":"g***s@uantwerpen.be","affiliation":"University of Antwerp","display_order":1,"name":"Gertjan Willems","title":"Remaking identities and stereotypes: How film remakes transform and reinforce nationality, disability, and gender"},{"id":32281949,"work_id":38394049,"tagging_user_id":27351476,"tagged_user_id":532933,"co_author_invite_id":null,"email":"s***e@ugent.be","affiliation":"Ghent University","display_order":2,"name":"Stijn Joye","title":"Remaking identities and stereotypes: How film remakes transform and reinforce nationality, disability, and gender"}],"downloadable_attachments":[{"id":58450854,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/58450854/thumbnails/1.jpg","file_name":"Cuelenaere_Willems_Joye_EJCS.pdf","download_url":"https://www.academia.edu/attachments/58450854/download_file?st=MTczMjc0OTEwNSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Remaking_identities_and_stereotypes_How.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/58450854/Cuelenaere_Willems_Joye_EJCS-libre.pdf?1550654033=\u0026response-content-disposition=attachment%3B+filename%3DRemaking_identities_and_stereotypes_How.pdf\u0026Expires=1732739674\u0026Signature=ed1vxZiZQFwMpcKj9PmgM2~Io-bfvEZh-zUpo1ZwPWcnzAlusFSkMoQC5Xd73hz87wVOdJZGqa5bNYDsjXpzfm4~7s7YF-G2Wn4kazR1eF6iS18FvBAgqpAvkMeDOy4LQmm2GSni3LE6MK4hD~wlLg1H-hvEg0ZSwHRpm8tq~TQCRd3orQVIjBphanukE0tReANtYUd9eXJoKlYZEuItJbBrHOtLwqRE~MfWqRP24nTlXW1N3A5-HbjDZ12tdSpbCqR9Li-pliQSX6POYJo0Iizr3UPKm26-WQvmv2sQ-dE07G3J42j0Eq-POtktDfstvN2FoXHyAR0UoJkboCmGWw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Remaking_identities_and_stereotypes_How_film_remakes_transform_and_reinforce_nationality_disability_and_gender","translated_slug":"","page_count":17,"language":"en","content_type":"Work","owner":{"id":27351476,"first_name":"Eduard","middle_initials":null,"last_name":"Cuelenaere","page_name":"EduardCuelenaere","domain_name":"ugent","created_at":"2015-03-06T10:04:21.746-08:00","display_name":"Eduard Cuelenaere","url":"https://ugent.academia.edu/EduardCuelenaere"},"attachments":[{"id":58450854,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/58450854/thumbnails/1.jpg","file_name":"Cuelenaere_Willems_Joye_EJCS.pdf","download_url":"https://www.academia.edu/attachments/58450854/download_file?st=MTczMjc0OTEwNSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Remaking_identities_and_stereotypes_How.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/58450854/Cuelenaere_Willems_Joye_EJCS-libre.pdf?1550654033=\u0026response-content-disposition=attachment%3B+filename%3DRemaking_identities_and_stereotypes_How.pdf\u0026Expires=1732739674\u0026Signature=ed1vxZiZQFwMpcKj9PmgM2~Io-bfvEZh-zUpo1ZwPWcnzAlusFSkMoQC5Xd73hz87wVOdJZGqa5bNYDsjXpzfm4~7s7YF-G2Wn4kazR1eF6iS18FvBAgqpAvkMeDOy4LQmm2GSni3LE6MK4hD~wlLg1H-hvEg0ZSwHRpm8tq~TQCRd3orQVIjBphanukE0tReANtYUd9eXJoKlYZEuItJbBrHOtLwqRE~MfWqRP24nTlXW1N3A5-HbjDZ12tdSpbCqR9Li-pliQSX6POYJo0Iizr3UPKm26-WQvmv2sQ-dE07G3J42j0Eq-POtktDfstvN2FoXHyAR0UoJkboCmGWw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":696,"name":"Gender Studies","url":"https://www.academia.edu/Documents/in/Gender_Studies"},{"id":2260,"name":"Disability Studies","url":"https://www.academia.edu/Documents/in/Disability_Studies"},{"id":8032,"name":"Cross-Cultural Studies","url":"https://www.academia.edu/Documents/in/Cross-Cultural_Studies"},{"id":17218,"name":"Film Remakes","url":"https://www.academia.edu/Documents/in/Film_Remakes"},{"id":52745,"name":"Cinema Studies","url":"https://www.academia.edu/Documents/in/Cinema_Studies"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="33881860"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/33881860/Close_but_not_close_enough_Audience_s_reactions_to_domesticated_distant_suffering_in_international_news_coverage"><img alt="Research paper thumbnail of Close, but not close enough? Audience’s reactions to domesticated distant suffering in international news coverage" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/33881860/Close_but_not_close_enough_Audience_s_reactions_to_domesticated_distant_suffering_in_international_news_coverage">Close, but not close enough? Audience’s reactions to domesticated distant suffering in international news coverage</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://ugent.academia.edu/ElineHuiberts">Eline Huiberts</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://ugent.academia.edu/StijnJoye">Stijn Joye</a></span></div><div class="wp-workCard_item"><span>Media, Culture & Society</span><span>, 2018</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Journalists domesticate news about distant events to bring such events closer to the audience and...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Journalists domesticate news about distant events to bring such events closer to the audience and thus make them more relevant and appealing; however, knowledge about the actual audience’s reactions toward domesticated news is lacking. Central to this study is understanding how an audience makes use of domestication strategies in viewing and reacting to mediated distant suffering. Earlier text-based research has found several ways of domesticating distant suffering that can invite an audience to care. Building further on this media-centered study, 10 focus groups reveal a two-flow model of domestication, consisting of first-level domestication on the production side by journalists and second-level domestication, in which audience members themselves use strategies of domestication to make sense of distant suffering. <br /> <br />Huiberts, E., & Joye, S. (2018). Close, but not close enough? Audience’s reactions to domesticated distant suffering in international news coverage. Media, Culture & Society, 40(3), 333–347.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="33881860"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="33881860"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 33881860; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=33881860]").text(description); $(".js-view-count[data-work-id=33881860]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 33881860; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='33881860']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 33881860, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=33881860]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":33881860,"title":"Close, but not close enough? Audience’s reactions to domesticated distant suffering in international news coverage","translated_title":"","metadata":{"doi":"10.1177/0163443717707342","issue":"3","volume":"40","abstract":"Journalists domesticate news about distant events to bring such events closer to the audience and thus make them more relevant and appealing; however, knowledge about the actual audience’s reactions toward domesticated news is lacking. Central to this study is understanding how an audience makes use of domestication strategies in viewing and reacting to mediated distant suffering. Earlier text-based research has found several ways of domesticating distant suffering that can invite an audience to care. Building further on this media-centered study, 10 focus groups reveal a two-flow model of domestication, consisting of first-level domestication on the production side by journalists and second-level domestication, in which audience members themselves use strategies of domestication to make sense of distant suffering.\r\n\r\nHuiberts, E., \u0026 Joye, S. (2018). Close, but not close enough? Audience’s reactions to domesticated distant suffering in international news coverage. Media, Culture \u0026 Society, 40(3), 333–347. ","page_numbers":"333 - 347","publication_date":{"day":null,"month":null,"year":2018,"errors":{}},"publication_name":"Media, Culture \u0026 Society"},"translated_abstract":"Journalists domesticate news about distant events to bring such events closer to the audience and thus make them more relevant and appealing; however, knowledge about the actual audience’s reactions toward domesticated news is lacking. Central to this study is understanding how an audience makes use of domestication strategies in viewing and reacting to mediated distant suffering. Earlier text-based research has found several ways of domesticating distant suffering that can invite an audience to care. Building further on this media-centered study, 10 focus groups reveal a two-flow model of domestication, consisting of first-level domestication on the production side by journalists and second-level domestication, in which audience members themselves use strategies of domestication to make sense of distant suffering.\r\n\r\nHuiberts, E., \u0026 Joye, S. (2018). Close, but not close enough? Audience’s reactions to domesticated distant suffering in international news coverage. Media, Culture \u0026 Society, 40(3), 333–347. ","internal_url":"https://www.academia.edu/33881860/Close_but_not_close_enough_Audience_s_reactions_to_domesticated_distant_suffering_in_international_news_coverage","translated_internal_url":"","created_at":"2017-07-14T04:37:39.012-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":9709336,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[{"id":29718224,"work_id":33881860,"tagging_user_id":9709336,"tagged_user_id":532933,"co_author_invite_id":null,"email":"s***e@ugent.be","affiliation":"Ghent University","display_order":0,"name":"Stijn Joye","title":"Close, but not close enough? Audience’s reactions to domesticated distant suffering in international news coverage"}],"downloadable_attachments":[],"slug":"Close_but_not_close_enough_Audience_s_reactions_to_domesticated_distant_suffering_in_international_news_coverage","translated_slug":"","page_count":null,"language":"en","content_type":"Work","owner":{"id":9709336,"first_name":"Eline","middle_initials":null,"last_name":"Huiberts","page_name":"ElineHuiberts","domain_name":"ugent","created_at":"2014-03-03T20:13:50.577-08:00","display_name":"Eline Huiberts","url":"https://ugent.academia.edu/ElineHuiberts"},"attachments":[],"research_interests":[{"id":248,"name":"Social Psychology","url":"https://www.academia.edu/Documents/in/Social_Psychology"},{"id":4193,"name":"Focus Groups","url":"https://www.academia.edu/Documents/in/Focus_Groups"},{"id":52861,"name":"Distant Suffering","url":"https://www.academia.edu/Documents/in/Distant_Suffering"},{"id":63733,"name":"Audience Research","url":"https://www.academia.edu/Documents/in/Audience_Research"},{"id":79647,"name":"Representation of distant suffering","url":"https://www.academia.edu/Documents/in/Representation_of_distant_suffering"},{"id":158841,"name":"News Media","url":"https://www.academia.edu/Documents/in/News_Media"}],"urls":[{"id":8214682,"url":"http://journals.sagepub.com/doi/abs/10.1177/0163443717707342"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="35308087"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/35308087/Call_for_Papers_Remaking_European_Cinema"><img alt="Research paper thumbnail of Call for Papers: Remaking European Cinema" class="work-thumbnail" src="https://attachments.academia-assets.com/55168575/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/35308087/Call_for_Papers_Remaking_European_Cinema">Call for Papers: Remaking European Cinema</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://ugent.academia.edu/EduardCuelenaere">Eduard Cuelenaere</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://antwerp.academia.edu/GertjanWillems">Gertjan Willems</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://ugent.academia.edu/StijnJoye">Stijn Joye</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The film remake, whether as a practice or a concept, has been around since the very beginnings of...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The film remake, whether as a practice or a concept, has been around since the very beginnings of cinema. While the earliest studies of the remake provided general overviews trying to sketch patterns and localize differing practices, this was followed by substantial attempts to define the remake as both a textual and cultural artefact and as a commercial business. Building on adaptation theories, scholars eventually pinpointed the intertextual properties that are inherent to the (relationship between) a source film and its remake(s). These evolutions in the research field spurred the idea of the remake as a kind of prism, which can be used to examine a variety of aesthetic, cultural, economic and social questions. For quite some time, most studies in the field were confined to the Hollywood practice of remaking non-Hollywood films, or, vice versa, non-Hollywood film industries remaking Hollywood films. More recently, attempts are being made to look beyond Hollywood, inquiring into other nations or regions that, for example, remake their own films or the films of neighbouring countries. Notwithstanding these promising evolutions, there is still a lack of sustained research analysing the specific context(s) of European cinema. As a continent, Europe is known for its fragmentation and diversity due to the multitude of different languages and cultures existing next to and through each other within a relatively small geographical area. Although attempts to pinpoint the characteristics of European cinema are always questionable given that 'Europe' is as much a social, contingent and dynamic construction as other geopolitical entities, various cultural, economic and political dynamics grant the concept of European cinema analytical value. Accordingly, the purpose of the symposium is to bring together scholars with expertise in the currently vibrant field of remake studies for a discussion of the dynamics and particularities of the film remake in a European context.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="afd26a5c5fadaeaf0fd0099a52ed69d2" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":55168575,"asset_id":35308087,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/55168575/download_file?st=MTczMjc0OTEwNSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="35308087"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="35308087"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 35308087; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=35308087]").text(description); $(".js-view-count[data-work-id=35308087]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 35308087; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='35308087']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 35308087, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "afd26a5c5fadaeaf0fd0099a52ed69d2" } } $('.js-work-strip[data-work-id=35308087]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":35308087,"title":"Call for Papers: Remaking European Cinema","translated_title":"","metadata":{"abstract":"The film remake, whether as a practice or a concept, has been around since the very beginnings of cinema. While the earliest studies of the remake provided general overviews trying to sketch patterns and localize differing practices, this was followed by substantial attempts to define the remake as both a textual and cultural artefact and as a commercial business. Building on adaptation theories, scholars eventually pinpointed the intertextual properties that are inherent to the (relationship between) a source film and its remake(s). These evolutions in the research field spurred the idea of the remake as a kind of prism, which can be used to examine a variety of aesthetic, cultural, economic and social questions. For quite some time, most studies in the field were confined to the Hollywood practice of remaking non-Hollywood films, or, vice versa, non-Hollywood film industries remaking Hollywood films. More recently, attempts are being made to look beyond Hollywood, inquiring into other nations or regions that, for example, remake their own films or the films of neighbouring countries. Notwithstanding these promising evolutions, there is still a lack of sustained research analysing the specific context(s) of European cinema. As a continent, Europe is known for its fragmentation and diversity due to the multitude of different languages and cultures existing next to and through each other within a relatively small geographical area. Although attempts to pinpoint the characteristics of European cinema are always questionable given that 'Europe' is as much a social, contingent and dynamic construction as other geopolitical entities, various cultural, economic and political dynamics grant the concept of European cinema analytical value. 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For quite some time, most studies in the field were confined to the Hollywood practice of remaking non-Hollywood films, or, vice versa, non-Hollywood film industries remaking Hollywood films. More recently, attempts are being made to look beyond Hollywood, inquiring into other nations or regions that, for example, remake their own films or the films of neighbouring countries. Notwithstanding these promising evolutions, there is still a lack of sustained research analysing the specific context(s) of European cinema. As a continent, Europe is known for its fragmentation and diversity due to the multitude of different languages and cultures existing next to and through each other within a relatively small geographical area. Although attempts to pinpoint the characteristics of European cinema are always questionable given that 'Europe' is as much a social, contingent and dynamic construction as other geopolitical entities, various cultural, economic and political dynamics grant the concept of European cinema analytical value. Accordingly, the purpose of the symposium is to bring together scholars with expertise in the currently vibrant field of remake studies for a discussion of the dynamics and particularities of the film remake in a European context.","internal_url":"https://www.academia.edu/35308087/Call_for_Papers_Remaking_European_Cinema","translated_internal_url":"","created_at":"2017-12-01T03:23:50.405-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":27351476,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[{"id":30721215,"work_id":35308087,"tagging_user_id":27351476,"tagged_user_id":299132,"co_author_invite_id":null,"email":"g***s@uantwerpen.be","affiliation":"University of Antwerp","display_order":1,"name":"Gertjan Willems","title":"Call for Papers: Remaking European Cinema"},{"id":30721216,"work_id":35308087,"tagging_user_id":27351476,"tagged_user_id":532933,"co_author_invite_id":null,"email":"s***e@ugent.be","affiliation":"Ghent University","display_order":2,"name":"Stijn Joye","title":"Call for Papers: Remaking European Cinema"}],"downloadable_attachments":[{"id":55168575,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/55168575/thumbnails/1.jpg","file_name":"Call_For_Papers.pdf","download_url":"https://www.academia.edu/attachments/55168575/download_file?st=MTczMjc0OTEwNSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Call_for_Papers_Remaking_European_Cinema.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/55168575/Call_For_Papers-libre.pdf?1512127663=\u0026response-content-disposition=attachment%3B+filename%3DCall_for_Papers_Remaking_European_Cinema.pdf\u0026Expires=1732752705\u0026Signature=VqWnn1FWx7po2pReH3kANhDpTWk-V5g2I5Rt7L3kos6VsC9fJ5sV9yVOTZq~bk2HUU9yM2WVvUUjMJf6em6Mbd~bRHUVkzqMVstC9augIfVUa4Ffyyun6NxBfCE10BWMqi4tBomVAu9bdFSgWfxVFTJcGC5kU7SkSv8~98yxmwQ3sWuIZIRKjh0tcevIqoZZjU48xCgM4mABFIhAHA2XQy6esk87NX3WKqsBmTwFiKUJJih3zUKsjc3EchfNYktdYFlacb8sfK4wPUiB0UlzvGFYGFjdsDTcupXA2Y8avbnUz9ds3WJLz-mzSP3Ac~8KuIlqgkTAOFY-0xw8CTkzRA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Call_for_Papers_Remaking_European_Cinema","translated_slug":"","page_count":2,"language":"en","content_type":"Work","owner":{"id":27351476,"first_name":"Eduard","middle_initials":null,"last_name":"Cuelenaere","page_name":"EduardCuelenaere","domain_name":"ugent","created_at":"2015-03-06T10:04:21.746-08:00","display_name":"Eduard Cuelenaere","url":"https://ugent.academia.edu/EduardCuelenaere"},"attachments":[{"id":55168575,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/55168575/thumbnails/1.jpg","file_name":"Call_For_Papers.pdf","download_url":"https://www.academia.edu/attachments/55168575/download_file?st=MTczMjc0OTEwNSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Call_for_Papers_Remaking_European_Cinema.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/55168575/Call_For_Papers-libre.pdf?1512127663=\u0026response-content-disposition=attachment%3B+filename%3DCall_for_Papers_Remaking_European_Cinema.pdf\u0026Expires=1732752705\u0026Signature=VqWnn1FWx7po2pReH3kANhDpTWk-V5g2I5Rt7L3kos6VsC9fJ5sV9yVOTZq~bk2HUU9yM2WVvUUjMJf6em6Mbd~bRHUVkzqMVstC9augIfVUa4Ffyyun6NxBfCE10BWMqi4tBomVAu9bdFSgWfxVFTJcGC5kU7SkSv8~98yxmwQ3sWuIZIRKjh0tcevIqoZZjU48xCgM4mABFIhAHA2XQy6esk87NX3WKqsBmTwFiKUJJih3zUKsjc3EchfNYktdYFlacb8sfK4wPUiB0UlzvGFYGFjdsDTcupXA2Y8avbnUz9ds3WJLz-mzSP3Ac~8KuIlqgkTAOFY-0xw8CTkzRA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":1555,"name":"Film Studies","url":"https://www.academia.edu/Documents/in/Film_Studies"},{"id":1570,"name":"European Cinema","url":"https://www.academia.edu/Documents/in/European_Cinema"},{"id":17218,"name":"Film Remakes","url":"https://www.academia.edu/Documents/in/Film_Remakes"},{"id":22763,"name":"Adaptation (Film Studies)","url":"https://www.academia.edu/Documents/in/Adaptation_Film_Studies_"},{"id":42298,"name":"Film and Media Studies","url":"https://www.academia.edu/Documents/in/Film_and_Media_Studies"},{"id":50070,"name":"Adaptation Studies","url":"https://www.academia.edu/Documents/in/Adaptation_Studies"},{"id":70361,"name":"Conferences","url":"https://www.academia.edu/Documents/in/Conferences"},{"id":128959,"name":"Symposium","url":"https://www.academia.edu/Documents/in/Symposium"},{"id":967868,"name":"Remakes","url":"https://www.academia.edu/Documents/in/Remakes"}],"urls":[]}, dispatcherData: dispatcherData }); 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Hence, more complex and qualified aspects of audience reception risk staying under-explored in future scholarly work. This article acknowledges the complex nature and identifies a broad range of aspects (psychological, cultural, sociological,…) that can influence people's attitude towards distant societies and suffering. The objective is to explore different processes and aspects that can be integrated in research on audience reactions to images of distant suffering, from different disciplines within social sciences. Cultural anthropology and sociology of new media are briefly discussed in this regard while social psychology is looked in more closely. An interdisciplinary theoretical basis is quintessential in understanding the audience and its complex relation to distant suffering. In this respect, the presented article responds to the call for more empirical and theoretical audience research in the field of mediated suffering by taking the first step towards interdisciplinary and multi-methodological research (Joye 2013; Ong 2014; Orgad and Seu 2014).","publication_date":{"day":null,"month":null,"year":2015,"errors":{}},"publication_name":"Networking Knowledge: Journal of the MeCCSA Postgraduate Network","grobid_abstract_attachment_id":36511664},"translated_abstract":null,"internal_url":"https://www.academia.edu/10503463/_Bring_in_the_Audience_Exploring_an_Interdisciplinary_Approach_to_Investigating_Audience_Reactions_to_Mediated_Distant_Suffering","translated_internal_url":"","created_at":"2015-02-04T02:39:17.602-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":9709336,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[{"id":148634,"work_id":10503463,"tagging_user_id":9709336,"tagged_user_id":532933,"co_author_invite_id":null,"email":"s***e@ugent.be","affiliation":"Ghent University","display_order":null,"name":"Stijn Joye","title":"“Bring in the Audience!” Exploring an Interdisciplinary Approach to Investigating Audience Reactions to Mediated Distant Suffering"}],"downloadable_attachments":[{"id":36511664,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/36511664/thumbnails/1.jpg","file_name":"Huiberts___Joye_-_Bring_in_the_audience_-_2015.pdf","download_url":"https://www.academia.edu/attachments/36511664/download_file?st=MTczMjc0OTEwNSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Bring_in_the_Audience_Exploring_an_Inte.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/36511664/Huiberts___Joye_-_Bring_in_the_audience_-_2015-libre.pdf?1423048805=\u0026response-content-disposition=attachment%3B+filename%3DBring_in_the_Audience_Exploring_an_Inte.pdf\u0026Expires=1732752705\u0026Signature=Mjj~ZacZhbpotlYHeSt1WCNiw~Ts6iQt2tcVhEzhttRwkcbhlgK4IB7bFPBoJZyFTWq9Ei2o6cGgo~teMYYUdRJdUAtZbm2xa60imWYLpAqnssKvm8BAHKplGOJUxyW2j8Hd-XZyGOphTg9DnBKTgGVbMWoarxibhvFAS~tN2jDQ69iYtkH04bLRugrszcQBNEeMgRdhczBd9NE9vI~~cnuSjJZ36-jxSDt6V2fT8D6JtxQONpHlTYajP5OKVRBtuntM8HbGPIDwyeCrUR60UeEFA3axsilElOLKdkYL2JYA9JzvGYRmQHI6riKA2roag2TVXzdazA5lts~8guP4Iw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"_Bring_in_the_Audience_Exploring_an_Interdisciplinary_Approach_to_Investigating_Audience_Reactions_to_Mediated_Distant_Suffering","translated_slug":"","page_count":15,"language":"en","content_type":"Work","owner":{"id":9709336,"first_name":"Eline","middle_initials":null,"last_name":"Huiberts","page_name":"ElineHuiberts","domain_name":"ugent","created_at":"2014-03-03T20:13:50.577-08:00","display_name":"Eline Huiberts","url":"https://ugent.academia.edu/ElineHuiberts"},"attachments":[{"id":36511664,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/36511664/thumbnails/1.jpg","file_name":"Huiberts___Joye_-_Bring_in_the_audience_-_2015.pdf","download_url":"https://www.academia.edu/attachments/36511664/download_file?st=MTczMjc0OTEwNSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Bring_in_the_Audience_Exploring_an_Inte.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/36511664/Huiberts___Joye_-_Bring_in_the_audience_-_2015-libre.pdf?1423048805=\u0026response-content-disposition=attachment%3B+filename%3DBring_in_the_Audience_Exploring_an_Inte.pdf\u0026Expires=1732752705\u0026Signature=Mjj~ZacZhbpotlYHeSt1WCNiw~Ts6iQt2tcVhEzhttRwkcbhlgK4IB7bFPBoJZyFTWq9Ei2o6cGgo~teMYYUdRJdUAtZbm2xa60imWYLpAqnssKvm8BAHKplGOJUxyW2j8Hd-XZyGOphTg9DnBKTgGVbMWoarxibhvFAS~tN2jDQ69iYtkH04bLRugrszcQBNEeMgRdhczBd9NE9vI~~cnuSjJZ36-jxSDt6V2fT8D6JtxQONpHlTYajP5OKVRBtuntM8HbGPIDwyeCrUR60UeEFA3axsilElOLKdkYL2JYA9JzvGYRmQHI6riKA2roag2TVXzdazA5lts~8guP4Iw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":5583,"name":"Audience and Reception Studies","url":"https://www.academia.edu/Documents/in/Audience_and_Reception_Studies"},{"id":52861,"name":"Distant Suffering","url":"https://www.academia.edu/Documents/in/Distant_Suffering"}],"urls":[{"id":4279358,"url":"http://ojs.meccsa.org.uk/index.php/netknow/issue/view/44/showToc"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="5174723"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/5174723/Lost_in_representation_A_discourse_analysis_of_Japan_and_the_Japanese_in_the_Dutch_television_show_Wie_is_de_Mol"><img alt="Research paper thumbnail of Lost in representation, A discourse analysis of Japan and the Japanese in the Dutch television show 'Wie is de Mol'" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/5174723/Lost_in_representation_A_discourse_analysis_of_Japan_and_the_Japanese_in_the_Dutch_television_show_Wie_is_de_Mol">Lost in representation, A discourse analysis of Japan and the Japanese in the Dutch television show 'Wie is de Mol'</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://antwerp.academia.edu/PieterMaeseele">Pieter Maeseele</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://ugent.academia.edu/StijnJoye">Stijn Joye</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">In 2010 the popular Dutch reality television show ‘Wie is de Mol?’ took ten Dutch celebrities to ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In 2010 the popular Dutch reality television show ‘Wie is de Mol?’ took ten Dutch celebrities to Japan. Applying discourse analysis, this article explores the representation of Japan and its culture as portrayed in the show. Building upon theories about Orientalism and cultural stereotypes, the study illustrates that the programme provides a fairly balanced and nuanced depiction of Japan. This is in part due to the nature of the programme, which mainly revolves around the candidates and uses the country as an ‘interactive background’. However, the show does largely follow the Orientalist representational paradigm of depicting Japan, as the programme needs to provide images and narratives that are recognizable to Dutch viewers of whom most are not familiar with Japan. Stereotypes and clichés are therefore used, but often in innovative and playful ways. It is argued that popular television shows can influence and shape ideas and images of other countries.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="5174723"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="5174723"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 5174723; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=5174723]").text(description); $(".js-view-count[data-work-id=5174723]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 5174723; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='5174723']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 5174723, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=5174723]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":5174723,"title":"Lost in representation, A discourse analysis of Japan and the Japanese in the Dutch television show 'Wie is de Mol'","translated_title":"","metadata":{"abstract":"In 2010 the popular Dutch reality television show ‘Wie is de Mol?’ took ten Dutch celebrities to Japan. Applying discourse analysis, this article explores the representation of Japan and its culture as portrayed in the show. Building upon theories about Orientalism and cultural stereotypes, the study illustrates that the programme provides a fairly balanced and nuanced depiction of Japan. This is in part due to the nature of the programme, which mainly revolves around the candidates and uses the country as an ‘interactive background’. However, the show does largely follow the Orientalist representational paradigm of depicting Japan, as the programme needs to provide images and narratives that are recognizable to Dutch viewers of whom most are not familiar with Japan. Stereotypes and clichés are therefore used, but often in innovative and playful ways. It is argued that popular television shows can influence and shape ideas and images of other countries. ","more_info":"Send an email to Pieter.Maeseele@UAntwerpen.be for a digital copy of the paper ","journal_name":"Tijdschrift voor Communicatiewetenschap","publication_date":{"day":null,"month":null,"year":2012,"errors":{}}},"translated_abstract":"In 2010 the popular Dutch reality television show ‘Wie is de Mol?’ took ten Dutch celebrities to Japan. Applying discourse analysis, this article explores the representation of Japan and its culture as portrayed in the show. Building upon theories about Orientalism and cultural stereotypes, the study illustrates that the programme provides a fairly balanced and nuanced depiction of Japan. This is in part due to the nature of the programme, which mainly revolves around the candidates and uses the country as an ‘interactive background’. However, the show does largely follow the Orientalist representational paradigm of depicting Japan, as the programme needs to provide images and narratives that are recognizable to Dutch viewers of whom most are not familiar with Japan. Stereotypes and clichés are therefore used, but often in innovative and playful ways. It is argued that popular television shows can influence and shape ideas and images of other countries. ","internal_url":"https://www.academia.edu/5174723/Lost_in_representation_A_discourse_analysis_of_Japan_and_the_Japanese_in_the_Dutch_television_show_Wie_is_de_Mol","translated_internal_url":"","created_at":"2013-11-21T04:33:28.931-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":239743,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[{"id":113580,"work_id":5174723,"tagging_user_id":239743,"tagged_user_id":8414464,"co_author_invite_id":null,"email":"h***n@hotmail.com","affiliation":"University of Amsterdam","display_order":null,"name":"Martijn Huisman","title":"Lost in representation, A discourse analysis of Japan and the Japanese in the Dutch television show 'Wie is de Mol'"},{"id":113581,"work_id":5174723,"tagging_user_id":239743,"tagged_user_id":532933,"co_author_invite_id":null,"email":"s***e@ugent.be","affiliation":"Ghent University","display_order":null,"name":"Stijn Joye","title":"Lost in representation, A discourse analysis of Japan and the Japanese in the Dutch television show 'Wie is de Mol'"}],"downloadable_attachments":[],"slug":"Lost_in_representation_A_discourse_analysis_of_Japan_and_the_Japanese_in_the_Dutch_television_show_Wie_is_de_Mol","translated_slug":"","page_count":null,"language":"en","content_type":"Work","owner":{"id":239743,"first_name":"Pieter","middle_initials":null,"last_name":"Maeseele","page_name":"PieterMaeseele","domain_name":"antwerp","created_at":"2010-08-28T21:55:45.427-07:00","display_name":"Pieter Maeseele","url":"https://antwerp.academia.edu/PieterMaeseele"},"attachments":[],"research_interests":[{"id":17158,"name":"Japan","url":"https://www.academia.edu/Documents/in/Japan"},{"id":34074,"name":"Television","url":"https://www.academia.edu/Documents/in/Television"},{"id":51334,"name":"Orientalism","url":"https://www.academia.edu/Documents/in/Orientalism"},{"id":129150,"name":"Media representations","url":"https://www.academia.edu/Documents/in/Media_representations"},{"id":972278,"name":"Cultural Stereotypes","url":"https://www.academia.edu/Documents/in/Cultural_Stereotypes"}],"urls":[{"id":4186566,"url":"http://www.boomlemmatijdschriften.nl/tijdschrift/TCW/2012/3/TCW_1384-6930_2012_040_003_002"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="5174713"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/5174713/Audience_motivations_to_donate_The_case_of_the_Catalan_telethon_La_Marat%C3%B3_de_TV3"><img alt="Research paper thumbnail of Audience motivations to donate: The case of the Catalan telethon La Marató de TV3" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/5174713/Audience_motivations_to_donate_The_case_of_the_Catalan_telethon_La_Marat%C3%B3_de_TV3">Audience motivations to donate: The case of the Catalan telethon La Marató de TV3</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://antwerp.academia.edu/PieterMaeseele">Pieter Maeseele</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://ugent.academia.edu/StijnJoye">Stijn Joye</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Although Spain was in the midst of an economic and financial crisis, the 2010 edition of the Cat...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Although Spain was in the midst of an economic and financial crisis, the 2010 <br />edition of the Catalan telethon La Marató de TV3 managed to raise a record <br />number of donations. While scholars generally refer to compassion to explain the <br />success of telethons, an online survey of 348 Catalans reveals an additional set of <br />audience motivations to donate. Alongside the element of compassion, the survey <br />points towards community feeling and a set of production values. The latter includes <br />advertising, video testimonials and the carefully built up credibility of the organizing <br />broadcaster and of the project. Nonetheless, the data also hint at a latent tendency <br />towards compassion fatigue as only 38.2% of the respondents did donate while <br />between 62.4% and 86.8% expressed a willingness to do so. The study illustrates <br />the potential of telethons to ward off such a tendency by motivating the audience in <br />other ways rather than simply appealing to compassion.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="5174713"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="5174713"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 5174713; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=5174713]").text(description); $(".js-view-count[data-work-id=5174713]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 5174713; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='5174713']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 5174713, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=5174713]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":5174713,"title":"Audience motivations to donate: The case of the Catalan telethon La Marató de TV3","translated_title":"","metadata":{"abstract":"Although Spain was in the midst of an economic and financial crisis, the 2010\r\nedition of the Catalan telethon La Marató de TV3 managed to raise a record\r\nnumber of donations. While scholars generally refer to compassion to explain the\r\nsuccess of telethons, an online survey of 348 Catalans reveals an additional set of\r\naudience motivations to donate. Alongside the element of compassion, the survey\r\npoints towards community feeling and a set of production values. The latter includes\r\nadvertising, video testimonials and the carefully built up credibility of the organizing\r\nbroadcaster and of the project. Nonetheless, the data also hint at a latent tendency\r\ntowards compassion fatigue as only 38.2% of the respondents did donate while\r\nbetween 62.4% and 86.8% expressed a willingness to do so. The study illustrates\r\nthe potential of telethons to ward off such a tendency by motivating the audience in\r\nother ways rather than simply appealing to compassion.","more_info":"Send an email to Pieter.Maeseele@UAntwerpen.be for a digital copy of the paper ","journal_name":"Catalan Journal of Communication \u0026 Cultural Studies","publication_date":{"day":null,"month":null,"year":2012,"errors":{}}},"translated_abstract":"Although Spain was in the midst of an economic and financial crisis, the 2010\r\nedition of the Catalan telethon La Marató de TV3 managed to raise a record\r\nnumber of donations. While scholars generally refer to compassion to explain the\r\nsuccess of telethons, an online survey of 348 Catalans reveals an additional set of\r\naudience motivations to donate. Alongside the element of compassion, the survey\r\npoints towards community feeling and a set of production values. 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The study illustrates\r\nthe potential of telethons to ward off such a tendency by motivating the audience in\r\nother ways rather than simply appealing to compassion.","internal_url":"https://www.academia.edu/5174713/Audience_motivations_to_donate_The_case_of_the_Catalan_telethon_La_Marat%C3%B3_de_TV3","translated_internal_url":"","created_at":"2013-11-21T04:31:48.070-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":239743,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[{"id":113633,"work_id":5174713,"tagging_user_id":239743,"tagged_user_id":532933,"co_author_invite_id":null,"email":"s***e@ugent.be","affiliation":"Ghent University","display_order":null,"name":"Stijn Joye","title":"Audience motivations to donate: The case of the Catalan telethon La Marató de TV3"}],"downloadable_attachments":[],"slug":"Audience_motivations_to_donate_The_case_of_the_Catalan_telethon_La_Marató_de_TV3","translated_slug":"","page_count":null,"language":"en","content_type":"Work","owner":{"id":239743,"first_name":"Pieter","middle_initials":null,"last_name":"Maeseele","page_name":"PieterMaeseele","domain_name":"antwerp","created_at":"2010-08-28T21:55:45.427-07:00","display_name":"Pieter Maeseele","url":"https://antwerp.academia.edu/PieterMaeseele"},"attachments":[],"research_interests":[{"id":10649,"name":"Compassion","url":"https://www.academia.edu/Documents/in/Compassion"},{"id":46233,"name":"Audience Participation","url":"https://www.academia.edu/Documents/in/Audience_Participation"},{"id":57480,"name":"Mediated Suffering","url":"https://www.academia.edu/Documents/in/Mediated_Suffering"},{"id":579642,"name":"Online survey","url":"https://www.academia.edu/Documents/in/Online_survey"},{"id":1771749,"name":"Telethon","url":"https://www.academia.edu/Documents/in/Telethon"}],"urls":[{"id":4186716,"url":"http://www.intellectbooks.co.uk/journals/view-Article,id=12758/"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="3852932"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/3852932/Reflections_on_Inter_Press_ServiceEvaluating_the_importance_of_an_alternative_news_voice"><img alt="Research paper thumbnail of Reflections on Inter Press ServiceEvaluating the importance of an alternative news voice" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/3852932/Reflections_on_Inter_Press_ServiceEvaluating_the_importance_of_an_alternative_news_voice">Reflections on Inter Press ServiceEvaluating the importance of an alternative news voice</a></div><div class="wp-workCard_item"><span>Global Media and Communication</span><span>, 2010</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="3852932"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="3852932"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 3852932; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="1373182"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/1373182/Media_en_rampen_tussen_realiteit_en_constructie"><img alt="Research paper thumbnail of Media en rampen: tussen realiteit en constructie" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/1373182/Media_en_rampen_tussen_realiteit_en_constructie">Media en rampen: tussen realiteit en constructie</a></div><div class="wp-workCard_item"><span>ORDE VAN DE DAG: CRIMINALITEIT EN …</span><span>, Jan 1, 2011</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">... Please use this identifier to cite or link to this item: Record Details. Record ID, 1217196. ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">... Please use this identifier to cite or link to this item: Record Details. Record ID, 1217196. Record Type, journalArticle. Author, Stijn Joye [801001806681] - Ghent University <a href="mailto:Stijn.Joye@UGent" rel="nofollow">Stijn.Joye@UGent</a>. be. Title, Media en rampen : tussen realiteit en constructie. Publication Status, inpress. ...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="1373182"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="1373182"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 1373182; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=1373182]").text(description); $(".js-view-count[data-work-id=1373182]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 1373182; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='1373182']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 1373182, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=1373182]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":1373182,"title":"Media en rampen: tussen realiteit en constructie","translated_title":"","metadata":{"abstract":"... Please use this identifier to cite or link to this item: Record Details. Record ID, 1217196. Record Type, journalArticle. Author, Stijn Joye [801001806681] - Ghent University Stijn.Joye@UGent. be. Title, Media en rampen : tussen realiteit en constructie. Publication Status, inpress. ...","publisher":"archive.ugent.be","publication_date":{"day":1,"month":1,"year":2011,"errors":{}},"publication_name":"ORDE VAN DE DAG: CRIMINALITEIT EN …"},"translated_abstract":"... Please use this identifier to cite or link to this item: Record Details. Record ID, 1217196. Record Type, journalArticle. Author, Stijn Joye [801001806681] - Ghent University Stijn.Joye@UGent. be. Title, Media en rampen : tussen realiteit en constructie. Publication Status, inpress. ...","internal_url":"https://www.academia.edu/1373182/Media_en_rampen_tussen_realiteit_en_constructie","translated_internal_url":"","created_at":"2012-02-10T22:16:08.505-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":532933,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[],"slug":"Media_en_rampen_tussen_realiteit_en_constructie","translated_slug":"","page_count":null,"language":"en","content_type":"Work","owner":{"id":532933,"first_name":"Stijn","middle_initials":null,"last_name":"Joye","page_name":"StijnJoye","domain_name":"ugent","created_at":"2011-07-06T07:43:39.595-07:00","display_name":"Stijn Joye","url":"https://ugent.academia.edu/StijnJoye"},"attachments":[],"research_interests":[],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="1373181"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/1373181/De_media_de_constructie_van_rampen_Onderzoek_naar_de_selectie_en_berichtgeving_van_rampen_in_Vlaamse_nieuwsmedia"><img alt="Research paper thumbnail of De media (de) constructie van rampen. Onderzoek naar de selectie en berichtgeving van rampen in Vlaamse nieuwsmedia" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/1373181/De_media_de_constructie_van_rampen_Onderzoek_naar_de_selectie_en_berichtgeving_van_rampen_in_Vlaamse_nieuwsmedia">De media (de) constructie van rampen. Onderzoek naar de selectie en berichtgeving van rampen in Vlaamse nieuwsmedia</a></div><div class="wp-workCard_item"><span>Tijdschrift voor Communicatiewetenschap</span><span>, Jan 1, 2010</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">News media play a basic role in giving publicity and meaning to global suffering as it is mainly ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">News media play a basic role in giving publicity and meaning to global suffering as it is mainly through media reports that the world perceives international crises. This article focuses on the (de)construction of disasters by Flemish news media. 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Record Details. Record ID, 771512. Record Type, journalArticle. Author, Stijn Joye [801001806...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">... Record Details. Record ID, 771512. Record Type, journalArticle. Author, Stijn Joye [801001806681] - Ghent University <a href="mailto:Stijn.Joye@UGent.be" rel="nofollow">Stijn.Joye@UGent.be</a>. Title, Novelty through repetition : exploring the success of artistic imitation in the contemporary film industry. 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Record Details. Record ID, 941208. Record Type, bookChapter. Author, Stijn Joye [801001806681...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">... Record Details. Record ID, 941208. Record Type, bookChapter. Author, Stijn Joye [801001806681] - Ghent University <a href="mailto:Stijn.Joye@UGent.be" rel="nofollow">Stijn.Joye@UGent.be</a>. Chapter Title, Journalism for global change: Reflections on the alternative news agency Inter Press Service. Publication Status, published ...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="1373179"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="1373179"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 1373179; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=1373179]").text(description); $(".js-view-count[data-work-id=1373179]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 1373179; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='1373179']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 1373179, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=1373179]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":1373179,"title":"Journalism for global change: Reflections on the alternative news agency Inter Press Service.","translated_title":"","metadata":{"abstract":"... 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Editor, Nico Carpentier; Pille Pruulmann-Vengerfeldt; Kaarle Nordenstreng; Maren Hartmann; Pe...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">... Editor, Nico Carpentier; Pille Pruulmann-Vengerfeldt; Kaarle Nordenstreng; Maren Hartmann; Peeter Vihalemm; Bart Cammaerts. ISBN, 9789949114634. Department, PS01 - Department of Communication studies. 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(2016). Helden van hier? Een kritisch geïnspireerde kwalitatieve inhoudsanalyse naar de Vlaamse krantenberichtgeving over westerse en niet-westerse hulpagentschappen tijdens tyfoon Haiyan (2013). Tijdschrift voor Communicatiewetenschap, 44(3), 272–287." class="work-thumbnail" src="https://attachments.academia-assets.com/55616378/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/35741783/Ongenaert_D_and_Joye_S_2016_Helden_van_hier_Een_kritisch_ge%C3%AFnspireerde_kwalitatieve_inhoudsanalyse_naar_de_Vlaamse_krantenberichtgeving_over_westerse_en_niet_westerse_hulpagentschappen_tijdens_tyfoon_Haiyan_2013_Tijdschrift_voor_Communicatiewetenschap_44_3_272_287">Ongenaert, D. & Joye, S. (2016). Helden van hier? Een kritisch geïnspireerde kwalitatieve inhoudsanalyse naar de Vlaamse krantenberichtgeving over westerse en niet-westerse hulpagentschappen tijdens tyfoon Haiyan (2013). Tijdschrift voor Communicatiewetenschap, 44(3), 272–287.</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://eur.academia.edu/DavidOngenaert">David Ongenaert</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://ugent.academia.edu/StijnJoye">Stijn Joye</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Deze studie onderzoekt de beeldvorming binnen Vlaamse kranten van westerse en niet-westerse hulpo...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Deze studie onderzoekt de beeldvorming binnen Vlaamse kranten van westerse en niet-westerse hulporganisaties die steun verleenden aan de Filipijnen nadat het werd getroffen door tyfoon Haiyan (2013). Een kritisch geïnspireerde kwalitatieve inhoudsanalyse leert dat westerse hulporganisaties, en in het bijzonder Belgische instanties, meer en positievere media-aandacht verkrijgen dan niet-westerse hulporganisaties. 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A multi‐method study of the public communication strategies of international refugee organisations" class="work-thumbnail" src="https://attachments.academia-assets.com/103194813/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/36229482/Selling_displaced_people_A_multi_method_study_of_the_public_communication_strategies_of_international_refugee_organisations">Selling displaced people? A multi‐method study of the public communication strategies of international refugee organisations</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://eur.academia.edu/DavidOngenaert">David Ongenaert</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://ugent.academia.edu/StijnJoye">Stijn Joye</a></span></div><div class="wp-workCard_item"><span>Disasters</span><span>, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The world has seen a major increase in forced displacement since 2011. As a growing number of sta...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The world has seen a major increase in forced displacement since 2011. As a growing number of states implement restrictive refugee policies, public communication has become essential for refugee organisations. This study analysed, therefore, three international refugee organisations’ discursive strategies towards the recent Syrian crisis, as well as their production and the social context. A critical discourse analysis of international press releases (N=122) and six semi-structured interviews with press and regional officers revealed that the observed actors largely dehumanise displaced people and subordinate them to the ‘Western self’ and state interests; displaced people hardly ever acquire their own voice. The study found that the medium characteristics of press releases and the importance of media attention result in a depersonalising humanitarian discourse. In addition, there were indications of a post-humanitarian discourse that reproduced the humanitarian sector’s ‘marketisation’. Finally, the examined organisations use the political realist cross-issue persuasion strategy, displaying displaced people as resettlement objects.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="97acdcf662d7807ccc47aba258da3e4c" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":103194813,"asset_id":36229482,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/103194813/download_file?st=MTczMjc0OTEwNSw4LjIyMi4yMDguMTQ2&st=MTczMjc0OTEwNSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="36229482"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="36229482"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 36229482; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=36229482]").text(description); $(".js-view-count[data-work-id=36229482]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 36229482; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='36229482']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 36229482, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "97acdcf662d7807ccc47aba258da3e4c" } } $('.js-work-strip[data-work-id=36229482]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":36229482,"title":"Selling displaced people? 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The study found that the medium characteristics of press releases and the importance of media attention result in a depersonalising humanitarian discourse. In addition, there were indications of a post-humanitarian discourse that reproduced the humanitarian sector’s ‘marketisation’. Finally, the examined organisations use the political realist cross-issue persuasion strategy, displaying displaced people as resettlement objects.","page_numbers":"478−508","publication_date":{"day":null,"month":null,"year":2019,"errors":{}},"publication_name":"Disasters"},"translated_abstract":"The world has seen a major increase in forced displacement since 2011. As a growing number of states implement restrictive refugee policies, public communication has become essential for refugee organisations. This study analysed, therefore, three international refugee organisations’ discursive strategies towards the recent Syrian crisis, as well as their production and the social context. 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Several (dis)similarities in the representation of sexuality, female characters, and ethnicity, as well as some formal changes, are observed. By combining these results with self-conducted, in-depth and press interviews with the filmmakers of these films, it is ascertained that, although the three versions share a similar use of specific Hollywood conventions, the changes in representation were motivated by perceived cultural differences. Building on known cultural stereotypes and clichés, filmmakers reinforce specific cultural (and national) identities, with the aim of enhancing the recognizability for their local audiences. In conclusion, the Dutch and Belgian filmmakers, in an attempt of localizing the universal, realized a hyperreal version of their own or another culture.<br /><br />Focussend op de Belgische, Nederlandse en Amerikaanse filmversies van Loft bestudeert dit artikel de relaties tussen interculturele mediapraktijken en de (re)producties van culturele identiteiten. Een vergelijkende tekstuele en contextuele filmanalyse van representaties van vrouwelijke personages, seksualiteit en etniciteit illustreert dat de verschillende versies van eenzelfde filmverhaal gerelateerd zijn aan hun specifieke socio-culturele contexten en aan het concept van karaoke-Amerikanisme.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="277a2af6afa9855c56c01c1e4d9950be" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":57980740,"asset_id":37946374,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/57980740/download_file?st=MTczMjc0OTEwNSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="37946374"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="37946374"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 37946374; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=37946374]").text(description); $(".js-view-count[data-work-id=37946374]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 37946374; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='37946374']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 37946374, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "277a2af6afa9855c56c01c1e4d9950be" } } $('.js-work-strip[data-work-id=37946374]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":37946374,"title":"Same same same, but different: a comparative film analysis of the Belgian, Dutch and American Loft","translated_title":"","metadata":{"issue":"4","volume":"46","abstract":"Against the theoretical background of the concept ‘karaoke-Americanism’, this article compares the Belgian, Dutch and American version of the film Loft. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="38394049"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/38394049/Remaking_identities_and_stereotypes_How_film_remakes_transform_and_reinforce_nationality_disability_and_gender"><img alt="Research paper thumbnail of Remaking identities and stereotypes: How film remakes transform and reinforce nationality, disability, and gender" class="work-thumbnail" src="https://attachments.academia-assets.com/58450854/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/38394049/Remaking_identities_and_stereotypes_How_film_remakes_transform_and_reinforce_nationality_disability_and_gender">Remaking identities and stereotypes: How film remakes transform and reinforce nationality, disability, and gender</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://ugent.academia.edu/EduardCuelenaere">Eduard Cuelenaere</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://antwerp.academia.edu/GertjanWillems">Gertjan Willems</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://ugent.academia.edu/StijnJoye">Stijn Joye</a></span></div><div class="wp-workCard_item"><span>European Journal of Cultural Studies</span><span>, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">When films are being remade, they undergo several transformations, including changes related to (...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">When films are being remade, they undergo several transformations, including changes related to (the representation of) national, disability, and gender identities. By drawing on the case of the Flemish film Hasta La Vista and its Dutch remake Adios Amigos, this article critically investigates the (dis)similarities on these levels through the prism of the film remake. Both films are popular road trip movies dealing with the adventure of three friends with disabilities who overcome boundaries in multiple ways not only by figuratively (and almost literally) escaping their parents and their disabilities but also through traveling, exploring sexuality, and eventually by dying. Although the films deal with almost exactly the same themes, their interpretation and contextualization differ considerably. Our findings show that as a consequence of the localizing processes embedded in film remakes, subtexts which were ‘originally’ ingrained in the source text were ignored or even withheld in the newer version. As the involved filmmakers built on particular stereotypical visions and myths about these specific cultures and national identities, often with the purpose of recreating a socio-cultural context, such narrowed perceptions were occasionally subverted but also reconsolidated. Finally, we argue that, through the remake process, some ableist and patronizing representations of, respectively, disability and gender identities were subverted, while others were kept or even reinforced. Our results show that such transformations point toward specific socio-culturally defined disability and gender identities but also toward a shared and almost universally shaped disability and gender culture.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="c495ff664c5dfb8d628d91086b71ccb6" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":58450854,"asset_id":38394049,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/58450854/download_file?st=MTczMjc0OTEwNSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="38394049"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="38394049"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 38394049; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=38394049]").text(description); $(".js-view-count[data-work-id=38394049]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 38394049; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='38394049']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 38394049, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "c495ff664c5dfb8d628d91086b71ccb6" } } $('.js-work-strip[data-work-id=38394049]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":38394049,"title":"Remaking identities and stereotypes: How film remakes transform and reinforce nationality, disability, and gender","translated_title":"","metadata":{"doi":"10.1177/1367549418821850","abstract":"When films are being remade, they undergo several transformations, including changes related to (the representation of) national, disability, and gender identities. By drawing on the case of the Flemish film Hasta La Vista and its Dutch remake Adios Amigos, this article critically investigates the (dis)similarities on these levels through the prism of the film remake. Both films are popular road trip movies dealing with the adventure of three friends with disabilities who overcome boundaries in multiple ways not only by figuratively (and almost literally) escaping their parents and their disabilities but also through traveling, exploring sexuality, and eventually by dying. Although the films deal with almost exactly the same themes, their interpretation and contextualization differ considerably. Our findings show that as a consequence of the localizing processes embedded in film remakes, subtexts which were ‘originally’ ingrained in the source text were ignored or even withheld in the newer version. As the involved filmmakers built on particular stereotypical visions and myths about these specific cultures and national identities, often with the purpose of recreating a socio-cultural context, such narrowed perceptions were occasionally subverted but also reconsolidated. Finally, we argue that, through the remake process, some ableist and patronizing representations of, respectively, disability and gender identities were subverted, while others were kept or even reinforced. Our results show that such transformations point toward specific socio-culturally defined disability and gender identities but also toward a shared and almost universally shaped disability and gender culture.","publication_date":{"day":null,"month":null,"year":2019,"errors":{}},"publication_name":"European Journal of Cultural Studies"},"translated_abstract":"When films are being remade, they undergo several transformations, including changes related to (the representation of) national, disability, and gender identities. By drawing on the case of the Flemish film Hasta La Vista and its Dutch remake Adios Amigos, this article critically investigates the (dis)similarities on these levels through the prism of the film remake. Both films are popular road trip movies dealing with the adventure of three friends with disabilities who overcome boundaries in multiple ways not only by figuratively (and almost literally) escaping their parents and their disabilities but also through traveling, exploring sexuality, and eventually by dying. Although the films deal with almost exactly the same themes, their interpretation and contextualization differ considerably. Our findings show that as a consequence of the localizing processes embedded in film remakes, subtexts which were ‘originally’ ingrained in the source text were ignored or even withheld in the newer version. As the involved filmmakers built on particular stereotypical visions and myths about these specific cultures and national identities, often with the purpose of recreating a socio-cultural context, such narrowed perceptions were occasionally subverted but also reconsolidated. Finally, we argue that, through the remake process, some ableist and patronizing representations of, respectively, disability and gender identities were subverted, while others were kept or even reinforced. Our results show that such transformations point toward specific socio-culturally defined disability and gender identities but also toward a shared and almost universally shaped disability and gender culture.","internal_url":"https://www.academia.edu/38394049/Remaking_identities_and_stereotypes_How_film_remakes_transform_and_reinforce_nationality_disability_and_gender","translated_internal_url":"","created_at":"2019-02-20T00:24:31.689-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":27351476,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[{"id":32281948,"work_id":38394049,"tagging_user_id":27351476,"tagged_user_id":299132,"co_author_invite_id":null,"email":"g***s@uantwerpen.be","affiliation":"University of Antwerp","display_order":1,"name":"Gertjan Willems","title":"Remaking identities and stereotypes: How film remakes transform and reinforce nationality, disability, and gender"},{"id":32281949,"work_id":38394049,"tagging_user_id":27351476,"tagged_user_id":532933,"co_author_invite_id":null,"email":"s***e@ugent.be","affiliation":"Ghent University","display_order":2,"name":"Stijn Joye","title":"Remaking identities and stereotypes: How film remakes transform and reinforce nationality, disability, and gender"}],"downloadable_attachments":[{"id":58450854,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/58450854/thumbnails/1.jpg","file_name":"Cuelenaere_Willems_Joye_EJCS.pdf","download_url":"https://www.academia.edu/attachments/58450854/download_file?st=MTczMjc0OTEwNSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Remaking_identities_and_stereotypes_How.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/58450854/Cuelenaere_Willems_Joye_EJCS-libre.pdf?1550654033=\u0026response-content-disposition=attachment%3B+filename%3DRemaking_identities_and_stereotypes_How.pdf\u0026Expires=1732739674\u0026Signature=ed1vxZiZQFwMpcKj9PmgM2~Io-bfvEZh-zUpo1ZwPWcnzAlusFSkMoQC5Xd73hz87wVOdJZGqa5bNYDsjXpzfm4~7s7YF-G2Wn4kazR1eF6iS18FvBAgqpAvkMeDOy4LQmm2GSni3LE6MK4hD~wlLg1H-hvEg0ZSwHRpm8tq~TQCRd3orQVIjBphanukE0tReANtYUd9eXJoKlYZEuItJbBrHOtLwqRE~MfWqRP24nTlXW1N3A5-HbjDZ12tdSpbCqR9Li-pliQSX6POYJo0Iizr3UPKm26-WQvmv2sQ-dE07G3J42j0Eq-POtktDfstvN2FoXHyAR0UoJkboCmGWw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Remaking_identities_and_stereotypes_How_film_remakes_transform_and_reinforce_nationality_disability_and_gender","translated_slug":"","page_count":17,"language":"en","content_type":"Work","owner":{"id":27351476,"first_name":"Eduard","middle_initials":null,"last_name":"Cuelenaere","page_name":"EduardCuelenaere","domain_name":"ugent","created_at":"2015-03-06T10:04:21.746-08:00","display_name":"Eduard Cuelenaere","url":"https://ugent.academia.edu/EduardCuelenaere"},"attachments":[{"id":58450854,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/58450854/thumbnails/1.jpg","file_name":"Cuelenaere_Willems_Joye_EJCS.pdf","download_url":"https://www.academia.edu/attachments/58450854/download_file?st=MTczMjc0OTEwNSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Remaking_identities_and_stereotypes_How.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/58450854/Cuelenaere_Willems_Joye_EJCS-libre.pdf?1550654033=\u0026response-content-disposition=attachment%3B+filename%3DRemaking_identities_and_stereotypes_How.pdf\u0026Expires=1732739674\u0026Signature=ed1vxZiZQFwMpcKj9PmgM2~Io-bfvEZh-zUpo1ZwPWcnzAlusFSkMoQC5Xd73hz87wVOdJZGqa5bNYDsjXpzfm4~7s7YF-G2Wn4kazR1eF6iS18FvBAgqpAvkMeDOy4LQmm2GSni3LE6MK4hD~wlLg1H-hvEg0ZSwHRpm8tq~TQCRd3orQVIjBphanukE0tReANtYUd9eXJoKlYZEuItJbBrHOtLwqRE~MfWqRP24nTlXW1N3A5-HbjDZ12tdSpbCqR9Li-pliQSX6POYJo0Iizr3UPKm26-WQvmv2sQ-dE07G3J42j0Eq-POtktDfstvN2FoXHyAR0UoJkboCmGWw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":696,"name":"Gender Studies","url":"https://www.academia.edu/Documents/in/Gender_Studies"},{"id":2260,"name":"Disability Studies","url":"https://www.academia.edu/Documents/in/Disability_Studies"},{"id":8032,"name":"Cross-Cultural Studies","url":"https://www.academia.edu/Documents/in/Cross-Cultural_Studies"},{"id":17218,"name":"Film Remakes","url":"https://www.academia.edu/Documents/in/Film_Remakes"},{"id":52745,"name":"Cinema Studies","url":"https://www.academia.edu/Documents/in/Cinema_Studies"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="33881860"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/33881860/Close_but_not_close_enough_Audience_s_reactions_to_domesticated_distant_suffering_in_international_news_coverage"><img alt="Research paper thumbnail of Close, but not close enough? Audience’s reactions to domesticated distant suffering in international news coverage" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/33881860/Close_but_not_close_enough_Audience_s_reactions_to_domesticated_distant_suffering_in_international_news_coverage">Close, but not close enough? Audience’s reactions to domesticated distant suffering in international news coverage</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://ugent.academia.edu/ElineHuiberts">Eline Huiberts</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://ugent.academia.edu/StijnJoye">Stijn Joye</a></span></div><div class="wp-workCard_item"><span>Media, Culture & Society</span><span>, 2018</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Journalists domesticate news about distant events to bring such events closer to the audience and...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Journalists domesticate news about distant events to bring such events closer to the audience and thus make them more relevant and appealing; however, knowledge about the actual audience’s reactions toward domesticated news is lacking. Central to this study is understanding how an audience makes use of domestication strategies in viewing and reacting to mediated distant suffering. Earlier text-based research has found several ways of domesticating distant suffering that can invite an audience to care. Building further on this media-centered study, 10 focus groups reveal a two-flow model of domestication, consisting of first-level domestication on the production side by journalists and second-level domestication, in which audience members themselves use strategies of domestication to make sense of distant suffering. <br /> <br />Huiberts, E., & Joye, S. (2018). Close, but not close enough? Audience’s reactions to domesticated distant suffering in international news coverage. Media, Culture & Society, 40(3), 333–347.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="33881860"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="33881860"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 33881860; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=33881860]").text(description); $(".js-view-count[data-work-id=33881860]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 33881860; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='33881860']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 33881860, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=33881860]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":33881860,"title":"Close, but not close enough? Audience’s reactions to domesticated distant suffering in international news coverage","translated_title":"","metadata":{"doi":"10.1177/0163443717707342","issue":"3","volume":"40","abstract":"Journalists domesticate news about distant events to bring such events closer to the audience and thus make them more relevant and appealing; however, knowledge about the actual audience’s reactions toward domesticated news is lacking. Central to this study is understanding how an audience makes use of domestication strategies in viewing and reacting to mediated distant suffering. Earlier text-based research has found several ways of domesticating distant suffering that can invite an audience to care. Building further on this media-centered study, 10 focus groups reveal a two-flow model of domestication, consisting of first-level domestication on the production side by journalists and second-level domestication, in which audience members themselves use strategies of domestication to make sense of distant suffering.\r\n\r\nHuiberts, E., \u0026 Joye, S. (2018). Close, but not close enough? Audience’s reactions to domesticated distant suffering in international news coverage. Media, Culture \u0026 Society, 40(3), 333–347. ","page_numbers":"333 - 347","publication_date":{"day":null,"month":null,"year":2018,"errors":{}},"publication_name":"Media, Culture \u0026 Society"},"translated_abstract":"Journalists domesticate news about distant events to bring such events closer to the audience and thus make them more relevant and appealing; however, knowledge about the actual audience’s reactions toward domesticated news is lacking. Central to this study is understanding how an audience makes use of domestication strategies in viewing and reacting to mediated distant suffering. Earlier text-based research has found several ways of domesticating distant suffering that can invite an audience to care. Building further on this media-centered study, 10 focus groups reveal a two-flow model of domestication, consisting of first-level domestication on the production side by journalists and second-level domestication, in which audience members themselves use strategies of domestication to make sense of distant suffering.\r\n\r\nHuiberts, E., \u0026 Joye, S. (2018). Close, but not close enough? Audience’s reactions to domesticated distant suffering in international news coverage. Media, Culture \u0026 Society, 40(3), 333–347. ","internal_url":"https://www.academia.edu/33881860/Close_but_not_close_enough_Audience_s_reactions_to_domesticated_distant_suffering_in_international_news_coverage","translated_internal_url":"","created_at":"2017-07-14T04:37:39.012-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":9709336,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[{"id":29718224,"work_id":33881860,"tagging_user_id":9709336,"tagged_user_id":532933,"co_author_invite_id":null,"email":"s***e@ugent.be","affiliation":"Ghent University","display_order":0,"name":"Stijn Joye","title":"Close, but not close enough? Audience’s reactions to domesticated distant suffering in international news coverage"}],"downloadable_attachments":[],"slug":"Close_but_not_close_enough_Audience_s_reactions_to_domesticated_distant_suffering_in_international_news_coverage","translated_slug":"","page_count":null,"language":"en","content_type":"Work","owner":{"id":9709336,"first_name":"Eline","middle_initials":null,"last_name":"Huiberts","page_name":"ElineHuiberts","domain_name":"ugent","created_at":"2014-03-03T20:13:50.577-08:00","display_name":"Eline Huiberts","url":"https://ugent.academia.edu/ElineHuiberts"},"attachments":[],"research_interests":[{"id":248,"name":"Social Psychology","url":"https://www.academia.edu/Documents/in/Social_Psychology"},{"id":4193,"name":"Focus Groups","url":"https://www.academia.edu/Documents/in/Focus_Groups"},{"id":52861,"name":"Distant Suffering","url":"https://www.academia.edu/Documents/in/Distant_Suffering"},{"id":63733,"name":"Audience Research","url":"https://www.academia.edu/Documents/in/Audience_Research"},{"id":79647,"name":"Representation of distant suffering","url":"https://www.academia.edu/Documents/in/Representation_of_distant_suffering"},{"id":158841,"name":"News Media","url":"https://www.academia.edu/Documents/in/News_Media"}],"urls":[{"id":8214682,"url":"http://journals.sagepub.com/doi/abs/10.1177/0163443717707342"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="35308087"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/35308087/Call_for_Papers_Remaking_European_Cinema"><img alt="Research paper thumbnail of Call for Papers: Remaking European Cinema" class="work-thumbnail" src="https://attachments.academia-assets.com/55168575/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/35308087/Call_for_Papers_Remaking_European_Cinema">Call for Papers: Remaking European Cinema</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://ugent.academia.edu/EduardCuelenaere">Eduard Cuelenaere</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://antwerp.academia.edu/GertjanWillems">Gertjan Willems</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://ugent.academia.edu/StijnJoye">Stijn Joye</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The film remake, whether as a practice or a concept, has been around since the very beginnings of...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The film remake, whether as a practice or a concept, has been around since the very beginnings of cinema. While the earliest studies of the remake provided general overviews trying to sketch patterns and localize differing practices, this was followed by substantial attempts to define the remake as both a textual and cultural artefact and as a commercial business. Building on adaptation theories, scholars eventually pinpointed the intertextual properties that are inherent to the (relationship between) a source film and its remake(s). These evolutions in the research field spurred the idea of the remake as a kind of prism, which can be used to examine a variety of aesthetic, cultural, economic and social questions. For quite some time, most studies in the field were confined to the Hollywood practice of remaking non-Hollywood films, or, vice versa, non-Hollywood film industries remaking Hollywood films. More recently, attempts are being made to look beyond Hollywood, inquiring into other nations or regions that, for example, remake their own films or the films of neighbouring countries. Notwithstanding these promising evolutions, there is still a lack of sustained research analysing the specific context(s) of European cinema. As a continent, Europe is known for its fragmentation and diversity due to the multitude of different languages and cultures existing next to and through each other within a relatively small geographical area. Although attempts to pinpoint the characteristics of European cinema are always questionable given that 'Europe' is as much a social, contingent and dynamic construction as other geopolitical entities, various cultural, economic and political dynamics grant the concept of European cinema analytical value. Accordingly, the purpose of the symposium is to bring together scholars with expertise in the currently vibrant field of remake studies for a discussion of the dynamics and particularities of the film remake in a European context.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="afd26a5c5fadaeaf0fd0099a52ed69d2" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":55168575,"asset_id":35308087,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/55168575/download_file?st=MTczMjc0OTEwNSw4LjIyMi4yMDguMTQ2&st=MTczMjc0OTEwNSw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="35308087"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="35308087"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 35308087; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=35308087]").text(description); $(".js-view-count[data-work-id=35308087]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 35308087; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='35308087']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 35308087, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "afd26a5c5fadaeaf0fd0099a52ed69d2" } } $('.js-work-strip[data-work-id=35308087]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":35308087,"title":"Call for Papers: Remaking European Cinema","translated_title":"","metadata":{"abstract":"The film remake, whether as a practice or a concept, has been around since the very beginnings of cinema. 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Notwithstanding these promising evolutions, there is still a lack of sustained research analysing the specific context(s) of European cinema. As a continent, Europe is known for its fragmentation and diversity due to the multitude of different languages and cultures existing next to and through each other within a relatively small geographical area. Although attempts to pinpoint the characteristics of European cinema are always questionable given that 'Europe' is as much a social, contingent and dynamic construction as other geopolitical entities, various cultural, economic and political dynamics grant the concept of European cinema analytical value. 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For quite some time, most studies in the field were confined to the Hollywood practice of remaking non-Hollywood films, or, vice versa, non-Hollywood film industries remaking Hollywood films. More recently, attempts are being made to look beyond Hollywood, inquiring into other nations or regions that, for example, remake their own films or the films of neighbouring countries. Notwithstanding these promising evolutions, there is still a lack of sustained research analysing the specific context(s) of European cinema. As a continent, Europe is known for its fragmentation and diversity due to the multitude of different languages and cultures existing next to and through each other within a relatively small geographical area. Although attempts to pinpoint the characteristics of European cinema are always questionable given that 'Europe' is as much a social, contingent and dynamic construction as other geopolitical entities, various cultural, economic and political dynamics grant the concept of European cinema analytical value. Accordingly, the purpose of the symposium is to bring together scholars with expertise in the currently vibrant field of remake studies for a discussion of the dynamics and particularities of the film remake in a European context.","internal_url":"https://www.academia.edu/35308087/Call_for_Papers_Remaking_European_Cinema","translated_internal_url":"","created_at":"2017-12-01T03:23:50.405-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":27351476,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[{"id":30721215,"work_id":35308087,"tagging_user_id":27351476,"tagged_user_id":299132,"co_author_invite_id":null,"email":"g***s@uantwerpen.be","affiliation":"University of Antwerp","display_order":1,"name":"Gertjan Willems","title":"Call for Papers: Remaking European Cinema"},{"id":30721216,"work_id":35308087,"tagging_user_id":27351476,"tagged_user_id":532933,"co_author_invite_id":null,"email":"s***e@ugent.be","affiliation":"Ghent University","display_order":2,"name":"Stijn Joye","title":"Call for Papers: Remaking European Cinema"}],"downloadable_attachments":[{"id":55168575,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/55168575/thumbnails/1.jpg","file_name":"Call_For_Papers.pdf","download_url":"https://www.academia.edu/attachments/55168575/download_file?st=MTczMjc0OTEwNSw4LjIyMi4yMDguMTQ2&st=MTczMjc0OTEwNSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Call_for_Papers_Remaking_European_Cinema.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/55168575/Call_For_Papers-libre.pdf?1512127663=\u0026response-content-disposition=attachment%3B+filename%3DCall_for_Papers_Remaking_European_Cinema.pdf\u0026Expires=1732752705\u0026Signature=VqWnn1FWx7po2pReH3kANhDpTWk-V5g2I5Rt7L3kos6VsC9fJ5sV9yVOTZq~bk2HUU9yM2WVvUUjMJf6em6Mbd~bRHUVkzqMVstC9augIfVUa4Ffyyun6NxBfCE10BWMqi4tBomVAu9bdFSgWfxVFTJcGC5kU7SkSv8~98yxmwQ3sWuIZIRKjh0tcevIqoZZjU48xCgM4mABFIhAHA2XQy6esk87NX3WKqsBmTwFiKUJJih3zUKsjc3EchfNYktdYFlacb8sfK4wPUiB0UlzvGFYGFjdsDTcupXA2Y8avbnUz9ds3WJLz-mzSP3Ac~8KuIlqgkTAOFY-0xw8CTkzRA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Call_for_Papers_Remaking_European_Cinema","translated_slug":"","page_count":2,"language":"en","content_type":"Work","owner":{"id":27351476,"first_name":"Eduard","middle_initials":null,"last_name":"Cuelenaere","page_name":"EduardCuelenaere","domain_name":"ugent","created_at":"2015-03-06T10:04:21.746-08:00","display_name":"Eduard Cuelenaere","url":"https://ugent.academia.edu/EduardCuelenaere"},"attachments":[{"id":55168575,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/55168575/thumbnails/1.jpg","file_name":"Call_For_Papers.pdf","download_url":"https://www.academia.edu/attachments/55168575/download_file?st=MTczMjc0OTEwNSw4LjIyMi4yMDguMTQ2&st=MTczMjc0OTEwNSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Call_for_Papers_Remaking_European_Cinema.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/55168575/Call_For_Papers-libre.pdf?1512127663=\u0026response-content-disposition=attachment%3B+filename%3DCall_for_Papers_Remaking_European_Cinema.pdf\u0026Expires=1732752705\u0026Signature=VqWnn1FWx7po2pReH3kANhDpTWk-V5g2I5Rt7L3kos6VsC9fJ5sV9yVOTZq~bk2HUU9yM2WVvUUjMJf6em6Mbd~bRHUVkzqMVstC9augIfVUa4Ffyyun6NxBfCE10BWMqi4tBomVAu9bdFSgWfxVFTJcGC5kU7SkSv8~98yxmwQ3sWuIZIRKjh0tcevIqoZZjU48xCgM4mABFIhAHA2XQy6esk87NX3WKqsBmTwFiKUJJih3zUKsjc3EchfNYktdYFlacb8sfK4wPUiB0UlzvGFYGFjdsDTcupXA2Y8avbnUz9ds3WJLz-mzSP3Ac~8KuIlqgkTAOFY-0xw8CTkzRA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":1555,"name":"Film Studies","url":"https://www.academia.edu/Documents/in/Film_Studies"},{"id":1570,"name":"European Cinema","url":"https://www.academia.edu/Documents/in/European_Cinema"},{"id":17218,"name":"Film Remakes","url":"https://www.academia.edu/Documents/in/Film_Remakes"},{"id":22763,"name":"Adaptation (Film Studies)","url":"https://www.academia.edu/Documents/in/Adaptation_Film_Studies_"},{"id":42298,"name":"Film and Media Studies","url":"https://www.academia.edu/Documents/in/Film_and_Media_Studies"},{"id":50070,"name":"Adaptation Studies","url":"https://www.academia.edu/Documents/in/Adaptation_Studies"},{"id":70361,"name":"Conferences","url":"https://www.academia.edu/Documents/in/Conferences"},{"id":128959,"name":"Symposium","url":"https://www.academia.edu/Documents/in/Symposium"},{"id":967868,"name":"Remakes","url":"https://www.academia.edu/Documents/in/Remakes"}],"urls":[]}, dispatcherData: dispatcherData }); 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Hence, more complex and qualified aspects of audience reception risk staying under-explored in future scholarly work. This article acknowledges the complex nature and identifies a broad range of aspects (psychological, cultural, sociological,…) that can influence people's attitude towards distant societies and suffering. The objective is to explore different processes and aspects that can be integrated in research on audience reactions to images of distant suffering, from different disciplines within social sciences. Cultural anthropology and sociology of new media are briefly discussed in this regard while social psychology is looked in more closely. An interdisciplinary theoretical basis is quintessential in understanding the audience and its complex relation to distant suffering. In this respect, the presented article responds to the call for more empirical and theoretical audience research in the field of mediated suffering by taking the first step towards interdisciplinary and multi-methodological research (Joye 2013; Ong 2014; Orgad and Seu 2014).","publication_date":{"day":null,"month":null,"year":2015,"errors":{}},"publication_name":"Networking Knowledge: Journal of the MeCCSA Postgraduate Network","grobid_abstract_attachment_id":36511664},"translated_abstract":null,"internal_url":"https://www.academia.edu/10503463/_Bring_in_the_Audience_Exploring_an_Interdisciplinary_Approach_to_Investigating_Audience_Reactions_to_Mediated_Distant_Suffering","translated_internal_url":"","created_at":"2015-02-04T02:39:17.602-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":9709336,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[{"id":148634,"work_id":10503463,"tagging_user_id":9709336,"tagged_user_id":532933,"co_author_invite_id":null,"email":"s***e@ugent.be","affiliation":"Ghent University","display_order":null,"name":"Stijn Joye","title":"“Bring in the Audience!” Exploring an Interdisciplinary Approach to Investigating Audience Reactions to Mediated Distant Suffering"}],"downloadable_attachments":[{"id":36511664,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/36511664/thumbnails/1.jpg","file_name":"Huiberts___Joye_-_Bring_in_the_audience_-_2015.pdf","download_url":"https://www.academia.edu/attachments/36511664/download_file?st=MTczMjc0OTEwNSw4LjIyMi4yMDguMTQ2&st=MTczMjc0OTEwNSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Bring_in_the_Audience_Exploring_an_Inte.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/36511664/Huiberts___Joye_-_Bring_in_the_audience_-_2015-libre.pdf?1423048805=\u0026response-content-disposition=attachment%3B+filename%3DBring_in_the_Audience_Exploring_an_Inte.pdf\u0026Expires=1732752705\u0026Signature=Mjj~ZacZhbpotlYHeSt1WCNiw~Ts6iQt2tcVhEzhttRwkcbhlgK4IB7bFPBoJZyFTWq9Ei2o6cGgo~teMYYUdRJdUAtZbm2xa60imWYLpAqnssKvm8BAHKplGOJUxyW2j8Hd-XZyGOphTg9DnBKTgGVbMWoarxibhvFAS~tN2jDQ69iYtkH04bLRugrszcQBNEeMgRdhczBd9NE9vI~~cnuSjJZ36-jxSDt6V2fT8D6JtxQONpHlTYajP5OKVRBtuntM8HbGPIDwyeCrUR60UeEFA3axsilElOLKdkYL2JYA9JzvGYRmQHI6riKA2roag2TVXzdazA5lts~8guP4Iw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"_Bring_in_the_Audience_Exploring_an_Interdisciplinary_Approach_to_Investigating_Audience_Reactions_to_Mediated_Distant_Suffering","translated_slug":"","page_count":15,"language":"en","content_type":"Work","owner":{"id":9709336,"first_name":"Eline","middle_initials":null,"last_name":"Huiberts","page_name":"ElineHuiberts","domain_name":"ugent","created_at":"2014-03-03T20:13:50.577-08:00","display_name":"Eline Huiberts","url":"https://ugent.academia.edu/ElineHuiberts"},"attachments":[{"id":36511664,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/36511664/thumbnails/1.jpg","file_name":"Huiberts___Joye_-_Bring_in_the_audience_-_2015.pdf","download_url":"https://www.academia.edu/attachments/36511664/download_file?st=MTczMjc0OTEwNSw4LjIyMi4yMDguMTQ2&st=MTczMjc0OTEwNSw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Bring_in_the_Audience_Exploring_an_Inte.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/36511664/Huiberts___Joye_-_Bring_in_the_audience_-_2015-libre.pdf?1423048805=\u0026response-content-disposition=attachment%3B+filename%3DBring_in_the_Audience_Exploring_an_Inte.pdf\u0026Expires=1732752705\u0026Signature=Mjj~ZacZhbpotlYHeSt1WCNiw~Ts6iQt2tcVhEzhttRwkcbhlgK4IB7bFPBoJZyFTWq9Ei2o6cGgo~teMYYUdRJdUAtZbm2xa60imWYLpAqnssKvm8BAHKplGOJUxyW2j8Hd-XZyGOphTg9DnBKTgGVbMWoarxibhvFAS~tN2jDQ69iYtkH04bLRugrszcQBNEeMgRdhczBd9NE9vI~~cnuSjJZ36-jxSDt6V2fT8D6JtxQONpHlTYajP5OKVRBtuntM8HbGPIDwyeCrUR60UeEFA3axsilElOLKdkYL2JYA9JzvGYRmQHI6riKA2roag2TVXzdazA5lts~8guP4Iw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":5583,"name":"Audience and Reception Studies","url":"https://www.academia.edu/Documents/in/Audience_and_Reception_Studies"},{"id":52861,"name":"Distant Suffering","url":"https://www.academia.edu/Documents/in/Distant_Suffering"}],"urls":[{"id":4279358,"url":"http://ojs.meccsa.org.uk/index.php/netknow/issue/view/44/showToc"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="5174723"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/5174723/Lost_in_representation_A_discourse_analysis_of_Japan_and_the_Japanese_in_the_Dutch_television_show_Wie_is_de_Mol"><img alt="Research paper thumbnail of Lost in representation, A discourse analysis of Japan and the Japanese in the Dutch television show 'Wie is de Mol'" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/5174723/Lost_in_representation_A_discourse_analysis_of_Japan_and_the_Japanese_in_the_Dutch_television_show_Wie_is_de_Mol">Lost in representation, A discourse analysis of Japan and the Japanese in the Dutch television show 'Wie is de Mol'</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://antwerp.academia.edu/PieterMaeseele">Pieter Maeseele</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://ugent.academia.edu/StijnJoye">Stijn Joye</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">In 2010 the popular Dutch reality television show ‘Wie is de Mol?’ took ten Dutch celebrities to ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In 2010 the popular Dutch reality television show ‘Wie is de Mol?’ took ten Dutch celebrities to Japan. Applying discourse analysis, this article explores the representation of Japan and its culture as portrayed in the show. Building upon theories about Orientalism and cultural stereotypes, the study illustrates that the programme provides a fairly balanced and nuanced depiction of Japan. This is in part due to the nature of the programme, which mainly revolves around the candidates and uses the country as an ‘interactive background’. However, the show does largely follow the Orientalist representational paradigm of depicting Japan, as the programme needs to provide images and narratives that are recognizable to Dutch viewers of whom most are not familiar with Japan. Stereotypes and clichés are therefore used, but often in innovative and playful ways. It is argued that popular television shows can influence and shape ideas and images of other countries.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="5174723"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="5174723"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 5174723; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=5174723]").text(description); $(".js-view-count[data-work-id=5174723]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 5174723; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='5174723']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 5174723, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=5174723]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":5174723,"title":"Lost in representation, A discourse analysis of Japan and the Japanese in the Dutch television show 'Wie is de Mol'","translated_title":"","metadata":{"abstract":"In 2010 the popular Dutch reality television show ‘Wie is de Mol?’ took ten Dutch celebrities to Japan. Applying discourse analysis, this article explores the representation of Japan and its culture as portrayed in the show. Building upon theories about Orientalism and cultural stereotypes, the study illustrates that the programme provides a fairly balanced and nuanced depiction of Japan. This is in part due to the nature of the programme, which mainly revolves around the candidates and uses the country as an ‘interactive background’. However, the show does largely follow the Orientalist representational paradigm of depicting Japan, as the programme needs to provide images and narratives that are recognizable to Dutch viewers of whom most are not familiar with Japan. Stereotypes and clichés are therefore used, but often in innovative and playful ways. It is argued that popular television shows can influence and shape ideas and images of other countries. ","more_info":"Send an email to Pieter.Maeseele@UAntwerpen.be for a digital copy of the paper ","journal_name":"Tijdschrift voor Communicatiewetenschap","publication_date":{"day":null,"month":null,"year":2012,"errors":{}}},"translated_abstract":"In 2010 the popular Dutch reality television show ‘Wie is de Mol?’ took ten Dutch celebrities to Japan. Applying discourse analysis, this article explores the representation of Japan and its culture as portrayed in the show. Building upon theories about Orientalism and cultural stereotypes, the study illustrates that the programme provides a fairly balanced and nuanced depiction of Japan. This is in part due to the nature of the programme, which mainly revolves around the candidates and uses the country as an ‘interactive background’. However, the show does largely follow the Orientalist representational paradigm of depicting Japan, as the programme needs to provide images and narratives that are recognizable to Dutch viewers of whom most are not familiar with Japan. Stereotypes and clichés are therefore used, but often in innovative and playful ways. It is argued that popular television shows can influence and shape ideas and images of other countries. ","internal_url":"https://www.academia.edu/5174723/Lost_in_representation_A_discourse_analysis_of_Japan_and_the_Japanese_in_the_Dutch_television_show_Wie_is_de_Mol","translated_internal_url":"","created_at":"2013-11-21T04:33:28.931-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":239743,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[{"id":113580,"work_id":5174723,"tagging_user_id":239743,"tagged_user_id":8414464,"co_author_invite_id":null,"email":"h***n@hotmail.com","affiliation":"University of Amsterdam","display_order":null,"name":"Martijn Huisman","title":"Lost in representation, A discourse analysis of Japan and the Japanese in the Dutch television show 'Wie is de Mol'"},{"id":113581,"work_id":5174723,"tagging_user_id":239743,"tagged_user_id":532933,"co_author_invite_id":null,"email":"s***e@ugent.be","affiliation":"Ghent University","display_order":null,"name":"Stijn Joye","title":"Lost in representation, A discourse analysis of Japan and the Japanese in the Dutch television show 'Wie is de Mol'"}],"downloadable_attachments":[],"slug":"Lost_in_representation_A_discourse_analysis_of_Japan_and_the_Japanese_in_the_Dutch_television_show_Wie_is_de_Mol","translated_slug":"","page_count":null,"language":"en","content_type":"Work","owner":{"id":239743,"first_name":"Pieter","middle_initials":null,"last_name":"Maeseele","page_name":"PieterMaeseele","domain_name":"antwerp","created_at":"2010-08-28T21:55:45.427-07:00","display_name":"Pieter Maeseele","url":"https://antwerp.academia.edu/PieterMaeseele"},"attachments":[],"research_interests":[{"id":17158,"name":"Japan","url":"https://www.academia.edu/Documents/in/Japan"},{"id":34074,"name":"Television","url":"https://www.academia.edu/Documents/in/Television"},{"id":51334,"name":"Orientalism","url":"https://www.academia.edu/Documents/in/Orientalism"},{"id":129150,"name":"Media representations","url":"https://www.academia.edu/Documents/in/Media_representations"},{"id":972278,"name":"Cultural Stereotypes","url":"https://www.academia.edu/Documents/in/Cultural_Stereotypes"}],"urls":[{"id":4186566,"url":"http://www.boomlemmatijdschriften.nl/tijdschrift/TCW/2012/3/TCW_1384-6930_2012_040_003_002"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="5174713"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/5174713/Audience_motivations_to_donate_The_case_of_the_Catalan_telethon_La_Marat%C3%B3_de_TV3"><img alt="Research paper thumbnail of Audience motivations to donate: The case of the Catalan telethon La Marató de TV3" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/5174713/Audience_motivations_to_donate_The_case_of_the_Catalan_telethon_La_Marat%C3%B3_de_TV3">Audience motivations to donate: The case of the Catalan telethon La Marató de TV3</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://antwerp.academia.edu/PieterMaeseele">Pieter Maeseele</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://ugent.academia.edu/StijnJoye">Stijn Joye</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Although Spain was in the midst of an economic and financial crisis, the 2010 edition of the Cat...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Although Spain was in the midst of an economic and financial crisis, the 2010 <br />edition of the Catalan telethon La Marató de TV3 managed to raise a record <br />number of donations. While scholars generally refer to compassion to explain the <br />success of telethons, an online survey of 348 Catalans reveals an additional set of <br />audience motivations to donate. Alongside the element of compassion, the survey <br />points towards community feeling and a set of production values. The latter includes <br />advertising, video testimonials and the carefully built up credibility of the organizing <br />broadcaster and of the project. Nonetheless, the data also hint at a latent tendency <br />towards compassion fatigue as only 38.2% of the respondents did donate while <br />between 62.4% and 86.8% expressed a willingness to do so. The study illustrates <br />the potential of telethons to ward off such a tendency by motivating the audience in <br />other ways rather than simply appealing to compassion.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="5174713"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="5174713"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 5174713; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=5174713]").text(description); $(".js-view-count[data-work-id=5174713]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 5174713; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='5174713']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 5174713, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=5174713]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":5174713,"title":"Audience motivations to donate: The case of the Catalan telethon La Marató de TV3","translated_title":"","metadata":{"abstract":"Although Spain was in the midst of an economic and financial crisis, the 2010\r\nedition of the Catalan telethon La Marató de TV3 managed to raise a record\r\nnumber of donations. While scholars generally refer to compassion to explain the\r\nsuccess of telethons, an online survey of 348 Catalans reveals an additional set of\r\naudience motivations to donate. Alongside the element of compassion, the survey\r\npoints towards community feeling and a set of production values. The latter includes\r\nadvertising, video testimonials and the carefully built up credibility of the organizing\r\nbroadcaster and of the project. Nonetheless, the data also hint at a latent tendency\r\ntowards compassion fatigue as only 38.2% of the respondents did donate while\r\nbetween 62.4% and 86.8% expressed a willingness to do so. The study illustrates\r\nthe potential of telethons to ward off such a tendency by motivating the audience in\r\nother ways rather than simply appealing to compassion.","more_info":"Send an email to Pieter.Maeseele@UAntwerpen.be for a digital copy of the paper ","journal_name":"Catalan Journal of Communication \u0026 Cultural Studies","publication_date":{"day":null,"month":null,"year":2012,"errors":{}}},"translated_abstract":"Although Spain was in the midst of an economic and financial crisis, the 2010\r\nedition of the Catalan telethon La Marató de TV3 managed to raise a record\r\nnumber of donations. While scholars generally refer to compassion to explain the\r\nsuccess of telethons, an online survey of 348 Catalans reveals an additional set of\r\naudience motivations to donate. Alongside the element of compassion, the survey\r\npoints towards community feeling and a set of production values. 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The study illustrates\r\nthe potential of telethons to ward off such a tendency by motivating the audience in\r\nother ways rather than simply appealing to compassion.","internal_url":"https://www.academia.edu/5174713/Audience_motivations_to_donate_The_case_of_the_Catalan_telethon_La_Marat%C3%B3_de_TV3","translated_internal_url":"","created_at":"2013-11-21T04:31:48.070-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":239743,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[{"id":113633,"work_id":5174713,"tagging_user_id":239743,"tagged_user_id":532933,"co_author_invite_id":null,"email":"s***e@ugent.be","affiliation":"Ghent University","display_order":null,"name":"Stijn Joye","title":"Audience motivations to donate: The case of the Catalan telethon La Marató de TV3"}],"downloadable_attachments":[],"slug":"Audience_motivations_to_donate_The_case_of_the_Catalan_telethon_La_Marató_de_TV3","translated_slug":"","page_count":null,"language":"en","content_type":"Work","owner":{"id":239743,"first_name":"Pieter","middle_initials":null,"last_name":"Maeseele","page_name":"PieterMaeseele","domain_name":"antwerp","created_at":"2010-08-28T21:55:45.427-07:00","display_name":"Pieter Maeseele","url":"https://antwerp.academia.edu/PieterMaeseele"},"attachments":[],"research_interests":[{"id":10649,"name":"Compassion","url":"https://www.academia.edu/Documents/in/Compassion"},{"id":46233,"name":"Audience Participation","url":"https://www.academia.edu/Documents/in/Audience_Participation"},{"id":57480,"name":"Mediated Suffering","url":"https://www.academia.edu/Documents/in/Mediated_Suffering"},{"id":579642,"name":"Online survey","url":"https://www.academia.edu/Documents/in/Online_survey"},{"id":1771749,"name":"Telethon","url":"https://www.academia.edu/Documents/in/Telethon"}],"urls":[{"id":4186716,"url":"http://www.intellectbooks.co.uk/journals/view-Article,id=12758/"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="3852932"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/3852932/Reflections_on_Inter_Press_ServiceEvaluating_the_importance_of_an_alternative_news_voice"><img alt="Research paper thumbnail of Reflections on Inter Press ServiceEvaluating the importance of an alternative news voice" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/3852932/Reflections_on_Inter_Press_ServiceEvaluating_the_importance_of_an_alternative_news_voice">Reflections on Inter Press ServiceEvaluating the importance of an alternative news voice</a></div><div class="wp-workCard_item"><span>Global Media and Communication</span><span>, 2010</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="3852932"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="3852932"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 3852932; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="1373182"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/1373182/Media_en_rampen_tussen_realiteit_en_constructie"><img alt="Research paper thumbnail of Media en rampen: tussen realiteit en constructie" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/1373182/Media_en_rampen_tussen_realiteit_en_constructie">Media en rampen: tussen realiteit en constructie</a></div><div class="wp-workCard_item"><span>ORDE VAN DE DAG: CRIMINALITEIT EN …</span><span>, Jan 1, 2011</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">... Please use this identifier to cite or link to this item: Record Details. Record ID, 1217196. ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">... Please use this identifier to cite or link to this item: Record Details. Record ID, 1217196. Record Type, journalArticle. Author, Stijn Joye [801001806681] - Ghent University <a href="mailto:Stijn.Joye@UGent" rel="nofollow">Stijn.Joye@UGent</a>. be. Title, Media en rampen : tussen realiteit en constructie. Publication Status, inpress. ...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="1373182"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="1373182"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 1373182; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=1373182]").text(description); $(".js-view-count[data-work-id=1373182]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 1373182; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='1373182']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 1373182, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=1373182]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":1373182,"title":"Media en rampen: tussen realiteit en constructie","translated_title":"","metadata":{"abstract":"... Please use this identifier to cite or link to this item: Record Details. Record ID, 1217196. Record Type, journalArticle. Author, Stijn Joye [801001806681] - Ghent University Stijn.Joye@UGent. be. Title, Media en rampen : tussen realiteit en constructie. Publication Status, inpress. ...","publisher":"archive.ugent.be","publication_date":{"day":1,"month":1,"year":2011,"errors":{}},"publication_name":"ORDE VAN DE DAG: CRIMINALITEIT EN …"},"translated_abstract":"... Please use this identifier to cite or link to this item: Record Details. Record ID, 1217196. Record Type, journalArticle. Author, Stijn Joye [801001806681] - Ghent University Stijn.Joye@UGent. be. Title, Media en rampen : tussen realiteit en constructie. Publication Status, inpress. ...","internal_url":"https://www.academia.edu/1373182/Media_en_rampen_tussen_realiteit_en_constructie","translated_internal_url":"","created_at":"2012-02-10T22:16:08.505-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":532933,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[],"slug":"Media_en_rampen_tussen_realiteit_en_constructie","translated_slug":"","page_count":null,"language":"en","content_type":"Work","owner":{"id":532933,"first_name":"Stijn","middle_initials":null,"last_name":"Joye","page_name":"StijnJoye","domain_name":"ugent","created_at":"2011-07-06T07:43:39.595-07:00","display_name":"Stijn Joye","url":"https://ugent.academia.edu/StijnJoye"},"attachments":[],"research_interests":[],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="1373181"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/1373181/De_media_de_constructie_van_rampen_Onderzoek_naar_de_selectie_en_berichtgeving_van_rampen_in_Vlaamse_nieuwsmedia"><img alt="Research paper thumbnail of De media (de) constructie van rampen. Onderzoek naar de selectie en berichtgeving van rampen in Vlaamse nieuwsmedia" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/1373181/De_media_de_constructie_van_rampen_Onderzoek_naar_de_selectie_en_berichtgeving_van_rampen_in_Vlaamse_nieuwsmedia">De media (de) constructie van rampen. Onderzoek naar de selectie en berichtgeving van rampen in Vlaamse nieuwsmedia</a></div><div class="wp-workCard_item"><span>Tijdschrift voor Communicatiewetenschap</span><span>, Jan 1, 2010</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">News media play a basic role in giving publicity and meaning to global suffering as it is mainly ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">News media play a basic role in giving publicity and meaning to global suffering as it is mainly through media reports that the world perceives international crises. This article focuses on the (de)construction of disasters by Flemish news media. 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Record Details. Record ID, 771512. Record Type, journalArticle. Author, Stijn Joye [801001806...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">... Record Details. Record ID, 771512. Record Type, journalArticle. Author, Stijn Joye [801001806681] - Ghent University <a href="mailto:Stijn.Joye@UGent.be" rel="nofollow">Stijn.Joye@UGent.be</a>. Title, Novelty through repetition : exploring the success of artistic imitation in the contemporary film industry. 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Record Details. Record ID, 941208. Record Type, bookChapter. Author, Stijn Joye [801001806681...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">... Record Details. Record ID, 941208. Record Type, bookChapter. Author, Stijn Joye [801001806681] - Ghent University <a href="mailto:Stijn.Joye@UGent.be" rel="nofollow">Stijn.Joye@UGent.be</a>. Chapter Title, Journalism for global change: Reflections on the alternative news agency Inter Press Service. Publication Status, published ...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="1373179"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="1373179"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 1373179; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=1373179]").text(description); $(".js-view-count[data-work-id=1373179]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 1373179; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='1373179']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 1373179, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=1373179]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":1373179,"title":"Journalism for global change: Reflections on the alternative news agency Inter Press Service.","translated_title":"","metadata":{"abstract":"... 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Editor, Nico Carpentier; Pille Pruulmann-Vengerfeldt; Kaarle Nordenstreng; Maren Hartmann; Pe...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">... Editor, Nico Carpentier; Pille Pruulmann-Vengerfeldt; Kaarle Nordenstreng; Maren Hartmann; Peeter Vihalemm; Bart Cammaerts. ISBN, 9789949114634. Department, PS01 - Department of Communication studies. 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Leitch (ed.), The Oxford Handbook of Adaptation Studies, Oxford/New York: Oxford UP.</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://ugent.academia.edu/DanielBiltereyst">Daniel Biltereyst</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://ugent.academia.edu/StijnJoye">Stijn Joye</a></span></div><div class="wp-workCard_item"><span>Telenovelas and/as adaptation Reflections on Local Adaptations of Global Telenovelas, pp. 356-369 in Th. 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A survey-based study into reactions towards images of distant suffering" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/38033652/Who_cares_for_the_suffering_other_A_survey_based_study_into_reactions_towards_images_of_distant_suffering">Who cares for the suffering other? A survey-based study into reactions towards images of distant suffering</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://ugent.academia.edu/StijnJoye">Stijn Joye</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://ugent.academia.edu/ElineHuiberts">Eline Huiberts</a></span></div><div class="wp-workCard_item"><span>The International Communication Gazette</span><span>, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">A growing number of scholars have empirically engaged with audience reactions towards mediated di...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">A growing number of scholars have empirically engaged with audience reactions towards mediated distant suffering, albeit mainly on a small, qualitative scale. By conducting quantitative research, this study contributes to the knowledge about people’s reactions towards distant suffering on a greater scale, representative of a Western audience. Following a critical realist approach, a survey was developed and several independent constructs were found by doing an exploratory factor analysis which represent people’s engagement with distant suffering. We also found four clusters based on a k-means cluster analysis that portray typical ways of responding to distant suffering. 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