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.mw-parser-output .hatnote{display:none!important}}</style><div role="note" class="hatnote navigation-not-searchable">In this <a href="/wiki/Chinese_name" title="Chinese name">Chinese name</a>, the <a href="/wiki/Chinese_surname" title="Chinese surname">family name</a> is <i> <a href="/wiki/Ren_(surname)" title="Ren (surname)">Ren</a></i>.</div> <style data-mw-deduplicate="TemplateStyles:r1257001546">.mw-parser-output .infobox-subbox{padding:0;border:none;margin:-3px;width:auto;min-width:100%;font-size:100%;clear:none;float:none;background-color:transparent}.mw-parser-output .infobox-3cols-child{margin:auto}.mw-parser-output .infobox .navbar{font-size:100%}@media screen{html.skin-theme-clientpref-night .mw-parser-output .infobox-full-data:not(.notheme)>div:not(.notheme)[style]{background:#1f1f23!important;color:#f8f9fa}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .infobox-full-data:not(.notheme) div:not(.notheme){background:#1f1f23!important;color:#f8f9fa}}@media(min-width:640px){body.skin--responsive .mw-parser-output .infobox-table{display:table!important}body.skin--responsive .mw-parser-output .infobox-table>caption{display:table-caption!important}body.skin--responsive .mw-parser-output .infobox-table>tbody{display:table-row-group}body.skin--responsive .mw-parser-output .infobox-table tr{display:table-row!important}body.skin--responsive .mw-parser-output .infobox-table th,body.skin--responsive .mw-parser-output .infobox-table td{padding-left:inherit;padding-right:inherit}}</style><table class="infobox biography vcard"><tbody><tr><th colspan="2" class="infobox-above" style="font-size:125%;"><div class="fn">Ren Jinping</div></th></tr><tr><th scope="row" class="infobox-label">Occupation(s)</th><td class="infobox-data role">Entrepreneur, filmmaker</td></tr><tr><th scope="row" class="infobox-label">Years active</th><td class="infobox-data">1910s–1928</td></tr><tr><td colspan="2" class="infobox-full-data"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1257001546"></td></tr><tr style="display:none;"><td colspan="2" class="infobox-full-data"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1257001546"></td></tr><tr><th colspan="2" class="infobox-header" style="color: #202122;background-color: #b0c4de;">Chinese name</th></tr><tr><th scope="row" class="infobox-label" style="font-weight:normal;"><a href="/wiki/Chinese_language" title="Chinese language">Chinese</a></th><td class="infobox-data"><span title="Chinese-language text"><span lang="zh-Hani" style="font-size: 1rem;"><a href="https://en.wiktionary.org/wiki/%E4%BB%BB" class="extiw" title="wikt:任">任</a><a href="https://en.wiktionary.org/wiki/%E7%9F%9C" class="extiw" title="wikt:矜">矜</a><a href="https://en.wiktionary.org/wiki/%E8%90%8D" class="extiw" title="wikt:萍">萍</a></span></span></td></tr><tr><td colspan="2" class="infobox-full-data"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1257001546"><table class="infobox-subbox mw-collapsible mw-collapsed" style="display:inline-table; text-align: left;"><tbody><tr><th colspan="2" class="infobox-above" style="font-size: 100%; text-align: left;color: #202122; background-color: #f9ffbc;">Transcriptions</th></tr><tr><th colspan="2" class="infobox-header" style="color: #202122;background-color: #dcffc9;"><a href="/wiki/Standard_Chinese" title="Standard Chinese">Standard Mandarin</a></th></tr><tr><th scope="row" class="infobox-label" style="font-weight:normal;"><a href="/wiki/Hanyu_Pinyin" class="mw-redirect" title="Hanyu Pinyin">Hanyu Pinyin</a></th><td class="infobox-data"><span title="Chinese-language romanization"><span style="font-style: normal" lang="zh-Latn">Rén Jīnpíng</span></span></td></tr><tr><th scope="row" class="infobox-label" style="font-weight:normal;"><a href="/wiki/Wade%E2%80%93Giles" title="Wade–Giles">Wade–Giles</a></th><td class="infobox-data"><span title="Chinese-language romanization"><span style="font-style: normal" lang="zh-Latn"><span>Jen<sup>4</sup> Chin<sup>1</sup>p`ing<sup>2</sup></span></span></span></td></tr></tbody></table></td></tr><tr style="display:none"><td colspan="2"> </td></tr><tr style="display:none"><td colspan="2"> </td></tr></tbody></table> <p><b>Ren Jinping</b> (<a href="/wiki/Chinese_language" title="Chinese language">Chinese</a>: <span lang="zh">任矜萍</span>; <a href="/wiki/Pinyin" title="Pinyin">pinyin</a>: <i><span lang="zh-Latn">Rén Jīnpíng</span></i>) was a Chinese businessman and filmmaker. Active in journalism from the mid-1910s, Ren joined <a href="/wiki/Zhang_Shichuan" title="Zhang Shichuan">Zhang Shichuan</a>, <a href="/wiki/Zheng_Zhegu" title="Zheng Zhegu">Zheng Zhegu</a>, <a href="/wiki/Zheng_Zhengqiu" title="Zheng Zhengqiu">Zheng Zhengqiu</a>, and <a href="/wiki/Zhou_Jianyun" title="Zhou Jianyun">Zhou Jianyun</a> in establishing the <a href="/wiki/Mingxing" title="Mingxing">Mingxing Film Company</a> in 1922. He handled much of the company's advertising, while also directing a film in 1925. Ren established his own company, Xinren, in 1926 and directed several films for it. Xinren closed in 1928. By 1949, Ren was a theatre manager. Little information about him has survived, and he has generally received little discussion in studies of <a href="/wiki/Chinese_cinema" class="mw-redirect" title="Chinese cinema">Chinese cinema</a>. </p> <meta property="mw:PageProp/toc" /> <div class="mw-heading mw-heading2"><h2 id="Biography">Biography</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Ren_Jinping&action=edit&section=1" title="Edit section: Biography"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <div class="mw-heading mw-heading3"><h3 id="Early_life">Early life</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Ren_Jinping&action=edit&section=2" title="Edit section: Early life"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>The cinema scholar Yoshino Sugawara writes that Ren's date of birth is unknown,<sup id="cite_ref-FOOTNOTESugawara201523_1-0" class="reference"><a href="#cite_note-FOOTNOTESugawara201523-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> while the film historian Huang Xuelei provides a year of birth of 1896. Ren traced his heritage to the <a href="/wiki/Zhejiang" title="Zhejiang">Zhejiang</a> region,<sup id="cite_ref-FOOTNOTEHuang201475_2-0" class="reference"><a href="#cite_note-FOOTNOTEHuang201475-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> and others of <a href="/wiki/Ningbo" title="Ningbo">Ningbo</a> heritage remained in his business networks through the 1920s.<sup id="cite_ref-FOOTNOTESugawara201529_3-0" class="reference"><a href="#cite_note-FOOTNOTESugawara201529-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> Ren attended the Minli Junior High School in the late 1900s, finishing his studies at the beginning of the following decade.<sup id="cite_ref-FOOTNOTESugawara202219_4-0" class="reference"><a href="#cite_note-FOOTNOTESugawara202219-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> By the 1910s he was in <a href="/wiki/Shanghai" title="Shanghai">Shanghai</a>, variously serving as the dean of the Minsheng School for Girls (from 1918) and as head of advertising at the <i>Shangbao</i> newspaper.<sup id="cite_ref-5" class="reference"><a href="#cite_note-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> Schools such as Minsheng would often be used for the screening of contemporary film productions,<sup id="cite_ref-FOOTNOTESugawara201525_6-0" class="reference"><a href="#cite_note-FOOTNOTESugawara201525-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> and Ren had been a fan of cinema since his youth.<sup id="cite_ref-FOOTNOTESugawara201527_7-0" class="reference"><a href="#cite_note-FOOTNOTESugawara201527-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> </p><p>Ren wrote extensively in the news media during the <a href="/wiki/May_Fourth_Movement" title="May Fourth Movement">May Fourth Movement</a>, espousing the ideals of the <a href="/w/index.php?title=Shanghai_Student_Union&action=edit&redlink=1" class="new" title="Shanghai Student Union (page does not exist)">Shanghai Student Union</a><span class="noprint" style="font-size:85%; font-style: normal;"> [<a href="https://zh.wikipedia.org/wiki/%E4%B8%8A%E6%B5%B7%E5%AD%B8%E7%94%9F%E8%81%AF%E5%90%88%E6%9C%83" class="extiw" title="zh:上海學生聯合會">zh</a>]</span>,<sup id="cite_ref-FOOTNOTEHuang201475_2-1" class="reference"><a href="#cite_note-FOOTNOTEHuang201475-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> and working with its bulletin.<sup id="cite_ref-FOOTNOTEHuang2014112_8-0" class="reference"><a href="#cite_note-FOOTNOTEHuang2014112-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup> He established a branch at the Minsheng School,<sup id="cite_ref-FOOTNOTESugawara201525_6-1" class="reference"><a href="#cite_note-FOOTNOTESugawara201525-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> and further promoted the movement's ideals through a series of lectures, using lantern slides of photographs and newspaper articles to supplement his message.<sup id="cite_ref-FOOTNOTESugawara202219_4-1" class="reference"><a href="#cite_note-FOOTNOTESugawara202219-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> These activities would have brought him into contact with various members of Shanghai's cultural sphere, including many who later entered the film industry.<sup id="cite_ref-FOOTNOTESugawara201523_1-1" class="reference"><a href="#cite_note-FOOTNOTESugawara201523-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> </p><p>Ren later entered the publication industry, establishing the Chen Company; its <i>Film Magazine</i> was influential in early cinematic discourses in China;<sup id="cite_ref-FOOTNOTESugawara202219_4-2" class="reference"><a href="#cite_note-FOOTNOTESugawara202219-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> Sugawara positions it as a continuation of the Chinese Cinema Study Society's <i>The Motion Picture Review</i>, one of the country's earliest film magazines.<sup id="cite_ref-FOOTNOTESugawara201521_9-0" class="reference"><a href="#cite_note-FOOTNOTESugawara201521-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup> He was also a prominent member of the Eternal Memory Society, a club for fans of <a href="/wiki/Peking_opera" title="Peking opera">Peking opera</a>,<sup id="cite_ref-FOOTNOTEHuang201478_10-0" class="reference"><a href="#cite_note-FOOTNOTEHuang201478-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup> and penned several reviews of contemporary drama productions.<sup id="cite_ref-FOOTNOTESugawara201524_11-0" class="reference"><a href="#cite_note-FOOTNOTESugawara201524-11"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup> In 1921 he worked at a stock brokerage owned by <a href="/wiki/Zhang_Shichuan" title="Zhang Shichuan">Zhang Shichuan</a>;<sup id="cite_ref-FOOTNOTEHuang201430_12-0" class="reference"><a href="#cite_note-FOOTNOTEHuang201430-12"><span class="cite-bracket">[</span>12<span class="cite-bracket">]</span></a></sup> he also organized a fundraising campaign to help save the <a href="/wiki/YMCA" title="YMCA">YMCA</a>-run Qinye Compulsory School.<sup id="cite_ref-FOOTNOTESugawara202228_13-0" class="reference"><a href="#cite_note-FOOTNOTESugawara202228-13"><span class="cite-bracket">[</span>13<span class="cite-bracket">]</span></a></sup> The tabloid <i><a href="/wiki/The_Crystal_(tabloid)" title="The Crystal (tabloid)">The Crystal</a></i> included Ren in a list of the city's hundred most famous people in a March 1922 edition.<sup id="cite_ref-FOOTNOTEHuang201476_14-0" class="reference"><a href="#cite_note-FOOTNOTEHuang201476-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Mingxing">Mingxing</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Ren_Jinping&action=edit&section=3" title="Edit section: Mingxing"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>In 1922, Ren cofounded the <a href="/wiki/Mingxing" title="Mingxing">Mingxing Film Company</a> together with Zhang Shichuan, <a href="/wiki/Zheng_Zhegu" title="Zheng Zhegu">Zheng Zhegu</a>, <a href="/wiki/Zheng_Zhengqiu" title="Zheng Zhengqiu">Zheng Zhengqiu</a>, and <a href="/wiki/Zhou_Jianyun" title="Zhou Jianyun">Zhou Jianyun</a>. Each had been associated with the brokerage, and each contributed 10,000 <a href="/wiki/Yuan_(currency)" title="Yuan (currency)">yuan</a> (equivalent to ¥1,048,000 in 2019) in start-up capital for the company.<sup id="cite_ref-FOOTNOTEHuang201433_15-0" class="reference"><a href="#cite_note-FOOTNOTEHuang201433-15"><span class="cite-bracket">[</span>15<span class="cite-bracket">]</span></a></sup> Ren had previously known Zheng Zhegu and Zhou Jianyun through the Eternal Memory Society.<sup id="cite_ref-FOOTNOTEHuang201478_10-1" class="reference"><a href="#cite_note-FOOTNOTEHuang201478-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup> However, unlike the other founders –  collectively known as the five tigers of Mingxing –  he had never been active in producing <a href="/wiki/Civilized_drama" title="Civilized drama">early spoken-word dramas</a>.<sup id="cite_ref-FOOTNOTESugawara202219_4-3" class="reference"><a href="#cite_note-FOOTNOTESugawara202219-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> </p><p>Ren used his publication house to advertise Mingxing,<sup id="cite_ref-FOOTNOTESugawara202220_16-0" class="reference"><a href="#cite_note-FOOTNOTESugawara202220-16"><span class="cite-bracket">[</span>16<span class="cite-bracket">]</span></a></sup> and after the success of <i><a href="/wiki/Orphan_Rescues_Grandfather" title="Orphan Rescues Grandfather">Orphan Rescues Grandfather</a></i> (1924) arranged for investments from prominent local businessmen, including Fang Jiaobo, Lao Jingxiu, and <a href="/w/index.php?title=Yuan_Ludeng&action=edit&redlink=1" class="new" title="Yuan Ludeng (page does not exist)">Yuan Ludeng</a><span class="noprint" style="font-size:85%; font-style: normal;"> [<a href="https://zh.wikipedia.org/wiki/%E8%A2%81%E7%A6%AE%E6%95%A6" class="extiw" title="zh:袁禮敦">zh</a>]</span>.<sup id="cite_ref-17" class="reference"><a href="#cite_note-17"><span class="cite-bracket">[</span>17<span class="cite-bracket">]</span></a></sup> Ren's networks remained important for Mingxing through the middle of the decade.<sup id="cite_ref-FOOTNOTESugawara201529_3-1" class="reference"><a href="#cite_note-FOOTNOTESugawara201529-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> When the company's 1923 crime film <i><a href="/wiki/Zhang_Xinsheng_(film)" title="Zhang Xinsheng (film)">Zhang Xinsheng</a></i> faced criticism and <a href="/wiki/Film_censorship_in_China" title="Film censorship in China">censorship</a> for "disturb[ing] social order" and "damag[ing] social mores",<sup id="cite_ref-FOOTNOTEZhang1998108_18-0" class="reference"><a href="#cite_note-FOOTNOTEZhang1998108-18"><span class="cite-bracket">[</span>18<span class="cite-bracket">]</span></a></sup> Ren reframed the film's violence as part of an educational message;<sup id="cite_ref-FOOTNOTESugawara202220_16-1" class="reference"><a href="#cite_note-FOOTNOTESugawara202220-16"><span class="cite-bracket">[</span>16<span class="cite-bracket">]</span></a></sup> the censorship committee agreed that the film had some educational merit, as it showed the perpetrator being punished.<sup id="cite_ref-FOOTNOTESugawara201532_19-0" class="reference"><a href="#cite_note-FOOTNOTESugawara201532-19"><span class="cite-bracket">[</span>19<span class="cite-bracket">]</span></a></sup> He also made similar claims about Mingxing's comedy films, positioning them as focusing on improving society.<sup id="cite_ref-FOOTNOTESugawara202220_16-2" class="reference"><a href="#cite_note-FOOTNOTESugawara202220-16"><span class="cite-bracket">[</span>16<span class="cite-bracket">]</span></a></sup> </p><p>In 1925, Ren directed his only film for Mingxing: <i>A New Family</i>. The eleven-reel film, written by Gu Kenfu and starring <a href="/wiki/Zhang_Zhiyun" title="Zhang Zhiyun">Zhang Zhiyun</a> and <a href="/wiki/Yang_Naimei" title="Yang Naimei">Yang Naimei</a>, debuted at the Carlton Theatre on 4 January 1926.<sup id="cite_ref-FOOTNOTEHuang2014309–310_20-0" class="reference"><a href="#cite_note-FOOTNOTEHuang2014309–310-20"><span class="cite-bracket">[</span>20<span class="cite-bracket">]</span></a></sup> The Japanese author <a href="/wiki/Jun%27ichir%C5%8D_Tanizaki" title="Jun'ichirō Tanizaki">Jun'ichirō Tanizaki</a>, who viewed the film upon Ren's invitation during a visit to China, described <i>A New Family</i> as comparable to Japanese productions in its acting, direction, and editing, though lacking in cinematography and lighting.<sup id="cite_ref-FOOTNOTENakajima2021170_21-0" class="reference"><a href="#cite_note-FOOTNOTENakajima2021170-21"><span class="cite-bracket">[</span>21<span class="cite-bracket">]</span></a></sup> When asked why he had decided to focus on Western, rather than traditionally Chinese, issues, Ren responded, "It can't be helped; it's business."<sup id="cite_ref-FOOTNOTESugawara201537_22-0" class="reference"><a href="#cite_note-FOOTNOTESugawara201537-22"><span class="cite-bracket">[</span>22<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Later_years">Later years</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Ren_Jinping&action=edit&section=4" title="Edit section: Later years"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Ren left Mingxing in 1926, having been disappointed by the company's distribution of <i>A New Family</i>.<sup id="cite_ref-FOOTNOTESugawara201535_23-0" class="reference"><a href="#cite_note-FOOTNOTESugawara201535-23"><span class="cite-bracket">[</span>23<span class="cite-bracket">]</span></a></sup> He established his own film company, Xinren, that year,<sup id="cite_ref-FOOTNOTEHuang201475_2-2" class="reference"><a href="#cite_note-FOOTNOTEHuang201475-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> with the support of <a href="/wiki/Cheng_Bugao" title="Cheng Bugao">Cheng Bugao</a>, Chen Shouyin, and his brother Ren Xifan. Financial support came from Fang Jiaobo and Yuan Ludeng.<sup id="cite_ref-FOOTNOTESugawara201535_23-1" class="reference"><a href="#cite_note-FOOTNOTESugawara201535-23"><span class="cite-bracket">[</span>23<span class="cite-bracket">]</span></a></sup> In 1927, Ren and Cheng Bugao represented Xinren in the Shanghai Film Guild.<sup id="cite_ref-FOOTNOTEZhu20231101_24-0" class="reference"><a href="#cite_note-FOOTNOTEZhu20231101-24"><span class="cite-bracket">[</span>24<span class="cite-bracket">]</span></a></sup> The company also established networks through China and Southeast Asia.<sup id="cite_ref-FOOTNOTESugawara201535_23-2" class="reference"><a href="#cite_note-FOOTNOTESugawara201535-23"><span class="cite-bracket">[</span>23<span class="cite-bracket">]</span></a></sup> Initially fiercely competitive with Mingxing, the two companies later established an agreement that allowed Xinren's films to be shown at the latter's theatres.<sup id="cite_ref-FOOTNOTESugawara201540_25-0" class="reference"><a href="#cite_note-FOOTNOTESugawara201540-25"><span class="cite-bracket">[</span>25<span class="cite-bracket">]</span></a></sup> </p><p>Ren directed two films based on scripts by <a href="/wiki/Bao_Tianxiao" title="Bao Tianxiao">Bao Tianxiao</a> for the company, <i>An Amorous Wife</i> (1927) and <i>An Amorous Man</i> (1928).<sup id="cite_ref-FOOTNOTEYehTam2018262_26-0" class="reference"><a href="#cite_note-FOOTNOTEYehTam2018262-26"><span class="cite-bracket">[</span>26<span class="cite-bracket">]</span></a></sup> He also produced the film <i>Three Women</i>, which explored the experiences of three women of different backgrounds in Shanghai;<sup id="cite_ref-FOOTNOTESugawara201535_23-3" class="reference"><a href="#cite_note-FOOTNOTESugawara201535-23"><span class="cite-bracket">[</span>23<span class="cite-bracket">]</span></a></sup> it extensively featured elements considered "modern" by contemporary viewers, including products made in the United States.<sup id="cite_ref-FOOTNOTESugawara201538_27-0" class="reference"><a href="#cite_note-FOOTNOTESugawara201538-27"><span class="cite-bracket">[</span>27<span class="cite-bracket">]</span></a></sup> Other films produced by Xinren included <i>The Battle of Fang Shiyu</i>, <i>The Two Heroes of the Gan Family</i>, and <i>Little Knight</i> (all 1928).<sup id="cite_ref-FOOTNOTESugawara201536_28-0" class="reference"><a href="#cite_note-FOOTNOTESugawara201536-28"><span class="cite-bracket">[</span>28<span class="cite-bracket">]</span></a></sup> Several of these films were in the popular <i><a href="/wiki/Wuxia" title="Wuxia">wuxia</a></i> genre and starred Ren's son Chaojun.<sup id="cite_ref-FOOTNOTESugawara201538_27-1" class="reference"><a href="#cite_note-FOOTNOTESugawara201538-27"><span class="cite-bracket">[</span>27<span class="cite-bracket">]</span></a></sup> The company closed in 1928, around the time Ren Xifan established his own company.<sup id="cite_ref-FOOTNOTESugawara201540_25-1" class="reference"><a href="#cite_note-FOOTNOTESugawara201540-25"><span class="cite-bracket">[</span>25<span class="cite-bracket">]</span></a></sup> Newspaper reports indicate that Ren was active as a theatre manager in Shanghai in 1948, and that he attended a 1949 memorial service for the film director Fang Pei-Lin.<sup id="cite_ref-FOOTNOTESugawara201541_29-0" class="reference"><a href="#cite_note-FOOTNOTESugawara201541-29"><span class="cite-bracket">[</span>29<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Legacy">Legacy</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Ren_Jinping&action=edit&section=5" title="Edit section: Legacy"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Sugawara describes Ren as one of early Chinese cinema's most important figures. However, he is rarely discussed in detail in histories of the industry,<sup id="cite_ref-FOOTNOTESugawara201523_1-2" class="reference"><a href="#cite_note-FOOTNOTESugawara201523-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> receiving only a brief mention in a 1934 retrospective.<sup id="cite_ref-FOOTNOTESugawara201540_25-2" class="reference"><a href="#cite_note-FOOTNOTESugawara201540-25"><span class="cite-bracket">[</span>25<span class="cite-bracket">]</span></a></sup> Little information about Ren remains; there are no surviving portraits of him, and his date of death is unknown.<sup id="cite_ref-FOOTNOTESugawara201523_1-3" class="reference"><a href="#cite_note-FOOTNOTESugawara201523-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> Ren's film <i>A New Family</i> has survived at the <a href="/wiki/China_Film_Archive" title="China Film Archive">China Film Archive</a>.<sup id="cite_ref-FOOTNOTEHuang2014309–310_20-1" class="reference"><a href="#cite_note-FOOTNOTEHuang2014309–310-20"><span class="cite-bracket">[</span>20<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="References">References</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Ren_Jinping&action=edit&section=6" title="Edit section: References"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist reflist-columns references-column-width" style="column-width: 20em;"> <ol class="references"> <li id="cite_note-FOOTNOTESugawara201523-1"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTESugawara201523_1-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTESugawara201523_1-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTESugawara201523_1-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-FOOTNOTESugawara201523_1-3"><sup><i><b>d</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFSugawara2015">Sugawara 2015</a>, p. 23.</span> </li> <li id="cite_note-FOOTNOTEHuang201475-2"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEHuang201475_2-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEHuang201475_2-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTEHuang201475_2-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFHuang2014">Huang 2014</a>, p. 75.</span> </li> <li id="cite_note-FOOTNOTESugawara201529-3"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTESugawara201529_3-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTESugawara201529_3-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFSugawara2015">Sugawara 2015</a>, p. 29.</span> </li> <li id="cite_note-FOOTNOTESugawara202219-4"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTESugawara202219_4-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTESugawara202219_4-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTESugawara202219_4-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-FOOTNOTESugawara202219_4-3"><sup><i><b>d</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFSugawara2022">Sugawara 2022</a>, p. 19.</span> </li> <li id="cite_note-5"><span class="mw-cite-backlink"><b><a href="#cite_ref-5">^</a></b></span> <span class="reference-text"><a href="#CITEREFHuang2014">Huang 2014</a>, p. 75; <a href="#CITEREFSugawara2015">Sugawara 2015</a>, p. 24</span> </li> <li id="cite_note-FOOTNOTESugawara201525-6"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTESugawara201525_6-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTESugawara201525_6-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFSugawara2015">Sugawara 2015</a>, p. 25.</span> </li> <li id="cite_note-FOOTNOTESugawara201527-7"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTESugawara201527_7-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFSugawara2015">Sugawara 2015</a>, p. 27.</span> </li> <li id="cite_note-FOOTNOTEHuang2014112-8"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEHuang2014112_8-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFHuang2014">Huang 2014</a>, p. 112.</span> </li> <li id="cite_note-FOOTNOTESugawara201521-9"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTESugawara201521_9-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFSugawara2015">Sugawara 2015</a>, p. 21.</span> </li> <li id="cite_note-FOOTNOTEHuang201478-10"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEHuang201478_10-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEHuang201478_10-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFHuang2014">Huang 2014</a>, p. 78.</span> </li> <li id="cite_note-FOOTNOTESugawara201524-11"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTESugawara201524_11-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFSugawara2015">Sugawara 2015</a>, p. 24.</span> </li> <li id="cite_note-FOOTNOTEHuang201430-12"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEHuang201430_12-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFHuang2014">Huang 2014</a>, p. 30.</span> </li> <li id="cite_note-FOOTNOTESugawara202228-13"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTESugawara202228_13-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFSugawara2022">Sugawara 2022</a>, p. 28.</span> </li> <li id="cite_note-FOOTNOTEHuang201476-14"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEHuang201476_14-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFHuang2014">Huang 2014</a>, p. 76.</span> </li> <li id="cite_note-FOOTNOTEHuang201433-15"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEHuang201433_15-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFHuang2014">Huang 2014</a>, p. 33.</span> </li> <li id="cite_note-FOOTNOTESugawara202220-16"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTESugawara202220_16-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTESugawara202220_16-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTESugawara202220_16-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFSugawara2022">Sugawara 2022</a>, p. 20.</span> </li> <li id="cite_note-17"><span class="mw-cite-backlink"><b><a href="#cite_ref-17">^</a></b></span> <span class="reference-text"><a href="#CITEREFHuang2014">Huang 2014</a>, p. 75; <a href="#CITEREFSugawara2015">Sugawara 2015</a>, p. 28</span> </li> <li id="cite_note-FOOTNOTEZhang1998108-18"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEZhang1998108_18-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFZhang1998">Zhang 1998</a>, p. 108.</span> </li> <li id="cite_note-FOOTNOTESugawara201532-19"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTESugawara201532_19-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFSugawara2015">Sugawara 2015</a>, p. 32.</span> </li> <li id="cite_note-FOOTNOTEHuang2014309–310-20"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEHuang2014309–310_20-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEHuang2014309–310_20-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFHuang2014">Huang 2014</a>, pp. 309–310.</span> </li> <li id="cite_note-FOOTNOTENakajima2021170-21"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTENakajima2021170_21-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFNakajima2021">Nakajima 2021</a>, p. 170.</span> </li> <li id="cite_note-FOOTNOTESugawara201537-22"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTESugawara201537_22-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFSugawara2015">Sugawara 2015</a>, p. 37.</span> </li> <li id="cite_note-FOOTNOTESugawara201535-23"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTESugawara201535_23-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTESugawara201535_23-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTESugawara201535_23-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-FOOTNOTESugawara201535_23-3"><sup><i><b>d</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFSugawara2015">Sugawara 2015</a>, p. 35.</span> </li> <li id="cite_note-FOOTNOTEZhu20231101-24"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEZhu20231101_24-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFZhu2023">Zhu 2023</a>, p. 1101.</span> </li> <li id="cite_note-FOOTNOTESugawara201540-25"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTESugawara201540_25-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTESugawara201540_25-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTESugawara201540_25-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFSugawara2015">Sugawara 2015</a>, p. 40.</span> </li> <li id="cite_note-FOOTNOTEYehTam2018262-26"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEYehTam2018262_26-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFYehTam2018">Yeh & Tam 2018</a>, p. 262.</span> </li> <li id="cite_note-FOOTNOTESugawara201538-27"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTESugawara201538_27-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTESugawara201538_27-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFSugawara2015">Sugawara 2015</a>, p. 38.</span> </li> <li id="cite_note-FOOTNOTESugawara201536-28"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTESugawara201536_28-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFSugawara2015">Sugawara 2015</a>, p. 36.</span> </li> <li id="cite_note-FOOTNOTESugawara201541-29"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTESugawara201541_29-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFSugawara2015">Sugawara 2015</a>, p. 41.</span> </li> </ol></div> <div class="mw-heading mw-heading2"><h2 id="Works_cited">Works cited</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Ren_Jinping&action=edit&section=7" title="Edit section: Works cited"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1239549316">.mw-parser-output .refbegin{margin-bottom:0.5em}.mw-parser-output .refbegin-hanging-indents>ul{margin-left:0}.mw-parser-output .refbegin-hanging-indents>ul>li{margin-left:0;padding-left:3.2em;text-indent:-3.2em}.mw-parser-output .refbegin-hanging-indents ul,.mw-parser-output .refbegin-hanging-indents ul li{list-style:none}@media(max-width:720px){.mw-parser-output .refbegin-hanging-indents>ul>li{padding-left:1.6em;text-indent:-1.6em}}.mw-parser-output .refbegin-columns{margin-top:0.3em}.mw-parser-output .refbegin-columns ul{margin-top:0}.mw-parser-output .refbegin-columns li{page-break-inside:avoid;break-inside:avoid-column}@media screen{.mw-parser-output .refbegin{font-size:90%}}</style><div class="refbegin refbegin-columns references-column-width" style="column-width: 40em"> <ul><li><style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><cite id="CITEREFHuang2014" class="citation book cs1">Huang, Xuelei (2014). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=UW8woAEACAAJ"><i>Shanghai Filmmaking: Crossing Borders, Connecting to the Globe, 1922–1938</i></a>. Leiden: Brill. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-90-04-27933-9" title="Special:BookSources/978-90-04-27933-9"><bdi>978-90-04-27933-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Shanghai+Filmmaking%3A+Crossing+Borders%2C+Connecting+to+the+Globe%2C+1922%E2%80%931938&rft.place=Leiden&rft.pub=Brill&rft.date=2014&rft.isbn=978-90-04-27933-9&rft.aulast=Huang&rft.aufirst=Xuelei&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DUW8woAEACAAJ&rfr_id=info%3Asid%2Fen.wikipedia.org%3ARen+Jinping" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFNakajima2021" class="citation journal cs1">Nakajima, Seio (2021). "Studies of Chinese Cinema in Japan". <i>Journal of Chinese Film Studies</i>. <b>1</b>: <span class="nowrap">167–</span>186. <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<a rel="nofollow" class="external text" href="https://doi.org/10.1515%2Fjcfs-2021-0001">10.1515/jcfs-2021-0001</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Journal+of+Chinese+Film+Studies&rft.atitle=Studies+of+Chinese+Cinema+in+Japan&rft.volume=1&rft.pages=%3Cspan+class%3D%22nowrap%22%3E167-%3C%2Fspan%3E186&rft.date=2021&rft_id=info%3Adoi%2F10.1515%2Fjcfs-2021-0001&rft.aulast=Nakajima&rft.aufirst=Seio&rfr_id=info%3Asid%2Fen.wikipedia.org%3ARen+Jinping" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSugawara2015" class="citation journal cs1 cs1-prop-script cs1-prop-foreign-lang-source">Sugawara, Yoshino (2015). <bdi lang="ja">映画史から忘却された「儒商」、任矜蘋―教育者、愛国者、映画監督</bdi> [Ren Jinping, the Forgotten Confucian Merchant from Film History: Educator, Patriot and Filmmaker]. <i>Yasō</i> (in Japanese). <b>95</b>: <span class="nowrap">21–</span>49.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Yas%C5%8D&rft.atitle=%E6%98%A0%E7%94%BB%E5%8F%B2%E3%81%8B%E3%82%89%E5%BF%98%E5%8D%B4%E3%81%95%E3%82%8C%E3%81%9F%E3%80%8C%E5%84%92%E5%95%86%E3%80%8D%E3%80%81%E4%BB%BB%E7%9F%9C%E8%98%8B%E2%80%95%E6%95%99%E8%82%B2%E8%80%85%E3%80%81%E6%84%9B%E5%9B%BD%E8%80%85%E3%80%81%E6%98%A0%E7%94%BB%E7%9B%A3%E7%9D%A3&rft.volume=95&rft.pages=%3Cspan+class%3D%22nowrap%22%3E21-%3C%2Fspan%3E49&rft.date=2015&rft.aulast=Sugawara&rft.aufirst=Yoshino&rfr_id=info%3Asid%2Fen.wikipedia.org%3ARen+Jinping" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSugawara2022" class="citation journal cs1">Sugawara, Yoshino (2022). "From Teahouse to Classroom: Educational Screen Practice in Republican Shanghai". <i>Journal of Chinese Cinemas</i>. <b>16</b>: <span class="nowrap">9–</span>24. <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<a rel="nofollow" class="external text" href="https://doi.org/10.1080%2F17508061.2022.2120750">10.1080/17508061.2022.2120750</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Journal+of+Chinese+Cinemas&rft.atitle=From+Teahouse+to+Classroom%3A+Educational+Screen+Practice+in+Republican+Shanghai&rft.volume=16&rft.pages=%3Cspan+class%3D%22nowrap%22%3E9-%3C%2Fspan%3E24&rft.date=2022&rft_id=info%3Adoi%2F10.1080%2F17508061.2022.2120750&rft.aulast=Sugawara&rft.aufirst=Yoshino&rfr_id=info%3Asid%2Fen.wikipedia.org%3ARen+Jinping" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFYehTam2018" class="citation book cs1">Yeh, Emilie Yueh-yu; Tam, Enoch Yee-lok (2018). "Forming the Movie Field: Film Literati in Republican China". In Yeh, Emilie Yueh-yu (ed.). <i>Early Film Culture in Hong Kong, Taiwan, and Republican China: Kaleidoscopic Histories</i>. University of Michigan Press. pp. <span class="nowrap">244–</span>276. <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<a rel="nofollow" class="external text" href="https://doi.org/10.1353%2Fbook.57846">10.1353/book.57846</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-472-12344-5" title="Special:BookSources/978-0-472-12344-5"><bdi>978-0-472-12344-5</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=Forming+the+Movie+Field%3A+Film+Literati+in+Republican+China&rft.btitle=Early+Film+Culture+in+Hong+Kong%2C+Taiwan%2C+and+Republican+China%3A+Kaleidoscopic+Histories&rft.pages=%3Cspan+class%3D%22nowrap%22%3E244-%3C%2Fspan%3E276&rft.pub=University+of+Michigan+Press&rft.date=2018&rft_id=info%3Adoi%2F10.1353%2Fbook.57846&rft.isbn=978-0-472-12344-5&rft.aulast=Yeh&rft.aufirst=Emilie+Yueh-yu&rft.au=Tam%2C+Enoch+Yee-lok&rfr_id=info%3Asid%2Fen.wikipedia.org%3ARen+Jinping" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFZhang1998" class="citation book cs1">Zhang, Yingjin (1998). "Censorship and Film". In Zhang, Yingjin; Xiao, Zhiwei (eds.). <i>Encyclopedia of Chinese Film</i>. New York, London: Routledge. pp. <span class="nowrap">109–</span>110. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-415-15168-9" title="Special:BookSources/978-0-415-15168-9"><bdi>978-0-415-15168-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=Censorship+and+Film&rft.btitle=Encyclopedia+of+Chinese+Film&rft.place=New+York%2C+London&rft.pages=%3Cspan+class%3D%22nowrap%22%3E109-%3C%2Fspan%3E110&rft.pub=Routledge&rft.date=1998&rft.isbn=978-0-415-15168-9&rft.aulast=Zhang&rft.aufirst=Yingjin&rfr_id=info%3Asid%2Fen.wikipedia.org%3ARen+Jinping" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFZhu2023" class="citation journal cs1">Zhu, Chaoya (2023). 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.navbox-even{background-color:#f7f7f7}.mw-parser-output .navbox-odd{background-color:transparent}.mw-parser-output .navbox .hlist td dl,.mw-parser-output .navbox .hlist td ol,.mw-parser-output .navbox .hlist td ul,.mw-parser-output .navbox td.hlist dl,.mw-parser-output .navbox td.hlist ol,.mw-parser-output .navbox td.hlist ul{padding:0.125em 0}.mw-parser-output .navbox .navbar{display:block;font-size:100%}.mw-parser-output .navbox-title .navbar{float:left;text-align:left;margin-right:0.5em}body.skin--responsive .mw-parser-output .navbox-image img{max-width:none!important}@media print{body.ns-0 .mw-parser-output .navbox{display:none!important}}</style></div><div role="navigation" class="navbox" aria-labelledby="Mingxing_Film_Company96" style="padding:3px"><table class="nowraplinks mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="3"><link rel="mw-deduplicated-inline-style" 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abbr{color:var(--color-base)!important}@media(prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .navbar li a abbr{color:var(--color-base)!important}}@media print{.mw-parser-output .navbar{display:none!important}}</style><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:Mingxing" title="Template:Mingxing"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Mingxing" title="Template talk:Mingxing"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Mingxing" title="Special:EditPage/Template:Mingxing"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Mingxing_Film_Company96" style="font-size:114%;margin:0 4em"><a href="/wiki/Mingxing" title="Mingxing">Mingxing Film Company</a></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%">Founders</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a class="mw-selflink selflink">Ren Jinping</a></li> <li><a href="/wiki/Zhang_Shichuan" title="Zhang Shichuan">Zhang Shichuan</a></li> <li><a href="/wiki/Zheng_Zhegu" title="Zheng Zhegu">Zheng Zhegu</a></li> <li><a href="/wiki/Zheng_Zhengqiu" title="Zheng Zhengqiu">Zheng Zhengqiu</a></li> <li><a href="/wiki/Zhou_Jianyun" title="Zhou Jianyun">Zhou Jianyun</a></li></ul> </div></td><td class="noviewer navbox-image" rowspan="5" style="width:1px;padding:0 0 0 2px"><div><span typeof="mw:File"><a href="/wiki/File:Mingxing_Film_Company_(1937)_production_logo.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/8/86/Mingxing_Film_Company_%281937%29_production_logo.jpg/150px-Mingxing_Film_Company_%281937%29_production_logo.jpg" decoding="async" width="150" height="117" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/8/86/Mingxing_Film_Company_%281937%29_production_logo.jpg/225px-Mingxing_Film_Company_%281937%29_production_logo.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/8/86/Mingxing_Film_Company_%281937%29_production_logo.jpg/300px-Mingxing_Film_Company_%281937%29_production_logo.jpg 2x" data-file-width="845" data-file-height="657" /></a></span></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Directors</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Bu_Wancang" title="Bu Wancang">Bu Wancang</a></li> <li><a href="/wiki/Cheng_Bugao" title="Cheng Bugao">Cheng Bugao</a></li> <li><a href="/wiki/Hong_Shen" title="Hong Shen">Hong Shen</a></li> <li><a href="/wiki/Li_Pingqian" title="Li Pingqian">Li Pingqian</a></li> <li><a href="/wiki/Ouyang_Yuqian" title="Ouyang Yuqian">Ouyang Yuqian</a></li> <li><a class="mw-selflink selflink">Ren Jinping</a></li> <li><a href="/wiki/Shen_Xiling" title="Shen Xiling">Shen Xiling</a></li> <li><a href="/wiki/Xu_Xinfu" title="Xu Xinfu">Xu Xinfu</a></li> <li><a href="/wiki/Ying_Yunwei" title="Ying Yunwei">Ying Yunwei</a></li> <li><a href="/wiki/Yuan_Muzhi" title="Yuan Muzhi">Yuan Muzhi</a></li> <li><a href="/wiki/Zhang_Shichuan" title="Zhang Shichuan">Zhang Shichuan</a></li> <li><a href="/wiki/Zheng_Zhengqiu" title="Zheng Zhengqiu">Zheng Zhengqiu</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Writers</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Bao_Tianxiao" title="Bao Tianxiao">Bao Tianxiao</a></li> <li><a href="/wiki/Hong_Shen" title="Hong Shen">Hong Shen</a></li> <li><a href="/wiki/Xia_Yan_(playwright)" title="Xia Yan (playwright)">Xia Yan</a></li> <li><a href="/wiki/Qian_Xingcun" title="Qian Xingcun">Qian Xingcun</a></li> <li><a href="/wiki/Zheng_Zhengqiu" title="Zheng Zhengqiu">Zheng Zhengqiu</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Actors</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Ai_Xia" title="Ai Xia">Ai Xia</a></li> <li><a href="/wiki/Hu_Die" title="Hu Die">Hu Die</a></li> <li><a href="/wiki/Ruan_Lingyu" title="Ruan Lingyu">Ruan Lingyu</a></li> <li><a href="/wiki/Wang_Hanlun" title="Wang Hanlun">Wang Hanlun</a></li> <li><a href="/wiki/Xuan_Jinglin" title="Xuan Jinglin">Xuan Jinglin</a></li> <li><a href="/wiki/Yan_Yuexian" title="Yan Yuexian">Yan Yuexian</a></li> <li><a href="/wiki/Yang_Naimei" title="Yang Naimei">Yang Naimei</a></li> <li><a href="/wiki/Zhao_Dan" title="Zhao Dan">Zhao Dan</a></li> <li><a href="/wiki/Zhang_Zhiyun" title="Zhang Zhiyun">Zhang Zhiyun</a></li> <li><a href="/wiki/Zheng_Zhegu" title="Zheng Zhegu">Zheng Zhegu</a></li> <li><a href="/wiki/Zhou_Xuan" title="Zhou Xuan">Zhou Xuan</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%"><a href="/wiki/List_of_Mingxing_films" title="List of Mingxing films">Films</a></th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/The_King_of_Comedy_Visits_Shanghai" title="The King of Comedy Visits Shanghai">The King of Comedy Visits Shanghai</a></i> (1922)</li> <li><i><a href="/wiki/Laborer%27s_Love" title="Laborer's Love">Labourer's Love</a></i> (1922)</li> <li><i><a href="/wiki/Zhang_Xinsheng_(film)" title="Zhang Xinsheng (film)">Zhang Xinsheng</a></i> (1923)</li> <li><i><a href="/wiki/Orphan_Rescues_Grandfather" title="Orphan Rescues Grandfather">Orphan Rescues Grandfather</a></i> (1923)</li> <li><i><a href="/wiki/Lonely_Orchid" title="Lonely Orchid">Lonely Orchid</a></i> (1926)</li> <li><i><a href="/wiki/The_Burning_of_the_Red_Lotus_Temple" title="The Burning of the Red Lotus Temple">The Burning of the Red Lotus Temple</a></i> (1928)</li> <li><i><a href="/wiki/An_Amorous_History_of_the_Silver_Screen" title="An Amorous History of the Silver Screen">An Amorous History of the Silver Screen</a></i> (1931)</li> <li><i><a href="/wiki/Sing-Song_Girl_Red_Peony" title="Sing-Song Girl Red Peony">Sing-Song Girl Red Peony</a></i> (1931)</li> <li><i><a href="/wiki/Fate_in_Tears_and_Laughter_(film)" title="Fate in Tears and Laughter (film)">Fate in Tears and Laughter</a></i> (1932)</li> <li><i><a href="/wiki/Spring_Silkworms_(film)" title="Spring Silkworms (film)">Spring Silkworms</a></i> (1933)</li> <li><i><a href="/wiki/The_Classic_for_Girls" title="The Classic for Girls">The Classic for Girls</a></i> (1934)</li> <li><i><a href="/wiki/Twin_Sisters_(1934_film)" title="Twin Sisters (1934 film)">Twin Sisters</a></i> (1934)</li> <li><i><a href="/wiki/Crossroads_(1937_film)" title="Crossroads (1937 film)">Crossroads</a></i> (1937)</li> <li><i><a href="/wiki/Street_Angel_(1937_film)" title="Street Angel (1937 film)">Street Angel</a></i> (1937)</li></ul> </div></td></tr></tbody></table></div>    </div><noscript><img src="https://login.wikimedia.org/wiki/Special:CentralAutoLogin/start?useformat=desktop&type=1x1&usesul3=0" alt="" width="1" height="1" style="border: none; position: absolute;"></noscript> <div class="printfooter" data-nosnippet="">Retrieved from "<a dir="ltr" href="https://en.wikipedia.org/w/index.php?title=Ren_Jinping&oldid=1275020591">https://en.wikipedia.org/w/index.php?title=Ren_Jinping&oldid=1275020591</a>"</div></div> <div id="catlinks" class="catlinks" data-mw="interface"><div id="mw-normal-catlinks" class="mw-normal-catlinks"><a href="/wiki/Help:Category" title="Help:Category">Categories</a>: <ul><li><a href="/wiki/Category:Chinese_film_directors" title="Category:Chinese film directors">Chinese film directors</a></li><li><a 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