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Come into the Cafe and join in the conversation! </div> </div> </div></div> </div> <div id='crosscol-wrapper' style='text-align:center'> <div class='crosscol no-items section' id='crosscol'></div> </div> <div id='main-wrap1'><div id='main-wrap2'> <div class='main section' id='main'><div class='widget Blog' data-version='1' id='Blog1'> <div class='blog-posts hfeed'> <div class='status-msg-wrap'> <div class='status-msg-body'> Showing posts with label hammer films. <a href="https://www.classicfilmtvcafe.com/">Show all posts</a> </div> <div class='status-msg-border'> <div class='status-msg-bg'> <div class='status-msg-hidden'>Showing posts with label hammer films. <a href="https://www.classicfilmtvcafe.com/">Show all posts</a></div> </div> </div> </div> <div style='clear: both;'></div> <div class="date-outer"> <h2 class='date-header'>Sunday, October 24, 2021</h2> <div class="date-posts"> <div class='post-outer'> <div class='post hentry'> <a name='4928425450713947514'></a> <h3 class='post-title entry-title'> <a href='https://www.classicfilmtvcafe.com/2020/08/when-dinosaurs-ruled-earth-film-review.html'>When Dinosaurs Ruled the Earth</a> </h3> <div class='post-header'> <div class='post-header-line-1'></div> </div> <div class='post-body entry-content' id='post-body-4928425450713947514'> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggmnGvkhBIdVKlz-v1wZzwVNvoBiPyCH1oqGivOurGCakQ1Y9QNpd38a0uBl4X590VmfISV_RDmtGHHBlrw1k4-ftfJ_BH3aAhw5bsy9pZmVmcNwTHWJwLQ7gmsgds6HHZplIrfiEHZSY/s344/When+Dinosaurs+Rule+the+Earth.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="312" data-original-width="344" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggmnGvkhBIdVKlz-v1wZzwVNvoBiPyCH1oqGivOurGCakQ1Y9QNpd38a0uBl4X590VmfISV_RDmtGHHBlrw1k4-ftfJ_BH3aAhw5bsy9pZmVmcNwTHWJwLQ7gmsgds6HHZplIrfiEHZSY/w220-h200/When+Dinosaurs+Rule+the+Earth.jpg" width="220" /></a></div>"Akita osur!"<div> </div><div>Roughly translated, that means: "Look, there's a dinosaur!" I know this because I got a copy of the promotional Caveman Vocabulary pamphlet distributed by theaters during the original run of Hammer's When Dinosaurs Ruled the Earth. Released in 1970, this prehistoric opus is sometimes described as a sequel to Hammer's earlier One Million Years, B.C. (1966), which helped make a star of Raquel Welch. It's not a sequel, but both movies feature a lovely scantily-clad heroine, no English dialogue, and impressive dinosaurs.</div><div> </div><div><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYW3AqzrcZjpXb8Prbr9BvlXm0gtJTWSSpUGi8QSOkgefjL602tULghyYpnzK9tBmF3n_MC73h2C8fE6APm1Vac6wDv2t0EtAuCMaLzwd8hQODZGDglUugcKoRUhpGqVUAJcteMpCIlO0/s1224/Victoria+Vetri+-+When+Dinosaurs+Ruled+the+Earth.jpg" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1224" data-original-width="780" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYW3AqzrcZjpXb8Prbr9BvlXm0gtJTWSSpUGi8QSOkgefjL602tULghyYpnzK9tBmF3n_MC73h2C8fE6APm1Vac6wDv2t0EtAuCMaLzwd8hQODZGDglUugcKoRUhpGqVUAJcteMpCIlO0/w127-h200/Victoria+Vetri+-+When+Dinosaurs+Ruled+the+Earth.jpg" title="Victoria Vetri, aka Angela Dorian." width="127" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Victoria Vetri as Sanna.</td></tr></tbody></table>Victoria Vetri stars as the blonde-haired Sanna, who--along with two other fair-haired beauties--is about to sacrificed by her tribe during a sun ritual. During a solar disturbance, Sanna tries to escape but falls into the ocean. She survives the plunge and is rescued by Tara (Robin Hawdon), a fisherman from another tribe. There's an instant attraction between the two comely cave people. The only problem is that Tara's current girlfriend, Ayak, quickly becomes jealous of the blonde newcomer. The result is a catfight worthy of comparison to Krystle and Alexis in the early days of Dynasty.</div><div> </div><div>Still, Sanna barely has time to get settled in her new home when her old tribe shows up. Still preferring not to be sacrificed, Sanna escapes into the rugged inland where dinosaurs dominate the landscape.</div><div> </div><div>The simplistic plot serves as an adequate framework for the prehistoric creatures, which are naturally the highlight of When Dinosaurs Ruled the Earth. Hammer originally wanted to reunite with Ray Harryhausen, who did the special effects for One Million Years, B.C. However, he was still completing the stop-motion animation for The Valley of Gwangi (1969). Thus, Hammer turned to Jim Danforth, who previously exhibited his special effects wizardry in movies like <a href="https://www.classicfilmtvcafe.com/2013/02/the-odd-odyssey-of-jack-giant-killer.html" target="_blank">Jack the Giant Killer</a> (1962) and 7 Faces of Dr. Lao (1964). </div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLW9BVdecaQNDSn07Gxgv_9u0_6FGtD13JcYxZwVVn9nKVgQVg3wN5hb0wEEVXkv2mZ2IkkTEo7T_b0ynt8esptHC6ZJJ9bUcW2bWBZID3SAWi8O-TvhxbLvgBJIgXRQLH_8aX_BSJwlk/s1600/Plesiosaur+-+When+Dinosaurs+Ruled+the+Earth.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="900" data-original-width="1600" height="230" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLW9BVdecaQNDSn07Gxgv_9u0_6FGtD13JcYxZwVVn9nKVgQVg3wN5hb0wEEVXkv2mZ2IkkTEo7T_b0ynt8esptHC6ZJJ9bUcW2bWBZID3SAWi8O-TvhxbLvgBJIgXRQLH_8aX_BSJwlk/w410-h230/Plesiosaur+-+When+Dinosaurs+Ruled+the+Earth.jpg" width="410" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">The sequence with the Plesiosaur at night.</td></tr></tbody></table><div> </div><div>Danforth’s stop-motion animated dinosaurs are amazing, but Harryhausen’s creatures somehow seem more convincing. That said, a battle between Tara’s tribe and a plesiosaur on the beach is pretty jaw-dropping, expertly matching the movements between the human actors and the animated dinosaur. Danforth and special effects coordinator Roger Dicken earned an Academy Award nomination for their special effects work--something which somehow eluded Harryhausen during his illustrious career (he did receive an honorary Oscar in 1992).</div><div> </div><div>As the principal human star, Victoria Vetri was unable to duplicate Raquel Welch's success from One Million Years, B.C. Using the name Angela Dorian, she had gained minor fame as a Playboy centerfold and went on to become the 1967 Playmate of the Year. When the auburn-haired beauty was cast in When Dinosaurs Ruled the Earth, she refused to dye her hair blonde and instead wore a wig. She later starred in one of Roger Ebert's favorite cult films Invasion of the Bee Girls (1973). However, her film and TV career stalled in the mid-1970s.</div><div> </div><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNrGTMXsVXwqZLUlPU6OIf5bsuUF1qwCtpnQDXQMABk5XzwMg6bmmOx3_GnHMEyn4x4DpwTL-lJHYiIxa5JLikFzDu2oy09GdUn_liYNLsH7OivjW5_ep2q0NJAVCBkqozK7w7fKysKCU/s1312/dinosaurs-ruled-dictionary-poster.jpg" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1312" data-original-width="900" height="328" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNrGTMXsVXwqZLUlPU6OIf5bsuUF1qwCtpnQDXQMABk5XzwMg6bmmOx3_GnHMEyn4x4DpwTL-lJHYiIxa5JLikFzDu2oy09GdUn_liYNLsH7OivjW5_ep2q0NJAVCBkqozK7w7fKysKCU/w225-h328/dinosaurs-ruled-dictionary-poster.jpg" width="225" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">A handy sheet for non-cave people. </td></tr></tbody></table><div>Victoria Vetri made headlines in 2010 when she shot and wounded her third husband following an argument. She pleaded no contest to attempted voluntary manslaughter and was sentenced to nine years in prison. She was paroled in 2018.</div><div> </div><div>When Dinosaurs Ruled the Earth was released with a G rating in the U.S. An "international version" includes a few seconds of nudity. It made a tidy profit for Hammer Films, but could not match One Million Years, B.C.'s box office. That didn't dissuade Hammer from releasing another prehistoric movie the following year: Creatures the World Forgot (1971). It featured an attractive star (Julie Ege)...but no dinosaurs.</div><div> </div><div> </div><div>This review is part of the 3rd Hammer-Amicus Blogathon hosted by Cinematic Catharsis and Realweegiemidget Reviews. Click <a href="https://weegiemidget.wordpress.com/2021/10/22/hammer-and-amicus-3/" target="_blank">here</a> for the blogathon's full schedule.</div><div> </div> <div style='clear: both;'></div> </div> <div class='post-footer'> <div class='post-footer-line post-footer-line-1'> Posted by <a href='https://www.blogger.com/profile/08358116647815569722' rel='author' title='author profile'> Rick29 </a> at <a class='timestamp-link' href='https://www.classicfilmtvcafe.com/2020/08/when-dinosaurs-ruled-earth-film-review.html' rel='bookmark' title='permanent link'><abbr class='published' title='2021-10-24T06:00:00-04:00'>6:00 AM</abbr></a> <a class='comment-link' href='https://www.classicfilmtvcafe.com/2020/08/when-dinosaurs-ruled-earth-film-review.html#comment-form' onclick=''>14 comments</a> <a href='https://www.blogger.com/email-post/5344878851139332715/4928425450713947514' title='Email Post'> <img alt="" class="icon-action" height="13" src="//img1.blogblog.com/img/icon18_email.gif" width="18"> </a> <a href='https://www.blogger.com/post-edit.g?blogID=5344878851139332715&postID=4928425450713947514&from=pencil' title='Edit Post'> <img alt='' class='icon-action' height='18' src='https://resources.blogblog.com/img/icon18_edit_allbkg.gif' width='18'/> </a> <div class='post-share-buttons goog-inline-block'> <a class='goog-inline-block share-button sb-email' href='https://www.blogger.com/share-post.g?blogID=5344878851139332715&postID=4928425450713947514&target=email' target='_blank' title='Email This'>Email This</a><a class='goog-inline-block share-button sb-blog' href='https://www.blogger.com/share-post.g?blogID=5344878851139332715&postID=4928425450713947514&target=blog' onclick='window.open(this.href, "_blank", "height=270,width=475"); return false;' target='_blank' title='BlogThis!'>BlogThis!</a><a class='goog-inline-block share-button sb-twitter' href='https://www.blogger.com/share-post.g?blogID=5344878851139332715&postID=4928425450713947514&target=twitter' target='_blank' title='Share to X'>Share to X</a><a class='goog-inline-block share-button sb-facebook' href='https://www.blogger.com/share-post.g?blogID=5344878851139332715&postID=4928425450713947514&target=facebook' onclick='window.open(this.href, "_blank", "height=430,width=640"); return false;' target='_blank' title='Share to Facebook'>Share to Facebook</a><a class='goog-inline-block share-button sb-pinterest' href='https://www.blogger.com/share-post.g?blogID=5344878851139332715&postID=4928425450713947514&target=pinterest' target='_blank' title='Share to Pinterest'>Share to Pinterest</a> </div> </div> <div class='post-footer-line post-footer-line-2'> Labels: <a href='https://www.classicfilmtvcafe.com/search/label/hammer%20films' rel='tag'>hammer films</a>, <a href='https://www.classicfilmtvcafe.com/search/label/rick29%20%28author%29' rel='tag'>rick29 (author)</a>, <a href='https://www.classicfilmtvcafe.com/search/label/val%20guest' rel='tag'>val guest</a>, <a href='https://www.classicfilmtvcafe.com/search/label/victoria%20vetri' rel='tag'>victoria vetri</a>, <a href='https://www.classicfilmtvcafe.com/search/label/when%20dinosaurs%20ruled%20the%20earth' rel='tag'>when dinosaurs ruled the earth</a> </div> <div class='post-footer-line post-footer-line-3'> </div> </div> </div> </div> </div></div> <div class="date-outer"> <h2 class='date-header'>Monday, October 5, 2020</h2> <div class="date-posts"> <div class='post-outer'> <div class='post hentry'> <a name='3788746301305920312'></a> <h3 class='post-title entry-title'> <a href='https://www.classicfilmtvcafe.com/2019/10/hammer-time-hands-of-ripper-and-satanic.html'>Hammer Time: Hands of the Ripper and The Satanic Rites of Dracula</a> </h3> <div class='post-header'> <div class='post-header-line-1'></div> </div> <div class='post-body entry-content' id='post-body-3788746301305920312'> <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqhv19wojZYF3aYjTe876fDGIZFINEJ8F2oB0TuuULMih8rhprAcPd9toEWVw4Cfr-MLTQh84To-8GjkhoLsCBp7QYRKdZaaPXEyRoN5UxBGCz0GfpRbCF4R89NJvfVFjZcbIKModO8nY/s1600/Angharad+Rees+-+Hands+of+the+Ripper.JPG" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="429" data-original-width="345" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqhv19wojZYF3aYjTe876fDGIZFINEJ8F2oB0TuuULMih8rhprAcPd9toEWVw4Cfr-MLTQh84To-8GjkhoLsCBp7QYRKdZaaPXEyRoN5UxBGCz0GfpRbCF4R89NJvfVFjZcbIKModO8nY/s200/Angharad+Rees+-+Hands+of+the+Ripper.JPG" width="160" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;">Angharad Rees as Anna.</td></tr> </tbody></table> After movies featuring mummies, vampires, Frankenstein, and generic psychos, it was inevitable that Hammer Films would get around to Jack the Ripper. However, Hands of the Ripper (1971) is a bit of a surprise: a somber, well-acted tale focusing on the famous murderer's troubled daughter. <div> </div> <div> In the prologue, a young girl watches her father--the Ripper--stab her mother to death. Years later, Anna (Angharad Rees) has grown into a young woman who works for Mrs. Golding, a fake medium. After one of her seances, Mrs. Golding accepts money from a gentleman who wants to spend the night with Anna. When Anna resists the man's advances, Mrs. Golding intercedes, but the ensuing argument triggers Anna's horrid memories of her mother's murder. She grabs a poker and kills Mrs. Golding.</div> <div> </div> <div> <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgO0hFK15U1NipLfKAtX8wdwtA0JDgOaUUqRH0z8-BXwIPxtx5zPCeRRYJc-v6jrl-oo33uEdw9ua55R-8i4H6lBInqrfUIxr4VAFJDpQ8iUcF7SrkwhtYqy1Mxm8TkT2guha_ViVRzgNo/s1600/Eric+Porter+-+Hands+of+the+Ripper.JPG" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="420" data-original-width="323" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgO0hFK15U1NipLfKAtX8wdwtA0JDgOaUUqRH0z8-BXwIPxtx5zPCeRRYJc-v6jrl-oo33uEdw9ua55R-8i4H6lBInqrfUIxr4VAFJDpQ8iUcF7SrkwhtYqy1Mxm8TkT2guha_ViVRzgNo/s200/Eric+Porter+-+Hands+of+the+Ripper.JPG" width="153" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;">Eric Porter as Dr. Pritchard.</td></tr> </tbody></table> Dr. John Pritchard (Eric Porter), who suspects that Anna is the murderer, volunteers to care for the girl. In the beginning, Pritchard's interest in Anna is purely academic, as he wants to "cure" her. But, as their relationship progresses, he develops genuine feelings for the young woman that evolve from paternal to perhaps something more. There's only one problem: Anna can no longer control her murderous impulses.</div> <div> </div> <div> For the  lead roles, Hammer cast two fine performers: Eric Porter, who won acclaim as Soames in the television drama <a href="https://www.classicfilmtvcafe.com/2012/01/10-must-see-classic-british-tv-series_11.html" target="_blank">The Forsyte Saga</a>, and Angharrad Rees, the Welsh actress who would charm millions of viewers in the TV version of <a href="https://www.classicfilmtvcafe.com/2012/02/poldark-tv-series-review.html" target="_blank">Poldark</a>. The duo take what could have been a lurid film and bring out the pathos in it.</div> <div> </div> <div> Indeed, the film's first half is an engrossing Victorian drama that barely resembles a Hammer film. Alas, that gives way to a mounting number of blood-splattered corpses as the story reaches its inevitable downbeat conclusion. Still, if you can look past the violent murders, Hands of the Ripper is worthwhile viewing thanks to its strong performances and production values. <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8bY7Cx5-b8BetM6bkkRrCDd252iL3soRr83-l9j9biCgXO8ZVRcmxBylO3K3ivS4WbKRI57k5XrYGYQQkjjWCp-7FVwFWYpGyk5vT-DJlzM8ktT3OwTmBsS5prYhtz7V1cOlEdqXYnbE/s1600/Peter+Cushing+-+Satanic+Rites+of+Dracula.jpg" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="350" data-original-width="385" height="181" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8bY7Cx5-b8BetM6bkkRrCDd252iL3soRr83-l9j9biCgXO8ZVRcmxBylO3K3ivS4WbKRI57k5XrYGYQQkjjWCp-7FVwFWYpGyk5vT-DJlzM8ktT3OwTmBsS5prYhtz7V1cOlEdqXYnbE/s200/Peter+Cushing+-+Satanic+Rites+of+Dracula.jpg" width="200" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;">Peter Cushing as Lorrimer Van Helsing.</td></tr> </tbody></table> At the other end of the spectrum, The Satanic Rites of Dracula (1973) is an inferior effort that wastes the talents of Peter Cushing and Christopher Lee. It's a direct sequel to Dracula A.D. 1972 and continues the contemporary setting. The opening scenes generate some interest by promising an Avengers-like plot--and even casting future New Avengers star Joanna Lumley as Van Helsing's granddaughter. However, the story falls apart when Van Helsing learns that Dracula wants to release a new super strain of the Bubonic plague on the world. Van Helsing offers an explanation of why Dracula would want to do this (no plot spoiler here!) and while it's novel, it just doesn't make sense. <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3eraPuZ2rkGUtmplLILmxhP1GF9wDOT_jrWysLPehpzWktqgGogGV616AyzbK2osW6kf9YKaX7XUwisXjEi7u25ZtUASznkH6sTXTF_JcJ9HZK6zcMIh81O34RuhCqaYmBhJqUI9P_ZI/s1600/Joanna+Lumley+-+Satanic+Rites+of+Dracula.jpg" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="347" data-original-width="337" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3eraPuZ2rkGUtmplLILmxhP1GF9wDOT_jrWysLPehpzWktqgGogGV616AyzbK2osW6kf9YKaX7XUwisXjEi7u25ZtUASznkH6sTXTF_JcJ9HZK6zcMIh81O34RuhCqaYmBhJqUI9P_ZI/s200/Joanna+Lumley+-+Satanic+Rites+of+Dracula.jpg" width="193" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;">A red-haired Joanna Lumley.</td></tr> </tbody></table> It's a shame that screenwriter Don Houghton didn't streamline the story and just focus on Dracula as a wealthy recluse (think Howard Hughes) who recruits influential world leaders to do his bidding in return for eternal life. That might have been a pretty good contemporary vampire film. Also, I feel obligated to mention that Satanic Rites features the most boring destruction of Dracula on celluloid! The Satanic Rites of Dracula wasn't released in the U.S. until 1978. It was re-edited and re-titled as Count Dracula and His Vampire Bride. Fortunately, it wasn't the end of Hammer's Dracula saga. The studio produced one last film featuring the Count: the goofy--but highly entertaining--mash-up of vampires and kung fu known as <a href="https://www.classicfilmtvcafe.com/2019/10/7-golden-vampires-film-review.html" target="_blank">The Legend </a><msreadoutspan class="msreadout-line-highlight msreadout-inactive-highlight"><a href="https://www.classicfilmtvcafe.com/2019/10/7-golden-vampires-film-review.html" target="_blank">of the Seven Golden Vampires</a> </msreadoutspan><msreadoutspan class="msreadout-line-highlight msreadout-inactive-highlight">(<msreadoutspan class="msreadout-word-highlight">1974</msreadoutspan>).</msreadoutspan> </div> <div style='clear: both;'></div> </div> <div class='post-footer'> <div class='post-footer-line post-footer-line-1'> Posted by <a href='https://www.blogger.com/profile/08358116647815569722' rel='author' title='author profile'> Rick29 </a> at <a class='timestamp-link' href='https://www.classicfilmtvcafe.com/2019/10/hammer-time-hands-of-ripper-and-satanic.html' rel='bookmark' title='permanent link'><abbr class='published' title='2020-10-05T06:00:00-04:00'>6:00 AM</abbr></a> <a class='comment-link' href='https://www.classicfilmtvcafe.com/2019/10/hammer-time-hands-of-ripper-and-satanic.html#comment-form' onclick=''>4 comments</a> <a href='https://www.blogger.com/email-post/5344878851139332715/3788746301305920312' title='Email Post'> <img alt="" class="icon-action" height="13" src="//img1.blogblog.com/img/icon18_email.gif" width="18"> </a> <a href='https://www.blogger.com/post-edit.g?blogID=5344878851139332715&postID=3788746301305920312&from=pencil' title='Edit Post'> <img alt='' class='icon-action' height='18' src='https://resources.blogblog.com/img/icon18_edit_allbkg.gif' width='18'/> </a> <div class='post-share-buttons goog-inline-block'> <a class='goog-inline-block share-button sb-email' href='https://www.blogger.com/share-post.g?blogID=5344878851139332715&postID=3788746301305920312&target=email' target='_blank' title='Email This'>Email This</a><a class='goog-inline-block share-button sb-blog' href='https://www.blogger.com/share-post.g?blogID=5344878851139332715&postID=3788746301305920312&target=blog' onclick='window.open(this.href, "_blank", "height=270,width=475"); return false;' target='_blank' title='BlogThis!'>BlogThis!</a><a class='goog-inline-block share-button sb-twitter' href='https://www.blogger.com/share-post.g?blogID=5344878851139332715&postID=3788746301305920312&target=twitter' target='_blank' title='Share to X'>Share to X</a><a class='goog-inline-block share-button sb-facebook' href='https://www.blogger.com/share-post.g?blogID=5344878851139332715&postID=3788746301305920312&target=facebook' onclick='window.open(this.href, "_blank", "height=430,width=640"); return false;' target='_blank' title='Share to Facebook'>Share to Facebook</a><a class='goog-inline-block share-button sb-pinterest' href='https://www.blogger.com/share-post.g?blogID=5344878851139332715&postID=3788746301305920312&target=pinterest' target='_blank' title='Share to Pinterest'>Share to Pinterest</a> </div> </div> <div class='post-footer-line post-footer-line-2'> Labels: <a href='https://www.classicfilmtvcafe.com/search/label/angharad%20rees' rel='tag'>angharad rees</a>, <a href='https://www.classicfilmtvcafe.com/search/label/christopher%20lee' rel='tag'>christopher lee</a>, <a href='https://www.classicfilmtvcafe.com/search/label/count%20dracula%20and%20his%20vampire%20bride' rel='tag'>count dracula and his vampire bride</a>, <a href='https://www.classicfilmtvcafe.com/search/label/eric%20porter' rel='tag'>eric porter</a>, <a href='https://www.classicfilmtvcafe.com/search/label/hammer%20films' rel='tag'>hammer films</a>, <a href='https://www.classicfilmtvcafe.com/search/label/hands%20of%20the%20ripper' rel='tag'>hands of the ripper</a>, <a href='https://www.classicfilmtvcafe.com/search/label/joanna%20lumley' rel='tag'>joanna lumley</a>, <a href='https://www.classicfilmtvcafe.com/search/label/peter%20cushing' rel='tag'>peter cushing</a>, <a href='https://www.classicfilmtvcafe.com/search/label/rick29%20%28author%29' rel='tag'>rick29 (author)</a>, <a href='https://www.classicfilmtvcafe.com/search/label/satanic%20rites%20of%20dracula' rel='tag'>satanic rites of dracula</a> </div> <div class='post-footer-line post-footer-line-3'> </div> </div> </div> </div> </div></div> <div class="date-outer"> <h2 class='date-header'>Thursday, October 31, 2019</h2> <div class="date-posts"> <div class='post-outer'> <div class='post hentry'> <a name='2095121124594385567'></a> <h3 class='post-title entry-title'> <a href='https://www.classicfilmtvcafe.com/2019/10/7-golden-vampires-film-review.html'>Kung Fu and Vampires! It's the Legend of the 7 Golden Vampires!</a> </h3> <div class='post-header'> <div class='post-header-line-1'></div> </div> <div class='post-body entry-content' id='post-body-2095121124594385567'> <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2rMMR05FLloYtckcrTjx9hEk7r44DsMRP_rgZS55IvIdMRwdx5cQ3MLIvE0srXj-esAls2jiTcl8xbPDmHHbMY5pfD6zevIpiDq0RHD-tSy8eXXqSAo3dcwD2b0GSBR8oUUgcJGEDBUM/s1600/Peter+Cushing+-+Legend+of+the+7+Golden+Vampires.JPG" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="319" data-original-width="269" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2rMMR05FLloYtckcrTjx9hEk7r44DsMRP_rgZS55IvIdMRwdx5cQ3MLIvE0srXj-esAls2jiTcl8xbPDmHHbMY5pfD6zevIpiDq0RHD-tSy8eXXqSAo3dcwD2b0GSBR8oUUgcJGEDBUM/s200/Peter+Cushing+-+Legend+of+the+7+Golden+Vampires.JPG" width="168" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;">Peter Cushing as Van Helsing.</td></tr> </tbody></table> I watched The Legend of the 7 Golden Vampires (1974) for the fifth or sixth time recently. During this latest viewing, I studied it carefully. When it was over, I reviewed my notes, analyzed the plot and themes, and researched the production history. And still, my friends, I have no clue as to why this wacky hybrid of vampires and martial arts is so entertaining! <div> </div> <div> For those who have never seen it, here's a plot summary. In Transylvania in 1804, an evil Asian monk named Kah journeys to the tomb of Count Dracula. His goal is to ask Dracula to help him revive the seven Golden Vampires in his homeland. Now, it should come as no surprise that the Count doesn't grant his wish. Instead of kindly lending a hand, Dracula assumes Kah's appearance and heads to Asia to revive the Golden Vampires for his own bloodsucking purposes.</div> <div> </div> <div> <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkLrbwmA5iZJ3rdUO5orzPZbo014FrH5Tdbc9rvK64AhbS_GmE2cChqp4tVS3iaDvfUK8u3LPXKhZZIzIr11hmVL7fagO87xc2RGBX9I3GmPB_U3uSwC86geSKacy-DYsbiCXT_V1ocLg/s1600/Golden+Vampire+-+Legend+of+the+7+Golden+Vampires.JPG" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="319" data-original-width="266" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkLrbwmA5iZJ3rdUO5orzPZbo014FrH5Tdbc9rvK64AhbS_GmE2cChqp4tVS3iaDvfUK8u3LPXKhZZIzIr11hmVL7fagO87xc2RGBX9I3GmPB_U3uSwC86geSKacy-DYsbiCXT_V1ocLg/s200/Golden+Vampire+-+Legend+of+the+7+Golden+Vampires.JPG" width="166" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;">One of the Golden Vampires.</td></tr> </tbody></table> A century later, we find Professor Van Helsing (apparently a descendant of the original Van Helsing) giving a guest lecture on vampires at Chungking University. His audience is unimpressed--except for a young man named Hsi Ching who visits Van Helsing that night. Hsi Ching explains that his ancestral village has become a feeding ground for the seven Golden Vampires. He wants Van Helsing to help him--along with his six brothers and his sister--to destroy the bloodsuckers.</div> <div> </div> <div> The professor is intrigued, but lacks the financial resources for the long journey. That's when a wealthy, attractive widow offers to finance the expedition on the condition that she gets to experience a little excitement, too. </div> <div> <div style="text-align: right;"> </div> The Legend of the 7 Golden Vampires has an 89-minute running time, but it seems even shorter. Veteran director Roy Ward Baker enlivens the plot with four major action sequences, each one longer and better staged than the one preceding it. We are treated to an attack on the town by the vampires, an ambush on Van Helsing's expedition by criminals, and a surprise vampire assault in a cave. Those scenes are just the appetizers that set up the big battle at the climax. <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbCnn4G30L16za681dnVfqadsde26ldVys5W1YIxOVZ31BEg4VCtorO4SGRAs-7oCiJk3bfzAaycwrUwhxMjUfosLpXIc_Nbyy4LqFsIqL76meYO9gn7SToBvDoRp_K0-Lu37uKAVcwhY/s1600/Bat+Medallion+-+Legend+of+the+7+Golden+Vampires.JPG" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="284" data-original-width="548" height="103" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbCnn4G30L16za681dnVfqadsde26ldVys5W1YIxOVZ31BEg4VCtorO4SGRAs-7oCiJk3bfzAaycwrUwhxMjUfosLpXIc_Nbyy4LqFsIqL76meYO9gn7SToBvDoRp_K0-Lu37uKAVcwhY/s200/Bat+Medallion+-+Legend+of+the+7+Golden+Vampires.JPG" width="200" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;">The golden bat medallion--I want one!</td></tr> </tbody></table> As with any respectable 1970s kung fu flick, there are plenty of bone-crunching punches and high-flying kicks. The Golden Vampires do a respectable job of defending themselves...considering they look like decomposing corpses with fangs and move pretty slowly. Their supporting army of the undead are dispatched quickly with a punch to their rotting chests. A flashback story suggests that a Golden Vampire can be destroyed by removing the golden bat medallions from around their necks. Oddly, none of our heroes ever attempt to do that! <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0nwks0wonXAmjvx7QPXRq2yUBB27HbX595l_Gis6ra4kKAGiS2wL4dMTWvQNV1vT9ZPWvVdKG5YFW3S5cieV1GFp0cLLyJv_SIhglUon3Q3oD-gvdEXgEoeGZEGFDnuM_N53gnKrBdhw/s1600/David+Chiang+-+Legend+of+the+7+Golden+Vampires.JPG" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="311" data-original-width="267" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0nwks0wonXAmjvx7QPXRq2yUBB27HbX595l_Gis6ra4kKAGiS2wL4dMTWvQNV1vT9ZPWvVdKG5YFW3S5cieV1GFp0cLLyJv_SIhglUon3Q3oD-gvdEXgEoeGZEGFDnuM_N53gnKrBdhw/s200/David+Chiang+-+Legend+of+the+7+Golden+Vampires.JPG" width="171" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;">David Chiang as Hsi Ching.</td></tr> </tbody></table> There are other muddled plot points, too. Hsi Ching's village appears to be pretty small. So, over the span of a century, wouldn't the Golden Vampires have drained it dry--especially since they routinely nab most of the young women from the village? And why do Van Helsing and the brothers choose to fight the vampires at night? It seems more logical to look for their headquarters during the day and destroy them before dusk. Of course, then we wouldn't have any kung fu fights, would we? <div style="text-align: right;"> </div> To his credit and the film's benefit, Peter Cushing delivers a serious, persuasive performance as Van Helsing. It grounds The Legend of the 7 Golden Vampires and keeps it from devolving into camp. David Chiang is respectable as Hsi Ching, which is impressive considering he's acting in a second language. I quite like that the rich widow (Julie Ege) becomes attracted to Hsi Ching while Van Helsing's son falls for the latter's sister (Szu Shih). <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijxJqlripAAgP17cykSQJ7Kj9Kfe3x6cjp0-aYC9cZuep_i5NAG6eX0m7ZLfR2fojZpyym8pCQjxU-jQHAFhDTC9igKHoj7UFlfb45uLrJXuinrT_tFdATl8DvuW8_4vlqS6T5WjJeiLI/s1600/John+Forbes-Robertson+-+Legend+of+the+7+Golden+Vampires.JPG" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="300" data-original-width="262" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijxJqlripAAgP17cykSQJ7Kj9Kfe3x6cjp0-aYC9cZuep_i5NAG6eX0m7ZLfR2fojZpyym8pCQjxU-jQHAFhDTC9igKHoj7UFlfb45uLrJXuinrT_tFdATl8DvuW8_4vlqS6T5WjJeiLI/s200/John+Forbes-Robertson+-+Legend+of+the+7+Golden+Vampires.JPG" width="174" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;">John Forbes-Robertson.</td></tr> </tbody></table> The Legend of the 7 Golden Vampires was the last of Hammer's nine Dracula movies that began with 1958's Horror of Dracula. It is the only Hammer film to feature an actor other than Christopher Lee as Count Dracula. His replacement, John Forbes-Robertson, only has a couple of scenes at the beginning and end. His voice was dubbed and his make-up makes Dracula look like he's been embalmed. A co-production between Hammer and the Shaw Brothers, The Legend of the 7 Golden Vampires was shot in Hong Kong. Both studios surely hoped the combination of kung fu  and vampires would generate big international profits. However, that didn't happen and Hammer was unable to even secure a U.S. distributor when it was released. It finally reached American screens, albeit in re-edited form, in 1979. Seventeen minutes were trimmed and the title was changed to The Seven Brothers Meet Dracula. Avoid this version! Instead, grab your golden bat medallion (if you have one), settle into your easy chair, and throw logic out the window. And remember what a film critic for Melody Maker magazine wrote after skewering 7 Vampires for several paragraphs: "Don't let me indicate that I'm trying to put you off seeing this film, because I'm going to see it again tomorrow!" </div> <div style='clear: both;'></div> </div> <div class='post-footer'> <div class='post-footer-line post-footer-line-1'> Posted by <a href='https://www.blogger.com/profile/08358116647815569722' rel='author' title='author profile'> Rick29 </a> at <a class='timestamp-link' href='https://www.classicfilmtvcafe.com/2019/10/7-golden-vampires-film-review.html' rel='bookmark' title='permanent link'><abbr class='published' title='2019-10-31T08:56:00-04:00'>8:56 AM</abbr></a> <a class='comment-link' href='https://www.classicfilmtvcafe.com/2019/10/7-golden-vampires-film-review.html#comment-form' onclick=''>2 comments</a> <a href='https://www.blogger.com/email-post/5344878851139332715/2095121124594385567' title='Email Post'> <img alt="" class="icon-action" height="13" src="//img1.blogblog.com/img/icon18_email.gif" width="18"> </a> <a href='https://www.blogger.com/post-edit.g?blogID=5344878851139332715&postID=2095121124594385567&from=pencil' title='Edit Post'> <img alt='' class='icon-action' height='18' src='https://resources.blogblog.com/img/icon18_edit_allbkg.gif' width='18'/> </a> <div class='post-share-buttons goog-inline-block'> <a class='goog-inline-block share-button sb-email' href='https://www.blogger.com/share-post.g?blogID=5344878851139332715&postID=2095121124594385567&target=email' target='_blank' title='Email This'>Email This</a><a class='goog-inline-block share-button sb-blog' href='https://www.blogger.com/share-post.g?blogID=5344878851139332715&postID=2095121124594385567&target=blog' onclick='window.open(this.href, "_blank", "height=270,width=475"); return false;' target='_blank' title='BlogThis!'>BlogThis!</a><a class='goog-inline-block share-button sb-twitter' href='https://www.blogger.com/share-post.g?blogID=5344878851139332715&postID=2095121124594385567&target=twitter' target='_blank' title='Share to X'>Share to X</a><a class='goog-inline-block share-button sb-facebook' href='https://www.blogger.com/share-post.g?blogID=5344878851139332715&postID=2095121124594385567&target=facebook' onclick='window.open(this.href, "_blank", "height=430,width=640"); return false;' target='_blank' title='Share to Facebook'>Share to Facebook</a><a class='goog-inline-block share-button sb-pinterest' href='https://www.blogger.com/share-post.g?blogID=5344878851139332715&postID=2095121124594385567&target=pinterest' target='_blank' title='Share to Pinterest'>Share to Pinterest</a> </div> </div> <div class='post-footer-line post-footer-line-2'> Labels: <a href='https://www.classicfilmtvcafe.com/search/label/hammer%20films' rel='tag'>hammer films</a>, <a href='https://www.classicfilmtvcafe.com/search/label/legend%20of%20the%207%20golden%20vampires' rel='tag'>legend of the 7 golden vampires</a>, <a href='https://www.classicfilmtvcafe.com/search/label/peter%20cushing' rel='tag'>peter cushing</a>, <a href='https://www.classicfilmtvcafe.com/search/label/rick29%20%28author%29' rel='tag'>rick29 (author)</a>, <a href='https://www.classicfilmtvcafe.com/search/label/roy%20ward%20baker' rel='tag'>roy ward baker</a>, <a href='https://www.classicfilmtvcafe.com/search/label/shaw%20brothers' rel='tag'>shaw brothers</a> </div> <div class='post-footer-line post-footer-line-3'> </div> </div> </div> </div> </div></div> <div class="date-outer"> <h2 class='date-header'>Monday, October 7, 2019</h2> <div class="date-posts"> <div class='post-outer'> <div class='post hentry'> <a name='2994655737625540514'></a> <h3 class='post-title entry-title'> <a href='https://www.classicfilmtvcafe.com/2019/10/vampire-circus-film-review.html'>A Circus with Acrobats, Animals, and...Vampires!</a> </h3> <div class='post-header'> <div class='post-header-line-1'></div> </div> <div class='post-body entry-content' id='post-body-2994655737625540514'> <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4b7fX3Z1XomRRp52e0sLtPIB-RIrTEUQu3XMXQQoKQ1SOv9mN4cd5EOSftQpDpG9oVdLlSSOzJLsA6_jr6ecZzj-PNsg4E5WekEP8TxCbNarCt_C3_YSqyk9ry5v1n8EnhFVC7RGfGCg/s1600/Vampire+Circus.JPG" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="429" data-original-width="337" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4b7fX3Z1XomRRp52e0sLtPIB-RIrTEUQu3XMXQQoKQ1SOv9mN4cd5EOSftQpDpG9oVdLlSSOzJLsA6_jr6ecZzj-PNsg4E5WekEP8TxCbNarCt_C3_YSqyk9ry5v1n8EnhFVC7RGfGCg/s200/Vampire+Circus.JPG" width="156" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;">Anthony Higgins is about to bite!</td></tr> </tbody></table> <div> After a highly-successful decade in the 1960s, Hammer Films faced a crossroads in the early 1970s. Their Gothic horror films were no longer considered scary. In fact, they appeared rather tame compared to other movies playing at your local movie theater. Thus, the studio made a concerted effort to make their horror pictures sexier (well, with more nudity) and more violent. One of its most interesting movies during this period was Vampire Circus (1971).</div> <div> </div> <div> A long pre-title sequence lays the groundwork for the plot. After a headmaster sees his wife take a young girl into the woods, he follows them to the castle of Count Mitterhaus. When he's prevented from entering the castle, the headmaster gathers a group of villagers who are convinced that Mitterhaus is a vampire. They force their way into the castle and kill the bloodsucking nobleman with a stake. With his last words, the count proclaims that the town will die and the villagers' children will die to give him back his life.</div> <div> </div> <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyA0o3DRJDlmcivdIxQn5dAB4zyrw2_ws1qAbxV4fbA-w83PHD0HxJeY9uRY34EHgcYKiO7bat267_xy6QaoOGzmu9X4WTqiJhTlWzCPYP6hDgKCCq37F-2w0I8TqcKy9WY67nhk8j10w/s1600/Adrienne+Corri+-+Vampire+Circus.JPG" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="422" data-original-width="332" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyA0o3DRJDlmcivdIxQn5dAB4zyrw2_ws1qAbxV4fbA-w83PHD0HxJeY9uRY34EHgcYKiO7bat267_xy6QaoOGzmu9X4WTqiJhTlWzCPYP6hDgKCCq37F-2w0I8TqcKy9WY67nhk8j10w/s200/Adrienne+Corri+-+Vampire+Circus.JPG" width="156" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;">Adrienne Corri runs the circus.</td></tr> </tbody></table> <div> Fifteen years later, the village is rife with plague and neighboring towns have created blockades to prevent anyone from leaving or entering. Yet, somehow a traveling circus gets through the roadblocks (when asked how, the troupe's headmistress says nothing). While the circus provides a pleasant distraction for the townspeople, its activities mask the motives of its bloodsucking performers. Their goal is to kill the children of the men that destroyed Count Mitterhaus.</div> <div> </div> <div> As Hammer vampire movies go, Vampire Circus is an above-average entry with some intriguing ideas, most of which aren't fully developed. The male vampires are not just irresistible to the village women...they're almost sexually addictive. When a mother initially refuses to let her daughter secretly meet with one of them, the girl breaks down in tears and pleads frantically. Some of the vampires are shapeshifters, including one that can transform into a black leopard. But the most original aspect of Vampire Circus is its combination of vampires (scary) and circuses (creepy...you know they are!). </div> <div> </div> <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgaEMu3_bspwRLUUR8MfNKGI-N-7LPQArULSjruinmIKl1S94bO5FMB0O_k0NwQw09HOBcSmbvsXR5ss6FZ_bvAakqESHyxe7KDeo9V6DcHJ3Ht4ALYNOzwxeE5OuInJHYLLNh_raPq9Yo/s1600/Vampire+Circus+-+Mitterhaus.JPG" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="429" data-original-width="338" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgaEMu3_bspwRLUUR8MfNKGI-N-7LPQArULSjruinmIKl1S94bO5FMB0O_k0NwQw09HOBcSmbvsXR5ss6FZ_bvAakqESHyxe7KDeo9V6DcHJ3Ht4ALYNOzwxeE5OuInJHYLLNh_raPq9Yo/s200/Vampire+Circus+-+Mitterhaus.JPG" width="157" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;">Robert Tayman as the Count.</td></tr> </tbody></table> <div> With one exception, the low-wattage cast is solid and features actors associated with Star Wars, A Clockwork Orange, Doctor Who, and TV's Buffy the Vampire Slayer. The one weak link is Robert Tayman as the villainous Mitterhaus (the actor's voice was dubbed by David de Keyser). He projects an effeminate quality that negates his effectiveness. Perhaps, it's the combination of his chest-baring costume, gold choker, hair, and make-up. In any event, he never comes across as sexually powerful nor especially threatening.</div> <div> </div> <div> As I watched Vampire Circus recently, I was reminded of another movie about a traveling carnival that delivers evil to a small town: the 1983 film version of Ray Bradbury's Something Wicked This Way Comes. It's a flawed movie, too, but, like Vampire Circus, it projects an unusual fairy tale-like quality. </div> <div> </div> <div style='clear: both;'></div> </div> <div class='post-footer'> <div class='post-footer-line post-footer-line-1'> Posted by <a href='https://www.blogger.com/profile/08358116647815569722' rel='author' title='author profile'> Rick29 </a> at <a class='timestamp-link' href='https://www.classicfilmtvcafe.com/2019/10/vampire-circus-film-review.html' rel='bookmark' title='permanent link'><abbr class='published' title='2019-10-07T06:00:00-04:00'>6:00 AM</abbr></a> <a class='comment-link' href='https://www.classicfilmtvcafe.com/2019/10/vampire-circus-film-review.html#comment-form' onclick=''>2 comments</a> <a href='https://www.blogger.com/email-post/5344878851139332715/2994655737625540514' title='Email Post'> <img alt="" class="icon-action" height="13" src="//img1.blogblog.com/img/icon18_email.gif" width="18"> </a> <a href='https://www.blogger.com/post-edit.g?blogID=5344878851139332715&postID=2994655737625540514&from=pencil' title='Edit Post'> <img alt='' class='icon-action' height='18' src='https://resources.blogblog.com/img/icon18_edit_allbkg.gif' width='18'/> </a> <div class='post-share-buttons goog-inline-block'> <a class='goog-inline-block share-button sb-email' href='https://www.blogger.com/share-post.g?blogID=5344878851139332715&postID=2994655737625540514&target=email' target='_blank' title='Email This'>Email This</a><a class='goog-inline-block share-button sb-blog' href='https://www.blogger.com/share-post.g?blogID=5344878851139332715&postID=2994655737625540514&target=blog' onclick='window.open(this.href, "_blank", "height=270,width=475"); return false;' target='_blank' title='BlogThis!'>BlogThis!</a><a class='goog-inline-block share-button sb-twitter' href='https://www.blogger.com/share-post.g?blogID=5344878851139332715&postID=2994655737625540514&target=twitter' target='_blank' title='Share to X'>Share to X</a><a class='goog-inline-block share-button sb-facebook' href='https://www.blogger.com/share-post.g?blogID=5344878851139332715&postID=2994655737625540514&target=facebook' onclick='window.open(this.href, "_blank", "height=430,width=640"); return false;' target='_blank' title='Share to Facebook'>Share to Facebook</a><a class='goog-inline-block share-button sb-pinterest' href='https://www.blogger.com/share-post.g?blogID=5344878851139332715&postID=2994655737625540514&target=pinterest' target='_blank' title='Share to Pinterest'>Share to Pinterest</a> </div> </div> <div class='post-footer-line post-footer-line-2'> Labels: <a href='https://www.classicfilmtvcafe.com/search/label/hammer%20films' rel='tag'>hammer films</a>, <a href='https://www.classicfilmtvcafe.com/search/label/rick29%20%28author%29' rel='tag'>rick29 (author)</a>, <a href='https://www.classicfilmtvcafe.com/search/label/vampire%20circus' rel='tag'>vampire circus</a> </div> <div class='post-footer-line post-footer-line-3'> </div> </div> </div> </div> </div></div> <div class="date-outer"> <h2 class='date-header'>Wednesday, October 31, 2018</h2> <div class="date-posts"> <div class='post-outer'> <div class='post hentry'> <a name='3416157502226682681'></a> <h3 class='post-title entry-title'> <a href='https://www.classicfilmtvcafe.com/2018/10/phantom-opera-film-review.html'>The Phantoms of the Opera</a> </h3> <div class='post-header'> <div class='post-header-line-1'></div> </div> <div class='post-body entry-content' id='post-body-3416157502226682681'> <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigW79KvLod1ovw2wq254bUJnIw-XRzcH8fKDFF_C8ALfXbEtpgBN7r4_hShV_dmGCG59tX4kvsU3ZHXJEjUiV_sGfUgvDnEsPIw_ZT-QdQmln9Ymkjyc4juczepB-RnIR0ClTWemzCLMk/s1600/Claude+Rains+-+The+Phantom+of+the+Opera.PNG" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="568" data-original-width="430" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigW79KvLod1ovw2wq254bUJnIw-XRzcH8fKDFF_C8ALfXbEtpgBN7r4_hShV_dmGCG59tX4kvsU3ZHXJEjUiV_sGfUgvDnEsPIw_ZT-QdQmln9Ymkjyc4juczepB-RnIR0ClTWemzCLMk/s200/Claude+Rains+-+The+Phantom+of+the+Opera.PNG" width="151" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;">Claude Rains as the Phantom.</td></tr> </tbody></table> Just eleven years after Lon Chaney thrilled audiences in The Phantom of the Opera (1925), Universal was planning a remake. However, it wasn’t until 1941 that the production got the green light for a Technicolor extravaganza. Studio executives wanted Deanna Durbin as the female star and considered Charles Laughton as the Phantom. In the end, those parts went to 18-year-old Susanna Foster (a virtual unknown) and the inimitable Claude Rains. The screenwriters jettisoned the plots of both Gaston Leroux’s 1910 novel and Chaney’s classic. The new plot cast Rains as Erique Claudin, a violinist in the Paris Opera’s orchestra. When a health condition with his left hand impairs his playing, he is dismissed from the orchestra after 20 years. He has no savings, for he has used all his money to secretly pay for voice lessons for a promising soprano named Christine (Foster). He hopes to improve his finances through the publication of a concerto. <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzScVln4dSsZL6YGAT7Ha6-mzOrbuHfDTfVJ-DZG0sxuCMWVlmdHnacjSKVHM4tJ9Yg6TklPZNaMgGmywcoDI6pPr8LVSxKnHdLH9MhrTSa3rAXkxp8QFFMJj9Z3RgANuSCUYDXIGI-Is/s1600/Suzanna+Foster+2+-+The+Phantom+of+the+Opera.PNG" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="562" data-original-width="454" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzScVln4dSsZL6YGAT7Ha6-mzOrbuHfDTfVJ-DZG0sxuCMWVlmdHnacjSKVHM4tJ9Yg6TklPZNaMgGmywcoDI6pPr8LVSxKnHdLH9MhrTSa3rAXkxp8QFFMJj9Z3RgANuSCUYDXIGI-Is/s200/Suzanna+Foster+2+-+The+Phantom+of+the+Opera.PNG" width="161" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;">Susanna Foster as Christine.</td></tr> </tbody></table> However, due to a most unfortunate misunderstanding, he believes the publication house has stolen his work and, in a fit of rage, he murders one of its employees. In the process, another worker flings a pan of acid in his face. Screaming in agony, Claudin runs into the dark streets and finds refuge in the catacombs underneath the opera house. He eventually adopts the persona of the Phantom and dedicates himself to ensuring that Christine becomes the opera house’s newest star. For a studio known for its thriftiness, Universal went all in on Phantom of the Opera and the visual treats are plentiful. It's no wonder that Phantom won Oscars for its color cinematography and set decoration. The elaborate opera house set used in Chaney's film was refurbished and still looks impressive. The famous chandelier, though, is not the same one from the earlier film (that one was destroyed). This time around, the chandelier was dropped with a wire to prevent it from crashing onto the floor. Then, it was painstakingly disassembled to look like it was smashed. <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLA2I6mPO2CRXQGVLm7Gt92H9YYzRmY50hDcAO1_HLnoOEVGcenjr_fl1eaUowuCZNYivqmYAFRlNcN6A9RuzONRlK6GBdAbQnMxBjWI1rcdYjiqSEbovUXrvw3PiOdjTrire_fwDtIaI/s1600/Paris+Opera+House+-+The+Phantom+of+the+Opera.PNG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="544" data-original-width="738" height="235" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLA2I6mPO2CRXQGVLm7Gt92H9YYzRmY50hDcAO1_HLnoOEVGcenjr_fl1eaUowuCZNYivqmYAFRlNcN6A9RuzONRlK6GBdAbQnMxBjWI1rcdYjiqSEbovUXrvw3PiOdjTrire_fwDtIaI/s320/Paris+Opera+House+-+The+Phantom+of+the+Opera.PNG" width="320" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;">The Paris Opera House set and chandelier.</td></tr> </tbody></table> Claude Rains insisted that his face not be totally scarred and that the mask only partially cover his feature. The latter decision works well, since it allows Rains to at least act with his mouth when playing the Phantom. (And yes, Rains was good enough an actor to convey emotion with his mouth alone.) Yet, while Rains gives his usual first-rate performance and Phantom impresses from a technical standpoint, it lacks verve. It's more of a musical than a horror film and the opera set pieces drag down the pace even at 93 minutes. The other problem is that the Phantom is really a nice guy that becomes an outcast through unusual circumstances. The audience sympathizes with Claudin--we're never afraid of him. Nevertheless, The Phantom of the Opera was a big boxoffice hit and Universal announced a sequel within weeks of its release. It was to reteam Susanna Foster, Claude Rains, and Nelson Eddy. Unfortunately, the stars' schedules couldn't be aligned and so Universal paired Foster with Boris Karloff in The Climax (1944), another horror picture with an opera setting. <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7zFf8dAVhLIw6e6u688la7G0gjSm7lyIuNMLwvCsnQllT4hVJq1uRzj5PGLIb7WrUKbmKU_dXLUxxE1oBzEaUPEI2C0cBxXE8m4kD-B5C6pcX3v2BqyYssGrC4K1tMDIRmdIlKLRXLCs/s1600/Herbert+Lom+-+Phantom+of+the+Opera.PNG" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="502" data-original-width="380" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7zFf8dAVhLIw6e6u688la7G0gjSm7lyIuNMLwvCsnQllT4hVJq1uRzj5PGLIb7WrUKbmKU_dXLUxxE1oBzEaUPEI2C0cBxXE8m4kD-B5C6pcX3v2BqyYssGrC4K1tMDIRmdIlKLRXLCs/s200/Herbert+Lom+-+Phantom+of+the+Opera.PNG" width="151" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;">Herbert Lom as the Phantom.</td></tr> </tbody></table> In 1962, Hammer Films, having successfully revived Dracula, Dr. Frankenstein, and the Mummy, decided to mount its own version of The Phantom of the Opera. According to producer-writer Anthony Hinds, Cary Grant was briefly interested in starring it (though there are various stories about which role). In lieu of Hammer favorites Christopher Lee or Peter Cushing, the studio settled on Herbert Lom as the title character. The Hammer version follows the same basic plot as the 1943 film, but with some notable differences. The Phantom's origin is revealed in flashback late in the movie so the story unfolds like a mystery. The Phantom has a silent assistant who does his bidding, which includes murdering an innocent stagehand and a rat catcher. And, best of all, there is also a true villain in the guise of a lecherous, greedy opera impresario played with gusto by Michael Gough. <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiD6_KePsYUGkRk7baqYaC2Xx3DO01X3yW8h2nWc8CiGLanpzfNAOqjybaVAz0GAMzrvGNycb8HKCzK7azxeV1KmqnanxStdsD24AYO0W5pwc3z0hSIZ4Z24k-YxqU9GvzkDsady8EtDIQ/s1600/Michael+Gough+and+Heather+Sears+-+Phantom+of+the+Opera.PNG" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="499" data-original-width="760" height="131" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiD6_KePsYUGkRk7baqYaC2Xx3DO01X3yW8h2nWc8CiGLanpzfNAOqjybaVAz0GAMzrvGNycb8HKCzK7azxeV1KmqnanxStdsD24AYO0W5pwc3z0hSIZ4Z24k-YxqU9GvzkDsady8EtDIQ/s200/Michael+Gough+and+Heather+Sears+-+Phantom+of+the+Opera.PNG" width="200" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;">Michael Gough and Heather Sears.</td></tr> </tbody></table> The Hammer remake also dispenses with the famous scene in which Christine snatches the Phantom's mask. Instead, with the chandelier about to fall and crush Christine, the Phantom rips off his mask and swings on a rope from a balcony to push his protege out of the way. Speaking of the mask, it completely covers Lom's face, except for one eye. It's a credit to the actor that he's able to create a memorable character essentially with his voice. Indeed, Lom is quite effective and gets strong support from Heather Sears as Christine (her singing voice was dubbed). Although not as opulent as Universal's 1943 version, this Phantom may be the better of the two movies. At least, it strives to be a horror film and does not let the music take over the proceedings. It was nonetheless a boxoffice disappointment. When it appeared on U.S. television several years later, Universal (not Hammer) shot additional footage so it was long enough to run in a two-hour time slot. <div style='clear: both;'></div> </div> <div class='post-footer'> <div class='post-footer-line post-footer-line-1'> Posted by <a href='https://www.blogger.com/profile/08358116647815569722' rel='author' title='author profile'> Rick29 </a> at <a class='timestamp-link' href='https://www.classicfilmtvcafe.com/2018/10/phantom-opera-film-review.html' rel='bookmark' title='permanent link'><abbr class='published' title='2018-10-31T06:00:00-04:00'>6:00 AM</abbr></a> <a class='comment-link' href='https://www.classicfilmtvcafe.com/2018/10/phantom-opera-film-review.html#comment-form' onclick=''>6 comments</a> <a href='https://www.blogger.com/email-post/5344878851139332715/3416157502226682681' title='Email Post'> <img alt="" class="icon-action" height="13" src="//img1.blogblog.com/img/icon18_email.gif" width="18"> </a> <a href='https://www.blogger.com/post-edit.g?blogID=5344878851139332715&postID=3416157502226682681&from=pencil' title='Edit Post'> <img alt='' class='icon-action' height='18' src='https://resources.blogblog.com/img/icon18_edit_allbkg.gif' width='18'/> </a> <div class='post-share-buttons goog-inline-block'> <a class='goog-inline-block share-button sb-email' href='https://www.blogger.com/share-post.g?blogID=5344878851139332715&postID=3416157502226682681&target=email' target='_blank' title='Email This'>Email This</a><a class='goog-inline-block share-button sb-blog' href='https://www.blogger.com/share-post.g?blogID=5344878851139332715&postID=3416157502226682681&target=blog' onclick='window.open(this.href, "_blank", "height=270,width=475"); return false;' target='_blank' title='BlogThis!'>BlogThis!</a><a class='goog-inline-block share-button sb-twitter' href='https://www.blogger.com/share-post.g?blogID=5344878851139332715&postID=3416157502226682681&target=twitter' target='_blank' title='Share to X'>Share to X</a><a class='goog-inline-block share-button sb-facebook' href='https://www.blogger.com/share-post.g?blogID=5344878851139332715&postID=3416157502226682681&target=facebook' onclick='window.open(this.href, "_blank", "height=430,width=640"); return false;' target='_blank' title='Share to Facebook'>Share to Facebook</a><a class='goog-inline-block share-button sb-pinterest' href='https://www.blogger.com/share-post.g?blogID=5344878851139332715&postID=3416157502226682681&target=pinterest' target='_blank' title='Share to Pinterest'>Share to Pinterest</a> </div> </div> <div class='post-footer-line post-footer-line-2'> Labels: <a href='https://www.classicfilmtvcafe.com/search/label/claude%20rains' rel='tag'>claude rains</a>, <a href='https://www.classicfilmtvcafe.com/search/label/hammer%20films' rel='tag'>hammer films</a>, <a href='https://www.classicfilmtvcafe.com/search/label/herbert%20lom' rel='tag'>herbert lom</a>, <a href='https://www.classicfilmtvcafe.com/search/label/phantom%20of%20the%20opera%20%281943%29' rel='tag'>phantom of the opera (1943)</a>, <a href='https://www.classicfilmtvcafe.com/search/label/phantom%20of%20the%20opera%20%281962%29' rel='tag'>phantom of the opera (1962)</a>, <a href='https://www.classicfilmtvcafe.com/search/label/rick29%20%28author%29' rel='tag'>rick29 (author)</a> </div> <div class='post-footer-line post-footer-line-3'> </div> </div> </div> </div> </div></div> <div class="date-outer"> <h2 class='date-header'>Sunday, July 1, 2018</h2> <div class="date-posts"> <div class='post-outer'> <div class='post hentry'> <a name='7520218847804854593'></a> <h3 class='post-title entry-title'> <a href='https://www.classicfilmtvcafe.com/2018/07/vengeance-of-she-film-review.html'>The Vengeance of She</a> </h3> <div class='post-header'> <div class='post-header-line-1'></div> </div> <div class='post-body entry-content' id='post-body-7520218847804854593'> <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjAbpHNHhHQrIn4Lc7bOqb5_MtLHxkmhqpzyTujVPNhgSskofOn4lONv1YMxe3W-Kg2n1VY8PkcmTNnSQEt7yYwvsnPAgXDUbYUfMjtSil7ghyphenhyphennpTJ0lkJEukkYP_pvXkdQ8PbdSR5b7U/s1600/Olinka+Berova+3+-+Vengeance+of+She.PNG" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="292" data-original-width="208" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjAbpHNHhHQrIn4Lc7bOqb5_MtLHxkmhqpzyTujVPNhgSskofOn4lONv1YMxe3W-Kg2n1VY8PkcmTNnSQEt7yYwvsnPAgXDUbYUfMjtSil7ghyphenhyphennpTJ0lkJEukkYP_pvXkdQ8PbdSR5b7U/s200/Olinka+Berova+3+-+Vengeance+of+She.PNG" width="142" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;">Olinka Berova as Carol/Ayesha.</td></tr> </tbody></table> I've been a Hammer Films aficionado since my youth and I've seen almost all its movies. One which eluded me for decades was The Vengeance of She, the 1968 sequel to She (1965). The latter film shows up on television frequently, probably due to Ursula Andress' appearance in the title role. The lesser-known sequel has become an oddity--but one which I recently found on eBay for $4.00. Olinka Berova stars as Carol, a young woman who may or may not be the reincarnation of Ayesha, the once-immortal queen of a desert civilization. Carol experiences intense headaches, bad dreams, and memory loss. That may explain why she awakes on a French Riviera beach one morning, strips down to her underwear, and swims out to a millionaire's yacht. She can offer no explanation for her actions, but all the males on the boat are in favor of her remaining a passenger. (Well, the captain does make one of those ominous remarks about her bringing bad luck.) The yacht's owner dies of a heart attack shortly after rescuing Carol from an inexplicable dive into the ocean. That should have been the cue to cut ties with her. Instead, one of the yacht's passengers, psychiatrist Philip Smith offers to accompany Carol on a desert journey to the lost city of Kuma. After some mishaps along the way, she and Philip reach Kuma, where Carol is hailed as its ruler. Things don't fare as well as for Philip, who is imprisoned by a high priest hoping to gain immortality for himself. <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUrPiSNsChPdRcIcJMccLZkNuzTnPI6_j63z-KAHf0PVt7rBxOVXmu8gA7vUML1n_s0WnPnMgNX7VcbclqP7TLPUe8IMlRhthjSWLrbMymg7zrxRpYLnZb54M45rBsNmc27e0FOifWtkI/s1600/Olinka+Berova+-+Vengeance+of+She.PNG" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="453" data-original-width="341" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUrPiSNsChPdRcIcJMccLZkNuzTnPI6_j63z-KAHf0PVt7rBxOVXmu8gA7vUML1n_s0WnPnMgNX7VcbclqP7TLPUe8IMlRhthjSWLrbMymg7zrxRpYLnZb54M45rBsNmc27e0FOifWtkI/s200/Olinka+Berova+-+Vengeance+of+She.PNG" width="150" /></a>The Vengeance of She is an initially promising follow-up to She. The opening scene of Carol walking down a mountain road in a white fur and high heels is certainly unexpected. Ditto for the song over the credits with lyrics like" "Oh, who is She?" The sudden demise of a lecherous trucker and Carol's uncanny silence add to the intrigue. But once the yacht lands in North Africa, it becomes clear that The Vengeance of She is a role-reversal rehash of the original. This time around, Ayesha is being summoned to Kuma while her immortal lover Killikrates awaits her. <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqZMRiOQL1LtEJWs_0JL94Si8_yLyaQBJywscInaK-Rq9rdiJAomuxgXGU_vK3umSG9XAuaA8CNfCl5-Jbvfs0UU0AWtCNX1wse0NnISaJ76R_FsmSF0PyT6mDcCYh4yO1yUPmr-dRtIg/s1600/Edward+Judd+-+Vengeance+of+She.PNG" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="443" data-original-width="365" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqZMRiOQL1LtEJWs_0JL94Si8_yLyaQBJywscInaK-Rq9rdiJAomuxgXGU_vK3umSG9XAuaA8CNfCl5-Jbvfs0UU0AWtCNX1wse0NnISaJ76R_FsmSF0PyT6mDcCYh4yO1yUPmr-dRtIg/s200/Edward+Judd+-+Vengeance+of+She.PNG" width="164" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;">Edward Judd as Philip.</td></tr> </tbody></table> While the cast isn't as strong as the one in She (e.g., no Peter Cushing), it makes the most of the mediocre material. Edward Judd, who was excellent in the earlier sci fi classic The Day the Earth the Caught Fire, makes for a serviceable hero. Derek Godfrey is appropriately despicable as the nasty high priest. And, as Killikrates, handsome John Richardson provides the link back to She. I have always found him to be an exceptionally dull leading man, although he gets one of the film's most memorable lines. Speaking of Ayesha, he notes: "She is mine and I have need of her." <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbDY0umJnyeyRl-KDHSp2ZqsPe6h-3u8GBEbuJjUM4V0hSbWkQyCBr9bVkpkqhtpLIe03R1JgAXjCvqIaGW5tXePuf6Xr2-9Xtuug9FlUdcjdOH0_-986huLn9Dz2Wu9DCYpsSh4Riq3U/s1600/Olinka+Berova+2+-+Vengeance+of+She.PNG" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="436" data-original-width="377" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbDY0umJnyeyRl-KDHSp2ZqsPe6h-3u8GBEbuJjUM4V0hSbWkQyCBr9bVkpkqhtpLIe03R1JgAXjCvqIaGW5tXePuf6Xr2-9Xtuug9FlUdcjdOH0_-986huLn9Dz2Wu9DCYpsSh4Riq3U/s200/Olinka+Berova+2+-+Vengeance+of+She.PNG" width="172" /></a>As the replacement for Ms. Andress, Olinka Berova certainly looked the part even if her thespian skills were suspect. The Czechoslovakian beauty's real name was Olga Schoberova (I don't know why Hammer thought Olinka was an improvement over Olga). She spent most of her acting career in European films. Her second husband, from 1972-92, was Warner Bros. executive John Calley, who received the Irving G. Thalberg Memorial Award during the 2009 Oscars ceremony. Actually, Hammer intended for Ursula Andress to star in the sequel, which was originally titled Ayesha--Daughter of She and then later The Return of She. However, Andress' contract expired before production could begin. Susan Denberg, another blonde beauty who later starred in Frankenstein Created Woman, was also considered for the title role. <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZzpRQGG8U2VCfQNc8HJHjCeJaWFwENYYHAwHFeX2DMBZupQ_Ddp9NIWziivam7_7G6FnASXPb6XKE-X07UE0hirLCsYup1bkAOYnkWdw3iufBcmBknUeJbIqIt_nHtlTLmXd3r8DzCS0/s1600/Vengeance+of+She+poster.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1252" data-original-width="1600" height="156" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZzpRQGG8U2VCfQNc8HJHjCeJaWFwENYYHAwHFeX2DMBZupQ_Ddp9NIWziivam7_7G6FnASXPb6XKE-X07UE0hirLCsYup1bkAOYnkWdw3iufBcmBknUeJbIqIt_nHtlTLmXd3r8DzCS0/s200/Vengeance+of+She+poster.jpg" width="200" /></a>The Vengeance of She is nowhere near as bad as some critics claim. It ultimately lacks originality, but one can say that about most sequels. It's certainly watchable, though the poster promises a lot more. It features Ms. Berova in a short, skimpy tunic wielding a whip with the tag line: "Kneel before She. The ultimate female who used her beauty to bring kingdoms to their downfall...and men to their knees." Here's a clip from our YouTube channel showing Ayesha's big entrance: <iframe allow="autoplay; encrypted-media" allowfullscreen="" frameborder="0" height="250" src="https://www.youtube.com/embed/ymQmW4uEWzQ" width="400"></iframe> <div style='clear: both;'></div> </div> <div class='post-footer'> <div class='post-footer-line post-footer-line-1'> Posted by <a href='https://www.blogger.com/profile/08358116647815569722' rel='author' title='author profile'> Rick29 </a> at <a class='timestamp-link' href='https://www.classicfilmtvcafe.com/2018/07/vengeance-of-she-film-review.html' rel='bookmark' title='permanent link'><abbr class='published' title='2018-07-01T22:55:00-04:00'>10:55 PM</abbr></a> <a class='comment-link' href='https://www.classicfilmtvcafe.com/2018/07/vengeance-of-she-film-review.html#comment-form' onclick=''>4 comments</a> <a href='https://www.blogger.com/email-post/5344878851139332715/7520218847804854593' title='Email Post'> <img alt="" class="icon-action" height="13" src="//img1.blogblog.com/img/icon18_email.gif" width="18"> </a> <a href='https://www.blogger.com/post-edit.g?blogID=5344878851139332715&postID=7520218847804854593&from=pencil' title='Edit Post'> <img alt='' class='icon-action' height='18' src='https://resources.blogblog.com/img/icon18_edit_allbkg.gif' width='18'/> </a> <div class='post-share-buttons goog-inline-block'> <a class='goog-inline-block share-button sb-email' href='https://www.blogger.com/share-post.g?blogID=5344878851139332715&postID=7520218847804854593&target=email' target='_blank' title='Email This'>Email This</a><a class='goog-inline-block share-button sb-blog' href='https://www.blogger.com/share-post.g?blogID=5344878851139332715&postID=7520218847804854593&target=blog' onclick='window.open(this.href, "_blank", "height=270,width=475"); return false;' target='_blank' title='BlogThis!'>BlogThis!</a><a class='goog-inline-block share-button sb-twitter' href='https://www.blogger.com/share-post.g?blogID=5344878851139332715&postID=7520218847804854593&target=twitter' target='_blank' title='Share to X'>Share to X</a><a class='goog-inline-block share-button sb-facebook' href='https://www.blogger.com/share-post.g?blogID=5344878851139332715&postID=7520218847804854593&target=facebook' onclick='window.open(this.href, "_blank", "height=430,width=640"); return false;' target='_blank' title='Share to Facebook'>Share to Facebook</a><a class='goog-inline-block share-button sb-pinterest' href='https://www.blogger.com/share-post.g?blogID=5344878851139332715&postID=7520218847804854593&target=pinterest' target='_blank' title='Share to Pinterest'>Share to Pinterest</a> </div> </div> <div class='post-footer-line post-footer-line-2'> Labels: <a href='https://www.classicfilmtvcafe.com/search/label/edward%20judd' rel='tag'>edward judd</a>, <a href='https://www.classicfilmtvcafe.com/search/label/hammer%20films' rel='tag'>hammer films</a>, <a href='https://www.classicfilmtvcafe.com/search/label/rick29%20%28author%29' rel='tag'>rick29 (author)</a>, <a href='https://www.classicfilmtvcafe.com/search/label/vengeance%20of%20she' rel='tag'>vengeance of she</a> </div> <div class='post-footer-line post-footer-line-3'> </div> </div> </div> </div> </div></div> <div class="date-outer"> <h2 class='date-header'>Wednesday, July 27, 2016</h2> <div class="date-posts"> <div class='post-outer'> <div class='post hentry'> <a name='984906963261319867'></a> <h3 class='post-title entry-title'> <a href='https://www.classicfilmtvcafe.com/2016/07/christopher-lee-rasputin-hammer-review.html'>Christopher Lee as Rasputin, the Mad Monk</a> </h3> <div class='post-header'> <div class='post-header-line-1'></div> </div> <div class='post-body entry-content' id='post-body-984906963261319867'> <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhX6I4WMlCg4jBKaZwgfqqBZ4D5wBgkSSPTHsdAK7-PC7OMGCX2Y9sgFesCBUpO3xRbQP3nC45KS8kT7b71WJfYT4eTkZwSfWFuXQbH4NINe1gVeM-MtGJjMPF64QPRfdlX91jW5IdWty06/s1600/Christopher+Lee+as+Rasputin.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhX6I4WMlCg4jBKaZwgfqqBZ4D5wBgkSSPTHsdAK7-PC7OMGCX2Y9sgFesCBUpO3xRbQP3nC45KS8kT7b71WJfYT4eTkZwSfWFuXQbH4NINe1gVeM-MtGJjMPF64QPRfdlX91jW5IdWty06/s1600/Christopher+Lee+as+Rasputin.jpg" width="194" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;">Christopher Lee as Rasputin.</td></tr> </tbody></table> Hammer Films and historical drama may sound like strange bedfellows. And yet, the British studio produced much more than just horror films, especially in the 1950s and 1960s. Its output also included suspense pictures, costume swashbucklers, comedies, and science fiction films. Still, even by Hammer's standards, Rasputin, the Mad Monk is something of an oddity. The film opens with Rasputin (Christopher Lee) using his healing powers to cure the critically-ill wife of a tavern owner. In the ensuing celebration, Rasputin tries to rape the innkeeper's daughter and chops off the hand of her boyfriend--though the latter act was in self-defense. The monk leaves the monastery and shows up in St. Petersburg, where he pairs up with a drunken physician. He also makes the acquaintance of Sonia (Barbara Shelley), a lady-in-waiting to the Tsarina. Though he's far from handsome (except for those Dracula-like eyes), she cannot resist Rasputin and becomes his lover. He later hypnotizes Sonia and compels her to injure the young prince, so Rasputin can heal the boy and became a member of the royal family's inner circle. <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKnvo4aXLuAlXznuKwAhe0snvOfdj5-xCsJ7EJPMA0Avs_Ae2ewL6BNDJN4_oJQE0DGjP4vyGpBb3ZYIIPfDGDaMBiSEQiexKa5rZXMe99NmTzuF06N_ZhZ_QunmqUh-U9YgMFQ3iAV0qG/s1600/Rasputin.JPG" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKnvo4aXLuAlXznuKwAhe0snvOfdj5-xCsJ7EJPMA0Avs_Ae2ewL6BNDJN4_oJQE0DGjP4vyGpBb3ZYIIPfDGDaMBiSEQiexKa5rZXMe99NmTzuF06N_ZhZ_QunmqUh-U9YgMFQ3iAV0qG/s1600/Rasputin.JPG" width="148" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;">The real Rasputin.</td></tr> </tbody></table> This plot is loosely based on real-life events involving the faith healer Grigori Rasputin, who became an influential friend to Tsar Nicholas II. Screenwriter Anthony Hinds was no doubt aware of MGM's legal troubles when it mounted its lavish Rasputin and the Empress in 1932. That film, which featured all three Barrymore siblings, was the subject of a libel lawsuit by Prince Yusupov (who allegedly participated in the assassination of Rasputin). Yusupov was still alive when Hammer made its version. Incidentally, the MGM lawsuit is largely credited with the following verbiage appearing in the credits of most movies: "This motion picture is a work of fiction and any resemblance to persons living or dead is purely coincidental." <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEih9MauoqUXFj7LekQTQsoCAsV6Kcaw7IM3G23lg9zzxJG2nRn1v5MHf3TuAdEQPqOygxBpx9dMoCe47zetqWSYxvuUHIc8SsAxKBDnak20akGA0cDZLEOQ3AevdyglTyomgRNioMZFQwRF/s1600/Rasputin+poster.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEih9MauoqUXFj7LekQTQsoCAsV6Kcaw7IM3G23lg9zzxJG2nRn1v5MHf3TuAdEQPqOygxBpx9dMoCe47zetqWSYxvuUHIc8SsAxKBDnak20akGA0cDZLEOQ3AevdyglTyomgRNioMZFQwRF/s1600/Rasputin+poster.jpg" width="132" /></a>On its own terms, Rasputin, the Mad Monk is a modest success. It was shot back-to-back with Hammer's Dracula, Prince of Darkness and features several of the same cast members (Lee, Shelley, Francis Matthews, and Suzan Farmer), plus some of the same sets (the frozen lake plays a key role in both films). Hammer lacked the budget to provide Rasputin with the necessary scope. In fact, for the longest time, I wasn't sure where the movie was supposed to take place because it sure didn't look like Russia (eventually, a character mentioned traveling to St. Petersburg). The ending is a definite letdown, apparently because a longer fight scene was cut from the final print. Christopher Lee gives a convincing portrayal as the title character. In a 1974 interview for Nightmare magazine, he said: "Probably one of the best performances I've ever given was as Rasputin in a Hammer film. If it had been made by another company as a serious picture, I think it might have helped me considerably, but it was made once again in the sort of Hammer-horror-mold and as such didn’t really benefit me very much." Interestingly, when Lee was a child, he met Prince Yusupov and as an adult, he met the real-life Rasputin's daughter. <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5_81S-kZEgEPoz1Bh5cqjuJRBuGE5HjJ0sas1BKCJkHYNi-MpFwCju7c1amxS9JlmL-YvARyksM99-faRN2j2eof5H0r5BGGE5ZXownLSHexdh3HeAwo3pDqk6A8loWHNgEzDaG529HWR/s1600/Barbara+Shelley.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5_81S-kZEgEPoz1Bh5cqjuJRBuGE5HjJ0sas1BKCJkHYNi-MpFwCju7c1amxS9JlmL-YvARyksM99-faRN2j2eof5H0r5BGGE5ZXownLSHexdh3HeAwo3pDqk6A8loWHNgEzDaG529HWR/s1600/Barbara+Shelley.jpg" width="133" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;">Barbara Shelley.</td></tr> </tbody></table> The other reason to see Rasputin, the Mad Monk is for Barbara Shelley's performance. The lovely red-haired actress rarely got roles worthy of her talent. She makes the most of her screen time as Sonia and convinces the audience that this intelligent woman could so easily fall under Rasputin's influence. For Hammer aficionados, Rasputin, the Mad Monk is required viewing. For others, though, it depends on whether you're in the mood for a malicious monk movie. <div style='clear: both;'></div> </div> <div class='post-footer'> <div class='post-footer-line post-footer-line-1'> Posted by <a href='https://www.blogger.com/profile/08358116647815569722' rel='author' title='author profile'> Rick29 </a> at <a class='timestamp-link' href='https://www.classicfilmtvcafe.com/2016/07/christopher-lee-rasputin-hammer-review.html' rel='bookmark' title='permanent link'><abbr class='published' title='2016-07-27T19:34:00-04:00'>7:34 PM</abbr></a> <a class='comment-link' href='https://www.classicfilmtvcafe.com/2016/07/christopher-lee-rasputin-hammer-review.html#comment-form' onclick=''>4 comments</a> <a href='https://www.blogger.com/email-post/5344878851139332715/984906963261319867' title='Email Post'> <img alt="" class="icon-action" height="13" src="//img1.blogblog.com/img/icon18_email.gif" width="18"> </a> <a href='https://www.blogger.com/post-edit.g?blogID=5344878851139332715&postID=984906963261319867&from=pencil' title='Edit Post'> <img alt='' class='icon-action' height='18' src='https://resources.blogblog.com/img/icon18_edit_allbkg.gif' width='18'/> </a> <div class='post-share-buttons goog-inline-block'> <a class='goog-inline-block share-button sb-email' href='https://www.blogger.com/share-post.g?blogID=5344878851139332715&postID=984906963261319867&target=email' target='_blank' title='Email This'>Email This</a><a class='goog-inline-block share-button sb-blog' href='https://www.blogger.com/share-post.g?blogID=5344878851139332715&postID=984906963261319867&target=blog' onclick='window.open(this.href, "_blank", "height=270,width=475"); return false;' target='_blank' title='BlogThis!'>BlogThis!</a><a class='goog-inline-block share-button sb-twitter' href='https://www.blogger.com/share-post.g?blogID=5344878851139332715&postID=984906963261319867&target=twitter' target='_blank' title='Share to X'>Share to X</a><a class='goog-inline-block share-button sb-facebook' href='https://www.blogger.com/share-post.g?blogID=5344878851139332715&postID=984906963261319867&target=facebook' onclick='window.open(this.href, "_blank", "height=430,width=640"); return false;' target='_blank' title='Share to Facebook'>Share to Facebook</a><a class='goog-inline-block share-button sb-pinterest' href='https://www.blogger.com/share-post.g?blogID=5344878851139332715&postID=984906963261319867&target=pinterest' target='_blank' title='Share to Pinterest'>Share to Pinterest</a> </div> </div> <div class='post-footer-line post-footer-line-2'> Labels: <a href='https://www.classicfilmtvcafe.com/search/label/barbara%20shelley' rel='tag'>barbara shelley</a>, <a href='https://www.classicfilmtvcafe.com/search/label/christopher%20lee' rel='tag'>christopher lee</a>, <a href='https://www.classicfilmtvcafe.com/search/label/hammer%20films' rel='tag'>hammer films</a>, <a href='https://www.classicfilmtvcafe.com/search/label/rasputin%20the%20mad%20monk' rel='tag'>rasputin the mad monk</a>, <a href='https://www.classicfilmtvcafe.com/search/label/rick29%20%28author%29' rel='tag'>rick29 (author)</a> </div> <div class='post-footer-line post-footer-line-3'> </div> </div> </div> </div> </div></div> <div class="date-outer"> <h2 class='date-header'>Monday, October 26, 2015</h2> <div class="date-posts"> <div class='post-outer'> <div class='post hentry'> <a name='4411653334959282918'></a> <h3 class='post-title entry-title'> <a href='https://www.classicfilmtvcafe.com/2015/10/hammer-dracula-films-best-worst.html'>Hammer's Dracula Films Ranked from Best to Worst</a> </h3> <div class='post-header'> <div class='post-header-line-1'></div> </div> <div class='post-body entry-content' id='post-body-4411653334959282918'> <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg41UGTnpW6bKKrnbrcF2oY9w_doK7RRoAOZVuIGy2-m34JXkYxAhJklTCDZiyEurOVS6PM7bhhvwxsZY8vZqIiDZebGbeKXHsZIl5lhZFvyRM8tqOXUftHbDiO0XWm590OpVXltfEtt_tJ/s1600/Brides+of+Dracula.JPG" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="131" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg41UGTnpW6bKKrnbrcF2oY9w_doK7RRoAOZVuIGy2-m34JXkYxAhJklTCDZiyEurOVS6PM7bhhvwxsZY8vZqIiDZebGbeKXHsZIl5lhZFvyRM8tqOXUftHbDiO0XWm590OpVXltfEtt_tJ/s200/Brides+of+Dracula.JPG" width="200" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;">David Peel as Baron Meinster.</td></tr> </tbody></table> 1. The Brides of Dracula (1960). This should be no surprise to readers of this blog. Indeed, I recently ranked Brides among my top five choices for the greatest horror films of all time. It's a first-rate affair from start to finish with strong performances, interesting themes, and an exciting, inventive climax. The only thing it's missing is Count Dracula--but David Peel's Baron Meinster is a worthy substitute. Less physically threatening than Christopher Lee's vampire, the charming, handsome Meinster may be a more dangerous adversary. One of the film's best scenes is when the sweet Marianne introduces her paternal friend Van Helsing (Peter Cushing) to her new boyfriend. <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkvcq0aRyynRSxYk005U75PgZZ1nYrxHifEEeoKrFRsbFsX8JUgBSs4rDpa1xbiCqAgvHRzga0orIiHIwD_ePiEN6COHQrqiZBo9Ihr8YC84bPTZ2WCqDxQiK-YV96OKFvq6mHCjshjvg9/s1600/Dracula+Has+Risen.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkvcq0aRyynRSxYk005U75PgZZ1nYrxHifEEeoKrFRsbFsX8JUgBSs4rDpa1xbiCqAgvHRzga0orIiHIwD_ePiEN6COHQrqiZBo9Ihr8YC84bPTZ2WCqDxQiK-YV96OKFvq6mHCjshjvg9/s200/Dracula+Has+Risen.jpg" width="200" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;">Dracula is staked--but not for long.</td></tr> </tbody></table> 2. Dracula Has Risen from the Grave (1968). Vastly underrated, this lively tale has a revived Dracula (Lee) seeking revenge against a Monsignor who has "desecrated" his ancestral home by performing an exorcism. The theme of religion combating the evil of vampirism is not an uncommon one, but rarely has it received such a rich treatment. The film also benefits from director Freddie Francis' brilliant cinematography, some fabulous rooftop sets, and a solid cast. Veronica Carlson may be the most fetching of all Hammer heroines (well, let's call it a tie with Caroline Munro..and Valerie Leon). <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdrgzy7o1YKNsP9Jc-Dg1YC2tbva5E9HF_-XGWRwVW55OoQWZ_bFa-r2nKYlZPh7HsZO_-uFKdqX5BkqhyphenhyphenbxmG32P_gg6jdXQqZWRFCqEyZImerZ4_nzUnZCwcGtNHJmJ7Y9-81yRw5xAZ/s1600/Horror+of+Dracula.PNG" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="151" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdrgzy7o1YKNsP9Jc-Dg1YC2tbva5E9HF_-XGWRwVW55OoQWZ_bFa-r2nKYlZPh7HsZO_-uFKdqX5BkqhyphenhyphenbxmG32P_gg6jdXQqZWRFCqEyZImerZ4_nzUnZCwcGtNHJmJ7Y9-81yRw5xAZ/s200/Horror+of+Dracula.PNG" width="200" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;">Van Helsing's makeshift crucifix.</td></tr> </tbody></table> 3. Horror of Dracula (aka Dracula) (1958). The one that started it all is an effective adaptation of Bram Stoker's novel. The opening scenes with Jonathan Harker at Castle Dracula and the climatic confrontation between Dracula and Van Helsing are marvelous. My only complaint is that the pacing drags in the middle when the action shifts to England. Still, it set the standard not only for the rest of the Dracula series, but for all the Hammer vampire films that followed it. James Bernard's exceptional score would become very familiar to Hammer fans. <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhck7_4pM0WKqhSdlLXDn76O4Aa515pOZzR4gBzm3Bu2saURJn0Q5ZDeEGSMhyfMIvMVmklcSiEGjrqwWkUmeJTUwB0BREWQHHSuqUbt4GDnDXiZRslqhq3G9ky33OEneldVv7afsOrM0d_/s1600/John+Forbes+Robertson.PNG" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="191" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhck7_4pM0WKqhSdlLXDn76O4Aa515pOZzR4gBzm3Bu2saURJn0Q5ZDeEGSMhyfMIvMVmklcSiEGjrqwWkUmeJTUwB0BREWQHHSuqUbt4GDnDXiZRslqhq3G9ky33OEneldVv7afsOrM0d_/s200/John+Forbes+Robertson.PNG" width="200" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;">John Forbes Robertson as Dracula.</td></tr> </tbody></table> 4. The Legend of the 7 Golden Vampires (1974). Who would have thought that a mashup of vampires, kung fu, and The Seven Samurai would be so much fun? When Dracula and some unconventional vampires take over a small Chinese village, its residents send for visiting lecturer Van Helsing (Cushing). The journey to the village, punctuated by some well-staged fight scenes, sets the table for an all-out climax that ends with another Dracula-Van Helsing face-off. Be sure to skip the heavily re-edited version called The 7 Brothers Meet Dracula. <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDSq0wSYODARlrs5mjsuvplloQTy5KnADcUtN-OUj-IKVWGY5vTfO1a8GApJ7aWpA9Q-9puOJw5bANgLqLHN1zf96ohGRzs1jUYHB1zj6n75eGxQ7N5-SfcZY8hqOx6nRdGdfc8mhvIzaf/s1600/Barbara+Shelley+Dracula+Prince+of+Darkness.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDSq0wSYODARlrs5mjsuvplloQTy5KnADcUtN-OUj-IKVWGY5vTfO1a8GApJ7aWpA9Q-9puOJw5bANgLqLHN1zf96ohGRzs1jUYHB1zj6n75eGxQ7N5-SfcZY8hqOx6nRdGdfc8mhvIzaf/s200/Barbara+Shelley+Dracula+Prince+of+Darkness.jpg" width="163" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;">Barbara Shelley as a vampire.</td></tr> </tbody></table> 5. Dracula: Prince of Darkness (1964). Although well-made and sporting an impressive cast, the direct sequel to Horror of Dracula lacks inspiration. Christopher Lee seldom has much dialogue in the Dracula films, but, in this one, he has none! The premise, which injects attractive English tourists into the Transylvanian landscape, seems recycled from the previous year's superior Kiss of the Vampire. Still, there are some nice touches, such as how Barbara Shelley goes from a dull lass to a smoking-hot vampire. <div style="text-align: right;"> </div> <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuOJZiiYpwJI8X-d9r59EI-V7LQSsecc-2T74737mz3ho0bukvbvwlGCjguSlBFCqEfcOjbglbpSQOkh3wLRMKbB4FF6hTx-m5nrZWhxTTpM_y8hPMT0ytWnNn0CJ0wcU1hSdTw6IS9uyE/s1600/Scars+of+Dracula.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuOJZiiYpwJI8X-d9r59EI-V7LQSsecc-2T74737mz3ho0bukvbvwlGCjguSlBFCqEfcOjbglbpSQOkh3wLRMKbB4FF6hTx-m5nrZWhxTTpM_y8hPMT0ytWnNn0CJ0wcU1hSdTw6IS9uyE/s200/Scars+of+Dracula.jpg" width="175" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;">Lee strikes an imposing pose.</td></tr> </tbody></table> 6. Scars of Dracula (1970). An improvement over the same year's Taste the Blood of Dracula, the sixth film in the series offers little of interest other than a flashy finale and a creepy shot of Dracula climbing down a castle wall, face first, as he did in Bram Stoker's novel. In The Films of Christopher Lee, the actor said: "Instead of writing a story around the character (Dracula), they wrote a story and fit the character into it." <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaNo_AvNoP1fqzASEiNObAAtSemOLlkaPlQ8EeRE4S2kKVid5JVMIuXSmZM2HNqfxD7xWJlvfi_LTYjy-gCq92E8lcjrvVa-8-hUTgJgD33LGeM0NITXHW5jJbBId2RTcJ8DEi0g9QDYH9/s1600/Satanic+Rites.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaNo_AvNoP1fqzASEiNObAAtSemOLlkaPlQ8EeRE4S2kKVid5JVMIuXSmZM2HNqfxD7xWJlvfi_LTYjy-gCq92E8lcjrvVa-8-hUTgJgD33LGeM0NITXHW5jJbBId2RTcJ8DEi0g9QDYH9/s1600/Satanic+Rites.jpg" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;">Count Dracula--corporate CEO.</td></tr> </tbody></table> 7. The Satanic Rites of Dracula (1973). As modern-day variations go, I like the idea of Count Dracula as a businessman who recruits four influential blokes to help him take over the world. I don't like the idea of Drac releasing a strain of bubonic plague as some kind of revenge on mankind. The resulting film reminds me of a lesser episode of The Avengers that sorely needs Steed and Mrs. Peel. <div class="separator" style="clear: both; text-align: center;"> </div> <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNQ7nR1cXl3DoEFEGUDWJuAYEg8uxwOa1bCumTabirFsLUDNwIIAlHZY4y3V1cMcc-b0rGq16hwv_XY5o4XKFP9mzaMSwtDtmn1zXwpWgRI97NXdoP5ce311FIOMeynJAUhPeioYguJEob/s1600/Dracula+AD+1972.PNG" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNQ7nR1cXl3DoEFEGUDWJuAYEg8uxwOa1bCumTabirFsLUDNwIIAlHZY4y3V1cMcc-b0rGq16hwv_XY5o4XKFP9mzaMSwtDtmn1zXwpWgRI97NXdoP5ce311FIOMeynJAUhPeioYguJEob/s200/Dracula+AD+1972.PNG" width="183" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;">Cushing as a Van Helsing descendant.</td></tr> </tbody></table> 8. Dracula A.D. 1972 (1972). My main problem with this entry is that it came two years too late. The 1970 Count Yorga, Vampire had already mixed vampires and contemporary youths. Hence, there was nothing jarring about seeing Count Dracula in modern-day London. The film does get credit for pairing Lee's Dracula and Cushing's Van Helsing (a Van Helsing descendant actually) for the first time since the 1958 original. <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh24jhpENFgi2qZRNCd_Im0BvgKCRXAOByz24mQcWb-i0a4WtJ1WDyukxMsV_AhAFfpfLDpYNfameGLm8-ic2JvjCKETO5xGa8_IwtulRQ7lloM_gbBQ3dbVS8yHKFsWPrGyCCHw4sxC8pW/s1600/Taste+the+Blood+of+Dracula.PNG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="191" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh24jhpENFgi2qZRNCd_Im0BvgKCRXAOByz24mQcWb-i0a4WtJ1WDyukxMsV_AhAFfpfLDpYNfameGLm8-ic2JvjCKETO5xGa8_IwtulRQ7lloM_gbBQ3dbVS8yHKFsWPrGyCCHw4sxC8pW/s200/Taste+the+Blood+of+Dracula.PNG" width="200" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;">Dracula on the verge of being destroyed.</td></tr> </tbody></table> 9. Taste the Blood of Dracula (1970). There was no Dracula in the original film treatment for this fifth series installment. The intention was for Ralph Bates' character to be killed and then resurrected as a vampire to avenge his death. However, when Christopher Lee agreed to appear in the film, the script was rewritten and Bates' character stayed dead--with Dracula avenging him. The premise, which revolves around a sort of Hellfire Club, is initially interesting. However, it soon evolves into a straight revenge tale and ties Satanic Rites for the worst climax in the series. <div style='clear: both;'></div> </div> <div class='post-footer'> <div class='post-footer-line post-footer-line-1'> Posted by <a href='https://www.blogger.com/profile/08358116647815569722' rel='author' title='author profile'> Rick29 </a> at <a class='timestamp-link' href='https://www.classicfilmtvcafe.com/2015/10/hammer-dracula-films-best-worst.html' rel='bookmark' title='permanent link'><abbr class='published' title='2015-10-26T06:05:00-04:00'>6:05 AM</abbr></a> <a class='comment-link' href='https://www.classicfilmtvcafe.com/2015/10/hammer-dracula-films-best-worst.html#comment-form' onclick=''>12 comments</a> <a href='https://www.blogger.com/email-post/5344878851139332715/4411653334959282918' title='Email Post'> <img alt="" class="icon-action" height="13" src="//img1.blogblog.com/img/icon18_email.gif" width="18"> </a> <a href='https://www.blogger.com/post-edit.g?blogID=5344878851139332715&postID=4411653334959282918&from=pencil' title='Edit Post'> <img alt='' class='icon-action' height='18' src='https://resources.blogblog.com/img/icon18_edit_allbkg.gif' width='18'/> </a> <div class='post-share-buttons goog-inline-block'> <a class='goog-inline-block share-button sb-email' href='https://www.blogger.com/share-post.g?blogID=5344878851139332715&postID=4411653334959282918&target=email' target='_blank' title='Email This'>Email This</a><a class='goog-inline-block share-button sb-blog' href='https://www.blogger.com/share-post.g?blogID=5344878851139332715&postID=4411653334959282918&target=blog' onclick='window.open(this.href, "_blank", "height=270,width=475"); return false;' target='_blank' title='BlogThis!'>BlogThis!</a><a class='goog-inline-block share-button sb-twitter' href='https://www.blogger.com/share-post.g?blogID=5344878851139332715&postID=4411653334959282918&target=twitter' target='_blank' title='Share to X'>Share to X</a><a class='goog-inline-block share-button sb-facebook' href='https://www.blogger.com/share-post.g?blogID=5344878851139332715&postID=4411653334959282918&target=facebook' onclick='window.open(this.href, "_blank", "height=430,width=640"); return false;' target='_blank' title='Share to Facebook'>Share to Facebook</a><a class='goog-inline-block share-button sb-pinterest' href='https://www.blogger.com/share-post.g?blogID=5344878851139332715&postID=4411653334959282918&target=pinterest' target='_blank' title='Share to Pinterest'>Share to Pinterest</a> </div> </div> <div class='post-footer-line post-footer-line-2'> Labels: <a href='https://www.classicfilmtvcafe.com/search/label/brides%20of%20dracula' rel='tag'>brides of dracula</a>, <a href='https://www.classicfilmtvcafe.com/search/label/christopher%20lee' rel='tag'>christopher lee</a>, <a href='https://www.classicfilmtvcafe.com/search/label/dracula%20has%20risen%20from%20the%20grave' rel='tag'>dracula has risen from the grave</a>, <a href='https://www.classicfilmtvcafe.com/search/label/hammer%20films' rel='tag'>hammer films</a>, <a href='https://www.classicfilmtvcafe.com/search/label/horror%20of%20dracula' rel='tag'>horror of dracula</a>, <a href='https://www.classicfilmtvcafe.com/search/label/peter%20cushing' rel='tag'>peter cushing</a>, <a href='https://www.classicfilmtvcafe.com/search/label/rick29%20%28author%29' rel='tag'>rick29 (author)</a> </div> <div class='post-footer-line post-footer-line-3'> </div> </div> </div> </div> </div></div> <div class="date-outer"> <h2 class='date-header'>Monday, October 27, 2014</h2> <div class="date-posts"> <div class='post-outer'> <div class='post hentry'> <a name='1160954387180805288'></a> <h3 class='post-title entry-title'> <a href='https://www.classicfilmtvcafe.com/2014/10/you-cant-keep-good-mummy-down.html'>You Can't Keep a Good Mummy Down</a> </h3> <div class='post-header'> <div class='post-header-line-1'></div> </div> <div class='post-body entry-content' id='post-body-1160954387180805288'> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEim71qJU0XnV8qL643HTBjzMjCYO7pv6-NlA9fD9qy9W437uoXlmqU_sDTWOLArnI74aT3kJxahLjShUN4JNQzHqO1JaR1-rKFLb1nbB25VfnvsABpq1JKgtQvR99XakWLVju7VUTBFlqbF/s1600/Christopher+Lee+Mummy+close-up.PNG" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEim71qJU0XnV8qL643HTBjzMjCYO7pv6-NlA9fD9qy9W437uoXlmqU_sDTWOLArnI74aT3kJxahLjShUN4JNQzHqO1JaR1-rKFLb1nbB25VfnvsABpq1JKgtQvR99XakWLVju7VUTBFlqbF/s1600/Christopher+Lee+Mummy+close-up.PNG" width="173" /></a>As monsters go, I've never been a big Mummy fan. After all, the Mummy basically follows orders, kills people, and walks...very...slowly. For some reason, people tend to fall down a lot when he's stalking them. Otherwise, I'm not sure the Mummy would be very effective at accomplishing his deadly tasks. <div> </div> <div> Still, I am a fan of Hammer Films' The Mummy (1959), which features an imposing Christopher Lee as possibly cinema's most fleet-footed mummified monster. This version is not a remake of the interesting, but plodding, 1932 Boris Karloff original. It does borrow some elements, but Jimmy Sangster's script also gleefully dips into other Universal Mummy movies. In the end, it's sort of a "Best of the Mummy" and that works surprisingly well.</div> <div> </div> <div> The plot begins in 1895 with three British archaeologists discovering the tomb of Princess Ananka. When left alone in the tomb, elderly Stephen Banning (Felix Aylmer) reads the scroll of life and inadvertently revives a mummy called Kharis. Banning suffers a stroke and winds up back in England in the Engerfield Nursing Home for the Mentally Disordered. He never says a word to anyone for three years. </div> <div> </div> <div> <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2RukNkgXSbHWG_rymcFo0saUMNDIJCipFC9mB9EMueLfJOSm1rThnRgkq2wliO8LtKQd160X5pwSowlCMotZVUtd4-eiUmM41-rVQlYjLW3T3Pkj0JOOv3gQ8aHe_aM9iv6WRxWD0rvZP/s1600/Muddy+mummy.PNG" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2RukNkgXSbHWG_rymcFo0saUMNDIJCipFC9mB9EMueLfJOSm1rThnRgkq2wliO8LtKQd160X5pwSowlCMotZVUtd4-eiUmM41-rVQlYjLW3T3Pkj0JOOv3gQ8aHe_aM9iv6WRxWD0rvZP/s1600/Muddy+mummy.PNG" width="190" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;">An atmospheric shot of the Mummy emerging from a bog.</td></tr> </tbody></table> Hence, his son John (Peter Cushing) is surprised when he learns his father wants to see him. Dad tells John that there's a mummy roaming the English countryside. John doesn't believe him until the elderly Banning is found strangled in his room at the nursing home--the bars to his window bent like putty.</div> <div> </div> <div> As mentioned earlier, many familiar plot elements are interwoven into Hammer's The Mummy. There's the sinister Egyptian scholar who wants to punish the men who desecrated Princess Ananka's tomb. There's the expected reincarnation subplot, this time involving Banning's wife (French actress Yvonne Furneau).  And there's a lengthy flashback that explains how Kharis, a high priest to Ananka, became a vengeful mummy.</div> <div> </div> <div> <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-0hDi3cc8TuVrAFBGaGXOHKVKyXkF5OnCUKijBT-GvywKayoAbVwAziJrE_SYzW6QiPpPgter41VEvzQwcko_AvnsgtsvjkePD4CgSGI2AsFKiBCS0lcsmTtyjv2l6UAl0DrjhWc53H6p/s1600/Mummy+through+doors.PNG" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-0hDi3cc8TuVrAFBGaGXOHKVKyXkF5OnCUKijBT-GvywKayoAbVwAziJrE_SYzW6QiPpPgter41VEvzQwcko_AvnsgtsvjkePD4CgSGI2AsFKiBCS0lcsmTtyjv2l6UAl0DrjhWc53H6p/s1600/Mummy+through+doors.PNG" width="177" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;">Apparently, Mummies don't knock.</td></tr> </tbody></table> However, director Terence Fisher freshens up The Mummy with two marvelous set-pieces and some atmospheric visuals of the formidable monster traipsing through the English countryside. The film's best scene has Kharis bursting through the double doors of Banning's stately manor and killing a relative as Banning fires bullets into the impervious creature. A similar later scene is just as effective when Kharis plunges through a floor-length glass window and shrugs off two blasts from a shotgun. </div> <div> </div> <div> <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrBUl6mbPPWCxQYP9uH3twvuQvMuZOs7aExbWc65-JzSAwb9ET1qDwUQEeT_VRT_LumnbqFWoSgjDm4GI3m4lSCOzGlDeInPomgA5PGhyuaAIDQONUqtb0rrGtx3dbgVK-Qno_enza9H2H/s1600/Peter+Cushing+in+The+Mummy.PNG" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrBUl6mbPPWCxQYP9uH3twvuQvMuZOs7aExbWc65-JzSAwb9ET1qDwUQEeT_VRT_LumnbqFWoSgjDm4GI3m4lSCOzGlDeInPomgA5PGhyuaAIDQONUqtb0rrGtx3dbgVK-Qno_enza9H2H/s1600/Peter+Cushing+in+The+Mummy.PNG" width="186" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;">The reliable Peter Cushing.</td></tr> </tbody></table> As he did in Hammer's Dracula films, Cushing brings intelligence and physicality to his role as a monster adversary. But more than that, he brings conviction to the point that his character can discuss a living mummy committing murders and not sound silly. As the Mummy, 6' 5" Christopher Lee makes a pretty scary monster, assisted by effective make-up and those penetrating eyes. He gets some face time, too, as Kharis in the flashback sequence.</div> <div> </div> <div> It's a shame that the budget prevented on-location filming for the Egypt footage. It's woefully apparent that these scenes were shot indoors. On the other hand, set designer Bernard Robinson creates some highly effective sets for the scenes taking place in England.</div> <div> <div style="text-align: right;"> </div> </div> <div> <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSsuHKUx-29eo2AXYDugosM8pRGZ6cCkRKOBWanodUx1plTJqT5RUtUKVtkx7UaHtLlkBwxmF7xcAIorg6WA9JLVh_qke_z7t8S06BRIWp4ocEMzPMXhagZRLsw5wZqvFiO6GUZVZZCD8S/s1600/Valerie.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSsuHKUx-29eo2AXYDugosM8pRGZ6cCkRKOBWanodUx1plTJqT5RUtUKVtkx7UaHtLlkBwxmF7xcAIorg6WA9JLVh_qke_z7t8S06BRIWp4ocEMzPMXhagZRLsw5wZqvFiO6GUZVZZCD8S/s1600/Valerie.jpg" width="165" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;">Valerie Leon--she's no mummy!</td></tr> </tbody></table> The Mummy doesn't belong in Hammer's top tier of films (which includes the likes of Brides of Dracula, Frankenstein Must Be Destroyed, and The Devil Rides Out). That said, it's a very satisfying take on the Mummy pantheon and recommended for horror fans. Hammer made three sequels (of sorts). Skip The Curse of the Mummy's Tomb (1964) and The Mummy's Shroud (1967) and go straight to Blood from the Mummy's Tomb (1971). In lieu of a mummy, you get the stunning Valerie Leon in an intriguing adaptation of Bram Stoker's novel The Jewel of the Seven Stars.</div> <div> </div> <div style='clear: both;'></div> </div> <div class='post-footer'> <div class='post-footer-line post-footer-line-1'> Posted by <a href='https://www.blogger.com/profile/08358116647815569722' rel='author' title='author profile'> Rick29 </a> at <a class='timestamp-link' href='https://www.classicfilmtvcafe.com/2014/10/you-cant-keep-good-mummy-down.html' rel='bookmark' title='permanent link'><abbr class='published' title='2014-10-27T00:30:00-04:00'>12:30 AM</abbr></a> <a class='comment-link' href='https://www.classicfilmtvcafe.com/2014/10/you-cant-keep-good-mummy-down.html#comment-form' onclick=''>1 comments</a> <a href='https://www.blogger.com/email-post/5344878851139332715/1160954387180805288' title='Email Post'> <img alt="" class="icon-action" height="13" src="//img1.blogblog.com/img/icon18_email.gif" width="18"> </a> <a href='https://www.blogger.com/post-edit.g?blogID=5344878851139332715&postID=1160954387180805288&from=pencil' title='Edit Post'> <img alt='' class='icon-action' height='18' src='https://resources.blogblog.com/img/icon18_edit_allbkg.gif' width='18'/> </a> <div class='post-share-buttons goog-inline-block'> <a class='goog-inline-block share-button sb-email' href='https://www.blogger.com/share-post.g?blogID=5344878851139332715&postID=1160954387180805288&target=email' target='_blank' title='Email This'>Email This</a><a class='goog-inline-block share-button sb-blog' href='https://www.blogger.com/share-post.g?blogID=5344878851139332715&postID=1160954387180805288&target=blog' onclick='window.open(this.href, "_blank", "height=270,width=475"); return false;' target='_blank' title='BlogThis!'>BlogThis!</a><a class='goog-inline-block share-button sb-twitter' href='https://www.blogger.com/share-post.g?blogID=5344878851139332715&postID=1160954387180805288&target=twitter' target='_blank' title='Share to X'>Share to X</a><a class='goog-inline-block share-button sb-facebook' href='https://www.blogger.com/share-post.g?blogID=5344878851139332715&postID=1160954387180805288&target=facebook' onclick='window.open(this.href, "_blank", "height=430,width=640"); return false;' target='_blank' title='Share to Facebook'>Share to Facebook</a><a class='goog-inline-block share-button sb-pinterest' href='https://www.blogger.com/share-post.g?blogID=5344878851139332715&postID=1160954387180805288&target=pinterest' target='_blank' title='Share to Pinterest'>Share to Pinterest</a> </div> </div> <div class='post-footer-line post-footer-line-2'> Labels: <a href='https://www.classicfilmtvcafe.com/search/label/christopher%20lee' rel='tag'>christopher lee</a>, <a href='https://www.classicfilmtvcafe.com/search/label/halloween%20horror%20week' rel='tag'>halloween horror week</a>, <a href='https://www.classicfilmtvcafe.com/search/label/hammer%20films' rel='tag'>hammer films</a>, <a href='https://www.classicfilmtvcafe.com/search/label/mummy%20%281959%29' rel='tag'>mummy (1959)</a>, <a href='https://www.classicfilmtvcafe.com/search/label/peter%20cushing' rel='tag'>peter cushing</a>, <a href='https://www.classicfilmtvcafe.com/search/label/rick29%20%28author%29' rel='tag'>rick29 (author)</a>, <a href='https://www.classicfilmtvcafe.com/search/label/terence%20fisher' rel='tag'>terence fisher</a> </div> <div class='post-footer-line post-footer-line-3'> </div> </div> </div> </div> </div></div> <div class="date-outer"> <h2 class='date-header'>Thursday, September 4, 2014</h2> <div class="date-posts"> <div class='post-outer'> <div class='post hentry'> <a name='8256038936697876439'></a> <h3 class='post-title entry-title'> <a href='https://www.classicfilmtvcafe.com/2014/09/an-interview-with-hammer-films-star.html'>An Interview with Hammer Films Star Veronica Carlson </a> </h3> <div class='post-header'> <div class='post-header-line-1'></div> </div> <div class='post-body entry-content' id='post-body-8256038936697876439'> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEio6HuLdfygXqYtnoUdbBqSSVWlvwRAIR_q8k2xrVGVC6Ou204pyHaYGwRKXumNGuTJ9eN6yDx_D5vFgg4O-B4v61TeXG15HM_0AIqA-ge3Fmh9K_U0jgrv2u5iY2S-uKUMNBW4uYUzD9rB/s1600/Veronica+first+puc.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEio6HuLdfygXqYtnoUdbBqSSVWlvwRAIR_q8k2xrVGVC6Ou204pyHaYGwRKXumNGuTJ9eN6yDx_D5vFgg4O-B4v61TeXG15HM_0AIqA-ge3Fmh9K_U0jgrv2u5iY2S-uKUMNBW4uYUzD9rB/s1600/Veronica+first+puc.jpg" width="160" /></a>The only female lead to play opposite Christopher Lee's Count Dracula and Peter Cushing's Dr. Frankenstein, Veronica Carlson is a true Hammer Films icon. She made her Hammer debut in 1968 with <a href="http://www.classicfilmtvcafe.com/2009/10/31-days-of-halloween-christopher-lee-at.html" target="_blank">Dracula Has Risen from the Grave</a>, one of the studio's best vampire films. The talented, blonde-haired actress followed it with the equally-impressive <a href="http://www.classicfilmtvcafe.com/2009/10/31-days-of-halloween-peter-cushing-at.html" target="_blank">Frankenstein Must Be Destroyed</a> (1969) and the dark comedy Horror of Frankenstein (1970). Today, the still radiant Ms. Carlson lives in the U.S. and remains in high demand for film convention appearances. She also paints portraits, several of which have been auctioned for charity. Caf茅: How did you go from modeling to acting? <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQqzvEH-FLK0_juBKWHaPJakXTSk39-gKs5XGAFrlj4kS9QdbWNuDgBAxezp-hvvtIcSBNYL2AGSUIKzMzcytLusZvoNi7IweJ_kYr0RQZSfolmvI1H7j40RXyJbi_l9rdcj4yuaKCrVTd/s1600/veronica+bikini+2.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQqzvEH-FLK0_juBKWHaPJakXTSk39-gKs5XGAFrlj4kS9QdbWNuDgBAxezp-hvvtIcSBNYL2AGSUIKzMzcytLusZvoNi7IweJ_kYr0RQZSfolmvI1H7j40RXyJbi_l9rdcj4yuaKCrVTd/s1600/veronica+bikini+2.jpg" width="149" /></a>Veronica Carlson: I had a photograph of me coming out of the waves in a white bikini on the front page of a tabloid newspaper. Jimmy Carreras (a Hammer executive) saw that photograph and said he wanted me in his next Hammer movie. So, I went for an audition and I ended up with Dracula Has Risen from the Grave.  Caf茅: Had you seen any Hammer films before that movie? VC: I was a great fan of Hammer. When I went to college--which I did at 16--and before I went to college, I loved Hammer movies. My friends in college loved them, too. There was one occasion when we knew there was a new Hammer film coming out and two or three of us just decided to skip class that day and go see it. We couldn't wait for the evening show, because we also had evening classes. We decided the better class to skip was the afternoon one, so we did. In those days, there were two films and, prior to the second one coming up, we looked around the theater and half the class was there--and unfortunately, so was the professor. He stood up and said: "I shall expect all of you back in class later when you've watched the film. But don't forget, that I've already passed my exams. You've still got yours to go." He let us off with a rather stern warning. But that's how popular Hammer films were and how much we enjoyed them. <div> </div> Caf茅: Who came up with the idea for the marvelous rooftop sequences in Dracula Has Risen from the Grave? <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhq6rX-p4iqcjucFuA50BcGIxlxFTxf0gK22f6QxdnLfztWGtSksgSnJmLdISP2gXOYSX7PkdXDLBj068W2d1m8RTl8nLJ_LvLrmJ3HpYdKlsyWnQ49nJQ8ZmFazwxdCNPzlHpzJAGr3GmP/s1600/rooftops.PNG" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="173" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhq6rX-p4iqcjucFuA50BcGIxlxFTxf0gK22f6QxdnLfztWGtSksgSnJmLdISP2gXOYSX7PkdXDLBj068W2d1m8RTl8nLJ_LvLrmJ3HpYdKlsyWnQ49nJQ8ZmFazwxdCNPzlHpzJAGr3GmP/s1600/rooftops.PNG" width="200" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;">On the rooftops in Dracula Has Risen from the Grave.</td></tr> </tbody></table> VC: I think it was in the script and the sets were absolutely extraordinary. Of course, the only way my character could get from her house to see her boyfriend was to go across the rooftops, so people wouldn't see her as they walked through the street. The sets didn't look very high. As you're on the ground looking up, you think: "Oh, that's not bad. " But then when you were up there, looking down, it seemed an awful lot higher--but I enjoyed doing those scenes. Caf茅: Were there any particular challenges for the actors? VC: The only setting I was really nervous about was when I was being carried up to the castle on that mountain. It was in the studio. Christopher's (Lee) stunt double, Eddie Powell, carried me and my head was hanging over the precipice. I was very well aware of this and I was trying not to stiffen up in Eddie's arms to make it difficult. That one did make me nervous. Another thing that made me nervous was careening through the woods at the top of that carriage trying not to fall off. I gripped the bar on the coach tightly with my hands. None of it was perilous, of course. They didn't put us in any danger. Caf茅: You co-starred with Hammer's two biggest stars: Christopher Lee and Peter Cushing. What was it like working with them? <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvaiWi2qDm6zgyi6t7dHaWuQKi35xQh_kOtBtSqOAbx3h66VQXhVpeUcqmq1VqNdtpZqY3_iKEe1T0qkkdyAg5ibAieqrL1tg-sl613Cmi0jzPkkcOgndAz7xQ-PJoARMs0GopbDdJ3Zy-/s1600/Veronica+eye+line.PNG" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="169" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvaiWi2qDm6zgyi6t7dHaWuQKi35xQh_kOtBtSqOAbx3h66VQXhVpeUcqmq1VqNdtpZqY3_iKEe1T0qkkdyAg5ibAieqrL1tg-sl613Cmi0jzPkkcOgndAz7xQ-PJoARMs0GopbDdJ3Zy-/s1600/Veronica+eye+line.PNG" width="200" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;">The scene where Christopher Lee provided the "eye line."</td></tr> </tbody></table> VC: It was a joy. You make assumptions about people and I found how wrong I was. I expected Christopher to be a very aristocratic, rather aloof, dignified man. I was a bit afraid to approach him, but I found him to be the exact opposite. He was very approachable. He was not aloof. He is very dignified. He's got such an aristocratic air and look about him, but he was so kind and so thoughtful in every thing that we did together. He discussed things with me. He asked if I liked the thought of doing something a certain way. I must have thought he was very nice, because I asked him if he would sit for a portrait and he agreed to do so. In thirty-five minutes, I did a sketch of him. He has a lovely, dignified face. That shows you how relaxed I was around him. He gave me an eye line, too, during the filming of Dracula Has Risen from the Grave and I'll never forget that. I was supposed to be looking up, having been thrown to the ground and kidnapped by the lady in the pub. I was to look up and see Dracula and (director) Freddie Francis held up his hand behind the camera and said: "This is your eye line." And then this beautiful voice said: "No, Freddie, I will be her eye line." And Christopher stood right there and he acted off camera as if he was on camera. He gave me all the impetus and input into my reaction. I've never forgotten that. I have always been so very grateful. That moment, I felt true fear. You can't act to a hand. That shows the kind, thoughtful man that Christopher Lee really is. Caf茅: What about Peter Cushing? I know you're a big fan of his. <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2cCsVYj-F3ykIMz74G_izHNAtaeCdXLJMYcDqh4vGJpuedXM40Yq5jb-8UovtD51xiT4DZfuDMyHYRVKJCOIkPwzpWnaewRKcpPf0CzsWlvLpKms9-lGWnzyqGXg94XpnIjA7dQKTjo6N/s1600/Peter-Veronica.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2cCsVYj-F3ykIMz74G_izHNAtaeCdXLJMYcDqh4vGJpuedXM40Yq5jb-8UovtD51xiT4DZfuDMyHYRVKJCOIkPwzpWnaewRKcpPf0CzsWlvLpKms9-lGWnzyqGXg94XpnIjA7dQKTjo6N/s1600/Peter-Veronica.jpg" width="160" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;">Veronica with Peter Cushing.</td></tr> </tbody></table> VC: Everybody is. Every convention I go to, I'm asked about Peter. People wish they could have met him or they were lucky to have once met him. Peter was a sweet, lovely man to work with. I even introduced him to my parents. It's impossible not to love Peter. He was one of the kindest, most sensitive people I have ever met in my life. He got me through that awful rape scene that was thrown into Frankenstein Must Be Destroyed. We worked on that together and he resolved the problems as best he possibly could. Anyway, that's another story. Caf茅: One of the best sequences in any Hammer film is in Frankenstein Must Be Destroyed, when the water pipe bursts in the garden and exposes a corpse. How did you prepare for this scene? <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhamMLufynmIySrSvtXsw-kK5WKb9JGzHsy7KnEUBT0mWmidxegEuOKaDupYfgGWS_l0MN8xZmdBDNjjs6MZOmvKrQ85EwEXxNi553XevBc_0Mv8kytqHpxR_qIzgYf4Mg2MlzMYYAyEI_R/s1600/Veronica+wet+hair.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhamMLufynmIySrSvtXsw-kK5WKb9JGzHsy7KnEUBT0mWmidxegEuOKaDupYfgGWS_l0MN8xZmdBDNjjs6MZOmvKrQ85EwEXxNi553XevBc_0Mv8kytqHpxR_qIzgYf4Mg2MlzMYYAyEI_R/s1600/Veronica+wet+hair.jpg" width="166" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;">Drenched in water for perhaps the second time.</td></tr> </tbody></table> VC:  I didn't really. I knew what was going to happen. The fire department was there. I had to run in completely dressed and dry and just go through it. And, of course, when the force of that water hits you, it takes your breath away and you just take it from there. But George Pravda (Dr. Brandt) had to be put on a board with ropes to help me pull him. I didn't have the strength to pull him out of that mud. I had gotten so cold that I had to go to Roger Moore's dressing room. His dressing room had the deepest bath in it. He was away filming so I was allowed to soak in the bath to get my my body temperature back up because I was so very cold. I thought my teeth were going to break, they were shattering so hard. When I had to do the scene where I was screaming at my poor neighbor, they had to water me down with a watering can. I said: "Well, I hope you've made it warm water." "No, that's not a good idea," they said. "It has to be cold, because otherwise you'd just get even colder." I thought they were lying...that is so not true. Anyway, the water was just as cold the second time. You just have to laugh at these things. Caf茅: You starred in films directed by Hammer's two best-known directors: Terence Fisher and Freddie Francis. How would you compare the two of them? <div style="text-align: right;"> </div> <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBHoPc6sYAxujXWCVgYoFwNKKWRzdazfX-Fwgwi3_F42REoAuvNIXZpsdSr2L3qIIMJm1lQoKRhPMgM-QBl2k6FhloIkvCmw3afvkF5tc4ILsKX9UN0lViV856UNnN_NULBbLJKDh3DxCv/s1600/Cushing+publicity+still.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBHoPc6sYAxujXWCVgYoFwNKKWRzdazfX-Fwgwi3_F42REoAuvNIXZpsdSr2L3qIIMJm1lQoKRhPMgM-QBl2k6FhloIkvCmw3afvkF5tc4ILsKX9UN0lViV856UNnN_NULBbLJKDh3DxCv/s1600/Cushing+publicity+still.jpg" width="138" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;">Veronica and Peter Cushing in a publicity still for Fisher's film.</td></tr> </tbody></table> VC: I had each director at the right time. My first real role was in Dracula Has Risen from the Grave and Freddie Francis was endlessly kind and patient. He was a gentle director with no bossing and no shouting. He would give me my morning hug. He would talk about the scene that we were going to do and made me feel totally relaxed and comfortable. He did do a reshoot of a scene with me if he didn't like the result in the rushes the next day, like when I had to walk and see my boyfriend drinking that beer on the stem in the cafe. He didn't want me to go to the rushes because he said I was too critical of myself. So, I didn't go to the daily rushes. I was lucky then because I gained confidence. When I went into my next film, Frankenstein Must Be Destroyed, Terry Fisher was a sterner director with me. He expected me to know more than perhaps I actually did. He was the right guy at the right time. I think if I'd had Terry first, I would have been very, very nervous. He got on so well with Peter (Cushing). They just chatted about. I remember the first day's shooting, I was sitting down on some steps and Peter was alongside me. Terry was there, with his foot on one step, leaning and saying: "How do you want to kill her, Peter?" And Peter was saying: "I've given that a lot of thought, Terry." And then he proceeded to tell Terry how he wanted to kill me. I kept trying to interject with: "Wouldn't this be a good..." They'd say: "No, that wouldn't be a good idea." It was like I wasn't there. It was like listening to a bedtime story of how they were going to kill me. That's how it was decided best to do it. I even asked Terry if I could die with my eyes open and he said: "Certainly not, darling, that would never get past the censors." So, I had to die with my eyes closed. Caf茅: How would you describe the working atmosphere on a Hammer movie set? VC: Happy, very happy. It was a very convivial, lighthearted atmosphere, though very serious when we were working. The crew was so obliging. It was just a happy family. There was no dissent. There were no problems. There was no grumbling. Caf茅: Do you think Horror of Frankenstein would have fared better if it had been marketed as the dark comedy it was? <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-DQaYVx7zV8uXkaMbty2nBhb0QzWn6vyt3d7VOBbXdexju9FcLQHIOYKfD07MKMgTTGfzMzx2y8dQ5Hb4vb80rfDi_qQDhb2Is-Sph0AAhs4ielPnMbXxadAaMN00X4DK3254-k-4F-y2/s1600/horror+of+frankenstein.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-DQaYVx7zV8uXkaMbty2nBhb0QzWn6vyt3d7VOBbXdexju9FcLQHIOYKfD07MKMgTTGfzMzx2y8dQ5Hb4vb80rfDi_qQDhb2Is-Sph0AAhs4ielPnMbXxadAaMN00X4DK3254-k-4F-y2/s1600/horror+of+frankenstein.jpg" width="166" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;">A publicity still with Ralph Bates and Kate O'Mara.</td></tr> </tbody></table> VC: I was so upset about that situation because I took Hammer seriously. I felt that very keenly. Jimmy (Sangster) knew that. It was a sort of "laughing at Hammer" reaction. I didn't want that to be that way. You always get people that sneer at horror films anyway. But this was sort of sitting up and begging for it. Jimmy was a lighthearted, serious man--an adorable man--but he just had to have this nudge-nudge, wink-wink humor in the film. I thought it was so degrading to Hammer and he knew I felt this way. He was a fine director, but he just got the message wrong as far as I was concerned. He and Ralph (Bates) got on like a house on fire. They were like two kids together when they got together, super senses of humor really. I'd sit there at lunch time sometimes and just have to walk away. Either the jokes were a bit bawdy or my stomach was hurting from laughing so much because they were so funny. As soon as Jimmy hit the set, he was a serious director. I just thought the film's innuendos mocked Hammer rather than celebrated it. Caf茅: Many of your American fans are unfamiliar with your 1972 TV series Spyder's Web. What can you tell us about it? <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlY7LCseZsHD93A-BbZ3k7o63JjBk3ysc_dsskQIs8LIdhjEfzrDaKY_GzuICTEaN-aNbzKLAXuQmpJifWfS8TFFoBjUZgA8n-ABR64B2WZf_k0Sh_Nn0iPbZ5N9nvG2N4RncqqjYABOna/s1600/SpydersWebDVDcover.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlY7LCseZsHD93A-BbZ3k7o63JjBk3ysc_dsskQIs8LIdhjEfzrDaKY_GzuICTEaN-aNbzKLAXuQmpJifWfS8TFFoBjUZgA8n-ABR64B2WZf_k0Sh_Nn0iPbZ5N9nvG2N4RncqqjYABOna/s1600/SpydersWebDVDcover.jpg" width="141" /></a>VC: I don't know really. Patricia Cutts, who played the lead, had some weight issues and the directors would get cross with her. It became an unhappy situation in so many ways. I was not particularly happy on that one. What I did like was rehearsing for two weeks and then we'd do the shoot on Saturday. That was fun. I worked with some wonderful actors and actresses in that series, so that was educational and I learned a lot. I think Patricia died not long after that. I don't know why. She did a play in Coventry once and because I lived in Coventry at the time, I went to see her. She came back to our home and we entertained her. She was a very sad lady. She'd had a huge tragedy happen in her life, which I won't discuss. It took her will to live away eventually. That's how it seemed to me. Caf茅: Is it true that you were almost cast in a James Bond film? VC: Yes, but I was then under contract to Hammer for the final film I agreed to do. I was not unhappy about that. I walked into Saltzman and Broccoli (the Bond producers) to be interviewed and they said: "Oh, we've got our blonde girl." But that all fell through because I wasn't going to walk away from my happy family, not at all. I don't remember which Bond film it was. I was very torn at the time and I didn't want to think about it. It was whichever Bond film was being made when the Horror of Frankenstein was being made. I don't dwell on things I can't change. Caf茅: How did you become interested in painting? <div style="text-align: right;"> </div> <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYdLWPzA7vy27q5FfPVtHz2S6gqj6d-1QhmoFYJKmADWyMIHXOxbe1vBA_E3F_RZnMDim-IXIvWoWjZ6aEGQTR-D-PkIw3zsoD9AKrTRSl-kCIVSa-MlPy8NIGXaecHbGnX1HH4rdl1YdV/s1600/vcpainting.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYdLWPzA7vy27q5FfPVtHz2S6gqj6d-1QhmoFYJKmADWyMIHXOxbe1vBA_E3F_RZnMDim-IXIvWoWjZ6aEGQTR-D-PkIw3zsoD9AKrTRSl-kCIVSa-MlPy8NIGXaecHbGnX1HH4rdl1YdV/s1600/vcpainting.jpg" width="150" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;">This portrait was auctioned for the Peter Cushing Memorial Window.</td></tr> </tbody></table> VC: I always have been, since I was a very little girl. My first school report was: "Veronica loves to draw." I've always wanted to paint. I went to art school when I was 16, then to college and got a bachelor's degree. I do portraits. I've got a portrait I've just completed of Peter and Vincent (Price) together and had it made into prints. I've done many portraits throughout the time I've been with Hammer. I did several of the ladies that have worked for Hammer that were commissioned by a gentleman from Switzerland. I donated a portrait of Peter Cushing to Whitsable, to his secretary so she could auction it. They wanted to put a window in the church to remember Peter by. There was one portrait, sold at Bray Studios, of Ralph Bates after he passed away. His widow, Virginia Wetherell, was there. I donated that portrait and it went for a very nice sum to raise money for pancreatic cancer research. I've found I can do good things with this gift I have. I just love to work at my easel when life permits me to. Caf茅: Do you still stay in touch with other Hammer performers and, if so, whom? <div style="text-align: right;"> </div> <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjegtKJ7WN0KLSlYzfwMuliroNtnGuoQ-B5HbMutN8NE6_2GEdUgzKVdmP2q5vGVzWmaYDO9I0w7oWcHXbRNYjPUfSjc8OarVGpUbpEOTBJpiQ-adDTGyntmKpeSr2jy-V6T9iAucyvqUHC/s1600/Veronica+Today.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="195" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjegtKJ7WN0KLSlYzfwMuliroNtnGuoQ-B5HbMutN8NE6_2GEdUgzKVdmP2q5vGVzWmaYDO9I0w7oWcHXbRNYjPUfSjc8OarVGpUbpEOTBJpiQ-adDTGyntmKpeSr2jy-V6T9iAucyvqUHC/s1600/Veronica+Today.jpg" width="200" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;">A photo from Veronica's Facebook page.</td></tr> </tbody></table> VC: I see Caroline Munro and Martine Beswick. I've met some of the other Hammer girls at a function a couple of years ago in London. All the Hammer girls were there: Stephanie Beacham, Valerie Leon...I'm trying to think of them all now. It was a wonderful time and it was for charity as well--Our Disappearing Planet. There is supposed to be another Hammer reunion this November 8th in London, but I haven't gotten the details on that yet. They've been in touch with me twice, asking if I was going to attend. They're going to try to get all the people that have ever worked for or with Hammer together at one huge function. Sadly, we've lost performers like Kate O'Mara. She passed away not long ago. Yvonne Monlaur is a dear friend of mine. She lives in Paris and I'm hoping she will be coming over for the Monster Bash with Caroline Munro and me. I used to know Ingrid Pitt very well. I miss her very badly. She was a lovely, vibrant woman. Simon Ward has passed away as well. Dear, oh dear, this is becoming a sad interview. <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody> <tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiD8PEDNf9qTDNsCf1c9t7Essv0fcTDoG6EQRWOXbKGzHNaEF4GqJDnS_VDzKMtejgqUDw4Kf8PVBd-sn06_4_0B-QxtdZHWs0be_0Ns_6vfO1fmni5EdU9rcWck8PExrGA_yMWUBIHwod5/s1600/Veronica+Carlson+Resintopia.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiD8PEDNf9qTDNsCf1c9t7Essv0fcTDoG6EQRWOXbKGzHNaEF4GqJDnS_VDzKMtejgqUDw4Kf8PVBd-sn06_4_0B-QxtdZHWs0be_0Ns_6vfO1fmni5EdU9rcWck8PExrGA_yMWUBIHwod5/s1600/Veronica+Carlson+Resintopia.jpg" width="181" /></a></td></tr> <tr><td class="tr-caption" style="text-align: center;">A resin model kit of Veronica will be unveiled at Resintopia.</td></tr> </tbody></table> Caf茅: Do you have any upcoming appearances that you'd like to share with our readers? <div> VC: The Hammer day at the London Film Convention on November 8th, which is supposed to be a very, very big to-do. I'm doing the <a href="http://www.resintopia.com/" target="_blank">Resintopia Plastic Model Kit and Statue Expo </a>on September 12-14 in Fairfield, New Jersey. Then next month, I will be at <a href="http://www.cinemawasteland.com/show.html" target="_blank">Cinema Wasteland Movie & Memorabilia Expo</a> on October 3-5 in Strongsville, Ohio (near Cleveland) and at <a href="http://www.monsterbashnews.com/bash.html" target="_blank">Monster Bash</a> on October 10-12 in Pittsburgh. To learn more about Veronica Carlson, you can follow her <a href="https://twitter.com/VCarlsonOffic" target="_blank">Twitter </a>@VCarlsonOffic. (Editor: The James Bond film in question was probably Diamonds Are Forever. It was released in 1971 and Horror of Frankenstein came out in 1970.)</div> <div> </div> <div style='clear: both;'></div> </div> <div class='post-footer'> <div class='post-footer-line post-footer-line-1'> Posted by <a href='https://www.blogger.com/profile/08358116647815569722' rel='author' title='author profile'> Rick29 </a> at <a class='timestamp-link' href='https://www.classicfilmtvcafe.com/2014/09/an-interview-with-hammer-films-star.html' rel='bookmark' title='permanent link'><abbr class='published' title='2014-09-04T06:40:00-04:00'>6:40 AM</abbr></a> <a class='comment-link' href='https://www.classicfilmtvcafe.com/2014/09/an-interview-with-hammer-films-star.html#comment-form' onclick=''>9 comments</a> <a href='https://www.blogger.com/email-post/5344878851139332715/8256038936697876439' title='Email Post'> <img alt="" class="icon-action" height="13" src="//img1.blogblog.com/img/icon18_email.gif" width="18"> </a> <a 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Any comments considered inappropriate or not relevant may be rejected at the editor's discretion. </div> <div class='clear'></div> </div><div class='widget BlogList' data-version='1' id='BlogList1'> <h2 class='title'>My Blog List</h2> <div class='widget-content'> <div class='blog-list-container' id='BlogList1_container'> <ul id='BlogList1_blogs'> <li style='display: block;'> <div class='blog-icon'> </div> <div class='blog-content'> <div class='blog-title'> <a href='https://silverscenesblog.blogspot.com/' target='_blank'> Silver Scenes - A Blog for Classic Film Lovers</a> </div> <div class='item-content'> <a href='https://silverscenesblog.blogspot.com/2025/02/mary-mary-1963.html' target='_blank'> Mary, Mary (1963) </a> <div class='item-time'> 18 hours ago </div> </div> </div> <div style='clear: both;'></div> </li> <li style='display: block;'> <div class='blog-icon'> </div> <div class='blog-content'> <div class='blog-title'> <a href='http://greatentertainersarchives.blogspot.com/' 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