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What humanity is facing in its modernity is the transition from a human to a posthuman state of rule which is run by artificial intelligence" /> <meta name="twitter:image" content="https://0.academia-photos.com/93965403/20602256/156206164/s200_karlo.opancar.png" /> <meta property="fb:app_id" content="2369844204" /> <meta property="og:type" content="article" /> <meta property="og:url" content="https://www.academia.edu/86684635/Artificial_intelligence_A_I_and_Art" /> <meta property="og:title" content="Artificial intelligence (A.I.) and Art" /> <meta property="og:image" content="http://a.academia-assets.com/images/open-graph-icons/fb-paper.gif" /> <meta property="og:description" content="Technosphere is characterized by a switch from nature into a new, machine operated, realm of technology. What humanity is facing in its modernity is the transition from a human to a posthuman state of rule which is run by artificial intelligence" /> <meta property="article:author" content="https://independent.academia.edu/KarloOpancar" /> <meta name="description" content="Technosphere is characterized by a switch from nature into a new, machine operated, realm of technology. What humanity is facing in its modernity is the transition from a human to a posthuman state of rule which is run by artificial intelligence" /> <title>(PDF) Artificial intelligence (A.I.) and Art</title> <link rel="canonical" href="https://www.academia.edu/86684635/Artificial_intelligence_A_I_and_Art" /> <script async src="https://www.googletagmanager.com/gtag/js?id=G-5VKX33P2DS"></script> <script> window.dataLayer = window.dataLayer || []; function gtag(){dataLayer.push(arguments);} gtag('js', new Date()); gtag('config', 'G-5VKX33P2DS', { cookie_domain: 'academia.edu', send_page_view: false, }); gtag('event', 'page_view', { 'controller': "single_work", 'action': "show", 'controller_action': 'single_work#show', 'logged_in': 'false', 'edge': 'unknown', // Send nil if there is no A/B test bucket, in case some records get logged // with missing data - that way we can distinguish between the two cases. // ab_test_bucket should be of the form <ab_test_name>:<bucket> 'ab_test_bucket': null, }) </script> <script> var $controller_name = 'single_work'; var $action_name = "show"; var $rails_env = 'production'; var $app_rev = '29cbb9485f79f49ca3eb38b6f0905739256f19a4'; var $domain = 'academia.edu'; var $app_host = "academia.edu"; var $asset_host = "academia-assets.com"; var $start_time = new Date().getTime(); var $recaptcha_key = "6LdxlRMTAAAAADnu_zyLhLg0YF9uACwz78shpjJB"; var $recaptcha_invisible_key = "6Lf3KHUUAAAAACggoMpmGJdQDtiyrjVlvGJ6BbAj"; var $disableClientRecordHit = false; </script> <script> window.require = { config: function() { return function() {} } } </script> <script> window.Aedu = window.Aedu || {}; window.Aedu.hit_data = null; window.Aedu.serverRenderTime = new Date(1740264307000); window.Aedu.timeDifference = new Date().getTime() - 1740264307000; </script> <script type="application/ld+json">{"@context":"https://schema.org","@type":"ScholarlyArticle","abstract":"Technosphere is characterized by a switch from nature into a new, machine operated, realm of technology. What humanity is facing in its modernity is the transition from a human to a posthuman state of rule which is run by artificial intelligence (A.I.) and performed by artificial life (A.L.). In his work “The Inhuman”, Jean-Francois Lyotard reflects on the dominance of a new logic of techno-science over mankind. That notion binds the idea of the end of mankind as we know it. Technology is not neutral, it’s not simply a way of transmitting information in the service of mankind, it’s more than that, technology forms its new own being and with it a new technological language. Contemporary society is no longer determined by the concept of the spirit, or what Walter Benjamin calls “aura”, but rather by the logic of techno-science in its total rule over the entire space and time of the world. With the technologies of the new digital era a new question arises in the field of philosophy of art which until their appearance was considered as sublime. Artificial intelligence (A.I.) and artificial life (A.L.), through the connection of biotechnology and computing machines, appear as a new immaterial creation of life. Their space of action is virtual space, their time of action is instantaneous","author":[{"@context":"https://schema.org","@type":"Person","name":"Karlo Opancar","url":"https://independent.academia.edu/KarloOpancar"}],"contributor":[],"dateCreated":"2022-09-15","datePublished":"2022-01-01","headline":"Artificial intelligence (A.I.) and Art","image":"https://attachments.academia-assets.com/91080138/thumbnails/1.jpg","inLanguage":"en","keywords":["Artificial Intelligence","Posthumanism","Artificial Life","Visual Arts","Transhumanism/Posthumanism","Jean-François Lyotard"],"publication":"Artificial intelligence (A.I.) and Art","publisher":{"@context":"https://schema.org","@type":"Organization","name":null},"sourceOrganization":[{"@context":"https://schema.org","@type":"EducationalOrganization","name":null}],"thumbnailUrl":"https://attachments.academia-assets.com/91080138/thumbnails/1.jpg","url":"https://www.academia.edu/86684635/Artificial_intelligence_A_I_and_Art"}</script><style 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What humanity is facing in its modernity is the transition from a human to a posthuman state of rule which is run by artificial intelligence (A.I.) and performed by artificial life (A.L.). In his work “The Inhuman”, Jean-Francois Lyotard reflects on the dominance of a new logic of techno-science over mankind. That notion binds the idea of the end of mankind as we know it. Technology is not neutral, it’s not simply a way of transmitting information in the service of mankind, it’s more than that, technology forms its new own being and with it a new technological language. Contemporary society is no longer determined by the concept of the spirit, or what Walter Benjamin calls “aura”, but rather by the logic of techno-science in its total rule over the entire space and time of the world. With the technologies of the new digital era a new question arises in the field of philosophy of art which until their appearance was considered as sublime. Artificial intelligence (A.I.) and artificial life (A.L.), through the connection of biotechnology and computing machines, appear as a new immaterial creation of life. Their space of action is virtual space, their time of action is instantaneous","publication_date":"2022,,","publication_name":"Artificial intelligence (A.I.) and Art"},"document_type":"paper","pre_hit_view_count_baseline":null,"quality":"high","language":"en","title":"Artificial intelligence (A.I.) and Art","broadcastable":true,"draft":false,"has_indexable_attachment":true,"indexable":true}}["work"]; window.loswp.workCoauthors = [93965403]; window.loswp.locale = "en"; window.loswp.countryCode = "SG"; window.loswp.cwvAbTestBucket = ""; window.loswp.designVariant = "ds_vanilla"; window.loswp.fullPageMobileSutdModalVariant = "full_page_mobile_sutd_modal"; window.loswp.useOptimizedScribd4genScript = false; window.loginModal = {}; window.loginModal.appleClientId = 'edu.academia.applesignon'; window.userInChina = "false";</script><script defer="" src="https://accounts.google.com/gsi/client"></script><div class="ds-loswp-container"><div class="ds-work-card--grid-container"><div class="ds-work-card--container js-loswp-work-card"><div class="ds-work-card--cover"><div class="ds-work-cover--wrapper"><div class="ds-work-cover--container"><button class="ds-work-cover--clickable js-swp-download-button" data-signup-modal="{"location":"swp-splash-paper-cover","attachmentId":91080138,"attachmentType":"pdf"}"><img alt="First page of “Artificial intelligence (A.I.) and Art”" class="ds-work-cover--cover-thumbnail" src="https://0.academia-photos.com/attachment_thumbnails/91080138/mini_magick20220915-1-vo8low.png?1663234145" /><img alt="PDF Icon" class="ds-work-cover--file-icon" src="//a.academia-assets.com/images/single_work_splash/adobe_icon.svg" /><div class="ds-work-cover--hover-container"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span><p>Download Free PDF</p></div><div class="ds-work-cover--ribbon-container">Download Free PDF</div><div class="ds-work-cover--ribbon-triangle"></div></button></div></div></div><div class="ds-work-card--work-information"><h1 class="ds-work-card--work-title">Artificial intelligence (A.I.) and Art</h1><div class="ds-work-card--work-authors ds-work-card--detail"><a class="ds-work-card--author js-wsj-grid-card-author ds2-5-body-md ds2-5-body-link" data-author-id="93965403" href="https://independent.academia.edu/KarloOpancar"><img alt="Profile image of Karlo Opancar" class="ds-work-card--author-avatar" src="https://0.academia-photos.com/93965403/20602256/156206164/s65_karlo.opancar.png" />Karlo Opancar</a></div><div class="ds-work-card--detail"><p class="ds-work-card--detail ds2-5-body-sm">2022, Artificial intelligence (A.I.) and Art</p><div class="ds-work-card--work-metadata"><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">visibility</span><p class="ds2-5-body-sm" id="work-metadata-view-count">…</p></div><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">description</span><p class="ds2-5-body-sm">14 pages</p></div><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">link</span><p class="ds2-5-body-sm">1 file</p></div></div><script>(async () => { const workId = 86684635; 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if (!viewCountBody) { throw new Error('Failed to find work views element'); } viewCountBody.textContent = `${commaizedViewCount} views`; } catch (error) { // Remove the whole views element if there was some issue parsing. document.getElementById('work-metadata-view-count')?.parentNode?.remove(); throw new Error(`Failed to parse view count: ${viewCount}`, error); } }; // If the DOM is still loading, wait for it to be ready before updating the view count. if (document.readyState === "loading") { document.addEventListener('DOMContentLoaded', () => { updateViewCount(viewCount); }); // Otherwise, just update it immediately. } else { updateViewCount(viewCount); } })();</script></div><p class="ds-work-card--work-abstract ds-work-card--detail ds2-5-body-md">Technosphere is characterized by a switch from nature into a new, machine operated, realm of technology. What humanity is facing in its modernity is the transition from a human to a posthuman state of rule which is run by artificial intelligence (A.I.) and performed by artificial life (A.L.). In his work “The Inhuman”, Jean-Francois Lyotard reflects on the dominance of a new logic of techno-science over mankind. That notion binds the idea of the end of mankind as we know it. Technology is not neutral, it’s not simply a way of transmitting information in the service of mankind, it’s more than that, technology forms its new own being and with it a new technological language. Contemporary society is no longer determined by the concept of the spirit, or what Walter Benjamin calls “aura”, but rather by the logic of techno-science in its total rule over the entire space and time of the world. With the technologies of the new digital era a new question arises in the field of philosophy of art which until their appearance was considered as sublime. Artificial intelligence (A.I.) and artificial life (A.L.), through the connection of biotechnology and computing machines, appear as a new immaterial creation of life. 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Looking Inside "Philosophy of Posthuman Art" by Stefan Lorenz Sorgner</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="230511" href="https://aegean.academia.edu/EviSampanikou">Evi Sampanikou</a></div><p class="ds-related-work--metadata ds2-5-body-xs">2022</p><p class="ds-related-work--abstract ds2-5-body-sm">The article is an extended review of the recent Stefan Lorenz Sorgner's book Philosophy of Posthuman Art (2022) that explores the content and the aesthetic values introduced by the author as well as his shift to Critical Posthumanism, while he also keeps the philosophical essence of his own approach to Transhumanism, the main ideas of his contribution to Metahumanism and the desire of convergence of Trans-and Posthumanism. Sorgner's insight to contemporary art surpasses the boundaries usually set by art historians and underlines the artists' worldview and the philosophical meaning of their works in the context of the several trends of Posthumanism including social and cultural views and politics. Visual arts and music are studied in parallel with the evolution of posthumanist theories and arguments, while the issues of non-dualities, technology, religion, truth, ethics, reason, leisure, the western philosophies of the past and moreover "the need to coin new terms" are the crucial points of Sorgner's discussion with the readers. The book is more than valuable for its commitment to the notion of the philosophical meaning of contemporary artworks as well as for its opening to a new understanding of Posthumanism.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Art Has Always Been the Product of a Philosophizing Cyborg. Looking Inside \"Philosophy of Posthuman Art\" by Stefan Lorenz Sorgner","attachmentId":96254476,"attachmentType":"pdf","work_url":"https://www.academia.edu/93545180/Art_Has_Always_Been_the_Product_of_a_Philosophizing_Cyborg_Looking_Inside_Philosophy_of_Posthuman_Art_by_Stefan_Lorenz_Sorgner","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/93545180/Art_Has_Always_Been_the_Product_of_a_Philosophizing_Cyborg_Looking_Inside_Philosophy_of_Posthuman_Art_by_Stefan_Lorenz_Sorgner"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="1" data-entity-id="39014822" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/39014822/REGAINING_HUMAN_MEMORY_IN_THE_TIME_OF_SOFTWARE_ESSAY_ON_THE_STATUS_OF_ART_IN_THE_TIME_OF_CYBORGS">REGAINING HUMAN MEMORY IN THE TIME OF SOFTWARE: ESSAY ON THE STATUS OF ART IN THE TIME OF CYBORGS</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="4371705" href="https://artsinbelgrade.academia.edu/VladislavScepanovic">Vladislav Scepanovic</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Catalogue for National Presentation of Serbia at the 58th Venice Biennale, 2019</p><p class="ds-related-work--abstract ds2-5-body-sm">The illusion of the great promise of industrial modernism that culminates in the informatic postmodernism created the foundations of a new world in which promises of hedonistic well-being were merely an advertising catalogue behind which a new emerging world, a world without human beings, was hiding. Such a world, leaning on industrial series, and later on digital code, is a world that has nothing to do with analogue world of pre/modernism, although it still keeps memory of it. Negative ontology of this world in which singular represents Nonbeing, while mass replica and series represent Being (Anders), becomes environment for the emergence of new existence that is on evolutionary scale between man, machine, and android. Such a world, having memory of the analogue human-original, is the world in which we will consider the role of art and what it represents today. Important art event that is characterized by its continuity, such as La Biennale di Venezia, can be seen as an evolutionary way of art in relation to society. In</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"REGAINING HUMAN MEMORY IN THE TIME OF SOFTWARE: ESSAY ON THE STATUS OF ART IN THE TIME OF CYBORGS","attachmentId":59124570,"attachmentType":"doc","work_url":"https://www.academia.edu/39014822/REGAINING_HUMAN_MEMORY_IN_THE_TIME_OF_SOFTWARE_ESSAY_ON_THE_STATUS_OF_ART_IN_THE_TIME_OF_CYBORGS","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/39014822/REGAINING_HUMAN_MEMORY_IN_THE_TIME_OF_SOFTWARE_ESSAY_ON_THE_STATUS_OF_ART_IN_THE_TIME_OF_CYBORGS"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="2" data-entity-id="47353636" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/47353636/Art_and_artificial_intelligence_a_window_into_the_future_of_the_evolution_of_contemporary_society">Art and artificial intelligence, a window into the future of the evolution of contemporary society</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="55732303" href="https://independent.academia.edu/AlejandraMarinaro">Alejandra Marinaro</a></div><p class="ds-related-work--metadata ds2-5-body-xs">EAI Endorsed Transactions on Creative Technologies</p><p class="ds-related-work--abstract ds2-5-body-sm">The present work deals with the incorporation of artificial intelligence in the process of artistic creation.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Art and artificial intelligence, a window into the future of the evolution of contemporary society","attachmentId":66489905,"attachmentType":"pdf","work_url":"https://www.academia.edu/47353636/Art_and_artificial_intelligence_a_window_into_the_future_of_the_evolution_of_contemporary_society","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/47353636/Art_and_artificial_intelligence_a_window_into_the_future_of_the_evolution_of_contemporary_society"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="3" data-entity-id="39894874" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/39894874/The_Wrath_of_Image_Violent_Origins_of_Art_as_Techn%C3%A8_and_its_Contemporary_Aftermath_Anthropogony_in_the_Era_of_the_Artificial">The Wrath of Image: Violent Origins of Art as Technè and its Contemporary Aftermath Anthropogony in the Era of the Artificial</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="97616657" href="https://ku-dk.academia.edu/NicolettaIsar">Nicoletta Isar</a></div><p class="ds-related-work--abstract ds2-5-body-sm">The life of images has taken a new decisive turn in our time, which transvisuality is called upon to address and reveal the facets of this complex phenomenon. This article aims to address one of the thorniest subjects of transvisuality: the anthropogony as transgenic and cloning. Taking further Belting's line of thinking and his anthropology of image, the article approaches the subject in connection with the essence of anthropos and its substance-to deinon, that is, the awesome and duplicitary power of man given by technè. The first part is devoted to prometheia, the mythical origins of art as technè, and the violent origins of anthropogony. It moves into the analysis of the transformations of image in the era of bio-cybernetic reproduction, showing how scientific acts become aesthetic projects, art in itself, the latest expressions of technè. Extreme science generates extreme art-the transgenic. The transgenic shows how by closing the gap between human and transhuman, transvisuality radically departs from the classical models of ontology and visuality emerging into a new field. I call it transvisuality in extremis, the transhuman facet of anthropogony. This is the new staging of prometheia in history, the expression of unsurpassed human imagination and creativity. Sing, clear-voiced Muse, of Hephaestus famed for inventions. … Be gracious, Hephaestus, and grant me success and prosperity! (Hymn To Hephaesus) The current revolutions in genetic engineering and cybernetics reflect persuasively the latest achievements performed by homo technicus, raising intense philosophical questions about the very meaning of life. In his 2003 Iconic Turn lecture, suggestively entitled "Real Images and False Bodies-Erroneous Ideas about the Future of Humankind," the theorist of image Hans Belting made a astonishing remarque on the newest human invention, the gene technology, which he saw as both a "new variant of the longing for</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"The Wrath of Image: Violent Origins of Art as Technè and its Contemporary Aftermath Anthropogony in the Era of the Artificial","attachmentId":60080409,"attachmentType":"pdf","work_url":"https://www.academia.edu/39894874/The_Wrath_of_Image_Violent_Origins_of_Art_as_Techn%C3%A8_and_its_Contemporary_Aftermath_Anthropogony_in_the_Era_of_the_Artificial","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/39894874/The_Wrath_of_Image_Violent_Origins_of_Art_as_Techn%C3%A8_and_its_Contemporary_Aftermath_Anthropogony_in_the_Era_of_the_Artificial"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="4" data-entity-id="124905925" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/124905925/Nikoleta_Zampaki_and_Peggy_Karpouzou_Toward_Posthuman_Aesthetics_The_Flesh_of_the_World_in_Auguste_Rodin_s_Le_Penseur_and_The_Thinking_Robot_In_Mimetic_Posthumanism_Homo_Mimeticus_2_0_in_Art_Philosophy_and_Technics_edited_by_Nidesh_Lawtoo_Leiden_Brill_2024_pp_77_91">Nikoleta Zampaki and Peggy Karpouzou, "Toward Posthuman Aesthetics: The Flesh of the World in Auguste Rodin’s Le Penseur and The Thinking Robot" In Mimetic Posthumanism. Homo Mimeticus 2.0 in Art, Philosophy and Technics edited by Nidesh Lawtoo, Leiden: Brill, 2024, pp. 77-91.</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="8814262" href="https://en-uoa-gr.academia.edu/NikoletaZampaki">Nikoleta Zampaki</a><span>, </span><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="7741775" href="https://uoa.academia.edu/PeggyKarpouzou">Peggy Karpouzou</a></div><p class="ds-related-work--metadata ds2-5-body-xs">2024</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Nikoleta Zampaki and Peggy Karpouzou, \"Toward Posthuman Aesthetics: The Flesh of the World in Auguste Rodin’s Le Penseur and The Thinking Robot\" In Mimetic Posthumanism. Homo Mimeticus 2.0 in Art, Philosophy and Technics edited by Nidesh Lawtoo, Leiden: Brill, 2024, pp. 77-91.","attachmentId":119049959,"attachmentType":"pdf","work_url":"https://www.academia.edu/124905925/Nikoleta_Zampaki_and_Peggy_Karpouzou_Toward_Posthuman_Aesthetics_The_Flesh_of_the_World_in_Auguste_Rodin_s_Le_Penseur_and_The_Thinking_Robot_In_Mimetic_Posthumanism_Homo_Mimeticus_2_0_in_Art_Philosophy_and_Technics_edited_by_Nidesh_Lawtoo_Leiden_Brill_2024_pp_77_91","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/124905925/Nikoleta_Zampaki_and_Peggy_Karpouzou_Toward_Posthuman_Aesthetics_The_Flesh_of_the_World_in_Auguste_Rodin_s_Le_Penseur_and_The_Thinking_Robot_In_Mimetic_Posthumanism_Homo_Mimeticus_2_0_in_Art_Philosophy_and_Technics_edited_by_Nidesh_Lawtoo_Leiden_Brill_2024_pp_77_91"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="5" data-entity-id="40867492" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/40867492/AI_and_the_Perverse_Core_of_the_Technological_Age">AI and the Perverse Core of the Technological Age</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="83463452" href="https://sh.academia.edu/HansRuin">Hans Ruin</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Sabah Ülkesi, 2019</p><p class="ds-related-work--abstract ds2-5-body-sm">The article analyzes the emergence of Artificial intelligence and the phantasms that it provokes from a historical, literary, and philosophical perspective. It begins with Heidegger's critical understanding of information theory and how this leads up to Hubert Dreyfus's work in What Computers Can't Do and his critique of strong AI. These earlier debates are then connected to current concerns with super-intelligence and so called singularity theory, in Bostrom and others. It argues against taking seriously the much debated notion of "singularity", which it instead displays as a phantasy arising from within the perverse core of the technological imagination. The text was commissioned by the Turkish cultural Journal Sabah Ülkesi, 58 (2019), where it was published in a Turkish translation.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"AI and the Perverse Core of the Technological Age","attachmentId":61154194,"attachmentType":"pdf","work_url":"https://www.academia.edu/40867492/AI_and_the_Perverse_Core_of_the_Technological_Age","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/40867492/AI_and_the_Perverse_Core_of_the_Technological_Age"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="6" data-entity-id="40393789" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/40393789/Intelligence_Everywhere_What_artistic_explorations_can_tell_us_through_and_about_technological_development_Draft_Be_renge_re_Marin_Dubuard">Intelligence Everywhere: What artistic explorations can tell us through and about technological development Draft Bérengère Marin Dubuard</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="203470" href="https://concordia.academia.edu/beewoo">Bérengère L . Marin-Dubuard</a></div><p class="ds-related-work--metadata ds2-5-body-xs">2019</p><p class="ds-related-work--abstract ds2-5-body-sm">Intelligence Everywhere: What artistic explorations can tell us through and about technological development presented on Sept 18 2019 during the Humanities and Public Life Conference at Dawson College, Montréal, Canada Recent developments in machine learning and what John McCarthy has named artificial intelligence in 1956 have repeatedly been portrayed in the media as competing with human creativity. Binary narratives that (narcissistically) anthropomorphize and present technological advancements as either miraculous or antagonistic spread fear and fascination amongst the public. Machines, some threaten, will take your job as an artist, a lawyer, a taxi driver, a doctor, an accountant, and govern us … In this presentation I wish to draw a historical lineage between ideas that were at the roots of the British branch of cybernetics comparing and contrasting the worldview that underlined it with the approach taken by the founders of the Artificial Intelligence project in 1956. I wish to establish the link between the cybernetic worldview and the recent developments in machine learning that we commonly refer to as Artificial Intelligence. (AI) These powerful discoveries are currently used to generate images, natural language, soundscapes and videos that can be mistaken to have been produced by people. This has pushed some to declare that the machines were themselves creative. I will argue that while the tools do display what N.Katherine Hayles calls non-conscious cognition, a process that is found everywhere in nature, creativity, in the realm of art, is a concept rooted in the self-reflexive sense-making ability of the person orchestrating it as well as in the social, cultural and political context in which it is being examined. Presenting creativity from the point of view of the art world, I will argue that the definition of art does not lie solely in the formal aesthetics of the object produced but is a shifting culturally constructed concept that is by no means negated by machine “imagination” or “creativity”. The notion of authorship in relation with automation in the creative process have been explored thoroughly in the realm of art ever since, for example, Marcel Duchamp presented his readymade, Walter Benjamin published his famous text in 1937 and Roland Barth examined aspects of the topic in 1967. Early cybernetic prototypes that displayed cognitive behaviours as well as artworks that use automation in their creative process will be presented as well as a selection of recent art practises that explore and comment on the use of statistical models or what Hunger calls “enhanced pattern recognition” systems such as artificial neural networks and adversarial neural networks. (Hunger 2017) These artworks often present advanced technical tools as one component of a network (Latour) /agencement (Deleuze) in which humans interact with them in complex and intricate ways. Through the examination of a selection of projects by artists from various backgrounds, such as the recent work and writings by indigenous artists as well as local and international artists, I wish to point to some of the shortcomings they bring to light as well as how they engage us into some much-needed reflection about the technologies we generate and how they hold the potential to redefine us and the environment.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Intelligence Everywhere: What artistic explorations can tell us through and about technological development\nDraft \nBérengère Marin Dubuard","attachmentId":60645249,"attachmentType":"pdf","work_url":"https://www.academia.edu/40393789/Intelligence_Everywhere_What_artistic_explorations_can_tell_us_through_and_about_technological_development_Draft_Be_renge_re_Marin_Dubuard","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/40393789/Intelligence_Everywhere_What_artistic_explorations_can_tell_us_through_and_about_technological_development_Draft_Be_renge_re_Marin_Dubuard"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="7" data-entity-id="2004596" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/2004596/The_passage_from_the_creators_intelligence_which_is_intrinsic_to_the_works_of_art_to_artificial_intelligence_A_proposal_for_a_new_field_of_research_that_combines_art_">The passage from the creator's intelligence which is intrinsic to the works of art, to artificial intelligence. A proposal for a new field of research that combines art …</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="1913814" href="https://asfa.academia.edu/ManthosSantorineos">Manthos Santorineos</a></div><p class="ds-related-work--metadata ds2-5-body-xs">3</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"The passage from the creator's intelligence which is intrinsic to the works of art, to artificial intelligence. A proposal for a new field of research that combines art …","attachmentId":29104468,"attachmentType":"pdf","work_url":"https://www.academia.edu/2004596/The_passage_from_the_creators_intelligence_which_is_intrinsic_to_the_works_of_art_to_artificial_intelligence_A_proposal_for_a_new_field_of_research_that_combines_art_","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/2004596/The_passage_from_the_creators_intelligence_which_is_intrinsic_to_the_works_of_art_to_artificial_intelligence_A_proposal_for_a_new_field_of_research_that_combines_art_"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="8" data-entity-id="106092423" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/106092423/Artificialities_From_Artificial_Intelligence_to_Artificial_Culture">Artificialities: From Artificial Intelligence to Artificial Culture</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="30301" href="https://curtin.academia.edu/TamaLeaver">Tama Leaver</a></div><p class="ds-related-work--metadata ds2-5-body-xs">2006</p><p class="ds-related-work--abstract ds2-5-body-sm">Artificialities: From Artificial Intelligence to Artificial Culture &lt;br&gt; Subjectivity, Embodiment and Technology in Contemporary Speculative Texts This thesis is an examination of the articulation, construction and representation of &#39;the artificial&#39; in contemporary speculative texts in relation to notions of identity, subjectivity and embodiment. Conventionally defined, the artificial marks objects and spaces which are outside of the natural order and thus also beyond the realm of subjectivity, and yet they are simultaneously produced and constructed by human ideas, labor and often technologies. Artificialities thus act as a boundary point against which subjectivity is often measured, even though that border is clearly drawn and re-drawn by human hands. Paradoxically, the artificial is, at times, also deployed to mark a realm where minds and bodies are separable, ostensibly devaluing the importance of embodiment. Speculative texts, which include science fiction and sim...</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Artificialities: From Artificial Intelligence to Artificial Culture","attachmentId":105380917,"attachmentType":"pdf","work_url":"https://www.academia.edu/106092423/Artificialities_From_Artificial_Intelligence_to_Artificial_Culture","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/106092423/Artificialities_From_Artificial_Intelligence_to_Artificial_Culture"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="9" data-entity-id="51773192" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/51773192/Art_and_Artificial_Life_a_Primer">Art and Artificial Life – a Primer</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="101202945" href="https://uci.academia.edu/SimonGPenny">Simon G Penny</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Digital Arts and Culture 2009, 2009</p><p class="ds-related-work--abstract ds2-5-body-sm">It was not until the late 1980s that the term 'Artificial Life' arose as a descriptor of a range of (mostly) computer based research practices which sought alternatives to conventional Artificial Intelligence methods as a source of (quasi-) intelligent behavior in technological systems and artifacts. These practices included reactive and bottom-up robotics, computational systems which simulated evolutionary and genetic processes, and are range of other activities informed by biology and complexity theory. A general desire was to capture, harness or simulate the generative and 'emergent' qualities of 'nature'-of evolution, co-evolution and adaptation. 'Emergence' was a keyword in the discourse. Two decades later, the discourses of Artificial Life continues to have intellectual force, mystique and generative quality within the 'computers and art' community. This essay is an attempt to contextualise Artificial Life Art by providing an historical overview, and by providing background in the ideas which helped to form the Artificial Life movement in the late 1980s and early 1990s. This essay is prompted by the exhibition Emergence-Art and Artificial Life (Beall Center for Art and Technology, UCI, December 2009) which is a testament to the enduring and inspirational intellectual significance of ideas associated with Artificial Life.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Art and Artificial Life – a Primer","attachmentId":69347731,"attachmentType":"pdf","work_url":"https://www.academia.edu/51773192/Art_and_Artificial_Life_a_Primer","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/51773192/Art_and_Artificial_Life_a_Primer"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div></div></div><div class="ds-sticky-ctas--wrapper js-loswp-sticky-ctas hidden"><div class="ds-sticky-ctas--grid-container"><div class="ds-sticky-ctas--container"><button class="ds2-5-button js-swp-download-button" data-signup-modal="{"location":"continue-reading-button--sticky-ctas","attachmentId":91080138,"attachmentType":"pdf","workUrl":null}">See full PDF</button><button class="ds2-5-button ds2-5-button--secondary js-swp-download-button" data-signup-modal="{"location":"download-pdf-button--sticky-ctas","attachmentId":91080138,"attachmentType":"pdf","workUrl":null}"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span>Download PDF</button></div></div></div><div class="ds-below-fold--grid-container"><div class="ds-work--container js-loswp-embedded-document"><div class="attachment_preview" data-attachment="Attachment_91080138" style="display: none"><div class="js-scribd-document-container"><div class="scribd--document-loading js-scribd-document-loader" style="display: block;"><img alt="Loading..." src="//a.academia-assets.com/images/loaders/paper-load.gif" /><p>Loading Preview</p></div></div><div style="text-align: center;"><div class="scribd--no-preview-alert js-preview-unavailable"><p>Sorry, preview is currently unavailable. You can download the paper by clicking the button above.</p></div></div></div></div><div class="ds-sidebar--container js-work-sidebar"><div class="ds-related-content--container"><h2 class="ds-related-content--heading">Related papers</h2><div class="ds-related-work--container js-related-work-sidebar-card" data-collection-position="0" data-entity-id="81817402" data-sort-order="default"><a class="ds-related-work--title js-related-work-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/81817402/The_fetish_of_artificial_intelligence_In_response_to_Iason_Gabriels_Towards_a_Theory_of_Justice_for_Artificial_Intelligence_">The fetish of artificial intelligence. 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