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overflow: hidden; text-overflow: ellipsis; -webkit-line-clamp: 3; -webkit-box-orient: vertical; }</style><div class="col-xs-12 clearfix"><div class="u-floatLeft"><h1 class="PageHeader-title u-m0x u-fs30">German Literature</h1><div class="u-tcGrayDark">30,477 Followers</div><div class="u-tcGrayDark u-mt2x">Recent papers in <b>German Literature</b></div></div></div></div></div></div><div class="TabbedNavigation"><div class="container"><div class="row"><div class="col-xs-12 clearfix"><ul class="nav u-m0x u-p0x list-inline u-displayFlex"><li class="active"><a href="https://www.academia.edu/Documents/in/German_Literature">Top Papers</a></li><li><a href="https://www.academia.edu/Documents/in/German_Literature/MostCited">Most Cited Papers</a></li><li><a href="https://www.academia.edu/Documents/in/German_Literature/MostDownloaded">Most Downloaded Papers</a></li><li><a href="https://www.academia.edu/Documents/in/German_Literature/MostRecent">Newest Papers</a></li><li><a class="" href="https://www.academia.edu/People/German_Literature">People</a></li></ul></div><style type="text/css">ul.nav{flex-direction:row}@media(max-width: 567px){ul.nav{flex-direction:column}.TabbedNavigation li{max-width:100%}.TabbedNavigation li.active{background-color:var(--background-grey, #dddde2)}.TabbedNavigation li.active:before,.TabbedNavigation li.active:after{display:none}}</style></div></div></div><div class="container"><div class="row"><div class="col-xs-12"><div class="u-displayFlex"><div class="u-flexGrow1"><div class="works"><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_6506522" data-work_id="6506522" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/6506522/Kafka_s_Jewish_Languages_The_Hidden_Openness_of_Tradition_by_David_Suchoff_review_">Kafka’s Jewish Languages: The Hidden Openness of Tradition by David Suchoff (review)</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/6506522" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="7a1bb5bd2f54a06c76d0f8b862d3c09a" rel="nofollow" data-download="{"attachment_id":33283977,"asset_id":6506522,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/33283977/download_file?st=MTc0MDU3MTMyOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1421856" href="https://udayton.academia.edu/AbrahamRubin">Abraham Rubin</a><script data-card-contents-for-user="1421856" type="text/json">{"id":1421856,"first_name":"Abraham","last_name":"Rubin","domain_name":"udayton","page_name":"AbrahamRubin","display_name":"Abraham Rubin","profile_url":"https://udayton.academia.edu/AbrahamRubin?f_ri=662","photo":"https://0.academia-photos.com/1421856/512409/38698433/s65_abraham.rubin.jpg"}</script></span></span></li><li class="js-paper-rank-work_6506522 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="6506522"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 6506522, container: ".js-paper-rank-work_6506522", }); 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It abandons the notion of convergence between both spheres, postulating... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_40660338" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">This essay makes a case for reorientation in the controversially discussed matter of how the relationship between Orientalism and Zionism should be interpreted. It abandons the notion of convergence between both spheres, postulating instead that a tradition of downright resistance to Orientalism is inscribed into German literary Zionism. To exemplify the potential of this reorientation for new insights into both postcolonial and German-Jewish history, a discus- sion is provided of Theodor Herzl’s novel The Old New Land (1902), Felix Salten’s Neue Menschen auf alter Erde (1925), and Franz Kafka’s Schakale und Araber (1917).</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/40660338" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="f137adbb188b28ba7c14aa9b3d276ff0" rel="nofollow" data-download="{"attachment_id":60944225,"asset_id":40660338,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/60944225/download_file?st=MTc0MDU3MTMyOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="58002548" href="https://univie.academia.edu/SabineMueller">Sabine Müller</a><script data-card-contents-for-user="58002548" type="text/json">{"id":58002548,"first_name":"Sabine","last_name":"Müller","domain_name":"univie","page_name":"SabineMueller","display_name":"Sabine Müller","profile_url":"https://univie.academia.edu/SabineMueller?f_ri=662","photo":"https://0.academia-photos.com/58002548/82220354/70823528/s65_sabine.m_ller.jpg"}</script></span></span></li><li class="js-paper-rank-work_40660338 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="40660338"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 40660338, container: ".js-paper-rank-work_40660338", }); 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It abandons the notion of convergence between both spheres, postulating instead that a tradition of downright resistance to Orientalism is inscribed into German literary Zionism. To exemplify the potential of this reorientation for new insights into both postcolonial and German-Jewish history, a discus- sion is provided of Theodor Herzl’s novel The Old New Land (1902), Felix Salten’s Neue Menschen auf alter Erde (1925), and Franz Kafka’s Schakale und Araber (1917).\n","downloadable_attachments":[{"id":60944225,"asset_id":40660338,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":58002548,"first_name":"Sabine","last_name":"Müller","domain_name":"univie","page_name":"SabineMueller","display_name":"Sabine Müller","profile_url":"https://univie.academia.edu/SabineMueller?f_ri=662","photo":"https://0.academia-photos.com/58002548/82220354/70823528/s65_sabine.m_ller.jpg"}],"research_interests":[{"id":384,"name":"German Studies","url":"https://www.academia.edu/Documents/in/German_Studies?f_ri=662","nofollow":true},{"id":662,"name":"German Literature","url":"https://www.academia.edu/Documents/in/German_Literature?f_ri=662","nofollow":true},{"id":6693,"name":"Palestine","url":"https://www.academia.edu/Documents/in/Palestine?f_ri=662","nofollow":true},{"id":8446,"name":"Franz Kafka","url":"https://www.academia.edu/Documents/in/Franz_Kafka?f_ri=662","nofollow":true},{"id":17230,"name":"Austrian Literature","url":"https://www.academia.edu/Documents/in/Austrian_Literature?f_ri=662"},{"id":33835,"name":"Zionism","url":"https://www.academia.edu/Documents/in/Zionism?f_ri=662"},{"id":51334,"name":"Orientalism","url":"https://www.academia.edu/Documents/in/Orientalism?f_ri=662"},{"id":53635,"name":"Austrian History","url":"https://www.academia.edu/Documents/in/Austrian_History?f_ri=662"},{"id":1109374,"name":"Theodor Herzl","url":"https://www.academia.edu/Documents/in/Theodor_Herzl?f_ri=662"},{"id":1863454,"name":"Felix Salten","url":"https://www.academia.edu/Documents/in/Felix_Salten?f_ri=662"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_62095823" data-work_id="62095823" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/62095823/Yiddish_or_Jewish_German_The_Holocaust_the_Goethe_Institut_and_Germanys_Neglected_Obligation_to_Peace_and_the_Common_European_Cultural_Heritage_%D0%86%D0%B4%D1%8B%D1%88_%D0%B0%D0%B1%D0%BE_%D0%B3%D0%B0%D0%B1%D1%80%D1%8D%D0%B9%D1%81%D0%BA%D1%96_%D0%BD%D1%8F%D0%BC%D0%B5%D1%86%D0%BA%D1%96_1_%D0%A5%D0%B0%D0%BB%D0%B0%D0%BA%D0%BE%D1%81%D1%82_%D0%86%D0%BD%D1%81%D1%82%D1%8B%D1%82%D1%83%D1%82_%D1%96%D0%BC%D1%8F_%D0%93%D1%91%D1%82%D1%8D_%D1%96_%D0%B7%D0%B0%D0%BD%D1%8F%D0%B4%D0%B1%D0%B0%D0%BD%D0%B0%D0%B5_%D0%B0%D0%B1%D0%B0%D0%B2%D1%8F%D0%B7%D0%B0%D1%86%D0%B5%D0%BB%D1%8C%D1%81%D1%82%D0%B2%D0%B0_%D0%93%D0%B5%D1%80%D0%BC%D0%B0%D0%BD%D1%96%D1%96_%D0%B4%D0%B0_%D0%BC%D1%96%D1%80%D1%83_%D1%96_%D0%B0%D0%B3%D1%83%D0%BB%D1%8C%D0%BD%D0%B0%D0%B9_%D1%8D%D1%9E%D1%80%D0%B0%D0%BF%D0%B5%D0%B9%D1%81%D0%BA%D0%B0%D0%B9_%D0%BA%D1%83%D0%BB%D1%8C%D1%82%D1%83%D1%80%D0%BD%D0%B0%D0%B9_%D1%81%D0%BF%D0%B0%D0%B4%D1%87%D1%8B%D0%BD%D1%8B_">Yiddish, or Jewish German? The Holocaust, the Goethe-Institut, and Germany's Neglected Obligation to Peace and the Common European Cultural Heritage [Ідыш, або габрэйскі нямецкі? 1 Халакост, Інстытут імя Гётэ, і занядбанае абавязацельства Германіі да міру і агульнай эўрапейскай культурнай спадчыны]</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The vast majority of Holocaust victims and survivors were Ashkenazim. Their main language was Yiddish. Yiddish is very close to German, the main difference being that the former is written in Hebrew letters, while the latter in Latin... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_62095823" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The vast majority of Holocaust victims and survivors were Ashkenazim. Their main language was Yiddish. Yiddish is very close to German, the main difference being that the former is written in Hebrew letters, while the latter in Latin ones. Postwar Europe' s moral foundation is Holocaust remembrance. But this remembrance to be effective, it must be active in the absence of Holocaust survivors. A way to ensure that could be the novel school and university subject of Yiddish for reading purposes. As a result, researchers and interested Europeans would start reading documents and books in Yiddish again. Germany' s premiere cultural organization, Goethe-Institut, is uniquely well-placed and morally obligated to facilitate the relaunch, popularization and cultivation of the skill to read Yiddish-language sources and publications for both the sake of research and for pleasure.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/62095823" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="17f32183cce7d0cc598b185c76191cb9" rel="nofollow" data-download="{"attachment_id":74950507,"asset_id":62095823,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/74950507/download_file?st=MTc0MDU3MTMyOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1038344" href="https://st-andrews.academia.edu/TomKamusella">Tom Kamusella</a><script data-card-contents-for-user="1038344" type="text/json">{"id":1038344,"first_name":"Tom","last_name":"Kamusella","domain_name":"st-andrews","page_name":"TomKamusella","display_name":"Tom Kamusella","profile_url":"https://st-andrews.academia.edu/TomKamusella?f_ri=662","photo":"https://0.academia-photos.com/1038344/15014775/15750762/s65_tom.kamusella.jpg"}</script></span></span></li><li class="js-paper-rank-work_62095823 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="62095823"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 62095823, container: ".js-paper-rank-work_62095823", }); 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$(".js-view-count[data-work-id=62095823]").text(description); $(".js-view-count-work_62095823").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_62095823").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="62095823"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">19</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="131" rel="nofollow" href="https://www.academia.edu/Documents/in/European_History">European History</a>, <script data-card-contents-for-ri="131" type="text/json">{"id":131,"name":"European History","url":"https://www.academia.edu/Documents/in/European_History?f_ri=662","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="384" rel="nofollow" href="https://www.academia.edu/Documents/in/German_Studies">German Studies</a>, <script data-card-contents-for-ri="384" type="text/json">{"id":384,"name":"German Studies","url":"https://www.academia.edu/Documents/in/German_Studies?f_ri=662","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="662" rel="nofollow" href="https://www.academia.edu/Documents/in/German_Literature">German Literature</a>, <script data-card-contents-for-ri="662" type="text/json">{"id":662,"name":"German Literature","url":"https://www.academia.edu/Documents/in/German_Literature?f_ri=662","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="669" rel="nofollow" href="https://www.academia.edu/Documents/in/Yiddish_Literature">Yiddish Literature</a><script data-card-contents-for-ri="669" type="text/json">{"id":669,"name":"Yiddish Literature","url":"https://www.academia.edu/Documents/in/Yiddish_Literature?f_ri=662","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=62095823]'), work: {"id":62095823,"title":"Yiddish, or Jewish German? The Holocaust, the Goethe-Institut, and Germany's Neglected Obligation to Peace and the Common European Cultural Heritage [Ідыш, або габрэйскі нямецкі? 1 Халакост, Інстытут імя Гётэ, і занядбанае абавязацельства Германіі да міру і агульнай эўрапейскай культурнай спадчыны]","created_at":"2021-11-21T00:27:15.716-08:00","url":"https://www.academia.edu/62095823/Yiddish_or_Jewish_German_The_Holocaust_the_Goethe_Institut_and_Germanys_Neglected_Obligation_to_Peace_and_the_Common_European_Cultural_Heritage_%D0%86%D0%B4%D1%8B%D1%88_%D0%B0%D0%B1%D0%BE_%D0%B3%D0%B0%D0%B1%D1%80%D1%8D%D0%B9%D1%81%D0%BA%D1%96_%D0%BD%D1%8F%D0%BC%D0%B5%D1%86%D0%BA%D1%96_1_%D0%A5%D0%B0%D0%BB%D0%B0%D0%BA%D0%BE%D1%81%D1%82_%D0%86%D0%BD%D1%81%D1%82%D1%8B%D1%82%D1%83%D1%82_%D1%96%D0%BC%D1%8F_%D0%93%D1%91%D1%82%D1%8D_%D1%96_%D0%B7%D0%B0%D0%BD%D1%8F%D0%B4%D0%B1%D0%B0%D0%BD%D0%B0%D0%B5_%D0%B0%D0%B1%D0%B0%D0%B2%D1%8F%D0%B7%D0%B0%D1%86%D0%B5%D0%BB%D1%8C%D1%81%D1%82%D0%B2%D0%B0_%D0%93%D0%B5%D1%80%D0%BC%D0%B0%D0%BD%D1%96%D1%96_%D0%B4%D0%B0_%D0%BC%D1%96%D1%80%D1%83_%D1%96_%D0%B0%D0%B3%D1%83%D0%BB%D1%8C%D0%BD%D0%B0%D0%B9_%D1%8D%D1%9E%D1%80%D0%B0%D0%BF%D0%B5%D0%B9%D1%81%D0%BA%D0%B0%D0%B9_%D0%BA%D1%83%D0%BB%D1%8C%D1%82%D1%83%D1%80%D0%BD%D0%B0%D0%B9_%D1%81%D0%BF%D0%B0%D0%B4%D1%87%D1%8B%D0%BD%D1%8B_?f_ri=662","dom_id":"work_62095823","summary":"The vast majority of Holocaust victims and survivors were Ashkenazim. Their main language was Yiddish. Yiddish is very close to German, the main difference being that the former is written in Hebrew letters, while the latter in Latin ones. Postwar Europe' s moral foundation is Holocaust remembrance. But this remembrance to be effective, it must be active in the absence of Holocaust survivors. A way to ensure that could be the novel school and university subject of Yiddish for reading purposes. As a result, researchers and interested Europeans would start reading documents and books in Yiddish again. Germany' s premiere cultural organization, Goethe-Institut, is uniquely well-placed and morally obligated to facilitate the relaunch, popularization and cultivation of the skill to read Yiddish-language sources and publications for both the sake of research and for pleasure.","downloadable_attachments":[{"id":74950507,"asset_id":62095823,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1038344,"first_name":"Tom","last_name":"Kamusella","domain_name":"st-andrews","page_name":"TomKamusella","display_name":"Tom Kamusella","profile_url":"https://st-andrews.academia.edu/TomKamusella?f_ri=662","photo":"https://0.academia-photos.com/1038344/15014775/15750762/s65_tom.kamusella.jpg"}],"research_interests":[{"id":131,"name":"European History","url":"https://www.academia.edu/Documents/in/European_History?f_ri=662","nofollow":true},{"id":384,"name":"German Studies","url":"https://www.academia.edu/Documents/in/German_Studies?f_ri=662","nofollow":true},{"id":662,"name":"German Literature","url":"https://www.academia.edu/Documents/in/German_Literature?f_ri=662","nofollow":true},{"id":669,"name":"Yiddish Literature","url":"https://www.academia.edu/Documents/in/Yiddish_Literature?f_ri=662","nofollow":true},{"id":1188,"name":"Language revitalization","url":"https://www.academia.edu/Documents/in/Language_revitalization?f_ri=662"},{"id":1204,"name":"Yiddish Language","url":"https://www.academia.edu/Documents/in/Yiddish_Language?f_ri=662"},{"id":1729,"name":"German History","url":"https://www.academia.edu/Documents/in/German_History?f_ri=662"},{"id":4049,"name":"Yiddish","url":"https://www.academia.edu/Documents/in/Yiddish?f_ri=662"},{"id":4486,"name":"Political Science","url":"https://www.academia.edu/Documents/in/Political_Science?f_ri=662"},{"id":5034,"name":"Language Planning and Policy","url":"https://www.academia.edu/Documents/in/Language_Planning_and_Policy?f_ri=662"},{"id":5531,"name":"Antisemitism (Prejudice)","url":"https://www.academia.edu/Documents/in/Antisemitism_Prejudice_?f_ri=662"},{"id":6148,"name":"German Language","url":"https://www.academia.edu/Documents/in/German_Language?f_ri=662"},{"id":6627,"name":"Jewish History","url":"https://www.academia.edu/Documents/in/Jewish_History?f_ri=662"},{"id":10347,"name":"European Union","url":"https://www.academia.edu/Documents/in/European_Union?f_ri=662"},{"id":12742,"name":"Holocaust Studies","url":"https://www.academia.edu/Documents/in/Holocaust_Studies?f_ri=662"},{"id":44055,"name":"Yiddish Studies","url":"https://www.academia.edu/Documents/in/Yiddish_Studies?f_ri=662"},{"id":54355,"name":"Antisemitism","url":"https://www.academia.edu/Documents/in/Antisemitism?f_ri=662"},{"id":58304,"name":"German-Jewish Studies","url":"https://www.academia.edu/Documents/in/German-Jewish_Studies?f_ri=662"},{"id":142909,"name":"Yiddish Culture and Language","url":"https://www.academia.edu/Documents/in/Yiddish_Culture_and_Language?f_ri=662"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_15762280" data-work_id="15762280" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/15762280/Novalis_Mathematical_Fragments_1798_1800_">Novalis. Mathematical Fragments (1798-1800)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">A selection of some of Novalis’s most important reflections on mathematics from the years 1798-1800. Introduced and translated into English by David W. Wood. In: Symphilosophie: International Journal of Philosophical Romanticism 3... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_15762280" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">A selection of some of Novalis’s most important reflections on mathematics from the years 1798-1800. Introduced and translated into English by David W. Wood. <br /> <br />In: Symphilosophie: International Journal of Philosophical Romanticism 3 (2021): 273-290 <br /><a href="https://symphilosophie.com/issue-4-2022/2/" rel="nofollow">https://symphilosophie.com/issue-4-2022/2/</a></div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/15762280" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="f4e938ed32f2f09975f087765260303f" rel="nofollow" data-download="{"attachment_id":76906636,"asset_id":15762280,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/76906636/download_file?st=MTc0MDU3MTMyOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="12456201" href="https://uni-bonn.academia.edu/DavidWWood">David W. 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(Hrsg., Nachwort). 2011. Die Blutige Weisse Baron und die Fakten. – In: Ich befehle: Kampf und Tragoedie des Barons Ungern-Sternberg/ B. Krauthoff. Kreuzzug 1921: Dramatische Ballade/M. Haupt. 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Winckelmann, the Origin of Art, and the Cultural History of Nudity in the Eighteenth Century</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The opposition between the naked and the clothed body is one of the most productive elements of cultural history and is often associated with the dichotomy between nature and culture. According to tradition, nudity stimulates the... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_77760090" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The opposition between the naked and the clothed body is one of the most productive elements of cultural history and is often associated with the dichotomy between nature and culture. According to tradition, nudity stimulates the imagination and is the imaginary origin of art. The article examines this narrative in Ovid’s Metamorphoses and in the eighteenth century in Rousseau, the Encyclopédie, and Winckelmann, in order to show its poetic productivity, but also its colonial entanglements.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/77760090" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="18169895" href="https://uclouvain.academia.edu/QuintusImmisch">Quintus Immisch</a><script data-card-contents-for-user="18169895" type="text/json">{"id":18169895,"first_name":"Quintus","last_name":"Immisch","domain_name":"uclouvain","page_name":"QuintusImmisch","display_name":"Quintus Immisch","profile_url":"https://uclouvain.academia.edu/QuintusImmisch?f_ri=662","photo":"https://0.academia-photos.com/18169895/19720577/30356435/s65_quintus.immisch.jpeg"}</script></span></span></li><li class="js-paper-rank-work_77760090 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="77760090"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 77760090, container: ".js-paper-rank-work_77760090", }); 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Wien: Praesens, 2020.</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized"><a href="http://www.praesens.at/praesens2013/?p=7121" rel="nofollow">http://www.praesens.at/praesens2013/?p=7121</a> Literarische (Mehr)Sprachreflexionen positioniert sich an der Schnittstelle von Wissenschaft und Kunst und legt den Schwerpunkt auf die Verbindung von Texten zeitgenössischer mehrsprachiger... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_43253213" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden"><a href="http://www.praesens.at/praesens2013/?p=7121" rel="nofollow">http://www.praesens.at/praesens2013/?p=7121</a> <br /> <br />Literarische (Mehr)Sprachreflexionen positioniert sich an der Schnittstelle von Wissenschaft und Kunst und legt den Schwerpunkt auf die Verbindung von Texten zeitgenössischer mehrsprachiger AutorInnen und wissenschaftlichen Beiträgen zu ihrem Werk: SchriftstellerInnen denken in poetologischen Texten sowie in Gesprächen über ihr Verhältnis zu ihren Sprachen nach, LiteraturwissenschaftlerInnen antworten darauf und beleuchten literarische Mehrsprachigkeit aus theoretischer Perspektive. <br />Mit (Original-)Beiträgen von Bachtyar Ali, Marica Bodrožić, Anne Cotten, Tomer Gardi, Olga Grjasnowa, Barbi Marković, José F. A. Oliver, Katja Petrowskaja, Dragica Rajčić, Ilma Rakusa, Saša Stanišić, Michael Stavarić, Sina Tahayori und der Künstlerin Himani Gupta. <br />Mit wissenschaftlichen Analysen von Natalia Blum-Barth (Mainz), Monika L. Behravesh (Kassel), Deirdre Byrnes (Galway), Núria Codina Solà (Leuven), Renata Cornejo (Ustí nad Labem), Anne Fleig (Berlin), Walter Schmitz (Dresden), Silke Schwaiger (Wien), Barbara Siller (Cork), Johann Strutz (Klagenfurt), Masahiko Tsuchiya (Nagoya), Sandra Vlasta (Mainz) und Stefan Weidner (Köln). <br /> <br />Barbara Siller ist Lecturer am Department of German/University College Cork. <br /> <br />Sandra Vlasta ist wissenschaftliche Mitarbeiterin am Gutenberg-Institut für Weltliteratur und schriftorientierte Medien, Allgemeine und Vergleichende Literaturwissenschaft/Johannes Gutenberg-Universität Mainz. <br /> <br />The book titled Literarische (Mehr)Sprachreflexionen (publishing house praesens / Vienna) positions itself between academia and literary arts and focuses on the connection between texts by contemporary multilingual writers and scholarly works. While the writers reflect on their relationship with their languages, literary scholars respond to their work and debate literary multilingualism from a theoretical standpoint. <br />The book features original works from prominent multilingual authors from Germany, Austria and Switzerland such as Bachtyar Ali, Marica Bodrožić, Anne Cotten, Tomer Gardi, Olga Grjasnowa, Barbi Marković, José F. A. Oliver, Katja Petrowskaja, Dragica Rajčić, Ilma Rakusa, Saša Stanišić, Michael Stavarić, Sina Tahayori and of the artist Himani Gupta (cover). <br />The responses to the literary work include contributions by Natalia Blum-Barth (Mainz), Monika L. Behravesh (Kassel), Deirdre Byrnes (Galway), Núria Codina Solà (Leuven), Renata Cornejo (Ustí nad Labem), Anne Fleig (Berlin), Walter Schmitz (Dresden), Silke Schwaiger (Wien), Barbara Siller (Cork), Johann Strutz (Klagenfurt), Masahiko Tsuchiya (Nagoya), Sandra Vlasta (Mainz) and Stefan Weidner (Köln). <br /> <br />Barbara Siller is Lecturer in the Department of German/University College Cork and is the Director of the MA Applied Linguistics Programme. <br /> <br />Sandra Vlasta is a Research Fellow at the Gutenberg-Institut für Weltliteratur und schriftorientierte Medien, Allgemeine und Vergleichende Literaturwissenschaft/Johannes Gutenberg-Universität Mainz. <br /> <br /><a href="http://www.praesens.at/praesens2013/?p=7121" rel="nofollow">http://www.praesens.at/praesens2013/?p=7121</a> <br />2020, ISBN 978-3-7069-1003-3, 384 Seiten, brosch. <br />€ [A] 34,90 / € [D] 33,90</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/43253213" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="108a2b350830b6085a7b1fc652015857" rel="nofollow" data-download="{"attachment_id":63524365,"asset_id":43253213,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/63524365/download_file?st=MTc0MDU3MTMyOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="28047627" href="https://unige-it1.academia.edu/SandraVlasta">Sandra Vlasta</a><script data-card-contents-for-user="28047627" type="text/json">{"id":28047627,"first_name":"Sandra","last_name":"Vlasta","domain_name":"unige-it1","page_name":"SandraVlasta","display_name":"Sandra Vlasta","profile_url":"https://unige-it1.academia.edu/SandraVlasta?f_ri=662","photo":"https://0.academia-photos.com/28047627/10598148/11829466/s65_sandra.vlasta.jpg"}</script></span></span><span class="u-displayInlineBlock InlineList-item-text"> and <span class="u-textDecorationUnderline u-clickable InlineList-item-text js-work-more-authors-43253213">+1</span><div class="hidden js-additional-users-43253213"><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://independent.academia.edu/BarbaraSiller">Barbara Siller</a></span></div></div></span><script>(function(){ var popoverSettings = { el: $('.js-work-more-authors-43253213'), placement: 'bottom', hide_delay: 200, html: true, content: function(){ return $('.js-additional-users-43253213').html(); 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Wien: Praesens, 2020.","created_at":"2020-06-04T01:25:42.449-07:00","url":"https://www.academia.edu/43253213/Barbara_Siller_Sandra_Vlasta_Hg_Literarische_Mehr_Sprachreflexionen_Wien_Praesens_2020?f_ri=662","dom_id":"work_43253213","summary":"http://www.praesens.at/praesens2013/?p=7121\r\n\r\nLiterarische (Mehr)Sprachreflexionen positioniert sich an der Schnittstelle von Wissenschaft und Kunst und legt den Schwerpunkt auf die Verbindung von Texten zeitgenössischer mehrsprachiger AutorInnen und wissenschaftlichen Beiträgen zu ihrem Werk: SchriftstellerInnen denken in poetologischen Texten sowie in Gesprächen über ihr Verhältnis zu ihren Sprachen nach, LiteraturwissenschaftlerInnen antworten darauf und beleuchten literarische Mehrsprachigkeit aus theoretischer Perspektive.\r\nMit (Original-)Beiträgen von Bachtyar Ali, Marica Bodrožić, Anne Cotten, Tomer Gardi, Olga Grjasnowa, Barbi Marković, José F. A. Oliver, Katja Petrowskaja, Dragica Rajčić, Ilma Rakusa, Saša Stanišić, Michael Stavarić, Sina Tahayori und der Künstlerin Himani Gupta.\r\nMit wissenschaftlichen Analysen von Natalia Blum-Barth (Mainz), Monika L. Behravesh (Kassel), Deirdre Byrnes (Galway), Núria Codina Solà (Leuven), Renata Cornejo (Ustí nad Labem), Anne Fleig (Berlin), Walter Schmitz (Dresden), Silke Schwaiger (Wien), Barbara Siller (Cork), Johann Strutz (Klagenfurt), Masahiko Tsuchiya (Nagoya), Sandra Vlasta (Mainz) und Stefan Weidner (Köln).\r\n\r\nBarbara Siller ist Lecturer am Department of German/University College Cork.\r\n\r\nSandra Vlasta ist wissenschaftliche Mitarbeiterin am Gutenberg-Institut für Weltliteratur und schriftorientierte Medien, Allgemeine und Vergleichende Literaturwissenschaft/Johannes Gutenberg-Universität Mainz.\r\n\r\nThe book titled Literarische (Mehr)Sprachreflexionen (publishing house praesens / Vienna) positions itself between academia and literary arts and focuses on the connection between texts by contemporary multilingual writers and scholarly works. While the writers reflect on their relationship with their languages, literary scholars respond to their work and debate literary multilingualism from a theoretical standpoint.\r\nThe book features original works from prominent multilingual authors from Germany, Austria and Switzerland such as Bachtyar Ali, Marica Bodrožić, Anne Cotten, Tomer Gardi, Olga Grjasnowa, Barbi Marković, José F. A. Oliver, Katja Petrowskaja, Dragica Rajčić, Ilma Rakusa, Saša Stanišić, Michael Stavarić, Sina Tahayori and of the artist Himani Gupta (cover).\r\nThe responses to the literary work include contributions by Natalia Blum-Barth (Mainz), Monika L. Behravesh (Kassel), Deirdre Byrnes (Galway), Núria Codina Solà (Leuven), Renata Cornejo (Ustí nad Labem), Anne Fleig (Berlin), Walter Schmitz (Dresden), Silke Schwaiger (Wien), Barbara Siller (Cork), Johann Strutz (Klagenfurt), Masahiko Tsuchiya (Nagoya), Sandra Vlasta (Mainz) and Stefan Weidner (Köln).\r\n\r\nBarbara Siller is Lecturer in the Department of German/University College Cork and is the Director of the MA Applied Linguistics Programme.\r\n\r\nSandra Vlasta is a Research Fellow at the Gutenberg-Institut für Weltliteratur und schriftorientierte Medien, Allgemeine und Vergleichende Literaturwissenschaft/Johannes Gutenberg-Universität Mainz.\r\n\r\nhttp://www.praesens.at/praesens2013/?p=7121\r\n2020, ISBN 978-3-7069-1003-3, 384 Seiten, brosch.\r\n€ [A] 34,90 / € [D] 33,90","downloadable_attachments":[{"id":63524365,"asset_id":43253213,"asset_type":"Work","always_allow_download":false},{"id":63524246,"asset_id":43253213,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":28047627,"first_name":"Sandra","last_name":"Vlasta","domain_name":"unige-it1","page_name":"SandraVlasta","display_name":"Sandra Vlasta","profile_url":"https://unige-it1.academia.edu/SandraVlasta?f_ri=662","photo":"https://0.academia-photos.com/28047627/10598148/11829466/s65_sandra.vlasta.jpg"},{"id":32310783,"first_name":"Barbara","last_name":"Siller","domain_name":"independent","page_name":"BarbaraSiller","display_name":"Barbara Siller","profile_url":"https://independent.academia.edu/BarbaraSiller?f_ri=662","photo":"https://0.academia-photos.com/32310783/18806371/18766301/s65_barbara.siller.jpg"}],"research_interests":[{"id":662,"name":"German Literature","url":"https://www.academia.edu/Documents/in/German_Literature?f_ri=662","nofollow":true},{"id":54008,"name":"Mehrsprachigkeit","url":"https://www.academia.edu/Documents/in/Mehrsprachigkeit?f_ri=662","nofollow":true},{"id":87450,"name":"German language and literature","url":"https://www.academia.edu/Documents/in/German_language_and_literature?f_ri=662","nofollow":true},{"id":138346,"name":"Literary Multilingualism","url":"https://www.academia.edu/Documents/in/Literary_Multilingualism?f_ri=662","nofollow":true},{"id":153884,"name":"Multilingual Studies, Identity Studies, Border identities, hybridity, multilingualism, poetry, bilingual poetry, cultural studies, postcolonial studies, globalization studies, third culture kids","url":"https://www.academia.edu/Documents/in/Multilingual_Studies_Identity_Studies_Border_identities_hybridity_multilingualism_poetry_bilin?f_ri=662"},{"id":167659,"name":"Interkulturelle Germanistik","url":"https://www.academia.edu/Documents/in/Interkulturelle_Germanistik?f_ri=662"},{"id":965065,"name":"Multilingual Writing)","url":"https://www.academia.edu/Documents/in/Multilingual_Writing_?f_ri=662"},{"id":2738085,"name":"Mehrsprachige Literatur","url":"https://www.academia.edu/Documents/in/Mehrsprachige_Literatur?f_ri=662"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_41788753" data-work_id="41788753" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/41788753/Manfred_Engel_Rilkes_Duineser_Elegien_und_die_moderne_deutsche_Lyrik_Zwischen_Jahrhundertwende_und_Avantgarde">Manfred Engel, Rilkes "Duineser Elegien" und die moderne deutsche Lyrik. Zwischen Jahrhundertwende und Avantgarde</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Deutung und Bewertung des Rilkeschen Lebenswerkes, insbesondere seiner »Duineser Elegien«, sind nach wie vor durch eine erstaunliche Unsicherheit gekennzeichnet. Dies erklärt sich wohl vor allem aus der weitgehenden Vernachlässigung... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_41788753" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Deutung und Bewertung des Rilkeschen Lebenswerkes, insbesondere seiner »Duineser Elegien«, sind nach wie vor durch eine erstaunliche Unsicherheit gekennzeichnet. Dies erklärt sich wohl vor allem aus der weitgehenden Vernachlässigung bewußtseins- wie literaturgeschichtlicher Zusammenhänge in der bisherigen Forschung. Die Arbeit stellt daher die »Duineser Elegien« in den Kontext von Rilkes Gesamtwerk und versucht, ihre Eigenart und ihren Rang vor dem Hintergrund der deutschen Lyrik zwischen Jahrhundertwende und dem Beginn der zwanziger Jahre zu bestimmen. Da sie dabei die wesentlichen Züge der europäischen Modeme einbezieht, enthält die Studie auch den Entwurf einer Geschichte der modernen Lyrik und leistet einen wichtigen Beitrag zur Formulierung eines Epochenbegriffs der »Modeme«. Mit Hilfe ausgewählter philosophischer wie literarischer Texte der Zeit skizziert sie ein Entwicklungsmodell, das den französischen Symbolismus, die deutsche Jahrhundertwende, die »klassische Modeme« und die Avantgarde (Futurismus, Expressionismus, Wortkunst und Dada) in ein überzeugendes Verhältnis zueinander bringt, und zeigt Grundstrukturen der modernen Lyrik auf. <br />In ständigem Wechsel mit diesen Kontexten werden die »Duineser Elegien« eingehend analysiert. Nach rezeptionsgeschichtlichen und rezeptionsästhetischen Vorüberlegungen untersucht die Arbeit im Detail das Motivgeflecht des Werkes, Rilkes Verwendung von Mythos, Metapher, Vergleich und Symbol sowie die Bauformen des Zyklus und die intendierte Leserhaltung. Sie weist nach, wie Rilkes Deutung der condition humaine, sein neuer Wirklichkeitsbegriff und Subjektivitätsentwurf, und der poetische Diskurs der »Elegien« zusammenhängen und grenzt sie von den radikaleren Experimenten der Avantgarde ab.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/41788753" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="467dfe2d1050c3ebbd5ce43b72797b3d" rel="nofollow" data-download="{"attachment_id":64622544,"asset_id":41788753,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/64622544/download_file?st=MTc0MDU3MTMyOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="107803155" href="https://uni-saarland.academia.edu/ManfredEngel">Manfred Engel</a><script data-card-contents-for-user="107803155" type="text/json">{"id":107803155,"first_name":"Manfred","last_name":"Engel","domain_name":"uni-saarland","page_name":"ManfredEngel","display_name":"Manfred Engel","profile_url":"https://uni-saarland.academia.edu/ManfredEngel?f_ri=662","photo":"https://0.academia-photos.com/107803155/39288192/32566450/s65_manfred.engel.jpg"}</script></span></span></li><li class="js-paper-rank-work_41788753 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="41788753"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 41788753, container: ".js-paper-rank-work_41788753", }); 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$(".js-view-count[data-work-id=41788753]").text(description); $(".js-view-count-work_41788753").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_41788753").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="41788753"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">20</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="384" rel="nofollow" href="https://www.academia.edu/Documents/in/German_Studies">German Studies</a>, <script data-card-contents-for-ri="384" type="text/json">{"id":384,"name":"German Studies","url":"https://www.academia.edu/Documents/in/German_Studies?f_ri=662","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="662" rel="nofollow" href="https://www.academia.edu/Documents/in/German_Literature">German Literature</a>, <script data-card-contents-for-ri="662" type="text/json">{"id":662,"name":"German Literature","url":"https://www.academia.edu/Documents/in/German_Literature?f_ri=662","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="3062" rel="nofollow" href="https://www.academia.edu/Documents/in/Avant-garde_writing">Avant-garde writing</a>, <script data-card-contents-for-ri="3062" type="text/json">{"id":3062,"name":"Avant-garde writing","url":"https://www.academia.edu/Documents/in/Avant-garde_writing?f_ri=662","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="5183" rel="nofollow" href="https://www.academia.edu/Documents/in/Modernist_poetry">Modernist poetry</a><script data-card-contents-for-ri="5183" type="text/json">{"id":5183,"name":"Modernist poetry","url":"https://www.academia.edu/Documents/in/Modernist_poetry?f_ri=662","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=41788753]'), work: {"id":41788753,"title":"Manfred Engel, Rilkes \"Duineser Elegien\" und die moderne deutsche Lyrik. Zwischen Jahrhundertwende und Avantgarde","created_at":"2020-01-30T05:37:39.642-08:00","url":"https://www.academia.edu/41788753/Manfred_Engel_Rilkes_Duineser_Elegien_und_die_moderne_deutsche_Lyrik_Zwischen_Jahrhundertwende_und_Avantgarde?f_ri=662","dom_id":"work_41788753","summary":"Deutung und Bewertung des Rilkeschen Lebenswerkes, insbesondere seiner »Duineser Elegien«, sind nach wie vor durch eine erstaunliche Unsicherheit gekennzeichnet. Dies erklärt sich wohl vor allem aus der weitgehenden Vernachlässigung bewußtseins- wie literaturgeschichtlicher Zusammenhänge in der bisherigen Forschung. Die Arbeit stellt daher die »Duineser Elegien« in den Kontext von Rilkes Gesamtwerk und versucht, ihre Eigenart und ihren Rang vor dem Hintergrund der deutschen Lyrik zwischen Jahrhundertwende und dem Beginn der zwanziger Jahre zu bestimmen. Da sie dabei die wesentlichen Züge der europäischen Modeme einbezieht, enthält die Studie auch den Entwurf einer Geschichte der modernen Lyrik und leistet einen wichtigen Beitrag zur Formulierung eines Epochenbegriffs der »Modeme«. Mit Hilfe ausgewählter philosophischer wie literarischer Texte der Zeit skizziert sie ein Entwicklungsmodell, das den französischen Symbolismus, die deutsche Jahrhundertwende, die »klassische Modeme« und die Avantgarde (Futurismus, Expressionismus, Wortkunst und Dada) in ein überzeugendes Verhältnis zueinander bringt, und zeigt Grundstrukturen der modernen Lyrik auf. \nIn ständigem Wechsel mit diesen Kontexten werden die »Duineser Elegien« eingehend analysiert. Nach rezeptionsgeschichtlichen und rezeptionsästhetischen Vorüberlegungen untersucht die Arbeit im Detail das Motivgeflecht des Werkes, Rilkes Verwendung von Mythos, Metapher, Vergleich und Symbol sowie die Bauformen des Zyklus und die intendierte Leserhaltung. Sie weist nach, wie Rilkes Deutung der condition humaine, sein neuer Wirklichkeitsbegriff und Subjektivitätsentwurf, und der poetische Diskurs der »Elegien« zusammenhängen und grenzt sie von den radikaleren Experimenten der Avantgarde ab.","downloadable_attachments":[{"id":64622544,"asset_id":41788753,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":107803155,"first_name":"Manfred","last_name":"Engel","domain_name":"uni-saarland","page_name":"ManfredEngel","display_name":"Manfred Engel","profile_url":"https://uni-saarland.academia.edu/ManfredEngel?f_ri=662","photo":"https://0.academia-photos.com/107803155/39288192/32566450/s65_manfred.engel.jpg"}],"research_interests":[{"id":384,"name":"German Studies","url":"https://www.academia.edu/Documents/in/German_Studies?f_ri=662","nofollow":true},{"id":662,"name":"German Literature","url":"https://www.academia.edu/Documents/in/German_Literature?f_ri=662","nofollow":true},{"id":3062,"name":"Avant-garde writing","url":"https://www.academia.edu/Documents/in/Avant-garde_writing?f_ri=662","nofollow":true},{"id":5183,"name":"Modernist poetry","url":"https://www.academia.edu/Documents/in/Modernist_poetry?f_ri=662","nofollow":true},{"id":8102,"name":"Futurism","url":"https://www.academia.edu/Documents/in/Futurism?f_ri=662"},{"id":8444,"name":"Modernist Literature (Literary Modernism)","url":"https://www.academia.edu/Documents/in/Modernist_Literature_Literary_Modernism_?f_ri=662"},{"id":8601,"name":"German Expressionism","url":"https://www.academia.edu/Documents/in/German_Expressionism?f_ri=662"},{"id":12761,"name":"Modern Poetry","url":"https://www.academia.edu/Documents/in/Modern_Poetry?f_ri=662"},{"id":16767,"name":"Modernism","url":"https://www.academia.edu/Documents/in/Modernism?f_ri=662"},{"id":31319,"name":"20th century Avant-Garde","url":"https://www.academia.edu/Documents/in/20th_century_Avant-Garde?f_ri=662"},{"id":46006,"name":"Rainer Maria Rilke, Duino Elegies","url":"https://www.academia.edu/Documents/in/Rainer_Maria_Rilke_Duino_Elegies?f_ri=662"},{"id":51331,"name":"Avant garde Poetry","url":"https://www.academia.edu/Documents/in/Avant_garde_Poetry?f_ri=662"},{"id":53285,"name":"Dadaism","url":"https://www.academia.edu/Documents/in/Dadaism?f_ri=662"},{"id":67309,"name":"Fin de Siècle","url":"https://www.academia.edu/Documents/in/Fin_de_Si%C3%A8cle?f_ri=662"},{"id":139009,"name":"Rainer Maria Rilke","url":"https://www.academia.edu/Documents/in/Rainer_Maria_Rilke?f_ri=662"},{"id":182119,"name":"Neuere Deutsche Literatur","url":"https://www.academia.edu/Documents/in/Neuere_Deutsche_Literatur?f_ri=662"},{"id":409794,"name":"Germanistik","url":"https://www.academia.edu/Documents/in/Germanistik?f_ri=662"},{"id":1399478,"name":"Lyrik Der Klassischen Moderne","url":"https://www.academia.edu/Documents/in/Lyrik_Der_Klassischen_Moderne?f_ri=662"},{"id":2391381,"name":"Neuere Deutsche Literaturwissenschaft","url":"https://www.academia.edu/Documents/in/Neuere_Deutsche_Literaturwissenschaft?f_ri=662"},{"id":2893854,"name":"2OTH Century Literature","url":"https://www.academia.edu/Documents/in/2OTH_Century_Literature?f_ri=662"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_15516877" data-work_id="15516877" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/15516877/The_Jewish_Refugees_from_Germany_in_The_Netherlands_1933_1940">The Jewish Refugees from Germany in The Netherlands 1933-1940</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Table of Contents and English Abstract of my 1978 Hebrew University PhD-thesis</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/15516877" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="9ed978b0b50b6395d565b21979fe3d09" rel="nofollow" data-download="{"attachment_id":38705415,"asset_id":15516877,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/38705415/download_file?st=MTc0MDU3MTMyOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span 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data-has-card-for-ri="662" rel="nofollow" href="https://www.academia.edu/Documents/in/German_Literature">German Literature</a>, <script data-card-contents-for-ri="662" type="text/json">{"id":662,"name":"German Literature","url":"https://www.academia.edu/Documents/in/German_Literature?f_ri=662","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="2835" rel="nofollow" href="https://www.academia.edu/Documents/in/Refugee_Studies">Refugee Studies</a>, <script data-card-contents-for-ri="2835" type="text/json">{"id":2835,"name":"Refugee Studies","url":"https://www.academia.edu/Documents/in/Refugee_Studies?f_ri=662","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="8908" rel="nofollow" href="https://www.academia.edu/Documents/in/History_of_The_Netherlands">History of The Netherlands</a>, <script data-card-contents-for-ri="8908" type="text/json">{"id":8908,"name":"History of The 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PhD-thesis","downloadable_attachments":[{"id":38705415,"asset_id":15516877,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":14046397,"first_name":"Dan","last_name":"Michman","domain_name":"biu","page_name":"DanMichman","display_name":"Dan Michman","profile_url":"https://biu.academia.edu/DanMichman?f_ri=662","photo":"https://0.academia-photos.com/14046397/9511771/10596994/s65_dan.michman.jpg"}],"research_interests":[{"id":662,"name":"German Literature","url":"https://www.academia.edu/Documents/in/German_Literature?f_ri=662","nofollow":true},{"id":2835,"name":"Refugee Studies","url":"https://www.academia.edu/Documents/in/Refugee_Studies?f_ri=662","nofollow":true},{"id":8908,"name":"History of The Netherlands","url":"https://www.academia.edu/Documents/in/History_of_The_Netherlands?f_ri=662","nofollow":true},{"id":12742,"name":"Holocaust Studies","url":"https://www.academia.edu/Documents/in/Holocaust_Studies?f_ri=662","nofollow":true},{"id":17808,"name":"International Refugee Law","url":"https://www.academia.edu/Documents/in/International_Refugee_Law?f_ri=662"},{"id":28247,"name":"Modern Jewish History","url":"https://www.academia.edu/Documents/in/Modern_Jewish_History?f_ri=662"},{"id":33005,"name":"Refugee Camps","url":"https://www.academia.edu/Documents/in/Refugee_Camps?f_ri=662"},{"id":43023,"name":"Nazi Germany","url":"https://www.academia.edu/Documents/in/Nazi_Germany?f_ri=662"},{"id":43575,"name":"Holocaust","url":"https://www.academia.edu/Documents/in/Holocaust?f_ri=662"},{"id":58304,"name":"German-Jewish Studies","url":"https://www.academia.edu/Documents/in/German-Jewish_Studies?f_ri=662"},{"id":77293,"name":"Holocaust and Genocide Studies","url":"https://www.academia.edu/Documents/in/Holocaust_and_Genocide_Studies?f_ri=662"},{"id":152724,"name":"Refugee Law","url":"https://www.academia.edu/Documents/in/Refugee_Law?f_ri=662"},{"id":218957,"name":"Dutch-Jewish History","url":"https://www.academia.edu/Documents/in/Dutch-Jewish_History?f_ri=662"},{"id":255100,"name":"Asylum and refugees studies, migration and integration","url":"https://www.academia.edu/Documents/in/Asylum_and_refugees_studies_migration_and_integration?f_ri=662"},{"id":255252,"name":"Refugees, migration and immigration","url":"https://www.academia.edu/Documents/in/Refugees_migration_and_immigration?f_ri=662"},{"id":367888,"name":"German Jewish history","url":"https://www.academia.edu/Documents/in/German_Jewish_history?f_ri=662"},{"id":1003962,"name":"Modern European Jewish History","url":"https://www.academia.edu/Documents/in/Modern_European_Jewish_History?f_ri=662"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_8457305" data-work_id="8457305" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/8457305/_The_Comics_Debate_in_Germany_Against_Dirt_and_Rubbish_Pictorial_Idiotism_and_Cultural_Analphabetism_">“The Comics Debate in Germany: Against Dirt and Rubbish, Pictorial Idiotism and Cultural Analphabetism”</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The purpose of this essay is to reconstruct the comics controversy in Germany in the 1950s and 1960s, paying special attention to the debate over effects, which was paramount. A guiding principle of this investigation is to relate the... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_8457305" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The purpose of this essay is to reconstruct the comics controversy in Germany in the 1950s and 1960s, paying special attention to the debate over effects, which was paramount. A guiding principle of this investigation is to relate the arguments of the comics debate to a broader political, social, and cultural context. The main source of information are selected articles published in the German press at that time.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/8457305" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="4f9609189c1f3cb5464dfbdcaa545468" rel="nofollow" data-download="{"attachment_id":34843742,"asset_id":8457305,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/34843742/download_file?st=MTc0MDU3MTMyOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="68046" href="https://sit.academia.edu/GoranJovanovic">Goran Jovanovic</a><script data-card-contents-for-user="68046" type="text/json">{"id":68046,"first_name":"Goran","last_name":"Jovanovic","domain_name":"sit","page_name":"GoranJovanovic","display_name":"Goran Jovanovic","profile_url":"https://sit.academia.edu/GoranJovanovic?f_ri=662","photo":"https://0.academia-photos.com/68046/256205/302792/s65_dr._goran.jovanovic.jpg"}</script></span></span></li><li class="js-paper-rank-work_8457305 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="8457305"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 8457305, container: ".js-paper-rank-work_8457305", }); 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$(".js-view-count[data-work-id=8457305]").text(description); $(".js-view-count-work_8457305").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_8457305").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="8457305"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">13</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="384" rel="nofollow" href="https://www.academia.edu/Documents/in/German_Studies">German Studies</a>, <script data-card-contents-for-ri="384" type="text/json">{"id":384,"name":"German Studies","url":"https://www.academia.edu/Documents/in/German_Studies?f_ri=662","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="662" rel="nofollow" href="https://www.academia.edu/Documents/in/German_Literature">German Literature</a>, <script data-card-contents-for-ri="662" type="text/json">{"id":662,"name":"German Literature","url":"https://www.academia.edu/Documents/in/German_Literature?f_ri=662","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="1729" rel="nofollow" href="https://www.academia.edu/Documents/in/German_History">German History</a>, <script data-card-contents-for-ri="1729" type="text/json">{"id":1729,"name":"German History","url":"https://www.academia.edu/Documents/in/German_History?f_ri=662","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="3652" rel="nofollow" href="https://www.academia.edu/Documents/in/Cultural_Cold_War">Cultural Cold War</a><script data-card-contents-for-ri="3652" type="text/json">{"id":3652,"name":"Cultural Cold War","url":"https://www.academia.edu/Documents/in/Cultural_Cold_War?f_ri=662","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=8457305]'), work: {"id":8457305,"title":"“The Comics Debate in Germany: Against Dirt and Rubbish, Pictorial Idiotism and Cultural Analphabetism”","created_at":"2014-09-23T07:20:47.559-07:00","url":"https://www.academia.edu/8457305/_The_Comics_Debate_in_Germany_Against_Dirt_and_Rubbish_Pictorial_Idiotism_and_Cultural_Analphabetism_?f_ri=662","dom_id":"work_8457305","summary":"The purpose of this essay is to reconstruct the comics controversy in Germany in the 1950s and 1960s, paying special attention to the debate over effects, which was paramount. A guiding principle of this investigation is to relate the arguments of the comics debate to a broader political, social, and cultural context. The main source of information are selected articles published in the German press at that time.","downloadable_attachments":[{"id":34843742,"asset_id":8457305,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":68046,"first_name":"Goran","last_name":"Jovanovic","domain_name":"sit","page_name":"GoranJovanovic","display_name":"Goran Jovanovic","profile_url":"https://sit.academia.edu/GoranJovanovic?f_ri=662","photo":"https://0.academia-photos.com/68046/256205/302792/s65_dr._goran.jovanovic.jpg"}],"research_interests":[{"id":384,"name":"German Studies","url":"https://www.academia.edu/Documents/in/German_Studies?f_ri=662","nofollow":true},{"id":662,"name":"German Literature","url":"https://www.academia.edu/Documents/in/German_Literature?f_ri=662","nofollow":true},{"id":1729,"name":"German History","url":"https://www.academia.edu/Documents/in/German_History?f_ri=662","nofollow":true},{"id":3652,"name":"Cultural Cold War","url":"https://www.academia.edu/Documents/in/Cultural_Cold_War?f_ri=662","nofollow":true},{"id":3893,"name":"Comics Studies","url":"https://www.academia.edu/Documents/in/Comics_Studies?f_ri=662"},{"id":3894,"name":"Comic Book Studies","url":"https://www.academia.edu/Documents/in/Comic_Book_Studies?f_ri=662"},{"id":14088,"name":"20th Century German History","url":"https://www.academia.edu/Documents/in/20th_Century_German_History?f_ri=662"},{"id":15622,"name":"German Literature and Culture","url":"https://www.academia.edu/Documents/in/German_Literature_and_Culture?f_ri=662"},{"id":50576,"name":"Germany","url":"https://www.academia.edu/Documents/in/Germany?f_ri=662"},{"id":82404,"name":"Federal Republic of Germany","url":"https://www.academia.edu/Documents/in/Federal_Republic_of_Germany?f_ri=662"},{"id":223643,"name":"Vergangenheitsbewältigung","url":"https://www.academia.edu/Documents/in/Vergangenheitsbewaltigung?f_ri=662"},{"id":230648,"name":"German-American Studies","url":"https://www.academia.edu/Documents/in/German-American_Studies?f_ri=662"},{"id":333033,"name":"Media and Cultural Studies / Cultural Theory / Imaginary of Political Violence / Film, Propaganda and Violence / Cuban Culture","url":"https://www.academia.edu/Documents/in/Media_and_Cultural_Studies_Cultural_Theory_Imaginary_of_Political_Violence_Film_Propaganda_an?f_ri=662"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_5198950" data-work_id="5198950" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/5198950/%D7%A2%D7%9C_%D7%AA%D7%99%D7%90%D7%95%D7%A8%D7%99%D7%94_%D7%91%D7%92%D7%A8%D7%9E%D7%A0%D7%99%D7%94_%D7%90%D7%97%D7%A8%D7%99_%D7%94%D7%9E%D7%9C%D7%97%D7%9E%D7%94_%D7%94%D7%A7%D7%93%D7%9E%D7%94_%D7%9C%D7%AA%D7%A8%D7%92%D7%95%D7%9D_%D7%A8%D7%95%D7%A2%D7%99_%D7%91%D7%A8_%D7%9C_%D7%AA%D7%99%D7%90%D7%95%D7%A8%D7%99%D7%94_%D7%A9%D7%9C_%D7%94%D7%90%D7%95%D7%95%D7%A0%D7%92%D7%A8%D7%93_%D7%A9%D7%9C_%D7%A4%D7%99%D7%98%D7%A8_%D7%91%D7%99%D7%A8%D7%92%D7%A8">על תיאוריה בגרמניה אחרי המלחמה. הקדמה לתרגום רועי בר ל"תיאוריה של האוונגרד" של פיטר בירגר </a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">On theory in post-war Germany and the project of "critical theory" in general and in particular in art history, also on Peter Bürger's work.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/5198950" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="b50045762a560bb682e3ed6069bfd6ea" rel="nofollow" data-download="{"attachment_id":32388301,"asset_id":5198950,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/32388301/download_file?st=MTc0MDU3MTMyOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="2925607" href="https://cecille.academia.edu/EladLapidot">Elad Lapidot</a><script data-card-contents-for-user="2925607" type="text/json">{"id":2925607,"first_name":"Elad","last_name":"Lapidot","domain_name":"cecille","page_name":"EladLapidot","display_name":"Elad Lapidot","profile_url":"https://cecille.academia.edu/EladLapidot?f_ri=662","photo":"https://0.academia-photos.com/2925607/2658643/19792481/s65_elad.lapidot.jpg"}</script></span></span></li><li class="js-paper-rank-work_5198950 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="5198950"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 5198950, container: ".js-paper-rank-work_5198950", }); });</script></li><li class="js-percentile-work_5198950 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 5198950; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_5198950"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_5198950 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="5198950"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 5198950; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=5198950]").text(description); $(".js-view-count-work_5198950").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_5198950").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="5198950"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">10</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="8" rel="nofollow" href="https://www.academia.edu/Documents/in/Critical_Theory">Critical Theory</a>, <script data-card-contents-for-ri="8" type="text/json">{"id":8,"name":"Critical Theory","url":"https://www.academia.edu/Documents/in/Critical_Theory?f_ri=662","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="384" rel="nofollow" href="https://www.academia.edu/Documents/in/German_Studies">German Studies</a>, <script data-card-contents-for-ri="384" type="text/json">{"id":384,"name":"German Studies","url":"https://www.academia.edu/Documents/in/German_Studies?f_ri=662","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="662" rel="nofollow" href="https://www.academia.edu/Documents/in/German_Literature">German Literature</a>, <script data-card-contents-for-ri="662" type="text/json">{"id":662,"name":"German Literature","url":"https://www.academia.edu/Documents/in/German_Literature?f_ri=662","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="803" rel="nofollow" href="https://www.academia.edu/Documents/in/Philosophy">Philosophy</a><script data-card-contents-for-ri="803" type="text/json">{"id":803,"name":"Philosophy","url":"https://www.academia.edu/Documents/in/Philosophy?f_ri=662","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=5198950]'), work: {"id":5198950,"title":"על תיאוריה בגרמניה אחרי המלחמה. הקדמה לתרגום רועי בר ל\"תיאוריה של האוונגרד\" של פיטר בירגר ","created_at":"2013-11-23T18:49:53.554-08:00","url":"https://www.academia.edu/5198950/%D7%A2%D7%9C_%D7%AA%D7%99%D7%90%D7%95%D7%A8%D7%99%D7%94_%D7%91%D7%92%D7%A8%D7%9E%D7%A0%D7%99%D7%94_%D7%90%D7%97%D7%A8%D7%99_%D7%94%D7%9E%D7%9C%D7%97%D7%9E%D7%94_%D7%94%D7%A7%D7%93%D7%9E%D7%94_%D7%9C%D7%AA%D7%A8%D7%92%D7%95%D7%9D_%D7%A8%D7%95%D7%A2%D7%99_%D7%91%D7%A8_%D7%9C_%D7%AA%D7%99%D7%90%D7%95%D7%A8%D7%99%D7%94_%D7%A9%D7%9C_%D7%94%D7%90%D7%95%D7%95%D7%A0%D7%92%D7%A8%D7%93_%D7%A9%D7%9C_%D7%A4%D7%99%D7%98%D7%A8_%D7%91%D7%99%D7%A8%D7%92%D7%A8?f_ri=662","dom_id":"work_5198950","summary":"On theory in post-war Germany and the project of \"critical theory\" in general and in particular in art history, also on Peter Bürger's work.","downloadable_attachments":[{"id":32388301,"asset_id":5198950,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":2925607,"first_name":"Elad","last_name":"Lapidot","domain_name":"cecille","page_name":"EladLapidot","display_name":"Elad Lapidot","profile_url":"https://cecille.academia.edu/EladLapidot?f_ri=662","photo":"https://0.academia-photos.com/2925607/2658643/19792481/s65_elad.lapidot.jpg"}],"research_interests":[{"id":8,"name":"Critical Theory","url":"https://www.academia.edu/Documents/in/Critical_Theory?f_ri=662","nofollow":true},{"id":384,"name":"German Studies","url":"https://www.academia.edu/Documents/in/German_Studies?f_ri=662","nofollow":true},{"id":662,"name":"German Literature","url":"https://www.academia.edu/Documents/in/German_Literature?f_ri=662","nofollow":true},{"id":803,"name":"Philosophy","url":"https://www.academia.edu/Documents/in/Philosophy?f_ri=662","nofollow":true},{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=662"},{"id":1386,"name":"Art Theory","url":"https://www.academia.edu/Documents/in/Art_Theory?f_ri=662"},{"id":3051,"name":"Contemporary Art","url":"https://www.academia.edu/Documents/in/Contemporary_Art?f_ri=662"},{"id":5290,"name":"Philosophy of Art","url":"https://www.academia.edu/Documents/in/Philosophy_of_Art?f_ri=662"},{"id":7888,"name":"Literary Theory","url":"https://www.academia.edu/Documents/in/Literary_Theory?f_ri=662"},{"id":20622,"name":"Avant-Garde","url":"https://www.academia.edu/Documents/in/Avant-Garde?f_ri=662"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_49339788" data-work_id="49339788" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/49339788/Arendt_Poesie">Arendt Poesie</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Hannah Arendt wrote also poetry, but she did not published this work and hold it secret. Here for the first time you have a view and interpretation of her lyric (in italian language) The original text was prident in Germany, 2015 with... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_49339788" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Hannah Arendt wrote also poetry, but she did not published this work and hold it secret. Here for the first time you have a view and interpretation of  her lyric (in italian language) The original text was prident in Germany, 2015 with the title: Ich selbst, auch ich tanze. ( I also dance)</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/49339788" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="66411541" href="https://independent.academia.edu/ElisabettaPotthoff">Elisabetta Potthoff</a><script data-card-contents-for-user="66411541" type="text/json">{"id":66411541,"first_name":"Elisabetta","last_name":"Potthoff","domain_name":"independent","page_name":"ElisabettaPotthoff","display_name":"Elisabetta Potthoff","profile_url":"https://independent.academia.edu/ElisabettaPotthoff?f_ri=662","photo":"/images/s65_no_pic.png"}</script></span></span></li><li class="js-paper-rank-work_49339788 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="49339788"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 49339788, container: ".js-paper-rank-work_49339788", }); });</script></li><li class="js-percentile-work_49339788 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 49339788; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_49339788"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_49339788 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="49339788"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 49339788; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=49339788]").text(description); $(".js-view-count-work_49339788").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_49339788").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="49339788"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">2</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="662" rel="nofollow" href="https://www.academia.edu/Documents/in/German_Literature">German Literature</a>, <script data-card-contents-for-ri="662" type="text/json">{"id":662,"name":"German Literature","url":"https://www.academia.edu/Documents/in/German_Literature?f_ri=662","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="15622" rel="nofollow" href="https://www.academia.edu/Documents/in/German_Literature_and_Culture">German Literature and Culture</a><script data-card-contents-for-ri="15622" type="text/json">{"id":15622,"name":"German Literature and Culture","url":"https://www.academia.edu/Documents/in/German_Literature_and_Culture?f_ri=662","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=49339788]'), work: {"id":49339788,"title":"Arendt Poesie","created_at":"2021-06-22T08:28:31.340-07:00","url":"https://www.academia.edu/49339788/Arendt_Poesie?f_ri=662","dom_id":"work_49339788","summary":"Hannah Arendt wrote also poetry, but she did not published this work and hold it secret. 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js-work-link" href="https://www.academia.edu/5420357/The_Complete_Works_of_Paracelsus_the_Huser_Edition_1589_1591_">The Complete Works of Paracelsus: the Huser Edition (1589-1591).</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/5420357" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="b1c284948c44652d760c8f1662d98e95" rel="nofollow" data-download="{"attachment_id":32550996,"asset_id":5420357,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm 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class="clearfix u-pv7x u-mb0x js-work-card work_9074816" data-work_id="9074816" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/9074816/Europa_oder_Kakanien_Robert_Musil_Vortrag_von_N_C_Wolf_in_Br%C3%BCnn_">Europa oder Kakanien? (Robert Musil-Vortrag von N.C. Wolf in Brünn)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Zum Vortrag Musils Kakanien, ein Land ohne Eigenschaften in Europa von Univ.-Prof. Dr. Norbert Christian Wolf, seit 2009 im Vorstand der Internationalen Robert-Musil-Gesellschaft, Mitherausgeber des Musil-Forums (gem. mit Rosmarie... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_9074816" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Zum Vortrag  Musils Kakanien, ein Land ohne Eigenschaften in Europa von  Univ.-Prof. Dr. Norbert Christian Wolf, seit 2009 im Vorstand der Internationalen Robert-Musil-Gesellschaft, Mitherausgeber des Musil-Forums (gem. mit Rosmarie Zeller, de Gruyter-Verlag),im Rahmen der Ringvorlesung des Wissenschaftskolleg Österreich-Bibliothek in Brünn „Europa: zerrissen oder doch vereint?“ (<a href="http://wiko.phil.muni.cz/de/content/2012-norbert-christian-wolf-musils-kakanien-ein-land-ohne-eigenschaften-europa" rel="nofollow">http://wiko.phil.muni.cz/de/content/2012-norbert-christian-wolf-musils-kakanien-ein-land-ohne-eigenschaften-europa</a>)</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/9074816" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="c40b0114027e9de943a4d02218871ca0" rel="nofollow" data-download="{"attachment_id":35374506,"asset_id":9074816,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/35374506/download_file?st=MTc0MDU3MTMyOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="5387920" href="https://uni-koeln.academia.edu/RomanKopriva">Roman Kopriva</a><script data-card-contents-for-user="5387920" type="text/json">{"id":5387920,"first_name":"Roman","last_name":"Kopriva","domain_name":"uni-koeln","page_name":"RomanKopriva","display_name":"Roman Kopriva","profile_url":"https://uni-koeln.academia.edu/RomanKopriva?f_ri=662","photo":"https://0.academia-photos.com/5387920/2364718/2755517/s65_roman.kop_iva.jpg"}</script></span></span></li><li class="js-paper-rank-work_9074816 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="9074816"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 9074816, container: ".js-paper-rank-work_9074816", }); 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Kotórz Mały: Silesia Progress.","created_at":"2016-03-14T09:35:58.485-07:00","url":"https://www.academia.edu/23235910/%C5%9Al%C5%8Dnsk_sie_traci_Silesia_is_Perishing_pp_88_101_2012_In_Zbigniew_Kad%C5%82ubek_Listy_z_Rzymu_Ser_Canon_Silesiae_%C5%9Al%C5%8Dnsk%C5%8F_Bibli%C5%8Ftyka_Kot%C3%B3rz_Ma%C5%82y_Silesia_Progress?f_ri=662","dom_id":"work_23235910","summary":null,"downloadable_attachments":[{"id":43720239,"asset_id":23235910,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1038344,"first_name":"Tom","last_name":"Kamusella","domain_name":"st-andrews","page_name":"TomKamusella","display_name":"Tom Kamusella","profile_url":"https://st-andrews.academia.edu/TomKamusella?f_ri=662","photo":"https://0.academia-photos.com/1038344/15014775/15750762/s65_tom.kamusella.jpg"}],"research_interests":[{"id":131,"name":"European History","url":"https://www.academia.edu/Documents/in/European_History?f_ri=662","nofollow":true},{"id":383,"name":"European Studies","url":"https://www.academia.edu/Documents/in/European_Studies?f_ri=662","nofollow":true},{"id":384,"name":"German Studies","url":"https://www.academia.edu/Documents/in/German_Studies?f_ri=662","nofollow":true},{"id":662,"name":"German Literature","url":"https://www.academia.edu/Documents/in/German_Literature?f_ri=662","nofollow":true},{"id":1729,"name":"German History","url":"https://www.academia.edu/Documents/in/German_History?f_ri=662"},{"id":3622,"name":"Polish History","url":"https://www.academia.edu/Documents/in/Polish_History?f_ri=662"},{"id":6148,"name":"German Language","url":"https://www.academia.edu/Documents/in/German_Language?f_ri=662"},{"id":12872,"name":"Polish Literature","url":"https://www.academia.edu/Documents/in/Polish_Literature?f_ri=662"},{"id":15689,"name":"Polish Studies","url":"https://www.academia.edu/Documents/in/Polish_Studies?f_ri=662"},{"id":72909,"name":"History of Silesia","url":"https://www.academia.edu/Documents/in/History_of_Silesia?f_ri=662"},{"id":879078,"name":"Upper Silesia, Upper Silesian language","url":"https://www.academia.edu/Documents/in/Upper_Silesia_Upper_Silesian_language?f_ri=662"},{"id":2366541,"name":"Silesian language","url":"https://www.academia.edu/Documents/in/Silesian_language?f_ri=662"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_37876086" data-work_id="37876086" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/37876086/Rezension_von_Killet_Julia_Schwarz_Helga_W_Hg_Maria_Leitner_oder_Im_Sturm_der_Zeit_Berlin_Dietz_Verlag_2013">Rezension von Killet, Julia / Schwarz, Helga W. (Hg.): Maria Leitner oder: Im Sturm der Zeit, Berlin: Dietz Verlag 2013</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/37876086" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="a786f95d60b08f99761a0fb87dddd742" rel="nofollow" data-download="{"attachment_id":57882770,"asset_id":37876086,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/57882770/download_file?st=MTc0MDU3MTMyOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="55257007" href="https://gastrosophie.academia.edu/FlorianSchwanninger">Florian Schwanninger</a><script data-card-contents-for-user="55257007" type="text/json">{"id":55257007,"first_name":"Florian","last_name":"Schwanninger","domain_name":"gastrosophie","page_name":"FlorianSchwanninger","display_name":"Florian Schwanninger","profile_url":"https://gastrosophie.academia.edu/FlorianSchwanninger?f_ri=662","photo":"https://0.academia-photos.com/55257007/18056492/18056891/s65_florian.schwanninger.jpg"}</script></span></span></li><li class="js-paper-rank-work_37876086 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="37876086"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 37876086, container: ".js-paper-rank-work_37876086", }); 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(Hg.): Maria Leitner oder: Im Sturm der Zeit, Berlin: Dietz Verlag 2013","created_at":"2018-11-29T06:02:01.963-08:00","url":"https://www.academia.edu/37876086/Rezension_von_Killet_Julia_Schwarz_Helga_W_Hg_Maria_Leitner_oder_Im_Sturm_der_Zeit_Berlin_Dietz_Verlag_2013?f_ri=662","dom_id":"work_37876086","summary":null,"downloadable_attachments":[{"id":57882770,"asset_id":37876086,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":55257007,"first_name":"Florian","last_name":"Schwanninger","domain_name":"gastrosophie","page_name":"FlorianSchwanninger","display_name":"Florian Schwanninger","profile_url":"https://gastrosophie.academia.edu/FlorianSchwanninger?f_ri=662","photo":"https://0.academia-photos.com/55257007/18056492/18056891/s65_florian.schwanninger.jpg"}],"research_interests":[{"id":662,"name":"German Literature","url":"https://www.academia.edu/Documents/in/German_Literature?f_ri=662","nofollow":true},{"id":2418,"name":"Literature","url":"https://www.academia.edu/Documents/in/Literature?f_ri=662","nofollow":true},{"id":7443,"name":"Communism","url":"https://www.academia.edu/Documents/in/Communism?f_ri=662","nofollow":true},{"id":13395,"name":"Hungarian Studies","url":"https://www.academia.edu/Documents/in/Hungarian_Studies?f_ri=662","nofollow":true},{"id":36567,"name":"Female Writers","url":"https://www.academia.edu/Documents/in/Female_Writers?f_ri=662"},{"id":59779,"name":"History of Communism","url":"https://www.academia.edu/Documents/in/History_of_Communism?f_ri=662"},{"id":103660,"name":"Modern Hungarian History","url":"https://www.academia.edu/Documents/in/Modern_Hungarian_History?f_ri=662"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_20089065" data-work_id="20089065" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/20089065/_Afterword_to_Hans_Falladas_novel_Wolf_Among_Wolves_Melville_House_2010_">"Afterword" to Hans Fallada's novel "Wolf Among Wolves" (Melville House, 2010)</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/20089065" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="fc6c9a916a34e01f17f8af6d6057eea6" rel="nofollow" data-download="{"attachment_id":41001001,"asset_id":20089065,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/41001001/download_file?st=MTc0MDU3MTMyOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="2234781" href="https://uva.academia.edu/ThorstenCarstensen">Thorsten Carstensen</a><script data-card-contents-for-user="2234781" type="text/json">{"id":2234781,"first_name":"Thorsten","last_name":"Carstensen","domain_name":"uva","page_name":"ThorstenCarstensen","display_name":"Thorsten Carstensen","profile_url":"https://uva.academia.edu/ThorstenCarstensen?f_ri=662","photo":"https://0.academia-photos.com/2234781/713677/29090905/s65_thorsten.carstensen.jpg"}</script></span></span></li><li class="js-paper-rank-work_20089065 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="20089065"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 20089065, container: ".js-paper-rank-work_20089065", }); 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Ein Vergleich</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The aim of the present article is to provide a comparative analysis between two important works of German and Hungarian literature on the background of the theory of Carl Gustav Jung’s theory of archetypes. Both works (the novel Demian by... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_80085917" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The aim of the present article is to provide a comparative analysis between two important works of German and Hungarian literature on the background of the theory of Carl Gustav Jung’s theory of archetypes. Both works (the novel Demian by Hermann Hesse and the drama Erstwhile Solace [Ősvigasztalás] by Áron Tamási) approach the theme of the search for identity as well as for the absolute and the divinity, with the focus on the archetypes of the collective unconscious. Motifs such as androgyny, shadow or dream, the issue of polarity and unity form common points of contact between the two analysed literary works.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/80085917" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="79e0bb2efc86567dab26a28f30ac2c34" rel="nofollow" data-download="{"attachment_id":86584984,"asset_id":80085917,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/86584984/download_file?st=MTc0MDU3MTMyOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="23263535" href="https://ubbcluj.academia.edu/RekaSantaJakabhazi">Réka Jakabházi</a><script data-card-contents-for-user="23263535" type="text/json">{"id":23263535,"first_name":"Réka","last_name":"Jakabházi","domain_name":"ubbcluj","page_name":"RekaSantaJakabhazi","display_name":"Réka Jakabházi","profile_url":"https://ubbcluj.academia.edu/RekaSantaJakabhazi?f_ri=662","photo":"https://0.academia-photos.com/23263535/11826615/35319285/s65_r_ka.jakabh_zi.jpg"}</script></span></span></li><li class="js-paper-rank-work_80085917 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="80085917"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 80085917, container: ".js-paper-rank-work_80085917", }); 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Ein Vergleich","created_at":"2022-05-27T21:04:52.333-07:00","url":"https://www.academia.edu/80085917/Archetypen_und_das_kollektive_Unbewusste_in_hermann_hesses_Demian_1919_und_in_Urtrost_1924_von_%C3%81ron_Tam%C3%A1si_Ein_Vergleich?f_ri=662","dom_id":"work_80085917","summary":"The aim of the present article is to provide a comparative analysis between two important works of German and Hungarian literature on the background of the theory of Carl Gustav Jung’s theory of archetypes. Both works (the novel Demian by Hermann Hesse and the drama Erstwhile Solace [Ősvigasztalás] by Áron Tamási) approach the theme of the search for identity as well as for the absolute and the divinity, with the focus on the archetypes of the collective unconscious. Motifs such as androgyny, shadow or dream, the issue of polarity and unity form common points of contact between the two analysed literary works.","downloadable_attachments":[{"id":86584984,"asset_id":80085917,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":23263535,"first_name":"Réka","last_name":"Jakabházi","domain_name":"ubbcluj","page_name":"RekaSantaJakabhazi","display_name":"Réka Jakabházi","profile_url":"https://ubbcluj.academia.edu/RekaSantaJakabhazi?f_ri=662","photo":"https://0.academia-photos.com/23263535/11826615/35319285/s65_r_ka.jakabh_zi.jpg"}],"research_interests":[{"id":662,"name":"German Literature","url":"https://www.academia.edu/Documents/in/German_Literature?f_ri=662","nofollow":true},{"id":21129,"name":"Hungarian Literature","url":"https://www.academia.edu/Documents/in/Hungarian_Literature?f_ri=662","nofollow":true},{"id":1012738,"name":"Hungarian and German Folklore and 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S.","created_at":"2017-01-23T06:56:29.186-08:00","url":"https://www.academia.edu/31048094/Die_h%C3%B6chste_Ehrung_die_einem_Schriftsteller_zuteil_werden_kann_Deutschsprachige_Nobelpreistr%C3%A4ger_f%C3%BCr_Literatur_hrsg_von_Krzysztof_Ruchniewicz_und_Marek_Zybura_Dresden_Neisse_Verlag_2008_354_S?f_ri=662","dom_id":"work_31048094","summary":null,"downloadable_attachments":[{"id":51481590,"asset_id":31048094,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":42648052,"first_name":"Krzysztof","last_name":"Ruchniewicz","domain_name":"wroc","page_name":"KrzysztofRuchniewicz","display_name":"Krzysztof Ruchniewicz","profile_url":"https://wroc.academia.edu/KrzysztofRuchniewicz?f_ri=662","photo":"https://0.academia-photos.com/42648052/11666181/13007909/s65_krzysztof.ruchniewicz.jpg"}],"research_interests":[{"id":384,"name":"German Studies","url":"https://www.academia.edu/Documents/in/German_Studies?f_ri=662","nofollow":true},{"id":662,"name":"German 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$('*[data-has-card-for-ri-list=43438454]'), work: {"id":43438454,"title":"Peeling Onions, Layer by Layer: An Obituary to Günter Grass","created_at":"2020-06-25T21:32:23.765-07:00","url":"https://www.academia.edu/43438454/Peeling_Onions_Layer_by_Layer_An_Obituary_to_G%C3%BCnter_Grass?f_ri=662","dom_id":"work_43438454","summary":null,"downloadable_attachments":[{"id":63743356,"asset_id":43438454,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":4978217,"first_name":"Parnal","last_name":"Chirmuley","domain_name":"jnu","page_name":"ParnalChirmuley","display_name":"Parnal Chirmuley","profile_url":"https://jnu.academia.edu/ParnalChirmuley?f_ri=662","photo":"https://0.academia-photos.com/4978217/45506976/35464344/s65_parnal.chirmuley.png"}],"research_interests":[{"id":662,"name":"German Literature","url":"https://www.academia.edu/Documents/in/German_Literature?f_ri=662","nofollow":true},{"id":246867,"name":"Günter Grass","url":"https://www.academia.edu/Documents/in/Gunter_Grass?f_ri=662","nofollow":true},{"id":342977,"name":"Nobel Prize in Literature","url":"https://www.academia.edu/Documents/in/Nobel_Prize_in_Literature?f_ri=662","nofollow":true}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_67812300" data-work_id="67812300" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/67812300/Weibermacht_und_Geschlechtslosigkeit_Dramenk%C3%B6niginnen_bei_Schiller_und_seinen_Epigoninnen">Weibermacht und Geschlechtslosigkeit. Dramenköniginnen bei Schiller und seinen Epigoninnen</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">, behandelt dieser Beitrag das Problem der Kanonisierung von Frauenliteratur. Zwei Interpretationen der ‚epigonalen' Dramen werden sowohl vorgeführt als auch analysiert. Die erste liest Birch-Pfeiffers und Ebner-Eschenbachs Dramen als... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_67812300" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">, behandelt dieser Beitrag das Problem der Kanonisierung von Frauenliteratur. Zwei Interpretationen der ‚epigonalen' Dramen werden sowohl vorgeführt als auch analysiert. Die erste liest Birch-Pfeiffers und Ebner-Eschenbachs Dramen als Schiller-Adaptationen und ‚feministische' Revisionen von Schillers konservativem Frauenbild, die zweite kontextualisiert sie innerhalb der Tradition historischer Dramen von zeitgenössischen Autorinnen.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/67812300" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="a87f2a6648e235384b88a12815432084" rel="nofollow" data-download="{"attachment_id":78507863,"asset_id":67812300,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/78507863/download_file?st=MTc0MDU3MTMyOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="210035087" href="https://independent.academia.edu/SusanneKord">Susanne Kord</a><script data-card-contents-for-user="210035087" type="text/json">{"id":210035087,"first_name":"Susanne","last_name":"Kord","domain_name":"independent","page_name":"SusanneKord","display_name":"Susanne Kord","profile_url":"https://independent.academia.edu/SusanneKord?f_ri=662","photo":"/images/s65_no_pic.png"}</script></span></span></li><li class="js-paper-rank-work_67812300 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="67812300"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 67812300, container: ".js-paper-rank-work_67812300", }); 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$(".js-view-count[data-work-id=67812300]").text(description); $(".js-view-count-work_67812300").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_67812300").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="67812300"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">8</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="128" rel="nofollow" href="https://www.academia.edu/Documents/in/History">History</a>, <script data-card-contents-for-ri="128" type="text/json">{"id":128,"name":"History","url":"https://www.academia.edu/Documents/in/History?f_ri=662","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="384" rel="nofollow" href="https://www.academia.edu/Documents/in/German_Studies">German Studies</a>, <script data-card-contents-for-ri="384" type="text/json">{"id":384,"name":"German Studies","url":"https://www.academia.edu/Documents/in/German_Studies?f_ri=662","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="422" rel="nofollow" href="https://www.academia.edu/Documents/in/Computer_Science">Computer Science</a>, <script data-card-contents-for-ri="422" type="text/json">{"id":422,"name":"Computer Science","url":"https://www.academia.edu/Documents/in/Computer_Science?f_ri=662","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="662" rel="nofollow" href="https://www.academia.edu/Documents/in/German_Literature">German Literature</a><script data-card-contents-for-ri="662" type="text/json">{"id":662,"name":"German Literature","url":"https://www.academia.edu/Documents/in/German_Literature?f_ri=662","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=67812300]'), work: {"id":67812300,"title":"Weibermacht und Geschlechtslosigkeit. 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Die erste liest Birch-Pfeiffers und Ebner-Eschenbachs Dramen als Schiller-Adaptationen und ‚feministische' Revisionen von Schillers konservativem Frauenbild, die zweite kontextualisiert sie innerhalb der Tradition historischer Dramen von zeitgenössischen Autorinnen.","downloadable_attachments":[{"id":78507863,"asset_id":67812300,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":210035087,"first_name":"Susanne","last_name":"Kord","domain_name":"independent","page_name":"SusanneKord","display_name":"Susanne Kord","profile_url":"https://independent.academia.edu/SusanneKord?f_ri=662","photo":"/images/s65_no_pic.png"}],"research_interests":[{"id":128,"name":"History","url":"https://www.academia.edu/Documents/in/History?f_ri=662","nofollow":true},{"id":384,"name":"German Studies","url":"https://www.academia.edu/Documents/in/German_Studies?f_ri=662","nofollow":true},{"id":422,"name":"Computer Science","url":"https://www.academia.edu/Documents/in/Computer_Science?f_ri=662","nofollow":true},{"id":662,"name":"German Literature","url":"https://www.academia.edu/Documents/in/German_Literature?f_ri=662","nofollow":true},{"id":6202,"name":"German Idealism","url":"https://www.academia.edu/Documents/in/German_Idealism?f_ri=662"},{"id":8882,"name":"Women","url":"https://www.academia.edu/Documents/in/Women?f_ri=662"},{"id":35731,"name":"Women and Culture","url":"https://www.academia.edu/Documents/in/Women_and_Culture?f_ri=662"},{"id":49663,"name":"Women and Gender Studies","url":"https://www.academia.edu/Documents/in/Women_and_Gender_Studies?f_ri=662"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_48026270" data-work_id="48026270" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/48026270/Riscritture_Marie_Luise_Kaschnitz_e_il_mito_greco">Riscritture: Marie Luise Kaschnitz e il mito greco</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Griechische Mythen, il libro di Nacherzählungen mitologiche che Marie Luise Kaschnitz pubblica nel 1943 ma ha in mente già dal 1939, va certamente considerato uno dei suoi capolavori, se non il vertice della sua produzione in prosa, pure... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_48026270" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Griechische Mythen, il libro di Nacherzählungen mitologiche che Marie Luise Kaschnitz pubblica nel 1943 ma ha in mente già dal 1939, va certamente considerato uno dei suoi capolavori, se non il vertice della sua produzione in prosa, pure costellata di altri libri decisivi. È un libro 'iniziale', ma anche, a suo modo, 'iniziatico', perché in un certo senso pre-forma tutta la sua vicenda esistenziale e la sua scrittura. Nella postfazione alla seconda edizione del 1972 la Kaschnitz, non a caso, lo definirà « ein Stü ck [ihrer] Biographie » 1 e, in quanto tale, un'opera destinata a essere superata dalla vita reale. Tuttavia molte delle figure di cui Marie Luise Kaschnitz schizza la storia mitologica sono evidentemente sue controfigure, a cominciare dalla Sibilla, cui è dedicata la prima fulminante prosa. Autobiografico è poi, come è noto, il contesto in cui maturano queste prose, che certamente sono un monumento in margine al suo legame con Guido Kaschnitz-Weinberg, il noto archeologo, con il quale fa la prima determinante esperienza del mito al cospetto dei vasi raccolti al Louvre, in particolare la celeberrima coppa con la raffigurazione di Teseo e Anfitrite (figg. 1, 2, 3). Lo studio dei vasi greci sta alla base delle 'descrizioni'-piccoli capolavori dell'ékphrasis novecentesca-presenti nel libro. Anche se la Kaschnitz non era nuova a questo tipo di Kunstbeschreibungen-già nel 1934 aveva dedicato un testo al 'classico' Archaischer Apoll-, Griechische Mythen rappresenta un salto di qualità e di complessità rispetto alle isolate descrizioni che la Kaschnitz non smetterà per altro mai di fare in quasi tutte le sue opere 2 , e, in un certo senso, rimane un'opera il cui</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/48026270" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="65aca8cc01adea0125764c92d458fe3e" rel="nofollow" data-download="{"attachment_id":66851961,"asset_id":48026270,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/66851961/download_file?st=MTc0MDU3MTMyOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="15227034" href="https://independent.academia.edu/MicheleCometa">Cometa Michele</a><script data-card-contents-for-user="15227034" type="text/json">{"id":15227034,"first_name":"Cometa","last_name":"Michele","domain_name":"independent","page_name":"MicheleCometa","display_name":"Cometa Michele","profile_url":"https://independent.academia.edu/MicheleCometa?f_ri=662","photo":"https://0.academia-photos.com/15227034/147652787/137206275/s65_cometa.michele.jpeg"}</script></span></span></li><li class="js-paper-rank-work_48026270 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="48026270"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 48026270, container: ".js-paper-rank-work_48026270", }); 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$(".js-view-count[data-work-id=48026270]").text(description); $(".js-view-count-work_48026270").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_48026270").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="48026270"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">3</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="384" rel="nofollow" href="https://www.academia.edu/Documents/in/German_Studies">German Studies</a>, <script data-card-contents-for-ri="384" type="text/json">{"id":384,"name":"German Studies","url":"https://www.academia.edu/Documents/in/German_Studies?f_ri=662","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="662" rel="nofollow" href="https://www.academia.edu/Documents/in/German_Literature">German Literature</a>, <script data-card-contents-for-ri="662" type="text/json">{"id":662,"name":"German Literature","url":"https://www.academia.edu/Documents/in/German_Literature?f_ri=662","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="14732" rel="nofollow" href="https://www.academia.edu/Documents/in/Ekphrasis">Ekphrasis</a><script data-card-contents-for-ri="14732" type="text/json">{"id":14732,"name":"Ekphrasis","url":"https://www.academia.edu/Documents/in/Ekphrasis?f_ri=662","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=48026270]'), work: {"id":48026270,"title":"Riscritture: Marie Luise Kaschnitz e il mito greco","created_at":"2021-05-03T23:22:09.978-07:00","url":"https://www.academia.edu/48026270/Riscritture_Marie_Luise_Kaschnitz_e_il_mito_greco?f_ri=662","dom_id":"work_48026270","summary":"Griechische Mythen, il libro di Nacherzählungen mitologiche che Marie Luise Kaschnitz pubblica nel 1943 ma ha in mente già dal 1939, va certamente considerato uno dei suoi capolavori, se non il vertice della sua produzione in prosa, pure costellata di altri libri decisivi. È un libro 'iniziale', ma anche, a suo modo, 'iniziatico', perché in un certo senso pre-forma tutta la sua vicenda esistenziale e la sua scrittura. Nella postfazione alla seconda edizione del 1972 la Kaschnitz, non a caso, lo definirà « ein Stü ck [ihrer] Biographie » 1 e, in quanto tale, un'opera destinata a essere superata dalla vita reale. Tuttavia molte delle figure di cui Marie Luise Kaschnitz schizza la storia mitologica sono evidentemente sue controfigure, a cominciare dalla Sibilla, cui è dedicata la prima fulminante prosa. Autobiografico è poi, come è noto, il contesto in cui maturano queste prose, che certamente sono un monumento in margine al suo legame con Guido Kaschnitz-Weinberg, il noto archeologo, con il quale fa la prima determinante esperienza del mito al cospetto dei vasi raccolti al Louvre, in particolare la celeberrima coppa con la raffigurazione di Teseo e Anfitrite (figg. 1, 2, 3). Lo studio dei vasi greci sta alla base delle 'descrizioni'-piccoli capolavori dell'ékphrasis novecentesca-presenti nel libro. Anche se la Kaschnitz non era nuova a questo tipo di Kunstbeschreibungen-già nel 1934 aveva dedicato un testo al 'classico' Archaischer Apoll-, Griechische Mythen rappresenta un salto di qualità e di complessità rispetto alle isolate descrizioni che la Kaschnitz non smetterà per altro mai di fare in quasi tutte le sue opere 2 , e, in un certo senso, rimane un'opera il cui","downloadable_attachments":[{"id":66851961,"asset_id":48026270,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":15227034,"first_name":"Cometa","last_name":"Michele","domain_name":"independent","page_name":"MicheleCometa","display_name":"Cometa Michele","profile_url":"https://independent.academia.edu/MicheleCometa?f_ri=662","photo":"https://0.academia-photos.com/15227034/147652787/137206275/s65_cometa.michele.jpeg"}],"research_interests":[{"id":384,"name":"German Studies","url":"https://www.academia.edu/Documents/in/German_Studies?f_ri=662","nofollow":true},{"id":662,"name":"German Literature","url":"https://www.academia.edu/Documents/in/German_Literature?f_ri=662","nofollow":true},{"id":14732,"name":"Ekphrasis","url":"https://www.academia.edu/Documents/in/Ekphrasis?f_ri=662","nofollow":true}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_38120141" data-work_id="38120141" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/38120141/Understanding_the_Evil_Through_Truman_Capote_Alfred_D%C3%B6blin_and_Ferdinand_von_Schirach_Claim_and_Reality_of_the_Nonfiction_Novel">Understanding the Evil Through Truman Capote, Alfred Döblin and Ferdinand von Schirach: Claim and Reality of the 'Nonfiction Novel'</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Although there is an inﬂuential strand of modern theory of ﬁction that distinguishes “ﬁctivity” from "ﬁctionality", it continues to be a common sense belief, even among literary critics, that obvious falsehood of what is represented makes... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_38120141" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Although there is an inﬂuential strand of modern theory of ﬁction that distinguishes “ﬁctivity” from "ﬁctionality", it continues to be a common sense belief, even among literary critics, that obvious falsehood of what is represented makes a text ﬁctional or at least contributes to its ﬁctionality. Taking the starting point of the tension between this belief and Truman Capote's controversial genre concept of 'nonﬁction novel', which is frequently instantiated as crime novels, this paper addresses the questions of how many facts ﬁction can 'bear' and whether, in principle, there is incompatibility between certain narrative techniques (e.g. internal focalization) on the one hand and the status of a text as factual on the other. Through investigating a classical example of the 'nonﬁction novel' (Capote's “In Cold Blood”), a modern precursor (Alfred Döblin's “Die beiden Freundinnen und ihr Giftmord”) and a related contemporary work (Ferdinand von Schirach's “Verbrechen”) with regard to the authors' intentions, signposts of factuality/ﬁctionality and their reception, this paper points out the potential and the risks involved when literature appropriates real legal cases.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/38120141" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="a03e7d27f41ba4393cacb8e655dcca6c" rel="nofollow" data-download="{"attachment_id":58149663,"asset_id":38120141,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/58149663/download_file?st=MTc0MDU3MTMyOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="59833482" href="https://uni-trier.academia.edu/BenjaminGittel">Benjamin Gittel</a><script data-card-contents-for-user="59833482" type="text/json">{"id":59833482,"first_name":"Benjamin","last_name":"Gittel","domain_name":"uni-trier","page_name":"BenjaminGittel","display_name":"Benjamin Gittel","profile_url":"https://uni-trier.academia.edu/BenjaminGittel?f_ri=662","photo":"/images/s65_no_pic.png"}</script></span></span></li><li class="js-paper-rank-work_38120141 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="38120141"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 38120141, container: ".js-paper-rank-work_38120141", }); 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Taking the starting point of the tension between this belief and Truman Capote's controversial genre concept of 'nonﬁction novel', which is frequently instantiated as crime novels, this paper addresses the questions of how many facts ﬁction can 'bear' and whether, in principle, there is incompatibility between certain narrative techniques (e.g. internal focalization) on the one hand and the status of a text as factual on the other. Through investigating a classical example of the 'nonﬁction novel' (Capote's “In Cold Blood”), a modern precursor (Alfred Döblin's “Die beiden Freundinnen und ihr Giftmord”) and a related contemporary work (Ferdinand von Schirach's “Verbrechen”) with regard to the authors' intentions, signposts of factuality/ﬁctionality and their reception, this paper points out the potential and the risks involved when literature appropriates real legal cases.","downloadable_attachments":[{"id":58149663,"asset_id":38120141,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":59833482,"first_name":"Benjamin","last_name":"Gittel","domain_name":"uni-trier","page_name":"BenjaminGittel","display_name":"Benjamin Gittel","profile_url":"https://uni-trier.academia.edu/BenjaminGittel?f_ri=662","photo":"/images/s65_no_pic.png"}],"research_interests":[{"id":662,"name":"German Literature","url":"https://www.academia.edu/Documents/in/German_Literature?f_ri=662","nofollow":true},{"id":7351,"name":"Fictionality","url":"https://www.academia.edu/Documents/in/Fictionality?f_ri=662","nofollow":true},{"id":20487,"name":"Literary History","url":"https://www.academia.edu/Documents/in/Literary_History?f_ri=662","nofollow":true},{"id":95319,"name":"Evil in literature","url":"https://www.academia.edu/Documents/in/Evil_in_literature?f_ri=662","nofollow":true},{"id":103487,"name":"History and theory of literary genres","url":"https://www.academia.edu/Documents/in/History_and_theory_of_literary_genres?f_ri=662"},{"id":637767,"name":"Non Fiction Novel","url":"https://www.academia.edu/Documents/in/Non_Fiction_Novel?f_ri=662"},{"id":1430694,"name":"Crime Fiction Novels","url":"https://www.academia.edu/Documents/in/Crime_Fiction_Novels?f_ri=662"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_12175922" data-work_id="12175922" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/12175922/Flyer_for_Crime_Fiction_in_German_Der_Krimi_forthcoming_with_UWP_in_2016">Flyer for Crime Fiction in German: Der Krimi, forthcoming with UWP in 2016.</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Crime Fiction in German is the first volume in English to offer a comprehensive overview of German-language crime fiction from the early nineteenth century to the new millennium. As well as introducing readers to key aspects of crime... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_12175922" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Crime Fiction in German is the first volume in English to offer a comprehensive overview of German-language crime fiction from the early nineteenth century to the new millennium. As well as introducing readers to key aspects of crime fiction in the German-speaking world - from Germany, Austria and Switzerland to the former GDR and post-colonial Africa - the volume expands the notion of a German crime-writing tradition by investigating areas such as crime fiction under National Socialism, Turkish-German crime fiction and the Afrika-Krimi. Significant trends, including women’s crime writing, regional crime fiction, historical crime fiction and the Fernsehkrimi (television crime drama) are also explored, highlighting the richness and diversity of the genre in Germanic contexts.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/12175922" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="10608621cd5f8ebb514ef386f65dcb62" rel="nofollow" data-download="{"attachment_id":43862311,"asset_id":12175922,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/43862311/download_file?st=MTc0MDU3MTMyOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="335812" href="https://independent.academia.edu/HallKatharina">Katharina Hall</a><script data-card-contents-for-user="335812" type="text/json">{"id":335812,"first_name":"Katharina","last_name":"Hall","domain_name":"independent","page_name":"HallKatharina","display_name":"Katharina Hall","profile_url":"https://independent.academia.edu/HallKatharina?f_ri=662","photo":"https://0.academia-photos.com/335812/92884/13220447/s65_katharina.hall.jpg"}</script></span></span></li><li class="js-paper-rank-work_12175922 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="12175922"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 12175922, container: ".js-paper-rank-work_12175922", }); 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As well as introducing readers to key aspects of crime fiction in the German-speaking world - from Germany, Austria and Switzerland to the former GDR and post-colonial Africa - the volume expands the notion of a German crime-writing tradition by investigating areas such as crime fiction under National Socialism, Turkish-German crime fiction and the Afrika-Krimi. Significant trends, including women’s crime writing, regional crime fiction, historical crime fiction and the Fernsehkrimi (television crime drama) are also explored, highlighting the richness and diversity of the genre in Germanic contexts.","downloadable_attachments":[{"id":43862311,"asset_id":12175922,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":335812,"first_name":"Katharina","last_name":"Hall","domain_name":"independent","page_name":"HallKatharina","display_name":"Katharina Hall","profile_url":"https://independent.academia.edu/HallKatharina?f_ri=662","photo":"https://0.academia-photos.com/335812/92884/13220447/s65_katharina.hall.jpg"}],"research_interests":[{"id":384,"name":"German Studies","url":"https://www.academia.edu/Documents/in/German_Studies?f_ri=662","nofollow":true},{"id":662,"name":"German Literature","url":"https://www.academia.edu/Documents/in/German_Literature?f_ri=662","nofollow":true},{"id":10562,"name":"Crime fiction","url":"https://www.academia.edu/Documents/in/Crime_fiction?f_ri=662","nofollow":true},{"id":17230,"name":"Austrian Literature","url":"https://www.academia.edu/Documents/in/Austrian_Literature?f_ri=662","nofollow":true},{"id":23729,"name":"Swiss German Literature","url":"https://www.academia.edu/Documents/in/Swiss_German_Literature?f_ri=662"},{"id":50576,"name":"Germany","url":"https://www.academia.edu/Documents/in/Germany?f_ri=662"},{"id":708810,"name":"Detective fiction and crime writing","url":"https://www.academia.edu/Documents/in/Detective_fiction_and_crime_writing?f_ri=662"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_6905401" data-work_id="6905401" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/6905401/Introduction_The_Case_of_Citation_On_Literary_and_Pragmatic_Reference">Introduction: The Case of Citation: On Literary and Pragmatic Reference</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/6905401" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="ba708b23ba3bf5b7bbc9a899e6013501" rel="nofollow" data-download="{"attachment_id":37150331,"asset_id":6905401,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/37150331/download_file?st=MTc0MDU3MTMyOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1852376" href="https://colorado.academia.edu/ArneHoecker">Arne Höcker</a><script data-card-contents-for-user="1852376" type="text/json">{"id":1852376,"first_name":"Arne","last_name":"Höcker","domain_name":"colorado","page_name":"ArneHoecker","display_name":"Arne Höcker","profile_url":"https://colorado.academia.edu/ArneHoecker?f_ri=662","photo":"https://0.academia-photos.com/1852376/629500/83520129/s65_arne.hoecker.jpeg"}</script></span></span></li><li class="js-paper-rank-work_6905401 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="6905401"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 6905401, container: ".js-paper-rank-work_6905401", }); });</script></li><li class="js-percentile-work_6905401 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 6905401; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_6905401"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_6905401 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="6905401"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 6905401; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=6905401]").text(description); $(".js-view-count-work_6905401").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_6905401").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="6905401"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">11</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="384" rel="nofollow" href="https://www.academia.edu/Documents/in/German_Studies">German Studies</a>, <script data-card-contents-for-ri="384" type="text/json">{"id":384,"name":"German Studies","url":"https://www.academia.edu/Documents/in/German_Studies?f_ri=662","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="662" rel="nofollow" href="https://www.academia.edu/Documents/in/German_Literature">German Literature</a>, <script data-card-contents-for-ri="662" type="text/json">{"id":662,"name":"German Literature","url":"https://www.academia.edu/Documents/in/German_Literature?f_ri=662","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="6461" rel="nofollow" href="https://www.academia.edu/Documents/in/Heinrich_von_Kleist">Heinrich von Kleist</a>, <script data-card-contents-for-ri="6461" type="text/json">{"id":6461,"name":"Heinrich von Kleist","url":"https://www.academia.edu/Documents/in/Heinrich_von_Kleist?f_ri=662","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="8491" rel="nofollow" href="https://www.academia.edu/Documents/in/Roland_Barthes">Roland Barthes</a><script data-card-contents-for-ri="8491" type="text/json">{"id":8491,"name":"Roland Barthes","url":"https://www.academia.edu/Documents/in/Roland_Barthes?f_ri=662","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=6905401]'), work: {"id":6905401,"title":"Introduction: The Case of Citation: On Literary and Pragmatic Reference","created_at":"2014-04-28T23:38:42.407-07:00","url":"https://www.academia.edu/6905401/Introduction_The_Case_of_Citation_On_Literary_and_Pragmatic_Reference?f_ri=662","dom_id":"work_6905401","summary":null,"downloadable_attachments":[{"id":37150331,"asset_id":6905401,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1852376,"first_name":"Arne","last_name":"Höcker","domain_name":"colorado","page_name":"ArneHoecker","display_name":"Arne Höcker","profile_url":"https://colorado.academia.edu/ArneHoecker?f_ri=662","photo":"https://0.academia-photos.com/1852376/629500/83520129/s65_arne.hoecker.jpeg"}],"research_interests":[{"id":384,"name":"German Studies","url":"https://www.academia.edu/Documents/in/German_Studies?f_ri=662","nofollow":true},{"id":662,"name":"German Literature","url":"https://www.academia.edu/Documents/in/German_Literature?f_ri=662","nofollow":true},{"id":6461,"name":"Heinrich von Kleist","url":"https://www.academia.edu/Documents/in/Heinrich_von_Kleist?f_ri=662","nofollow":true},{"id":8491,"name":"Roland Barthes","url":"https://www.academia.edu/Documents/in/Roland_Barthes?f_ri=662","nofollow":true},{"id":10232,"name":"Intertextuality","url":"https://www.academia.edu/Documents/in/Intertextuality?f_ri=662"},{"id":14571,"name":"Julia Kristeva","url":"https://www.academia.edu/Documents/in/Julia_Kristeva?f_ri=662"},{"id":15622,"name":"German Literature and Culture","url":"https://www.academia.edu/Documents/in/German_Literature_and_Culture?f_ri=662"},{"id":33398,"name":"Friedrich Schiller","url":"https://www.academia.edu/Documents/in/Friedrich_Schiller?f_ri=662"},{"id":197035,"name":"Georg Büchner","url":"https://www.academia.edu/Documents/in/Georg_B%C3%BCchner?f_ri=662"},{"id":199319,"name":"Citation","url":"https://www.academia.edu/Documents/in/Citation?f_ri=662"},{"id":1119906,"name":"Jean Paul","url":"https://www.academia.edu/Documents/in/Jean_Paul?f_ri=662"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_52419302" data-work_id="52419302" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/52419302/Ein_sachlich_romantisches_Liebesdurcheinander_Katrin_Hollands_Roman_Man_spricht_%C3%BCber_Jacqueline_">Ein sachlich-romantisches Liebesdurcheinander. Katrin Hollands Roman "Man spricht über Jacqueline"</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Katrin Holland wurde als Autorin von mehr als 40 Unterhaltungsromanen bekannt, darunter einige Bestseller. Ihren ersten Roman "Man spricht über Jacqueline" veröffentlichte sie als 20-Jährige 1930 bei Ullstein. Als 1942 ihr erster... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_52419302" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Katrin Holland wurde als Autorin von mehr als 40 Unterhaltungsromanen bekannt, darunter einige Bestseller. Ihren ersten Roman "Man spricht über Jacqueline" veröffentlichte sie als 20-Jährige 1930 bei Ullstein. Als 1942 ihr erster englischsprachiger Roman "No Surrender" in den USA erschien, wechselt sie ihr Pseudonym und publizierte fortan unter dem Namen Martha Albrand. Ihre frühen Texte spielen oft im Milieu der lebenslustigen europäischen Hautevolee. In den 1940er-Jahren beginnt sie ihre Narrationen politisch zu färben, zunächst im Kampf gegen den Nationalsozialismus, später schreibt sie auch gegen den Kommunismus.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/52419302" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="c93f7e8aa528293e27f163dbb5c028d7" rel="nofollow" data-download="{"attachment_id":69690608,"asset_id":52419302,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/69690608/download_file?st=MTc0MDU3MTMyOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="99332178" href="https://uni-due.academia.edu/ElkeReinhardtBecker">Elke Reinhardt-Becker</a><script data-card-contents-for-user="99332178" type="text/json">{"id":99332178,"first_name":"Elke","last_name":"Reinhardt-Becker","domain_name":"uni-due","page_name":"ElkeReinhardtBecker","display_name":"Elke Reinhardt-Becker","profile_url":"https://uni-due.academia.edu/ElkeReinhardtBecker?f_ri=662","photo":"https://0.academia-photos.com/99332178/27616970/36346189/s65_elke.reinhardt-becker.jpg"}</script></span></span></li><li class="js-paper-rank-work_52419302 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="52419302"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 52419302, container: ".js-paper-rank-work_52419302", }); 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$(".js-view-count[data-work-id=52419302]").text(description); $(".js-view-count-work_52419302").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_52419302").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="52419302"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="662" rel="nofollow" href="https://www.academia.edu/Documents/in/German_Literature">German Literature</a>, <script data-card-contents-for-ri="662" type="text/json">{"id":662,"name":"German Literature","url":"https://www.academia.edu/Documents/in/German_Literature?f_ri=662","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="605954" rel="nofollow" href="https://www.academia.edu/Documents/in/Literature_and_Culture_of_the_Weimar_Republic">Literature and Culture of the Weimar Republic</a>, <script data-card-contents-for-ri="605954" type="text/json">{"id":605954,"name":"Literature and Culture of the Weimar Republic","url":"https://www.academia.edu/Documents/in/Literature_and_Culture_of_the_Weimar_Republic?f_ri=662","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="716553" rel="nofollow" href="https://www.academia.edu/Documents/in/Liebe">Liebe</a>, <script data-card-contents-for-ri="716553" type="text/json">{"id":716553,"name":"Liebe","url":"https://www.academia.edu/Documents/in/Liebe?f_ri=662","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="1161227" rel="nofollow" href="https://www.academia.edu/Documents/in/Neue_Sachlichkeit">Neue Sachlichkeit</a><script data-card-contents-for-ri="1161227" type="text/json">{"id":1161227,"name":"Neue Sachlichkeit","url":"https://www.academia.edu/Documents/in/Neue_Sachlichkeit?f_ri=662","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=52419302]'), work: {"id":52419302,"title":"Ein sachlich-romantisches Liebesdurcheinander. Katrin Hollands Roman \"Man spricht über Jacqueline\"","created_at":"2021-09-15T03:15:12.870-07:00","url":"https://www.academia.edu/52419302/Ein_sachlich_romantisches_Liebesdurcheinander_Katrin_Hollands_Roman_Man_spricht_%C3%BCber_Jacqueline_?f_ri=662","dom_id":"work_52419302","summary":"Katrin Holland wurde als Autorin von mehr als 40 Unterhaltungsromanen bekannt, darunter einige Bestseller. Ihren ersten Roman \"Man spricht über Jacqueline\" veröffentlichte sie als 20-Jährige 1930 bei Ullstein. Als 1942 ihr erster englischsprachiger Roman \"No Surrender\" in den USA erschien, wechselt sie ihr Pseudonym und publizierte fortan unter dem Namen Martha Albrand. Ihre frühen Texte spielen oft im Milieu der lebenslustigen europäischen Hautevolee. In den 1940er-Jahren beginnt sie ihre Narrationen politisch zu färben, zunächst im Kampf gegen den Nationalsozialismus, später schreibt sie auch gegen den Kommunismus. ","downloadable_attachments":[{"id":69690608,"asset_id":52419302,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":99332178,"first_name":"Elke","last_name":"Reinhardt-Becker","domain_name":"uni-due","page_name":"ElkeReinhardtBecker","display_name":"Elke Reinhardt-Becker","profile_url":"https://uni-due.academia.edu/ElkeReinhardtBecker?f_ri=662","photo":"https://0.academia-photos.com/99332178/27616970/36346189/s65_elke.reinhardt-becker.jpg"}],"research_interests":[{"id":662,"name":"German Literature","url":"https://www.academia.edu/Documents/in/German_Literature?f_ri=662","nofollow":true},{"id":605954,"name":"Literature and Culture of the Weimar Republic","url":"https://www.academia.edu/Documents/in/Literature_and_Culture_of_the_Weimar_Republic?f_ri=662","nofollow":true},{"id":716553,"name":"Liebe","url":"https://www.academia.edu/Documents/in/Liebe?f_ri=662","nofollow":true},{"id":1161227,"name":"Neue Sachlichkeit","url":"https://www.academia.edu/Documents/in/Neue_Sachlichkeit?f_ri=662","nofollow":true}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_38167714" data-work_id="38167714" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/38167714/Contemporary_Migration_Literature_Vlasta_extended_TOC_">Contemporary Migration Literature Vlasta (extended TOC)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Up until now, ‘migration literature’ has primarily been defined as ‘texts written by migrant authors’, a definition that has been discussed, criticised, and even rejected by critics and authors alike. Very rarely has ‘migration... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_38167714" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Up until now, ‘migration literature’ has primarily been defined as ‘texts written by migrant authors’, a definition that has been discussed, criticised, and even rejected by critics and authors alike. Very rarely has ‘migration literature’ been understood as ‘literature on the topic of migration’, which is an approach this book adopts by presenting a comparative analysis of contemporary texts on experiences of migration. By focusing on specific themes and motifs in selected texts, this study suggests that migration literature is a sub-genre that exists in both various bodies of literature as well as various languages. This book analyses English and German texts by authors such as Monica Ali, Dimitré Dinev, Anna Kim, Timothy Mo, Preethi Nair, Caryl Phillips, Hamid Sadr, and Vladimir Vertlib, among others.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/38167714" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="07d62e1db2811fd7d588e63bed3e9fb3" rel="nofollow" data-download="{"attachment_id":58202483,"asset_id":38167714,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/58202483/download_file?st=MTc0MDU3MTMyOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="28047627" href="https://unige-it1.academia.edu/SandraVlasta">Sandra Vlasta</a><script data-card-contents-for-user="28047627" type="text/json">{"id":28047627,"first_name":"Sandra","last_name":"Vlasta","domain_name":"unige-it1","page_name":"SandraVlasta","display_name":"Sandra Vlasta","profile_url":"https://unige-it1.academia.edu/SandraVlasta?f_ri=662","photo":"https://0.academia-photos.com/28047627/10598148/11829466/s65_sandra.vlasta.jpg"}</script></span></span></li><li class="js-paper-rank-work_38167714 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="38167714"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 38167714, container: ".js-paper-rank-work_38167714", }); 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Very rarely has ‘migration literature’ been understood as ‘literature on the topic of migration’, which is an approach this book adopts by presenting a comparative analysis of contemporary texts on experiences of migration. By focusing on specific themes and motifs in selected texts, this study suggests that migration literature is a sub-genre that exists in both various bodies of literature as well as various languages. This book analyses English and German texts by authors such as Monica Ali, Dimitré Dinev, Anna Kim, Timothy Mo, Preethi Nair, Caryl Phillips, Hamid Sadr, and Vladimir Vertlib, among others.","downloadable_attachments":[{"id":58202483,"asset_id":38167714,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":28047627,"first_name":"Sandra","last_name":"Vlasta","domain_name":"unige-it1","page_name":"SandraVlasta","display_name":"Sandra Vlasta","profile_url":"https://unige-it1.academia.edu/SandraVlasta?f_ri=662","photo":"https://0.academia-photos.com/28047627/10598148/11829466/s65_sandra.vlasta.jpg"}],"research_interests":[{"id":384,"name":"German Studies","url":"https://www.academia.edu/Documents/in/German_Studies?f_ri=662","nofollow":true},{"id":659,"name":"Comparative Literature","url":"https://www.academia.edu/Documents/in/Comparative_Literature?f_ri=662","nofollow":true},{"id":662,"name":"German Literature","url":"https://www.academia.edu/Documents/in/German_Literature?f_ri=662","nofollow":true},{"id":885,"name":"English Literature","url":"https://www.academia.edu/Documents/in/English_Literature?f_ri=662","nofollow":true},{"id":14730,"name":"Migration Studies","url":"https://www.academia.edu/Documents/in/Migration_Studies?f_ri=662"},{"id":36437,"name":"Thematic Analysis","url":"https://www.academia.edu/Documents/in/Thematic_Analysis?f_ri=662"},{"id":99469,"name":"Literature and migration","url":"https://www.academia.edu/Documents/in/Literature_and_migration?f_ri=662"},{"id":167659,"name":"Interkulturelle Germanistik","url":"https://www.academia.edu/Documents/in/Interkulturelle_Germanistik?f_ri=662"},{"id":278870,"name":"English Studies","url":"https://www.academia.edu/Documents/in/English_Studies?f_ri=662"},{"id":518408,"name":"Migration literature","url":"https://www.academia.edu/Documents/in/Migration_literature?f_ri=662"},{"id":1021660,"name":"Thematology","url":"https://www.academia.edu/Documents/in/Thematology?f_ri=662"},{"id":2738085,"name":"Mehrsprachige Literatur","url":"https://www.academia.edu/Documents/in/Mehrsprachige_Literatur?f_ri=662"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_44640028" data-work_id="44640028" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" rel="nofollow" href="https://www.academia.edu/44640028/Das_Unsichtbare_sichtbar_machen_G%C3%BCnther_Anders_und_John_Heartfield_in_Links_XIX_2020_pp_89_98_Please_contact_me_if_you_are_interested_in_a_pdf_pre_print_file">Das Unsichtbare sichtbar machen. Günther Anders und John Heartfield, in "Links", XIX (2020), pp. 89-98. Please contact me if you are interested in a pdf pre-print file.</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The paper aims to investigate the lecture given by Günther Anders of John Heartfield’s peculiar art of expressionistic montage, in 1938, focusing the connections between aesthetics and politics. The role of the photomontage is, following... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_44640028" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The paper aims to investigate the lecture given by Günther Anders of John Heartfield’s peculiar art of expressionistic montage, in 1938, focusing the connections between aesthetics and politics. The role of the photomontage is, following this text, to put on the surface the reality which is hired under the cover. In this sense, so Anders, Heartfield’s photomontage is a falsification, aimed to reveal the truth. It does not mean a hoax, in order to trick, but rather a way to show the real connections between the things of the world.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/44640028" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="11c3221d551a5c2e1244cc31cabffc38" rel="nofollow" data-download="{"attachment_id":65110178,"asset_id":44640028,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/65110178/download_file?st=MTc0MDU3MTMyOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="82629" href="https://unifueu.academia.edu/micaelalatini">micaela latini</a><script data-card-contents-for-user="82629" type="text/json">{"id":82629,"first_name":"micaela","last_name":"latini","domain_name":"unifueu","page_name":"micaelalatini","display_name":"micaela latini","profile_url":"https://unifueu.academia.edu/micaelalatini?f_ri=662","photo":"https://0.academia-photos.com/82629/22987/868151/s65_micaela.latini.jpg"}</script></span></span></li><li class="js-paper-rank-work_44640028 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="44640028"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 44640028, container: ".js-paper-rank-work_44640028", }); 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Günther Anders und John Heartfield, in \"Links\", XIX (2020), pp. 89-98. Please contact me if you are interested in a pdf pre-print file.","created_at":"2020-12-04T23:47:53.500-08:00","url":"https://www.academia.edu/44640028/Das_Unsichtbare_sichtbar_machen_G%C3%BCnther_Anders_und_John_Heartfield_in_Links_XIX_2020_pp_89_98_Please_contact_me_if_you_are_interested_in_a_pdf_pre_print_file?f_ri=662","dom_id":"work_44640028","summary":"The paper aims to investigate the lecture given by Günther Anders of John Heartfield’s peculiar art of expressionistic montage, in 1938, focusing the connections between aesthetics and politics. The role of the photomontage is, following this text, to put on the surface the reality which is hired under the cover. In this sense, so Anders, Heartfield’s photomontage is a falsification, aimed to reveal the truth. 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A Bildung-eszmény és a művelt polgár közösségi ideálja (Humboldt, Goethe, Márai. The Bildung-Ideal and the Communal Concept of the "Bildungsbürger")</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/17315267" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="01e4adfc5030be50aa44bec80e49c2a4" rel="nofollow" data-download="{"attachment_id":39437380,"asset_id":17315267,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/39437380/download_file?st=MTc0MDU3MTMyOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="233177" href="https://uni-nke.academia.edu/FerencH%C3%B6rcher">Ferenc Hörcher</a><script data-card-contents-for-user="233177" type="text/json">{"id":233177,"first_name":"Ferenc","last_name":"Hörcher","domain_name":"uni-nke","page_name":"FerencHörcher","display_name":"Ferenc Hörcher","profile_url":"https://uni-nke.academia.edu/FerencH%C3%B6rcher?f_ri=662","photo":"https://0.academia-photos.com/233177/51454/17942501/s65_ferenc.h_rcher.png"}</script></span></span></li><li class="js-paper-rank-work_17315267 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="17315267"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 17315267, container: ".js-paper-rank-work_17315267", }); 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A Bildung-eszmény és a művelt polgár közösségi ideálja (Humboldt, Goethe, Márai. The Bildung-Ideal and the Communal Concept of the \"Bildungsbürger\")","created_at":"2015-10-26T13:16:27.159-07:00","url":"https://www.academia.edu/17315267/Humboldt_Goethe_M%C3%A1rai_A_Bildung_eszm%C3%A9ny_%C3%A9s_a_m%C5%B1velt_polg%C3%A1r_k%C3%B6z%C3%B6ss%C3%A9gi_ide%C3%A1lja_Humboldt_Goethe_M%C3%A1rai_The_Bildung_Ideal_and_the_Communal_Concept_of_the_Bildungsb%C3%BCrger_?f_ri=662","dom_id":"work_17315267","summary":null,"downloadable_attachments":[{"id":39437380,"asset_id":17315267,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":233177,"first_name":"Ferenc","last_name":"Hörcher","domain_name":"uni-nke","page_name":"FerencHörcher","display_name":"Ferenc Hörcher","profile_url":"https://uni-nke.academia.edu/FerencH%C3%B6rcher?f_ri=662","photo":"https://0.academia-photos.com/233177/51454/17942501/s65_ferenc.h_rcher.png"}],"research_interests":[{"id":128,"name":"History","url":"https://www.academia.edu/Documents/in/History?f_ri=662","nofollow":true},{"id":662,"name":"German Literature","url":"https://www.academia.edu/Documents/in/German_Literature?f_ri=662","nofollow":true},{"id":803,"name":"Philosophy","url":"https://www.academia.edu/Documents/in/Philosophy?f_ri=662","nofollow":true},{"id":994,"name":"Journalism","url":"https://www.academia.edu/Documents/in/Journalism?f_ri=662","nofollow":true},{"id":2418,"name":"Literature","url":"https://www.academia.edu/Documents/in/Literature?f_ri=662"},{"id":5709,"name":"Politics","url":"https://www.academia.edu/Documents/in/Politics?f_ri=662"},{"id":5878,"name":"Nationalism","url":"https://www.academia.edu/Documents/in/Nationalism?f_ri=662"},{"id":6202,"name":"German Idealism","url":"https://www.academia.edu/Documents/in/German_Idealism?f_ri=662"},{"id":7125,"name":"Culture","url":"https://www.academia.edu/Documents/in/Culture?f_ri=662"},{"id":16407,"name":"History of Middle Classes","url":"https://www.academia.edu/Documents/in/History_of_Middle_Classes?f_ri=662"},{"id":21129,"name":"Hungarian Literature","url":"https://www.academia.edu/Documents/in/Hungarian_Literature?f_ri=662"},{"id":29830,"name":"Middle Class Identity","url":"https://www.academia.edu/Documents/in/Middle_Class_Identity?f_ri=662"},{"id":43017,"name":"Civil Society","url":"https://www.academia.edu/Documents/in/Civil_Society?f_ri=662"},{"id":64633,"name":"Society","url":"https://www.academia.edu/Documents/in/Society?f_ri=662"},{"id":423310,"name":"Történelem","url":"https://www.academia.edu/Documents/in/Tortenelem?f_ri=662"},{"id":461447,"name":"Filozófia","url":"https://www.academia.edu/Documents/in/Filoz%C3%B3fia?f_ri=662"},{"id":554395,"name":"History of Hungary and the Habsburg Monarchy","url":"https://www.academia.edu/Documents/in/History_of_Hungary_and_the_Habsburg_Monarchy?f_ri=662"},{"id":911128,"name":"A Polgárosodás Története","url":"https://www.academia.edu/Documents/in/A_Polgarosodas_Tortenete?f_ri=662"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_8638949" data-work_id="8638949" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/8638949/Author_and_Narrator_Observations_on_Die_Wahlverwandtschaften_in_Dorothee_Birke_Tilmann_K%C3%B6ppe_Author_and_Narrator_Transdisciplinary_Contributions_to_a_Narratological_Debate_Berlin_de_Gruyter_2015_S_81_97">Author and Narrator. Observations on 'Die Wahlverwandtschaften', in: Dorothee Birke/Tilmann Köppe: Author and Narrator. Transdisciplinary Contributions to a Narratological Debate, Berlin: de Gruyter 2015, S. 81–97.</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">According to a common though not universally accepted opinion, works of narrative fiction are made up of statements uttered by a fictional narrator who must be distinguished from the author. In what follows, I demonstrate that this... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_8638949" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">According to a common though not universally accepted opinion, works of narrative fiction are made up of statements uttered by a fictional narrator who must be distinguished from the author. In what follows, I demonstrate that this assumption has led to misinterpretations of Johann Wolfgang von Goethe’s novel Die Wahlverwandtschaften. In the first section, I examine the view, held by several distinguished scholars, that there is a fictional narrator in Die Wahlverwandtschaften. Two main problems of the respective interpretations are exposed. First, they fail to substantiate their claims about the existence and particular traits of the narrator. Second, they fail to clarify the very point of introducing him. In the second section, I challenge the general assumption that it is reasonable to postulate a narrator while ignoring, temporarily or permanently, the author’s purposes. The third section suggests that it is rather misleading to apply the term ‘narrator’ to the author of the novel. One may of course call Goethe the ‘narrator’ of Die Wahlverwandtschaften, but there is little point in doing so. In the final section, I draw attention to some aspects of Goethe’s novel that have previously been neglected and that can be more easily recognized once one refrains from assuming that there is a fictional narrator in the novel.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/8638949" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="79e3797591e2ec421e9257146f701754" rel="nofollow" data-download="{"attachment_id":38674750,"asset_id":8638949,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/38674750/download_file?st=MTc0MDU3MTMyOSw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1288705" href="https://uni-osnabrueck.academia.edu/VincenzPieper">Vincenz Pieper</a><script data-card-contents-for-user="1288705" type="text/json">{"id":1288705,"first_name":"Vincenz","last_name":"Pieper","domain_name":"uni-osnabrueck","page_name":"VincenzPieper","display_name":"Vincenz Pieper","profile_url":"https://uni-osnabrueck.academia.edu/VincenzPieper?f_ri=662","photo":"https://0.academia-photos.com/1288705/2720470/136149689/s65_vincenz.pieper.jpeg"}</script></span></span></li><li class="js-paper-rank-work_8638949 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="8638949"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 8638949, container: ".js-paper-rank-work_8638949", }); 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Observations on 'Die Wahlverwandtschaften', in: Dorothee Birke/Tilmann Köppe: Author and Narrator. Transdisciplinary Contributions to a Narratological Debate, Berlin: de Gruyter 2015, S. 81–97.","created_at":"2014-10-04T23:29:09.498-07:00","url":"https://www.academia.edu/8638949/Author_and_Narrator_Observations_on_Die_Wahlverwandtschaften_in_Dorothee_Birke_Tilmann_K%C3%B6ppe_Author_and_Narrator_Transdisciplinary_Contributions_to_a_Narratological_Debate_Berlin_de_Gruyter_2015_S_81_97?f_ri=662","dom_id":"work_8638949","summary":"According to a common though not universally accepted opinion, works of narrative fiction are made up of statements uttered by a fictional narrator who must be distinguished from the author. In what follows, I demonstrate that this assumption has led to misinterpretations of Johann Wolfgang von Goethe’s novel Die Wahlverwandtschaften. In the first section, I examine the view, held by several distinguished scholars, that there is a fictional narrator in Die Wahlverwandtschaften. Two main problems of the respective interpretations are exposed. First, they fail to substantiate their claims about the existence and particular traits of the narrator. Second, they fail to clarify the very point of introducing him. In the second section, I challenge the general assumption that it is reasonable to postulate a narrator while ignoring, temporarily or permanently, the author’s purposes. The third section suggests that it is rather misleading to apply the term ‘narrator’ to the author of the novel. One may of course call Goethe the ‘narrator’ of Die Wahlverwandtschaften, but there is little point in doing so. In the final section, I draw attention to some aspects of Goethe’s novel that have previously been neglected and that can be more easily recognized once one refrains from assuming that there is a fictional narrator in the novel.","downloadable_attachments":[{"id":38674750,"asset_id":8638949,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1288705,"first_name":"Vincenz","last_name":"Pieper","domain_name":"uni-osnabrueck","page_name":"VincenzPieper","display_name":"Vincenz Pieper","profile_url":"https://uni-osnabrueck.academia.edu/VincenzPieper?f_ri=662","photo":"https://0.academia-photos.com/1288705/2720470/136149689/s65_vincenz.pieper.jpeg"}],"research_interests":[{"id":662,"name":"German Literature","url":"https://www.academia.edu/Documents/in/German_Literature?f_ri=662","nofollow":true},{"id":5512,"name":"Narrative and interpretation","url":"https://www.academia.edu/Documents/in/Narrative_and_interpretation?f_ri=662","nofollow":true},{"id":5513,"name":"Narratology","url":"https://www.academia.edu/Documents/in/Narratology?f_ri=662","nofollow":true},{"id":7351,"name":"Fictionality","url":"https://www.academia.edu/Documents/in/Fictionality?f_ri=662","nofollow":true},{"id":7888,"name":"Literary Theory","url":"https://www.academia.edu/Documents/in/Literary_Theory?f_ri=662"},{"id":8761,"name":"Johann Wolfgang von Goethe","url":"https://www.academia.edu/Documents/in/Johann_Wolfgang_von_Goethe?f_ri=662"},{"id":14800,"name":"Hermeneutics and Narrative","url":"https://www.academia.edu/Documents/in/Hermeneutics_and_Narrative?f_ri=662"},{"id":19818,"name":"Narrative Theory","url":"https://www.academia.edu/Documents/in/Narrative_Theory?f_ri=662"},{"id":29883,"name":"Authorship","url":"https://www.academia.edu/Documents/in/Authorship?f_ri=662"},{"id":113540,"name":"Authorial Intention","url":"https://www.academia.edu/Documents/in/Authorial_Intention?f_ri=662"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_73314234" data-work_id="73314234" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/73314234/Konzepte_der_Gesundheit_im_Werk_Thomas_Manns_Dekadenter_Gesundheitsverdacht_Krankheitswahl_und_die_Autonomie_des_K%C3%B6rpers_In_Letizia_Dieckmann_Julian_Menninger_Michael_Navratil_Hg_Gesundheit_erz%C3%A4hlen_%C3%84sthetik_Performanz_Ideologie_Berlin_Boston_2021_S_33_52">Konzepte der Gesundheit im Werk Thomas Manns: Dekadenter Gesundheitsverdacht, Krankheitswahl und die Autonomie des Körpers. In: Letizia Dieckmann / Julian Menninger / Michael Navratil (Hg.): Gesundheit erzählen. Ästhetik – Performanz – Ideologie. Berlin / Boston 2021, S. 33–52.</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Gesund sind immer die Anderen "Nein, du hast keinen Begriff, Thomas, was für ein prachtvolles Geschöpf das ist! Sie ist so gesund ... so gesund ... !" wiederholte Christian, indem er eine Hand, ihren Rücken nach außen, mit gekrümmten... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_73314234" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Gesund sind immer die Anderen "Nein, du hast keinen Begriff, Thomas, was für ein prachtvolles Geschöpf das ist! Sie ist so gesund ... so gesund ... !" wiederholte Christian, indem er eine Hand, ihren Rücken nach außen, mit gekrümmten Fingern vors Gesicht hielt, ähnlich wie er es zu thun pflegte, wenn er von "That's Maria" und dem Laster in London erzählte. 1 (1.1, 446-447)</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/73314234" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="f9c9a0ab7528dcc186178cb39d645228" rel="nofollow" data-download="{"attachment_id":81883092,"asset_id":73314234,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/81883092/download_file?st=MTc0MDU3MTMzMCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="23645810" href="https://uni-stuttgart.academia.edu/MichaelNavratil">Michael Navratil</a><script data-card-contents-for-user="23645810" type="text/json">{"id":23645810,"first_name":"Michael","last_name":"Navratil","domain_name":"uni-stuttgart","page_name":"MichaelNavratil","display_name":"Michael Navratil","profile_url":"https://uni-stuttgart.academia.edu/MichaelNavratil?f_ri=662","photo":"https://0.academia-photos.com/23645810/6409178/20049610/s65_michael.navratil.jpg"}</script></span></span></li><li class="js-paper-rank-work_73314234 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="73314234"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 73314234, container: ".js-paper-rank-work_73314234", }); 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In: Letizia Dieckmann / Julian Menninger / Michael Navratil (Hg.): Gesundheit erzählen. Ästhetik – Performanz – Ideologie. Berlin / Boston 2021, S. 33–52.","created_at":"2022-03-08T05:17:27.974-08:00","url":"https://www.academia.edu/73314234/Konzepte_der_Gesundheit_im_Werk_Thomas_Manns_Dekadenter_Gesundheitsverdacht_Krankheitswahl_und_die_Autonomie_des_K%C3%B6rpers_In_Letizia_Dieckmann_Julian_Menninger_Michael_Navratil_Hg_Gesundheit_erz%C3%A4hlen_%C3%84sthetik_Performanz_Ideologie_Berlin_Boston_2021_S_33_52?f_ri=662","dom_id":"work_73314234","summary":"Gesund sind immer die Anderen \"Nein, du hast keinen Begriff, Thomas, was für ein prachtvolles Geschöpf das ist! Sie ist so gesund ... so gesund ... !\" wiederholte Christian, indem er eine Hand, ihren Rücken nach außen, mit gekrümmten Fingern vors Gesicht hielt, ähnlich wie er es zu thun pflegte, wenn er von \"That's Maria\" und dem Laster in London erzählte. 1 (1.1, 446-447)","downloadable_attachments":[{"id":81883092,"asset_id":73314234,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":23645810,"first_name":"Michael","last_name":"Navratil","domain_name":"uni-stuttgart","page_name":"MichaelNavratil","display_name":"Michael Navratil","profile_url":"https://uni-stuttgart.academia.edu/MichaelNavratil?f_ri=662","photo":"https://0.academia-photos.com/23645810/6409178/20049610/s65_michael.navratil.jpg"}],"research_interests":[{"id":662,"name":"German Literature","url":"https://www.academia.edu/Documents/in/German_Literature?f_ri=662","nofollow":true},{"id":3728,"name":"Thomas Mann","url":"https://www.academia.edu/Documents/in/Thomas_Mann?f_ri=662","nofollow":true},{"id":8303,"name":"Friedrich Nietzsche","url":"https://www.academia.edu/Documents/in/Friedrich_Nietzsche?f_ri=662","nofollow":true},{"id":8444,"name":"Modernist Literature (Literary Modernism)","url":"https://www.academia.edu/Documents/in/Modernist_Literature_Literary_Modernism_?f_ri=662","nofollow":true},{"id":16767,"name":"Modernism","url":"https://www.academia.edu/Documents/in/Modernism?f_ri=662"},{"id":37398,"name":"Decadence (Literature)","url":"https://www.academia.edu/Documents/in/Decadence_Literature_?f_ri=662"},{"id":78089,"name":"Decadence","url":"https://www.academia.edu/Documents/in/Decadence?f_ri=662"},{"id":127605,"name":"Health Science","url":"https://www.academia.edu/Documents/in/Health_Science?f_ri=662"},{"id":172867,"name":"Gesundheit","url":"https://www.academia.edu/Documents/in/Gesundheit?f_ri=662"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_41820597" data-work_id="41820597" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/41820597/G%C3%BCnter_Blamberger_Manfred_Engel_Monika_Ritzer_Hg_Studien_zur_Literatur_des_Fr%C3%BChrealismus_Inhalt">Günter Blamberger / Manfred Engel / Monika Ritzer (Hg.), Studien zur Literatur des Frührealismus: Inhalt</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Die Unsicherheit der Germanistik in der Bestimmung der Epochensignatur für die zwischen 1815 und 1848 entstandenen literarischen Werke, die sich schon an der Fülle konkurrierender Epochennamen (wie Biedermeierzeit, Frührealismus, Junges... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_41820597" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Die Unsicherheit der Germanistik in der Bestimmung der Epochensignatur für die zwischen 1815 und 1848 entstandenen literarischen Werke, die sich schon an der Fülle konkurrierender Epochennamen (wie Biedermeierzeit, Frührealismus, Junges Deutschland, Vormärz, Restaurationsliteratur u.a.) ablesen läßt, ist der Ansatzpunkt dieses Sammelbandes, dessen Beiträge - stets ausgehend von Einzelinterpretationen - sowohl systematisch wie historisch orientiert sind. Zum einen wird versucht, den Frührealismus durch Abgrenzung von den beiden Nachbarepochen Romantik und Realismus neu zu bestimmen, zum anderen werden ausgewählte Aspekte der Mentalitäts-, Kultur- und Gattungsgeschichte der Epoche behandelt (Aspekte der Geselligkeitskultur, des Künstlerbildes, der jüdischen Problematik von Assimilation und Emanzipation). Untersucht werden literarische und poetologische Texte, u.a. von Heine, Mörike, lmmermann, Hebbel, Auerbach oder Moritz Gottlieb Saphir.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/41820597" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="5d43bc406e962998db4f3ffaf99bf030" rel="nofollow" data-download="{"attachment_id":61961948,"asset_id":41820597,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/61961948/download_file?st=MTc0MDU3MTMzMCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="107803155" href="https://uni-saarland.academia.edu/ManfredEngel">Manfred Engel</a><script data-card-contents-for-user="107803155" type="text/json">{"id":107803155,"first_name":"Manfred","last_name":"Engel","domain_name":"uni-saarland","page_name":"ManfredEngel","display_name":"Manfred Engel","profile_url":"https://uni-saarland.academia.edu/ManfredEngel?f_ri=662","photo":"https://0.academia-photos.com/107803155/39288192/32566450/s65_manfred.engel.jpg"}</script></span></span></li><li class="js-paper-rank-work_41820597 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="41820597"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 41820597, container: ".js-paper-rank-work_41820597", }); 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Zum einen wird versucht, den Frührealismus durch Abgrenzung von den beiden Nachbarepochen Romantik und Realismus neu zu bestimmen, zum anderen werden ausgewählte Aspekte der Mentalitäts-, Kultur- und Gattungsgeschichte der Epoche behandelt (Aspekte der Geselligkeitskultur, des Künstlerbildes, der jüdischen Problematik von Assimilation und Emanzipation). Untersucht werden literarische und poetologische Texte, u.a. von Heine, Mörike, lmmermann, Hebbel, Auerbach oder Moritz Gottlieb Saphir.","downloadable_attachments":[{"id":61961948,"asset_id":41820597,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":107803155,"first_name":"Manfred","last_name":"Engel","domain_name":"uni-saarland","page_name":"ManfredEngel","display_name":"Manfred Engel","profile_url":"https://uni-saarland.academia.edu/ManfredEngel?f_ri=662","photo":"https://0.academia-photos.com/107803155/39288192/32566450/s65_manfred.engel.jpg"}],"research_interests":[{"id":384,"name":"German Studies","url":"https://www.academia.edu/Documents/in/German_Studies?f_ri=662","nofollow":true},{"id":662,"name":"German Literature","url":"https://www.academia.edu/Documents/in/German_Literature?f_ri=662","nofollow":true},{"id":7786,"name":"19th century German literature","url":"https://www.academia.edu/Documents/in/19th_century_German_literature?f_ri=662","nofollow":true},{"id":20487,"name":"Literary History","url":"https://www.academia.edu/Documents/in/Literary_History?f_ri=662","nofollow":true},{"id":24027,"name":"German literary history","url":"https://www.academia.edu/Documents/in/German_literary_history?f_ri=662"},{"id":49619,"name":"Vormärz","url":"https://www.academia.edu/Documents/in/Vorm%C3%A4rz?f_ri=662"},{"id":52408,"name":"Literary studies","url":"https://www.academia.edu/Documents/in/Literary_studies?f_ri=662"},{"id":80334,"name":"Biedermeier","url":"https://www.academia.edu/Documents/in/Biedermeier?f_ri=662"},{"id":124479,"name":"Restauration","url":"https://www.academia.edu/Documents/in/Restauration?f_ri=662"},{"id":144563,"name":"Biedermeierzeit","url":"https://www.academia.edu/Documents/in/Biedermeierzeit?f_ri=662"},{"id":182119,"name":"Neuere Deutsche Literatur","url":"https://www.academia.edu/Documents/in/Neuere_Deutsche_Literatur?f_ri=662"},{"id":310149,"name":"deutsche Literaturgeschichte","url":"https://www.academia.edu/Documents/in/deutsche_Literaturgeschichte?f_ri=662"},{"id":409794,"name":"Germanistik","url":"https://www.academia.edu/Documents/in/Germanistik?f_ri=662"},{"id":428189,"name":"Deutsche Literatur","url":"https://www.academia.edu/Documents/in/Deutsche_Literatur?f_ri=662"},{"id":765701,"name":"Deutsche Literatur 19. 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B grade recieved.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/31679465" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="59677a7244c1e1a785ebf700f6975f57" rel="nofollow" data-download="{"attachment_id":51999501,"asset_id":31679465,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/51999501/download_file?st=MTc0MDU3MTMzMCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="60895262" href="https://aston.academia.edu/LanaKAdie">Lana K Adie</a><script data-card-contents-for-user="60895262" type="text/json">{"id":60895262,"first_name":"Lana","last_name":"Adie","domain_name":"aston","page_name":"LanaKAdie","display_name":"Lana K Adie","profile_url":"https://aston.academia.edu/LanaKAdie?f_ri=662","photo":"https://0.academia-photos.com/60895262/16636989/81707063/s65_lana.adie.jpeg"}</script></span></span></li><li class="js-paper-rank-work_31679465 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="31679465"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 31679465, container: ".js-paper-rank-work_31679465", }); 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$(".js-view-count[data-work-id=31679465]").text(description); $(".js-view-count-work_31679465").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_31679465").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="31679465"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="662" rel="nofollow" href="https://www.academia.edu/Documents/in/German_Literature">German Literature</a>, <script data-card-contents-for-ri="662" type="text/json">{"id":662,"name":"German Literature","url":"https://www.academia.edu/Documents/in/German_Literature?f_ri=662","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="1729" rel="nofollow" href="https://www.academia.edu/Documents/in/German_History">German History</a>, <script data-card-contents-for-ri="1729" type="text/json">{"id":1729,"name":"German History","url":"https://www.academia.edu/Documents/in/German_History?f_ri=662","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="8882" rel="nofollow" href="https://www.academia.edu/Documents/in/Women">Women</a>, <script data-card-contents-for-ri="8882" type="text/json">{"id":8882,"name":"Women","url":"https://www.academia.edu/Documents/in/Women?f_ri=662","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="423176" rel="nofollow" href="https://www.academia.edu/Documents/in/Grimms_Fairy_Tales">Grimms Fairy Tales</a><script data-card-contents-for-ri="423176" type="text/json">{"id":423176,"name":"Grimms Fairy Tales","url":"https://www.academia.edu/Documents/in/Grimms_Fairy_Tales?f_ri=662","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=31679465]'), work: {"id":31679465,"title":"0_To what extent are women in German fairy tales presented as living happily ever after_Lana Adie_dissertation.docx","created_at":"2017-03-02T08:13:18.947-08:00","url":"https://www.academia.edu/31679465/0_To_what_extent_are_women_in_German_fairy_tales_presented_as_living_happily_ever_after_Lana_Adie_dissertation_docx?f_ri=662","dom_id":"work_31679465","summary":"Extended Project Qualification submission 2016. B grade recieved.","downloadable_attachments":[{"id":51999501,"asset_id":31679465,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":60895262,"first_name":"Lana","last_name":"Adie","domain_name":"aston","page_name":"LanaKAdie","display_name":"Lana K Adie","profile_url":"https://aston.academia.edu/LanaKAdie?f_ri=662","photo":"https://0.academia-photos.com/60895262/16636989/81707063/s65_lana.adie.jpeg"}],"research_interests":[{"id":662,"name":"German Literature","url":"https://www.academia.edu/Documents/in/German_Literature?f_ri=662","nofollow":true},{"id":1729,"name":"German History","url":"https://www.academia.edu/Documents/in/German_History?f_ri=662","nofollow":true},{"id":8882,"name":"Women","url":"https://www.academia.edu/Documents/in/Women?f_ri=662","nofollow":true},{"id":423176,"name":"Grimms Fairy Tales","url":"https://www.academia.edu/Documents/in/Grimms_Fairy_Tales?f_ri=662","nofollow":true}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_27800735" data-work_id="27800735" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/27800735/The_Bug_and_The_Bandana_Comedy_and_Pain_in_the_Works_of_Franz_Kafka_and_David_Foster_Wallace_Syllabus_">The Bug & The Bandana: Comedy & Pain in the Works of Franz Kafka & David Foster Wallace (Syllabus)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Once, when asked if there was any hope in the world, Franz Kafka famously responded, “There is infinite hope… just not for us.” Over 50 years later, an ocean away, in a book tellingly titled Infinite Jest, David Foster Wallace wrote, “The... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_27800735" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Once, when asked if there was any hope in the world, Franz Kafka famously responded, “There is infinite hope… just not for us.” Over 50 years later, an ocean away, in a book tellingly titled Infinite Jest, David Foster Wallace wrote, “The truth will set you free. But not until it is finished with you.” Each of these quotes bears the trace of the kind of deep, gnashing, weird, and tireless pain that has become the hallmark of the works (and the images) of each author. But each quote is also incredibly… funny. <br /><br />Perhaps better than anyone else, both Kafka and Wallace have, through their writing, imagined for us the unbearable cruelties of (post-)modern life. Yet, in their humor, we may just be able to find the tools for coping. In this course, we will spend time intimately reading and discussing the works, biographies, and philosophical perspectives of two of the most important literary figures of the past century. Very rarely are Kafka and Wallace read together: what can be gained by “comparing” them? We will also be supplementing our diet with a healthy dose of works from philosophy and cultural studies that deal with the many, complex ways that we feel and express comedy and pain. Dealing with topics like sex and love, fashion and war, literature and television, the desire to communicate with others, loneliness and longing, and being trapped in one’s own head—reading Kafka and Wallace will help us understand whether infinite hope is nothing but an infinite jest, or whether, maybe, it’s the other way around.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/27800735" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="a95774ab278f0051877370f8ec513a39" rel="nofollow" data-download="{"attachment_id":48269240,"asset_id":27800735,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/48269240/download_file?st=MTc0MDU3MTMzMCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="10561170" href="https://umich.academia.edu/MaximillianAlvarez">Maximillian Alvarez</a><script data-card-contents-for-user="10561170" type="text/json">{"id":10561170,"first_name":"Maximillian","last_name":"Alvarez","domain_name":"umich","page_name":"MaximillianAlvarez","display_name":"Maximillian Alvarez","profile_url":"https://umich.academia.edu/MaximillianAlvarez?f_ri=662","photo":"https://0.academia-photos.com/10561170/3268117/19576493/s65_maximillian.alvarez.jpg"}</script></span></span></li><li class="js-paper-rank-work_27800735 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="27800735"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 27800735, container: ".js-paper-rank-work_27800735", }); 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But not until it is finished with you.” Each of these quotes bears the trace of the kind of deep, gnashing, weird, and tireless pain that has become the hallmark of the works (and the images) of each author. But each quote is also incredibly… funny. \n\nPerhaps better than anyone else, both Kafka and Wallace have, through their writing, imagined for us the unbearable cruelties of (post-)modern life. Yet, in their humor, we may just be able to find the tools for coping. In this course, we will spend time intimately reading and discussing the works, biographies, and philosophical perspectives of two of the most important literary figures of the past century. Very rarely are Kafka and Wallace read together: what can be gained by “comparing” them? We will also be supplementing our diet with a healthy dose of works from philosophy and cultural studies that deal with the many, complex ways that we feel and express comedy and pain. Dealing with topics like sex and love, fashion and war, literature and television, the desire to communicate with others, loneliness and longing, and being trapped in one’s own head—reading Kafka and Wallace will help us understand whether infinite hope is nothing but an infinite jest, or whether, maybe, it’s the other way around. \n","downloadable_attachments":[{"id":48269240,"asset_id":27800735,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":10561170,"first_name":"Maximillian","last_name":"Alvarez","domain_name":"umich","page_name":"MaximillianAlvarez","display_name":"Maximillian Alvarez","profile_url":"https://umich.academia.edu/MaximillianAlvarez?f_ri=662","photo":"https://0.academia-photos.com/10561170/3268117/19576493/s65_maximillian.alvarez.jpg"}],"research_interests":[{"id":659,"name":"Comparative Literature","url":"https://www.academia.edu/Documents/in/Comparative_Literature?f_ri=662","nofollow":true},{"id":662,"name":"German Literature","url":"https://www.academia.edu/Documents/in/German_Literature?f_ri=662","nofollow":true},{"id":2418,"name":"Literature","url":"https://www.academia.edu/Documents/in/Literature?f_ri=662","nofollow":true},{"id":3457,"name":"Learning and Teaching","url":"https://www.academia.edu/Documents/in/Learning_and_Teaching?f_ri=662","nofollow":true},{"id":6223,"name":"English","url":"https://www.academia.edu/Documents/in/English?f_ri=662"},{"id":147412,"name":"Pedagogia","url":"https://www.academia.edu/Documents/in/Pedagogia?f_ri=662"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_9344625" data-work_id="9344625" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/9344625/Women_as_Children_Women_as_Childkillers_Poetic_Images_of_Infanticide_in_Eighteenth_Century_Germany">Women as Children, Women as Childkillers: Poetic Images of Infanticide in Eighteenth-Century Germany</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The essay argues that the portrayal as child-killers in 18th-century German infanticide poetry can be read as a direct literary descendant of the portrayal of women as children in bourgeois tragedies of the age. Both images constitute a... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_9344625" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The essay argues that the portrayal as child-killers in 18th-century German infanticide poetry can be read as a direct literary descendant of the portrayal of women as children in bourgeois tragedies of the age. Both images constitute a specific projection of femininity by male authors which was mirrored neither in real-life infanticide cases nor in contemporaneous literature by women.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/9344625" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="4fccdcd90cbb8e8ec1c82be8d9b84658" rel="nofollow" data-download="{"attachment_id":35600777,"asset_id":9344625,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/35600777/download_file?st=MTc0MDU3MTMzMCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="18355514" href="https://ucl.academia.edu/SusanneKord">Susanne Kord</a><script data-card-contents-for-user="18355514" type="text/json">{"id":18355514,"first_name":"Susanne","last_name":"Kord","domain_name":"ucl","page_name":"SusanneKord","display_name":"Susanne Kord","profile_url":"https://ucl.academia.edu/SusanneKord?f_ri=662","photo":"https://0.academia-photos.com/18355514/5129252/20771926/s65_susanne.kord.png"}</script></span></span></li><li class="js-paper-rank-work_9344625 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="9344625"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 9344625, container: ".js-paper-rank-work_9344625", }); 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Both images constitute a specific projection of femininity by male authors which was mirrored neither in real-life infanticide cases nor in contemporaneous literature by women.","downloadable_attachments":[{"id":35600777,"asset_id":9344625,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":18355514,"first_name":"Susanne","last_name":"Kord","domain_name":"ucl","page_name":"SusanneKord","display_name":"Susanne Kord","profile_url":"https://ucl.academia.edu/SusanneKord?f_ri=662","photo":"https://0.academia-photos.com/18355514/5129252/20771926/s65_susanne.kord.png"}],"research_interests":[{"id":384,"name":"German Studies","url":"https://www.academia.edu/Documents/in/German_Studies?f_ri=662","nofollow":true},{"id":662,"name":"German Literature","url":"https://www.academia.edu/Documents/in/German_Literature?f_ri=662","nofollow":true},{"id":1138,"name":"Women's 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Meisters Bildungsprozess: von der Unangepasstheit zum Helden</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/10055816" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="7984d623f24e25296b3ab60245ce4f2f" rel="nofollow" data-download="{"attachment_id":36184408,"asset_id":10055816,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" 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Dávila","profile_url":"https://uni-heidelberg.academia.edu/PaulD%C3%A1vila?f_ri=662","photo":"https://0.academia-photos.com/24484470/15169577/48540395/s65_paul.d_vila.jpg"}</script></span></span></li><li class="js-paper-rank-work_10055816 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="10055816"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 10055816, container: ".js-paper-rank-work_10055816", }); });</script></li><li class="js-percentile-work_10055816 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 10055816; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = 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Unangepasstheit zum Helden","created_at":"2015-01-07T09:13:58.952-08:00","url":"https://www.academia.edu/10055816/Julien_Sorel_Stendhals_und_Goethes_Wilhelm_Meisters_Bildungsprozess_von_der_Unangepasstheit_zum_Helden?f_ri=662","dom_id":"work_10055816","summary":null,"downloadable_attachments":[{"id":36184408,"asset_id":10055816,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":24484470,"first_name":"Paul","last_name":"Dávila","domain_name":"uni-heidelberg","page_name":"PaulDávila","display_name":"Paul Dávila","profile_url":"https://uni-heidelberg.academia.edu/PaulD%C3%A1vila?f_ri=662","photo":"https://0.academia-photos.com/24484470/15169577/48540395/s65_paul.d_vila.jpg"}],"research_interests":[{"id":659,"name":"Comparative Literature","url":"https://www.academia.edu/Documents/in/Comparative_Literature?f_ri=662","nofollow":true},{"id":662,"name":"German Literature","url":"https://www.academia.edu/Documents/in/German_Literature?f_ri=662","nofollow":true},{"id":2418,"name":"Literature","url":"https://www.academia.edu/Documents/in/Literature?f_ri=662","nofollow":true},{"id":50363,"name":"Literatura","url":"https://www.academia.edu/Documents/in/Literatura?f_ri=662","nofollow":true},{"id":637613,"name":"German literature of the Goethezeit","url":"https://www.academia.edu/Documents/in/German_literature_of_the_Goethezeit?f_ri=662"},{"id":699576,"name":"Literatura Indígena","url":"https://www.academia.edu/Documents/in/Literatura_Indigena?f_ri=662"},{"id":1029818,"name":"Traducción De Literatura Oral Indígena","url":"https://www.academia.edu/Documents/in/Traduccion_De_Literatura_Oral_Indigena?f_ri=662"},{"id":1150073,"name":"Bhuddhism","url":"https://www.academia.edu/Documents/in/Bhuddhism?f_ri=662"},{"id":1317833,"name":"Literaturas Indígenas Contemporáneas","url":"https://www.academia.edu/Documents/in/Literaturas_Indigenas_Contemporaneas?f_ri=662"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_40354657" data-work_id="40354657" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/40354657/El_per%C3%ADodo_entre_revoluciones_de_1830_a_1848_a_trav%C3%A9s_de_la_literatura_de_Heinrich_Heine">El período entre revoluciones de 1830 a 1848 a través de la literatura de Heinrich Heine</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">El presente trabajo tiene como objetivo contrastar la visión del período comprendido entre la Revolución de 1830 y la de 1848 que nos ofrece el poeta y periodista alemán Heinrich Heine a lo largo de su obra con la realidad histórica en la... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_40354657" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">El presente trabajo tiene como objetivo contrastar la visión del período comprendido entre la Revolución de 1830 y la de 1848 que nos ofrece el poeta y periodista alemán Heinrich Heine a lo largo de su obra con la realidad histórica en la que le tocó vivir. Se intentará, así, dilucidar en su discurso aquellos aspectos que recorren los grandes fenómenos de este período como pueden ser el socialismo, la implantación del sistema liberal y el nacionalismo.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/40354657" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="6311dae6a870474f3382c492c70d7de7" rel="nofollow" data-download="{"attachment_id":60600136,"asset_id":40354657,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/60600136/download_file?st=MTc0MDU3MTMzMCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="96150452" href="https://alicante.academia.edu/EnriqueMart%C3%ADnPer%C3%A1n">Enrique Martín Perán</a><script data-card-contents-for-user="96150452" type="text/json">{"id":96150452,"first_name":"Enrique","last_name":"Martín Perán","domain_name":"alicante","page_name":"EnriqueMartínPerán","display_name":"Enrique Martín Perán","profile_url":"https://alicante.academia.edu/EnriqueMart%C3%ADnPer%C3%A1n?f_ri=662","photo":"/images/s65_no_pic.png"}</script></span></span></li><li class="js-paper-rank-work_40354657 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="40354657"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 40354657, container: ".js-paper-rank-work_40354657", }); 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Se intentará, así, dilucidar en su discurso aquellos aspectos que recorren los grandes fenómenos de este período como pueden ser el socialismo, la implantación del sistema liberal y el nacionalismo. ","downloadable_attachments":[{"id":60600136,"asset_id":40354657,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":96150452,"first_name":"Enrique","last_name":"Martín Perán","domain_name":"alicante","page_name":"EnriqueMartínPerán","display_name":"Enrique Martín Perán","profile_url":"https://alicante.academia.edu/EnriqueMart%C3%ADnPer%C3%A1n?f_ri=662","photo":"/images/s65_no_pic.png"}],"research_interests":[{"id":662,"name":"German Literature","url":"https://www.academia.edu/Documents/in/German_Literature?f_ri=662","nofollow":true},{"id":994,"name":"Journalism","url":"https://www.academia.edu/Documents/in/Journalism?f_ri=662","nofollow":true},{"id":1729,"name":"German History","url":"https://www.academia.edu/Documents/in/German_History?f_ri=662","nofollow":true},{"id":3678,"name":"Heinrich Heine","url":"https://www.academia.edu/Documents/in/Heinrich_Heine?f_ri=662","nofollow":true},{"id":4568,"name":"Liberalism","url":"https://www.academia.edu/Documents/in/Liberalism?f_ri=662"},{"id":5709,"name":"Politics","url":"https://www.academia.edu/Documents/in/Politics?f_ri=662"},{"id":5878,"name":"Nationalism","url":"https://www.academia.edu/Documents/in/Nationalism?f_ri=662"},{"id":5879,"name":"Socialisms","url":"https://www.academia.edu/Documents/in/Socialisms?f_ri=662"},{"id":120344,"name":"Siglo XIX","url":"https://www.academia.edu/Documents/in/Siglo_XIX?f_ri=662"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_38229512" data-work_id="38229512" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/38229512/La_Mente_Narrativa_di_Heinrich_von_Kleist">La Mente Narrativa di Heinrich von Kleist</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">La poetologia della conoscenza di Heinrich von Kleist si configura come un viaggio nella mente umana, nelle sue capacità conoscitive e immaginative, nelle sue labilità e nei suoi trascendimenti. La totalità romantica è infranta e il... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_38229512" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">La poetologia della conoscenza di Heinrich von Kleist si configura come un viaggio nella mente umana, nelle sue capacità conoscitive e immaginative, nelle sue labilità e nei suoi trascendimenti. La totalità romantica è infranta e il linguaggio è il materiale magmatico di attraversamento del reale e della mente: in ciò si esprime un progetto epistemico che, muovendo dall’orizzonte biologico della corporeità, si realizza, in virtù della forza poietica del linguaggio, nella narrazione.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/38229512" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="5089037f159917ab70226e60f44e9e60" rel="nofollow" data-download="{"attachment_id":58270157,"asset_id":38229512,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/58270157/download_file?st=MTc0MDU3MTMzMCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="3469606" href="https://unicatania.academia.edu/RenataGambino">Renata Gambino</a><script data-card-contents-for-user="3469606" type="text/json">{"id":3469606,"first_name":"Renata","last_name":"Gambino","domain_name":"unicatania","page_name":"RenataGambino","display_name":"Renata Gambino","profile_url":"https://unicatania.academia.edu/RenataGambino?f_ri=662","photo":"https://0.academia-photos.com/3469606/1176589/18014060/s65_renata.gambino.jpg"}</script></span></span></li><li class="js-paper-rank-work_38229512 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="38229512"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 38229512, container: ".js-paper-rank-work_38229512", }); 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$(".js-view-count[data-work-id=38229512]").text(description); $(".js-view-count-work_38229512").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_38229512").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="38229512"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">10</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="662" rel="nofollow" href="https://www.academia.edu/Documents/in/German_Literature">German Literature</a>, <script data-card-contents-for-ri="662" type="text/json">{"id":662,"name":"German Literature","url":"https://www.academia.edu/Documents/in/German_Literature?f_ri=662","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="6202" rel="nofollow" href="https://www.academia.edu/Documents/in/German_Idealism">German Idealism</a>, <script data-card-contents-for-ri="6202" type="text/json">{"id":6202,"name":"German Idealism","url":"https://www.academia.edu/Documents/in/German_Idealism?f_ri=662","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="6461" rel="nofollow" href="https://www.academia.edu/Documents/in/Heinrich_von_Kleist">Heinrich von Kleist</a>, <script data-card-contents-for-ri="6461" type="text/json">{"id":6461,"name":"Heinrich von Kleist","url":"https://www.academia.edu/Documents/in/Heinrich_von_Kleist?f_ri=662","nofollow":true}</script><a class="InlineList-item-text" data-has-card-for-ri="14732" rel="nofollow" href="https://www.academia.edu/Documents/in/Ekphrasis">Ekphrasis</a><script data-card-contents-for-ri="14732" type="text/json">{"id":14732,"name":"Ekphrasis","url":"https://www.academia.edu/Documents/in/Ekphrasis?f_ri=662","nofollow":true}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=38229512]'), work: {"id":38229512,"title":"La Mente Narrativa di Heinrich von Kleist","created_at":"2019-01-27T06:22:55.137-08:00","url":"https://www.academia.edu/38229512/La_Mente_Narrativa_di_Heinrich_von_Kleist?f_ri=662","dom_id":"work_38229512","summary":"La poetologia della conoscenza di Heinrich von Kleist si configura come un viaggio nella mente umana, nelle sue capacità conoscitive e immaginative, nelle sue labilità e nei suoi trascendimenti. La totalità romantica è infranta e il linguaggio è il materiale magmatico di attraversamento del reale e della mente: in ciò si esprime un progetto epistemico che, muovendo dall’orizzonte biologico della corporeità, si realizza, in virtù della forza poietica del linguaggio, nella narrazione.","downloadable_attachments":[{"id":58270157,"asset_id":38229512,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":3469606,"first_name":"Renata","last_name":"Gambino","domain_name":"unicatania","page_name":"RenataGambino","display_name":"Renata Gambino","profile_url":"https://unicatania.academia.edu/RenataGambino?f_ri=662","photo":"https://0.academia-photos.com/3469606/1176589/18014060/s65_renata.gambino.jpg"}],"research_interests":[{"id":662,"name":"German Literature","url":"https://www.academia.edu/Documents/in/German_Literature?f_ri=662","nofollow":true},{"id":6202,"name":"German Idealism","url":"https://www.academia.edu/Documents/in/German_Idealism?f_ri=662","nofollow":true},{"id":6461,"name":"Heinrich von Kleist","url":"https://www.academia.edu/Documents/in/Heinrich_von_Kleist?f_ri=662","nofollow":true},{"id":14732,"name":"Ekphrasis","url":"https://www.academia.edu/Documents/in/Ekphrasis?f_ri=662","nofollow":true},{"id":20368,"name":"Cognitive Literary Theory","url":"https://www.academia.edu/Documents/in/Cognitive_Literary_Theory?f_ri=662"},{"id":127827,"name":"German romanticism and idealism","url":"https://www.academia.edu/Documents/in/German_romanticism_and_idealism?f_ri=662"},{"id":128256,"name":"Romantik","url":"https://www.academia.edu/Documents/in/Romantik?f_ri=662"},{"id":428189,"name":"Deutsche Literatur","url":"https://www.academia.edu/Documents/in/Deutsche_Literatur?f_ri=662"},{"id":637613,"name":"German literature of the Goethezeit","url":"https://www.academia.edu/Documents/in/German_literature_of_the_Goethezeit?f_ri=662"},{"id":982578,"name":"Cognitive Literary Studies","url":"https://www.academia.edu/Documents/in/Cognitive_Literary_Studies?f_ri=662"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_64085427" data-work_id="64085427" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/64085427/Franz_Kafka_Primers_contes">Franz Kafka. Primers contes</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Report on the centenary of the publication of Franz Kafka's first stories:<br />"Contemplation", "The Judgment" and "The Fireman".</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/64085427" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="f6492fb5449ede3abdaf5fb496b728b3" rel="nofollow" data-download="{"attachment_id":76366836,"asset_id":64085427,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/76366836/download_file?st=MTc0MDU3MTMzMCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="13241206" href="https://upf.academia.edu/Gl%C3%B2riaFarr%C3%A9s">Glòria Farrés Famadas</a><script data-card-contents-for-user="13241206" type="text/json">{"id":13241206,"first_name":"Glòria","last_name":"Farrés Famadas","domain_name":"upf","page_name":"GlòriaFarrés","display_name":"Glòria Farrés Famadas","profile_url":"https://upf.academia.edu/Gl%C3%B2riaFarr%C3%A9s?f_ri=662","photo":"https://0.academia-photos.com/13241206/3722457/4361397/s65_gl_ria.farr_s.jpg"}</script></span></span></li><li class="js-paper-rank-work_64085427 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="64085427"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 64085427, container: ".js-paper-rank-work_64085427", }); 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","downloadable_attachments":[{"id":58371573,"asset_id":38321901,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":214477,"first_name":"Peter","last_name":"Mulacz","domain_name":"parapsychologie","page_name":"PeterMulacz","display_name":"Peter Mulacz","profile_url":"https://parapsychologie.academia.edu/PeterMulacz?f_ri=662","photo":"https://0.academia-photos.com/214477/21475104/20853657/s65_peter.mulacz.jpg"}],"research_interests":[{"id":241,"name":"Parapsychology","url":"https://www.academia.edu/Documents/in/Parapsychology?f_ri=662","nofollow":true},{"id":662,"name":"German Literature","url":"https://www.academia.edu/Documents/in/German_Literature?f_ri=662","nofollow":true},{"id":3563,"name":"Sexology","url":"https://www.academia.edu/Documents/in/Sexology?f_ri=662","nofollow":true},{"id":14887,"name":"History Of Sexology","url":"https://www.academia.edu/Documents/in/History_Of_Sexology?f_ri=662","nofollow":true},{"id":16673,"name":"History of psychical research and parapsychology","url":"https://www.academia.edu/Documents/in/History_of_psychical_research_and_parapsychology?f_ri=662"},{"id":26581,"name":"Parapsychology (Literature)","url":"https://www.academia.edu/Documents/in/Parapsychology_Literature_?f_ri=662"},{"id":41733,"name":"Homosexuality","url":"https://www.academia.edu/Documents/in/Homosexuality?f_ri=662"},{"id":45890,"name":"Scientific Parapsychology","url":"https://www.academia.edu/Documents/in/Scientific_Parapsychology?f_ri=662"},{"id":149693,"name":"Suggestology","url":"https://www.academia.edu/Documents/in/Suggestology?f_ri=662"},{"id":426681,"name":"History of Parapsychology","url":"https://www.academia.edu/Documents/in/History_of_Parapsychology?f_ri=662"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_26803723" data-work_id="26803723" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/26803723/The_Number_Three_and_How_it_Has_Pervaded_American_Culture_in_the_Fairy_Tale_Motif">The Number Three and How it Has Pervaded American Culture in the Fairy Tale Motif</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Over the course of this class, we have been presented with several instances of the number three and how it plays a pattern in fairy tales. From Snow White and the three attempts at her capture, to Lasir Gheug and the three wounds... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_26803723" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Over the course of this class, we have been presented with several instances of the number three and how it plays a pattern in fairy tales. From Snow White and the three attempts at her capture, to Lasir Gheug and the three wounds inflicted on her by her father, to Cinderella and her two sisters, and on down the line to the three sisters repeated in the Bluebeard series, it is</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/26803723" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="86715b2b770eec7bc1cedbf1c9daef78" rel="nofollow" data-download="{"attachment_id":47077703,"asset_id":26803723,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/47077703/download_file?st=MTc0MDU3MTMzMCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="42499404" href="https://somerset-kctcs.academia.edu/MartinSmith">Martin E . 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Vicentini, La teoria del teatro politico (Firenze, Sansoni, pp. 83-124) Sommario: 1 La formula del teatro politico. 2 Teatro e trasformazione storica. 3 Epoca storica e modello teatrale. 4 Unicità e molteplicità del modello. 5... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_32650737" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Da C. Vicentini, La teoria del teatro politico (Firenze, Sansoni, pp. 83-124)<br /><br />Sommario: 1 La formula del teatro politico. 2 Teatro e trasformazione storica. 3 Epoca storica e modello teatrale. 4 Unicità e molteplicità del modello. 5 Connotazioni delle tecniche teatrali. 6 Liquidazione e ricupero dell'estetica.  7 Carattere politico del teatro. 8 Connotazioni politiche delle tecniche teatrali. 9 Brecht e la formula del teatro politico</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/32650737" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="90f7c62ea778231515e783ce7e03edea" rel="nofollow" data-download="{"attachment_id":52819479,"asset_id":32650737,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/52819479/download_file?st=MTc0MDU3MTMzMCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="17223610" href="https://unior.academia.edu/claudiovicentini">claudio vicentini</a><script data-card-contents-for-user="17223610" type="text/json">{"id":17223610,"first_name":"claudio","last_name":"vicentini","domain_name":"unior","page_name":"claudiovicentini","display_name":"claudio vicentini","profile_url":"https://unior.academia.edu/claudiovicentini?f_ri=662","photo":"https://0.academia-photos.com/17223610/4819212/13312371/s65_claudio.vicentini.jpg"}</script></span></span></li><li class="js-paper-rank-work_32650737 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="32650737"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 32650737, container: ".js-paper-rank-work_32650737", }); 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Vicentini, La teoria del teatro politico (Firenze, Sansoni, pp. 83-124)\n\nSommario: 1 La formula del teatro politico. 2 Teatro e trasformazione storica. 3 Epoca storica e modello teatrale. 4 Unicità e molteplicità del modello. 5 Connotazioni delle tecniche teatrali. 6 Liquidazione e ricupero dell'estetica. 7 Carattere politico del teatro. 8 Connotazioni politiche delle tecniche teatrali. 9 Brecht e la formula del teatro politico","downloadable_attachments":[{"id":52819479,"asset_id":32650737,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":17223610,"first_name":"claudio","last_name":"vicentini","domain_name":"unior","page_name":"claudiovicentini","display_name":"claudio vicentini","profile_url":"https://unior.academia.edu/claudiovicentini?f_ri=662","photo":"https://0.academia-photos.com/17223610/4819212/13312371/s65_claudio.vicentini.jpg"}],"research_interests":[{"id":662,"name":"German Literature","url":"https://www.academia.edu/Documents/in/German_Literature?f_ri=662","nofollow":true},{"id":808,"name":"Aesthetics","url":"https://www.academia.edu/Documents/in/Aesthetics?f_ri=662","nofollow":true},{"id":947,"name":"Theatre Studies","url":"https://www.academia.edu/Documents/in/Theatre_Studies?f_ri=662","nofollow":true},{"id":1332,"name":"Theatre History","url":"https://www.academia.edu/Documents/in/Theatre_History?f_ri=662","nofollow":true},{"id":6222,"name":"Drama","url":"https://www.academia.edu/Documents/in/Drama?f_ri=662"},{"id":9394,"name":"Modern Drama","url":"https://www.academia.edu/Documents/in/Modern_Drama?f_ri=662"},{"id":15885,"name":"Bertolt Brecht","url":"https://www.academia.edu/Documents/in/Bertolt_Brecht?f_ri=662"},{"id":24464,"name":"German Theatre","url":"https://www.academia.edu/Documents/in/German_Theatre?f_ri=662"},{"id":26527,"name":"Drama and Theater","url":"https://www.academia.edu/Documents/in/Drama_and_Theater?f_ri=662"},{"id":29102,"name":"Theatre","url":"https://www.academia.edu/Documents/in/Theatre?f_ri=662"},{"id":38481,"name":"Aesthetics and Theory of Arts","url":"https://www.academia.edu/Documents/in/Aesthetics_and_Theory_of_Arts?f_ri=662"},{"id":42823,"name":"Theater History","url":"https://www.academia.edu/Documents/in/Theater_History?f_ri=662"},{"id":85694,"name":"Teatro","url":"https://www.academia.edu/Documents/in/Teatro?f_ri=662"},{"id":163646,"name":"Theatre and Drama Studies","url":"https://www.academia.edu/Documents/in/Theatre_and_Drama_Studies?f_ri=662"},{"id":165613,"name":"Brecht","url":"https://www.academia.edu/Documents/in/Brecht?f_ri=662"},{"id":192728,"name":"My research interests include, but not limited to the following areas; African Theatre Arts Studies, Broadcasting, Sociology of the Media, Film Studies and Film Productions, Theatre For Development,and Arts Criticisms","url":"https://www.academia.edu/Documents/in/My_research_interests_include_but_not_limited_to_the_following_areas_African_Theatre_Arts_Studies_?f_ri=662"},{"id":205885,"name":"Drama, Performance, History of Theatre","url":"https://www.academia.edu/Documents/in/Drama_Performance_History_of_Theatre?f_ri=662"},{"id":225712,"name":"Letteratura Tedesca","url":"https://www.academia.edu/Documents/in/Letteratura_Tedesca?f_ri=662"},{"id":302074,"name":"Drama and theatre studies","url":"https://www.academia.edu/Documents/in/Drama_and_theatre_studies-1?f_ri=662"},{"id":444241,"name":"Theater and Performance Studies","url":"https://www.academia.edu/Documents/in/Theater_and_Performance_Studies?f_ri=662"},{"id":665235,"name":"History and Theory of the Theatre","url":"https://www.academia.edu/Documents/in/History_and_Theory_of_the_Theatre?f_ri=662"},{"id":721470,"name":"Storia Del Teatro","url":"https://www.academia.edu/Documents/in/Storia_Del_Teatro?f_ri=662"},{"id":1212744,"name":"Theater","url":"https://www.academia.edu/Documents/in/Theater-21?f_ri=662"},{"id":1223638,"name":"History of the Theater","url":"https://www.academia.edu/Documents/in/History_of_the_Theater?f_ri=662"},{"id":1257284,"name":"Theater Studies","url":"https://www.academia.edu/Documents/in/Theater_Studies?f_ri=662"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_56923475" data-work_id="56923475" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/56923475/An_Interpretation_of_the_Story_Many_Travels_to_Heidelberg_By_Heinrich_Boll_reviewer_zeeya_rashvand">An Interpretation of the Story (Many Travels to Heidelberg) By: Heinrich Boll reviewer : zeeya rashvand</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Let me first admit that I love the story of Paradise Lost. A critic should give his clear opinion on the story he is reading.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/56923475" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="0758d8f404d36809ca7573807c4e4ef6" rel="nofollow" data-download="{"attachment_id":72071621,"asset_id":56923475,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/72071621/download_file?st=MTc0MDU3MTMzMCw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="81158995" href="https://tehran.academia.edu/ziarashvand">zeeya rashvand</a><script data-card-contents-for-user="81158995" type="text/json">{"id":81158995,"first_name":"zeeya","last_name":"rashvand","domain_name":"tehran","page_name":"ziarashvand","display_name":"zeeya rashvand","profile_url":"https://tehran.academia.edu/ziarashvand?f_ri=662","photo":"https://0.academia-photos.com/81158995/20241887/35552479/s65_zeeya.rashvand.jpg"}</script></span></span></li><li class="js-paper-rank-work_56923475 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="56923475"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 56923475, container: ".js-paper-rank-work_56923475", }); 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