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Considerando o espaço híbrido ocupado pela historiografia literária, que une em sua escrita discursos científicos e narrativas literárias, a investigação enfatiza a dinâmica complexa dos processos interativos entre corpo, mente e ambiência. Nesta ótica, avalia-se o descompasso entre a criatividade experimental de historiografias (literárias) atuais em sua configuração estrutural e temática e a oferta de repertórios teóricos atentos aos cruzamentos da percepção sensível e do pensamento inteligível. Os experimentos historiográficos analisados demandam pressupostos epistemológicos alinhados com formas de conhecimento atravessadas por sensibilidades e intuições que orientam as relações entre texto e contexto, entre história e literatura, entre observador e objeto observado. Eles são investigados em vista da elaboração de novas ferramentas que enfatizam processos de retroalimentação entre afecções do corpo, processos cognitivos e experiências situadas. Este cruzamento de múltiplos saberes e olhares, de ideias e afetos na percepção sensorial e na reflexão racional, encontra apoio, entre outros, em propostas desenvolvidas por António R. Damásio acerca das relações entre corpo e mente no campo das neurociências, na concepção da cultura como hipertexto apresentada por Stephen Greenblatt no contexto do ideário do New Historicism e no projeto não-hermenêutico de Hans Ulrich Gumbrecht, contrapondo à hegemonia da cultura de sentido uma cultura de presença, com acento sobre a materialidade da comunicação. Em suma, a presente tese, propondo uma reflexão nos interstícios do corpo e da mente, representa uma contribuição oportuna para uma inovação e ampliação significativa de formas e estratégias de construção de conhecimento na área dos Estudos de Literatura, a partir do diálogomultidisciplinar marcado pela mediação entre reflexão teórica e prática literária, que caracteriza historiografias literárias contemporâneas.","author":[{"@context":"https://schema.org","@type":"Person","name":"Aline Moura","url":"https://brown.academia.edu/AlineMoura"}],"contributor":[],"dateCreated":"2023-11-28","dateModified":"2023-11-28","datePublished":"2019-01-01","headline":"Historiografia literária contemporânea- Experiências cruzadas","image":"https://attachments.academia-assets.com/107985218/thumbnails/1.jpg","inLanguage":"pt","keywords":["Comparative Literature","Historiography","Literary Criticism","Literary Theory","Affective Neuroscience","Affect/Emotion","Contemporaneity","Antonio Damásio"],"publisher":{"@context":"https://schema.org","@type":"Organization","name":null},"sourceOrganization":[{"@context":"https://schema.org","@type":"EducationalOrganization","name":"brown"}],"thumbnailUrl":"https://attachments.academia-assets.com/107985218/thumbnails/1.jpg","url":"https://www.academia.edu/110045437/Historiografia_litera_ria_contempora_nea_Experie_ncias_cruzadas"}</script><style type="text/css">@media(max-width: 567px){:root{--token-mode: Rebrand;--dropshadow: 0 2px 4px 0 #22223340;--primary-brand: #0645b1;--error-dark: #b60000;--success-dark: #05b01c;--inactive-fill: #ebebee;--hover: #0c3b8d;--pressed: #082f75;--button-primary-fill-inactive: #ebebee;--button-primary-fill: #0645b1;--button-primary-text: #ffffff;--button-primary-fill-hover: #0c3b8d;--button-primary-fill-press: #082f75;--button-primary-icon: #ffffff;--button-primary-fill-inverse: #ffffff;--button-primary-text-inverse: #082f75;--button-primary-icon-inverse: 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{"work":{"id":110045437,"created_at":"2023-11-28T08:54:15.313-08:00","from_world_paper_id":null,"updated_at":"2023-11-29T11:43:25.525-08:00","_data":{"abstract":"Através da leitura crítica de experimentos contemporâneos de\nhistoriografia literária, a tese Historiografia literária contemporânea:\nexperiências cruzadas desenvolve um modelo teórico que reflete a expansão do fenômeno literário e a produção de conhecimento multidisciplinar nas áreas dos Estudos de Literatura e de História. Considerando o espaço híbrido ocupado pela historiografia literária, que une em sua escrita discursos científicos e narrativas literárias, a investigação enfatiza a dinâmica complexa dos processos interativos entre corpo, mente e ambiência. Nesta ótica, avalia-se o descompasso entre a criatividade experimental de historiografias (literárias) atuais em sua configuração estrutural e temática e a oferta de repertórios teóricos atentos aos cruzamentos da percepção sensível e do pensamento inteligível. Os experimentos historiográficos analisados demandam pressupostos epistemológicos alinhados com formas de conhecimento atravessadas por sensibilidades e intuições que orientam as relações entre texto e contexto, entre história e literatura, entre observador e objeto observado. Eles são investigados em vista da elaboração de novas ferramentas que enfatizam processos de retroalimentação entre afecções do corpo, processos cognitivos e experiências situadas. Este cruzamento de múltiplos saberes e olhares, de ideias e afetos na percepção sensorial e na reflexão racional, encontra apoio, entre outros, em propostas desenvolvidas por António R. Damásio acerca das relações entre corpo e mente no campo das neurociências, na concepção da cultura como hipertexto apresentada por Stephen Greenblatt no contexto do ideário do New Historicism e no projeto não-hermenêutico de Hans Ulrich Gumbrecht, contrapondo à hegemonia da cultura de sentido uma cultura de presença, com acento sobre a materialidade da comunicação. Em suma, a presente tese, propondo uma reflexão nos interstícios do corpo e da mente, representa uma contribuição oportuna para uma inovação e ampliação significativa de formas e estratégias de construção de conhecimento na área dos Estudos de Literatura, a partir do diálogomultidisciplinar marcado pela mediação entre reflexão teórica e prática literária, que caracteriza historiografias literárias contemporâneas.","publication_date":"2019,,"},"document_type":"thesis_chapter","pre_hit_view_count_baseline":null,"quality":"high","language":"pt","title":"Historiografia literária contemporânea- Experiências cruzadas","broadcastable":true,"draft":null,"has_indexable_attachment":true,"indexable":true}}["work"]; window.loswp.workCoauthors = [18069697]; window.loswp.locale = "en"; window.loswp.countryCode = "SG"; window.loswp.cwvAbTestBucket = ""; window.loswp.designVariant = "ds_vanilla"; window.loswp.fullPageMobileSutdModalVariant = "full_page_mobile_sutd_modal"; window.loswp.useOptimizedScribd4genScript = false; window.loginModal = {}; window.loginModal.appleClientId = 'edu.academia.applesignon'; window.userInChina = "false";</script><script defer="" src="https://accounts.google.com/gsi/client"></script><div class="ds-loswp-container"><div class="ds-work-card--grid-container"><div class="ds-work-card--container js-loswp-work-card"><div class="ds-work-card--cover"><div class="ds-work-cover--wrapper"><div class="ds-work-cover--container"><button class="ds-work-cover--clickable js-swp-download-button" data-signup-modal="{"location":"swp-splash-paper-cover","attachmentId":107985218,"attachmentType":"pdf"}"><img alt="First page of “Historiografia literária contemporânea- Experiências cruzadas”" class="ds-work-cover--cover-thumbnail" src="https://0.academia-photos.com/attachment_thumbnails/107985218/mini_magick20231128-1-1ttz1v.png?1701190474" /><img alt="PDF Icon" class="ds-work-cover--file-icon" src="//a.academia-assets.com/images/single_work_splash/adobe_icon.svg" /><div class="ds-work-cover--hover-container"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span><p>Download Free PDF</p></div><div class="ds-work-cover--ribbon-container">Download Free PDF</div><div class="ds-work-cover--ribbon-triangle"></div></button></div></div></div><div class="ds-work-card--work-information"><h1 class="ds-work-card--work-title">Historiografia literária contemporânea- Experiências cruzadas</h1><div class="ds-work-card--work-authors ds-work-card--detail"><a class="ds-work-card--author js-wsj-grid-card-author ds2-5-body-md ds2-5-body-link" data-author-id="18069697" href="https://brown.academia.edu/AlineMoura"><img alt="Profile image of Aline Moura" class="ds-work-card--author-avatar" src="https://0.academia-photos.com/18069697/5036312/66769643/s65_aline.moura.jpg" />Aline Moura</a></div><div class="ds-work-card--detail"><p class="ds-work-card--detail ds2-5-body-sm">2019</p><div class="ds-work-card--work-metadata"><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">visibility</span><p class="ds2-5-body-sm" id="work-metadata-view-count">…</p></div><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">description</span><p class="ds2-5-body-sm">11 pages</p></div><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">link</span><p class="ds2-5-body-sm">1 file</p></div></div><script>(async () => { const workId = 110045437; 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if (!viewCountBody) { throw new Error('Failed to find work views element'); } viewCountBody.textContent = `${commaizedViewCount} views`; } catch (error) { // Remove the whole views element if there was some issue parsing. document.getElementById('work-metadata-view-count')?.parentNode?.remove(); throw new Error(`Failed to parse view count: ${viewCount}`, error); } }; // If the DOM is still loading, wait for it to be ready before updating the view count. if (document.readyState === "loading") { document.addEventListener('DOMContentLoaded', () => { updateViewCount(viewCount); }); // Otherwise, just update it immediately. } else { updateViewCount(viewCount); } })();</script></div><p class="ds-work-card--work-abstract ds-work-card--detail ds2-5-body-md">Através da leitura crítica de experimentos contemporâneos de historiografia literária, a tese Historiografia literária contemporânea: experiências cruzadas desenvolve um modelo teórico que reflete a expansão do fenômeno literário e a produção de conhecimento multidisciplinar nas áreas dos Estudos de Literatura e de História. Considerando o espaço híbrido ocupado pela historiografia literária, que une em sua escrita discursos científicos e narrativas literárias, a investigação enfatiza a dinâmica complexa dos processos interativos entre corpo, mente e ambiência. Nesta ótica, avalia-se o descompasso entre a criatividade experimental de historiografias (literárias) atuais em sua configuração estrutural e temática e a oferta de repertórios teóricos atentos aos cruzamentos da percepção sensível e do pensamento inteligível. Os experimentos historiográficos analisados demandam pressupostos epistemológicos alinhados com formas de conhecimento atravessadas por sensibilidades e intuições que orientam as relações entre texto e contexto, entre história e literatura, entre observador e objeto observado. Eles são investigados em vista da elaboração de novas ferramentas que enfatizam processos de retroalimentação entre afecções do corpo, processos cognitivos e experiências situadas. Este cruzamento de múltiplos saberes e olhares, de ideias e afetos na percepção sensorial e na reflexão racional, encontra apoio, entre outros, em propostas desenvolvidas por António R. Damásio acerca das relações entre corpo e mente no campo das neurociências, na concepção da cultura como hipertexto apresentada por Stephen Greenblatt no contexto do ideário do New Historicism e no projeto não-hermenêutico de Hans Ulrich Gumbrecht, contrapondo à hegemonia da cultura de sentido uma cultura de presença, com acento sobre a materialidade da comunicação. Em suma, a presente tese, propondo uma reflexão nos interstícios do corpo e da mente, representa uma contribuição oportuna para uma inovação e ampliação significativa de formas e estratégias de construção de conhecimento na área dos Estudos de Literatura, a partir do diálogomultidisciplinar marcado pela mediação entre reflexão teórica e prática literária, que caracteriza historiografias literárias contemporâneas.</p><div class="ds-work-card--button-container"><button class="ds2-5-button js-swp-download-button" data-signup-modal="{"location":"continue-reading-button--work-card","attachmentId":107985218,"attachmentType":"pdf","workUrl":"https://www.academia.edu/110045437/Historiografia_litera_ria_contempora_nea_Experie_ncias_cruzadas"}">See full PDF</button><button class="ds2-5-button ds2-5-button--secondary js-swp-download-button" data-signup-modal="{"location":"download-pdf-button--work-card","attachmentId":107985218,"attachmentType":"pdf","workUrl":"https://www.academia.edu/110045437/Historiografia_litera_ria_contempora_nea_Experie_ncias_cruzadas"}"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span>Download PDF</button></div><div class="ds-signup-banner-trigger-container"><div class="ds-signup-banner-trigger ds-signup-banner-trigger-control"></div></div><div class="ds-signup-banner ds-signup-banner-control"><div id="ds-signup-banner-close-button"><button class="ds2-5-button ds2-5-button--secondary ds2-5-button--inverse"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">close</span></button></div><div class="ds-signup-banner-ctas" data-impression-entity-id="110045437" data-impression-entity-type="2" data-impression-source="signup-banner"><img src="//a.academia-assets.com/images/academia-logo-capital-white.svg" /><h4 class="ds2-5-heading-serif-sm">Sign up for access to the world's latest research</h4><button class="ds2-5-button ds2-5-button--inverse ds2-5-button--full-width js-swp-download-button" data-signup-modal="{"location":"signup-banner"}">Sign up for free<span class="material-symbols-outlined" style="font-size: 20px" translate="no">arrow_forward</span></button></div><div class="ds-signup-banner-divider"></div><div class="ds-signup-banner-reasons"><div class="ds-signup-banner-reasons-item"><span class="material-symbols-outlined" style="font-size: 24px" translate="no">check</span><span>Get notified about relevant papers</span></div><div class="ds-signup-banner-reasons-item"><span class="material-symbols-outlined" style="font-size: 24px" translate="no">check</span><span>Save papers to use in your research</span></div><div class="ds-signup-banner-reasons-item"><span class="material-symbols-outlined" style="font-size: 24px" translate="no">check</span><span>Join the discussion with peers</span></div><div class="ds-signup-banner-reasons-item"><span class="material-symbols-outlined" style="font-size: 24px" translate="no">check</span><span>Track your impact</span></div></div></div><script>(() => { // Set up signup banner show/hide behavior: // 1. 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O argumento parte da noção de que é por meio da cultura que a experiência de pessoas homossexuais pode ser registrada. Logo, a literatura seria um dos veículos onde essa experiência foi e continua a ser registrada e produzida. Ao retraçar as formas literárias dessa experiência, o pesquisador se vê diante de uma " história dos rastros " , isto é, da experiência homossexual como uma série de vestígios deixados no tecido literário. ABSTRACT This paper discusses the contribution of literature to the writing of the history of homosexuality. The reasoning is that the experience of homosexual people can be registered through culture, and so, literature is, in this paper, considered a vehicle in which this experience has been and is still registered and produced. By retracing history the researcher is faced with a 'history of traces' in his or her tracking of literary forms of homosexual experience as a series of traces left in the literary fabric.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"RASTRO DA EXPERIÊNCIA: LITERATURA COMO HISTÓRIA DA HOMOSSEXUALIDADE","attachmentId":47789326,"attachmentType":"pdf","work_url":"https://www.academia.edu/27535063/RASTRO_DA_EXPERI%C3%8ANCIA_LITERATURA_COMO_HIST%C3%93RIA_DA_HOMOSSEXUALIDADE","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/27535063/RASTRO_DA_EXPERI%C3%8ANCIA_LITERATURA_COMO_HIST%C3%93RIA_DA_HOMOSSEXUALIDADE"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="1" data-entity-id="50829074" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/50829074/MACHADO_DE_ASSIS_PERCURSOS_NA_HISTORIOGRAFIA_LITER%C3%81RIA">MACHADO DE ASSIS: PERCURSOS NA HISTORIOGRAFIA LITERÁRIA</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="200403640" href="https://independent.academia.edu/RevistaPr%C3%A2ksis">Revista Prâksis</a></div><p class="ds-related-work--abstract ds2-5-body-sm">RESUMO O presente ensaio propõe-se a trilhar alguns dos percursos da história da crítica machadiana chegando até Roberto Schwarz, este tido como representante de uma corrente crítica denominada perspectiva formativa da literatura brasileira. Para tanto, foram estudados alguns dos importantes críticos da obra de Machado de Assis, através de seus trabalhos mais relevantes, como</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"MACHADO DE ASSIS: PERCURSOS NA HISTORIOGRAFIA LITERÁRIA","attachmentId":68696212,"attachmentType":"pdf","work_url":"https://www.academia.edu/50829074/MACHADO_DE_ASSIS_PERCURSOS_NA_HISTORIOGRAFIA_LITER%C3%81RIA","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/50829074/MACHADO_DE_ASSIS_PERCURSOS_NA_HISTORIOGRAFIA_LITER%C3%81RIA"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="2" data-entity-id="19706364" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/19706364/Expans%C3%B5es_Contempor%C3%A2neas_Literatura_e_outras_formas">Expansões Contemporâneas, Literatura e outras formas</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="40317752" href="https://puc-rio.academia.edu/AnaKiffer">Ana Kiffer</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Expansões Contemporâneas, Literatura e outras formas","attachmentId":40795943,"attachmentType":"pdf","work_url":"https://www.academia.edu/19706364/Expans%C3%B5es_Contempor%C3%A2neas_Literatura_e_outras_formas","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/19706364/Expans%C3%B5es_Contempor%C3%A2neas_Literatura_e_outras_formas"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="3" data-entity-id="75857961" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/75857961/Historiografia_liter%C3%A1ria_brasileira_hoje_hibridismo_e_multiplicidade">Historiografia literária brasileira hoje: hibridismo e multiplicidade</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="44836995" href="https://independent.academia.edu/HelenaBonitoCoutoPereira">Helena Bonito Couto Pereira</a></div><p class="ds-related-work--metadata ds2-5-body-xs">2020</p><p class="ds-related-work--abstract ds2-5-body-sm">A história da literatura brasileira registrada em compêndios e obras de referência apresenta, em sucessivos movimentos, os escritores, as obras e suas circunstâncias, desde o período colonial até o final do século passado. A partir deste último período, todavia, nota-se nessas obras uma certa incompletude, decorrente, entre outras razões, do tempo necessário aos procedimentos de seleção, análise e interpretação de dados sobre a variada e volumosa produção literária. Decorridos já dois decênios do século XXI, propõe-se neste artigo a retomada e a complementação das tendências da produção recente, tais como o hibridismo, a multiplicidade e a heterogeneidade, em suas relações de continuidade ou ruptura com a produção do século passado. Espera-se reunir neste texto subsídios para complementar a construção da historiografia literária brasileira.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Historiografia literária brasileira hoje: hibridismo e multiplicidade","attachmentId":83491667,"attachmentType":"pdf","work_url":"https://www.academia.edu/75857961/Historiografia_liter%C3%A1ria_brasileira_hoje_hibridismo_e_multiplicidade","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/75857961/Historiografia_liter%C3%A1ria_brasileira_hoje_hibridismo_e_multiplicidade"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="4" data-entity-id="69936092" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/69936092/Historiografias_do_Contempor%C3%A2neo">Historiografias do Contemporâneo</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="304667" href="https://arts-london.academia.edu/MichaelAsbury">Michael Asbury</a></div><p class="ds-related-work--metadata ds2-5-body-xs">MODOS</p><p class="ds-related-work--abstract ds2-5-body-sm">Desde o advento da exposição Global Conceptualisms: points of origin 1950s-1980s’, realizada no Museu de Queens, Nova York, em 1999, o termo “conceitualismo” firmou-se como o principal meio para descrever “práticas artísticas globais” de 1950 até à presente data. O termo foi se consolidando e, em grande medida ultrapassou as intenções originais da exposição para tornar-se uma forma derivativa da arte conceitual norte-americana. Tenho como hipótese de que essa relação histórica com arte conceitual é metodologicamente problemática, já que ela foi um movimento amplamente descrito como tendo surgido a partir da rejeição do formalismo greenbergiano e sua crença na especificidade dos meios. Nesse sentido, é uma denominação que é cultural, geopolítica e historicamente situada. Minha palestra terá por objetivo discutir outras terminologias possíveis para essas práticas diversas, enfatizando genealogias em que propostas de caráter conceitual surgiram sem reação direta com essa genealo...</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Historiografias do Contemporâneo","attachmentId":79843801,"attachmentType":"pdf","work_url":"https://www.academia.edu/69936092/Historiografias_do_Contempor%C3%A2neo","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/69936092/Historiografias_do_Contempor%C3%A2neo"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="5" data-entity-id="104949318" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/104949318/PRO_FANA%C3%87%C3%95ES_CONCRETISTAS_EXPERIMENTALISMO_NA_LITERATURA_MODERNA_CONCRETE_PROFANITIES_EXPERIMENTALISM_IN_MODERN_LITERATURE">PRO-FANAÇÕES CONCRETISTAS: EXPERIMENTALISMO NA LITERATURA MODERNA CONCRETE PROFANITIES: EXPERIMENTALISM IN MODERN LITERATURE</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="71834225" href="https://independent.academia.edu/RamonRosario11">Ramon S . Rosário</a></div><p class="ds-related-work--metadata ds2-5-body-xs">RevLet – Revista Virtual de Letras, v. 14, nº 01 – jan./jul, 2022 ISSN: 2176-9125, 2022</p><p class="ds-related-work--abstract ds2-5-body-sm">RESUMO: A reflexão presente neste artigo nasce inicialmente da leitura de Agamben quanto ao conceito de profanação, sobretudo aplicando este conceito às artes, nasce também a partir da consulta bibliográfica feita por mim durante o meu mestrado cuja dissertação se intitula "Semiótica e Tradução: a poesia concreta como tradução intersemiótica e seus desdobramentos". Logo, trata-se de enxergar, com base na Semiótica, profanações oriundas da Poesia Concreta, em relação à língua(gem) convencional. É sobre a palavra enquanto massa de modelar, através de novos usos, como possibilidades, que refletiremos. Há uma conexão entre a forma como o Concretismo atua e a forma como a profanação é colocada por Agamben, em seu livro Profanações. A subversão é profanação, e a profanação é o icônico dentro do simbólico. A língua, que é símbolo, é subvertida e profanada. O Concretismo profana a convenção através de suas imagens/ícones. Profana um logocentrismo sagrado, uma tradição de uso de signos convencionais (símbolos), com signos icônicos que por serem assim trabalham de modo distinto em relação ao simbólico. Da própria estrutura (significante) eis que brota um novo uso, uma nova lógica, é a palavra gesticulando, é uma nova linguagem: Desenhos, rabiscos, grafias de ideias imagéticas e, portanto, ideográficas. Poesia "Concreta" porque o leitor é movido a uma sinestesia que é impulsionada pela modalidade semiótica desta mídia. Uma modalidade que envolve uma pluralidade de signos: o verlerouvir passa, inclusive por conta da midiação, a ser um verlerouvirtocarsentir.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"PRO-FANAÇÕES CONCRETISTAS: EXPERIMENTALISMO NA LITERATURA MODERNA CONCRETE PROFANITIES: EXPERIMENTALISM IN MODERN LITERATURE","attachmentId":104539500,"attachmentType":"pdf","work_url":"https://www.academia.edu/104949318/PRO_FANA%C3%87%C3%95ES_CONCRETISTAS_EXPERIMENTALISMO_NA_LITERATURA_MODERNA_CONCRETE_PROFANITIES_EXPERIMENTALISM_IN_MODERN_LITERATURE","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/104949318/PRO_FANA%C3%87%C3%95ES_CONCRETISTAS_EXPERIMENTALISMO_NA_LITERATURA_MODERNA_CONCRETE_PROFANITIES_EXPERIMENTALISM_IN_MODERN_LITERATURE"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="6" data-entity-id="40835584" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/40835584/TR%C3%82NSITOS_LITER%C3%81RIOS_ABORDAGENS_SOBRE_A_NARRATIVA_MODERNA">TRÂNSITOS LITERÁRIOS: ABORDAGENS SOBRE A NARRATIVA MODERNA</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="59838551" href="https://unemat.academia.edu/SamuelSilva">Samuel Lima da Silva</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Editora UNEMAT, 2019</p><p class="ds-related-work--abstract ds2-5-body-sm">O conjunto de obras perfila um árduo caminho em que se interroga a legitimidade em se opor o discurso poético ao discurso romanesco, a narrativa de ficção à narrativa histórica. As fronteiras que habitam a narração dos aconte-cimentos, submetidas à cultura, justificadas por princípios de exposição do racional. Eis um dilema da narrativa moderna: a pertinência indubitável e o aniquilamento do ser. Desde Dostoiévski, em Notas do Subsolo, por exem-plo, passando por Orgulho e Preconceito, as duas obras que tangenciam a representação da sociedade moderna no século XIX, já se anunciam movimentos de um "fracasso" da arte realista em satisfazer as exigências de fidelidade na reconstrução do real. As vias do monólogo (em Notas do Subsolo) e o excesso de discurso direto (em Orgulho e Preconceito), obliterando a descrição, anunciam a arqueologia artística do romance moderno na direção do que é verdade, és apenas, e tão somente, verdade artística. No fluir de múltiplas vozes que se propõem a dialogar sobre o romance moderno é que esta obra se erige. A Modernidade é fundada nos conflitos ideológicos que marcam a destituição dos pensamentos centrados na religião e no misticismo, os quais eram a base do sujei-to medieval. Em lugar desses, a razão torna-se a principal forma de o sujeito compreender a si mesmo e ao mundo que o cerca. O desarranjo social decorrente da mudança de paradigmas talvez seja a razão para um dos principais traços da Moder-nidade, indicado por Baumam-em Modernidade e Ambivalência (1999)-, a busca pela ordem. Na literatura, essa valorização da razão e da objetividade culmina no surgimento do Realismo no século XIX. Na contramão desse movimento, porém, estão obras que, escritas entre os séculos XIX e XXI, são instituídas no trânsito, no limite entre o real e o imaginário. Os romances analisa-dos nesta obra permanecem nesse vai-e-vem e, por isso mesmo, permitem reflexão sobre novas formas de concepções do real. são revisitados e ressignificados pelas vozes de uma nova geração de críti-cos literários. Sob a égide da memória e da teoria da narrativa, esses estudiosos debruçam-se na investigação do fenômeno estético do romance moderno em suas profusas manifestações. É essa pluralidade de perspectivas, portanto, que ressoam das páginas de Trânsitos Literários. O Núcleo de Pesquisa Wlademir Dias-Pino, o grupo de pesquisa "Estudo de Literatura: memória e identidade cultural" (CNPq) volta-se para o estudo de formas narrativas, com particular atenção ao gênero romanes-co, nas manifestações em que a memória e a identidade articulam zonas de tensão. O objeto de estudo é o fenômeno estético de narrativas na sua relação de ruptura e permanência que, ao problematizarem fron-teiras culturais, tecem, muitas vezes, relações conflitantes entre memória e história</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"TRÂNSITOS LITERÁRIOS: ABORDAGENS SOBRE A NARRATIVA MODERNA","attachmentId":61120641,"attachmentType":"pdf","work_url":"https://www.academia.edu/40835584/TR%C3%82NSITOS_LITER%C3%81RIOS_ABORDAGENS_SOBRE_A_NARRATIVA_MODERNA","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/40835584/TR%C3%82NSITOS_LITER%C3%81RIOS_ABORDAGENS_SOBRE_A_NARRATIVA_MODERNA"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="7" data-entity-id="61920502" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/61920502/Narrativas_cruzadas_turismo_arqueologia_e_literatura">Narrativas cruzadas: turismo, arqueologia e literatura</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="12409329" href="https://independent.academia.edu/CeresBrum">Ceres Brum</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Revista Estudos Historicos, 2007</p><p class="ds-related-work--abstract ds2-5-body-sm">Con si de ra ções pre li mi na res A ex pe riên cia mis si o neira pla ti na, tam bém de no mi na da os Tr i n t a Po vos das Mis sões, ocor reu du ran te os sé cu los XVII e XVIII, nos ter ri tó ri os atu a is do Rio Gran de do Sul, Pa ra ná, Argen ti na, Uru guai e Pa ra guai, e cor res pon deu à ten ta ti va his pâ ni ca de in te grar es ses ter ri tó ri os e seus ha bi tan tes como pos sessões co lo ni a is. Re la ci o no essa ex pe riên cia à in te gra ção colo ni al efe tu a da pe los je-71 Nota: Neste texto apresento algumas reflexões da pesquisa de pós-doutorado júnior Narrativas cruzadas; história, arqueologia e literatura: a construção da memória coletiva em São Nicolau. A pesquisa foi desenvolvida no Programa de Pós-Graduação em História da PUC-RS, sob a orientação do prof. dr. Arno Alvarez Kern e com o financiamento do CNPq. O título deste texto foi inspirado nas reflexões efetuadas por Pesavento (2003).</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Narrativas cruzadas: turismo, arqueologia e literatura","attachmentId":74830980,"attachmentType":"pdf","work_url":"https://www.academia.edu/61920502/Narrativas_cruzadas_turismo_arqueologia_e_literatura","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/61920502/Narrativas_cruzadas_turismo_arqueologia_e_literatura"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="8" data-entity-id="44999266" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/44999266/A_HISTORIOGRAFIA_LITER%C3%81RIA_E_AS_T%C3%89CNICAS_DE_ESCRITA">A HISTORIOGRAFIA LITERÁRIA E AS TÉCNICAS DE ESCRITA</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="37482481" href="https://independent.academia.edu/CrisCarvalho8">Cris Carvalho</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"A HISTORIOGRAFIA LITERÁRIA E AS TÉCNICAS DE 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