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<li id="toc-Rock_pioneers_(late_1950s_–_late_1960s)" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Rock_pioneers_(late_1950s_–_late_1960s)"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.1</span> <span>Rock pioneers (late 1950s – late 1960s)</span> </div> </a> <ul id="toc-Rock_pioneers_(late_1950s_–_late_1960s)-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Mainstream_and_pop_rock_(late_1960s_–_present)" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Mainstream_and_pop_rock_(late_1960s_–_present)"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.2</span> <span>Mainstream and pop rock (late 1960s – present)</span> </div> </a> <ul id="toc-Mainstream_and_pop_rock_(late_1960s_–_present)-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Acoustic_rock_(late_1960_–_mid-1970s,_early_1990s_–_present)" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Acoustic_rock_(late_1960_–_mid-1970s,_early_1990s_–_present)"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.3</span> <span>Acoustic rock (late 1960 – mid-1970s, early 1990s – present)</span> </div> </a> <ul id="toc-Acoustic_rock_(late_1960_–_mid-1970s,_early_1990s_–_present)-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Singer-songwriters_(early_1970s_–_present)" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Singer-songwriters_(early_1970s_–_present)"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.4</span> <span>Singer-songwriters (early 1970s – present)</span> </div> </a> <ul id="toc-Singer-songwriters_(early_1970s_–_present)-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Progressive_and_psychedelic_rock_(late_1960s_–_early_1980s)" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Progressive_and_psychedelic_rock_(late_1960s_–_early_1980s)"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.5</span> <span>Progressive and psychedelic rock (late 1960s – early 1980s)</span> </div> </a> <ul id="toc-Progressive_and_psychedelic_rock_(late_1960s_–_early_1980s)-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Hard_rock_and_heavy_metal_(early_1970s_–_present)" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Hard_rock_and_heavy_metal_(early_1970s_–_present)"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.6</span> <span>Hard rock and heavy metal (early 1970s – present)</span> </div> </a> <ul id="toc-Hard_rock_and_heavy_metal_(early_1970s_–_present)-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Blues-rock_(late_1970s_–_present)" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Blues-rock_(late_1970s_–_present)"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.7</span> <span>Blues-rock (late 1970s – present)</span> </div> </a> <ul id="toc-Blues-rock_(late_1970s_–_present)-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Punk_rock,_post-punk_and_gothic_rock_(late_1970s_–_present)" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Punk_rock,_post-punk_and_gothic_rock_(late_1970s_–_present)"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.8</span> <span>Punk rock, post-punk and gothic rock (late 1970s – present)</span> </div> </a> <ul id="toc-Punk_rock,_post-punk_and_gothic_rock_(late_1970s_–_present)-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-New_wave_(late_1970s_–_early_1980s)" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#New_wave_(late_1970s_–_early_1980s)"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.9</span> <span>New wave (late 1970s – early 1980s)</span> </div> </a> <ul id="toc-New_wave_(late_1970s_–_early_1980s)-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Synthpop_(early_1980s_–_mid-1980s)" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Synthpop_(early_1980s_–_mid-1980s)"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.10</span> <span>Synthpop (early 1980s – mid-1980s)</span> </div> </a> <ul id="toc-Synthpop_(early_1980s_–_mid-1980s)-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Funk_rock_(early_1980s_–_present)" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Funk_rock_(early_1980s_–_present)"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.11</span> <span>Funk rock (early 1980s – present)</span> </div> </a> <ul id="toc-Funk_rock_(early_1980s_–_present)-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Alternative_rock_(early_1980s–present)" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Alternative_rock_(early_1980s–present)"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.12</span> <span>Alternative rock (early 1980s–present)</span> </div> </a> <ul id="toc-Alternative_rock_(early_1980s–present)-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Oi!,_ska,_hardcore_and_pop_punk_(late_1980s–present)" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Oi!,_ska,_hardcore_and_pop_punk_(late_1980s–present)"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.13</span> <span>Oi!, ska, hardcore and pop punk (late 1980s–present)</span> </div> </a> <ul id="toc-Oi!,_ska,_hardcore_and_pop_punk_(late_1980s–present)-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Industrial_rock_(late_1980s–present)" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Industrial_rock_(late_1980s–present)"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.14</span> <span>Industrial rock (late 1980s–present)</span> </div> </a> <ul id="toc-Industrial_rock_(late_1980s–present)-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Grunge_and_post-grunge_(early_1990s–present)" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Grunge_and_post-grunge_(early_1990s–present)"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.15</span> <span>Grunge and post-grunge (early 1990s–present)</span> </div> </a> <ul id="toc-Grunge_and_post-grunge_(early_1990s–present)-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Britpop_(early_1990s_–_present)" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Britpop_(early_1990s_–_present)"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.16</span> <span>Britpop (early 1990s – present)</span> </div> </a> <ul id="toc-Britpop_(early_1990s_–_present)-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Irish_folk_and_Celtic_rock_(early_1990s_–_present)" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Irish_folk_and_Celtic_rock_(early_1990s_–_present)"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.17</span> <span>Irish folk and Celtic rock (early 1990s – present)</span> </div> </a> <ul id="toc-Irish_folk_and_Celtic_rock_(early_1990s_–_present)-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-New_Serbian_Scene_(late_2000s_–_early_2010s)" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#New_Serbian_Scene_(late_2000s_–_early_2010s)"> <div class="vector-toc-text"> <span class="vector-toc-numb">1.18</span> <span>New Serbian Scene (late 2000s – early 2010s)</span> </div> </a> <ul id="toc-New_Serbian_Scene_(late_2000s_–_early_2010s)-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-References" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#References"> <div class="vector-toc-text"> <span class="vector-toc-numb">2</span> <span>References</span> </div> </a> <ul id="toc-References-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Bibliography" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Bibliography"> <div class="vector-toc-text"> <span class="vector-toc-numb">3</span> <span>Bibliography</span> </div> </a> <ul id="toc-Bibliography-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-See_also" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#See_also"> <div class="vector-toc-text"> <span class="vector-toc-numb">4</span> <span>See also</span> </div> </a> <ul id="toc-See_also-sublist" class="vector-toc-list"> </ul> </li> </ul> </div> </div> </nav> </div> </div> <div class="mw-content-container"> <main id="content" class="mw-body"> <header 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class="mw-body-content"><div class="mw-content-ltr mw-parser-output" lang="en" dir="ltr"><div class="shortdescription nomobile noexcerpt noprint searchaux" style="display:none">Serbian appreciation of and contributions to the rock music genre</div> <p class="mw-empty-elt"> </p> <style data-mw-deduplicate="TemplateStyles:r1129693374">.mw-parser-output .hlist dl,.mw-parser-output .hlist ol,.mw-parser-output .hlist ul{margin:0;padding:0}.mw-parser-output .hlist dd,.mw-parser-output .hlist dt,.mw-parser-output .hlist li{margin:0;display:inline}.mw-parser-output .hlist.inline,.mw-parser-output .hlist.inline dl,.mw-parser-output .hlist.inline ol,.mw-parser-output .hlist.inline ul,.mw-parser-output .hlist dl dl,.mw-parser-output .hlist dl ol,.mw-parser-output .hlist dl ul,.mw-parser-output .hlist ol dl,.mw-parser-output .hlist ol ol,.mw-parser-output .hlist ol ul,.mw-parser-output .hlist ul dl,.mw-parser-output .hlist ul ol,.mw-parser-output .hlist ul ul{display:inline}.mw-parser-output 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a{color:var(--color-progressive)!important}}@media print{body.ns-0 .mw-parser-output .sidebar{display:none!important}}</style><style data-mw-deduplicate="TemplateStyles:r1066933788">.mw-parser-output .excerpt-hat .mw-editsection-like{font-style:normal}</style><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1066933788"><table class="sidebar sidebar-collapse nomobile nowraplinks hlist"><tbody><tr><td class="sidebar-pretitle">Part of <a href="/wiki/Category:Serbia" title="Category:Serbia">a series</a> on the</td></tr><tr><th class="sidebar-title-with-pretitle" style="border-bottom: 1px solid #aaa"><span class="wraplinks"><a href="/wiki/Culture_of_Serbia" title="Culture of Serbia">Culture of Serbia</a></span></th></tr><tr><td class="sidebar-image photo"><span class="mw-image-border" typeof="mw:File"><a href="/wiki/File:Flag_of_Serbia.svg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/f/ff/Flag_of_Serbia.svg/110px-Flag_of_Serbia.svg.png" decoding="async" width="110" height="73" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/f/ff/Flag_of_Serbia.svg/165px-Flag_of_Serbia.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/f/ff/Flag_of_Serbia.svg/220px-Flag_of_Serbia.svg.png 2x" data-file-width="1350" data-file-height="900" /></a></span></td></tr><tr><td class="sidebar-content"> <div class="sidebar-list mw-collapsible mw-collapsed"><div class="sidebar-list-title" style="color: var(--color-base)"><div class="sidebar-list-title-c"><a href="/wiki/History_of_Serbia" title="History of Serbia">History</a></div></div><div class="sidebar-list-content mw-collapsible-content"> <ul><li><a href="/wiki/Serbia_in_the_Middle_Ages" title="Serbia in the Middle Ages">Middle Ages</a></li> <li><a href="/wiki/List_of_Serbian_monarchs" title="List of Serbian monarchs">Monarchs</a></li></ul></div></div></td> </tr><tr><th class="sidebar-heading" style="font-size:105%;line-height:1.6;"> <a href="/wiki/Ethnic_groups_in_Serbia" class="mw-redirect" title="Ethnic groups in Serbia">People</a></th></tr><tr><td class="sidebar-content"> <div class="sidebar-list mw-collapsible mw-collapsed"><div class="sidebar-list-title" style="color: var(--color-base)"><div class="sidebar-list-title-c"><a href="/wiki/Languages_of_Serbia" title="Languages of Serbia">Languages</a></div></div><div class="sidebar-list-content mw-collapsible-content"> <ul><li><a href="/wiki/Serbian_language" title="Serbian language">Serbian language</a></li> <li><a href="/wiki/Old_Church_Slavonic" title="Old Church Slavonic">Old Serbian</a></li></ul></div></div></td> </tr><tr><td class="sidebar-content"> <div class="sidebar-list mw-collapsible mw-collapsed"><div class="sidebar-list-title" style="color: var(--color-base)"><div class="sidebar-list-title-c"><a href="/wiki/Traditions_of_Serbia" class="mw-redirect" title="Traditions of Serbia">Traditions</a></div></div><div class="sidebar-list-content mw-collapsible-content"> <ul><li><a href="/wiki/Serbian_dress" class="mw-redirect" title="Serbian dress">Dress</a></li> <li><a href="/wiki/Serbian_kinship" class="mw-redirect" title="Serbian kinship">Kinship</a></li></ul></div></div></td> </tr><tr><th class="sidebar-heading" style="font-size:105%;line-height:1.6;"> <a href="/wiki/Mythology_of_Serbia" class="mw-redirect" title="Mythology of Serbia">Mythology</a> and <a href="/wiki/Folklore_of_Serbia" class="mw-redirect" title="Folklore of Serbia">folklore</a></th></tr><tr><th class="sidebar-heading" style="font-size:105%;line-height:1.6;"> <a href="/wiki/Serbian_cuisine" title="Serbian cuisine">Cuisine</a></th></tr><tr><th class="sidebar-heading" style="font-size:105%;line-height:1.6;"> <a href="/wiki/Festivals_of_Serbia" class="mw-redirect" title="Festivals of Serbia">Festivals</a></th></tr><tr><td class="sidebar-content"> <div class="sidebar-list mw-collapsible mw-collapsed"><div class="sidebar-list-title" style="color: var(--color-base)"><div class="sidebar-list-title-c"><a href="/wiki/Religion_in_Serbia" title="Religion in Serbia">Religion</a></div></div><div class="sidebar-list-content mw-collapsible-content"><div class="excerpt-block"><div class="excerpt"> <ul><li><a href="/wiki/Christianity_in_Serbia" title="Christianity in Serbia">Christianity</a> <ul><li><a href="/wiki/Serbian_Orthodox_Church" title="Serbian Orthodox Church">Serbian Orthodox Church</a></li> <li><a href="/wiki/Patriarch_of_the_Serbian_Orthodox_Church" class="mw-redirect" title="Patriarch of the Serbian Orthodox Church">Patriarch</a></li> <li><a href="/wiki/Roman_Catholicism_in_Serbia" class="mw-redirect" title="Roman Catholicism in Serbia">Roman Catholicism</a></li></ul></li> <li><a href="/wiki/Protestantism_in_Serbia" title="Protestantism in Serbia">Protestantism</a></li> <li><a href="/wiki/Hinduism_in_Serbia" class="mw-redirect" title="Hinduism in Serbia">Hinduism</a></li> <li><a href="/wiki/Islam_in_Serbia" title="Islam in Serbia">Islam</a></li> <li><a href="/wiki/History_of_the_Jews_in_Serbia" title="History of the Jews in Serbia">Judaism</a></li></ul></div></div></div></div></td> </tr><tr><td class="sidebar-content"> <div class="sidebar-list mw-collapsible mw-collapsed"><div class="sidebar-list-title" style="color: var(--color-base)"><div class="sidebar-list-title-c"><a href="/wiki/Art_of_Serbia" class="mw-redirect" title="Art of Serbia">Art</a></div></div><div class="sidebar-list-content mw-collapsible-content"> <ul><li><a href="/wiki/Architecture_of_Serbia" title="Architecture of Serbia">Architecture</a></li> <li><a href="/wiki/Music_of_Serbia" title="Music of Serbia">Music</a></li> <li><a href="/wiki/List_of_Serbian_composers" title="List of Serbian composers">Composers (list)</a></li> <li><a href="/wiki/Category:Serbian_painters" title="Category:Serbian painters">Painters (category)</a></li> <li><a href="/wiki/Category:Serbian_sculptors" title="Category:Serbian sculptors">Sculptors (category)</a></li> <li><a href="/wiki/Serbian_heraldry" title="Serbian heraldry">Heraldry</a></li></ul></div></div></td> </tr><tr><td class="sidebar-content"> <div class="sidebar-list mw-collapsible mw-collapsed"><div class="sidebar-list-title" style="color: var(--color-base)"><div class="sidebar-list-title-c"><a href="/wiki/Literature_of_Serbia" class="mw-redirect" title="Literature of Serbia">Literature</a></div></div><div class="sidebar-list-content mw-collapsible-content"> <ul><li><a href="/wiki/Serbian_comics" title="Serbian comics">Comics</a></li> <li><a href="/wiki/Serbian_epic_poetry" title="Serbian epic poetry">Epic poetry</a></li> <li><a href="/wiki/Category:Serbian_writers" title="Category:Serbian writers">Writers (category)</a></li></ul></div></div></td> </tr><tr><td class="sidebar-content"> <div class="sidebar-list mw-collapsible mw-collapsed"><div class="sidebar-list-title" style="color: var(--color-base)"><div class="sidebar-list-title-c"><a href="/wiki/Music_of_Serbia" title="Music of Serbia">Music</a> and performing arts</div></div><div class="sidebar-list-content mw-collapsible-content"> <ul><li><a href="/wiki/Serbian_dances" title="Serbian dances">Dances</a></li> <li><a href="/wiki/Category:Theatres_in_Serbia" title="Category:Theatres in Serbia">Theatres (category)</a></li> <li><a href="/wiki/Category:Serbian_actors" title="Category:Serbian actors">Actors (category)</a></li> <li><a href="/wiki/Category:Serbian_composers" title="Category:Serbian composers">Composers (category)</a></li></ul></div></div></td> </tr><tr><td class="sidebar-content"> <div class="sidebar-list mw-collapsible mw-collapsed"><div class="sidebar-list-title" style="color: var(--color-base)"><div class="sidebar-list-title-c"><a href="/wiki/Media_in_Serbia" class="mw-redirect" title="Media in Serbia">Media</a></div></div><div class="sidebar-list-content mw-collapsible-content"> <ul><li><a href="/wiki/Television_in_Serbia" title="Television in Serbia">Television</a></li> <li><a href="/wiki/Cinema_of_Serbia" title="Cinema of Serbia">Cinema</a></li></ul></div></div></td> </tr><tr><th class="sidebar-heading" style="font-size:105%;line-height:1.6;"> <a href="/wiki/Sport_in_Serbia" title="Sport in Serbia">Sport</a></th></tr><tr><td class="sidebar-content"> <div class="sidebar-list mw-collapsible mw-collapsed"><div class="sidebar-list-title" style="color: var(--color-base)"><div class="sidebar-list-title-c"><a href="/wiki/Monuments_of_Serbia" class="mw-redirect" title="Monuments of Serbia">Monuments</a></div></div><div class="sidebar-list-content mw-collapsible-content"> <ul><li><a href="/wiki/List_of_World_Heritage_Sites_in_Serbia" title="List of World Heritage Sites in Serbia">World Heritage Sites</a></li> <li><a href="/wiki/Cultural_Heritage_of_Serbia" class="mw-redirect" title="Cultural Heritage of Serbia">Serbian Cultural Heritage lists</a></li> <li><a href="/wiki/List_of_fortifications_in_Serbia" title="List of fortifications in Serbia">Forts and castles</a></li> <li><a href="/wiki/List_of_palaces_and_manor_houses_in_Serbia" title="List of palaces and manor houses in Serbia">Palaces and manor houses</a></li> <li><a href="/wiki/List_of_Serbian_Orthodox_monasteries" title="List of Serbian Orthodox monasteries">Monasteries</a></li></ul></div></div></td> </tr><tr><td class="sidebar-content"> <div class="sidebar-list mw-collapsible mw-collapsed"><div class="sidebar-list-title" style="color: var(--color-base)"><div class="sidebar-list-title-c"><a href="/wiki/Symbols_of_Serbia" class="mw-redirect" title="Symbols of Serbia">Symbols</a></div></div><div class="sidebar-list-content mw-collapsible-content"> <ul><li><a href="/wiki/Flag_of_Serbia" title="Flag of Serbia">Flag</a></li> <li><a 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class="mbox-text"><div class="mbox-text-span">This article includes a list of <a href="/wiki/Wikipedia:Citing_sources#General_references" title="Wikipedia:Citing sources">general references</a>, but <b>it lacks sufficient corresponding <a href="/wiki/Wikipedia:Citing_sources#Inline_citations" title="Wikipedia:Citing sources">inline citations</a></b>.<span class="hide-when-compact"> Please help to <a href="/wiki/Wikipedia:WikiProject_Reliability" title="Wikipedia:WikiProject Reliability">improve</a> this article by <a href="/wiki/Wikipedia:When_to_cite" title="Wikipedia:When to cite">introducing</a> more precise citations.</span> <span class="date-container"><i>(<span class="date">November 2015</span>)</i></span><span class="hide-when-compact"><i> (<small><a href="/wiki/Help:Maintenance_template_removal" title="Help:Maintenance template removal">Learn how and when to remove this message</a></small>)</i></span></div></td></tr></tbody></table> <p><b>Serbian rock</b> is the rock music scene of <a href="/wiki/Serbia" title="Serbia">Serbia</a>. During the 1960s, 1970s and the 1980s, while Serbia was a <a href="/wiki/Country" title="Country">constituent republic</a> of <a href="/wiki/Socialist_Federal_Republic_of_Yugoslavia" title="Socialist Federal Republic of Yugoslavia">Socialist Federal Republic of Yugoslavia</a>, Serbian rock scene was a part of the <a href="/wiki/Popular_music_in_the_Socialist_Federal_Republic_of_Yugoslavia" class="mw-redirect" title="Popular music in the Socialist Federal Republic of Yugoslavia">SFR Yugoslav rock scene</a>. </p><p>The Socialist Federal Republic of Yugoslavia was not an <a href="/wiki/Eastern_Bloc" title="Eastern Bloc">Eastern Bloc</a> country, but a member of the <a href="/wiki/Non-Aligned_Movement" title="Non-Aligned Movement">Non-Aligned Movement</a> and as such, it was far more open to the Western culture comparing to the <a href="/wiki/List_of_socialist_countries#Marxist-Leninist" class="mw-redirect" title="List of socialist countries">other socialist countries</a>. Rock and roll reached Yugoslavia via foreign radio stations, most notably <a href="/wiki/Radio_Luxemburg" class="mw-redirect" title="Radio Luxemburg">Radio Luxemburg</a>,<sup id="cite_ref-1" class="reference"><a href="#cite_note-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-2" class="reference"><a href="#cite_note-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> and rock and roll records, brought in from the West.<sup id="cite_ref-timemachinemusic.org_3-0" class="reference"><a href="#cite_note-timemachinemusic.org-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> Rock and roll influences reached <a href="/wiki/Schlager" class="mw-redirect" title="Schlager">schlager</a> singers, most notably <a href="/wiki/%C4%90or%C4%91e_Marjanovi%C4%87" title="Đorđe Marjanović">Đorđe Marjanović</a>, who released the first <a href="/wiki/Popular_music" title="Popular music">popular music</a> solo album in Serbia, in 1959.<sup id="cite_ref-Istorijat_PGP_RTS,_rts.rs_4-0" class="reference"><a href="#cite_note-Istorijat_PGP_RTS,_rts.rs-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> The end of the 1950s featured the appearances of first rock and roll acts, and the 1960s featured many <a href="/wiki/Beat_music" title="Beat music">beat</a> bands, such as <a href="/wiki/Siluete" title="Siluete">Siluete</a> and <a href="/wiki/Elipse_(band)" class="mw-redirect" title="Elipse (band)">Elipse</a>, which became enormously popular with the younger generations. Rock bands drew the public's attention to themselves, which was followed with the appearance of first rock music magazines, radio and TV shows.<sup id="cite_ref-timemachinemusic.org_3-1" class="reference"><a href="#cite_note-timemachinemusic.org-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-slobodnaevropa.org_5-0" class="reference"><a href="#cite_note-slobodnaevropa.org-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> </p><p>Until the beginning of the 1970s, Serbian rock bands released only <a href="/wiki/7-inch_single" class="mw-redirect" title="7-inch single">7-inch singles</a> and <a href="/wiki/Extended_play" title="Extended play">extended plays</a>. <a href="/wiki/Korni_Grupa" title="Korni Grupa">Korni Grupa</a> was the first Serbian rock act to release a full-length album, in 1972, and one of the first bands to move towards <a href="/wiki/Progressive_rock" title="Progressive rock">progressive rock</a>. Progressive rock dominated the Serbian rock scene during the 1970s, with a part of bands incorporating elements of <a href="/wiki/Traditional_music" class="mw-redirect" title="Traditional music">traditional music</a> into their sound. At this period, bands like <a href="/wiki/YU_Grupa" title="YU Grupa">YU Grupa</a>, <a href="/wiki/Pop_Ma%C5%A1ina" title="Pop Mašina">Pop Mašina</a> and <a href="/wiki/Smak" title="Smak">Smak</a> achieved large mainstream popularity and massive album sales. The end of the 1970s featured the appearance of the prominent <a href="/wiki/Hard_rock" title="Hard rock">hard rock</a> band <a href="/wiki/Riblja_%C4%8Corba" title="Riblja Čorba">Riblja Čorba</a>, and the emergence of the closely associated <a href="/wiki/Punk_rock_in_Yugoslavia" title="Punk rock in Yugoslavia">punk rock</a> and <a href="/wiki/New_wave_music_in_Yugoslavia" title="New wave music in Yugoslavia">new wave scenes</a>. <a href="/wiki/Pekin%C5%A1ka_Patka" title="Pekinška Patka">Pekinška Patka</a> was the first Serbian <a href="/wiki/Punk_rock" title="Punk rock">punk rock</a> band to release an album, in 1980. The new wave bands <a href="/wiki/%C5%A0arlo_Akrobata" title="Šarlo Akrobata">Šarlo Akrobata</a>, <a href="/wiki/Elektri%C4%8Dni_Orgazam" title="Električni Orgazam">Električni Orgazam</a> and <a href="/wiki/Idoli" title="Idoli">Idoli</a>, which appeared on the influential compilation album <i><a href="/wiki/Paket_aran%C5%BEman" title="Paket aranžman">Paket aranžman</a></i> in 1980, were followed by many new wave acts. Around 1982, new wave scene declined and many acts moved towards more commercial sound. During the 1980s, <a href="/wiki/Pop_rock" title="Pop rock">pop rock</a> acts, such as <a href="/wiki/%C4%90or%C4%91e_Bala%C5%A1evi%C4%87" title="Đorđe Balašević">Đorđe Balašević</a> and <a href="/wiki/Bajaga_i_Instruktori" title="Bajaga i Instruktori">Bajaga i Instruktori</a>, dominated the mainstream scene, but various other rock genres also emerged, and the <a href="/wiki/Alternative_rock" title="Alternative rock">alternative rock</a> scene, with the acts such as <a href="/wiki/Ekatarina_Velika" title="Ekatarina Velika">Ekatarina Velika</a>, <a href="/wiki/Disciplina_Ki%C4%8Dme" class="mw-redirect" title="Disciplina Kičme">Disciplina Kičme</a>, and <a href="/wiki/Rambo_Amadeus" title="Rambo Amadeus">Rambo Amadeus</a>, started to develop and gain mainstream popularity. </p><p>With the outbreak of the <a href="/wiki/Yugoslav_wars" class="mw-redirect" title="Yugoslav wars">Yugoslav wars</a> at the beginning of the 1990s, the former Yugoslav rock scene ceased to exist. During the 1990s, most of, both mainstream and <a href="/wiki/Underground_music" title="Underground music">underground</a>, rock acts expressed their opposition towards the government of <a href="/wiki/Slobodan_Milo%C5%A1evi%C4%87" title="Slobodan Milošević">Slobodan Milošević</a>, which caused their absence from most of the government-controlled media. Although several major mainstream acts managed to sustain their popularity (some of them, like <a href="/wiki/Partibrejkers" title="Partibrejkers">Partibrejkers</a> and <a href="/wiki/Van_Gogh_(band)" title="Van Gogh (band)">Van Gogh</a>, even increasing it), and a large underground and <a href="/wiki/Independent_music" title="Independent music">independent music</a> scene developed. After the 1999 <a href="/wiki/NATO_bombing_of_FR_Yugoslavia" class="mw-redirect" title="NATO bombing of FR Yugoslavia">NATO bombing of FR Yugoslavia</a> and the arrival of the political changes during the 2000s, a new independent scene started to develop. The 2000s also featured the establishing of new connections between the former Yugoslav republics' scenes. </p> <meta property="mw:PageProp/toc" /> <div class="mw-heading mw-heading2"><h2 id="History">History</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Rock_music_in_Serbia&action=edit&section=1" title="Edit section: History"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <div class="mw-heading mw-heading3"><h3 id="Rock_pioneers_(late_1950s_–_late_1960s)"><span id="Rock_pioneers_.28late_1950s_.E2.80.93_late_1960s.29"></span>Rock pioneers (late 1950s – late 1960s)</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Rock_music_in_Serbia&action=edit&section=2" title="Edit section: Rock pioneers (late 1950s – late 1960s)"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>The first rock acts emerged in the late 1950s. Influenced by the <a href="/wiki/Rock_and_roll" title="Rock and roll">rock and roll</a> and <a href="/wiki/Rockabilly" title="Rockabilly">rockabilly</a> acts, many young people started performing the so-called "električna muzika" ("electric music"), naming themselves "električari" ("electricians"). One of the first Serbian rock and roll musicians who rose to fame was guitarist <a href="/wiki/Mile_Lojpur" title="Mile Lojpur">Mile Lojpur</a> from <a href="/wiki/Belgrade" title="Belgrade">Belgrade</a>, often considered the first Serbian or even Yugoslav rock and roll musician. He rose to fame at the dances he and his band Septet M organized at <a href="/wiki/KK_Crvena_zvezda" title="KK Crvena zvezda">Red Star</a> basketball courts at <a href="/wiki/Kalemegdan" class="mw-redirect" title="Kalemegdan">Kalemegdan</a>. Although Lojpur did not make any recordings, he had a great influence on subsequent development of the scene. Another notable rock and roll artist was <a href="/w/index.php?title=Perica_Stojan%C4%8Di%C4%87&action=edit&redlink=1" class="new" title="Perica Stojančić (page does not exist)">Perica Stojančić</a> from <a href="/wiki/Ni%C5%A1" title="Niš">Niš</a>, whose debut single was released in 1961. </p><p>The singer <a href="/wiki/%C4%90or%C4%91e_Marjanovi%C4%87" title="Đorđe Marjanović">Đorđe Marjanović</a> became the first Yugoslav <a href="/wiki/Superstar" title="Superstar">superstar</a>. Despite essentially being a <a href="/wiki/Schlager" class="mw-redirect" title="Schlager">schlager</a> singer, Marjanović also performed rock and roll songs. He is also notable as the first Yugoslav <a href="/wiki/Popular_music" title="Popular music">popular music</a> singer who had an energetic on-scene appearance. He was the first pop singer to walk off the stage into the audience and perform songs in theatrical manner. His popularity led to the release of his album <span title="Serbian-language text"><i lang="sr">Muzika za igru</i></span> in 1959, the first popular music solo album released by <a href="/wiki/PGP-RTB" title="PGP-RTB">PGP-RTB</a>, the biggest Serbian record label.<sup id="cite_ref-Istorijat_PGP_RTS,_rts.rs_4-1" class="reference"><a href="#cite_note-Istorijat_PGP_RTS,_rts.rs-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> In 1963, Marjanović went on his first <a href="/wiki/Soviet_Union" title="Soviet Union">Soviet Union</a> tour, where he soon became very popular, and had gone on more than thirty Soviet Union tours since. He continued to perform until 1990, when, on concert in <a href="/wiki/Melbourne" title="Melbourne">Melbourne</a>, he had a stroke, after which he decided to retire. </p><p>The beginning of the 1960s saw the emergence of numerous <a href="/wiki/Beat_music" title="Beat music">beat</a> and <a href="/wiki/Rhythm_and_blues" title="Rhythm and blues">rhythm and blues</a> bands, the majority of which being initially inspired by the then-popular <a href="/wiki/Cliff_Richard" title="Cliff Richard">Cliff Richard</a> and <a href="/wiki/The_Shadows" title="The Shadows">The Shadows</a>:<sup id="cite_ref-timemachinemusic.org_3-2" class="reference"><a href="#cite_note-timemachinemusic.org-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-slobodnaevropa.org_5-1" class="reference"><a href="#cite_note-slobodnaevropa.org-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> <a href="/wiki/Iskre" title="Iskre">Iskre</a> and <a href="/wiki/Siluete" title="Siluete">Siluete</a>, both formed in 1961; <a href="/wiki/Zlatni_De%C4%8Daci" title="Zlatni Dečaci">Zlatni Dečaci</a> and <a href="/wiki/Bele_Vi%C5%A1nje" title="Bele Višnje">Bele Višnje</a>, both formed in 1962; <a href="/wiki/Crni_Biseri" title="Crni Biseri">Crni Biseri</a>, <a href="/wiki/Daltoni" title="Daltoni">Daltoni</a>, <a href="/wiki/Elipse_(band)" class="mw-redirect" title="Elipse (band)">Elipse</a>, and <a href="/wiki/Samonikli" title="Samonikli">Samonikli</a>, all formed in 1963; <a href="/wiki/Tomi_Sovilj_i_Njegove_Siluete" title="Tomi Sovilj i Njegove Siluete">Tomi Sovilj i Njegove Siluete</a> and <a href="/wiki/Sanjalice" title="Sanjalice">Sanjalice</a>, both formed in 1964; <a href="/wiki/Plamenih_5" title="Plamenih 5">Plamenih 5</a>, formed in 1965, <a href="/wiki/D%C5%BEentlmeni" title="Džentlmeni">Džentlmeni</a>, formed in 1966. Siluete were well known for their shocking appearance and performance, and the band's frontman <a href="/w/index.php?title=Zoran_Mi%C5%A1%C4%8Devi%C4%87&action=edit&redlink=1" class="new" title="Zoran Miščević (page does not exist)">Zoran Miščević</a> became one of the first Yugoslav rock stars and a <a href="/wiki/Sex_symbol" title="Sex symbol">sex symbol</a>.<sup id="cite_ref-6" class="reference"><a href="#cite_note-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> The media often promoted rivalry between Siluete and Elipse.<sup id="cite_ref-popboks.com_7-0" class="reference"><a href="#cite_note-popboks.com-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> Initially formed as a beat band, Elipse moved to <a href="/wiki/Soul_music" title="Soul music">soul music</a> and added a <a href="/wiki/Brass_section" title="Brass section">brass section</a> when they were joined by vocalist Edi Dekeng, an African student from <a href="/wiki/Congo_Basin" title="Congo Basin">Congo</a>, in 1967.<sup id="cite_ref-popboks.com_7-1" class="reference"><a href="#cite_note-popboks.com-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> Crni Biseri featured the prominent musician <a href="/w/index.php?title=Vladimir_Jankovi%C4%87_(musician)&action=edit&redlink=1" class="new" title="Vladimir Janković (musician) (page does not exist)">Vlada Janković "Džet"</a>, who later formed the band <a href="/wiki/Tunel_(band)" title="Tunel (band)">Tunel</a> and became a well-known <a href="/wiki/Radio_Belgrade" title="Radio Belgrade">Radio Belgrade</a> host. Sanjalice were one of the first former Yugoslav <a href="/wiki/All-female_band" title="All-female band">all-female rock bands</a>. The members of Džemtlmeni, brothers <a href="/wiki/%C5%BDika_Jeli%C4%87" title="Žika Jelić">Žika</a> and <a href="/wiki/Dragi_Jeli%C4%87" title="Dragi Jelić">Dragi Jelić</a>, later formed the highly successful <a href="/wiki/Progressive_rock" title="Progressive rock">progressive</a>/<a href="/wiki/Hard_rock" title="Hard rock">hard rock</a> band <a href="/wiki/YU_Grupa" title="YU Grupa">YU Grupa</a>. Although all of these bands released only <a href="/wiki/7-inch_single" class="mw-redirect" title="7-inch single">7-inch singles</a> and <a href="/wiki/Extended_play" title="Extended play">extended plays</a> – with the exception of Crni Biseri, which recorded their only studio album <i>Motorok</i> in 1976, and Bele Višnje, which recorded their old songs and released them on the album <i>Pesme naše mladosti</i> in 1994 – they had major influence on the subsequent development of the scene. </p> <div class="mw-heading mw-heading3"><h3 id="Mainstream_and_pop_rock_(late_1960s_–_present)"><span id="Mainstream_and_pop_rock_.28late_1960s_.E2.80.93_present.29"></span>Mainstream and pop rock (late 1960s – present)</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Rock_music_in_Serbia&action=edit&section=3" title="Edit section: Mainstream and pop rock (late 1960s – present)"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p><a href="/wiki/Korni_Grupa" title="Korni Grupa">Korni Grupa</a> was one of the first Serbian rock bands to achieve major mainstream popularity. Formed in 1968 by former <a href="/wiki/Indexi" title="Indexi">Indexi</a> keyboardist <a href="/wiki/Kornelije_Kova%C4%8D" title="Kornelije Kovač">Kornelije Kovač</a>, the band recorded many commercial pop songs released on 7-inch singles, with which they achieved huge popularity and appeared on pop music festivals throughout Yugoslavia. Already influenced by <a href="/wiki/Progressive_rock" title="Progressive rock">progressive rock</a>, the band moved towards progressive sound with the arrival of vocalist <a href="/wiki/Dado_Topi%C4%87" title="Dado Topić">Dado Topić</a>, continuing, however, to release commercial singles. Korni Grupa's 1971 debut album <i>Korni Grupa</i> was the first <a href="/wiki/Long_play" class="mw-redirect" title="Long play">long play</a> album by a rock act coming from Serbia, and the fourth long play album by a Yugoslav rock act. The band's second, <a href="/wiki/Symphonic_rock" class="mw-redirect" title="Symphonic rock">symphonic rock</a>-oriented album, <i>Not an Ordinary Life</i>, released under the name Kornelyans in 1974, was one of the first Yugoslav albums released through a foreign record label. Despite the success with the singles they released in Yugoslavia, the band disbanded due to the little success of <i>Not an Ordinary Life</i> and the song "<a href="/wiki/Moja_generacija" class="mw-redirect" title="Moja generacija">Moja generacija</a>", with which the band represented Yugoslavia at the <a href="/wiki/1974_Eurovision_Song_Contest" class="mw-redirect" title="1974 Eurovision Song Contest">1974 Eurovision Song Contest</a>. </p><p>By the time Korni Grupa disbanded, other Serbian progressive rock bands, like <a href="/wiki/YU_Grupa" title="YU Grupa">YU Grupa</a> and <a href="/wiki/Smak" title="Smak">Smak</a>, had already achieved huge mainstream popularity. YU Grupa, formed in 1970 by former <a href="/wiki/D%C5%BEentlmeni" title="Džentlmeni">Džentlmeni</a> members, brothers <a href="/wiki/Dragi_Jeli%C4%87" title="Dragi Jelić">Dragi</a> and <a href="/wiki/%C5%BDika_Jeli%C4%87" title="Žika Jelić">Žika Jelić</a>, is often considered the longest-lasting Serbian rock band.<sup id="cite_ref-8" class="reference"><a href="#cite_note-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-9" class="reference"><a href="#cite_note-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup> Having released several successful singles which featured a fusion of progressive/<a href="/wiki/Hard_rock" title="Hard rock">hard rock</a> and <a href="/wiki/Balkan" class="mw-redirect" title="Balkan">Balkan</a> <a href="/wiki/Traditional_music" class="mw-redirect" title="Traditional music">traditional music</a>, YU Grupa released their first album, <i><a href="/wiki/YU_Grupa_(1973_album)" title="YU Grupa (1973 album)">YU Grupa</a></i> (1973), which became one of the best selling Yugoslav rock albums of the 1970s.<sup id="cite_ref-10" class="reference"><a href="#cite_note-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup> The band continued to release successful albums, but with the <a href="/wiki/New_wave_music_in_Yugoslavia" title="New wave music in Yugoslavia">popularity of new wave</a>, the band disbanded in 1981. However, the band reunited in 1987 and has released a number of well-accepted hard rock-oriented albums since. The band <a href="/wiki/Smak" title="Smak">Smak</a> from <a href="/wiki/Kragujevac" title="Kragujevac">Kragujevac</a>, formed by guitar virtuoso <a href="/wiki/Radomir_Mihailovi%C4%87" title="Radomir Mihailović">Radomir Mihailović</a> "Točak" in 1971, was, during the second half of the 1970s, competitive with the band <a href="/wiki/Bijelo_Dugme" title="Bijelo Dugme">Bijelo Dugme</a> from <a href="/wiki/Sarajevo" title="Sarajevo">Sarajevo</a>. Smak released several hit singles before releasing their <a href="/wiki/Smak_(album)" title="Smak (album)">self-titled debut</a> in 1975, considered to be one of the most successful debut albums in <a href="/wiki/SFRY" class="mw-redirect" title="SFRY">former Yugoslavia</a>. The band's later releases, <i><a href="/wiki/Satelit_(EP)" title="Satelit (EP)">Satelit</a></i> (1976), <i><a href="/wiki/Crna_dama" title="Crna dama">Crna dama</a></i> (1977) and <i><a href="/wiki/Stranice_na%C5%A1eg_vremena" title="Stranice našeg vremena">Stranice našeg vremena</a></i> (1978), saw similar success, but the band disbanded in 1981 for the similar reasons like YU Grupa. The band reunited and disbanded several more times during the 1980s and 1990s, releasing albums that saw little commercial success, although the 2012 reunion of the band's default lineup saw large interest by the audience and covering in the media.<sup id="cite_ref-11" class="reference"><a href="#cite_note-11"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-12" class="reference"><a href="#cite_note-12"><span class="cite-bracket">[</span>12<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-13" class="reference"><a href="#cite_note-13"><span class="cite-bracket">[</span>13<span class="cite-bracket">]</span></a></sup> </p><p>The end of the 1970s featured the appearance of the pop rock band <a href="/wiki/Rani_Mraz" title="Rani Mraz">Rani Mraz</a>. Rani Mraz was formed in 1978 by a former <a href="/w/index.php?title=%C5%BDetva&action=edit&redlink=1" class="new" title="Žetva (page does not exist)">Žetva</a> member <a href="/wiki/%C4%90or%C4%91e_Bala%C5%A1evi%C4%87" title="Đorđe Balašević">Đorđe Balašević</a>, and during the initial period went through several lineup changes. The most famous lineup featured Balašević, Verica Todorović, <a href="/wiki/Bora_%C4%90or%C4%91evi%C4%87" title="Bora Đorđević">Bora Đorđević</a> and <a href="/wiki/Biljana_Krsti%C4%87" class="mw-redirect" title="Biljana Krstić">Biljana Krstić</a>, the latter two joining Rani Mraz after leaving the <a href="/wiki/Acoustic_rock" class="mw-redirect" title="Acoustic rock">acoustic rock</a> band <a href="/wiki/Suncokret" title="Suncokret">Suncokret</a>. This lineup of the band released the highly popular single "<a href="/wiki/Ra%C4%8Dunajte_na_nas" class="mw-redirect" title="Računajte na nas">Računajte na nas</a>", a song which praised the legacy of the <a href="/wiki/Yugoslav_Partisans" title="Yugoslav Partisans">Yugoslav Partisans</a> from a slightly different perspective than habitual <a href="/wiki/Socialist_realism" title="Socialist realism">socialist realism</a>, and soon became an anthem of Yugoslav youth. Đorđević, however, soon left the band to form <a href="/wiki/Riblja_%C4%8Corba" title="Riblja Čorba">Riblja Čorba</a>. Rani Mraz released two well-received albums, <i><a href="/wiki/Mojoj_mami_umesto_maturske_slike_u_izlogu" title="Mojoj mami umesto maturske slike u izlogu">Mojoj mami umesto maturske slike u izlogu</a></i> (1979) and <i><a href="/wiki/Odlazi_cirkus" title="Odlazi cirkus">Odlazi cirkus</a></i> (1980), before disbanding in 1981. With the release of the album <i><a href="/wiki/Pub_(%C4%90or%C4%91e_Bala%C5%A1evi%C4%87_album)" title="Pub (Đorđe Balašević album)">Pub</a></i> (1982), Balašević started a very successful solo career, spanning up to the present, establishing himself as the most popular Serbian singer-songwriter. </p> <figure class="mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Boracorba.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/c/c0/Boracorba.jpg/200px-Boracorba.jpg" decoding="async" width="200" height="300" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/c0/Boracorba.jpg/300px-Boracorba.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/c0/Boracorba.jpg/400px-Boracorba.jpg 2x" data-file-width="682" data-file-height="1024" /></a><figcaption><a href="/wiki/Riblja_%C4%8Corba" title="Riblja Čorba">Riblja Čorba</a> frontman <a href="/wiki/Bora_%C4%90or%C4%91evi%C4%87" title="Bora Đorđević">Bora Đorđević</a> performing in 2009</figcaption></figure> <p>The hard rock band <a href="/wiki/Riblja_%C4%8Corba" title="Riblja Čorba">Riblja Čorba</a>, formed in 1978, achieved huge success with their debut single "<a href="/wiki/Lutka_sa_naslovne_strane" title="Lutka sa naslovne strane">Lutka sa naslovne strane</a>" (1978) and their debut album <i><a href="/wiki/Kost_u_grlu" title="Kost u grlu">Kost u grlu</a></i> (1979). Their following albums, <i><a href="/wiki/Pokvarena_ma%C5%A1ta_i_prljave_strasti" title="Pokvarena mašta i prljave strasti">Pokvarena mašta i prljave strasti</a></i> and <i><a href="/wiki/Mrtva_priroda" title="Mrtva priroda">Mrtva priroda</a></i>, both released in 1981, launched them to the top of the Serbian and former Yugoslav rock scene despite their <a href="/wiki/Hard_rock" title="Hard rock">hard rock</a> sound with <a href="/wiki/Blues" title="Blues">blues</a> and <a href="/wiki/Heavy_metal_music" title="Heavy metal music">heavy metal</a><sup id="cite_ref-autogenerated1_14-0" class="reference"><a href="#cite_note-autogenerated1-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup> elements, and thanks to their provocative social- and, since the release of <i>Mrtva priroda</i>, political-related lyrics written by the band leader <a href="/wiki/Bora_%C4%90or%C4%91evi%C4%87" title="Bora Đorđević">Bora Đorđević</a>. After the album <i><a href="/wiki/Istina" title="Istina">Istina</a></i> (1985) the band, although still generally fitting into hard rock, started gradually turning towards softer sound, managing to sustain their popularity throughout the decade. However, in the 1990s, Riblja Čorba's popularity heavily declined in <a href="/wiki/Croatia" title="Croatia">Croatia</a> and <a href="/wiki/Bosnia_and_Herzegovina" title="Bosnia and Herzegovina">Bosnia and Herzegovina</a> during the <a href="/wiki/Yugoslav_wars" class="mw-redirect" title="Yugoslav wars">Yugoslav wars</a>, when Ðorđević became an active supporter of the Serbian troops in <a href="/wiki/Republika_Srpska" title="Republika Srpska">Republika Srpska</a> and <a href="/wiki/Republika_Srpska_Krajina" class="mw-redirect" title="Republika Srpska Krajina">Republika Srpska Krajina</a>, which he demonstrated by recording controversial songs "E moj druže zagrebački" (which was recorded as a response to <a href="/wiki/Jura_Stubli%C4%87" title="Jura Stublić">Jura Stublić</a>'s song "E moj druže beogradski") and "Ljetovanje" with the band <a href="/w/index.php?title=Mindu%C5%A1ari&action=edit&redlink=1" class="new" title="Mindušari (page does not exist)">Mindušari</a> from <a href="/wiki/Knin" title="Knin">Knin</a>. However, Ðorđević was also strongly opposed to president <a href="/wiki/Slobodan_Milo%C5%A1evi%C4%87" title="Slobodan Milošević">Slobodan Milošević</a> and he demonstrated his attitude by writing a number of anti-government songs released on Riblja Čorba albums <i><a href="/wiki/Zbogom,_Srbijo" title="Zbogom, Srbijo">Zbogom, Srbijo</a></i> (1993), <i><a href="/wiki/Ostalo_je_%C4%87utanje" title="Ostalo je ćutanje">Ostalo je ćutanje</a></i> (1996) and <i><a href="/wiki/Nojeva_barka" title="Nojeva barka">Nojeva barka</a></i> (1999), and on his solo album <i><a href="/wiki/Njihovi_dani" title="Njihovi dani">Njihovi dani</a></i> (1996). </p><p>The end of the 1970s and the beginning of the 1980s featured the appearance of three popular solo singers: <a href="/wiki/Sla%C4%91ana_Milo%C5%A1evi%C4%87" title="Slađana Milošević">Slađana Milošević</a>, <a href="/wiki/Bebi_Dol" title="Bebi Dol">Bebi Dol</a> and <a href="/wiki/Oliver_Mandi%C4%87" title="Oliver Mandić">Oliver Mandić</a>. Aleksandra "Slađana" Milošević released her debut single "Au, au" in 1977. The single saw huge success and was followed by a successful album <span title="Serbian-language text"><i lang="sr">Gorim od želje da ubijem noć</i></span> (1979). In 1984, she recorded a highly popular ballad "Princeza" with <a href="/wiki/Dado_Topi%C4%87" title="Dado Topić">Dado Topić</a>. During the 1990s and 2000s, she experimented with various musical genres and her popularity heavily declined. Bebi Dol and Oliver Mandić both used simple <a href="/wiki/Pop_rock" title="Pop rock">pop rock</a> forms combined with <a href="/wiki/Jazz" title="Jazz">jazz</a>, <a href="/wiki/Synthpop" class="mw-redirect" title="Synthpop">synthpop</a> and <a href="/wiki/Folk_music" title="Folk music">folk music</a>. Bebi Dol, born Dragana Šarić, with her debut single "Mustafa" (1981) quickly gained the public's attention. Her debut album <i>Ruže i krv</i> (1983) gained positive reviews and good commercial reception. Having high ranks at the <a href="/w/index.php?title=MESAM&action=edit&redlink=1" class="new" title="MESAM (page does not exist)">MESAM</a> and <a href="/wiki/Jugovizija" title="Jugovizija">Jugovizija</a> festivals, she was, with the song "<a href="/wiki/Brazil_(Bebi_Dol_song)" class="mw-redirect" title="Brazil (Bebi Dol song)">Brazil</a>", the last representative of the Socialist Federative Republic of Yugoslavia at the <a href="/wiki/Eurovision_Song_Contest" title="Eurovision Song Contest">Eurovision Song Contest</a>. Having released her second album <i>Ritam srca</i> (1995), her popularity declined and she withdrew from performing in the late 1990s, returning in the early 2000s. Oliver Mandić, though active in the 1970s as a member of various progressive rock bands, it was his debut album <i>Probaj me</i> (1980) that brought him the nationwide popularity. With hits appearing on his albums <i>Zbog tebe bih tucao kamen</i> (1982) and <i>Dođe mi da vrisnem tvoje ime</i> (1985), controversial stage performance and clothing style, Mandić achieved large attention and high record sales. In the early 1990s he semi-retired, appearing occasionally only until today. </p><p>After the decline of the <a href="/wiki/New_wave_music" title="New wave music">new wave</a> scene in Serbia, part of the bands moved towards more commercial rock and pop rock sound. <a href="/wiki/Elektri%C4%8Dni_Orgazam" title="Električni Orgazam">Električni Orgazam</a>, after releasing <i><a href="/wiki/Kako_bubanj_ka%C5%BEe" class="mw-redirect" title="Kako bubanj kaže">Kako bubanj kaže</a></i> in 1984, released their commercially most successful albums, <i><a href="/wiki/Distorzija" title="Distorzija">Distorzija</a></i> (1986) and <i><a href="/wiki/Letim,_sanjam,_di%C5%A1em" title="Letim, sanjam, dišem">Letim, sanjam, dišem</a></i> (1988), the latter featuring the anthem hit-song "Igra rock 'n' roll cela Jugoslavija". Električni Orgazam continued with the same musical directions in the 1990s with <i><a href="/wiki/Za%C5%A1to_da_ne!" title="Zašto da ne!">Zašto da ne!</a></i> (1994) and <i><a href="/wiki/A_um_bum" title="A um bum">A um bum</a></i> (1999). In 2007, Električni Orgazam performed as an opening act for <a href="/wiki/The_Rolling_Stones" title="The Rolling Stones">The Rolling Stones</a>, on the concert held at the Belgrade <a href="/wiki/U%C5%A1%C4%87e_(Belgrade)" class="mw-redirect" title="Ušće (Belgrade)">Ušće park</a>.<sup id="cite_ref-15" class="reference"><a href="#cite_note-15"><span class="cite-bracket">[</span>15<span class="cite-bracket">]</span></a></sup> <a href="/wiki/Idoli" title="Idoli">Idoli</a>, after releasing their debut <i><a href="/wiki/Odbrana_i_poslednji_dani" title="Odbrana i poslednji dani">Odbrana i poslednji dani</a></i> (1982), recorded their second studio album, <i><a href="/wiki/%C4%8Cokolada_(album)" class="mw-redirect" title="Čokolada (album)">Čokolada</a></i> (1983), which featured a combination of pop rock, <a href="/wiki/Funk" title="Funk">funk</a> and <a href="/wiki/Electronic_music" title="Electronic music">electronic music</a>. The album turned out to be the greatest commercial success by the band. Having recorded the <i><a href="/wiki/%C5%A0est_dana_juna_(album)" title="Šest dana juna (album)">Šest dana juna</a></i> soundtrack (1985) in the 1960s pop rock manner, the band split up and <a href="/wiki/Vlada_Divljan" title="Vlada Divljan">Vlada Divljan</a> released his debut album <i>Tajni život A. P. Šandorova</i> (1988), stylistically similar to the previous Idoli releases. The band <a href="/wiki/Zana_(band)" title="Zana (band)">Zana</a>, fronted by vocalist <a href="/wiki/Zana_Nimani" title="Zana Nimani">Zana Nimani</a>, after their early new wave works moved towards synthpop and pop rock, releasing successful albums <i>Dodirni mi kolena</i> (1982) and <i>Natrag na voz</i> (1983). After the departure of frontress Zana Nimani in 1984, the band changed several vocalists, gradually moving away from the rock scene towards pop music. The reformed <a href="/wiki/Piloti_(band)" title="Piloti (band)">Piloti</a> released the highly successful album <i>Kao ptica na mom dlanu</i> in 1987. With the following albums, <i>Osmeh letnje noći</i> (1988) and <i>Neka te bog čuva za mene</i> (1990), the band maintained their popularity, which even increased in the 1990s with the <i>Zaboravljeni</i> soundtrack album (1993). However, the band disbanded in 1997 and, in the meantime, Piloti frontman <a href="/wiki/Kiki_Lesendri%C4%87" title="Kiki Lesendrić">Zoran "Kiki" Lesendrić</a> released the album <i><a href="/wiki/Nedelja_na_Duhove" class="mw-redirect" title="Nedelja na Duhove">Nedelja na Duhove</a></i> (1995) with former Idoli members <a href="/wiki/Sr%C4%91an_%C5%A0aper" title="Srđan Šaper">Srđan Šaper</a> and <a href="/wiki/Neboj%C5%A1a_Krsti%C4%87" title="Nebojša Krstić">Nebojša Krstić</a> under the name <a href="/wiki/Dobrovoljno_Peva%C4%8Dko_Dru%C5%A1tvo" title="Dobrovoljno Pevačko Društvo">Dobrovoljno Pevačko Društvo</a>. During the late 1990s and 2000s Lesendrić worked as a songwriter before releasing his first, very successful solo album <i>Mesec na vratima</i> in 2008, after which he reformed Piloti. Other new wave acts that made a shift towards more commercial sound after the decline of the scene include <a href="/wiki/Bezobrazno_Zeleno" title="Bezobrazno Zeleno">Bezobrazno Zeleno</a> (which moved towards pop rock), <a href="/wiki/U_%C5%A0kripcu" title="U Škripcu">U Škripcu</a> (which moved towards <a href="/wiki/Synthpop" class="mw-redirect" title="Synthpop">synthpop</a> and pop rock) and <a href="/wiki/Laki_Pingvini" title="Laki Pingvini">Laki Pingvini</a> (which moved towards synthpop and <a href="/wiki/New_Romantic" title="New Romantic">New Romantic</a>). </p> <figure class="mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Bajagaiinstruktori09.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/f/f2/Bajagaiinstruktori09.jpg/200px-Bajagaiinstruktori09.jpg" decoding="async" width="200" height="156" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/f/f2/Bajagaiinstruktori09.jpg/300px-Bajagaiinstruktori09.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/f/f2/Bajagaiinstruktori09.jpg/400px-Bajagaiinstruktori09.jpg 2x" data-file-width="981" data-file-height="763" /></a><figcaption><a href="/wiki/Bajaga_i_Instruktori" title="Bajaga i Instruktori">Bajaga i Instruktori</a> performing in 2009</figcaption></figure> <p>The pop rock band <a href="/wiki/Bajaga_i_Instruktori" title="Bajaga i Instruktori">Bajaga i Instruktori</a>, formed in 1984 by former Riblja Čorba member <a href="/wiki/Mom%C4%8Dilo_Bajagi%C4%87" class="mw-redirect" title="Momčilo Bajagić">Momčilo Bajagić</a> "Bajaga", after releasing their debut, highly successful solo album <i><a href="/wiki/Pozitivna_geografija" title="Pozitivna geografija">Pozitivna geografija</a></i> in 1983 (originally released as Bajagić's solo album, but, as it featured musicians which would later become members of Bajaga i Instruktori, included in the band's official discography), started releasing successful albums <i><a href="/wiki/Sa_druge_strane_jastuka" title="Sa druge strane jastuka">Sa druge strane jastuka</a></i> (1985) <i><a href="/wiki/Jaha%C4%8Di_magle" title="Jahači magle">Jahači magle</a></i> (1986), and <i><a href="/wiki/Prodavnica_tajni" title="Prodavnica tajni">Prodavnica tajni</a></i> (1988), all becoming mega-hits. Bajaga i Instruktori entered the 1990s as one of the most popular Serbian rock acts, managing to maintain the gained popularity through the 1990s.<sup id="cite_ref-16" class="reference"><a href="#cite_note-16"><span class="cite-bracket">[</span>16<span class="cite-bracket">]</span></a></sup> </p><p>The mid-1980s pop rock bands <a href="/wiki/Amajlija" title="Amajlija">Amajlija</a>, <a href="/wiki/Poslednja_Igra_Leptira" title="Poslednja Igra Leptira">Poslednja Igra Leptira</a>, <a href="/wiki/Divlji_An%C4%91eli" title="Divlji Anđeli">Divlji Anđeli</a>, <a href="/wiki/Slomljena_Stakla" title="Slomljena Stakla">Slomljena Stakla</a>, <a href="/wiki/Ru%C5%BE" title="Ruž">Ruž</a>, <a href="/wiki/Alisa_(Serbian_band)" title="Alisa (Serbian band)">Alisa</a>, <a href="/wiki/Banana_(band)" title="Banana (band)">Banana</a>, <a href="/wiki/Jugosloveni" title="Jugosloveni">Jugosloveni</a>, <a href="/wiki/Bel_Tempo" title="Bel Tempo">Bel Tempo</a> and <a href="/wiki/Vampiri" title="Vampiri">Vampiri</a> had a vast number of album sales, however, the majority of them disbanded before reaching the 1990s, or at the very beginning of the decade. Poslednja Igra Leptira, formed in 1980 and led by charismatic frontman <a href="/wiki/Nenad_Radulovi%C4%87" title="Nenad Radulović">Nenad Radulović</a>, also known as Neša Leptir, achieved success with their pop rock songs with humorous lyrics, but disbanded in 1989. Radulović released his solo album <i>Niko nema što piton imade</i>, which <a href="/wiki/Parody" title="Parody">parodied</a> "<a href="/wiki/Turbo-folk" title="Turbo-folk">novokomponovana muzika</a>", in 1989, before dying of <a href="/wiki/Tumor" class="mw-redirect" title="Tumor">tumor</a> in 1990. Bel Tempo, formed in 1986 by brother and sister Vlada and <a href="/wiki/Suzana_Petri%C4%8Devi%C4%87" title="Suzana Petričević">Suzana Petričević</a>, released two pop rock albums with jazz elements before disbanding in 1992. Vampiri's sound was influenced by the 1950s <a href="/wiki/Doo-wop" title="Doo-wop">doo-wop</a> and <a href="/wiki/Rockabilly" title="Rockabilly">rockabilly</a>. However, with the breakout of the <a href="/wiki/Yugoslav_Wars" title="Yugoslav Wars">Yugoslav Wars</a>, their sound seamed misplaced and the band disbanded in 1993. They reunited in 1995 and released the album <i>Plavi grad</i>, and, in 1997, <i>Monkey Food</i>, experimenting with different musical genres on the latter. However, the band disbanded once again in 1998. </p> <figure class="mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Galija_in_2016.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/6/6f/Galija_in_2016.jpg/200px-Galija_in_2016.jpg" decoding="async" width="200" height="113" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/6/6f/Galija_in_2016.jpg/300px-Galija_in_2016.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/6/6f/Galija_in_2016.jpg/400px-Galija_in_2016.jpg 2x" data-file-width="3264" data-file-height="1836" /></a><figcaption><a href="/wiki/Galija" title="Galija">Galija</a> performing in 2016</figcaption></figure> <p>Popular rock acts of the late 1980s and the 1990s were <a href="/wiki/Galija" title="Galija">Galija</a>, <a href="/wiki/Partibrejkers" title="Partibrejkers">Partibrejkers</a> and <a href="/wiki/Dejan_Cuki%C4%87" title="Dejan Cukić">Dejan Cukić</a>. Galija, despite being formed in the late 1970s and initially performing progressive rock, reached the peak of popularity in the late 1980s and early 1990s with the album trilogy consisting of <i><a href="/wiki/Daleko_je_Sunce" title="Daleko je Sunce">Daleko je Sunce</a></i> (1988), <i><a href="/wiki/Korak_do_slobode" title="Korak do slobode">Korak do slobode</a></i> (1989), and <i><a href="/wiki/Istorija,_ti_i_ja" title="Istorija, ti i ja">Istorija, ti i ja</a></i> (1991), entering the 1990s as one of the most popular Serbian rock bands. In the 1990s, Galija promoted the <a href="/wiki/Socialist_Party_of_Serbia" title="Socialist Party of Serbia">Socialist Party of Serbia</a>, which had provoked a part of the critics and fans to proclaim Galija a "state band".<sup id="cite_ref-17" class="reference"><a href="#cite_note-17"><span class="cite-bracket">[</span>17<span class="cite-bracket">]</span></a></sup> Nevertheless, albums <i><a href="/wiki/Karavan_(album)" title="Karavan (album)">Karavan</a></i> (1994), <i><a href="/wiki/Trinaest" title="Trinaest">Trinaest</a></i> (1996) and <i><a href="/wiki/Voleti_voleti" title="Voleti voleti">Voleti voleti</a></i> (1997) were well received by majority of the fans. The <a href="/wiki/Garage_rock" title="Garage rock">garage</a>/<a href="/wiki/Punk_rock" title="Punk rock">punk rock</a> band Partibrejkers gained large popularity with the albums <i><a href="/wiki/Partibrejkers_I" title="Partibrejkers I">Partibrejkers I</a></i> (1985), <i><a href="/wiki/Partibrejkers_II" title="Partibrejkers II">Partibrejkers II</a></i> (1988), <i><a href="/wiki/Partibrejkers_III" title="Partibrejkers III">Partibrejkers III</a></i> (1989) and <i><a href="/wiki/Kiselo_i_slatko" title="Kiselo i slatko">Kiselo i slatko</a></i> (1994). Former <a href="/wiki/Bulevar_(band)" title="Bulevar (band)">Bulevar</a> and Bajaga i Instruktori vocalist Dejan Cukić started his solo career in the late 1980s, and forming his Spori Ritam Band started releasing a series of successful albums, <i>Spori ritam</i> (1987), <i>Zajedno</i> (1989), <i>1991</i> (1991) and <i>Ja bih da pevam</i> (1996). </p> <figure class="mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Vgoghexit.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/3/35/Vgoghexit.jpg/200px-Vgoghexit.jpg" decoding="async" width="200" height="150" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/3/35/Vgoghexit.jpg/300px-Vgoghexit.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/3/35/Vgoghexit.jpg/400px-Vgoghexit.jpg 2x" data-file-width="800" data-file-height="600" /></a><figcaption><a href="/wiki/Van_Gogh_(band)" title="Van Gogh (band)">Van Gogh</a> performing in 2007</figcaption></figure> <p>Popular acts of the 1990s include <a href="/wiki/Del_Arno_Band" title="Del Arno Band">Del Arno Band</a>, <a href="/wiki/Van_Gogh_(band)" title="Van Gogh (band)">Van Gogh</a>, <a href="/wiki/Babe_(Serbian_band)" title="Babe (Serbian band)">Babe</a>, <a href="/wiki/Prljavi_Inspektor_Bla%C5%BEa_i_Kljunovi" title="Prljavi Inspektor Blaža i Kljunovi">Prljavi Inspektor Blaža i Kljunovi</a>, <a href="/wiki/Familija" title="Familija">Familija</a>, and the Belgrade fraction of the band <a href="/wiki/Zabranjeno_Pu%C5%A1enje" title="Zabranjeno Pušenje">Zabranjeno Pušenje</a>. Pioneers of Serbian and former Yugoslav <a href="/wiki/Reggae" title="Reggae">reggae</a> scenes,<sup id="cite_ref-Vremevode_18-0" class="reference"><a href="#cite_note-Vremevode-18"><span class="cite-bracket">[</span>18<span class="cite-bracket">]</span></a></sup> Del Arno Band, formed in 1986, were always closely associated with the rock scene. Although they released only three full-length studio albums during twenty-five years of career, Del Arno Band managed to remain on top of Serbian reggae scene.<sup id="cite_ref-Vremevode_18-1" class="reference"><a href="#cite_note-Vremevode-18"><span class="cite-bracket">[</span>18<span class="cite-bracket">]</span></a></sup> The band Van Gogh started their career with the release of their <a href="/wiki/Van_Gogh_(Van_Gogh_album)" title="Van Gogh (Van Gogh album)">debut self-titled album</a> in 1986, but disbanded a year later. The band reunited in 1990, and throughout the 1990s released the albums <i><a href="/wiki/Svet_je_moj" title="Svet je moj">Svet je moj</a></i> (1990), <i><a href="/wiki/Strast" title="Strast">Strast</a></i> (1993), <i><a href="/wiki/Hodi_(album)" title="Hodi (album)">Hodi</a></i> (1996) and <i><a href="/wiki/Opasan_ples" title="Opasan ples">Opasan ples</a></i> (1999), which made them one of the most popular acts on the Serbian rock scene. Babe, starting in 1992 as a side project of Bajaga i Instruktori member <a href="/wiki/%C5%BDika_Milenkovi%C4%87" class="mw-redirect" title="Žika Milenković">Žika Milenković</a>, Električni Orgazam member <a href="/w/index.php?title=Goran_%C4%8Cavajda&action=edit&redlink=1" class="new" title="Goran Čavajda (page does not exist)">Goran Čavajda</a> and Riblja Čorba member <a href="/wiki/Zoran_Ili%C4%87" title="Zoran Ilić">Zoran Ilić</a>, with the release of their debut album <span title="Serbian-language text"><i lang="sr">Slike iz života jednog idota</i></span> (1993) gained popularity with their humorous songs. After the departure of Čavajda, having released <i>Slike sna i jave (Samo za buntovnike)</i> (1999), Babe ended their activity. Another popular <a href="/wiki/Comedy_rock" title="Comedy rock">comedy rock</a> band, <a href="/wiki/Prljavi_Inspektor_Bla%C5%BEa_i_Kljunovi" title="Prljavi Inspektor Blaža i Kljunovi">Prljavi Inspektor Blaža i Kljunovi</a>, formed by charismatic frontman <a href="/wiki/Igor_Bla%C5%BEevi%C4%87" class="mw-redirect" title="Igor Blažević">Igor Blažević</a> in 1993, quickly gained mainstream popularity with lyrics inspired by musical, film and sport stars. The band <a href="/wiki/Familija" title="Familija">Familija</a> was formed in 1994 by former Vampiri, U Škripcu and Košava members, and saw large popularity with their albums <i><a href="/wiki/Narodno_pozori%C5%A1te" title="Narodno pozorište">Narodno pozorište</a></i> (1994) and <i><a href="/wiki/Selja%C4%8Dka_buna" title="Seljačka buna">Seljačka buna</a></i> (1997), which featured <a href="/wiki/Ska" title="Ska">ska</a>/pop rock songs with humorous lyrics. With the outbreak of the <a href="/wiki/Bosnian_War" title="Bosnian War">Bosnian War</a> the band Zabranjeno Pušenje from <a href="/wiki/Sarajevo" title="Sarajevo">Sarajevo</a> split into two factions, both named Zabranjeno Pušenje: the <a href="/wiki/Sarajevo" title="Sarajevo">Sarajevo</a> fraction, led by the original Zabranjeno Pušenje guitarist <a href="/wiki/Sejo_Sexon" title="Sejo Sexon">Sejo Sexon</a>, and the Belgrade faction, led by the original Zabranjeno Pušenje vocalist <a href="/wiki/Nele_Karajli%C4%87" title="Nele Karajlić">Nele Karajlić</a>. The Belgrade faction released the album <i>Ja nisam odavle</i> in 1997, and, after recording the soundtrack for the film <i><a href="/wiki/Black_Cat,_White_Cat" title="Black Cat, White Cat">Black Cat, White Cat</a></i> by the director <a href="/wiki/Emir_Kusturica" title="Emir Kusturica">Emir Kusturica</a>, moved towards <a href="/wiki/World_music" title="World music">world music</a>, starting to perform with Kusturica under the name to The No Smoking Orchestra. The band saw large popularity outside Serbia, however, their new sound is better accepted abroad than in their home country.<sup id="cite_ref-19" class="reference"><a href="#cite_note-19"><span class="cite-bracket">[</span>19<span class="cite-bracket">]</span></a></sup> </p> <figure class="mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Nevernebebe.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/b/b7/Nevernebebe.jpg/200px-Nevernebebe.jpg" decoding="async" width="200" height="150" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/b/b7/Nevernebebe.jpg/300px-Nevernebebe.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/b/b7/Nevernebebe.jpg/400px-Nevernebebe.jpg 2x" data-file-width="800" data-file-height="600" /></a><figcaption><a href="/wiki/Neverne_Bebe" title="Neverne Bebe">Neverne Bebe</a> in 2007</figcaption></figure> <p>The 2000s featured popular bands <a href="/wiki/Negative_(Serbian_band)" title="Negative (Serbian band)">Negative</a>, <a href="/wiki/Neverne_Bebe" title="Neverne Bebe">Neverne Bebe</a> and <a href="/wiki/Night_Shift_(band)" title="Night Shift (band)">Night Shift</a>. The power pop band Negative, featuring the former <a href="/wiki/Tap_011" title="Tap 011">Tap 011</a> vocalist <a href="/wiki/Ivana_Peters" title="Ivana Peters">Ivana Peters</a>, formed in 1999, released several successful albums and had successful appearances on several musical festivals. <a href="/wiki/Neverne_Bebe" title="Neverne Bebe">Neverne Bebe</a>, formed in 1993 by the keyboard player <a href="/w/index.php?title=Milan_%C4%90ur%C4%91evi%C4%87_(musician)&action=edit&redlink=1" class="new" title="Milan Đurđević (musician) (page does not exist)">Milan Đurđević</a>, having released three studio albums and having several lineup changes, released highly successful album <i>Dvoje – The Best Of</i>, featuring two female vocalists and featuring rerecorded versions of the band's old songs, after which they became one of the top mainstream acts of the Serbian scene. The <a href="/wiki/Post-grunge" title="Post-grunge">post-grunge</a>/hard rock band <a href="/wiki/Night_Shift_(band)" title="Night Shift (band)">Night Shift</a>, although formed in 1991, released their debut, successful <a href="/wiki/Cover_album" class="mw-redirect" title="Cover album">cover album</a> <i><a href="/wiki/Undercovers_(Night_Shift_album)" title="Undercovers (Night Shift album)">Undercovers</a></i> in 2002. In 2009 the band released <i><a href="/wiki/Bez_zaklona" title="Bez zaklona">Bez zaklona</a></i> which featured their own songs. Beside the mentioned bands, the veterans of the Serbian rock scene, <a href="/wiki/YU_Grupa" title="YU Grupa">YU Grupa</a>, with their comeback <i><a href="/wiki/Dugo_znamo_se" title="Dugo znamo se">Dugo znamo se</a></i> (2005), <a href="/wiki/%C4%90or%C4%91e_Bala%C5%A1evi%C4%87" title="Đorđe Balašević">Đorđe Balašević</a>, with the albums <i><a href="/wiki/Dnevnik_starog_momka" title="Dnevnik starog momka">Dnevnik starog momka</a></i> (2001) and <i><a href="/wiki/Rani_mraz_(album)" title="Rani mraz (album)">Rani mraz</a></i> (2004), <a href="/wiki/Riblja_%C4%8Corba" title="Riblja Čorba">Riblja Čorba</a>, with <i><a href="/wiki/Pi%C5%A1anje_uz_vetar" title="Pišanje uz vetar">Pišanje uz vetar</a></i> (2001), <i><a href="/wiki/Ovde" title="Ovde">Ovde</a></i> (2003), <i><a href="/wiki/Trilogija" title="Trilogija">Trilogija</a></i> (2007) and <i><a href="/wiki/Minut_sa_njom" title="Minut sa njom">Minut sa njom</a></i> (2009), <a href="/wiki/Bajaga_i_Instruktori" title="Bajaga i Instruktori">Bajaga i Instruktori</a>, with <i><a href="/wiki/Zmaj_od_No%C4%87aja_(album)" title="Zmaj od Noćaja (album)">Zmaj od Noćaja</a></i> (2001), <i><a href="/wiki/%C5%A0ou_po%C4%8Dinje_u_pono%C4%87" title="Šou počinje u ponoć">Šou počinje u ponoć</a></i> (2005) and <i><a href="/wiki/Daljina,_dim_i_pra%C5%A1ina" title="Daljina, dim i prašina">Daljina, dim i prašina</a></i> (2012), <a href="/wiki/Elektri%C4%8Dni_Orgazam" title="Električni Orgazam">Električni Orgazam</a> with <i><a href="/wiki/Harmonajzer" title="Harmonajzer">Harmonajzer</a></i> (2002) and <i><a href="/wiki/To_%C5%A1to_vidi%C5%A1_to_i_jeste" title="To što vidiš to i jeste">To što vidiš to i jeste</a></i> (2010), <a href="/wiki/Galija" title="Galija">Galija</a> with <i><a href="/wiki/Dobro_jutro,_to_sam_ja" title="Dobro jutro, to sam ja">Dobro jutro, to sam ja</a></i> (2005) and <i><a href="/wiki/Mesto_pored_prozora" title="Mesto pored prozora">Mesto pored prozora</a></i> (2010), <a href="/wiki/Partibrejkers" title="Partibrejkers">Partibrejkers</a>, with <i><a href="/wiki/Gramzivost_i_pohlepa" title="Gramzivost i pohlepa">Gramzivost i pohlepa</a></i> (2002) and <i><a href="/wiki/Sloboda_ili_ni%C5%A1ta" title="Sloboda ili ništa">Sloboda ili ništa</a></i> (2007), and <a href="/wiki/Van_Gogh_(band)" title="Van Gogh (band)">Van Gogh</a>, with <i><a href="/wiki/DrUnder_(Van_Gogh)" class="mw-redirect" title="DrUnder (Van Gogh)">DrUnder</a></i> (2002), <i><a href="/wiki/Kolo_(Van_Gogh)" class="mw-redirect" title="Kolo (Van Gogh)">Kolo</a></i> (2006) and <i><a href="/wiki/Lavirint_(Van_Gogh)" class="mw-redirect" title="Lavirint (Van Gogh)">Lavirint</a></i> (2009), maintained their popularity throughout the 2000s and early 2010s. </p> <div class="mw-heading mw-heading3"><h3 id="Acoustic_rock_(late_1960_–_mid-1970s,_early_1990s_–_present)"><span id="Acoustic_rock_.28late_1960_.E2.80.93_mid-1970s.2C_early_1990s_.E2.80.93_present.29"></span>Acoustic rock (late 1960 – mid-1970s, early 1990s – present)</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Rock_music_in_Serbia&action=edit&section=4" title="Edit section: Acoustic rock (late 1960 – mid-1970s, early 1990s – present)"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>The Serbian acoustic scene emerged in the late 1960s with the appearance of the <a href="/wiki/Hippie_subculture" class="mw-redirect" title="Hippie subculture">hippie subculture</a> in Serbia, but reached its peak in the early 1970s with the bands <a href="/wiki/Porodi%C4%8Dna_Manufaktura_Crnog_Hleba" title="Porodična Manufaktura Crnog Hleba">Porodična Manufaktura Crnog Hleba</a>, <a href="/wiki/Vlada_i_Bajka" title="Vlada i Bajka">Vlada i Bajka</a>, <a href="/wiki/Lutaju%C4%87a_Srca" title="Lutajuća Srca">Lutajuća Srca</a>, <a href="/wiki/S_Vremena_Na_Vreme" title="S Vremena Na Vreme">S Vremena Na Vreme</a>, <a href="/wiki/DAG_(former_Yugoslav_band)" class="mw-redirect" title="DAG (former Yugoslav band)">DAG</a>, and <a href="/wiki/Suncokret" title="Suncokret">Suncokret</a>, most of them being a part of the <a href="/wiki/Belgrade" title="Belgrade">Belgrade</a> acoustic rock scene, naming themselves "akustičari" ("acousticans").<sup id="cite_ref-Svremenaši,_belgradebeerfest.com_20-0" class="reference"><a href="#cite_note-Svremenaši,_belgradebeerfest.com-20"><span class="cite-bracket">[</span>20<span class="cite-bracket">]</span></a></sup> </p><p>The pioneers of the Serbian acoustic rock scene were the bands Porodična Manufaktura Crnog Hleba, Vlada i Bajka and S Vremena Na Vreme. Porodična Manufaktura Crnog Hleba, which was also a theatre group, formed by Maja de Rado and <a href="/wiki/Jugoslav_Vlahovi%C4%87" title="Jugoslav Vlahović">Jugoslav Vlahović</a> in 1968, released their only album <i>Stvaranje</i> in 1974, and disbanded in 1975. The duo Vlada i Bajka saw success with their early recordings, but disbanded in 1975. In 1993, the duo reunited, and recorded their first full-length album, <i>Ja nisam ja</i> (1994), which featured the hit song "Beograd", recorded with singers <a href="/wiki/Bora_%C4%90or%C4%91evi%C4%87" title="Bora Đorđević">Bora Đorđević</a> and <a href="/wiki/Du%C5%A1an_Prelevi%C4%87" title="Dušan Prelević">Dušan Prelević</a>, and actors <a href="/wiki/Dragan_Nikoli%C4%87" title="Dragan Nikolić">Dragan Nikolić</a>, <a href="/wiki/Nikola_Kojo" title="Nikola Kojo">Nikola Kojo</a> and <a href="/wiki/Dragan_Bjelogrli%C4%87" title="Dragan Bjelogrlić">Dragan Bjelogrlić</a>. Acoustic/<a href="/wiki/Progressive_rock" title="Progressive rock">progressive rock</a> band S Vremena Na Vreme, formed in 1972, were, beside being a pioneers of the acoustic scene, one of the first former Yugoslav bands to incorporate <a href="/wiki/Traditional_music" class="mw-redirect" title="Traditional music">traditional music</a> elements into their music. The band's debut self-titled album, released in 1975, was widely praised by the critics. After releasing their third, <a href="/wiki/Electric_instrument" class="mw-redirect" title="Electric instrument">electric</a>-oriented album, <i>Paviljon G</i> in 1979, S Vremena Na Vreme disbanded. They reunited in 1993, releasing a studio and a live album, before disbanding once again in 1997. </p><p>Lutajuća Srca, formed in 1970 in <a href="/wiki/Ni%C5%A1" title="Niš">Niš</a>, released many 7-inch singles and four studio albums, and remains best known for their hits "Još malo", "Jefimija" and "Brod za sreću". DAG, formed in 1972, although a part of the Belgrade acoustic rock scene, used electric instruments on their only studio album <i>Sećanja</i> (1974). One of the last acoustic rock bands, Suncokret, appeared in 1975, featuring <a href="/wiki/Bora_%C4%90or%C4%91evi%C4%87" title="Bora Đorđević">Bora Đorđević</a> and Nenad Božić on acoustic guitars and vocals and two female vocalists, <a href="/wiki/Biljana_Krsti%C4%87" class="mw-redirect" title="Biljana Krstić">Biljana Krstić</a> and <a href="/wiki/Gorica_Popovi%C4%87" title="Gorica Popović">Gorica Popović</a>. The band started releasing <a href="/wiki/Folk_music" title="Folk music">folk music</a>-inspired singles and, in 1977, released their only album, <i>Moje bube</i>. The following year, having written the song "<a href="/wiki/Lutka_sa_naslovne_strane" title="Lutka sa naslovne strane">Lutka sa naslovne strane</a>", which the band refused to perform, Đorđević, together with Krstić, left the band, moving to <a href="/wiki/Rani_Mraz" title="Rani Mraz">Rani Mraz</a>. Suncokret continued to perform with a changed lineup, led by female vocalist <a href="/w/index.php?title=Sne%C5%BEana_Jandrli%C4%87&action=edit&redlink=1" class="new" title="Snežana Jandrlić (page does not exist)">Snežana Jandrlić</a>, until 1980 when they disbanded. Beside the mentioned bands, part of the Belgrade acoustic rock scene was the singer-songwriter <a href="/wiki/Sr%C4%91an_Marjanovi%C4%87" title="Srđan Marjanović">Srđan Marjanović</a> during the first several years of his career. </p><p>Throughout the 1980s, the acoustic scene did not exist, however, the appearance of the first <a href="/wiki/Acoustic_music" title="Acoustic music">unplugged</a> concerts in the late 1980s introduced the popularity of acoustic music in the following decade. Bora Đorđević's and <a href="/wiki/Arsen_Dedi%C4%87" title="Arsen Dedić">Arsen Dedić</a>'s 1987 unplugged performance in <a href="/wiki/Terazije_Theatre" title="Terazije Theatre">Terazije Theatre</a>, released on the official bootleg album <i><a href="/wiki/Arsen_%26_Bora_%C4%8Corba_Unplugged_%6087" class="mw-redirect" title="Arsen & Bora Čorba Unplugged `87">Arsen & Bora Čorba Unplugged `87</a></i>, was one of the first unplugged concerts in Serbia and former Yugoslavia. However, it was in the 1990s that the Serbian rock acts started performing unplugged more often. The first official unplugged live album was released by the <a href="/wiki/Britpop" title="Britpop">britpop</a> band <a href="/wiki/Eva_Braun_(band)" title="Eva Braun (band)">Eva Braun</a> in 1993, and in the following year the Music Television of Serbia organized an unplugged festival in Belgrade <a href="/wiki/Sava_Centar" title="Sava Centar">Sava Centar</a>. The recordings of Eva Braun, <a href="/wiki/Rambo_Amadeus" title="Rambo Amadeus">Rambo Amadeus</a>, <a href="/wiki/Laki_Pingvini" title="Laki Pingvini">Laki Pingvini</a>, <a href="/wiki/Babe_(Serbian_band)" title="Babe (Serbian band)">Babe</a>, <a href="/wiki/Dejan_Cuki%C4%87" title="Dejan Cukić">Dejan Cukić</a>, <a href="/w/index.php?title=Milan_Del%C4%8Di%C4%87&action=edit&redlink=1" class="new" title="Milan Delčić (page does not exist)">Milan Delčić</a>, <a href="/wiki/Du_Du_A" title="Du Du A">Du Du A</a>, <a href="/wiki/Del_Arno_Band" title="Del Arno Band">Del Arno Band</a>, <a href="/wiki/Kazna_Za_U%C5%A1i" title="Kazna Za Uši">Kazna Za Uši</a>, and others appeared on the various artists compilation <i><a href="/wiki/Bez_struje" title="Bez struje">Bez struje</a></i> in 1995.<sup id="cite_ref-21" class="reference"><a href="#cite_note-21"><span class="cite-bracket">[</span>21<span class="cite-bracket">]</span></a></sup> During the 1990s, the unplugged concerts in Serbia were mainly organized by the <a href="/wiki/Novi_Sad" title="Novi Sad">Novi Sad</a> television station NS Plus in Novi Sad Studio M. Influenced by the already popular <i><a href="/wiki/MTV_Unplugged" title="MTV Unplugged">MTV Unplugged</a></i>, <i>NS Plus Unplugged</i> concerts of Dejan Cukić, <a href="/wiki/Kerber_(band)" title="Kerber (band)">Kerber</a>, S Vremena Na Vreme, <a href="/wiki/Elektri%C4%8Dni_Orgazam" title="Električni Orgazam">Električni Orgazam</a>, <a href="/wiki/Vlada_Divljan" title="Vlada Divljan">Vlada Divljan</a> & Old Stars Band and <a href="/wiki/Garavi_Sokak" title="Garavi Sokak">Garavi Sokak</a>, all held in 1996, and <a href="/wiki/Love_Hunters" title="Love Hunters">Love Hunters</a>, held in 1998, were released on live albums throughout the late 1990s. <a href="/wiki/YU_Grupa" title="YU Grupa">YU Grupa</a> released only a part of their 1996 unplugged concert in Studio M, featuring <a href="/wiki/Kornelije_Kova%C4%8D" title="Kornelije Kovač">Kornelije Kovač</a> on piano, on their 2007 album <i><a href="/wiki/Live_(YU_Grupa_album)" title="Live (YU Grupa album)">Live</a></i>. An unplugged album was also released by <a href="/wiki/Generacija_5" title="Generacija 5">Generacija 5</a> in 2002, but their unplugged concert, held in 1995, was not a part of the <i>NS Plus Unplugged</i> series. </p><p>The 1990s also featured several notable acoustic non-live releases. The <a href="/wiki/Folk_rock" title="Folk rock">folk rock</a> band <a href="/wiki/Garavi_Sokak" title="Garavi Sokak">Garavi Sokak</a>, after the release of their 1994 acoustic-oriented album <i>Slova tvoga imena</i>, started performing on acoustic instruments only and turned towards pop sound. In 1996, the singer-songwriter <a href="/wiki/%C4%90or%C4%91e_Bala%C5%A1evi%C4%87" title="Đorđe Balašević">Đorđe Balašević</a> released acoustic folk rock-oriented album <i><a href="/wiki/Na_posletku..." class="mw-redirect" title="Na posletku...">Na posletku...</a></i>. </p><p>During the 2000s, the acoustic music featured only a few notable releases. In 2000, Dejan Cukić recorded an acoustic <a href="/wiki/Bob_Dylan" title="Bob Dylan">Bob Dylan</a> tribute <i>Divlji med</i>, featuring <a href="/wiki/Serbian_language" title="Serbian language">Serbian language</a> lyrics. In 2002, <a href="/wiki/Block_Out_(band)" title="Block Out (band)">Block Out</a> leader <a href="/w/index.php?title=Nikola_Vranjkovi%C4%87&action=edit&redlink=1" class="new" title="Nikola Vranjković (page does not exist)">Nikola Vranjković</a> released a solo album <i>Zaovdeilizaponeti</i>, featuring lyrics from his book of the same title released with the CD. In 2002, Đorđe Balašević released the album <i><a href="/wiki/Rani_mraz_(album)" title="Rani mraz (album)">Rani mraz</a></i>, stylistically similar to <i>Na posletku...</i>. In 2002, the reformed <a href="/wiki/Griva" title="Griva">Griva</a> held an unplugged concert in Studio M, the recording of which was released on the album <i>Griva & Co. — Live</i> in 2010. </p> <div class="mw-heading mw-heading3"><h3 id="Singer-songwriters_(early_1970s_–_present)"><span id="Singer-songwriters_.28early_1970s_.E2.80.93_present.29"></span>Singer-songwriters (early 1970s – present)</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Rock_music_in_Serbia&action=edit&section=5" title="Edit section: Singer-songwriters (early 1970s – present)"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Djordje_Balasevic_-_Zagreb_2010_(5332678682).jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/f/fa/Djordje_Balasevic_-_Zagreb_2010_%285332678682%29.jpg/200px-Djordje_Balasevic_-_Zagreb_2010_%285332678682%29.jpg" decoding="async" width="200" height="301" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/f/fa/Djordje_Balasevic_-_Zagreb_2010_%285332678682%29.jpg/300px-Djordje_Balasevic_-_Zagreb_2010_%285332678682%29.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/f/fa/Djordje_Balasevic_-_Zagreb_2010_%285332678682%29.jpg/400px-Djordje_Balasevic_-_Zagreb_2010_%285332678682%29.jpg 2x" data-file-width="680" data-file-height="1024" /></a><figcaption><a href="/wiki/%C4%90or%C4%91e_Bala%C5%A1evi%C4%87" title="Đorđe Balašević">Đorđe Balašević</a> performing in 2010</figcaption></figure> <p>Serbian rock scene featured several notable singer-songwriters. One of the most important authors was <a href="/wiki/%C4%90or%C4%91e_Bala%C5%A1evi%C4%87" title="Đorđe Balašević">Đorđe Balašević</a>. He started his career in the 1970s as a member of the band <a href="/w/index.php?title=%C5%BDetva&action=edit&redlink=1" class="new" title="Žetva (page does not exist)">Žetva</a> and the leader of the band <a href="/wiki/Rani_Mraz" title="Rani Mraz">Rani Mraz</a>, before starting, with the release of the album <i><a href="/wiki/Pub_(%C4%90or%C4%91e_Bala%C5%A1evi%C4%87_album)" title="Pub (Đorđe Balašević album)">Pub</a></i> (1982), a very successful solo career spanning up to the present. Despite the fact that his work in Žetva and Rani Mraz was mainly <a href="/wiki/Pop_rock" title="Pop rock">pop rock</a>-oriented, in his later career he often used elements of rock, <a href="/wiki/Chanson" title="Chanson">chanson</a> and <a href="/wiki/Folk_music" title="Folk music">folk music</a>, with some of his works, like <i><a href="/wiki/Na_posletku..." class="mw-redirect" title="Na posletku...">Na posletku...</a></i> (1996) and <i><a href="/wiki/Rani_mraz_(album)" title="Rani mraz (album)">Rani mraz</a></i> (2004) being entirely <a href="/wiki/Folk_rock" title="Folk rock">folk rock</a>-oriented. Balašević's lyrics often dealt with humorous or political- and social-related themes. </p><p>Other notable singer-songwriters are <a href="/wiki/Sr%C4%91an_Marjanovi%C4%87" title="Srđan Marjanović">Srđan Marjanović</a> and <a href="/wiki/Nikola_%C4%8Cuturilo" title="Nikola Čuturilo">Nikola Čuturilo</a>. Initially a part of the Belgrade acoustic rock scene, Srđan Marjanović released his debut album <i>Srđan Marjanović i prijatelji</i>, which he recorded with members of <a href="/wiki/YU_Grupa" title="YU Grupa">YU Grupa</a>, in 1974. During his career he released twelve studio albums. Nikola Čuturilo rose to fame as the guitarist for <a href="/wiki/Riblja_%C4%8Corba" title="Riblja Čorba">Riblja Čorba</a>. He released his first solo album, <i>9 lakih komada</i> (1988), while still a member of Riblja Čorba. He left the band in 1989, continuing his solo career which spans up to the present day. </p> <div class="mw-heading mw-heading3"><h3 id="Progressive_and_psychedelic_rock_(late_1960s_–_early_1980s)"><span id="Progressive_and_psychedelic_rock_.28late_1960s_.E2.80.93_early_1980s.29"></span>Progressive and psychedelic rock (late 1960s – early 1980s)</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Rock_music_in_Serbia&action=edit&section=6" title="Edit section: Progressive and psychedelic rock (late 1960s – early 1980s)"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p><a href="/wiki/Progressive_rock" title="Progressive rock">Progressive rock</a> dominated the Serbian rock scene throughout the 1970s, with the acts such as <a href="/wiki/Dogovor_iz_1804." title="Dogovor iz 1804.">Dogovor iz 1804.</a>, <a href="/wiki/Korni_Grupa" title="Korni Grupa">Korni Grupa</a>, <a href="/wiki/YU_Grupa" title="YU Grupa">YU Grupa</a>, <a href="/wiki/Smak" title="Smak">Smak</a>, <a href="/wiki/Pop_Ma%C5%A1ina" title="Pop Mašina">Pop Mašina</a>, <a href="/wiki/Dah_(band)" title="Dah (band)">Dah</a>, <a href="/wiki/S_Vremena_Na_Vreme" title="S Vremena Na Vreme">S Vremena Na Vreme</a>, <a href="/wiki/Opus_(Yugoslav_band)" title="Opus (Yugoslav band)">Opus</a>, <a href="/wiki/Tako_(band)" title="Tako (band)">Tako</a>, and <a href="/wiki/Igra_Staklenih_Perli" title="Igra Staklenih Perli">Igra Staklenih Perli</a> being the most notable representatives.<sup id="cite_ref-prog-sphere.com_22-0" class="reference"><a href="#cite_note-prog-sphere.com-22"><span class="cite-bracket">[</span>22<span class="cite-bracket">]</span></a></sup> With the emergence of the <a href="/wiki/New_wave_music_in_Yugoslavia" title="New wave music in Yugoslavia">new wave scene</a> at the beginning of the 1980s, Serbian progressive rock bands saw the decline of popularity and most of them ceased to exist. </p><p><a href="/wiki/Dogovor_iz_1804." title="Dogovor iz 1804.">Dogovor iz 1804.</a> was short-lived, but played a pioneering role on a Yugoslav progressive rock scene as one of the first bands to move away from the 1960s <a href="/wiki/Rhythm_and_blues" title="Rhythm and blues">rhythm and blues</a> sound. They were followed by <a href="/wiki/Korni_Grupa" title="Korni Grupa">Korni Grupa</a>. Formed in 1968 by <a href="/wiki/Kornelije_Kova%C4%8D" title="Kornelije Kovač">Kornelije Kovač</a>, the band had gone through many lineup changes and featured many famous musicians, including vocalists <a href="/wiki/Du%C5%A1an_Prelevi%C4%87" title="Dušan Prelević">Dušan Prelević</a>, <a href="/wiki/Dalibor_Brun" title="Dalibor Brun">Dalibor Brun</a>, <a href="/wiki/Dado_Topi%C4%87" title="Dado Topić">Dado Topić</a>, <a href="/wiki/Zdravko_%C4%8Coli%C4%87" title="Zdravko Čolić">Zdravko Čolić</a> and <a href="/wiki/Zlatko_Pejakovi%C4%87" title="Zlatko Pejaković">Zlatko Pejaković</a>. The band gained mainstream popularity with their simple pop-oriented songs, but moved towards progressive rock after they were joined by singer Dado Topić. Nevertheless, the band continued to record pop-oriented songs and represented Yugoslavia at the <a href="/wiki/1974_Eurovision_Song_Contest" class="mw-redirect" title="1974 Eurovision Song Contest">1974 Eurovision Song Contest</a> with the song "<a href="/wiki/Moja_generacija" class="mw-redirect" title="Moja generacija">Moja generacija</a>". In 1973, the band, under the name Kornelyans, released the <a href="/wiki/Symphonic_rock" class="mw-redirect" title="Symphonic rock">symphonic rock</a>-oriented English language album <i>Not An Ordinary Life</i>. Korni Grupa disbanded shortly after, but reunited in 1987 to perform at the Legende YU Rocka (<i>Legends of YU Rock</i>) concerts. </p> <figure class="mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:YU_Grupa_performing_live_at_Nisomnia_music_festival_in_2007.JPG" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/7/7d/YU_Grupa_performing_live_at_Nisomnia_music_festival_in_2007.JPG/200px-YU_Grupa_performing_live_at_Nisomnia_music_festival_in_2007.JPG" decoding="async" width="200" height="150" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/7/7d/YU_Grupa_performing_live_at_Nisomnia_music_festival_in_2007.JPG/300px-YU_Grupa_performing_live_at_Nisomnia_music_festival_in_2007.JPG 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/7/7d/YU_Grupa_performing_live_at_Nisomnia_music_festival_in_2007.JPG/400px-YU_Grupa_performing_live_at_Nisomnia_music_festival_in_2007.JPG 2x" data-file-width="1600" data-file-height="1200" /></a><figcaption><a href="/wiki/YU_Grupa" title="YU Grupa">YU Grupa</a> performing in 2007</figcaption></figure> <p><a href="/wiki/YU_Grupa" title="YU Grupa">YU Grupa</a>, formed in 1970 by former <a href="/wiki/D%C5%BEentlmeni" title="Džentlmeni">Džentlmeni</a> members, brothers <a href="/wiki/Dragi_Jeli%C4%87" title="Dragi Jelić">Dragi</a> and <a href="/wiki/%C5%BDika_Jeli%C4%87" title="Žika Jelić">Žika Jelić</a>, were one of the pioneers in incorporating elements of <a href="/wiki/Music_of_Southeastern_Europe" class="mw-redirect" title="Music of Southeastern Europe">traditional music of the Balkans</a> into rock,<sup id="cite_ref-23" class="reference"><a href="#cite_note-23"><span class="cite-bracket">[</span>23<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-24" class="reference"><a href="#cite_note-24"><span class="cite-bracket">[</span>24<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-25" class="reference"><a href="#cite_note-25"><span class="cite-bracket">[</span>25<span class="cite-bracket">]</span></a></sup> and achieved huge popularity with their fusion of progressive/<a href="/wiki/Hard_rock" title="Hard rock">hard rock</a> and folk found on their <a href="/w/index.php?title=7-inch_singles&action=edit&redlink=1" class="new" title="7-inch singles (page does not exist)">7-inch singles</a>. Members of YU Grupa performed as a support band for guitarists <a href="/w/index.php?title=Bata_Kosti%C4%87&action=edit&redlink=1" class="new" title="Bata Kostić (page does not exist)">Bata Kostić</a>, <a href="/w/index.php?title=Vedran_Bo%C5%BEi%C4%87&action=edit&redlink=1" class="new" title="Vedran Božić (page does not exist)">Vedran Božić</a>, <a href="/w/index.php?title=Josip_Bo%C4%8Dek&action=edit&redlink=1" class="new" title="Josip Boček (page does not exist)">Josip Boček</a> and <a href="/wiki/Goran_Bregovi%C4%87" title="Goran Bregović">Goran Bregović</a> on the <i>Kongres rock majstora</i> (<i>Congress of Rock Masters</i>) concert and album. YU Grupa disbanded in 1981, but reunited in 1987, continuing to record successful <a href="/wiki/Hard_rock" title="Hard rock">hard rock</a>-oriented releases throughout the late 1980s, 1990s and the 2000s. </p><p><a href="/wiki/Smak" title="Smak">Smak</a>, formed in 1971 by guitarist <a href="/wiki/Radomir_Mihajlovi%C4%87_To%C4%8Dak" class="mw-redirect" title="Radomir Mihajlović Točak">Radomir Mihajlović Točak</a>, often considered one of the top and most influential guitarist on the former Yugoslav rock scene, and drummer <a href="/w/index.php?title=Dejan_Stojanovi%C4%87_(musician)&action=edit&redlink=1" class="new" title="Dejan Stojanović (musician) (page does not exist)">Dejan Stojanović "Kepa"</a>, did not get a default lineup until 1975 by which time bassist <a href="/w/index.php?title=Zoran_Milanovi%C4%87_(musician)&action=edit&redlink=1" class="new" title="Zoran Milanović (musician) (page does not exist)">Zoran Milanović</a>, vocalist <a href="/w/index.php?title=Boris_Aran%C4%91elovi%C4%87&action=edit&redlink=1" class="new" title="Boris Aranđelović (page does not exist)">Boris Aranđelović</a> and keyboard player <a href="/wiki/Laza_Ristovski" title="Laza Ristovski">Laza Ristovski</a> consisted the official band membership. Smak performed <a href="/wiki/Jazz" title="Jazz">jazz</a>-influenced progressive rock, but also incorporated elements of folk, <a href="/wiki/Blues" title="Blues">blues</a> and hard rock into their sound. The band achieved huge popularity in the 1970s, with their releases <i><a href="/wiki/Smak_(album)" title="Smak (album)">Smak</a></i> (1975), <i><a href="/wiki/Satelit_(EP)" title="Satelit (EP)">Satelit</a></i> (1976), <i><a href="/wiki/Crna_dama" title="Crna dama">Crna dama</a></i> (1977) and <i><a href="/wiki/Stranice_na%C5%A1eg_vremena" title="Stranice našeg vremena">Stranice našeg vremena</a></i> (1978). However, the band's popularity heavily declined at the beginning of the 1980s. Smak disbanded in 1981, and reunited and disbanded several times since. </p><p><a href="/wiki/Pop_Ma%C5%A1ina" title="Pop Mašina">Pop Mašina</a>, formed in 1971, performed progressive/hard rock, but their debut album <i><a href="/wiki/Kiselina" title="Kiselina">Kiselina</a></i> (1973) also featured <a href="/wiki/Acid_rock" title="Acid rock">acid</a> and <a href="/wiki/Psychedelic_rock" title="Psychedelic rock">psychedelic rock</a> elements. The band released the first former Yugoslav live album, <i>Put ka Suncu</i> in 1976, and disbanded the following year. In 1981, the band's former members, <a href="/wiki/Robert_Neme%C4%8Dek" title="Robert Nemeček">Robert Nemeček</a> and brothers <a href="/wiki/Vidoja_Bo%C5%BEinovi%C4%87" title="Vidoja Božinović">Vidoja</a> and <a href="/w/index.php?title=Zoran_Bo%C5%BEinovi%C4%87&action=edit&redlink=1" class="new" title="Zoran Božinović (page does not exist)">Zoran Božinović</a>, formed the hard rock/<a href="/wiki/Heavy_metal_music" title="Heavy metal music">heavy metal</a> band <a href="/wiki/Rok_Ma%C5%A1ina" title="Rok Mašina">Rok Mašina</a>. </p><p><a href="/wiki/S_Vremena_Na_Vreme" title="S Vremena Na Vreme">S Vremena Na Vreme</a>, formed in 1972, were one of the pioneers of the Yugoslav <a href="/wiki/Acoustic_rock" class="mw-redirect" title="Acoustic rock">acoustic rock</a> scene, but also incorporated progressive rock elements into their music. They were also one of the first former Yugoslav rock bands to incorporate folk music elements into their songs. The band's debut self-titled album, released in 1975, was widely praised by the critics. S Vremena Na Vreme disbanded in 1981, but reunited in 1993, and disbanded once again in 1997. <a href="/wiki/Dah_(band)" title="Dah (band)">Dah</a>, formed in 1972 and led by guitarist <a href="/wiki/Zlatko_Manojlovi%C4%87" title="Zlatko Manojlović">Zlatko Manojlović</a>, also combined progressive rock with folk. In 1975, Dah moved to <a href="/wiki/Belgium" title="Belgium">Belgium</a> and started a short-lasting international career under the name Land. After returning to Yugoslavia, the band recorded the album <i>Povratak</i> (1976) and disbanded shortly after. In 1977, Manojlović formed the progressive/hard rock band <a href="/wiki/Gordi_(band)" title="Gordi (band)">Gordi</a>, which made a shift towards heavy metal in the 1980s. </p><p>The band <a href="/wiki/Opus_(Yugoslav_band)" title="Opus (Yugoslav band)">Opus</a> was formed in 1973 by former YU Grupa organist Miodrag Okrugić. The band disbanded after releasing only one symphonic rock-oriented album, <i>Opus 1</i> (1975), with <a href="/wiki/Du%C5%A1an_Prelevi%C4%87" title="Dušan Prelević">Dušan Prelević</a> on vocals.<sup id="cite_ref-prog-sphere.com_22-1" class="reference"><a href="#cite_note-prog-sphere.com-22"><span class="cite-bracket">[</span>22<span class="cite-bracket">]</span></a></sup> Another symphonic rock-oriented act was the band <a href="/wiki/Tako_(band)" title="Tako (band)">Tako</a>, formed in 1974, which performed a fusion of symphonic and <a href="/wiki/Jazz_rock" class="mw-redirect" title="Jazz rock">jazz rock</a>.<sup id="cite_ref-prog-sphere.com_22-2" class="reference"><a href="#cite_note-prog-sphere.com-22"><span class="cite-bracket">[</span>22<span class="cite-bracket">]</span></a></sup> </p><p>Progressive/psychedelic rock band <a href="/wiki/Igra_Staklenih_Perli" title="Igra Staklenih Perli">Igra Staklenih Perli</a>, formed in 1976, was one of the pioneers of the former Yugoslav psychedelic/<a href="/wiki/Space_rock" title="Space rock">space rock</a> scene. The band released two studio albums, <i>Igra Staklenih Perli</i> (1979) and <i>Vrt svetlosti</i> (1980), before disbanding in 1985. In 2011, the band's former members Draško Nikodijević and Predrag Vuković, with a group of young musicians, formed the band Igra Staklenih Perli The Next Generation, releasing their debut album <i>Apokaliptus</i> in 2013.<sup id="cite_ref-26" class="reference"><a href="#cite_note-26"><span class="cite-bracket">[</span>26<span class="cite-bracket">]</span></a></sup> </p><p>Other notable bands that incorporated progressive rock elements into their music include <a href="/wiki/Porodi%C4%8Dna_Manufaktura_Crnog_Hleba" title="Porodična Manufaktura Crnog Hleba">Porodična Manufaktura Crnog Hleba</a>, <a href="/wiki/DAG_(former_Yugoslav_band)" class="mw-redirect" title="DAG (former Yugoslav band)">DAG</a>, <a href="/wiki/Galija" title="Galija">Galija</a> and <a href="/wiki/Neverne_Bebe" title="Neverne Bebe">Neverne Bebe</a>. Porodična Manufaktura Crnog Hleba, formed in 1968, and DAG, formed in 1972, were <a href="/wiki/Acoustic_rock" class="mw-redirect" title="Acoustic rock">acoustic rock</a> bands, but, as S Vremena Na Vreme, also incorporated progressive elements into their music. Galija, formed in 1977, released their debut, progressive rock-oriented album <i><a href="/wiki/Prva_plovidba" title="Prva plovidba">Prva plovidba</a></i> in 1979. Although the band's several following releases featured similar progressive rock sound, the band started gradually turning towards mainstream rock, and reached the peak of popularity in the late 1980s and early 1990s. Neverne Bebe, formed in 1993, in the initial period of their career incorporated progressive rock elements into their music, but in the 2000s (decade) turned towards <a href="/wiki/Pop_rock" title="Pop rock">pop rock</a> sound. </p> <div class="mw-heading mw-heading3"><h3 id="Hard_rock_and_heavy_metal_(early_1970s_–_present)"><span id="Hard_rock_and_heavy_metal_.28early_1970s_.E2.80.93_present.29"></span>Hard rock and heavy metal (early 1970s – present)</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Rock_music_in_Serbia&action=edit&section=7" title="Edit section: Hard rock and heavy metal (early 1970s – present)"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Although some of the 1960s bands performed covers of songs by <a href="/wiki/Hard_rock" title="Hard rock">hard rock</a> pioneers like <a href="/wiki/Cream_(band)" title="Cream (band)">Cream</a> and <a href="/wiki/Jimi_Hendrix_Experience" class="mw-redirect" title="Jimi Hendrix Experience">Jimi Hendrix Experience</a>, hard rock gained large popularity in the early 1970s with the works of <a href="/wiki/Progressive_rock" title="Progressive rock">progressive rock</a> bands <a href="/wiki/Pop_Ma%C5%A1ina" title="Pop Mašina">Pop Mašina</a>, <a href="/wiki/YU_Grupa" title="YU Grupa">YU Grupa</a> and <a href="/wiki/Smak" title="Smak">Smak</a>. Pop Mašina, formed in 1971, was one of the first Serbian and Yugoslav bands to move away from <a href="/wiki/Rhythm_and_blues" title="Rhythm and blues">rhythm and blues</a> towards harder sound. Their sound featured <a href="/wiki/Progressive_rock" title="Progressive rock">progressive</a>, hard, <a href="/wiki/Psychedelic_rock" title="Psychedelic rock">psychedelic</a> and <a href="/wiki/Acid_rock" title="Acid rock">acid rock</a> elements. Pop Mašina disbanded in 1977. YU Grupa, formed in 1970, performed progressive/hard rock, and their songs often featured <a href="/wiki/Traditional_music" class="mw-redirect" title="Traditional music">traditional music</a> elements. The band disbanded in 1981, only to reunite in 1987. Since their comeback album, <i><a href="/wiki/Od_zlata_jabuka" title="Od zlata jabuka">Od zlata jabuka</a></i> (1987), their work has been mostly hard rock-oriented. Smak, formed in 1971, performed <a href="/wiki/Jazz" title="Jazz">jazz</a>-influenced progressive rock, but their sound often featured hard rock, <a href="/wiki/Blues" title="Blues">blues</a> and folk elements. The band moved towards more commercial hard rock at the beginning of the 1980s with the album <i><a href="/wiki/Rock_cirkus" title="Rock cirkus">Rock cirkus</a></i>, but the album saw little success and the band disbanded shortly after, having constant reunions disbandments throughout the 1980s and 1990s. </p><p>The late 1970s featured the appearance of hard rock bands <a href="/wiki/Generacija_5" title="Generacija 5">Generacija 5</a> and <a href="/wiki/Riblja_%C4%8Corba" title="Riblja Čorba">Riblja Čorba</a>, the latter one becoming one of the most notable acts of Serbian and former Yugoslav rock scene. Generacija 5, formed in 1977, managed to gain a loyal fan base with their albums <i>Generacija 5</i> (1980) and <i>Dubler</i> (1982), but disbanded in 1982. In 1985, the band's former leader, keyboardist <a href="/w/index.php?title=Dragan_Ili%C4%87&action=edit&redlink=1" class="new" title="Dragan Ilić (page does not exist)">Dragan Ilić</a> wrote the music for the song "<a href="/wiki/Za_milion_godina" class="mw-redirect" title="Za milion godina">Za milion godina</a>", which was recorded by a group of Yugoslav musicians (including former members of Generacija 5) as a contribution to <a href="/wiki/Live_Aid" title="Live Aid">Live Aid</a>. Generacija 5 reunited in 1992, but has released only two studio albums since. Their 2006 album <i>Energija</i> featured Smak frontman <a href="/w/index.php?title=Dejan_Najdanovi%C4%87&action=edit&redlink=1" class="new" title="Dejan Najdanović (page does not exist)">Dejan Najdanović</a> as guest vocalist on the entire album.<sup id="cite_ref-27" class="reference"><a href="#cite_note-27"><span class="cite-bracket">[</span>27<span class="cite-bracket">]</span></a></sup> In 1978, former <a href="/wiki/Suncokret" title="Suncokret">Suncokret</a> and <a href="/wiki/Rani_Mraz" title="Rani Mraz">Rani Mraz</a> member <a href="/wiki/Bora_%C4%90or%C4%91evi%C4%87" title="Bora Đorđević">Bora Đorđević</a> and SOS members <a href="/wiki/Mi%C5%A1a_Aleksi%C4%87" title="Miša Aleksić">Miša Aleksić</a>, <a href="/wiki/Rajko_Koji%C4%87" title="Rajko Kojić">Rajko Kojić</a> and <a href="/wiki/Vicko_Milatovi%C4%87" title="Vicko Milatović">Vicko Milatović</a> formed the hard rock band <a href="/wiki/Riblja_%C4%8Corba" title="Riblja Čorba">Riblja Čorba</a>. After the recording of their debut hit single "<a href="/wiki/Lutka_sa_naslovne_strane" title="Lutka sa naslovne strane">Lutka sa naslovne strane</a>" they were joined by guitarist <a href="/wiki/Mom%C4%8Dilo_Bajagi%C4%87" class="mw-redirect" title="Momčilo Bajagić">Momčilo Bajagić</a> (who, having left Riblja Čorba in 1984, formed the highly successful <a href="/wiki/Pop_rock" title="Pop rock">pop rock</a> band <a href="/wiki/Bajaga_i_Instruktori" title="Bajaga i Instruktori">Bajaga i Instruktori</a>). Riblja Čorba debut album <i><a href="/wiki/Kost_u_grlu" title="Kost u grlu">Kost u grlu</a></i> (1979) saw huge success, and the band became very popular in a few months period. The albums <i><a href="/wiki/Pokvarena_ma%C5%A1ta_i_prljave_strasti" title="Pokvarena mašta i prljave strasti">Pokvarena mašta i prljave strasti</a></i> (1981), <i><a href="/wiki/Mrtva_priroda" title="Mrtva priroda">Mrtva priroda</a></i> (1981) and <i><a href="/wiki/Buvlja_pijaca" title="Buvlja pijaca">Buvlja pijaca</a></i> (1982), the latter featuring softer sound than the band's first three releases, were also well received by fans and critics alike, and Ðorđević's provocative political- and social-related lyrics, caused him to become one of the most controversial musicians in Yugoslavia. The album <i><a href="/wiki/Ve%C4%8Deras_vas_zabavljaju_muzi%C4%8Dari_koji_piju" title="Večeras vas zabavljaju muzičari koji piju">Večeras vas zabavljaju muzičari koji piju</a></i> (1984) was poorly received, and after its release Kojić and Bajagić were excluded from the band. However, the band triumphed with the following album, <i><a href="/wiki/Istina" title="Istina">Istina</a></i> (1985), recorded with guitarists <a href="/wiki/Vidoja_Bo%C5%BEinovi%C4%87" title="Vidoja Božinović">Vidoja Božinović</a> and <a href="/wiki/Nikola_%C4%8Cuturilo" title="Nikola Čuturilo">Nikola Čuturilo</a>. Although more heavy metal-oriented than any of the band's previous works and often considered Riblja Čorba's <a href="/wiki/Masterpiece" title="Masterpiece">magnum opus</a>,<sup id="cite_ref-28" class="reference"><a href="#cite_note-28"><span class="cite-bracket">[</span>28<span class="cite-bracket">]</span></a></sup> <i>Istina</i> was also the album after which the band, although still generally fitting into hard rock, started turning towards softer sound. However, the band managed to sustain their popularity and remained one of the most popular acts of the Serbian rock scene until today. </p> <figure class="mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Kerber_performing_live.JPG" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/en/thumb/b/be/Kerber_performing_live.JPG/200px-Kerber_performing_live.JPG" decoding="async" width="200" height="150" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/b/be/Kerber_performing_live.JPG/300px-Kerber_performing_live.JPG 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/b/be/Kerber_performing_live.JPG/400px-Kerber_performing_live.JPG 2x" data-file-width="1024" data-file-height="768" /></a><figcaption><a href="/wiki/Kerber_(band)" title="Kerber (band)">Kerber</a> performing in 2011</figcaption></figure> <p>The beginning of the 1980s saw the appearance of first <a href="/wiki/Traditional_heavy_metal" class="mw-redirect" title="Traditional heavy metal">traditional heavy metal</a> releases, most notably by <a href="/wiki/Gordi_(band)" title="Gordi (band)">Gordi</a>, <a href="/wiki/Rok_Ma%C5%A1ina" title="Rok Mašina">Rok Mašina</a> and <a href="/wiki/Warriors_(band)" title="Warriors (band)">Ratnici</a>, and the new generation of hard rock bands, most notably <a href="/wiki/Kerber_(band)" title="Kerber (band)">Kerber</a>, <a href="/wiki/Griva" title="Griva">Griva</a> and <a href="/wiki/Balkan_(band)" title="Balkan (band)">Balkan</a>. In 1981, progressive/hard rock band Gordi, formed in 1977, released the album <i><a href="/wiki/Pakleni_trio" title="Pakleni trio">Pakleni trio</a></i> which marked their shift towards heavy metal, making Gordi one of the first Serbian and former Yugoslav traditional heavy metal bands. Although only the last two Gordi albums, <i>Pakleni trio</i> and <i><a href="/wiki/Kraljica_smrti" title="Kraljica smrti">Kraljica smrti</a></i> (1982), were heavy metal-oriented, these are generally considered the most notable Gordi releases and considered milestones on the Serbian and former Yugoslav heavy metal scenes.<sup id="cite_ref-autogenerated1_14-1" class="reference"><a href="#cite_note-autogenerated1-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-29" class="reference"><a href="#cite_note-29"><span class="cite-bracket">[</span>29<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-Teškometalni_Ikar_protiv_gravitacije_30-0" class="reference"><a href="#cite_note-Teškometalni_Ikar_protiv_gravitacije-30"><span class="cite-bracket">[</span>30<span class="cite-bracket">]</span></a></sup> During the same year, former Pop Mašina members formed the short-lasting hard rock band Rok Mašina, which disbanded in 1982, after releasing only one <a href="/wiki/Rok_Ma%C5%A1ina_(album)" title="Rok Mašina (album)">album</a>. A part of the material the band intended to release on their second studio album was released in 1983 on the <a href="/wiki/Heavy_metal_music" title="Heavy metal music">heavy metal</a>-oriented EP <i><a href="/wiki/Izrod_na_granici" title="Izrod na granici">Izrod na granici</a></i>.<sup id="cite_ref-Rok_Mašina:_Na_ponoru_svetlosti_31-0" class="reference"><a href="#cite_note-Rok_Mašina:_Na_ponoru_svetlosti-31"><span class="cite-bracket">[</span>31<span class="cite-bracket">]</span></a></sup> Hard rock band Kerber, formed in 1981, released their debut album <i><a href="/wiki/Nebo_je_malo_za_sve" title="Nebo je malo za sve">Nebo je malo za sve</a></i> in 1983, but it was their second album, <i><a href="/wiki/Ratne_igre" title="Ratne igre">Ratne igre</a></i> (1984), that launched them to fame.<sup id="cite_ref-Kerber,_Svet_se_brzo_okreće_32-0" class="reference"><a href="#cite_note-Kerber,_Svet_se_brzo_okreće-32"><span class="cite-bracket">[</span>32<span class="cite-bracket">]</span></a></sup> The band's melodic hard rock sound was well received, and their following two albums, <i><a href="/wiki/Seobe" title="Seobe">Seobe</a></i> (1986) and <i><a href="/wiki/Ljudi_i_bogovi" title="Ljudi i bogovi">Ljudi i bogovi</a></i> (1988), kept them on the top of Yugoslav hard rock scene.<sup id="cite_ref-Kerber,_Svet_se_brzo_okreće_32-1" class="reference"><a href="#cite_note-Kerber,_Svet_se_brzo_okreće-32"><span class="cite-bracket">[</span>32<span class="cite-bracket">]</span></a></sup> However, in the late 1990s, the band went on hiatus, reactivating in the late 2000s. Hard rock band <a href="/wiki/Griva" title="Griva">Griva</a>, formed in 1982, saw commercial success after the release of their third album <i><a href="/wiki/Griva_(album)" title="Griva (album)">Griva</a></i> (1987) which featured a combination of hard rock and <a href="/wiki/Glam_metal" title="Glam metal">glam metal</a> with the <a href="/wiki/Music_of_Vojvodina#Traditional_music" title="Music of Vojvodina">traditional music of Vojvodina</a>, disbanding in 1992. In 1982, Riblja Čorba drummer Vicko Milatović formed the heavy metal band <a href="/wiki/Warriors_(band)" title="Warriors (band)">Ratnici</a>, which later changed the name to Warriors and, without Milatović, moved to Canada. In 1984, they recorded <a href="/wiki/Warriors_(1984_album)" class="mw-redirect" title="Warriors (1984 album)">an album</a> for the foreign market, but disbanded in 1986. In 1982, guitarist Aleksandar "Leki" Cvetković formed the hard rock band <a href="/wiki/Balkan_(band)" title="Balkan (band)">Balkan</a>. Cvetković's social-related lyrics were heavily influenced by the lyrics of Bora Ðordevic and <a href="/wiki/Azra_(band)" title="Azra (band)">Azra</a> leader <a href="/wiki/Branimir_%C5%A0tuli%C4%87" title="Branimir Štulić">Branimir Štulić</a>. The band released four studio albums before disbanding in 1989. </p><p>The late 1980s featured the appearance of the band <a href="/wiki/Love_Hunters" title="Love Hunters">Love Hunters</a>, female singer <a href="/wiki/Viktorija_(singer)" title="Viktorija (singer)">Viktorija</a>, and the emergence of <a href="/wiki/Glam_metal" title="Glam metal">glam metal</a> scene, with the bands <a href="/wiki/Karizma_(hard_rock_band)" class="mw-redirect" title="Karizma (hard rock band)">Karizma</a> and <a href="/wiki/Osvaja%C4%8Di" title="Osvajači">Osvajači</a> being the most notable representatives. Love Hunters, formed in 1987, initially performed <a href="/wiki/Punk_blues" title="Punk blues">punk blues</a>, but later moved towards hard rock. As their songs featured English language lyrics, during the first several years of existence the band did not manage to break through to mainstream media, but achieved mainstream popularity in the 1990s. Viktorija, known for her husky voice, started her career as a member of the girl group <a href="/wiki/Aska_(group)" title="Aska (group)">Aska</a>, starting her solo career in 1988 with the album <i>Spavaćeš sam</i>. She combined <a href="/wiki/Pop_rock" title="Pop rock">pop rock</a>, hard rock and glam metal and saw huge popularity in the late 1980s and early 1990s, before she semi-retired at the end of the 1990s. The band Karizma released two albums before disbanding at the beginning of the 1990s.<sup id="cite_ref-33" class="reference"><a href="#cite_note-33"><span class="cite-bracket">[</span>33<span class="cite-bracket">]</span></a></sup> The band Osvajači released their debut glam metal-oriented album <i><a href="/wiki/Krv_i_led" title="Krv i led">Krv i led</a></i>, which they recorded with <a href="/wiki/Laza_Ristovski" title="Laza Ristovski">Laza Ristovski</a> on keyboards, in 1990, while their second album <i><a href="/wiki/Sam_(Osvaja%C4%8Di_album)" title="Sam (Osvajači album)">Sam</a></i> (1995) marked the band's slight shift towards heavier sound. Osvajači disbanded in 1997, and reunited in 1999 with the new vocalist, releasing the album <i><a href="/wiki/Vrelina" title="Vrelina">Vrelina</a></i>, but disbanding a year later.<sup id="cite_ref-34" class="reference"><a href="#cite_note-34"><span class="cite-bracket">[</span>34<span class="cite-bracket">]</span></a></sup> </p><p>The late 1980s also saw the emergence of the first <a href="/wiki/Extreme_metal" title="Extreme metal">extreme metal</a> acts, which saw little mainstream popularity in Serbia and former Yugoslavia in general during the 1980s. The <a href="/wiki/Thrash_metal" title="Thrash metal">thrash metal</a> band <a href="/wiki/Heller_(band)" title="Heller (band)">Heller</a>, formed in 1985, released arguably <a href="/wiki/Heller_(album)" title="Heller (album)">the first thrash metal album in South-Eastern Europe</a> and was one of the pioneers of Serbian and former Yugoslav extreme metal scene. Another pioneer of the former Yugoslav extreme metal scene, <a href="/wiki/Speed_metal" title="Speed metal">speed</a>/thrash metal band <a href="/wiki/Bombarder" title="Bombarder">Bombarder</a>, originally based in <a href="/wiki/Sarajevo" title="Sarajevo">Sarajevo</a>, moved to Belgrade after the beginning of the <a href="/wiki/Bosnian_War" title="Bosnian War">Bosnian War</a>, where the band continued to record and perform.<sup id="cite_ref-35" class="reference"><a href="#cite_note-35"><span class="cite-bracket">[</span>35<span class="cite-bracket">]</span></a></sup> </p><p>The 1990s featured only several notable, mostly <a href="/wiki/Crossover_thrash" title="Crossover thrash">crossover thrash</a>, metal acts: <a href="/wiki/Sick_Mother_Fakers" title="Sick Mother Fakers">Sick Mother Fakers</a>, <a href="/wiki/Dead_Ideas" title="Dead Ideas">Dead Ideas</a>, and <a href="/wiki/Svarog_(band)" title="Svarog (band)">Svarog</a>, the latter also being one of the pioneers of <a href="/wiki/Sludge_metal" title="Sludge metal">sludge</a> and <a href="/wiki/Doom_metal" title="Doom metal">doom metal</a> in Serbia. The 2000s saw the revival of the Serbian heavy metal scene and brought a variety of heavy metal genres, with most of the bands being gathered around Belgrade <a href="/wiki/Radio_Belgrade" title="Radio Belgrade">Radio 202</a>. The most notable bands of the movement were the hard rock/heavy metal band <a href="/wiki/Kraljevski_Apartman" title="Kraljevski Apartman">Kraljevski Apartman</a>, formed in 1995, and progressive/power metal band <a href="/wiki/Alogia_(band)" title="Alogia (band)">Alogia</a>, formed in 2000, both gaining a large fanbase.<sup id="cite_ref-36" class="reference"><a href="#cite_note-36"><span class="cite-bracket">[</span>36<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-37" class="reference"><a href="#cite_note-37"><span class="cite-bracket">[</span>37<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-38" class="reference"><a href="#cite_note-38"><span class="cite-bracket">[</span>38<span class="cite-bracket">]</span></a></sup> The band Pero Defformero, which parodies <a href="/wiki/Turbo_folk" class="mw-redirect" title="Turbo folk">turbo folk</a> combining it with heavy metal and humorous lyrics, gained popularity in the 2000s, despite being active since the early 1990s. Another notable acts of the 2000s and 2010s include <a href="/wiki/Black_metal" title="Black metal">black metal</a> bands <a href="/w/index.php?title=May_Result&action=edit&redlink=1" class="new" title="May Result (page does not exist)">May Result</a> and <a href="/wiki/The_Stone_(band)" title="The Stone (band)">The Stone</a>, <a href="/wiki/Gothic_metal" title="Gothic metal">gothic metal</a> band <a href="/wiki/Abonos" title="Abonos">Abonos</a>, <a href="/wiki/Death_metal" title="Death metal">death</a>/doom metal band <a href="/w/index.php?title=Rain_Delay_(band)&action=edit&redlink=1" class="new" title="Rain Delay (band) (page does not exist)">Rain Delay</a>, <a href="/wiki/Industrial_metal" title="Industrial metal">industrial</a>/<a href="/wiki/Alternative_metal" title="Alternative metal">alternative metal</a> band <a href="/wiki/Trigger_(band)" class="mw-redirect" title="Trigger (band)">Trigger</a>, and others. </p><p>The 2000s also saw the revival of the hard rock scene. The hard rock band <a href="/wiki/Cactus_Jack_(band)" title="Cactus Jack (band)">Cactus Jack</a>, influenced by the <a href="/wiki/Hard_rock#First_era_(1970s)" title="Hard rock">1970s hard rock</a>, was formed in 1998, but saw their commercial success in the 2000s. The <a href="/wiki/Post-grunge" title="Post-grunge">post-grunge</a>/hard rock band <a href="/wiki/Night_Shift_(band)" title="Night Shift (band)">Night Shift</a>, even though formed in 1991, released their debut album <i><a href="/wiki/Undercovers_(Night_Shift_album)" title="Undercovers (Night Shift album)">Undercovers</a></i> in 2002. The album, which featured covers of songs by various rock and pop artists, was well received by the audience and the critics, and the band moved towards writing their own songs, releasing their second album <i><a href="/wiki/Bez_zaklona" title="Bez zaklona">Bez zaklona</a></i> in 2009. The second half of the decade featured the appearance of new hard rock acts, like <a href="/w/index.php?title=Atlantida_(band)&action=edit&redlink=1" class="new" title="Atlantida (band) (page does not exist)">Atlantida</a>, <a href="/w/index.php?title=Art_Diler&action=edit&redlink=1" class="new" title="Art Diler (page does not exist)">Art Diler</a>, <a href="/w/index.php?title=Death_Saw_(band)&action=edit&redlink=1" class="new" title="Death Saw (band) (page does not exist)">Death Saw</a>, and others. </p> <div class="mw-heading mw-heading3"><h3 id="Blues-rock_(late_1970s_–_present)"><span id="Blues-rock_.28late_1970s_.E2.80.93_present.29"></span>Blues-rock (late 1970s – present)</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Rock_music_in_Serbia&action=edit&section=8" title="Edit section: Blues-rock (late 1970s – present)"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Ana_Popovic_@_Piacenza_Blues_Festival_day_4_36.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/4/43/Ana_Popovic_%40_Piacenza_Blues_Festival_day_4_36.jpg/220px-Ana_Popovic_%40_Piacenza_Blues_Festival_day_4_36.jpg" decoding="async" width="220" height="146" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/4/43/Ana_Popovic_%40_Piacenza_Blues_Festival_day_4_36.jpg/330px-Ana_Popovic_%40_Piacenza_Blues_Festival_day_4_36.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/4/43/Ana_Popovic_%40_Piacenza_Blues_Festival_day_4_36.jpg/440px-Ana_Popovic_%40_Piacenza_Blues_Festival_day_4_36.jpg 2x" data-file-width="4288" data-file-height="2848" /></a><figcaption><a href="/wiki/Ana_Popovi%C4%87" title="Ana Popović">Ana Popović</a> performing in 2010</figcaption></figure> <p>Despite the facts that many 1960s rock bands, such as <a href="/wiki/Crni_Biseri" title="Crni Biseri">Crni Biseri</a>, <a href="/wiki/Daltoni" title="Daltoni">Daltoni</a>, <a href="/wiki/Elipse_(band)" class="mw-redirect" title="Elipse (band)">Elipse</a>, and others performed <a href="/wiki/Rhythm_and_blues" title="Rhythm and blues">rhythm and blues</a>, and many 1970s <a href="/wiki/Progressive_rock" title="Progressive rock">progressive</a> and <a href="/wiki/Hard_rock" title="Hard rock">hard rock</a> bands, such as <a href="/wiki/Pop_Ma%C5%A1ina" title="Pop Mašina">Pop Mašina</a>, <a href="/wiki/YU_Grupa" title="YU Grupa">YU Grupa</a>, <a href="/wiki/Smak" title="Smak">Smak</a> and <a href="/wiki/Riblja_%C4%8Corba" title="Riblja Čorba">Riblja Čorba</a>, incorporated <a href="/wiki/Blues" title="Blues">blues</a> elements into their music, the first Serbian blues band, Blues Kvintet, was formed in 1979. They held their first concert at Mašinac club in Belgrade in spring of 1981, which is considered the first blues concert by a Serbian band.<sup id="cite_ref-39" class="reference"><a href="#cite_note-39"><span class="cite-bracket">[</span>39<span class="cite-bracket">]</span></a></sup> </p><p>During the 1980s many notable blues/<a href="/wiki/Blues-rock" class="mw-redirect" title="Blues-rock">blues-rock</a> bands was formed: <a href="/w/index.php?title=Sirova_Ko%C5%BEa&action=edit&redlink=1" class="new" title="Sirova Koža (page does not exist)">Sirova Koža</a> (also known internationally as Raw Hide), formed in 1982; <a href="/w/index.php?title=Point_Blank_(Serbian_band)&action=edit&redlink=1" class="new" title="Point Blank (Serbian band) (page does not exist)">Point Blank</a> and <a href="/w/index.php?title=Blues_Trio&action=edit&redlink=1" class="new" title="Blues Trio (page does not exist)">Blues Trio</a>, both formed in 1983; <a href="/wiki/Zona_B" title="Zona B">Zona B</a>, formed in 1987; Di Luna Blues Band, formed 1989. The band <a href="/wiki/Hush_(Serbian_band)" class="mw-redirect" title="Hush (Serbian band)">Hush</a>, led by female guitarist <a href="/wiki/Ana_Popovi%C4%87" title="Ana Popović">Ana Popović</a>, released their debut and only album <i>Hometown</i> in 1998. In 1999, Ana Popović moved to <a href="/wiki/Netherlands" title="Netherlands">Netherlands</a> and started a successful international career. The 2000s brought a new generation of blues rock bands: <a href="/w/index.php?title=%C5%A0inobusi&action=edit&redlink=1" class="new" title="Šinobusi (page does not exist)">Šinobusi</a> (formed in 2001), <a href="/wiki/Texas_Flood_(band)" title="Texas Flood (band)">Texas Flood</a> (formed in 2004), <a href="/w/index.php?title=Cotton_Pickers_(Serbian_band)&action=edit&redlink=1" class="new" title="Cotton Pickers (Serbian band) (page does not exist)">Cotton Pickers</a> (formed in 2004), and others. </p> <div class="mw-heading mw-heading3"><h3 id="Punk_rock,_post-punk_and_gothic_rock_(late_1970s_–_present)"><span id="Punk_rock.2C_post-punk_and_gothic_rock_.28late_1970s_.E2.80.93_present.29"></span>Punk rock, post-punk and gothic rock (late 1970s – present)</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Rock_music_in_Serbia&action=edit&section=9" title="Edit section: Punk rock, post-punk and gothic rock (late 1970s – present)"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>The development of <a href="/wiki/Punk_rock" title="Punk rock">punk rock</a> in Serbia started in <a href="/wiki/Novi_Sad" title="Novi Sad">Novi Sad</a> with the bands <a href="/wiki/Pekin%C5%A1ka_Patka" title="Pekinška Patka">Pekinška Patka</a> and Gomila G, both formed in 1978. Pekinška Patka, formed by vocalist Nebojša Čonkić, pronounced themselves "the first <a href="/wiki/Eastern_Christianity" title="Eastern Christianity">Orthodox</a> punk rock band", which was against the attitude of the <a href="/wiki/League_of_Communists_of_Yugoslavia" title="League of Communists of Yugoslavia">League of Communists of Yugoslavia</a>, which promoted <a href="/wiki/Atheism" title="Atheism">atheism</a>. Another pioneer of punk rock in Serbia was the band Gomila G (this name being a censored version of Gomila Govana, trans. <i>A Pile of Shit</i>), also from Novi Sad. The band initially performed cover versions of <a href="/wiki/Ramones" title="Ramones">Ramones</a> and <a href="/wiki/Sex_Pistols" title="Sex Pistols">Sex Pistols</a> songs, but soon started writing their own songs. Gomila G usually performed as an opening act for Pekinška Patka, and their appearance at the Celebration of the <a href="/wiki/World_War_II" title="World War II">World War II</a> liberation of <a href="/wiki/Stepanovi%C4%87evo" title="Stepanovićevo">Stepanovićevo</a> in 1979, where the band performed the song "God Save <a href="/wiki/Martin_Bormann" title="Martin Bormann">Martin Bormann</a>" and Čonkić of Pekinška Patka blown <a href="/wiki/Condom" title="Condom">condoms</a> on stage, made the media turn against the two bands, even asking for banning of their public appearances. Gomila G disbanded in 1980 as the band members, guitarist Žolt Horvat and drummer Robert Radić formed the first Serbian <a href="/wiki/Ska" title="Ska">ska</a> band, <a href="/wiki/Kontraritam" title="Kontraritam">Kontraritam</a>. </p><p>In the meantime, Pekinška Patka gained mainstream popularity and recorded their first releases. At the <a href="/wiki/Subotica" title="Subotica">Subotica</a> <a href="/wiki/Festival_Omladina" title="Festival Omladina">Festival Omladina</a> they won the Audience Award and their whole performance was broadcast on national television, which was the first TV appearance of any punk rock band in Yugoslavia. The popularity of the band then gave them the opportunity to release two singles, and then a studio album, <i><a href="/wiki/Plitka_poezija" title="Plitka poezija">Plitka poezija</a></i>, the first punk rock album by a Serbian band, released in 1980 by <a href="/wiki/Jugoton" title="Jugoton">Jugoton</a>. After the album release, the lineup changed, and the arrival of the young <a href="/w/index.php?title=Zoran_Bulatovi%C4%87&action=edit&redlink=1" class="new" title="Zoran Bulatović (page does not exist)">Zoran "Bale" Bulatović</a> on guitar, brought the stylistic changes, firstly moving towards <a href="/wiki/New_wave_music" title="New wave music">new wave</a>, and eventually to <a href="/wiki/Post-punk" title="Post-punk">post-punk</a>. The band's second album <i><a href="/wiki/Strah_od_monotonije" title="Strah od monotonije">Strah od monotonije</a></i> is considered the first post-punk release in Serbia and former <a href="/wiki/Yugoslavia" title="Yugoslavia">Yugoslavia</a>. After the album release, the band disbanded. </p><p>The appearance of the first post-punk album on the Serbian scene influenced appearance of post-punk and <a href="/wiki/Gothic_rock" title="Gothic rock">gothic rock</a> bands and releases. Zoran "Bale" Bulatović (guitar) and Marko "Mare" Vukomanović (bass guitar), both from Pekinška Patka, with <a href="/wiki/La_Strada_(band)" title="La Strada (band)">La Strada</a> members <a href="/w/index.php?title=Slobodan_Ti%C5%A1ma&action=edit&redlink=1" class="new" title="Slobodan Tišma (page does not exist)">Slobodan Tišma</a> (vocals) and <a href="/w/index.php?title=Ivan_Fece&action=edit&redlink=1" class="new" title="Ivan Fece (page does not exist)">Ivan Fece</a> Firchie (drums) formed the first gothic rock band in Serbia, <a href="/wiki/Luna_(Serbian_band)" class="mw-redirect" title="Luna (Serbian band)">Luna</a>, releasing only one album, <i><a href="/wiki/Nestvarne_stvari" title="Nestvarne stvari">Nestvarne stvari</a></i> (1984). Beside Luna, the notable gothic rock act was also <a href="/wiki/Trivalia" title="Trivalia">Trivalia</a> from <a href="/wiki/Ni%C5%A1" title="Niš">Niš</a>, formed in the second half of the 1980s. Gothic rock, however, saw little popularity in Serbia. Another Niš band, post-punk/<a href="/wiki/Darkwave" class="mw-redirect" title="Darkwave">darkwave</a> band <a href="/wiki/Dobri_Isak" title="Dobri Isak">Dobri Isak</a>, released their only album <i><a href="/wiki/Mi_pla%C4%8Demo_iza_tamnih_nao%C4%8Dara" title="Mi plačemo iza tamnih naočara">Mi plačemo iza tamnih naočara</a></i> in 1983. The album, which was one of the first albums in Serbia released through an <a href="/wiki/Independent_record_label" title="Independent record label">independent record label</a>, saw little success at a time of its release, but saw critical acclaim when it was rereleased in 2009.<sup id="cite_ref-40" class="reference"><a href="#cite_note-40"><span class="cite-bracket">[</span>40<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-41" class="reference"><a href="#cite_note-41"><span class="cite-bracket">[</span>41<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-42" class="reference"><a href="#cite_note-42"><span class="cite-bracket">[</span>42<span class="cite-bracket">]</span></a></sup> Other bands which featured the post-punk/gothic rock influences were the new wave bands <a href="/wiki/Elektri%C4%8Dni_Orgazam" title="Električni Orgazam">Električni Orgazam</a>, on their second album <i><a href="/wiki/Li%C5%A1%C4%87e_prekriva_Lisabon" title="Lišće prekriva Lisabon">Lišće prekriva Lisabon</a></i> (1982), and <a href="/wiki/Idoli" title="Idoli">Idoli</a>, on their debut <i><a href="/wiki/Odbrana_i_poslednji_dani" title="Odbrana i poslednji dani">Odbrana i poslednji dani</a></i> (1982), and the <a href="/wiki/Alternative_rock" title="Alternative rock">alternative rock</a> band <a href="/wiki/Ekatarina_Velika" title="Ekatarina Velika">Ekatarina Velika</a>, firstly called Katarina II, on the albums <i><a href="/wiki/Katarina_II_(album)" class="mw-redirect" title="Katarina II (album)">Katarina II</a></i> (1984), <i>Ekatarina Velika</i> (1985) and <i><a href="/wiki/S%27_vetrom_uz_lice" title="S' vetrom uz lice">S' vetrom uz lice</a></i> (1986). </p> <figure class="mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Partibrejkers2003.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/5/5c/Partibrejkers2003.jpg/200px-Partibrejkers2003.jpg" decoding="async" width="200" height="150" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/5/5c/Partibrejkers2003.jpg/300px-Partibrejkers2003.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/5/5c/Partibrejkers2003.jpg/400px-Partibrejkers2003.jpg 2x" data-file-width="1600" data-file-height="1200" /></a><figcaption><a href="/wiki/Partibrejkers" title="Partibrejkers">Partibrejkers</a> performing in 2003</figcaption></figure> <p>The second generation of punk rock acts in Serbia featured <a href="/wiki/Partibrejkers" title="Partibrejkers">Partibrejkers</a>, <a href="/wiki/Kazna_Za_U%C5%A1i" title="Kazna Za Uši">Kazna Za Uši</a> and <a href="/wiki/Toni_Montano" title="Toni Montano">Toni Montano</a> from <a href="/wiki/Belgrade" title="Belgrade">Belgrade</a>. Serbian <a href="/wiki/Garage_punk_(fusion_genre)" title="Garage punk (fusion genre)">garage punk</a> band <a href="/wiki/Partibrejkers" title="Partibrejkers">Partibrejkers</a>, formed in 1982, brought the public's attention to themselves with their live appearances and musical style, even as a demo act. The band was formed by former <a href="/wiki/Urbana_Gerila" title="Urbana Gerila">Urbana Gerila</a> and <a href="/wiki/Radni%C4%8Dka_Kontrola" title="Radnička Kontrola">Radnička Kontrola</a> frontman, <a href="/wiki/Zoran_Kosti%C4%87_(musician)" title="Zoran Kostić (musician)">Zoran Kostić "Cane"</a> and guitarist <a href="/w/index.php?title=Neboj%C5%A1a_Antonijevi%C4%87&action=edit&redlink=1" class="new" title="Nebojša Antonijević (page does not exist)">Nebojša Antonijević</a> "Anton", the two being the mainstay members of the band. By the time the band released their <a href="/wiki/Partibrejkers_I" title="Partibrejkers I">debut, self-titled album</a>, in 1985, they already gained much popularity, kept through their later successful releases <i><a href="/wiki/Partibrejkers_II" title="Partibrejkers II">Partibrejkers II</a></i> (1988), <i><a href="/wiki/Partibrejkers_III" title="Partibrejkers III">Partibrejkers III</a></i> (1989), <i><a href="/wiki/Kiselo_i_slatko" title="Kiselo i slatko">Kiselo i slatko</a></i> (1994) and <i><a href="/wiki/Ledeno_doba" title="Ledeno doba">Ledeno doba</a></i> (1997), entering the 2000s as one of the top mainstream acts of the Serbian rock scene. In 1986, another prominent garage punk band was formed, <a href="/wiki/Kazna_Za_U%C5%A1i" title="Kazna Za Uši">Kazna Za Uši</a>, but the band became prominent in the 1990s, winning the first place at <a href="/wiki/Gitarijada_festival" class="mw-redirect" title="Gitarijada festival">Gitarijada festival</a> in 1992 and releasing their debut <i>Ispod zemlje</i> in the same year. During the mid-1980s the former vocalist of the punk rock band Radost Evrope, Velibor Miljković performed as a solo act using the pseudonym <a href="/wiki/Toni_Montano" title="Toni Montano">Toni Montano</a>, and his albums featured a combination of punk rock and <a href="/wiki/Rockabilly" title="Rockabilly">rockabilly</a>, also found on his future releases. </p><p>Other prominent representatives of the second generation of punk rock bands in Serbia featured <a href="/wiki/Kragujevac" title="Kragujevac">Kragujevac</a> bands <a href="/wiki/KBO!" title="KBO!">KBO!</a> and <a href="/wiki/Trula_Koalicija" title="Trula Koalicija">Trula Koalicija</a>, both formed by Saša "Vuja" Vujić. Vujić formed KBO! in 1982, and their first recordings were released by foreign record labels, which was also the case with their first official studio album, <i>Forever punk</i> (1989). The band performed in many foreign countries, and also formed their own independent record label, KBO! Records, which released the band's demo recordings and studio albums. Vujić also formed the band <a href="/wiki/Trula_Koalicija" title="Trula Koalicija">Trula Koalicija</a> in 1986 with the vocalist Predrag "Skaki" Drčelić. </p> <figure class="mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:EXIT_2012_Goblini.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/e/ec/EXIT_2012_Goblini.jpg/200px-EXIT_2012_Goblini.jpg" decoding="async" width="200" height="133" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/e/ec/EXIT_2012_Goblini.jpg/300px-EXIT_2012_Goblini.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/e/ec/EXIT_2012_Goblini.jpg/400px-EXIT_2012_Goblini.jpg 2x" data-file-width="1024" data-file-height="683" /></a><figcaption><a href="/wiki/Goblini" title="Goblini">Goblini</a> performing in 2012</figcaption></figure> <p>Punk rock continued to be popular in the 1990s with the appearance the bands <a href="/wiki/Atheist_Rap" title="Atheist Rap">Atheist Rap</a> and <a href="/wiki/Zbogom_Brus_Li" title="Zbogom Brus Li">Zbogom Brus Li</a> from <a href="/wiki/Novi_Sad" title="Novi Sad">Novi Sad</a>, <a href="/wiki/Goblini" title="Goblini">Goblini</a> from <a href="/wiki/%C5%A0abac" title="Šabac">Šabac</a>, <a href="/wiki/D%C5%BEukele" title="Džukele">Džukele</a> from <a href="/wiki/Subotica" title="Subotica">Subotica</a> and <a href="/wiki/Novembar" title="Novembar">Novembar</a> from <a href="/wiki/Ni%C5%A1" title="Niš">Niš</a>. Atheist Rap's sound, a combination of punk rock with humorous lyrics found on their studio albums <i><a href="/wiki/Maori_i_Crni_Gonzales" title="Maori i Crni Gonzales">Maori i Crni Gonzales</a></i> (1992), <i><a href="/wiki/Ja_eventualno_bih_ako_njega_elimini%C5%A1ete" title="Ja eventualno bih ako njega eliminišete">Ja eventualno bih ako njega eliminišete</a></i> (1996) and <i><a href="/wiki/II_liga_zapad" title="II liga zapad">II liga zapad</a></i> (1998), was described by the band themselves as "happy punk". Zbogom Brus Li combined punk rock and <a href="/wiki/Folk_music" title="Folk music">folk music</a> of <a href="/wiki/Vojvodina" title="Vojvodina">Vojvodina</a> into a style the band describes as "tamburaški punk" ("<a href="/wiki/Tamburitza" class="mw-redirect" title="Tamburitza">tamburitza</a> punk")<sup id="cite_ref-43" class="reference"><a href="#cite_note-43"><span class="cite-bracket">[</span>43<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-44" class="reference"><a href="#cite_note-44"><span class="cite-bracket">[</span>44<span class="cite-bracket">]</span></a></sup> on their albums <i>Penk Punk Pink Pank Ponk</i> (1995) and <i>Zlobro</i> (1997). The band Goblini was formed in 1992, and with the release of their first two studio albums, <i><a href="/wiki/Goblini_(album)" title="Goblini (album)">Goblini</a></i> (1994) and <i><a href="/wiki/Istinite_pri%C4%8De_I_deo" title="Istinite priče I deo">Istinite priče I deo</a></i> (1994), the band had become a live attraction, performing in Serbia and abroad. On their third studio album <i><a href="/wiki/U_magnovenju" title="U magnovenju">U magnovenju</a></i> (1996), the band was joined by <a href="/w/index.php?title=Leonid_Pilipovi%C4%87&action=edit&redlink=1" class="new" title="Leonid Pilipović (page does not exist)">Leonid Pilipović</a> from the band Džukele. After the album release, Pilipović returned to his own band, which, having released their debut <i><a href="/wiki/Gledaju%C4%87i_u_mrak" title="Gledajući u mrak">Gledajući u mrak</a></i> in 1994 and the second album <i><a href="/wiki/Zubato_Sunce" title="Zubato Sunce">Zubato Sunce</a></i> in 1998, disbanded. Punk rock band Novembar released three studio albums, <i>Deguelo</i> (1994), <i>Blues južne pruge</i> (1997), and <i>Licem prema zemlji</i> in (2000) featuring the band's combination of <a href="/wiki/American_rock" title="American rock">American</a> guitar oriented rock sound combined with punk rock, <a href="/wiki/Pop_punk" class="mw-redirect" title="Pop punk">pop punk</a> and <a href="/wiki/New_wave_music" title="New wave music">new wave</a> influences. </p><p>The 2000s featured disbandment and reunions of many punk rock groups. In 2001, Goblini disbanded, reuniting in 2010.<sup id="cite_ref-45" class="reference"><a href="#cite_note-45"><span class="cite-bracket">[</span>45<span class="cite-bracket">]</span></a></sup> In 2002, Džukele, Novembar and Trula Koalicija disbanded, but the latter two reformed a few years later, Trula Koalicija with a new lineup in 2005, and November in 2007, releasing a new album, <i>Radulizam</i> in 2008. Džukele guitarist and vocalist Slobodan Vukosavljević formed the <a href="/wiki/Garage_rock" title="Garage rock">garage rock</a> band Nafta, which released the albums <i>Samo senke prolaze</i> (2008) and <i>Alternator</i> (2011).<sup id="cite_ref-46" class="reference"><a href="#cite_note-46"><span class="cite-bracket">[</span>46<span class="cite-bracket">]</span></a></sup> In 2004, at the <a href="/wiki/EXIT_(festival)" class="mw-redirect" title="EXIT (festival)">EXIT festival</a>, <a href="/wiki/Gothic_rock" title="Gothic rock">gothic rock</a> band <a href="/wiki/Luna_(Novi_Sad_band)" class="mw-redirect" title="Luna (Novi Sad band)">Luna</a> reunited in the original lineup, and, four years later at the same festival, the original <a href="/wiki/Pekin%C5%A1ka_Patka" title="Pekinška Patka">Pekinška Patka</a> lineup reunited to perform at the festival main stage, alongside <a href="/wiki/Sex_Pistols" title="Sex Pistols">Sex Pistols</a>.<sup id="cite_ref-47" class="reference"><a href="#cite_note-47"><span class="cite-bracket">[</span>47<span class="cite-bracket">]</span></a></sup> The band announced the release of a cover album, featuring songs performed at the Yugoslav 1960s pop festivals.<sup id="cite_ref-48" class="reference"><a href="#cite_note-48"><span class="cite-bracket">[</span>48<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="New_wave_(late_1970s_–_early_1980s)"><span id="New_wave_.28late_1970s_.E2.80.93_early_1980s.29"></span>New wave (late 1970s – early 1980s)</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Rock_music_in_Serbia&action=edit&section=10" title="Edit section: New wave (late 1970s – early 1980s)"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Elektri%C4%8Dni_orgazam.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/e/e0/Elektri%C4%8Dni_orgazam.jpg/200px-Elektri%C4%8Dni_orgazam.jpg" decoding="async" width="200" height="142" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/e/e0/Elektri%C4%8Dni_orgazam.jpg/300px-Elektri%C4%8Dni_orgazam.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/e/e0/Elektri%C4%8Dni_orgazam.jpg/400px-Elektri%C4%8Dni_orgazam.jpg 2x" data-file-width="1440" data-file-height="1021" /></a><figcaption><a href="/wiki/Elektri%C4%8Dni_Orgazam" title="Električni Orgazam">Električni Orgazam</a> performing in 2008</figcaption></figure> <p>The origin of the <a href="/wiki/New_wave_music" title="New wave music">new wave</a> scene in Serbia can be found in <a href="/wiki/Belgrade" title="Belgrade">Belgrade</a> 1970s bands Zvuk Ulice, Limunovo Drvo and Hipnotisano Pile. The three bands featured the future members of the Serbian new wave bands <a href="/wiki/Idoli" title="Idoli">Idoli</a>, <a href="/wiki/%C5%A0arlo_Akrobata" title="Šarlo Akrobata">Šarlo Akrobata</a> and <a href="/wiki/Elektri%C4%8Dni_Orgazam" title="Električni Orgazam">Električni Orgazam</a>. Zvuk Ulice member <a href="/wiki/Vlada_Divljan" title="Vlada Divljan">Vlada Divljan</a>, with two friends, <a href="/wiki/Neboj%C5%A1a_Krsti%C4%87" title="Nebojša Krstić">Nebojša Krstić</a> and <a href="/wiki/Sr%C4%91an_%C5%A0aper" title="Srđan Šaper">Srđan Šaper</a> formed a conceptual band VIS Dečaci in 1979, whose photographs appeared in the <i>Vidici</i> youth magazine and attracted media's attention. The band soon included bassist <a href="/wiki/Zdenko_Kolar" title="Zdenko Kolar">Zdenko Kolar</a>, also from Zvuk Ulice, and drummer <a href="/wiki/Bo%C5%BEa_Jovanovi%C4%87" title="Boža Jovanović">Boža Jovanović</a> and was renamed to <a href="/wiki/Idoli" title="Idoli">Idoli</a>, in 1980. Limunovo Drvo, featuring guitarists <a href="/wiki/Milan_Mladenovi%C4%87" title="Milan Mladenović">Milan Mladenović</a> and <a href="/wiki/Dragomir_Mihajlovi%C4%87" title="Dragomir Mihajlović">Dragomir Mihajlović</a> "Gagi", performed <a href="/wiki/Hard_rock" title="Hard rock">hard rock</a> for two years, before adopting the new wave and <a href="/wiki/Punk_rock" title="Punk rock">punk rock</a> musical style on the arrival of the bassist <a href="/wiki/Du%C5%A1an_Koji%C4%87" title="Dušan Kojić">Dušan Kojić</a> "Koja" and drummer <a href="/wiki/Ivan_Vdovi%C4%87" title="Ivan Vdović">Ivan Vdović</a> "VD". After the departure of Mihajlović, the band was renamed to <a href="/wiki/%C5%A0arlo_Akrobata" title="Šarlo Akrobata">Šarlo Akrobata</a>. <a href="/wiki/Elektri%C4%8Dni_Orgazam" title="Električni Orgazam">Električni Orgazam</a> was formed as an ad hoc band of the melodic hard rock band Hipnotisano Pile. The band was formed to perform at the 1980 <a href="/wiki/Palilula,_Belgrade" title="Palilula, Belgrade">Palilula</a> Culture Olympics as an opening act for Hipnotisano Pile. Guitarist <a href="/wiki/Ljubomir_Jovanovi%C4%87" title="Ljubomir Jovanović">Ljubomir Jovanović</a> "Jovec" was to play the drums and the drummer <a href="/wiki/Sr%C4%91an_Gojkovi%C4%87" class="mw-redirect" title="Srđan Gojković">Srđan Gojković</a> "Gile" was to play guitar and sing lead vocals. The band gained the public's attention at the performances and, soon after, the band ended their activity as Hipnotisano Pile and continued as Električni Orgazam. </p><p>Idoli, Šarlo Akrobata and Električni Orgazam had their first recordings released on the compilation <i><a href="/wiki/Paket_aran%C5%BEman" title="Paket aranžman">Paket aranžman</a></i>, today considered one of the most prominent Serbian and Yugoslav rock releases, and by the time the compilation was released, the bands had already started working on their debut albums. The promotional video for Idoli song "<a href="/wiki/Malj%C4%8Diki" title="Maljčiki">Maljčiki</a>" which followed the release of the compilation featured a parody of <a href="/wiki/Socialist_realism" title="Socialist realism">soc-realist</a> iconography. It was broadcast for the first time at the New Year's Eve on the then-popular <i>Rokenroler</i> show on the national television, and the Soviet embassy sent a protest note to the TV and radio stations which broadcast the song and some of them banned it. During the same show, for the first time were broadcast the promotional videos for Električni Orgazam's "Krokodili dolaze" and Šarlo Akrobata's "Niko kao ja", all three appearing on the compilation. Idoli released their <a href="/wiki/VIS_Idoli_(EP)" title="VIS Idoli (EP)">self titled EP</a> in 1981 and <i><a href="/wiki/Odbrana_i_poslednji_dani" title="Odbrana i poslednji dani">Odbrana i poslednji dani</a></i> in 1982, the latter polled in 1998 as the greatest Yugoslav popular music album in the book <i><a href="/wiki/YU_100:_najbolji_albumi_jugoslovenske_rok_i_pop_muzike" title="YU 100: najbolji albumi jugoslovenske rok i pop muzike">YU 100: najbolji albumi jugoslovenske rok i pop muzike</a></i>,<sup id="cite_ref-49" class="reference"><a href="#cite_note-49"><span class="cite-bracket">[</span>49<span class="cite-bracket">]</span></a></sup> Električni Orgazam released their <a href="/wiki/Elektri%C4%8Dni_orgazam_(album)" title="Električni orgazam (album)">self titled debut</a> in 1981 and <a href="/wiki/Post-punk" title="Post-punk">post-punk</a> oriented <i><a href="/wiki/Li%C5%A1%C4%87e_prekriva_Lisabon" title="Lišće prekriva Lisabon">Lišće prekriva Lisabon</a></i> in 1982, and Šarlo Akrobata released their only album, <i><a href="/wiki/Bistriji_ili_tuplji_%C4%8Dovek_biva_kad..." title="Bistriji ili tuplji čovek biva kad...">Bistriji ili tuplji čovek biva kad...</a></i> in 1981. Električni Orgazam and Šarlo Akrobata also had short tours in <a href="/wiki/Poland" title="Poland">Poland</a> and the <a href="/wiki/Polish_people" title="Polish people">Polish</a> bands recorded a tribute to the Yugoslav rock bands, including cover versions of Idoli and Električni Orgazam songs, released on the 2001 album <i><a href="/wiki/Yugoton" title="Yugoton">Yugoton</a></i>. By 1983, Idoli and Električni Orgazam had moved towards mainstream pop and rock, and Šarlo Akrobata disbanded. </p><p>Due to the success of <i>Paket aranžman</i>, <a href="/wiki/Jugoton" title="Jugoton">Jugoton</a> wanted to release another compilation featuring the new new wave and punk rock acts from Belgrade. The compilation <i><a href="/wiki/Artisti%C4%8Dka_radna_akcija" title="Artistička radna akcija">Artistička radna akcija</a></i>, released in 1981, featured <a href="/wiki/Radni%C4%8Dka_Kontrola" title="Radnička Kontrola">Radnička Kontrola</a>, <a href="/wiki/Bezobrazno_Zeleno" title="Bezobrazno Zeleno">Bezobrazno Zeleno</a>, <a href="/wiki/Profili_Profili" title="Profili Profili">Profili Profili</a>, <a href="/wiki/Defektno_Efektni" title="Defektno Efektni">Defektno Efektni</a>, <a href="/wiki/Urbana_Gerila" title="Urbana Gerila">Urbana Gerila</a>, <a href="/wiki/Petar_i_Zli_Vuci" title="Petar i Zli Vuci">Petar i Zli Vuci</a>, <a href="/wiki/U_%C5%A0kripcu" title="U Škripcu">U Škripcu</a>, <a href="/wiki/Pasta_ZZ" title="Pasta ZZ">Pasta ZZ</a>, <a href="/wiki/VIA_Talas" title="VIA Talas">VIA Talas</a> and <a href="/wiki/TV_Moroni" title="TV Moroni">TV Moroni</a>, each with two songs, but it did not repeat the success of the previous compilation. Half of the bands did not release any other recordings except the ones on the compilation. Bezobrazno Zeleno released two <a href="/wiki/Pop_rock" title="Pop rock">pop rock</a>-oriented studio albums, Profili Profili released <a href="/wiki/Kazimirov_Kazneni_Korpus_/_Profili_Profili" title="Kazimirov Kazneni Korpus / Profili Profili">a split album</a> with Kazimirov Kazneni Korpus, Petar i Zli Vuci released two singles, U Škripcu released several studio albums and gained mainstream popularity moving to <a href="/wiki/Synthpop" class="mw-redirect" title="Synthpop">synthpop</a> and pop rock, and VIA Talas released <a href="/wiki/Perfektan_dan_za_banana_ribe" title="Perfektan dan za banana ribe">one studio album</a> before disbanding in 1982. </p><p>Other notable new wave acts include Belgrade acts <a href="/wiki/Bulevar_(band)" title="Bulevar (band)">Bulevar</a>, fronted by later <a href="/wiki/Bajaga_i_Instruktori" title="Bajaga i Instruktori">Bajaga i Instruktori</a> vocalist and solo singer <a href="/wiki/Dejan_Cuki%C4%87" title="Dejan Cukić">Dejan Cukić</a>, which released two albums, <i><a href="/wiki/Lo%C5%A1_i_mlad" title="Loš i mlad">Loš i mlad</a></i> (1981) and <i><a href="/wiki/Mala_no%C4%87na_panika" title="Mala noćna panika">Mala noćna panika</a></i> (1982), <a href="/wiki/Piloti_(band)" title="Piloti (band)">Piloti</a>, which released albums <i>Piloti</i> (1981) and <i>Dvadeset godina</i> (1982) before disbanding, turning towards pop rock after their 1987 reunion, and <a href="/wiki/Kozmetika" title="Kozmetika">Kozmetika</a>, which released only one album, <i><a href="/wiki/Kozmetika_(album)" title="Kozmetika (album)">Kozmetika</a></i> (1983), and Novi Sad act <a href="/wiki/%C4%8Cista_Proza" title="Čista Proza">Čista Proza</a>, which released only one album, <i><a href="/wiki/%C4%8Cista_proza_(album)" title="Čista proza (album)">Čista Proza</a></i> (1983). Initial works of the bands <a href="/wiki/Laki_Pingvini" title="Laki Pingvini">Laki Pingvini</a> and <a href="/wiki/Zana_(band)" title="Zana (band)">Zana</a> were new wave-oriented, but these acts later moved towards more commercial pop rock and synthpop. During the early 1980s, new wave influences were present in the works of <a href="/wiki/Grupa_I" title="Grupa I">Grupa I</a>, <a href="/wiki/Du_Du_A" title="Du Du A">Du Du A</a>, <a href="/wiki/Pekin%C5%A1ka_Patka" title="Pekinška Patka">Pekinška Patka</a>, <a href="/wiki/Kontraritam" title="Kontraritam">Kontraritam</a>, <a href="/wiki/Doktor_Spira_i_Ljudska_Bi%C4%87a" title="Doktor Spira i Ljudska Bića">Doktor Spira i Ljudska Bića</a>, <a href="/wiki/La_Strada_(band)" title="La Strada (band)">La Strada</a>, <a href="/wiki/Obojeni_Program" title="Obojeni Program">Obojeni Program</a> and <a href="/wiki/Gjurm%C3%ABt" title="Gjurmët">Gjurmët</a>, as well as in the works of some acts that gained popularity in the 1970s, most notably <a href="/wiki/Sla%C4%91ana_Milo%C5%A1evi%C4%87" title="Slađana Milošević">Slađana Milošević</a> and <a href="/wiki/Laboratorija_Zvuka" title="Laboratorija Zvuka">Laboratorija Zvuka</a>. </p> <div class="mw-heading mw-heading3"><h3 id="Synthpop_(early_1980s_–_mid-1980s)"><span id="Synthpop_.28early_1980s_.E2.80.93_mid-1980s.29"></span>Synthpop (early 1980s – mid-1980s)</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Rock_music_in_Serbia&action=edit&section=11" title="Edit section: Synthpop (early 1980s – mid-1980s)"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>One of the first Serbian <a href="/wiki/Synthpop" class="mw-redirect" title="Synthpop">synthpop</a> acts was the band <a href="/wiki/Beograd_(band)" title="Beograd (band)">Beograd</a>, which were also one of the pioneers of the former Yugoslav <a href="/wiki/Electronic_music" title="Electronic music">electronic music</a> scene. The band was formed in 1981, and in 1983 released their only album <i><a href="/wiki/Remek_depo" class="mw-redirect" title="Remek depo">Remek depo</a></i>, which featured a combination of synthpop and <a href="/wiki/Brass_instrument" title="Brass instrument">brass instrument</a>-oriented <a href="/wiki/Soul_music" title="Soul music">soul</a>. </p><p>With the decline of the <a href="/wiki/New_wave_music_in_Yugoslavia" title="New wave music in Yugoslavia">new wave scene</a> around 1982, some new wave bands, like <a href="/wiki/U_%C5%A0kripcu" title="U Škripcu">U Škripcu</a> and <a href="/wiki/Zana_(band)" title="Zana (band)">Zana</a>, moved towards synthpop. <i><a href="/wiki/Artisti%C4%8Dka_radna_akcija" title="Artistička radna akcija">Artistička radna akcija</a></i> participant U Škripcu, having started as a conceptual new wave band in 1980, moved towards synth music. The band's debut album <i>Godine ljubavi</i> (1982), featuring several hit songs, was followed by even more successful <i>O je!</i> (1983) and the EP <i>Nove godine</i> (1983). However, on their later releases, the band turned towards <a href="/wiki/Electropop" title="Electropop">electropop</a> sound, which, having proved unsuccessful, led them to disband. Despite two reunion comeback albums (in 1987 and 1990), the band could not repeat the early success. In the 1990s, the band's vocalist <a href="/w/index.php?title=Milan_Del%C4%8Di%C4%87&action=edit&redlink=1" class="new" title="Milan Delčić (page does not exist)">Milan Delčić</a> "Delča" formed the <a href="/wiki/Electronic_rock" title="Electronic rock">electronic rock</a> band Delča & Sklekovi. Zana, named after the band's vocalist <a href="/wiki/Zana_Nimani" title="Zana Nimani">Zana Nimani</a>, having released their debut album <span title="Serbian-language text"><i lang="sr">Loše vesti uz rege za pivsku flašu</i></span> (1981), made a shift towards radio-friendly <a href="/wiki/Pop_rock" title="Pop rock">pop rock</a>, <a href="/wiki/New_Romantic" title="New Romantic">New Romantic</a> and <a href="/wiki/Synthpop" class="mw-redirect" title="Synthpop">synthpop</a> sound with the release of their second album <span title="Serbian-language text"><i lang="sr">Dodirni mi kolena</i></span> (1982). Despite the success of <span title="Serbian-language text"><i lang="sr">Dodirni mi kolena</i></span> and the following album, <i>Natrag na voz</i> (1983), vocalist Nimani left the band. The rest of the band continued performing as Zana, changing several vocalists and gradually turning towards pop music. </p><p>Other notable synthpop acts include bands <a href="/wiki/Laki_Pingvini" title="Laki Pingvini">Laki Pingvini</a>, <a href="/wiki/D%27_Boys" class="mw-redirect" title="D' Boys">D' Boys</a> and <a href="/wiki/Jakarta_(band)" title="Jakarta (band)">Jakarta</a>. Laki Pingvini, despite working occasionally and with an unsteady lineup since 1979, gained mainstream popularity in 1983 with the debut EP <i>Šizika</i>. Their debut album <i>Muzika za mlade</i> (1984) was also successful, however, their later releases did not repeat the previous success. The band disbanded in 1989, but had short reunions in 1994, 1995 and 2006.<sup id="cite_ref-50" class="reference"><a href="#cite_note-50"><span class="cite-bracket">[</span>50<span class="cite-bracket">]</span></a></sup> The duo <a href="/wiki/D%27_Boys" class="mw-redirect" title="D' Boys">D' Boys</a> featuring a former <a href="/wiki/VIA_Talas" title="VIA Talas">VIA Talas</a> member Miško Petrović (also known as Miško Plavi) and a former West German <a href="/wiki/Krautrock" title="Krautrock">krautrock</a> group <a href="/wiki/Jane_(German_band)" title="Jane (German band)">Jane</a> member<sup id="cite_ref-51" class="reference"><a href="#cite_note-51"><span class="cite-bracket">[</span>51<span class="cite-bracket">]</span></a></sup> <a href="/wiki/Pe%C4%91a_D%27Boy" title="Peđa D'Boy">Predrag Jovanović</a> (also known as Peđa D'Boy), was formed in 1982. With the albums <i>Ajd' se zezamo</i> (1984) and <i>Muvanje</i> (1985), the band became popular with humorous lyrical style, featuring <a href="/wiki/Kitsch" title="Kitsch">kitschy</a> and frivolous motifs dealing with nightlife, parties and girls. The band disbanded in 1985, with Jovanović forming a short lived Peđa D'Boy Band and later pursuing a solo career, and Petrović joining <a href="/wiki/Piloti" title="Piloti">Piloti</a> and then <a href="/wiki/Ekatarina_Velika" title="Ekatarina Velika">Ekatarina Velika</a>, and later taking up playing accordion and forming his Miško Plavi Band. The band <a href="/wiki/Jakarta_(band)" title="Jakarta (band)">Jakarta</a>, formed in 1981, released their <a href="/wiki/Synth-funk" class="mw-redirect" title="Synth-funk">synth-funk</a>-oriented debut album <i>Maske za dvoje</i> in 1984, featuring several hits. However, the band moved towards <a href="/wiki/Pop_rock" title="Pop rock">pop rock</a> on their second album <i>Bomba u grudima</i> (1986). </p> <div class="mw-heading mw-heading3"><h3 id="Funk_rock_(early_1980s_–_present)"><span id="Funk_rock_.28early_1980s_.E2.80.93_present.29"></span>Funk rock (early 1980s – present)</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Rock_music_in_Serbia&action=edit&section=12" title="Edit section: Funk rock (early 1980s – present)"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:DLM2007.JPG" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/c/cc/DLM2007.JPG/200px-DLM2007.JPG" decoding="async" width="200" height="102" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/cc/DLM2007.JPG/300px-DLM2007.JPG 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/cc/DLM2007.JPG/400px-DLM2007.JPG 2x" data-file-width="867" data-file-height="442" /></a><figcaption><a href="/wiki/Deca_Lo%C5%A1ih_Muzi%C4%8Dara" title="Deca Loših Muzičara">Deca Loših Muzičara</a> performing in 2007</figcaption></figure> <p><a href="/wiki/Funk_rock" title="Funk rock">Funk rock</a> in Serbia appeared in the 1980s with the bands <a href="/wiki/Jakarta_(band)" title="Jakarta (band)">Jakarta</a>, <a href="/wiki/Heroina_(band)" title="Heroina (band)">Heroina</a> and <a href="/wiki/Oktobar_1864" title="Oktobar 1864">Oktobar 1864</a>. Formed in 1981, Jakarta released their <a href="/wiki/Synth-funk" class="mw-redirect" title="Synth-funk">synth-funk</a>-oriented debut album <i>Maske za dvoje</i> in 1984, featuring several hits. However, despite the success of the first album, the band moved towards <a href="/wiki/Pop_rock" title="Pop rock">pop rock</a> on their second album <i>Bomba u grudima</i>, which was not well received by the fans, and the band ceased to exist in 1986. The band Heroina, formed in 1982, featured <a href="/wiki/Zoran_Janjetov" title="Zoran Janjetov">Zoran Janjetov</a>, at the time already a well-known comic book artist, as vocalist.<sup id="cite_ref-janjatović100_52-0" class="reference"><a href="#cite_note-janjatović100-52"><span class="cite-bracket">[</span>52<span class="cite-bracket">]</span></a></sup> Their debut and only studio album, <i>Heroina</i>, released in 1985, featured a mixture of funk and <a href="/wiki/Art_rock" title="Art rock">art rock</a>. Oktobar 1864, formed in 1984 and featuring the female vocalist <a href="/w/index.php?title=Tanja_Jovi%C4%87evi%C4%87&action=edit&redlink=1" class="new" title="Tanja Jovićević (page does not exist)">Tanja Jovićević</a>, released their <a href="/wiki/Oktobar_1864_(album)" title="Oktobar 1864 (album)">debut self-titled album</a>, released in 1987, featuring several hit songs. On their two following albums <i><a href="/wiki/Igra_bojama" title="Igra bojama">Igra bojama</a></i> (1988), and <i><a href="/wiki/Crni_ples" title="Crni ples">Crni ples</a></i> (1990), they successfully combined funk rock with <a href="/wiki/Jazz" title="Jazz">jazz</a> and pop elements. Despite the successful career, they disbanded in 1992 and Tanja Jovićević pursued a solo career as a jazz and funk musician. In 2005, she started collaborating with the <a href="/wiki/Funk" title="Funk">funk</a> band Rich Bitch and with them, in 2008, released the album <i>10</i>.<sup id="cite_ref-53" class="reference"><a href="#cite_note-53"><span class="cite-bracket">[</span>53<span class="cite-bracket">]</span></a></sup> During the 1980s, funk influences could also be found in the works of <a href="/wiki/Idoli" title="Idoli">Idoli</a> and <a href="/wiki/Disciplina_Ki%C4%8Dme" class="mw-redirect" title="Disciplina Kičme">Disciplina Kičme</a>. </p><p>In the following decades funk rock was again popularized in Serbia with the appearance of <a href="/wiki/Deca_Lo%C5%A1ih_Muzi%C4%8Dara" title="Deca Loših Muzičara">Deca Loših Muzičara</a> and <a href="/wiki/Plejboj" title="Plejboj">Plejboj</a> in the 1990s. Formed in 1988, Deca Loših Muzičara played a combination of funk and rock, found on their albums <i>Dobar dan</i> (1992), and <i>Prolećni dan</i> (1995). In 1998, the band wrote music for the <i>Virus</i> theater play, in which the main character was played by the actor <a href="/w/index.php?title=Ivan_Jevtovi%C4%87&action=edit&redlink=1" class="new" title="Ivan Jevtović (page does not exist)">Ivan Jevtović</a>, who, after the release of their 2005 studio album <i>...gde cveta Samsung žut</i>, joined the band as a new vocalist, replacing Aleksandar Siljanovski. Plejboj, formed in 1992, combined funk and <a href="/wiki/Soul_music" title="Soul music">soul</a> with <a href="/wiki/Ska" title="Ska">ska</a>, <a href="/wiki/Punk_rock" title="Punk rock">punk rock</a>, <a href="/wiki/Jazz_fusion" title="Jazz fusion">jazz fusion</a> and <a href="/wiki/Pop_rock" title="Pop rock">pop rock</a> on their albums <i>Sviraj dečko</i> (1994) and <i>Overdrive</i> (1997). </p> <div class="mw-heading mw-heading3"><h3 id="Alternative_rock_(early_1980s–present)"><span id="Alternative_rock_.28early_1980s.E2.80.93present.29"></span>Alternative rock (early 1980s–present)</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Rock_music_in_Serbia&action=edit&section=13" title="Edit section: Alternative rock (early 1980s–present)"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>The alternative rock scene developed in the early 1980s with the decline of the <a href="/wiki/New_wave_music_in_Yugoslavia" title="New wave music in Yugoslavia">new wave scene</a>, when a part of the new wave scene became the base of the future Serbian alternative rock scene. The pioneers of alternative rock can be found in <a href="/wiki/Novi_Sad" title="Novi Sad">Novi Sad</a> bands <a href="/wiki/Laboratorija_Zvuka" title="Laboratorija Zvuka">Laboratorija Zvuka</a>, with their eccentric style, <a href="/wiki/Erotic" class="mw-redirect" title="Erotic">erotic</a> lyrics, unusual line ups and bizarre <a href="/wiki/Circus" title="Circus">circus</a>-inspired stage performances, <a href="/wiki/La_Strada_(band)" title="La Strada (band)">La Strada</a>, featuring the poet <a href="/w/index.php?title=Slobodan_Ti%C5%A1ma&action=edit&redlink=1" class="new" title="Slobodan Tišma (page does not exist)">Slobodan Tišma</a> on guitar and vocals, <a href="/wiki/Obojeni_Program" title="Obojeni Program">Obojeni Program</a>, featuring former <a href="/wiki/Urbana_Gerila" title="Urbana Gerila">Urbana Gerila</a> vocalist Branislav "Kebra" Babić, and the <a href="/wiki/All-female_band" title="All-female band">girl band</a> <a href="/wiki/Boye_(band)" title="Boye (band)">Boye</a> whose debut album <i>Dosta! Dosta! Dosta!</i> (1988) was the first Serbian <a href="/wiki/All-female_band" title="All-female band">all-female</a> release since the 1960s. </p> <figure class="mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:KojaSKC1.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/d/d8/KojaSKC1.jpg/200px-KojaSKC1.jpg" decoding="async" width="200" height="231" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/d/d8/KojaSKC1.jpg/300px-KojaSKC1.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/d/d8/KojaSKC1.jpg/400px-KojaSKC1.jpg 2x" data-file-width="803" data-file-height="928" /></a><figcaption><a href="/wiki/Disciplina_Ki%C4%8Dme" class="mw-redirect" title="Disciplina Kičme">Disciplina Kičme</a> leader <a href="/wiki/Du%C5%A1an_Koji%C4%87" title="Dušan Kojić">Dušan Kojijć "Koja"</a> performing in 2000</figcaption></figure> <p>In Belgrade, former <a href="/wiki/%C5%A0arlo_Akrobata" title="Šarlo Akrobata">Šarlo Akrobata</a> members <a href="/wiki/Du%C5%A1an_Koji%C4%87" title="Dušan Kojić">Dušan Kojić</a> and <a href="/wiki/Milan_Mladenovi%C4%87" title="Milan Mladenović">Milan Mladenović</a> formed two of the most notable bands of the alternative rock scene in Serbia, <a href="/wiki/Disciplina_Ki%C4%8Dme" class="mw-redirect" title="Disciplina Kičme">Disciplina Kičme</a> and <a href="/wiki/Ekatarina_Velika" title="Ekatarina Velika">Ekatarina Velika</a>. Former Šarlo Akrobata bassist and vocalist Dušan Kojić Koja, formed the band <a href="/wiki/Disciplina_Ki%C4%8Dme" class="mw-redirect" title="Disciplina Kičme">Disciplina Kičme</a> in 1982. The band, in the initial period consisting only of Kojić and the drummer <a href="/wiki/Sr%C4%91an_Todorovi%C4%87" title="Srđan Todorović">Srđan "Žika" Todorović</a>, combining influences from <a href="/wiki/Punk_rock" title="Punk rock">punk rock</a>, <a href="/wiki/Funk" title="Funk">funk</a>, <a href="/wiki/Jazz_fusion" title="Jazz fusion">jazz fusion</a>, <a href="/wiki/Motown" title="Motown">motown</a>, <a href="/wiki/Oldschool_jungle" class="mw-redirect" title="Oldschool jungle">jungle</a>, and the works of <a href="/wiki/Jimi_Hendrix" title="Jimi Hendrix">Jimi Hendrix</a>. During the early 1990s, the band moved to London and changed the name to Discipline A Kitschme, performing with female vocalist, African-American singer Gofie Bebe, only to return to Serbia in the mid-2000s. Ekatarina Velika, having at first called Katarina II, featured former Šarlo Akrobata and Limunovo Drvo guitarists Milan Mladenović and <a href="/wiki/Dragomir_Mihajlovi%C4%87" title="Dragomir Mihajlović">Dragomir Mihajlović</a>. Having released their <a href="/wiki/Post-punk" title="Post-punk">post-punk</a> influenced records, the band moved to a more guitar-oriented <a href="/wiki/Alternative_rock" title="Alternative rock">alternative rock</a>, found on their releases <i><a href="/wiki/Ljubav_(Ekatarina_Velika_album)" title="Ljubav (Ekatarina Velika album)">Ljubav</a></i> (1987), <i><a href="/wiki/Samo_par_godina_za_nas" title="Samo par godina za nas">Samo par godina za nas</a></i> (1989), and <i><a href="/wiki/Dum_Dum_(Ekatarina_Velika_album)" class="mw-redirect" title="Dum Dum (Ekatarina Velika album)">Dum dum</a></i> (1991). Another prominent figure of the Serbian alternative rock scene, <a href="/wiki/Mitar_Suboti%C4%87" title="Mitar Subotić">Mitar Subotić</a>, also known as Rex Illusivi, a composer, producer and one of the pioneers of <a href="/wiki/Electronic_music" title="Electronic music">electronic music</a> in Serbia, was closely associated with the works of Ekatarina Velika. In 1985, Subotić, Mladenović and <a href="/wiki/Goran_Vejvoda" title="Goran Vejvoda">Goran Vejvoda</a> started the short-lived project Dah Anđela. At the about same time, Subotić was closely associated with the work of the <a href="/wiki/Art_rock" title="Art rock">art rock</a> band <a href="/wiki/Heroina_(band)" title="Heroina (band)">Heorina</a>, which featured comic book artist <a href="/wiki/Zoran_Janjetov" title="Zoran Janjetov">Zoran Janjetov</a> on vocals. In 1990, Subotić moved to <a href="/wiki/S%C3%A3o_Paulo" title="São Paulo">São Paulo</a>, Brazil, where he worked as a musician and producer. In 1994, Subotić and Mladenović, with a group of Brazilian musicians, reactivated the project as <a href="/wiki/Angel%27s_Breath" title="Angel's Breath">Angel's Breath</a>, releasing the album <i>Angel's Breath</i> in 1994. </p> <figure class="mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Antonije_Pusic_Rambo_Amadeus.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/4/49/Antonije_Pusic_Rambo_Amadeus.jpg/200px-Antonije_Pusic_Rambo_Amadeus.jpg" decoding="async" width="200" height="133" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/4/49/Antonije_Pusic_Rambo_Amadeus.jpg/300px-Antonije_Pusic_Rambo_Amadeus.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/4/49/Antonije_Pusic_Rambo_Amadeus.jpg/400px-Antonije_Pusic_Rambo_Amadeus.jpg 2x" data-file-width="2887" data-file-height="1918" /></a><figcaption><a href="/wiki/Rambo_Amadeus" title="Rambo Amadeus">Rambo Amadeus</a> in 2013</figcaption></figure> <p>The second half of the 1980s brought the formation of the prominent alternative rock acts which gained the mainstream popularity with their works during the 1990s, <a href="/wiki/Van_Gogh_(band)" title="Van Gogh (band)">Van Gogh</a> and <a href="/wiki/Rambo_Amadeus" title="Rambo Amadeus">Rambo Amadeus</a>. Despite the fact that Van Gogh, formed by guitarist <a href="/wiki/Zvonimir_%C4%90uki%C4%87" class="mw-redirect" title="Zvonimir Đukić">Zvonimir Đukić</a> "Đule", released <a href="/wiki/Van_Gogh_(Van_Gogh_album)" title="Van Gogh (Van Gogh album)">their debut self-titled album</a> in 1986, which was also the year of their formation, it was in the early 1990s that the band which, having disbanded, and reformed in 1990, became successful with the albums <i><a href="/wiki/Svet_je_moj" title="Svet je moj">Svet je moj</a></i> (1991), <i><a href="/wiki/Strast" title="Strast">Strast</a></i> (1993), <i><a href="/wiki/Hodi_(album)" title="Hodi (album)">Hodi</a></i> (1996), and <i><a href="/wiki/Opasan_ples" title="Opasan ples">Opasan ples</a></i> (1999). In the 2000s the band moved towards more commercial sound, and established themselves as one of the top mainstream acts on the Serbian rock scene. The <a href="/wiki/Belgrade" title="Belgrade">Belgrade</a>-based <a href="/wiki/Montenegro" title="Montenegro">Montenegrin</a> singer-songwriter Antonije Pušić, who works under the pseudonym Rambo Amadeus, with his debut album <i><a href="/wiki/O_tugo_jesenja" title="O tugo jesenja">O tugo jesenja</a></i> (1988), created the unique combination of different musical styles, including <a href="/wiki/Jazz" title="Jazz">jazz</a>, rock, and <a href="/wiki/Folk_music" title="Folk music">folk music</a>, which he called "<a href="/wiki/Turbo_folk" class="mw-redirect" title="Turbo folk">turbo folk</a>". The term was later used for the subgenere of the folk music from the <a href="/wiki/Balkans" title="Balkans">Balkans</a>. Pušić continued in the same manner on his later releases also making influence on the <a href="/wiki/Serbian_hip_hop" title="Serbian hip hop">Serbian hip hop</a> scene with the albums <i><a href="/wiki/Ho%C4%87emo_gusle" title="Hoćemo gusle">Hoćemo gusle</a></i> (1989) and <i><a href="/wiki/Psiholo%C5%A1ko_propagandni_komplet_M-91" title="Psihološko propagandni komplet M-91">Psihološko propagandni komplet M-91</a></i> (1991). </p><p>The beginning of the 1990s featured the prominent alternative rock acts: <a href="/wiki/D%C5%BEa_ili_Bu" title="Dža ili Bu">Dža ili Bu</a>, <a href="/wiki/Darkwood_Dub" title="Darkwood Dub">Darkwood Dub</a>, <a href="/wiki/Presing" title="Presing">Presing</a>, <a href="/wiki/Kanda,_Kod%C5%BEa_i_Neboj%C5%A1a" title="Kanda, Kodža i Nebojša">Kanda, Kodža i Nebojša</a>, and <a href="/wiki/Block_Out_(band)" title="Block Out (band)">Block Out</a> from <a href="/wiki/Belgrade" title="Belgrade">Belgrade</a>, <a href="/wiki/Obojeni_Program" title="Obojeni Program">Obojeni Program</a> from <a href="/wiki/Novi_Sad" title="Novi Sad">Novi Sad</a> and <a href="/wiki/Bjesovi" title="Bjesovi">Bjesovi</a> from <a href="/wiki/Gornji_Milanovac" title="Gornji Milanovac">Gornji Milanovac</a>. Dža ili Bu, formed in 1987, featuring a combination <a href="/wiki/Hard_rock" title="Hard rock">hard rock</a> and <a href="/wiki/Punk_rock" title="Punk rock">punk rock</a>, with their 1992 album <i>Hej mornari</i> presented the political situation in the country with their ironical lyrical style. Darkwood Dub, formed in 1988, performed a combination of <a href="/wiki/Electronic_music" title="Electronic music">electronic music</a> and rock. <a href="/wiki/Presing" title="Presing">Presing</a>, formed in 1990, combined <a href="/wiki/Post_rock" class="mw-redirect" title="Post rock">post rock</a>, <a href="/wiki/Soul_music" title="Soul music">soul</a>, <a href="/wiki/Free_jazz" title="Free jazz">free jazz</a> and <a href="/wiki/Krautrock" title="Krautrock">krautrock</a>. <a href="/wiki/Kanda,_Kod%C5%BEa_i_Neboj%C5%A1a" title="Kanda, Kodža i Nebojša">Kanda, Kodža i Nebojša</a>, formed in 1991, performed a combination of rock, jazz and <a href="/wiki/Reggae" title="Reggae">reggae</a>. Block Out, formed in 1991, initially inspired by various diverse bands and <a href="/wiki/Grunge" title="Grunge">grunge</a>/<a href="/wiki/Hard_rock" title="Hard rock">hard rock</a>-oriented, after the release of <i><a href="/wiki/Crno,_belo_i_srebrno" title="Crno, belo i srebrno">Crno, belo i srebrno</a></i> (1994) started to move towards a darker, heavier atmosphere and sound under <a href="/w/index.php?title=Nikola_Vranjkovi%C4%87&action=edit&redlink=1" class="new" title="Nikola Vranjković (page does not exist)">Nikola Vranjković</a>'s songwriting, combining elements of <a href="/wiki/Doom_metal" title="Doom metal">doom metal</a>, <a href="/wiki/Psychedelic_rock" title="Psychedelic rock">psychedelic rock</a>, hard rock and punk rock with social-related lyrics. Obojeni Program, although formed in 1980, released their debut album <i><a href="/wiki/Najva%C5%BEnije_je_biti_zdrav" title="Najvažnije je biti zdrav">Najvažnije je biti zdrav</a></i> in 1990. Bjesovi, formed in 1989, combining grunge, hard rock, psychedelic rock and doom metal, released their debut <i><a href="/wiki/U_osvit_zadnjeg_dana" title="U osvit zadnjeg dana">U osvit zadnjeg dana</a></i> in 1991, but achieved success with the release of their second, <a href="/wiki/Bjesovi_(album)" title="Bjesovi (album)">self-titled album</a>, released in 1992. </p><p>The mid-1990s featured the disbandment of <a href="/wiki/Ekatarina_Velika" title="Ekatarina Velika">Ekatarina Velika</a>, and the formation of the bands <a href="/wiki/Supernaut_(Serbian_band)" title="Supernaut (Serbian band)">Supernaut</a>, <a href="/w/index.php?title=357_(band)&action=edit&redlink=1" class="new" title="357 (band) (page does not exist)">357</a>, <a href="/wiki/Jarboli" title="Jarboli">Jarboli</a>, <a href="/wiki/Kristali" title="Kristali">Kristali</a> and <a href="/wiki/E-Play" title="E-Play">E-Play</a>. The band Supernaut, featuring former <a href="/wiki/Radni%C4%8Dka_Kontrola" title="Radnička Kontrola">Radnička Kontrola</a> member <a href="/w/index.php?title=Sr%C4%91an_Markovi%C4%87&action=edit&redlink=1" class="new" title="Srđan Marković (page does not exist)">Srđan Marković</a>, influenced by <a href="/wiki/Suicide_(band)" title="Suicide (band)">Suicide</a>, wrote plays and performed a combination of art exhibitions, theater plays and rock concerts. 357 performed a combination of <a href="/wiki/Hard_rock" title="Hard rock">hard rock</a>, <a href="/wiki/Rap_rock" title="Rap rock">rap rock</a>, Serbian <a href="/wiki/Folk_music" title="Folk music">folk</a> and <a href="/wiki/Reggae" title="Reggae">reggae</a>, combined with socially critical lyrical style. Jarboli, a guitar-oriented club band formed in 1993, independently released the prominent album <i>Čizmanoga</i>, but after the album release, moved to a more softer rock sound, found on their later releases. Kristali, like Jarboli, were formed in 1993, and combined the simple <a href="/wiki/Pop_rock" title="Pop rock">pop rock</a> song structures backed with <a href="/wiki/Brass_instruments" class="mw-redirect" title="Brass instruments">brass</a> sections, making a communicative musical performance found on their releases <i>Kristali</i> and <i>Dolina ljubavi</i>. E-Play, featuring a majority of female members, combined alternative rock with various electronic music genres. </p><p>The 2000s brought new alternative rock acts, large number of them usually denoted as Nova srpska scena (<i>New Serbian Scene</i>). </p> <div class="mw-heading mw-heading3"><h3 id="Oi!,_ska,_hardcore_and_pop_punk_(late_1980s–present)"><span id="Oi.21.2C_ska.2C_hardcore_and_pop_punk_.28late_1980s.E2.80.93present.29"></span>Oi!, ska, hardcore and pop punk (late 1980s–present)</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Rock_music_in_Serbia&action=edit&section=14" title="Edit section: Oi!, ska, hardcore and pop punk (late 1980s–present)"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Ritamneredaexit10.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/f/f0/Ritamneredaexit10.jpg/200px-Ritamneredaexit10.jpg" decoding="async" width="200" height="133" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/f/f0/Ritamneredaexit10.jpg/300px-Ritamneredaexit10.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/f/f0/Ritamneredaexit10.jpg/400px-Ritamneredaexit10.jpg 2x" data-file-width="800" data-file-height="533" /></a><figcaption><a href="/wiki/Ritam_Nereda" title="Ritam Nereda">Ritam Nereda</a> performing in 2010</figcaption></figure> <p>The late 1980s brought a variety of <a href="/wiki/Punk_rock" title="Punk rock">punk rock</a> bands and genres on the Serbian scene and the <a href="/wiki/Oi!" title="Oi!">Oi!</a>, <a href="/wiki/Ska" title="Ska">ska</a>, <a href="/wiki/Hardcore_punk" title="Hardcore punk">hardcore punk</a> and <a href="/wiki/Pop_punk" class="mw-redirect" title="Pop punk">pop punk</a> bands emerged from the local demo scenes to the major record labels and nationwide popularity. </p><p>The Oi! scene, with <a href="/wiki/Ritam_Nereda" title="Ritam Nereda">Ritam Nereda</a> and <a href="/wiki/Direktori" title="Direktori">Direktori</a>, quickly found the way to the fans with their political-related lyrics, aggressive music and effective live performances. Direktori, unlike Ritam Nereda, were also turned towards <a href="/wiki/Ska" title="Ska">ska</a> music, which became very popular on the Serbian scene. Even though ska appeared in the early 1980s with the band <a href="/wiki/Kontraritam" title="Kontraritam">Kontraritam</a>, formed in 1980, which released only <a href="/wiki/Kontraritam_(album)" title="Kontraritam (album)">one album</a> before disbanding in 1983, it was only with the bands like <a href="/wiki/Plejboj" title="Plejboj">Plejboj</a> and <a href="/wiki/Familija" title="Familija">Familija</a> that it gained a vast number of fans. Plejboj, formed in 1992, gained popularity with their combination of punk rock, ska, <a href="/wiki/Soul_music" title="Soul music">soul</a>, <a href="/wiki/Funk" title="Funk">funk</a>, <a href="/wiki/Jazz_fusion" title="Jazz fusion">jazz fusion</a>, and <a href="/wiki/Pop_rock" title="Pop rock">pop rock</a>, found on their albums <i>Sviraj dečko</i> (1994) and <i>Overdrive</i> (1997). Familija, formed in 1994, gained popularity with their ska/pop rock songs with humorous lyrics found on their albums <i><a href="/wiki/Narodno_pozori%C5%A1te" title="Narodno pozorište">Narodno pozorište</a></i> (1994) and <i><a href="/wiki/Selja%C4%8Dka_buna" title="Seljačka buna">Seljačka buna</a></i> (1998). However, despite the success of the releases, they disbanded in 1998. In 2003, the band's former vocalist Dejan Pejović formed the band <a href="/wiki/The_Dibidus" title="The Dibidus">The Dibidus</a>, whose albums <i>The Dibidus</i> (2003) and <i>Trenerka i sako</i> (2011) were stylistically similar to the works of Familija. </p><p>Hardcore punk scene, founded in the late 1980s, gained the mainstream popularity in the 1990s with the bands <a href="/wiki/Sick_Mother_Fakers" title="Sick Mother Fakers">Sick Mother Fakers</a> from Belgrade, which were one of the pioneers of the genre in Serbia, <a href="/wiki/Ni%C5%A1ta_Ali_Logopedi" title="Ništa Ali Logopedi">Ništa Ali Logopedi</a> from <a href="/wiki/%C5%A0abac" title="Šabac">Šabac</a>, which featured <a href="/wiki/Accordion" title="Accordion">accordion</a>-oriented <a href="/wiki/Music_of_Serbia#Traditional_music" title="Music of Serbia">Serbian folk music</a> combined with hardcore punk, the <a href="/wiki/Rapcore" class="mw-redirect" title="Rapcore">rapcore</a> band <a href="/wiki/Sunshine_(Serbian_band)" title="Sunshine (Serbian band)">Sunshine</a> from Belgrade, which combined rap and hardcore punk with sexually overt lyrics, and the hardcore punk/<a href="/wiki/Metalcore" title="Metalcore">metalcore</a> band <a href="/wiki/Overdrive_(band)" title="Overdrive (band)">Overdrive</a> from <a href="/wiki/Zrenjanin" title="Zrenjanin">Zrenjanin</a>. One of the most popular bands of the genre was <a href="/wiki/Eyesburn" title="Eyesburn">Eyesburn</a>, a <a href="/wiki/Brass_instrument" title="Brass instrument">brass</a>-oriented combination of hardcore punk and <a href="/wiki/Reggae" title="Reggae">reggae</a> music. The band's growing popularity with the releases of <i>Fool Control</i> /2000) and later <i>Solid</i> (2003), gave them the opportunity to tour Europe with <a href="/wiki/Soulfly" title="Soulfly">Soulfly</a>. The band disbanded in 2005, but reunited in 2011.<sup id="cite_ref-54" class="reference"><a href="#cite_note-54"><span class="cite-bracket">[</span>54<span class="cite-bracket">]</span></a></sup> </p><p>Pop punk scene in Serbia mainly developed in the 1990s, due to the popularity of the bands <a href="/wiki/Oru%C5%BEjem_Protivu_Otmi%C4%8Dara" title="Oružjem Protivu Otmičara">Oružjem Protivu Otmičara</a>, <a href="/wiki/Six_Pack_(band)" title="Six Pack (band)">Six Pack</a> and <a href="/wiki/%C4%8Covek_Bez_Sluha" title="Čovek Bez Sluha">Čovek Bez Sluha</a>. Oružjem Protivu Otmičara from Zrenjanin are one of the pioneers of the genre in <a href="/wiki/Serbia" title="Serbia">Serbia</a> and their 1996 album <a href="https://sr.wikipedia.org/wiki/BarbieCue_(1996)" class="extiw" title="sr:BarbieCue (1996)"><i>BarbieCue</i></a> became one of the most popular releases of the 1990s. <a href="/wiki/Six_Pack_(band)" title="Six Pack (band)">Six Pack</a> and <a href="/wiki/%C4%8Covek_Bez_Sluha" title="Čovek Bez Sluha">Čovek Bez Sluha</a>, the two bands currently having the same vocalist Milan "Miki" Radojević, the former from <a href="/wiki/Smederevska_Palanka" title="Smederevska Palanka">Smederevska Palanka</a>, and the latter from <a href="/wiki/Kragujevac" title="Kragujevac">Kragujevac</a>, moved from local prominence to performing abroad and having their recordings released by foreign record labels. The popularity of the genre continued in the 2000s (decade) with the work of the above-mentioned bands and the newly formed bands <a href="/w/index.php?title=Lude_Krawe&action=edit&redlink=1" class="new" title="Lude Krawe (page does not exist)">Lude Krawe</a>, formed in 1998, <a href="/wiki/Super_s_Karamelom" title="Super s Karamelom">Super s Karamelom</a>, featuring two female vocalists, formed in 2003, and <a href="/w/index.php?title=Strip_(band)&action=edit&redlink=1" class="new" title="Strip (band) (page does not exist)">Strip</a>, initially a project by Serbian <a href="/wiki/Graphic_arts" title="Graphic arts">graphic</a> and comic book artists, which combines graphic art with <a href="/wiki/Power_pop" title="Power pop">power pop</a> and <a href="/wiki/Pop_punk" class="mw-redirect" title="Pop punk">pop punk</a>, formed in 2005. </p> <div class="mw-heading mw-heading3"><h3 id="Industrial_rock_(late_1980s–present)"><span id="Industrial_rock_.28late_1980s.E2.80.93present.29"></span>Industrial rock (late 1980s–present)</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Rock_music_in_Serbia&action=edit&section=15" title="Edit section: Industrial rock (late 1980s–present)"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Despite being a part of the developed Yugoslav <a href="/wiki/Industrial_rock" title="Industrial rock">industrial rock</a> scene, Serbian scene gave a small number of notable acts. One of the most notable acts was the band <a href="/w/index.php?title=VIVIsect&action=edit&redlink=1" class="new" title="VIVIsect (page does not exist)">VIVIsect</a> from <a href="/wiki/Novi_Sad" title="Novi Sad">Novi Sad</a>, which was formed in 1989 and released two cassette albums. Early 1990s brought acts like Overdose from <a href="/wiki/Belgrade" title="Belgrade">Belgrade</a> and also <a href="/w/index.php?title=Katarza&action=edit&redlink=1" class="new" title="Katarza (page does not exist)">Katarza</a> from <a href="/wiki/Novi_Sad" title="Novi Sad">Novi Sad</a>, both whom combined industrial rock with elements of <a href="/wiki/Alternative_rock" title="Alternative rock">alternative rock</a> and <a href="/wiki/Crossover_(music)" class="mw-redirect" title="Crossover (music)">crossover</a>. Another two notable 1990s acts were the bands <a href="/w/index.php?title=Retromind&action=edit&redlink=1" class="new" title="Retromind (page does not exist)">Retromind</a> from <a href="/wiki/Kru%C5%A1evac" title="Kruševac">Kruševac</a> and Pure from <a href="/wiki/Jagodina" title="Jagodina">Jagodina</a>, both combining <a href="/wiki/Ministry_(band)" title="Ministry (band)">Ministry</a>-like <a href="/wiki/Industrial_metal" title="Industrial metal">industrial metal</a> with rock music. The late 1990s brought new industrial rock acts into the scene, such as <a href="/wiki/DreDDup" title="DreDDup">DreDDup</a> and <a href="/w/index.php?title=%C5%BDexon_5&action=edit&redlink=1" class="new" title="Žexon 5 (page does not exist)">Žexon 5</a> from <a href="/wiki/Novi_Sad" title="Novi Sad">Novi Sad</a> and <a href="/wiki/Klopka_za_Pionira" class="mw-redirect" title="Klopka za Pionira">Klopka za Pionira</a> from <a href="/wiki/Pan%C4%8Devo" title="Pančevo">Pančevo</a>. <a href="/wiki/DreDDup" title="DreDDup">DreDDup</a> released seven albums, did several European tours and also collaborated with cult Slovenian industrial group <a href="/wiki/Borghesia" title="Borghesia">Borghesia</a>. The 2000s brought new bands to the scene: <a href="/wiki/Monolith" title="Monolith">Monolith</a> from <a href="/wiki/Nis" class="mw-redirect mw-disambig" title="Nis">Nis</a>, Syphil from <a href="/wiki/Sombor" title="Sombor">Sombor</a>, Figurative Theatre and Pornhouse from <a href="/wiki/Ni%C5%A1" title="Niš">Niš</a>. </p><p>Several notable acts incorporated industrial rock elements into their sound: <a href="/wiki/Grindcore" title="Grindcore">grindcore</a> band <a href="/wiki/Urgh!_(band)" title="Urgh! (band)">Urgh!</a>, with their 2001 album <i>Sumo</i>, alternative rock band <a href="/wiki/D%C5%BEa_ili_Bu" title="Dža ili Bu">Dža ili Bu</a>, with their 2007 album <i>Ultra muk</i>, and alternative rock act, <a href="/wiki/Supernaut_(Serbian_band)" title="Supernaut (Serbian band)">Supernaut</a>, drawing on many different musical influences, featured a kind of <a href="/wiki/Experimental_music" title="Experimental music">experimental</a> variant of industrial rock. </p> <div class="mw-heading mw-heading3"><h3 id="Grunge_and_post-grunge_(early_1990s–present)"><span id="Grunge_and_post-grunge_.28early_1990s.E2.80.93present.29"></span>Grunge and post-grunge (early 1990s–present)</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Rock_music_in_Serbia&action=edit&section=16" title="Edit section: Grunge and post-grunge (early 1990s–present)"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Bjesovinisomnia.JPG" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/0/01/Bjesovinisomnia.JPG/220px-Bjesovinisomnia.JPG" decoding="async" width="220" height="165" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/0/01/Bjesovinisomnia.JPG/330px-Bjesovinisomnia.JPG 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/0/01/Bjesovinisomnia.JPG/440px-Bjesovinisomnia.JPG 2x" data-file-width="1024" data-file-height="768" /></a><figcaption><a href="/wiki/Bjesovi" title="Bjesovi">Bjesovi</a> performing in 2009</figcaption></figure> <p>The bands <a href="/wiki/Block_Out_(band)" title="Block Out (band)">Block Out</a> from <a href="/wiki/Belgrade" title="Belgrade">Belgrade</a> and <a href="/wiki/Bjesovi" title="Bjesovi">Bjesovi</a> from <a href="/wiki/Gornji_Milanovac" title="Gornji Milanovac">Gornji Milanovac</a> were the representatives of <a href="/wiki/Grunge" title="Grunge">grunge</a> on the Serbian rock scene. After their debut album <i><a href="/wiki/Crno,_belo_i_srebrno" title="Crno, belo i srebrno">Crno, belo i srebrno</a></i> (1994), the early <a href="/wiki/Hard_rock" title="Hard rock">hard rock</a> concept of Block Out started to move towards a darker, heavier atmosphere and sound under <a href="/w/index.php?title=Nikola_Vranjkovi%C4%87&action=edit&redlink=1" class="new" title="Nikola Vranjković (page does not exist)">Nikola Vranjković</a>'s songwriting. The followup <i><a href="/wiki/Godina_sirotinjske_zabave" title="Godina sirotinjske zabave">Godina sirotinjske zabave</a></i> (1996) featured the material written during the six years of the band existence, and the lyrical themes were mainly oriented around the end of <a href="/wiki/Socialism" title="Socialism">socialism</a> in Serbia. With the release of the next album, <i><a href="/wiki/San_koji_sre%C4%87an_sanja%C5%A1_sam" title="San koji srećan sanjaš sam">San koji srećan sanjaš sam</a></i> (1998), the band moved from grunge sound towards <a href="/wiki/Art_rock" title="Art rock">art rock</a> and <a href="/wiki/Alternative_rock" title="Alternative rock">alternative rock</a>. Bjesovi released their debut <i><a href="/wiki/U_osvit_zadnjeg_dana" title="U osvit zadnjeg dana">U osvit zadnjeg dana</a></i> in 1991, but achieved success with the release of their second, <a href="/wiki/Bjesovi_(album)" title="Bjesovi (album)">self-titled album</a> (1994). Achieving success with the album, the band turned towards religiously oriented lyrics and music on their following album <i><a href="/wiki/Sve_%C5%A1to_vidim_i_sve_%C5%A1to_znam" title="Sve što vidim i sve što znam">Sve što vidim i sve što znam</a></i> (1997). After the album release, Bjesovi disbanded, after which the band member Goran Marić became one of the originators of the <a href="/wiki/Christian_rock" title="Christian rock">Christian rock</a> project <i><a href="/wiki/Pesme_iznad_istoka_i_zapada" title="Pesme iznad istoka i zapada">Pesme iznad istoka i zapada</a></i> (2001).<sup id="cite_ref-55" class="reference"><a href="#cite_note-55"><span class="cite-bracket">[</span>55<span class="cite-bracket">]</span></a></sup> The band reformed with a new lineup in 2000 and released <i><a href="/wiki/Bolje_ti" title="Bolje ti">Bolje ti</a></i> in 2009. </p><p>The 2000s featured three notable <a href="/wiki/Post-grunge" title="Post-grunge">post-grunge</a> bands, <a href="/wiki/Night_Shift_(band)" title="Night Shift (band)">Night Shift</a>, <a href="/w/index.php?title=Euforia_(band)&action=edit&redlink=1" class="new" title="Euforia (band) (page does not exist)">Euforia</a>, and <a href="/w/index.php?title=Broken_Strings_(band)&action=edit&redlink=1" class="new" title="Broken Strings (band) (page does not exist)">Broken Strings</a>. Night Shift, even though formed in 1991, released their debut album <i><a href="/wiki/Undercovers_(Night_Shift_album)" title="Undercovers (Night Shift album)">Undercovers</a></i> in 2002. The album, which featured covers of songs by various rock and pop artists, was well-accepted by the audience and the critics, and the band moved towards writing their own songs, releasing their second album <i><a href="/wiki/Bez_zaklona" title="Bez zaklona">Bez zaklona</a></i> in 2009. Euforia, formed in 1999 and mainly influenced by <a href="/wiki/Nirvana_(band)" title="Nirvana (band)">Nirvana</a>, released their debut, self-titled album in 2005. The band single "Blokovi" was pronounced the Single of the Year 2005 on the <a href="/wiki/B92" title="B92">B92</a> annual singles top list.<sup id="cite_ref-56" class="reference"><a href="#cite_note-56"><span class="cite-bracket">[</span>56<span class="cite-bracket">]</span></a></sup> The band continued performing, and in 2008 released their second album <i>2</i>. <a href="/w/index.php?title=Broken_Strings_(band)&action=edit&redlink=1" class="new" title="Broken Strings (band) (page does not exist)">Broken Strings</a>, starting as a <a href="/wiki/Pearl_Jam" title="Pearl Jam">Pearl Jam</a> tribute band, moved towards writing their own material. Winning the 39th <a href="/wiki/Gitarijada_festival" class="mw-redirect" title="Gitarijada festival">Gitarijada festival</a> in <a href="/wiki/Zaje%C4%8Dar" title="Zaječar">Zaječar</a>, the band released their debut album <i>Svaki trenutak ostaje...</i> in 2007.<sup id="cite_ref-57" class="reference"><a href="#cite_note-57"><span class="cite-bracket">[</span>57<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Britpop_(early_1990s_–_present)"><span id="Britpop_.28early_1990s_.E2.80.93_present.29"></span>Britpop (early 1990s – present)</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Rock_music_in_Serbia&action=edit&section=17" title="Edit section: Britpop (early 1990s – present)"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-default-size mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Eva_Braun_band_at_Exit_7.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/f/f5/Eva_Braun_band_at_Exit_7.jpg/220px-Eva_Braun_band_at_Exit_7.jpg" decoding="async" width="220" height="165" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/f/f5/Eva_Braun_band_at_Exit_7.jpg/330px-Eva_Braun_band_at_Exit_7.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/f/f5/Eva_Braun_band_at_Exit_7.jpg/440px-Eva_Braun_band_at_Exit_7.jpg 2x" data-file-width="1536" data-file-height="1152" /></a><figcaption><a href="/wiki/Eva_Braun_(band)" title="Eva Braun (band)">Eva Braun</a> performing in 2008</figcaption></figure> <p><a href="/wiki/Britpop" title="Britpop">Britpop</a> appeared in Serbia with the band <a href="/wiki/Eva_Braun_(band)" title="Eva Braun (band)">Eva Braun</a> from <a href="/wiki/Be%C4%8Dej" title="Bečej">Bečej</a>, and the band's faction <a href="/wiki/Popcycle" title="Popcycle">Popcycle</a>. Eva Braun was formed in 1990 by Goran Vasović, Petar Dolinka and Milan Glavaški. Influenced by <a href="/wiki/The_Beatles" title="The Beatles">The Beatles</a>, <a href="/wiki/Little_Richard" title="Little Richard">Little Richard</a>, <a href="/wiki/The_Byrds" title="The Byrds">The Byrds</a>, and the Serbian band <a href="/wiki/Idoli" title="Idoli">Idoli</a>, the band released their debut album <i>Prisluškivanja</i> in 1992. The album had minor hits, but the single "Sasvim običan dan" found on the band's second album <i>Pop music</i>, released in 1995, had drawn the public's attention to the band's work. The <i><a href="/wiki/Rolling_Stone" title="Rolling Stone">Rolling Stone</a></i> review of the album described the album as "the best Brit-pop album never to come out of the UK".<sup id="cite_ref-58" class="reference"><a href="#cite_note-58"><span class="cite-bracket">[</span>58<span class="cite-bracket">]</span></a></sup> Despite the success of the release, the internal conflicts lead to the disbandment of the band. Part of the band moved to their newly formed band Popcycle, while Vasović, with a new lineup reformed Eva Braun. The band's third album <i>Heart Core</i> repeated the success of the previous release, and the band, having performed at the <a href="/wiki/International_Pop_Overthrow" title="International Pop Overthrow">International Pop Overthrow</a>, also gained the opportunity to release an album for the North American market with the release of <i>Nowhere Land</i>. In 2000, the band started working on an ambitious project which came out as <i>Everest</i> in 2001, however, after the album release, the band disbanded. Popcycle, formed by former Eva Braun members Petar Dolinka and Milan Glavaški, released their debut album <i>Orbitalna putovanja</i> in 1996, and <i>Popcyclopedia</i> in 1997. The band disbanded in 1999, and Dolinka and Glavaški reunited with the rest of the original Eva Braun lineup in 2007, releasing the album <i>Playback</i> in 2011. In 2006, Glavaški, with a group of Serbian and Hungarian musicians formed his side project, <a href="/wiki/Alternative_country" title="Alternative country">alternative country</a>/<a href="/wiki/Pop_rock" title="Pop rock">pop rock</a> band <a href="/wiki/Rebel_Star" title="Rebel Star">Rebel Star</a>. </p><p>Other notable representatives of the Serbian britpop scene are <a href="/wiki/Kristali" title="Kristali">Kristali</a>, <a href="/wiki/Veliki_Prezir" title="Veliki Prezir">Veliki Prezir</a>, <a href="/w/index.php?title=Instant_Karma_(Serbian_band)&action=edit&redlink=1" class="new" title="Instant Karma (Serbian band) (page does not exist)">Instant Karma</a> and <a href="/wiki/Lutke" title="Lutke">Lutke</a>. </p> <div class="mw-heading mw-heading3"><h3 id="Irish_folk_and_Celtic_rock_(early_1990s_–_present)"><span id="Irish_folk_and_Celtic_rock_.28early_1990s_.E2.80.93_present.29"></span>Irish folk and Celtic rock (early 1990s – present)</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Rock_music_in_Serbia&action=edit&section=18" title="Edit section: Irish folk and Celtic rock (early 1990s – present)"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Orthodox_Celts_u_Banja_Luci.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/5/56/Orthodox_Celts_u_Banja_Luci.jpg/200px-Orthodox_Celts_u_Banja_Luci.jpg" decoding="async" width="200" height="116" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/5/56/Orthodox_Celts_u_Banja_Luci.jpg/300px-Orthodox_Celts_u_Banja_Luci.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/5/56/Orthodox_Celts_u_Banja_Luci.jpg/400px-Orthodox_Celts_u_Banja_Luci.jpg 2x" data-file-width="1532" data-file-height="891" /></a><figcaption><a href="/wiki/Orthodox_Celts" title="Orthodox Celts">Orthodox Celts</a> performing in 2008</figcaption></figure> <p>The <a href="/wiki/Irish_folk_music" class="mw-redirect" title="Irish folk music">Irish folk</a> and <a href="/wiki/Celtic_rock" title="Celtic rock">Celtic rock</a> scene appeared in <a href="/wiki/Serbia" title="Serbia">Serbia</a> with the works of <a href="/wiki/Orthodox_Celts" title="Orthodox Celts">Orthodox Celts</a> from <a href="/wiki/Belgrade" title="Belgrade">Belgrade</a>. During the mid-1980s, Dušan Živanović, the drummer of the <a href="/wiki/Pub_rock_(United_Kingdom)" title="Pub rock (United Kingdom)">pub rock</a> band <a href="/wiki/Roze_Poze" title="Roze Poze">Roze Poze</a>, wanted to form a band which would perform cover versions of Irish folk songs, and the influence of the idea was partially achieved through the works of Roze Poze. However, it was in 1992 that Živanović formed the first Serbian Irish folk band called Orthodox Celts with the vocalist <a href="/wiki/Aleksandar_Petrovi%C4%87_(musician)" class="mw-redirect" title="Aleksandar Petrović (musician)">Aleksandar "Aca Celtic" Petrović</a> and violinist Ana Đokić. The band, having released their first two albums, <i><a href="/wiki/Orthodox_Celts_(album)" title="Orthodox Celts (album)">Orthodox Celts</a></i> (1994) and <i><a href="/wiki/The_Celts_Strike_Again" title="The Celts Strike Again">The Celts Strike Again</a></i> (1997), which mainly featured cover versions of Irish folk songs, started writing their own material. Since the release of <i><a href="/wiki/Green_Roses" title="Green Roses">Green Roses</a></i> in 1999, the band centered on writing and recording their own songs. The traditional performances for <a href="/wiki/Saint_Patrick%27s_Day" title="Saint Patrick's Day">Saint Patrick's Day</a> and at the <a href="/wiki/Belgrade_Beer_Fest" title="Belgrade Beer Fest">Belgrade Beer Fest</a> made the band become a live attraction, having well-visited live appearances in Serbia and abroad. </p><p>During the early 2000s, appeared two bands, <a href="/wiki/Alfapop" title="Alfapop">Tir na n'Og</a> and <a href="/wiki/Irish_Stew_of_Sindidun" title="Irish Stew of Sindidun">Irish Stew of Sindidun</a>, both from Belgrade, inspired by the works of Orthodox Celts. Tir na n'Og, formed in 2000, performed a combination of Irish and <a href="/wiki/Serbian_folk_music" title="Serbian folk music">Serbian folk music</a> with <a href="/wiki/Punk_rock" title="Punk rock">punk rock</a>, and their debut album <i><a href="/wiki/Tir_na_n%27Og_(album)" title="Tir na n'Og (album)">Tir na n'Og</a></i> was released in 2006.<sup id="cite_ref-59" class="reference"><a href="#cite_note-59"><span class="cite-bracket">[</span>59<span class="cite-bracket">]</span></a></sup> However, in 2008, the band changed the name to Alfapop and moved towards <a href="/wiki/Power_pop" title="Power pop">power pop</a> sound.<sup id="cite_ref-60" class="reference"><a href="#cite_note-60"><span class="cite-bracket">[</span>60<span class="cite-bracket">]</span></a></sup> Irish Stew of Sindidun, formed in 2003, having started as a cover band, started writing their own material. The band recorded their debut album <i><a href="/wiki/So_Many_Words..." title="So Many Words...">So Many Words...</a></i> in 2005. In 2011, they released <i><a href="/wiki/New_Tomorrow_(album)" title="New Tomorrow (album)">New Tomorrow</a></i>, their first album not to feature any covers of Irish folk songs. </p> <div class="mw-heading mw-heading3"><h3 id="New_Serbian_Scene_(late_2000s_–_early_2010s)"><span id="New_Serbian_Scene_.28late_2000s_.E2.80.93_early_2010s.29"></span>New Serbian Scene (late 2000s – early 2010s)</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Rock_music_in_Serbia&action=edit&section=19" title="Edit section: New Serbian Scene (late 2000s – early 2010s)"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>The term Nova srpska scena (<i>New Serbian Scene</i>) was coined in the second half of the 2000s by the web magazine <i>Popboks</i>, which was initially one of the main promoters of the scene.<sup id="cite_ref-pescanik.net_61-0" class="reference"><a href="#cite_note-pescanik.net-61"><span class="cite-bracket">[</span>61<span class="cite-bracket">]</span></a></sup> Although the term was mostly used to denote bands promoted in Popboks and released their albums through the record label Odličan Hrčak,<sup id="cite_ref-62" class="reference"><a href="#cite_note-62"><span class="cite-bracket">[</span>62<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-63" class="reference"><a href="#cite_note-63"><span class="cite-bracket">[</span>63<span class="cite-bracket">]</span></a></sup> the term was also often used to denote many young Serbian bands formed after 2000.<sup id="cite_ref-pescanik.net_61-1" class="reference"><a href="#cite_note-pescanik.net-61"><span class="cite-bracket">[</span>61<span class="cite-bracket">]</span></a></sup> Also, some of the bands active in the 1990s, most notably the <a href="/wiki/Alternative_rock" title="Alternative rock">alternative rock</a> band <a href="/wiki/Goribor" title="Goribor">Goribor</a>,<sup id="cite_ref-64" class="reference"><a href="#cite_note-64"><span class="cite-bracket">[</span>64<span class="cite-bracket">]</span></a></sup> were closely associated to the scene. The bands differed by genre: although a part of the bands were influenced by the <a href="/wiki/New_wave_music_in_Yugoslavia" title="New wave music in Yugoslavia">Yugoslav new wave</a> and the contemporary <a href="/wiki/Indie_rock" title="Indie rock">indie</a> and <a href="/wiki/Pop_rock" title="Pop rock">pop rock</a>,<sup id="cite_ref-65" class="reference"><a href="#cite_note-65"><span class="cite-bracket">[</span>65<span class="cite-bracket">]</span></a></sup> not all the bands considered part of the scene were. The most notable bands which were associated with the scene include <a href="/wiki/Klopka_Za_Pionira" title="Klopka Za Pionira">Klopka Za Pionira</a>, <a href="/w/index.php?title=Multietni%C4%8Dka_Atrakcija&action=edit&redlink=1" class="new" title="Multietnička Atrakcija (page does not exist)">Multietnička Atrakcija</a>, <a href="/w/index.php?title=The_Mothership_Orchestra&action=edit&redlink=1" class="new" title="The Mothership Orchestra (page does not exist)">The Mothership Orchestra</a>, <a href="/wiki/Ne%C5%BEni_Dalibor" title="Nežni Dalibor">Nežni Dalibor</a>, <a href="/wiki/Repetitor" title="Repetitor">Repetitor</a>, <a href="/w/index.php?title=Petrol_(band)&action=edit&redlink=1" class="new" title="Petrol (band) (page does not exist)">Petrol</a>, <a href="/wiki/S.A.R.S." class="mw-redirect" title="S.A.R.S.">S.A.R.S.</a>, <a href="/w/index.php?title=Stuttgart_Online&action=edit&redlink=1" class="new" title="Stuttgart Online (page does not exist)">Stuttgart Online</a>, <a href="/w/index.php?title=Svi_Na_Pod!&action=edit&redlink=1" class="new" title="Svi Na Pod! (page does not exist)">Svi Na Pod!</a>, <a href="/wiki/Konstrakta" title="Konstrakta">Zemlja Gruva</a>, <a href="/w/index.php?title=%C5%BDeneKese&action=edit&redlink=1" class="new" title="ŽeneKese (page does not exist)">ŽeneKese</a>, <a href="/w/index.php?title=Virvel&action=edit&redlink=1" class="new" title="Virvel (page does not exist)">Virvel</a>, <a href="/w/index.php?title=Kralj_%C4%8Ca%C4%8Dka&action=edit&redlink=1" class="new" title="Kralj Čačka (page does not exist)">Kralj Čačka</a> and others.<sup id="cite_ref-66" class="reference"><a href="#cite_note-66"><span class="cite-bracket">[</span>66<span class="cite-bracket">]</span></a></sup> </p><p>In 2007, <a href="/wiki/PGP-RTS" title="PGP-RTS">PGP-RTS</a>, in cooperation with Popboks, released the compilation album <i><a href="/w/index.php?title=Jutro_%C4%87e_promeniti_sve%3F&action=edit&redlink=1" class="new" title="Jutro će promeniti sve? (page does not exist)">Jutro će promeniti sve?</a></i>, which featured songs by sixteen bands associated with the scene.<sup id="cite_ref-67" class="reference"><a href="#cite_note-67"><span class="cite-bracket">[</span>67<span class="cite-bracket">]</span></a></sup> By the end of the decade, the most notable representatives of the scene released their debut albums. <a href="/wiki/Goribor" title="Goribor">Goribor</a>, formed in 1996, gained popularity in the 2000s with their demo recordings officially released through the Croatian label Slušaj Najglasnije!, releasing their first studio album, <i><a href="/wiki/Goribor_(album)" title="Goribor (album)">Goribor</a></i>, in 2007.<sup id="cite_ref-68" class="reference"><a href="#cite_note-68"><span class="cite-bracket">[</span>68<span class="cite-bracket">]</span></a></sup> <a href="/w/index.php?title=Petrol_(band)&action=edit&redlink=1" class="new" title="Petrol (band) (page does not exist)">Petrol</a>, formed in 2003, released their debut album, <i>Nezgodno vreme opasni dani</i>, in 2008.<sup id="cite_ref-69" class="reference"><a href="#cite_note-69"><span class="cite-bracket">[</span>69<span class="cite-bracket">]</span></a></sup> <a href="/wiki/Ne%C5%BEni_Dalibor" title="Nežni Dalibor">Nežni Dalibor</a>, active in the 1990s and reformed in 2000, released their debut album, <i>Sredstva i veštine</i>, in 2008.<sup id="cite_ref-70" class="reference"><a href="#cite_note-70"><span class="cite-bracket">[</span>70<span class="cite-bracket">]</span></a></sup> <a href="/wiki/Repetitor" title="Repetitor">Repetitor</a>, formed in 2005, released their debut album, <i><a href="/wiki/Sve_%C5%A1to_vidim_je_prvi_put" title="Sve što vidim je prvi put">Sve što vidim je prvi put</a></i>, in 2009.<sup id="cite_ref-71" class="reference"><a href="#cite_note-71"><span class="cite-bracket">[</span>71<span class="cite-bracket">]</span></a></sup> <a href="/wiki/S.A.R.S." class="mw-redirect" title="S.A.R.S.">S.A.R.S.</a>, which gained nationwide popularity with the hit song "Buđav lebac", released their debut, self-titled album in 2009.<sup id="cite_ref-72" class="reference"><a href="#cite_note-72"><span class="cite-bracket">[</span>72<span class="cite-bracket">]</span></a></sup> </p><p>At the turn of the decades, the scene started to dissolve, as the band's started to set off towards their individual careers, with some of them, like S.A.R.S. and Zemlja Gruva, achieving large mainstream popularity and the others remaining popular in alternative rock circles only. In 2013, Popboks announced the end of its activity, publishing its final text on 25 August 2013.<sup id="cite_ref-73" class="reference"><a href="#cite_note-73"><span class="cite-bracket">[</span>73<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="References">References</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Rock_music_in_Serbia&action=edit&section=20" title="Edit section: References"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist reflist-columns references-column-width" style="column-width: 30em;"> <ol class="references"> <li id="cite_note-1"><span class="mw-cite-backlink"><b><a href="#cite_ref-1">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.tanjug.rs/vremeplov.asp?id=80">"Nikola Karaklajić – legendarni šahista i pionir rok novinarstva", tanjug.rs</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20110725140617/http://www.tanjug.rs/vremeplov.asp?id=80">Archived</a> 25 July 2011 at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a></span> </li> <li id="cite_note-2"><span class="mw-cite-backlink"><b><a href="#cite_ref-2">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://www.naslovi.net/2008-04-12/gradjanski/kad-su-didzejevi-vrteli-rokenrol/637419">"Kad su didžejevi vrteli rokenrol", naslovi.net</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20120320060452/http://www.naslovi.net/2008-04-12/gradjanski/kad-su-didzejevi-vrteli-rokenrol/637419">Archived</a> 20 March 2012 at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a></span> </li> <li id="cite_note-timemachinemusic.org-3"><span class="mw-cite-backlink">^ <a href="#cite_ref-timemachinemusic.org_3-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-timemachinemusic.org_3-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-timemachinemusic.org_3-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.timemachinemusic.org/2012/06/in-memoriam-intervju-sa-nikolom-karaklajicem/">"In Memoriam: intervju sa Nikolom Karaklajićem", timemachinemusic.org</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20120607080324/http://www.timemachinemusic.org/2012/06/in-memoriam-intervju-sa-nikolom-karaklajicem/">Archived</a> 7 June 2012 at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a></span> </li> <li id="cite_note-Istorijat_PGP_RTS,_rts.rs-4"><span class="mw-cite-backlink">^ <a href="#cite_ref-Istorijat_PGP_RTS,_rts.rs_4-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Istorijat_PGP_RTS,_rts.rs_4-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.rts.rs/page/rts/sr/pgp/story/1271/O+nama/538691/Istorijat++PGP+RTS.html">"Istorijat PGP RTS", rts.rs</a></span> </li> <li id="cite_note-slobodnaevropa.org-5"><span class="mw-cite-backlink">^ <a href="#cite_ref-slobodnaevropa.org_5-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-slobodnaevropa.org_5-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.slobodnaevropa.org/content/article/823112.html">"Za sve je kriv rokenrol", slobodnaevropa.org</a></span> </li> <li id="cite_note-6"><span class="mw-cite-backlink"><b><a href="#cite_ref-6">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://exyuforever.blogspot.com/2010/03/zvezda-koja-ce-vecno-sjati.html">Živko Ivković, "Zvezda koja će večno sjati"</a></span> </li> <li id="cite_note-popboks.com-7"><span class="mw-cite-backlink">^ <a href="#cite_ref-popboks.com_7-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-popboks.com_7-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.popboks.com/tekst.php?ID=8105">"ZORAN SIMJANOVIĆ: Sa ove strane soula", popboks.com</a></span> </li> <li id="cite_note-8"><span class="mw-cite-backlink"><b><a href="#cite_ref-8">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.popboks.com/tekst.php?ID=8286">"Hazardersko upuštanje u životne tokove", interview with Žika Jelić on Popboks.com</a></span> </li> <li id="cite_note-9"><span class="mw-cite-backlink"><b><a href="#cite_ref-9">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.pressonline.rs/sr/vesti/magazin/story/142798/Srpski+„Stonsi%22+rođeni+na+Dan+republike.html">Srpski „Stonsi" rođeni na Dan republike, pressonline.rs</a></span> </li> <li id="cite_note-10"><span class="mw-cite-backlink"><b><a href="#cite_ref-10">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.popboks.com/tekst.php?ID=8291">"Sviramo do zadnjeg daha – nema više trte mrte", popboks.com</a></span> </li> <li id="cite_note-11"><span class="mw-cite-backlink"><b><a href="#cite_ref-11">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.timemachinemusic.org/2012/12/puna-arena-i-tockove-oci-suza-smak-odrzao-neponovljiv-koncert/">"Puna Arena i Točkove oči suza: Smak održao neponovljiv koncert", timemachinemusic.org</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20130102132909/http://www.timemachinemusic.org/2012/12/puna-arena-i-tockove-oci-suza-smak-odrzao-neponovljiv-koncert/">Archived</a> 2 January 2013 at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a></span> </li> <li id="cite_note-12"><span class="mw-cite-backlink"><b><a href="#cite_ref-12">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.balkanrock.com/index.php/vesti/izvestaji/7639-smak-beograda-u-areni">"Smak Beograda u Areni", balkanrock.com</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20130115195234/http://balkanrock.com/index.php/vesti/izvestaji/7639-smak-beograda-u-areni">Archived</a> 15 January 2013 at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a></span> </li> <li id="cite_note-13"><span class="mw-cite-backlink"><b><a href="#cite_ref-13">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.popboks.com/article/9315">"Ovo je pravi Smak, a ne ono...", popboks.com</a></span> </li> <li id="cite_note-autogenerated1-14"><span class="mw-cite-backlink">^ <a href="#cite_ref-autogenerated1_14-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-autogenerated1_14-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.popboks.com/tekst.php?ID=7240/">Pejović N., "Teškometalni Ikar protiv gravitacije", Popboks.com</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20110729142639/http://www.popboks.com/tekst.php?ID=7240%2F">Archived</a> 29 July 2011 at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a></span> </li> <li id="cite_note-15"><span class="mw-cite-backlink"><b><a href="#cite_ref-15">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://dalje.com/hr-scena/the-rolling-stones-u-beogradu-za-samo-50000-ljudi/62241">The Rolling Stones u Beogradu za samo 50.000 ljudi</a></span> </li> <li id="cite_note-16"><span class="mw-cite-backlink"><b><a href="#cite_ref-16">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.popboks.com/tekst.php?ID=7820">"BAJAGA I INSTRUKTORI U SAVA CENTRU: Instruktori mejnstrima", Popboks.com</a></span> </li> <li id="cite_note-17"><span class="mw-cite-backlink"><b><a href="#cite_ref-17">^</a></b></span> <span class="reference-text"><style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><cite id="CITEREFJanjatović2007" class="citation book cs1">Janjatović, Petar (2007). <i>EX YU ROCK enciklopedija 1960–2006</i>. Belgrade: self-released. p. 87.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=EX+YU+ROCK+enciklopedija+1960%E2%80%932006&rft.place=Belgrade&rft.pages=87&rft.pub=self-released&rft.date=2007&rft.aulast=Janjatovi%C4%87&rft.aufirst=Petar&rfr_id=info%3Asid%2Fen.wikipedia.org%3ARock+music+in+Serbia" class="Z3988"></span></span> </li> <li id="cite_note-Vremevode-18"><span class="mw-cite-backlink">^ <a href="#cite_ref-Vremevode_18-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Vremevode_18-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.popboks.com/tekst.php?ID=3715"><i>Vreme vode</i> review at Popboks.com</a></span> </li> <li id="cite_note-19"><span class="mw-cite-backlink"><b><a href="#cite_ref-19">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.vreme.com/cms/view.php?id=764100">"Smoking obavezan", vreme.rs</a></span> </li> <li id="cite_note-Svremenaši,_belgradebeerfest.com-20"><span class="mw-cite-backlink"><b><a href="#cite_ref-Svremenaši,_belgradebeerfest.com_20-0">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.belgradebeerfest.com/active/sr-latin/home/muzicki_program/program_petak/svremenasi.html">"Svremenaši", belgradebeerfest.com</a></span> </li> <li id="cite_note-21"><span class="mw-cite-backlink"><b><a href="#cite_ref-21">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.discogs.com/Various-Bez-Struje/release/2136385"><i>Bez struje</i> at Discogs</a></span> </li> <li id="cite_note-prog-sphere.com-22"><span class="mw-cite-backlink">^ <a href="#cite_ref-prog-sphere.com_22-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-prog-sphere.com_22-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-prog-sphere.com_22-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.prog-sphere.com/2011/03/24/non-aligned-prog-the-music-of-serbia-part-ii/">"Non-Aligned Prog: The Music of Serbia (Part II)", prog-sphere.com</a></span> </li> <li id="cite_note-23"><span class="mw-cite-backlink"><b><a href="#cite_ref-23">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFJanjatović2007" class="citation book cs1">Janjatović, Petar (2007). <i>EX YU ROCK enciklopedija 1960–2006</i>. Belgrade: self-released. p. 241.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=EX+YU+ROCK+enciklopedija+1960%E2%80%932006&rft.place=Belgrade&rft.pages=241&rft.pub=self-released&rft.date=2007&rft.aulast=Janjatovi%C4%87&rft.aufirst=Petar&rfr_id=info%3Asid%2Fen.wikipedia.org%3ARock+music+in+Serbia" class="Z3988"></span></span> </li> <li id="cite_note-24"><span class="mw-cite-backlink"><b><a href="#cite_ref-24">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.nezavisne.com/umjetost-zabava/jet-set/Dragi-Jelic-Slucajno-smo-uveli-etnorok-11503.html">"Dragi Jelić: Slučajno smo uveli etnorok", nezavisne.com</a></span> </li> <li id="cite_note-25"><span class="mw-cite-backlink"><b><a href="#cite_ref-25">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20110723225204/http://www.muzika.hr/clanak/25021/albumi/yu-grupa-the-ultimate-collection-bregovicevi-uzori-opet-jasu.aspx">"Bregovićevi uzori opet jašu"</a>. Muzika.hr. Archived from <a rel="nofollow" class="external text" href="http://www.muzika.hr/clanak/25021/albumi/yu-grupa-the-ultimate-collection-bregovicevi-uzori-opet-jasu.aspx">the original</a> on 23 July 2011<span class="reference-accessdate">. Retrieved <span class="nowrap">25 April</span> 2011</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Bregovi%C4%87evi+uzori+opet+ja%C5%A1u&rft.pub=Muzika.hr&rft_id=http%3A%2F%2Fwww.muzika.hr%2Fclanak%2F25021%2Falbumi%2Fyu-grupa-the-ultimate-collection-bregovicevi-uzori-opet-jasu.aspx&rfr_id=info%3Asid%2Fen.wikipedia.org%3ARock+music+in+Serbia" class="Z3988"></span></span> </li> <li id="cite_note-26"><span class="mw-cite-backlink"><b><a href="#cite_ref-26">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.balkanrock.com/index.php/vesti/vesti-iz-regiona/7202-dve-igre-staklenih-perli-dva-albuma">"Dve Igre Staklenih Perli – dva albuma", balkanrock.com</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20121125042230/http://www.balkanrock.com/index.php/vesti/vesti-iz-regiona/7202-dve-igre-staklenih-perli-dva-albuma">Archived</a> 25 November 2012 at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a></span> </li> <li id="cite_note-27"><span class="mw-cite-backlink"><b><a href="#cite_ref-27">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.nadlanu.com/Dynamic/Novosti,intItemID,135115,intCategoryID,63.html">Energija "Generacije 5", na dlanu.com</a></span> </li> <li id="cite_note-28"><span class="mw-cite-backlink"><b><a href="#cite_ref-28">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.pressonline.rs/sr/blog/blog/post/5/Dimitrije+Vojnov/5673/10+najva%C5%BEnijih+SFRJ+plo%C4%8Da.html">"10 najvažnijih SFRJ ploča", Dimitrije Vojnov, pressonlie.rs</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20120325235641/http://www.pressonline.rs/sr/blog/blog/post/5/Dimitrije+Vojnov/5673/10+najva%C5%BEnijih+SFRJ+plo%C4%8Da.html">Archived</a> 25 March 2012 at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a></span> </li> <li id="cite_note-29"><span class="mw-cite-backlink"><b><a href="#cite_ref-29">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://archive.today/20120730145700/http://www.balkanuk.com/vremeplov.php?id=43/">Gordi at Balkanuk.com</a><sup><a href="/wiki/Template:Usurped/doc" title="Template:Usurped/doc">[usurped]</a></sup></span> </li> <li id="cite_note-Teškometalni_Ikar_protiv_gravitacije-30"><span class="mw-cite-backlink"><b><a href="#cite_ref-Teškometalni_Ikar_protiv_gravitacije_30-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20110729142639/http://www.popboks.com/tekst.php?ID=7240%2F">"Pejović N., "Teškometalni Ikar protiv gravitacije"<span class="cs1-kern-right"></span>"</a>. Popboks.com. Archived from <a rel="nofollow" class="external text" href="http://www.popboks.com/tekst.php?ID=7240/">the original</a> on 29 July 2011<span class="reference-accessdate">. Retrieved <span class="nowrap">22 October</span> 2011</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Pejovi%C4%87+N.%2C+%22Te%C5%A1kometalni+Ikar+protiv+gravitacije%22&rft.pub=Popboks.com&rft_id=http%3A%2F%2Fwww.popboks.com%2Ftekst.php%3FID%3D7240%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ARock+music+in+Serbia" class="Z3988"></span></span> </li> <li id="cite_note-Rok_Mašina:_Na_ponoru_svetlosti-31"><span class="mw-cite-backlink"><b><a href="#cite_ref-Rok_Mašina:_Na_ponoru_svetlosti_31-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20120413174759/http://www.balkanrock.com/index.php/vesti/kolumne-i-clanci/5582-rok-maina-na-ponoru-svetlosti">"Kostić P., "Rok Mašina: Na ponoru svetlosti"<span class="cs1-kern-right"></span>"</a>. Balkanrock.com. Archived from <a rel="nofollow" class="external text" href="http://www.balkanrock.com/index.php/vesti/kolumne-i-clanci/5582-rok-maina-na-ponoru-svetlosti">the original</a> on 13 April 2012<span class="reference-accessdate">. Retrieved <span class="nowrap">22 March</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Kosti%C4%87+P.%2C+%22Rok+Ma%C5%A1ina%3A+Na+ponoru+svetlosti%22&rft.pub=Balkanrock.com&rft_id=http%3A%2F%2Fwww.balkanrock.com%2Findex.php%2Fvesti%2Fkolumne-i-clanci%2F5582-rok-maina-na-ponoru-svetlosti&rfr_id=info%3Asid%2Fen.wikipedia.org%3ARock+music+in+Serbia" class="Z3988"></span></span> </li> <li id="cite_note-Kerber,_Svet_se_brzo_okreće-32"><span class="mw-cite-backlink">^ <a href="#cite_ref-Kerber,_Svet_se_brzo_okreće_32-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Kerber,_Svet_se_brzo_okreće_32-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.mikrofonija.com/recenzije-albuma/11/380.htm">Kerber, Svet se brzo okreće</a></span> </li> <li id="cite_note-33"><span class="mw-cite-backlink"><b><a href="#cite_ref-33">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.blogoye.org/80s/41946">Karizma</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20110725082012/http://www.blogoye.org/80s/41946">Archived</a> 25 July 2011 at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a> at I♥80s blog</span> </li> <li id="cite_note-34"><span class="mw-cite-backlink"><b><a href="#cite_ref-34">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.kragujevcani.com/bendovi/osvajaci">Osvajači biography on kragujevcani.com</a></span> </li> <li id="cite_note-35"><span class="mw-cite-backlink"><b><a href="#cite_ref-35">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.serbian-metal.org/index.php/bombarder.html">Bombarder biography at serbianmetal.org</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20110301011631/http://www.serbian-metal.org/index.php/bombarder.html">Archived</a> 1 March 2011 at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a></span> </li> <li id="cite_note-36"><span class="mw-cite-backlink"><b><a href="#cite_ref-36">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.popboks.com/tekst.php?ID=6760">Kraljevski Apartman: Čuvar tajni</a></span> </li> <li id="cite_note-37"><span class="mw-cite-backlink"><b><a href="#cite_ref-37">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.serbian-metal.org/index.php/alogia.html">Alogia biography on serbian-metal.org</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20101115160913/http://www.serbian-metal.org/index.php/alogia.html">Archived</a> 15 November 2010 at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a></span> </li> <li id="cite_note-38"><span class="mw-cite-backlink"><b><a href="#cite_ref-38">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.balkanmedia.com/alogia-srecan-petak-trinaesti-cl4236.html">"Srećan petak trinaesti!", balkanmedia.com</a></span> </li> <li id="cite_note-39"><span class="mw-cite-backlink"><b><a href="#cite_ref-39">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFJanjatović2007" class="citation book cs1">Janjatović, Petar (2007). <i>EX YU ROCK enciklopedija 1960–2006</i>. Belgrade: self-released. p. 36.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=EX+YU+ROCK+enciklopedija+1960%E2%80%932006&rft.place=Belgrade&rft.pages=36&rft.pub=self-released&rft.date=2007&rft.aulast=Janjatovi%C4%87&rft.aufirst=Petar&rfr_id=info%3Asid%2Fen.wikipedia.org%3ARock+music+in+Serbia" class="Z3988"></span></span> </li> <li id="cite_note-40"><span class="mw-cite-backlink"><b><a href="#cite_ref-40">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.barikada.com/bb_lokner/ex_yu_prostor10/2010-01-04_dobri_isak.php">link <i>Mi plačemo iza tamnih naočara</i> review at Barikada.com</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20110707213453/http://www.barikada.com/bb_lokner/ex_yu_prostor10/2010-01-04_dobri_isak.php">Archived</a> 7 July 2011 at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a></span> </li> <li id="cite_note-41"><span class="mw-cite-backlink"><b><a href="#cite_ref-41">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.mikrofonija.com/recenzije-albuma/1/2940.htm">link <i>Mi plačemo iza tamnih naočara</i> review at Mikrofonija.com</a></span> </li> <li id="cite_note-42"><span class="mw-cite-backlink"><b><a href="#cite_ref-42">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.terapija.net/mjuzik.asp?ID=7951">link <i>Mi plačemo iza tamnih naočara</i> review at Terpaija.net</a></span> </li> <li id="cite_note-43"><span class="mw-cite-backlink"><b><a href="#cite_ref-43">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://www.naslovi.net/2009-09-25/24sata/tamburaski-pank-u-skc-na-bombshellfestu/1338507">"Tamburaški pank u SKC na Bombshellfestu", naslovi.net</a></span> </li> <li id="cite_note-44"><span class="mw-cite-backlink"><b><a href="#cite_ref-44">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.zagrebinfo.net/zagreb/dogadanja/nocni_zivot/zbogom_brus_li_novi_sad_purgeraj_live">"ZBOGOM BRUS LI (novi sad) / purgeraj live". zagrebinfo.net</a></span> </li> <li id="cite_note-45"><span class="mw-cite-backlink"><b><a href="#cite_ref-45">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.mondo.rs/s173902/Muzika/Povratak_Goblina.html">"Povratak Goblina", mondo</a></span> </li> <li id="cite_note-46"><span class="mw-cite-backlink"><b><a href="#cite_ref-46">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.popboks.com/vest.php?ID=14913">"Besplatno preuzmite novi album benda Nafta", popboks.com</a></span> </li> <li id="cite_note-47"><span class="mw-cite-backlink"><b><a href="#cite_ref-47">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.popboks.com/vest.php?ID=7799">"Pekinška Patka: Stari pankeri bez sakoa", Popboks, July 14, 2008</a></span> </li> <li id="cite_note-48"><span class="mw-cite-backlink"><b><a href="#cite_ref-48">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://popboks.com/vest.php?ID=12846">Povratak iz istorije Pekinške patke</a></span> </li> <li id="cite_note-49"><span class="mw-cite-backlink"><b><a href="#cite_ref-49">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFAntonićŠtrbac1998" class="citation book cs1">Antonić, Duško; Štrbac, Danilo (1998). <i>YU 100: najbolji albumi jugoslovenske rok i pop muzike</i>. Belgrade: YU Rock Press. p. 5.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=YU+100%3A+najbolji+albumi+jugoslovenske+rok+i+pop+muzike&rft.place=Belgrade&rft.pages=5&rft.pub=YU+Rock+Press&rft.date=1998&rft.aulast=Antoni%C4%87&rft.aufirst=Du%C5%A1ko&rft.au=%C5%A0trbac%2C+Danilo&rfr_id=info%3Asid%2Fen.wikipedia.org%3ARock+music+in+Serbia" class="Z3988"></span></span> </li> <li id="cite_note-50"><span class="mw-cite-backlink"><b><a href="#cite_ref-50">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.dopmagazin.com/muz/report/duran-duran-beograd-sajam">"DURAN DURAN, Beograd, Sajam, 17. listopad", dopmagazin.com</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20110928085523/http://www.dopmagazin.com/muz/report/duran-duran-beograd-sajam">Archived</a> 28 September 2011 at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a></span> </li> <li id="cite_note-51"><span class="mw-cite-backlink"><b><a href="#cite_ref-51">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.jane-music.com/jane-eng/Seiten/History.htm">Jane biography on the official site</a></span> </li> <li id="cite_note-janjatović100-52"><span class="mw-cite-backlink"><b><a href="#cite_ref-janjatović100_52-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFJanjatović2007" class="citation book cs1">Janjatović, Petar (2007). <i>Ex YU rock enciklopedija 1960–2006</i>. Belgrade: self-released. p. 100.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Ex+YU+rock+enciklopedija+1960%E2%80%932006&rft.place=Belgrade&rft.pages=100&rft.pub=self-released&rft.date=2007&rft.aulast=Janjatovi%C4%87&rft.aufirst=Petar&rfr_id=info%3Asid%2Fen.wikipedia.org%3ARock+music+in+Serbia" class="Z3988"></span></span> </li> <li id="cite_note-53"><span class="mw-cite-backlink"><b><a href="#cite_ref-53">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://richbitchband.com/">Rich Bitch official website</a></span> </li> <li id="cite_note-54"><span class="mw-cite-backlink"><b><a href="#cite_ref-54">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://balkanrock.com/index.php/Vesti-iz-regiona/eyesburn-ponovo-na-okupu.html">"Eyesburn ponovo na okupu", balkanrock.com</a></span> </li> <li id="cite_note-55"><span class="mw-cite-backlink"><b><a href="#cite_ref-55">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.mitropolija.co.me/ustrojstvo/radio/vladika/projekat/index.html">"Muzički projekat iznad istoka i zapada", <i>Reporter</i> magazine</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20101202034124/http://www.mitropolija.co.me/ustrojstvo/radio/vladika/projekat/index.html">Archived</a> 2 December 2010 at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a></span> </li> <li id="cite_note-56"><span class="mw-cite-backlink"><b><a href="#cite_ref-56">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.b92.net/kultura_old/index.php?view=77&did=14414&plim=70">B92 – Kultura: 4. January 2006. – Godišnja lista 2005</a></span> </li> <li id="cite_note-57"><span class="mw-cite-backlink"><b><a href="#cite_ref-57">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.myspace.com/slomljenezice">Broken Strings official MySpace</a></span> </li> <li id="cite_note-58"><span class="mw-cite-backlink"><b><a href="#cite_ref-58">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.oaza.rs/muzika/evabraun/recenzij.htm"><i>Pop Music</i> reviews at oaza.rs</a></span> </li> <li id="cite_note-59"><span class="mw-cite-backlink"><b><a href="#cite_ref-59">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.popboks.com/tekst.php?ID=4120"><i>Tir na n'Og</i> review at Popboks</a></span> </li> <li id="cite_note-60"><span class="mw-cite-backlink"><b><a href="#cite_ref-60">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.nadlanu.com/pocetna/vodic/muzika/Alfapop.a-81868.136.html">Interview with Alfapop at nadlanu.com</a></span> </li> <li id="cite_note-pescanik.net-61"><span class="mw-cite-backlink">^ <a href="#cite_ref-pescanik.net_61-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-pescanik.net_61-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.pescanik.net/content/view/4009/186/">Vlada Milovanović, "Grizi sistem. Živi poraz (I)", pescanik.net</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20110720080339/http://pescanik.net/content/view/4009/186/">Archived</a> 20 July 2011 at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a></span> </li> <li id="cite_note-62"><span class="mw-cite-backlink"><b><a href="#cite_ref-62">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.b92.net/kultura/pop/d_kutak.php?nav_id=338440">"Nova srpska scena", b92.net</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20110606124730/http://www.b92.net/kultura/pop/d_kutak.php?nav_id=338440">Archived</a> 6 June 2011 at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a></span> </li> <li id="cite_note-63"><span class="mw-cite-backlink"><b><a href="#cite_ref-63">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.tportal.hr/showtime/glazba/2335/Petrol-Repetitor-Nezni-Dalibor.html">"Petrol / Repetitor / Nežni Dalibor", tportal.hr</a></span> </li> <li id="cite_note-64"><span class="mw-cite-backlink"><b><a href="#cite_ref-64">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.soundguardian.com/soundguardian/najave-koncerata/kamo-u-petak?-goribor-u-mo%E8vari!/">"Kamo u petak? Goribor u Močvari!", SoundGuardian.com</a> <a rel="nofollow" class="external text" href="https://archive.today/20120917125331/http://www.soundguardian.com/soundguardian/najave-koncerata/kamo-u-petak?-goribor-u-mo%E8vari!/">Archived</a> 17 September 2012 at <a href="/wiki/Archive.today" title="Archive.today">archive.today</a></span> </li> <li id="cite_note-65"><span class="mw-cite-backlink"><b><a href="#cite_ref-65">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.politika.rs/rubrike/Kritika/muzicka-kritika/Budjenje-srpske-nezavisne-pop-scene.lt.html">"Buđenje srpske nezavisne pop scene", politika.rs</a></span> </li> <li id="cite_note-66"><span class="mw-cite-backlink"><b><a href="#cite_ref-66">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.last.fm/tag/nova%20srpska%20scena/artists">Nova srpska scena artists at Last.fm</a></span> </li> <li id="cite_note-67"><span class="mw-cite-backlink"><b><a href="#cite_ref-67">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.popboks.com/tekst.php?ID=5067">"Jutro će promeniti sve? – Nova srpska scena", Popboks.com</a></span> </li> <li id="cite_note-68"><span class="mw-cite-backlink"><b><a href="#cite_ref-68">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.popboks.com/tekst.php?ID=6143">Goribor: <i>Goribor</i>, Popboks.com</a></span> </li> <li id="cite_note-69"><span class="mw-cite-backlink"><b><a href="#cite_ref-69">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.popboks.com/tekst.php?ID=6847">Petrol: <i>Nezgodno vreme opasni dani</i>, Popboks.com</a></span> </li> <li id="cite_note-70"><span class="mw-cite-backlink"><b><a href="#cite_ref-70">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.popboks.com/tekst.php?ID=6789">"NEŽNI DALIBOR – Sredstva i veštine /"</a>. Popboks.com<span class="reference-accessdate">. Retrieved <span class="nowrap">22 April</span> 2011</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=NE%C5%BDNI+DALIBOR+%E2%80%93+Sredstva+i+ve%C5%A1tine+%2F&rft.pub=Popboks.com&rft_id=http%3A%2F%2Fwww.popboks.com%2Ftekst.php%3FID%3D6789&rfr_id=info%3Asid%2Fen.wikipedia.org%3ARock+music+in+Serbia" class="Z3988"></span></span> </li> <li id="cite_note-71"><span class="mw-cite-backlink"><b><a href="#cite_ref-71">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.popboks.com/tekst.php?ID=6905">Repetitor: <i>Sve što vidim je prvi put</i>, Popboks.com</a></span> </li> <li id="cite_note-72"><span class="mw-cite-backlink"><b><a href="#cite_ref-72">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.popboks.com/tekst.php?ID=7331">S.A.R.S.: <i>S.A.R.S.</i>, Popboks.com</a></span> </li> <li id="cite_note-73"><span class="mw-cite-backlink"><b><a href="#cite_ref-73">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.popboks.com/article/30056">"Hvala na pažnji i doviđenja", popboks.com</a></span> </li> </ol></div> <div class="mw-heading mw-heading2"><h2 id="Bibliography">Bibliography</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Rock_music_in_Serbia&action=edit&section=21" title="Edit section: Bibliography"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><i>EX YU ROCK enciklopedija 1960–2006</i>, Janjatović Petar; <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-86-905317-1-4" title="Special:BookSources/978-86-905317-1-4">978-86-905317-1-4</a></li> <li><i>Fatalni ringišpil: hronika beogradskog rokenrola 1959—1979</i>, Žikić Alkesandar, publisher: Geopoetika, Belgrade, Yugoslavia, 1999</li> <li>Siniša Škarica, <i>Kada je rock bio mlad: Priča s istočne strane (1956.-1970.)</i>, <a href="/wiki/V.B.Z._d.o.o." class="mw-redirect" title="V.B.Z. d.o.o.">V.B.Z. d.o.o.</a>, Zagreb, 2005. godine. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/953-201-517-5" title="Special:BookSources/953-201-517-5">953-201-517-5</a></li> <li><i>Punk u Jugoslaviji</i>, Dragan Pavlov and Dejan Šunjka, publisher: IGP Dedalus, Yugoslavia, 1990</li> <li><i>Moj život je novi val</i>, Branko Kostelnik, knjiga intervjua, publisher: Fraktura, Zagreb, Croatia, 2004</li> <li><i>Od Čivija do Goblina: šabačka rock enciklopedija</i>, Ivković Živko, 1999; <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/OCLC_(identifier)" class="mw-redirect" title="OCLC (identifier)">OCLC</a> <a rel="nofollow" class="external text" href="https://www.worldcat.org/oclc/163351502">163351502</a></li> <li><i>NS Rockopedija, novosadska rock scena 1963–2003</i>, Bogomir Mijatović, Publisher: SWITCH, 2005</li> <li><i>Enciklopedija niškog Rock 'n' Rolla 1962 – 2000</i>, Stanojević Vladan; <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/86-902517-1-5" title="Special:BookSources/86-902517-1-5">86-902517-1-5</a></li> <li><i>Neka druga scena</i>, Davor Bogdanović; Publisher: GraphIT, 2009</li> <li><i>Riblja čorba</i>, Jakovljević Mirko; <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/86-83525-39-2" title="Special:BookSources/86-83525-39-2">86-83525-39-2</a></li> <li><i>Nevidljive terazije Slobodana Stojanovića Kepe</i>, Jakovljević Mirko; <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/86-83525-67-8" title="Special:BookSources/86-83525-67-8">86-83525-67-8</a></li> <li><i>Ljuba Ninković: S vremena na vreme</i>, Kajlovic Vladimir; <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/86-7784-033-8" title="Special:BookSources/86-7784-033-8">86-7784-033-8</a></li></ul> <div class="mw-heading mw-heading2"><h2 id="See_also">See also</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Rock_music_in_Serbia&action=edit&section=22" title="Edit section: See also"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><a href="/wiki/Music_of_Serbia" title="Music of Serbia">Music of Serbia</a></li> <li><a href="/wiki/Popular_music_in_the_Socialist_Federal_Republic_of_Yugoslavia" class="mw-redirect" title="Popular music in the Socialist Federal Republic of Yugoslavia">Popular music in the Socialist Federal Republic of Yugoslavia</a></li> <li><a href="/wiki/New_wave_music_in_Yugoslavia" title="New wave music in Yugoslavia">New wave music in Yugoslavia</a></li> <li><a href="/wiki/Punk_rock_in_Yugoslavia" title="Punk rock in Yugoslavia">Punk rock in Yugoslavia</a></li> <li><a href="/wiki/YU_Rock_Misija" title="YU Rock Misija">YU Rock Misija</a></li> <li><i><a href="/wiki/Rockovnik" title="Rockovnik">Rockovnik</a></i></li></ul> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><style data-mw-deduplicate="TemplateStyles:r1236075235">.mw-parser-output .navbox{box-sizing:border-box;border:1px solid #a2a9b1;width:100%;clear:both;font-size:88%;text-align:center;padding:1px;margin:1em auto 0}.mw-parser-output .navbox .navbox{margin-top:0}.mw-parser-output .navbox+.navbox,.mw-parser-output .navbox+.navbox-styles+.navbox{margin-top:-1px}.mw-parser-output .navbox-inner,.mw-parser-output .navbox-subgroup{width:100%}.mw-parser-output .navbox-group,.mw-parser-output .navbox-title,.mw-parser-output .navbox-abovebelow{padding:0.25em 1em;line-height:1.5em;text-align:center}.mw-parser-output .navbox-group{white-space:nowrap;text-align:right}.mw-parser-output .navbox,.mw-parser-output .navbox-subgroup{background-color:#fdfdfd}.mw-parser-output .navbox-list{line-height:1.5em;border-color:#fdfdfd}.mw-parser-output .navbox-list-with-group{text-align:left;border-left-width:2px;border-left-style:solid}.mw-parser-output tr+tr>.navbox-abovebelow,.mw-parser-output tr+tr>.navbox-group,.mw-parser-output tr+tr>.navbox-image,.mw-parser-output tr+tr>.navbox-list{border-top:2px solid #fdfdfd}.mw-parser-output .navbox-title{background-color:#ccf}.mw-parser-output .navbox-abovebelow,.mw-parser-output .navbox-group,.mw-parser-output .navbox-subgroup .navbox-title{background-color:#ddf}.mw-parser-output .navbox-subgroup .navbox-group,.mw-parser-output .navbox-subgroup .navbox-abovebelow{background-color:#e6e6ff}.mw-parser-output .navbox-even{background-color:#f7f7f7}.mw-parser-output .navbox-odd{background-color:transparent}.mw-parser-output .navbox .hlist td dl,.mw-parser-output .navbox .hlist td ol,.mw-parser-output .navbox .hlist td ul,.mw-parser-output .navbox td.hlist dl,.mw-parser-output .navbox td.hlist ol,.mw-parser-output .navbox td.hlist ul{padding:0.125em 0}.mw-parser-output .navbox .navbar{display:block;font-size:100%}.mw-parser-output .navbox-title .navbar{float:left;text-align:left;margin-right:0.5em}body.skin--responsive .mw-parser-output .navbox-image img{max-width:none!important}@media print{body.ns-0 .mw-parser-output .navbox{display:none!important}}</style></div><div role="navigation" class="navbox" aria-labelledby="Pop_and_rock_music_of_Serbia" style="padding:3px"><table class="nowraplinks mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239400231"><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:Music_of_Serbia" title="Template:Music of Serbia"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Music_of_Serbia" title="Template talk:Music of Serbia"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Music_of_Serbia" title="Special:EditPage/Template:Music of Serbia"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Pop_and_rock_music_of_Serbia" style="font-size:114%;margin:0 4em">Pop and rock music of <a href="/wiki/Serbia" title="Serbia">Serbia</a></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%">Main</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Music_of_Serbia" title="Music of Serbia">Music of Serbia</a></li> <li><a href="/wiki/Serbian_pop" title="Serbian pop">Serbian pop</a></li> <li><a href="/wiki/Serbian_rock" class="mw-redirect" title="Serbian rock">Serbian rock</a></li> <li><a href="/wiki/Serbia_in_the_Eurovision_Song_Contest" title="Serbia in the Eurovision Song Contest">Serbia in the Eurovision Song Contest</a></li> <li><a href="/wiki/Turbo-folk" title="Turbo-folk">Turbo-folk</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Record labels</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/City_Records" title="City Records">City Records</a></li> <li><a href="/wiki/Grand_Production" title="Grand Production">Grand Production</a></li> <li><a href="/wiki/Hi-Fi_Centar" title="Hi-Fi Centar">Hi-Fi Centar</a></li> <li><a href="/wiki/Komuna_(company)" title="Komuna (company)">Komuna</a></li> <li><a href="/wiki/Metropolis_Records_(Serbia)" title="Metropolis Records (Serbia)">Metropolis Records</a></li> <li><a href="/wiki/Multimedia_Records" title="Multimedia Records">Multimedia Records</a></li> <li><a href="/wiki/One_Records_(Serbia)" title="One Records (Serbia)">One Records</a></li> <li><a href="/wiki/PGP-RTS" title="PGP-RTS">PGP RTS</a></li> <li><a href="/wiki/Rock_Express_Records" class="mw-redirect" title="Rock Express Records">Rock Express Records</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Music magazines</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/D%C5%BEuboks" title="Džuboks">Džuboks</a></i></li> <li><i><a href="/wiki/Hard_Metal_(magazine)" title="Hard Metal (magazine)">Hard Metal</a></i></li> <li><i><a href="/wiki/Ritam_(Novi_Sad_magazine)" title="Ritam (Novi Sad magazine)">Ritam</a></i></li> <li><i><a href="/wiki/Ritam" title="Ritam">Ritam</a></i></li> <li><i><a href="/wiki/Rock_(magazine)" title="Rock (magazine)">Rock</a></i></li> <li><i><a href="/wiki/Rock_Express" title="Rock Express">Rock Express</a></i></li> <li><i><a href="/wiki/Vreme_zabave" title="Vreme zabave">Vreme zabave</a></i></li> <li><i><a href="/wiki/YU_rock_magazin" title="YU rock magazin">YU rock magazin</a></i></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Music festivals</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Arsenal_Fest" title="Arsenal Fest">Arsenal Fest</a></li> <li><a href="/wiki/Belgrade_Beer_Fest" title="Belgrade Beer Fest">Belgrade Beer Fest</a></li> <li><a href="/wiki/BOOM_Festival" title="BOOM Festival">BOOM Festival</a></li> <li><a href="/wiki/Exit_(festival)" title="Exit (festival)">Exit</a></li> <li><a href="/wiki/Festival_Omladina" title="Festival Omladina">Festival Omladina</a></li> <li><a href="/wiki/Gitarijada_(Belgrade)" title="Gitarijada (Belgrade)">Gitarijada (Belgrade)</a></li> <li><a href="/wiki/Gitarijada" title="Gitarijada">Gitarijada (Zaječar)</a></li> <li><a href="/wiki/Jelen_Pivo_Live" title="Jelen Pivo Live">Jelen Pivo Live</a></li> <li><a href="/wiki/Supernatural_Festival" title="Supernatural Festival">Supernatural Festival</a></li> <li><a href="/wiki/ZALET" title="ZALET">ZALET</a></li> <li><a href="/wiki/Parada_ritma" title="Parada ritma">Parada ritma / Vatromet ritma</a></li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div><div role="navigation" class="navbox" aria-labelledby="Rock_music_by_country" style="padding:3px"><table class="nowraplinks mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239400231"><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:World_rock" title="Template:World rock"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:World_rock" title="Template talk:World rock"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:World_rock" title="Special:EditPage/Template:World rock"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Rock_music_by_country" style="font-size:114%;margin:0 4em"><a href="/wiki/Rock_music" title="Rock music">Rock music by country</a></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%">Africa</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Rock_music_in_Angola" title="Rock music in Angola">Angola</a></li> <li><a href="/wiki/Desert_blues" title="Desert blues">Sahara desert region</a></li> <li><a href="/wiki/Zamrock" title="Zamrock">Zambia</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Americas</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Argentine_rock" title="Argentine rock">Argentina</a></li> <li><a href="/wiki/Brazilian_rock" title="Brazilian rock">Brazil</a></li> <li><a href="/wiki/Rock_music_of_Canada" title="Rock music of Canada">Canada</a></li> <li><a href="/wiki/Chilean_rock" title="Chilean rock">Chile</a></li> <li><a href="/wiki/Colombian_rock" title="Colombian rock">Colombia</a></li> <li><a href="/wiki/Music_of_Costa_Rica#Rock_music" title="Music of Costa Rica">Costa Rica</a></li> <li><a href="/wiki/Cuban_rock" title="Cuban rock">Cuba</a></li> <li><a href="/wiki/Dominican_rock" title="Dominican rock">Dominican Republic</a></li> <li><a href="/wiki/Haitian_rock" title="Haitian rock">Haiti</a></li> <li><a href="/wiki/Rock_music_in_Mexico" title="Rock music in Mexico">Mexico</a></li> <li><a href="/wiki/Peruvian_rock" title="Peruvian rock">Peru</a></li> <li><a href="/wiki/Rock_music_in_Puerto_Rico" class="mw-redirect" title="Rock music in Puerto Rico">Puerto Rico</a></li> <li><a href="/wiki/American_rock" title="American rock">United States</a></li> <li><a href="/wiki/Uruguayan_rock" title="Uruguayan rock">Uruguay</a></li> <li><a href="/wiki/Venezuelan_rock" title="Venezuelan rock">Venezuela</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Asia</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Armenian_rock" title="Armenian rock">Armenia</a></li> <li><a href="/wiki/Azerbaijani_rock" title="Azerbaijani rock">Azerbaijan</a></li> <li><a href="/wiki/Bangladeshi_rock" title="Bangladeshi rock">Bangladesh</a></li> <li><a href="/wiki/Cambodian_rock_(1960s%E2%80%931970s)" title="Cambodian rock (1960s–1970s)">Cambodia (1959-1975)</a></li> <li><a href="/wiki/Chinese_rock" title="Chinese rock">China</a></li> <li><a href="/wiki/Indian_rock" title="Indian rock">India</a> <ul><li><a href="/wiki/Rock_music_of_West_Bengal" title="Rock music of West Bengal">Bengali</a></li> <li><a href="/wiki/Raga_rock" title="Raga rock">Raga</a></li></ul></li> <li><a href="/wiki/Indonesian_rock" title="Indonesian rock">Indonesia</a></li> <li><a href="/wiki/Iranian_rock" title="Iranian rock">Iran</a></li> <li><a href="/wiki/Israeli_rock" title="Israeli rock">Israel</a></li> <li><a href="/wiki/Japanese_rock" title="Japanese rock">Japan</a></li> <li><a href="/wiki/Korean_rock" title="Korean rock">Korea</a></li> <li><a href="/wiki/Malaysian_rock" title="Malaysian rock">Malaysia</a></li> <li><a href="/wiki/Nepalese_rock" title="Nepalese rock">Nepal</a></li> <li><a href="/wiki/Pakistani_rock" title="Pakistani rock">Pakistan</a> (<a href="/wiki/Sufi_rock" title="Sufi rock">Sufi</a>)</li> <li><a href="/wiki/Pinoy_rock" title="Pinoy rock">Philippines</a> (<a href="/wiki/BisRock" class="mw-redirect" title="BisRock">Visayas</a>)</li> <li><a href="/wiki/Taiwanese_rock" title="Taiwanese rock">Taiwan</a></li> <li><a href="/wiki/Thai_rock" title="Thai rock">Thailand</a></li> <li><a href="/wiki/Vietnamese_rock_music" class="mw-redirect" title="Vietnamese rock music">Vietnam</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Europe</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Rock_music_in_Albania" title="Rock music in Albania">Albania</a></li> <li><a href="/wiki/Rock_music_in_Belarus" title="Rock music in Belarus">Belarus</a></li> <li><a href="/wiki/Rock_music_in_Belgium" title="Rock music in Belgium">Belgium</a></li> <li><a href="/wiki/Rock_music_in_Bosnia_and_Herzegovina" title="Rock music in Bosnia and Herzegovina">Bosnia and Herzegovina</a></li> <li><a href="/wiki/Music_of_Croatia#Rock" title="Music of Croatia">Croatia</a></li> <li><a href="/wiki/Rock_music_in_Denmark" title="Rock music in Denmark">Denmark</a></li> <li><a href="/wiki/Rock_music_in_Estonia" title="Rock music in Estonia">Estonia</a></li> <li><a href="/wiki/Rock_music_in_Finland" title="Rock music in Finland">Finland</a></li> <li><a href="/wiki/Rock_music_in_France" title="Rock music in France">France</a></li> <li><a href="/wiki/Rock_music_in_Germany" title="Rock music in Germany">Germany</a></li> <li><a href="/wiki/Rock_music_in_Greece" title="Rock music in Greece">Greece</a></li> <li><a href="/wiki/Rock_music_in_Hungary" title="Rock music in Hungary">Hungary</a></li> <li><a href="/wiki/Rock_music_in_Iceland" title="Rock music in Iceland">Iceland</a></li> <li><a href="/wiki/Rock_music_in_Ireland" title="Rock music in Ireland">Ireland</a></li> <li><a href="/wiki/Rock_music_in_Italy" title="Rock music in Italy">Italy</a></li> <li><a href="/wiki/Rock_music_in_Latvia" title="Rock music in Latvia">Latvia</a></li> <li><a href="/wiki/Rock_music_in_Lithuania" title="Rock music in Lithuania">Lithuania</a></li> <li><a href="/wiki/Rock_music_in_the_Netherlands" title="Rock music in the Netherlands">Netherlands</a></li> <li><a href="/wiki/Rock_music_in_Norway" title="Rock music in Norway">Norway</a></li> <li><a href="/wiki/Rock_music_in_Poland" title="Rock music in Poland">Poland</a></li> <li><a href="/wiki/Rock_music_in_Portugal" title="Rock music in Portugal">Portugal</a></li> <li><a href="/wiki/Rock_music_in_Romania" title="Rock music in Romania">Romania</a></li> <li><a href="/wiki/Rock_music_in_Russia" title="Rock music in Russia">Russia</a></li> <li><a class="mw-selflink selflink">Serbia</a></li> <li><a href="/wiki/Rock_music_in_Slovenia" title="Rock music in Slovenia">Slovenia</a></li> <li><a href="/wiki/Rock_music_in_Spain" title="Rock music in Spain">Spain</a></li> <li><a href="/wiki/Popular_music_in_Sweden" title="Popular music in Sweden">Sweden</a></li> <li><a href="/wiki/Rock_music_in_Switzerland" title="Rock music in Switzerland">Switzerland</a></li> <li><a href="/wiki/Rock_music_in_Turkey" class="mw-redirect" title="Rock music in Turkey">Turkey</a></li> <li><a href="/wiki/Rock_music_in_Ukraine" title="Rock music in Ukraine">Ukraine</a></li> <li><a href="/wiki/British_rock_music" title="British rock music">United Kingdom</a></li> <li><a href="/wiki/Popular_music_in_Yugoslavia" title="Popular music in Yugoslavia">Yugoslavia</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Oceania</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Rock_music_in_Australia" title="Rock music in Australia">Australia</a></li> <li><a href="/wiki/Rock_music_in_New_Zealand" title="Rock music in New Zealand">New Zealand</a></li></ul> </div></td></tr><tr><td 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