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Bruyn","page_name":"BenDeBruyn","domain_name":"uclouvain","created_at":"2012-06-25T05:36:34.283-07:00","display_name":"Ben De Bruyn","url":"https://uclouvain.academia.edu/BenDeBruyn"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="105871289"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/105871289/Eco_Sonic_Memory_in_Australian_Pyrocene_Fiction_Palgrave_Handbook_of_Literary_Memory_Studies_2024_"><img alt="Research paper thumbnail of Eco-Sonic Memory in Australian Pyrocene Fiction (Palgrave Handbook of Literary Memory Studies, 2024)" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard 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href="https://www.academia.edu/114377753/Wayward_Plots_Public_Transport_and_Abolition_Narratology_in_Namwali_Serpells_The_Furrows_Critique_2024_"><img alt="Research paper thumbnail of Wayward Plots: Public Transport and Abolition Narratology in Namwali Serpell's The Furrows (Critique, 2024)" class="work-thumbnail" src="https://attachments.academia-assets.com/116825932/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/114377753/Wayward_Plots_Public_Transport_and_Abolition_Narratology_in_Namwali_Serpells_The_Furrows_Critique_2024_">Wayward Plots: Public Transport and Abolition Narratology in Namwali Serpell's The Furrows (Critique, 2024)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This article examines the infrastructural imagination of Namwali Serpell's grief narrative The Fu...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This article examines the infrastructural imagination of Namwali Serpell's grief narrative The Furrows. Building on existing research about public transport, carceral geography, and the infrastructural uncanny, it draws attention to the pivotal role of schools, prisons, and airports as well as the Bay Area Rapid Transit system in Serpell's novel about a missing brother and his adult double. This enigmatic disappearance and several key scenes related to civic networks fit into the broader anti-Black condition Christina Sharpe has labeled the wake, as the narrative's use of maritime imagery underlines. Yet the novel also performs a defiant form of "wake work" by deploying literary techniques involving minor characters, subplots, and foreshadowing that scramble the narrative's own logistical operations in the service of an insurgent mode of formalism this article proposes calling "abolition narratology." Better an errant path than the known world.-Saidiya Hartman Introduction: #BLM and Narrative Infrastructure Literary texts are not cables, sewers, or railway tracks and so they should be distinguished, obviously, from literal, physical forms of hard infrastructure. Yet because most definitions of infrastructure do not just mention particular material objects, sites, and networks but also the related circulation of people, goods, and information, it might be argued that the concatenation of events, settings, and characters that is plot is akin to the networking quality of infrastructure. "[T]he nature of plot itself," in Yoon Sun Lee's words, strongly resembles the actions of "infrastructure," including "to connect, to gather, to enable trajectories and collisions" (213). Not everyone would agree that such a comparison is productive. In a recent contribution, Jennifer Wenzel formulates "a warning against too-broad notions of infrastructure that miss the concept-grounding power of the material" (Rich et al. 210), because "[w]ithin this promiscuous reading. .. lies the risk of literary critics reducing the hard-won insights and material objects of other disciplines. .. to mere metaphor, in a mode at once underthought and overimagined" (209-10). But at a time when literary critics are turning to "the aesthetic life of infrastructure," and when governments are signally failing to provide adequate services to racialized citizens especially, as I explain below, it is worth asking how creative texts handle the friction between the movements enabled by material infrastructure and the imaginative traffic supported by plot and narrative infrastructure, so to speak. Mark McGurl hints at a similar argument in his analysis of the Ibis Trilogy, which points out that Amitav Ghosh's novels represent "the emergent system of global free trade [and] the increasingly efficient communication networks that facilitated it" but CONTACT Ben De Bruyn</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="14e1a1a1124626ab230bb3e1af3a275d" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":116825932,"asset_id":114377753,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/116825932/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="114377753"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="114377753"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 114377753; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="profile--tab_heading_container js-section-heading" data-section="Books and Special Issues" id="Books and Special Issues"><h3 class="profile--tab_heading_container">Books and Special Issues by Ben De Bruyn</h3></div><div class="js-work-strip profile--work_container" data-work-id="105871380"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/105871380/Introduction_Beyond_the_Sacrifice_Zone_Textual_Practice_2023_"><img alt="Research paper thumbnail of Introduction: Beyond the Sacrifice Zone (Textual Practice, 2023)" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/105871380/Introduction_Beyond_the_Sacrifice_Zone_Textual_Practice_2023_">Introduction: Beyond the Sacrifice Zone (Textual Practice, 2023)</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="105871380"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="105871380"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 105871380; 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Planetary Memory in Contemporary American Fiction (Textual Practice, 2017)" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/12700342/Introduction_Planetary_Memory_in_Contemporary_American_Fiction_Textual_Practice_2017_">Introduction. Planetary Memory in Contemporary American Fiction (Textual Practice, 2017)</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://uclouvain.academia.edu/BenDeBruyn">Ben De Bruyn</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://westminster.academia.edu/LucyBond">Lucy Bond</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="12700342"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="12700342"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 12700342; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=12700342]").text(description); $(".js-view-count[data-work-id=12700342]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 12700342; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='12700342']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=12700342]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":12700342,"title":"Introduction. 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dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=2486491]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":2486491,"title":"Modern Times, Literary Change (Peeters, 2013)","internal_url":"https://www.academia.edu/2486491/Modern_Times_Literary_Change_Peeters_2013_","owner_id":2011404,"coauthors_can_edit":true,"owner":{"id":2011404,"first_name":"Ben","middle_initials":null,"last_name":"De Bruyn","page_name":"BenDeBruyn","domain_name":"uclouvain","created_at":"2012-06-25T05:36:34.283-07:00","display_name":"Ben De Bruyn","url":"https://uclouvain.academia.edu/BenDeBruyn"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="8027212"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/8027212/L_imaginaire_nobiliaire_de_la_litt%C3%A9rature_moderne_1900_1950_Neohelicon_2015_"><img alt="Research paper thumbnail of L’imaginaire nobiliaire de la littérature moderne: 1900–1950 (Neohelicon, 2015)" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/8027212/L_imaginaire_nobiliaire_de_la_litt%C3%A9rature_moderne_1900_1950_Neohelicon_2015_">L’imaginaire nobiliaire de la littérature moderne: 1900–1950 (Neohelicon, 2015)</a></div><div class="wp-workCard_item"><span>Neohelicon</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="8027212"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="8027212"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 8027212; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=8027212]").text(description); $(".js-view-count[data-work-id=8027212]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 8027212; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='8027212']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=8027212]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":8027212,"title":"L’imaginaire nobiliaire de la littérature moderne: 1900–1950 (Neohelicon, 2015)","internal_url":"https://www.academia.edu/8027212/L_imaginaire_nobiliaire_de_la_litt%C3%A9rature_moderne_1900_1950_Neohelicon_2015_","owner_id":2011404,"coauthors_can_edit":true,"owner":{"id":2011404,"first_name":"Ben","middle_initials":null,"last_name":"De Bruyn","page_name":"BenDeBruyn","domain_name":"uclouvain","created_at":"2012-06-25T05:36:34.283-07:00","display_name":"Ben De Bruyn","url":"https://uclouvain.academia.edu/BenDeBruyn"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="1255948"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/1255948/Wolfgang_Iser_A_Companion_De_Gruyter_2012_"><img alt="Research paper thumbnail of Wolfgang Iser. A Companion (De Gruyter, 2012)" class="work-thumbnail" src="https://attachments.academia-assets.com/31255222/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/1255948/Wolfgang_Iser_A_Companion_De_Gruyter_2012_">Wolfgang Iser. A Companion (De Gruyter, 2012)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Although Wolfgang Iser is one of the most influential literary theorists of the twentieth century...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Although Wolfgang Iser is one of the most influential literary theorists of the twentieth century, there is no authoritative study about his oeuvre. The present work remedies that problem by analysing Iser’s German and English writings in detail. Apart from being the first comprehensive account of his work, this study also modifies the established view of Iser’s theory. In contrast to the idea that his only contribution to literary studies is the reception theory of the 1970s, this account demonstrates the importance of Iser’s work on history and anthropology from the 1950s and 1990s. Instead of exclusively focusing on familiar terms such as ‘indeterminacy’, this analysis also discusses Iser’s view of modernity, fiction and culture. As this discussion shows, his writings develop a consistent theory of the novel and the way in which it allows its readers to articulate new views of reality. To situate this theory, Iser’s institutional and intellectual background is described as well, paying special attention to the Poetik und Hermeneutik-circle and thinkers like Blumenberg and Kermode. The continued relevance of his theory is demonstrated via comparisons with recent research on the novel and memory as well as examples from contemporary novelists like Juli Zeh and Hilary Mantel.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="3f9f40d7f64e7b2d3910b674eb1d5bea" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":31255222,"asset_id":1255948,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/31255222/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="1255948"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="1255948"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 1255948; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=1255948]").text(description); $(".js-view-count[data-work-id=1255948]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 1255948; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='1255948']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "3f9f40d7f64e7b2d3910b674eb1d5bea" } } $('.js-work-strip[data-work-id=1255948]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":1255948,"title":"Wolfgang Iser. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="profile--tab_heading_container js-section-heading" data-section="Literature and Environment" id="Literature and Environment"><h3 class="profile--tab_heading_container">Literature and Environment by Ben De Bruyn</h3></div><div class="js-work-strip profile--work_container" data-work-id="43254260"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/43254260/The_Mom_and_the_Many_Animal_Subplots_in_Ducks_Newburyport_Genre_2021_"><img alt="Research paper thumbnail of The Mom and the Many: Animal Subplots in Ducks, Newburyport (Genre, 2021)" class="work-thumbnail" src="https://attachments.academia-assets.com/90237796/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/43254260/The_Mom_and_the_Many_Animal_Subplots_in_Ducks_Newburyport_Genre_2021_">The Mom and the Many: Animal Subplots in Ducks, Newburyport (Genre, 2021)</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="36335fb21f700805adb1d212830e2ca9" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":90237796,"asset_id":43254260,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/90237796/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="43254260"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="43254260"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 43254260; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=43254260]").text(description); $(".js-view-count[data-work-id=43254260]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 43254260; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='43254260']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "36335fb21f700805adb1d212830e2ca9" } } $('.js-work-strip[data-work-id=43254260]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":43254260,"title":"The Mom and the Many: Animal Subplots in Ducks, Newburyport (Genre, 2021)","internal_url":"https://www.academia.edu/43254260/The_Mom_and_the_Many_Animal_Subplots_in_Ducks_Newburyport_Genre_2021_","owner_id":2011404,"coauthors_can_edit":true,"owner":{"id":2011404,"first_name":"Ben","middle_initials":null,"last_name":"De Bruyn","page_name":"BenDeBruyn","domain_name":"uclouvain","created_at":"2012-06-25T05:36:34.283-07:00","display_name":"Ben De Bruyn","url":"https://uclouvain.academia.edu/BenDeBruyn"},"attachments":[{"id":90237796,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/90237796/thumbnails/1.jpg","file_name":"TheMomAnd.pdf","download_url":"https://www.academia.edu/attachments/90237796/download_file","bulk_download_file_name":"The_Mom_and_the_Many_Animal_Subplots_in.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/90237796/TheMomAnd-libre.pdf?1661429088=\u0026response-content-disposition=attachment%3B+filename%3DThe_Mom_and_the_Many_Animal_Subplots_in.pdf\u0026Expires=1739822983\u0026Signature=XzhOjYvkGr3c6AYbhTmOgvGE4DGkCBzwrEKpa303YQcHfP-vm-LI1D1HmtZIEN7EDShPMp1Yn1ZIIQxyL9mT9T9xiV~8t3LP5B8dIe9vs4PuXTz~nnp8xIOOrsYu5AQadDsi7DuoiNmmp0Cs1utCWViN75i79jWg~Dq08xFp6FPVX2sl6Gcqt1yNkPT-i3LfD-5K0EOVFg1hbSS8lKX8DdnEkZR~C3TG10YWcFmD-z~FInLfgvLclu63b2H0wJL7Z4Sxv0MlhUpCTedFfwGNK3wIhou8Aa5kpFHNXDBYMmiLWfJ8TpLlpq4WLjCsQkIhxoSoKdiXsy74oVoqFhDetg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="75727536"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/75727536/Bad_Vibrations_Tone_and_Translation_in_The_Animals_in_that_Country_Frame_2022_"><img alt="Research paper thumbnail of Bad Vibrations: Tone and Translation in The Animals in that Country (Frame, 2022)" class="work-thumbnail" src="https://attachments.academia-assets.com/100727065/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/75727536/Bad_Vibrations_Tone_and_Translation_in_The_Animals_in_that_Country_Frame_2022_">Bad Vibrations: Tone and Translation in The Animals in that Country (Frame, 2022)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">three interconnected aspects of the novel's complex sonic architecture, namely the fact that it i...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">three interconnected aspects of the novel's complex sonic architecture, namely the fact that it incorporates the fragmentary utterances of traumatized animals, invites readers to participate in utopian acts of interspecies translation, and alerts us to the crucial role of tonal cues in uncertain acts of communication. This article focuses on Laura .fean McKay's The Animals in That ()ountr2 (2020), a prize-winning novel that responds to the interlocking crises of the Anthropocene and the Phonocene by reworklng the traditional animal fable and the motif of the speaking animal. Drawing on the work of Vinciane Despret and Rebecca Walkowitz, the analysis highlights</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="906802dc01d120aa6ed1e1d1024d5e3f" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":100727065,"asset_id":75727536,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/100727065/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="75727536"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="75727536"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 75727536; 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Building on existing research about migrant agency, climate fiction, and human rights, it traces the contours of climate migration discourse before analyzing how three twenty-first-century novels enable us to reimagine the "great displacement" beyond simplistic militarized and humanitarian frames. Zooming in on stories by Mohsin Hamid, John Lanchester, and Margaret Drabble that envision hypothetical calamities while responding to present-day refugee "crises", this paper explains how these texts interrogate apocalyptic narratives by demilitarizing borderscapes, exploring survivalist mindsets, and interrogating shallow appeals to empathy.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="aad21916b8f1594fb35bcb3562672c47" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":62487686,"asset_id":37367858,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/62487686/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="37367858"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="37367858"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 37367858; 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This is the sonar that navy ships use to track down 'quiet' submarines-it blasts low frequency sound waves for hundreds of miles under the sea. On the way to the submarines, it impairs all the sentient marine life it encounters. The blasts of sound disorient and disable their delicate internal mechanisms and their hearing. Just another way that humans are making it rough, rough, rough for every other life form on this planet. It's depressing. Anyway, I came home late and miserable. 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Dit betoogt Ben De Bruyn door een vergelijfung te maken fussen Grand Hotel Europa (zo:f.) vanlljaLeonard$Uff , en Gun Island (zotg) van Atyntav Ghosh.In het eerste gedeeltevanhet arhl<ellaatDeBruyn zien dat de grootse, epischevormvar beíde verhalen geinterpreteerdkan word.en als een uiting van ongenoegen over kleinschakge mod"erne vertelvormen. By die zelfuosítionerbg van de romans speelt de culturele deftnitievanmens én dierbovendien een centralerol.Inhettweede gedeelte gaatDe</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="92ededab7aa794321839bfb6fa66c552" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":65605757,"asset_id":42753945,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/65605757/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="42753945"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="42753945"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 42753945; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=42753945]").text(description); $(".js-view-count[data-work-id=42753945]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 42753945; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='42753945']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "92ededab7aa794321839bfb6fa66c552" } } $('.js-work-strip[data-work-id=42753945]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":42753945,"title":"Dolende dieren: klimaat, migratie en evolutie in Gun Island en Grand Hotel Europa (Vooys, 2020)","internal_url":"https://www.academia.edu/42753945/Dolende_dieren_klimaat_migratie_en_evolutie_in_Gun_Island_en_Grand_Hotel_Europa_Vooys_2020_","owner_id":2011404,"coauthors_can_edit":true,"owner":{"id":2011404,"first_name":"Ben","middle_initials":null,"last_name":"De Bruyn","page_name":"BenDeBruyn","domain_name":"uclouvain","created_at":"2012-06-25T05:36:34.283-07:00","display_name":"Ben De Bruyn","url":"https://uclouvain.academia.edu/BenDeBruyn"},"attachments":[{"id":65605757,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/65605757/thumbnails/1.jpg","file_name":"ScanDD.pdf","download_url":"https://www.academia.edu/attachments/65605757/download_file","bulk_download_file_name":"Dolende_dieren_klimaat_migratie_en_evolu.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/65605757/ScanDD-libre.pdf?1612458311=\u0026response-content-disposition=attachment%3B+filename%3DDolende_dieren_klimaat_migratie_en_evolu.pdf\u0026Expires=1739822983\u0026Signature=A3-knST9N5l1v1ryCUsqreT6UkEOcyFO9VelnvSBgp6PwOlz9RGxY~Ug01G6qxcwHljcXm85EVvruH3AWvkli742WTE7Wg1gocRl4ulHEg~sMdZJyhMYMrXBqVyO3qpmcdY6RyMW-yIROoJJC4LuD7P9BL3YYM42xpwZ8MumghtcgiEZCSjVe36S9LgtUyfIQpeFeJiQzLEzT1FVvRIXgnn26OZ9NdfpZxv3ZTgogcuhPJsEGVclff23bMdzXxLncg8WNSEZsldJTz~O8taM3krGYcoIGDdrX5nxl0Nh7tFL5h0HPdP9ytl6BPVs4TSze9bGBWHXwMxL~MTWOCCjzA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="30687346"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/30687346/The_Hot_War_Climate_Security_Fiction_Studies_in_the_Novel_2018_"><img alt="Research paper thumbnail of The Hot War. 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Building on existing research about public transport, carceral geography, and the infrastructural uncanny, it draws attention to the pivotal role of schools, prisons, and airports as well as the Bay Area Rapid Transit system in Serpell's novel about a missing brother and his adult double. This enigmatic disappearance and several key scenes related to civic networks fit into the broader anti-Black condition Christina Sharpe has labeled the wake, as the narrative's use of maritime imagery underlines. Yet the novel also performs a defiant form of "wake work" by deploying literary techniques involving minor characters, subplots, and foreshadowing that scramble the narrative's own logistical operations in the service of an insurgent mode of formalism this article proposes calling "abolition narratology." Better an errant path than the known world.-Saidiya Hartman Introduction: #BLM and Narrative Infrastructure Literary texts are not cables, sewers, or railway tracks and so they should be distinguished, obviously, from literal, physical forms of hard infrastructure. Yet because most definitions of infrastructure do not just mention particular material objects, sites, and networks but also the related circulation of people, goods, and information, it might be argued that the concatenation of events, settings, and characters that is plot is akin to the networking quality of infrastructure. "[T]he nature of plot itself," in Yoon Sun Lee's words, strongly resembles the actions of "infrastructure," including "to connect, to gather, to enable trajectories and collisions" (213). Not everyone would agree that such a comparison is productive. In a recent contribution, Jennifer Wenzel formulates "a warning against too-broad notions of infrastructure that miss the concept-grounding power of the material" (Rich et al. 210), because "[w]ithin this promiscuous reading. .. lies the risk of literary critics reducing the hard-won insights and material objects of other disciplines. .. to mere metaphor, in a mode at once underthought and overimagined" (209-10). But at a time when literary critics are turning to "the aesthetic life of infrastructure," and when governments are signally failing to provide adequate services to racialized citizens especially, as I explain below, it is worth asking how creative texts handle the friction between the movements enabled by material infrastructure and the imaginative traffic supported by plot and narrative infrastructure, so to speak. Mark McGurl hints at a similar argument in his analysis of the Ibis Trilogy, which points out that Amitav Ghosh's novels represent "the emergent system of global free trade [and] the increasingly efficient communication networks that facilitated it" but CONTACT Ben De Bruyn</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="14e1a1a1124626ab230bb3e1af3a275d" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":116825932,"asset_id":114377753,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/116825932/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="114377753"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="114377753"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 114377753; 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window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=8027212]").text(description); $(".js-view-count[data-work-id=8027212]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 8027212; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='8027212']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=8027212]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":8027212,"title":"L’imaginaire nobiliaire de la littérature moderne: 1900–1950 (Neohelicon, 2015)","internal_url":"https://www.academia.edu/8027212/L_imaginaire_nobiliaire_de_la_litt%C3%A9rature_moderne_1900_1950_Neohelicon_2015_","owner_id":2011404,"coauthors_can_edit":true,"owner":{"id":2011404,"first_name":"Ben","middle_initials":null,"last_name":"De Bruyn","page_name":"BenDeBruyn","domain_name":"uclouvain","created_at":"2012-06-25T05:36:34.283-07:00","display_name":"Ben De Bruyn","url":"https://uclouvain.academia.edu/BenDeBruyn"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="1255948"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/1255948/Wolfgang_Iser_A_Companion_De_Gruyter_2012_"><img alt="Research paper thumbnail of Wolfgang Iser. A Companion (De Gruyter, 2012)" class="work-thumbnail" src="https://attachments.academia-assets.com/31255222/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/1255948/Wolfgang_Iser_A_Companion_De_Gruyter_2012_">Wolfgang Iser. A Companion (De Gruyter, 2012)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Although Wolfgang Iser is one of the most influential literary theorists of the twentieth century...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Although Wolfgang Iser is one of the most influential literary theorists of the twentieth century, there is no authoritative study about his oeuvre. The present work remedies that problem by analysing Iser’s German and English writings in detail. Apart from being the first comprehensive account of his work, this study also modifies the established view of Iser’s theory. In contrast to the idea that his only contribution to literary studies is the reception theory of the 1970s, this account demonstrates the importance of Iser’s work on history and anthropology from the 1950s and 1990s. Instead of exclusively focusing on familiar terms such as ‘indeterminacy’, this analysis also discusses Iser’s view of modernity, fiction and culture. As this discussion shows, his writings develop a consistent theory of the novel and the way in which it allows its readers to articulate new views of reality. To situate this theory, Iser’s institutional and intellectual background is described as well, paying special attention to the Poetik und Hermeneutik-circle and thinkers like Blumenberg and Kermode. The continued relevance of his theory is demonstrated via comparisons with recent research on the novel and memory as well as examples from contemporary novelists like Juli Zeh and Hilary Mantel.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="3f9f40d7f64e7b2d3910b674eb1d5bea" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":31255222,"asset_id":1255948,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/31255222/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="1255948"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="1255948"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 1255948; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=1255948]").text(description); $(".js-view-count[data-work-id=1255948]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 1255948; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='1255948']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "3f9f40d7f64e7b2d3910b674eb1d5bea" } } $('.js-work-strip[data-work-id=1255948]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":1255948,"title":"Wolfgang Iser. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="6830392" id="literatureandenvironment"><div class="js-work-strip profile--work_container" data-work-id="43254260"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/43254260/The_Mom_and_the_Many_Animal_Subplots_in_Ducks_Newburyport_Genre_2021_"><img alt="Research paper thumbnail of The Mom and the Many: Animal Subplots in Ducks, Newburyport (Genre, 2021)" class="work-thumbnail" src="https://attachments.academia-assets.com/90237796/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/43254260/The_Mom_and_the_Many_Animal_Subplots_in_Ducks_Newburyport_Genre_2021_">The Mom and the Many: Animal Subplots in Ducks, Newburyport (Genre, 2021)</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="36335fb21f700805adb1d212830e2ca9" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":90237796,"asset_id":43254260,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/90237796/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="43254260"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="43254260"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 43254260; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=43254260]").text(description); $(".js-view-count[data-work-id=43254260]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 43254260; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='43254260']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "36335fb21f700805adb1d212830e2ca9" } } $('.js-work-strip[data-work-id=43254260]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":43254260,"title":"The Mom and the Many: Animal Subplots in Ducks, Newburyport (Genre, 2021)","internal_url":"https://www.academia.edu/43254260/The_Mom_and_the_Many_Animal_Subplots_in_Ducks_Newburyport_Genre_2021_","owner_id":2011404,"coauthors_can_edit":true,"owner":{"id":2011404,"first_name":"Ben","middle_initials":null,"last_name":"De Bruyn","page_name":"BenDeBruyn","domain_name":"uclouvain","created_at":"2012-06-25T05:36:34.283-07:00","display_name":"Ben De Bruyn","url":"https://uclouvain.academia.edu/BenDeBruyn"},"attachments":[{"id":90237796,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/90237796/thumbnails/1.jpg","file_name":"TheMomAnd.pdf","download_url":"https://www.academia.edu/attachments/90237796/download_file","bulk_download_file_name":"The_Mom_and_the_Many_Animal_Subplots_in.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/90237796/TheMomAnd-libre.pdf?1661429088=\u0026response-content-disposition=attachment%3B+filename%3DThe_Mom_and_the_Many_Animal_Subplots_in.pdf\u0026Expires=1739822983\u0026Signature=XzhOjYvkGr3c6AYbhTmOgvGE4DGkCBzwrEKpa303YQcHfP-vm-LI1D1HmtZIEN7EDShPMp1Yn1ZIIQxyL9mT9T9xiV~8t3LP5B8dIe9vs4PuXTz~nnp8xIOOrsYu5AQadDsi7DuoiNmmp0Cs1utCWViN75i79jWg~Dq08xFp6FPVX2sl6Gcqt1yNkPT-i3LfD-5K0EOVFg1hbSS8lKX8DdnEkZR~C3TG10YWcFmD-z~FInLfgvLclu63b2H0wJL7Z4Sxv0MlhUpCTedFfwGNK3wIhou8Aa5kpFHNXDBYMmiLWfJ8TpLlpq4WLjCsQkIhxoSoKdiXsy74oVoqFhDetg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="75727536"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/75727536/Bad_Vibrations_Tone_and_Translation_in_The_Animals_in_that_Country_Frame_2022_"><img alt="Research paper thumbnail of Bad Vibrations: Tone and Translation in The Animals in that Country (Frame, 2022)" class="work-thumbnail" src="https://attachments.academia-assets.com/100727065/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/75727536/Bad_Vibrations_Tone_and_Translation_in_The_Animals_in_that_Country_Frame_2022_">Bad Vibrations: Tone and Translation in The Animals in that Country (Frame, 2022)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">three interconnected aspects of the novel's complex sonic architecture, namely the fact that it i...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">three interconnected aspects of the novel's complex sonic architecture, namely the fact that it incorporates the fragmentary utterances of traumatized animals, invites readers to participate in utopian acts of interspecies translation, and alerts us to the crucial role of tonal cues in uncertain acts of communication. This article focuses on Laura .fean McKay's The Animals in That ()ountr2 (2020), a prize-winning novel that responds to the interlocking crises of the Anthropocene and the Phonocene by reworklng the traditional animal fable and the motif of the speaking animal. Drawing on the work of Vinciane Despret and Rebecca Walkowitz, the analysis highlights</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="906802dc01d120aa6ed1e1d1024d5e3f" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":100727065,"asset_id":75727536,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/100727065/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="75727536"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="75727536"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 75727536; 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Vraagtekens bij de empirische ecokritiek (Karakter, 2023)","internal_url":"https://www.academia.edu/94758131/Pionier_of_niche_Vraagtekens_bij_de_empirische_ecokritiek_Karakter_2023_","owner_id":2011404,"coauthors_can_edit":true,"owner":{"id":2011404,"first_name":"Ben","middle_initials":null,"last_name":"De Bruyn","page_name":"BenDeBruyn","domain_name":"uclouvain","created_at":"2012-06-25T05:36:34.283-07:00","display_name":"Ben De Bruyn","url":"https://uclouvain.academia.edu/BenDeBruyn"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="37367858"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/37367858/The_Great_Displacement_Reading_Migration_Fiction_at_the_End_of_the_World_Humanities_2020_"><img alt="Research paper thumbnail of The Great Displacement: Reading Migration Fiction at the End of the World (Humanities, 2020)" class="work-thumbnail" src="https://attachments.academia-assets.com/62487686/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/37367858/The_Great_Displacement_Reading_Migration_Fiction_at_the_End_of_the_World_Humanities_2020_">The Great Displacement: Reading Migration Fiction at the End of the World (Humanities, 2020)</a></div><div class="wp-workCard_item"><span>Humanities</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This paper examines how contemporary works of fiction and nonfiction reflect on anticipated cases...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This paper examines how contemporary works of fiction and nonfiction reflect on anticipated cases of climate dislocation. Building on existing research about migrant agency, climate fiction, and human rights, it traces the contours of climate migration discourse before analyzing how three twenty-first-century novels enable us to reimagine the "great displacement" beyond simplistic militarized and humanitarian frames. Zooming in on stories by Mohsin Hamid, John Lanchester, and Margaret Drabble that envision hypothetical calamities while responding to present-day refugee "crises", this paper explains how these texts interrogate apocalyptic narratives by demilitarizing borderscapes, exploring survivalist mindsets, and interrogating shallow appeals to empathy.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="aad21916b8f1594fb35bcb3562672c47" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":62487686,"asset_id":37367858,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/62487686/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="37367858"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="37367858"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 37367858; 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This is the sonar that navy ships use to track down 'quiet' submarines-it blasts low frequency sound waves for hundreds of miles under the sea. On the way to the submarines, it impairs all the sentient marine life it encounters. The blasts of sound disorient and disable their delicate internal mechanisms and their hearing. Just another way that humans are making it rough, rough, rough for every other life form on this planet. It's depressing. Anyway, I came home late and miserable. 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Dit betoogt Ben De Bruyn door een vergelijfung te maken fussen Grand Hotel Europa (zo:f.) vanlljaLeonard$Uff , en Gun Island (zotg) van Atyntav Ghosh.In het eerste gedeeltevanhet arhl<ellaatDeBruyn zien dat de grootse, epischevormvar beíde verhalen geinterpreteerdkan word.en als een uiting van ongenoegen over kleinschakge mod"erne vertelvormen. 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Objects, weather and infrastructure in Ben Lerner's 10:04 (Textual Practice, 2017)" class="work-thumbnail" src="https://attachments.academia-assets.com/54076479/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/10736604/Realism_4_Objects_weather_and_infrastructure_in_Ben_Lerners_10_04_Textual_Practice_2017_">Realism 4°. Objects, weather and infrastructure in Ben Lerner's 10:04 (Textual Practice, 2017)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">A rare example of a contemporary climate-change novel, Ben Lerner's 10:04 joins reflections on ou...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">A rare example of a contemporary climate-change novel, Ben Lerner's 10:04 joins reflections on our increasingly unrecognisable planet with a remarkably realist attention to everyday life. This paper examines three aspects of the book's environmentally inflected realism in more detail. In response to Adam Trexler's account of Anthropocene fiction, it begins by examining Lerner's expansive representation of global commodities and planetary memorials. Turning from objects to subjects, the paper subsequently enlists Roland Barthes's late work on reference to describe Lerner's attention to weird weather and its destabilising effects on our bodies and epiphanies. The analysis concludes with a discussion of the social infrastructure underlying the circulation of objects and subjects, highlighting the novel's emphasis on the community-building as well as resource-depleting dimensions of our petromodernity. Via these three steps, the paper demonstrates, first, the importance of a newly expansive mode of cultural memory, related to capitalism, weather and energy, and second, that not just science fiction but also modified forms of realism may play an important role in cultural responses to climate change.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="5e9d3dd00809afda50102f04512435b6" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":54076479,"asset_id":10736604,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/54076479/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="10736604"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="10736604"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 10736604; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=10736604]").text(description); $(".js-view-count[data-work-id=10736604]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 10736604; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='10736604']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "5e9d3dd00809afda50102f04512435b6" } } $('.js-work-strip[data-work-id=10736604]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":10736604,"title":"Realism 4°. 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On Annie Proulx's Barkskins (Frame, 2016)" class="work-thumbnail" src="https://attachments.academia-assets.com/53997907/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/27177094/Learning_to_Be_a_Species_in_the_Anthropocene_On_Annie_Proulxs_Barkskins_Frame_2016_">Learning to Be a Species in the Anthropocene. On Annie Proulx's Barkskins (Frame, 2016)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This paper examines how contemporary literary fiction responds to the climate crisis and the atte...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This paper examines how contemporary literary fiction responds to the climate crisis and the attendant call for a seemingly universalist "species view" of human beings. What does it mean to think of the human as a species, how can we find traces of species being in literature, and how do they interact with other dimensions of human lives? To address these questions, the paper confronts recent accounts of historical context, animal characters, and capitalist time with Annie Proulx's Barkskins (2016). As this confrontation shows, Proulx's novel teaches its readers to be a specieswithout ignoring differences of race, class, and gender. abstract © FRAME NO. 29.2 NOVEMBER 2016 | 71 -90</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="0e580e6144b30e7d63414fcba3f9f72a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":53997907,"asset_id":27177094,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/53997907/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="27177094"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="27177094"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 27177094; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=27177094]").text(description); $(".js-view-count[data-work-id=27177094]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 27177094; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='27177094']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "0e580e6144b30e7d63414fcba3f9f72a" } } $('.js-work-strip[data-work-id=27177094]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":27177094,"title":"Learning to Be a Species in the Anthropocene. 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Animals, Music and Community in Coetzee and Powers (Studies in the Novel, 2016)","internal_url":"https://www.academia.edu/28726132/Polyphony_beyond_the_Human_Animals_Music_and_Community_in_Coetzee_and_Powers_Studies_in_the_Novel_2016_","owner_id":2011404,"coauthors_can_edit":true,"owner":{"id":2011404,"first_name":"Ben","middle_initials":null,"last_name":"De Bruyn","page_name":"BenDeBruyn","domain_name":"uclouvain","created_at":"2012-06-25T05:36:34.283-07:00","display_name":"Ben De Bruyn","url":"https://uclouvain.academia.edu/BenDeBruyn"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="6001552"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/6001552/Anthropocene_Audio_The_Animal_Soundtrack_of_the_Contemporary_Novel_Critique_2016_"><img alt="Research paper thumbnail of Anthropocene Audio. 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Musea en objecten in de hedendaagse roman (TNTL, 2015)" class="work-thumbnail" src="https://attachments.academia-assets.com/119830285/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/3230913/Stoelen_manden_stenen_Musea_en_objecten_in_de_hedendaagse_roman_TNTL_2015_">Stoelen, manden, stenen. 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Deep Time and Geological Posthumanism in Dutch Literature (Journal of Dutch Literature, 2013)" class="work-thumbnail" src="https://attachments.academia-assets.com/32969649/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/2915134/Earlier_is_Impossible_Deep_Time_and_Geological_Posthumanism_in_Dutch_Literature_Journal_of_Dutch_Literature_2013_">Earlier is Impossible. Deep Time and Geological Posthumanism in Dutch Literature (Journal of Dutch Literature, 2013)</a></div><div class="wp-workCard_item"><span>Journal of Dutch Literature 4.2, pp. 68-91</span><span>, 2013</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">What if we radically changed the scale of our imagination as literary readers and cultural histor...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">What if we radically changed the scale of our imagination as literary readers and cultural historians? Developing recent claims on behalf of the importance of a broader, planetary perspective in literary history, this article argues that the study of Dutch literature would benefit from a 'big historicism', which takes into account the age of the earth and actively reconstructs the changing literary representation of the prehistoric past and the posthuman future. More specifically, the article analyzes the role of 'deep time' in classic and contemporary forms of Dutch fiction, including novels Surveying a variety of recent methods in literary studies that includes the vogue of the 'transnational' and the plea for 'distant reading', the American critic Mark McGurl has pointed out that these approaches all hint at a fundamental methodological question that is rarely raised, let alone fully addressed: the question of scale. 2 At the end of The Program Era (2009), his seminal account of the deep ties between postwar American fiction and the creative writing program, he therefore raises this question himself:</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="162f1a6ac4f1253c6be7a6485281b020" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":32969649,"asset_id":2915134,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/32969649/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="2915134"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="2915134"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 2915134; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=2915134]").text(description); $(".js-view-count[data-work-id=2915134]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 2915134; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='2915134']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "162f1a6ac4f1253c6be7a6485281b020" } } $('.js-work-strip[data-work-id=2915134]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":2915134,"title":"Earlier is Impossible. 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Forests, Gardens and Legacies in Robert Pogue Harrison (Oxford Literary Review, 2010)" class="work-thumbnail" src="https://attachments.academia-assets.com/75198436/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/1853025/The_Gathering_of_Form_Forests_Gardens_and_Legacies_in_Robert_Pogue_Harrison_Oxford_Literary_Review_2010_">The Gathering of Form. Forests, Gardens and Legacies in Robert Pogue Harrison (Oxford Literary Review, 2010)</a></div><div class="wp-workCard_item"><span>Oxford Literary Review</span><span>, Jan 2010</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">KULeuven. ...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="aa351ea04cc920260f1eaf75fbe13d83" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":75198436,"asset_id":1853025,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/75198436/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="1853025"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="1853025"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 1853025; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=1853025]").text(description); $(".js-view-count[data-work-id=1853025]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 1853025; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='1853025']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "aa351ea04cc920260f1eaf75fbe13d83" } } $('.js-work-strip[data-work-id=1853025]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":1853025,"title":"The Gathering of Form. 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Care, Ruin and Vision in McCarthy's The Road and Harrison's Ecocriticism (English Studies, 2010)" class="work-thumbnail" src="https://attachments.academia-assets.com/48089441/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/1853024/Borrowed_Time_Borrowed_World_and_Borrowed_Eyes_Care_Ruin_and_Vision_in_McCarthys_The_Road_and_Harrisons_Ecocriticism_English_Studies_2010_">Borrowed Time, Borrowed World and Borrowed Eyes. Care, Ruin and Vision in McCarthy's The Road and Harrison's Ecocriticism (English Studies, 2010)</a></div><div class="wp-workCard_item"><span>English Studies</span><span>, Jan 2010</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The following essay discusses Cormac McCarthy's The Road (2006) and its evocation of a post-apoca...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The following essay discusses Cormac McCarthy's The Road (2006) and its evocation of a post-apocalyptic ecology and memory. Drawing on certain insights from Robert Pogue Harrison's work on the cultural role of forests, gardens and the dead ancestor, it sheds light on various enigmatic aspects of McCarthy's novel, including the unspecified cause of the disaster, the future fate of nature and culture, and the elusive final paragraph.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="5849db8430f32376226737309f8cc2e6" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":48089441,"asset_id":1853024,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/48089441/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="1853024"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="1853024"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 1853024; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=1853024]").text(description); $(".js-view-count[data-work-id=1853024]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 1853024; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='1853024']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "5849db8430f32376226737309f8cc2e6" } } $('.js-work-strip[data-work-id=1853024]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":1853024,"title":"Borrowed Time, Borrowed World and Borrowed Eyes. 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Half-Reading, Literary Décor and the Good Life (From Page to Place, 2017)</a></div><div class="wp-workCard_item"><span>American Literary Tourism, ed. by Jennifer Harris and Hilary Iris Lowe</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="14d16593d672c8fef7fd99b48dd06dec" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":62974726,"asset_id":2789085,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/62974726/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="2789085"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="2789085"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 2789085; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=2789085]").text(description); $(".js-view-count[data-work-id=2789085]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 2789085; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='2789085']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "14d16593d672c8fef7fd99b48dd06dec" } } $('.js-work-strip[data-work-id=2789085]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":2789085,"title":"Author Homes in Coffee-Table Books. 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Creative Writing and Extramural Academics in Perdido Street Station and Embassytown (China Miéville: Critical Essays, 2015)" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/2980477/You_Should_Be_Teaching_Creative_Writing_and_Extramural_Academics_in_Perdido_Street_Station_and_Embassytown_China_Mi%C3%A9ville_Critical_Essays_2015_">You Should Be Teaching. Creative Writing and Extramural Academics in Perdido Street Station and Embassytown (China Miéville: Critical Essays, 2015)</a></div><div class="wp-workCard_item"><span>China Miéville. Critical Essays, ed. by Caroline Edwards and Antonio Venezia (Gylphi)</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="2980477"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="2980477"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 2980477; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=2980477]").text(description); $(".js-view-count[data-work-id=2980477]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 2980477; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='2980477']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=2980477]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":2980477,"title":"You Should Be Teaching. Creative Writing and Extramural Academics in Perdido Street Station and Embassytown (China Miéville: Critical Essays, 2015)","internal_url":"https://www.academia.edu/2980477/You_Should_Be_Teaching_Creative_Writing_and_Extramural_Academics_in_Perdido_Street_Station_and_Embassytown_China_Mi%C3%A9ville_Critical_Essays_2015_","owner_id":2011404,"coauthors_can_edit":true,"owner":{"id":2011404,"first_name":"Ben","middle_initials":null,"last_name":"De Bruyn","page_name":"BenDeBruyn","domain_name":"uclouvain","created_at":"2012-06-25T05:36:34.283-07:00","display_name":"Ben De Bruyn","url":"https://uclouvain.academia.edu/BenDeBruyn"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="2762123"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/2762123/The_Aristocracy_of_Objects_Shops_Heirlooms_and_Circulation_Narratives_in_Waugh_Fitzgerald_and_Lovecraft_Neohelicon_2015_"><img alt="Research paper thumbnail of The Aristocracy of Objects. Shops, Heirlooms and Circulation Narratives in Waugh, Fitzgerald and Lovecraft (Neohelicon, 2015)" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/2762123/The_Aristocracy_of_Objects_Shops_Heirlooms_and_Circulation_Narratives_in_Waugh_Fitzgerald_and_Lovecraft_Neohelicon_2015_">The Aristocracy of Objects. Shops, Heirlooms and Circulation Narratives in Waugh, Fitzgerald and Lovecraft (Neohelicon, 2015)</a></div><div class="wp-workCard_item"><span>Neohelicon</span><span>, 2015</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This paper explores the tension between social elites and consumer culture in the 1930s by analyz...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This paper explores the tension between social elites and consumer culture in the 1930s by analyzing the representation of shops, objects and (non)capitalist modes of circulation in stories by Evelyn Waugh, F. Scott Fitzgerald and H.P. Lovecraft. Although these authors wrote different forms of literature about distinct types of aristocrats, they highlight a similar struggle between consumer goods and various non-commercial objects, like non-portable heirlooms, alluring commodities and alien alloys.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="2762123"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="2762123"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 2762123; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=2762123]").text(description); $(".js-view-count[data-work-id=2762123]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 2762123; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='2762123']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=2762123]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":2762123,"title":"The Aristocracy of Objects. Shops, Heirlooms and Circulation Narratives in Waugh, Fitzgerald and Lovecraft (Neohelicon, 2015)","internal_url":"https://www.academia.edu/2762123/The_Aristocracy_of_Objects_Shops_Heirlooms_and_Circulation_Narratives_in_Waugh_Fitzgerald_and_Lovecraft_Neohelicon_2015_","owner_id":2011404,"coauthors_can_edit":true,"owner":{"id":2011404,"first_name":"Ben","middle_initials":null,"last_name":"De Bruyn","page_name":"BenDeBruyn","domain_name":"uclouvain","created_at":"2012-06-25T05:36:34.283-07:00","display_name":"Ben De Bruyn","url":"https://uclouvain.academia.edu/BenDeBruyn"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="2340254"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/2340254/Where_to_Do_Things_with_Words_Circulating_Books_Decorating_Rooms_and_Locating_Modern_Reading_Orbis_Litterarum_2013_"><img alt="Research paper thumbnail of Where to Do Things with Words. Circulating Books, Decorating Rooms and Locating Modern Reading (Orbis Litterarum, 2013)" class="work-thumbnail" src="https://attachments.academia-assets.com/48175705/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/2340254/Where_to_Do_Things_with_Words_Circulating_Books_Decorating_Rooms_and_Locating_Modern_Reading_Orbis_Litterarum_2013_">Where to Do Things with Words. Circulating Books, Decorating Rooms and Locating Modern Reading (Orbis Litterarum, 2013)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Inspired by Leah Price's recent plea on behalf of the study of ‘nonreading’ and literary logistic...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Inspired by Leah Price's recent plea on behalf of the study of ‘nonreading’ and literary logistics, this essay reconstructs a slice of the history of reading locations by analysing the decoration advice, the changing symbolic associations and the modes of print circulation connected with private libraries and toilets in the writings of two modern authors: Edith Wharton and Henry Miller.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="3e346c6ac6d6086567d8ee423645e782" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":48175705,"asset_id":2340254,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/48175705/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="2340254"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="2340254"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 2340254; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=2340254]").text(description); $(".js-view-count[data-work-id=2340254]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 2340254; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='2340254']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "3e346c6ac6d6086567d8ee423645e782" } } $('.js-work-strip[data-work-id=2340254]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":2340254,"title":"Where to Do Things with Words. 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An Interview with Jim Collins (Image & Narrative, 2013)" class="work-thumbnail" src="https://attachments.academia-assets.com/32969658/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/2921707/E_Readers_Deconvergence_Culture_and_McSweeneys_An_Interview_with_Jim_Collins_Image_and_Narrative_2013_">E-Readers, Deconvergence Culture and McSweeney's. An Interview with Jim Collins (Image & Narrative, 2013)</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://uclouvain.academia.edu/BenDeBruyn">Ben De Bruyn</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/JimCollins6">Jim Collins</a></span></div><div class="wp-workCard_item"><span>Image&Narrative 14.3</span><span>, 2013</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Even if most critics would agree that literary culture is rapidly changing at present, they would...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Even if most critics would agree that literary culture is rapidly changing at present, they would probably also agree that these changes are difficult to describe and evaluate precisely. On the one hand, powerful bookstores like Barnes & Noble are facing difficulties, schools are increasingly replacing their books with tablet computers, Karl Lagerfeld's Paper Perfume suggests that people are more intrigued by the smell of books than their contents and in 2011 the Pulitzer Board even decided not to award a prize to one of the novels selected by its jury. Perhaps we are too busy putting the advice of television chefs into practice or too busy playing on-line videogames to read books anymore, some critics have pointed out.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="a97f0320a4ccae253589ddaea98b297e" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":32969658,"asset_id":2921707,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/32969658/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="2921707"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="2921707"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 2921707; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=2921707]").text(description); $(".js-view-count[data-work-id=2921707]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 2921707; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='2921707']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "a97f0320a4ccae253589ddaea98b297e" } } $('.js-work-strip[data-work-id=2921707]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":2921707,"title":"E-Readers, Deconvergence Culture and McSweeney's. 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Lezen! Reizen! Traditie, toerisme en lifestyle bij Bart van Loo en Geerten Meijsing (Nederlandse Letterkunde, 2012)" class="work-thumbnail" src="https://attachments.academia-assets.com/35986769/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/2225072/Eten_Lezen_Reizen_Traditie_toerisme_en_lifestyle_bij_Bart_van_Loo_en_Geerten_Meijsing_Nederlandse_Letterkunde_2012_">Eten! Lezen! Reizen! Traditie, toerisme en lifestyle bij Bart van Loo en Geerten Meijsing (Nederlandse Letterkunde, 2012)</a></div><div class="wp-workCard_item"><span>Nederlandse Letterkunde</span><span>, Dec 2012</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This article analyzes the literary non-ction of Bart van Loo, especially his trilogy of books dev...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This article analyzes the literary non-ction of Bart van Loo, especially his trilogy of books devoted to French literature and culture, De Frankrijktrilogie (2011). Developing Jim Collins's penetrating account of 'popular literary culture' and of the ways in which literary classics are nowadays converted into entertaining 'good reads', the article argues that the literary tradition currently functions as a guide to the 'good life'. Crucial here, as a comparison with Geerten Meijsing's similar use of the Italian cultural heritage demonstrates, is the opposition between tasteless consumerism and an alternative, 'literary' form of lifestyle, which weds elegant literature to tasteful forms of fashion, tourism and gastronomy.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="74531da7653eb9f5b1b825b286dbeba7" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":35986769,"asset_id":2225072,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/35986769/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="2225072"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="2225072"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 2225072; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=2225072]").text(description); $(".js-view-count[data-work-id=2225072]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 2225072; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='2225072']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "74531da7653eb9f5b1b825b286dbeba7" } } $('.js-work-strip[data-work-id=2225072]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":2225072,"title":"Eten! 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Literatuur, nieuwe media en smaak (TNTL, 2012)" class="work-thumbnail" src="https://attachments.academia-assets.com/53900076/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/2109586/De_revanche_van_de_populaire_cultuur_Literatuur_nieuwe_media_en_smaak_TNTL_2012_">De revanche van de populaire cultuur. Literatuur, nieuwe media en smaak (TNTL, 2012)</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://uclouvain.academia.edu/BenDeBruyn">Ben De Bruyn</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://kuleuven.academia.edu/PieterVerstraeten">Pieter Verstraeten</a></span></div><div class="wp-workCard_item"><span>Tijdschrift voor Nederlandse Taal-en Letterkunde</span><span>, Jan 2012</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">In reaction to Thomas Vaessens' De revanche van de roman, this article emphasises the importance ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In reaction to Thomas Vaessens' De revanche van de roman, this article emphasises the importance of popular culture to contemporary novels in Dutch. Applying Jim Collins' account of 'popular literary culture' in the us to recent Dutch and Flemish literature, the article analyses the interaction between literary reading and popular culture in novels by Marjolijn Februari, Christiaan Weijts, Joost Vandecasteele and Jeroen Brouwers. What is ultimately crucial about these novels, it is argued, is not the distinction between novels that embrace and that distance themselves from popular culture but the shared interest in new media and quality consumerism (food, fashion, tourism).</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="88ff7545b9852bdd66f2d123c951204d" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":53900076,"asset_id":2109586,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/53900076/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="2109586"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="2109586"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 2109586; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=2109586]").text(description); $(".js-view-count[data-work-id=2109586]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 2109586; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='2109586']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "88ff7545b9852bdd66f2d123c951204d" } } $('.js-work-strip[data-work-id=2109586]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":2109586,"title":"De revanche van de populaire cultuur. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="7656599"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/7656599/%C3%89loge_de_la_canonisation_Fabula_2014_"><img alt="Research paper thumbnail of Éloge de la canonisation (Fabula, 2014)" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/7656599/%C3%89loge_de_la_canonisation_Fabula_2014_">Éloge de la canonisation (Fabula, 2014)</a></div><div class="wp-workCard_item"><span>Fabula LHT</span><span>, 2014</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="7656599"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="7656599"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 7656599; 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dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=7656599]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":7656599,"title":"Éloge de la canonisation (Fabula, 2014)","internal_url":"https://www.academia.edu/7656599/%C3%89loge_de_la_canonisation_Fabula_2014_","owner_id":2011404,"coauthors_can_edit":true,"owner":{"id":2011404,"first_name":"Ben","middle_initials":null,"last_name":"De Bruyn","page_name":"BenDeBruyn","domain_name":"uclouvain","created_at":"2012-06-25T05:36:34.283-07:00","display_name":"Ben De Bruyn","url":"https://uclouvain.academia.edu/BenDeBruyn"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="10084611"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/10084611/Noblesse_de_la_po%C3%A9sie_moderne_dans_les_essais_critiques_de_Gabriel_Bounoure"><img alt="Research paper thumbnail of Noblesse de la poésie moderne dans les essais critiques de Gabriel Bounoure" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/10084611/Noblesse_de_la_po%C3%A9sie_moderne_dans_les_essais_critiques_de_Gabriel_Bounoure">Noblesse de la poésie moderne dans les essais critiques de Gabriel Bounoure</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://kuleuven.academia.edu/DavidMartens">David Martens</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://uclouvain.academia.edu/BenDeBruyn">Ben De Bruyn</a></span></div><div class="wp-workCard_item"><span>Article en cours d'évaluation</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Notion à double face – elle relève d’une ordre social et touche dans le même temps celui des vale...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Notion à double face – elle relève d’une ordre social et touche dans le même temps celui des valeurs –, et qui relève pas de l’ordre des catégories littéraires, la noblesse apparaît comme un imaginaire qui sous-tend une large part de la littérature européenne de l’entre-deux-guerre. L’idée de noblesse constitue dans cette optique un référent central d’une frange importante du discours essayistique de la période. D’Oswald Spengler à Denis de Rougemont en passant par José Ortega y Gasset Participant à plusieurs égards de ce courant de pensée, un critique comme Gabriel Bounoure se distingue en ce qu’il apparaît, davantage que comme un penseur qui intègre la littérature à une réflexion globale sur la civilisation, comme un critique qui ponctue fréquemment ses essais de notations relatives à l’histoire récente du monde occidental. Dans ces textes, Bounoure confère à la notion de noblesse une fonction de clé de voûte dans la conception qu’il développe, article après article, de la poésie moderne, dont il fait un des lieux par excellence du maintien de valeurs civilisationnelles tenues pour éminemment aristocratiques.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="10084611"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="10084611"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 10084611; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=10084611]").text(description); $(".js-view-count[data-work-id=10084611]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 10084611; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='10084611']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=10084611]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":10084611,"title":"Noblesse de la poésie moderne dans les essais critiques de Gabriel Bounoure","internal_url":"https://www.academia.edu/10084611/Noblesse_de_la_po%C3%A9sie_moderne_dans_les_essais_critiques_de_Gabriel_Bounoure","owner_id":663360,"coauthors_can_edit":true,"owner":{"id":663360,"first_name":"David","middle_initials":null,"last_name":"Martens","page_name":"DavidMartens","domain_name":"kuleuven","created_at":"2011-08-13T03:35:35.856-07:00","display_name":"David Martens","url":"https://kuleuven.academia.edu/DavidMartens","email":"ckxyT2ZhdWVhdVJoSVdDemhQcFg5cTc4dUJvQUNxVWtEOVFtbzc1OXROVFFTQVc1cnVGTFM1eUkyMVhweXFKaS0tQ0RxREtNSjJZckZONmdMdXYxdWVrdz09--2b338106311b0258572a40b101f09be928218c8f"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="2486508"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/2486508/La_Passion_aristocratique_de_lOccident_Denis_de_Rougemont_lecteur_dune_tradition_proph%C3%A8te_dun_d%C3%A9clin_Modern_Times_Literary_Change_2013_"><img alt="Research paper thumbnail of La Passion aristocratique de l'Occident. Denis de Rougemont: lecteur d'une tradition, prophète d'un déclin (Modern Times, Literary Change, 2013)" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/2486508/La_Passion_aristocratique_de_lOccident_Denis_de_Rougemont_lecteur_dune_tradition_proph%C3%A8te_dun_d%C3%A9clin_Modern_Times_Literary_Change_2013_">La Passion aristocratique de l'Occident. 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Lezers en modernisten in de kritiek van Booth en Iser (Spiegel der Letteren, 2008)</a></div><div class="wp-workCard_item"><span>Spiegel der Letteren</span><span>, 2008</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The relationship between Wayne</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="c30771810fc9bb6c3ba4a42681ab9092" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":48252480,"asset_id":2244524,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/48252480/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="2244524"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="2244524"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 2244524; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=2244524]").text(description); $(".js-view-count[data-work-id=2244524]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 2244524; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='2244524']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "c30771810fc9bb6c3ba4a42681ab9092" } } $('.js-work-strip[data-work-id=2244524]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":2244524,"title":"De impliciete esthetica. 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The Anthropological Criticism of Wolfgang Iser and Hans Belting (Image & Narrative, 2006)</a></div><div class="wp-workCard_item"><span>Image & Narrative</span><span>, Jan 1, 2006</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Abstract (E): This article discusses Hans Belting&amp;#x27;s attempt to extrapolate the literary ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Abstract (E): This article discusses Hans Belting&amp;#x27;s attempt to extrapolate the literary anthropology of Wolfgang Iser to the visual arts. Clearly drawing upon Iser, Belting&amp;#x27;s “anthropological” criticism underlines the actor-like nature of man as well as the attempt of ...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="1853027"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="1853027"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 1853027; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=1853027]").text(description); $(".js-view-count[data-work-id=1853027]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 1853027; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='1853027']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=1853027]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":1853027,"title":"Death - Image - Medium. 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As Naomi Klein has recently argued, confronting the problem of anthropogenic climate change alters everything we know about the world: demanding wholesale recalibration of economic and political priorities; destabilising the epistemic frameworks through which quotidian life is interpreted and enacted; and decentring the dominant cultural imaginaries that seek to give form to historical and future experience. The conceptual implications of the Anthropocene extend far beyond the parameters of the physical and natural sciences. Across the humanities and social sciences, an emergent body of work has begun to address the challenge of reimagining theory from a planetary perspective. Whilst Dipesh Chakrabarty has argued that the conditions of this epoch impel a new mode of historical subjectivity, which he describes as 'species history', 2 dominant accounts of posthumanism have unsettled age-old distinctions between nature and culture, body and mind, and new materialists, 3 speculative realists and object-oriented-ontologists have called for revised models of agency and accountability that extend beyond the human. 4 Perhaps most strikingly, several scholars including Timothy Clark have recently argued that climate change alters the anthropocentric scale of history, 5 calling for a planetary perspective on the global past, present, and future, and requiring new paradigms of critical enquiry able to address the lengthy prehistory of global warming, make visible the current geological impact of human activity, and imagine the various environmental futures that might constitute its afterlife.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="3b0478422b88a5c5d165dc05b7764e3f" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":54738149,"asset_id":33457638,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/54738149/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="33457638"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="33457638"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 33457638; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="3515391"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/3515391/Noble_Modernisms_special_issue_Neohelicon_2015_"><img alt="Research paper thumbnail of Noble Modernisms (special issue Neohelicon, 2015)" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/3515391/Noble_Modernisms_special_issue_Neohelicon_2015_">Noble Modernisms (special issue Neohelicon, 2015)</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://uclouvain.academia.edu/BenDeBruyn">Ben De Bruyn</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://kuleuven.academia.edu/AleideVanmol">Aleide Vanmol</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://kuleuven.academia.edu/DavidMartens">David Martens</a></span></div><div class="wp-workCard_item"><span>Neohelicon</span><span>, 2015</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="3515391"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="3515391"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 3515391; 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The edited collection Dark Scenes from Damaged Earth fleshes out one proposal: because "[g]othic forms are as useful as they are pervasive" in the present context (ix), we should turn to "the Gothic Anthropocene." Across 17 contributions, available in paperback and open-access editions, critics such as Dawn Keetley, Fred Botting, and Timothy Morton respond to our violent, uncanny, haunted condition by scrutinizing narratives that range across time, space, and medium-from the first American gothic novel, Charles Brockden Brown's Wieland (1798), through recent examples of prehistoric shark fiction and Fabrice Monteiro's petro-gothic photographs, to TV shows such as Hannibal (2013-2015) and short stories by Mohale Mashigo and Caitlín R. Kiernan. These essays detail how the gothic imagination is being reconfigured by the climate crisis, often contrasting unsettling evocations of more-than-human hybridity and humility with the pernicious anthropocentric mindset of realist writing. This results in exciting analyses, for instance about the vegetal presence-grass, oaks, sugar cane-in the first season of True Detective (2014) or about the microbiological "Anthropocene within"-"a kind of Anthropocene taking place within the human body" (257)-in Mike Carey's The Girl with All the Gifts (2014). As a whole, the volume implies that the cultural debate on the climate crisis is entering a new phase, and it raises questions that should interest anyone working in ecocriticism, literature and science, and the environmental humanities. What is happening to gothic fiction and to climate discourse and should we celebrate or resist the rise of "climate gothic"?</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="6d2b9d83cd9190a91bc94848031af01a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":111721678,"asset_id":105871329,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/111721678/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="105871329"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="105871329"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 105871329; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="67523220"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/67523220/Training_for_Catastrophe_review_Surveillance_and_Society_"><img alt="Research paper thumbnail of Training for Catastrophe (review, Surveillance & Society)" class="work-thumbnail" src="https://attachments.academia-assets.com/82801286/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/67523220/Training_for_Catastrophe_review_Surveillance_and_Society_">Training for Catastrophe (review, Surveillance & Society)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">In our increasingly inhospitable world, public officials and ordinary citizens alike should caref...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In our increasingly inhospitable world, public officials and ordinary citizens alike should carefully consider future emergencies, their systemic causes, potentially devastating results, and the most equitable government responses. And precisely because the stakes of disaster preparation are so high, as Lindsay Thomas suggests in Training for Catastrophe, we need to scrutinize the dominant, militarized mode of thinking about emergencies in the US-"the national security paradigm known as preparedness"(ix). While the doctrine of preparedness is rooted in civil defense initiatives from the Cold War era that culminated in the creation of FEMA in 1979, as Thomas explains, it only fully crystallized after the attacks of 9/11 led to the emergence of the Department of Homeland Security in 2002, a new government agency responsible for both disaster management and the domestic fight against terror. Training for Catastrophe analyzes this preparedness doctrine by inspecting a wide range of materials "including policy documents,… training exercises, political speeches, preparedness plans, online games, graphic narratives, and political thrillers" (4). In five accessible chapters, this analysis reveals several thought-provoking contradictions in preparedness texts. They firmly believe in the functional equivalence of divergent disasters and the need to anticipate the unthinkable. Accordingly, they rely heavily on fiction to generate knowledge and actionable data-meaning that even zombie pandemic scenarios can counterintuitively seem realistic, and yield valuable insights. Preparedness discourse also invites its apparently all-encompassing audience to learn proper disaster protocols and aspire to the decisive behavior of emergency professionals and resilient heroes, although it implicitly excludes black citizens, features one-dimensional characters with limited agency, and downplays practical actions at the expense of mood management. When disaster strikes, the aim is to adopt a stance of cool competence, these materials imply, and while that makes the overwhelming feel conventional and manageable, it also hints at the ultimate futility of emergency preparations. As far as counter-terrorism training is concerned, this militarized understanding of disaster planning enlists "citizenagent[s]" (173) in indirect forms of "lateral" surveillance, to use the term Thomas derives from Mark Andrejevic (174). And it further encourages us to interpret decontextualized objects and everyday behaviors suspiciously, as if potential attacks have happened already-meaning that "patriots" are expected to think like "terrorists." Thomas's nuanced account draws attention to the features and ironies of preparedness discourse and demonstrates the value of close-reading actual "national security materials" (9). This analysis also advances existing research, she contends, by drawing attention to the conservative and state-sanctioned Book Review</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="4a24ee1da113a1d896121ae8ad65cb85" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":82801286,"asset_id":67523220,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/82801286/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="67523220"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="67523220"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 67523220; 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dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=9810664]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":9810664,"title":"extra","internal_url":"https://www.academia.edu/9810664/extra","owner_id":2011404,"coauthors_can_edit":true,"owner":{"id":2011404,"first_name":"Ben","middle_initials":null,"last_name":"De Bruyn","page_name":"BenDeBruyn","domain_name":"uclouvain","created_at":"2012-06-25T05:36:34.283-07:00","display_name":"Ben De Bruyn","url":"https://uclouvain.academia.edu/BenDeBruyn"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="4208013" id="papers"><div class="js-work-strip profile--work_container" data-work-id="34733062"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/34733062/Planetary_memory_in_contemporary_American_fiction_"><img alt="Research paper thumbnail of Planetary memory in contemporary American fiction," class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/34733062/Planetary_memory_in_contemporary_American_fiction_">Planetary memory in contemporary American fiction,</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://kcl.academia.edu/JessicaRapson">Jessica Rapson</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://westminster.academia.edu/LucyBond">Lucy Bond</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://uclouvain.academia.edu/BenDeBruyn">Ben De Bruyn</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This special issue considers the ways in which contemporary American fiction seeks to imagine a m...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This special issue considers the ways in which contemporary American fiction seeks to imagine a mode of ‘planetary memory’ able to address the scalar and systemic complexities of the Anthropocene – the epoch in which the combined activity of the human species has become a geological force in its own right. As Naomi Klein has recently argued, confronting the problem of anthropogenic climate change alters everything we know about the world: demanding wholesale recalibration of economic and political priorities; destabilising the epistemic frameworks through which quotidian life is interpreted and enacted; and decentring the dominant cultural imaginaries that seek to give form to historical and future experience.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="34733062"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="34733062"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 34733062; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=34733062]").text(description); $(".js-view-count[data-work-id=34733062]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 34733062; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='34733062']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=34733062]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":34733062,"title":"Planetary memory in contemporary American fiction,","internal_url":"https://www.academia.edu/34733062/Planetary_memory_in_contemporary_American_fiction_","owner_id":227765,"coauthors_can_edit":true,"owner":{"id":227765,"first_name":"Jessica","middle_initials":null,"last_name":"Rapson","page_name":"JessicaRapson","domain_name":"kcl","created_at":"2010-08-03T20:33:15.125-07:00","display_name":"Jessica Rapson","url":"https://kcl.academia.edu/JessicaRapson","email":"ODhFSlFmSmFyTlprR3k3K2JEY2l3NFFWem8zNmZUTXl5K1VuNW5aUEVZQlUrR2p0U2NYMkRJT2dUSjkyU2tEei0tbFVFWlJvdVFrNFBacXpIeXEvNTAwQT09--df10b1afb8db20a192a2682a27abfc170ab65570"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="8706560"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/8706560/De_revanche_van_de_populaire_cultuur_Literatuur_visuele_media_en_smaak"><img alt="Research paper thumbnail of De revanche van de populaire cultuur. Literatuur, visuele media en smaak" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/8706560/De_revanche_van_de_populaire_cultuur_Literatuur_visuele_media_en_smaak">De revanche van de populaire cultuur. Literatuur, visuele media en smaak</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://uclouvain.academia.edu/BenDeBruyn">Ben De Bruyn</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://kuleuven.academia.edu/PieterVerstraeten">Pieter Verstraeten</a></span></div><div class="wp-workCard_item"><span>Tijdschrift voor Nederlandse Taal-en Letterkunde</span><span>, Jan 2012</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">In reaction to Thomas Vaessens' De revanche van de roman, this article emphasizes the importance ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In reaction to Thomas Vaessens' De revanche van de roman, this article emphasizes the importance of popular culture to contemporary novels in Dutch. 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