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<!DOCTYPE html><html><head><title>Literary Adaptations in Spanish Cinema - Sally Faulkner - Google Books</title><link rel="stylesheet" href="/books/css/_a33f2a89320471e58c940b9287b9d4eb/kl_viewport_kennedy_full_bundle.css" type="text/css" /><link rel="stylesheet"href="https://fonts.googleapis.com/css2?family=Product+Sans:wght@400"><script src="/books/javascript/v2_a33f2a89320471e58c940b9287b9d4eb__en.js"></script><script>_OC_Hooks = ["_OC_Page", "_OC_SearchReload", "_OC_TocReload", "_OC_EmptyFunc", "_OC_SearchPage", "_OC_QuotePage" ];for (var _OC_i = 0; _OC_i < _OC_Hooks.length; _OC_i++) {eval("var " + _OC_Hooks[_OC_i] + ";");}function _OC_InitHooks () {for (var i = 0; i < _OC_Hooks.length; i++) {var func = arguments[i];eval( _OC_Hooks[i] + " = func;");}}</script><link rel="canonical" href="https://books.google.com/books/about/Literary_Adaptations_in_Spanish_Cinema.html?id=yeMgJsea3-8C"/><meta property="og:url" content="https://books.google.com/books/about/Literary_Adaptations_in_Spanish_Cinema.html?id=yeMgJsea3-8C"/><meta name="title" content="Literary Adaptations in Spanish Cinema"/><meta name="description" content="New readings of 20th-century literary cinematic texts are presented here in historical context, informed by cultural theory. New readings of literary and cinematic texts are presented here in historical context, informed by cultural theory. In her survey of the history of Spanish cinema in the dictatorship and democratic periods, the author argues thatstudies of adaptations must simultaneously address questions of 'text' - formal issues central to the study of film and literature - and 'context' - ideological concerns crucial to late twentieth-century Spain. She examines threethemes of particular importance to contemporary Spanish culture - the recuperation of history, the negotiation of the rural and the urban, and the representation of gender - and considers the related stylistic issues of the affinities between cinematic expression and nostalgia, the city and phallocentrism. The study concludes with an analysis of the formal question of the narrator in film and literature, through an assessment of Bu帽uel's previously unacknowledged stylistic debt to Gald贸s as manifested in his adaptations of Nazar铆n and Tristana. SALLY FAULKNER is Lecturer in Hispanic Studies at the University of Exeter."/><meta property="og:title" content="Literary Adaptations in Spanish Cinema"/><meta property="og:type" content="book"/><meta property="og:site_name" content="Google Books"/><meta property="og:image" content="https://books.google.com.sg/books/content?id=yeMgJsea3-8C&printsec=frontcover&img=1&zoom=1&edge=curl&imgtk=AFLRE73Gfaz9pyAlUWujTHBvn4bc27N2L1Feh10QBdvsnis5mPExgLTVMW7E5obPVhsFuKGzCdzUh55XH4l8Z8GFMsPJXEmjbhYuL5UFlRQ2PbyX3wBad-Qz9YTeqoXa4ZkAfRqaoLu3"/><link rel="image_src" href="https://books.google.com.sg/books/content?id=yeMgJsea3-8C&printsec=frontcover&img=1&zoom=1&edge=curl&imgtk=AFLRE73Gfaz9pyAlUWujTHBvn4bc27N2L1Feh10QBdvsnis5mPExgLTVMW7E5obPVhsFuKGzCdzUh55XH4l8Z8GFMsPJXEmjbhYuL5UFlRQ2PbyX3wBad-Qz9YTeqoXa4ZkAfRqaoLu3"/><script></script><style>#gbar,#guser{font-size:13px;padding-top:1px !important;}#gbar{height:22px}#guser{padding-bottom:7px !important;text-align:right}.gbh,.gbd{border-top:1px solid #c9d7f1;font-size:1px}.gbh{height:0;position:absolute;top:24px;width:100%}@media all{.gb1{height:22px;margin-right:.5em;vertical-align:top}#gbar{float:left}}a.gb1,a.gb4{text-decoration:underline !important}a.gb1,a.gb4{color:#00c !important}.gbi .gb4{color:#dd8e27 !important}.gbf .gb4{color:#900 !important} #gbar { padding:.3em .6em !important;}</style></head><body class=""><div id=gbar><nobr><a target=_blank class=gb1 href="https://www.google.com.sg/search?tab=pw">Search</a> <a target=_blank class=gb1 href="https://www.google.com.sg/imghp?hl=en&tab=pi">Images</a> <a target=_blank class=gb1 href="https://maps.google.com.sg/maps?hl=en&tab=pl">Maps</a> <a target=_blank class=gb1 href="https://play.google.com/?hl=en&tab=p8">Play</a> <a target=_blank class=gb1 href="https://www.youtube.com/?tab=p1">YouTube</a> <a target=_blank class=gb1 href="https://news.google.com/?tab=pn">News</a> <a target=_blank class=gb1 href="https://mail.google.com/mail/?tab=pm">Gmail</a> <a target=_blank class=gb1 href="https://drive.google.com/?tab=po">Drive</a> <a target=_blank class=gb1 style="text-decoration:none" href="https://www.google.com.sg/intl/en/about/products?tab=ph"><u>More</u> »</a></nobr></div><div id=guser width=100%><nobr><span id=gbn class=gbi></span><span id=gbf class=gbf></span><span id=gbe></span><a target=_top id=gb_70 href="https://www.google.com/accounts/Login?service=print&continue=https://books.google.com.sg/books%3Fid%3DyeMgJsea3-8C%26printsec%3Dfrontcover%26hl%3Den&hl=en&ec=GAZACg" class=gb4>Sign in</a></nobr></div><div class=gbh style=left:0></div><div class=gbh style=right:0></div><div role="alert" style="position: absolute; left: 0; right: 0;"><a href="https://books.google.com.sg/books?id=yeMgJsea3-8C&printsec=frontcover&hl=en&output=html_text" title="Screen reader users: click this link for accessible mode. 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New readings of literary and cinematic texts are presented here in historical context, informed by cultural theory. In her survey of the history of Spanish cinema in the dictatorship and democratic periods, the author argues thatstudies of adaptations must simultaneously address questions of 'text' - formal issues central to the study of film and literature - and 'context' - ideological concerns crucial to late twentieth-century Spain. She examines threethemes of particular importance to contemporary Spanish culture - the recuperation of history, the negotiation of the rural and the urban, and the representation of gender - and considers the related stylistic issues of the affinities between cinematic expression and nostalgia, the city and phallocentrism. 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