CINXE.COM

<!DOCTYPE html> <html lang="en" xmlns:fb="http://www.facebook.com/2008/fbml" class="wf-loading"> <head prefix="og: https://ogp.me/ns# fb: https://ogp.me/ns/fb# academia: https://ogp.me/ns/fb/academia#"> <meta charset="utf-8"> <meta name=viewport content="width=device-width, initial-scale=1"> <meta rel="search" type="application/opensearchdescription+xml" href="/open_search.xml" title="Academia.edu"> <title>Marcel Proust Research Papers - Academia.edu</title>  <link href="//a.academia-assets.com/images/favicons/favicon-production.ico" rel="shortcut icon" type="image/vnd.microsoft.icon"> <link rel="apple-touch-icon" sizes="57x57" href="//a.academia-assets.com/images/favicons/apple-touch-icon-57x57.png"> <link rel="apple-touch-icon" sizes="60x60" href="//a.academia-assets.com/images/favicons/apple-touch-icon-60x60.png"> <link rel="apple-touch-icon" sizes="72x72" href="//a.academia-assets.com/images/favicons/apple-touch-icon-72x72.png"> <link rel="apple-touch-icon" sizes="76x76" href="//a.academia-assets.com/images/favicons/apple-touch-icon-76x76.png"> <link rel="apple-touch-icon" sizes="114x114" href="//a.academia-assets.com/images/favicons/apple-touch-icon-114x114.png"> <link rel="apple-touch-icon" sizes="120x120" href="//a.academia-assets.com/images/favicons/apple-touch-icon-120x120.png"> <link rel="apple-touch-icon" sizes="144x144" href="//a.academia-assets.com/images/favicons/apple-touch-icon-144x144.png"> <link rel="apple-touch-icon" sizes="152x152" href="//a.academia-assets.com/images/favicons/apple-touch-icon-152x152.png"> <link rel="apple-touch-icon" sizes="180x180" href="//a.academia-assets.com/images/favicons/apple-touch-icon-180x180.png"> <link rel="icon" type="image/png" href="//a.academia-assets.com/images/favicons/favicon-32x32.png" sizes="32x32"> <link rel="icon" type="image/png" href="//a.academia-assets.com/images/favicons/favicon-194x194.png" sizes="194x194"> <link rel="icon" type="image/png" href="//a.academia-assets.com/images/favicons/favicon-96x96.png" sizes="96x96"> <link rel="icon" type="image/png" href="//a.academia-assets.com/images/favicons/android-chrome-192x192.png" sizes="192x192"> <link rel="icon" type="image/png" href="//a.academia-assets.com/images/favicons/favicon-16x16.png" sizes="16x16"> <link rel="manifest" href="//a.academia-assets.com/images/favicons/manifest.json"> <meta name="msapplication-TileColor" content="#2b5797"> <meta name="msapplication-TileImage" content="//a.academia-assets.com/images/favicons/mstile-144x144.png"> <meta name="theme-color" content="#ffffff"> <script> window.performance && window.performance.measure && window.performance.measure("Time To First Byte", "requestStart", "responseStart"); </script> <script> (function() { if (!window.URLSearchParams || !window.history || !window.history.replaceState) { return; } var searchParams = new URLSearchParams(window.location.search); var paramsToDelete = [ 'fs', 'sm', 'swp', 'iid', 'nbs', 'rcc', // related content category 'rcpos', // related content carousel position 'rcpg', // related carousel page 'rchid', // related content hit id 'f_ri', // research interest id, for SEO tracking 'f_fri', // featured research interest, for SEO tracking (param key without value) 'f_rid', // from research interest directory for SEO tracking 'f_loswp', // from research interest pills on LOSWP sidebar for SEO tracking 'rhid', // referrring hit id ]; if (paramsToDelete.every((key) => searchParams.get(key) === null)) { return; } paramsToDelete.forEach((key) => { searchParams.delete(key); }); var cleanUrl = new URL(window.location.href); cleanUrl.search = searchParams.toString(); history.replaceState({}, document.title, cleanUrl); })(); </script> <script async src="https://www.googletagmanager.com/gtag/js?id=G-5VKX33P2DS"></script> <script> window.dataLayer = window.dataLayer || []; function gtag(){dataLayer.push(arguments);} gtag('js', new Date()); gtag('config', 'G-5VKX33P2DS', { cookie_domain: 'academia.edu', send_page_view: false, }); gtag('event', 'page_view', { 'controller': "by_tag", 'action': "show_one", 'controller_action': 'by_tag#show_one', 'logged_in': 'false', 'edge': 'unknown', // Send nil if there is no A/B test bucket, in case some records get logged // with missing data - that way we can distinguish between the two cases. // ab_test_bucket should be of the form <ab_test_name>:<bucket> 'ab_test_bucket': null, }) </script> <script type="text/javascript"> window.sendUserTiming = function(timingName) { if (!(window.performance && window.performance.measure)) return; var entries = window.performance.getEntriesByName(timingName, "measure"); if (entries.length !== 1) return; var timingValue = Math.round(entries[0].duration); gtag('event', 'timing_complete', { name: timingName, value: timingValue, event_category: 'User-centric', }); }; window.sendUserTiming("Time To First Byte"); </script> <meta name="csrf-param" content="authenticity_token" /> <meta name="csrf-token" content="HNzIcC0nVZXRq1UI6m13X5bYANXj5St9PL86sblW/4SD2RUKOaU+45ebIKWkJGQk0uxiA5Hnn1ksJ1xoMjPUnw==" /> <link href="/Documents/in/Marcel_Proust?after=50%2C15414955" rel="next" /><link crossorigin="" href="https://fonts.gstatic.com/" rel="preconnect" /><link href="https://fonts.googleapis.com/css2?family=DM+Sans:ital,opsz,wght@0,9..40,100..1000;1,9..40,100..1000&family=Gupter:wght@400;500;700&family=IBM+Plex+Mono:wght@300;400&family=Material+Symbols+Outlined:opsz,wght,FILL,GRAD@20,400,0,0&display=swap" rel="stylesheet" /><link rel="stylesheet" media="all" href="//a.academia-assets.com/assets/design_system/common-10fa40af19d25203774df2d4a03b9b5771b45109c2304968038e88a81d1215c5.css" /> <meta name="description" content="View Marcel Proust Research Papers on Academia.edu for free." /> <meta name="google-site-verification" content="bKJMBZA7E43xhDOopFZkssMMkBRjvYERV-NaN4R6mrs" /> <script> var $controller_name = 'by_tag'; var $action_name = "show_one"; var $rails_env = 'production'; var $app_rev = '9387f500ddcbb8d05c67bef28a2fe0334f1aafb8'; var $domain = 'academia.edu'; var $app_host = "academia.edu"; var $asset_host = "academia-assets.com"; var $start_time = new Date().getTime(); var $recaptcha_key = "6LdxlRMTAAAAADnu_zyLhLg0YF9uACwz78shpjJB"; var $recaptcha_invisible_key = "6Lf3KHUUAAAAACggoMpmGJdQDtiyrjVlvGJ6BbAj"; var $disableClientRecordHit = false; </script> <script> window.Aedu = { hit_data: null }; window.Aedu.SiteStats = {"premium_universities_count":15268,"monthly_visitors":"113 million","monthly_visitor_count":113692424,"monthly_visitor_count_in_millions":113,"user_count":277718447,"paper_count":55203019,"paper_count_in_millions":55,"page_count":432000000,"page_count_in_millions":432,"pdf_count":16500000,"pdf_count_in_millions":16}; window.Aedu.serverRenderTime = new Date(1733017303000); window.Aedu.timeDifference = new Date().getTime() - 1733017303000; window.Aedu.isUsingCssV1 = false; window.Aedu.enableLocalization = true; window.Aedu.activateFullstory = false; window.Aedu.serviceAvailability = { status: {"attention_db":"on","bibliography_db":"on","contacts_db":"on","email_db":"on","indexability_db":"on","mentions_db":"on","news_db":"on","notifications_db":"on","offsite_mentions_db":"on","redshift":"on","redshift_exports_db":"on","related_works_db":"on","ring_db":"on","user_tests_db":"on"}, serviceEnabled: function(service) { return this.status[service] === "on"; }, readEnabled: function(service) { return this.serviceEnabled(service) || this.status[service] === "read_only"; }, }; window.Aedu.viewApmTrace = function() { // Check if x-apm-trace-id meta tag is set, and open the trace in APM // in a new window if it is. var apmTraceId = document.head.querySelector('meta[name="x-apm-trace-id"]'); if (apmTraceId) { var traceId = apmTraceId.content; // Use trace ID to construct URL, an example URL looks like: // https://app.datadoghq.com/apm/traces?query=trace_id%31298410148923562634 var apmUrl = 'https://app.datadoghq.com/apm/traces?query=trace_id%3A' + traceId; window.open(apmUrl, '_blank'); } }; </script>  <link href="https://fonts.googleapis.com/css?family=Roboto:100,100i,300,300i,400,400i,500,500i,700,700i,900,900i" rel="stylesheet"> <link href="//maxcdn.bootstrapcdn.com/font-awesome/4.3.0/css/font-awesome.min.css" rel="stylesheet"> <link rel="stylesheet" media="all" href="//a.academia-assets.com/assets/libraries-a9675dcb01ec4ef6aa807ba772c7a5a00c1820d3ff661c1038a20f80d06bb4e4.css" /> <link rel="stylesheet" media="all" href="//a.academia-assets.com/assets/academia-bdb9e8c097f01e611f2fc5e2f1a9dc599beede975e2ae5629983543a1726e947.css" /> <link rel="stylesheet" media="all" href="//a.academia-assets.com/assets/design_system_legacy-056a9113b9a0f5343d013b29ee1929d5a18be35fdcdceb616600b4db8bd20054.css" /> <script src="//a.academia-assets.com/assets/webpack_bundles/runtime-bundle-005434038af4252ca37c527588411a3d6a0eabb5f727fac83f8bbe7fd88d93bb.js"></script> <script src="//a.academia-assets.com/assets/webpack_bundles/webpack_libraries_and_infrequently_changed.wjs-bundle-3e572e3b706c3ed2ec5b2c1cb44a411fadc81f62a97963cb7bd9c327a0a9d5f2.js"></script> <script src="//a.academia-assets.com/assets/webpack_bundles/core_webpack.wjs-bundle-2e8d3f30eaaddd1debd6ce4630b3453b23a23c91ac7c823ddf8822879835b029.js"></script> <script src="//a.academia-assets.com/assets/webpack_bundles/sentry.wjs-bundle-5fe03fddca915c8ba0f7edbe64c194308e8ce5abaed7bffe1255ff37549c4808.js"></script> <script> jade = window.jade || {}; jade.helpers = window.$h; jade._ = window._; </script>  <script id="tag-manager-head-root">(function(w,d,s,l,i){w[l]=w[l]||[];w[l].push({'gtm.start': new Date().getTime(),event:'gtm.js'});var f=d.getElementsByTagName(s)[0], j=d.createElement(s),dl=l!='dataLayer'?'&l='+l:'';j.async=true;j.src= 'https://www.googletagmanager.com/gtm.js?id='+i+dl;f.parentNode.insertBefore(j,f); })(window,document,'script','dataLayer_old','GTM-5G9JF7Z');</script>  <script> window.gptadslots = []; window.googletag = window.googletag || {}; window.googletag.cmd = window.googletag.cmd || []; </script> <script type="text/javascript"> // TODO(jacob): This should be defined, may be rare load order problem. // Checking if null is just a quick fix, will default to en if unset. // Better fix is to run this immedietely after I18n is set. if (window.I18n != null) { I18n.defaultLocale = "en"; I18n.locale = "en"; I18n.fallbacks = true; } </script> <link rel="canonical" href="https://www.academia.edu/Documents/in/Marcel_Proust" /> </head>   <body class='c-by_tag a-show_one logged_out u-bgColorWhite'>  <div id="fb-root"></div><script>window.fbAsyncInit = function() { FB.init({ appId: "2369844204", version: "v8.0", status: true, cookie: true, xfbml: true }); // Additional initialization code. if (window.InitFacebook) { // facebook.ts already loaded, set it up. window.InitFacebook(); } else { // Set a flag for facebook.ts to find when it loads. window.academiaAuthReadyFacebook = true; } };</script><script>window.fbAsyncLoad = function() { // Protection against double calling of this function if (window.FB) { return; } (function(d, s, id){ var js, fjs = d.getElementsByTagName(s)[0]; if (d.getElementById(id)) {return;} js = d.createElement(s); js.id = id; js.src = "//connect.facebook.net/en_US/sdk.js"; fjs.parentNode.insertBefore(js, fjs); }(document, 'script', 'facebook-jssdk')); } if (!window.defer_facebook) { // Autoload if not deferred window.fbAsyncLoad(); } else { // Defer loading by 5 seconds setTimeout(function() { window.fbAsyncLoad(); }, 5000); }</script> <div id="google-root"></div><script>window.loadGoogle = function() { if (window.InitGoogle) { // google.ts already loaded, set it up. window.InitGoogle("331998490334-rsn3chp12mbkiqhl6e7lu2q0mlbu0f1b"); } else { // Set a flag for google.ts to use when it loads. window.GoogleClientID = "331998490334-rsn3chp12mbkiqhl6e7lu2q0mlbu0f1b"; } };</script><script>window.googleAsyncLoad = function() { // Protection against double calling of this function (function(d) { var js; var id = 'google-jssdk'; var ref = d.getElementsByTagName('script')[0]; if (d.getElementById(id)) { return; } js = d.createElement('script'); js.id = id; js.async = true; js.onload = loadGoogle; js.src = "https://accounts.google.com/gsi/client" ref.parentNode.insertBefore(js, ref); }(document)); } if (!window.defer_google) { // Autoload if not deferred window.googleAsyncLoad(); } else { // Defer loading by 5 seconds setTimeout(function() { window.googleAsyncLoad(); }, 5000); }</script> <div id="tag-manager-body-root">  <noscript><iframe src="https://www.googletagmanager.com/ns.html?id=GTM-5G9JF7Z" height="0" width="0" style="display:none;visibility:hidden"></iframe></noscript>   <script> window.addEventListener('load', function() { if (document.querySelector('input[name="commit"]')) { document.querySelector('input[name="commit"]').addEventListener('click', function() { gtag('event', 'click', { event_category: 'button', event_label: 'Log In' }) }) } }); </script> </div> <script>var _comscore = _comscore || []; _comscore.push({ c1: "2", c2: "26766707" }); (function() { var s = document.createElement("script"), el = document.getElementsByTagName("script")[0]; s.async = true; s.src = (document.location.protocol == "https:" ? "https://sb" : "http://b") + ".scorecardresearch.com/beacon.js"; el.parentNode.insertBefore(s, el); })();</script><img src="https://sb.scorecardresearch.com/p?c1=2&c2=26766707&cv=2.0&cj=1" style="position: absolute; visibility: hidden" /> <div id='react-modal'></div> <div class='DesignSystem'> <a class='u-showOnFocus' href='#site'> Skip to main content </a> </div> <div id="upgrade_ie_banner" style="display: none;"><p>Academia.edu no longer supports Internet Explorer.</p><p>To browse Academia.edu and the wider internet faster and more securely, please take a few seconds to <a href="https://www.academia.edu/upgrade-browser">upgrade your browser</a>.</p></div><script>// Show this banner for all versions of IE if (!!window.MSInputMethodContext || /(MSIE)/.test(navigator.userAgent)) { document.getElementById('upgrade_ie_banner').style.display = 'block'; }</script> <div class="DesignSystem bootstrap ShrinkableNav no-sm no-md"><div class="navbar navbar-default main-header"><div class="container-wrapper" id="main-header-container"><div class="container"><div class="navbar-header"><div class="nav-left-wrapper u-mt0x"><div class="nav-logo"><a data-main-header-link-target="logo_home" href="https://www.academia.edu/"><img class="visible-xs-inline-block" style="height: 24px;" alt="Academia.edu" src="//a.academia-assets.com/images/academia-logo-redesign-2015-A.svg" width="24" height="24" /><img width="145.2" height="18" class="hidden-xs" style="height: 24px;" alt="Academia.edu" src="//a.academia-assets.com/images/academia-logo-redesign-2015.svg" /></a></div><div class="nav-search"><div class="SiteSearch-wrapper select2-no-default-pills"><form class="js-SiteSearch-form DesignSystem" action="https://www.academia.edu/search" accept-charset="UTF-8" method="get"><input name="utf8" type="hidden" value="✓" autocomplete="off" /><i class="SiteSearch-icon fa fa-search u-fw700 u-positionAbsolute u-tcGrayDark"></i><input class="js-SiteSearch-form-input SiteSearch-form-input form-control" data-main-header-click-target="search_input" name="q" placeholder="Search" type="text" value="" /></form></div></div></div><div class="nav-right-wrapper pull-right"><ul class="NavLinks js-main-nav list-unstyled"><li class="NavLinks-link"><a class="js-header-login-url Button Button--inverseGray Button--sm u-mb4x" id="nav_log_in" rel="nofollow" href="https://www.academia.edu/login">Log In</a></li><li class="NavLinks-link u-p0x"><a class="Button Button--inverseGray Button--sm u-mb4x" rel="nofollow" href="https://www.academia.edu/signup">Sign Up</a></li></ul><button class="hidden-lg hidden-md hidden-sm u-ml4x navbar-toggle collapsed" data-target=".js-mobile-header-links" data-toggle="collapse" type="button"><span class="icon-bar"></span><span class="icon-bar"></span><span class="icon-bar"></span></button></div></div><div class="collapse navbar-collapse js-mobile-header-links"><ul class="nav navbar-nav"><li class="u-borderColorGrayLight u-borderBottom1"><a rel="nofollow" href="https://www.academia.edu/login">Log In</a></li><li class="u-borderColorGrayLight u-borderBottom1"><a rel="nofollow" href="https://www.academia.edu/signup">Sign Up</a></li><li class="u-borderColorGrayLight u-borderBottom1 js-mobile-nav-expand-trigger"><a href="#">more&nbsp<span class="caret"></span></a></li><li><ul class="js-mobile-nav-expand-section nav navbar-nav u-m0x collapse"><li class="u-borderColorGrayLight u-borderBottom1"><a rel="false" href="https://www.academia.edu/about">About</a></li><li class="u-borderColorGrayLight u-borderBottom1"><a rel="nofollow" href="https://www.academia.edu/press">Press</a></li><li class="u-borderColorGrayLight u-borderBottom1"><a rel="nofollow" href="https://medium.com/@academia">Blog</a></li><li class="u-borderColorGrayLight u-borderBottom1"><a rel="false" href="https://www.academia.edu/documents">Papers</a></li><li class="u-borderColorGrayLight u-borderBottom1"><a rel="nofollow" href="https://www.academia.edu/terms">Terms</a></li><li class="u-borderColorGrayLight u-borderBottom1"><a rel="nofollow" href="https://www.academia.edu/privacy">Privacy</a></li><li class="u-borderColorGrayLight u-borderBottom1"><a rel="nofollow" href="https://www.academia.edu/copyright">Copyright</a></li><li class="u-borderColorGrayLight u-borderBottom1"><a rel="nofollow" href="https://www.academia.edu/hiring"><i class="fa fa-briefcase"></i> We're Hiring!</a></li><li class="u-borderColorGrayLight u-borderBottom1"><a rel="nofollow" href="https://support.academia.edu/"><i class="fa fa-question-circle"></i> Help Center</a></li><li class="js-mobile-nav-collapse-trigger u-borderColorGrayLight u-borderBottom1 dropup" style="display:none"><a href="#">less&nbsp<span class="caret"></span></a></li></ul></li></ul></div></div></div><script>(function(){ var $moreLink = $(".js-mobile-nav-expand-trigger"); var $lessLink = $(".js-mobile-nav-collapse-trigger"); var $section = $('.js-mobile-nav-expand-section'); $moreLink.click(function(ev){ ev.preventDefault(); $moreLink.hide(); $lessLink.show(); $section.collapse('show'); }); $lessLink.click(function(ev){ ev.preventDefault(); $moreLink.show(); $lessLink.hide(); $section.collapse('hide'); }); })() if ($a.is_logged_in() || false) { new Aedu.NavigationController({ el: '.js-main-nav', showHighlightedNotification: false }); } else { $(".js-header-login-url").attr("href", $a.loginUrlWithRedirect()); } Aedu.autocompleteSearch = new AutocompleteSearch({el: '.js-SiteSearch-form'});</script></div></div> <div id='site' class='fixed'> <div id="content" class="clearfix"> <script>document.addEventListener('DOMContentLoaded', function(){ var $dismissible = $(".dismissible_banner"); $dismissible.click(function(ev) { $dismissible.hide(); }); });</script> <div class="DesignSystem" style="margin-top:-40px"><div class="PageHeader"><div class="container"><div class="row"><style type="text/css">.sor-abstract { display: -webkit-box; overflow: hidden; text-overflow: ellipsis; -webkit-line-clamp: 3; -webkit-box-orient: vertical; }</style><div class="col-xs-12 clearfix"><div class="u-floatLeft"><h1 class="PageHeader-title u-m0x u-fs30">Marcel Proust</h1><div class="u-tcGrayDark">16,348 Followers</div><div class="u-tcGrayDark u-mt2x">Recent papers in <b>Marcel Proust</b></div></div></div></div></div></div><div class="TabbedNavigation"><div class="container"><div class="row"><div class="col-xs-12 clearfix"><ul class="nav u-m0x u-p0x list-inline u-displayFlex"><li class="active"><a href="https://www.academia.edu/Documents/in/Marcel_Proust">Top Papers</a></li><li><a href="https://www.academia.edu/Documents/in/Marcel_Proust/MostCited">Most Cited Papers</a></li><li><a href="https://www.academia.edu/Documents/in/Marcel_Proust/MostDownloaded">Most Downloaded Papers</a></li><li><a href="https://www.academia.edu/Documents/in/Marcel_Proust/MostRecent">Newest Papers</a></li><li><a class="" href="https://www.academia.edu/People/Marcel_Proust">People</a></li></ul></div><style type="text/css">ul.nav{flex-direction:row}@media(max-width: 567px){ul.nav{flex-direction:column}.TabbedNavigation li{max-width:100%}.TabbedNavigation li.active{background-color:var(--background-grey, #dddde2)}.TabbedNavigation li.active:before,.TabbedNavigation li.active:after{display:none}}</style></div></div></div><div class="container"><div class="row"><div class="col-xs-12"><div class="u-displayFlex"><div class="u-flexGrow1"><div class="works"><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_2035744" data-work_id="2035744" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/2035744/Proust_en_couleur">Proust en couleur</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">La couleur n’est pas un élément anodin de la Recherche. Au contraire, elle est l’une des voies d’accès au style de l’écrivain. De la science à la peinture, de la critique d’art à la réflexion philosophique, le rendu chromatique de l’œuvre... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_2035744" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">La couleur n’est pas un élément anodin de la Recherche. Au contraire, elle est l’une des voies d’accès au style de l’écrivain. De la science à la peinture, de la critique d’art à la réflexion philosophique, le rendu chromatique de l’œuvre est questionné à partir des connexions entre Proust et les savoirs sur le chromatisme de son époque. Le but du livre est de montrer que l’ une des solutions données par l’auteur sera la disparition de toute teinte au sein des éléments qui composent la cathédrale du temps. La Recherche est mise en couleur par le biais d’un style délibérément hétéroclite.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/2035744" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="952e50b60e16227210f33f857c620d77" rel="nofollow" data-download="{"attachment_id":29538244,"asset_id":2035744,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/29538244/download_file?st=MTczMzAxNzMwMiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="536578" href="https://unicatt.academia.edu/DavideVago">Davide Vago</a><script data-card-contents-for-user="536578" type="text/json">{"id":536578,"first_name":"Davide","last_name":"Vago","domain_name":"unicatt","page_name":"DavideVago","display_name":"Davide Vago","profile_url":"https://unicatt.academia.edu/DavideVago?f_ri=19362","photo":"https://0.academia-photos.com/536578/415089/35948088/s65_davide.vago.jpg"}</script></span></span></li><li class="js-paper-rank-work_2035744 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="2035744"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 2035744, container: ".js-paper-rank-work_2035744", }); });</script></li><li class="js-percentile-work_2035744 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 2035744; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_2035744"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_2035744 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="2035744"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 2035744; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=2035744]").text(description); $(".js-view-count-work_2035744").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_2035744").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="2035744"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">3</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="3905" href="https://www.academia.edu/Documents/in/Stylistics">Stylistics</a>, <script data-card-contents-for-ri="3905" type="text/json">{"id":3905,"name":"Stylistics","url":"https://www.academia.edu/Documents/in/Stylistics?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="19362" href="https://www.academia.edu/Documents/in/Marcel_Proust">Marcel Proust</a>, <script data-card-contents-for-ri="19362" type="text/json">{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="38756" href="https://www.academia.edu/Documents/in/Color_Perception">Color Perception</a><script data-card-contents-for-ri="38756" type="text/json">{"id":38756,"name":"Color Perception","url":"https://www.academia.edu/Documents/in/Color_Perception?f_ri=19362","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=2035744]'), work: {"id":2035744,"title":"Proust en couleur","created_at":"2012-10-16T20:05:09.321-07:00","url":"https://www.academia.edu/2035744/Proust_en_couleur?f_ri=19362","dom_id":"work_2035744","summary":"La couleur n’est pas un élément anodin de la Recherche. Au contraire, elle est l’une des voies d’accès au style de l’écrivain. De la science à la peinture, de la critique d’art à la réflexion philosophique, le rendu chromatique de l’œuvre est questionné à partir des connexions entre Proust et les savoirs sur le chromatisme de son époque. Le but du livre est de montrer que l’ une des solutions données par l’auteur sera la disparition de toute teinte au sein des éléments qui composent la cathédrale du temps. La Recherche est mise en couleur par le biais d’un style délibérément hétéroclite.","downloadable_attachments":[{"id":29538244,"asset_id":2035744,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":536578,"first_name":"Davide","last_name":"Vago","domain_name":"unicatt","page_name":"DavideVago","display_name":"Davide Vago","profile_url":"https://unicatt.academia.edu/DavideVago?f_ri=19362","photo":"https://0.academia-photos.com/536578/415089/35948088/s65_davide.vago.jpg"}],"research_interests":[{"id":3905,"name":"Stylistics","url":"https://www.academia.edu/Documents/in/Stylistics?f_ri=19362","nofollow":false},{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362","nofollow":false},{"id":38756,"name":"Color Perception","url":"https://www.academia.edu/Documents/in/Color_Perception?f_ri=19362","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_45483116" data-work_id="45483116" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/45483116/Philippe_Burty_contre_Castagnary_Philologie_du_japonisme_ce_caprice_de_dilettante_blas%C3%A9_suivi_de_Le_jeu_japonais_de_Marcel_Proust_%C3%A0_Ernest_Chesneau">Philippe Burty contre Castagnary. Philologie du japonisme, « ce caprice de dilettante blasé » suivi de : Le « jeu japonais », de Marcel Proust à Ernest Chesneau</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized"><a href="https://www.arllfb.be/composition/membres/basch.html" rel="nofollow">https://www.arllfb.be/composition/membres/basch.html</a> Les arts du Japon ont révolutionné l’esthétique du XIXe siècle. Quand il créa en 1872 le mot « japonisme » qui devait s’imposer dans toutes les langues, l’historien de l’art Philippe... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_45483116" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden"><a href="https://www.arllfb.be/composition/membres/basch.html" rel="nofollow">https://www.arllfb.be/composition/membres/basch.html</a><br /><br />Les arts du Japon ont révolutionné l’esthétique du XIXe siècle. Quand il créa en 1872 le mot « japonisme » qui devait s’imposer dans toutes les langues, l’historien de l’art Philippe Burty n’en proposa qu’une définition négative en récusant le critique qui traita son invention de « caprice de dilettante blasé ». L’identification de son contradicteur, Jules-Antoine Castagnary, permet de mieux situer la naissance du « japonisme » dans son contexte littéraire, artistique, savant et politique.<br />Une autre découverte figure en annexe de cette article : la description par Ernest Chesneau, en 1868, du « jeu japonais » que Marcel Proust associa à l’épisode de la madeleine dans Du côté de chez Swann.<br /><br />The arts of Japan revolutionized the aesthetics of the 19th century. When, in 1872, he coined the word « Japonisme » which was to become established in all languages, the art historian Philippe Burty offered only a negative definition, challenging the critic who called his invention « the whim of a blasé dilettante ». The identification of his opponent, Jules-Antoine Castagnary, allows us to better situate the birth of « Japonisme » in its literary, artistic, scholarly and political context.<br />Another discovery is appended to this article: Ernest Chesneau’s 1868 description of the « Japanese paper game » that Marcel Proust associated with the madeleine episode in Swann’s Way.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/45483116" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="bc8b552a01f8455c7f01795076aff3dc" rel="nofollow" data-download="{"attachment_id":65981811,"asset_id":45483116,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/65981811/download_file?st=MTczMzAxNzMwMiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="12800372" href="https://sorbonne-fr.academia.edu/SophieBasch">Sophie Basch</a><script data-card-contents-for-user="12800372" type="text/json">{"id":12800372,"first_name":"Sophie","last_name":"Basch","domain_name":"sorbonne-fr","page_name":"SophieBasch","display_name":"Sophie Basch","profile_url":"https://sorbonne-fr.academia.edu/SophieBasch?f_ri=19362","photo":"https://0.academia-photos.com/12800372/3637464/144196268/s65_sophie.basch.jpeg"}</script></span></span></li><li class="js-paper-rank-work_45483116 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="45483116"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 45483116, container: ".js-paper-rank-work_45483116", }); });</script></li><li class="js-percentile-work_45483116 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 45483116; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_45483116"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_45483116 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="45483116"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 45483116; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=45483116]").text(description); $(".js-view-count-work_45483116").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_45483116").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="45483116"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">18</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="188" href="https://www.academia.edu/Documents/in/Cultural_Studies">Cultural Studies</a>, <script data-card-contents-for-ri="188" type="text/json">{"id":188,"name":"Cultural Studies","url":"https://www.academia.edu/Documents/in/Cultural_Studies?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="915" href="https://www.academia.edu/Documents/in/Art_History">Art History</a>, <script data-card-contents-for-ri="915" type="text/json">{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2473" href="https://www.academia.edu/Documents/in/Material_Culture_Studies">Material Culture Studies</a>, <script data-card-contents-for-ri="2473" type="text/json">{"id":2473,"name":"Material Culture Studies","url":"https://www.academia.edu/Documents/in/Material_Culture_Studies?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="14985" href="https://www.academia.edu/Documents/in/Decorative_Arts">Decorative Arts</a><script data-card-contents-for-ri="14985" type="text/json">{"id":14985,"name":"Decorative Arts","url":"https://www.academia.edu/Documents/in/Decorative_Arts?f_ri=19362","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=45483116]'), work: {"id":45483116,"title":"Philippe Burty contre Castagnary. Philologie du japonisme, « ce caprice de dilettante blasé » suivi de : Le « jeu japonais », de Marcel Proust à Ernest Chesneau","created_at":"2021-03-12T00:12:33.219-08:00","url":"https://www.academia.edu/45483116/Philippe_Burty_contre_Castagnary_Philologie_du_japonisme_ce_caprice_de_dilettante_blas%C3%A9_suivi_de_Le_jeu_japonais_de_Marcel_Proust_%C3%A0_Ernest_Chesneau?f_ri=19362","dom_id":"work_45483116","summary":"https://www.arllfb.be/composition/membres/basch.html\n\nLes arts du Japon ont révolutionné l’esthétique du XIXe siècle. Quand il créa en 1872 le mot « japonisme » qui devait s’imposer dans toutes les langues, l’historien de l’art Philippe Burty n’en proposa qu’une définition négative en récusant le critique qui traita son invention de « caprice de dilettante blasé ». L’identification de son contradicteur, Jules-Antoine Castagnary, permet de mieux situer la naissance du « japonisme » dans son contexte littéraire, artistique, savant et politique.\nUne autre découverte figure en annexe de cette article : la description par Ernest Chesneau, en 1868, du « jeu japonais » que Marcel Proust associa à l’épisode de la madeleine dans Du côté de chez Swann.\n\nThe arts of Japan revolutionized the aesthetics of the 19th century. When, in 1872, he coined the word « Japonisme » which was to become established in all languages, the art historian Philippe Burty offered only a negative definition, challenging the critic who called his invention « the whim of a blasé dilettante ». The identification of his opponent, Jules-Antoine Castagnary, allows us to better situate the birth of « Japonisme » in its literary, artistic, scholarly and political context.\nAnother discovery is appended to this article: Ernest Chesneau’s 1868 description of the « Japanese paper game » that Marcel Proust associated with the madeleine episode in Swann’s Way.\n\n\n","downloadable_attachments":[{"id":65981811,"asset_id":45483116,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":12800372,"first_name":"Sophie","last_name":"Basch","domain_name":"sorbonne-fr","page_name":"SophieBasch","display_name":"Sophie Basch","profile_url":"https://sorbonne-fr.academia.edu/SophieBasch?f_ri=19362","photo":"https://0.academia-photos.com/12800372/3637464/144196268/s65_sophie.basch.jpeg"}],"research_interests":[{"id":188,"name":"Cultural Studies","url":"https://www.academia.edu/Documents/in/Cultural_Studies?f_ri=19362","nofollow":false},{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=19362","nofollow":false},{"id":2473,"name":"Material Culture Studies","url":"https://www.academia.edu/Documents/in/Material_Culture_Studies?f_ri=19362","nofollow":false},{"id":14985,"name":"Decorative Arts","url":"https://www.academia.edu/Documents/in/Decorative_Arts?f_ri=19362","nofollow":false},{"id":15749,"name":"Art Criticism","url":"https://www.academia.edu/Documents/in/Art_Criticism?f_ri=19362"},{"id":16556,"name":"19th Century French Literature","url":"https://www.academia.edu/Documents/in/19th_Century_French_Literature?f_ri=19362"},{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362"},{"id":26780,"name":"Baudelaire","url":"https://www.academia.edu/Documents/in/Baudelaire?f_ri=19362"},{"id":30726,"name":"Art Nouveau","url":"https://www.academia.edu/Documents/in/Art_Nouveau?f_ri=19362"},{"id":31790,"name":"James McNeill Whistler","url":"https://www.academia.edu/Documents/in/James_McNeill_Whistler?f_ri=19362"},{"id":53409,"name":"Arts and Crafts","url":"https://www.academia.edu/Documents/in/Arts_and_Crafts?f_ri=19362"},{"id":78161,"name":"Joris-Karl Huysmans","url":"https://www.academia.edu/Documents/in/Joris-Karl_Huysmans?f_ri=19362"},{"id":94434,"name":"Japonism","url":"https://www.academia.edu/Documents/in/Japonism?f_ri=19362"},{"id":97059,"name":"Japonisme","url":"https://www.academia.edu/Documents/in/Japonisme?f_ri=19362"},{"id":1229584,"name":"Preraphaelites","url":"https://www.academia.edu/Documents/in/Preraphaelites?f_ri=19362"},{"id":1344638,"name":"Octave Mirbeau","url":"https://www.academia.edu/Documents/in/Octave_Mirbeau?f_ri=19362"},{"id":1559599,"name":"Ernest Fenollosa","url":"https://www.academia.edu/Documents/in/Ernest_Fenollosa?f_ri=19362"},{"id":2408723,"name":"Champfleury","url":"https://www.academia.edu/Documents/in/Champfleury?f_ri=19362"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_12460271" data-work_id="12460271" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/12460271/The_Melody_of_Time_Music_and_Temporality_in_the_Romantic_Era_Oxford_University_Press_2016_">The Melody of Time: Music and Temporality in the Romantic Era (Oxford University Press, 2016)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">From the Romantic era onwards music has been seen as the most quintessentially temporal art, possessing a unique capacity to invoke the human experience of time. Through its play of themes and recurrence of events music has the ability... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_12460271" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">From the Romantic era onwards music has been seen as the most quintessentially temporal art, possessing a unique capacity to invoke the human experience of time.  Through its play of themes and recurrence of events music has the ability to stylise in multiple ways our temporal relation to the world, with far-reaching implications for modern conceptions of memory, subjectivity, personal and collective identity, and history.  Time, as philosophers, scientists and writers have found throughout history, is notoriously hard to define.  Yet music, seemingly bound up so intimately with the nature of time, might well be understood as disclosing aspects of human temporality unavailable to other modes of inquiry, and accordingly was frequently granted a privileged position in nineteenth-century thought.  For if this age understood time, it was through a melody. <br />  This book examines the multiple ways in which music may provide insight into the problematics of human time.  Whether in the purported timelessness of Beethoven’s late works or the nostalgic impulses of Schubert’s music, in the use of music by philosophers as a means to explicate the aporias of temporal existence or as medium suggestive of the varying possible structures of time, as a reflection of a particular culture’s sense of historical progress or the expression of the intangible spirit behind the course of human history, each of the book’s chapters explores a specific theme in the philosophy of time as expressed through music.  They chart the development across the course of the nineteenth century of music’s capacity to convey the manifold nuances of time, revealing how music would finally become seen as the ideal instantiation of time and human existence itself.  At once historical, analytical, critical, and ultimately hermeneutic, it provides both fresh insight into many familiar nineteenth-century pieces and a rich theoretical basis for future research.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/12460271" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="330bf28afb864889b1e0117bc03b08f2" rel="nofollow" data-download="{"attachment_id":52531054,"asset_id":12460271,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/52531054/download_file?st=MTczMzAxNzMwMiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="176419" href="https://edinburgh.academia.edu/BenedictTaylor">Benedict Taylor</a><script data-card-contents-for-user="176419" type="text/json">{"id":176419,"first_name":"Benedict","last_name":"Taylor","domain_name":"edinburgh","page_name":"BenedictTaylor","display_name":"Benedict Taylor","profile_url":"https://edinburgh.academia.edu/BenedictTaylor?f_ri=19362","photo":"https://0.academia-photos.com/176419/78758/1833030/s65_benedict.taylor.jpg"}</script></span></span></li><li class="js-paper-rank-work_12460271 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="12460271"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 12460271, container: ".js-paper-rank-work_12460271", }); });</script></li><li class="js-percentile-work_12460271 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 12460271; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_12460271"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_12460271 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="12460271"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 12460271; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=12460271]").text(description); $(".js-view-count-work_12460271").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_12460271").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="12460271"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">29</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="5419" href="https://www.academia.edu/Documents/in/Metaphysics_of_Time">Metaphysics of Time</a>, <script data-card-contents-for-ri="5419" type="text/json">{"id":5419,"name":"Metaphysics of Time","url":"https://www.academia.edu/Documents/in/Metaphysics_of_Time?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="9911" href="https://www.academia.edu/Documents/in/Nineteenth-Century_Music">Nineteenth-Century Music</a>, <script data-card-contents-for-ri="9911" type="text/json">{"id":9911,"name":"Nineteenth-Century Music","url":"https://www.academia.edu/Documents/in/Nineteenth-Century_Music?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="9912" href="https://www.academia.edu/Documents/in/Russian_Music">Russian Music</a>, <script data-card-contents-for-ri="9912" type="text/json">{"id":9912,"name":"Russian Music","url":"https://www.academia.edu/Documents/in/Russian_Music?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="11452" href="https://www.academia.edu/Documents/in/Memory_Studies">Memory Studies</a><script data-card-contents-for-ri="11452" type="text/json">{"id":11452,"name":"Memory Studies","url":"https://www.academia.edu/Documents/in/Memory_Studies?f_ri=19362","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=12460271]'), work: {"id":12460271,"title":"The Melody of Time: Music and Temporality in the Romantic Era (Oxford University Press, 2016)","created_at":"2015-05-19T03:01:18.165-07:00","url":"https://www.academia.edu/12460271/The_Melody_of_Time_Music_and_Temporality_in_the_Romantic_Era_Oxford_University_Press_2016_?f_ri=19362","dom_id":"work_12460271","summary":" From the Romantic era onwards music has been seen as the most quintessentially temporal art, possessing a unique capacity to invoke the human experience of time. Through its play of themes and recurrence of events music has the ability to stylise in multiple ways our temporal relation to the world, with far-reaching implications for modern conceptions of memory, subjectivity, personal and collective identity, and history. Time, as philosophers, scientists and writers have found throughout history, is notoriously hard to define. Yet music, seemingly bound up so intimately with the nature of time, might well be understood as disclosing aspects of human temporality unavailable to other modes of inquiry, and accordingly was frequently granted a privileged position in nineteenth-century thought. For if this age understood time, it was through a melody. \r\n This book examines the multiple ways in which music may provide insight into the problematics of human time. Whether in the purported timelessness of Beethoven’s late works or the nostalgic impulses of Schubert’s music, in the use of music by philosophers as a means to explicate the aporias of temporal existence or as medium suggestive of the varying possible structures of time, as a reflection of a particular culture’s sense of historical progress or the expression of the intangible spirit behind the course of human history, each of the book’s chapters explores a specific theme in the philosophy of time as expressed through music. They chart the development across the course of the nineteenth century of music’s capacity to convey the manifold nuances of time, revealing how music would finally become seen as the ideal instantiation of time and human existence itself. At once historical, analytical, critical, and ultimately hermeneutic, it provides both fresh insight into many familiar nineteenth-century pieces and a rich theoretical basis for future research.","downloadable_attachments":[{"id":52531054,"asset_id":12460271,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":176419,"first_name":"Benedict","last_name":"Taylor","domain_name":"edinburgh","page_name":"BenedictTaylor","display_name":"Benedict Taylor","profile_url":"https://edinburgh.academia.edu/BenedictTaylor?f_ri=19362","photo":"https://0.academia-photos.com/176419/78758/1833030/s65_benedict.taylor.jpg"}],"research_interests":[{"id":5419,"name":"Metaphysics of Time","url":"https://www.academia.edu/Documents/in/Metaphysics_of_Time?f_ri=19362","nofollow":false},{"id":9911,"name":"Nineteenth-Century Music","url":"https://www.academia.edu/Documents/in/Nineteenth-Century_Music?f_ri=19362","nofollow":false},{"id":9912,"name":"Russian Music","url":"https://www.academia.edu/Documents/in/Russian_Music?f_ri=19362","nofollow":false},{"id":11452,"name":"Memory Studies","url":"https://www.academia.edu/Documents/in/Memory_Studies?f_ri=19362","nofollow":false},{"id":12509,"name":"Beethoven","url":"https://www.academia.edu/Documents/in/Beethoven?f_ri=19362"},{"id":14989,"name":"Philosophy of Time","url":"https://www.academia.edu/Documents/in/Philosophy_of_Time?f_ri=19362"},{"id":15205,"name":"Nineteenth-Century Russian Music","url":"https://www.academia.edu/Documents/in/Nineteenth-Century_Russian_Music?f_ri=19362"},{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362"},{"id":25832,"name":"Temporality (Music)","url":"https://www.academia.edu/Documents/in/Temporality_Music_?f_ri=19362"},{"id":26752,"name":"Franz Schubert","url":"https://www.academia.edu/Documents/in/Franz_Schubert?f_ri=19362"},{"id":30587,"name":"Elgar","url":"https://www.academia.edu/Documents/in/Elgar?f_ri=19362"},{"id":32663,"name":"Temporality (Time Studies)","url":"https://www.academia.edu/Documents/in/Temporality_Time_Studies_?f_ri=19362"},{"id":48174,"name":"Temporality","url":"https://www.academia.edu/Documents/in/Temporality?f_ri=19362"},{"id":48549,"name":"Ludwig van Beethoven","url":"https://www.academia.edu/Documents/in/Ludwig_van_Beethoven?f_ri=19362"},{"id":54659,"name":"Subjectivity","url":"https://www.academia.edu/Documents/in/Subjectivity?f_ri=19362"},{"id":58775,"name":"French Music","url":"https://www.academia.edu/Documents/in/French_Music?f_ri=19362"},{"id":61556,"name":"Musical time","url":"https://www.academia.edu/Documents/in/Musical_time?f_ri=19362"},{"id":106222,"name":"19th Century Music","url":"https://www.academia.edu/Documents/in/19th_Century_Music?f_ri=19362"},{"id":113340,"name":"Schubert","url":"https://www.academia.edu/Documents/in/Schubert?f_ri=19362"},{"id":309356,"name":"Time and Music","url":"https://www.academia.edu/Documents/in/Time_and_Music?f_ri=19362"},{"id":314515,"name":"Edward Elgar","url":"https://www.academia.edu/Documents/in/Edward_Elgar?f_ri=19362"},{"id":362330,"name":"Saint-Saens","url":"https://www.academia.edu/Documents/in/Saint-Saens?f_ri=19362"},{"id":373037,"name":"Musical memory","url":"https://www.academia.edu/Documents/in/Musical_memory?f_ri=19362"},{"id":506699,"name":"Romantic music aesthetics","url":"https://www.academia.edu/Documents/in/Romantic_music_aesthetics?f_ri=19362"},{"id":568977,"name":"Vincent d'Indy","url":"https://www.academia.edu/Documents/in/Vincent_dIndy?f_ri=19362"},{"id":682918,"name":"Beethoven Sonatas","url":"https://www.academia.edu/Documents/in/Beethoven_Sonatas?f_ri=19362"},{"id":730930,"name":"Late Beethoven","url":"https://www.academia.edu/Documents/in/Late_Beethoven?f_ri=19362"},{"id":1577884,"name":"César Franck","url":"https://www.academia.edu/Documents/in/Cesar_Franck?f_ri=19362"},{"id":1746098,"name":"Music and Memory","url":"https://www.academia.edu/Documents/in/Music_and_Memory?f_ri=19362"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_49280192" data-work_id="49280192" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/49280192/Regress_Progress_in_Proust_Surrealism_and_Joyce">Regress-Progress in Proust, Surrealism and Joyce</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/49280192" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="13452586" href="https://dicospe.academia.edu/IlariaA">Ilaria Aletto</a><script data-card-contents-for-user="13452586" type="text/json">{"id":13452586,"first_name":"Ilaria","last_name":"Aletto","domain_name":"dicospe","page_name":"IlariaA","display_name":"Ilaria Aletto","profile_url":"https://dicospe.academia.edu/IlariaA?f_ri=19362","photo":"https://0.academia-photos.com/13452586/4006473/20710799/s65_ilaria.aletto.jpg"}</script></span></span></li><li class="js-paper-rank-work_49280192 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="49280192"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 49280192, container: ".js-paper-rank-work_49280192", }); });</script></li><li class="js-percentile-work_49280192 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 49280192; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_49280192"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_49280192 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="49280192"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 49280192; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=49280192]").text(description); $(".js-view-count-work_49280192").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_49280192").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="49280192"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">6</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="2574" href="https://www.academia.edu/Documents/in/James_Joyce">James Joyce</a>, <script data-card-contents-for-ri="2574" type="text/json">{"id":2574,"name":"James Joyce","url":"https://www.academia.edu/Documents/in/James_Joyce?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="4951" href="https://www.academia.edu/Documents/in/Surrealism">Surrealism</a>, <script data-card-contents-for-ri="4951" type="text/json">{"id":4951,"name":"Surrealism","url":"https://www.academia.edu/Documents/in/Surrealism?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16206" href="https://www.academia.edu/Documents/in/Dialectic">Dialectic</a>, <script data-card-contents-for-ri="16206" type="text/json">{"id":16206,"name":"Dialectic","url":"https://www.academia.edu/Documents/in/Dialectic?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="19362" href="https://www.academia.edu/Documents/in/Marcel_Proust">Marcel Proust</a><script data-card-contents-for-ri="19362" type="text/json">{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=49280192]'), work: {"id":49280192,"title":"Regress-Progress in Proust, Surrealism and Joyce","created_at":"2021-06-18T01:06:25.296-07:00","url":"https://www.academia.edu/49280192/Regress_Progress_in_Proust_Surrealism_and_Joyce?f_ri=19362","dom_id":"work_49280192","summary":null,"downloadable_attachments":[],"ordered_authors":[{"id":13452586,"first_name":"Ilaria","last_name":"Aletto","domain_name":"dicospe","page_name":"IlariaA","display_name":"Ilaria Aletto","profile_url":"https://dicospe.academia.edu/IlariaA?f_ri=19362","photo":"https://0.academia-photos.com/13452586/4006473/20710799/s65_ilaria.aletto.jpg"}],"research_interests":[{"id":2574,"name":"James Joyce","url":"https://www.academia.edu/Documents/in/James_Joyce?f_ri=19362","nofollow":false},{"id":4951,"name":"Surrealism","url":"https://www.academia.edu/Documents/in/Surrealism?f_ri=19362","nofollow":false},{"id":16206,"name":"Dialectic","url":"https://www.academia.edu/Documents/in/Dialectic?f_ri=19362","nofollow":false},{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362","nofollow":false},{"id":73713,"name":"Sergei Eisenstein","url":"https://www.academia.edu/Documents/in/Sergei_Eisenstein?f_ri=19362"},{"id":424948,"name":"Inner Speech","url":"https://www.academia.edu/Documents/in/Inner_Speech?f_ri=19362"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_43074318" data-work_id="43074318" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/43074318/Alice_S_Leg%C3%A9_Les_Cahen_d_Anvers_en_France_et_en_Italie_Demeures_et_choix_culturels_d_une_lign%C3%A9e_d_entrepreneurs_Paris_LGDJ_Institut_Louis_Joinet_2022_1008_p">Alice S. Legé, "Les Cahen d’Anvers en France et en Italie. Demeures et choix culturels d’une lignée d’entrepreneurs", Paris, LGDJ / Institut Louis Joinet, 2022, 1008 p.</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Cette thèse parle d’Hommes, d’art et de société. Elle traite de l’histoire d’un banquier Juif ashkénaze né à Bonn en 1804 et de ses descendants. À travers l’étude de douze demeures et de leurs collections, elle raconte l’histoire d’une... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_43074318" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Cette thèse parle d’Hommes, d’art et de société. Elle traite de l’histoire d’un banquier Juif ashkénaze né à Bonn en 1804 et de ses descendants. À travers l’étude de douze demeures et de leurs collections, elle raconte l’histoire d’une dynastie d’entrepreneurs qui, de l’ancien Ghetto de Bonn – 821 rue des Juifs – rejoignit le sommet de la haute société européenne. Portraiturés par Léon Bonnat, Carolus-Duran et Renoir, Meyer Joseph Cahen d’Anvers et ses enfants Édouard, Emma, Louis, Raphaël et Albert vécurent les conséquences de l’Affaire Dreyfus, s’efforçant d’exprimer la plénitude de leurs droits civils à travers la sociabilité et le mécénat. Dans leurs salons, en ville et à la campagne, les lecteurs croiseront les pas de Guy de Maupassant, Paul Bourget, Marcel Proust et César Franck, ou encore de Gabriele D’Annunzio et Matilde Serao. Au château de Champs-sur-Marne, à Torre Alfina et dans les autres demeures de la famille les architectes Destailleur et Giuseppe Partini, ou encore les paysagistes Henri et Achille Duchêne, surent plier la « grammaire » du Moyen Âge, de la Renaissance et du XVIIIe siècle au goût et aux ambitions de leurs commanditaires. <br /> <br /><a href="https://www.lgdj.fr/les-cahen-d-anvers-en-france-et-en-italie-9782370323743.html" rel="nofollow">https://www.lgdj.fr/les-cahen-d-anvers-en-france-et-en-italie-9782370323743.html</a></div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/43074318" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="08cb11befd258b4b134e05d0a0ea8464" rel="nofollow" data-download="{"attachment_id":97515488,"asset_id":43074318,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/97515488/download_file?st=MTczMzAxNzMwMiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="29731793" href="https://medici.academia.edu/AliceLeg%C3%A9">Alice S Legé</a><script data-card-contents-for-user="29731793" type="text/json">{"id":29731793,"first_name":"Alice","last_name":"Legé","domain_name":"medici","page_name":"AliceLegé","display_name":"Alice S Legé","profile_url":"https://medici.academia.edu/AliceLeg%C3%A9?f_ri=19362","photo":"https://0.academia-photos.com/29731793/8548875/12398387/s65_alice.leg_.jpg"}</script></span></span></li><li class="js-paper-rank-work_43074318 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="43074318"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 43074318, container: ".js-paper-rank-work_43074318", }); });</script></li><li class="js-percentile-work_43074318 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 43074318; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_43074318"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_43074318 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="43074318"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 43074318; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=43074318]").text(description); $(".js-view-count-work_43074318").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_43074318").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="43074318"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">17</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="983" href="https://www.academia.edu/Documents/in/Jewish_Studies">Jewish Studies</a>, <script data-card-contents-for-ri="983" type="text/json">{"id":983,"name":"Jewish Studies","url":"https://www.academia.edu/Documents/in/Jewish_Studies?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1372" href="https://www.academia.edu/Documents/in/Architecture">Architecture</a>, <script data-card-contents-for-ri="1372" type="text/json">{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="5531" href="https://www.academia.edu/Documents/in/Antisemitism_Prejudice_">Antisemitism (Prejudice)</a>, <script data-card-contents-for-ri="5531" type="text/json">{"id":5531,"name":"Antisemitism (Prejudice)","url":"https://www.academia.edu/Documents/in/Antisemitism_Prejudice_?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="9437" href="https://www.academia.edu/Documents/in/Urbanism">Urbanism</a><script data-card-contents-for-ri="9437" type="text/json">{"id":9437,"name":"Urbanism","url":"https://www.academia.edu/Documents/in/Urbanism?f_ri=19362","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=43074318]'), work: {"id":43074318,"title":"Alice S. Legé, \"Les Cahen d’Anvers en France et en Italie. Demeures et choix culturels d’une lignée d’entrepreneurs\", Paris, LGDJ / Institut Louis Joinet, 2022, 1008 p.","created_at":"2020-05-16T07:40:11.287-07:00","url":"https://www.academia.edu/43074318/Alice_S_Leg%C3%A9_Les_Cahen_d_Anvers_en_France_et_en_Italie_Demeures_et_choix_culturels_d_une_lign%C3%A9e_d_entrepreneurs_Paris_LGDJ_Institut_Louis_Joinet_2022_1008_p?f_ri=19362","dom_id":"work_43074318","summary":"Cette thèse parle d’Hommes, d’art et de société. Elle traite de l’histoire d’un banquier Juif ashkénaze né à Bonn en 1804 et de ses descendants. À travers l’étude de douze demeures et de leurs collections, elle raconte l’histoire d’une dynastie d’entrepreneurs qui, de l’ancien Ghetto de Bonn – 821 rue des Juifs – rejoignit le sommet de la haute société européenne. Portraiturés par Léon Bonnat, Carolus-Duran et Renoir, Meyer Joseph Cahen d’Anvers et ses enfants Édouard, Emma, Louis, Raphaël et Albert vécurent les conséquences de l’Affaire Dreyfus, s’efforçant d’exprimer la plénitude de leurs droits civils à travers la sociabilité et le mécénat. Dans leurs salons, en ville et à la campagne, les lecteurs croiseront les pas de Guy de Maupassant, Paul Bourget, Marcel Proust et César Franck, ou encore de Gabriele D’Annunzio et Matilde Serao. Au château de Champs-sur-Marne, à Torre Alfina et dans les autres demeures de la famille les architectes Destailleur et Giuseppe Partini, ou encore les paysagistes Henri et Achille Duchêne, surent plier la « grammaire » du Moyen Âge, de la Renaissance et du XVIIIe siècle au goût et aux ambitions de leurs commanditaires. \r\n\r\nhttps://www.lgdj.fr/les-cahen-d-anvers-en-france-et-en-italie-9782370323743.html\r\n","downloadable_attachments":[{"id":97515488,"asset_id":43074318,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":29731793,"first_name":"Alice","last_name":"Legé","domain_name":"medici","page_name":"AliceLegé","display_name":"Alice S Legé","profile_url":"https://medici.academia.edu/AliceLeg%C3%A9?f_ri=19362","photo":"https://0.academia-photos.com/29731793/8548875/12398387/s65_alice.leg_.jpg"}],"research_interests":[{"id":983,"name":"Jewish Studies","url":"https://www.academia.edu/Documents/in/Jewish_Studies?f_ri=19362","nofollow":false},{"id":1372,"name":"Architecture","url":"https://www.academia.edu/Documents/in/Architecture?f_ri=19362","nofollow":false},{"id":5531,"name":"Antisemitism (Prejudice)","url":"https://www.academia.edu/Documents/in/Antisemitism_Prejudice_?f_ri=19362","nofollow":false},{"id":9437,"name":"Urbanism","url":"https://www.academia.edu/Documents/in/Urbanism?f_ri=19362","nofollow":false},{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362"},{"id":23333,"name":"Collecting and Collections","url":"https://www.academia.edu/Documents/in/Collecting_and_Collections?f_ri=19362"},{"id":25952,"name":"Country House History","url":"https://www.academia.edu/Documents/in/Country_House_History?f_ri=19362"},{"id":28247,"name":"Modern Jewish History","url":"https://www.academia.edu/Documents/in/Modern_Jewish_History?f_ri=19362"},{"id":52072,"name":"History of Collecting","url":"https://www.academia.edu/Documents/in/History_of_Collecting?f_ri=19362"},{"id":54445,"name":"Elites and Society","url":"https://www.academia.edu/Documents/in/Elites_and_Society?f_ri=19362"},{"id":88022,"name":"Sociology of elites","url":"https://www.academia.edu/Documents/in/Sociology_of_elites?f_ri=19362"},{"id":161217,"name":"the Rothschilds","url":"https://www.academia.edu/Documents/in/the_Rothschilds?f_ri=19362"},{"id":289649,"name":"Revival","url":"https://www.academia.edu/Documents/in/Revival?f_ri=19362"},{"id":448764,"name":"Châteaux","url":"https://www.academia.edu/Documents/in/Chateaux?f_ri=19362"},{"id":505082,"name":"Unità d'Italia","url":"https://www.academia.edu/Documents/in/Unita_dItalia?f_ri=19362"},{"id":576350,"name":"Renoir","url":"https://www.academia.edu/Documents/in/Renoir?f_ri=19362"},{"id":1116843,"name":"Guy De Maupassant","url":"https://www.academia.edu/Documents/in/Guy_De_Maupassant?f_ri=19362"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_30872832" data-work_id="30872832" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/30872832/L_Ferri_Nacht_und_Tr%C3%A4ume_Filosofia_della_notte_nella_Recherche_di_Marcel_Proust_in_Per_Enza_a_cura_di_A_Brettoni_E_Pellegrini_S_Piazzesi_D_Salvadori_Firenze_FUP_2016_pp_277_290">L. Ferri, Nacht und Träume. Filosofia della notte nella Recherche di Marcel Proust, in Per Enza, a cura di A. Brettoni, E. Pellegrini, S. Piazzesi, D. Salvadori, Firenze, FUP, 2016, pp. 277-290</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/30872832" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="e4757e5db1c0375ec9c1309c0946e439" rel="nofollow" data-download="{"attachment_id":51299250,"asset_id":30872832,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/51299250/download_file?st=MTczMzAxNzMwMiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="33155466" href="https://unifi.academia.edu/LuigiFerri">Luigi Ferri</a><script data-card-contents-for-user="33155466" type="text/json">{"id":33155466,"first_name":"Luigi","last_name":"Ferri","domain_name":"unifi","page_name":"LuigiFerri","display_name":"Luigi Ferri","profile_url":"https://unifi.academia.edu/LuigiFerri?f_ri=19362","photo":"https://0.academia-photos.com/33155466/10985904/38433976/s65_luigi.ferri.jpeg"}</script></span></span></li><li class="js-paper-rank-work_30872832 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="30872832"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 30872832, container: ".js-paper-rank-work_30872832", }); });</script></li><li class="js-percentile-work_30872832 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 30872832; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_30872832"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_30872832 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="30872832"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 30872832; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=30872832]").text(description); $(".js-view-count-work_30872832").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_30872832").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="30872832"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">15</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="8409" href="https://www.academia.edu/Documents/in/Henri_Bergson">Henri Bergson</a>, <script data-card-contents-for-ri="8409" type="text/json">{"id":8409,"name":"Henri Bergson","url":"https://www.academia.edu/Documents/in/Henri_Bergson?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16925" href="https://www.academia.edu/Documents/in/Visions_And_Dreams">Visions And Dreams</a>, <script data-card-contents-for-ri="16925" type="text/json">{"id":16925,"name":"Visions And Dreams","url":"https://www.academia.edu/Documents/in/Visions_And_Dreams?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="19362" href="https://www.academia.edu/Documents/in/Marcel_Proust">Marcel Proust</a>, <script data-card-contents-for-ri="19362" type="text/json">{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="19679" href="https://www.academia.edu/Documents/in/Bergson">Bergson</a><script data-card-contents-for-ri="19679" type="text/json">{"id":19679,"name":"Bergson","url":"https://www.academia.edu/Documents/in/Bergson?f_ri=19362","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=30872832]'), work: {"id":30872832,"title":"L. Ferri, Nacht und Träume. Filosofia della notte nella Recherche di Marcel Proust, in Per Enza, a cura di A. Brettoni, E. Pellegrini, S. Piazzesi, D. Salvadori, Firenze, FUP, 2016, pp. 277-290","created_at":"2017-01-11T03:38:26.568-08:00","url":"https://www.academia.edu/30872832/L_Ferri_Nacht_und_Tr%C3%A4ume_Filosofia_della_notte_nella_Recherche_di_Marcel_Proust_in_Per_Enza_a_cura_di_A_Brettoni_E_Pellegrini_S_Piazzesi_D_Salvadori_Firenze_FUP_2016_pp_277_290?f_ri=19362","dom_id":"work_30872832","summary":null,"downloadable_attachments":[{"id":51299250,"asset_id":30872832,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":33155466,"first_name":"Luigi","last_name":"Ferri","domain_name":"unifi","page_name":"LuigiFerri","display_name":"Luigi Ferri","profile_url":"https://unifi.academia.edu/LuigiFerri?f_ri=19362","photo":"https://0.academia-photos.com/33155466/10985904/38433976/s65_luigi.ferri.jpeg"}],"research_interests":[{"id":8409,"name":"Henri Bergson","url":"https://www.academia.edu/Documents/in/Henri_Bergson?f_ri=19362","nofollow":false},{"id":16925,"name":"Visions And Dreams","url":"https://www.academia.edu/Documents/in/Visions_And_Dreams?f_ri=19362","nofollow":false},{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362","nofollow":false},{"id":19679,"name":"Bergson","url":"https://www.academia.edu/Documents/in/Bergson?f_ri=19362","nofollow":false},{"id":21313,"name":"Dreams (Psychology)","url":"https://www.academia.edu/Documents/in/Dreams_Psychology_?f_ri=19362"},{"id":25422,"name":"Dreams","url":"https://www.academia.edu/Documents/in/Dreams?f_ri=19362"},{"id":26949,"name":"Phenomenology of Temporality","url":"https://www.academia.edu/Documents/in/Phenomenology_of_Temporality?f_ri=19362"},{"id":106154,"name":"Littérature Française","url":"https://www.academia.edu/Documents/in/Litt%C3%A9rature_Fran%C3%A7aise?f_ri=19362"},{"id":151220,"name":"Proust","url":"https://www.academia.edu/Documents/in/Proust?f_ri=19362"},{"id":160374,"name":"Teoria Della Letteratura","url":"https://www.academia.edu/Documents/in/Teoria_Della_Letteratura?f_ri=19362"},{"id":161240,"name":"Recherche","url":"https://www.academia.edu/Documents/in/Recherche?f_ri=19362"},{"id":233836,"name":"Letteratura Francese","url":"https://www.academia.edu/Documents/in/Letteratura_Francese?f_ri=19362"},{"id":243342,"name":"A la recherche du temps perdu","url":"https://www.academia.edu/Documents/in/A_la_recherche_du_temps_perdu?f_ri=19362"},{"id":289838,"name":"Letteratura Comparata, Teoria della letteratura","url":"https://www.academia.edu/Documents/in/Letteratura_Comparata_Teoria_della_letteratura?f_ri=19362"},{"id":1272864,"name":"Phenomenology of Dreams","url":"https://www.academia.edu/Documents/in/Phenomenology_of_Dreams?f_ri=19362"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_35189125" data-work_id="35189125" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/35189125/Bergsonian_Time_in_Marcel_Proust_s_Swann_s_Way_Interplay_of_Nostalgia_and_the_Uncanny_in_the_Mnemonic_Experience">Bergsonian Time in Marcel Proust’s Swann’s Way: Interplay of Nostalgia and the Uncanny in the Mnemonic Experience</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Proust’s novel À la recherche du temps perdu is translated into English with two variants of titles: “Remembrance of Things Past”, a phrase which is taken out from Shakespeare’s Sonnet no. 30, and “In Search of Lost Time” which is the... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_35189125" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Proust’s novel À la recherche du temps perdu is translated into English with two<br />variants of titles: “Remembrance of Things Past”, a phrase which is taken out from<br />Shakespeare’s Sonnet no. 30, and “In Search of Lost Time” which is the literal translation of<br />the French title. However, both the titles direct the reader towards a deeper understanding of<br />time and memory. Shakespeare also in his sonnet laments about “lost time”; however, to<br />conclude that Proust’s novel is simply a lamentation for the ‘lost time’ is a bit banal and<br />problematic. The preoccupation with the temporal reality is a typical Proustian thought which<br />in Swann’s Way, the very first volume of the novel, gains a more complicated understanding<br />by including Bergsonian configuration of the temporal dimension along with the Einsteinian<br />theory of relativity</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/35189125" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="2feb3dac8d4026e6a787f5040a0f13f3" rel="nofollow" data-download="{"attachment_id":55050018,"asset_id":35189125,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/55050018/download_file?st=MTczMzAxNzMwMiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="60585605" href="https://englishandforeignlanguagesuniversity.academia.edu/AmritaBakshi">Amrita Bakshi</a><script data-card-contents-for-user="60585605" type="text/json">{"id":60585605,"first_name":"Amrita","last_name":"Bakshi","domain_name":"englishandforeignlanguagesuniversity","page_name":"AmritaBakshi","display_name":"Amrita Bakshi","profile_url":"https://englishandforeignlanguagesuniversity.academia.edu/AmritaBakshi?f_ri=19362","photo":"https://0.academia-photos.com/60585605/16873271/21408276/s65_amrita.bakshi.jpg"}</script></span></span></li><li class="js-paper-rank-work_35189125 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="35189125"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 35189125, container: ".js-paper-rank-work_35189125", }); });</script></li><li class="js-percentile-work_35189125 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 35189125; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_35189125"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_35189125 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="35189125"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 35189125; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=35189125]").text(description); $(".js-view-count-work_35189125").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_35189125").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="35189125"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="8409" href="https://www.academia.edu/Documents/in/Henri_Bergson">Henri Bergson</a>, <script data-card-contents-for-ri="8409" type="text/json">{"id":8409,"name":"Henri Bergson","url":"https://www.academia.edu/Documents/in/Henri_Bergson?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="19362" href="https://www.academia.edu/Documents/in/Marcel_Proust">Marcel Proust</a>, <script data-card-contents-for-ri="19362" type="text/json">{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="46858" href="https://www.academia.edu/Documents/in/Memory">Memory</a>, <script data-card-contents-for-ri="46858" type="text/json">{"id":46858,"name":"Memory","url":"https://www.academia.edu/Documents/in/Memory?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="182681" href="https://www.academia.edu/Documents/in/Nostalgia_and_Memory">Nostalgia and Memory</a><script data-card-contents-for-ri="182681" type="text/json">{"id":182681,"name":"Nostalgia and Memory","url":"https://www.academia.edu/Documents/in/Nostalgia_and_Memory?f_ri=19362","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=35189125]'), work: {"id":35189125,"title":"Bergsonian Time in Marcel Proust’s Swann’s Way: Interplay of Nostalgia and the Uncanny in the Mnemonic Experience","created_at":"2017-11-19T08:56:59.131-08:00","url":"https://www.academia.edu/35189125/Bergsonian_Time_in_Marcel_Proust_s_Swann_s_Way_Interplay_of_Nostalgia_and_the_Uncanny_in_the_Mnemonic_Experience?f_ri=19362","dom_id":"work_35189125","summary":"Proust’s novel À la recherche du temps perdu is translated into English with two\nvariants of titles: “Remembrance of Things Past”, a phrase which is taken out from\nShakespeare’s Sonnet no. 30, and “In Search of Lost Time” which is the literal translation of\nthe French title. However, both the titles direct the reader towards a deeper understanding of\ntime and memory. Shakespeare also in his sonnet laments about “lost time”; however, to\nconclude that Proust’s novel is simply a lamentation for the ‘lost time’ is a bit banal and\nproblematic. The preoccupation with the temporal reality is a typical Proustian thought which\nin Swann’s Way, the very first volume of the novel, gains a more complicated understanding\nby including Bergsonian configuration of the temporal dimension along with the Einsteinian\ntheory of relativity","downloadable_attachments":[{"id":55050018,"asset_id":35189125,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":60585605,"first_name":"Amrita","last_name":"Bakshi","domain_name":"englishandforeignlanguagesuniversity","page_name":"AmritaBakshi","display_name":"Amrita Bakshi","profile_url":"https://englishandforeignlanguagesuniversity.academia.edu/AmritaBakshi?f_ri=19362","photo":"https://0.academia-photos.com/60585605/16873271/21408276/s65_amrita.bakshi.jpg"}],"research_interests":[{"id":8409,"name":"Henri Bergson","url":"https://www.academia.edu/Documents/in/Henri_Bergson?f_ri=19362","nofollow":false},{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362","nofollow":false},{"id":46858,"name":"Memory","url":"https://www.academia.edu/Documents/in/Memory?f_ri=19362","nofollow":false},{"id":182681,"name":"Nostalgia and Memory","url":"https://www.academia.edu/Documents/in/Nostalgia_and_Memory?f_ri=19362","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_6282736" data-work_id="6282736" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/6282736/Post_psychoanalytic_Proust">'Post-psychoanalytic Proust'</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">A la recherche du temps perdu, the last great pre-Freudian novel of the mind, has attracted much attention from psychoanalytic critics since its publication. This article explores the analysis of Proust’s novel by critics, with a... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_6282736" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">A la recherche du temps perdu, the last great pre-Freudian novel of the mind, has attracted much attention from psychoanalytic critics since its publication. This article explores the analysis of Proust’s novel by critics, with a particular focus on the representation of the conscious and unconscious mind. It follows the history of such criticism through the rise of psychoanalysis in the humanities to the waning of its influence in the early years of the present century. The article argues that our postpsychoanalytic present is the ideal moment to reexamine the parallels and divergences between Proust’s and Freud’s understandings of consciousness and to measure them against the rival philosophical and psychological theories developed during the twentieth century. The current pluralism in the humanities’ approach to analyzing representations of the mind allows the literary author’s implicit understanding of mental life to assert itself more clearly.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/6282736" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="14b67c8ade2f4d93d7a669d7e4e8d493" rel="nofollow" data-download="{"attachment_id":38787240,"asset_id":6282736,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/38787240/download_file?st=MTczMzAxNzMwMiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="7641885" href="https://oxford.academia.edu/SimonKemp">Simon Kemp</a><script data-card-contents-for-user="7641885" type="text/json">{"id":7641885,"first_name":"Simon","last_name":"Kemp","domain_name":"oxford","page_name":"SimonKemp","display_name":"Simon Kemp","profile_url":"https://oxford.academia.edu/SimonKemp?f_ri=19362","photo":"https://0.academia-photos.com/7641885/10361121/11561989/s65_simon.kemp.jpg"}</script></span></span></li><li class="js-paper-rank-work_6282736 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="6282736"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 6282736, container: ".js-paper-rank-work_6282736", }); });</script></li><li class="js-percentile-work_6282736 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 6282736; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_6282736"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_6282736 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="6282736"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 6282736; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=6282736]").text(description); $(".js-view-count-work_6282736").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_6282736").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="6282736"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">6</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="8409" href="https://www.academia.edu/Documents/in/Henri_Bergson">Henri Bergson</a>, <script data-card-contents-for-ri="8409" type="text/json">{"id":8409,"name":"Henri Bergson","url":"https://www.academia.edu/Documents/in/Henri_Bergson?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="9040" href="https://www.academia.edu/Documents/in/Consciousness">Consciousness</a>, <script data-card-contents-for-ri="9040" type="text/json">{"id":9040,"name":"Consciousness","url":"https://www.academia.edu/Documents/in/Consciousness?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16461" href="https://www.academia.edu/Documents/in/Psychoanalysis_And_Literature">Psychoanalysis And Literature</a>, <script data-card-contents-for-ri="16461" type="text/json">{"id":16461,"name":"Psychoanalysis And Literature","url":"https://www.academia.edu/Documents/in/Psychoanalysis_And_Literature?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="19362" href="https://www.academia.edu/Documents/in/Marcel_Proust">Marcel Proust</a><script data-card-contents-for-ri="19362" type="text/json">{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=6282736]'), work: {"id":6282736,"title":"'Post-psychoanalytic Proust'","created_at":"2014-03-04T01:09:33.592-08:00","url":"https://www.academia.edu/6282736/Post_psychoanalytic_Proust?f_ri=19362","dom_id":"work_6282736","summary":"A la recherche du temps perdu, the last great pre-Freudian novel of the mind, has attracted much attention from psychoanalytic critics since its publication. This article explores the analysis of Proust’s novel by critics, with a particular focus on the representation of the conscious and unconscious mind. It follows the history of such criticism through the rise of psychoanalysis in the humanities to the waning of its influence in the early years of the present century. The article argues that our postpsychoanalytic present is the ideal moment to reexamine the parallels and divergences between Proust’s and Freud’s understandings of consciousness and to measure them against the rival philosophical and psychological theories developed during the twentieth century. The current pluralism in the humanities’ approach to analyzing representations of the mind allows the literary author’s implicit understanding of mental life to assert itself more clearly. ","downloadable_attachments":[{"id":38787240,"asset_id":6282736,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":7641885,"first_name":"Simon","last_name":"Kemp","domain_name":"oxford","page_name":"SimonKemp","display_name":"Simon Kemp","profile_url":"https://oxford.academia.edu/SimonKemp?f_ri=19362","photo":"https://0.academia-photos.com/7641885/10361121/11561989/s65_simon.kemp.jpg"}],"research_interests":[{"id":8409,"name":"Henri Bergson","url":"https://www.academia.edu/Documents/in/Henri_Bergson?f_ri=19362","nofollow":false},{"id":9040,"name":"Consciousness","url":"https://www.academia.edu/Documents/in/Consciousness?f_ri=19362","nofollow":false},{"id":16461,"name":"Psychoanalysis And Literature","url":"https://www.academia.edu/Documents/in/Psychoanalysis_And_Literature?f_ri=19362","nofollow":false},{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362","nofollow":false},{"id":42987,"name":"Cognitive Poetics","url":"https://www.academia.edu/Documents/in/Cognitive_Poetics?f_ri=19362"},{"id":1313599,"name":"Consciousness and Literature","url":"https://www.academia.edu/Documents/in/Consciousness_and_Literature?f_ri=19362"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_8131599" data-work_id="8131599" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/8131599/_On_Reading_by_Marcel_Proust_The_Power_of_Books_Preface_to_John_Ruskin_s_Sesame_and_Lilies_">“On Reading” by Marcel Proust: The Power of Books (Preface to John Ruskin’s “Sesame and Lilies”)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Books are not only powerful instruments to disseminate knowledge, but also agents of change. They are sources for joy and personal development as well as inspiration for freedom and democracy, to the extend that they even drive dictators... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_8131599" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Books are not only powerful instruments to disseminate knowledge, but also agents of change. They are sources for joy and personal development as well as inspiration for freedom and democracy, to the extend that they even drive dictators to ban or destroy them. In order to understand better what reading books implies in Marcel Proust’s preface to John Ruskin’s “Sesame and Lilies”, I would like to offer first, as a context, some examples of books in the history of libraries and publishing.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/8131599" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="9d40a4613b518a0d4bed4d1b5052a5fa" rel="nofollow" data-download="{"attachment_id":34574108,"asset_id":8131599,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/34574108/download_file?st=MTczMzAxNzMwMiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="9155178" href="https://independent.academia.edu/JorgePinto4">Jorge Pinto</a><script data-card-contents-for-user="9155178" type="text/json">{"id":9155178,"first_name":"Jorge","last_name":"Pinto","domain_name":"independent","page_name":"JorgePinto4","display_name":"Jorge Pinto","profile_url":"https://independent.academia.edu/JorgePinto4?f_ri=19362","photo":"https://0.academia-photos.com/9155178/2957736/3466316/s65_jorge.pinto.jpg"}</script></span></span></li><li class="js-paper-rank-work_8131599 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="8131599"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 8131599, container: ".js-paper-rank-work_8131599", }); });</script></li><li class="js-percentile-work_8131599 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 8131599; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_8131599"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_8131599 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="8131599"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 8131599; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=8131599]").text(description); $(".js-view-count-work_8131599").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_8131599").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="8131599"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">5</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="2418" href="https://www.academia.edu/Documents/in/Literature">Literature</a>, <script data-card-contents-for-ri="2418" type="text/json">{"id":2418,"name":"Literature","url":"https://www.academia.edu/Documents/in/Literature?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="10110" href="https://www.academia.edu/Documents/in/History_of_Reading_and_Writing">History of Reading and Writing</a>, <script data-card-contents-for-ri="10110" type="text/json">{"id":10110,"name":"History of Reading and Writing","url":"https://www.academia.edu/Documents/in/History_of_Reading_and_Writing?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="11626" href="https://www.academia.edu/Documents/in/Library_2.0">Library 2.0</a>, <script data-card-contents-for-ri="11626" type="text/json">{"id":11626,"name":"Library 2.0","url":"https://www.academia.edu/Documents/in/Library_2.0?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="19362" href="https://www.academia.edu/Documents/in/Marcel_Proust">Marcel Proust</a><script data-card-contents-for-ri="19362" type="text/json">{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=8131599]'), work: {"id":8131599,"title":"“On Reading” by Marcel Proust: The Power of Books (Preface to John Ruskin’s “Sesame and Lilies”)","created_at":"2014-08-29T20:18:53.241-07:00","url":"https://www.academia.edu/8131599/_On_Reading_by_Marcel_Proust_The_Power_of_Books_Preface_to_John_Ruskin_s_Sesame_and_Lilies_?f_ri=19362","dom_id":"work_8131599","summary":"Books are not only powerful instruments to disseminate knowledge, but also agents of change. They are sources for joy and personal development as well as inspiration for freedom and democracy, to the extend that they even drive dictators to ban or destroy them. In order to understand better what reading books implies in Marcel Proust’s preface to John Ruskin’s “Sesame and Lilies”, I would like to offer first, as a context, some examples of books in the history of libraries and publishing.","downloadable_attachments":[{"id":34574108,"asset_id":8131599,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":9155178,"first_name":"Jorge","last_name":"Pinto","domain_name":"independent","page_name":"JorgePinto4","display_name":"Jorge Pinto","profile_url":"https://independent.academia.edu/JorgePinto4?f_ri=19362","photo":"https://0.academia-photos.com/9155178/2957736/3466316/s65_jorge.pinto.jpg"}],"research_interests":[{"id":2418,"name":"Literature","url":"https://www.academia.edu/Documents/in/Literature?f_ri=19362","nofollow":false},{"id":10110,"name":"History of Reading and Writing","url":"https://www.academia.edu/Documents/in/History_of_Reading_and_Writing?f_ri=19362","nofollow":false},{"id":11626,"name":"Library 2.0","url":"https://www.academia.edu/Documents/in/Library_2.0?f_ri=19362","nofollow":false},{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362","nofollow":false},{"id":20432,"name":"Book History (History)","url":"https://www.academia.edu/Documents/in/Book_History_History_?f_ri=19362"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_33748748 coauthored" data-work_id="33748748" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/33748748/Deleuze_and_the_Passions_the_entire_book_2016_">Deleuze and the Passions (the entire book, 2016)</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/33748748" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="ace2f8efed0a62c10b00f70b1c69e4a5" rel="nofollow" data-download="{"attachment_id":53740641,"asset_id":33748748,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/53740641/download_file?st=MTczMzAxNzMwMiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="220231" href="https://eur.academia.edu/SjoerdvanTuinen">Sjoerd van Tuinen</a><script data-card-contents-for-user="220231" type="text/json">{"id":220231,"first_name":"Sjoerd","last_name":"van Tuinen","domain_name":"eur","page_name":"SjoerdvanTuinen","display_name":"Sjoerd van Tuinen","profile_url":"https://eur.academia.edu/SjoerdvanTuinen?f_ri=19362","photo":"https://0.academia-photos.com/220231/263918/311868/s65_sjoerd.van_tuinen.jpg"}</script></span></span><span class="u-displayInlineBlock InlineList-item-text"> and <span class="u-textDecorationUnderline u-clickable InlineList-item-text js-work-more-authors-33748748">+1</span><div class="hidden js-additional-users-33748748"><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://newschool.academia.edu/CecielMeiborg">Ceciel Meiborg</a></span></div></div></span><script>(function(){ var popoverSettings = { el: $('.js-work-more-authors-33748748'), placement: 'bottom', hide_delay: 200, html: true, content: function(){ return $('.js-additional-users-33748748').html(); } } new HoverPopover(popoverSettings); })();</script></li><li class="js-paper-rank-work_33748748 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="33748748"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 33748748, container: ".js-paper-rank-work_33748748", }); });</script></li><li class="js-percentile-work_33748748 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 33748748; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_33748748"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_33748748 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="33748748"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 33748748; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=33748748]").text(description); $(".js-view-count-work_33748748").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_33748748").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="33748748"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">13</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="1698" href="https://www.academia.edu/Documents/in/Marxism">Marxism</a>, <script data-card-contents-for-ri="1698" type="text/json">{"id":1698,"name":"Marxism","url":"https://www.academia.edu/Documents/in/Marxism?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="5780" href="https://www.academia.edu/Documents/in/Ideology">Ideology</a>, <script data-card-contents-for-ri="5780" type="text/json">{"id":5780,"name":"Ideology","url":"https://www.academia.edu/Documents/in/Ideology?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="8302" href="https://www.academia.edu/Documents/in/Gilles_Deleuze">Gilles Deleuze</a>, <script data-card-contents-for-ri="8302" type="text/json">{"id":8302,"name":"Gilles Deleuze","url":"https://www.academia.edu/Documents/in/Gilles_Deleuze?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="9705" href="https://www.academia.edu/Documents/in/Capitalism">Capitalism</a><script data-card-contents-for-ri="9705" type="text/json">{"id":9705,"name":"Capitalism","url":"https://www.academia.edu/Documents/in/Capitalism?f_ri=19362","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=33748748]'), work: {"id":33748748,"title":"Deleuze and the Passions (the entire book, 2016)","created_at":"2017-07-03T03:35:09.502-07:00","url":"https://www.academia.edu/33748748/Deleuze_and_the_Passions_the_entire_book_2016_?f_ri=19362","dom_id":"work_33748748","summary":null,"downloadable_attachments":[{"id":53740641,"asset_id":33748748,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":220231,"first_name":"Sjoerd","last_name":"van Tuinen","domain_name":"eur","page_name":"SjoerdvanTuinen","display_name":"Sjoerd van Tuinen","profile_url":"https://eur.academia.edu/SjoerdvanTuinen?f_ri=19362","photo":"https://0.academia-photos.com/220231/263918/311868/s65_sjoerd.van_tuinen.jpg"},{"id":2179969,"first_name":"Ceciel","last_name":"Meiborg","domain_name":"newschool","page_name":"CecielMeiborg","display_name":"Ceciel Meiborg","profile_url":"https://newschool.academia.edu/CecielMeiborg?f_ri=19362","photo":"https://0.academia-photos.com/2179969/701063/15700984/s65_ceciel.meiborg.jpg"}],"research_interests":[{"id":1698,"name":"Marxism","url":"https://www.academia.edu/Documents/in/Marxism?f_ri=19362","nofollow":false},{"id":5780,"name":"Ideology","url":"https://www.academia.edu/Documents/in/Ideology?f_ri=19362","nofollow":false},{"id":8302,"name":"Gilles Deleuze","url":"https://www.academia.edu/Documents/in/Gilles_Deleuze?f_ri=19362","nofollow":false},{"id":9705,"name":"Capitalism","url":"https://www.academia.edu/Documents/in/Capitalism?f_ri=19362","nofollow":false},{"id":11510,"name":"Deleuze","url":"https://www.academia.edu/Documents/in/Deleuze?f_ri=19362"},{"id":18127,"name":"Baruch Spinoza","url":"https://www.academia.edu/Documents/in/Baruch_Spinoza?f_ri=19362"},{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362"},{"id":19915,"name":"Gilles Deleuze and Felix Guattari","url":"https://www.academia.edu/Documents/in/Gilles_Deleuze_and_Felix_Guattari?f_ri=19362"},{"id":21498,"name":"Affect/Emotion","url":"https://www.academia.edu/Documents/in/Affect_Emotion?f_ri=19362"},{"id":27903,"name":"Affect (Cultural Theory)","url":"https://www.academia.edu/Documents/in/Affect_Cultural_Theory_?f_ri=19362"},{"id":40247,"name":"Sensation and Perception","url":"https://www.academia.edu/Documents/in/Sensation_and_Perception?f_ri=19362"},{"id":128506,"name":"Jealousy","url":"https://www.academia.edu/Documents/in/Jealousy?f_ri=19362"},{"id":185500,"name":"Nietzsche’s evaluation on Men of Ressentiment","url":"https://www.academia.edu/Documents/in/Nietzsches_evaluation_on_Men_of_Ressentiment?f_ri=19362"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_43135339" data-work_id="43135339" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/43135339/Adolf_Loos_y_el_despertar_Adolf_Loos_and_the_awakening">Adolf Loos y el despertar = Adolf Loos and the awakening</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Walter Benjamin utiliza en el Libro de los Pasajes la metáfora de la acción de despertar para explicar la entrada en la modernidad de la sociedad burguesa del siglo XIX. Y pone la obra de Marcel Proust como ejemplo privilegiado de este... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_43135339" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Walter Benjamin utiliza en el Libro de los Pasajes la metáfora de la acción de despertar para explicar la entrada en la modernidad de la sociedad burguesa del siglo XIX. Y pone la obra de Marcel Proust como ejemplo privilegiado de este cambio. Adolf Loos en arquitectura juega un papel similar al de Proust en literatura: despoja los interiores de las casas burguesas de oscuridad y simbolismo.<br />La arquitectura de Loos incorpora dos rasgos del espíritu moderno: el dinamismo y la simultaneidad. Loos organiza los espacios de sus viviendas con una fuerte teatralidad. La casa se hace con una suma de escenarios simultáneos puestos en relación por juegos de escaleras múltiples y aperturas visuales. La acción de subir o bajar una escalera introduce el dinamismo del que prescindía la casa burguesa del siglo XIX. Las piezas, situadas como pequeños escenarios, convierten a sus habitantes en instantáneos actores de lo cotidiano.<br /><br /><br /><br />In Das Passagen-Werk, Walter Benjamin uses the awakening metaphor to explain the entry into modernity of the bourgeois society in nineteenth-century. And he indicates the Marcel Proust work as a preferential example of this change. In architecture, Adolf Loos plays a similar role to Proust in literature: he eliminates darkness and symbolism from the interior of bourgeois houses.<br /> <br />Loos’s architecture incorporates two traits of modern spirit: dynamism and simultaneousness. Loos organizes the spaces of his dwellings with a strong theatricality. The house is the sum of simultaneous stages related by multiple sets of stairs and visual openings. The action of going up or down a stair introduces the missing dynamism in bourgeois dwellings of nineteenth-century. The rooms, situated as small stages, transform their inhabitants in instantaneous actors of day-to-day life.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/43135339" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="8e1d50f7199fbc7eecbdbcf2b9ef1546" rel="nofollow" data-download="{"attachment_id":63394246,"asset_id":43135339,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/63394246/download_file?st=MTczMzAxNzMwMiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="153830661" href="https://independent.academia.edu/rita_RevistaIndexadadeTextosAcad%C3%A9micos">rita_ Revista Indexada de Textos Académicos</a><script data-card-contents-for-user="153830661" type="text/json">{"id":153830661,"first_name":"rita_","last_name":"Revista Indexada de Textos Académicos","domain_name":"independent","page_name":"rita_RevistaIndexadadeTextosAcadémicos","display_name":"rita_ Revista Indexada de Textos Académicos","profile_url":"https://independent.academia.edu/rita_RevistaIndexadadeTextosAcad%C3%A9micos?f_ri=19362","photo":"https://0.academia-photos.com/153830661/42866738/34254835/s65_rita_.revista_indexada_de_textos_acad_micos.jpg"}</script></span></span></li><li class="js-paper-rank-work_43135339 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="43135339"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 43135339, container: ".js-paper-rank-work_43135339", }); });</script></li><li class="js-percentile-work_43135339 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 43135339; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_43135339"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_43135339 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="43135339"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 43135339; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=43135339]").text(description); $(".js-view-count-work_43135339").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_43135339").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="43135339"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">7</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="19362" href="https://www.academia.edu/Documents/in/Marcel_Proust">Marcel Proust</a>, <script data-card-contents-for-ri="19362" type="text/json">{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="93587" href="https://www.academia.edu/Documents/in/Simultaneity">Simultaneity</a>, <script data-card-contents-for-ri="93587" type="text/json">{"id":93587,"name":"Simultaneity","url":"https://www.academia.edu/Documents/in/Simultaneity?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="264052" href="https://www.academia.edu/Documents/in/Stairs">Stairs</a>, <script data-card-contents-for-ri="264052" type="text/json">{"id":264052,"name":"Stairs","url":"https://www.academia.edu/Documents/in/Stairs?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="340210" href="https://www.academia.edu/Documents/in/Adolf_Loos">Adolf Loos</a><script data-card-contents-for-ri="340210" type="text/json">{"id":340210,"name":"Adolf Loos","url":"https://www.academia.edu/Documents/in/Adolf_Loos?f_ri=19362","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=43135339]'), work: {"id":43135339,"title":"Adolf Loos y el despertar = Adolf Loos and the awakening","created_at":"2020-05-22T04:35:08.431-07:00","url":"https://www.academia.edu/43135339/Adolf_Loos_y_el_despertar_Adolf_Loos_and_the_awakening?f_ri=19362","dom_id":"work_43135339","summary":"Walter Benjamin utiliza en el Libro de los Pasajes la metáfora de la acción de despertar para explicar la entrada en la modernidad de la sociedad burguesa del siglo XIX. Y pone la obra de Marcel Proust como ejemplo privilegiado de este cambio. Adolf Loos en arquitectura juega un papel similar al de Proust en literatura: despoja los interiores de las casas burguesas de oscuridad y simbolismo.\nLa arquitectura de Loos incorpora dos rasgos del espíritu moderno: el dinamismo y la simultaneidad. Loos organiza los espacios de sus viviendas con una fuerte teatralidad. La casa se hace con una suma de escenarios simultáneos puestos en relación por juegos de escaleras múltiples y aperturas visuales. La acción de subir o bajar una escalera introduce el dinamismo del que prescindía la casa burguesa del siglo XIX. Las piezas, situadas como pequeños escenarios, convierten a sus habitantes en instantáneos actores de lo cotidiano.\n\n\n\nIn Das Passagen-Werk, Walter Benjamin uses the awakening metaphor to explain the entry into modernity of the bourgeois society in nineteenth-century. And he indicates the Marcel Proust work as a preferential example of this change. In architecture, Adolf Loos plays a similar role to Proust in literature: he eliminates darkness and symbolism from the interior of bourgeois houses.\n \nLoos’s architecture incorporates two traits of modern spirit: dynamism and simultaneousness. Loos organizes the spaces of his dwellings with a strong theatricality. The house is the sum of simultaneous stages related by multiple sets of stairs and visual openings. The action of going up or down a stair introduces the missing dynamism in bourgeois dwellings of nineteenth-century. The rooms, situated as small stages, transform their inhabitants in instantaneous actors of day-to-day life. ","downloadable_attachments":[{"id":63394246,"asset_id":43135339,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":153830661,"first_name":"rita_","last_name":"Revista Indexada de Textos Académicos","domain_name":"independent","page_name":"rita_RevistaIndexadadeTextosAcadémicos","display_name":"rita_ Revista Indexada de Textos Académicos","profile_url":"https://independent.academia.edu/rita_RevistaIndexadadeTextosAcad%C3%A9micos?f_ri=19362","photo":"https://0.academia-photos.com/153830661/42866738/34254835/s65_rita_.revista_indexada_de_textos_acad_micos.jpg"}],"research_interests":[{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362","nofollow":false},{"id":93587,"name":"Simultaneity","url":"https://www.academia.edu/Documents/in/Simultaneity?f_ri=19362","nofollow":false},{"id":264052,"name":"Stairs","url":"https://www.academia.edu/Documents/in/Stairs?f_ri=19362","nofollow":false},{"id":340210,"name":"Adolf Loos","url":"https://www.academia.edu/Documents/in/Adolf_Loos?f_ri=19362","nofollow":false},{"id":811975,"name":"Escaleras","url":"https://www.academia.edu/Documents/in/Escaleras?f_ri=19362"},{"id":1319804,"name":"Raumplan","url":"https://www.academia.edu/Documents/in/Raumplan?f_ri=19362"},{"id":2221099,"name":"Simultaneidad","url":"https://www.academia.edu/Documents/in/Simultaneidad?f_ri=19362"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_44272937" data-work_id="44272937" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/44272937/Le_mariage_de_Swann">Le mariage de Swann</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Comment "Un amour de Swann" se situe dans la narration du "mauvais mariage" de Swann.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/44272937" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="c7332d024e09a3d1cb2b22a2a95dd75c" rel="nofollow" data-download="{"attachment_id":64650244,"asset_id":44272937,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/64650244/download_file?st=MTczMzAxNzMwMiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="448539" href="https://cef.academia.edu/JeanClaudeDumoncel">Jean-Claude Dumoncel</a><script data-card-contents-for-user="448539" type="text/json">{"id":448539,"first_name":"Jean-Claude","last_name":"Dumoncel","domain_name":"cef","page_name":"JeanClaudeDumoncel","display_name":"Jean-Claude Dumoncel","profile_url":"https://cef.academia.edu/JeanClaudeDumoncel?f_ri=19362","photo":"/images/s65_no_pic.png"}</script></span></span></li><li class="js-paper-rank-work_44272937 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="44272937"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 44272937, container: ".js-paper-rank-work_44272937", }); });</script></li><li class="js-percentile-work_44272937 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 44272937; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_44272937"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_44272937 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="44272937"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44272937; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=44272937]").text(description); $(".js-view-count-work_44272937").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_44272937").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="44272937"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">2</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="361" href="https://www.academia.edu/Documents/in/Modal_Logic">Modal Logic</a>, <script data-card-contents-for-ri="361" type="text/json">{"id":361,"name":"Modal Logic","url":"https://www.academia.edu/Documents/in/Modal_Logic?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="19362" href="https://www.academia.edu/Documents/in/Marcel_Proust">Marcel Proust</a><script data-card-contents-for-ri="19362" type="text/json">{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=44272937]'), work: {"id":44272937,"title":"Le mariage de Swann","created_at":"2020-10-11T06:08:41.861-07:00","url":"https://www.academia.edu/44272937/Le_mariage_de_Swann?f_ri=19362","dom_id":"work_44272937","summary":"Comment \"Un amour de Swann\" se situe dans la narration du \"mauvais mariage\" de Swann.","downloadable_attachments":[{"id":64650244,"asset_id":44272937,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":448539,"first_name":"Jean-Claude","last_name":"Dumoncel","domain_name":"cef","page_name":"JeanClaudeDumoncel","display_name":"Jean-Claude Dumoncel","profile_url":"https://cef.academia.edu/JeanClaudeDumoncel?f_ri=19362","photo":"/images/s65_no_pic.png"}],"research_interests":[{"id":361,"name":"Modal Logic","url":"https://www.academia.edu/Documents/in/Modal_Logic?f_ri=19362","nofollow":false},{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_43490185" data-work_id="43490185" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/43490185/La_g%C3%A9om%C3%A9trie_%C3%A9mouvante_de_Wittgenstein">La géométrie émouvante de Wittgenstein</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Comment, chez le second Wittgenstein, le rôle architectonique des sections coniques engendre une géométrie émouvante comparable à celle dont parle Proust.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/43490185" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="9a003c44f705fa2a6c7fa8ef84d7585c" rel="nofollow" data-download="{"attachment_id":63798895,"asset_id":43490185,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/63798895/download_file?st=MTczMzAxNzMwMiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="448539" href="https://cef.academia.edu/JeanClaudeDumoncel">Jean-Claude Dumoncel</a><script data-card-contents-for-user="448539" type="text/json">{"id":448539,"first_name":"Jean-Claude","last_name":"Dumoncel","domain_name":"cef","page_name":"JeanClaudeDumoncel","display_name":"Jean-Claude Dumoncel","profile_url":"https://cef.academia.edu/JeanClaudeDumoncel?f_ri=19362","photo":"/images/s65_no_pic.png"}</script></span></span></li><li class="js-paper-rank-work_43490185 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="43490185"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 43490185, container: ".js-paper-rank-work_43490185", }); });</script></li><li class="js-percentile-work_43490185 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 43490185; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_43490185"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_43490185 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="43490185"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 43490185; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=43490185]").text(description); $(".js-view-count-work_43490185").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_43490185").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="43490185"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="14023" href="https://www.academia.edu/Documents/in/Wittgenstein">Wittgenstein</a>, <script data-card-contents-for-ri="14023" type="text/json">{"id":14023,"name":"Wittgenstein","url":"https://www.academia.edu/Documents/in/Wittgenstein?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="14626" href="https://www.academia.edu/Documents/in/Later_Wittgenstein">Later Wittgenstein</a>, <script data-card-contents-for-ri="14626" type="text/json">{"id":14626,"name":"Later Wittgenstein","url":"https://www.academia.edu/Documents/in/Later_Wittgenstein?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="19362" href="https://www.academia.edu/Documents/in/Marcel_Proust">Marcel Proust</a>, <script data-card-contents-for-ri="19362" type="text/json">{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="149554" href="https://www.academia.edu/Documents/in/History_and_pedagogy_of_mathematics">History and pedagogy of mathematics</a><script data-card-contents-for-ri="149554" type="text/json">{"id":149554,"name":"History and pedagogy of mathematics","url":"https://www.academia.edu/Documents/in/History_and_pedagogy_of_mathematics?f_ri=19362","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=43490185]'), work: {"id":43490185,"title":"La géométrie émouvante de Wittgenstein","created_at":"2020-07-01T07:17:50.430-07:00","url":"https://www.academia.edu/43490185/La_g%C3%A9om%C3%A9trie_%C3%A9mouvante_de_Wittgenstein?f_ri=19362","dom_id":"work_43490185","summary":"Comment, chez le second Wittgenstein, le rôle architectonique des sections coniques engendre une géométrie émouvante comparable à celle dont parle Proust.","downloadable_attachments":[{"id":63798895,"asset_id":43490185,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":448539,"first_name":"Jean-Claude","last_name":"Dumoncel","domain_name":"cef","page_name":"JeanClaudeDumoncel","display_name":"Jean-Claude Dumoncel","profile_url":"https://cef.academia.edu/JeanClaudeDumoncel?f_ri=19362","photo":"/images/s65_no_pic.png"}],"research_interests":[{"id":14023,"name":"Wittgenstein","url":"https://www.academia.edu/Documents/in/Wittgenstein?f_ri=19362","nofollow":false},{"id":14626,"name":"Later Wittgenstein","url":"https://www.academia.edu/Documents/in/Later_Wittgenstein?f_ri=19362","nofollow":false},{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362","nofollow":false},{"id":149554,"name":"History and pedagogy of mathematics","url":"https://www.academia.edu/Documents/in/History_and_pedagogy_of_mathematics?f_ri=19362","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_42651663" data-work_id="42651663" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/42651663/Albertine_Deleuze_et_les_mondes_possibles_de_Prior">Albertine, Deleuze et les mondes possibles de Prior</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Chez Deleuze Albertine et la Chine sont promues au titre de mondes possibles. Une telle promotion ne trouve son statut conceptuel exact que dans la logique modale mathématisée comme celle de Prior munie des TWA de Geach, qui permet aussi... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_42651663" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Chez Deleuze Albertine et la Chine sont promues au titre de mondes possibles. Une telle promotion ne trouve son statut conceptuel exact que dans la logique modale mathématisée comme celle de Prior munie des TWA de Geach, qui permet aussi de déceler chez Deleuze l'équivalent d'un modèle de Kripke.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/42651663" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="bbf5d27ef59a5c25986e725b405ce7fd" rel="nofollow" data-download="{"attachment_id":62858000,"asset_id":42651663,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/62858000/download_file?st=MTczMzAxNzMwMiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="448539" href="https://cef.academia.edu/JeanClaudeDumoncel">Jean-Claude Dumoncel</a><script data-card-contents-for-user="448539" type="text/json">{"id":448539,"first_name":"Jean-Claude","last_name":"Dumoncel","domain_name":"cef","page_name":"JeanClaudeDumoncel","display_name":"Jean-Claude Dumoncel","profile_url":"https://cef.academia.edu/JeanClaudeDumoncel?f_ri=19362","photo":"/images/s65_no_pic.png"}</script></span></span></li><li class="js-paper-rank-work_42651663 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="42651663"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 42651663, container: ".js-paper-rank-work_42651663", }); });</script></li><li class="js-percentile-work_42651663 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 42651663; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_42651663"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_42651663 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="42651663"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 42651663; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=42651663]").text(description); $(".js-view-count-work_42651663").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_42651663").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="42651663"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">5</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="361" href="https://www.academia.edu/Documents/in/Modal_Logic">Modal Logic</a>, <script data-card-contents-for-ri="361" type="text/json">{"id":361,"name":"Modal Logic","url":"https://www.academia.edu/Documents/in/Modal_Logic?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="8302" href="https://www.academia.edu/Documents/in/Gilles_Deleuze">Gilles Deleuze</a>, <script data-card-contents-for-ri="8302" type="text/json">{"id":8302,"name":"Gilles Deleuze","url":"https://www.academia.edu/Documents/in/Gilles_Deleuze?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="19362" href="https://www.academia.edu/Documents/in/Marcel_Proust">Marcel Proust</a>, <script data-card-contents-for-ri="19362" type="text/json">{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="223836" href="https://www.academia.edu/Documents/in/Gilles_Deleuze_and_Literature">Gilles Deleuze and Literature</a><script data-card-contents-for-ri="223836" type="text/json">{"id":223836,"name":"Gilles Deleuze and Literature","url":"https://www.academia.edu/Documents/in/Gilles_Deleuze_and_Literature?f_ri=19362","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=42651663]'), work: {"id":42651663,"title":"Albertine, Deleuze et les mondes possibles de Prior","created_at":"2020-04-07T04:41:26.607-07:00","url":"https://www.academia.edu/42651663/Albertine_Deleuze_et_les_mondes_possibles_de_Prior?f_ri=19362","dom_id":"work_42651663","summary":"Chez Deleuze Albertine et la Chine sont promues au titre de mondes possibles. Une telle promotion ne trouve son statut conceptuel exact que dans la logique modale mathématisée comme celle de Prior munie des TWA de Geach, qui permet aussi de déceler chez Deleuze l'équivalent d'un modèle de Kripke.","downloadable_attachments":[{"id":62858000,"asset_id":42651663,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":448539,"first_name":"Jean-Claude","last_name":"Dumoncel","domain_name":"cef","page_name":"JeanClaudeDumoncel","display_name":"Jean-Claude Dumoncel","profile_url":"https://cef.academia.edu/JeanClaudeDumoncel?f_ri=19362","photo":"/images/s65_no_pic.png"}],"research_interests":[{"id":361,"name":"Modal Logic","url":"https://www.academia.edu/Documents/in/Modal_Logic?f_ri=19362","nofollow":false},{"id":8302,"name":"Gilles Deleuze","url":"https://www.academia.edu/Documents/in/Gilles_Deleuze?f_ri=19362","nofollow":false},{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362","nofollow":false},{"id":223836,"name":"Gilles Deleuze and Literature","url":"https://www.academia.edu/Documents/in/Gilles_Deleuze_and_Literature?f_ri=19362","nofollow":false},{"id":1132684,"name":"Arthur Prior","url":"https://www.academia.edu/Documents/in/Arthur_Prior?f_ri=19362"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_1463121" data-work_id="1463121" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/1463121/M%C3%A9di%C3%A9valisme_Moyen_Age_et_modernit%C3%A9_XXe_XXIe_siecles_Histoire_th%C3%A9orie_critique_Habilitation_essay_November_2011_to_be_published">Médiévalisme : Moyen Age et modernité (XXe-XXIe siecles). Histoire, théorie, critique - Habilitation essay (November 2011), to be published</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/1463121" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="fc24dc329ec431f54b134a421c959bb8" rel="nofollow" data-download="{"attachment_id":32337600,"asset_id":1463121,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/32337600/download_file?st=MTczMzAxNzMwMiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="501954" href="https://univ-paris3.academia.edu/VincentFERRE">Vincent M FERRE</a><script data-card-contents-for-user="501954" type="text/json">{"id":501954,"first_name":"Vincent","last_name":"FERRE","domain_name":"univ-paris3","page_name":"VincentFERRE","display_name":"Vincent M FERRE","profile_url":"https://univ-paris3.academia.edu/VincentFERRE?f_ri=19362","photo":"https://0.academia-photos.com/501954/173230/29427862/s65_vincent.ferre.png"}</script></span></span></li><li class="js-paper-rank-work_1463121 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="1463121"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 1463121, container: ".js-paper-rank-work_1463121", }); });</script></li><li class="js-percentile-work_1463121 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 1463121; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_1463121"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_1463121 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="1463121"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 1463121; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=1463121]").text(description); $(".js-view-count-work_1463121").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_1463121").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="1463121"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">7</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="1228" href="https://www.academia.edu/Documents/in/Medieval_Literature">Medieval Literature</a>, <script data-card-contents-for-ri="1228" type="text/json">{"id":1228,"name":"Medieval Literature","url":"https://www.academia.edu/Documents/in/Medieval_Literature?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="4066" href="https://www.academia.edu/Documents/in/Medievalism">Medievalism</a>, <script data-card-contents-for-ri="4066" type="text/json">{"id":4066,"name":"Medievalism","url":"https://www.academia.edu/Documents/in/Medievalism?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="4068" href="https://www.academia.edu/Documents/in/Contemporary_Medievalism">Contemporary Medievalism</a>, <script data-card-contents-for-ri="4068" type="text/json">{"id":4068,"name":"Contemporary Medievalism","url":"https://www.academia.edu/Documents/in/Contemporary_Medievalism?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="5802" href="https://www.academia.edu/Documents/in/J._R._R._Tolkien">J. R. R. Tolkien</a><script data-card-contents-for-ri="5802" type="text/json">{"id":5802,"name":"J. R. R. Tolkien","url":"https://www.academia.edu/Documents/in/J._R._R._Tolkien?f_ri=19362","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=1463121]'), work: {"id":1463121,"title":"Médiévalisme : Moyen Age et modernité (XXe-XXIe siecles). Histoire, théorie, critique - Habilitation essay (November 2011), to be published","created_at":"2012-03-05T06:23:19.312-08:00","url":"https://www.academia.edu/1463121/M%C3%A9di%C3%A9valisme_Moyen_Age_et_modernit%C3%A9_XXe_XXIe_siecles_Histoire_th%C3%A9orie_critique_Habilitation_essay_November_2011_to_be_published?f_ri=19362","dom_id":"work_1463121","summary":null,"downloadable_attachments":[{"id":32337600,"asset_id":1463121,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":501954,"first_name":"Vincent","last_name":"FERRE","domain_name":"univ-paris3","page_name":"VincentFERRE","display_name":"Vincent M FERRE","profile_url":"https://univ-paris3.academia.edu/VincentFERRE?f_ri=19362","photo":"https://0.academia-photos.com/501954/173230/29427862/s65_vincent.ferre.png"}],"research_interests":[{"id":1228,"name":"Medieval Literature","url":"https://www.academia.edu/Documents/in/Medieval_Literature?f_ri=19362","nofollow":false},{"id":4066,"name":"Medievalism","url":"https://www.academia.edu/Documents/in/Medievalism?f_ri=19362","nofollow":false},{"id":4068,"name":"Contemporary Medievalism","url":"https://www.academia.edu/Documents/in/Contemporary_Medievalism?f_ri=19362","nofollow":false},{"id":5802,"name":"J. R. R. Tolkien","url":"https://www.academia.edu/Documents/in/J._R._R._Tolkien?f_ri=19362","nofollow":false},{"id":7888,"name":"Literary Theory","url":"https://www.academia.edu/Documents/in/Literary_Theory?f_ri=19362"},{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362"},{"id":294671,"name":"Médiévalisme","url":"https://www.academia.edu/Documents/in/Medievalisme?f_ri=19362"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_39306152" data-work_id="39306152" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/39306152/Il_romanzo_a_variazioni">Il romanzo a variazioni</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">In un’epoca in cui lo studio del romanzo si riduce sempre più spesso all’analisi del plot, la forma è la grande trascurata. Eppure ciò che distingue il romanzo dalla semplice narrativa sembra consistere proprio nella sua possibilità di... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_39306152" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">In un’epoca in cui lo studio del romanzo si riduce sempre più spesso all’analisi del plot, la forma è la grande trascurata. Eppure ciò che distingue il romanzo dalla semplice narrativa sembra consistere proprio nella sua possibilità di invenzione compositiva. Da dove attingere allora l’ispirazione di forme nuove se non dalla musica, arte “formale” per eccellenza? Strutturato come una partitura, questo saggio esplora il modo in cui diversi romanzieri del XX secolo hanno rielaborato il principio della variazione su tema, già considerato dai compositori più illustri come la forma delle forme. Se alcuni romanzieri vi hanno rintracciato il modo di trasmettere una percezione disgregata della realtà, autori come Marcel Proust, Danilo Kiš e in particolare Milan Kundera lo hanno tradotto in una forma coerente, capace di conciliare l’aspirazione cosmologica propria dell’arte con lo spirito ironico che contraddistingue il romanzo e di cogliere il codice esistenziale di una particolare categoria di individui: quella dei lettori di romanzi.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/39306152" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="2e6995ef8a19d91f1c4a61e3c56652e6" rel="nofollow" data-download="{"attachment_id":59443871,"asset_id":39306152,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/59443871/download_file?st=MTczMzAxNzMwMiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="902891" href="https://unistrapg.academia.edu/SimonaCarretta">Simona Carretta</a><script data-card-contents-for-user="902891" type="text/json">{"id":902891,"first_name":"Simona","last_name":"Carretta","domain_name":"unistrapg","page_name":"SimonaCarretta","display_name":"Simona Carretta","profile_url":"https://unistrapg.academia.edu/SimonaCarretta?f_ri=19362","photo":"https://0.academia-photos.com/902891/332865/39859966/s65_simona.carretta.jpg"}</script></span></span></li><li class="js-paper-rank-work_39306152 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="39306152"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 39306152, container: ".js-paper-rank-work_39306152", }); });</script></li><li class="js-percentile-work_39306152 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 39306152; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_39306152"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_39306152 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="39306152"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 39306152; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=39306152]").text(description); $(".js-view-count-work_39306152").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_39306152").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="39306152"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">7</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="17232" href="https://www.academia.edu/Documents/in/Thomas_Bernhard">Thomas Bernhard</a>, <script data-card-contents-for-ri="17232" type="text/json">{"id":17232,"name":"Thomas Bernhard","url":"https://www.academia.edu/Documents/in/Thomas_Bernhard?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="19362" href="https://www.academia.edu/Documents/in/Marcel_Proust">Marcel Proust</a>, <script data-card-contents-for-ri="19362" type="text/json">{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="28434" href="https://www.academia.edu/Documents/in/Milan_Kundera">Milan Kundera</a>, <script data-card-contents-for-ri="28434" type="text/json">{"id":28434,"name":"Milan Kundera","url":"https://www.academia.edu/Documents/in/Milan_Kundera?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="160374" href="https://www.academia.edu/Documents/in/Teoria_Della_Letteratura">Teoria Della Letteratura</a><script data-card-contents-for-ri="160374" type="text/json">{"id":160374,"name":"Teoria Della Letteratura","url":"https://www.academia.edu/Documents/in/Teoria_Della_Letteratura?f_ri=19362","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=39306152]'), work: {"id":39306152,"title":"Il romanzo a variazioni","created_at":"2019-05-29T12:58:10.902-07:00","url":"https://www.academia.edu/39306152/Il_romanzo_a_variazioni?f_ri=19362","dom_id":"work_39306152","summary":"In un’epoca in cui lo studio del romanzo si riduce sempre più spesso all’analisi del plot, la forma è la grande trascurata. Eppure ciò che distingue il romanzo dalla semplice narrativa sembra consistere proprio nella sua possibilità di invenzione compositiva. Da dove attingere allora l’ispirazione di forme nuove se non dalla musica, arte “formale” per eccellenza? Strutturato come una partitura, questo saggio esplora il modo in cui diversi romanzieri del XX secolo hanno rielaborato il principio della variazione su tema, già considerato dai compositori più illustri come la forma delle forme. Se alcuni romanzieri vi hanno rintracciato il modo di trasmettere una percezione disgregata della realtà, autori come Marcel Proust, Danilo Kiš e in particolare Milan Kundera lo hanno tradotto in una forma coerente, capace di conciliare l’aspirazione cosmologica propria dell’arte con lo spirito ironico che contraddistingue il romanzo e di cogliere il codice esistenziale di una particolare categoria di individui: quella dei lettori di romanzi. \n","downloadable_attachments":[{"id":59443871,"asset_id":39306152,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":902891,"first_name":"Simona","last_name":"Carretta","domain_name":"unistrapg","page_name":"SimonaCarretta","display_name":"Simona Carretta","profile_url":"https://unistrapg.academia.edu/SimonaCarretta?f_ri=19362","photo":"https://0.academia-photos.com/902891/332865/39859966/s65_simona.carretta.jpg"}],"research_interests":[{"id":17232,"name":"Thomas Bernhard","url":"https://www.academia.edu/Documents/in/Thomas_Bernhard?f_ri=19362","nofollow":false},{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362","nofollow":false},{"id":28434,"name":"Milan Kundera","url":"https://www.academia.edu/Documents/in/Milan_Kundera?f_ri=19362","nofollow":false},{"id":160374,"name":"Teoria Della Letteratura","url":"https://www.academia.edu/Documents/in/Teoria_Della_Letteratura?f_ri=19362","nofollow":false},{"id":207345,"name":"Letterature comparate","url":"https://www.academia.edu/Documents/in/Letterature_comparate?f_ri=19362"},{"id":365537,"name":"Danilo Kis","url":"https://www.academia.edu/Documents/in/Danilo_Kis?f_ri=19362"},{"id":1726430,"name":"Romanzo moderno","url":"https://www.academia.edu/Documents/in/Romanzo_moderno?f_ri=19362"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_45642287" data-work_id="45642287" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/45642287/Proust_et_lArt_nouveau">Proust et l'Art nouveau</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Si Proust fut à sa manière un écrivain Art nouveau, c’est dans le sens où un Maurice Denis et un Édouard Vuillard, héritiers du gothique d’Île-de-France cher à Adrien Mithouard, décorateurs de Siegfried Bing, le furent aussi.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/45642287" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="36e43900ba6f367c2b28651b22b1bff8" rel="nofollow" data-download="{"attachment_id":92894379,"asset_id":45642287,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/92894379/download_file?st=MTczMzAxNzMwMiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="12800372" href="https://sorbonne-fr.academia.edu/SophieBasch">Sophie Basch</a><script data-card-contents-for-user="12800372" type="text/json">{"id":12800372,"first_name":"Sophie","last_name":"Basch","domain_name":"sorbonne-fr","page_name":"SophieBasch","display_name":"Sophie Basch","profile_url":"https://sorbonne-fr.academia.edu/SophieBasch?f_ri=19362","photo":"https://0.academia-photos.com/12800372/3637464/144196268/s65_sophie.basch.jpeg"}</script></span></span></li><li class="js-paper-rank-work_45642287 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="45642287"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 45642287, container: ".js-paper-rank-work_45642287", }); });</script></li><li class="js-percentile-work_45642287 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 45642287; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_45642287"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_45642287 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="45642287"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 45642287; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=45642287]").text(description); $(".js-view-count-work_45642287").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_45642287").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="45642287"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">8</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="8445" href="https://www.academia.edu/Documents/in/Louis-Ferdinand_Celine">Louis-Ferdinand Céline</a>, <script data-card-contents-for-ri="8445" type="text/json">{"id":8445,"name":"Louis-Ferdinand Céline","url":"https://www.academia.edu/Documents/in/Louis-Ferdinand_Celine?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="14985" href="https://www.academia.edu/Documents/in/Decorative_Arts">Decorative Arts</a>, <script data-card-contents-for-ri="14985" type="text/json">{"id":14985,"name":"Decorative Arts","url":"https://www.academia.edu/Documents/in/Decorative_Arts?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="19362" href="https://www.academia.edu/Documents/in/Marcel_Proust">Marcel Proust</a>, <script data-card-contents-for-ri="19362" type="text/json">{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="30726" href="https://www.academia.edu/Documents/in/Art_Nouveau">Art Nouveau</a><script data-card-contents-for-ri="30726" type="text/json">{"id":30726,"name":"Art Nouveau","url":"https://www.academia.edu/Documents/in/Art_Nouveau?f_ri=19362","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=45642287]'), work: {"id":45642287,"title":"Proust et l'Art nouveau","created_at":"2021-03-30T05:06:07.627-07:00","url":"https://www.academia.edu/45642287/Proust_et_lArt_nouveau?f_ri=19362","dom_id":"work_45642287","summary":"Si Proust fut à sa manière un écrivain Art nouveau, c’est dans le sens où un Maurice Denis et un Édouard Vuillard, héritiers du gothique d’Île-de-France cher à Adrien Mithouard, décorateurs de Siegfried Bing, le furent aussi.","downloadable_attachments":[{"id":92894379,"asset_id":45642287,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":12800372,"first_name":"Sophie","last_name":"Basch","domain_name":"sorbonne-fr","page_name":"SophieBasch","display_name":"Sophie Basch","profile_url":"https://sorbonne-fr.academia.edu/SophieBasch?f_ri=19362","photo":"https://0.academia-photos.com/12800372/3637464/144196268/s65_sophie.basch.jpeg"}],"research_interests":[{"id":8445,"name":"Louis-Ferdinand Céline","url":"https://www.academia.edu/Documents/in/Louis-Ferdinand_Celine?f_ri=19362","nofollow":false},{"id":14985,"name":"Decorative Arts","url":"https://www.academia.edu/Documents/in/Decorative_Arts?f_ri=19362","nofollow":false},{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362","nofollow":false},{"id":30726,"name":"Art Nouveau","url":"https://www.academia.edu/Documents/in/Art_Nouveau?f_ri=19362","nofollow":false},{"id":37654,"name":"Fin de siècle Paris","url":"https://www.academia.edu/Documents/in/Fin_de_siecle_Paris?f_ri=19362"},{"id":97059,"name":"Japonisme","url":"https://www.academia.edu/Documents/in/Japonisme?f_ri=19362"},{"id":106154,"name":"Littérature Française","url":"https://www.academia.edu/Documents/in/Litt%C3%A9rature_Fran%C3%A7aise?f_ri=19362"},{"id":1672430,"name":"Albert Thibaudet","url":"https://www.academia.edu/Documents/in/Albert_Thibaudet?f_ri=19362"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_57801868" data-work_id="57801868" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/57801868/Musil_Joyce_et_Proust">Musil, Joyce et Proust</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">L'armature modale du roman de la modernité.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/57801868" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="b4219a7529cd476c9e631531230de65e" rel="nofollow" data-download="{"attachment_id":72523548,"asset_id":57801868,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/72523548/download_file?st=MTczMzAxNzMwMiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="448539" href="https://cef.academia.edu/JeanClaudeDumoncel">Jean-Claude Dumoncel</a><script data-card-contents-for-user="448539" type="text/json">{"id":448539,"first_name":"Jean-Claude","last_name":"Dumoncel","domain_name":"cef","page_name":"JeanClaudeDumoncel","display_name":"Jean-Claude Dumoncel","profile_url":"https://cef.academia.edu/JeanClaudeDumoncel?f_ri=19362","photo":"/images/s65_no_pic.png"}</script></span></span></li><li class="js-paper-rank-work_57801868 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="57801868"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 57801868, container: ".js-paper-rank-work_57801868", }); });</script></li><li class="js-percentile-work_57801868 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 57801868; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_57801868"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_57801868 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="57801868"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 57801868; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=57801868]").text(description); $(".js-view-count-work_57801868").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_57801868").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="57801868"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">3</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="2574" href="https://www.academia.edu/Documents/in/James_Joyce">James Joyce</a>, <script data-card-contents-for-ri="2574" type="text/json">{"id":2574,"name":"James Joyce","url":"https://www.academia.edu/Documents/in/James_Joyce?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="8454" href="https://www.academia.edu/Documents/in/Robert_Musil">Robert Musil</a>, <script data-card-contents-for-ri="8454" type="text/json">{"id":8454,"name":"Robert Musil","url":"https://www.academia.edu/Documents/in/Robert_Musil?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="19362" href="https://www.academia.edu/Documents/in/Marcel_Proust">Marcel Proust</a><script data-card-contents-for-ri="19362" type="text/json">{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=57801868]'), work: {"id":57801868,"title":"Musil, Joyce et Proust","created_at":"2021-10-14T06:14:30.039-07:00","url":"https://www.academia.edu/57801868/Musil_Joyce_et_Proust?f_ri=19362","dom_id":"work_57801868","summary":"L'armature modale du roman de la modernité.","downloadable_attachments":[{"id":72523548,"asset_id":57801868,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":448539,"first_name":"Jean-Claude","last_name":"Dumoncel","domain_name":"cef","page_name":"JeanClaudeDumoncel","display_name":"Jean-Claude Dumoncel","profile_url":"https://cef.academia.edu/JeanClaudeDumoncel?f_ri=19362","photo":"/images/s65_no_pic.png"}],"research_interests":[{"id":2574,"name":"James Joyce","url":"https://www.academia.edu/Documents/in/James_Joyce?f_ri=19362","nofollow":false},{"id":8454,"name":"Robert Musil","url":"https://www.academia.edu/Documents/in/Robert_Musil?f_ri=19362","nofollow":false},{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_30838569" data-work_id="30838569" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/30838569/Que_peuvent_droit_et_%C3%A9conomie_pour_la_Litt%C3%A9rature_L_utilitarisme_invers%C3%A9_par_les_po%C3%A9tiques_%C3%A9conomique_et_juridique">Que peuvent droit et économie pour la Littérature ? L’utilitarisme inversé par les poétiques économique et juridique</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Dans les études comparées « droit et littérature » ou « économie et littérature », on cherche souvent en priorité ce que la littérature peut nous apprendre sur le droit ou l’économie. C’est prendre un risque : celui d’oublier la dimension... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_30838569" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Dans les études comparées « droit et littérature » ou « économie et littérature », on cherche souvent en priorité ce que la littérature peut nous apprendre sur le droit ou l’économie. C’est prendre un risque : celui d’oublier la<br />dimension littéraire des textes étudiés. À plus forte raison, c’est prendre le risque de passer à côté d’un fait précieux, à savoir que la littérature est autre chose qu’un instrument talentueux assigné à la valorisation des thèmes qu’on lui livre : la littérature est plus que cela ! Elle sait elle-même user des autres – en l’occurrence, user du droit et de l’économie comme d’instruments, les mettre à son service. Il n’est pas rare que, ne cherchant pas à représenter ces deux univers, elle les détourne de leurs fins, les vide de leurs fonctions manifestes, mais en conserve mécanismes, raisonnements et vocabulaire : la littérature tire du droit et de l’économie des éléments de poétique qu’elle s’agrège et qui la renforcent, sans qu’elle se soucie de nous apprendre nécessairement quelque chose sur ces deux disciplines, objet de son pillage. <br />PLAN de l'article : <br />    Balzac/Piketty : la ruse de la Littérature<br />    L’inversion (des valeurs) de M. de Norpois : Qu’est ce que la littérature ?<br />        La carrière littéraire : à quel taux placer sa vie ?<br />        M. de Norpois ? Un bon inverti en vaut deux<br />        Tante Léonie ? Une valeur à investir<br />        L’« action nominative de la Compagnie des Eaux » : Contre Sainte‑Beuve appliqué<br />    Détournement du droit et de l’économie par la Littérature<br />    La Peau de chagrin : la vie est consomptible par le premier usage<br />        La lettre de change : qu’est-ce que la vie ?<br />        Le droit fantastique<br />        La Peau comme instrument du droit : une condamnation du littéralisme<br />        Confusion entre vie, argent et temps : d’une usure à l’autre<br />    « La fille de cuisine était une personne morale » : le droit, auxiliaire de la littérature</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/30838569" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="aa1f33b25b15219191a968bb0425ff59" rel="nofollow" data-download="{"attachment_id":51269494,"asset_id":30838569,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/51269494/download_file?st=MTczMzAxNzMwMiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="34907785" href="https://ucparis.academia.edu/PierreBras">Pierre Bras</a><script data-card-contents-for-user="34907785" type="text/json">{"id":34907785,"first_name":"Pierre","last_name":"Bras","domain_name":"ucparis","page_name":"PierreBras","display_name":"Pierre Bras","profile_url":"https://ucparis.academia.edu/PierreBras?f_ri=19362","photo":"https://0.academia-photos.com/34907785/10254620/11444047/s65_pierre.bras.jpg"}</script></span></span></li><li class="js-paper-rank-work_30838569 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="30838569"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 30838569, container: ".js-paper-rank-work_30838569", }); });</script></li><li class="js-percentile-work_30838569 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 30838569; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_30838569"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_30838569 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="30838569"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 30838569; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=30838569]").text(description); $(".js-view-count-work_30838569").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_30838569").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="30838569"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">19</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="660" href="https://www.academia.edu/Documents/in/French_Literature">French Literature</a>, <script data-card-contents-for-ri="660" type="text/json">{"id":660,"name":"French Literature","url":"https://www.academia.edu/Documents/in/French_Literature?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2418" href="https://www.academia.edu/Documents/in/Literature">Literature</a>, <script data-card-contents-for-ri="2418" type="text/json">{"id":2418,"name":"Literature","url":"https://www.academia.edu/Documents/in/Literature?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="4918" href="https://www.academia.edu/Documents/in/Gay_And_Lesbian_Studies">Gay And Lesbian Studies</a>, <script data-card-contents-for-ri="4918" type="text/json">{"id":4918,"name":"Gay And Lesbian Studies","url":"https://www.academia.edu/Documents/in/Gay_And_Lesbian_Studies?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="7724" href="https://www.academia.edu/Documents/in/Law_and_Literature">Law and Literature</a><script data-card-contents-for-ri="7724" type="text/json">{"id":7724,"name":"Law and Literature","url":"https://www.academia.edu/Documents/in/Law_and_Literature?f_ri=19362","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=30838569]'), work: {"id":30838569,"title":"Que peuvent droit et économie pour la Littérature ? L’utilitarisme inversé par les poétiques économique et juridique","created_at":"2017-01-09T14:01:55.653-08:00","url":"https://www.academia.edu/30838569/Que_peuvent_droit_et_%C3%A9conomie_pour_la_Litt%C3%A9rature_L_utilitarisme_invers%C3%A9_par_les_po%C3%A9tiques_%C3%A9conomique_et_juridique?f_ri=19362","dom_id":"work_30838569","summary":"Dans les études comparées « droit et littérature » ou « économie et littérature », on cherche souvent en priorité ce que la littérature peut nous apprendre sur le droit ou l’économie. C’est prendre un risque : celui d’oublier la\ndimension littéraire des textes étudiés. À plus forte raison, c’est prendre le risque de passer à côté d’un fait précieux, à savoir que la littérature est autre chose qu’un instrument talentueux assigné à la valorisation des thèmes qu’on lui livre : la littérature est plus que cela ! Elle sait elle-même user des autres – en l’occurrence, user du droit et de l’économie comme d’instruments, les mettre à son service. Il n’est pas rare que, ne cherchant pas à représenter ces deux univers, elle les détourne de leurs fins, les vide de leurs fonctions manifestes, mais en conserve mécanismes, raisonnements et vocabulaire : la littérature tire du droit et de l’économie des éléments de poétique qu’elle s’agrège et qui la renforcent, sans qu’elle se soucie de nous apprendre nécessairement quelque chose sur ces deux disciplines, objet de son pillage. \nPLAN de l'article : \n Balzac/Piketty : la ruse de la Littérature\n L’inversion (des valeurs) de M. de Norpois : Qu’est ce que la littérature ?\n La carrière littéraire : à quel taux placer sa vie ?\n M. de Norpois ? Un bon inverti en vaut deux\n Tante Léonie ? Une valeur à investir\n L’« action nominative de la Compagnie des Eaux » : Contre Sainte‑Beuve appliqué\n Détournement du droit et de l’économie par la Littérature\n La Peau de chagrin : la vie est consomptible par le premier usage\n La lettre de change : qu’est-ce que la vie ?\n Le droit fantastique\n La Peau comme instrument du droit : une condamnation du littéralisme\n Confusion entre vie, argent et temps : d’une usure à l’autre\n « La fille de cuisine était une personne morale » : le droit, auxiliaire de la littérature","downloadable_attachments":[{"id":51269494,"asset_id":30838569,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":34907785,"first_name":"Pierre","last_name":"Bras","domain_name":"ucparis","page_name":"PierreBras","display_name":"Pierre Bras","profile_url":"https://ucparis.academia.edu/PierreBras?f_ri=19362","photo":"https://0.academia-photos.com/34907785/10254620/11444047/s65_pierre.bras.jpg"}],"research_interests":[{"id":660,"name":"French Literature","url":"https://www.academia.edu/Documents/in/French_Literature?f_ri=19362","nofollow":false},{"id":2418,"name":"Literature","url":"https://www.academia.edu/Documents/in/Literature?f_ri=19362","nofollow":false},{"id":4918,"name":"Gay And Lesbian Studies","url":"https://www.academia.edu/Documents/in/Gay_And_Lesbian_Studies?f_ri=19362","nofollow":false},{"id":7724,"name":"Law and Literature","url":"https://www.academia.edu/Documents/in/Law_and_Literature?f_ri=19362","nofollow":false},{"id":18281,"name":"Allegory","url":"https://www.academia.edu/Documents/in/Allegory?f_ri=19362"},{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362"},{"id":22818,"name":"Allegory (Literature)","url":"https://www.academia.edu/Documents/in/Allegory_Literature_?f_ri=19362"},{"id":34285,"name":"Economics and Literature","url":"https://www.academia.edu/Documents/in/Economics_and_Literature?f_ri=19362"},{"id":40293,"name":"Honoré de Balzac","url":"https://www.academia.edu/Documents/in/Honore_de_Balzac?f_ri=19362"},{"id":76580,"name":"Sainte-Beuve","url":"https://www.academia.edu/Documents/in/Sainte-Beuve?f_ri=19362"},{"id":106154,"name":"Littérature Française","url":"https://www.academia.edu/Documents/in/Litt%C3%A9rature_Fran%C3%A7aise?f_ri=19362"},{"id":119973,"name":"Littérature","url":"https://www.academia.edu/Documents/in/Litt%C3%A9rature?f_ri=19362"},{"id":237296,"name":"Roman-Feuilleton","url":"https://www.academia.edu/Documents/in/Roman-Feuilleton?f_ri=19362"},{"id":240998,"name":"Feuilleton","url":"https://www.academia.edu/Documents/in/Feuilleton?f_ri=19362"},{"id":243342,"name":"A la recherche du temps perdu","url":"https://www.academia.edu/Documents/in/A_la_recherche_du_temps_perdu?f_ri=19362"},{"id":371670,"name":"Asparagus","url":"https://www.academia.edu/Documents/in/Asparagus?f_ri=19362"},{"id":681607,"name":"Allegories and Virtues","url":"https://www.academia.edu/Documents/in/Allegories_and_Virtues?f_ri=19362"},{"id":1201527,"name":"Allegory Studies","url":"https://www.academia.edu/Documents/in/Allegory_Studies?f_ri=19362"},{"id":1399490,"name":"Piketty","url":"https://www.academia.edu/Documents/in/Piketty?f_ri=19362"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_60870925" data-work_id="60870925" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/60870925/Giorgio_Bassani_Una_citt%C3%A0_di_pianura_e_altri_racconti_giovanili_a_cura_di_Angela_Siciliano_Roma_Officina_Libraria_2021_copertina_">Giorgio Bassani, Una città di pianura e altri racconti giovanili, a cura di Angela Siciliano, Roma, Officina Libraria, 2021 [copertina].</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Nel 1940, con lo pseudonimo di Giacomo Marchi, Giorgio Bassani pubblica il suo libro d’esordio, "Una città di pianura". La raccolta comprende cinque racconti composti tra il 1936 e il 1939, periodo cruciale nella biografia dell’autore, di... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_60870925" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Nel 1940, con lo pseudonimo di Giacomo Marchi, Giorgio Bassani pubblica il suo libro d’esordio, "Una città di pianura". La raccolta comprende cinque racconti composti tra il 1936 e il 1939, periodo cruciale nella biografia dell’autore, di cui essi rappresentano lo specchio: "Omaggio", "Un concerto", "Rondò", "Storia di Debora" con l’appendice lirica "Ancora dei poveri amanti", "Una città di pianura". Il sodalizio con gli amici normalisti (Dessì e Varese), la formazione e le letture, il trauma delle leggi razziali, il contrasto con la borghesia di provincia si intrecciano in una prosa che tenta varie misure, dal frammento lirico alla rievocazione dessiano-proustiana, anticipando toni e temi del futuro narratore. In "Una città di pianura" Bassani seleziona il meglio della sua produzione giovanile: in quegli anni scrive infatti altri racconti, ma sceglie di non inserirli nella raccolta e di lasciarli nel cassetto ("La calunnia", "Viaggio notturno", "Teodoro" e il frammentario racconto lungo "Ottavio e Olimpia"). Testi in parte inediti e qui riprodotti, che consentono di mettere a fuoco la storia di "Una città di pianura" e, insieme, un momento decisivo nella maturazione del giovane Bassani. Alla ricerca di uno stile, l’autore lo costruisce instaurando un dialogo con i modelli, assimilati e riletti: da Flaubert a Rilke, da Delfini a Proust. La nuova edizione di "Una città di pianura", arricchita dagli altri racconti giovanili, si presenta perciò come un’accurata ricognizione nella «preistoria letteraria» e intellettuale di Bassani, tra filologia e critica.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/60870925" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="e55ef1f041960cfdb6d31e064d6ab927" rel="nofollow" data-download="{"attachment_id":74126639,"asset_id":60870925,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/74126639/download_file?st=MTczMzAxNzMwMiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="13779860" href="https://unpr.academia.edu/AngelaSiciliano">Angela Siciliano</a><script data-card-contents-for-user="13779860" type="text/json">{"id":13779860,"first_name":"Angela","last_name":"Siciliano","domain_name":"unpr","page_name":"AngelaSiciliano","display_name":"Angela Siciliano","profile_url":"https://unpr.academia.edu/AngelaSiciliano?f_ri=19362","photo":"https://0.academia-photos.com/13779860/5350724/30281652/s65_angela.siciliano.jpg"}</script></span></span></li><li class="js-paper-rank-work_60870925 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="60870925"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 60870925, container: ".js-paper-rank-work_60870925", }); });</script></li><li class="js-percentile-work_60870925 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 60870925; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_60870925"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_60870925 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="60870925"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 60870925; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=60870925]").text(description); $(".js-view-count-work_60870925").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_60870925").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="60870925"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">12</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="19362" href="https://www.academia.edu/Documents/in/Marcel_Proust">Marcel Proust</a>, <script data-card-contents-for-ri="19362" type="text/json">{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="69388" href="https://www.academia.edu/Documents/in/Letteratura_italiana_moderna_e_contemporanea">Letteratura italiana moderna e contemporanea</a>, <script data-card-contents-for-ri="69388" type="text/json">{"id":69388,"name":"Letteratura italiana moderna e contemporanea","url":"https://www.academia.edu/Documents/in/Letteratura_italiana_moderna_e_contemporanea?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="106803" href="https://www.academia.edu/Documents/in/Letteratura">Letteratura</a>, <script data-card-contents-for-ri="106803" type="text/json">{"id":106803,"name":"Letteratura","url":"https://www.academia.edu/Documents/in/Letteratura?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="109336" href="https://www.academia.edu/Documents/in/Filologia">Filologia</a><script data-card-contents-for-ri="109336" type="text/json">{"id":109336,"name":"Filologia","url":"https://www.academia.edu/Documents/in/Filologia?f_ri=19362","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=60870925]'), work: {"id":60870925,"title":"Giorgio Bassani, Una città di pianura e altri racconti giovanili, a cura di Angela Siciliano, Roma, Officina Libraria, 2021 [copertina].","created_at":"2021-11-03T03:00:42.018-07:00","url":"https://www.academia.edu/60870925/Giorgio_Bassani_Una_citt%C3%A0_di_pianura_e_altri_racconti_giovanili_a_cura_di_Angela_Siciliano_Roma_Officina_Libraria_2021_copertina_?f_ri=19362","dom_id":"work_60870925","summary":"Nel 1940, con lo pseudonimo di Giacomo Marchi, Giorgio Bassani pubblica il suo libro d’esordio, \"Una città di pianura\". La raccolta comprende cinque racconti composti tra il 1936 e il 1939, periodo cruciale nella biografia dell’autore, di cui essi rappresentano lo specchio: \"Omaggio\", \"Un concerto\", \"Rondò\", \"Storia di Debora\" con l’appendice lirica \"Ancora dei poveri amanti\", \"Una città di pianura\". Il sodalizio con gli amici normalisti (Dessì e Varese), la formazione e le letture, il trauma delle leggi razziali, il contrasto con la borghesia di provincia si intrecciano in una prosa che tenta varie misure, dal frammento lirico alla rievocazione dessiano-proustiana, anticipando toni e temi del futuro narratore. In \"Una città di pianura\" Bassani seleziona il meglio della sua produzione giovanile: in quegli anni scrive infatti altri racconti, ma sceglie di non inserirli nella raccolta e di lasciarli nel cassetto (\"La calunnia\", \"Viaggio notturno\", \"Teodoro\" e il frammentario racconto lungo \"Ottavio e Olimpia\"). Testi in parte inediti e qui riprodotti, che consentono di mettere a fuoco la storia di \"Una città di pianura\" e, insieme, un momento decisivo nella maturazione del giovane Bassani. Alla ricerca di uno stile, l’autore lo costruisce instaurando un dialogo con i modelli, assimilati e riletti: da Flaubert a Rilke, da Delfini a Proust. La nuova edizione di \"Una città di pianura\", arricchita dagli altri racconti giovanili, si presenta perciò come un’accurata ricognizione nella «preistoria letteraria» e intellettuale di Bassani, tra filologia e critica.","downloadable_attachments":[{"id":74126639,"asset_id":60870925,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":13779860,"first_name":"Angela","last_name":"Siciliano","domain_name":"unpr","page_name":"AngelaSiciliano","display_name":"Angela Siciliano","profile_url":"https://unpr.academia.edu/AngelaSiciliano?f_ri=19362","photo":"https://0.academia-photos.com/13779860/5350724/30281652/s65_angela.siciliano.jpg"}],"research_interests":[{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362","nofollow":false},{"id":69388,"name":"Letteratura italiana moderna e contemporanea","url":"https://www.academia.edu/Documents/in/Letteratura_italiana_moderna_e_contemporanea?f_ri=19362","nofollow":false},{"id":106803,"name":"Letteratura","url":"https://www.academia.edu/Documents/in/Letteratura?f_ri=19362","nofollow":false},{"id":109336,"name":"Filologia","url":"https://www.academia.edu/Documents/in/Filologia?f_ri=19362","nofollow":false},{"id":237676,"name":"Filologia Italiana","url":"https://www.academia.edu/Documents/in/Filologia_Italiana?f_ri=19362"},{"id":328764,"name":"Giorgio Bassani","url":"https://www.academia.edu/Documents/in/Giorgio_Bassani?f_ri=19362"},{"id":328797,"name":"Antonio Delfini","url":"https://www.academia.edu/Documents/in/Antonio_Delfini?f_ri=19362"},{"id":381840,"name":"Antifascismo","url":"https://www.academia.edu/Documents/in/Antifascismo?f_ri=19362"},{"id":546157,"name":"Gustave Flaubert","url":"https://www.academia.edu/Documents/in/Gustave_Flaubert?f_ri=19362"},{"id":613889,"name":"Filologia d'autore","url":"https://www.academia.edu/Documents/in/Filologia_dautore?f_ri=19362"},{"id":653612,"name":"Letteratura Italiana Del Novecento","url":"https://www.academia.edu/Documents/in/Letteratura_Italiana_Del_Novecento?f_ri=19362"},{"id":1986771,"name":"Racconti italiani del Novecento","url":"https://www.academia.edu/Documents/in/Racconti_italiani_del_Novecento?f_ri=19362"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_19872686" data-work_id="19872686" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/19872686/The_Heterocosmic_Self_Analogy_Temporality_and_Structural_Couplings_in_Prousts_Swanns_Way">The Heterocosmic Self: Analogy, Temporality, and Structural Couplings in Proust's 'Swann's Way'</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Where does the self stop and the rest of the world begin? Clark and Chalmers already paved the way for an application of the extended mind theory to the problem of selfhood and identity, when in their seminal paper they asked ‘What,... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_19872686" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Where does the self stop and the rest of the world begin? Clark and Chalmers already paved the way for an application of the extended mind theory to the problem of selfhood and identity, when in their seminal paper they asked ‘What, finally, of the self? Does the extended mind imply an extended self? It seems so’ (2010: 39). However, how can the self persist in time if it is chiefly constituted by a series of constantly renewed couplings, enactions, and extensions? If the self does persist, what are the processes responsible for the temporal unification and synthesis of what enactivists call different ‘sensorimotor contingencies’ (O’Regan and Noë 2001)? If the self does not persist, what kind of phenomenology and new ontology underlies, or results from, this shift? This essay focuses on these questions as they relate to an extended and enactive view of the self in the space-time trajectory explored in Marcel Proust’s Swann’s Way (2005) – the first volume of In Search of Lost Time. Proust’s work is regarded as the monumental literary research on temporality, self and memory. I will argue, however, that extended and enactive frameworks can provide important new insights on the key claims and findings of Proust’s literary endeavour.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/19872686" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="6c6e3148e11c52b7fb5ee08c7cd834bf" rel="nofollow" data-download="{"attachment_id":64779869,"asset_id":19872686,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/64779869/download_file?st=MTczMzAxNzMwMiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="794799" href="https://durham.academia.edu/MarcoBernini">Marco Bernini</a><script data-card-contents-for-user="794799" type="text/json">{"id":794799,"first_name":"Marco","last_name":"Bernini","domain_name":"durham","page_name":"MarcoBernini","display_name":"Marco Bernini","profile_url":"https://durham.academia.edu/MarcoBernini?f_ri=19362","photo":"https://0.academia-photos.com/794799/281618/15175960/s65_marco.bernini.jpg"}</script></span></span></li><li class="js-paper-rank-work_19872686 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="19872686"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 19872686, container: ".js-paper-rank-work_19872686", }); });</script></li><li class="js-percentile-work_19872686 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 19872686; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_19872686"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_19872686 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="19872686"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 19872686; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=19872686]").text(description); $(".js-view-count-work_19872686").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_19872686").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="19872686"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">14</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="237" href="https://www.academia.edu/Documents/in/Cognitive_Science">Cognitive Science</a>, <script data-card-contents-for-ri="237" type="text/json">{"id":237,"name":"Cognitive Science","url":"https://www.academia.edu/Documents/in/Cognitive_Science?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="806" href="https://www.academia.edu/Documents/in/Philosophy_of_Mind">Philosophy of Mind</a>, <script data-card-contents-for-ri="806" type="text/json">{"id":806,"name":"Philosophy of Mind","url":"https://www.academia.edu/Documents/in/Philosophy_of_Mind?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2418" href="https://www.academia.edu/Documents/in/Literature">Literature</a>, <script data-card-contents-for-ri="2418" type="text/json">{"id":2418,"name":"Literature","url":"https://www.academia.edu/Documents/in/Literature?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="4420" href="https://www.academia.edu/Documents/in/Embodied_Cognition">Embodied Cognition</a><script data-card-contents-for-ri="4420" type="text/json">{"id":4420,"name":"Embodied Cognition","url":"https://www.academia.edu/Documents/in/Embodied_Cognition?f_ri=19362","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=19872686]'), work: {"id":19872686,"title":"The Heterocosmic Self: Analogy, Temporality, and Structural Couplings in Proust's 'Swann's Way'","created_at":"2015-12-28T10:39:45.725-08:00","url":"https://www.academia.edu/19872686/The_Heterocosmic_Self_Analogy_Temporality_and_Structural_Couplings_in_Prousts_Swanns_Way?f_ri=19362","dom_id":"work_19872686","summary":"Where does the self stop and the rest of the world begin? Clark and Chalmers already paved the way for an application of the extended mind theory to the problem of selfhood and identity, when in their seminal paper they asked ‘What, finally, of the self? Does the extended mind imply an extended self? It seems so’ (2010: 39). However, how can the self persist in time if it is chiefly constituted by a series of constantly renewed couplings, enactions, and extensions? If the self does persist, what are the processes responsible for the temporal unification and synthesis of what enactivists call different ‘sensorimotor contingencies’ (O’Regan and Noë 2001)? If the self does not persist, what kind of phenomenology and new ontology underlies, or results from, this shift? This essay focuses on these questions as they relate to an extended and enactive view of the self in the space-time trajectory explored in Marcel Proust’s Swann’s Way (2005) – the first volume of In Search of Lost Time. Proust’s work is regarded as the monumental literary research on temporality, self and memory. I will argue, however, that extended and enactive frameworks can provide important new insights on the key claims and findings of Proust’s literary endeavour.","downloadable_attachments":[{"id":64779869,"asset_id":19872686,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":794799,"first_name":"Marco","last_name":"Bernini","domain_name":"durham","page_name":"MarcoBernini","display_name":"Marco Bernini","profile_url":"https://durham.academia.edu/MarcoBernini?f_ri=19362","photo":"https://0.academia-photos.com/794799/281618/15175960/s65_marco.bernini.jpg"}],"research_interests":[{"id":237,"name":"Cognitive Science","url":"https://www.academia.edu/Documents/in/Cognitive_Science?f_ri=19362","nofollow":false},{"id":806,"name":"Philosophy of Mind","url":"https://www.academia.edu/Documents/in/Philosophy_of_Mind?f_ri=19362","nofollow":false},{"id":2418,"name":"Literature","url":"https://www.academia.edu/Documents/in/Literature?f_ri=19362","nofollow":false},{"id":4420,"name":"Embodied Cognition","url":"https://www.academia.edu/Documents/in/Embodied_Cognition?f_ri=19362","nofollow":false},{"id":4490,"name":"Cognitive Narratology","url":"https://www.academia.edu/Documents/in/Cognitive_Narratology?f_ri=19362"},{"id":5178,"name":"Phenomenology","url":"https://www.academia.edu/Documents/in/Phenomenology?f_ri=19362"},{"id":5513,"name":"Narratology","url":"https://www.academia.edu/Documents/in/Narratology?f_ri=19362"},{"id":7888,"name":"Literary Theory","url":"https://www.academia.edu/Documents/in/Literary_Theory?f_ri=19362"},{"id":8444,"name":"Modernist Literature (Literary Modernism)","url":"https://www.academia.edu/Documents/in/Modernist_Literature_Literary_Modernism_?f_ri=19362"},{"id":9581,"name":"The Self","url":"https://www.academia.edu/Documents/in/The_Self?f_ri=19362"},{"id":10498,"name":"Extended Mind","url":"https://www.academia.edu/Documents/in/Extended_Mind?f_ri=19362"},{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362"},{"id":19818,"name":"Narrative Theory","url":"https://www.academia.edu/Documents/in/Narrative_Theory?f_ri=19362"},{"id":26949,"name":"Phenomenology of Temporality","url":"https://www.academia.edu/Documents/in/Phenomenology_of_Temporality?f_ri=19362"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_3826828" data-work_id="3826828" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/3826828/S%C3%B8vnens_%C3%86stetik_ET_STUDIE_AF_S%C3%98VNTEMAET_I_MARCEL_PROUSTS_A_la_recherche_du_temps_perdu">Søvnens Æstetik: ET STUDIE AF SØVNTEMAET I MARCEL PROUSTS A la recherche du temps perdu</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The Aesthetics of Sleep: A study of sleep in Marcel Proust’s A la recherche du temps perdu. This thesis examines the significance and structuring function of sleep and sleep related instances in Marcel Proust’s A la recherche du temps... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_3826828" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The Aesthetics of Sleep: A study of sleep in Marcel Proust’s A la recherche du temps perdu. <br />This thesis examines the significance and structuring function of sleep and sleep related instances in Marcel Proust’s A la recherche du temps perdu (la Recherche). From the very first sentence, Longtemps, je me suis couché de bonne heure, toward the final vocation in Le Temps retrouvé the theme of sleep is pervasive throughout the novel. Descriptions of sleep occur on different levels in the narrative and suggest that the study itself should be conducted through various approaches. The thesis is thus organised around three main chapters, each seeking to examine how sleep engages with other crucial topics and adjacent phenomena in la Recherche. <br />The first chapter, on time and sleep, is concerned with the instability of narrative temporality and how the descriptions of sleep either destabilizes the narration or actually form a narrative pattern, to which the overall structure of the novel adheres. On another level the temporality of sleep, conceived as certain external or biological conditions for measuring time, affect the narration and particularly the narrator. The latter can be seen as a special narrating instance that, in a paradoxical way, manages to describe sleep while it happens, though still largely incapable of grasping the passing of time that occurs in sleep. Ultimately, the insomnia that inflicts the narrator is a disruption of temporality, since it breaks the habitual cycle of sleep. <br />The second chapter, concerning spatiality and sleep, focuses on various places where sleep occurs, most prominently the bedroom. From the very beginning of the novel, in the first five pages to be exact, the narrator’s bedroom appears as a privileged place where certain perceptual conditions are displayed and experimented with. Throughout the novel, places or settings that involve sleep or sleepers help shape the narrator’s social and artistic experiences. Sleep itself can also to some extent be seen as a necessary boundary or threshold that negotiates between inner and outer modes of perception. Furthermore sleep is often evoked through spatial imagery, for instance when sleep is depicted as a garden that the narrator enters. The reciprocal fashion in which sleep affects space as well as space affects sleep is finally summed up in the term soverum (sleep space). <br />The final chapter, concerning love and illness, takes its departure in various voyeuristic scenes where the narrator gains crucial insight into the world of love and illness by gazing at the sleeping other. The intermingling of the pathological and the erotic is intensified when the sleeping person is a loved one, such as the narrator’s girlfriend, Albertine. The jealousy that surmounts the narrator in the relationship with Albertine is put into perspective when he observes her sleeping body, and the significance of the sleeping individual as both (spiritually) abandoned and (bodily) available thus informs the narrator’s intermittent reflections on themes of love, jalousy and art. The chapter finally shows how the pathological and erotic share a mutual impulse, namely the interpretation of symptoms or signs that reveals the origin of suffering. <br />The thesis concludes by addressing, in more general terms, the potential problems involved when studying ‘sleep and literature’.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/3826828" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="ea86388d51fd2b083f04944b70f2b6ae" rel="nofollow" data-download="{"attachment_id":31477110,"asset_id":3826828,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/31477110/download_file?st=MTczMzAxNzMwMiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1140761" href="https://au.academia.edu/JacobUlrich">Jacob Ulrich</a><script data-card-contents-for-user="1140761" type="text/json">{"id":1140761,"first_name":"Jacob","last_name":"Ulrich","domain_name":"au","page_name":"JacobUlrich","display_name":"Jacob Ulrich","profile_url":"https://au.academia.edu/JacobUlrich?f_ri=19362","photo":"https://0.academia-photos.com/1140761/401159/1849707/s65_jacob.ulrich.jpg"}</script></span></span></li><li class="js-paper-rank-work_3826828 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="3826828"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 3826828, container: ".js-paper-rank-work_3826828", }); });</script></li><li class="js-percentile-work_3826828 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 3826828; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_3826828"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_3826828 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="3826828"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 3826828; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=3826828]").text(description); $(".js-view-count-work_3826828").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_3826828").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="3826828"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">10</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="136" href="https://www.academia.edu/Documents/in/Cultural_History">Cultural History</a>, <script data-card-contents-for-ri="136" type="text/json">{"id":136,"name":"Cultural History","url":"https://www.academia.edu/Documents/in/Cultural_History?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="659" href="https://www.academia.edu/Documents/in/Comparative_Literature">Comparative Literature</a>, <script data-card-contents-for-ri="659" type="text/json">{"id":659,"name":"Comparative Literature","url":"https://www.academia.edu/Documents/in/Comparative_Literature?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="660" href="https://www.academia.edu/Documents/in/French_Literature">French Literature</a>, <script data-card-contents-for-ri="660" type="text/json">{"id":660,"name":"French Literature","url":"https://www.academia.edu/Documents/in/French_Literature?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="808" href="https://www.academia.edu/Documents/in/Aesthetics">Aesthetics</a><script data-card-contents-for-ri="808" type="text/json">{"id":808,"name":"Aesthetics","url":"https://www.academia.edu/Documents/in/Aesthetics?f_ri=19362","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=3826828]'), work: {"id":3826828,"title":"Søvnens Æstetik: ET STUDIE AF SØVNTEMAET I MARCEL PROUSTS A la recherche du temps perdu","created_at":"2013-06-30T23:57:24.485-07:00","url":"https://www.academia.edu/3826828/S%C3%B8vnens_%C3%86stetik_ET_STUDIE_AF_S%C3%98VNTEMAET_I_MARCEL_PROUSTS_A_la_recherche_du_temps_perdu?f_ri=19362","dom_id":"work_3826828","summary":"The Aesthetics of Sleep: A study of sleep in Marcel Proust’s A la recherche du temps perdu.\r\nThis thesis examines the significance and structuring function of sleep and sleep related instances in Marcel Proust’s A la recherche du temps perdu (la Recherche). From the very first sentence, Longtemps, je me suis couché de bonne heure, toward the final vocation in Le Temps retrouvé the theme of sleep is pervasive throughout the novel. Descriptions of sleep occur on different levels in the narrative and suggest that the study itself should be conducted through various approaches. The thesis is thus organised around three main chapters, each seeking to examine how sleep engages with other crucial topics and adjacent phenomena in la Recherche.\r\nThe first chapter, on time and sleep, is concerned with the instability of narrative temporality and how the descriptions of sleep either destabilizes the narration or actually form a narrative pattern, to which the overall structure of the novel adheres. On another level the temporality of sleep, conceived as certain external or biological conditions for measuring time, affect the narration and particularly the narrator. The latter can be seen as a special narrating instance that, in a paradoxical way, manages to describe sleep while it happens, though still largely incapable of grasping the passing of time that occurs in sleep. Ultimately, the insomnia that inflicts the narrator is a disruption of temporality, since it breaks the habitual cycle of sleep. \r\nThe second chapter, concerning spatiality and sleep, focuses on various places where sleep occurs, most prominently the bedroom. From the very beginning of the novel, in the first five pages to be exact, the narrator’s bedroom appears as a privileged place where certain perceptual conditions are displayed and experimented with. Throughout the novel, places or settings that involve sleep or sleepers help shape the narrator’s social and artistic experiences. Sleep itself can also to some extent be seen as a necessary boundary or threshold that negotiates between inner and outer modes of perception. Furthermore sleep is often evoked through spatial imagery, for instance when sleep is depicted as a garden that the narrator enters. The reciprocal fashion in which sleep affects space as well as space affects sleep is finally summed up in the term soverum (sleep space).\r\nThe final chapter, concerning love and illness, takes its departure in various voyeuristic scenes where the narrator gains crucial insight into the world of love and illness by gazing at the sleeping other. The intermingling of the pathological and the erotic is intensified when the sleeping person is a loved one, such as the narrator’s girlfriend, Albertine. The jealousy that surmounts the narrator in the relationship with Albertine is put into perspective when he observes her sleeping body, and the significance of the sleeping individual as both (spiritually) abandoned and (bodily) available thus informs the narrator’s intermittent reflections on themes of love, jalousy and art. The chapter finally shows how the pathological and erotic share a mutual impulse, namely the interpretation of symptoms or signs that reveals the origin of suffering.\r\nThe thesis concludes by addressing, in more general terms, the potential problems involved when studying ‘sleep and literature’.\r\n","downloadable_attachments":[{"id":31477110,"asset_id":3826828,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1140761,"first_name":"Jacob","last_name":"Ulrich","domain_name":"au","page_name":"JacobUlrich","display_name":"Jacob Ulrich","profile_url":"https://au.academia.edu/JacobUlrich?f_ri=19362","photo":"https://0.academia-photos.com/1140761/401159/1849707/s65_jacob.ulrich.jpg"}],"research_interests":[{"id":136,"name":"Cultural History","url":"https://www.academia.edu/Documents/in/Cultural_History?f_ri=19362","nofollow":false},{"id":659,"name":"Comparative Literature","url":"https://www.academia.edu/Documents/in/Comparative_Literature?f_ri=19362","nofollow":false},{"id":660,"name":"French Literature","url":"https://www.academia.edu/Documents/in/French_Literature?f_ri=19362","nofollow":false},{"id":808,"name":"Aesthetics","url":"https://www.academia.edu/Documents/in/Aesthetics?f_ri=19362","nofollow":false},{"id":951,"name":"Humanities","url":"https://www.academia.edu/Documents/in/Humanities?f_ri=19362"},{"id":2418,"name":"Literature","url":"https://www.academia.edu/Documents/in/Literature?f_ri=19362"},{"id":14498,"name":"Sleep Medicine","url":"https://www.academia.edu/Documents/in/Sleep_Medicine?f_ri=19362"},{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362"},{"id":27315,"name":"Sleep \u0026 Circadian Rhythms","url":"https://www.academia.edu/Documents/in/Sleep_and_Circadian_Rhythms?f_ri=19362"},{"id":133324,"name":"Sleep","url":"https://www.academia.edu/Documents/in/Sleep?f_ri=19362"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_44213878" data-work_id="44213878" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/44213878/La_ph%C3%A9nom%C3%A9nologie_de_Proust">La phénoménologie de Proust</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Comment la logique modale de Proust se situe, comme celle de Hintikka, relativement aux attitudes propositionnelles de Russell et à l'intentionalité de Husserl.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/44213878" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="19ea1cb3d6ec61754e601d6a9adaaa5e" rel="nofollow" data-download="{"attachment_id":64579771,"asset_id":44213878,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/64579771/download_file?st=MTczMzAxNzMwMiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="448539" href="https://cef.academia.edu/JeanClaudeDumoncel">Jean-Claude Dumoncel</a><script data-card-contents-for-user="448539" type="text/json">{"id":448539,"first_name":"Jean-Claude","last_name":"Dumoncel","domain_name":"cef","page_name":"JeanClaudeDumoncel","display_name":"Jean-Claude Dumoncel","profile_url":"https://cef.academia.edu/JeanClaudeDumoncel?f_ri=19362","photo":"/images/s65_no_pic.png"}</script></span></span></li><li class="js-paper-rank-work_44213878 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="44213878"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 44213878, container: ".js-paper-rank-work_44213878", }); });</script></li><li class="js-percentile-work_44213878 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 44213878; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_44213878"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_44213878 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="44213878"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44213878; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=44213878]").text(description); $(".js-view-count-work_44213878").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_44213878").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="44213878"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">7</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="5178" href="https://www.academia.edu/Documents/in/Phenomenology">Phenomenology</a>, <script data-card-contents-for-ri="5178" type="text/json">{"id":5178,"name":"Phenomenology","url":"https://www.academia.edu/Documents/in/Phenomenology?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="8302" href="https://www.academia.edu/Documents/in/Gilles_Deleuze">Gilles Deleuze</a>, <script data-card-contents-for-ri="8302" type="text/json">{"id":8302,"name":"Gilles Deleuze","url":"https://www.academia.edu/Documents/in/Gilles_Deleuze?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="12692" href="https://www.academia.edu/Documents/in/Jaakko_Hintikka">Jaakko Hintikka</a>, <script data-card-contents-for-ri="12692" type="text/json">{"id":12692,"name":"Jaakko Hintikka","url":"https://www.academia.edu/Documents/in/Jaakko_Hintikka?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="17441" href="https://www.academia.edu/Documents/in/Bertrand_Russell">Bertrand Russell</a><script data-card-contents-for-ri="17441" type="text/json">{"id":17441,"name":"Bertrand Russell","url":"https://www.academia.edu/Documents/in/Bertrand_Russell?f_ri=19362","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=44213878]'), work: {"id":44213878,"title":"La phénoménologie de Proust","created_at":"2020-10-02T02:50:03.350-07:00","url":"https://www.academia.edu/44213878/La_ph%C3%A9nom%C3%A9nologie_de_Proust?f_ri=19362","dom_id":"work_44213878","summary":"Comment la logique modale de Proust se situe, comme celle de Hintikka, relativement aux attitudes propositionnelles de Russell et à l'intentionalité de Husserl.","downloadable_attachments":[{"id":64579771,"asset_id":44213878,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":448539,"first_name":"Jean-Claude","last_name":"Dumoncel","domain_name":"cef","page_name":"JeanClaudeDumoncel","display_name":"Jean-Claude Dumoncel","profile_url":"https://cef.academia.edu/JeanClaudeDumoncel?f_ri=19362","photo":"/images/s65_no_pic.png"}],"research_interests":[{"id":5178,"name":"Phenomenology","url":"https://www.academia.edu/Documents/in/Phenomenology?f_ri=19362","nofollow":false},{"id":8302,"name":"Gilles Deleuze","url":"https://www.academia.edu/Documents/in/Gilles_Deleuze?f_ri=19362","nofollow":false},{"id":12692,"name":"Jaakko Hintikka","url":"https://www.academia.edu/Documents/in/Jaakko_Hintikka?f_ri=19362","nofollow":false},{"id":17441,"name":"Bertrand Russell","url":"https://www.academia.edu/Documents/in/Bertrand_Russell?f_ri=19362","nofollow":false},{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362"},{"id":23487,"name":"Husserl","url":"https://www.academia.edu/Documents/in/Husserl?f_ri=19362"},{"id":96469,"name":"Jacques Maritain","url":"https://www.academia.edu/Documents/in/Jacques_Maritain?f_ri=19362"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_38321768 coauthored" data-work_id="38321768" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/38321768/Les_impressions_dun_instant_Les_%C3%A9chos_crois%C3%A9s_de_Proust_et_Woolf">Les impressions d'un instant. Les échos croisés de Proust et Woolf</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Appel à Contribution pour le numéro 14 de la revue "Quaderni proustiani" <br />DEADLINE pour l'envoi des contributions: le 30 avril 2020</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/38321768" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="06c0d511f4e8c00d1b19411d00c4d7ad" rel="nofollow" data-download="{"attachment_id":58371520,"asset_id":38321768,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/58371520/download_file?st=MTczMzAxNzMwMiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="536578" href="https://unicatt.academia.edu/DavideVago">Davide Vago</a><script data-card-contents-for-user="536578" type="text/json">{"id":536578,"first_name":"Davide","last_name":"Vago","domain_name":"unicatt","page_name":"DavideVago","display_name":"Davide Vago","profile_url":"https://unicatt.academia.edu/DavideVago?f_ri=19362","photo":"https://0.academia-photos.com/536578/415089/35948088/s65_davide.vago.jpg"}</script></span></span><span class="u-displayInlineBlock InlineList-item-text"> and <span class="u-textDecorationUnderline u-clickable InlineList-item-text js-work-more-authors-38321768">+1</span><div class="hidden js-additional-users-38321768"><div><span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a href="https://reading.academia.edu/ElisaBolchi">Elisa Bolchi</a></span></div></div></span><script>(function(){ var popoverSettings = { el: $('.js-work-more-authors-38321768'), placement: 'bottom', hide_delay: 200, html: true, content: function(){ return $('.js-additional-users-38321768').html(); } } new HoverPopover(popoverSettings); })();</script></li><li class="js-paper-rank-work_38321768 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="38321768"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 38321768, container: ".js-paper-rank-work_38321768", }); });</script></li><li class="js-percentile-work_38321768 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 38321768; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_38321768"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_38321768 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="38321768"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 38321768; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=38321768]").text(description); $(".js-view-count-work_38321768").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_38321768").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="38321768"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">3</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="8452" href="https://www.academia.edu/Documents/in/Virginia_Woolf">Virginia Woolf</a>, <script data-card-contents-for-ri="8452" type="text/json">{"id":8452,"name":"Virginia Woolf","url":"https://www.academia.edu/Documents/in/Virginia_Woolf?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="19362" href="https://www.academia.edu/Documents/in/Marcel_Proust">Marcel Proust</a>, <script data-card-contents-for-ri="19362" type="text/json">{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="87392" href="https://www.academia.edu/Documents/in/Traduction">Traduction</a><script data-card-contents-for-ri="87392" type="text/json">{"id":87392,"name":"Traduction","url":"https://www.academia.edu/Documents/in/Traduction?f_ri=19362","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=38321768]'), work: {"id":38321768,"title":"Les impressions d'un instant. Les échos croisés de Proust et Woolf","created_at":"2019-02-10T06:44:05.002-08:00","url":"https://www.academia.edu/38321768/Les_impressions_dun_instant_Les_%C3%A9chos_crois%C3%A9s_de_Proust_et_Woolf?f_ri=19362","dom_id":"work_38321768","summary":"Appel à Contribution pour le numéro 14 de la revue \"Quaderni proustiani\" \nDEADLINE pour l'envoi des contributions: le 30 avril 2020 ","downloadable_attachments":[{"id":58371520,"asset_id":38321768,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":536578,"first_name":"Davide","last_name":"Vago","domain_name":"unicatt","page_name":"DavideVago","display_name":"Davide Vago","profile_url":"https://unicatt.academia.edu/DavideVago?f_ri=19362","photo":"https://0.academia-photos.com/536578/415089/35948088/s65_davide.vago.jpg"},{"id":2441736,"first_name":"Elisa","last_name":"Bolchi","domain_name":"reading","page_name":"ElisaBolchi","display_name":"Elisa Bolchi","profile_url":"https://reading.academia.edu/ElisaBolchi?f_ri=19362","photo":"https://0.academia-photos.com/2441736/761014/1145301/s65_elisa.bolchi.jpg"}],"research_interests":[{"id":8452,"name":"Virginia Woolf","url":"https://www.academia.edu/Documents/in/Virginia_Woolf?f_ri=19362","nofollow":false},{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362","nofollow":false},{"id":87392,"name":"Traduction","url":"https://www.academia.edu/Documents/in/Traduction?f_ri=19362","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_44559290" data-work_id="44559290" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/44559290/Les_intermittences_de_l%C3%A2me_chez_Proust_et_Whitehead">Les intermittences de l'âme chez Proust et Whitehead</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Si Proust a su raconter les intermittences du coeur chez son Narrateur, Whitehead a observé sur Socrate les intermittences de l'intelligence. Les secondes ne parviennent à l'échelle des premières que dans la théorie de l'identité... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_44559290" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Si Proust a su raconter les intermittences du coeur chez son Narrateur, Whitehead a observé sur Socrate les intermittences de l'intelligence. Les secondes ne parviennent à l'échelle des premières que dans la théorie de l'identité personnelle où devient pertinent chez Whitehead le concept d'ancestral d'un relation tel qu'il passe de Frege aux Principia Mathematica.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/44559290" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="fa4c1595a3a82f4b0deead1f419de305" rel="nofollow" data-download="{"attachment_id":65011838,"asset_id":44559290,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/65011838/download_file?st=MTczMzAxNzMwMiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="448539" href="https://cef.academia.edu/JeanClaudeDumoncel">Jean-Claude Dumoncel</a><script data-card-contents-for-user="448539" type="text/json">{"id":448539,"first_name":"Jean-Claude","last_name":"Dumoncel","domain_name":"cef","page_name":"JeanClaudeDumoncel","display_name":"Jean-Claude Dumoncel","profile_url":"https://cef.academia.edu/JeanClaudeDumoncel?f_ri=19362","photo":"/images/s65_no_pic.png"}</script></span></span></li><li class="js-paper-rank-work_44559290 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="44559290"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 44559290, container: ".js-paper-rank-work_44559290", }); });</script></li><li class="js-percentile-work_44559290 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 44559290; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_44559290"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_44559290 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="44559290"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44559290; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=44559290]").text(description); $(".js-view-count-work_44559290").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_44559290").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="44559290"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="8417" href="https://www.academia.edu/Documents/in/Alfred_North_Whitehead">Alfred North Whitehead</a>, <script data-card-contents-for-ri="8417" type="text/json">{"id":8417,"name":"Alfred North Whitehead","url":"https://www.academia.edu/Documents/in/Alfred_North_Whitehead?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="17442" href="https://www.academia.edu/Documents/in/Mathematical_Logic">Mathematical Logic</a>, <script data-card-contents-for-ri="17442" type="text/json">{"id":17442,"name":"Mathematical Logic","url":"https://www.academia.edu/Documents/in/Mathematical_Logic?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="19362" href="https://www.academia.edu/Documents/in/Marcel_Proust">Marcel Proust</a>, <script data-card-contents-for-ri="19362" type="text/json">{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="29630" href="https://www.academia.edu/Documents/in/Gottlob_Frege">Gottlob Frege</a><script data-card-contents-for-ri="29630" type="text/json">{"id":29630,"name":"Gottlob Frege","url":"https://www.academia.edu/Documents/in/Gottlob_Frege?f_ri=19362","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=44559290]'), work: {"id":44559290,"title":"Les intermittences de l'âme chez Proust et Whitehead","created_at":"2020-11-23T06:16:25.887-08:00","url":"https://www.academia.edu/44559290/Les_intermittences_de_l%C3%A2me_chez_Proust_et_Whitehead?f_ri=19362","dom_id":"work_44559290","summary":"Si Proust a su raconter les intermittences du coeur chez son Narrateur, Whitehead a observé sur Socrate les intermittences de l'intelligence. Les secondes ne parviennent à l'échelle des premières que dans la théorie de l'identité personnelle où devient pertinent chez Whitehead le concept d'ancestral d'un relation tel qu'il passe de Frege aux Principia Mathematica. ","downloadable_attachments":[{"id":65011838,"asset_id":44559290,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":448539,"first_name":"Jean-Claude","last_name":"Dumoncel","domain_name":"cef","page_name":"JeanClaudeDumoncel","display_name":"Jean-Claude Dumoncel","profile_url":"https://cef.academia.edu/JeanClaudeDumoncel?f_ri=19362","photo":"/images/s65_no_pic.png"}],"research_interests":[{"id":8417,"name":"Alfred North Whitehead","url":"https://www.academia.edu/Documents/in/Alfred_North_Whitehead?f_ri=19362","nofollow":false},{"id":17442,"name":"Mathematical Logic","url":"https://www.academia.edu/Documents/in/Mathematical_Logic?f_ri=19362","nofollow":false},{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362","nofollow":false},{"id":29630,"name":"Gottlob Frege","url":"https://www.academia.edu/Documents/in/Gottlob_Frege?f_ri=19362","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_49325525" data-work_id="49325525" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/49325525/The_Balcony_Queer_Temporality_in_The_Stones_of_Venice_and_Proust">The Balcony: Queer Temporality in 'The Stones of Venice' and Proust</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Link to HTML:... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_49325525" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Link to HTML: <a href="https://courtauld.ac.uk/research/research-resources/publications/courtauld-books-online/ruskins-ecologies-figures-of-relation-from-modern-painters-to-the-storm-cloud/2-the-balcony-queer-time-in-the-stones-of-venice-and-proust-thomas-hughes/" rel="nofollow">https://courtauld.ac.uk/research/research-resources/publications/courtauld-books-online/ruskins-ecologies-figures-of-relation-from-modern-painters-to-the-storm-cloud/2-the-balcony-queer-time-in-the-stones-of-venice-and-proust-thomas-hughes/</a></div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/49325525" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="7dfe0af7f299e224d7e39f5c081b4e57" rel="nofollow" data-download="{"attachment_id":67702487,"asset_id":49325525,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/67702487/download_file?st=MTczMzAxNzMwMiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="3462615" href="https://independent.academia.edu/ThomasHughes98">Thomas Hughes</a><script data-card-contents-for-user="3462615" type="text/json">{"id":3462615,"first_name":"Thomas","last_name":"Hughes","domain_name":"independent","page_name":"ThomasHughes98","display_name":"Thomas Hughes","profile_url":"https://independent.academia.edu/ThomasHughes98?f_ri=19362","photo":"https://0.academia-photos.com/3462615/6864646/11206929/s65_thomas.hughes.jpg"}</script></span></span></li><li class="js-paper-rank-work_49325525 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="49325525"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 49325525, container: ".js-paper-rank-work_49325525", }); });</script></li><li class="js-percentile-work_49325525 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 49325525; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_49325525"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_49325525 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="49325525"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 49325525; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=49325525]").text(description); $(".js-view-count-work_49325525").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_49325525").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="49325525"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="19362" href="https://www.academia.edu/Documents/in/Marcel_Proust">Marcel Proust</a>, <script data-card-contents-for-ri="19362" type="text/json">{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="26960" href="https://www.academia.edu/Documents/in/Queer_temporality">Queer temporality</a>, <script data-card-contents-for-ri="26960" type="text/json">{"id":26960,"name":"Queer temporality","url":"https://www.academia.edu/Documents/in/Queer_temporality?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="38118" href="https://www.academia.edu/Documents/in/John_Ruskin">John Ruskin</a>, <script data-card-contents-for-ri="38118" type="text/json">{"id":38118,"name":"John Ruskin","url":"https://www.academia.edu/Documents/in/John_Ruskin?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="57326" href="https://www.academia.edu/Documents/in/Gothic_architecture">Gothic architecture</a><script data-card-contents-for-ri="57326" type="text/json">{"id":57326,"name":"Gothic architecture","url":"https://www.academia.edu/Documents/in/Gothic_architecture?f_ri=19362","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=49325525]'), work: {"id":49325525,"title":"The Balcony: Queer Temporality in 'The Stones of Venice' and Proust","created_at":"2021-06-21T08:18:41.225-07:00","url":"https://www.academia.edu/49325525/The_Balcony_Queer_Temporality_in_The_Stones_of_Venice_and_Proust?f_ri=19362","dom_id":"work_49325525","summary":"Link to HTML: https://courtauld.ac.uk/research/research-resources/publications/courtauld-books-online/ruskins-ecologies-figures-of-relation-from-modern-painters-to-the-storm-cloud/2-the-balcony-queer-time-in-the-stones-of-venice-and-proust-thomas-hughes/ ","downloadable_attachments":[{"id":67702487,"asset_id":49325525,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":3462615,"first_name":"Thomas","last_name":"Hughes","domain_name":"independent","page_name":"ThomasHughes98","display_name":"Thomas Hughes","profile_url":"https://independent.academia.edu/ThomasHughes98?f_ri=19362","photo":"https://0.academia-photos.com/3462615/6864646/11206929/s65_thomas.hughes.jpg"}],"research_interests":[{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362","nofollow":false},{"id":26960,"name":"Queer temporality","url":"https://www.academia.edu/Documents/in/Queer_temporality?f_ri=19362","nofollow":false},{"id":38118,"name":"John Ruskin","url":"https://www.academia.edu/Documents/in/John_Ruskin?f_ri=19362","nofollow":false},{"id":57326,"name":"Gothic architecture","url":"https://www.academia.edu/Documents/in/Gothic_architecture?f_ri=19362","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_33311953" data-work_id="33311953" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/33311953/Non_Fiction_compte_rendu_Rastaquarium">Non Fiction, compte rendu Rastaquarium</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/33311953" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="b69969baef209d7d2cfb29bb2eae8bfa" rel="nofollow" data-download="{"attachment_id":53375316,"asset_id":33311953,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/53375316/download_file?st=MTczMzAxNzMwMiw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="12800372" href="https://sorbonne-fr.academia.edu/SophieBasch">Sophie Basch</a><script data-card-contents-for-user="12800372" type="text/json">{"id":12800372,"first_name":"Sophie","last_name":"Basch","domain_name":"sorbonne-fr","page_name":"SophieBasch","display_name":"Sophie Basch","profile_url":"https://sorbonne-fr.academia.edu/SophieBasch?f_ri=19362","photo":"https://0.academia-photos.com/12800372/3637464/144196268/s65_sophie.basch.jpeg"}</script></span></span></li><li class="js-paper-rank-work_33311953 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="33311953"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 33311953, container: ".js-paper-rank-work_33311953", }); });</script></li><li class="js-percentile-work_33311953 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 33311953; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_33311953"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_33311953 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="33311953"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 33311953; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=33311953]").text(description); $(".js-view-count-work_33311953").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_33311953").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="33311953"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">7</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="660" href="https://www.academia.edu/Documents/in/French_Literature">French Literature</a>, <script data-card-contents-for-ri="660" type="text/json">{"id":660,"name":"French Literature","url":"https://www.academia.edu/Documents/in/French_Literature?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="14985" href="https://www.academia.edu/Documents/in/Decorative_Arts">Decorative Arts</a>, <script data-card-contents-for-ri="14985" type="text/json">{"id":14985,"name":"Decorative Arts","url":"https://www.academia.edu/Documents/in/Decorative_Arts?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16787" href="https://www.academia.edu/Documents/in/Fin_de_Siecle_Literature_and_Culture">Fin de Siecle Literature & Culture</a>, <script data-card-contents-for-ri="16787" type="text/json">{"id":16787,"name":"Fin de Siecle Literature \u0026 Culture","url":"https://www.academia.edu/Documents/in/Fin_de_Siecle_Literature_and_Culture?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="19362" href="https://www.academia.edu/Documents/in/Marcel_Proust">Marcel Proust</a><script data-card-contents-for-ri="19362" type="text/json">{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=33311953]'), work: {"id":33311953,"title":"Non Fiction, compte rendu Rastaquarium","created_at":"2017-06-03T01:26:49.525-07:00","url":"https://www.academia.edu/33311953/Non_Fiction_compte_rendu_Rastaquarium?f_ri=19362","dom_id":"work_33311953","summary":null,"downloadable_attachments":[{"id":53375316,"asset_id":33311953,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":12800372,"first_name":"Sophie","last_name":"Basch","domain_name":"sorbonne-fr","page_name":"SophieBasch","display_name":"Sophie Basch","profile_url":"https://sorbonne-fr.academia.edu/SophieBasch?f_ri=19362","photo":"https://0.academia-photos.com/12800372/3637464/144196268/s65_sophie.basch.jpeg"}],"research_interests":[{"id":660,"name":"French Literature","url":"https://www.academia.edu/Documents/in/French_Literature?f_ri=19362","nofollow":false},{"id":14985,"name":"Decorative Arts","url":"https://www.academia.edu/Documents/in/Decorative_Arts?f_ri=19362","nofollow":false},{"id":16787,"name":"Fin de Siecle Literature \u0026 Culture","url":"https://www.academia.edu/Documents/in/Fin_de_Siecle_Literature_and_Culture?f_ri=19362","nofollow":false},{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362","nofollow":false},{"id":30726,"name":"Art Nouveau","url":"https://www.academia.edu/Documents/in/Art_Nouveau?f_ri=19362"},{"id":1116837,"name":"The Dreyfus Affair","url":"https://www.academia.edu/Documents/in/The_Dreyfus_Affair?f_ri=19362"},{"id":2717286,"name":"Modern style","url":"https://www.academia.edu/Documents/in/Modern_style?f_ri=19362"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_30973024" data-work_id="30973024" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/30973024/Il_senso_del_segreto_Benjamin_Bataille_Deleuze_Blanchot_e_Derrida_sulle_tracce_di_Proust_Mimesis_2016_">Il senso del segreto. Benjamin, Bataille, Deleuze, Blanchot e Derrida sulle tracce di Proust (Mimesis 2016)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Il senso del segreto si compone di approfondimenti tematici su cinque filosofi che hanno indagato la questione del segreto e della segretezza, attraverso un confronto – spesso esplicito, talvolta latente – con l’opera di Marcel Proust. Da... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_30973024" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Il senso del segreto si compone di approfondimenti tematici su cinque filosofi che hanno indagato la questione del segreto e della segretezza, attraverso un confronto – spesso esplicito, talvolta latente – con l’opera di Marcel Proust. Da Walter Benjamin a Georges Bataille, da Maurice Blanchot a Jacques Derrida, passando per Gilles Deleuze, il volume mette in chiaro l’influenza che la Recherche ha esercitato sulla filosofia del Novecento, disegnando anche un affresco sul rapporto tra filosofia e letteratura, due discipline che indagano lo stesso ordine di questioni con voci e consistenze irriducibilmente diverse.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/30973024" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="47ca122bf31e5729f809333adbc5a89d" rel="nofollow" data-download="{"attachment_id":51406331,"asset_id":30973024,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/51406331/download_file?st=MTczMzAxNzMwMyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="938813" href="https://unical-it.academia.edu/DanieleGarritano">Daniele Garritano</a><script data-card-contents-for-user="938813" type="text/json">{"id":938813,"first_name":"Daniele","last_name":"Garritano","domain_name":"unical-it","page_name":"DanieleGarritano","display_name":"Daniele Garritano","profile_url":"https://unical-it.academia.edu/DanieleGarritano?f_ri=19362","photo":"https://0.academia-photos.com/938813/841059/1045029/s65_daniele.garritano.jpg"}</script></span></span></li><li class="js-paper-rank-work_30973024 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="30973024"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 30973024, container: ".js-paper-rank-work_30973024", }); });</script></li><li class="js-percentile-work_30973024 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 30973024; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_30973024"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_30973024 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="30973024"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 30973024; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=30973024]").text(description); $(".js-view-count-work_30973024").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_30973024").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="30973024"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">16</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="660" href="https://www.academia.edu/Documents/in/French_Literature">French Literature</a>, <script data-card-contents-for-ri="660" type="text/json">{"id":660,"name":"French Literature","url":"https://www.academia.edu/Documents/in/French_Literature?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1629" href="https://www.academia.edu/Documents/in/French_Studies">French Studies</a>, <script data-card-contents-for-ri="1629" type="text/json">{"id":1629,"name":"French Studies","url":"https://www.academia.edu/Documents/in/French_Studies?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="6662" href="https://www.academia.edu/Documents/in/Secrecy">Secrecy</a>, <script data-card-contents-for-ri="6662" type="text/json">{"id":6662,"name":"Secrecy","url":"https://www.academia.edu/Documents/in/Secrecy?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="6784" href="https://www.academia.edu/Documents/in/Contemporary_French_Philosophy">Contemporary French Philosophy</a><script data-card-contents-for-ri="6784" type="text/json">{"id":6784,"name":"Contemporary French Philosophy","url":"https://www.academia.edu/Documents/in/Contemporary_French_Philosophy?f_ri=19362","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=30973024]'), work: {"id":30973024,"title":"Il senso del segreto. Benjamin, Bataille, Deleuze, Blanchot e Derrida sulle tracce di Proust (Mimesis 2016)","created_at":"2017-01-18T01:27:01.994-08:00","url":"https://www.academia.edu/30973024/Il_senso_del_segreto_Benjamin_Bataille_Deleuze_Blanchot_e_Derrida_sulle_tracce_di_Proust_Mimesis_2016_?f_ri=19362","dom_id":"work_30973024","summary":"Il senso del segreto si compone di approfondimenti tematici su cinque filosofi che hanno indagato la questione del segreto e della segretezza, attraverso un confronto – spesso esplicito, talvolta latente – con l’opera di Marcel Proust. Da Walter Benjamin a Georges Bataille, da Maurice Blanchot a Jacques Derrida, passando per Gilles Deleuze, il volume mette in chiaro l’influenza che la Recherche ha esercitato sulla filosofia del Novecento, disegnando anche un affresco sul rapporto tra filosofia e letteratura, due discipline che indagano lo stesso ordine di questioni con voci e consistenze irriducibilmente diverse.","downloadable_attachments":[{"id":51406331,"asset_id":30973024,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":938813,"first_name":"Daniele","last_name":"Garritano","domain_name":"unical-it","page_name":"DanieleGarritano","display_name":"Daniele Garritano","profile_url":"https://unical-it.academia.edu/DanieleGarritano?f_ri=19362","photo":"https://0.academia-photos.com/938813/841059/1045029/s65_daniele.garritano.jpg"}],"research_interests":[{"id":660,"name":"French Literature","url":"https://www.academia.edu/Documents/in/French_Literature?f_ri=19362","nofollow":false},{"id":1629,"name":"French Studies","url":"https://www.academia.edu/Documents/in/French_Studies?f_ri=19362","nofollow":false},{"id":6662,"name":"Secrecy","url":"https://www.academia.edu/Documents/in/Secrecy?f_ri=19362","nofollow":false},{"id":6784,"name":"Contemporary French Philosophy","url":"https://www.academia.edu/Documents/in/Contemporary_French_Philosophy?f_ri=19362","nofollow":false},{"id":8104,"name":"Mourning","url":"https://www.academia.edu/Documents/in/Mourning?f_ri=19362"},{"id":8302,"name":"Gilles Deleuze","url":"https://www.academia.edu/Documents/in/Gilles_Deleuze?f_ri=19362"},{"id":8330,"name":"Walter Benjamin","url":"https://www.academia.edu/Documents/in/Walter_Benjamin?f_ri=19362"},{"id":8453,"name":"Maurice Blanchot","url":"https://www.academia.edu/Documents/in/Maurice_Blanchot?f_ri=19362"},{"id":9471,"name":"Reading","url":"https://www.academia.edu/Documents/in/Reading?f_ri=19362"},{"id":11927,"name":"Michel Foucault","url":"https://www.academia.edu/Documents/in/Michel_Foucault?f_ri=19362"},{"id":12040,"name":"Jacques Derrida","url":"https://www.academia.edu/Documents/in/Jacques_Derrida?f_ri=19362"},{"id":12680,"name":"Georges Bataille","url":"https://www.academia.edu/Documents/in/Georges_Bataille?f_ri=19362"},{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362"},{"id":19820,"name":"Literature and Philosophy","url":"https://www.academia.edu/Documents/in/Literature_and_Philosophy-20?f_ri=19362"},{"id":29470,"name":"Infancy","url":"https://www.academia.edu/Documents/in/Infancy?f_ri=19362"},{"id":128506,"name":"Jealousy","url":"https://www.academia.edu/Documents/in/Jealousy?f_ri=19362"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_43774891" data-work_id="43774891" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/43774891/Deleuze_chez_Grothendieck">Deleuze chez Grothendieck</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Comment Grothendieck permet à Deleuze, partant de Proust, le parcours intégral de la Process Philosophy qui, depuis Bergson en passant par Whitehead, culmine chez Alexander adoubé par Benda.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/43774891" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="101c9c645fe3e72bc9766ae0d2c72543" rel="nofollow" data-download="{"attachment_id":64088644,"asset_id":43774891,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/64088644/download_file?st=MTczMzAxNzMwMyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="448539" href="https://cef.academia.edu/JeanClaudeDumoncel">Jean-Claude Dumoncel</a><script data-card-contents-for-user="448539" type="text/json">{"id":448539,"first_name":"Jean-Claude","last_name":"Dumoncel","domain_name":"cef","page_name":"JeanClaudeDumoncel","display_name":"Jean-Claude Dumoncel","profile_url":"https://cef.academia.edu/JeanClaudeDumoncel?f_ri=19362","photo":"/images/s65_no_pic.png"}</script></span></span></li><li class="js-paper-rank-work_43774891 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="43774891"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 43774891, container: ".js-paper-rank-work_43774891", }); });</script></li><li class="js-percentile-work_43774891 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 43774891; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_43774891"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_43774891 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="43774891"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 43774891; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=43774891]").text(description); $(".js-view-count-work_43774891").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_43774891").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="43774891"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">7</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="8302" href="https://www.academia.edu/Documents/in/Gilles_Deleuze">Gilles Deleuze</a>, <script data-card-contents-for-ri="8302" type="text/json">{"id":8302,"name":"Gilles Deleuze","url":"https://www.academia.edu/Documents/in/Gilles_Deleuze?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="8409" href="https://www.academia.edu/Documents/in/Henri_Bergson">Henri Bergson</a>, <script data-card-contents-for-ri="8409" type="text/json">{"id":8409,"name":"Henri Bergson","url":"https://www.academia.edu/Documents/in/Henri_Bergson?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="8417" href="https://www.academia.edu/Documents/in/Alfred_North_Whitehead">Alfred North Whitehead</a>, <script data-card-contents-for-ri="8417" type="text/json">{"id":8417,"name":"Alfred North Whitehead","url":"https://www.academia.edu/Documents/in/Alfred_North_Whitehead?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="19362" href="https://www.academia.edu/Documents/in/Marcel_Proust">Marcel Proust</a><script data-card-contents-for-ri="19362" type="text/json">{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=43774891]'), work: {"id":43774891,"title":"Deleuze chez Grothendieck","created_at":"2020-08-03T13:36:21.385-07:00","url":"https://www.academia.edu/43774891/Deleuze_chez_Grothendieck?f_ri=19362","dom_id":"work_43774891","summary":"Comment Grothendieck permet à Deleuze, partant de Proust, le parcours intégral de la Process Philosophy qui, depuis Bergson en passant par Whitehead, culmine chez Alexander adoubé par Benda.","downloadable_attachments":[{"id":64088644,"asset_id":43774891,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":448539,"first_name":"Jean-Claude","last_name":"Dumoncel","domain_name":"cef","page_name":"JeanClaudeDumoncel","display_name":"Jean-Claude Dumoncel","profile_url":"https://cef.academia.edu/JeanClaudeDumoncel?f_ri=19362","photo":"/images/s65_no_pic.png"}],"research_interests":[{"id":8302,"name":"Gilles Deleuze","url":"https://www.academia.edu/Documents/in/Gilles_Deleuze?f_ri=19362","nofollow":false},{"id":8409,"name":"Henri Bergson","url":"https://www.academia.edu/Documents/in/Henri_Bergson?f_ri=19362","nofollow":false},{"id":8417,"name":"Alfred North Whitehead","url":"https://www.academia.edu/Documents/in/Alfred_North_Whitehead?f_ri=19362","nofollow":false},{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362","nofollow":false},{"id":101969,"name":"Alexander Grothendieck","url":"https://www.academia.edu/Documents/in/Alexander_Grothendieck?f_ri=19362"},{"id":212329,"name":"Alexander Samuel","url":"https://www.academia.edu/Documents/in/Alexander_Samuel?f_ri=19362"},{"id":339667,"name":"Julien Benda","url":"https://www.academia.edu/Documents/in/Julien_Benda?f_ri=19362"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_44192822" data-work_id="44192822" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/44192822/h_4_Gilles_Deleuze_Thinking_as_Making_Sense_Against_Common_Sense">h. 4: Gilles Deleuze: Thinking as Making Sense Against Common Sense</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">In this chapter, I turn to Deleuze to demonstrate how making sense can become an educational encounter that breaks hierarchies and generates thinking independently of the thinker's knowledge and place in the sociopolitical order. I start... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_44192822" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">In this chapter, I turn to Deleuze to demonstrate how making sense can become an educational encounter that breaks hierarchies and generates thinking independently of the thinker's knowledge and place in the sociopolitical order. I start with an analysis of the Deleuzian concepts of common sense and good sense, which form the basis of what he calls “the dogmatic image of thought”. I then discuss his concept of sense, and demonstrate that Deleuzian sense can never be common, for it resides not in ordinary, communicable linguistic propositions but rather in the surface between language and world, arising from a problematic encounter with the latter. Next, I address the commonsensical relation between the human faculties to develop Deleuze's notion of thinking as an involuntary, unregulated exercise of the faculties and present his example of learning to swim as a case of education for thinking. Finally, I turn to Deleuze's discussion of Marcel Proust's In Search of Lost Time to elaborate on how thinking is generated by involuntary encounters with signs and analyze the Proustian search as another example of education for thinking, in which the narrator both learns and makes others think.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/44192822" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="5343c2ea746d3f1540791068a26c7fd1" rel="nofollow" data-download="{"attachment_id":64554457,"asset_id":44192822,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/64554457/download_file?st=MTczMzAxNzMwMyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="7690307" href="https://ycv.academia.edu/ItaySnir">Itay Snir</a><script data-card-contents-for-user="7690307" type="text/json">{"id":7690307,"first_name":"Itay","last_name":"Snir","domain_name":"ycv","page_name":"ItaySnir","display_name":"Itay Snir","profile_url":"https://ycv.academia.edu/ItaySnir?f_ri=19362","photo":"https://0.academia-photos.com/7690307/2761056/3218108/s65_itay.snir.jpg"}</script></span></span></li><li class="js-paper-rank-work_44192822 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="44192822"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 44192822, container: ".js-paper-rank-work_44192822", }); });</script></li><li class="js-percentile-work_44192822 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 44192822; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_44192822"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_44192822 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="44192822"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44192822; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=44192822]").text(description); $(".js-view-count-work_44192822").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_44192822").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="44192822"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">6</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="2559" href="https://www.academia.edu/Documents/in/Philosophy_of_Education">Philosophy of Education</a>, <script data-card-contents-for-ri="2559" type="text/json">{"id":2559,"name":"Philosophy of Education","url":"https://www.academia.edu/Documents/in/Philosophy_of_Education?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="8302" href="https://www.academia.edu/Documents/in/Gilles_Deleuze">Gilles Deleuze</a>, <script data-card-contents-for-ri="8302" type="text/json">{"id":8302,"name":"Gilles Deleuze","url":"https://www.academia.edu/Documents/in/Gilles_Deleuze?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="19362" href="https://www.academia.edu/Documents/in/Marcel_Proust">Marcel Proust</a>, <script data-card-contents-for-ri="19362" type="text/json">{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="27338" href="https://www.academia.edu/Documents/in/Educational_Theory">Educational Theory</a><script data-card-contents-for-ri="27338" type="text/json">{"id":27338,"name":"Educational Theory","url":"https://www.academia.edu/Documents/in/Educational_Theory?f_ri=19362","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=44192822]'), work: {"id":44192822,"title":"h. 4: Gilles Deleuze: Thinking as Making Sense Against Common Sense","created_at":"2020-09-29T08:38:40.610-07:00","url":"https://www.academia.edu/44192822/h_4_Gilles_Deleuze_Thinking_as_Making_Sense_Against_Common_Sense?f_ri=19362","dom_id":"work_44192822","summary":"In this chapter, I turn to Deleuze to demonstrate how making sense can become an educational encounter that breaks hierarchies and generates thinking independently of the thinker's knowledge and place in the sociopolitical order. I start with an analysis of the Deleuzian concepts of common sense and good sense, which form the basis of what he calls “the dogmatic image of thought”. I then discuss his concept of sense, and demonstrate that Deleuzian sense can never be common, for it resides not in ordinary, communicable linguistic propositions but rather in the surface between language and world, arising from a problematic encounter with the latter. Next, I address the commonsensical relation between the human faculties to develop Deleuze's notion of thinking as an involuntary, unregulated exercise of the faculties and present his example of learning to swim as a case of education for thinking. Finally, I turn to Deleuze's discussion of Marcel Proust's In Search of Lost Time to elaborate on how thinking is generated by involuntary encounters with signs and analyze the Proustian search as another example of education for thinking, in which the narrator both learns and makes others think.","downloadable_attachments":[{"id":64554457,"asset_id":44192822,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":7690307,"first_name":"Itay","last_name":"Snir","domain_name":"ycv","page_name":"ItaySnir","display_name":"Itay Snir","profile_url":"https://ycv.academia.edu/ItaySnir?f_ri=19362","photo":"https://0.academia-photos.com/7690307/2761056/3218108/s65_itay.snir.jpg"}],"research_interests":[{"id":2559,"name":"Philosophy of Education","url":"https://www.academia.edu/Documents/in/Philosophy_of_Education?f_ri=19362","nofollow":false},{"id":8302,"name":"Gilles Deleuze","url":"https://www.academia.edu/Documents/in/Gilles_Deleuze?f_ri=19362","nofollow":false},{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362","nofollow":false},{"id":27338,"name":"Educational Theory","url":"https://www.academia.edu/Documents/in/Educational_Theory?f_ri=19362","nofollow":false},{"id":71688,"name":"Common Sense","url":"https://www.academia.edu/Documents/in/Common_Sense?f_ri=19362"},{"id":604948,"name":"Political Education","url":"https://www.academia.edu/Documents/in/Political_Education?f_ri=19362"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_4380734" data-work_id="4380734" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/4380734/The_Future_of_Text_and_Image">The Future of Text and Image</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Click the file to see the Table of Contents and Preface.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/4380734" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="8d6e846b0cb224ebcd03963e3b4968d4" rel="nofollow" data-download="{"attachment_id":32355941,"asset_id":4380734,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/32355941/download_file?st=MTczMzAxNzMwMyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="5360759" href="https://rice.academia.edu/OfraAmihay">Ofra Amihay</a><script data-card-contents-for-user="5360759" type="text/json">{"id":5360759,"first_name":"Ofra","last_name":"Amihay","domain_name":"rice","page_name":"OfraAmihay","display_name":"Ofra Amihay","profile_url":"https://rice.academia.edu/OfraAmihay?f_ri=19362","photo":"https://0.academia-photos.com/5360759/2354073/109402892/s65_ofra.amihay.jpg"}</script></span></span></li><li class="js-paper-rank-work_4380734 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="4380734"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 4380734, container: ".js-paper-rank-work_4380734", }); });</script></li><li class="js-percentile-work_4380734 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 4380734; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_4380734"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_4380734 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="4380734"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 4380734; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=4380734]").text(description); $(".js-view-count-work_4380734").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_4380734").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="4380734"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">59</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="10" href="https://www.academia.edu/Documents/in/American_Literature">American Literature</a>, <script data-card-contents-for-ri="10" type="text/json">{"id":10,"name":"American Literature","url":"https://www.academia.edu/Documents/in/American_Literature?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="659" href="https://www.academia.edu/Documents/in/Comparative_Literature">Comparative Literature</a>, <script data-card-contents-for-ri="659" type="text/json">{"id":659,"name":"Comparative Literature","url":"https://www.academia.edu/Documents/in/Comparative_Literature?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="660" href="https://www.academia.edu/Documents/in/French_Literature">French Literature</a>, <script data-card-contents-for-ri="660" type="text/json">{"id":660,"name":"French Literature","url":"https://www.academia.edu/Documents/in/French_Literature?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="662" href="https://www.academia.edu/Documents/in/German_Literature">German Literature</a><script data-card-contents-for-ri="662" type="text/json">{"id":662,"name":"German Literature","url":"https://www.academia.edu/Documents/in/German_Literature?f_ri=19362","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=4380734]'), work: {"id":4380734,"title":"The Future of Text and Image","created_at":"2013-09-01T07:34:45.541-07:00","url":"https://www.academia.edu/4380734/The_Future_of_Text_and_Image?f_ri=19362","dom_id":"work_4380734","summary":"Click the file to see the Table of Contents and Preface.","downloadable_attachments":[{"id":32355941,"asset_id":4380734,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":5360759,"first_name":"Ofra","last_name":"Amihay","domain_name":"rice","page_name":"OfraAmihay","display_name":"Ofra Amihay","profile_url":"https://rice.academia.edu/OfraAmihay?f_ri=19362","photo":"https://0.academia-photos.com/5360759/2354073/109402892/s65_ofra.amihay.jpg"}],"research_interests":[{"id":10,"name":"American Literature","url":"https://www.academia.edu/Documents/in/American_Literature?f_ri=19362","nofollow":false},{"id":659,"name":"Comparative Literature","url":"https://www.academia.edu/Documents/in/Comparative_Literature?f_ri=19362","nofollow":false},{"id":660,"name":"French Literature","url":"https://www.academia.edu/Documents/in/French_Literature?f_ri=19362","nofollow":false},{"id":662,"name":"German Literature","url":"https://www.academia.edu/Documents/in/German_Literature?f_ri=19362","nofollow":false},{"id":664,"name":"Hebrew Literature","url":"https://www.academia.edu/Documents/in/Hebrew_Literature?f_ri=19362"},{"id":863,"name":"Visual Studies","url":"https://www.academia.edu/Documents/in/Visual_Studies?f_ri=19362"},{"id":885,"name":"English Literature","url":"https://www.academia.edu/Documents/in/English_Literature?f_ri=19362"},{"id":1589,"name":"Photography","url":"https://www.academia.edu/Documents/in/Photography?f_ri=19362"},{"id":2260,"name":"Disability Studies","url":"https://www.academia.edu/Documents/in/Disability_Studies?f_ri=19362"},{"id":2587,"name":"The Novel","url":"https://www.academia.edu/Documents/in/The_Novel?f_ri=19362"},{"id":3142,"name":"Synaesthesia","url":"https://www.academia.edu/Documents/in/Synaesthesia?f_ri=19362"},{"id":3225,"name":"Visual Culture","url":"https://www.academia.edu/Documents/in/Visual_Culture?f_ri=19362"},{"id":3581,"name":"Poetry","url":"https://www.academia.edu/Documents/in/Poetry?f_ri=19362"},{"id":3843,"name":"Immigration","url":"https://www.academia.edu/Documents/in/Immigration?f_ri=19362"},{"id":3887,"name":"Word and Image Studies","url":"https://www.academia.edu/Documents/in/Word_and_Image_Studies?f_ri=19362"},{"id":4850,"name":"Migration","url":"https://www.academia.edu/Documents/in/Migration?f_ri=19362"},{"id":5082,"name":"Poster Design","url":"https://www.academia.edu/Documents/in/Poster_Design?f_ri=19362"},{"id":6106,"name":"Trauma Studies","url":"https://www.academia.edu/Documents/in/Trauma_Studies?f_ri=19362"},{"id":6662,"name":"Secrecy","url":"https://www.academia.edu/Documents/in/Secrecy?f_ri=19362"},{"id":7297,"name":"Autobiography","url":"https://www.academia.edu/Documents/in/Autobiography?f_ri=19362"},{"id":7887,"name":"Italian Literature","url":"https://www.academia.edu/Documents/in/Italian_Literature?f_ri=19362"},{"id":8102,"name":"Futurism","url":"https://www.academia.edu/Documents/in/Futurism?f_ri=19362"},{"id":8760,"name":"Jacques Rancière","url":"https://www.academia.edu/Documents/in/Jacques_Ranci%C3%A8re?f_ri=19362"},{"id":9405,"name":"Post-Colonialism","url":"https://www.academia.edu/Documents/in/Post-Colonialism?f_ri=19362"},{"id":11452,"name":"Memory Studies","url":"https://www.academia.edu/Documents/in/Memory_Studies?f_ri=19362"},{"id":11950,"name":"Digital Poetics","url":"https://www.academia.edu/Documents/in/Digital_Poetics?f_ri=19362"},{"id":14067,"name":"Literature and Visual Arts","url":"https://www.academia.edu/Documents/in/Literature_and_Visual_Arts?f_ri=19362"},{"id":14730,"name":"Migration Studies","url":"https://www.academia.edu/Documents/in/Migration_Studies?f_ri=19362"},{"id":15863,"name":"Postcolonial Literature","url":"https://www.academia.edu/Documents/in/Postcolonial_Literature?f_ri=19362"},{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362"},{"id":20080,"name":"Text And Image","url":"https://www.academia.edu/Documents/in/Text_And_Image?f_ri=19362"},{"id":20356,"name":"Literature and photography","url":"https://www.academia.edu/Documents/in/Literature_and_photography?f_ri=19362"},{"id":20622,"name":"Avant-Garde","url":"https://www.academia.edu/Documents/in/Avant-Garde?f_ri=19362"},{"id":20985,"name":"Memoir and Autobiography","url":"https://www.academia.edu/Documents/in/Memoir_and_Autobiography?f_ri=19362"},{"id":22154,"name":"Collage","url":"https://www.academia.edu/Documents/in/Collage?f_ri=19362"},{"id":27024,"name":"Poster Art","url":"https://www.academia.edu/Documents/in/Poster_Art?f_ri=19362"},{"id":28167,"name":"Modern Catalan Poetry","url":"https://www.academia.edu/Documents/in/Modern_Catalan_Poetry?f_ri=19362"},{"id":29963,"name":"Comics and Graphic Novels","url":"https://www.academia.edu/Documents/in/Comics_and_Graphic_Novels?f_ri=19362"},{"id":30045,"name":"Homi Bhabha (Cultural Theory)","url":"https://www.academia.edu/Documents/in/Homi_Bhabha_Cultural_Theory_?f_ri=19362"},{"id":31319,"name":"20th century Avant-Garde","url":"https://www.academia.edu/Documents/in/20th_century_Avant-Garde?f_ri=19362"},{"id":35686,"name":"Trauma","url":"https://www.academia.edu/Documents/in/Trauma?f_ri=19362"},{"id":40871,"name":"Paul Celan","url":"https://www.academia.edu/Documents/in/Paul_Celan?f_ri=19362"},{"id":42042,"name":"Nostalgia","url":"https://www.academia.edu/Documents/in/Nostalgia?f_ri=19362"},{"id":45649,"name":"William S. Burroughs","url":"https://www.academia.edu/Documents/in/William_S._Burroughs?f_ri=19362"},{"id":46858,"name":"Memory","url":"https://www.academia.edu/Documents/in/Memory?f_ri=19362"},{"id":64619,"name":"Jan Van Eyck","url":"https://www.academia.edu/Documents/in/Jan_Van_Eyck?f_ri=19362"},{"id":68933,"name":"Robert Rauschenberg","url":"https://www.academia.edu/Documents/in/Robert_Rauschenberg?f_ri=19362"},{"id":74667,"name":"Digital Poetry","url":"https://www.academia.edu/Documents/in/Digital_Poetry?f_ri=19362"},{"id":85172,"name":"Alison Bechdel","url":"https://www.academia.edu/Documents/in/Alison_Bechdel?f_ri=19362"},{"id":111202,"name":"Visual Poetry","url":"https://www.academia.edu/Documents/in/Visual_Poetry?f_ri=19362"},{"id":117495,"name":"Yoko Tawada","url":"https://www.academia.edu/Documents/in/Yoko_Tawada?f_ri=19362"},{"id":161968,"name":"Displacement","url":"https://www.academia.edu/Documents/in/Displacement?f_ri=19362"},{"id":171910,"name":"Cut-Up","url":"https://www.academia.edu/Documents/in/Cut-Up?f_ri=19362"},{"id":186337,"name":"W. J. T. Mitchell","url":"https://www.academia.edu/Documents/in/W._J._T._Mitchell?f_ri=19362"},{"id":514517,"name":"W. G. Sebald","url":"https://www.academia.edu/Documents/in/W._G._Sebald?f_ri=19362"},{"id":565792,"name":"Ronit Matalon","url":"https://www.academia.edu/Documents/in/Ronit_Matalon?f_ri=19362"},{"id":881993,"name":"Memory In Literature","url":"https://www.academia.edu/Documents/in/Memory_In_Literature?f_ri=19362"},{"id":1183179,"name":"Austerlitz","url":"https://www.academia.edu/Documents/in/Austerlitz?f_ri=19362"},{"id":1191956,"name":"J. R. Ackerley","url":"https://www.academia.edu/Documents/in/J._R._Ackerley?f_ri=19362"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_12189206" data-work_id="12189206" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/12189206/I_saggi_su_Proust_di_Giovanni_Raboni">I saggi su Proust di Giovanni Raboni</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/12189206" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="86ecd04579a14b3fe8a014e207639e9c" rel="nofollow" data-download="{"attachment_id":37482393,"asset_id":12189206,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/37482393/download_file?st=MTczMzAxNzMwMyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="5511976" href="https://independent.academia.edu/BertiniMariolina">Mariolina Bertini</a><script data-card-contents-for-user="5511976" type="text/json">{"id":5511976,"first_name":"Mariolina","last_name":"Bertini","domain_name":"independent","page_name":"BertiniMariolina","display_name":"Mariolina Bertini","profile_url":"https://independent.academia.edu/BertiniMariolina?f_ri=19362","photo":"https://0.academia-photos.com/5511976/2417230/34850396/s65_mariolina.bertini.jpg"}</script></span></span></li><li class="js-paper-rank-work_12189206 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="12189206"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 12189206, container: ".js-paper-rank-work_12189206", }); });</script></li><li class="js-percentile-work_12189206 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 12189206; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_12189206"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_12189206 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="12189206"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 12189206; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=12189206]").text(description); $(".js-view-count-work_12189206").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_12189206").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="12189206"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i></div><span class="InlineList-item-text u-textTruncate u-pl6x"><a class="InlineList-item-text" data-has-card-for-ri="19362" href="https://www.academia.edu/Documents/in/Marcel_Proust">Marcel Proust</a><script data-card-contents-for-ri="19362" type="text/json">{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362","nofollow":false}</script></span></li><script>(function(){ if (false) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=12189206]'), work: {"id":12189206,"title":"I saggi su Proust di Giovanni Raboni","created_at":"2015-05-02T06:36:45.014-07:00","url":"https://www.academia.edu/12189206/I_saggi_su_Proust_di_Giovanni_Raboni?f_ri=19362","dom_id":"work_12189206","summary":null,"downloadable_attachments":[{"id":37482393,"asset_id":12189206,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":5511976,"first_name":"Mariolina","last_name":"Bertini","domain_name":"independent","page_name":"BertiniMariolina","display_name":"Mariolina Bertini","profile_url":"https://independent.academia.edu/BertiniMariolina?f_ri=19362","photo":"https://0.academia-photos.com/5511976/2417230/34850396/s65_mariolina.bertini.jpg"}],"research_interests":[{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_12504062" data-work_id="12504062" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/12504062/_Les_sens_cach%C3%A9s_de_la_Recherche_di_Alberto_Beretta_Anguissola">"Les sens cachés de la Recherche" di Alberto Beretta Anguissola</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/12504062" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="78a89a7c1fc7311ff4272fcfddbd2f4e" rel="nofollow" data-download="{"attachment_id":37696909,"asset_id":12504062,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/37696909/download_file?st=MTczMzAxNzMwMyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="5511976" href="https://independent.academia.edu/BertiniMariolina">Mariolina Bertini</a><script data-card-contents-for-user="5511976" type="text/json">{"id":5511976,"first_name":"Mariolina","last_name":"Bertini","domain_name":"independent","page_name":"BertiniMariolina","display_name":"Mariolina Bertini","profile_url":"https://independent.academia.edu/BertiniMariolina?f_ri=19362","photo":"https://0.academia-photos.com/5511976/2417230/34850396/s65_mariolina.bertini.jpg"}</script></span></span></li><li class="js-paper-rank-work_12504062 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="12504062"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 12504062, container: ".js-paper-rank-work_12504062", }); });</script></li><li class="js-percentile-work_12504062 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 12504062; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_12504062"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_12504062 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="12504062"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 12504062; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=12504062]").text(description); $(".js-view-count-work_12504062").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_12504062").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="12504062"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i></div><span class="InlineList-item-text u-textTruncate u-pl6x"><a class="InlineList-item-text" data-has-card-for-ri="19362" href="https://www.academia.edu/Documents/in/Marcel_Proust">Marcel Proust</a><script data-card-contents-for-ri="19362" type="text/json">{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362","nofollow":false}</script></span></li><script>(function(){ if (false) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=12504062]'), work: {"id":12504062,"title":"\"Les sens cachés de la Recherche\" di Alberto Beretta Anguissola","created_at":"2015-05-21T01:57:32.783-07:00","url":"https://www.academia.edu/12504062/_Les_sens_cach%C3%A9s_de_la_Recherche_di_Alberto_Beretta_Anguissola?f_ri=19362","dom_id":"work_12504062","summary":null,"downloadable_attachments":[{"id":37696909,"asset_id":12504062,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":5511976,"first_name":"Mariolina","last_name":"Bertini","domain_name":"independent","page_name":"BertiniMariolina","display_name":"Mariolina Bertini","profile_url":"https://independent.academia.edu/BertiniMariolina?f_ri=19362","photo":"https://0.academia-photos.com/5511976/2417230/34850396/s65_mariolina.bertini.jpg"}],"research_interests":[{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_44678100" data-work_id="44678100" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/44678100/Swanns_Medical_Philosophy">Swann's Medical Philosophy</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">to appear in a volume on Proust and philosophy edited by Katherine Elkins</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/44678100" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="156c0e813ecfdba13920da72ffb45e5b" rel="nofollow" data-download="{"attachment_id":65151703,"asset_id":44678100,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/65151703/download_file?st=MTczMzAxNzMwMyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="1835937" href="https://harvard.academia.edu/RichardMoran">Richard Moran</a><script data-card-contents-for-user="1835937" type="text/json">{"id":1835937,"first_name":"Richard","last_name":"Moran","domain_name":"harvard","page_name":"RichardMoran","display_name":"Richard Moran","profile_url":"https://harvard.academia.edu/RichardMoran?f_ri=19362","photo":"https://0.academia-photos.com/1835937/8867913/9898740/s65_richard.moran.jpg"}</script></span></span></li><li class="js-paper-rank-work_44678100 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="44678100"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 44678100, container: ".js-paper-rank-work_44678100", }); });</script></li><li class="js-percentile-work_44678100 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 44678100; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_44678100"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_44678100 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="44678100"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44678100; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=44678100]").text(description); $(".js-view-count-work_44678100").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_44678100").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="44678100"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i></div><span class="InlineList-item-text u-textTruncate u-pl6x"><a class="InlineList-item-text" data-has-card-for-ri="19362" href="https://www.academia.edu/Documents/in/Marcel_Proust">Marcel Proust</a><script data-card-contents-for-ri="19362" type="text/json">{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362","nofollow":false}</script></span></li><script>(function(){ if (false) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=44678100]'), work: {"id":44678100,"title":"Swann's Medical Philosophy","created_at":"2020-12-10T15:49:32.557-08:00","url":"https://www.academia.edu/44678100/Swanns_Medical_Philosophy?f_ri=19362","dom_id":"work_44678100","summary":"to appear in a volume on Proust and philosophy edited by Katherine Elkins","downloadable_attachments":[{"id":65151703,"asset_id":44678100,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":1835937,"first_name":"Richard","last_name":"Moran","domain_name":"harvard","page_name":"RichardMoran","display_name":"Richard Moran","profile_url":"https://harvard.academia.edu/RichardMoran?f_ri=19362","photo":"https://0.academia-photos.com/1835937/8867913/9898740/s65_richard.moran.jpg"}],"research_interests":[{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_44627080" data-work_id="44627080" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/44627080/Lamour_entre_plaisir_et_d%C3%A9sir">L'amour entre plaisir et désir</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Sur l'amour, où Schopenhauer trouve la réplique chez Proust, la lettre "Désir et plaisir" adressée par Deleuze à Foucault nous fait remonter à Platon consultant Eros et Aphrodite.</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/44627080" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="0d02328400f4d2439b6f84ad366ccefc" rel="nofollow" data-download="{"attachment_id":65096405,"asset_id":44627080,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/65096405/download_file?st=MTczMzAxNzMwMyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="448539" href="https://cef.academia.edu/JeanClaudeDumoncel">Jean-Claude Dumoncel</a><script data-card-contents-for-user="448539" type="text/json">{"id":448539,"first_name":"Jean-Claude","last_name":"Dumoncel","domain_name":"cef","page_name":"JeanClaudeDumoncel","display_name":"Jean-Claude Dumoncel","profile_url":"https://cef.academia.edu/JeanClaudeDumoncel?f_ri=19362","photo":"/images/s65_no_pic.png"}</script></span></span></li><li class="js-paper-rank-work_44627080 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="44627080"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 44627080, container: ".js-paper-rank-work_44627080", }); });</script></li><li class="js-percentile-work_44627080 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 44627080; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_44627080"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_44627080 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="44627080"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44627080; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=44627080]").text(description); $(".js-view-count-work_44627080").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_44627080").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="44627080"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">3</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="8302" href="https://www.academia.edu/Documents/in/Gilles_Deleuze">Gilles Deleuze</a>, <script data-card-contents-for-ri="8302" type="text/json">{"id":8302,"name":"Gilles Deleuze","url":"https://www.academia.edu/Documents/in/Gilles_Deleuze?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="18900" href="https://www.academia.edu/Documents/in/Philosophy_of_Love">Philosophy of Love</a>, <script data-card-contents-for-ri="18900" type="text/json">{"id":18900,"name":"Philosophy of Love","url":"https://www.academia.edu/Documents/in/Philosophy_of_Love?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="19362" href="https://www.academia.edu/Documents/in/Marcel_Proust">Marcel Proust</a><script data-card-contents-for-ri="19362" type="text/json">{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=44627080]'), work: {"id":44627080,"title":"L'amour entre plaisir et désir","created_at":"2020-12-03T05:07:23.726-08:00","url":"https://www.academia.edu/44627080/Lamour_entre_plaisir_et_d%C3%A9sir?f_ri=19362","dom_id":"work_44627080","summary":"Sur l'amour, où Schopenhauer trouve la réplique chez Proust, la lettre \"Désir et plaisir\" adressée par Deleuze à Foucault nous fait remonter à Platon consultant Eros et Aphrodite. ","downloadable_attachments":[{"id":65096405,"asset_id":44627080,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":448539,"first_name":"Jean-Claude","last_name":"Dumoncel","domain_name":"cef","page_name":"JeanClaudeDumoncel","display_name":"Jean-Claude Dumoncel","profile_url":"https://cef.academia.edu/JeanClaudeDumoncel?f_ri=19362","photo":"/images/s65_no_pic.png"}],"research_interests":[{"id":8302,"name":"Gilles Deleuze","url":"https://www.academia.edu/Documents/in/Gilles_Deleuze?f_ri=19362","nofollow":false},{"id":18900,"name":"Philosophy of Love","url":"https://www.academia.edu/Documents/in/Philosophy_of_Love?f_ri=19362","nofollow":false},{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_31603002" data-work_id="31603002" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/31603002/LEnigme_des_premi%C3%A8res_phrases_Grasset_2017">L'Enigme des premières phrases, Grasset, 2017</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Présentation de l'éditeur : « Aujourd’hui, maman est morte. » « DOUKIPUDDONKTAN, se demanda Gabriel, excédé. » Voilà deux célèbres premières phrases de livres ô combien célèbres. Elles ouvrent L’Étranger et Zazie dans le métro. Ce livre... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_31603002" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Présentation de l'éditeur : <br />« Aujourd’hui, maman est morte. »<br />« DOUKIPUDDONKTAN, se demanda Gabriel, excédé. »<br />Voilà deux célèbres premières phrases de livres ô combien célèbres. Elles ouvrent L’Étranger et Zazie dans le métro. Ce livre en contient quinze autres (plus deux interludes) que Laurent Nunez examine mot après mot. Tout ce que l’on peut deviner d’une œuvre, et de son auteur, n’est-il pas contenu dans « sa » première phrase ?<br />Aussi instructif qu’ironique, aussi passionnant que savant, ce livre nous parle plus que des livres, il nous parle de l’amour, de la séparation, de la perte, de la vie même. Italo Calvino avait écrit Pourquoi lire les classiques ?, voici le « comment (re)lire les classiques ? » des temps nouveaux.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/31603002" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="2af8750175c0fa118bfc0a202f8515c6" rel="nofollow" data-download="{"attachment_id":51932199,"asset_id":31603002,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/51932199/download_file?st=MTczMzAxNzMwMyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="41495423" href="https://ehess.academia.edu/LaurentNunez">Laurent Nunez</a><script data-card-contents-for-user="41495423" type="text/json">{"id":41495423,"first_name":"Laurent","last_name":"Nunez","domain_name":"ehess","page_name":"LaurentNunez","display_name":"Laurent Nunez","profile_url":"https://ehess.academia.edu/LaurentNunez?f_ri=19362","photo":"https://0.academia-photos.com/41495423/13043447/15933831/s65_laurent.nunez.png"}</script></span></span></li><li class="js-paper-rank-work_31603002 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="31603002"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 31603002, container: ".js-paper-rank-work_31603002", }); });</script></li><li class="js-percentile-work_31603002 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 31603002; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_31603002"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_31603002 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="31603002"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 31603002; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=31603002]").text(description); $(".js-view-count-work_31603002").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_31603002").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="31603002"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">23</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="5114" href="https://www.academia.edu/Documents/in/Hermeneutics">Hermeneutics</a>, <script data-card-contents-for-ri="5114" type="text/json">{"id":5114,"name":"Hermeneutics","url":"https://www.academia.edu/Documents/in/Hermeneutics?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="8491" href="https://www.academia.edu/Documents/in/Roland_Barthes">Roland Barthes</a>, <script data-card-contents-for-ri="8491" type="text/json">{"id":8491,"name":"Roland Barthes","url":"https://www.academia.edu/Documents/in/Roland_Barthes?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="10212" href="https://www.academia.edu/Documents/in/Interpretive_research_methodology">Interpretive research methodology</a>, <script data-card-contents-for-ri="10212" type="text/json">{"id":10212,"name":"Interpretive research methodology","url":"https://www.academia.edu/Documents/in/Interpretive_research_methodology?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16559" href="https://www.academia.edu/Documents/in/St%C3%A9phane_Mallarm%C3%A9">Stéphane Mallarmé</a><script data-card-contents-for-ri="16559" type="text/json">{"id":16559,"name":"Stéphane Mallarmé","url":"https://www.academia.edu/Documents/in/St%C3%A9phane_Mallarm%C3%A9?f_ri=19362","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=31603002]'), work: {"id":31603002,"title":"L'Enigme des premières phrases, Grasset, 2017","created_at":"2017-02-25T07:58:59.416-08:00","url":"https://www.academia.edu/31603002/LEnigme_des_premi%C3%A8res_phrases_Grasset_2017?f_ri=19362","dom_id":"work_31603002","summary":"Présentation de l'éditeur : \n« Aujourd’hui, maman est morte. »\n« DOUKIPUDDONKTAN, se demanda Gabriel, excédé. »\nVoilà deux célèbres premières phrases de livres ô combien célèbres. Elles ouvrent L’Étranger et Zazie dans le métro. Ce livre en contient quinze autres (plus deux interludes) que Laurent Nunez examine mot après mot. Tout ce que l’on peut deviner d’une œuvre, et de son auteur, n’est-il pas contenu dans « sa » première phrase ?\nAussi instructif qu’ironique, aussi passionnant que savant, ce livre nous parle plus que des livres, il nous parle de l’amour, de la séparation, de la perte, de la vie même. Italo Calvino avait écrit Pourquoi lire les classiques ?, voici le « comment (re)lire les classiques ? » des temps nouveaux.\n","downloadable_attachments":[{"id":51932199,"asset_id":31603002,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":41495423,"first_name":"Laurent","last_name":"Nunez","domain_name":"ehess","page_name":"LaurentNunez","display_name":"Laurent Nunez","profile_url":"https://ehess.academia.edu/LaurentNunez?f_ri=19362","photo":"https://0.academia-photos.com/41495423/13043447/15933831/s65_laurent.nunez.png"}],"research_interests":[{"id":5114,"name":"Hermeneutics","url":"https://www.academia.edu/Documents/in/Hermeneutics?f_ri=19362","nofollow":false},{"id":8491,"name":"Roland Barthes","url":"https://www.academia.edu/Documents/in/Roland_Barthes?f_ri=19362","nofollow":false},{"id":10212,"name":"Interpretive research methodology","url":"https://www.academia.edu/Documents/in/Interpretive_research_methodology?f_ri=19362","nofollow":false},{"id":16559,"name":"Stéphane Mallarmé","url":"https://www.academia.edu/Documents/in/St%C3%A9phane_Mallarm%C3%A9?f_ri=19362","nofollow":false},{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362"},{"id":19445,"name":"Molière","url":"https://www.academia.edu/Documents/in/Moli%C3%A8re?f_ri=19362"},{"id":20719,"name":"Interpretation","url":"https://www.academia.edu/Documents/in/Interpretation?f_ri=19362"},{"id":26780,"name":"Baudelaire","url":"https://www.academia.edu/Documents/in/Baudelaire?f_ri=19362"},{"id":31860,"name":"Jean Jaques Rousseau","url":"https://www.academia.edu/Documents/in/Jean_Jaques_Rousseau?f_ri=19362"},{"id":34215,"name":"Albert Camus","url":"https://www.academia.edu/Documents/in/Albert_Camus?f_ri=19362"},{"id":34216,"name":"Marguerite Duras","url":"https://www.academia.edu/Documents/in/Marguerite_Duras?f_ri=19362"},{"id":37063,"name":"Raymond Queneau","url":"https://www.academia.edu/Documents/in/Raymond_Queneau?f_ri=19362"},{"id":68401,"name":"Herméneutique","url":"https://www.academia.edu/Documents/in/Herm%C3%A9neutique?f_ri=19362"},{"id":68766,"name":"André Gide","url":"https://www.academia.edu/Documents/in/Andr%C3%A9_Gide?f_ri=19362"},{"id":77091,"name":"Emile Zola","url":"https://www.academia.edu/Documents/in/Emile_Zola?f_ri=19362"},{"id":102482,"name":"Racine","url":"https://www.academia.edu/Documents/in/Racine?f_ri=19362"},{"id":228268,"name":"Louis Aragon","url":"https://www.academia.edu/Documents/in/Louis_Aragon?f_ri=19362"},{"id":229640,"name":"Incipit","url":"https://www.academia.edu/Documents/in/Incipit?f_ri=19362"},{"id":274934,"name":"Guillaume Apollinaire","url":"https://www.academia.edu/Documents/in/Guillaume_Apollinaire?f_ri=19362"},{"id":297425,"name":"Michael Riffaterre","url":"https://www.academia.edu/Documents/in/Michael_Riffaterre?f_ri=19362"},{"id":342039,"name":"Signifiance","url":"https://www.academia.edu/Documents/in/Signifiance?f_ri=19362"},{"id":557159,"name":"Louis-René des Forêts","url":"https://www.academia.edu/Documents/in/Louis-Rene_des_Forets?f_ri=19362"},{"id":1002373,"name":"Théorie Et Critique Littéraires","url":"https://www.academia.edu/Documents/in/Theorie_Et_Critique_Litteraires?f_ri=19362"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_24361423" data-work_id="24361423" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/24361423/Curtius_et_Ortega_sur_la_r%C3%A9ception_de_Spengler">Curtius et Ortega : sur la réception de Spengler</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Ein weiterer Zug seiner Originalität liegt in der Art, wie er deutsche und französische Kultur verarbeitet und zusammenführt. Ich wüßte keinen Kritiker in Europa, der mit derselben Sympathie und demselben Verständnis über Madame de... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_24361423" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Ein weiterer Zug seiner Originalität liegt in der Art, wie er deutsche und französische Kultur verarbeitet und zusammenführt. Ich wüßte keinen Kritiker in Europa, der mit derselben Sympathie und demselben Verständnis über Madame de Noailles und Simmel, über Marcel Proust und Max Scheler zu schreiben vermöchte.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/24361423" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="505d755886faf891659bb34ab2d24e9c" rel="nofollow" data-download="{"attachment_id":44692942,"asset_id":24361423,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/44692942/download_file?st=MTczMzAxNzMwMyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="46953302" href="https://osaka-u.academia.edu/MasayukiTsuda">Masayuki Tsuda</a><script data-card-contents-for-user="46953302" type="text/json">{"id":46953302,"first_name":"Masayuki","last_name":"Tsuda","domain_name":"osaka-u","page_name":"MasayukiTsuda","display_name":"Masayuki Tsuda","profile_url":"https://osaka-u.academia.edu/MasayukiTsuda?f_ri=19362","photo":"https://0.academia-photos.com/46953302/12413867/24462320/s65_masayuki.tsuda.jpg"}</script></span></span></li><li class="js-paper-rank-work_24361423 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="24361423"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 24361423, container: ".js-paper-rank-work_24361423", }); });</script></li><li class="js-percentile-work_24361423 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 24361423; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_24361423"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_24361423 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="24361423"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 24361423; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=24361423]").text(description); $(".js-view-count-work_24361423").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_24361423").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="24361423"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">73</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="135" href="https://www.academia.edu/Documents/in/Intellectual_History">Intellectual History</a>, <script data-card-contents-for-ri="135" type="text/json">{"id":135,"name":"Intellectual History","url":"https://www.academia.edu/Documents/in/Intellectual_History?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="136" href="https://www.academia.edu/Documents/in/Cultural_History">Cultural History</a>, <script data-card-contents-for-ri="136" type="text/json">{"id":136,"name":"Cultural History","url":"https://www.academia.edu/Documents/in/Cultural_History?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="184" href="https://www.academia.edu/Documents/in/Sociology">Sociology</a>, <script data-card-contents-for-ri="184" type="text/json">{"id":184,"name":"Sociology","url":"https://www.academia.edu/Documents/in/Sociology?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="188" href="https://www.academia.edu/Documents/in/Cultural_Studies">Cultural Studies</a><script data-card-contents-for-ri="188" type="text/json">{"id":188,"name":"Cultural Studies","url":"https://www.academia.edu/Documents/in/Cultural_Studies?f_ri=19362","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=24361423]'), work: {"id":24361423,"title":"Curtius et Ortega : sur la réception de Spengler","created_at":"2016-04-13T04:28:14.849-07:00","url":"https://www.academia.edu/24361423/Curtius_et_Ortega_sur_la_r%C3%A9ception_de_Spengler?f_ri=19362","dom_id":"work_24361423","summary":"Ein weiterer Zug seiner Originalität liegt in der Art, wie er deutsche und französische Kultur verarbeitet und zusammenführt. Ich wüßte keinen Kritiker in Europa, der mit derselben Sympathie und demselben Verständnis über Madame de Noailles und Simmel, über Marcel Proust und Max Scheler zu schreiben vermöchte.","downloadable_attachments":[{"id":44692942,"asset_id":24361423,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":46953302,"first_name":"Masayuki","last_name":"Tsuda","domain_name":"osaka-u","page_name":"MasayukiTsuda","display_name":"Masayuki Tsuda","profile_url":"https://osaka-u.academia.edu/MasayukiTsuda?f_ri=19362","photo":"https://0.academia-photos.com/46953302/12413867/24462320/s65_masayuki.tsuda.jpg"}],"research_interests":[{"id":135,"name":"Intellectual History","url":"https://www.academia.edu/Documents/in/Intellectual_History?f_ri=19362","nofollow":false},{"id":136,"name":"Cultural History","url":"https://www.academia.edu/Documents/in/Cultural_History?f_ri=19362","nofollow":false},{"id":184,"name":"Sociology","url":"https://www.academia.edu/Documents/in/Sociology?f_ri=19362","nofollow":false},{"id":188,"name":"Cultural Studies","url":"https://www.academia.edu/Documents/in/Cultural_Studies?f_ri=19362","nofollow":false},{"id":199,"name":"Media Sociology","url":"https://www.academia.edu/Documents/in/Media_Sociology?f_ri=19362"},{"id":201,"name":"Political Sociology","url":"https://www.academia.edu/Documents/in/Political_Sociology?f_ri=19362"},{"id":211,"name":"Sociology of Culture","url":"https://www.academia.edu/Documents/in/Sociology_of_Culture?f_ri=19362"},{"id":383,"name":"European Studies","url":"https://www.academia.edu/Documents/in/European_Studies?f_ri=19362"},{"id":659,"name":"Comparative Literature","url":"https://www.academia.edu/Documents/in/Comparative_Literature?f_ri=19362"},{"id":660,"name":"French Literature","url":"https://www.academia.edu/Documents/in/French_Literature?f_ri=19362"},{"id":662,"name":"German Literature","url":"https://www.academia.edu/Documents/in/German_Literature?f_ri=19362"},{"id":668,"name":"Spanish Literature","url":"https://www.academia.edu/Documents/in/Spanish_Literature?f_ri=19362"},{"id":948,"name":"Historical Sociology","url":"https://www.academia.edu/Documents/in/Historical_Sociology?f_ri=19362"},{"id":957,"name":"Cultural Sociology","url":"https://www.academia.edu/Documents/in/Cultural_Sociology?f_ri=19362"},{"id":1186,"name":"Translation Studies","url":"https://www.academia.edu/Documents/in/Translation_Studies?f_ri=19362"},{"id":1218,"name":"European integration","url":"https://www.academia.edu/Documents/in/European_integration?f_ri=19362"},{"id":1443,"name":"Max Scheler","url":"https://www.academia.edu/Documents/in/Max_Scheler?f_ri=19362"},{"id":1758,"name":"Dante Studies","url":"https://www.academia.edu/Documents/in/Dante_Studies?f_ri=19362"},{"id":3773,"name":"Literary Criticism","url":"https://www.academia.edu/Documents/in/Literary_Criticism?f_ri=19362"},{"id":4195,"name":"Cultural Theory","url":"https://www.academia.edu/Documents/in/Cultural_Theory?f_ri=19362"},{"id":6278,"name":"Ortega y Gasset","url":"https://www.academia.edu/Documents/in/Ortega_y_Gasset?f_ri=19362"},{"id":6455,"name":"20th Century German Literature","url":"https://www.academia.edu/Documents/in/20th_Century_German_Literature?f_ri=19362"},{"id":8444,"name":"Modernist Literature (Literary Modernism)","url":"https://www.academia.edu/Documents/in/Modernist_Literature_Literary_Modernism_?f_ri=19362"},{"id":8451,"name":"T.S. Eliot","url":"https://www.academia.edu/Documents/in/T.S._Eliot?f_ri=19362"},{"id":14545,"name":"Cubism","url":"https://www.academia.edu/Documents/in/Cubism?f_ri=19362"},{"id":15263,"name":"First World War","url":"https://www.academia.edu/Documents/in/First_World_War?f_ri=19362"},{"id":17918,"name":"Intellectual and cultural history","url":"https://www.academia.edu/Documents/in/Intellectual_and_cultural_history?f_ri=19362"},{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362"},{"id":20487,"name":"Literary History","url":"https://www.academia.edu/Documents/in/Literary_History?f_ri=19362"},{"id":22472,"name":"Weimar Republic","url":"https://www.academia.edu/Documents/in/Weimar_Republic?f_ri=19362"},{"id":23865,"name":"Decline and Fall of the Western Empire","url":"https://www.academia.edu/Documents/in/Decline_and_Fall_of_the_Western_Empire?f_ri=19362"},{"id":24575,"name":"Cross-cultural transfers","url":"https://www.academia.edu/Documents/in/Cross-cultural_transfers?f_ri=19362"},{"id":27258,"name":"Georg Simmel","url":"https://www.academia.edu/Documents/in/Georg_Simmel?f_ri=19362"},{"id":27834,"name":"Dante Alighieri","url":"https://www.academia.edu/Documents/in/Dante_Alighieri?f_ri=19362"},{"id":28230,"name":"Correspondence Analysis","url":"https://www.academia.edu/Documents/in/Correspondence_Analysis?f_ri=19362"},{"id":29214,"name":"T. S. Eliot","url":"https://www.academia.edu/Documents/in/T._S._Eliot?f_ri=19362"},{"id":30347,"name":"Translation","url":"https://www.academia.edu/Documents/in/Translation?f_ri=19362"},{"id":50361,"name":"Sociologie","url":"https://www.academia.edu/Documents/in/Sociologie?f_ri=19362"},{"id":52480,"name":"Sociologia","url":"https://www.academia.edu/Documents/in/Sociologia?f_ri=19362"},{"id":54983,"name":"Oswald Spengler","url":"https://www.academia.edu/Documents/in/Oswald_Spengler?f_ri=19362"},{"id":57842,"name":"European literature","url":"https://www.academia.edu/Documents/in/European_literature?f_ri=19362"},{"id":71898,"name":"Perspective","url":"https://www.academia.edu/Documents/in/Perspective?f_ri=19362"},{"id":80993,"name":"Eurocentrism","url":"https://www.academia.edu/Documents/in/Eurocentrism?f_ri=19362"},{"id":83861,"name":"Letters","url":"https://www.academia.edu/Documents/in/Letters?f_ri=19362"},{"id":87238,"name":"Thomas. Stearns Eliot","url":"https://www.academia.edu/Documents/in/Thomas._Stearns_Eliot?f_ri=19362"},{"id":88935,"name":"Sociología","url":"https://www.academia.edu/Documents/in/Sociolog%C3%ADa?f_ri=19362"},{"id":106154,"name":"Littérature Française","url":"https://www.academia.edu/Documents/in/Litt%C3%A9rature_Fran%C3%A7aise?f_ri=19362"},{"id":106860,"name":"Miguel de Unamuno","url":"https://www.academia.edu/Documents/in/Miguel_de_Unamuno?f_ri=19362"},{"id":118223,"name":"Centre-Periphery Relations","url":"https://www.academia.edu/Documents/in/Centre-Periphery_Relations?f_ri=19362"},{"id":119973,"name":"Littérature","url":"https://www.academia.edu/Documents/in/Litt%C3%A9rature?f_ri=19362"},{"id":120673,"name":"Transferts culturels","url":"https://www.academia.edu/Documents/in/Transferts_culturels?f_ri=19362"},{"id":125371,"name":"Nouvelle Revue Française","url":"https://www.academia.edu/Documents/in/Nouvelle_Revue_Francaise?f_ri=19362"},{"id":151220,"name":"Proust","url":"https://www.academia.edu/Documents/in/Proust?f_ri=19362"},{"id":158294,"name":"Littérature Comparée","url":"https://www.academia.edu/Documents/in/Litt%C3%A9rature_Compar%C3%A9e?f_ri=19362"},{"id":182119,"name":"Neuere Deutsche Literatur","url":"https://www.academia.edu/Documents/in/Neuere_Deutsche_Literatur?f_ri=19362"},{"id":185190,"name":"Simmel","url":"https://www.academia.edu/Documents/in/Simmel?f_ri=19362"},{"id":197658,"name":"Cultural Transfers","url":"https://www.academia.edu/Documents/in/Cultural_Transfers?f_ri=19362"},{"id":216811,"name":"E. R. Curtius","url":"https://www.academia.edu/Documents/in/E._R._Curtius?f_ri=19362"},{"id":221094,"name":"José Ortega y Gasset","url":"https://www.academia.edu/Documents/in/Jose_Ortega_y_Gasset?f_ri=19362"},{"id":229668,"name":"Komparatistik","url":"https://www.academia.edu/Documents/in/Komparatistik?f_ri=19362"},{"id":301929,"name":"Republic of Letters","url":"https://www.academia.edu/Documents/in/Republic_of_Letters?f_ri=19362"},{"id":347957,"name":"T.s. Eliot the Waste Land","url":"https://www.academia.edu/Documents/in/T.s._Eliot_the_Waste_Land?f_ri=19362"},{"id":379631,"name":"French Litterature","url":"https://www.academia.edu/Documents/in/French_Litterature?f_ri=19362"},{"id":560776,"name":"reception of Dante","url":"https://www.academia.edu/Documents/in/reception_of_Dante?f_ri=19362"},{"id":605954,"name":"Literature and Culture of the Weimar Republic","url":"https://www.academia.edu/Documents/in/Literature_and_Culture_of_the_Weimar_Republic?f_ri=19362"},{"id":674353,"name":"Histoire littéraire","url":"https://www.academia.edu/Documents/in/Histoire_litteraire?f_ri=19362"},{"id":830982,"name":"Cubismo","url":"https://www.academia.edu/Documents/in/Cubismo?f_ri=19362"},{"id":890135,"name":"Decline","url":"https://www.academia.edu/Documents/in/Decline?f_ri=19362"},{"id":970944,"name":"Revista De Occidente","url":"https://www.academia.edu/Documents/in/Revista_De_Occidente?f_ri=19362"},{"id":985739,"name":"Première Guerre Mondiale","url":"https://www.academia.edu/Documents/in/Premi%C3%A8re_Guerre_Mondiale?f_ri=19362"},{"id":1385973,"name":"Anna De Noailles","url":"https://www.academia.edu/Documents/in/Anna_De_Noailles?f_ri=19362"},{"id":1805899,"name":"Modernity and Ts Eliot","url":"https://www.academia.edu/Documents/in/Modernity_and_Ts_Eliot?f_ri=19362"},{"id":1851339,"name":"Ernst Robert Curtius","url":"https://www.academia.edu/Documents/in/Ernst_Robert_Curtius?f_ri=19362"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_64934146" data-work_id="64934146" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/64934146/Proust_graveur_de_la_voix">Proust, graveur de la voix</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Dans Tendres Stocks de Paul Morand (1921), on lit qu’à tout solitaire « la voix humaine est nécessaire, comme le diapason de tous les autres sons ». En tant que lieu où s’exerce la parole, la voix est un élément majeur du système des... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_64934146" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Dans Tendres Stocks de Paul Morand (1921), on lit qu’à tout solitaire « la voix humaine est nécessaire, comme le diapason de tous les autres sons ». En tant que lieu où s’exerce la parole, la voix est un élément majeur du système des personnages de RTP : des analogies musicales aux fines remarques prosodiques qui ont fait parler d’un Proust « linguiste », des intonations qui permettent de distinguer un idiolecte à la voix en tant qu’avatar du « style », les facettes de la voix chez Proust sont nombreuses et parfois fluctuantes. Au croisement du prosodique et du psychologique, le vocal (Léon), qui semble échapper à toute transcription écrite tout en séduisant le narrateur de RTP, fait alors accéder aux mystères de l’être humain, en incarnant une forme d’« intelligence […] incorporée à la matière » (Préface à Tendre Stocks). Nous montrerons quelques aspects du discours de la voix chez Proust, en particulier dans Le Côté de Guermantes.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/64934146" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="acc8b723bca0b5519f8bc468720eb989" rel="nofollow" data-download="{"attachment_id":76739710,"asset_id":64934146,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/76739710/download_file?st=MTczMzAxNzMwMyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="536578" href="https://unicatt.academia.edu/DavideVago">Davide Vago</a><script data-card-contents-for-user="536578" type="text/json">{"id":536578,"first_name":"Davide","last_name":"Vago","domain_name":"unicatt","page_name":"DavideVago","display_name":"Davide Vago","profile_url":"https://unicatt.academia.edu/DavideVago?f_ri=19362","photo":"https://0.academia-photos.com/536578/415089/35948088/s65_davide.vago.jpg"}</script></span></span></li><li class="js-paper-rank-work_64934146 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="64934146"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 64934146, container: ".js-paper-rank-work_64934146", }); });</script></li><li class="js-percentile-work_64934146 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 64934146; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_64934146"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_64934146 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="64934146"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 64934146; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=64934146]").text(description); $(".js-view-count-work_64934146").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_64934146").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="64934146"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">2</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="3906" href="https://www.academia.edu/Documents/in/Literary_Stylistics">Literary Stylistics</a>, <script data-card-contents-for-ri="3906" type="text/json">{"id":3906,"name":"Literary Stylistics","url":"https://www.academia.edu/Documents/in/Literary_Stylistics?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="19362" href="https://www.academia.edu/Documents/in/Marcel_Proust">Marcel Proust</a><script data-card-contents-for-ri="19362" type="text/json">{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=64934146]'), work: {"id":64934146,"title":"Proust, graveur de la voix","created_at":"2021-12-17T23:29:58.212-08:00","url":"https://www.academia.edu/64934146/Proust_graveur_de_la_voix?f_ri=19362","dom_id":"work_64934146","summary":"Dans Tendres Stocks de Paul Morand (1921), on lit qu’à tout solitaire « la voix humaine est nécessaire, comme le diapason de tous les autres sons ». En tant que lieu où s’exerce la parole, la voix est un élément majeur du système des personnages de RTP : des analogies musicales aux fines remarques prosodiques qui ont fait parler d’un Proust « linguiste », des intonations qui permettent de distinguer un idiolecte à la voix en tant qu’avatar du « style », les facettes de la voix chez Proust sont nombreuses et parfois fluctuantes. Au croisement du prosodique et du psychologique, le vocal (Léon), qui semble échapper à toute transcription écrite tout en séduisant le narrateur de RTP, fait alors accéder aux mystères de l’être humain, en incarnant une forme d’« intelligence […] incorporée à la matière » (Préface à Tendre Stocks). Nous montrerons quelques aspects du discours de la voix chez Proust, en particulier dans Le Côté de Guermantes. ","downloadable_attachments":[{"id":76739710,"asset_id":64934146,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":536578,"first_name":"Davide","last_name":"Vago","domain_name":"unicatt","page_name":"DavideVago","display_name":"Davide Vago","profile_url":"https://unicatt.academia.edu/DavideVago?f_ri=19362","photo":"https://0.academia-photos.com/536578/415089/35948088/s65_davide.vago.jpg"}],"research_interests":[{"id":3906,"name":"Literary Stylistics","url":"https://www.academia.edu/Documents/in/Literary_Stylistics?f_ri=19362","nofollow":false},{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_43948742" data-work_id="43948742" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/43948742/Fruit_of_love_Van_Dyck_s_James_Stuart_Duke_of_Richmond_in_the_Louvre_and_its_afterlife">Fruit of love: Van Dyck’s ‘James Stuart, Duke of Richmond’ in the Louvre and its afterlife</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">The most unusual of Van Dyck’s four portraits of James Stuart is that in the Musée du Louvre, Paris, in which he proffers a fruit. Here identified as a quince, symbol of marriage, it allows the painting to be accurately dated. The... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_43948742" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">The most unusual of Van Dyck’s four portraits of James Stuart is that in the Musée du Louvre, Paris, in which he proffers a fruit. Here identified as a quince, symbol of marriage, it allows the painting to be accurately dated. The portrait has intrigued many artists and writers, notably Marcel Proust.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/43948742" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="8b54f3756202d456158072e4e4d383fc" rel="nofollow" data-download="{"attachment_id":64274823,"asset_id":43948742,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/64274823/download_file?st=MTczMzAxNzMwMyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="18855968" href="https://independent.academia.edu/JahelSanzsalazar">Jahel Sanzsalazar</a><script data-card-contents-for-user="18855968" type="text/json">{"id":18855968,"first_name":"Jahel","last_name":"Sanzsalazar","domain_name":"independent","page_name":"JahelSanzsalazar","display_name":"Jahel Sanzsalazar","profile_url":"https://independent.academia.edu/JahelSanzsalazar?f_ri=19362","photo":"https://0.academia-photos.com/18855968/6261064/7090339/s65_jahel.sanzsalazar.jpg"}</script></span></span></li><li class="js-paper-rank-work_43948742 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="43948742"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 43948742, container: ".js-paper-rank-work_43948742", }); });</script></li><li class="js-percentile-work_43948742 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 43948742; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_43948742"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_43948742 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="43948742"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 43948742; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=43948742]").text(description); $(".js-view-count-work_43948742").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_43948742").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="43948742"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">19</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="869" href="https://www.academia.edu/Documents/in/Iconography">Iconography</a>, <script data-card-contents-for-ri="869" type="text/json">{"id":869,"name":"Iconography","url":"https://www.academia.edu/Documents/in/Iconography?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="915" href="https://www.academia.edu/Documents/in/Art_History">Art History</a>, <script data-card-contents-for-ri="915" type="text/json">{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="3146" href="https://www.academia.edu/Documents/in/Shakespeare">Shakespeare</a>, <script data-card-contents-for-ri="3146" type="text/json">{"id":3146,"name":"Shakespeare","url":"https://www.academia.edu/Documents/in/Shakespeare?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="10796" href="https://www.academia.edu/Documents/in/Portraiture">Portraiture</a><script data-card-contents-for-ri="10796" type="text/json">{"id":10796,"name":"Portraiture","url":"https://www.academia.edu/Documents/in/Portraiture?f_ri=19362","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=43948742]'), work: {"id":43948742,"title":"Fruit of love: Van Dyck’s ‘James Stuart, Duke of Richmond’ in the Louvre and its afterlife","created_at":"2020-08-25T12:22:20.881-07:00","url":"https://www.academia.edu/43948742/Fruit_of_love_Van_Dyck_s_James_Stuart_Duke_of_Richmond_in_the_Louvre_and_its_afterlife?f_ri=19362","dom_id":"work_43948742","summary":"The most unusual of Van Dyck’s four portraits of James Stuart is that in the Musée du Louvre, Paris, in which he proffers a fruit. Here identified as a quince, symbol of marriage, it allows the painting to be accurately dated. The portrait has intrigued many artists and writers, notably Marcel Proust.","downloadable_attachments":[{"id":64274823,"asset_id":43948742,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":18855968,"first_name":"Jahel","last_name":"Sanzsalazar","domain_name":"independent","page_name":"JahelSanzsalazar","display_name":"Jahel Sanzsalazar","profile_url":"https://independent.academia.edu/JahelSanzsalazar?f_ri=19362","photo":"https://0.academia-photos.com/18855968/6261064/7090339/s65_jahel.sanzsalazar.jpg"}],"research_interests":[{"id":869,"name":"Iconography","url":"https://www.academia.edu/Documents/in/Iconography?f_ri=19362","nofollow":false},{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=19362","nofollow":false},{"id":3146,"name":"Shakespeare","url":"https://www.academia.edu/Documents/in/Shakespeare?f_ri=19362","nofollow":false},{"id":10796,"name":"Portraiture","url":"https://www.academia.edu/Documents/in/Portraiture?f_ri=19362","nofollow":false},{"id":13966,"name":"History of Art","url":"https://www.academia.edu/Documents/in/History_of_Art?f_ri=19362"},{"id":15761,"name":"History of Collections","url":"https://www.academia.edu/Documents/in/History_of_Collections?f_ri=19362"},{"id":15865,"name":"Plutarch","url":"https://www.academia.edu/Documents/in/Plutarch?f_ri=19362"},{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362"},{"id":27976,"name":"17th Century Netherlandish Art","url":"https://www.academia.edu/Documents/in/17th_Century_Netherlandish_Art?f_ri=19362"},{"id":40927,"name":"Theodore Gericault","url":"https://www.academia.edu/Documents/in/Theodore_Gericault?f_ri=19362"},{"id":43240,"name":"Tudor/Stuart Britain","url":"https://www.academia.edu/Documents/in/Tudor_Stuart_Britain?f_ri=19362"},{"id":51585,"name":"Flemish Painting","url":"https://www.academia.edu/Documents/in/Flemish_Painting?f_ri=19362"},{"id":130061,"name":"Emblematic studies","url":"https://www.academia.edu/Documents/in/Emblematic_studies?f_ri=19362"},{"id":159686,"name":"16th and 17th century Dutch and Flemish Art","url":"https://www.academia.edu/Documents/in/16th_and_17th_century_Dutch_and_Flemish_Art?f_ri=19362"},{"id":200310,"name":"Anthony van Dyck.","url":"https://www.academia.edu/Documents/in/Anthony_van_Dyck?f_ri=19362"},{"id":344490,"name":"musée du Louvre","url":"https://www.academia.edu/Documents/in/musee_du_Louvre?f_ri=19362"},{"id":1119173,"name":"Henri Fantin-Latour","url":"https://www.academia.edu/Documents/in/Henri_Fantin-Latour?f_ri=19362"},{"id":1179496,"name":"Andrea Alciati","url":"https://www.academia.edu/Documents/in/Andrea_Alciati?f_ri=19362"},{"id":1839427,"name":"Manuel Machado","url":"https://www.academia.edu/Documents/in/Manuel_Machado?f_ri=19362"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_51135837" data-work_id="51135837" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/51135837/Le_patriarche_di_Grado_exorcisant_un_possed%C3%A9_Albertine_disparue">Le patriarche di Grado exorcisant un possedé - Albertine disparue</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Les nombreuses références à des œuvres peintes dans A la Recherche du temps perdu témoignent bien des gouts de l'amateur d’art qu'était Proust. Ses connaissances des arts, Marcel Proust les a acquises grâce à ses nombreux amis amateurs... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_51135837" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Les nombreuses références à des œuvres peintes dans A la Recherche du temps perdu témoignent bien des gouts de l'amateur d’art qu'était Proust. Ses connaissances des arts, Marcel Proust les a acquises grâce à ses nombreux amis amateurs érudits et peintres, mais aussi grâce aux livres auxquels il avait eu accès, à ses promenades au Louvre, et enfin à ses voyages, notamment en Italie (en avril 1900 avec sa mère, et en octobre 1900 seul) au cours desquels il découvre Bellini, Giorgione, Tiepolo, Giotto, Mantegna... et Carpaccio. Un épisode de La Recherche porte les traces de ce voyage : après la tragique disparition d'Albertine, Ie héros réalise avec sa mère son projet de visiter Venise. L'épisode de Venise raconte une rencontre primordiale pour Ie narrateur, celle d'un tableau de Carpaccio, Le Patriarche di Grado exorcisant un possédé (II s'agit du tableau qu'on appelle aussi Le Miracle du possédé et qui fait partie de La Légende de la croix, vers 1490, Galerie de l’Académie, Venise). <br />En raison de sa longueur, de sa richesse et de son intérêt stratégique dans Ie texte de Proust, cette séquence permet une étude intéressante et opératoire des rapports qu'entretiennent littérature et peinture dans La Recherche. S'interroger sur la place qu'occupe la peinture dans A la Recherche du temps perdu c'est réfléchir à Ia manière dont la peinture éclaire Ie texte, se propose comme une voie d'accès au sens. Inversement, on pourrait se demander dans quelle mesure la littérature se présente comme un discours sur la peinture proposant une manière de la voir, autrement dit dans quelle mesure Ie tableau se propose dans Ie texte de Proust comme une ekphrasis.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/51135837" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="c7f703c4955ddd3e720a46d180762cdb" rel="nofollow" data-download="{"attachment_id":68977440,"asset_id":51135837,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/68977440/download_file?st=MTczMzAxNzMwMyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="119326621" href="https://usj.academia.edu/NaylaTamraz">Nayla Tamraz</a><script data-card-contents-for-user="119326621" type="text/json">{"id":119326621,"first_name":"Nayla","last_name":"Tamraz","domain_name":"usj","page_name":"NaylaTamraz","display_name":"Nayla Tamraz","profile_url":"https://usj.academia.edu/NaylaTamraz?f_ri=19362","photo":"https://0.academia-photos.com/119326621/49987591/37980725/s65_nayla.tamraz.jpeg"}</script></span></span></li><li class="js-paper-rank-work_51135837 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="51135837"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 51135837, container: ".js-paper-rank-work_51135837", }); });</script></li><li class="js-percentile-work_51135837 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 51135837; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_51135837"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_51135837 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="51135837"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 51135837; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=51135837]").text(description); $(".js-view-count-work_51135837").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_51135837").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="51135837"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">3</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="19362" href="https://www.academia.edu/Documents/in/Marcel_Proust">Marcel Proust</a>, <script data-card-contents-for-ri="19362" type="text/json">{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="751356" href="https://www.academia.edu/Documents/in/Vittore_Carpaccio">Vittore Carpaccio</a>, <script data-card-contents-for-ri="751356" type="text/json">{"id":751356,"name":"Vittore Carpaccio","url":"https://www.academia.edu/Documents/in/Vittore_Carpaccio?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1742830" href="https://www.academia.edu/Documents/in/Litt%C3%A9rature_et_peinture">Littérature et peinture</a><script data-card-contents-for-ri="1742830" type="text/json">{"id":1742830,"name":"Littérature et peinture","url":"https://www.academia.edu/Documents/in/Litt%C3%A9rature_et_peinture?f_ri=19362","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=51135837]'), work: {"id":51135837,"title":"Le patriarche di Grado exorcisant un possedé - Albertine disparue","created_at":"2021-09-01T05:53:57.155-07:00","url":"https://www.academia.edu/51135837/Le_patriarche_di_Grado_exorcisant_un_possed%C3%A9_Albertine_disparue?f_ri=19362","dom_id":"work_51135837","summary":"Les nombreuses références à des œuvres peintes dans A la Recherche du temps perdu témoignent bien des gouts de l'amateur d’art qu'était Proust. Ses connaissances des arts, Marcel Proust les a acquises grâce à ses nombreux amis amateurs érudits et peintres, mais aussi grâce aux livres auxquels il avait eu accès, à ses promenades au Louvre, et enfin à ses voyages, notamment en Italie (en avril 1900 avec sa mère, et en octobre 1900 seul) au cours desquels il découvre Bellini, Giorgione, Tiepolo, Giotto, Mantegna... et Carpaccio. Un épisode de La Recherche porte les traces de ce voyage : après la tragique disparition d'Albertine, Ie héros réalise avec sa mère son projet de visiter Venise. L'épisode de Venise raconte une rencontre primordiale pour Ie narrateur, celle d'un tableau de Carpaccio, Le Patriarche di Grado exorcisant un possédé (II s'agit du tableau qu'on appelle aussi Le Miracle du possédé et qui fait partie de La Légende de la croix, vers 1490, Galerie de l’Académie, Venise).\r\nEn raison de sa longueur, de sa richesse et de son intérêt stratégique dans Ie texte de Proust, cette séquence permet une étude intéressante et opératoire des rapports qu'entretiennent littérature et peinture dans La Recherche. S'interroger sur la place qu'occupe la peinture dans A la Recherche du temps perdu c'est réfléchir à Ia manière dont la peinture éclaire Ie texte, se propose comme une voie d'accès au sens. Inversement, on pourrait se demander dans quelle mesure la littérature se présente comme un discours sur la peinture proposant une manière de la voir, autrement dit dans quelle mesure Ie tableau se propose dans Ie texte de Proust comme une ekphrasis.\r\n\r\n\r\n","downloadable_attachments":[{"id":68977440,"asset_id":51135837,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":119326621,"first_name":"Nayla","last_name":"Tamraz","domain_name":"usj","page_name":"NaylaTamraz","display_name":"Nayla Tamraz","profile_url":"https://usj.academia.edu/NaylaTamraz?f_ri=19362","photo":"https://0.academia-photos.com/119326621/49987591/37980725/s65_nayla.tamraz.jpeg"}],"research_interests":[{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362","nofollow":false},{"id":751356,"name":"Vittore Carpaccio","url":"https://www.academia.edu/Documents/in/Vittore_Carpaccio?f_ri=19362","nofollow":false},{"id":1742830,"name":"Littérature et peinture","url":"https://www.academia.edu/Documents/in/Litt%C3%A9rature_et_peinture?f_ri=19362","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_44934258" data-work_id="44934258" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/44934258/Tableaux_normands_un_regard_impressionniste_dans_%C3%80_lombre_des_jeunes_filles_en_fleurs">Tableaux normands : un regard impressionniste dans À l'ombre des jeunes filles en fleurs</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">Résumé La partie « Nom de pays : le pays » dans À l’ombre des jeunes filles en fleurs se passe en Normandie. Quelle est son importance et quel rôle assume-t-elle dans l’œuvre ? Nous examinerons des passages de certains écrits de Proust et... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_44934258" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">Résumé<br />La partie « Nom de pays : le pays » dans À l’ombre des jeunes filles en fleurs se passe en Normandie. Quelle est son importance et quel rôle assume-t-elle dans l’œuvre ? Nous examinerons des passages de certains écrits de Proust et des extraits de la critique proustienne concernant ce sujet. L’objectif est de faire émerger les impressions que cette terre évoque dans l’œuvre proustienne.<br />En réalité, la Normandie de À l’ombre des jeunes filles en fleurs peut être considérée comme une galerie d’art: un véritable musée d’œuvres impressionnistes représentant les paysages normands. Certains personnages même du roman sont présentés à travers une sorte de regard impressionniste. Pouvons-nous donc parler de Proust comme écrivain impressionniste ?<br />Dans la partie centrale de notre étude, nous analyserons trois tableaux littéraires tirés de À l’ombre des jeunes filles en fleurs : la description de la Gare Saint Lazare (JFF, p. 6), trait d’union entre Paris et la Normandie, la description d’une falaise normande (JFF, p. 254-255) et la description du Port de Carquethuit (JFF, p. 192-193). Ces passages seront analysés et comparés respectivement à trois tableaux de Monet : La Gare Saint-Lazare, Claude Monet, 1877, (Musée d’Orsay), L’Aiguille et la falaise d’Aval, Claude Monet, 1885, (Massachusetts Musee Giverny) et Bateaux dans le port de Honfleur, Claude Monet, 1866, (Musée Marmottan Monet).<br />Nous présenterons enfin les résultats des analyses des significations des lieux dans les transpositions littéraires et figuratives « impressionnistes » de Proust et Monet.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/44934258" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="1abc217a5e2a506952fed9a5f316c692" rel="nofollow" data-download="{"attachment_id":65460664,"asset_id":44934258,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/65460664/download_file?st=MTczMzAxNzMwMyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="32396495" href="https://urbinoc.academia.edu/ecampagnoli">emilio campagnoli</a><script data-card-contents-for-user="32396495" type="text/json">{"id":32396495,"first_name":"emilio","last_name":"campagnoli","domain_name":"urbinoc","page_name":"ecampagnoli","display_name":"emilio campagnoli","profile_url":"https://urbinoc.academia.edu/ecampagnoli?f_ri=19362","photo":"/images/s65_no_pic.png"}</script></span></span></li><li class="js-paper-rank-work_44934258 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="44934258"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 44934258, container: ".js-paper-rank-work_44934258", }); });</script></li><li class="js-percentile-work_44934258 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 44934258; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_44934258"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_44934258 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="44934258"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44934258; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=44934258]").text(description); $(".js-view-count-work_44934258").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_44934258").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="44934258"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">11</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="660" href="https://www.academia.edu/Documents/in/French_Literature">French Literature</a>, <script data-card-contents-for-ri="660" type="text/json">{"id":660,"name":"French Literature","url":"https://www.academia.edu/Documents/in/French_Literature?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="915" href="https://www.academia.edu/Documents/in/Art_History">Art History</a>, <script data-card-contents-for-ri="915" type="text/json">{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2418" href="https://www.academia.edu/Documents/in/Literature">Literature</a>, <script data-card-contents-for-ri="2418" type="text/json">{"id":2418,"name":"Literature","url":"https://www.academia.edu/Documents/in/Literature?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="14732" href="https://www.academia.edu/Documents/in/Ekphrasis">Ekphrasis</a><script data-card-contents-for-ri="14732" type="text/json">{"id":14732,"name":"Ekphrasis","url":"https://www.academia.edu/Documents/in/Ekphrasis?f_ri=19362","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=44934258]'), work: {"id":44934258,"title":"Tableaux normands : un regard impressionniste dans À l'ombre des jeunes filles en fleurs","created_at":"2021-01-19T04:15:58.948-08:00","url":"https://www.academia.edu/44934258/Tableaux_normands_un_regard_impressionniste_dans_%C3%80_lombre_des_jeunes_filles_en_fleurs?f_ri=19362","dom_id":"work_44934258","summary":"Résumé\nLa partie « Nom de pays : le pays » dans À l’ombre des jeunes filles en fleurs se passe en Normandie. Quelle est son importance et quel rôle assume-t-elle dans l’œuvre ? Nous examinerons des passages de certains écrits de Proust et des extraits de la critique proustienne concernant ce sujet. L’objectif est de faire émerger les impressions que cette terre évoque dans l’œuvre proustienne.\nEn réalité, la Normandie de À l’ombre des jeunes filles en fleurs peut être considérée comme une galerie d’art: un véritable musée d’œuvres impressionnistes représentant les paysages normands. Certains personnages même du roman sont présentés à travers une sorte de regard impressionniste. Pouvons-nous donc parler de Proust comme écrivain impressionniste ?\nDans la partie centrale de notre étude, nous analyserons trois tableaux littéraires tirés de À l’ombre des jeunes filles en fleurs : la description de la Gare Saint Lazare (JFF, p. 6), trait d’union entre Paris et la Normandie, la description d’une falaise normande (JFF, p. 254-255) et la description du Port de Carquethuit (JFF, p. 192-193). Ces passages seront analysés et comparés respectivement à trois tableaux de Monet : La Gare Saint-Lazare, Claude Monet, 1877, (Musée d’Orsay), L’Aiguille et la falaise d’Aval, Claude Monet, 1885, (Massachusetts Musee Giverny) et Bateaux dans le port de Honfleur, Claude Monet, 1866, (Musée Marmottan Monet).\nNous présenterons enfin les résultats des analyses des significations des lieux dans les transpositions littéraires et figuratives « impressionnistes » de Proust et Monet.","downloadable_attachments":[{"id":65460664,"asset_id":44934258,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":32396495,"first_name":"emilio","last_name":"campagnoli","domain_name":"urbinoc","page_name":"ecampagnoli","display_name":"emilio campagnoli","profile_url":"https://urbinoc.academia.edu/ecampagnoli?f_ri=19362","photo":"/images/s65_no_pic.png"}],"research_interests":[{"id":660,"name":"French Literature","url":"https://www.academia.edu/Documents/in/French_Literature?f_ri=19362","nofollow":false},{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History?f_ri=19362","nofollow":false},{"id":2418,"name":"Literature","url":"https://www.academia.edu/Documents/in/Literature?f_ri=19362","nofollow":false},{"id":14732,"name":"Ekphrasis","url":"https://www.academia.edu/Documents/in/Ekphrasis?f_ri=19362","nofollow":false},{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362"},{"id":32969,"name":"French Impressionism","url":"https://www.academia.edu/Documents/in/French_Impressionism?f_ri=19362"},{"id":85180,"name":"Claude Monet","url":"https://www.academia.edu/Documents/in/Claude_Monet?f_ri=19362"},{"id":301992,"name":"Impressionism","url":"https://www.academia.edu/Documents/in/Impressionism?f_ri=19362"},{"id":460255,"name":"Normandie","url":"https://www.academia.edu/Documents/in/Normandie?f_ri=19362"},{"id":465996,"name":"Literary Impressionism","url":"https://www.academia.edu/Documents/in/Literary_Impressionism?f_ri=19362"},{"id":972366,"name":"Transmediality","url":"https://www.academia.edu/Documents/in/Transmediality?f_ri=19362"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_40890804" data-work_id="40890804" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/40890804/Espacios_y_se%C3%B1ales_de_tr%C3%A1nsito_la_humanidad_en_cuesti%C3%B3n_en_la_obra_de_Sbarra_y_Proust">Espacios y señales de tránsito: la humanidad en cuestión en la obra de Sbarra y Proust</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">La espacialidad como categoría que atraviesa la literatura proustiana y sbarriana es una que convierte al arte en un lugar fronterizo o mejor en un lugar de tránsito, y que por ello se vuelve una potente reflexión sobre la vida humana.... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_40890804" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">La espacialidad como categoría que atraviesa la literatura proustiana y sbarriana es una que convierte al arte en un lugar fronterizo o mejor en un lugar de tránsito, y que por ello se vuelve una potente reflexión sobre la vida humana. Este texto busca entonces trazar puentes entre la propuesta ficcional como reflexión sobre el arte, y esta última a su vez como reflexión sobre la vida humana. Quisiera entonces-casi como un capricho-intentar en primer lugar un tránsito entre dos poéticas literarias, intentar unir de forma bidireccional la poética proustiana y la poética sbarriana, como dos lecturas complementarias. Pero no porque una carezca de lo que otra abunda, sino porque en cierto sentido hipotetizo que llegan a una similar concepción de la obra de arte en tanto creación de un espacio del todo peculiar, un espacio en el que la experiencia de la muerte, del dolor y de la humillación adquieren todo su espesor. Y ello es así porque el espacio que ficcionalizan es un espacio ambiguo, enigmático, que conduce de un lugar a otro, de la ficción a la vida, de la verdad al dolor, del amor a la muerte, pero fundamentalmente, de la ficción al sujeto, al lector que lee, que encontrará allí una puesta en escena de sus propios límites. Para ello primero deberemos ver como sus espacios ficcionales son alegorías de la obra de arte. En principio, de ambas obras podría decirse lo que Adorno señala sobre la obra de Valery, a saber, que se mueven "en la angosta cresta entre configuración estética y la reflexión sobre el arte". Pero que al hacerlo, insisto, sus poéticas se vuelve también un poderoso instrumento (¿óptico?) de reflexión sobre la vida, lo que veremos en segundo lugar. En ambos casos, el de Proust y el de Sbarra estos espacios ambiguos, de tránsito, están dados no sólo por los lugares particulares de las escenas, sino también por el lenguaje que sus personajes despliegan.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/40890804" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="4befefce17729b16045354f9c6dfcab5" rel="nofollow" data-download="{"attachment_id":61177222,"asset_id":40890804,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/61177222/download_file?st=MTczMzAxNzMwMyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="41305826" href="https://unlp.academia.edu/LeopoldoRueda">Leopoldo Rueda</a><script data-card-contents-for-user="41305826" type="text/json">{"id":41305826,"first_name":"Leopoldo","last_name":"Rueda","domain_name":"unlp","page_name":"LeopoldoRueda","display_name":"Leopoldo Rueda","profile_url":"https://unlp.academia.edu/LeopoldoRueda?f_ri=19362","photo":"https://0.academia-photos.com/41305826/15396014/18107507/s65_leopoldo.rueda.jpg"}</script></span></span></li><li class="js-paper-rank-work_40890804 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="40890804"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 40890804, container: ".js-paper-rank-work_40890804", }); });</script></li><li class="js-percentile-work_40890804 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 40890804; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_40890804"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_40890804 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="40890804"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 40890804; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=40890804]").text(description); $(".js-view-count-work_40890804").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_40890804").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="40890804"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="19362" href="https://www.academia.edu/Documents/in/Marcel_Proust">Marcel Proust</a>, <script data-card-contents-for-ri="19362" type="text/json">{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="93824" href="https://www.academia.edu/Documents/in/Literatura_Francesa">Literatura Francesa</a>, <script data-card-contents-for-ri="93824" type="text/json">{"id":93824,"name":"Literatura Francesa","url":"https://www.academia.edu/Documents/in/Literatura_Francesa?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="507557" href="https://www.academia.edu/Documents/in/LITERATURA_ARGENTINA_Siglo_XX">LITERATURA ARGENTINA Siglo XX</a>, <script data-card-contents-for-ri="507557" type="text/json">{"id":507557,"name":"LITERATURA ARGENTINA Siglo XX","url":"https://www.academia.edu/Documents/in/LITERATURA_ARGENTINA_Siglo_XX?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="743648" href="https://www.academia.edu/Documents/in/Espacio">Espacio</a><script data-card-contents-for-ri="743648" type="text/json">{"id":743648,"name":"Espacio","url":"https://www.academia.edu/Documents/in/Espacio?f_ri=19362","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=40890804]'), work: {"id":40890804,"title":"Espacios y señales de tránsito: la humanidad en cuestión en la obra de Sbarra y Proust","created_at":"2019-11-10T06:07:21.866-08:00","url":"https://www.academia.edu/40890804/Espacios_y_se%C3%B1ales_de_tr%C3%A1nsito_la_humanidad_en_cuesti%C3%B3n_en_la_obra_de_Sbarra_y_Proust?f_ri=19362","dom_id":"work_40890804","summary":"La espacialidad como categoría que atraviesa la literatura proustiana y sbarriana es una que convierte al arte en un lugar fronterizo o mejor en un lugar de tránsito, y que por ello se vuelve una potente reflexión sobre la vida humana. Este texto busca entonces trazar puentes entre la propuesta ficcional como reflexión sobre el arte, y esta última a su vez como reflexión sobre la vida humana. Quisiera entonces-casi como un capricho-intentar en primer lugar un tránsito entre dos poéticas literarias, intentar unir de forma bidireccional la poética proustiana y la poética sbarriana, como dos lecturas complementarias. Pero no porque una carezca de lo que otra abunda, sino porque en cierto sentido hipotetizo que llegan a una similar concepción de la obra de arte en tanto creación de un espacio del todo peculiar, un espacio en el que la experiencia de la muerte, del dolor y de la humillación adquieren todo su espesor. Y ello es así porque el espacio que ficcionalizan es un espacio ambiguo, enigmático, que conduce de un lugar a otro, de la ficción a la vida, de la verdad al dolor, del amor a la muerte, pero fundamentalmente, de la ficción al sujeto, al lector que lee, que encontrará allí una puesta en escena de sus propios límites. Para ello primero deberemos ver como sus espacios ficcionales son alegorías de la obra de arte. En principio, de ambas obras podría decirse lo que Adorno señala sobre la obra de Valery, a saber, que se mueven \"en la angosta cresta entre configuración estética y la reflexión sobre el arte\". Pero que al hacerlo, insisto, sus poéticas se vuelve también un poderoso instrumento (¿óptico?) de reflexión sobre la vida, lo que veremos en segundo lugar. En ambos casos, el de Proust y el de Sbarra estos espacios ambiguos, de tránsito, están dados no sólo por los lugares particulares de las escenas, sino también por el lenguaje que sus personajes despliegan.","downloadable_attachments":[{"id":61177222,"asset_id":40890804,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":41305826,"first_name":"Leopoldo","last_name":"Rueda","domain_name":"unlp","page_name":"LeopoldoRueda","display_name":"Leopoldo Rueda","profile_url":"https://unlp.academia.edu/LeopoldoRueda?f_ri=19362","photo":"https://0.academia-photos.com/41305826/15396014/18107507/s65_leopoldo.rueda.jpg"}],"research_interests":[{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362","nofollow":false},{"id":93824,"name":"Literatura Francesa","url":"https://www.academia.edu/Documents/in/Literatura_Francesa?f_ri=19362","nofollow":false},{"id":507557,"name":"LITERATURA ARGENTINA Siglo XX","url":"https://www.academia.edu/Documents/in/LITERATURA_ARGENTINA_Siglo_XX?f_ri=19362","nofollow":false},{"id":743648,"name":"Espacio","url":"https://www.academia.edu/Documents/in/Espacio?f_ri=19362","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_7434129" data-work_id="7434129" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/7434129/Self_Shock_The_Phenomenon_of_Personal_Non_identity_in_Inorganic_Subjectivity">Self Shock: The Phenomenon of Personal Non-identity in Inorganic Subjectivity</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">For both Merleau-Ponty and Deleuze, time is the affecting of self by self. Yet, the nature of this self-affection, as well as the temporal structure it produces, is fundamentally different in each case. In Merleau-Ponty’s model, the self... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_7434129" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">For both Merleau-Ponty and Deleuze, time is the affecting of self by self. Yet, the nature of this self-affection, as well as the temporal structure it produces, is fundamentally different in each case. In Merleau-Ponty’s model, the self ’s variations are united by time’s continuous thrust. However for Deleuze, self variation is far more radical. Our self immediately varies from itself: we are always both ourselves and not-ourselves at every singular moment and not just over the course of multiple successive nows. While for Merleau-Ponty our temporal moments are organically integrated with each other, for Deleuze time is composed of a series of caesuras which are like the Dedekind cuts that constitute a numerical continuity. We will examine (1) how Merleau-Ponty’s organic temporality arises from a subject’s continuously integrated personal identity and (2) how in contrast for Deleuze a continuously disjunctive temporality is produced by the personal non-identity of a differentially composed subject. We then evaluate by asking, which model better explains the phenomenon of selfhood, that is, the appearing of oneself to oneself? Building from Deleuze’s elaborations and examples, we conclude that we appear to ourselves most phenomenally when we experience differences in ourselves, like when upon looking in a mirror, we become shocked by an abruptly noticed sign of age that makes us for a moment unable to recognize ourselves.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/7434129" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="8a73d88c82354ecc5c81b803f780836c" rel="nofollow" data-download="{"attachment_id":34021406,"asset_id":7434129,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/34021406/download_file?st=MTczMzAxNzMwMyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="245061" href="https://metu.academia.edu/CorryShores">Corry Shores</a><script data-card-contents-for-user="245061" type="text/json">{"id":245061,"first_name":"Corry","last_name":"Shores","domain_name":"metu","page_name":"CorryShores","display_name":"Corry Shores","profile_url":"https://metu.academia.edu/CorryShores?f_ri=19362","photo":"https://0.academia-photos.com/245061/387865/12209184/s65_corry.shores.jpg"}</script></span></span></li><li class="js-paper-rank-work_7434129 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="7434129"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 7434129, container: ".js-paper-rank-work_7434129", }); });</script></li><li class="js-percentile-work_7434129 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 7434129; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_7434129"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_7434129 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="7434129"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 7434129; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=7434129]").text(description); $(".js-view-count-work_7434129").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_7434129").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="7434129"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">22</a>  </div><span class="InlineList-item-text u-textTruncate u-pl10x"><a class="InlineList-item-text" data-has-card-for-ri="833" href="https://www.academia.edu/Documents/in/Greek_Tragedy">Greek Tragedy</a>, <script data-card-contents-for-ri="833" type="text/json">{"id":833,"name":"Greek Tragedy","url":"https://www.academia.edu/Documents/in/Greek_Tragedy?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="849" href="https://www.academia.edu/Documents/in/Kant">Kant</a>, <script data-card-contents-for-ri="849" type="text/json">{"id":849,"name":"Kant","url":"https://www.academia.edu/Documents/in/Kant?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="5178" href="https://www.academia.edu/Documents/in/Phenomenology">Phenomenology</a>, <script data-card-contents-for-ri="5178" type="text/json">{"id":5178,"name":"Phenomenology","url":"https://www.academia.edu/Documents/in/Phenomenology?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="6028" href="https://www.academia.edu/Documents/in/Kant-studies">Kant-studies</a><script data-card-contents-for-ri="6028" type="text/json">{"id":6028,"name":"Kant-studies","url":"https://www.academia.edu/Documents/in/Kant-studies?f_ri=19362","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=7434129]'), work: {"id":7434129,"title":"Self Shock: The Phenomenon of Personal Non-identity in Inorganic Subjectivity","created_at":"2014-06-23T05:34:09.848-07:00","url":"https://www.academia.edu/7434129/Self_Shock_The_Phenomenon_of_Personal_Non_identity_in_Inorganic_Subjectivity?f_ri=19362","dom_id":"work_7434129","summary":"For both Merleau-Ponty and Deleuze, time is the affecting of self by self. Yet, the nature of this self-affection, as well as the temporal structure it produces, is fundamentally different in each case. In Merleau-Ponty’s model, the self ’s variations are united by time’s continuous thrust. However for Deleuze, self variation is far more radical. Our self immediately varies from itself: we are always both ourselves and not-ourselves at every singular moment and not just over the course of multiple successive nows. While for Merleau-Ponty our temporal moments are organically integrated with each other, for Deleuze time is composed of a series of caesuras which are like the Dedekind cuts that constitute a numerical continuity. We will examine (1) how Merleau-Ponty’s organic temporality arises from a subject’s continuously integrated personal identity and (2) how in contrast for Deleuze a continuously disjunctive temporality is produced by the personal non-identity of a differentially composed subject. We then evaluate by asking, which model better explains the phenomenon of selfhood, that is, the appearing of oneself to oneself? Building from Deleuze’s elaborations and examples, we conclude that we appear to ourselves most phenomenally when we experience differences in ourselves, like when upon looking in a mirror, we become shocked by an abruptly noticed sign of age that makes us for a moment unable to recognize ourselves.","downloadable_attachments":[{"id":34021406,"asset_id":7434129,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":245061,"first_name":"Corry","last_name":"Shores","domain_name":"metu","page_name":"CorryShores","display_name":"Corry Shores","profile_url":"https://metu.academia.edu/CorryShores?f_ri=19362","photo":"https://0.academia-photos.com/245061/387865/12209184/s65_corry.shores.jpg"}],"research_interests":[{"id":833,"name":"Greek Tragedy","url":"https://www.academia.edu/Documents/in/Greek_Tragedy?f_ri=19362","nofollow":false},{"id":849,"name":"Kant","url":"https://www.academia.edu/Documents/in/Kant?f_ri=19362","nofollow":false},{"id":5178,"name":"Phenomenology","url":"https://www.academia.edu/Documents/in/Phenomenology?f_ri=19362","nofollow":false},{"id":6028,"name":"Kant-studies","url":"https://www.academia.edu/Documents/in/Kant-studies?f_ri=19362","nofollow":false},{"id":8302,"name":"Gilles Deleuze","url":"https://www.academia.edu/Documents/in/Gilles_Deleuze?f_ri=19362"},{"id":8418,"name":"Maurice Merleau-Ponty","url":"https://www.academia.edu/Documents/in/Maurice_Merleau-Ponty?f_ri=19362"},{"id":14617,"name":"Phenomenology of the body","url":"https://www.academia.edu/Documents/in/Phenomenology_of_the_body?f_ri=19362"},{"id":14989,"name":"Philosophy of Time","url":"https://www.academia.edu/Documents/in/Philosophy_of_Time?f_ri=19362"},{"id":16031,"name":"Immanuel Kant","url":"https://www.academia.edu/Documents/in/Immanuel_Kant?f_ri=19362"},{"id":16603,"name":"Personal Identity","url":"https://www.academia.edu/Documents/in/Personal_Identity?f_ri=19362"},{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362"},{"id":19915,"name":"Gilles Deleuze and Felix Guattari","url":"https://www.academia.edu/Documents/in/Gilles_Deleuze_and_Felix_Guattari?f_ri=19362"},{"id":21902,"name":"Time Perception","url":"https://www.academia.edu/Documents/in/Time_Perception?f_ri=19362"},{"id":25208,"name":"Sophocles","url":"https://www.academia.edu/Documents/in/Sophocles?f_ri=19362"},{"id":26193,"name":"Merleau-Ponty","url":"https://www.academia.edu/Documents/in/Merleau-Ponty?f_ri=19362"},{"id":36190,"name":"Cultural Astronomy","url":"https://www.academia.edu/Documents/in/Cultural_Astronomy?f_ri=19362"},{"id":57381,"name":"Hamlet","url":"https://www.academia.edu/Documents/in/Hamlet?f_ri=19362"},{"id":66845,"name":"Friedrich Holderlin","url":"https://www.academia.edu/Documents/in/Friedrich_Holderlin?f_ri=19362"},{"id":92071,"name":"Arthur Rimbaud","url":"https://www.academia.edu/Documents/in/Arthur_Rimbaud?f_ri=19362"},{"id":104313,"name":"Phenomenology of Time","url":"https://www.academia.edu/Documents/in/Phenomenology_of_Time?f_ri=19362"},{"id":710673,"name":"Phenomenology of time-consciousness","url":"https://www.academia.edu/Documents/in/Phenomenology_of_time-consciousness?f_ri=19362"},{"id":748127,"name":"Holderlin","url":"https://www.academia.edu/Documents/in/Holderlin?f_ri=19362"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_4465688" data-work_id="4465688" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/4465688/_A_la_recherche_de_Parsifal_de_Richard_Wagner_dans_l_%C5%93uvre_de_Marcel_Proust_Bulletin_Marcel_Proust_no_54_101_113"> «A la recherche de Parsifal de Richard Wagner dans l’œuvre de Marcel Proust», Bulletin Marcel Proust no 54, 101-113. </a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/4465688" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="9ab69706b27ae572d5a122b86f9ca0ac" rel="nofollow" data-download="{"attachment_id":31874347,"asset_id":4465688,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/31874347/download_file?st=MTczMzAxNzMwMyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="5514409" href="https://independent.academia.edu/KarlLundahl">Kalle Lundahl</a><script data-card-contents-for-user="5514409" type="text/json">{"id":5514409,"first_name":"Kalle","last_name":"Lundahl","domain_name":"independent","page_name":"KarlLundahl","display_name":"Kalle Lundahl","profile_url":"https://independent.academia.edu/KarlLundahl?f_ri=19362","photo":"https://0.academia-photos.com/5514409/2418859/21629730/s65_kalle.lundahl.jpg"}</script></span></span></li><li class="js-paper-rank-work_4465688 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="4465688"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 4465688, container: ".js-paper-rank-work_4465688", }); });</script></li><li class="js-percentile-work_4465688 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 4465688; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_4465688"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_4465688 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="4465688"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 4465688; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=4465688]").text(description); $(".js-view-count-work_4465688").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_4465688").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="4465688"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">3</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="19362" href="https://www.academia.edu/Documents/in/Marcel_Proust">Marcel Proust</a>, <script data-card-contents-for-ri="19362" type="text/json">{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="42172" href="https://www.academia.edu/Documents/in/Richard_Wagner">Richard Wagner</a>, <script data-card-contents-for-ri="42172" type="text/json">{"id":42172,"name":"Richard Wagner","url":"https://www.academia.edu/Documents/in/Richard_Wagner?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="1311538" href="https://www.academia.edu/Documents/in/Parsifal">Parsifal</a><script data-card-contents-for-ri="1311538" type="text/json">{"id":1311538,"name":"Parsifal","url":"https://www.academia.edu/Documents/in/Parsifal?f_ri=19362","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=4465688]'), work: {"id":4465688,"title":" «A la recherche de Parsifal de Richard Wagner dans l’œuvre de Marcel Proust», Bulletin Marcel Proust no 54, 101-113. ","created_at":"2013-09-11T20:10:57.825-07:00","url":"https://www.academia.edu/4465688/_A_la_recherche_de_Parsifal_de_Richard_Wagner_dans_l_%C5%93uvre_de_Marcel_Proust_Bulletin_Marcel_Proust_no_54_101_113?f_ri=19362","dom_id":"work_4465688","summary":null,"downloadable_attachments":[{"id":31874347,"asset_id":4465688,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":5514409,"first_name":"Kalle","last_name":"Lundahl","domain_name":"independent","page_name":"KarlLundahl","display_name":"Kalle Lundahl","profile_url":"https://independent.academia.edu/KarlLundahl?f_ri=19362","photo":"https://0.academia-photos.com/5514409/2418859/21629730/s65_kalle.lundahl.jpg"}],"research_interests":[{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362","nofollow":false},{"id":42172,"name":"Richard Wagner","url":"https://www.academia.edu/Documents/in/Richard_Wagner?f_ri=19362","nofollow":false},{"id":1311538,"name":"Parsifal","url":"https://www.academia.edu/Documents/in/Parsifal?f_ri=19362","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_43092278" data-work_id="43092278" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/43092278/PROUST_Marcel_A_la_recherche_du_temps_perdu_I">PROUST Marcel, A la recherche du temps perdu I</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Écrivain et romancier français (1919) [1938] À la recherche du temps perdu. Tome I. Du côté de chez Swann (Première partie) LES CLASSIQUES DES SCIENCES SOCIALES CHICOUTIMI, QUÉBEC</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/43092278" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="28c74f3606daa263feb6c6a4c6b60545" rel="nofollow" data-download="{"attachment_id":63345728,"asset_id":43092278,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/63345728/download_file?st=MTczMzAxNzMwMyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="16600681" href="https://cnrs.academia.edu/DanielBoulagnon">Daniel Boulagnon</a><script data-card-contents-for-user="16600681" type="text/json">{"id":16600681,"first_name":"Daniel","last_name":"Boulagnon","domain_name":"cnrs","page_name":"DanielBoulagnon","display_name":"Daniel Boulagnon","profile_url":"https://cnrs.academia.edu/DanielBoulagnon?f_ri=19362","photo":"/images/s65_no_pic.png"}</script></span></span></li><li class="js-paper-rank-work_43092278 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="43092278"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 43092278, container: ".js-paper-rank-work_43092278", }); });</script></li><li class="js-percentile-work_43092278 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 43092278; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_43092278"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_43092278 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="43092278"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 43092278; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=43092278]").text(description); $(".js-view-count-work_43092278").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_43092278").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="43092278"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">6</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="660" href="https://www.academia.edu/Documents/in/French_Literature">French Literature</a>, <script data-card-contents-for-ri="660" type="text/json">{"id":660,"name":"French Literature","url":"https://www.academia.edu/Documents/in/French_Literature?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="2418" href="https://www.academia.edu/Documents/in/Literature">Literature</a>, <script data-card-contents-for-ri="2418" type="text/json">{"id":2418,"name":"Literature","url":"https://www.academia.edu/Documents/in/Literature?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="19362" href="https://www.academia.edu/Documents/in/Marcel_Proust">Marcel Proust</a>, <script data-card-contents-for-ri="19362" type="text/json">{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="50363" href="https://www.academia.edu/Documents/in/Literatura">Literatura</a><script data-card-contents-for-ri="50363" type="text/json">{"id":50363,"name":"Literatura","url":"https://www.academia.edu/Documents/in/Literatura?f_ri=19362","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=43092278]'), work: {"id":43092278,"title":"PROUST Marcel, A la recherche du temps perdu I","created_at":"2020-05-18T01:28:16.246-07:00","url":"https://www.academia.edu/43092278/PROUST_Marcel_A_la_recherche_du_temps_perdu_I?f_ri=19362","dom_id":"work_43092278","summary":"Écrivain et romancier français (1919) [1938] À la recherche du temps perdu. Tome I. Du côté de chez Swann (Première partie) LES CLASSIQUES DES SCIENCES SOCIALES CHICOUTIMI, QUÉBEC","downloadable_attachments":[{"id":63345728,"asset_id":43092278,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":16600681,"first_name":"Daniel","last_name":"Boulagnon","domain_name":"cnrs","page_name":"DanielBoulagnon","display_name":"Daniel Boulagnon","profile_url":"https://cnrs.academia.edu/DanielBoulagnon?f_ri=19362","photo":"/images/s65_no_pic.png"}],"research_interests":[{"id":660,"name":"French Literature","url":"https://www.academia.edu/Documents/in/French_Literature?f_ri=19362","nofollow":false},{"id":2418,"name":"Literature","url":"https://www.academia.edu/Documents/in/Literature?f_ri=19362","nofollow":false},{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362","nofollow":false},{"id":50363,"name":"Literatura","url":"https://www.academia.edu/Documents/in/Literatura?f_ri=19362","nofollow":false},{"id":106154,"name":"Littérature Française","url":"https://www.academia.edu/Documents/in/Litt%C3%A9rature_Fran%C3%A7aise?f_ri=19362"},{"id":151220,"name":"Proust","url":"https://www.academia.edu/Documents/in/Proust?f_ri=19362"}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_49008346" data-work_id="49008346" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/49008346/Contre_Sainte_Beuve_dans_Soixante_quinze_Feuillets">Contre Sainte-Beuve dans Soixante-quinze Feuillets</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest"><div class="summarized">La publication des Soixante-quinze feuillets de Marcel Proust conduit à relire "Contre Sainte-Beuve". Et la leçon des deux lectures est que, dans l'anamorphose demandée pour comprendre "A la Recherche du Temps perdu", l'édition augmentée... <a class="more_link u-tcGrayDark u-linkUnstyled" data-container=".work_49008346" data-show=".complete" data-hide=".summarized" data-more-link-behavior="true" href="#">more</a></div><div class="complete hidden">La publication des Soixante-quinze feuillets de Marcel Proust conduit à relire "Contre Sainte-Beuve". Et la leçon des deux lectures est que, dans l'anamorphose demandée pour comprendre "A la Recherche du Temps perdu", l'édition augmentée de "Proust et les signes",  seule, donne le bon point de vue.</div></div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/49008346" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="983e137cdb679389d2a52d7b371c16e0" rel="nofollow" data-download="{"attachment_id":67396967,"asset_id":49008346,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/67396967/download_file?st=MTczMzAxNzMwMyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="448539" href="https://cef.academia.edu/JeanClaudeDumoncel">Jean-Claude Dumoncel</a><script data-card-contents-for-user="448539" type="text/json">{"id":448539,"first_name":"Jean-Claude","last_name":"Dumoncel","domain_name":"cef","page_name":"JeanClaudeDumoncel","display_name":"Jean-Claude Dumoncel","profile_url":"https://cef.academia.edu/JeanClaudeDumoncel?f_ri=19362","photo":"/images/s65_no_pic.png"}</script></span></span></li><li class="js-paper-rank-work_49008346 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="49008346"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 49008346, container: ".js-paper-rank-work_49008346", }); });</script></li><li class="js-percentile-work_49008346 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 49008346; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_49008346"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_49008346 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="49008346"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 49008346; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=49008346]").text(description); $(".js-view-count-work_49008346").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_49008346").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="49008346"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">4</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="361" href="https://www.academia.edu/Documents/in/Modal_Logic">Modal Logic</a>, <script data-card-contents-for-ri="361" type="text/json">{"id":361,"name":"Modal Logic","url":"https://www.academia.edu/Documents/in/Modal_Logic?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="8302" href="https://www.academia.edu/Documents/in/Gilles_Deleuze">Gilles Deleuze</a>, <script data-card-contents-for-ri="8302" type="text/json">{"id":8302,"name":"Gilles Deleuze","url":"https://www.academia.edu/Documents/in/Gilles_Deleuze?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="18128" href="https://www.academia.edu/Documents/in/Gottfried_Wilhelm_Leibniz">Gottfried Wilhelm Leibniz</a>, <script data-card-contents-for-ri="18128" type="text/json">{"id":18128,"name":"Gottfried Wilhelm Leibniz","url":"https://www.academia.edu/Documents/in/Gottfried_Wilhelm_Leibniz?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="19362" href="https://www.academia.edu/Documents/in/Marcel_Proust">Marcel Proust</a><script data-card-contents-for-ri="19362" type="text/json">{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=49008346]'), work: {"id":49008346,"title":"Contre Sainte-Beuve dans Soixante-quinze Feuillets","created_at":"2021-05-22T04:04:54.353-07:00","url":"https://www.academia.edu/49008346/Contre_Sainte_Beuve_dans_Soixante_quinze_Feuillets?f_ri=19362","dom_id":"work_49008346","summary":"La publication des Soixante-quinze feuillets de Marcel Proust conduit à relire \"Contre Sainte-Beuve\". Et la leçon des deux lectures est que, dans l'anamorphose demandée pour comprendre \"A la Recherche du Temps perdu\", l'édition augmentée de \"Proust et les signes\", seule, donne le bon point de vue.","downloadable_attachments":[{"id":67396967,"asset_id":49008346,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":448539,"first_name":"Jean-Claude","last_name":"Dumoncel","domain_name":"cef","page_name":"JeanClaudeDumoncel","display_name":"Jean-Claude Dumoncel","profile_url":"https://cef.academia.edu/JeanClaudeDumoncel?f_ri=19362","photo":"/images/s65_no_pic.png"}],"research_interests":[{"id":361,"name":"Modal Logic","url":"https://www.academia.edu/Documents/in/Modal_Logic?f_ri=19362","nofollow":false},{"id":8302,"name":"Gilles Deleuze","url":"https://www.academia.edu/Documents/in/Gilles_Deleuze?f_ri=19362","nofollow":false},{"id":18128,"name":"Gottfried Wilhelm Leibniz","url":"https://www.academia.edu/Documents/in/Gottfried_Wilhelm_Leibniz?f_ri=19362","nofollow":false},{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_36933595" data-work_id="36933595" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/36933595/_%C3%80_la_recherche_du_m%C3%A9decin_philosophe_Der_Proustsche_Arzt_zwischen_Beruf_und_Berufung_Marcel_Proust_und_die_Medizin_Berlin_Insel_Verlag_2014_pp_109_127">" 'À la recherche du médecin philosophe: Der Proustsche Arzt zwischen Beruf und Berufung', Marcel Proust und die Medizin (Berlin: Insel Verlag, 2014), pp. 109-127</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/36933595" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="ded077dac0a69a578474097f193cc758" rel="nofollow" data-download="{"attachment_id":57420895,"asset_id":36933595,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/57420895/download_file?st=MTczMzAxNzMwMyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="123391" href="https://unisg.academia.edu/AnnaMagdalenaElsner">Anna Magdalena Elsner</a><script data-card-contents-for-user="123391" type="text/json">{"id":123391,"first_name":"Anna Magdalena","last_name":"Elsner","domain_name":"unisg","page_name":"AnnaMagdalenaElsner","display_name":"Anna Magdalena Elsner","profile_url":"https://unisg.academia.edu/AnnaMagdalenaElsner?f_ri=19362","photo":"https://0.academia-photos.com/123391/32991/19777799/s65_anna_magdalena.elsner.jpg"}</script></span></span></li><li class="js-paper-rank-work_36933595 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="36933595"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 36933595, container: ".js-paper-rank-work_36933595", }); });</script></li><li class="js-percentile-work_36933595 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 36933595; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_36933595"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_36933595 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="36933595"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 36933595; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=36933595]").text(description); $(".js-view-count-work_36933595").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_36933595").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="36933595"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i></div><span class="InlineList-item-text u-textTruncate u-pl6x"><a class="InlineList-item-text" data-has-card-for-ri="19362" href="https://www.academia.edu/Documents/in/Marcel_Proust">Marcel Proust</a><script data-card-contents-for-ri="19362" type="text/json">{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362","nofollow":false}</script></span></li><script>(function(){ if (false) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=36933595]'), work: {"id":36933595,"title":"\"\t'À la recherche du médecin philosophe: Der Proustsche Arzt zwischen Beruf und Berufung', Marcel Proust und die Medizin (Berlin: Insel Verlag, 2014), pp. 109-127","created_at":"2018-06-28T01:46:31.367-07:00","url":"https://www.academia.edu/36933595/_%C3%80_la_recherche_du_m%C3%A9decin_philosophe_Der_Proustsche_Arzt_zwischen_Beruf_und_Berufung_Marcel_Proust_und_die_Medizin_Berlin_Insel_Verlag_2014_pp_109_127?f_ri=19362","dom_id":"work_36933595","summary":null,"downloadable_attachments":[{"id":57420895,"asset_id":36933595,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":123391,"first_name":"Anna Magdalena","last_name":"Elsner","domain_name":"unisg","page_name":"AnnaMagdalenaElsner","display_name":"Anna Magdalena Elsner","profile_url":"https://unisg.academia.edu/AnnaMagdalenaElsner?f_ri=19362","photo":"https://0.academia-photos.com/123391/32991/19777799/s65_anna_magdalena.elsner.jpg"}],"research_interests":[{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_24657268" data-work_id="24657268" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/24657268/La_conception_de_loeuvre_dart_chez_Proust_face_%C3%A0_Elstir">La conception de l'oeuvre d'art chez Proust : face à Elstir</a></div></div><div class="u-pb4x u-mt3x"></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/24657268" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="36d8c822d2696914b3976d488e9f01eb" rel="nofollow" data-download="{"attachment_id":44985072,"asset_id":24657268,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/44985072/download_file?st=MTczMzAxNzMwMyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="47532136" href="https://unil.academia.edu/ThibaultLeuenberger">Thibault Leuenberger</a><script data-card-contents-for-user="47532136" type="text/json">{"id":47532136,"first_name":"Thibault","last_name":"Leuenberger","domain_name":"unil","page_name":"ThibaultLeuenberger","display_name":"Thibault Leuenberger","profile_url":"https://unil.academia.edu/ThibaultLeuenberger?f_ri=19362","photo":"https://0.academia-photos.com/47532136/12534859/13947286/s65_thibault.leuenberger.jpg"}</script></span></span></li><li class="js-paper-rank-work_24657268 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="24657268"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 24657268, container: ".js-paper-rank-work_24657268", }); });</script></li><li class="js-percentile-work_24657268 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 24657268; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_24657268"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_24657268 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="24657268"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 24657268; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=24657268]").text(description); $(".js-view-count-work_24657268").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_24657268").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="24657268"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i></div><span class="InlineList-item-text u-textTruncate u-pl6x"><a class="InlineList-item-text" data-has-card-for-ri="19362" href="https://www.academia.edu/Documents/in/Marcel_Proust">Marcel Proust</a><script data-card-contents-for-ri="19362" type="text/json">{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362","nofollow":false}</script></span></li><script>(function(){ if (false) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=24657268]'), work: {"id":24657268,"title":"La conception de l'oeuvre d'art chez Proust : face à Elstir","created_at":"2016-04-22T05:12:13.294-07:00","url":"https://www.academia.edu/24657268/La_conception_de_loeuvre_dart_chez_Proust_face_%C3%A0_Elstir?f_ri=19362","dom_id":"work_24657268","summary":null,"downloadable_attachments":[{"id":44985072,"asset_id":24657268,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":47532136,"first_name":"Thibault","last_name":"Leuenberger","domain_name":"unil","page_name":"ThibaultLeuenberger","display_name":"Thibault Leuenberger","profile_url":"https://unil.academia.edu/ThibaultLeuenberger?f_ri=19362","photo":"https://0.academia-photos.com/47532136/12534859/13947286/s65_thibault.leuenberger.jpg"}],"research_interests":[{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362","nofollow":false}]}, }) } })();</script></ul></li></ul></div></div><div class="u-borderBottom1 u-borderColorGrayLighter"><div class="clearfix u-pv7x u-mb0x js-work-card work_15414955" data-work_id="15414955" itemscope="itemscope" itemtype="https://schema.org/ScholarlyArticle"><div class="header"><div class="title u-fontSerif u-fs22 u-lineHeight1_3"><a class="u-tcGrayDarkest js-work-link" href="https://www.academia.edu/15414955/Die_Welt_als_Bild_Benjamin_Heidegger_Proust_">Die Welt als Bild (Benjamin, Heidegger, Proust)</a></div></div><div class="u-pb4x u-mt3x"><div class="summary u-fs14 u-fw300 u-lineHeight1_5 u-tcGrayDarkest">Zur Domestizierung der Fremde durch den Kitsch im<br />19. Jahrhundert am Beispiel von Weltausstellung und Interieur</div></div><ul class="InlineList u-ph0x u-fs13"><li class="InlineList-item logged_in_only"><div class="share_on_academia_work_button"><a class="academia_share Button Button--inverseBlue Button--sm js-bookmark-button" data-academia-share="Work/15414955" data-share-source="work_strip" data-spinner="small_white_hide_contents"><i class="fa fa-plus"></i><span class="work-strip-link-text u-ml1x" data-content="button_text">Bookmark</span></a></div></li><li class="InlineList-item"><div class="download"><a id="26863344083f28001b292712d80f80e5" rel="nofollow" data-download="{"attachment_id":38673704,"asset_id":15414955,"asset_type":"Work","always_allow_download":false,"track":null,"button_location":"work_strip","source":null,"hide_modal":null}" class="Button Button--sm Button--inverseGreen js-download-button prompt_button doc_download" href="https://www.academia.edu/attachments/38673704/download_file?st=MTczMzAxNzMwMyw4LjIyMi4yMDguMTQ2&s=work_strip"><i class="fa fa-arrow-circle-o-down fa-lg"></i><span class="u-textUppercase u-ml1x" data-content="button_text">Download</span></a></div></li><li class="InlineList-item"><ul class="InlineList InlineList--bordered u-ph0x"><li class="InlineList-item InlineList-item--bordered"><span class="InlineList-item-text">by <span itemscope="itemscope" itemprop="author" itemtype="https://schema.org/Person"><a class="u-tcGrayDark u-fw700" data-has-card-for-user="3780011" href="https://mwn.academia.edu/DominikFinkelde">Dominik Finkelde</a><script data-card-contents-for-user="3780011" type="text/json">{"id":3780011,"first_name":"Dominik","last_name":"Finkelde","domain_name":"mwn","page_name":"DominikFinkelde","display_name":"Dominik Finkelde","profile_url":"https://mwn.academia.edu/DominikFinkelde?f_ri=19362","photo":"https://0.academia-photos.com/3780011/6724861/112374556/s65_dominik.finkelde.jpg"}</script></span></span></li><li class="js-paper-rank-work_15414955 InlineList-item InlineList-item--bordered hidden"><span class="js-paper-rank-view hidden u-tcGrayDark" data-paper-rank-work-id="15414955"><i class="u-m1x fa fa-bar-chart"></i><strong class="js-paper-rank"></strong></span><script>$(function() { new Works.PaperRankView({ workId: 15414955, container: ".js-paper-rank-work_15414955", }); });</script></li><li class="js-percentile-work_15414955 InlineList-item InlineList-item--bordered hidden u-tcGrayDark"><span class="percentile-widget hidden"><span class="u-mr2x percentile-widget" style="display: none">•</span><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 15414955; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-percentile-work_15414955"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></li><li class="js-view-count-work_15414955 InlineList-item InlineList-item--bordered hidden"><div><span><span class="js-view-count view-count u-mr2x" data-work-id="15414955"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 15414955; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=15414955]").text(description); $(".js-view-count-work_15414955").attr('title', description).tooltip(); }); });</script></span><script>$(function() { $(".js-view-count-work_15414955").removeClass('hidden') })</script></div></li><li class="InlineList-item u-positionRelative" style="max-width: 250px"><div class="u-positionAbsolute" data-has-card-for-ri-list="15414955"><i class="fa fa-tag InlineList-item-icon u-positionRelative"></i>  <a class="InlineList-item-text u-positionRelative">5</a>  </div><span class="InlineList-item-text u-textTruncate u-pl9x"><a class="InlineList-item-text" data-has-card-for-ri="8" href="https://www.academia.edu/Documents/in/Critical_Theory">Critical Theory</a>, <script data-card-contents-for-ri="8" type="text/json">{"id":8,"name":"Critical Theory","url":"https://www.academia.edu/Documents/in/Critical_Theory?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="8330" href="https://www.academia.edu/Documents/in/Walter_Benjamin">Walter Benjamin</a>, <script data-card-contents-for-ri="8330" type="text/json">{"id":8330,"name":"Walter Benjamin","url":"https://www.academia.edu/Documents/in/Walter_Benjamin?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="8437" href="https://www.academia.edu/Documents/in/Martin_Heidegger">Martin Heidegger</a>, <script data-card-contents-for-ri="8437" type="text/json">{"id":8437,"name":"Martin Heidegger","url":"https://www.academia.edu/Documents/in/Martin_Heidegger?f_ri=19362","nofollow":false}</script><a class="InlineList-item-text" data-has-card-for-ri="16787" href="https://www.academia.edu/Documents/in/Fin_de_Siecle_Literature_and_Culture">Fin de Siecle Literature & Culture</a><script data-card-contents-for-ri="16787" type="text/json">{"id":16787,"name":"Fin de Siecle Literature \u0026 Culture","url":"https://www.academia.edu/Documents/in/Fin_de_Siecle_Literature_and_Culture?f_ri=19362","nofollow":false}</script></span></li><script>(function(){ if (true) { new Aedu.ResearchInterestListCard({ el: $('*[data-has-card-for-ri-list=15414955]'), work: {"id":15414955,"title":"Die Welt als Bild (Benjamin, Heidegger, Proust)","created_at":"2015-09-05T04:29:04.626-07:00","url":"https://www.academia.edu/15414955/Die_Welt_als_Bild_Benjamin_Heidegger_Proust_?f_ri=19362","dom_id":"work_15414955","summary":"Zur Domestizierung der Fremde durch den Kitsch im\n19. Jahrhundert am Beispiel von Weltausstellung und Interieur","downloadable_attachments":[{"id":38673704,"asset_id":15414955,"asset_type":"Work","always_allow_download":false}],"ordered_authors":[{"id":3780011,"first_name":"Dominik","last_name":"Finkelde","domain_name":"mwn","page_name":"DominikFinkelde","display_name":"Dominik Finkelde","profile_url":"https://mwn.academia.edu/DominikFinkelde?f_ri=19362","photo":"https://0.academia-photos.com/3780011/6724861/112374556/s65_dominik.finkelde.jpg"}],"research_interests":[{"id":8,"name":"Critical Theory","url":"https://www.academia.edu/Documents/in/Critical_Theory?f_ri=19362","nofollow":false},{"id":8330,"name":"Walter Benjamin","url":"https://www.academia.edu/Documents/in/Walter_Benjamin?f_ri=19362","nofollow":false},{"id":8437,"name":"Martin Heidegger","url":"https://www.academia.edu/Documents/in/Martin_Heidegger?f_ri=19362","nofollow":false},{"id":16787,"name":"Fin de Siecle Literature \u0026 Culture","url":"https://www.academia.edu/Documents/in/Fin_de_Siecle_Literature_and_Culture?f_ri=19362","nofollow":false},{"id":19362,"name":"Marcel Proust","url":"https://www.academia.edu/Documents/in/Marcel_Proust?f_ri=19362"}]}, }) } })();</script></ul></li></ul></div></div></div><div class="u-taCenter Pagination"><ul class="pagination"><li class="next_page"><a href="/Documents/in/Marcel_Proust?after=50%2C15414955" rel="next">Next</a></li><li class="last next"><a href="/Documents/in/Marcel_Proust?page=last">Last »</a></li></ul></div></div><div class="hidden-xs hidden-sm"><div class="u-pl6x"><div style="width: 300px;"><div class="panel panel-flat u-mt7x"><div class="panel-heading u-p5x"><div class="u-tcGrayDark u-taCenter u-fw700 u-textUppercase">Related Topics</div></div><ul class="list-group"><li class="list-group-item media_v2 u-mt0x u-p3x"><div class="media-body"><div class="u-tcGrayDarker u-fw700"><a class="u-tcGrayDarker" href="https://www.academia.edu/Documents/in/20th_Century_French_Literature">20th Century French Literature</a></div></div><div class="media-right media-middle"><a class="u-tcGreen u-textDecorationNone u-linkUnstyled u-fw500 hidden" data-follow-ri-id="15714">Follow</a><a class="u-tcGray u-textDecorationNone u-linkUnstyled u-fw500 hidden" data-unfollow-ri-id="15714">Following</a></div></li><li class="list-group-item media_v2 u-mt0x u-p3x"><div class="media-body"><div class="u-tcGrayDarker u-fw700"><a class="u-tcGrayDarker" href="https://www.academia.edu/Documents/in/French_Literature">French Literature</a></div></div><div class="media-right media-middle"><a class="u-tcGreen u-textDecorationNone u-linkUnstyled u-fw500 hidden" data-follow-ri-id="660">Follow</a><a class="u-tcGray u-textDecorationNone u-linkUnstyled u-fw500 hidden" data-unfollow-ri-id="660">Following</a></div></li><li class="list-group-item media_v2 u-mt0x u-p3x"><div class="media-body"><div class="u-tcGrayDarker u-fw700"><a class="u-tcGrayDarker" href="https://www.academia.edu/Documents/in/19th_Century_French_Literature">19th Century French Literature</a></div></div><div class="media-right media-middle"><a class="u-tcGreen u-textDecorationNone u-linkUnstyled u-fw500 hidden" data-follow-ri-id="16556">Follow</a><a class="u-tcGray u-textDecorationNone u-linkUnstyled u-fw500 hidden" data-unfollow-ri-id="16556">Following</a></div></li><li class="list-group-item media_v2 u-mt0x u-p3x"><div class="media-body"><div class="u-tcGrayDarker u-fw700"><a class="u-tcGrayDarker" href="https://www.academia.edu/Documents/in/Walter_Benjamin">Walter Benjamin</a></div></div><div class="media-right media-middle"><a class="u-tcGreen u-textDecorationNone u-linkUnstyled u-fw500 hidden" data-follow-ri-id="8330">Follow</a><a class="u-tcGray u-textDecorationNone u-linkUnstyled u-fw500 hidden" data-unfollow-ri-id="8330">Following</a></div></li><li class="list-group-item media_v2 u-mt0x u-p3x"><div class="media-body"><div class="u-tcGrayDarker u-fw700"><a class="u-tcGrayDarker" href="https://www.academia.edu/Documents/in/Comparative_Literature">Comparative Literature</a></div></div><div class="media-right media-middle"><a class="u-tcGreen u-textDecorationNone u-linkUnstyled u-fw500 hidden" data-follow-ri-id="659">Follow</a><a class="u-tcGray u-textDecorationNone u-linkUnstyled u-fw500 hidden" data-unfollow-ri-id="659">Following</a></div></li><li class="list-group-item media_v2 u-mt0x u-p3x"><div class="media-body"><div class="u-tcGrayDarker u-fw700"><a class="u-tcGrayDarker" href="https://www.academia.edu/Documents/in/Literary_Theory">Literary Theory</a></div></div><div class="media-right media-middle"><a class="u-tcGreen u-textDecorationNone u-linkUnstyled u-fw500 hidden" data-follow-ri-id="7888">Follow</a><a class="u-tcGray u-textDecorationNone u-linkUnstyled u-fw500 hidden" data-unfollow-ri-id="7888">Following</a></div></li><li class="list-group-item media_v2 u-mt0x u-p3x"><div class="media-body"><div class="u-tcGrayDarker u-fw700"><a class="u-tcGrayDarker" href="https://www.academia.edu/Documents/in/Gilles_Deleuze">Gilles Deleuze</a></div></div><div class="media-right media-middle"><a class="u-tcGreen u-textDecorationNone u-linkUnstyled u-fw500 hidden" data-follow-ri-id="8302">Follow</a><a class="u-tcGray u-textDecorationNone u-linkUnstyled u-fw500 hidden" data-unfollow-ri-id="8302">Following</a></div></li><li class="list-group-item media_v2 u-mt0x u-p3x"><div class="media-body"><div class="u-tcGrayDarker u-fw700"><a class="u-tcGrayDarker" href="https://www.academia.edu/Documents/in/Jacques_Derrida">Jacques Derrida</a></div></div><div class="media-right media-middle"><a class="u-tcGreen u-textDecorationNone u-linkUnstyled u-fw500 hidden" data-follow-ri-id="12040">Follow</a><a class="u-tcGray u-textDecorationNone u-linkUnstyled u-fw500 hidden" data-unfollow-ri-id="12040">Following</a></div></li><li class="list-group-item media_v2 u-mt0x u-p3x"><div class="media-body"><div class="u-tcGrayDarker u-fw700"><a class="u-tcGrayDarker" href="https://www.academia.edu/Documents/in/Modernist_Literature_Literary_Modernism_">Modernist Literature (Literary Modernism)</a></div></div><div class="media-right media-middle"><a class="u-tcGreen u-textDecorationNone u-linkUnstyled u-fw500 hidden" data-follow-ri-id="8444">Follow</a><a class="u-tcGray u-textDecorationNone u-linkUnstyled u-fw500 hidden" data-unfollow-ri-id="8444">Following</a></div></li><li class="list-group-item media_v2 u-mt0x u-p3x"><div class="media-body"><div class="u-tcGrayDarker u-fw700"><a class="u-tcGrayDarker" href="https://www.academia.edu/Documents/in/Aesthetics">Aesthetics</a></div></div><div class="media-right media-middle"><a class="u-tcGreen u-textDecorationNone u-linkUnstyled u-fw500 hidden" data-follow-ri-id="808">Follow</a><a class="u-tcGray u-textDecorationNone u-linkUnstyled u-fw500 hidden" data-unfollow-ri-id="808">Following</a></div></li></ul></div></div></div></div></div></div><script>// MIT License // Copyright © 2011 Sebastian Tschan, https://blueimp.net // Permission is hereby granted, free of charge, to any person obtaining a copy of // this software and associated documentation files (the "Software"), to deal in // the Software without restriction, including without limitation the rights to // use, copy, modify, merge, publish, distribute, sublicense, and/or sell copies of // the Software, and to permit persons to whom the Software is furnished to do so, // subject to the following conditions: // The above copyright notice and this permission notice shall be included in all // copies or substantial portions of the Software. // THE SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, EXPRESS OR // IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY, FITNESS // FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE AUTHORS OR // COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, WHETHER // IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF OR IN // CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE SOFTWARE. !function(n){"use strict";function d(n,t){var r=(65535&n)+(65535&t);return(n>>16)+(t>>16)+(r>>16)<<16|65535&r}function f(n,t,r,e,o,u){return d((c=d(d(t,n),d(e,u)))<<(f=o)|c>>>32-f,r);var c,f}function l(n,t,r,e,o,u,c){return f(t&r|~t&e,n,t,o,u,c)}function v(n,t,r,e,o,u,c){return f(t&e|r&~e,n,t,o,u,c)}function g(n,t,r,e,o,u,c){return f(t^r^e,n,t,o,u,c)}function m(n,t,r,e,o,u,c){return f(r^(t|~e),n,t,o,u,c)}function i(n,t){var r,e,o,u;n[t>>5]|=128<<t%32,n[14+(t+64>>>9<<4)]=t;for(var c=1732584193,f=-271733879,i=-1732584194,a=271733878,h=0;h<n.length;h+=16)c=l(r=c,e=f,o=i,u=a,n[h],7,-680876936),a=l(a,c,f,i,n[h+1],12,-389564586),i=l(i,a,c,f,n[h+2],17,606105819),f=l(f,i,a,c,n[h+3],22,-1044525330),c=l(c,f,i,a,n[h+4],7,-176418897),a=l(a,c,f,i,n[h+5],12,1200080426),i=l(i,a,c,f,n[h+6],17,-1473231341),f=l(f,i,a,c,n[h+7],22,-45705983),c=l(c,f,i,a,n[h+8],7,1770035416),a=l(a,c,f,i,n[h+9],12,-1958414417),i=l(i,a,c,f,n[h+10],17,-42063),f=l(f,i,a,c,n[h+11],22,-1990404162),c=l(c,f,i,a,n[h+12],7,1804603682),a=l(a,c,f,i,n[h+13],12,-40341101),i=l(i,a,c,f,n[h+14],17,-1502002290),c=v(c,f=l(f,i,a,c,n[h+15],22,1236535329),i,a,n[h+1],5,-165796510),a=v(a,c,f,i,n[h+6],9,-1069501632),i=v(i,a,c,f,n[h+11],14,643717713),f=v(f,i,a,c,n[h],20,-373897302),c=v(c,f,i,a,n[h+5],5,-701558691),a=v(a,c,f,i,n[h+10],9,38016083),i=v(i,a,c,f,n[h+15],14,-660478335),f=v(f,i,a,c,n[h+4],20,-405537848),c=v(c,f,i,a,n[h+9],5,568446438),a=v(a,c,f,i,n[h+14],9,-1019803690),i=v(i,a,c,f,n[h+3],14,-187363961),f=v(f,i,a,c,n[h+8],20,1163531501),c=v(c,f,i,a,n[h+13],5,-1444681467),a=v(a,c,f,i,n[h+2],9,-51403784),i=v(i,a,c,f,n[h+7],14,1735328473),c=g(c,f=v(f,i,a,c,n[h+12],20,-1926607734),i,a,n[h+5],4,-378558),a=g(a,c,f,i,n[h+8],11,-2022574463),i=g(i,a,c,f,n[h+11],16,1839030562),f=g(f,i,a,c,n[h+14],23,-35309556),c=g(c,f,i,a,n[h+1],4,-1530992060),a=g(a,c,f,i,n[h+4],11,1272893353),i=g(i,a,c,f,n[h+7],16,-155497632),f=g(f,i,a,c,n[h+10],23,-1094730640),c=g(c,f,i,a,n[h+13],4,681279174),a=g(a,c,f,i,n[h],11,-358537222),i=g(i,a,c,f,n[h+3],16,-722521979),f=g(f,i,a,c,n[h+6],23,76029189),c=g(c,f,i,a,n[h+9],4,-640364487),a=g(a,c,f,i,n[h+12],11,-421815835),i=g(i,a,c,f,n[h+15],16,530742520),c=m(c,f=g(f,i,a,c,n[h+2],23,-995338651),i,a,n[h],6,-198630844),a=m(a,c,f,i,n[h+7],10,1126891415),i=m(i,a,c,f,n[h+14],15,-1416354905),f=m(f,i,a,c,n[h+5],21,-57434055),c=m(c,f,i,a,n[h+12],6,1700485571),a=m(a,c,f,i,n[h+3],10,-1894986606),i=m(i,a,c,f,n[h+10],15,-1051523),f=m(f,i,a,c,n[h+1],21,-2054922799),c=m(c,f,i,a,n[h+8],6,1873313359),a=m(a,c,f,i,n[h+15],10,-30611744),i=m(i,a,c,f,n[h+6],15,-1560198380),f=m(f,i,a,c,n[h+13],21,1309151649),c=m(c,f,i,a,n[h+4],6,-145523070),a=m(a,c,f,i,n[h+11],10,-1120210379),i=m(i,a,c,f,n[h+2],15,718787259),f=m(f,i,a,c,n[h+9],21,-343485551),c=d(c,r),f=d(f,e),i=d(i,o),a=d(a,u);return[c,f,i,a]}function a(n){for(var t="",r=32*n.length,e=0;e<r;e+=8)t+=String.fromCharCode(n[e>>5]>>>e%32&255);return t}function h(n){var t=[];for(t[(n.length>>2)-1]=void 0,e=0;e<t.length;e+=1)t[e]=0;for(var r=8*n.length,e=0;e<r;e+=8)t[e>>5]|=(255&n.charCodeAt(e/8))<<e%32;return t}function e(n){for(var t,r="0123456789abcdef",e="",o=0;o<n.length;o+=1)t=n.charCodeAt(o),e+=r.charAt(t>>>4&15)+r.charAt(15&t);return e}function r(n){return unescape(encodeURIComponent(n))}function o(n){return a(i(h(t=r(n)),8*t.length));var t}function u(n,t){return function(n,t){var r,e,o=h(n),u=[],c=[];for(u[15]=c[15]=void 0,16<o.length&&(o=i(o,8*n.length)),r=0;r<16;r+=1)u[r]=909522486^o[r],c[r]=1549556828^o[r];return e=i(u.concat(h(t)),512+8*t.length),a(i(c.concat(e),640))}(r(n),r(t))}function t(n,t,r){return t?r?u(t,n):e(u(t,n)):r?o(n):e(o(n))}"function"==typeof define&&define.amd?define(function(){return t}):"object"==typeof module&&module.exports?module.exports=t:n.md5=t}(this);</script><script>window.AbTest = (function() { return { 'ab_test': (uniqueId, test_name, buckets) => { let override = new URLSearchParams(window.location.search).get(`ab_test[${test_name}]`); if ( override ) { return override; } const bucketNames = buckets.map((bucket) => { return typeof bucket === 'string' ? bucket : Object.keys(bucket)[0]; }); const weights = buckets.map((bucket) => { return typeof bucket === 'string' ? 1 : Object.values(bucket)[0]; }); const total = weights.reduce((sum, weight) => sum + weight); const hash = md5(`${uniqueId}${test_name}`); const hashNum = parseInt(hash.slice(-12), 16); let bucketPoint = total * (hashNum % 100000) / 100000; const bucket = bucketNames.find((_, i) => { if (weights[i] > bucketPoint) { return true; } bucketPoint -= weights[i]; return false; }); return bucket; } }; })();</script><div data-auto_select="false" data-client_id="331998490334-rsn3chp12mbkiqhl6e7lu2q0mlbu0f1b" data-landing_url="https://www.academia.edu/Documents/in/Marcel_Proust" data-login_uri="https://www.academia.edu/registrations/google_one_tap" data-moment_callback="onGoogleOneTapEvent" id="g_id_onload"></div><script>function onGoogleOneTapEvent(event) { var momentType = event.getMomentType(); var momentReason = null; if (event.isNotDisplayed()) { momentReason = event.getNotDisplayedReason(); } else if (event.isSkippedMoment()) { momentReason = event.getSkippedReason(); } else if (event.isDismissedMoment()) { momentReason = event.getDismissedReason(); } Aedu.arbitraryEvents.write('GoogleOneTapEvent', { moment_type: momentType, moment_reason: momentReason, }); }</script><script>(function() { var auvid = unescape( document.cookie .split(/; ?/) .find((s) => s.startsWith('auvid')) .substring(6)); var bucket = AbTest.ab_test(auvid, 'lo_ri_one_tap_google_sign_on', ['control', 'one_tap_google_sign_on']); if (bucket === 'control') return; var oneTapTag = document.createElement('script') oneTapTag.async = true oneTapTag.defer = true oneTapTag.src = 'https://accounts.google.com/gsi/client' document.body.appendChild(oneTapTag) })();</script></div></div></div> </div> <div class="bootstrap login"><div class="modal fade login-modal" id="login-modal"><div class="login-modal-dialog modal-dialog"><div class="modal-content"><div class="modal-header"><button class="close close" data-dismiss="modal" type="button"><span aria-hidden="true">×</span><span class="sr-only">Close</span></button><h4 class="modal-title text-center"><strong>Log In</strong></h4></div><div class="modal-body"><div class="row"><div class="col-xs-10 col-xs-offset-1"><button class="btn btn-fb btn-lg btn-block btn-v-center-content" id="login-facebook-oauth-button"><svg style="float: left; width: 19px; line-height: 1em; margin-right: .3em;" aria-hidden="true" focusable="false" data-prefix="fab" data-icon="facebook-square" class="svg-inline--fa fa-facebook-square fa-w-14" role="img" xmlns="http://www.w3.org/2000/svg" viewBox="0 0 448 512"><path fill="currentColor" d="M400 32H48A48 48 0 0 0 0 80v352a48 48 0 0 0 48 48h137.25V327.69h-63V256h63v-54.64c0-62.15 37-96.48 93.67-96.48 27.14 0 55.52 4.84 55.52 4.84v61h-31.27c-30.81 0-40.42 19.12-40.42 38.73V256h68.78l-11 71.69h-57.78V480H400a48 48 0 0 0 48-48V80a48 48 0 0 0-48-48z"></path></svg><small><strong>Log in</strong> with <strong>Facebook</strong></small></button><br /><button class="btn btn-google btn-lg btn-block btn-v-center-content" id="login-google-oauth-button"><svg style="float: left; width: 22px; line-height: 1em; margin-right: .3em;" aria-hidden="true" focusable="false" data-prefix="fab" data-icon="google-plus" class="svg-inline--fa fa-google-plus fa-w-16" role="img" xmlns="http://www.w3.org/2000/svg" viewBox="0 0 512 512"><path fill="currentColor" d="M256,8C119.1,8,8,119.1,8,256S119.1,504,256,504,504,392.9,504,256,392.9,8,256,8ZM185.3,380a124,124,0,0,1,0-248c31.3,0,60.1,11,83,32.3l-33.6,32.6c-13.2-12.9-31.3-19.1-49.4-19.1-42.9,0-77.2,35.5-77.2,78.1S142.3,334,185.3,334c32.6,0,64.9-19.1,70.1-53.3H185.3V238.1H302.2a109.2,109.2,0,0,1,1.9,20.7c0,70.8-47.5,121.2-118.8,121.2ZM415.5,273.8v35.5H380V273.8H344.5V238.3H380V202.8h35.5v35.5h35.2v35.5Z"></path></svg><small><strong>Log in</strong> with <strong>Google</strong></small></button><br /><style type="text/css">.sign-in-with-apple-button { width: 100%; height: 52px; border-radius: 3px; border: 1px solid black; cursor: pointer; }</style><script src="https://appleid.cdn-apple.com/appleauth/static/jsapi/appleid/1/en_US/appleid.auth.js" type="text/javascript"></script><div class="sign-in-with-apple-button" data-border="false" data-color="white" id="appleid-signin"><span   ="Sign Up with Apple" class="u-fs11"></span></div><script>AppleID.auth.init({ clientId: 'edu.academia.applesignon', scope: 'name email', redirectURI: 'https://www.academia.edu/sessions', state: "5f71452946b1f9369bfec8a997932bee85347c6a745d283e5ffdae0097695647", });</script><script>// Hacky way of checking if on fast loswp if (window.loswp == null) { (function() { const Google = window?.Aedu?.Auth?.OauthButton?.Login?.Google; const Facebook = window?.Aedu?.Auth?.OauthButton?.Login?.Facebook; if (Google) { new Google({ el: '#login-google-oauth-button', rememberMeCheckboxId: 'remember_me', track: null }); } if (Facebook) { new Facebook({ el: '#login-facebook-oauth-button', rememberMeCheckboxId: 'remember_me', track: null }); } })(); }</script></div></div></div><div class="modal-body"><div class="row"><div class="col-xs-10 col-xs-offset-1"><div class="hr-heading login-hr-heading"><span class="hr-heading-text">or</span></div></div></div></div><div class="modal-body"><div class="row"><div class="col-xs-10 col-xs-offset-1"><form class="js-login-form" action="https://www.academia.edu/sessions" accept-charset="UTF-8" method="post"><input name="utf8" type="hidden" value="✓" autocomplete="off" /><input type="hidden" name="authenticity_token" value="fznuhU2e06eG/WGDw3LvhOsHW9+SrvqrEm8kbSIel/LgPDP/WRy40cDNFC6NO/z/rzM5CeCsTo8C90K0qXu86Q==" autocomplete="off" /><div class="form-group"><label class="control-label" for="login-modal-email-input" style="font-size: 14px;">Email</label><input class="form-control" id="login-modal-email-input" name="login" type="email" /></div><div class="form-group"><label class="control-label" for="login-modal-password-input" style="font-size: 14px;">Password</label><input class="form-control" id="login-modal-password-input" name="password" type="password" /></div><input type="hidden" name="post_login_redirect_url" id="post_login_redirect_url" value="https://www.academia.edu/Documents/in/Marcel_Proust" autocomplete="off" /><div class="checkbox"><label><input type="checkbox" name="remember_me" id="remember_me" value="1" checked="checked" /><small style="font-size: 12px; margin-top: 2px; display: inline-block;">Remember me on this computer</small></label></div><br><input type="submit" name="commit" value="Log In" class="btn btn-primary btn-block btn-lg js-login-submit" data-disable-with="Log In" /></br></form><script>typeof window?.Aedu?.recaptchaManagedForm === 'function' && window.Aedu.recaptchaManagedForm( document.querySelector('.js-login-form'), document.querySelector('.js-login-submit') );</script><small style="font-size: 12px;"><br />or <a data-target="#login-modal-reset-password-container" data-toggle="collapse" href="javascript:void(0)">reset password</a></small><div class="collapse" id="login-modal-reset-password-container"><br /><div class="well margin-0x"><form class="js-password-reset-form" action="https://www.academia.edu/reset_password" accept-charset="UTF-8" method="post"><input name="utf8" type="hidden" value="✓" autocomplete="off" /><input type="hidden" name="authenticity_token" value="vIXTYzNR+ZAz8qBkuDlMzh8AlMtLg77PVMnlupp3NGwjgA4ZJ9OS5nXC1cn2cF+1WzT2HTmBCutEUYNjERIfdw==" autocomplete="off" /><p>Enter the email address you signed up with and we'll email you a reset link.</p><div class="form-group"><input class="form-control" name="email" type="email" /></div><script src="https://recaptcha.net/recaptcha/api.js" async defer></script> <script> var invisibleRecaptchaSubmit = function () { var closestForm = function (ele) { var curEle = ele.parentNode; while (curEle.nodeName !== 'FORM' && curEle.nodeName !== 'BODY'){ curEle = curEle.parentNode; } return curEle.nodeName === 'FORM' ? curEle : null }; var eles = document.getElementsByClassName('g-recaptcha'); if (eles.length > 0) { var form = closestForm(eles[0]); if (form) { form.submit(); } } }; </script> <input type="submit" data-sitekey="6Lf3KHUUAAAAACggoMpmGJdQDtiyrjVlvGJ6BbAj" data-callback="invisibleRecaptchaSubmit" class="g-recaptcha btn btn-primary btn-block" value="Email me a link" value=""/> </form></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/collapse-45805421cf446ca5adf7aaa1935b08a3a8d1d9a6cc5d91a62a2a3a00b20b3e6a.js"], function() { // from javascript_helper.rb $("#login-modal-reset-password-container").on("shown.bs.collapse", function() { $(this).find("input[type=email]").focus(); }); }); </script> </div></div></div><div class="modal-footer"><div class="text-center"><small style="font-size: 12px;">Need an account? <a rel="nofollow" href="https://www.academia.edu/signup">Click here to sign up</a></small></div></div></div></div></div></div><script>// If we are on subdomain or non-bootstrapped page, redirect to login page instead of showing modal (function(){ if (typeof $ === 'undefined') return; var host = window.location.hostname; if ((host === $domain || host === "www."+$domain) && (typeof $().modal === 'function')) { $("#nav_log_in").click(function(e) { // Don't follow the link and open the modal e.preventDefault(); $("#login-modal").on('shown.bs.modal', function() { $(this).find("#login-modal-email-input").focus() }).modal('show'); }); } })()</script> <div class="bootstrap" id="footer"><div class="footer-content clearfix text-center padding-top-7x" style="width:100%;"><ul class="footer-links-secondary footer-links-wide list-inline margin-bottom-1x"><li><a href="https://www.academia.edu/about">About</a></li><li><a href="https://www.academia.edu/press">Press</a></li><li><a rel="nofollow" href="https://medium.com/academia">Blog</a></li><li><a href="https://www.academia.edu/documents">Papers</a></li><li><a href="https://www.academia.edu/topics">Topics</a></li><li><a href="https://www.academia.edu/journals">Academia.edu Journals</a></li><li><a rel="nofollow" href="https://www.academia.edu/hiring"><svg style="width: 13px; height: 13px;" aria-hidden="true" focusable="false" data-prefix="fas" data-icon="briefcase" class="svg-inline--fa fa-briefcase fa-w-16" role="img" xmlns="http://www.w3.org/2000/svg" viewBox="0 0 512 512"><path fill="currentColor" d="M320 336c0 8.84-7.16 16-16 16h-96c-8.84 0-16-7.16-16-16v-48H0v144c0 25.6 22.4 48 48 48h416c25.6 0 48-22.4 48-48V288H320v48zm144-208h-80V80c0-25.6-22.4-48-48-48H176c-25.6 0-48 22.4-48 48v48H48c-25.6 0-48 22.4-48 48v80h512v-80c0-25.6-22.4-48-48-48zm-144 0H192V96h128v32z"></path></svg> <strong>We're Hiring!</strong></a></li><li><a rel="nofollow" href="https://support.academia.edu/"><svg style="width: 12px; height: 12px;" aria-hidden="true" focusable="false" data-prefix="fas" data-icon="question-circle" class="svg-inline--fa fa-question-circle fa-w-16" role="img" xmlns="http://www.w3.org/2000/svg" viewBox="0 0 512 512"><path fill="currentColor" d="M504 256c0 136.997-111.043 248-248 248S8 392.997 8 256C8 119.083 119.043 8 256 8s248 111.083 248 248zM262.655 90c-54.497 0-89.255 22.957-116.549 63.758-3.536 5.286-2.353 12.415 2.715 16.258l34.699 26.31c5.205 3.947 12.621 3.008 16.665-2.122 17.864-22.658 30.113-35.797 57.303-35.797 20.429 0 45.698 13.148 45.698 32.958 0 14.976-12.363 22.667-32.534 33.976C247.128 238.528 216 254.941 216 296v4c0 6.627 5.373 12 12 12h56c6.627 0 12-5.373 12-12v-1.333c0-28.462 83.186-29.647 83.186-106.667 0-58.002-60.165-102-116.531-102zM256 338c-25.365 0-46 20.635-46 46 0 25.364 20.635 46 46 46s46-20.636 46-46c0-25.365-20.635-46-46-46z"></path></svg> <strong>Help Center</strong></a></li></ul><ul class="footer-links-tertiary list-inline margin-bottom-1x"><li class="small">Find new research papers in:</li><li class="small"><a href="https://www.academia.edu/Documents/in/Physics">Physics</a></li><li class="small"><a href="https://www.academia.edu/Documents/in/Chemistry">Chemistry</a></li><li class="small"><a href="https://www.academia.edu/Documents/in/Biology">Biology</a></li><li class="small"><a href="https://www.academia.edu/Documents/in/Health_Sciences">Health Sciences</a></li><li class="small"><a href="https://www.academia.edu/Documents/in/Ecology">Ecology</a></li><li class="small"><a href="https://www.academia.edu/Documents/in/Earth_Sciences">Earth Sciences</a></li><li class="small"><a href="https://www.academia.edu/Documents/in/Cognitive_Science">Cognitive Science</a></li><li class="small"><a href="https://www.academia.edu/Documents/in/Mathematics">Mathematics</a></li><li class="small"><a href="https://www.academia.edu/Documents/in/Computer_Science">Computer Science</a></li></ul></div></div><div class="DesignSystem" id="credit" style="width:100%;"><ul class="u-pl0x footer-links-legal list-inline"><li><a rel="nofollow" href="https://www.academia.edu/terms">Terms</a></li><li><a rel="nofollow" href="https://www.academia.edu/privacy">Privacy</a></li><li><a rel="nofollow" href="https://www.academia.edu/copyright">Copyright</a></li><li>Academia ©2024</li></ul></div><script> //<![CDATA[ window.detect_gmtoffset = true; window.Academia && window.Academia.set_gmtoffset && Academia.set_gmtoffset('/gmtoffset'); //]]> </script> <div id='overlay_background'></div> <div id='bootstrap-modal-container' class='bootstrap'></div> <div id='ds-modal-container' class='bootstrap DesignSystem'></div> <div id='full-screen-modal'></div> </div> </body> </html>