Open Library of Humanities | Issue: Issue: 1(8) Volume 8 (2022)

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<li><a href="https://www.openlibhums.org/site/competing-interests/" class="dropdown-item">Competing Interests</a></li> <li><a href="https://www.openlibhums.org/site/anonreview/" class="dropdown-item">Anonymous Review</a></li> </ul> <ul id="about-mobile" class="dropdown-content"> <li><a href="https://olh.openlibhums.org/site/about" class="dropdown-item">About</a></li> <li><a href="https://olh.openlibhums.org/editorialteam" class="dropdown-item">Editorial Team</a></li> <li><a href="https://olh.openlibhums.org/contact" class="dropdown-item">Contact</a></li> <li><a href="https://olh.openlibhums.org/reviewer" class="dropdown-item">Become a Reviewer</a></li> </ul> </header> <main id="main-content"> <div class="container"> <div class="section"> <div class="row"> <div class="col m8 s12"> <h1>Volume 8 • Issue 1 • 2022</h1> <br/> <h2 class="em"> Article </h2> <div class="card-panel"> <div class="row"> <div class="col m2 hide-on-small-and-down"> <img src="/article/id/4809/file/120528/" alt="Global Diversity in Higher Education Workforces: Towards Openness" class="responsive-img"> </div> <div class="col m10 s12"> <a href="https://olh.openlibhums.org/article/id/4809/"> <h5 class="article-title">Global Diversity in Higher Education Workforces: Towards Openness</h5> </a> <p>Katie Wilson, Cameron Neylon, Lucy Montgomery, Chun-Kai (Karl) Huang, Rebecca N. Handcock, Aniek Roelofs, Richard Hosking and Alkim Ozaygen </p> <p> <span class="date"> <i class="fa fa-calendar"></i> 2022-05-20 </span> <i class="fa fa-book"></i> <a class="issue-link" href="https://olh.openlibhums.org/issue/823/info/"> Volume 8 • Issue 1 • 2022 </a> </p> </div> </div> </div> <h2 class="em"> Binary Modernisms: Re/Appropriations of Modernist Art in the Digital Age </h2> <div class="card-panel"> <div class="row"> <div class="col m2 hide-on-small-and-down"> <img src="/article/id/6392/file/114358/" alt="ringl + pit: (Un)figuring the New Woman" class="responsive-img"> </div> <div class="col m10 s12"> <a href="https://olh.openlibhums.org/article/id/6392/"> <h5 class="article-title">ringl + pit: (Un)figuring the New Woman</h5> </a> <p> Stephanie Danielle Bender </p> <p> <span class="date"> <i class="fa fa-calendar"></i> 2022-01-11 </span> <i class="fa fa-book"></i> <a class="issue-link" href="https://olh.openlibhums.org/issue/823/info/"> Volume 8 • Issue 1 • 2022 </a> <p><strong><i class="fa fa-info-circle"></i> Also a part of:</strong></p> <p> <i class="fa fa-book"></i> <a class="issue-link" href="https://olh.openlibhums.org/collections/449/"> Special Collection: Binary Modernisms: Re/Appropriations of Modernist Art in the Digital Age </a> </p> </p> </div> </div> </div> <div class="card-panel"> <div class="row"> <div class="col m2 hide-on-small-and-down"> <img src="/article/id/6393/file/114573/" alt="'Grasp All, Lose All': Raising Awareness Through Loss of Grasp in Seemingly Functional Interfaces" class="responsive-img"> </div> <div class="col m10 s12"> <a href="https://olh.openlibhums.org/article/id/6393/"> <h5 class="article-title">'Grasp All, Lose All': Raising Awareness Through Loss of Grasp in Seemingly Functional Interfaces</h5> </a> <p> Diogo Marques </p> <p> <span class="date"> <i class="fa fa-calendar"></i> 2022-01-14 </span> <i class="fa fa-book"></i> <a class="issue-link" href="https://olh.openlibhums.org/issue/823/info/"> Volume 8 • Issue 1 • 2022 </a> <p><strong><i class="fa fa-info-circle"></i> Also a part of:</strong></p> <p> <i class="fa fa-book"></i> <a class="issue-link" href="https://olh.openlibhums.org/collections/449/"> Special Collection: Binary Modernisms: Re/Appropriations of Modernist Art in the Digital Age </a> </p> </p> </div> </div> </div> <div class="card-panel"> <div class="row"> <div class="col m2 hide-on-small-and-down"> <img src="/article/id/6391/file/114576/" alt="Brandon is a Network Not a Name: Fictocriticism &amp; the Cyberfeminist Art of Shu Lea Cheang" class="responsive-img"> </div> <div class="col m10 s12"> <a href="https://olh.openlibhums.org/article/id/6391/"> <h5 class="article-title">Brandon is a Network Not a Name: Fictocriticism & the Cyberfeminist Art of Shu Lea Cheang</h5> </a> <p> Zach Pearl </p> <p> <span class="date"> <i class="fa fa-calendar"></i> 2022-01-14 </span> <i class="fa fa-book"></i> <a class="issue-link" href="https://olh.openlibhums.org/issue/823/info/"> Volume 8 • Issue 1 • 2022 </a> <p><strong><i class="fa fa-info-circle"></i> Also a part of:</strong></p> <p> <i class="fa fa-book"></i> <a class="issue-link" href="https://olh.openlibhums.org/collections/449/"> Special Collection: Binary Modernisms: Re/Appropriations of Modernist Art in the Digital Age </a> </p> </p> </div> </div> </div> <div class="card-panel"> <div class="row"> <div class="col m2 hide-on-small-and-down"> <img src="/article/id/6390/file/114692/" alt="From Print to Digital: Reappropriation of the Ready-Made Image in the Works of Margit Sielska and Weronika Gęsicka" class="responsive-img"> </div> <div class="col m10 s12"> <a href="https://olh.openlibhums.org/article/id/6390/"> <h5 class="article-title">From Print to Digital: Reappropriation of the Ready-Made Image in the Works of Margit Sielska and Weronika Gęsicka</h5> </a> <p> Karolina Koczynska </p> <p> <span class="date"> <i class="fa fa-calendar"></i> 2022-01-19 </span> <i class="fa fa-book"></i> <a class="issue-link" href="https://olh.openlibhums.org/issue/823/info/"> Volume 8 • Issue 1 • 2022 </a> <p><strong><i class="fa fa-info-circle"></i> Also a part of:</strong></p> <p> <i class="fa fa-book"></i> <a class="issue-link" href="https://olh.openlibhums.org/collections/449/"> Special Collection: Binary Modernisms: Re/Appropriations of Modernist Art in the Digital Age </a> </p> </p> </div> </div> </div> <div class="card-panel"> <div class="row"> <div class="col m2 hide-on-small-and-down"> <img src="/article/id/6337/file/114768/" alt="The Geographies of Poverty: Modernist Photo Texts in the Age of Social Media" class="responsive-img"> </div> <div class="col m10 s12"> <a href="https://olh.openlibhums.org/article/id/6337/"> <h5 class="article-title">The Geographies of Poverty: Modernist Photo Texts in the Age of Social Media</h5> </a> <p> Donal Harris </p> <p> <span class="date"> <i class="fa fa-calendar"></i> 2022-01-20 </span> <i class="fa fa-book"></i> <a class="issue-link" href="https://olh.openlibhums.org/issue/823/info/"> Volume 8 • Issue 1 • 2022 </a> <p><strong><i class="fa fa-info-circle"></i> Also a part of:</strong></p> <p> <i class="fa fa-book"></i> <a class="issue-link" href="https://olh.openlibhums.org/collections/449/"> Special Collection: Binary Modernisms: Re/Appropriations of Modernist Art in the Digital Age </a> </p> </p> </div> </div> </div> <div class="card-panel"> <div class="row"> <div class="col m2 hide-on-small-and-down"> <img src="/article/id/6385/file/115480/" alt="Enfolding the Hand, Entrancing the Eye: Erica Baum’s Dog Ear" class="responsive-img"> </div> <div class="col m10 s12"> <a href="https://olh.openlibhums.org/article/id/6385/"> <h5 class="article-title">Enfolding the Hand, Entrancing the Eye: Erica Baum’s Dog Ear</h5> </a> <p> Riley Hanick </p> <p> <span class="date"> <i class="fa fa-calendar"></i> 2022-02-04 </span> <i class="fa fa-book"></i> <a class="issue-link" href="https://olh.openlibhums.org/issue/823/info/"> Volume 8 • Issue 1 • 2022 </a> <p><strong><i class="fa fa-info-circle"></i> Also a part of:</strong></p> <p> <i class="fa fa-book"></i> <a class="issue-link" href="https://olh.openlibhums.org/collections/449/"> Special Collection: Binary Modernisms: Re/Appropriations of Modernist Art in the Digital Age </a> </p> </p> </div> </div> </div> <div class="card-panel"> <div class="row"> <div class="col m2 hide-on-small-and-down"> <img src="/article/id/6407/file/115975/" alt="Encoding Queer Erasure in Oscar Wilde’s "The Picture of Dorian Gray"" class="responsive-img"> </div> <div class="col m10 s12"> <a href="https://olh.openlibhums.org/article/id/6407/"> <h5 class="article-title">Encoding Queer Erasure in Oscar Wilde’s "The Picture of Dorian Gray"</h5> </a> <p> Filipa da Gama Calado </p> <p> <span class="date"> <i class="fa fa-calendar"></i> 2022-02-15 </span> <i class="fa fa-book"></i> <a class="issue-link" href="https://olh.openlibhums.org/issue/823/info/"> Volume 8 • Issue 1 • 2022 </a> <p><strong><i class="fa fa-info-circle"></i> Also a part of:</strong></p> <p> <i class="fa fa-book"></i> <a class="issue-link" href="https://olh.openlibhums.org/collections/449/"> Special Collection: Binary Modernisms: Re/Appropriations of Modernist Art in the Digital Age </a> </p> </p> </div> </div> </div> <div class="card-panel"> <div class="row"> <div class="col m2 hide-on-small-and-down"> <img src="/article/id/8917/file/121605/" alt="Binary Modernisms: An Introduction" class="responsive-img"> </div> <div class="col m10 s12"> <a href="https://olh.openlibhums.org/article/id/8917/"> <h5 class="article-title">Binary Modernisms: An Introduction</h5> </a> <p> Zlatina Nikolova </p> <p> <span class="date"> <i class="fa fa-calendar"></i> 2022-06-21 </span> <i class="fa fa-book"></i> <a class="issue-link" href="https://olh.openlibhums.org/issue/823/info/"> Volume 8 • Issue 1 • 2022 </a> <p><strong><i class="fa fa-info-circle"></i> Also a part of:</strong></p> <p> <i class="fa fa-book"></i> <a class="issue-link" href="https://olh.openlibhums.org/collections/449/"> Special Collection: Binary Modernisms: Re/Appropriations of Modernist Art in the Digital Age </a> </p> </p> </div> </div> </div> <h2 class="em"> Production Archives 01: Puppets for Action </h2> <div class="card-panel"> <div class="row"> <div class="col m2 hide-on-small-and-down"> <img src="/article/id/4791/file/114228/" alt="In the Beginning There Were Dragon(cillo)s: Using Shadow Puppetry to Engage Young Audiences" class="responsive-img"> </div> <div class="col m10 s12"> <a href="https://olh.openlibhums.org/article/id/4791/"> <h5 class="article-title">In the Beginning There Were Dragon(cillo)s: Using Shadow Puppetry to Engage Young Audiences</h5> </a> <p>Esther Fernández, Jason Yancey, Jonathan Wade and Jared White </p> <p> <span class="date"> <i class="fa fa-calendar"></i> 2022-01-08 </span> <i class="fa fa-book"></i> <a class="issue-link" href="https://olh.openlibhums.org/issue/823/info/"> Volume 8 • Issue 1 • 2022 </a> <p><strong><i class="fa fa-info-circle"></i> Also a part of:</strong></p> <p> <i class="fa fa-book"></i> <a class="issue-link" href="https://olh.openlibhums.org/collections/453/"> Special Collection: Production Archives 01: Puppets for Action </a> </p> </p> </div> </div> </div> <div class="card-panel"> <div class="row"> <div class="col m2 hide-on-small-and-down"> <img src="/article/id/6568/file/118371/" alt="The Puppet and the Puppet-Master in Ancient Greece: Fragments of an Art Form" class="responsive-img"> </div> <div class="col m10 s12"> <a href="https://olh.openlibhums.org/article/id/6568/"> <h5 class="article-title">The Puppet and the Puppet-Master in Ancient Greece: Fragments of an Art Form</h5> </a> <p> Mali Annika Skotheim </p> <p> <span class="date"> <i class="fa fa-calendar"></i> 2022-03-28 </span> <i class="fa fa-book"></i> <a class="issue-link" href="https://olh.openlibhums.org/issue/823/info/"> Volume 8 • Issue 1 • 2022 </a> <p><strong><i class="fa fa-info-circle"></i> Also a part of:</strong></p> <p> <i class="fa fa-book"></i> <a class="issue-link" href="https://olh.openlibhums.org/collections/453/"> Special Collection: Production Archives 01: Puppets for Action </a> </p> </p> </div> </div> </div> <h2 class="em"> Representing Classical Music in the Twenty-First Century </h2> <div class="card-panel"> <div class="row"> <div class="col m2 hide-on-small-and-down"> <img src="/article/id/4684/file/114063/" alt="Staging Scores: Devising Contemporary Performances from Classical Music" class="responsive-img"> </div> <div class="col m10 s12"> <a href="https://olh.openlibhums.org/article/id/4684/"> <h5 class="article-title">Staging Scores: Devising Contemporary Performances from Classical Music</h5> </a> <p>Michael David Pinchbeck and Kevin Egan </p> <p> <span class="date"> <i class="fa fa-calendar"></i> 2022-01-04 </span> <i class="fa fa-book"></i> <a class="issue-link" href="https://olh.openlibhums.org/issue/823/info/"> Volume 8 • Issue 1 • 2022 </a> <p><strong><i class="fa fa-info-circle"></i> Also a part of:</strong></p> <p> <i class="fa fa-book"></i> <a class="issue-link" href="https://olh.openlibhums.org/collections/452/"> Special Collection: Representing Classical Music in the Twenty-First Century </a> </p> </p> </div> </div> </div> <div class="card-panel"> <div class="row"> <div class="col m2 hide-on-small-and-down"> <img src="/article/id/4683/file/114190/" alt="Last Rites: Self-Representation and Counter-Canon Practices in Classical Music through Radhe Radhe" class="responsive-img"> </div> <div class="col m10 s12"> <a href="https://olh.openlibhums.org/article/id/4683/"> <h5 class="article-title">Last Rites: Self-Representation and Counter-Canon Practices in Classical Music through Radhe Radhe</h5> </a> <p> - Sharanya </p> <p> <span class="date"> <i class="fa fa-calendar"></i> 2022-01-07 </span> <i class="fa fa-book"></i> <a class="issue-link" href="https://olh.openlibhums.org/issue/823/info/"> Volume 8 • Issue 1 • 2022 </a> <p><strong><i class="fa fa-info-circle"></i> Also a part of:</strong></p> <p> <i class="fa fa-book"></i> <a class="issue-link" href="https://olh.openlibhums.org/collections/452/"> Special Collection: Representing Classical Music in the Twenty-First Century </a> </p> </p> </div> </div> </div> <div class="card-panel"> <div class="row"> <div class="col m2 hide-on-small-and-down"> <img src="/article/id/8252/file/114365/" alt="Introduction: Representation in/of Classical Music" class="responsive-img"> </div> <div class="col m10 s12"> <a href="https://olh.openlibhums.org/article/id/8252/"> <h5 class="article-title">Introduction: Representation in/of Classical Music</h5> </a> <p>Adrian Curtin and Adam Whittaker </p> <p> <span class="date"> <i class="fa fa-calendar"></i> 2022-01-11 </span> <i class="fa fa-book"></i> <a class="issue-link" href="https://olh.openlibhums.org/issue/823/info/"> Volume 8 • Issue 1 • 2022 </a> <p><strong><i class="fa fa-info-circle"></i> Also a part of:</strong></p> <p> <i class="fa fa-book"></i> <a class="issue-link" href="https://olh.openlibhums.org/collections/452/"> Special Collection: Representing Classical Music in the Twenty-First Century </a> </p> </p> </div> </div> </div> <h2 class="em"> The Pathological Body: European Literary and Cultural Perspectives in the Age of Modern Medicine </h2> <div class="card-panel"> <div class="row"> <div class="col m2 hide-on-small-and-down"> <img src="/article/id/4714/file/118818/" alt="Contagious Otherness: Translating Communicable Diseases in the Modern Italian and Francophone Novel" class="responsive-img"> </div> <div class="col m10 s12"> <a href="https://olh.openlibhums.org/article/id/4714/"> <h5 class="article-title">Contagious Otherness: Translating Communicable Diseases in the Modern Italian and Francophone Novel</h5> </a> <p> Marta Arnaldi </p> <p> <span class="date"> <i class="fa fa-calendar"></i> 2022-04-06 </span> <i class="fa fa-book"></i> <a class="issue-link" href="https://olh.openlibhums.org/issue/823/info/"> Volume 8 • Issue 1 • 2022 </a> <p><strong><i class="fa fa-info-circle"></i> Also a part of:</strong></p> <p> <i class="fa fa-book"></i> <a class="issue-link" href="https://olh.openlibhums.org/collections/447/"> Special Collection: The Pathological Body: European Literary and Cultural Perspectives in the Age of Modern Medicine </a> </p> </p> </div> </div> </div> <div class="card-panel"> <div class="row"> <div class="col m2 hide-on-small-and-down"> <img src="/article/id/6387/file/120338/" alt="The Contagious Effects of Rural Violence: Social Pathologies and Injured Bodies in Blasco Ibáñez’s La barraca (The Cabin)" class="responsive-img"> </div> <div class="col m10 s12"> <a href="https://olh.openlibhums.org/article/id/6387/"> <h5 class="article-title">The Contagious Effects of Rural Violence: Social Pathologies and Injured Bodies in Blasco Ibáñez’s <em>La barraca</em> (<em>The Cabin</em>)</h5> </a> <p> Katharine Anne Murphy </p> <p> 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Open Library of Humanities | Issue: Issue: 1(8) Volume 8 (2022)