Calenda - Histoire et audiovisuel

<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> <html xmlns="http://www.w3.org/1999/xhtml" xml:lang="fr" lang="fr"> <head> <meta http-equiv="Content-type" content="text/html; charset=utf-8" /> <meta http-equiv="Content-language" content="" /> <link rel="shortcut icon" type="image/x-icon" href="favicon.ico" /> <title>Calenda - Histoire et audiovisuel</title> <link rel="stylesheet" type="text/css" href="https://static-origin.openedition.org/openbarre_/styles/main.css?date=2018-11-06" /> <link rel="stylesheet" type="text/css" href="css/screen.css" media="screen, print" /> <link rel="stylesheet" type="text/css" href="css/print.css" media="print" /> <script type="text/javascript" src="js/jquery.js"></script> <script type="text/javascript" src="js/jquery-ui-1.8.17.custom.min.js"></script> <script type="text/javascript" src="js/jquery.form.js"></script> <script type="text/javascript" src="js/jquery.ui.datepicker-fr.js"></script> <script type="text/javascript" src="js/jquery.ui.datepicker-de.js"></script> <script type="text/javascript" src="js/jquery.ui.datepicker-en.js"></script> <script type="text/javascript" src="js/jquery.ui.datepicker-pt.js"></script> <script type="text/javascript" src="js/jquery.ui.datepicker-es.js"></script> <script type="text/javascript" src="js/jquery.sprintf.js"></script> <script type="text/javascript" src="js/calenda.js"></script> <script type="text/javascript" src="js/common.js"></script> <meta name="twitter:card" content="summary" /> <meta property="og:type" content="article" /> <meta name="twitter:site" content="@calendaSHS" /> <meta property="og:url" content="https://calenda.org/345528" /> <meta property="og:title" content="Histoire et audiovisuel" /> <meta property="og:description" content="Le séminaire Doct’Isor, créé en 2014 par les doctorants de l'équipe Images, Sociétés, Représentations (ISOR) du Centre de Recherche en Histoire du XIXe siècle (CRHXIX), permet à de jeunes chercheur..." /> <meta property="og:image" content="https://calenda.org/images/favicon_150x150.png" /> <meta name="DC.rights" content="https://creativecommons.org/publicdomain/zero/1.0/" /> <meta name="viewport" content="width=device-width, initial-scale=1, shrink-to-fit=no"></head> <body> <div id="ob-breadcrumb" class="ob-breadcrumb-calenda"> <div class="container"> <a href="https://calenda.org">Accueil</a><a href=""><span>Histoire et audiovisuel</span></a> </div> </div> <div id="wrapper"> <div id="content"> <script type="text/javascript" src="js/jquery.js"></script> <script type="text/javascript" src="js/jquery-ui-1.8.17.custom.min.js"></script> <script type="text/javascript" src="js/jquery.form.js"></script> <script type="text/javascript" src="js/jquery.ui.datepicker-fr.js"></script> <script type="text/javascript" src="js/jquery.ui.datepicker-de.js"></script> <script type="text/javascript" src="js/jquery.ui.datepicker-en.js"></script> <script type="text/javascript" src="js/jquery.ui.datepicker-pt.js"></script> <script type="text/javascript" src="js/jquery.ui.datepicker-es.js"></script> <script type="text/javascript" src="js/jquery.sprintf.js"></script> <script type="text/javascript" src="js/calenda.js"></script> <script type="text/javascript" src="js/common.js"></script> <div class="colwrapper"> <div id="icon" class="column"> <h2><a href="search?primary=ftype&ftype=40">Appel 脿 contribution</a><span><a href="search?primary=fsubject&fsubject=228">Histoire</a></span></h2> <div id="tabledates"> <h2>Dates</h2> <div class="list_dates"> <table> <tbody> <tr> <td class="unique_date"> <div class="day"><a href="search.html?primary=fdate&fyear=2015&fmonth=12&fday=18">18</a></div> <div class="month"><a href="search.html?primary=fdate&fyear=2015&fmonth=12">d茅c</a></div> <div class="year"><a href="search.html?primary=fdate&fyear=2015">2015</a></div> </td> </tr> </tbody> </table> </div> </div> <div id="listcategories"> <h2>Cat茅gories</h2> <ul> <li><a href="search?primary=fsubject&fsubject=271">Sciences de l'information</a></li> <li><a href="search?primary=fsubject&fsubject=277">Histoire culturelle</a></li> <li><a href="search?primary=fsubject&fsubject=280">脡tudes visuelles</a></li> <li><a href="search?primary=fsubject&fsubject=275">Histoire et sociologie des m茅dias</a></li> <li><a href="search?primary=fsubject&fsubject=235">Histoire sociale</a></li> </ul> </div> </div> <div id="document" class="column"> <div id="main"> <div class="titles"> <h1 class="origt"><a href="345528">Histoire et audiovisuel</a></h1> <h2 class="origt">History and audiovisual - Doct'Isor Seminar</h2> <p class="origd">S茅minaire Doct'Isor</p> </div> <div class="mapuce2">*  *  *</div> <p id="pubdate"> Publi茅 le mercredi 17 ao没t 2016 </p> <div id="texte"> <div id="resume"> <p class="intitule">R茅sum茅</p> <div id="resume-345528-fr" class="tabContent" lang="fr" xml:lang="fr"> <p style="text-align: justify;">Le séminaire Doct’Isor, créé en 2014 par les doctorants de l'équipe I<em>mages, Sociétés, Représentations (ISOR)</em> du <em>Centre de Recherche en Histoire du XIXe siècle</em> (CRHXIX), permet à de jeunes chercheurs de présenter leurs travaux et d’échanger autour de questionnements méthodologiques et épistémologiques rencontrés dans le cadre de leurs recherches. Ouvertes à tous, ces réunions intéresseront particulièrement les étudiants de master et les doctorants, historiens ou non, travaillant sur des problématiques culturalistes et médiatiques prenant appui sur des sources audiovisuelles. Les interventions de cette seconde édition, qui s’étalera de janvier à juin 2016, s’articuleront autour de trois axes : représentation(s)/imaginaire(s) ; histoire sociale, histoire des médias ; récit, fiction et histoire</p> </div> </div> <div id="annonce"> <p class="intitule">Annonce</p> <div id="annonce-345528-fr" class="tabContent" lang="fr" xml:lang="fr"> <h1 style="text-align: justify;">Argumentaire</h1> <p style="text-align: justify;">Le séminaire Doct’Isor, créé en 2014 par les doctorants de l'équipe<em> Images, Sociétés, Représentations</em> (ISOR) du <em>Centre de Recherche en Histoire du XIXe siècle</em> (CRHXIX), permet à de jeunes chercheurs de présenter leurs travaux et d’échanger autour de questionnements méthodologiques et épistémologiques rencontrés dans le cadre de leurs recherches.</p> <p style="text-align: justify;">Ouvertes à tous, ces réunions intéresseront particulièrement les étudiants de master et les doctorants, historiens ou non, travaillant sur des problématiques culturalistes et médiatiques prenant appui sur des sources audiovisuelles.</p> <h1 style="text-align: justify;">Axes thématiques</h1> <p style="text-align: justify;">Les interventions de cette seconde édition, qui s’étalera de janvier à juin 2016, s’articuleront autour de <strong>trois axes</strong> :</p> <p style="text-align: justify;"><strong>Axe 1</strong> : Représentation(s)/imaginaire(s) <br /><strong>Axe 2</strong> : Histoire sociale, histoire des médias <br /><strong>Axe 3</strong> : Récit, fiction et histoire</p> <h3 style="text-align: justify;"><strong>Axe 1 : Représentation(s) / imaginaire(s)</strong></h3> <p style="text-align: justify;">L’histoire culturelle, ou « histoire sociale des représentations » (Pascal Ory, <em>L’Histoire culturelle</em>), a érigé l’étude des &oelig;uvres d’arts et des productions culturelles comme méthode légitime d’accès à l’imaginaire des groupes humains du passé. Aux tableaux, romans ou sculptures, le XXe siècle a vu s’ajouter le long cortège des productions audiovisuelles qui recèle un formidable répertoire d’ « idées-images » (Bronislaw Baczko, <em>Les Imaginaires sociaux</em>) dans lequel peut puiser l’historien contemporanéiste. Films, chansons, publicités et contenus-web permettent aujourd’hui d’appréhender la manière dont les sociétés contemporaines « représentent et se représentent » le monde, pour reprendre les termes de Jean-François Sirinelli. Le séminaire Doct’Isor souhaiterait promouvoir des interventions interrogeant certaines implications épistémologiques et méthodologiques de ce champ et de cette méthode de recherche : comment s’assurer de la représentativité d’un corpus lors de l’opération de mise en série qui préside à l’étude d’un imaginaire social ? Quelle place accorder au langage spécifique et à la matérialité d’un type de production audiovisuel dans l’étude des représentations ? Comment articuler et définir l’un par rapport à l’autre représentation et imaginaire ? Comment mieux atteindre cette boîte noire des études culturelles que constitue la réception ? Dans quelle mesure et de quelle manière les résultats concernant les représentations et l’imaginaire doivent être confrontés aux données sociologiques ou la réalité d’une pratique à une époque donnée ?</p> <h3 style="text-align: justify;"><strong>Axe 2 : Histoire sociale, histoire des médias</strong></h3> <p style="text-align: justify;">Si les historiens des représentations portent un intérêt tout particulier aux « idées-images » que véhiculent les différents types de productions culturelles, le risque est grand de ne voir en elles que ce que nous nous attendons à y trouver (Jean-Pierre Esquenazi, <em>Sociologie des &oelig;uvres. De la production à l'interprétation</em>). La seule étude interne des &oelig;uvres laisse ainsi de côté les acteurs sociaux qui participent au processus de production, de médiation et de réception des représentations, ainsi que les vecteurs par le biais desquels ces dernières circulent et sont transmises à des époques et dans des sociétés données. Afin de contribuer à l’écriture d’une histoire culturelle ne s’appuyant plus uniquement sur les sources écrites ou iconographiques, le séminaire Doct’Isor cherche à promouvoir tous les travaux permettant de mieux connaître les médias audiovisuels et les moyens de communication modernes que sont la radio, la télévision, le cinéma et internet : - leur fonctionnement interne, tout d'abord, en nous penchant notamment sur les contraintes techniques, juridiques et politiques qui ont pesé sur leur naissance et leur développement ultérieur. - les rapports que les différents vecteurs et canaux médiatiques entretiennent entre eux ensuite, dans ce que l'on pourrait appeler l'inter-médialité - la réception des objets médiatiques enfin – qu'il s'agisse d'une matinale radiophonique, d'un long-métrage de fiction ou encore d'un talk-show télévisé – car, rappelons-le, l'objet médiatique et les représentations qu'il véhicule n'existent potentiellement que par et pour un public donné. L’analyse du médium ne saurait exister sans l’étude des individus et des groupes sociaux qui les font vivre et fonctionner. Les communications pourront ainsi s’attacher à retracer le parcours, les influences et le rôle de certains acteurs clés de l’histoire des médias dans une perspective prosopographique ou sociologique afin de rappeler que l’histoire des représentations constitue par essence une histoire sociale et une histoire médiatique.</p> <h3 style="text-align: justify;">Axe 3 : Récit, fiction et histoire</h3> <p style="text-align: justify;">Sauf à croire en « la chasteté de l'Histoire » comme Fustel de Coulanges, et s'imaginer que les faits se déroulent seuls devant nos yeux, l'historien sait qu''ils sont médiatisés. Les événements et les pratiques sont rapportés à travers un récit qui se charge de les mettre en ordre selon un point de vue, une perspective. Or, cet agencement tire nécessairement la réalité vers la fiction : « L'Histoire n'étant pas un algorithme rencontre fatalement un discours et dès lors tout commence » (Roland Barthes, <em>Le Bruissement de la langu</em>e). Dès lors, il y a un risque pour l'historien de reproduire inconsciemment le discours biaisé de ses sources sans pour autant rapporter les pratiques. Georges Duby a bien souligné, par exemple, comment les sources médiévales, essentiellement écrites par des moines, ne rendaient pas compte des points de vues des gens de peu ou des femmes. Dans le cadre de ce séminaire, nous aimerions nous pencher plus précisément sur le processus de fictionnalisation inhérent à la discipline historique tout en s'intéressant à ses contextes de production (politique, social, débats d'actualité...). Les séances intégreront les différents supports d'écriture par lesquels s'accomplit le procédé : images fixes et mobiles, sons, textes... Elles pourront s'intéresser aux différentes grammaires propres à ces derniers. De même, les communications pourront s'intéresser aux genres médiatiques (littéraires, cinématographiques, télévisuels...) : film de fiction, documentaire, reportage, chronique, historiographie, opéra, roman… Enfin, les interventions pourront se porter plus précisément sur le mythe et ses rôles performatifs au sein d'une société (en quoi une représentation collective peut-elle agir sur le fonctionnement d'une société ?), à travers une étude comparative d'adaptations d'un même récit, en retrouvant la circulation de motifs et de thèmes relatifs à une image (Panofsky,<em> Essais d’iconologie</em> ) ou encore en s'interrogeant sur la valeur d'exemplarité que procure le mythe aux différents personnages… Ce sont les significations politiques et sociales du processus de fictionnalisation qu'il s'agira de restituer et de questionner.</p> <h1 style="text-align: justify;">Modalités pratiques d'envoi des propositions</h1> <p style="text-align: justify;">Introduite et modérée par un discutant, chaque séance proposera une intervention de 45 minutes suivie d'une discussion avec le public. Les propositions de communications sont à envoyer</p> <h2 style="text-align: justify;">avant le 18 décembre 2015 </h2> <p style="text-align: justify;">à l'adresse suivante : etudiantsisor[a]gmail.com. Elles comporteront un intitulé provisoire, un résumé de l'intervention (400 mots maximum) et quelques informations relatives à l’auteur permettant aux organisateurs de communiquer avec lui en vue d’une préparation commune de la séance (laboratoire de rattachement, nom du directeur de recherche, adresse mail et numéro de téléphone).</p> <h1 style="text-align: justify;">Organisation</h1> <ul> <li style="text-align: justify;">Marine Beccarelli, doctorante</li> <li style="text-align: justify;">Julien Centrès, doctorant</li> <li style="text-align: justify;">Eve Givois, doctorante</li> <li style="text-align: justify;">Merlin Lambert, master 2 Histoire & Audiovisuel</li> <li style="text-align: justify;">Erwan Pointeau-Lagadec, doctorant contractuel</li> </ul> </div> </div> <div id="categories" class="cat"> <p class="intitule">Cat茅gories</p> <ul> <li><a href="search?primary=fsubject&fsubject=228">Histoire</a> (Cat茅gorie principale)</li> <li><a href="search?primary=fsubject&fsubject=259">Esprit et Langage</a> > <a href="search?primary=fsubject&fsubject=270">Information</a> > <a href="search?primary=fsubject&fsubject=271">Sciences de l'information</a></li> <li><a href="search?primary=fsubject&fsubject=259">Esprit et Langage</a> > <a href="search?primary=fsubject&fsubject=276">Repr茅sentations</a> > <a href="search?primary=fsubject&fsubject=277">Histoire culturelle</a></li> <li><a href="search?primary=fsubject&fsubject=259">Esprit et Langage</a> > <a href="search?primary=fsubject&fsubject=276">Repr茅sentations</a> > <a href="search?primary=fsubject&fsubject=280">脡tudes visuelles</a></li> <li><a href="search?primary=fsubject&fsubject=259">Esprit et Langage</a> > <a href="search?primary=fsubject&fsubject=270">Information</a> > <a href="search?primary=fsubject&fsubject=275">Histoire et sociologie des m茅dias</a></li> <li><a href="search?primary=fsubject&fsubject=200">Soci茅t茅s</a> > <a href="search?primary=fsubject&fsubject=228">Histoire</a> > <a href="search?primary=fsubject&fsubject=235">Histoire sociale</a></li> </ul> </div> <div id="lieux"> <p class="intitule">Lieux</p> <ul> <li class="location"> Salle 19B (sous-sol) du centre Panth茅on, Paris 1 Panth茅on-Sorbonne - 2 rue Cujas <br/> Paris, France (75005) </li> </ul> </div> <div id="eventformats"><br></div> <div id="dates"> <p class="intitule">Dates</p> <ul> <li>vendredi 18 d茅cembre 2015</li> </ul> </div> <div id="motscles"> <p class="intitule">Mots-cl茅s</p> <ul> <li>histoire, histoire culture, histoire audiovisuelle, m茅dias</li> </ul> </div> <div id="refurl"> <p class="intitule">URLS de r茅f茅rence</p> <ul> <li><a href="https://isor.hypotheses.org/">Carnet de recherche Doct'Isor</a></li> <li><a href="http://www.univ-paris1.fr/unites-de-recherche/isor/recherche/doctisor/">Site internet de l'茅quipe ISOR</a></li> <li><a href="https://halshs.archives-ouvertes.fr/search/index/q/*/contributorId_i/323274/">Hal-SHS Doct鈥橧sor</a></li> </ul> </div> <div id="source"> <p class="intitule">Source de l'information</p> <ul> <li>Marine Beccarelli<br/><em>courriel :</em> marine [dot] beccarelli [at] live [dot] fr</li> </ul> </div> <div id="license"> <p class="intitule">Licence</p> <p><a rel="license" href="https://creativecommons.org/publicdomain/zero/1.0/"><img alt="CC0-1.0" class="cc" src="images/cc0-88x31.png" /></a> Cette annonce est mise 脿 disposition selon les termes de la <a rel="license" href="https://creativecommons.org/publicdomain/zero/1.0/">Creative Commons CC0 1.0 Universel</a>.</p> </div> <div id="citation"> <p class="intitule">Pour citer cette annonce</p> <p>芦 Histoire et audiovisuel 禄, <span class="category">Appel 脿 contribution</span>, <em>Calenda</em>, Publi茅 le mercredi 17 ao没t 2016, <a class="url" href="https://doi.org/10.58079/tpz">https://doi.org/10.58079/tpz</a></p> </div> </div> </div> </div> <div id="news" class="column last"> <div id="imprimable"> <a id="impression" onclick="javascript:window.open('345528?formatage=print', '', 'menubar=yes,toolbar=no,scrollbars=yes,width=800,height=600');return false;" href="345528?formatage=print">Imprimer</a> <a id="signaler" 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