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El gesto de Fotografiar</p></div><p class="ds-work-card--work-abstract ds-work-card--detail ds2-5-body-md">Este es un libro sobre fotografías casi inéditas de Mariana Yampolsky. Colaboramos David Fajardo, Eugenia Macías, Ana Elena Mallet, Valeria Sánchez Michel, Abigail Pasillas y yo con un texto sobre unas fotos de una grabación d euna película documental de Juan Francisco Urrusti y Ana Piño Sandoval. El prólogo y la coordinación así como el trabajo editorial son míos. 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De esta manera, resaltaremos la constitución de un relato planteado por diversas generaciones, que iría de la emergencia de una novela latinoamericana hasta su internacionalización. Dicho relato presenta, según los tres escritores, tensiones, hiatos y paradojas durante su evolución, las cuales buscaremos subrayar para comprender de un mejor modo las estrategias de los diversos (y reconocidos) agentes letrados por legitimarse en un panorama en plena expansión como el latinoamericano. A la vez testimonios y posicionamientos, los tres ensayos plantean una lectura de la tradición desde un presente determinado por exigencias editoriales, expectativas de público, mecanismos excluyentes de internacionalización que los autores asumen y atacan a la vez. Poner en evidencia las motivaciones y los alcances de sus retóricas supone un ejercicio de comprensión tanto de su concepción de lo que es ser un escritor latinoamericano en nuestros días como del valor que le entregan a la producción novelística escrita en América latina.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"La novela latinoamericana frente al espejo: el caso de tres ensayos (Donoso, Fuentes y Volpi)","attachmentId":49883642,"attachmentType":"pdf","work_url":"https://www.academia.edu/29437435/La_novela_latinoamericana_frente_al_espejo_el_caso_de_tres_ensayos_Donoso_Fuentes_y_Volpi_","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/29437435/La_novela_latinoamericana_frente_al_espejo_el_caso_de_tres_ensayos_Donoso_Fuentes_y_Volpi_"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="5" data-entity-id="46888740" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/46888740/_Voluspa_Jarpa_y_el_archivo_performativo_en_dos_actos_">"Voluspa Jarpa y el archivo performativo en dos actos"</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="43404550" href="https://ub.academia.edu/DanielaHermosilla">Daniela Hermosilla Zúñiga</a></div><p class="ds-related-work--metadata ds2-5-body-xs">D21 Virtual, 2021</p><p class="ds-related-work--abstract ds2-5-body-sm">Primera convocatoria de ensayos para la sección "Anticipos" de D21 Virtua.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"\"Voluspa Jarpa y el archivo performativo en dos actos\"","attachmentId":66274924,"attachmentType":"pdf","work_url":"https://www.academia.edu/46888740/_Voluspa_Jarpa_y_el_archivo_performativo_en_dos_actos_","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/46888740/_Voluspa_Jarpa_y_el_archivo_performativo_en_dos_actos_"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="6" data-entity-id="120707914" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/120707914/Las_verdades_verdaderas_en_las_investigaciones_de_las_artistas_Janet_Toro_y_Voluspa_Jarpa">Las ‘verdades verdaderas’ en las investigaciones de las artistas Janet Toro y Voluspa Jarpa</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="3962196" href="https://independiente.academia.edu/CarolinaBenavente">Carolina Benavente</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Journal for Artistic Research, 2023</p><p class="ds-related-work--abstract ds2-5-body-sm">En esta reflexión me intereso por el papel de la investigación artística en y ante el llamado régimen de posverdad. Abordaré esta cuestión a través de dos propuestas de artistas chilenas: una de ellas es La memoria en el cuerpo, de Janet Toro (1963), montaje de "huellas performáticas" (Barría, 29/09/2023) que repone dos trabajos de los años noventa en torno a los métodos de tortura utilizados por la dictadura cívico-militar chilena entre 1973 y 1990; la otra propuesta es la Biblioteca de la no-historia, de Voluspa Jarpa (1971), un trabajo instalativo y relacional del año 2010 acerca de archivos desclasificados de la intervención de los Estados Unidos de América (EUA) en el golpe de Estado que originó esta dictadura, el 11 de septiembre de 1973.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Las ‘verdades verdaderas’ en las investigaciones de las artistas Janet Toro y Voluspa Jarpa","attachmentId":115772395,"attachmentType":"pdf","work_url":"https://www.academia.edu/120707914/Las_verdades_verdaderas_en_las_investigaciones_de_las_artistas_Janet_Toro_y_Voluspa_Jarpa","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/120707914/Las_verdades_verdaderas_en_las_investigaciones_de_las_artistas_Janet_Toro_y_Voluspa_Jarpa"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="7" data-entity-id="83679371" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/83679371/Palabras_fotogr%C3%A1ficas_imagen_escritura_y_memoria_en_dos_series_de_Marcelo_Brodsky">Palabras fotográficas: imagen, escritura y memoria en dos series de Marcelo Brodsky</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="25779239" href="https://uba.academia.edu/nataliafortuny">Natalia Fortuny</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Papeles de trabajo: La revista electrónica del IDAES, 2011</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Palabras fotográficas: imagen, escritura y memoria en dos series de Marcelo Brodsky","attachmentId":88945001,"attachmentType":"pdf","work_url":"https://www.academia.edu/83679371/Palabras_fotogr%C3%A1ficas_imagen_escritura_y_memoria_en_dos_series_de_Marcelo_Brodsky","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/83679371/Palabras_fotogr%C3%A1ficas_imagen_escritura_y_memoria_en_dos_series_de_Marcelo_Brodsky"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="8" data-entity-id="42645138" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/42645138/Novela_y_fotograf%C3%ADa_de_la_postrevoluci%C3%B3n_Tepito_en_la_mirada_de_Mariano_Azuela_y_Tina_Modotti">Novela y fotografía de la postrevolución: Tepito en la mirada de Mariano Azuela y Tina Modotti</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="7622404" href="https://unam1.academia.edu/YannaHadatty">Yanna Hadatty Mora</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Equestrian Rebels: Critical Perspectives on Mariano Azuela and the Novel of the Revolution, 2016</p><p class="ds-related-work--abstract ds2-5-body-sm">Este capítulo piensa la representación del barrio de Tepito a partir de lo que aquí denominamos "la mirada artística posrevolucionaria", es decir, la figuración estética heredera tanto del realismo como de las vanguardias que confluyen a fines de los años 20 y principios de los 30. Se procura hacer una comparación entre "La luciérnaga" de Mariano Azuela y la serie fotográfica "Los contrastes del régimen" de Tina Modotti.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Novela y fotografía de la postrevolución: Tepito en la mirada de Mariano Azuela y Tina Modotti","attachmentId":63637869,"attachmentType":"pdf","work_url":"https://www.academia.edu/42645138/Novela_y_fotograf%C3%ADa_de_la_postrevoluci%C3%B3n_Tepito_en_la_mirada_de_Mariano_Azuela_y_Tina_Modotti","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/42645138/Novela_y_fotograf%C3%ADa_de_la_postrevoluci%C3%B3n_Tepito_en_la_mirada_de_Mariano_Azuela_y_Tina_Modotti"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="9" data-entity-id="40652440" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/40652440/El_gesto_y_el_archivo_la_fotograf%C3%ADa_y_la_anamnesis_argentina">El gesto y el archivo: la fotografía y la anamnesis argentina</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="7954689" href="https://uba.academia.edu/CarlosMasotta">Carlos Masotta</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Revista Photo & documento, 2016</p><p class="ds-related-work--abstract ds2-5-body-sm">El gesto y el archivo: la fotografía y la anamnesis argentina. The gesture and the archive: photography and Argentinean anamnesis. Carlos Eduardo MASOTTA * Resumen: La muestra "Fotos en el cuerpo: fotografía, memoria y archivos" se realizó en Buenos Aires como cierre de un proyecto de investigación de la Facultad de Ciencias Sociales de la Universidad de Buenos Aires que dirigí entre 2008 y 2010. El proyecto consideró que la relación entre fotografía y memoria en la Argentina había adoptado una forma singular en referencia a las consecuencias del terrorismo de Estado de la última dictadura (1976-1983) y a las acciones del movimiento de derechos humanos desarrolladas hasta la actualidad. Desarrollo en este trabajo algunos comentarios en torno a esa experiencia. Palabras-clave: archivo; Argentina; derechos humanos; fotografía; memoria. Abstract: The exhibition "Images in the body: photography, memory and archive" was held in Buenos Aires as a result of a research project of the Universidad de Buenos Aires (2008-2010). The project found that the relationship between photography and memory in Argentina had adopted a singular way in reference to the consequences of state terrorism of the last dictatorship (1976-1983) and the actions developed until today by the human rights movement. In this paper I want to share some comments on that experience.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"El gesto y el archivo: la fotografía y la anamnesis argentina","attachmentId":60935045,"attachmentType":"pdf","work_url":"https://www.academia.edu/40652440/El_gesto_y_el_archivo_la_fotograf%C3%ADa_y_la_anamnesis_argentina","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/40652440/El_gesto_y_el_archivo_la_fotograf%C3%ADa_y_la_anamnesis_argentina"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div></div></div><div class="ds-sticky-ctas--wrapper js-loswp-sticky-ctas hidden"><div class="ds-sticky-ctas--grid-container"><div class="ds-sticky-ctas--container"><button class="ds2-5-button js-swp-download-button" data-signup-modal="{"location":"continue-reading-button--sticky-ctas","attachmentId":118204890,"attachmentType":"pdf","workUrl":null}">See full PDF</button><button class="ds2-5-button ds2-5-button--secondary js-swp-download-button" data-signup-modal="{"location":"download-pdf-button--sticky-ctas","attachmentId":118204890,"attachmentType":"pdf","workUrl":null}"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span>Download PDF</button></div></div></div><div class="ds-below-fold--grid-container"><div class="ds-work--container js-loswp-embedded-document"><div class="attachment_preview" data-attachment="Attachment_118204890" style="display: none"><div class="js-scribd-document-container"><div class="scribd--document-loading js-scribd-document-loader" style="display: block;"><img alt="Loading..." src="//a.academia-assets.com/images/loaders/paper-load.gif" /><p>Loading Preview</p></div></div><div style="text-align: center;"><div class="scribd--no-preview-alert js-preview-unavailable"><p>Sorry, preview is currently unavailable. 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