CINXE.COM

<!DOCTYPE html> <html lang="en" xmlns:fb="http://www.facebook.com/2008/fbml" class="wf-loading"> <head prefix="og: https://ogp.me/ns# fb: https://ogp.me/ns/fb# academia: https://ogp.me/ns/fb/academia#"> <meta charset="utf-8"> <meta name=viewport content="width=device-width, initial-scale=1"> <meta rel="search" type="application/opensearchdescription+xml" href="/open_search.xml" title="Academia.edu"> <title>Laurens Ham | Utrecht University - Academia.edu</title>  <link href="//a.academia-assets.com/images/favicons/favicon-production.ico" rel="shortcut icon" type="image/vnd.microsoft.icon"> <link rel="apple-touch-icon" sizes="57x57" href="//a.academia-assets.com/images/favicons/apple-touch-icon-57x57.png"> <link rel="apple-touch-icon" sizes="60x60" href="//a.academia-assets.com/images/favicons/apple-touch-icon-60x60.png"> <link rel="apple-touch-icon" sizes="72x72" href="//a.academia-assets.com/images/favicons/apple-touch-icon-72x72.png"> <link rel="apple-touch-icon" sizes="76x76" href="//a.academia-assets.com/images/favicons/apple-touch-icon-76x76.png"> <link rel="apple-touch-icon" sizes="114x114" href="//a.academia-assets.com/images/favicons/apple-touch-icon-114x114.png"> <link rel="apple-touch-icon" sizes="120x120" href="//a.academia-assets.com/images/favicons/apple-touch-icon-120x120.png"> <link rel="apple-touch-icon" sizes="144x144" href="//a.academia-assets.com/images/favicons/apple-touch-icon-144x144.png"> <link rel="apple-touch-icon" sizes="152x152" href="//a.academia-assets.com/images/favicons/apple-touch-icon-152x152.png"> <link rel="apple-touch-icon" sizes="180x180" href="//a.academia-assets.com/images/favicons/apple-touch-icon-180x180.png"> <link rel="icon" type="image/png" href="//a.academia-assets.com/images/favicons/favicon-32x32.png" sizes="32x32"> <link rel="icon" type="image/png" href="//a.academia-assets.com/images/favicons/favicon-194x194.png" sizes="194x194"> <link rel="icon" type="image/png" href="//a.academia-assets.com/images/favicons/favicon-96x96.png" sizes="96x96"> <link rel="icon" type="image/png" href="//a.academia-assets.com/images/favicons/android-chrome-192x192.png" sizes="192x192"> <link rel="icon" type="image/png" href="//a.academia-assets.com/images/favicons/favicon-16x16.png" sizes="16x16"> <link rel="manifest" href="//a.academia-assets.com/images/favicons/manifest.json"> <meta name="msapplication-TileColor" content="#2b5797"> <meta name="msapplication-TileImage" content="//a.academia-assets.com/images/favicons/mstile-144x144.png"> <meta name="theme-color" content="#ffffff"> <script> window.performance && window.performance.measure && window.performance.measure("Time To First Byte", "requestStart", "responseStart"); </script> <script> (function() { if (!window.URLSearchParams || !window.history || !window.history.replaceState) { return; } var searchParams = new URLSearchParams(window.location.search); var paramsToDelete = [ 'fs', 'sm', 'swp', 'iid', 'nbs', 'rcc', // related content category 'rcpos', // related content carousel position 'rcpg', // related carousel page 'rchid', // related content hit id 'f_ri', // research interest id, for SEO tracking 'f_fri', // featured research interest, for SEO tracking (param key without value) 'f_rid', // from research interest directory for SEO tracking 'f_loswp', // from research interest pills on LOSWP sidebar for SEO tracking 'rhid', // referrring hit id ]; if (paramsToDelete.every((key) => searchParams.get(key) === null)) { return; } paramsToDelete.forEach((key) => { searchParams.delete(key); }); var cleanUrl = new URL(window.location.href); cleanUrl.search = searchParams.toString(); history.replaceState({}, document.title, cleanUrl); })(); </script> <script async src="https://www.googletagmanager.com/gtag/js?id=G-5VKX33P2DS"></script> <script> window.dataLayer = window.dataLayer || []; function gtag(){dataLayer.push(arguments);} gtag('js', new Date()); gtag('config', 'G-5VKX33P2DS', { cookie_domain: 'academia.edu', send_page_view: false, }); gtag('event', 'page_view', { 'controller': "profiles/works", 'action': "summary", 'controller_action': 'profiles/works#summary', 'logged_in': 'false', 'edge': 'unknown', // Send nil if there is no A/B test bucket, in case some records get logged // with missing data - that way we can distinguish between the two cases. // ab_test_bucket should be of the form <ab_test_name>:<bucket> 'ab_test_bucket': null, }) </script> <script type="text/javascript"> window.sendUserTiming = function(timingName) { if (!(window.performance && window.performance.measure)) return; var entries = window.performance.getEntriesByName(timingName, "measure"); if (entries.length !== 1) return; var timingValue = Math.round(entries[0].duration); gtag('event', 'timing_complete', { name: timingName, value: timingValue, event_category: 'User-centric', }); }; window.sendUserTiming("Time To First Byte"); </script> <meta name="csrf-param" content="authenticity_token" /> <meta name="csrf-token" content="O1c3aO35UhBH83D8t_I2pZXdN2ID546AD8MWxDIP1vfcaYBGCPgKQWKcx59d5iIrbagnDnimX0yt3cuTOw8DRg" /> <link rel="stylesheet" media="all" href="//a.academia-assets.com/assets/wow-3d36c19b4875b226bfed0fcba1dcea3f2fe61148383d97c0465c016b8c969290.css" /><link rel="stylesheet" media="all" href="//a.academia-assets.com/assets/social/home-79e78ce59bef0a338eb6540ec3d93b4a7952115b56c57f1760943128f4544d42.css" /><script type="application/ld+json">{"@context":"https://schema.org","@type":"ProfilePage","mainEntity":{"@context":"https://schema.org","@type":"Person","name":"Laurens Ham","url":"https://uu.academia.edu/LaurensHam","image":"https://0.academia-photos.com/8019629/3453233/73072101/s200_laurens.ham.jpg","sameAs":["https://www.facebook.com/laurens.ham.7"]},"dateCreated":"2014-01-04T23:17:39-08:00","dateModified":"2025-03-18T03:29:28-07:00","name":"Laurens Ham","description":"Laurens Ham (1985) is a lecturer in Modern Dutch Literature, essayist and poet at Utrecht University, the Netherlands. He works on a project ('Veni', funded by the Netherlands Organisation for Scientific Research) about the roles authors have played in Dutch literary (subsidy) policy since the 1960s: as activists, policy officials for the Dutch Foundation for Literature, public intellectuals, politicians and applicants. In 2020, he published Op de vuist, a book-long essay about Dutch protest songs since 1966, in all pop genres ('Dutch pop', cabaret, punk, hiphop, and more).","image":"https://0.academia-photos.com/8019629/3453233/73072101/s200_laurens.ham.jpg","thumbnailUrl":"https://0.academia-photos.com/8019629/3453233/73072101/s65_laurens.ham.jpg","primaryImageOfPage":{"@type":"ImageObject","url":"https://0.academia-photos.com/8019629/3453233/73072101/s200_laurens.ham.jpg","width":200},"sameAs":["https://www.facebook.com/laurens.ham.7"],"relatedLink":"https://www.academia.edu/115482109/Een_doorkijkje_naar_een_mediageschiedenis_van_de_literatuur"}</script><link rel="stylesheet" media="all" href="//a.academia-assets.com/assets/design_system/heading-95367dc03b794f6737f30123738a886cf53b7a65cdef98a922a98591d60063e3.css" /><link rel="stylesheet" media="all" href="//a.academia-assets.com/assets/design_system/button-8c9ae4b5c8a2531640c354d92a1f3579c8ff103277ef74913e34c8a76d4e6c00.css" /><link rel="stylesheet" media="all" href="//a.academia-assets.com/assets/design_system/body-170d1319f0e354621e81ca17054bb147da2856ec0702fe440a99af314a6338c5.css" /><style type="text/css">@media(max-width: 567px){:root{--token-mode: Parity;--dropshadow: 0 2px 4px 0 #22223340;--primary-brand: #0645b1;--error-dark: #b60000;--success-dark: #05b01c;--inactive-fill: #ebebee;--hover: #0c3b8d;--pressed: #082f75;--button-primary-fill-inactive: #ebebee;--button-primary-fill: #0645b1;--button-primary-text: #ffffff;--button-primary-fill-hover: #0c3b8d;--button-primary-fill-press: #082f75;--button-primary-icon: #ffffff;--button-primary-fill-inverse: #ffffff;--button-primary-text-inverse: #082f75;--button-primary-icon-inverse: #0645b1;--button-primary-fill-inverse-hover: #cddaef;--button-primary-stroke-inverse-pressed: #0645b1;--button-secondary-stroke-inactive: #b1b1ba;--button-secondary-fill: #eef2f9;--button-secondary-text: #082f75;--button-secondary-fill-press: #cddaef;--button-secondary-fill-inactive: #ebebee;--button-secondary-stroke: #cddaef;--button-secondary-stroke-hover: #386ac1;--button-secondary-stroke-press: #0645b1;--button-secondary-text-inactive: #b1b1ba;--button-secondary-icon: #082f75;--button-secondary-fill-hover: #e6ecf7;--button-secondary-stroke-inverse: #ffffff;--button-secondary-fill-inverse: rgba(255, 255, 255, 0);--button-secondary-icon-inverse: #ffffff;--button-secondary-icon-hover: #082f75;--button-secondary-icon-press: #082f75;--button-secondary-text-inverse: #ffffff;--button-secondary-text-hover: #082f75;--button-secondary-text-press: #082f75;--button-secondary-fill-inverse-hover: #043059;--button-xs-stroke: #141413;--button-xs-stroke-hover: #0c3b8d;--button-xs-stroke-press: #082f75;--button-xs-stroke-inactive: #ebebee;--button-xs-text: #141413;--button-xs-text-hover: #0c3b8d;--button-xs-text-press: #082f75;--button-xs-text-inactive: #91919e;--button-xs-icon: #141413;--button-xs-icon-hover: #0c3b8d;--button-xs-icon-press: #082f75;--button-xs-icon-inactive: #91919e;--button-xs-fill: #ffffff;--button-xs-fill-hover: #f4f7fc;--button-xs-fill-press: #eef2f9;--buttons-button-text-inactive: #91919e;--buttons-button-focus: #0645b1;--buttons-button-icon-inactive: #91919e;--buttons-small-buttons-corner-radius: 8px;--buttons-small-buttons-l-r-padding: 12px;--buttons-small-buttons-height: 44px;--buttons-small-buttons-gap: 8px;--buttons-small-buttons-icon-only-width: 44px;--buttons-small-buttons-icon-size: 20px;--buttons-small-buttons-stroke-default: 1px;--buttons-small-buttons-stroke-thick: 2px;--buttons-large-buttons-l-r-padding: 20px;--buttons-large-buttons-height: 54px;--buttons-large-buttons-icon-only-width: 54px;--buttons-large-buttons-icon-size: 20px;--buttons-large-buttons-gap: 8px;--buttons-large-buttons-corner-radius: 8px;--buttons-large-buttons-stroke-default: 1px;--buttons-large-buttons-stroke-thick: 2px;--buttons-extra-small-buttons-l-r-padding: 8px;--buttons-extra-small-buttons-height: 32px;--buttons-extra-small-buttons-icon-size: 16px;--buttons-extra-small-buttons-gap: 4px;--buttons-extra-small-buttons-corner-radius: 8px;--buttons-stroke-default: 1px;--buttons-stroke-thick: 2px;--background-beige: #f9f7f4;--error-light: #fff2f2;--text-placeholder: #6d6d7d;--stroke-dark: #141413;--stroke-light: #dddde2;--stroke-medium: #535366;--accent-green: #ccffd4;--accent-turquoise: #ccf7ff;--accent-yellow: #f7ffcc;--accent-peach: #ffd4cc;--accent-violet: #f7ccff;--accent-purple: #f4f7fc;--text-primary: #141413;--secondary-brand: #141413;--text-hover: #0c3b8d;--text-white: #ffffff;--text-link: #0645b1;--text-press: #082f75;--success-light: #f0f8f1;--background-light-blue: #eef2f9;--background-white: #ffffff;--premium-dark: #877440;--premium-light: #f9f6ed;--stroke-white: #ffffff;--inactive-content: #b1b1ba;--annotate-light: #a35dff;--annotate-dark: #824acc;--grid: #eef2f9;--inactive-stroke: #ebebee;--shadow: rgba(34, 34, 51, 0.25);--text-inactive: #6d6d7d;--text-error: #b60000;--stroke-error: #b60000;--background-error: #fff2f2;--background-black: #141413;--icon-default: #141413;--icon-blue: #0645b1;--background-grey: #dddde2;--icon-grey: #b1b1ba;--text-focus: #082f75;--brand-colors-neutral-black: #141413;--brand-colors-neutral-900: #535366;--brand-colors-neutral-800: #6d6d7d;--brand-colors-neutral-700: #91919e;--brand-colors-neutral-600: #b1b1ba;--brand-colors-neutral-500: #c8c8cf;--brand-colors-neutral-400: #dddde2;--brand-colors-neutral-300: #ebebee;--brand-colors-neutral-200: #f8f8fb;--brand-colors-neutral-100: #fafafa;--brand-colors-neutral-white: #ffffff;--brand-colors-blue-900: #043059;--brand-colors-blue-800: #082f75;--brand-colors-blue-700: #0c3b8d;--brand-colors-blue-600: #0645b1;--brand-colors-blue-500: #386ac1;--brand-colors-blue-400: #cddaef;--brand-colors-blue-300: #e6ecf7;--brand-colors-blue-200: #eef2f9;--brand-colors-blue-100: #f4f7fc;--brand-colors-gold-500: #877440;--brand-colors-gold-400: #e9e3d4;--brand-colors-gold-300: #f2efe8;--brand-colors-gold-200: #f9f6ed;--brand-colors-gold-100: #f9f7f4;--brand-colors-error-900: #920000;--brand-colors-error-500: #b60000;--brand-colors-success-900: #035c0f;--brand-colors-green: #ccffd4;--brand-colors-turquoise: #ccf7ff;--brand-colors-yellow: #f7ffcc;--brand-colors-peach: #ffd4cc;--brand-colors-violet: #f7ccff;--brand-colors-error-100: #fff2f2;--brand-colors-success-500: #05b01c;--brand-colors-success-100: #f0f8f1;--text-secondary: #535366;--icon-white: #ffffff;--background-beige-darker: #f2efe8;--icon-dark-grey: #535366;--type-font-family-sans-serif: Roboto;--type-font-family-serif: Georgia;--type-font-family-mono: IBM Plex Mono;--type-weights-300: 300;--type-weights-400: 400;--type-weights-500: 500;--type-weights-700: 700;--type-sizes-12: 12px;--type-sizes-14: 14px;--type-sizes-16: 16px;--type-sizes-18: 18px;--type-sizes-20: 20px;--type-sizes-22: 22px;--type-sizes-24: 24px;--type-sizes-28: 28px;--type-sizes-30: 30px;--type-sizes-32: 32px;--type-sizes-40: 40px;--type-sizes-42: 42px;--type-sizes-48-2: 48px;--type-line-heights-16: 16px;--type-line-heights-20: 20px;--type-line-heights-23: 23px;--type-line-heights-24: 24px;--type-line-heights-25: 25px;--type-line-heights-26: 26px;--type-line-heights-29: 29px;--type-line-heights-30: 30px;--type-line-heights-32: 32px;--type-line-heights-34: 34px;--type-line-heights-35: 35px;--type-line-heights-36: 36px;--type-line-heights-38: 38px;--type-line-heights-40: 40px;--type-line-heights-46: 46px;--type-line-heights-48: 48px;--type-line-heights-52: 52px;--type-line-heights-58: 58px;--type-line-heights-68: 68px;--type-line-heights-74: 74px;--type-line-heights-82: 82px;--type-paragraph-spacings-0: 0px;--type-paragraph-spacings-4: 4px;--type-paragraph-spacings-8: 8px;--type-paragraph-spacings-16: 16px;--type-sans-serif-xl-font-weight: 400;--type-sans-serif-xl-size: 32px;--type-sans-serif-xl-line-height: 46px;--type-sans-serif-xl-paragraph-spacing: 16px;--type-sans-serif-lg-font-weight: 400;--type-sans-serif-lg-size: 30px;--type-sans-serif-lg-line-height: 36px;--type-sans-serif-lg-paragraph-spacing: 16px;--type-sans-serif-md-font-weight: 400;--type-sans-serif-md-line-height: 30px;--type-sans-serif-md-paragraph-spacing: 16px;--type-sans-serif-md-size: 24px;--type-sans-serif-xs-font-weight: 700;--type-sans-serif-xs-line-height: 24px;--type-sans-serif-xs-paragraph-spacing: 0px;--type-sans-serif-xs-size: 18px;--type-sans-serif-sm-font-weight: 400;--type-sans-serif-sm-line-height: 32px;--type-sans-serif-sm-paragraph-spacing: 16px;--type-sans-serif-sm-size: 20px;--type-body-xl-font-weight: 400;--type-body-xl-size: 24px;--type-body-xl-line-height: 36px;--type-body-xl-paragraph-spacing: 0px;--type-body-sm-font-weight: 400;--type-body-sm-size: 14px;--type-body-sm-line-height: 20px;--type-body-sm-paragraph-spacing: 8px;--type-body-xs-font-weight: 400;--type-body-xs-size: 12px;--type-body-xs-line-height: 16px;--type-body-xs-paragraph-spacing: 0px;--type-body-md-font-weight: 400;--type-body-md-size: 16px;--type-body-md-line-height: 20px;--type-body-md-paragraph-spacing: 4px;--type-body-lg-font-weight: 400;--type-body-lg-size: 20px;--type-body-lg-line-height: 26px;--type-body-lg-paragraph-spacing: 16px;--type-body-lg-medium-font-weight: 500;--type-body-lg-medium-size: 20px;--type-body-lg-medium-line-height: 32px;--type-body-lg-medium-paragraph-spacing: 16px;--type-body-md-medium-font-weight: 500;--type-body-md-medium-size: 16px;--type-body-md-medium-line-height: 20px;--type-body-md-medium-paragraph-spacing: 4px;--type-body-sm-bold-font-weight: 700;--type-body-sm-bold-size: 14px;--type-body-sm-bold-line-height: 20px;--type-body-sm-bold-paragraph-spacing: 8px;--type-body-sm-medium-font-weight: 500;--type-body-sm-medium-size: 14px;--type-body-sm-medium-line-height: 20px;--type-body-sm-medium-paragraph-spacing: 8px;--type-serif-md-font-weight: 400;--type-serif-md-size: 32px;--type-serif-md-paragraph-spacing: 0px;--type-serif-md-line-height: 40px;--type-serif-sm-font-weight: 400;--type-serif-sm-size: 24px;--type-serif-sm-paragraph-spacing: 0px;--type-serif-sm-line-height: 26px;--type-serif-lg-font-weight: 400;--type-serif-lg-size: 48px;--type-serif-lg-paragraph-spacing: 0px;--type-serif-lg-line-height: 52px;--type-serif-xs-font-weight: 400;--type-serif-xs-size: 18px;--type-serif-xs-line-height: 24px;--type-serif-xs-paragraph-spacing: 0px;--type-serif-xl-font-weight: 400;--type-serif-xl-size: 48px;--type-serif-xl-paragraph-spacing: 0px;--type-serif-xl-line-height: 58px;--type-mono-md-font-weight: 400;--type-mono-md-size: 22px;--type-mono-md-line-height: 24px;--type-mono-md-paragraph-spacing: 0px;--type-mono-lg-font-weight: 400;--type-mono-lg-size: 40px;--type-mono-lg-line-height: 40px;--type-mono-lg-paragraph-spacing: 0px;--type-mono-sm-font-weight: 400;--type-mono-sm-size: 14px;--type-mono-sm-line-height: 24px;--type-mono-sm-paragraph-spacing: 0px;--spacing-xs-4: 4px;--spacing-xs-8: 8px;--spacing-xs-16: 16px;--spacing-sm-24: 24px;--spacing-sm-32: 32px;--spacing-md-40: 40px;--spacing-md-48: 48px;--spacing-lg-64: 64px;--spacing-lg-80: 80px;--spacing-xlg-104: 104px;--spacing-xlg-152: 152px;--spacing-xs-12: 12px;--spacing-page-section: 80px;--spacing-card-list-spacing: 48px;--spacing-text-section-spacing: 64px;--spacing-md-xs-headings: 40px;--corner-radius-radius-lg: 16px;--corner-radius-radius-sm: 4px;--corner-radius-radius-md: 8px;--corner-radius-radius-round: 104px}}@media(min-width: 568px)and (max-width: 1279px){:root{--token-mode: Parity;--dropshadow: 0 2px 4px 0 #22223340;--primary-brand: #0645b1;--error-dark: #b60000;--success-dark: #05b01c;--inactive-fill: #ebebee;--hover: #0c3b8d;--pressed: #082f75;--button-primary-fill-inactive: #ebebee;--button-primary-fill: #0645b1;--button-primary-text: #ffffff;--button-primary-fill-hover: #0c3b8d;--button-primary-fill-press: #082f75;--button-primary-icon: #ffffff;--button-primary-fill-inverse: #ffffff;--button-primary-text-inverse: #082f75;--button-primary-icon-inverse: #0645b1;--button-primary-fill-inverse-hover: #cddaef;--button-primary-stroke-inverse-pressed: #0645b1;--button-secondary-stroke-inactive: #b1b1ba;--button-secondary-fill: #eef2f9;--button-secondary-text: #082f75;--button-secondary-fill-press: #cddaef;--button-secondary-fill-inactive: #ebebee;--button-secondary-stroke: #cddaef;--button-secondary-stroke-hover: #386ac1;--button-secondary-stroke-press: #0645b1;--button-secondary-text-inactive: #b1b1ba;--button-secondary-icon: #082f75;--button-secondary-fill-hover: #e6ecf7;--button-secondary-stroke-inverse: #ffffff;--button-secondary-fill-inverse: rgba(255, 255, 255, 0);--button-secondary-icon-inverse: #ffffff;--button-secondary-icon-hover: #082f75;--button-secondary-icon-press: #082f75;--button-secondary-text-inverse: #ffffff;--button-secondary-text-hover: #082f75;--button-secondary-text-press: #082f75;--button-secondary-fill-inverse-hover: #043059;--button-xs-stroke: #141413;--button-xs-stroke-hover: #0c3b8d;--button-xs-stroke-press: #082f75;--button-xs-stroke-inactive: #ebebee;--button-xs-text: #141413;--button-xs-text-hover: #0c3b8d;--button-xs-text-press: #082f75;--button-xs-text-inactive: #91919e;--button-xs-icon: #141413;--button-xs-icon-hover: #0c3b8d;--button-xs-icon-press: #082f75;--button-xs-icon-inactive: #91919e;--button-xs-fill: #ffffff;--button-xs-fill-hover: #f4f7fc;--button-xs-fill-press: #eef2f9;--buttons-button-text-inactive: #91919e;--buttons-button-focus: #0645b1;--buttons-button-icon-inactive: #91919e;--buttons-small-buttons-corner-radius: 8px;--buttons-small-buttons-l-r-padding: 12px;--buttons-small-buttons-height: 44px;--buttons-small-buttons-gap: 8px;--buttons-small-buttons-icon-only-width: 44px;--buttons-small-buttons-icon-size: 20px;--buttons-small-buttons-stroke-default: 1px;--buttons-small-buttons-stroke-thick: 2px;--buttons-large-buttons-l-r-padding: 20px;--buttons-large-buttons-height: 54px;--buttons-large-buttons-icon-only-width: 54px;--buttons-large-buttons-icon-size: 20px;--buttons-large-buttons-gap: 8px;--buttons-large-buttons-corner-radius: 8px;--buttons-large-buttons-stroke-default: 1px;--buttons-large-buttons-stroke-thick: 2px;--buttons-extra-small-buttons-l-r-padding: 8px;--buttons-extra-small-buttons-height: 32px;--buttons-extra-small-buttons-icon-size: 16px;--buttons-extra-small-buttons-gap: 4px;--buttons-extra-small-buttons-corner-radius: 8px;--buttons-stroke-default: 1px;--buttons-stroke-thick: 2px;--background-beige: #f9f7f4;--error-light: #fff2f2;--text-placeholder: #6d6d7d;--stroke-dark: #141413;--stroke-light: #dddde2;--stroke-medium: #535366;--accent-green: #ccffd4;--accent-turquoise: #ccf7ff;--accent-yellow: #f7ffcc;--accent-peach: #ffd4cc;--accent-violet: #f7ccff;--accent-purple: #f4f7fc;--text-primary: #141413;--secondary-brand: #141413;--text-hover: #0c3b8d;--text-white: #ffffff;--text-link: #0645b1;--text-press: #082f75;--success-light: #f0f8f1;--background-light-blue: #eef2f9;--background-white: #ffffff;--premium-dark: #877440;--premium-light: #f9f6ed;--stroke-white: #ffffff;--inactive-content: #b1b1ba;--annotate-light: #a35dff;--annotate-dark: #824acc;--grid: #eef2f9;--inactive-stroke: #ebebee;--shadow: rgba(34, 34, 51, 0.25);--text-inactive: #6d6d7d;--text-error: #b60000;--stroke-error: #b60000;--background-error: #fff2f2;--background-black: #141413;--icon-default: #141413;--icon-blue: #0645b1;--background-grey: #dddde2;--icon-grey: #b1b1ba;--text-focus: #082f75;--brand-colors-neutral-black: #141413;--brand-colors-neutral-900: #535366;--brand-colors-neutral-800: #6d6d7d;--brand-colors-neutral-700: #91919e;--brand-colors-neutral-600: #b1b1ba;--brand-colors-neutral-500: #c8c8cf;--brand-colors-neutral-400: #dddde2;--brand-colors-neutral-300: #ebebee;--brand-colors-neutral-200: #f8f8fb;--brand-colors-neutral-100: #fafafa;--brand-colors-neutral-white: #ffffff;--brand-colors-blue-900: #043059;--brand-colors-blue-800: #082f75;--brand-colors-blue-700: #0c3b8d;--brand-colors-blue-600: #0645b1;--brand-colors-blue-500: #386ac1;--brand-colors-blue-400: #cddaef;--brand-colors-blue-300: #e6ecf7;--brand-colors-blue-200: #eef2f9;--brand-colors-blue-100: #f4f7fc;--brand-colors-gold-500: #877440;--brand-colors-gold-400: #e9e3d4;--brand-colors-gold-300: #f2efe8;--brand-colors-gold-200: #f9f6ed;--brand-colors-gold-100: #f9f7f4;--brand-colors-error-900: #920000;--brand-colors-error-500: #b60000;--brand-colors-success-900: #035c0f;--brand-colors-green: #ccffd4;--brand-colors-turquoise: #ccf7ff;--brand-colors-yellow: #f7ffcc;--brand-colors-peach: #ffd4cc;--brand-colors-violet: #f7ccff;--brand-colors-error-100: #fff2f2;--brand-colors-success-500: #05b01c;--brand-colors-success-100: #f0f8f1;--text-secondary: #535366;--icon-white: #ffffff;--background-beige-darker: #f2efe8;--icon-dark-grey: #535366;--type-font-family-sans-serif: Roboto;--type-font-family-serif: Georgia;--type-font-family-mono: IBM Plex Mono;--type-weights-300: 300;--type-weights-400: 400;--type-weights-500: 500;--type-weights-700: 700;--type-sizes-12: 12px;--type-sizes-14: 14px;--type-sizes-16: 16px;--type-sizes-18: 18px;--type-sizes-20: 20px;--type-sizes-22: 22px;--type-sizes-24: 24px;--type-sizes-28: 28px;--type-sizes-30: 30px;--type-sizes-32: 32px;--type-sizes-40: 40px;--type-sizes-42: 42px;--type-sizes-48-2: 48px;--type-line-heights-16: 16px;--type-line-heights-20: 20px;--type-line-heights-23: 23px;--type-line-heights-24: 24px;--type-line-heights-25: 25px;--type-line-heights-26: 26px;--type-line-heights-29: 29px;--type-line-heights-30: 30px;--type-line-heights-32: 32px;--type-line-heights-34: 34px;--type-line-heights-35: 35px;--type-line-heights-36: 36px;--type-line-heights-38: 38px;--type-line-heights-40: 40px;--type-line-heights-46: 46px;--type-line-heights-48: 48px;--type-line-heights-52: 52px;--type-line-heights-58: 58px;--type-line-heights-68: 68px;--type-line-heights-74: 74px;--type-line-heights-82: 82px;--type-paragraph-spacings-0: 0px;--type-paragraph-spacings-4: 4px;--type-paragraph-spacings-8: 8px;--type-paragraph-spacings-16: 16px;--type-sans-serif-xl-font-weight: 400;--type-sans-serif-xl-size: 42px;--type-sans-serif-xl-line-height: 46px;--type-sans-serif-xl-paragraph-spacing: 16px;--type-sans-serif-lg-font-weight: 400;--type-sans-serif-lg-size: 32px;--type-sans-serif-lg-line-height: 36px;--type-sans-serif-lg-paragraph-spacing: 16px;--type-sans-serif-md-font-weight: 400;--type-sans-serif-md-line-height: 34px;--type-sans-serif-md-paragraph-spacing: 16px;--type-sans-serif-md-size: 28px;--type-sans-serif-xs-font-weight: 700;--type-sans-serif-xs-line-height: 25px;--type-sans-serif-xs-paragraph-spacing: 0px;--type-sans-serif-xs-size: 20px;--type-sans-serif-sm-font-weight: 400;--type-sans-serif-sm-line-height: 30px;--type-sans-serif-sm-paragraph-spacing: 16px;--type-sans-serif-sm-size: 24px;--type-body-xl-font-weight: 400;--type-body-xl-size: 24px;--type-body-xl-line-height: 36px;--type-body-xl-paragraph-spacing: 0px;--type-body-sm-font-weight: 400;--type-body-sm-size: 14px;--type-body-sm-line-height: 20px;--type-body-sm-paragraph-spacing: 8px;--type-body-xs-font-weight: 400;--type-body-xs-size: 12px;--type-body-xs-line-height: 16px;--type-body-xs-paragraph-spacing: 0px;--type-body-md-font-weight: 400;--type-body-md-size: 16px;--type-body-md-line-height: 20px;--type-body-md-paragraph-spacing: 4px;--type-body-lg-font-weight: 400;--type-body-lg-size: 20px;--type-body-lg-line-height: 26px;--type-body-lg-paragraph-spacing: 16px;--type-body-lg-medium-font-weight: 500;--type-body-lg-medium-size: 20px;--type-body-lg-medium-line-height: 32px;--type-body-lg-medium-paragraph-spacing: 16px;--type-body-md-medium-font-weight: 500;--type-body-md-medium-size: 16px;--type-body-md-medium-line-height: 20px;--type-body-md-medium-paragraph-spacing: 4px;--type-body-sm-bold-font-weight: 700;--type-body-sm-bold-size: 14px;--type-body-sm-bold-line-height: 20px;--type-body-sm-bold-paragraph-spacing: 8px;--type-body-sm-medium-font-weight: 500;--type-body-sm-medium-size: 14px;--type-body-sm-medium-line-height: 20px;--type-body-sm-medium-paragraph-spacing: 8px;--type-serif-md-font-weight: 400;--type-serif-md-size: 40px;--type-serif-md-paragraph-spacing: 0px;--type-serif-md-line-height: 48px;--type-serif-sm-font-weight: 400;--type-serif-sm-size: 28px;--type-serif-sm-paragraph-spacing: 0px;--type-serif-sm-line-height: 32px;--type-serif-lg-font-weight: 400;--type-serif-lg-size: 58px;--type-serif-lg-paragraph-spacing: 0px;--type-serif-lg-line-height: 68px;--type-serif-xs-font-weight: 400;--type-serif-xs-size: 18px;--type-serif-xs-line-height: 24px;--type-serif-xs-paragraph-spacing: 0px;--type-serif-xl-font-weight: 400;--type-serif-xl-size: 74px;--type-serif-xl-paragraph-spacing: 0px;--type-serif-xl-line-height: 82px;--type-mono-md-font-weight: 400;--type-mono-md-size: 22px;--type-mono-md-line-height: 24px;--type-mono-md-paragraph-spacing: 0px;--type-mono-lg-font-weight: 400;--type-mono-lg-size: 40px;--type-mono-lg-line-height: 40px;--type-mono-lg-paragraph-spacing: 0px;--type-mono-sm-font-weight: 400;--type-mono-sm-size: 14px;--type-mono-sm-line-height: 24px;--type-mono-sm-paragraph-spacing: 0px;--spacing-xs-4: 4px;--spacing-xs-8: 8px;--spacing-xs-16: 16px;--spacing-sm-24: 24px;--spacing-sm-32: 32px;--spacing-md-40: 40px;--spacing-md-48: 48px;--spacing-lg-64: 64px;--spacing-lg-80: 80px;--spacing-xlg-104: 104px;--spacing-xlg-152: 152px;--spacing-xs-12: 12px;--spacing-page-section: 104px;--spacing-card-list-spacing: 48px;--spacing-text-section-spacing: 80px;--spacing-md-xs-headings: 40px;--corner-radius-radius-lg: 16px;--corner-radius-radius-sm: 4px;--corner-radius-radius-md: 8px;--corner-radius-radius-round: 104px}}@media(min-width: 1280px){:root{--token-mode: Parity;--dropshadow: 0 2px 4px 0 #22223340;--primary-brand: #0645b1;--error-dark: #b60000;--success-dark: #05b01c;--inactive-fill: #ebebee;--hover: #0c3b8d;--pressed: #082f75;--button-primary-fill-inactive: #ebebee;--button-primary-fill: #0645b1;--button-primary-text: #ffffff;--button-primary-fill-hover: #0c3b8d;--button-primary-fill-press: #082f75;--button-primary-icon: #ffffff;--button-primary-fill-inverse: #ffffff;--button-primary-text-inverse: #082f75;--button-primary-icon-inverse: #0645b1;--button-primary-fill-inverse-hover: #cddaef;--button-primary-stroke-inverse-pressed: #0645b1;--button-secondary-stroke-inactive: #b1b1ba;--button-secondary-fill: #eef2f9;--button-secondary-text: #082f75;--button-secondary-fill-press: #cddaef;--button-secondary-fill-inactive: #ebebee;--button-secondary-stroke: #cddaef;--button-secondary-stroke-hover: #386ac1;--button-secondary-stroke-press: #0645b1;--button-secondary-text-inactive: #b1b1ba;--button-secondary-icon: #082f75;--button-secondary-fill-hover: #e6ecf7;--button-secondary-stroke-inverse: #ffffff;--button-secondary-fill-inverse: rgba(255, 255, 255, 0);--button-secondary-icon-inverse: #ffffff;--button-secondary-icon-hover: #082f75;--button-secondary-icon-press: #082f75;--button-secondary-text-inverse: #ffffff;--button-secondary-text-hover: #082f75;--button-secondary-text-press: #082f75;--button-secondary-fill-inverse-hover: #043059;--button-xs-stroke: #141413;--button-xs-stroke-hover: #0c3b8d;--button-xs-stroke-press: #082f75;--button-xs-stroke-inactive: #ebebee;--button-xs-text: #141413;--button-xs-text-hover: #0c3b8d;--button-xs-text-press: #082f75;--button-xs-text-inactive: #91919e;--button-xs-icon: #141413;--button-xs-icon-hover: #0c3b8d;--button-xs-icon-press: #082f75;--button-xs-icon-inactive: #91919e;--button-xs-fill: #ffffff;--button-xs-fill-hover: #f4f7fc;--button-xs-fill-press: #eef2f9;--buttons-button-text-inactive: #91919e;--buttons-button-focus: #0645b1;--buttons-button-icon-inactive: #91919e;--buttons-small-buttons-corner-radius: 8px;--buttons-small-buttons-l-r-padding: 12px;--buttons-small-buttons-height: 44px;--buttons-small-buttons-gap: 8px;--buttons-small-buttons-icon-only-width: 44px;--buttons-small-buttons-icon-size: 20px;--buttons-small-buttons-stroke-default: 1px;--buttons-small-buttons-stroke-thick: 2px;--buttons-large-buttons-l-r-padding: 20px;--buttons-large-buttons-height: 54px;--buttons-large-buttons-icon-only-width: 54px;--buttons-large-buttons-icon-size: 20px;--buttons-large-buttons-gap: 8px;--buttons-large-buttons-corner-radius: 8px;--buttons-large-buttons-stroke-default: 1px;--buttons-large-buttons-stroke-thick: 2px;--buttons-extra-small-buttons-l-r-padding: 8px;--buttons-extra-small-buttons-height: 32px;--buttons-extra-small-buttons-icon-size: 16px;--buttons-extra-small-buttons-gap: 4px;--buttons-extra-small-buttons-corner-radius: 8px;--buttons-stroke-default: 1px;--buttons-stroke-thick: 2px;--background-beige: #f9f7f4;--error-light: #fff2f2;--text-placeholder: #6d6d7d;--stroke-dark: #141413;--stroke-light: #dddde2;--stroke-medium: #535366;--accent-green: #ccffd4;--accent-turquoise: #ccf7ff;--accent-yellow: #f7ffcc;--accent-peach: #ffd4cc;--accent-violet: #f7ccff;--accent-purple: #f4f7fc;--text-primary: #141413;--secondary-brand: #141413;--text-hover: #0c3b8d;--text-white: #ffffff;--text-link: #0645b1;--text-press: #082f75;--success-light: #f0f8f1;--background-light-blue: #eef2f9;--background-white: #ffffff;--premium-dark: #877440;--premium-light: #f9f6ed;--stroke-white: #ffffff;--inactive-content: #b1b1ba;--annotate-light: #a35dff;--annotate-dark: #824acc;--grid: #eef2f9;--inactive-stroke: #ebebee;--shadow: rgba(34, 34, 51, 0.25);--text-inactive: #6d6d7d;--text-error: #b60000;--stroke-error: #b60000;--background-error: #fff2f2;--background-black: #141413;--icon-default: #141413;--icon-blue: #0645b1;--background-grey: #dddde2;--icon-grey: #b1b1ba;--text-focus: #082f75;--brand-colors-neutral-black: #141413;--brand-colors-neutral-900: #535366;--brand-colors-neutral-800: #6d6d7d;--brand-colors-neutral-700: #91919e;--brand-colors-neutral-600: #b1b1ba;--brand-colors-neutral-500: #c8c8cf;--brand-colors-neutral-400: #dddde2;--brand-colors-neutral-300: #ebebee;--brand-colors-neutral-200: #f8f8fb;--brand-colors-neutral-100: #fafafa;--brand-colors-neutral-white: #ffffff;--brand-colors-blue-900: #043059;--brand-colors-blue-800: #082f75;--brand-colors-blue-700: #0c3b8d;--brand-colors-blue-600: #0645b1;--brand-colors-blue-500: #386ac1;--brand-colors-blue-400: #cddaef;--brand-colors-blue-300: #e6ecf7;--brand-colors-blue-200: #eef2f9;--brand-colors-blue-100: #f4f7fc;--brand-colors-gold-500: #877440;--brand-colors-gold-400: #e9e3d4;--brand-colors-gold-300: #f2efe8;--brand-colors-gold-200: #f9f6ed;--brand-colors-gold-100: #f9f7f4;--brand-colors-error-900: #920000;--brand-colors-error-500: #b60000;--brand-colors-success-900: #035c0f;--brand-colors-green: #ccffd4;--brand-colors-turquoise: #ccf7ff;--brand-colors-yellow: #f7ffcc;--brand-colors-peach: #ffd4cc;--brand-colors-violet: #f7ccff;--brand-colors-error-100: #fff2f2;--brand-colors-success-500: #05b01c;--brand-colors-success-100: #f0f8f1;--text-secondary: #535366;--icon-white: #ffffff;--background-beige-darker: #f2efe8;--icon-dark-grey: #535366;--type-font-family-sans-serif: Roboto;--type-font-family-serif: Georgia;--type-font-family-mono: IBM Plex Mono;--type-weights-300: 300;--type-weights-400: 400;--type-weights-500: 500;--type-weights-700: 700;--type-sizes-12: 12px;--type-sizes-14: 14px;--type-sizes-16: 16px;--type-sizes-18: 18px;--type-sizes-20: 20px;--type-sizes-22: 22px;--type-sizes-24: 24px;--type-sizes-28: 28px;--type-sizes-30: 30px;--type-sizes-32: 32px;--type-sizes-40: 40px;--type-sizes-42: 42px;--type-sizes-48-2: 48px;--type-line-heights-16: 16px;--type-line-heights-20: 20px;--type-line-heights-23: 23px;--type-line-heights-24: 24px;--type-line-heights-25: 25px;--type-line-heights-26: 26px;--type-line-heights-29: 29px;--type-line-heights-30: 30px;--type-line-heights-32: 32px;--type-line-heights-34: 34px;--type-line-heights-35: 35px;--type-line-heights-36: 36px;--type-line-heights-38: 38px;--type-line-heights-40: 40px;--type-line-heights-46: 46px;--type-line-heights-48: 48px;--type-line-heights-52: 52px;--type-line-heights-58: 58px;--type-line-heights-68: 68px;--type-line-heights-74: 74px;--type-line-heights-82: 82px;--type-paragraph-spacings-0: 0px;--type-paragraph-spacings-4: 4px;--type-paragraph-spacings-8: 8px;--type-paragraph-spacings-16: 16px;--type-sans-serif-xl-font-weight: 400;--type-sans-serif-xl-size: 42px;--type-sans-serif-xl-line-height: 46px;--type-sans-serif-xl-paragraph-spacing: 16px;--type-sans-serif-lg-font-weight: 400;--type-sans-serif-lg-size: 32px;--type-sans-serif-lg-line-height: 38px;--type-sans-serif-lg-paragraph-spacing: 16px;--type-sans-serif-md-font-weight: 400;--type-sans-serif-md-line-height: 34px;--type-sans-serif-md-paragraph-spacing: 16px;--type-sans-serif-md-size: 28px;--type-sans-serif-xs-font-weight: 700;--type-sans-serif-xs-line-height: 25px;--type-sans-serif-xs-paragraph-spacing: 0px;--type-sans-serif-xs-size: 20px;--type-sans-serif-sm-font-weight: 400;--type-sans-serif-sm-line-height: 30px;--type-sans-serif-sm-paragraph-spacing: 16px;--type-sans-serif-sm-size: 24px;--type-body-xl-font-weight: 400;--type-body-xl-size: 24px;--type-body-xl-line-height: 36px;--type-body-xl-paragraph-spacing: 0px;--type-body-sm-font-weight: 400;--type-body-sm-size: 14px;--type-body-sm-line-height: 20px;--type-body-sm-paragraph-spacing: 8px;--type-body-xs-font-weight: 400;--type-body-xs-size: 12px;--type-body-xs-line-height: 16px;--type-body-xs-paragraph-spacing: 0px;--type-body-md-font-weight: 400;--type-body-md-size: 16px;--type-body-md-line-height: 20px;--type-body-md-paragraph-spacing: 4px;--type-body-lg-font-weight: 400;--type-body-lg-size: 20px;--type-body-lg-line-height: 26px;--type-body-lg-paragraph-spacing: 16px;--type-body-lg-medium-font-weight: 500;--type-body-lg-medium-size: 20px;--type-body-lg-medium-line-height: 32px;--type-body-lg-medium-paragraph-spacing: 16px;--type-body-md-medium-font-weight: 500;--type-body-md-medium-size: 16px;--type-body-md-medium-line-height: 20px;--type-body-md-medium-paragraph-spacing: 4px;--type-body-sm-bold-font-weight: 700;--type-body-sm-bold-size: 14px;--type-body-sm-bold-line-height: 20px;--type-body-sm-bold-paragraph-spacing: 8px;--type-body-sm-medium-font-weight: 500;--type-body-sm-medium-size: 14px;--type-body-sm-medium-line-height: 20px;--type-body-sm-medium-paragraph-spacing: 8px;--type-serif-md-font-weight: 400;--type-serif-md-size: 40px;--type-serif-md-paragraph-spacing: 0px;--type-serif-md-line-height: 48px;--type-serif-sm-font-weight: 400;--type-serif-sm-size: 28px;--type-serif-sm-paragraph-spacing: 0px;--type-serif-sm-line-height: 32px;--type-serif-lg-font-weight: 400;--type-serif-lg-size: 58px;--type-serif-lg-paragraph-spacing: 0px;--type-serif-lg-line-height: 68px;--type-serif-xs-font-weight: 400;--type-serif-xs-size: 18px;--type-serif-xs-line-height: 24px;--type-serif-xs-paragraph-spacing: 0px;--type-serif-xl-font-weight: 400;--type-serif-xl-size: 74px;--type-serif-xl-paragraph-spacing: 0px;--type-serif-xl-line-height: 82px;--type-mono-md-font-weight: 400;--type-mono-md-size: 22px;--type-mono-md-line-height: 24px;--type-mono-md-paragraph-spacing: 0px;--type-mono-lg-font-weight: 400;--type-mono-lg-size: 40px;--type-mono-lg-line-height: 40px;--type-mono-lg-paragraph-spacing: 0px;--type-mono-sm-font-weight: 400;--type-mono-sm-size: 14px;--type-mono-sm-line-height: 24px;--type-mono-sm-paragraph-spacing: 0px;--spacing-xs-4: 4px;--spacing-xs-8: 8px;--spacing-xs-16: 16px;--spacing-sm-24: 24px;--spacing-sm-32: 32px;--spacing-md-40: 40px;--spacing-md-48: 48px;--spacing-lg-64: 64px;--spacing-lg-80: 80px;--spacing-xlg-104: 104px;--spacing-xlg-152: 152px;--spacing-xs-12: 12px;--spacing-page-section: 152px;--spacing-card-list-spacing: 48px;--spacing-text-section-spacing: 80px;--spacing-md-xs-headings: 40px;--corner-radius-radius-lg: 16px;--corner-radius-radius-sm: 4px;--corner-radius-radius-md: 8px;--corner-radius-radius-round: 104px}}</style><link crossorigin="" href="https://fonts.gstatic.com/" rel="preconnect" /><link href="https://fonts.googleapis.com/css2?family=DM+Sans:ital,opsz,wght@0,9..40,100..1000;1,9..40,100..1000&family=Gupter:wght@400;500;700&family=IBM+Plex+Mono:wght@300;400&family=Material+Symbols+Outlined:opsz,wght,FILL,GRAD@20,400,0,0&display=swap" rel="stylesheet" /><link rel="stylesheet" media="all" href="//a.academia-assets.com/assets/design_system/common-57f9da13cef3fd4e2a8b655342c6488eded3e557e823fe67571f2ac77acd7b6f.css" /> <meta name="author" content="laurens ham" /> <meta name="description" content="Laurens Ham (1985) is a lecturer in Modern Dutch Literature, essayist and poet at Utrecht University, the Netherlands. He works on a project ('Veni', funded by…" /> <meta name="google-site-verification" content="bKJMBZA7E43xhDOopFZkssMMkBRjvYERV-NaN4R6mrs" /> <script> var $controller_name = 'works'; var $action_name = "summary"; var $rails_env = 'production'; var $app_rev = 'dc8eaba4ef4a7d05c0856534c5a57f2187ce47c8'; var $domain = 'academia.edu'; var $app_host = "academia.edu"; var $asset_host = "academia-assets.com"; var $start_time = new Date().getTime(); var $recaptcha_key = "6LdxlRMTAAAAADnu_zyLhLg0YF9uACwz78shpjJB"; var $recaptcha_invisible_key = "6Lf3KHUUAAAAACggoMpmGJdQDtiyrjVlvGJ6BbAj"; var $disableClientRecordHit = false; </script> <script> window.Aedu = { hit_data: null }; window.Aedu.SiteStats = {"premium_universities_count":13950,"monthly_visitors":"139 million","monthly_visitor_count":139829720,"monthly_visitor_count_in_millions":139,"user_count":285306607,"paper_count":55203019,"paper_count_in_millions":55,"page_count":432000000,"page_count_in_millions":432,"pdf_count":16500000,"pdf_count_in_millions":16}; window.Aedu.serverRenderTime = new Date(1742372554000); window.Aedu.timeDifference = new Date().getTime() - 1742372554000; window.Aedu.isUsingCssV1 = false; window.Aedu.enableLocalization = true; window.Aedu.activateFullstory = false; window.Aedu.serviceAvailability = { status: {"attention_db":"on","bibliography_db":"on","contacts_db":"on","email_db":"on","indexability_db":"on","mentions_db":"on","news_db":"on","notifications_db":"on","offsite_mentions_db":"on","redshift":"on","redshift_exports_db":"on","related_works_db":"on","ring_db":"on","user_tests_db":"on"}, serviceEnabled: function(service) { return this.status[service] === "on"; }, readEnabled: function(service) { return this.serviceEnabled(service) || this.status[service] === "read_only"; }, }; window.Aedu.viewApmTrace = function() { // Check if x-apm-trace-id meta tag is set, and open the trace in APM // in a new window if it is. var apmTraceId = document.head.querySelector('meta[name="x-apm-trace-id"]'); if (apmTraceId) { var traceId = apmTraceId.content; // Use trace ID to construct URL, an example URL looks like: // https://app.datadoghq.com/apm/traces?query=trace_id%31298410148923562634 var apmUrl = 'https://app.datadoghq.com/apm/traces?query=trace_id%3A' + traceId; window.open(apmUrl, '_blank'); } }; </script>  <link href="https://fonts.googleapis.com/css?family=Roboto:100,100i,300,300i,400,400i,500,500i,700,700i,900,900i" rel="stylesheet"> <link rel="preload" href="//maxcdn.bootstrapcdn.com/font-awesome/4.3.0/css/font-awesome.min.css" as="style" onload="this.rel='stylesheet'"> <link rel="stylesheet" media="all" href="//a.academia-assets.com/assets/libraries-a9675dcb01ec4ef6aa807ba772c7a5a00c1820d3ff661c1038a20f80d06bb4e4.css" /> <link rel="stylesheet" media="all" href="//a.academia-assets.com/assets/academia-9982828ed1de4777566441c35ccf7157c55ca779141fce69380d727ebdbbb926.css" /> <link rel="stylesheet" media="all" href="//a.academia-assets.com/assets/design_system_legacy-056a9113b9a0f5343d013b29ee1929d5a18be35fdcdceb616600b4db8bd20054.css" /> <script src="//a.academia-assets.com/assets/webpack_bundles/runtime-bundle-005434038af4252ca37c527588411a3d6a0eabb5f727fac83f8bbe7fd88d93bb.js"></script> <script src="//a.academia-assets.com/assets/webpack_bundles/webpack_libraries_and_infrequently_changed.wjs-bundle-7e5ecaf3e10d84d15250eef0ba59c7177cfaa7a39687ab55e9ba5443e4f9384f.js"></script> <script src="//a.academia-assets.com/assets/webpack_bundles/core_webpack.wjs-bundle-bca89c48e9357282d6baff3878e70192f61b98c3ef6fde5f0d123e34835d67a9.js"></script> <script src="//a.academia-assets.com/assets/webpack_bundles/sentry.wjs-bundle-5fe03fddca915c8ba0f7edbe64c194308e8ce5abaed7bffe1255ff37549c4808.js"></script> <script> jade = window.jade || {}; jade.helpers = window.$h; jade._ = window._; </script>  <script id="tag-manager-head-root">(function(w,d,s,l,i){w[l]=w[l]||[];w[l].push({'gtm.start': new Date().getTime(),event:'gtm.js'});var f=d.getElementsByTagName(s)[0], j=d.createElement(s),dl=l!='dataLayer'?'&l='+l:'';j.async=true;j.src= 'https://www.googletagmanager.com/gtm.js?id='+i+dl;f.parentNode.insertBefore(j,f); })(window,document,'script','dataLayer_old','GTM-5G9JF7Z');</script>  <script> window.gptadslots = []; window.googletag = window.googletag || {}; window.googletag.cmd = window.googletag.cmd || []; </script> <script type="text/javascript"> // TODO(jacob): This should be defined, may be rare load order problem. // Checking if null is just a quick fix, will default to en if unset. // Better fix is to run this immedietely after I18n is set. if (window.I18n != null) { I18n.defaultLocale = "en"; I18n.locale = "en"; I18n.fallbacks = true; } </script> <link rel="canonical" href="https://uu.academia.edu/LaurensHam" /> </head>   <body class='c-profiles/works a-summary logged_out'>  <div id="fb-root"></div><script>window.fbAsyncInit = function() { FB.init({ appId: "2369844204", version: "v8.0", status: true, cookie: true, xfbml: true }); // Additional initialization code. if (window.InitFacebook) { // facebook.ts already loaded, set it up. window.InitFacebook(); } else { // Set a flag for facebook.ts to find when it loads. window.academiaAuthReadyFacebook = true; } };</script><script>window.fbAsyncLoad = function() { // Protection against double calling of this function if (window.FB) { return; } (function(d, s, id){ var js, fjs = d.getElementsByTagName(s)[0]; if (d.getElementById(id)) {return;} js = d.createElement(s); js.id = id; js.src = "//connect.facebook.net/en_US/sdk.js"; fjs.parentNode.insertBefore(js, fjs); }(document, 'script', 'facebook-jssdk')); } if (!window.defer_facebook) { // Autoload if not deferred window.fbAsyncLoad(); } else { // Defer loading by 5 seconds setTimeout(function() { window.fbAsyncLoad(); }, 5000); }</script> <div id="google-root"></div><script>window.loadGoogle = function() { if (window.InitGoogle) { // google.ts already loaded, set it up. window.InitGoogle("331998490334-rsn3chp12mbkiqhl6e7lu2q0mlbu0f1b"); } else { // Set a flag for google.ts to use when it loads. window.GoogleClientID = "331998490334-rsn3chp12mbkiqhl6e7lu2q0mlbu0f1b"; } };</script><script>window.googleAsyncLoad = function() { // Protection against double calling of this function (function(d) { var js; var id = 'google-jssdk'; var ref = d.getElementsByTagName('script')[0]; if (d.getElementById(id)) { return; } js = d.createElement('script'); js.id = id; js.async = true; js.onload = loadGoogle; js.src = "https://accounts.google.com/gsi/client" ref.parentNode.insertBefore(js, ref); }(document)); } if (!window.defer_google) { // Autoload if not deferred window.googleAsyncLoad(); } else { // Defer loading by 5 seconds setTimeout(function() { window.googleAsyncLoad(); }, 5000); }</script> <div id="tag-manager-body-root">  <noscript><iframe src="https://www.googletagmanager.com/ns.html?id=GTM-5G9JF7Z" height="0" width="0" style="display:none;visibility:hidden"></iframe></noscript>   <script> window.addEventListener('load', function() { if (document.querySelector('input[name="commit"]')) { document.querySelector('input[name="commit"]').addEventListener('click', function() { gtag('event', 'click', { event_category: 'button', event_label: 'Log In' }) }) } }); </script> </div> <script>var _comscore = _comscore || []; _comscore.push({ c1: "2", c2: "26766707" }); (function() { var s = document.createElement("script"), el = document.getElementsByTagName("script")[0]; s.async = true; s.src = (document.location.protocol == "https:" ? "https://sb" : "http://b") + ".scorecardresearch.com/beacon.js"; el.parentNode.insertBefore(s, el); })();</script><img src="https://sb.scorecardresearch.com/p?c1=2&c2=26766707&cv=2.0&cj=1" style="position: absolute; visibility: hidden" /> <div id='react-modal'></div> <div class='DesignSystem'> <a class='u-showOnFocus' href='#site'> Skip to main content </a> </div> <div id="upgrade_ie_banner" style="display: none;"><p>Academia.edu no longer supports Internet Explorer.</p><p>To browse Academia.edu and the wider internet faster and more securely, please take a few seconds to <a href="https://www.academia.edu/upgrade-browser">upgrade your browser</a>.</p></div><script>// Show this banner for all versions of IE if (!!window.MSInputMethodContext || /(MSIE)/.test(navigator.userAgent)) { document.getElementById('upgrade_ie_banner').style.display = 'block'; }</script> <div class="DesignSystem bootstrap ShrinkableNav"><div class="navbar navbar-default main-header"><div class="container-wrapper" id="main-header-container"><div class="container"><div class="navbar-header"><div class="nav-left-wrapper u-mt0x"><div class="nav-logo"><a data-main-header-link-target="logo_home" href="https://www.academia.edu/"><img class="visible-xs-inline-block" style="height: 24px;" alt="Academia.edu" src="//a.academia-assets.com/images/academia-logo-redesign-2015-A.svg" width="24" height="24" /><img width="145.2" height="18" class="hidden-xs" style="height: 24px;" alt="Academia.edu" src="//a.academia-assets.com/images/academia-logo-redesign-2015.svg" /></a></div><div class="nav-search"><div class="SiteSearch-wrapper select2-no-default-pills"><form class="js-SiteSearch-form DesignSystem" action="https://www.academia.edu/search" accept-charset="UTF-8" method="get"><i class="SiteSearch-icon fa fa-search u-fw700 u-positionAbsolute u-tcGrayDark"></i><input class="js-SiteSearch-form-input SiteSearch-form-input form-control" data-main-header-click-target="search_input" name="q" placeholder="Search" type="text" value="" /></form></div></div></div><div class="nav-right-wrapper pull-right"><ul class="NavLinks js-main-nav list-unstyled"><li class="NavLinks-link"><a class="js-header-login-url Button Button--inverseGray Button--sm u-mb4x" id="nav_log_in" rel="nofollow" href="https://www.academia.edu/login">Log In</a></li><li class="NavLinks-link u-p0x"><a class="Button Button--inverseGray Button--sm u-mb4x" rel="nofollow" href="https://www.academia.edu/signup">Sign Up</a></li></ul><button class="hidden-lg hidden-md hidden-sm u-ml4x navbar-toggle collapsed" data-target=".js-mobile-header-links" data-toggle="collapse" type="button"><span class="icon-bar"></span><span class="icon-bar"></span><span class="icon-bar"></span></button></div></div><div class="collapse navbar-collapse js-mobile-header-links"><ul class="nav navbar-nav"><li class="u-borderColorGrayLight u-borderBottom1"><a rel="nofollow" href="https://www.academia.edu/login">Log In</a></li><li class="u-borderColorGrayLight u-borderBottom1"><a rel="nofollow" href="https://www.academia.edu/signup">Sign Up</a></li><li class="u-borderColorGrayLight u-borderBottom1 js-mobile-nav-expand-trigger"><a href="#">more&nbsp<span class="caret"></span></a></li><li><ul class="js-mobile-nav-expand-section nav navbar-nav u-m0x collapse"><li class="u-borderColorGrayLight u-borderBottom1"><a rel="false" href="https://www.academia.edu/about">About</a></li><li class="u-borderColorGrayLight u-borderBottom1"><a rel="nofollow" href="https://www.academia.edu/press">Press</a></li><li class="u-borderColorGrayLight u-borderBottom1"><a rel="false" href="https://www.academia.edu/documents">Papers</a></li><li class="u-borderColorGrayLight u-borderBottom1"><a rel="nofollow" href="https://www.academia.edu/terms">Terms</a></li><li class="u-borderColorGrayLight u-borderBottom1"><a rel="nofollow" href="https://www.academia.edu/privacy">Privacy</a></li><li class="u-borderColorGrayLight u-borderBottom1"><a rel="nofollow" href="https://www.academia.edu/copyright">Copyright</a></li><li class="u-borderColorGrayLight u-borderBottom1"><a rel="nofollow" href="https://www.academia.edu/hiring"><i class="fa fa-briefcase"></i> We're Hiring!</a></li><li class="u-borderColorGrayLight u-borderBottom1"><a rel="nofollow" href="https://support.academia.edu/hc/en-us"><i class="fa fa-question-circle"></i> Help Center</a></li><li class="js-mobile-nav-collapse-trigger u-borderColorGrayLight u-borderBottom1 dropup" style="display:none"><a href="#">less&nbsp<span class="caret"></span></a></li></ul></li></ul></div></div></div><script>(function(){ var $moreLink = $(".js-mobile-nav-expand-trigger"); var $lessLink = $(".js-mobile-nav-collapse-trigger"); var $section = $('.js-mobile-nav-expand-section'); $moreLink.click(function(ev){ ev.preventDefault(); $moreLink.hide(); $lessLink.show(); $section.collapse('show'); }); $lessLink.click(function(ev){ ev.preventDefault(); $moreLink.show(); $lessLink.hide(); $section.collapse('hide'); }); })() if ($a.is_logged_in() || false) { new Aedu.NavigationController({ el: '.js-main-nav', showHighlightedNotification: false }); } else { $(".js-header-login-url").attr("href", $a.loginUrlWithRedirect()); } Aedu.autocompleteSearch = new AutocompleteSearch({el: '.js-SiteSearch-form'});</script></div></div> <div id='site' class='fixed'> <div id="content" class="clearfix"> <script>document.addEventListener('DOMContentLoaded', function(){ var $dismissible = $(".dismissible_banner"); $dismissible.click(function(ev) { $dismissible.hide(); }); });</script> <script src="//a.academia-assets.com/assets/webpack_bundles/profile.wjs-bundle-dff13af18a307a5a7ff779203f694a7bef7c0abee47c366781f4190a4dd192da.js" defer="defer"></script><script>$viewedUser = Aedu.User.set_viewed( {"id":8019629,"first_name":"Laurens","middle_initials":null,"last_name":"Ham","page_name":"LaurensHam","domain_name":"uu","created_at":"2014-01-04T23:17:39.380-08:00","display_name":"Laurens Ham","url":"https://uu.academia.edu/LaurensHam","photo":"https://0.academia-photos.com/8019629/3453233/73072101/s65_laurens.ham.jpg","has_photo":true,"department":{"id":599916,"name":"Languages, Literature and Communication","url":"https://uu.academia.edu/Departments/Languages_Literature_and_Communication/Documents","university":{"id":873,"name":"Utrecht University","url":"https://uu.academia.edu/"}},"position":"Faculty Member","position_id":1,"is_analytics_public":false,"interests":[{"id":25988,"name":"Dutch Literature","url":"https://www.academia.edu/Documents/in/Dutch_Literature"},{"id":29883,"name":"Authorship","url":"https://www.academia.edu/Documents/in/Authorship"},{"id":33035,"name":"Historical and Theoretical Conceptions of Empathy","url":"https://www.academia.edu/Documents/in/Historical_and_Theoretical_Conceptions_of_Empathy"},{"id":610983,"name":"Dutch colonial history in Indonesia","url":"https://www.academia.edu/Documents/in/Dutch_colonial_history_in_Indonesia"},{"id":1125,"name":"Cultural Policy","url":"https://www.academia.edu/Documents/in/Cultural_Policy"},{"id":10233,"name":"Twentieth Century Literature","url":"https://www.academia.edu/Documents/in/Twentieth_Century_Literature"},{"id":12091,"name":"Twentieth-Century and Contemporary Poetry","url":"https://www.academia.edu/Documents/in/Twentieth-Century_and_Contemporary_Poetry"},{"id":957,"name":"Cultural Sociology","url":"https://www.academia.edu/Documents/in/Cultural_Sociology"},{"id":659,"name":"Comparative Literature","url":"https://www.academia.edu/Documents/in/Comparative_Literature"},{"id":181456,"name":"Cultural Industry","url":"https://www.academia.edu/Documents/in/Cultural_Industry"},{"id":2858,"name":"Popular Culture","url":"https://www.academia.edu/Documents/in/Popular_Culture"},{"id":9517,"name":"Protest","url":"https://www.academia.edu/Documents/in/Protest"},{"id":70358,"name":"Protest Movements","url":"https://www.academia.edu/Documents/in/Protest_Movements"},{"id":1631,"name":"Popular Music","url":"https://www.academia.edu/Documents/in/Popular_Music"},{"id":5955,"name":"Protest Music","url":"https://www.academia.edu/Documents/in/Protest_Music"}]} ); if ($a.is_logged_in() && $viewedUser.is_current_user()) { $('body').addClass('profile-viewed-by-owner'); } $socialProfiles = [{"id":1040244,"link":"https://www.facebook.com/laurens.ham.7","name":"Facebook","link_domain":"www.facebook.com","icon":"//www.google.com/s2/u/0/favicons?domain=www.facebook.com"}]</script><div id="js-react-on-rails-context" style="display:none" data-rails-context="{"inMailer":false,"i18nLocale":"en","i18nDefaultLocale":"en","href":"https://uu.academia.edu/LaurensHam","location":"/LaurensHam","scheme":"https","host":"uu.academia.edu","port":null,"pathname":"/LaurensHam","search":null,"httpAcceptLanguage":null,"serverSide":false}"></div> <div class="js-react-on-rails-component" style="display:none" data-component-name="ProfileCheckPaperUpdate" data-props="{}" data-trace="false" data-dom-id="ProfileCheckPaperUpdate-react-component-b9bccf86-5173-4bc6-aa38-e2ac1ab418b5"></div> <div id="ProfileCheckPaperUpdate-react-component-b9bccf86-5173-4bc6-aa38-e2ac1ab418b5"></div> <div class="DesignSystem"><div class="onsite-ping" id="onsite-ping"></div></div><div class="profile-user-info DesignSystem"><div class="social-profile-container"><div class="left-panel-container"><div class="user-info-component-wrapper"><div class="user-summary-cta-container"><div class="user-summary-container"><div class="social-profile-avatar-container"><img class="profile-avatar u-positionAbsolute" alt="Laurens Ham" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/8019629/3453233/73072101/s200_laurens.ham.jpg" /></div><div class="title-container"><h1 class="ds2-5-heading-sans-serif-sm">Laurens Ham</h1><div class="affiliations-container fake-truncate js-profile-affiliations"><div><a class="u-tcGrayDarker" href="https://uu.academia.edu/">Utrecht University</a>, <a class="u-tcGrayDarker" href="https://uu.academia.edu/Departments/Languages_Literature_and_Communication/Documents">Languages, Literature and Communication</a>, <span class="u-tcGrayDarker">Faculty Member</span></div></div></div></div><div class="sidebar-cta-container"><button class="ds2-5-button hidden profile-cta-button grow js-profile-follow-button" data-broccoli-component="user-info.follow-button" data-click-track="profile-user-info-follow-button" data-follow-user-fname="Laurens" data-follow-user-id="8019629" data-follow-user-source="profile_button" data-has-google="false"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">add</span>Follow</button><button class="ds2-5-button hidden profile-cta-button grow js-profile-unfollow-button" data-broccoli-component="user-info.unfollow-button" data-click-track="profile-user-info-unfollow-button" data-unfollow-user-id="8019629"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">done</span>Following</button></div></div><div class="user-stats-container"><a><div class="stat-container js-profile-followers"><p class="label">Followers</p><p class="data">204</p></div></a><a><div class="stat-container js-profile-followees" data-broccoli-component="user-info.followees-count" data-click-track="profile-expand-user-info-following"><p class="label">Following</p><p class="data">71</p></div></a><a><div class="stat-container js-profile-coauthors" data-broccoli-component="user-info.coauthors-count" data-click-track="profile-expand-user-info-coauthors"><p class="label">Co-authors</p><p class="data">3</p></div></a><span><div class="stat-container"><p class="label"><span class="js-profile-total-view-text">Public Views</span></p><p class="data"><span class="js-profile-view-count"></span></p></div></span></div><div class="user-bio-container"><div class="profile-bio fake-truncate js-profile-about" style="margin: 0px;">Laurens Ham (1985) is a lecturer in Modern Dutch Literature, essayist and poet at Utrecht University, the Netherlands. He works on a project ('Veni', funded by the Netherlands Organisation for Scientific Research) about the roles authors have played in Dutch literary (subsidy) policy since the 1960s: as activists, policy officials for the Dutch Foundation for Literature, public intellectuals, politicians and applicants. In 2020, he published Op de vuist, a book-long essay about Dutch protest songs since 1966, in all pop genres ('Dutch pop', cabaret, punk, hiphop, and more).<br /><div class="js-profile-less-about u-linkUnstyled u-tcGrayDarker u-textDecorationUnderline u-displayNone">less</div></div></div><div class="suggested-academics-container"><div class="suggested-academics--header"><p class="ds2-5-body-md-bold">Related Authors</p></div><ul class="suggested-user-card-list"><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a href="https://wroc.academia.edu/IrenaBarbaraKalla"><img class="profile-avatar u-positionAbsolute" alt="Irena Barbara Kalla" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/27257681/118633632/107946169/s200_irena_barbara.kalla.png" /></a></div><div class="suggested-user-card__user-info"><a class="suggested-user-card__user-info__header ds2-5-body-sm-bold ds2-5-body-link" href="https://wroc.academia.edu/IrenaBarbaraKalla">Irena Barbara Kalla</a><p class="suggested-user-card__user-info__subheader ds2-5-body-xs">University of Wroclaw</p></div></div><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a href="https://independent.academia.edu/Wijnterp"><img class="profile-avatar u-positionAbsolute" border="0" alt="" src="//a.academia-assets.com/images/s200_no_pic.png" /></a></div><div class="suggested-user-card__user-info"><a class="suggested-user-card__user-info__header ds2-5-body-sm-bold ds2-5-body-link" href="https://independent.academia.edu/Wijnterp">Lies Wijnterp</a></div></div><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a href="https://independent.academia.edu/DavidOnnekink"><img class="profile-avatar u-positionAbsolute" alt="David Onnekink" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/905807/334536/153913529/s200_david.onnekink.jpg" /></a></div><div class="suggested-user-card__user-info"><a class="suggested-user-card__user-info__header ds2-5-body-sm-bold ds2-5-body-link" href="https://independent.academia.edu/DavidOnnekink">David Onnekink</a></div></div><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a href="https://ou-nl.academia.edu/MariekeWinkler"><img class="profile-avatar u-positionAbsolute" alt="Marieke Winkler" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/3422708/1162882/19710797/s200_marieke.winkler.jpg" /></a></div><div class="suggested-user-card__user-info"><a class="suggested-user-card__user-info__header ds2-5-body-sm-bold ds2-5-body-link" href="https://ou-nl.academia.edu/MariekeWinkler">Marieke Winkler</a><p class="suggested-user-card__user-info__subheader ds2-5-body-xs">Open University The Netherlands</p></div></div><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a href="https://usaintlouis.academia.edu/MatthieuSergier"><img class="profile-avatar u-positionAbsolute" alt="Matthieu Sergier" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/5600263/2446522/2844244/s200_matthieu.sergier.jpg" /></a></div><div class="suggested-user-card__user-info"><a class="suggested-user-card__user-info__header ds2-5-body-sm-bold ds2-5-body-link" href="https://usaintlouis.academia.edu/MatthieuSergier">Matthieu Sergier</a><p class="suggested-user-card__user-info__subheader ds2-5-body-xs">Université Saint-Louis - Bruxelles</p></div></div><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a href="https://radboud.academia.edu/IvoNieuwenhuis"><img class="profile-avatar u-positionAbsolute" alt="Ivo Nieuwenhuis" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/1148806/404851/19182294/s200_ivo.nieuwenhuis.jpg" /></a></div><div class="suggested-user-card__user-info"><a class="suggested-user-card__user-info__header ds2-5-body-sm-bold ds2-5-body-link" href="https://radboud.academia.edu/IvoNieuwenhuis">Ivo Nieuwenhuis</a><p class="suggested-user-card__user-info__subheader ds2-5-body-xs">Radboud University Nijmegen</p></div></div><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a href="https://independent.academia.edu/RobvanderLaarse"><img class="profile-avatar u-positionAbsolute" alt="Rob van der Laarse" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/170269885/52181856/40282727/s200_rob.van_der_laarse.png" /></a></div><div class="suggested-user-card__user-info"><a class="suggested-user-card__user-info__header ds2-5-body-sm-bold ds2-5-body-link" href="https://independent.academia.edu/RobvanderLaarse">Rob van der Laarse</a></div></div><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a href="https://berkeley.academia.edu/JeroenDewulf"><img class="profile-avatar u-positionAbsolute" alt="Jeroen Dewulf" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/13340045/3740861/4382082/s200_jeroen.dewulf.jpg" /></a></div><div class="suggested-user-card__user-info"><a class="suggested-user-card__user-info__header ds2-5-body-sm-bold ds2-5-body-link" href="https://berkeley.academia.edu/JeroenDewulf">Jeroen Dewulf</a><p class="suggested-user-card__user-info__subheader ds2-5-body-xs">University of California, Berkeley</p></div></div><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a href="https://leidenuni.academia.edu/PaulvanHeck"><img class="profile-avatar u-positionAbsolute" border="0" alt="" src="//a.academia-assets.com/images/s200_no_pic.png" /></a></div><div class="suggested-user-card__user-info"><a class="suggested-user-card__user-info__header ds2-5-body-sm-bold ds2-5-body-link" href="https://leidenuni.academia.edu/PaulvanHeck">Paul van Heck</a><p class="suggested-user-card__user-info__subheader ds2-5-body-xs">Leiden University</p></div></div><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a href="https://uva.academia.edu/FrankvanVree"><img class="profile-avatar u-positionAbsolute" border="0" alt="" src="//a.academia-assets.com/images/s200_no_pic.png" /></a></div><div class="suggested-user-card__user-info"><a class="suggested-user-card__user-info__header ds2-5-body-sm-bold ds2-5-body-link" href="https://uva.academia.edu/FrankvanVree">Frank van Vree</a><p class="suggested-user-card__user-info__subheader ds2-5-body-xs">University of Amsterdam</p></div></div></ul></div><div class="ri-section"><div class="ri-section-header"><span>Interests</span><a class="ri-more-link js-profile-ri-list-card" data-click-track="profile-user-info-primary-research-interest" data-has-card-for-ri-list="8019629">View All (11)</a></div><div class="ri-tags-container"><a data-click-track="profile-user-info-expand-research-interests" data-has-card-for-ri-list="8019629" href="https://www.academia.edu/Documents/in/Dutch_Literature"><div id="js-react-on-rails-context" style="display:none" data-rails-context="{"inMailer":false,"i18nLocale":"en","i18nDefaultLocale":"en","href":"https://uu.academia.edu/LaurensHam","location":"/LaurensHam","scheme":"https","host":"uu.academia.edu","port":null,"pathname":"/LaurensHam","search":null,"httpAcceptLanguage":null,"serverSide":false}"></div> <div class="js-react-on-rails-component" style="display:none" data-component-name="Pill" data-props="{"color":"gray","children":["Dutch Literature"]}" data-trace="false" data-dom-id="Pill-react-component-03d8f2ab-3086-4d21-baea-97049389d06b"></div> <div id="Pill-react-component-03d8f2ab-3086-4d21-baea-97049389d06b"></div> </a><a data-click-track="profile-user-info-expand-research-interests" data-has-card-for-ri-list="8019629" href="https://www.academia.edu/Documents/in/Dutch_colonial_history_in_Indonesia"><div class="js-react-on-rails-component" style="display:none" data-component-name="Pill" data-props="{"color":"gray","children":["Dutch colonial history in Indonesia"]}" data-trace="false" data-dom-id="Pill-react-component-592ff1e1-26aa-4c6a-a50c-60bd4c9dee85"></div> <div id="Pill-react-component-592ff1e1-26aa-4c6a-a50c-60bd4c9dee85"></div> </a><a data-click-track="profile-user-info-expand-research-interests" data-has-card-for-ri-list="8019629" href="https://www.academia.edu/Documents/in/Cultural_Policy"><div class="js-react-on-rails-component" style="display:none" data-component-name="Pill" data-props="{"color":"gray","children":["Cultural Policy"]}" data-trace="false" data-dom-id="Pill-react-component-bba847a5-4056-40e4-b67e-230c6d879610"></div> <div id="Pill-react-component-bba847a5-4056-40e4-b67e-230c6d879610"></div> </a><a data-click-track="profile-user-info-expand-research-interests" data-has-card-for-ri-list="8019629" href="https://www.academia.edu/Documents/in/Twentieth_Century_Literature"><div class="js-react-on-rails-component" style="display:none" data-component-name="Pill" data-props="{"color":"gray","children":["Twentieth Century Literature"]}" data-trace="false" data-dom-id="Pill-react-component-2cbd56a6-fb10-4c97-b4b4-38e6d18f0a32"></div> <div id="Pill-react-component-2cbd56a6-fb10-4c97-b4b4-38e6d18f0a32"></div> </a><a data-click-track="profile-user-info-expand-research-interests" data-has-card-for-ri-list="8019629" href="https://www.academia.edu/Documents/in/Twentieth-Century_and_Contemporary_Poetry"><div class="js-react-on-rails-component" style="display:none" data-component-name="Pill" data-props="{"color":"gray","children":["Twentieth-Century and Contemporary Poetry"]}" data-trace="false" data-dom-id="Pill-react-component-ec5a2fac-de1e-4b92-be30-356b5391dce5"></div> <div id="Pill-react-component-ec5a2fac-de1e-4b92-be30-356b5391dce5"></div> </a></div></div><div class="external-links-container"><ul class="profile-links new-profile js-UserInfo-social"><li class="profile-profiles js-social-profiles-container"><i class="fa fa-spin fa-spinner"></i></li></ul></div></div></div><div class="right-panel-container"><div class="user-content-wrapper"><div class="uploads-container" id="social-redesign-work-container"><div class="upload-header"><h2 class="ds2-5-heading-sans-serif-xs">Uploads</h2></div><div class="nav-container backbone-profile-documents-nav hidden-xs"><ul class="nav-tablist" role="tablist"><li class="nav-chip active" role="presentation"><a data-section-name="" data-toggle="tab" href="#all" role="tab">all</a></li><li class="nav-chip" role="presentation"><a class="js-profile-docs-nav-section u-textTruncate" data-click-track="profile-works-tab" data-section-name="Papers" data-toggle="tab" href="#papers" role="tab" title="Papers"><span>53</span> <span class="ds2-5-body-sm-bold">Papers</span></a></li><li class="nav-chip" role="presentation"><a class="js-profile-docs-nav-section u-textTruncate" data-click-track="profile-works-tab" data-section-name="Books" data-toggle="tab" href="#books" role="tab" title="Books"><span>2</span> <span class="ds2-5-body-sm-bold">Books</span></a></li><li class="nav-chip" role="presentation"><a class="js-profile-docs-nav-section u-textTruncate" data-click-track="profile-works-tab" data-section-name="Book-Reviews" data-toggle="tab" href="#bookreviews" role="tab" title="Book Reviews"><span>8</span> <span class="ds2-5-body-sm-bold">Book Reviews</span></a></li></ul></div><div class="divider ds-divider-16" style="margin: 0px;"></div><div class="documents-container backbone-social-profile-documents" style="width: 100%;"><div class="u-taCenter"></div><div class="profile--tab_content_container js-tab-pane tab-pane active" id="all"><div class="profile--tab_heading_container js-section-heading" data-section="Papers" id="Papers"><h3 class="profile--tab_heading_container">Papers by Laurens Ham</h3></div><div class="js-work-strip profile--work_container" data-work-id="108271429"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/108271429/De_schrijver_als_kindje_van_Cals_Het_Schrijversprotest_1962_1963_in_het_licht_van_het_autonomiedebat"><img alt="Research paper thumbnail of De schrijver als kindje van Cals. Het Schrijversprotest (1962-1963) in het licht van het autonomiedebat" class="work-thumbnail" src="https://attachments.academia-assets.com/106697695/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/108271429/De_schrijver_als_kindje_van_Cals_Het_Schrijversprotest_1962_1963_in_het_licht_van_het_autonomiedebat">De schrijver als kindje van Cals. Het Schrijversprotest (1962-1963) in het licht van het autonomiedebat</a></div><div class="wp-workCard_item"><span>Nederlandse letterkunde</span><span>, 2023</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This article discusses the Authors' Protest, organised by a group of Dutch literary writers in 19...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This article discusses the Authors' Protest, organised by a group of Dutch literary writers in 1962-1963 to emphasize the need for governmental support for literature, and relates this protest to the debate on literary autonomy. The article follows Gisèle Sapiro's proposal to distinguish between autonomy as a feature of the literary field and autonomy as the institutional recognition of professional authorship. This distinction is linked to the analysis of so-called polities or value regimes, a methodology introduced by Luc Boltanski and Laurent Thévenot. This methodology is a useful tool for analyzing value shifts and discussions about values in a domain such as the literary world. After a reconstruction of the wider debate about fair remuneration of authors (1955-1963), the analysis zooms in on the political as well as poetical debates about governmental support that writers were engaged in during the winter of 1962-1963. While the largest group of writers regarded government subsidies for literature as a means to gain more professional autonomy, a smaller group of writers feared that subsidies would let them lose their moral freedom. This debate was intertwined with a more fundamentally political discussion about the power that the state should exercise over the cultural field.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="d501c6f24348acdaa7bc5ec791e4b5f5" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":106697695,"asset_id":108271429,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/106697695/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="108271429"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="108271429"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 108271429; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=108271429]").text(description); $(".js-view-count[data-work-id=108271429]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 108271429; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='108271429']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "d501c6f24348acdaa7bc5ec791e4b5f5" } } $('.js-work-strip[data-work-id=108271429]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":108271429,"title":"De schrijver als kindje van Cals. Het Schrijversprotest (1962-1963) in het licht van het autonomiedebat","translated_title":"","metadata":{"abstract":"This article discusses the Authors' Protest, organised by a group of Dutch literary writers in 1962-1963 to emphasize the need for governmental support for literature, and relates this protest to the debate on literary autonomy. The article follows Gisèle Sapiro's proposal to distinguish between autonomy as a feature of the literary field and autonomy as the institutional recognition of professional authorship. This distinction is linked to the analysis of so-called polities or value regimes, a methodology introduced by Luc Boltanski and Laurent Thévenot. This methodology is a useful tool for analyzing value shifts and discussions about values in a domain such as the literary world. After a reconstruction of the wider debate about fair remuneration of authors (1955-1963), the analysis zooms in on the political as well as poetical debates about governmental support that writers were engaged in during the winter of 1962-1963. While the largest group of writers regarded government subsidies for literature as a means to gain more professional autonomy, a smaller group of writers feared that subsidies would let them lose their moral freedom. This debate was intertwined with a more fundamentally political discussion about the power that the state should exercise over the cultural field.","publication_date":{"day":null,"month":null,"year":2023,"errors":{}},"publication_name":"Nederlandse letterkunde"},"translated_abstract":"This article discusses the Authors' Protest, organised by a group of Dutch literary writers in 1962-1963 to emphasize the need for governmental support for literature, and relates this protest to the debate on literary autonomy. The article follows Gisèle Sapiro's proposal to distinguish between autonomy as a feature of the literary field and autonomy as the institutional recognition of professional authorship. This distinction is linked to the analysis of so-called polities or value regimes, a methodology introduced by Luc Boltanski and Laurent Thévenot. This methodology is a useful tool for analyzing value shifts and discussions about values in a domain such as the literary world. After a reconstruction of the wider debate about fair remuneration of authors (1955-1963), the analysis zooms in on the political as well as poetical debates about governmental support that writers were engaged in during the winter of 1962-1963. While the largest group of writers regarded government subsidies for literature as a means to gain more professional autonomy, a smaller group of writers feared that subsidies would let them lose their moral freedom. This debate was intertwined with a more fundamentally political discussion about the power that the state should exercise over the cultural field.","internal_url":"https://www.academia.edu/108271429/De_schrijver_als_kindje_van_Cals_Het_Schrijversprotest_1962_1963_in_het_licht_van_het_autonomiedebat","translated_internal_url":"","created_at":"2023-10-17T10:57:52.220-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":8019629,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":106697695,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/106697695/thumbnails/1.jpg","file_name":"NEDLET2023.1.002.HAM.pdf","download_url":"https://www.academia.edu/attachments/106697695/download_file","bulk_download_file_name":"De_schrijver_als_kindje_van_Cals_Het_Sch.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/106697695/NEDLET2023.1.002.HAM-libre.pdf?1697568101=\u0026response-content-disposition=attachment%3B+filename%3DDe_schrijver_als_kindje_van_Cals_Het_Sch.pdf\u0026Expires=1742297835\u0026Signature=S8YmUVBq1kmpj0dJ1iEm6--kzDdTseRjzyWJh~4q00CxWwSbpwzoTVTq7bWA8pDtlM2Wm201f8kxylL9zVdDfhl7EpjRFoug~ww7ZIxUWYI1uXj7H~J1ImYUcDgIPMjVhWY5PP6lYuvQXVaSeKKos9BqkjJHqIsnAhMhsm3bxeVBmtbXKp0-8g3BcNG-oiLeKMwsTGmDWFHIdS9oZfs8XjKf-tAVmN3ldldLAys~K8OGqOwksBSy3F7TfPztMRRx6DA8Ok71ENw6bwHipUryNOw2oWPRxy91~H8ZEM2beuAkogXxJc8xLJZETd4ms1PD5YwDALSMzdcgodnakEUQ0w__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"De_schrijver_als_kindje_van_Cals_Het_Schrijversprotest_1962_1963_in_het_licht_van_het_autonomiedebat","translated_slug":"","page_count":32,"language":"nl","content_type":"Work","summary":"This article discusses the Authors' Protest, organised by a group of Dutch literary writers in 1962-1963 to emphasize the need for governmental support for literature, and relates this protest to the debate on literary autonomy. The article follows Gisèle Sapiro's proposal to distinguish between autonomy as a feature of the literary field and autonomy as the institutional recognition of professional authorship. This distinction is linked to the analysis of so-called polities or value regimes, a methodology introduced by Luc Boltanski and Laurent Thévenot. This methodology is a useful tool for analyzing value shifts and discussions about values in a domain such as the literary world. After a reconstruction of the wider debate about fair remuneration of authors (1955-1963), the analysis zooms in on the political as well as poetical debates about governmental support that writers were engaged in during the winter of 1962-1963. While the largest group of writers regarded government subsidies for literature as a means to gain more professional autonomy, a smaller group of writers feared that subsidies would let them lose their moral freedom. This debate was intertwined with a more fundamentally political discussion about the power that the state should exercise over the cultural field.","owner":{"id":8019629,"first_name":"Laurens","middle_initials":null,"last_name":"Ham","page_name":"LaurensHam","domain_name":"uu","created_at":"2014-01-04T23:17:39.380-08:00","display_name":"Laurens Ham","url":"https://uu.academia.edu/LaurensHam"},"attachments":[{"id":106697695,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/106697695/thumbnails/1.jpg","file_name":"NEDLET2023.1.002.HAM.pdf","download_url":"https://www.academia.edu/attachments/106697695/download_file","bulk_download_file_name":"De_schrijver_als_kindje_van_Cals_Het_Sch.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/106697695/NEDLET2023.1.002.HAM-libre.pdf?1697568101=\u0026response-content-disposition=attachment%3B+filename%3DDe_schrijver_als_kindje_van_Cals_Het_Sch.pdf\u0026Expires=1742297835\u0026Signature=S8YmUVBq1kmpj0dJ1iEm6--kzDdTseRjzyWJh~4q00CxWwSbpwzoTVTq7bWA8pDtlM2Wm201f8kxylL9zVdDfhl7EpjRFoug~ww7ZIxUWYI1uXj7H~J1ImYUcDgIPMjVhWY5PP6lYuvQXVaSeKKos9BqkjJHqIsnAhMhsm3bxeVBmtbXKp0-8g3BcNG-oiLeKMwsTGmDWFHIdS9oZfs8XjKf-tAVmN3ldldLAys~K8OGqOwksBSy3F7TfPztMRRx6DA8Ok71ENw6bwHipUryNOw2oWPRxy91~H8ZEM2beuAkogXxJc8xLJZETd4ms1PD5YwDALSMzdcgodnakEUQ0w__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":1125,"name":"Cultural Policy","url":"https://www.academia.edu/Documents/in/Cultural_Policy"},{"id":2418,"name":"Literature","url":"https://www.academia.edu/Documents/in/Literature"},{"id":25988,"name":"Dutch Literature","url":"https://www.academia.edu/Documents/in/Dutch_Literature"},{"id":333467,"name":"Dutch language and culture","url":"https://www.academia.edu/Documents/in/Dutch_language_and_culture"},{"id":881920,"name":"Arts and Activism","url":"https://www.academia.edu/Documents/in/Arts_and_Activism"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="82387139"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/82387139/Sluit_de_rijen_Botsende_cultuurpolitieke_visies_tijdens_het_Tweede_Schrijversprotest_1970_"><img alt="Research paper thumbnail of Sluit de rijen. Botsende cultuurpolitieke visies tijdens het Tweede Schrijversprotest (1970)" class="work-thumbnail" src="https://attachments.academia-assets.com/88113011/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/82387139/Sluit_de_rijen_Botsende_cultuurpolitieke_visies_tijdens_het_Tweede_Schrijversprotest_1970_">Sluit de rijen. Botsende cultuurpolitieke visies tijdens het Tweede Schrijversprotest (1970)</a></div><div class="wp-workCard_item"><span>Oproer in de letteren. Sixties-protest in de Lage Landen</span><span>, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">In dit artikel worden de verschillende literatuurpolitieke visies tijdens het Tweede Schrijverspr...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In dit artikel worden de verschillende literatuurpolitieke visies tijdens het Tweede Schrijversprotest (Nederland, 1970) geanalyseerd. Dit protest, bedoeld om de financiële en artistieke positie van literaire auteurs te verbeteren, zette de verhoudingen tussen schrijvers, overheid en uitgevers onder spanning. Maar ook onder auteurs zelf was er grote onenigheid over hun doelen en de manieren waarop ze actie wilden voeren.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="67d2bc0e0882853c84b0254f5f50c5ac" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":88113011,"asset_id":82387139,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/88113011/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="82387139"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="82387139"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 82387139; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=82387139]").text(description); $(".js-view-count[data-work-id=82387139]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 82387139; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='82387139']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "67d2bc0e0882853c84b0254f5f50c5ac" } } $('.js-work-strip[data-work-id=82387139]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":82387139,"title":"Sluit de rijen. Botsende cultuurpolitieke visies tijdens het Tweede Schrijversprotest (1970)","translated_title":"","metadata":{"abstract":"In dit artikel worden de verschillende literatuurpolitieke visies tijdens het Tweede Schrijversprotest (Nederland, 1970) geanalyseerd. Dit protest, bedoeld om de financiële en artistieke positie van literaire auteurs te verbeteren, zette de verhoudingen tussen schrijvers, overheid en uitgevers onder spanning. Maar ook onder auteurs zelf was er grote onenigheid over hun doelen en de manieren waarop ze actie wilden voeren. ","publication_date":{"day":null,"month":null,"year":2021,"errors":{}},"publication_name":"Oproer in de letteren. Sixties-protest in de Lage Landen"},"translated_abstract":"In dit artikel worden de verschillende literatuurpolitieke visies tijdens het Tweede Schrijversprotest (Nederland, 1970) geanalyseerd. Dit protest, bedoeld om de financiële en artistieke positie van literaire auteurs te verbeteren, zette de verhoudingen tussen schrijvers, overheid en uitgevers onder spanning. Maar ook onder auteurs zelf was er grote onenigheid over hun doelen en de manieren waarop ze actie wilden voeren. ","internal_url":"https://www.academia.edu/82387139/Sluit_de_rijen_Botsende_cultuurpolitieke_visies_tijdens_het_Tweede_Schrijversprotest_1970_","translated_internal_url":"","created_at":"2022-06-29T23:43:52.784-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":8019629,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":88113011,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/88113011/thumbnails/1.jpg","file_name":"SEL.14_oproer.in.de.letteren_Laurens_Ham.pdf","download_url":"https://www.academia.edu/attachments/88113011/download_file","bulk_download_file_name":"Sluit_de_rijen_Botsende_cultuurpolitieke.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/88113011/SEL.14_oproer.in.de.letteren_Laurens_Ham-libre.pdf?1656572395=\u0026response-content-disposition=attachment%3B+filename%3DSluit_de_rijen_Botsende_cultuurpolitieke.pdf\u0026Expires=1742297835\u0026Signature=cLrfTWUkaUcEaaoWpneQiIxgdBWUQHpYvLk-uF3ONTDJczrSqVaPUWb2tXQJ~8DAez6UwZa50ZKe619ysRz3sA6u9Pb0RYhpr01lTQY6gA-HLVXbP-0mUdsuTgDWiC3ZpGJOyHB2byBi1uvd5lc0U8-gPTsy8i7ousPI~agVL7QlQz3Er33nkOBROyKTFPAyqz7nJY-Dv19fIE-cs2SFa~7gv2rp9BXCTz7PbYru2PLDKcLbODw~N3NRMy7y5Mmeb5yjJ9SuYMYCbTpYtrW0ZAhQuPP~SgOHxSdjRZhnbMRUFTtGEusETZfSdJnIeDFOl3rg6SaEf-MA8TqtqxALpA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Sluit_de_rijen_Botsende_cultuurpolitieke_visies_tijdens_het_Tweede_Schrijversprotest_1970_","translated_slug":"","page_count":35,"language":"nl","content_type":"Work","summary":"In dit artikel worden de verschillende literatuurpolitieke visies tijdens het Tweede Schrijversprotest (Nederland, 1970) geanalyseerd. Dit protest, bedoeld om de financiële en artistieke positie van literaire auteurs te verbeteren, zette de verhoudingen tussen schrijvers, overheid en uitgevers onder spanning. Maar ook onder auteurs zelf was er grote onenigheid over hun doelen en de manieren waarop ze actie wilden voeren. ","owner":{"id":8019629,"first_name":"Laurens","middle_initials":null,"last_name":"Ham","page_name":"LaurensHam","domain_name":"uu","created_at":"2014-01-04T23:17:39.380-08:00","display_name":"Laurens Ham","url":"https://uu.academia.edu/LaurensHam"},"attachments":[{"id":88113011,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/88113011/thumbnails/1.jpg","file_name":"SEL.14_oproer.in.de.letteren_Laurens_Ham.pdf","download_url":"https://www.academia.edu/attachments/88113011/download_file","bulk_download_file_name":"Sluit_de_rijen_Botsende_cultuurpolitieke.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/88113011/SEL.14_oproer.in.de.letteren_Laurens_Ham-libre.pdf?1656572395=\u0026response-content-disposition=attachment%3B+filename%3DSluit_de_rijen_Botsende_cultuurpolitieke.pdf\u0026Expires=1742297836\u0026Signature=KgzISxGT8ETNXlS3UXyMfzl9UzuFLAv9CguCr2myqiaBtsAcjTBVsG-WetQs4a1ZgKaci3jFhH5mXLci4aD-LvIOspRvppEmlbUSIAOxIYTZkilRetXRVG5B~eBUCeEkBmlGKUIqhHxZCj6zXEGBvCcMvfAsSZGrUiq7IYaMj7VTRn1oJoTZYOf1kR9HVhkK1wLMMTLdZD84eMsUvEUr3-xOMX~toLdUdeJseZRWPgWfC6DXtyQXERNtbrPfUjqYceexpE0i29B~pcLc~ElR-gP~etHwmWTC~P5zIUC9pnr27aTjvtEcFuUYumoxxSWHJmfD7LYXQs83m77MNl~Agw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":2418,"name":"Literature","url":"https://www.academia.edu/Documents/in/Literature"},{"id":25988,"name":"Dutch Literature","url":"https://www.academia.edu/Documents/in/Dutch_Literature"},{"id":43841,"name":"Counterculture","url":"https://www.academia.edu/Documents/in/Counterculture"},{"id":51203,"name":"Modern Dutch Literature","url":"https://www.academia.edu/Documents/in/Modern_Dutch_Literature"},{"id":182165,"name":"Cultural and Political Activism of the 1960s and 1970s","url":"https://www.academia.edu/Documents/in/Cultural_and_Political_Activism_of_the_1960s_and_1970s"},{"id":881920,"name":"Arts and Activism","url":"https://www.academia.edu/Documents/in/Arts_and_Activism"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="78851199"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/78851199/Nog_nooit_werd_er_zoveel_gelezen_Democratisering_in_de_Nederlandse_boekenwereld_van_de_late_jaren_zestig_tot_de_late_jaren_zeventig"><img alt="Research paper thumbnail of Nog nooit werd er zoveel gelezen. Democratisering in de Nederlandse boekenwereld van de late jaren zestig tot de late jaren zeventig" class="work-thumbnail" src="https://attachments.academia-assets.com/85749310/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/78851199/Nog_nooit_werd_er_zoveel_gelezen_Democratisering_in_de_Nederlandse_boekenwereld_van_de_late_jaren_zestig_tot_de_late_jaren_zeventig">Nog nooit werd er zoveel gelezen. Democratisering in de Nederlandse boekenwereld van de late jaren zestig tot de late jaren zeventig</a></div><div class="wp-workCard_item"><span>Jaarboek voor Nederlandse Boekgeschiedenis </span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This article discusses the attempts to democratise Dutch book culture in the late 1960s and the e...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This article discusses the attempts to democratise Dutch book culture in the late 1960s and the early 1970s. Insights from the history of books, from literary studies and from cultural policy studies are brought together, for a better understanding of the influence that authors can have on book policies and on book market developments. <br /> Three definitions of democratisation in the 1960s and 1970s are discussed. Firstly, democratisation functioned as a poetical metaphor: influential Dutch essayist Paul Rodenko introduced the terms ‘democratisation of the word’ and ‘democratisation of poetry’ as principles that set avant-garde poetry apart from older literary forms. The ‘democratisation of poetry’ in particular – the idea that all subjects and words could be poetic material, whether they be lofty or low – played a considerable role in discussions about mid-20th-century Dutch literature. The second definition of democratisation emphasised the growing importance of participation in policy and political concerns. From the late 1960s onwards, Dutch students, artists, and other groups in society demanded a voice in the policies they were subjected to. In the third place, democratisation was about making literature better accessible, especially for adult members of the working class and working class youth. <br /> An important institution for setting this third type of democratisation in motion was the Stichting Collectieve Propaganda van het Nederlandse Boek (CPNB, the Organization for the Collective Promotion of the Dutch Book). In the mid sixties, CPNB developed a more popular style of promoting literature to the greater public, jumping on the bandwagon of the upcoming pop and television culture. Many publishers in these years embraced this type of democratisation too. In the course of the 1970s, a growing number of left-leaning authors began to problematise this tendency, which they considered as a cover-up for a further commercialisation the literary field. They feared that this popularisation strategy could be fatal for smaller publishing companies that brought less easily marketable work. The early 1980s saw a new focus in the CPNB policy: from then on, the CPNB in the yearly Dutch Book Week focused less on non-literary media and popular culture; it tried to present the written literary word in an appealing way.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="c158f6d8b2fb71fa90d52ccdf422e5d6" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":85749310,"asset_id":78851199,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/85749310/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="78851199"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="78851199"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 78851199; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=78851199]").text(description); $(".js-view-count[data-work-id=78851199]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 78851199; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='78851199']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "c158f6d8b2fb71fa90d52ccdf422e5d6" } } $('.js-work-strip[data-work-id=78851199]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":78851199,"title":"Nog nooit werd er zoveel gelezen. Democratisering in de Nederlandse boekenwereld van de late jaren zestig tot de late jaren zeventig","translated_title":"","metadata":{"abstract":"This article discusses the attempts to democratise Dutch book culture in the late 1960s and the early 1970s. Insights from the history of books, from literary studies and from cultural policy studies are brought together, for a better understanding of the influence that authors can have on book policies and on book market developments. \n\tThree definitions of democratisation in the 1960s and 1970s are discussed. Firstly, democratisation functioned as a poetical metaphor: influential Dutch essayist Paul Rodenko introduced the terms ‘democratisation of the word’ and ‘democratisation of poetry’ as principles that set avant-garde poetry apart from older literary forms. The ‘democratisation of poetry’ in particular – the idea that all subjects and words could be poetic material, whether they be lofty or low – played a considerable role in discussions about mid-20th-century Dutch literature. The second definition of democratisation emphasised the growing importance of participation in policy and political concerns. From the late 1960s onwards, Dutch students, artists, and other groups in society demanded a voice in the policies they were subjected to. In the third place, democratisation was about making literature better accessible, especially for adult members of the working class and working class youth. \n\tAn important institution for setting this third type of democratisation in motion was the Stichting Collectieve Propaganda van het Nederlandse Boek (CPNB, the Organization for the Collective Promotion of the Dutch Book). In the mid sixties, CPNB developed a more popular style of promoting literature to the greater public, jumping on the bandwagon of the upcoming pop and television culture. Many publishers in these years embraced this type of democratisation too. In the course of the 1970s, a growing number of left-leaning authors began to problematise this tendency, which they considered as a cover-up for a further commercialisation the literary field. They feared that this popularisation strategy could be fatal for smaller publishing companies that brought less easily marketable work. The early 1980s saw a new focus in the CPNB policy: from then on, the CPNB in the yearly Dutch Book Week focused less on non-literary media and popular culture; it tried to present the written literary word in an appealing way. ","publication_date":{"day":null,"month":null,"year":2020,"errors":{}},"publication_name":"Jaarboek voor Nederlandse Boekgeschiedenis "},"translated_abstract":"This article discusses the attempts to democratise Dutch book culture in the late 1960s and the early 1970s. Insights from the history of books, from literary studies and from cultural policy studies are brought together, for a better understanding of the influence that authors can have on book policies and on book market developments. \n\tThree definitions of democratisation in the 1960s and 1970s are discussed. Firstly, democratisation functioned as a poetical metaphor: influential Dutch essayist Paul Rodenko introduced the terms ‘democratisation of the word’ and ‘democratisation of poetry’ as principles that set avant-garde poetry apart from older literary forms. The ‘democratisation of poetry’ in particular – the idea that all subjects and words could be poetic material, whether they be lofty or low – played a considerable role in discussions about mid-20th-century Dutch literature. The second definition of democratisation emphasised the growing importance of participation in policy and political concerns. From the late 1960s onwards, Dutch students, artists, and other groups in society demanded a voice in the policies they were subjected to. In the third place, democratisation was about making literature better accessible, especially for adult members of the working class and working class youth. \n\tAn important institution for setting this third type of democratisation in motion was the Stichting Collectieve Propaganda van het Nederlandse Boek (CPNB, the Organization for the Collective Promotion of the Dutch Book). In the mid sixties, CPNB developed a more popular style of promoting literature to the greater public, jumping on the bandwagon of the upcoming pop and television culture. Many publishers in these years embraced this type of democratisation too. In the course of the 1970s, a growing number of left-leaning authors began to problematise this tendency, which they considered as a cover-up for a further commercialisation the literary field. They feared that this popularisation strategy could be fatal for smaller publishing companies that brought less easily marketable work. The early 1980s saw a new focus in the CPNB policy: from then on, the CPNB in the yearly Dutch Book Week focused less on non-literary media and popular culture; it tried to present the written literary word in an appealing way. ","internal_url":"https://www.academia.edu/78851199/Nog_nooit_werd_er_zoveel_gelezen_Democratisering_in_de_Nederlandse_boekenwereld_van_de_late_jaren_zestig_tot_de_late_jaren_zeventig","translated_internal_url":"","created_at":"2022-05-09T05:51:27.845-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":8019629,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":85749310,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/85749310/thumbnails/1.jpg","file_name":"HAM_2020_Jaarboek_Boekgeschiedenis.pdf","download_url":"https://www.academia.edu/attachments/85749310/download_file","bulk_download_file_name":"Nog_nooit_werd_er_zoveel_gelezen_Democra.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/85749310/HAM_2020_Jaarboek_Boekgeschiedenis-libre.pdf?1652101698=\u0026response-content-disposition=attachment%3B+filename%3DNog_nooit_werd_er_zoveel_gelezen_Democra.pdf\u0026Expires=1742297836\u0026Signature=cIRKEbDxxHwSBFVCF950V4Yb7CQS044xdfnkYXquA-E1fZ3RVOyeLhx-UpMX~YQm7WI928-MJ6MTI1pNk4ayRsKN9ufnFTpSh1cMCnbvvYNV9T7zUtz8GQRstRB0xnfWi7AjVdJfH26pTiMj6HSthlWjmrZnCMZsjOFWbv3n-IVw86TTkdqXxQCjnE0Kp9pl9KlPrzpfd5fjKYuEjaSrVQtZmM1vIbpoJrta1R2MbBraLBlNtN9uEB1pa4uPtlwM2N~U9b6XeGxO4p82qrCY26ov75WGH50DsOcQIGyBo-JkLhEwcomEo-s85sZnV-YqvcsOLVPTmh9Ww7d1oqB43A__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Nog_nooit_werd_er_zoveel_gelezen_Democratisering_in_de_Nederlandse_boekenwereld_van_de_late_jaren_zestig_tot_de_late_jaren_zeventig","translated_slug":"","page_count":16,"language":"nl","content_type":"Work","summary":"This article discusses the attempts to democratise Dutch book culture in the late 1960s and the early 1970s. Insights from the history of books, from literary studies and from cultural policy studies are brought together, for a better understanding of the influence that authors can have on book policies and on book market developments. \n\tThree definitions of democratisation in the 1960s and 1970s are discussed. Firstly, democratisation functioned as a poetical metaphor: influential Dutch essayist Paul Rodenko introduced the terms ‘democratisation of the word’ and ‘democratisation of poetry’ as principles that set avant-garde poetry apart from older literary forms. The ‘democratisation of poetry’ in particular – the idea that all subjects and words could be poetic material, whether they be lofty or low – played a considerable role in discussions about mid-20th-century Dutch literature. The second definition of democratisation emphasised the growing importance of participation in policy and political concerns. From the late 1960s onwards, Dutch students, artists, and other groups in society demanded a voice in the policies they were subjected to. In the third place, democratisation was about making literature better accessible, especially for adult members of the working class and working class youth. \n\tAn important institution for setting this third type of democratisation in motion was the Stichting Collectieve Propaganda van het Nederlandse Boek (CPNB, the Organization for the Collective Promotion of the Dutch Book). In the mid sixties, CPNB developed a more popular style of promoting literature to the greater public, jumping on the bandwagon of the upcoming pop and television culture. Many publishers in these years embraced this type of democratisation too. In the course of the 1970s, a growing number of left-leaning authors began to problematise this tendency, which they considered as a cover-up for a further commercialisation the literary field. They feared that this popularisation strategy could be fatal for smaller publishing companies that brought less easily marketable work. The early 1980s saw a new focus in the CPNB policy: from then on, the CPNB in the yearly Dutch Book Week focused less on non-literary media and popular culture; it tried to present the written literary word in an appealing way. ","owner":{"id":8019629,"first_name":"Laurens","middle_initials":null,"last_name":"Ham","page_name":"LaurensHam","domain_name":"uu","created_at":"2014-01-04T23:17:39.380-08:00","display_name":"Laurens Ham","url":"https://uu.academia.edu/LaurensHam"},"attachments":[{"id":85749310,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/85749310/thumbnails/1.jpg","file_name":"HAM_2020_Jaarboek_Boekgeschiedenis.pdf","download_url":"https://www.academia.edu/attachments/85749310/download_file","bulk_download_file_name":"Nog_nooit_werd_er_zoveel_gelezen_Democra.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/85749310/HAM_2020_Jaarboek_Boekgeschiedenis-libre.pdf?1652101698=\u0026response-content-disposition=attachment%3B+filename%3DNog_nooit_werd_er_zoveel_gelezen_Democra.pdf\u0026Expires=1742297836\u0026Signature=cIRKEbDxxHwSBFVCF950V4Yb7CQS044xdfnkYXquA-E1fZ3RVOyeLhx-UpMX~YQm7WI928-MJ6MTI1pNk4ayRsKN9ufnFTpSh1cMCnbvvYNV9T7zUtz8GQRstRB0xnfWi7AjVdJfH26pTiMj6HSthlWjmrZnCMZsjOFWbv3n-IVw86TTkdqXxQCjnE0Kp9pl9KlPrzpfd5fjKYuEjaSrVQtZmM1vIbpoJrta1R2MbBraLBlNtN9uEB1pa4uPtlwM2N~U9b6XeGxO4p82qrCY26ov75WGH50DsOcQIGyBo-JkLhEwcomEo-s85sZnV-YqvcsOLVPTmh9Ww7d1oqB43A__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":2340,"name":"Book History","url":"https://www.academia.edu/Documents/in/Book_History"},{"id":2972,"name":"Media History","url":"https://www.academia.edu/Documents/in/Media_History"},{"id":17062,"name":"Book Publishing","url":"https://www.academia.edu/Documents/in/Book_Publishing"},{"id":22075,"name":"Democratisation","url":"https://www.academia.edu/Documents/in/Democratisation"},{"id":25988,"name":"Dutch Literature","url":"https://www.academia.edu/Documents/in/Dutch_Literature"},{"id":51203,"name":"Modern Dutch Literature","url":"https://www.academia.edu/Documents/in/Modern_Dutch_Literature"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="49815186"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/49815186/Krijg_je_nog_rente_voor_een_lied_Stadsdichterschap_als_eer_en_verdienste_sinds_de_middeleeuwen"><img alt="Research paper thumbnail of Krijg je nog rente voor een lied? Stadsdichterschap als eer en verdienste sinds de middeleeuwen" class="work-thumbnail" src="https://attachments.academia-assets.com/84042724/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/49815186/Krijg_je_nog_rente_voor_een_lied_Stadsdichterschap_als_eer_en_verdienste_sinds_de_middeleeuwen">Krijg je nog rente voor een lied? Stadsdichterschap als eer en verdienste sinds de middeleeuwen</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://uu.academia.edu/LaurensHam">Laurens Ham</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://antwerp.academia.edu/RemcoSleiderink">Remco Sleiderink</a></span></div><div class="wp-workCard_item"><span>Nederlandse Letterkunde</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This article presents the first diachronic overview of the economic, social and symbolic profits ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This article presents the first diachronic overview of the economic, social and symbolic profits of ‘city poets’ (‘stadsdichters’) in the Low Countries. From the early fifteenth century onwards, there have been many (more or less) official relationships between city councils and poets. The prominence and the form of these relationships, however, diverged greatly in different periods: whereas official appointments were the standard in the fifteenth, sixteenth and the twenty-first centuries, the period in between saw a much more diverse landscape of informal appointments and relationships. After presenting a historical overview of the role of city poets throughout the centuries, this article focuses on two well-documented periods in which formal agreements were made between town governments and poets: the late Middle Ages and the start of the 21st century. We analyze political and financial agreements explicitly in relationship to the complexities surrounding the production of city poetry. City poetry, paid by public money, is bound to be controversial: in general because its status is subject to changes and political discussions, but also because this form of commissioned poetry is sometimes seen as a form of propaganda. Official city poetry seems to flourish most in societies with a stable political-religious climate (as in the Southern Low Countries in the fifteenth and sixteenth century) and/or with a keen interest in city marketing (as in Flanders and the Netherlands in the twenty-first century).</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="d3129d626b139f81b19ee76efcd99109" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":84042724,"asset_id":49815186,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/84042724/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="49815186"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="49815186"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 49815186; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=49815186]").text(description); $(".js-view-count[data-work-id=49815186]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 49815186; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='49815186']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "d3129d626b139f81b19ee76efcd99109" } } $('.js-work-strip[data-work-id=49815186]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":49815186,"title":"Krijg je nog rente voor een lied? Stadsdichterschap als eer en verdienste sinds de middeleeuwen","translated_title":"","metadata":{"abstract":"This article presents the first diachronic overview of the economic, social and symbolic profits of ‘city poets’ (‘stadsdichters’) in the Low Countries. From the early fifteenth century onwards, there have been many (more or less) official relationships between city councils and poets. The prominence and the form of these relationships, however, diverged greatly in different periods: whereas official appointments were the standard in the fifteenth, sixteenth and the twenty-first centuries, the period in between saw a much more diverse landscape of informal appointments and relationships. After presenting a historical overview of the role of city poets throughout the centuries, this article focuses on two well-documented periods in which formal agreements were made between town governments and poets: the late Middle Ages and the start of the 21st century. We analyze political and financial agreements explicitly in relationship to the complexities surrounding the production of city poetry. City poetry, paid by public money, is bound to be controversial: in general because its status is subject to changes and political discussions, but also because this form of commissioned poetry is sometimes seen as a form of propaganda. Official city poetry seems to flourish most in societies with a stable political-religious climate (as in the Southern Low Countries in the fifteenth and sixteenth century) and/or with a keen interest in city marketing (as in Flanders and the Netherlands in the twenty-first century).","more_info":"Nederlandse letterkunde, 2020","publisher":"Amsterdam University Press","publication_name":"Nederlandse Letterkunde"},"translated_abstract":"This article presents the first diachronic overview of the economic, social and symbolic profits of ‘city poets’ (‘stadsdichters’) in the Low Countries. From the early fifteenth century onwards, there have been many (more or less) official relationships between city councils and poets. The prominence and the form of these relationships, however, diverged greatly in different periods: whereas official appointments were the standard in the fifteenth, sixteenth and the twenty-first centuries, the period in between saw a much more diverse landscape of informal appointments and relationships. After presenting a historical overview of the role of city poets throughout the centuries, this article focuses on two well-documented periods in which formal agreements were made between town governments and poets: the late Middle Ages and the start of the 21st century. We analyze political and financial agreements explicitly in relationship to the complexities surrounding the production of city poetry. City poetry, paid by public money, is bound to be controversial: in general because its status is subject to changes and political discussions, but also because this form of commissioned poetry is sometimes seen as a form of propaganda. Official city poetry seems to flourish most in societies with a stable political-religious climate (as in the Southern Low Countries in the fifteenth and sixteenth century) and/or with a keen interest in city marketing (as in Flanders and the Netherlands in the twenty-first century).","internal_url":"https://www.academia.edu/49815186/Krijg_je_nog_rente_voor_een_lied_Stadsdichterschap_als_eer_en_verdienste_sinds_de_middeleeuwen","translated_internal_url":"","created_at":"2021-07-12T10:56:12.775-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":8019629,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[{"id":38028880,"work_id":49815186,"tagging_user_id":8019629,"tagged_user_id":228031883,"co_author_invite_id":7343711,"email":"n***k@uu.nl","display_order":1,"name":"Nina Geerdink","title":"Krijg je nog rente voor een lied? Stadsdichterschap als eer en verdienste sinds de middeleeuwen"},{"id":38028881,"work_id":49815186,"tagging_user_id":8019629,"tagged_user_id":2304903,"co_author_invite_id":null,"email":"j***n@me.com","affiliation":"Radboud University Nijmegen","display_order":2,"name":"Johan Oosterman","title":"Krijg je nog rente voor een lied? Stadsdichterschap als eer en verdienste sinds de middeleeuwen"},{"id":38028882,"work_id":49815186,"tagging_user_id":8019629,"tagged_user_id":12741005,"co_author_invite_id":null,"email":"r***k@uantwerpen.be","affiliation":"University of Antwerp","display_order":3,"name":"Remco Sleiderink","title":"Krijg je nog rente voor een lied? Stadsdichterschap als eer en verdienste sinds de middeleeuwen"},{"id":38028883,"work_id":49815186,"tagging_user_id":8019629,"tagged_user_id":null,"co_author_invite_id":7107627,"email":"p***x@tilburguniversity.edu","display_order":4,"name":"Sander Bax","title":"Krijg je nog rente voor een lied? Stadsdichterschap als eer en verdienste sinds de middeleeuwen"}],"downloadable_attachments":[{"id":84042724,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/84042724/thumbnails/1.jpg","file_name":"Stadsdichterschap_NL_2020.pdf","download_url":"https://www.academia.edu/attachments/84042724/download_file","bulk_download_file_name":"Krijg_je_nog_rente_voor_een_lied_Stadsdi.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/84042724/Stadsdichterschap_NL_2020-libre.pdf?1649832684=\u0026response-content-disposition=attachment%3B+filename%3DKrijg_je_nog_rente_voor_een_lied_Stadsdi.pdf\u0026Expires=1742297836\u0026Signature=H8-9NMoo9aq-PfVjN5yPCqCmjmcNUZT8ang7OpwnNzncwAaert4BIN~bQZ1fgUYzPtPDukRSswtdDWlOLOAD2G5pBBHMq-mrXRxZ8se3px4s3vFhlTRB56UCoOGcRo~tp-zb7xbPRGOe8xJbOkSvaaI8HmOr4nUft68ceQ3K9UzwA4wQJvQqPXWzrKkzzQRTQqoUd6z2uWPBmjLytfAqdE9eTWn6Z1EHtIPgCMdXZmYi8SH6gU0a59jX4SH2k9W~7sz3RWlbreXzfA9CT1v-30LWaUJ-44npOlNLIMpey7l0podEjQBih3o8LU3IZU9RQgklNORN-wBtYbGNsZtl~Q__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Krijg_je_nog_rente_voor_een_lied_Stadsdichterschap_als_eer_en_verdienste_sinds_de_middeleeuwen","translated_slug":"","page_count":34,"language":"nl","content_type":"Work","summary":"This article presents the first diachronic overview of the economic, social and symbolic profits of ‘city poets’ (‘stadsdichters’) in the Low Countries. From the early fifteenth century onwards, there have been many (more or less) official relationships between city councils and poets. The prominence and the form of these relationships, however, diverged greatly in different periods: whereas official appointments were the standard in the fifteenth, sixteenth and the twenty-first centuries, the period in between saw a much more diverse landscape of informal appointments and relationships. After presenting a historical overview of the role of city poets throughout the centuries, this article focuses on two well-documented periods in which formal agreements were made between town governments and poets: the late Middle Ages and the start of the 21st century. We analyze political and financial agreements explicitly in relationship to the complexities surrounding the production of city poetry. City poetry, paid by public money, is bound to be controversial: in general because its status is subject to changes and political discussions, but also because this form of commissioned poetry is sometimes seen as a form of propaganda. Official city poetry seems to flourish most in societies with a stable political-religious climate (as in the Southern Low Countries in the fifteenth and sixteenth century) and/or with a keen interest in city marketing (as in Flanders and the Netherlands in the twenty-first century).","owner":{"id":8019629,"first_name":"Laurens","middle_initials":null,"last_name":"Ham","page_name":"LaurensHam","domain_name":"uu","created_at":"2014-01-04T23:17:39.380-08:00","display_name":"Laurens Ham","url":"https://uu.academia.edu/LaurensHam"},"attachments":[{"id":84042724,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/84042724/thumbnails/1.jpg","file_name":"Stadsdichterschap_NL_2020.pdf","download_url":"https://www.academia.edu/attachments/84042724/download_file","bulk_download_file_name":"Krijg_je_nog_rente_voor_een_lied_Stadsdi.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/84042724/Stadsdichterschap_NL_2020-libre.pdf?1649832684=\u0026response-content-disposition=attachment%3B+filename%3DKrijg_je_nog_rente_voor_een_lied_Stadsdi.pdf\u0026Expires=1742297836\u0026Signature=H8-9NMoo9aq-PfVjN5yPCqCmjmcNUZT8ang7OpwnNzncwAaert4BIN~bQZ1fgUYzPtPDukRSswtdDWlOLOAD2G5pBBHMq-mrXRxZ8se3px4s3vFhlTRB56UCoOGcRo~tp-zb7xbPRGOe8xJbOkSvaaI8HmOr4nUft68ceQ3K9UzwA4wQJvQqPXWzrKkzzQRTQqoUd6z2uWPBmjLytfAqdE9eTWn6Z1EHtIPgCMdXZmYi8SH6gU0a59jX4SH2k9W~7sz3RWlbreXzfA9CT1v-30LWaUJ-44npOlNLIMpey7l0podEjQBih3o8LU3IZU9RQgklNORN-wBtYbGNsZtl~Q__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":1125,"name":"Cultural Policy","url":"https://www.academia.edu/Documents/in/Cultural_Policy"},{"id":25988,"name":"Dutch Literature","url":"https://www.academia.edu/Documents/in/Dutch_Literature"},{"id":51203,"name":"Modern Dutch Literature","url":"https://www.academia.edu/Documents/in/Modern_Dutch_Literature"},{"id":61633,"name":"The City in Literature and Culture","url":"https://www.academia.edu/Documents/in/The_City_in_Literature_and_Culture"},{"id":1114892,"name":"Late Medieval \u0026 Early Modern Dutch Literature","url":"https://www.academia.edu/Documents/in/Late_Medieval_and_Early_Modern_Dutch_Literature"},{"id":1208890,"name":"Dutch Poetry","url":"https://www.academia.edu/Documents/in/Dutch_Poetry"}],"urls":[{"id":19425686,"url":"https://www.aup-online.com/content/journals/10.5117/NEDLET2020.1.005.HAM"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="49815184"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/49815184/Naar_een_diachrone_blik_op_de_verdiensten_van_Nederlandstalige_auteurs"><img alt="Research paper thumbnail of Naar een diachrone blik op de verdiensten van Nederlandstalige auteurs" class="work-thumbnail" src="https://attachments.academia-assets.com/84043707/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/49815184/Naar_een_diachrone_blik_op_de_verdiensten_van_Nederlandstalige_auteurs">Naar een diachrone blik op de verdiensten van Nederlandstalige auteurs</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://uu.academia.edu/LaurensHam">Laurens Ham</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://antwerp.academia.edu/RemcoSleiderink">Remco Sleiderink</a></span></div><div class="wp-workCard_item"><span>Nederlandse Letterkunde</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This article argues that it is both important and viable to develop a diachronic perspective on t...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This article argues that it is both important and viable to develop a diachronic perspective on the profits of literary authors in the Low Countries. Up to now, conceptual and theoretical boundaries between different subdisciplines within Dutch literary studies have resulted in a compartmentalized, fragmentary narrative of the economic, social and symbolic profits of literary authors throughout the centuries. On the basis of a survey of the theoretical frameworks dominant in the subdisciplines of medieval, early modern and modern Dutch literature, we highlight the opportunities and difficulties for a diachronic perspective on financial advancement, focusing both on practice and discourse. In addition, we propose a schematic model that tries to overcome the difficulties and enables us to profit from the opportunities. This proposal allows for a sharper focus on both the practice of and discourse on literary authors’ economic gain from a diachronic perspective.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="ae6c13371ced48b92da29fb6e41f72b1" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":84043707,"asset_id":49815184,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/84043707/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="49815184"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="49815184"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 49815184; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=49815184]").text(description); $(".js-view-count[data-work-id=49815184]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 49815184; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='49815184']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "ae6c13371ced48b92da29fb6e41f72b1" } } $('.js-work-strip[data-work-id=49815184]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":49815184,"title":"Naar een diachrone blik op de verdiensten van Nederlandstalige auteurs","translated_title":"","metadata":{"issue":"1","volume":"25","abstract":"This article argues that it is both important and viable to develop a diachronic perspective on the profits of literary authors in the Low Countries. Up to now, conceptual and theoretical boundaries between different subdisciplines within Dutch literary studies have resulted in a compartmentalized, fragmentary narrative of the economic, social and symbolic profits of literary authors throughout the centuries. On the basis of a survey of the theoretical frameworks dominant in the subdisciplines of medieval, early modern and modern Dutch literature, we highlight the opportunities and difficulties for a diachronic perspective on financial advancement, focusing both on practice and discourse. In addition, we propose a schematic model that tries to overcome the difficulties and enables us to profit from the opportunities. This proposal allows for a sharper focus on both the practice of and discourse on literary authors’ economic gain from a diachronic perspective.","publisher":"Amsterdam University Press","page_numbers":"7-26","publication_date":{"day":null,"month":null,"year":2020,"errors":{}},"publication_name":"Nederlandse Letterkunde"},"translated_abstract":"This article argues that it is both important and viable to develop a diachronic perspective on the profits of literary authors in the Low Countries. Up to now, conceptual and theoretical boundaries between different subdisciplines within Dutch literary studies have resulted in a compartmentalized, fragmentary narrative of the economic, social and symbolic profits of literary authors throughout the centuries. On the basis of a survey of the theoretical frameworks dominant in the subdisciplines of medieval, early modern and modern Dutch literature, we highlight the opportunities and difficulties for a diachronic perspective on financial advancement, focusing both on practice and discourse. In addition, we propose a schematic model that tries to overcome the difficulties and enables us to profit from the opportunities. This proposal allows for a sharper focus on both the practice of and discourse on literary authors’ economic gain from a diachronic perspective.","internal_url":"https://www.academia.edu/49815184/Naar_een_diachrone_blik_op_de_verdiensten_van_Nederlandstalige_auteurs","translated_internal_url":"","created_at":"2021-07-12T10:56:12.537-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":8019629,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[{"id":37666501,"work_id":49815184,"tagging_user_id":8019629,"tagged_user_id":228031883,"co_author_invite_id":7343711,"email":"n***k@uu.nl","display_order":1,"name":"Nina Geerdink","title":"Naar een diachrone blik op de verdiensten van Nederlandstalige auteurs"},{"id":37683095,"work_id":49815184,"tagging_user_id":8019629,"tagged_user_id":171880367,"co_author_invite_id":null,"email":"h***r@uu.nl","affiliation":"Utrecht University","display_order":2,"name":"Helleke van den Braber","title":"Naar een diachrone blik op de verdiensten van Nederlandstalige auteurs"},{"id":38028977,"work_id":49815184,"tagging_user_id":8019629,"tagged_user_id":12741005,"co_author_invite_id":null,"email":"r***k@uantwerpen.be","affiliation":"University of Antwerp","display_order":3,"name":"Remco Sleiderink","title":"Naar een diachrone blik op de verdiensten van Nederlandstalige auteurs"}],"downloadable_attachments":[{"id":84043707,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/84043707/thumbnails/1.jpg","file_name":"Diachrone_blik_NL_2020.pdf","download_url":"https://www.academia.edu/attachments/84043707/download_file","bulk_download_file_name":"Naar_een_diachrone_blik_op_de_verdienste.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/84043707/Diachrone_blik_NL_2020-libre.pdf?1649833460=\u0026response-content-disposition=attachment%3B+filename%3DNaar_een_diachrone_blik_op_de_verdienste.pdf\u0026Expires=1742297836\u0026Signature=fKgX0ccYAmxBrkohOEEjkiRZwNNdNNzFTatXNg9XbfBRtDBb1GZr3nX6lMaVS8bmegjAWNtw9jQftohxGyTHoBg6YV9wrShw9lX~CVPWhiyLC4eXqlAV5SP3zwBccTllwxoPjYTDNxY7JPN4T8Wv7J8DdHJDOk-0MvyZ8F6R3UTrOsNP0t31Kf1Q13yTKpJshlUdDiPwqSN6uZj6PFJU6oYbkAEQIT9w5CPC-cQPLjEn~0J1Thnn5oPavwi-a2koA61AZB4PGLSOE3SPm0~dr171RiJO~WtGVgnewQ6oDE-qm7GuNanYCNTrthlDxebyr09iOcCKF7H6zj6X6EqemA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Naar_een_diachrone_blik_op_de_verdiensten_van_Nederlandstalige_auteurs","translated_slug":"","page_count":20,"language":"nl","content_type":"Work","summary":"This article argues that it is both important and viable to develop a diachronic perspective on the profits of literary authors in the Low Countries. Up to now, conceptual and theoretical boundaries between different subdisciplines within Dutch literary studies have resulted in a compartmentalized, fragmentary narrative of the economic, social and symbolic profits of literary authors throughout the centuries. On the basis of a survey of the theoretical frameworks dominant in the subdisciplines of medieval, early modern and modern Dutch literature, we highlight the opportunities and difficulties for a diachronic perspective on financial advancement, focusing both on practice and discourse. In addition, we propose a schematic model that tries to overcome the difficulties and enables us to profit from the opportunities. This proposal allows for a sharper focus on both the practice of and discourse on literary authors’ economic gain from a diachronic perspective.","owner":{"id":8019629,"first_name":"Laurens","middle_initials":null,"last_name":"Ham","page_name":"LaurensHam","domain_name":"uu","created_at":"2014-01-04T23:17:39.380-08:00","display_name":"Laurens Ham","url":"https://uu.academia.edu/LaurensHam"},"attachments":[{"id":84043707,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/84043707/thumbnails/1.jpg","file_name":"Diachrone_blik_NL_2020.pdf","download_url":"https://www.academia.edu/attachments/84043707/download_file","bulk_download_file_name":"Naar_een_diachrone_blik_op_de_verdienste.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/84043707/Diachrone_blik_NL_2020-libre.pdf?1649833460=\u0026response-content-disposition=attachment%3B+filename%3DNaar_een_diachrone_blik_op_de_verdienste.pdf\u0026Expires=1742297836\u0026Signature=fKgX0ccYAmxBrkohOEEjkiRZwNNdNNzFTatXNg9XbfBRtDBb1GZr3nX6lMaVS8bmegjAWNtw9jQftohxGyTHoBg6YV9wrShw9lX~CVPWhiyLC4eXqlAV5SP3zwBccTllwxoPjYTDNxY7JPN4T8Wv7J8DdHJDOk-0MvyZ8F6R3UTrOsNP0t31Kf1Q13yTKpJshlUdDiPwqSN6uZj6PFJU6oYbkAEQIT9w5CPC-cQPLjEn~0J1Thnn5oPavwi-a2koA61AZB4PGLSOE3SPm0~dr171RiJO~WtGVgnewQ6oDE-qm7GuNanYCNTrthlDxebyr09iOcCKF7H6zj6X6EqemA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":20487,"name":"Literary History","url":"https://www.academia.edu/Documents/in/Literary_History"},{"id":25988,"name":"Dutch Literature","url":"https://www.academia.edu/Documents/in/Dutch_Literature"},{"id":51203,"name":"Modern Dutch Literature","url":"https://www.academia.edu/Documents/in/Modern_Dutch_Literature"},{"id":396534,"name":"Literary Sociology","url":"https://www.academia.edu/Documents/in/Literary_Sociology"},{"id":1114892,"name":"Late Medieval \u0026 Early Modern Dutch Literature","url":"https://www.academia.edu/Documents/in/Late_Medieval_and_Early_Modern_Dutch_Literature"}],"urls":[{"id":19426171,"url":"https://www.aup-online.com/content/journals/10.5117/NEDLET2020.1.002.SLEI"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="44090378"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/44090378/Echte_schrijvers_zijn_niet_te_koop_Praktijk_en_beeldvorming_van_het_economisch_profijt_van_de_literaire_auteur_door_de_eeuwen_heen"><img alt="Research paper thumbnail of Echte schrijvers zijn niet te koop. Praktĳk en beeldvorming van het economisch profijt van de literaire auteur door de eeuwen heen" class="work-thumbnail" src="https://attachments.academia-assets.com/64436733/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/44090378/Echte_schrijvers_zijn_niet_te_koop_Praktijk_en_beeldvorming_van_het_economisch_profijt_van_de_literaire_auteur_door_de_eeuwen_heen">Echte schrijvers zijn niet te koop. Praktĳk en beeldvorming van het economisch profijt van de literaire auteur door de eeuwen heen</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://uu.academia.edu/LaurensHam">Laurens Ham</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://uu.academia.edu/HellekevandenBraber">Helleke van den Braber</a></span></div><div class="wp-workCard_item"><span>Nederlandse Letterkunde</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">A grand narrative of Dutch literary authors' opportunities to economically profit from their writ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">A grand narrative of Dutch literary authors' opportunities to economically profit from their writing is yet to be written. The general assumption, however, is that these opportunities developed teleologically from a dominant system of patronage during medieval and early modern times, in which financial gains were marginal and in which author's independence of their supporters was constrained, to a system in which the commercial book market was dominant and where authors could be more self-supporting and thus more independent of supporters. This article argues that there is no such teleology. On the contrary: on the basis of an exploration of both practice and discourse of literary authors' profits from the Middle Ages to the present, we conclude that in every period, it was possible for authors to profit from their writing through either patronage, market or governmental support , and often through a combination of these sources. Moreover, in every period varying types of independence of literary authors was valued highly. Our analysis of the discourse on profits shows that the continuous tendency to disguise financial advancement could be related to the importance of authorial independence throughout the ages.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="1a7e29ed8a8b8a5ca38da2fbf61b5b3e" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":64436733,"asset_id":44090378,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/64436733/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="44090378"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="44090378"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44090378; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=44090378]").text(description); $(".js-view-count[data-work-id=44090378]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 44090378; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='44090378']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "1a7e29ed8a8b8a5ca38da2fbf61b5b3e" } } $('.js-work-strip[data-work-id=44090378]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":44090378,"title":"Echte schrijvers zijn niet te koop. Praktĳk en beeldvorming van het economisch profijt van de literaire auteur door de eeuwen heen","translated_title":"","metadata":{"abstract":"A grand narrative of Dutch literary authors' opportunities to economically profit from their writing is yet to be written. The general assumption, however, is that these opportunities developed teleologically from a dominant system of patronage during medieval and early modern times, in which financial gains were marginal and in which author's independence of their supporters was constrained, to a system in which the commercial book market was dominant and where authors could be more self-supporting and thus more independent of supporters. This article argues that there is no such teleology. On the contrary: on the basis of an exploration of both practice and discourse of literary authors' profits from the Middle Ages to the present, we conclude that in every period, it was possible for authors to profit from their writing through either patronage, market or governmental support , and often through a combination of these sources. Moreover, in every period varying types of independence of literary authors was valued highly. Our analysis of the discourse on profits shows that the continuous tendency to disguise financial advancement could be related to the importance of authorial independence throughout the ages.","publication_date":{"day":null,"month":null,"year":2020,"errors":{}},"publication_name":"Nederlandse Letterkunde"},"translated_abstract":"A grand narrative of Dutch literary authors' opportunities to economically profit from their writing is yet to be written. The general assumption, however, is that these opportunities developed teleologically from a dominant system of patronage during medieval and early modern times, in which financial gains were marginal and in which author's independence of their supporters was constrained, to a system in which the commercial book market was dominant and where authors could be more self-supporting and thus more independent of supporters. This article argues that there is no such teleology. On the contrary: on the basis of an exploration of both practice and discourse of literary authors' profits from the Middle Ages to the present, we conclude that in every period, it was possible for authors to profit from their writing through either patronage, market or governmental support , and often through a combination of these sources. Moreover, in every period varying types of independence of literary authors was valued highly. Our analysis of the discourse on profits shows that the continuous tendency to disguise financial advancement could be related to the importance of authorial independence throughout the ages.","internal_url":"https://www.academia.edu/44090378/Echte_schrijvers_zijn_niet_te_koop_Praktijk_en_beeldvorming_van_het_economisch_profijt_van_de_literaire_auteur_door_de_eeuwen_heen","translated_internal_url":"","created_at":"2020-09-15T01:53:39.011-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":8019629,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[{"id":35717840,"work_id":44090378,"tagging_user_id":8019629,"tagged_user_id":171880367,"co_author_invite_id":7107626,"email":"h***r@uu.nl","affiliation":"Utrecht University","display_order":2,"name":"Helleke van den Braber","title":"Echte schrijvers zijn niet te koop. Praktĳk en beeldvorming van het economisch profijt van de literaire auteur door de eeuwen heen"},{"id":35717841,"work_id":44090378,"tagging_user_id":8019629,"tagged_user_id":null,"co_author_invite_id":7107627,"email":"p***x@tilburguniversity.edu","display_order":3,"name":"Sander Bax","title":"Echte schrijvers zijn niet te koop. Praktĳk en beeldvorming van het economisch profijt van de literaire auteur door de eeuwen heen"},{"id":35717842,"work_id":44090378,"tagging_user_id":8019629,"tagged_user_id":2304903,"co_author_invite_id":null,"email":"j***n@me.com","affiliation":"Radboud University Nijmegen","display_order":4,"name":"Johan Oosterman","title":"Echte schrijvers zijn niet te koop. Praktĳk en beeldvorming van het economisch profijt van de literaire auteur door de eeuwen heen"},{"id":35729777,"work_id":44090378,"tagging_user_id":8019629,"tagged_user_id":null,"co_author_invite_id":7109599,"email":"p***x@uvt.nl","display_order":4194306,"name":"P. Bax","title":"Echte schrijvers zijn niet te koop. Praktĳk en beeldvorming van het economisch profijt van de literaire auteur door de eeuwen heen"},{"id":41201523,"work_id":44090378,"tagging_user_id":171880367,"tagged_user_id":228031883,"co_author_invite_id":null,"email":"n***k@uu.nl","display_order":1075838977,"name":"Nina Geerdink","title":"Echte schrijvers zijn niet te koop. Praktĳk en beeldvorming van het economisch profijt van de literaire auteur door de eeuwen heen"}],"downloadable_attachments":[{"id":64436733,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/64436733/thumbnails/1.jpg","file_name":"echte_schrijvers_zijn_niet_te_koop.pdf","download_url":"https://www.academia.edu/attachments/64436733/download_file","bulk_download_file_name":"Echte_schrijvers_zijn_niet_te_koop_Prakt.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/64436733/echte_schrijvers_zijn_niet_te_koop-libre.pdf?1600160710=\u0026response-content-disposition=attachment%3B+filename%3DEchte_schrijvers_zijn_niet_te_koop_Prakt.pdf\u0026Expires=1742297836\u0026Signature=ZZZsyopQaoikkhHEBSQNvcVf7tVAZfUKX4-C4VTS-b4CzkflrO7zPHBxo0Jy2eGYcs1XMq5XTDWYmHJ~JsvmL9x9f-HPj8HovpY7e4P3vqNN8zz3okdBNyWfTqfNJhAVfLvgLA1Upbg4R5oY72T7pv-NlInvI1f0s2zzWO3ec466ciUJ63JMYtWH4SWemtjO08FYkG9zOUJcyuZYYXFNMvpTblIKLpc9OeShqYodHjEd8D6Sr6qRmfmuidgr4O~584oSdNPUFeSPjfXaV-DKCGM5oTgi3MkCMONpduMgUbpV0djJ733x31sWhOYXK3bqtCzhltmChlk7ZcXm5tUnNw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Echte_schrijvers_zijn_niet_te_koop_Praktijk_en_beeldvorming_van_het_economisch_profijt_van_de_literaire_auteur_door_de_eeuwen_heen","translated_slug":"","page_count":36,"language":"nl","content_type":"Work","summary":"A grand narrative of Dutch literary authors' opportunities to economically profit from their writing is yet to be written. The general assumption, however, is that these opportunities developed teleologically from a dominant system of patronage during medieval and early modern times, in which financial gains were marginal and in which author's independence of their supporters was constrained, to a system in which the commercial book market was dominant and where authors could be more self-supporting and thus more independent of supporters. This article argues that there is no such teleology. On the contrary: on the basis of an exploration of both practice and discourse of literary authors' profits from the Middle Ages to the present, we conclude that in every period, it was possible for authors to profit from their writing through either patronage, market or governmental support , and often through a combination of these sources. Moreover, in every period varying types of independence of literary authors was valued highly. Our analysis of the discourse on profits shows that the continuous tendency to disguise financial advancement could be related to the importance of authorial independence throughout the ages.","owner":{"id":8019629,"first_name":"Laurens","middle_initials":null,"last_name":"Ham","page_name":"LaurensHam","domain_name":"uu","created_at":"2014-01-04T23:17:39.380-08:00","display_name":"Laurens Ham","url":"https://uu.academia.edu/LaurensHam"},"attachments":[{"id":64436733,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/64436733/thumbnails/1.jpg","file_name":"echte_schrijvers_zijn_niet_te_koop.pdf","download_url":"https://www.academia.edu/attachments/64436733/download_file","bulk_download_file_name":"Echte_schrijvers_zijn_niet_te_koop_Prakt.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/64436733/echte_schrijvers_zijn_niet_te_koop-libre.pdf?1600160710=\u0026response-content-disposition=attachment%3B+filename%3DEchte_schrijvers_zijn_niet_te_koop_Prakt.pdf\u0026Expires=1742297836\u0026Signature=ZZZsyopQaoikkhHEBSQNvcVf7tVAZfUKX4-C4VTS-b4CzkflrO7zPHBxo0Jy2eGYcs1XMq5XTDWYmHJ~JsvmL9x9f-HPj8HovpY7e4P3vqNN8zz3okdBNyWfTqfNJhAVfLvgLA1Upbg4R5oY72T7pv-NlInvI1f0s2zzWO3ec466ciUJ63JMYtWH4SWemtjO08FYkG9zOUJcyuZYYXFNMvpTblIKLpc9OeShqYodHjEd8D6Sr6qRmfmuidgr4O~584oSdNPUFeSPjfXaV-DKCGM5oTgi3MkCMONpduMgUbpV0djJ733x31sWhOYXK3bqtCzhltmChlk7ZcXm5tUnNw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":1125,"name":"Cultural Policy","url":"https://www.academia.edu/Documents/in/Cultural_Policy"},{"id":2340,"name":"Book History","url":"https://www.academia.edu/Documents/in/Book_History"},{"id":2811,"name":"History of the Book","url":"https://www.academia.edu/Documents/in/History_of_the_Book"},{"id":14614,"name":"Sociology of Literature","url":"https://www.academia.edu/Documents/in/Sociology_of_Literature"},{"id":29883,"name":"Authorship","url":"https://www.academia.edu/Documents/in/Authorship"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="42742333"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/42742333/Niet_produceren_en_niet_concurreren_maar_lachen_spelen_lachen_Een_voorstel_voor_een_ecologische_po%C3%ABzieanalyse_van_Sybren_Polet"><img alt="Research paper thumbnail of Niet produceren en niet concurreren, maar lachen, spelen, lachen. Een voorstel voor een ecologische poëzieanalyse van Sybren Polet" class="work-thumbnail" src="https://attachments.academia-assets.com/62960962/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/42742333/Niet_produceren_en_niet_concurreren_maar_lachen_spelen_lachen_Een_voorstel_voor_een_ecologische_po%C3%ABzieanalyse_van_Sybren_Polet">Niet produceren en niet concurreren, maar lachen, spelen, lachen. Een voorstel voor een ecologische poëzieanalyse van Sybren Polet</a></div><div class="wp-workCard_item"><span>Spiegel der Letteren</span><span>, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Signalling a need for new poetry interpretation models in Dutch literary scholarship , we propose...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Signalling a need for new poetry interpretation models in Dutch literary scholarship , we propose an ecological-that is to say, an inclusive, complex and relation-based-approach of poetry. More specifically, this article focuses on the section 'Illusie & illu-minatie' of Sybren Polet's (1925-2015) eponymous poetry collection Illusie & illuminatie (1975). With an emphasis on the writing process (genetic criticism) and the political agency of the poems, the article interprets poetry as an active force in the world. Our close reading demonstrates the symbiosis of form and content in Polet's poetry, his striving for openness, the creative tension between changeability, utopia and human action in the poems, and Polet's poetic criticism of local policy.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="812f45658be872094f2fecd96ae39844" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":62960962,"asset_id":42742333,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/62960962/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="42742333"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="42742333"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 42742333; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=42742333]").text(description); $(".js-view-count[data-work-id=42742333]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 42742333; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='42742333']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "812f45658be872094f2fecd96ae39844" } } $('.js-work-strip[data-work-id=42742333]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":42742333,"title":"Niet produceren en niet concurreren, maar lachen, spelen, lachen. Een voorstel voor een ecologische poëzieanalyse van Sybren Polet","translated_title":"","metadata":{"abstract":"Signalling a need for new poetry interpretation models in Dutch literary scholarship , we propose an ecological-that is to say, an inclusive, complex and relation-based-approach of poetry. More specifically, this article focuses on the section 'Illusie \u0026 illu-minatie' of Sybren Polet's (1925-2015) eponymous poetry collection Illusie \u0026 illuminatie (1975). With an emphasis on the writing process (genetic criticism) and the political agency of the poems, the article interprets poetry as an active force in the world. Our close reading demonstrates the symbiosis of form and content in Polet's poetry, his striving for openness, the creative tension between changeability, utopia and human action in the poems, and Polet's poetic criticism of local policy. ","publication_date":{"day":null,"month":null,"year":2019,"errors":{}},"publication_name":"Spiegel der Letteren"},"translated_abstract":"Signalling a need for new poetry interpretation models in Dutch literary scholarship , we propose an ecological-that is to say, an inclusive, complex and relation-based-approach of poetry. More specifically, this article focuses on the section 'Illusie \u0026 illu-minatie' of Sybren Polet's (1925-2015) eponymous poetry collection Illusie \u0026 illuminatie (1975). With an emphasis on the writing process (genetic criticism) and the political agency of the poems, the article interprets poetry as an active force in the world. Our close reading demonstrates the symbiosis of form and content in Polet's poetry, his striving for openness, the creative tension between changeability, utopia and human action in the poems, and Polet's poetic criticism of local policy. ","internal_url":"https://www.academia.edu/42742333/Niet_produceren_en_niet_concurreren_maar_lachen_spelen_lachen_Een_voorstel_voor_een_ecologische_po%C3%ABzieanalyse_van_Sybren_Polet","translated_internal_url":"","created_at":"2020-04-14T23:39:18.269-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":8019629,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[{"id":34248297,"work_id":42742333,"tagging_user_id":8019629,"tagged_user_id":null,"co_author_invite_id":7010904,"email":"e***r@students.uu.nl","display_order":1,"name":"Elice de Gier","title":"Niet produceren en niet concurreren, maar lachen, spelen, lachen. Een voorstel voor een ecologische poëzieanalyse van Sybren Polet"}],"downloadable_attachments":[{"id":62960962,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/62960962/thumbnails/1.jpg","file_name":"de_Gier_Ham20200414-103968-11b130u.pdf","download_url":"https://www.academia.edu/attachments/62960962/download_file","bulk_download_file_name":"Niet_produceren_en_niet_concurreren_maar.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/62960962/de_Gier_Ham20200414-103968-11b130u-libre.pdf?1586933633=\u0026response-content-disposition=attachment%3B+filename%3DNiet_produceren_en_niet_concurreren_maar.pdf\u0026Expires=1742297837\u0026Signature=gJ59KMwjIcoWSVO4wuTgcssM5vnrAesyex3clJ8TtL080lMWBOxTWYjoqHZXzngjGgCrwZy63-JlRdapJZdOkDd-SPJ86IyMoQ0xAd4sIICW1iZLEjhN6bhFJJXpJsD6goxWSTem~HK7Hd-RqLgVXjpXyOPpyawPSh-9PsQxcGwvPav5DH6Nlp2tZvbOec76F3d2Qjd3qqSZdBVzS9bjmO-jjFIkfyBduhQw8bdNSpLxLetbWDfQ-z8UMFrVPt9qzjw1IEaAwSvaB0t~UbWmU5fj7mGmfntkD57QptpP3BvwKz04tl-hfcB1~HX3uGKCbgS~qj-JDlSKhwbJ7GTj3g__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Niet_produceren_en_niet_concurreren_maar_lachen_spelen_lachen_Een_voorstel_voor_een_ecologische_poëzieanalyse_van_Sybren_Polet","translated_slug":"","page_count":32,"language":"nl","content_type":"Work","summary":"Signalling a need for new poetry interpretation models in Dutch literary scholarship , we propose an ecological-that is to say, an inclusive, complex and relation-based-approach of poetry. More specifically, this article focuses on the section 'Illusie \u0026 illu-minatie' of Sybren Polet's (1925-2015) eponymous poetry collection Illusie \u0026 illuminatie (1975). With an emphasis on the writing process (genetic criticism) and the political agency of the poems, the article interprets poetry as an active force in the world. Our close reading demonstrates the symbiosis of form and content in Polet's poetry, his striving for openness, the creative tension between changeability, utopia and human action in the poems, and Polet's poetic criticism of local policy. ","owner":{"id":8019629,"first_name":"Laurens","middle_initials":null,"last_name":"Ham","page_name":"LaurensHam","domain_name":"uu","created_at":"2014-01-04T23:17:39.380-08:00","display_name":"Laurens Ham","url":"https://uu.academia.edu/LaurensHam"},"attachments":[{"id":62960962,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/62960962/thumbnails/1.jpg","file_name":"de_Gier_Ham20200414-103968-11b130u.pdf","download_url":"https://www.academia.edu/attachments/62960962/download_file","bulk_download_file_name":"Niet_produceren_en_niet_concurreren_maar.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/62960962/de_Gier_Ham20200414-103968-11b130u-libre.pdf?1586933633=\u0026response-content-disposition=attachment%3B+filename%3DNiet_produceren_en_niet_concurreren_maar.pdf\u0026Expires=1742297837\u0026Signature=gJ59KMwjIcoWSVO4wuTgcssM5vnrAesyex3clJ8TtL080lMWBOxTWYjoqHZXzngjGgCrwZy63-JlRdapJZdOkDd-SPJ86IyMoQ0xAd4sIICW1iZLEjhN6bhFJJXpJsD6goxWSTem~HK7Hd-RqLgVXjpXyOPpyawPSh-9PsQxcGwvPav5DH6Nlp2tZvbOec76F3d2Qjd3qqSZdBVzS9bjmO-jjFIkfyBduhQw8bdNSpLxLetbWDfQ-z8UMFrVPt9qzjw1IEaAwSvaB0t~UbWmU5fj7mGmfntkD57QptpP3BvwKz04tl-hfcB1~HX3uGKCbgS~qj-JDlSKhwbJ7GTj3g__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":3581,"name":"Poetry","url":"https://www.academia.edu/Documents/in/Poetry"},{"id":16201,"name":"Ecocriticism","url":"https://www.academia.edu/Documents/in/Ecocriticism"},{"id":21325,"name":"Ecopoetics","url":"https://www.academia.edu/Documents/in/Ecopoetics"},{"id":323760,"name":"Ecopoetry \u0026 Poetics","url":"https://www.academia.edu/Documents/in/Ecopoetry_and_Poetics"},{"id":528592,"name":"Poetry Analysis","url":"https://www.academia.edu/Documents/in/Poetry_Analysis"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="42546367"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/42546367/Elke_tijd_vraagt_zijn_eigen_Max_Havelaar_Multatulis_debuutroman_in_de_eenentwintigste_eeuwse_jongerencultuur"><img alt="Research paper thumbnail of 'Elke tijd vraagt zijn eigen Max Havelaar'. Multatuli's debuutroman in de eenentwintigste-eeuwse jongerencultuur" class="work-thumbnail" src="https://attachments.academia-assets.com/62735449/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/42546367/Elke_tijd_vraagt_zijn_eigen_Max_Havelaar_Multatulis_debuutroman_in_de_eenentwintigste_eeuwse_jongerencultuur">'Elke tijd vraagt zijn eigen Max Havelaar'. Multatuli's debuutroman in de eenentwintigste-eeuwse jongerencultuur</a></div><div class="wp-workCard_item"><span>Indische letteren</span><span>, 2018</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Multatuli's debuutroman in de eenentwintigste-eeuwse populaire jongerencultuur rJ LAURENS HAM Mul...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Multatuli's debuutroman in de eenentwintigste-eeuwse populaire jongerencultuur rJ LAURENS HAM Multatuli had het niet op navolgers. Zijn werken staan bol van de tirades tegen kunstenaars die weinig anders doen dan beroemde voorgangers nabootsen en die daarmee zondigen tegen zijn gebod altijd 'oorspronkelyk' en 'natuurlyk' te zijn. In Idee 1266a verzucht hij: '[N]iemand -vader Cats en de plompste Kappelman niet uitgezonderd -gelykt zó weinig op Heine, als zy die, Heine navolgende, op Heine menen te gelyken. " In Duizend en eeni,ge hoofdstukken over specialiteiten (1871) introduceerde</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="26656a41ab69eba18c6928235074cd16" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":62735449,"asset_id":42546367,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/62735449/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="42546367"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="42546367"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 42546367; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=42546367]").text(description); $(".js-view-count[data-work-id=42546367]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 42546367; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='42546367']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "26656a41ab69eba18c6928235074cd16" } } $('.js-work-strip[data-work-id=42546367]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":42546367,"title":"'Elke tijd vraagt zijn eigen Max Havelaar'. Multatuli's debuutroman in de eenentwintigste-eeuwse jongerencultuur","translated_title":"","metadata":{"grobid_abstract":"Multatuli's debuutroman in de eenentwintigste-eeuwse populaire jongerencultuur rJ LAURENS HAM Multatuli had het niet op navolgers. Zijn werken staan bol van de tirades tegen kunstenaars die weinig anders doen dan beroemde voorgangers nabootsen en die daarmee zondigen tegen zijn gebod altijd 'oorspronkelyk' en 'natuurlyk' te zijn. In Idee 1266a verzucht hij: '[N]iemand -vader Cats en de plompste Kappelman niet uitgezonderd -gelykt zó weinig op Heine, als zy die, Heine navolgende, op Heine menen te gelyken. \" In Duizend en eeni,ge hoofdstukken over specialiteiten (1871) introduceerde","publication_date":{"day":null,"month":null,"year":2018,"errors":{}},"publication_name":"Indische letteren","grobid_abstract_attachment_id":62735449},"translated_abstract":null,"internal_url":"https://www.academia.edu/42546367/Elke_tijd_vraagt_zijn_eigen_Max_Havelaar_Multatulis_debuutroman_in_de_eenentwintigste_eeuwse_jongerencultuur","translated_internal_url":"","created_at":"2020-04-02T06:34:12.252-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":8019629,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":62735449,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/62735449/thumbnails/1.jpg","file_name":"Ham_Debuutroman_4023108220200402-95982-141uxvw.pdf","download_url":"https://www.academia.edu/attachments/62735449/download_file","bulk_download_file_name":"Elke_tijd_vraagt_zijn_eigen_Max_Havelaar.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/62735449/Ham_Debuutroman_4023108220200402-95982-141uxvw-libre.pdf?1585985331=\u0026response-content-disposition=attachment%3B+filename%3DElke_tijd_vraagt_zijn_eigen_Max_Havelaar.pdf\u0026Expires=1742297837\u0026Signature=cm~8iJDscsGdzWgd6FqXMPNN97ipBmILolVl9KZumSkZkQ16rcWU-0Ij5-hLqC-ZMg9XH2tH33Wp0h9tm6c6seSM6bagGA7TBps35-OTMR4oKZqy4FpDFWB~6l8kKlM14ipsjK-zhmLGMjrfvhTBvIh~JkEqnkmRw9KrXN2Wm3Sijj3QN7pNAganIuqzYSB2GapaWMpGGVXWw6j~jMz327yxsPLZR9j5mW0mKUzn-zOb83sWDNqStEpAuYI4AvxmIbBYB~p4KkbIYt1i~9ZRBw8dgIlDPLoFHjfSAg32TNRdHaNd4tmrC3LMgcR4XFVjrZ5BLm~pNxy6R-Dy5gCJoA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Elke_tijd_vraagt_zijn_eigen_Max_Havelaar_Multatulis_debuutroman_in_de_eenentwintigste_eeuwse_jongerencultuur","translated_slug":"","page_count":15,"language":"nl","content_type":"Work","summary":"Multatuli's debuutroman in de eenentwintigste-eeuwse populaire jongerencultuur rJ LAURENS HAM Multatuli had het niet op navolgers. Zijn werken staan bol van de tirades tegen kunstenaars die weinig anders doen dan beroemde voorgangers nabootsen en die daarmee zondigen tegen zijn gebod altijd 'oorspronkelyk' en 'natuurlyk' te zijn. In Idee 1266a verzucht hij: '[N]iemand -vader Cats en de plompste Kappelman niet uitgezonderd -gelykt zó weinig op Heine, als zy die, Heine navolgende, op Heine menen te gelyken. \" In Duizend en eeni,ge hoofdstukken over specialiteiten (1871) introduceerde","owner":{"id":8019629,"first_name":"Laurens","middle_initials":null,"last_name":"Ham","page_name":"LaurensHam","domain_name":"uu","created_at":"2014-01-04T23:17:39.380-08:00","display_name":"Laurens Ham","url":"https://uu.academia.edu/LaurensHam"},"attachments":[{"id":62735449,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/62735449/thumbnails/1.jpg","file_name":"Ham_Debuutroman_4023108220200402-95982-141uxvw.pdf","download_url":"https://www.academia.edu/attachments/62735449/download_file","bulk_download_file_name":"Elke_tijd_vraagt_zijn_eigen_Max_Havelaar.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/62735449/Ham_Debuutroman_4023108220200402-95982-141uxvw-libre.pdf?1585985331=\u0026response-content-disposition=attachment%3B+filename%3DElke_tijd_vraagt_zijn_eigen_Max_Havelaar.pdf\u0026Expires=1742297837\u0026Signature=cm~8iJDscsGdzWgd6FqXMPNN97ipBmILolVl9KZumSkZkQ16rcWU-0Ij5-hLqC-ZMg9XH2tH33Wp0h9tm6c6seSM6bagGA7TBps35-OTMR4oKZqy4FpDFWB~6l8kKlM14ipsjK-zhmLGMjrfvhTBvIh~JkEqnkmRw9KrXN2Wm3Sijj3QN7pNAganIuqzYSB2GapaWMpGGVXWw6j~jMz327yxsPLZR9j5mW0mKUzn-zOb83sWDNqStEpAuYI4AvxmIbBYB~p4KkbIYt1i~9ZRBw8dgIlDPLoFHjfSAg32TNRdHaNd4tmrC3LMgcR4XFVjrZ5BLm~pNxy6R-Dy5gCJoA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":2858,"name":"Popular Culture","url":"https://www.academia.edu/Documents/in/Popular_Culture"},{"id":8002,"name":"Youth Culture","url":"https://www.academia.edu/Documents/in/Youth_Culture"},{"id":51203,"name":"Modern Dutch Literature","url":"https://www.academia.edu/Documents/in/Modern_Dutch_Literature"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="38588539"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/38588539/Zijn_romans_en_kranten_sinds_1950_eenvoudiger_geworden"><img alt="Research paper thumbnail of Zijn romans en kranten sinds 1950 eenvoudiger geworden?" class="work-thumbnail" src="https://attachments.academia-assets.com/58662466/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/38588539/Zijn_romans_en_kranten_sinds_1950_eenvoudiger_geworden">Zijn romans en kranten sinds 1950 eenvoudiger geworden?</a></div><div class="wp-workCard_item"><span>Tijdschrift voor Nederlandse taal- en letterkunde</span><span>, 2018</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Did the language of Dutch novels and newspaper articles become less complex between the 1950s and...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Did the language of Dutch novels and newspaper articles become less<br />complex between the 1950s and the 2010s? Based on a corpus of 60 novels, published in three different decades, and 200 newspaper articles, published in two decades, an analysis of stylistic phenomena was conducted, using T-scan, a tool for automatic analysis of Dutch language. The analysis focused on four aspects of complexity: word and sentence complexity, cohesion and personalisation. This analysis showed that while the language of the newspaper articles did change on all levels between 1950 and 2000, the language of the novels did not change substantially. The language of the news articles is more complex than the language of the novels, across different decades. A further analysis of stylistic phenomena in novels revealed some interesting relations between language and content.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="7ac776fa40be02b5af04f6d1ecb9b82b" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":58662466,"asset_id":38588539,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/58662466/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="38588539"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="38588539"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 38588539; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=38588539]").text(description); $(".js-view-count[data-work-id=38588539]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 38588539; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='38588539']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "7ac776fa40be02b5af04f6d1ecb9b82b" } } $('.js-work-strip[data-work-id=38588539]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":38588539,"title":"Zijn romans en kranten sinds 1950 eenvoudiger geworden?","translated_title":"","metadata":{"abstract":"Did the language of Dutch novels and newspaper articles become less\ncomplex between the 1950s and the 2010s? Based on a corpus of 60 novels, published in three different decades, and 200 newspaper articles, published in two decades, an analysis of stylistic phenomena was conducted, using T-scan, a tool for automatic analysis of Dutch language. The analysis focused on four aspects of complexity: word and sentence complexity, cohesion and personalisation. This analysis showed that while the language of the newspaper articles did change on all levels between 1950 and 2000, the language of the novels did not change substantially. The language of the news articles is more complex than the language of the novels, across different decades. A further analysis of stylistic phenomena in novels revealed some interesting relations between language and content.","publication_date":{"day":null,"month":null,"year":2018,"errors":{}},"publication_name":"Tijdschrift voor Nederlandse taal- en letterkunde"},"translated_abstract":"Did the language of Dutch novels and newspaper articles become less\ncomplex between the 1950s and the 2010s? Based on a corpus of 60 novels, published in three different decades, and 200 newspaper articles, published in two decades, an analysis of stylistic phenomena was conducted, using T-scan, a tool for automatic analysis of Dutch language. The analysis focused on four aspects of complexity: word and sentence complexity, cohesion and personalisation. This analysis showed that while the language of the newspaper articles did change on all levels between 1950 and 2000, the language of the novels did not change substantially. The language of the news articles is more complex than the language of the novels, across different decades. A further analysis of stylistic phenomena in novels revealed some interesting relations between language and content.","internal_url":"https://www.academia.edu/38588539/Zijn_romans_en_kranten_sinds_1950_eenvoudiger_geworden","translated_internal_url":"","created_at":"2019-03-20T03:38:46.128-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":8019629,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[{"id":32339462,"work_id":38588539,"tagging_user_id":8019629,"tagged_user_id":1489649,"co_author_invite_id":null,"email":"f***k@uu.nl","affiliation":"Utrecht University","display_order":1,"name":"Fabian R W Stolk","title":"Zijn romans en kranten sinds 1950 eenvoudiger geworden?"},{"id":32339463,"work_id":38588539,"tagging_user_id":8019629,"tagged_user_id":32419303,"co_author_invite_id":null,"email":"l***z@let.uu.nl","affiliation":"Utrecht University","display_order":2,"name":"Leo Lentz","title":"Zijn romans en kranten sinds 1950 eenvoudiger geworden?"},{"id":32339464,"work_id":38588539,"tagging_user_id":8019629,"tagged_user_id":62604223,"co_author_invite_id":null,"email":"h***r@gmail.com","display_order":3,"name":"Henk Pander Maat","title":"Zijn romans en kranten sinds 1950 eenvoudiger geworden?"}],"downloadable_attachments":[{"id":58662466,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/58662466/thumbnails/1.jpg","file_name":"nw_Ham_ea_TNTL20184.pdf","download_url":"https://www.academia.edu/attachments/58662466/download_file","bulk_download_file_name":"Zijn_romans_en_kranten_sinds_1950_eenvou.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/58662466/nw_Ham_ea_TNTL20184-libre.pdf?1553090541=\u0026response-content-disposition=attachment%3B+filename%3DZijn_romans_en_kranten_sinds_1950_eenvou.pdf\u0026Expires=1742297837\u0026Signature=OpuaPdiZpW4fUU~5FHQ2ZdO~kW712KSg9ybHexrTsdpUqaDJSBu9ge9cgOwsAEdgj6vkfd9b3Ik1kvcX66QjF1QuIcMbL0mabX9qodpe4VDU3Mbwy2nSZyDSz0mGtxoPgb0zR-FtN3f0moUcUah52UVi5CAZn3K0fBX2mLhk4dTa2jB~ZfVM4Y3SFMwkAxwxHKAv7~7TazTZMN-ixCTzJa~pZjrXbnxe8otFee~Nk7xxK~ewoDTinRa5Yk~EAcEHgs5pEsEJmLRtAc~VX8qJjnaLdj5oTpfqPUG8OcrpYOrRwYYHEB1HvVfCHok06nfbcdmh1qcd9ZhNEexsYv64Xg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Zijn_romans_en_kranten_sinds_1950_eenvoudiger_geworden","translated_slug":"","page_count":26,"language":"nl","content_type":"Work","summary":"Did the language of Dutch novels and newspaper articles become less\ncomplex between the 1950s and the 2010s? Based on a corpus of 60 novels, published in three different decades, and 200 newspaper articles, published in two decades, an analysis of stylistic phenomena was conducted, using T-scan, a tool for automatic analysis of Dutch language. The analysis focused on four aspects of complexity: word and sentence complexity, cohesion and personalisation. This analysis showed that while the language of the newspaper articles did change on all levels between 1950 and 2000, the language of the novels did not change substantially. The language of the news articles is more complex than the language of the novels, across different decades. A further analysis of stylistic phenomena in novels revealed some interesting relations between language and content.","owner":{"id":8019629,"first_name":"Laurens","middle_initials":null,"last_name":"Ham","page_name":"LaurensHam","domain_name":"uu","created_at":"2014-01-04T23:17:39.380-08:00","display_name":"Laurens Ham","url":"https://uu.academia.edu/LaurensHam"},"attachments":[{"id":58662466,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/58662466/thumbnails/1.jpg","file_name":"nw_Ham_ea_TNTL20184.pdf","download_url":"https://www.academia.edu/attachments/58662466/download_file","bulk_download_file_name":"Zijn_romans_en_kranten_sinds_1950_eenvou.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/58662466/nw_Ham_ea_TNTL20184-libre.pdf?1553090541=\u0026response-content-disposition=attachment%3B+filename%3DZijn_romans_en_kranten_sinds_1950_eenvou.pdf\u0026Expires=1742297837\u0026Signature=OpuaPdiZpW4fUU~5FHQ2ZdO~kW712KSg9ybHexrTsdpUqaDJSBu9ge9cgOwsAEdgj6vkfd9b3Ik1kvcX66QjF1QuIcMbL0mabX9qodpe4VDU3Mbwy2nSZyDSz0mGtxoPgb0zR-FtN3f0moUcUah52UVi5CAZn3K0fBX2mLhk4dTa2jB~ZfVM4Y3SFMwkAxwxHKAv7~7TazTZMN-ixCTzJa~pZjrXbnxe8otFee~Nk7xxK~ewoDTinRa5Yk~EAcEHgs5pEsEJmLRtAc~VX8qJjnaLdj5oTpfqPUG8OcrpYOrRwYYHEB1HvVfCHok06nfbcdmh1qcd9ZhNEexsYv64Xg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":1197,"name":"Digital Humanities","url":"https://www.academia.edu/Documents/in/Digital_Humanities"},{"id":2418,"name":"Literature","url":"https://www.academia.edu/Documents/in/Literature"},{"id":3905,"name":"Stylistics","url":"https://www.academia.edu/Documents/in/Stylistics"},{"id":3906,"name":"Literary Stylistics","url":"https://www.academia.edu/Documents/in/Literary_Stylistics"},{"id":15674,"name":"Linguistics","url":"https://www.academia.edu/Documents/in/Linguistics"},{"id":25988,"name":"Dutch Literature","url":"https://www.academia.edu/Documents/in/Dutch_Literature"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="42648641"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/42648641/Melancholicus_in_een_ontheiligde_wereld_Tempel_2013_van_Mustafa_Stitou"><img alt="Research paper thumbnail of Melancholicus in een ontheiligde wereld. Tempel (2013) van Mustafa Stitou" class="work-thumbnail" src="https://attachments.academia-assets.com/62854838/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/42648641/Melancholicus_in_een_ontheiligde_wereld_Tempel_2013_van_Mustafa_Stitou">Melancholicus in een ontheiligde wereld. Tempel (2013) van Mustafa Stitou</a></div><div class="wp-workCard_item"><span>Bundels van het nieuwe millennium. Nederlandse en Vlaamse poëzie in de 21e eeuw</span><span>, 2018</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">In een interview in Trouw (1 maart 2014) noemde Mustafa Stitou twee bronnen voor zijn poëzieliefd...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In een interview in Trouw (1 maart 2014) noemde Mustafa Stitou twee bronnen voor zijn poëzieliefde. In de eerste plaats was dat de Koran, in de tweede plaats poëziebundels die hij als scholier 'lukraak' uit de 'bibliotheek in het winkelcentrum van Lelystad' haalde (Drayer 2014). Verder kunnen twee inspiratiebronnen niet van elkaar verwijderd zijn. Aan de ene kant werd Stitou blijkbaar gevoed door een eeuwenoude religieuze tekst en de daarmee verbonden traditie, aan de andere kant las hij hedendaagse dichters in een stad, die op nieuw land gebouwd werd als symbool van de moderniteit. Stitou (1974) groeide overigens in Lelystad op, waar zijn ouders naartoe geëmigreerd waren vanuit de Marokkaanse stad Tetouan. Traditie en moderniteit: het zijn de twee centrale thema's van Stitous vierde bundel Tempel (2013). Daarin beschrijft hij hoe 'authentieke', generaties lang overgeleverde fenomenen in de westerse wereld onder druk zijn komen te staan: religies zijn ontheiligd, volksgebruiken zijn vergeten geraakt en de respectvolle omgang met de natuur is omgeslagen in pragmatisme. Stitou betreurt het verlies van betekenis dat daardoor is opgetreden. Toch is Tempel zeker geen bundel met een conservatieve strekking: daarvoor is niet alleen de toon van de dichter te licht, maar ook ziet hij te goed in hoeveel vrijheid de inwoners van westerse landen hebben gewonnen met het deels achterlaten van hun tradities. Het is zeker niet de eerste keer dat Stitou over de ingewikkelde verhouding tussen traditie en moderniteit schrijft. In 2005 wezen Jos ]oosten en Thomas Vaessens in een artikel in Nederlandse Letterkunde al op de 'moderniteitskritiek' in het oeuvre, vooral in de bejubelde bundel Varkensroze ansichten (2003). Wel zijn deze thema's door Stitou niet eerder zó consistent uitgewerkt. Waar de drie voorgangers Mijn vormen (1994), Mijn gedichten (1998) en Varkensroze ansichten vormelijk en thematisch divers waren, kiest Stitou in Tempel minder voor het vormexperiment en komen in alle 27 gedichten dezelfde motieven 211</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="111c61d286b403c28979f995d1af2066" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":62854838,"asset_id":42648641,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/62854838/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="42648641"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="42648641"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 42648641; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=42648641]").text(description); $(".js-view-count[data-work-id=42648641]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 42648641; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='42648641']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "111c61d286b403c28979f995d1af2066" } } $('.js-work-strip[data-work-id=42648641]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":42648641,"title":"Melancholicus in een ontheiligde wereld. Tempel (2013) van Mustafa Stitou","translated_title":"","metadata":{"grobid_abstract":"In een interview in Trouw (1 maart 2014) noemde Mustafa Stitou twee bronnen voor zijn poëzieliefde. In de eerste plaats was dat de Koran, in de tweede plaats poëziebundels die hij als scholier 'lukraak' uit de 'bibliotheek in het winkelcentrum van Lelystad' haalde (Drayer 2014). Verder kunnen twee inspiratiebronnen niet van elkaar verwijderd zijn. Aan de ene kant werd Stitou blijkbaar gevoed door een eeuwenoude religieuze tekst en de daarmee verbonden traditie, aan de andere kant las hij hedendaagse dichters in een stad, die op nieuw land gebouwd werd als symbool van de moderniteit. Stitou (1974) groeide overigens in Lelystad op, waar zijn ouders naartoe geëmigreerd waren vanuit de Marokkaanse stad Tetouan. Traditie en moderniteit: het zijn de twee centrale thema's van Stitous vierde bundel Tempel (2013). Daarin beschrijft hij hoe 'authentieke', generaties lang overgeleverde fenomenen in de westerse wereld onder druk zijn komen te staan: religies zijn ontheiligd, volksgebruiken zijn vergeten geraakt en de respectvolle omgang met de natuur is omgeslagen in pragmatisme. Stitou betreurt het verlies van betekenis dat daardoor is opgetreden. Toch is Tempel zeker geen bundel met een conservatieve strekking: daarvoor is niet alleen de toon van de dichter te licht, maar ook ziet hij te goed in hoeveel vrijheid de inwoners van westerse landen hebben gewonnen met het deels achterlaten van hun tradities. Het is zeker niet de eerste keer dat Stitou over de ingewikkelde verhouding tussen traditie en moderniteit schrijft. In 2005 wezen Jos ]oosten en Thomas Vaessens in een artikel in Nederlandse Letterkunde al op de 'moderniteitskritiek' in het oeuvre, vooral in de bejubelde bundel Varkensroze ansichten (2003). Wel zijn deze thema's door Stitou niet eerder zó consistent uitgewerkt. Waar de drie voorgangers Mijn vormen (1994), Mijn gedichten (1998) en Varkensroze ansichten vormelijk en thematisch divers waren, kiest Stitou in Tempel minder voor het vormexperiment en komen in alle 27 gedichten dezelfde motieven 211","publication_date":{"day":null,"month":null,"year":2018,"errors":{}},"publication_name":"Bundels van het nieuwe millennium. Nederlandse en Vlaamse poëzie in de 21e eeuw","grobid_abstract_attachment_id":62854838},"translated_abstract":null,"internal_url":"https://www.academia.edu/42648641/Melancholicus_in_een_ontheiligde_wereld_Tempel_2013_van_Mustafa_Stitou","translated_internal_url":"","created_at":"2020-04-06T23:53:27.881-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":8019629,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":62854838,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/62854838/thumbnails/1.jpg","file_name":"Ham_Tempel_Stitou_4023098320200406-121851-1ntl5tb.pdf","download_url":"https://www.academia.edu/attachments/62854838/download_file","bulk_download_file_name":"Melancholicus_in_een_ontheiligde_wereld.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/62854838/Ham_Tempel_Stitou_4023098320200406-121851-1ntl5tb-libre.pdf?1586242913=\u0026response-content-disposition=attachment%3B+filename%3DMelancholicus_in_een_ontheiligde_wereld.pdf\u0026Expires=1742297837\u0026Signature=U~MGNu5aaDWCZDyUlKyKaxQFQVYOfQK1L0b~~sWh7bMxiwSjj7-wBdB7OeMueRe4U2I1eKNHi9tcbUse4oQTgarujRNydFeIwoL024vLhNBBx~YJsx1X93~91vv11B3JnB7QXRkeJInMgmbM~ee8nAn6ryC0153-y6QljVYZ8ra~gvE3ANGeR67WN4yDiaoQjn7Bm90kl6HVI8-tDMQ0JqtcW6~Sae6W~5K2NckR4GimxWIwFaDd0iSFYw6Ztu51TdshAyWiKWD9xXcMAvpvKhVAjb85axyYOLA9JQAjScmcipdK5GC2r5Of1s~UGVodjX6hWUta~oTD890BMxujwg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Melancholicus_in_een_ontheiligde_wereld_Tempel_2013_van_Mustafa_Stitou","translated_slug":"","page_count":9,"language":"nl","content_type":"Work","summary":"In een interview in Trouw (1 maart 2014) noemde Mustafa Stitou twee bronnen voor zijn poëzieliefde. In de eerste plaats was dat de Koran, in de tweede plaats poëziebundels die hij als scholier 'lukraak' uit de 'bibliotheek in het winkelcentrum van Lelystad' haalde (Drayer 2014). Verder kunnen twee inspiratiebronnen niet van elkaar verwijderd zijn. Aan de ene kant werd Stitou blijkbaar gevoed door een eeuwenoude religieuze tekst en de daarmee verbonden traditie, aan de andere kant las hij hedendaagse dichters in een stad, die op nieuw land gebouwd werd als symbool van de moderniteit. Stitou (1974) groeide overigens in Lelystad op, waar zijn ouders naartoe geëmigreerd waren vanuit de Marokkaanse stad Tetouan. Traditie en moderniteit: het zijn de twee centrale thema's van Stitous vierde bundel Tempel (2013). Daarin beschrijft hij hoe 'authentieke', generaties lang overgeleverde fenomenen in de westerse wereld onder druk zijn komen te staan: religies zijn ontheiligd, volksgebruiken zijn vergeten geraakt en de respectvolle omgang met de natuur is omgeslagen in pragmatisme. Stitou betreurt het verlies van betekenis dat daardoor is opgetreden. Toch is Tempel zeker geen bundel met een conservatieve strekking: daarvoor is niet alleen de toon van de dichter te licht, maar ook ziet hij te goed in hoeveel vrijheid de inwoners van westerse landen hebben gewonnen met het deels achterlaten van hun tradities. Het is zeker niet de eerste keer dat Stitou over de ingewikkelde verhouding tussen traditie en moderniteit schrijft. In 2005 wezen Jos ]oosten en Thomas Vaessens in een artikel in Nederlandse Letterkunde al op de 'moderniteitskritiek' in het oeuvre, vooral in de bejubelde bundel Varkensroze ansichten (2003). Wel zijn deze thema's door Stitou niet eerder zó consistent uitgewerkt. Waar de drie voorgangers Mijn vormen (1994), Mijn gedichten (1998) en Varkensroze ansichten vormelijk en thematisch divers waren, kiest Stitou in Tempel minder voor het vormexperiment en komen in alle 27 gedichten dezelfde motieven 211","owner":{"id":8019629,"first_name":"Laurens","middle_initials":null,"last_name":"Ham","page_name":"LaurensHam","domain_name":"uu","created_at":"2014-01-04T23:17:39.380-08:00","display_name":"Laurens Ham","url":"https://uu.academia.edu/LaurensHam"},"attachments":[{"id":62854838,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/62854838/thumbnails/1.jpg","file_name":"Ham_Tempel_Stitou_4023098320200406-121851-1ntl5tb.pdf","download_url":"https://www.academia.edu/attachments/62854838/download_file","bulk_download_file_name":"Melancholicus_in_een_ontheiligde_wereld.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/62854838/Ham_Tempel_Stitou_4023098320200406-121851-1ntl5tb-libre.pdf?1586242913=\u0026response-content-disposition=attachment%3B+filename%3DMelancholicus_in_een_ontheiligde_wereld.pdf\u0026Expires=1742297837\u0026Signature=U~MGNu5aaDWCZDyUlKyKaxQFQVYOfQK1L0b~~sWh7bMxiwSjj7-wBdB7OeMueRe4U2I1eKNHi9tcbUse4oQTgarujRNydFeIwoL024vLhNBBx~YJsx1X93~91vv11B3JnB7QXRkeJInMgmbM~ee8nAn6ryC0153-y6QljVYZ8ra~gvE3ANGeR67WN4yDiaoQjn7Bm90kl6HVI8-tDMQ0JqtcW6~Sae6W~5K2NckR4GimxWIwFaDd0iSFYw6Ztu51TdshAyWiKWD9xXcMAvpvKhVAjb85axyYOLA9JQAjScmcipdK5GC2r5Of1s~UGVodjX6hWUta~oTD890BMxujwg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":3581,"name":"Poetry","url":"https://www.academia.edu/Documents/in/Poetry"},{"id":14730,"name":"Migration Studies","url":"https://www.academia.edu/Documents/in/Migration_Studies"},{"id":25988,"name":"Dutch Literature","url":"https://www.academia.edu/Documents/in/Dutch_Literature"},{"id":51203,"name":"Modern Dutch Literature","url":"https://www.academia.edu/Documents/in/Modern_Dutch_Literature"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="37977716"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/37977716/Ik_ben_bevrijd_waarom_voel_ik_me_dan_zo_verloren_De_cultuurkritiek_van_Marco_Borsato_2_"><img alt="Research paper thumbnail of Ik ben bevrijd, waarom voel ik me dan zo verloren? De cultuurkritiek van Marco Borsato (2)" class="work-thumbnail" src="https://attachments.academia-assets.com/64607505/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/37977716/Ik_ben_bevrijd_waarom_voel_ik_me_dan_zo_verloren_De_cultuurkritiek_van_Marco_Borsato_2_">Ik ben bevrijd, waarom voel ik me dan zo verloren? De cultuurkritiek van Marco Borsato (2)</a></div><div class="wp-workCard_item"><span>Leest</span><span>, 2018</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Liefde was ooit / tot ze niet meer vrij mocht zijn.' Tijdens mijn supermarktbezoek hoorde ik het ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Liefde was ooit / tot ze niet meer vrij mocht zijn.' Tijdens mijn supermarktbezoek hoorde ik het Marco Borsato op de radio zingen. Ik had de tekst anders in mijn hoofd: 'Liefde komt ooit / als ze niet meer vrij wil zijn.' Muzikaal klonk alles zoals ik het liedje 'Vrij zijn' kende: het huppelende baslijntje, de drumfill, de achtergrondstemmen die 'ohohoho' zingen. Maar toen ik het nazocht, bleken er twee verschillende teksten op die geluidsopname gemaakt te zijn: het origineel van het album Als geen ander (1995) en de later uitgebrachte 5-mei-versie (1996), die ik (zonder dat het Bevrijdingsdag was) door de supermarkt had horen schallen. Die tweede werd gemaakt nadat het Nationaal Comité 4 en 5 mei Borsato had benaderd als ambassadeur van Bevrijdingsdag 1996. Liesbeth van Litsenburg, woordvoerder van het Comité, legde in Trouw uit waarom Borsato als gezicht van de herdenking gekozen was. 'Sinds de viering van de vijftigste mei vorig jaar, hebben we besloten dat 5 mei meer moet zijn dan een herdenkingsdag van de bevrijding in 1945. Wat wij nu vooral voor een zo breed mogelijk publiek willen benadrukken, is dat vrijheid "onderhoud vraagt". Het is geen passief recht, waarbij je maar lekker achterover kunt leunen. Nee, vrijheid moet je elke dag bevechten. Nu, wij denken dat we met Marco Borsato iemand gevonden hebben die dat voor een grote doelgroep kan uitdragen.'</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="7c16752bd5ded3d00110d2a16a84488f" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":64607505,"asset_id":37977716,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/64607505/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="37977716"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="37977716"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 37977716; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=37977716]").text(description); $(".js-view-count[data-work-id=37977716]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 37977716; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='37977716']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "7c16752bd5ded3d00110d2a16a84488f" } } $('.js-work-strip[data-work-id=37977716]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":37977716,"title":"Ik ben bevrijd, waarom voel ik me dan zo verloren? De cultuurkritiek van Marco Borsato (2)","translated_title":"","metadata":{"grobid_abstract":"Liefde was ooit / tot ze niet meer vrij mocht zijn.' Tijdens mijn supermarktbezoek hoorde ik het Marco Borsato op de radio zingen. Ik had de tekst anders in mijn hoofd: 'Liefde komt ooit / als ze niet meer vrij wil zijn.' Muzikaal klonk alles zoals ik het liedje 'Vrij zijn' kende: het huppelende baslijntje, de drumfill, de achtergrondstemmen die 'ohohoho' zingen. Maar toen ik het nazocht, bleken er twee verschillende teksten op die geluidsopname gemaakt te zijn: het origineel van het album Als geen ander (1995) en de later uitgebrachte 5-mei-versie (1996), die ik (zonder dat het Bevrijdingsdag was) door de supermarkt had horen schallen. Die tweede werd gemaakt nadat het Nationaal Comité 4 en 5 mei Borsato had benaderd als ambassadeur van Bevrijdingsdag 1996. Liesbeth van Litsenburg, woordvoerder van het Comité, legde in Trouw uit waarom Borsato als gezicht van de herdenking gekozen was. 'Sinds de viering van de vijftigste mei vorig jaar, hebben we besloten dat 5 mei meer moet zijn dan een herdenkingsdag van de bevrijding in 1945. Wat wij nu vooral voor een zo breed mogelijk publiek willen benadrukken, is dat vrijheid \"onderhoud vraagt\". Het is geen passief recht, waarbij je maar lekker achterover kunt leunen. Nee, vrijheid moet je elke dag bevechten. Nu, wij denken dat we met Marco Borsato iemand gevonden hebben die dat voor een grote doelgroep kan uitdragen.'","publication_date":{"day":null,"month":null,"year":2018,"errors":{}},"publication_name":"Leest","grobid_abstract_attachment_id":64607505},"translated_abstract":null,"internal_url":"https://www.academia.edu/37977716/Ik_ben_bevrijd_waarom_voel_ik_me_dan_zo_verloren_De_cultuurkritiek_van_Marco_Borsato_2_","translated_internal_url":"","created_at":"2018-12-14T06:54:39.802-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":8019629,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":64607505,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/64607505/thumbnails/1.jpg","file_name":"Cultuurkritiek_Borsato_2.pdf","download_url":"https://www.academia.edu/attachments/64607505/download_file","bulk_download_file_name":"Ik_ben_bevrijd_waarom_voel_ik_me_dan_zo.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/64607505/Cultuurkritiek_Borsato_2-libre.pdf?1601971761=\u0026response-content-disposition=attachment%3B+filename%3DIk_ben_bevrijd_waarom_voel_ik_me_dan_zo.pdf\u0026Expires=1742297837\u0026Signature=aPlGLfig7EzKnrSl-oEIaheUDdvS4srA1XwZ00gWhoZU2YFi3GISRHxRtoyWy1pek2cx~HzxAjGI7vcOlxCPRCHHHPb~F1SxAsmswMrMaHpxV2Y3fvo5ppwtWTfLvDeJuCbjoXfEVnEBpbKYN~O~l9bt9T0IeEJCyF7Ha1T4a-K6WdnqVbmEB7~SDt9jieSnIhAaeInqIziydJB7h4RO9zNXGR09NAMtrMZtD7xS08H~9IWNwcSAzFBu0O5aVuQdPJTR1-ifLM90R4HhhGqkZwjRy1dx1Eei~LkF8NKpUSflqW~6ljpJZgOn~4r7O6bIscigoAy1S4Phz1FaprLwdw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Ik_ben_bevrijd_waarom_voel_ik_me_dan_zo_verloren_De_cultuurkritiek_van_Marco_Borsato_2_","translated_slug":"","page_count":18,"language":"nl","content_type":"Work","summary":"Liefde was ooit / tot ze niet meer vrij mocht zijn.' Tijdens mijn supermarktbezoek hoorde ik het Marco Borsato op de radio zingen. Ik had de tekst anders in mijn hoofd: 'Liefde komt ooit / als ze niet meer vrij wil zijn.' Muzikaal klonk alles zoals ik het liedje 'Vrij zijn' kende: het huppelende baslijntje, de drumfill, de achtergrondstemmen die 'ohohoho' zingen. Maar toen ik het nazocht, bleken er twee verschillende teksten op die geluidsopname gemaakt te zijn: het origineel van het album Als geen ander (1995) en de later uitgebrachte 5-mei-versie (1996), die ik (zonder dat het Bevrijdingsdag was) door de supermarkt had horen schallen. Die tweede werd gemaakt nadat het Nationaal Comité 4 en 5 mei Borsato had benaderd als ambassadeur van Bevrijdingsdag 1996. Liesbeth van Litsenburg, woordvoerder van het Comité, legde in Trouw uit waarom Borsato als gezicht van de herdenking gekozen was. 'Sinds de viering van de vijftigste mei vorig jaar, hebben we besloten dat 5 mei meer moet zijn dan een herdenkingsdag van de bevrijding in 1945. Wat wij nu vooral voor een zo breed mogelijk publiek willen benadrukken, is dat vrijheid \"onderhoud vraagt\". Het is geen passief recht, waarbij je maar lekker achterover kunt leunen. Nee, vrijheid moet je elke dag bevechten. Nu, wij denken dat we met Marco Borsato iemand gevonden hebben die dat voor een grote doelgroep kan uitdragen.'","owner":{"id":8019629,"first_name":"Laurens","middle_initials":null,"last_name":"Ham","page_name":"LaurensHam","domain_name":"uu","created_at":"2014-01-04T23:17:39.380-08:00","display_name":"Laurens Ham","url":"https://uu.academia.edu/LaurensHam"},"attachments":[{"id":64607505,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/64607505/thumbnails/1.jpg","file_name":"Cultuurkritiek_Borsato_2.pdf","download_url":"https://www.academia.edu/attachments/64607505/download_file","bulk_download_file_name":"Ik_ben_bevrijd_waarom_voel_ik_me_dan_zo.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/64607505/Cultuurkritiek_Borsato_2-libre.pdf?1601971761=\u0026response-content-disposition=attachment%3B+filename%3DIk_ben_bevrijd_waarom_voel_ik_me_dan_zo.pdf\u0026Expires=1742297837\u0026Signature=aPlGLfig7EzKnrSl-oEIaheUDdvS4srA1XwZ00gWhoZU2YFi3GISRHxRtoyWy1pek2cx~HzxAjGI7vcOlxCPRCHHHPb~F1SxAsmswMrMaHpxV2Y3fvo5ppwtWTfLvDeJuCbjoXfEVnEBpbKYN~O~l9bt9T0IeEJCyF7Ha1T4a-K6WdnqVbmEB7~SDt9jieSnIhAaeInqIziydJB7h4RO9zNXGR09NAMtrMZtD7xS08H~9IWNwcSAzFBu0O5aVuQdPJTR1-ifLM90R4HhhGqkZwjRy1dx1Eei~LkF8NKpUSflqW~6ljpJZgOn~4r7O6bIscigoAy1S4Phz1FaprLwdw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":8,"name":"Critical Theory","url":"https://www.academia.edu/Documents/in/Critical_Theory"},{"id":1631,"name":"Popular Music","url":"https://www.academia.edu/Documents/in/Popular_Music"},{"id":2858,"name":"Popular Culture","url":"https://www.academia.edu/Documents/in/Popular_Culture"},{"id":6527,"name":"Celebrity Culture","url":"https://www.academia.edu/Documents/in/Celebrity_Culture"}],"urls":[{"id":8654307,"url":"https://www.platformleest.org/artikel/de-cultuurkritiek-van-marco-borsato-dl2/"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="37447585"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/37447585/Heeft_er_iemand_nog_het_recht_om_vrijuit_te_gaan_De_cultuurkritiek_van_Marco_Borsato"><img alt="Research paper thumbnail of Heeft er iemand nog het recht om vrijuit te gaan? De cultuurkritiek van Marco Borsato" class="work-thumbnail" src="https://attachments.academia-assets.com/64607513/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/37447585/Heeft_er_iemand_nog_het_recht_om_vrijuit_te_gaan_De_cultuurkritiek_van_Marco_Borsato">Heeft er iemand nog het recht om vrijuit te gaan? De cultuurkritiek van Marco Borsato</a></div><div class="wp-workCard_item"><span>Leest</span><span>, 2018</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="99e72c021c5b6eac1212ba78072ce51b" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":64607513,"asset_id":37447585,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/64607513/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="37447585"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="37447585"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 37447585; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=37447585]").text(description); $(".js-view-count[data-work-id=37447585]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 37447585; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='37447585']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "99e72c021c5b6eac1212ba78072ce51b" } } $('.js-work-strip[data-work-id=37447585]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":37447585,"title":"Heeft er iemand nog het recht om vrijuit te gaan? De cultuurkritiek van Marco Borsato","translated_title":"","metadata":{"publication_date":{"day":null,"month":null,"year":2018,"errors":{}},"publication_name":"Leest"},"translated_abstract":null,"internal_url":"https://www.academia.edu/37447585/Heeft_er_iemand_nog_het_recht_om_vrijuit_te_gaan_De_cultuurkritiek_van_Marco_Borsato","translated_internal_url":"","created_at":"2018-09-20T02:59:12.999-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":8019629,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":64607513,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/64607513/thumbnails/1.jpg","file_name":"Cultuurkritiek_Borsato_1.pdf","download_url":"https://www.academia.edu/attachments/64607513/download_file","bulk_download_file_name":"Heeft_er_iemand_nog_het_recht_om_vrijuit.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/64607513/Cultuurkritiek_Borsato_1-libre.pdf?1601971760=\u0026response-content-disposition=attachment%3B+filename%3DHeeft_er_iemand_nog_het_recht_om_vrijuit.pdf\u0026Expires=1742297837\u0026Signature=CHyduwIvT-XQCY70js7J0XDK5plcGy-q9xDWt3FNyCQY9EScf2qO-mQcWWPzlLpGdsCFcbz6ElcwLd3ef8r9vk4wyuCqz4aIz0fhDU1x0aUv8U5vjUrUUdpEvT4m5v4P6Ub3er6ywXX~1UWY2yFsNLcOV3CT1FT7r0dAVEo8Ed9GDwicdH6LscMRviVQQnMSxurcVvWa7EsNbn1hkph8vnCn8HsfgNHufVTRgjBMibsVIt8RI8~8cHJB0PS-0uzPQmaY3moagpzrXsnvp5gHJvd8Wlz4sx2j9ud-sU6XWj7XFDylJMyO5KBnpVXFy6DM7zySxsFrKqIOcMwr6e3KHQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Heeft_er_iemand_nog_het_recht_om_vrijuit_te_gaan_De_cultuurkritiek_van_Marco_Borsato","translated_slug":"","page_count":17,"language":"nl","content_type":"Work","summary":null,"owner":{"id":8019629,"first_name":"Laurens","middle_initials":null,"last_name":"Ham","page_name":"LaurensHam","domain_name":"uu","created_at":"2014-01-04T23:17:39.380-08:00","display_name":"Laurens Ham","url":"https://uu.academia.edu/LaurensHam"},"attachments":[{"id":64607513,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/64607513/thumbnails/1.jpg","file_name":"Cultuurkritiek_Borsato_1.pdf","download_url":"https://www.academia.edu/attachments/64607513/download_file","bulk_download_file_name":"Heeft_er_iemand_nog_het_recht_om_vrijuit.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/64607513/Cultuurkritiek_Borsato_1-libre.pdf?1601971760=\u0026response-content-disposition=attachment%3B+filename%3DHeeft_er_iemand_nog_het_recht_om_vrijuit.pdf\u0026Expires=1742297837\u0026Signature=CHyduwIvT-XQCY70js7J0XDK5plcGy-q9xDWt3FNyCQY9EScf2qO-mQcWWPzlLpGdsCFcbz6ElcwLd3ef8r9vk4wyuCqz4aIz0fhDU1x0aUv8U5vjUrUUdpEvT4m5v4P6Ub3er6ywXX~1UWY2yFsNLcOV3CT1FT7r0dAVEo8Ed9GDwicdH6LscMRviVQQnMSxurcVvWa7EsNbn1hkph8vnCn8HsfgNHufVTRgjBMibsVIt8RI8~8cHJB0PS-0uzPQmaY3moagpzrXsnvp5gHJvd8Wlz4sx2j9ud-sU6XWj7XFDylJMyO5KBnpVXFy6DM7zySxsFrKqIOcMwr6e3KHQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":8,"name":"Critical Theory","url":"https://www.academia.edu/Documents/in/Critical_Theory"},{"id":1631,"name":"Popular Music","url":"https://www.academia.edu/Documents/in/Popular_Music"},{"id":2858,"name":"Popular Culture","url":"https://www.academia.edu/Documents/in/Popular_Culture"},{"id":6527,"name":"Celebrity Culture","url":"https://www.academia.edu/Documents/in/Celebrity_Culture"}],"urls":[{"id":8590043,"url":"https://www.platformleest.org/artikel/de-cultuurkritiek-van-marco-borsato/"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="70309615"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/70309615/Geld_blijft_tijd_Over_de_rol_van_schrijvers_in_het_literatuurbeleid"><img alt="Research paper thumbnail of Geld blijft tijd : Over de rol van schrijvers in het literatuurbeleid" class="work-thumbnail" src="https://attachments.academia-assets.com/80420039/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/70309615/Geld_blijft_tijd_Over_de_rol_van_schrijvers_in_het_literatuurbeleid">Geld blijft tijd : Over de rol van schrijvers in het literatuurbeleid</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Geld is tijd', schreef J.C. Bloem ooit: zodra schrijvers wat geld hebben, hebben ze even financië...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Geld is tijd', schreef J.C. Bloem ooit: zodra schrijvers wat geld hebben, hebben ze even financiële ruimte om met literair werk aan de slag te gaan. Tientallen Nederlandse schrijvers gebruikten deze uitspraak als motto toen ze in de winter van 1962-1963 tegen hun beroerde sociaal-economische positie protesteerden. Ze weigerden literaire prijzen en dreigden de aanstaande Boekenweek te boycotten als de Nederlandse regering auteurs geen fatsoenlijker inkomenspositie zou geven. Want waar theaters, musea en andere kunstinstellingen op een groeiende staatssteun konden rekenen, was er voor individuele auteurs praktisch geen overheidsgeld beschikbaar.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="28eaed83bed52133b94ec560162448ad" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":80420039,"asset_id":70309615,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/80420039/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="70309615"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="70309615"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 70309615; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=70309615]").text(description); $(".js-view-count[data-work-id=70309615]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 70309615; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='70309615']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "28eaed83bed52133b94ec560162448ad" } } $('.js-work-strip[data-work-id=70309615]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":70309615,"title":"Geld blijft tijd : Over de rol van schrijvers in het literatuurbeleid","translated_title":"","metadata":{"grobid_abstract":"Geld is tijd', schreef J.C. Bloem ooit: zodra schrijvers wat geld hebben, hebben ze even financiële ruimte om met literair werk aan de slag te gaan. Tientallen Nederlandse schrijvers gebruikten deze uitspraak als motto toen ze in de winter van 1962-1963 tegen hun beroerde sociaal-economische positie protesteerden. Ze weigerden literaire prijzen en dreigden de aanstaande Boekenweek te boycotten als de Nederlandse regering auteurs geen fatsoenlijker inkomenspositie zou geven. Want waar theaters, musea en andere kunstinstellingen op een groeiende staatssteun konden rekenen, was er voor individuele auteurs praktisch geen overheidsgeld beschikbaar.","publication_date":{"day":null,"month":null,"year":2018,"errors":{}},"grobid_abstract_attachment_id":80420039},"translated_abstract":null,"internal_url":"https://www.academia.edu/70309615/Geld_blijft_tijd_Over_de_rol_van_schrijvers_in_het_literatuurbeleid","translated_internal_url":"","created_at":"2022-02-03T02:10:37.767-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":8019629,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":80420039,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/80420039/thumbnails/1.jpg","file_name":"Vaktaal_2018_1_Ham_1_.pdf","download_url":"https://www.academia.edu/attachments/80420039/download_file","bulk_download_file_name":"Geld_blijft_tijd_Over_de_rol_van_schrijv.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/80420039/Vaktaal_2018_1_Ham_1_-libre.pdf?1644239195=\u0026response-content-disposition=attachment%3B+filename%3DGeld_blijft_tijd_Over_de_rol_van_schrijv.pdf\u0026Expires=1742297837\u0026Signature=OKgo5cQ2W-h1TolpIDAlaikrv0Lm-fM4d5STjrMFTzeh8K~HEFiTT1tfLYBERZQ2vjq1Si1EcMeL4PPLB1ursvRqRWQC4uY~mF3Rsm2YZT2ujBYoOyyC399ZLaPW-u8NXaFl73qnpC5NBvF~KpH2Q-aM~cVm8N-W2Xe0dXf11wNC~puqpXhXUM1JIrL0GPVjNZCIV6iD3NGV9XcWAuKJwJ~uLJgfvBcW4oriDy~YQ~X1L~xYHoFV93fIlO9DCkQHeeuj8IozNJaoP5Q-jtFknENVCKypfMfj6ja6vx6MsHKJX0-1VLgMoLr0b84UsOZgz54VpUdkqzN3qSTXfrxoZw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Geld_blijft_tijd_Over_de_rol_van_schrijvers_in_het_literatuurbeleid","translated_slug":"","page_count":1,"language":"nl","content_type":"Work","summary":"Geld is tijd', schreef J.C. Bloem ooit: zodra schrijvers wat geld hebben, hebben ze even financiële ruimte om met literair werk aan de slag te gaan. Tientallen Nederlandse schrijvers gebruikten deze uitspraak als motto toen ze in de winter van 1962-1963 tegen hun beroerde sociaal-economische positie protesteerden. Ze weigerden literaire prijzen en dreigden de aanstaande Boekenweek te boycotten als de Nederlandse regering auteurs geen fatsoenlijker inkomenspositie zou geven. Want waar theaters, musea en andere kunstinstellingen op een groeiende staatssteun konden rekenen, was er voor individuele auteurs praktisch geen overheidsgeld beschikbaar.","owner":{"id":8019629,"first_name":"Laurens","middle_initials":null,"last_name":"Ham","page_name":"LaurensHam","domain_name":"uu","created_at":"2014-01-04T23:17:39.380-08:00","display_name":"Laurens Ham","url":"https://uu.academia.edu/LaurensHam"},"attachments":[{"id":80420039,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/80420039/thumbnails/1.jpg","file_name":"Vaktaal_2018_1_Ham_1_.pdf","download_url":"https://www.academia.edu/attachments/80420039/download_file","bulk_download_file_name":"Geld_blijft_tijd_Over_de_rol_van_schrijv.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/80420039/Vaktaal_2018_1_Ham_1_-libre.pdf?1644239195=\u0026response-content-disposition=attachment%3B+filename%3DGeld_blijft_tijd_Over_de_rol_van_schrijv.pdf\u0026Expires=1742297837\u0026Signature=OKgo5cQ2W-h1TolpIDAlaikrv0Lm-fM4d5STjrMFTzeh8K~HEFiTT1tfLYBERZQ2vjq1Si1EcMeL4PPLB1ursvRqRWQC4uY~mF3Rsm2YZT2ujBYoOyyC399ZLaPW-u8NXaFl73qnpC5NBvF~KpH2Q-aM~cVm8N-W2Xe0dXf11wNC~puqpXhXUM1JIrL0GPVjNZCIV6iD3NGV9XcWAuKJwJ~uLJgfvBcW4oriDy~YQ~X1L~xYHoFV93fIlO9DCkQHeeuj8IozNJaoP5Q-jtFknENVCKypfMfj6ja6vx6MsHKJX0-1VLgMoLr0b84UsOZgz54VpUdkqzN3qSTXfrxoZw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":1125,"name":"Cultural Policy","url":"https://www.academia.edu/Documents/in/Cultural_Policy"},{"id":25988,"name":"Dutch Literature","url":"https://www.academia.edu/Documents/in/Dutch_Literature"},{"id":29883,"name":"Authorship","url":"https://www.academia.edu/Documents/in/Authorship"},{"id":51203,"name":"Modern Dutch Literature","url":"https://www.academia.edu/Documents/in/Modern_Dutch_Literature"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="37447569"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/37447569/Utopie_van_het_stilgezette_nu_Over_Nederlandse_punk_en_po%C3%ABzie_rond_1980"><img alt="Research paper thumbnail of Utopie van het stilgezette nu. Over Nederlandse punk en poëzie rond 1980" class="work-thumbnail" src="https://attachments.academia-assets.com/57414807/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/37447569/Utopie_van_het_stilgezette_nu_Over_Nederlandse_punk_en_po%C3%ABzie_rond_1980">Utopie van het stilgezette nu. Over Nederlandse punk en poëzie rond 1980</a></div><div class="wp-workCard_item"><span>DW B</span><span>, 2018</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="06c72831b8fb3188c330671a8a227d3d" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":57414807,"asset_id":37447569,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/57414807/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="37447569"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="37447569"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 37447569; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=37447569]").text(description); $(".js-view-count[data-work-id=37447569]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 37447569; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='37447569']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "06c72831b8fb3188c330671a8a227d3d" } } $('.js-work-strip[data-work-id=37447569]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":37447569,"title":"Utopie van het stilgezette nu. Over Nederlandse punk en poëzie rond 1980","translated_title":"","metadata":{"publication_date":{"day":null,"month":null,"year":2018,"errors":{}},"publication_name":"DW B"},"translated_abstract":null,"internal_url":"https://www.academia.edu/37447569/Utopie_van_het_stilgezette_nu_Over_Nederlandse_punk_en_po%C3%ABzie_rond_1980","translated_internal_url":"","created_at":"2018-09-20T02:53:19.463-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":8019629,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":57414807,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/57414807/thumbnails/1.jpg","file_name":"hb_web_juni_2018_Laurens_Ham.pdf","download_url":"https://www.academia.edu/attachments/57414807/download_file","bulk_download_file_name":"Utopie_van_het_stilgezette_nu_Over_Neder.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/57414807/hb_web_juni_2018_Laurens_Ham-libre.pdf?1537437661=\u0026response-content-disposition=attachment%3B+filename%3DUtopie_van_het_stilgezette_nu_Over_Neder.pdf\u0026Expires=1742297837\u0026Signature=IAuKPX3no1Z4hbxlOxxZRmwbXAFMvccf3PBB-PwlBs~V7og6vffXUrF3RZl-u-0IkrkTSU7~kSkYXde2Kzmf0vU03kW5SHlUmebox27UasphmPfaryFX4Gd38VBtL7AK3otEOaTzrdVg2j68VuuOzVwN4OqaTghpUYbGUXnM-ieKFA3ex~BCON8swc9Ovf5N~VbpjhK~kmmlp5tWEJypMitrYc7RqF4tS4XHYswPxf-rLaPQ8YqzRJ31JVI-FZhgVqwNTO-DZGiICVPHN7yXvNV~VFJmEhnaFrBZ6en9ROH~neRNlfSqK47-6IPn55keAdBiWXGQ~FAJe4PyMsA3OQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Utopie_van_het_stilgezette_nu_Over_Nederlandse_punk_en_poëzie_rond_1980","translated_slug":"","page_count":8,"language":"nl","content_type":"Work","summary":null,"owner":{"id":8019629,"first_name":"Laurens","middle_initials":null,"last_name":"Ham","page_name":"LaurensHam","domain_name":"uu","created_at":"2014-01-04T23:17:39.380-08:00","display_name":"Laurens Ham","url":"https://uu.academia.edu/LaurensHam"},"attachments":[{"id":57414807,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/57414807/thumbnails/1.jpg","file_name":"hb_web_juni_2018_Laurens_Ham.pdf","download_url":"https://www.academia.edu/attachments/57414807/download_file","bulk_download_file_name":"Utopie_van_het_stilgezette_nu_Over_Neder.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/57414807/hb_web_juni_2018_Laurens_Ham-libre.pdf?1537437661=\u0026response-content-disposition=attachment%3B+filename%3DUtopie_van_het_stilgezette_nu_Over_Neder.pdf\u0026Expires=1742297837\u0026Signature=IAuKPX3no1Z4hbxlOxxZRmwbXAFMvccf3PBB-PwlBs~V7og6vffXUrF3RZl-u-0IkrkTSU7~kSkYXde2Kzmf0vU03kW5SHlUmebox27UasphmPfaryFX4Gd38VBtL7AK3otEOaTzrdVg2j68VuuOzVwN4OqaTghpUYbGUXnM-ieKFA3ex~BCON8swc9Ovf5N~VbpjhK~kmmlp5tWEJypMitrYc7RqF4tS4XHYswPxf-rLaPQ8YqzRJ31JVI-FZhgVqwNTO-DZGiICVPHN7yXvNV~VFJmEhnaFrBZ6en9ROH~neRNlfSqK47-6IPn55keAdBiWXGQ~FAJe4PyMsA3OQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":1631,"name":"Popular Music","url":"https://www.academia.edu/Documents/in/Popular_Music"},{"id":3581,"name":"Poetry","url":"https://www.academia.edu/Documents/in/Poetry"},{"id":5177,"name":"Countercultural Studies","url":"https://www.academia.edu/Documents/in/Countercultural_Studies"},{"id":13376,"name":"Punk Culture","url":"https://www.academia.edu/Documents/in/Punk_Culture"},{"id":75863,"name":"Punk Rock","url":"https://www.academia.edu/Documents/in/Punk_Rock"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="37195224"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/37195224/Circulating_in_Commonplaces_Harriet_Beecher_Stowe_s_Celebrity_Status_in_the_Netherlands"><img alt="Research paper thumbnail of Circulating in Commonplaces: Harriet Beecher Stowe’s Celebrity Status in the Netherlands" class="work-thumbnail" src="https://attachments.academia-assets.com/57146262/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/37195224/Circulating_in_Commonplaces_Harriet_Beecher_Stowe_s_Celebrity_Status_in_the_Netherlands">Circulating in Commonplaces: Harriet Beecher Stowe’s Celebrity Status in the Netherlands</a></div><div class="wp-workCard_item"><span>European Journal of American Studies</span><span>, 2018</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This article questions the supposed pervasive celebrity of the American author Harriet Beecher St...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This article questions the supposed pervasive celebrity of the American author Harriet Beecher Stowe in Europe in the nineteenth century, and investigates her authorial status in the Netherlands in the mid-1850s. To what extent could she be considered a celebrity in the Netherlands in this period? The article pays attention both to the institutional and to the ideological situation, which can either facilitate or hinder the development of a so-called “celebrity society,” and shows that textual representations of Stowe did indeed circulate, but that this circulation did not take on the massive scale that seems necessary for a celebrity status. Whereas Uncle Tom’s Cabin was, by Dutch standards, an incredible success, journalists were only marginally aware of the authorial figure of Stowe herself. This was in part a result of the lack of a professional literary and journalistic infrastructure in the Netherlands. From an ideological point of view, the phenomenon of literary celebrity was a controversial one in the nineteenth-century Netherlands, hampering the emergence of a celebrity society. Together, these findings help us to consider the existence of a possible “transatlantic” Stowe cult in a different light: in the peripheral Netherlands, such a cult did not emerge easily.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="00e4d261d25ec36b2cc11ff356769f0b" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":57146262,"asset_id":37195224,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/57146262/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="37195224"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="37195224"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 37195224; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=37195224]").text(description); $(".js-view-count[data-work-id=37195224]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 37195224; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='37195224']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "00e4d261d25ec36b2cc11ff356769f0b" } } $('.js-work-strip[data-work-id=37195224]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":37195224,"title":"Circulating in Commonplaces: Harriet Beecher Stowe’s Celebrity Status in the Netherlands","translated_title":"","metadata":{"issue":"2","volume":"13","abstract":"This article questions the supposed pervasive celebrity of the American author Harriet Beecher Stowe in Europe in the nineteenth century, and investigates her authorial status in the Netherlands in the mid-1850s. To what extent could she be considered a celebrity in the Netherlands in this period? The article pays attention both to the institutional and to the ideological situation, which can either facilitate or hinder the development of a so-called “celebrity society,” and shows that textual representations of Stowe did indeed circulate, but that this circulation did not take on the massive scale that seems necessary for a celebrity status. Whereas Uncle Tom’s Cabin was, by Dutch standards, an incredible success, journalists were only marginally aware of the authorial figure of Stowe herself. This was in part a result of the lack of a professional literary and journalistic infrastructure in the Netherlands. From an ideological point of view, the phenomenon of literary celebrity was a controversial one in the nineteenth-century Netherlands, hampering the emergence of a celebrity society. Together, these findings help us to consider the existence of a possible “transatlantic” Stowe cult in a different light: in the peripheral Netherlands, such a cult did not emerge easily.","publication_date":{"day":null,"month":null,"year":2018,"errors":{}},"publication_name":"European Journal of American Studies"},"translated_abstract":"This article questions the supposed pervasive celebrity of the American author Harriet Beecher Stowe in Europe in the nineteenth century, and investigates her authorial status in the Netherlands in the mid-1850s. To what extent could she be considered a celebrity in the Netherlands in this period? The article pays attention both to the institutional and to the ideological situation, which can either facilitate or hinder the development of a so-called “celebrity society,” and shows that textual representations of Stowe did indeed circulate, but that this circulation did not take on the massive scale that seems necessary for a celebrity status. Whereas Uncle Tom’s Cabin was, by Dutch standards, an incredible success, journalists were only marginally aware of the authorial figure of Stowe herself. This was in part a result of the lack of a professional literary and journalistic infrastructure in the Netherlands. From an ideological point of view, the phenomenon of literary celebrity was a controversial one in the nineteenth-century Netherlands, hampering the emergence of a celebrity society. Together, these findings help us to consider the existence of a possible “transatlantic” Stowe cult in a different light: in the peripheral Netherlands, such a cult did not emerge easily.","internal_url":"https://www.academia.edu/37195224/Circulating_in_Commonplaces_Harriet_Beecher_Stowe_s_Celebrity_Status_in_the_Netherlands","translated_internal_url":"","created_at":"2018-08-07T03:08:42.659-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":8019629,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":57146262,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/57146262/thumbnails/1.jpg","file_name":"Ham_-_EJAS.pdf","download_url":"https://www.academia.edu/attachments/57146262/download_file","bulk_download_file_name":"Circulating_in_Commonplaces_Harriet_Beec.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/57146262/Ham_-_EJAS-libre.pdf?1533636974=\u0026response-content-disposition=attachment%3B+filename%3DCirculating_in_Commonplaces_Harriet_Beec.pdf\u0026Expires=1742297837\u0026Signature=OZRF3yQc7AObW9rsXO9DvlE83XdvFwgFl3ZZGgLQLNvIkBDFbduVBSilq5Pe8c-ugIV4NWj8Hid7Xj26geiSYeUekcCrKrN1bkNCaiZkm4s2vNG6ebHmI4Ai9h3gjGDnD2m8mgVzU5ZTWTHwUqC5JuMfcC1UPLXHbzol45D4G055eLZLIws-RYCU1a-M-ROsAyozqorqwt1g~x2bw-KbCv4xpAMvR~w1Fwc4m9unomUBStG3yl~iWcGpsCSXcz3TDJRSBS8uhiOf-0BeuwEVQg2meXIxYpeAJ2-KXjC2Ea3pUv2jXXmqBvUTYFn4JPOBqxGlahkX7V-6ONlNo55htQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Circulating_in_Commonplaces_Harriet_Beecher_Stowe_s_Celebrity_Status_in_the_Netherlands","translated_slug":"","page_count":17,"language":"en","content_type":"Work","summary":"This article questions the supposed pervasive celebrity of the American author Harriet Beecher Stowe in Europe in the nineteenth century, and investigates her authorial status in the Netherlands in the mid-1850s. To what extent could she be considered a celebrity in the Netherlands in this period? The article pays attention both to the institutional and to the ideological situation, which can either facilitate or hinder the development of a so-called “celebrity society,” and shows that textual representations of Stowe did indeed circulate, but that this circulation did not take on the massive scale that seems necessary for a celebrity status. Whereas Uncle Tom’s Cabin was, by Dutch standards, an incredible success, journalists were only marginally aware of the authorial figure of Stowe herself. This was in part a result of the lack of a professional literary and journalistic infrastructure in the Netherlands. From an ideological point of view, the phenomenon of literary celebrity was a controversial one in the nineteenth-century Netherlands, hampering the emergence of a celebrity society. Together, these findings help us to consider the existence of a possible “transatlantic” Stowe cult in a different light: in the peripheral Netherlands, such a cult did not emerge easily.","owner":{"id":8019629,"first_name":"Laurens","middle_initials":null,"last_name":"Ham","page_name":"LaurensHam","domain_name":"uu","created_at":"2014-01-04T23:17:39.380-08:00","display_name":"Laurens Ham","url":"https://uu.academia.edu/LaurensHam"},"attachments":[{"id":57146262,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/57146262/thumbnails/1.jpg","file_name":"Ham_-_EJAS.pdf","download_url":"https://www.academia.edu/attachments/57146262/download_file","bulk_download_file_name":"Circulating_in_Commonplaces_Harriet_Beec.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/57146262/Ham_-_EJAS-libre.pdf?1533636974=\u0026response-content-disposition=attachment%3B+filename%3DCirculating_in_Commonplaces_Harriet_Beec.pdf\u0026Expires=1742297837\u0026Signature=OZRF3yQc7AObW9rsXO9DvlE83XdvFwgFl3ZZGgLQLNvIkBDFbduVBSilq5Pe8c-ugIV4NWj8Hid7Xj26geiSYeUekcCrKrN1bkNCaiZkm4s2vNG6ebHmI4Ai9h3gjGDnD2m8mgVzU5ZTWTHwUqC5JuMfcC1UPLXHbzol45D4G055eLZLIws-RYCU1a-M-ROsAyozqorqwt1g~x2bw-KbCv4xpAMvR~w1Fwc4m9unomUBStG3yl~iWcGpsCSXcz3TDJRSBS8uhiOf-0BeuwEVQg2meXIxYpeAJ2-KXjC2Ea3pUv2jXXmqBvUTYFn4JPOBqxGlahkX7V-6ONlNo55htQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":10,"name":"American Literature","url":"https://www.academia.edu/Documents/in/American_Literature"},{"id":6527,"name":"Celebrity Culture","url":"https://www.academia.edu/Documents/in/Celebrity_Culture"},{"id":22658,"name":"19th-Century American Literature","url":"https://www.academia.edu/Documents/in/19th-Century_American_Literature"},{"id":23649,"name":"Historical Analysis of Literary Reception","url":"https://www.academia.edu/Documents/in/Historical_Analysis_of_Literary_Reception"},{"id":25988,"name":"Dutch Literature","url":"https://www.academia.edu/Documents/in/Dutch_Literature"},{"id":30631,"name":"Transatlantic Literature","url":"https://www.academia.edu/Documents/in/Transatlantic_Literature"},{"id":63804,"name":"Institutions","url":"https://www.academia.edu/Documents/in/Institutions"},{"id":75635,"name":"Harriet Beecher Stowe","url":"https://www.academia.edu/Documents/in/Harriet_Beecher_Stowe"}],"urls":[{"id":8560376,"url":"https://journals.openedition.org/ejas/12671"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="37195308"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/37195308/De_poreuze_grenzen_van_de_jonge_po%C3%ABzie_Hoe_po%C3%ABzietalent_ontstaat_tussen_hiphop_en_festivalcultuur"><img alt="Research paper thumbnail of De poreuze grenzen van de jonge poëzie. Hoe poëzietalent ontstaat tussen hiphop en festivalcultuur" class="work-thumbnail" src="https://attachments.academia-assets.com/57146342/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/37195308/De_poreuze_grenzen_van_de_jonge_po%C3%ABzie_Hoe_po%C3%ABzietalent_ontstaat_tussen_hiphop_en_festivalcultuur">De poreuze grenzen van de jonge poëzie. Hoe poëzietalent ontstaat tussen hiphop en festivalcultuur</a></div><div class="wp-workCard_item"><span>Kunsttijdschrift Vlaanderen</span><span>, 2017</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">De hedendaagse poëzie van jonge dichters is vaak versmolten met de pop-, hiphop- en festivalwerel...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">De hedendaagse poëzie van jonge dichters is vaak versmolten met<br />de pop-, hiphop- en festivalwereld en vindt deels of geheel buiten de<br />papieren wereld van uitgeverijen om plaats. Ook ‘productiehuizen’ die<br />jonge poëzie programmeren plaatsen zich graag in een multimediaal<br />domein. Auteurs komen zo in een luistercultuur terecht, maar is dat<br />een artistieke of een praktische keuze?</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="fe02556f757f52723a4ddf16fe190193" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":57146342,"asset_id":37195308,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/57146342/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="37195308"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="37195308"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 37195308; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=37195308]").text(description); $(".js-view-count[data-work-id=37195308]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 37195308; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='37195308']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "fe02556f757f52723a4ddf16fe190193" } } $('.js-work-strip[data-work-id=37195308]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":37195308,"title":"De poreuze grenzen van de jonge poëzie. Hoe poëzietalent ontstaat tussen hiphop en festivalcultuur","translated_title":"","metadata":{"issue":"2","volume":"66","abstract":"De hedendaagse poëzie van jonge dichters is vaak versmolten met\nde pop-, hiphop- en festivalwereld en vindt deels of geheel buiten de\npapieren wereld van uitgeverijen om plaats. Ook ‘productiehuizen’ die\njonge poëzie programmeren plaatsen zich graag in een multimediaal\ndomein. Auteurs komen zo in een luistercultuur terecht, maar is dat\neen artistieke of een praktische keuze?","page_numbers":"32-35","publication_date":{"day":null,"month":null,"year":2017,"errors":{}},"publication_name":"Kunsttijdschrift Vlaanderen"},"translated_abstract":"De hedendaagse poëzie van jonge dichters is vaak versmolten met\nde pop-, hiphop- en festivalwereld en vindt deels of geheel buiten de\npapieren wereld van uitgeverijen om plaats. Ook ‘productiehuizen’ die\njonge poëzie programmeren plaatsen zich graag in een multimediaal\ndomein. Auteurs komen zo in een luistercultuur terecht, maar is dat\neen artistieke of een praktische keuze?","internal_url":"https://www.academia.edu/37195308/De_poreuze_grenzen_van_de_jonge_po%C3%ABzie_Hoe_po%C3%ABzietalent_ontstaat_tussen_hiphop_en_festivalcultuur","translated_internal_url":"","created_at":"2018-08-07T03:29:26.557-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":8019629,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":57146342,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/57146342/thumbnails/1.jpg","file_name":"Laurens_Ham_-_Kunsttijdschrift.pdf","download_url":"https://www.academia.edu/attachments/57146342/download_file","bulk_download_file_name":"De_poreuze_grenzen_van_de_jonge_poezie_H.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/57146342/Laurens_Ham_-_Kunsttijdschrift-libre.pdf?1533638404=\u0026response-content-disposition=attachment%3B+filename%3DDe_poreuze_grenzen_van_de_jonge_poezie_H.pdf\u0026Expires=1742297837\u0026Signature=YWhQtMiiwiSuGb1JzABbCGDQ~0sQGnvjFykAzKf~UsbxunVlKr3MLHjQk9-ZHlOVh~SudtuMZgsC2byg-0WOfqPB3KQoRBJaMAvt1tr7-utopUIeBRmvBzINLulZqvTCW~bTD~wLjj-wtsrkfE2iJ1xwWF4a7odnTDP-AuOhIwk9EWk6cjtotGrPiATEDpe5~grNri3zvs~mFzWMHIqz3YC9z9zaoQA08AXmLjyTChF0MboCCNtzaJCTdjVYPlkS62M8t7Yo0JtTf1lC4GahIec9VYyy6WZUr3oQkvNL5vnP6BXUlp3tZH9wVGycIBsRc847R3JEqL~Kwg5rfdyUAg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"De_poreuze_grenzen_van_de_jonge_poëzie_Hoe_poëzietalent_ontstaat_tussen_hiphop_en_festivalcultuur","translated_slug":"","page_count":4,"language":"nl","content_type":"Work","summary":"De hedendaagse poëzie van jonge dichters is vaak versmolten met\nde pop-, hiphop- en festivalwereld en vindt deels of geheel buiten de\npapieren wereld van uitgeverijen om plaats. Ook ‘productiehuizen’ die\njonge poëzie programmeren plaatsen zich graag in een multimediaal\ndomein. Auteurs komen zo in een luistercultuur terecht, maar is dat\neen artistieke of een praktische keuze?","owner":{"id":8019629,"first_name":"Laurens","middle_initials":null,"last_name":"Ham","page_name":"LaurensHam","domain_name":"uu","created_at":"2014-01-04T23:17:39.380-08:00","display_name":"Laurens Ham","url":"https://uu.academia.edu/LaurensHam"},"attachments":[{"id":57146342,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/57146342/thumbnails/1.jpg","file_name":"Laurens_Ham_-_Kunsttijdschrift.pdf","download_url":"https://www.academia.edu/attachments/57146342/download_file","bulk_download_file_name":"De_poreuze_grenzen_van_de_jonge_poezie_H.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/57146342/Laurens_Ham_-_Kunsttijdschrift-libre.pdf?1533638404=\u0026response-content-disposition=attachment%3B+filename%3DDe_poreuze_grenzen_van_de_jonge_poezie_H.pdf\u0026Expires=1742297837\u0026Signature=YWhQtMiiwiSuGb1JzABbCGDQ~0sQGnvjFykAzKf~UsbxunVlKr3MLHjQk9-ZHlOVh~SudtuMZgsC2byg-0WOfqPB3KQoRBJaMAvt1tr7-utopUIeBRmvBzINLulZqvTCW~bTD~wLjj-wtsrkfE2iJ1xwWF4a7odnTDP-AuOhIwk9EWk6cjtotGrPiATEDpe5~grNri3zvs~mFzWMHIqz3YC9z9zaoQA08AXmLjyTChF0MboCCNtzaJCTdjVYPlkS62M8t7Yo0JtTf1lC4GahIec9VYyy6WZUr3oQkvNL5vnP6BXUlp3tZH9wVGycIBsRc847R3JEqL~Kwg5rfdyUAg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":3581,"name":"Poetry","url":"https://www.academia.edu/Documents/in/Poetry"},{"id":19471,"name":"Contemporary Poetry","url":"https://www.academia.edu/Documents/in/Contemporary_Poetry"},{"id":52408,"name":"Literary studies","url":"https://www.academia.edu/Documents/in/Literary_studies"},{"id":539682,"name":"Hiphop","url":"https://www.academia.edu/Documents/in/Hiphop"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="70309617"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/70309617/Terrorist_territorium_Ab%C3%A9_Sahetapy_en_Astrid_Lampe_als_dichters_in_een_angstige_wereld"><img alt="Research paper thumbnail of Terrorist, territorium : Abé Sahetapy en Astrid Lampe als dichters in een angstige wereld" class="work-thumbnail" src="https://attachments.academia-assets.com/80420377/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/70309617/Terrorist_territorium_Ab%C3%A9_Sahetapy_en_Astrid_Lampe_als_dichters_in_een_angstige_wereld">Terrorist, territorium : Abé Sahetapy en Astrid Lampe als dichters in een angstige wereld</a></div><div class="wp-workCard_item"><span>DW B</span><span>, 2017</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="8d1fa3b74b47c2220ad8cfbbfa87145e" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":80420377,"asset_id":70309617,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/80420377/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="70309617"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="70309617"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 70309617; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=70309617]").text(description); $(".js-view-count[data-work-id=70309617]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 70309617; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='70309617']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "8d1fa3b74b47c2220ad8cfbbfa87145e" } } $('.js-work-strip[data-work-id=70309617]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":70309617,"title":"Terrorist, territorium : Abé Sahetapy en Astrid Lampe als dichters in een angstige wereld","translated_title":"","metadata":{"publication_date":{"day":null,"month":null,"year":2017,"errors":{}},"publication_name":"DW B"},"translated_abstract":null,"internal_url":"https://www.academia.edu/70309617/Terrorist_territorium_Ab%C3%A9_Sahetapy_en_Astrid_Lampe_als_dichters_in_een_angstige_wereld","translated_internal_url":"","created_at":"2022-02-03T02:10:38.044-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":8019629,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":80420377,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/80420377/thumbnails/1.jpg","file_name":"mei_2017_Kritieken_Laurens_Ham_over_Astrid_Lampe.pdf","download_url":"https://www.academia.edu/attachments/80420377/download_file","bulk_download_file_name":"Terrorist_territorium_Abe_Sahetapy_en_As.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/80420377/mei_2017_Kritieken_Laurens_Ham_over_Astrid_Lampe-libre.pdf?1644239161=\u0026response-content-disposition=attachment%3B+filename%3DTerrorist_territorium_Abe_Sahetapy_en_As.pdf\u0026Expires=1742297837\u0026Signature=LxC1lPhXGKl4hyQFnJF8IwjfGOBhCDzjlLZxW1udQZEA7qyLKyPSAdgsiB2Lwbdtukl9tYT2IKqIF4ccPfSFXbxV-SsBdSUXByJ9XfsTKM-NMgrsgmaKD-RFZkyARKmP8qN3aMXS7Y0~hImShpQlWX-qSMnL~DQWV8hvt~xCk7D-eRkxab1Zfj9nmId2vhJ4iBLrUOnAvme7JXYhbFcqNEmh1sqxzJtQS0756pQgc0AO-cr2scw5zbr149zpCHojjadBlEChQKcnItTO~7pC2OcmgY20ya-4be3msz6jqt2x7BwooNlK3i-jY7SMA7feDn5tZKNWXlnwvOk9fWk7fw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Terrorist_territorium_Abé_Sahetapy_en_Astrid_Lampe_als_dichters_in_een_angstige_wereld","translated_slug":"","page_count":7,"language":"nl","content_type":"Work","summary":null,"owner":{"id":8019629,"first_name":"Laurens","middle_initials":null,"last_name":"Ham","page_name":"LaurensHam","domain_name":"uu","created_at":"2014-01-04T23:17:39.380-08:00","display_name":"Laurens Ham","url":"https://uu.academia.edu/LaurensHam"},"attachments":[{"id":80420377,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/80420377/thumbnails/1.jpg","file_name":"mei_2017_Kritieken_Laurens_Ham_over_Astrid_Lampe.pdf","download_url":"https://www.academia.edu/attachments/80420377/download_file","bulk_download_file_name":"Terrorist_territorium_Abe_Sahetapy_en_As.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/80420377/mei_2017_Kritieken_Laurens_Ham_over_Astrid_Lampe-libre.pdf?1644239161=\u0026response-content-disposition=attachment%3B+filename%3DTerrorist_territorium_Abe_Sahetapy_en_As.pdf\u0026Expires=1742297838\u0026Signature=DOtWC5YNKADCZyD-NV4jooIlcFAkOw61Ml6luCDHstLsDRTJAemI1T2lJfNgpjsdkfgz3CuNh1QhaalhjmmClrsFjIkQAjm08oj5gC~hO6Qmku5J78dnmeZFuy4zbZCG~oE1F265B8xaffLW2Sj~PE-vabb7FAaqL2ZPtkDcC2EdUWKABr8dhft0teSTo70btSs77-7mlKY914XKFT4~r26M5eqIwGnkLw2aOU2lXLs69NgH65EySyNmtypW60QgZ2MnZDRE76G~LzrErZsEsSqfzDMhemInl0RNIzAgfHrh8mwW5346MLoM7pGtiuJvt7guob8shh6R7i66NX5IgQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":128,"name":"History","url":"https://www.academia.edu/Documents/in/History"},{"id":3581,"name":"Poetry","url":"https://www.academia.edu/Documents/in/Poetry"},{"id":5686,"name":"Political Violence and Terrorism","url":"https://www.academia.edu/Documents/in/Political_Violence_and_Terrorism"},{"id":528592,"name":"Poetry Analysis","url":"https://www.academia.edu/Documents/in/Poetry_Analysis"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="42648690"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/42648690/Democratische_experimenten_Over_Xavier_Roelens"><img alt="Research paper thumbnail of Democratische experimenten. Over Xavier Roelens" class="work-thumbnail" src="https://attachments.academia-assets.com/62854899/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/42648690/Democratische_experimenten_Over_Xavier_Roelens">Democratische experimenten. Over Xavier Roelens</a></div><div class="wp-workCard_item"><span>Dichters van het nieuwe millennium. Nederlandse en Vlaamse poëzie in de 21e eeuw</span><span>, 2016</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Op het eerste gezicht is de bijdrage van Xavier Roelens (Menen, 1976; ook wel X Roelens) aan de 2...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Op het eerste gezicht is de bijdrage van Xavier Roelens (Menen, 1976; ook wel X Roelens) aan de 21•-eeuwse Nederland talige poëzie bescheiden. Na zijn debuut er is een spookrijder gesignaleerd (2007, hierna G) publiceerde hij tot dusver één andere bundel: stormen, olielekken, motetten. over de twee hoofdbestanddelen van de mens: water & relaties (2012, OM). Het manu cript van die laat te bundel won een premie tijden het Kun tenfe tival Watou 2011 (de Prij voor Letterkunde -Poëzi van de provincie We ·t-Vlaanderen) en werd een jaar later enomin erd voor de Herman d oninckprij .</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="271d9a73a8307b17abe5c0e9e8d1bae1" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":62854899,"asset_id":42648690,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/62854899/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="42648690"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="42648690"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 42648690; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=42648690]").text(description); $(".js-view-count[data-work-id=42648690]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 42648690; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='42648690']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "271d9a73a8307b17abe5c0e9e8d1bae1" } } $('.js-work-strip[data-work-id=42648690]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":42648690,"title":"Democratische experimenten. Over Xavier Roelens","translated_title":"","metadata":{"grobid_abstract":"Op het eerste gezicht is de bijdrage van Xavier Roelens (Menen, 1976; ook wel X Roelens) aan de 21•-eeuwse Nederland talige poëzie bescheiden. Na zijn debuut er is een spookrijder gesignaleerd (2007, hierna G) publiceerde hij tot dusver één andere bundel: stormen, olielekken, motetten. over de twee hoofdbestanddelen van de mens: water \u0026 relaties (2012, OM). Het manu cript van die laat te bundel won een premie tijden het Kun tenfe tival Watou 2011 (de Prij voor Letterkunde -Poëzi van de provincie We ·t-Vlaanderen) en werd een jaar later enomin erd voor de Herman d oninckprij .","publication_date":{"day":null,"month":null,"year":2016,"errors":{}},"publication_name":"Dichters van het nieuwe millennium. Nederlandse en Vlaamse poëzie in de 21e eeuw","grobid_abstract_attachment_id":62854899},"translated_abstract":null,"internal_url":"https://www.academia.edu/42648690/Democratische_experimenten_Over_Xavier_Roelens","translated_internal_url":"","created_at":"2020-04-06T23:59:31.281-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":8019629,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":62854899,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/62854899/thumbnails/1.jpg","file_name":"Ham_Democratische_experimenten_2220718720200406-125072-zqhpqm.pdf","download_url":"https://www.academia.edu/attachments/62854899/download_file","bulk_download_file_name":"Democratische_experimenten_Over_Xavier_R.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/62854899/Ham_Democratische_experimenten_2220718720200406-125072-zqhpqm-libre.pdf?1586243214=\u0026response-content-disposition=attachment%3B+filename%3DDemocratische_experimenten_Over_Xavier_R.pdf\u0026Expires=1742297838\u0026Signature=cylgtnZr~4Vii4CcvFfoqeXqTnaY3P6IOP-zy1EFm5hvpIrh-F310MQ~pZzV-7eCTP8S7BH5oxst~~yCHN9tAmXWVI-rmMCJBZ~3fzK7jEJMvz6V6m38GeEis7ALIgdlgwMTCaWXfmPah7YVO6j~t96omvyrLv6vzT8DaIDu~3xIwsHsakqBBZVixfFfeLkE-418TyAUMQJ0ZrQzT-Odgbzptc8yeDJqLErBr7tyE8GGcZYhnki2epIibN~77H6VD9KR5eEjCBVfmvS--nly9Ww0BowNChC-kpRirz9zekq9zwYIzIRY4WVFJYm5wQtrYUM6~GlKB8kPvvP-7iVYxQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Democratische_experimenten_Over_Xavier_Roelens","translated_slug":"","page_count":11,"language":"nl","content_type":"Work","summary":"Op het eerste gezicht is de bijdrage van Xavier Roelens (Menen, 1976; ook wel X Roelens) aan de 21•-eeuwse Nederland talige poëzie bescheiden. Na zijn debuut er is een spookrijder gesignaleerd (2007, hierna G) publiceerde hij tot dusver één andere bundel: stormen, olielekken, motetten. over de twee hoofdbestanddelen van de mens: water \u0026 relaties (2012, OM). Het manu cript van die laat te bundel won een premie tijden het Kun tenfe tival Watou 2011 (de Prij voor Letterkunde -Poëzi van de provincie We ·t-Vlaanderen) en werd een jaar later enomin erd voor de Herman d oninckprij .","owner":{"id":8019629,"first_name":"Laurens","middle_initials":null,"last_name":"Ham","page_name":"LaurensHam","domain_name":"uu","created_at":"2014-01-04T23:17:39.380-08:00","display_name":"Laurens Ham","url":"https://uu.academia.edu/LaurensHam"},"attachments":[{"id":62854899,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/62854899/thumbnails/1.jpg","file_name":"Ham_Democratische_experimenten_2220718720200406-125072-zqhpqm.pdf","download_url":"https://www.academia.edu/attachments/62854899/download_file","bulk_download_file_name":"Democratische_experimenten_Over_Xavier_R.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/62854899/Ham_Democratische_experimenten_2220718720200406-125072-zqhpqm-libre.pdf?1586243214=\u0026response-content-disposition=attachment%3B+filename%3DDemocratische_experimenten_Over_Xavier_R.pdf\u0026Expires=1742297838\u0026Signature=cylgtnZr~4Vii4CcvFfoqeXqTnaY3P6IOP-zy1EFm5hvpIrh-F310MQ~pZzV-7eCTP8S7BH5oxst~~yCHN9tAmXWVI-rmMCJBZ~3fzK7jEJMvz6V6m38GeEis7ALIgdlgwMTCaWXfmPah7YVO6j~t96omvyrLv6vzT8DaIDu~3xIwsHsakqBBZVixfFfeLkE-418TyAUMQJ0ZrQzT-Odgbzptc8yeDJqLErBr7tyE8GGcZYhnki2epIibN~77H6VD9KR5eEjCBVfmvS--nly9Ww0BowNChC-kpRirz9zekq9zwYIzIRY4WVFJYm5wQtrYUM6~GlKB8kPvvP-7iVYxQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":3581,"name":"Poetry","url":"https://www.academia.edu/Documents/in/Poetry"},{"id":21325,"name":"Ecopoetics","url":"https://www.academia.edu/Documents/in/Ecopoetics"},{"id":25988,"name":"Dutch Literature","url":"https://www.academia.edu/Documents/in/Dutch_Literature"},{"id":51331,"name":"Avant garde Poetry","url":"https://www.academia.edu/Documents/in/Avant_garde_Poetry"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="70309610"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/70309610/In_wederkerigheid_van_woorden_Zes_dichters_benaderen_de_werkelijkheid_in_taal"><img alt="Research paper thumbnail of In wederkerigheid van woorden : Zes dichters benaderen de werkelijkheid in taal" class="work-thumbnail" src="https://attachments.academia-assets.com/80420453/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/70309610/In_wederkerigheid_van_woorden_Zes_dichters_benaderen_de_werkelijkheid_in_taal">In wederkerigheid van woorden : Zes dichters benaderen de werkelijkheid in taal</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="1c3452f1088c08016d0d157a194b23cf" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":80420453,"asset_id":70309610,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/80420453/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="70309610"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="70309610"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 70309610; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=70309610]").text(description); $(".js-view-count[data-work-id=70309610]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 70309610; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='70309610']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "1c3452f1088c08016d0d157a194b23cf" } } $('.js-work-strip[data-work-id=70309610]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":70309610,"title":"In wederkerigheid van woorden : Zes dichters benaderen de werkelijkheid in taal","translated_title":"","metadata":{"publication_date":{"day":null,"month":null,"year":2016,"errors":{}}},"translated_abstract":null,"internal_url":"https://www.academia.edu/70309610/In_wederkerigheid_van_woorden_Zes_dichters_benaderen_de_werkelijkheid_in_taal","translated_internal_url":"","created_at":"2022-02-03T02:10:37.313-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":8019629,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":80420453,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/80420453/thumbnails/1.jpg","file_name":"DWB_2016_1_boekbesprekingen_Laurens_Ham.pdf","download_url":"https://www.academia.edu/attachments/80420453/download_file","bulk_download_file_name":"In_wederkerigheid_van_woorden_Zes_dichte.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/80420453/DWB_2016_1_boekbesprekingen_Laurens_Ham-libre.pdf?1644239155=\u0026response-content-disposition=attachment%3B+filename%3DIn_wederkerigheid_van_woorden_Zes_dichte.pdf\u0026Expires=1742310506\u0026Signature=U3~QvMTQQ-lwOEcjPckWF2hNgF0WtXLJMQIoI6ZTuS4Fj31IOWOUUjbSUptONmY-nILjZRf~sFgX7CRvERzarzQvZdMV6rq8~IoBPquaDyx44ZTnXa-pHVB-7Dx0fhDk3I0rARaVzZZTezq48pSJnq8kc740NDDkJ80Vl2o8iBkvHnbWEvAztC2wfnLkVZFUzimJaKjKN7-Bpyw7tviX~GX1xrRHmgiypb~WZsDkkZsBbyuwlKMg7oyJ7ECvn8ZgdNtXJSp3kvSwNNrwQTh9EYIWJxT58JOM5tpYkovn-f-id8Mn2pbwu1KxS9KfFtpUOuYie~dOtP7Rnaxg6kQfKA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"In_wederkerigheid_van_woorden_Zes_dichters_benaderen_de_werkelijkheid_in_taal","translated_slug":"","page_count":6,"language":"nl","content_type":"Work","summary":null,"owner":{"id":8019629,"first_name":"Laurens","middle_initials":null,"last_name":"Ham","page_name":"LaurensHam","domain_name":"uu","created_at":"2014-01-04T23:17:39.380-08:00","display_name":"Laurens Ham","url":"https://uu.academia.edu/LaurensHam"},"attachments":[{"id":80420453,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/80420453/thumbnails/1.jpg","file_name":"DWB_2016_1_boekbesprekingen_Laurens_Ham.pdf","download_url":"https://www.academia.edu/attachments/80420453/download_file","bulk_download_file_name":"In_wederkerigheid_van_woorden_Zes_dichte.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/80420453/DWB_2016_1_boekbesprekingen_Laurens_Ham-libre.pdf?1644239155=\u0026response-content-disposition=attachment%3B+filename%3DIn_wederkerigheid_van_woorden_Zes_dichte.pdf\u0026Expires=1742310506\u0026Signature=U3~QvMTQQ-lwOEcjPckWF2hNgF0WtXLJMQIoI6ZTuS4Fj31IOWOUUjbSUptONmY-nILjZRf~sFgX7CRvERzarzQvZdMV6rq8~IoBPquaDyx44ZTnXa-pHVB-7Dx0fhDk3I0rARaVzZZTezq48pSJnq8kc740NDDkJ80Vl2o8iBkvHnbWEvAztC2wfnLkVZFUzimJaKjKN7-Bpyw7tviX~GX1xrRHmgiypb~WZsDkkZsBbyuwlKMg7oyJ7ECvn8ZgdNtXJSp3kvSwNNrwQTh9EYIWJxT58JOM5tpYkovn-f-id8Mn2pbwu1KxS9KfFtpUOuYie~dOtP7Rnaxg6kQfKA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":1200,"name":"Languages and Linguistics","url":"https://www.academia.edu/Documents/in/Languages_and_Linguistics"},{"id":3581,"name":"Poetry","url":"https://www.academia.edu/Documents/in/Poetry"},{"id":528592,"name":"Poetry Analysis","url":"https://www.academia.edu/Documents/in/Poetry_Analysis"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="37195244"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/37195244/Gezellig_indianen_verdrijven_bij_een_kopje_chocolademelk"><img alt="Research paper thumbnail of Gezellig, indianen verdrijven bij een kopje chocolademelk" class="work-thumbnail" src="https://attachments.academia-assets.com/57146272/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/37195244/Gezellig_indianen_verdrijven_bij_een_kopje_chocolademelk">Gezellig, indianen verdrijven bij een kopje chocolademelk</a></div><div class="wp-workCard_item"><span>De Groene Amsterdammer</span><span>, 2016</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Populaire bordspellen verbeelden de obsessies van een samenleving. Wat betekent het dan dat er mo...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Populaire bordspellen verbeelden de obsessies van een samenleving. Wat<br />betekent het dan dat er momenteel zoveel koloniale spellen te verkrijgen zijn?</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="2a9a68ddaa57fa60372814ee034cbcfc" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":57146272,"asset_id":37195244,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/57146272/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="37195244"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="37195244"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 37195244; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=37195244]").text(description); $(".js-view-count[data-work-id=37195244]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 37195244; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='37195244']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "2a9a68ddaa57fa60372814ee034cbcfc" } } $('.js-work-strip[data-work-id=37195244]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":37195244,"title":"Gezellig, indianen verdrijven bij een kopje chocolademelk","translated_title":"","metadata":{"issue":"49","volume":"140","abstract":"Populaire bordspellen verbeelden de obsessies van een samenleving. Wat\nbetekent het dan dat er momenteel zoveel koloniale spellen te verkrijgen zijn?","more_info":"In: De Groene Amsterdammer, 7 December 2016","publication_date":{"day":null,"month":null,"year":2016,"errors":{}},"publication_name":"De Groene Amsterdammer"},"translated_abstract":"Populaire bordspellen verbeelden de obsessies van een samenleving. Wat\nbetekent het dan dat er momenteel zoveel koloniale spellen te verkrijgen zijn?","internal_url":"https://www.academia.edu/37195244/Gezellig_indianen_verdrijven_bij_een_kopje_chocolademelk","translated_internal_url":"","created_at":"2018-08-07T03:13:10.471-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":8019629,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[{"id":31776488,"work_id":37195244,"tagging_user_id":8019629,"tagged_user_id":68748789,"co_author_invite_id":null,"email":"s***6@gmail.com","display_order":1,"name":"Saskia Pieterse","title":"Gezellig, indianen verdrijven bij een kopje chocolademelk"},{"id":31776489,"work_id":37195244,"tagging_user_id":8019629,"tagged_user_id":46310428,"co_author_invite_id":null,"email":"f***z@uu.nl","display_order":2,"name":"Feike Dietz","title":"Gezellig, indianen verdrijven bij een kopje chocolademelk"}],"downloadable_attachments":[{"id":57146272,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/57146272/thumbnails/1.jpg","file_name":"Dietz_Ham_Pieterse_2016.pdf","download_url":"https://www.academia.edu/attachments/57146272/download_file","bulk_download_file_name":"Gezellig_indianen_verdrijven_bij_een_kop.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/57146272/Dietz_Ham_Pieterse_2016-libre.pdf?1533637214=\u0026response-content-disposition=attachment%3B+filename%3DGezellig_indianen_verdrijven_bij_een_kop.pdf\u0026Expires=1742310506\u0026Signature=UmPrql9z5i-TJkMSHrQ8hWr8bLLfLBmuJexYvRwaifawheWQjUiTCI7Eu51oMEcw~JZcwjXpQRLlNJKiwX6jScuuqF3-biD1NEXvo1w-vW92qW8V8hIi9SJrN8x65f0bz4f5LXhkmGEU-GmzrBV576UCmYUqF6RdsEn0ScXTK~-eEGJRoR~IYEnAG27l2cecGTjpsUoAlOlJ52zEk-gber5LZ3AGxkNXHSjhYv8wcQE9qLEx1XERC-XiT3~Ik4lA6nT6RdKEtKHRkr5jnSDOgvoFIulzt6SBBR-BkoueHU~NIkBfRM27DCZPo6KAQvMwZGZSw~L8fua~aAw-Moyreg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Gezellig_indianen_verdrijven_bij_een_kopje_chocolademelk","translated_slug":"","page_count":2,"language":"nl","content_type":"Work","summary":"Populaire bordspellen verbeelden de obsessies van een samenleving. Wat\nbetekent het dan dat er momenteel zoveel koloniale spellen te verkrijgen zijn?","owner":{"id":8019629,"first_name":"Laurens","middle_initials":null,"last_name":"Ham","page_name":"LaurensHam","domain_name":"uu","created_at":"2014-01-04T23:17:39.380-08:00","display_name":"Laurens Ham","url":"https://uu.academia.edu/LaurensHam"},"attachments":[{"id":57146272,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/57146272/thumbnails/1.jpg","file_name":"Dietz_Ham_Pieterse_2016.pdf","download_url":"https://www.academia.edu/attachments/57146272/download_file","bulk_download_file_name":"Gezellig_indianen_verdrijven_bij_een_kop.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/57146272/Dietz_Ham_Pieterse_2016-libre.pdf?1533637214=\u0026response-content-disposition=attachment%3B+filename%3DGezellig_indianen_verdrijven_bij_een_kop.pdf\u0026Expires=1742310506\u0026Signature=UmPrql9z5i-TJkMSHrQ8hWr8bLLfLBmuJexYvRwaifawheWQjUiTCI7Eu51oMEcw~JZcwjXpQRLlNJKiwX6jScuuqF3-biD1NEXvo1w-vW92qW8V8hIi9SJrN8x65f0bz4f5LXhkmGEU-GmzrBV576UCmYUqF6RdsEn0ScXTK~-eEGJRoR~IYEnAG27l2cecGTjpsUoAlOlJ52zEk-gber5LZ3AGxkNXHSjhYv8wcQE9qLEx1XERC-XiT3~Ik4lA6nT6RdKEtKHRkr5jnSDOgvoFIulzt6SBBR-BkoueHU~NIkBfRM27DCZPo6KAQvMwZGZSw~L8fua~aAw-Moyreg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":2858,"name":"Popular Culture","url":"https://www.academia.edu/Documents/in/Popular_Culture"},{"id":6556,"name":"Colonialism","url":"https://www.academia.edu/Documents/in/Colonialism"},{"id":9405,"name":"Post-Colonialism","url":"https://www.academia.edu/Documents/in/Post-Colonialism"},{"id":50932,"name":"Games","url":"https://www.academia.edu/Documents/in/Games"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="1430617" id="papers"><div class="js-work-strip profile--work_container" data-work-id="108271429"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/108271429/De_schrijver_als_kindje_van_Cals_Het_Schrijversprotest_1962_1963_in_het_licht_van_het_autonomiedebat"><img alt="Research paper thumbnail of De schrijver als kindje van Cals. Het Schrijversprotest (1962-1963) in het licht van het autonomiedebat" class="work-thumbnail" src="https://attachments.academia-assets.com/106697695/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/108271429/De_schrijver_als_kindje_van_Cals_Het_Schrijversprotest_1962_1963_in_het_licht_van_het_autonomiedebat">De schrijver als kindje van Cals. Het Schrijversprotest (1962-1963) in het licht van het autonomiedebat</a></div><div class="wp-workCard_item"><span>Nederlandse letterkunde</span><span>, 2023</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This article discusses the Authors' Protest, organised by a group of Dutch literary writers in 19...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This article discusses the Authors' Protest, organised by a group of Dutch literary writers in 1962-1963 to emphasize the need for governmental support for literature, and relates this protest to the debate on literary autonomy. The article follows Gisèle Sapiro's proposal to distinguish between autonomy as a feature of the literary field and autonomy as the institutional recognition of professional authorship. This distinction is linked to the analysis of so-called polities or value regimes, a methodology introduced by Luc Boltanski and Laurent Thévenot. This methodology is a useful tool for analyzing value shifts and discussions about values in a domain such as the literary world. After a reconstruction of the wider debate about fair remuneration of authors (1955-1963), the analysis zooms in on the political as well as poetical debates about governmental support that writers were engaged in during the winter of 1962-1963. While the largest group of writers regarded government subsidies for literature as a means to gain more professional autonomy, a smaller group of writers feared that subsidies would let them lose their moral freedom. This debate was intertwined with a more fundamentally political discussion about the power that the state should exercise over the cultural field.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="d501c6f24348acdaa7bc5ec791e4b5f5" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":106697695,"asset_id":108271429,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/106697695/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="108271429"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="108271429"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 108271429; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=108271429]").text(description); $(".js-view-count[data-work-id=108271429]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 108271429; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='108271429']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "d501c6f24348acdaa7bc5ec791e4b5f5" } } $('.js-work-strip[data-work-id=108271429]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":108271429,"title":"De schrijver als kindje van Cals. Het Schrijversprotest (1962-1963) in het licht van het autonomiedebat","translated_title":"","metadata":{"abstract":"This article discusses the Authors' Protest, organised by a group of Dutch literary writers in 1962-1963 to emphasize the need for governmental support for literature, and relates this protest to the debate on literary autonomy. The article follows Gisèle Sapiro's proposal to distinguish between autonomy as a feature of the literary field and autonomy as the institutional recognition of professional authorship. This distinction is linked to the analysis of so-called polities or value regimes, a methodology introduced by Luc Boltanski and Laurent Thévenot. This methodology is a useful tool for analyzing value shifts and discussions about values in a domain such as the literary world. After a reconstruction of the wider debate about fair remuneration of authors (1955-1963), the analysis zooms in on the political as well as poetical debates about governmental support that writers were engaged in during the winter of 1962-1963. While the largest group of writers regarded government subsidies for literature as a means to gain more professional autonomy, a smaller group of writers feared that subsidies would let them lose their moral freedom. This debate was intertwined with a more fundamentally political discussion about the power that the state should exercise over the cultural field.","publication_date":{"day":null,"month":null,"year":2023,"errors":{}},"publication_name":"Nederlandse letterkunde"},"translated_abstract":"This article discusses the Authors' Protest, organised by a group of Dutch literary writers in 1962-1963 to emphasize the need for governmental support for literature, and relates this protest to the debate on literary autonomy. The article follows Gisèle Sapiro's proposal to distinguish between autonomy as a feature of the literary field and autonomy as the institutional recognition of professional authorship. This distinction is linked to the analysis of so-called polities or value regimes, a methodology introduced by Luc Boltanski and Laurent Thévenot. This methodology is a useful tool for analyzing value shifts and discussions about values in a domain such as the literary world. After a reconstruction of the wider debate about fair remuneration of authors (1955-1963), the analysis zooms in on the political as well as poetical debates about governmental support that writers were engaged in during the winter of 1962-1963. While the largest group of writers regarded government subsidies for literature as a means to gain more professional autonomy, a smaller group of writers feared that subsidies would let them lose their moral freedom. This debate was intertwined with a more fundamentally political discussion about the power that the state should exercise over the cultural field.","internal_url":"https://www.academia.edu/108271429/De_schrijver_als_kindje_van_Cals_Het_Schrijversprotest_1962_1963_in_het_licht_van_het_autonomiedebat","translated_internal_url":"","created_at":"2023-10-17T10:57:52.220-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":8019629,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":106697695,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/106697695/thumbnails/1.jpg","file_name":"NEDLET2023.1.002.HAM.pdf","download_url":"https://www.academia.edu/attachments/106697695/download_file","bulk_download_file_name":"De_schrijver_als_kindje_van_Cals_Het_Sch.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/106697695/NEDLET2023.1.002.HAM-libre.pdf?1697568101=\u0026response-content-disposition=attachment%3B+filename%3DDe_schrijver_als_kindje_van_Cals_Het_Sch.pdf\u0026Expires=1742297835\u0026Signature=S8YmUVBq1kmpj0dJ1iEm6--kzDdTseRjzyWJh~4q00CxWwSbpwzoTVTq7bWA8pDtlM2Wm201f8kxylL9zVdDfhl7EpjRFoug~ww7ZIxUWYI1uXj7H~J1ImYUcDgIPMjVhWY5PP6lYuvQXVaSeKKos9BqkjJHqIsnAhMhsm3bxeVBmtbXKp0-8g3BcNG-oiLeKMwsTGmDWFHIdS9oZfs8XjKf-tAVmN3ldldLAys~K8OGqOwksBSy3F7TfPztMRRx6DA8Ok71ENw6bwHipUryNOw2oWPRxy91~H8ZEM2beuAkogXxJc8xLJZETd4ms1PD5YwDALSMzdcgodnakEUQ0w__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"De_schrijver_als_kindje_van_Cals_Het_Schrijversprotest_1962_1963_in_het_licht_van_het_autonomiedebat","translated_slug":"","page_count":32,"language":"nl","content_type":"Work","summary":"This article discusses the Authors' Protest, organised by a group of Dutch literary writers in 1962-1963 to emphasize the need for governmental support for literature, and relates this protest to the debate on literary autonomy. The article follows Gisèle Sapiro's proposal to distinguish between autonomy as a feature of the literary field and autonomy as the institutional recognition of professional authorship. This distinction is linked to the analysis of so-called polities or value regimes, a methodology introduced by Luc Boltanski and Laurent Thévenot. This methodology is a useful tool for analyzing value shifts and discussions about values in a domain such as the literary world. After a reconstruction of the wider debate about fair remuneration of authors (1955-1963), the analysis zooms in on the political as well as poetical debates about governmental support that writers were engaged in during the winter of 1962-1963. While the largest group of writers regarded government subsidies for literature as a means to gain more professional autonomy, a smaller group of writers feared that subsidies would let them lose their moral freedom. This debate was intertwined with a more fundamentally political discussion about the power that the state should exercise over the cultural field.","owner":{"id":8019629,"first_name":"Laurens","middle_initials":null,"last_name":"Ham","page_name":"LaurensHam","domain_name":"uu","created_at":"2014-01-04T23:17:39.380-08:00","display_name":"Laurens Ham","url":"https://uu.academia.edu/LaurensHam"},"attachments":[{"id":106697695,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/106697695/thumbnails/1.jpg","file_name":"NEDLET2023.1.002.HAM.pdf","download_url":"https://www.academia.edu/attachments/106697695/download_file","bulk_download_file_name":"De_schrijver_als_kindje_van_Cals_Het_Sch.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/106697695/NEDLET2023.1.002.HAM-libre.pdf?1697568101=\u0026response-content-disposition=attachment%3B+filename%3DDe_schrijver_als_kindje_van_Cals_Het_Sch.pdf\u0026Expires=1742297835\u0026Signature=S8YmUVBq1kmpj0dJ1iEm6--kzDdTseRjzyWJh~4q00CxWwSbpwzoTVTq7bWA8pDtlM2Wm201f8kxylL9zVdDfhl7EpjRFoug~ww7ZIxUWYI1uXj7H~J1ImYUcDgIPMjVhWY5PP6lYuvQXVaSeKKos9BqkjJHqIsnAhMhsm3bxeVBmtbXKp0-8g3BcNG-oiLeKMwsTGmDWFHIdS9oZfs8XjKf-tAVmN3ldldLAys~K8OGqOwksBSy3F7TfPztMRRx6DA8Ok71ENw6bwHipUryNOw2oWPRxy91~H8ZEM2beuAkogXxJc8xLJZETd4ms1PD5YwDALSMzdcgodnakEUQ0w__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":1125,"name":"Cultural Policy","url":"https://www.academia.edu/Documents/in/Cultural_Policy"},{"id":2418,"name":"Literature","url":"https://www.academia.edu/Documents/in/Literature"},{"id":25988,"name":"Dutch Literature","url":"https://www.academia.edu/Documents/in/Dutch_Literature"},{"id":333467,"name":"Dutch language and culture","url":"https://www.academia.edu/Documents/in/Dutch_language_and_culture"},{"id":881920,"name":"Arts and Activism","url":"https://www.academia.edu/Documents/in/Arts_and_Activism"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="82387139"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/82387139/Sluit_de_rijen_Botsende_cultuurpolitieke_visies_tijdens_het_Tweede_Schrijversprotest_1970_"><img alt="Research paper thumbnail of Sluit de rijen. Botsende cultuurpolitieke visies tijdens het Tweede Schrijversprotest (1970)" class="work-thumbnail" src="https://attachments.academia-assets.com/88113011/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/82387139/Sluit_de_rijen_Botsende_cultuurpolitieke_visies_tijdens_het_Tweede_Schrijversprotest_1970_">Sluit de rijen. Botsende cultuurpolitieke visies tijdens het Tweede Schrijversprotest (1970)</a></div><div class="wp-workCard_item"><span>Oproer in de letteren. Sixties-protest in de Lage Landen</span><span>, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">In dit artikel worden de verschillende literatuurpolitieke visies tijdens het Tweede Schrijverspr...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In dit artikel worden de verschillende literatuurpolitieke visies tijdens het Tweede Schrijversprotest (Nederland, 1970) geanalyseerd. Dit protest, bedoeld om de financiële en artistieke positie van literaire auteurs te verbeteren, zette de verhoudingen tussen schrijvers, overheid en uitgevers onder spanning. Maar ook onder auteurs zelf was er grote onenigheid over hun doelen en de manieren waarop ze actie wilden voeren.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="67d2bc0e0882853c84b0254f5f50c5ac" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":88113011,"asset_id":82387139,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/88113011/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="82387139"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="82387139"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 82387139; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=82387139]").text(description); $(".js-view-count[data-work-id=82387139]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 82387139; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='82387139']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "67d2bc0e0882853c84b0254f5f50c5ac" } } $('.js-work-strip[data-work-id=82387139]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":82387139,"title":"Sluit de rijen. Botsende cultuurpolitieke visies tijdens het Tweede Schrijversprotest (1970)","translated_title":"","metadata":{"abstract":"In dit artikel worden de verschillende literatuurpolitieke visies tijdens het Tweede Schrijversprotest (Nederland, 1970) geanalyseerd. Dit protest, bedoeld om de financiële en artistieke positie van literaire auteurs te verbeteren, zette de verhoudingen tussen schrijvers, overheid en uitgevers onder spanning. Maar ook onder auteurs zelf was er grote onenigheid over hun doelen en de manieren waarop ze actie wilden voeren. ","publication_date":{"day":null,"month":null,"year":2021,"errors":{}},"publication_name":"Oproer in de letteren. Sixties-protest in de Lage Landen"},"translated_abstract":"In dit artikel worden de verschillende literatuurpolitieke visies tijdens het Tweede Schrijversprotest (Nederland, 1970) geanalyseerd. Dit protest, bedoeld om de financiële en artistieke positie van literaire auteurs te verbeteren, zette de verhoudingen tussen schrijvers, overheid en uitgevers onder spanning. Maar ook onder auteurs zelf was er grote onenigheid over hun doelen en de manieren waarop ze actie wilden voeren. ","internal_url":"https://www.academia.edu/82387139/Sluit_de_rijen_Botsende_cultuurpolitieke_visies_tijdens_het_Tweede_Schrijversprotest_1970_","translated_internal_url":"","created_at":"2022-06-29T23:43:52.784-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":8019629,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":88113011,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/88113011/thumbnails/1.jpg","file_name":"SEL.14_oproer.in.de.letteren_Laurens_Ham.pdf","download_url":"https://www.academia.edu/attachments/88113011/download_file","bulk_download_file_name":"Sluit_de_rijen_Botsende_cultuurpolitieke.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/88113011/SEL.14_oproer.in.de.letteren_Laurens_Ham-libre.pdf?1656572395=\u0026response-content-disposition=attachment%3B+filename%3DSluit_de_rijen_Botsende_cultuurpolitieke.pdf\u0026Expires=1742297835\u0026Signature=cLrfTWUkaUcEaaoWpneQiIxgdBWUQHpYvLk-uF3ONTDJczrSqVaPUWb2tXQJ~8DAez6UwZa50ZKe619ysRz3sA6u9Pb0RYhpr01lTQY6gA-HLVXbP-0mUdsuTgDWiC3ZpGJOyHB2byBi1uvd5lc0U8-gPTsy8i7ousPI~agVL7QlQz3Er33nkOBROyKTFPAyqz7nJY-Dv19fIE-cs2SFa~7gv2rp9BXCTz7PbYru2PLDKcLbODw~N3NRMy7y5Mmeb5yjJ9SuYMYCbTpYtrW0ZAhQuPP~SgOHxSdjRZhnbMRUFTtGEusETZfSdJnIeDFOl3rg6SaEf-MA8TqtqxALpA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Sluit_de_rijen_Botsende_cultuurpolitieke_visies_tijdens_het_Tweede_Schrijversprotest_1970_","translated_slug":"","page_count":35,"language":"nl","content_type":"Work","summary":"In dit artikel worden de verschillende literatuurpolitieke visies tijdens het Tweede Schrijversprotest (Nederland, 1970) geanalyseerd. Dit protest, bedoeld om de financiële en artistieke positie van literaire auteurs te verbeteren, zette de verhoudingen tussen schrijvers, overheid en uitgevers onder spanning. Maar ook onder auteurs zelf was er grote onenigheid over hun doelen en de manieren waarop ze actie wilden voeren. ","owner":{"id":8019629,"first_name":"Laurens","middle_initials":null,"last_name":"Ham","page_name":"LaurensHam","domain_name":"uu","created_at":"2014-01-04T23:17:39.380-08:00","display_name":"Laurens Ham","url":"https://uu.academia.edu/LaurensHam"},"attachments":[{"id":88113011,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/88113011/thumbnails/1.jpg","file_name":"SEL.14_oproer.in.de.letteren_Laurens_Ham.pdf","download_url":"https://www.academia.edu/attachments/88113011/download_file","bulk_download_file_name":"Sluit_de_rijen_Botsende_cultuurpolitieke.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/88113011/SEL.14_oproer.in.de.letteren_Laurens_Ham-libre.pdf?1656572395=\u0026response-content-disposition=attachment%3B+filename%3DSluit_de_rijen_Botsende_cultuurpolitieke.pdf\u0026Expires=1742297836\u0026Signature=KgzISxGT8ETNXlS3UXyMfzl9UzuFLAv9CguCr2myqiaBtsAcjTBVsG-WetQs4a1ZgKaci3jFhH5mXLci4aD-LvIOspRvppEmlbUSIAOxIYTZkilRetXRVG5B~eBUCeEkBmlGKUIqhHxZCj6zXEGBvCcMvfAsSZGrUiq7IYaMj7VTRn1oJoTZYOf1kR9HVhkK1wLMMTLdZD84eMsUvEUr3-xOMX~toLdUdeJseZRWPgWfC6DXtyQXERNtbrPfUjqYceexpE0i29B~pcLc~ElR-gP~etHwmWTC~P5zIUC9pnr27aTjvtEcFuUYumoxxSWHJmfD7LYXQs83m77MNl~Agw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":2418,"name":"Literature","url":"https://www.academia.edu/Documents/in/Literature"},{"id":25988,"name":"Dutch Literature","url":"https://www.academia.edu/Documents/in/Dutch_Literature"},{"id":43841,"name":"Counterculture","url":"https://www.academia.edu/Documents/in/Counterculture"},{"id":51203,"name":"Modern Dutch Literature","url":"https://www.academia.edu/Documents/in/Modern_Dutch_Literature"},{"id":182165,"name":"Cultural and Political Activism of the 1960s and 1970s","url":"https://www.academia.edu/Documents/in/Cultural_and_Political_Activism_of_the_1960s_and_1970s"},{"id":881920,"name":"Arts and Activism","url":"https://www.academia.edu/Documents/in/Arts_and_Activism"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="78851199"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/78851199/Nog_nooit_werd_er_zoveel_gelezen_Democratisering_in_de_Nederlandse_boekenwereld_van_de_late_jaren_zestig_tot_de_late_jaren_zeventig"><img alt="Research paper thumbnail of Nog nooit werd er zoveel gelezen. Democratisering in de Nederlandse boekenwereld van de late jaren zestig tot de late jaren zeventig" class="work-thumbnail" src="https://attachments.academia-assets.com/85749310/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/78851199/Nog_nooit_werd_er_zoveel_gelezen_Democratisering_in_de_Nederlandse_boekenwereld_van_de_late_jaren_zestig_tot_de_late_jaren_zeventig">Nog nooit werd er zoveel gelezen. Democratisering in de Nederlandse boekenwereld van de late jaren zestig tot de late jaren zeventig</a></div><div class="wp-workCard_item"><span>Jaarboek voor Nederlandse Boekgeschiedenis </span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This article discusses the attempts to democratise Dutch book culture in the late 1960s and the e...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This article discusses the attempts to democratise Dutch book culture in the late 1960s and the early 1970s. Insights from the history of books, from literary studies and from cultural policy studies are brought together, for a better understanding of the influence that authors can have on book policies and on book market developments. <br /> Three definitions of democratisation in the 1960s and 1970s are discussed. Firstly, democratisation functioned as a poetical metaphor: influential Dutch essayist Paul Rodenko introduced the terms ‘democratisation of the word’ and ‘democratisation of poetry’ as principles that set avant-garde poetry apart from older literary forms. The ‘democratisation of poetry’ in particular – the idea that all subjects and words could be poetic material, whether they be lofty or low – played a considerable role in discussions about mid-20th-century Dutch literature. The second definition of democratisation emphasised the growing importance of participation in policy and political concerns. From the late 1960s onwards, Dutch students, artists, and other groups in society demanded a voice in the policies they were subjected to. In the third place, democratisation was about making literature better accessible, especially for adult members of the working class and working class youth. <br /> An important institution for setting this third type of democratisation in motion was the Stichting Collectieve Propaganda van het Nederlandse Boek (CPNB, the Organization for the Collective Promotion of the Dutch Book). In the mid sixties, CPNB developed a more popular style of promoting literature to the greater public, jumping on the bandwagon of the upcoming pop and television culture. Many publishers in these years embraced this type of democratisation too. In the course of the 1970s, a growing number of left-leaning authors began to problematise this tendency, which they considered as a cover-up for a further commercialisation the literary field. They feared that this popularisation strategy could be fatal for smaller publishing companies that brought less easily marketable work. The early 1980s saw a new focus in the CPNB policy: from then on, the CPNB in the yearly Dutch Book Week focused less on non-literary media and popular culture; it tried to present the written literary word in an appealing way.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="c158f6d8b2fb71fa90d52ccdf422e5d6" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":85749310,"asset_id":78851199,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/85749310/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="78851199"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="78851199"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 78851199; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=78851199]").text(description); $(".js-view-count[data-work-id=78851199]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 78851199; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='78851199']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "c158f6d8b2fb71fa90d52ccdf422e5d6" } } $('.js-work-strip[data-work-id=78851199]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":78851199,"title":"Nog nooit werd er zoveel gelezen. Democratisering in de Nederlandse boekenwereld van de late jaren zestig tot de late jaren zeventig","translated_title":"","metadata":{"abstract":"This article discusses the attempts to democratise Dutch book culture in the late 1960s and the early 1970s. Insights from the history of books, from literary studies and from cultural policy studies are brought together, for a better understanding of the influence that authors can have on book policies and on book market developments. \n\tThree definitions of democratisation in the 1960s and 1970s are discussed. Firstly, democratisation functioned as a poetical metaphor: influential Dutch essayist Paul Rodenko introduced the terms ‘democratisation of the word’ and ‘democratisation of poetry’ as principles that set avant-garde poetry apart from older literary forms. The ‘democratisation of poetry’ in particular – the idea that all subjects and words could be poetic material, whether they be lofty or low – played a considerable role in discussions about mid-20th-century Dutch literature. The second definition of democratisation emphasised the growing importance of participation in policy and political concerns. From the late 1960s onwards, Dutch students, artists, and other groups in society demanded a voice in the policies they were subjected to. In the third place, democratisation was about making literature better accessible, especially for adult members of the working class and working class youth. \n\tAn important institution for setting this third type of democratisation in motion was the Stichting Collectieve Propaganda van het Nederlandse Boek (CPNB, the Organization for the Collective Promotion of the Dutch Book). In the mid sixties, CPNB developed a more popular style of promoting literature to the greater public, jumping on the bandwagon of the upcoming pop and television culture. Many publishers in these years embraced this type of democratisation too. In the course of the 1970s, a growing number of left-leaning authors began to problematise this tendency, which they considered as a cover-up for a further commercialisation the literary field. They feared that this popularisation strategy could be fatal for smaller publishing companies that brought less easily marketable work. The early 1980s saw a new focus in the CPNB policy: from then on, the CPNB in the yearly Dutch Book Week focused less on non-literary media and popular culture; it tried to present the written literary word in an appealing way. ","publication_date":{"day":null,"month":null,"year":2020,"errors":{}},"publication_name":"Jaarboek voor Nederlandse Boekgeschiedenis "},"translated_abstract":"This article discusses the attempts to democratise Dutch book culture in the late 1960s and the early 1970s. Insights from the history of books, from literary studies and from cultural policy studies are brought together, for a better understanding of the influence that authors can have on book policies and on book market developments. \n\tThree definitions of democratisation in the 1960s and 1970s are discussed. Firstly, democratisation functioned as a poetical metaphor: influential Dutch essayist Paul Rodenko introduced the terms ‘democratisation of the word’ and ‘democratisation of poetry’ as principles that set avant-garde poetry apart from older literary forms. The ‘democratisation of poetry’ in particular – the idea that all subjects and words could be poetic material, whether they be lofty or low – played a considerable role in discussions about mid-20th-century Dutch literature. The second definition of democratisation emphasised the growing importance of participation in policy and political concerns. From the late 1960s onwards, Dutch students, artists, and other groups in society demanded a voice in the policies they were subjected to. In the third place, democratisation was about making literature better accessible, especially for adult members of the working class and working class youth. \n\tAn important institution for setting this third type of democratisation in motion was the Stichting Collectieve Propaganda van het Nederlandse Boek (CPNB, the Organization for the Collective Promotion of the Dutch Book). In the mid sixties, CPNB developed a more popular style of promoting literature to the greater public, jumping on the bandwagon of the upcoming pop and television culture. Many publishers in these years embraced this type of democratisation too. In the course of the 1970s, a growing number of left-leaning authors began to problematise this tendency, which they considered as a cover-up for a further commercialisation the literary field. They feared that this popularisation strategy could be fatal for smaller publishing companies that brought less easily marketable work. The early 1980s saw a new focus in the CPNB policy: from then on, the CPNB in the yearly Dutch Book Week focused less on non-literary media and popular culture; it tried to present the written literary word in an appealing way. ","internal_url":"https://www.academia.edu/78851199/Nog_nooit_werd_er_zoveel_gelezen_Democratisering_in_de_Nederlandse_boekenwereld_van_de_late_jaren_zestig_tot_de_late_jaren_zeventig","translated_internal_url":"","created_at":"2022-05-09T05:51:27.845-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":8019629,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":85749310,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/85749310/thumbnails/1.jpg","file_name":"HAM_2020_Jaarboek_Boekgeschiedenis.pdf","download_url":"https://www.academia.edu/attachments/85749310/download_file","bulk_download_file_name":"Nog_nooit_werd_er_zoveel_gelezen_Democra.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/85749310/HAM_2020_Jaarboek_Boekgeschiedenis-libre.pdf?1652101698=\u0026response-content-disposition=attachment%3B+filename%3DNog_nooit_werd_er_zoveel_gelezen_Democra.pdf\u0026Expires=1742297836\u0026Signature=cIRKEbDxxHwSBFVCF950V4Yb7CQS044xdfnkYXquA-E1fZ3RVOyeLhx-UpMX~YQm7WI928-MJ6MTI1pNk4ayRsKN9ufnFTpSh1cMCnbvvYNV9T7zUtz8GQRstRB0xnfWi7AjVdJfH26pTiMj6HSthlWjmrZnCMZsjOFWbv3n-IVw86TTkdqXxQCjnE0Kp9pl9KlPrzpfd5fjKYuEjaSrVQtZmM1vIbpoJrta1R2MbBraLBlNtN9uEB1pa4uPtlwM2N~U9b6XeGxO4p82qrCY26ov75WGH50DsOcQIGyBo-JkLhEwcomEo-s85sZnV-YqvcsOLVPTmh9Ww7d1oqB43A__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Nog_nooit_werd_er_zoveel_gelezen_Democratisering_in_de_Nederlandse_boekenwereld_van_de_late_jaren_zestig_tot_de_late_jaren_zeventig","translated_slug":"","page_count":16,"language":"nl","content_type":"Work","summary":"This article discusses the attempts to democratise Dutch book culture in the late 1960s and the early 1970s. Insights from the history of books, from literary studies and from cultural policy studies are brought together, for a better understanding of the influence that authors can have on book policies and on book market developments. \n\tThree definitions of democratisation in the 1960s and 1970s are discussed. Firstly, democratisation functioned as a poetical metaphor: influential Dutch essayist Paul Rodenko introduced the terms ‘democratisation of the word’ and ‘democratisation of poetry’ as principles that set avant-garde poetry apart from older literary forms. The ‘democratisation of poetry’ in particular – the idea that all subjects and words could be poetic material, whether they be lofty or low – played a considerable role in discussions about mid-20th-century Dutch literature. The second definition of democratisation emphasised the growing importance of participation in policy and political concerns. From the late 1960s onwards, Dutch students, artists, and other groups in society demanded a voice in the policies they were subjected to. In the third place, democratisation was about making literature better accessible, especially for adult members of the working class and working class youth. \n\tAn important institution for setting this third type of democratisation in motion was the Stichting Collectieve Propaganda van het Nederlandse Boek (CPNB, the Organization for the Collective Promotion of the Dutch Book). In the mid sixties, CPNB developed a more popular style of promoting literature to the greater public, jumping on the bandwagon of the upcoming pop and television culture. Many publishers in these years embraced this type of democratisation too. In the course of the 1970s, a growing number of left-leaning authors began to problematise this tendency, which they considered as a cover-up for a further commercialisation the literary field. They feared that this popularisation strategy could be fatal for smaller publishing companies that brought less easily marketable work. The early 1980s saw a new focus in the CPNB policy: from then on, the CPNB in the yearly Dutch Book Week focused less on non-literary media and popular culture; it tried to present the written literary word in an appealing way. ","owner":{"id":8019629,"first_name":"Laurens","middle_initials":null,"last_name":"Ham","page_name":"LaurensHam","domain_name":"uu","created_at":"2014-01-04T23:17:39.380-08:00","display_name":"Laurens Ham","url":"https://uu.academia.edu/LaurensHam"},"attachments":[{"id":85749310,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/85749310/thumbnails/1.jpg","file_name":"HAM_2020_Jaarboek_Boekgeschiedenis.pdf","download_url":"https://www.academia.edu/attachments/85749310/download_file","bulk_download_file_name":"Nog_nooit_werd_er_zoveel_gelezen_Democra.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/85749310/HAM_2020_Jaarboek_Boekgeschiedenis-libre.pdf?1652101698=\u0026response-content-disposition=attachment%3B+filename%3DNog_nooit_werd_er_zoveel_gelezen_Democra.pdf\u0026Expires=1742297836\u0026Signature=cIRKEbDxxHwSBFVCF950V4Yb7CQS044xdfnkYXquA-E1fZ3RVOyeLhx-UpMX~YQm7WI928-MJ6MTI1pNk4ayRsKN9ufnFTpSh1cMCnbvvYNV9T7zUtz8GQRstRB0xnfWi7AjVdJfH26pTiMj6HSthlWjmrZnCMZsjOFWbv3n-IVw86TTkdqXxQCjnE0Kp9pl9KlPrzpfd5fjKYuEjaSrVQtZmM1vIbpoJrta1R2MbBraLBlNtN9uEB1pa4uPtlwM2N~U9b6XeGxO4p82qrCY26ov75WGH50DsOcQIGyBo-JkLhEwcomEo-s85sZnV-YqvcsOLVPTmh9Ww7d1oqB43A__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":2340,"name":"Book History","url":"https://www.academia.edu/Documents/in/Book_History"},{"id":2972,"name":"Media History","url":"https://www.academia.edu/Documents/in/Media_History"},{"id":17062,"name":"Book Publishing","url":"https://www.academia.edu/Documents/in/Book_Publishing"},{"id":22075,"name":"Democratisation","url":"https://www.academia.edu/Documents/in/Democratisation"},{"id":25988,"name":"Dutch Literature","url":"https://www.academia.edu/Documents/in/Dutch_Literature"},{"id":51203,"name":"Modern Dutch Literature","url":"https://www.academia.edu/Documents/in/Modern_Dutch_Literature"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="49815186"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/49815186/Krijg_je_nog_rente_voor_een_lied_Stadsdichterschap_als_eer_en_verdienste_sinds_de_middeleeuwen"><img alt="Research paper thumbnail of Krijg je nog rente voor een lied? Stadsdichterschap als eer en verdienste sinds de middeleeuwen" class="work-thumbnail" src="https://attachments.academia-assets.com/84042724/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/49815186/Krijg_je_nog_rente_voor_een_lied_Stadsdichterschap_als_eer_en_verdienste_sinds_de_middeleeuwen">Krijg je nog rente voor een lied? Stadsdichterschap als eer en verdienste sinds de middeleeuwen</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://uu.academia.edu/LaurensHam">Laurens Ham</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://antwerp.academia.edu/RemcoSleiderink">Remco Sleiderink</a></span></div><div class="wp-workCard_item"><span>Nederlandse Letterkunde</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This article presents the first diachronic overview of the economic, social and symbolic profits ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This article presents the first diachronic overview of the economic, social and symbolic profits of ‘city poets’ (‘stadsdichters’) in the Low Countries. From the early fifteenth century onwards, there have been many (more or less) official relationships between city councils and poets. The prominence and the form of these relationships, however, diverged greatly in different periods: whereas official appointments were the standard in the fifteenth, sixteenth and the twenty-first centuries, the period in between saw a much more diverse landscape of informal appointments and relationships. After presenting a historical overview of the role of city poets throughout the centuries, this article focuses on two well-documented periods in which formal agreements were made between town governments and poets: the late Middle Ages and the start of the 21st century. We analyze political and financial agreements explicitly in relationship to the complexities surrounding the production of city poetry. City poetry, paid by public money, is bound to be controversial: in general because its status is subject to changes and political discussions, but also because this form of commissioned poetry is sometimes seen as a form of propaganda. Official city poetry seems to flourish most in societies with a stable political-religious climate (as in the Southern Low Countries in the fifteenth and sixteenth century) and/or with a keen interest in city marketing (as in Flanders and the Netherlands in the twenty-first century).</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="d3129d626b139f81b19ee76efcd99109" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":84042724,"asset_id":49815186,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/84042724/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="49815186"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="49815186"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 49815186; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=49815186]").text(description); $(".js-view-count[data-work-id=49815186]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 49815186; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='49815186']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "d3129d626b139f81b19ee76efcd99109" } } $('.js-work-strip[data-work-id=49815186]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":49815186,"title":"Krijg je nog rente voor een lied? Stadsdichterschap als eer en verdienste sinds de middeleeuwen","translated_title":"","metadata":{"abstract":"This article presents the first diachronic overview of the economic, social and symbolic profits of ‘city poets’ (‘stadsdichters’) in the Low Countries. From the early fifteenth century onwards, there have been many (more or less) official relationships between city councils and poets. The prominence and the form of these relationships, however, diverged greatly in different periods: whereas official appointments were the standard in the fifteenth, sixteenth and the twenty-first centuries, the period in between saw a much more diverse landscape of informal appointments and relationships. After presenting a historical overview of the role of city poets throughout the centuries, this article focuses on two well-documented periods in which formal agreements were made between town governments and poets: the late Middle Ages and the start of the 21st century. We analyze political and financial agreements explicitly in relationship to the complexities surrounding the production of city poetry. City poetry, paid by public money, is bound to be controversial: in general because its status is subject to changes and political discussions, but also because this form of commissioned poetry is sometimes seen as a form of propaganda. Official city poetry seems to flourish most in societies with a stable political-religious climate (as in the Southern Low Countries in the fifteenth and sixteenth century) and/or with a keen interest in city marketing (as in Flanders and the Netherlands in the twenty-first century).","more_info":"Nederlandse letterkunde, 2020","publisher":"Amsterdam University Press","publication_name":"Nederlandse Letterkunde"},"translated_abstract":"This article presents the first diachronic overview of the economic, social and symbolic profits of ‘city poets’ (‘stadsdichters’) in the Low Countries. From the early fifteenth century onwards, there have been many (more or less) official relationships between city councils and poets. The prominence and the form of these relationships, however, diverged greatly in different periods: whereas official appointments were the standard in the fifteenth, sixteenth and the twenty-first centuries, the period in between saw a much more diverse landscape of informal appointments and relationships. After presenting a historical overview of the role of city poets throughout the centuries, this article focuses on two well-documented periods in which formal agreements were made between town governments and poets: the late Middle Ages and the start of the 21st century. We analyze political and financial agreements explicitly in relationship to the complexities surrounding the production of city poetry. City poetry, paid by public money, is bound to be controversial: in general because its status is subject to changes and political discussions, but also because this form of commissioned poetry is sometimes seen as a form of propaganda. Official city poetry seems to flourish most in societies with a stable political-religious climate (as in the Southern Low Countries in the fifteenth and sixteenth century) and/or with a keen interest in city marketing (as in Flanders and the Netherlands in the twenty-first century).","internal_url":"https://www.academia.edu/49815186/Krijg_je_nog_rente_voor_een_lied_Stadsdichterschap_als_eer_en_verdienste_sinds_de_middeleeuwen","translated_internal_url":"","created_at":"2021-07-12T10:56:12.775-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":8019629,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[{"id":38028880,"work_id":49815186,"tagging_user_id":8019629,"tagged_user_id":228031883,"co_author_invite_id":7343711,"email":"n***k@uu.nl","display_order":1,"name":"Nina Geerdink","title":"Krijg je nog rente voor een lied? Stadsdichterschap als eer en verdienste sinds de middeleeuwen"},{"id":38028881,"work_id":49815186,"tagging_user_id":8019629,"tagged_user_id":2304903,"co_author_invite_id":null,"email":"j***n@me.com","affiliation":"Radboud University Nijmegen","display_order":2,"name":"Johan Oosterman","title":"Krijg je nog rente voor een lied? Stadsdichterschap als eer en verdienste sinds de middeleeuwen"},{"id":38028882,"work_id":49815186,"tagging_user_id":8019629,"tagged_user_id":12741005,"co_author_invite_id":null,"email":"r***k@uantwerpen.be","affiliation":"University of Antwerp","display_order":3,"name":"Remco Sleiderink","title":"Krijg je nog rente voor een lied? Stadsdichterschap als eer en verdienste sinds de middeleeuwen"},{"id":38028883,"work_id":49815186,"tagging_user_id":8019629,"tagged_user_id":null,"co_author_invite_id":7107627,"email":"p***x@tilburguniversity.edu","display_order":4,"name":"Sander Bax","title":"Krijg je nog rente voor een lied? Stadsdichterschap als eer en verdienste sinds de middeleeuwen"}],"downloadable_attachments":[{"id":84042724,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/84042724/thumbnails/1.jpg","file_name":"Stadsdichterschap_NL_2020.pdf","download_url":"https://www.academia.edu/attachments/84042724/download_file","bulk_download_file_name":"Krijg_je_nog_rente_voor_een_lied_Stadsdi.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/84042724/Stadsdichterschap_NL_2020-libre.pdf?1649832684=\u0026response-content-disposition=attachment%3B+filename%3DKrijg_je_nog_rente_voor_een_lied_Stadsdi.pdf\u0026Expires=1742297836\u0026Signature=H8-9NMoo9aq-PfVjN5yPCqCmjmcNUZT8ang7OpwnNzncwAaert4BIN~bQZ1fgUYzPtPDukRSswtdDWlOLOAD2G5pBBHMq-mrXRxZ8se3px4s3vFhlTRB56UCoOGcRo~tp-zb7xbPRGOe8xJbOkSvaaI8HmOr4nUft68ceQ3K9UzwA4wQJvQqPXWzrKkzzQRTQqoUd6z2uWPBmjLytfAqdE9eTWn6Z1EHtIPgCMdXZmYi8SH6gU0a59jX4SH2k9W~7sz3RWlbreXzfA9CT1v-30LWaUJ-44npOlNLIMpey7l0podEjQBih3o8LU3IZU9RQgklNORN-wBtYbGNsZtl~Q__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Krijg_je_nog_rente_voor_een_lied_Stadsdichterschap_als_eer_en_verdienste_sinds_de_middeleeuwen","translated_slug":"","page_count":34,"language":"nl","content_type":"Work","summary":"This article presents the first diachronic overview of the economic, social and symbolic profits of ‘city poets’ (‘stadsdichters’) in the Low Countries. From the early fifteenth century onwards, there have been many (more or less) official relationships between city councils and poets. The prominence and the form of these relationships, however, diverged greatly in different periods: whereas official appointments were the standard in the fifteenth, sixteenth and the twenty-first centuries, the period in between saw a much more diverse landscape of informal appointments and relationships. After presenting a historical overview of the role of city poets throughout the centuries, this article focuses on two well-documented periods in which formal agreements were made between town governments and poets: the late Middle Ages and the start of the 21st century. We analyze political and financial agreements explicitly in relationship to the complexities surrounding the production of city poetry. City poetry, paid by public money, is bound to be controversial: in general because its status is subject to changes and political discussions, but also because this form of commissioned poetry is sometimes seen as a form of propaganda. Official city poetry seems to flourish most in societies with a stable political-religious climate (as in the Southern Low Countries in the fifteenth and sixteenth century) and/or with a keen interest in city marketing (as in Flanders and the Netherlands in the twenty-first century).","owner":{"id":8019629,"first_name":"Laurens","middle_initials":null,"last_name":"Ham","page_name":"LaurensHam","domain_name":"uu","created_at":"2014-01-04T23:17:39.380-08:00","display_name":"Laurens Ham","url":"https://uu.academia.edu/LaurensHam"},"attachments":[{"id":84042724,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/84042724/thumbnails/1.jpg","file_name":"Stadsdichterschap_NL_2020.pdf","download_url":"https://www.academia.edu/attachments/84042724/download_file","bulk_download_file_name":"Krijg_je_nog_rente_voor_een_lied_Stadsdi.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/84042724/Stadsdichterschap_NL_2020-libre.pdf?1649832684=\u0026response-content-disposition=attachment%3B+filename%3DKrijg_je_nog_rente_voor_een_lied_Stadsdi.pdf\u0026Expires=1742297836\u0026Signature=H8-9NMoo9aq-PfVjN5yPCqCmjmcNUZT8ang7OpwnNzncwAaert4BIN~bQZ1fgUYzPtPDukRSswtdDWlOLOAD2G5pBBHMq-mrXRxZ8se3px4s3vFhlTRB56UCoOGcRo~tp-zb7xbPRGOe8xJbOkSvaaI8HmOr4nUft68ceQ3K9UzwA4wQJvQqPXWzrKkzzQRTQqoUd6z2uWPBmjLytfAqdE9eTWn6Z1EHtIPgCMdXZmYi8SH6gU0a59jX4SH2k9W~7sz3RWlbreXzfA9CT1v-30LWaUJ-44npOlNLIMpey7l0podEjQBih3o8LU3IZU9RQgklNORN-wBtYbGNsZtl~Q__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":1125,"name":"Cultural Policy","url":"https://www.academia.edu/Documents/in/Cultural_Policy"},{"id":25988,"name":"Dutch Literature","url":"https://www.academia.edu/Documents/in/Dutch_Literature"},{"id":51203,"name":"Modern Dutch Literature","url":"https://www.academia.edu/Documents/in/Modern_Dutch_Literature"},{"id":61633,"name":"The City in Literature and Culture","url":"https://www.academia.edu/Documents/in/The_City_in_Literature_and_Culture"},{"id":1114892,"name":"Late Medieval \u0026 Early Modern Dutch Literature","url":"https://www.academia.edu/Documents/in/Late_Medieval_and_Early_Modern_Dutch_Literature"},{"id":1208890,"name":"Dutch Poetry","url":"https://www.academia.edu/Documents/in/Dutch_Poetry"}],"urls":[{"id":19425686,"url":"https://www.aup-online.com/content/journals/10.5117/NEDLET2020.1.005.HAM"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="49815184"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/49815184/Naar_een_diachrone_blik_op_de_verdiensten_van_Nederlandstalige_auteurs"><img alt="Research paper thumbnail of Naar een diachrone blik op de verdiensten van Nederlandstalige auteurs" class="work-thumbnail" src="https://attachments.academia-assets.com/84043707/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/49815184/Naar_een_diachrone_blik_op_de_verdiensten_van_Nederlandstalige_auteurs">Naar een diachrone blik op de verdiensten van Nederlandstalige auteurs</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://uu.academia.edu/LaurensHam">Laurens Ham</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://antwerp.academia.edu/RemcoSleiderink">Remco Sleiderink</a></span></div><div class="wp-workCard_item"><span>Nederlandse Letterkunde</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This article argues that it is both important and viable to develop a diachronic perspective on t...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This article argues that it is both important and viable to develop a diachronic perspective on the profits of literary authors in the Low Countries. Up to now, conceptual and theoretical boundaries between different subdisciplines within Dutch literary studies have resulted in a compartmentalized, fragmentary narrative of the economic, social and symbolic profits of literary authors throughout the centuries. On the basis of a survey of the theoretical frameworks dominant in the subdisciplines of medieval, early modern and modern Dutch literature, we highlight the opportunities and difficulties for a diachronic perspective on financial advancement, focusing both on practice and discourse. In addition, we propose a schematic model that tries to overcome the difficulties and enables us to profit from the opportunities. This proposal allows for a sharper focus on both the practice of and discourse on literary authors’ economic gain from a diachronic perspective.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="ae6c13371ced48b92da29fb6e41f72b1" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":84043707,"asset_id":49815184,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/84043707/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="49815184"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="49815184"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 49815184; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=49815184]").text(description); $(".js-view-count[data-work-id=49815184]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 49815184; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='49815184']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "ae6c13371ced48b92da29fb6e41f72b1" } } $('.js-work-strip[data-work-id=49815184]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":49815184,"title":"Naar een diachrone blik op de verdiensten van Nederlandstalige auteurs","translated_title":"","metadata":{"issue":"1","volume":"25","abstract":"This article argues that it is both important and viable to develop a diachronic perspective on the profits of literary authors in the Low Countries. Up to now, conceptual and theoretical boundaries between different subdisciplines within Dutch literary studies have resulted in a compartmentalized, fragmentary narrative of the economic, social and symbolic profits of literary authors throughout the centuries. On the basis of a survey of the theoretical frameworks dominant in the subdisciplines of medieval, early modern and modern Dutch literature, we highlight the opportunities and difficulties for a diachronic perspective on financial advancement, focusing both on practice and discourse. In addition, we propose a schematic model that tries to overcome the difficulties and enables us to profit from the opportunities. This proposal allows for a sharper focus on both the practice of and discourse on literary authors’ economic gain from a diachronic perspective.","publisher":"Amsterdam University Press","page_numbers":"7-26","publication_date":{"day":null,"month":null,"year":2020,"errors":{}},"publication_name":"Nederlandse Letterkunde"},"translated_abstract":"This article argues that it is both important and viable to develop a diachronic perspective on the profits of literary authors in the Low Countries. Up to now, conceptual and theoretical boundaries between different subdisciplines within Dutch literary studies have resulted in a compartmentalized, fragmentary narrative of the economic, social and symbolic profits of literary authors throughout the centuries. On the basis of a survey of the theoretical frameworks dominant in the subdisciplines of medieval, early modern and modern Dutch literature, we highlight the opportunities and difficulties for a diachronic perspective on financial advancement, focusing both on practice and discourse. In addition, we propose a schematic model that tries to overcome the difficulties and enables us to profit from the opportunities. This proposal allows for a sharper focus on both the practice of and discourse on literary authors’ economic gain from a diachronic perspective.","internal_url":"https://www.academia.edu/49815184/Naar_een_diachrone_blik_op_de_verdiensten_van_Nederlandstalige_auteurs","translated_internal_url":"","created_at":"2021-07-12T10:56:12.537-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":8019629,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[{"id":37666501,"work_id":49815184,"tagging_user_id":8019629,"tagged_user_id":228031883,"co_author_invite_id":7343711,"email":"n***k@uu.nl","display_order":1,"name":"Nina Geerdink","title":"Naar een diachrone blik op de verdiensten van Nederlandstalige auteurs"},{"id":37683095,"work_id":49815184,"tagging_user_id":8019629,"tagged_user_id":171880367,"co_author_invite_id":null,"email":"h***r@uu.nl","affiliation":"Utrecht University","display_order":2,"name":"Helleke van den Braber","title":"Naar een diachrone blik op de verdiensten van Nederlandstalige auteurs"},{"id":38028977,"work_id":49815184,"tagging_user_id":8019629,"tagged_user_id":12741005,"co_author_invite_id":null,"email":"r***k@uantwerpen.be","affiliation":"University of Antwerp","display_order":3,"name":"Remco Sleiderink","title":"Naar een diachrone blik op de verdiensten van Nederlandstalige auteurs"}],"downloadable_attachments":[{"id":84043707,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/84043707/thumbnails/1.jpg","file_name":"Diachrone_blik_NL_2020.pdf","download_url":"https://www.academia.edu/attachments/84043707/download_file","bulk_download_file_name":"Naar_een_diachrone_blik_op_de_verdienste.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/84043707/Diachrone_blik_NL_2020-libre.pdf?1649833460=\u0026response-content-disposition=attachment%3B+filename%3DNaar_een_diachrone_blik_op_de_verdienste.pdf\u0026Expires=1742297836\u0026Signature=fKgX0ccYAmxBrkohOEEjkiRZwNNdNNzFTatXNg9XbfBRtDBb1GZr3nX6lMaVS8bmegjAWNtw9jQftohxGyTHoBg6YV9wrShw9lX~CVPWhiyLC4eXqlAV5SP3zwBccTllwxoPjYTDNxY7JPN4T8Wv7J8DdHJDOk-0MvyZ8F6R3UTrOsNP0t31Kf1Q13yTKpJshlUdDiPwqSN6uZj6PFJU6oYbkAEQIT9w5CPC-cQPLjEn~0J1Thnn5oPavwi-a2koA61AZB4PGLSOE3SPm0~dr171RiJO~WtGVgnewQ6oDE-qm7GuNanYCNTrthlDxebyr09iOcCKF7H6zj6X6EqemA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Naar_een_diachrone_blik_op_de_verdiensten_van_Nederlandstalige_auteurs","translated_slug":"","page_count":20,"language":"nl","content_type":"Work","summary":"This article argues that it is both important and viable to develop a diachronic perspective on the profits of literary authors in the Low Countries. Up to now, conceptual and theoretical boundaries between different subdisciplines within Dutch literary studies have resulted in a compartmentalized, fragmentary narrative of the economic, social and symbolic profits of literary authors throughout the centuries. On the basis of a survey of the theoretical frameworks dominant in the subdisciplines of medieval, early modern and modern Dutch literature, we highlight the opportunities and difficulties for a diachronic perspective on financial advancement, focusing both on practice and discourse. In addition, we propose a schematic model that tries to overcome the difficulties and enables us to profit from the opportunities. This proposal allows for a sharper focus on both the practice of and discourse on literary authors’ economic gain from a diachronic perspective.","owner":{"id":8019629,"first_name":"Laurens","middle_initials":null,"last_name":"Ham","page_name":"LaurensHam","domain_name":"uu","created_at":"2014-01-04T23:17:39.380-08:00","display_name":"Laurens Ham","url":"https://uu.academia.edu/LaurensHam"},"attachments":[{"id":84043707,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/84043707/thumbnails/1.jpg","file_name":"Diachrone_blik_NL_2020.pdf","download_url":"https://www.academia.edu/attachments/84043707/download_file","bulk_download_file_name":"Naar_een_diachrone_blik_op_de_verdienste.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/84043707/Diachrone_blik_NL_2020-libre.pdf?1649833460=\u0026response-content-disposition=attachment%3B+filename%3DNaar_een_diachrone_blik_op_de_verdienste.pdf\u0026Expires=1742297836\u0026Signature=fKgX0ccYAmxBrkohOEEjkiRZwNNdNNzFTatXNg9XbfBRtDBb1GZr3nX6lMaVS8bmegjAWNtw9jQftohxGyTHoBg6YV9wrShw9lX~CVPWhiyLC4eXqlAV5SP3zwBccTllwxoPjYTDNxY7JPN4T8Wv7J8DdHJDOk-0MvyZ8F6R3UTrOsNP0t31Kf1Q13yTKpJshlUdDiPwqSN6uZj6PFJU6oYbkAEQIT9w5CPC-cQPLjEn~0J1Thnn5oPavwi-a2koA61AZB4PGLSOE3SPm0~dr171RiJO~WtGVgnewQ6oDE-qm7GuNanYCNTrthlDxebyr09iOcCKF7H6zj6X6EqemA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":20487,"name":"Literary History","url":"https://www.academia.edu/Documents/in/Literary_History"},{"id":25988,"name":"Dutch Literature","url":"https://www.academia.edu/Documents/in/Dutch_Literature"},{"id":51203,"name":"Modern Dutch Literature","url":"https://www.academia.edu/Documents/in/Modern_Dutch_Literature"},{"id":396534,"name":"Literary Sociology","url":"https://www.academia.edu/Documents/in/Literary_Sociology"},{"id":1114892,"name":"Late Medieval \u0026 Early Modern Dutch Literature","url":"https://www.academia.edu/Documents/in/Late_Medieval_and_Early_Modern_Dutch_Literature"}],"urls":[{"id":19426171,"url":"https://www.aup-online.com/content/journals/10.5117/NEDLET2020.1.002.SLEI"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="44090378"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/44090378/Echte_schrijvers_zijn_niet_te_koop_Praktijk_en_beeldvorming_van_het_economisch_profijt_van_de_literaire_auteur_door_de_eeuwen_heen"><img alt="Research paper thumbnail of Echte schrijvers zijn niet te koop. Praktĳk en beeldvorming van het economisch profijt van de literaire auteur door de eeuwen heen" class="work-thumbnail" src="https://attachments.academia-assets.com/64436733/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/44090378/Echte_schrijvers_zijn_niet_te_koop_Praktijk_en_beeldvorming_van_het_economisch_profijt_van_de_literaire_auteur_door_de_eeuwen_heen">Echte schrijvers zijn niet te koop. Praktĳk en beeldvorming van het economisch profijt van de literaire auteur door de eeuwen heen</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://uu.academia.edu/LaurensHam">Laurens Ham</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://uu.academia.edu/HellekevandenBraber">Helleke van den Braber</a></span></div><div class="wp-workCard_item"><span>Nederlandse Letterkunde</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">A grand narrative of Dutch literary authors' opportunities to economically profit from their writ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">A grand narrative of Dutch literary authors' opportunities to economically profit from their writing is yet to be written. The general assumption, however, is that these opportunities developed teleologically from a dominant system of patronage during medieval and early modern times, in which financial gains were marginal and in which author's independence of their supporters was constrained, to a system in which the commercial book market was dominant and where authors could be more self-supporting and thus more independent of supporters. This article argues that there is no such teleology. On the contrary: on the basis of an exploration of both practice and discourse of literary authors' profits from the Middle Ages to the present, we conclude that in every period, it was possible for authors to profit from their writing through either patronage, market or governmental support , and often through a combination of these sources. Moreover, in every period varying types of independence of literary authors was valued highly. Our analysis of the discourse on profits shows that the continuous tendency to disguise financial advancement could be related to the importance of authorial independence throughout the ages.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="1a7e29ed8a8b8a5ca38da2fbf61b5b3e" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":64436733,"asset_id":44090378,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/64436733/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="44090378"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="44090378"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44090378; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=44090378]").text(description); $(".js-view-count[data-work-id=44090378]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 44090378; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='44090378']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "1a7e29ed8a8b8a5ca38da2fbf61b5b3e" } } $('.js-work-strip[data-work-id=44090378]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":44090378,"title":"Echte schrijvers zijn niet te koop. Praktĳk en beeldvorming van het economisch profijt van de literaire auteur door de eeuwen heen","translated_title":"","metadata":{"abstract":"A grand narrative of Dutch literary authors' opportunities to economically profit from their writing is yet to be written. The general assumption, however, is that these opportunities developed teleologically from a dominant system of patronage during medieval and early modern times, in which financial gains were marginal and in which author's independence of their supporters was constrained, to a system in which the commercial book market was dominant and where authors could be more self-supporting and thus more independent of supporters. This article argues that there is no such teleology. On the contrary: on the basis of an exploration of both practice and discourse of literary authors' profits from the Middle Ages to the present, we conclude that in every period, it was possible for authors to profit from their writing through either patronage, market or governmental support , and often through a combination of these sources. Moreover, in every period varying types of independence of literary authors was valued highly. Our analysis of the discourse on profits shows that the continuous tendency to disguise financial advancement could be related to the importance of authorial independence throughout the ages.","publication_date":{"day":null,"month":null,"year":2020,"errors":{}},"publication_name":"Nederlandse Letterkunde"},"translated_abstract":"A grand narrative of Dutch literary authors' opportunities to economically profit from their writing is yet to be written. The general assumption, however, is that these opportunities developed teleologically from a dominant system of patronage during medieval and early modern times, in which financial gains were marginal and in which author's independence of their supporters was constrained, to a system in which the commercial book market was dominant and where authors could be more self-supporting and thus more independent of supporters. This article argues that there is no such teleology. On the contrary: on the basis of an exploration of both practice and discourse of literary authors' profits from the Middle Ages to the present, we conclude that in every period, it was possible for authors to profit from their writing through either patronage, market or governmental support , and often through a combination of these sources. Moreover, in every period varying types of independence of literary authors was valued highly. Our analysis of the discourse on profits shows that the continuous tendency to disguise financial advancement could be related to the importance of authorial independence throughout the ages.","internal_url":"https://www.academia.edu/44090378/Echte_schrijvers_zijn_niet_te_koop_Praktijk_en_beeldvorming_van_het_economisch_profijt_van_de_literaire_auteur_door_de_eeuwen_heen","translated_internal_url":"","created_at":"2020-09-15T01:53:39.011-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":8019629,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[{"id":35717840,"work_id":44090378,"tagging_user_id":8019629,"tagged_user_id":171880367,"co_author_invite_id":7107626,"email":"h***r@uu.nl","affiliation":"Utrecht University","display_order":2,"name":"Helleke van den Braber","title":"Echte schrijvers zijn niet te koop. Praktĳk en beeldvorming van het economisch profijt van de literaire auteur door de eeuwen heen"},{"id":35717841,"work_id":44090378,"tagging_user_id":8019629,"tagged_user_id":null,"co_author_invite_id":7107627,"email":"p***x@tilburguniversity.edu","display_order":3,"name":"Sander Bax","title":"Echte schrijvers zijn niet te koop. Praktĳk en beeldvorming van het economisch profijt van de literaire auteur door de eeuwen heen"},{"id":35717842,"work_id":44090378,"tagging_user_id":8019629,"tagged_user_id":2304903,"co_author_invite_id":null,"email":"j***n@me.com","affiliation":"Radboud University Nijmegen","display_order":4,"name":"Johan Oosterman","title":"Echte schrijvers zijn niet te koop. Praktĳk en beeldvorming van het economisch profijt van de literaire auteur door de eeuwen heen"},{"id":35729777,"work_id":44090378,"tagging_user_id":8019629,"tagged_user_id":null,"co_author_invite_id":7109599,"email":"p***x@uvt.nl","display_order":4194306,"name":"P. Bax","title":"Echte schrijvers zijn niet te koop. Praktĳk en beeldvorming van het economisch profijt van de literaire auteur door de eeuwen heen"},{"id":41201523,"work_id":44090378,"tagging_user_id":171880367,"tagged_user_id":228031883,"co_author_invite_id":null,"email":"n***k@uu.nl","display_order":1075838977,"name":"Nina Geerdink","title":"Echte schrijvers zijn niet te koop. Praktĳk en beeldvorming van het economisch profijt van de literaire auteur door de eeuwen heen"}],"downloadable_attachments":[{"id":64436733,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/64436733/thumbnails/1.jpg","file_name":"echte_schrijvers_zijn_niet_te_koop.pdf","download_url":"https://www.academia.edu/attachments/64436733/download_file","bulk_download_file_name":"Echte_schrijvers_zijn_niet_te_koop_Prakt.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/64436733/echte_schrijvers_zijn_niet_te_koop-libre.pdf?1600160710=\u0026response-content-disposition=attachment%3B+filename%3DEchte_schrijvers_zijn_niet_te_koop_Prakt.pdf\u0026Expires=1742297836\u0026Signature=ZZZsyopQaoikkhHEBSQNvcVf7tVAZfUKX4-C4VTS-b4CzkflrO7zPHBxo0Jy2eGYcs1XMq5XTDWYmHJ~JsvmL9x9f-HPj8HovpY7e4P3vqNN8zz3okdBNyWfTqfNJhAVfLvgLA1Upbg4R5oY72T7pv-NlInvI1f0s2zzWO3ec466ciUJ63JMYtWH4SWemtjO08FYkG9zOUJcyuZYYXFNMvpTblIKLpc9OeShqYodHjEd8D6Sr6qRmfmuidgr4O~584oSdNPUFeSPjfXaV-DKCGM5oTgi3MkCMONpduMgUbpV0djJ733x31sWhOYXK3bqtCzhltmChlk7ZcXm5tUnNw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Echte_schrijvers_zijn_niet_te_koop_Praktijk_en_beeldvorming_van_het_economisch_profijt_van_de_literaire_auteur_door_de_eeuwen_heen","translated_slug":"","page_count":36,"language":"nl","content_type":"Work","summary":"A grand narrative of Dutch literary authors' opportunities to economically profit from their writing is yet to be written. The general assumption, however, is that these opportunities developed teleologically from a dominant system of patronage during medieval and early modern times, in which financial gains were marginal and in which author's independence of their supporters was constrained, to a system in which the commercial book market was dominant and where authors could be more self-supporting and thus more independent of supporters. This article argues that there is no such teleology. On the contrary: on the basis of an exploration of both practice and discourse of literary authors' profits from the Middle Ages to the present, we conclude that in every period, it was possible for authors to profit from their writing through either patronage, market or governmental support , and often through a combination of these sources. Moreover, in every period varying types of independence of literary authors was valued highly. Our analysis of the discourse on profits shows that the continuous tendency to disguise financial advancement could be related to the importance of authorial independence throughout the ages.","owner":{"id":8019629,"first_name":"Laurens","middle_initials":null,"last_name":"Ham","page_name":"LaurensHam","domain_name":"uu","created_at":"2014-01-04T23:17:39.380-08:00","display_name":"Laurens Ham","url":"https://uu.academia.edu/LaurensHam"},"attachments":[{"id":64436733,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/64436733/thumbnails/1.jpg","file_name":"echte_schrijvers_zijn_niet_te_koop.pdf","download_url":"https://www.academia.edu/attachments/64436733/download_file","bulk_download_file_name":"Echte_schrijvers_zijn_niet_te_koop_Prakt.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/64436733/echte_schrijvers_zijn_niet_te_koop-libre.pdf?1600160710=\u0026response-content-disposition=attachment%3B+filename%3DEchte_schrijvers_zijn_niet_te_koop_Prakt.pdf\u0026Expires=1742297836\u0026Signature=ZZZsyopQaoikkhHEBSQNvcVf7tVAZfUKX4-C4VTS-b4CzkflrO7zPHBxo0Jy2eGYcs1XMq5XTDWYmHJ~JsvmL9x9f-HPj8HovpY7e4P3vqNN8zz3okdBNyWfTqfNJhAVfLvgLA1Upbg4R5oY72T7pv-NlInvI1f0s2zzWO3ec466ciUJ63JMYtWH4SWemtjO08FYkG9zOUJcyuZYYXFNMvpTblIKLpc9OeShqYodHjEd8D6Sr6qRmfmuidgr4O~584oSdNPUFeSPjfXaV-DKCGM5oTgi3MkCMONpduMgUbpV0djJ733x31sWhOYXK3bqtCzhltmChlk7ZcXm5tUnNw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":1125,"name":"Cultural Policy","url":"https://www.academia.edu/Documents/in/Cultural_Policy"},{"id":2340,"name":"Book History","url":"https://www.academia.edu/Documents/in/Book_History"},{"id":2811,"name":"History of the Book","url":"https://www.academia.edu/Documents/in/History_of_the_Book"},{"id":14614,"name":"Sociology of Literature","url":"https://www.academia.edu/Documents/in/Sociology_of_Literature"},{"id":29883,"name":"Authorship","url":"https://www.academia.edu/Documents/in/Authorship"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="42742333"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/42742333/Niet_produceren_en_niet_concurreren_maar_lachen_spelen_lachen_Een_voorstel_voor_een_ecologische_po%C3%ABzieanalyse_van_Sybren_Polet"><img alt="Research paper thumbnail of Niet produceren en niet concurreren, maar lachen, spelen, lachen. Een voorstel voor een ecologische poëzieanalyse van Sybren Polet" class="work-thumbnail" src="https://attachments.academia-assets.com/62960962/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/42742333/Niet_produceren_en_niet_concurreren_maar_lachen_spelen_lachen_Een_voorstel_voor_een_ecologische_po%C3%ABzieanalyse_van_Sybren_Polet">Niet produceren en niet concurreren, maar lachen, spelen, lachen. Een voorstel voor een ecologische poëzieanalyse van Sybren Polet</a></div><div class="wp-workCard_item"><span>Spiegel der Letteren</span><span>, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Signalling a need for new poetry interpretation models in Dutch literary scholarship , we propose...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Signalling a need for new poetry interpretation models in Dutch literary scholarship , we propose an ecological-that is to say, an inclusive, complex and relation-based-approach of poetry. More specifically, this article focuses on the section 'Illusie & illu-minatie' of Sybren Polet's (1925-2015) eponymous poetry collection Illusie & illuminatie (1975). With an emphasis on the writing process (genetic criticism) and the political agency of the poems, the article interprets poetry as an active force in the world. Our close reading demonstrates the symbiosis of form and content in Polet's poetry, his striving for openness, the creative tension between changeability, utopia and human action in the poems, and Polet's poetic criticism of local policy.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="812f45658be872094f2fecd96ae39844" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":62960962,"asset_id":42742333,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/62960962/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="42742333"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="42742333"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 42742333; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=42742333]").text(description); $(".js-view-count[data-work-id=42742333]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 42742333; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='42742333']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "812f45658be872094f2fecd96ae39844" } } $('.js-work-strip[data-work-id=42742333]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":42742333,"title":"Niet produceren en niet concurreren, maar lachen, spelen, lachen. Een voorstel voor een ecologische poëzieanalyse van Sybren Polet","translated_title":"","metadata":{"abstract":"Signalling a need for new poetry interpretation models in Dutch literary scholarship , we propose an ecological-that is to say, an inclusive, complex and relation-based-approach of poetry. More specifically, this article focuses on the section 'Illusie \u0026 illu-minatie' of Sybren Polet's (1925-2015) eponymous poetry collection Illusie \u0026 illuminatie (1975). With an emphasis on the writing process (genetic criticism) and the political agency of the poems, the article interprets poetry as an active force in the world. Our close reading demonstrates the symbiosis of form and content in Polet's poetry, his striving for openness, the creative tension between changeability, utopia and human action in the poems, and Polet's poetic criticism of local policy. ","publication_date":{"day":null,"month":null,"year":2019,"errors":{}},"publication_name":"Spiegel der Letteren"},"translated_abstract":"Signalling a need for new poetry interpretation models in Dutch literary scholarship , we propose an ecological-that is to say, an inclusive, complex and relation-based-approach of poetry. More specifically, this article focuses on the section 'Illusie \u0026 illu-minatie' of Sybren Polet's (1925-2015) eponymous poetry collection Illusie \u0026 illuminatie (1975). With an emphasis on the writing process (genetic criticism) and the political agency of the poems, the article interprets poetry as an active force in the world. Our close reading demonstrates the symbiosis of form and content in Polet's poetry, his striving for openness, the creative tension between changeability, utopia and human action in the poems, and Polet's poetic criticism of local policy. ","internal_url":"https://www.academia.edu/42742333/Niet_produceren_en_niet_concurreren_maar_lachen_spelen_lachen_Een_voorstel_voor_een_ecologische_po%C3%ABzieanalyse_van_Sybren_Polet","translated_internal_url":"","created_at":"2020-04-14T23:39:18.269-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":8019629,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[{"id":34248297,"work_id":42742333,"tagging_user_id":8019629,"tagged_user_id":null,"co_author_invite_id":7010904,"email":"e***r@students.uu.nl","display_order":1,"name":"Elice de Gier","title":"Niet produceren en niet concurreren, maar lachen, spelen, lachen. Een voorstel voor een ecologische poëzieanalyse van Sybren Polet"}],"downloadable_attachments":[{"id":62960962,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/62960962/thumbnails/1.jpg","file_name":"de_Gier_Ham20200414-103968-11b130u.pdf","download_url":"https://www.academia.edu/attachments/62960962/download_file","bulk_download_file_name":"Niet_produceren_en_niet_concurreren_maar.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/62960962/de_Gier_Ham20200414-103968-11b130u-libre.pdf?1586933633=\u0026response-content-disposition=attachment%3B+filename%3DNiet_produceren_en_niet_concurreren_maar.pdf\u0026Expires=1742297837\u0026Signature=gJ59KMwjIcoWSVO4wuTgcssM5vnrAesyex3clJ8TtL080lMWBOxTWYjoqHZXzngjGgCrwZy63-JlRdapJZdOkDd-SPJ86IyMoQ0xAd4sIICW1iZLEjhN6bhFJJXpJsD6goxWSTem~HK7Hd-RqLgVXjpXyOPpyawPSh-9PsQxcGwvPav5DH6Nlp2tZvbOec76F3d2Qjd3qqSZdBVzS9bjmO-jjFIkfyBduhQw8bdNSpLxLetbWDfQ-z8UMFrVPt9qzjw1IEaAwSvaB0t~UbWmU5fj7mGmfntkD57QptpP3BvwKz04tl-hfcB1~HX3uGKCbgS~qj-JDlSKhwbJ7GTj3g__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Niet_produceren_en_niet_concurreren_maar_lachen_spelen_lachen_Een_voorstel_voor_een_ecologische_poëzieanalyse_van_Sybren_Polet","translated_slug":"","page_count":32,"language":"nl","content_type":"Work","summary":"Signalling a need for new poetry interpretation models in Dutch literary scholarship , we propose an ecological-that is to say, an inclusive, complex and relation-based-approach of poetry. More specifically, this article focuses on the section 'Illusie \u0026 illu-minatie' of Sybren Polet's (1925-2015) eponymous poetry collection Illusie \u0026 illuminatie (1975). With an emphasis on the writing process (genetic criticism) and the political agency of the poems, the article interprets poetry as an active force in the world. Our close reading demonstrates the symbiosis of form and content in Polet's poetry, his striving for openness, the creative tension between changeability, utopia and human action in the poems, and Polet's poetic criticism of local policy. ","owner":{"id":8019629,"first_name":"Laurens","middle_initials":null,"last_name":"Ham","page_name":"LaurensHam","domain_name":"uu","created_at":"2014-01-04T23:17:39.380-08:00","display_name":"Laurens Ham","url":"https://uu.academia.edu/LaurensHam"},"attachments":[{"id":62960962,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/62960962/thumbnails/1.jpg","file_name":"de_Gier_Ham20200414-103968-11b130u.pdf","download_url":"https://www.academia.edu/attachments/62960962/download_file","bulk_download_file_name":"Niet_produceren_en_niet_concurreren_maar.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/62960962/de_Gier_Ham20200414-103968-11b130u-libre.pdf?1586933633=\u0026response-content-disposition=attachment%3B+filename%3DNiet_produceren_en_niet_concurreren_maar.pdf\u0026Expires=1742297837\u0026Signature=gJ59KMwjIcoWSVO4wuTgcssM5vnrAesyex3clJ8TtL080lMWBOxTWYjoqHZXzngjGgCrwZy63-JlRdapJZdOkDd-SPJ86IyMoQ0xAd4sIICW1iZLEjhN6bhFJJXpJsD6goxWSTem~HK7Hd-RqLgVXjpXyOPpyawPSh-9PsQxcGwvPav5DH6Nlp2tZvbOec76F3d2Qjd3qqSZdBVzS9bjmO-jjFIkfyBduhQw8bdNSpLxLetbWDfQ-z8UMFrVPt9qzjw1IEaAwSvaB0t~UbWmU5fj7mGmfntkD57QptpP3BvwKz04tl-hfcB1~HX3uGKCbgS~qj-JDlSKhwbJ7GTj3g__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":3581,"name":"Poetry","url":"https://www.academia.edu/Documents/in/Poetry"},{"id":16201,"name":"Ecocriticism","url":"https://www.academia.edu/Documents/in/Ecocriticism"},{"id":21325,"name":"Ecopoetics","url":"https://www.academia.edu/Documents/in/Ecopoetics"},{"id":323760,"name":"Ecopoetry \u0026 Poetics","url":"https://www.academia.edu/Documents/in/Ecopoetry_and_Poetics"},{"id":528592,"name":"Poetry Analysis","url":"https://www.academia.edu/Documents/in/Poetry_Analysis"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="42546367"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/42546367/Elke_tijd_vraagt_zijn_eigen_Max_Havelaar_Multatulis_debuutroman_in_de_eenentwintigste_eeuwse_jongerencultuur"><img alt="Research paper thumbnail of 'Elke tijd vraagt zijn eigen Max Havelaar'. Multatuli's debuutroman in de eenentwintigste-eeuwse jongerencultuur" class="work-thumbnail" src="https://attachments.academia-assets.com/62735449/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/42546367/Elke_tijd_vraagt_zijn_eigen_Max_Havelaar_Multatulis_debuutroman_in_de_eenentwintigste_eeuwse_jongerencultuur">'Elke tijd vraagt zijn eigen Max Havelaar'. Multatuli's debuutroman in de eenentwintigste-eeuwse jongerencultuur</a></div><div class="wp-workCard_item"><span>Indische letteren</span><span>, 2018</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Multatuli's debuutroman in de eenentwintigste-eeuwse populaire jongerencultuur rJ LAURENS HAM Mul...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Multatuli's debuutroman in de eenentwintigste-eeuwse populaire jongerencultuur rJ LAURENS HAM Multatuli had het niet op navolgers. Zijn werken staan bol van de tirades tegen kunstenaars die weinig anders doen dan beroemde voorgangers nabootsen en die daarmee zondigen tegen zijn gebod altijd 'oorspronkelyk' en 'natuurlyk' te zijn. In Idee 1266a verzucht hij: '[N]iemand -vader Cats en de plompste Kappelman niet uitgezonderd -gelykt zó weinig op Heine, als zy die, Heine navolgende, op Heine menen te gelyken. " In Duizend en eeni,ge hoofdstukken over specialiteiten (1871) introduceerde</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="26656a41ab69eba18c6928235074cd16" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":62735449,"asset_id":42546367,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/62735449/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="42546367"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="42546367"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 42546367; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=42546367]").text(description); $(".js-view-count[data-work-id=42546367]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 42546367; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='42546367']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "26656a41ab69eba18c6928235074cd16" } } $('.js-work-strip[data-work-id=42546367]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":42546367,"title":"'Elke tijd vraagt zijn eigen Max Havelaar'. Multatuli's debuutroman in de eenentwintigste-eeuwse jongerencultuur","translated_title":"","metadata":{"grobid_abstract":"Multatuli's debuutroman in de eenentwintigste-eeuwse populaire jongerencultuur rJ LAURENS HAM Multatuli had het niet op navolgers. Zijn werken staan bol van de tirades tegen kunstenaars die weinig anders doen dan beroemde voorgangers nabootsen en die daarmee zondigen tegen zijn gebod altijd 'oorspronkelyk' en 'natuurlyk' te zijn. In Idee 1266a verzucht hij: '[N]iemand -vader Cats en de plompste Kappelman niet uitgezonderd -gelykt zó weinig op Heine, als zy die, Heine navolgende, op Heine menen te gelyken. \" In Duizend en eeni,ge hoofdstukken over specialiteiten (1871) introduceerde","publication_date":{"day":null,"month":null,"year":2018,"errors":{}},"publication_name":"Indische letteren","grobid_abstract_attachment_id":62735449},"translated_abstract":null,"internal_url":"https://www.academia.edu/42546367/Elke_tijd_vraagt_zijn_eigen_Max_Havelaar_Multatulis_debuutroman_in_de_eenentwintigste_eeuwse_jongerencultuur","translated_internal_url":"","created_at":"2020-04-02T06:34:12.252-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":8019629,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":62735449,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/62735449/thumbnails/1.jpg","file_name":"Ham_Debuutroman_4023108220200402-95982-141uxvw.pdf","download_url":"https://www.academia.edu/attachments/62735449/download_file","bulk_download_file_name":"Elke_tijd_vraagt_zijn_eigen_Max_Havelaar.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/62735449/Ham_Debuutroman_4023108220200402-95982-141uxvw-libre.pdf?1585985331=\u0026response-content-disposition=attachment%3B+filename%3DElke_tijd_vraagt_zijn_eigen_Max_Havelaar.pdf\u0026Expires=1742297837\u0026Signature=cm~8iJDscsGdzWgd6FqXMPNN97ipBmILolVl9KZumSkZkQ16rcWU-0Ij5-hLqC-ZMg9XH2tH33Wp0h9tm6c6seSM6bagGA7TBps35-OTMR4oKZqy4FpDFWB~6l8kKlM14ipsjK-zhmLGMjrfvhTBvIh~JkEqnkmRw9KrXN2Wm3Sijj3QN7pNAganIuqzYSB2GapaWMpGGVXWw6j~jMz327yxsPLZR9j5mW0mKUzn-zOb83sWDNqStEpAuYI4AvxmIbBYB~p4KkbIYt1i~9ZRBw8dgIlDPLoFHjfSAg32TNRdHaNd4tmrC3LMgcR4XFVjrZ5BLm~pNxy6R-Dy5gCJoA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Elke_tijd_vraagt_zijn_eigen_Max_Havelaar_Multatulis_debuutroman_in_de_eenentwintigste_eeuwse_jongerencultuur","translated_slug":"","page_count":15,"language":"nl","content_type":"Work","summary":"Multatuli's debuutroman in de eenentwintigste-eeuwse populaire jongerencultuur rJ LAURENS HAM Multatuli had het niet op navolgers. Zijn werken staan bol van de tirades tegen kunstenaars die weinig anders doen dan beroemde voorgangers nabootsen en die daarmee zondigen tegen zijn gebod altijd 'oorspronkelyk' en 'natuurlyk' te zijn. In Idee 1266a verzucht hij: '[N]iemand -vader Cats en de plompste Kappelman niet uitgezonderd -gelykt zó weinig op Heine, als zy die, Heine navolgende, op Heine menen te gelyken. \" In Duizend en eeni,ge hoofdstukken over specialiteiten (1871) introduceerde","owner":{"id":8019629,"first_name":"Laurens","middle_initials":null,"last_name":"Ham","page_name":"LaurensHam","domain_name":"uu","created_at":"2014-01-04T23:17:39.380-08:00","display_name":"Laurens Ham","url":"https://uu.academia.edu/LaurensHam"},"attachments":[{"id":62735449,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/62735449/thumbnails/1.jpg","file_name":"Ham_Debuutroman_4023108220200402-95982-141uxvw.pdf","download_url":"https://www.academia.edu/attachments/62735449/download_file","bulk_download_file_name":"Elke_tijd_vraagt_zijn_eigen_Max_Havelaar.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/62735449/Ham_Debuutroman_4023108220200402-95982-141uxvw-libre.pdf?1585985331=\u0026response-content-disposition=attachment%3B+filename%3DElke_tijd_vraagt_zijn_eigen_Max_Havelaar.pdf\u0026Expires=1742297837\u0026Signature=cm~8iJDscsGdzWgd6FqXMPNN97ipBmILolVl9KZumSkZkQ16rcWU-0Ij5-hLqC-ZMg9XH2tH33Wp0h9tm6c6seSM6bagGA7TBps35-OTMR4oKZqy4FpDFWB~6l8kKlM14ipsjK-zhmLGMjrfvhTBvIh~JkEqnkmRw9KrXN2Wm3Sijj3QN7pNAganIuqzYSB2GapaWMpGGVXWw6j~jMz327yxsPLZR9j5mW0mKUzn-zOb83sWDNqStEpAuYI4AvxmIbBYB~p4KkbIYt1i~9ZRBw8dgIlDPLoFHjfSAg32TNRdHaNd4tmrC3LMgcR4XFVjrZ5BLm~pNxy6R-Dy5gCJoA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":2858,"name":"Popular Culture","url":"https://www.academia.edu/Documents/in/Popular_Culture"},{"id":8002,"name":"Youth Culture","url":"https://www.academia.edu/Documents/in/Youth_Culture"},{"id":51203,"name":"Modern Dutch Literature","url":"https://www.academia.edu/Documents/in/Modern_Dutch_Literature"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="38588539"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/38588539/Zijn_romans_en_kranten_sinds_1950_eenvoudiger_geworden"><img alt="Research paper thumbnail of Zijn romans en kranten sinds 1950 eenvoudiger geworden?" class="work-thumbnail" src="https://attachments.academia-assets.com/58662466/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/38588539/Zijn_romans_en_kranten_sinds_1950_eenvoudiger_geworden">Zijn romans en kranten sinds 1950 eenvoudiger geworden?</a></div><div class="wp-workCard_item"><span>Tijdschrift voor Nederlandse taal- en letterkunde</span><span>, 2018</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Did the language of Dutch novels and newspaper articles become less complex between the 1950s and...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Did the language of Dutch novels and newspaper articles become less<br />complex between the 1950s and the 2010s? Based on a corpus of 60 novels, published in three different decades, and 200 newspaper articles, published in two decades, an analysis of stylistic phenomena was conducted, using T-scan, a tool for automatic analysis of Dutch language. The analysis focused on four aspects of complexity: word and sentence complexity, cohesion and personalisation. This analysis showed that while the language of the newspaper articles did change on all levels between 1950 and 2000, the language of the novels did not change substantially. The language of the news articles is more complex than the language of the novels, across different decades. A further analysis of stylistic phenomena in novels revealed some interesting relations between language and content.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="7ac776fa40be02b5af04f6d1ecb9b82b" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":58662466,"asset_id":38588539,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/58662466/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="38588539"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="38588539"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 38588539; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=38588539]").text(description); $(".js-view-count[data-work-id=38588539]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 38588539; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='38588539']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "7ac776fa40be02b5af04f6d1ecb9b82b" } } $('.js-work-strip[data-work-id=38588539]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":38588539,"title":"Zijn romans en kranten sinds 1950 eenvoudiger geworden?","translated_title":"","metadata":{"abstract":"Did the language of Dutch novels and newspaper articles become less\ncomplex between the 1950s and the 2010s? Based on a corpus of 60 novels, published in three different decades, and 200 newspaper articles, published in two decades, an analysis of stylistic phenomena was conducted, using T-scan, a tool for automatic analysis of Dutch language. The analysis focused on four aspects of complexity: word and sentence complexity, cohesion and personalisation. This analysis showed that while the language of the newspaper articles did change on all levels between 1950 and 2000, the language of the novels did not change substantially. The language of the news articles is more complex than the language of the novels, across different decades. A further analysis of stylistic phenomena in novels revealed some interesting relations between language and content.","publication_date":{"day":null,"month":null,"year":2018,"errors":{}},"publication_name":"Tijdschrift voor Nederlandse taal- en letterkunde"},"translated_abstract":"Did the language of Dutch novels and newspaper articles become less\ncomplex between the 1950s and the 2010s? Based on a corpus of 60 novels, published in three different decades, and 200 newspaper articles, published in two decades, an analysis of stylistic phenomena was conducted, using T-scan, a tool for automatic analysis of Dutch language. The analysis focused on four aspects of complexity: word and sentence complexity, cohesion and personalisation. This analysis showed that while the language of the newspaper articles did change on all levels between 1950 and 2000, the language of the novels did not change substantially. The language of the news articles is more complex than the language of the novels, across different decades. A further analysis of stylistic phenomena in novels revealed some interesting relations between language and content.","internal_url":"https://www.academia.edu/38588539/Zijn_romans_en_kranten_sinds_1950_eenvoudiger_geworden","translated_internal_url":"","created_at":"2019-03-20T03:38:46.128-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":8019629,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[{"id":32339462,"work_id":38588539,"tagging_user_id":8019629,"tagged_user_id":1489649,"co_author_invite_id":null,"email":"f***k@uu.nl","affiliation":"Utrecht University","display_order":1,"name":"Fabian R W Stolk","title":"Zijn romans en kranten sinds 1950 eenvoudiger geworden?"},{"id":32339463,"work_id":38588539,"tagging_user_id":8019629,"tagged_user_id":32419303,"co_author_invite_id":null,"email":"l***z@let.uu.nl","affiliation":"Utrecht University","display_order":2,"name":"Leo Lentz","title":"Zijn romans en kranten sinds 1950 eenvoudiger geworden?"},{"id":32339464,"work_id":38588539,"tagging_user_id":8019629,"tagged_user_id":62604223,"co_author_invite_id":null,"email":"h***r@gmail.com","display_order":3,"name":"Henk Pander Maat","title":"Zijn romans en kranten sinds 1950 eenvoudiger geworden?"}],"downloadable_attachments":[{"id":58662466,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/58662466/thumbnails/1.jpg","file_name":"nw_Ham_ea_TNTL20184.pdf","download_url":"https://www.academia.edu/attachments/58662466/download_file","bulk_download_file_name":"Zijn_romans_en_kranten_sinds_1950_eenvou.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/58662466/nw_Ham_ea_TNTL20184-libre.pdf?1553090541=\u0026response-content-disposition=attachment%3B+filename%3DZijn_romans_en_kranten_sinds_1950_eenvou.pdf\u0026Expires=1742297837\u0026Signature=OpuaPdiZpW4fUU~5FHQ2ZdO~kW712KSg9ybHexrTsdpUqaDJSBu9ge9cgOwsAEdgj6vkfd9b3Ik1kvcX66QjF1QuIcMbL0mabX9qodpe4VDU3Mbwy2nSZyDSz0mGtxoPgb0zR-FtN3f0moUcUah52UVi5CAZn3K0fBX2mLhk4dTa2jB~ZfVM4Y3SFMwkAxwxHKAv7~7TazTZMN-ixCTzJa~pZjrXbnxe8otFee~Nk7xxK~ewoDTinRa5Yk~EAcEHgs5pEsEJmLRtAc~VX8qJjnaLdj5oTpfqPUG8OcrpYOrRwYYHEB1HvVfCHok06nfbcdmh1qcd9ZhNEexsYv64Xg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Zijn_romans_en_kranten_sinds_1950_eenvoudiger_geworden","translated_slug":"","page_count":26,"language":"nl","content_type":"Work","summary":"Did the language of Dutch novels and newspaper articles become less\ncomplex between the 1950s and the 2010s? Based on a corpus of 60 novels, published in three different decades, and 200 newspaper articles, published in two decades, an analysis of stylistic phenomena was conducted, using T-scan, a tool for automatic analysis of Dutch language. The analysis focused on four aspects of complexity: word and sentence complexity, cohesion and personalisation. This analysis showed that while the language of the newspaper articles did change on all levels between 1950 and 2000, the language of the novels did not change substantially. The language of the news articles is more complex than the language of the novels, across different decades. A further analysis of stylistic phenomena in novels revealed some interesting relations between language and content.","owner":{"id":8019629,"first_name":"Laurens","middle_initials":null,"last_name":"Ham","page_name":"LaurensHam","domain_name":"uu","created_at":"2014-01-04T23:17:39.380-08:00","display_name":"Laurens Ham","url":"https://uu.academia.edu/LaurensHam"},"attachments":[{"id":58662466,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/58662466/thumbnails/1.jpg","file_name":"nw_Ham_ea_TNTL20184.pdf","download_url":"https://www.academia.edu/attachments/58662466/download_file","bulk_download_file_name":"Zijn_romans_en_kranten_sinds_1950_eenvou.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/58662466/nw_Ham_ea_TNTL20184-libre.pdf?1553090541=\u0026response-content-disposition=attachment%3B+filename%3DZijn_romans_en_kranten_sinds_1950_eenvou.pdf\u0026Expires=1742297837\u0026Signature=OpuaPdiZpW4fUU~5FHQ2ZdO~kW712KSg9ybHexrTsdpUqaDJSBu9ge9cgOwsAEdgj6vkfd9b3Ik1kvcX66QjF1QuIcMbL0mabX9qodpe4VDU3Mbwy2nSZyDSz0mGtxoPgb0zR-FtN3f0moUcUah52UVi5CAZn3K0fBX2mLhk4dTa2jB~ZfVM4Y3SFMwkAxwxHKAv7~7TazTZMN-ixCTzJa~pZjrXbnxe8otFee~Nk7xxK~ewoDTinRa5Yk~EAcEHgs5pEsEJmLRtAc~VX8qJjnaLdj5oTpfqPUG8OcrpYOrRwYYHEB1HvVfCHok06nfbcdmh1qcd9ZhNEexsYv64Xg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":1197,"name":"Digital Humanities","url":"https://www.academia.edu/Documents/in/Digital_Humanities"},{"id":2418,"name":"Literature","url":"https://www.academia.edu/Documents/in/Literature"},{"id":3905,"name":"Stylistics","url":"https://www.academia.edu/Documents/in/Stylistics"},{"id":3906,"name":"Literary Stylistics","url":"https://www.academia.edu/Documents/in/Literary_Stylistics"},{"id":15674,"name":"Linguistics","url":"https://www.academia.edu/Documents/in/Linguistics"},{"id":25988,"name":"Dutch Literature","url":"https://www.academia.edu/Documents/in/Dutch_Literature"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="42648641"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/42648641/Melancholicus_in_een_ontheiligde_wereld_Tempel_2013_van_Mustafa_Stitou"><img alt="Research paper thumbnail of Melancholicus in een ontheiligde wereld. Tempel (2013) van Mustafa Stitou" class="work-thumbnail" src="https://attachments.academia-assets.com/62854838/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/42648641/Melancholicus_in_een_ontheiligde_wereld_Tempel_2013_van_Mustafa_Stitou">Melancholicus in een ontheiligde wereld. Tempel (2013) van Mustafa Stitou</a></div><div class="wp-workCard_item"><span>Bundels van het nieuwe millennium. Nederlandse en Vlaamse poëzie in de 21e eeuw</span><span>, 2018</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">In een interview in Trouw (1 maart 2014) noemde Mustafa Stitou twee bronnen voor zijn poëzieliefd...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In een interview in Trouw (1 maart 2014) noemde Mustafa Stitou twee bronnen voor zijn poëzieliefde. In de eerste plaats was dat de Koran, in de tweede plaats poëziebundels die hij als scholier 'lukraak' uit de 'bibliotheek in het winkelcentrum van Lelystad' haalde (Drayer 2014). Verder kunnen twee inspiratiebronnen niet van elkaar verwijderd zijn. Aan de ene kant werd Stitou blijkbaar gevoed door een eeuwenoude religieuze tekst en de daarmee verbonden traditie, aan de andere kant las hij hedendaagse dichters in een stad, die op nieuw land gebouwd werd als symbool van de moderniteit. Stitou (1974) groeide overigens in Lelystad op, waar zijn ouders naartoe geëmigreerd waren vanuit de Marokkaanse stad Tetouan. Traditie en moderniteit: het zijn de twee centrale thema's van Stitous vierde bundel Tempel (2013). Daarin beschrijft hij hoe 'authentieke', generaties lang overgeleverde fenomenen in de westerse wereld onder druk zijn komen te staan: religies zijn ontheiligd, volksgebruiken zijn vergeten geraakt en de respectvolle omgang met de natuur is omgeslagen in pragmatisme. Stitou betreurt het verlies van betekenis dat daardoor is opgetreden. Toch is Tempel zeker geen bundel met een conservatieve strekking: daarvoor is niet alleen de toon van de dichter te licht, maar ook ziet hij te goed in hoeveel vrijheid de inwoners van westerse landen hebben gewonnen met het deels achterlaten van hun tradities. Het is zeker niet de eerste keer dat Stitou over de ingewikkelde verhouding tussen traditie en moderniteit schrijft. In 2005 wezen Jos ]oosten en Thomas Vaessens in een artikel in Nederlandse Letterkunde al op de 'moderniteitskritiek' in het oeuvre, vooral in de bejubelde bundel Varkensroze ansichten (2003). Wel zijn deze thema's door Stitou niet eerder zó consistent uitgewerkt. Waar de drie voorgangers Mijn vormen (1994), Mijn gedichten (1998) en Varkensroze ansichten vormelijk en thematisch divers waren, kiest Stitou in Tempel minder voor het vormexperiment en komen in alle 27 gedichten dezelfde motieven 211</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="111c61d286b403c28979f995d1af2066" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":62854838,"asset_id":42648641,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/62854838/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="42648641"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="42648641"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 42648641; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=42648641]").text(description); $(".js-view-count[data-work-id=42648641]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 42648641; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='42648641']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "111c61d286b403c28979f995d1af2066" } } $('.js-work-strip[data-work-id=42648641]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":42648641,"title":"Melancholicus in een ontheiligde wereld. Tempel (2013) van Mustafa Stitou","translated_title":"","metadata":{"grobid_abstract":"In een interview in Trouw (1 maart 2014) noemde Mustafa Stitou twee bronnen voor zijn poëzieliefde. In de eerste plaats was dat de Koran, in de tweede plaats poëziebundels die hij als scholier 'lukraak' uit de 'bibliotheek in het winkelcentrum van Lelystad' haalde (Drayer 2014). Verder kunnen twee inspiratiebronnen niet van elkaar verwijderd zijn. Aan de ene kant werd Stitou blijkbaar gevoed door een eeuwenoude religieuze tekst en de daarmee verbonden traditie, aan de andere kant las hij hedendaagse dichters in een stad, die op nieuw land gebouwd werd als symbool van de moderniteit. Stitou (1974) groeide overigens in Lelystad op, waar zijn ouders naartoe geëmigreerd waren vanuit de Marokkaanse stad Tetouan. Traditie en moderniteit: het zijn de twee centrale thema's van Stitous vierde bundel Tempel (2013). Daarin beschrijft hij hoe 'authentieke', generaties lang overgeleverde fenomenen in de westerse wereld onder druk zijn komen te staan: religies zijn ontheiligd, volksgebruiken zijn vergeten geraakt en de respectvolle omgang met de natuur is omgeslagen in pragmatisme. Stitou betreurt het verlies van betekenis dat daardoor is opgetreden. Toch is Tempel zeker geen bundel met een conservatieve strekking: daarvoor is niet alleen de toon van de dichter te licht, maar ook ziet hij te goed in hoeveel vrijheid de inwoners van westerse landen hebben gewonnen met het deels achterlaten van hun tradities. Het is zeker niet de eerste keer dat Stitou over de ingewikkelde verhouding tussen traditie en moderniteit schrijft. In 2005 wezen Jos ]oosten en Thomas Vaessens in een artikel in Nederlandse Letterkunde al op de 'moderniteitskritiek' in het oeuvre, vooral in de bejubelde bundel Varkensroze ansichten (2003). Wel zijn deze thema's door Stitou niet eerder zó consistent uitgewerkt. Waar de drie voorgangers Mijn vormen (1994), Mijn gedichten (1998) en Varkensroze ansichten vormelijk en thematisch divers waren, kiest Stitou in Tempel minder voor het vormexperiment en komen in alle 27 gedichten dezelfde motieven 211","publication_date":{"day":null,"month":null,"year":2018,"errors":{}},"publication_name":"Bundels van het nieuwe millennium. Nederlandse en Vlaamse poëzie in de 21e eeuw","grobid_abstract_attachment_id":62854838},"translated_abstract":null,"internal_url":"https://www.academia.edu/42648641/Melancholicus_in_een_ontheiligde_wereld_Tempel_2013_van_Mustafa_Stitou","translated_internal_url":"","created_at":"2020-04-06T23:53:27.881-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":8019629,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":62854838,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/62854838/thumbnails/1.jpg","file_name":"Ham_Tempel_Stitou_4023098320200406-121851-1ntl5tb.pdf","download_url":"https://www.academia.edu/attachments/62854838/download_file","bulk_download_file_name":"Melancholicus_in_een_ontheiligde_wereld.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/62854838/Ham_Tempel_Stitou_4023098320200406-121851-1ntl5tb-libre.pdf?1586242913=\u0026response-content-disposition=attachment%3B+filename%3DMelancholicus_in_een_ontheiligde_wereld.pdf\u0026Expires=1742297837\u0026Signature=U~MGNu5aaDWCZDyUlKyKaxQFQVYOfQK1L0b~~sWh7bMxiwSjj7-wBdB7OeMueRe4U2I1eKNHi9tcbUse4oQTgarujRNydFeIwoL024vLhNBBx~YJsx1X93~91vv11B3JnB7QXRkeJInMgmbM~ee8nAn6ryC0153-y6QljVYZ8ra~gvE3ANGeR67WN4yDiaoQjn7Bm90kl6HVI8-tDMQ0JqtcW6~Sae6W~5K2NckR4GimxWIwFaDd0iSFYw6Ztu51TdshAyWiKWD9xXcMAvpvKhVAjb85axyYOLA9JQAjScmcipdK5GC2r5Of1s~UGVodjX6hWUta~oTD890BMxujwg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Melancholicus_in_een_ontheiligde_wereld_Tempel_2013_van_Mustafa_Stitou","translated_slug":"","page_count":9,"language":"nl","content_type":"Work","summary":"In een interview in Trouw (1 maart 2014) noemde Mustafa Stitou twee bronnen voor zijn poëzieliefde. In de eerste plaats was dat de Koran, in de tweede plaats poëziebundels die hij als scholier 'lukraak' uit de 'bibliotheek in het winkelcentrum van Lelystad' haalde (Drayer 2014). Verder kunnen twee inspiratiebronnen niet van elkaar verwijderd zijn. Aan de ene kant werd Stitou blijkbaar gevoed door een eeuwenoude religieuze tekst en de daarmee verbonden traditie, aan de andere kant las hij hedendaagse dichters in een stad, die op nieuw land gebouwd werd als symbool van de moderniteit. Stitou (1974) groeide overigens in Lelystad op, waar zijn ouders naartoe geëmigreerd waren vanuit de Marokkaanse stad Tetouan. Traditie en moderniteit: het zijn de twee centrale thema's van Stitous vierde bundel Tempel (2013). Daarin beschrijft hij hoe 'authentieke', generaties lang overgeleverde fenomenen in de westerse wereld onder druk zijn komen te staan: religies zijn ontheiligd, volksgebruiken zijn vergeten geraakt en de respectvolle omgang met de natuur is omgeslagen in pragmatisme. Stitou betreurt het verlies van betekenis dat daardoor is opgetreden. Toch is Tempel zeker geen bundel met een conservatieve strekking: daarvoor is niet alleen de toon van de dichter te licht, maar ook ziet hij te goed in hoeveel vrijheid de inwoners van westerse landen hebben gewonnen met het deels achterlaten van hun tradities. Het is zeker niet de eerste keer dat Stitou over de ingewikkelde verhouding tussen traditie en moderniteit schrijft. In 2005 wezen Jos ]oosten en Thomas Vaessens in een artikel in Nederlandse Letterkunde al op de 'moderniteitskritiek' in het oeuvre, vooral in de bejubelde bundel Varkensroze ansichten (2003). Wel zijn deze thema's door Stitou niet eerder zó consistent uitgewerkt. Waar de drie voorgangers Mijn vormen (1994), Mijn gedichten (1998) en Varkensroze ansichten vormelijk en thematisch divers waren, kiest Stitou in Tempel minder voor het vormexperiment en komen in alle 27 gedichten dezelfde motieven 211","owner":{"id":8019629,"first_name":"Laurens","middle_initials":null,"last_name":"Ham","page_name":"LaurensHam","domain_name":"uu","created_at":"2014-01-04T23:17:39.380-08:00","display_name":"Laurens Ham","url":"https://uu.academia.edu/LaurensHam"},"attachments":[{"id":62854838,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/62854838/thumbnails/1.jpg","file_name":"Ham_Tempel_Stitou_4023098320200406-121851-1ntl5tb.pdf","download_url":"https://www.academia.edu/attachments/62854838/download_file","bulk_download_file_name":"Melancholicus_in_een_ontheiligde_wereld.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/62854838/Ham_Tempel_Stitou_4023098320200406-121851-1ntl5tb-libre.pdf?1586242913=\u0026response-content-disposition=attachment%3B+filename%3DMelancholicus_in_een_ontheiligde_wereld.pdf\u0026Expires=1742297837\u0026Signature=U~MGNu5aaDWCZDyUlKyKaxQFQVYOfQK1L0b~~sWh7bMxiwSjj7-wBdB7OeMueRe4U2I1eKNHi9tcbUse4oQTgarujRNydFeIwoL024vLhNBBx~YJsx1X93~91vv11B3JnB7QXRkeJInMgmbM~ee8nAn6ryC0153-y6QljVYZ8ra~gvE3ANGeR67WN4yDiaoQjn7Bm90kl6HVI8-tDMQ0JqtcW6~Sae6W~5K2NckR4GimxWIwFaDd0iSFYw6Ztu51TdshAyWiKWD9xXcMAvpvKhVAjb85axyYOLA9JQAjScmcipdK5GC2r5Of1s~UGVodjX6hWUta~oTD890BMxujwg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":3581,"name":"Poetry","url":"https://www.academia.edu/Documents/in/Poetry"},{"id":14730,"name":"Migration Studies","url":"https://www.academia.edu/Documents/in/Migration_Studies"},{"id":25988,"name":"Dutch Literature","url":"https://www.academia.edu/Documents/in/Dutch_Literature"},{"id":51203,"name":"Modern Dutch Literature","url":"https://www.academia.edu/Documents/in/Modern_Dutch_Literature"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="37977716"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/37977716/Ik_ben_bevrijd_waarom_voel_ik_me_dan_zo_verloren_De_cultuurkritiek_van_Marco_Borsato_2_"><img alt="Research paper thumbnail of Ik ben bevrijd, waarom voel ik me dan zo verloren? De cultuurkritiek van Marco Borsato (2)" class="work-thumbnail" src="https://attachments.academia-assets.com/64607505/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/37977716/Ik_ben_bevrijd_waarom_voel_ik_me_dan_zo_verloren_De_cultuurkritiek_van_Marco_Borsato_2_">Ik ben bevrijd, waarom voel ik me dan zo verloren? De cultuurkritiek van Marco Borsato (2)</a></div><div class="wp-workCard_item"><span>Leest</span><span>, 2018</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Liefde was ooit / tot ze niet meer vrij mocht zijn.' Tijdens mijn supermarktbezoek hoorde ik het ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Liefde was ooit / tot ze niet meer vrij mocht zijn.' Tijdens mijn supermarktbezoek hoorde ik het Marco Borsato op de radio zingen. Ik had de tekst anders in mijn hoofd: 'Liefde komt ooit / als ze niet meer vrij wil zijn.' Muzikaal klonk alles zoals ik het liedje 'Vrij zijn' kende: het huppelende baslijntje, de drumfill, de achtergrondstemmen die 'ohohoho' zingen. Maar toen ik het nazocht, bleken er twee verschillende teksten op die geluidsopname gemaakt te zijn: het origineel van het album Als geen ander (1995) en de later uitgebrachte 5-mei-versie (1996), die ik (zonder dat het Bevrijdingsdag was) door de supermarkt had horen schallen. Die tweede werd gemaakt nadat het Nationaal Comité 4 en 5 mei Borsato had benaderd als ambassadeur van Bevrijdingsdag 1996. Liesbeth van Litsenburg, woordvoerder van het Comité, legde in Trouw uit waarom Borsato als gezicht van de herdenking gekozen was. 'Sinds de viering van de vijftigste mei vorig jaar, hebben we besloten dat 5 mei meer moet zijn dan een herdenkingsdag van de bevrijding in 1945. Wat wij nu vooral voor een zo breed mogelijk publiek willen benadrukken, is dat vrijheid "onderhoud vraagt". Het is geen passief recht, waarbij je maar lekker achterover kunt leunen. Nee, vrijheid moet je elke dag bevechten. Nu, wij denken dat we met Marco Borsato iemand gevonden hebben die dat voor een grote doelgroep kan uitdragen.'</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="7c16752bd5ded3d00110d2a16a84488f" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":64607505,"asset_id":37977716,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/64607505/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="37977716"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="37977716"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 37977716; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=37977716]").text(description); $(".js-view-count[data-work-id=37977716]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 37977716; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='37977716']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "7c16752bd5ded3d00110d2a16a84488f" } } $('.js-work-strip[data-work-id=37977716]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":37977716,"title":"Ik ben bevrijd, waarom voel ik me dan zo verloren? De cultuurkritiek van Marco Borsato (2)","translated_title":"","metadata":{"grobid_abstract":"Liefde was ooit / tot ze niet meer vrij mocht zijn.' Tijdens mijn supermarktbezoek hoorde ik het Marco Borsato op de radio zingen. Ik had de tekst anders in mijn hoofd: 'Liefde komt ooit / als ze niet meer vrij wil zijn.' Muzikaal klonk alles zoals ik het liedje 'Vrij zijn' kende: het huppelende baslijntje, de drumfill, de achtergrondstemmen die 'ohohoho' zingen. Maar toen ik het nazocht, bleken er twee verschillende teksten op die geluidsopname gemaakt te zijn: het origineel van het album Als geen ander (1995) en de later uitgebrachte 5-mei-versie (1996), die ik (zonder dat het Bevrijdingsdag was) door de supermarkt had horen schallen. Die tweede werd gemaakt nadat het Nationaal Comité 4 en 5 mei Borsato had benaderd als ambassadeur van Bevrijdingsdag 1996. Liesbeth van Litsenburg, woordvoerder van het Comité, legde in Trouw uit waarom Borsato als gezicht van de herdenking gekozen was. 'Sinds de viering van de vijftigste mei vorig jaar, hebben we besloten dat 5 mei meer moet zijn dan een herdenkingsdag van de bevrijding in 1945. Wat wij nu vooral voor een zo breed mogelijk publiek willen benadrukken, is dat vrijheid \"onderhoud vraagt\". Het is geen passief recht, waarbij je maar lekker achterover kunt leunen. Nee, vrijheid moet je elke dag bevechten. Nu, wij denken dat we met Marco Borsato iemand gevonden hebben die dat voor een grote doelgroep kan uitdragen.'","publication_date":{"day":null,"month":null,"year":2018,"errors":{}},"publication_name":"Leest","grobid_abstract_attachment_id":64607505},"translated_abstract":null,"internal_url":"https://www.academia.edu/37977716/Ik_ben_bevrijd_waarom_voel_ik_me_dan_zo_verloren_De_cultuurkritiek_van_Marco_Borsato_2_","translated_internal_url":"","created_at":"2018-12-14T06:54:39.802-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":8019629,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":64607505,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/64607505/thumbnails/1.jpg","file_name":"Cultuurkritiek_Borsato_2.pdf","download_url":"https://www.academia.edu/attachments/64607505/download_file","bulk_download_file_name":"Ik_ben_bevrijd_waarom_voel_ik_me_dan_zo.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/64607505/Cultuurkritiek_Borsato_2-libre.pdf?1601971761=\u0026response-content-disposition=attachment%3B+filename%3DIk_ben_bevrijd_waarom_voel_ik_me_dan_zo.pdf\u0026Expires=1742297837\u0026Signature=aPlGLfig7EzKnrSl-oEIaheUDdvS4srA1XwZ00gWhoZU2YFi3GISRHxRtoyWy1pek2cx~HzxAjGI7vcOlxCPRCHHHPb~F1SxAsmswMrMaHpxV2Y3fvo5ppwtWTfLvDeJuCbjoXfEVnEBpbKYN~O~l9bt9T0IeEJCyF7Ha1T4a-K6WdnqVbmEB7~SDt9jieSnIhAaeInqIziydJB7h4RO9zNXGR09NAMtrMZtD7xS08H~9IWNwcSAzFBu0O5aVuQdPJTR1-ifLM90R4HhhGqkZwjRy1dx1Eei~LkF8NKpUSflqW~6ljpJZgOn~4r7O6bIscigoAy1S4Phz1FaprLwdw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Ik_ben_bevrijd_waarom_voel_ik_me_dan_zo_verloren_De_cultuurkritiek_van_Marco_Borsato_2_","translated_slug":"","page_count":18,"language":"nl","content_type":"Work","summary":"Liefde was ooit / tot ze niet meer vrij mocht zijn.' Tijdens mijn supermarktbezoek hoorde ik het Marco Borsato op de radio zingen. Ik had de tekst anders in mijn hoofd: 'Liefde komt ooit / als ze niet meer vrij wil zijn.' Muzikaal klonk alles zoals ik het liedje 'Vrij zijn' kende: het huppelende baslijntje, de drumfill, de achtergrondstemmen die 'ohohoho' zingen. Maar toen ik het nazocht, bleken er twee verschillende teksten op die geluidsopname gemaakt te zijn: het origineel van het album Als geen ander (1995) en de later uitgebrachte 5-mei-versie (1996), die ik (zonder dat het Bevrijdingsdag was) door de supermarkt had horen schallen. Die tweede werd gemaakt nadat het Nationaal Comité 4 en 5 mei Borsato had benaderd als ambassadeur van Bevrijdingsdag 1996. Liesbeth van Litsenburg, woordvoerder van het Comité, legde in Trouw uit waarom Borsato als gezicht van de herdenking gekozen was. 'Sinds de viering van de vijftigste mei vorig jaar, hebben we besloten dat 5 mei meer moet zijn dan een herdenkingsdag van de bevrijding in 1945. Wat wij nu vooral voor een zo breed mogelijk publiek willen benadrukken, is dat vrijheid \"onderhoud vraagt\". Het is geen passief recht, waarbij je maar lekker achterover kunt leunen. Nee, vrijheid moet je elke dag bevechten. Nu, wij denken dat we met Marco Borsato iemand gevonden hebben die dat voor een grote doelgroep kan uitdragen.'","owner":{"id":8019629,"first_name":"Laurens","middle_initials":null,"last_name":"Ham","page_name":"LaurensHam","domain_name":"uu","created_at":"2014-01-04T23:17:39.380-08:00","display_name":"Laurens Ham","url":"https://uu.academia.edu/LaurensHam"},"attachments":[{"id":64607505,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/64607505/thumbnails/1.jpg","file_name":"Cultuurkritiek_Borsato_2.pdf","download_url":"https://www.academia.edu/attachments/64607505/download_file","bulk_download_file_name":"Ik_ben_bevrijd_waarom_voel_ik_me_dan_zo.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/64607505/Cultuurkritiek_Borsato_2-libre.pdf?1601971761=\u0026response-content-disposition=attachment%3B+filename%3DIk_ben_bevrijd_waarom_voel_ik_me_dan_zo.pdf\u0026Expires=1742297837\u0026Signature=aPlGLfig7EzKnrSl-oEIaheUDdvS4srA1XwZ00gWhoZU2YFi3GISRHxRtoyWy1pek2cx~HzxAjGI7vcOlxCPRCHHHPb~F1SxAsmswMrMaHpxV2Y3fvo5ppwtWTfLvDeJuCbjoXfEVnEBpbKYN~O~l9bt9T0IeEJCyF7Ha1T4a-K6WdnqVbmEB7~SDt9jieSnIhAaeInqIziydJB7h4RO9zNXGR09NAMtrMZtD7xS08H~9IWNwcSAzFBu0O5aVuQdPJTR1-ifLM90R4HhhGqkZwjRy1dx1Eei~LkF8NKpUSflqW~6ljpJZgOn~4r7O6bIscigoAy1S4Phz1FaprLwdw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":8,"name":"Critical Theory","url":"https://www.academia.edu/Documents/in/Critical_Theory"},{"id":1631,"name":"Popular Music","url":"https://www.academia.edu/Documents/in/Popular_Music"},{"id":2858,"name":"Popular Culture","url":"https://www.academia.edu/Documents/in/Popular_Culture"},{"id":6527,"name":"Celebrity Culture","url":"https://www.academia.edu/Documents/in/Celebrity_Culture"}],"urls":[{"id":8654307,"url":"https://www.platformleest.org/artikel/de-cultuurkritiek-van-marco-borsato-dl2/"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="37447585"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/37447585/Heeft_er_iemand_nog_het_recht_om_vrijuit_te_gaan_De_cultuurkritiek_van_Marco_Borsato"><img alt="Research paper thumbnail of Heeft er iemand nog het recht om vrijuit te gaan? De cultuurkritiek van Marco Borsato" class="work-thumbnail" src="https://attachments.academia-assets.com/64607513/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/37447585/Heeft_er_iemand_nog_het_recht_om_vrijuit_te_gaan_De_cultuurkritiek_van_Marco_Borsato">Heeft er iemand nog het recht om vrijuit te gaan? De cultuurkritiek van Marco Borsato</a></div><div class="wp-workCard_item"><span>Leest</span><span>, 2018</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="99e72c021c5b6eac1212ba78072ce51b" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":64607513,"asset_id":37447585,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/64607513/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="37447585"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="37447585"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 37447585; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=37447585]").text(description); $(".js-view-count[data-work-id=37447585]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 37447585; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='37447585']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "99e72c021c5b6eac1212ba78072ce51b" } } $('.js-work-strip[data-work-id=37447585]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":37447585,"title":"Heeft er iemand nog het recht om vrijuit te gaan? De cultuurkritiek van Marco Borsato","translated_title":"","metadata":{"publication_date":{"day":null,"month":null,"year":2018,"errors":{}},"publication_name":"Leest"},"translated_abstract":null,"internal_url":"https://www.academia.edu/37447585/Heeft_er_iemand_nog_het_recht_om_vrijuit_te_gaan_De_cultuurkritiek_van_Marco_Borsato","translated_internal_url":"","created_at":"2018-09-20T02:59:12.999-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":8019629,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":64607513,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/64607513/thumbnails/1.jpg","file_name":"Cultuurkritiek_Borsato_1.pdf","download_url":"https://www.academia.edu/attachments/64607513/download_file","bulk_download_file_name":"Heeft_er_iemand_nog_het_recht_om_vrijuit.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/64607513/Cultuurkritiek_Borsato_1-libre.pdf?1601971760=\u0026response-content-disposition=attachment%3B+filename%3DHeeft_er_iemand_nog_het_recht_om_vrijuit.pdf\u0026Expires=1742297837\u0026Signature=CHyduwIvT-XQCY70js7J0XDK5plcGy-q9xDWt3FNyCQY9EScf2qO-mQcWWPzlLpGdsCFcbz6ElcwLd3ef8r9vk4wyuCqz4aIz0fhDU1x0aUv8U5vjUrUUdpEvT4m5v4P6Ub3er6ywXX~1UWY2yFsNLcOV3CT1FT7r0dAVEo8Ed9GDwicdH6LscMRviVQQnMSxurcVvWa7EsNbn1hkph8vnCn8HsfgNHufVTRgjBMibsVIt8RI8~8cHJB0PS-0uzPQmaY3moagpzrXsnvp5gHJvd8Wlz4sx2j9ud-sU6XWj7XFDylJMyO5KBnpVXFy6DM7zySxsFrKqIOcMwr6e3KHQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Heeft_er_iemand_nog_het_recht_om_vrijuit_te_gaan_De_cultuurkritiek_van_Marco_Borsato","translated_slug":"","page_count":17,"language":"nl","content_type":"Work","summary":null,"owner":{"id":8019629,"first_name":"Laurens","middle_initials":null,"last_name":"Ham","page_name":"LaurensHam","domain_name":"uu","created_at":"2014-01-04T23:17:39.380-08:00","display_name":"Laurens Ham","url":"https://uu.academia.edu/LaurensHam"},"attachments":[{"id":64607513,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/64607513/thumbnails/1.jpg","file_name":"Cultuurkritiek_Borsato_1.pdf","download_url":"https://www.academia.edu/attachments/64607513/download_file","bulk_download_file_name":"Heeft_er_iemand_nog_het_recht_om_vrijuit.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/64607513/Cultuurkritiek_Borsato_1-libre.pdf?1601971760=\u0026response-content-disposition=attachment%3B+filename%3DHeeft_er_iemand_nog_het_recht_om_vrijuit.pdf\u0026Expires=1742297837\u0026Signature=CHyduwIvT-XQCY70js7J0XDK5plcGy-q9xDWt3FNyCQY9EScf2qO-mQcWWPzlLpGdsCFcbz6ElcwLd3ef8r9vk4wyuCqz4aIz0fhDU1x0aUv8U5vjUrUUdpEvT4m5v4P6Ub3er6ywXX~1UWY2yFsNLcOV3CT1FT7r0dAVEo8Ed9GDwicdH6LscMRviVQQnMSxurcVvWa7EsNbn1hkph8vnCn8HsfgNHufVTRgjBMibsVIt8RI8~8cHJB0PS-0uzPQmaY3moagpzrXsnvp5gHJvd8Wlz4sx2j9ud-sU6XWj7XFDylJMyO5KBnpVXFy6DM7zySxsFrKqIOcMwr6e3KHQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":8,"name":"Critical Theory","url":"https://www.academia.edu/Documents/in/Critical_Theory"},{"id":1631,"name":"Popular Music","url":"https://www.academia.edu/Documents/in/Popular_Music"},{"id":2858,"name":"Popular Culture","url":"https://www.academia.edu/Documents/in/Popular_Culture"},{"id":6527,"name":"Celebrity Culture","url":"https://www.academia.edu/Documents/in/Celebrity_Culture"}],"urls":[{"id":8590043,"url":"https://www.platformleest.org/artikel/de-cultuurkritiek-van-marco-borsato/"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="70309615"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/70309615/Geld_blijft_tijd_Over_de_rol_van_schrijvers_in_het_literatuurbeleid"><img alt="Research paper thumbnail of Geld blijft tijd : Over de rol van schrijvers in het literatuurbeleid" class="work-thumbnail" src="https://attachments.academia-assets.com/80420039/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/70309615/Geld_blijft_tijd_Over_de_rol_van_schrijvers_in_het_literatuurbeleid">Geld blijft tijd : Over de rol van schrijvers in het literatuurbeleid</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Geld is tijd', schreef J.C. Bloem ooit: zodra schrijvers wat geld hebben, hebben ze even financië...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Geld is tijd', schreef J.C. Bloem ooit: zodra schrijvers wat geld hebben, hebben ze even financiële ruimte om met literair werk aan de slag te gaan. Tientallen Nederlandse schrijvers gebruikten deze uitspraak als motto toen ze in de winter van 1962-1963 tegen hun beroerde sociaal-economische positie protesteerden. Ze weigerden literaire prijzen en dreigden de aanstaande Boekenweek te boycotten als de Nederlandse regering auteurs geen fatsoenlijker inkomenspositie zou geven. Want waar theaters, musea en andere kunstinstellingen op een groeiende staatssteun konden rekenen, was er voor individuele auteurs praktisch geen overheidsgeld beschikbaar.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="28eaed83bed52133b94ec560162448ad" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":80420039,"asset_id":70309615,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/80420039/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="70309615"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="70309615"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 70309615; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=70309615]").text(description); $(".js-view-count[data-work-id=70309615]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 70309615; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='70309615']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "28eaed83bed52133b94ec560162448ad" } } $('.js-work-strip[data-work-id=70309615]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":70309615,"title":"Geld blijft tijd : Over de rol van schrijvers in het literatuurbeleid","translated_title":"","metadata":{"grobid_abstract":"Geld is tijd', schreef J.C. Bloem ooit: zodra schrijvers wat geld hebben, hebben ze even financiële ruimte om met literair werk aan de slag te gaan. Tientallen Nederlandse schrijvers gebruikten deze uitspraak als motto toen ze in de winter van 1962-1963 tegen hun beroerde sociaal-economische positie protesteerden. Ze weigerden literaire prijzen en dreigden de aanstaande Boekenweek te boycotten als de Nederlandse regering auteurs geen fatsoenlijker inkomenspositie zou geven. Want waar theaters, musea en andere kunstinstellingen op een groeiende staatssteun konden rekenen, was er voor individuele auteurs praktisch geen overheidsgeld beschikbaar.","publication_date":{"day":null,"month":null,"year":2018,"errors":{}},"grobid_abstract_attachment_id":80420039},"translated_abstract":null,"internal_url":"https://www.academia.edu/70309615/Geld_blijft_tijd_Over_de_rol_van_schrijvers_in_het_literatuurbeleid","translated_internal_url":"","created_at":"2022-02-03T02:10:37.767-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":8019629,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":80420039,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/80420039/thumbnails/1.jpg","file_name":"Vaktaal_2018_1_Ham_1_.pdf","download_url":"https://www.academia.edu/attachments/80420039/download_file","bulk_download_file_name":"Geld_blijft_tijd_Over_de_rol_van_schrijv.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/80420039/Vaktaal_2018_1_Ham_1_-libre.pdf?1644239195=\u0026response-content-disposition=attachment%3B+filename%3DGeld_blijft_tijd_Over_de_rol_van_schrijv.pdf\u0026Expires=1742297837\u0026Signature=OKgo5cQ2W-h1TolpIDAlaikrv0Lm-fM4d5STjrMFTzeh8K~HEFiTT1tfLYBERZQ2vjq1Si1EcMeL4PPLB1ursvRqRWQC4uY~mF3Rsm2YZT2ujBYoOyyC399ZLaPW-u8NXaFl73qnpC5NBvF~KpH2Q-aM~cVm8N-W2Xe0dXf11wNC~puqpXhXUM1JIrL0GPVjNZCIV6iD3NGV9XcWAuKJwJ~uLJgfvBcW4oriDy~YQ~X1L~xYHoFV93fIlO9DCkQHeeuj8IozNJaoP5Q-jtFknENVCKypfMfj6ja6vx6MsHKJX0-1VLgMoLr0b84UsOZgz54VpUdkqzN3qSTXfrxoZw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Geld_blijft_tijd_Over_de_rol_van_schrijvers_in_het_literatuurbeleid","translated_slug":"","page_count":1,"language":"nl","content_type":"Work","summary":"Geld is tijd', schreef J.C. Bloem ooit: zodra schrijvers wat geld hebben, hebben ze even financiële ruimte om met literair werk aan de slag te gaan. Tientallen Nederlandse schrijvers gebruikten deze uitspraak als motto toen ze in de winter van 1962-1963 tegen hun beroerde sociaal-economische positie protesteerden. Ze weigerden literaire prijzen en dreigden de aanstaande Boekenweek te boycotten als de Nederlandse regering auteurs geen fatsoenlijker inkomenspositie zou geven. Want waar theaters, musea en andere kunstinstellingen op een groeiende staatssteun konden rekenen, was er voor individuele auteurs praktisch geen overheidsgeld beschikbaar.","owner":{"id":8019629,"first_name":"Laurens","middle_initials":null,"last_name":"Ham","page_name":"LaurensHam","domain_name":"uu","created_at":"2014-01-04T23:17:39.380-08:00","display_name":"Laurens Ham","url":"https://uu.academia.edu/LaurensHam"},"attachments":[{"id":80420039,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/80420039/thumbnails/1.jpg","file_name":"Vaktaal_2018_1_Ham_1_.pdf","download_url":"https://www.academia.edu/attachments/80420039/download_file","bulk_download_file_name":"Geld_blijft_tijd_Over_de_rol_van_schrijv.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/80420039/Vaktaal_2018_1_Ham_1_-libre.pdf?1644239195=\u0026response-content-disposition=attachment%3B+filename%3DGeld_blijft_tijd_Over_de_rol_van_schrijv.pdf\u0026Expires=1742297837\u0026Signature=OKgo5cQ2W-h1TolpIDAlaikrv0Lm-fM4d5STjrMFTzeh8K~HEFiTT1tfLYBERZQ2vjq1Si1EcMeL4PPLB1ursvRqRWQC4uY~mF3Rsm2YZT2ujBYoOyyC399ZLaPW-u8NXaFl73qnpC5NBvF~KpH2Q-aM~cVm8N-W2Xe0dXf11wNC~puqpXhXUM1JIrL0GPVjNZCIV6iD3NGV9XcWAuKJwJ~uLJgfvBcW4oriDy~YQ~X1L~xYHoFV93fIlO9DCkQHeeuj8IozNJaoP5Q-jtFknENVCKypfMfj6ja6vx6MsHKJX0-1VLgMoLr0b84UsOZgz54VpUdkqzN3qSTXfrxoZw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":1125,"name":"Cultural Policy","url":"https://www.academia.edu/Documents/in/Cultural_Policy"},{"id":25988,"name":"Dutch Literature","url":"https://www.academia.edu/Documents/in/Dutch_Literature"},{"id":29883,"name":"Authorship","url":"https://www.academia.edu/Documents/in/Authorship"},{"id":51203,"name":"Modern Dutch Literature","url":"https://www.academia.edu/Documents/in/Modern_Dutch_Literature"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="37447569"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/37447569/Utopie_van_het_stilgezette_nu_Over_Nederlandse_punk_en_po%C3%ABzie_rond_1980"><img alt="Research paper thumbnail of Utopie van het stilgezette nu. Over Nederlandse punk en poëzie rond 1980" class="work-thumbnail" src="https://attachments.academia-assets.com/57414807/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/37447569/Utopie_van_het_stilgezette_nu_Over_Nederlandse_punk_en_po%C3%ABzie_rond_1980">Utopie van het stilgezette nu. Over Nederlandse punk en poëzie rond 1980</a></div><div class="wp-workCard_item"><span>DW B</span><span>, 2018</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="06c72831b8fb3188c330671a8a227d3d" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":57414807,"asset_id":37447569,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/57414807/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="37447569"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="37447569"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 37447569; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=37447569]").text(description); $(".js-view-count[data-work-id=37447569]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 37447569; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='37447569']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "06c72831b8fb3188c330671a8a227d3d" } } $('.js-work-strip[data-work-id=37447569]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":37447569,"title":"Utopie van het stilgezette nu. Over Nederlandse punk en poëzie rond 1980","translated_title":"","metadata":{"publication_date":{"day":null,"month":null,"year":2018,"errors":{}},"publication_name":"DW B"},"translated_abstract":null,"internal_url":"https://www.academia.edu/37447569/Utopie_van_het_stilgezette_nu_Over_Nederlandse_punk_en_po%C3%ABzie_rond_1980","translated_internal_url":"","created_at":"2018-09-20T02:53:19.463-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":8019629,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":57414807,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/57414807/thumbnails/1.jpg","file_name":"hb_web_juni_2018_Laurens_Ham.pdf","download_url":"https://www.academia.edu/attachments/57414807/download_file","bulk_download_file_name":"Utopie_van_het_stilgezette_nu_Over_Neder.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/57414807/hb_web_juni_2018_Laurens_Ham-libre.pdf?1537437661=\u0026response-content-disposition=attachment%3B+filename%3DUtopie_van_het_stilgezette_nu_Over_Neder.pdf\u0026Expires=1742297837\u0026Signature=IAuKPX3no1Z4hbxlOxxZRmwbXAFMvccf3PBB-PwlBs~V7og6vffXUrF3RZl-u-0IkrkTSU7~kSkYXde2Kzmf0vU03kW5SHlUmebox27UasphmPfaryFX4Gd38VBtL7AK3otEOaTzrdVg2j68VuuOzVwN4OqaTghpUYbGUXnM-ieKFA3ex~BCON8swc9Ovf5N~VbpjhK~kmmlp5tWEJypMitrYc7RqF4tS4XHYswPxf-rLaPQ8YqzRJ31JVI-FZhgVqwNTO-DZGiICVPHN7yXvNV~VFJmEhnaFrBZ6en9ROH~neRNlfSqK47-6IPn55keAdBiWXGQ~FAJe4PyMsA3OQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Utopie_van_het_stilgezette_nu_Over_Nederlandse_punk_en_poëzie_rond_1980","translated_slug":"","page_count":8,"language":"nl","content_type":"Work","summary":null,"owner":{"id":8019629,"first_name":"Laurens","middle_initials":null,"last_name":"Ham","page_name":"LaurensHam","domain_name":"uu","created_at":"2014-01-04T23:17:39.380-08:00","display_name":"Laurens Ham","url":"https://uu.academia.edu/LaurensHam"},"attachments":[{"id":57414807,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/57414807/thumbnails/1.jpg","file_name":"hb_web_juni_2018_Laurens_Ham.pdf","download_url":"https://www.academia.edu/attachments/57414807/download_file","bulk_download_file_name":"Utopie_van_het_stilgezette_nu_Over_Neder.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/57414807/hb_web_juni_2018_Laurens_Ham-libre.pdf?1537437661=\u0026response-content-disposition=attachment%3B+filename%3DUtopie_van_het_stilgezette_nu_Over_Neder.pdf\u0026Expires=1742297837\u0026Signature=IAuKPX3no1Z4hbxlOxxZRmwbXAFMvccf3PBB-PwlBs~V7og6vffXUrF3RZl-u-0IkrkTSU7~kSkYXde2Kzmf0vU03kW5SHlUmebox27UasphmPfaryFX4Gd38VBtL7AK3otEOaTzrdVg2j68VuuOzVwN4OqaTghpUYbGUXnM-ieKFA3ex~BCON8swc9Ovf5N~VbpjhK~kmmlp5tWEJypMitrYc7RqF4tS4XHYswPxf-rLaPQ8YqzRJ31JVI-FZhgVqwNTO-DZGiICVPHN7yXvNV~VFJmEhnaFrBZ6en9ROH~neRNlfSqK47-6IPn55keAdBiWXGQ~FAJe4PyMsA3OQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":1631,"name":"Popular Music","url":"https://www.academia.edu/Documents/in/Popular_Music"},{"id":3581,"name":"Poetry","url":"https://www.academia.edu/Documents/in/Poetry"},{"id":5177,"name":"Countercultural Studies","url":"https://www.academia.edu/Documents/in/Countercultural_Studies"},{"id":13376,"name":"Punk Culture","url":"https://www.academia.edu/Documents/in/Punk_Culture"},{"id":75863,"name":"Punk Rock","url":"https://www.academia.edu/Documents/in/Punk_Rock"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="37195224"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/37195224/Circulating_in_Commonplaces_Harriet_Beecher_Stowe_s_Celebrity_Status_in_the_Netherlands"><img alt="Research paper thumbnail of Circulating in Commonplaces: Harriet Beecher Stowe’s Celebrity Status in the Netherlands" class="work-thumbnail" src="https://attachments.academia-assets.com/57146262/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/37195224/Circulating_in_Commonplaces_Harriet_Beecher_Stowe_s_Celebrity_Status_in_the_Netherlands">Circulating in Commonplaces: Harriet Beecher Stowe’s Celebrity Status in the Netherlands</a></div><div class="wp-workCard_item"><span>European Journal of American Studies</span><span>, 2018</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This article questions the supposed pervasive celebrity of the American author Harriet Beecher St...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This article questions the supposed pervasive celebrity of the American author Harriet Beecher Stowe in Europe in the nineteenth century, and investigates her authorial status in the Netherlands in the mid-1850s. To what extent could she be considered a celebrity in the Netherlands in this period? The article pays attention both to the institutional and to the ideological situation, which can either facilitate or hinder the development of a so-called “celebrity society,” and shows that textual representations of Stowe did indeed circulate, but that this circulation did not take on the massive scale that seems necessary for a celebrity status. Whereas Uncle Tom’s Cabin was, by Dutch standards, an incredible success, journalists were only marginally aware of the authorial figure of Stowe herself. This was in part a result of the lack of a professional literary and journalistic infrastructure in the Netherlands. From an ideological point of view, the phenomenon of literary celebrity was a controversial one in the nineteenth-century Netherlands, hampering the emergence of a celebrity society. Together, these findings help us to consider the existence of a possible “transatlantic” Stowe cult in a different light: in the peripheral Netherlands, such a cult did not emerge easily.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="00e4d261d25ec36b2cc11ff356769f0b" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":57146262,"asset_id":37195224,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/57146262/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="37195224"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="37195224"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 37195224; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=37195224]").text(description); $(".js-view-count[data-work-id=37195224]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 37195224; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='37195224']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "00e4d261d25ec36b2cc11ff356769f0b" } } $('.js-work-strip[data-work-id=37195224]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":37195224,"title":"Circulating in Commonplaces: Harriet Beecher Stowe’s Celebrity Status in the Netherlands","translated_title":"","metadata":{"issue":"2","volume":"13","abstract":"This article questions the supposed pervasive celebrity of the American author Harriet Beecher Stowe in Europe in the nineteenth century, and investigates her authorial status in the Netherlands in the mid-1850s. To what extent could she be considered a celebrity in the Netherlands in this period? The article pays attention both to the institutional and to the ideological situation, which can either facilitate or hinder the development of a so-called “celebrity society,” and shows that textual representations of Stowe did indeed circulate, but that this circulation did not take on the massive scale that seems necessary for a celebrity status. Whereas Uncle Tom’s Cabin was, by Dutch standards, an incredible success, journalists were only marginally aware of the authorial figure of Stowe herself. This was in part a result of the lack of a professional literary and journalistic infrastructure in the Netherlands. From an ideological point of view, the phenomenon of literary celebrity was a controversial one in the nineteenth-century Netherlands, hampering the emergence of a celebrity society. Together, these findings help us to consider the existence of a possible “transatlantic” Stowe cult in a different light: in the peripheral Netherlands, such a cult did not emerge easily.","publication_date":{"day":null,"month":null,"year":2018,"errors":{}},"publication_name":"European Journal of American Studies"},"translated_abstract":"This article questions the supposed pervasive celebrity of the American author Harriet Beecher Stowe in Europe in the nineteenth century, and investigates her authorial status in the Netherlands in the mid-1850s. To what extent could she be considered a celebrity in the Netherlands in this period? The article pays attention both to the institutional and to the ideological situation, which can either facilitate or hinder the development of a so-called “celebrity society,” and shows that textual representations of Stowe did indeed circulate, but that this circulation did not take on the massive scale that seems necessary for a celebrity status. Whereas Uncle Tom’s Cabin was, by Dutch standards, an incredible success, journalists were only marginally aware of the authorial figure of Stowe herself. This was in part a result of the lack of a professional literary and journalistic infrastructure in the Netherlands. From an ideological point of view, the phenomenon of literary celebrity was a controversial one in the nineteenth-century Netherlands, hampering the emergence of a celebrity society. Together, these findings help us to consider the existence of a possible “transatlantic” Stowe cult in a different light: in the peripheral Netherlands, such a cult did not emerge easily.","internal_url":"https://www.academia.edu/37195224/Circulating_in_Commonplaces_Harriet_Beecher_Stowe_s_Celebrity_Status_in_the_Netherlands","translated_internal_url":"","created_at":"2018-08-07T03:08:42.659-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":8019629,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":57146262,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/57146262/thumbnails/1.jpg","file_name":"Ham_-_EJAS.pdf","download_url":"https://www.academia.edu/attachments/57146262/download_file","bulk_download_file_name":"Circulating_in_Commonplaces_Harriet_Beec.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/57146262/Ham_-_EJAS-libre.pdf?1533636974=\u0026response-content-disposition=attachment%3B+filename%3DCirculating_in_Commonplaces_Harriet_Beec.pdf\u0026Expires=1742297837\u0026Signature=OZRF3yQc7AObW9rsXO9DvlE83XdvFwgFl3ZZGgLQLNvIkBDFbduVBSilq5Pe8c-ugIV4NWj8Hid7Xj26geiSYeUekcCrKrN1bkNCaiZkm4s2vNG6ebHmI4Ai9h3gjGDnD2m8mgVzU5ZTWTHwUqC5JuMfcC1UPLXHbzol45D4G055eLZLIws-RYCU1a-M-ROsAyozqorqwt1g~x2bw-KbCv4xpAMvR~w1Fwc4m9unomUBStG3yl~iWcGpsCSXcz3TDJRSBS8uhiOf-0BeuwEVQg2meXIxYpeAJ2-KXjC2Ea3pUv2jXXmqBvUTYFn4JPOBqxGlahkX7V-6ONlNo55htQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Circulating_in_Commonplaces_Harriet_Beecher_Stowe_s_Celebrity_Status_in_the_Netherlands","translated_slug":"","page_count":17,"language":"en","content_type":"Work","summary":"This article questions the supposed pervasive celebrity of the American author Harriet Beecher Stowe in Europe in the nineteenth century, and investigates her authorial status in the Netherlands in the mid-1850s. To what extent could she be considered a celebrity in the Netherlands in this period? The article pays attention both to the institutional and to the ideological situation, which can either facilitate or hinder the development of a so-called “celebrity society,” and shows that textual representations of Stowe did indeed circulate, but that this circulation did not take on the massive scale that seems necessary for a celebrity status. Whereas Uncle Tom’s Cabin was, by Dutch standards, an incredible success, journalists were only marginally aware of the authorial figure of Stowe herself. This was in part a result of the lack of a professional literary and journalistic infrastructure in the Netherlands. From an ideological point of view, the phenomenon of literary celebrity was a controversial one in the nineteenth-century Netherlands, hampering the emergence of a celebrity society. Together, these findings help us to consider the existence of a possible “transatlantic” Stowe cult in a different light: in the peripheral Netherlands, such a cult did not emerge easily.","owner":{"id":8019629,"first_name":"Laurens","middle_initials":null,"last_name":"Ham","page_name":"LaurensHam","domain_name":"uu","created_at":"2014-01-04T23:17:39.380-08:00","display_name":"Laurens Ham","url":"https://uu.academia.edu/LaurensHam"},"attachments":[{"id":57146262,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/57146262/thumbnails/1.jpg","file_name":"Ham_-_EJAS.pdf","download_url":"https://www.academia.edu/attachments/57146262/download_file","bulk_download_file_name":"Circulating_in_Commonplaces_Harriet_Beec.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/57146262/Ham_-_EJAS-libre.pdf?1533636974=\u0026response-content-disposition=attachment%3B+filename%3DCirculating_in_Commonplaces_Harriet_Beec.pdf\u0026Expires=1742297837\u0026Signature=OZRF3yQc7AObW9rsXO9DvlE83XdvFwgFl3ZZGgLQLNvIkBDFbduVBSilq5Pe8c-ugIV4NWj8Hid7Xj26geiSYeUekcCrKrN1bkNCaiZkm4s2vNG6ebHmI4Ai9h3gjGDnD2m8mgVzU5ZTWTHwUqC5JuMfcC1UPLXHbzol45D4G055eLZLIws-RYCU1a-M-ROsAyozqorqwt1g~x2bw-KbCv4xpAMvR~w1Fwc4m9unomUBStG3yl~iWcGpsCSXcz3TDJRSBS8uhiOf-0BeuwEVQg2meXIxYpeAJ2-KXjC2Ea3pUv2jXXmqBvUTYFn4JPOBqxGlahkX7V-6ONlNo55htQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":10,"name":"American Literature","url":"https://www.academia.edu/Documents/in/American_Literature"},{"id":6527,"name":"Celebrity Culture","url":"https://www.academia.edu/Documents/in/Celebrity_Culture"},{"id":22658,"name":"19th-Century American Literature","url":"https://www.academia.edu/Documents/in/19th-Century_American_Literature"},{"id":23649,"name":"Historical Analysis of Literary Reception","url":"https://www.academia.edu/Documents/in/Historical_Analysis_of_Literary_Reception"},{"id":25988,"name":"Dutch Literature","url":"https://www.academia.edu/Documents/in/Dutch_Literature"},{"id":30631,"name":"Transatlantic Literature","url":"https://www.academia.edu/Documents/in/Transatlantic_Literature"},{"id":63804,"name":"Institutions","url":"https://www.academia.edu/Documents/in/Institutions"},{"id":75635,"name":"Harriet Beecher Stowe","url":"https://www.academia.edu/Documents/in/Harriet_Beecher_Stowe"}],"urls":[{"id":8560376,"url":"https://journals.openedition.org/ejas/12671"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="37195308"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/37195308/De_poreuze_grenzen_van_de_jonge_po%C3%ABzie_Hoe_po%C3%ABzietalent_ontstaat_tussen_hiphop_en_festivalcultuur"><img alt="Research paper thumbnail of De poreuze grenzen van de jonge poëzie. Hoe poëzietalent ontstaat tussen hiphop en festivalcultuur" class="work-thumbnail" src="https://attachments.academia-assets.com/57146342/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/37195308/De_poreuze_grenzen_van_de_jonge_po%C3%ABzie_Hoe_po%C3%ABzietalent_ontstaat_tussen_hiphop_en_festivalcultuur">De poreuze grenzen van de jonge poëzie. Hoe poëzietalent ontstaat tussen hiphop en festivalcultuur</a></div><div class="wp-workCard_item"><span>Kunsttijdschrift Vlaanderen</span><span>, 2017</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">De hedendaagse poëzie van jonge dichters is vaak versmolten met de pop-, hiphop- en festivalwerel...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">De hedendaagse poëzie van jonge dichters is vaak versmolten met<br />de pop-, hiphop- en festivalwereld en vindt deels of geheel buiten de<br />papieren wereld van uitgeverijen om plaats. Ook ‘productiehuizen’ die<br />jonge poëzie programmeren plaatsen zich graag in een multimediaal<br />domein. Auteurs komen zo in een luistercultuur terecht, maar is dat<br />een artistieke of een praktische keuze?</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="fe02556f757f52723a4ddf16fe190193" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":57146342,"asset_id":37195308,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/57146342/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="37195308"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="37195308"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 37195308; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=37195308]").text(description); $(".js-view-count[data-work-id=37195308]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 37195308; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='37195308']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "fe02556f757f52723a4ddf16fe190193" } } $('.js-work-strip[data-work-id=37195308]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":37195308,"title":"De poreuze grenzen van de jonge poëzie. Hoe poëzietalent ontstaat tussen hiphop en festivalcultuur","translated_title":"","metadata":{"issue":"2","volume":"66","abstract":"De hedendaagse poëzie van jonge dichters is vaak versmolten met\nde pop-, hiphop- en festivalwereld en vindt deels of geheel buiten de\npapieren wereld van uitgeverijen om plaats. Ook ‘productiehuizen’ die\njonge poëzie programmeren plaatsen zich graag in een multimediaal\ndomein. Auteurs komen zo in een luistercultuur terecht, maar is dat\neen artistieke of een praktische keuze?","page_numbers":"32-35","publication_date":{"day":null,"month":null,"year":2017,"errors":{}},"publication_name":"Kunsttijdschrift Vlaanderen"},"translated_abstract":"De hedendaagse poëzie van jonge dichters is vaak versmolten met\nde pop-, hiphop- en festivalwereld en vindt deels of geheel buiten de\npapieren wereld van uitgeverijen om plaats. Ook ‘productiehuizen’ die\njonge poëzie programmeren plaatsen zich graag in een multimediaal\ndomein. Auteurs komen zo in een luistercultuur terecht, maar is dat\neen artistieke of een praktische keuze?","internal_url":"https://www.academia.edu/37195308/De_poreuze_grenzen_van_de_jonge_po%C3%ABzie_Hoe_po%C3%ABzietalent_ontstaat_tussen_hiphop_en_festivalcultuur","translated_internal_url":"","created_at":"2018-08-07T03:29:26.557-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":8019629,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":57146342,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/57146342/thumbnails/1.jpg","file_name":"Laurens_Ham_-_Kunsttijdschrift.pdf","download_url":"https://www.academia.edu/attachments/57146342/download_file","bulk_download_file_name":"De_poreuze_grenzen_van_de_jonge_poezie_H.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/57146342/Laurens_Ham_-_Kunsttijdschrift-libre.pdf?1533638404=\u0026response-content-disposition=attachment%3B+filename%3DDe_poreuze_grenzen_van_de_jonge_poezie_H.pdf\u0026Expires=1742297837\u0026Signature=YWhQtMiiwiSuGb1JzABbCGDQ~0sQGnvjFykAzKf~UsbxunVlKr3MLHjQk9-ZHlOVh~SudtuMZgsC2byg-0WOfqPB3KQoRBJaMAvt1tr7-utopUIeBRmvBzINLulZqvTCW~bTD~wLjj-wtsrkfE2iJ1xwWF4a7odnTDP-AuOhIwk9EWk6cjtotGrPiATEDpe5~grNri3zvs~mFzWMHIqz3YC9z9zaoQA08AXmLjyTChF0MboCCNtzaJCTdjVYPlkS62M8t7Yo0JtTf1lC4GahIec9VYyy6WZUr3oQkvNL5vnP6BXUlp3tZH9wVGycIBsRc847R3JEqL~Kwg5rfdyUAg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"De_poreuze_grenzen_van_de_jonge_poëzie_Hoe_poëzietalent_ontstaat_tussen_hiphop_en_festivalcultuur","translated_slug":"","page_count":4,"language":"nl","content_type":"Work","summary":"De hedendaagse poëzie van jonge dichters is vaak versmolten met\nde pop-, hiphop- en festivalwereld en vindt deels of geheel buiten de\npapieren wereld van uitgeverijen om plaats. Ook ‘productiehuizen’ die\njonge poëzie programmeren plaatsen zich graag in een multimediaal\ndomein. Auteurs komen zo in een luistercultuur terecht, maar is dat\neen artistieke of een praktische keuze?","owner":{"id":8019629,"first_name":"Laurens","middle_initials":null,"last_name":"Ham","page_name":"LaurensHam","domain_name":"uu","created_at":"2014-01-04T23:17:39.380-08:00","display_name":"Laurens Ham","url":"https://uu.academia.edu/LaurensHam"},"attachments":[{"id":57146342,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/57146342/thumbnails/1.jpg","file_name":"Laurens_Ham_-_Kunsttijdschrift.pdf","download_url":"https://www.academia.edu/attachments/57146342/download_file","bulk_download_file_name":"De_poreuze_grenzen_van_de_jonge_poezie_H.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/57146342/Laurens_Ham_-_Kunsttijdschrift-libre.pdf?1533638404=\u0026response-content-disposition=attachment%3B+filename%3DDe_poreuze_grenzen_van_de_jonge_poezie_H.pdf\u0026Expires=1742297837\u0026Signature=YWhQtMiiwiSuGb1JzABbCGDQ~0sQGnvjFykAzKf~UsbxunVlKr3MLHjQk9-ZHlOVh~SudtuMZgsC2byg-0WOfqPB3KQoRBJaMAvt1tr7-utopUIeBRmvBzINLulZqvTCW~bTD~wLjj-wtsrkfE2iJ1xwWF4a7odnTDP-AuOhIwk9EWk6cjtotGrPiATEDpe5~grNri3zvs~mFzWMHIqz3YC9z9zaoQA08AXmLjyTChF0MboCCNtzaJCTdjVYPlkS62M8t7Yo0JtTf1lC4GahIec9VYyy6WZUr3oQkvNL5vnP6BXUlp3tZH9wVGycIBsRc847R3JEqL~Kwg5rfdyUAg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":3581,"name":"Poetry","url":"https://www.academia.edu/Documents/in/Poetry"},{"id":19471,"name":"Contemporary Poetry","url":"https://www.academia.edu/Documents/in/Contemporary_Poetry"},{"id":52408,"name":"Literary studies","url":"https://www.academia.edu/Documents/in/Literary_studies"},{"id":539682,"name":"Hiphop","url":"https://www.academia.edu/Documents/in/Hiphop"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="70309617"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/70309617/Terrorist_territorium_Ab%C3%A9_Sahetapy_en_Astrid_Lampe_als_dichters_in_een_angstige_wereld"><img alt="Research paper thumbnail of Terrorist, territorium : Abé Sahetapy en Astrid Lampe als dichters in een angstige wereld" class="work-thumbnail" src="https://attachments.academia-assets.com/80420377/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/70309617/Terrorist_territorium_Ab%C3%A9_Sahetapy_en_Astrid_Lampe_als_dichters_in_een_angstige_wereld">Terrorist, territorium : Abé Sahetapy en Astrid Lampe als dichters in een angstige wereld</a></div><div class="wp-workCard_item"><span>DW B</span><span>, 2017</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="8d1fa3b74b47c2220ad8cfbbfa87145e" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":80420377,"asset_id":70309617,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/80420377/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="70309617"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="70309617"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 70309617; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=70309617]").text(description); $(".js-view-count[data-work-id=70309617]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 70309617; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='70309617']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "8d1fa3b74b47c2220ad8cfbbfa87145e" } } $('.js-work-strip[data-work-id=70309617]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":70309617,"title":"Terrorist, territorium : Abé Sahetapy en Astrid Lampe als dichters in een angstige wereld","translated_title":"","metadata":{"publication_date":{"day":null,"month":null,"year":2017,"errors":{}},"publication_name":"DW B"},"translated_abstract":null,"internal_url":"https://www.academia.edu/70309617/Terrorist_territorium_Ab%C3%A9_Sahetapy_en_Astrid_Lampe_als_dichters_in_een_angstige_wereld","translated_internal_url":"","created_at":"2022-02-03T02:10:38.044-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":8019629,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":80420377,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/80420377/thumbnails/1.jpg","file_name":"mei_2017_Kritieken_Laurens_Ham_over_Astrid_Lampe.pdf","download_url":"https://www.academia.edu/attachments/80420377/download_file","bulk_download_file_name":"Terrorist_territorium_Abe_Sahetapy_en_As.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/80420377/mei_2017_Kritieken_Laurens_Ham_over_Astrid_Lampe-libre.pdf?1644239161=\u0026response-content-disposition=attachment%3B+filename%3DTerrorist_territorium_Abe_Sahetapy_en_As.pdf\u0026Expires=1742297837\u0026Signature=LxC1lPhXGKl4hyQFnJF8IwjfGOBhCDzjlLZxW1udQZEA7qyLKyPSAdgsiB2Lwbdtukl9tYT2IKqIF4ccPfSFXbxV-SsBdSUXByJ9XfsTKM-NMgrsgmaKD-RFZkyARKmP8qN3aMXS7Y0~hImShpQlWX-qSMnL~DQWV8hvt~xCk7D-eRkxab1Zfj9nmId2vhJ4iBLrUOnAvme7JXYhbFcqNEmh1sqxzJtQS0756pQgc0AO-cr2scw5zbr149zpCHojjadBlEChQKcnItTO~7pC2OcmgY20ya-4be3msz6jqt2x7BwooNlK3i-jY7SMA7feDn5tZKNWXlnwvOk9fWk7fw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Terrorist_territorium_Abé_Sahetapy_en_Astrid_Lampe_als_dichters_in_een_angstige_wereld","translated_slug":"","page_count":7,"language":"nl","content_type":"Work","summary":null,"owner":{"id":8019629,"first_name":"Laurens","middle_initials":null,"last_name":"Ham","page_name":"LaurensHam","domain_name":"uu","created_at":"2014-01-04T23:17:39.380-08:00","display_name":"Laurens Ham","url":"https://uu.academia.edu/LaurensHam"},"attachments":[{"id":80420377,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/80420377/thumbnails/1.jpg","file_name":"mei_2017_Kritieken_Laurens_Ham_over_Astrid_Lampe.pdf","download_url":"https://www.academia.edu/attachments/80420377/download_file","bulk_download_file_name":"Terrorist_territorium_Abe_Sahetapy_en_As.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/80420377/mei_2017_Kritieken_Laurens_Ham_over_Astrid_Lampe-libre.pdf?1644239161=\u0026response-content-disposition=attachment%3B+filename%3DTerrorist_territorium_Abe_Sahetapy_en_As.pdf\u0026Expires=1742297838\u0026Signature=DOtWC5YNKADCZyD-NV4jooIlcFAkOw61Ml6luCDHstLsDRTJAemI1T2lJfNgpjsdkfgz3CuNh1QhaalhjmmClrsFjIkQAjm08oj5gC~hO6Qmku5J78dnmeZFuy4zbZCG~oE1F265B8xaffLW2Sj~PE-vabb7FAaqL2ZPtkDcC2EdUWKABr8dhft0teSTo70btSs77-7mlKY914XKFT4~r26M5eqIwGnkLw2aOU2lXLs69NgH65EySyNmtypW60QgZ2MnZDRE76G~LzrErZsEsSqfzDMhemInl0RNIzAgfHrh8mwW5346MLoM7pGtiuJvt7guob8shh6R7i66NX5IgQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":128,"name":"History","url":"https://www.academia.edu/Documents/in/History"},{"id":3581,"name":"Poetry","url":"https://www.academia.edu/Documents/in/Poetry"},{"id":5686,"name":"Political Violence and Terrorism","url":"https://www.academia.edu/Documents/in/Political_Violence_and_Terrorism"},{"id":528592,"name":"Poetry Analysis","url":"https://www.academia.edu/Documents/in/Poetry_Analysis"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="42648690"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/42648690/Democratische_experimenten_Over_Xavier_Roelens"><img alt="Research paper thumbnail of Democratische experimenten. Over Xavier Roelens" class="work-thumbnail" src="https://attachments.academia-assets.com/62854899/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/42648690/Democratische_experimenten_Over_Xavier_Roelens">Democratische experimenten. Over Xavier Roelens</a></div><div class="wp-workCard_item"><span>Dichters van het nieuwe millennium. Nederlandse en Vlaamse poëzie in de 21e eeuw</span><span>, 2016</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Op het eerste gezicht is de bijdrage van Xavier Roelens (Menen, 1976; ook wel X Roelens) aan de 2...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Op het eerste gezicht is de bijdrage van Xavier Roelens (Menen, 1976; ook wel X Roelens) aan de 21•-eeuwse Nederland talige poëzie bescheiden. Na zijn debuut er is een spookrijder gesignaleerd (2007, hierna G) publiceerde hij tot dusver één andere bundel: stormen, olielekken, motetten. over de twee hoofdbestanddelen van de mens: water & relaties (2012, OM). Het manu cript van die laat te bundel won een premie tijden het Kun tenfe tival Watou 2011 (de Prij voor Letterkunde -Poëzi van de provincie We ·t-Vlaanderen) en werd een jaar later enomin erd voor de Herman d oninckprij .</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="271d9a73a8307b17abe5c0e9e8d1bae1" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":62854899,"asset_id":42648690,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/62854899/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="42648690"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="42648690"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 42648690; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=42648690]").text(description); $(".js-view-count[data-work-id=42648690]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 42648690; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='42648690']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "271d9a73a8307b17abe5c0e9e8d1bae1" } } $('.js-work-strip[data-work-id=42648690]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":42648690,"title":"Democratische experimenten. Over Xavier Roelens","translated_title":"","metadata":{"grobid_abstract":"Op het eerste gezicht is de bijdrage van Xavier Roelens (Menen, 1976; ook wel X Roelens) aan de 21•-eeuwse Nederland talige poëzie bescheiden. Na zijn debuut er is een spookrijder gesignaleerd (2007, hierna G) publiceerde hij tot dusver één andere bundel: stormen, olielekken, motetten. over de twee hoofdbestanddelen van de mens: water \u0026 relaties (2012, OM). Het manu cript van die laat te bundel won een premie tijden het Kun tenfe tival Watou 2011 (de Prij voor Letterkunde -Poëzi van de provincie We ·t-Vlaanderen) en werd een jaar later enomin erd voor de Herman d oninckprij .","publication_date":{"day":null,"month":null,"year":2016,"errors":{}},"publication_name":"Dichters van het nieuwe millennium. Nederlandse en Vlaamse poëzie in de 21e eeuw","grobid_abstract_attachment_id":62854899},"translated_abstract":null,"internal_url":"https://www.academia.edu/42648690/Democratische_experimenten_Over_Xavier_Roelens","translated_internal_url":"","created_at":"2020-04-06T23:59:31.281-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":8019629,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":62854899,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/62854899/thumbnails/1.jpg","file_name":"Ham_Democratische_experimenten_2220718720200406-125072-zqhpqm.pdf","download_url":"https://www.academia.edu/attachments/62854899/download_file","bulk_download_file_name":"Democratische_experimenten_Over_Xavier_R.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/62854899/Ham_Democratische_experimenten_2220718720200406-125072-zqhpqm-libre.pdf?1586243214=\u0026response-content-disposition=attachment%3B+filename%3DDemocratische_experimenten_Over_Xavier_R.pdf\u0026Expires=1742297838\u0026Signature=cylgtnZr~4Vii4CcvFfoqeXqTnaY3P6IOP-zy1EFm5hvpIrh-F310MQ~pZzV-7eCTP8S7BH5oxst~~yCHN9tAmXWVI-rmMCJBZ~3fzK7jEJMvz6V6m38GeEis7ALIgdlgwMTCaWXfmPah7YVO6j~t96omvyrLv6vzT8DaIDu~3xIwsHsakqBBZVixfFfeLkE-418TyAUMQJ0ZrQzT-Odgbzptc8yeDJqLErBr7tyE8GGcZYhnki2epIibN~77H6VD9KR5eEjCBVfmvS--nly9Ww0BowNChC-kpRirz9zekq9zwYIzIRY4WVFJYm5wQtrYUM6~GlKB8kPvvP-7iVYxQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Democratische_experimenten_Over_Xavier_Roelens","translated_slug":"","page_count":11,"language":"nl","content_type":"Work","summary":"Op het eerste gezicht is de bijdrage van Xavier Roelens (Menen, 1976; ook wel X Roelens) aan de 21•-eeuwse Nederland talige poëzie bescheiden. Na zijn debuut er is een spookrijder gesignaleerd (2007, hierna G) publiceerde hij tot dusver één andere bundel: stormen, olielekken, motetten. over de twee hoofdbestanddelen van de mens: water \u0026 relaties (2012, OM). Het manu cript van die laat te bundel won een premie tijden het Kun tenfe tival Watou 2011 (de Prij voor Letterkunde -Poëzi van de provincie We ·t-Vlaanderen) en werd een jaar later enomin erd voor de Herman d oninckprij .","owner":{"id":8019629,"first_name":"Laurens","middle_initials":null,"last_name":"Ham","page_name":"LaurensHam","domain_name":"uu","created_at":"2014-01-04T23:17:39.380-08:00","display_name":"Laurens Ham","url":"https://uu.academia.edu/LaurensHam"},"attachments":[{"id":62854899,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/62854899/thumbnails/1.jpg","file_name":"Ham_Democratische_experimenten_2220718720200406-125072-zqhpqm.pdf","download_url":"https://www.academia.edu/attachments/62854899/download_file","bulk_download_file_name":"Democratische_experimenten_Over_Xavier_R.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/62854899/Ham_Democratische_experimenten_2220718720200406-125072-zqhpqm-libre.pdf?1586243214=\u0026response-content-disposition=attachment%3B+filename%3DDemocratische_experimenten_Over_Xavier_R.pdf\u0026Expires=1742297838\u0026Signature=cylgtnZr~4Vii4CcvFfoqeXqTnaY3P6IOP-zy1EFm5hvpIrh-F310MQ~pZzV-7eCTP8S7BH5oxst~~yCHN9tAmXWVI-rmMCJBZ~3fzK7jEJMvz6V6m38GeEis7ALIgdlgwMTCaWXfmPah7YVO6j~t96omvyrLv6vzT8DaIDu~3xIwsHsakqBBZVixfFfeLkE-418TyAUMQJ0ZrQzT-Odgbzptc8yeDJqLErBr7tyE8GGcZYhnki2epIibN~77H6VD9KR5eEjCBVfmvS--nly9Ww0BowNChC-kpRirz9zekq9zwYIzIRY4WVFJYm5wQtrYUM6~GlKB8kPvvP-7iVYxQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":3581,"name":"Poetry","url":"https://www.academia.edu/Documents/in/Poetry"},{"id":21325,"name":"Ecopoetics","url":"https://www.academia.edu/Documents/in/Ecopoetics"},{"id":25988,"name":"Dutch Literature","url":"https://www.academia.edu/Documents/in/Dutch_Literature"},{"id":51331,"name":"Avant garde Poetry","url":"https://www.academia.edu/Documents/in/Avant_garde_Poetry"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="70309610"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/70309610/In_wederkerigheid_van_woorden_Zes_dichters_benaderen_de_werkelijkheid_in_taal"><img alt="Research paper thumbnail of In wederkerigheid van woorden : Zes dichters benaderen de werkelijkheid in taal" class="work-thumbnail" src="https://attachments.academia-assets.com/80420453/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/70309610/In_wederkerigheid_van_woorden_Zes_dichters_benaderen_de_werkelijkheid_in_taal">In wederkerigheid van woorden : Zes dichters benaderen de werkelijkheid in taal</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="1c3452f1088c08016d0d157a194b23cf" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":80420453,"asset_id":70309610,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/80420453/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="70309610"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="70309610"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 70309610; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=70309610]").text(description); $(".js-view-count[data-work-id=70309610]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 70309610; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='70309610']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "1c3452f1088c08016d0d157a194b23cf" } } $('.js-work-strip[data-work-id=70309610]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":70309610,"title":"In wederkerigheid van woorden : Zes dichters benaderen de werkelijkheid in taal","translated_title":"","metadata":{"publication_date":{"day":null,"month":null,"year":2016,"errors":{}}},"translated_abstract":null,"internal_url":"https://www.academia.edu/70309610/In_wederkerigheid_van_woorden_Zes_dichters_benaderen_de_werkelijkheid_in_taal","translated_internal_url":"","created_at":"2022-02-03T02:10:37.313-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":8019629,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":80420453,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/80420453/thumbnails/1.jpg","file_name":"DWB_2016_1_boekbesprekingen_Laurens_Ham.pdf","download_url":"https://www.academia.edu/attachments/80420453/download_file","bulk_download_file_name":"In_wederkerigheid_van_woorden_Zes_dichte.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/80420453/DWB_2016_1_boekbesprekingen_Laurens_Ham-libre.pdf?1644239155=\u0026response-content-disposition=attachment%3B+filename%3DIn_wederkerigheid_van_woorden_Zes_dichte.pdf\u0026Expires=1742310506\u0026Signature=U3~QvMTQQ-lwOEcjPckWF2hNgF0WtXLJMQIoI6ZTuS4Fj31IOWOUUjbSUptONmY-nILjZRf~sFgX7CRvERzarzQvZdMV6rq8~IoBPquaDyx44ZTnXa-pHVB-7Dx0fhDk3I0rARaVzZZTezq48pSJnq8kc740NDDkJ80Vl2o8iBkvHnbWEvAztC2wfnLkVZFUzimJaKjKN7-Bpyw7tviX~GX1xrRHmgiypb~WZsDkkZsBbyuwlKMg7oyJ7ECvn8ZgdNtXJSp3kvSwNNrwQTh9EYIWJxT58JOM5tpYkovn-f-id8Mn2pbwu1KxS9KfFtpUOuYie~dOtP7Rnaxg6kQfKA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"In_wederkerigheid_van_woorden_Zes_dichters_benaderen_de_werkelijkheid_in_taal","translated_slug":"","page_count":6,"language":"nl","content_type":"Work","summary":null,"owner":{"id":8019629,"first_name":"Laurens","middle_initials":null,"last_name":"Ham","page_name":"LaurensHam","domain_name":"uu","created_at":"2014-01-04T23:17:39.380-08:00","display_name":"Laurens Ham","url":"https://uu.academia.edu/LaurensHam"},"attachments":[{"id":80420453,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/80420453/thumbnails/1.jpg","file_name":"DWB_2016_1_boekbesprekingen_Laurens_Ham.pdf","download_url":"https://www.academia.edu/attachments/80420453/download_file","bulk_download_file_name":"In_wederkerigheid_van_woorden_Zes_dichte.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/80420453/DWB_2016_1_boekbesprekingen_Laurens_Ham-libre.pdf?1644239155=\u0026response-content-disposition=attachment%3B+filename%3DIn_wederkerigheid_van_woorden_Zes_dichte.pdf\u0026Expires=1742310506\u0026Signature=U3~QvMTQQ-lwOEcjPckWF2hNgF0WtXLJMQIoI6ZTuS4Fj31IOWOUUjbSUptONmY-nILjZRf~sFgX7CRvERzarzQvZdMV6rq8~IoBPquaDyx44ZTnXa-pHVB-7Dx0fhDk3I0rARaVzZZTezq48pSJnq8kc740NDDkJ80Vl2o8iBkvHnbWEvAztC2wfnLkVZFUzimJaKjKN7-Bpyw7tviX~GX1xrRHmgiypb~WZsDkkZsBbyuwlKMg7oyJ7ECvn8ZgdNtXJSp3kvSwNNrwQTh9EYIWJxT58JOM5tpYkovn-f-id8Mn2pbwu1KxS9KfFtpUOuYie~dOtP7Rnaxg6kQfKA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":1200,"name":"Languages and Linguistics","url":"https://www.academia.edu/Documents/in/Languages_and_Linguistics"},{"id":3581,"name":"Poetry","url":"https://www.academia.edu/Documents/in/Poetry"},{"id":528592,"name":"Poetry Analysis","url":"https://www.academia.edu/Documents/in/Poetry_Analysis"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="37195244"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/37195244/Gezellig_indianen_verdrijven_bij_een_kopje_chocolademelk"><img alt="Research paper thumbnail of Gezellig, indianen verdrijven bij een kopje chocolademelk" class="work-thumbnail" src="https://attachments.academia-assets.com/57146272/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/37195244/Gezellig_indianen_verdrijven_bij_een_kopje_chocolademelk">Gezellig, indianen verdrijven bij een kopje chocolademelk</a></div><div class="wp-workCard_item"><span>De Groene Amsterdammer</span><span>, 2016</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Populaire bordspellen verbeelden de obsessies van een samenleving. Wat betekent het dan dat er mo...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Populaire bordspellen verbeelden de obsessies van een samenleving. Wat<br />betekent het dan dat er momenteel zoveel koloniale spellen te verkrijgen zijn?</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="2a9a68ddaa57fa60372814ee034cbcfc" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":57146272,"asset_id":37195244,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/57146272/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="37195244"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="37195244"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 37195244; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=37195244]").text(description); $(".js-view-count[data-work-id=37195244]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 37195244; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='37195244']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "2a9a68ddaa57fa60372814ee034cbcfc" } } $('.js-work-strip[data-work-id=37195244]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":37195244,"title":"Gezellig, indianen verdrijven bij een kopje chocolademelk","translated_title":"","metadata":{"issue":"49","volume":"140","abstract":"Populaire bordspellen verbeelden de obsessies van een samenleving. Wat\nbetekent het dan dat er momenteel zoveel koloniale spellen te verkrijgen zijn?","more_info":"In: De Groene Amsterdammer, 7 December 2016","publication_date":{"day":null,"month":null,"year":2016,"errors":{}},"publication_name":"De Groene Amsterdammer"},"translated_abstract":"Populaire bordspellen verbeelden de obsessies van een samenleving. Wat\nbetekent het dan dat er momenteel zoveel koloniale spellen te verkrijgen zijn?","internal_url":"https://www.academia.edu/37195244/Gezellig_indianen_verdrijven_bij_een_kopje_chocolademelk","translated_internal_url":"","created_at":"2018-08-07T03:13:10.471-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":8019629,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[{"id":31776488,"work_id":37195244,"tagging_user_id":8019629,"tagged_user_id":68748789,"co_author_invite_id":null,"email":"s***6@gmail.com","display_order":1,"name":"Saskia Pieterse","title":"Gezellig, indianen verdrijven bij een kopje chocolademelk"},{"id":31776489,"work_id":37195244,"tagging_user_id":8019629,"tagged_user_id":46310428,"co_author_invite_id":null,"email":"f***z@uu.nl","display_order":2,"name":"Feike Dietz","title":"Gezellig, indianen verdrijven bij een kopje chocolademelk"}],"downloadable_attachments":[{"id":57146272,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/57146272/thumbnails/1.jpg","file_name":"Dietz_Ham_Pieterse_2016.pdf","download_url":"https://www.academia.edu/attachments/57146272/download_file","bulk_download_file_name":"Gezellig_indianen_verdrijven_bij_een_kop.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/57146272/Dietz_Ham_Pieterse_2016-libre.pdf?1533637214=\u0026response-content-disposition=attachment%3B+filename%3DGezellig_indianen_verdrijven_bij_een_kop.pdf\u0026Expires=1742310506\u0026Signature=UmPrql9z5i-TJkMSHrQ8hWr8bLLfLBmuJexYvRwaifawheWQjUiTCI7Eu51oMEcw~JZcwjXpQRLlNJKiwX6jScuuqF3-biD1NEXvo1w-vW92qW8V8hIi9SJrN8x65f0bz4f5LXhkmGEU-GmzrBV576UCmYUqF6RdsEn0ScXTK~-eEGJRoR~IYEnAG27l2cecGTjpsUoAlOlJ52zEk-gber5LZ3AGxkNXHSjhYv8wcQE9qLEx1XERC-XiT3~Ik4lA6nT6RdKEtKHRkr5jnSDOgvoFIulzt6SBBR-BkoueHU~NIkBfRM27DCZPo6KAQvMwZGZSw~L8fua~aAw-Moyreg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Gezellig_indianen_verdrijven_bij_een_kopje_chocolademelk","translated_slug":"","page_count":2,"language":"nl","content_type":"Work","summary":"Populaire bordspellen verbeelden de obsessies van een samenleving. Wat\nbetekent het dan dat er momenteel zoveel koloniale spellen te verkrijgen zijn?","owner":{"id":8019629,"first_name":"Laurens","middle_initials":null,"last_name":"Ham","page_name":"LaurensHam","domain_name":"uu","created_at":"2014-01-04T23:17:39.380-08:00","display_name":"Laurens Ham","url":"https://uu.academia.edu/LaurensHam"},"attachments":[{"id":57146272,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/57146272/thumbnails/1.jpg","file_name":"Dietz_Ham_Pieterse_2016.pdf","download_url":"https://www.academia.edu/attachments/57146272/download_file","bulk_download_file_name":"Gezellig_indianen_verdrijven_bij_een_kop.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/57146272/Dietz_Ham_Pieterse_2016-libre.pdf?1533637214=\u0026response-content-disposition=attachment%3B+filename%3DGezellig_indianen_verdrijven_bij_een_kop.pdf\u0026Expires=1742310506\u0026Signature=UmPrql9z5i-TJkMSHrQ8hWr8bLLfLBmuJexYvRwaifawheWQjUiTCI7Eu51oMEcw~JZcwjXpQRLlNJKiwX6jScuuqF3-biD1NEXvo1w-vW92qW8V8hIi9SJrN8x65f0bz4f5LXhkmGEU-GmzrBV576UCmYUqF6RdsEn0ScXTK~-eEGJRoR~IYEnAG27l2cecGTjpsUoAlOlJ52zEk-gber5LZ3AGxkNXHSjhYv8wcQE9qLEx1XERC-XiT3~Ik4lA6nT6RdKEtKHRkr5jnSDOgvoFIulzt6SBBR-BkoueHU~NIkBfRM27DCZPo6KAQvMwZGZSw~L8fua~aAw-Moyreg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":2858,"name":"Popular Culture","url":"https://www.academia.edu/Documents/in/Popular_Culture"},{"id":6556,"name":"Colonialism","url":"https://www.academia.edu/Documents/in/Colonialism"},{"id":9405,"name":"Post-Colonialism","url":"https://www.academia.edu/Documents/in/Post-Colonialism"},{"id":50932,"name":"Games","url":"https://www.academia.edu/Documents/in/Games"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="6723339" id="books"><div class="js-work-strip profile--work_container" data-work-id="44599251"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/44599251/Op_de_vuist_Vijftig_jaar_politiek_en_protestliedjes_in_Nederland"><img alt="Research paper thumbnail of Op de vuist. Vijftig jaar politiek en protestliedjes in Nederland" class="work-thumbnail" src="https://attachments.academia-assets.com/118562939/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/44599251/Op_de_vuist_Vijftig_jaar_politiek_en_protestliedjes_in_Nederland">Op de vuist. Vijftig jaar politiek en protestliedjes in Nederland</a></div><div class="wp-workCard_item"><span>Ambo Anthos</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">In Op de vuist volgt Laurens Ham het spoor van het Nederlandstalige protestlied van de jaren zest...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In Op de vuist volgt Laurens Ham het spoor van het Nederlandstalige protestlied van de jaren zestig tot nu.<br /><br />Wat verbindt de ontregelende acties van Provo uit 1966 en de boerenprotesten van vandaag? Wat heeft het kroningsoproer van 30 april 1980 gemeen met betogingen tegen racisme van dit moment? Precies: muziek. Sociale bewegingen gaan in Nederland al van oudsher hand in hand met protestliederen en strijdmuziek. Het waren ‘godfathers’ Boudewijn de Groot en Armand die het genre op de kaart zetten en die met Bots, Normaal, Doe Maar, Typhoon, Akwasi en vele anderen een bonte stoet aan navolgers hebben gekregen. Maar is het protestliedje van toen nog hetzelfde als dat van nu? Allerminst.<br /><br />Het protestlied veranderde mee met verschuivingen in het politiek-maatschappelijke landschap, en daarmee maakte de roep om protest en solidariteit langzaamaan steeds meer plaats voor expressie van identiteit. Zo verdeeld als Nederland er heden ten dage bij staat, zo divers zijn ook de protestliedjes die je nu hoort op radio, tv, YouTube en Spotify.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="29115faf62e93e41d8568709d5ade668" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":118562939,"asset_id":44599251,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/118562939/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="44599251"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="44599251"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44599251; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=44599251]").text(description); $(".js-view-count[data-work-id=44599251]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 44599251; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='44599251']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "29115faf62e93e41d8568709d5ade668" } } $('.js-work-strip[data-work-id=44599251]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":44599251,"title":"Op de vuist. Vijftig jaar politiek en protestliedjes in Nederland","translated_title":"","metadata":{"abstract":"In Op de vuist volgt Laurens Ham het spoor van het Nederlandstalige protestlied van de jaren zestig tot nu.\n\nWat verbindt de ontregelende acties van Provo uit 1966 en de boerenprotesten van vandaag? Wat heeft het kroningsoproer van 30 april 1980 gemeen met betogingen tegen racisme van dit moment? Precies: muziek. Sociale bewegingen gaan in Nederland al van oudsher hand in hand met protestliederen en strijdmuziek. Het waren ‘godfathers’ Boudewijn de Groot en Armand die het genre op de kaart zetten en die met Bots, Normaal, Doe Maar, Typhoon, Akwasi en vele anderen een bonte stoet aan navolgers hebben gekregen. Maar is het protestliedje van toen nog hetzelfde als dat van nu? Allerminst.\n\nHet protestlied veranderde mee met verschuivingen in het politiek-maatschappelijke landschap, en daarmee maakte de roep om protest en solidariteit langzaamaan steeds meer plaats voor expressie van identiteit. Zo verdeeld als Nederland er heden ten dage bij staat, zo divers zijn ook de protestliedjes die je nu hoort op radio, tv, YouTube en Spotify.","publisher":"Ambo|Anthos","publication_date":{"day":null,"month":null,"year":2020,"errors":{}},"publication_name":"Ambo Anthos"},"translated_abstract":"In Op de vuist volgt Laurens Ham het spoor van het Nederlandstalige protestlied van de jaren zestig tot nu.\n\nWat verbindt de ontregelende acties van Provo uit 1966 en de boerenprotesten van vandaag? Wat heeft het kroningsoproer van 30 april 1980 gemeen met betogingen tegen racisme van dit moment? Precies: muziek. Sociale bewegingen gaan in Nederland al van oudsher hand in hand met protestliederen en strijdmuziek. Het waren ‘godfathers’ Boudewijn de Groot en Armand die het genre op de kaart zetten en die met Bots, Normaal, Doe Maar, Typhoon, Akwasi en vele anderen een bonte stoet aan navolgers hebben gekregen. Maar is het protestliedje van toen nog hetzelfde als dat van nu? Allerminst.\n\nHet protestlied veranderde mee met verschuivingen in het politiek-maatschappelijke landschap, en daarmee maakte de roep om protest en solidariteit langzaamaan steeds meer plaats voor expressie van identiteit. Zo verdeeld als Nederland er heden ten dage bij staat, zo divers zijn ook de protestliedjes die je nu hoort op radio, tv, YouTube en Spotify.","internal_url":"https://www.academia.edu/44599251/Op_de_vuist_Vijftig_jaar_politiek_en_protestliedjes_in_Nederland","translated_internal_url":"","created_at":"2020-11-29T07:09:36.938-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":8019629,"coauthors_can_edit":true,"document_type":"book","co_author_tags":[],"downloadable_attachments":[{"id":118562939,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/118562939/thumbnails/1.jpg","file_name":"ham_op_de_vuist_lay_out_proef.pdf","download_url":"https://www.academia.edu/attachments/118562939/download_file","bulk_download_file_name":"Op_de_vuist_Vijftig_jaar_politiek_en_pro.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/118562939/ham_op_de_vuist_lay_out_proef-libre.pdf?1727772373=\u0026response-content-disposition=attachment%3B+filename%3DOp_de_vuist_Vijftig_jaar_politiek_en_pro.pdf\u0026Expires=1742297838\u0026Signature=fCs73wYuAfGNBotg8EJAUi6l-idt8nHFW2uhN66lQs5e1~dp057aCzAFBCbAuG2Xq2OwosKywhwHk3k3rqXryZi30LVQcF0v8x73ppiObM74rbxEJ7A6yZc-uRGVyyfmHZMkRw6MvTzvT6mAQW07l7uTFGnognzN-gcYpI89zOz2CoPVddwVeOoVjeQ8IQGQ8g8X2eB3EWlIVOG5KIE~xf5uT9RvzbqEeiS7cXGRVMECLvpn9ZEZt8XdZr~ib7BYMa8QA3Uya-kYNsd19wHKH4lyJE8RUgQbSqIkxVGyaiLSCubgI265FI6dTSV4gPC3ZrF5-cursHHmA~TR1bQ-eg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Op_de_vuist_Vijftig_jaar_politiek_en_protestliedjes_in_Nederland","translated_slug":"","page_count":384,"language":"nl","content_type":"Work","summary":"In Op de vuist volgt Laurens Ham het spoor van het Nederlandstalige protestlied van de jaren zestig tot nu.\n\nWat verbindt de ontregelende acties van Provo uit 1966 en de boerenprotesten van vandaag? Wat heeft het kroningsoproer van 30 april 1980 gemeen met betogingen tegen racisme van dit moment? Precies: muziek. Sociale bewegingen gaan in Nederland al van oudsher hand in hand met protestliederen en strijdmuziek. Het waren ‘godfathers’ Boudewijn de Groot en Armand die het genre op de kaart zetten en die met Bots, Normaal, Doe Maar, Typhoon, Akwasi en vele anderen een bonte stoet aan navolgers hebben gekregen. Maar is het protestliedje van toen nog hetzelfde als dat van nu? Allerminst.\n\nHet protestlied veranderde mee met verschuivingen in het politiek-maatschappelijke landschap, en daarmee maakte de roep om protest en solidariteit langzaamaan steeds meer plaats voor expressie van identiteit. Zo verdeeld als Nederland er heden ten dage bij staat, zo divers zijn ook de protestliedjes die je nu hoort op radio, tv, YouTube en Spotify.","owner":{"id":8019629,"first_name":"Laurens","middle_initials":null,"last_name":"Ham","page_name":"LaurensHam","domain_name":"uu","created_at":"2014-01-04T23:17:39.380-08:00","display_name":"Laurens Ham","url":"https://uu.academia.edu/LaurensHam"},"attachments":[{"id":118562939,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/118562939/thumbnails/1.jpg","file_name":"ham_op_de_vuist_lay_out_proef.pdf","download_url":"https://www.academia.edu/attachments/118562939/download_file","bulk_download_file_name":"Op_de_vuist_Vijftig_jaar_politiek_en_pro.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/118562939/ham_op_de_vuist_lay_out_proef-libre.pdf?1727772373=\u0026response-content-disposition=attachment%3B+filename%3DOp_de_vuist_Vijftig_jaar_politiek_en_pro.pdf\u0026Expires=1742297838\u0026Signature=fCs73wYuAfGNBotg8EJAUi6l-idt8nHFW2uhN66lQs5e1~dp057aCzAFBCbAuG2Xq2OwosKywhwHk3k3rqXryZi30LVQcF0v8x73ppiObM74rbxEJ7A6yZc-uRGVyyfmHZMkRw6MvTzvT6mAQW07l7uTFGnognzN-gcYpI89zOz2CoPVddwVeOoVjeQ8IQGQ8g8X2eB3EWlIVOG5KIE~xf5uT9RvzbqEeiS7cXGRVMECLvpn9ZEZt8XdZr~ib7BYMa8QA3Uya-kYNsd19wHKH4lyJE8RUgQbSqIkxVGyaiLSCubgI265FI6dTSV4gPC3ZrF5-cursHHmA~TR1bQ-eg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":1631,"name":"Popular Music","url":"https://www.academia.edu/Documents/in/Popular_Music"},{"id":5955,"name":"Protest Music","url":"https://www.academia.edu/Documents/in/Protest_Music"},{"id":9517,"name":"Protest","url":"https://www.academia.edu/Documents/in/Protest"},{"id":49917,"name":"Dutch History","url":"https://www.academia.edu/Documents/in/Dutch_History"},{"id":70358,"name":"Protest Movements","url":"https://www.academia.edu/Documents/in/Protest_Movements"},{"id":96659,"name":"Protest Songs","url":"https://www.academia.edu/Documents/in/Protest_Songs"},{"id":126406,"name":"Protest and resistance","url":"https://www.academia.edu/Documents/in/Protest_and_resistance"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="32022528"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/32022528/Door_Prometheus_geboeid_De_autonomie_en_autoriteit_van_de_moderne_Nederlandse_auteur"><img alt="Research paper thumbnail of Door Prometheus geboeid. De autonomie en autoriteit van de moderne Nederlandse auteur" class="work-thumbnail" src="https://attachments.academia-assets.com/52287409/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/32022528/Door_Prometheus_geboeid_De_autonomie_en_autoriteit_van_de_moderne_Nederlandse_auteur">Door Prometheus geboeid. De autonomie en autoriteit van de moderne Nederlandse auteur</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Moderne literaire auteurs zijn veel bezig met hoe ze overkomen. Ze creëren alter ego's, publicere...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Moderne literaire auteurs zijn veel bezig met hoe ze overkomen. Ze creëren alter ego's, publiceren egodocumenten en roeren zich in de media. Vaak wordt gedacht dat ze daarmee buigen voor de commercie. Door Prometheus Geboeid belicht een andere kant: schrijvers werken aan hun imago om zichzelf juist als vrije intellectueel te presenteren. Laurens Ham vertelt een cultuurgeschiedenis van het Nederlandse auteurschap tussen 1820 en 1970, waarin literaire kopstukken als Multatuli, Carry van Bruggen en W.F. Hermans naast vergeten auteurs als J.B.D. Wibmer en Annie Salomons staan. Aan de hand van klassieke romans, essays, pleitredes en egodocumenten biedt deze studie inzicht in de spanning tussen de zelfrepresentatie van auteurs en hun veranderende maatschappelijke positie. Krijgen auteurs vanaf de negentiende eeuw steeds meer vrijheid? Nee. Maar wie zich in de literaire wereld het minst aan maat-schappelijke normen gelegen laat liggen, wordt wel het meest serieus genomen.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="9892310290cbebb75e2d5e1bdcc4940a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":52287409,"asset_id":32022528,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/52287409/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="32022528"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="32022528"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 32022528; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=32022528]").text(description); $(".js-view-count[data-work-id=32022528]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 32022528; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='32022528']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "9892310290cbebb75e2d5e1bdcc4940a" } } $('.js-work-strip[data-work-id=32022528]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":32022528,"title":"Door Prometheus geboeid. De autonomie en autoriteit van de moderne Nederlandse auteur","translated_title":"","metadata":{"abstract":"Moderne literaire auteurs zijn veel bezig met hoe ze overkomen. Ze creëren alter ego's, publiceren egodocumenten en roeren zich in de media. Vaak wordt gedacht dat ze daarmee buigen voor de commercie. Door Prometheus Geboeid belicht een andere kant: schrijvers werken aan hun imago om zichzelf juist als vrije intellectueel te presenteren. Laurens Ham vertelt een cultuurgeschiedenis van het Nederlandse auteurschap tussen 1820 en 1970, waarin literaire kopstukken als Multatuli, Carry van Bruggen en W.F. Hermans naast vergeten auteurs als J.B.D. Wibmer en Annie Salomons staan. Aan de hand van klassieke romans, essays, pleitredes en egodocumenten biedt deze studie inzicht in de spanning tussen de zelfrepresentatie van auteurs en hun veranderende maatschappelijke positie. Krijgen auteurs vanaf de negentiende eeuw steeds meer vrijheid? Nee. Maar wie zich in de literaire wereld het minst aan maat-schappelijke normen gelegen laat liggen, wordt wel het meest serieus genomen.","more_info":"Published by Literatoren, Hilversum, 2015","publisher":"Literatoren"},"translated_abstract":"Moderne literaire auteurs zijn veel bezig met hoe ze overkomen. Ze creëren alter ego's, publiceren egodocumenten en roeren zich in de media. Vaak wordt gedacht dat ze daarmee buigen voor de commercie. Door Prometheus Geboeid belicht een andere kant: schrijvers werken aan hun imago om zichzelf juist als vrije intellectueel te presenteren. Laurens Ham vertelt een cultuurgeschiedenis van het Nederlandse auteurschap tussen 1820 en 1970, waarin literaire kopstukken als Multatuli, Carry van Bruggen en W.F. Hermans naast vergeten auteurs als J.B.D. Wibmer en Annie Salomons staan. Aan de hand van klassieke romans, essays, pleitredes en egodocumenten biedt deze studie inzicht in de spanning tussen de zelfrepresentatie van auteurs en hun veranderende maatschappelijke positie. Krijgen auteurs vanaf de negentiende eeuw steeds meer vrijheid? Nee. Maar wie zich in de literaire wereld het minst aan maat-schappelijke normen gelegen laat liggen, wordt wel het meest serieus genomen.","internal_url":"https://www.academia.edu/32022528/Door_Prometheus_geboeid_De_autonomie_en_autoriteit_van_de_moderne_Nederlandse_auteur","translated_internal_url":"","created_at":"2017-03-24T04:07:42.723-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":8019629,"coauthors_can_edit":true,"document_type":"book","co_author_tags":[],"downloadable_attachments":[{"id":52287409,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/52287409/thumbnails/1.jpg","file_name":"9789087044909.pinn.LR_Diss_Ham.pdf","download_url":"https://www.academia.edu/attachments/52287409/download_file","bulk_download_file_name":"Door_Prometheus_geboeid_De_autonomie_en.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/52287409/9789087044909.pinn.LR_Diss_Ham-libre.pdf?1490354583=\u0026response-content-disposition=attachment%3B+filename%3DDoor_Prometheus_geboeid_De_autonomie_en.pdf\u0026Expires=1742297838\u0026Signature=TPwOz-Yr6XVUl9~ib2v1UVxADgVkZXyBDmHtK0s7M~fxAnKJ7qNVnsTjf3ANnAtObt1j0Dk~LTOPlivjJJGvjdqPrsq39ZaXL~PDZHaOLp81qBEhKqwzFUphnOCjDf8uaWvyfCsR8QsHOuYQJAqdWVyXPOLbMj2m79SQ4mXkOTEfMNUXVyiiQWYHV6H4I3TrogTeFZavlmHoJ3TslJQYUsjFgLNa2g9U9lNHFXhbn5wDsrWP7-pA-W0I1hsVVWKcqWDjJetuA34jVvwz1jwsN8Le7AGTrSZz1q-cytQDbkmGDX7pZKiij~5gB5oqsy6RK6QFJUgesiBT1zVy7JiRJg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Door_Prometheus_geboeid_De_autonomie_en_autoriteit_van_de_moderne_Nederlandse_auteur","translated_slug":"","page_count":352,"language":"nl","content_type":"Work","summary":"Moderne literaire auteurs zijn veel bezig met hoe ze overkomen. Ze creëren alter ego's, publiceren egodocumenten en roeren zich in de media. Vaak wordt gedacht dat ze daarmee buigen voor de commercie. Door Prometheus Geboeid belicht een andere kant: schrijvers werken aan hun imago om zichzelf juist als vrije intellectueel te presenteren. Laurens Ham vertelt een cultuurgeschiedenis van het Nederlandse auteurschap tussen 1820 en 1970, waarin literaire kopstukken als Multatuli, Carry van Bruggen en W.F. Hermans naast vergeten auteurs als J.B.D. Wibmer en Annie Salomons staan. Aan de hand van klassieke romans, essays, pleitredes en egodocumenten biedt deze studie inzicht in de spanning tussen de zelfrepresentatie van auteurs en hun veranderende maatschappelijke positie. Krijgen auteurs vanaf de negentiende eeuw steeds meer vrijheid? Nee. Maar wie zich in de literaire wereld het minst aan maat-schappelijke normen gelegen laat liggen, wordt wel het meest serieus genomen.","owner":{"id":8019629,"first_name":"Laurens","middle_initials":null,"last_name":"Ham","page_name":"LaurensHam","domain_name":"uu","created_at":"2014-01-04T23:17:39.380-08:00","display_name":"Laurens Ham","url":"https://uu.academia.edu/LaurensHam"},"attachments":[{"id":52287409,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/52287409/thumbnails/1.jpg","file_name":"9789087044909.pinn.LR_Diss_Ham.pdf","download_url":"https://www.academia.edu/attachments/52287409/download_file","bulk_download_file_name":"Door_Prometheus_geboeid_De_autonomie_en.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/52287409/9789087044909.pinn.LR_Diss_Ham-libre.pdf?1490354583=\u0026response-content-disposition=attachment%3B+filename%3DDoor_Prometheus_geboeid_De_autonomie_en.pdf\u0026Expires=1742297838\u0026Signature=TPwOz-Yr6XVUl9~ib2v1UVxADgVkZXyBDmHtK0s7M~fxAnKJ7qNVnsTjf3ANnAtObt1j0Dk~LTOPlivjJJGvjdqPrsq39ZaXL~PDZHaOLp81qBEhKqwzFUphnOCjDf8uaWvyfCsR8QsHOuYQJAqdWVyXPOLbMj2m79SQ4mXkOTEfMNUXVyiiQWYHV6H4I3TrogTeFZavlmHoJ3TslJQYUsjFgLNa2g9U9lNHFXhbn5wDsrWP7-pA-W0I1hsVVWKcqWDjJetuA34jVvwz1jwsN8Le7AGTrSZz1q-cytQDbkmGDX7pZKiij~5gB5oqsy6RK6QFJUgesiBT1zVy7JiRJg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":3648,"name":"Politics and Literature","url":"https://www.academia.edu/Documents/in/Politics_and_Literature"},{"id":14197,"name":"Autonomy","url":"https://www.academia.edu/Documents/in/Autonomy"},{"id":25988,"name":"Dutch Literature","url":"https://www.academia.edu/Documents/in/Dutch_Literature"},{"id":29883,"name":"Authorship","url":"https://www.academia.edu/Documents/in/Authorship"},{"id":178041,"name":"Authority","url":"https://www.academia.edu/Documents/in/Authority"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="6723352" id="bookreviews"><div class="js-work-strip profile--work_container" data-work-id="115482109"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/115482109/Een_doorkijkje_naar_een_mediageschiedenis_van_de_literatuur"><img alt="Research paper thumbnail of Een doorkijkje naar een mediageschiedenis van de literatuur" class="work-thumbnail" src="https://attachments.academia-assets.com/111876930/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/115482109/Een_doorkijkje_naar_een_mediageschiedenis_van_de_literatuur">Een doorkijkje naar een mediageschiedenis van de literatuur</a></div><div class="wp-workCard_item"><span>Internationale neerlandistiek</span><span>, 2023</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Deze recensie bespreekt een boek waarin aan de hand van auteursgerichte casussen inzicht wordt ge...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Deze recensie bespreekt een boek waarin aan de hand van auteursgerichte casussen inzicht wordt gegeven in het geschilderde of gefotografeerde auteursportret in Nederland. De combinatie van synthetisering en exploratie leidt tot een boek dat tegelijkertijd bescheiden en ambitieus is. Bescheiden vanwege de omvang en vanwege het feit dat het boek grotendeels bestaande kennis presenteert. Maar tegelijkertijd ambitieus, omdat de ondertitel wel degelijk een ‘geschiedenis’ van het auteursportret belooft, en de inleiding zelfs spreekt van een ‘kleine literatuurgeschiedenis, maar ook een mediageschiedenis’.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="4e4cb6aa44bad4d884b40a6a2a1767b3" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":111876930,"asset_id":115482109,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/111876930/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="115482109"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="115482109"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 115482109; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=115482109]").text(description); $(".js-view-count[data-work-id=115482109]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 115482109; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='115482109']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "4e4cb6aa44bad4d884b40a6a2a1767b3" } } $('.js-work-strip[data-work-id=115482109]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":115482109,"title":"Een doorkijkje naar een mediageschiedenis van de literatuur","translated_title":"","metadata":{"doi":"10.5117/in2023.3.007.ham","abstract":"Deze recensie bespreekt een boek waarin aan de hand van auteursgerichte casussen inzicht wordt gegeven in het geschilderde of gefotografeerde auteursportret in Nederland. De combinatie van synthetisering en exploratie leidt tot een boek dat tegelijkertijd bescheiden en ambitieus is. Bescheiden vanwege de omvang en vanwege het feit dat het boek grotendeels bestaande kennis presenteert. Maar tegelijkertijd ambitieus, omdat de ondertitel wel degelijk een ‘geschiedenis’ van het auteursportret belooft, en de inleiding zelfs spreekt van een ‘kleine literatuurgeschiedenis, maar ook een mediageschiedenis’.","publication_date":{"day":null,"month":null,"year":2023,"errors":{}},"publication_name":"Internationale neerlandistiek"},"translated_abstract":"Deze recensie bespreekt een boek waarin aan de hand van auteursgerichte casussen inzicht wordt gegeven in het geschilderde of gefotografeerde auteursportret in Nederland. De combinatie van synthetisering en exploratie leidt tot een boek dat tegelijkertijd bescheiden en ambitieus is. Bescheiden vanwege de omvang en vanwege het feit dat het boek grotendeels bestaande kennis presenteert. Maar tegelijkertijd ambitieus, omdat de ondertitel wel degelijk een ‘geschiedenis’ van het auteursportret belooft, en de inleiding zelfs spreekt van een ‘kleine literatuurgeschiedenis, maar ook een mediageschiedenis’.","internal_url":"https://www.academia.edu/115482109/Een_doorkijkje_naar_een_mediageschiedenis_van_de_literatuur","translated_internal_url":"","created_at":"2024-02-26T23:44:49.829-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":8019629,"coauthors_can_edit":true,"document_type":"book_review","co_author_tags":[],"downloadable_attachments":[{"id":111876930,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/111876930/thumbnails/1.jpg","file_name":"Iconische_schrijvers.pdf","download_url":"https://www.academia.edu/attachments/111876930/download_file","bulk_download_file_name":"Een_doorkijkje_naar_een_mediageschiedeni.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/111876930/Iconische_schrijvers-libre.pdf?1709021065=\u0026response-content-disposition=attachment%3B+filename%3DEen_doorkijkje_naar_een_mediageschiedeni.pdf\u0026Expires=1742297838\u0026Signature=A5K3R7~-tZsiSuuVXVv5rlFquuG7axp404Wtu-M5Avn45E56OY4V2oKJwjrZwzvnGk~5BglvU~etigsIVdE-jG3Y-w9AoId1VI6A2LPsr8FmxXn38YNd0XB89hq-wLMIYqg0keQ0W9GxMQPl3CgyuMK1kPlEmAsovSro7O8CbfK79951blzeoMMzqo39qHlsv-7BuWGj9C5CS5gfd0oBSLLImndFkiiFJ35qRJIrh25-m1Er4h2JyuTsKXrsOYycEFhJiAZGeMvqyeffYUsFmpce5kwTMSNtkmUNcZre9CxZAl1R7e3J2zm~JjQtVQKjwSyf9c6Gas7o5PiA6RlxOQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Een_doorkijkje_naar_een_mediageschiedenis_van_de_literatuur","translated_slug":"","page_count":5,"language":"nl","content_type":"Work","summary":"Deze recensie bespreekt een boek waarin aan de hand van auteursgerichte casussen inzicht wordt gegeven in het geschilderde of gefotografeerde auteursportret in Nederland. De combinatie van synthetisering en exploratie leidt tot een boek dat tegelijkertijd bescheiden en ambitieus is. Bescheiden vanwege de omvang en vanwege het feit dat het boek grotendeels bestaande kennis presenteert. Maar tegelijkertijd ambitieus, omdat de ondertitel wel degelijk een ‘geschiedenis’ van het auteursportret belooft, en de inleiding zelfs spreekt van een ‘kleine literatuurgeschiedenis, maar ook een mediageschiedenis’.","owner":{"id":8019629,"first_name":"Laurens","middle_initials":null,"last_name":"Ham","page_name":"LaurensHam","domain_name":"uu","created_at":"2014-01-04T23:17:39.380-08:00","display_name":"Laurens Ham","url":"https://uu.academia.edu/LaurensHam"},"attachments":[{"id":111876930,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/111876930/thumbnails/1.jpg","file_name":"Iconische_schrijvers.pdf","download_url":"https://www.academia.edu/attachments/111876930/download_file","bulk_download_file_name":"Een_doorkijkje_naar_een_mediageschiedeni.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/111876930/Iconische_schrijvers-libre.pdf?1709021065=\u0026response-content-disposition=attachment%3B+filename%3DEen_doorkijkje_naar_een_mediageschiedeni.pdf\u0026Expires=1742297838\u0026Signature=A5K3R7~-tZsiSuuVXVv5rlFquuG7axp404Wtu-M5Avn45E56OY4V2oKJwjrZwzvnGk~5BglvU~etigsIVdE-jG3Y-w9AoId1VI6A2LPsr8FmxXn38YNd0XB89hq-wLMIYqg0keQ0W9GxMQPl3CgyuMK1kPlEmAsovSro7O8CbfK79951blzeoMMzqo39qHlsv-7BuWGj9C5CS5gfd0oBSLLImndFkiiFJ35qRJIrh25-m1Er4h2JyuTsKXrsOYycEFhJiAZGeMvqyeffYUsFmpce5kwTMSNtkmUNcZre9CxZAl1R7e3J2zm~JjQtVQKjwSyf9c6Gas7o5PiA6RlxOQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":915,"name":"Art History","url":"https://www.academia.edu/Documents/in/Art_History"},{"id":1589,"name":"Photography","url":"https://www.academia.edu/Documents/in/Photography"},{"id":2972,"name":"Media History","url":"https://www.academia.edu/Documents/in/Media_History"},{"id":25988,"name":"Dutch Literature","url":"https://www.academia.edu/Documents/in/Dutch_Literature"},{"id":29883,"name":"Authorship","url":"https://www.academia.edu/Documents/in/Authorship"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="42546911"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/42546911/Book_Reviews_Lucien_Custers_Alleen_in_wervelende_wereld_Het_leven_van_Johan_Andreas_d%C3%A8r_Mouw_1863_1919_"><img alt="Research paper thumbnail of Book Reviews: Lucien Custers, Alleen in wervelende wereld. Het leven van Johan Andreas dèr Mouw (1863-1919)" class="work-thumbnail" src="https://attachments.academia-assets.com/62735870/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/42546911/Book_Reviews_Lucien_Custers_Alleen_in_wervelende_wereld_Het_leven_van_Johan_Andreas_d%C3%A8r_Mouw_1863_1919_">Book Reviews: Lucien Custers, Alleen in wervelende wereld. Het leven van Johan Andreas dèr Mouw (1863-1919)</a></div><div class="wp-workCard_item"><span>BMGN-Low Countries Historical Review</span><span>, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">en Carry van Bruggen: het werk van deze, maar ook andere schrijvers uit de periode tussen 1890 en...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">en Carry van Bruggen: het werk van deze, maar ook andere schrijvers uit de periode tussen 1890 en 1918 besprak ik de afgelopen jaren in onderwijs en onderzoek. Eén auteur zat er niet tussen: Johan Andreas dèr Mouw, van wie ik wel een paar sonnetten kende, maar die verder wat mij betreft in de schaduw van zijn bekendere tijdgenoten bleef. Alleen in wervelende wereld, Lucien Custers' Dèr Mouw-biografie, laat zien dat het onterecht was deze dichter onderbelicht te laten. In het werk van Dèr Mouw is een problematiek zichtbaar die ook speelt in dat van tijdgenoten als Van Deyssel en Van Bruggen: de spanning tussen ik en wereld. Net als vele andere intellectuelen destijds dacht Dèr Mouw veel na over de plaats van de mens in het universum, vooral nu geloofszekerheden waren weggevallen. Hij bood in</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="ab52bcb0fe1ae5f31027190eb4cb255b" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":62735870,"asset_id":42546911,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/62735870/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="42546911"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="42546911"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 42546911; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=42546911]").text(description); $(".js-view-count[data-work-id=42546911]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 42546911; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='42546911']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "ab52bcb0fe1ae5f31027190eb4cb255b" } } $('.js-work-strip[data-work-id=42546911]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":42546911,"title":"Book Reviews: Lucien Custers, Alleen in wervelende wereld. Het leven van Johan Andreas dèr Mouw (1863-1919)","translated_title":"","metadata":{"grobid_abstract":"en Carry van Bruggen: het werk van deze, maar ook andere schrijvers uit de periode tussen 1890 en 1918 besprak ik de afgelopen jaren in onderwijs en onderzoek. Eén auteur zat er niet tussen: Johan Andreas dèr Mouw, van wie ik wel een paar sonnetten kende, maar die verder wat mij betreft in de schaduw van zijn bekendere tijdgenoten bleef. Alleen in wervelende wereld, Lucien Custers' Dèr Mouw-biografie, laat zien dat het onterecht was deze dichter onderbelicht te laten. In het werk van Dèr Mouw is een problematiek zichtbaar die ook speelt in dat van tijdgenoten als Van Deyssel en Van Bruggen: de spanning tussen ik en wereld. Net als vele andere intellectuelen destijds dacht Dèr Mouw veel na over de plaats van de mens in het universum, vooral nu geloofszekerheden waren weggevallen. Hij bood in","publication_date":{"day":null,"month":null,"year":2019,"errors":{}},"publication_name":"BMGN-Low Countries Historical Review","grobid_abstract_attachment_id":62735870},"translated_abstract":null,"internal_url":"https://www.academia.edu/42546911/Book_Reviews_Lucien_Custers_Alleen_in_wervelende_wereld_Het_leven_van_Johan_Andreas_d%C3%A8r_Mouw_1863_1919_","translated_internal_url":"","created_at":"2020-04-02T06:42:26.269-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":8019629,"coauthors_can_edit":true,"document_type":"book_review","co_author_tags":[],"downloadable_attachments":[{"id":62735870,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/62735870/thumbnails/1.jpg","file_name":"10679_23735_1_PB20200402-75233-1hy8y4b.pdf","download_url":"https://www.academia.edu/attachments/62735870/download_file","bulk_download_file_name":"Book_Reviews_Lucien_Custers_Alleen_in_we.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/62735870/10679_23735_1_PB20200402-75233-1hy8y4b-libre.pdf?1585985437=\u0026response-content-disposition=attachment%3B+filename%3DBook_Reviews_Lucien_Custers_Alleen_in_we.pdf\u0026Expires=1742297838\u0026Signature=OF9kREhHa1pE91JmhhQehk2vXAzPFnzFNEsEzdRqy8S3GHMKp02c-XKDB1fZzEM5pvb39x2TBBtv5eJN~h68aHpRhfDTWRJK5YvGI6Jd2JCl1Sj1vsnVfo9J405tsLdQCICR-~iEtZ42ocAs6PzdhTCQYC0mOX616tmoWqL0VztOuuhOsMngNfvhwa697zCA-81Q1oOiTsWnRu8sbq2Y~-G8sY1vj2DZo0Vy8Nb2mHwTSREXNtsQ8iaH9foxSFDxgQYdHlnMLnodto3sKamrK7RbzomZZCgDvEeygsABJvNqkgE7lJ4IB~MAhBL8Ptu~8qPhlLAgU~pz0PPHXu7mSQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Book_Reviews_Lucien_Custers_Alleen_in_wervelende_wereld_Het_leven_van_Johan_Andreas_dèr_Mouw_1863_1919_","translated_slug":"","page_count":3,"language":"nl","content_type":"Work","summary":"en Carry van Bruggen: het werk van deze, maar ook andere schrijvers uit de periode tussen 1890 en 1918 besprak ik de afgelopen jaren in onderwijs en onderzoek. Eén auteur zat er niet tussen: Johan Andreas dèr Mouw, van wie ik wel een paar sonnetten kende, maar die verder wat mij betreft in de schaduw van zijn bekendere tijdgenoten bleef. Alleen in wervelende wereld, Lucien Custers' Dèr Mouw-biografie, laat zien dat het onterecht was deze dichter onderbelicht te laten. In het werk van Dèr Mouw is een problematiek zichtbaar die ook speelt in dat van tijdgenoten als Van Deyssel en Van Bruggen: de spanning tussen ik en wereld. Net als vele andere intellectuelen destijds dacht Dèr Mouw veel na over de plaats van de mens in het universum, vooral nu geloofszekerheden waren weggevallen. Hij bood in","owner":{"id":8019629,"first_name":"Laurens","middle_initials":null,"last_name":"Ham","page_name":"LaurensHam","domain_name":"uu","created_at":"2014-01-04T23:17:39.380-08:00","display_name":"Laurens Ham","url":"https://uu.academia.edu/LaurensHam"},"attachments":[{"id":62735870,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/62735870/thumbnails/1.jpg","file_name":"10679_23735_1_PB20200402-75233-1hy8y4b.pdf","download_url":"https://www.academia.edu/attachments/62735870/download_file","bulk_download_file_name":"Book_Reviews_Lucien_Custers_Alleen_in_we.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/62735870/10679_23735_1_PB20200402-75233-1hy8y4b-libre.pdf?1585985437=\u0026response-content-disposition=attachment%3B+filename%3DBook_Reviews_Lucien_Custers_Alleen_in_we.pdf\u0026Expires=1742297838\u0026Signature=OF9kREhHa1pE91JmhhQehk2vXAzPFnzFNEsEzdRqy8S3GHMKp02c-XKDB1fZzEM5pvb39x2TBBtv5eJN~h68aHpRhfDTWRJK5YvGI6Jd2JCl1Sj1vsnVfo9J405tsLdQCICR-~iEtZ42ocAs6PzdhTCQYC0mOX616tmoWqL0VztOuuhOsMngNfvhwa697zCA-81Q1oOiTsWnRu8sbq2Y~-G8sY1vj2DZo0Vy8Nb2mHwTSREXNtsQ8iaH9foxSFDxgQYdHlnMLnodto3sKamrK7RbzomZZCgDvEeygsABJvNqkgE7lJ4IB~MAhBL8Ptu~8qPhlLAgU~pz0PPHXu7mSQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":2418,"name":"Literature","url":"https://www.academia.edu/Documents/in/Literature"},{"id":3581,"name":"Poetry","url":"https://www.academia.edu/Documents/in/Poetry"},{"id":25988,"name":"Dutch Literature","url":"https://www.academia.edu/Documents/in/Dutch_Literature"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="32022645"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/32022645/Book_Reviews_Jeroen_Jansen_en_Nico_Laan_eds_Van_hof_tot_overheid_Geschiedenis_van_literaire_instituties_in_Nederland_en_Vlaanderen"><img alt="Research paper thumbnail of Book Reviews: Jeroen Jansen en Nico Laan (eds.), Van hof tot overheid. Geschiedenis van literaire instituties in Nederland en Vlaanderen" class="work-thumbnail" src="https://attachments.academia-assets.com/52287523/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/32022645/Book_Reviews_Jeroen_Jansen_en_Nico_Laan_eds_Van_hof_tot_overheid_Geschiedenis_van_literaire_instituties_in_Nederland_en_Vlaanderen">Book Reviews: Jeroen Jansen en Nico Laan (eds.), Van hof tot overheid. Geschiedenis van literaire instituties in Nederland en Vlaanderen</a></div><div class="wp-workCard_item"><span>BMGN-Low Countries Historical Review</span><span>, 2016</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">| www.bmgn-lchr.nl | e-issn 2211-2898 | print issn 0165-0505 Jeroen Jansen en Nico Laan (eds.), V...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">| <a href="http://www.bmgn-lchr.nl" rel="nofollow">www.bmgn-lchr.nl</a> | e-issn 2211-2898 | print issn 0165-0505 Jeroen Jansen en Nico Laan (eds.), Van hof tot overheid. Geschiedenis van literaire instituties in Nederland en Vlaanderen (Hilversum: Verloren, 2015, 352 pp., isbn 978 90 8704 544 9). Bij een rondleiding in de Utrechtse universiteitsbibliotheek viel het de deelnemende eerstejaarsstudenten op dat de bibliotheek overvol was. Overal zaten studenten op hun laptop te werken. 'De bibliotheek wordt erg veel gebruikt voor zelfstudie, maar van de boeken maakt bijna niemand meer gebruik', zei de bibliothecaris. 'Toch zijn we voorlopig niet van plan de kasten weg te halen om meer studieruimte te creëren. De boeken staan hier zo</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="80574331f66cd83479464dea719bbe50" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":52287523,"asset_id":32022645,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/52287523/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="32022645"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="32022645"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 32022645; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=32022645]").text(description); $(".js-view-count[data-work-id=32022645]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 32022645; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='32022645']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "80574331f66cd83479464dea719bbe50" } } $('.js-work-strip[data-work-id=32022645]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":32022645,"title":"Book Reviews: Jeroen Jansen en Nico Laan (eds.), Van hof tot overheid. Geschiedenis van literaire instituties in Nederland en Vlaanderen","translated_title":"","metadata":{"issue":"3","volume":"131","grobid_abstract":"| www.bmgn-lchr.nl | e-issn 2211-2898 | print issn 0165-0505 Jeroen Jansen en Nico Laan (eds.), Van hof tot overheid. Geschiedenis van literaire instituties in Nederland en Vlaanderen (Hilversum: Verloren, 2015, 352 pp., isbn 978 90 8704 544 9). Bij een rondleiding in de Utrechtse universiteitsbibliotheek viel het de deelnemende eerstejaarsstudenten op dat de bibliotheek overvol was. Overal zaten studenten op hun laptop te werken. 'De bibliotheek wordt erg veel gebruikt voor zelfstudie, maar van de boeken maakt bijna niemand meer gebruik', zei de bibliothecaris. 'Toch zijn we voorlopig niet van plan de kasten weg te halen om meer studieruimte te creëren. De boeken staan hier zo","publication_date":{"day":null,"month":null,"year":2016,"errors":{}},"publication_name":"BMGN-Low Countries Historical Review","grobid_abstract_attachment_id":52287523},"translated_abstract":null,"internal_url":"https://www.academia.edu/32022645/Book_Reviews_Jeroen_Jansen_en_Nico_Laan_eds_Van_hof_tot_overheid_Geschiedenis_van_literaire_instituties_in_Nederland_en_Vlaanderen","translated_internal_url":"","created_at":"2017-03-24T04:14:43.729-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":8019629,"coauthors_can_edit":true,"document_type":"book_review","co_author_tags":[],"downloadable_attachments":[{"id":52287523,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/52287523/thumbnails/1.jpg","file_name":"Ham-review_Hof.pdf","download_url":"https://www.academia.edu/attachments/52287523/download_file","bulk_download_file_name":"Book_Reviews_Jeroen_Jansen_en_Nico_Laan.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/52287523/Ham-review_Hof-libre.pdf?1490355058=\u0026response-content-disposition=attachment%3B+filename%3DBook_Reviews_Jeroen_Jansen_en_Nico_Laan.pdf\u0026Expires=1742297838\u0026Signature=TenJ6VRSQEBVqZ3qoAkNeP99qry4EDFyDKUMvVZMpPWVpkMa47-HhdiGBAzm5JIgItrI1G5VaAGoZYOvQF0Nplb3sb3TXljTCZf7hlOBw5wBJioOyrEAL0Ln-A0C-s9a2S-V~agA1uR5PwcIdhdBKS6uedUkfCQMTTeCDrf6Z-AvatGxNWERcaWPXB0i8VkqmgZ2xsf7IJaZ8H9BNPkhqyRSmGcnA3jNFuDxMzFTnF1nv2uM0yEiauy5UEB7ErB-qRhREJ8zI5hYoz8suWZFNXw5q-0czvp62ipkUFFfjwdJY6qsUXjNrYzanpQmGgDXwR-8-ReUkL3mMS2qSIDmMg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Book_Reviews_Jeroen_Jansen_en_Nico_Laan_eds_Van_hof_tot_overheid_Geschiedenis_van_literaire_instituties_in_Nederland_en_Vlaanderen","translated_slug":"","page_count":3,"language":"nl","content_type":"Work","summary":"| www.bmgn-lchr.nl | e-issn 2211-2898 | print issn 0165-0505 Jeroen Jansen en Nico Laan (eds.), Van hof tot overheid. Geschiedenis van literaire instituties in Nederland en Vlaanderen (Hilversum: Verloren, 2015, 352 pp., isbn 978 90 8704 544 9). Bij een rondleiding in de Utrechtse universiteitsbibliotheek viel het de deelnemende eerstejaarsstudenten op dat de bibliotheek overvol was. Overal zaten studenten op hun laptop te werken. 'De bibliotheek wordt erg veel gebruikt voor zelfstudie, maar van de boeken maakt bijna niemand meer gebruik', zei de bibliothecaris. 'Toch zijn we voorlopig niet van plan de kasten weg te halen om meer studieruimte te creëren. De boeken staan hier zo","owner":{"id":8019629,"first_name":"Laurens","middle_initials":null,"last_name":"Ham","page_name":"LaurensHam","domain_name":"uu","created_at":"2014-01-04T23:17:39.380-08:00","display_name":"Laurens Ham","url":"https://uu.academia.edu/LaurensHam"},"attachments":[{"id":52287523,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/52287523/thumbnails/1.jpg","file_name":"Ham-review_Hof.pdf","download_url":"https://www.academia.edu/attachments/52287523/download_file","bulk_download_file_name":"Book_Reviews_Jeroen_Jansen_en_Nico_Laan.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/52287523/Ham-review_Hof-libre.pdf?1490355058=\u0026response-content-disposition=attachment%3B+filename%3DBook_Reviews_Jeroen_Jansen_en_Nico_Laan.pdf\u0026Expires=1742297838\u0026Signature=TenJ6VRSQEBVqZ3qoAkNeP99qry4EDFyDKUMvVZMpPWVpkMa47-HhdiGBAzm5JIgItrI1G5VaAGoZYOvQF0Nplb3sb3TXljTCZf7hlOBw5wBJioOyrEAL0Ln-A0C-s9a2S-V~agA1uR5PwcIdhdBKS6uedUkfCQMTTeCDrf6Z-AvatGxNWERcaWPXB0i8VkqmgZ2xsf7IJaZ8H9BNPkhqyRSmGcnA3jNFuDxMzFTnF1nv2uM0yEiauy5UEB7ErB-qRhREJ8zI5hYoz8suWZFNXw5q-0czvp62ipkUFFfjwdJY6qsUXjNrYzanpQmGgDXwR-8-ReUkL3mMS2qSIDmMg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":2340,"name":"Book History","url":"https://www.academia.edu/Documents/in/Book_History"},{"id":20487,"name":"Literary History","url":"https://www.academia.edu/Documents/in/Literary_History"},{"id":25988,"name":"Dutch Literature","url":"https://www.academia.edu/Documents/in/Dutch_Literature"},{"id":63804,"name":"Institutions","url":"https://www.academia.edu/Documents/in/Institutions"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="32022583"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/32022583/Review_Jacqueline_Bel_Bloed_en_rozen_Geschiedenis_van_de_Nederlandse_literatuur_1900_1945_Amsterdam_Bert_Bakker_2015_"><img alt="Research paper thumbnail of Review: Jacqueline Bel, Bloed en rozen: Geschiedenis van de Nederlandse literatuur 1900-1945 (Amsterdam: Bert Bakker, 2015)" class="work-thumbnail" src="https://attachments.academia-assets.com/52287500/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/32022583/Review_Jacqueline_Bel_Bloed_en_rozen_Geschiedenis_van_de_Nederlandse_literatuur_1900_1945_Amsterdam_Bert_Bakker_2015_">Review: Jacqueline Bel, Bloed en rozen: Geschiedenis van de Nederlandse literatuur 1900-1945 (Amsterdam: Bert Bakker, 2015)</a></div><div class="wp-workCard_item"><span>Journal of Dutch Literature</span><span>, 2016</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="1cf4e93d5849b4ae9f6d0fbf92806ed1" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":52287500,"asset_id":32022583,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/52287500/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="32022583"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="32022583"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 32022583; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=32022583]").text(description); $(".js-view-count[data-work-id=32022583]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 32022583; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='32022583']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "1cf4e93d5849b4ae9f6d0fbf92806ed1" } } $('.js-work-strip[data-work-id=32022583]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":32022583,"title":"Review: Jacqueline Bel, Bloed en rozen: Geschiedenis van de Nederlandse literatuur 1900-1945 (Amsterdam: Bert Bakker, 2015)","translated_title":"","metadata":{"issue":"2","volume":"7","ai_abstract":"This review discusses Jacqueline Bel's work \"Bloed en rozen: Geschiedenis van de Nederlandse literatuur 1900-1945,\" which presents a comprehensive historical narrative of Dutch literature during a tumultuous period, addressing often neglected genres and authors. The review highlights Bel's exploration of the impact of world events on literature, particularly during the World Wars, and critiques the lack of groundbreaking conclusions that could further elevate the academic discourse.","publication_date":{"day":null,"month":null,"year":2016,"errors":{}},"publication_name":"Journal of Dutch Literature"},"translated_abstract":null,"internal_url":"https://www.academia.edu/32022583/Review_Jacqueline_Bel_Bloed_en_rozen_Geschiedenis_van_de_Nederlandse_literatuur_1900_1945_Amsterdam_Bert_Bakker_2015_","translated_internal_url":"","created_at":"2017-03-24T04:12:59.547-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":8019629,"coauthors_can_edit":true,"document_type":"book_review","co_author_tags":[],"downloadable_attachments":[{"id":52287500,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/52287500/thumbnails/1.jpg","file_name":"Ham-review_Bel.pdf","download_url":"https://www.academia.edu/attachments/52287500/download_file","bulk_download_file_name":"Review_Jacqueline_Bel_Bloed_en_rozen_Ges.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/52287500/Ham-review_Bel-libre.pdf?1490354517=\u0026response-content-disposition=attachment%3B+filename%3DReview_Jacqueline_Bel_Bloed_en_rozen_Ges.pdf\u0026Expires=1742297838\u0026Signature=DlAqZ~uSpTSgyDyT0hSXJmKoZpCzIT55giahg2RIwa2NIvEz-5zvivEDi4sZG1tweiEBALa68C2o7IQJ7JGniTlWzQs4AoboHNepLnntqqDxA3NJJRPS7KqwtguCJgxWITEyO5aveVBnTSBOyAH0U0sGt-UxWE2CxQuiHpSyr5w3erpoMRo~HVrHWkMS6zSbB6VQsPaA1lOGUnYKDcWRuwGWPHi7xGgdcHfx0XBR-IBLxOn2VZIkQXc2ns1ffnYpyqknVqujgm4uZeyUChcRW0ovIUYerAdjKvdLtwcvy6IpjDKH1DDPC9muYqauCUhd0wxo-iMbO7LCDWfbVYhbOg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Review_Jacqueline_Bel_Bloed_en_rozen_Geschiedenis_van_de_Nederlandse_literatuur_1900_1945_Amsterdam_Bert_Bakker_2015_","translated_slug":"","page_count":4,"language":"en","content_type":"Work","summary":null,"owner":{"id":8019629,"first_name":"Laurens","middle_initials":null,"last_name":"Ham","page_name":"LaurensHam","domain_name":"uu","created_at":"2014-01-04T23:17:39.380-08:00","display_name":"Laurens Ham","url":"https://uu.academia.edu/LaurensHam"},"attachments":[{"id":52287500,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/52287500/thumbnails/1.jpg","file_name":"Ham-review_Bel.pdf","download_url":"https://www.academia.edu/attachments/52287500/download_file","bulk_download_file_name":"Review_Jacqueline_Bel_Bloed_en_rozen_Ges.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/52287500/Ham-review_Bel-libre.pdf?1490354517=\u0026response-content-disposition=attachment%3B+filename%3DReview_Jacqueline_Bel_Bloed_en_rozen_Ges.pdf\u0026Expires=1742297838\u0026Signature=DlAqZ~uSpTSgyDyT0hSXJmKoZpCzIT55giahg2RIwa2NIvEz-5zvivEDi4sZG1tweiEBALa68C2o7IQJ7JGniTlWzQs4AoboHNepLnntqqDxA3NJJRPS7KqwtguCJgxWITEyO5aveVBnTSBOyAH0U0sGt-UxWE2CxQuiHpSyr5w3erpoMRo~HVrHWkMS6zSbB6VQsPaA1lOGUnYKDcWRuwGWPHi7xGgdcHfx0XBR-IBLxOn2VZIkQXc2ns1ffnYpyqknVqujgm4uZeyUChcRW0ovIUYerAdjKvdLtwcvy6IpjDKH1DDPC9muYqauCUhd0wxo-iMbO7LCDWfbVYhbOg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":2418,"name":"Literature","url":"https://www.academia.edu/Documents/in/Literature"},{"id":8444,"name":"Modernist Literature (Literary Modernism)","url":"https://www.academia.edu/Documents/in/Modernist_Literature_Literary_Modernism_"},{"id":18548,"name":"Interwar Period History","url":"https://www.academia.edu/Documents/in/Interwar_Period_History"},{"id":20487,"name":"Literary History","url":"https://www.academia.edu/Documents/in/Literary_History"},{"id":25988,"name":"Dutch Literature","url":"https://www.academia.edu/Documents/in/Dutch_Literature"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="37554660"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/37554660/Review_of_Edwin_Praat_Verrek_het_is_geen_kunstenaar_Gerard_Reve_en_het_schrijverschap"><img alt="Research paper thumbnail of Review of Edwin Praat, Verrek, het is geen kunstenaar. Gerard Reve en het schrijverschap" class="work-thumbnail" src="https://attachments.academia-assets.com/64607538/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/37554660/Review_of_Edwin_Praat_Verrek_het_is_geen_kunstenaar_Gerard_Reve_en_het_schrijverschap">Review of Edwin Praat, Verrek, het is geen kunstenaar. Gerard Reve en het schrijverschap</a></div><div class="wp-workCard_item"><span>TNTL</span><span>, 2015</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="8e8754410002e5b005a18eb35cb3b552" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":64607538,"asset_id":37554660,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/64607538/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="37554660"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="37554660"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 37554660; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=37554660]").text(description); $(".js-view-count[data-work-id=37554660]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 37554660; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='37554660']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "8e8754410002e5b005a18eb35cb3b552" } } $('.js-work-strip[data-work-id=37554660]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":37554660,"title":"Review of Edwin Praat, Verrek, het is geen kunstenaar. Gerard Reve en het schrijverschap","translated_title":"","metadata":{"publication_date":{"day":null,"month":null,"year":2015,"errors":{}},"publication_name":"TNTL"},"translated_abstract":null,"internal_url":"https://www.academia.edu/37554660/Review_of_Edwin_Praat_Verrek_het_is_geen_kunstenaar_Gerard_Reve_en_het_schrijverschap","translated_internal_url":"","created_at":"2018-10-09T00:03:31.179-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":8019629,"coauthors_can_edit":true,"document_type":"book_review","co_author_tags":[],"downloadable_attachments":[{"id":64607538,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/64607538/thumbnails/1.jpg","file_name":"Review_of_Praat.pdf","download_url":"https://www.academia.edu/attachments/64607538/download_file","bulk_download_file_name":"Review_of_Edwin_Praat_Verrek_het_is_geen.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/64607538/Review_of_Praat-libre.pdf?1601971758=\u0026response-content-disposition=attachment%3B+filename%3DReview_of_Edwin_Praat_Verrek_het_is_geen.pdf\u0026Expires=1742297838\u0026Signature=HXfQ0uNUI4cxbMl7BaQwv1Q79E3a61xhn5Dr5PID~WkZaB6RIexDe7hAhcS6f~rpWODoSeg7lReHHpqZpe-Q1w9U2Nt0Qmt7fSIZ7yW1~IJpp6Ypb5Jt5460gcS6h9TjZm8Ri8XaswQNC2V3N~Ch-GiD6ldviinjw4BkNkYRj5ig8hpE837gAh1QB9jW6IEMI-BMfxTiTvePzSrfQVCmrMIgJEcmW6o4BZJg0TTvXoPrCHA09cecvj7P9LKO9QjoDoJY2w1i3ZkhtjYtIrF1bnR~llsPFvp~SzMco8b1WaaB-XnGBBk3OTfOISFxeoDuA1rWOy06WP50SAOSx-FkDw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Review_of_Edwin_Praat_Verrek_het_is_geen_kunstenaar_Gerard_Reve_en_het_schrijverschap","translated_slug":"","page_count":5,"language":"nl","content_type":"Work","summary":null,"owner":{"id":8019629,"first_name":"Laurens","middle_initials":null,"last_name":"Ham","page_name":"LaurensHam","domain_name":"uu","created_at":"2014-01-04T23:17:39.380-08:00","display_name":"Laurens Ham","url":"https://uu.academia.edu/LaurensHam"},"attachments":[{"id":64607538,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/64607538/thumbnails/1.jpg","file_name":"Review_of_Praat.pdf","download_url":"https://www.academia.edu/attachments/64607538/download_file","bulk_download_file_name":"Review_of_Edwin_Praat_Verrek_het_is_geen.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/64607538/Review_of_Praat-libre.pdf?1601971758=\u0026response-content-disposition=attachment%3B+filename%3DReview_of_Edwin_Praat_Verrek_het_is_geen.pdf\u0026Expires=1742297838\u0026Signature=HXfQ0uNUI4cxbMl7BaQwv1Q79E3a61xhn5Dr5PID~WkZaB6RIexDe7hAhcS6f~rpWODoSeg7lReHHpqZpe-Q1w9U2Nt0Qmt7fSIZ7yW1~IJpp6Ypb5Jt5460gcS6h9TjZm8Ri8XaswQNC2V3N~Ch-GiD6ldviinjw4BkNkYRj5ig8hpE837gAh1QB9jW6IEMI-BMfxTiTvePzSrfQVCmrMIgJEcmW6o4BZJg0TTvXoPrCHA09cecvj7P9LKO9QjoDoJY2w1i3ZkhtjYtIrF1bnR~llsPFvp~SzMco8b1WaaB-XnGBBk3OTfOISFxeoDuA1rWOy06WP50SAOSx-FkDw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":13557,"name":"1970s Culture","url":"https://www.academia.edu/Documents/in/1970s_Culture"},{"id":25988,"name":"Dutch Literature","url":"https://www.academia.edu/Documents/in/Dutch_Literature"},{"id":29883,"name":"Authorship","url":"https://www.academia.edu/Documents/in/Authorship"},{"id":52793,"name":"1960s","url":"https://www.academia.edu/Documents/in/1960s"}],"urls":[{"id":8602589,"url":"https://www.tntl.nl/boekbeoordelingen/?p=1857"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="18074583"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/18074583/Review_Gijsbert_Pols_Naturalistische_Moderne_Arno_Holz_und_Lodewijk_van_Deyssel_M%C3%BCnster_Nodus_Publikationen_2015_"><img alt="Research paper thumbnail of Review: Gijsbert Pols, Naturalistische Moderne – Arno Holz und Lodewijk van Deyssel (Münster: Nodus Publikationen, 2015)" class="work-thumbnail" src="https://attachments.academia-assets.com/39862070/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/18074583/Review_Gijsbert_Pols_Naturalistische_Moderne_Arno_Holz_und_Lodewijk_van_Deyssel_M%C3%BCnster_Nodus_Publikationen_2015_">Review: Gijsbert Pols, Naturalistische Moderne – Arno Holz und Lodewijk van Deyssel (Münster: Nodus Publikationen, 2015)</a></div><div class="wp-workCard_item"><span>Journal of Dutch Literature</span><span>, 2014</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="d7fc9fe72cd55a9015db76cc91d6363e" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":39862070,"asset_id":18074583,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/39862070/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="18074583"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="18074583"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 18074583; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=18074583]").text(description); $(".js-view-count[data-work-id=18074583]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 18074583; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='18074583']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "d7fc9fe72cd55a9015db76cc91d6363e" } } $('.js-work-strip[data-work-id=18074583]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":18074583,"title":"Review: Gijsbert Pols, Naturalistische Moderne – Arno Holz und Lodewijk van Deyssel (Münster: Nodus Publikationen, 2015)","translated_title":"","metadata":{"issue":"2","volume":"5","ai_abstract":"The paper reviews Gijsbert Pols's work on the relationship between Naturalism and Modernism as seen through the works of Arno Holz and Lodewijk van Deyssel. It highlights Pols's introduction of the term 'project' to bridge theory and practice in literature, presenting a framework for understanding the development of aesthetics as continually evolving and in conflict. The paper examines how Holz and van Deyssel articulate their literary objectives and critiques through their own historical context while exploring the contradictions inherent in their literary movements.","page_numbers":"68-72","publication_date":{"day":null,"month":null,"year":2014,"errors":{}},"publication_name":"Journal of Dutch Literature"},"translated_abstract":null,"internal_url":"https://www.academia.edu/18074583/Review_Gijsbert_Pols_Naturalistische_Moderne_Arno_Holz_und_Lodewijk_van_Deyssel_M%C3%BCnster_Nodus_Publikationen_2015_","translated_internal_url":"","created_at":"2015-11-10T04:29:22.926-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":8019629,"coauthors_can_edit":true,"document_type":"book_review","co_author_tags":[],"downloadable_attachments":[{"id":39862070,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/39862070/thumbnails/1.jpg","file_name":"ham-review-pols.pdf","download_url":"https://www.academia.edu/attachments/39862070/download_file","bulk_download_file_name":"Review_Gijsbert_Pols_Naturalistische_Mod.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/39862070/ham-review-pols-libre.pdf?1447159631=\u0026response-content-disposition=attachment%3B+filename%3DReview_Gijsbert_Pols_Naturalistische_Mod.pdf\u0026Expires=1742297838\u0026Signature=JCxShbCU7hhhBpkGd0GxjNeQ0XtJCSGVasK24R8K6bVL7zS5oknbHlwgtf-S9~wFENCvK1BCXSjpAaagoT7ND3RJchSVRDKKKB-s-ar9gnaglFEqhbY~P8UeZRk1N0TmXR-BWs0JgNDps16LPwFo-F72lFpCC0yCN6n-06HbVs1Kj~Pq5GqUfEq-~zBvS2lRMN0xbLt-sU9zDd5sxOnCtWuS4cKMICllrCf14fg3zspQyqm9u-DU9X2eIzKzvNKAkF7S1cJKoJnP2cv8QeXrhHgbac3uZvvDHu~j4HRJA6KGEV1Z~Mwddl15QQddL38gOckj9CIaUSHQdRKcs1Em8A__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Review_Gijsbert_Pols_Naturalistische_Moderne_Arno_Holz_und_Lodewijk_van_Deyssel_Münster_Nodus_Publikationen_2015_","translated_slug":"","page_count":5,"language":"en","content_type":"Work","summary":null,"owner":{"id":8019629,"first_name":"Laurens","middle_initials":null,"last_name":"Ham","page_name":"LaurensHam","domain_name":"uu","created_at":"2014-01-04T23:17:39.380-08:00","display_name":"Laurens Ham","url":"https://uu.academia.edu/LaurensHam"},"attachments":[{"id":39862070,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/39862070/thumbnails/1.jpg","file_name":"ham-review-pols.pdf","download_url":"https://www.academia.edu/attachments/39862070/download_file","bulk_download_file_name":"Review_Gijsbert_Pols_Naturalistische_Mod.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/39862070/ham-review-pols-libre.pdf?1447159631=\u0026response-content-disposition=attachment%3B+filename%3DReview_Gijsbert_Pols_Naturalistische_Mod.pdf\u0026Expires=1742297838\u0026Signature=JCxShbCU7hhhBpkGd0GxjNeQ0XtJCSGVasK24R8K6bVL7zS5oknbHlwgtf-S9~wFENCvK1BCXSjpAaagoT7ND3RJchSVRDKKKB-s-ar9gnaglFEqhbY~P8UeZRk1N0TmXR-BWs0JgNDps16LPwFo-F72lFpCC0yCN6n-06HbVs1Kj~Pq5GqUfEq-~zBvS2lRMN0xbLt-sU9zDd5sxOnCtWuS4cKMICllrCf14fg3zspQyqm9u-DU9X2eIzKzvNKAkF7S1cJKoJnP2cv8QeXrhHgbac3uZvvDHu~j4HRJA6KGEV1Z~Mwddl15QQddL38gOckj9CIaUSHQdRKcs1Em8A__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":662,"name":"German Literature","url":"https://www.academia.edu/Documents/in/German_Literature"},{"id":8444,"name":"Modernist Literature (Literary Modernism)","url":"https://www.academia.edu/Documents/in/Modernist_Literature_Literary_Modernism_"},{"id":20487,"name":"Literary History","url":"https://www.academia.edu/Documents/in/Literary_History"},{"id":25988,"name":"Dutch Literature","url":"https://www.academia.edu/Documents/in/Dutch_Literature"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="44090363"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/44090363/De_de_constructie_van_de_literatuurgeschiedenis_Over_Geschiedenis_van_de_moderne_Nederlandse_literatuur"><img alt="Research paper thumbnail of De (de)constructie van de literatuurgeschiedenis. Over Geschiedenis van de moderne Nederlandse literatuur" class="work-thumbnail" src="https://attachments.academia-assets.com/64436710/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/44090363/De_de_constructie_van_de_literatuurgeschiedenis_Over_Geschiedenis_van_de_moderne_Nederlandse_literatuur">De (de)constructie van de literatuurgeschiedenis. Over Geschiedenis van de moderne Nederlandse literatuur</a></div><div class="wp-workCard_item"><span>Vooys</span><span>, 2013</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Thomas Vaessens Geschiedenis van de moderne Nederlandse literatuur Nijmegen (Vantilt) 2013 472 pa...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Thomas Vaessens Geschiedenis van de moderne Nederlandse literatuur Nijmegen (Vantilt) 2013 472 pagina's 24,95 euro ISBN 978946004133 4 Laurens Ham</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="70456091d700f5bc075b51408e1761c3" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":64436710,"asset_id":44090363,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/64436710/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="44090363"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="44090363"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44090363; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=44090363]").text(description); $(".js-view-count[data-work-id=44090363]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 44090363; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='44090363']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "70456091d700f5bc075b51408e1761c3" } } $('.js-work-strip[data-work-id=44090363]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":44090363,"title":"De (de)constructie van de literatuurgeschiedenis. Over Geschiedenis van de moderne Nederlandse literatuur","translated_title":"","metadata":{"grobid_abstract":"Thomas Vaessens Geschiedenis van de moderne Nederlandse literatuur Nijmegen (Vantilt) 2013 472 pagina's 24,95 euro ISBN 978946004133 4 Laurens Ham","publication_date":{"day":null,"month":null,"year":2013,"errors":{}},"publication_name":"Vooys","grobid_abstract_attachment_id":64436710},"translated_abstract":null,"internal_url":"https://www.academia.edu/44090363/De_de_constructie_van_de_literatuurgeschiedenis_Over_Geschiedenis_van_de_moderne_Nederlandse_literatuur","translated_internal_url":"","created_at":"2020-09-15T01:50:52.466-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":8019629,"coauthors_can_edit":true,"document_type":"book_review","co_author_tags":[],"downloadable_attachments":[{"id":64436710,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/64436710/thumbnails/1.jpg","file_name":"De_de_constructie_van_de_literatuurgeschiedenis_31.3_4_Vooys_Laurens_Ham.pdf","download_url":"https://www.academia.edu/attachments/64436710/download_file","bulk_download_file_name":"De_de_constructie_van_de_literatuurgesch.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/64436710/De_de_constructie_van_de_literatuurgeschiedenis_31.3_4_Vooys_Laurens_Ham-libre.pdf?1600160709=\u0026response-content-disposition=attachment%3B+filename%3DDe_de_constructie_van_de_literatuurgesch.pdf\u0026Expires=1742297838\u0026Signature=HvdADzBJdxI0Bf5Ua0XCNG24qaUubu-aa9Nyxj-uGgvzHplMuKgJMY-Fnm4WBNLtsetJ5LLUqo8j-GsHpji4XVvPBAtPX6FM0j4xNtmh7QfbOVQsQM4Si~YXXrc60Mh1oTbY7-AwQF1MbuAeC39KzKXONxF2vIa0s9CRZmgGtUTkG49lYj-aWuIpTiszEgGMaHF0HIq06X4HEt5f-KQfPSdG3TepojAgbMgC5qnsGRdQqF7uh7F77z0rT0SlhvmKulROO~ec7vgGW7YmOs5GSgI6E9J9PqWReTMFF~VZgO8gYGNf9AiPdg4oT5QihOerapSrwII5lghjvYKn3z-ztg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"De_de_constructie_van_de_literatuurgeschiedenis_Over_Geschiedenis_van_de_moderne_Nederlandse_literatuur","translated_slug":"","page_count":5,"language":"nl","content_type":"Work","summary":"Thomas Vaessens Geschiedenis van de moderne Nederlandse literatuur Nijmegen (Vantilt) 2013 472 pagina's 24,95 euro ISBN 978946004133 4 Laurens Ham","owner":{"id":8019629,"first_name":"Laurens","middle_initials":null,"last_name":"Ham","page_name":"LaurensHam","domain_name":"uu","created_at":"2014-01-04T23:17:39.380-08:00","display_name":"Laurens Ham","url":"https://uu.academia.edu/LaurensHam"},"attachments":[{"id":64436710,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/64436710/thumbnails/1.jpg","file_name":"De_de_constructie_van_de_literatuurgeschiedenis_31.3_4_Vooys_Laurens_Ham.pdf","download_url":"https://www.academia.edu/attachments/64436710/download_file","bulk_download_file_name":"De_de_constructie_van_de_literatuurgesch.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/64436710/De_de_constructie_van_de_literatuurgeschiedenis_31.3_4_Vooys_Laurens_Ham-libre.pdf?1600160709=\u0026response-content-disposition=attachment%3B+filename%3DDe_de_constructie_van_de_literatuurgesch.pdf\u0026Expires=1742297838\u0026Signature=HvdADzBJdxI0Bf5Ua0XCNG24qaUubu-aa9Nyxj-uGgvzHplMuKgJMY-Fnm4WBNLtsetJ5LLUqo8j-GsHpji4XVvPBAtPX6FM0j4xNtmh7QfbOVQsQM4Si~YXXrc60Mh1oTbY7-AwQF1MbuAeC39KzKXONxF2vIa0s9CRZmgGtUTkG49lYj-aWuIpTiszEgGMaHF0HIq06X4HEt5f-KQfPSdG3TepojAgbMgC5qnsGRdQqF7uh7F77z0rT0SlhvmKulROO~ec7vgGW7YmOs5GSgI6E9J9PqWReTMFF~VZgO8gYGNf9AiPdg4oT5QihOerapSrwII5lghjvYKn3z-ztg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":13297,"name":"Cognitive Linguistics","url":"https://www.academia.edu/Documents/in/Cognitive_Linguistics"},{"id":20487,"name":"Literary History","url":"https://www.academia.edu/Documents/in/Literary_History"},{"id":25988,"name":"Dutch Literature","url":"https://www.academia.edu/Documents/in/Dutch_Literature"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="37231939"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/37231939/Voor_de_nieuwe_mensch_moet_de_oude_wijken_review_of_Mary_G_Kemperink_en_Willemien_S_Roenhorst_ed_Visualizing_Utopia_and_Mary_G_Kemperink_en_Leonieke_Vermeer_eds_Utopianism_and_the_Sciences_1880_1930"><img alt="Research paper thumbnail of Voor de nieuwe mensch moet de oude wijken (review of Mary G. Kemperink en Willemien S. Roenhorst (ed.), Visualizing Utopia; and Mary G. Kemperink en Leonieke Vermeer (eds.), Utopianism and the Sciences, 1880-1930" class="work-thumbnail" src="https://attachments.academia-assets.com/57183544/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/37231939/Voor_de_nieuwe_mensch_moet_de_oude_wijken_review_of_Mary_G_Kemperink_en_Willemien_S_Roenhorst_ed_Visualizing_Utopia_and_Mary_G_Kemperink_en_Leonieke_Vermeer_eds_Utopianism_and_the_Sciences_1880_1930">Voor de nieuwe mensch moet de oude wijken (review of Mary G. Kemperink en Willemien S. Roenhorst (ed.), Visualizing Utopia; and Mary G. Kemperink en Leonieke Vermeer (eds.), Utopianism and the Sciences, 1880-1930</a></div><div class="wp-workCard_item"><span>Vooys</span><span>, 2011</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="42f1d601cd58dc19a2a02d1a5ffc7b1a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":57183544,"asset_id":37231939,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/57183544/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="37231939"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="37231939"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 37231939; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=37231939]").text(description); $(".js-view-count[data-work-id=37231939]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 37231939; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='37231939']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "42f1d601cd58dc19a2a02d1a5ffc7b1a" } } $('.js-work-strip[data-work-id=37231939]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":37231939,"title":"Voor de nieuwe mensch moet de oude wijken (review of Mary G. Kemperink en Willemien S. Roenhorst (ed.), Visualizing Utopia; and Mary G. Kemperink en Leonieke Vermeer (eds.), Utopianism and the Sciences, 1880-1930","translated_title":"","metadata":{"issue":"1-2","volume":"29","page_numbers":"135-139","publication_date":{"day":null,"month":null,"year":2011,"errors":{}},"publication_name":"Vooys"},"translated_abstract":null,"internal_url":"https://www.academia.edu/37231939/Voor_de_nieuwe_mensch_moet_de_oude_wijken_review_of_Mary_G_Kemperink_en_Willemien_S_Roenhorst_ed_Visualizing_Utopia_and_Mary_G_Kemperink_en_Leonieke_Vermeer_eds_Utopianism_and_the_Sciences_1880_1930","translated_internal_url":"","created_at":"2018-08-14T00:38:36.028-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":8019629,"coauthors_can_edit":true,"document_type":"book_review","co_author_tags":[],"downloadable_attachments":[{"id":57183544,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/57183544/thumbnails/1.jpg","file_name":"Voor_de_nieuwe_mensch_Vooys.pdf","download_url":"https://www.academia.edu/attachments/57183544/download_file","bulk_download_file_name":"Voor_de_nieuwe_mensch_moet_de_oude_wijke.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/57183544/Voor_de_nieuwe_mensch_Vooys-libre.pdf?1534232758=\u0026response-content-disposition=attachment%3B+filename%3DVoor_de_nieuwe_mensch_moet_de_oude_wijke.pdf\u0026Expires=1742297838\u0026Signature=f2-DAji-1Q9b28EeyYytXyGRHaS~t9nb0hCobS1lJgGc6yPhyVPTpv62TuI1UmGAJ0zh-QgaLN~meEw5DjuXcgmqu9nK0bthjz8VaH1HoB27w6EFrCszKNAnHPmetuwTLlUhcv9NU7b0oZWV7wrpbt3ELK-KJxnCB1Ov2Q42hcwUjj4A~2foJ4xMqswDxwWUBQUlqhtMOjnaAuvKMdz9S~~rTF5qRtBqVizQ0WeaRCSRj27L0WCEa3fps-slBm5UJyeZDfPLU4dSDy1Wk0lfhQqC1m3CuEn~~I5fIlE~ebzcJ293ikpLybDikIdhyTDJ8fM5~0rkCw25Ry7A-peZDg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Voor_de_nieuwe_mensch_moet_de_oude_wijken_review_of_Mary_G_Kemperink_en_Willemien_S_Roenhorst_ed_Visualizing_Utopia_and_Mary_G_Kemperink_en_Leonieke_Vermeer_eds_Utopianism_and_the_Sciences_1880_1930","translated_slug":"","page_count":5,"language":"nl","content_type":"Work","summary":null,"owner":{"id":8019629,"first_name":"Laurens","middle_initials":null,"last_name":"Ham","page_name":"LaurensHam","domain_name":"uu","created_at":"2014-01-04T23:17:39.380-08:00","display_name":"Laurens Ham","url":"https://uu.academia.edu/LaurensHam"},"attachments":[{"id":57183544,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/57183544/thumbnails/1.jpg","file_name":"Voor_de_nieuwe_mensch_Vooys.pdf","download_url":"https://www.academia.edu/attachments/57183544/download_file","bulk_download_file_name":"Voor_de_nieuwe_mensch_moet_de_oude_wijke.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/57183544/Voor_de_nieuwe_mensch_Vooys-libre.pdf?1534232758=\u0026response-content-disposition=attachment%3B+filename%3DVoor_de_nieuwe_mensch_moet_de_oude_wijke.pdf\u0026Expires=1742297838\u0026Signature=f2-DAji-1Q9b28EeyYytXyGRHaS~t9nb0hCobS1lJgGc6yPhyVPTpv62TuI1UmGAJ0zh-QgaLN~meEw5DjuXcgmqu9nK0bthjz8VaH1HoB27w6EFrCszKNAnHPmetuwTLlUhcv9NU7b0oZWV7wrpbt3ELK-KJxnCB1Ov2Q42hcwUjj4A~2foJ4xMqswDxwWUBQUlqhtMOjnaAuvKMdz9S~~rTF5qRtBqVizQ0WeaRCSRj27L0WCEa3fps-slBm5UJyeZDfPLU4dSDy1Wk0lfhQqC1m3CuEn~~I5fIlE~ebzcJ293ikpLybDikIdhyTDJ8fM5~0rkCw25Ry7A-peZDg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":188,"name":"Cultural Studies","url":"https://www.academia.edu/Documents/in/Cultural_Studies"},{"id":2418,"name":"Literature","url":"https://www.academia.edu/Documents/in/Literature"},{"id":4498,"name":"Utopian Studies","url":"https://www.academia.edu/Documents/in/Utopian_Studies"},{"id":17459,"name":"Utopian Literature","url":"https://www.academia.edu/Documents/in/Utopian_Literature"},{"id":25988,"name":"Dutch Literature","url":"https://www.academia.edu/Documents/in/Dutch_Literature"},{"id":26138,"name":"Utopianism","url":"https://www.academia.edu/Documents/in/Utopianism"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/google_contacts-0dfb882d836b94dbcb4a2d123d6933fc9533eda5be911641f20b4eb428429600.js"], function() { // from javascript_helper.rb $('.js-google-connect-button').click(function(e) { e.preventDefault(); GoogleContacts.authorize_and_show_contacts(); Aedu.Dismissibles.recordClickthrough("WowProfileImportContactsPrompt"); }); $('.js-update-biography-button').click(function(e) { e.preventDefault(); Aedu.Dismissibles.recordClickthrough("UpdateUserBiographyPrompt"); $.ajax({ url: $r.api_v0_profiles_update_about_path({ subdomain_param: 'api', about: "", }), type: 'PUT', success: function(response) { location.reload(); } }); }); $('.js-work-creator-button').click(function (e) { e.preventDefault(); window.location = $r.upload_funnel_document_path({ source: encodeURIComponent(""), }); }); $('.js-video-upload-button').click(function (e) { e.preventDefault(); window.location = $r.upload_funnel_video_path({ source: encodeURIComponent(""), }); }); $('.js-do-this-later-button').click(function() { $(this).closest('.js-profile-nag-panel').remove(); Aedu.Dismissibles.recordDismissal("WowProfileImportContactsPrompt"); }); $('.js-update-biography-do-this-later-button').click(function(){ $(this).closest('.js-profile-nag-panel').remove(); Aedu.Dismissibles.recordDismissal("UpdateUserBiographyPrompt"); }); $('.wow-profile-mentions-upsell--close').click(function(){ $('.wow-profile-mentions-upsell--panel').hide(); Aedu.Dismissibles.recordDismissal("WowProfileMentionsUpsell"); }); $('.wow-profile-mentions-upsell--button').click(function(){ Aedu.Dismissibles.recordClickthrough("WowProfileMentionsUpsell"); }); new WowProfile.SocialRedesignUserWorks({ initialWorksOffset: 20, allWorksOffset: 20, maxSections: 3 }) }); </script> </div></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile_edit-5ea339ee107c863779f560dd7275595239fed73f1a13d279d2b599a28c0ecd33.js","https://a.academia-assets.com/assets/add_coauthor-22174b608f9cb871d03443cafa7feac496fb50d7df2d66a53f5ee3c04ba67f53.js","https://a.academia-assets.com/assets/tab-dcac0130902f0cc2d8cb403714dd47454f11fc6fb0e99ae6a0827b06613abc20.js","https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js"], function() { // from javascript_helper.rb window.ae = window.ae || {}; window.ae.WowProfile = window.ae.WowProfile || {}; if(Aedu.User.current && Aedu.User.current.id === $viewedUser.id) { window.ae.WowProfile.current_user_edit = {}; new WowProfileEdit.EditUploadView({ el: '.js-edit-upload-button-wrapper', model: window.$current_user, }); new AddCoauthor.AddCoauthorsController(); } var userInfoView = new WowProfile.SocialRedesignUserInfo({ recaptcha_key: "6LdxlRMTAAAAADnu_zyLhLg0YF9uACwz78shpjJB" }); WowProfile.router = new WowProfile.Router({ userInfoView: userInfoView }); Backbone.history.start({ pushState: true, root: "/" + $viewedUser.page_name }); new WowProfile.UserWorksNav() }); </script> </div> <div class="bootstrap login"><div class="modal fade login-modal" id="login-modal"><div class="login-modal-dialog modal-dialog"><div class="modal-content"><div class="modal-header"><button class="close close" data-dismiss="modal" type="button"><span aria-hidden="true">×</span><span class="sr-only">Close</span></button><h4 class="modal-title text-center"><strong>Log In</strong></h4></div><div class="modal-body"><div class="row"><div class="col-xs-10 col-xs-offset-1"><button class="btn btn-fb btn-lg btn-block btn-v-center-content" id="login-facebook-oauth-button"><svg style="float: left; width: 19px; line-height: 1em; margin-right: .3em;" aria-hidden="true" focusable="false" data-prefix="fab" data-icon="facebook-square" class="svg-inline--fa fa-facebook-square fa-w-14" role="img" xmlns="http://www.w3.org/2000/svg" viewBox="0 0 448 512"><path fill="currentColor" d="M400 32H48A48 48 0 0 0 0 80v352a48 48 0 0 0 48 48h137.25V327.69h-63V256h63v-54.64c0-62.15 37-96.48 93.67-96.48 27.14 0 55.52 4.84 55.52 4.84v61h-31.27c-30.81 0-40.42 19.12-40.42 38.73V256h68.78l-11 71.69h-57.78V480H400a48 48 0 0 0 48-48V80a48 48 0 0 0-48-48z"></path></svg><small><strong>Log in</strong> with <strong>Facebook</strong></small></button><br /><button class="btn btn-google btn-lg btn-block btn-v-center-content" id="login-google-oauth-button"><svg style="float: left; width: 22px; line-height: 1em; margin-right: .3em;" aria-hidden="true" focusable="false" data-prefix="fab" data-icon="google-plus" class="svg-inline--fa fa-google-plus fa-w-16" role="img" xmlns="http://www.w3.org/2000/svg" viewBox="0 0 512 512"><path fill="currentColor" d="M256,8C119.1,8,8,119.1,8,256S119.1,504,256,504,504,392.9,504,256,392.9,8,256,8ZM185.3,380a124,124,0,0,1,0-248c31.3,0,60.1,11,83,32.3l-33.6,32.6c-13.2-12.9-31.3-19.1-49.4-19.1-42.9,0-77.2,35.5-77.2,78.1S142.3,334,185.3,334c32.6,0,64.9-19.1,70.1-53.3H185.3V238.1H302.2a109.2,109.2,0,0,1,1.9,20.7c0,70.8-47.5,121.2-118.8,121.2ZM415.5,273.8v35.5H380V273.8H344.5V238.3H380V202.8h35.5v35.5h35.2v35.5Z"></path></svg><small><strong>Log in</strong> with <strong>Google</strong></small></button><br /><style type="text/css">.sign-in-with-apple-button { width: 100%; height: 52px; border-radius: 3px; border: 1px solid black; cursor: pointer; } .sign-in-with-apple-button > div { margin: 0 auto; / This centers the Apple-rendered button horizontally }</style><script src="https://appleid.cdn-apple.com/appleauth/static/jsapi/appleid/1/en_US/appleid.auth.js" type="text/javascript"></script><div class="sign-in-with-apple-button" data-border="false" data-color="white" id="appleid-signin"><span   ="Sign Up with Apple" class="u-fs11"></span></div><script>AppleID.auth.init({ clientId: 'edu.academia.applesignon', scope: 'name email', redirectURI: 'https://www.academia.edu/sessions', state: "f7abaebe4849389733dd029924be1cb30ae5d2dc0a07cbfd16008a61c0100ffe", });</script><script>// Hacky way of checking if on fast loswp if (window.loswp == null) { (function() { const Google = window?.Aedu?.Auth?.OauthButton?.Login?.Google; const Facebook = window?.Aedu?.Auth?.OauthButton?.Login?.Facebook; if (Google) { new Google({ el: '#login-google-oauth-button', rememberMeCheckboxId: 'remember_me', track: null }); } if (Facebook) { new Facebook({ el: '#login-facebook-oauth-button', rememberMeCheckboxId: 'remember_me', track: null }); } })(); }</script></div></div></div><div class="modal-body"><div class="row"><div class="col-xs-10 col-xs-offset-1"><div class="hr-heading login-hr-heading"><span class="hr-heading-text">or</span></div></div></div></div><div class="modal-body"><div class="row"><div class="col-xs-10 col-xs-offset-1"><form class="js-login-form" action="https://www.academia.edu/sessions" accept-charset="UTF-8" method="post"><input type="hidden" name="authenticity_token" value="NfjnO06wbemXvaUC67izR8EkGyFDNik4EGXusBPuQdLSxlAVq7E1uLLSEmEBrKfJOVELTTh3-PSyezPnGu6UYw" autocomplete="off" /><div class="form-group"><label class="control-label" for="login-modal-email-input" style="font-size: 14px;">Email</label><input class="form-control" id="login-modal-email-input" name="login" type="email" /></div><div class="form-group"><label class="control-label" for="login-modal-password-input" style="font-size: 14px;">Password</label><input class="form-control" id="login-modal-password-input" name="password" type="password" /></div><input type="hidden" name="post_login_redirect_url" id="post_login_redirect_url" value="https://uu.academia.edu/LaurensHam" autocomplete="off" /><div class="checkbox"><label><input type="checkbox" name="remember_me" id="remember_me" value="1" checked="checked" /><small style="font-size: 12px; margin-top: 2px; display: inline-block;">Remember me on this computer</small></label></div><br><input type="submit" name="commit" value="Log In" class="btn btn-primary btn-block btn-lg js-login-submit" data-disable-with="Log In" /></br></form><script>typeof window?.Aedu?.recaptchaManagedForm === 'function' && window.Aedu.recaptchaManagedForm( document.querySelector('.js-login-form'), document.querySelector('.js-login-submit') );</script><small style="font-size: 12px;"><br />or <a data-target="#login-modal-reset-password-container" data-toggle="collapse" href="javascript:void(0)">reset password</a></small><div class="collapse" id="login-modal-reset-password-container"><br /><div class="well margin-0x"><form class="js-password-reset-form" action="https://www.academia.edu/reset_password" accept-charset="UTF-8" method="post"><input type="hidden" name="authenticity_token" value="JxbhRA4YRozCg_vmQ78tLLaMuF3CyMlm_g8Gor0VhbbAKFZq6xke3efsTIWpqzmiTvmoMbmJGKpcEdv1tBVQBw" autocomplete="off" /><p>Enter the email address you signed up with and we'll email you a reset link.</p><div class="form-group"><input class="form-control" name="email" type="email" /></div><script src="https://recaptcha.net/recaptcha/api.js" async defer></script> <script> var invisibleRecaptchaSubmit = function () { var closestForm = function (ele) { var curEle = ele.parentNode; while (curEle.nodeName !== 'FORM' && curEle.nodeName !== 'BODY'){ curEle = curEle.parentNode; } return curEle.nodeName === 'FORM' ? curEle : null }; var eles = document.getElementsByClassName('g-recaptcha'); if (eles.length > 0) { var form = closestForm(eles[0]); if (form) { form.submit(); } } }; </script> <input type="submit" data-sitekey="6Lf3KHUUAAAAACggoMpmGJdQDtiyrjVlvGJ6BbAj" data-callback="invisibleRecaptchaSubmit" class="g-recaptcha btn btn-primary btn-block" value="Email me a link" value=""/> </form></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/collapse-45805421cf446ca5adf7aaa1935b08a3a8d1d9a6cc5d91a62a2a3a00b20b3e6a.js"], function() { // from javascript_helper.rb $("#login-modal-reset-password-container").on("shown.bs.collapse", function() { $(this).find("input[type=email]").focus(); }); }); </script> </div></div></div><div class="modal-footer"><div class="text-center"><small style="font-size: 12px;">Need an account? <a rel="nofollow" href="https://www.academia.edu/signup">Click here to sign up</a></small></div></div></div></div></div></div><script>// If we are on subdomain or non-bootstrapped page, redirect to login page instead of showing modal (function(){ if (typeof $ === 'undefined') return; var host = window.location.hostname; if ((host === $domain || host === "www."+$domain) && (typeof $().modal === 'function')) { $("#nav_log_in").click(function(e) { // Don't follow the link and open the modal e.preventDefault(); $("#login-modal").on('shown.bs.modal', function() { $(this).find("#login-modal-email-input").focus() }).modal('show'); }); } })()</script> <div class="bootstrap" id="footer"><div class="footer-content clearfix text-center padding-top-7x" style="width:100%;"><ul class="footer-links-secondary footer-links-wide list-inline margin-bottom-1x"><li><a href="https://www.academia.edu/about">About</a></li><li><a href="https://www.academia.edu/press">Press</a></li><li><a href="https://www.academia.edu/documents">Papers</a></li><li><a href="https://www.academia.edu/topics">Topics</a></li><li><a href="https://www.academia.edu/journals">Academia.edu Journals</a></li><li><a rel="nofollow" href="https://www.academia.edu/hiring"><svg style="width: 13px; height: 13px;" aria-hidden="true" focusable="false" data-prefix="fas" data-icon="briefcase" class="svg-inline--fa fa-briefcase fa-w-16" role="img" xmlns="http://www.w3.org/2000/svg" viewBox="0 0 512 512"><path fill="currentColor" d="M320 336c0 8.84-7.16 16-16 16h-96c-8.84 0-16-7.16-16-16v-48H0v144c0 25.6 22.4 48 48 48h416c25.6 0 48-22.4 48-48V288H320v48zm144-208h-80V80c0-25.6-22.4-48-48-48H176c-25.6 0-48 22.4-48 48v48H48c-25.6 0-48 22.4-48 48v80h512v-80c0-25.6-22.4-48-48-48zm-144 0H192V96h128v32z"></path></svg> <strong>We're Hiring!</strong></a></li><li><a rel="nofollow" href="https://support.academia.edu/hc/en-us"><svg style="width: 12px; height: 12px;" aria-hidden="true" focusable="false" data-prefix="fas" data-icon="question-circle" class="svg-inline--fa fa-question-circle fa-w-16" role="img" xmlns="http://www.w3.org/2000/svg" viewBox="0 0 512 512"><path fill="currentColor" d="M504 256c0 136.997-111.043 248-248 248S8 392.997 8 256C8 119.083 119.043 8 256 8s248 111.083 248 248zM262.655 90c-54.497 0-89.255 22.957-116.549 63.758-3.536 5.286-2.353 12.415 2.715 16.258l34.699 26.31c5.205 3.947 12.621 3.008 16.665-2.122 17.864-22.658 30.113-35.797 57.303-35.797 20.429 0 45.698 13.148 45.698 32.958 0 14.976-12.363 22.667-32.534 33.976C247.128 238.528 216 254.941 216 296v4c0 6.627 5.373 12 12 12h56c6.627 0 12-5.373 12-12v-1.333c0-28.462 83.186-29.647 83.186-106.667 0-58.002-60.165-102-116.531-102zM256 338c-25.365 0-46 20.635-46 46 0 25.364 20.635 46 46 46s46-20.636 46-46c0-25.365-20.635-46-46-46z"></path></svg> <strong>Help Center</strong></a></li></ul><ul class="footer-links-tertiary list-inline margin-bottom-1x"><li class="small">Find new research papers in:</li><li class="small"><a href="https://www.academia.edu/Documents/in/Physics">Physics</a></li><li class="small"><a href="https://www.academia.edu/Documents/in/Chemistry">Chemistry</a></li><li class="small"><a href="https://www.academia.edu/Documents/in/Biology">Biology</a></li><li class="small"><a href="https://www.academia.edu/Documents/in/Health_Sciences">Health Sciences</a></li><li class="small"><a href="https://www.academia.edu/Documents/in/Ecology">Ecology</a></li><li class="small"><a href="https://www.academia.edu/Documents/in/Earth_Sciences">Earth Sciences</a></li><li class="small"><a href="https://www.academia.edu/Documents/in/Cognitive_Science">Cognitive Science</a></li><li class="small"><a href="https://www.academia.edu/Documents/in/Mathematics">Mathematics</a></li><li class="small"><a href="https://www.academia.edu/Documents/in/Computer_Science">Computer Science</a></li></ul></div></div><div class="DesignSystem" id="credit" style="width:100%;"><ul class="u-pl0x footer-links-legal list-inline"><li><a rel="nofollow" href="https://www.academia.edu/terms">Terms</a></li><li><a rel="nofollow" href="https://www.academia.edu/privacy">Privacy</a></li><li><a rel="nofollow" href="https://www.academia.edu/copyright">Copyright</a></li><li>Academia ©2025</li></ul></div><script> //<![CDATA[ window.detect_gmtoffset = true; window.Academia && window.Academia.set_gmtoffset && Academia.set_gmtoffset('/gmtoffset'); //]]> </script> <div id='overlay_background'></div> <div id='bootstrap-modal-container' class='bootstrap'></div> <div id='ds-modal-container' class='bootstrap DesignSystem'></div> <div id='full-screen-modal'></div> </div> </body> </html>