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[{"id":42812366,"identifier":"Attachment_42812366","shouldShowBulkDownload":false}]; window.loswp.shouldDetectTimezone = true; window.loswp.shouldShowBulkDownload = true; window.loswp.showSignupCaptcha = false window.loswp.willEdgeCache = false; window.loswp.work = {"work":{"id":22149485,"created_at":"2016-02-18T11:58:48.452-08:00","from_world_paper_id":null,"updated_at":"2025-01-14T01:03:58.159-08:00","_data":{"publisher":"Deutscher Kunstverlag","event_date":null,"ai_abstract":"The paper explores the theme of Christian iconoclasm and the subsequent labeling of Muslim practices as idolatry during the medieval period. It connects earlier findings on medieval European views of Islam to broader narratives within historical chronicles, emphasizing how the portrayal of images and the act of iconoclasm signify moments of cultural and temporal disjunction. This study reveals the complexities of religious imagery and the dynamics of cultural representation, particularly in historical contexts of conflict and transformation.","publication_date":"2012,,","publication_name":"Images of Otherness in Medieval and Early Modern Times: Exclusion, Inclusion, and Assimilation. Ed. Anja Eisenbeiss and Lieselotte E. Saurma-Jeltsch. ","conference_end_date":null,"conference_start_date":null},"document_type":"paper","pre_hit_view_count_baseline":null,"quality":"high","language":"en","title":"“The Other’s Images: Christian Iconoclasm and the Charge of Muslim Idolatry in Medieval Europe”","broadcastable":true,"draft":null,"has_indexable_attachment":true,"indexable":true}}["work"]; window.loswp.workCoauthors = [37553693]; window.loswp.locale = "en"; window.loswp.countryCode = "SG"; window.loswp.cwvAbTestBucket = ""; window.loswp.designVariant = "ds_vanilla"; window.loswp.fullPageMobileSutdModalVariant = "control"; window.loswp.useOptimizedScribd4genScript = false; window.loginModal = {}; window.loginModal.appleClientId = 'edu.academia.applesignon'; window.userInChina = "false";</script><script defer="" src="https://accounts.google.com/gsi/client"></script><div class="ds-loswp-container"><div class="ds-work-card--grid-container"><div class="ds-work-card--container js-loswp-work-card"><div class="ds-work-card--cover"><div class="ds-work-cover--wrapper"><div class="ds-work-cover--container"><button class="ds-work-cover--clickable js-swp-download-button" data-signup-modal="{"location":"swp-splash-paper-cover","attachmentId":42812366,"attachmentType":"pdf"}"><img alt="First page of ““The Other’s Images: Christian Iconoclasm and the Charge of Muslim Idolatry in Medieval Europe””" class="ds-work-cover--cover-thumbnail" src="https://0.academia-photos.com/attachment_thumbnails/42812366/mini_magick20180819-15900-og9caj.png?1534718255" /><img alt="PDF Icon" class="ds-work-cover--file-icon" src="//a.academia-assets.com/images/single_work_splash/adobe_icon.svg" /><div class="ds-work-cover--hover-container"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span><p>Download Free PDF</p></div><div class="ds-work-cover--ribbon-container">Download Free PDF</div><div class="ds-work-cover--ribbon-triangle"></div></button></div></div></div><div class="ds-work-card--work-information"><h1 class="ds-work-card--work-title">“The Other’s Images: Christian Iconoclasm and the Charge of Muslim Idolatry in Medieval Europe”</h1><div class="ds-work-card--work-authors ds-work-card--detail"><a class="ds-work-card--author js-wsj-grid-card-author ds2-5-body-md ds2-5-body-link" data-author-id="37553693" href="https://utoronto.academia.edu/SuzanneAkbari"><img alt="Profile image of Suzanne Akbari" class="ds-work-card--author-avatar" src="https://0.academia-photos.com/37553693/11620658/12958467/s65_suzanne.akbari.jpg" />Suzanne Akbari</a></div><div class="ds-work-card--detail"><p class="ds-work-card--detail ds2-5-body-sm">2012, Images of Otherness in Medieval and Early Modern Times: Exclusion, Inclusion, and Assimilation. Ed. Anja Eisenbeiss and Lieselotte E. Saurma-Jeltsch. </p><div class="ds-work-card--work-metadata"><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">visibility</span><p class="ds2-5-body-sm" id="work-metadata-view-count">…</p></div><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">description</span><p class="ds2-5-body-sm">21 pages</p></div><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">link</span><p class="ds2-5-body-sm">1 file</p></div></div><script>(async () => { const workId = 22149485; const worksViewsPath = "/v0/works/views?subdomain_param=api&work_ids%5B%5D=22149485"; const getWorkViews = async (workId) => { const response = await fetch(worksViewsPath); if (!response.ok) { throw new Error('Failed to load work views'); } const data = await response.json(); return data.views[workId]; }; // Get the view count for the work - we send this immediately rather than waiting for // the DOM to load, so it can be available as soon as possible (but without holding up // the backend or other resource requests, because it's a bit expensive and not critical). const viewCount = await getWorkViews(workId); const updateViewCount = (viewCount) => { try { const viewCountNumber = parseInt(viewCount, 10); if (viewCountNumber === 0) { // Remove the whole views element if there are zero views. document.getElementById('work-metadata-view-count')?.parentNode?.remove(); return; } const commaizedViewCount = viewCountNumber.toLocaleString(); const viewCountBody = document.getElementById('work-metadata-view-count'); if (!viewCountBody) { throw new Error('Failed to find work views element'); } viewCountBody.textContent = `${commaizedViewCount} views`; } catch (error) { // Remove the whole views element if there was some issue parsing. document.getElementById('work-metadata-view-count')?.parentNode?.remove(); throw new Error(`Failed to parse view count: ${viewCount}`, error); } }; // If the DOM is still loading, wait for it to be ready before updating the view count. if (document.readyState === "loading") { document.addEventListener('DOMContentLoaded', () => { updateViewCount(viewCount); }); // Otherwise, just update it immediately. } else { updateViewCount(viewCount); } })();</script></div><p class="ds-work-card--detail ds2-5-body-md">AI-generated Abstract</p><p class="ds-work-card--work-abstract ds-work-card--detail ds2-5-body-md">The paper explores the theme of Christian iconoclasm and the subsequent labeling of Muslim practices as idolatry during the medieval period. It connects earlier findings on medieval European views of Islam to broader narratives within historical chronicles, emphasizing how the portrayal of images and the act of iconoclasm signify moments of cultural and temporal disjunction. This study reveals the complexities of religious imagery and the dynamics of cultural representation, particularly in historical contexts of conflict and transformation.</p><div class="ds-work-card--button-container"><button class="ds2-5-button js-swp-download-button" data-signup-modal="{"location":"continue-reading-button--work-card","attachmentId":42812366,"attachmentType":"pdf","workUrl":"https://www.academia.edu/22149485/_The_Other_s_Images_Christian_Iconoclasm_and_the_Charge_of_Muslim_Idolatry_in_Medieval_Europe_"}">See full PDF</button><button class="ds2-5-button ds2-5-button--secondary js-swp-download-button" data-signup-modal="{"location":"download-pdf-button--work-card","attachmentId":42812366,"attachmentType":"pdf","workUrl":"https://www.academia.edu/22149485/_The_Other_s_Images_Christian_Iconoclasm_and_the_Charge_of_Muslim_Idolatry_in_Medieval_Europe_"}"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span>Download PDF</button></div><div class="ds-signup-banner-trigger-container"><div class="ds-signup-banner-trigger ds-signup-banner-trigger-control"></div></div><div class="ds-signup-banner ds-signup-banner-control"><div id="ds-signup-banner-close-button"><button class="ds2-5-button ds2-5-button--secondary ds2-5-button--inverse"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">close</span></button></div><div class="ds-signup-banner-ctas" data-impression-entity-id="22149485" data-impression-entity-type="2" data-impression-source="signup-banner"><img src="//a.academia-assets.com/images/academia-logo-capital-white.svg" /><h4 class="ds2-5-heading-serif-sm">Sign up for access to the world's latest research</h4><button class="ds2-5-button ds2-5-button--inverse ds2-5-button--full-width js-swp-download-button" data-signup-modal="{"location":"signup-banner"}">Sign up for free<span class="material-symbols-outlined" style="font-size: 20px" translate="no">arrow_forward</span></button></div><div class="ds-signup-banner-divider"></div><div class="ds-signup-banner-reasons"><div class="ds-signup-banner-reasons-item"><span class="material-symbols-outlined" style="font-size: 24px" translate="no">check</span><span>Get notified about relevant papers</span></div><div class="ds-signup-banner-reasons-item"><span class="material-symbols-outlined" style="font-size: 24px" translate="no">check</span><span>Save papers to use in your research</span></div><div class="ds-signup-banner-reasons-item"><span class="material-symbols-outlined" style="font-size: 24px" translate="no">check</span><span>Join the discussion with peers</span></div><div class="ds-signup-banner-reasons-item"><span class="material-symbols-outlined" style="font-size: 24px" translate="no">check</span><span>Track your impact</span></div></div></div><script>(() => { // Set up signup banner show/hide behavior: // 1. 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C. Akbari</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="48565" href="https://westernsydney.academia.edu/MiladMilani">Milad Milani</a></div><p class="ds-related-work--abstract ds2-5-body-sm">pp. x + 269. Growing out of a 2003 conference on "The Cultural Heritage of Medieval Rituals II: Creation and the Arts," this edited collection of essays explores the relationships between the theological act of Creation of the world by God, and the human endeavour of artistic creation. Spanning from the medieval to the modern era, the volume works across the early modern rupture in order to explore the transformation of the conception of creation. With topics ranging from medieval liturgy, through baroque art, and up to the music of Schoenberg, the editors have brought together subjects touching upon the theme of creation that span a millennia in order to excavate the medieval theological roots of modern discourses of the creative act. The essays in this volume argue that the "theological idea of divine creation of something totally, unprecedentedly new -ex nihilowas only gradually applied to human creativity in connection with the emergence of a modern conception of art" (p. 4). The figure of the modern artist represents a radical shift not because it is, in itself, a new creation, but because it constituted the usurpation of an act previously exclusively within the ambit of divine praxis, as the introductory remarks reflecting on the second commandment remind the reader. Further developing the idea of the medieval genealogy of contemporary understandings of artistic creation, the volume argues that with post-modernity we have come full circle, as artistic practice returns to acts of reordering, restructuring, and reusing. The project of locating the cultural heritage of modern discourses of artistic creation in the Middle Ages is provocative, and the individual essays collected in the volume trace out the contours of this transdiscursive historiography, describing the relationship between medieval theology and ritual that have shaped Western notions of artistic creation from Jesuit representations of creation, through to the music of Mahler and Schoenberg. Østrem's essay acts as an entry point into the volume by unpacking the parallel discourses of the Deus artifex and homo creator as they were written and reworked through classical writing, medieval scholastic thought, and into the sixteenth century. Østrem writes across the great divide between "the theocentric Middle Ages and the anthropocentric art world of the modern age" (p. 16) while reminding the reader to avoid tracing out a linear shift from one paradigm to the other as a straightforward teleological narrative. The volume continues in this vein, drawing on a wide range of interdisciplinary methods in order to map out the interconnections between medieval and modern understandings of creation that have previously been conceptualized purely in terms of rupture and disjuncture. With essays ranging widely in subject, disciplinary framework, and historical periods, the volume would have benefitted from enlarged commentary from the editors in order to give the reader a greater sense of the unity of the project.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Idols in the East: European Representations of Islam and the Orient, 1100–1450 – By S. C. Akbari","attachmentId":55901737,"attachmentType":"pdf","work_url":"https://www.academia.edu/36015067/Idols_in_the_East_European_Representations_of_Islam_and_the_Orient_1100_1450_By_S_C_Akbari","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/36015067/Idols_in_the_East_European_Representations_of_Islam_and_the_Orient_1100_1450_By_S_C_Akbari"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="1" data-entity-id="1271701" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/1271701/Akbari_Suzanne_Conklin_Idols_in_the_East_European_Representations_of_Islam_and_the_Orient_1100_1450_Ithaca_NY_Cornell_University_Press_2009_xii_">Akbari, Suzanne Conklin. Idols in the East: European Representations of Islam and the Orient, 11001450. Ithaca, NY: Cornell University Press, 2009. xii+ …</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="1142923" href="https://univ-nantes.academia.edu/JohnTolan">John Tolan</a></div><p class="ds-related-work--metadata ds2-5-body-xs">The Journal of Religion, 2011</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Akbari, Suzanne Conklin. Idols in the East: European Representations of Islam and the Orient, 11001450. Ithaca, NY: Cornell University Press, 2009. xii+ …","attachmentId":31582474,"attachmentType":"doc","work_url":"https://www.academia.edu/1271701/Akbari_Suzanne_Conklin_Idols_in_the_East_European_Representations_of_Islam_and_the_Orient_1100_1450_Ithaca_NY_Cornell_University_Press_2009_xii_","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/1271701/Akbari_Suzanne_Conklin_Idols_in_the_East_European_Representations_of_Islam_and_the_Orient_1100_1450_Ithaca_NY_Cornell_University_Press_2009_xii_"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="2" data-entity-id="39040991" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/39040991/_Confronting_Islam_Images_of_Warfare_and_Courtly_Displays_in_Late_Medieval_and_Early_Modern_Spain_en_Jews_and_Muslims_Made_Visible_in_Christian_Iberia_and_Beyond_14th_to_18th_Centuries_Another_Image">"Confronting Islam: Images of Warfare and Courtly Displays in Late Medieval and Early Modern Spain" en Jews and Muslims Made Visible in Christian Iberia and Beyond, 14th to 18th Centuries Another Image</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="695232" href="https://uned.academia.edu/BorjaFranco">Borja Franco Llopis</a><span>, </span><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="645513" href="https://uam.academia.edu/FranciscodeAs%C3%ADsGarc%C3%ADaGarc%C3%ADa">Francisco de Asís García García</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"\"Confronting Islam: Images of Warfare and Courtly Displays in Late Medieval and Early Modern Spain\" en Jews and Muslims Made Visible in Christian Iberia and Beyond, 14th to 18th Centuries Another Image","attachmentId":59154174,"attachmentType":"pdf","work_url":"https://www.academia.edu/39040991/_Confronting_Islam_Images_of_Warfare_and_Courtly_Displays_in_Late_Medieval_and_Early_Modern_Spain_en_Jews_and_Muslims_Made_Visible_in_Christian_Iberia_and_Beyond_14th_to_18th_Centuries_Another_Image","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/39040991/_Confronting_Islam_Images_of_Warfare_and_Courtly_Displays_in_Late_Medieval_and_Early_Modern_Spain_en_Jews_and_Muslims_Made_Visible_in_Christian_Iberia_and_Beyond_14th_to_18th_Centuries_Another_Image"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="3" data-entity-id="28726930" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/28726930/IMAGES_AND_ICONOLATRY_IN_CHRISTENDOM_A_POST_MODERN_APPROACH">IMAGES AND ICONOLATRY IN CHRISTENDOM, A POST-MODERN APPROACH</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="27859845" href="https://ceu.academia.edu/AleksandarPantic">Aleksandar Pantic</a></div><p class="ds-related-work--abstract ds2-5-body-sm">This article is primarily concerned with the question of understanding of notions and phenomena such are idolatry, iconolatry, and image in the framework of religious culture in European and Levant history from classic – antique age until late modern times. Since the topic is broad, the article is composed as a short discussion about main ideas and problems connected to the understanding and the interpretations of the notion of idolatry and images that were and are presented in public and scholar discourse. Theoretical basics for his article were taken from the work of several prominent post-modern scholars and researchers of scientific and academic fields of visual culture and art history such as Hans Belting, Michael Baxandall, David Freedberg, Peter Burke. In addition to this, the semiotic approach, as well as theory of media and communication was also engaged in the analysis conducted in the article. Keywords: Images, Christianity, cult, object, icons, visual</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"IMAGES AND ICONOLATRY IN CHRISTENDOM, A POST-MODERN APPROACH","attachmentId":49139739,"attachmentType":"pdf","work_url":"https://www.academia.edu/28726930/IMAGES_AND_ICONOLATRY_IN_CHRISTENDOM_A_POST_MODERN_APPROACH","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/28726930/IMAGES_AND_ICONOLATRY_IN_CHRISTENDOM_A_POST_MODERN_APPROACH"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="4" data-entity-id="53668175" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/53668175/_2021_Images_and_Iconoclasm_in_Islam_ca_600_850_">(2021) "Images and Iconoclasm in Islam, ca. 600-850"</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="501824" href="https://oxford.academia.edu/ChristianSahner">Christian Sahner</a></div><p class="ds-related-work--metadata ds2-5-body-xs">A Companion to Byzantine Iconoclasm, 2021</p><p class="ds-related-work--abstract ds2-5-body-sm">PROOFS of an essay on early Muslim attitudes towards figural art as well as incidences of iconoclasm. Explores evidence from the Quran, numismatics, Umayyad religious architecture, the iconoclastic edict of Yazid II, iconoclastic mosaics from Palestine, and other topics. A Companion to Byzantine Iconoclasm, Mike Humphreys, ed., Leiden: Brill, 2021, 497-537 https://brill.com/view/title/34427</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"(2021) \"Images and Iconoclasm in Islam, ca. 600-850\"","attachmentId":70404654,"attachmentType":"pdf","work_url":"https://www.academia.edu/53668175/_2021_Images_and_Iconoclasm_in_Islam_ca_600_850_","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/53668175/_2021_Images_and_Iconoclasm_in_Islam_ca_600_850_"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="5" data-entity-id="94036535" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/94036535/IDOLATRY_REFLECTIONS_ON_VISUAL_PERMISSION_AND_PROHIBITION_IN_ISLAM_AND_CHRISTIANITY">IDOLATRY: REFLECTIONS ON VISUAL PERMISSION AND PROHIBITION IN ISLAM AND CHRISTIANITY</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="50757348" href="https://independent.academia.edu/anamunk2">ana munk</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Arta nd Politics in the Modern Period, 2019</p><p class="ds-related-work--abstract ds2-5-body-sm">In 2001, Islamic militants in Afghanistan declared war on idols, defined as "all statues and shrines of infidels". Mostly explained as a political issue, the destruction of monuments (identified as idols) by the Islamists has not been viewed as a revival of an anachronistic ban on idolatry largely due to the fact that Western audiences no longer recognize conceptions of idolatry, aniconism and iconoclasm as a valid or even possible cause of sustained political action. This paper claims that while the ban on idolatry persisted in all three main monotheistic religions, idol tolerance in practice had an asymmetrical development with consequences on the social life of citizens today. The paper establishes the relevance of idolatry as a confirmed discursive tradition in monotheism and studies its reflections in the modernday Islamic world.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"IDOLATRY: REFLECTIONS ON VISUAL PERMISSION AND PROHIBITION IN ISLAM AND CHRISTIANITY","attachmentId":96608047,"attachmentType":"pdf","work_url":"https://www.academia.edu/94036535/IDOLATRY_REFLECTIONS_ON_VISUAL_PERMISSION_AND_PROHIBITION_IN_ISLAM_AND_CHRISTIANITY","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/94036535/IDOLATRY_REFLECTIONS_ON_VISUAL_PERMISSION_AND_PROHIBITION_IN_ISLAM_AND_CHRISTIANITY"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="6" data-entity-id="35462828" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/35462828/Images_of_Islam_in_the_Ephemeral_Art_of_the_Spanish_Habsburgs_an_initial_approach">Images of Islam in the Ephemeral Art of the Spanish Habsburgs: an initial approach</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="695232" href="https://uned.academia.edu/BorjaFranco">Borja Franco Llopis</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Images of Islam in the Ephemeral Art of the Spanish Habsburgs: an initial approach","attachmentId":55325081,"attachmentType":"pdf","work_url":"https://www.academia.edu/35462828/Images_of_Islam_in_the_Ephemeral_Art_of_the_Spanish_Habsburgs_an_initial_approach","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/35462828/Images_of_Islam_in_the_Ephemeral_Art_of_the_Spanish_Habsburgs_an_initial_approach"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="7" data-entity-id="34266834" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/34266834/Review_of_C_Tieszen_Cross_Veneration_in_the_Medieval_Islamic_World_Christian_Identity_and_Practice_under_Muslim_Rule_I_B_Tauris_2017_Islam_and_Christian_Muslim_Relations_2017_">'Review of: C. Tieszen, Cross Veneration in the Medieval Islamic World: Christian Identity and Practice under Muslim Rule (I.B. Tauris, 2017)', Islam and Christian–Muslim Relations (2017).</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="7127776" href="https://nottinghamtrent.academia.edu/NicholasMorton">Nicholas Morton</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"'Review of: C. Tieszen, Cross Veneration in the Medieval Islamic World: Christian Identity and Practice under Muslim Rule (I.B. Tauris, 2017)', Islam and Christian–Muslim Relations (2017).","attachmentId":54175506,"attachmentType":"pdf","work_url":"https://www.academia.edu/34266834/Review_of_C_Tieszen_Cross_Veneration_in_the_Medieval_Islamic_World_Christian_Identity_and_Practice_under_Muslim_Rule_I_B_Tauris_2017_Islam_and_Christian_Muslim_Relations_2017_","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/34266834/Review_of_C_Tieszen_Cross_Veneration_in_the_Medieval_Islamic_World_Christian_Identity_and_Practice_under_Muslim_Rule_I_B_Tauris_2017_Islam_and_Christian_Muslim_Relations_2017_"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="8" data-entity-id="68398573" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/68398573/Monstrous_Muslims_Depicting_Muslims_in_French_Illuminated_Manuscripts_from_1200_1420">Monstrous Muslims? Depicting Muslims in French Illuminated Manuscripts from 1200-1420</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="199838394" href="https://independent.academia.edu/BenjaminBertrand7">Benjamin Bertrand</a></div><p class="ds-related-work--metadata ds2-5-body-xs">2015</p><p class="ds-related-work--abstract ds2-5-body-sm">This paper examines depictions of Muslims in illuminated manuscripts produced in France between 1200-1420 that feature images of Christian-Muslim interactions. The study specifically looks at three popular manuscripts from the time: the Histoire d&#39;Outremer, the Grandes Chroniques de France, and the Roman d&#39;Alexandre en Prose. By examining the depictions of Saracens in these three manuscripts I attempt to gain an understanding of the artists&#39; perceptions of Muslims. I argue that through analyzing the topoi employed by these artists we can understand how they and their audiences viewed Muslims. These images demonstrate that these artists understood Saracens to be very different from themselves but could also recognize admirable qualities and see similarities to them. This implies a nuanced understanding of Muslims that comes out in many of the depictions of Christian-Muslim interactions shown in these manuscripts.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Monstrous Muslims? Depicting Muslims in French Illuminated Manuscripts from 1200-1420","attachmentId":78886869,"attachmentType":"pdf","work_url":"https://www.academia.edu/68398573/Monstrous_Muslims_Depicting_Muslims_in_French_Illuminated_Manuscripts_from_1200_1420","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/68398573/Monstrous_Muslims_Depicting_Muslims_in_French_Illuminated_Manuscripts_from_1200_1420"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="9" data-entity-id="37990403" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/37990403/Bodies_Books_and_Buildings_Economies_of_Ornament_in_Juridical_Islam">Bodies, Books, and Buildings: Economies of Ornament in Juridical Islam</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="45739596" href="https://nyu.academia.edu/FinbarrBarryFlood">Finbarr Barry Flood</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Bodies, Books, and Buildings: Economies of Ornament in Juridical Islam","attachmentId":58009023,"attachmentType":"pdf","work_url":"https://www.academia.edu/37990403/Bodies_Books_and_Buildings_Economies_of_Ornament_in_Juridical_Islam","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/37990403/Bodies_Books_and_Buildings_Economies_of_Ornament_in_Juridical_Islam"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div></div></div><div class="ds-sticky-ctas--wrapper js-loswp-sticky-ctas hidden"><div class="ds-sticky-ctas--grid-container"><div class="ds-sticky-ctas--container"><button class="ds2-5-button js-swp-download-button" data-signup-modal="{"location":"continue-reading-button--sticky-ctas","attachmentId":42812366,"attachmentType":"pdf","workUrl":null}">See full PDF</button><button class="ds2-5-button ds2-5-button--secondary js-swp-download-button" data-signup-modal="{"location":"download-pdf-button--sticky-ctas","attachmentId":42812366,"attachmentType":"pdf","workUrl":null}"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span>Download PDF</button></div></div></div><div class="ds-below-fold--grid-container"><div class="ds-work--container js-loswp-embedded-document"><div class="attachment_preview" data-attachment="Attachment_42812366" style="display: none"><div class="js-scribd-document-container"><div class="scribd--document-loading js-scribd-document-loader" style="display: block;"><img alt="Loading..." src="//a.academia-assets.com/images/loaders/paper-load.gif" /><p>Loading Preview</p></div></div><div style="text-align: center;"><div class="scribd--no-preview-alert js-preview-unavailable"><p>Sorry, preview is currently unavailable. You can download the paper by clicking the button above.</p></div></div></div></div><div class="ds-sidebar--container js-work-sidebar"><div class="ds-related-content--container"><h2 class="ds-related-content--heading">Related papers</h2><div class="ds-related-work--container js-related-work-sidebar-card" data-collection-position="0" data-entity-id="23338924" data-sort-order="default"><a class="ds-related-work--title js-related-work-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/23338924/Towards_a_reassessment_of_Iberian_material_and_visual_interactions_between_Islam_and_Christianity_in_the_Romanesque_period">Towards a reassessment of Iberian material and visual interactions between Islam and Christianity in the Romanesque period</a><div class="ds-related-work--metadata"><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="645513" href="https://uam.academia.edu/FranciscodeAs%C3%ADsGarc%C3%ADaGarc%C3%ADa">Francisco de Asís García García</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Towards a reassessment of Iberian material and visual interactions between Islam and Christianity in the Romanesque period","attachmentId":61462968,"attachmentType":"pdf","work_url":"https://www.academia.edu/23338924/Towards_a_reassessment_of_Iberian_material_and_visual_interactions_between_Islam_and_Christianity_in_the_Romanesque_period","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-related-work-grid-card-view-pdf" href="https://www.academia.edu/23338924/Towards_a_reassessment_of_Iberian_material_and_visual_interactions_between_Islam_and_Christianity_in_the_Romanesque_period"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-related-work-sidebar-card" data-collection-position="1" data-entity-id="11903401" data-sort-order="default"><a class="ds-related-work--title js-related-work-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/11903401/_Revisting_Iconoclasm_Figural_Imagery_as_an_Instrument_of_State_Politics_in_Byzantium_and_Early_Islam_March_2014_Graduate_Student_Conference_on_Byzantine_Studies_Mary_Jaharis_Center_for_Byzantine_Art_and_Culture">“Revisting Iconoclasm: Figural Imagery as an Instrument of State Politics in Byzantium and Early Islam,” March 2014 Graduate Student Conference on Byzantine Studies, Mary Jaharis Center for Byzantine Art and Culture</a><div class="ds-related-work--metadata"><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="6649798" href="https://princeton.academia.edu/EricMedawar">Eric Medawar</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"“Revisting Iconoclasm: Figural Imagery as an Instrument of State Politics in Byzantium and Early Islam,” March 2014 Graduate Student Conference on Byzantine Studies, Mary Jaharis Center for Byzantine Art and Culture","attachmentId":37277973,"attachmentType":"pdf","work_url":"https://www.academia.edu/11903401/_Revisting_Iconoclasm_Figural_Imagery_as_an_Instrument_of_State_Politics_in_Byzantium_and_Early_Islam_March_2014_Graduate_Student_Conference_on_Byzantine_Studies_Mary_Jaharis_Center_for_Byzantine_Art_and_Culture","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-related-work-grid-card-view-pdf" href="https://www.academia.edu/11903401/_Revisting_Iconoclasm_Figural_Imagery_as_an_Instrument_of_State_Politics_in_Byzantium_and_Early_Islam_March_2014_Graduate_Student_Conference_on_Byzantine_Studies_Mary_Jaharis_Center_for_Byzantine_Art_and_Culture"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-related-work-sidebar-card" data-collection-position="2" data-entity-id="39808873" data-sort-order="default"><a class="ds-related-work--title js-related-work-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/39808873/S_Ronchey_Destroying_the_Past_Monotheism_Iconoclasm_and_the_Sacred_in_Naming_the_Sacred_Religious_Toponymy_in_History_Theology_and_Politics_G%C3%B6ttingen_Vandenhoeck_and_Ruprecht_2019">S. Ronchey, Destroying the Past. Monotheism, Iconoclasm, and the Sacred, in Naming the Sacred. Religious Toponymy in History, Theology and Politics, Göttingen: Vandenhoeck & Ruprecht, 2019</a><div class="ds-related-work--metadata"><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="202807" href="https://roma3.academia.edu/SilviaRonchey">Silvia Ronchey</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"S. Ronchey, Destroying the Past. Monotheism, Iconoclasm, and the Sacred, in Naming the Sacred. 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