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href="https://www.academia.edu/124916858/La_rielaborazione_del_represso_tra_letteratura_e_cronaca"><img alt="Research paper thumbnail of La rielaborazione del represso tra letteratura e cronaca" class="work-thumbnail" src="https://attachments.academia-assets.com/119053689/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/124916858/La_rielaborazione_del_represso_tra_letteratura_e_cronaca">La rielaborazione del represso tra letteratura e cronaca</a></div><div class="wp-workCard_item"><span>LA RIELABORAZIONE DEL REPRESSO TRA LETTERATURA E CRONACA</span><span>, 2024</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">La letteratura si pone talvolta oltre la finzione e il fatto entrando nel campo della rielaborazi...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">La letteratura si pone talvolta oltre la finzione e il fatto entrando nel campo della rielaborazione convenzionale e innescando dei processi di sublimazione degli eventi soprattutto quando questi sono traumatici per la coscienza individuale o collettiva. La rielaborazione dei traumi reali avviene allora in uno spazio della narrativa, un'intercapedine in cui la realtà sfuma nella rielaborazione convenzionale degli avvenimenti. Nelle forme ibridate con il giornalismo e il memoriale, in particolare, si creano degli spazi per confessare e narrativizzare anche gli omicidi. Significativi sono in questo senso il libro di J. Kerouac e W.S. Borroughs And the hippos were boiled in their tanks, in cui i due autori ricostruiscono l'omicidio di David Kammerer da parte del loro amico Lucien Carr, e La città dei vivi di N. Lagioia sull'omicidio di Luca Varani. L'intervento si propone di mettere in luce la dimensione ibrida tra letteratura e cronaca oltre che sottolineare, come in questo spazio, nel mezzo della polarità tra fatti e finzioni, esista un terreno fertile della scrittura per la sublimazione e la rielaborazione, tramite il filtro della convenzionalità narrativa, del rimosso o del represso.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="d7bf9efd138cb0768b75b706143897df" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":119053689,"asset_id":124916858,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/119053689/download_file?st=MTczMzI2ODkxNyw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="124916858"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="124916858"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 124916858; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=124916858]").text(description); $(".js-view-count[data-work-id=124916858]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 124916858; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='124916858']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 124916858, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "d7bf9efd138cb0768b75b706143897df" } } $('.js-work-strip[data-work-id=124916858]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":124916858,"title":"La rielaborazione del represso tra letteratura e cronaca","translated_title":"","metadata":{"abstract":"La letteratura si pone talvolta oltre la finzione e il fatto entrando nel campo della rielaborazione convenzionale e innescando dei processi di sublimazione degli eventi soprattutto quando questi sono traumatici per la coscienza individuale o collettiva. La rielaborazione dei traumi reali avviene allora in uno spazio della narrativa, un'intercapedine in cui la realtà sfuma nella rielaborazione convenzionale degli avvenimenti. Nelle forme ibridate con il giornalismo e il memoriale, in particolare, si creano degli spazi per confessare e narrativizzare anche gli omicidi. Significativi sono in questo senso il libro di J. Kerouac e W.S. Borroughs And the hippos were boiled in their tanks, in cui i due autori ricostruiscono l'omicidio di David Kammerer da parte del loro amico Lucien Carr, e La città dei vivi di N. Lagioia sull'omicidio di Luca Varani. 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Nelle forme ibridate con il giornalismo e il memoriale, in particolare, si creano degli spazi per confessare e narrativizzare anche gli omicidi. Significativi sono in questo senso il libro di J. Kerouac e W.S. Borroughs And the hippos were boiled in their tanks, in cui i due autori ricostruiscono l'omicidio di David Kammerer da parte del loro amico Lucien Carr, e La città dei vivi di N. Lagioia sull'omicidio di Luca Varani. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="99178563"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/99178563/Falco_Zerocalcare_Garrone_e_gli_altri_per_unestetica_narrativa_del_bordo_urbano"><img alt="Research paper thumbnail of Falco, Zerocalcare, Garrone e gli altri per un'estetica narrativa del bordo urbano" class="work-thumbnail" src="https://attachments.academia-assets.com/100334887/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/99178563/Falco_Zerocalcare_Garrone_e_gli_altri_per_unestetica_narrativa_del_bordo_urbano">Falco, Zerocalcare, Garrone e gli altri per un'estetica narrativa del bordo urbano</a></div><div class="wp-workCard_item"><span>Polifemo - Numero 23</span><span>, 2022</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The aim of article is to demonstrate the existence of periphery aesthetics in contemporaneity fic...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The aim of article is to demonstrate the existence of periphery aesthetics in contemporaneity fiction. It will investigate how the presence of some formal and thematic elements supports the idea of the suburban space as unique. In particular, it will look into a variety of spaceconnoting issues such as the "straniamento", the correspondence between the characters' body and some elements of space, r-urban construction of the space, the massive presence of useless objects and the unrealistic occurrence of violence by way of analysing different texts-from the novel to movies and comic books. I argue that the way of looking at the periphery has changed after the "boom-economico" and that fiction is particularly reflective of such change of perspective, which has contributed to its easier reception by the viewer.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="d4b8c49a080ad4dfd52fb39f197f98e7" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":100334887,"asset_id":99178563,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/100334887/download_file?st=MTczMzI2ODkxNyw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="99178563"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="99178563"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 99178563; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=99178563]").text(description); $(".js-view-count[data-work-id=99178563]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 99178563; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='99178563']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 99178563, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "d4b8c49a080ad4dfd52fb39f197f98e7" } } $('.js-work-strip[data-work-id=99178563]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":99178563,"title":"Falco, Zerocalcare, Garrone e gli altri per un'estetica narrativa del bordo urbano","translated_title":"","metadata":{"abstract":"The aim of article is to demonstrate the existence of periphery aesthetics in contemporaneity fiction. 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It will investigate how the presence of some formal and thematic elements supports the idea of the suburban space as unique. In particular, it will look into a variety of spaceconnoting issues such as the \"straniamento\", the correspondence between the characters' body and some elements of space, r-urban construction of the space, the massive presence of useless objects and the unrealistic occurrence of violence by way of analysing different texts-from the novel to movies and comic books. I argue that the way of looking at the periphery has changed after the \"boom-economico\" and that fiction is particularly reflective of such change of perspective, which has contributed to its easier reception by the viewer.","internal_url":"https://www.academia.edu/99178563/Falco_Zerocalcare_Garrone_e_gli_altri_per_unestetica_narrativa_del_bordo_urbano","translated_internal_url":"","created_at":"2023-03-27T08:17:30.081-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":80532737,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":100334887,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/100334887/thumbnails/1.jpg","file_name":"Falco_Zerocalcare_Garron_e_gli_altri.pdf","download_url":"https://www.academia.edu/attachments/100334887/download_file?st=MTczMzI2ODkxNyw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Falco_Zerocalcare_Garrone_e_gli_altri_pe.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/100334887/Falco_Zerocalcare_Garron_e_gli_altri-libre.pdf?1679930267=\u0026response-content-disposition=attachment%3B+filename%3DFalco_Zerocalcare_Garrone_e_gli_altri_pe.pdf\u0026Expires=1733247159\u0026Signature=IuXOzZVohI37JUGTrDXaIwWx2BOjqak-idF5eRBV5gg75FQn65G2VXgIh2jjoffOPXR2ZTrLjqgzwSAVjcUnGuqIvOjrxO1esy9diXfSE8I~A7Kimw~RNJRNDtGSxGt6SP2MSrDtzzQteWr9CzctYIrfCLQUbJ2CaVDNYGmhRoHR~t4M52l52qzih23BRgDHFMVCsldtXGO-7L5fL0sC2cibecrFAKaKmoVd1U10SRfi2a3K5~7ZZo2NqDAaxF4OtVduFi0hr-vmistQTKkMoZO1TPX4GcsDlmz-qfHPcZ7NxGkzz6Nh-iBDEuJ1RfR76Ld0cPpKN9HV5r2w5U3TKQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Falco_Zerocalcare_Garrone_e_gli_altri_per_unestetica_narrativa_del_bordo_urbano","translated_slug":"","page_count":16,"language":"it","content_type":"Work","owner":{"id":80532737,"first_name":"Domenico","middle_initials":null,"last_name":"Chirico","page_name":"DomenicoChirico","domain_name":"iuo","created_at":"2018-04-12T15:21:55.125-07:00","display_name":"Domenico Chirico","url":"https://iuo.academia.edu/DomenicoChirico"},"attachments":[{"id":100334887,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/100334887/thumbnails/1.jpg","file_name":"Falco_Zerocalcare_Garron_e_gli_altri.pdf","download_url":"https://www.academia.edu/attachments/100334887/download_file?st=MTczMzI2ODkxNyw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Falco_Zerocalcare_Garrone_e_gli_altri_pe.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/100334887/Falco_Zerocalcare_Garron_e_gli_altri-libre.pdf?1679930267=\u0026response-content-disposition=attachment%3B+filename%3DFalco_Zerocalcare_Garrone_e_gli_altri_pe.pdf\u0026Expires=1733247159\u0026Signature=IuXOzZVohI37JUGTrDXaIwWx2BOjqak-idF5eRBV5gg75FQn65G2VXgIh2jjoffOPXR2ZTrLjqgzwSAVjcUnGuqIvOjrxO1esy9diXfSE8I~A7Kimw~RNJRNDtGSxGt6SP2MSrDtzzQteWr9CzctYIrfCLQUbJ2CaVDNYGmhRoHR~t4M52l52qzih23BRgDHFMVCsldtXGO-7L5fL0sC2cibecrFAKaKmoVd1U10SRfi2a3K5~7ZZo2NqDAaxF4OtVduFi0hr-vmistQTKkMoZO1TPX4GcsDlmz-qfHPcZ7NxGkzz6Nh-iBDEuJ1RfR76Ld0cPpKN9HV5r2w5U3TKQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":659,"name":"Comparative Literature","url":"https://www.academia.edu/Documents/in/Comparative_Literature"},{"id":2418,"name":"Literature","url":"https://www.academia.edu/Documents/in/Literature"},{"id":22831,"name":"Landscape","url":"https://www.academia.edu/Documents/in/Landscape"},{"id":51195,"name":"Esthetics","url":"https://www.academia.edu/Documents/in/Esthetics"},{"id":57141,"name":"Urban Periphery","url":"https://www.academia.edu/Documents/in/Urban_Periphery"},{"id":441386,"name":"Matteo Garrone","url":"https://www.academia.edu/Documents/in/Matteo_Garrone"},{"id":588328,"name":"Periferia","url":"https://www.academia.edu/Documents/in/Periferia"},{"id":1318532,"name":"Giorgio Falco","url":"https://www.academia.edu/Documents/in/Giorgio_Falco"},{"id":1965337,"name":"Zerocalcare","url":"https://www.academia.edu/Documents/in/Zerocalcare"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="90318198"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/90318198/Lettura_pirandelliana_di_una_trilogia_lorchiana"><img alt="Research paper thumbnail of Lettura pirandelliana di una trilogia lorchiana" class="work-thumbnail" src="https://attachments.academia-assets.com/93913577/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/90318198/Lettura_pirandelliana_di_una_trilogia_lorchiana">Lettura pirandelliana di una trilogia lorchiana</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The paper starts focusing on Pirandello and Garcia Lorca’s trilogies “theatre in the theatre” and...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The paper starts focusing on Pirandello and Garcia Lorca’s trilogies “theatre in the theatre” and the conceptions of theatre in the society between the two World Wars for the two authors. It underlines how the same antagonism versus the bourgeois spectators and the same metatheatral technique was used in different ways in Sei personaggi in cerca d’autore , Ciascuno a suo modo , Questa sera si recita a soggetto and in El publico , Asi que pasen cinco anos and Comedia sin titolo . The basic idea of this work is that through the reading of Pirandello’s plays, we can better understand Lorca’a plays. The last part of the work analyses the unfinished work of Pirandello I giganti della montagna and the impossibility of poetry in the massificated society for the Italian author just as Lorca’s play Comedia sin titulo , in which the theatre collapsed under the force of revolution.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="87c7a37594820143c52519b5e0ca1a89" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":93913577,"asset_id":90318198,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/93913577/download_file?st=MTczMzI2ODkxNyw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="90318198"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="90318198"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 90318198; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=90318198]").text(description); $(".js-view-count[data-work-id=90318198]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 90318198; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='90318198']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 90318198, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "87c7a37594820143c52519b5e0ca1a89" } } $('.js-work-strip[data-work-id=90318198]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":90318198,"title":"Lettura pirandelliana di una trilogia lorchiana","translated_title":"","metadata":{"abstract":"The paper starts focusing on Pirandello and Garcia Lorca’s trilogies “theatre in the theatre” and the conceptions of theatre in the society between the two World Wars for the two authors. It underlines how the same antagonism versus the bourgeois spectators and the same metatheatral technique was used in different ways in Sei personaggi in cerca d’autore , Ciascuno a suo modo , Questa sera si recita a soggetto and in El publico , Asi que pasen cinco anos and Comedia sin titolo . The basic idea of this work is that through the reading of Pirandello’s plays, we can better understand Lorca’a plays. The last part of the work analyses the unfinished work of Pirandello I giganti della montagna and the impossibility of poetry in the massificated society for the Italian author just as Lorca’s play Comedia sin titulo , in which the theatre collapsed under the force of revolution.","publication_date":{"day":null,"month":null,"year":2020,"errors":{}}},"translated_abstract":"The paper starts focusing on Pirandello and Garcia Lorca’s trilogies “theatre in the theatre” and the conceptions of theatre in the society between the two World Wars for the two authors. It underlines how the same antagonism versus the bourgeois spectators and the same metatheatral technique was used in different ways in Sei personaggi in cerca d’autore , Ciascuno a suo modo , Questa sera si recita a soggetto and in El publico , Asi que pasen cinco anos and Comedia sin titolo . The basic idea of this work is that through the reading of Pirandello’s plays, we can better understand Lorca’a plays. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="45579664"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/45579664/Lettura_pirandelliana_di_una_trilogia_lorchiana"><img alt="Research paper thumbnail of Lettura pirandelliana di una trilogia lorchiana" class="work-thumbnail" src="https://attachments.academia-assets.com/66056666/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/45579664/Lettura_pirandelliana_di_una_trilogia_lorchiana">Lettura pirandelliana di una trilogia lorchiana</a></div><div class="wp-workCard_item"><span>Status Quaestionis</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The paper starts focusing on Pirandello and García Lorca's trilogies "theatre in the theatre" and...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The paper starts focusing on Pirandello and García Lorca's trilogies "theatre in the theatre" and the conceptions of theatre in the society between the two World Wars for the two authors. It underlines how the same antagonism versus the bourgeois spectators and the same metatheatral technique was used in different ways in Sei personaggi in cerca d'autore, Ciascuno a suo modo, Questa sera si recita a soggetto and in El público, Así que pasen cinco años and Comedia sin títolo. The basic idea of this work is that through the reading of Pirandello's plays, we can better understand Lorca'a plays. The last part of the work analyses the unfinished work of Pirandello I giganti della montagna and the impossibility of poetry in the massificated society for the Italian author just as Lorca's play Comedia sin título, in which the theatre collapsed under the force of revolution. 1. Negli anni tra il 1929 e il 1935 Federico García Lorca concepisce una trilogia teatrale, rimasta in gran parte incompleta e mai rappresentata, che ha come argomento portante proprio il teatro. Ricadere nella definizione di trilogia del "teatro nel teatro", con esplicito riferimento a Pirandello, non è una novità se si pensa che già Vitale 1991 e Soufas 1996 parlano di una trilogia metateatrale lorchiana. Quello che si tenterà di fare in questa sede è dare una lettura pirandelliana di questa trilogia spagnola costituita da El público (1929), Así que pasen cinco años (1933) e Comedia sin título (1935) in modo da capire quali sono i punti di contatto e divergenza tra i due autori nell'utilizzo delle tecniche metateatrali e come questi siano entrambi influenzati dalle avanguardie. Questo approccio non significa cercare di uniformare il prodotto drammaturgico lorchiano a quello pirandelliano, ma capire in che modo si muovano nella nuova complessità organizzativa dell'arte tra le due guerre e illuminare alcune caratteristiche della trilogia lorchiana ancora poco chiare. In via preliminare si deve sottolineare una conoscenza critica dell'opera pirandelliana da parte di Lorca. Egli subì, probabilmente, il dibattito culturale spagnolo intorno alla figura del siciliano negli anni della sua formazione alla Residencia de estudiantes. Infatti sappiamo che nel gennaio 1924 Ricardo Baeza tenne una conferenza nell'istituto</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="ba0e0986bccbe3af5151bfc8d27489e5" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":66056666,"asset_id":45579664,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/66056666/download_file?st=MTczMzI2ODkxNyw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="45579664"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="45579664"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 45579664; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=45579664]").text(description); $(".js-view-count[data-work-id=45579664]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 45579664; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='45579664']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 45579664, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "ba0e0986bccbe3af5151bfc8d27489e5" } } $('.js-work-strip[data-work-id=45579664]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":45579664,"title":"Lettura pirandelliana di una trilogia lorchiana","translated_title":"","metadata":{"doi":"10.13133/2239-1983/16845","abstract":"The paper starts focusing on Pirandello and García Lorca's trilogies \"theatre in the theatre\" and the conceptions of theatre in the society between the two World Wars for the two authors. It underlines how the same antagonism versus the bourgeois spectators and the same metatheatral technique was used in different ways in Sei personaggi in cerca d'autore, Ciascuno a suo modo, Questa sera si recita a soggetto and in El público, Así que pasen cinco años and Comedia sin títolo. The basic idea of this work is that through the reading of Pirandello's plays, we can better understand Lorca'a plays. The last part of the work analyses the unfinished work of Pirandello I giganti della montagna and the impossibility of poetry in the massificated society for the Italian author just as Lorca's play Comedia sin título, in which the theatre collapsed under the force of revolution. 1. Negli anni tra il 1929 e il 1935 Federico García Lorca concepisce una trilogia teatrale, rimasta in gran parte incompleta e mai rappresentata, che ha come argomento portante proprio il teatro. Ricadere nella definizione di trilogia del \"teatro nel teatro\", con esplicito riferimento a Pirandello, non è una novità se si pensa che già Vitale 1991 e Soufas 1996 parlano di una trilogia metateatrale lorchiana. Quello che si tenterà di fare in questa sede è dare una lettura pirandelliana di questa trilogia spagnola costituita da El público (1929), Así que pasen cinco años (1933) e Comedia sin título (1935) in modo da capire quali sono i punti di contatto e divergenza tra i due autori nell'utilizzo delle tecniche metateatrali e come questi siano entrambi influenzati dalle avanguardie. Questo approccio non significa cercare di uniformare il prodotto drammaturgico lorchiano a quello pirandelliano, ma capire in che modo si muovano nella nuova complessità organizzativa dell'arte tra le due guerre e illuminare alcune caratteristiche della trilogia lorchiana ancora poco chiare. In via preliminare si deve sottolineare una conoscenza critica dell'opera pirandelliana da parte di Lorca. Egli subì, probabilmente, il dibattito culturale spagnolo intorno alla figura del siciliano negli anni della sua formazione alla Residencia de estudiantes. Infatti sappiamo che nel gennaio 1924 Ricardo Baeza tenne una conferenza nell'istituto","publication_date":{"day":null,"month":null,"year":2020,"errors":{}},"publication_name":"Status Quaestionis"},"translated_abstract":"The paper starts focusing on Pirandello and García Lorca's trilogies \"theatre in the theatre\" and the conceptions of theatre in the society between the two World Wars for the two authors. It underlines how the same antagonism versus the bourgeois spectators and the same metatheatral technique was used in different ways in Sei personaggi in cerca d'autore, Ciascuno a suo modo, Questa sera si recita a soggetto and in El público, Así que pasen cinco años and Comedia sin títolo. The basic idea of this work is that through the reading of Pirandello's plays, we can better understand Lorca'a plays. The last part of the work analyses the unfinished work of Pirandello I giganti della montagna and the impossibility of poetry in the massificated society for the Italian author just as Lorca's play Comedia sin título, in which the theatre collapsed under the force of revolution. 1. Negli anni tra il 1929 e il 1935 Federico García Lorca concepisce una trilogia teatrale, rimasta in gran parte incompleta e mai rappresentata, che ha come argomento portante proprio il teatro. Ricadere nella definizione di trilogia del \"teatro nel teatro\", con esplicito riferimento a Pirandello, non è una novità se si pensa che già Vitale 1991 e Soufas 1996 parlano di una trilogia metateatrale lorchiana. Quello che si tenterà di fare in questa sede è dare una lettura pirandelliana di questa trilogia spagnola costituita da El público (1929), Así que pasen cinco años (1933) e Comedia sin título (1935) in modo da capire quali sono i punti di contatto e divergenza tra i due autori nell'utilizzo delle tecniche metateatrali e come questi siano entrambi influenzati dalle avanguardie. Questo approccio non significa cercare di uniformare il prodotto drammaturgico lorchiano a quello pirandelliano, ma capire in che modo si muovano nella nuova complessità organizzativa dell'arte tra le due guerre e illuminare alcune caratteristiche della trilogia lorchiana ancora poco chiare. In via preliminare si deve sottolineare una conoscenza critica dell'opera pirandelliana da parte di Lorca. Egli subì, probabilmente, il dibattito culturale spagnolo intorno alla figura del siciliano negli anni della sua formazione alla Residencia de estudiantes. Infatti sappiamo che nel gennaio 1924 Ricardo Baeza tenne una conferenza nell'istituto","internal_url":"https://www.academia.edu/45579664/Lettura_pirandelliana_di_una_trilogia_lorchiana","translated_internal_url":"","created_at":"2021-03-19T02:24:08.720-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":80532737,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":66056666,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/66056666/thumbnails/1.jpg","file_name":"Lettura_pirandelliana_di_una_trilogia_lorchiana.pdf","download_url":"https://www.academia.edu/attachments/66056666/download_file?st=MTczMzI2ODkxNyw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Lettura_pirandelliana_di_una_trilogia_lo.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/66056666/Lettura_pirandelliana_di_una_trilogia_lorchiana-libre.pdf?1616147716=\u0026response-content-disposition=attachment%3B+filename%3DLettura_pirandelliana_di_una_trilogia_lo.pdf\u0026Expires=1733247159\u0026Signature=cvA0iusIiV0GbRXUnbiRTui~v1WrO0FKeHqRIQiIZaLK87-6GiWiR2AAtxLO2v3W9khI-Ht~xsQ0D4a77lTMzDLAhc2j64DLcl121gzHY0gxGgOifXqDfpMhMj333zYGuclUzWfx~9CeINPrGdgppjm0zrGuAoyqxI8hVBpvrBL50MCMANrrRdafE3wkG8-yORrSiB4smYNygA1vLuzdhPLIjz~g8eo4kRYCRJktR228P8zZPIjbrkNEa8ayXO9Usc5pmiI3LulamuPVqR3ud6irbUkpX1VSxJm4Ukl-1QNpQ4AJ2hZ8mW~bRNEMexMEADgYxPvvxMA7n7p57tm1RA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Lettura_pirandelliana_di_una_trilogia_lorchiana","translated_slug":"","page_count":18,"language":"it","content_type":"Work","owner":{"id":80532737,"first_name":"Domenico","middle_initials":null,"last_name":"Chirico","page_name":"DomenicoChirico","domain_name":"iuo","created_at":"2018-04-12T15:21:55.125-07:00","display_name":"Domenico Chirico","url":"https://iuo.academia.edu/DomenicoChirico"},"attachments":[{"id":66056666,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/66056666/thumbnails/1.jpg","file_name":"Lettura_pirandelliana_di_una_trilogia_lorchiana.pdf","download_url":"https://www.academia.edu/attachments/66056666/download_file?st=MTczMzI2ODkxNyw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Lettura_pirandelliana_di_una_trilogia_lo.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/66056666/Lettura_pirandelliana_di_una_trilogia_lorchiana-libre.pdf?1616147716=\u0026response-content-disposition=attachment%3B+filename%3DLettura_pirandelliana_di_una_trilogia_lo.pdf\u0026Expires=1733247159\u0026Signature=cvA0iusIiV0GbRXUnbiRTui~v1WrO0FKeHqRIQiIZaLK87-6GiWiR2AAtxLO2v3W9khI-Ht~xsQ0D4a77lTMzDLAhc2j64DLcl121gzHY0gxGgOifXqDfpMhMj333zYGuclUzWfx~9CeINPrGdgppjm0zrGuAoyqxI8hVBpvrBL50MCMANrrRdafE3wkG8-yORrSiB4smYNygA1vLuzdhPLIjz~g8eo4kRYCRJktR228P8zZPIjbrkNEa8ayXO9Usc5pmiI3LulamuPVqR3ud6irbUkpX1VSxJm4Ukl-1QNpQ4AJ2hZ8mW~bRNEMexMEADgYxPvvxMA7n7p57tm1RA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":4951,"name":"Surrealism","url":"https://www.academia.edu/Documents/in/Surrealism"},{"id":8297,"name":"Samuel Beckett","url":"https://www.academia.edu/Documents/in/Samuel_Beckett"},{"id":15753,"name":"Metatheatre","url":"https://www.academia.edu/Documents/in/Metatheatre"},{"id":24019,"name":"Luigi Pirandello","url":"https://www.academia.edu/Documents/in/Luigi_Pirandello"},{"id":92613,"name":"Federico García Lorca","url":"https://www.academia.edu/Documents/in/Federico_Garc%C3%ADa_Lorca"},{"id":102958,"name":"Pirandello","url":"https://www.academia.edu/Documents/in/Pirandello"},{"id":166978,"name":"Metateatro","url":"https://www.academia.edu/Documents/in/Metateatro"},{"id":550401,"name":"Metateatralidad","url":"https://www.academia.edu/Documents/in/Metateatralidad"},{"id":1645423,"name":"Luigi Pirandello's Six Characters in Search of an Author","url":"https://www.academia.edu/Documents/in/Luigi_Pirandellos_Six_Characters_in_Search_of_an_Author"},{"id":1786271,"name":"I giganti della montagna","url":"https://www.academia.edu/Documents/in/I_giganti_della_montagna"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="profile--tab_heading_container js-section-heading" data-section="Book Reviews" id="Book Reviews"><h3 class="profile--tab_heading_container">Book Reviews by Domenico Chirico</h3></div><div class="js-work-strip profile--work_container" data-work-id="83920077"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/83920077/Dalla_generazione_all_individuo_Giovinezza_identit%C3%A0_impegno_nell_opera_di_Pier_Vittorio_Tondelli"><img alt="Research paper thumbnail of Dalla generazione all’individuo. Giovinezza, identità, impegno nell’opera di Pier Vittorio Tondelli" class="work-thumbnail" src="https://attachments.academia-assets.com/89112208/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/83920077/Dalla_generazione_all_individuo_Giovinezza_identit%C3%A0_impegno_nell_opera_di_Pier_Vittorio_Tondelli">Dalla generazione all’individuo. Giovinezza, identità, impegno nell’opera di Pier Vittorio Tondelli</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="0e91f7172aa45efc8ad05e59dbff707d" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":89112208,"asset_id":83920077,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/89112208/download_file?st=MTczMzI2ODkxNyw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="83920077"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="83920077"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 83920077; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=83920077]").text(description); $(".js-view-count[data-work-id=83920077]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 83920077; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='83920077']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 83920077, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "0e91f7172aa45efc8ad05e59dbff707d" } } $('.js-work-strip[data-work-id=83920077]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":83920077,"title":"Dalla generazione all’individuo. Giovinezza, identità, impegno nell’opera di Pier Vittorio Tondelli","translated_title":"","metadata":{"doi":"10.13133/2239-1983/18089","grobid_abstract":"Dalla generazione all'individuo. Giovinezza, identità, impegno nell'opera di Pier Vittorio Tondelli analizza il modo in cui viene concettualizzata l'idea di giovinezza e impegno all'interno dell'opera di Pier Vittorio Tondelli. L'autrice parte da due scritti teatrali inediti, riconducibili a una fase post-universitaria, e ne fa il punto di partenza per proporre una lettura critica dell'operato artistico dello scrittore","publication_date":{"day":null,"month":null,"year":2022,"errors":{}},"grobid_abstract_attachment_id":89112208},"translated_abstract":null,"internal_url":"https://www.academia.edu/83920077/Dalla_generazione_all_individuo_Giovinezza_identit%C3%A0_impegno_nell_opera_di_Pier_Vittorio_Tondelli","translated_internal_url":"","created_at":"2022-07-29T13:58:43.910-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":80532737,"coauthors_can_edit":true,"document_type":"book_review","co_author_tags":[],"downloadable_attachments":[{"id":89112208,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/89112208/thumbnails/1.jpg","file_name":"Dalla_generazione_all_individuo._Giovinezza_identita_impegno_nell_opera_di_Pier_Vittorio_Tondelli.pdf","download_url":"https://www.academia.edu/attachments/89112208/download_file?st=MTczMzI2ODkxNyw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Dalla_generazione_all_individuo_Giovinez.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/89112208/Dalla_generazione_all_individuo._Giovinezza_identita_impegno_nell_opera_di_Pier_Vittorio_Tondelli-libre.pdf?1659128820=\u0026response-content-disposition=attachment%3B+filename%3DDalla_generazione_all_individuo_Giovinez.pdf\u0026Expires=1733247159\u0026Signature=Bj5~NKulsQ8SrYzsh38XDt4B0LBws~k4smlx0r5NeVkKRPD~PPKlm6xxoeFKQKBh~0ygihm-b3MEShzZIIxVSyEyrXCPg~DG06wXx6mjl-4zuQPwlRGEtkwmcTefK-B7Ggj~yHI2OPrhm-oDjkM6UNIE7exSFXDJkGGqPBQkCfi3oCECaJsamGDI16EH5tttvPOUQhtK7RFEghJJk9dWdPw-01pej4kNkC4CJf0skMXxNZER6hJThXxzZGQYf70Bki0~6E~Ls0slSkaxHraskRA377NCgjIYOZ5wPpNAhew-4SpUhuI2DmT9lfOP2V7jW5D4fncEIAATN9dHQE-n1A__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Dalla_generazione_all_individuo_Giovinezza_identità_impegno_nell_opera_di_Pier_Vittorio_Tondelli","translated_slug":"","page_count":7,"language":"it","content_type":"Work","owner":{"id":80532737,"first_name":"Domenico","middle_initials":null,"last_name":"Chirico","page_name":"DomenicoChirico","domain_name":"iuo","created_at":"2018-04-12T15:21:55.125-07:00","display_name":"Domenico Chirico","url":"https://iuo.academia.edu/DomenicoChirico"},"attachments":[{"id":89112208,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/89112208/thumbnails/1.jpg","file_name":"Dalla_generazione_all_individuo._Giovinezza_identita_impegno_nell_opera_di_Pier_Vittorio_Tondelli.pdf","download_url":"https://www.academia.edu/attachments/89112208/download_file?st=MTczMzI2ODkxNyw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Dalla_generazione_all_individuo_Giovinez.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/89112208/Dalla_generazione_all_individuo._Giovinezza_identita_impegno_nell_opera_di_Pier_Vittorio_Tondelli-libre.pdf?1659128820=\u0026response-content-disposition=attachment%3B+filename%3DDalla_generazione_all_individuo_Giovinez.pdf\u0026Expires=1733247159\u0026Signature=Bj5~NKulsQ8SrYzsh38XDt4B0LBws~k4smlx0r5NeVkKRPD~PPKlm6xxoeFKQKBh~0ygihm-b3MEShzZIIxVSyEyrXCPg~DG06wXx6mjl-4zuQPwlRGEtkwmcTefK-B7Ggj~yHI2OPrhm-oDjkM6UNIE7exSFXDJkGGqPBQkCfi3oCECaJsamGDI16EH5tttvPOUQhtK7RFEghJJk9dWdPw-01pej4kNkC4CJf0skMXxNZER6hJThXxzZGQYf70Bki0~6E~Ls0slSkaxHraskRA377NCgjIYOZ5wPpNAhew-4SpUhuI2DmT9lfOP2V7jW5D4fncEIAATN9dHQE-n1A__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":7885,"name":"Italian Cultural Studies","url":"https://www.academia.edu/Documents/in/Italian_Cultural_Studies"},{"id":62114,"name":"The Beat Generation","url":"https://www.academia.edu/Documents/in/The_Beat_Generation"},{"id":301112,"name":"Pier Vittorio Tondelli","url":"https://www.academia.edu/Documents/in/Pier_Vittorio_Tondelli"},{"id":693155,"name":"Tondelli","url":"https://www.academia.edu/Documents/in/Tondelli"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="profile--tab_heading_container js-section-heading" data-section="Conference Presentations" id="Conference Presentations"><h3 class="profile--tab_heading_container">Conference Presentations by Domenico Chirico</h3></div><div class="js-work-strip profile--work_container" data-work-id="87404086"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/87404086/Programma_Graduate_conference_INTER_AZIONI_DIALOGHI_TRA_LE_FORME"><img alt="Research paper thumbnail of Programma Graduate conference (INTER)AZIONI: DIALOGHI TRA LE FORME" class="work-thumbnail" src="https://attachments.academia-assets.com/91621090/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/87404086/Programma_Graduate_conference_INTER_AZIONI_DIALOGHI_TRA_LE_FORME">Programma Graduate conference (INTER)AZIONI: DIALOGHI TRA LE FORME</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="c21ba1a30797c8f397b22a1b835b6440" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":91621090,"asset_id":87404086,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/91621090/download_file?st=MTczMzI2ODkxNyw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="87404086"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="87404086"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 87404086; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="10974761" id="papers"><div class="js-work-strip profile--work_container" data-work-id="124916858"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/124916858/La_rielaborazione_del_represso_tra_letteratura_e_cronaca"><img alt="Research paper thumbnail of La rielaborazione del represso tra letteratura e cronaca" class="work-thumbnail" src="https://attachments.academia-assets.com/119053689/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/124916858/La_rielaborazione_del_represso_tra_letteratura_e_cronaca">La rielaborazione del represso tra letteratura e cronaca</a></div><div class="wp-workCard_item"><span>LA RIELABORAZIONE DEL REPRESSO TRA LETTERATURA E CRONACA</span><span>, 2024</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">La letteratura si pone talvolta oltre la finzione e il fatto entrando nel campo della rielaborazi...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">La letteratura si pone talvolta oltre la finzione e il fatto entrando nel campo della rielaborazione convenzionale e innescando dei processi di sublimazione degli eventi soprattutto quando questi sono traumatici per la coscienza individuale o collettiva. La rielaborazione dei traumi reali avviene allora in uno spazio della narrativa, un'intercapedine in cui la realtà sfuma nella rielaborazione convenzionale degli avvenimenti. Nelle forme ibridate con il giornalismo e il memoriale, in particolare, si creano degli spazi per confessare e narrativizzare anche gli omicidi. Significativi sono in questo senso il libro di J. Kerouac e W.S. Borroughs And the hippos were boiled in their tanks, in cui i due autori ricostruiscono l'omicidio di David Kammerer da parte del loro amico Lucien Carr, e La città dei vivi di N. Lagioia sull'omicidio di Luca Varani. L'intervento si propone di mettere in luce la dimensione ibrida tra letteratura e cronaca oltre che sottolineare, come in questo spazio, nel mezzo della polarità tra fatti e finzioni, esista un terreno fertile della scrittura per la sublimazione e la rielaborazione, tramite il filtro della convenzionalità narrativa, del rimosso o del represso.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="d7bf9efd138cb0768b75b706143897df" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":119053689,"asset_id":124916858,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/119053689/download_file?st=MTczMzI2ODkxNyw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="124916858"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="124916858"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 124916858; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=124916858]").text(description); $(".js-view-count[data-work-id=124916858]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 124916858; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='124916858']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 124916858, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "d7bf9efd138cb0768b75b706143897df" } } $('.js-work-strip[data-work-id=124916858]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":124916858,"title":"La rielaborazione del represso tra letteratura e cronaca","translated_title":"","metadata":{"abstract":"La letteratura si pone talvolta oltre la finzione e il fatto entrando nel campo della rielaborazione convenzionale e innescando dei processi di sublimazione degli eventi soprattutto quando questi sono traumatici per la coscienza individuale o collettiva. La rielaborazione dei traumi reali avviene allora in uno spazio della narrativa, un'intercapedine in cui la realtà sfuma nella rielaborazione convenzionale degli avvenimenti. Nelle forme ibridate con il giornalismo e il memoriale, in particolare, si creano degli spazi per confessare e narrativizzare anche gli omicidi. Significativi sono in questo senso il libro di J. Kerouac e W.S. Borroughs And the hippos were boiled in their tanks, in cui i due autori ricostruiscono l'omicidio di David Kammerer da parte del loro amico Lucien Carr, e La città dei vivi di N. Lagioia sull'omicidio di Luca Varani. L'intervento si propone di mettere in luce la dimensione ibrida tra letteratura e cronaca oltre che sottolineare, come in questo spazio, nel mezzo della polarità tra fatti e finzioni, esista un terreno fertile della scrittura per la sublimazione e la rielaborazione, tramite il filtro della convenzionalità narrativa, del rimosso o del represso.","publication_date":{"day":null,"month":null,"year":2024,"errors":{}},"publication_name":"LA RIELABORAZIONE DEL REPRESSO TRA LETTERATURA E CRONACA"},"translated_abstract":"La letteratura si pone talvolta oltre la finzione e il fatto entrando nel campo della rielaborazione convenzionale e innescando dei processi di sublimazione degli eventi soprattutto quando questi sono traumatici per la coscienza individuale o collettiva. La rielaborazione dei traumi reali avviene allora in uno spazio della narrativa, un'intercapedine in cui la realtà sfuma nella rielaborazione convenzionale degli avvenimenti. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="99178563"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/99178563/Falco_Zerocalcare_Garrone_e_gli_altri_per_unestetica_narrativa_del_bordo_urbano"><img alt="Research paper thumbnail of Falco, Zerocalcare, Garrone e gli altri per un'estetica narrativa del bordo urbano" class="work-thumbnail" src="https://attachments.academia-assets.com/100334887/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/99178563/Falco_Zerocalcare_Garrone_e_gli_altri_per_unestetica_narrativa_del_bordo_urbano">Falco, Zerocalcare, Garrone e gli altri per un'estetica narrativa del bordo urbano</a></div><div class="wp-workCard_item"><span>Polifemo - Numero 23</span><span>, 2022</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The aim of article is to demonstrate the existence of periphery aesthetics in contemporaneity fic...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The aim of article is to demonstrate the existence of periphery aesthetics in contemporaneity fiction. It will investigate how the presence of some formal and thematic elements supports the idea of the suburban space as unique. In particular, it will look into a variety of spaceconnoting issues such as the "straniamento", the correspondence between the characters' body and some elements of space, r-urban construction of the space, the massive presence of useless objects and the unrealistic occurrence of violence by way of analysing different texts-from the novel to movies and comic books. I argue that the way of looking at the periphery has changed after the "boom-economico" and that fiction is particularly reflective of such change of perspective, which has contributed to its easier reception by the viewer.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="d4b8c49a080ad4dfd52fb39f197f98e7" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":100334887,"asset_id":99178563,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/100334887/download_file?st=MTczMzI2ODkxNyw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="99178563"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="99178563"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 99178563; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=99178563]").text(description); $(".js-view-count[data-work-id=99178563]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 99178563; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='99178563']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 99178563, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "d4b8c49a080ad4dfd52fb39f197f98e7" } } $('.js-work-strip[data-work-id=99178563]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":99178563,"title":"Falco, Zerocalcare, Garrone e gli altri per un'estetica narrativa del bordo urbano","translated_title":"","metadata":{"abstract":"The aim of article is to demonstrate the existence of periphery aesthetics in contemporaneity fiction. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="90318198"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/90318198/Lettura_pirandelliana_di_una_trilogia_lorchiana"><img alt="Research paper thumbnail of Lettura pirandelliana di una trilogia lorchiana" class="work-thumbnail" src="https://attachments.academia-assets.com/93913577/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/90318198/Lettura_pirandelliana_di_una_trilogia_lorchiana">Lettura pirandelliana di una trilogia lorchiana</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The paper starts focusing on Pirandello and Garcia Lorca’s trilogies “theatre in the theatre” and...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The paper starts focusing on Pirandello and Garcia Lorca’s trilogies “theatre in the theatre” and the conceptions of theatre in the society between the two World Wars for the two authors. It underlines how the same antagonism versus the bourgeois spectators and the same metatheatral technique was used in different ways in Sei personaggi in cerca d’autore , Ciascuno a suo modo , Questa sera si recita a soggetto and in El publico , Asi que pasen cinco anos and Comedia sin titolo . The basic idea of this work is that through the reading of Pirandello’s plays, we can better understand Lorca’a plays. The last part of the work analyses the unfinished work of Pirandello I giganti della montagna and the impossibility of poetry in the massificated society for the Italian author just as Lorca’s play Comedia sin titulo , in which the theatre collapsed under the force of revolution.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="87c7a37594820143c52519b5e0ca1a89" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":93913577,"asset_id":90318198,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/93913577/download_file?st=MTczMzI2ODkxNyw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="90318198"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="90318198"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 90318198; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=90318198]").text(description); $(".js-view-count[data-work-id=90318198]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 90318198; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='90318198']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 90318198, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "87c7a37594820143c52519b5e0ca1a89" } } $('.js-work-strip[data-work-id=90318198]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":90318198,"title":"Lettura pirandelliana di una trilogia lorchiana","translated_title":"","metadata":{"abstract":"The paper starts focusing on Pirandello and Garcia Lorca’s trilogies “theatre in the theatre” and the conceptions of theatre in the society between the two World Wars for the two authors. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="45579664"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/45579664/Lettura_pirandelliana_di_una_trilogia_lorchiana"><img alt="Research paper thumbnail of Lettura pirandelliana di una trilogia lorchiana" class="work-thumbnail" src="https://attachments.academia-assets.com/66056666/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/45579664/Lettura_pirandelliana_di_una_trilogia_lorchiana">Lettura pirandelliana di una trilogia lorchiana</a></div><div class="wp-workCard_item"><span>Status Quaestionis</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The paper starts focusing on Pirandello and García Lorca's trilogies "theatre in the theatre" and...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The paper starts focusing on Pirandello and García Lorca's trilogies "theatre in the theatre" and the conceptions of theatre in the society between the two World Wars for the two authors. It underlines how the same antagonism versus the bourgeois spectators and the same metatheatral technique was used in different ways in Sei personaggi in cerca d'autore, Ciascuno a suo modo, Questa sera si recita a soggetto and in El público, Así que pasen cinco años and Comedia sin títolo. The basic idea of this work is that through the reading of Pirandello's plays, we can better understand Lorca'a plays. The last part of the work analyses the unfinished work of Pirandello I giganti della montagna and the impossibility of poetry in the massificated society for the Italian author just as Lorca's play Comedia sin título, in which the theatre collapsed under the force of revolution. 1. Negli anni tra il 1929 e il 1935 Federico García Lorca concepisce una trilogia teatrale, rimasta in gran parte incompleta e mai rappresentata, che ha come argomento portante proprio il teatro. Ricadere nella definizione di trilogia del "teatro nel teatro", con esplicito riferimento a Pirandello, non è una novità se si pensa che già Vitale 1991 e Soufas 1996 parlano di una trilogia metateatrale lorchiana. Quello che si tenterà di fare in questa sede è dare una lettura pirandelliana di questa trilogia spagnola costituita da El público (1929), Así que pasen cinco años (1933) e Comedia sin título (1935) in modo da capire quali sono i punti di contatto e divergenza tra i due autori nell'utilizzo delle tecniche metateatrali e come questi siano entrambi influenzati dalle avanguardie. Questo approccio non significa cercare di uniformare il prodotto drammaturgico lorchiano a quello pirandelliano, ma capire in che modo si muovano nella nuova complessità organizzativa dell'arte tra le due guerre e illuminare alcune caratteristiche della trilogia lorchiana ancora poco chiare. In via preliminare si deve sottolineare una conoscenza critica dell'opera pirandelliana da parte di Lorca. Egli subì, probabilmente, il dibattito culturale spagnolo intorno alla figura del siciliano negli anni della sua formazione alla Residencia de estudiantes. Infatti sappiamo che nel gennaio 1924 Ricardo Baeza tenne una conferenza nell'istituto</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="ba0e0986bccbe3af5151bfc8d27489e5" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":66056666,"asset_id":45579664,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/66056666/download_file?st=MTczMzI2ODkxNyw4LjIyMi4yMDguMTQ2&s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="45579664"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span><span id="work-strip-rankings-button-container"></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="45579664"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 45579664; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=45579664]").text(description); $(".js-view-count[data-work-id=45579664]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 45579664; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='45579664']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span><span><script>$(function() { new Works.PaperRankView({ workId: 45579664, container: "", }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-f77ea15d77ce96025a6048a514272ad8becbad23c641fc2b3bd6e24ca6ff1932.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "ba0e0986bccbe3af5151bfc8d27489e5" } } $('.js-work-strip[data-work-id=45579664]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":45579664,"title":"Lettura pirandelliana di una trilogia lorchiana","translated_title":"","metadata":{"doi":"10.13133/2239-1983/16845","abstract":"The paper starts focusing on Pirandello and García Lorca's trilogies \"theatre in the theatre\" and the conceptions of theatre in the society between the two World Wars for the two authors. It underlines how the same antagonism versus the bourgeois spectators and the same metatheatral technique was used in different ways in Sei personaggi in cerca d'autore, Ciascuno a suo modo, Questa sera si recita a soggetto and in El público, Así que pasen cinco años and Comedia sin títolo. The basic idea of this work is that through the reading of Pirandello's plays, we can better understand Lorca'a plays. The last part of the work analyses the unfinished work of Pirandello I giganti della montagna and the impossibility of poetry in the massificated society for the Italian author just as Lorca's play Comedia sin título, in which the theatre collapsed under the force of revolution. 1. Negli anni tra il 1929 e il 1935 Federico García Lorca concepisce una trilogia teatrale, rimasta in gran parte incompleta e mai rappresentata, che ha come argomento portante proprio il teatro. Ricadere nella definizione di trilogia del \"teatro nel teatro\", con esplicito riferimento a Pirandello, non è una novità se si pensa che già Vitale 1991 e Soufas 1996 parlano di una trilogia metateatrale lorchiana. Quello che si tenterà di fare in questa sede è dare una lettura pirandelliana di questa trilogia spagnola costituita da El público (1929), Así que pasen cinco años (1933) e Comedia sin título (1935) in modo da capire quali sono i punti di contatto e divergenza tra i due autori nell'utilizzo delle tecniche metateatrali e come questi siano entrambi influenzati dalle avanguardie. Questo approccio non significa cercare di uniformare il prodotto drammaturgico lorchiano a quello pirandelliano, ma capire in che modo si muovano nella nuova complessità organizzativa dell'arte tra le due guerre e illuminare alcune caratteristiche della trilogia lorchiana ancora poco chiare. In via preliminare si deve sottolineare una conoscenza critica dell'opera pirandelliana da parte di Lorca. Egli subì, probabilmente, il dibattito culturale spagnolo intorno alla figura del siciliano negli anni della sua formazione alla Residencia de estudiantes. Infatti sappiamo che nel gennaio 1924 Ricardo Baeza tenne una conferenza nell'istituto","publication_date":{"day":null,"month":null,"year":2020,"errors":{}},"publication_name":"Status Quaestionis"},"translated_abstract":"The paper starts focusing on Pirandello and García Lorca's trilogies \"theatre in the theatre\" and the conceptions of theatre in the society between the two World Wars for the two authors. It underlines how the same antagonism versus the bourgeois spectators and the same metatheatral technique was used in different ways in Sei personaggi in cerca d'autore, Ciascuno a suo modo, Questa sera si recita a soggetto and in El público, Así que pasen cinco años and Comedia sin títolo. The basic idea of this work is that through the reading of Pirandello's plays, we can better understand Lorca'a plays. The last part of the work analyses the unfinished work of Pirandello I giganti della montagna and the impossibility of poetry in the massificated society for the Italian author just as Lorca's play Comedia sin título, in which the theatre collapsed under the force of revolution. 1. Negli anni tra il 1929 e il 1935 Federico García Lorca concepisce una trilogia teatrale, rimasta in gran parte incompleta e mai rappresentata, che ha come argomento portante proprio il teatro. Ricadere nella definizione di trilogia del \"teatro nel teatro\", con esplicito riferimento a Pirandello, non è una novità se si pensa che già Vitale 1991 e Soufas 1996 parlano di una trilogia metateatrale lorchiana. Quello che si tenterà di fare in questa sede è dare una lettura pirandelliana di questa trilogia spagnola costituita da El público (1929), Así que pasen cinco años (1933) e Comedia sin título (1935) in modo da capire quali sono i punti di contatto e divergenza tra i due autori nell'utilizzo delle tecniche metateatrali e come questi siano entrambi influenzati dalle avanguardie. Questo approccio non significa cercare di uniformare il prodotto drammaturgico lorchiano a quello pirandelliano, ma capire in che modo si muovano nella nuova complessità organizzativa dell'arte tra le due guerre e illuminare alcune caratteristiche della trilogia lorchiana ancora poco chiare. In via preliminare si deve sottolineare una conoscenza critica dell'opera pirandelliana da parte di Lorca. Egli subì, probabilmente, il dibattito culturale spagnolo intorno alla figura del siciliano negli anni della sua formazione alla Residencia de estudiantes. Infatti sappiamo che nel gennaio 1924 Ricardo Baeza tenne una conferenza nell'istituto","internal_url":"https://www.academia.edu/45579664/Lettura_pirandelliana_di_una_trilogia_lorchiana","translated_internal_url":"","created_at":"2021-03-19T02:24:08.720-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":80532737,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":66056666,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/66056666/thumbnails/1.jpg","file_name":"Lettura_pirandelliana_di_una_trilogia_lorchiana.pdf","download_url":"https://www.academia.edu/attachments/66056666/download_file?st=MTczMzI2ODkxNyw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Lettura_pirandelliana_di_una_trilogia_lo.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/66056666/Lettura_pirandelliana_di_una_trilogia_lorchiana-libre.pdf?1616147716=\u0026response-content-disposition=attachment%3B+filename%3DLettura_pirandelliana_di_una_trilogia_lo.pdf\u0026Expires=1733247159\u0026Signature=cvA0iusIiV0GbRXUnbiRTui~v1WrO0FKeHqRIQiIZaLK87-6GiWiR2AAtxLO2v3W9khI-Ht~xsQ0D4a77lTMzDLAhc2j64DLcl121gzHY0gxGgOifXqDfpMhMj333zYGuclUzWfx~9CeINPrGdgppjm0zrGuAoyqxI8hVBpvrBL50MCMANrrRdafE3wkG8-yORrSiB4smYNygA1vLuzdhPLIjz~g8eo4kRYCRJktR228P8zZPIjbrkNEa8ayXO9Usc5pmiI3LulamuPVqR3ud6irbUkpX1VSxJm4Ukl-1QNpQ4AJ2hZ8mW~bRNEMexMEADgYxPvvxMA7n7p57tm1RA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Lettura_pirandelliana_di_una_trilogia_lorchiana","translated_slug":"","page_count":18,"language":"it","content_type":"Work","owner":{"id":80532737,"first_name":"Domenico","middle_initials":null,"last_name":"Chirico","page_name":"DomenicoChirico","domain_name":"iuo","created_at":"2018-04-12T15:21:55.125-07:00","display_name":"Domenico Chirico","url":"https://iuo.academia.edu/DomenicoChirico"},"attachments":[{"id":66056666,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/66056666/thumbnails/1.jpg","file_name":"Lettura_pirandelliana_di_una_trilogia_lorchiana.pdf","download_url":"https://www.academia.edu/attachments/66056666/download_file?st=MTczMzI2ODkxNyw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Lettura_pirandelliana_di_una_trilogia_lo.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/66056666/Lettura_pirandelliana_di_una_trilogia_lorchiana-libre.pdf?1616147716=\u0026response-content-disposition=attachment%3B+filename%3DLettura_pirandelliana_di_una_trilogia_lo.pdf\u0026Expires=1733247159\u0026Signature=cvA0iusIiV0GbRXUnbiRTui~v1WrO0FKeHqRIQiIZaLK87-6GiWiR2AAtxLO2v3W9khI-Ht~xsQ0D4a77lTMzDLAhc2j64DLcl121gzHY0gxGgOifXqDfpMhMj333zYGuclUzWfx~9CeINPrGdgppjm0zrGuAoyqxI8hVBpvrBL50MCMANrrRdafE3wkG8-yORrSiB4smYNygA1vLuzdhPLIjz~g8eo4kRYCRJktR228P8zZPIjbrkNEa8ayXO9Usc5pmiI3LulamuPVqR3ud6irbUkpX1VSxJm4Ukl-1QNpQ4AJ2hZ8mW~bRNEMexMEADgYxPvvxMA7n7p57tm1RA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":4951,"name":"Surrealism","url":"https://www.academia.edu/Documents/in/Surrealism"},{"id":8297,"name":"Samuel Beckett","url":"https://www.academia.edu/Documents/in/Samuel_Beckett"},{"id":15753,"name":"Metatheatre","url":"https://www.academia.edu/Documents/in/Metatheatre"},{"id":24019,"name":"Luigi Pirandello","url":"https://www.academia.edu/Documents/in/Luigi_Pirandello"},{"id":92613,"name":"Federico García Lorca","url":"https://www.academia.edu/Documents/in/Federico_Garc%C3%ADa_Lorca"},{"id":102958,"name":"Pirandello","url":"https://www.academia.edu/Documents/in/Pirandello"},{"id":166978,"name":"Metateatro","url":"https://www.academia.edu/Documents/in/Metateatro"},{"id":550401,"name":"Metateatralidad","url":"https://www.academia.edu/Documents/in/Metateatralidad"},{"id":1645423,"name":"Luigi Pirandello's Six Characters in Search of an Author","url":"https://www.academia.edu/Documents/in/Luigi_Pirandellos_Six_Characters_in_Search_of_an_Author"},{"id":1786271,"name":"I giganti della montagna","url":"https://www.academia.edu/Documents/in/I_giganti_della_montagna"}],"urls":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="15481313" id="bookreviews"><div class="js-work-strip profile--work_container" data-work-id="83920077"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/83920077/Dalla_generazione_all_individuo_Giovinezza_identit%C3%A0_impegno_nell_opera_di_Pier_Vittorio_Tondelli"><img alt="Research paper thumbnail of Dalla generazione all’individuo. 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Giovinezza, identità, impegno nell’opera di Pier Vittorio Tondelli","translated_title":"","metadata":{"doi":"10.13133/2239-1983/18089","grobid_abstract":"Dalla generazione all'individuo. Giovinezza, identità, impegno nell'opera di Pier Vittorio Tondelli analizza il modo in cui viene concettualizzata l'idea di giovinezza e impegno all'interno dell'opera di Pier Vittorio Tondelli. L'autrice parte da due scritti teatrali inediti, riconducibili a una fase post-universitaria, e ne fa il punto di partenza per proporre una lettura critica dell'operato artistico dello scrittore","publication_date":{"day":null,"month":null,"year":2022,"errors":{}},"grobid_abstract_attachment_id":89112208},"translated_abstract":null,"internal_url":"https://www.academia.edu/83920077/Dalla_generazione_all_individuo_Giovinezza_identit%C3%A0_impegno_nell_opera_di_Pier_Vittorio_Tondelli","translated_internal_url":"","created_at":"2022-07-29T13:58:43.910-07:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":80532737,"coauthors_can_edit":true,"document_type":"book_review","co_author_tags":[],"downloadable_attachments":[{"id":89112208,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/89112208/thumbnails/1.jpg","file_name":"Dalla_generazione_all_individuo._Giovinezza_identita_impegno_nell_opera_di_Pier_Vittorio_Tondelli.pdf","download_url":"https://www.academia.edu/attachments/89112208/download_file?st=MTczMzI2ODkxNyw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Dalla_generazione_all_individuo_Giovinez.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/89112208/Dalla_generazione_all_individuo._Giovinezza_identita_impegno_nell_opera_di_Pier_Vittorio_Tondelli-libre.pdf?1659128820=\u0026response-content-disposition=attachment%3B+filename%3DDalla_generazione_all_individuo_Giovinez.pdf\u0026Expires=1733247159\u0026Signature=Bj5~NKulsQ8SrYzsh38XDt4B0LBws~k4smlx0r5NeVkKRPD~PPKlm6xxoeFKQKBh~0ygihm-b3MEShzZIIxVSyEyrXCPg~DG06wXx6mjl-4zuQPwlRGEtkwmcTefK-B7Ggj~yHI2OPrhm-oDjkM6UNIE7exSFXDJkGGqPBQkCfi3oCECaJsamGDI16EH5tttvPOUQhtK7RFEghJJk9dWdPw-01pej4kNkC4CJf0skMXxNZER6hJThXxzZGQYf70Bki0~6E~Ls0slSkaxHraskRA377NCgjIYOZ5wPpNAhew-4SpUhuI2DmT9lfOP2V7jW5D4fncEIAATN9dHQE-n1A__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Dalla_generazione_all_individuo_Giovinezza_identità_impegno_nell_opera_di_Pier_Vittorio_Tondelli","translated_slug":"","page_count":7,"language":"it","content_type":"Work","owner":{"id":80532737,"first_name":"Domenico","middle_initials":null,"last_name":"Chirico","page_name":"DomenicoChirico","domain_name":"iuo","created_at":"2018-04-12T15:21:55.125-07:00","display_name":"Domenico Chirico","url":"https://iuo.academia.edu/DomenicoChirico"},"attachments":[{"id":89112208,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/89112208/thumbnails/1.jpg","file_name":"Dalla_generazione_all_individuo._Giovinezza_identita_impegno_nell_opera_di_Pier_Vittorio_Tondelli.pdf","download_url":"https://www.academia.edu/attachments/89112208/download_file?st=MTczMzI2ODkxNyw4LjIyMi4yMDguMTQ2&","bulk_download_file_name":"Dalla_generazione_all_individuo_Giovinez.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/89112208/Dalla_generazione_all_individuo._Giovinezza_identita_impegno_nell_opera_di_Pier_Vittorio_Tondelli-libre.pdf?1659128820=\u0026response-content-disposition=attachment%3B+filename%3DDalla_generazione_all_individuo_Giovinez.pdf\u0026Expires=1733247159\u0026Signature=Bj5~NKulsQ8SrYzsh38XDt4B0LBws~k4smlx0r5NeVkKRPD~PPKlm6xxoeFKQKBh~0ygihm-b3MEShzZIIxVSyEyrXCPg~DG06wXx6mjl-4zuQPwlRGEtkwmcTefK-B7Ggj~yHI2OPrhm-oDjkM6UNIE7exSFXDJkGGqPBQkCfi3oCECaJsamGDI16EH5tttvPOUQhtK7RFEghJJk9dWdPw-01pej4kNkC4CJf0skMXxNZER6hJThXxzZGQYf70Bki0~6E~Ls0slSkaxHraskRA377NCgjIYOZ5wPpNAhew-4SpUhuI2DmT9lfOP2V7jW5D4fncEIAATN9dHQE-n1A__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":7885,"name":"Italian Cultural Studies","url":"https://www.academia.edu/Documents/in/Italian_Cultural_Studies"},{"id":62114,"name":"The Beat Generation","url":"https://www.academia.edu/Documents/in/The_Beat_Generation"},{"id":301112,"name":"Pier Vittorio Tondelli","url":"https://www.academia.edu/Documents/in/Pier_Vittorio_Tondelli"},{"id":693155,"name":"Tondelli","url":"https://www.academia.edu/Documents/in/Tondelli"}],"urls":[]}, dispatcherData: dispatcherData }); 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